mv: ‘./input-file.zip’ and ‘./input-file.zip’ are the same file Creating study carrel named classification-ND-gutenberg Initializing database Unzipping Archive: input-file.zip creating: ./tmp/input/input-file/ inflating: ./tmp/input/input-file/14056.txt inflating: ./tmp/input/input-file/18900.txt inflating: ./tmp/input/input-file/19009.txt inflating: ./tmp/input/input-file/20607.txt inflating: ./tmp/input/input-file/20915.txt inflating: ./tmp/input/input-file/19863.txt inflating: ./tmp/input/input-file/20019.txt inflating: ./tmp/input/input-file/22500.txt inflating: ./tmp/input/input-file/29532.txt inflating: ./tmp/input/input-file/29150.txt inflating: ./tmp/input/input-file/29907.txt inflating: ./tmp/input/input-file/29906.txt inflating: ./tmp/input/input-file/29904.txt inflating: ./tmp/input/input-file/17395.txt inflating: ./tmp/input/input-file/17408.txt inflating: ./tmp/input/input-file/18371.txt inflating: ./tmp/input/input-file/18118.txt inflating: 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cache/43792.txt OUTPUT: txt/43792.txt FILE: cache/42163.txt OUTPUT: txt/42163.txt FILE: cache/41974.txt OUTPUT: txt/41974.txt FILE: cache/45332.txt OUTPUT: txt/45332.txt FILE: cache/41834.txt OUTPUT: txt/41834.txt FILE: cache/45129.txt OUTPUT: txt/45129.txt FILE: cache/41836.txt OUTPUT: txt/41836.txt FILE: cache/44340.txt OUTPUT: txt/44340.txt FILE: cache/35995.txt OUTPUT: txt/35995.txt FILE: cache/44329.txt OUTPUT: txt/44329.txt FILE: cache/46915.txt OUTPUT: txt/46915.txt FILE: cache/36427.txt OUTPUT: txt/36427.txt 20607 txt/../wrd/20607.wrd 20607 txt/../pos/20607.pos 20607 txt/../ent/20607.ent === file2bib.sh === id: 20607 author: Israëls, Jozef title: Rembrandt date: pages: extension: .txt txt: ./txt/20607.txt cache: ./cache/20607.txt Content-Encoding ISO-8859-1 Content-Type text/plain; charset=ISO-8859-1 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 3 resourceName b'20607.txt' 20019 txt/../pos/20019.pos 20019 txt/../wrd/20019.wrd 19009 txt/../pos/19009.pos 19009 txt/../wrd/19009.wrd 20019 txt/../ent/20019.ent 19009 txt/../ent/19009.ent === file2bib.sh === id: 20019 author: Ruskin, John title: Lectures on Landscape Delivered at Oxford in Lent Term, 1871 date: pages: extension: .txt txt: ./txt/20019.txt cache: ./cache/20019.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 4 resourceName b'20019.txt' === file2bib.sh === id: 19009 author: Hurll, Estelle M. (Estelle May) title: Sir Joshua Reynolds A Collection of Fifteen Pictures and a Portrait of the Painter with Introduction and Interpretation date: pages: extension: .txt txt: ./txt/19009.txt cache: ./cache/19009.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 3 resourceName b'19009.txt' 14056 txt/../pos/14056.pos 14056 txt/../ent/14056.ent 14056 txt/../wrd/14056.wrd 29150 txt/../pos/29150.pos 29904 txt/../pos/29904.pos 22500 txt/../wrd/22500.wrd 22500 txt/../pos/22500.pos 18371 txt/../pos/18371.pos 18371 txt/../wrd/18371.wrd 18371 txt/../ent/18371.ent 22500 txt/../ent/22500.ent 29150 txt/../wrd/29150.wrd 29904 txt/../wrd/29904.wrd 29150 txt/../ent/29150.ent 20915 txt/../pos/20915.pos 29904 txt/../ent/29904.ent 17215 txt/../pos/17215.pos 17408 txt/../wrd/17408.wrd === file2bib.sh === id: 14056 author: Mauclair, Camille title: The French Impressionists (1860-1900) date: pages: extension: .txt txt: ./txt/14056.txt cache: ./cache/14056.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 4 resourceName b'14056.txt' 17215 txt/../wrd/17215.wrd 19863 txt/../pos/19863.pos 20915 txt/../wrd/20915.wrd 17408 txt/../pos/17408.pos 17215 txt/../ent/17215.ent 18900 txt/../pos/18900.pos 30180 txt/../pos/30180.pos === file2bib.sh === id: 18371 author: Ruskin, John title: Giotto and his works in Padua An Explanatory Notice of the Series of Woodcuts Executed for the Arundel Society After the Frescoes in the Arena Chapel date: pages: extension: .txt txt: ./txt/18371.txt cache: ./cache/18371.