id	author	title	date	pages	extension	mime	words	sentences	flesch	summary	cache	txt
work_aavw7x2gcrcjvefazdtu3vfxpm	FERNANDO BENADON	How Hooker found his boogie: a rhythmic analysis of a classic groove	2009	14	.pdf	application/pdf	7644	552	70	Blues historians have described Hooker's boogie as a 'rhythmic drone, twisting once it dips below 130 bpm, the tempo of Hooker's slowest unaccompanied boogie, between the blues and boogie tempos relates to the 'free' speech-like rhythms. force in Hooker's blues and boogies is the triple subdivision of the beat, sometimes the isoriff is inherently a triplet, Hooker's boogie often converts it into a duple triplet-quaver (") trails off, providing a link across the blues/boogie tempo gap 'Boogie Chillen 2 ( I Gotta Be Comin' Baby )', the metric relationship between footstomp and isoriff is so tenuous – likely a result of Hooker changing his mind as to the The underlying rhythmic engine of Hooker's boogie is the perpetual cycle of alternating long beats and short upbeats. Such is usually the case in Hooker's boogie, whose beat/upbeat cycle a slow blues to a fast boogie: the temporal interval between the upbeat ( short note ) Tempo acceleration appears to be an inherent feature of much blues music.	./cache/work_aavw7x2gcrcjvefazdtu3vfxpm.pdf	./txt/work_aavw7x2gcrcjvefazdtu3vfxpm.txt