Stephen Greenblatt - Wikipedia Stephen Greenblatt From Wikipedia, the free encyclopedia Jump to navigation Jump to search Stephen Greenblatt Greenblatt in 2004 Born Stephen Jay Greenblatt (1943-11-07) November 7, 1943 (age 77) Boston, Massachusetts Occupation Writer, Harvard University Professor Language English Education Newton North High School Alma mater Yale University (BA, PhD) Pembroke College, Cambridge (MPhil) Subject New Historicism, Shakespeare, Renaissance Notable awards National Book Award for Nonfiction, Pulitzer Prize Spouse Ellen Schmidt (1969–1996) Ramie Targoff (1998–) Stephen Jay Greenblatt (born November 7, 1943) is an American Shakespearean, literary historian, and author. He has served as the John Cogan University Professor of the Humanities at Harvard University since 2000. Greenblatt is the general editor of The Norton Shakespeare (2015) and the general editor and a contributor to The Norton Anthology of English Literature. Greenblatt is one of the founders of new historicism, a set of critical practices that he often refers to as "cultural poetics"; his works have been influential since the early 1980s when he introduced the term. Greenblatt has written and edited numerous books and articles relevant to New Historicism, the study of culture, Renaissance studies and Shakespeare studies and is considered to be an expert in these fields. He is also co-founder of the literary-cultural journal Representations, which often publishes articles by new historicists. His most popular work is Will in the World, a biography of Shakespeare that was on The New York Times Best Seller list for nine weeks.[1] He won the Pulitzer Prize for General Non-Fiction in 2012 and the National Book Award for Nonfiction in 2011 for The Swerve: How the World Became Modern.[2][3] Contents 1 Life and career 1.1 Education and career 1.2 Family 2 Work 2.1 New Historicism 2.2 Shakespeare and Renaissance studies 2.3 Norton Anthology of English Literature 2.4 Political commentary 3 Honors 4 Lectures 5 Bibliography 5.1 Books 5.2 Essays and reporting 6 See also 7 Notes 8 Further reading 9 External links Life and career[edit] Education and career[edit] Greenblatt was born in Boston and raised in Newton, Massachusetts. After graduating from Newton North High School, he was educated at Yale University (BA 1964, PhD 1969) and Pembroke College, Cambridge (MPhil 1966).[4] Greenblatt has since taught at the University of California, Berkeley, and Harvard University. He was Class of 1972 Professor at Berkeley (becoming a full professor in 1980) and taught there for 28 years before taking a position at Harvard University.[5] He was named John Cogan University Professor of the Humanities in 2000. Greenblatt is considered "a key figure in the shift from literary to cultural poetics and from textual to contextual interpretation in U.S. English departments in the 1980s and 1990s."[6] Greenblatt was a long-term fellow of the Wissenschaftskolleg in Berlin.[7] As a visiting professor and lecturer, Greenblatt has taught at institutions including the École des Hautes Études, the University of Florence, Kyoto University, the University of Oxford and Peking University. He was a resident fellow at the American Academy in Rome,[8] and is a fellow of the American Academy of Arts and Sciences (1987), the American Philosophical Society (2007), and the American Academy of Arts and Letters (2008); he has been president of the Modern Language Association.[9] Family[edit] Greenblatt is an Eastern European Jew, an Ashkenazi, and a Litvak. His observant Jewish grandparents were born in Lithuania; his paternal grandparents were from Kovno and his maternal grandparents were from Vilna.[10] Greenblatt's grandparents immigrated to the United States during the early 1890s in order to escape a Czarist Russification plan to conscript young Jewish men into the Russian army.[11] In 1998, he married fellow academic Ramie Targoff, also a Renaissance expert and a professor at Brandeis University, whom he has described as his soulmate.