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 3 resourceName b'18371.txt' 17395 txt/../pos/17395.pos 30180 txt/../wrd/30180.wrd === file2bib.sh === id: 22500 author: Trusler, John title: The Works of William Hogarth: In a Series of Engravings With Descriptions, and a Comment on Their Moral Tendency date: pages: extension: .txt txt: ./txt/22500.txt cache: ./cache/22500.txt Content-Encoding ISO-8859-1 Content-Type text/plain; charset=ISO-8859-1 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 3 resourceName b'22500.txt' 20915 txt/../ent/20915.ent 27759 txt/../pos/27759.pos 19863 txt/../wrd/19863.wrd 30315 txt/../pos/30315.pos 17395 txt/../wrd/17395.wrd 30314 txt/../pos/30314.pos 19863 txt/../ent/19863.ent 18900 txt/../wrd/18900.wrd 29906 txt/../pos/29906.pos 30316 txt/../pos/30316.pos 27759 txt/../wrd/27759.wrd 29532 txt/../pos/29532.pos 18118 txt/../pos/18118.pos 25073 txt/../pos/25073.pos 18900 txt/../ent/18900.ent 29532 txt/../ent/29532.ent 24650 txt/../pos/24650.pos 30180 txt/../ent/30180.ent 30316 txt/../wrd/30316.wrd 17395 txt/../ent/17395.ent 30314 txt/../wrd/30314.wrd 31623 txt/../pos/31623.pos 30315 txt/../wrd/30315.wrd 29532 txt/../wrd/29532.wrd === file2bib.sh === id: 29150 author: Fortescue, Beatrice title: Holbein date: pages: extension: .txt txt: ./txt/29150.txt cache: ./cache/29150.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 5 resourceName b'29150.txt' 29906 txt/../wrd/29906.wrd 27759 txt/../ent/27759.ent 18118 txt/../wrd/18118.wrd === file2bib.sh === id: 17215 author: Menpes, Mortimer title: Rembrandt date: pages: extension: .txt txt: ./txt/17215.txt cache: ./cache/17215.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 3 resourceName b'17215.txt' 3226 txt/../pos/3226.pos 25073 txt/../wrd/25073.wrd Traceback (most recent call last): File "/data-disk/reader-compute/reader-classic/bin/txt2keywords.py", line 54, in for keyword, score in ( yake( doc, ngrams=NGRAMS, topn=TOPN ) ) : File "/data-disk/python/lib/python3.8/site-packages/textacy/ke/yake.py", line 96, in yake word_scores = _compute_word_scores(doc, word_occ_vals, word_freqs, stop_words) File "/data-disk/python/lib/python3.8/site-packages/textacy/ke/yake.py", line 205, in _compute_word_scores freq_baseline = statistics.mean(freqs_nsw) + statistics.stdev(freqs_nsw) File "/data-disk/python/lib/python3.8/statistics.py", line 315, in mean raise StatisticsError('mean requires at least one data point') statistics.StatisticsError: mean requires at least one data point 24650 txt/../wrd/24650.wrd Traceback (most recent call last): File "/data-disk/reader-compute/reader-classic/bin/txt2keywords.py", line 54, in for keyword, score in ( yake( doc, ngrams=NGRAMS, topn=TOPN ) ) : File "/data-disk/python/lib/python3.8/site-packages/textacy/ke/yake.py", line 96, in yake word_scores = _compute_word_scores(doc, word_occ_vals, word_freqs, stop_words) File "/data-disk/python/lib/python3.8/site-packages/textacy/ke/yake.py", line 205, in _compute_word_scores freq_baseline = statistics.mean(freqs_nsw) + statistics.stdev(freqs_nsw) File "/data-disk/python/lib/python3.8/statistics.py", line 315, in mean raise StatisticsError('mean requires at least one data point') statistics.StatisticsError: mean requires at least one data point === file2bib.sh === id: 29904 author: Leonardo, da Vinci title: Thoughts on Art and Life date: pages: extension: .txt txt: ./txt/29904.txt cache: ./cache/29904.txt Content-Encoding ISO-8859-1 Content-Type text/plain; charset=ISO-8859-1 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 4 resourceName b'29904.txt' 31623 txt/../wrd/31623.wrd 29906 txt/../ent/29906.ent 21561 txt/../pos/21561.pos 13477 txt/../pos/13477.pos 31623 txt/../ent/31623.ent 17408 txt/../ent/17408.ent 30262 txt/../pos/30262.pos 13973 txt/../pos/13973.pos 3226 txt/../wrd/3226.wrd Traceback (most recent call last): File "/data-disk/reader-compute/reader-classic/bin/txt2keywords.py", line 54, in for keyword, score in ( yake( doc, ngrams=NGRAMS, topn=TOPN ) ) : File "/data-disk/python/lib/python3.8/site-packages/textacy/ke/yake.py", line 96, in yake word_scores = _compute_word_scores(doc, word_occ_vals, word_freqs, stop_words) File "/data-disk/python/lib/python3.8/site-packages/textacy/ke/yake.py", line 205, in _compute_word_scores freq_baseline = statistics.mean(freqs_nsw) + statistics.stdev(freqs_nsw) File "/data-disk/python/lib/python3.8/statistics.py", line 315, in mean raise StatisticsError('mean requires at least one data point') statistics.StatisticsError: mean requires at least one data point 26703 txt/../pos/26703.pos 30316 txt/../ent/30316.ent 17478 txt/../pos/17478.pos 30314 txt/../ent/30314.ent 30315 txt/../ent/30315.ent === file2bib.sh === id: 17408 author: Berenson, Bernard title: The Florentine Painters of the Renaissance With An Index To Their Works date: pages: extension: .txt txt: ./txt/17408.txt cache: ./cache/17408.