mv: 'input-file.zip' and './input-file.zip' are the same file Creating study carrel named bluesGuitar-from-scholar Initializing database Unzipping Archive: input-file.zip creating: ./tmp/input/bluesGuitar-from-scholar/ inflating: ./tmp/input/bluesGuitar-from-scholar/work_vpxxzkt23jbbvle4fwzw3wuzpi.pdf inflating: ./tmp/input/bluesGuitar-from-scholar/work_fos67nw6zjb6lblxc72ggtzakq.pdf inflating: ./tmp/input/bluesGuitar-from-scholar/work_5y7yakaz4bcjrped6syzasvwvu.pdf inflating: ./tmp/input/bluesGuitar-from-scholar/work_ofrtlgpgozfjfjxs3ajrmvpmme.pdf inflating: ./tmp/input/bluesGuitar-from-scholar/work_ojwhhx4m4jdb3hxf4xfjllecxy.pdf inflating: ./tmp/input/bluesGuitar-from-scholar/work_aopevinn2rczvmki5sp3kv6du4.pdf inflating: ./tmp/input/bluesGuitar-from-scholar/work_alvr5uqqyneupgk6owflegmm2a.pdf inflating: ./tmp/input/bluesGuitar-from-scholar/work_r2yh2xsgkrao5aee6dkffwxypy.pdf inflating: ./tmp/input/bluesGuitar-from-scholar/work_gcgn73nxpffpzmnd4jadogsbuu.pdf inflating: 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inflating: ./tmp/input/bluesGuitar-from-scholar/work_a3zuymezwjasjlu6wd4t7fayeu.pdf inflating: ./tmp/input/bluesGuitar-from-scholar/work_jci7pb77gvhddbqzszsiipfdpa.pdf inflating: ./tmp/input/bluesGuitar-from-scholar/work_vnxhtinvfrg7rgigyrex4ijsmy.pdf inflating: ./tmp/input/bluesGuitar-from-scholar/work_yqi3blf4crgyrdmhtnskashyju.pdf inflating: ./tmp/input/bluesGuitar-from-scholar/work_fekrsh7okfadfm6kkdqporjxve.pdf inflating: ./tmp/input/bluesGuitar-from-scholar/work_hej7xirnsnfgfooktxrcq6ge7q.pdf inflating: ./tmp/input/bluesGuitar-from-scholar/work_oi4iiyfejjaphdavtw26kh64ki.pdf inflating: ./tmp/input/bluesGuitar-from-scholar/work_2tudfn6p7vbovpiu2j5biw4d4m.pdf inflating: ./tmp/input/bluesGuitar-from-scholar/work_jmovsopbjfhwzbx5h5objmaeiy.pdf inflating: ./tmp/input/bluesGuitar-from-scholar/work_drzpwrrzdnfb5egdsdtx7ws5ci.pdf inflating: ./tmp/input/bluesGuitar-from-scholar/work_2wqlzl6g6vc5vexa5kqijnc32q.pdf inflating: ./tmp/input/bluesGuitar-from-scholar/work_yppx6jysffe23gqdmnc3ct625i.pdf inflating: ./tmp/input/bluesGuitar-from-scholar/work_ncq27ifllnbcno6fkkpogxd5u4.pdf inflating: ./tmp/input/bluesGuitar-from-scholar/work_fjzrgm4tgrhalbcrqogypk3ovi.pdf inflating: ./tmp/input/bluesGuitar-from-scholar/work_lwrjm2qsujfuphgdwfl7v43thq.pdf inflating: ./tmp/input/bluesGuitar-from-scholar/work_wiovv3okjzetthjn4z5upaiyda.pdf inflating: ./tmp/input/bluesGuitar-from-scholar/work_3ahu3wcizfh2be3s7s5tt7blb4.pdf inflating: ./tmp/input/bluesGuitar-from-scholar/work_ddzfd5nw7nbirclsz4geq25kji.pdf inflating: ./tmp/input/bluesGuitar-from-scholar/work_x3bdyqd7bnavdp2i22xjrlapwm.pdf inflating: ./tmp/input/bluesGuitar-from-scholar/work_diayjqyh2reffpwaap2xg7lj2a.pdf inflating: ./tmp/input/bluesGuitar-from-scholar/work_j365i7y6czfvfd2xgtshh7e7ei.pdf inflating: ./tmp/input/bluesGuitar-from-scholar/work_aavw7x2gcrcjvefazdtu3vfxpm.pdf inflating: ./tmp/input/bluesGuitar-from-scholar/metadata.csv inflating: ./tmp/input/bluesGuitar-from-scholar/work_sbauwiquvfcdrexkl4zlqyc5ta.pdf inflating: ./tmp/input/bluesGuitar-from-scholar/work_nytswgbk3rg23dvozgfrwbvrae.pdf inflating: ./tmp/input/bluesGuitar-from-scholar/work_5exozb2y6bgklpbgnoprj2ptxa.pdf inflating: ./tmp/input/bluesGuitar-from-scholar/work_naabgn6aujg3dd2lsn63lwchji.pdf inflating: ./tmp/input/bluesGuitar-from-scholar/work_6ujzcidklbfgvb5iyz5lmhqgre.pdf inflating: ./tmp/input/bluesGuitar-from-scholar/work_6gyfuq7rgjfetmbgkdjywbyz3e.pdf inflating: ./tmp/input/bluesGuitar-from-scholar/work_pkhdyt6m4zgz5oulbmidhtkwfm.pdf inflating: ./tmp/input/bluesGuitar-from-scholar/work_7jagcly6b5dzdjjdpzoel2kol4.pdf inflating: ./tmp/input/bluesGuitar-from-scholar/work_uzpby4gncfb2bjqnhdqrpxo4h4.pdf inflating: ./tmp/input/bluesGuitar-from-scholar/work_hmnduvushzffzhtto7saw4xzy4.pdf inflating: ./tmp/input/bluesGuitar-from-scholar/work_epvsrtmnfzadbdob3jqjc7ix7a.pdf inflating: ./tmp/input/bluesGuitar-from-scholar/work_a7ef57sw2jbkvkxhdpxfasm24q.pdf inflating: ./tmp/input/bluesGuitar-from-scholar/work_ptrqatik2rb7lbpzhlct52ldwe.pdf inflating: ./tmp/input/bluesGuitar-from-scholar/work_5wgmcxajqzfhxp4gvy3vai6z44.pdf inflating: ./tmp/input/bluesGuitar-from-scholar/work_qwarbhwkc5dhvcbxj2sq4nb26m.pdf inflating: ./tmp/input/bluesGuitar-from-scholar/work_3asa5qxlenh3tm63bffpvzd46i.pdf inflating: ./tmp/input/bluesGuitar-from-scholar/work_7hath36sl5g5jjurucr5vlajsq.pdf inflating: ./tmp/input/bluesGuitar-from-scholar/work_y2ghdzlmrzbbdnpatg35kv4kre.pdf inflating: ./tmp/input/bluesGuitar-from-scholar/work_nar7abtvm5b2rjlx4fblx2ryqe.pdf inflating: ./tmp/input/bluesGuitar-from-scholar/work_rxcpvf7emngwniwtgincssigzu.pdf inflating: ./tmp/input/bluesGuitar-from-scholar/work_n6e2b2a7hfek5mijm7rziwgm64.pdf inflating: ./tmp/input/bluesGuitar-from-scholar/work_iabdrxfur5dhhcsebcq3wiyl24.pdf inflating: ./tmp/input/bluesGuitar-from-scholar/work_g6c46d7c55cfreyrg2xvzf6xe4.pdf inflating: ./tmp/input/bluesGuitar-from-scholar/work_azepeftgqzgbpfxxtiy7eadhw4.pdf inflating: ./tmp/input/bluesGuitar-from-scholar/work_tnvibjj3pbdjvghgbv367bf3pu.pdf inflating: ./tmp/input/bluesGuitar-from-scholar/work_imoaspz6djc7hbzohmmncaiyy4.pdf inflating: ./tmp/input/bluesGuitar-from-scholar/work_a3q3uy2ibjaaniqbnaq2rhwc3e.pdf inflating: ./tmp/input/bluesGuitar-from-scholar/work_sbzmsxzvxjfllgndwbkg4mbxcu.pdf inflating: ./tmp/input/bluesGuitar-from-scholar/work_hx534dx2hzcc7jbq4yljmyezpi.pdf inflating: ./tmp/input/bluesGuitar-from-scholar/work_k5bw4r2hwnhcrieuqvtm4cyxui.pdf inflating: ./tmp/input/bluesGuitar-from-scholar/work_kn4fgkn445ffhhfosf6vgxny44.pdf inflating: ./tmp/input/bluesGuitar-from-scholar/work_5tieywzcmjfnreck37fx64knlu.pdf inflating: ./tmp/input/bluesGuitar-from-scholar/work_moejrmbnj5hoff6j7vuwx4ryza.pdf inflating: ./tmp/input/bluesGuitar-from-scholar/work_cxoqb4uja5ctrhdxq764cqjxuq.pdf inflating: ./tmp/input/bluesGuitar-from-scholar/work_ey3akxayzjgadk4cym2yumlv44.pdf inflating: ./tmp/input/bluesGuitar-from-scholar/work_3ad4zhnt55bl5cf6q7iyypspva.pdf inflating: ./tmp/input/bluesGuitar-from-scholar/work_eobo4ufgabgldlsfaujzygkvse.pdf inflating: ./tmp/input/bluesGuitar-from-scholar/work_qu4mhv6knfctfa3xqf774kpdwe.pdf inflating: ./tmp/input/bluesGuitar-from-scholar/work_qei55uivxrdull7bcrfq4en2sy.pdf inflating: ./tmp/input/bluesGuitar-from-scholar/work_gou2y6vrinhexbg7yr6ddbrina.pdf inflating: ./tmp/input/bluesGuitar-from-scholar/work_rlncehiymneivk2tz4osco76x4.pdf inflating: ./tmp/input/bluesGuitar-from-scholar/work_i5phrzznw5c4hfobj4addy632m.pdf inflating: ./tmp/input/bluesGuitar-from-scholar/work_pp4aupyndzamzl2l3qyhem32xy.pdf inflating: ./tmp/input/bluesGuitar-from-scholar/work_xdoebvg2xjdothtumetvtrbxyi.pdf caution: excluded filename not matched: *MACOSX* === updating bibliographic database Building study carrel named bluesGuitar-from-scholar Apr 05, 2021 9:13:55 PM org.apache.tika.config.InitializableProblemHandler$3 handleInitializableProblem WARNING: J2KImageReader not loaded. JPEG2000 files will not be processed. See https://pdfbox.apache.org/2.0/dependencies.html#jai-image-io for optional dependencies. Apr 05, 2021 9:13:55 PM org.apache.tika.config.InitializableProblemHandler$3 handleInitializableProblem WARNING: Tesseract OCR is installed and will be automatically applied to image files unless you've excluded the TesseractOCRParser from the default parser. Tesseract may dramatically slow down content extraction (TIKA-2359). As of Tika 1.15 (and prior versions), Tesseract is automatically called. In future versions of Tika, users may need to turn the TesseractOCRParser on via TikaConfig. Apr 05, 2021 9:13:55 PM org.apache.tika.config.InitializableProblemHandler$3 handleInitializableProblem WARNING: org.xerial's sqlite-jdbc is not loaded. Please provide the jar on your classpath to parse sqlite files. See tika-parsers/pom.xml for the correct version. INFO Starting Apache Tika 1.24.1 server INFO Setting the server's publish address to be http://localhost:9998/ INFO Logging initialized @3826ms to org.eclipse.jetty.util.log.Slf4jLog INFO jetty-9.4.27.v20200227; built: 2020-02-27T18:37:21.340Z; git: a304fd9f351f337e7c0e2a7c28878dd536149c6c; jvm 1.8.0_281-b09 INFO Started ServerConnector@3e74829{HTTP/1.1, (http/1.1)}{localhost:9998} INFO Started @3972ms WARN Empty contextPath INFO Started o.e.j.s.h.ContextHandler@51fadaff{/,null,AVAILABLE} INFO Started Apache Tika server at http://localhost:9998/ INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO 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rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) FILE: cache/work_pkhdyt6m4zgz5oulbmidhtkwfm.pdf OUTPUT: txt/work_pkhdyt6m4zgz5oulbmidhtkwfm.txt FILE: cache/work_3ahu3wcizfh2be3s7s5tt7blb4.pdf OUTPUT: txt/work_3ahu3wcizfh2be3s7s5tt7blb4.txt FILE: cache/work_tnvibjj3pbdjvghgbv367bf3pu.pdf OUTPUT: txt/work_tnvibjj3pbdjvghgbv367bf3pu.txt FILE: cache/work_baeidb4rgzee5gwlbls5lw4dp4.pdf OUTPUT: txt/work_baeidb4rgzee5gwlbls5lw4dp4.txt FILE: cache/work_azepeftgqzgbpfxxtiy7eadhw4.pdf OUTPUT: txt/work_azepeftgqzgbpfxxtiy7eadhw4.txt FILE: cache/work_eobo4ufgabgldlsfaujzygkvse.pdf OUTPUT: txt/work_eobo4ufgabgldlsfaujzygkvse.txt WARN FeatureRecord array not alphabetically sorted by FeatureTag: fina < medi WARN No Unicode mapping for CID+36 (36) in font DejaVuSansBold WARN No Unicode mapping for CID+3 (3) in font DejaVuSansBold WARN No Unicode mapping for CID+42 (42) in font DejaVuSansBold WARN No Unicode mapping for CID+75 (75) in font DejaVuSansBold WARN No Unicode mapping for CID+82 (82) in font DejaVuSansBold WARN No Unicode mapping for CID+86 (86) in font DejaVuSansBold WARN No Unicode mapping for CID+87 (87) in font DejaVuSansBold WARN No Unicode mapping for CID+79 (79) in font DejaVuSansBold WARN No Unicode mapping for CID+92 (92) in font DejaVuSansBold WARN No Unicode mapping for CID+57 (57) in font DejaVuSansBold WARN No Unicode mapping for CID+76 (76) in font DejaVuSansBold WARN No Unicode mapping for CID+47 (47) in font DejaVuSansBold WARN No Unicode mapping for CID+81 (81) in font DejaVuSansBold WARN No Unicode mapping for CID+71 (71) in font DejaVuSansBold WARN No Unicode mapping for CID+11 (11) in font DejaVuSansBold WARN No Unicode mapping for CID+40 (40) in font DejaVuSansBold WARN No Unicode mapping for CID+72 (72) in font DejaVuSansBold WARN No Unicode mapping for CID+85 (85) in font DejaVuSansBold WARN No Unicode mapping for CID+54 (54) in font DejaVuSansBold WARN No Unicode mapping for CID+89 (89) in font DejaVuSansBold WARN No Unicode mapping for CID+68 (68) in font DejaVuSansBold WARN No Unicode mapping for CID+24 (24) in font DejaVuSansBold WARN No Unicode mapping for CID+19 (19) in font DejaVuSansBold WARN No Unicode mapping for CID+16 (16) in font DejaVuSansBold WARN No Unicode mapping for CID+60 (60) in font DejaVuSansBold WARN No Unicode mapping for CID+50 (50) in font DejaVuSansBold WARN No Unicode mapping for CID+37 (37) in font DejaVuSansBold WARN No Unicode mapping for CID+55 (55) in font DejaVuSansBold WARN No Unicode mapping for CID+12 (12) in font DejaVuSansBold WARN No Unicode mapping for CID+37 (37) in font DejaVuSans WARN No Unicode mapping for CID+68 (68) in font DejaVuSans WARN No Unicode mapping for CID+85 (85) in font DejaVuSans WARN No Unicode mapping for CID+87 (87) in font DejaVuSans WARN No Unicode mapping for CID+3 (3) in font DejaVuSans WARN No Unicode mapping for CID+40 (40) in font DejaVuSans WARN No Unicode mapping for CID+72 (72) in font DejaVuSans WARN No Unicode mapping for CID+70 (70) in font DejaVuSans WARN No Unicode mapping for CID+78 (78) in font DejaVuSans WARN No Unicode mapping for CID+75 (75) in font DejaVuSans WARN No Unicode mapping for CID+82 (82) in font DejaVuSans WARN No Unicode mapping for CID+88 (88) in font DejaVuSans WARN Using fallback font 'LiberationSerif' for 'TimesNewRomanPSMT' WARN Using fallback font 'LiberationMono' for 'Verdana' WARN Using fallback font 'LiberationSans' for 'TimesNewRomanPSMT' WARN Using fallback font LiberationSans for base font Symbol WARN Using fallback font 'LiberationSans' for 'TimesNewRomanPSMT' WARN Using fallback font 'LiberationSans-Bold' for 'TimesNewRomanPS-BoldMT' WARN Using fallback font LiberationSans for base font ZapfDingbats WARN Using fallback font LiberationSans for Symbol WARN Using fallback font 'LiberationSans-Bold' for 'TimesNewRomanPS-BoldMT' WARN Using fallback font 'LiberationSans-Bold' for 'TimesNewRomanPS-BoldMT' WARN Using fallback font 'LiberationSans' for 'TimesNewRomanPSMT' WARN Using fallback font 'LiberationSans' for 'TimesNewRomanPSMT' WARN No Unicode mapping for circlecopyrt (1) in font CPMDPJ+MTSY WARN Using fallback font 'LiberationMono-Bold' for 'TrebuchetMS-Bold' WARN Using fallback font 'LiberationMono' for 'TrebuchetMS' WARN Using fallback font 'LiberationSerif-Bold' for 'TimesNewRomanPS-BoldMT' WARN Using fallback font 'LiberationSerif' for 'TimesNewRomanPSMT' WARN Using fallback font 'LiberationSerif-Bold' for 'TimesNewRomanPS-BoldMT' WARN No Unicode mapping for CID+51 (51) in font DejaVuSans WARN No Unicode mapping for CID+88 (88) in font DejaVuSans WARN No Unicode mapping for CID+69 (69) in font DejaVuSans WARN No Unicode mapping for CID+79 (79) in font DejaVuSans WARN No Unicode mapping for CID+76 (76) in font DejaVuSans WARN No Unicode mapping for CID+86 (86) in font DejaVuSans WARN No Unicode mapping for CID+75 (75) in font DejaVuSans WARN No Unicode mapping for CID+72 (72) in font DejaVuSans WARN No Unicode mapping for CID+71 (71) in font DejaVuSans WARN No Unicode mapping for CID+3 (3) in font DejaVuSans WARN Using fallback font 'LiberationSans-Bold' for 'TimesNewRomanPS-BoldMT' WARN No Unicode mapping for CID+92 (92) in font DejaVuSans WARN No Unicode mapping for CID+45 (45) in font DejaVuSans WARN No Unicode mapping for CID+82 (82) in font DejaVuSans WARN No Unicode mapping for CID+81 (81) in font DejaVuSans WARN No Unicode mapping for CID+43 (43) in font DejaVuSans WARN No Unicode mapping for CID+83 (83) in font DejaVuSans WARN No Unicode mapping for CID+78 (78) in font DejaVuSans WARN No Unicode mapping for CID+56 (56) in font DejaVuSans WARN No Unicode mapping for CID+89 (89) in font DejaVuSans WARN No Unicode mapping for CID+85 (85) in font DejaVuSans WARN No Unicode mapping for CID+87 (87) in font DejaVuSans WARN FeatureRecord array not alphabetically sorted by FeatureTag: init < isol WARN Using fallback font 'LiberationSerif-Italic' for 'TimesNewRomanPS-ItalicMT' WARN No Unicode mapping for p35 (35) in font DEKGCC+PiCUP4 WARN No Unicode mapping for p92 (125) in font DEKGCE+PiCUP6 WARN Using fallback font LiberationSerif-Bold for Galliard-Bold WARN No Unicode mapping for twooldstyleit (130) in font DEKGCA+GaramondCUPSmallCaps WARN No Unicode mapping for oneoldstyleit (129) in font DEKGCA+GaramondCUPSmallCaps WARN No Unicode mapping for nineoldstyleit (137) in font DEKGCA+GaramondCUPSmallCaps WARN No Unicode mapping for sevenoldstyleit (135) in font DEKGCA+GaramondCUPSmallCaps WARN No Unicode mapping for zerooldstyleit (128) in font DEKGCA+GaramondCUPSmallCaps WARN Using fallback font LiberationSerif for Galliard-Roman WARN No Unicode mapping for fiveoldstyleit (133) in font DEKGCA+GaramondCUPSmallCaps WARN No Unicode mapping for eightoldstyleit (136) in font DEKGCA+GaramondCUPSmallCaps WARN Using fallback font LiberationSans for Symbol WARN Unknown encoding: Standard WARN Using fallback font LiberationSerif-Italic for Galliard-Italic WARN Using fallback font 'LiberationSans-Bold' for 'TimesNewRomanPS-BoldMT' WARN Using fallback font 'LiberationSans' for 'TimesNewRomanPSMT' WARN Using fallback font 'LiberationSans' for 'TimesNewRomanPS-ItalicMT' WARN No Unicode mapping for p34 (34) in font DEKGCG+SuperiorFigsCUP WARN Using fallback font 'LiberationSans' for 'TimesNewRomanPS-ItalicMT' WARN No Unicode mapping for T_h (31) in font XJSOQM+AJensonPro-It WARN No Unicode mapping for C211 (2) in font EDMBME+AdvPSSym WARN No Unicode mapping for T_h (31) in font YRCUEK+AJensonPro-Regular WARN No Unicode mapping for p58 (58) in font DEKKBA+GaramondCUPAccents WARN Using fallback font 'LiberationSans' for 'TimesNewRomanPS-ItalicMT' WARN No Unicode mapping for C211 (1) in font ENECLE+AdvPSSym WARN Using fallback font 'LiberationSans' for 'TimesNewRomanPS-ItalicMT' WARN Using fallback font 'LiberationSans-Bold' for 'TimesNewRomanPS-BoldItalicMT' WARN Using fallback font 'LiberationSans-Bold' for 'TimesNewRomanPS-BoldItalicMT' WARN Using fallback font 'LiberationSans' for 'TimesNewRomanPS-ItalicMT' WARN Using fallback font 'LiberationSans' for 'Helvetica,Italic' WARN No Unicode mapping for p33 (33) in font DEKKBA+GaramondCUPAccents FILE: cache/work_moejrmbnj5hoff6j7vuwx4ryza.pdf OUTPUT: txt/work_moejrmbnj5hoff6j7vuwx4ryza.txt FILE: cache/work_vpxxzkt23jbbvle4fwzw3wuzpi.pdf OUTPUT: txt/work_vpxxzkt23jbbvle4fwzw3wuzpi.txt WARN No Unicode mapping for p35 (35) in font DEKGCG+SuperiorFigsCUP WARN No Unicode mapping for p36 (36) in font DEKGCG+SuperiorFigsCUP WARN No Unicode mapping for p37 (37) in font DEKGCG+SuperiorFigsCUP WARN No Unicode mapping for p38 (38) in font DEKGCG+SuperiorFigsCUP WARN No Unicode mapping for latticetop (62) in font RCXJUY+CMSY10 WARN No Unicode mapping for upslope (30) in font JTLONM+MSBM10 WARN No Unicode mapping for braceleftBigg (40) in font TPZTTB+CMEX10 WARN No Unicode mapping for p39 (39) in font DEKGCG+SuperiorFigsCUP WARN No Unicode mapping for negationslash (54) in font RCXJUY+CMSY10 WARN No Unicode mapping for p40 (40) in font DEKGCG+SuperiorFigsCUP WARN No Unicode mapping for p41 (41) in font DEKGCG+SuperiorFigsCUP WARN No Unicode mapping for p42 (42) in font DEKGCG+SuperiorFigsCUP WARN No Unicode mapping for p33 (33) in font DEKGCG+SuperiorFigsCUP WARN No Unicode mapping for circledot (12) in font RCXJUY+CMSY10 WARN Using fallback font 'LiberationSans-Bold' for 'TimesNewRomanPS-BoldItalicMT' WARN Invalid ToUnicode CMap in font FVZMEP+PiOne FILE: cache/work_a7ef57sw2jbkvkxhdpxfasm24q.pdf OUTPUT: txt/work_a7ef57sw2jbkvkxhdpxfasm24q.txt WARN No Unicode mapping for parenleftbig (0) in font TPZTTB+CMEX10 WARN No Unicode mapping for parenrightbig (1) in font TPZTTB+CMEX10 WARN No Unicode mapping for CID+120 (120) in font SymbolMT-Identity-H FILE: cache/work_jmovsopbjfhwzbx5h5objmaeiy.pdf OUTPUT: txt/work_jmovsopbjfhwzbx5h5objmaeiy.txt WARN No Unicode mapping for bracketleftBig (104) in font TPZTTB+CMEX10 WARN No Unicode mapping for bracketrightBig (105) in font TPZTTB+CMEX10 WARN Using fallback font 'LiberationSerif' for 'TimesNewRomanPSMT' WARN Using fallback font 'LiberationSerif-Bold' for 'TimesNewRomanPS-BoldMT' FILE: cache/work_gcgn73nxpffpzmnd4jadogsbuu.pdf OUTPUT: txt/work_gcgn73nxpffpzmnd4jadogsbuu.txt WARN No Unicode mapping for sharp (35) in font KAAAME+Sonata WARN Using fallback font 'LiberationSerif-Italic' for 'TimesNewRomanPS-ItalicMT' FILE: cache/work_vnxhtinvfrg7rgigyrex4ijsmy.pdf OUTPUT: txt/work_vnxhtinvfrg7rgigyrex4ijsmy.txt WARN No Unicode mapping for prime (48) in font RCXJUY+CMSY10 FILE: cache/work_aopevinn2rczvmki5sp3kv6du4.pdf OUTPUT: txt/work_aopevinn2rczvmki5sp3kv6du4.txt FILE: cache/work_lwrjm2qsujfuphgdwfl7v43thq.pdf OUTPUT: txt/work_lwrjm2qsujfuphgdwfl7v43thq.txt FILE: cache/work_fekrsh7okfadfm6kkdqporjxve.pdf OUTPUT: txt/work_fekrsh7okfadfm6kkdqporjxve.txt WARN No Unicode mapping for parenleftBig (16) in font TPZTTB+CMEX10 WARN No Unicode mapping for parenrightBig (17) in font TPZTTB+CMEX10 FILE: cache/work_qu4mhv6knfctfa3xqf774kpdwe.pdf OUTPUT: txt/work_qu4mhv6knfctfa3xqf774kpdwe.txt FILE: cache/work_i5phrzznw5c4hfobj4addy632m.pdf OUTPUT: txt/work_i5phrzznw5c4hfobj4addy632m.txt FILE: cache/work_pp4aupyndzamzl2l3qyhem32xy.pdf OUTPUT: txt/work_pp4aupyndzamzl2l3qyhem32xy.txt FILE: cache/work_5tieywzcmjfnreck37fx64knlu.pdf OUTPUT: txt/work_5tieywzcmjfnreck37fx64knlu.txt FILE: cache/work_3asa5qxlenh3tm63bffpvzd46i.pdf OUTPUT: txt/work_3asa5qxlenh3tm63bffpvzd46i.txt FILE: cache/work_oi4iiyfejjaphdavtw26kh64ki.pdf OUTPUT: txt/work_oi4iiyfejjaphdavtw26kh64ki.txt FILE: cache/work_5wgmcxajqzfhxp4gvy3vai6z44.pdf OUTPUT: txt/work_5wgmcxajqzfhxp4gvy3vai6z44.txt WARN No Unicode mapping for CID+302 (302) in font TimesNewRoman-Identity-H WARN No Unicode mapping for C2 (1) in font ENEFLF+AdvP4C4E74 WARN Invalid ToUnicode CMap in font TXARYA+AdvTT5843c571+20 WARN No Unicode mapping for H11005 (1) in font KDJBHI+Universal-GreekwithMathPi FILE: cache/work_alvr5uqqyneupgk6owflegmm2a.pdf OUTPUT: txt/work_alvr5uqqyneupgk6owflegmm2a.txt FILE: cache/work_jedxx6m335dufn7qlhs7xcuecm.pdf OUTPUT: txt/work_jedxx6m335dufn7qlhs7xcuecm.txt FILE: cache/work_ddzfd5nw7nbirclsz4geq25kji.pdf OUTPUT: txt/work_ddzfd5nw7nbirclsz4geq25kji.txt WARN No Unicode mapping for H9266 (1) in font KDJBIN+MathematicalPi-One WARN No Unicode mapping for CID+16 (16) in font DVCWVC+SymbolMT WARN Using fallback font 'LiberationSerif' for 'TimesNewRomanPSMT' WARN Using fallback font 'LiberationSerif-Bold' for 'TimesNewRomanPS-BoldMT' FILE: cache/work_6ujzcidklbfgvb5iyz5lmhqgre.pdf OUTPUT: txt/work_6ujzcidklbfgvb5iyz5lmhqgre.txt FILE: cache/work_pad4vsuqz5hxhphrssqjrk3s5e.pdf OUTPUT: txt/work_pad4vsuqz5hxhphrssqjrk3s5e.txt FILE: cache/work_2tudfn6p7vbovpiu2j5biw4d4m.pdf OUTPUT: txt/work_2tudfn6p7vbovpiu2j5biw4d4m.txt FILE: cache/work_sbauwiquvfcdrexkl4zlqyc5ta.pdf OUTPUT: txt/work_sbauwiquvfcdrexkl4zlqyc5ta.txt FILE: cache/work_pzymdnlrsrg3hmejylvji2qwui.pdf OUTPUT: txt/work_pzymdnlrsrg3hmejylvji2qwui.txt WARN Using fallback font 'LiberationSans-Bold' for 'Helvetica,Bold' FILE: cache/work_ncq27ifllnbcno6fkkpogxd5u4.pdf OUTPUT: txt/work_ncq27ifllnbcno6fkkpogxd5u4.txt FILE: cache/work_aavw7x2gcrcjvefazdtu3vfxpm.pdf OUTPUT: txt/work_aavw7x2gcrcjvefazdtu3vfxpm.txt FILE: cache/work_hx534dx2hzcc7jbq4yljmyezpi.pdf OUTPUT: txt/work_hx534dx2hzcc7jbq4yljmyezpi.txt WARN Using fallback font 'LiberationSerif-Italic' for 'TimesNewRomanPS-ItalicMT' FILE: cache/work_a3zuymezwjasjlu6wd4t7fayeu.pdf OUTPUT: txt/work_a3zuymezwjasjlu6wd4t7fayeu.txt WARN No Unicode mapping for epsilon1 (15) in font EGBIIY+CMMI12 WARN No Unicode mapping for slashbig (14) in font QVDYFK+CMEX10 WARN No Unicode mapping for summationdisplay (88) in font QVDYFK+CMEX10 WARN No Unicode mapping for bracketleftbig (2) in font QVDYFK+CMEX10 WARN No Unicode mapping for bracketrightbig (3) in font QVDYFK+CMEX10 WARN No Unicode mapping for parenleftbigg (18) in font QVDYFK+CMEX10 WARN No Unicode mapping for parenrightbigg (19) in font QVDYFK+CMEX10 FILE: cache/work_hej7xirnsnfgfooktxrcq6ge7q.pdf OUTPUT: txt/work_hej7xirnsnfgfooktxrcq6ge7q.txt WARN No Unicode mapping for H11001 (2) in font KDJBHI+Universal-GreekwithMathPi FILE: cache/work_nar7abtvm5b2rjlx4fblx2ryqe.pdf OUTPUT: txt/work_nar7abtvm5b2rjlx4fblx2ryqe.txt FILE: cache/work_leofnl3hijcq3iaumr7qgdkgqe.pdf OUTPUT: txt/work_leofnl3hijcq3iaumr7qgdkgqe.txt FILE: cache/work_nl5aw5egpzecvggsns4alonneq.pdf OUTPUT: txt/work_nl5aw5egpzecvggsns4alonneq.txt FILE: cache/work_r2yh2xsgkrao5aee6dkffwxypy.pdf OUTPUT: txt/work_r2yh2xsgkrao5aee6dkffwxypy.txt WARN Using fallback font 'LiberationSerif' for 'TimesNewRomanPSMT' FILE: cache/work_a7tjf63yv5bqhc5ti7dye7o7wa.pdf OUTPUT: txt/work_a7tjf63yv5bqhc5ti7dye7o7wa.txt FILE: cache/work_x3bdyqd7bnavdp2i22xjrlapwm.pdf OUTPUT: txt/work_x3bdyqd7bnavdp2i22xjrlapwm.txt FILE: cache/work_n6e2b2a7hfek5mijm7rziwgm64.pdf OUTPUT: txt/work_n6e2b2a7hfek5mijm7rziwgm64.txt WARN No Unicode mapping for p90 (91) in font DEKKBA+GaramondCUPAccents FILE: cache/work_iabdrxfur5dhhcsebcq3wiyl24.pdf OUTPUT: txt/work_iabdrxfur5dhhcsebcq3wiyl24.txt WARN No Unicode mapping for CID+114 (114) in font ArialUnicodeMS-Identity-H WARN No Unicode mapping for CID+534 (534) in font TimesNewRoman-Identity-H WARN No Unicode mapping for CID+545 (545) in font TimesNewRoman-Identity-H WARN No Unicode mapping for H11021 (3) in font KDJBHI+Universal-GreekwithMathPi WARN No Unicode mapping for H11022 (4) in font KDJBHI+Universal-GreekwithMathPi WARN No Unicode mapping for CID+533 (533) in font TimesNewRoman-Identity-H WARN No Unicode mapping for H11350 (2) in font KDJBIN+MathematicalPi-One WARN No Unicode mapping for H9018 (5) in font KDJBHI+Universal-GreekwithMathPi WARN No Unicode mapping for H9252 (3) in font KDJBIN+MathematicalPi-One FILE: cache/work_y2ghdzlmrzbbdnpatg35kv4kre.pdf OUTPUT: txt/work_y2ghdzlmrzbbdnpatg35kv4kre.txt FILE: cache/work_g6c46d7c55cfreyrg2xvzf6xe4.pdf OUTPUT: txt/work_g6c46d7c55cfreyrg2xvzf6xe4.txt WARN No Unicode mapping for CID+113 (113) in font SymbolMT-Identity-H WARN No Unicode mapping for H11006 (6) in font KDJBHI+Universal-GreekwithMathPi FILE: cache/work_qz6lfui3mvaq7ky2qsuuphmzya.pdf OUTPUT: txt/work_qz6lfui3mvaq7ky2qsuuphmzya.txt FILE: cache/work_5y7yakaz4bcjrped6syzasvwvu.pdf OUTPUT: txt/work_5y7yakaz4bcjrped6syzasvwvu.txt WARN No Unicode mapping for CID+380 (380) in font TimesNewRoman-Identity-H WARN No Unicode mapping for CID+401 (401) in font TimesNewRoman-Identity-H WARN No Unicode mapping for CID+4260 (4260) in font ArialUnicodeMS-Identity-H WARN No Unicode mapping for CID+16 (16) in font ArialUnicodeMS-Identity-H WARN No Unicode mapping for CID+12 (12) in font ArialUnicodeMS-Identity-H WARN No Unicode mapping for CID+3 (3) in font ArialUnicodeMS-Identity-H WARN Using fallback font 'LiberationSerif-BoldItalic' for 'TimesNewRomanPS-BoldItalicMT' FILE: cache/work_wiovv3okjzetthjn4z5upaiyda.pdf OUTPUT: txt/work_wiovv3okjzetthjn4z5upaiyda.txt WARN No Unicode mapping for H11002 (7) in font KDJBHI+Universal-GreekwithMathPi FILE: cache/work_rxcpvf7emngwniwtgincssigzu.pdf OUTPUT: txt/work_rxcpvf7emngwniwtgincssigzu.txt FILE: cache/work_cxoqb4uja5ctrhdxq764cqjxuq.pdf OUTPUT: txt/work_cxoqb4uja5ctrhdxq764cqjxuq.txt FILE: cache/work_jci7pb77gvhddbqzszsiipfdpa.pdf OUTPUT: txt/work_jci7pb77gvhddbqzszsiipfdpa.txt FILE: cache/work_j365i7y6czfvfd2xgtshh7e7ei.pdf OUTPUT: txt/work_j365i7y6czfvfd2xgtshh7e7ei.txt FILE: cache/work_h5rtzlockrfndgvafpuunpziaq.pdf OUTPUT: txt/work_h5rtzlockrfndgvafpuunpziaq.txt WARN Using fallback font 'LiberationSerif' for 'TimesNewRomanPSMT' WARN Using fallback font 'LiberationSerif-Bold' for 'TimesNewRomanPS-BoldMT' WARN Using fallback font 'LiberationSerif-Italic' for 'TimesNewRomanPS-ItalicMT' FILE: cache/work_7jagcly6b5dzdjjdpzoel2kol4.pdf OUTPUT: txt/work_7jagcly6b5dzdjjdpzoel2kol4.txt WARN Using fallback font 'LiberationSerif' for 'TimesNewRomanPSMT' WARN Using fallback font 'LiberationSerif-Bold' for 'TimesNewRomanPS-BoldMT' WARN Using fallback font 'LiberationSerif-Italic' for 'TimesNewRomanPS-ItalicMT' FILE: cache/work_6gyfuq7rgjfetmbgkdjywbyz3e.pdf OUTPUT: txt/work_6gyfuq7rgjfetmbgkdjywbyz3e.txt FILE: cache/work_uzpby4gncfb2bjqnhdqrpxo4h4.pdf OUTPUT: txt/work_uzpby4gncfb2bjqnhdqrpxo4h4.txt FILE: cache/work_gou2y6vrinhexbg7yr6ddbrina.pdf OUTPUT: txt/work_gou2y6vrinhexbg7yr6ddbrina.txt FILE: cache/work_drzpwrrzdnfb5egdsdtx7ws5ci.pdf OUTPUT: txt/work_drzpwrrzdnfb5egdsdtx7ws5ci.txt WARN Could not read embedded TTF for font LucidaConsole java.io.IOException: Unexpected end of TTF stream reached at org.apache.fontbox.ttf.TTFDataStream.read(TTFDataStream.java:265) at org.apache.fontbox.ttf.TTFDataStream.readString(TTFDataStream.java:90) at org.apache.fontbox.ttf.TTFDataStream.readString(TTFDataStream.java:63) at org.apache.fontbox.ttf.PostScriptTable.read(PostScriptTable.java:104) at org.apache.fontbox.ttf.TrueTypeFont.readTable(TrueTypeFont.java:353) at org.apache.fontbox.ttf.TTFParser.parseTables(TTFParser.java:173) at org.apache.fontbox.ttf.TTFParser.parse(TTFParser.java:150) at org.apache.fontbox.ttf.TTFParser.parse(TTFParser.java:106) at org.apache.pdfbox.pdmodel.font.PDTrueTypeFont.(PDTrueTypeFont.java:198) at org.apache.pdfbox.pdmodel.font.PDFontFactory.createFont(PDFontFactory.java:89) at org.apache.pdfbox.pdmodel.PDResources.getFont(PDResources.java:146) at org.apache.pdfbox.contentstream.operator.text.SetFontAndSize.process(SetFontAndSize.java:66) at org.apache.pdfbox.contentstream.PDFStreamEngine.processOperator(PDFStreamEngine.java:875) at org.apache.pdfbox.contentstream.PDFStreamEngine.processStreamOperators(PDFStreamEngine.java:509) at org.apache.pdfbox.contentstream.PDFStreamEngine.processStream(PDFStreamEngine.java:483) at org.apache.pdfbox.contentstream.PDFStreamEngine.processPage(PDFStreamEngine.java:156) at org.apache.pdfbox.text.LegacyPDFStreamEngine.processPage(LegacyPDFStreamEngine.java:139) at org.apache.pdfbox.text.PDFTextStripper.processPage(PDFTextStripper.java:391) at org.apache.tika.parser.pdf.PDF2XHTML.processPage(PDF2XHTML.java:125) at org.apache.tika.parser.pdf.AbstractPDF2XHTML.processPages(AbstractPDF2XHTML.java:963) at org.apache.pdfbox.text.PDFTextStripper.writeText(PDFTextStripper.java:266) at org.apache.tika.parser.pdf.PDF2XHTML.process(PDF2XHTML.java:96) at org.apache.tika.parser.pdf.PDFParser.parse(PDFParser.java:174) at org.apache.tika.parser.CompositeParser.parse(CompositeParser.java:280) at org.apache.tika.parser.CompositeParser.parse(CompositeParser.java:280) at org.apache.tika.parser.AutoDetectParser.parse(AutoDetectParser.java:143) at org.apache.tika.parser.RecursiveParserWrapper.parse(RecursiveParserWrapper.java:233) at org.apache.tika.server.resource.TikaResource.parse(TikaResource.java:409) at org.apache.tika.server.resource.RecursiveMetadataResource.parseMetadata(RecursiveMetadataResource.java:147) at org.apache.tika.server.resource.RecursiveMetadataResource.getMetadata(RecursiveMetadataResource.java:123) at sun.reflect.GeneratedMethodAccessor4.invoke(Unknown Source) at sun.reflect.DelegatingMethodAccessorImpl.invoke(DelegatingMethodAccessorImpl.java:43) at java.lang.reflect.Method.invoke(Method.java:498) at org.apache.cxf.service.invoker.AbstractInvoker.performInvocation(AbstractInvoker.java:179) at org.apache.cxf.service.invoker.AbstractInvoker.invoke(AbstractInvoker.java:96) at org.apache.cxf.jaxrs.JAXRSInvoker.invoke(JAXRSInvoker.java:201) at org.apache.cxf.jaxrs.JAXRSInvoker.invoke(JAXRSInvoker.java:104) at org.apache.cxf.interceptor.ServiceInvokerInterceptor$1.run(ServiceInvokerInterceptor.java:59) at org.apache.cxf.interceptor.ServiceInvokerInterceptor.handleMessage(ServiceInvokerInterceptor.java:96) at org.apache.cxf.phase.PhaseInterceptorChain.doIntercept(PhaseInterceptorChain.java:308) at org.apache.cxf.transport.ChainInitiationObserver.onMessage(ChainInitiationObserver.java:121) at org.apache.cxf.transport.http.AbstractHTTPDestination.invoke(AbstractHTTPDestination.java:267) at org.apache.cxf.transport.http_jetty.JettyHTTPDestination.doService(JettyHTTPDestination.java:247) at org.apache.cxf.transport.http_jetty.JettyHTTPHandler.handle(JettyHTTPHandler.java:79) at org.eclipse.jetty.server.handler.HandlerWrapper.handle(HandlerWrapper.java:127) at org.eclipse.jetty.server.handler.ScopedHandler.nextHandle(ScopedHandler.java:235) at org.eclipse.jetty.server.handler.ContextHandler.doHandle(ContextHandler.java:1300) at org.eclipse.jetty.server.handler.ScopedHandler.nextScope(ScopedHandler.java:190) at org.eclipse.jetty.server.handler.ContextHandler.doScope(ContextHandler.java:1215) at org.eclipse.jetty.server.handler.ScopedHandler.handle(ScopedHandler.java:141) at org.eclipse.jetty.server.handler.ContextHandlerCollection.handle(ContextHandlerCollection.java:221) at org.eclipse.jetty.server.handler.HandlerWrapper.handle(HandlerWrapper.java:127) at org.eclipse.jetty.server.Server.handle(Server.java:500) at org.eclipse.jetty.server.HttpChannel.lambda$handle$1(HttpChannel.java:383) at org.eclipse.jetty.server.HttpChannel.dispatch(HttpChannel.java:547) at org.eclipse.jetty.server.HttpChannel.handle(HttpChannel.java:375) at org.eclipse.jetty.server.HttpConnection.onFillable(HttpConnection.java:273) at org.eclipse.jetty.io.AbstractConnection$ReadCallback.succeeded(AbstractConnection.java:311) at org.eclipse.jetty.io.FillInterest.fillable(FillInterest.java:103) at org.eclipse.jetty.io.ChannelEndPoint$2.run(ChannelEndPoint.java:117) at org.eclipse.jetty.util.thread.QueuedThreadPool.runJob(QueuedThreadPool.java:806) at org.eclipse.jetty.util.thread.QueuedThreadPool$Runner.run(QueuedThreadPool.java:938) at java.lang.Thread.run(Thread.java:748) WARN Using fallback font 'LiberationMono' for 'LucidaConsole' WARN Using fallback font 'LiberationSerif' for 'TimesNewRomanPSMT' WARN Using fallback font 'LiberationSerif-Bold' for 'TimesNewRomanPS-BoldMT' FILE: cache/work_x52lebkxwngbrcg5pdt3wrbwpm.pdf OUTPUT: txt/work_x52lebkxwngbrcg5pdt3wrbwpm.txt WARN No Unicode mapping for H18546 (1) in font KDJHNO+Universal-NewswithCommPi FILE: cache/work_ovznndcq5bddlm7fmvin4ggyzq.pdf OUTPUT: txt/work_ovznndcq5bddlm7fmvin4ggyzq.txt WARN Using fallback font 'LiberationSerif-Italic' for 'TimesNewRomanPS-ItalicMT' FILE: cache/work_fjzrgm4tgrhalbcrqogypk3ovi.pdf OUTPUT: txt/work_fjzrgm4tgrhalbcrqogypk3ovi.txt WARN Format 14 cmap table is not supported and will be ignored WARN Using fallback font 'LiberationSerif' for 'TimesNewRomanPSMT' WARN Using fallback font 'LiberationSerif-Bold' for 'TimesNewRomanPS-BoldMT' WARN Using fallback font 'LiberationSerif-Italic' for 'TimesNewRomanPS-ItalicMT' WARN Using fallback font 'LiberationSans-Bold' for 'TimesNewRomanPS-BoldItalicMT' FILE: cache/work_fos67nw6zjb6lblxc72ggtzakq.pdf OUTPUT: txt/work_fos67nw6zjb6lblxc72ggtzakq.txt FILE: cache/work_qei55uivxrdull7bcrfq4en2sy.pdf OUTPUT: txt/work_qei55uivxrdull7bcrfq4en2sy.txt FILE: cache/work_qwarbhwkc5dhvcbxj2sq4nb26m.pdf OUTPUT: txt/work_qwarbhwkc5dhvcbxj2sq4nb26m.txt WARN Using fallback font 'LiberationSerif' for 'TimesNewRomanPSMT' WARN Using fallback font 'LiberationSerif-Bold' for 'TimesNewRomanPS-BoldMT' WARN Using fallback font 'LiberationSerif-Italic' for 'TimesNewRomanPS-ItalicMT' FILE: cache/work_hmnduvushzffzhtto7saw4xzy4.pdf OUTPUT: txt/work_hmnduvushzffzhtto7saw4xzy4.txt WARN Using fallback font 'LiberationSerif-BoldItalic' for 'TimesNewRomanPS-BoldItalicMT' FILE: cache/work_rlncehiymneivk2tz4osco76x4.pdf OUTPUT: txt/work_rlncehiymneivk2tz4osco76x4.txt FILE: cache/work_5exozb2y6bgklpbgnoprj2ptxa.pdf OUTPUT: txt/work_5exozb2y6bgklpbgnoprj2ptxa.txt WARN Using fallback font 'LiberationSerif' for 'TimesNewRomanPSMT' WARN Using fallback font 'LiberationSerif-Bold' for 'TimesNewRomanPS-BoldMT' WARN Using fallback font 'LiberationSerif-Italic' for 'TimesNewRomanPS-ItalicMT' WARN Using fallback font 'LiberationSerif-BoldItalic' for 'TimesNewRomanPS-BoldItalicMT' WARN Using fallback font 'LiberationSerif' for 'TimesNewRomanPSMT' WARN Using fallback font 'LiberationSerif-Bold' for 'TimesNewRomanPS-BoldMT' WARN Using fallback font 'LiberationSerif-Italic' for 'TimesNewRomanPS-ItalicMT' WARN Using fallback font 'LiberationSerif-BoldItalic' for 'TimesNewRomanPS-BoldItalicMT' WARN Format 14 cmap table is not supported and will be ignored FILE: cache/work_2wqlzl6g6vc5vexa5kqijnc32q.pdf OUTPUT: txt/work_2wqlzl6g6vc5vexa5kqijnc32q.txt FILE: cache/work_k5bw4r2hwnhcrieuqvtm4cyxui.pdf OUTPUT: txt/work_k5bw4r2hwnhcrieuqvtm4cyxui.txt FILE: cache/work_ey3akxayzjgadk4cym2yumlv44.pdf OUTPUT: txt/work_ey3akxayzjgadk4cym2yumlv44.txt FILE: cache/work_ofrtlgpgozfjfjxs3ajrmvpmme.pdf OUTPUT: txt/work_ofrtlgpgozfjfjxs3ajrmvpmme.txt FILE: cache/work_ptrqatik2rb7lbpzhlct52ldwe.pdf OUTPUT: txt/work_ptrqatik2rb7lbpzhlct52ldwe.txt FILE: cache/work_epvsrtmnfzadbdob3jqjc7ix7a.pdf OUTPUT: txt/work_epvsrtmnfzadbdob3jqjc7ix7a.txt FILE: cache/work_sbzmsxzvxjfllgndwbkg4mbxcu.pdf OUTPUT: txt/work_sbzmsxzvxjfllgndwbkg4mbxcu.txt FILE: cache/work_imoaspz6djc7hbzohmmncaiyy4.pdf OUTPUT: txt/work_imoaspz6djc7hbzohmmncaiyy4.txt WARN Format 14 cmap table is not supported and will be ignored WARN Using fallback font 'LiberationSerif' for 'TimesNewRomanPSMT' WARN Using fallback font 'LiberationSerif-Bold' for 'TimesNewRomanPS-BoldMT' WARN Using fallback font 'LiberationSerif-Italic' for 'TimesNewRomanPS-ItalicMT' WARN Using fallback font 'LiberationSerif' for 'TimesNewRomanPSMT' WARN Using fallback font 'LiberationSerif-Bold' for 'TimesNewRomanPS-BoldMT' WARN Using fallback font 'LiberationSerif-Italic' for 'TimesNewRomanPS-ItalicMT' WARN Using fallback font 'LiberationSerif-BoldItalic' for 'TimesNewRomanPS-BoldItalicMT' FILE: cache/work_ojwhhx4m4jdb3hxf4xfjllecxy.pdf OUTPUT: txt/work_ojwhhx4m4jdb3hxf4xfjllecxy.txt WARN Using fallback font 'LiberationSerif' for 'CourierNewPSMT' FILE: cache/work_uedjmuarsrftnpqwyswlnmp2su.pdf OUTPUT: txt/work_uedjmuarsrftnpqwyswlnmp2su.txt FILE: cache/work_kn4fgkn445ffhhfosf6vgxny44.pdf OUTPUT: txt/work_kn4fgkn445ffhhfosf6vgxny44.txt FILE: cache/work_diayjqyh2reffpwaap2xg7lj2a.pdf 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TXARYA+AdvTT5843c571+20 WARN No Unicode mapping for H11021 (3) in font KDJBHI+Universal-GreekwithMathPi WARN No Unicode mapping for H11022 (4) in font KDJBHI+Universal-GreekwithMathPi WARN No Unicode mapping for H11350 (2) in font KDJBIN+MathematicalPi-One WARN No Unicode mapping for H9018 (5) in font KDJBHI+Universal-GreekwithMathPi WARN No Unicode mapping for H9252 (3) in font KDJBIN+MathematicalPi-One WARN No Unicode mapping for H11006 (6) in font KDJBHI+Universal-GreekwithMathPi WARN No Unicode mapping for H11002 (7) in font KDJBHI+Universal-GreekwithMathPi WARN No Unicode mapping for H18546 (1) in font KDJHNO+Universal-NewswithCommPi === file2bib.sh === Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2895, in get_loc return self._engine.get_loc(casted_key) File "pandas/_libs/index.pyx", line 70, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/index.pyx", line 101, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/hashtable_class_helper.pxi", line 1675, in pandas._libs.hashtable.PyObjectHashTable.get_item File "pandas/_libs/hashtable_class_helper.pxi", line 1683, in pandas._libs.hashtable.PyObjectHashTable.get_item KeyError: 'work_baeidb4rgzee5gwlbls5lw4dp4' The above exception was the direct cause of the following exception: Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/reader-compute/reader-classic/bin/file2bib.py", line 66, in if ( bibliographics.loc[ escape ,'author'] ) : author = bibliographics.loc[ escape,'author'] File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 873, in __getitem__ return self._getitem_tuple(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1044, in _getitem_tuple return self._getitem_lowerdim(tup) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 786, in _getitem_lowerdim section = self._getitem_axis(key, axis=i) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1110, in _getitem_axis return self._get_label(key, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1059, in _get_label return self.obj.xs(label, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/generic.py", line 3491, in xs loc = self.index.get_loc(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2897, in get_loc raise KeyError(key) from err KeyError: 'work_baeidb4rgzee5gwlbls5lw4dp4' INFO Detecting media type for Filename: b'work_pzymdnlrsrg3hmejylvji2qwui.pdf' INFO rmeta/text (autodetecting type) work_vpxxzkt23jbbvle4fwzw3wuzpi txt/../pos/work_vpxxzkt23jbbvle4fwzw3wuzpi.pos work_vpxxzkt23jbbvle4fwzw3wuzpi txt/../wrd/work_vpxxzkt23jbbvle4fwzw3wuzpi.wrd work_vpxxzkt23jbbvle4fwzw3wuzpi txt/../ent/work_vpxxzkt23jbbvle4fwzw3wuzpi.ent === file2bib.sh === id: work_vpxxzkt23jbbvle4fwzw3wuzpi author: P. G. O'Seaghdha title: Close but not proximate: The significance of phonological segments in speaking depends on their functional engagement date: 2012 pages: 1 extension: .pdf txt: ./txt/work_vpxxzkt23jbbvle4fwzw3wuzpi.txt cache: ./cache/work_vpxxzkt23jbbvle4fwzw3wuzpi.pdf Content-Type application/pdf Creation-Date 2012-12-20T03:59:14Z Last-Modified 2021-04-06T01:11:34Z Last-Save-Date 2021-04-06T01:11:34Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 14 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2012-12-20T03:59:14Z date 2021-04-06T01:11:34Z dc:format application/pdf; version=1.4 dc:title pnas201217032 3..3 dcterms:created 2012-12-20T03:59:14Z dcterms:modified 2021-04-06T01:11:34Z meta:creation-date 2012-12-20T03:59:14Z meta:save-date 2021-04-06T01:11:34Z modified 2021-04-06T01:11:34Z pdf:PDFVersion 1.4 pdf:charsPerPage 4084 pdf:docinfo:created 2012-12-20T03:59:14Z pdf:docinfo:creator_tool Arbortext Advanced Print Publisher 9.1.510/W Unicode pdf:docinfo:modified 2021-04-06T01:11:34Z pdf:docinfo:producer Acrobat Distiller 7.0 (Windows) pdf:docinfo:title pnas201217032 3..3 pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage 0 producer Acrobat Distiller 7.0 (Windows) resourceName b'work_vpxxzkt23jbbvle4fwzw3wuzpi.pdf' title pnas201217032 3..3 xmp:CreatorTool Arbortext Advanced Print Publisher 9.1.510/W Unicode xmpMM:DocumentID uuid:002c7041-dcec-47f5-8a48-e4fa04a054d0 xmpTPg:NPages 1 work_i5phrzznw5c4hfobj4addy632m txt/../pos/work_i5phrzznw5c4hfobj4addy632m.pos === file2bib.sh === id: work_gcgn73nxpffpzmnd4jadogsbuu author: Gül Bilge Han title: Bir Karakuşa Bakmanın On Üç Yolu by Wallace Stevens date: 2018 pages: 5 extension: .pdf txt: ./txt/work_gcgn73nxpffpzmnd4jadogsbuu.txt cache: ./cache/work_gcgn73nxpffpzmnd4jadogsbuu.pdf Author Gül Bilge Han Content-Type application/pdf Creation-Date 2018-02-23T19:47:28Z Last-Modified 2018-02-23T19:51:21Z Last-Save-Date 2018-02-23T19:51:21Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 47 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2018-02-23T19:47:28Z creator Gül Bilge Han date 2018-02-23T19:51:21Z dc:creator Gül Bilge Han dc:format application/pdf; version=1.4 dc:title Bir Karakuşa Bakmanın On Üç Yolu by Wallace Stevens (review) dcterms:created 2018-02-23T19:47:28Z dcterms:modified 2018-02-23T19:51:21Z meta:author Gül Bilge Han meta:creation-date 2018-02-23T19:47:28Z meta:save-date 2018-02-23T19:51:21Z modified 2018-02-23T19:51:21Z pdf:PDFVersion 1.4 pdf:charsPerPage ['391', '3094', '2307', '3573', '3083'] pdf:docinfo:created 2018-02-23T19:47:28Z pdf:docinfo:creator Gül Bilge Han pdf:docinfo:creator_tool Adobe InDesign CC 2017 (Macintosh) pdf:docinfo:modified 2018-02-23T19:51:21Z pdf:docinfo:producer Project MUSE pdf:docinfo:title Bir Karakuşa Bakmanın On Üç Yolu by Wallace Stevens (review) pdf:docinfo:trapped False pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0', '0'] producer Project MUSE resourceName b'work_gcgn73nxpffpzmnd4jadogsbuu.pdf' title Bir Karakuşa Bakmanın On Üç Yolu by Wallace Stevens (review) trapped False xmp:CreatorTool Adobe InDesign CC 2017 (Macintosh) xmpMM:DocumentID uuid:6eff80c6-223b-aa47-916d-b80ec3ccafbd xmpTPg:NPages 5 work_i5phrzznw5c4hfobj4addy632m txt/../wrd/work_i5phrzznw5c4hfobj4addy632m.wrd === file2bib.sh === id: work_aopevinn2rczvmki5sp3kv6du4 author: Ellen Levy title: The Songs We Know Best: John Ashbery's Early Life by Karin Roffman date: 2018 pages: 6 extension: .pdf txt: ./txt/work_aopevinn2rczvmki5sp3kv6du4.txt cache: ./cache/work_aopevinn2rczvmki5sp3kv6du4.pdf Author Ellen Levy Content-Type application/pdf Creation-Date 2018-02-23T19:47:28Z Last-Modified 2018-02-23T19:51:21Z Last-Save-Date 2018-02-23T19:51:21Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 53 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2018-02-23T19:47:28Z creator Ellen Levy date 2018-02-23T19:51:21Z dc:creator Ellen Levy dc:format application/pdf; version=1.4 dc:title The Songs We Know Best: John Ashbery's Early Life by Karin Roffman (review) dcterms:created 2018-02-23T19:47:28Z dcterms:modified 2018-02-23T19:51:21Z meta:author Ellen Levy meta:creation-date 2018-02-23T19:47:28Z meta:save-date 2018-02-23T19:51:21Z modified 2018-02-23T19:51:21Z pdf:PDFVersion 1.4 pdf:charsPerPage ['403', '3083', '3597', '3077', '2827', '3192'] pdf:docinfo:created 2018-02-23T19:47:28Z pdf:docinfo:creator Ellen Levy pdf:docinfo:creator_tool Adobe InDesign CC 2017 (Macintosh) pdf:docinfo:modified 2018-02-23T19:51:21Z pdf:docinfo:producer Project MUSE pdf:docinfo:title The Songs We Know Best: John Ashbery's Early Life by Karin Roffman (review) pdf:docinfo:trapped False pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0', '0', '0'] producer Project MUSE resourceName b'work_aopevinn2rczvmki5sp3kv6du4.pdf' title The Songs We Know Best: John Ashbery's Early Life by Karin Roffman (review) trapped False xmp:CreatorTool Adobe InDesign CC 2017 (Macintosh) xmpMM:DocumentID uuid:ff927045-efef-4144-9e46-73e4d9d42848 xmpTPg:NPages 6 work_oi4iiyfejjaphdavtw26kh64ki txt/../pos/work_oi4iiyfejjaphdavtw26kh64ki.pos work_3asa5qxlenh3tm63bffpvzd46i txt/../pos/work_3asa5qxlenh3tm63bffpvzd46i.pos work_i5phrzznw5c4hfobj4addy632m txt/../ent/work_i5phrzznw5c4hfobj4addy632m.ent work_nar7abtvm5b2rjlx4fblx2ryqe txt/../pos/work_nar7abtvm5b2rjlx4fblx2ryqe.pos work_oi4iiyfejjaphdavtw26kh64ki txt/../wrd/work_oi4iiyfejjaphdavtw26kh64ki.wrd === file2bib.sh === id: work_alvr5uqqyneupgk6owflegmm2a author: Jaqueline Warwick title: I Wanna Be Me: Rock Music and the Politics of Identity. By Theodore Gracyk . Philadelphia: Temple University Press, 2001. xi, 292 pp.Disruptive Divas: Feminism, Identity and Popular Music. By Lori Burns Mélisse Lafrance . 