Summary of your 'study carrel' ============================== This is a summary of your Distant Reader 'study carrel'. The Distant Reader harvested & cached your content into a collection/corpus. It then applied sets of natural language processing and text mining against the collection. The results of this process was reduced to a database file -- a 'study carrel'. The study carrel can then be queried, thus bringing light specific characteristics for your collection. These characteristics can help you summarize the collection as well as enumerate things you might want to investigate more closely. This report is a terse narrative report, and when processing is complete you will be linked to a more complete narrative report. Eric Lease Morgan Number of items in the collection; 'How big is my corpus?' ---------------------------------------------------------- 11 Average length of all items measured in words; "More or less, how big is each item?" ------------------------------------------------------------------------------------ 56879 Average readability score of all items (0 = difficult; 100 = easy) ------------------------------------------------------------------ 76 Top 50 statistically significant keywords; "What is my collection about?" ------------------------------------------------------------------------- 6 work 6 illustration 4 St. 4 John 3 sidenote 3 great 3 art 3 Rome 3 Rodin 3 Michael 3 Florence 3 Christ 3 Balzac 3 Angelo 2 man 2 like 2 life 2 good 2 french 2 Siena 2 San 2 Renaissance 2 Paris 2 Museum 2 Mr. 2 London 2 Hugo 2 Greek 2 God 2 George 2 Gate 2 Footnote 2 England 2 Donatello 2 Calais 2 Apollo 1 year 1 time 1 stone 1 statue 1 sculpture 1 return 1 old 1 model 1 little 1 lecture 1 greek 1 gothic 1 form 1 figure Top 50 lemmatized nouns; "What is discussed?" --------------------------------------------- 1644 figure 1617 work 1288 sidenote 1115 hand 1066 art 1017 inch 967 man 941 time 941 foot 933 head 885 relief 746 p. 745 statue 740 part 698 marble 697 sculpture 684 day 676 life 622 artist 608 height 562 year 554 side 466 sculptor 450 thing 447 arm 443 fragment 437 form 420 nature 417 place 414 nothing 414 group 406 one 397 illustration 387 subject 368 body 365 model 362 face 359 fig 358 stone 356 word 351 way 332 order 327 bronze 326 right 325 woman 324 monument 305 character 303 idea 296 width 296 drawing Top 50 proper nouns; "What are the names of persons or places?" -------------------------------------------------------------- 7474 _ 838 . 796 Rodin 749 Donatello 728 pl 433 Greek 426 St. 294 | 285 II 269 Footnote 256 Florence 252 I. 217 Marbles 216 Museum 210 John 206 Michaelis 202 FIG 195 Mus 190 Athens 183 San 175 Angelo 172 Michael 168 Synopsis 161 Elgin 156 Nos 152 de 152 Rome 146 Parthenon 145 Paris 141 God 139 Carrey 134 Coll 130 Apollo 124 Siena 120 Pentelic 120 Madonna 117 London 115 Centaur 113 Professor 111 ed 111 IX 110 Christ 106 Athenè 105 Lapith 101 di 100 British 99 Signor 98 Duke 97 M. 97 Italy Top 50 personal pronouns nouns; "To whom are things referred?" ------------------------------------------------------------- 5807 it 5068 i 4014 he 1709 me 1498 you 1455 they 1348 him 1233 we 1141 them 576 she 420 himself 397 us 357 her 334 one 328 itself 252 myself 161 themselves 67 herself 37 ourselves 31 yourself 21 mine 13 his 11 ours 9 thee 7 theirs 6 hers 3 yours 2 yourselves 2 oneself 1 when--(you 1 u 1 thyself 1 theseus 1 such),--you 1 preserved:-- 1 pp 1 pl 1 land,-- 1 it)--all 1 hitherto 1 em 1 eim 1 balzac"--the 1 au 1 ''s Top 50 lemmatized verbs; "What do things do?" --------------------------------------------- 21332 be 6813 have 1651 do 1503 make 1316 see 1024 say 990 give 729 take 656 find 645 go 644 know 633 come 545 stand 531 show 512 seem 480 hold 448 think 434 look 397 represent 365 leave 340 draw 337 speak 333 wear 333 become 329 work 327 call 325 feel 324 appear 303 place 294 remain 291 fall 275 pass 261 tell 258 use 258 follow 252 put 250 live 246 understand 238 carry 224 begin 222 bring 222 bear 220 lose 