id sid tid token lemma pos work_rzcanzq6ebhgnl7xkqkgolmvwy 1 1 Crawley_differentangle Crawley_differentangle NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 1 2 Marie­Louise Marie­Louise NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 1 3 Crawley Crawley NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 1 4 * * NFP work_rzcanzq6ebhgnl7xkqkgolmvwy 1 5 « « `` work_rzcanzq6ebhgnl7xkqkgolmvwy 1 6 This this DT work_rzcanzq6ebhgnl7xkqkgolmvwy 1 7 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 1 8 different different JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 1 9 angle angle NN work_rzcanzq6ebhgnl7xkqkgolmvwy 1 10 » » '' work_rzcanzq6ebhgnl7xkqkgolmvwy 1 11 : : : work_rzcanzq6ebhgnl7xkqkgolmvwy 1 12 Dancing dance VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 1 13 at at IN work_rzcanzq6ebhgnl7xkqkgolmvwy 1 14 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 1 15 Louvre Louvre NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 1 16 31 31 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 1 17 dicembre dicembre NN work_rzcanzq6ebhgnl7xkqkgolmvwy 1 18 2020 2020 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 1 19 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 1 20 pp pp NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 1 21 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 2 1 283­296 283­296 NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 2 2 DOI DOI NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 2 3 : : : work_rzcanzq6ebhgnl7xkqkgolmvwy 2 4 https://doi.org/10.6092/issn.2036­1599/11858 https://doi.org/10.6092/issn.2036­1599/11858 NN work_rzcanzq6ebhgnl7xkqkgolmvwy 2 5 Section section NN work_rzcanzq6ebhgnl7xkqkgolmvwy 2 6 : : : work_rzcanzq6ebhgnl7xkqkgolmvwy 2 7 Dossier dossier NN work_rzcanzq6ebhgnl7xkqkgolmvwy 2 8 [ [ -LRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 2 9 peer peer NN work_rzcanzq6ebhgnl7xkqkgolmvwy 2 10 reviewed review VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 2 11 ] ] -RRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 2 12 Articles article NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 2 13 are be VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 2 14 published publish VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 2 15 under under IN work_rzcanzq6ebhgnl7xkqkgolmvwy 2 16 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 2 17 Creative Creative NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 2 18 Commons Commons NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 2 19 Attribution Attribution NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 2 20 Non­Commercial Non­Commercial NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 2 21 3.0 3.0 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 2 22 Unported Unported NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 2 23 licence licence NN work_rzcanzq6ebhgnl7xkqkgolmvwy 2 24 ( ( -LRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 2 25 Authors author NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 2 26 retain retain VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 2 27 copyright copyright NN work_rzcanzq6ebhgnl7xkqkgolmvwy 2 28 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 2 29 their -PRON- PRP$ work_rzcanzq6ebhgnl7xkqkgolmvwy 2 30 articles article NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 2 31 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 2 32 permission permission NN work_rzcanzq6ebhgnl7xkqkgolmvwy 2 33 to to TO work_rzcanzq6ebhgnl7xkqkgolmvwy 2 34 reuse reuse VB work_rzcanzq6ebhgnl7xkqkgolmvwy 2 35 third third JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 2 36 party party NN work_rzcanzq6ebhgnl7xkqkgolmvwy 2 37 copyrighted copyright VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 2 38 content content NN work_rzcanzq6ebhgnl7xkqkgolmvwy 2 39 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 2 40 not not RB work_rzcanzq6ebhgnl7xkqkgolmvwy 2 41 included include VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 2 42 ) ) -RRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 2 43 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 3 1 Email email NN work_rzcanzq6ebhgnl7xkqkgolmvwy 3 2 : : : work_rzcanzq6ebhgnl7xkqkgolmvwy 3 3 danzaericerca@unibo.it danzaericerca@unibo.it NFP work_rzcanzq6ebhgnl7xkqkgolmvwy 3 4 Www www NN work_rzcanzq6ebhgnl7xkqkgolmvwy 3 5 : : : work_rzcanzq6ebhgnl7xkqkgolmvwy 3 6 https://danzaericerca.unibo.it/ https://danzaericerca.unibo.it/ NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 3 7 Abstract Abstract NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 3 8 Sulla Sulla NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 3 9 scia scia NN work_rzcanzq6ebhgnl7xkqkgolmvwy 3 10 delle delle NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 3 11 proteste proteste NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 3 12 globali globali NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 3 13 che che NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 3 14 hanno hanno NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 3 15 segnato segnato NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 3 16 l’e­ l’e­ NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 3 17 state state NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 3 18 del del NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 3 19 2020 2020 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 3 20 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 3 21 come come VB work_rzcanzq6ebhgnl7xkqkgolmvwy 3 22 quelle quelle NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 3 23 di di NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 3 24 Black Black NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 3 25 Lives Lives NNPS work_rzcanzq6ebhgnl7xkqkgolmvwy 3 26 Matter Matter NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 3 27 e e NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 3 28 dell’abbattimento dell’abbattimento NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 3 29 delle delle NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 3 30 statue statue NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 3 31 negli negli NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 3 32 Stati Stati NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 3 33 Uniti Uniti NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 3 34 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 3 35 questo questo NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 3 36 contributo contributo NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 3 37 ripropone ripropone FW work_rzcanzq6ebhgnl7xkqkgolmvwy 3 38 l’idea l’idea NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 3 39 della della NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 3 40 danza danza NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 3 41 nei nei NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 3 42 musei musei NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 3 43 co­ co­ VBD work_rzcanzq6ebhgnl7xkqkgolmvwy 3 44 me -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 3 45 forma forma NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 3 46 di di FW work_rzcanzq6ebhgnl7xkqkgolmvwy 3 47 “ " `` work_rzcanzq6ebhgnl7xkqkgolmvwy 3 48 archeologia archeologia NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 3 49 radicale radicale NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 3 50 ” " '' work_rzcanzq6ebhgnl7xkqkgolmvwy 3 51 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 4 1 Essa Essa NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 4 2 è è NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 4 3 presentata presentata NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 4 4 come come VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 4 5 una una NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 4 6 storiografia storiografia JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 4 7 radicale radicale NN work_rzcanzq6ebhgnl7xkqkgolmvwy 4 8 per per IN work_rzcanzq6ebhgnl7xkqkgolmvwy 4 9 quei quei NN work_rzcanzq6ebhgnl7xkqkgolmvwy 4 10 corpi corpi NN work_rzcanzq6ebhgnl7xkqkgolmvwy 4 11 di di NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 4 12 colore colore NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 4 13 che che NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 4 14 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 4 15 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 4 16 precedenza precedenza NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 4 17 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 4 18 sono sono NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 4 19 stati stati NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 4 20 resi resi NN work_rzcanzq6ebhgnl7xkqkgolmvwy 4 21 invisibili invisibili NN work_rzcanzq6ebhgnl7xkqkgolmvwy 4 22 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 4 23 o o NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 4 24 solo solo NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 4 25 par­ par­ NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 4 26 zialmente zialmente NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 4 27 visibili visibili NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 4 28 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 4 29 da da NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 4 30 una una NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 4 31 pratica pratica NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 4 32 oppressiva oppressiva VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 4 33 della della NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 4 34 sto­ sto­ NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 4 35 ria ria NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 4 36 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 5 1 L’articolo L’articolo NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 5 2 esamina esamina NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 5 3 un un NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 5 4 caso caso NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 5 5 centrale centrale NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 5 6 dal dal NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 5 7 punto punto NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 5 8 di di NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 5 9 vi­ vi­ NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 5 10 sta sta NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 5 11 degli degli NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 5 12 studi studi NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 5 13 accademici accademici NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 5 14 sulla sulla NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 5 15 danza danza NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 5 16 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 5 17 il il NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 5 18 video video NN work_rzcanzq6ebhgnl7xkqkgolmvwy 5 19 musica­ musica­ NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 5 20 le le NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 5 21 APESHIT APESHIT NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 5 22 ( ( -LRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 5 23 2018 2018 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 5 24 ) ) -RRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 5 25 di di NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 5 26 Beyoncé Beyoncé NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 5 27 e e NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 5 28 Jay­Z Jay­Z NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 5 29 Carter Carter NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 5 30 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 5 31 girato girato NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 5 32 al al NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 5 33 Louvre Louvre NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 5 34 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 5 35 e e NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 5 36 ne ne NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 5 37 offre offre NN work_rzcanzq6ebhgnl7xkqkgolmvwy 5 38 un’attenta un’attenta NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 5 39 analisi analisi NN work_rzcanzq6ebhgnl7xkqkgolmvwy 5 40 coreografica coreografica NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 5 41 tra tra NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 5 42 movimento movimento NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 5 43 e e NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 5 44 immobilità immobilità NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 5 45 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 5 46 al al NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 5 47 fine fine NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 5 48 di di NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 5 49 sostenere sostenere NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 5 50 la la NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 5 51 danza danza NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 5 52 nei nei NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 5 53 musei musei NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 5 54 come come NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 5 55 forma forma NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 5 56 metaforica metaforica NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 5 57 di di NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 5 58 “ " `` work_rzcanzq6ebhgnl7xkqkgolmvwy 5 59 abbattimento abbattimento NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 5 60 di di NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 5 61 statue statue NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 5 62 ” " '' work_rzcanzq6ebhgnl7xkqkgolmvwy 5 63 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 5 64 una una NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 5 65 forma forma NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 5 66 che che FW work_rzcanzq6ebhgnl7xkqkgolmvwy 5 67 può può NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 5 68 sfidare sfidare NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 5 69 con con NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 5 70 forza forza NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 5 71 lo lo NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 5 72 status status FW work_rzcanzq6ebhgnl7xkqkgolmvwy 5 73 quo quo NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 5 74 della della NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 5 75 storia storia NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 5 76 dell’arte dell’arte NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 5 77 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 6 1 In in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 6 2 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 6 3 wake wake NN work_rzcanzq6ebhgnl7xkqkgolmvwy 6 4 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 6 5 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 6 6 global global JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 6 7 Black Black NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 6 8 Lives Lives NNPS work_rzcanzq6ebhgnl7xkqkgolmvwy 6 9 Matter Matter NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 6 10 protests protest NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 6 11 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 6 12 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 6 13 statue­toppling statue­toppling NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 6 14 that that WDT work_rzcanzq6ebhgnl7xkqkgolmvwy 6 15 marked mark VBD work_rzcanzq6ebhgnl7xkqkgolmvwy 6 16 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 6 17 summer summer NN work_rzcanzq6ebhgnl7xkqkgolmvwy 6 18 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 6 19 2020 2020 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 6 20 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 6 21 this this DT work_rzcanzq6ebhgnl7xkqkgolmvwy 6 22 article article NN work_rzcanzq6ebhgnl7xkqkgolmvwy 6 23 reappraises reappraise VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 6 24 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 6 25 idea idea NN work_rzcanzq6ebhgnl7xkqkgolmvwy 6 26 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 6 27 dance dance NN work_rzcanzq6ebhgnl7xkqkgolmvwy 6 28 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 6 29 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 6 30 museum museum NN work_rzcanzq6ebhgnl7xkqkgolmvwy 6 31   _SP work_rzcanzq6ebhgnl7xkqkgolmvwy 6 32 as as IN work_rzcanzq6ebhgnl7xkqkgolmvwy 6 33 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 6 34 form form NN work_rzcanzq6ebhgnl7xkqkgolmvwy 6 35 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 6 36 “ " `` work_rzcanzq6ebhgnl7xkqkgolmvwy 6 37 radical radical JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 6 38 archaeology archaeology NN work_rzcanzq6ebhgnl7xkqkgolmvwy 6 39 ” " '' work_rzcanzq6ebhgnl7xkqkgolmvwy 6 40 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 7 1 It -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 7 2 presents present VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 7 3 dance dance NN work_rzcanzq6ebhgnl7xkqkgolmvwy 7 4 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 7 5 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 7 6 museum museum NN work_rzcanzq6ebhgnl7xkqkgolmvwy 7 7 as as IN work_rzcanzq6ebhgnl7xkqkgolmvwy 7 8 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 7 9 radical radical JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 7 10 historiography historiography NN work_rzcanzq6ebhgnl7xkqkgolmvwy 7 11 for for IN work_rzcanzq6ebhgnl7xkqkgolmvwy 7 12 those those DT work_rzcanzq6ebhgnl7xkqkgolmvwy 7 13 bodies body NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 7 14 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 7 15 colour colour NN work_rzcanzq6ebhgnl7xkqkgolmvwy 7 16 previously previously RB work_rzcanzq6ebhgnl7xkqkgolmvwy 7 17 rendered render VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 7 18 invisible invisible JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 7 19 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 7 20 or or CC work_rzcanzq6ebhgnl7xkqkgolmvwy 7 21 only only RB work_rzcanzq6ebhgnl7xkqkgolmvwy 7 22 partially partially RB work_rzcanzq6ebhgnl7xkqkgolmvwy 7 23 visible visible JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 7 24 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 7 25 by by IN work_rzcanzq6ebhgnl7xkqkgolmvwy 7 26 an an DT work_rzcanzq6ebhgnl7xkqkgolmvwy 7 27 oppressive oppressive JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 7 28 curating curating NN work_rzcanzq6ebhgnl7xkqkgolmvwy 7 29 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 7 30 history history NN work_rzcanzq6ebhgnl7xkqkgolmvwy 7 31 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 8 1 From from IN work_rzcanzq6ebhgnl7xkqkgolmvwy 8 2 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 8 3 dance dance NN work_rzcanzq6ebhgnl7xkqkgolmvwy 8 4 scholarship scholarship NN work_rzcanzq6ebhgnl7xkqkgolmvwy 8 5 perspective perspective NN work_rzcanzq6ebhgnl7xkqkgolmvwy 8 6 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 8 7 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 8 8 ar­ ar­ JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 8 9 ticle ticle NN work_rzcanzq6ebhgnl7xkqkgolmvwy 8 10 examines examine VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 8 11 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 8 12 central central JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 8 13 case case NN work_rzcanzq6ebhgnl7xkqkgolmvwy 8 14 study study NN work_rzcanzq6ebhgnl7xkqkgolmvwy 8 15 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 8 16 Beyoncé Beyoncé NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 8 17 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 8 18 Jay­ Jay­ NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 8 19 Z Z NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 8 20 Carter Carter NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 8 21 ’s ’s POS work_rzcanzq6ebhgnl7xkqkgolmvwy 8 22 music music NN work_rzcanzq6ebhgnl7xkqkgolmvwy 8 23 video video NN work_rzcanzq6ebhgnl7xkqkgolmvwy 8 24   _SP work_rzcanzq6ebhgnl7xkqkgolmvwy 8 25 APESHIT apeshit VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 8 26   _SP work_rzcanzq6ebhgnl7xkqkgolmvwy 8 27 ( ( -LRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 8 28 2018 2018 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 8 29 ) ) -RRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 8 30 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 8 31 filmed film VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 8 32 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 8 33 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 8 34 Musée Musée NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 8 35 du du VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 8 36 Louvre Louvre NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 8 37 ( ( -LRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 8 38 France France NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 8 39 ) ) -RRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 8 40 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 8 41 offering offer VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 8 42 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 8 43 close close JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 8 44 analysis analysis NN work_rzcanzq6ebhgnl7xkqkgolmvwy 8 45 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 8 46 its -PRON- PRP$ work_rzcanzq6ebhgnl7xkqkgolmvwy 8 47 complex complex JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 8 48 choreographies choreography NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 8 49 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 8 50 movement movement NN work_rzcanzq6ebhgnl7xkqkgolmvwy 8 51 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 8 52 still­ still­ CD work_rzcanzq6ebhgnl7xkqkgolmvwy 8 53 ness ness NN work_rzcanzq6ebhgnl7xkqkgolmvwy 8 54 to to TO work_rzcanzq6ebhgnl7xkqkgolmvwy 8 55 argue argue VB work_rzcanzq6ebhgnl7xkqkgolmvwy 8 56 for for IN work_rzcanzq6ebhgnl7xkqkgolmvwy 8 57 dance dance NN work_rzcanzq6ebhgnl7xkqkgolmvwy 8 58 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 8 59 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 8 60 museum museum NN work_rzcanzq6ebhgnl7xkqkgolmvwy 8 61 as as IN work_rzcanzq6ebhgnl7xkqkgolmvwy 8 62 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 8 63 metaphor­ metaphor­ NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 8 64 ical ical JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 8 65 form form NN work_rzcanzq6ebhgnl7xkqkgolmvwy 8 66 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 8 67 statue­toppling statue­toppling NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 8 68 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 8 69 one one CD work_rzcanzq6ebhgnl7xkqkgolmvwy 8 70 that that WDT work_rzcanzq6ebhgnl7xkqkgolmvwy 8 71 can can MD work_rzcanzq6ebhgnl7xkqkgolmvwy 8 72 powerfully powerfully RB work_rzcanzq6ebhgnl7xkqkgolmvwy 8 73 challenge challenge VB work_rzcanzq6ebhgnl7xkqkgolmvwy 8 74 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 8 75 art art NN work_rzcanzq6ebhgnl7xkqkgolmvwy 8 76 historical historical JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 8 77 status status NN work_rzcanzq6ebhgnl7xkqkgolmvwy 8 78 quo quo FW work_rzcanzq6ebhgnl7xkqkgolmvwy 8 79 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 9 1 * * NFP work_rzcanzq6ebhgnl7xkqkgolmvwy 9 2 Centre Centre NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 9 3 for for IN work_rzcanzq6ebhgnl7xkqkgolmvwy 9 4 Dance Dance NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 9 5 Research Research NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 9 6 ( ( -LRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 9 7 C­DaRE C­DaRE NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 9 8 ) ) -RRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 9 9 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 9 10 Coventry Coventry NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 9 11 University University NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 9 12 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 9 13 UK UK NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 9 14 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 10 1 https://doi.org/10.6092/issn.2036-1599/11858 https://doi.org/10.6092/issn.2036-1599/11858 NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 10 2 http://creativecommons.org/licenses/by-nc/3.0/ http://creativecommons.org/licenses/by-nc/3.0/ NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 10 3 mailto:danzaericerca@unibo.it mailto:danzaericerca@unibo.it NN work_rzcanzq6ebhgnl7xkqkgolmvwy 10 4 https://danzaericerca.unibo.it/ https://danzaericerca.unibo.it/ NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 10 5 Marie Marie NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 10 6 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 10 7 Louise Louise NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 10 8 Crawley Crawley NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 10 9 « « `` work_rzcanzq6ebhgnl7xkqkgolmvwy 10 10 This this DT work_rzcanzq6ebhgnl7xkqkgolmvwy 10 11 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 10 12 different different JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 10 13 angle angle NN work_rzcanzq6ebhgnl7xkqkgolmvwy 10 14 » » '' work_rzcanzq6ebhgnl7xkqkgolmvwy 10 15 : : : work_rzcanzq6ebhgnl7xkqkgolmvwy 10 16 Dancing dance VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 10 17 at at IN work_rzcanzq6ebhgnl7xkqkgolmvwy 10 18 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 10 19 Louvre Louvre NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 10 20 Introduction introduction NN work_rzcanzq6ebhgnl7xkqkgolmvwy 10 21 : : : work_rzcanzq6ebhgnl7xkqkgolmvwy 10 22 A A NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 10 23 Story Story NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 10 24 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 10 25 Falling fall VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 10 26 Statues Statues NNPS work_rzcanzq6ebhgnl7xkqkgolmvwy 10 27 It -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 10 28 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 10 29 June June NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 10 30 2020 2020 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 10 31 : : : work_rzcanzq6ebhgnl7xkqkgolmvwy 10 32 I -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 10 33 am be VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 10 34 writing write VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 10 35 this this DT work_rzcanzq6ebhgnl7xkqkgolmvwy 10 36 article article NN work_rzcanzq6ebhgnl7xkqkgolmvwy 10 37 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 10 38 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 10 39 same same JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 10 40 week week NN work_rzcanzq6ebhgnl7xkqkgolmvwy 10 41 that that WDT work_rzcanzq6ebhgnl7xkqkgolmvwy 10 42 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 10 43 group group NN work_rzcanzq6ebhgnl7xkqkgolmvwy 10 44 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 10 45 protestors protestor NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 10 46 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 10 47 Bristol Bristol NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 10 48 ( ( -LRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 10 49 UK UK NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 10 50 ) ) -RRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 10 51 pulled pull VBD work_rzcanzq6ebhgnl7xkqkgolmvwy 10 52 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 10 53 statue statue NN work_rzcanzq6ebhgnl7xkqkgolmvwy 10 54 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 10 55 slave slave NN work_rzcanzq6ebhgnl7xkqkgolmvwy 10 56 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 10 57 trader trader NN work_rzcanzq6ebhgnl7xkqkgolmvwy 10 58 Edward Edward NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 10 59 Colston1 Colston1 NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 10 60 from from IN work_rzcanzq6ebhgnl7xkqkgolmvwy 10 61 its -PRON- PRP$ work_rzcanzq6ebhgnl7xkqkgolmvwy 10 62 pedestal pedestal JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 10 63 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 10 64 rolled roll VBD work_rzcanzq6ebhgnl7xkqkgolmvwy 10 65 it -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 10 66 into into IN work_rzcanzq6ebhgnl7xkqkgolmvwy 10 67 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 10 68 harbour harbour NN work_rzcanzq6ebhgnl7xkqkgolmvwy 10 69 waters water NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 10 70 ; ; : work_rzcanzq6ebhgnl7xkqkgolmvwy 10 71 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 10 72 same same JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 10 73 week week NN work_rzcanzq6ebhgnl7xkqkgolmvwy 10 74 that that IN work_rzcanzq6ebhgnl7xkqkgolmvwy 10 75 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 10 76 streets street NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 10 77 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 10 78 Oxford Oxford NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 10 79 ( ( -LRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 10 80 UK UK NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 10 81 ) ) -RRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 10 82 resounded resound VBD work_rzcanzq6ebhgnl7xkqkgolmvwy 10 83 with with IN work_rzcanzq6ebhgnl7xkqkgolmvwy 10 84 renewed renew VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 10 85 calls call NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 10 86 that that IN work_rzcanzq6ebhgnl7xkqkgolmvwy 10 87 “ " `` work_rzcanzq6ebhgnl7xkqkgolmvwy 10 88 Rhodes Rhodes NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 10 89 Must Must MD work_rzcanzq6ebhgnl7xkqkgolmvwy 10 90 Fall fall VB work_rzcanzq6ebhgnl7xkqkgolmvwy 10 91 ” " '' work_rzcanzq6ebhgnl7xkqkgolmvwy 10 92 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 10 93 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 10 94 statue statue NN work_rzcanzq6ebhgnl7xkqkgolmvwy 10 95 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 10 96 British british JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 10 97 colonialist colonialist NN work_rzcanzq6ebhgnl7xkqkgolmvwy 10 98 Cecil Cecil NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 10 99 Rhodes Rhodes NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 10 100 be be VB work_rzcanzq6ebhgnl7xkqkgolmvwy 10 101 removed remove VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 10 102 from from IN work_rzcanzq6ebhgnl7xkqkgolmvwy 10 103 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 10 104 façade façade NN work_rzcanzq6ebhgnl7xkqkgolmvwy 10 105 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 10 106 one one CD work_rzcanzq6ebhgnl7xkqkgolmvwy 10 107 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 10 108 its -PRON- PRP$ work_rzcanzq6ebhgnl7xkqkgolmvwy 10 109 Colleges college NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 10 110 ; ; : work_rzcanzq6ebhgnl7xkqkgolmvwy 10 111 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 10 112 same same JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 10 113 week week NN work_rzcanzq6ebhgnl7xkqkgolmvwy 10 114 that that WDT work_rzcanzq6ebhgnl7xkqkgolmvwy 10 115 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 10 116 statue statue NN work_rzcanzq6ebhgnl7xkqkgolmvwy 10 117 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 10 118 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 10 119 West west JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 10 120 Indian indian JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 10 121 merchant merchant NN work_rzcanzq6ebhgnl7xkqkgolmvwy 10 122 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 10 123 enslaver enslaver NN work_rzcanzq6ebhgnl7xkqkgolmvwy 10 124 Robert Robert NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 10 125 Milligan Milligan NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 10 126 was be VBD work_rzcanzq6ebhgnl7xkqkgolmvwy 10 127 removed remove VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 10 128 from from IN work_rzcanzq6ebhgnl7xkqkgolmvwy 10 129 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 10 130 West West NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 10 131 India India NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 10 132 docks dock NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 10 133 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 10 134 London London NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 10 135 ( ( -LRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 10 136 UK UK NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 10 137 ) ) -RRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 10 138 ; ; : work_rzcanzq6ebhgnl7xkqkgolmvwy 10 139 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 10 140 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 10 141 same same JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 10 142 week week NN work_rzcanzq6ebhgnl7xkqkgolmvwy 10 143 that that IN work_rzcanzq6ebhgnl7xkqkgolmvwy 10 144 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 10 145 across across IN work_rzcanzq6ebhgnl7xkqkgolmvwy 10 146 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 10 147 Channel Channel NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 10 148 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 10 149 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 10 150 statue statue NN work_rzcanzq6ebhgnl7xkqkgolmvwy 10 151 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 10 152 Léopold Léopold NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 10 153 II II NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 10 154 was be VBD work_rzcanzq6ebhgnl7xkqkgolmvwy 10 155 toppled topple VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 10 156 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 10 157 Antwerp Antwerp NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 10 158 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 10 159 Belgium Belgium NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 10 160 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 11 1 These these DT work_rzcanzq6ebhgnl7xkqkgolmvwy 11 2 calls call NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 11 3 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 11 4 actions action NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 11 5 for for IN work_rzcanzq6ebhgnl7xkqkgolmvwy 11 6 colonial colonial NN work_rzcanzq6ebhgnl7xkqkgolmvwy 11 7 statues statue NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 11 8 to to TO work_rzcanzq6ebhgnl7xkqkgolmvwy 11 9 fall fall VB work_rzcanzq6ebhgnl7xkqkgolmvwy 11 10 have have VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 11 11 come come VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 11 12 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 11 13 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 11 14 wake wake NN work_rzcanzq6ebhgnl7xkqkgolmvwy 11 15 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 11 16 global global JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 11 17 Black Black NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 11 18 Lives Lives NNPS work_rzcanzq6ebhgnl7xkqkgolmvwy 11 19 Matter Matter NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 11 20 protests protest NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 11 21 sparked spark VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 11 22 by by IN work_rzcanzq6ebhgnl7xkqkgolmvwy 11 23 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 11 24 killing killing NN work_rzcanzq6ebhgnl7xkqkgolmvwy 11 25 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 11 26 an an DT work_rzcanzq6ebhgnl7xkqkgolmvwy 11 27 unarmed unarmed JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 11 28 black black JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 11 29 man man NN work_rzcanzq6ebhgnl7xkqkgolmvwy 11 30 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 11 31 George George NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 11 32 Floyd Floyd NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 11 33 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 11 34 by by IN work_rzcanzq6ebhgnl7xkqkgolmvwy 11 35 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 11 36 police police NN work_rzcanzq6ebhgnl7xkqkgolmvwy 11 37 officer officer NN work_rzcanzq6ebhgnl7xkqkgolmvwy 11 38 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 11 39 Minneapolis Minneapolis NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 11 40 ( ( -LRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 11 41 USA USA NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 11 42 ) ) -RRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 11 43 on on IN work_rzcanzq6ebhgnl7xkqkgolmvwy 11 44 25th 25th JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 11 45 May May NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 11 46 2020 2020 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 11 47 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 12 1 In in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 12 2 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 12 3 UK UK NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 12 4 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 12 5 much much JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 12 6 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 12 7 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 12 8 public public NN work_rzcanzq6ebhgnl7xkqkgolmvwy 12 9 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 12 10 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 12 11 particularly particularly RB work_rzcanzq6ebhgnl7xkqkgolmvwy 12 12 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 12 13 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 12 14 right right JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 12 15 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 12 16 wing wing NN work_rzcanzq6ebhgnl7xkqkgolmvwy 12 17 media medium NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 12 18 discourse discourse NN work_rzcanzq6ebhgnl7xkqkgolmvwy 12 19 on on IN work_rzcanzq6ebhgnl7xkqkgolmvwy 12 20 this this DT work_rzcanzq6ebhgnl7xkqkgolmvwy 12 21 statue statue NN work_rzcanzq6ebhgnl7xkqkgolmvwy 12 22 toppling toppling NN work_rzcanzq6ebhgnl7xkqkgolmvwy 12 23 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 12 24 monument monument NN work_rzcanzq6ebhgnl7xkqkgolmvwy 12 25 removing removing NN work_rzcanzq6ebhgnl7xkqkgolmvwy 12 26 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 12 27 renaming renaming NN work_rzcanzq6ebhgnl7xkqkgolmvwy 12 28 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 12 29 buildings building NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 12 30 has have VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 12 31 focussed focusse VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 12 32 on on IN work_rzcanzq6ebhgnl7xkqkgolmvwy 12 33 what what WP work_rzcanzq6ebhgnl7xkqkgolmvwy 12 34 this this DT work_rzcanzq6ebhgnl7xkqkgolmvwy 12 35 might may MD work_rzcanzq6ebhgnl7xkqkgolmvwy 12 36 mean mean VB work_rzcanzq6ebhgnl7xkqkgolmvwy 12 37 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 12 38 terms term NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 12 39 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 12 40 erasing erasing NN work_rzcanzq6ebhgnl7xkqkgolmvwy 12 41 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 12 42 re re IN work_rzcanzq6ebhgnl7xkqkgolmvwy 12 43 - - NN work_rzcanzq6ebhgnl7xkqkgolmvwy 12 44 writing writing NN work_rzcanzq6ebhgnl7xkqkgolmvwy 12 45 or or CC work_rzcanzq6ebhgnl7xkqkgolmvwy 12 46 even even RB work_rzcanzq6ebhgnl7xkqkgolmvwy 12 47 – – : work_rzcanzq6ebhgnl7xkqkgolmvwy 12 48 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 12 49 here here RB work_rzcanzq6ebhgnl7xkqkgolmvwy 12 50 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 12 51 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 12 52 irony irony NN work_rzcanzq6ebhgnl7xkqkgolmvwy 12 53 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 12 54 astounding astounding JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 12 55 – – : work_rzcanzq6ebhgnl7xkqkgolmvwy 12 56 “ " `` work_rzcanzq6ebhgnl7xkqkgolmvwy 12 57 white white JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 12 58 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 12 59 washing wash VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 12 60 ” " '' work_rzcanzq6ebhgnl7xkqkgolmvwy 12 61 history2 history2 NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 12 62 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 13 1 Yet yet CC work_rzcanzq6ebhgnl7xkqkgolmvwy 13 2 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 13 3 historiographical historiographical JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 13 4 argument argument NN work_rzcanzq6ebhgnl7xkqkgolmvwy 13 5 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 13 6 clear clear JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 13 7 : : : work_rzcanzq6ebhgnl7xkqkgolmvwy 13 8 while while IN work_rzcanzq6ebhgnl7xkqkgolmvwy 13 9 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 13 10 toppling toppling NN work_rzcanzq6ebhgnl7xkqkgolmvwy 13 11 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 13 12 statues statue NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 13 13 does do VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 13 14 not not RB work_rzcanzq6ebhgnl7xkqkgolmvwy 13 15 erase erase VB work_rzcanzq6ebhgnl7xkqkgolmvwy 13 16 but but CC work_rzcanzq6ebhgnl7xkqkgolmvwy 13 17 rather rather RB work_rzcanzq6ebhgnl7xkqkgolmvwy 13 18 highlights highlight VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 13 19 history history NN work_rzcanzq6ebhgnl7xkqkgolmvwy 13 20 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 13 21 it -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 13 22 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 13 23 statues statue NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 13 24 themselves -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 13 25 that that WDT work_rzcanzq6ebhgnl7xkqkgolmvwy 13 26 have have VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 13 27 contributed contribute VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 13 28 to to IN work_rzcanzq6ebhgnl7xkqkgolmvwy 13 29 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 13 30 erasure erasure NN work_rzcanzq6ebhgnl7xkqkgolmvwy 13 31 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 13 32 specific specific JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 13 33 stories story NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 13 34 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 13 35 people people NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 13 36 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 13 37 cultures culture NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 13 38 for for IN work_rzcanzq6ebhgnl7xkqkgolmvwy 13 39 centuries century NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 13 40 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 14 1 As as IN work_rzcanzq6ebhgnl7xkqkgolmvwy 14 2 historian historian NN work_rzcanzq6ebhgnl7xkqkgolmvwy 14 3 Tanja Tanja NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 14 4 Bueltmann Bueltmann NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 14 5 reminds remind VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 14 6 us -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 14 7 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 14 8 statues statue NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 14 9 are be VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 14 10 often often RB work_rzcanzq6ebhgnl7xkqkgolmvwy 14 11 far far RB work_rzcanzq6ebhgnl7xkqkgolmvwy 14 12 less less RBR work_rzcanzq6ebhgnl7xkqkgolmvwy 14 13 historical historical JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 14 14 than than IN work_rzcanzq6ebhgnl7xkqkgolmvwy 14 15 they -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 14 16 are be VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 14 17 ahistorical ahistorical JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 14 18 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 14 19 as as IN work_rzcanzq6ebhgnl7xkqkgolmvwy 14 20 they -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 14 21 are be VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 14 22 1 1 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 14 23 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 15 1 Edward Edward NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 15 2 Colston Colston NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 15 3 ( ( -LRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 15 4 1636 1636 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 15 5 - - SYM work_rzcanzq6ebhgnl7xkqkgolmvwy 15 6 1721 1721 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 15 7 ) ) -RRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 15 8 was be VBD work_rzcanzq6ebhgnl7xkqkgolmvwy 15 9 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 15 10 Bristol Bristol NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 15 11 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 15 12 born bear VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 15 13 merchant merchant NN work_rzcanzq6ebhgnl7xkqkgolmvwy 15 14 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 15 15 philanthropist philanthropist NN work_rzcanzq6ebhgnl7xkqkgolmvwy 15 16 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 15 17 Tory Tory NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 15 18 member member NN work_rzcanzq6ebhgnl7xkqkgolmvwy 15 19 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 15 20 parliament parliament NN work_rzcanzq6ebhgnl7xkqkgolmvwy 15 21 who who WP work_rzcanzq6ebhgnl7xkqkgolmvwy 15 22 was be VBD work_rzcanzq6ebhgnl7xkqkgolmvwy 15 23 heavily heavily RB work_rzcanzq6ebhgnl7xkqkgolmvwy 15 24 involved involve VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 15 25 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 15 26 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 15 27 transatlantic transatlantic JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 15 28 slave slave NN work_rzcanzq6ebhgnl7xkqkgolmvwy 15 29 trade trade NN work_rzcanzq6ebhgnl7xkqkgolmvwy 15 30 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 15 31 eventually eventually RB work_rzcanzq6ebhgnl7xkqkgolmvwy 15 32 becoming become VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 15 33 Deputy Deputy NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 15 34 Governor Governor NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 15 35 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 15 36 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 15 37 Royal Royal NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 15 38 African African NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 15 39 Com- Com- NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 15 40 pany pany NN work_rzcanzq6ebhgnl7xkqkgolmvwy 15 41 ( ( -LRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 15 42 1689 1689 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 15 43 - - SYM work_rzcanzq6ebhgnl7xkqkgolmvwy 15 44 90 90 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 15 45 ) ) -RRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 15 46 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 16 1 His -PRON- PRP$ work_rzcanzq6ebhgnl7xkqkgolmvwy 16 2 legacy legacy NN work_rzcanzq6ebhgnl7xkqkgolmvwy 16 3 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 16 4 Bristol Bristol NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 16 5 has have VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 16 6 long long RB work_rzcanzq6ebhgnl7xkqkgolmvwy 16 7 been be VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 16 8 debated debate VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 16 9 with with IN work_rzcanzq6ebhgnl7xkqkgolmvwy 16 10 repeated repeat VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 16 11 calls call NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 16 12 for for IN work_rzcanzq6ebhgnl7xkqkgolmvwy 16 13 his -PRON- PRP$ work_rzcanzq6ebhgnl7xkqkgolmvwy 16 14 statue statue NN work_rzcanzq6ebhgnl7xkqkgolmvwy 16 15 to to TO work_rzcanzq6ebhgnl7xkqkgolmvwy 16 16 be be VB work_rzcanzq6ebhgnl7xkqkgolmvwy 16 17 removed remove VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 16 18 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 17 1 Cf cf NN work_rzcanzq6ebhgnl7xkqkgolmvwy 17 2 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 18 1 Olivette Olivette NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 18 2 Otele Otele NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 18 3 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 18 4 Slavery Slavery NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 18 5 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 18 6 Visual visual JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 18 7 Memory memory NN work_rzcanzq6ebhgnl7xkqkgolmvwy 18 8 : : : work_rzcanzq6ebhgnl7xkqkgolmvwy 18 9 What what WP work_rzcanzq6ebhgnl7xkqkgolmvwy 18 10 Britain Britain NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 18 11 can can MD work_rzcanzq6ebhgnl7xkqkgolmvwy 18 12 learn learn VB work_rzcanzq6ebhgnl7xkqkgolmvwy 18 13 from from IN work_rzcanzq6ebhgnl7xkqkgolmvwy 18 14 France France NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 18 15 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 18 16 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 18 17 « « `` work_rzcanzq6ebhgnl7xkqkgolmvwy 18 18 Open open JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 18 19 Democracy democracy NN work_rzcanzq6ebhgnl7xkqkgolmvwy 18 20 » » '' work_rzcanzq6ebhgnl7xkqkgolmvwy 18 21 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 18 22 August August NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 18 23 29th 29th NN work_rzcanzq6ebhgnl7xkqkgolmvwy 18 24 2016 2016 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 18 25 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 18 26 online online RB work_rzcanzq6ebhgnl7xkqkgolmvwy 18 27 : : : work_rzcanzq6ebhgnl7xkqkgolmvwy 18 28 https://www.opendemocracy.net/en/beyond-trafficking-and-slavery/slavery-and-visual-memory-what-britain- https://www.opendemocracy.net/en/beyond-trafficking-and-slavery/slavery-and-visual-memory-what-britain- RB work_rzcanzq6ebhgnl7xkqkgolmvwy 18 29 can can MD work_rzcanzq6ebhgnl7xkqkgolmvwy 18 30 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 18 31 learn learn VB work_rzcanzq6ebhgnl7xkqkgolmvwy 18 32 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 18 33 from from IN work_rzcanzq6ebhgnl7xkqkgolmvwy 18 34 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 18 35 france/ france/ NN work_rzcanzq6ebhgnl7xkqkgolmvwy 18 36 ( ( -LRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 18 37 accessed access VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 18 38 24/10/2020 24/10/2020 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 18 39 ) ) -RRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 18 40 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 19 1 On on IN work_rzcanzq6ebhgnl7xkqkgolmvwy 19 2 7th 7th JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 19 3 June June NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 19 4 2020 2020 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 19 5 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 19 6 Colston Colston NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 19 7 ’s ’s POS work_rzcanzq6ebhgnl7xkqkgolmvwy 19 8 statue statue NN work_rzcanzq6ebhgnl7xkqkgolmvwy 19 9 was be VBD work_rzcanzq6ebhgnl7xkqkgolmvwy 19 10 finally finally RB work_rzcanzq6ebhgnl7xkqkgolmvwy 19 11 toppled topple VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 19 12 by by IN work_rzcanzq6ebhgnl7xkqkgolmvwy 19 13 Black Black NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 19 14 Lives Lives NNPS work_rzcanzq6ebhgnl7xkqkgolmvwy 19 15 Matter Matter NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 19 16 protestors protestor NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 19 17 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 19 18 thrown throw VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 19 19 into into IN work_rzcanzq6ebhgnl7xkqkgolmvwy 19 20 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 19 21 harbour harbour NN work_rzcanzq6ebhgnl7xkqkgolmvwy 19 22 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 20 1 The the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 20 2 statue statue NN work_rzcanzq6ebhgnl7xkqkgolmvwy 20 3 has have VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 20 4 subsequently subsequently RB work_rzcanzq6ebhgnl7xkqkgolmvwy 20 5 been be VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 20 6 removed remove VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 20 7 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 20 8 will will MD work_rzcanzq6ebhgnl7xkqkgolmvwy 20 9 now now RB work_rzcanzq6ebhgnl7xkqkgolmvwy 20 10 be be VB work_rzcanzq6ebhgnl7xkqkgolmvwy 20 11 placed place VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 20 12 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 20 13 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 20 14 museum museum NN work_rzcanzq6ebhgnl7xkqkgolmvwy 20 15 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 20 16 along along IN work_rzcanzq6ebhgnl7xkqkgolmvwy 20 17 with with IN work_rzcanzq6ebhgnl7xkqkgolmvwy 20 18 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 20 19 ropes rope NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 20 20 that that WDT work_rzcanzq6ebhgnl7xkqkgolmvwy 20 21 were be VBD work_rzcanzq6ebhgnl7xkqkgolmvwy 20 22 used use VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 20 23 to to TO work_rzcanzq6ebhgnl7xkqkgolmvwy 20 24 topple topple VB work_rzcanzq6ebhgnl7xkqkgolmvwy 20 25 it -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 20 26 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 20 27 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 20 28 placards placard VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 20 29 from from IN work_rzcanzq6ebhgnl7xkqkgolmvwy 20 30 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 20 31 protest protest NN work_rzcanzq6ebhgnl7xkqkgolmvwy 20 32 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 21 1 2 2 LS work_rzcanzq6ebhgnl7xkqkgolmvwy 21 2 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 22 1 See see VB work_rzcanzq6ebhgnl7xkqkgolmvwy 22 2 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 22 3 for for IN work_rzcanzq6ebhgnl7xkqkgolmvwy 22 4 example example NN work_rzcanzq6ebhgnl7xkqkgolmvwy 22 5 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 22 6 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 22 7 British british JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 22 8 Prime Prime NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 22 9 Minister Minister NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 22 10 Boris Boris NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 22 11 Johnson Johnson NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 22 12 ’s ’s POS work_rzcanzq6ebhgnl7xkqkgolmvwy 22 13 statements statement NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 22 14 on on IN work_rzcanzq6ebhgnl7xkqkgolmvwy 22 15 Twitter Twitter NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 22 16 following follow VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 22 17 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 22 18 toppling toppling NN work_rzcanzq6ebhgnl7xkqkgolmvwy 22 19 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 22 20 Colston Colston NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 22 21 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 22 22 where where WRB work_rzcanzq6ebhgnl7xkqkgolmvwy 22 23 he -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 22 24 wrote write VBD work_rzcanzq6ebhgnl7xkqkgolmvwy 22 25 that that IN work_rzcanzq6ebhgnl7xkqkgolmvwy 22 26 « « `` work_rzcanzq6ebhgnl7xkqkgolmvwy 22 27 to to TO work_rzcanzq6ebhgnl7xkqkgolmvwy 22 28 tear tear VB work_rzcanzq6ebhgnl7xkqkgolmvwy 22 29 [ [ -LRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 22 30 statues statue NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 22 31 ] ] -RRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 22 32 down down RB work_rzcanzq6ebhgnl7xkqkgolmvwy 22 33 would would MD work_rzcanzq6ebhgnl7xkqkgolmvwy 22 34 be be VB work_rzcanzq6ebhgnl7xkqkgolmvwy 22 35 to to TO work_rzcanzq6ebhgnl7xkqkgolmvwy 22 36 lie lie VB work_rzcanzq6ebhgnl7xkqkgolmvwy 22 37 about about IN work_rzcanzq6ebhgnl7xkqkgolmvwy 22 38 our -PRON- PRP$ work_rzcanzq6ebhgnl7xkqkgolmvwy 22 39 history history NN work_rzcanzq6ebhgnl7xkqkgolmvwy 22 40 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 22 41 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 22 42 impoverish impoverish VB work_rzcanzq6ebhgnl7xkqkgolmvwy 22 43 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 22 44 education education NN work_rzcanzq6ebhgnl7xkqkgolmvwy 22 45 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 22 46 generations generation NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 22 47 to to TO work_rzcanzq6ebhgnl7xkqkgolmvwy 22 48 come come VB work_rzcanzq6ebhgnl7xkqkgolmvwy 22 49 » » '' work_rzcanzq6ebhgnl7xkqkgolmvwy 22 50 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 22 51 as as IN work_rzcanzq6ebhgnl7xkqkgolmvwy 22 52 cited cite VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 22 53 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 22 54 Peter Peter NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 22 55 Walker Walker NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 22 56 – – : work_rzcanzq6ebhgnl7xkqkgolmvwy 22 57 Alexandra Alexandra NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 22 58 Topping Topping NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 22 59 – – : work_rzcanzq6ebhgnl7xkqkgolmvwy 22 60 Steven Steven NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 22 61 Morris Morris NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 22 62 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 22 63 Boris Boris NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 22 64 Johnson Johnson NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 22 65 Says say VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 22 66 Removing Removing NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 22 67 Statues Statues NNPS work_rzcanzq6ebhgnl7xkqkgolmvwy 22 68 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 22 69 to to TO work_rzcanzq6ebhgnl7xkqkgolmvwy 22 70 Lie lie VB work_rzcanzq6ebhgnl7xkqkgolmvwy 22 71 About about IN work_rzcanzq6ebhgnl7xkqkgolmvwy 22 72 our -PRON- PRP$ work_rzcanzq6ebhgnl7xkqkgolmvwy 22 73 History history NN work_rzcanzq6ebhgnl7xkqkgolmvwy 22 74 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 22 75 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 22 76 « « `` work_rzcanzq6ebhgnl7xkqkgolmvwy 22 77 The the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 22 78 Guardian Guardian NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 22 79 » » '' work_rzcanzq6ebhgnl7xkqkgolmvwy 22 80 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 22 81 June June NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 22 82 12th 12th NN work_rzcanzq6ebhgnl7xkqkgolmvwy 22 83 2020 2020 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 22 84 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 22 85 online online NN work_rzcanzq6ebhgnl7xkqkgolmvwy 22 86 : : : work_rzcanzq6ebhgnl7xkqkgolmvwy 22 87 https://www.theguardian.com/politics/2020/jun/12/boris-johnson- https://www.theguardian.com/politics/2020/jun/12/boris-johnson- NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 22 88 says say VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 22 89 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 22 90 removing remove VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 22 91 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 22 92 statues statue NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 22 93 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 22 94 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 22 95 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 22 96 to to TO work_rzcanzq6ebhgnl7xkqkgolmvwy 22 97 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 22 98 lie lie NN work_rzcanzq6ebhgnl7xkqkgolmvwy 22 99 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 22 100 about about IN work_rzcanzq6ebhgnl7xkqkgolmvwy 22 101 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 22 102 our -PRON- PRP$ work_rzcanzq6ebhgnl7xkqkgolmvwy 22 103 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 22 104 history history NN work_rzcanzq6ebhgnl7xkqkgolmvwy 22 105 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 22 106 george george NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 22 107 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 22 108 floyd floyd NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 22 109 ( ( -LRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 22 110 accessed access VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 22 111 19/6/2020 19/6/2020 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 22 112 ) ) -RRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 22 113 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 23 1 « « `` work_rzcanzq6ebhgnl7xkqkgolmvwy 23 2 Danza Danza NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 23 3 e e NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 23 4 ricerca ricerca NN work_rzcanzq6ebhgnl7xkqkgolmvwy 23 5 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 24 1 Laboratorio Laboratorio NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 24 2 di di NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 24 3 studi studi NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 24 4 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 24 5 scritture scritture NN work_rzcanzq6ebhgnl7xkqkgolmvwy 24 6 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 24 7 visioni visioni NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 24 8 » » '' work_rzcanzq6ebhgnl7xkqkgolmvwy 24 9 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 24 10 anno anno NN work_rzcanzq6ebhgnl7xkqkgolmvwy 24 11 XII XII NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 24 12 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 24 13 numero numero NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 24 14 12 12 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 24 15 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 24 16 2020 2020 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 24 17 danzaericerca.unibo.it danzaericerca.unibo.it JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 24 18 DOI doi NN work_rzcanzq6ebhgnl7xkqkgolmvwy 24 19 : : : work_rzcanzq6ebhgnl7xkqkgolmvwy 24 20 10.6092 10.6092 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 24 21 / / SYM work_rzcanzq6ebhgnl7xkqkgolmvwy 24 22 issn.2036­1599/11858 issn.2036­1599/11858 NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 24 23 https://www.opendemocracy.net/en/beyond-trafficking-and-slavery/slavery-and-visual-memory-what-britain-can-learn-from-france/ https://www.opendemocracy.net/en/beyond-trafficking-and-slavery/slavery-and-visual-memory-what-britain-can-learn-from-france/ NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 24 24 https://www.opendemocracy.net/en/beyond-trafficking-and-slavery/slavery-and-visual-memory-what-britain-can-learn-from-france/ https://www.opendemocracy.net/en/beyond-trafficking-and-slavery/slavery-and-visual-memory-what-britain-can-learn-from-france/ NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 24 25 https://www.theguardian.com/politics/2020/jun/12/boris-johnson-says-removing-statues-is-to-lie-about-our-history-george-floyd https://www.theguardian.com/politics/2020/jun/12/boris-johnson-says-removing-statues-is-to-lie-about-our-history-george-floyd NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 24 26 https://www.theguardian.com/politics/2020/jun/12/boris-johnson-says-removing-statues-is-to-lie-about-our-history-george-floyd https://www.theguardian.com/politics/2020/jun/12/boris-johnson-says-removing-statues-is-to-lie-about-our-history-george-floyd NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 24 27 https://danzaericerca.unibo.it https://danzaericerca.unibo.it NN work_rzcanzq6ebhgnl7xkqkgolmvwy 24 28 https://doi.org/10.6092/issn.2036-1599/11858 https://doi.org/10.6092/issn.2036-1599/11858 NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 24 29 284 284 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 24 30 Marie­Louise Marie­Louise NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 24 31 Crawley Crawley NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 24 32 selective selective VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 24 33 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 24 34 their -PRON- PRP$ work_rzcanzq6ebhgnl7xkqkgolmvwy 24 35 historicising3 historicising3 NN work_rzcanzq6ebhgnl7xkqkgolmvwy 24 36 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 25 1 Statues statue NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 25 2 are be VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 25 3 about about IN work_rzcanzq6ebhgnl7xkqkgolmvwy 25 4 who who WP work_rzcanzq6ebhgnl7xkqkgolmvwy 25 5 has have VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 25 6 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 25 7 power power NN work_rzcanzq6ebhgnl7xkqkgolmvwy 25 8 to to TO work_rzcanzq6ebhgnl7xkqkgolmvwy 25 9 select select VB work_rzcanzq6ebhgnl7xkqkgolmvwy 25 10 what what WP work_rzcanzq6ebhgnl7xkqkgolmvwy 25 11 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 25 12 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 25 13 whom whom WP work_rzcanzq6ebhgnl7xkqkgolmvwy 25 14 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 25 15 we -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 25 16 remember remember VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 25 17 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 25 18 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 25 19 whom whom WP work_rzcanzq6ebhgnl7xkqkgolmvwy 25 20 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 25 21 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 25 22 what what WP work_rzcanzq6ebhgnl7xkqkgolmvwy 25 23 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 25 24 we -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 25 25 forget forget VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 25 26 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 26 1 This this DT work_rzcanzq6ebhgnl7xkqkgolmvwy 26 2 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 26 3 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 26 4 matter matter NN work_rzcanzq6ebhgnl7xkqkgolmvwy 26 5 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 26 6 who who WP work_rzcanzq6ebhgnl7xkqkgolmvwy 26 7 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 26 8 held hold VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 26 9 up up RP work_rzcanzq6ebhgnl7xkqkgolmvwy 26 10 on on IN work_rzcanzq6ebhgnl7xkqkgolmvwy 26 11 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 26 12 pedestal pedestal JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 26 13 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 26 14 who who WP work_rzcanzq6ebhgnl7xkqkgolmvwy 26 15 has have VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 26 16 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 26 17 power power NN work_rzcanzq6ebhgnl7xkqkgolmvwy 26 18 to to TO work_rzcanzq6ebhgnl7xkqkgolmvwy 26 19 put put VB work_rzcanzq6ebhgnl7xkqkgolmvwy 26 20 him -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 26 21 there there RB work_rzcanzq6ebhgnl7xkqkgolmvwy 26 22 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 27 1 The the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 27 2 actions action NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 27 3 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 27 4 those those DT work_rzcanzq6ebhgnl7xkqkgolmvwy 27 5 protestors protestor NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 27 6 on on IN work_rzcanzq6ebhgnl7xkqkgolmvwy 27 7 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 27 8 summer summer NN work_rzcanzq6ebhgnl7xkqkgolmvwy 27 9 ’s ’s NN work_rzcanzq6ebhgnl7xkqkgolmvwy 27 10 Sunday Sunday NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 27 11 afternoon afternoon NN work_rzcanzq6ebhgnl7xkqkgolmvwy 27 12 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 27 13 Bristol Bristol NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 27 14 should should MD work_rzcanzq6ebhgnl7xkqkgolmvwy 27 15 not not RB work_rzcanzq6ebhgnl7xkqkgolmvwy 27 16 cause cause VB work_rzcanzq6ebhgnl7xkqkgolmvwy 27 17 us -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 27 18 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 27 19 as as IN work_rzcanzq6ebhgnl7xkqkgolmvwy 27 20 historian historian NN work_rzcanzq6ebhgnl7xkqkgolmvwy 27 21 Charlotte Charlotte NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 27 22 Riley Riley NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 27 23 puts put VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 27 24 it -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 27 25 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 27 26 « « `` work_rzcanzq6ebhgnl7xkqkgolmvwy 27 27 to to TO work_rzcanzq6ebhgnl7xkqkgolmvwy 27 28 worry worry VB work_rzcanzq6ebhgnl7xkqkgolmvwy 27 29 about about IN work_rzcanzq6ebhgnl7xkqkgolmvwy 27 30 “ " `` work_rzcanzq6ebhgnl7xkqkgolmvwy 27 31 re re JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 27 32 - - JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 27 33 writing writing JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 27 34 ” " '' work_rzcanzq6ebhgnl7xkqkgolmvwy 27 35 history history NN work_rzcanzq6ebhgnl7xkqkgolmvwy 27 36 [ [ -LRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 27 37 because because IN work_rzcanzq6ebhgnl7xkqkgolmvwy 27 38 ] ] -RRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 27 39 it -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 27 40 ’s ’ VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 27 41 literally literally RB work_rzcanzq6ebhgnl7xkqkgolmvwy 27 42 what what WP work_rzcanzq6ebhgnl7xkqkgolmvwy 27 43 historians historian VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 27 44 do»4 do»4 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 27 45 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 28 1 As as IN work_rzcanzq6ebhgnl7xkqkgolmvwy 28 2 Riley Riley NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 28 3 points point VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 28 4 out out RP work_rzcanzq6ebhgnl7xkqkgolmvwy 28 5 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 28 6 historians historian NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 28 7 are be VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 28 8 constantly constantly RB work_rzcanzq6ebhgnl7xkqkgolmvwy 28 9 engaged engage VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 28 10 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 28 11 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 28 12 process process NN work_rzcanzq6ebhgnl7xkqkgolmvwy 28 13 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 28 14 re re NN work_rzcanzq6ebhgnl7xkqkgolmvwy 28 15 - - VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 28 16 evaluating evaluate VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 28 17 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 28 18 reinterpreting reinterpret VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 28 19 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 28 20 past past NN work_rzcanzq6ebhgnl7xkqkgolmvwy 28 21 : : : work_rzcanzq6ebhgnl7xkqkgolmvwy 28 22 she -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 28 23 reminds remind VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 28 24 us -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 28 25 that that IN work_rzcanzq6ebhgnl7xkqkgolmvwy 28 26 while while IN work_rzcanzq6ebhgnl7xkqkgolmvwy 28 27 « « `` work_rzcanzq6ebhgnl7xkqkgolmvwy 28 28 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 28 29 past past NN work_rzcanzq6ebhgnl7xkqkgolmvwy 28 30 may may MD work_rzcanzq6ebhgnl7xkqkgolmvwy 28 31 be be VB work_rzcanzq6ebhgnl7xkqkgolmvwy 28 32 dead dead JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 28 33 [ [ -LRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 28 34 … … NFP work_rzcanzq6ebhgnl7xkqkgolmvwy 28 35 ] ] -RRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 28 36 history history NN work_rzcanzq6ebhgnl7xkqkgolmvwy 28 37 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 28 38 alive alive JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 28 39 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 28 40 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 28 41 it -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 28 42 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 28 43 constructed construct VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 28 44 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 28 45 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 28 46 present»5 present»5 NN work_rzcanzq6ebhgnl7xkqkgolmvwy 28 47 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 29 1 As as IN work_rzcanzq6ebhgnl7xkqkgolmvwy 29 2 such such JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 29 3 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 29 4 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 29 5 Black Black NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 29 6 Lives Lives NNPS work_rzcanzq6ebhgnl7xkqkgolmvwy 29 7 Matters Matters NNPS work_rzcanzq6ebhgnl7xkqkgolmvwy 29 8 protestors protestor NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 29 9 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 29 10 Bristol Bristol NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 29 11 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 29 12 Oxford Oxford NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 29 13 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 29 14 London London NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 29 15 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 29 16 Antwerp Antwerp NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 29 17 are be VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 29 18 not not RB work_rzcanzq6ebhgnl7xkqkgolmvwy 29 19 only only RB work_rzcanzq6ebhgnl7xkqkgolmvwy 29 20 history history NN work_rzcanzq6ebhgnl7xkqkgolmvwy 29 21 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 29 22 makers maker NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 29 23 themselves -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 29 24 ; ; : work_rzcanzq6ebhgnl7xkqkgolmvwy 29 25 they -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 29 26 can can MD work_rzcanzq6ebhgnl7xkqkgolmvwy 29 27 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 29 28 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 29 29 fact fact NN work_rzcanzq6ebhgnl7xkqkgolmvwy 29 30 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 29 31 be be VB work_rzcanzq6ebhgnl7xkqkgolmvwy 29 32 seen see VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 29 33 as as IN work_rzcanzq6ebhgnl7xkqkgolmvwy 29 34 historiographers historiographer NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 29 35 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 29 36 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 29 37 their -PRON- PRP$ work_rzcanzq6ebhgnl7xkqkgolmvwy 29 38 actions action NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 29 39 as as RB work_rzcanzq6ebhgnl7xkqkgolmvwy 29 40 publicly publicly RB work_rzcanzq6ebhgnl7xkqkgolmvwy 29 41 debating debate VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 29 42 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 29 43 questioning questioning NN work_rzcanzq6ebhgnl7xkqkgolmvwy 29 44 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 29 45 re re JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 29 46 - - JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 29 47 writing write VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 29 48 history history NN work_rzcanzq6ebhgnl7xkqkgolmvwy 29 49 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 30 1 Through through IN work_rzcanzq6ebhgnl7xkqkgolmvwy 30 2 such such JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 30 3 actions action NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 30 4 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 30 5 at at IN work_rzcanzq6ebhgnl7xkqkgolmvwy 30 6 least least JJS work_rzcanzq6ebhgnl7xkqkgolmvwy 30 7 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 30 8 Britain Britain NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 30 9 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 30 10 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 30 11 lines line NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 30 12 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 30 13 public public JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 30 14 debate debate NN work_rzcanzq6ebhgnl7xkqkgolmvwy 30 15 about about IN work_rzcanzq6ebhgnl7xkqkgolmvwy 30 16 heritage heritage NN work_rzcanzq6ebhgnl7xkqkgolmvwy 30 17 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 30 18 racism racism NN work_rzcanzq6ebhgnl7xkqkgolmvwy 30 19 are be VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 30 20 now now RB work_rzcanzq6ebhgnl7xkqkgolmvwy 30 21 being be VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 30 22 decisively decisively RB work_rzcanzq6ebhgnl7xkqkgolmvwy 30 23 re re VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 30 24 - - JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 30 25 evaluated evaluated JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 30 26 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 30 27 redrawn redrawn JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 30 28 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 31 1 The the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 31 2 context context NN work_rzcanzq6ebhgnl7xkqkgolmvwy 31 3 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 31 4 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 31 5 Black Black NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 31 6 Lives Lives NNPS work_rzcanzq6ebhgnl7xkqkgolmvwy 31 7 Matter Matter NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 31 8 protests protest NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 31 9 have have VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 31 10 enabled enable VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 31 11 citizens citizen NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 