id	author	title	date	pages	extension	mime	words	sentences	flesch	summary	cache	txt
work_7jagcly6b5dzdjjdpzoel2kol4	Juan Ignacio Vallejos	Dance, Sexuality, and Utopian Subversion Under the Argentine Dictatorship of the 1960s: The Case of Oscar Aráiz's The Rite of Spring and Ana Itelman's Phaedra	2016	19	.pdf	application/pdf	11630	868	62	most of the historical studies of modern and contemporary dance in Argentina have focussed on describing the process of modernizing artistic practices.1 Accordingly, certain and 1970 by two contemporary dance works presented by the San Martín Theater Ballet, Oscar theater authorities with their links to the dictatorship that tries to censor them as well as the journalism that vindicates them are cultural actors who give political content to the work above and him to organize a series of dance performances and the choreographer suggested to him that a company should be set up that would work in the theater permanently and be associated with the language of contemporary choreography (Isse Moyano 2006, 112). That same year of 1970, the San Martín Theater Ballet put on The Rite of Spring again—the work Dance, Sexuality, and Utopian Subversion Under the Argentine Dictatorship of the 1960s: The Case of Oscar Aráiz's The Rite of Spring and Ana Itelman's Phaedra	./cache/work_7jagcly6b5dzdjjdpzoel2kol4.pdf	./txt/work_7jagcly6b5dzdjjdpzoel2kol4.txt