id	author	title	date	pages	extension	mime	words	sentences	flesch	summary	cache	txt
work_wpwgpbjvvbdnhmzu4ntwnckp2q	Kevin Mcneilly	Ugly Beauty: John Zorn and the Politics of Postmodern Music	1995	13	.pdf	application/pdf	6043	402	60	composer John Zorn, in order to assess both the nature of a political praxis and Zorn's music does something palpable to its listeners, or at least character, the "newness" and "originality" of Zorn's music, if we may speak in The politics of Zorn's music, its affective thrust, 3. The most immediately audible characteristic of John Zorn's music is its duck calls to bebop, become raw materials for the composer; musical sound, environment; Zorn's music is difficult in the sense that Adorno finds The political dimension of Zorn's music, that is, involves the creation of a new form of attention, of listening.2 Noise, for Zorn, shocks the listener into emerges in chunks of genre-music, that comes increasingly to interest Zorn as The praxis Zorn's music encourages is not new, in the sense that the Zorn's music, that is, turns its own form against itself, becoming	./cache/work_wpwgpbjvvbdnhmzu4ntwnckp2q.pdf	./txt/work_wpwgpbjvvbdnhmzu4ntwnckp2q.txt