[4] Work[edit] Greenblatt has written extensively on Shakespeare, the Renaissance, culture and New Historicism (which he often refers to as "cultural poetics"). Much of his work has been "part of a collective project", such as his work as co-editor of the Berkeley-based literary-cultural journal Representations (which he co-founded in 1983), as editor of publications such as the Norton Anthology of English Literature, and as co-author of books such as Practicing New Historicism (2000), which he wrote with Catherine Gallagher. Greenblatt has also written on such subjects as travelling in Laos and China, story-telling, and miracles. Greenblatt's collaboration with Charles L. Mee, Cardenio, premiered on May 8, 2008, at the American Repertory Theater in Cambridge, Massachusetts. While the critical response to Cardenio was mixed, audiences responded quite positively. The American Repertory Theater has posted audience responses on the organization's blog. Cardenio has been adapted for performance in ten countries, with additional international productions planned.[citation needed] He wrote his 2018 book Tyrant: Shakespeare on Politics out of anxiety over the result of the 2016 US presidential election.[12][13] New Historicism[edit] Greenblatt first used the term "New Historicism" in his 1982 introduction to The Power of Forms in the English Renaissance wherein he uses Queen Elizabeth I's "bitter reaction to the revival of Shakespeare's Richard II on the eve of the Essex rebellion" to illustrate the "mutual permeability of the literary and the historical".[14] New Historicism is regarded by many to have influenced "every traditional period of English literary history".[15] Some critics have charged that it is "antithetical to literary and aesthetic value, that it reduces the historical to the literary or the literary to the historical, that it denies human agency and creativity, that it is somehow out to subvert the politics of cultural and critical theory [and] that it is anti-theoretical".[14] Scholars have observed that New Historicism is, in fact, "neither new nor historical."[16] Others praise New Historicism as "a collection of practices" employed by critics to gain a more comprehensive understanding of literature by considering it in historical context while treating history itself as "historically contingent on the present in which [it is] constructed".[14] As stated by Shakespeare scholar Jonathan Bate, the approach of New Historicism has been "the most influential strand of criticism over the last 25 years, with its view that literary creations are cultural formations shaped by 'the circulation of social energy'."[4] When told that several American job advertisements were requesting responses from experts in New Historicism, Greenblatt remembered thinking: "'You've got to be kidding. You know it was just something we made up!' I began to see there were institutional consequences to what seemed like a not particularly deeply thought-out term."[4] He has also said that "My deep, ongoing interest is in the relation between literature and history, the process through which certain remarkable works of art are at once embedded in a highly specific life-world and seem to pull free of that life-world. I am constantly struck by the strangeness of reading works that seem addressed, personally and intimately, to me, and yet were written by people who crumbled to dust long ago".[17] Greenblatt's works on New Historicism and "cultural poetics" include Practicing New Historicism (2000) (with Catherine Gallagher), in which Greenblatt discusses how "they anecdote ... appears as the 'touch of the real'" and Towards a Poetics of Culture (1987), in which Greenblatt asserts that the question of "how art and society are interrelated," as posed by Jean-François Lyotard and Fredric Jameson, "cannot be answered by appealing to a single theoretical stance".[15] Renaissance Self-Fashioning and the introduction to the Norton Shakespeare are regarded as good examples of Greenblatt's application of new historicist practices.[14] New Historicism acknowledges that any criticism of a work is colored by the critic's beliefs, social status, and other factors. Many New Historicists begin a critical reading of a novel by explaining themselves, their backgrounds, and their prejudices. Both the work and the reader are affected by everything that has influenced them. New Historicism thus represents a significant change from previous critical theories like New Criticism, because its main focus is to look at many elements outside of the work, instead of reading the text in isolation. Shakespeare and Renaissance studies[edit] "I believe that nothing comes of nothing, even in Shakespeare. I wanted to know where he got the matter he was working with and what he did with that matter".