31 12 to to TO work_rzcanzq6ebhgnl7xkqkgolmvwy 31 13 powerfully powerfully RB work_rzcanzq6ebhgnl7xkqkgolmvwy 31 14 use use VB work_rzcanzq6ebhgnl7xkqkgolmvwy 31 15 statues statue NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 31 16 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 31 17 museums museum NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 31 18 as as IN work_rzcanzq6ebhgnl7xkqkgolmvwy 31 19 public public JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 31 20 spaces space NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 31 21 to to TO work_rzcanzq6ebhgnl7xkqkgolmvwy 31 22 re re VB work_rzcanzq6ebhgnl7xkqkgolmvwy 31 23 - - VB work_rzcanzq6ebhgnl7xkqkgolmvwy 31 24 frame frame VB work_rzcanzq6ebhgnl7xkqkgolmvwy 31 25 how how WRB work_rzcanzq6ebhgnl7xkqkgolmvwy 31 26 we -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 31 27 think think VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 31 28 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 31 29 feel feel VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 31 30 about about IN work_rzcanzq6ebhgnl7xkqkgolmvwy 31 31 difficult difficult JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 31 32 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 31 33 uncomfortable uncomfortable JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 31 34 histories history NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 31 35 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 31 36 colonialism colonialism NN work_rzcanzq6ebhgnl7xkqkgolmvwy 31 37 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 31 38 slavery slavery NN work_rzcanzq6ebhgnl7xkqkgolmvwy 31 39 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 31 40 oppression oppression NN work_rzcanzq6ebhgnl7xkqkgolmvwy 31 41 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 31 42 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 31 43 about about IN work_rzcanzq6ebhgnl7xkqkgolmvwy 31 44 anti anti JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 31 45 - - JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 31 46 blackness blackness JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 31 47 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 31 48 social social JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 31 49 justice justice NN work_rzcanzq6ebhgnl7xkqkgolmvwy 31 50 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 31 51 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 31 52 twenty- twenty- JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 31 53 first first JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 31 54 century century NN work_rzcanzq6ebhgnl7xkqkgolmvwy 31 55 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 32 1 In in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 32 2 Britain Britain NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 32 3 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 32 4 they -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 32 5 are be VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 32 6 becoming become VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 32 7 places place NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 32 8 where where WRB work_rzcanzq6ebhgnl7xkqkgolmvwy 32 9 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 32 10 public public NN work_rzcanzq6ebhgnl7xkqkgolmvwy 32 11 can can MD work_rzcanzq6ebhgnl7xkqkgolmvwy 32 12 assemble assemble VB work_rzcanzq6ebhgnl7xkqkgolmvwy 32 13 to to TO work_rzcanzq6ebhgnl7xkqkgolmvwy 32 14 acknowledge acknowledge VB work_rzcanzq6ebhgnl7xkqkgolmvwy 32 15 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 32 16 on on RB work_rzcanzq6ebhgnl7xkqkgolmvwy 32 17 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 32 18 going go VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 32 19 nature nature NN work_rzcanzq6ebhgnl7xkqkgolmvwy 32 20 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 32 21 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 32 22 country country NN work_rzcanzq6ebhgnl7xkqkgolmvwy 32 23 ’s ’s POS work_rzcanzq6ebhgnl7xkqkgolmvwy 32 24 colonial colonial JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 32 25 past past NN work_rzcanzq6ebhgnl7xkqkgolmvwy 32 26 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 32 27 together together RB work_rzcanzq6ebhgnl7xkqkgolmvwy 32 28 work work VB work_rzcanzq6ebhgnl7xkqkgolmvwy 32 29 for for IN work_rzcanzq6ebhgnl7xkqkgolmvwy 32 30 collective collective JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 32 31 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 32 32 transformative transformative JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 32 33 action action NN work_rzcanzq6ebhgnl7xkqkgolmvwy 32 34 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 33 1 Sometimes sometimes RB work_rzcanzq6ebhgnl7xkqkgolmvwy 33 2 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 33 3 bringing bring VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 33 4 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 33 5 statue statue NN work_rzcanzq6ebhgnl7xkqkgolmvwy 33 6 down down RP work_rzcanzq6ebhgnl7xkqkgolmvwy 33 7 with with IN work_rzcanzq6ebhgnl7xkqkgolmvwy 33 8 ropes rope NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 33 9 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 33 10 rolling roll VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 33 11 it -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 33 12 into into IN work_rzcanzq6ebhgnl7xkqkgolmvwy 33 13 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 33 14 harbour harbour NN work_rzcanzq6ebhgnl7xkqkgolmvwy 33 15 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 33 16 part part NN work_rzcanzq6ebhgnl7xkqkgolmvwy 33 17 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 33 18 that that DT work_rzcanzq6ebhgnl7xkqkgolmvwy 33 19 action action NN work_rzcanzq6ebhgnl7xkqkgolmvwy 33 20 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 34 1 In in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 34 2 statues statue NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 34 3 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 34 4 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 34 5 museums museum NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 34 6 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 34 7 historically historically RB work_rzcanzq6ebhgnl7xkqkgolmvwy 34 8 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 34 9 we -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 34 10 see see VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 34 11 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 34 12 tidy tidy NN work_rzcanzq6ebhgnl7xkqkgolmvwy 34 13 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 34 14 if if IN work_rzcanzq6ebhgnl7xkqkgolmvwy 34 15 subjective subjective JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 34 16 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 34 17 curating curate VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 34 18 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 34 19 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 34 20 past past NN work_rzcanzq6ebhgnl7xkqkgolmvwy 34 21 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 35 1 Both both DT work_rzcanzq6ebhgnl7xkqkgolmvwy 35 2 are be VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 35 3 sites site NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 35 4 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 35 5 public public JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 35 6 memory memory NN work_rzcanzq6ebhgnl7xkqkgolmvwy 35 7 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 35 8 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 35 9 common common JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 35 10 remembering remembering NN work_rzcanzq6ebhgnl7xkqkgolmvwy 35 11 ; ; : work_rzcanzq6ebhgnl7xkqkgolmvwy 35 12 they -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 35 13 are be VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 35 14 where where WRB work_rzcanzq6ebhgnl7xkqkgolmvwy 35 15 we -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 35 16 come come VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 35 17 together together RB work_rzcanzq6ebhgnl7xkqkgolmvwy 35 18 to to TO work_rzcanzq6ebhgnl7xkqkgolmvwy 35 19 remember remember VB work_rzcanzq6ebhgnl7xkqkgolmvwy 35 20 ( ( -LRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 35 21 or or CC work_rzcanzq6ebhgnl7xkqkgolmvwy 35 22 to to TO work_rzcanzq6ebhgnl7xkqkgolmvwy 35 23 forget forget VB work_rzcanzq6ebhgnl7xkqkgolmvwy 35 24 ) ) -RRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 35 25 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 35 26 where where WRB work_rzcanzq6ebhgnl7xkqkgolmvwy 35 27 what what WP work_rzcanzq6ebhgnl7xkqkgolmvwy 35 28 we -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 35 29 remember remember VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 35 30 ( ( -LRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 35 31 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 35 32 what what WP work_rzcanzq6ebhgnl7xkqkgolmvwy 35 33 we -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 35 34 forget forget VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 35 35 ) ) -RRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 35 36 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 35 37 very very RB work_rzcanzq6ebhgnl7xkqkgolmvwy 35 38 often often RB work_rzcanzq6ebhgnl7xkqkgolmvwy 35 39 decided decide VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 35 40 for for IN work_rzcanzq6ebhgnl7xkqkgolmvwy 35 41 us -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 35 42 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 35 43 where where WRB work_rzcanzq6ebhgnl7xkqkgolmvwy 35 44 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 35 45 past past NN work_rzcanzq6ebhgnl7xkqkgolmvwy 35 46 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 35 47 neatly neatly RB work_rzcanzq6ebhgnl7xkqkgolmvwy 35 48 boxed box VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 35 49 into into IN work_rzcanzq6ebhgnl7xkqkgolmvwy 35 50 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 35 51 glass glass NN work_rzcanzq6ebhgnl7xkqkgolmvwy 35 52 display display NN work_rzcanzq6ebhgnl7xkqkgolmvwy 35 53 case case NN work_rzcanzq6ebhgnl7xkqkgolmvwy 35 54 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 35 55 curated curate VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 35 56 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 35 57 framed frame VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 35 58 for for IN work_rzcanzq6ebhgnl7xkqkgolmvwy 35 59 us -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 35 60 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 35 61 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 35 62 very very RB work_rzcanzq6ebhgnl7xkqkgolmvwy 35 63 specific specific JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 35 64 way way NN work_rzcanzq6ebhgnl7xkqkgolmvwy 35 65 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 36 1 However however RB work_rzcanzq6ebhgnl7xkqkgolmvwy 36 2 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 36 3 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 36 4 past past NN work_rzcanzq6ebhgnl7xkqkgolmvwy 36 5 can can MD work_rzcanzq6ebhgnl7xkqkgolmvwy 36 6 not not RB work_rzcanzq6ebhgnl7xkqkgolmvwy 36 7 always always RB work_rzcanzq6ebhgnl7xkqkgolmvwy 36 8 be be VB work_rzcanzq6ebhgnl7xkqkgolmvwy 36 9 so so RB work_rzcanzq6ebhgnl7xkqkgolmvwy 36 10 tidily tidily RB work_rzcanzq6ebhgnl7xkqkgolmvwy 36 11 enclosed enclose VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 36 12 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 36 13 framed frame VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 36 14 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 36 15 mummified mummify VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 36 16 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 37 1 Sometimes sometimes RB work_rzcanzq6ebhgnl7xkqkgolmvwy 37 2 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 37 3 glass glass NN work_rzcanzq6ebhgnl7xkqkgolmvwy 37 4 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 37 5 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 37 6 vitrine vitrine NN work_rzcanzq6ebhgnl7xkqkgolmvwy 37 7 must must MD work_rzcanzq6ebhgnl7xkqkgolmvwy 37 8 be be VB work_rzcanzq6ebhgnl7xkqkgolmvwy 37 9 smashed smash VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 37 10 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 37 11 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 37 12 statue statue NN work_rzcanzq6ebhgnl7xkqkgolmvwy 37 13 must must MD work_rzcanzq6ebhgnl7xkqkgolmvwy 37 14 fall fall VB work_rzcanzq6ebhgnl7xkqkgolmvwy 37 15 as as IN work_rzcanzq6ebhgnl7xkqkgolmvwy 37 16 we -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 37 17 confront confront VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 37 18 those those DT work_rzcanzq6ebhgnl7xkqkgolmvwy 37 19 difficult difficult JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 37 20 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 37 21 uncomfortable uncomfortable JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 37 22 histories history NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 37 23 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 38 1 However however RB work_rzcanzq6ebhgnl7xkqkgolmvwy 38 2 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 38 3 it -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 38 4 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 38 5 important important JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 38 6 to to TO work_rzcanzq6ebhgnl7xkqkgolmvwy 38 7 note note VB work_rzcanzq6ebhgnl7xkqkgolmvwy 38 8 that that IN work_rzcanzq6ebhgnl7xkqkgolmvwy 38 9 due due IN work_rzcanzq6ebhgnl7xkqkgolmvwy 38 10 to to IN work_rzcanzq6ebhgnl7xkqkgolmvwy 38 11 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 38 12 institutional institutional JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 38 13 developments development NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 38 14 brought bring VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 38 15 about about RP work_rzcanzq6ebhgnl7xkqkgolmvwy 38 16 by by IN work_rzcanzq6ebhgnl7xkqkgolmvwy 38 17 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 38 18 movement movement NN work_rzcanzq6ebhgnl7xkqkgolmvwy 38 19 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 38 20 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 38 21 “ " `` work_rzcanzq6ebhgnl7xkqkgolmvwy 38 22 New new JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 38 23 Museology”6 Museology”6 NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 38 24 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 38 25 museums museum NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 38 26 have have VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 38 27 gradually gradually RB work_rzcanzq6ebhgnl7xkqkgolmvwy 38 28 become become VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 38 29 – – : work_rzcanzq6ebhgnl7xkqkgolmvwy 38 30 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 38 31 are be VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 38 32 still still RB work_rzcanzq6ebhgnl7xkqkgolmvwy 38 33 becoming become VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 38 34 – – : work_rzcanzq6ebhgnl7xkqkgolmvwy 38 35 much much RB work_rzcanzq6ebhgnl7xkqkgolmvwy 38 36 more more RBR work_rzcanzq6ebhgnl7xkqkgolmvwy 38 37 fluid fluid JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 38 38 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 38 39 transient transient JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 38 40 spaces space NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 38 41 where where WRB work_rzcanzq6ebhgnl7xkqkgolmvwy 38 42 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 38 43 historicized historicized JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 38 44 past past NN work_rzcanzq6ebhgnl7xkqkgolmvwy 38 45 meets meet VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 38 46 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 38 47 present present JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 38 48 moment moment NN work_rzcanzq6ebhgnl7xkqkgolmvwy 38 49 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 39 1 Even even RB work_rzcanzq6ebhgnl7xkqkgolmvwy 39 2 if if IN work_rzcanzq6ebhgnl7xkqkgolmvwy 39 3 we -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 39 4 believe believe VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 39 5 that that IN work_rzcanzq6ebhgnl7xkqkgolmvwy 39 6 Colston Colston NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 39 7 ’s ’s POS work_rzcanzq6ebhgnl7xkqkgolmvwy 39 8 statue statue NN work_rzcanzq6ebhgnl7xkqkgolmvwy 39 9 should should MD work_rzcanzq6ebhgnl7xkqkgolmvwy 39 10 remain remain VB work_rzcanzq6ebhgnl7xkqkgolmvwy 39 11 lying lie VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 39 12 at at IN work_rzcanzq6ebhgnl7xkqkgolmvwy 39 13 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 39 14 bottom bottom NN work_rzcanzq6ebhgnl7xkqkgolmvwy 39 15 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 39 16 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 39 17 Atlantic Atlantic NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 39 18 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 39 19 its -PRON- PRP$ work_rzcanzq6ebhgnl7xkqkgolmvwy 39 20 removal removal NN work_rzcanzq6ebhgnl7xkqkgolmvwy 39 21 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 39 22 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 39 23 plan plan NN work_rzcanzq6ebhgnl7xkqkgolmvwy 39 24 to to TO work_rzcanzq6ebhgnl7xkqkgolmvwy 39 25 eventually eventually RB work_rzcanzq6ebhgnl7xkqkgolmvwy 39 26 place place VB work_rzcanzq6ebhgnl7xkqkgolmvwy 39 27 it -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 39 28 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 39 29 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 39 30 museum museum NN work_rzcanzq6ebhgnl7xkqkgolmvwy 39 31 along along IN work_rzcanzq6ebhgnl7xkqkgolmvwy 39 32 with with IN work_rzcanzq6ebhgnl7xkqkgolmvwy 39 33 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 39 34 ropes rope NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 39 35 that that WDT work_rzcanzq6ebhgnl7xkqkgolmvwy 39 36 toppled topple VBD work_rzcanzq6ebhgnl7xkqkgolmvwy 39 37 it -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 39 38 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 39 39 Black Black NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 39 40 Lives Lives NNPS work_rzcanzq6ebhgnl7xkqkgolmvwy 39 41 Matter Matter NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 39 42 placards placard VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 39 43 3 3 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 39 44 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 40 1 Cf cf NN work_rzcanzq6ebhgnl7xkqkgolmvwy 40 2 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 41 1 Tanya Tanya NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 41 2 Bueltmann Bueltmann NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 41 3 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 41 4 Twitter Twitter NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 41 5 thread thread NN work_rzcanzq6ebhgnl7xkqkgolmvwy 41 6 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 41 7 June June NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 41 8 9th 9th NN work_rzcanzq6ebhgnl7xkqkgolmvwy 41 9 2020 2020 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 41 10 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 41 11 online online RB work_rzcanzq6ebhgnl7xkqkgolmvwy 41 12 : : : work_rzcanzq6ebhgnl7xkqkgolmvwy 41 13 https://twitter.com/cliodiaspora?ref_src=twsrc%5Egoogle- https://twitter.com/cliodiaspora?ref_src=twsrc%5Egoogle- NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 41 14 % % NN work_rzcanzq6ebhgnl7xkqkgolmvwy 41 15 7Ctwcamp%5Eserp%7Ctwgr%5Eauthor 7ctwcamp%5eserp%7ctwgr%5eauthor CD work_rzcanzq6ebhgnl7xkqkgolmvwy 41 16 ( ( -LRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 41 17 accessed access VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 41 18 19/6/2020 19/6/2020 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 41 19 ) ) -RRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 41 20 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 42 1 4 4 LS work_rzcanzq6ebhgnl7xkqkgolmvwy 42 2 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 43 1 Charlotte Charlotte NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 43 2 Riley Riley NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 43 3 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 43 4 Do do VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 43 5 n’t not RB work_rzcanzq6ebhgnl7xkqkgolmvwy 43 6 worry worry VB work_rzcanzq6ebhgnl7xkqkgolmvwy 43 7 about about IN work_rzcanzq6ebhgnl7xkqkgolmvwy 43 8 “ " `` work_rzcanzq6ebhgnl7xkqkgolmvwy 43 9 rewriting rewrite VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 43 10 ” " '' work_rzcanzq6ebhgnl7xkqkgolmvwy 43 11 history history NN work_rzcanzq6ebhgnl7xkqkgolmvwy 43 12 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 43 13 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 43 14 « « `` work_rzcanzq6ebhgnl7xkqkgolmvwy 43 15 The the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 43 16 Guardian Guardian NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 43 17 » » '' work_rzcanzq6ebhgnl7xkqkgolmvwy 43 18 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 43 19 June June NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 43 20 10th 10th NN work_rzcanzq6ebhgnl7xkqkgolmvwy 43 21 2020 2020 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 43 22 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 43 23 online online RB work_rzcanzq6ebhgnl7xkqkgolmvwy 43 24 : : . work_rzcanzq6ebhgnl7xkqkgolmvwy 43 25 https://www.theguardian.com/commentisfree/2020/jun/10/rewriting-history-historians-statue-past https://www.theguardian.com/commentisfree/2020/jun/10/rewriting-history-historians-statue-past UH work_rzcanzq6ebhgnl7xkqkgolmvwy 43 26 ( ( -LRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 43 27 accessed access VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 43 28 24/10/2020 24/10/2020 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 43 29 ) ) -RRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 43 30 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 44 1 5 5 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 44 2 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 45 1 Ibidem Ibidem NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 45 2 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 46 1 6 6 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 46 2 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 47 1 Since since IN work_rzcanzq6ebhgnl7xkqkgolmvwy 47 2 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 47 3 1970s 1970 NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 47 4 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 47 5 museums museum NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 47 6 have have VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 47 7 undergone undergo VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 47 8 significant significant JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 47 9 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 47 10 radical radical JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 47 11 changes change NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 47 12 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 47 13 with with IN work_rzcanzq6ebhgnl7xkqkgolmvwy 47 14 political political JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 47 15 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 47 16 economic economic JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 47 17 pressures pressure NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 47 18 leading lead VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 47 19 to to IN work_rzcanzq6ebhgnl7xkqkgolmvwy 47 20 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 47 21 shift shift NN work_rzcanzq6ebhgnl7xkqkgolmvwy 47 22 away away RB work_rzcanzq6ebhgnl7xkqkgolmvwy 47 23 from from IN work_rzcanzq6ebhgnl7xkqkgolmvwy 47 24 collections collection NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 47 25 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 47 26 towards towards IN work_rzcanzq6ebhgnl7xkqkgolmvwy 47 27 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 47 28 more more RBR work_rzcanzq6ebhgnl7xkqkgolmvwy 47 29 viewer viewer NN work_rzcanzq6ebhgnl7xkqkgolmvwy 47 30 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 47 31 centred centre VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 47 32 ethos ethos NN work_rzcanzq6ebhgnl7xkqkgolmvwy 47 33 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 48 1 This this DT work_rzcanzq6ebhgnl7xkqkgolmvwy 48 2 self self NN work_rzcanzq6ebhgnl7xkqkgolmvwy 48 3 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 48 4 reflexivity reflexivity NN work_rzcanzq6ebhgnl7xkqkgolmvwy 48 5 that that WDT work_rzcanzq6ebhgnl7xkqkgolmvwy 48 6 attempts attempt VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 48 7 to to TO work_rzcanzq6ebhgnl7xkqkgolmvwy 48 8 ensure ensure VB work_rzcanzq6ebhgnl7xkqkgolmvwy 48 9 greater great JJR work_rzcanzq6ebhgnl7xkqkgolmvwy 48 10 accessibility accessibility NN work_rzcanzq6ebhgnl7xkqkgolmvwy 48 11 to to IN work_rzcanzq6ebhgnl7xkqkgolmvwy 48 12 these these DT work_rzcanzq6ebhgnl7xkqkgolmvwy 48 13 public public JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 48 14 spaces space NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 48 15 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 48 16 to to TO work_rzcanzq6ebhgnl7xkqkgolmvwy 48 17 put put VB work_rzcanzq6ebhgnl7xkqkgolmvwy 48 18 an an DT work_rzcanzq6ebhgnl7xkqkgolmvwy 48 19 end end NN work_rzcanzq6ebhgnl7xkqkgolmvwy 48 20 to to IN work_rzcanzq6ebhgnl7xkqkgolmvwy 48 21 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 48 22 traditional traditional JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 48 23 elitism elitism NN work_rzcanzq6ebhgnl7xkqkgolmvwy 48 24 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 48 25 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 48 26 museum museum NN work_rzcanzq6ebhgnl7xkqkgolmvwy 48 27 has have VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 48 28 become become VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 48 29 known know VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 48 30 as as IN work_rzcanzq6ebhgnl7xkqkgolmvwy 48 31 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 48 32 “ " `` work_rzcanzq6ebhgnl7xkqkgolmvwy 48 33 new new JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 48 34 museology museology NN work_rzcanzq6ebhgnl7xkqkgolmvwy 48 35 ” " '' work_rzcanzq6ebhgnl7xkqkgolmvwy 48 36 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 49 1 https://twitter.com/cliodiaspora?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Eauthor https://twitter.com/cliodiaspora?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Eauthor NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 49 2 https://twitter.com/cliodiaspora?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Eauthor https://twitter.com/cliodiaspora?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Eauthor NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 49 3 https://www.theguardian.com/commentisfree/2020/jun/10/rewriting-history-historians-statue-past https://www.theguardian.com/commentisfree/2020/jun/10/rewriting-history-historians-statue-past NN work_rzcanzq6ebhgnl7xkqkgolmvwy 49 4 « « `` work_rzcanzq6ebhgnl7xkqkgolmvwy 49 5 This this DT work_rzcanzq6ebhgnl7xkqkgolmvwy 49 6 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 49 7 different different JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 49 8 angle angle NN work_rzcanzq6ebhgnl7xkqkgolmvwy 49 9 » » '' work_rzcanzq6ebhgnl7xkqkgolmvwy 49 10 : : : work_rzcanzq6ebhgnl7xkqkgolmvwy 49 11 Dancing dance VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 49 12 at at IN work_rzcanzq6ebhgnl7xkqkgolmvwy 49 13 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 49 14 Louvre Louvre NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 49 15 285 285 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 49 16 becomes become VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 49 17 an an DT work_rzcanzq6ebhgnl7xkqkgolmvwy 49 18 important important JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 49 19 action action NN work_rzcanzq6ebhgnl7xkqkgolmvwy 49 20 too too RB work_rzcanzq6ebhgnl7xkqkgolmvwy 49 21 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 50 1 Significantly significantly RB work_rzcanzq6ebhgnl7xkqkgolmvwy 50 2 for for IN work_rzcanzq6ebhgnl7xkqkgolmvwy 50 3 my -PRON- PRP$ work_rzcanzq6ebhgnl7xkqkgolmvwy 50 4 argument argument NN work_rzcanzq6ebhgnl7xkqkgolmvwy 50 5 here here RB work_rzcanzq6ebhgnl7xkqkgolmvwy 50 6 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 50 7 it -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 50 8 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 50 9 within within IN work_rzcanzq6ebhgnl7xkqkgolmvwy 50 10 such such PDT work_rzcanzq6ebhgnl7xkqkgolmvwy 50 11 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 50 12 framework framework NN work_rzcanzq6ebhgnl7xkqkgolmvwy 50 13 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 50 14 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 50 15 historicised historicise VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 50 16 past past NN work_rzcanzq6ebhgnl7xkqkgolmvwy 50 17 meeting meet VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 50 18 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 50 19 present present JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 50 20 moment moment NN work_rzcanzq6ebhgnl7xkqkgolmvwy 50 21 that that DT work_rzcanzq6ebhgnl7xkqkgolmvwy 50 22 performance performance NN work_rzcanzq6ebhgnl7xkqkgolmvwy 50 23 has have VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 50 24 entered enter VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 50 25 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 50 26 museum museum NN work_rzcanzq6ebhgnl7xkqkgolmvwy 50 27 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 51 1 As as IN work_rzcanzq6ebhgnl7xkqkgolmvwy 51 2 museology museology NN work_rzcanzq6ebhgnl7xkqkgolmvwy 51 3 scholar scholar NN work_rzcanzq6ebhgnl7xkqkgolmvwy 51 4 Helen Helen NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 51 5 Rees Rees NNPS work_rzcanzq6ebhgnl7xkqkgolmvwy 51 6 Leahy Leahy NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 51 7 suggests suggest VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 51 8 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 51 9 it -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 51 10 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 51 11 « « `` work_rzcanzq6ebhgnl7xkqkgolmvwy 51 12 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 51 13 inherent inherent JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 51 14 transience transience NN work_rzcanzq6ebhgnl7xkqkgolmvwy 51 15 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 51 16 fluidity fluidity NN work_rzcanzq6ebhgnl7xkqkgolmvwy 51 17 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 51 18 performance performance NN work_rzcanzq6ebhgnl7xkqkgolmvwy 51 19 that that WDT work_rzcanzq6ebhgnl7xkqkgolmvwy 51 20 confronts confront VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 51 21 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 51 22 apparent apparent JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 51 23 solidity solidity NN work_rzcanzq6ebhgnl7xkqkgolmvwy 51 24 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 51 25 stasis stasis NN work_rzcanzq6ebhgnl7xkqkgolmvwy 51 26 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 51 27 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 51 28 museum»7 museum»7 NN work_rzcanzq6ebhgnl7xkqkgolmvwy 51 29 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 52 1 Performance performance NN work_rzcanzq6ebhgnl7xkqkgolmvwy 52 2 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 52 3 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 52 4 museum museum NN work_rzcanzq6ebhgnl7xkqkgolmvwy 52 5 can can MD work_rzcanzq6ebhgnl7xkqkgolmvwy 52 6 be be VB work_rzcanzq6ebhgnl7xkqkgolmvwy 52 7 part part NN work_rzcanzq6ebhgnl7xkqkgolmvwy 52 8 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 52 9 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 52 10 confrontation confrontation NN work_rzcanzq6ebhgnl7xkqkgolmvwy 52 11 with with IN work_rzcanzq6ebhgnl7xkqkgolmvwy 52 12 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 52 13 past past NN work_rzcanzq6ebhgnl7xkqkgolmvwy 52 14 : : : work_rzcanzq6ebhgnl7xkqkgolmvwy 52 15 not not RB work_rzcanzq6ebhgnl7xkqkgolmvwy 52 16 only only RB work_rzcanzq6ebhgnl7xkqkgolmvwy 52 17 smashing smash VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 52 18 through through IN work_rzcanzq6ebhgnl7xkqkgolmvwy 52 19 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 52 20 glass glass NN work_rzcanzq6ebhgnl7xkqkgolmvwy 52 21 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 52 22 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 52 23 vitrine vitrine NN work_rzcanzq6ebhgnl7xkqkgolmvwy 52 24 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 52 25 but but CC work_rzcanzq6ebhgnl7xkqkgolmvwy 52 26 also also RB work_rzcanzq6ebhgnl7xkqkgolmvwy 52 27 finding find VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 52 28 ways way NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 52 29 for for IN work_rzcanzq6ebhgnl7xkqkgolmvwy 52 30 that that DT work_rzcanzq6ebhgnl7xkqkgolmvwy 52 31 fragmented fragmented JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 52 32 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 52 33 fragmentary fragmentary JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 52 34 past past NN work_rzcanzq6ebhgnl7xkqkgolmvwy 52 35 to to TO work_rzcanzq6ebhgnl7xkqkgolmvwy 52 36 be be VB work_rzcanzq6ebhgnl7xkqkgolmvwy 52 37 reassembled reassemble VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 52 38 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 52 39 different different JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 52 40 ways way NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 52 41 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 53 1 Through through IN work_rzcanzq6ebhgnl7xkqkgolmvwy 53 2 performance performance NN work_rzcanzq6ebhgnl7xkqkgolmvwy 53 3 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 53 4 history history NN work_rzcanzq6ebhgnl7xkqkgolmvwy 53 5 can can MD work_rzcanzq6ebhgnl7xkqkgolmvwy 53 6 be be VB work_rzcanzq6ebhgnl7xkqkgolmvwy 53 7 re re VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 53 8 - - VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 53 9 membered membered JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 53 10 differently differently RB work_rzcanzq6ebhgnl7xkqkgolmvwy 53 11 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 53 12 previously previously RB work_rzcanzq6ebhgnl7xkqkgolmvwy 53 13 erased erase VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 53 14 or or CC work_rzcanzq6ebhgnl7xkqkgolmvwy 53 15 deliberately deliberately RB work_rzcanzq6ebhgnl7xkqkgolmvwy 53 16 forgotten forget VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 53 17 histories history NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 53 18 can can MD work_rzcanzq6ebhgnl7xkqkgolmvwy 53 19 resurface8 resurface8 VB work_rzcanzq6ebhgnl7xkqkgolmvwy 53 20 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 54 1 In in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 54 2 witnessing witness VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 54 3 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 54 4 collective collective JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 54 5 protests protest NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 54 6 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 54 7 statue statue VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 54 8 toppling toppling NN work_rzcanzq6ebhgnl7xkqkgolmvwy 54 9 that that WDT work_rzcanzq6ebhgnl7xkqkgolmvwy 54 10 have have VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 54 11 been be VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 54 12 occurring occur VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 54 13 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 54 14 I -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 54 15 have have VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 54 16 been be VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 54 17 prompted prompt VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 54 18 to to TO work_rzcanzq6ebhgnl7xkqkgolmvwy 54 19 think think VB work_rzcanzq6ebhgnl7xkqkgolmvwy 54 20 again again RB work_rzcanzq6ebhgnl7xkqkgolmvwy 54 21 about about IN work_rzcanzq6ebhgnl7xkqkgolmvwy 54 22 dance dance NN work_rzcanzq6ebhgnl7xkqkgolmvwy 54 23 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 54 24 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 54 25 museum museum NN work_rzcanzq6ebhgnl7xkqkgolmvwy 54 26 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 54 27 what what WP work_rzcanzq6ebhgnl7xkqkgolmvwy 54 28 I -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 54 29 have have VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 54 30 elsewhere elsewhere RB work_rzcanzq6ebhgnl7xkqkgolmvwy 54 31 termed term VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 54 32 dance dance NN work_rzcanzq6ebhgnl7xkqkgolmvwy 54 33 ’s ’s POS work_rzcanzq6ebhgnl7xkqkgolmvwy 54 34 poten- poten- XX work_rzcanzq6ebhgnl7xkqkgolmvwy 54 35 tial tial NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 54 36 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 54 37 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 54 38 museum museum NN work_rzcanzq6ebhgnl7xkqkgolmvwy 54 39 to to TO work_rzcanzq6ebhgnl7xkqkgolmvwy 54 40 be be VB work_rzcanzq6ebhgnl7xkqkgolmvwy 54 41 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 54 42 means means NN work_rzcanzq6ebhgnl7xkqkgolmvwy 54 43 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 54 44 « « `` work_rzcanzq6ebhgnl7xkqkgolmvwy 54 45 radical radical JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 54 46 archaeology»9 archaeology»9 '' work_rzcanzq6ebhgnl7xkqkgolmvwy 54 47 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 55 1 Following follow VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 55 2 archaeologists archaeologist NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 55 3 Michael Michael NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 55 4 Shanks Shanks NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 55 5 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 55 6 Christopher Christopher NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 55 7 Tilley Tilley NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 55 8 ’s ’ VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 55 9 groundbreaking groundbreake VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 55 10 argument argument NN work_rzcanzq6ebhgnl7xkqkgolmvwy 55 11 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 55 12 I -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 55 13 have have VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 55 14 previously previously RB work_rzcanzq6ebhgnl7xkqkgolmvwy 55 15 argued argue VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 55 16 that that IN work_rzcanzq6ebhgnl7xkqkgolmvwy 55 17 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 55 18 dancer dancer NN work_rzcanzq6ebhgnl7xkqkgolmvwy 55 19 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 55 20 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 55 21 mu- mu- NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 55 22 seum seum NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 55 23 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 55 24 navigating navigate VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 55 25 past past IN work_rzcanzq6ebhgnl7xkqkgolmvwy 55 26 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 55 27 present present JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 55 28 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 56 1 Like like IN work_rzcanzq6ebhgnl7xkqkgolmvwy 56 2 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 56 3 Bristol Bristol NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 56 4 protestors protestor NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 56 5 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 56 6 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 56 7 her -PRON- PRP$ work_rzcanzq6ebhgnl7xkqkgolmvwy 56 8 own own JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 56 9 way way NN work_rzcanzq6ebhgnl7xkqkgolmvwy 56 10 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 56 11 she -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 56 12 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 56 13 statue statue NN work_rzcanzq6ebhgnl7xkqkgolmvwy 56 14 toppling topple VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 56 15 ; ; : work_rzcanzq6ebhgnl7xkqkgolmvwy 56 16 she -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 56 17 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 56 18 “ " `` work_rzcanzq6ebhgnl7xkqkgolmvwy 56 19 doing do VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 56 20 ” " '' work_rzcanzq6ebhgnl7xkqkgolmvwy 56 21 history history NN work_rzcanzq6ebhgnl7xkqkgolmvwy 56 22 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 56 23 remembering remembering NN work_rzcanzq6ebhgnl7xkqkgolmvwy 56 24 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 56 25 story story NN work_rzcanzq6ebhgnl7xkqkgolmvwy 56 26 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 56 27 telling telling NN work_rzcanzq6ebhgnl7xkqkgolmvwy 56 28 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 57 1 For for IN work_rzcanzq6ebhgnl7xkqkgolmvwy 57 2 choreography choreography NN work_rzcanzq6ebhgnl7xkqkgolmvwy 57 3 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 57 4 like like IN work_rzcanzq6ebhgnl7xkqkgolmvwy 57 5 archaeology archaeology NN work_rzcanzq6ebhgnl7xkqkgolmvwy 57 6 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 57 7 continually continually RB work_rzcanzq6ebhgnl7xkqkgolmvwy 57 8 inscribes inscribe VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 57 9 « « `` work_rzcanzq6ebhgnl7xkqkgolmvwy 57 10 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 57 11 polyvalent polyvalent JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 57 12 qualities quality NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 57 13 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 57 14 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 57 15 past»10 past»10 NNPS work_rzcanzq6ebhgnl7xkqkgolmvwy 57 16 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 57 17 its -PRON- PRP$ work_rzcanzq6ebhgnl7xkqkgolmvwy 57 18 present present JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 57 19 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 57 20 ness ness NN work_rzcanzq6ebhgnl7xkqkgolmvwy 57 21 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 58 1 However however RB work_rzcanzq6ebhgnl7xkqkgolmvwy 58 2 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 58 3 whereas whereas IN work_rzcanzq6ebhgnl7xkqkgolmvwy 58 4 archaeologists archaeologist NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 58 5 aim aim VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 58 6 to to TO work_rzcanzq6ebhgnl7xkqkgolmvwy 58 7 survey survey VB work_rzcanzq6ebhgnl7xkqkgolmvwy 58 8 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 58 9 excavate excavate VB work_rzcanzq6ebhgnl7xkqkgolmvwy 58 10 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 58 11 produce produce VB work_rzcanzq6ebhgnl7xkqkgolmvwy 58 12 texts text NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 58 13 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 58 14 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 58 15 there there EX work_rzcanzq6ebhgnl7xkqkgolmvwy 58 16 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 58 17 rarely rarely RB work_rzcanzq6ebhgnl7xkqkgolmvwy 58 18 recourse recourse JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 58 19 to to IN work_rzcanzq6ebhgnl7xkqkgolmvwy 58 20 an an DT work_rzcanzq6ebhgnl7xkqkgolmvwy 58 21 empathetic empathetic JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 58 22 ( ( -LRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 58 23 or or CC work_rzcanzq6ebhgnl7xkqkgolmvwy 58 24 bodily bodily RB work_rzcanzq6ebhgnl7xkqkgolmvwy 58 25 ) ) -RRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 58 26 understanding understanding NN work_rzcanzq6ebhgnl7xkqkgolmvwy 58 27 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 58 28 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 58 29 past past NN work_rzcanzq6ebhgnl7xkqkgolmvwy 58 30 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 58 31 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 58 32 my -PRON- PRP$ work_rzcanzq6ebhgnl7xkqkgolmvwy 58 33 own own JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 58 34 museum museum NN work_rzcanzq6ebhgnl7xkqkgolmvwy 58 35 practice practice NN work_rzcanzq6ebhgnl7xkqkgolmvwy 58 36 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 58 37 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 58 38 dance dance NN work_rzcanzq6ebhgnl7xkqkgolmvwy 58 39 aims aim VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 58 40 to to TO work_rzcanzq6ebhgnl7xkqkgolmvwy 58 41 communicate communicate VB work_rzcanzq6ebhgnl7xkqkgolmvwy 58 42 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 58 43 emotions emotion NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 58 44 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 58 45 sensations sensation NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 58 46 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 58 47 [ [ -LRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 58 48 female female JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 58 49 ] ] -RRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 58 50 bodies body NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 58 51 from from IN work_rzcanzq6ebhgnl7xkqkgolmvwy 58 52 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 58 53 past past NN work_rzcanzq6ebhgnl7xkqkgolmvwy 58 54 to to IN work_rzcanzq6ebhgnl7xkqkgolmvwy 58 55 its -PRON- PRP$ work_rzcanzq6ebhgnl7xkqkgolmvwy 58 56 viewers viewer NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 58 57 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 58 58 to to TO work_rzcanzq6ebhgnl7xkqkgolmvwy 58 59 encourage encourage VB work_rzcanzq6ebhgnl7xkqkgolmvwy 58 60 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 58 61 them -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 58 62 an an DT work_rzcanzq6ebhgnl7xkqkgolmvwy 58 63 empathetic empathetic JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 58 64 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 58 65 visceral visceral JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 58 66 connection connection NN work_rzcanzq6ebhgnl7xkqkgolmvwy 58 67 to to IN work_rzcanzq6ebhgnl7xkqkgolmvwy 58 68 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 58 69 past11 past11 NN work_rzcanzq6ebhgnl7xkqkgolmvwy 58 70 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 59 1 This this DT work_rzcanzq6ebhgnl7xkqkgolmvwy 59 2 “ " `` work_rzcanzq6ebhgnl7xkqkgolmvwy 59 3 radical radical JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 59 4 archaeology archaeology NN work_rzcanzq6ebhgnl7xkqkgolmvwy 59 5 ” " '' work_rzcanzq6ebhgnl7xkqkgolmvwy 59 6 that that WDT work_rzcanzq6ebhgnl7xkqkgolmvwy 59 7 takes take VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 59 8 place place NN work_rzcanzq6ebhgnl7xkqkgolmvwy 59 9 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 59 10 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 59 11 bodies body NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 59 12 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 59 13 both both CC work_rzcanzq6ebhgnl7xkqkgolmvwy 59 14 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 59 15 dancer dancer NN work_rzcanzq6ebhgnl7xkqkgolmvwy 59 16 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 59 17 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 59 18 viewer viewer NN work_rzcanzq6ebhgnl7xkqkgolmvwy 59 19 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 59 20 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 59 21 an an DT work_rzcanzq6ebhgnl7xkqkgolmvwy 59 22 essential essential JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 59 23 principle principle NN work_rzcanzq6ebhgnl7xkqkgolmvwy 59 24 behind behind IN work_rzcanzq6ebhgnl7xkqkgolmvwy 59 25 my -PRON- PRP$ work_rzcanzq6ebhgnl7xkqkgolmvwy 59 26 own own JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 59 27 dance dance NN work_rzcanzq6ebhgnl7xkqkgolmvwy 59 28 practice practice NN work_rzcanzq6ebhgnl7xkqkgolmvwy 59 29 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 59 30 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 59 31 museum museum NN work_rzcanzq6ebhgnl7xkqkgolmvwy 59 32 where where WRB work_rzcanzq6ebhgnl7xkqkgolmvwy 59 33 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 59 34 choreographic choreographic JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 59 35 reassembly reassembly RB work_rzcanzq6ebhgnl7xkqkgolmvwy 59 36 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 59 37 fragments fragment NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 59 38 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 59 39 bodies body NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 59 40 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 59 41 stories story NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 59 42 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 59 43 perspectives perspective NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 59 44 ( ( -LRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 59 45 akin akin JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 59 46 to to IN work_rzcanzq6ebhgnl7xkqkgolmvwy 59 47 an an DT work_rzcanzq6ebhgnl7xkqkgolmvwy 59 48 archaeological archaeological JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 59 49 re re NN work_rzcanzq6ebhgnl7xkqkgolmvwy 59 50 - - VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 59 51 piecing piece VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 59 52 together together RB work_rzcanzq6ebhgnl7xkqkgolmvwy 59 53 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 59 54 broken broken JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 59 55 shards shard NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 59 56 ) ) -RRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 59 57 points point VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 59 58 to to IN work_rzcanzq6ebhgnl7xkqkgolmvwy 59 59 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 59 60 mode mode NN work_rzcanzq6ebhgnl7xkqkgolmvwy 59 61 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 59 62 dismembering dismember VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 59 63 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 59 64 remembering remember VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 59 65 history12 history12 NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 59 66 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 60 1 As as IN work_rzcanzq6ebhgnl7xkqkgolmvwy 60 2 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 60 3 white white JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 60 4 feminist feminist JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 60 5 scholar scholar NN work_rzcanzq6ebhgnl7xkqkgolmvwy 60 6 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 60 7 I -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 60 8 7 7 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 60 9 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 61 1 Helen Helen NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 61 2 Rees Rees NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 61 3 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 61 4 Leahy Leahy NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 61 5 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 61 6 Watching watch VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 61 7 Me -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 61 8 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 61 9 Watching watch VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 61 10 You -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 61 11 : : : work_rzcanzq6ebhgnl7xkqkgolmvwy 61 12 Performance performance NN work_rzcanzq6ebhgnl7xkqkgolmvwy 61 13 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 61 14 Performativity Performativity NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 61 15 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 61 16 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 61 17 Museum Museum NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 61 18 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 61 19 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 61 20 Tony Tony NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 61 21 Jackson Jackson NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 61 22 – – : work_rzcanzq6ebhgnl7xkqkgolmvwy 61 23 Jenny Jenny NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 61 24 Kidd Kidd NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 61 25 ( ( -LRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 61 26 edited edit VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 61 27 by by IN work_rzcanzq6ebhgnl7xkqkgolmvwy 61 28 ) ) -RRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 61 29 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 61 30 Performing Performing NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 61 31 Heritage Heritage NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 61 32 : : : work_rzcanzq6ebhgnl7xkqkgolmvwy 61 33 Research Research NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 61 34 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 61 35 Practice Practice NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 61 36 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 61 37 Innovation Innovation NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 61 38 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 61 39 Museum Museum NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 61 40 Theatre Theatre NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 61 41 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 61 42 Live Live NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 61 43 Interpretation Interpretation NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 61 44 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 61 45 Manchester Manchester NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 61 46 University University NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 61 47 Press Press NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 61 48 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 61 49 Manchester Manchester NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 61 50 2011 2011 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 61 51 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 61 52 pp pp NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 61 53 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 62 1 26 26 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 62 2 - - SYM work_rzcanzq6ebhgnl7xkqkgolmvwy 62 3 38 38 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 62 4 : : : work_rzcanzq6ebhgnl7xkqkgolmvwy 62 5 p. p. NN work_rzcanzq6ebhgnl7xkqkgolmvwy 62 6 28 28 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 62 7 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 63 1 8 8 LS work_rzcanzq6ebhgnl7xkqkgolmvwy 63 2 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 64 1 On on IN work_rzcanzq6ebhgnl7xkqkgolmvwy 64 2 notions notion NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 64 3 on on IN work_rzcanzq6ebhgnl7xkqkgolmvwy 64 4 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 64 5 dismembering dismember VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 64 6 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 64 7 remembering remembering NN work_rzcanzq6ebhgnl7xkqkgolmvwy 64 8 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 64 9 history history NN work_rzcanzq6ebhgnl7xkqkgolmvwy 64 10 through through IN work_rzcanzq6ebhgnl7xkqkgolmvwy 64 11 performance performance NN work_rzcanzq6ebhgnl7xkqkgolmvwy 64 12 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 64 13 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 64 14 archaeological archaeological JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 64 15 museum museum NN work_rzcanzq6ebhgnl7xkqkgolmvwy 64 16 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 64 17 see see VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 64 18 further further JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 64 19 Marie Marie NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 64 20 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 64 21 Louise Louise NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 64 22 Crawley Crawley NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 64 23 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 64 24 Likely Likely NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 64 25 Terpsichore Terpsichore NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 64 26 ? ? . work_rzcanzq6ebhgnl7xkqkgolmvwy 65 1 Dancing dance VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 65 2 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 65 3 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 65 4 Museum Museum NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 65 5 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 65 6 Ancient Ancient NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 65 7 History History NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 65 8 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 65 9 Archaeology Archaeology NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 65 10 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 65 11 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 65 12 « « `` work_rzcanzq6ebhgnl7xkqkgolmvwy 65 13 Performance Performance NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 65 14 Paradigm Paradigm NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 65 15 » » '' work_rzcanzq6ebhgnl7xkqkgolmvwy 65 16 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 65 17 n. n. NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 65 18 13 13 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 65 19 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 65 20 2017 2017 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 65 21 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 65 22 pp pp NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 65 23 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 66 1 66 66 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 66 2 - - SYM work_rzcanzq6ebhgnl7xkqkgolmvwy 66 3 79 79 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 66 4 ; ; : work_rzcanzq6ebhgnl7xkqkgolmvwy 66 5 Marie Marie NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 66 6 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 66 7 Louise Louise NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 66 8 Crawley Crawley NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 66 9 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 66 10 « « `` work_rzcanzq6ebhgnl7xkqkgolmvwy 66 11 The the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 66 12 crafted crafted JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 66 13 body body NN work_rzcanzq6ebhgnl7xkqkgolmvwy 66 14 » » '' work_rzcanzq6ebhgnl7xkqkgolmvwy 66 15 : : : work_rzcanzq6ebhgnl7xkqkgolmvwy 66 16 Thoughts thought NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 66 17 on on IN work_rzcanzq6ebhgnl7xkqkgolmvwy 66 18 Dancing Dancing NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 66 19 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 66 20 Viewing Viewing NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 66 21 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 66 22 Remem- Remem- NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 66 23 bering bering NN work_rzcanzq6ebhgnl7xkqkgolmvwy 66 24 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 66 25 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 66 26 Simon Simon NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 66 27 Ellis Ellis NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 66 28 – – : work_rzcanzq6ebhgnl7xkqkgolmvwy 66 29 Hetty Hetty NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 66 30 Blades blade NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 66 31 – – : work_rzcanzq6ebhgnl7xkqkgolmvwy 66 32 Charlotte Charlotte NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 66 33 Waelde Waelde NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 66 34 ( ( -LRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 66 35 edited edit VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 66 36 by by IN work_rzcanzq6ebhgnl7xkqkgolmvwy 66 37 ) ) -RRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 66 38 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 66 39 A a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 66 40 World World NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 66 41 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 66 42 Muscle Muscle NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 66 43 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 66 44 Bone Bone NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 66 45 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 66 46 Organs Organs NNPS work_rzcanzq6ebhgnl7xkqkgolmvwy 66 47 : : : work_rzcanzq6ebhgnl7xkqkgolmvwy 66 48 Research research NN work_rzcanzq6ebhgnl7xkqkgolmvwy 66 49 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 66 50 Scholarship Scholarship NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 66 51 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 66 52 Dance Dance NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 66 53 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 66 54 C C NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 66 55 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 66 56 DaRE DaRE NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 66 57 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 66 58 Coventry Coventry NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 66 59 2018 2018 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 66 60 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 66 61 pp pp NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 66 62 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 67 1 59 59 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 67 2 - - SYM work_rzcanzq6ebhgnl7xkqkgolmvwy 67 3 75 75 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 67 4 ; ; : work_rzcanzq6ebhgnl7xkqkgolmvwy 67 5 Marie Marie NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 67 6 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 67 7 Louise Louise NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 67 8 Crawley Crawley NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 67 9 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 67 10 Dance Dance NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 67 11 as as IN work_rzcanzq6ebhgnl7xkqkgolmvwy 67 12 Radical Radical NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 67 13 Archaeology Archaeology NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 67 14 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 67 15 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 67 16 « « `` work_rzcanzq6ebhgnl7xkqkgolmvwy 67 17 Dance Dance NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 67 18 Research Research NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 67 19 Journal Journal NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 67 20 » » '' work_rzcanzq6ebhgnl7xkqkgolmvwy 67 21 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 67 22 vol vol NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 67 23 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 68 1 LII LII NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 68 2 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 68 3 n. n. NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 68 4 2 2 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 68 5 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 68 6 2020 2020 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 68 7 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 68 8 pp pp NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 68 9 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 69 1 88 88 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 69 2 - - SYM work_rzcanzq6ebhgnl7xkqkgolmvwy 69 3 100 100 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 69 4 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 70 1 9 9 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 70 2 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 71 1 Marie Marie NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 71 2 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 71 3 Louise Louise NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 71 4 Crawley Crawley NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 71 5 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 71 6 Dance Dance NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 71 7 as as IN work_rzcanzq6ebhgnl7xkqkgolmvwy 71 8 Radical Radical NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 71 9 Archaeology Archaeology NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 71 10 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 71 11 cit cit NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 71 12 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 71 13 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 71 14 p. p. NN work_rzcanzq6ebhgnl7xkqkgolmvwy 71 15 88 88 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 71 16 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 72 1 10 10 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 72 2 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 73 1 Michael Michael NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 73 2 Shanks Shanks NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 73 3 – – : work_rzcanzq6ebhgnl7xkqkgolmvwy 73 4 Christopher Christopher NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 73 5 Tilley Tilley NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 73 6 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 73 7 Re re NN work_rzcanzq6ebhgnl7xkqkgolmvwy 73 8 - - : work_rzcanzq6ebhgnl7xkqkgolmvwy 73 9 Constructing constructing NN work_rzcanzq6ebhgnl7xkqkgolmvwy 73 10 Archaeology archaeology NN work_rzcanzq6ebhgnl7xkqkgolmvwy 73 11 : : : work_rzcanzq6ebhgnl7xkqkgolmvwy 73 12 Theory Theory NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 73 13 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 73 14 Practice Practice NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 73 15 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 73 16 Routledge Routledge NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 73 17 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 73 18 London London NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 73 19 1992 1992 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 73 20 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 73 21 p. p. NN work_rzcanzq6ebhgnl7xkqkgolmvwy 73 22 20 20 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 73 23 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 74 1 11 11 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 74 2 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 75 1 Marie Marie NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 75 2 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 75 3 Louise Louise NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 75 4 Crawley Crawley NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 75 5 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 75 6 Dance Dance NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 75 7 as as IN work_rzcanzq6ebhgnl7xkqkgolmvwy 75 8 Radical Radical NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 75 9 Archaeology Archaeology NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 75 10 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 75 11 cit cit NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 75 12 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 75 13 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 75 14 p. p. NN work_rzcanzq6ebhgnl7xkqkgolmvwy 75 15 93 93 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 75 16 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 76 1 It -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 76 2 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 76 3 worth worth JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 76 4 noting note VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 76 5 that that IN work_rzcanzq6ebhgnl7xkqkgolmvwy 76 6 there there EX work_rzcanzq6ebhgnl7xkqkgolmvwy 76 7 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 76 8 some some DT work_rzcanzq6ebhgnl7xkqkgolmvwy 76 9 overlap overlap NN work_rzcanzq6ebhgnl7xkqkgolmvwy 76 10 with with IN work_rzcanzq6ebhgnl7xkqkgolmvwy 76 11 my -PRON- PRP$ work_rzcanzq6ebhgnl7xkqkgolmvwy 76 12 own own JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 76 13 propositions proposition NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 76 14 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 76 15 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 76 16 field field NN work_rzcanzq6ebhgnl7xkqkgolmvwy 76 17 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 76 18 sensory sensory JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 76 19 classical classical NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 76 20 archaeology archaeology NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 76 21 ( ( -LRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 76 22 e.g. e.g. RB work_rzcanzq6ebhgnl7xkqkgolmvwy 77 1 Eleanor Eleanor NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 77 2 Betts Betts NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 77 3 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 77 4 Senses Senses NNPS work_rzcanzq6ebhgnl7xkqkgolmvwy 77 5 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 77 6 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 77 7 Empire empire NN work_rzcanzq6ebhgnl7xkqkgolmvwy 77 8 : : : work_rzcanzq6ebhgnl7xkqkgolmvwy 77 9 Multisensory multisensory NN work_rzcanzq6ebhgnl7xkqkgolmvwy 77 10 Approaches approach NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 77 11 to to IN work_rzcanzq6ebhgnl7xkqkgolmvwy 77 12 Roman Roman NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 77 13 Culture Culture NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 77 14 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 77 15 Routledge Routledge NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 77 16 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 77 17 Abingdon Abingdon NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 77 18 2017 2017 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 77 19 ) ) -RRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 77 20 but but CC work_rzcanzq6ebhgnl7xkqkgolmvwy 77 21 sensory sensory JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 77 22 classical classical JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 77 23 Roman roman JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 77 24 archaeology archaeology NN work_rzcanzq6ebhgnl7xkqkgolmvwy 77 25 has have VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 77 26 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 77 27 to to IN work_rzcanzq6ebhgnl7xkqkgolmvwy 77 28 date date NN work_rzcanzq6ebhgnl7xkqkgolmvwy 77 29 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 77 30 mainly mainly RB work_rzcanzq6ebhgnl7xkqkgolmvwy 77 31 focused focus VBD work_rzcanzq6ebhgnl7xkqkgolmvwy 77 32 on on IN work_rzcanzq6ebhgnl7xkqkgolmvwy 77 33 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 77 34 sonic sonic JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 77 35 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 77 36 haptic haptic JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 77 37 rather rather RB work_rzcanzq6ebhgnl7xkqkgolmvwy 77 38 than than IN work_rzcanzq6ebhgnl7xkqkgolmvwy 77 39 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 77 40 kinaesthetic kinaesthetic NN work_rzcanzq6ebhgnl7xkqkgolmvwy 77 41 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 78 1 12 12 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 78 2 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 79 1 My -PRON- PRP$ work_rzcanzq6ebhgnl7xkqkgolmvwy 79 2 idea idea NN work_rzcanzq6ebhgnl7xkqkgolmvwy 79 3 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 79 4 dance dance NN work_rzcanzq6ebhgnl7xkqkgolmvwy 79 5 as as IN work_rzcanzq6ebhgnl7xkqkgolmvwy 79 6 radical radical JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 79 7 archaeology archaeology NN work_rzcanzq6ebhgnl7xkqkgolmvwy 79 8 also also RB work_rzcanzq6ebhgnl7xkqkgolmvwy 79 9 chimes chime VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 79 10 with with IN work_rzcanzq6ebhgnl7xkqkgolmvwy 79 11 work work NN work_rzcanzq6ebhgnl7xkqkgolmvwy 79 12 being be VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 79 13 proposed propose VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 79 14 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 79 15 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 79 16 fields field NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 79 17 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 79 18 both both DT work_rzcanzq6ebhgnl7xkqkgolmvwy 79 19 phenomenology phenomenology NN work_rzcanzq6ebhgnl7xkqkgolmvwy 79 20 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 79 21 sensory sensory JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 79 22 studies study NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 79 23 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 79 24 archaeology archaeology NN work_rzcanzq6ebhgnl7xkqkgolmvwy 79 25 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 80 1 I -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 80 2 am be VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 80 3 indebted indebted JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 80 4 to to IN work_rzcanzq6ebhgnl7xkqkgolmvwy 80 5 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 80 6 Sensory Sensory NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 80 7 Studies Studies NNPS work_rzcanzq6ebhgnl7xkqkgolmvwy 80 8 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 80 9 Antiquity Antiquity NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 80 10 network network NN work_rzcanzq6ebhgnl7xkqkgolmvwy 80 11 286 286 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 80 12 Marie­Louise Marie­Louise NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 80 13 Crawley Crawley NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 80 14 have have VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 80 15 always always RB work_rzcanzq6ebhgnl7xkqkgolmvwy 80 16 thought think VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 80 17 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 80 18 dance dance NN work_rzcanzq6ebhgnl7xkqkgolmvwy 80 19 ’s ’s POS work_rzcanzq6ebhgnl7xkqkgolmvwy 80 20 radical radical JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 80 21 potential potential NN work_rzcanzq6ebhgnl7xkqkgolmvwy 80 22 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 80 23 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 80 24 museum museum NN work_rzcanzq6ebhgnl7xkqkgolmvwy 80 25 for for IN work_rzcanzq6ebhgnl7xkqkgolmvwy 80 26 doing do VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 80 27 historiography historiography NN work_rzcanzq6ebhgnl7xkqkgolmvwy 80 28 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 80 29 terms term NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 80 30 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 80 31 revealing reveal VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 80 32 previous previous JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 80 33 unrealized unrealized JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 80 34 female female JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 80 35 histories history NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 80 36 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 80 37 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 80 38 traditionally traditionally RB work_rzcanzq6ebhgnl7xkqkgolmvwy 80 39 patrilineal patrilineal JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 80 40 space space NN work_rzcanzq6ebhgnl7xkqkgolmvwy 80 41 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 81 1 In in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 81 2 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 81 3 wake wake NN work_rzcanzq6ebhgnl7xkqkgolmvwy 81 4 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 81 5 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 81 6 Black Black NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 81 7 Lives Lives NNPS work_rzcanzq6ebhgnl7xkqkgolmvwy 81 8 Matter Matter NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 81 9 protests protest NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 81 10 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 81 11 my -PRON- PRP$ work_rzcanzq6ebhgnl7xkqkgolmvwy 81 12 attention attention NN work_rzcanzq6ebhgnl7xkqkgolmvwy 81 13 has have VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 81 14 turned turn VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 81 15 once once RB work_rzcanzq6ebhgnl7xkqkgolmvwy 81 16 again again RB work_rzcanzq6ebhgnl7xkqkgolmvwy 81 17 to to IN work_rzcanzq6ebhgnl7xkqkgolmvwy 81 18 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 81 19 “ " `` work_rzcanzq6ebhgnl7xkqkgolmvwy 81 20 whiteness whiteness NN work_rzcanzq6ebhgnl7xkqkgolmvwy 81 21 ” " '' work_rzcanzq6ebhgnl7xkqkgolmvwy 81 22 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 81 23 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 81 24 marble marble NN work_rzcanzq6ebhgnl7xkqkgolmvwy 81 25 statues statue NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 81 26 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 81 27 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 81 28 archaeological archaeological JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 81 29 museum museum NN work_rzcanzq6ebhgnl7xkqkgolmvwy 81 30 – – : work_rzcanzq6ebhgnl7xkqkgolmvwy 81 31 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 81 32 indeed indeed RB work_rzcanzq6ebhgnl7xkqkgolmvwy 81 33 my -PRON- PRP$ work_rzcanzq6ebhgnl7xkqkgolmvwy 81 34 own own JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 81 35 white white JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 81 36 body body NN work_rzcanzq6ebhgnl7xkqkgolmvwy 81 37 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 81 38 