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Abel Content-Type application/pdf Creation-Date 2016-06-28T06:35:40Z Keywords audio signal processing; modal analysis; room acoustics; signal analysis; artificial reverberation; digital audio effects; virtual analog; musical instruments Last-Modified 2016-06-28T06:35:40Z Last-Save-Date 2016-06-28T06:35:40Z PTEX.Fullbanner This is pdfTeX, Version 3.14159265-2.6-1.40.15 (TeX Live 2014/W32TeX) kpathsea version 6.2.0 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 87 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true cp:subject In this design study, we introduce a novel class of digital audio effects that extend the recently introduced modal processor approach to artificial reverberation and effects processing. These pitch and distortion processing effects mimic the design and sonics of a classic additive-synthesis-based electromechanical musical instrument, the Hammond tonewheel organ. As a reverb effect, the modal processor simulates a room response as the sum of resonant filter responses. This architecture provides precise, interactive control over the frequency, damping, and complex amplitude of each mode. Into this framework, we introduce two types of processing effects: pitch effects inspired by the Hammond organ's equal tempered ``tonewheels'', ``drawbar'' tone controls, vibrato/chorus circuit, and distortion effects inspired by the pseudo-sinusoidal shape of its tonewheels and electromagnetic pickup distortion. The result is an effects processor that imprints the Hammond organ's sonics onto any audio input. created 2016-06-28T06:35:40Z creator Kurt James Werner and Jonathan S. Abel date 2016-06-28T06:35:40Z dc:creator Kurt James Werner and Jonathan S. Abel dc:format application/pdf; version=1.5 dc:subject audio signal processing; modal analysis; room acoustics; signal analysis; artificial reverberation; digital audio effects; virtual analog; musical instruments dc:title Modal Processor Effects Inspired by Hammond Tonewheel Organs dcterms:created 2016-06-28T06:35:40Z dcterms:modified 2016-06-28T06:35:40Z meta:author Kurt James Werner and Jonathan S. Abel meta:creation-date 2016-06-28T06:35:40Z meta:keyword audio signal processing; modal analysis; room acoustics; signal analysis; artificial reverberation; digital audio effects; virtual analog; musical instruments meta:save-date 2016-06-28T06:35:40Z modified 2016-06-28T06:35:40Z pdf:PDFVersion 1.5 pdf:charsPerPage ['1536', '3001', '3626', '1558', '1349', '2433', '1946', '1907', '2392', '2314', '1931', '2514', '1945', '1112', '1698', '1101', '3366', '3756', '3294'] pdf:docinfo:created 2016-06-28T06:35:40Z pdf:docinfo:creator Kurt James Werner and Jonathan S. Abel pdf:docinfo:creator_tool LaTeX with hyperref package pdf:docinfo:custom:PTEX.Fullbanner This is pdfTeX, Version 3.14159265-2.6-1.40.15 (TeX Live 2014/W32TeX) kpathsea version 6.2.0 pdf:docinfo:keywords audio signal processing; modal analysis; room acoustics; signal analysis; artificial reverberation; digital audio effects; virtual analog; musical instruments pdf:docinfo:modified 2016-06-28T06:35:40Z pdf:docinfo:producer pdfTeX-1.40.15 pdf:docinfo:subject In this design study, we introduce a novel class of digital audio effects that extend the recently introduced modal processor approach to artificial reverberation and effects processing. These pitch and distortion processing effects mimic the design and sonics of a classic additive-synthesis-based electromechanical musical instrument, the Hammond tonewheel organ. As a reverb effect, the modal processor simulates a room response as the sum of resonant filter responses. This architecture provides precise, interactive control over the frequency, damping, and complex amplitude of each mode. Into this framework, we introduce two types of processing effects: pitch effects inspired by the Hammond organ's equal tempered ``tonewheels'', ``drawbar'' tone controls, vibrato/chorus circuit, and distortion effects inspired by the pseudo-sinusoidal shape of its tonewheels and electromagnetic pickup distortion. The result is an effects processor that imprints the Hammond organ's sonics onto any audio input. pdf:docinfo:title Modal Processor Effects Inspired by Hammond Tonewheel Organs pdf:docinfo:trapped False pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP false pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '9', '7', '4', '8', '15', '2', '5', '3', '0', '0', '0', '3', '0', '0', '0', '0'] producer pdfTeX-1.40.15 resourceName b'work_leofnl3hijcq3iaumr7qgdkgqe.pdf' subject In this design study, we introduce a novel class of digital audio effects that extend the recently introduced modal processor approach to artificial reverberation and effects processing. These pitch and distortion processing effects mimic the design and sonics of a classic additive-synthesis-based electromechanical musical instrument, the Hammond tonewheel organ. As a reverb effect, the modal processor simulates a room response as the sum of resonant filter responses. This architecture provides precise, interactive control over the frequency, damping, and complex amplitude of each mode. Into this framework, we introduce two types of processing effects: pitch effects inspired by the Hammond organ's equal tempered ``tonewheels'', ``drawbar'' tone controls, vibrato/chorus circuit, and distortion effects inspired by the pseudo-sinusoidal shape of its tonewheels and electromagnetic pickup distortion. 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presence; medical metaphors Last-Modified 2017-09-13T06:04:52Z Last-Save-Date 2017-09-13T06:04:52Z PTEX.Fullbanner This is pdfTeX, Version 3.14159265-2.6-1.40.17 (TeX Live 2016/W32TeX) kpathsea version 6.2.2 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 37 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true cp:subject Medicine can not only be read with a poetic imagination, but also configured as a poetic practice, moving beyond the instrumental. The poet Wallace Stevens made a distinction between ‘Force’ and ‘Presence’—the former can be read as combative, the latter as pacific. Modern medicine has been shaped historically by the combative metaphor of a ‘war against disease’, turning medicine into a quasi-militaristic culture fond of hierarchy. This is supplemented by the metaphor of the ‘body as machine’, reducing the complex and unpredictable body to a linear, if complicated, apparatus. The two metaphors align medicine with the modern industrial–military complex that is masculine, heroic, and controlling in character. In an era in which medicine is feminising and expected to be patient-centred, collaborative (inter-professional) and transparent to the public as a democratic gesture, the industrial–military metaphor complex should no longer be shaping medicine—yet its influence is still keenly felt, especially in surgery. This continuing dominance of Force over Presence matters because it is a style running counter to the collaborative, team-based medicine needed for high levels of patient safety. Medicine will authentically democratise only as new, pacific shaping metaphors emerge: those of ‘Presence’, such as ‘hospitality’. 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The poet Wallace Stevens made a distinction between ‘Force’ and ‘Presence’—the former can be read as combative, the latter as pacific. Modern medicine has been shaped historically by the combative metaphor of a ‘war against disease’, turning medicine into a quasi-militaristic culture fond of hierarchy. This is supplemented by the metaphor of the ‘body as machine’, reducing the complex and unpredictable body to a linear, if complicated, apparatus. The two metaphors align medicine with the modern industrial–military complex that is masculine, heroic, and controlling in character. In an era in which medicine is feminising and expected to be patient-centred, collaborative (inter-professional) and transparent to the public as a democratic gesture, the industrial–military metaphor complex should no longer be shaping medicine—yet its influence is still keenly felt, especially in surgery. This continuing dominance of Force over Presence matters because it is a style running counter to the collaborative, team-based medicine needed for high levels of patient safety. Medicine will authentically democratise only as new, pacific shaping metaphors emerge: those of ‘Presence’, such as ‘hospitality’. Hospitals can once again become places of hospitality. pdf:docinfo:title Force and Presence in the World of Medicine pdf:docinfo:trapped False pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP false pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0', '0', '0', '0', '0'] producer pdfTeX-1.40.17 resourceName b'work_pad4vsuqz5hxhphrssqjrk3s5e.pdf' subject Medicine can not only be read with a poetic imagination, but also configured as a poetic practice, moving beyond the instrumental. The poet Wallace Stevens made a distinction between ‘Force’ and ‘Presence’—the former can be read as combative, the latter as pacific. Modern medicine has been shaped historically by the combative metaphor of a ‘war against disease’, turning medicine into a quasi-militaristic culture fond of hierarchy. This is supplemented by the metaphor of the ‘body as machine’, reducing the complex and unpredictable body to a linear, if complicated, apparatus. The two metaphors align medicine with the modern industrial–military complex that is masculine, heroic, and controlling in character. In an era in which medicine is feminising and expected to be patient-centred, collaborative (inter-professional) and transparent to the public as a democratic gesture, the industrial–military metaphor complex should no longer be shaping medicine—yet its influence is still keenly felt, especially in surgery. This continuing dominance of Force over Presence matters because it is a style running counter to the collaborative, team-based medicine needed for high levels of patient safety. Medicine will authentically democratise only as new, pacific shaping metaphors emerge: those of ‘Presence’, such as ‘hospitality’. 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Secularism and Nonreligion 7: 8, pp. 1–13. DOI: https://doi.org/10.5334/snr.94 created 2018-10-24T11:05:21Z creator Atko Remmel and Mikko Sillfors date 2018-10-24T11:05:33Z dc:creator Atko Remmel and Mikko Sillfors dc:description (2018). Secularism and Nonreligion 7: 8, pp. 1–13. DOI: https://doi.org/10.5334/snr.94 dc:format application/pdf; version=1.4 dc:title Crossbreeding Atheism with Spirituality: Notes on Soviet and Western Attempts dcterms:created 2018-10-24T11:05:21Z dcterms:modified 2018-10-24T11:05:33Z description (2018). Secularism and Nonreligion 7: 8, pp. 1–13. 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Hillis Miller title: Quando um primitivo é como um orbe? Quando um primitivo é como um orbe? date: 2008 pages: 28 extension: .pdf txt: ./txt/work_x3bdyqd7bnavdp2i22xjrlapwm.txt cache: ./cache/work_x3bdyqd7bnavdp2i22xjrlapwm.pdf Author J. Hillis Miller Content-Type application/pdf Creation-Date 2008-11-14T13:03:24Z Last-Modified 2008-11-20T13:00:31Z Last-Save-Date 2008-11-20T13:00:31Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 57 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2008-11-14T13:03:24Z creator J. Hillis Miller date 2008-11-20T13:00:31Z dc:creator J. Hillis Miller dc:format application/pdf; version=1.6 dc:language en dc:title Quando um primitivo é como um orbe? dcterms:created 2008-11-14T13:03:24Z dcterms:modified 2008-11-20T13:00:31Z language en meta:author J. Hillis Miller meta:creation-date 2008-11-14T13:03:24Z meta:save-date 2008-11-20T13:00:31Z modified 2008-11-20T13:00:31Z pdf:PDFVersion 1.6 pdf:charsPerPage ['1501', '2511', '2401', '2421', '2467', '2460', '2495', '1976', '2398', '2343', '2425', '2451', '2479', '2449', '2460', '2535', '2396', '2447', '2112', '2481', '2392', '2297', '1778', '1838', '1726', '1641', '1663', '252'] pdf:docinfo:created 2008-11-14T13:03:24Z pdf:docinfo:creator J. 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Kazdin title: Parent management training for conduct problems in children: Enhancing treatment to improve therapeutic change date: 2018 pages: extension: .pdf txt: ./txt/work_pkhdyt6m4zgz5oulbmidhtkwfm.txt cache: ./cache/work_pkhdyt6m4zgz5oulbmidhtkwfm.pdf Content-Type application/xml X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.xml.DcXMLParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 4 resourceName b'work_pkhdyt6m4zgz5oulbmidhtkwfm.pdf' INFO Detecting media type for Filename: b'work_hmnduvushzffzhtto7saw4xzy4.pdf' INFO rmeta/text (autodetecting type) WARN Could not read embedded TTF for font LucidaConsole java.io.IOException: Unexpected end of TTF stream reached at org.apache.fontbox.ttf.TTFDataStream.read(TTFDataStream.java:265) at org.apache.fontbox.ttf.TTFDataStream.readString(TTFDataStream.java:90) at org.apache.fontbox.ttf.TTFDataStream.readString(TTFDataStream.java:63) at org.apache.fontbox.ttf.PostScriptTable.read(PostScriptTable.java:104) at org.apache.fontbox.ttf.TrueTypeFont.readTable(TrueTypeFont.java:353) at org.apache.fontbox.ttf.TTFParser.parseTables(TTFParser.java:173) at org.apache.fontbox.ttf.TTFParser.parse(TTFParser.java:150) at org.apache.fontbox.ttf.TTFParser.parse(TTFParser.java:106) at org.apache.pdfbox.pdmodel.font.PDTrueTypeFont.(PDTrueTypeFont.java:198) at org.apache.pdfbox.pdmodel.font.PDFontFactory.createFont(PDFontFactory.java:89) at org.apache.pdfbox.pdmodel.PDResources.getFont(PDResources.java:146) at org.apache.pdfbox.contentstream.operator.text.SetFontAndSize.process(SetFontAndSize.java:66) at org.apache.pdfbox.contentstream.PDFStreamEngine.processOperator(PDFStreamEngine.java:875) at org.apache.pdfbox.contentstream.PDFStreamEngine.processStreamOperators(PDFStreamEngine.java:509) at org.apache.pdfbox.contentstream.PDFStreamEngine.processStream(PDFStreamEngine.java:483) at org.apache.pdfbox.contentstream.PDFStreamEngine.processPage(PDFStreamEngine.java:156) at org.apache.pdfbox.text.LegacyPDFStreamEngine.processPage(LegacyPDFStreamEngine.java:139) at org.apache.pdfbox.text.PDFTextStripper.processPage(PDFTextStripper.java:391) at org.apache.tika.parser.pdf.PDF2XHTML.processPage(PDF2XHTML.java:125) at org.apache.tika.parser.pdf.AbstractPDF2XHTML.processPages(AbstractPDF2XHTML.java:963) at org.apache.pdfbox.text.PDFTextStripper.writeText(PDFTextStripper.java:266) at org.apache.tika.parser.pdf.PDF2XHTML.process(PDF2XHTML.java:96) at org.apache.tika.parser.pdf.PDFParser.parse(PDFParser.java:174) at org.apache.tika.parser.CompositeParser.parse(CompositeParser.java:280) at org.apache.tika.parser.CompositeParser.parse(CompositeParser.java:280) at org.apache.tika.parser.AutoDetectParser.parse(AutoDetectParser.java:143) at org.apache.tika.parser.RecursiveParserWrapper.parse(RecursiveParserWrapper.java:233) at org.apache.tika.server.resource.TikaResource.parse(TikaResource.java:409) at org.apache.tika.server.resource.RecursiveMetadataResource.parseMetadata(RecursiveMetadataResource.java:147) at org.apache.tika.server.resource.RecursiveMetadataResource.getMetadata(RecursiveMetadataResource.java:123) at sun.reflect.GeneratedMethodAccessor4.invoke(Unknown Source) at sun.reflect.DelegatingMethodAccessorImpl.invoke(DelegatingMethodAccessorImpl.java:43) at java.lang.reflect.Method.invoke(Method.java:498) at org.apache.cxf.service.invoker.AbstractInvoker.performInvocation(AbstractInvoker.java:179) at org.apache.cxf.service.invoker.AbstractInvoker.invoke(AbstractInvoker.java:96) at org.apache.cxf.jaxrs.JAXRSInvoker.invoke(JAXRSInvoker.java:201) at org.apache.cxf.jaxrs.JAXRSInvoker.invoke(JAXRSInvoker.java:104) at org.apache.cxf.interceptor.ServiceInvokerInterceptor$1.run(ServiceInvokerInterceptor.java:59) at org.apache.cxf.interceptor.ServiceInvokerInterceptor.handleMessage(ServiceInvokerInterceptor.java:96) at org.apache.cxf.phase.PhaseInterceptorChain.doIntercept(PhaseInterceptorChain.java:308) at org.apache.cxf.transport.ChainInitiationObserver.onMessage(ChainInitiationObserver.java:121) at org.apache.cxf.transport.http.AbstractHTTPDestination.invoke(AbstractHTTPDestination.java:267) at org.apache.cxf.transport.http_jetty.JettyHTTPDestination.doService(JettyHTTPDestination.java:247) at org.apache.cxf.transport.http_jetty.JettyHTTPHandler.handle(JettyHTTPHandler.java:79) at org.eclipse.jetty.server.handler.HandlerWrapper.handle(HandlerWrapper.java:127) at org.eclipse.jetty.server.handler.ScopedHandler.nextHandle(ScopedHandler.java:235) at org.eclipse.jetty.server.handler.ContextHandler.doHandle(ContextHandler.java:1300) at org.eclipse.jetty.server.handler.ScopedHandler.nextScope(ScopedHandler.java:190) at org.eclipse.jetty.server.handler.ContextHandler.doScope(ContextHandler.java:1215) at org.eclipse.jetty.server.handler.ScopedHandler.handle(ScopedHandler.java:141) at org.eclipse.jetty.server.handler.ContextHandlerCollection.handle(ContextHandlerCollection.java:221) at org.eclipse.jetty.server.handler.HandlerWrapper.handle(HandlerWrapper.java:127) at org.eclipse.jetty.server.Server.handle(Server.java:500) at org.eclipse.jetty.server.HttpChannel.lambda$handle$1(HttpChannel.java:383) at org.eclipse.jetty.server.HttpChannel.dispatch(HttpChannel.java:547) at org.eclipse.jetty.server.HttpChannel.handle(HttpChannel.java:375) at org.eclipse.jetty.server.HttpConnection.onFillable(HttpConnection.java:273) at org.eclipse.jetty.io.AbstractConnection$ReadCallback.succeeded(AbstractConnection.java:311) at org.eclipse.jetty.io.FillInterest.fillable(FillInterest.java:103) at org.eclipse.jetty.io.ChannelEndPoint$2.run(ChannelEndPoint.java:117) at org.eclipse.jetty.util.thread.strategy.EatWhatYouKill.runTask(EatWhatYouKill.java:336) at org.eclipse.jetty.util.thread.strategy.EatWhatYouKill.doProduce(EatWhatYouKill.java:313) at org.eclipse.jetty.util.thread.strategy.EatWhatYouKill.tryProduce(EatWhatYouKill.java:171) at org.eclipse.jetty.util.thread.strategy.EatWhatYouKill.run(EatWhatYouKill.java:129) at org.eclipse.jetty.util.thread.ReservedThreadExecutor$ReservedThread.run(ReservedThreadExecutor.java:375) at org.eclipse.jetty.util.thread.QueuedThreadPool.runJob(QueuedThreadPool.java:806) at org.eclipse.jetty.util.thread.QueuedThreadPool$Runner.run(QueuedThreadPool.java:938) at java.lang.Thread.run(Thread.java:748) WARN Using fallback font 'LiberationMono' for 'LucidaConsole' work_qwarbhwkc5dhvcbxj2sq4nb26m txt/../wrd/work_qwarbhwkc5dhvcbxj2sq4nb26m.wrd work_nytswgbk3rg23dvozgfrwbvrae txt/../ent/work_nytswgbk3rg23dvozgfrwbvrae.ent INFO Detecting media type for Filename: b'work_epvsrtmnfzadbdob3jqjc7ix7a.pdf' INFO rmeta/text (autodetecting type) work_cxoqb4uja5ctrhdxq764cqjxuq 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Carnegie Mellon University, on 06 Apr 2021 at 01:11:34, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. dc:format application/pdf; version=1.3 dcterms:modified 2021-04-06T01:11:34Z description Downloaded from https://www.cambridge.org/core. 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Carnegie Mellon University, on 06 Apr 2021 at 01:11:35, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. dc:format application/pdf; version=1.3 dc:title S0149767716000218jra 61..79 dcterms:created 2016-08-12T12:17:24Z dcterms:modified 2021-04-06T01:11:35Z description Downloaded from https://www.cambridge.org/core. Carnegie Mellon University, on 06 Apr 2021 at 01:11:35, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. meta:creation-date 2016-08-12T12:17:24Z meta:save-date 2021-04-06T01:11:35Z modified 2021-04-06T01:11:35Z pdf:PDFVersion 1.3 pdf:charsPerPage ['3105', '4249', '4133', '3894', '3721', '3731', '3886', '2944', '2304', '2572', '3932', '2755', '1847', '2822', '3756', '3985', '3282', '3360', '1809'] pdf:docinfo:created 2016-08-12T12:17:24Z pdf:docinfo:creator_tool Arbortext Advanced Print Publisher 10.0.1465/W Unicode pdf:docinfo:modified 2021-04-06T01:11:35Z pdf:docinfo:producer Carnegie Mellon University pdf:docinfo:title S0149767716000218jra 61..79 pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0'] producer Carnegie Mellon University resourceName b'work_7jagcly6b5dzdjjdpzoel2kol4.pdf' title S0149767716000218jra 61..79 xmp:CreatorTool Arbortext Advanced Print Publisher 10.0.1465/W Unicode xmpMM:DocumentID uuid:6f835ba4-e973-42b8-b9b5-e98c2ceb724e xmpTPg:NPages 19 work_x3bdyqd7bnavdp2i22xjrlapwm txt/../pos/work_x3bdyqd7bnavdp2i22xjrlapwm.pos work_tnvibjj3pbdjvghgbv367bf3pu txt/../ent/work_tnvibjj3pbdjvghgbv367bf3pu.ent work_h5rtzlockrfndgvafpuunpziaq txt/../wrd/work_h5rtzlockrfndgvafpuunpziaq.wrd work_6gyfuq7rgjfetmbgkdjywbyz3e txt/../wrd/work_6gyfuq7rgjfetmbgkdjywbyz3e.wrd INFO Detecting media type for Filename: b'work_ptrqatik2rb7lbpzhlct52ldwe.pdf' INFO rmeta/text (autodetecting type) WARN Using fallback font 'LiberationSans' for 'TimesNewRomanPSMT' WARN Using fallback font 'LiberationSans-Bold' for 'TimesNewRomanPS-BoldMT' WARN Using fallback font 'LiberationSans' for 'TimesNewRomanPS-ItalicMT' WARN Using fallback font 'LiberationSans-Bold' for 'TimesNewRomanPS-BoldItalicMT' work_k5bw4r2hwnhcrieuqvtm4cyxui txt/../pos/work_k5bw4r2hwnhcrieuqvtm4cyxui.pos work_x3bdyqd7bnavdp2i22xjrlapwm txt/../wrd/work_x3bdyqd7bnavdp2i22xjrlapwm.wrd WARN Format 14 cmap table is not supported and will be ignored work_pzymdnlrsrg3hmejylvji2qwui txt/../pos/work_pzymdnlrsrg3hmejylvji2qwui.pos work_ddzfd5nw7nbirclsz4geq25kji txt/../ent/work_ddzfd5nw7nbirclsz4geq25kji.ent work_lwrjm2qsujfuphgdwfl7v43thq txt/../ent/work_lwrjm2qsujfuphgdwfl7v43thq.ent INFO Detecting media type for Filename: b'work_5wgmcxajqzfhxp4gvy3vai6z44.pdf' INFO rmeta/text (autodetecting type) work_fekrsh7okfadfm6kkdqporjxve txt/../pos/work_fekrsh7okfadfm6kkdqporjxve.pos work_vnxhtinvfrg7rgigyrex4ijsmy txt/../pos/work_vnxhtinvfrg7rgigyrex4ijsmy.pos work_diayjqyh2reffpwaap2xg7lj2a txt/../pos/work_diayjqyh2reffpwaap2xg7lj2a.pos work_epvsrtmnfzadbdob3jqjc7ix7a txt/../ent/work_epvsrtmnfzadbdob3jqjc7ix7a.ent work_2wqlzl6g6vc5vexa5kqijnc32q txt/../pos/work_2wqlzl6g6vc5vexa5kqijnc32q.pos work_pzymdnlrsrg3hmejylvji2qwui txt/../wrd/work_pzymdnlrsrg3hmejylvji2qwui.wrd === file2bib.sh === id: work_uzpby4gncfb2bjqnhdqrpxo4h4 author: Atko Remmel title: Religion in secular archives. Soviet atheism and historical knowledge date: 2017 pages: 13 extension: .pdf txt: ./txt/work_uzpby4gncfb2bjqnhdqrpxo4h4.txt cache: ./cache/work_uzpby4gncfb2bjqnhdqrpxo4h4.pdf Author Atko Remmel and Mikko Sillfors Content-Type application/pdf Creation-Date 2018-10-24T11:05:21Z Last-Modified 2019-02-27T09:05:12Z Last-Save-Date 2019-02-27T09:05:12Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 1679 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true cp:subject (2018). Secularism and Nonreligion 7: 8, pp. 1–13. 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'work_imoaspz6djc7hbzohmmncaiyy4' The above exception was the direct cause of the following exception: Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/reader-compute/reader-classic/bin/file2bib.py", line 66, in if ( bibliographics.loc[ escape ,'author'] ) : author = bibliographics.loc[ escape,'author'] File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 873, in __getitem__ return self._getitem_tuple(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1044, in _getitem_tuple return self._getitem_lowerdim(tup) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 786, in _getitem_lowerdim section = self._getitem_axis(key, axis=i) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1110, in _getitem_axis return self._get_label(key, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1059, in _get_label return self.obj.xs(label, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/generic.py", line 3491, in xs loc = self.index.get_loc(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2897, in get_loc raise KeyError(key) from err KeyError: 'work_imoaspz6djc7hbzohmmncaiyy4' === file2bib.sh === id: work_hmnduvushzffzhtto7saw4xzy4 author: Mia Johnson title: A comparative study of visual elements in traditional art images and computer graphics date: 1993 pages: 279 extension: .pdf txt: ./txt/work_hmnduvushzffzhtto7saw4xzy4.txt cache: ./cache/work_hmnduvushzffzhtto7saw4xzy4.pdf Content-Type application/pdf Creation-Date 2008-05-26T23:46:06Z Last-Modified 2008-07-25T00:50:55Z Last-Save-Date 2008-07-25T00:50:55Z X-Parsed-By 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Angehrn title: Enhancing social interaction in competence development networks: a conceptual framework date: 2008 pages: extension: .pdf txt: ./txt/work_tnvibjj3pbdjvghgbv367bf3pu.txt cache: ./cache/work_tnvibjj3pbdjvghgbv367bf3pu.pdf Content-Encoding ISO-8859-1 Content-Type text/html; charset=ISO-8859-1 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.html.HtmlParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 2 dc:title DSpace resourceName b'work_tnvibjj3pbdjvghgbv367bf3pu.pdf' title DSpace === file2bib.sh === id: work_azepeftgqzgbpfxxtiy7eadhw4 author: Luke O'Loughlin title: No one is an island date: 2018 pages: extension: .pdf txt: ./txt/work_azepeftgqzgbpfxxtiy7eadhw4.txt cache: ./cache/work_azepeftgqzgbpfxxtiy7eadhw4.pdf Content-Encoding UTF-8 Content-Language en Content-Type text/html; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.html.HtmlParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 7 application-name   citation_author Luke S O'Loughlin citation_journal_title undefined citation_pdf_url https://www.ncbi.nlm.nih.gov/pubmed/29622653 citation_publication_date 2018 citation_title No one is an island. dc:title [PDF] No one is an island. | Semantic Scholar description My supervisor waved goodbye and boarded a plane. I had just started my Ph.D. studying invasive species on a remote oceanic island, where I would be spending most of the next 3 years bashing through rainforest to count invertebrates. My supervisor had done his own Ph.D. here on Christmas Island in the Indian Ocean 2 decades earlier. He had found me a place to stay and introduced me to the handful of other ecologists who were managing the national park or conducting their own research, but I wasn't working directly with them. Everyone else attached to my project was more than 5000 kilometers away—and so were my friends, family, and entire support network. I told myself I could manage on my own. ![Figure][1] ILLUSTRATION: ROBERT NEUBECKER Despite my enthusiasm about my research, it wasn't long before I began to feel lonely. At times, I struggled to find the motivation to get out into the field. I was suffering from a sense of isolation that is not uncommon for Ph.D. students, which in my case was amplified by literal isolation. I hesitated to reach out to the locals—a small community that developed after the island was first settled at the end of the 19th century. I was worried that socializing would distract from my work, and I was nervous that the locals might not welcome an “outsider.” But I eventually realized that the only way I would get through my remote Ph.D. was to reach out and create a new support network. My first move was to visit the epicenter of any small remote community: the local pub. One afternoon, after a long day in the field, I finally dropped in for a beer. Almost immediately, someone asked how long I had been working at the power station. I was confused, but then I realized I was wearing a work shirt bearing the company logo, which I had gotten at the secondhand shop. We both had a laugh after I explained who I was and what I was doing. This shirt confusion turned out to be a great conversation starter: I ended up having that same introductory chat with a bunch of people over the next few weeks. Soon, each visit to the pub involved catching up with friends and talking about different aspects of my research, which helped keep me motivated about my work. Connecting with the community helped with more than just my emotional well-being. When I asked a new friend to help me assemble some fences I needed for my experiments, for example, he said he was more than happy to—but not if he needed to do it the way I had planned. My friend, who was a builder, suggested a bunch of practical improvements to the design, and together we were able to get the fences up with much less trouble. I don't think I would have been able to get the experiment done without him. My final step in becoming a full member of the Christmas Island community was to give something back. Quite a few people on the island played music, and afternoon acoustic guitar shows were not uncommon, but rock 'n' roll gigs at the pub were unacceptably rare. So along with some friends, I sniffed out equipment scattered around the island; helped organize musicians into bands; and headlined the show with a raucous set of White Stripes songs, complete with my own blues guitar stylings (although attendees were far more impressed by the drummer's skills). It felt like everyone on the island attended the show, and some were still talking about it years later. Since finishing my Ph.D., I have moved twice for research positions, and each time I have found myself in new communities. The surroundings haven't been as extreme, but again, in the beginning, I was tempted to ignore any feelings of isolation and focus solely on work. But I knew better. I remembered how reaching out to the welcoming and supportive local community during my Ph.D. not only helped me get through the isolation, but also improved the quality of my work. And whenever I felt like a stranger, I made a point of visiting the pub. [1]: pending:yes msapplication-TileColor #FFFFFF msapplication-TileImage https://dab4rbh62k56j.cloudfront.net/151517c6e734fd0b/img/mstile-144x144.png msapplication-square150x150logo https://dab4rbh62k56j.cloudfront.net/151517c6e734fd0b/img/mstile-150x150.png msapplication-square310x310logo https://dab4rbh62k56j.cloudfront.net/151517c6e734fd0b/img/mstile-310x310.png msapplication-square70x70logo https://dab4rbh62k56j.cloudfront.net/151517c6e734fd0b/img/mstile-70x70.png msapplication-wide310x150logo https://dab4rbh62k56j.cloudfront.net/151517c6e734fd0b/img/mstile-310x150.png og:description My supervisor waved goodbye and boarded a plane. I had just started my Ph.D. studying invasive species on a remote oceanic island, where I would be spending most of the next 3 years bashing through rainforest to count invertebrates. My supervisor had done his own Ph.D. here on Christmas Island in the Indian Ocean 2 decades earlier. He had found me a place to stay and introduced me to the handful of other ecologists who were managing the national park or conducting their own research, but I wasn't working directly with them. Everyone else attached to my project was more than 5000 kilometers away—and so were my friends, family, and entire support network. I told myself I could manage on my own. ![Figure][1] ILLUSTRATION: ROBERT NEUBECKER Despite my enthusiasm about my research, it wasn't long before I began to feel lonely. At times, I struggled to find the motivation to get out into the field. I was suffering from a sense of isolation that is not uncommon for Ph.D. students, which in my case was amplified by literal isolation. I hesitated to reach out to the locals—a small community that developed after the island was first settled at the end of the 19th century. I was worried that socializing would distract from my work, and I was nervous that the locals might not welcome an “outsider.” But I eventually realized that the only way I would get through my remote Ph.D. was to reach out and create a new support network. My first move was to visit the epicenter of any small remote community: the local pub. One afternoon, after a long day in the field, I finally dropped in for a beer. Almost immediately, someone asked how long I had been working at the power station. I was confused, but then I realized I was wearing a work shirt bearing the company logo, which I had gotten at the secondhand shop. We both had a laugh after I explained who I was and what I was doing. This shirt confusion turned out to be a great conversation starter: I ended up having that same introductory chat with a bunch of people over the next few weeks. Soon, each visit to the pub involved catching up with friends and talking about different aspects of my research, which helped keep me motivated about my work. Connecting with the community helped with more than just my emotional well-being. When I asked a new friend to help me assemble some fences I needed for my experiments, for example, he said he was more than happy to—but not if he needed to do it the way I had planned. My friend, who was a builder, suggested a bunch of practical improvements to the design, and together we were able to get the fences up with much less trouble. I don't think I would have been able to get the experiment done without him. My final step in becoming a full member of the Christmas Island community was to give something back. Quite a few people on the island played music, and afternoon acoustic guitar shows were not uncommon, but rock 'n' roll gigs at the pub were unacceptably rare. So along with some friends, I sniffed out equipment scattered around the island; helped organize musicians into bands; and headlined the show with a raucous set of White Stripes songs, complete with my own blues guitar stylings (although attendees were far more impressed by the drummer's skills). It felt like everyone on the island attended the show, and some were still talking about it years later. Since finishing my Ph.D., I have moved twice for research positions, and each time I have found myself in new communities. The surroundings haven't been as extreme, but again, in the beginning, I was tempted to ignore any feelings of isolation and focus solely on work. But I knew better. I remembered how reaching out to the welcoming and supportive local community during my Ph.D. not only helped me get through the isolation, but also improved the quality of my work. And whenever I felt like a stranger, I made a point of visiting the pub. [1]: pending:yes og:image https://www.semanticscholar.org/img/semantic_scholar_og.png og:image:height 582 og:image:secure_url ['https://www.semanticscholar.org/img/semantic_scholar_og.png', 'https://www.semanticscholar.org/img/semantic_scholar_og.png'] og:image:width 1110 og:locale ['en_US', 'en_US'] og:title [PDF] No one is an island. | Semantic Scholar og:type website resourceName b'work_azepeftgqzgbpfxxtiy7eadhw4.pdf' robots noarchive,noindex s2-ui-version 0a1ee7b640e58bf005fa3cbd97e8cba83bff3dc9 title [PDF] No one is an island. | Semantic Scholar twitter:card summary_large_image twitter:description My supervisor waved goodbye and boarded a plane. I had just started my Ph.D. studying invasive species on a remote oceanic island, where I would be spending most of the next 3 years bashing through rainforest to count invertebrates. My supervisor had done his own Ph.D. here on Christmas Island in the Indian Ocean 2 decades earlier. He had found me a place to stay and introduced me to the handful of other ecologists who were managing the national park or conducting their own research, but I wasn't working directly with them. Everyone else attached to my project was more than 5000 kilometers away—and so were my friends, family, and entire support network. I told myself I could manage on my own. ![Figure][1] ILLUSTRATION: ROBERT NEUBECKER Despite my enthusiasm about my research, it wasn't long before I began to feel lonely. At times, I struggled to find the motivation to get out into the field. I was suffering from a sense of isolation that is not uncommon for Ph.D. students, which in my case was amplified by literal isolation. I hesitated to reach out to the locals—a small community that developed after the island was first settled at the end of the 19th century. I was worried that socializing would distract from my work, and I was nervous that the locals might not welcome an “outsider.” But I eventually realized that the only way I would get through my remote Ph.D. was to reach out and create a new support network. My first move was to visit the epicenter of any small remote community: the local pub. One afternoon, after a long day in the field, I finally dropped in for a beer. Almost immediately, someone asked how long I had been working at the power station. I was confused, but then I realized I was wearing a work shirt bearing the company logo, which I had gotten at the secondhand shop. We both had a laugh after I explained who I was and what I was doing. This shirt confusion turned out to be a great conversation starter: I ended up having that same introductory chat with a bunch of people over the next few weeks. Soon, each visit to the pub involved catching up with friends and talking about different aspects of my research, which helped keep me motivated about my work. Connecting with the community helped with more than just my emotional well-being. When I asked a new friend to help me assemble some fences I needed for my experiments, for example, he said he was more than happy to—but not if he needed to do it the way I had planned. My friend, who was a builder, suggested a bunch of practical improvements to the design, and together we were able to get the fences up with much less trouble. I don't think I would have been able to get the experiment done without him. My final step in becoming a full member of the Christmas Island community was to give something back. Quite a few people on the island played music, and afternoon acoustic guitar shows were not uncommon, but rock 'n' roll gigs at the pub were unacceptably rare. So along with some friends, I sniffed out equipment scattered around the island; helped organize musicians into bands; and headlined the show with a raucous set of White Stripes songs, complete with my own blues guitar stylings (although attendees were far more impressed by the drummer's skills). It felt like everyone on the island attended the show, and some were still talking about it years later. Since finishing my Ph.D., I have moved twice for research positions, and each time I have found myself in new communities. The surroundings haven't been as extreme, but again, in the beginning, I was tempted to ignore any feelings of isolation and focus solely on work. But I knew better. I remembered how reaching out to the welcoming and supportive local community during my Ph.D. not only helped me get through the isolation, but also improved the quality of my work. And whenever I felt like a stranger, I made a point of visiting the pub. 