id	author	title	date	pages	extension	mime	words	sentences	flesch	summary	cache	txt
work_2jgshgsavjhu3d3ytlxhlz7ucu	Daniel Wiegand	Tableaux vivants, early cinema, and ‹beauty-as-attraction›	2019	25	.pdf	application/pdf	8780	719	63	variety theatres, I outline a specific mode of address, which I term "beautyas-attraction:" an overlap of the older aesthetics of the beautiful and the Keywords: early cinema, intermediality, film theory, art, painting. "beautiful film image" in the early 20th century resulted from a complex interplay Specifically, I argue that the aesthetics of motion in early film images had the way for the "beautiful film image" as a theoretical concept and creative product. Film drew on the performance practices of tableaux vivants early on, thus 31Tableaux Vivants, Early Cinema, and Beauty-as-Attraction 31Tableaux Vivants, Early Cinema, and Beauty-as-Attraction 31Tableaux Vivants, Early Cinema, and Beauty-as-Attraction 31Tableaux Vivants, Early Cinema, and Beauty-as-Attraction 31Tableaux Vivants, Early Cinema, and Beauty-as-Attraction 31Tableaux Vivants, Early Cinema, and Beauty-as-Attraction 31Tableaux Vivants, Early Cinema, and Beauty-as-Attraction 31Tableaux Vivants, Early Cinema, and Beauty-as-Attraction 31Tableaux Vivants, Early Cinema, and Beauty-as-Attraction 31Tableaux Vivants, Early Cinema, and Beauty-as-Attraction 31Tableaux Vivants, Early Cinema, and Beauty-as-Attraction 	./cache/work_2jgshgsavjhu3d3ytlxhlz7ucu.pdf	./txt/work_2jgshgsavjhu3d3ytlxhlz7ucu.txt