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 4 resourceName b'17408.txt' 25073 txt/../ent/25073.ent 24650 txt/../ent/24650.ent 18118 txt/../ent/18118.ent 30262 txt/../wrd/30262.wrd 13477 txt/../wrd/13477.wrd 22690 txt/../pos/22690.pos 22125 txt/../pos/22125.pos 13973 txt/../wrd/13973.wrd 3226 txt/../ent/3226.ent 21561 txt/../wrd/21561.wrd 26703 txt/../wrd/26703.wrd 8857 txt/../pos/8857.pos 30098 txt/../pos/30098.pos 22125 txt/../wrd/22125.wrd 7785 txt/../pos/7785.pos 17478 txt/../wrd/17478.wrd 13477 txt/../ent/13477.ent 22690 txt/../wrd/22690.wrd 12626 txt/../pos/12626.pos 21561 txt/../ent/21561.ent 13973 txt/../ent/13973.ent 8857 txt/../wrd/8857.wrd Traceback (most recent call last): File "/data-disk/reader-compute/reader-classic/bin/txt2keywords.py", line 54, in for keyword, score in ( yake( doc, ngrams=NGRAMS, topn=TOPN ) ) : File "/data-disk/python/lib/python3.8/site-packages/textacy/ke/yake.py", line 96, in yake word_scores = _compute_word_scores(doc, word_occ_vals, word_freqs, stop_words) File "/data-disk/python/lib/python3.8/site-packages/textacy/ke/yake.py", line 205, in _compute_word_scores freq_baseline = statistics.mean(freqs_nsw) + statistics.stdev(freqs_nsw) File "/data-disk/python/lib/python3.8/statistics.py", line 315, in mean raise StatisticsError('mean requires at least one data point') statistics.StatisticsError: mean requires at least one data point 7785 txt/../wrd/7785.wrd 30098 txt/../wrd/30098.wrd 26703 txt/../ent/26703.ent 36066 txt/../pos/36066.pos 17478 txt/../ent/17478.ent 529 txt/../pos/529.pos 30877 txt/../pos/30877.pos 30262 txt/../ent/30262.ent 13119 txt/../pos/13119.pos 12626 txt/../wrd/12626.wrd 22690 txt/../ent/22690.ent 34372 txt/../pos/34372.pos 37714 txt/../pos/37714.pos 12307 txt/../pos/12307.pos 30877 txt/../wrd/30877.wrd 7222 txt/../pos/7222.pos === file2bib.sh === id: 17395 author: Conway, William Martin, Sir title: The Book of Art for Young People date: pages: extension: .txt txt: ./txt/17395.txt cache: ./cache/17395.txt Content-Encoding ISO-8859-1 Content-Type text/plain; charset=ISO-8859-1 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 3 resourceName b'17395.txt' 29907 txt/../pos/29907.pos 29907 txt/../wrd/29907.wrd 36066 txt/../wrd/36066.wrd 37063 txt/../pos/37063.pos 7785 txt/../ent/7785.ent 13119 txt/../wrd/13119.wrd 8857 txt/../ent/8857.ent 36533 txt/../pos/36533.pos 37714 txt/../wrd/37714.wrd 529 txt/../wrd/529.wrd 34372 txt/../wrd/34372.wrd === file2bib.sh === id: 20915 author: Field, George title: Field's Chromatography or Treatise on Colours and Pigments as Used by Artists date: pages: extension: .txt txt: ./txt/20915.txt cache: ./cache/20915.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 6 resourceName b'20915.txt' 30098 txt/../ent/30098.ent 37063 txt/../wrd/37063.wrd 12307 txt/../wrd/12307.wrd 6932 txt/../pos/6932.pos 7222 txt/../wrd/7222.wrd === file2bib.sh === id: 27759 author: Cruttwell, Maud title: Luca Signorelli date: pages: extension: .txt txt: ./txt/27759.txt cache: ./cache/27759.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 5 resourceName b'27759.txt' 22125 txt/../ent/22125.ent 12626 txt/../ent/12626.ent 36533 txt/../wrd/36533.wrd 4998 txt/../pos/4998.pos 30877 txt/../ent/30877.ent 38848 txt/../pos/38848.pos 9837 txt/../pos/9837.pos 37088 txt/../pos/37088.pos 36066 txt/../ent/36066.ent === file2bib.sh === id: 30180 author: Brinton, Selwyn title: Perugino date: pages: extension: .txt txt: ./txt/30180.txt cache: ./cache/30180.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 3 resourceName b'30180.txt' 6932 txt/../wrd/6932.wrd 29907 txt/../ent/29907.ent 39000 txt/../pos/39000.pos 39286 txt/../pos/39286.pos 8162 txt/../pos/8162.pos 529 txt/../ent/529.ent === file2bib.sh === id: 31623 author: Ruskin, John title: Modern Painters, Volume 4 (of 5) date: pages: extension: .txt txt: ./txt/31623.txt cache: ./cache/31623.