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Page title: The Blue Guitar date: 2004 pages: 5 extension: .pdf txt: ./txt/work_moejrmbnj5hoff6j7vuwx4ryza.txt cache: ./cache/work_moejrmbnj5hoff6j7vuwx4ryza.pdf Content-Type application/pdf Creation-Date 2021-04-06T01:11:35Z Last-Modified 2021-04-06T01:11:35Z Last-Save-Date 2021-04-06T01:11:35Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 6 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2021-04-06T01:11:35Z date 2021-04-06T01:11:35Z dc:format application/pdf; version=1.3 dc:title The Blue Guitar dcterms:created 2021-04-06T01:11:35Z dcterms:modified 2021-04-06T01:11:35Z meta:creation-date 2021-04-06T01:11:35Z meta:save-date 2021-04-06T01:11:35Z modified 2021-04-06T01:11:35Z pdf:PDFVersion 1.3 pdf:charsPerPage ['696', '775', '2288', '405', '0'] pdf:docinfo:created 2021-04-06T01:11:35Z pdf:docinfo:creator_tool DOMPDF pdf:docinfo:modified 2021-04-06T01:11:35Z pdf:docinfo:title The Blue Guitar pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP false pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0', '0'] resourceName b'work_moejrmbnj5hoff6j7vuwx4ryza.pdf' title The Blue Guitar xmp:CreatorTool DOMPDF xmpTPg:NPages 5 INFO Detecting media type for Filename: b'work_eobo4ufgabgldlsfaujzygkvse.pdf' INFO rmeta/text (autodetecting type) === file2bib.sh === id: work_cxoqb4uja5ctrhdxq764cqjxuq author: HANS WEISETHAUNET title: Is there such a thing as the 'blue note'? date: 2001 pages: 18 extension: .pdf txt: ./txt/work_cxoqb4uja5ctrhdxq764cqjxuq.txt cache: ./cache/work_cxoqb4uja5ctrhdxq764cqjxuq.pdf Content-Type application/pdf Creation-Date 2001-02-07T12:07:40Z Last-Modified 2001-03-26T13:54:13Z Last-Save-Date 2001-03-26T13:54:13Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 51 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2001-02-07T12:07:40Z date 2001-03-26T13:54:13Z dc:format application/pdf; version=1.3 dc:title 6770$$$$P7 dcterms:created 2001-02-07T12:07:40Z dcterms:modified 2001-03-26T13:54:13Z meta:creation-date 2001-02-07T12:07:40Z meta:save-date 2001-03-26T13:54:13Z modified 2001-03-26T13:54:13Z pdf:PDFVersion 1.3 pdf:charsPerPage ['2213', '3099', '3265', '3158', '2853', '3112', '3124', '1186', '2278', '1942', '3371', '3451', '3296', '3007', '3014', '3323', '4229', '2508'] pdf:docinfo:created 2001-02-07T12:07:40Z pdf:docinfo:creator_tool SYSTEM400 Rev 15.08 pdf:docinfo:modified 2001-03-26T13:54:13Z pdf:docinfo:producer Acrobat Distiller 3.01 for Power Macintosh pdf:docinfo:title 6770$$$$P7 pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP false pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0', '0', '0', '0', '1', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0'] producer Acrobat Distiller 3.01 for Power Macintosh resourceName b'work_cxoqb4uja5ctrhdxq764cqjxuq.pdf' title 6770$$$$P7 xmp:CreatorTool SYSTEM400 Rev 15.08 xmpTPg:NPages 18 INFO Detecting media type for Filename: b'work_qu4mhv6knfctfa3xqf774kpdwe.pdf' INFO rmeta/text (autodetecting type) === file2bib.sh === id: work_eobo4ufgabgldlsfaujzygkvse author: Nailson dos Santos Cunha title: Generating guitar solos by integer programming date: 2017 pages: extension: .pdf txt: ./txt/work_eobo4ufgabgldlsfaujzygkvse.txt cache: ./cache/work_eobo4ufgabgldlsfaujzygkvse.pdf Content-Encoding UTF-8 Content-Language en Content-Type text/html; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.html.HtmlParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 13 application-name   citation_author ['N. Cunha', 'A. Subramanian', 'Dorien Herremans'] citation_journal_title undefined citation_pdf_url https://doi.org/10.1080/01605682.2017.1390528 citation_publication_date 2018 citation_title Generating guitar solos by integer programming dc:title [PDF] Generating guitar solos by integer programming | Semantic Scholar description In this paper, we present a framework for computer-aided composition (CAC) that uses exact combinatorial optimisation methods to generate guitar solos from a newly proposed data-set of licks over an accompaniment based on the 12-bar blues chord progression. An integer programming formulation, which can be solved to optimality by a branch-and-cut algorithm, was developed for this problem whose objective is to determine an optimal sequence of a set of licks given a matrix of transition costs derived from user preferences. The generated solos are displayed in tablature format. Outputs of the system were evaluated in an empirical experiment with 173 participants. The results show that the solos whose licks were optimally sequenced were significantly more enjoyed than those randomly sequenced. We project that the developed framework could be of potential use to guitarists looking for original material; as an educational tool for future composers; and to support composers in discovering unique and novel compositional ideas. msapplication-TileColor #FFFFFF msapplication-TileImage https://dab4rbh62k56j.cloudfront.net/151517c6e734fd0b/img/mstile-144x144.png msapplication-square150x150logo https://dab4rbh62k56j.cloudfront.net/151517c6e734fd0b/img/mstile-150x150.png msapplication-square310x310logo https://dab4rbh62k56j.cloudfront.net/151517c6e734fd0b/img/mstile-310x310.png msapplication-square70x70logo https://dab4rbh62k56j.cloudfront.net/151517c6e734fd0b/img/mstile-70x70.png msapplication-wide310x150logo https://dab4rbh62k56j.cloudfront.net/151517c6e734fd0b/img/mstile-310x150.png og:description In this paper, we present a framework for computer-aided composition (CAC) that uses exact combinatorial optimisation methods to generate guitar solos from a newly proposed data-set of licks over an accompaniment based on the 12-bar blues chord progression. An integer programming formulation, which can be solved to optimality by a branch-and-cut algorithm, was developed for this problem whose objective is to determine an optimal sequence of a set of licks given a matrix of transition costs derived from user preferences. The generated solos are displayed in tablature format. Outputs of the system were evaluated in an empirical experiment with 173 participants. The results show that the solos whose licks were optimally sequenced were significantly more enjoyed than those randomly sequenced. We project that the developed framework could be of potential use to guitarists looking for original material; as an educational tool for future composers; and to support composers in discovering unique and novel compositional ideas. og:image https://www.semanticscholar.org/img/semantic_scholar_og.png og:image:height 582 og:image:secure_url ['https://www.semanticscholar.org/img/semantic_scholar_og.png', 'https://www.semanticscholar.org/img/semantic_scholar_og.png'] og:image:width 1110 og:locale ['en_US', 'en_US'] og:title [PDF] Generating guitar solos by integer programming | Semantic Scholar og:type website resourceName b'work_eobo4ufgabgldlsfaujzygkvse.pdf' robots noarchive,noindex s2-ui-version 0a1ee7b640e58bf005fa3cbd97e8cba83bff3dc9 title [PDF] Generating guitar solos by integer programming | Semantic Scholar twitter:card summary_large_image twitter:description In this paper, we present a framework for computer-aided composition (CAC) that uses exact combinatorial optimisation methods to generate guitar solos from a newly proposed data-set of licks over an accompaniment based on the 12-bar blues chord progression. An integer programming formulation, which can be solved to optimality by a branch-and-cut algorithm, was developed for this problem whose objective is to determine an optimal sequence of a set of licks given a matrix of transition costs derived from user preferences. The generated solos are displayed in tablature format. Outputs of the system were evaluated in an empirical experiment with 173 participants. The results show that the solos whose licks were optimally sequenced were significantly more enjoyed than those randomly sequenced. We project that the developed framework could be of potential use to guitarists looking for original material; as an educational tool for future composers; and to support composers in discovering unique and novel compositional ideas. twitter:image ['https://www.semanticscholar.org/img/semantic_scholar_og.png', 'https://www.semanticscholar.org/img/semantic_scholar_og.png'] twitter:site @allenai_org twitter:title [PDF] Generating guitar solos by integer programming | Semantic Scholar viewport width=device-width,initial-scale=1 INFO Detecting media type for Filename: b'work_qei55uivxrdull7bcrfq4en2sy.pdf' INFO rmeta/text (autodetecting type) === file2bib.sh === id: work_k5bw4r2hwnhcrieuqvtm4cyxui author: Norma Jamieson title: The creative writing course in the British Columbia senior secondary school : a telephoto examination with accompanying curriculum development guidelines date: 1977 pages: 235 extension: .pdf txt: ./txt/work_k5bw4r2hwnhcrieuqvtm4cyxui.txt cache: 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Reducing bluesGuitar-from-scholar === reduce.pl bib === id = work_sbauwiquvfcdrexkl4zlqyc5ta author = Amal Mohan M. S. title = Troubles with Reality and Order through the Imagination in a World of Disbelief and Disorder: Wallace Stevens and Supreme Fiction date = 2020 pages = 7 extension = .pdf mime = application/pdf words = 6618 sentences = 657 flesch = 79 summary = But America's most celebrated twentiethcentury poet Wallace Stevens did not just rain down his ideas in his writings but took them as his motto In other words, Supreme Fiction is Stevens' replacement for the idea of God. Deeply influenced by the Nietzschean idea of the 'Death of God', Stevens wants to create a replacement fiction, reality, the imagination, Nietzsche, death of god, world, disorder, Troubles with Reality and Order through the Imagination in a World of Disbelief and Disorder: Wallace Troubles with Reality and Order through the Imagination in a World of Disbelief and Disorder: Wallace Troubles with Reality and Order through the Imagination in a World of Disbelief and Disorder: Wallace Troubles with Reality and Order through the Imagination in a World of Disbelief and Disorder: Wallace Stevens and Supreme Fiction Troubles with Reality and Order through the Imagination in a World of Disbelief and Disorder: Wallace Stevens and Supreme Fiction cache = ./cache/work_sbauwiquvfcdrexkl4zlqyc5ta.pdf txt = ./txt/work_sbauwiquvfcdrexkl4zlqyc5ta.txt === reduce.pl bib === id = work_diayjqyh2reffpwaap2xg7lj2a author = Jean Brennan title = Student Stories about Mathematics: A tool to understand more about the teaching and learning of mathematics date = 2018 pages = 343 extension = .pdf mime = application/pdf words = 95594 sentences = 6591 flesch = 66 summary = my own personal story as a teacher of mathematics and researcher, and the 2) Would the student stories about learning mathematics contain rich data that students to share their stories about learning mathematics provides knowledge that mathematics lesson time to allow students to create their stories. work and at the time of their story telling workshop I was their mathematics teacher. of the place this story has in the student world of learning mathematics, provided researching how school students feel about their experiences with mathematics. 7.9 The Transformational Draw of Student Stories about School Mathematics 7.9 The Transformational Draw of Student Stories about School Mathematics In my role as a mathematics teacher, the power of the student story is the fact that it develop between mathematics teacher (me) and story author (the student). Allowing the time for mathematics teachers to develop their student stories can have cache = ./cache/work_diayjqyh2reffpwaap2xg7lj2a.pdf txt = ./txt/work_diayjqyh2reffpwaap2xg7lj2a.txt === reduce.pl bib === id = work_k5bw4r2hwnhcrieuqvtm4cyxui author = Norma Jamieson title = The creative writing course in the British Columbia senior secondary school : a telephoto examination with accompanying curriculum development guidelines date = 1977 pages = 235 extension = .pdf mime = application/pdf words = 167730 sentences = 45180 flesch = 116 summary = THE CREATIVE WRITING COURSE IN THE BRITISH COLUMBIA SENIOR SECONDARY words, they a l s o c r e a t e works o f a r t t h a t are i n h e r e n t l y w i l l always need new language to communicate t o y o u r I f he d e c i d e s h i s work needs a t r a I f he d e c i d e s h i s work needs a t r a The words o f the p u b l i s h e d l i t e r a r y work aim a t u n i t i n g p a r t i c u l a r cache = ./cache/work_k5bw4r2hwnhcrieuqvtm4cyxui.pdf txt = ./txt/work_k5bw4r2hwnhcrieuqvtm4cyxui.txt === reduce.pl bib === id = work_5y7yakaz4bcjrped6syzasvwvu author = Carol A. Taylor title = Close Encounters of a Critical Kind date = 2016 pages = 34 extension = .pdf mime = application/pdf words = 9989 sentences = 629 flesch = 56 summary = Material Feminism and Object-Oriented Ontology 'alien phenomenology', and then from Bogost to Graham Harman's (2011) theory of objectoriented ontology, which is either an offshoot of speculative realism, its overarching field, or the case of object-oriented ontology and explicitly in the case of material feminism) offered critical theory, speculative realism and object oriented philosophy is overdue' to pursue these Below, as I diffractively muse on speculative realism and material feminism, I want to Thus, a diffractive reading in/between object-oriented ontology and material feminism object-oriented ontology's claim to the invention of a new philosophical universalism, a I now musingly diffract object-oriented ontology via new material feminism and, which constitute the material world, nature and matter as separate 'objects of thought' set Harman offers a 'weird realism' of objects 'that shows the human-world circle to be Object) and new material feminism (Barad's Meeting the Universe Halfway) I have engaged cache = ./cache/work_5y7yakaz4bcjrped6syzasvwvu.pdf txt = ./txt/work_5y7yakaz4bcjrped6syzasvwvu.txt === reduce.pl bib === id = work_drzpwrrzdnfb5egdsdtx7ws5ci author = Tricia Hopton title = Realizing the flexible imaginary : Canadian identity in contemporary theatre date = 2005 pages = 68 extension = .pdf mime = application/pdf words = 28677 sentences = 1611 flesch = 65 summary = Filewod's Performing Canada: The Nation Enacted in the Imagined Theatre sets out to characters' social units, particularly by re-imagining the roles of family members or enacting I would suggest that this equality provides the ideal conditions for selfexploration, allowing characters to try out different personas, as needed. Canadian and American sense of self offers an insightful perspective on national identities. notions of national identity, confirming for the audience the imagined ideal: Canadians may national identity to "People in Real Life Canada;" in this, I think we see a clear example of alternative family unit which allows the characters opportunities to enact different roles. In both families, characters play multiple roles Each family has characters playing the roles of parents and children. Clearly, the familial role changes enable each of the characters to work towards fulfilling malleable social groups, characters are able to enact different familial roles to fulfill their cache = ./cache/work_drzpwrrzdnfb5egdsdtx7ws5ci.pdf txt = ./txt/work_drzpwrrzdnfb5egdsdtx7ws5ci.txt === reduce.pl bib === id = work_i5phrzznw5c4hfobj4addy632m author = Erdinç DURMUŞ title = AMERİKAN MODERNİZMİ VE WALLACE STEVENS'IN ŞİİRİ date = 2017 pages = 8 extension = .pdf mime = application/pdf words = 3926 sentences = 284 flesch = 63 summary = mind that the type of modernism in American Literature was not originally a whole new On the other hand, the position held by both theories and literature of Wallace Stevens is noteworthy in perceiving the ways how he informs an understanding of literary Stevens is a leading figure in modernism as he is one of the representatives of the neo-Romantic poetry of the twentieth century American Literature. There may not be a real clearly defined historical moment when modernism began or a certain definition of modernist aesthetic, but it already took its place in the history of literature and established itself under works of the modernist writers help the reader to find an answer to the question of modernism. The American writers of the modernist movement were somehow the representatives of modernism. American Modernism And Wallace Stevens's Poetry 349 American Modernism And Wallace Stevens's Poetry 349 cache = ./cache/work_i5phrzznw5c4hfobj4addy632m.pdf txt = ./txt/work_i5phrzznw5c4hfobj4addy632m.txt === reduce.pl bib === id = work_hx534dx2hzcc7jbq4yljmyezpi author = Richard T Harrison title = Leadership, leadership development and all that jazz date = 2016 pages = 23 extension = .pdf mime = application/pdf words = 10567 sentences = 658 flesch = 55 summary = notes: from competence to creativity in executive development", in RE Purser and A Montuori (eds) Social leadership and the highly instrumental and performative nature of the competence an improvisational art form to develop a view of leadership based on fluidity and improvisational dynamic between an individual performer's skill and the community created leaders and leadership remains firmly rooted in a relentlessly performative approach to The often highly instrumental nature of leader/leadership development, archetypically leadership capability, through that to identify and develop effective leader behavior, and current procedures to measure and develop leadership skills, competence and capabilities The focus of performative leadership development, the emphasis on procedures and rules, is which represents the framework for understanding life-in-organization and leadership-aspractice in a turbulent changing world. This emphasis on creativity is fundamental to an understanding of leadership, future However, the key development of this musical metaphor for leadership as a community of cache = ./cache/work_hx534dx2hzcc7jbq4yljmyezpi.pdf txt = ./txt/work_hx534dx2hzcc7jbq4yljmyezpi.txt === reduce.pl bib === id = work_7jagcly6b5dzdjjdpzoel2kol4 author = Juan Ignacio Vallejos title = Dance, Sexuality, and Utopian Subversion Under the Argentine Dictatorship of the 1960s: The Case of Oscar Aráiz's The Rite of Spring and Ana Itelman's Phaedra date = 2016 pages = 19 extension = .pdf mime = application/pdf words = 11630 sentences = 868 flesch = 62 summary = most of the historical studies of modern and contemporary dance in Argentina have focussed on describing the process of modernizing artistic practices.1 Accordingly, certain and 1970 by two contemporary dance works presented by the San Martín Theater Ballet, Oscar theater authorities with their links to the dictatorship that tries to censor them as well as the journalism that vindicates them are cultural actors who give political content to the work above and him to organize a series of dance performances and the choreographer suggested to him that a company should be set up that would work in the theater permanently and be associated with the language of contemporary choreography (Isse Moyano 2006, 112). That same year of 1970, the San Martín Theater Ballet put on The Rite of Spring again—the work Dance, Sexuality, and Utopian Subversion Under the Argentine Dictatorship of the 1960s: The Case of Oscar Aráiz's The Rite of Spring and Ana Itelman's Phaedra cache = ./cache/work_7jagcly6b5dzdjjdpzoel2kol4.pdf txt = ./txt/work_7jagcly6b5dzdjjdpzoel2kol4.txt === reduce.pl bib === id = work_kn4fgkn445ffhhfosf6vgxny44 author = John Tarlton title = Neglected Knowing: Some Characteristics of Positive Aesthetic Experience in Painting date = 2018 pages = 339 extension = .pdf mime = application/pdf words = 106168 sentences = 7344 flesch = 46 summary = first characteristic) of positive aesthetic experience in painting are identified through aesthetic experience as observed through encounters with paintings, as an artistic characteristics as they relate to individuals' aesthetic experiences with paintings. pleasurable response as aesthetic experience is only one way of interacting with an art for possible common and distinct bases of positive aesthetic experience characteristics participants' experiential reflections relating to their aesthetic experience should characteristics of positive aesthetic experience, despite art object classification. their selection is seen as advantageous in that their responses encompass both the nondiscursive aspects of art experience (as respected creators/appreciators themselves) as positive aesthetic experience in painting explicated in this study are presented in the contributing positions are outlined through an examination of such concepts as bioevolutionary theory, aesthetic experience as a hybrid conceptualisation, post-formal experience of an aesthetically commanding work of art can be experienced by all. findings regarding the positive characteristics of aesthetic experience in painting. cache = ./cache/work_kn4fgkn445ffhhfosf6vgxny44.pdf txt = ./txt/work_kn4fgkn445ffhhfosf6vgxny44.txt === reduce.pl bib === id = work_vnxhtinvfrg7rgigyrex4ijsmy author = F. M. Riegler title = Rainbow country surgery reggae seeds smile date = 2013 pages = 3 extension = .pdf mime = application/pdf words = 1791 sentences = 174 flesch = 82 summary = Slowness opens the eye and gives birth to a new tree like a shadow follows the matter within the radiation Get yourself together and find some time to examine your world, while snow covers most of the northern Listen to the rainbow: "I am one of the very last opener sounds, colors, and tastes, rivers, mountains, skies, and Physis takes it all; like the flower, it opens to hide and opens the blue of the sky to the hidden cosmic harmony. any sound and find the fresh waters of the well, the nourishing waves of the air, live a life again and SMILE AGAIN. perception of the tune beyond the mask. time, there was a tear, clear and wide, deep and open, Rainbow country surgery reggae seeds smile Rainbow country surgery reggae seeds smile Rainbow country surgery reggae seeds smile Rainbow country surgery reggae seeds smile Rainbow country surgery reggae seeds smile cache = ./cache/work_vnxhtinvfrg7rgigyrex4ijsmy.pdf txt = ./txt/work_vnxhtinvfrg7rgigyrex4ijsmy.txt === reduce.pl bib === id = work_jedxx6m335dufn7qlhs7xcuecm author = Les Back title = How Blue Can You Get? B.B. King, Planetary Humanism and the Blues behind Bars date = 2015 pages = 11 extension = .pdf mime = application/pdf words = 5070 sentences = 376 flesch = 78 summary = This article honours the memory of blues musician B.B. King, who died on 14 May 2015, through focusing on his work and historical performances in prisons. article situates his concerts inside Cook County jail and Sing Sing within the wider African American music, blues, Paul Gilroy, B.B. King, planetary humanism, prisons blues guitar gave his most sublime 25-year period, B.B. King performed in 47 different jails across At Cook County, the prison while the prison guards and wardens in control of them remained black prison warden in the English brought street entertainers into the prison too, for the prison band finished playing, B.B. King's prison performances was perform in prison. was perform in prison. Conclusion: Prison Blues prison in society in a time where remembering B.B. King's prison prison, the sound of B.B. King's English CR (2007) Cook County Jail King BB with Ritz D (2011) Blues All cache = ./cache/work_jedxx6m335dufn7qlhs7xcuecm.pdf txt = ./txt/work_jedxx6m335dufn7qlhs7xcuecm.txt === reduce.pl bib === id = work_x52lebkxwngbrcg5pdt3wrbwpm author = (:Unkn) Unknown title = STAGES OF RECOVERY IN INDIVIDUALS WITH DEEP TO PHONOLOGICAL DYSPHASIA: INSIGHT INTO TREATMENT APPROACHES date = 2020 pages = 119 extension = .pdf mime = application/pdf words = 25628 sentences = 2816 flesch = 61 summary = Third, the single-case study led to the development of a four-condition, multiparticipant facilitation study that aimed to improve access to and repetition of LI words by Prediction of Paired T-Test Result and Effect Sizes Condition Pre-/Post Facilitation production and using repetition to improve verbal STM and word processing. from deep dysphasia; reports of semantic errors in repetition of word strings (Trojano et deep dysphasia, namely semantic errors in repetition of single words. deep dysphasia, lexicality and imageability effects and semantic errors in single-word repetition (Martin & Saffran, 1992); his auditory-verbal STM word span was less than of semantic errors in single-word repetition that distinguishes deep dysphasia from • Severity of auditory-verbal STM impairment in deep-phonological dysphasia Additionally, measures of auditory-verbal STM span included performance on word, Further classifying auditory-verbal short-term memory span in single word repetition The treatment involved repetition of abstract word pairs (modifier-noun phrases) cache = ./cache/work_x52lebkxwngbrcg5pdt3wrbwpm.pdf txt = ./txt/work_x52lebkxwngbrcg5pdt3wrbwpm.txt === reduce.pl bib === id = work_sbzmsxzvxjfllgndwbkg4mbxcu author = Joanne Richardson title = 'The pleasures of merely circulation' : the interpretive anthropology of Clifford Geerts and the 'postmodern' anthropology of James Clifford : a deconstructive reading date = 1990 pages = 228 extension = .pdf mime = application/pdf words = 152679 sentences = 38535 flesch = 111 summary = i n which the n o t i o n of logos or presence has dominated Western meaning, God, s e l f , concept and so on. other words, whatever p a r t i c u l a r aspect of the concept of God means u s i n g the customary metaphors — i n moral terms: assumptions of Western metaphysics, M a r t i n Heidegger (1889 1976) In other words, the e p i s t e m o l o g i c a l concept of presence metaphysical concept of presence prevents a w r i t e r from H u s s e r l and the hermeneutlcs of Heidegger, Gadamer and Ricoeur words, Geertz i s concerned with the t r a n s m i s s i o n of meaning concepts, a thought meaning t h a t the cache = ./cache/work_sbzmsxzvxjfllgndwbkg4mbxcu.pdf txt = ./txt/work_sbzmsxzvxjfllgndwbkg4mbxcu.txt === reduce.pl bib === id = work_vpxxzkt23jbbvle4fwzw3wuzpi author = P. G. O'Seaghdha title = Close but not proximate: The significance of phonological segments in speaking depends on their functional engagement date = 2012 pages = 1 extension = .pdf mime = application/pdf words = 747 sentences = 96 flesch = 63 summary = and Chinese languages in the type of the initial units of phonological encoding for speaking. or "proximate units" (1, 2) are segmental in Indo-European languages but whole syllables in Chinese. of consistent initial consonants in several word production tasks. In combination, these findings can be interpreted as particularly compelling evidence for the subordinate role of phonemes not clear is how the ERP signature of the resulting phonological concord relates to production. functional engagement of segments in preparation for production. account (1) with the view that phonemes are vestigial in production of Chinese. future more complete accounts of word production across units (e.g., syllables and segments among others) in Chinese, 1. O'Seaghdha PG, Chen J-Y, Chen T-M (2010) Proximate units in word production: Phonological encoding begins with syllables in Mandarin Chinese but with segments in 2. O'Seaghdha PG, Chen J-Y (2009) Toward a language-general account of word production: cache = ./cache/work_vpxxzkt23jbbvle4fwzw3wuzpi.pdf txt = ./txt/work_vpxxzkt23jbbvle4fwzw3wuzpi.txt === reduce.pl bib === id = work_5exozb2y6bgklpbgnoprj2ptxa author = Jacyntha England title = Histories of forgetting, geographies of remembering : exploring processes of witnessing and performing in senior secondary humanities classroom(s) date = 2004 pages = 162 extension = .pdf mime = application/pdf words = 51250 sentences = 4437 flesch = 79 summary = "Map the story," we tell students when they learn to read. A s educators, we live in nations, we work in school districts, we study in departments. lived space then, I wonder what these directives might feel like to immigrant student Studies 11 curriculum's Social Issues unit encourages students and teachers to "LIST Do we want the students we teach to study the past, or to remember and respond to it? 13), and bring our students into the experience of memory and history as a lived, how to raise awareness of skin privilege among white educators and students), I feel it is In this class I needed to find ways to create spaces for the white students social identity development, because in many ways the students in this class were working school memory; the second time, ask students to see themselves as a character, or an cache = ./cache/work_5exozb2y6bgklpbgnoprj2ptxa.pdf txt = ./txt/work_5exozb2y6bgklpbgnoprj2ptxa.txt === reduce.pl bib === id = work_oi4iiyfejjaphdavtw26kh64ki author = Margaret Mills Harper title = Crazy Jane and Professor Eucalyptus: Self-Dissolution in the Later Poetry of Yeats and Stevens date = 2018 pages = 16 extension = .pdf mime = application/pdf words = 7017 sentences = 447 flesch = 70 summary = Crazy Jane and Professor Eucalyptus: Self-Dissolution in the Later Poetry of Yeats and Stevens B. Yeats is a poet who might be typi-fied by the weighty line, the bardic voice, forms like the poised ottava consider are Yeats's Words for Music Perhaps and Stevens's "An Ordinary Considered together, Yeats's Crazy Jane poems in particular (which with Stevens: first, that souls create reality, by means of images or thoughts, For both Yeats and Stevens, reality is created by the imagination but also SELF-DISSOLUTION IN THE LATER POETRY OF YEATS AND STEVENS 43 SELF-DISSOLUTION IN THE LATER POETRY OF YEATS AND STEVENS 43 SELF-DISSOLUTION IN THE LATER POETRY OF YEATS AND STEVENS 43 SELF-DISSOLUTION IN THE LATER POETRY OF YEATS AND STEVENS 43 SELF-DISSOLUTION IN THE LATER POETRY OF YEATS AND STEVENS 43 Yeats) a loosening at which Stevens's poem itself hints but does not make cache = ./cache/work_oi4iiyfejjaphdavtw26kh64ki.pdf txt = ./txt/work_oi4iiyfejjaphdavtw26kh64ki.txt === reduce.pl bib === id = work_fekrsh7okfadfm6kkdqporjxve author = J. M. Mancini title = "Because It Is My Culture": Technology and Agency in the Overseas U.S. Cultural History Classroom date = 2010 pages = 7 extension = .pdf mime = application/pdf words = 3199 sentences = 135 flesch = 49 summary = In a 2002 essay in the Journal of American History, Kathryn Kish Sklar made a powerful case, based upon the experience of her own undergraduate seminar in U.S. women's thereby assist teachers of history in transforming students into "producers of new historical knowledge."' In her own case, Sklar turned her seminar into a laboratory for creating ' Kathryn Kish Sklar, "Teaching Students to Become Producers of New Historical Knowledge on the Web," Such redefinitions of the content of cultural history are important; students in courses My experience of living and teaching American cultural history outside of the United States has had a direct bearing on my adoption of this perspective. me—both students and nonstudents—have with American history and culture. (a final-year elective in American cultural history in which students write a research essay course: an assignment in which students create digital audio recordings of sources relevant to the study of American cultural history and present a contextual analysis of those cache = ./cache/work_fekrsh7okfadfm6kkdqporjxve.pdf txt = ./txt/work_fekrsh7okfadfm6kkdqporjxve.txt === reduce.pl bib === id = work_rlncehiymneivk2tz4osco76x4 author = Joan McArthur-Blair title = The inner life : a conversation with leaders in British Columbia post-secondary education date = 2004 pages = 180 extension = .pdf mime = application/pdf words = 51430 sentences = 3940 flesch = 76 summary = the inner life as one storied aspect of living current post-secondary leadership. Second, this inquiry makes transparent a conversation about the inner life of leaders education leaders lent itself to the telling of stories that reflected on the inner life, and hoped that as leaders read the notions of the inner life represented in this inquiry they conversation about the inner life and post-secondary education leadership in the way The stories or narratives of the inner life of leaders are at the heart of this research. this study to create a place from which the stories of the inner life of leaders were Stage One, I asked four leaders to write an inner life story that reflected upon their story to talk about the research and the idea of the inner life and leadership. education leaders and the inner life's influence on their leadership. cache = ./cache/work_rlncehiymneivk2tz4osco76x4.pdf txt = ./txt/work_rlncehiymneivk2tz4osco76x4.txt === reduce.pl bib === id = work_nar7abtvm5b2rjlx4fblx2ryqe author = Ryan Dohoney title = 'Élan Vital … and How to Fake it': Morton Feldman and Merle Marsicano's Vernacular Metaphysics date = 2019 pages = 19 extension = .pdf mime = application/pdf words = 8029 sentences = 688 flesch = 66 summary = 'Élan Vital … and How to Fake it': Morton Feldman and Merle Marsicano's Vernacular Metaphysics Merle Marsicano, is Feldman's only other open form piece (along with Intermission 6). Keywords: Morton Feldman; élan vital; vitalism; Bergson; Intermission 6; Figure of In the wake of Joseph's Bergsonist reading of Cage, there has been a broader reconsideration of vitalism's importance to the intellectual history of New York School modernism.4 Art historians including Ellen Landau (2007), Jonathan Katz (2007), and notations for the graph score Marginal Intersection, bits of Extensions 1, 3, and 4, incidental music for a production of Aristophanes' The Frogs, and the first version of Intermission 6.5 Skizzenbuch 3 is among the earliest sources of Feldman's writing about his Feldman's attempts at faking élan vital