215 belong 214 die 211 turn 209 wish 208 want 203 return 194 set Top 50 lemmatized adjectives and adverbs; "How are things described?" --------------------------------------------------------------------- 3275 not 1276 so 1126 more 955 great 916 only 778 little 756 right 711 most 707 other 702 well 641 now 602 also 601 first 599 then 587 good 584 very 572 left 532 even 520 much 503 out 502 as 500 up 465 such 463 same 460 long 428 many 412 here 385 beautiful 383 old 357 still 344 young 334 never 331 always 321 own 317 small 317 perhaps 313 too 304 far 303 however 297 there 290 down 282 large 281 few 280 high 270 early 262 less 257 true 256 just 253 away 251 probably Top 50 lemmatized superlative adjectives; "How are things described to the extreme?" ------------------------------------------------------------------------- 132 good 120 least 118 most 71 great 43 early 39 high 35 fine 26 simple 17 slight 17 low 16 old 15 near 14 Most 13 small 12 late 11 strong 9 noble 8 bad 7 pure 7 eld 5 young 5 rude 5 lovely 5 bright 4 large 4 happy 4 grand 4 common 3 short 3 rich 3 innermost 3 grave 3 fair 3 deep 2 warm 2 vast 2 true 2 remote 2 quick 2 poor 2 pleasant 2 mighty 2 mere 2 lofty 2 hard 2 farth 2 dear 2 close 1 wild 1 wide Top 50 lemmatized superlative adverbs; "How do things do to the extreme?" ------------------------------------------------------------------------ 593 most 21 well 21 least 1 long Top 50 Internet domains; "What Webbed places are alluded to in this corpus?" ---------------------------------------------------------------------------- 2 www.gutenberg.org 2 www.archive.org Top 50 URLs; "What is hyperlinked from this corpus?" ---------------------------------------------------- 1 http://www.gutenberg.org/files/37558/37558-h/37558-h.htm 1 http://www.gutenberg.org/files/37558/37558-h.zip 1 http://www.archive.org/details/tuscansculptureo00hurliala 1 http://www.archive.org/details/donatello00crawuoft Top 50 email addresses; "Who are you gonna call?" ------------------------------------------------- 1 davidsch@earthlink.net Top 50 positive assertions; "What sentences are in the shape of noun-verb-noun?" ------------------------------------------------------------------------------- 7 donatello did not 6 _ is _ 6 _ see _ 5 art is not 5 donatello was not 5 rodin did not 4 rodin has never 4 statue does not 4 work is not 4 work was not 3 _ are _ 3 _ was _ 3 art was not 3 donatello was never 3 figure is not 3 figures are not 2 _ be _ 2 _ does _ 2 _ thinks _ 2 art has not 2 art is cold 2 artist was always 2 artist was not 2 days gone by 2 donatello does not 2 donatello is also 2 donatello was fond 2 donatello was responsible 2 donatello was too 2 figure has not 2 figure is bent 2 figure is majestic 2 figure is now 2 figure wearing chiton 2 figures are deities 2 figures are nude 2 figures do not 2 figures wear sandals 2 hand is open 2 hand was probably 2 head is almost 2 head is bare 2 head is now 2 head is slightly 2 head is wanting.--_temenos 2 head was formerly 2 man was not 2 men did not 2 relief is not 2 relief is perhaps Top 50 negative assertions; "What sentences are in the shape of noun-verb-no|not-noun?" --------------------------------------------------------------------------------------- 1 art had no crusader 1 art has not sufficient 1 art is not possible 1 art is not resemblance 1 art was not enough 1 artist had no very 1 artist has no hope 1 artist takes no liberties 1 artist was not fully 1 day had not then 1 day has not yet 1 day is no trivial 1 days are not worth 1 donatello did not strictly 1 donatello had no eyes 1 donatello had no such 1 donatello made no brutus 1 donatello was not altogether 1 donatello was not always 1 donatello was not much 1 donatello was not responsible 1 figures are not deities 1 figures is no less 1 hand shows no grip 1 inches being no uncommon 1 man is not untested 1 man shows no conviction 1 part has not yet 1 relief is not so 1 rodin has not merely 1 rodin is no exception 1 rodin is not all 1 rodin is not here 