id	author	title	date	pages	extension	mime	words	sentences	flesch	summary	cache	txt
work_alvr5uqqyneupgk6owflegmm2a	Jaqueline Warwick	I Wanna Be Me: Rock Music and the Politics of Identity. By Theodore Gracyk . Philadelphia: Temple University Press, 2001. xi, 292 pp.Disruptive Divas: Feminism, Identity and Popular Music. By Lori Burns Mélisse Lafrance . New York: Routledge, 2002. xix, 255 pp	2004	12	.pdf	application/pdf	5916	323	57	Gracyk; Disruptive Divas: Feminism, Identity and Popular Music by Lori Burns and Anyone who has taught this kind of class can almost certainly supply a similar anecdote; students' emotional investments in popular music are so profound that any slight to their preferred artist is bound to be felt as a personal Mass art is often despised for its commodifying ways; critics assert that "authentic" musical experiences ought to connect listeners to performers and Gracyk reprimands critics like these for allowing a repugnance for the commodification of music through the mechanisms of mass art to color their responses to a case of hybridization, the kind of process that is crucial to the women is a mainstay of many genres of popular music, and one that can certainly be understood to symbolize the unacknowledged female drudgery behind male success that is critiqued by Marxist feminists.6 In these chapters,	./cache/work_alvr5uqqyneupgk6owflegmm2a.pdf	./txt/work_alvr5uqqyneupgk6owflegmm2a.txt