with Intermission 6 and his work with Marsicano By calling Feldman's and Marsicano's vitalism a vernacular metaphysics, I want to stress the avant-garde's interpenetration with some aspects of popular culture and explore how the Bergson-craze of the cache = ./cache/work_nar7abtvm5b2rjlx4fblx2ryqe.pdf txt = ./txt/work_nar7abtvm5b2rjlx4fblx2ryqe.txt === reduce.pl bib === id = work_nytswgbk3rg23dvozgfrwbvrae author = Sarah Lynn Banting title = Common ground and the city : assumed community in Vancouver fiction and theatre date = 2010 pages = 312 extension = .pdf mime = application/pdf words = 101767 sentences = 5675 flesch = 60 summary = Taking novels, short stories, and plays set in metropolitan Vancouver as a case address audiences who share their knowledge of certain parts of the city. narratives address audiences who have a specific amount of knowledge of Vancouver but and Three, novels, short stories and plays set in Vancouver rarely assume a specifically about how literary texts and plays set in a specific place might allow their audiences to audience design come into effect if readers recognize the novel's references to Canadian Place-sharing narratives set in Vancouver show us a variety of urban common The narrator and audience's shared map of these dispersed Vancouver places is references to the narrator and her audience's Vancouver common ground do serve to narrative address involving Vancouver common ground and an attendant Vancouverbased sympathy of location, a mutual sense of the personal relevance of local events to narrators of Wilson's Vancouver fictions construct the city for their audience as, cache = ./cache/work_nytswgbk3rg23dvozgfrwbvrae.pdf txt = ./txt/work_nytswgbk3rg23dvozgfrwbvrae.txt === reduce.pl bib === id = work_qwarbhwkc5dhvcbxj2sq4nb26m author = Martin James Smith title = The Narrated Self: How can the combination of writing and photography be used to represent individual experience date = 2019 pages = 198 extension = .pdf mime = application/pdf words = 50763 sentences = 3805 flesch = 66 summary = artworks created through this research use personal narrative in ways that seek to unsettle the new understanding of the nature of the photograph and the role it plays in creating narrative time, told through text and photograph, that does not seek narrative conclusion and is part of Photography, Narrative, Time: Imaging our Forensic Imagination by Australian phototheorist Greg Battye will be used extensively in the discussion of frames and scripts to build This section defines how narratives create and converge time and space within a story-world research because when I first started combining photographs and text in my art practice in way that the narrative world inhabited by the photographic component of the studio research photographic image and narrative text. are created; the use of text and photography within a narrative framework; and the the narrative: Yang's text responded to the photographs in the story, Kwiatkowski's between text and photograph in creating a narrative world. cache = ./cache/work_qwarbhwkc5dhvcbxj2sq4nb26m.pdf txt = ./txt/work_qwarbhwkc5dhvcbxj2sq4nb26m.txt === reduce.pl bib === id = work_jmovsopbjfhwzbx5h5objmaeiy author = David Z. Albert title = Time and Chance date = 2001 pages = 32 extension = .pdf mime = application/pdf words = 4037 sentences = 311 flesch = 52 summary = Time and Chance, 2009, 192 pages, David Z. DOWNLOAD http://bit.ly/1OVVAnk http://goo.gl/RJy37 http://www.barnesandnoble.com/s/?store=book&keyword=Time+and+Chance Time and Chance , Gwen Davenport, 1993, Fiction, 327 pages. The Quantum Mechanics of Minds and Worlds , Jeffrey Alan Barrett, 1999, Philosophy, 267 pages. Time and Chance , James Callaghan, Jan 1, 1987, Great Britain, 584 pages. http://www.2shared.com/document/OWksNSKX/Time-and-Chance.html Time and Chance , Sharon Kay Penman, Mar 4, 2002, Fiction, 512 pages. Time and Chance , Alan Brennert, Jul 5, 2011, Fiction, 416 pages. Time and chance a novel, Anna Wibberley, Feb 1, 1974, Fiction, 315 pages. https://openlibrary.org/works/OL7092008M/Time-and-Chance http://rekeja.files.wordpress.com/2014/07/darwin-high-school-year-book-2002.pdf http://rekeja.files.wordpress.com/2014/07/darwin-high-school-year-book-2002.pdf https://itunes.apple.com/us/book/Time-and-Chance/id440809742 https://itunes.apple.com/us/book/Time-and-Chance/id440809742 http://rekeja.files.wordpress.com/2014/07/reflections-on-learning-and-teaching-in-fashion-education-annual-conference-2004.pdf http://rekeja.files.wordpress.com/2014/07/reflections-on-learning-and-teaching-in-fashion-education-annual-conference-2004.pdf http://www.2shared.com/document/C3fLCyPA/Time-and-Chance.html http://www.2shared.com/document/C3fLCyPA/Time-and-Chance.html 1982, Business & Economics, 113 pages Time and Chance States), 1981, Strip mining, 558 pages Time and Chance 2009 Harvard University Press, 2009 My May 1, 2002, Education, 128 pages Time and Chance 2009 0674020138, 9780674020139 book has set download Time and Chance David Z. http://www.barnesandnoble.com/s/?store=book&keyword=Time+and+Chance http://www.barnesandnoble.com/s/?store=book&keyword=Time+and+Chance http://www.barnesandnoble.com/s/?store=book&keyword=Time+and+Chance http://rekeja.files.wordpress.com/2014/07/time-and-chance.pdf cache = ./cache/work_jmovsopbjfhwzbx5h5objmaeiy.pdf txt = ./txt/work_jmovsopbjfhwzbx5h5objmaeiy.txt === reduce.pl bib === id = work_qz6lfui3mvaq7ky2qsuuphmzya author = Lucy Durán title = POYI! Bamana jeli music, Mali and the blues date = 2013 pages = 37 extension = .pdf mime = application/pdf words = 19966 sentences = 1897 flesch = 78 summary = Bamana jeli music, Mali and the blues is a Bamana jeli (griot) song called 'Poyi', which, according to oral tradition, may have studies of both blues and Mande music – that of the Bamana ('Bambara') griots from Segu in On a late afternoon in February 2006 in Garana, a village deep in the countryside of Segou1 province (Mali), a local crowd was gathered in the courtyard of a family of Bamana jeliw (hereditary of Mande music, which focuses on Maninka and Mandinka traditions, though he does acknowledge that 'the reign of the Bamana of Segu in the seventeenth and eighteenth centuries is an African music scholars (Charters, Oliver, Evans, Kubik, Coolen AQ69), as well as to American musicians of all sorts from blues and jazz to banjo players (too numerous to mention here), and du Mali, entitled Dah Monzon ou l'épopée bambara, played frequently on Malian radio.33 It features a large ensemble with various Mande jeli instruments, a male speaker, a female chorus and a cache = ./cache/work_qz6lfui3mvaq7ky2qsuuphmzya.pdf txt = ./txt/work_qz6lfui3mvaq7ky2qsuuphmzya.txt === reduce.pl bib === id = work_ey3akxayzjgadk4cym2yumlv44 author = Wallace (Katy), Katherine title = A new materialist turn toward the textbook: an exploration of the relationship between history textbooks and historical narratives date = 2019 pages = 191 extension = .pdf mime = application/pdf words = 56608 sentences = 4167 flesch = 65 summary = textbook, G.R. Elton's England Under the Tudors, shaped the historical narrative taught to the material experience of teaching history in a certain setting using the textbook as an object of by describing the material qualities of the textbook, as well as the history classroom and school Despite a wealth of research looking at history textbooks and historical narratives, Lisa relationship with a specific history textbook, G.R. Elton's England Under the Tudors, and the Tudors will view the book as a written text, a material object, and a cultural transaction but it This class of textbook research therefore covers how teachers and students receive books in the (and the teacher) had a copy of another textbook, AQA A-level History: The Tudors: England object and human, between book and teacher, means the tool-like qualities of England Under the the historical interpretations and the material objects of the history classroom space (human and cache = ./cache/work_ey3akxayzjgadk4cym2yumlv44.pdf txt = ./txt/work_ey3akxayzjgadk4cym2yumlv44.txt === reduce.pl bib === id = work_tnvibjj3pbdjvghgbv367bf3pu author = Albert A. Angehrn title = Enhancing social interaction in competence development networks: a conceptual framework date = 2008 pages = extension = .pdf mime = text/html words = 83 sentences = 11 flesch = 79 summary = DSpace DSpace niet meer beschikbaar Wegens de overgang naar het nieuwe onderzoeksinformatiesysteem PURE is DSpace niet meer beschikbaar. Er wordt op dit moment hard gewerkt aan het valideren van de onderzoeksoutput in PURE. Na validatie wordt de researchoutput getoond via https://research.ou.nl Let op, niet alle onderzoeksoutput zal worden getoond in PURE, dit is mede afhankelijk van het beleid binnen de verschillende faculteiten. Heeft u vragen, dan kunt u een e-mail sturen naar het PURE support team pure-support@ou.nl t.a.v. Katrine Bengtsson, Pure-coördinator. cache = ./cache/work_tnvibjj3pbdjvghgbv367bf3pu.pdf txt = ./txt/work_tnvibjj3pbdjvghgbv367bf3pu.txt === reduce.pl bib === id = work_wiovv3okjzetthjn4z5upaiyda author = Paul Atkinson title = Hairy Guys in Sheds: The Rough and Ready World of DIY Cigar Box Guitar Makers date = 2018 pages = 32 extension = .pdf mime = application/pdf words = 11164 sentences = 1026 flesch = 76 summary = Hairy Guys in Sheds: The Rough and Ready World of DIY Cigar Box Guitar Makers Hairy Guys in Sheds: The Rough and Ready World of DIY Cigar Box Guitar Makers Hairy Guys in Sheds: The Rough and Ready World of DIY Cigar Box Guitar Makers Hairy Guys in Sheds: The Rough and Ready World of DIY Cigar Box Guitar Makers Hairy Guys in Sheds: The Rough and Ready World of DIY Cigar Box Guitar Makers Hairy Guys in Sheds: The Rough and Ready World of DIY Cigar Box Guitar Makers Hairy Guys in Sheds: The Rough and Ready World of DIY Cigar Box Guitar Makers Hairy Guys in Sheds: The Rough and Ready World of DIY Cigar Box Guitar Makers Hairy Guys in Sheds: The Rough and Ready World of DIY Cigar Box Guitar Makers Hairy Guys in Sheds: The Rough and Ready World of DIY Cigar Box Guitar Makers cache = ./cache/work_wiovv3okjzetthjn4z5upaiyda.pdf txt = ./txt/work_wiovv3okjzetthjn4z5upaiyda.txt === reduce.pl bib === id = work_ojwhhx4m4jdb3hxf4xfjllecxy author = Donald Hutton Stanley title = The self-conscious narrator in Donald Barthelme and Vladimir Nabokov date = 1978 pages = 236 extension = .pdf mime = application/pdf words = 173960 sentences = 41660 flesch = 112 summary = i n the works of Donald Barthelme and V l a d i m i r Nabokov. n a r r a t o r i n a g i v e n work by Barthelme or Nabokov i s determined example, R u s s e l l assures us t h a t Nabokov's novels are s e l f (1) Donald Barthelme, Snow White (New York: Atheneum, 1967), p. f u l when applied to works i n which the self-consciousness inherent i n narration i s emphasized, or brought to the reader's (86) Vladimir Nabokov, Strong Opinions (New York: McGraw-Hill, 1973), with Vladimir Nabokov (New York: Putnam, 1963); Glory, trans. (24) D.J. Enright, "Nabokov's Wag," The New York Review of Books, "Nabokov's Way." The New York Review of Books, New York Times Book Review, 4 June 1972, p. New York Times Book Review, 4 June 1972, p. cache = ./cache/work_ojwhhx4m4jdb3hxf4xfjllecxy.pdf txt = ./txt/work_ojwhhx4m4jdb3hxf4xfjllecxy.txt === reduce.pl bib === id = work_jci7pb77gvhddbqzszsiipfdpa author = Christina Portman-Smith title = 'Only as good as your last gig?': an exploratory case study of reputational risk management amongst self-employed musicians date = 2014 pages = 23 extension = .pdf mime = application/pdf words = 11927 sentences = 1582 flesch = 69 summary = 'Only as good as your last gig?': an exploratory case study of reputational risk management amongst self-employed musicians gig?': an exploratory case study of reputational risk management amongst self-employed musicians, reputational risk management amongst self-employed musicians There has been a significant increase in literature on reputation risk and its management in recent times, risk (RR) and reputational risk management (RRM) practice in the music industry. Further SME-related literature frequently discusses the importance of maintaining trust in reputation management (Bowey and Easton 2007; Cambra-Fierro and competition, Cravens and Oliver (2006) note that a good reputation leads to competitive advantage, thus making RRM an important issue for self-employed musicians. strategies to identify risks and manage their reputations. This study has explored the perceptions of reputation risk and its management It seems then in the self-employed music business, reputation risk management is an Managing Reputational Risk. cache = ./cache/work_jci7pb77gvhddbqzszsiipfdpa.pdf txt = ./txt/work_jci7pb77gvhddbqzszsiipfdpa.txt === reduce.pl bib === id = work_j365i7y6czfvfd2xgtshh7e7ei author = Bob L. Sturm title = The State of the Art Ten Years After a State of the Art: Future Research in Music Information Retrieval date = 2014 pages = 40 extension = .pdf mime = application/pdf words = 21041 sentences = 2358 flesch = 73 summary = information retrieval (MIR): the problem of music genre recognition (MGR). We perform a case study of all published research using the mostused benchmark dataset in MGR during the past decade: GTZAN. Of the 100 works using GTZAN, 96 employ the evaluation design Classify (an excerpt is Table 1: For each category of GTZAN: number of excerpts we identify by fingerprint (ENMFP); then searching manually (by self); number of songs tagged in last.fm (and number We now identify the excerpts in GTZAN, determine how music by specific artists Figure 4 shows how each GTZAN category is composed of music by particular artists. of an excerpt of music to one GTZAN category, we are interested here in a different question: GTZAN appears more than any other dataset in the evaluations of nearly 100 MGR publications (Sturm, 2012b). An analysis of the GTZAN music genre dataset. cache = ./cache/work_j365i7y6czfvfd2xgtshh7e7ei.pdf txt = ./txt/work_j365i7y6czfvfd2xgtshh7e7ei.txt === reduce.pl bib === id = work_gcgn73nxpffpzmnd4jadogsbuu author = Gül Bilge Han title = Bir Karakuşa Bakmanın On Üç Yolu by Wallace Stevens date = 2018 pages = 5 extension = .pdf mime = application/pdf words = 2009 sentences = 111 flesch = 63 summary = Bir Karakuşa Bakmanın On Üç Yolu by Wallace Stevens (review) Bir Karakuşa Bakmanın On Üç Yolu by Wallace Stevens Turkish translation of Wallace Stevens to date. It also presents first-ever translations of major poems such as "An Ordinary Evening in New Haven" and English, adds to the already substantial challenge of translating a poet as difficult as Stevens. A poet himself, Çelebioğlu joins a line of Turkish poet-translators who the major figures of the avant-garde "Garip" and "Ikinci Yeni" poetry movements, Melih Cevdet Anday, translated several poems, including "Gubbinal" translations of Stevens's poems, among them "Variations on a Summer Day" book fills a substantial gap in existing Turkish translations of Stevens, though can see how successfully Çelebioğlu handles the difficulties of translating Stevens. As such, the book is not only a welcome addition to the expanding body of translated poetry into Turkish, but cache = ./cache/work_gcgn73nxpffpzmnd4jadogsbuu.pdf txt = ./txt/work_gcgn73nxpffpzmnd4jadogsbuu.txt === reduce.pl bib === id = work_aopevinn2rczvmki5sp3kv6du4 author = Ellen Levy title = The Songs We Know Best: John Ashbery's Early Life by Karin Roffman date = 2018 pages = 6 extension = .pdf mime = application/pdf words = 2652 sentences = 141 flesch = 64 summary = The Songs We Know Best: John Ashbery's Early Life by Karin Roffman (review) The Songs We Know Best: John Ashbery's Early Life by Karin The Songs We Know Best: John Ashbery's Early Life. "The Thief of Poetry," "My Erotic Double," "Self-Portrait in a Convex Mirror"—these Ashbery titles inevitably came to mind as I was writing the previous paragraph, still more evidence that this poet is always steps ahead of his the Ashbery who follows Wallace Stevens in conceiving poetry as "a violence reminds me, in turn, of Ashbery's self-revealing remark apropos the poems of Yet the pattern of social tensions that Roffman traces in the fluctuating facts of Ashbery's life also bespeaks a double existence, one that, in the crucible of the poetic sensibility, would transform into an imaginative dialectic. Crane, a poet whose influence on Ashbery, unlike Stevens's, has gone largely cache = ./cache/work_aopevinn2rczvmki5sp3kv6du4.pdf txt = ./txt/work_aopevinn2rczvmki5sp3kv6du4.txt === reduce.pl bib === id = work_yppx6jysffe23gqdmnc3ct625i author = Vanessa Frances Newby title = Walk the Line: Examining the Factors that Enable Peacemakers to Influence Their Local Security Environment date = 2018 pages = 284 extension = .pdf mime = application/pdf words = 104188 sentences = 6557 flesch = 64 summary = This thesis also revealed that the main constraints faced by UNIFIL currently are the localinternational legitimacy gap in the mandate, local agency and a lack of national and international praxis of the UNIFIL peace operation into three levels of engagement: the international, national capacity building two national institutions: the Lebanese Armed Forces (LAF) and local observe UNIFIL in the area of operations, interacting with the local population: on border officers less effective on the ground.37 In the UNIFIL mission at both the local and international Chapter Three describes how UNIFIL works at the local level to reduce international tensions Lebanon in two main ways: capacity building the Lebanese Armed Forces (LAF) and local information sessions to educate local people on the Blue Line, interview with Respondent K, UNIFIL, Naqoura, This chapter will describe how UNIFIL works at the local level to reduce international tensions peacekeeping mission, UNIFIL engage in peacebuilding activities at the national level. cache = ./cache/work_yppx6jysffe23gqdmnc3ct625i.pdf txt = ./txt/work_yppx6jysffe23gqdmnc3ct625i.txt === reduce.pl bib === id = work_a3q3uy2ibjaaniqbnaq2rhwc3e author = Mark Burke title = Frege, Hilbert, and Structuralism date = 2015 pages = 239 extension = .pdf mime = application/pdf words = 129153 sentences = 7682 flesch = 61 summary = fixing the references of mathematical terms in his unique ontology of functions and objects. Frege's somewhat more traditional view of mathematical truth, that ―If the arbitrarily postulated axioms [of With Hilbert's work on the foundations of geometry, a new conception of mathematics as the views of geometry and axiomatics, then turn to an analysis of Frege's criticisms of Hilbert. axiomatic system, on Hilbert's view, we cannot speak of the truth of mathematical axioms Hilbert's interest here is in the structure determined by the axioms of Euclidean geometry, Frege himself viewed axioms as unprovable truths, and definitions as a kind of logical entities of the appropriate type(s); Frege viewed (first-level) concepts as functions which take objects as that thoughts do not possess non-logical structure; simply that, in his work, Frege is only There are several ways to define the natural numbers in terms of many general algebraic structures, not just set mathematical objects like Frege's Caesar problem. cache = ./cache/work_a3q3uy2ibjaaniqbnaq2rhwc3e.pdf txt = ./txt/work_a3q3uy2ibjaaniqbnaq2rhwc3e.txt === reduce.pl bib === id = work_leofnl3hijcq3iaumr7qgdkgqe author = Kurt Werner title = Modal Processor Effects Inspired by Hammond Tonewheel Organs date = 2016 pages = 19 extension = .pdf mime = application/pdf words = 8123 sentences = 986 flesch = 66 summary = Modal Processor Effects Inspired by Hammond Tonewheel Organs. Modal Processor Effects Inspired by Hammond Tonewheel Organs. Modal Processor Effects Inspired by Hammond Tonewheel Organs. https://pure.qub.ac.uk/en/publications/modal-processor-effects-inspired-by-hammond-tonewheel-organs(43d198a5-9117-4be4-9984-cc6fd8b63ada).html additive-synthesis-based electromechanical musical instrument, the Hammond tonewheel organ. pitch effects inspired by the Hammond organ's equal tempered "tonewheels", "drawbar" tone The Hammond tonewheel organ is a classic electromechanical musical instrument, patented musical tones by adding together sinusoidal signals of different frequencies, amplitudes, and phases [4]. scale [15]—In scientific pitch notation, the lowest-frequency tonewheel on a Hammond organ is to the drawbar settings, and distortion processed according to the tonewheel and pickup The unique sound of the Hammond organ is largely due to the tonewheels being tuned to the Figure 10 shows spectrograms of a sinusoidal input signal and its Hammondized response. the sonics of the Hammond tonewheel organ on any audio signal. "Modal Processor Effects Inspired by Hammond Tonewheel Organs"—Audio cache = ./cache/work_leofnl3hijcq3iaumr7qgdkgqe.pdf txt = ./txt/work_leofnl3hijcq3iaumr7qgdkgqe.txt === reduce.pl bib === id = work_3ahu3wcizfh2be3s7s5tt7blb4 author = W. Vaughn McCall title = Electroconvulsive Therapy in the Treatment of the "Blues" date = 2017 pages = extension = .pdf mime = application/xml words = 144 sentences = 27 flesch = 72 summary = sys_1000 wp-p1m-39.ebi.ac.uk wp-p1m-39.ebi.ac.uk exception exception Params is empty Params is empty Params is empty if (typeof jQuery === "undefined") document.write('[script type="text/javascript" src="/corehtml/pmc/jig/1.14.8/js/jig.min.js"][/script]'.replace(/\[/g,String.fromCharCode(60)).replace(/\]/g,String.fromCharCode(62))); // // // window.name="mainwindow"; .pmc-wm {background:transparent repeat-y top left;background-image:url(/corehtml/pmc/pmcgifs/wm-nobrand.png);background-size: auto, contain} .print-view{display:block} Page not available Reason: The web page address (URL) that you used may be incorrect. Message ID: 218307388 (wp-p1m-39.ebi.ac.uk) Time: 2021/04/06 02:11:35 If you need further help, please send an email to PMC. Include the information from the box above in your message. Otherwise, click on one of the following links to continue using PMC: Search the complete PMC archive. Browse the contents of a specific journal in PMC. Find a specific article by its citation (journal, date, volume, first page, author or article title). http://europepmc.org/abstract/MED/ cache = ./cache/work_3ahu3wcizfh2be3s7s5tt7blb4.pdf txt = ./txt/work_3ahu3wcizfh2be3s7s5tt7blb4.txt === reduce.pl bib === id = work_5wgmcxajqzfhxp4gvy3vai6z44 author = Rupert Till title = Pop stars and idolatry: an investigation of the worship of popular music icons, and the music and cult of Prince date = 2010 pages = 15 extension = .pdf mime = application/pdf words = 6515 sentences = 451 flesch = 65 summary = Pop stars and idolatry: an investigation of the worship of popular music icons, and the himself as an icon of consumer culture, as a deified 'rock god' worshipped by his fans, and as a preacher leading his Prince's work and the role of the pop star as an icon within contemporary culture, an icon that contains a physicality Keywords: Prince; popular; iconography; icon; star Consumer culture uses popular icons as examples of idealised consumers, the music industry in worshipper creating the popular icon, as without an audience a star is merely another person. 3 Some popular music stars have renewed and reinvigorated their work by creating new versions of their onstage character, notable Prince is one such star who has managed to progress to the status of popular icon, using an overt culture, Prince and his peers in the world of music are fulfilling roles traditionally played by religious figures cache = ./cache/work_5wgmcxajqzfhxp4gvy3vai6z44.pdf txt = ./txt/work_5wgmcxajqzfhxp4gvy3vai6z44.txt === reduce.pl bib === id = work_lwrjm2qsujfuphgdwfl7v43thq author = Santiago Rodríguez Guerrero-Strachan title = De la simple existencia: Antología poética by Wallace Stevens, and: La roca by Wallace Stevens, and: Poemas tardíos by Wallace Stevens, and: Ideas de orden by Wallace Stevens, and: Las auroras de otoño y otros poemas by Wallace Stevens (review) date = 2013 pages = 5 extension = .pdf mime = application/pdf words = 1749 sentences = 122 flesch = 66 summary = De la simple existencia: Antología poética by Wallace Stevens, and: La roca by Wallace Stevens, and: Poemas tardíos by Wallace Stevens, and: Ideas de orden by Wallace Stevens, and: Las auroras de otoño y otros poemas by Wallace Stevens (review) Not only can the Spanish reader now find translations of a sizable number of canonized poems, from "The Idea of order at Key versions of stevens' major prose writings, whether they be the essays collected in The Necessary Angel or epigraphs from "adagia." That a poet's personal In 1980, Sánchez Robayna published his first gathering of stevens in translation, Poemas (Barcelona: Plaza y Janés), and he wrote Finally, Jenaro Talens, yet another poet (besides a professor of literary theory at the university of valencia), has compiled a brief but representative number of poems in an anthology entitled Las auroras de otoño y otros poemas [The cache = ./cache/work_lwrjm2qsujfuphgdwfl7v43thq.pdf txt = ./txt/work_lwrjm2qsujfuphgdwfl7v43thq.txt === reduce.pl bib === id = work_uzpby4gncfb2bjqnhdqrpxo4h4 author = Atko Remmel title = Religion in secular archives. Soviet atheism and historical knowledge date = 2017 pages = 13 extension = .pdf mime = application/pdf words = 10436 sentences = 916 flesch = 54 summary = Crossbreeding Atheism with Spirituality: Notes on Soviet and Western Attempts Crossbreeding Atheism with Spirituality: Notes on Soviet spirituality in the period of late Soviet atheism; the second comes from contemporary Western "atheist attitude toward religion, as well as the propaganda of atheism, often in a form of secular rituals. Soviet society, atheism had to readjust, a process SmolkinRothrock (2014) has called "the spiritual crisis of late of atheism were threefold: differentiating religious spirituality and morality from atheist spirituality and morality; detaching religion from spirituality and morality; and religious, the connection between atheism and spirituality offers a possibility to show that atheists are "normal", universal; "life's questions" were the same for both religion and atheism, and self-development was of utmost "Spiritual atheism" can be seen as a reaction to the decline of "traditional" ways of meaning-making, where religion had considerable authority. Soviet Atheism and the Appeal to the Spiritual cache = ./cache/work_uzpby4gncfb2bjqnhdqrpxo4h4.pdf txt = ./txt/work_uzpby4gncfb2bjqnhdqrpxo4h4.txt === reduce.pl bib === id = work_moejrmbnj5hoff6j7vuwx4ryza author = P.K. Page title = The Blue Guitar date = 2004 pages = 5 extension = .pdf mime = application/pdf words = 748 sentences = 86 flesch = 84 summary = Published on Poetry In Voice (https://www.poetryinvoice.com) — "The Blue Guitar" by Wallace Stevens are playing on the blue guitar. 1. "The Blue Guitar" is filled with vivid sensory images. 3. In the poem, the man who plays his blue guitar has a fairly philosophical discussion with his The audience states that they "want the truth and not what you / are playing on the blue guitar." What do you think this poem is saying about the different ways that people 4. As a glosa poem (see link below for more details), "The Blue Guitar" directly engages with an older poem by Wallace Stevens titled "The Man with the Blue Guitar" (1937); in turn, Wallace Stevens's poem was at least partly influenced by Pablo Picasso's painting "The written blog post: http://www.johnwheway.com/?p=4 Read an except from the Wallace Stevens poem that inspired P.K. Page's "The Blue Guitar" here: https://www.artic.edu/artworks/28067/the-old-guitarist https://www.artic.edu/artworks/28067/the-old-guitarist https://www.poetryinvoice.com/poems/poets/david-barrick cache = ./cache/work_moejrmbnj5hoff6j7vuwx4ryza.pdf txt = ./txt/work_moejrmbnj5hoff6j7vuwx4ryza.txt === reduce.pl bib === id = work_6ujzcidklbfgvb5iyz5lmhqgre author = Tim Armstrong title = Player Piano: Poetry and Sonic Modernity date = 2007 pages = 21 extension = .pdf mime = application/pdf words = 8455 sentences = 464 flesch = 65 summary = world has a way of recording not just the discrete tones of music but all it.8 Like the gramophone, this offered a real-time transcription of a sonic musical storage suggested by his barrel-organ story; that is of memory something else in this dead storage: recorded music saves the past, returning recorded music; and to open himself to this sound, the sound of human In his earlier work in particular, Stevens often describes music in unconscious, in 'Notes' music is 'like a sense, / A passion that we feel, not In this poem, and indeed throughout Stevens's mature poetry, music serves poem, Stevens expands on that vision in terms which refer us both to music to the world of human music-making and Helmholtz's depicting sonic of music as the transcript of the temporal struggle of the will in mind, I recorded music – the story whose first stop is the player piano, the cache = ./cache/work_6ujzcidklbfgvb5iyz5lmhqgre.pdf txt = ./txt/work_6ujzcidklbfgvb5iyz5lmhqgre.txt === reduce.pl bib === === reduce.pl bib === id = work_a7ef57sw2jbkvkxhdpxfasm24q author = Scot Brown title = The Blues/Funk Futurism of Roger Troutman date = 2013 pages = 6 extension = .pdf mime = application/pdf words = 2060 sentences = 127 flesch = 65 summary = Roger Troutman is most known for expanding the range and melodic possibilities of the talk box or voice box—a device that allows an artist to fuse vocal Roger Troutman was in his early twenties when inspired by Stevie Wonder, who frequently used the talk box during live performances in the The area was ripe with independent record labels and disc jockeys at stations like WDAO (Dayton) who frequently aired singles by local bands. The overlapping sound research and social activism of Roger and the Troutman would, nevertheless, keep Roger's brand of funk—and funk music at large— The Blues/Funk Futurism of Roger Troutman 123 The Blues/Funk Futurism of Roger Troutman 123 The Blues/Funk Futurism of Roger Troutman 123 6. Zapp (Roger Troutman), Karen Shearer Papers, Archives of African American Music and 6. Zapp (Roger Troutman), Karen Shearer Papers, Archives of African American Music and 6. Zapp (Roger Troutman), Karen Shearer Papers, Archives of African American Music and cache = ./cache/work_a7ef57sw2jbkvkxhdpxfasm24q.pdf txt = ./txt/work_a7ef57sw2jbkvkxhdpxfasm24q.txt === reduce.pl bib === === reduce.pl bib === id = work_qu4mhv6knfctfa3xqf774kpdwe author = Carra Glatt title = The Maker's Rage: Narrative in Stevens' Poetry date = 2013 pages = 13 extension = .pdf mime = application/pdf words = 5365 sentences = 326 flesch = 64 summary = COMMONLY CONSIDERED among the most abstract of twentieth-century American poets, Wallace Stevens has rarely been read for his narrative qualities. narrative that informs both individual poems and the Stevens canon as a metaphoric and metonymic poles, Bates adds that Stevens' long poems establish covert narrative sequences by replacing the metonymic figuration at the Clavier" to the tropical voyage of canto XXIX of "An Ordinary Evening in New Haven," Stevens also constructs a number of narratives that article, I will discuss several such narrative poems, considering the reasons behind Stevens' decision periodically to utilize conventional plots Bates suggest, the narrative mode in Stevens is more forceful as an implicit Both the lyric and the narrative poem, Ursula's Supreme Fiction" reads like a rewriting of "Cy Est Pourtraicte." Like Ursula, Nanzia, whom we find "On her trip around the world" (CPP 342), is Narrative and Representation in the Poetry of Wallace Stevens. cache = ./cache/work_qu4mhv6knfctfa3xqf774kpdwe.pdf txt = ./txt/work_qu4mhv6knfctfa3xqf774kpdwe.txt === reduce.pl bib === id = work_2wqlzl6g6vc5vexa5kqijnc32q author = Tam John Rowe title = Coming to terms with the disenchantment of the world: the extent and limit of immanent numinosity in the poetry of Wallace Stevens date = 2016 pages = 194 extension = .pdf mime = application/pdf words = 62390 sentences = 3976 flesch = 68 summary = reading Stevens' poetry, bearing in mind the claims he makes for art and poetry Reality, in Stevens' use of the word, may be the world supposed to be antecedent in itself or the 17 Doggett is striking at a similar point when he argues that 'Stevens' poetry envisions a world burgeoning in remain the never-resting mind,' (179), writes Stevens in 'The Poems of Our Climate', lacerating than Miller, when discussing Imre Salusinszky's strategy of asking 'participants to provide an on-thespot interpretation of Stevens' poem "Not Ideas about the Thing but the Thing Itself"' (Sampson, 2000, 186Here we see Stevens extending the self-world integration to include non-human humanist's lack of God. With this in mind, I think we can and should read Stevens as an 88 David Perkins argues that Stevens' 'poem does not describe but merely invokes "The Snow Man" by In Stevens' poetry, early through late, the world, the earth, the cosmos, nature, cache = ./cache/work_2wqlzl6g6vc5vexa5kqijnc32q.pdf txt = ./txt/work_2wqlzl6g6vc5vexa5kqijnc32q.txt === reduce.pl bib === id = work_3ad4zhnt55bl5cf6q7iyypspva author = Gaye Elizabeth Taylor title = The Meaning of the Earth and the Will of Men: Re-examining the Nietzschean in Wallace Stevens' "Harmonium" date = 2013 pages = 309 extension = .pdf mime = application/pdf words = 92199 sentences = 5306 flesch = 67 summary = readings of Nietzschean intertexts in a number of Stevens' early poems, the second and third will to creative power in Stevens by marking the ways in which these poems extend Nietzsche's Nietzsche, I begin with a reading of "Description Without Place"—a poem which Stevens "Nietzsche in Basel" was a hero of Stevens' imagination.3 In my reading of the poem, I interpret Like Leonard and Wharton, and Bates as well, I too read Stevens' poems as suggesting neo-Nietzschean reading of Stevens' late poem, he diagnoses the insightful critic blind to the fact reading of Nietzsche in Stevens suggests that he, like many other celebrants of the For Leggett, Stevens' early poems follow Nietzsche on this point, poem of the series, "Common Soldier." It is possible to read Stevens' opening sketch of his Stevens' early receptive reading of Thus Spake Zarathustra, is suggested in the poem's linkage of cache = ./cache/work_3ad4zhnt55bl5cf6q7iyypspva.pdf txt = ./txt/work_3ad4zhnt55bl5cf6q7iyypspva.txt === reduce.pl bib === id = work_ovznndcq5bddlm7fmvin4ggyzq author = H Orlefors title = Positron emission tomography with 5-hydroxytryprophan in neuroendocrine tumors date = 1998 pages = 83 extension = .pdf mime = application/pdf words = 27248 sentences = 2840 flesch = 64 summary = with negative imaging results for FDG-PET in carcinoid tumors (165, 166). Using 11C-harmine as tracer for imaging of NET's, tumors in all patients Tumor lesions in all 4 patients with nonfunctioning EPT were clearly visualized by PET (Fig. 9). that the tracer uptake on the PET-scans represent true tumor tissue. PET-positive tumor lesions in 33 out of 36 patients (92 %), a total of 51 Tumors in all patients, but one, did take up this aminoprecursor and could therefore be imaged with PET. When 11C-5-HTP-PET was compared to SRS and CT, more tumor lesions A high 5-HTP uptake was found in the tumor lesions of all patients with a PET-positive tumor lesions in all patients additional value also in PET-imaging of neuroendocrine tumors using tracers variable tracer uptake in different tumor lesions of the same patient. WB-11C-5-HTP-PET has a high tumor detection rate in NET's that cache = ./cache/work_ovznndcq5bddlm7fmvin4ggyzq.pdf txt = ./txt/work_ovznndcq5bddlm7fmvin4ggyzq.txt === reduce.pl bib === id = work_epvsrtmnfzadbdob3jqjc7ix7a author = Keith Darrel Eccleston title = Oscillations of the absolute : an examination of the implications of Wallace Stevens' "Central Poetry." date = 1964 pages = 193 extension = .pdf mime = application/pdf words = 107009 sentences = 21767 flesch = 103 summary = theory couched almost wholly i n terms both i d i o s y n c r a t i c and ambiguous, Stevens must inevitably evoke the kind of response expressed Stevens wants his poems to undergo the same kind of obscurations existence Stevens demanded for the theory of "central poetry.", to make one think of the dominant images i n Stevens' poems. Stevens' poetry produces poems....out of c e n t r a l image and " f i n a l c h a r a c t e r " of Stevens' poems. c e n t r a l image and " f i n a l c h a r a c t e r " of Stevens' poems. Hartsock, "Image and Idea i n the Poetry of Stevens," "Image and Idea i n the Poetry of Stevens," "Wallace Stevens and the Image of Man," cache = ./cache/work_epvsrtmnfzadbdob3jqjc7ix7a.pdf txt = ./txt/work_epvsrtmnfzadbdob3jqjc7ix7a.txt === reduce.pl bib === id = work_pad4vsuqz5hxhphrssqjrk3s5e author = Alan Bleakley title = Force and Presence in the World of Medicine date = 2017 pages = 8 extension = .pdf mime = application/pdf words = 5009 sentences = 299 flesch = 58 summary = has been shaped historically by the combative metaphor of a 'war against disease', turning medicine The two metaphors align medicine with the modern industrial–military complex that is masculine, Keywords: force; presence; medical metaphors I am, then, following Wallace Stevens' poetic imagination in suggesting that Force and Presence framing metaphors flow down to shape one complex system in our lives—medicine: medical culture, historical conditions of possibility for the emergence of Force as a dominant discourse and metaphorical The 'body as machine' and 'medicine as war' metaphors were aligned to produce a powerful The use of an ecological and pacific metaphor complex may shift medicine's primary concern with This shift—from the linear and brutal 'body as machine' and 'medicine as war' dominant metaphors metaphors, as the dominance of 'Force' over 'Presence'. progressive medicine to gain traction, new shaping metaphors must emerge. Alternative Metaphors to Medicine as War Alternative Metaphors to Medicine as War cache = ./cache/work_pad4vsuqz5hxhphrssqjrk3s5e.pdf txt = ./txt/work_pad4vsuqz5hxhphrssqjrk3s5e.txt === reduce.pl bib === id = work_ncq27ifllnbcno6fkkpogxd5u4 author = Christopher Long title = The Peripatetic Method: Walking with Woodbridge, Thinking with Aristotle date = 2017 pages = 16 extension = .pdf mime = application/pdf words = 8778 sentences = 616 flesch = 67 summary = dynamic nature of Aristotle's thinking as a Woodbridge emphasizes this deep correlation between language and nature in his lectures on Aristotle when he writes: heard as organically bound to a way of thinking rooted in the natural community of communication between the powers of the soul Aristotle's phenomenological attunement to the ways things express Peripatetic legomenology is rooted in Aristotle's naturalistic understanding of the relationship between the powers of the soul Aristotle here remains willing to use the common way of speaking about the nature of perceiving as a kind of being acted upon, but he that amplify the passive dimension of perceiving require Aristotle to speak in the perfect tense in order to give voice to the active correlation between perceiving and thinking central to his own reading of Aristotle's to begin with the things encountered, he nevertheless parts ways with Aristotle insofar of things, Aristotle's own imaginative thinking cache = ./cache/work_ncq27ifllnbcno6fkkpogxd5u4.pdf txt = ./txt/work_ncq27ifllnbcno6fkkpogxd5u4.txt === reduce.pl bib === id = work_3asa5qxlenh3tm63bffpvzd46i author = Simon Critchley title = Surfaciality: Some Poems by Fernando Pessoa, one by Wallace Stevens, and the Brief Sketch of a Poetic Ontology date = 2018 pages = 21 extension = .pdf mime = application/pdf words = 8358 sentences = 641 flesch = 76 summary = In this paper, I attempt to give a reading of some poems by the great Portuguese poet, Fernando Pessoa, focusing in particular on the relation between thought and things or mind and world as it is figured in poetry. I would simply like to read a few poems by Pessoa, or rather by the heteronym Alberto Caeiro, who is always referred to as "the master." Caeiro was "Things have no meaning" ("As cousas não têm significação") in the sense Caeiro asks: why would we delude ourselves into thinking that another thing beyond them to their hidden or occult meaning; once again, the word Caeiro As Caeiro says, "To think is not to understand" (Fernando Pessoa & Co 58). I'd like to turn to the final two sections of the poem, where these seemings are called "description without place." What does Stevens mean by description? cache = ./cache/work_3asa5qxlenh3tm63bffpvzd46i.pdf txt = ./txt/work_3asa5qxlenh3tm63bffpvzd46i.txt === reduce.pl bib === id = work_azepeftgqzgbpfxxtiy7eadhw4 author = Luke O'Loughlin title = No one is an island date = 2018 pages = extension = .pdf mime = text/html words = 278 sentences = 45 flesch = 70 summary = [PDF] No one is an island. Skip to search formSkip to main content> Semantic Scholar's Logo Search DOI:10.1126/science.360.6384.122 Corpus ID: 206625617No one is an island. title={No one is an island.