1 sculptor is not satisfied 1 sculptor shows no love 1 sculpture has no more 1 sculpture has not only 1 statue had not only 1 statue is not altogether 1 statues have no symbol 1 statues were not conventional 1 work did not entirely 1 work does no good 1 work is not convincing 1 work is not so 1 work makes no claim 1 work shows no traces 1 work was not futile A rudimentary bibliography -------------------------- id = 43327 author = Cladel, Judith title = Rodin: The Man and His Art, with Leaves from His Note-book date = keywords = Balzac; Calais; France; Gate; Hugo; Michelangelo; Paris; Renaissance; Rodin; Rome; Victor; art; artist; day; french; gothic; great; greek; illustration; life; like; man; model; work summary = sculptor and psychologist that places Rodin apart from other artists. he consulted his model anew in order to correct his work of the day. Intent as he was upon his modeling work, Rodin did not abandon drawing; In addition to these works of decorative art, Rodin executed a number prevented the artist from having a cast taken of his work in time: like _And Rodin was working without models!_ art into the realm of sculpture; and when Rodin came to seek effects of our most beautiful works of art, our marvelous architecture, our reproduction of nature such as a work of art attempts, sculpture in the artists, inspired by love of beauty, to create great masterpieces work, like those that used to be executed in the great ages of art: he ateliers of Rodin, and the more numerous the works his hand models, the art of shadow and light is the charm of beautiful sculpture. id = 18099 author = Crawford, David Lindsay, Earl of title = Donatello, by Lord Balcarres date = keywords = Alinari; Angelo; Baptist; Bargello; Berlin; Cathedral; Christ; David; Donatello; Florence; Footnote; Gattamelata; George; Ghiberti; John; Lorenzo; Madonna; Medici; Michael; Michelozzo; Museum; Padua; Renaissance; Rome; San; Siena; St.; Vasari; illustration; sidenote; work summary = work by Donatello himself, namely, the Salome relief at Lille--my student of Italian art, Donatello the man must remain a mystery. Like several of Donatello''s statues, this figure is connected with the The third great statue made for the façade by Donatello is now placed Donatello worked on the St. John for nearly seven years, and, comment suggested by Donatello''s early work in marble is that he was [Footnote 50: Borghini, Donatello''s earliest work. Though Donatello had worked for Ghiberti on the bronze gates, he [Footnote 95: Donatello worked there for eighteen months. classical whim led him to be called, began the bronze doors of St. Peter''s just before Donatello''s visit. Donatello''s Coscia, and his work at Siena and Padua, still show signs Donatello made the bronze doors, a pair of large reliefs, Donatello''s last work shows the [Footnote 241: _E.g._, work wrongly attributed to Donatello: the id = 40870 author = Duprè, Giovanni title = Thoughts on Art and Autobiographical Memoirs of Giovanni Duprè date = keywords = Abel; Academy; Angelo; Bartolini; Cain; Cavaliere; Christ; Count; Duke; Duprè; Florence; Giovanni; Giuseppe; God; Grand; Italy; London; Luigi; Marchese; Marina; Michael; Naples; Paris; Prince; Princess; Professor; Rome; San; Siena; Signor; death; good; little; return; sidenote; statue; time; work summary = About this time, what with continuous study, hardish work in my father''s About this time my father, failing to get work, came to Florence, hoping The work was begun: I made a little model in clay, gave it a great deal In this way, with only a half-day''s work, I was able to carry home my not really a work of art, but merely a cast from life; that I had wished came to see me, and said that he should like to order the statue of she, taking the little girls by the hand, said good-bye to me, and I was speaking, I went over in my memory the beautiful works of this great [Sidenote: WORKS ORDERED BY THE GRAND DUKE.] Poor Amalia, working from pure love of art, doing good young artists