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 81 39 white white JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 81 40 mask mask NN work_rzcanzq6ebhgnl7xkqkgolmvwy 81 41 that that WDT work_rzcanzq6ebhgnl7xkqkgolmvwy 81 42 I -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 81 43 wear wear VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 81 44 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 81 45 my -PRON- PRP$ work_rzcanzq6ebhgnl7xkqkgolmvwy 81 46 museum museum NN work_rzcanzq6ebhgnl7xkqkgolmvwy 81 47 dances13 dances13 NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 81 48 – – : work_rzcanzq6ebhgnl7xkqkgolmvwy 81 49 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 81 50 I -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 81 51 have have VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 81 52 begun begin VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 81 53 to to TO work_rzcanzq6ebhgnl7xkqkgolmvwy 81 54 think think VB work_rzcanzq6ebhgnl7xkqkgolmvwy 81 55 about about IN work_rzcanzq6ebhgnl7xkqkgolmvwy 81 56 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 81 57 potential potential NN work_rzcanzq6ebhgnl7xkqkgolmvwy 81 58 for for IN work_rzcanzq6ebhgnl7xkqkgolmvwy 81 59 dance dance NN work_rzcanzq6ebhgnl7xkqkgolmvwy 81 60 as as IN work_rzcanzq6ebhgnl7xkqkgolmvwy 81 61 radical radical JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 81 62 historiography historiography NN work_rzcanzq6ebhgnl7xkqkgolmvwy 81 63 for for IN work_rzcanzq6ebhgnl7xkqkgolmvwy 81 64 bodies body NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 81 65 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 81 66 colour colour NN work_rzcanzq6ebhgnl7xkqkgolmvwy 81 67 rendered render VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 81 68 invisible invisible JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 81 69 ( ( -LRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 81 70 or or CC work_rzcanzq6ebhgnl7xkqkgolmvwy 81 71 only only RB work_rzcanzq6ebhgnl7xkqkgolmvwy 81 72 partially partially RB work_rzcanzq6ebhgnl7xkqkgolmvwy 81 73 visible visible JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 81 74 ) ) -RRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 81 75 by by IN work_rzcanzq6ebhgnl7xkqkgolmvwy 81 76 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 81 77 tidy tidy JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 81 78 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 81 79 oppressive oppressive JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 81 80 curating curating NN work_rzcanzq6ebhgnl7xkqkgolmvwy 81 81 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 81 82 history history NN work_rzcanzq6ebhgnl7xkqkgolmvwy 81 83 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 82 1 In in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 82 2 this this DT work_rzcanzq6ebhgnl7xkqkgolmvwy 82 3 week week NN work_rzcanzq6ebhgnl7xkqkgolmvwy 82 4 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 82 5 statue statue NN work_rzcanzq6ebhgnl7xkqkgolmvwy 82 6 toppling toppling NN work_rzcanzq6ebhgnl7xkqkgolmvwy 82 7 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 82 8 I -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 82 9 have have VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 82 10 thought think VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 82 11 repeatedly repeatedly RB work_rzcanzq6ebhgnl7xkqkgolmvwy 82 12 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 82 13 one one CD work_rzcanzq6ebhgnl7xkqkgolmvwy 82 14 very very RB work_rzcanzq6ebhgnl7xkqkgolmvwy 82 15 striking striking JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 82 16 museum museum NN work_rzcanzq6ebhgnl7xkqkgolmvwy 82 17 dance dance NN work_rzcanzq6ebhgnl7xkqkgolmvwy 82 18 that that WDT work_rzcanzq6ebhgnl7xkqkgolmvwy 82 19 deserves deserve VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 82 20 another another DT work_rzcanzq6ebhgnl7xkqkgolmvwy 82 21 look look NN work_rzcanzq6ebhgnl7xkqkgolmvwy 82 22 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 82 23 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 82 24 light light NN work_rzcanzq6ebhgnl7xkqkgolmvwy 82 25 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 82 26 black black JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 82 27 lives life NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 82 28 mattering mattering NN work_rzcanzq6ebhgnl7xkqkgolmvwy 82 29 : : : work_rzcanzq6ebhgnl7xkqkgolmvwy 82 30 APESHIT apeshit NN work_rzcanzq6ebhgnl7xkqkgolmvwy 82 31 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 82 32 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 82 33 2018 2018 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 82 34 music music NN work_rzcanzq6ebhgnl7xkqkgolmvwy 82 35 video video NN work_rzcanzq6ebhgnl7xkqkgolmvwy 82 36 by by IN work_rzcanzq6ebhgnl7xkqkgolmvwy 82 37 hip hip NN work_rzcanzq6ebhgnl7xkqkgolmvwy 82 38 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 82 39 hop hop NN work_rzcanzq6ebhgnl7xkqkgolmvwy 82 40 artists artist NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 82 41 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 82 42 Carters carter NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 82 43 ( ( -LRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 82 44 otherwise otherwise RB work_rzcanzq6ebhgnl7xkqkgolmvwy 82 45 known know VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 82 46 as as IN work_rzcanzq6ebhgnl7xkqkgolmvwy 82 47 Beyoncé Beyoncé NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 82 48 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 82 49 Jay Jay NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 82 50 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 82 51 Z Z NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 82 52 ) ) -RRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 82 53 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 83 1 APESHIT apeshit NN work_rzcanzq6ebhgnl7xkqkgolmvwy 83 2 ( ( -LRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 83 3 2018 2018 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 83 4 ) ) -RRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 83 5 : : : work_rzcanzq6ebhgnl7xkqkgolmvwy 83 6 The the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 83 7 Carters Carters NNPS work_rzcanzq6ebhgnl7xkqkgolmvwy 83 8 ’ ' '' work_rzcanzq6ebhgnl7xkqkgolmvwy 83 9 Louvre Louvre NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 83 10 takeover takeover NN work_rzcanzq6ebhgnl7xkqkgolmvwy 83 11 Directed direct VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 83 12 by by IN work_rzcanzq6ebhgnl7xkqkgolmvwy 83 13 Ricky Ricky NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 83 14 Saiz Saiz NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 83 15 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 83 16 choreographed choreograph VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 83 17 by by IN work_rzcanzq6ebhgnl7xkqkgolmvwy 83 18 Flemish flemish JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 83 19 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 83 20 Moroccan moroccan JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 83 21 choreographer choreographer NN work_rzcanzq6ebhgnl7xkqkgolmvwy 83 22 Sidi Sidi NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 83 23 Larbi Larbi NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 83 24 Cherka- Cherka- NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 83 25 oui oui NN work_rzcanzq6ebhgnl7xkqkgolmvwy 83 26 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 83 27 APESHIT APESHIT NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 83 28 was be VBD work_rzcanzq6ebhgnl7xkqkgolmvwy 83 29 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 83 30 first first JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 83 31 music music NN work_rzcanzq6ebhgnl7xkqkgolmvwy 83 32 video video NN work_rzcanzq6ebhgnl7xkqkgolmvwy 83 33 to to TO work_rzcanzq6ebhgnl7xkqkgolmvwy 83 34 be be VB work_rzcanzq6ebhgnl7xkqkgolmvwy 83 35 released release VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 83 36 from from IN work_rzcanzq6ebhgnl7xkqkgolmvwy 83 37 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 83 38 Carters Carters NNPS work_rzcanzq6ebhgnl7xkqkgolmvwy 83 39 ’ ’ POS work_rzcanzq6ebhgnl7xkqkgolmvwy 83 40 album album NN work_rzcanzq6ebhgnl7xkqkgolmvwy 83 41 Everything everything NN work_rzcanzq6ebhgnl7xkqkgolmvwy 83 42 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 83 43 Love Love NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 83 44 ( ( -LRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 83 45 2018 2018 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 83 46 ) ) -RRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 83 47 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 84 1 Filmed film VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 84 2 inside inside IN work_rzcanzq6ebhgnl7xkqkgolmvwy 84 3 France France NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 84 4 ’s ’s POS work_rzcanzq6ebhgnl7xkqkgolmvwy 84 5 Musée Musée NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 84 6 du du NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 84 7 Louvre Louvre NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 84 8 over over IN work_rzcanzq6ebhgnl7xkqkgolmvwy 84 9 two two CD work_rzcanzq6ebhgnl7xkqkgolmvwy 84 10 nights night NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 84 11 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 84 12 May May NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 84 13 2018 2018 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 84 14 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 84 15 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 84 16 video video NN work_rzcanzq6ebhgnl7xkqkgolmvwy 84 17 was be VBD work_rzcanzq6ebhgnl7xkqkgolmvwy 84 18 released release VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 84 19 on on IN work_rzcanzq6ebhgnl7xkqkgolmvwy 84 20 June June NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 84 21 16th 16th NN work_rzcanzq6ebhgnl7xkqkgolmvwy 84 22 2018 2018 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 84 23 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 85 1 As as IN work_rzcanzq6ebhgnl7xkqkgolmvwy 85 2 concerns concern NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 85 3 how how WRB work_rzcanzq6ebhgnl7xkqkgolmvwy 85 4 radical radical JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 85 5 dance dance NN work_rzcanzq6ebhgnl7xkqkgolmvwy 85 6 can can MD work_rzcanzq6ebhgnl7xkqkgolmvwy 85 7 be be VB work_rzcanzq6ebhgnl7xkqkgolmvwy 85 8 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 85 9 an an DT work_rzcanzq6ebhgnl7xkqkgolmvwy 85 10 art art NN work_rzcanzq6ebhgnl7xkqkgolmvwy 85 11 history history NN work_rzcanzq6ebhgnl7xkqkgolmvwy 85 12 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 85 13 archaeology archaeology NN work_rzcanzq6ebhgnl7xkqkgolmvwy 85 14 museum museum NN work_rzcanzq6ebhgnl7xkqkgolmvwy 85 15 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 85 16 APESHIT APESHIT NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 85 17 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 85 18 quite quite PDT work_rzcanzq6ebhgnl7xkqkgolmvwy 85 19 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 85 20 statement statement NN work_rzcanzq6ebhgnl7xkqkgolmvwy 85 21 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 86 1 With with IN work_rzcanzq6ebhgnl7xkqkgolmvwy 86 2 their -PRON- PRP$ work_rzcanzq6ebhgnl7xkqkgolmvwy 86 3 chorus chorus NN work_rzcanzq6ebhgnl7xkqkgolmvwy 86 4 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 86 5 dancers dancer NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 86 6 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 86 7 all all DT work_rzcanzq6ebhgnl7xkqkgolmvwy 86 8 men man NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 86 9 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 86 10 women woman NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 86 11 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 86 12 colour colour NN work_rzcanzq6ebhgnl7xkqkgolmvwy 86 13 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 86 14 Bey- Bey- NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 86 15 oncé oncé NN work_rzcanzq6ebhgnl7xkqkgolmvwy 86 16 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 86 17 Jay Jay NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 86 18 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 86 19 Z Z NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 86 20 stage stage NN work_rzcanzq6ebhgnl7xkqkgolmvwy 86 21 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 86 22 take take NN work_rzcanzq6ebhgnl7xkqkgolmvwy 86 23 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 86 24 over over NN work_rzcanzq6ebhgnl7xkqkgolmvwy 86 25 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 86 26 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 86 27 museum museum NN work_rzcanzq6ebhgnl7xkqkgolmvwy 86 28 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 86 29 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 86 30 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 86 31 doing do VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 86 32 so so RB work_rzcanzq6ebhgnl7xkqkgolmvwy 86 33 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 86 34 powerfully powerfully RB work_rzcanzq6ebhgnl7xkqkgolmvwy 86 35 dance dance NN work_rzcanzq6ebhgnl7xkqkgolmvwy 86 36 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 86 37 rap rap NN work_rzcanzq6ebhgnl7xkqkgolmvwy 86 38 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 86 39 sing sing VB work_rzcanzq6ebhgnl7xkqkgolmvwy 86 40 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 86 41 underscoring underscore VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 86 42 themes theme NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 86 43 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 86 44 cultural cultural JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 86 45 ownership ownership NN work_rzcanzq6ebhgnl7xkqkgolmvwy 86 46 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 86 47 protest protest NN work_rzcanzq6ebhgnl7xkqkgolmvwy 86 48 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 86 49 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 86 50 resistance resistance NN work_rzcanzq6ebhgnl7xkqkgolmvwy 86 51 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 86 52 black black JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 86 53 bodies body NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 86 54 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 86 55 histories history NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 86 56 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 86 57 whitewashed whitewashed JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 86 58 spaces space NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 86 59 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 86 60 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 86 61 by by IN work_rzcanzq6ebhgnl7xkqkgolmvwy 86 62 extrapolation extrapolation NN work_rzcanzq6ebhgnl7xkqkgolmvwy 86 63 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 86 64 throughout throughout IN work_rzcanzq6ebhgnl7xkqkgolmvwy 86 65 History history NN work_rzcanzq6ebhgnl7xkqkgolmvwy 86 66 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 87 1 As as IN work_rzcanzq6ebhgnl7xkqkgolmvwy 87 2 art art NN work_rzcanzq6ebhgnl7xkqkgolmvwy 87 3 historian historian NN work_rzcanzq6ebhgnl7xkqkgolmvwy 87 4 James James NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 87 5 Smalls Smalls NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 87 6 has have VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 87 7 writ- writ- RB work_rzcanzq6ebhgnl7xkqkgolmvwy 87 8 ten ten CD work_rzcanzq6ebhgnl7xkqkgolmvwy 87 9 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 87 10 this this DT work_rzcanzq6ebhgnl7xkqkgolmvwy 87 11 video video NN work_rzcanzq6ebhgnl7xkqkgolmvwy 87 12 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 87 13 « « `` work_rzcanzq6ebhgnl7xkqkgolmvwy 87 14 all all RB work_rzcanzq6ebhgnl7xkqkgolmvwy 87 15 about about IN work_rzcanzq6ebhgnl7xkqkgolmvwy 87 16 bodies body NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 87 17 [ [ -LRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 87 18 … … NFP work_rzcanzq6ebhgnl7xkqkgolmvwy 87 19 ] ] -RRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 87 20 about about IN work_rzcanzq6ebhgnl7xkqkgolmvwy 87 21 establishing establish VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 87 22 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 87 23 new new JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 87 24 order order NN work_rzcanzq6ebhgnl7xkqkgolmvwy 87 25 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 87 26 which which WDT work_rzcanzq6ebhgnl7xkqkgolmvwy 87 27 black black JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 87 28 bodies body NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 87 29 seize seize VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 87 30 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 87 31 command command VB work_rzcanzq6ebhgnl7xkqkgolmvwy 87 32 cultural cultural JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 87 33 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 87 34 physical physical JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 87 35 spaces space NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 87 36 from from IN work_rzcanzq6ebhgnl7xkqkgolmvwy 87 37 which which WDT work_rzcanzq6ebhgnl7xkqkgolmvwy 87 38 they -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 87 39 have have VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 87 40 traditionally traditionally RB work_rzcanzq6ebhgnl7xkqkgolmvwy 87 41 been be VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 87 42 excluded exclude VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 87 43 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 87 44 are be VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 87 45 typ- typ- VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 87 46 ically ically RB work_rzcanzq6ebhgnl7xkqkgolmvwy 87 47 marginalized»14 marginalized»14 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 87 48 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 88 1 Indeed indeed RB work_rzcanzq6ebhgnl7xkqkgolmvwy 88 2 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 88 3 as as IN work_rzcanzq6ebhgnl7xkqkgolmvwy 88 4 Jay Jay NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 88 5 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 88 6 Z Z NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 88 7 raps rap NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 88 8 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 88 9 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 88 10 lyric lyric NN work_rzcanzq6ebhgnl7xkqkgolmvwy 88 11 that that WDT work_rzcanzq6ebhgnl7xkqkgolmvwy 88 12 repeats repeat VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 88 13 throughout throughout IN work_rzcanzq6ebhgnl7xkqkgolmvwy 88 14 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 88 15 track track NN work_rzcanzq6ebhgnl7xkqkgolmvwy 88 16 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 88 17 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 88 18 perspective perspective NN work_rzcanzq6ebhgnl7xkqkgolmvwy 88 19 on on IN work_rzcanzq6ebhgnl7xkqkgolmvwy 88 20 how how WRB work_rzcanzq6ebhgnl7xkqkgolmvwy 88 21 this this DT work_rzcanzq6ebhgnl7xkqkgolmvwy 88 22 performance performance NN work_rzcanzq6ebhgnl7xkqkgolmvwy 88 23 work work NN work_rzcanzq6ebhgnl7xkqkgolmvwy 88 24 presents present VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 88 25 black black JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 88 26 history history NN work_rzcanzq6ebhgnl7xkqkgolmvwy 88 27 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 88 28 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 88 29 representation representation NN work_rzcanzq6ebhgnl7xkqkgolmvwy 88 30 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 88 31 bodies body NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 88 32 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 88 33 colour colour NN work_rzcanzq6ebhgnl7xkqkgolmvwy 88 34 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 88 35 clear clear JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 88 36 : : : work_rzcanzq6ebhgnl7xkqkgolmvwy 88 37 « « `` work_rzcanzq6ebhgnl7xkqkgolmvwy 88 38 this this DT work_rzcanzq6ebhgnl7xkqkgolmvwy 88 39 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 88 40 different different JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 88 41 angle angle NN work_rzcanzq6ebhgnl7xkqkgolmvwy 88 42 » » '' work_rzcanzq6ebhgnl7xkqkgolmvwy 88 43 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 89 1 This this DT work_rzcanzq6ebhgnl7xkqkgolmvwy 89 2 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 89 3 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 89 4 work work NN work_rzcanzq6ebhgnl7xkqkgolmvwy 89 5 about about IN work_rzcanzq6ebhgnl7xkqkgolmvwy 89 6 reimagining reimagine VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 89 7 history history NN work_rzcanzq6ebhgnl7xkqkgolmvwy 89 8 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 89 9 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 89 10 about about RB work_rzcanzq6ebhgnl7xkqkgolmvwy 89 11 reassembling reassemble VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 89 12 “ " `` work_rzcanzq6ebhgnl7xkqkgolmvwy 89 13 collections collection NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 89 14 ” " '' work_rzcanzq6ebhgnl7xkqkgolmvwy 89 15 so so IN work_rzcanzq6ebhgnl7xkqkgolmvwy 89 16 that that IN work_rzcanzq6ebhgnl7xkqkgolmvwy 89 17 they -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 89 18 include include VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 89 19 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 89 20 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 89 21 focus focus VB work_rzcanzq6ebhgnl7xkqkgolmvwy 89 22 on on IN work_rzcanzq6ebhgnl7xkqkgolmvwy 89 23 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 89 24 black black JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 89 25 bodies15 bodies15 NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 89 26 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 90 1 Above above IN work_rzcanzq6ebhgnl7xkqkgolmvwy 90 2 all all DT work_rzcanzq6ebhgnl7xkqkgolmvwy 90 3 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 90 4 it -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 90 5 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 90 6 important important JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 90 7 to to TO work_rzcanzq6ebhgnl7xkqkgolmvwy 90 8 note note VB work_rzcanzq6ebhgnl7xkqkgolmvwy 90 9 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 90 10 high high JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 90 11 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 90 12 complicated complicated JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 90 13 stakes stake NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 90 14 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 90 15 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 90 16 video video NN work_rzcanzq6ebhgnl7xkqkgolmvwy 90 17 ’s ’s POS work_rzcanzq6ebhgnl7xkqkgolmvwy 90 18 location location NN work_rzcanzq6ebhgnl7xkqkgolmvwy 90 19 given give VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 90 20 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 90 21 Louvre Louvre NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 90 22 ’s ’s POS work_rzcanzq6ebhgnl7xkqkgolmvwy 90 23 status status NN work_rzcanzq6ebhgnl7xkqkgolmvwy 90 24 as as IN work_rzcanzq6ebhgnl7xkqkgolmvwy 90 25 one one CD work_rzcanzq6ebhgnl7xkqkgolmvwy 90 26 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 90 27 Europe Europe NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 90 28 ’s ’s POS work_rzcanzq6ebhgnl7xkqkgolmvwy 90 29 most most RBS work_rzcanzq6ebhgnl7xkqkgolmvwy 90 30 famous famous JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 90 31 art art NN work_rzcanzq6ebhgnl7xkqkgolmvwy 90 32 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 90 33 history history NN work_rzcanzq6ebhgnl7xkqkgolmvwy 90 34 museums museum NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 90 35 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 91 1 On on IN work_rzcanzq6ebhgnl7xkqkgolmvwy 91 2 one one CD work_rzcanzq6ebhgnl7xkqkgolmvwy 91 3 level level NN work_rzcanzq6ebhgnl7xkqkgolmvwy 91 4 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 91 5 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 91 6 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 91 7 track track NN work_rzcanzq6ebhgnl7xkqkgolmvwy 91 8 that that WDT work_rzcanzq6ebhgnl7xkqkgolmvwy 91 9 ( ( -LRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 91 10 www.sensorystudiesinantiquity.com www.sensorystudiesinantiquity.com ADD work_rzcanzq6ebhgnl7xkqkgolmvwy 91 11 ) ) -RRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 91 12 for for IN work_rzcanzq6ebhgnl7xkqkgolmvwy 91 13 pointing point VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 91 14 me -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 91 15 towards towards IN work_rzcanzq6ebhgnl7xkqkgolmvwy 91 16 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 91 17 current current JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 91 18 promotion promotion NN work_rzcanzq6ebhgnl7xkqkgolmvwy 91 19 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 91 20 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 91 21 study study NN work_rzcanzq6ebhgnl7xkqkgolmvwy 91 22 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 91 23 senses sense NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 91 24 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 91 25 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 91 26 ancient ancient JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 91 27 world world NN work_rzcanzq6ebhgnl7xkqkgolmvwy 91 28 among among IN work_rzcanzq6ebhgnl7xkqkgolmvwy 91 29 archaeologists archaeologist NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 91 30 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 91 31 ancient ancient JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 91 32 historians historian NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 91 33 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 92 1 13 13 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 92 2 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 93 1 See see VB work_rzcanzq6ebhgnl7xkqkgolmvwy 93 2 my -PRON- PRP$ work_rzcanzq6ebhgnl7xkqkgolmvwy 93 3 performance performance NN work_rzcanzq6ebhgnl7xkqkgolmvwy 93 4 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 93 5 Likely Likely NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 93 6 Terpsichore Terpsichore NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 93 7 ? ? . work_rzcanzq6ebhgnl7xkqkgolmvwy 94 1 ( ( -LRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 94 2 Fragments fragment NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 94 3 ) ) -RRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 94 4 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 94 5 Ashmolean Ashmolean NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 94 6 Museum Museum NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 94 7 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 94 8 Art Art NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 94 9 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 94 10 Archaeology Archaeology NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 94 11 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 94 12 Oxford Oxford NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 94 13 ( ( -LRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 94 14 UK UK NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 94 15 ) ) -RRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 94 16 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 94 17 2018 2018 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 94 18 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 94 19 online online NN work_rzcanzq6ebhgnl7xkqkgolmvwy 94 20 : : : work_rzcanzq6ebhgnl7xkqkgolmvwy 94 21 http://podcasts.ox.ac.uk/likely-terpsichore-fragments-solo-durational-dance-work http://podcasts.ox.ac.uk/likely-terpsichore-fragments-solo-durational-dance-work NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 94 22 ( ( -LRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 94 23 accessed access VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 94 24 19/6/2020 19/6/2020 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 94 25 ) ) -RRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 94 26 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 95 1 14 14 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 95 2 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 96 1 James James NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 96 2 Smalls Smalls NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 96 3 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 96 4 Crazy Crazy NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 96 5 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 96 6 Louvre Louvre NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 96 7 how how WRB work_rzcanzq6ebhgnl7xkqkgolmvwy 96 8 Beyoncé Beyoncé NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 96 9 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 96 10 Jay Jay NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 96 11 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 96 12 Z Z NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 96 13 Exploit exploit NN work_rzcanzq6ebhgnl7xkqkgolmvwy 96 14 Western western JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 96 15 Art art NN work_rzcanzq6ebhgnl7xkqkgolmvwy 96 16 History history NN work_rzcanzq6ebhgnl7xkqkgolmvwy 96 17 to to TO work_rzcanzq6ebhgnl7xkqkgolmvwy 96 18 Ask ask VB work_rzcanzq6ebhgnl7xkqkgolmvwy 96 19 Who who WP work_rzcanzq6ebhgnl7xkqkgolmvwy 96 20 Controls Controls NNPS work_rzcanzq6ebhgnl7xkqkgolmvwy 96 21 Black Black NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 96 22 Bodies Bodies NNPS work_rzcanzq6ebhgnl7xkqkgolmvwy 96 23 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 96 24 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 96 25 « « `` work_rzcanzq6ebhgnl7xkqkgolmvwy 96 26 Frieze Frieze NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 96 27 » » '' work_rzcanzq6ebhgnl7xkqkgolmvwy 96 28 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 96 29 29th 29th JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 96 30 June June NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 96 31 2018 2018 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 96 32 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 96 33 online online RB work_rzcanzq6ebhgnl7xkqkgolmvwy 96 34 : : : work_rzcanzq6ebhgnl7xkqkgolmvwy 96 35 https://frieze.com/article/crazy-louvre-how-beyonce-and-jay-z-exploit-western-art-history- https://frieze.com/article/crazy-louvre-how-beyonce-and-jay-z-exploit-western-art-history- CD work_rzcanzq6ebhgnl7xkqkgolmvwy 96 36 ask ask VB work_rzcanzq6ebhgnl7xkqkgolmvwy 96 37 - - : work_rzcanzq6ebhgnl7xkqkgolmvwy 96 38 who who WP work_rzcanzq6ebhgnl7xkqkgolmvwy 96 39 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 96 40 controls control NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 96 41 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 96 42 black black NN work_rzcanzq6ebhgnl7xkqkgolmvwy 96 43 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 96 44 bodies body NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 96 45 ( ( -LRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 96 46 accessed access VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 96 47 19/6/2020 19/6/2020 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 96 48 ) ) -RRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 96 49 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 97 1 15 15 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 97 2 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 98 1 Throughout throughout IN work_rzcanzq6ebhgnl7xkqkgolmvwy 98 2 this this DT work_rzcanzq6ebhgnl7xkqkgolmvwy 98 3 essay essay NN work_rzcanzq6ebhgnl7xkqkgolmvwy 98 4 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 98 5 following follow VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 98 6 definitions definition NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 98 7 outlined outline VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 98 8 by by IN work_rzcanzq6ebhgnl7xkqkgolmvwy 98 9 Reni Reni NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 98 10 Eddo Eddo NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 98 11 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 98 12 Lodge Lodge NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 98 13 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 98 14 I -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 98 15 use use VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 98 16 bodies body NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 98 17 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 98 18 colour colour NN work_rzcanzq6ebhgnl7xkqkgolmvwy 98 19 to to TO work_rzcanzq6ebhgnl7xkqkgolmvwy 98 20 describe describe VB work_rzcanzq6ebhgnl7xkqkgolmvwy 98 21 bodies body NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 98 22 that that WDT work_rzcanzq6ebhgnl7xkqkgolmvwy 98 23 are be VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 98 24 not not RB work_rzcanzq6ebhgnl7xkqkgolmvwy 98 25 white white JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 98 26 ; ; : work_rzcanzq6ebhgnl7xkqkgolmvwy 98 27 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 98 28 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 98 29 word word NN work_rzcanzq6ebhgnl7xkqkgolmvwy 98 30 black black JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 98 31 « « '' work_rzcanzq6ebhgnl7xkqkgolmvwy 98 32 to to TO work_rzcanzq6ebhgnl7xkqkgolmvwy 98 33 describe describe VB work_rzcanzq6ebhgnl7xkqkgolmvwy 98 34 people people NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 98 35 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 98 36 African african JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 98 37 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 98 38 Caribbean caribbean JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 98 39 heritage heritage NN work_rzcanzq6ebhgnl7xkqkgolmvwy 98 40 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 98 41 including include VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 98 42 mixed mix VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 98 43 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 98 44 race race NN work_rzcanzq6ebhgnl7xkqkgolmvwy 98 45 people people NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 98 46 » » '' work_rzcanzq6ebhgnl7xkqkgolmvwy 98 47 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 98 48 cf cf NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 98 49 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 99 1 Reni Reni NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 99 2 Eddo Eddo NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 99 3 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 99 4 Lodge Lodge NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 99 5 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 99 6 Why why WRB work_rzcanzq6ebhgnl7xkqkgolmvwy 99 7 I -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 99 8 ’m be VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 99 9 No no RB work_rzcanzq6ebhgnl7xkqkgolmvwy 99 10 Longer long RBR work_rzcanzq6ebhgnl7xkqkgolmvwy 99 11 Talking talk VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 99 12 to to IN work_rzcanzq6ebhgnl7xkqkgolmvwy 99 13 White White NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 99 14 People People NNPS work_rzcanzq6ebhgnl7xkqkgolmvwy 99 15 about about IN work_rzcanzq6ebhgnl7xkqkgolmvwy 99 16 Race Race NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 99 17 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 99 18 Bloomsbury Bloomsbury NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 99 19 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 99 20 London London NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 99 21 2017 2017 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 99 22 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 99 23 p. p. NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 99 24 xvi xvi NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 99 25 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 100 1 https://sensorystudiesinantiquity.com/ https://sensorystudiesinantiquity.com/ NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 100 2 http://podcasts.ox.ac.uk/likely-terpsichore-fragments-solo-durational-dance-work http://podcasts.ox.ac.uk/likely-terpsichore-fragments-solo-durational-dance-work NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 100 3 https://frieze.com/article/crazy-louvre-how-beyonce-and-jay-z-exploit-western-art-history-ask-who-controls-black-bodies https://frieze.com/article/crazy-louvre-how-beyonce-and-jay-z-exploit-western-art-history-ask-who-controls-black-bodies NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 100 4 https://frieze.com/article/crazy-louvre-how-beyonce-and-jay-z-exploit-western-art-history-ask-who-controls-black-bodies https://frieze.com/article/crazy-louvre-how-beyonce-and-jay-z-exploit-western-art-history-ask-who-controls-black-bodies NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 100 5 « « `` work_rzcanzq6ebhgnl7xkqkgolmvwy 100 6 This this DT work_rzcanzq6ebhgnl7xkqkgolmvwy 100 7 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 100 8 different different JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 100 9 angle angle NN work_rzcanzq6ebhgnl7xkqkgolmvwy 100 10 » » '' work_rzcanzq6ebhgnl7xkqkgolmvwy 100 11 : : : work_rzcanzq6ebhgnl7xkqkgolmvwy 100 12 Dancing dance VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 100 13 at at IN work_rzcanzq6ebhgnl7xkqkgolmvwy 100 14 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 100 15 Louvre Louvre NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 100 16 287 287 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 100 17 speaks speak NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 100 18 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 100 19 Beyoncé Beyoncé NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 100 20 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 100 21 Jay Jay NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 100 22 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 100 23 Z Z NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 100 24 ’s ’s POS work_rzcanzq6ebhgnl7xkqkgolmvwy 100 25 fame fame NN work_rzcanzq6ebhgnl7xkqkgolmvwy 100 26 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 100 27 wealth wealth NN work_rzcanzq6ebhgnl7xkqkgolmvwy 100 28 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 100 29 having have VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 100 30 “ " `` work_rzcanzq6ebhgnl7xkqkgolmvwy 100 31 made make VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 100 32 it -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 100 33 ” " '' work_rzcanzq6ebhgnl7xkqkgolmvwy 100 34 despite despite IN work_rzcanzq6ebhgnl7xkqkgolmvwy 100 35 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 100 36 odds odd NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 100 37 – – : work_rzcanzq6ebhgnl7xkqkgolmvwy 100 38 « « `` work_rzcanzq6ebhgnl7xkqkgolmvwy 100 39 I -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 100 40 ca can MD work_rzcanzq6ebhgnl7xkqkgolmvwy 100 41 n’t not RB work_rzcanzq6ebhgnl7xkqkgolmvwy 100 42 believe believe VB work_rzcanzq6ebhgnl7xkqkgolmvwy 100 43 we -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 100 44 made make VBD work_rzcanzq6ebhgnl7xkqkgolmvwy 100 45 it -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 100 46 » » '' work_rzcanzq6ebhgnl7xkqkgolmvwy 100 47 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 100 48 as as IN work_rzcanzq6ebhgnl7xkqkgolmvwy 100 49 they -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 100 50 rap rap VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 100 51 throughout throughout IN work_rzcanzq6ebhgnl7xkqkgolmvwy 100 52 – – : work_rzcanzq6ebhgnl7xkqkgolmvwy 100 53 that that IN work_rzcanzq6ebhgnl7xkqkgolmvwy 100 54 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 100 55 Carters Carters NNPS work_rzcanzq6ebhgnl7xkqkgolmvwy 100 56 can can MD work_rzcanzq6ebhgnl7xkqkgolmvwy 100 57 afford afford VB work_rzcanzq6ebhgnl7xkqkgolmvwy 100 58 to to TO work_rzcanzq6ebhgnl7xkqkgolmvwy 100 59 hire hire VB work_rzcanzq6ebhgnl7xkqkgolmvwy 100 60 out out RP work_rzcanzq6ebhgnl7xkqkgolmvwy 100 61 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 100 62 Louvre Louvre NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 100 63 for for IN work_rzcanzq6ebhgnl7xkqkgolmvwy 100 64 two two CD work_rzcanzq6ebhgnl7xkqkgolmvwy 100 65 nights night NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 100 66 to to TO work_rzcanzq6ebhgnl7xkqkgolmvwy 100 67 make make VB work_rzcanzq6ebhgnl7xkqkgolmvwy 100 68 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 100 69 music music NN work_rzcanzq6ebhgnl7xkqkgolmvwy 100 70 video video NN work_rzcanzq6ebhgnl7xkqkgolmvwy 100 71 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 100 72 which which WDT work_rzcanzq6ebhgnl7xkqkgolmvwy 100 73 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 100 74 first first JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 100 75 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 100 76 last last JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 100 77 shots shot NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 100 78 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 100 79 them -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 100 80 show show VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 100 81 them -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 100 82 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 100 83 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 100 84 private private JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 100 85 audience audience NN work_rzcanzq6ebhgnl7xkqkgolmvwy 100 86 with with IN work_rzcanzq6ebhgnl7xkqkgolmvwy 100 87 Leonardo Leonardo NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 100 88 da da NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 100 89 Vinci Vinci NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 100 90 ’s ’s , work_rzcanzq6ebhgnl7xkqkgolmvwy 100 91 La La NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 100 92 Gioconda Gioconda NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 100 93 ( ( -LRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 100 94 c. c. NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 100 95 1503 1503 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 100 96 - - SYM work_rzcanzq6ebhgnl7xkqkgolmvwy 100 97 1506 1506 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 100 98 ) ) -RRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 100 99 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 100 100 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 100 101 clear clear JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 100 102 demonstration demonstration NN work_rzcanzq6ebhgnl7xkqkgolmvwy 100 103 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 100 104 their -PRON- PRP$ work_rzcanzq6ebhgnl7xkqkgolmvwy 100 105 wealth wealth NN work_rzcanzq6ebhgnl7xkqkgolmvwy 100 106 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 101 1 Yet yet RB work_rzcanzq6ebhgnl7xkqkgolmvwy 101 2 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 101 3 choice choice NN work_rzcanzq6ebhgnl7xkqkgolmvwy 101 4 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 101 5 location location NN work_rzcanzq6ebhgnl7xkqkgolmvwy 101 6 for for IN work_rzcanzq6ebhgnl7xkqkgolmvwy 101 7 this this DT work_rzcanzq6ebhgnl7xkqkgolmvwy 101 8 particular particular JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 101 9 video video NN work_rzcanzq6ebhgnl7xkqkgolmvwy 101 10 goes go VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 101 11 deeper deeply RBR work_rzcanzq6ebhgnl7xkqkgolmvwy 101 12 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 102 1 Indeed indeed RB work_rzcanzq6ebhgnl7xkqkgolmvwy 102 2 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 102 3 it -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 102 4 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 102 5 about about IN work_rzcanzq6ebhgnl7xkqkgolmvwy 102 6 status status NN work_rzcanzq6ebhgnl7xkqkgolmvwy 102 7 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 102 8 all all DT work_rzcanzq6ebhgnl7xkqkgolmvwy 102 9 senses sense NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 102 10 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 102 11 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 102 12 word word NN work_rzcanzq6ebhgnl7xkqkgolmvwy 102 13 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 103 1 As as IN work_rzcanzq6ebhgnl7xkqkgolmvwy 103 2 I -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 103 3 have have VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 103 4 outlined outline VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 103 5 above above IN work_rzcanzq6ebhgnl7xkqkgolmvwy 103 6 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 103 7 museums museum NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 103 8 are be VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 103 9 where where WRB work_rzcanzq6ebhgnl7xkqkgolmvwy 103 10 we -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 103 11 come come VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 103 12 to to TO work_rzcanzq6ebhgnl7xkqkgolmvwy 103 13 remember remember VB work_rzcanzq6ebhgnl7xkqkgolmvwy 103 14 our -PRON- PRP$ work_rzcanzq6ebhgnl7xkqkgolmvwy 103 15 past past NN work_rzcanzq6ebhgnl7xkqkgolmvwy 103 16 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 103 17 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 103 18 our -PRON- PRP$ work_rzcanzq6ebhgnl7xkqkgolmvwy 103 19 art art NN work_rzcanzq6ebhgnl7xkqkgolmvwy 103 20 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 103 21 our -PRON- PRP$ work_rzcanzq6ebhgnl7xkqkgolmvwy 103 22 cultural cultural JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 103 23 history history NN work_rzcanzq6ebhgnl7xkqkgolmvwy 103 24 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 104 1 Furthermore furthermore RB work_rzcanzq6ebhgnl7xkqkgolmvwy 104 2 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 104 3 they -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 104 4 are be VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 104 5 complicated complicated JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 104 6 spaces space NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 104 7 where where WRB work_rzcanzq6ebhgnl7xkqkgolmvwy 104 8 not not RB work_rzcanzq6ebhgnl7xkqkgolmvwy 104 9 only only RB work_rzcanzq6ebhgnl7xkqkgolmvwy 104 10 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 104 11 culture culture NN work_rzcanzq6ebhgnl7xkqkgolmvwy 104 12 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 104 13 history history NN work_rzcanzq6ebhgnl7xkqkgolmvwy 104 14 displayed display VBD work_rzcanzq6ebhgnl7xkqkgolmvwy 104 15 but but CC work_rzcanzq6ebhgnl7xkqkgolmvwy 104 16 where where WRB work_rzcanzq6ebhgnl7xkqkgolmvwy 104 17 it -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 104 18 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 104 19 curated curate VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 104 20 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 105 1 They -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 105 2 are be VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 105 3 public public JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 105 4 archives archive NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 105 5 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 105 6 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 105 7 ancient ancient JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 105 8 Greek greek JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 105 9 sense sense NN work_rzcanzq6ebhgnl7xkqkgolmvwy 105 10 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 105 11 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 105 12 home home NN work_rzcanzq6ebhgnl7xkqkgolmvwy 105 13 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 105 14 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 105 15 ἄρχων ἄρχων NN work_rzcanzq6ebhgnl7xkqkgolmvwy 105 16 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 105 17 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 105 18 tyrant tyrant NN work_rzcanzq6ebhgnl7xkqkgolmvwy 105 19 who who WP work_rzcanzq6ebhgnl7xkqkgolmvwy 105 20 holds hold VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 105 21 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 105 22 power power NN work_rzcanzq6ebhgnl7xkqkgolmvwy 105 23 – – : work_rzcanzq6ebhgnl7xkqkgolmvwy 105 24 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 105 25 it -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 105 26 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 105 27 those those DT work_rzcanzq6ebhgnl7xkqkgolmvwy 105 28 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 105 29 power power NN work_rzcanzq6ebhgnl7xkqkgolmvwy 105 30 who who WP work_rzcanzq6ebhgnl7xkqkgolmvwy 105 31 choose choose VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 105 32 what what WP work_rzcanzq6ebhgnl7xkqkgolmvwy 105 33 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 105 34 displayed display VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 105 35 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 105 36 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 105 37 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 105 38 excluded exclude VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 105 39 from from IN work_rzcanzq6ebhgnl7xkqkgolmvwy 105 40 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 105 41 museum museum NN work_rzcanzq6ebhgnl7xkqkgolmvwy 105 42 collections collection NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 105 43 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 106 1 As as IN work_rzcanzq6ebhgnl7xkqkgolmvwy 106 2 classicist classicist NN work_rzcanzq6ebhgnl7xkqkgolmvwy 106 3 Helen Helen NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 106 4 Morales Morales NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 106 5 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 106 6 quick quick JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 106 7 to to TO work_rzcanzq6ebhgnl7xkqkgolmvwy 106 8 point point VB work_rzcanzq6ebhgnl7xkqkgolmvwy 106 9 out out RP work_rzcanzq6ebhgnl7xkqkgolmvwy 106 10 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 106 11 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 106 12 Louvre Louvre NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 106 13 museum museum NN work_rzcanzq6ebhgnl7xkqkgolmvwy 106 14 houses house NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 106 15 about about RB work_rzcanzq6ebhgnl7xkqkgolmvwy 106 16 six six CD work_rzcanzq6ebhgnl7xkqkgolmvwy 106 17 thousand thousand CD work_rzcanzq6ebhgnl7xkqkgolmvwy 106 18 paintings painting NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 106 19 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 106 20 « « '' work_rzcanzq6ebhgnl7xkqkgolmvwy 106 21 but but CC work_rzcanzq6ebhgnl7xkqkgolmvwy 106 22 only only RB work_rzcanzq6ebhgnl7xkqkgolmvwy 106 23 twenty twenty CD work_rzcanzq6ebhgnl7xkqkgolmvwy 106 24 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 106 25 one one CD work_rzcanzq6ebhgnl7xkqkgolmvwy 106 26 women woman NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 106 27 artists artist NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 106 28 have have VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 106 29 works work NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 106 30 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 106 31 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 106 32 collection collection NN work_rzcanzq6ebhgnl7xkqkgolmvwy 106 33 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 106 34 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 106 35 none none NN work_rzcanzq6ebhgnl7xkqkgolmvwy 106 36 are be VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 106 37 identified identify VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 106 38 as as IN work_rzcanzq6ebhgnl7xkqkgolmvwy 106 39 women woman NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 106 40 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 106 41 colour»16 colour»16 NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 106 42 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 107 1 In in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 107 2 addition addition NN work_rzcanzq6ebhgnl7xkqkgolmvwy 107 3 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 107 4 there there EX work_rzcanzq6ebhgnl7xkqkgolmvwy 107 5 are be VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 107 6 few few JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 107 7 works work NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 107 8 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 107 9 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 107 10 collection collection NN work_rzcanzq6ebhgnl7xkqkgolmvwy 107 11 that that WDT work_rzcanzq6ebhgnl7xkqkgolmvwy 107 12 feature feature VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 107 13 people people NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 107 14 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 107 15 colour colour NN work_rzcanzq6ebhgnl7xkqkgolmvwy 107 16 who who WP work_rzcanzq6ebhgnl7xkqkgolmvwy 107 17 are be VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 107 18 not not RB work_rzcanzq6ebhgnl7xkqkgolmvwy 107 19 slaves17 slaves17 : work_rzcanzq6ebhgnl7xkqkgolmvwy 107 20 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 108 1 Originally originally RB work_rzcanzq6ebhgnl7xkqkgolmvwy 108 2 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 108 3 royal royal JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 108 4 palace palace NN work_rzcanzq6ebhgnl7xkqkgolmvwy 108 5 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 108 6 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 108 7 private private JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 108 8 art art NN work_rzcanzq6ebhgnl7xkqkgolmvwy 108 9 collection collection NN work_rzcanzq6ebhgnl7xkqkgolmvwy 108 10 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 108 11 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 108 12 Louvre Louvre NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 108 13 was be VBD work_rzcanzq6ebhgnl7xkqkgolmvwy 108 14 turned turn VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 108 15 into into IN work_rzcanzq6ebhgnl7xkqkgolmvwy 108 16 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 108 17 national national JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 108 18 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 108 19 public public JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 108 20 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 108 21 free free JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 108 22 space space NN work_rzcanzq6ebhgnl7xkqkgolmvwy 108 23 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 108 24 1783 1783 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 108 25 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 109 1 Its -PRON- PRP$ work_rzcanzq6ebhgnl7xkqkgolmvwy 109 2 layout layout NN work_rzcanzq6ebhgnl7xkqkgolmvwy 109 3 – – : work_rzcanzq6ebhgnl7xkqkgolmvwy 109 4 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 109 5 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 109 6 layout layout NN work_rzcanzq6ebhgnl7xkqkgolmvwy 109 7 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 109 8 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 109 9 galleries gallery NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 109 10 that that WDT work_rzcanzq6ebhgnl7xkqkgolmvwy 109 11 are be VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 109 12 principally principally RB work_rzcanzq6ebhgnl7xkqkgolmvwy 109 13 featured feature VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 109 14 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 109 15 APESHIT apeshit NN work_rzcanzq6ebhgnl7xkqkgolmvwy 109 16 – – : work_rzcanzq6ebhgnl7xkqkgolmvwy 109 17 was be VBD work_rzcanzq6ebhgnl7xkqkgolmvwy 109 18 originally originally RB work_rzcanzq6ebhgnl7xkqkgolmvwy 109 19 designed design VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 109 20 to to TO work_rzcanzq6ebhgnl7xkqkgolmvwy 109 21 show show VB work_rzcanzq6ebhgnl7xkqkgolmvwy 109 22 France France NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 109 23 as as IN work_rzcanzq6ebhgnl7xkqkgolmvwy 109 24 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 109 25 rightful rightful JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 109 26 heir heir NN work_rzcanzq6ebhgnl7xkqkgolmvwy 109 27 to to IN work_rzcanzq6ebhgnl7xkqkgolmvwy 109 28 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 109 29 traditions tradition NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 109 30 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 109 31 ancient ancient JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 109 32 Egypt Egypt NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 109 33 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 109 34 Greece Greece NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 109 35 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 109 36 Rome Rome NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 109 37 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 109 38 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 109 39 Italian italian JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 109 40 Renaissance Renaissance NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 109 41 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 110 1 However however RB work_rzcanzq6ebhgnl7xkqkgolmvwy 110 2 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 110 3 like like IN work_rzcanzq6ebhgnl7xkqkgolmvwy 110 4 many many JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 110 5 other other JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 110 6 archaeological archaeological JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 110 7 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 110 8 art art NN work_rzcanzq6ebhgnl7xkqkgolmvwy 110 9 history history NN work_rzcanzq6ebhgnl7xkqkgolmvwy 110 10 museums museum NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 110 11 that that WDT work_rzcanzq6ebhgnl7xkqkgolmvwy 110 12 face face VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 110 13 accusations accusation NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 110 14 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 110 15 theft theft NN work_rzcanzq6ebhgnl7xkqkgolmvwy 110 16 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 110 17 unethical unethical JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 110 18 acquisition acquisition NN work_rzcanzq6ebhgnl7xkqkgolmvwy 110 19 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 110 20 cultural cultural JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 110 21 appropriation appropriation NN work_rzcanzq6ebhgnl7xkqkgolmvwy 110 22 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 110 23 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 110 24 Louvre Louvre NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 110 25 ’s ’s POS work_rzcanzq6ebhgnl7xkqkgolmvwy 110 26 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 110 27 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 110 28 murky murky JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 110 29 history history NN work_rzcanzq6ebhgnl7xkqkgolmvwy 110 30 with with IN work_rzcanzq6ebhgnl7xkqkgolmvwy 110 31 many many JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 110 32 “ " `` work_rzcanzq6ebhgnl7xkqkgolmvwy 110 33 masterpieces masterpiece NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 110 34 ” " '' work_rzcanzq6ebhgnl7xkqkgolmvwy 110 35 stolen steal VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 110 36 by by IN work_rzcanzq6ebhgnl7xkqkgolmvwy 110 37 Napoléon Napoléon NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 110 38 Bonaparte Bonaparte NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 110 39 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 110 40 emperor emperor NN work_rzcanzq6ebhgnl7xkqkgolmvwy 110 41 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 110 42 France France NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 110 43 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 111 1 Stories story NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 111 2 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 111 3 plunder plunder NN work_rzcanzq6ebhgnl7xkqkgolmvwy 111 4 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 111 5 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 111 6 cultural cultural JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 111 7 appropriation appropriation NN work_rzcanzq6ebhgnl7xkqkgolmvwy 111 8 lie lie NN work_rzcanzq6ebhgnl7xkqkgolmvwy 111 9 at at IN work_rzcanzq6ebhgnl7xkqkgolmvwy 111 10 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 111 11 very very JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 111 12 heart heart NN work_rzcanzq6ebhgnl7xkqkgolmvwy 111 13 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 111 14 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 111 15 Louvre Louvre NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 111 16 ’s ’s POS work_rzcanzq6ebhgnl7xkqkgolmvwy 111 17 transition transition NN work_rzcanzq6ebhgnl7xkqkgolmvwy 111 18 from from IN work_rzcanzq6ebhgnl7xkqkgolmvwy 111 19 private private JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 111 20 palace palace NN work_rzcanzq6ebhgnl7xkqkgolmvwy 111 21 to to IN work_rzcanzq6ebhgnl7xkqkgolmvwy 111 22 public public JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 111 23 museum museum NN work_rzcanzq6ebhgnl7xkqkgolmvwy 111 24 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 112 1 As as IN work_rzcanzq6ebhgnl7xkqkgolmvwy 112 2 Morales Morales NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 112 3 outlines outline VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 112 4 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 112 5 further further JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 112 6 complicating complicate VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 112 7 matters matter NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 112 8 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 112 9 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 112 10 vision vision NN work_rzcanzq6ebhgnl7xkqkgolmvwy 112 11 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 112 12 Napoleonic Napoleonic NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 112 13 France France NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 112 14 as as IN work_rzcanzq6ebhgnl7xkqkgolmvwy 112 15 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 112 16 “ " `` work_rzcanzq6ebhgnl7xkqkgolmvwy 112 17 new new JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 112 18 ” " '' work_rzcanzq6ebhgnl7xkqkgolmvwy 112 19 Rome Rome NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 112 20 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 113 1 The the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 113 2 Louvre Louvre NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 113 3 ’s ’s POS work_rzcanzq6ebhgnl7xkqkgolmvwy 113 4 foundational foundational JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 113 5 narrative narrative NN work_rzcanzq6ebhgnl7xkqkgolmvwy 113 6 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 113 7 that that DT work_rzcanzq6ebhgnl7xkqkgolmvwy 113 8 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 113 9 classical classical JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 113 10 antiquity antiquity NN work_rzcanzq6ebhgnl7xkqkgolmvwy 113 11 as as IN work_rzcanzq6ebhgnl7xkqkgolmvwy 113 12 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 113 13 basis basis NN work_rzcanzq6ebhgnl7xkqkgolmvwy 113 14 for for IN work_rzcanzq6ebhgnl7xkqkgolmvwy 113 15 Western western JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 113 16 European european JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 113 17 civilisation civilisation NN work_rzcanzq6ebhgnl7xkqkgolmvwy 113 18 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 113 19 « « '' work_rzcanzq6ebhgnl7xkqkgolmvwy 113 20 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 113 21 by by IN work_rzcanzq6ebhgnl7xkqkgolmvwy 113 22 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 113 23 word word NN work_rzcanzq6ebhgnl7xkqkgolmvwy 113 24 that that WDT work_rzcanzq6ebhgnl7xkqkgolmvwy 113 25 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 113 26 once once RB work_rzcanzq6ebhgnl7xkqkgolmvwy 113 27 more more RBR work_rzcanzq6ebhgnl7xkqkgolmvwy 113 28 becoming become VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 113 29 code code NN work_rzcanzq6ebhgnl7xkqkgolmvwy 113 30 for for IN work_rzcanzq6ebhgnl7xkqkgolmvwy 113 31 white white NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 113 32 Euro Euro NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 113 33 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 113 34 American American NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 113 35 superiority»18 superiority»18 NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 113 36 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 114 1 The the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 114 2 Napoleonic napoleonic JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 114 3 galleries gallery NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 114 4 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 114 5 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 114 6 Louvre Louvre NNPS work_rzcanzq6ebhgnl7xkqkgolmvwy 114 7 are be VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 114 8 whitewashed whitewash VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 114 9 spaces space NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 114 10 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 115 1 What what WP work_rzcanzq6ebhgnl7xkqkgolmvwy 115 2 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 115 3 significant significant JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 115 4 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 115 5 Beyoncé Beyoncé NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 115 6 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 115 7 Jay Jay NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 115 8 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 115 9 Z Z NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 115 10 Carter Carter NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 115 11 ’s ’s , work_rzcanzq6ebhgnl7xkqkgolmvwy 115 12 “ " `` work_rzcanzq6ebhgnl7xkqkgolmvwy 115 13 takeover takeover NN work_rzcanzq6ebhgnl7xkqkgolmvwy 115 14 ” " '' work_rzcanzq6ebhgnl7xkqkgolmvwy 115 15 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 115 16 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 115 17 Louvre Louvre NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 115 18 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 115 19 exactly exactly RB work_rzcanzq6ebhgnl7xkqkgolmvwy 115 20 that that DT work_rzcanzq6ebhgnl7xkqkgolmvwy 115 21 : : : work_rzcanzq6ebhgnl7xkqkgolmvwy 115 22 theirs -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 115 23 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 115 24 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 115 25 takeover takeover NN work_rzcanzq6ebhgnl7xkqkgolmvwy 115 26 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 115 27 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 115 28 traditionally traditionally RB work_rzcanzq6ebhgnl7xkqkgolmvwy 115 29 white white JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 115 30 space space NN work_rzcanzq6ebhgnl7xkqkgolmvwy 115 31 with with IN work_rzcanzq6ebhgnl7xkqkgolmvwy 115 32 bodies body NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 115 33 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 115 34 colour colour NN work_rzcanzq6ebhgnl7xkqkgolmvwy 115 35 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 116 1 However however RB work_rzcanzq6ebhgnl7xkqkgolmvwy 116 2 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 116 3 not not RB work_rzcanzq6ebhgnl7xkqkgolmvwy 116 4 only only RB work_rzcanzq6ebhgnl7xkqkgolmvwy 116 5 does do VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 116 6 APESHIT apeshit VB work_rzcanzq6ebhgnl7xkqkgolmvwy 116 7 « « `` work_rzcanzq6ebhgnl7xkqkgolmvwy 116 8 criticise criticise VB work_rzcanzq6ebhgnl7xkqkgolmvwy 116 9 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 116 10 exclusion exclusion NN work_rzcanzq6ebhgnl7xkqkgolmvwy 116 11 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 116 12 black black JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 116 13 people people NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 116 14 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 116 15 culture culture NN work_rzcanzq6ebhgnl7xkqkgolmvwy 116 16 from from IN work_rzcanzq6ebhgnl7xkqkgolmvwy 116 17 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 116 18 Louvre Louvre NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 116 19 [ [ -LRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 116 20 … … NFP work_rzcanzq6ebhgnl7xkqkgolmvwy 116 21 ] ] -RRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 116 22 it -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 116 23 also also RB work_rzcanzq6ebhgnl7xkqkgolmvwy 116 24 goes go VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 116 25 beyond beyond IN work_rzcanzq6ebhgnl7xkqkgolmvwy 116 26 that that DT work_rzcanzq6ebhgnl7xkqkgolmvwy 116 27 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 116 28 by by IN work_rzcanzq6ebhgnl7xkqkgolmvwy 116 29 reimagining reimagine VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 116 30 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 116 31 space space NN work_rzcanzq6ebhgnl7xkqkgolmvwy 116 32 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 116 33 its -PRON- PRP$ work_rzcanzq6ebhgnl7xkqkgolmvwy 116 34 collections collection NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 116 35 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 116 36 ways way NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 116 37 that that WDT work_rzcanzq6ebhgnl7xkqkgolmvwy 116 38 create create VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 116 39 new new JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 116 40 icons icon NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 116 41 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 116 42 perspectives perspective NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 116 43 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 116 44 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 116 45 priorities priority NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 116 46 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 117 1 It -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 117 2 acts act VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 117 3 as as IN work_rzcanzq6ebhgnl7xkqkgolmvwy 117 4 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 117 5 kind kind NN work_rzcanzq6ebhgnl7xkqkgolmvwy 117 6 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 117 7 restorative restorative JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 117 8 myth myth NN work_rzcanzq6ebhgnl7xkqkgolmvwy 117 9 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 117 10 making»19 making»19 JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 117 11 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 118 1 16 16 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 118 2 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 119 1 Helen Helen NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 119 2 Morales Morales NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 119 3 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 119 4 Antigone Antigone NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 119 5 Rising rise VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 119 6 : : : work_rzcanzq6ebhgnl7xkqkgolmvwy 119 7 The the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 119 8 Subversive Subversive NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 119 9 Power Power NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 119 10 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 119 11 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 119 12 Ancient Ancient NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 119 13 Myths Myths NNPS work_rzcanzq6ebhgnl7xkqkgolmvwy 119 14 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 119 15 Wildfire Wildfire NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 119 16 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 119 17 London London NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 119 18 2020 2020 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 119 19 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 119 20 pp pp NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 119 21 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 120 1 99 99 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 120 2 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 120 3 119 119 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 120 4 : : : work_rzcanzq6ebhgnl7xkqkgolmvwy 120 5 p. p. NN work_rzcanzq6ebhgnl7xkqkgolmvwy 120 6 110 110 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 120 7 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 121 1 17 17 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 121 2 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 122 1 Most Most JJS work_rzcanzq6ebhgnl7xkqkgolmvwy 122 2 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 122 3 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 122 4 art art NN work_rzcanzq6ebhgnl7xkqkgolmvwy 122 5 from from IN work_rzcanzq6ebhgnl7xkqkgolmvwy 122 6 Africa Africa NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 122 7 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 122 8 Asia Asia NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 122 9 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 122 10 Oceania Oceania NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 122 11 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 122 12 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 122 13 Americas Americas NNPS work_rzcanzq6ebhgnl7xkqkgolmvwy 122 14 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 122 15 housed house VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 122 16 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 122 17 another another DT work_rzcanzq6ebhgnl7xkqkgolmvwy 122 18 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 122 19 Paris Paris NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 122 20 ’ ’ POS work_rzcanzq6ebhgnl7xkqkgolmvwy 122 21 museums museum NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 122 22 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 122 23 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 122 24 Musée Musée NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 122 25 du du VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 122 26 Quai Quai NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 122 27 Branly branly RB work_rzcanzq6ebhgnl7xkqkgolmvwy 122 28 ; ; : work_rzcanzq6ebhgnl7xkqkgolmvwy 122 29 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 122 30 only only RB work_rzcanzq6ebhgnl7xkqkgolmvwy 122 31 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 122 32 very very RB work_rzcanzq6ebhgnl7xkqkgolmvwy 122 33 small small JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 122 34 collection collection NN work_rzcanzq6ebhgnl7xkqkgolmvwy 122 35 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 122 36 displayed display VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 122 37 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 122 38 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 122 39 Denon Denon NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 122 40 wing wing NN work_rzcanzq6ebhgnl7xkqkgolmvwy 122 41 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 122 42 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 122 43 Louvre Louvre NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 122 44 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 123 1 18 18 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 123 2 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 124 1 Ivi Ivi NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 124 2 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 124 3 p. p. NN work_rzcanzq6ebhgnl7xkqkgolmvwy 124 4 108 108 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 124 5 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 125 1 Recent recent JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 125 2 classical classical JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 125 3 scholarship scholarship NN work_rzcanzq6ebhgnl7xkqkgolmvwy 125 4 ( ( -LRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 125 5 Donna Donna NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 125 6 Zuckerberg Zuckerberg NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 125 7 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 125 8 Not not RB work_rzcanzq6ebhgnl7xkqkgolmvwy 125 9 All all DT work_rzcanzq6ebhgnl7xkqkgolmvwy 125 10 Dead dead JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 125 11 White white JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 125 12 Men Men NNPS work_rzcanzq6ebhgnl7xkqkgolmvwy 125 13 : : : work_rzcanzq6ebhgnl7xkqkgolmvwy 125 14 Classics Classics NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 125 15 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 125 16 Misogyny Misogyny NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 125 17 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 125 18 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 125 19 Digital Digital NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 125 20 Age Age NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 125 21 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 125 22 Harvard Harvard NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 125 23 University University NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 125 24 Press Press NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 125 25 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 125 26 Cambridge Cambridge NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 125 27 2018 2018 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 125 28 ; ; : work_rzcanzq6ebhgnl7xkqkgolmvwy 125 29 Helen Helen NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 125 30 Morales Morales NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 