[18] Greenblatt states in "King Lear and Harsnett's 'Devil-Fiction'" that "Shakespeare's self-consciousness is in significant ways bound up with the institutions and the symbology of power it anatomizes".[19] His work on Shakespeare has addressed such topics as ghosts, purgatory, anxiety, exorcists and revenge. He is also a general editor of the Norton Shakespeare. Greenblatt's New Historicism opposes the ways in which New Criticism consigns texts "to an autonomous aesthetic realm that [dissociates] Renaissance writing from other forms of cultural production" and the historicist notion that Renaissance texts mirror "a coherent world-view that was held by a whole population," asserting instead "that critics who [wish] to understand sixteenth- and seventeenth-century writing must delineate the ways the texts they [study] were linked to the network of institutions, practices, and beliefs that constituted Renaissance culture in its entirety".[15] Greenblatt's work in Renaissance studies includes Renaissance Self-Fashioning (1980), which "had a transformative impact on Renaissance studies".[14] Norton Anthology of English Literature[edit] Greenblatt joined M. H. Abrams as general editor of The Norton Anthology of English Literature published by W. W. Norton during the 1990s.[20] He is also the co-editor of the anthology's section on Renaissance literature[21] and the general editor of the Norton Shakespeare, "currently his most influential piece of public pedagogy."[14] Political commentary[edit] Although it does not reference Donald Trump directly, Greenblatt's 2018 book, Tyrant: Shakespeare on Power, is considered by literary critics in leading newspapers as thinly veiled criticism of the Trump administration.[22][23][24] Honors[edit] 1964–66: Fulbright scholarship 1975: Guggenheim Fellowship 1983: Guggenheim Fellowship 1989: James Russell Lowell Prize of the Modern Language Association (Shakespearean Negotiations) 2002: Honorary D.Litt., Queen Mary College, University of London 2002: Erasmus Institute Prize 2002: Mellon Distinguished Humanist Award 2005: William Shakespeare Award for Classical Theatre, The Shakespeare Theatre, Washington, D.C. 2006: Honorary degree, University of Bucharest, Romania 2010: Wilbur Cross Medal, Yale University 2011: National Book Award for Nonfiction, The Swerve: How the World Became Modern 2011: James Russell Lowell Prize of the Modern Language Association, The Swerve: How the World Became Modern 2012: Pulitzer Prize for General Non-Fiction, The Swerve: How the World Became Modern 2016: Honorary Ph.D. in Visual Arts: Philosophy, Aesthetics, and Art Theory, from the Institute for Doctoral Studies in the Visual Arts 2016 Holberg Prize for outstanding scholars for work in the arts, humanities, social sciences, law or theology Lectures[edit] Clarendon Lectures, University of Oxford (1988) Carpenter Lectures, University of Chicago (1988) Adorno Lectures, Goethe University Frankfurt (2006) Campbell Lectures, Rice University (2008) Sigmund H Danziger Jr Lecture, University of Chicago (2015) Rosamond Gifford Lecture Series, Syracuse, New York (2015) Mosse Lecture Series, Humboldt University (2015) Humanitas Visiting Professorship in Museums, Galleries and Libraries, University of Oxford (2015) Bibliography[edit] This list is incomplete; you can help by adding missing items with reliable sources. Books[edit] Greenblatt, Stephen (1965). Three modern satirists : Waugh, Orwell, and Huxley. New Haven, Conn.: Yale University Press. ISBN 978-0-300-00508-0. — (1973). Sir Walter Ralegh: The Renaissance Man and His Roles. New Haven, Conn.: Yale University Press. ISBN 978-0-300-01634-5. — (2005) [1980]. Renaissance Self-Fashioning: From More to Shakespeare. Chicago: University of Chicago Press. ISBN 978-0-226-30659-9. — (1989). Shakespearean Negotiations: The Circulation of Social Energy in Renaissance England. Berkeley: University of California Press. ISBN 978-0-520-06160-6. — (2007) [1990]. Learning to Curse: Essays in Early Modern Culture. London: Harvard University Press. ISBN 978-0-415-77160-3. — (1992). Marvelous Possessions: The Wonder of the New World. Chicago: University of Chicago Press. ISBN 978-0-226-30652-0. —, ed. (1992). Redrawing the Boundaries: The Transformation of English and American Literary Studies. New York: Modern Language Association of America. ISBN 978-0-87352-396-7. with Cohen, Walter; Howard, Jean; Maus, Katharine Eisaman, eds. (2008) [1997]. The Norton Shakespeare (2nd ed.). New York: W. W. Norton. ISBN 978-0-393-92991-1. with Gallagher, Catherine (2001). Practicing New Historicism. Chicago: University of Chicago Press. ISBN 978-0-226-27935-0. — (2002). Hamlet in Purgatory. Princeton: Princeton University Press. ISBN 978-0-691-10257-3. — (2005). Will in the World: How Shakespeare Became Shakespeare. New York: W. W. Norton. ISBN 978-0-393-32737-3. — (2005). The Greenblatt Reader. Hoboken: Wiley-Blackwell. ISBN 978-1-4051-1566-7. — (2010). Shakespeare's Freedom. Chicago: University of Chicago Press. ISBN 978-0-226-30667-4. — (2011). The Swerve: How the World Became Modern. New York: W. W. Norton. ISBN 978-0-393-06447-6. — (2017). The Rise and Fall of Adam and Eve. New York: W. W. Norton. ISBN 978-0-393-24080-1. — (2018). Tyrant: Shakespeare on Politics. New York: W. W. Norton. ISBN 9780393635751. Essays and reporting[edit] Greenblatt, Stephen (April 2, 2015). "Shakespeare in Tehran". The New York Review of Books. Retrieved October 9, 2016. — (June 19, 2017). "The invention of sex : St. Augustine's carnal knowledge". Annals of Culture. The New Yorker. 93 (17): 24–28.[25] — (July 10, 2017). "If You Prick us". Annals of Culture. The New Yorker. 93 (20): 34–39.[26] See also[edit] Cultural Materialism (often contrasted with) Historicism Literary theory Notes[edit] ^ Rachel Donadio (January 23, 2005). "Who Owns Shakespeare?". The New York Times. Retrieved March 2, 2012. ^ "The 2012 Pulitzer Prize Winners". Retrieved March 25, 2014. ^ "2011 National Book Award Winner, Nonfiction". National Book Foundation. Retrieved March 25, 2014. ^ a b c d Miller, Lucasta (February 26, 2005). "The human factor". The Guardian. Retrieved October 7, 2015. ^ "Greenblatt Accepts Tenure: Prof. Will Join English Dept". The Harvard Crimson. December 14, 1996. Retrieved October 7, 2015. ^ Vincent Leitch, ed. (2001). Norton Anthology of Theory and Criticism. New York: W. W. Norton. p. 2250. ISBN 978-0-393-97429-4. ^ "Chronicle of the Wissenschaftskolleg zu Berlin 1978–2006". Wissenschaftskolleg zu Berlin. Retrieved October 7, 2015. 2001 ... Stephen Greenblatt, Humanities, Harvard, is appointed a Non-Resident Permanent Fellow. ^ "Stephen Greenblatt Contemplates the Enduring Power of Lucretius and his Dangerous Ideas". April 2, 2013. Retrieved October 7, 2015. A lecture by Stephen Greenblatt, RAAR '10, took place Wednesday evening under an auspicious full moon at the Villa Aurelia. ^ Greenblatt, Stephen (May 2003). "Presidential Address 2002: "Stay, Illusion". On Receiving Messages from the Dead". Publications of the Modern Language Association of America. JSTOR 1261517. ^ |https://www.lrb.co.uk/the-paper/v22/n18/stephen-greenblatt/the-inevitable-pit%7Ctitle=The Inevitable Pit|work=London Review of Books|date=September 21, 2000| ^ "The Inevitable Pit: Stephen Greenblatt writes about his family and the New World". London Review of Books. Retrieved December 9, 2012. ^ "What can Macbeth teach us about President Trump's next move?" by Eliot A. Cohen, The Washington Post, May 3, 2018 ^ "Stephen Greenblatt interview: on Shakespeare, Trump and his new book about the 'strong men' who lead the world" by Bryan Appleyard, The Times, May 20, 2018 (subscription required) ^ a b c d e f Greenblatt, Stephen (2005). The Greenblatt Reader. Hoboken: Wiley-Blackwell. pp. 1–3. ISBN 978-1-4051-1566-7. ^ a b c Cadzow, Hunter; Conway, Alison; Traister, Bryce (2005). "New Historicism". Johns Hopkins Guide to Literary Theory and Criticism. Retrieved March 2, 2012. ^ Vickers, Brian (1994). Appropriating Shakespeare: Contemporary Critical Quarrels. New Haven: Yale University Press. p. 215. ISBN 978-0300061055. ^ "Greenblatt Named