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Generously proportioned narratives allow at once for a broader vision and more magisterial sweep of American literary history than has been possible previously; and while the voice of traditional criticism is implicit in these narratives, it joins forces with the diversity of interests that characterise contemporary literary studies. General Editors: Sacvan Bercovitch, Harvard University Refine search Refine search Content type: Chapters (272) Books (8) Publication date: Over 3 years (8) Subject: Show more Area Studies (8) History (8) Literature (8) Tags Classifications Journals Show more Publishers: Show more Cambridge University Press (8) Series: Show more The Cambridge History of American Literature (8) Collections: Show more Cambridge Histories (8) Cambridge Histories - Literature (8) Actions for selected content: Select all | Deselect all View selected items Save to my bookmarks Export citations Download PDF (zip) Send to Kindle Send to Dropbox Send to Google Drive Send content to To send content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about sending content to . 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Cancel × 8 results in The Cambridge History of American Literature Relevance Title Sorted by Date Save search   The Cambridge History of American Literature Volume 3, Prose writing, 1860–1920 Edited by Sacvan Bercovitch Published online: 28 March 2008 Print publication: 15 September 2005 Book Get access Buy the print book Check if you have access via personal or institutional login Log in Register Export citation View description This volume covers a pivotal era in the formation of American identity. Four leading scholars connect the literature with the massive historical changes then underway. Richard Brodhead describes the foundation of a permanent literary culture in America. Nancy Bentley locates the origins of nineteenth century Realism in an elite culture's responses to an emergent mass culture, embracing high literature (writers like William Dean Howells and Henry James) as well as a wide spectrum of cultural outsiders: African Americans, women, and Native Americans. Walter Benn Michaels emphasizes the critical role that turn-of-the-century fiction played in the re-evaluation of the individual at the advent of modern bureaucracy. Susan L. Mizruchi analyzes the literary responses to a new national heterogeneity that helped shape the multicultural future of modern America. Together, these narratives constitute the richest, most detailed account to date of American literature and culture between 1860 and 1920.   The Cambridge History of American Literature Volume 4, Nineteenth-Century Poetry 1800–1910 Edited by Sacvan Bercovitch Published online: 28 March 2008 Print publication: 04 November 2004 Book Get access Buy the print book Check if you have access via personal or institutional login Log in Register Export citation View description This is the first complete narrative history of nineteenth-century American poetry. Barbara Packer explores the neoclassical and satiric forms mastered by the early Federalist poets; the creative reaches of once-celebrated, and still compelling, poets like Longfellow and Whittier; the distinctive lyric forms developed by Emerson and the Transcendentalists. Shira Wolosky provides a new perspective on the achievement of female poets of the period, as well as a close appreciation of African-American poets, including the collective folk authors of the Negro spirituals. She also illuminates the major works of the period, from Poe through Melville and Crane, to Whitman and Dickinson. The authors of this volume discuss this extraordinary literary achievement both in formal terms and in its sustained engagement with changing social and cultural conditions. In doing so they recover and elucidate American poetry of the nineteenth century for our twenty-first century pleasure, profit, and renewed study.   The Cambridge History of American Literature Volume 5, Poetry and Criticism, 1900–1950 Edited by Sacvan Bercovitch Published online: 28 March 2008 Print publication: 16 January 2003 Book Get access Buy the print book Check if you have access via personal or institutional login Log in Register Export citation View description This is the fullest account to date of American poetry and literary criticism in the Modernist period. Andrew Dubois and Frank Lentricchia examine the work of Robert Frost, T. S. Eliot, Ezra Pound, and Wallace Stevens. They show how the conditions of literary production in a democratic, market-driven society forced the boldest of the Modernists to try to reconcile their need for commercial remuneration with their knowledge that their commitment to high art might never pay. Irene Ramalho Santos broadens the scope of the poetic scene through attention to a wide diversity of writers - with special emphasis on writers including Gertrude Stein, Marianne Moore, and Langston Hughes. William Cain traces both the rise of an internationalist academic aesthetics and the process by which the study of a distinctive national literature was instituted. Considered together, these three narratives convey the astonishing Modernist poetic achievement in its full cultural, institutional, and aesthetic complexity.   The Cambridge History of American Literature Volume 6, Prose Writing, 1910–1950 Edited by Sacvan Bercovitch Published online: 28 March 2008 Print publication: 28 November 2002 Book Get access Buy the print book Check if you have access via personal or institutional login Log in Register Export citation View description Volume 6 of The Cambridge History of American Literature explores the emergence and flowering of modernism in the United States. David Minter provides a cultural history of the American novel from the 'lyric years' to World War I, through post-World War I disillusionment, to the consolidation of the Left in response to the mire of the Great Depression. Rafia Zafar tells the story of the Harlem Renaissance, detailing the artistic accomplishments of such diverse figures as Zora Neal Hurston, W. E. B. Du Bois, Langston Hughes, Nella Larsen, and Richard Wright. Werner Sollors examines canonical texts as well as popular magazines and hitherto unknown immigrant writing from the period. Taken together these narratives cover the entire range of literary prose written in the first half of the twentieth century, offering a model of literary history for our times, focusing as they do on the intricate interplay between text and context.   