}, author={Luke S O'Loughlin}, journal={Science}, Luke S O'Loughlin Science I had just started my Ph.D. studying invasive species on a remote oceanic island, where I would be spending most of the next 3 years bashing through rainforest to count invertebrates. My supervisor had done his own Ph.D. here on Christmas Island in the Indian Ocean 2 decades earlier. Topics from this paper Related Papers Stay Connected With Semantic Scholar About Semantic Scholar About Semantic Scholar Semantic Scholar is a free, AI-powered research tool for scientific literature, based at the Allen Institute for AI. By clicking accept or continuing to use the site, you agree to the terms outlined in our Privacy Policy, Terms of Service, and Dataset License ACCEPT & CONTINUE cache = ./cache/work_azepeftgqzgbpfxxtiy7eadhw4.pdf txt = ./txt/work_azepeftgqzgbpfxxtiy7eadhw4.txt === reduce.pl bib === id = work_cxoqb4uja5ctrhdxq764cqjxuq author = HANS WEISETHAUNET title = Is there such a thing as the 'blue note'? date = 2001 pages = 18 extension = .pdf mime = application/pdf words = 10677 sentences = 677 flesch = 72 summary = will be that most musicological analyses of these styles are still based on an oversimplified idea of harmony: the applied Western major/minor theory concept with blues, rock, and some jazz styles, in emic terms and performance practice, in fact The blues structure, like ragtime, was an admixture of African influence (the call-andresponse pattern) and European harmonically derived functional form. The aesthetics behind this practice – being crucial to the 'meaning' of blues performance – is that of 'putting things to the notes' as described by B.B. King in his book, experience of playing blues music, however, some simple conclusions might nevertheless be drawn as far as 'harmony' is concerned. of the minor third over the major chord!7 Seeing the idea of the 'blue note' in such Often the performer will play two or three notes simultaneously – also in solo guitar playing – and the effect of 'blue harmony' seems to cache = ./cache/work_cxoqb4uja5ctrhdxq764cqjxuq.pdf txt = ./txt/work_cxoqb4uja5ctrhdxq764cqjxuq.txt === reduce.pl bib === id = work_eobo4ufgabgldlsfaujzygkvse author = Nailson dos Santos Cunha title = Generating guitar solos by integer programming date = 2017 pages = extension = .pdf mime = text/html words = 748 sentences = 170 flesch = 53 summary = [PDF] Generating guitar solos by integer programming | Semantic Scholar Corpus ID: 51888815Generating guitar solos by integer programming title={Generating guitar solos by integer programming}, In this paper, we present a framework for computer-aided composition (CAC) that uses exact combinatorial optimisation methods to generate guitar solos from a newly proposed data-set of licks over an accompaniment based on the 12-bar blues chord progression. An integer programming formulation, which can be solved to optimality by a branch-and-cut algorithm, was developed for this problem whose objective is to determine an optimal sequence of a set of licks given a matrix of transition costs… Expand Sort by Most Influenced Papers View 1 excerpt, cites methods View 3 excerpts, references background and methods Integer Programming Formulation of the Problem of Generating Milton Babbitt's All-Partition Arrays View 1 excerpt, references methods View 1 excerpt, references methods View 1 excerpt, references methods cache = ./cache/work_eobo4ufgabgldlsfaujzygkvse.pdf txt = ./txt/work_eobo4ufgabgldlsfaujzygkvse.txt === reduce.pl bib === id = work_g6c46d7c55cfreyrg2xvzf6xe4 author = Glyn White title = Christine Brooke-Rose: motes, beams and the horse's mouth date = 2018 pages = 24 extension = .pdf mime = application/pdf words = 9321 sentences = 548 flesch = 67 summary = over twenty-five thousand words of criticism on Brooke-Rose's work. same time Brooke-Rose was working on her late novels and her last book of criticism, she called the arc-lamps, Brooke-Rose was unhappy with McHale's interpretation of It is possible to see these opinions in her contribution to Interpretation and OverInterpretation (1979), and in various places in Invisible Author.23 Brooke-Rose is criticism 'the how and the what' comes first.43 In Invisible Author Brooke-Rose In short, Brooke-Rose argues for more creative criticism engaged with the text. 38 Christine Brooke-Rose, letter to the author, dated 28/02/98, p.1. 38 Christine Brooke-Rose, letter to the author, dated 28/02/98, p.1. 38 Christine Brooke-Rose, letter to the author, dated 28/02/98, p.1. 38 Christine Brooke-Rose, letter to the author, dated 28/02/98, p.1. 38 Christine Brooke-Rose, letter to the author, dated 28/02/98, p.1. 38 Christine Brooke-Rose, letter to the author, dated 28/02/98, p.1. 38 Christine Brooke-Rose, letter to the author, dated 28/02/98, p.1. cache = ./cache/work_g6c46d7c55cfreyrg2xvzf6xe4.pdf txt = ./txt/work_g6c46d7c55cfreyrg2xvzf6xe4.txt === reduce.pl bib === id = work_fos67nw6zjb6lblxc72ggtzakq author = Patrik N. Juslin title = Communication of emotions in vocal expression and music performance: Different channels, same code? date = 2003 pages = 45 extension = .pdf mime = application/pdf words = 44200 sentences = 14640 flesch = 82 summary = Communication of Emotions in Vocal Expression and Music Performance: First, the existence of acoustic similarities between vocal expression of emotions and music could help to forms of nonverbal communication; (d) vocal expressions of discrete emotions usually occur in similar types of life situations in categories related to life problems such as danger (fear), competition (anger), loss (sadness), cooperation (happiness) and caregiving (love).2 By perceiving expressed emotions in terms of such Emotion in vocal expression and music performance is a multidisciplinary field of research. The present results indicate that communication of emotions in vocal expression and music performance was relatively accurate. decode basic emotions from vocal expression and music performance develops in early childhood at least, perhaps even in infancy. Patterns of Acoustic Cues Used to Express Emotions Specifically in Music Performance Studies This review has revealed similarities in the acoustic cues used to communicate emotions in vocal expression and music performance. Emotion Acoustic cues (vocal expression/music performance) cache = ./cache/work_fos67nw6zjb6lblxc72ggtzakq.pdf txt = ./txt/work_fos67nw6zjb6lblxc72ggtzakq.txt === reduce.pl bib === id = work_xdoebvg2xjdothtumetvtrbxyi author = Jeremy David Prindle title = The devil's prayers: metal music in Iran date = 2014 pages = 294 extension = .pdf mime = application/pdf words = 83606 sentences = 7815 flesch = 79 summary = Metal music in Iran is illegal and metalheads live with the constant fear that they could time I learned a lot about Iran, Iranian culture, and the metal scene there. Second, to investigate metal bands in Iran and learn more about their music, lifestyle, understood by people in Iran that were listening to metal music at that time. The metal music scene in Iran is very diverse, there are bands in so many different metal scene in Iran began with people listening to bands like Metallica and Slayer and for many people know about metal music.334 Bands like Master of Persia, Mordab, and No one really knows how many people are interested in metal music in Iran because Women in Iran also like metal music and are becoming more It has been established how metal music arrived in Iran, but why do Iranians like No one knows that Iran has metal music. cache = ./cache/work_xdoebvg2xjdothtumetvtrbxyi.pdf txt = ./txt/work_xdoebvg2xjdothtumetvtrbxyi.txt === reduce.pl bib === id = work_2tudfn6p7vbovpiu2j5biw4d4m author = Tony Sharpe title = "Dead Opposites" or "Reconciled among the Stars"?: Stevens and Eliot date = 2018 pages = 16 extension = .pdf mime = application/pdf words = 7465 sentences = 410 flesch = 68 summary = "Dead Opposites" or "Reconciled among the Stars"?: Stevens and Eliot Stevens thought of Eliot again, but was dismissive: "It is possible that a In fact, the nature of Stevens's objection to Eliot's unquestioned reputation, and his perception of its negative consequences, This comes from Eliot's "The Hollow Men" (III), and this, from Stevens's Stevens's poem was written considerably later than Eliot's, but I am not of Stevens's that we can be certain Eliot knew was "The Emperor of IceCream," since he alluded to it in the title of the final lecture on the course because the association between Eliot and music Stevens enunciated in I suggest that this shows Stevens as a more penetrating reader of Eliot than is provided by the unconvincing example of "The five four-line stanzas; but, thinking like Eliot's poem about "landscape" which Stevens embarked (CPP 428), and that Eliot to some extent derided: cache = ./cache/work_2tudfn6p7vbovpiu2j5biw4d4m.pdf txt = ./txt/work_2tudfn6p7vbovpiu2j5biw4d4m.txt === reduce.pl bib === id = work_hmnduvushzffzhtto7saw4xzy4 author = Mia Johnson title = A comparative study of visual elements in traditional art images and computer graphics date = 1993 pages = 279 extension = .pdf mime = application/pdf words = 48047 sentences = 4292 flesch = 63 summary = Art educators talking about visual images and objects principles in traditional art images and computer graphics formalist theory treats art images as self-contained designs the following design elements: space, line, shape, color, traditional art image might refer to a line which has gaps, graphics term such as "region" as a type of art education art were: line, shape, space, form, pattern, texture, color Information on "texture", "pattern", and "color" in art art; that is, identifiable areas or parts of twodimensional images such as "line" or "texture". "shape", "pattern", "texture", "form", "space", "color" and concepts of sensory elements, including line, shape, space, an image or area with an art historical term or reference. elements of art: line, point, pattern, texture, and shape. traditional art images and computer graphics. traditional art images and computer graphics. traditional art images and computer graphics. visual structure of art images, and to compare them to terms cache = ./cache/work_hmnduvushzffzhtto7saw4xzy4.pdf txt = ./txt/work_hmnduvushzffzhtto7saw4xzy4.txt === reduce.pl bib === id = work_hej7xirnsnfgfooktxrcq6ge7q author = Kendra Leonard title = The Lady Vanishes: Vocality and Agency in Cinematic Ophelias date = 2016 pages = 18 extension = .pdf mime = application/pdf words = 7487 sentences = 487 flesch = 69 summary = Zeffirelli's and Almereyda's films, the text of Ophelia's report of Hamlet's Within the text, Ophelia's role is an important one, advancing the investigation into Hamlet's apparent madness and later offering the audience crucial information as to the true state of corruption within the court. Ophelia's songs have not been found, they "clearly belong to the popular ballad tradition." 6 English stage history records that, in Shakespeare's time, the music: a score that was highly continuous over the course of the film, including the use of leitmotifs to help audiences identify characters and their emotions and actions. show, this gendering through vocality and music by Olivier is but the beginning of a larger trend among directors of cinematic Hamlet s and film more Almereyda's Ophelia is given the fewest lines of any film Hamlet discussed up to this point. Leslie Dunn, "Ophelia's Songs in Hamlet : Music, Madness, and the Feminine," cache = ./cache/work_hej7xirnsnfgfooktxrcq6ge7q.pdf txt = ./txt/work_hej7xirnsnfgfooktxrcq6ge7q.txt === reduce.pl bib === id = work_fjzrgm4tgrhalbcrqogypk3ovi author = Matthew Mongrain title = Light from Canada: The Poetics of James Schuyler date = 2013 pages = 127 extension = .pdf mime = application/pdf words = 32698 sentences = 2033 flesch = 71 summary = James Schuyler, art critic and coterie poet of the New York School, is Schuyler is not the only poet of the New York School who participated in the art scene of Like Schuyler's, Porter's work is inarguably different painting." What makes the criticism of Porter and Schuyler so compelling to read is the many of Porter's paintings, as it is of Schuyler's poems. Like much of Schuyler's poetry, the source of these lines is the view from a window. mean that Schuyler is concealing anything in his poetry, or Porter in his paintings. abstraction in Schuyler's poetry and Porter's painting, which operate, too, along the lines of white wall of Schuyler's poems tumble, that thing against which his poetry stands. emphatically a thing in Schuyler's poetry and diaries, an object that is without rather than poem's opening section, though, Schuyler is less interested in the things themselves than cache = ./cache/work_fjzrgm4tgrhalbcrqogypk3ovi.pdf txt = ./txt/work_fjzrgm4tgrhalbcrqogypk3ovi.txt === reduce.pl bib === id = work_pzymdnlrsrg3hmejylvji2qwui author = Elyse Lamm Pineau title = Nos Cruzamentos entre a Performance e a Pedagogia: uma revisão prospectiva date = 2010 pages = 26 extension = .pdf mime = application/pdf words = 10395 sentences = 1238 flesch = 62 summary = situa aquele ensaio nas inovações teóricas e metodológicas contemporâneas em pedagogia da performance e utiliza uma nova poética da escrita performativa como método que meu curso de formação e educadores críticos dos Estados Unidos que, inspirados pelo trabalho de Paulo Freire, estavam abrindo caminho para uma análise da performance artística para a performatividade cultural, que estava transformando minha própria disciplina (Conquergood, 1986; 1989;1991; Langellier, de autoetnografia (Ellis, 2004); uma etnografia crítica de estudantes apresentando-se como testemunhas em uma sala de aula de performance (Warren, A predominância das metáforas do mundo do trabalho no projeto curricular e da formação de professores tem contribuído para uma experiência educacional que o ensino tem fundamentalmente uma função utilitária, e, por isso, é 'importante' demais para ser entendido como uma arte" (1986, p.137). Performance passou por uma radical transformação, que abriu espaço para central a uma pedagogia da e por meio da performance que procura mover-se cache = ./cache/work_pzymdnlrsrg3hmejylvji2qwui.pdf txt = ./txt/work_pzymdnlrsrg3hmejylvji2qwui.txt === reduce.pl bib === id = work_a3zuymezwjasjlu6wd4t7fayeu author = Joe. Wilkins title = Mississippi Stories date = 2007 pages = 23 extension = .pdf mime = application/pdf words = 11037 sentences = 1040 flesch = 97 summary = Sunfl ower as public school teachers with Teach For America, thinking about � ere's a sign outside the door that says all students are to wait for of face time with students, whether in class, at lunch, on hall duty, tutoring during prep period or whatever else. We tell her, and she slowly turns her old head to us and says, "Well, y'all I drive over the old train tracks and turn down Church Street, my student's � ere are moments in your life as a teacher, especially if you work with students who suff er every day the brutal, life-stunting blows of poverty, racism and He stares at us, shakes his head, says, We ain't got nothin' for y'all to eat I slowly turn away and close my classroom door; as my students get started on I been teaching high school math for thirty-fi ve years, Mr. Wilkins. cache = ./cache/work_a3zuymezwjasjlu6wd4t7fayeu.pdf txt = ./txt/work_a3zuymezwjasjlu6wd4t7fayeu.txt === reduce.pl bib === id = work_ddzfd5nw7nbirclsz4geq25kji author = Bart Eeckhout title = A Ghostly Visit to London (Enter Stevens in a 500-Year-Old Bavarian Tree) date = 2015 pages = 15 extension = .pdf mime = application/pdf words = 7061 sentences = 337 flesch = 65 summary = As a result, when in early November 2014 the officers of the Wallace Stevens Society received an invitation to attend a "special event" on kind of reality did Stevens' barefoot ghost step into on the evening of November 17, 2014, during his long-awaited visit to London? Wallace Stevens Event was programmed at Kings Place, a mere five-minute (red, yellow, blue), so that I am reminded of at least one way in which Stevens' artistic appeal continues unabated: his favorite genre of variations Stevens' poems are read out by the American actor David Calvitto, who Stevens was arguably more of a romantic than a modernist, which Mackinnon illustrates by going on to recite "Of Modern Poetry" in its entirety. The image on the screen switches to an abstract painting by Motherwell, which allows Le Brun to pursue Stevens' relation to American abstraction. cache = ./cache/work_ddzfd5nw7nbirclsz4geq25kji.pdf txt = ./txt/work_ddzfd5nw7nbirclsz4geq25kji.txt === reduce.pl bib === id = work_n6e2b2a7hfek5mijm7rziwgm64 author = Justine M. Thacker title = When it is apt to adapt: Flexible reasoning guides children's use of talker identity and disfluency cues date = 2018 pages = 15 extension = .pdf mime = application/pdf words = 8624 sentences = 682 flesch = 55 summary = An eye-tracking methodology was used to examine whether children flexibly engage two voice-based cues, talker identity and disfluency, during language processing. was to examine whether children use recently presented preference information even when utterances are purely ostensive in nature such as simply directing listeners to ''look" at an object in the display. In the current study, we explored the simultaneous use of disfluency and talker identity information to more fully understand the nature of children's situation-specific reasoning during language The first experiment was designed to provide a test of children's ability to combine the two paralinguistic cues of interest (talker identity and disfluency) and to evaluate their ability to adapt their use of Average proportion of looks to talker-preferred object during the determiner interval for both fluent and disfluent trial At the point when the fluent or disfluent determiner was encountered, children initially demonstrated an ability to use talker identity cues to guide their interpretation of a hesitation disfluency. cache = ./cache/work_n6e2b2a7hfek5mijm7rziwgm64.pdf txt = ./txt/work_n6e2b2a7hfek5mijm7rziwgm64.txt === reduce.pl bib === id = work_h5rtzlockrfndgvafpuunpziaq author = Atko Remmel title = Crossbreeding Atheism with Spirituality: Notes on Soviet and Western Attempts date = 2018 pages = 13 extension = .pdf mime = application/pdf words = 10436 sentences = 916 flesch = 54 summary = Crossbreeding Atheism with Spirituality: Notes on Soviet and Western Attempts Crossbreeding Atheism with Spirituality: Notes on Soviet spirituality in the period of late Soviet atheism; the second comes from contemporary Western "atheist attitude toward religion, as well as the propaganda of atheism, often in a form of secular rituals. Soviet society, atheism had to readjust, a process SmolkinRothrock (2014) has called "the spiritual crisis of late of atheism were threefold: differentiating religious spirituality and morality from atheist spirituality and morality; detaching religion from spirituality and morality; and religious, the connection between atheism and spirituality offers a possibility to show that atheists are "normal", universal; "life's questions" were the same for both religion and atheism, and self-development was of utmost "Spiritual atheism" can be seen as a reaction to the decline of "traditional" ways of meaning-making, where religion had considerable authority. Soviet Atheism and the Appeal to the Spiritual cache = ./cache/work_h5rtzlockrfndgvafpuunpziaq.pdf txt = ./txt/work_h5rtzlockrfndgvafpuunpziaq.txt === reduce.pl bib === id = work_uedjmuarsrftnpqwyswlnmp2su author = Marie-France Berard title = On the experience of encountering art in museum spaces : an inquiry with Gilles Deleuze's concepts of desire and assemblage date = 2017 pages = 246 extension = .pdf mime = application/pdf words = 70010 sentences = 4326 flesch = 62 summary = Chapter 1 On the experience of encountering art: An inquiry with Gilles Deleuze Thoughts on art experience following a Deleuze-Dewey conceptual encounter............86 Thoughts on art experience following a Deleuze-Greene conceptual encounter..........161 concepts of encounter, desire and assemblage help me to think and inquire about my art of experience, encounter, assemblage, desire and, as closing thoughts, the concept of thinking with Deleuzian concepts produces an art encounter as desiring-assemblage; that is, the affective, embodied, relational experience of encountering art as a productive assemblage Thoughts on art experience following a Deleuze-Dewey encounter: Thoughts on art experience following a Deleuze-Gadamer conceptual encounter Thoughts on art experience following a Deleuze-Gadamer conceptual encounter about thinking the art experience following a Deleuze and Greene encounter. Thoughts on the art experience following a Deleuze-Greene encounter from Deleuze, the experience of encountering art is not simply a method to allow new experience of encountering art as a desiring-assemblage. cache = ./cache/work_uedjmuarsrftnpqwyswlnmp2su.pdf txt = ./txt/work_uedjmuarsrftnpqwyswlnmp2su.txt === reduce.pl bib === === reduce.pl bib === id = work_pp4aupyndzamzl2l3qyhem32xy author = Hannah Simpson title = "Where / Do I begin and end?": Circular Imagery in the Revolutionary Poetics of Stevens and Yeats date = 2018 pages = 17 extension = .pdf mime = application/pdf words = 7642 sentences = 454 flesch = 60 summary = Both Yeats and Stevens turn to the circle as an ordering structure when Yeats's and Stevens's use of the circle image reveals a fascinating counterpointed relationship between their respective political beliefs. circular forms.2 The individual will is given up to the collective in the fascist state; the individual is absorbed into the universal circle structure in Stevens, like Yeats, invokes the circle as an ordering structure that acts in opposition to the confusion that he saw in the political Just as the circle in Yeats's poetry and cosmology subsumes and orders all existence into one united, precisely regulated Stevens likewise invokes the circle as an ordering structure in the face of (CPP 135): we can no longer structure the entire world and all civilization in an all-encompassing circular form, as Yeats tried to do, but we can Stevens's and Yeats's circular forms. cache = ./cache/work_pp4aupyndzamzl2l3qyhem32xy.pdf txt = ./txt/work_pp4aupyndzamzl2l3qyhem32xy.txt === reduce.pl bib === id = work_nl5aw5egpzecvggsns4alonneq author = Andrew Branch title = All the young dudes: educational capital, masculinity and the uses of popular music date = 2012 pages = 48 extension = .pdf mime = application/pdf words = 11230 sentences = 625 flesch = 62 summary = sample of glam's original working-class male fans; original interviews with musicians working-class sought to express its difference by identifying with the self-conscious explain how social mobility was negotiated by working-class male youth at this to contest the latter's division between the art school end of glam (Bowie, Roxy this article regarding the relationship between glam and its working-class fans aesthetic positions taken up by art school glam artists and their fans on the the progressive rock end of glam, Roxy Music, in keeping with the aestheticist masculine identity valued in working-class cultures during this period. Audience reception: glam and its working-class male fans effects acquiring cultural capital has on working-class subjects. Just like you: glam's working-class artists aligned themselves to this popular music formation were working-class artists In this sense, art school glam's artists and fans Munt (ed.) Cultural Studies and the Working Class (London, cache = ./cache/work_nl5aw5egpzecvggsns4alonneq.pdf txt = ./txt/work_nl5aw5egpzecvggsns4alonneq.txt === reduce.pl bib === id = work_ofrtlgpgozfjfjxs3ajrmvpmme author = Adam Cadell title = The Radical Violinist: Henry Flynt, Tony Conrad and the Liberation of the Violin date = 2018 pages = 184 extension = .pdf mime = application/pdf words = 65430 sentences = 4247 flesch = 63 summary = The musical analysis describes the performance practices of underground violinists brought the sound of New York's avant-garde underground to the ears of rock music fans for practices of underground violinists and in particular those of Tony Conrad and Henry Flynt. Like these Detroit groups, black music is at the root of New York City's underground as a practising musician who performs music openly inspired by the works of Flynt and Conrad Other New Country and Blues Music (Recorded, 2004) that captures Flynt playing violin ca. underground violin performance practices is arguably Henry Flynt. Henry Flynt, New American Ethnic Music Vol. 2: Spindizzy (United States: Recorded, 2003), Compact Henry Flynt, New American Ethnic Music Volume One (United States: Recorded, 2002), Compact Conrad and one that would solidify his new ideas on violin performance and on music as a Through their violin practice Flynt, Conrad, and the underground violinists laid the cache = ./cache/work_ofrtlgpgozfjfjxs3ajrmvpmme.pdf txt = ./txt/work_ofrtlgpgozfjfjxs3ajrmvpmme.txt === reduce.pl bib === id = work_naabgn6aujg3dd2lsn63lwchji author = (:Unkn) Unknown title = The Girl Gang: Women Writers of the New York City Beat Community date = 2020 pages = 322 extension = .pdf mime = application/pdf words = 99155 sentences = 6224 flesch = 64 summary = The Girl Gang: Women Writers of the New York City Beat Community seeks to engaging the lives and work of five women Beat writers: Diane di Prima, Joyce Johnson, Writers of the New York City Beat Community addresses this limited attention to and the bohemians within the New York City Beat community, but within this same social space, of the women writers of the New York City Beat community as well. how each writer's particular experience within the New York City Beat community as a Integrating a study of the women writers from the New York City Beat community into writer in the New York City Beat community and her larger body of work. cohesive narrative of women writers of the New York City Beat literary community. male homosocial New York City Beat community shaped their work in important ways. The Girl Gang: Women Writers of the New York City Beat Community ultimately cache = ./cache/work_naabgn6aujg3dd2lsn63lwchji.pdf txt = ./txt/work_naabgn6aujg3dd2lsn63lwchji.txt === reduce.pl bib === id = work_pkhdyt6m4zgz5oulbmidhtkwfm author = Alan E. Kazdin title = Parent management training for conduct problems in children: Enhancing treatment to improve therapeutic change date = 2018 pages = extension = .pdf mime = application/xml words = 144 sentences = 26 flesch = 71 summary = sys_1000 wp-p1m-38.ebi.ac.uk wp-p1m-38.ebi.ac.uk exception exception Params is empty Params is empty Params is empty if (typeof jQuery === "undefined") document.write('[script type="text/javascript" src="/corehtml/pmc/jig/1.14.8/js/jig.min.js"][/script]'.replace(/\[/g,String.fromCharCode(60)).replace(/\]/g,String.fromCharCode(62))); // // // window.name="mainwindow"; .pmc-wm {background:transparent repeat-y top left;background-image:url(/corehtml/pmc/pmcgifs/wm-nobrand.png);background-size: auto, contain} .print-view{display:block} Page not available Reason: The web page address (URL) that you used may be incorrect. Message ID: 218307408 (wp-p1m-38.ebi.ac.uk) Time: 2021/04/06 02:11:35 If you need further help, please send an email to PMC. Include the information from the box above in your message. Otherwise, click on one of the following links to continue using PMC: Search the complete PMC archive. Browse the contents of a specific journal in PMC. Find a specific article by its citation (journal, date, volume, first page, author or article title). http://europepmc.org/abstract/MED/ cache = ./cache/work_pkhdyt6m4zgz5oulbmidhtkwfm.pdf txt = ./txt/work_pkhdyt6m4zgz5oulbmidhtkwfm.txt === reduce.pl bib === id = work_qei55uivxrdull7bcrfq4en2sy author = Carol Jean Gibson title = Bernard Mandeville : the importance of women in the development of civil societies date = 1989 pages = 116 extension = .pdf mime = application/pdf words = 39902 sentences = 2838 flesch = 68 summary = Goldsmith, Private Vices, Public Benefits: Bernard Mandeville's Social and Political Machiavellian one because he sees no possibility of a social contract or a founderlegislator forming humans into a society.3 Mandeville's theory requires a long M. Goldsmith, "Public Virtue and Private Vices: Bernard Mandeville and English Political argued that England needed a moral revival, Mandeville's work constitutes one Goldsmith argues that Mandeville uses women as a literary tactic to Tatler.2 Like Anderson,3 Goldsmith argues that Mandeville's theory of society 2 Mandeville argues that man pretends to act from "Principles of Social Virtue." The Fable II, 4 As Mandeville explains, men "naturally will not do, as [they] would be done by." The Fable II, of socialization, Mandeville argues that conversation not only teaches men to 2 Important to Mandeville's thesis is his argument that modesty in women depends on social The importance of women in Mandeville's social thinking derives from Women's need for men's approval, Mandeville claims, cache = ./cache/work_qei55uivxrdull7bcrfq4en2sy.pdf txt = ./txt/work_qei55uivxrdull7bcrfq4en2sy.txt === reduce.pl bib === id = work_iabdrxfur5dhhcsebcq3wiyl24 author = James Mitchell title = Red and Yellow Songs: A Historical Analysis of the Use of Music by the United Front for Democracy against Dictatorship (UDD) and the People's Alliance for Democracy (PAD) in Thailand date = 2011 pages = 40 extension = .pdf mime = application/pdf words = 14193 sentences = 895 flesch = 67 summary = article examines the use of music by the yellow and red shirts, and contextualizes the PAD and UDD within the history of two similarly named but very different genres of Thai song: phleng chiwit commercial genre of lukthung [Thai country song]. satirical songs and lukthung during Thailand's most recent political struggle, from 2005 to the present. A central focus of this article is phleng lukthung or Thai country music. economic crisis, lukthung was hailed as the most authentic Thai popular music genre (see Amporn, 2006). Isan cultural revival and political maturation was under way, and continued attempts to appropriate lukthung as an example of Central Thai song 'Long Live the King of Thailand' on the protest stage at Government House to rapturous applause.13 With such emphasis on royal and a song genre clearly influenced by the protest music of performers such absorbed into the Thai popular music industry, and the use of lukthung cache = ./cache/work_iabdrxfur5dhhcsebcq3wiyl24.pdf txt = ./txt/work_iabdrxfur5dhhcsebcq3wiyl24.txt === reduce.pl bib === id = work_aavw7x2gcrcjvefazdtu3vfxpm author = FERNANDO BENADON title = How Hooker found his boogie: a rhythmic analysis of a classic groove date = 2009 pages = 14 extension = .pdf mime = application/pdf words = 7644 sentences = 552 flesch = 70 summary = Blues historians have described Hooker's boogie as a 'rhythmic drone, twisting once it dips below 130 bpm, the tempo of Hooker's slowest unaccompanied boogie, between the blues and boogie tempos relates to the 'free' speech-like rhythms. force in Hooker's blues and boogies is the triple subdivision of the beat, sometimes the isoriff is inherently a triplet, Hooker's boogie often converts it into a duple triplet-quaver (") trails off, providing a link across the blues/boogie tempo gap 'Boogie Chillen 2 ( I Gotta Be Comin' Baby )', the metric relationship between footstomp and isoriff is so tenuous – likely a result of Hooker changing his mind as to the The underlying rhythmic engine of Hooker's boogie is the perpetual cycle of alternating long beats and short upbeats. Such is usually the case in Hooker's boogie, whose beat/upbeat cycle a slow blues to a fast boogie: the temporal interval between the upbeat ( short note ) Tempo acceleration appears to be an inherent feature of much blues music. cache = ./cache/work_aavw7x2gcrcjvefazdtu3vfxpm.pdf txt = ./txt/work_aavw7x2gcrcjvefazdtu3vfxpm.txt === reduce.pl bib === id = work_yqi3blf4crgyrdmhtnskashyju author = Alison Fast title = Creative wandering : writing, reading, painting as knowing through a/r/tography date = 2021 pages = 156 extension = .pdf mime = application/pdf words = 48706 sentences = 3206 flesch = 70 summary = In the act of making, perspectives shift or change in ways one could hardly know hope to engage this process of growth through painting, writing, looking, learning, listening, and suggest that learning is a way of living in the world, remaining continually curious, and this come to a better understanding of the meaning of the creative act, ways of knowing with With this process, I hope to suggest that learning is a way of living in the world, remaining extremely helpful at times to come into knowing new ways of thinking about the fixed mother, as offering the space to think differently about things in a generative way whilst living Reading is an integral process, as it pushes along ways of thinking about writing and painting, As an educator, Ingold's book Making informs the way the students learn. This writing and working process is one in which I hold ideas and concepts of making, learning, cache = ./cache/work_yqi3blf4crgyrdmhtnskashyju.pdf txt = ./txt/work_yqi3blf4crgyrdmhtnskashyju.txt === reduce.pl bib === id = work_x3bdyqd7bnavdp2i22xjrlapwm author = J. Hillis Miller title = Quando um primitivo é como um orbe? Quando um primitivo é como um orbe? date = 2008 pages = 28 extension = .pdf mime = application/pdf words = 10556 sentences = 1302 flesch = 75 summary = Mas naturalmente o sol 0, por sua vez, apenas uma imagem do terra "literal" do poema, nomeado no primeiro verso: "o poema essencial no formas de ilustrar ou de trazer para a luz, ainda que esta luz seja false ou artificial, uma lampada e nao o sol verdadeiro. em que cada uma substitui a anterior e e substituida pela seguinte que, por sua vez, recolhe os restos da aniquilagao da frase anterior; o trecho como um todo, por outro lado, tem como seu centro "Chocorua to Its Neighbor", juntamente com "Um primitivo como um Orbe" e "The Owl in the Sarcophagus", apresentam uma das grandes prosopopeias de Stevens em poemas sobre a construgeo da prosopopeia. Em Wallace Stevens, o que caracteriza a descrig5o desse retorno progressivo é a forma pela qual se mostra o retorno da prosopopeia n5o primariamente atravas das outras catacreses personificantes da linguagem comum ("o olho do sol"), mas atraves do movimento cinetico em palavras abstratas como "composition","ompact", cache = ./cache/work_x3bdyqd7bnavdp2i22xjrlapwm.pdf txt = ./txt/work_x3bdyqd7bnavdp2i22xjrlapwm.txt === reduce.pl bib === id = work_y2ghdzlmrzbbdnpatg35kv4kre author = WILLIAM WATKIN title = "Let's Make a List": James Schuyler's Taxonomic Autobiography date = 2002 pages = 26 extension = .pdf mime = application/pdf words = 11888 sentences = 646 flesch = 68 summary = work, a process of witnessing which names the subject into objective being. the nature of time, the days of the diaries or day books of Schuyler's life of selfwitnessing, also become things. of place, but in the Schuyler poem surely place, time, language, and self are all taxonomic autobiography works ; naming the subject into the agency of '' Let's Make a List '' : James Schuyler's Taxonomic Autobiography  '' Let's Make a List '' : James Schuyler's Taxonomic Autobiography  '' Let's Make a List '' : James Schuyler's Taxonomic Autobiography  '' Let's Make a List '' : James Schuyler's Taxonomic Autobiography  '' Let's Make a List '' : James Schuyler's Taxonomic Autobiography  '' Let's Make a List '' : James Schuyler's Taxonomic Autobiography  '' Let's Make a List '' : James Schuyler's Taxonomic Autobiography  '' Let's Make a List '' : James Schuyler's Taxonomic Autobiography  cache = ./cache/work_y2ghdzlmrzbbdnpatg35kv4kre.pdf txt = ./txt/work_y2ghdzlmrzbbdnpatg35kv4kre.txt === reduce.pl bib === id = work_a7tjf63yv5bqhc5ti7dye7o7wa author = CARRIE ALLEN title = "I Got That Something That Makes Me Want to Shout": James Brown, Religion, and Gospel Music in Augusta, Georgia date = 2011 pages = 21 extension = .pdf mime = application/pdf words = 10734 sentences = 834 flesch = 67 summary = Brown's participation in the black gospel music community of Augusta, Georgia, from the On 26 May 1992, "Godfather of Soul" and former gospel quartet singer James Brown gave an interview and sang on the Parade of Quartets, a black gospel music television gospel music performances and interviews with black political, religious, and cultural figures. music events, performed on and regularly viewed Parade of Quartets, and maintained vibrant personal relationships with Augusta gospel musicians. relationship with black sacred music include Brackett's "James Brown's 'Superbad' and the DoubleVoiced Utterance," Popular Music 11/3 (1992): 309–24; Alexander Stewart's "'Funky Drummer': New Brown's late-life involvement with Augusta's gospel music tradition and religious to attend.26 In the early 1990s, Brown once performed gospel music on Parade of 27 Virginia Norton, "Percy Griffin, through the Years: Singer Looks Back on His Career in Music with Swanee Quintet," Augusta Chronicle, 30 September 2006, http://old.chronicle.augusta.com/ recordings and often performs gospel music in Augusta's black and white churches cache = ./cache/work_a7tjf63yv5bqhc5ti7dye7o7wa.pdf txt = ./txt/work_a7tjf63yv5bqhc5ti7dye7o7wa.txt === reduce.pl bib === id = work_7hath36sl5g5jjurucr5vlajsq author = Lindsay C. Mitchell title = The meaning of an education : lifelong learning and the blues date = 2010 pages = 320 extension = .pdf mime = application/pdf words = 81919 sentences = 7996 flesch = 74 summary = blues music — inspired by African Americans' historic struggle to live with Arts-based inquiry, like blues music, is naturally performative. 