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 7 resourceName b'31623.txt' === file2bib.sh === id: 30314 author: MacFall, Haldane title: Vigée Le Brun date: pages: extension: .txt txt: ./txt/30314.txt cache: ./cache/30314.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 3 resourceName b'30314.txt' 34372 txt/../ent/34372.ent 37714 txt/../ent/37714.ent 4998 txt/../wrd/4998.wrd 36930 txt/../pos/36930.pos 38848 txt/../wrd/38848.wrd 36931 txt/../pos/36931.pos 36929 txt/../pos/36929.pos 36932 txt/../pos/36932.pos 13119 txt/../ent/13119.ent 37063 txt/../ent/37063.ent 37407 txt/../pos/37407.pos 37088 txt/../wrd/37088.wrd 39286 txt/../wrd/39286.wrd 39000 txt/../wrd/39000.wrd 12307 txt/../ent/12307.ent === file2bib.sh === id: 30315 author: Caw, J. L. (James Lewis), Sir title: Raeburn date: pages: extension: .txt txt: ./txt/30315.txt cache: ./cache/30315.txt Content-Encoding ISO-8859-1 Content-Type text/plain; charset=ISO-8859-1 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 3 resourceName b'30315.txt' 8162 txt/../wrd/8162.wrd 7222 txt/../ent/7222.ent 9837 txt/../wrd/9837.wrd === file2bib.sh === id: 19863 author: Tytler, Sarah title: The Old Masters and Their Pictures, For the Use of Schools and Learners in Art date: pages: extension: .txt txt: ./txt/19863.txt cache: ./cache/19863.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 6 resourceName b'19863.txt' 36533 txt/../ent/36533.ent === file2bib.sh === id: 30316 author: Bensusan, S. L. (Samuel Levy) title: Velazquez date: pages: extension: .txt txt: ./txt/30316.txt cache: ./cache/30316.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 4 resourceName b'30316.txt' 40423 txt/../pos/40423.pos 36931 txt/../wrd/36931.wrd 39942 txt/../pos/39942.pos 39943 txt/../pos/39943.pos 36929 txt/../wrd/36929.wrd 36930 txt/../wrd/36930.wrd 39265 txt/../pos/39265.pos 39330 txt/../pos/39330.pos 36932 txt/../wrd/36932.wrd 40251 txt/../pos/40251.pos 6932 txt/../ent/6932.ent 38967 txt/../pos/38967.pos 9837 txt/../ent/9837.ent 12657 txt/../pos/12657.pos 37407 txt/../wrd/37407.wrd 41346 txt/../pos/41346.pos 41497 txt/../pos/41497.pos 41492 txt/../pos/41492.pos 35934 txt/../pos/35934.pos 39943 txt/../wrd/39943.wrd 37088 txt/../ent/37088.ent 40423 txt/../wrd/40423.wrd 39330 txt/../wrd/39330.wrd 40251 txt/../wrd/40251.wrd === file2bib.sh === id: 18118 author: Hubbard, Elbert title: Little Journeys to the Homes of the Great - Volume 04 Little Journeys to the Homes of Eminent Painters date: pages: extension: .txt txt: ./txt/18118.txt cache: ./cache/18118.txt Content-Encoding ISO-8859-1 Content-Type text/plain; charset=ISO-8859-1 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 4 resourceName b'18118.txt' 4999 txt/../pos/4999.pos 39265 txt/../wrd/39265.wrd === file2bib.sh === id: 24650 author: Whistler, James McNeill title: The Gentle Art of Making Enemies date: pages: extension: .txt txt: ./txt/24650.txt cache: ./cache/24650.txt Content-Encoding ISO-8859-1 Content-Type text/plain; charset=ISO-8859-1 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 1 resourceName b'24650.txt' Traceback (most recent call last): File "/data-disk/reader-compute/reader-classic/bin/file2bib.py", line 107, in text = textacy.preprocessing.normalize.normalize_quotation_marks( text ) File "/data-disk/python/lib/python3.8/site-packages/textacy/preprocessing/normalize.py", line 32, in normalize_quotation_marks return text.translate(QUOTE_TRANSLATION_TABLE) AttributeError: 'NoneType' object has no attribute 'translate' 39942 txt/../wrd/39942.wrd 4998 txt/../ent/4998.ent === file2bib.sh === id: 25073 author: Atkinson, J. Beavington title: Overbeck date: pages: extension: .txt txt: ./txt/25073.txt cache: ./cache/25073.txt Content-Encoding ISO-8859-1 Content-Type text/plain; charset=ISO-8859-1 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 1 resourceName b'25073.txt' Traceback (most recent call last): File "/data-disk/reader-compute/reader-classic/bin/file2bib.py", line 107, in text = textacy.preprocessing.normalize.normalize_quotation_marks( text ) File "/data-disk/python/lib/python3.8/site-packages/textacy/preprocessing/normalize.py", line 32, in normalize_quotation_marks return text.translate(QUOTE_TRANSLATION_TABLE) AttributeError: 'NoneType' object has no attribute 'translate' 39286 txt/../ent/39286.ent 38848 txt/../ent/38848.ent 12657 txt/../wrd/12657.wrd 41583 txt/../pos/41583.pos 39416 txt/../pos/39416.pos === file2bib.sh === id: 29906 author: Ruskin, John title: Modern Painters, Volume 2 (of 5) date: pages: extension: .txt txt: ./txt/29906.txt cache: ./cache/29906.