125 31 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 125 32 Antigone Antigone NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 125 33 Rising rise VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 125 34 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 125 35 cit cit RB work_rzcanzq6ebhgnl7xkqkgolmvwy 125 36 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 125 37 ) ) -RRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 126 1 has have VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 126 2 pointed point VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 126 3 out out RP work_rzcanzq6ebhgnl7xkqkgolmvwy 126 4 that that IN work_rzcanzq6ebhgnl7xkqkgolmvwy 126 5 this this DT work_rzcanzq6ebhgnl7xkqkgolmvwy 126 6 may may MD work_rzcanzq6ebhgnl7xkqkgolmvwy 126 7 be be VB work_rzcanzq6ebhgnl7xkqkgolmvwy 126 8 partly partly RB work_rzcanzq6ebhgnl7xkqkgolmvwy 126 9 due due JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 126 10 to to IN work_rzcanzq6ebhgnl7xkqkgolmvwy 126 11 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 126 12 current current JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 126 13 rise rise NN work_rzcanzq6ebhgnl7xkqkgolmvwy 126 14 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 126 15 online online JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 126 16 “ " `` work_rzcanzq6ebhgnl7xkqkgolmvwy 126 17 red red JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 126 18 pill pill NN work_rzcanzq6ebhgnl7xkqkgolmvwy 126 19 ” " '' work_rzcanzq6ebhgnl7xkqkgolmvwy 126 20 communities community NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 126 21 who who WP work_rzcanzq6ebhgnl7xkqkgolmvwy 126 22 appropriate appropriate VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 126 23 ideas idea NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 126 24 from from IN work_rzcanzq6ebhgnl7xkqkgolmvwy 126 25 classical classical JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 126 26 antiquity antiquity NN work_rzcanzq6ebhgnl7xkqkgolmvwy 126 27 to to TO work_rzcanzq6ebhgnl7xkqkgolmvwy 126 28 justify justify VB work_rzcanzq6ebhgnl7xkqkgolmvwy 126 29 misogynist misogynist JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 126 30 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 126 31 racist racist JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 126 32 narratives narrative NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 126 33 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 127 1 19 19 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 127 2 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 128 1 Helen Helen NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 128 2 Morales Morales NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 128 3 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 128 4 Antigone Antigone NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 128 5 Rising rise VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 128 6 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 128 7 cit cit NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 128 8 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 128 9 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 128 10 p. p. NN work_rzcanzq6ebhgnl7xkqkgolmvwy 128 11 111 111 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 128 12 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 129 1 288 288 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 129 2 Marie­Louise Marie­Louise NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 129 3 Crawley Crawley NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 129 4 As as IN work_rzcanzq6ebhgnl7xkqkgolmvwy 129 5 such such JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 129 6 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 129 7 APESHIT apeshit NN work_rzcanzq6ebhgnl7xkqkgolmvwy 129 8 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 129 9 quite quite RB work_rzcanzq6ebhgnl7xkqkgolmvwy 129 10 clearly clearly RB work_rzcanzq6ebhgnl7xkqkgolmvwy 129 11 dance dance NN work_rzcanzq6ebhgnl7xkqkgolmvwy 129 12 performance performance NN work_rzcanzq6ebhgnl7xkqkgolmvwy 129 13 as as IN work_rzcanzq6ebhgnl7xkqkgolmvwy 129 14 radical radical JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 129 15 historiography historiography NN work_rzcanzq6ebhgnl7xkqkgolmvwy 129 16 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 130 1 The the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 130 2 title title NN work_rzcanzq6ebhgnl7xkqkgolmvwy 130 3 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 130 4 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 130 5 work work NN work_rzcanzq6ebhgnl7xkqkgolmvwy 130 6 itself -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 130 7 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 130 8 indicative indicative JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 130 9 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 130 10 this this DT work_rzcanzq6ebhgnl7xkqkgolmvwy 130 11 : : : work_rzcanzq6ebhgnl7xkqkgolmvwy 130 12 “ " `` work_rzcanzq6ebhgnl7xkqkgolmvwy 130 13 apeshit apeshit NN work_rzcanzq6ebhgnl7xkqkgolmvwy 130 14 ” " '' work_rzcanzq6ebhgnl7xkqkgolmvwy 130 15 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 130 16 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 130 17 North north JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 130 18 American american JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 130 19 slang slang NN work_rzcanzq6ebhgnl7xkqkgolmvwy 130 20 term term NN work_rzcanzq6ebhgnl7xkqkgolmvwy 130 21 for for IN work_rzcanzq6ebhgnl7xkqkgolmvwy 130 22 “ " `` work_rzcanzq6ebhgnl7xkqkgolmvwy 130 23 expressing express VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 130 24 wild wild JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 130 25 excitement excitement NN work_rzcanzq6ebhgnl7xkqkgolmvwy 130 26 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 130 27 anger”20 anger”20 NN work_rzcanzq6ebhgnl7xkqkgolmvwy 130 28 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 131 1 When when WRB work_rzcanzq6ebhgnl7xkqkgolmvwy 131 2 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 131 3 Carters carter NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 131 4 sing sing VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 131 5 here here RB work_rzcanzq6ebhgnl7xkqkgolmvwy 131 6 about about IN work_rzcanzq6ebhgnl7xkqkgolmvwy 131 7 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 131 8 « « `` work_rzcanzq6ebhgnl7xkqkgolmvwy 131 9 crowd crowd NN work_rzcanzq6ebhgnl7xkqkgolmvwy 131 10 going go VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 131 11 apeshit apeshit NN work_rzcanzq6ebhgnl7xkqkgolmvwy 131 12 » » '' work_rzcanzq6ebhgnl7xkqkgolmvwy 131 13 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 131 14 they -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 131 15 mean mean VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 131 16 it -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 131 17 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 131 18 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 131 19 double double JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 131 20 sense sense NN work_rzcanzq6ebhgnl7xkqkgolmvwy 131 21 : : : work_rzcanzq6ebhgnl7xkqkgolmvwy 131 22 not not RB work_rzcanzq6ebhgnl7xkqkgolmvwy 131 23 only only RB work_rzcanzq6ebhgnl7xkqkgolmvwy 131 24 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 131 25 terms term NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 131 26 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 131 27 excited excited JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 131 28 audiences audience NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 131 29 enjoying enjoy VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 131 30 their -PRON- PRP$ work_rzcanzq6ebhgnl7xkqkgolmvwy 131 31 performances performance NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 131 32 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 131 33 but but CC work_rzcanzq6ebhgnl7xkqkgolmvwy 131 34 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 131 35 terms term NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 131 36 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 131 37 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 131 38 crowd crowd NN work_rzcanzq6ebhgnl7xkqkgolmvwy 131 39 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 131 40 angry angry JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 131 41 protestors protestor NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 131 42 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 132 1 While while IN work_rzcanzq6ebhgnl7xkqkgolmvwy 132 2 protest protest NN work_rzcanzq6ebhgnl7xkqkgolmvwy 132 3 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 132 4 social social JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 132 5 consciousness consciousness NN work_rzcanzq6ebhgnl7xkqkgolmvwy 132 6 are be VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 132 7 not not RB work_rzcanzq6ebhgnl7xkqkgolmvwy 132 8 new new JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 132 9 themes theme NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 132 10 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 132 11 hip hip NN work_rzcanzq6ebhgnl7xkqkgolmvwy 132 12 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 132 13 hop hop NN work_rzcanzq6ebhgnl7xkqkgolmvwy 132 14 culture21 culture21 NN work_rzcanzq6ebhgnl7xkqkgolmvwy 132 15 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 132 16 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 132 17 hip hip NN work_rzcanzq6ebhgnl7xkqkgolmvwy 132 18 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 132 19 hop hop NN work_rzcanzq6ebhgnl7xkqkgolmvwy 132 20 protest protest NN work_rzcanzq6ebhgnl7xkqkgolmvwy 132 21 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 132 22 such such PDT work_rzcanzq6ebhgnl7xkqkgolmvwy 132 23 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 132 24 space space NN work_rzcanzq6ebhgnl7xkqkgolmvwy 132 25 as as IN work_rzcanzq6ebhgnl7xkqkgolmvwy 132 26 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 132 27 Louvre Louvre NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 132 28 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 132 29 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 132 30 new new JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 132 31 development22 development22 NN work_rzcanzq6ebhgnl7xkqkgolmvwy 132 32 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 133 1 Beyoncé Beyoncé NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 133 2 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 133 3 Jay Jay NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 133 4 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 133 5 Z Z NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 133 6 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 133 7 their -PRON- PRP$ work_rzcanzq6ebhgnl7xkqkgolmvwy 133 8 dancers dancer NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 133 9 are be VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 133 10 indeed indeed RB work_rzcanzq6ebhgnl7xkqkgolmvwy 133 11 raving rave VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 133 12 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 133 13 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 133 14 Louvre Louvre NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 133 15 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 133 16 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 133 17 both both DT work_rzcanzq6ebhgnl7xkqkgolmvwy 133 18 senses sense NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 133 19 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 133 20 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 133 21 word word NN work_rzcanzq6ebhgnl7xkqkgolmvwy 133 22 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 133 23 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 133 24 they -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 133 25 have have VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 133 26 every every DT work_rzcanzq6ebhgnl7xkqkgolmvwy 133 27 cause cause NN work_rzcanzq6ebhgnl7xkqkgolmvwy 133 28 to to TO work_rzcanzq6ebhgnl7xkqkgolmvwy 133 29 do do VB work_rzcanzq6ebhgnl7xkqkgolmvwy 133 30 so23 so23 NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 133 31 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 134 1 Re Re VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 134 2 - - VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 134 3 framing frame VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 134 4 History history NN work_rzcanzq6ebhgnl7xkqkgolmvwy 134 5 APESHIT apeshit NN work_rzcanzq6ebhgnl7xkqkgolmvwy 134 6 opens open VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 134 7 reflectively reflectively RB work_rzcanzq6ebhgnl7xkqkgolmvwy 134 8 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 134 9 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 134 10 relative relative JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 134 11 silence silence NN work_rzcanzq6ebhgnl7xkqkgolmvwy 134 12 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 134 13 which which WDT work_rzcanzq6ebhgnl7xkqkgolmvwy 134 14 might may MD work_rzcanzq6ebhgnl7xkqkgolmvwy 134 15 be be VB work_rzcanzq6ebhgnl7xkqkgolmvwy 134 16 likened liken VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 134 17 to to IN work_rzcanzq6ebhgnl7xkqkgolmvwy 134 18 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 134 19 ambient ambient JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 134 20 silence silence NN work_rzcanzq6ebhgnl7xkqkgolmvwy 134 21 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 134 22 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 134 23 museum museum NN work_rzcanzq6ebhgnl7xkqkgolmvwy 134 24 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 134 25 bar bar NN work_rzcanzq6ebhgnl7xkqkgolmvwy 134 26 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 134 27 noises noise NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 134 28 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 134 29 passing pass VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 134 30 traffic traffic NN work_rzcanzq6ebhgnl7xkqkgolmvwy 134 31 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 134 32 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 134 33 church church NN work_rzcanzq6ebhgnl7xkqkgolmvwy 134 34 bell bell NN work_rzcanzq6ebhgnl7xkqkgolmvwy 134 35 tolling tolling NN work_rzcanzq6ebhgnl7xkqkgolmvwy 134 36 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 134 37 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 134 38 wail wail NN work_rzcanzq6ebhgnl7xkqkgolmvwy 134 39 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 134 40 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 134 41 police police NN work_rzcanzq6ebhgnl7xkqkgolmvwy 134 42 siren siren NN work_rzcanzq6ebhgnl7xkqkgolmvwy 134 43 denoting denote VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 134 44 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 134 45 sign sign NN work_rzcanzq6ebhgnl7xkqkgolmvwy 134 46 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 134 47 things thing NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 134 48 to to TO work_rzcanzq6ebhgnl7xkqkgolmvwy 134 49 come come VB work_rzcanzq6ebhgnl7xkqkgolmvwy 134 50 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 135 1 It -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 135 2 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 135 3 night night NN work_rzcanzq6ebhgnl7xkqkgolmvwy 135 4 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 135 5 outside outside IN work_rzcanzq6ebhgnl7xkqkgolmvwy 135 6 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 135 7 museum museum NN work_rzcanzq6ebhgnl7xkqkgolmvwy 135 8 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 135 9 black black JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 135 10 male male JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 135 11 dancer dancer NN work_rzcanzq6ebhgnl7xkqkgolmvwy 135 12 with with IN work_rzcanzq6ebhgnl7xkqkgolmvwy 135 13 angel angel NN work_rzcanzq6ebhgnl7xkqkgolmvwy 135 14 wings wing NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 135 15 ( ( -LRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 135 16 reminiscent reminiscent JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 135 17 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 135 18 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 135 19 figure figure NN work_rzcanzq6ebhgnl7xkqkgolmvwy 135 20 from from IN work_rzcanzq6ebhgnl7xkqkgolmvwy 135 21 director director NN work_rzcanzq6ebhgnl7xkqkgolmvwy 135 22 Wim Wim NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 135 23 Wenders Wenders NNPS work_rzcanzq6ebhgnl7xkqkgolmvwy 135 24 ’ ’ POS work_rzcanzq6ebhgnl7xkqkgolmvwy 135 25 Wings wing NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 135 26 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 135 27 Desire Desire NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 135 28 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 135 29 1987 1987 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 135 30 ) ) -RRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 135 31 crouches crouch NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 135 32 on on IN work_rzcanzq6ebhgnl7xkqkgolmvwy 135 33 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 135 34 stone stone NN work_rzcanzq6ebhgnl7xkqkgolmvwy 135 35 steps step NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 135 36 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 135 37 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 135 38 Louvre Louvre NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 135 39 ’s ’s POS work_rzcanzq6ebhgnl7xkqkgolmvwy 135 40 parvis parvi NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 135 41 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 135 42 clasping clasp VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 135 43 his -PRON- PRP$ work_rzcanzq6ebhgnl7xkqkgolmvwy 135 44 hands hand NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 135 45 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 135 46 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 135 47 gesture gesture NN work_rzcanzq6ebhgnl7xkqkgolmvwy 135 48 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 135 49 prayer prayer NN work_rzcanzq6ebhgnl7xkqkgolmvwy 135 50 or or CC work_rzcanzq6ebhgnl7xkqkgolmvwy 135 51 even even RB work_rzcanzq6ebhgnl7xkqkgolmvwy 135 52 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 135 53 perhaps perhaps RB work_rzcanzq6ebhgnl7xkqkgolmvwy 135 54 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 135 55 wringing wring VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 135 56 them -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 135 57 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 135 58 anguish anguish NN work_rzcanzq6ebhgnl7xkqkgolmvwy 135 59 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 136 1 The the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 136 2 video video NN work_rzcanzq6ebhgnl7xkqkgolmvwy 136 3 then then RB work_rzcanzq6ebhgnl7xkqkgolmvwy 136 4 cuts cut VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 136 5 to to IN work_rzcanzq6ebhgnl7xkqkgolmvwy 136 6 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 136 7 shot shot NN work_rzcanzq6ebhgnl7xkqkgolmvwy 136 8 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 136 9 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 136 10 ceiling ceiling NN work_rzcanzq6ebhgnl7xkqkgolmvwy 136 11 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 136 12 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 136 13 Louvre Louvre NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 136 14 ’s ’s POS work_rzcanzq6ebhgnl7xkqkgolmvwy 136 15 Galerie Galerie NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 136 16 d’Apollon d’Apollon NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 136 17 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 136 18 bathed bathe VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 136 19 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 136 20 pink pink JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 136 21 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 136 22 blue blue JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 136 23 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 136 24 green green JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 136 25 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 136 26 yellow yellow JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 136 27 light light NN work_rzcanzq6ebhgnl7xkqkgolmvwy 136 28 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 137 1 There there EX work_rzcanzq6ebhgnl7xkqkgolmvwy 137 2 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 137 3 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 137 4 series series NN work_rzcanzq6ebhgnl7xkqkgolmvwy 137 5 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 137 6 fragmented fragment VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 137 7 close close NN work_rzcanzq6ebhgnl7xkqkgolmvwy 137 8 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 137 9 ups up NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 137 10 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 137 11 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 137 12 painting painting NN work_rzcanzq6ebhgnl7xkqkgolmvwy 137 13 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 137 14 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 137 15 Virgin Virgin NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 137 16 Mary Mary NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 137 17 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 137 18 perhaps perhaps RB work_rzcanzq6ebhgnl7xkqkgolmvwy 137 19 holding hold VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 137 20 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 137 21 body body NN work_rzcanzq6ebhgnl7xkqkgolmvwy 137 22 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 137 23 Christ Christ NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 137 24 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 137 25 once once RB work_rzcanzq6ebhgnl7xkqkgolmvwy 137 26 taken take VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 137 27 down down RP work_rzcanzq6ebhgnl7xkqkgolmvwy 137 28 from from IN work_rzcanzq6ebhgnl7xkqkgolmvwy 137 29 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 137 30 cross cross NN work_rzcanzq6ebhgnl7xkqkgolmvwy 137 31 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 137 32 some some DT work_rzcanzq6ebhgnl7xkqkgolmvwy 137 33 sort sort NN work_rzcanzq6ebhgnl7xkqkgolmvwy 137 34 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 137 35 Pietà Pietà NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 137 36 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 137 37 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 137 38 motif motif NN work_rzcanzq6ebhgnl7xkqkgolmvwy 137 39 that that WDT work_rzcanzq6ebhgnl7xkqkgolmvwy 137 40 will will MD work_rzcanzq6ebhgnl7xkqkgolmvwy 137 41 later later RB work_rzcanzq6ebhgnl7xkqkgolmvwy 137 42 be be VB work_rzcanzq6ebhgnl7xkqkgolmvwy 137 43 repeated repeat VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 137 44 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 137 45 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 137 46 video video NN work_rzcanzq6ebhgnl7xkqkgolmvwy 137 47 with with IN work_rzcanzq6ebhgnl7xkqkgolmvwy 137 48 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 137 49 woman woman NN work_rzcanzq6ebhgnl7xkqkgolmvwy 137 50 holding hold VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 137 51 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 137 52 male male JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 137 53 body body NN work_rzcanzq6ebhgnl7xkqkgolmvwy 137 54 close close JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 137 55 to to IN work_rzcanzq6ebhgnl7xkqkgolmvwy 137 56 her -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 137 57 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 138 1 We -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 138 2 hear hear VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 138 3 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 138 4 sound sound NN work_rzcanzq6ebhgnl7xkqkgolmvwy 138 5 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 138 6 footsteps footstep NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 138 7 on on IN work_rzcanzq6ebhgnl7xkqkgolmvwy 138 8 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 138 9 museum museum NN work_rzcanzq6ebhgnl7xkqkgolmvwy 138 10 ’s ’s POS work_rzcanzq6ebhgnl7xkqkgolmvwy 138 11 marble marble NN work_rzcanzq6ebhgnl7xkqkgolmvwy 138 12 floors floor NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 138 13 drawing draw VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 138 14 closer close RBR work_rzcanzq6ebhgnl7xkqkgolmvwy 138 15 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 138 16 as as RB work_rzcanzq6ebhgnl7xkqkgolmvwy 138 17 soon soon RB work_rzcanzq6ebhgnl7xkqkgolmvwy 138 18 as as IN work_rzcanzq6ebhgnl7xkqkgolmvwy 138 19 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 138 20 beat beat NN work_rzcanzq6ebhgnl7xkqkgolmvwy 138 21 begins begin VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 138 22 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 138 23 an an DT work_rzcanzq6ebhgnl7xkqkgolmvwy 138 24 establishing establish VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 138 25 20 20 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 138 26 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 139 1 Nor nor CC work_rzcanzq6ebhgnl7xkqkgolmvwy 139 2 can can MD work_rzcanzq6ebhgnl7xkqkgolmvwy 139 3 we -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 139 4 ignore ignore VB work_rzcanzq6ebhgnl7xkqkgolmvwy 139 5 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 139 6 title title NN work_rzcanzq6ebhgnl7xkqkgolmvwy 139 7 ’s ’s POS work_rzcanzq6ebhgnl7xkqkgolmvwy 139 8 allusion allusion NN work_rzcanzq6ebhgnl7xkqkgolmvwy 139 9 to to IN work_rzcanzq6ebhgnl7xkqkgolmvwy 139 10 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 139 11 racist racist JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 139 12 trope trope NN work_rzcanzq6ebhgnl7xkqkgolmvwy 139 13 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 139 14 comparing compare VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 139 15 black black JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 139 16 people people NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 139 17 to to IN work_rzcanzq6ebhgnl7xkqkgolmvwy 139 18 apes ape NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 139 19 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 139 20 an an DT work_rzcanzq6ebhgnl7xkqkgolmvwy 139 21 idea idea NN work_rzcanzq6ebhgnl7xkqkgolmvwy 139 22 that that WDT work_rzcanzq6ebhgnl7xkqkgolmvwy 139 23 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 139 24 also also RB work_rzcanzq6ebhgnl7xkqkgolmvwy 139 25 clear clear JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 139 26 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 139 27 Jay Jay NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 139 28 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 139 29 Z Z NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 139 30 ’s ’s POS work_rzcanzq6ebhgnl7xkqkgolmvwy 139 31 final final JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 139 32 solo solo JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 139 33 verse verse NN work_rzcanzq6ebhgnl7xkqkgolmvwy 139 34 ( ( -LRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 139 35 « « `` work_rzcanzq6ebhgnl7xkqkgolmvwy 139 36 I -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 139 37 ’m be VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 139 38 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 139 39 gorilla gorilla NN work_rzcanzq6ebhgnl7xkqkgolmvwy 139 40 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 139 41 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 139 42 fuckin fuckin NN work_rzcanzq6ebhgnl7xkqkgolmvwy 139 43 ’ ' '' work_rzcanzq6ebhgnl7xkqkgolmvwy 139 44 coupe coupe NN work_rzcanzq6ebhgnl7xkqkgolmvwy 139 45 / / SYM work_rzcanzq6ebhgnl7xkqkgolmvwy 139 46 Finna Finna NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 139 47 pull pull VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 139 48 up up RP work_rzcanzq6ebhgnl7xkqkgolmvwy 139 49 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 139 50 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 139 51 zoo zoo NN work_rzcanzq6ebhgnl7xkqkgolmvwy 139 52 / / SYM work_rzcanzq6ebhgnl7xkqkgolmvwy 139 53 I’m I’m NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 139 54 like like IN work_rzcanzq6ebhgnl7xkqkgolmvwy 139 55 Chief Chief NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 139 56 Keef Keef NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 139 57 meet meet VB work_rzcanzq6ebhgnl7xkqkgolmvwy 139 58 Rafiki Rafiki NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 139 59 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 139 60 who who WP work_rzcanzq6ebhgnl7xkqkgolmvwy 139 61 been be VBD work_rzcanzq6ebhgnl7xkqkgolmvwy 139 62 lyin lyin JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 139 63 ’ ' '' work_rzcanzq6ebhgnl7xkqkgolmvwy 139 64 “ " `` work_rzcanzq6ebhgnl7xkqkgolmvwy 139 65 King King NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 139 66 ” " '' work_rzcanzq6ebhgnl7xkqkgolmvwy 139 67 to to IN work_rzcanzq6ebhgnl7xkqkgolmvwy 139 68 you -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 139 69 ? ? . work_rzcanzq6ebhgnl7xkqkgolmvwy 139 70 » » ADD work_rzcanzq6ebhgnl7xkqkgolmvwy 139 71 ) ) -RRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 139 72 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 140 1 Furthermore furthermore RB work_rzcanzq6ebhgnl7xkqkgolmvwy 140 2 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 140 3 at at IN work_rzcanzq6ebhgnl7xkqkgolmvwy 140 4 various various JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 140 5 points point NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 140 6 underneath underneath IN work_rzcanzq6ebhgnl7xkqkgolmvwy 140 7 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 140 8 beat beat NN work_rzcanzq6ebhgnl7xkqkgolmvwy 140 9 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 140 10 there there EX work_rzcanzq6ebhgnl7xkqkgolmvwy 140 11 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 140 12 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 140 13 sample sample NN work_rzcanzq6ebhgnl7xkqkgolmvwy 140 14 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 140 15 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 140 16 sound sound NN work_rzcanzq6ebhgnl7xkqkgolmvwy 140 17 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 140 18 apes ape NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 140 19 screaming scream VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 140 20 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 141 1 In in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 141 2 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 141 3 Eighteenth Eighteenth NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 141 4 Century Century NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 141 5 galleries gallery NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 141 6 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 141 7 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 141 8 Louvre Louvre NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 141 9 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 141 10 these these DT work_rzcanzq6ebhgnl7xkqkgolmvwy 141 11 lyrics lyric NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 141 12 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 141 13 sound sound JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 141 14 effects effect NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 141 15 resound resound VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 141 16 loudly loudly RB work_rzcanzq6ebhgnl7xkqkgolmvwy 141 17 : : : work_rzcanzq6ebhgnl7xkqkgolmvwy 141 18 we -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 141 19 can can MD work_rzcanzq6ebhgnl7xkqkgolmvwy 141 20 not not RB work_rzcanzq6ebhgnl7xkqkgolmvwy 141 21 help help VB work_rzcanzq6ebhgnl7xkqkgolmvwy 141 22 but but CC work_rzcanzq6ebhgnl7xkqkgolmvwy 141 23 be be VB work_rzcanzq6ebhgnl7xkqkgolmvwy 141 24 reminded remind VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 141 25 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 141 26 racist racist JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 141 27 Eighteenth Eighteenth NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 141 28 Century Century NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 141 29 anthropological anthropological JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 141 30 studies study NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 141 31 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 141 32 racial racial JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 141 33 difference difference NN work_rzcanzq6ebhgnl7xkqkgolmvwy 141 34 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 142 1 21 21 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 142 2 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 143 1 Since since IN work_rzcanzq6ebhgnl7xkqkgolmvwy 143 2 its -PRON- PRP$ work_rzcanzq6ebhgnl7xkqkgolmvwy 143 3 origins origin NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 143 4 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 143 5 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 143 6 Bronx Bronx NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 143 7 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 143 8 New New NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 143 9 York York NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 143 10 City City NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 143 11 ( ( -LRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 143 12 USA USA NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 143 13 ) ) -RRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 143 14 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 143 15 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 143 16 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 143 17 early early JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 143 18 1970s 1970 NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 143 19 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 143 20 protest protest NN work_rzcanzq6ebhgnl7xkqkgolmvwy 143 21 has have VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 143 22 been be VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 143 23 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 143 24 motif motif NN work_rzcanzq6ebhgnl7xkqkgolmvwy 143 25 running run VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 143 26 through through IN work_rzcanzq6ebhgnl7xkqkgolmvwy 143 27 hip hip NN work_rzcanzq6ebhgnl7xkqkgolmvwy 143 28 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 143 29 hop hop NN work_rzcanzq6ebhgnl7xkqkgolmvwy 143 30 culture culture NN work_rzcanzq6ebhgnl7xkqkgolmvwy 143 31 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 143 32 hip hip NN work_rzcanzq6ebhgnl7xkqkgolmvwy 143 33 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 143 34 hop hop NN work_rzcanzq6ebhgnl7xkqkgolmvwy 143 35 has have VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 143 36 spoken speak VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 143 37 loud loud RB work_rzcanzq6ebhgnl7xkqkgolmvwy 143 38 to to IN work_rzcanzq6ebhgnl7xkqkgolmvwy 143 39 racial racial JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 143 40 inequity inequity NN work_rzcanzq6ebhgnl7xkqkgolmvwy 143 41 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 144 1 Early early JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 144 2 examples example NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 144 3 include include VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 144 4 Grandmaster Grandmaster NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 144 5 Flash Flash NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 144 6 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 144 7 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 144 8 Furious Furious NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 144 9 Five Five NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 144 10 ’s ’s NN work_rzcanzq6ebhgnl7xkqkgolmvwy 144 11 The the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 144 12 Message message NN work_rzcanzq6ebhgnl7xkqkgolmvwy 144 13 ( ( -LRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 144 14 1982 1982 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 144 15 ) ) -RRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 144 16 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 144 17 Public Public NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 144 18 Enemy Enemy NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 144 19 ’s ’s POS work_rzcanzq6ebhgnl7xkqkgolmvwy 144 20 Fight Fight NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 144 21 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 144 22 Power power NN work_rzcanzq6ebhgnl7xkqkgolmvwy 144 23 ( ( -LRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 144 24 1989 1989 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 144 25 ) ) -RRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 144 26 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 145 1 22 22 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 145 2 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 146 1 However however RB work_rzcanzq6ebhgnl7xkqkgolmvwy 146 2 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 146 3 as as IN work_rzcanzq6ebhgnl7xkqkgolmvwy 146 4 Alicia Alicia NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 146 5 Caticha Caticha NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 146 6 has have VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 146 7 pointed point VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 146 8 out out RP work_rzcanzq6ebhgnl7xkqkgolmvwy 146 9 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 146 10 rap rap NN work_rzcanzq6ebhgnl7xkqkgolmvwy 146 11 has have VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 146 12 been be VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 146 13 performed perform VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 146 14 at at IN work_rzcanzq6ebhgnl7xkqkgolmvwy 146 15 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 146 16 Louvre Louvre NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 146 17 before before RB work_rzcanzq6ebhgnl7xkqkgolmvwy 146 18 : : : work_rzcanzq6ebhgnl7xkqkgolmvwy 146 19 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 146 20 2006 2006 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 146 21 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 146 22 writer writer NN work_rzcanzq6ebhgnl7xkqkgolmvwy 146 23 Toni Toni NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 146 24 Morrison Morrison NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 146 25 invited invite VBD work_rzcanzq6ebhgnl7xkqkgolmvwy 146 26 slam slam NN work_rzcanzq6ebhgnl7xkqkgolmvwy 146 27 poets poet NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 146 28 from from IN work_rzcanzq6ebhgnl7xkqkgolmvwy 146 29 Paris Paris NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 146 30 ’ ’ POS work_rzcanzq6ebhgnl7xkqkgolmvwy 146 31 suburbs suburb NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 146 32 to to TO work_rzcanzq6ebhgnl7xkqkgolmvwy 146 33 perform perform VB work_rzcanzq6ebhgnl7xkqkgolmvwy 146 34 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 146 35 front front NN work_rzcanzq6ebhgnl7xkqkgolmvwy 146 36 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 146 37 Géricault Géricault NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 146 38 ’s ’s POS work_rzcanzq6ebhgnl7xkqkgolmvwy 146 39 Raft Raft NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 146 40 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 146 41 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 146 42 Medusa Medusa NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 146 43 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 146 44 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 146 45 same same JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 146 46 paint- paint- JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 146 47 ing ing NN work_rzcanzq6ebhgnl7xkqkgolmvwy 146 48 we -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 146 49 see see VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 146 50 Jay Jay NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 146 51 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 146 52 Z Z NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 146 53 rapping rapping NN work_rzcanzq6ebhgnl7xkqkgolmvwy 146 54 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 146 55 front front NN work_rzcanzq6ebhgnl7xkqkgolmvwy 146 56 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 146 57 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 146 58 APESHIT apeshit NN work_rzcanzq6ebhgnl7xkqkgolmvwy 146 59 ; ; : work_rzcanzq6ebhgnl7xkqkgolmvwy 146 60 cfr cfr NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 146 61 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 147 1 Alicia Alicia NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 147 2 Caticha Caticha NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 147 3 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 147 4 Madame Madame NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 147 5 Récamier Récamier NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 147 6 as as IN work_rzcanzq6ebhgnl7xkqkgolmvwy 147 7 Tableau Tableau NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 147 8 Vivant vivant JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 147 9 : : : work_rzcanzq6ebhgnl7xkqkgolmvwy 147 10 Marble marble NN work_rzcanzq6ebhgnl7xkqkgolmvwy 147 11 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 147 12 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 147 13 Classical Classical NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 147 14 Ideal Ideal NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 147 15 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 147 16 Beyoncé Beyoncé NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 147 17 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 147 18 Jay Jay NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 147 19 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 147 20 Z Z NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 147 21 ’s ’s NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 147 22 Apesh*t Apesh*t NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 147 23 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 147 24 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 147 25 « « `` work_rzcanzq6ebhgnl7xkqkgolmvwy 147 26 Journal Journal NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 147 27 18 18 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 147 28 : : : work_rzcanzq6ebhgnl7xkqkgolmvwy 147 29 A a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 147 30 journal journal NN work_rzcanzq6ebhgnl7xkqkgolmvwy 147 31 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 147 32 Eighteenth Eighteenth NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 147 33 Century Century NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 147 34 Art Art NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 147 35 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 147 36 Culture Culture NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 147 37 » » '' work_rzcanzq6ebhgnl7xkqkgolmvwy 147 38 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 147 39 27th 27th CD work_rzcanzq6ebhgnl7xkqkgolmvwy 147 40 January January NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 147 41 2020 2020 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 147 42 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 147 43 online online NN work_rzcanzq6ebhgnl7xkqkgolmvwy 147 44 : : : work_rzcanzq6ebhgnl7xkqkgolmvwy 147 45 http://www.journal18.org/nq/madame-recamier-as-tableau-vivant-marble-and-the-classical-ideal-in- http://www.journal18.org/nq/madame-recamier-as-tableau-vivant-marble-and-the-classical-ideal-in- JJR work_rzcanzq6ebhgnl7xkqkgolmvwy 147 46 beyonce beyonce VB work_rzcanzq6ebhgnl7xkqkgolmvwy 147 47 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 147 48 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 147 49 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 147 50 jay jay NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 147 51 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 147 52 zs zs NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 147 53 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 147 54 apesht apesht VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 147 55 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 147 56 by by IN work_rzcanzq6ebhgnl7xkqkgolmvwy 147 57 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 147 58 alicia alicia NN work_rzcanzq6ebhgnl7xkqkgolmvwy 147 59 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 147 60 caticha/ caticha/ NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 147 61 ( ( -LRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 147 62 accessed access VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 147 63 19/6/2020 19/6/2020 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 147 64 ) ) -RRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 147 65 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 148 1 On on IN work_rzcanzq6ebhgnl7xkqkgolmvwy 148 2 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 148 3 2006 2006 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 148 4 performances performance NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 148 5 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 148 6 see see VB work_rzcanzq6ebhgnl7xkqkgolmvwy 148 7 further further JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 148 8 Alan Alan NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 148 9 Rid- Rid- NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 148 10 ing ing NN work_rzcanzq6ebhgnl7xkqkgolmvwy 148 11 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 148 12 Rap Rap NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 148 13 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 148 14 Film Film NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 148 15 at at IN work_rzcanzq6ebhgnl7xkqkgolmvwy 148 16 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 148 17 Louvre Louvre NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 148 18 ? ? . work_rzcanzq6ebhgnl7xkqkgolmvwy 149 1 What what WP work_rzcanzq6ebhgnl7xkqkgolmvwy 149 2 ’s ’ VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 149 3 Up up IN work_rzcanzq6ebhgnl7xkqkgolmvwy 149 4 With with IN work_rzcanzq6ebhgnl7xkqkgolmvwy 149 5 That that DT work_rzcanzq6ebhgnl7xkqkgolmvwy 149 6 ? ? . work_rzcanzq6ebhgnl7xkqkgolmvwy 149 7 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 149 8 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 149 9 « « `` work_rzcanzq6ebhgnl7xkqkgolmvwy 149 10 New New NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 149 11 York York NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 149 12 Times Times NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 149 13 » » NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 149 14 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 149 15 21th 21th CD work_rzcanzq6ebhgnl7xkqkgolmvwy 149 16 November November NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 149 17 2006 2006 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 149 18 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 149 19 online online RB work_rzcanzq6ebhgnl7xkqkgolmvwy 149 20 : : : work_rzcanzq6ebhgnl7xkqkgolmvwy 149 21 ht- ht- XX work_rzcanzq6ebhgnl7xkqkgolmvwy 149 22 tps://www.nytimes.com/2006/11/21/books/21morr.html tps://www.nytimes.com/2006/11/21/books/21morr.html CD work_rzcanzq6ebhgnl7xkqkgolmvwy 149 23 ( ( -LRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 149 24 accessed access VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 149 25 19/6/20 19/6/20 NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 149 26 ) ) -RRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 149 27 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 150 1 23 23 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 150 2 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 151 1 While while IN work_rzcanzq6ebhgnl7xkqkgolmvwy 151 2 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 151 3 analysis analysis NN work_rzcanzq6ebhgnl7xkqkgolmvwy 151 4 that that WDT work_rzcanzq6ebhgnl7xkqkgolmvwy 151 5 I -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 151 6 offer offer VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 151 7 here here RB work_rzcanzq6ebhgnl7xkqkgolmvwy 151 8 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 151 9 predominantly predominantly RB work_rzcanzq6ebhgnl7xkqkgolmvwy 151 10 from from IN work_rzcanzq6ebhgnl7xkqkgolmvwy 151 11 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 151 12 dance dance NN work_rzcanzq6ebhgnl7xkqkgolmvwy 151 13 perspective perspective NN work_rzcanzq6ebhgnl7xkqkgolmvwy 151 14 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 151 15 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 151 16 musical musical JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 151 17 analysis analysis NN work_rzcanzq6ebhgnl7xkqkgolmvwy 151 18 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 151 19 beyond beyond IN work_rzcanzq6ebhgnl7xkqkgolmvwy 151 20 my -PRON- PRP$ work_rzcanzq6ebhgnl7xkqkgolmvwy 151 21 intention intention NN work_rzcanzq6ebhgnl7xkqkgolmvwy 151 22 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 151 23 it -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 151 24 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 151 25 worth worth JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 151 26 noting note VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 151 27 APESHIT apeshit NN work_rzcanzq6ebhgnl7xkqkgolmvwy 151 28 ’s 's , work_rzcanzq6ebhgnl7xkqkgolmvwy 151 29 connection connection NN work_rzcanzq6ebhgnl7xkqkgolmvwy 151 30 to to IN work_rzcanzq6ebhgnl7xkqkgolmvwy 151 31 trap trap NN work_rzcanzq6ebhgnl7xkqkgolmvwy 151 32 music music NN work_rzcanzq6ebhgnl7xkqkgolmvwy 151 33 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 151 34 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 151 35 sub sub NN work_rzcanzq6ebhgnl7xkqkgolmvwy 151 36 - - JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 151 37 genre genre JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 151 38 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 151 39 hip hip NN work_rzcanzq6ebhgnl7xkqkgolmvwy 151 40 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 151 41 hop hop NN work_rzcanzq6ebhgnl7xkqkgolmvwy 151 42 that that WDT work_rzcanzq6ebhgnl7xkqkgolmvwy 151 43 emerged emerge VBD work_rzcanzq6ebhgnl7xkqkgolmvwy 151 44 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 151 45 Atlanta Atlanta NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 151 46 ( ( -LRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 151 47 USA USA NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 151 48 ) ) -RRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 151 49 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 151 50 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 151 51 1990s 1990s CD work_rzcanzq6ebhgnl7xkqkgolmvwy 151 52 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 152 1 APESHIT apeshit NN work_rzcanzq6ebhgnl7xkqkgolmvwy 152 2 adheres adhere VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 152 3 to to IN work_rzcanzq6ebhgnl7xkqkgolmvwy 152 4 common common JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 152 5 trap trap NN work_rzcanzq6ebhgnl7xkqkgolmvwy 152 6 conventions convention NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 152 7 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 152 8 alternating alternate VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 152 9 between between IN work_rzcanzq6ebhgnl7xkqkgolmvwy 152 10 sung sung NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 152 11 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 152 12 shouted shout VBD work_rzcanzq6ebhgnl7xkqkgolmvwy 152 13 moments moment NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 152 14 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 152 15 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 152 16 rapid rapid JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 152 17 triplet triplet NN work_rzcanzq6ebhgnl7xkqkgolmvwy 152 18 flow flow NN work_rzcanzq6ebhgnl7xkqkgolmvwy 152 19 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 152 20 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 152 21 rapping rapping NN work_rzcanzq6ebhgnl7xkqkgolmvwy 152 22 punctuated punctuate VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 152 23 by by IN work_rzcanzq6ebhgnl7xkqkgolmvwy 152 24 vocal vocal NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 152 25 adlibs adlibs NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 152 26 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 152 27 noise noise NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 152 28 elements element NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 152 29 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 153 1 As as IN work_rzcanzq6ebhgnl7xkqkgolmvwy 153 2 such such JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 153 3 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 153 4 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 153 5 song song NN work_rzcanzq6ebhgnl7xkqkgolmvwy 153 6 itself -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 153 7 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 153 8 « « `` work_rzcanzq6ebhgnl7xkqkgolmvwy 153 9 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 153 10 sonic sonic JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 153 11 palimpsest palimpsest NN work_rzcanzq6ebhgnl7xkqkgolmvwy 153 12 » » ADD work_rzcanzq6ebhgnl7xkqkgolmvwy 153 13 ( ( -LRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 153 14 Gabriel Gabriel NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 153 15 Ellis Ellis NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 153 16 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 153 17 On on IN work_rzcanzq6ebhgnl7xkqkgolmvwy 153 18 APESHIT APESHIT NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 153 19 ’s ’s NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 153 20 Trapness Trapness NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 153 21 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 153 22 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 153 23 « « `` work_rzcanzq6ebhgnl7xkqkgolmvwy 153 24 Journal Journal NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 153 25 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 153 26 Popular Popular NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 153 27 Music Music NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 153 28 Studies Studies NNPS work_rzcanzq6ebhgnl7xkqkgolmvwy 153 29 » » '' work_rzcanzq6ebhgnl7xkqkgolmvwy 153 30 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 153 31 vol vol NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 153 32 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 154 1 XXX XXX NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 154 2 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 154 3 n. n. NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 154 4 4 4 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 154 5 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 154 6 December December NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 154 7 2018 2018 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 154 8 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 154 9 pp pp NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 154 10 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 155 1 22 22 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 155 2 - - SYM work_rzcanzq6ebhgnl7xkqkgolmvwy 155 3 24 24 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 155 4 : : : work_rzcanzq6ebhgnl7xkqkgolmvwy 155 5 p. p. NN work_rzcanzq6ebhgnl7xkqkgolmvwy 155 6 23 23 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 155 7 ) ) -RRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 155 8 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 155 9 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 155 10 complex complex JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 155 11 layering layering NN work_rzcanzq6ebhgnl7xkqkgolmvwy 155 12 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 155 13 musical musical JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 155 14 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 155 15 verbal verbal JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 155 16 fragments fragment NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 155 17 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 155 18 marked mark VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 155 19 by by IN work_rzcanzq6ebhgnl7xkqkgolmvwy 155 20 striking strike VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 155 21 antiphony antiphony NN work_rzcanzq6ebhgnl7xkqkgolmvwy 155 22 that that WDT work_rzcanzq6ebhgnl7xkqkgolmvwy 155 23 serves serve VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 155 24 to to IN work_rzcanzq6ebhgnl7xkqkgolmvwy 155 25 both both DT work_rzcanzq6ebhgnl7xkqkgolmvwy 155 26 express express VB work_rzcanzq6ebhgnl7xkqkgolmvwy 155 27 individuality individuality NN work_rzcanzq6ebhgnl7xkqkgolmvwy 155 28 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 155 29 affirm affirm VB work_rzcanzq6ebhgnl7xkqkgolmvwy 155 30 collective collective JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 155 31 identity identity NN work_rzcanzq6ebhgnl7xkqkgolmvwy 155 32 ( ( -LRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 155 33 cf cf UH work_rzcanzq6ebhgnl7xkqkgolmvwy 155 34 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 156 1 Paul Paul NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 156 2 Gilroy Gilroy NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 156 3 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 156 4 The the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 156 5 Black Black NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 156 6 Atlantic Atlantic NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 156 7 : : : work_rzcanzq6ebhgnl7xkqkgolmvwy 156 8 Modernity modernity NN work_rzcanzq6ebhgnl7xkqkgolmvwy 156 9 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 156 10 Double Double NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 156 11 Consciousness Consciousness NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 156 12 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 156 13 Harvard Harvard NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 156 14 University University NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 156 15 Press Press NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 156 16 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 156 17 Boston Boston NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 156 18 1993 1993 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 156 19 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 156 20 p. p. NN work_rzcanzq6ebhgnl7xkqkgolmvwy 156 21 79 79 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 156 22 ) ) -RRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 156 23 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 157 1 http://www.journal18.org/nq/madame-recamier-as-tableau-vivant-marble-and-the-classical-ideal-in-beyonce-and-jay-zs-apesht-by-alicia-caticha/ http://www.journal18.org/nq/madame-recamier-as-tableau-vivant-marble-and-the-classical-ideal-in-beyonce-and-jay-zs-apesht-by-alicia-caticha/ NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 157 2 http://www.journal18.org/nq/madame-recamier-as-tableau-vivant-marble-and-the-classical-ideal-in-beyonce-and-jay-zs-apesht-by-alicia-caticha/ http://www.journal18.org/nq/madame-recamier-as-tableau-vivant-marble-and-the-classical-ideal-in-beyonce-and-jay-zs-apesht-by-alicia-caticha/ NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 157 3 https://www.nytimes.com/2006/11/21/books/21morr.html https://www.nytimes.com/2006/11/21/books/21morr.html NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 157 4 https://www.nytimes.com/2006/11/21/books/21morr.html https://www.nytimes.com/2006/11/21/books/21morr.html NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 157 5 « « `` work_rzcanzq6ebhgnl7xkqkgolmvwy 157 6 This this DT work_rzcanzq6ebhgnl7xkqkgolmvwy 157 7 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 157 8 different different JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 157 9 angle angle NN work_rzcanzq6ebhgnl7xkqkgolmvwy 157 10 » » '' work_rzcanzq6ebhgnl7xkqkgolmvwy 157 11 : : : work_rzcanzq6ebhgnl7xkqkgolmvwy 157 12 Dancing dance VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 157 13 at at IN work_rzcanzq6ebhgnl7xkqkgolmvwy 157 14 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 157 15 Louvre Louvre NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 157 16 289 289 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 157 17 shot shot NN work_rzcanzq6ebhgnl7xkqkgolmvwy 157 18 shows show VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 157 19 Beyoncé Beyoncé NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 157 20 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 157 21 Jay Jay NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 157 22 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 157 23 Z Z NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 157 24 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 157 25 his -PRON- PRP$ work_rzcanzq6ebhgnl7xkqkgolmvwy 157 26 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 157 27 hers hers JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 157 28 pastel pastel NN work_rzcanzq6ebhgnl7xkqkgolmvwy 157 29 suits suit NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 157 30 standing stand VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 157 31 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 157 32 front front NN work_rzcanzq6ebhgnl7xkqkgolmvwy 157 33 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 157 34 La La NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 157 35 Gioconda Gioconda NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 157 36 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 157 37 looking look VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 157 38 directly directly RB work_rzcanzq6ebhgnl7xkqkgolmvwy 157 39 to to IN work_rzcanzq6ebhgnl7xkqkgolmvwy 157 40 camera camera NN work_rzcanzq6ebhgnl7xkqkgolmvwy 157 41 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 158 1 A a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 158 2 tracking tracking NN work_rzcanzq6ebhgnl7xkqkgolmvwy 158 3 shot shot NN work_rzcanzq6ebhgnl7xkqkgolmvwy 158 4 pulls pull NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 158 5 focus focus VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 158 6 away away RB work_rzcanzq6ebhgnl7xkqkgolmvwy 158 7 from from IN work_rzcanzq6ebhgnl7xkqkgolmvwy 158 8 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 158 9 famous famous JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 158 10 painting painting NN work_rzcanzq6ebhgnl7xkqkgolmvwy 158 11 to to IN work_rzcanzq6ebhgnl7xkqkgolmvwy 158 12 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 158 13 figures figure NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 158 14 standing stand VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 158 15 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 158 16 front front NN work_rzcanzq6ebhgnl7xkqkgolmvwy 158 17 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 158 18 it -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 158 19 : : : work_rzcanzq6ebhgnl7xkqkgolmvwy 158 20 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 158 21 famous famous JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 158 22 white white JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 158 23 face face NN work_rzcanzq6ebhgnl7xkqkgolmvwy 158 24 fades fade NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 158 25 away away RB work_rzcanzq6ebhgnl7xkqkgolmvwy 158 26 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 158 27 as as IN work_rzcanzq6ebhgnl7xkqkgolmvwy 158 28 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 158 29 famous famous JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 158 30 black black JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 158 31 faces face NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 158 32 come come VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 158 33 into into IN work_rzcanzq6ebhgnl7xkqkgolmvwy 158 34 view view NN work_rzcanzq6ebhgnl7xkqkgolmvwy 158 35 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 159 1 More More JJR work_rzcanzq6ebhgnl7xkqkgolmvwy 159 2 than than IN work_rzcanzq6ebhgnl7xkqkgolmvwy 159 3 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 159 4 white white JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 159 5 face face NN work_rzcanzq6ebhgnl7xkqkgolmvwy 159 6 figure figure NN work_rzcanzq6ebhgnl7xkqkgolmvwy 159 7 fixed fix VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 159 8 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 159 9 pigment pigment NN work_rzcanzq6ebhgnl7xkqkgolmvwy 159 10 on on IN work_rzcanzq6ebhgnl7xkqkgolmvwy 159 11 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 159 12 canvas canvas NN work_rzcanzq6ebhgnl7xkqkgolmvwy 159 13 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 159 14 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 159 15 Carters Carters NNPS work_rzcanzq6ebhgnl7xkqkgolmvwy 159 16 ’ ' '' work_rzcanzq6ebhgnl7xkqkgolmvwy 159 17 are be VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 159 18 living live VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 159 19 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 159 20 breathing breathe VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 159 21 faces face NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 159 22 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 159 23 bodies body NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 159 24 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 160 1 The the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 160 2 shot shot NN work_rzcanzq6ebhgnl7xkqkgolmvwy 160 3 that that WDT work_rzcanzq6ebhgnl7xkqkgolmvwy 160 4 follows follow VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 160 5 sees see VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 160 6 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 160 7 Carters Carters NNPS work_rzcanzq6ebhgnl7xkqkgolmvwy 160 8 standing stand VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 160 9 at at IN work_rzcanzq6ebhgnl7xkqkgolmvwy 160 10 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 160 11 top top NN work_rzcanzq6ebhgnl7xkqkgolmvwy 160 12 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 160 13 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 160 14 museum museum NN work_rzcanzq6ebhgnl7xkqkgolmvwy 160 15 ’s ’s POS work_rzcanzq6ebhgnl7xkqkgolmvwy 160 16 famous famous JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 160 17 Daru Daru NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 160 18 staircase staircase NN work_rzcanzq6ebhgnl7xkqkgolmvwy 160 19 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 160 20 standing stand VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 160 21 underneath underneath IN work_rzcanzq6ebhgnl7xkqkgolmvwy 160 22 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 160 23 winged wing VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 160 24 Nike Nike NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 160 25 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 160 26 Samothrace Samothrace NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 160 27 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 160 28 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 160 29 chorus chorus NN work_rzcanzq6ebhgnl7xkqkgolmvwy 160 30 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 160 31 female female JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 160 32 dancers dancer NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 160 33 wearing wear VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 160 34 flesh flesh NN work_rzcanzq6ebhgnl7xkqkgolmvwy 160 35 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 160 36 coloured colour VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 160 37 bodysuits bodysuit NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 160 38 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 160 39 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 160 40 variety variety NN work_rzcanzq6ebhgnl7xkqkgolmvwy 160 41 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 160 42 skin skin NN work_rzcanzq6ebhgnl7xkqkgolmvwy 160 43 tones tone NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 160 44 lying lie VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 160 45 on on IN work_rzcanzq6ebhgnl7xkqkgolmvwy 160 46 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 160 47 staircase staircase NN work_rzcanzq6ebhgnl7xkqkgolmvwy 160 48 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 161 1 As as IN work_rzcanzq6ebhgnl7xkqkgolmvwy 161 2 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 161 3 first first JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 161 4 lyrics lyric NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 161 5 begin begin VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 161 6 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 161 7 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 161 8 dancers dancer NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 161 9 rise rise VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 161 10 up up RP work_rzcanzq6ebhgnl7xkqkgolmvwy 161 11 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 161 12 unison unison NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 161 13 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 161 14 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 161 15 series series NN work_rzcanzq6ebhgnl7xkqkgolmvwy 161 16 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 161 17 Graham Graham NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 161 18 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 161 19 style style NN work_rzcanzq6ebhgnl7xkqkgolmvwy 161 20 “ " `` work_rzcanzq6ebhgnl7xkqkgolmvwy 161 21 pleadings pleading NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 161 22 ” " '' work_rzcanzq6ebhgnl7xkqkgolmvwy 161 23 ( ( -LRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 161 24 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 161 25 series series NN work_rzcanzq6ebhgnl7xkqkgolmvwy 161 26 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 161 27 repetitive repetitive JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 161 28 contraction contraction NN work_rzcanzq6ebhgnl7xkqkgolmvwy 161 29 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 161 30 release release VB work_rzcanzq6ebhgnl7xkqkgolmvwy 161 31 movements movement NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 161 32 lying lie VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 161 33 prone prone JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 161 34 ) ) -RRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 161 35 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 162 1 With with IN work_rzcanzq6ebhgnl7xkqkgolmvwy 162 2 this this DT work_rzcanzq6ebhgnl7xkqkgolmvwy 162 3 movement movement NN work_rzcanzq6ebhgnl7xkqkgolmvwy 162 4 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 162 5 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 162 6 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 162 7 still still JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 162 8 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 162 9 sculptural sculptural JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 162 10 bodies body NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 162 11 suddenly suddenly RB work_rzcanzq6ebhgnl7xkqkgolmvwy 162 12 stirring stir VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 162 13 into into IN work_rzcanzq6ebhgnl7xkqkgolmvwy 162 14 dance dance NN work_rzcanzq6ebhgnl7xkqkgolmvwy 162 15 action action NN work_rzcanzq6ebhgnl7xkqkgolmvwy 162 16 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 162 17 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 162 18 collection collection NN work_rzcanzq6ebhgnl7xkqkgolmvwy 162 19 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 162 20 statues statue NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 162 21 come come VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 162 22 to to IN work_rzcanzq6ebhgnl7xkqkgolmvwy 162 23 life life NN work_rzcanzq6ebhgnl7xkqkgolmvwy 162 24 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 162 25 so so RB work_rzcanzq6ebhgnl7xkqkgolmvwy 162 26 begins begin VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 162 27 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 162 28 Carters Carters NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 162 29 ’ ’ POS work_rzcanzq6ebhgnl7xkqkgolmvwy 162 30 fast fast RB work_rzcanzq6ebhgnl7xkqkgolmvwy 162 31 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 162 32 paced pace VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 162 33 museum museum NN work_rzcanzq6ebhgnl7xkqkgolmvwy 162 34 tour tour NN work_rzcanzq6ebhgnl7xkqkgolmvwy 162 35 which which WDT work_rzcanzq6ebhgnl7xkqkgolmvwy 162 36 throughout throughout IN work_rzcanzq6ebhgnl7xkqkgolmvwy 162 37 combines combine VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 162 38 striking strike VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 162 39 juxtapositions juxtaposition NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 162 40 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 162 41 movement movement NN work_rzcanzq6ebhgnl7xkqkgolmvwy 162 42 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 162 43 stillness stillness NN work_rzcanzq6ebhgnl7xkqkgolmvwy 162 44 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 162 45 interspersing intersperse VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 162 46 Cherkaoui Cherkaoui NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 162 47 ’s ’s POS work_rzcanzq6ebhgnl7xkqkgolmvwy 162 48 choreography choreography NN work_rzcanzq6ebhgnl7xkqkgolmvwy 162 49 with with IN work_rzcanzq6ebhgnl7xkqkgolmvwy 162 50 still still RB work_rzcanzq6ebhgnl7xkqkgolmvwy 162 51 images image NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 162 52 from from IN work_rzcanzq6ebhgnl7xkqkgolmvwy 162 53 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 162 54 museum museum NN work_rzcanzq6ebhgnl7xkqkgolmvwy 162 55 collection collection NN work_rzcanzq6ebhgnl7xkqkgolmvwy 162 56 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 163 1 As as IN work_rzcanzq6ebhgnl7xkqkgolmvwy 163 2 such such JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 163 3 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 163 4 this this DT work_rzcanzq6ebhgnl7xkqkgolmvwy 163 5 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 163 6 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 163 7 ( ( -LRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 163 8 art art NN work_rzcanzq6ebhgnl7xkqkgolmvwy 163 9 ) ) -RRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 163 10 history history NN work_rzcanzq6ebhgnl7xkqkgolmvwy 163 11 tour tour NN work_rzcanzq6ebhgnl7xkqkgolmvwy 163 12 being be VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 163 13 re re NN work_rzcanzq6ebhgnl7xkqkgolmvwy 163 14 - - VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 163 15 written write VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 163 16 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 163 17 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 163 18 moment moment NN work_rzcanzq6ebhgnl7xkqkgolmvwy 163 19 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 163 20 performance performance NN work_rzcanzq6ebhgnl7xkqkgolmvwy 163 21 by by IN work_rzcanzq6ebhgnl7xkqkgolmvwy 163 22 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 163 23 bodies body NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 163 24 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 163 25 colour colour NN work_rzcanzq6ebhgnl7xkqkgolmvwy 163 26 occupying occupy VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 163 27 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 163 28 traditionally traditionally RB work_rzcanzq6ebhgnl7xkqkgolmvwy 163 29 “ " `` work_rzcanzq6ebhgnl7xkqkgolmvwy 163 30 white white JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 163 31 ” " '' work_rzcanzq6ebhgnl7xkqkgolmvwy 163 32 space24 space24 NN work_rzcanzq6ebhgnl7xkqkgolmvwy 163 33 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 164 1 As as IN work_rzcanzq6ebhgnl7xkqkgolmvwy 164 2 several several JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 164 3 commentators commentator NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 164 4 ( ( -LRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 164 5 Helen Helen NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 164 6 Morales Morales NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 164 7 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 164 8 Antigone Antigone NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 164 9 Rising rise VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 164 10 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 164 11 2020 2020 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 164 12 ; ; : work_rzcanzq6ebhgnl7xkqkgolmvwy 164 13 James James NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 164 14 Smalls Smalls NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 164 15 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 164 16 Crazy Crazy NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 164 17 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 164 18 Louvre Louvre NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 164 19 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 164 20 2018 2018 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 164 21 ) ) -RRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 164 22 have have VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 164 23 pointed point VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 164 24 out out RP work_rzcanzq6ebhgnl7xkqkgolmvwy 164 25 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 164 26 throughout throughout IN work_rzcanzq6ebhgnl7xkqkgolmvwy 164 27 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 164 28 video video NN work_rzcanzq6ebhgnl7xkqkgolmvwy 164 29 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 164 30 there there EX work_rzcanzq6ebhgnl7xkqkgolmvwy 164 31 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 164 32 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 164 33 vibrant vibrant JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 164 34 juxtaposition juxtaposition NN work_rzcanzq6ebhgnl7xkqkgolmvwy 164 35 between between IN work_rzcanzq6ebhgnl7xkqkgolmvwy 164 36 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 164 37 sculptural sculptural NN work_rzcanzq6ebhgnl7xkqkgolmvwy 164 38 or or CC work_rzcanzq6ebhgnl7xkqkgolmvwy 164 39 painted paint VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 164 40 white white JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 164 41 bodies body NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 164 42 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 164 43 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 164 44 museum museum NN work_rzcanzq6ebhgnl7xkqkgolmvwy 164 45 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 164 46 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 164 47 dancing dance VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 164 48 black black JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 164 49 bodies body NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 164 50 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 164 51 between between IN work_rzcanzq6ebhgnl7xkqkgolmvwy 164 52 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 164 53 stillness stillness NN work_rzcanzq6ebhgnl7xkqkgolmvwy 164 54 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 164 55 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 164 56 white white JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 164 57 marble marble NN work_rzcanzq6ebhgnl7xkqkgolmvwy 164 58 sculptures sculpture NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 164 59 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 164 60 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 164 61 mobility mobility NN work_rzcanzq6ebhgnl7xkqkgolmvwy 164 62 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 164 63 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 164 64 black black JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 164 65 dancers dancer NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 164 66 : : : work_rzcanzq6ebhgnl7xkqkgolmvwy 164 67 « « `` work_rzcanzq6ebhgnl7xkqkgolmvwy 164 68 There there EX work_rzcanzq6ebhgnl7xkqkgolmvwy 164 69 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 164 70 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 164 71 sheer sheer JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 164 72 joy joy NN work_rzcanzq6ebhgnl7xkqkgolmvwy 164 73 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 164 74 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 164 75 contrasts contrast NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 164 76 here here RB work_rzcanzq6ebhgnl7xkqkgolmvwy 164 77 : : : work_rzcanzq6ebhgnl7xkqkgolmvwy 164 78 between between IN work_rzcanzq6ebhgnl7xkqkgolmvwy 164 79 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 164 80 white white JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 164 81 bodies body NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 164 82 on on IN work_rzcanzq6ebhgnl7xkqkgolmvwy 164 83 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 164 84 walls wall NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 164 85 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 164 86 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 164 87 black black JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 164 88 bodies body NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 164 89 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 164 90 front front NN work_rzcanzq6ebhgnl7xkqkgolmvwy 164 91 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 164 92 them -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 164 93 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 164 94 between between IN work_rzcanzq6ebhgnl7xkqkgolmvwy 164 95 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 164 96 powerful powerful JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 164 97 movement movement NN work_rzcanzq6ebhgnl7xkqkgolmvwy 164 98 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 164 99 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 164 100 dancers dancer NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 164 101 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 164 102 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 164 103 stillness stillness NN work_rzcanzq6ebhgnl7xkqkgolmvwy 164 104 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 164 105 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 164 106 artwork artwork NN work_rzcanzq6ebhgnl7xkqkgolmvwy 164 107 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 164 108 between between IN work_rzcanzq6ebhgnl7xkqkgolmvwy 164 109 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 164 110 reverent reverent JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 164 111 silence silence NN work_rzcanzq6ebhgnl7xkqkgolmvwy 164 112 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 164 113 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 164 114 museum museum NN work_rzcanzq6ebhgnl7xkqkgolmvwy 164 115 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 164 116 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 164 117 exuberant exuberant JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 164 118 sound sound NN work_rzcanzq6ebhgnl7xkqkgolmvwy 164 119 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 164 120 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 164 121 music»25 music»25 NNPS work_rzcanzq6ebhgnl7xkqkgolmvwy 164 122 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 165 1 However however RB work_rzcanzq6ebhgnl7xkqkgolmvwy 165 2 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 165 3 from from IN work_rzcanzq6ebhgnl7xkqkgolmvwy 165 4 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 165 5 dance dance NN work_rzcanzq6ebhgnl7xkqkgolmvwy 165 6 analysis analysis NN work_rzcanzq6ebhgnl7xkqkgolmvwy 165 7 point point NN work_rzcanzq6ebhgnl7xkqkgolmvwy 165 8 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 165 9 view view NN work_rzcanzq6ebhgnl7xkqkgolmvwy 165 10 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 165 11 I -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 165 12 would would MD work_rzcanzq6ebhgnl7xkqkgolmvwy 165 13 argue argue VB work_rzcanzq6ebhgnl7xkqkgolmvwy 165 14 that that IN work_rzcanzq6ebhgnl7xkqkgolmvwy 165 15 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 165 16 relationship relationship NN work_rzcanzq6ebhgnl7xkqkgolmvwy 165 17 between between IN work_rzcanzq6ebhgnl7xkqkgolmvwy 165 18 stillness stillness NN work_rzcanzq6ebhgnl7xkqkgolmvwy 165 19 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 165 20 movement movement NN work_rzcanzq6ebhgnl7xkqkgolmvwy 165 21 here here RB work_rzcanzq6ebhgnl7xkqkgolmvwy 165 22 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 165 23 yet yet RB work_rzcanzq6ebhgnl7xkqkgolmvwy 165 24 further far RBR work_rzcanzq6ebhgnl7xkqkgolmvwy 165 25 meaningful meaningful JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 165 26 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 165 27 complex complex JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 165 28 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 166 1 It -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 166 2 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 166 3 more more JJR work_rzcanzq6ebhgnl7xkqkgolmvwy 166 4 than than IN work_rzcanzq6ebhgnl7xkqkgolmvwy 166 5 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 166 6 simple simple JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 166 7 juxtaposition juxtaposition NN work_rzcanzq6ebhgnl7xkqkgolmvwy 166 8 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 166 9 “ " `` work_rzcanzq6ebhgnl7xkqkgolmvwy 166 10 white white JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 166 11 ” " '' work_rzcanzq6ebhgnl7xkqkgolmvwy 166 12 fixity fixity NN work_rzcanzq6ebhgnl7xkqkgolmvwy 166 13 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 166 14 “ " `` work_rzcanzq6ebhgnl7xkqkgolmvwy 166 15 black black JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 166 16 ” " '' work_rzcanzq6ebhgnl7xkqkgolmvwy 166 17 mobility mobility NN work_rzcanzq6ebhgnl7xkqkgolmvwy 166 18 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 167 1 At at IN work_rzcanzq6ebhgnl7xkqkgolmvwy 167 2 several several JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 167 3 points point NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 167 4 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 167 5 as as IN work_rzcanzq6ebhgnl7xkqkgolmvwy 167 6 I -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 167 7 will will MD work_rzcanzq6ebhgnl7xkqkgolmvwy 167 8 argue argue VB work_rzcanzq6ebhgnl7xkqkgolmvwy 167 9 further further RB work_rzcanzq6ebhgnl7xkqkgolmvwy 167 10 below below RB work_rzcanzq6ebhgnl7xkqkgolmvwy 167 11 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 167 12 it -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 167 13 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 167 14 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 167 15 shifting shifting NN work_rzcanzq6ebhgnl7xkqkgolmvwy 167 16 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 167 17 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 167 18 dancers dancer NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 167 19 themselves -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 167 20 between between IN work_rzcanzq6ebhgnl7xkqkgolmvwy 167 21 stillness stillness NN work_rzcanzq6ebhgnl7xkqkgolmvwy 167 22 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 167 23 movement movement NN work_rzcanzq6ebhgnl7xkqkgolmvwy 167 24 that that WDT work_rzcanzq6ebhgnl7xkqkgolmvwy 167 25 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 167 26 perhaps perhaps RB work_rzcanzq6ebhgnl7xkqkgolmvwy 167 27 more more RBR work_rzcanzq6ebhgnl7xkqkgolmvwy 167 28 significant significant JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 167 29 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 168 1 Throughout throughout IN work_rzcanzq6ebhgnl7xkqkgolmvwy 168 2 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 168 3 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 168 4 Louvre Louvre NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 168 5 ’s ’s POS work_rzcanzq6ebhgnl7xkqkgolmvwy 168 6 collection collection NN work_rzcanzq6ebhgnl7xkqkgolmvwy 168 7 becomes become VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 168 8 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 168 9 backdrop backdrop NN work_rzcanzq6ebhgnl7xkqkgolmvwy 168 10 for for IN work_rzcanzq6ebhgnl7xkqkgolmvwy 168 11 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 168 12 dance dance NN work_rzcanzq6ebhgnl7xkqkgolmvwy 168 13 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 168 14 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 168 15 music music NN work_rzcanzq6ebhgnl7xkqkgolmvwy 168 16 ; ; : work_rzcanzq6ebhgnl7xkqkgolmvwy 168 17 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 168 18 viewer viewer NN work_rzcanzq6ebhgnl7xkqkgolmvwy 168 19 ’s ’s POS work_rzcanzq6ebhgnl7xkqkgolmvwy 168 20 focus focus NN work_rzcanzq6ebhgnl7xkqkgolmvwy 168 21 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 168 22 consistently consistently RB work_rzcanzq6ebhgnl7xkqkgolmvwy 168 23 drawn draw VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 168 24 to to IN work_rzcanzq6ebhgnl7xkqkgolmvwy 168 25 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 168 26 dancing dancing NN work_rzcanzq6ebhgnl7xkqkgolmvwy 168 27 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 168 28 singing singe VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 168 29 bodies body NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 168 30 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 168 31 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 168 32 foreground foreground NN work_rzcanzq6ebhgnl7xkqkgolmvwy 168 33 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 169 1 This this DT work_rzcanzq6ebhgnl7xkqkgolmvwy 169 2 shift shift NN work_rzcanzq6ebhgnl7xkqkgolmvwy 169 3 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 169 4 focus focus JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 169 5 points point NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 169 6 to to IN work_rzcanzq6ebhgnl7xkqkgolmvwy 169 7 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 169 8 Carters Carters NNPS work_rzcanzq6ebhgnl7xkqkgolmvwy 169 9 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 169 10 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 169 11 not not RB work_rzcanzq6ebhgnl7xkqkgolmvwy 169 12 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 169 13 Louvre Louvre NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 169 14 collection collection NN work_rzcanzq6ebhgnl7xkqkgolmvwy 169 15 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 169 16 as as IN work_rzcanzq6ebhgnl7xkqkgolmvwy 169 17 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 169 18 real real JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 169 19 artwork26 artwork26 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 169 20 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 170 1 In in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 170 2 another another DT work_rzcanzq6ebhgnl7xkqkgolmvwy 170 3 shot shot NN work_rzcanzq6ebhgnl7xkqkgolmvwy 170 4 that that WDT work_rzcanzq6ebhgnl7xkqkgolmvwy 170 5 occurs occur VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 170 6 later later RB work_rzcanzq6ebhgnl7xkqkgolmvwy 170 7 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 170 8 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 170 9 video video NN work_rzcanzq6ebhgnl7xkqkgolmvwy 170 10 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 170 11 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 170 12 chorus chorus NN work_rzcanzq6ebhgnl7xkqkgolmvwy 170 13 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 170 14 dancers dancer NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 170 15 positioned position VBD work_rzcanzq6ebhgnl7xkqkgolmvwy 170 16 on on IN work_rzcanzq6ebhgnl7xkqkgolmvwy 170 17 plinths plinth NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 170 18 supplant supplant VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 170 19 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 170 20 museum museum NN work_rzcanzq6ebhgnl7xkqkgolmvwy 170 21 ’s ’s POS work_rzcanzq6ebhgnl7xkqkgolmvwy 170 22 white white JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 170 23 classical classical JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 170 24 sculptures sculpture NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 170 25 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 171 1 Here here RB work_rzcanzq6ebhgnl7xkqkgolmvwy 171 2 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 171 3 I -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 171 4 am be VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 171 5 reminded remind VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 171 6 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 171 7 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 171 8 Bristol Bristol NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 171 9 protest protest NN work_rzcanzq6ebhgnl7xkqkgolmvwy 171 10 where where WRB work_rzcanzq6ebhgnl7xkqkgolmvwy 171 11 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 171 12 once once RB work_rzcanzq6ebhgnl7xkqkgolmvwy 171 13 Colston Colston NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 171 14 had have VBD work_rzcanzq6ebhgnl7xkqkgolmvwy 171 15 been be VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 171 16 toppled topple VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 171 17 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 171 18 black black JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 171 19 24 24 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 171 20 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 172 1 Interestingly interestingly RB work_rzcanzq6ebhgnl7xkqkgolmvwy 172 2 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 172 3 following follow VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 172 4 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 172 5 video video NN work_rzcanzq6ebhgnl7xkqkgolmvwy 172 6 ’s ’s POS work_rzcanzq6ebhgnl7xkqkgolmvwy 172 7 release release NN work_rzcanzq6ebhgnl7xkqkgolmvwy 172 8 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 172 9 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 172 10 July July NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 172 11 2018 2018 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 172 12 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 172 13 Louvre Louvre NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 172 14 began begin VBD work_rzcanzq6ebhgnl7xkqkgolmvwy 172 15 to to TO work_rzcanzq6ebhgnl7xkqkgolmvwy 172 16 offer offer VB work_rzcanzq6ebhgnl7xkqkgolmvwy 172 17 ninety ninety CD work_rzcanzq6ebhgnl7xkqkgolmvwy 172 18 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 172 19 minute minute NN work_rzcanzq6ebhgnl7xkqkgolmvwy 172 20 guided guide VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 172 21 tours tour NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 172 22 based base VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 172 23 on on IN work_rzcanzq6ebhgnl7xkqkgolmvwy 172 24 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 172 25 works work NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 172 26 featured feature VBD work_rzcanzq6ebhgnl7xkqkgolmvwy 172 27 : : : work_rzcanzq6ebhgnl7xkqkgolmvwy 172 28 https://www.rollingstone.com/music/music-news/louvre-beyonce-jay-z-apeshit-video-696636/ https://www.rollingstone.com/music/music-news/louvre-beyonce-jay-z-apeshit-video-696636/ ADD work_rzcanzq6ebhgnl7xkqkgolmvwy 172 29 ( ( -LRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 172 30 accessed access VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 172 31 19/6/2020 19/6/2020 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 172 32 ) ) -RRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 172 33 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 173 1 25 25 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 173 2 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 174 1 Helen Helen NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 174 2 Morales Morales NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 174 3 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 174 4 Antigone Antigone NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 174 5 Rising rise VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 174 6 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 174 7 cit cit NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 174 8 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 174 9 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 174 10 p. p. NN work_rzcanzq6ebhgnl7xkqkgolmvwy 174 11 112 112 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 174 12 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 175 1 26 26 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 175 2 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 176 1 This this DT work_rzcanzq6ebhgnl7xkqkgolmvwy 176 2 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 176 3 not not RB work_rzcanzq6ebhgnl7xkqkgolmvwy 176 4 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 176 5 new new JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 176 6 approach approach NN work_rzcanzq6ebhgnl7xkqkgolmvwy 176 7 for for IN work_rzcanzq6ebhgnl7xkqkgolmvwy 176 8 Jay Jay NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 176 9 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 176 10 Z Z NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 176 11 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 176 12 who who WP work_rzcanzq6ebhgnl7xkqkgolmvwy 176 13 used use VBD work_rzcanzq6ebhgnl7xkqkgolmvwy 176 14 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 176 15 similar similar JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 176 16 technique technique NN work_rzcanzq6ebhgnl7xkqkgolmvwy 176 17 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 176 18 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 176 19 video video NN work_rzcanzq6ebhgnl7xkqkgolmvwy 176 20 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 176 21 his -PRON- PRP$ work_rzcanzq6ebhgnl7xkqkgolmvwy 176 22 single single JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 176 23 Picasso Picasso NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 176 24 Baby Baby NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 176 25 ( ( -LRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 176 26 2013 2013 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 176 27 ) ) -RRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 176 28 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 176 29 which which WDT work_rzcanzq6ebhgnl7xkqkgolmvwy 176 30 was be VBD work_rzcanzq6ebhgnl7xkqkgolmvwy 176 31 filmed film VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 176 32 at at IN work_rzcanzq6ebhgnl7xkqkgolmvwy 176 33 New New NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 176 34 York York NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 176 35 ’s ’s POS work_rzcanzq6ebhgnl7xkqkgolmvwy 176 36 Pace Pace NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 176 37 Gallery Gallery NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 176 38 ( ( -LRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 176 39 USA USA NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 176 40 ) ) -RRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 176 41 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 176 42 inspired inspire VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 176 43 by by IN work_rzcanzq6ebhgnl7xkqkgolmvwy 176 44 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 176 45 work work NN work_rzcanzq6ebhgnl7xkqkgolmvwy 176 46 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 176 47 performance performance NN work_rzcanzq6ebhgnl7xkqkgolmvwy 176 48 artist artist NN work_rzcanzq6ebhgnl7xkqkgolmvwy 176 49 Marina Marina NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 176 50 Abramović Abramović NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 176 51 ( ( -LRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 176 52 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 176 53 particular particular JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 176 54 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 176 55 The the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 176 56 Artist Artist NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 176 57 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 176 58 Present present JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 176 59 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 176 60 2010 2010 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 176 61 ) ) -RRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 176 62 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 177 1 In in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 177 2 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 177 3 video video NN work_rzcanzq6ebhgnl7xkqkgolmvwy 177 4 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 177 5 Jay Jay NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 177 6 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 177 7 Z Z NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 177 8 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 177 9 positioned position VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 177 10 on on IN work_rzcanzq6ebhgnl7xkqkgolmvwy 177 11 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 177 12 stage stage NN work_rzcanzq6ebhgnl7xkqkgolmvwy 177 13 as as IN work_rzcanzq6ebhgnl7xkqkgolmvwy 177 14 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 177 15 “ " `` work_rzcanzq6ebhgnl7xkqkgolmvwy 177 16 artwork artwork NN work_rzcanzq6ebhgnl7xkqkgolmvwy 177 17 ” " '' work_rzcanzq6ebhgnl7xkqkgolmvwy 177 18 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 177 19 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 177 20 gallery gallery NN work_rzcanzq6ebhgnl7xkqkgolmvwy 177 21 visitors visitor NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 177 22 queue queue JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 177 23 to to TO work_rzcanzq6ebhgnl7xkqkgolmvwy 177 24 have have VB work_rzcanzq6ebhgnl7xkqkgolmvwy 177 25 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 177 26 opportunity opportunity NN work_rzcanzq6ebhgnl7xkqkgolmvwy 177 27 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 177 28 him -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 177 29 performing perform VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 177 30 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 177 31 song song NN work_rzcanzq6ebhgnl7xkqkgolmvwy 177 32 directly directly RB work_rzcanzq6ebhgnl7xkqkgolmvwy 177 33 to to IN work_rzcanzq6ebhgnl7xkqkgolmvwy 177 34 them -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 177 35 as as IN work_rzcanzq6ebhgnl7xkqkgolmvwy 177 36 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 177 37 one one CD work_rzcanzq6ebhgnl7xkqkgolmvwy 177 38 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 177 39 to to IN work_rzcanzq6ebhgnl7xkqkgolmvwy 177 40 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 177 41 one one CD work_rzcanzq6ebhgnl7xkqkgolmvwy 177 42 experience experience NN work_rzcanzq6ebhgnl7xkqkgolmvwy 177 43 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 178 1 https://www.rollingstone.com/music/music-news/louvre-beyonce-jay-z-apeshit-video-696636/ https://www.rollingstone.com/music/music-news/louvre-beyonce-jay-z-apeshit-video-696636/ CD work_rzcanzq6ebhgnl7xkqkgolmvwy 178 2 290 290 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 178 3 Marie­Louise Marie­Louise NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 178 4 Crawley Crawley NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 178 5 activist activist NN work_rzcanzq6ebhgnl7xkqkgolmvwy 178 6 bodies body NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 178 7 took take VBD work_rzcanzq6ebhgnl7xkqkgolmvwy 178 8 up up RP work_rzcanzq6ebhgnl7xkqkgolmvwy 178 9 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 178 10 empty empty JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 178 11 space space NN work_rzcanzq6ebhgnl7xkqkgolmvwy 178 12 on on IN work_rzcanzq6ebhgnl7xkqkgolmvwy 178 13 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 178 14 plinth plinth NN work_rzcanzq6ebhgnl7xkqkgolmvwy 178 15 to to IN work_rzcanzq6ebhgnl7xkqkgolmvwy 178 16 further further JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 178 17 protest protest NN work_rzcanzq6ebhgnl7xkqkgolmvwy 178 18 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 179 1 By by IN work_rzcanzq6ebhgnl7xkqkgolmvwy 179 2 their -PRON- PRP$ work_rzcanzq6ebhgnl7xkqkgolmvwy 179 3 action action NN work_rzcanzq6ebhgnl7xkqkgolmvwy 179 4 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 179 5 taking take VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 179 6 up up RP work_rzcanzq6ebhgnl7xkqkgolmvwy 179 7 Colston Colston NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 179 8 ’s ’s POS work_rzcanzq6ebhgnl7xkqkgolmvwy 179 9 place place NN work_rzcanzq6ebhgnl7xkqkgolmvwy 179 10 on on IN work_rzcanzq6ebhgnl7xkqkgolmvwy 179 11 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 179 12 plinth plinth NN work_rzcanzq6ebhgnl7xkqkgolmvwy 179 13 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 179 14 they -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 179 15 could could MD work_rzcanzq6ebhgnl7xkqkgolmvwy 179 16 be be VB work_rzcanzq6ebhgnl7xkqkgolmvwy 179 17 seen see VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 179 18 to to TO work_rzcanzq6ebhgnl7xkqkgolmvwy 179 19 be be VB work_rzcanzq6ebhgnl7xkqkgolmvwy 179 20 “ " `` work_rzcanzq6ebhgnl7xkqkgolmvwy 179 21 re re VB work_rzcanzq6ebhgnl7xkqkgolmvwy 179 22 - - JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 179 23 writing writing JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 179 24 ” " '' work_rzcanzq6ebhgnl7xkqkgolmvwy 179 25 history history NN work_rzcanzq6ebhgnl7xkqkgolmvwy 179 26 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 179 27 their -PRON- PRP$ work_rzcanzq6ebhgnl7xkqkgolmvwy 179 28 bodies body NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 179 29 supplanting supplant VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 179 30 his -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 179 31 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 180 1 In in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 180 2 APESHIT apeshit NN work_rzcanzq6ebhgnl7xkqkgolmvwy 180 3 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 180 4 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 180 5 Carters carter NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 180 6 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 180 7 their -PRON- PRP$ work_rzcanzq6ebhgnl7xkqkgolmvwy 180 8 dancers dancer NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 180 9 quite quite RB work_rzcanzq6ebhgnl7xkqkgolmvwy 180 10 literally literally RB work_rzcanzq6ebhgnl7xkqkgolmvwy 180 11 step step VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 180 12 into into IN work_rzcanzq6ebhgnl7xkqkgolmvwy 180 13 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 180 14 museum museum NN work_rzcanzq6ebhgnl7xkqkgolmvwy 180 15 collection collection NN work_rzcanzq6ebhgnl7xkqkgolmvwy 180 16 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 180 17 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 180 18 through through IN work_rzcanzq6ebhgnl7xkqkgolmvwy 180 19 such such PDT work_rzcanzq6ebhgnl7xkqkgolmvwy 180 20 an an DT work_rzcanzq6ebhgnl7xkqkgolmvwy 180 21 action action NN work_rzcanzq6ebhgnl7xkqkgolmvwy 180 22 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 180 23 they -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 180 24 ask ask VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 180 25 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 180 26 viewer viewer NN work_rzcanzq6ebhgnl7xkqkgolmvwy 180 27 to to TO work_rzcanzq6ebhgnl7xkqkgolmvwy 180 28 reflect reflect VB work_rzcanzq6ebhgnl7xkqkgolmvwy 180 29 upon upon IN work_rzcanzq6ebhgnl7xkqkgolmvwy 180 30 how how WRB work_rzcanzq6ebhgnl7xkqkgolmvwy 180 31 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 180 32 art art NN work_rzcanzq6ebhgnl7xkqkgolmvwy 180 33 collection collection NN work_rzcanzq6ebhgnl7xkqkgolmvwy 180 34 – – : work_rzcanzq6ebhgnl7xkqkgolmvwy 180 35 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 180 36 history history NN work_rzcanzq6ebhgnl7xkqkgolmvwy 180 37 – – : work_rzcanzq6ebhgnl7xkqkgolmvwy 180 38 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 180 39 being be VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 180 40 re re VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 180 41 - - VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 180 42 framed frame VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 180 43 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 181 1 Choreographically choreographically RB work_rzcanzq6ebhgnl7xkqkgolmvwy 181 2 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 181 3 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 181 4 apotheosis apotheosis NN work_rzcanzq6ebhgnl7xkqkgolmvwy 181 5 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 181 6 this this DT work_rzcanzq6ebhgnl7xkqkgolmvwy 181 7 re re NN work_rzcanzq6ebhgnl7xkqkgolmvwy 181 8 - - NN work_rzcanzq6ebhgnl7xkqkgolmvwy 181 9 framing framing NN work_rzcanzq6ebhgnl7xkqkgolmvwy 181 10 comes come VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 181 11 with with IN work_rzcanzq6ebhgnl7xkqkgolmvwy 181 12 Beyoncé Beyoncé NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 181 13 ’s ’s POS work_rzcanzq6ebhgnl7xkqkgolmvwy 181 14 powerful powerful JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 181 15 dancing dancing NN work_rzcanzq6ebhgnl7xkqkgolmvwy 181 16 as as IN work_rzcanzq6ebhgnl7xkqkgolmvwy 181 17 she -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 181 18 agitates agitate VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 181 19 swathes swathe NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 181 20 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 181 21 white white JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 181 22 material material NN work_rzcanzq6ebhgnl7xkqkgolmvwy 181 23 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 181 24 front front NN work_rzcanzq6ebhgnl7xkqkgolmvwy 181 25 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 181 26 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 181 27 winged wing VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 181 28 Nike Nike NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 181 29 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 181 30 Samothrace Samothrace NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 181 31 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 182 1 The the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 182 2 headless headless JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 182 3 body body NN work_rzcanzq6ebhgnl7xkqkgolmvwy 182 4 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 182 5 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 182 6 sculpture sculpture NN work_rzcanzq6ebhgnl7xkqkgolmvwy 182 7 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 182 8 here here RB work_rzcanzq6ebhgnl7xkqkgolmvwy 182 9 eclipsed eclipse VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 182 10 by by IN work_rzcanzq6ebhgnl7xkqkgolmvwy 182 11 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 182 12 vibrancy vibrancy NN work_rzcanzq6ebhgnl7xkqkgolmvwy 182 13 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 182 14 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 182 15 live live JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 182 16 dancer dancer NN work_rzcanzq6ebhgnl7xkqkgolmvwy 182 17 : : : work_rzcanzq6ebhgnl7xkqkgolmvwy 182 18 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 182 19 classical classical JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 182 20 “ " `` work_rzcanzq6ebhgnl7xkqkgolmvwy 182 21 white white JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 182 22 ” " '' work_rzcanzq6ebhgnl7xkqkgolmvwy 182 23 Nike Nike NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 182 24 ( ( -LRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 182 25 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 182 26 ancient ancient JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 182 27 Greek greek JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 182 28 goddess goddess NN work_rzcanzq6ebhgnl7xkqkgolmvwy 182 29 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 182 30 Victory victory NN work_rzcanzq6ebhgnl7xkqkgolmvwy 182 31 ) ) -RRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 182 32 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 182 33 eclipsed eclipse VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 182 34 by by IN work_rzcanzq6ebhgnl7xkqkgolmvwy 182 35 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 182 36 victorious victorious JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 182 37 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 182 38 famous famous JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 182 39 black black JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 182 40 woman woman NN work_rzcanzq6ebhgnl7xkqkgolmvwy 182 41 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 182 42 re re NN work_rzcanzq6ebhgnl7xkqkgolmvwy 182 43 - - VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 182 44 making make VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 182 45 herself -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 182 46 into into IN work_rzcanzq6ebhgnl7xkqkgolmvwy 182 47 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 182 48 living live VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 182 49 mythological mythological JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 182 50 heroine heroine NN work_rzcanzq6ebhgnl7xkqkgolmvwy 182 51 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 182 52 framing frame VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 182 53 herself -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 182 54 as as IN work_rzcanzq6ebhgnl7xkqkgolmvwy 182 55 no no DT work_rzcanzq6ebhgnl7xkqkgolmvwy 182 56 less less JJR work_rzcanzq6ebhgnl7xkqkgolmvwy 182 57 than than IN work_rzcanzq6ebhgnl7xkqkgolmvwy 182 58 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 182 59 living living JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 182 60 goddess27 goddess27 NN work_rzcanzq6ebhgnl7xkqkgolmvwy 182 61 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 183 1 At at IN work_rzcanzq6ebhgnl7xkqkgolmvwy 183 2 another another DT work_rzcanzq6ebhgnl7xkqkgolmvwy 183 3 moment moment NN work_rzcanzq6ebhgnl7xkqkgolmvwy 183 4 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 183 5 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 183 6 video video NN work_rzcanzq6ebhgnl7xkqkgolmvwy 183 7 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 183 8 Beyoncé Beyoncé NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 183 9 stands stand VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 183 10 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 183 11 front front NN work_rzcanzq6ebhgnl7xkqkgolmvwy 183 12 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 183 13 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 183 14 famous famous JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 183 15 Venus Venus NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 183 16 de de IN work_rzcanzq6ebhgnl7xkqkgolmvwy 183 17 Milo Milo NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 183 18 sculpture sculpture NN work_rzcanzq6ebhgnl7xkqkgolmvwy 183 19 – – : work_rzcanzq6ebhgnl7xkqkgolmvwy 183 20 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 183 21 first first JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 183 22 time time NN work_rzcanzq6ebhgnl7xkqkgolmvwy 183 23 she -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 183 24 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 183 25 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 183 26 stillness stillness NN work_rzcanzq6ebhgnl7xkqkgolmvwy 183 27 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 183 28 at at IN work_rzcanzq6ebhgnl7xkqkgolmvwy 183 29 two two CD work_rzcanzq6ebhgnl7xkqkgolmvwy 183 30 later- later- JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 183 31 points point NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 183 32 she -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 183 33 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 183 34 dancing dance VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 183 35 – – : work_rzcanzq6ebhgnl7xkqkgolmvwy 183 36 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 183 37 both both CC work_rzcanzq6ebhgnl7xkqkgolmvwy 183 38 her -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 183 39 still still RB work_rzcanzq6ebhgnl7xkqkgolmvwy 183 40 pose pose VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 183 41 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 183 42 then then RB work_rzcanzq6ebhgnl7xkqkgolmvwy 183 43 her -PRON- PRP$ work_rzcanzq6ebhgnl7xkqkgolmvwy 183 44 movements movement NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 183 45 echo echo VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 183 46 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 183 47 statue statue NN work_rzcanzq6ebhgnl7xkqkgolmvwy 183 48 ’s ’s POS work_rzcanzq6ebhgnl7xkqkgolmvwy 183 49 form form NN work_rzcanzq6ebhgnl7xkqkgolmvwy 183 50 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 183 51 point point VB work_rzcanzq6ebhgnl7xkqkgolmvwy 183 52 out out RP work_rzcanzq6ebhgnl7xkqkgolmvwy 183 53 its -PRON- PRP$ work_rzcanzq6ebhgnl7xkqkgolmvwy 183 54 fragmentation fragmentation NN work_rzcanzq6ebhgnl7xkqkgolmvwy 183 55 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 184 1 Beyoncé Beyoncé NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 184 2 ’s ’s POS work_rzcanzq6ebhgnl7xkqkgolmvwy 184 3 arms arm NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 184 4 “ " `` work_rzcanzq6ebhgnl7xkqkgolmvwy 184 5 complete complete JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 184 6 ” " '' work_rzcanzq6ebhgnl7xkqkgolmvwy 184 7 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 184 8 fragmented fragmented JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 184 9 statue statue NN work_rzcanzq6ebhgnl7xkqkgolmvwy 184 10 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 184 11 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 184 12 as as IN work_rzcanzq6ebhgnl7xkqkgolmvwy 184 13 such such JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 184 14 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 184 15 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 184 16 dance dance NN work_rzcanzq6ebhgnl7xkqkgolmvwy 184 17 does do VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 184 18 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 184 19 work work NN work_rzcanzq6ebhgnl7xkqkgolmvwy 184 20 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 184 21 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 184 22 restoration restoration NN work_rzcanzq6ebhgnl7xkqkgolmvwy 184 23 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 184 24 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 184 25 reworking reworking NN work_rzcanzq6ebhgnl7xkqkgolmvwy 184 26 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 184 27 history history NN work_rzcanzq6ebhgnl7xkqkgolmvwy 184 28 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 185 1 For for IN work_rzcanzq6ebhgnl7xkqkgolmvwy 185 2 me -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 185 3 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 185 4 both both CC work_rzcanzq6ebhgnl7xkqkgolmvwy 185 5 these these DT work_rzcanzq6ebhgnl7xkqkgolmvwy 185 6 examples example NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 185 7 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 185 8 Beyoncé Beyoncé NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 185 9 ’s ’s POS work_rzcanzq6ebhgnl7xkqkgolmvwy 185 10 dance dance NN work_rzcanzq6ebhgnl7xkqkgolmvwy 185 11 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 185 12 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 185 13 Louvre Louvre NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 185 14 work work NN work_rzcanzq6ebhgnl7xkqkgolmvwy 185 15 as as IN work_rzcanzq6ebhgnl7xkqkgolmvwy 185 16 examples example NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 185 17 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 185 18 what what WP work_rzcanzq6ebhgnl7xkqkgolmvwy 185 19 I -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 185 20 call call VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 185 21 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 185 22 “ " `` work_rzcanzq6ebhgnl7xkqkgolmvwy 185 23 fragmentary fragmentary JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 185 24 monumental monumental JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 185 25 ” " '' work_rzcanzq6ebhgnl7xkqkgolmvwy 185 26 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 185 27 an an DT work_rzcanzq6ebhgnl7xkqkgolmvwy 185 28 action action NN work_rzcanzq6ebhgnl7xkqkgolmvwy 185 29 that that WDT work_rzcanzq6ebhgnl7xkqkgolmvwy 185 30 – – : work_rzcanzq6ebhgnl7xkqkgolmvwy 185 31 by by IN work_rzcanzq6ebhgnl7xkqkgolmvwy 185 32 “ " `` work_rzcanzq6ebhgnl7xkqkgolmvwy 185 33 completing complete VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 185 34 ” " '' work_rzcanzq6ebhgnl7xkqkgolmvwy 185 35 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 185 36 fragmentary fragmentary JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 185 37 presentation presentation NN work_rzcanzq6ebhgnl7xkqkgolmvwy 185 38 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 185 39 monuments monument NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 185 40 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 185 41 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 185 42 museum museum NN work_rzcanzq6ebhgnl7xkqkgolmvwy 185 43 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 185 44 through through IN work_rzcanzq6ebhgnl7xkqkgolmvwy 185 45 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 185 46 dance dance NN work_rzcanzq6ebhgnl7xkqkgolmvwy 185 47 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 185 48 present present VB work_rzcanzq6ebhgnl7xkqkgolmvwy 185 49 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 185 50 different different JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 185 51 angle angle NN work_rzcanzq6ebhgnl7xkqkgolmvwy 185 52 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 185 53 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 185 54 collection collection NN work_rzcanzq6ebhgnl7xkqkgolmvwy 185 55 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 185 56 might may MD work_rzcanzq6ebhgnl7xkqkgolmvwy 185 57 thus thus RB work_rzcanzq6ebhgnl7xkqkgolmvwy 185 58 be be VB work_rzcanzq6ebhgnl7xkqkgolmvwy 185 59 able able JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 185 60 to to TO work_rzcanzq6ebhgnl7xkqkgolmvwy 185 61 resituate resituate VB work_rzcanzq6ebhgnl7xkqkgolmvwy 185 62 oppressed oppressed JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 185 63 bodies body NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 185 64 on on IN work_rzcanzq6ebhgnl7xkqkgolmvwy 185 65 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 185 66 inside inside NN work_rzcanzq6ebhgnl7xkqkgolmvwy 185 67 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 185 68 power power NN work_rzcanzq6ebhgnl7xkqkgolmvwy 185 69 but but CC work_rzcanzq6ebhgnl7xkqkgolmvwy 185 70 on on IN work_rzcanzq6ebhgnl7xkqkgolmvwy 185 71 their -PRON- PRP$ work_rzcanzq6ebhgnl7xkqkgolmvwy 185 72 own own JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 185 73 terms term NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 185 74 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 185 75 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 185 76 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 185 77 eventually eventually RB work_rzcanzq6ebhgnl7xkqkgolmvwy 185 78 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 185 79 to to TO work_rzcanzq6ebhgnl7xkqkgolmvwy 185 80 enable enable VB work_rzcanzq6ebhgnl7xkqkgolmvwy 185 81 an an DT work_rzcanzq6ebhgnl7xkqkgolmvwy 185 82 alternative alternative JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 185 83 means mean NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 185 84 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 185 85 viewing view VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 185 86 history history NN work_rzcanzq6ebhgnl7xkqkgolmvwy 185 87 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 186 1 Furthermore furthermore RB work_rzcanzq6ebhgnl7xkqkgolmvwy 186 2 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 186 3 as as IN work_rzcanzq6ebhgnl7xkqkgolmvwy 186 4 she -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 186 5 dances dance VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 186 6 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 186 7 front front NN work_rzcanzq6ebhgnl7xkqkgolmvwy 186 8 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 186 9 both both DT work_rzcanzq6ebhgnl7xkqkgolmvwy 186 10 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 186 11 these these DT work_rzcanzq6ebhgnl7xkqkgolmvwy 186 12 classical classical JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 186 13 sculptures sculpture NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 186 14 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 186 15 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 186 16 juxtaposition juxtaposition NN work_rzcanzq6ebhgnl7xkqkgolmvwy 186 17 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 186 18 Bey- Bey- NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 186 19 oncé oncé NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 186 20 ’s ’s POS work_rzcanzq6ebhgnl7xkqkgolmvwy 186 21 « « `` work_rzcanzq6ebhgnl7xkqkgolmvwy 186 22 black black JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 186 23 body body NN work_rzcanzq6ebhgnl7xkqkgolmvwy 186 24 with with IN work_rzcanzq6ebhgnl7xkqkgolmvwy 186 25 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 186 26 white white JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 186 27 marble marble NN work_rzcanzq6ebhgnl7xkqkgolmvwy 186 28 challenges challenge VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 186 29 long long RB work_rzcanzq6ebhgnl7xkqkgolmvwy 186 30 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 186 31 held hold VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 186 32 assumptions assumption NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 186 33 about about IN work_rzcanzq6ebhgnl7xkqkgolmvwy 186 34 whiteness whiteness NN work_rzcanzq6ebhgnl7xkqkgolmvwy 186 35 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 186 36 antiquity antiquity NN work_rzcanzq6ebhgnl7xkqkgolmvwy 186 37 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 186 38 beauty»28 beauty»28 NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 186 39 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 187 1 It -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 187 2 reminds remind VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 187 3 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 187 4 viewer viewer NN work_rzcanzq6ebhgnl7xkqkgolmvwy 187 5 to to TO work_rzcanzq6ebhgnl7xkqkgolmvwy 187 6 question question VB work_rzcanzq6ebhgnl7xkqkgolmvwy 187 7 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 187 8 power power NN work_rzcanzq6ebhgnl7xkqkgolmvwy 187 9 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 187 10 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 187 11 “ " `` work_rzcanzq6ebhgnl7xkqkgolmvwy 187 12 whiteness whiteness NN work_rzcanzq6ebhgnl7xkqkgolmvwy 187 13 ” " '' work_rzcanzq6ebhgnl7xkqkgolmvwy 187 14 that that WDT work_rzcanzq6ebhgnl7xkqkgolmvwy 187 15 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 187 16 at at IN work_rzcanzq6ebhgnl7xkqkgolmvwy 187 17 stake stake NN work_rzcanzq6ebhgnl7xkqkgolmvwy 187 18 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 187 19 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 187 20 museum museum NN work_rzcanzq6ebhgnl7xkqkgolmvwy 187 21 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 188 1 Indeed indeed RB work_rzcanzq6ebhgnl7xkqkgolmvwy 188 2 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 188 3 as as IN work_rzcanzq6ebhgnl7xkqkgolmvwy 188 4 recent recent JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 188 5 classical classical NN work_rzcanzq6ebhgnl7xkqkgolmvwy 188 6 scholarship29 scholarship29 NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 188 7 has have VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 188 8 reminded remind VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 188 9 us -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 188 10 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 188 11 not not RB work_rzcanzq6ebhgnl7xkqkgolmvwy 188 12 all all DT work_rzcanzq6ebhgnl7xkqkgolmvwy 188 13 ancient ancient JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 188 14 statues statue NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 188 15 were be VBD work_rzcanzq6ebhgnl7xkqkgolmvwy 188 16 white white JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 188 17 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 189 1 They -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 189 2 were be VBD work_rzcanzq6ebhgnl7xkqkgolmvwy 189 3 polychromatic polychromatic JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 189 4 : : : work_rzcanzq6ebhgnl7xkqkgolmvwy 189 5 they -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 189 6 were be VBD work_rzcanzq6ebhgnl7xkqkgolmvwy 189 7 brightly brightly RB work_rzcanzq6ebhgnl7xkqkgolmvwy 189 8 coloured colour VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 189 9 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 189 10 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 189 11 they -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 189 12 did do VBD work_rzcanzq6ebhgnl7xkqkgolmvwy 189 13 not not RB work_rzcanzq6ebhgnl7xkqkgolmvwy 189 14 always always RB work_rzcanzq6ebhgnl7xkqkgolmvwy 189 15 portray portray VB work_rzcanzq6ebhgnl7xkqkgolmvwy 189 16 white white JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 189 17 people people NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 189 18 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 190 1 The the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 190 2 striking striking JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 190 3 way way NN work_rzcanzq6ebhgnl7xkqkgolmvwy 190 4 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 190 5 which which WDT work_rzcanzq6ebhgnl7xkqkgolmvwy 190 6 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 190 7 statues statue NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 190 8 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 190 9 APESHIT apeshit NN work_rzcanzq6ebhgnl7xkqkgolmvwy 190 10 are be VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 190 11 lit light VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 190 12 – – : work_rzcanzq6ebhgnl7xkqkgolmvwy 190 13 particularly particularly RB work_rzcanzq6ebhgnl7xkqkgolmvwy 190 14 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 190 15 blue blue JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 190 16 light light NN work_rzcanzq6ebhgnl7xkqkgolmvwy 190 17 cast cast VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 190 18 on on IN work_rzcanzq6ebhgnl7xkqkgolmvwy 190 19 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 190 20 white white JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 190 21 Venus Venus NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 190 22 de de IN work_rzcanzq6ebhgnl7xkqkgolmvwy 190 23 Milo Milo NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 190 24 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 190 25 on on IN work_rzcanzq6ebhgnl7xkqkgolmvwy 190 26 Hermes herme NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 190 27 Tying tie VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 190 28 His -PRON- PRP$ work_rzcanzq6ebhgnl7xkqkgolmvwy 190 29 Sandal sandal NN work_rzcanzq6ebhgnl7xkqkgolmvwy 190 30 – – : work_rzcanzq6ebhgnl7xkqkgolmvwy 190 31 points point VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 190 32 out out RP work_rzcanzq6ebhgnl7xkqkgolmvwy 190 33 this this DT work_rzcanzq6ebhgnl7xkqkgolmvwy 190 34 forgotten forget VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 190 35 polychromy polychromy NN work_rzcanzq6ebhgnl7xkqkgolmvwy 190 36 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 191 1 The the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 191 2 lighting lighting NN work_rzcanzq6ebhgnl7xkqkgolmvwy 191 3 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 191 4 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 191 5 statues statue NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 191 6 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 191 7 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 191 8 dancing dance VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 191 9 bodies body NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 191 10 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 191 11 front front NN work_rzcanzq6ebhgnl7xkqkgolmvwy 191 12 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 191 13 them -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 191 14 remind remind VB work_rzcanzq6ebhgnl7xkqkgolmvwy 191 15 us -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 191 16 that that IN work_rzcanzq6ebhgnl7xkqkgolmvwy 191 17 history history NN work_rzcanzq6ebhgnl7xkqkgolmvwy 191 18 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 191 19 not not RB work_rzcanzq6ebhgnl7xkqkgolmvwy 191 20 always always RB work_rzcanzq6ebhgnl7xkqkgolmvwy 191 21 what what WP work_rzcanzq6ebhgnl7xkqkgolmvwy 191 22 it -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 191 23 seems seem VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 191 24 ; ; : work_rzcanzq6ebhgnl7xkqkgolmvwy 191 25 it -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 191 26 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 191 27 not not RB work_rzcanzq6ebhgnl7xkqkgolmvwy 191 28 always always RB work_rzcanzq6ebhgnl7xkqkgolmvwy 191 29 what what WP work_rzcanzq6ebhgnl7xkqkgolmvwy 191 30 those those DT work_rzcanzq6ebhgnl7xkqkgolmvwy 191 31 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 191 32 power power NN work_rzcanzq6ebhgnl7xkqkgolmvwy 191 33 have have VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 191 34 told tell VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 191 35 us -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 191 36 it -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 191 37 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 191 38 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 192 1 The the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 192 2 juxtapositions juxtaposition NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 192 3 at at IN work_rzcanzq6ebhgnl7xkqkgolmvwy 192 4 work work NN work_rzcanzq6ebhgnl7xkqkgolmvwy 192 5 here here RB work_rzcanzq6ebhgnl7xkqkgolmvwy 192 6 again again RB work_rzcanzq6ebhgnl7xkqkgolmvwy 192 7 27 27 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 192 8 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 193 1 It -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 193 2 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 193 3 important important JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 193 4 to to TO work_rzcanzq6ebhgnl7xkqkgolmvwy 193 5 note note VB work_rzcanzq6ebhgnl7xkqkgolmvwy 193 6 that that IN work_rzcanzq6ebhgnl7xkqkgolmvwy 193 7 Beyoncé Beyoncé NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 193 8 has have VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 193 9 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 193 10 history history NN work_rzcanzq6ebhgnl7xkqkgolmvwy 193 11 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 193 12 reworking rework VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 193 13 mythical mythical JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 193 14 heroines heroine NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 193 15 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 193 16 goddesses goddess NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 193 17 into into IN work_rzcanzq6ebhgnl7xkqkgolmvwy 193 18 her -PRON- PRP$ work_rzcanzq6ebhgnl7xkqkgolmvwy 193 19 imagery imagery NN work_rzcanzq6ebhgnl7xkqkgolmvwy 193 20 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 193 21 her -PRON- PRP$ work_rzcanzq6ebhgnl7xkqkgolmvwy 193 22 performances performance NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 193 23 : : : work_rzcanzq6ebhgnl7xkqkgolmvwy 193 24 she -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 193 25 has have VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 193 26 previously previously RB work_rzcanzq6ebhgnl7xkqkgolmvwy 193 27 cast cast VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 193 28 herself -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 193 29 as as IN work_rzcanzq6ebhgnl7xkqkgolmvwy 193 30 Venus Venus NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 193 31 ( ( -LRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 193 32 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 193 33 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 193 34 series series NN work_rzcanzq6ebhgnl7xkqkgolmvwy 193 35 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 193 36 photographs photograph NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 193 37 on on IN work_rzcanzq6ebhgnl7xkqkgolmvwy 193 38 Instagram Instagram NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 193 39 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 193 40 2017 2017 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 193 41 to to TO work_rzcanzq6ebhgnl7xkqkgolmvwy 193 42 announce announce VB work_rzcanzq6ebhgnl7xkqkgolmvwy 193 43 her -PRON- PRP$ work_rzcanzq6ebhgnl7xkqkgolmvwy 193 44 pregnancy pregnancy NN work_rzcanzq6ebhgnl7xkqkgolmvwy 193 45 ) ) -RRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 193 46 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 193 47 Nefertiti Nefertiti NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 193 48 ( ( -LRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 193 49 Coachella Coachella NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 193 50 performance performance NN work_rzcanzq6ebhgnl7xkqkgolmvwy 193 51 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 193 52 2018 2018 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 193 53 ) ) -RRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 193 54 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 193 55 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 193 56 as as IN work_rzcanzq6ebhgnl7xkqkgolmvwy 193 57 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 193 58 Yoruba Yoruba NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 193 59 goddess goddess NN work_rzcanzq6ebhgnl7xkqkgolmvwy 193 60 Oshun Oshun NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 193 61 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 193 62 Venus Venus NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 193 63 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 193 64 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 193 65 Virgin Virgin NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 193 66 Mary Mary NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 193 67 ( ( -LRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 193 68 Grammy Grammy NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 193 69 Awards Awards NNPS work_rzcanzq6ebhgnl7xkqkgolmvwy 193 70 ceremony ceremony NN work_rzcanzq6ebhgnl7xkqkgolmvwy 193 71 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 193 72 2017 2017 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 193 73 ) ) -RRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 193 74 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 194 1 On on IN work_rzcanzq6ebhgnl7xkqkgolmvwy 194 2 this this DT work_rzcanzq6ebhgnl7xkqkgolmvwy 194 3 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 194 4 see see VB work_rzcanzq6ebhgnl7xkqkgolmvwy 194 5 further far RBR work_rzcanzq6ebhgnl7xkqkgolmvwy 194 6 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 194 7 Helen Helen NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 194 8 Morales Morales NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 194 9 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 194 10 Antigone Antigone NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 194 11 Rising rise VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 194 12 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 194 13 cit cit NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 194 14 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 194 15 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 194 16 pp pp NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 194 17 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 195 1 104 104 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 195 2 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 195 3 109 109 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 195 4 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 196 1 As as IN work_rzcanzq6ebhgnl7xkqkgolmvwy 196 2 Helen Helen NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 196 3 Morales Morales NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 196 4 points point VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 196 5 out out RP work_rzcanzq6ebhgnl7xkqkgolmvwy 196 6 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 196 7 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 196 8 this this DT work_rzcanzq6ebhgnl7xkqkgolmvwy 196 9 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 196 10 Beyoncé Beyoncé NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 196 11 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 196 12 part part NN work_rzcanzq6ebhgnl7xkqkgolmvwy 196 13 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 196 14 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 196 15 wider wide JJR work_rzcanzq6ebhgnl7xkqkgolmvwy 196 16 tradition tradition NN work_rzcanzq6ebhgnl7xkqkgolmvwy 196 17 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 196 18 black black JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 196 19 activist activist JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 196 20 feminist feminist JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 196 21 art art NN work_rzcanzq6ebhgnl7xkqkgolmvwy 196 22 – – : work_rzcanzq6ebhgnl7xkqkgolmvwy 196 23 see see VB work_rzcanzq6ebhgnl7xkqkgolmvwy 196 24 Kara Kara NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 196 25 Walker Walker NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 196 26 ’s ’s POS work_rzcanzq6ebhgnl7xkqkgolmvwy 196 27 installations installation NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 196 28 A a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 196 29 Subtlety Subtlety NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 196 30 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 196 31 or or CC work_rzcanzq6ebhgnl7xkqkgolmvwy 196 32 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 196 33 Marvelous Marvelous NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 196 34 Sugar Sugar NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 196 35 Baby Baby NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 196 36 ( ( -LRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 196 37 2014 2014 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 196 38 ) ) -RRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 196 39 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 196 40 Safety Safety NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 196 41 Curtain Curtain NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 196 42 at at IN work_rzcanzq6ebhgnl7xkqkgolmvwy 196 43 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 196 44 Vienna Vienna NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 196 45 State State NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 196 46 Opera Opera NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 196 47 House House NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 196 48 ( ( -LRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 196 49 1998 1998 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 196 50 - - SYM work_rzcanzq6ebhgnl7xkqkgolmvwy 196 51 1999 1999 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 196 52 ) ) -RRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 196 53 ; ; : work_rzcanzq6ebhgnl7xkqkgolmvwy 196 54 hip hip NN work_rzcanzq6ebhgnl7xkqkgolmvwy 196 55 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 196 56 hop hop NN work_rzcanzq6ebhgnl7xkqkgolmvwy 196 57 artist artist NN work_rzcanzq6ebhgnl7xkqkgolmvwy 196 58 Monae Monae NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 196 59 Smith Smith NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 196 60 ’s ’s POS work_rzcanzq6ebhgnl7xkqkgolmvwy 196 61 work work NN work_rzcanzq6ebhgnl7xkqkgolmvwy 196 62 as as IN work_rzcanzq6ebhgnl7xkqkgolmvwy 196 63 Medusa Medusa NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 196 64 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 196 65 “ " `` work_rzcanzq6ebhgnl7xkqkgolmvwy 196 66 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 196 67 lyrical lyrical JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 196 68 seducer seducer NN work_rzcanzq6ebhgnl7xkqkgolmvwy 196 69 ” " '' work_rzcanzq6ebhgnl7xkqkgolmvwy 196 70 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 196 71 Dorothea Dorothea NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 196 72 Smartt Smartt NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 196 73 ’s ’s POS work_rzcanzq6ebhgnl7xkqkgolmvwy 196 74 poetry poetry NN work_rzcanzq6ebhgnl7xkqkgolmvwy 196 75 collection collection NN work_rzcanzq6ebhgnl7xkqkgolmvwy 196 76 Connecting connect VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 196 77 Medium Medium NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 196 78 ( ( -LRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 196 79 2001 2001 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 196 80 ) ) -RRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 196 81 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 196 82 Robin Robin NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 196 83 Coste Coste NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 196 84 Hughes Hughes NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 196 85 ’ ’ POS work_rzcanzq6ebhgnl7xkqkgolmvwy 196 86 poetry poetry NN work_rzcanzq6ebhgnl7xkqkgolmvwy 196 87 collection collection NN work_rzcanzq6ebhgnl7xkqkgolmvwy 196 88 Voyage Voyage NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 196 89 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 196 90 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 196 91 Sable sable JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 196 92 Venus Venus NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 196 93 ( ( -LRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 196 94 2017 2017 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 196 95 ) ) -RRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 196 96 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 197 1 28 28 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 197 2 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 198 1 Helen Helen NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 198 2 Morales Morales NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 198 3 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 198 4 Antigone Antigone NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 198 5 Rising rise VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 198 6 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 198 7 cit cit NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 198 8 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 198 9 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 198 10 p. p. NN work_rzcanzq6ebhgnl7xkqkgolmvwy 198 11 113 113 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 198 12 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 199 1 29 29 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 199 2 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 200 1 Especially especially RB work_rzcanzq6ebhgnl7xkqkgolmvwy 200 2 Sarah Sarah NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 200 3 Bond Bond NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 200 4 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 200 5 Why why WRB work_rzcanzq6ebhgnl7xkqkgolmvwy 200 6 We -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 200 7 Need need VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 200 8 to to TO work_rzcanzq6ebhgnl7xkqkgolmvwy 200 9 Start start VB work_rzcanzq6ebhgnl7xkqkgolmvwy 200 10 Seeing see VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 200 11 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 200 12 Classical Classical NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 200 13 World World NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 200 14 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 200 15 Color Color NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 200 16 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 200 17 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 200 18 « « `` work_rzcanzq6ebhgnl7xkqkgolmvwy 200 19 Hyperallergic Hyperallergic NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 200 20 » » '' work_rzcanzq6ebhgnl7xkqkgolmvwy 200 21 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 200 22 June June NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 200 23 17th 17th NN work_rzcanzq6ebhgnl7xkqkgolmvwy 200 24 2017 2017 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 200 25 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 200 26 online online RB work_rzcanzq6ebhgnl7xkqkgolmvwy 200 27 : : : work_rzcanzq6ebhgnl7xkqkgolmvwy 200 28 https://hyperallergic.com/383776/why-we-need-to-start-seeing-the-classical-world-in-color/ https://hyperallergic.com/383776/why-we-need-to-start-seeing-the-classical-world-in-color/ NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 200 29 ( ( -LRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 200 30 accessed access VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 200 31 19/6/2020 19/6/2020 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 200 32 ) ) -RRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 200 33 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 201 1 https://hyperallergic.com/383776/why-we-need-to-start-seeing-the-classical-world-in-color/ https://hyperallergic.com/383776/why-we-need-to-start-seeing-the-classical-world-in-color/ NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 201 2 « « `` work_rzcanzq6ebhgnl7xkqkgolmvwy 201 3 This this DT work_rzcanzq6ebhgnl7xkqkgolmvwy 201 4 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 201 5 different different JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 201 6 angle angle NN work_rzcanzq6ebhgnl7xkqkgolmvwy 201 7 » » '' work_rzcanzq6ebhgnl7xkqkgolmvwy 201 8 : : : work_rzcanzq6ebhgnl7xkqkgolmvwy 201 9 Dancing dance VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 201 10 at at IN work_rzcanzq6ebhgnl7xkqkgolmvwy 201 11 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 201 12 Louvre Louvre NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 201 13 291 291 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 201 14 point point NN work_rzcanzq6ebhgnl7xkqkgolmvwy 201 15 out out RP work_rzcanzq6ebhgnl7xkqkgolmvwy 201 16 how how WRB work_rzcanzq6ebhgnl7xkqkgolmvwy 201 17 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 201 18 traditionally traditionally RB work_rzcanzq6ebhgnl7xkqkgolmvwy 201 19 curated curate VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 201 20 vision vision NN work_rzcanzq6ebhgnl7xkqkgolmvwy 201 21 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 201 22 European european JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 201 23 history history NN work_rzcanzq6ebhgnl7xkqkgolmvwy 201 24 has have VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 201 25 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 201 26 like like IN work_rzcanzq6ebhgnl7xkqkgolmvwy 201 27 its -PRON- PRP$ work_rzcanzq6ebhgnl7xkqkgolmvwy 201 28 classical classical JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 201 29 statuary statuary NN work_rzcanzq6ebhgnl7xkqkgolmvwy 201 30 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 201 31 been be VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 201 32 whitewashed whitewash VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 201 33 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 202 1 Throughout throughout IN work_rzcanzq6ebhgnl7xkqkgolmvwy 202 2 this this DT work_rzcanzq6ebhgnl7xkqkgolmvwy 202 3 video video NN work_rzcanzq6ebhgnl7xkqkgolmvwy 202 4 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 202 5 it -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 202 6 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 202 7 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 202 8 power power NN work_rzcanzq6ebhgnl7xkqkgolmvwy 202 9 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 202 10 “ " `` work_rzcanzq6ebhgnl7xkqkgolmvwy 202 11 liveness liveness JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 202 12 ” " '' work_rzcanzq6ebhgnl7xkqkgolmvwy 202 13 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 202 14 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 202 15 dance dance NN work_rzcanzq6ebhgnl7xkqkgolmvwy 202 16 that that WDT work_rzcanzq6ebhgnl7xkqkgolmvwy 202 17 helps help VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 202 18 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 202 19 viewer viewer NN work_rzcanzq6ebhgnl7xkqkgolmvwy 202 20 to to TO work_rzcanzq6ebhgnl7xkqkgolmvwy 202 21 see see VB work_rzcanzq6ebhgnl7xkqkgolmvwy 202 22 this this DT work_rzcanzq6ebhgnl7xkqkgolmvwy 202 23 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 203 1 One one CD work_rzcanzq6ebhgnl7xkqkgolmvwy 203 2 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 203 3 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 203 4 video video NN work_rzcanzq6ebhgnl7xkqkgolmvwy 203 5 ’s ’s , work_rzcanzq6ebhgnl7xkqkgolmvwy 203 6 most most RBS work_rzcanzq6ebhgnl7xkqkgolmvwy 203 7 powerful powerful JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 203 8 dance dance NN work_rzcanzq6ebhgnl7xkqkgolmvwy 203 9 sequences sequence NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 203 10 sees see VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 203 11 Beyoncé Beyoncé NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 203 12 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 203 13 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 203 14 centre centre NN work_rzcanzq6ebhgnl7xkqkgolmvwy 203 15 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 203 16 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 203 17 chorus chorus NN work_rzcanzq6ebhgnl7xkqkgolmvwy 203 18 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 203 19 line line NN work_rzcanzq6ebhgnl7xkqkgolmvwy 203 20 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 203 21 female female JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 203 22 dancers dancer NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 203 23 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 203 24 their -PRON- PRP$ work_rzcanzq6ebhgnl7xkqkgolmvwy 203 25 nude nude JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 203 26 bodysuits bodysuit NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 203 27 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 203 28 positioned position VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 203 29 directly directly RB work_rzcanzq6ebhgnl7xkqkgolmvwy 203 30 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 203 31 front front NN work_rzcanzq6ebhgnl7xkqkgolmvwy 203 32 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 203 33 Jacques Jacques NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 203 34 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 203 35 Louis Louis NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 203 36 David David NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 203 37 ’s ’s POS work_rzcanzq6ebhgnl7xkqkgolmvwy 203 38 Sacre Sacre NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 203 39 de de NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 203 40 l’empereur l’empereur FW work_rzcanzq6ebhgnl7xkqkgolmvwy 203 41 Napoléon Napoléon NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 203 42 Ier Ier NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 203 43 et et NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 203 44 couronnement couronnement NN work_rzcanzq6ebhgnl7xkqkgolmvwy 203 45 de de IN work_rzcanzq6ebhgnl7xkqkgolmvwy 203 46 l’impératrice l’impératrice NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 203 47 Joséphine Joséphine NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 203 