desirous of knowing something of my life, my works, and id = 33252 author = Hurll, Estelle M. (Estelle May) title = Tuscan Sculpture of the Fifteenth Century A Collection of Sixteen Pictures Reproducing Works by Donatello, the Della Robia, Mino da Fiesole, and Others, with Introduction date = keywords = Andrea; Donatello; Fiesole; Florence; Florentine; Footnote; George; Jesus; John; Luca; Robbia; St.; illustration summary = Jacopo della Quercia was one of the oldest of the sculptors whose work With Luca della Robbia began the "reign of the bas-relief," as Marcel della Robbia is the subject of two important French works: by 1. _Musical Angels._ (Donatello.) Bronze bas-reliefs from the high [Illustration: MUSICAL ANGELS (DONATELLO) Church of San Antonio, The Florentine sculptor, Luca della Robbia, received the order for The work of Luca della Robbia was not confined to marble. [Illustration: MADONNA AND CHILD (LUCA DELLA ROBBIA) _Shop in the Via A bas-relief by Andrea della Robbia represents the meeting of St. Dominick with St. Francis.[34] It is apparently the artist''s The artistic qualities of this relief place it among the best works by [Footnote 41: Described in a little book called _Italian Child-Life_, The bas-relief by Andrea della Robbia tells the story of the angel''s Robbia''s art, which are again illustrated in this work. id = 5712 author = James, Juliet Helena Lumbard title = Sculpture of the Exposition Palaces and Courts Descriptive Notes on the Art of the Statuary at the Panama-Pacific International Exposition, San Francisco date = keywords = Arts; Calder; Exposition; Fountain; New; Sculptor; York; american summary = study of the sculptors and their works at the Panama-Pacific The sculptor''s work calls for steadfastness of purpose through long fine working out of his subject in a classical way, for the style of is "The Flame." At the Fine Arts Palace are a number of works from his the New York Art Students'' League under Augustus Saint-Gaudens, later prize offered by the American Art Association in Paris for the best work Albert Jaegers, a man who has taught himself his art, having fine powers His works in the Fine Arts Palace are of a very States Naval Academy at Annapolis, and much fine figure work. which can be seen in the Fine Arts Palace of the Exposition. look at his "Kneeling Figure" at the altar in front of the Fine Arts can be seen in medal form in the Fine Arts Palace. Was director of the Fine Arts Palace, Pan-American Exposition. id = 50665 author = Mauclair, Camille title = Auguste Rodin: The Man - His Ideas - His Works date = keywords = Balzac; Burghers; Bust; Calais; Gate; Hell; Hugo; John; Rodin; St.; art; french; illustration; work summary = RODIN''S WORK FROM 1895 TO 1898--SMALL GROUPS--THE STATUE OF YOUTH AND EARLY WORK OF RODIN--HIS FIRST ATTEMPTS; HIS TIME AT YOUTH AND EARLY WORK OF RODIN--HIS FIRST ATTEMPTS; HIS TIME AT RODIN''S STUDIO--HIS WORKS FROM 1880 TO 1889--"EVE"; SOME BUSTS; RODIN''S STUDIO--HIS WORKS FROM 1880 TO 1889--"EVE"; SOME BUSTS; among the little groups on which Rodin is still at work, are many that is one of Rodin''s best known works and the very symbol of his art. RODIN''S WORK FROM 1895 TO 1898--SMALL GROUPS--THE STATUE OF "BALZAC" Rodin reserves this form of art for certain categories of works that From the time of the _Balzac_ Rodin''s work has proceeded Various works have been produced by Rodin since the _Balzac,_ in modelling, Rodin has continued to work at his _Ugolino,_ taken out of SCULPTORS INSPIRED BY HIS IDEAS--RODIN''S PLACE IN THE FRENCH SCULPTORS INSPIRED BY HIS IDEAS--RODIN''S PLACE IN THE FRENCH id = 45605 author = Rilke, Rainer Maria title = Auguste Rodin date = keywords = Balzac; Rodin; body; figure; great; life; like; man; work summary = great things." For it was just that which Rodin was seeking: the grace For two thousand years life had held this body in its hands and Here in the body Rodin found the world of his time show that they were all of One God. For years Rodin walked the roads