id	author	title	date	pages	extension	mime	words	sentences	flesch	summary	cache	txt
work_3irmz7yjrzcrjpiywvbxz2jg3u	Paddy Farr	The Cry of the Body Without Organs: a Schizoanalysis of Ed Bland's Critical Race Theory of Jazz	2019	13	.pdf	application/pdf	6286	380	64	mode in which the spirit jazz can «become alive by [Black people's] construction of America's future» (Hill, Kennedy & Bland 1959). Where the chorus as form develops the cycle of repetition, the changes structure a pattern that «is repeated over and over» (Hill, Kennedy & Bland 1959). suffering, «the Negro experiences the endless daily humiliation of American life which bequeaths him a futureless future» (Hill, Kennedy & Bland 1959). At this moment of the dialectic, Bland constructs the liberation theory inherent within jazz where freedom reigns despite the restraining power of white supremacy. Like Bland's concepts of freedom and restraint, difference and repetition signify the relationship between improvisation and rhythm on the one side and form and harmonies on In this sense, countering the restraining repetition of cyclical chorus and changes, difference from the same is connected to Bland's concept of freedom in jazz.	./cache/work_3irmz7yjrzcrjpiywvbxz2jg3u.pdf	./txt/work_3irmz7yjrzcrjpiywvbxz2jg3u.txt