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 12 resourceName b'29906.txt' === file2bib.sh === id: 30262 author: Rhys, Ernest title: Frederic Lord Leighton: An Illustrated Record of His Life and Work date: pages: extension: .txt txt: ./txt/30262.txt cache: ./cache/30262.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 5 resourceName b'30262.txt' 41346 txt/../wrd/41346.wrd === file2bib.sh === id: 18900 author: Van Dyke, John Charles title: A Text-Book of the History of Painting date: pages: extension: .txt txt: ./txt/18900.txt cache: ./cache/18900.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 7 resourceName b'18900.txt' 4999 txt/../wrd/4999.wrd 41497 txt/../wrd/41497.wrd 40896 txt/../pos/40896.pos 8162 txt/../ent/8162.ent 38967 txt/../wrd/38967.wrd === file2bib.sh === id: 3226 author: Dürer, Albrecht title: Records of Journeys to Venice and the Low Countries date: pages: extension: .txt txt: ./txt/3226.txt cache: ./cache/3226.txt Content-Encoding ISO-8859-1 Content-Type text/plain; charset=ISO-8859-1 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 1 resourceName b'3226.txt' Traceback (most recent call last): File "/data-disk/reader-compute/reader-classic/bin/file2bib.py", line 107, in text = textacy.preprocessing.normalize.normalize_quotation_marks( text ) File "/data-disk/python/lib/python3.8/site-packages/textacy/preprocessing/normalize.py", line 32, in normalize_quotation_marks return text.translate(QUOTE_TRANSLATION_TABLE) AttributeError: 'NoneType' object has no attribute 'translate' 36931 txt/../ent/36931.ent 41492 txt/../wrd/41492.wrd 39000 txt/../ent/39000.ent 36930 txt/../ent/36930.ent === file2bib.sh === id: 21561 author: Supino, I. B. (Igino Benvenuto) title: Fra Angelico date: pages: extension: .txt txt: ./txt/21561.txt cache: ./cache/21561.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 4 resourceName b'21561.txt' 36932 txt/../ent/36932.ent 36929 txt/../ent/36929.ent 32787 txt/../pos/32787.pos 41621 txt/../pos/41621.pos 32681 txt/../pos/32681.pos 41583 txt/../wrd/41583.wrd 39416 txt/../wrd/39416.wrd === file2bib.sh === id: 13477 author: Hare, William Loftus title: Watts (1817-1904) date: pages: extension: .txt txt: ./txt/13477.txt cache: ./cache/13477.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 3 resourceName b'13477.txt' === file2bib.sh === id: 26703 author: Bryant, Lorinda Munson title: The Children's Book of Celebrated Pictures date: pages: extension: .txt txt: ./txt/26703.txt cache: ./cache/26703.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 3 resourceName b'26703.txt' 39265 txt/../ent/39265.ent === file2bib.sh === id: 22690 author: Burnet, John title: Rembrandt and His Works Comprising a Short Account of His Life; with a Critical Examination into His Principles and Practice of Design, Light, Shade, and Colour. Illustrated by Examples from the Etchings of Rembrandt. date: pages: extension: .txt txt: ./txt/22690.txt cache: ./cache/22690.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 3 resourceName b'22690.txt' 39943 txt/../ent/39943.ent 40896 txt/../wrd/40896.wrd === file2bib.sh === id: 13973 author: nan title: Whistler Stories date: pages: extension: .txt txt: ./txt/13973.txt cache: ./cache/13973.txt Content-Encoding ISO-8859-1 Content-Type text/plain; charset=ISO-8859-1 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 2 resourceName b'13973.txt' 32681 txt/../wrd/32681.wrd 39330 txt/../ent/39330.ent 34645 txt/../pos/34645.pos 33166 txt/../pos/33166.pos 38967 txt/../ent/38967.ent 37407 txt/../ent/37407.ent === file2bib.sh === id: 22125 author: Berenson, Bernard title: The Venetian Painters of the Renaissance Third Edition date: pages: extension: .txt txt: ./txt/22125.txt cache: ./cache/22125.