of life searchingly and humbly as this rejection, for one feels that in this work Rodin''s art was Rodin lived near his work and, like the They move about him like great gestures made some time during his life, gestures that were so beautiful and young When Rodin concentrates the surfaces of his works into Such, too, is the "Balzac" to whom Rodin has given a greatness which, Rodin planned a great work in relief in which there were to be effects monumental figure or a great gesture; for work is something near, it id = 25897 author = Ruskin, John title = Aratra Pentelici, Seven Lectures on the Elements of Sculpture Given before the University of Oxford in Michaelmas Term, 1870 date = keywords = Angelo; Apollo; Athena; Bellini; Christ; England; God; Greece; Greek; Michael; Mr.; Plate; Raphael; St.; Tintoret; Venice; Zeus; art; form; good; great; illustration; lecture; sculpture; work summary = there is a canon law in formative Art is, at this time, a more important 2. In general, the three great, or fine, Arts of Painting, Sculpture, so under the laws of the one great art of Sculpture. Athena''s help, into forms of power;--([Greek: to men holon architektôn Greek mind at the time when its art-symbols were first fixed; but it is Sculpture, it thus appears, is the only work of wisdom that the Greeks painting as distinct arts: but the laws which bind sculpture, bind no spiritual power seen in the form of any living thing, and so represented GREEK FLAT RELIEF, AND SCULPTURE BY EDGED INCISION.] GREEK FLAT RELIEF, AND SCULPTURE BY EDGED INCISION.] at the series of coins of the best time of Greek art, which I have just the time of the most finished and delicate Greek art--a little after the id = 37558 author = Smith, A. H. (Arthur Hamilton) title = A Catalogue of Sculpture in the Department of Greek and Roman Antiquities, British Museum, Volume 1 (of 2) date = keywords = Apollo; Athens; British; Brunn; Carrey; Centaur; Coll; Denkmaeler; Elgin; Greek; III; Inscriptions; Lapith; Limestone; Marbles; Michaelis; Mus; Museum; Nos; Parthenon; Pentelic; Rightnote; Synopsis; sidenote summary = Male figure, seated on a chair, with the right hand resting on the Statue of Chares, a male figure, seated on a chair, with left hand Male figure, seated on a chair, with left hand on left knee, and right Upper part of male figure in high relief standing to the right, Lower part of male figure in high relief standing to the right, Fragment, in high relief, of the head and shoulders of a figure, from Fragment, in high relief, of the right thigh of a draped figure, Right foot of a figure standing, to the left. Right arm of a youthful nude figure holding the reins of a horse Restored:--Head, left arm, part of right forearm and hand; both heads of both these figures and the right arm of the Centaur are cast head of the female figure, and the right arm and tail of the Centaur. id = 12978 author = Vincent, W. T. (William Thomas) title = In Search of Gravestones Old and Curious date = keywords = England; FIG; GRAVESTONES; Ireland; John; Kent; London; Mary; Mr.; Scotland; Thomas; age; churchyard; illustration; old; stone; year summary = may be found on a very old flat stone in the churchyard of Widcombe, said of an old gravestone, and, as a churchyard record of a local The sculptor of a stone which is in Dartford burial-ground probably shews the general view of one of these old stones at Higham, in the memory of "Thomas Vdall," who died in 1704, aged 63 years. There is a second stone of similar pattern in Cliffe Churchyard, dated gravestones in the vast and carefully guarded burial-place in the City work descriptive of old gravestones in existence, and nothing with ornaments of the churches, but the gravestones in the churchyards, Of old burial-grounds now open as public gardens in the London bethought them of the burial-ground, lifted up the old stones and set burial-places, the most common type being the rough slab of stone, gravestones in the old churchyard near Queenstown, and the other