University Professor of the Humanities". Harvard University Gazette. September 21, 2000. Archived from the original on February 8, 2012. Retrieved March 2, 2012. ^ Greenblatt, Stephen (2002). Hamlet in Purgatory. Princeton: Princeton University Press. p. 4. ISBN 978-0-691-10257-3. ^ David Richter, ed. (1988). The Critical Tradition: Classic Texts and Contemporary Trends. Boston: Bedford Books. p. 1295. ISBN 978-0-312-10106-0. ^ Donadio, Rachel, The New York Times, January 8, 2006, "Keeper of the Canon" ^ Ken Gewertz (February 2, 2006). "Greenblatt Edits 'Norton Anthology'". Harvard University Gazette. Archived from the original on February 8, 2012. Retrieved March 2, 2012. ^ Callow, Simon (June 20, 2018). "What Would Shakespeare Have Made of Donald Trump?". The New York Times. Retrieved July 12, 2019. ^ McCrum, Robert (July 1, 2018). "Tyrant: Shakespeare on Power by Stephen Greenblatt review – sinister and enthralling". The Guardian. Retrieved July 12, 2019. ^ Cohen, Eliot A. (May 3, 2018). "What can Macbeth Teach us about President Trump's next move?". The Washington Post. Retrieved July 12, 2019. ^ Online version is titled "How St. Augustine invented sex". ^ Online version is titled "Shakespeare's Cure for Xenophobia". Further reading[edit] Cadzow, Hunter; Conway, Alison; Traister, Bryce (2005). "New Historicism". Johns Hopkins Guide to Literary Theory and Criticism. Retrieved March 2, 2012. "A conversation with author Stephen Greenblatt". Charlie Rose. PBS. December 1, 2004. Archived from the original on March 19, 2012. Retrieved March 2, 2012. Gewertz, Ken (February 2, 2006). "Greenblatt Edits 'Norton Anthology'". Harvard University Gazette. Archived from the original on February 8, 2012. Retrieved March 2, 2012. "Greenblatt Named University Professor of the Humanities". Harvard University Gazette. September 21, 2000. Archived from the original on February 8, 2012. Greenblatt, Stephen (1989). Shakespearean Negotiations: The Circulation of Social Energy in Renaissance England. Berkeley: University of California Press. ISBN 978-0-520-06160-6. —— (1992). Marvelous Possessions: The Wonder of the New World. Chicago: University of Chicago Press. ISBN 978-0-226-30652-0. —— (2002). Hamlet in Purgatory. Princeton: Princeton University Press. ISBN 978-0-691-10257-3. —— (2005). The Greenblatt Reader. Hoboken: Wiley-Blackwell. ISBN 978-1-4051-1566-7. —— (February 5, 2013). "The Shape of a Life". The New Yorker. —— (July 10, 2017). "Shakespeare's Cure for Xenophobia". The New Yorker. "Interview: Will in the World: How Shakespeare Became Shakespeare". Booknotes. C-SPAN. November 14, 2004. Archived from the original on November 16, 2010. Retrieved March 2, 2012. Leitch, Vincent, ed. (2001). Norton Anthology of Theory and Criticism. New York: W. W. Norton. ISBN 978-0-393-97429-4. "Meet the Writers: Stephen Greenblatt". Barnes & Noble. 2004. Archived from the original on February 10, 2012. Retrieved March 2, 2012. Pieters, Jürgen, ed. (1999). Critical Self-Fashioning: Stephen Greenblatt and the New Historicism. Frankfurt: Peter Lang. ISBN 978-3-631-34116-2. ——, ed. (2001). Moments of Negotiation. The New Historicism of Stephen Greenblatt. Amsterdam: Amsterdam University Press. ISBN 978-90-5356-502-5.} Richter, David, ed. (1988). The Critical Tradition: Classic Texts and Contemporary Trends. Boston: Bedford Books. ISBN 978-0-312-10106-0. Rivkin, Julie; Ryan, Michael, eds. (2004). Literary Theory: An Anthology. Malden: Blackwell. ISBN 978-1-4051-0696-2. Ruder, Debra Bradley (February 6, 1997). "Renaissance Literature Scholar to Join FAS". Harvard University Gazette. Retrieved March 2, 2012. External links[edit] Cardenio, American Repertory Theater The Cardenio Project The Johns Hopkins Guide to Literary Theory and Criticism Harvard Faculty profile The Norton Anthology of English Literature Appearances on C-SPAN Booknotes interview with Greenblatt on Will in the World, November 14, 2004. Stephen Greenblatt, interviewed on Charlie Rose v t e Pulitzer Prize for General Non-Fiction (2001–2025) Hirohito and the Making of Modern Japan by Herbert P. Bix (2001) Carry Me Home by Diane McWhorter (2002) "A Problem from Hell" by Samantha Power (2003) Gulag: A History by Anne Applebaum (2004) Ghost Wars by Steve