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 4 resourceName b'22125.txt' 40423 txt/../ent/40423.ent 35934 txt/../wrd/35934.wrd 41621 txt/../wrd/41621.wrd 32787 txt/../wrd/32787.wrd 40251 txt/../ent/40251.ent 39942 txt/../ent/39942.ent 43988 txt/../pos/43988.pos 4999 txt/../ent/4999.ent 35935 txt/../pos/35935.pos 41346 txt/../ent/41346.ent 12657 txt/../ent/12657.ent 41497 txt/../ent/41497.ent 41492 txt/../ent/41492.ent 33166 txt/../wrd/33166.wrd 49068 txt/../pos/49068.pos 44033 txt/../pos/44033.pos 35934 txt/../ent/35934.ent 36347 txt/../pos/36347.pos 39416 txt/../ent/39416.ent 34645 txt/../wrd/34645.wrd 41533 txt/../pos/41533.pos 41583 txt/../ent/41583.ent 39996 txt/../pos/39996.pos 44321 txt/../pos/44321.pos 50843 txt/../pos/50843.pos 40896 txt/../ent/40896.ent 43988 txt/../wrd/43988.wrd 41541 txt/../pos/41541.pos 41648 txt/../pos/41648.pos 41533 txt/../wrd/41533.wrd 41621 txt/../ent/41621.ent 32681 txt/../ent/32681.ent 49068 txt/../wrd/49068.wrd 32787 txt/../ent/32787.ent 35935 txt/../wrd/35935.wrd === file2bib.sh === id: 29532 author: Davies, Randall title: Six Centuries of Painting date: pages: extension: .txt txt: ./txt/29532.txt cache: ./cache/29532.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 18 resourceName b'29532.txt' === file2bib.sh === id: 30098 author: Phillipps, Evelyn March title: The Venetian School of Painting date: pages: extension: .txt txt: ./txt/30098.txt cache: ./cache/30098.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 8 resourceName b'30098.txt' 31934 txt/../pos/31934.pos === file2bib.sh === id: 17478 author: nan title: Great Pictures, As Seen and Described by Famous Writers date: pages: extension: .txt txt: ./txt/17478.txt cache: ./cache/17478.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 7 resourceName b'17478.txt' 41947 txt/../pos/41947.pos === file2bib.sh === id: 8857 author: Galt, John title: The Life, Studies, and Works of Benjamin West, Esq. Composed from Materials Furnished by Himself date: pages: extension: .txt txt: ./txt/8857.txt cache: ./cache/8857.txt Content-Encoding ISO-8859-1 Content-Type text/plain; charset=ISO-8859-1 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 2 resourceName b'8857.txt' Traceback (most recent call last): File "/data-disk/reader-compute/reader-classic/bin/file2bib.py", line 107, in text = textacy.preprocessing.normalize.normalize_quotation_marks( text ) File "/data-disk/python/lib/python3.8/site-packages/textacy/preprocessing/normalize.py", line 32, in normalize_quotation_marks return text.translate(QUOTE_TRANSLATION_TABLE) AttributeError: 'NoneType' object has no attribute 'translate' 41694 txt/../pos/41694.pos 44033 txt/../wrd/44033.wrd 42185 txt/../pos/42185.pos 36347 txt/../wrd/36347.wrd === file2bib.sh === id: 12626 author: Phillips, Claude, Sir title: The Earlier Work of Titian date: pages: extension: .txt txt: ./txt/12626.txt cache: ./cache/12626.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 4 resourceName b'12626.txt' 44321 txt/../wrd/44321.wrd 39996 txt/../wrd/39996.wrd 34479 txt/../pos/34479.pos 41939 txt/../pos/41939.pos === file2bib.sh === id: 7785 author: Brockwell, Maurice W. title: Leonardo Da Vinci date: pages: extension: .txt txt: ./txt/7785.txt cache: ./cache/7785.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 3 resourceName b'7785.txt' 43001 txt/../pos/43001.pos 35466 txt/../pos/35466.pos 43085 txt/../pos/43085.pos 50843 txt/../wrd/50843.wrd 41541 txt/../wrd/41541.wrd 43068 txt/../pos/43068.pos 38923 txt/../pos/38923.pos 41648 txt/../wrd/41648.wrd 34585 txt/../pos/34585.pos === file2bib.sh === id: 12657 author: Phillips, Claude, Sir title: The Later Works of Titian date: pages: extension: .txt txt: ./txt/12657.txt cache: ./cache/12657.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 5 resourceName b'12657.txt' 31934 txt/../wrd/31934.wrd 33166 txt/../ent/33166.ent 41887 txt/../pos/41887.pos 41886 txt/../pos/41886.pos 34479 txt/../wrd/34479.wrd 42828 txt/../pos/42828.pos 41798 txt/../pos/41798.pos 34645 txt/../ent/34645.ent 41674 txt/../pos/41674.pos 42352 txt/../pos/42352.pos 43410 txt/../pos/43410.pos 41947 txt/../wrd/41947.wrd 41694 txt/../wrd/41694.wrd 42185 txt/../wrd/42185.wrd 42952 txt/../pos/42952.pos === file2bib.sh === id: 36066 author: Howell, Edgar M. title: Hermann Stieffel, Soldier Artist of the West date: pages: extension: .txt txt: ./txt/36066.txt cache: ./cache/36066.