The Cambridge History of American Literature Volume 7, Prose Writing, 1940–1990 Edited by Sacvan Bercovitch Published online: 28 March 2008 Print publication: 28 June 1999 Book Get access Buy the print book Check if you have access via personal or institutional login Log in Register Export citation View description Volume VII of the Cambridge History of American Literature examines a broad range of American literature of the past half-century, revealing complex relations to changes in society. Christopher Bigsby discusses American dramatists from Tennessee Williams to August Wilson, showing how innovations in theatre anticipated a world of emerging countercultures and provided America with an alternative view of contemporary life. Morris Dickstein describes the condition of rebellion in fiction from 1940 to 1970, linking writers as diverse as James Baldwin and John Updike. John Burt examines writers of the American South, describing the tensions between modernization and continued entanglements with the past. Wendy Steiner examines the postmodern fictions since 1970, and shows how the questioning of artistic assumptions has broadened the canon of American literature. Finally, Cyrus Patell highlights the voices of Native American, Asian American, Chicano, gay and lesbian writers, often marginalized but here discussed within and against a broad set of national traditions.   The Cambridge History of American Literature Volume 8, Poetry and Criticism, 1940–1995 Edited by Sacvan Bercovitch Published online: 28 March 2008 Print publication: 29 March 1996 Book Get access Buy the print book Check if you have access via personal or institutional login Log in Register Export citation View description The Cambridge History of American Literature addresses the broad spectrum of new and established directions in all branches of American writing, and includes the work of scholars and critics who have shaped, and who continue to shape, what has become a major area of literary scholarship. The authors span three decades of achievement in Americanist literary criticism, thereby speaking for the continuities as well as the disruptions sustained between generations of scholarship. Generously proportioned narratives permit a broader vision of American literary history than has previously been possible, allowing the implicit voice of traditional criticism to join forces with the diversity of interests that characterise contemporary literary studies. Volume VIII, concerned with works of poetry and criticism written between 1940 and the present, brings together two different sets of materials and narrative forms, the aesthetic and the institutional. Discarding the traditional synoptic overview of major figures, von Hallberg, Graff, and Carton settle in favour of a history from the inside - a history of interstices and relations, equal to the task of considering the contexts of art, power, and criticism in which it is set.   The Cambridge History of American Literature Volume 2, Prose Writing 1820–1865 Edited by Sacvan Bercovitch Published online: 28 March 2008 Print publication: 27 January 1995 Book Get access Buy the print book Check if you have access via personal or institutional login Log in Register Export citation View description This is the fullest and richest account of the American Renaissance available in any literary history. The narratives in this volume made for a four-fold perspective on literature: social, cultural, intellectual and aesthetic. Michael D. Bell describes the social conditions of the literary vocation that shaped the growth of a professional literature in the United States. Eric Sundquist draws upon broad cultural patterns: his account of the writings of exploration, slavery, and the frontier is an interweaving of disparate voices, outlooks and traditions. Barbara L. Packer's sources come largely from intellectual history: the theological and philosophical controversies that prepared the way for transcendentalism. Jonathan Arac's categories are formalist: he sees the development of antebellum fiction as a dialectic of prose genres, the emergence of a literary mode out of the clash of national, local and personal forms. Together, these four narratives constitute a basic reassessment of American prose-writing between 1820 and 1865. It is an achievement that will remain authoritative for our time and that will set new directions for coming decades in American literary scholarship.   The Cambridge History of American Literature Volume 1, 1590–1820 Edited by Sacvan Bercovitch Published online: 28 March 2008 Print publication: 25 February 1994 Book Get access Buy the print book Check if you have access via personal or institutional login Log in Register Export citation View description Volume I of The Cambridge History of American Literature was originally published in 1997, and covers the colonial and early national periods and discusses the work of a diverse assemblage of authors, from Renaissance explorers and Puritan theocrats to Revolutionary pamphleteers and poets and novelists of the new republic. Addressing those characteristics that render the texts distinctively American while placing the literature in an international perspective, the contributors offer a compelling new evaluation of both the literary importance of early American history and the historical value of early American literature. Recommend this Email your librarian or administrator to recommend adding this to your organisation's collection. Your name * Please enter your name Your email address * Please enter a valid email address. Who would you like to send this to * Optional message Cancel Send × Librarians Authors Publishing partners Agents Corporates Additional Information Accessibility Our blog News Contact and help Cambridge Core legal notices Feedback Sitemap Join us online Legal Information Rights & Permissions Copyright Privacy Notice Terms of use Cookies Policy © Cambridge University Press 2021 Back to top © Cambridge University Press 2021 Back to top Cancel Confirm ×