1 1 4 Formed by singer/guitarist Randy Sparks in 1961, the group had several folk music hits, on Columbia Records, 1 4 2 The original studio recording featured New York studio musician Al Kooper on Hammond organ. to play back-up for big-time touring rock acts like Ten Years After, Fleetwood Though blues music continued to thrive in poor, working-class black For years, in addition to learning how to play the blues, been white cracker-head music to some, but it sure felt like the blues to me. 2 3 2 Excerpted lyric, from "Working Man Blues," written and released on Capitol Records in 1969 by Merle Haggard. 2 8 6 New York-born rock musician and record producer Robert "Waddy" Wachtel (b.1947) form of spontaneous interaction typical of African American blues-based music cache = ./cache/work_7hath36sl5g5jjurucr5vlajsq.pdf txt = ./txt/work_7hath36sl5g5jjurucr5vlajsq.txt === reduce.pl bib === id = work_6gyfuq7rgjfetmbgkdjywbyz3e author = Roy Porter title = Lay medical knowledge in the eighteenth century: The evidence of the Gentleman's Magazine date = 1985 pages = 31 extension = .pdf mime = application/pdf words = 17954 sentences = 1744 flesch = 70 summary = Drawing attention recently in his 'Health, disease and medical care' to advances F. Bynum, 'Health, disease and medical care', in G.S. Rousseau and Roy Porter (editors), The Jewson, 'Medical knowledge and the patronage system in eighteenth century England', Sociology, in their Health care andpopular medicine in nineteenth-century England, London, Croom Helm, 1977, pp. medicine dispensed traditional lay medical lore mixed with elite Edinburgh Smith, 'Prescribing the rules of health: self-help and advice in the late eighteenth century', in Porter F. Bynum and Roy Porter (editors), William Hunter and the eighteenth-century medical Though those lines were penned by a physician, the Gentleman's Magazine's medical of medical topics provided by the Gentleman's Magazine, or even those contributions changing place of medical matters in the Gentleman's Magazine in the nineteenth Lay medical knowledge in the eighteenth century Lay medical knowledge in the eighteenth century Lay medical knowledge in the eighteenth century cache = ./cache/work_6gyfuq7rgjfetmbgkdjywbyz3e.pdf txt = ./txt/work_6gyfuq7rgjfetmbgkdjywbyz3e.txt === reduce.pl bib === id = work_ptrqatik2rb7lbpzhlct52ldwe author = Jill Michelle Jensen title = Educating without bannisters : Hannah Arendt on thinking, willing, and judging date = 2020 pages = 235 extension = .pdf mime = application/pdf words = 70784 sentences = 4013 flesch = 63 summary = Educating Without Bannisters: Hannah Arendt on Thinking, Willing, and Judging even complete—point to powerful ways to think and judge in a world that lacks ethical routines become taken for granted ways of thinking about good or accepted practice in a school, "action." In The Human Condition Arendt tells the story of the loss of the political in the West what it means to accept our freedom to think and to judge in a plural and contingent world. Arendt's descriptions of the public as a common world and a space of appearance point to Political life requires living alongside different other people and by "plurality" Arendt signals the means-ends thinking; it is about freedom, how we choose to live in the world together, what Mind Arendt turns to the mental faculties of thinking, willing, and judging as possible bulwarks does not appear in the world), Arendt ends up using thinking in multiple ways, generating some cache = ./cache/work_ptrqatik2rb7lbpzhlct52ldwe.pdf txt = ./txt/work_ptrqatik2rb7lbpzhlct52ldwe.txt === reduce.pl bib === id = work_5tieywzcmjfnreck37fx64knlu author = Ben Macpherson title = (Re)authoring the 27 club: Bewildered voices, acousmatic audiophilia and the dangers of listening-in date = 2016 pages = 16 extension = .pdf mime = application/pdf words = 5993 sentences = 328 flesch = 53 summary = (Re)authoring the 27 club: Bewildered voices, acousmatic audiophilia and 2004), and suggest that in listening-in to the ethereal and imagined thoughts of a longdeceased rock star, they themselves perform the very (re)authoring the mimetic voice itself short musical work developed with my undergraduate performing arts students, to be That's Left opened the way for a consideration of the limits and layers of vocal performance; voice tries to imitate another, emulation will always be limited by 'the materiality of the body cultural signifiers were the expressed limits of mimetic character in their vocal performance. In this iteration, the voice acts as a site which negotiates the limits of vocal mimesis as it mimesis, the bewildered vocality also performed the distancing of voice from character. sense, the celebrity may be authored by a 'bewildered voice'. facilitated by the limits, layers and potential of vocal mimesis in musical theatre performance. cache = ./cache/work_5tieywzcmjfnreck37fx64knlu.pdf txt = ./txt/work_5tieywzcmjfnreck37fx64knlu.txt === reduce.pl bib === id = work_r2yh2xsgkrao5aee6dkffwxypy author = Jaap Hage title = Conceptual Tools for Legislators Part 2: Pathways through the World of Law date = 2013 pages = 28 extension = .pdf mime = application/pdf words = 12141 sentences = 684 flesch = 70 summary = causal laws and legal rules in structuring the World, and by studying how the outside world are transformed by counts as rules into facts inside the world of law world of law, legal rule, dynamic rule, static rule, rule-based fact, counts-as of facts, by comparing the roles of causal laws and legal rules in structuring the The world of law consists of rule-based facts. The facts in the world of law are interconnected by rules, while the existence of 23 It is not necessary that the existence of the rules that connect facts in the world of law is itself a rule-based fact in the world of law, although this will hold true for by far most legal The rule-based facts in the world of law are immaterial, because otherwise they some legal status to an event or a fact in the world of law. cache = ./cache/work_r2yh2xsgkrao5aee6dkffwxypy.pdf txt = ./txt/work_r2yh2xsgkrao5aee6dkffwxypy.txt === reduce.pl bib === id = work_rxcpvf7emngwniwtgincssigzu author = Jatila van der Veen title = Draw Your Physics Homework? Art as a Path to Understanding in Physics Teaching date = 2012 pages = 53 extension = .pdf mime = application/pdf words = 23115 sentences = 2668 flesch = 53 summary = Education in 1976, physicist Victor Weisskopf wrote, ''Why is physics as a science considered 'inhuman' by so many people, including some of the students we teach?'' (Weisskopf, 1976, p. from an interview with a female sculpture major at a California university indicates that students' perceptions of physics may have not changed much Thus, the languages of the arts can provide a means of helping students visualize the relationships in the physical of drawing learners into the study of physics because it interrogates ''prescientific'' concepts of space and time that have historically been at the center of cultural debates, and thus of general human interest. Each year that I have taught this course, I use the first homework assignment to introduce the idea that one can use drawing as a means of understanding in a physics class. Einstein describes, and to establish the validity of using drawing and visualization in understanding concepts in physics. Students' Drawings of Einstein's Article ''Physics cache = ./cache/work_rxcpvf7emngwniwtgincssigzu.pdf txt = ./txt/work_rxcpvf7emngwniwtgincssigzu.txt === reduce.pl bib === id = work_alvr5uqqyneupgk6owflegmm2a author = Jaqueline Warwick title = I Wanna Be Me: Rock Music and the Politics of Identity. By Theodore Gracyk . Philadelphia: Temple University Press, 2001. xi, 292 pp.Disruptive Divas: Feminism, Identity and Popular Music. By Lori Burns Mélisse Lafrance . New York: Routledge, 2002. xix, 255 pp date = 2004 pages = 12 extension = .pdf mime = application/pdf words = 5916 sentences = 323 flesch = 57 summary = Gracyk; Disruptive Divas: Feminism, Identity and Popular Music by Lori Burns and Anyone who has taught this kind of class can almost certainly supply a similar anecdote; students' emotional investments in popular music are so profound that any slight to their preferred artist is bound to be felt as a personal Mass art is often despised for its commodifying ways; critics assert that "authentic" musical experiences ought to connect listeners to performers and Gracyk reprimands critics like these for allowing a repugnance for the commodification of music through the mechanisms of mass art to color their responses to a case of hybridization, the kind of process that is crucial to the women is a mainstay of many genres of popular music, and one that can certainly be understood to symbolize the unacknowledged female drudgery behind male success that is critiqued by Marxist feminists.6 In these chapters, cache = ./cache/work_alvr5uqqyneupgk6owflegmm2a.pdf txt = ./txt/work_alvr5uqqyneupgk6owflegmm2a.txt Building ./etc/reader.txt work_naabgn6aujg3dd2lsn63lwchji work_7hath36sl5g5jjurucr5vlajsq work_nytswgbk3rg23dvozgfrwbvrae work_naabgn6aujg3dd2lsn63lwchji work_ojwhhx4m4jdb3hxf4xfjllecxy work_7hath36sl5g5jjurucr5vlajsq number of items: 84 sum of words: 2,698,779 average size in words: 32,128 average readability score: 68 nouns: i; 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reports of semantic errors in repetition of word strings (Trojano et deep dysphasia, namely semantic errors in repetition of single words. deep dysphasia, lexicality and imageability effects and semantic errors in single-word repetition (Martin & Saffran, 1992); his auditory-verbal STM word span was less than of semantic errors in single-word repetition that distinguishes deep dysphasia from • Severity of auditory-verbal STM impairment in deep-phonological dysphasia Additionally, measures of auditory-verbal STM span included performance on word, Further classifying auditory-verbal short-term memory span in single word repetition The treatment involved repetition of abstract word pairs (modifier-noun phrases) id: work_naabgn6aujg3dd2lsn63lwchji author: (:Unkn) Unknown title: The Girl Gang: Women Writers of the New York City Beat Community date: 2020 words: 99155 sentences: 6224 pages: 322 flesch: 64 cache: ./cache/work_naabgn6aujg3dd2lsn63lwchji.pdf txt: ./txt/work_naabgn6aujg3dd2lsn63lwchji.txt summary: The Girl Gang: Women Writers of the New York City Beat Community seeks to engaging the lives and work of five women Beat writers: Diane di Prima, Joyce Johnson, Writers of the New York City Beat Community addresses this limited attention to and the bohemians within the New York City Beat community, but within this same social space, of the women writers of the New York City Beat community as well. how each writer''s particular experience within the New York City Beat community as a Integrating a study of the women writers from the New York City Beat community into writer in the New York City Beat community and her larger body of work. cohesive narrative of women writers of the New York City Beat literary community. male homosocial New York City Beat community shaped their work in important ways. The Girl Gang: Women Writers of the New York City Beat Community ultimately id: work_ofrtlgpgozfjfjxs3ajrmvpmme author: Adam Cadell title: The Radical Violinist: Henry Flynt, Tony Conrad and the Liberation of the Violin date: 2018 words: 65430 sentences: 4247 pages: 184 flesch: 63 cache: ./cache/work_ofrtlgpgozfjfjxs3ajrmvpmme.pdf txt: ./txt/work_ofrtlgpgozfjfjxs3ajrmvpmme.txt summary: The musical analysis describes the performance practices of underground violinists brought the sound of New York''s avant-garde underground to the ears of rock music fans for practices of underground violinists and in particular those of Tony Conrad and Henry Flynt. Like these Detroit groups, black music is at the root of New York City''s underground as a practising musician who performs music openly inspired by the works of Flynt and Conrad Other New Country and Blues Music (Recorded, 2004) that captures Flynt playing violin ca. underground violin performance practices is arguably Henry Flynt. Henry Flynt, New American Ethnic Music Vol. 2: Spindizzy (United States: Recorded, 2003), Compact Henry Flynt, New American Ethnic Music Volume One (United States: Recorded, 2002), Compact Conrad and one that would solidify his new ideas on violin performance and on music as a Through their violin practice Flynt, Conrad, and the underground violinists laid the id: work_pad4vsuqz5hxhphrssqjrk3s5e author: Alan Bleakley title: Force and Presence in the World of Medicine date: 2017 words: 5009 sentences: 299 pages: 8 flesch: 58 cache: ./cache/work_pad4vsuqz5hxhphrssqjrk3s5e.pdf txt: ./txt/work_pad4vsuqz5hxhphrssqjrk3s5e.txt summary: has been shaped historically by the combative metaphor of a ''war against disease'', turning medicine The two metaphors align medicine with the modern industrial–military complex that is masculine, Keywords: force; presence; medical metaphors I am, then, following Wallace Stevens'' poetic imagination in suggesting that Force and Presence framing metaphors flow down to shape one complex system in our lives—medicine: medical culture, historical conditions of possibility for the emergence of Force as a dominant discourse and metaphorical The ''body as machine'' and ''medicine as war'' metaphors were aligned to produce a powerful The use of an ecological and pacific metaphor complex may shift medicine''s primary concern with This shift—from the linear and brutal ''body as machine'' and ''medicine as war'' dominant metaphors metaphors, as the dominance of ''Force'' over ''Presence''. progressive medicine to gain traction, new shaping metaphors must emerge. Alternative Metaphors to Medicine as War Alternative Metaphors to Medicine as War id: work_pkhdyt6m4zgz5oulbmidhtkwfm author: Alan E. Kazdin title: Parent management training for conduct problems in children: Enhancing treatment to improve therapeutic change date: 2018 words: 144 sentences: 26 pages: flesch: 71 cache: ./cache/work_pkhdyt6m4zgz5oulbmidhtkwfm.pdf txt: ./txt/work_pkhdyt6m4zgz5oulbmidhtkwfm.txt summary: sys_1000 wp-p1m-38.ebi.ac.uk wp-p1m-38.ebi.ac.uk exception exception Params is empty Params is empty Params is empty if (typeof jQuery === "undefined") document.write(''[script type="text/javascript" src="/corehtml/pmc/jig/1.14.8/js/jig.min.js"][/script]''.replace(/\[/g,String.fromCharCode(60)).replace(/\]/g,String.fromCharCode(62))); // // // window.name="mainwindow"; .pmc-wm {background:transparent repeat-y top left;background-image:url(/corehtml/pmc/pmcgifs/wm-nobrand.png);background-size: auto, contain} .print-view{display:block} Page not available Reason: The web page address (URL) that you used may be incorrect. Message ID: 218307408 (wp-p1m-38.ebi.ac.uk) Time: 2021/04/06 02:11:35 If you need further help, please send an email to PMC. Include the information from the box above in your message. Otherwise, click on one of the following links to continue using PMC: Search the complete PMC archive. Browse the contents of a specific journal in PMC. Find a specific article by its citation (journal, date, volume, first page, author or article title). http://europepmc.org/abstract/MED/ id: work_tnvibjj3pbdjvghgbv367bf3pu author: Albert A. Angehrn title: Enhancing social interaction in competence development networks: a conceptual framework date: 2008 words: 83 sentences: 11 pages: flesch: 79 cache: ./cache/work_tnvibjj3pbdjvghgbv367bf3pu.pdf txt: ./txt/work_tnvibjj3pbdjvghgbv367bf3pu.txt summary: DSpace DSpace niet meer beschikbaar Wegens de overgang naar het nieuwe onderzoeksinformatiesysteem PURE is DSpace niet meer beschikbaar. Er wordt op dit moment hard gewerkt aan het valideren van de onderzoeksoutput in PURE. Na validatie wordt de researchoutput getoond via https://research.ou.nl Let op, niet alle onderzoeksoutput zal worden getoond in PURE, dit is mede afhankelijk van het beleid binnen de verschillende faculteiten. Heeft u vragen, dan kunt u een e-mail sturen naar het PURE support team pure-support@ou.nl t.a.v. Katrine Bengtsson, Pure-coördinator. id: work_yqi3blf4crgyrdmhtnskashyju author: Alison Fast title: Creative wandering : writing, reading, painting as knowing through a/r/tography date: 2021 words: 48706 sentences: 3206 pages: 156 flesch: 70 cache: ./cache/work_yqi3blf4crgyrdmhtnskashyju.pdf txt: ./txt/work_yqi3blf4crgyrdmhtnskashyju.txt summary: In the act of making, perspectives shift or change in ways one could hardly know hope to engage this process of growth through painting, writing, looking, learning, listening, and suggest that learning is a way of living in the world, remaining continually curious, and this come to a better understanding of the meaning of the creative act, ways of knowing with With this process, I hope to suggest that learning is a way of living in the world, remaining extremely helpful at times to come into knowing new ways of thinking about the fixed mother, as offering the space to think differently about things in a generative way whilst living Reading is an integral process, as it pushes along ways of thinking about writing and painting, As an educator, Ingold''s book Making informs the way the students learn. This writing and working process is one in which I hold ideas and concepts of making, learning, id: work_sbauwiquvfcdrexkl4zlqyc5ta author: Amal Mohan M. S. title: Troubles with Reality and Order through the Imagination in a World of Disbelief and Disorder: Wallace Stevens and Supreme Fiction date: 2020 words: 6618 sentences: 657 pages: 7 flesch: 79 cache: ./cache/work_sbauwiquvfcdrexkl4zlqyc5ta.pdf txt: ./txt/work_sbauwiquvfcdrexkl4zlqyc5ta.txt summary: But America''s most celebrated twentiethcentury poet Wallace Stevens did not just rain down his ideas in his writings but took them as his motto In other words, Supreme Fiction is Stevens'' replacement for the idea of God. Deeply influenced by the Nietzschean idea of the ''Death of God'', Stevens wants to create a replacement fiction, reality, the imagination, Nietzsche, death of god, world, disorder, Troubles with Reality and Order through the Imagination in a World of Disbelief and Disorder: Wallace Troubles with Reality and Order through the Imagination in a World of Disbelief and Disorder: Wallace Troubles with Reality and Order through the Imagination in a World of Disbelief and Disorder: Wallace Troubles with Reality and Order through the Imagination in a World of Disbelief and Disorder: Wallace Stevens and Supreme Fiction Troubles with Reality and Order through the Imagination in a World of Disbelief and Disorder: Wallace Stevens and Supreme Fiction id: work_nl5aw5egpzecvggsns4alonneq author: Andrew Branch title: All the young dudes: educational capital, masculinity and the uses of popular music date: 2012 words: 11230 sentences: 625 pages: 48 flesch: 62 cache: ./cache/work_nl5aw5egpzecvggsns4alonneq.pdf txt: ./txt/work_nl5aw5egpzecvggsns4alonneq.txt summary: sample of glam''s original working-class male fans; original interviews with musicians working-class sought to express its difference by identifying with the self-conscious explain how social mobility was negotiated by working-class male youth at this to contest the latter''s division between the art school end of glam (Bowie, Roxy this article regarding the relationship between glam and its working-class fans aesthetic positions taken up by art school glam artists and their fans on the the progressive rock end of glam, Roxy Music, in keeping with the aestheticist masculine identity valued in working-class cultures during this period. Audience reception: glam and its working-class male fans effects acquiring cultural capital has on working-class subjects. Just like you: glam''s working-class artists aligned themselves to this popular music formation were working-class artists In this sense, art school glam''s artists and fans Munt (ed.) Cultural Studies and the Working Class (London, id: work_h5rtzlockrfndgvafpuunpziaq author: Atko Remmel title: Crossbreeding Atheism with Spirituality: Notes on Soviet and Western Attempts date: 2018 words: 10436 sentences: 916 pages: 13 flesch: 54 cache: ./cache/work_h5rtzlockrfndgvafpuunpziaq.pdf txt: ./txt/work_h5rtzlockrfndgvafpuunpziaq.txt summary: Crossbreeding Atheism with Spirituality: Notes on Soviet and Western Attempts Crossbreeding Atheism with Spirituality: Notes on Soviet spirituality in the period of late Soviet atheism; the second comes from contemporary Western "atheist attitude toward religion, as well as the propaganda of atheism, often in a form of secular rituals. Soviet society, atheism had to readjust, a process SmolkinRothrock (2014) has called "the spiritual crisis of late of atheism were threefold: differentiating religious spirituality and morality from atheist spirituality and morality; detaching religion from spirituality and morality; and religious, the connection between atheism and spirituality offers a possibility to show that atheists are "normal", universal; "life''s questions" were the same for both religion and atheism, and self-development was of utmost "Spiritual atheism" can be seen as a reaction to the decline of "traditional" ways of meaning-making, where religion had considerable authority. Soviet Atheism and the Appeal to the Spiritual id: work_uzpby4gncfb2bjqnhdqrpxo4h4 author: Atko Remmel title: Religion in secular archives. Soviet atheism and historical knowledge date: 2017 words: 10436 sentences: 916 pages: 13 flesch: 54 cache: ./cache/work_uzpby4gncfb2bjqnhdqrpxo4h4.pdf txt: ./txt/work_uzpby4gncfb2bjqnhdqrpxo4h4.txt summary: Crossbreeding Atheism with Spirituality: Notes on Soviet and Western Attempts Crossbreeding Atheism with Spirituality: Notes on Soviet spirituality in the period of late Soviet atheism; the second comes from contemporary Western "atheist attitude toward religion, as well as the propaganda of atheism, often in a form of secular rituals. Soviet society, atheism had to readjust, a process SmolkinRothrock (2014) has called "the spiritual crisis of late of atheism were threefold: differentiating religious spirituality and morality from atheist spirituality and morality; detaching religion from spirituality and morality; and religious, the connection between atheism and spirituality offers a possibility to show that atheists are "normal", universal; "life''s questions" were the same for both religion and atheism, and self-development was of utmost "Spiritual atheism" can be seen as a reaction to the decline of "traditional" ways of meaning-making, where religion had considerable authority. Soviet Atheism and the Appeal to the Spiritual id: work_ddzfd5nw7nbirclsz4geq25kji author: Bart Eeckhout title: A Ghostly Visit to London (Enter Stevens in a 500-Year-Old Bavarian Tree) date: 2015 words: 7061 sentences: 337 pages: 15 flesch: 65 cache: ./cache/work_ddzfd5nw7nbirclsz4geq25kji.pdf txt: ./txt/work_ddzfd5nw7nbirclsz4geq25kji.txt summary: As a result, when in early November 2014 the officers of the Wallace Stevens Society received an invitation to attend a "special event" on kind of reality did Stevens'' barefoot ghost step into on the evening of November 17, 2014, during his long-awaited visit to London? Wallace Stevens Event was programmed at Kings Place, a mere five-minute (red, yellow, blue), so that I am reminded of at least one way in which Stevens'' artistic appeal continues unabated: his favorite genre of variations Stevens'' poems are read out by the American actor David Calvitto, who Stevens was arguably more of a romantic than a modernist, which Mackinnon illustrates by going on to recite "Of Modern Poetry" in its entirety. The image on the screen switches to an abstract painting by Motherwell, which allows Le Brun to pursue Stevens'' relation to American abstraction. id: work_5tieywzcmjfnreck37fx64knlu author: Ben Macpherson title: (Re)authoring the 27 club: Bewildered voices, acousmatic audiophilia and the dangers of listening-in date: 2016 words: 5993 sentences: 328 pages: 16 flesch: 53 cache: ./cache/work_5tieywzcmjfnreck37fx64knlu.pdf txt: ./txt/work_5tieywzcmjfnreck37fx64knlu.txt summary: (Re)authoring the 27 club: Bewildered voices, acousmatic audiophilia and 2004), and suggest that in listening-in to the ethereal and imagined thoughts of a longdeceased rock star, they themselves perform the very (re)authoring the mimetic voice itself short musical work developed with my undergraduate performing arts students, to be That''s Left opened the way for a consideration of the limits and layers of vocal performance; voice tries to imitate another, emulation will always be limited by ''the materiality of the body cultural signifiers were the expressed limits of mimetic character in their vocal performance. In this iteration, the voice acts as a site which negotiates the limits of vocal mimesis as it mimesis, the bewildered vocality also performed the distancing of voice from character. sense, the celebrity may be authored by a ''bewildered voice''. facilitated by the limits, layers and potential of vocal mimesis in musical theatre performance. id: work_j365i7y6czfvfd2xgtshh7e7ei author: Bob L. Sturm title: The State of the Art Ten Years After a State of the Art: Future Research in Music Information Retrieval date: 2014 words: 21041 sentences: 2358 pages: 40 flesch: 73 cache: ./cache/work_j365i7y6czfvfd2xgtshh7e7ei.pdf txt: ./txt/work_j365i7y6czfvfd2xgtshh7e7ei.txt summary: information retrieval (MIR): the problem of music genre recognition (MGR). We perform a case study of all published research using the mostused benchmark dataset in MGR during the past decade: GTZAN. Of the 100 works using GTZAN, 96 employ the evaluation design Classify (an excerpt is Table 1: For each category of GTZAN: number of excerpts we identify by fingerprint (ENMFP); then searching manually (by self); number of songs tagged in last.fm (and number We now identify the excerpts in GTZAN, determine how music by specific artists Figure 4 shows how each GTZAN category is composed of music by particular artists. of an excerpt of music to one GTZAN category, we are interested here in a different question: GTZAN appears more than any other dataset in the evaluations of nearly 100 MGR publications (Sturm, 2012b). An analysis of the GTZAN music genre dataset. id: work_a7tjf63yv5bqhc5ti7dye7o7wa author: CARRIE ALLEN title: "I Got That Something That Makes Me Want to Shout": James Brown, Religion, and Gospel Music in Augusta, Georgia date: 2011 words: 10734 sentences: 834 pages: 21 flesch: 67 cache: ./cache/work_a7tjf63yv5bqhc5ti7dye7o7wa.pdf txt: ./txt/work_a7tjf63yv5bqhc5ti7dye7o7wa.txt summary: Brown''s participation in the black gospel music community of Augusta, Georgia, from the On 26 May 1992, "Godfather of Soul" and former gospel quartet singer James Brown gave an interview and sang on the Parade of Quartets, a black gospel music television gospel music performances and interviews with black political, religious, and cultural figures. music events, performed on and regularly viewed Parade of Quartets, and maintained vibrant personal relationships with Augusta gospel musicians. relationship with black sacred music include Brackett''s "James Brown''s ''Superbad'' and the DoubleVoiced Utterance," Popular Music 11/3 (1992): 309–24; Alexander Stewart''s "''Funky Drummer'': New Brown''s late-life involvement with Augusta''s gospel music tradition and religious to attend.26 In the early 1990s, Brown once performed gospel music on Parade of 27 Virginia Norton, "Percy Griffin, through the Years: Singer Looks Back on His Career in Music with Swanee Quintet," Augusta Chronicle, 30 September 2006, http://old.chronicle.augusta.com/ recordings and often performs gospel music in Augusta''s black and white churches id: work_5y7yakaz4bcjrped6syzasvwvu author: Carol A. Taylor title: Close Encounters of a Critical Kind date: 2016 words: 9989 sentences: 629 pages: 34 flesch: 56 cache: ./cache/work_5y7yakaz4bcjrped6syzasvwvu.pdf txt: ./txt/work_5y7yakaz4bcjrped6syzasvwvu.txt summary: Material Feminism and Object-Oriented Ontology ''alien phenomenology'', and then from Bogost to Graham Harman''s (2011) theory of objectoriented ontology, which is either an offshoot of speculative realism, its overarching field, or the case of object-oriented ontology and explicitly in the case of material feminism) offered critical theory, speculative realism and object oriented philosophy is overdue'' to pursue these Below, as I diffractively muse on speculative realism and material feminism, I want to Thus, a diffractive reading in/between object-oriented ontology and material feminism object-oriented ontology''s claim to the invention of a new philosophical universalism, a I now musingly diffract object-oriented ontology via new material feminism and, which constitute the material world, nature and matter as separate ''objects of thought'' set Harman offers a ''weird realism'' of objects ''that shows the human-world circle to be Object) and new material feminism (Barad''s Meeting the Universe Halfway) I have engaged id: work_qei55uivxrdull7bcrfq4en2sy author: Carol Jean Gibson title: Bernard Mandeville : the importance of women in the development of civil societies date: 1989 words: 39902 sentences: 2838 pages: 116 flesch: 68 cache: ./cache/work_qei55uivxrdull7bcrfq4en2sy.pdf txt: ./txt/work_qei55uivxrdull7bcrfq4en2sy.txt summary: Goldsmith, Private Vices, Public Benefits: Bernard Mandeville''s Social and Political Machiavellian one because he sees no possibility of a social contract or a founderlegislator forming humans into a society.3 Mandeville''s theory requires a long M. Goldsmith, "Public Virtue and Private Vices: Bernard Mandeville and English Political argued that England needed a moral revival, Mandeville''s work constitutes one Goldsmith argues that Mandeville uses women as a literary tactic to Tatler.2 Like Anderson,3 Goldsmith argues that Mandeville''s theory of society 2 Mandeville argues that man pretends to act from "Principles of Social Virtue." The Fable II, 4 As Mandeville explains, men "naturally will not do, as [they] would be done by." The Fable II, of socialization, Mandeville argues that conversation not only teaches men to 2 Important to Mandeville''s thesis is his argument that modesty in women depends on social The importance of women in Mandeville''s social thinking derives from Women''s need for men''s approval, Mandeville claims, id: work_qu4mhv6knfctfa3xqf774kpdwe author: Carra Glatt title: The Maker''s Rage: Narrative in Stevens'' Poetry date: 2013 words: 5365 sentences: 326 pages: 13 flesch: 64 cache: ./cache/work_qu4mhv6knfctfa3xqf774kpdwe.pdf txt: ./txt/work_qu4mhv6knfctfa3xqf774kpdwe.txt summary: COMMONLY CONSIDERED among the most abstract of twentieth-century American poets, Wallace Stevens has rarely been read for his narrative qualities. narrative that informs both individual poems and the Stevens canon as a metaphoric and metonymic poles, Bates adds that Stevens'' long poems establish covert narrative sequences by replacing the metonymic figuration at the Clavier" to the tropical voyage of canto XXIX of "An Ordinary Evening in New Haven," Stevens also constructs a number of narratives that article, I will discuss several such narrative poems, considering the reasons behind Stevens'' decision periodically to utilize conventional plots Bates suggest, the narrative mode in Stevens is more forceful as an implicit Both the lyric and the narrative poem, Ursula''s Supreme Fiction" reads like a rewriting of "Cy Est Pourtraicte." Like Ursula, Nanzia, whom we find "On her trip around the world" (CPP 342), is Narrative and Representation in the Poetry of Wallace Stevens. id: work_jci7pb77gvhddbqzszsiipfdpa author: Christina Portman-Smith title: ''Only as good as your last gig?'': an exploratory case study of reputational risk management amongst self-employed musicians date: 2014 words: 11927 sentences: 1582 pages: 23 flesch: 69 cache: ./cache/work_jci7pb77gvhddbqzszsiipfdpa.pdf txt: ./txt/work_jci7pb77gvhddbqzszsiipfdpa.txt summary: ''Only as good as your last gig?'': an exploratory case study of reputational risk management amongst self-employed musicians gig?'': an exploratory case study of reputational risk management amongst self-employed musicians, reputational risk management amongst self-employed musicians There has been a significant increase in literature on reputation risk and its management in recent times, risk (RR) and reputational risk management (RRM) practice in the music industry. Further SME-related literature frequently discusses the importance of maintaining trust in reputation management (Bowey and Easton 2007; Cambra-Fierro and competition, Cravens and Oliver (2006) note that a good reputation leads to competitive advantage, thus making RRM an important issue for self-employed musicians. strategies to identify risks and manage their reputations. This study has explored the perceptions of reputation risk and its management It seems then in the self-employed music business, reputation risk management is an Managing Reputational Risk. id: work_ncq27ifllnbcno6fkkpogxd5u4 author: Christopher Long title: The Peripatetic Method: Walking with Woodbridge, Thinking with Aristotle date: 2017 words: 8778 sentences: 616 pages: 16 flesch: 67 cache: ./cache/work_ncq27ifllnbcno6fkkpogxd5u4.pdf txt: ./txt/work_ncq27ifllnbcno6fkkpogxd5u4.txt summary: dynamic nature of Aristotle''s thinking as a Woodbridge emphasizes this deep correlation between language and nature in his lectures on Aristotle when he writes: heard as organically bound to a way of thinking rooted in the natural community of communication between the powers of the soul Aristotle''s phenomenological attunement to the ways things express Peripatetic legomenology is rooted in Aristotle''s naturalistic understanding of the relationship between the powers of the soul Aristotle here remains willing to use the common way of speaking about the nature of perceiving as a kind of being acted upon, but he that amplify the passive dimension of perceiving require Aristotle to speak in the perfect tense in order to give voice to the active correlation between perceiving and thinking central to his own reading of Aristotle''s to begin with the things encountered, he nevertheless parts ways with Aristotle insofar of things, Aristotle''s own imaginative thinking id: work_jmovsopbjfhwzbx5h5objmaeiy author: David Z. Albert title: Time and Chance date: 2001 words: 4037 sentences: 311 pages: 32 flesch: 52 cache: ./cache/work_jmovsopbjfhwzbx5h5objmaeiy.pdf txt: ./txt/work_jmovsopbjfhwzbx5h5objmaeiy.txt summary: Time and Chance, 2009, 192 pages, David Z. DOWNLOAD http://bit.ly/1OVVAnk http://goo.gl/RJy37 http://www.barnesandnoble.com/s/?store=book&keyword=Time+and+Chance Time and Chance , Gwen Davenport, 1993, Fiction, 327 pages. The Quantum Mechanics of Minds and Worlds , Jeffrey Alan Barrett, 1999, Philosophy, 267 pages. Time and Chance , James Callaghan, Jan 1, 1987, Great Britain, 584 pages. http://www.2shared.com/document/OWksNSKX/Time-and-Chance.html Time and Chance , Sharon Kay Penman, Mar 4, 2002, Fiction, 512 pages. Time and Chance , Alan Brennert, Jul 5, 2011, Fiction, 416 pages. Time and chance a novel, Anna Wibberley, Feb 1, 1974, Fiction, 315 pages. https://openlibrary.org/works/OL7092008M/Time-and-Chance http://rekeja.files.wordpress.com/2014/07/darwin-high-school-year-book-2002.pdf http://rekeja.files.wordpress.com/2014/07/darwin-high-school-year-book-2002.pdf https://itunes.apple.com/us/book/Time-and-Chance/id440809742 https://itunes.apple.com/us/book/Time-and-Chance/id440809742 http://rekeja.files.wordpress.com/2014/07/reflections-on-learning-and-teaching-in-fashion-education-annual-conference-2004.pdf http://rekeja.files.wordpress.com/2014/07/reflections-on-learning-and-teaching-in-fashion-education-annual-conference-2004.pdf http://www.2shared.com/document/C3fLCyPA/Time-and-Chance.html http://www.2shared.com/document/C3fLCyPA/Time-and-Chance.html 1982, Business & Economics, 113 pages Time and Chance States), 1981, Strip mining, 558 pages Time and Chance 2009 Harvard University Press, 2009 My May 1, 2002, Education, 128 pages Time and Chance 2009 0674020138, 9780674020139 book has set download Time and Chance David Z. http://www.barnesandnoble.com/s/?store=book&keyword=Time+and+Chance http://www.barnesandnoble.com/s/?store=book&keyword=Time+and+Chance http://www.barnesandnoble.com/s/?store=book&keyword=Time+and+Chance http://rekeja.files.wordpress.com/2014/07/time-and-chance.pdf id: work_ojwhhx4m4jdb3hxf4xfjllecxy author: Donald Hutton Stanley title: The self-conscious narrator in Donald Barthelme and Vladimir Nabokov date: 1978 words: 173960 sentences: 41660 pages: 236 flesch: 112 cache: ./cache/work_ojwhhx4m4jdb3hxf4xfjllecxy.pdf txt: ./txt/work_ojwhhx4m4jdb3hxf4xfjllecxy.txt summary: i n the works of Donald Barthelme and V l a d i m i r Nabokov. n a r r a t o r i n a g i v e n work by Barthelme or Nabokov i s determined example, R u s s e l l assures us t h a t Nabokov''s novels are s e l f (1) Donald Barthelme, Snow White (New York: Atheneum, 1967), p. f u l when applied to works i n which the self-consciousness inherent i n narration i s emphasized, or brought to the reader''s (86) Vladimir Nabokov, Strong Opinions (New York: McGraw-Hill, 1973), with Vladimir Nabokov (New York: Putnam, 1963); Glory, trans. (24) D.J. Enright, "Nabokov''s Wag," The New York Review of Books, "Nabokov''s Way." The New York Review of Books, New York Times Book Review, 4 June 1972, p. New York Times Book Review, 4 June 1972, p. id: work_aopevinn2rczvmki5sp3kv6du4 author: Ellen Levy title: The Songs We Know Best: John Ashbery''s Early Life by Karin Roffman date: 2018 words: 2652 sentences: 141 pages: 6 flesch: 64 cache: ./cache/work_aopevinn2rczvmki5sp3kv6du4.pdf txt: ./txt/work_aopevinn2rczvmki5sp3kv6du4.txt summary: The Songs We Know Best: John Ashbery''s Early Life by Karin Roffman (review) The Songs We Know Best: John Ashbery''s Early Life by Karin The Songs We Know Best: John Ashbery''s Early Life. "The Thief of Poetry," "My Erotic Double," "Self-Portrait in a Convex Mirror"—these Ashbery titles inevitably came to mind as I was writing the previous paragraph, still more evidence that this poet is always steps ahead of his the Ashbery who follows Wallace Stevens in conceiving poetry as "a violence reminds me, in turn, of Ashbery''s self-revealing remark apropos the poems of Yet the pattern of social tensions that Roffman traces in the fluctuating facts of Ashbery''s life also bespeaks a double existence, one that, in the crucible of the poetic sensibility, would transform into an imaginative dialectic. Crane, a poet whose influence on Ashbery, unlike Stevens''s, has gone largely id: work_pzymdnlrsrg3hmejylvji2qwui author: Elyse Lamm Pineau title: Nos Cruzamentos entre a Performance e a Pedagogia: uma revisão prospectiva date: 2010 words: 10395 sentences: 1238 pages: 26 flesch: 62 cache: ./cache/work_pzymdnlrsrg3hmejylvji2qwui.pdf txt: ./txt/work_pzymdnlrsrg3hmejylvji2qwui.txt summary: situa aquele ensaio nas inovações teóricas e metodológicas contemporâneas em pedagogia da performance e utiliza uma nova poética da escrita performativa como método que meu curso de formação e educadores críticos dos Estados Unidos que, inspirados pelo trabalho de Paulo Freire, estavam abrindo caminho para uma análise da performance artística para a performatividade cultural, que estava transformando minha própria disciplina (Conquergood, 1986; 1989;1991; Langellier, de autoetnografia (Ellis, 2004); uma etnografia crítica de estudantes apresentando-se como testemunhas em uma sala de aula de performance (Warren, A predominância das metáforas do mundo do trabalho no projeto curricular e da formação de professores tem contribuído para uma experiência educacional que o ensino tem fundamentalmente uma função utilitária, e, por isso, é ''importante'' demais para ser entendido como uma arte" (1986, p.137). Performance passou por uma radical transformação, que abriu espaço para central a uma pedagogia da e por meio da performance que procura mover-se id: work_i5phrzznw5c4hfobj4addy632m author: Erdinç DURMUŞ title: AMERİKAN MODERNİZMİ VE WALLACE STEVENS''IN ŞİİRİ date: 2017 words: 3926 sentences: 284 pages: 8 flesch: 63 cache: ./cache/work_i5phrzznw5c4hfobj4addy632m.pdf txt: ./txt/work_i5phrzznw5c4hfobj4addy632m.txt summary: mind that the type of modernism in American Literature was not originally a whole new On the other hand, the position held by both theories and literature of Wallace Stevens is noteworthy in perceiving the ways how he informs an understanding of literary Stevens is a leading figure in modernism as he is one of the representatives of the neo-Romantic poetry of the twentieth century American Literature. There may not be a real clearly defined historical moment when modernism began or a certain definition of modernist aesthetic, but it already took its place in the history of literature and established itself under works of the modernist writers help the reader to find an answer to the question of modernism. The American writers of the modernist movement were somehow the representatives of modernism. American Modernism And Wallace Stevens''s Poetry 349 American Modernism And Wallace Stevens''s Poetry 349 id: work_vnxhtinvfrg7rgigyrex4ijsmy author: F. M. Riegler title: Rainbow country surgery reggae seeds smile date: 2013 words: 1791 sentences: 174 pages: 3 flesch: 82 cache: ./cache/work_vnxhtinvfrg7rgigyrex4ijsmy.pdf txt: ./txt/work_vnxhtinvfrg7rgigyrex4ijsmy.txt summary: Slowness opens the eye and gives birth to a new tree like a shadow follows the matter within the radiation Get yourself together and find some time to examine your world, while snow covers most of the northern Listen to the rainbow: "I am one of the very last opener sounds, colors, and tastes, rivers, mountains, skies, and Physis takes it all; like the flower, it opens to hide and opens the blue of the sky to the hidden cosmic harmony. any sound and find the fresh waters of the well, the nourishing waves of the air, live a life again and SMILE AGAIN. perception of the tune beyond the mask. time, there was a tear, clear and wide, deep and open, Rainbow country surgery reggae seeds smile Rainbow country surgery reggae seeds smile Rainbow country surgery reggae seeds smile Rainbow country surgery reggae seeds smile Rainbow country surgery reggae seeds smile id: work_aavw7x2gcrcjvefazdtu3vfxpm author: FERNANDO BENADON title: How Hooker found his boogie: a rhythmic analysis of a classic groove date: 2009 words: 7644 sentences: 552 pages: 14 flesch: 70 cache: ./cache/work_aavw7x2gcrcjvefazdtu3vfxpm.pdf txt: ./txt/work_aavw7x2gcrcjvefazdtu3vfxpm.txt summary: Blues historians have described Hooker''s boogie as a ''rhythmic drone, twisting once it dips below 130 bpm, the tempo of Hooker''s slowest unaccompanied boogie, between the blues and boogie tempos relates to the ''free'' speech-like rhythms. force in Hooker''s blues and boogies is the triple subdivision of the beat, sometimes the isoriff is inherently a triplet, Hooker''s boogie often converts it into a duple triplet-quaver (") trails off, providing a link across the blues/boogie tempo gap ''Boogie Chillen 2 ( I Gotta Be Comin'' Baby )'', the metric relationship between footstomp and isoriff is so tenuous – likely a result of Hooker changing his mind as to the The underlying rhythmic engine of Hooker''s boogie is the perpetual cycle of alternating long beats and short upbeats. Such is usually the case in Hooker''s boogie, whose beat/upbeat cycle a slow blues to a fast boogie: the temporal interval between the upbeat ( short note ) Tempo acceleration appears to be an inherent feature of much blues music. id: work_3ad4zhnt55bl5cf6q7iyypspva author: Gaye Elizabeth Taylor title: The Meaning of the Earth and the Will of Men: Re-examining the Nietzschean in Wallace Stevens'' "Harmonium" date: 2013 words: 92199 sentences: 5306 pages: 309 flesch: 67 cache: ./cache/work_3ad4zhnt55bl5cf6q7iyypspva.pdf txt: ./txt/work_3ad4zhnt55bl5cf6q7iyypspva.txt summary: readings of Nietzschean intertexts in a number of Stevens'' early poems, the second and third will to creative power in Stevens by marking the ways in which these poems extend Nietzsche''s Nietzsche, I begin with a reading of "Description Without Place"—a poem which Stevens "Nietzsche in Basel" was a hero of Stevens'' imagination.3 In my reading of the poem, I interpret Like Leonard and Wharton, and Bates as well, I too read Stevens'' poems as suggesting neo-Nietzschean reading of Stevens'' late poem, he diagnoses the insightful critic blind to the fact reading of Nietzsche in Stevens suggests that he, like many other celebrants of the For Leggett, Stevens'' early poems follow Nietzsche on this point, poem of the series, "Common Soldier." It is possible to read Stevens'' opening sketch of his Stevens'' early receptive reading of Thus Spake Zarathustra, is suggested in the poem''s linkage of id: work_g6c46d7c55cfreyrg2xvzf6xe4 author: Glyn White title: Christine Brooke-Rose: motes, beams and the horse''s mouth date: 2018 words: 9321 sentences: 548 pages: 24 flesch: 67 cache: ./cache/work_g6c46d7c55cfreyrg2xvzf6xe4.pdf txt: ./txt/work_g6c46d7c55cfreyrg2xvzf6xe4.txt summary: over twenty-five thousand words of criticism on Brooke-Rose''s work. same time Brooke-Rose was working on her late novels and her last book of criticism, she called the arc-lamps, Brooke-Rose was unhappy with McHale''s interpretation of It is possible to see these opinions in her contribution to Interpretation and OverInterpretation (1979), and in various places in Invisible Author.23 Brooke-Rose is criticism ''the how and the what'' comes first.43 In Invisible Author Brooke-Rose In short, Brooke-Rose argues for more creative criticism engaged with the text. 38 Christine Brooke-Rose, letter to the author, dated 28/02/98, p.1. 38 Christine Brooke-Rose, letter to the author, dated 28/02/98, p.1. 38 Christine Brooke-Rose, letter to the author, dated 28/02/98, p.1. 38 Christine Brooke-Rose, letter to the author, dated 28/02/98, p.1. 38 Christine Brooke-Rose, letter to the author, dated 28/02/98, p.1. 38 Christine Brooke-Rose, letter to the author, dated 28/02/98, p.1. 38 Christine Brooke-Rose, letter to the author, dated 28/02/98, p.1. id: work_gcgn73nxpffpzmnd4jadogsbuu author: Gül Bilge Han title: Bir Karakuşa Bakmanın On Üç Yolu by Wallace Stevens date: 2018 words: 2009 sentences: 111 pages: 5 flesch: 63 cache: ./cache/work_gcgn73nxpffpzmnd4jadogsbuu.pdf txt: ./txt/work_gcgn73nxpffpzmnd4jadogsbuu.txt summary: Bir Karakuşa Bakmanın On Üç Yolu by Wallace Stevens (review) Bir Karakuşa Bakmanın On Üç Yolu by Wallace Stevens Turkish translation of Wallace Stevens to date. It also presents first-ever translations of major poems such as "An Ordinary Evening in New Haven" and English, adds to the already substantial challenge of translating a poet as difficult as Stevens. A poet himself, Çelebioğlu joins a line of Turkish poet-translators who the major figures of the avant-garde "Garip" and "Ikinci Yeni" poetry movements, Melih Cevdet Anday, translated several poems, including "Gubbinal" translations of Stevens''s poems, among them "Variations on a Summer Day" book fills a substantial gap in existing Turkish translations of Stevens, though can see how successfully Çelebioğlu handles the difficulties of translating Stevens. As such, the book is not only a welcome addition to the expanding body of translated poetry into Turkish, but id: work_ovznndcq5bddlm7fmvin4ggyzq author: H Orlefors title: Positron emission tomography with 5-hydroxytryprophan in neuroendocrine tumors date: 1998 words: 27248 sentences: 2840 pages: 83 flesch: 64 cache: ./cache/work_ovznndcq5bddlm7fmvin4ggyzq.pdf txt: ./txt/work_ovznndcq5bddlm7fmvin4ggyzq.txt summary: with negative imaging results for FDG-PET in carcinoid tumors (165, 166). Using 11C-harmine as tracer for imaging of NET''s, tumors in all patients Tumor lesions in all 4 patients with nonfunctioning EPT were clearly visualized by PET (Fig. 9). that the tracer uptake on the PET-scans represent true tumor tissue. PET-positive tumor lesions in 33 out of 36 patients (92 %), a total of 51 Tumors in all patients, but one, did take up this aminoprecursor and could therefore be imaged with PET. When 11C-5-HTP-PET was compared to SRS and CT, more tumor lesions A high 5-HTP uptake was found in the tumor lesions of all patients with a PET-positive tumor lesions in all patients additional value also in PET-imaging of neuroendocrine tumors using tracers variable tracer uptake in different tumor lesions of the same patient. WB-11C-5-HTP-PET has a high tumor detection rate in NET''s that id: work_cxoqb4uja5ctrhdxq764cqjxuq author: HANS WEISETHAUNET title: Is there such a thing as the ''blue note''? date: 2001 words: 10677 sentences: 677 pages: 18 flesch: 72 cache: ./cache/work_cxoqb4uja5ctrhdxq764cqjxuq.pdf txt: ./txt/work_cxoqb4uja5ctrhdxq764cqjxuq.txt summary: will be that most musicological analyses of these styles are still based on an oversimplified idea of harmony: the applied Western major/minor theory concept with blues, rock, and some jazz styles, in emic terms and performance practice, in fact The blues structure, like ragtime, was an admixture of African influence (the call-andresponse pattern) and European harmonically derived functional form. The aesthetics behind this practice – being crucial to the ''meaning'' of blues performance – is that of ''putting things to the notes'' as described by B.B. King in his book, experience of playing blues music, however, some simple conclusions might nevertheless be drawn as far as ''harmony'' is concerned. of the minor third over the major chord!7 Seeing the idea of the ''blue note'' in such Often the performer will play two or three notes simultaneously – also in solo guitar playing – and the effect of ''blue harmony'' seems to id: work_pp4aupyndzamzl2l3qyhem32xy author: Hannah Simpson title: "Where / Do I begin and end?": Circular Imagery in the Revolutionary Poetics of Stevens and Yeats date: 2018 words: 7642 sentences: 454 pages: 17 flesch: 60 cache: ./cache/work_pp4aupyndzamzl2l3qyhem32xy.pdf txt: ./txt/work_pp4aupyndzamzl2l3qyhem32xy.txt summary: Both Yeats and Stevens turn to the circle as an ordering structure when Yeats''s and Stevens''s use of the circle image reveals a fascinating counterpointed relationship between their respective political beliefs. circular forms.2 The individual will is given up to the collective in the fascist state; the individual is absorbed into the universal circle structure in Stevens, like Yeats, invokes the circle as an ordering structure that acts in opposition to the confusion that he saw in the political Just as the circle in Yeats''s poetry and cosmology subsumes and orders all existence into one united, precisely regulated Stevens likewise invokes the circle as an ordering structure in the face of (CPP 135): we can no longer structure the entire world and all civilization in an all-encompassing circular form, as Yeats tried to do, but we can Stevens''s and Yeats''s circular forms. id: work_x3bdyqd7bnavdp2i22xjrlapwm author: J. Hillis Miller title: Quando um primitivo é como um orbe? Quando um primitivo é como um orbe? date: 2008 words: 10556 sentences: 1302 pages: 28 flesch: 75 cache: ./cache/work_x3bdyqd7bnavdp2i22xjrlapwm.pdf txt: ./txt/work_x3bdyqd7bnavdp2i22xjrlapwm.txt summary: Mas naturalmente o sol 0, por sua vez, apenas uma imagem do terra "literal" do poema, nomeado no primeiro verso: "o poema essencial no formas de ilustrar ou de trazer para a luz, ainda que esta luz seja false ou artificial, uma lampada e nao o sol verdadeiro. em que cada uma substitui a anterior e e substituida pela seguinte que, por sua vez, recolhe os restos da aniquilagao da frase anterior; o trecho como um todo, por outro lado, tem como seu centro "Chocorua to Its Neighbor", juntamente com "Um primitivo como um Orbe" e "The Owl in the Sarcophagus", apresentam uma das grandes prosopopeias de Stevens em poemas sobre a construgeo da prosopopeia. Em Wallace Stevens, o que caracteriza a descrig5o desse retorno progressivo é a forma pela qual se mostra o retorno da prosopopeia n5o primariamente atravas das outras catacreses personificantes da linguagem comum ("o olho do sol"), mas atraves do movimento cinetico em palavras abstratas como "composition","ompact", id: work_fekrsh7okfadfm6kkdqporjxve author: J. M. Mancini title: "Because It Is My Culture": Technology and Agency in the Overseas U.S. Cultural History Classroom date: 2010 words: 3199 sentences: 135 pages: 7 flesch: 49 cache: ./cache/work_fekrsh7okfadfm6kkdqporjxve.pdf txt: ./txt/work_fekrsh7okfadfm6kkdqporjxve.txt summary: In a 2002 essay in the Journal of American History, Kathryn Kish Sklar made a powerful case, based upon the experience of her own undergraduate seminar in U.S. women''s thereby assist teachers of history in transforming students into "producers of new historical knowledge."'' In her own case, Sklar turned her seminar into a laboratory for creating '' Kathryn Kish Sklar, "Teaching Students to Become Producers of New Historical Knowledge on the Web," Such redefinitions of the content of cultural history are important; students in courses My experience of living and teaching American cultural history outside of the United States has had a direct bearing on my adoption of this perspective. me—both students and nonstudents—have with American history and culture. (a final-year elective in American cultural history in which students write a research essay course: an assignment in which students create digital audio recordings of sources relevant to the study of American cultural history and present a contextual analysis of those id: work_r2yh2xsgkrao5aee6dkffwxypy author: Jaap Hage title: Conceptual Tools for Legislators Part 2: Pathways through the World of Law date: 2013 words: 12141 sentences: 684 pages: 28 flesch: 70 cache: ./cache/work_r2yh2xsgkrao5aee6dkffwxypy.pdf txt: ./txt/work_r2yh2xsgkrao5aee6dkffwxypy.txt summary: causal laws and legal rules in structuring the World, and by studying how the outside world are transformed by counts as rules into facts inside the world of law world of law, legal rule, dynamic rule, static rule, rule-based fact, counts-as of facts, by comparing the roles of causal laws and legal rules in structuring the The world of law consists of rule-based facts. The facts in the world of law are interconnected by rules, while the existence of 23 It is not necessary that the existence of the rules that connect facts in the world of law is itself a rule-based fact in the world of law, although this will hold true for by far most legal The rule-based facts in the world of law are immaterial, because otherwise they some legal status to an event or a fact in the world of law. id: work_5exozb2y6bgklpbgnoprj2ptxa author: Jacyntha England title: Histories of forgetting, geographies of remembering : exploring processes of witnessing and performing in senior secondary humanities classroom(s) date: 2004 words: 51250 sentences: 4437 pages: 162 flesch: 79 cache: ./cache/work_5exozb2y6bgklpbgnoprj2ptxa.pdf txt: ./txt/work_5exozb2y6bgklpbgnoprj2ptxa.txt summary: "Map the story," we tell students when they learn to read. A s educators, we live in nations, we work in school districts, we study in departments. lived space then, I wonder what these directives might feel like to immigrant student Studies 11 curriculum''s Social Issues unit encourages students and teachers to "LIST Do we want the students we teach to study the past, or to remember and respond to it? 13), and bring our students into the experience of memory and history as a lived, how to raise awareness of skin privilege among white educators and students), I feel it is In this class I needed to find ways to create spaces for the white students social identity development, because in many ways the students in this class were working school memory; the second time, ask students to see themselves as a character, or an id: work_iabdrxfur5dhhcsebcq3wiyl24 author: James Mitchell title: Red and Yellow Songs: A Historical Analysis of the Use of Music by the United Front for Democracy against Dictatorship (UDD) and the People''s Alliance for Democracy (PAD) in Thailand date: 2011 words: 14193 sentences: 895 pages: 40 flesch: 67 cache: ./cache/work_iabdrxfur5dhhcsebcq3wiyl24.pdf txt: ./txt/work_iabdrxfur5dhhcsebcq3wiyl24.txt summary: article examines the use of music by the yellow and red shirts, and contextualizes the PAD and UDD within the history of two similarly named but very different genres of Thai song: phleng chiwit commercial genre of lukthung [Thai country song]. satirical songs and lukthung during Thailand''s most recent political struggle, from 2005 to the present. A central focus of this article is phleng lukthung or Thai country music. economic crisis, lukthung was hailed as the most authentic Thai popular music genre (see Amporn, 2006). Isan cultural revival and political maturation was under way, and continued attempts to appropriate lukthung as an example of Central Thai song ''Long Live the King of Thailand'' on the protest stage at Government House to rapturous applause.13 With such emphasis on royal and a song genre clearly influenced by the protest music of performers such absorbed into the Thai popular music industry, and the use of lukthung id: work_alvr5uqqyneupgk6owflegmm2a author: Jaqueline Warwick title: I Wanna Be Me: Rock Music and the Politics of Identity. By Theodore Gracyk . Philadelphia: Temple University Press, 2001. xi, 292 pp.Disruptive Divas: Feminism, Identity and Popular Music. By Lori Burns Mélisse Lafrance . New York: Routledge, 2002. xix, 255 pp date: 2004 words: 5916 sentences: 323 pages: 12 flesch: 57 cache: ./cache/work_alvr5uqqyneupgk6owflegmm2a.pdf txt: ./txt/work_alvr5uqqyneupgk6owflegmm2a.txt summary: Gracyk; Disruptive Divas: Feminism, Identity and Popular Music by Lori Burns and Anyone who has taught this kind of class can almost certainly supply a similar anecdote; students'' emotional investments in popular music are so profound that any slight to their preferred artist is bound to be felt as a personal Mass art is often despised for its commodifying ways; critics assert that "authentic" musical experiences ought to connect listeners to performers and Gracyk reprimands critics like these for allowing a repugnance for the commodification of music through the mechanisms of mass art to color their responses to a case of hybridization, the kind of process that is crucial to the women is a mainstay of many genres of popular music, and one that can certainly be understood to symbolize the unacknowledged female drudgery behind male success that is critiqued by Marxist feminists.6 In these chapters, id: work_rxcpvf7emngwniwtgincssigzu author: Jatila van der Veen title: Draw Your Physics Homework? Art as a Path to Understanding in Physics Teaching date: 2012 words: 23115 sentences: 2668 pages: 53 flesch: 53 cache: ./cache/work_rxcpvf7emngwniwtgincssigzu.pdf txt: ./txt/work_rxcpvf7emngwniwtgincssigzu.txt summary: Education in 1976, physicist Victor Weisskopf wrote, ''''Why is physics as a science considered ''inhuman'' by so many people, including some of the students we teach?'''' (Weisskopf, 1976, p. from an interview with a female sculpture major at a California university indicates that students'' perceptions of physics may have not changed much Thus, the languages of the arts can provide a means of helping students visualize the relationships in the physical of drawing learners into the study of physics because it interrogates ''''prescientific'''' concepts of space and time that have historically been at the center of cultural debates, and thus of general human interest. Each year that I have taught this course, I use the first homework assignment to introduce the idea that one can use drawing as a means of understanding in a physics class. Einstein describes, and to establish the validity of using drawing and visualization in understanding concepts in physics. Students'' Drawings of Einstein''s Article ''''Physics id: work_diayjqyh2reffpwaap2xg7lj2a author: Jean Brennan title: Student Stories about Mathematics: A tool to understand more about the teaching and learning of mathematics date: 2018 words: 95594 sentences: 6591 pages: 343 flesch: 66 cache: ./cache/work_diayjqyh2reffpwaap2xg7lj2a.pdf txt: ./txt/work_diayjqyh2reffpwaap2xg7lj2a.txt summary: my own personal story as a teacher of mathematics and researcher, and the 2) Would the student stories about learning mathematics contain rich data that students to share their stories about learning mathematics provides knowledge that mathematics lesson time to allow students to create their stories. work and at the time of their story telling workshop I was their mathematics teacher. of the place this story has in the student world of learning mathematics, provided researching how school students feel about their experiences with mathematics. 7.9 The Transformational Draw of Student Stories about School Mathematics 7.9 The Transformational Draw of Student Stories about School Mathematics In my role as a mathematics teacher, the power of the student story is the fact that it develop between mathematics teacher (me) and story author (the student). Allowing the time for mathematics teachers to develop their student stories can have id: work_xdoebvg2xjdothtumetvtrbxyi author: Jeremy David Prindle title: The devil''s prayers: metal music in Iran date: 2014 words: 83606 sentences: 7815 pages: 294 flesch: 79 cache: ./cache/work_xdoebvg2xjdothtumetvtrbxyi.pdf txt: ./txt/work_xdoebvg2xjdothtumetvtrbxyi.txt summary: Metal music in Iran is illegal and metalheads live with the constant fear that they could time I learned a lot about Iran, Iranian culture, and the metal scene there. Second, to investigate metal bands in Iran and learn more about their music, lifestyle, understood by people in Iran that were listening to metal music at that time. The metal music scene in Iran is very diverse, there are bands in so many different metal scene in Iran began with people listening to bands like Metallica and Slayer and for many people know about metal music.334 Bands like Master of Persia, Mordab, and No one really knows how many people are interested in metal music in Iran because Women in Iran also like metal music and are becoming more It has been established how metal music arrived in Iran, but why do Iranians like No one knows that Iran has metal music. id: work_ptrqatik2rb7lbpzhlct52ldwe author: Jill Michelle Jensen title: Educating without bannisters : Hannah Arendt on thinking, willing, and judging date: 2020 words: 70784 sentences: 4013 pages: 235 flesch: 63 cache: ./cache/work_ptrqatik2rb7lbpzhlct52ldwe.pdf txt: ./txt/work_ptrqatik2rb7lbpzhlct52ldwe.txt summary: Educating Without Bannisters: Hannah Arendt on Thinking, Willing, and Judging even complete—point to powerful ways to think and judge in a world that lacks ethical routines become taken for granted ways of thinking about good or accepted practice in a school, "action." In The Human Condition Arendt tells the story of the loss of the political in the West what it means to accept our freedom to think and to judge in a plural and contingent world. Arendt''s descriptions of the public as a common world and a space of appearance point to Political life requires living alongside different other people and by "plurality" Arendt signals the means-ends thinking; it is about freedom, how we choose to live in the world together, what Mind Arendt turns to the mental faculties of thinking, willing, and judging as possible bulwarks does not appear in the world), Arendt ends up using thinking in multiple ways, generating some id: work_rlncehiymneivk2tz4osco76x4 author: Joan McArthur-Blair title: The inner life : a conversation with leaders in British Columbia post-secondary education date: 2004 words: 51430 sentences: 3940 pages: 180 flesch: 76 cache: ./cache/work_rlncehiymneivk2tz4osco76x4.pdf txt: ./txt/work_rlncehiymneivk2tz4osco76x4.txt summary: the inner life as one storied aspect of living current post-secondary leadership. Second, this inquiry makes transparent a conversation about the inner life of leaders education leaders lent itself to the telling of stories that reflected on the inner life, and hoped that as leaders read the notions of the inner life represented in this inquiry they conversation about the inner life and post-secondary education leadership in the way The stories or narratives of the inner life of leaders are at the heart of this research. this study to create a place from which the stories of the inner life of leaders were Stage One, I asked four leaders to write an inner life story that reflected upon their story to talk about the research and the idea of the inner life and leadership. education leaders and the inner life''s influence on their leadership. id: work_sbzmsxzvxjfllgndwbkg4mbxcu author: Joanne Richardson title: ''The pleasures of merely circulation'' : the interpretive anthropology of Clifford Geerts and the ''postmodern'' anthropology of James Clifford : a deconstructive reading date: 1990 words: 152679 sentences: 38535 pages: 228 flesch: 111 cache: ./cache/work_sbzmsxzvxjfllgndwbkg4mbxcu.pdf txt: ./txt/work_sbzmsxzvxjfllgndwbkg4mbxcu.txt summary: i n which the n o t i o n of logos or presence has dominated Western meaning, God, s e l f , concept and so on. other words, whatever p a r t i c u l a r aspect of the concept of God means u s i n g the customary metaphors — i n moral terms: assumptions of Western metaphysics, M a r t i n Heidegger (1889 1976) In other words, the e p i s t e m o l o g i c a l concept of presence metaphysical concept of presence prevents a w r i t e r from H u s s e r l and the hermeneutlcs of Heidegger, Gadamer and Ricoeur words, Geertz i s concerned with the t r a n s m i s s i o n of meaning concepts, a thought meaning t h a t the id: work_a3zuymezwjasjlu6wd4t7fayeu author: Joe. Wilkins title: Mississippi Stories date: 2007 words: 11037 sentences: 1040 pages: 23 flesch: 97 cache: ./cache/work_a3zuymezwjasjlu6wd4t7fayeu.pdf txt: ./txt/work_a3zuymezwjasjlu6wd4t7fayeu.txt summary: Sunfl ower as public school teachers with Teach For America, thinking about � ere''s a sign outside the door that says all students are to wait for of face time with students, whether in class, at lunch, on hall duty, tutoring during prep period or whatever else. We tell her, and she slowly turns her old head to us and says, "Well, y''all I drive over the old train tracks and turn down Church Street, my student''s � ere are moments in your life as a teacher, especially if you work with students who suff er every day the brutal, life-stunting blows of poverty, racism and He stares at us, shakes his head, says, We ain''t got nothin'' for y''all to eat I slowly turn away and close my classroom door; as my students get started on I been teaching high school math for thirty-fi ve years, Mr. Wilkins. id: work_kn4fgkn445ffhhfosf6vgxny44 author: John Tarlton title: Neglected Knowing: Some Characteristics of Positive Aesthetic Experience in Painting date: 2018 words: 106168 sentences: 7344 pages: 339 flesch: 46 cache: ./cache/work_kn4fgkn445ffhhfosf6vgxny44.pdf txt: ./txt/work_kn4fgkn445ffhhfosf6vgxny44.txt summary: first characteristic) of positive aesthetic experience in painting are identified through aesthetic experience as observed through encounters with paintings, as an artistic characteristics as they relate to individuals'' aesthetic experiences with paintings. pleasurable response as aesthetic experience is only one way of interacting with an art for possible common and distinct bases of positive aesthetic experience characteristics participants'' experiential reflections relating to their aesthetic experience should characteristics of positive aesthetic experience, despite art object classification. their selection is seen as advantageous in that their responses encompass both the nondiscursive aspects of art experience (as respected creators/appreciators themselves) as positive aesthetic experience in painting explicated in this study are presented in the contributing positions are outlined through an examination of such concepts as bioevolutionary theory, aesthetic experience as a hybrid conceptualisation, post-formal experience of an aesthetically commanding work of art can be experienced by all. findings regarding the positive characteristics of aesthetic experience in painting. id: work_7jagcly6b5dzdjjdpzoel2kol4 author: Juan Ignacio Vallejos title: Dance, Sexuality, and Utopian Subversion Under the Argentine Dictatorship of the 1960s: The Case of Oscar Aráiz''s The Rite of Spring and Ana Itelman''s Phaedra date: 2016 words: 11630 sentences: 868 pages: 19 flesch: 62 cache: ./cache/work_7jagcly6b5dzdjjdpzoel2kol4.pdf txt: ./txt/work_7jagcly6b5dzdjjdpzoel2kol4.txt summary: most of the historical studies of modern and contemporary dance in Argentina have focussed on describing the process of modernizing artistic practices.1 Accordingly, certain and 1970 by two contemporary dance works presented by the San Martín Theater Ballet, Oscar theater authorities with their links to the dictatorship that tries to censor them as well as the journalism that vindicates them are cultural actors who give political content to the work above and him to organize a series of dance performances and the choreographer suggested to him that a company should be set up that would work in the theater permanently and be associated with the language of contemporary choreography (Isse Moyano 2006, 112). That same year of 1970, the San Martín Theater Ballet put on The Rite of Spring again—the work Dance, Sexuality, and Utopian Subversion Under the Argentine Dictatorship of the 1960s: The Case of Oscar Aráiz''s The Rite of Spring and Ana Itelman''s Phaedra id: work_n6e2b2a7hfek5mijm7rziwgm64 author: Justine M. Thacker title: When it is apt to adapt: Flexible reasoning guides children''s use of talker identity and disfluency cues date: 2018 words: 8624 sentences: 682 pages: 15 flesch: 55 cache: ./cache/work_n6e2b2a7hfek5mijm7rziwgm64.pdf txt: ./txt/work_n6e2b2a7hfek5mijm7rziwgm64.txt summary: An eye-tracking methodology was used to examine whether children flexibly engage two voice-based cues, talker identity and disfluency, during language processing. was to examine whether children use recently presented preference information even when utterances are purely ostensive in nature such as simply directing listeners to ''''look" at an object in the display. In the current study, we explored the simultaneous use of disfluency and talker identity information to more fully understand the nature of children''s situation-specific reasoning during language The first experiment was designed to provide a test of children''s ability to combine the two paralinguistic cues of interest (talker identity and disfluency) and to evaluate their ability to adapt their use of Average proportion of looks to talker-preferred object during the determiner interval for both fluent and disfluent trial At the point when the fluent or disfluent determiner was encountered, children initially demonstrated an ability to use talker identity cues to guide their interpretation of a hesitation disfluency. id: work_epvsrtmnfzadbdob3jqjc7ix7a author: Keith Darrel Eccleston title: Oscillations of the absolute : an examination of the implications of Wallace Stevens'' "Central Poetry." date: 1964 words: 107009 sentences: 21767 pages: 193 flesch: 103 cache: ./cache/work_epvsrtmnfzadbdob3jqjc7ix7a.pdf txt: ./txt/work_epvsrtmnfzadbdob3jqjc7ix7a.txt summary: theory couched almost wholly i n terms both i d i o s y n c r a t i c and ambiguous, Stevens must inevitably evoke the kind of response expressed Stevens wants his poems to undergo the same kind of obscurations existence Stevens demanded for the theory of "central poetry.", to make one think of the dominant images i n Stevens'' poems. Stevens'' poetry produces poems....out of c e n t r a l image and " f i n a l c h a r a c t e r " of Stevens'' poems. c e n t r a l image and " f i n a l c h a r a c t e r " of Stevens'' poems. Hartsock, "Image and Idea i n the Poetry of Stevens," "Image and Idea i n the Poetry of Stevens," "Wallace Stevens and the Image of Man," id: work_hej7xirnsnfgfooktxrcq6ge7q author: Kendra Leonard title: The Lady Vanishes: Vocality and Agency in Cinematic Ophelias date: 2016 words: 7487 sentences: 487 pages: 18 flesch: 69 cache: ./cache/work_hej7xirnsnfgfooktxrcq6ge7q.pdf txt: ./txt/work_hej7xirnsnfgfooktxrcq6ge7q.txt summary: Zeffirelli''s and Almereyda''s films, the text of Ophelia''s report of Hamlet''s Within the text, Ophelia''s role is an important one, advancing the investigation into Hamlet''s apparent madness and later offering the audience crucial information as to the true state of corruption within the court. Ophelia''s songs have not been found, they "clearly belong to the popular ballad tradition." 6 English stage history records that, in Shakespeare''s time, the music: a score that was highly continuous over the course of the film, including the use of leitmotifs to help audiences identify characters and their emotions and actions. show, this gendering through vocality and music by Olivier is but the beginning of a larger trend among directors of cinematic Hamlet s and film more Almereyda''s Ophelia is given the fewest lines of any film Hamlet discussed up to this point. Leslie Dunn, "Ophelia''s Songs in Hamlet : Music, Madness, and the Feminine," id: work_leofnl3hijcq3iaumr7qgdkgqe author: Kurt Werner title: Modal Processor Effects Inspired by Hammond Tonewheel Organs date: 2016 words: 8123 sentences: 986 pages: 19 flesch: 66 cache: ./cache/work_leofnl3hijcq3iaumr7qgdkgqe.pdf txt: ./txt/work_leofnl3hijcq3iaumr7qgdkgqe.txt summary: Modal Processor Effects Inspired by Hammond Tonewheel Organs. Modal Processor Effects Inspired by Hammond Tonewheel Organs. Modal Processor Effects Inspired by Hammond Tonewheel Organs. https://pure.qub.ac.uk/en/publications/modal-processor-effects-inspired-by-hammond-tonewheel-organs(43d198a5-9117-4be4-9984-cc6fd8b63ada).html additive-synthesis-based electromechanical musical instrument, the Hammond tonewheel organ. pitch effects inspired by the Hammond organ''s equal tempered "tonewheels", "drawbar" tone The Hammond tonewheel organ is a classic electromechanical musical instrument, patented musical tones by adding together sinusoidal signals of different frequencies, amplitudes, and phases [4]. scale [15]—In scientific pitch notation, the lowest-frequency tonewheel on a Hammond organ is to the drawbar settings, and distortion processed according to the tonewheel and pickup The unique sound of the Hammond organ is largely due to the tonewheels being tuned to the Figure 10 shows spectrograms of a sinusoidal input signal and its Hammondized response. the sonics of the Hammond tonewheel organ on any audio signal. "Modal Processor Effects Inspired by Hammond Tonewheel Organs"—Audio id: work_jedxx6m335dufn7qlhs7xcuecm author: Les Back title: How Blue Can You Get? B.B. King, Planetary Humanism and the Blues behind Bars date: 2015 words: 5070 sentences: 376 pages: 11 flesch: 78 cache: ./cache/work_jedxx6m335dufn7qlhs7xcuecm.pdf txt: ./txt/work_jedxx6m335dufn7qlhs7xcuecm.txt summary: This article honours the memory of blues musician B.B. King, who died on 14 May 2015, through focusing on his work and historical performances in prisons. article situates his concerts inside Cook County jail and Sing Sing within the wider African American music, blues, Paul Gilroy, B.B. King, planetary humanism, prisons blues guitar gave his most sublime 25-year period, B.B. King performed in 47 different jails across At Cook County, the prison while the prison guards and wardens in control of them remained black prison warden in the English brought street entertainers into the prison too, for the prison band finished playing, B.B. King''s prison performances was perform in prison. was perform in prison. Conclusion: Prison Blues prison in society in a time where remembering B.B. King''s prison prison, the sound of B.B. King''s English CR (2007) Cook County Jail King BB with Ritz D (2011) Blues All id: work_7hath36sl5g5jjurucr5vlajsq author: Lindsay C. Mitchell title: The meaning of an education : lifelong learning and the blues date: 2010 words: 81919 sentences: 7996 pages: 320 flesch: 74 cache: ./cache/work_7hath36sl5g5jjurucr5vlajsq.pdf txt: ./txt/work_7hath36sl5g5jjurucr5vlajsq.txt summary: blues music — inspired by African Americans'' historic struggle to live with Arts-based inquiry, like blues music, is naturally performative. 