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 3 resourceName b'36066.txt' 42163 txt/../pos/42163.pos 41939 txt/../wrd/41939.wrd === file2bib.sh === id: 529 author: Steedman, Amy title: Knights of Art: Stories of the Italian Painters date: pages: extension: .txt txt: ./txt/529.txt cache: ./cache/529.txt Content-Encoding ISO-8859-1 Content-Type text/plain; charset=ISO-8859-1 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 3 resourceName b'529.txt' 43347 txt/../pos/43347.pos 42528 txt/../pos/42528.pos 43001 txt/../wrd/43001.wrd 43988 txt/../ent/43988.ent 41974 txt/../pos/41974.pos 41734 txt/../pos/41734.pos 42118 txt/../pos/42118.pos 42114 txt/../pos/42114.pos 41835 txt/../pos/41835.pos 43085 txt/../wrd/43085.wrd 43068 txt/../wrd/43068.wrd 41886 txt/../wrd/41886.wrd 41834 txt/../pos/41834.pos 38923 txt/../wrd/38923.wrd 41836 txt/../pos/41836.pos === file2bib.sh === id: 13119 author: Hurll, Estelle M. (Estelle May) title: Jean François Millet A Collection of Fifteen Pictures and a Portrait of the Painter, with Introduction and Interpretation date: pages: extension: .txt txt: ./txt/13119.txt cache: ./cache/13119.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 4 resourceName b'13119.txt' 35466 txt/../wrd/35466.wrd === file2bib.sh === id: 34372 author: Keysor, Jennie Ellis title: Fra Angelico: A Sketch date: pages: extension: .txt txt: ./txt/34372.txt cache: ./cache/34372.txt Content-Encoding ISO-8859-1 Content-Type text/plain; charset=ISO-8859-1 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 2 resourceName b'34372.txt' 41798 txt/../wrd/41798.wrd 44033 txt/../ent/44033.ent 49068 txt/../ent/49068.ent 41887 txt/../wrd/41887.wrd 35935 txt/../ent/35935.ent 44340 txt/../pos/44340.pos 42828 txt/../wrd/42828.wrd 41674 txt/../wrd/41674.wrd 42352 txt/../wrd/42352.wrd 43410 txt/../wrd/43410.wrd === file2bib.sh === id: 37714 author: Cundall, H. M. (Herbert Minton) title: Birket Foster, R.W.S. Sixteen examples in colour of the artist's work date: pages: extension: .txt txt: ./txt/37714.txt cache: ./cache/37714.txt Content-Encoding ISO-8859-1 Content-Type text/plain; charset=ISO-8859-1 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 3 resourceName b'37714.txt' 43347 txt/../wrd/43347.wrd 34585 txt/../wrd/34585.wrd 42163 txt/../wrd/42163.wrd 42952 txt/../wrd/42952.wrd 42528 txt/../wrd/42528.wrd 44321 txt/../ent/44321.ent 36347 txt/../ent/36347.ent 44082 txt/../pos/44082.pos 42118 txt/../wrd/42118.wrd 41734 txt/../wrd/41734.wrd 42114 txt/../wrd/42114.wrd === file2bib.sh === id: 7222 author: Scott, Leader title: Fra Bartolommeo date: pages: extension: .txt txt: ./txt/7222.txt cache: ./cache/7222.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 4 resourceName b'7222.txt' 38923 txt/../ent/38923.ent 41974 txt/../wrd/41974.wrd 41835 txt/../wrd/41835.wrd 41834 txt/../wrd/41834.wrd 43894 txt/../pos/43894.pos 41836 txt/../wrd/41836.wrd 39996 txt/../ent/39996.ent === file2bib.sh === id: 36533 author: Crastre, François title: Bastien Lepage date: pages: extension: .txt txt: ./txt/36533.txt cache: ./cache/36533.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 3 resourceName b'36533.txt' 31934 txt/../ent/31934.ent 50843 txt/../ent/50843.ent === file2bib.sh === id: 30877 author: Parkhurst, Daniel Burleigh title: The Painter in Oil A complete treatise on the principles and technique necessary to the painting of pictures in oil colors date: pages: extension: .txt txt: ./txt/30877.txt cache: ./cache/30877.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 5 resourceName b'30877.txt' === file2bib.sh === id: 37063 author: Cuming, E. D. (Edward William Dirom) title: George Morland: Sixteen examples in colour of the artist's work date: pages: extension: .txt txt: ./txt/37063.txt cache: ./cache/37063.