48 dans dan NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 203 49 la la NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 203 50 cathédrale cathédrale NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 203 51 Notre Notre NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 203 52 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 203 53 Dame Dame NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 203 54 de de IN work_rzcanzq6ebhgnl7xkqkgolmvwy 203 55 Paris Paris NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 203 56 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 203 57 le le NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 203 58 2 2 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 203 59 décembre décembre NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 203 60 1804 1804 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 203 61 ( ( -LRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 203 62 1807 1807 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 203 63 ) ) -RRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 203 64 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 204 1 In in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 204 2 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 204 3 way way NN work_rzcanzq6ebhgnl7xkqkgolmvwy 204 4 that that WDT work_rzcanzq6ebhgnl7xkqkgolmvwy 204 5 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 204 6 shot shot NN work_rzcanzq6ebhgnl7xkqkgolmvwy 204 7 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 204 8 framed frame VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 204 9 both both CC work_rzcanzq6ebhgnl7xkqkgolmvwy 204 10 choreographically choreographically RB work_rzcanzq6ebhgnl7xkqkgolmvwy 204 11 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 204 12 cinemato- cinemato- NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 204 13 graphically graphically RB work_rzcanzq6ebhgnl7xkqkgolmvwy 204 14 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 204 15 it -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 204 16 appears appear VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 204 17 that that IN work_rzcanzq6ebhgnl7xkqkgolmvwy 204 18 Napoléon Napoléon NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 204 19 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 204 20 crowning crown VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 204 21 Beyoncé Beyoncé NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 204 22 rather rather RB work_rzcanzq6ebhgnl7xkqkgolmvwy 204 23 than than IN work_rzcanzq6ebhgnl7xkqkgolmvwy 204 24 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 204 25 Joséphine Joséphine NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 204 26 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 205 1 The the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 205 2 black black JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 205 3 Creole Creole NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 205 4 woman30 woman30 NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 205 5 replaces replace VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 205 6 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 205 7 white white JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 205 8 Creole Creole NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 205 9 woman woman NN work_rzcanzq6ebhgnl7xkqkgolmvwy 205 10 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 205 11 just just RB work_rzcanzq6ebhgnl7xkqkgolmvwy 205 12 as as IN work_rzcanzq6ebhgnl7xkqkgolmvwy 205 13 « « `` work_rzcanzq6ebhgnl7xkqkgolmvwy 205 14 Beyoncé Beyoncé NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 205 15 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 205 16 Jay Jay NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 205 17 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 205 18 Z Z NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 205 19 become become VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 205 20 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 205 21 new new JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 205 22 royalty royalty NN work_rzcanzq6ebhgnl7xkqkgolmvwy 205 23 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 205 24 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 205 25 Louvre»31 Louvre»31 NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 205 26 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 206 1 The the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 206 2 choreographic choreographic JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 206 3 crowning crowning NN work_rzcanzq6ebhgnl7xkqkgolmvwy 206 4 physicalizes physicalize VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 206 5 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 206 6 motif motif NN work_rzcanzq6ebhgnl7xkqkgolmvwy 206 7 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 206 8 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 206 9 couple couple NN work_rzcanzq6ebhgnl7xkqkgolmvwy 206 10 as as IN work_rzcanzq6ebhgnl7xkqkgolmvwy 206 11 Twenty Twenty NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 206 12 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 206 13 First First NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 206 14 Century Century NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 206 15 royalty royalty NN work_rzcanzq6ebhgnl7xkqkgolmvwy 206 16 taking take VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 206 17 over over RP work_rzcanzq6ebhgnl7xkqkgolmvwy 206 18 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 206 19 Louvre Louvre NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 206 20 “ " `` work_rzcanzq6ebhgnl7xkqkgolmvwy 206 21 palace palace NN work_rzcanzq6ebhgnl7xkqkgolmvwy 206 22 ” " '' work_rzcanzq6ebhgnl7xkqkgolmvwy 206 23 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 206 24 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 206 25 space space NN work_rzcanzq6ebhgnl7xkqkgolmvwy 206 26 previously previously RB work_rzcanzq6ebhgnl7xkqkgolmvwy 206 27 denied deny VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 206 28 to to IN work_rzcanzq6ebhgnl7xkqkgolmvwy 206 29 bodies body NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 206 30 like like IN work_rzcanzq6ebhgnl7xkqkgolmvwy 206 31 theirs -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 206 32 ; ; : work_rzcanzq6ebhgnl7xkqkgolmvwy 206 33 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 206 34 motif motif NN work_rzcanzq6ebhgnl7xkqkgolmvwy 206 35 that that WDT work_rzcanzq6ebhgnl7xkqkgolmvwy 206 36 echoes echo NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 206 37 throughout throughout IN work_rzcanzq6ebhgnl7xkqkgolmvwy 206 38 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 206 39 song song NN work_rzcanzq6ebhgnl7xkqkgolmvwy 206 40 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 206 41 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 206 42 recurring recurring NN work_rzcanzq6ebhgnl7xkqkgolmvwy 206 43 lyric lyric NN work_rzcanzq6ebhgnl7xkqkgolmvwy 206 44 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 206 45 « « `` work_rzcanzq6ebhgnl7xkqkgolmvwy 206 46 I -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 206 47 ca can MD work_rzcanzq6ebhgnl7xkqkgolmvwy 206 48 n’t not RB work_rzcanzq6ebhgnl7xkqkgolmvwy 206 49 believe believe VB work_rzcanzq6ebhgnl7xkqkgolmvwy 206 50 we -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 206 51 made make VBD work_rzcanzq6ebhgnl7xkqkgolmvwy 206 52 it -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 206 53 » » ADD work_rzcanzq6ebhgnl7xkqkgolmvwy 206 54 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 207 1 This this DT work_rzcanzq6ebhgnl7xkqkgolmvwy 207 2 same same JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 207 3 lyric lyric NN work_rzcanzq6ebhgnl7xkqkgolmvwy 207 4 takes take VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 207 5 on on RP work_rzcanzq6ebhgnl7xkqkgolmvwy 207 6 greater great JJR work_rzcanzq6ebhgnl7xkqkgolmvwy 207 7 significance significance NN work_rzcanzq6ebhgnl7xkqkgolmvwy 207 8 when when WRB work_rzcanzq6ebhgnl7xkqkgolmvwy 207 9 it -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 207 10 occurs occur VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 207 11 first first RB work_rzcanzq6ebhgnl7xkqkgolmvwy 207 12 with with IN work_rzcanzq6ebhgnl7xkqkgolmvwy 207 13 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 207 14 couple couple NN work_rzcanzq6ebhgnl7xkqkgolmvwy 207 15 ’s ’s POS work_rzcanzq6ebhgnl7xkqkgolmvwy 207 16 sculptural sculptural JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 207 17 stillness stillness NN work_rzcanzq6ebhgnl7xkqkgolmvwy 207 18 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 207 19 front front NN work_rzcanzq6ebhgnl7xkqkgolmvwy 207 20 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 207 21 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 207 22 sculpture sculpture NN work_rzcanzq6ebhgnl7xkqkgolmvwy 207 23 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 207 24 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 207 25 Great Great NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 207 26 Sphinx Sphinx NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 207 27 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 207 28 Tanis Tanis NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 207 29 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 207 30 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 207 31 then then RB work_rzcanzq6ebhgnl7xkqkgolmvwy 207 32 again again RB work_rzcanzq6ebhgnl7xkqkgolmvwy 207 33 with with IN work_rzcanzq6ebhgnl7xkqkgolmvwy 207 34 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 207 35 group group NN work_rzcanzq6ebhgnl7xkqkgolmvwy 207 36 shot shot NN work_rzcanzq6ebhgnl7xkqkgolmvwy 207 37 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 207 38 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 207 39 crowd crowd NN work_rzcanzq6ebhgnl7xkqkgolmvwy 207 40 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 207 41 dancers dancer NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 207 42 moving move VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 207 43 furiously furiously RB work_rzcanzq6ebhgnl7xkqkgolmvwy 207 44 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 207 45 “ " `` work_rzcanzq6ebhgnl7xkqkgolmvwy 207 46 going go VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 207 47 apeshit apeshit NN work_rzcanzq6ebhgnl7xkqkgolmvwy 207 48 ” " '' work_rzcanzq6ebhgnl7xkqkgolmvwy 207 49 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 207 50 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 207 51 same same JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 207 52 location location NN work_rzcanzq6ebhgnl7xkqkgolmvwy 207 53 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 208 1 For for CC work_rzcanzq6ebhgnl7xkqkgolmvwy 208 2 while while IN work_rzcanzq6ebhgnl7xkqkgolmvwy 208 3 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 208 4 Louvre Louvre NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 208 5 displays display VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 208 6 ancient ancient JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 208 7 Egyptian egyptian JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 208 8 art art NN work_rzcanzq6ebhgnl7xkqkgolmvwy 208 9 along along IN work_rzcanzq6ebhgnl7xkqkgolmvwy 208 10 with with IN work_rzcanzq6ebhgnl7xkqkgolmvwy 208 11 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 208 12 ancient ancient JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 208 13 Greek Greek NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 208 14 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 208 15 Roman roman JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 208 16 art art NN work_rzcanzq6ebhgnl7xkqkgolmvwy 208 17 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 208 18 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 208 19 can can MD work_rzcanzq6ebhgnl7xkqkgolmvwy 208 20 thus thus RB work_rzcanzq6ebhgnl7xkqkgolmvwy 208 21 be be VB work_rzcanzq6ebhgnl7xkqkgolmvwy 208 22 seen see VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 208 23 to to TO work_rzcanzq6ebhgnl7xkqkgolmvwy 208 24 be be VB work_rzcanzq6ebhgnl7xkqkgolmvwy 208 25 appropriating appropriate VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 208 26 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 208 27 claiming claim VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 208 28 African african JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 208 29 art art NN work_rzcanzq6ebhgnl7xkqkgolmvwy 208 30 as as IN work_rzcanzq6ebhgnl7xkqkgolmvwy 208 31 part part NN work_rzcanzq6ebhgnl7xkqkgolmvwy 208 32 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 208 33 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 208 34 Eurocentric eurocentric JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 208 35 art art NN work_rzcanzq6ebhgnl7xkqkgolmvwy 208 36 history history NN work_rzcanzq6ebhgnl7xkqkgolmvwy 208 37 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 208 38 this this DT work_rzcanzq6ebhgnl7xkqkgolmvwy 208 39 lyric lyric NN work_rzcanzq6ebhgnl7xkqkgolmvwy 208 40 sees see VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 208 41 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 208 42 Carters carter NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 208 43 claiming claim VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 208 44 this this DT work_rzcanzq6ebhgnl7xkqkgolmvwy 208 45 heritage heritage NN work_rzcanzq6ebhgnl7xkqkgolmvwy 208 46 back back RB work_rzcanzq6ebhgnl7xkqkgolmvwy 208 47 : : : work_rzcanzq6ebhgnl7xkqkgolmvwy 208 48 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 208 49 line line NN work_rzcanzq6ebhgnl7xkqkgolmvwy 208 50 « « `` work_rzcanzq6ebhgnl7xkqkgolmvwy 208 51 I -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 208 52 ca can MD work_rzcanzq6ebhgnl7xkqkgolmvwy 208 53 n’t not RB work_rzcanzq6ebhgnl7xkqkgolmvwy 208 54 believe believe VB work_rzcanzq6ebhgnl7xkqkgolmvwy 208 55 we -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 208 56 made make VBD work_rzcanzq6ebhgnl7xkqkgolmvwy 208 57 it -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 208 58 » » ADD work_rzcanzq6ebhgnl7xkqkgolmvwy 208 59 here here RB work_rzcanzq6ebhgnl7xkqkgolmvwy 208 60 speaks speak VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 208 61 to to IN work_rzcanzq6ebhgnl7xkqkgolmvwy 208 62 African african JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 208 63 artists artist NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 208 64 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 208 65 their -PRON- PRP$ work_rzcanzq6ebhgnl7xkqkgolmvwy 208 66 descendants descendant NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 208 67 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 209 1 There there EX work_rzcanzq6ebhgnl7xkqkgolmvwy 209 2 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 209 3 something something NN work_rzcanzq6ebhgnl7xkqkgolmvwy 209 4 significant significant JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 209 5 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 209 6 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 209 7 stillness stillness NN work_rzcanzq6ebhgnl7xkqkgolmvwy 209 8 within within IN work_rzcanzq6ebhgnl7xkqkgolmvwy 209 9 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 209 10 dance dance NN work_rzcanzq6ebhgnl7xkqkgolmvwy 209 11 at at IN work_rzcanzq6ebhgnl7xkqkgolmvwy 209 12 these these DT work_rzcanzq6ebhgnl7xkqkgolmvwy 209 13 moments moment NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 209 14 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 209 15 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 209 16 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 209 17 ways way NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 209 18 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 209 19 which which WDT work_rzcanzq6ebhgnl7xkqkgolmvwy 209 20 Beyoncé Beyoncé NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 209 21 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 209 22 Jay Jay NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 209 23 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 209 24 Z Z NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 209 25 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 209 26 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 209 27 dancers dancer NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 209 28 shift shift VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 209 29 from from IN work_rzcanzq6ebhgnl7xkqkgolmvwy 209 30 sculptural sculptural JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 209 31 stillness stillness NN work_rzcanzq6ebhgnl7xkqkgolmvwy 209 32 into into IN work_rzcanzq6ebhgnl7xkqkgolmvwy 209 33 sudden sudden JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 209 34 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 209 35 vibrant vibrant JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 209 36 motion motion NN work_rzcanzq6ebhgnl7xkqkgolmvwy 209 37 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 210 1 For for IN work_rzcanzq6ebhgnl7xkqkgolmvwy 210 2 me -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 210 3 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 210 4 this this DT work_rzcanzq6ebhgnl7xkqkgolmvwy 210 5 speaks speak VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 210 6 back back RB work_rzcanzq6ebhgnl7xkqkgolmvwy 210 7 to to IN work_rzcanzq6ebhgnl7xkqkgolmvwy 210 8 performance performance NN work_rzcanzq6ebhgnl7xkqkgolmvwy 210 9 theorist theorist NN work_rzcanzq6ebhgnl7xkqkgolmvwy 210 10 André André NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 210 11 Lepecki Lepecki NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 210 12 ’s ’s POS work_rzcanzq6ebhgnl7xkqkgolmvwy 210 13 reading reading NN work_rzcanzq6ebhgnl7xkqkgolmvwy 210 14 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 210 15 anthropologist anthropologist NN work_rzcanzq6ebhgnl7xkqkgolmvwy 210 16 Nadia Nadia NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 210 17 Serematakis Serematakis NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 210 18 ’ ’ POS work_rzcanzq6ebhgnl7xkqkgolmvwy 210 19 concept concept NN work_rzcanzq6ebhgnl7xkqkgolmvwy 210 20 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 210 21 « « `` work_rzcanzq6ebhgnl7xkqkgolmvwy 210 22 still still RB work_rzcanzq6ebhgnl7xkqkgolmvwy 210 23 - - : work_rzcanzq6ebhgnl7xkqkgolmvwy 210 24 acts»32 acts»32 NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 210 25 as as IN work_rzcanzq6ebhgnl7xkqkgolmvwy 210 26 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 210 27 moment moment NN work_rzcanzq6ebhgnl7xkqkgolmvwy 210 28 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 210 29 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 210 30 refusal refusal NN work_rzcanzq6ebhgnl7xkqkgolmvwy 210 31 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 210 32 « « `` work_rzcanzq6ebhgnl7xkqkgolmvwy 210 33 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 210 34 sedimentation sedimentation NN work_rzcanzq6ebhgnl7xkqkgolmvwy 210 35 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 210 36 history history NN work_rzcanzq6ebhgnl7xkqkgolmvwy 210 37 into into IN work_rzcanzq6ebhgnl7xkqkgolmvwy 210 38 neat neat JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 210 39 layers»33 layers»33 NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 210 40 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 211 1 It -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 211 2 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 211 3 that that DT work_rzcanzq6ebhgnl7xkqkgolmvwy 211 4 moment moment NN work_rzcanzq6ebhgnl7xkqkgolmvwy 211 5 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 211 6 stillness stillness NN work_rzcanzq6ebhgnl7xkqkgolmvwy 211 7 before before IN work_rzcanzq6ebhgnl7xkqkgolmvwy 211 8 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 211 9 eruption eruption NN work_rzcanzq6ebhgnl7xkqkgolmvwy 211 10 into into IN work_rzcanzq6ebhgnl7xkqkgolmvwy 211 11 movement movement NN work_rzcanzq6ebhgnl7xkqkgolmvwy 211 12 where where WRB work_rzcanzq6ebhgnl7xkqkgolmvwy 211 13 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 211 14 layers layer NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 211 15 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 211 16 history history NN work_rzcanzq6ebhgnl7xkqkgolmvwy 211 17 come come VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 211 18 crashing crash VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 211 19 away away RB work_rzcanzq6ebhgnl7xkqkgolmvwy 211 20 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 211 21 that that IN work_rzcanzq6ebhgnl7xkqkgolmvwy 211 22 « « `` work_rzcanzq6ebhgnl7xkqkgolmvwy 211 23 moment moment NN work_rzcanzq6ebhgnl7xkqkgolmvwy 211 24 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 211 25 exit exit NN work_rzcanzq6ebhgnl7xkqkgolmvwy 211 26 from from IN work_rzcanzq6ebhgnl7xkqkgolmvwy 211 27 historical historical JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 211 28 dust»34 dust»34 NN work_rzcanzq6ebhgnl7xkqkgolmvwy 211 29 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 212 1 In in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 212 2 such such JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 212 3 moments moment NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 212 4 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 212 5 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 212 6 stillness stillness NN work_rzcanzq6ebhgnl7xkqkgolmvwy 212 7 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 212 8 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 212 9 dance dance NN work_rzcanzq6ebhgnl7xkqkgolmvwy 212 10 allows allow VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 212 11 for for IN work_rzcanzq6ebhgnl7xkqkgolmvwy 212 12 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 212 13 different different JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 212 14 temporality temporality NN work_rzcanzq6ebhgnl7xkqkgolmvwy 212 15 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 212 16 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 212 17 new new JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 212 18 relationship relationship NN work_rzcanzq6ebhgnl7xkqkgolmvwy 212 19 with with IN work_rzcanzq6ebhgnl7xkqkgolmvwy 212 20 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 212 21 time time NN work_rzcanzq6ebhgnl7xkqkgolmvwy 212 22 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 212 23 space space NN work_rzcanzq6ebhgnl7xkqkgolmvwy 212 24 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 212 25 history history NN work_rzcanzq6ebhgnl7xkqkgolmvwy 212 26 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 212 27 one one NN work_rzcanzq6ebhgnl7xkqkgolmvwy 212 28 that that WDT work_rzcanzq6ebhgnl7xkqkgolmvwy 212 29 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 212 30 no no DT work_rzcanzq6ebhgnl7xkqkgolmvwy 212 31 longer long RBR work_rzcanzq6ebhgnl7xkqkgolmvwy 212 32 chronological chronological JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 212 33 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 212 34 but but CC work_rzcanzq6ebhgnl7xkqkgolmvwy 212 35 unstable unstable JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 212 36 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 212 37 contractile contractile JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 212 38 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 212 39 fragmentary fragmentary JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 212 40 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 212 41 one one NN work_rzcanzq6ebhgnl7xkqkgolmvwy 212 42 that that WDT work_rzcanzq6ebhgnl7xkqkgolmvwy 212 43 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 212 44 no no DT work_rzcanzq6ebhgnl7xkqkgolmvwy 212 45 longer long RBR work_rzcanzq6ebhgnl7xkqkgolmvwy 212 46 diachronic diachronic JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 212 47 but but CC work_rzcanzq6ebhgnl7xkqkgolmvwy 212 48 synchronic synchronic JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 212 49 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 212 50 allowing allow VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 212 51 different different JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 212 52 angles angle NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 212 53 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 212 54 different different JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 212 55 stories story NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 212 56 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 212 57 different different JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 212 58 bodies body NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 212 59 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 212 60 different different JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 212 61 histories history NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 212 62 to to TO work_rzcanzq6ebhgnl7xkqkgolmvwy 212 63 emerge emerge VB work_rzcanzq6ebhgnl7xkqkgolmvwy 212 64 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 213 1 As as IN work_rzcanzq6ebhgnl7xkqkgolmvwy 213 2 such such JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 213 3 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 213 4 APESHIT apeshit VB work_rzcanzq6ebhgnl7xkqkgolmvwy 213 5 consistently consistently RB work_rzcanzq6ebhgnl7xkqkgolmvwy 213 6 reframes reframe VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 213 7 European european JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 213 8 art art NN work_rzcanzq6ebhgnl7xkqkgolmvwy 213 9 history history NN work_rzcanzq6ebhgnl7xkqkgolmvwy 213 10 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 213 11 thus thus RB work_rzcanzq6ebhgnl7xkqkgolmvwy 213 12 also also RB work_rzcanzq6ebhgnl7xkqkgolmvwy 213 13 reframes reframe VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 213 14 perspectives perspective NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 213 15 on on IN work_rzcanzq6ebhgnl7xkqkgolmvwy 213 16 race race NN work_rzcanzq6ebhgnl7xkqkgolmvwy 213 17 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 213 18 bodies body NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 213 19 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 213 20 power power NN work_rzcanzq6ebhgnl7xkqkgolmvwy 213 21 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 214 1 Not not RB work_rzcanzq6ebhgnl7xkqkgolmvwy 214 2 only only RB work_rzcanzq6ebhgnl7xkqkgolmvwy 214 3 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 214 4 background background NN work_rzcanzq6ebhgnl7xkqkgolmvwy 214 5 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 214 6 swapped swap VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 214 7 for for IN work_rzcanzq6ebhgnl7xkqkgolmvwy 214 8 foreground foreground NN work_rzcanzq6ebhgnl7xkqkgolmvwy 214 9 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 214 10 but but CC work_rzcanzq6ebhgnl7xkqkgolmvwy 214 11 tiny tiny JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 214 12 details detail NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 214 13 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 214 14 paintings painting NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 214 15 are be VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 214 16 focussed focusse VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 214 17 on on RB work_rzcanzq6ebhgnl7xkqkgolmvwy 214 18 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 214 19 positioned position VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 214 20 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 214 21 sharp sharp JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 214 22 juxtaposition juxtaposition NN work_rzcanzq6ebhgnl7xkqkgolmvwy 214 23 with with IN work_rzcanzq6ebhgnl7xkqkgolmvwy 214 24 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 214 25 dancing dancing NN work_rzcanzq6ebhgnl7xkqkgolmvwy 214 26 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 214 27 moving move VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 214 28 bodies body NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 214 29 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 214 30 so so RB work_rzcanzq6ebhgnl7xkqkgolmvwy 214 31 30 30 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 214 32 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 215 1 Beyoncé Beyoncé NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 215 2 makes make VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 215 3 claim claim NN work_rzcanzq6ebhgnl7xkqkgolmvwy 215 4 to to IN work_rzcanzq6ebhgnl7xkqkgolmvwy 215 5 her -PRON- PRP$ work_rzcanzq6ebhgnl7xkqkgolmvwy 215 6 Creole Creole NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 215 7 ancestry ancestry NN work_rzcanzq6ebhgnl7xkqkgolmvwy 215 8 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 215 9 her -PRON- PRP$ work_rzcanzq6ebhgnl7xkqkgolmvwy 215 10 song song NN work_rzcanzq6ebhgnl7xkqkgolmvwy 215 11 Formation formation NN work_rzcanzq6ebhgnl7xkqkgolmvwy 215 12 ( ( -LRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 215 13 2016 2016 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 215 14 ) ) -RRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 215 15 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 216 1 Joséphine Joséphine NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 216 2 de de NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 216 3 Beauharnais Beauharnais NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 216 4 was be VBD work_rzcanzq6ebhgnl7xkqkgolmvwy 216 5 born bear VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 216 6 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 216 7 Les Les NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 216 8 Trois Trois NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 216 9 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 216 10 Îlets Îlets NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 216 11 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 216 12 on on IN work_rzcanzq6ebhgnl7xkqkgolmvwy 216 13 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 216 14 Caribbean caribbean JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 216 15 island island NN work_rzcanzq6ebhgnl7xkqkgolmvwy 216 16 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 216 17 Martinique Martinique NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 216 18 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 217 1 31 31 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 217 2 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 218 1 Helen Helen NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 218 2 Morales Morales NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 218 3 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 218 4 Antigone Antigone NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 218 5 Rising rise VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 218 6 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 218 7 cit cit NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 218 8 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 218 9 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 218 10 p. p. NN work_rzcanzq6ebhgnl7xkqkgolmvwy 218 11 113 113 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 218 12 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 219 1 32 32 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 219 2 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 220 1 André André NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 220 2 Lepecki Lepecki NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 220 3 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 220 4 Exhausting Exhausting NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 220 5 Dance Dance NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 220 6 : : : work_rzcanzq6ebhgnl7xkqkgolmvwy 220 7 Performance performance NN work_rzcanzq6ebhgnl7xkqkgolmvwy 220 8 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 220 9 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 220 10 Politics Politics NNPS work_rzcanzq6ebhgnl7xkqkgolmvwy 220 11 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 220 12 Movement Movement NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 220 13 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 220 14 Routledge Routledge NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 220 15 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 220 16 Abingdon Abingdon NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 220 17 2006 2006 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 220 18 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 220 19 p. p. NN work_rzcanzq6ebhgnl7xkqkgolmvwy 220 20 15 15 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 220 21 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 221 1 33 33 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 221 2 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 222 1 Ibidem Ibidem NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 222 2 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 223 1 34 34 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 223 2 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 224 1 Nadia Nadia NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 224 2 Serematakis Serematakis NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 224 3 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 224 4 The the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 224 5 Senses sense NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 224 6 Still still RB work_rzcanzq6ebhgnl7xkqkgolmvwy 224 7 : : : work_rzcanzq6ebhgnl7xkqkgolmvwy 224 8 Perception perception NN work_rzcanzq6ebhgnl7xkqkgolmvwy 224 9 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 224 10 Memory memory NN work_rzcanzq6ebhgnl7xkqkgolmvwy 224 11 as as IN work_rzcanzq6ebhgnl7xkqkgolmvwy 224 12 Material Material NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 224 13 Culture Culture NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 224 14 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 224 15 Modernity Modernity NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 224 16 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 224 17 University University NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 224 18 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 224 19 Chicago Chicago NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 224 20 Press Press NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 224 21 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 224 22 Chicago Chicago NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 224 23 1994 1994 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 224 24 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 224 25 p. p. NN work_rzcanzq6ebhgnl7xkqkgolmvwy 224 26 12 12 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 224 27 ( ( -LRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 224 28 my -PRON- PRP$ work_rzcanzq6ebhgnl7xkqkgolmvwy 224 29 emphasis emphasis NN work_rzcanzq6ebhgnl7xkqkgolmvwy 224 30 ) ) -RRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 224 31 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 225 1 292 292 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 225 2 Marie­Louise Marie­Louise NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 225 3 Crawley Crawley NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 225 4 that that WDT work_rzcanzq6ebhgnl7xkqkgolmvwy 225 5 bodies body NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 225 6 that that WDT work_rzcanzq6ebhgnl7xkqkgolmvwy 225 7 have have VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 225 8 previously previously RB work_rzcanzq6ebhgnl7xkqkgolmvwy 225 9 been be VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 225 10 hidden hide VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 225 11 or or CC work_rzcanzq6ebhgnl7xkqkgolmvwy 225 12 rendered render VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 225 13 invisible invisible JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 225 14 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 225 15 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 225 16 art art NN work_rzcanzq6ebhgnl7xkqkgolmvwy 225 17 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 225 18 works work NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 225 19 themselves -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 225 20 are be VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 225 21 revealed reveal VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 225 22 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 226 1 While while IN work_rzcanzq6ebhgnl7xkqkgolmvwy 226 2 several several JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 226 3 art art NN work_rzcanzq6ebhgnl7xkqkgolmvwy 226 4 historical historical JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 226 5 studies study NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 226 6 have have VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 226 7 already already RB work_rzcanzq6ebhgnl7xkqkgolmvwy 226 8 to to IN work_rzcanzq6ebhgnl7xkqkgolmvwy 226 9 date date NN work_rzcanzq6ebhgnl7xkqkgolmvwy 226 10 examined examine VBD work_rzcanzq6ebhgnl7xkqkgolmvwy 226 11 this this DT work_rzcanzq6ebhgnl7xkqkgolmvwy 226 12 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 226 13 detail35 detail35 NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 226 14 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 226 15 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 226 16 close close JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 226 17 focus focus NN work_rzcanzq6ebhgnl7xkqkgolmvwy 226 18 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 226 19 this this DT work_rzcanzq6ebhgnl7xkqkgolmvwy 226 20 article article NN work_rzcanzq6ebhgnl7xkqkgolmvwy 226 21 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 226 22 on on IN work_rzcanzq6ebhgnl7xkqkgolmvwy 226 23 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 226 24 choreographic choreographic JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 226 25 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 226 26 I -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 226 27 do do VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 226 28 want want VB work_rzcanzq6ebhgnl7xkqkgolmvwy 226 29 to to TO work_rzcanzq6ebhgnl7xkqkgolmvwy 226 30 cite cite VB work_rzcanzq6ebhgnl7xkqkgolmvwy 226 31 one one CD work_rzcanzq6ebhgnl7xkqkgolmvwy 226 32 example example NN work_rzcanzq6ebhgnl7xkqkgolmvwy 226 33 here here RB work_rzcanzq6ebhgnl7xkqkgolmvwy 226 34 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 226 35 that that DT work_rzcanzq6ebhgnl7xkqkgolmvwy 226 36 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 226 37 Paolo Paolo NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 226 38 Veronese Veronese NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 226 39 ’s ’s POS work_rzcanzq6ebhgnl7xkqkgolmvwy 226 40 Le Le NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 226 41 nozze nozze NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 226 42 di di FW work_rzcanzq6ebhgnl7xkqkgolmvwy 226 43 Cana Cana NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 226 44 ( ( -LRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 226 45 1563 1563 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 226 46 ) ) -RRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 226 47 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 227 1 In in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 227 2 this this DT work_rzcanzq6ebhgnl7xkqkgolmvwy 227 3 canvas canvas NN work_rzcanzq6ebhgnl7xkqkgolmvwy 227 4 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 227 5 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 227 6 black black JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 227 7 bodies body NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 227 8 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 227 9 servants servant NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 227 10 are be VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 227 11 present present JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 227 12 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 227 13 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 227 14 painting painting NN work_rzcanzq6ebhgnl7xkqkgolmvwy 227 15 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 227 16 but but CC work_rzcanzq6ebhgnl7xkqkgolmvwy 227 17 they -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 227 18 are be VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 227 19 hidden hide VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 227 20 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 227 21 corners corner NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 227 22 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 227 23 easily easily RB work_rzcanzq6ebhgnl7xkqkgolmvwy 227 24 overlooked overlook VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 227 25 ; ; : work_rzcanzq6ebhgnl7xkqkgolmvwy 227 26 juxtaposed juxtapose VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 227 27 with with IN work_rzcanzq6ebhgnl7xkqkgolmvwy 227 28 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 227 29 vibrancy vibrancy NN work_rzcanzq6ebhgnl7xkqkgolmvwy 227 30 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 227 31 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 227 32 dancers dancer NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 227 33 ’ ’ POS work_rzcanzq6ebhgnl7xkqkgolmvwy 227 34 bodies body NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 227 35 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 227 36 they -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 227 37 are be VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 227 38 suddenly suddenly RB work_rzcanzq6ebhgnl7xkqkgolmvwy 227 39 thrown throw VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 227 40 into into IN work_rzcanzq6ebhgnl7xkqkgolmvwy 227 41 sharp sharp JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 227 42 relief relief NN work_rzcanzq6ebhgnl7xkqkgolmvwy 227 43 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 228 1 The the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 228 2 viewer viewer NN work_rzcanzq6ebhgnl7xkqkgolmvwy 228 3 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 228 4 called call VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 228 5 to to TO work_rzcanzq6ebhgnl7xkqkgolmvwy 228 6 do do VB work_rzcanzq6ebhgnl7xkqkgolmvwy 228 7 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 228 8 work work NN work_rzcanzq6ebhgnl7xkqkgolmvwy 228 9 to to TO work_rzcanzq6ebhgnl7xkqkgolmvwy 228 10 see see VB work_rzcanzq6ebhgnl7xkqkgolmvwy 228 11 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 228 12 bodies body NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 228 13 that that WDT work_rzcanzq6ebhgnl7xkqkgolmvwy 228 14 have have VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 228 15 historically historically RB work_rzcanzq6ebhgnl7xkqkgolmvwy 228 16 been be VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 228 17 overlooked overlook VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 228 18 : : : work_rzcanzq6ebhgnl7xkqkgolmvwy 228 19 it -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 228 20 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 228 21 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 228 22 dancers dancer NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 228 23 ’ ’ POS work_rzcanzq6ebhgnl7xkqkgolmvwy 228 24 dancing dance VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 228 25 bodies body NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 228 26 that that WDT work_rzcanzq6ebhgnl7xkqkgolmvwy 228 27 offer offer VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 228 28 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 228 29 lens lens NN work_rzcanzq6ebhgnl7xkqkgolmvwy 228 30 through through IN work_rzcanzq6ebhgnl7xkqkgolmvwy 228 31 which which WDT work_rzcanzq6ebhgnl7xkqkgolmvwy 228 32 we -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 228 33 might may MD work_rzcanzq6ebhgnl7xkqkgolmvwy 228 34 re re VB work_rzcanzq6ebhgnl7xkqkgolmvwy 228 35 - - VB work_rzcanzq6ebhgnl7xkqkgolmvwy 228 36 view view VB work_rzcanzq6ebhgnl7xkqkgolmvwy 228 37 these these DT work_rzcanzq6ebhgnl7xkqkgolmvwy 228 38 painted paint VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 228 39 bodies body NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 228 40 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 228 41 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 228 42 begin begin VB work_rzcanzq6ebhgnl7xkqkgolmvwy 228 43 to to TO work_rzcanzq6ebhgnl7xkqkgolmvwy 228 44 reassemble reassemble VB work_rzcanzq6ebhgnl7xkqkgolmvwy 228 45 bodily bodily JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 228 46 histories history NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 228 47 previously previously RB work_rzcanzq6ebhgnl7xkqkgolmvwy 228 48 rendered render VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 228 49 invisible invisible JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 228 50 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 229 1 This this DT work_rzcanzq6ebhgnl7xkqkgolmvwy 229 2 re re NN work_rzcanzq6ebhgnl7xkqkgolmvwy 229 3 - - JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 229 4 viewing viewing JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 229 5 becomes become VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 229 6 yet yet RB work_rzcanzq6ebhgnl7xkqkgolmvwy 229 7 more more RBR work_rzcanzq6ebhgnl7xkqkgolmvwy 229 8 pressing pressing JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 229 9 as as IN work_rzcanzq6ebhgnl7xkqkgolmvwy 229 10 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 229 11 throughout throughout IN work_rzcanzq6ebhgnl7xkqkgolmvwy 229 12 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 229 13 video video NN work_rzcanzq6ebhgnl7xkqkgolmvwy 229 14 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 229 15 there there EX work_rzcanzq6ebhgnl7xkqkgolmvwy 229 16 are be VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 229 17 significant significant JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 229 18 allusions allusion NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 229 19 to to IN work_rzcanzq6ebhgnl7xkqkgolmvwy 229 20 artworks artwork NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 229 21 by by IN work_rzcanzq6ebhgnl7xkqkgolmvwy 229 22 artists artist NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 229 23 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 229 24 colour colour NN work_rzcanzq6ebhgnl7xkqkgolmvwy 229 25 that that WDT work_rzcanzq6ebhgnl7xkqkgolmvwy 229 26 have have VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 229 27 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 229 28 until until IN work_rzcanzq6ebhgnl7xkqkgolmvwy 229 29 now now RB work_rzcanzq6ebhgnl7xkqkgolmvwy 229 30 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 229 31 been be VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 229 32 “ " `` work_rzcanzq6ebhgnl7xkqkgolmvwy 229 33 invisible invisible JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 229 34 ” " '' work_rzcanzq6ebhgnl7xkqkgolmvwy 229 35 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 229 36 such such PDT work_rzcanzq6ebhgnl7xkqkgolmvwy 229 37 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 229 38 canonical canonical JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 229 39 space space NN work_rzcanzq6ebhgnl7xkqkgolmvwy 229 40 as as IN work_rzcanzq6ebhgnl7xkqkgolmvwy 229 41 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 229 42 Louvre Louvre NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 229 43 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 230 1 For for IN work_rzcanzq6ebhgnl7xkqkgolmvwy 230 2 example example NN work_rzcanzq6ebhgnl7xkqkgolmvwy 230 3 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 230 4 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 230 5 hair hair NN work_rzcanzq6ebhgnl7xkqkgolmvwy 230 6 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 230 7 styling style VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 230 8 scene scene NN work_rzcanzq6ebhgnl7xkqkgolmvwy 230 9 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 230 10 front front NN work_rzcanzq6ebhgnl7xkqkgolmvwy 230 11 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 230 12 La La NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 230 13 Gioconda Gioconda NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 230 14 echoes echo VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 230 15 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 230 16 painting painting NN work_rzcanzq6ebhgnl7xkqkgolmvwy 230 17 from from IN work_rzcanzq6ebhgnl7xkqkgolmvwy 230 18 Carrie Carrie NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 230 19 Mae Mae NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 230 20 Weems Weems NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 230 21 ’ ’ POS work_rzcanzq6ebhgnl7xkqkgolmvwy 230 22 Kitchen Kitchen NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 230 23 Table Table NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 230 24 Series Series NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 230 25 ( ( -LRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 230 26 1990 1990 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 230 27 ) ) -RRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 230 28 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 230 29 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 230 30 hand hand NN work_rzcanzq6ebhgnl7xkqkgolmvwy 230 31 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 230 32 holding hold VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 230 33 dance dance NN work_rzcanzq6ebhgnl7xkqkgolmvwy 230 34 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 230 35 Beyoncé Beyoncé NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 230 36 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 230 37 her -PRON- PRP$ work_rzcanzq6ebhgnl7xkqkgolmvwy 230 38 chorus chorus NN work_rzcanzq6ebhgnl7xkqkgolmvwy 230 39 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 230 40 front front NN work_rzcanzq6ebhgnl7xkqkgolmvwy 230 41 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 230 42 David David NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 230 43 ’s ’s POS work_rzcanzq6ebhgnl7xkqkgolmvwy 230 44 Coronation Coronation NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 230 45 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 230 46 reminiscent reminiscent JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 230 47 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 230 48 Faith Faith NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 230 49 Ringold Ringold NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 230 50 ’s ’s POS work_rzcanzq6ebhgnl7xkqkgolmvwy 230 51 story story NN work_rzcanzq6ebhgnl7xkqkgolmvwy 230 52 quilt quilt NN work_rzcanzq6ebhgnl7xkqkgolmvwy 230 53 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 230 54 itself -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 230 55 significantly significantly RB work_rzcanzq6ebhgnl7xkqkgolmvwy 230 56 entitled entitle VBD work_rzcanzq6ebhgnl7xkqkgolmvwy 230 57 Dancing dancing NN work_rzcanzq6ebhgnl7xkqkgolmvwy 230 58 at at IN work_rzcanzq6ebhgnl7xkqkgolmvwy 230 59 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 230 60 Louvre Louvre NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 230 61 36 36 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 230 62 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 230 63 from from IN work_rzcanzq6ebhgnl7xkqkgolmvwy 230 64 which which WDT work_rzcanzq6ebhgnl7xkqkgolmvwy 230 65 I -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 230 66 have have VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 230 67 borrowed borrow VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 230 68 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 230 69 title title NN work_rzcanzq6ebhgnl7xkqkgolmvwy 230 70 for for IN work_rzcanzq6ebhgnl7xkqkgolmvwy 230 71 this this DT work_rzcanzq6ebhgnl7xkqkgolmvwy 230 72 essay essay NN work_rzcanzq6ebhgnl7xkqkgolmvwy 230 73 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 231 1 Through through IN work_rzcanzq6ebhgnl7xkqkgolmvwy 231 2 such such JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 231 3 rich rich JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 231 4 visual visual JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 231 5 allusions allusion NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 231 6 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 231 7 akin akin JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 231 8 to to IN work_rzcanzq6ebhgnl7xkqkgolmvwy 231 9 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 231 10 culture culture NN work_rzcanzq6ebhgnl7xkqkgolmvwy 231 11 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 231 12 inter inter JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 231 13 - - JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 231 14 textual textual JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 231 15 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 231 16 musical musical JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 231 17 sampling sampling NN work_rzcanzq6ebhgnl7xkqkgolmvwy 231 18 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 231 19 hip hip NN work_rzcanzq6ebhgnl7xkqkgolmvwy 231 20 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 231 21 hop hop NN work_rzcanzq6ebhgnl7xkqkgolmvwy 231 22 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 231 23 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 231 24 Carters carter NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 231 25 can can MD work_rzcanzq6ebhgnl7xkqkgolmvwy 231 26 be be VB work_rzcanzq6ebhgnl7xkqkgolmvwy 231 27 seen see VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 231 28 to to TO work_rzcanzq6ebhgnl7xkqkgolmvwy 231 29 be be VB work_rzcanzq6ebhgnl7xkqkgolmvwy 231 30 reclaiming reclaim VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 231 31 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 231 32 space space NN work_rzcanzq6ebhgnl7xkqkgolmvwy 231 33 for for IN work_rzcanzq6ebhgnl7xkqkgolmvwy 231 34 artists artist NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 231 35 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 231 36 colour colour NN work_rzcanzq6ebhgnl7xkqkgolmvwy 231 37 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 231 38 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 231 39 “ " `` work_rzcanzq6ebhgnl7xkqkgolmvwy 231 40 white white JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 231 41 ” " '' work_rzcanzq6ebhgnl7xkqkgolmvwy 231 42 space space NN work_rzcanzq6ebhgnl7xkqkgolmvwy 231 43 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 231 44 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 231 45 Louvre Louvre NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 231 46 : : : work_rzcanzq6ebhgnl7xkqkgolmvwy 231 47 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 231 48 it -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 231 49 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 231 50 both both CC work_rzcanzq6ebhgnl7xkqkgolmvwy 231 51 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 231 52 positioning positioning NN work_rzcanzq6ebhgnl7xkqkgolmvwy 231 53 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 231 54 movement movement NN work_rzcanzq6ebhgnl7xkqkgolmvwy 231 55 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 231 56 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 231 57 dancers dancer NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 231 58 ’ ’ POS work_rzcanzq6ebhgnl7xkqkgolmvwy 231 59 bodies body NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 231 60 that that WDT work_rzcanzq6ebhgnl7xkqkgolmvwy 231 61 enable enable VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 231 62 this this DT work_rzcanzq6ebhgnl7xkqkgolmvwy 231 63 powerful powerful JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 231 64 re re NN work_rzcanzq6ebhgnl7xkqkgolmvwy 231 65 - - NN work_rzcanzq6ebhgnl7xkqkgolmvwy 231 66 visioning visioning NN work_rzcanzq6ebhgnl7xkqkgolmvwy 231 67 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 232 1 APESHIT APESHIT NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 232 2 ’s 's VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 232 3 visual visual JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 232 4 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 232 5 choreographic choreographic JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 232 6 call call NN work_rzcanzq6ebhgnl7xkqkgolmvwy 232 7 to to TO work_rzcanzq6ebhgnl7xkqkgolmvwy 232 8 review review VB work_rzcanzq6ebhgnl7xkqkgolmvwy 232 9 received receive VBD work_rzcanzq6ebhgnl7xkqkgolmvwy 232 10 historical historical JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 232 11 narratives narrative NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 232 12 gains gain NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 232 13 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 232 14 urgency urgency NN work_rzcanzq6ebhgnl7xkqkgolmvwy 232 15 throughout throughout IN work_rzcanzq6ebhgnl7xkqkgolmvwy 232 16 its -PRON- PRP$ work_rzcanzq6ebhgnl7xkqkgolmvwy 232 17 six six CD work_rzcanzq6ebhgnl7xkqkgolmvwy 232 18 minutes minute NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 232 19 : : : work_rzcanzq6ebhgnl7xkqkgolmvwy 232 20 however however RB work_rzcanzq6ebhgnl7xkqkgolmvwy 232 21 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 232 22 it -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 232 23 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 232 24 particularly particularly RB work_rzcanzq6ebhgnl7xkqkgolmvwy 232 25 potent potent JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 232 26 at at IN work_rzcanzq6ebhgnl7xkqkgolmvwy 232 27 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 232 28 moments moment NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 232 29 where where WRB work_rzcanzq6ebhgnl7xkqkgolmvwy 232 30 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 232 31 choreography choreography NN work_rzcanzq6ebhgnl7xkqkgolmvwy 232 32 becomes become VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 232 33 explicitly explicitly RB work_rzcanzq6ebhgnl7xkqkgolmvwy 232 34 one one CD work_rzcanzq6ebhgnl7xkqkgolmvwy 232 35 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 232 36 protest protest NN work_rzcanzq6ebhgnl7xkqkgolmvwy 232 37 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 233 1 Broken broken JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 233 2 bodies body NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 233 3 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 233 4 protesting protest VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 233 5 bodies body NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 233 6 It -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 233 7 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 233 8 undeniable undeniable JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 233 9 that that IN work_rzcanzq6ebhgnl7xkqkgolmvwy 233 10 protest protest NN work_rzcanzq6ebhgnl7xkqkgolmvwy 233 11 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 233 12 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 233 13 central central JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 233 14 theme theme NN work_rzcanzq6ebhgnl7xkqkgolmvwy 233 15 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 233 16 APESHIT apeshit NN work_rzcanzq6ebhgnl7xkqkgolmvwy 233 17 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 234 1 At at IN work_rzcanzq6ebhgnl7xkqkgolmvwy 234 2 times time NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 234 3 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 234 4 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 234 5 crowd crowd NN work_rzcanzq6ebhgnl7xkqkgolmvwy 234 6 « « `` work_rzcanzq6ebhgnl7xkqkgolmvwy 234 7 going go VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 234 8 apeshit apeshit NN work_rzcanzq6ebhgnl7xkqkgolmvwy 234 9 » » '' work_rzcanzq6ebhgnl7xkqkgolmvwy 234 10 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 234 11 an an DT work_rzcanzq6ebhgnl7xkqkgolmvwy 234 12 angry angry JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 234 13 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 234 14 dancing dance VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 234 15 crowd crowd NN work_rzcanzq6ebhgnl7xkqkgolmvwy 234 16 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 235 1 This this DT work_rzcanzq6ebhgnl7xkqkgolmvwy 235 2 anger anger NN work_rzcanzq6ebhgnl7xkqkgolmvwy 235 3 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 235 4 no no DT work_rzcanzq6ebhgnl7xkqkgolmvwy 235 5 less less RBR work_rzcanzq6ebhgnl7xkqkgolmvwy 235 6 eloquent eloquent JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 235 7 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 235 8 but but CC work_rzcanzq6ebhgnl7xkqkgolmvwy 235 9 arguably arguably RB work_rzcanzq6ebhgnl7xkqkgolmvwy 235 10 more more RBR work_rzcanzq6ebhgnl7xkqkgolmvwy 235 11 so so RB work_rzcanzq6ebhgnl7xkqkgolmvwy 235 12 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 235 13 for for IN work_rzcanzq6ebhgnl7xkqkgolmvwy 235 14 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 235 15 shifts shift NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 235 16 between between IN work_rzcanzq6ebhgnl7xkqkgolmvwy 235 17 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 235 18 fluidity fluidity NN work_rzcanzq6ebhgnl7xkqkgolmvwy 235 19 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 235 20 vibrancy vibrancy NN work_rzcanzq6ebhgnl7xkqkgolmvwy 235 21 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 235 22 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 235 23 choreography choreography NN work_rzcanzq6ebhgnl7xkqkgolmvwy 235 24 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 235 25 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 235 26 stillness stillness NN work_rzcanzq6ebhgnl7xkqkgolmvwy 235 27 at at IN work_rzcanzq6ebhgnl7xkqkgolmvwy 235 28 work work NN work_rzcanzq6ebhgnl7xkqkgolmvwy 235 29 within within IN work_rzcanzq6ebhgnl7xkqkgolmvwy 235 30 it -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 235 31 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 236 1 As as IN work_rzcanzq6ebhgnl7xkqkgolmvwy 236 2 I -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 236 3 have have VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 236 4 pointed point VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 236 5 out out RP work_rzcanzq6ebhgnl7xkqkgolmvwy 236 6 above above RB work_rzcanzq6ebhgnl7xkqkgolmvwy 236 7 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 236 8 sometimes sometimes RB work_rzcanzq6ebhgnl7xkqkgolmvwy 236 9 this this DT work_rzcanzq6ebhgnl7xkqkgolmvwy 236 10 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 236 11 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 236 12 shift shift NN work_rzcanzq6ebhgnl7xkqkgolmvwy 236 13 between between IN work_rzcanzq6ebhgnl7xkqkgolmvwy 236 14 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 236 15 still still RB work_rzcanzq6ebhgnl7xkqkgolmvwy 236 16 images image NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 236 17 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 236 18 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 236 19 artwork artwork NN work_rzcanzq6ebhgnl7xkqkgolmvwy 236 20 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 236 21 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 236 22 moving move VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 236 23 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 236 24 dancing dance VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 236 25 bodies body NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 236 26 ; ; : work_rzcanzq6ebhgnl7xkqkgolmvwy 236 27 sometimes sometimes RB work_rzcanzq6ebhgnl7xkqkgolmvwy 236 28 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 236 29 it -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 236 30 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 236 31 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 236 32 stillness stillness NN work_rzcanzq6ebhgnl7xkqkgolmvwy 236 33 within within IN work_rzcanzq6ebhgnl7xkqkgolmvwy 236 34 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 236 35 choreography choreography NN work_rzcanzq6ebhgnl7xkqkgolmvwy 236 36 that that WDT work_rzcanzq6ebhgnl7xkqkgolmvwy 236 37 does do VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 236 38 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 236 39 work work NN work_rzcanzq6ebhgnl7xkqkgolmvwy 236 40 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 236 41 protest protest NN work_rzcanzq6ebhgnl7xkqkgolmvwy 236 42 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 237 1 In in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 237 2 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 237 3 following following JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 237 4 section section NN work_rzcanzq6ebhgnl7xkqkgolmvwy 237 5 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 237 6 I -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 237 7 want want VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 237 8 to to TO work_rzcanzq6ebhgnl7xkqkgolmvwy 237 9 offer offer VB work_rzcanzq6ebhgnl7xkqkgolmvwy 237 10 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 237 11 close close JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 237 12 examination examination NN work_rzcanzq6ebhgnl7xkqkgolmvwy 237 13 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 237 14 three three CD work_rzcanzq6ebhgnl7xkqkgolmvwy 237 15 striking striking JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 237 16 examples example NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 237 17 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 237 18 where where WRB work_rzcanzq6ebhgnl7xkqkgolmvwy 237 19 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 237 20 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 237 21 video video NN work_rzcanzq6ebhgnl7xkqkgolmvwy 237 22 this this DT work_rzcanzq6ebhgnl7xkqkgolmvwy 237 23 can can MD work_rzcanzq6ebhgnl7xkqkgolmvwy 237 24 35 35 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 237 25 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 238 1 See see VB work_rzcanzq6ebhgnl7xkqkgolmvwy 238 2 especially especially RB work_rzcanzq6ebhgnl7xkqkgolmvwy 238 3 Constance Constance NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 238 4 Grady Grady NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 238 5 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 238 6 The the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 238 7 meaning meaning NN work_rzcanzq6ebhgnl7xkqkgolmvwy 238 8 behind behind IN work_rzcanzq6ebhgnl7xkqkgolmvwy 238 9 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 238 10 classical classical JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 238 11 paintings painting NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 238 12 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 238 13 Beyoncé Beyoncé NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 238 14 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 238 15 Jay Jay NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 238 16 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 238 17 Z Z NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 238 18 ’s ’s NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 238 19 Apeshit Apeshit NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 238 20 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 238 21 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 238 22 « « `` work_rzcanzq6ebhgnl7xkqkgolmvwy 238 23 Vox Vox NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 238 24 » » '' work_rzcanzq6ebhgnl7xkqkgolmvwy 238 25 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 238 26 19th 19th JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 238 27 June June NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 238 28 2018 2018 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 238 29 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 238 30 online online NN work_rzcanzq6ebhgnl7xkqkgolmvwy 238 31 : : : work_rzcanzq6ebhgnl7xkqkgolmvwy 238 32 https://www.vox.com/culture/2018/6/19/17476212/apeshit-video-beyonce-jay-z-carters-portrait- https://www.vox.com/culture/2018/6/19/17476212/apeshit-video-beyonce-jay-z-carters-portrait- NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 238 33 negresse negresse NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 238 34 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 238 35 benoist benoist NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 238 36 ( ( -LRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 238 37 accessed access VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 238 38 19/6/2020 19/6/2020 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 238 39 ) ) -RRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 238 40 ; ; : work_rzcanzq6ebhgnl7xkqkgolmvwy 238 41 Ariel Ariel NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 238 42 Lebeau Lebeau NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 238 43 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 238 44 An an DT work_rzcanzq6ebhgnl7xkqkgolmvwy 238 45 Art art NN work_rzcanzq6ebhgnl7xkqkgolmvwy 238 46 History history NN work_rzcanzq6ebhgnl7xkqkgolmvwy 238 47 Expert expert NN work_rzcanzq6ebhgnl7xkqkgolmvwy 238 48 Breaks break VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 238 49 Down down RP work_rzcanzq6ebhgnl7xkqkgolmvwy 238 50 Beyoncé Beyoncé NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 238 51 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 238 52 Jay Jay NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 238 53 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 238 54 Z Z NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 238 55 ’s ’s , work_rzcanzq6ebhgnl7xkqkgolmvwy 238 56 APESHIT APESHIT NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 238 57 Video Video NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 238 58 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 238 59 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 238 60 « « `` work_rzcanzq6ebhgnl7xkqkgolmvwy 238 61 Fader Fader NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 238 62 » » '' work_rzcanzq6ebhgnl7xkqkgolmvwy 238 63 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 238 64 June June NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 238 65 18th 18th NN work_rzcanzq6ebhgnl7xkqkgolmvwy 238 66 2018 2018 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 238 67 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 238 68 online online RB work_rzcanzq6ebhgnl7xkqkgolmvwy 238 69 : : : work_rzcanzq6ebhgnl7xkqkgolmvwy 238 70 https://www.thefader.com/2018/06/18/beyonce-jay-z-apeshit-art-history-expert- https://www.thefader.com/2018/06/18/beyonce-jay-z-apeshit-art-history-expert- NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 238 71 louvre louvre NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 238 72 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 238 73 mona mona NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 238 74 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 238 75 lisa lisa NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 238 76 ( ( -LRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 238 77 accessed access VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 238 78 19/6/2020 19/6/2020 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 238 79 ) ) -RRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 238 80 ; ; : work_rzcanzq6ebhgnl7xkqkgolmvwy 238 81 Carol Carol NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 238 82 Vernallis Vernallis NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 238 83 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 238 84 Tracing trace VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 238 85 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 238 86 Carters carter NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 238 87 Through through IN work_rzcanzq6ebhgnl7xkqkgolmvwy 238 88 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 238 89 Galleries Galleries NNPS work_rzcanzq6ebhgnl7xkqkgolmvwy 238 90 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 238 91 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 238 92 « « `` work_rzcanzq6ebhgnl7xkqkgolmvwy 238 93 Journal Journal NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 238 94 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 238 95 Popular Popular NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 238 96 Music Music NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 238 97 Studies Studies NNPS work_rzcanzq6ebhgnl7xkqkgolmvwy 238 98 » » '' work_rzcanzq6ebhgnl7xkqkgolmvwy 238 99 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 238 100 vol vol NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 238 101 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 239 1 XXX XXX NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 239 2 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 239 3 n. n. NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 239 4 4 4 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 239 5 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 239 6 December December NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 239 7 2018 2018 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 239 8 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 239 9 pp pp NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 239 10 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 240 1 11 11 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 240 2 - - SYM work_rzcanzq6ebhgnl7xkqkgolmvwy 240 3 70 70 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 240 4 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 241 1 36 36 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 241 2 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 242 1 See see VB work_rzcanzq6ebhgnl7xkqkgolmvwy 242 2 Dan Dan NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 242 3 Cameron Cameron NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 242 4 ( ( -LRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 242 5 edited edit VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 242 6 by by IN work_rzcanzq6ebhgnl7xkqkgolmvwy 242 7 ) ) -RRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 242 8 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 242 9 Dancing dance VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 242 10 at at IN work_rzcanzq6ebhgnl7xkqkgolmvwy 242 11 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 242 12 Louvre Louvre NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 242 13 : : : work_rzcanzq6ebhgnl7xkqkgolmvwy 242 14 Faith Faith NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 242 15 Ringgold Ringgold NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 242 16 ’s ’s POS work_rzcanzq6ebhgnl7xkqkgolmvwy 242 17 French French NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 242 18 Collection Collection NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 242 19 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 242 20 Other Other NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 242 21 Story Story NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 242 22 Quilts Quilts NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 242 23 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 242 24 Uni- Uni- NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 242 25 versity versity NN work_rzcanzq6ebhgnl7xkqkgolmvwy 242 26 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 242 27 California California NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 242 28 Press Press NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 242 29 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 242 30 Berkeley Berkeley NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 242 31 1998 1998 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 242 32 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 242 33 https://www.vox.com/culture/2018/6/19/17476212/apeshit-video-beyonce-jay-z-carters-portrait-negresse-benoist https://www.vox.com/culture/2018/6/19/17476212/apeshit-video-beyonce-jay-z-carters-portrait-negresse-benoist NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 242 34 https://www.vox.com/culture/2018/6/19/17476212/apeshit-video-beyonce-jay-z-carters-portrait-negresse-benoist https://www.vox.com/culture/2018/6/19/17476212/apeshit-video-beyonce-jay-z-carters-portrait-negresse-benoist NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 242 35 https://www.thefader.com/2018/06/18/beyonce-jay-z-apeshit-art-history-expert-louvre-mona-lisa https://www.thefader.com/2018/06/18/beyonce-jay-z-apeshit-art-history-expert-louvre-mona-lisa NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 242 36 https://www.thefader.com/2018/06/18/beyonce-jay-z-apeshit-art-history-expert-louvre-mona-lisa https://www.thefader.com/2018/06/18/beyonce-jay-z-apeshit-art-history-expert-louvre-mona-lisa NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 242 37 « « `` work_rzcanzq6ebhgnl7xkqkgolmvwy 242 38 This this DT work_rzcanzq6ebhgnl7xkqkgolmvwy 242 39 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 242 40 different different JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 242 41 angle angle NN work_rzcanzq6ebhgnl7xkqkgolmvwy 242 42 » » '' work_rzcanzq6ebhgnl7xkqkgolmvwy 242 43 : : : work_rzcanzq6ebhgnl7xkqkgolmvwy 242 44 Dancing dance VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 242 45 at at IN work_rzcanzq6ebhgnl7xkqkgolmvwy 242 46 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 242 47 Louvre Louvre NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 242 48 293 293 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 242 49 be be VB work_rzcanzq6ebhgnl7xkqkgolmvwy 242 50 seen see VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 242 51 to to TO work_rzcanzq6ebhgnl7xkqkgolmvwy 242 52 be be VB work_rzcanzq6ebhgnl7xkqkgolmvwy 242 53 happening happen VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 242 54 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 243 1 The the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 243 2 first first JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 243 3 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 243 4 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 243 5 inverted invert VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 243 6 still still RB work_rzcanzq6ebhgnl7xkqkgolmvwy 243 7 image image NN work_rzcanzq6ebhgnl7xkqkgolmvwy 243 8 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 243 9 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 243 10 still still RB work_rzcanzq6ebhgnl7xkqkgolmvwy 243 11 bodies body NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 243 12 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 243 13 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 243 14 dancers dancer NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 243 15 on on IN work_rzcanzq6ebhgnl7xkqkgolmvwy 243 16 