1 1 4 Formed by singer/guitarist Randy Sparks in 1961, the group had several folk music hits, on Columbia Records, 1 4 2 The original studio recording featured New York studio musician Al Kooper on Hammond organ. to play back-up for big-time touring rock acts like Ten Years After, Fleetwood Though blues music continued to thrive in poor, working-class black For years, in addition to learning how to play the blues, been white cracker-head music to some, but it sure felt like the blues to me. 2 3 2 Excerpted lyric, from "Working Man Blues," written and released on Capitol Records in 1969 by Merle Haggard. 2 8 6 New York-born rock musician and record producer Robert "Waddy" Wachtel (b.1947) form of spontaneous interaction typical of African American blues-based music id: work_qz6lfui3mvaq7ky2qsuuphmzya author: Lucy Durán title: POYI! Bamana jeli music, Mali and the blues date: 2013 words: 19966 sentences: 1897 pages: 37 flesch: 78 cache: ./cache/work_qz6lfui3mvaq7ky2qsuuphmzya.pdf txt: ./txt/work_qz6lfui3mvaq7ky2qsuuphmzya.txt summary: Bamana jeli music, Mali and the blues is a Bamana jeli (griot) song called ''Poyi'', which, according to oral tradition, may have studies of both blues and Mande music – that of the Bamana (''Bambara'') griots from Segu in On a late afternoon in February 2006 in Garana, a village deep in the countryside of Segou1 province (Mali), a local crowd was gathered in the courtyard of a family of Bamana jeliw (hereditary of Mande music, which focuses on Maninka and Mandinka traditions, though he does acknowledge that ''the reign of the Bamana of Segu in the seventeenth and eighteenth centuries is an African music scholars (Charters, Oliver, Evans, Kubik, Coolen AQ69), as well as to American musicians of all sorts from blues and jazz to banjo players (too numerous to mention here), and du Mali, entitled Dah Monzon ou l''épopée bambara, played frequently on Malian radio.33 It features a large ensemble with various Mande jeli instruments, a male speaker, a female chorus and a id: work_azepeftgqzgbpfxxtiy7eadhw4 author: Luke O''Loughlin title: No one is an island date: 2018 words: 278 sentences: 45 pages: flesch: 70 cache: ./cache/work_azepeftgqzgbpfxxtiy7eadhw4.pdf txt: ./txt/work_azepeftgqzgbpfxxtiy7eadhw4.txt summary: [PDF] No one is an island. Skip to search formSkip to main content> Semantic Scholar''s Logo Search DOI:10.1126/science.360.6384.122 Corpus ID: 206625617No one is an island. title={No one is an island.}, author={Luke S O''Loughlin}, journal={Science}, Luke S O''Loughlin Science I had just started my Ph.D. studying invasive species on a remote oceanic island, where I would be spending most of the next 3 years bashing through rainforest to count invertebrates. My supervisor had done his own Ph.D. here on Christmas Island in the Indian Ocean 2 decades earlier. Topics from this paper Related Papers Stay Connected With Semantic Scholar About Semantic Scholar About Semantic Scholar Semantic Scholar is a free, AI-powered research tool for scientific literature, based at the Allen Institute for AI. By clicking accept or continuing to use the site, you agree to the terms outlined in our Privacy Policy, Terms of Service, and Dataset License ACCEPT & CONTINUE id: work_oi4iiyfejjaphdavtw26kh64ki author: Margaret Mills Harper title: Crazy Jane and Professor Eucalyptus: Self-Dissolution in the Later Poetry of Yeats and Stevens date: 2018 words: 7017 sentences: 447 pages: 16 flesch: 70 cache: ./cache/work_oi4iiyfejjaphdavtw26kh64ki.pdf txt: ./txt/work_oi4iiyfejjaphdavtw26kh64ki.txt summary: Crazy Jane and Professor Eucalyptus: Self-Dissolution in the Later Poetry of Yeats and Stevens B. Yeats is a poet who might be typi-fied by the weighty line, the bardic voice, forms like the poised ottava consider are Yeats''s Words for Music Perhaps and Stevens''s "An Ordinary Considered together, Yeats''s Crazy Jane poems in particular (which with Stevens: first, that souls create reality, by means of images or thoughts, For both Yeats and Stevens, reality is created by the imagination but also SELF-DISSOLUTION IN THE LATER POETRY OF YEATS AND STEVENS 43 SELF-DISSOLUTION IN THE LATER POETRY OF YEATS AND STEVENS 43 SELF-DISSOLUTION IN THE LATER POETRY OF YEATS AND STEVENS 43 SELF-DISSOLUTION IN THE LATER POETRY OF YEATS AND STEVENS 43 SELF-DISSOLUTION IN THE LATER POETRY OF YEATS AND STEVENS 43 Yeats) a loosening at which Stevens''s poem itself hints but does not make id: work_uedjmuarsrftnpqwyswlnmp2su author: Marie-France Berard title: On the experience of encountering art in museum spaces : an inquiry with Gilles Deleuze''s concepts of desire and assemblage date: 2017 words: 70010 sentences: 4326 pages: 246 flesch: 62 cache: ./cache/work_uedjmuarsrftnpqwyswlnmp2su.pdf txt: ./txt/work_uedjmuarsrftnpqwyswlnmp2su.txt summary: Chapter 1 On the experience of encountering art: An inquiry with Gilles Deleuze Thoughts on art experience following a Deleuze-Dewey conceptual encounter............86 Thoughts on art experience following a Deleuze-Greene conceptual encounter..........161 concepts of encounter, desire and assemblage help me to think and inquire about my art of experience, encounter, assemblage, desire and, as closing thoughts, the concept of thinking with Deleuzian concepts produces an art encounter as desiring-assemblage; that is, the affective, embodied, relational experience of encountering art as a productive assemblage Thoughts on art experience following a Deleuze-Dewey encounter: Thoughts on art experience following a Deleuze-Gadamer conceptual encounter Thoughts on art experience following a Deleuze-Gadamer conceptual encounter about thinking the art experience following a Deleuze and Greene encounter. Thoughts on the art experience following a Deleuze-Greene encounter from Deleuze, the experience of encountering art is not simply a method to allow new experience of encountering art as a desiring-assemblage. id: work_a3q3uy2ibjaaniqbnaq2rhwc3e author: Mark Burke title: Frege, Hilbert, and Structuralism date: 2015 words: 129153 sentences: 7682 pages: 239 flesch: 61 cache: ./cache/work_a3q3uy2ibjaaniqbnaq2rhwc3e.pdf txt: ./txt/work_a3q3uy2ibjaaniqbnaq2rhwc3e.txt summary: fixing the references of mathematical terms in his unique ontology of functions and objects. Frege''s somewhat more traditional view of mathematical truth, that ―If the arbitrarily postulated axioms [of With Hilbert''s work on the foundations of geometry, a new conception of mathematics as the views of geometry and axiomatics, then turn to an analysis of Frege''s criticisms of Hilbert. axiomatic system, on Hilbert''s view, we cannot speak of the truth of mathematical axioms Hilbert''s interest here is in the structure determined by the axioms of Euclidean geometry, Frege himself viewed axioms as unprovable truths, and definitions as a kind of logical entities of the appropriate type(s); Frege viewed (first-level) concepts as functions which take objects as that thoughts do not possess non-logical structure; simply that, in his work, Frege is only There are several ways to define the natural numbers in terms of many general algebraic structures, not just set mathematical objects like Frege''s Caesar problem. id: work_qwarbhwkc5dhvcbxj2sq4nb26m author: Martin James Smith title: The Narrated Self: How can the combination of writing and photography be used to represent individual experience date: 2019 words: 50763 sentences: 3805 pages: 198 flesch: 66 cache: ./cache/work_qwarbhwkc5dhvcbxj2sq4nb26m.pdf txt: ./txt/work_qwarbhwkc5dhvcbxj2sq4nb26m.txt summary: artworks created through this research use personal narrative in ways that seek to unsettle the new understanding of the nature of the photograph and the role it plays in creating narrative time, told through text and photograph, that does not seek narrative conclusion and is part of Photography, Narrative, Time: Imaging our Forensic Imagination by Australian phototheorist Greg Battye will be used extensively in the discussion of frames and scripts to build This section defines how narratives create and converge time and space within a story-world research because when I first started combining photographs and text in my art practice in way that the narrative world inhabited by the photographic component of the studio research photographic image and narrative text. are created; the use of text and photography within a narrative framework; and the the narrative: Yang''s text responded to the photographs in the story, Kwiatkowski''s between text and photograph in creating a narrative world. id: work_fjzrgm4tgrhalbcrqogypk3ovi author: Matthew Mongrain title: Light from Canada: The Poetics of James Schuyler date: 2013 words: 32698 sentences: 2033 pages: 127 flesch: 71 cache: ./cache/work_fjzrgm4tgrhalbcrqogypk3ovi.pdf txt: ./txt/work_fjzrgm4tgrhalbcrqogypk3ovi.txt summary: James Schuyler, art critic and coterie poet of the New York School, is Schuyler is not the only poet of the New York School who participated in the art scene of Like Schuyler''s, Porter''s work is inarguably different painting." What makes the criticism of Porter and Schuyler so compelling to read is the many of Porter''s paintings, as it is of Schuyler''s poems. Like much of Schuyler''s poetry, the source of these lines is the view from a window. mean that Schuyler is concealing anything in his poetry, or Porter in his paintings. abstraction in Schuyler''s poetry and Porter''s painting, which operate, too, along the lines of white wall of Schuyler''s poems tumble, that thing against which his poetry stands. emphatically a thing in Schuyler''s poetry and diaries, an object that is without rather than poem''s opening section, though, Schuyler is less interested in the things themselves than id: work_hmnduvushzffzhtto7saw4xzy4 author: Mia Johnson title: A comparative study of visual elements in traditional art images and computer graphics date: 1993 words: 48047 sentences: 4292 pages: 279 flesch: 63 cache: ./cache/work_hmnduvushzffzhtto7saw4xzy4.pdf txt: ./txt/work_hmnduvushzffzhtto7saw4xzy4.txt summary: Art educators talking about visual images and objects principles in traditional art images and computer graphics formalist theory treats art images as self-contained designs the following design elements: space, line, shape, color, traditional art image might refer to a line which has gaps, graphics term such as "region" as a type of art education art were: line, shape, space, form, pattern, texture, color Information on "texture", "pattern", and "color" in art art; that is, identifiable areas or parts of twodimensional images such as "line" or "texture". "shape", "pattern", "texture", "form", "space", "color" and concepts of sensory elements, including line, shape, space, an image or area with an art historical term or reference. elements of art: line, point, pattern, texture, and shape. traditional art images and computer graphics. traditional art images and computer graphics. traditional art images and computer graphics. visual structure of art images, and to compare them to terms id: work_eobo4ufgabgldlsfaujzygkvse author: Nailson dos Santos Cunha title: Generating guitar solos by integer programming date: 2017 words: 748 sentences: 170 pages: flesch: 53 cache: ./cache/work_eobo4ufgabgldlsfaujzygkvse.pdf txt: ./txt/work_eobo4ufgabgldlsfaujzygkvse.txt summary: [PDF] Generating guitar solos by integer programming | Semantic Scholar Corpus ID: 51888815Generating guitar solos by integer programming title={Generating guitar solos by integer programming}, In this paper, we present a framework for computer-aided composition (CAC) that uses exact combinatorial optimisation methods to generate guitar solos from a newly proposed data-set of licks over an accompaniment based on the 12-bar blues chord progression. An integer programming formulation, which can be solved to optimality by a branch-and-cut algorithm, was developed for this problem whose objective is to determine an optimal sequence of a set of licks given a matrix of transition costs… Expand Sort by Most Influenced Papers View 1 excerpt, cites methods View 3 excerpts, references background and methods Integer Programming Formulation of the Problem of Generating Milton Babbitt''s All-Partition Arrays View 1 excerpt, references methods View 1 excerpt, references methods View 1 excerpt, references methods id: work_k5bw4r2hwnhcrieuqvtm4cyxui author: Norma Jamieson title: The creative writing course in the British Columbia senior secondary school : a telephoto examination with accompanying curriculum development guidelines date: 1977 words: 167730 sentences: 45180 pages: 235 flesch: 116 cache: ./cache/work_k5bw4r2hwnhcrieuqvtm4cyxui.pdf txt: ./txt/work_k5bw4r2hwnhcrieuqvtm4cyxui.txt summary: THE CREATIVE WRITING COURSE IN THE BRITISH COLUMBIA SENIOR SECONDARY words, they a l s o c r e a t e works o f a r t t h a t are i n h e r e n t l y w i l l always need new language to communicate t o y o u r I f he d e c i d e s h i s work needs a t r a I f he d e c i d e s h i s work needs a t r a The words o f the p u b l i s h e d l i t e r a r y work aim a t u n i t i n g p a r t i c u l a r id: work_vpxxzkt23jbbvle4fwzw3wuzpi author: P. G. O''Seaghdha title: Close but not proximate: The significance of phonological segments in speaking depends on their functional engagement date: 2012 words: 747 sentences: 96 pages: 1 flesch: 63 cache: ./cache/work_vpxxzkt23jbbvle4fwzw3wuzpi.pdf txt: ./txt/work_vpxxzkt23jbbvle4fwzw3wuzpi.txt summary: and Chinese languages in the type of the initial units of phonological encoding for speaking. or "proximate units" (1, 2) are segmental in Indo-European languages but whole syllables in Chinese. of consistent initial consonants in several word production tasks. In combination, these findings can be interpreted as particularly compelling evidence for the subordinate role of phonemes not clear is how the ERP signature of the resulting phonological concord relates to production. functional engagement of segments in preparation for production. account (1) with the view that phonemes are vestigial in production of Chinese. future more complete accounts of word production across units (e.g., syllables and segments among others) in Chinese, 1. O''Seaghdha PG, Chen J-Y, Chen T-M (2010) Proximate units in word production: Phonological encoding begins with syllables in Mandarin Chinese but with segments in 2. O''Seaghdha PG, Chen J-Y (2009) Toward a language-general account of word production: id: work_moejrmbnj5hoff6j7vuwx4ryza author: P.K. Page title: The Blue Guitar date: 2004 words: 748 sentences: 86 pages: 5 flesch: 84 cache: ./cache/work_moejrmbnj5hoff6j7vuwx4ryza.pdf txt: ./txt/work_moejrmbnj5hoff6j7vuwx4ryza.txt summary: Published on Poetry In Voice (https://www.poetryinvoice.com) — "The Blue Guitar" by Wallace Stevens are playing on the blue guitar. 1. "The Blue Guitar" is filled with vivid sensory images. 3. In the poem, the man who plays his blue guitar has a fairly philosophical discussion with his The audience states that they "want the truth and not what you / are playing on the blue guitar." What do you think this poem is saying about the different ways that people 4. As a glosa poem (see link below for more details), "The Blue Guitar" directly engages with an older poem by Wallace Stevens titled "The Man with the Blue Guitar" (1937); in turn, Wallace Stevens''s poem was at least partly influenced by Pablo Picasso''s painting "The written blog post: http://www.johnwheway.com/?p=4 Read an except from the Wallace Stevens poem that inspired P.K. Page''s "The Blue Guitar" here: https://www.artic.edu/artworks/28067/the-old-guitarist https://www.artic.edu/artworks/28067/the-old-guitarist https://www.poetryinvoice.com/poems/poets/david-barrick id: work_fos67nw6zjb6lblxc72ggtzakq author: Patrik N. Juslin title: Communication of emotions in vocal expression and music performance: Different channels, same code? date: 2003 words: 44200 sentences: 14640 pages: 45 flesch: 82 cache: ./cache/work_fos67nw6zjb6lblxc72ggtzakq.pdf txt: ./txt/work_fos67nw6zjb6lblxc72ggtzakq.txt summary: Communication of Emotions in Vocal Expression and Music Performance: First, the existence of acoustic similarities between vocal expression of emotions and music could help to forms of nonverbal communication; (d) vocal expressions of discrete emotions usually occur in similar types of life situations in categories related to life problems such as danger (fear), competition (anger), loss (sadness), cooperation (happiness) and caregiving (love).2 By perceiving expressed emotions in terms of such Emotion in vocal expression and music performance is a multidisciplinary field of research. The present results indicate that communication of emotions in vocal expression and music performance was relatively accurate. decode basic emotions from vocal expression and music performance develops in early childhood at least, perhaps even in infancy. Patterns of Acoustic Cues Used to Express Emotions Specifically in Music Performance Studies This review has revealed similarities in the acoustic cues used to communicate emotions in vocal expression and music performance. Emotion Acoustic cues (vocal expression/music performance) id: work_wiovv3okjzetthjn4z5upaiyda author: Paul Atkinson title: Hairy Guys in Sheds: The Rough and Ready World of DIY Cigar Box Guitar Makers date: 2018 words: 11164 sentences: 1026 pages: 32 flesch: 76 cache: ./cache/work_wiovv3okjzetthjn4z5upaiyda.pdf txt: ./txt/work_wiovv3okjzetthjn4z5upaiyda.txt summary: Hairy Guys in Sheds: The Rough and Ready World of DIY Cigar Box Guitar Makers Hairy Guys in Sheds: The Rough and Ready World of DIY Cigar Box Guitar Makers Hairy Guys in Sheds: The Rough and Ready World of DIY Cigar Box Guitar Makers Hairy Guys in Sheds: The Rough and Ready World of DIY Cigar Box Guitar Makers Hairy Guys in Sheds: The Rough and Ready World of DIY Cigar Box Guitar Makers Hairy Guys in Sheds: The Rough and Ready World of DIY Cigar Box Guitar Makers Hairy Guys in Sheds: The Rough and Ready World of DIY Cigar Box Guitar Makers Hairy Guys in Sheds: The Rough and Ready World of DIY Cigar Box Guitar Makers Hairy Guys in Sheds: The Rough and Ready World of DIY Cigar Box Guitar Makers Hairy Guys in Sheds: The Rough and Ready World of DIY Cigar Box Guitar Makers id: work_hx534dx2hzcc7jbq4yljmyezpi author: Richard T Harrison title: Leadership, leadership development and all that jazz date: 2016 words: 10567 sentences: 658 pages: 23 flesch: 55 cache: ./cache/work_hx534dx2hzcc7jbq4yljmyezpi.pdf txt: ./txt/work_hx534dx2hzcc7jbq4yljmyezpi.txt summary: notes: from competence to creativity in executive development", in RE Purser and A Montuori (eds) Social leadership and the highly instrumental and performative nature of the competence an improvisational art form to develop a view of leadership based on fluidity and improvisational dynamic between an individual performer''s skill and the community created leaders and leadership remains firmly rooted in a relentlessly performative approach to The often highly instrumental nature of leader/leadership development, archetypically leadership capability, through that to identify and develop effective leader behavior, and current procedures to measure and develop leadership skills, competence and capabilities The focus of performative leadership development, the emphasis on procedures and rules, is which represents the framework for understanding life-in-organization and leadership-aspractice in a turbulent changing world. This emphasis on creativity is fundamental to an understanding of leadership, future However, the key development of this musical metaphor for leadership as a community of id: work_6gyfuq7rgjfetmbgkdjywbyz3e author: Roy Porter title: Lay medical knowledge in the eighteenth century: The evidence of the Gentleman''s Magazine date: 1985 words: 17954 sentences: 1744 pages: 31 flesch: 70 cache: ./cache/work_6gyfuq7rgjfetmbgkdjywbyz3e.pdf txt: ./txt/work_6gyfuq7rgjfetmbgkdjywbyz3e.txt summary: Drawing attention recently in his ''Health, disease and medical care'' to advances F. Bynum, ''Health, disease and medical care'', in G.S. Rousseau and Roy Porter (editors), The Jewson, ''Medical knowledge and the patronage system in eighteenth century England'', Sociology, in their Health care andpopular medicine in nineteenth-century England, London, Croom Helm, 1977, pp. medicine dispensed traditional lay medical lore mixed with elite Edinburgh Smith, ''Prescribing the rules of health: self-help and advice in the late eighteenth century'', in Porter F. Bynum and Roy Porter (editors), William Hunter and the eighteenth-century medical Though those lines were penned by a physician, the Gentleman''s Magazine''s medical of medical topics provided by the Gentleman''s Magazine, or even those contributions changing place of medical matters in the Gentleman''s Magazine in the nineteenth Lay medical knowledge in the eighteenth century Lay medical knowledge in the eighteenth century Lay medical knowledge in the eighteenth century id: work_5wgmcxajqzfhxp4gvy3vai6z44 author: Rupert Till title: Pop stars and idolatry: an investigation of the worship of popular music icons, and the music and cult of Prince date: 2010 words: 6515 sentences: 451 pages: 15 flesch: 65 cache: ./cache/work_5wgmcxajqzfhxp4gvy3vai6z44.pdf txt: ./txt/work_5wgmcxajqzfhxp4gvy3vai6z44.txt summary: Pop stars and idolatry: an investigation of the worship of popular music icons, and the himself as an icon of consumer culture, as a deified ''rock god'' worshipped by his fans, and as a preacher leading his Prince''s work and the role of the pop star as an icon within contemporary culture, an icon that contains a physicality Keywords: Prince; popular; iconography; icon; star Consumer culture uses popular icons as examples of idealised consumers, the music industry in worshipper creating the popular icon, as without an audience a star is merely another person. 3 Some popular music stars have renewed and reinvigorated their work by creating new versions of their onstage character, notable Prince is one such star who has managed to progress to the status of popular icon, using an overt culture, Prince and his peers in the world of music are fulfilling roles traditionally played by religious figures id: work_nar7abtvm5b2rjlx4fblx2ryqe author: Ryan Dohoney title: ''Élan Vital … and How to Fake it'': Morton Feldman and Merle Marsicano''s Vernacular Metaphysics date: 2019 words: 8029 sentences: 688 pages: 19 flesch: 66 cache: ./cache/work_nar7abtvm5b2rjlx4fblx2ryqe.pdf txt: ./txt/work_nar7abtvm5b2rjlx4fblx2ryqe.txt summary: ''Élan Vital … and How to Fake it'': Morton Feldman and Merle Marsicano''s Vernacular Metaphysics Merle Marsicano, is Feldman''s only other open form piece (along with Intermission 6). Keywords: Morton Feldman; élan vital; vitalism; Bergson; Intermission 6; Figure of In the wake of Joseph''s Bergsonist reading of Cage, there has been a broader reconsideration of vitalism''s importance to the intellectual history of New York School modernism.4 Art historians including Ellen Landau (2007), Jonathan Katz (2007), and notations for the graph score Marginal Intersection, bits of Extensions 1, 3, and 4, incidental music for a production of Aristophanes'' The Frogs, and the first version of Intermission 6.5 Skizzenbuch 3 is among the earliest sources of Feldman''s writing about his Feldman''s attempts at faking élan vital with Intermission 6 and his work with Marsicano By calling Feldman''s and Marsicano''s vitalism a vernacular metaphysics, I want to stress the avant-garde''s interpenetration with some aspects of popular culture and explore how the Bergson-craze of the id: work_lwrjm2qsujfuphgdwfl7v43thq author: Santiago Rodríguez Guerrero-Strachan title: De la simple existencia: Antología poética by Wallace Stevens, and: La roca by Wallace Stevens, and: Poemas tardíos by Wallace Stevens, and: Ideas de orden by Wallace Stevens, and: Las auroras de otoño y otros poemas by Wallace Stevens (review) date: 2013 words: 1749 sentences: 122 pages: 5 flesch: 66 cache: ./cache/work_lwrjm2qsujfuphgdwfl7v43thq.pdf txt: ./txt/work_lwrjm2qsujfuphgdwfl7v43thq.txt summary: De la simple existencia: Antología poética by Wallace Stevens, and: La roca by Wallace Stevens, and: Poemas tardíos by Wallace Stevens, and: Ideas de orden by Wallace Stevens, and: Las auroras de otoño y otros poemas by Wallace Stevens (review) Not only can the Spanish reader now find translations of a sizable number of canonized poems, from "The Idea of order at Key versions of stevens'' major prose writings, whether they be the essays collected in The Necessary Angel or epigraphs from "adagia." That a poet''s personal In 1980, Sánchez Robayna published his first gathering of stevens in translation, Poemas (Barcelona: Plaza y Janés), and he wrote Finally, Jenaro Talens, yet another poet (besides a professor of literary theory at the university of valencia), has compiled a brief but representative number of poems in an anthology entitled Las auroras de otoño y otros poemas [The id: work_nytswgbk3rg23dvozgfrwbvrae author: Sarah Lynn Banting title: Common ground and the city : assumed community in Vancouver fiction and theatre date: 2010 words: 101767 sentences: 5675 pages: 312 flesch: 60 cache: ./cache/work_nytswgbk3rg23dvozgfrwbvrae.pdf txt: ./txt/work_nytswgbk3rg23dvozgfrwbvrae.txt summary: Taking novels, short stories, and plays set in metropolitan Vancouver as a case address audiences who share their knowledge of certain parts of the city. narratives address audiences who have a specific amount of knowledge of Vancouver but and Three, novels, short stories and plays set in Vancouver rarely assume a specifically about how literary texts and plays set in a specific place might allow their audiences to audience design come into effect if readers recognize the novel''s references to Canadian Place-sharing narratives set in Vancouver show us a variety of urban common The narrator and audience''s shared map of these dispersed Vancouver places is references to the narrator and her audience''s Vancouver common ground do serve to narrative address involving Vancouver common ground and an attendant Vancouverbased sympathy of location, a mutual sense of the personal relevance of local events to narrators of Wilson''s Vancouver fictions construct the city for their audience as, id: work_a7ef57sw2jbkvkxhdpxfasm24q author: Scot Brown title: The Blues/Funk Futurism of Roger Troutman date: 2013 words: 2060 sentences: 127 pages: 6 flesch: 65 cache: ./cache/work_a7ef57sw2jbkvkxhdpxfasm24q.pdf txt: ./txt/work_a7ef57sw2jbkvkxhdpxfasm24q.txt summary: Roger Troutman is most known for expanding the range and melodic possibilities of the talk box or voice box—a device that allows an artist to fuse vocal Roger Troutman was in his early twenties when inspired by Stevie Wonder, who frequently used the talk box during live performances in the The area was ripe with independent record labels and disc jockeys at stations like WDAO (Dayton) who frequently aired singles by local bands. The overlapping sound research and social activism of Roger and the Troutman would, nevertheless, keep Roger''s brand of funk—and funk music at large— The Blues/Funk Futurism of Roger Troutman 123 The Blues/Funk Futurism of Roger Troutman 123 The Blues/Funk Futurism of Roger Troutman 123 6. Zapp (Roger Troutman), Karen Shearer Papers, Archives of African American Music and 6. Zapp (Roger Troutman), Karen Shearer Papers, Archives of African American Music and 6. Zapp (Roger Troutman), Karen Shearer Papers, Archives of African American Music and id: work_3asa5qxlenh3tm63bffpvzd46i author: Simon Critchley title: Surfaciality: Some Poems by Fernando Pessoa, one by Wallace Stevens, and the Brief Sketch of a Poetic Ontology date: 2018 words: 8358 sentences: 641 pages: 21 flesch: 76 cache: ./cache/work_3asa5qxlenh3tm63bffpvzd46i.pdf txt: ./txt/work_3asa5qxlenh3tm63bffpvzd46i.txt summary: In this paper, I attempt to give a reading of some poems by the great Portuguese poet, Fernando Pessoa, focusing in particular on the relation between thought and things or mind and world as it is figured in poetry. I would simply like to read a few poems by Pessoa, or rather by the heteronym Alberto Caeiro, who is always referred to as "the master." Caeiro was "Things have no meaning" ("As cousas não têm significação") in the sense Caeiro asks: why would we delude ourselves into thinking that another thing beyond them to their hidden or occult meaning; once again, the word Caeiro As Caeiro says, "To think is not to understand" (Fernando Pessoa & Co 58). I''d like to turn to the final two sections of the poem, where these seemings are called "description without place." What does Stevens mean by description? id: work_2wqlzl6g6vc5vexa5kqijnc32q author: Tam John Rowe title: Coming to terms with the disenchantment of the world: the extent and limit of immanent numinosity in the poetry of Wallace Stevens date: 2016 words: 62390 sentences: 3976 pages: 194 flesch: 68 cache: ./cache/work_2wqlzl6g6vc5vexa5kqijnc32q.pdf txt: ./txt/work_2wqlzl6g6vc5vexa5kqijnc32q.txt summary: reading Stevens'' poetry, bearing in mind the claims he makes for art and poetry Reality, in Stevens'' use of the word, may be the world supposed to be antecedent in itself or the 17 Doggett is striking at a similar point when he argues that ''Stevens'' poetry envisions a world burgeoning in remain the never-resting mind,'' (179), writes Stevens in ''The Poems of Our Climate'', lacerating than Miller, when discussing Imre Salusinszky''s strategy of asking ''participants to provide an on-thespot interpretation of Stevens'' poem "Not Ideas about the Thing but the Thing Itself"'' (Sampson, 2000, 186Here we see Stevens extending the self-world integration to include non-human humanist''s lack of God. With this in mind, I think we can and should read Stevens as an 88 David Perkins argues that Stevens'' ''poem does not describe but merely invokes "The Snow Man" by In Stevens'' poetry, early through late, the world, the earth, the cosmos, nature, id: work_6ujzcidklbfgvb5iyz5lmhqgre author: Tim Armstrong title: Player Piano: Poetry and Sonic Modernity date: 2007 words: 8455 sentences: 464 pages: 21 flesch: 65 cache: ./cache/work_6ujzcidklbfgvb5iyz5lmhqgre.pdf txt: ./txt/work_6ujzcidklbfgvb5iyz5lmhqgre.txt summary: world has a way of recording not just the discrete tones of music but all it.8 Like the gramophone, this offered a real-time transcription of a sonic musical storage suggested by his barrel-organ story; that is of memory something else in this dead storage: recorded music saves the past, returning recorded music; and to open himself to this sound, the sound of human In his earlier work in particular, Stevens often describes music in unconscious, in ''Notes'' music is ''like a sense, / A passion that we feel, not In this poem, and indeed throughout Stevens''s mature poetry, music serves poem, Stevens expands on that vision in terms which refer us both to music to the world of human music-making and Helmholtz''s depicting sonic of music as the transcript of the temporal struggle of the will in mind, I recorded music – the story whose first stop is the player piano, the id: work_2tudfn6p7vbovpiu2j5biw4d4m author: Tony Sharpe title: "Dead Opposites" or "Reconciled among the Stars"?: Stevens and Eliot date: 2018 words: 7465 sentences: 410 pages: 16 flesch: 68 cache: ./cache/work_2tudfn6p7vbovpiu2j5biw4d4m.pdf txt: ./txt/work_2tudfn6p7vbovpiu2j5biw4d4m.txt summary: "Dead Opposites" or "Reconciled among the Stars"?: Stevens and Eliot Stevens thought of Eliot again, but was dismissive: "It is possible that a In fact, the nature of Stevens''s objection to Eliot''s unquestioned reputation, and his perception of its negative consequences, This comes from Eliot''s "The Hollow Men" (III), and this, from Stevens''s Stevens''s poem was written considerably later than Eliot''s, but I am not of Stevens''s that we can be certain Eliot knew was "The Emperor of IceCream," since he alluded to it in the title of the final lecture on the course because the association between Eliot and music Stevens enunciated in I suggest that this shows Stevens as a more penetrating reader of Eliot than is provided by the unconvincing example of "The five four-line stanzas; but, thinking like Eliot''s poem about "landscape" which Stevens embarked (CPP 428), and that Eliot to some extent derided: id: work_drzpwrrzdnfb5egdsdtx7ws5ci author: Tricia Hopton title: Realizing the flexible imaginary : Canadian identity in contemporary theatre date: 2005 words: 28677 sentences: 1611 pages: 68 flesch: 65 cache: ./cache/work_drzpwrrzdnfb5egdsdtx7ws5ci.pdf txt: ./txt/work_drzpwrrzdnfb5egdsdtx7ws5ci.txt summary: Filewod''s Performing Canada: The Nation Enacted in the Imagined Theatre sets out to characters'' social units, particularly by re-imagining the roles of family members or enacting I would suggest that this equality provides the ideal conditions for selfexploration, allowing characters to try out different personas, as needed. Canadian and American sense of self offers an insightful perspective on national identities. notions of national identity, confirming for the audience the imagined ideal: Canadians may national identity to "People in Real Life Canada;" in this, I think we see a clear example of alternative family unit which allows the characters opportunities to enact different roles. In both families, characters play multiple roles Each family has characters playing the roles of parents and children. Clearly, the familial role changes enable each of the characters to work towards fulfilling malleable social groups, characters are able to enact different familial roles to fulfill their id: work_yppx6jysffe23gqdmnc3ct625i author: Vanessa Frances Newby title: Walk the Line: Examining the Factors that Enable Peacemakers to Influence Their Local Security Environment date: 2018 words: 104188 sentences: 6557 pages: 284 flesch: 64 cache: ./cache/work_yppx6jysffe23gqdmnc3ct625i.pdf txt: ./txt/work_yppx6jysffe23gqdmnc3ct625i.txt summary: This thesis also revealed that the main constraints faced by UNIFIL currently are the localinternational legitimacy gap in the mandate, local agency and a lack of national and international praxis of the UNIFIL peace operation into three levels of engagement: the international, national capacity building two national institutions: the Lebanese Armed Forces (LAF) and local observe UNIFIL in the area of operations, interacting with the local population: on border officers less effective on the ground.37 In the UNIFIL mission at both the local and international Chapter Three describes how UNIFIL works at the local level to reduce international tensions Lebanon in two main ways: capacity building the Lebanese Armed Forces (LAF) and local information sessions to educate local people on the Blue Line, interview with Respondent K, UNIFIL, Naqoura, This chapter will describe how UNIFIL works at the local level to reduce international tensions peacekeeping mission, UNIFIL engage in peacebuilding activities at the national level. id: work_3ahu3wcizfh2be3s7s5tt7blb4 author: W. Vaughn McCall title: Electroconvulsive Therapy in the Treatment of the "Blues" date: 2017 words: 144 sentences: 27 pages: flesch: 72 cache: ./cache/work_3ahu3wcizfh2be3s7s5tt7blb4.pdf txt: ./txt/work_3ahu3wcizfh2be3s7s5tt7blb4.txt summary: sys_1000 wp-p1m-39.ebi.ac.uk wp-p1m-39.ebi.ac.uk exception exception Params is empty Params is empty Params is empty if (typeof jQuery === "undefined") document.write(''[script type="text/javascript" src="/corehtml/pmc/jig/1.14.8/js/jig.min.js"][/script]''.replace(/\[/g,String.fromCharCode(60)).replace(/\]/g,String.fromCharCode(62))); // // // window.name="mainwindow"; .pmc-wm {background:transparent repeat-y top left;background-image:url(/corehtml/pmc/pmcgifs/wm-nobrand.png);background-size: auto, contain} .print-view{display:block} Page not available Reason: The web page address (URL) that you used may be incorrect. Message ID: 218307388 (wp-p1m-39.ebi.ac.uk) Time: 2021/04/06 02:11:35 If you need further help, please send an email to PMC. 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Find a specific article by its citation (journal, date, volume, first page, author or article title). http://europepmc.org/abstract/MED/ id: work_y2ghdzlmrzbbdnpatg35kv4kre author: WILLIAM WATKIN title: "Let''s Make a List": James Schuyler''s Taxonomic Autobiography date: 2002 words: 11888 sentences: 646 pages: 26 flesch: 68 cache: ./cache/work_y2ghdzlmrzbbdnpatg35kv4kre.pdf txt: ./txt/work_y2ghdzlmrzbbdnpatg35kv4kre.txt summary: work, a process of witnessing which names the subject into objective being. the nature of time, the days of the diaries or day books of Schuyler''s life of selfwitnessing, also become things. of place, but in the Schuyler poem surely place, time, language, and self are all taxonomic autobiography works ; naming the subject into the agency of '''' Let''s Make a List '''' : James Schuyler''s Taxonomic Autobiography  '''' Let''s Make a List '''' : James Schuyler''s Taxonomic Autobiography  '''' Let''s Make a List '''' : James Schuyler''s Taxonomic Autobiography  '''' Let''s Make a List '''' : James Schuyler''s Taxonomic Autobiography  '''' Let''s Make a List '''' : James Schuyler''s Taxonomic Autobiography  '''' Let''s Make a List '''' : James Schuyler''s Taxonomic Autobiography  '''' Let''s Make a List '''' : James Schuyler''s Taxonomic Autobiography  '''' Let''s Make a List '''' : James Schuyler''s Taxonomic Autobiography  id: work_ey3akxayzjgadk4cym2yumlv44 author: Wallace (Katy), Katherine title: A new materialist turn toward the textbook: an exploration of the relationship between history textbooks and historical narratives date: 2019 words: 56608 sentences: 4167 pages: 191 flesch: 65 cache: ./cache/work_ey3akxayzjgadk4cym2yumlv44.pdf txt: ./txt/work_ey3akxayzjgadk4cym2yumlv44.txt summary: textbook, G.R. Elton''s England Under the Tudors, shaped the historical narrative taught to the material experience of teaching history in a certain setting using the textbook as an object of by describing the material qualities of the textbook, as well as the history classroom and school Despite a wealth of research looking at history textbooks and historical narratives, Lisa relationship with a specific history textbook, G.R. Elton''s England Under the Tudors, and the Tudors will view the book as a written text, a material object, and a cultural transaction but it This class of textbook research therefore covers how teachers and students receive books in the (and the teacher) had a copy of another textbook, AQA A-level History: The Tudors: England object and human, between book and teacher, means the tool-like qualities of England Under the the historical interpretations and the material objects of the history classroom space (human and ==== make-pages.sh questions ==== make-pages.sh search ==== make-pages.sh topic modeling corpus Zipping study carrel