Coll (2005) Imperial Reckoning by Caroline Elkins (2006) The Looming Tower by Lawrence Wright (2007) The Years of Extermination by Saul Friedländer (2008) Slavery by Another Name by Douglas A. Blackmon (2009) The Dead Hand by David E. Hoffman (2010) The Emperor of All Maladies by Siddhartha Mukherjee (2011) The Swerve by Stephen Greenblatt (2012) Devil in the Grove by Gilbert King (2013) Toms River by Dan Fagin (2014) The Sixth Extinction by Elizabeth Kolbert (2015) Black Flags by Joby Warrick (2016) Evicted by Matthew Desmond (2017) Locking Up Our Own by James Forman Jr. (2018) Amity and Prosperity by Eliza Griswold (2019) The End of the Myth by Greg Grandin; The Undying by Anne Boyer (2020) Complete list (1962–1975) (1976–2000) (2001–2025) Authority control BIBSYS: 90202135 BNE: XX958247 BNF: cb120260489 (data) CANTIC: a11495790 CiNii: DA00714404 GND: 119517744 ISNI: 0000 0001 2147 0077 LCCN: n80033957 LNB: 000043065 NDL: 00467522 NKC: kup19960000033323 NLA: 36581266 NLI: 000364939 NLK: KAC199610758 NSK: 000126107 NTA: 069119112 PLWABN: 9810642390305606 RERO: 02-A003317435 SELIBR: 232280 SNAC: w68s87bn SUDOC: 028422090 Trove: 382089 VIAF: 108487606 WorldCat Identities: lccn-n80033957 Retrieved from "https://en.wikipedia.org/w/index.php?title=Stephen_Greenblatt&oldid=999642244" Categories: 1943 births Living people 20th-century American historians 20th-century American essayists 20th-century American male writers 21st-century American historians 21st-century American essayists 21st-century American male writers Alumni of Pembroke College, Cambridge American literary critics American literary historians American people of Lithuanian-Jewish descent Fellows of Pembroke College, Cambridge Fulbright Scholars Harvard University faculty Holberg Prize laureates Jewish American writers National Book Award winners New Historicism Pulitzer Prize for General Non-Fiction winners Shakespearean scholars The New Yorker people Jewish historians Writers from Cambridge, Massachusetts Writers from Newton, Massachusetts Yale University alumni Members of the American Philosophical Society American male non-fiction writers Historians from Massachusetts Newton North High School alumni Members of the American Academy of Arts and Letters Hidden categories: Pages containing links to subscription-only content Use mdy dates from October 2016 All articles with unsourced statements Articles with unsourced statements from April 2017 Incomplete lists from May 2018 Wikipedia articles with BIBSYS identifiers Wikipedia articles with BNE identifiers Wikipedia articles with BNF identifiers Wikipedia articles with CANTIC identifiers Wikipedia articles with CINII identifiers Wikipedia articles with GND identifiers Wikipedia articles with ISNI identifiers Wikipedia articles with LCCN identifiers Wikipedia articles with LNB identifiers Wikipedia articles with NDL identifiers Wikipedia articles with NKC identifiers Wikipedia articles with NLA identifiers Wikipedia articles with NLI identifiers Wikipedia articles with NLK identifiers Wikipedia articles with NSK identifiers Wikipedia articles with NTA identifiers Wikipedia articles with PLWABN identifiers Wikipedia articles with RERO identifiers Wikipedia articles with SELIBR identifiers Wikipedia articles with SNAC-ID identifiers Wikipedia articles with SUDOC identifiers Wikipedia articles with Trove identifiers Wikipedia articles with VIAF identifiers Wikipedia articles with WORLDCATID identifiers Navigation menu Personal tools Not logged in Talk Contributions Create account Log in Namespaces Article Talk Variants Views Read Edit View history More Search Navigation Main page Contents Current events Random article About Wikipedia Contact us Donate Contribute Help Learn to edit Community portal Recent changes Upload file Tools What links here Related changes Upload file Special pages Permanent link Page information Cite this page Wikidata item Print/export Download as PDF Printable version Languages العربية تۆرکجه Български Dansk Deutsch Español فارسی Français Bahasa Indonesia Italiano ქართული Latina مصرى 日本語 Norsk bokmål Polski Português Русский Svenska Edit links This page was last edited on 11 January 2021, at 05:51 (UTC). 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