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 243 17 Daru Daru NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 243 18 staircase staircase NN work_rzcanzq6ebhgnl7xkqkgolmvwy 243 19 mentioned mention VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 243 20 above above RB work_rzcanzq6ebhgnl7xkqkgolmvwy 243 21 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 244 1 Following follow VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 244 2 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 244 3 shot shot NN work_rzcanzq6ebhgnl7xkqkgolmvwy 244 4 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 244 5 their -PRON- PRP$ work_rzcanzq6ebhgnl7xkqkgolmvwy 244 6 bodies body NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 244 7 moving move VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 244 8 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 244 9 bursts burst NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 244 10 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 244 11 contraction contraction NN work_rzcanzq6ebhgnl7xkqkgolmvwy 244 12 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 244 13 release release NN work_rzcanzq6ebhgnl7xkqkgolmvwy 244 14 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 244 15 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 244 16 convulsive convulsive JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 244 17 Graham Graham NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 244 18 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 244 19 style style NN work_rzcanzq6ebhgnl7xkqkgolmvwy 244 20 pleadings pleading NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 244 21 that that WDT work_rzcanzq6ebhgnl7xkqkgolmvwy 244 22 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 244 23 traditionally traditionally RB work_rzcanzq6ebhgnl7xkqkgolmvwy 244 24 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 244 25 Graham Graham NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 244 26 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 244 27 based base VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 244 28 technique technique NN work_rzcanzq6ebhgnl7xkqkgolmvwy 244 29 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 244 30 can can MD work_rzcanzq6ebhgnl7xkqkgolmvwy 244 31 express express VB work_rzcanzq6ebhgnl7xkqkgolmvwy 244 32 moments moment NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 244 33 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 244 34 extreme extreme JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 244 35 emotional emotional JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 244 36 power power NN work_rzcanzq6ebhgnl7xkqkgolmvwy 244 37 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 244 38 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 244 39 dancers dancer NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 244 40 ’ ’ POS work_rzcanzq6ebhgnl7xkqkgolmvwy 244 41 bodies body NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 244 42 become become VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 244 43 quiet quiet JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 244 44 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 244 45 motionless motionless JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 244 46 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 245 1 Here here RB work_rzcanzq6ebhgnl7xkqkgolmvwy 245 2 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 245 3 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 245 4 shot shot NN work_rzcanzq6ebhgnl7xkqkgolmvwy 245 5 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 245 6 inverted invert VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 245 7 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 245 8 we -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 245 9 see see VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 245 10 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 245 11 still still JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 245 12 bodies body NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 245 13 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 245 14 colour colour NN work_rzcanzq6ebhgnl7xkqkgolmvwy 245 15 seemingly seemingly RB work_rzcanzq6ebhgnl7xkqkgolmvwy 245 16 suspended suspend VBD work_rzcanzq6ebhgnl7xkqkgolmvwy 245 17 or or CC work_rzcanzq6ebhgnl7xkqkgolmvwy 245 18 hanging hang VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 245 19 upside upside RB work_rzcanzq6ebhgnl7xkqkgolmvwy 245 20 down down RB work_rzcanzq6ebhgnl7xkqkgolmvwy 245 21 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 246 1 There there EX work_rzcanzq6ebhgnl7xkqkgolmvwy 246 2 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 246 3 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 246 4 clear clear JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 246 5 visual visual JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 246 6 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 246 7 spatial spatial JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 246 8 allusion allusion NN work_rzcanzq6ebhgnl7xkqkgolmvwy 246 9 to to IN work_rzcanzq6ebhgnl7xkqkgolmvwy 246 10 historical historical JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 246 11 drawings drawing NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 246 12 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 246 13 enslaved enslaved JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 246 14 bodies body NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 246 15 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 246 16 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 246 17 hold hold NN work_rzcanzq6ebhgnl7xkqkgolmvwy 246 18 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 246 19 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 246 20 slave slave NN work_rzcanzq6ebhgnl7xkqkgolmvwy 246 21 ship ship NN work_rzcanzq6ebhgnl7xkqkgolmvwy 246 22 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 247 1 It -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 247 2 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 247 3 perhaps perhaps RB work_rzcanzq6ebhgnl7xkqkgolmvwy 247 4 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 247 5 first first JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 247 6 indication indication NN work_rzcanzq6ebhgnl7xkqkgolmvwy 247 7 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 247 8 APESHIT apeshit NN work_rzcanzq6ebhgnl7xkqkgolmvwy 247 9 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 247 10 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 247 11 oppressed oppress VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 247 12 black black JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 247 13 body37 body37 NN work_rzcanzq6ebhgnl7xkqkgolmvwy 247 14 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 248 1 Furthermore furthermore RB work_rzcanzq6ebhgnl7xkqkgolmvwy 248 2 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 248 3 commenting comment VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 248 4 on on IN work_rzcanzq6ebhgnl7xkqkgolmvwy 248 5 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 248 6 Daru Daru NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 248 7 staircase staircase NN work_rzcanzq6ebhgnl7xkqkgolmvwy 248 8 sequence sequence NN work_rzcanzq6ebhgnl7xkqkgolmvwy 248 9 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 248 10 Cherkouai Cherkouai NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 248 11 states state VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 248 12 how how WRB work_rzcanzq6ebhgnl7xkqkgolmvwy 248 13 he -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 248 14 felt feel VBD work_rzcanzq6ebhgnl7xkqkgolmvwy 248 15 that that IN work_rzcanzq6ebhgnl7xkqkgolmvwy 248 16 this this DT work_rzcanzq6ebhgnl7xkqkgolmvwy 248 17 moment moment NN work_rzcanzq6ebhgnl7xkqkgolmvwy 248 18 was be VBD work_rzcanzq6ebhgnl7xkqkgolmvwy 248 19 « « `` work_rzcanzq6ebhgnl7xkqkgolmvwy 248 20 my -PRON- PRP$ work_rzcanzq6ebhgnl7xkqkgolmvwy 248 21 way way NN work_rzcanzq6ebhgnl7xkqkgolmvwy 248 22 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 248 23 paying pay VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 248 24 homage homage NN work_rzcanzq6ebhgnl7xkqkgolmvwy 248 25 to to IN work_rzcanzq6ebhgnl7xkqkgolmvwy 248 26 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 248 27 contraction contraction NN work_rzcanzq6ebhgnl7xkqkgolmvwy 248 28 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 248 29 Martha Martha NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 248 30 Graham Graham NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 248 31 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 249 1 I -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 249 2 made make VBD work_rzcanzq6ebhgnl7xkqkgolmvwy 249 3 it -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 249 4 my -PRON- PRP$ work_rzcanzq6ebhgnl7xkqkgolmvwy 249 5 own own JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 249 6 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 249 7 so so CC work_rzcanzq6ebhgnl7xkqkgolmvwy 249 8 it -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 249 9 had have VBD work_rzcanzq6ebhgnl7xkqkgolmvwy 249 10 this this DT work_rzcanzq6ebhgnl7xkqkgolmvwy 249 11 kind kind NN work_rzcanzq6ebhgnl7xkqkgolmvwy 249 12 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 249 13 crunch crunch NN work_rzcanzq6ebhgnl7xkqkgolmvwy 249 14 effect effect NN work_rzcanzq6ebhgnl7xkqkgolmvwy 249 15 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 249 16 yes yes UH work_rzcanzq6ebhgnl7xkqkgolmvwy 249 17 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 250 1 You -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 250 2 pull pull VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 250 3 inside inside RB work_rzcanzq6ebhgnl7xkqkgolmvwy 250 4 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 250 5 then then RB work_rzcanzq6ebhgnl7xkqkgolmvwy 250 6 back back RB work_rzcanzq6ebhgnl7xkqkgolmvwy 250 7 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 250 8 like like UH work_rzcanzq6ebhgnl7xkqkgolmvwy 250 9 you -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 250 10 ’re be VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 250 11 broken break VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 250 12 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 250 13 then then RB work_rzcanzq6ebhgnl7xkqkgolmvwy 250 14 returned return VBD work_rzcanzq6ebhgnl7xkqkgolmvwy 250 15 to to IN work_rzcanzq6ebhgnl7xkqkgolmvwy 250 16 stillness»38 stillness»38 NN work_rzcanzq6ebhgnl7xkqkgolmvwy 250 17 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 251 1 Cherkouai Cherkouai NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 251 2 ’s ’s POS work_rzcanzq6ebhgnl7xkqkgolmvwy 251 3 image image NN work_rzcanzq6ebhgnl7xkqkgolmvwy 251 4 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 251 5 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 251 6 contraction contraction NN work_rzcanzq6ebhgnl7xkqkgolmvwy 251 7 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 251 8 release release NN work_rzcanzq6ebhgnl7xkqkgolmvwy 251 9 movement movement NN work_rzcanzq6ebhgnl7xkqkgolmvwy 251 10 here here RB work_rzcanzq6ebhgnl7xkqkgolmvwy 251 11 being be VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 251 12 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 251 13 moment moment NN work_rzcanzq6ebhgnl7xkqkgolmvwy 251 14 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 251 15 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 251 16 body body NN work_rzcanzq6ebhgnl7xkqkgolmvwy 251 17 breaking break VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 251 18 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 251 19 fragmenting fragment VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 251 20 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 251 21 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 251 22 then then RB work_rzcanzq6ebhgnl7xkqkgolmvwy 251 23 returning return VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 251 24 to to IN work_rzcanzq6ebhgnl7xkqkgolmvwy 251 25 sculptural sculptural JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 251 26 stillness stillness NN work_rzcanzq6ebhgnl7xkqkgolmvwy 251 27 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 251 28 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 251 29 addition addition NN work_rzcanzq6ebhgnl7xkqkgolmvwy 251 30 to to IN work_rzcanzq6ebhgnl7xkqkgolmvwy 251 31 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 251 32 stillness stillness NN work_rzcanzq6ebhgnl7xkqkgolmvwy 251 33 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 251 34 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 251 35 freeze freeze NN work_rzcanzq6ebhgnl7xkqkgolmvwy 251 36 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 251 37 frame frame NN work_rzcanzq6ebhgnl7xkqkgolmvwy 251 38 on on IN work_rzcanzq6ebhgnl7xkqkgolmvwy 251 39 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 251 40 suspended suspend VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 251 41 “ " `` work_rzcanzq6ebhgnl7xkqkgolmvwy 251 42 broken break VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 251 43 ” " '' work_rzcanzq6ebhgnl7xkqkgolmvwy 251 44 bodies body NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 251 45 on on IN work_rzcanzq6ebhgnl7xkqkgolmvwy 251 46 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 251 47 staircase staircase NN work_rzcanzq6ebhgnl7xkqkgolmvwy 251 48 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 251 49 can can MD work_rzcanzq6ebhgnl7xkqkgolmvwy 251 50 be be VB work_rzcanzq6ebhgnl7xkqkgolmvwy 251 51 seen see VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 251 52 as as IN work_rzcanzq6ebhgnl7xkqkgolmvwy 251 53 another another DT work_rzcanzq6ebhgnl7xkqkgolmvwy 251 54 moment moment NN work_rzcanzq6ebhgnl7xkqkgolmvwy 251 55 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 251 56 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 251 57 “ " `` work_rzcanzq6ebhgnl7xkqkgolmvwy 251 58 fragmentary fragmentary JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 251 59 monumental monumental JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 251 60 ” " '' work_rzcanzq6ebhgnl7xkqkgolmvwy 251 61 : : : work_rzcanzq6ebhgnl7xkqkgolmvwy 251 62 it -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 251 63 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 251 64 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 251 65 moment moment NN work_rzcanzq6ebhgnl7xkqkgolmvwy 251 66 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 251 67 not not RB work_rzcanzq6ebhgnl7xkqkgolmvwy 251 68 so so RB work_rzcanzq6ebhgnl7xkqkgolmvwy 251 69 quiet quiet JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 251 70 protest protest NN work_rzcanzq6ebhgnl7xkqkgolmvwy 251 71 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 252 1 Similarly similarly RB work_rzcanzq6ebhgnl7xkqkgolmvwy 252 2 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 252 3 another another DT work_rzcanzq6ebhgnl7xkqkgolmvwy 252 4 striking striking JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 252 5 moment moment NN work_rzcanzq6ebhgnl7xkqkgolmvwy 252 6 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 252 7 stillness stillness NN work_rzcanzq6ebhgnl7xkqkgolmvwy 252 8 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 252 9 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 252 10 lingering linger VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 252 11 shot shot NN work_rzcanzq6ebhgnl7xkqkgolmvwy 252 12 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 252 13 two two CD work_rzcanzq6ebhgnl7xkqkgolmvwy 252 14 dancers dancer NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 252 15 seated seat VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 252 16 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 252 17 front front NN work_rzcanzq6ebhgnl7xkqkgolmvwy 252 18 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 252 19 David David NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 252 20 ’s ’s POS work_rzcanzq6ebhgnl7xkqkgolmvwy 252 21 Portrait Portrait NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 252 22 de de NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 252 23 madame madame NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 252 24 Récamier Récamier NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 252 25 ( ( -LRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 252 26 1800 1800 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 252 27 ) ) -RRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 252 28 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 253 1 The the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 253 2 dancers dancer NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 253 3 are be VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 253 4 connected connect VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 253 5 by by IN work_rzcanzq6ebhgnl7xkqkgolmvwy 253 6 their -PRON- PRP$ work_rzcanzq6ebhgnl7xkqkgolmvwy 253 7 heads head NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 253 8 to to IN work_rzcanzq6ebhgnl7xkqkgolmvwy 253 9 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 253 10 same same JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 253 11 length length NN work_rzcanzq6ebhgnl7xkqkgolmvwy 253 12 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 253 13 white white JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 253 14 cloth cloth NN work_rzcanzq6ebhgnl7xkqkgolmvwy 253 15 turban turban NN work_rzcanzq6ebhgnl7xkqkgolmvwy 253 16 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 253 17 which which WDT work_rzcanzq6ebhgnl7xkqkgolmvwy 253 18 prefigures prefigure VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 253 19 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 253 20 white white NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 253 21 wrapped wrap VBD work_rzcanzq6ebhgnl7xkqkgolmvwy 253 22 head head NN work_rzcanzq6ebhgnl7xkqkgolmvwy 253 23 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 253 24 cloth cloth NN work_rzcanzq6ebhgnl7xkqkgolmvwy 253 25 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 253 26 Marie Marie NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 253 27 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 253 28 Guillemine Guillemine NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 253 29 Benoist Benoist NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 253 30 ’s ’s NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 253 31 Portrait Portrait NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 253 32 d’une d’une NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 253 33 femme femme NN work_rzcanzq6ebhgnl7xkqkgolmvwy 253 34 noire noire NN work_rzcanzq6ebhgnl7xkqkgolmvwy 253 35 ( ( -LRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 253 36 1800 1800 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 253 37 ) ) -RRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 253 38 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 253 39 formerly formerly RB work_rzcanzq6ebhgnl7xkqkgolmvwy 253 40 known know VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 253 41 as as IN work_rzcanzq6ebhgnl7xkqkgolmvwy 253 42 Portrait Portrait NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 253 43 d’une d’une NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 253 44 négresse négresse NN work_rzcanzq6ebhgnl7xkqkgolmvwy 253 45 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 253 46 which which WDT work_rzcanzq6ebhgnl7xkqkgolmvwy 253 47 appears appear VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 253 48 towards towards IN work_rzcanzq6ebhgnl7xkqkgolmvwy 253 49 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 253 50 end end NN work_rzcanzq6ebhgnl7xkqkgolmvwy 253 51 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 253 52 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 253 53 video video NN work_rzcanzq6ebhgnl7xkqkgolmvwy 253 54 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 254 1 The the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 254 2 dancers dancer NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 254 3 ’ ’ POS work_rzcanzq6ebhgnl7xkqkgolmvwy 254 4 connected connected JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 254 5 bodies body NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 254 6 echo echo VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 254 7 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 254 8 composition composition NN work_rzcanzq6ebhgnl7xkqkgolmvwy 254 9 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 254 10 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 254 11 painting painting NN work_rzcanzq6ebhgnl7xkqkgolmvwy 254 12 : : : work_rzcanzq6ebhgnl7xkqkgolmvwy 254 13 there there EX work_rzcanzq6ebhgnl7xkqkgolmvwy 254 14 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 254 15 no no DT work_rzcanzq6ebhgnl7xkqkgolmvwy 254 16 dancing dancing NN work_rzcanzq6ebhgnl7xkqkgolmvwy 254 17 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 254 18 singing singing NN work_rzcanzq6ebhgnl7xkqkgolmvwy 254 19 or or CC work_rzcanzq6ebhgnl7xkqkgolmvwy 254 20 rapping rapping NN work_rzcanzq6ebhgnl7xkqkgolmvwy 254 21 at at IN work_rzcanzq6ebhgnl7xkqkgolmvwy 254 22 this this DT work_rzcanzq6ebhgnl7xkqkgolmvwy 254 23 point point NN work_rzcanzq6ebhgnl7xkqkgolmvwy 254 24 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 254 25 just just RB work_rzcanzq6ebhgnl7xkqkgolmvwy 254 26 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 254 27 moment moment NN work_rzcanzq6ebhgnl7xkqkgolmvwy 254 28 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 254 29 quiet quiet JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 254 30 stillness stillness NN work_rzcanzq6ebhgnl7xkqkgolmvwy 254 31 between between IN work_rzcanzq6ebhgnl7xkqkgolmvwy 254 32 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 254 33 dancers dancer NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 254 34 ’ ’ POS work_rzcanzq6ebhgnl7xkqkgolmvwy 254 35 bodies body NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 254 36 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 254 37 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 254 38 painted paint VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 254 39 body body NN work_rzcanzq6ebhgnl7xkqkgolmvwy 254 40 on on IN work_rzcanzq6ebhgnl7xkqkgolmvwy 254 41 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 254 42 canvas canvas NN work_rzcanzq6ebhgnl7xkqkgolmvwy 254 43 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 255 1 However however RB work_rzcanzq6ebhgnl7xkqkgolmvwy 255 2 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 255 3 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 255 4 its -PRON- PRP$ work_rzcanzq6ebhgnl7xkqkgolmvwy 255 5 choreographic choreographic JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 255 6 composition composition NN work_rzcanzq6ebhgnl7xkqkgolmvwy 255 7 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 255 8 this this DT work_rzcanzq6ebhgnl7xkqkgolmvwy 255 9 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 255 10 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 255 11 moment moment NN work_rzcanzq6ebhgnl7xkqkgolmvwy 255 12 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 255 13 choreographic choreographic JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 255 14 quietness quietness NN work_rzcanzq6ebhgnl7xkqkgolmvwy 255 15 that that WDT work_rzcanzq6ebhgnl7xkqkgolmvwy 255 16 speaks speak VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 255 17 volumes volume NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 255 18 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 256 1 As as IN work_rzcanzq6ebhgnl7xkqkgolmvwy 256 2 art art NN work_rzcanzq6ebhgnl7xkqkgolmvwy 256 3 historian historian NN work_rzcanzq6ebhgnl7xkqkgolmvwy 256 4 Alicia Alicia NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 256 5 Caticha Caticha NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 256 6 has have VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 256 7 argued argue VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 256 8 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 256 9 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 256 10 image image NN work_rzcanzq6ebhgnl7xkqkgolmvwy 256 11 can can MD work_rzcanzq6ebhgnl7xkqkgolmvwy 256 12 be be VB work_rzcanzq6ebhgnl7xkqkgolmvwy 256 13 seen see VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 256 14 to to TO work_rzcanzq6ebhgnl7xkqkgolmvwy 256 15 be be VB work_rzcanzq6ebhgnl7xkqkgolmvwy 256 16 reworking rework VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 256 17 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 256 18 tableau tableau NN work_rzcanzq6ebhgnl7xkqkgolmvwy 256 19 vivant vivant JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 256 20 tradition tradition NN work_rzcanzq6ebhgnl7xkqkgolmvwy 256 21 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 256 22 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 256 23 Eighteenth Eighteenth NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 256 24 Century Century NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 256 25 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 256 26 with with IN work_rzcanzq6ebhgnl7xkqkgolmvwy 256 27 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 256 28 Carters Carters NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 256 29 appropriating appropriate VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 256 30 « « `` work_rzcanzq6ebhgnl7xkqkgolmvwy 256 31 this this DT work_rzcanzq6ebhgnl7xkqkgolmvwy 256 32 self self NN work_rzcanzq6ebhgnl7xkqkgolmvwy 256 33 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 256 34 referential referential NN work_rzcanzq6ebhgnl7xkqkgolmvwy 256 35 parlor parlor NN work_rzcanzq6ebhgnl7xkqkgolmvwy 256 36 game game NN work_rzcanzq6ebhgnl7xkqkgolmvwy 256 37 as as IN work_rzcanzq6ebhgnl7xkqkgolmvwy 256 38 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 256 39 visual visual JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 256 40 analogy analogy NN work_rzcanzq6ebhgnl7xkqkgolmvwy 256 41 for for IN work_rzcanzq6ebhgnl7xkqkgolmvwy 256 42 their -PRON- PRP$ work_rzcanzq6ebhgnl7xkqkgolmvwy 256 43 own own JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 256 44 success success NN work_rzcanzq6ebhgnl7xkqkgolmvwy 256 45 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 256 46 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 256 47 culture culture NN work_rzcanzq6ebhgnl7xkqkgolmvwy 256 48 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 256 49 systemic systemic NN work_rzcanzq6ebhgnl7xkqkgolmvwy 256 50 racism»39 racism»39 NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 256 51 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 257 1 While while IN work_rzcanzq6ebhgnl7xkqkgolmvwy 257 2 art art NN work_rzcanzq6ebhgnl7xkqkgolmvwy 257 3 historian historian NN work_rzcanzq6ebhgnl7xkqkgolmvwy 257 4 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 257 5 curator curator NN work_rzcanzq6ebhgnl7xkqkgolmvwy 257 6 Georgina Georgina NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 257 7 Downey40 Downey40 NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 257 8 has have VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 257 9 noted note VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 257 10 how how WRB work_rzcanzq6ebhgnl7xkqkgolmvwy 257 11 37 37 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 257 12 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 258 1 The the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 258 2 suspended suspend VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 258 3 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 258 4 “ " `` work_rzcanzq6ebhgnl7xkqkgolmvwy 258 5 hanging hang VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 258 6 ” " '' work_rzcanzq6ebhgnl7xkqkgolmvwy 258 7 image image NN work_rzcanzq6ebhgnl7xkqkgolmvwy 258 8 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 258 9 perhaps perhaps RB work_rzcanzq6ebhgnl7xkqkgolmvwy 258 10 also also RB work_rzcanzq6ebhgnl7xkqkgolmvwy 258 11 reminiscent reminiscent JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 258 12 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 258 13 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 258 14 « « `` work_rzcanzq6ebhgnl7xkqkgolmvwy 258 15 strange strange JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 258 16 fruit fruit NN work_rzcanzq6ebhgnl7xkqkgolmvwy 258 17 hanging hang VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 258 18 from from IN work_rzcanzq6ebhgnl7xkqkgolmvwy 258 19 poplar poplar JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 258 20 trees tree NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 258 21 » » '' work_rzcanzq6ebhgnl7xkqkgolmvwy 258 22 that that IN work_rzcanzq6ebhgnl7xkqkgolmvwy 258 23 Billie Billie NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 258 24 Holliday Holliday NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 258 25 sings sing NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 258 26 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 258 27 Strange Strange NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 258 28 Fruit Fruit NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 258 29 ( ( -LRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 258 30 1937 1937 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 258 31 ) ) -RRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 258 32 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 258 33 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 258 34 song song NN work_rzcanzq6ebhgnl7xkqkgolmvwy 258 35 protesting protest VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 258 36 about about IN work_rzcanzq6ebhgnl7xkqkgolmvwy 258 37 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 258 38 lynching lynching NN work_rzcanzq6ebhgnl7xkqkgolmvwy 258 39 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 258 40 black black JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 258 41 Americans Americans NNPS work_rzcanzq6ebhgnl7xkqkgolmvwy 258 42 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 258 43 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 258 44 American American NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 258 45 South South NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 258 46 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 259 1 38 38 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 259 2 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 260 1 Cherkaouai Cherkaouai NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 260 2 cited cite VBD work_rzcanzq6ebhgnl7xkqkgolmvwy 260 3 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 260 4 Michelle Michelle NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 260 5 Kim Kim NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 260 6 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 260 7 The the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 260 8 Choreographer Choreographer NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 260 9 for for IN work_rzcanzq6ebhgnl7xkqkgolmvwy 260 10 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 260 11 Carters carter NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 260 12 ’ ’ POS work_rzcanzq6ebhgnl7xkqkgolmvwy 260 13 APESHIT apeshit VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 260 14 Video video NN work_rzcanzq6ebhgnl7xkqkgolmvwy 260 15 on on IN work_rzcanzq6ebhgnl7xkqkgolmvwy 260 16 Being be VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 260 17 Inspired inspire VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 260 18 by by IN work_rzcanzq6ebhgnl7xkqkgolmvwy 260 19 Mythology Mythology NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 260 20 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 260 21 Martha Martha NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 260 22 Graham Graham NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 260 23 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 260 24 June June NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 260 25 21st 21st NN work_rzcanzq6ebhgnl7xkqkgolmvwy 260 26 2018 2018 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 260 27 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 260 28 online online RB work_rzcanzq6ebhgnl7xkqkgolmvwy 260 29 : : : work_rzcanzq6ebhgnl7xkqkgolmvwy 260 30 https://pitchfork.com/thepitch/choreographer-beyonce-jayz-apeshit-video- https://pitchfork.com/thepitch/choreographer-beyonce-jayz-apeshit-video- NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 260 31 interview interview NN work_rzcanzq6ebhgnl7xkqkgolmvwy 260 32 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 260 33 inspired inspire VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 260 34 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 260 35 by by IN work_rzcanzq6ebhgnl7xkqkgolmvwy 260 36 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 260 37 mythology mythology NN work_rzcanzq6ebhgnl7xkqkgolmvwy 260 38 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 260 39 martha martha NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 260 40 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 260 41 graham/ graham/ NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 260 42 ( ( -LRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 260 43 accessed access VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 260 44 19/6/2020 19/6/2020 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 260 45 ) ) -RRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 260 46 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 260 47 my -PRON- PRP$ work_rzcanzq6ebhgnl7xkqkgolmvwy 260 48 emphasis emphasis NN work_rzcanzq6ebhgnl7xkqkgolmvwy 260 49 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 261 1 39 39 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 261 2 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 262 1 Alicia Alicia NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 262 2 Caticha Caticha NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 262 3 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 262 4 Madame Madame NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 262 5 Récamier Récamier NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 262 6 as as IN work_rzcanzq6ebhgnl7xkqkgolmvwy 262 7 Tableau Tableau NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 262 8 Vivant Vivant NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 262 9 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 262 10 cit cit RB work_rzcanzq6ebhgnl7xkqkgolmvwy 262 11 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 263 1 This this DT work_rzcanzq6ebhgnl7xkqkgolmvwy 263 2 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 263 3 not not RB work_rzcanzq6ebhgnl7xkqkgolmvwy 263 4 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 263 5 first first JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 263 6 time time NN work_rzcanzq6ebhgnl7xkqkgolmvwy 263 7 that that DT work_rzcanzq6ebhgnl7xkqkgolmvwy 263 8 performance performance NN work_rzcanzq6ebhgnl7xkqkgolmvwy 263 9 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 263 10 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 263 11 museum museum NN work_rzcanzq6ebhgnl7xkqkgolmvwy 263 12 has have VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 263 13 used use VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 263 14 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 263 15 idea idea NN work_rzcanzq6ebhgnl7xkqkgolmvwy 263 16 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 263 17 reworking rework VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 263 18 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 263 19 tableau tableau NN work_rzcanzq6ebhgnl7xkqkgolmvwy 263 20 vivant vivant JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 263 21 to to TO work_rzcanzq6ebhgnl7xkqkgolmvwy 263 22 make make VB work_rzcanzq6ebhgnl7xkqkgolmvwy 263 23 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 263 24 political political JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 263 25 statement statement NN work_rzcanzq6ebhgnl7xkqkgolmvwy 263 26 – – : work_rzcanzq6ebhgnl7xkqkgolmvwy 263 27 see see VB work_rzcanzq6ebhgnl7xkqkgolmvwy 263 28 further further JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 263 29 Manuel Manuel NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 263 30 Pelmus Pelmus NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 263 31 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 263 32 Alexandra Alexandra NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 263 33 Pirici Pirici NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 263 34 ’s ’s POS work_rzcanzq6ebhgnl7xkqkgolmvwy 263 35 Public Public NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 263 36 Collection Collection NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 263 37 ( ( -LRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 263 38 2016 2016 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 263 39 ) ) -RRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 263 40 where where WRB work_rzcanzq6ebhgnl7xkqkgolmvwy 263 41 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 263 42 through through IN work_rzcanzq6ebhgnl7xkqkgolmvwy 263 43 what what WP work_rzcanzq6ebhgnl7xkqkgolmvwy 263 44 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 263 45 artists artist NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 263 46 term term NN work_rzcanzq6ebhgnl7xkqkgolmvwy 263 47 « « `` work_rzcanzq6ebhgnl7xkqkgolmvwy 263 48 continuous continuous JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 263 49 actions action NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 263 50 » » '' work_rzcanzq6ebhgnl7xkqkgolmvwy 263 51 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 263 52 performers performer NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 263 53 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 263 54 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 263 55 museum museum NN work_rzcanzq6ebhgnl7xkqkgolmvwy 263 56 use use VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 263 57 their -PRON- PRP$ work_rzcanzq6ebhgnl7xkqkgolmvwy 263 58 bodies body NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 263 59 to to TO work_rzcanzq6ebhgnl7xkqkgolmvwy 263 60 re re VB work_rzcanzq6ebhgnl7xkqkgolmvwy 263 61 - - VB work_rzcanzq6ebhgnl7xkqkgolmvwy 263 62 enact enact VB work_rzcanzq6ebhgnl7xkqkgolmvwy 263 63 artworks artwork NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 263 64 on on IN work_rzcanzq6ebhgnl7xkqkgolmvwy 263 65 display display NN work_rzcanzq6ebhgnl7xkqkgolmvwy 263 66 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 263 67 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 263 68 physical physical JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 263 69 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 263 70 bodily bodily JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 263 71 enactment enactment NN work_rzcanzq6ebhgnl7xkqkgolmvwy 263 72 becomes become VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 263 73 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 263 74 strategy strategy NN work_rzcanzq6ebhgnl7xkqkgolmvwy 263 75 to to TO work_rzcanzq6ebhgnl7xkqkgolmvwy 263 76 attempt attempt VB work_rzcanzq6ebhgnl7xkqkgolmvwy 263 77 to to IN work_rzcanzq6ebhgnl7xkqkgolmvwy 263 78 ( ( -LRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 263 79 re)-claim re)-claim NN work_rzcanzq6ebhgnl7xkqkgolmvwy 263 80 history history NN work_rzcanzq6ebhgnl7xkqkgolmvwy 263 81 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 264 1 Another another DT work_rzcanzq6ebhgnl7xkqkgolmvwy 264 2 example example NN work_rzcanzq6ebhgnl7xkqkgolmvwy 264 3 might may MD work_rzcanzq6ebhgnl7xkqkgolmvwy 264 4 be be VB work_rzcanzq6ebhgnl7xkqkgolmvwy 264 5 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 264 6 museum museum NN work_rzcanzq6ebhgnl7xkqkgolmvwy 264 7 dance dance NN work_rzcanzq6ebhgnl7xkqkgolmvwy 264 8 works work NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 264 9 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 264 10 choreographer choreographer JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 264 11 Alexis Alexis NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 264 12 Blake Blake NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 264 13 such such JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 264 14 as as IN work_rzcanzq6ebhgnl7xkqkgolmvwy 264 15 Allegory Allegory NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 264 16 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 264 17 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 264 18 Painted Painted NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 264 19 Woman Woman NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 264 20 ( ( -LRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 264 21 2012 2012 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 264 22 - - SYM work_rzcanzq6ebhgnl7xkqkgolmvwy 264 23 2015 2015 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 264 24 ) ) -RRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 264 25 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 264 26 Conditions Conditions NNPS work_rzcanzq6ebhgnl7xkqkgolmvwy 264 27 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 264 28 an an DT work_rzcanzq6ebhgnl7xkqkgolmvwy 264 29 Ideal Ideal NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 264 30 ( ( -LRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 264 31 2016 2016 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 264 32 ) ) -RRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 264 33 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 265 1 40 40 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 265 2 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 266 1 Georgina Georgina NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 266 2 Downey Downey NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 266 3 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 266 4 Beautiful beautiful JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 266 5 No no NN work_rzcanzq6ebhgnl7xkqkgolmvwy 266 6 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 266 7 Bodies body NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 266 8 ? ? . work_rzcanzq6ebhgnl7xkqkgolmvwy 267 1 The the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 267 2 Dancers Dancers NNPS work_rzcanzq6ebhgnl7xkqkgolmvwy 267 3 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 267 4 Beyoncé Beyoncé NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 267 5 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 267 6 Jay Jay NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 267 7 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 267 8 Z Z NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 267 9 ’s ’s NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 267 10 Apeshit Apeshit NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 267 11 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 267 12 August August NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 267 13 6th 6th NN work_rzcanzq6ebhgnl7xkqkgolmvwy 267 14 2018 2018 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 267 15 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 267 16 online online NN work_rzcanzq6ebhgnl7xkqkgolmvwy 267 17 : : : work_rzcanzq6ebhgnl7xkqkgolmvwy 267 18 http://www.georginadowney.com/writing-and-art-a-blog/2018/8/6/beautiful-no-bodies-the-dancers-in-beyonc-and-jay-zs- http://www.georginadowney.com/writing-and-art-a-blog/2018/8/6/beautiful-no-bodies-the-dancers-in-beyonc-and-jay-zs- NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 267 19 apeshit apeshit NN work_rzcanzq6ebhgnl7xkqkgolmvwy 267 20 ( ( -LRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 267 21 accessed access VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 267 22 19/6/2020 19/6/2020 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 267 23 ) ) -RRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 267 24 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 268 1 https://pitchfork.com/thepitch/choreographer-beyonce-jayz-apeshit-video-interview-inspired-by-mythology-martha-graham/ https://pitchfork.com/thepitch/choreographer-beyonce-jayz-apeshit-video-interview-inspired-by-mythology-martha-graham/ ADD work_rzcanzq6ebhgnl7xkqkgolmvwy 268 2 https://pitchfork.com/thepitch/choreographer-beyonce-jayz-apeshit-video-interview-inspired-by-mythology-martha-graham/ https://pitchfork.com/thepitch/choreographer-beyonce-jayz-apeshit-video-interview-inspired-by-mythology-martha-graham/ UH work_rzcanzq6ebhgnl7xkqkgolmvwy 268 3 http://www.georginadowney.com/writing-and-art-a-blog/2018/8/6/beautiful-no-bodies-the-dancers-in-beyonc-and-jay-zs-apeshit http://www.georginadowney.com/writing-and-art-a-blog/2018/8/6/beautiful-no-bodies-the-dancers-in-beyonc-and-jay-zs-apeshit NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 268 4 http://www.georginadowney.com/writing-and-art-a-blog/2018/8/6/beautiful-no-bodies-the-dancers-in-beyonc-and-jay-zs-apeshit http://www.georginadowney.com/writing-and-art-a-blog/2018/8/6/beautiful-no-bodies-the-dancers-in-beyonc-and-jay-zs-apeshit NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 268 5 294 294 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 268 6 Marie­Louise Marie­Louise NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 268 7 Crawley Crawley NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 268 8 this this DT work_rzcanzq6ebhgnl7xkqkgolmvwy 268 9 scene scene NN work_rzcanzq6ebhgnl7xkqkgolmvwy 268 10 may may MD work_rzcanzq6ebhgnl7xkqkgolmvwy 268 11 also also RB work_rzcanzq6ebhgnl7xkqkgolmvwy 268 12 have have VB work_rzcanzq6ebhgnl7xkqkgolmvwy 268 13 echoes echo NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 268 14 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 268 15 Ulay Ulay NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 268 16 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 268 17 Marina Marina NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 268 18 Abramović Abramović NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 268 19 ’s ’s POS work_rzcanzq6ebhgnl7xkqkgolmvwy 268 20 performance performance NN work_rzcanzq6ebhgnl7xkqkgolmvwy 268 21 Relation Relation NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 268 22 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 268 23 Time Time NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 268 24 ( ( -LRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 268 25 1977 1977 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 268 26 ) ) -RRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 268 27 where where WRB work_rzcanzq6ebhgnl7xkqkgolmvwy 268 28 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 268 29 two two CD work_rzcanzq6ebhgnl7xkqkgolmvwy 268 30 artists artist NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 268 31 knotted knot VBD work_rzcanzq6ebhgnl7xkqkgolmvwy 268 32 their -PRON- PRP$ work_rzcanzq6ebhgnl7xkqkgolmvwy 268 33 hair hair NN work_rzcanzq6ebhgnl7xkqkgolmvwy 268 34 together together RB work_rzcanzq6ebhgnl7xkqkgolmvwy 268 35 for for IN work_rzcanzq6ebhgnl7xkqkgolmvwy 268 36 seventeen seventeen CD work_rzcanzq6ebhgnl7xkqkgolmvwy 268 37 hours hour NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 268 38 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 268 39 Caticha Caticha NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 268 40 points point VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 268 41 out out RP work_rzcanzq6ebhgnl7xkqkgolmvwy 268 42 how how WRB work_rzcanzq6ebhgnl7xkqkgolmvwy 268 43 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 268 44 long long JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 268 45 white white JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 268 46 headscarf headscarf NN work_rzcanzq6ebhgnl7xkqkgolmvwy 268 47 more more RBR work_rzcanzq6ebhgnl7xkqkgolmvwy 268 48 significantly significantly RB work_rzcanzq6ebhgnl7xkqkgolmvwy 268 49 makes make VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 268 50 reference reference NN work_rzcanzq6ebhgnl7xkqkgolmvwy 268 51 to to IN work_rzcanzq6ebhgnl7xkqkgolmvwy 268 52 photographer photographer NN work_rzcanzq6ebhgnl7xkqkgolmvwy 268 53 John John NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 268 54 Edmond Edmond NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 268 55 ’s ’s POS work_rzcanzq6ebhgnl7xkqkgolmvwy 268 56 2017 2017 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 268 57 series series NN work_rzcanzq6ebhgnl7xkqkgolmvwy 268 58 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 268 59 Du- Du- NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 268 60 Rags Rags NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 268 61 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 269 1 The the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 269 2 du du NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 269 3 - - NN work_rzcanzq6ebhgnl7xkqkgolmvwy 269 4 rag rag NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 269 5 itself -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 269 6 has have VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 269 7 its -PRON- PRP$ work_rzcanzq6ebhgnl7xkqkgolmvwy 269 8 origins origin NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 269 9 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 269 10 headscarves headscarf NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 269 11 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 269 12 enslaved enslave VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 269 13 women woman NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 269 14 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 269 15 so so RB work_rzcanzq6ebhgnl7xkqkgolmvwy 269 16 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 269 17 dancers dancer NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 269 18 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 269 19 front front NN work_rzcanzq6ebhgnl7xkqkgolmvwy 269 20 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 269 21 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 269 22 Récamier Récamier NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 269 23 portrait portrait NN work_rzcanzq6ebhgnl7xkqkgolmvwy 269 24 through through IN work_rzcanzq6ebhgnl7xkqkgolmvwy 269 25 their -PRON- PRP$ work_rzcanzq6ebhgnl7xkqkgolmvwy 269 26 « « `` work_rzcanzq6ebhgnl7xkqkgolmvwy 269 27 bodies body NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 269 28 [ [ -LRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 269 29 … … NFP work_rzcanzq6ebhgnl7xkqkgolmvwy 269 30 ] ] -RRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 269 31 make make VB work_rzcanzq6ebhgnl7xkqkgolmvwy 269 32 present present JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 269 33 what what WP work_rzcanzq6ebhgnl7xkqkgolmvwy 269 34 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 269 35 absent absent JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 269 36 : : : work_rzcanzq6ebhgnl7xkqkgolmvwy 269 37 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 269 38 slave slave NN work_rzcanzq6ebhgnl7xkqkgolmvwy 269 39 labor labor NN work_rzcanzq6ebhgnl7xkqkgolmvwy 269 40 that that WDT work_rzcanzq6ebhgnl7xkqkgolmvwy 269 41 was be VBD work_rzcanzq6ebhgnl7xkqkgolmvwy 269 42 responsible responsible JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 269 43 for for IN work_rzcanzq6ebhgnl7xkqkgolmvwy 269 44 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 269 45 consumerist consumerist JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 269 46 luxuries luxury NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 269 47 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 269 48 David David NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 269 49 ’s ’s POS work_rzcanzq6ebhgnl7xkqkgolmvwy 269 50 Portrait Portrait NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 269 51 de de NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 269 52 madame madame NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 269 53 Récamier Récamier NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 269 54 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 269 55 Eighteenth- Eighteenth- NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 269 56 Century Century NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 269 57 French french JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 269 58 culture culture NN work_rzcanzq6ebhgnl7xkqkgolmvwy 269 59 writ writ VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 269 60 large»41 large»41 NN work_rzcanzq6ebhgnl7xkqkgolmvwy 269 61 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 270 1 Furthermore furthermore RB work_rzcanzq6ebhgnl7xkqkgolmvwy 270 2 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 270 3 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 270 4 du du NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 270 5 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 270 6 rag rag NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 270 7 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 270 8 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 270 9 motif motif NN work_rzcanzq6ebhgnl7xkqkgolmvwy 270 10 that that WDT work_rzcanzq6ebhgnl7xkqkgolmvwy 270 11 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 270 12 positioned position VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 270 13 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 270 14 opposition opposition NN work_rzcanzq6ebhgnl7xkqkgolmvwy 270 15 to to IN work_rzcanzq6ebhgnl7xkqkgolmvwy 270 16 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 270 17 white white NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 270 18 ideal ideal NN work_rzcanzq6ebhgnl7xkqkgolmvwy 270 19 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 270 20 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 270 21 neo- neo- RB work_rzcanzq6ebhgnl7xkqkgolmvwy 270 22 classical classical JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 270 23 dress dress NN work_rzcanzq6ebhgnl7xkqkgolmvwy 270 24 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 270 25 Madame Madame NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 270 26 Récamier Récamier NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 270 27 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 270 28 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 270 29 its -PRON- PRP$ work_rzcanzq6ebhgnl7xkqkgolmvwy 270 30 sculptural sculptural JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 270 31 folds fold NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 270 32 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 270 33 it -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 270 34 also also RB work_rzcanzq6ebhgnl7xkqkgolmvwy 270 35 stands stand VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 270 36 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 270 37 opposition opposition NN work_rzcanzq6ebhgnl7xkqkgolmvwy 270 38 with with IN work_rzcanzq6ebhgnl7xkqkgolmvwy 270 39 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 270 40 marble marble NN work_rzcanzq6ebhgnl7xkqkgolmvwy 270 41 statuary statuary NN work_rzcanzq6ebhgnl7xkqkgolmvwy 270 42 that that WDT work_rzcanzq6ebhgnl7xkqkgolmvwy 270 43 we -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 270 44 see see VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 270 45 throughout throughout IN work_rzcanzq6ebhgnl7xkqkgolmvwy 270 46 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 270 47 video video NN work_rzcanzq6ebhgnl7xkqkgolmvwy 270 48 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 271 1 Beyoncé Beyoncé NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 271 2 too too RB work_rzcanzq6ebhgnl7xkqkgolmvwy 271 3 embraces embrace VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 271 4 this this DT work_rzcanzq6ebhgnl7xkqkgolmvwy 271 5 artefact artefact NN work_rzcanzq6ebhgnl7xkqkgolmvwy 271 6 as as IN work_rzcanzq6ebhgnl7xkqkgolmvwy 271 7 an an DT work_rzcanzq6ebhgnl7xkqkgolmvwy 271 8 object object NN work_rzcanzq6ebhgnl7xkqkgolmvwy 271 9 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 271 10 resistance resistance NN work_rzcanzq6ebhgnl7xkqkgolmvwy 271 11 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 271 12 re re NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 271 13 - - VB work_rzcanzq6ebhgnl7xkqkgolmvwy 271 14 appropriates appropriate VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 271 15 it -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 271 16 : : : work_rzcanzq6ebhgnl7xkqkgolmvwy 271 17 at at IN work_rzcanzq6ebhgnl7xkqkgolmvwy 271 18 another another DT work_rzcanzq6ebhgnl7xkqkgolmvwy 271 19 point point NN work_rzcanzq6ebhgnl7xkqkgolmvwy 271 20 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 271 21 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 271 22 video video NN work_rzcanzq6ebhgnl7xkqkgolmvwy 271 23 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 271 24 we -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 271 25 see see VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 271 26 her -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 271 27 reclining recline VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 271 28 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 271 29 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 271 30 gallery gallery NN work_rzcanzq6ebhgnl7xkqkgolmvwy 271 31 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 271 32 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 271 33 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 271 34 pose pose NN work_rzcanzq6ebhgnl7xkqkgolmvwy 271 35 not not RB work_rzcanzq6ebhgnl7xkqkgolmvwy 271 36 too too RB work_rzcanzq6ebhgnl7xkqkgolmvwy 271 37 dissimilar dissimilar JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 271 38 from from IN work_rzcanzq6ebhgnl7xkqkgolmvwy 271 39 Madame Madame NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 271 40 Récamier Récamier NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 271 41 ’s ’s NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 271 42 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 271 43 wearing wear VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 271 44 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 271 45 silk silk NN work_rzcanzq6ebhgnl7xkqkgolmvwy 271 46 headscarf headscarf NN work_rzcanzq6ebhgnl7xkqkgolmvwy 271 47 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 272 1 In in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 272 2 fact fact NN work_rzcanzq6ebhgnl7xkqkgolmvwy 272 3 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 272 4 perhaps perhaps RB work_rzcanzq6ebhgnl7xkqkgolmvwy 272 5 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 272 6 most most RBS work_rzcanzq6ebhgnl7xkqkgolmvwy 272 7 striking striking JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 272 8 still still RB work_rzcanzq6ebhgnl7xkqkgolmvwy 272 9 image image NN work_rzcanzq6ebhgnl7xkqkgolmvwy 272 10 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 272 11 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 272 12 video video NN work_rzcanzq6ebhgnl7xkqkgolmvwy 272 13 ’s ’s POS work_rzcanzq6ebhgnl7xkqkgolmvwy 272 14 final final JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 272 15 cut cut NN work_rzcanzq6ebhgnl7xkqkgolmvwy 272 16 to to IN work_rzcanzq6ebhgnl7xkqkgolmvwy 272 17 Benoist Benoist NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 272 18 ’s ’s NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 272 19 Portrait Portrait NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 272 20 d’une d’une NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 272 21 femme femme NN work_rzcanzq6ebhgnl7xkqkgolmvwy 272 22 noire noire NN work_rzcanzq6ebhgnl7xkqkgolmvwy 272 23 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 272 24 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 272 25 sitter sitter NN work_rzcanzq6ebhgnl7xkqkgolmvwy 272 26 recently recently RB work_rzcanzq6ebhgnl7xkqkgolmvwy 272 27 renamed rename VBD work_rzcanzq6ebhgnl7xkqkgolmvwy 272 28 through through IN work_rzcanzq6ebhgnl7xkqkgolmvwy 272 29 research research NN work_rzcanzq6ebhgnl7xkqkgolmvwy 272 30 by by IN work_rzcanzq6ebhgnl7xkqkgolmvwy 272 31 Anne Anne NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 272 32 Lafont Lafont NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 272 33 ( ( -LRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 272 34 2019 2019 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 272 35 ) ) -RRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 272 36 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 272 37 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 272 38 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 272 39 some some DT work_rzcanzq6ebhgnl7xkqkgolmvwy 272 40 way way NN work_rzcanzq6ebhgnl7xkqkgolmvwy 272 41 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 272 42 rescued rescue VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 272 43 from from IN work_rzcanzq6ebhgnl7xkqkgolmvwy 272 44 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 272 45 erasure erasure NN work_rzcanzq6ebhgnl7xkqkgolmvwy 272 46 that that WDT work_rzcanzq6ebhgnl7xkqkgolmvwy 272 47 comes come VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 272 48 with with IN work_rzcanzq6ebhgnl7xkqkgolmvwy 272 49 anonymity anonymity NN work_rzcanzq6ebhgnl7xkqkgolmvwy 272 50 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 273 1 As as IN work_rzcanzq6ebhgnl7xkqkgolmvwy 273 2 art art NN work_rzcanzq6ebhgnl7xkqkgolmvwy 273 3 historian historian NN work_rzcanzq6ebhgnl7xkqkgolmvwy 273 4 James James NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 273 5 Stalls Stalls NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 273 6 argues argue VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 273 7 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 273 8 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 273 9 all all PDT work_rzcanzq6ebhgnl7xkqkgolmvwy 273 10 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 273 11 art art NN work_rzcanzq6ebhgnl7xkqkgolmvwy 273 12 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 273 13 works work NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 273 14 re re NN work_rzcanzq6ebhgnl7xkqkgolmvwy 273 15 - - VBD work_rzcanzq6ebhgnl7xkqkgolmvwy 273 16 appropriated appropriate VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 273 17 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 273 18 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 273 19 video video NN work_rzcanzq6ebhgnl7xkqkgolmvwy 273 20 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 273 21 this this DT work_rzcanzq6ebhgnl7xkqkgolmvwy 273 22 highly highly RB work_rzcanzq6ebhgnl7xkqkgolmvwy 273 23 complex complex JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 273 24 painting painting NN work_rzcanzq6ebhgnl7xkqkgolmvwy 273 25 with with IN work_rzcanzq6ebhgnl7xkqkgolmvwy 273 26 many many JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 273 27 things thing NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 273 28 happening happen VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 273 29 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 273 30 it -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 273 31 across across IN work_rzcanzq6ebhgnl7xkqkgolmvwy 273 32 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 273 33 realm realm NN work_rzcanzq6ebhgnl7xkqkgolmvwy 273 34 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 273 35 politics politic NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 273 36 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 273 37 race race NN work_rzcanzq6ebhgnl7xkqkgolmvwy 273 38 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 273 39 gender gender NN work_rzcanzq6ebhgnl7xkqkgolmvwy 273 40 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 273 41 class class NN work_rzcanzq6ebhgnl7xkqkgolmvwy 273 42 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 273 43 strategies strategy NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 273 44 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 273 45 looking look VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 273 46 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 273 47 being be VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 273 48 looked look VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 273 49 at at IN work_rzcanzq6ebhgnl7xkqkgolmvwy 273 50 [ [ -LRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 273 51 … … NFP work_rzcanzq6ebhgnl7xkqkgolmvwy 273 52 ] ] -RRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 273 53 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 273 54 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 273 55 [ [ -LRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 273 56 … … NFP work_rzcanzq6ebhgnl7xkqkgolmvwy 273 57 ] ] -RRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 273 58 one one NN work_rzcanzq6ebhgnl7xkqkgolmvwy 273 59 that that WDT work_rzcanzq6ebhgnl7xkqkgolmvwy 273 60 most most RBS work_rzcanzq6ebhgnl7xkqkgolmvwy 273 61 significant significant JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 273 62 to to IN work_rzcanzq6ebhgnl7xkqkgolmvwy 273 63 Beyoncé Beyoncé NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 273 64 ’s ’s POS work_rzcanzq6ebhgnl7xkqkgolmvwy 273 65 strategic strategic JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 273 66 manipulation manipulation NN work_rzcanzq6ebhgnl7xkqkgolmvwy 273 67 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 273 68 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 273 69 bodily bodily JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 273 70 presence presence NN work_rzcanzq6ebhgnl7xkqkgolmvwy 273 71 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 273 72 absence absence NN work_rzcanzq6ebhgnl7xkqkgolmvwy 273 73 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 273 74 black black JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 273 75 women woman NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 273 76 [ [ -LRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 273 77 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 273 78 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 273 79 museum museum NN work_rzcanzq6ebhgnl7xkqkgolmvwy 273 80 collection]42 collection]42 NN work_rzcanzq6ebhgnl7xkqkgolmvwy 273 81 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 274 1 Significantly significantly RB work_rzcanzq6ebhgnl7xkqkgolmvwy 274 2 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 274 3 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 274 4 portrait portrait NN work_rzcanzq6ebhgnl7xkqkgolmvwy 274 5 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 274 6 never never RB work_rzcanzq6ebhgnl7xkqkgolmvwy 274 7 directly directly RB work_rzcanzq6ebhgnl7xkqkgolmvwy 274 8 visually visually RB work_rzcanzq6ebhgnl7xkqkgolmvwy 274 9 paired pair VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 274 10 with with IN work_rzcanzq6ebhgnl7xkqkgolmvwy 274 11 Beyoncé Beyoncé NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 274 12 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 275 1 The the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 275 2 painting painting NN work_rzcanzq6ebhgnl7xkqkgolmvwy 275 3 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 275 4 cropped crop VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 275 5 so so IN work_rzcanzq6ebhgnl7xkqkgolmvwy 275 6 that that IN work_rzcanzq6ebhgnl7xkqkgolmvwy 275 7 we -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 275 8 only only RB work_rzcanzq6ebhgnl7xkqkgolmvwy 275 9 see see VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 275 10 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 275 11 sitter sitter NN work_rzcanzq6ebhgnl7xkqkgolmvwy 275 12 from from IN work_rzcanzq6ebhgnl7xkqkgolmvwy 275 13 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 275 14 neck neck NN work_rzcanzq6ebhgnl7xkqkgolmvwy 275 15 up up RP work_rzcanzq6ebhgnl7xkqkgolmvwy 275 16 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 275 17 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 275 18 camera camera NN work_rzcanzq6ebhgnl7xkqkgolmvwy 275 19 lingers linger VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 275 20 on on IN work_rzcanzq6ebhgnl7xkqkgolmvwy 275 21 her -PRON- PRP$ work_rzcanzq6ebhgnl7xkqkgolmvwy 275 22 facial facial JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 275 23 expression expression NN work_rzcanzq6ebhgnl7xkqkgolmvwy 275 24 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 276 1 This this DT work_rzcanzq6ebhgnl7xkqkgolmvwy 276 2 has have VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 276 3 two two CD work_rzcanzq6ebhgnl7xkqkgolmvwy 276 4 effects effect NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 276 5 : : : work_rzcanzq6ebhgnl7xkqkgolmvwy 276 6 first first RB work_rzcanzq6ebhgnl7xkqkgolmvwy 276 7 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 276 8 we -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 276 9 are be VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 276 10 forced force VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 276 11 to to TO work_rzcanzq6ebhgnl7xkqkgolmvwy 276 12 confront confront VB work_rzcanzq6ebhgnl7xkqkgolmvwy 276 13 her -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 276 14 gaze gaze NN work_rzcanzq6ebhgnl7xkqkgolmvwy 276 15 ; ; : work_rzcanzq6ebhgnl7xkqkgolmvwy 276 16 second second LS work_rzcanzq6ebhgnl7xkqkgolmvwy 276 17 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 276 18 her -PRON- PRP$ work_rzcanzq6ebhgnl7xkqkgolmvwy 276 19 exposed expose VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 276 20 breast breast NN work_rzcanzq6ebhgnl7xkqkgolmvwy 276 21 ( ( -LRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 276 22 which which WDT work_rzcanzq6ebhgnl7xkqkgolmvwy 276 23 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 276 24 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 276 25 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 276 26 full full JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 276 27 portrait portrait NN work_rzcanzq6ebhgnl7xkqkgolmvwy 276 28 ) ) -RRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 276 29 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 276 30 strategically strategically RB work_rzcanzq6ebhgnl7xkqkgolmvwy 276 31 removed remove VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 276 32 so so RB work_rzcanzq6ebhgnl7xkqkgolmvwy 276 33 any any DT work_rzcanzq6ebhgnl7xkqkgolmvwy 276 34 opportunity opportunity NN work_rzcanzq6ebhgnl7xkqkgolmvwy 276 35 for for IN work_rzcanzq6ebhgnl7xkqkgolmvwy 276 36 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 276 37 “ " `` work_rzcanzq6ebhgnl7xkqkgolmvwy 276 38 traditional traditional JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 276 39 ” " '' work_rzcanzq6ebhgnl7xkqkgolmvwy 276 40 objectification objectification NN work_rzcanzq6ebhgnl7xkqkgolmvwy 276 41 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 276 42 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 276 43 woman woman NN work_rzcanzq6ebhgnl7xkqkgolmvwy 276 44 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 276 45 colour colour NN work_rzcanzq6ebhgnl7xkqkgolmvwy 276 46 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 276 47 Western western JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 276 48 art art NN work_rzcanzq6ebhgnl7xkqkgolmvwy 276 49 tradition tradition NN work_rzcanzq6ebhgnl7xkqkgolmvwy 276 50 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 276 51 also also RB work_rzcanzq6ebhgnl7xkqkgolmvwy 276 52 removed remove VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 276 53 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 277 1 In in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 277 2 such such PDT work_rzcanzq6ebhgnl7xkqkgolmvwy 277 3 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 277 4 way way NN work_rzcanzq6ebhgnl7xkqkgolmvwy 277 5 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 277 6 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 277 7 black black JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 277 8 woman woman NN work_rzcanzq6ebhgnl7xkqkgolmvwy 277 9 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 277 10 given give VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 277 11 back back RP work_rzcanzq6ebhgnl7xkqkgolmvwy 277 12 her -PRON- PRP$ work_rzcanzq6ebhgnl7xkqkgolmvwy 277 13 body body NN work_rzcanzq6ebhgnl7xkqkgolmvwy 277 14 ; ; : work_rzcanzq6ebhgnl7xkqkgolmvwy 277 15 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 277 16 that that DT work_rzcanzq6ebhgnl7xkqkgolmvwy 277 17 black black JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 277 18 body body NN work_rzcanzq6ebhgnl7xkqkgolmvwy 277 19 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 277 20 one one NN work_rzcanzq6ebhgnl7xkqkgolmvwy 277 21 that that WDT work_rzcanzq6ebhgnl7xkqkgolmvwy 277 22 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 277 23 not not RB work_rzcanzq6ebhgnl7xkqkgolmvwy 277 24 longer long RBR work_rzcanzq6ebhgnl7xkqkgolmvwy 277 25 objectified objectify VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 277 26 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 277 27 subjugated subjugate VBD work_rzcanzq6ebhgnl7xkqkgolmvwy 277 28 or or CC work_rzcanzq6ebhgnl7xkqkgolmvwy 277 29 oppressed oppress VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 277 30 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 277 31 but but CC work_rzcanzq6ebhgnl7xkqkgolmvwy 277 32 that that DT work_rzcanzq6ebhgnl7xkqkgolmvwy 277 33 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 277 34 celebrated celebrate VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 277 35 by by IN work_rzcanzq6ebhgnl7xkqkgolmvwy 277 36 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 277 37 bodies body NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 277 38 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 277 39 Beyoncé Beyoncé NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 277 40 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 277 41 her -PRON- PRP$ work_rzcanzq6ebhgnl7xkqkgolmvwy 277 42 female female JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 277 43 dancers dancer NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 277 44 moving move VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 277 45 powerfully powerfully RB work_rzcanzq6ebhgnl7xkqkgolmvwy 277 46 through through IN work_rzcanzq6ebhgnl7xkqkgolmvwy 277 47 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 277 48 museum museum NN work_rzcanzq6ebhgnl7xkqkgolmvwy 277 49 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 277 50 dancing dance VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 277 51 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 277 52 dance dance NN work_rzcanzq6ebhgnl7xkqkgolmvwy 277 53 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 277 54 resistance resistance NN work_rzcanzq6ebhgnl7xkqkgolmvwy 277 55 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 278 1 However however RB work_rzcanzq6ebhgnl7xkqkgolmvwy 278 2 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 278 3 perhaps perhaps RB work_rzcanzq6ebhgnl7xkqkgolmvwy 278 4 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 278 5 most most JJS work_rzcanzq6ebhgnl7xkqkgolmvwy 278 6 explicit explicit JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 278 7 choreographic choreographic JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 278 8 reference reference NN work_rzcanzq6ebhgnl7xkqkgolmvwy 278 9 to to IN work_rzcanzq6ebhgnl7xkqkgolmvwy 278 10 resistance resistance NN work_rzcanzq6ebhgnl7xkqkgolmvwy 278 11 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 278 12 protest protest NN work_rzcanzq6ebhgnl7xkqkgolmvwy 278 13 comes come VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 278 14 later later RB work_rzcanzq6ebhgnl7xkqkgolmvwy 278 15 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 278 16 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 278 17 video video NN work_rzcanzq6ebhgnl7xkqkgolmvwy 278 18 where where WRB work_rzcanzq6ebhgnl7xkqkgolmvwy 278 19 there there EX work_rzcanzq6ebhgnl7xkqkgolmvwy 278 20 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 278 21 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 278 22 shot shot NN work_rzcanzq6ebhgnl7xkqkgolmvwy 278 23 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 278 24 young young JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 278 25 black black JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 278 26 men man NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 278 27 outside outside IN work_rzcanzq6ebhgnl7xkqkgolmvwy 278 28 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 278 29 Louvre Louvre NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 278 30 “ " `` work_rzcanzq6ebhgnl7xkqkgolmvwy 278 31 taking take VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 278 32 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 278 33 knee knee NN work_rzcanzq6ebhgnl7xkqkgolmvwy 278 34 ” " '' work_rzcanzq6ebhgnl7xkqkgolmvwy 278 35 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 279 1 This this DT work_rzcanzq6ebhgnl7xkqkgolmvwy 279 2 pose pose NN work_rzcanzq6ebhgnl7xkqkgolmvwy 279 3 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 279 4 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 279 5 direct direct JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 279 6 allusion allusion NN work_rzcanzq6ebhgnl7xkqkgolmvwy 279 7 to to IN work_rzcanzq6ebhgnl7xkqkgolmvwy 279 8 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 279 9 physical physical JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 279 10 gesture gesture NN work_rzcanzq6ebhgnl7xkqkgolmvwy 279 11 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 279 12 kneeling kneel VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 279 13 during during IN work_rzcanzq6ebhgnl7xkqkgolmvwy 279 14 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 279 15 national national JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 279 16 anthem anthem NN work_rzcanzq6ebhgnl7xkqkgolmvwy 279 17 that that WDT work_rzcanzq6ebhgnl7xkqkgolmvwy 279 18 marked mark VBD work_rzcanzq6ebhgnl7xkqkgolmvwy 279 19 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 279 20 National National NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 279 21 Football Football NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 279 22 League League NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 279 23 ( ( -LRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 279 24 NFL NFL NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 279 25 ) ) -RRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 279 26 player player NN work_rzcanzq6ebhgnl7xkqkgolmvwy 279 27 protests protest VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 279 28 against against IN work_rzcanzq6ebhgnl7xkqkgolmvwy 279 29 police police NN work_rzcanzq6ebhgnl7xkqkgolmvwy 279 30 brutality brutality NN work_rzcanzq6ebhgnl7xkqkgolmvwy 279 31 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 279 32 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 279 33 killing killing NN work_rzcanzq6ebhgnl7xkqkgolmvwy 279 34 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 279 35 unarmed unarmed JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 279 36 black black JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 279 37 men man NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 279 38 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 279 39 first first RB work_rzcanzq6ebhgnl7xkqkgolmvwy 279 40 