The Machine in the Garden - Wikipedia The Machine in the Garden From Wikipedia, the free encyclopedia Jump to navigation Jump to search This article is about a non-fiction book. For information on the musical group, see The Machine in the Garden (band). The Machine in the Garden 1967 paperback cover Author Leo Marx Country United States Language English Subject American studies Technology and society Genre Non-fiction Published 1964 (Oxford University Press) ISBN 0195007387 OCLC 419263 LC Class E169.1 .M35 2000 The Machine in the Garden: Technology and the Pastoral Ideal in America is a 1964 work of literary criticism written by Leo Marx and published by Oxford University Press.[1] The title of the book refers to a trope in American literature representing the interruption of pastoral scenery by technology due to the industrialization of America during the 19th and 20th century. For example, the trope notably appears in Henry David Thoreau's Walden (1854) when the whistling sound of a steam locomotive disrupts the natural landscape of Walden Pond. Marx uses this literary metaphor to illustrate the relationship between culture and technology in the United States as depicted in the work of American authors such as Herman Melville, Ralph Waldo Emerson, Nathaniel Hawthorne, Henry David Thoreau, Mark Twain, Frank Norris, Henry Adams, Henry James, and F. Scott Fitzgerald. Contents 1 Synopsis 2 See also 3 References 4 Further reading Synopsis[edit] Marx identifies a major theme in literature of the nineteenth century—the dialectical tension between the pastoral ideal in America and the rapid and sweeping transformations wrought by machine technology. This tension is expressed "everywhere" in literature by the recurring image of the machine in the garden—that is, the sudden and shocking intrusion of technology into a pastoral scene. "Within the lifetime of a single generation," Marx writes, "a rustic and in large part wild landscape was transformed into the site of the world's most productive industrial machine. It would be difficult to imagine more profound contradictions of value or meaning than those made manifest by this circumstance. Its influence upon our literature is suggested by the recurrent image of the machine's sudden entrance onto the landscape."[2] But Marx isn't interested so much in historical changes to the physical landscape. Instead, he looks at the interior landscape—"the landscape of the psyche"—and it is intelligently and well-written literature that he believes offers us the most useful and insightful direct access to the psyche. While popular culture traded on "puerile" and sentimental pastoralism—that is, the simple and unreflective urge to find a "middle ground" between the over-civilization of the city and the "violent uncertainties of nature" (28)—serious literature took a hard, careful look at the contradictions in American culture, and particularly at the conflict between the old bucolic image of America and its new image as an industrial power (26). It is the "role" of literature, argues Marx, to show us the "contradiction" of our commitments to both rural happiness and "productivity, wealth, and power."[3] One example of this image occurs in Adventures of Huckleberry Finn. In Mark Twain's 1885 masterpiece, the garden is the raft, and the machine is the steamboat that smashes it apart—and along with it, the (impossible) dream of a free and independent existence for Huck and Jim. As the raft drifts ever southward, deeper and deeper into slave territory, it is increasingly clear that this existence is unsustainable. The raft, like Thoreau's cabin, represents an escape from society, freedom from restriction, and a sense of plenty all associated with the pastoral ideal. It "embraces all of the extravagant possibilities of sufficiency, spontaneity, and joy that had been projected upon the American landscape since the age of discovery."[4] The steamboat represents the intrusion of social realities into this dream, and not just the intrusion of the reality of human enslavement. It is a representation of how machine technology conflicts with the pastoral ideal, and in the case of Huck and Jim, onto the southward-floating raft.[4] Marx concludes that literary artists—and Twain, Melville, and Hawthorne in particular—raised important issues and exposed important contradictions in American culture, showing how "the aspirations once represented by the symbol of an ideal landscape have not, and probably cannot, be embodied" and that "our inherited symbols of order and beauty have been divested of meaning." However, Marx does not believe that these artists offer any solutions to the problems they raise. They have "clarified our situation" but have not created the "new symbols of possibility" we need.[5] Literature can expose problems, but for solutions we should look critically to politics for historical possibilities. See also[edit] Arcadia (utopia) Virgin Land: The American West As Symbol and Myth The Machine in Neptune's Garden: Historical Perspectives on Technology and the Marine Environment References[edit] ^ Marx, Leo (2000). The Machine in the Garden: Technology and the Pastoral Ideal in America. Oxford University Press. ^ The Machine in the Garden, p. 343. ^ The Machine in the Garden, p. 226. ^ a b The Machine in the Garden, p. 330. ^ The Machine in the Garden, p. 365. Further reading[edit] Bryant, John L. (Spring 1975). A Usable pastoralism: Leo Marx's method in the machine in the garden. American Studies. 16(1):63-72. JSTOR 40641112 (subscription required) Decker, Jeffrey L. (Spring 1992). Dis-Assembling the Machine in the Garden: Antihumanism and the Critique of American Studies. New Literary History. 23(2): 281-306. JSTOR 469235 (subscription required) Erbacher, Eric, Nicole Maruo-Schröder, and Florian Sedlmeier, eds. (2014). Rereading the Machine in the Garden. Nature and Technology in American Culture. Frankfurt/Main and New York: Campus. Meikle, Jeffrey L. (January 2003). Leo Marx's "The Machine in the Garden". Technology and Culture. 44(1):147-159. JSTOR 25148061 (subscription required) Robinson, David M. (December 2013). The Ruined Garden at Half a Century: Leo Marx’s The Machine in the Garden. Reviews in American History. 41(4):571-576. doi:10.1353/rah.2013.0105 Wolf, Virginia L. (1996). The Historical Journey: American Myth. Little House on the Prairie: A Reader's Companion. Twayne Publishers. pp. 104-126. Retrieved from "https://en.wikipedia.org/w/index.php?title=The_Machine_in_the_Garden&oldid=982975463" Categories: 1964 non-fiction books Books of literary criticism History of science and technology in the United States Environmental non-fiction books Hidden categories: Pages containing links to subscription-only content Navigation menu Personal tools Not logged in Talk Contributions Create account Log in Namespaces Article Talk Variants Views Read Edit View history More Search Navigation Main page Contents Current events Random article About Wikipedia Contact us Donate Contribute Help Learn to edit Community portal Recent changes Upload file Tools What links here Related changes Upload file Special pages Permanent link Page information Cite this page Wikidata item Print/export Download as PDF Printable version Languages Add links This page was last edited on 11 October 2020, at 14:17 (UTC). 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