id	author	title	date	pages	extension	mime	words	sentences	flesch	summary	cache	txt
work_zuljfuae7zcdzcw2gesr2gnuri	Stacey Prickett	Constrained Bodies: Dance, Social Justice, and Choreographic Agency	2016	13	.pdf	application/pdf	8087	657	49	The first two case studies below apply Martin's work to projects emerging from participatory creative processes and have outreach imperatives, thus expanding the theoretical scope beyond its initial articulation. Foucauldian discipline, biopower, and control to expressivity.8 Zaccho Dance Theatre offers a multilayered vision of Foucauldian theory in practice, drawing from individuals' stories of their experiences while on death row—stories that challenge the viewer to think about the underlying social the disproportionate number of African Americans and men of color on death row, an implementation of necropolitical power through the ultimate control over life of the incarcerated individual Martin analyzed dance's power as the social kinesthetic or "the capacity to move an idea in a particular direction through the acquired prowess of bodies in action" (2004, 48), which is illustrated Overreading and Black Habitus in the Urban U.S. The final case study turns to Pavement, an hour-long piece of dance theater by Abraham.in.Motion,	./cache/work_zuljfuae7zcdzcw2gesr2gnuri.pdf	./txt/work_zuljfuae7zcdzcw2gesr2gnuri.txt