started start VBD work_rzcanzq6ebhgnl7xkqkgolmvwy 279 41 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 279 42 2016 2016 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 279 43 by by IN work_rzcanzq6ebhgnl7xkqkgolmvwy 279 44 player player NN work_rzcanzq6ebhgnl7xkqkgolmvwy 279 45 Colin Colin NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 279 46 Kaepernick Kaepernick NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 279 47 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 280 1 It -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 280 2 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 280 3 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 280 4 pose pose NN work_rzcanzq6ebhgnl7xkqkgolmvwy 280 5 that that WDT work_rzcanzq6ebhgnl7xkqkgolmvwy 280 6 has have VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 280 7 also also RB work_rzcanzq6ebhgnl7xkqkgolmvwy 280 8 marked mark VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 280 9 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 280 10 most most JJS work_rzcanzq6ebhgnl7xkqkgolmvwy 280 11 41 41 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 280 12 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 281 1 Alicia Alicia NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 281 2 Caticha Caticha NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 281 3 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 281 4 Madame Madame NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 281 5 Récamier Récamier NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 281 6 as as IN work_rzcanzq6ebhgnl7xkqkgolmvwy 281 7 Tableau Tableau NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 281 8 Vivant Vivant NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 281 9 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 281 10 cit cit RB work_rzcanzq6ebhgnl7xkqkgolmvwy 281 11 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 282 1 42 42 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 282 2 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 283 1 James James NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 283 2 Smalls Smalls NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 283 3 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 283 4 Crazy Crazy NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 283 5 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 283 6 Louvre Louvre NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 283 7 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 283 8 cit cit NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 283 9 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 284 1 « « `` work_rzcanzq6ebhgnl7xkqkgolmvwy 284 2 This this DT work_rzcanzq6ebhgnl7xkqkgolmvwy 284 3 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 284 4 different different JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 284 5 angle angle NN work_rzcanzq6ebhgnl7xkqkgolmvwy 284 6 » » '' work_rzcanzq6ebhgnl7xkqkgolmvwy 284 7 : : : work_rzcanzq6ebhgnl7xkqkgolmvwy 284 8 Dancing dance VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 284 9 at at IN work_rzcanzq6ebhgnl7xkqkgolmvwy 284 10 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 284 11 Louvre Louvre NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 284 12 295 295 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 284 13 recent recent JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 284 14 Black black JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 284 15 Lives life NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 284 16 Matter Matter NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 284 17 protests protest NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 284 18 ; ; : work_rzcanzq6ebhgnl7xkqkgolmvwy 284 19 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 284 20 it -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 284 21 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 284 22 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 284 23 gesture gesture NN work_rzcanzq6ebhgnl7xkqkgolmvwy 284 24 that that WDT work_rzcanzq6ebhgnl7xkqkgolmvwy 284 25 can can MD work_rzcanzq6ebhgnl7xkqkgolmvwy 284 26 now now RB work_rzcanzq6ebhgnl7xkqkgolmvwy 284 27 be be VB work_rzcanzq6ebhgnl7xkqkgolmvwy 284 28 read read VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 284 29 as as RB work_rzcanzq6ebhgnl7xkqkgolmvwy 284 30 horrifyingly horrifyingly RB work_rzcanzq6ebhgnl7xkqkgolmvwy 284 31 similar similar JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 284 32 to to IN work_rzcanzq6ebhgnl7xkqkgolmvwy 284 33 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 284 34 police police NN work_rzcanzq6ebhgnl7xkqkgolmvwy 284 35 officer officer NN work_rzcanzq6ebhgnl7xkqkgolmvwy 284 36 ’s ’s POS work_rzcanzq6ebhgnl7xkqkgolmvwy 284 37 pose pose NN work_rzcanzq6ebhgnl7xkqkgolmvwy 284 38 as as IN work_rzcanzq6ebhgnl7xkqkgolmvwy 284 39 he -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 284 40 knelt kneel VBD work_rzcanzq6ebhgnl7xkqkgolmvwy 284 41 on on IN work_rzcanzq6ebhgnl7xkqkgolmvwy 284 42 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 284 43 neck neck NN work_rzcanzq6ebhgnl7xkqkgolmvwy 284 44 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 284 45 George George NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 284 46 Floyd Floyd NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 284 47 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 285 1 In in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 285 2 APESHIT apeshit NN work_rzcanzq6ebhgnl7xkqkgolmvwy 285 3 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 285 4 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 285 5 shot shot NN work_rzcanzq6ebhgnl7xkqkgolmvwy 285 6 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 285 7 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 285 8 kneeling kneel VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 285 9 protestors protestor NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 285 10 directly directly RB work_rzcanzq6ebhgnl7xkqkgolmvwy 285 11 follows follow VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 285 12 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 285 13 shot shot NN work_rzcanzq6ebhgnl7xkqkgolmvwy 285 14 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 285 15 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 285 16 classical classical JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 285 17 statue statue NN work_rzcanzq6ebhgnl7xkqkgolmvwy 285 18 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 285 19 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 285 20 Roman roman JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 285 21 version version NN work_rzcanzq6ebhgnl7xkqkgolmvwy 285 22 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 285 23 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 285 24 Greek greek JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 285 25 statue statue NN work_rzcanzq6ebhgnl7xkqkgolmvwy 285 26 by by IN work_rzcanzq6ebhgnl7xkqkgolmvwy 285 27 Lysippus Lysippus NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 285 28 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 285 29 Hermes Hermes NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 285 30 Tying tie VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 285 31 His -PRON- PRP$ work_rzcanzq6ebhgnl7xkqkgolmvwy 285 32 Sandal Sandal NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 285 33 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 285 34 which which WDT work_rzcanzq6ebhgnl7xkqkgolmvwy 285 35 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 285 36 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 285 37 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 285 38 similar similar JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 285 39 pose pose NN work_rzcanzq6ebhgnl7xkqkgolmvwy 285 40 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 286 1 It -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 286 2 occurs occur VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 286 3 on on IN work_rzcanzq6ebhgnl7xkqkgolmvwy 286 4 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 286 5 lyric lyric NN work_rzcanzq6ebhgnl7xkqkgolmvwy 286 6 where where WRB work_rzcanzq6ebhgnl7xkqkgolmvwy 286 7 Jay Jay NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 286 8 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 286 9 Z Z NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 286 10 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 286 11 critical critical JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 286 12 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 286 13 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 286 14 NFL NFL NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 286 15 ( ( -LRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 286 16 « « `` work_rzcanzq6ebhgnl7xkqkgolmvwy 286 17 I -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 286 18 said say VBD work_rzcanzq6ebhgnl7xkqkgolmvwy 286 19 no no UH work_rzcanzq6ebhgnl7xkqkgolmvwy 286 20 to to IN work_rzcanzq6ebhgnl7xkqkgolmvwy 286 21 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 286 22 Superbowl superbowl NN work_rzcanzq6ebhgnl7xkqkgolmvwy 286 23 / / , work_rzcanzq6ebhgnl7xkqkgolmvwy 286 24 You -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 286 25 need need VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 286 26 me -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 286 27 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 286 28 I -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 286 29 do do VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 286 30 n’t not RB work_rzcanzq6ebhgnl7xkqkgolmvwy 286 31 need need VB work_rzcanzq6ebhgnl7xkqkgolmvwy 286 32 you -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 286 33 / / , work_rzcanzq6ebhgnl7xkqkgolmvwy 286 34 Every every DT work_rzcanzq6ebhgnl7xkqkgolmvwy 286 35 night night NN work_rzcanzq6ebhgnl7xkqkgolmvwy 286 36 we -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 286 37 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 286 38 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 286 39 end end NN work_rzcanzq6ebhgnl7xkqkgolmvwy 286 40 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 286 41 zone zone NN work_rzcanzq6ebhgnl7xkqkgolmvwy 286 42 / / SYM work_rzcanzq6ebhgnl7xkqkgolmvwy 286 43 Tell tell VB work_rzcanzq6ebhgnl7xkqkgolmvwy 286 44 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 286 45 NFL NFL NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 286 46 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 286 47 we -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 286 48 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 286 49 stadiums stadium NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 286 50 too too RB work_rzcanzq6ebhgnl7xkqkgolmvwy 286 51 » » NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 286 52 ) ) -RRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 286 53 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 287 1 This this DT work_rzcanzq6ebhgnl7xkqkgolmvwy 287 2 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 287 3 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 287 4 concluding conclude VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 287 5 criticism criticism NN work_rzcanzq6ebhgnl7xkqkgolmvwy 287 6 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 287 7 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 287 8 verse verse NN work_rzcanzq6ebhgnl7xkqkgolmvwy 287 9 that that WDT work_rzcanzq6ebhgnl7xkqkgolmvwy 287 10 may may MD work_rzcanzq6ebhgnl7xkqkgolmvwy 287 11 also also RB work_rzcanzq6ebhgnl7xkqkgolmvwy 287 12 allude allude VB work_rzcanzq6ebhgnl7xkqkgolmvwy 287 13 to to IN work_rzcanzq6ebhgnl7xkqkgolmvwy 287 14 Donald Donald NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 287 15 Trump Trump NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 287 16 ( ( -LRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 287 17 as as IN work_rzcanzq6ebhgnl7xkqkgolmvwy 287 18 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 287 19 45th 45th JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 287 20 President President NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 287 21 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 287 22 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 287 23 USA USA NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 287 24 ) ) -RRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 287 25 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 288 1 As as IN work_rzcanzq6ebhgnl7xkqkgolmvwy 288 2 Jay Jay NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 288 3 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 288 4 Z Z NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 288 5 warns warn NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 288 6 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 288 7 change change NN work_rzcanzq6ebhgnl7xkqkgolmvwy 288 8 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 288 9 coming come VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 288 10 : : : work_rzcanzq6ebhgnl7xkqkgolmvwy 288 11 « « `` work_rzcanzq6ebhgnl7xkqkgolmvwy 288 12 4 4 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 288 13 - - SYM work_rzcanzq6ebhgnl7xkqkgolmvwy 288 14 5 5 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 288 15 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 288 16 I -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 288 17 got get VBD work_rzcanzq6ebhgnl7xkqkgolmvwy 288 18 change change NN work_rzcanzq6ebhgnl7xkqkgolmvwy 288 19 for for IN work_rzcanzq6ebhgnl7xkqkgolmvwy 288 20 you -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 288 21 » » ADD work_rzcanzq6ebhgnl7xkqkgolmvwy 288 22 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 289 1 As as IN work_rzcanzq6ebhgnl7xkqkgolmvwy 289 2 Morales Morales NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 289 3 has have VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 289 4 noted note VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 289 5 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 289 6 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 289 7 juxtaposition juxtaposition NN work_rzcanzq6ebhgnl7xkqkgolmvwy 289 8 between between IN work_rzcanzq6ebhgnl7xkqkgolmvwy 289 9 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 289 10 kneeling kneel VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 289 11 statue statue NN work_rzcanzq6ebhgnl7xkqkgolmvwy 289 12 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 289 13 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 289 14 kneeling kneel VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 289 15 protests protest NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 289 16 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 289 17 striking strike VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 289 18 : : : work_rzcanzq6ebhgnl7xkqkgolmvwy 289 19 The the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 289 20 juxtaposition juxtaposition NN work_rzcanzq6ebhgnl7xkqkgolmvwy 289 21 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 289 22 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 289 23 image image NN work_rzcanzq6ebhgnl7xkqkgolmvwy 289 24 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 289 25 Hermes Hermes NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 289 26 with with IN work_rzcanzq6ebhgnl7xkqkgolmvwy 289 27 his -PRON- PRP$ work_rzcanzq6ebhgnl7xkqkgolmvwy 289 28 knee knee NN work_rzcanzq6ebhgnl7xkqkgolmvwy 289 29 bent bent NN work_rzcanzq6ebhgnl7xkqkgolmvwy 289 30 inside inside IN work_rzcanzq6ebhgnl7xkqkgolmvwy 289 31 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 289 32 Louvre Louvre NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 289 33 with with IN work_rzcanzq6ebhgnl7xkqkgolmvwy 289 34 that that DT work_rzcanzq6ebhgnl7xkqkgolmvwy 289 35 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 289 36 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 289 37 kneeling kneel VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 289 38 protestors protestor NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 289 39 outside outside IN work_rzcanzq6ebhgnl7xkqkgolmvwy 289 40 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 289 41 Louvre Louvre NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 289 42 co co NN work_rzcanzq6ebhgnl7xkqkgolmvwy 289 43 - - NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 289 44 opts opt VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 289 45 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 289 46 statue statue NN work_rzcanzq6ebhgnl7xkqkgolmvwy 289 47 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 289 48 bringing bring VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 289 49 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 289 50 ancient ancient JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 289 51 god god NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 289 52 on on IN work_rzcanzq6ebhgnl7xkqkgolmvwy 289 53 board board NN work_rzcanzq6ebhgnl7xkqkgolmvwy 289 54 as as IN work_rzcanzq6ebhgnl7xkqkgolmvwy 289 55 part part NN work_rzcanzq6ebhgnl7xkqkgolmvwy 289 56 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 289 57 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 289 58 modern modern JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 289 59 protest protest NN work_rzcanzq6ebhgnl7xkqkgolmvwy 289 60 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 290 1 Hermes Hermes NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 290 2 becomes become VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 290 3 an an DT work_rzcanzq6ebhgnl7xkqkgolmvwy 290 4 advocate advocate NN work_rzcanzq6ebhgnl7xkqkgolmvwy 290 5 for for IN work_rzcanzq6ebhgnl7xkqkgolmvwy 290 6 black black JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 290 7 lives life NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 290 8 mattering mattering NN work_rzcanzq6ebhgnl7xkqkgolmvwy 290 9 ; ; : work_rzcanzq6ebhgnl7xkqkgolmvwy 290 10 he -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 290 11 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 290 12 given give VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 290 13 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 290 14 better well JJR work_rzcanzq6ebhgnl7xkqkgolmvwy 290 15 purpose purpose NN work_rzcanzq6ebhgnl7xkqkgolmvwy 290 16 than than IN work_rzcanzq6ebhgnl7xkqkgolmvwy 290 17 fiddling fiddle VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 290 18 with with IN work_rzcanzq6ebhgnl7xkqkgolmvwy 290 19 his -PRON- PRP$ work_rzcanzq6ebhgnl7xkqkgolmvwy 290 20 footwear footwear NN work_rzcanzq6ebhgnl7xkqkgolmvwy 290 21 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 291 1 The the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 291 2 modern modern JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 291 3 ennobles ennoble VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 291 4 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 291 5 classical classical JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 291 6 ( ( -LRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 291 7 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 291 8 reversal reversal NN work_rzcanzq6ebhgnl7xkqkgolmvwy 291 9 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 291 10 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 291 11 expected expected JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 291 12 dynamic)43 dynamic)43 NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 291 13 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 292 1 What what WP work_rzcanzq6ebhgnl7xkqkgolmvwy 292 2 Morales Morales NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 292 3 does do VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 292 4 not not RB work_rzcanzq6ebhgnl7xkqkgolmvwy 292 5 further further RB work_rzcanzq6ebhgnl7xkqkgolmvwy 292 6 unpick unpick VB work_rzcanzq6ebhgnl7xkqkgolmvwy 292 7 here here RB work_rzcanzq6ebhgnl7xkqkgolmvwy 292 8 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 292 9 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 292 10 relationship relationship NN work_rzcanzq6ebhgnl7xkqkgolmvwy 292 11 between between IN work_rzcanzq6ebhgnl7xkqkgolmvwy 292 12 exterior exterior NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 292 13 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 292 14 interior interior NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 292 15 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 293 1 While while IN work_rzcanzq6ebhgnl7xkqkgolmvwy 293 2 “ " `` work_rzcanzq6ebhgnl7xkqkgolmvwy 293 3 white white JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 293 4 ” " '' work_rzcanzq6ebhgnl7xkqkgolmvwy 293 5 Hermes Hermes NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 293 6 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 293 7 inside inside IN work_rzcanzq6ebhgnl7xkqkgolmvwy 293 8 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 293 9 museum museum NN work_rzcanzq6ebhgnl7xkqkgolmvwy 293 10 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 293 11 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 293 12 black black JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 293 13 male male NN work_rzcanzq6ebhgnl7xkqkgolmvwy 293 14 protesting protest VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 293 15 bodies body NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 293 16 remain remain VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 293 17 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 293 18 at at IN work_rzcanzq6ebhgnl7xkqkgolmvwy 293 19 least least JJS work_rzcanzq6ebhgnl7xkqkgolmvwy 293 20 mo- mo- XX work_rzcanzq6ebhgnl7xkqkgolmvwy 293 21 mentarily mentarily RB work_rzcanzq6ebhgnl7xkqkgolmvwy 293 22 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 293 23 on on IN work_rzcanzq6ebhgnl7xkqkgolmvwy 293 24 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 293 25 outside outside NN work_rzcanzq6ebhgnl7xkqkgolmvwy 293 26 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 294 1 However however RB work_rzcanzq6ebhgnl7xkqkgolmvwy 294 2 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 294 3 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 294 4 exterior exterior NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 294 5 shot shot NN work_rzcanzq6ebhgnl7xkqkgolmvwy 294 6 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 294 7 followed follow VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 294 8 by by IN work_rzcanzq6ebhgnl7xkqkgolmvwy 294 9 an an DT work_rzcanzq6ebhgnl7xkqkgolmvwy 294 10 interior interior JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 294 11 shot shot NN work_rzcanzq6ebhgnl7xkqkgolmvwy 294 12 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 294 13 Jay Jay NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 294 14 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 294 15 Z Z NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 294 16 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 294 17 having have VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 294 18 « « `` work_rzcanzq6ebhgnl7xkqkgolmvwy 294 19 made make VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 294 20 it -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 294 21 » » ADD work_rzcanzq6ebhgnl7xkqkgolmvwy 294 22 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 294 23 rapping rap VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 294 24 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 294 25 front front NN work_rzcanzq6ebhgnl7xkqkgolmvwy 294 26 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 294 27 Théodore Théodore NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 294 28 Géricault Géricault NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 294 29 ’s ’s POS work_rzcanzq6ebhgnl7xkqkgolmvwy 294 30 Le Le NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 294 31 Radeau Radeau NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 294 32 de de NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 294 33 la la NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 294 34 Méduse Méduse NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 294 35 ( ( -LRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 294 36 1818 1818 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 294 37 - - SYM work_rzcanzq6ebhgnl7xkqkgolmvwy 294 38 19 19 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 294 39 ) ) -RRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 294 40 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 295 1 As as IN work_rzcanzq6ebhgnl7xkqkgolmvwy 295 2 art art NN work_rzcanzq6ebhgnl7xkqkgolmvwy 295 3 historian historian NN work_rzcanzq6ebhgnl7xkqkgolmvwy 295 4 James James NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 295 5 Smalls Smalls NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 295 6 has have VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 295 7 commented comment VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 295 8 : : : work_rzcanzq6ebhgnl7xkqkgolmvwy 295 9 This this DT work_rzcanzq6ebhgnl7xkqkgolmvwy 295 10 painting painting NN work_rzcanzq6ebhgnl7xkqkgolmvwy 295 11 contains contain VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 295 12 three three CD work_rzcanzq6ebhgnl7xkqkgolmvwy 295 13 black black JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 295 14 men man NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 295 15 among among IN work_rzcanzq6ebhgnl7xkqkgolmvwy 295 16 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 295 17 human human JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 295 18 debris debris NN work_rzcanzq6ebhgnl7xkqkgolmvwy 295 19 who who WP work_rzcanzq6ebhgnl7xkqkgolmvwy 295 20 are be VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 295 21 used use VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 295 22 emblematically emblematically RB work_rzcanzq6ebhgnl7xkqkgolmvwy 295 23 by by IN work_rzcanzq6ebhgnl7xkqkgolmvwy 295 24 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 295 25 artist artist NN work_rzcanzq6ebhgnl7xkqkgolmvwy 295 26 to to TO work_rzcanzq6ebhgnl7xkqkgolmvwy 295 27 relay relay VB work_rzcanzq6ebhgnl7xkqkgolmvwy 295 28 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 295 29 story story NN work_rzcanzq6ebhgnl7xkqkgolmvwy 295 30 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 295 31 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 295 32 human human JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 295 33 tragedy tragedy NN work_rzcanzq6ebhgnl7xkqkgolmvwy 295 34 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 296 1 The the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 296 2 most most RBS work_rzcanzq6ebhgnl7xkqkgolmvwy 296 3 visible visible JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 296 4 black black JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 296 5 figure figure NN work_rzcanzq6ebhgnl7xkqkgolmvwy 296 6 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 296 7 located locate VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 296 8 at at IN work_rzcanzq6ebhgnl7xkqkgolmvwy 296 9 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 296 10 apex apex NN work_rzcanzq6ebhgnl7xkqkgolmvwy 296 11 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 296 12 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 296 13 composition composition NN work_rzcanzq6ebhgnl7xkqkgolmvwy 296 14 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 297 1 He -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 297 2 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 297 3 energetic energetic JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 297 4 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 297 5 heroic heroic JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 297 6 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 297 7 his -PRON- PRP$ work_rzcanzq6ebhgnl7xkqkgolmvwy 297 8 display display NN work_rzcanzq6ebhgnl7xkqkgolmvwy 297 9 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 297 10 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 297 11 muscular muscular JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 297 12 back back NN work_rzcanzq6ebhgnl7xkqkgolmvwy 297 13 [ [ -LRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 297 14 … … NFP work_rzcanzq6ebhgnl7xkqkgolmvwy 297 15 ] ] -RRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 297 16 at at IN work_rzcanzq6ebhgnl7xkqkgolmvwy 297 17 one one CD work_rzcanzq6ebhgnl7xkqkgolmvwy 297 18 brief brief JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 297 19 moment moment NN work_rzcanzq6ebhgnl7xkqkgolmvwy 297 20 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 297 21 Jay Jay NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 297 22 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 297 23 Z Z NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 297 24 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 297 25 caught catch VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 297 26 gazing gaze VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 297 27 up up RP work_rzcanzq6ebhgnl7xkqkgolmvwy 297 28 at at IN work_rzcanzq6ebhgnl7xkqkgolmvwy 297 29 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 297 30 black black JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 297 31 Hercules Hercules NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 297 32 who who WP work_rzcanzq6ebhgnl7xkqkgolmvwy 297 33 constitutes constitute VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 297 34 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 297 35 focal focal JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 297 36 point point NN work_rzcanzq6ebhgnl7xkqkgolmvwy 297 37 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 297 38 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 297 39 drama drama NN work_rzcanzq6ebhgnl7xkqkgolmvwy 297 40 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 297 41 symbolizes symbolize VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 297 42 black black JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 297 43 people people NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 297 44 as as IN work_rzcanzq6ebhgnl7xkqkgolmvwy 297 45 both both DT work_rzcanzq6ebhgnl7xkqkgolmvwy 297 46 survivors survivor NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 297 47 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 297 48 saviours44 saviours44 NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 297 49 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 298 1 This this DT work_rzcanzq6ebhgnl7xkqkgolmvwy 298 2 theme theme NN work_rzcanzq6ebhgnl7xkqkgolmvwy 298 3 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 298 4 survival survival NN work_rzcanzq6ebhgnl7xkqkgolmvwy 298 5 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 298 6 despite despite IN work_rzcanzq6ebhgnl7xkqkgolmvwy 298 7 oppression oppression NN work_rzcanzq6ebhgnl7xkqkgolmvwy 298 8 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 298 9 restriction restriction NN work_rzcanzq6ebhgnl7xkqkgolmvwy 298 10 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 298 11 continues continue VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 298 12 choreographically choreographically RB work_rzcanzq6ebhgnl7xkqkgolmvwy 298 13 through- through- JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 298 14 out out RP work_rzcanzq6ebhgnl7xkqkgolmvwy 298 15 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 298 16 video video NN work_rzcanzq6ebhgnl7xkqkgolmvwy 298 17 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 299 1 It -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 299 2 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 299 3 visible visible JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 299 4 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 299 5 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 299 6 powerful powerful JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 299 7 montage montage NN work_rzcanzq6ebhgnl7xkqkgolmvwy 299 8 that that WDT work_rzcanzq6ebhgnl7xkqkgolmvwy 299 9 includes include VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 299 10 shots shot NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 299 11 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 299 12 bone bone NN work_rzcanzq6ebhgnl7xkqkgolmvwy 299 13 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 299 14 breaker breaker NN work_rzcanzq6ebhgnl7xkqkgolmvwy 299 15 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 299 16 hip hip NN work_rzcanzq6ebhgnl7xkqkgolmvwy 299 17 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 299 18 hop hop NN work_rzcanzq6ebhgnl7xkqkgolmvwy 299 19 dancer dancer NN work_rzcanzq6ebhgnl7xkqkgolmvwy 299 20 Nicholas Nicholas NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 299 21 “ " `` work_rzcanzq6ebhgnl7xkqkgolmvwy 299 22 Slick Slick NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 299 23 ” " '' work_rzcanzq6ebhgnl7xkqkgolmvwy 299 24 Stewart Stewart NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 299 25 contorting contort VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 299 26 his -PRON- PRP$ work_rzcanzq6ebhgnl7xkqkgolmvwy 299 27 arms arm NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 299 28 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 299 29 front front NN work_rzcanzq6ebhgnl7xkqkgolmvwy 299 30 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 299 31 La La NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 299 32 Gioconda Gioconda NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 299 33 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 299 34 his -PRON- PRP$ work_rzcanzq6ebhgnl7xkqkgolmvwy 299 35 limbs limb NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 299 36 seemingly seemingly RB work_rzcanzq6ebhgnl7xkqkgolmvwy 299 37 breaking break VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 299 38 ; ; : work_rzcanzq6ebhgnl7xkqkgolmvwy 299 39 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 299 40 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 299 41 recurring recur VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 299 42 motifs motif NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 299 43 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 299 44 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 299 45 coiling coiling NN work_rzcanzq6ebhgnl7xkqkgolmvwy 299 46 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 299 47 twisting twist VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 299 48 arms arm NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 299 49 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 299 50 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 299 51 female female JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 299 52 dancers dancer NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 299 53 juxtaposed juxtapose VBD work_rzcanzq6ebhgnl7xkqkgolmvwy 299 54 with with IN work_rzcanzq6ebhgnl7xkqkgolmvwy 299 55 still still RB work_rzcanzq6ebhgnl7xkqkgolmvwy 299 56 shots shot NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 299 57 where where WRB work_rzcanzq6ebhgnl7xkqkgolmvwy 299 58 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 299 59 camera camera NN work_rzcanzq6ebhgnl7xkqkgolmvwy 299 60 zooms zoom VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 299 61 in in RP work_rzcanzq6ebhgnl7xkqkgolmvwy 299 62 on on IN work_rzcanzq6ebhgnl7xkqkgolmvwy 299 63 close close NN work_rzcanzq6ebhgnl7xkqkgolmvwy 299 64 - - HYPH work_rzcanzq6ebhgnl7xkqkgolmvwy 299 65 up up RP work_rzcanzq6ebhgnl7xkqkgolmvwy 299 66 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 299 67 detailed detailed JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 299 68 images image NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 299 69 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 299 70 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 299 71 coiled coil VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 299 72 ropes rope NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 299 73 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 299 74 Le Le NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 299 75 Radeau Radeau NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 299 76 de de NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 299 77 la la NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 299 78 Méduse Méduse NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 299 79 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 299 80 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 299 81 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 299 82 dancers dancer NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 299 83 ’ ’ POS work_rzcanzq6ebhgnl7xkqkgolmvwy 299 84 hands hand NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 299 85 apparently apparently RB work_rzcanzq6ebhgnl7xkqkgolmvwy 299 86 bound bind VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 299 87 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 299 88 rope rope NN work_rzcanzq6ebhgnl7xkqkgolmvwy 299 89 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 299 90 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 299 91 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 299 92 liberating liberating NN work_rzcanzq6ebhgnl7xkqkgolmvwy 299 93 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 299 94 invigorating invigorate VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 299 95 « « `` work_rzcanzq6ebhgnl7xkqkgolmvwy 299 96 cross cross JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 299 97 - - JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 299 98 cut cut JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 299 99 breaking breaking NN work_rzcanzq6ebhgnl7xkqkgolmvwy 299 100 free free JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 299 101 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 299 102 ropes rope NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 299 103 ; ; : work_rzcanzq6ebhgnl7xkqkgolmvwy 299 104 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 299 105 black black JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 299 106 female female JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 299 107 dancer dancer NN work_rzcanzq6ebhgnl7xkqkgolmvwy 299 108 vigorously vigorously RB work_rzcanzq6ebhgnl7xkqkgolmvwy 299 109 dancing dance VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 299 110 ; ; : work_rzcanzq6ebhgnl7xkqkgolmvwy 299 111 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 299 112 same same JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 299 113 dancer dancer NN work_rzcanzq6ebhgnl7xkqkgolmvwy 299 114 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 299 115 full full JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 299 116 flexion flexion NN work_rzcanzq6ebhgnl7xkqkgolmvwy 299 117 with with IN work_rzcanzq6ebhgnl7xkqkgolmvwy 299 118 her -PRON- PRP$ work_rzcanzq6ebhgnl7xkqkgolmvwy 299 119 hair hair NN work_rzcanzq6ebhgnl7xkqkgolmvwy 299 120 thrown throw VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 299 121 back»45 back»45 NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 299 122 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 300 1 This this DT work_rzcanzq6ebhgnl7xkqkgolmvwy 300 2 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 300 3 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 300 4 danced danced JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 300 5 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 300 6 sung sung JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 300 7 story story NN work_rzcanzq6ebhgnl7xkqkgolmvwy 300 8 about about IN work_rzcanzq6ebhgnl7xkqkgolmvwy 300 9 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 300 10 survival survival NN work_rzcanzq6ebhgnl7xkqkgolmvwy 300 11 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 300 12 oppressed oppress VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 300 13 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 300 14 broken broken JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 300 15 bodies body NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 300 16 ; ; : work_rzcanzq6ebhgnl7xkqkgolmvwy 300 17 about about IN work_rzcanzq6ebhgnl7xkqkgolmvwy 300 18 how how WRB work_rzcanzq6ebhgnl7xkqkgolmvwy 300 19 we -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 300 20 might may MD work_rzcanzq6ebhgnl7xkqkgolmvwy 300 21 re re VB work_rzcanzq6ebhgnl7xkqkgolmvwy 300 22 - - VB work_rzcanzq6ebhgnl7xkqkgolmvwy 300 23 assemble assemble VB work_rzcanzq6ebhgnl7xkqkgolmvwy 300 24 them -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 300 25 those those DT work_rzcanzq6ebhgnl7xkqkgolmvwy 300 26 broken broken JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 300 27 bodies body NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 300 28 through through IN work_rzcanzq6ebhgnl7xkqkgolmvwy 300 29 revisions revision NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 300 30 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 300 31 history history NN work_rzcanzq6ebhgnl7xkqkgolmvwy 300 32 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 300 33 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 300 34 about about RB work_rzcanzq6ebhgnl7xkqkgolmvwy 300 35 43 43 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 300 36 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 301 1 Helen Helen NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 301 2 Morales Morales NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 301 3 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 301 4 Antigone Antigone NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 301 5 Rising rise VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 301 6 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 301 7 cit cit NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 301 8 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 301 9 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 301 10 p. p. NN work_rzcanzq6ebhgnl7xkqkgolmvwy 301 11 116 116 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 301 12 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 302 1 44 44 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 302 2 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 303 1 James James NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 303 2 Smalls Smalls NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 303 3 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 303 4 Crazy Crazy NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 303 5 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 303 6 Louvre Louvre NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 303 7 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 303 8 cit cit NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 303 9 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 304 1 45 45 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 304 2 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 305 1 Carol Carol NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 305 2 Vernallis Vernallis NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 305 3 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 305 4 Tracing trace VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 305 5 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 305 6 Carters carter NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 305 7 Through through IN work_rzcanzq6ebhgnl7xkqkgolmvwy 305 8 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 305 9 Galleries Galleries NNPS work_rzcanzq6ebhgnl7xkqkgolmvwy 305 10 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 305 11 cit cit RB work_rzcanzq6ebhgnl7xkqkgolmvwy 305 12 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 306 1 296 296 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 306 2 Marie­Louise Marie­Louise NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 306 3 Crawley Crawley NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 306 4 how how WRB work_rzcanzq6ebhgnl7xkqkgolmvwy 306 5 that that WDT work_rzcanzq6ebhgnl7xkqkgolmvwy 306 6 necessitates necessitate VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 306 7 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 306 8 deep deep JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 306 9 work work NN work_rzcanzq6ebhgnl7xkqkgolmvwy 306 10 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 306 11 protest protest NN work_rzcanzq6ebhgnl7xkqkgolmvwy 306 12 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 307 1 What what WP work_rzcanzq6ebhgnl7xkqkgolmvwy 307 2 APESHIT apeshit NN work_rzcanzq6ebhgnl7xkqkgolmvwy 307 3 reveals reveal VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 307 4 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 307 5 that that IN work_rzcanzq6ebhgnl7xkqkgolmvwy 307 6 through through IN work_rzcanzq6ebhgnl7xkqkgolmvwy 307 7 such such JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 307 8 protest protest NN work_rzcanzq6ebhgnl7xkqkgolmvwy 307 9 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 307 10 spaces space NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 307 11 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 307 12 history history NN work_rzcanzq6ebhgnl7xkqkgolmvwy 307 13 can can MD work_rzcanzq6ebhgnl7xkqkgolmvwy 307 14 be be VB work_rzcanzq6ebhgnl7xkqkgolmvwy 307 15 re re VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 307 16 - - VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 307 17 appropriated appropriate VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 307 18 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 307 19 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 307 20 previously previously RB work_rzcanzq6ebhgnl7xkqkgolmvwy 307 21 invisible invisible JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 307 22 or or CC work_rzcanzq6ebhgnl7xkqkgolmvwy 307 23 partially partially RB work_rzcanzq6ebhgnl7xkqkgolmvwy 307 24 visible visible JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 307 25 bodies body NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 307 26 be be VB work_rzcanzq6ebhgnl7xkqkgolmvwy 307 27 made make VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 307 28 more more RBR work_rzcanzq6ebhgnl7xkqkgolmvwy 307 29 visible visible JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 307 30 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 308 1 Such such JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 308 2 “ " `` work_rzcanzq6ebhgnl7xkqkgolmvwy 308 3 statue statue NN work_rzcanzq6ebhgnl7xkqkgolmvwy 308 4 toppling toppling NN work_rzcanzq6ebhgnl7xkqkgolmvwy 308 5 ” " '' work_rzcanzq6ebhgnl7xkqkgolmvwy 308 6 can can MD work_rzcanzq6ebhgnl7xkqkgolmvwy 308 7 be be VB work_rzcanzq6ebhgnl7xkqkgolmvwy 308 8 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 308 9 cause cause NN work_rzcanzq6ebhgnl7xkqkgolmvwy 308 10 for for IN work_rzcanzq6ebhgnl7xkqkgolmvwy 308 11 celebration celebration NN work_rzcanzq6ebhgnl7xkqkgolmvwy 308 12 : : : work_rzcanzq6ebhgnl7xkqkgolmvwy 308 13 at at IN work_rzcanzq6ebhgnl7xkqkgolmvwy 308 14 such such PDT work_rzcanzq6ebhgnl7xkqkgolmvwy 308 15 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 308 16 time time NN work_rzcanzq6ebhgnl7xkqkgolmvwy 308 17 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 308 18 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 308 19 dancing dance VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 308 20 crowd crowd NN work_rzcanzq6ebhgnl7xkqkgolmvwy 308 21 can can MD work_rzcanzq6ebhgnl7xkqkgolmvwy 308 22 indeed indeed RB work_rzcanzq6ebhgnl7xkqkgolmvwy 308 23 « « `` work_rzcanzq6ebhgnl7xkqkgolmvwy 308 24 go go VB work_rzcanzq6ebhgnl7xkqkgolmvwy 308 25 apeshit apeshit NN work_rzcanzq6ebhgnl7xkqkgolmvwy 308 26 » » '' work_rzcanzq6ebhgnl7xkqkgolmvwy 308 27 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 309 1 Conclusion conclusion NN work_rzcanzq6ebhgnl7xkqkgolmvwy 309 2 : : : work_rzcanzq6ebhgnl7xkqkgolmvwy 309 3 « « `` work_rzcanzq6ebhgnl7xkqkgolmvwy 309 4 this this DT work_rzcanzq6ebhgnl7xkqkgolmvwy 309 5 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 309 6 different different JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 309 7 angle angle NN work_rzcanzq6ebhgnl7xkqkgolmvwy 309 8 » » '' work_rzcanzq6ebhgnl7xkqkgolmvwy 309 9 Re re NN work_rzcanzq6ebhgnl7xkqkgolmvwy 309 10 - - JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 309 11 viewing view VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 309 12 this this DT work_rzcanzq6ebhgnl7xkqkgolmvwy 309 13 video video NN work_rzcanzq6ebhgnl7xkqkgolmvwy 309 14 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 309 15 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 309 16 context context NN work_rzcanzq6ebhgnl7xkqkgolmvwy 309 17 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 309 18 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 309 19 Black Black NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 309 20 Lives Lives NNPS work_rzcanzq6ebhgnl7xkqkgolmvwy 309 21 Matter Matter NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 309 22 protests protest NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 309 23 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 309 24 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 309 25 calls call NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 309 26 for for IN work_rzcanzq6ebhgnl7xkqkgolmvwy 309 27 colonial colonial NN work_rzcanzq6ebhgnl7xkqkgolmvwy 309 28 statues statue NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 309 29 to to TO work_rzcanzq6ebhgnl7xkqkgolmvwy 309 30 fall fall VB work_rzcanzq6ebhgnl7xkqkgolmvwy 309 31 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 309 32 I -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 309 33 am be VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 309 34 struck strike VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 309 35 by by IN work_rzcanzq6ebhgnl7xkqkgolmvwy 309 36 how how WRB work_rzcanzq6ebhgnl7xkqkgolmvwy 309 37 vital vital JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 309 38 APESHIT apeshit NN work_rzcanzq6ebhgnl7xkqkgolmvwy 309 39 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 309 40 for for IN work_rzcanzq6ebhgnl7xkqkgolmvwy 309 41 thinking think VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 309 42 about about IN work_rzcanzq6ebhgnl7xkqkgolmvwy 309 43 how how WRB work_rzcanzq6ebhgnl7xkqkgolmvwy 309 44 dance dance NN work_rzcanzq6ebhgnl7xkqkgolmvwy 309 45 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 309 46 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 309 47 museum museum NN work_rzcanzq6ebhgnl7xkqkgolmvwy 309 48 can can MD work_rzcanzq6ebhgnl7xkqkgolmvwy 309 49 be be VB work_rzcanzq6ebhgnl7xkqkgolmvwy 309 50 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 309 51 mechanism mechanism NN work_rzcanzq6ebhgnl7xkqkgolmvwy 309 52 to to TO work_rzcanzq6ebhgnl7xkqkgolmvwy 309 53 give give VB work_rzcanzq6ebhgnl7xkqkgolmvwy 309 54 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 309 55 space space NN work_rzcanzq6ebhgnl7xkqkgolmvwy 309 56 for for IN work_rzcanzq6ebhgnl7xkqkgolmvwy 309 57 previously previously RB work_rzcanzq6ebhgnl7xkqkgolmvwy 309 58 invisible invisible JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 309 59 or or CC work_rzcanzq6ebhgnl7xkqkgolmvwy 309 60 erased erase VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 309 61 bodies body NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 309 62 to to TO work_rzcanzq6ebhgnl7xkqkgolmvwy 309 63 resurface resurface VB work_rzcanzq6ebhgnl7xkqkgolmvwy 309 64 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 309 65 tell tell VB work_rzcanzq6ebhgnl7xkqkgolmvwy 309 66 their -PRON- PRP$ work_rzcanzq6ebhgnl7xkqkgolmvwy 309 67 stories story NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 309 68 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 310 1 Perhaps perhaps RB work_rzcanzq6ebhgnl7xkqkgolmvwy 310 2 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 310 3 dance dance NN work_rzcanzq6ebhgnl7xkqkgolmvwy 310 4 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 310 5 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 310 6 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 310 7 fact fact NN work_rzcanzq6ebhgnl7xkqkgolmvwy 310 8 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 310 9 more more JJR work_rzcanzq6ebhgnl7xkqkgolmvwy 310 10 than than IN work_rzcanzq6ebhgnl7xkqkgolmvwy 310 11 “ " `` work_rzcanzq6ebhgnl7xkqkgolmvwy 310 12 metaphorical metaphorical JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 310 13 ” " '' work_rzcanzq6ebhgnl7xkqkgolmvwy 310 14 statue statue NN work_rzcanzq6ebhgnl7xkqkgolmvwy 310 15 toppling toppling NN work_rzcanzq6ebhgnl7xkqkgolmvwy 310 16 ; ; : work_rzcanzq6ebhgnl7xkqkgolmvwy 310 17 for for IN work_rzcanzq6ebhgnl7xkqkgolmvwy 310 18 it -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 310 19 also also RB work_rzcanzq6ebhgnl7xkqkgolmvwy 310 20 does do VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 310 21 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 310 22 work work NN work_rzcanzq6ebhgnl7xkqkgolmvwy 310 23 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 310 24 protest protest NN work_rzcanzq6ebhgnl7xkqkgolmvwy 310 25 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 310 26 reassembling reassemble VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 310 27 broken broken JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 310 28 bodies body NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 310 29 into into IN work_rzcanzq6ebhgnl7xkqkgolmvwy 310 30 an an DT work_rzcanzq6ebhgnl7xkqkgolmvwy 310 31 alternative alternative JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 310 32 fullness fullness NN work_rzcanzq6ebhgnl7xkqkgolmvwy 310 33 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 311 1 It -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 311 2 does do VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 311 3 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 311 4 work work NN work_rzcanzq6ebhgnl7xkqkgolmvwy 311 5 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 311 6 re re VB work_rzcanzq6ebhgnl7xkqkgolmvwy 311 7 - - JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 311 8 constructing construct VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 311 9 history history NN work_rzcanzq6ebhgnl7xkqkgolmvwy 311 10 ; ; : work_rzcanzq6ebhgnl7xkqkgolmvwy 311 11 it -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 311 12 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 311 13 historiography historiography NN work_rzcanzq6ebhgnl7xkqkgolmvwy 311 14 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 311 15 artful artful JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 311 16 action action NN work_rzcanzq6ebhgnl7xkqkgolmvwy 311 17 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 312 1 In in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 312 2 APESHIT apeshit NN work_rzcanzq6ebhgnl7xkqkgolmvwy 312 3 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 312 4 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 312 5 protest protest NN work_rzcanzq6ebhgnl7xkqkgolmvwy 312 6 seeps seep VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 312 7 through through IN work_rzcanzq6ebhgnl7xkqkgolmvwy 312 8 most most RBS work_rzcanzq6ebhgnl7xkqkgolmvwy 312 9 powerfully powerfully RB work_rzcanzq6ebhgnl7xkqkgolmvwy 312 10 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 312 11 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 312 12 choreographic choreographic JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 312 13 juxtapositions juxtaposition NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 312 14 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 312 15 movement movement NN work_rzcanzq6ebhgnl7xkqkgolmvwy 312 16 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 312 17 stillness stillness NN work_rzcanzq6ebhgnl7xkqkgolmvwy 312 18 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 312 19 where where WRB work_rzcanzq6ebhgnl7xkqkgolmvwy 312 20 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 312 21 layers layer NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 312 22 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 312 23 history history NN work_rzcanzq6ebhgnl7xkqkgolmvwy 312 24 fall fall VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 312 25 away away RB work_rzcanzq6ebhgnl7xkqkgolmvwy 312 26 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 312 27 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 312 28 statues statue NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 312 29 crumble crumble JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 312 30 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 312 31 until until IN work_rzcanzq6ebhgnl7xkqkgolmvwy 312 32 life life NN work_rzcanzq6ebhgnl7xkqkgolmvwy 312 33 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 312 34 movement movement NN work_rzcanzq6ebhgnl7xkqkgolmvwy 312 35 emerges emerge VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 312 36 anew anew RB work_rzcanzq6ebhgnl7xkqkgolmvwy 312 37 from from IN work_rzcanzq6ebhgnl7xkqkgolmvwy 312 38 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 312 39 historical historical JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 312 40 dust dust NN work_rzcanzq6ebhgnl7xkqkgolmvwy 312 41 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 313 1 Here here RB work_rzcanzq6ebhgnl7xkqkgolmvwy 313 2 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 313 3 we -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 313 4 can can MD work_rzcanzq6ebhgnl7xkqkgolmvwy 313 5 read read VB work_rzcanzq6ebhgnl7xkqkgolmvwy 313 6 dance dance NN work_rzcanzq6ebhgnl7xkqkgolmvwy 313 7 as as IN work_rzcanzq6ebhgnl7xkqkgolmvwy 313 8 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 313 9 “ " `` work_rzcanzq6ebhgnl7xkqkgolmvwy 313 10 fragmentary fragmentary JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 313 11 monumental monumental JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 313 12 ” " '' work_rzcanzq6ebhgnl7xkqkgolmvwy 313 13 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 313 14 an an DT work_rzcanzq6ebhgnl7xkqkgolmvwy 313 15 action action NN work_rzcanzq6ebhgnl7xkqkgolmvwy 313 16 for for IN work_rzcanzq6ebhgnl7xkqkgolmvwy 313 17 re re NN work_rzcanzq6ebhgnl7xkqkgolmvwy 313 18 - - VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 313 19 assembling assemble VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 313 20 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 313 21 fragments fragment NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 313 22 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 313 23 bodies body NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 313 24 that that WDT work_rzcanzq6ebhgnl7xkqkgolmvwy 313 25 History history NN work_rzcanzq6ebhgnl7xkqkgolmvwy 313 26 has have VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 313 27 broken break VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 313 28 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 313 29 that that DT work_rzcanzq6ebhgnl7xkqkgolmvwy 313 30 does do VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 313 31 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 313 32 vital vital JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 313 33 work work NN work_rzcanzq6ebhgnl7xkqkgolmvwy 313 34 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 313 35 remembering remember VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 313 36 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 313 37 deliberately deliberately RB work_rzcanzq6ebhgnl7xkqkgolmvwy 313 38 forgotten forget VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 313 39 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 313 40 lost lose VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 313 41 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 313 42 erased46 erased46 NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 313 43 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 314 1 Piecing piece VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 314 2 together together RB work_rzcanzq6ebhgnl7xkqkgolmvwy 314 3 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 314 4 fragments fragment NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 314 5 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 314 6 recognising recognise VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 314 7 who who WP work_rzcanzq6ebhgnl7xkqkgolmvwy 314 8 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 314 9 what what WP work_rzcanzq6ebhgnl7xkqkgolmvwy 314 10 has have VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 314 11 been be VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 314 12 made make VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 314 13 to to TO work_rzcanzq6ebhgnl7xkqkgolmvwy 314 14 slip slip VB work_rzcanzq6ebhgnl7xkqkgolmvwy 314 15 through through IN work_rzcanzq6ebhgnl7xkqkgolmvwy 314 16 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 314 17 cracks crack NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 314 18 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 314 19 where where WRB work_rzcanzq6ebhgnl7xkqkgolmvwy 314 20 we -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 314 21 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 314 22 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 314 23 viewer viewer NN work_rzcanzq6ebhgnl7xkqkgolmvwy 314 24 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 314 25 have have VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 314 26 to to TO work_rzcanzq6ebhgnl7xkqkgolmvwy 314 27 do do VB work_rzcanzq6ebhgnl7xkqkgolmvwy 314 28 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 314 29 work work NN work_rzcanzq6ebhgnl7xkqkgolmvwy 314 30 : : : work_rzcanzq6ebhgnl7xkqkgolmvwy 314 31 It -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 314 32 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 314 33 not not RB work_rzcanzq6ebhgnl7xkqkgolmvwy 314 34 just just RB work_rzcanzq6ebhgnl7xkqkgolmvwy 314 35 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 314 36 content content NN work_rzcanzq6ebhgnl7xkqkgolmvwy 314 37 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 314 38 APESHIT apeshit NN work_rzcanzq6ebhgnl7xkqkgolmvwy 314 39 ( ( -LRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 314 40 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 314 41 lyrics lyric NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 314 42 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 314 43 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 314 44 things thing NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 314 45 featured feature VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 314 46 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 314 47 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 314 48 video video NN work_rzcanzq6ebhgnl7xkqkgolmvwy 314 49 ) ) -RRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 314 50 that that DT work_rzcanzq6ebhgnl7xkqkgolmvwy 314 51 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 314 52 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 314 53 form form NN work_rzcanzq6ebhgnl7xkqkgolmvwy 314 54 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 314 55 protest protest NN work_rzcanzq6ebhgnl7xkqkgolmvwy 314 56 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 314 57 but but CC work_rzcanzq6ebhgnl7xkqkgolmvwy 314 58 also also RB work_rzcanzq6ebhgnl7xkqkgolmvwy 314 59 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 314 60 process process NN work_rzcanzq6ebhgnl7xkqkgolmvwy 314 61 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 314 62 which which WDT work_rzcanzq6ebhgnl7xkqkgolmvwy 314 63 it -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 314 64 engages engage VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 314 65 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 314 66 viewer viewer NN work_rzcanzq6ebhgnl7xkqkgolmvwy 314 67 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 314 68 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 314 69 listener listener NN work_rzcanzq6ebhgnl7xkqkgolmvwy 314 70 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 315 1 The the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 315 2 insistence insistence NN work_rzcanzq6ebhgnl7xkqkgolmvwy 315 3 that that IN work_rzcanzq6ebhgnl7xkqkgolmvwy 315 4 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 315 5 viewer viewer NN work_rzcanzq6ebhgnl7xkqkgolmvwy 315 6 makes make VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 315 7 connections connection NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 315 8 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 315 9 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 315 10 refusal refusal NN work_rzcanzq6ebhgnl7xkqkgolmvwy 315 11 to to TO work_rzcanzq6ebhgnl7xkqkgolmvwy 315 12 simplify simplify VB work_rzcanzq6ebhgnl7xkqkgolmvwy 315 13 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 315 14 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 315 15 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 315 16 sheer sheer JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 315 17 richness richness NN work_rzcanzq6ebhgnl7xkqkgolmvwy 315 18 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 315 19 historical historical JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 315 20 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 315 21 artistic artistic JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 315 22 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 315 23 ideological ideological JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 315 24 textures texture NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 315 25 created create VBD work_rzcanzq6ebhgnl7xkqkgolmvwy 315 26 : : : work_rzcanzq6ebhgnl7xkqkgolmvwy 315 27 all all PDT work_rzcanzq6ebhgnl7xkqkgolmvwy 315 28 this this DT work_rzcanzq6ebhgnl7xkqkgolmvwy 315 29 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 315 30 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 315 31 form form NN work_rzcanzq6ebhgnl7xkqkgolmvwy 315 32 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 315 33 cultural cultural JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 315 34 resistance47 resistance47 NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 315 35 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 316 1 In in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 316 2 re re NN work_rzcanzq6ebhgnl7xkqkgolmvwy 316 3 - - VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 316 4 examining examine VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 316 5 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 316 6 particular particular JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 316 7 ways way NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 316 8 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 316 9 which which WDT work_rzcanzq6ebhgnl7xkqkgolmvwy 316 10 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 316 11 stillness stillness NN work_rzcanzq6ebhgnl7xkqkgolmvwy 316 12 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 316 13 movement movement NN work_rzcanzq6ebhgnl7xkqkgolmvwy 316 14 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 316 15 both both CC work_rzcanzq6ebhgnl7xkqkgolmvwy 316 16 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 316 17 choreography choreography NN work_rzcanzq6ebhgnl7xkqkgolmvwy 316 18 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 316 19 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 316 20 cinematography cinematography NN work_rzcanzq6ebhgnl7xkqkgolmvwy 316 21 are be VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 316 22 woven weave VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 316 23 together together RB work_rzcanzq6ebhgnl7xkqkgolmvwy 316 24 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 316 25 APESHIT apeshit NN work_rzcanzq6ebhgnl7xkqkgolmvwy 316 26 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 316 27 as as RB work_rzcanzq6ebhgnl7xkqkgolmvwy 316 28 well well RB work_rzcanzq6ebhgnl7xkqkgolmvwy 316 29 as as IN work_rzcanzq6ebhgnl7xkqkgolmvwy 316 30 how how WRB work_rzcanzq6ebhgnl7xkqkgolmvwy 316 31 bodies body NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 316 32 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 316 33 colour colour NN work_rzcanzq6ebhgnl7xkqkgolmvwy 316 34 surge surge NN work_rzcanzq6ebhgnl7xkqkgolmvwy 316 35 into into IN work_rzcanzq6ebhgnl7xkqkgolmvwy 316 36 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 316 37 public public JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 316 38 space space NN work_rzcanzq6ebhgnl7xkqkgolmvwy 316 39 that that WDT work_rzcanzq6ebhgnl7xkqkgolmvwy 316 40 has have VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 316 41 historically historically RB work_rzcanzq6ebhgnl7xkqkgolmvwy 316 42 been be VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 316 43 denied deny VBN work_rzcanzq6ebhgnl7xkqkgolmvwy 316 44 them -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 316 45 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 316 46 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 316 47 dance dance NN work_rzcanzq6ebhgnl7xkqkgolmvwy 316 48 that that WDT work_rzcanzq6ebhgnl7xkqkgolmvwy 316 49 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 316 50 simultaneously simultaneously RB work_rzcanzq6ebhgnl7xkqkgolmvwy 316 51 protesting protest VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 316 52 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 316 53 celebratory celebratory JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 316 54 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 316 55 we -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 316 56 can can MD work_rzcanzq6ebhgnl7xkqkgolmvwy 316 57 make make VB work_rzcanzq6ebhgnl7xkqkgolmvwy 316 58 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 316 59 claim claim NN work_rzcanzq6ebhgnl7xkqkgolmvwy 316 60 for for IN work_rzcanzq6ebhgnl7xkqkgolmvwy 316 61 dancing dancing NN work_rzcanzq6ebhgnl7xkqkgolmvwy 316 62 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 316 63 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 316 64 museum museum NN work_rzcanzq6ebhgnl7xkqkgolmvwy 316 65 as as IN work_rzcanzq6ebhgnl7xkqkgolmvwy 316 66 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 316 67 radical radical JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 316 68 means mean NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 316 69 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 316 70 powerfully powerfully RB work_rzcanzq6ebhgnl7xkqkgolmvwy 316 71 challenging challenge VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 316 72 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 316 73 resisting resist VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 316 74 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 316 75 art art NN work_rzcanzq6ebhgnl7xkqkgolmvwy 316 76 historical historical JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 316 77 status status NN work_rzcanzq6ebhgnl7xkqkgolmvwy 316 78 quo quo FW work_rzcanzq6ebhgnl7xkqkgolmvwy 316 79 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 317 1 Through through IN work_rzcanzq6ebhgnl7xkqkgolmvwy 317 2 dance dance NN work_rzcanzq6ebhgnl7xkqkgolmvwy 317 3 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 317 4 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 317 5 museum museum NN work_rzcanzq6ebhgnl7xkqkgolmvwy 317 6 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 317 7 we -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 317 8 can can MD work_rzcanzq6ebhgnl7xkqkgolmvwy 317 9 begin begin VB work_rzcanzq6ebhgnl7xkqkgolmvwy 317 10 to to TO work_rzcanzq6ebhgnl7xkqkgolmvwy 317 11 call call VB work_rzcanzq6ebhgnl7xkqkgolmvwy 317 12 History history NN work_rzcanzq6ebhgnl7xkqkgolmvwy 317 13 to to TO work_rzcanzq6ebhgnl7xkqkgolmvwy 317 14 account account VB work_rzcanzq6ebhgnl7xkqkgolmvwy 317 15 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 317 16 look look VB work_rzcanzq6ebhgnl7xkqkgolmvwy 317 17 at at IN work_rzcanzq6ebhgnl7xkqkgolmvwy 317 18 it -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 317 19 from from IN work_rzcanzq6ebhgnl7xkqkgolmvwy 317 20 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 317 21 “ " `` work_rzcanzq6ebhgnl7xkqkgolmvwy 317 22 different different JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 317 23 angle angle NN work_rzcanzq6ebhgnl7xkqkgolmvwy 317 24 ” " '' work_rzcanzq6ebhgnl7xkqkgolmvwy 317 25 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 318 1 In in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 318 2 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 318 3 public public JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 318 4 spaces space NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 318 5 where where WRB work_rzcanzq6ebhgnl7xkqkgolmvwy 318 6 we -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 318 7 come come VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 318 8 to to TO work_rzcanzq6ebhgnl7xkqkgolmvwy 318 9 remember remember VB work_rzcanzq6ebhgnl7xkqkgolmvwy 318 10 uncomfortable uncomfortable JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 318 11 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 318 12 difficult difficult JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 318 13 histories history NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 318 14 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 318 15 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 318 16 ground ground NN work_rzcanzq6ebhgnl7xkqkgolmvwy 318 17 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 318 18 shaking shake VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 318 19 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 319 1 In in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 319 2 Paris Paris NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 319 3 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 319 4 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 319 5 crowd crowd NN work_rzcanzq6ebhgnl7xkqkgolmvwy 319 6 is be VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 319 7 going go VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 319 8 apeshit apeshit NN work_rzcanzq6ebhgnl7xkqkgolmvwy 319 9 ; ; : work_rzcanzq6ebhgnl7xkqkgolmvwy 319 10 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 319 11 Bristol Bristol NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 319 12 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 319 13 a a DT work_rzcanzq6ebhgnl7xkqkgolmvwy 319 14 colonial colonial JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 319 15 statue statue NN work_rzcanzq6ebhgnl7xkqkgolmvwy 319 16 comes come VBZ work_rzcanzq6ebhgnl7xkqkgolmvwy 319 17 crashing crash VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 319 18 down down RP work_rzcanzq6ebhgnl7xkqkgolmvwy 319 19 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 320 1 From from IN work_rzcanzq6ebhgnl7xkqkgolmvwy 320 2 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 320 3 dust dust NN work_rzcanzq6ebhgnl7xkqkgolmvwy 320 4 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 320 5 previously previously RB work_rzcanzq6ebhgnl7xkqkgolmvwy 320 6 invisible invisible JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 320 7 bodies body NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 320 8 rise rise VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 320 9 up up RP work_rzcanzq6ebhgnl7xkqkgolmvwy 320 10 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 320 11 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 320 12 as as IN work_rzcanzq6ebhgnl7xkqkgolmvwy 320 13 they -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 320 14 do do VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 320 15 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 320 16 they -PRON- PRP work_rzcanzq6ebhgnl7xkqkgolmvwy 320 17 dance dance VBP work_rzcanzq6ebhgnl7xkqkgolmvwy 320 18 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 321 1 46 46 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 321 2 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 322 1 The the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 322 2 way way NN work_rzcanzq6ebhgnl7xkqkgolmvwy 322 3 in in IN work_rzcanzq6ebhgnl7xkqkgolmvwy 322 4 which which WDT work_rzcanzq6ebhgnl7xkqkgolmvwy 322 5 APESHIT APESHIT NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 322 6 ’s 's , work_rzcanzq6ebhgnl7xkqkgolmvwy 322 7 complex complex JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 322 8 sonic sonic JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 322 9 layering layering NN work_rzcanzq6ebhgnl7xkqkgolmvwy 322 10 re re NN work_rzcanzq6ebhgnl7xkqkgolmvwy 322 11 - - NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 322 12 assembles assemble NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 322 13 fragments fragment NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 322 14 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 322 15 song song NN work_rzcanzq6ebhgnl7xkqkgolmvwy 322 16 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 322 17 shouts shout NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 322 18 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 322 19 noise noise NN work_rzcanzq6ebhgnl7xkqkgolmvwy 322 20 elements element NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 322 21 and and CC work_rzcanzq6ebhgnl7xkqkgolmvwy 322 22 vocal vocal JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 322 23 adlibs adlibs NN work_rzcanzq6ebhgnl7xkqkgolmvwy 322 24 ( ( -LRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 322 25 see see VB work_rzcanzq6ebhgnl7xkqkgolmvwy 322 26 above above RB work_rzcanzq6ebhgnl7xkqkgolmvwy 322 27 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 322 28 footnote footnote NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 322 29 23 23 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 322 30 ) ) -RRB- work_rzcanzq6ebhgnl7xkqkgolmvwy 322 31 reinforces reinforce NNS work_rzcanzq6ebhgnl7xkqkgolmvwy 322 32 this this DT work_rzcanzq6ebhgnl7xkqkgolmvwy 322 33 idea idea NN work_rzcanzq6ebhgnl7xkqkgolmvwy 322 34 of of IN work_rzcanzq6ebhgnl7xkqkgolmvwy 322 35 the the DT work_rzcanzq6ebhgnl7xkqkgolmvwy 322 36 “ " `` work_rzcanzq6ebhgnl7xkqkgolmvwy 322 37 fragmentary fragmentary JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 322 38 monumental monumental JJ work_rzcanzq6ebhgnl7xkqkgolmvwy 322 39 ” " '' work_rzcanzq6ebhgnl7xkqkgolmvwy 322 40 musically musically RB work_rzcanzq6ebhgnl7xkqkgolmvwy 322 41 as as RB work_rzcanzq6ebhgnl7xkqkgolmvwy 322 42 well well RB work_rzcanzq6ebhgnl7xkqkgolmvwy 322 43 as as IN work_rzcanzq6ebhgnl7xkqkgolmvwy 322 44 choreographically choreographically RB work_rzcanzq6ebhgnl7xkqkgolmvwy 322 45 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 323 1 47 47 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 323 2 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 324 1 Helen Helen NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 324 2 Morales Morales NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 324 3 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 324 4 Antigone Antigone NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 324 5 Rising rise VBG work_rzcanzq6ebhgnl7xkqkgolmvwy 324 6 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 324 7 cit cit NNP work_rzcanzq6ebhgnl7xkqkgolmvwy 324 8 . . . work_rzcanzq6ebhgnl7xkqkgolmvwy 324 9 , , , work_rzcanzq6ebhgnl7xkqkgolmvwy 324 10 p. p. NN work_rzcanzq6ebhgnl7xkqkgolmvwy 324 11 116 116 CD work_rzcanzq6ebhgnl7xkqkgolmvwy 324 12 . . .