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 3 resourceName b'37063.txt' 41541 txt/../ent/41541.ent 41648 txt/../ent/41648.ent 44340 txt/../wrd/44340.wrd === file2bib.sh === id: 12307 author: Cook, Herbert Frederick title: Giorgione date: pages: extension: .txt txt: ./txt/12307.txt cache: ./cache/12307.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 5 resourceName b'12307.txt' 45129 txt/../pos/45129.pos 47363 txt/../pos/47363.pos 41694 txt/../ent/41694.ent 41947 txt/../ent/41947.ent 41939 txt/../ent/41939.ent 42185 txt/../ent/42185.ent 34479 txt/../ent/34479.ent 45332 txt/../pos/45332.pos 35466 txt/../ent/35466.ent 43894 txt/../wrd/43894.wrd 43001 txt/../ent/43001.ent 43085 txt/../ent/43085.ent 41886 txt/../ent/41886.ent 46915 txt/../pos/46915.pos 43068 txt/../ent/43068.ent 41798 txt/../ent/41798.ent 34585 txt/../ent/34585.ent 41887 txt/../ent/41887.ent 42828 txt/../ent/42828.ent 44082 txt/../wrd/44082.wrd 47363 txt/../wrd/47363.wrd 43410 txt/../ent/43410.ent 45129 txt/../wrd/45129.wrd 41674 txt/../ent/41674.ent 42352 txt/../ent/42352.ent 42163 txt/../ent/42163.ent 42952 txt/../ent/42952.ent 43347 txt/../ent/43347.ent 35995 txt/../pos/35995.pos === file2bib.sh === id: 38848 author: Fletcher, John Gould title: Paul Gauguin, His Life and Art date: pages: extension: .txt txt: ./txt/38848.txt cache: ./cache/38848.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 5 resourceName b'38848.txt' 42528 txt/../ent/42528.ent 36427 txt/../pos/36427.pos 43792 txt/../pos/43792.pos 41974 txt/../ent/41974.ent 41734 txt/../ent/41734.ent 41533 txt/../ent/41533.ent 42118 txt/../ent/42118.ent 41835 txt/../ent/41835.ent 46915 txt/../wrd/46915.wrd 45332 txt/../wrd/45332.wrd 42114 txt/../ent/42114.ent 41834 txt/../ent/41834.ent === file2bib.sh === id: 39000 author: nan title: Women Painters of the World From the Time of Caterina Vigri, 1413-1463, to Rosa Bonheur and the Present Day date: pages: extension: .txt txt: ./txt/39000.txt cache: ./cache/39000.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 4 resourceName b'39000.txt' 41836 txt/../ent/41836.ent 44340 txt/../ent/44340.ent === file2bib.sh === id: 39286 author: Howard, Frank title: Colour as a Means of Art Being an Adaption of the Experience of Professors to the Practice of Amateurs date: pages: extension: .txt txt: ./txt/39286.txt cache: ./cache/39286.txt Content-Encoding ISO-8859-1 Content-Type text/plain; charset=ISO-8859-1 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 3 resourceName b'39286.txt' 35995 txt/../wrd/35995.wrd === file2bib.sh === id: 37088 author: Hardie, Martin title: John Pettie, R.A., H.R.S.A. Sixteen examples in colour of the artist's work date: pages: extension: .txt txt: ./txt/37088.txt cache: ./cache/37088.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 3 resourceName b'37088.txt' 44329 txt/../pos/44329.pos 36427 txt/../wrd/36427.wrd 43894 txt/../ent/43894.ent 43792 txt/../wrd/43792.wrd === file2bib.sh === id: 36931 author: Hind, C. Lewis (Charles Lewis) title: Constable date: pages: extension: .txt txt: ./txt/36931.txt cache: ./cache/36931.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 3 resourceName b'36931.txt' 44082 txt/../ent/44082.ent 47363 txt/../ent/47363.ent 45129 txt/../ent/45129.ent === file2bib.sh === id: 9837 author: Moore, T. Sturge (Thomas Sturge) title: Albert Dürer date: pages: extension: .txt txt: ./txt/9837.txt cache: ./cache/9837.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 10 resourceName b'9837.txt' === file2bib.sh === id: 8162 author: Moore, George title: Modern Painting date: pages: extension: .txt txt: ./txt/8162.txt cache: ./cache/8162.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 6 resourceName b'8162.txt' === file2bib.sh === id: 36932 author: Hind, C. Lewis (Charles Lewis) title: Romney date: pages: extension: .txt txt: ./txt/36932.txt cache: ./cache/36932.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 3 resourceName b'36932.txt' 44329 txt/../wrd/44329.wrd 45332 txt/../ent/45332.ent === file2bib.sh === id: 4998 author: Leonardo, da Vinci title: The Notebooks of Leonardo Da Vinci — Volume 1 date: pages: extension: .txt txt: ./txt/4998.txt cache: ./cache/4998.txt Content-Encoding ISO-8859-1 Content-Type text/plain; charset=ISO-8859-1 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 6 resourceName b'4998.txt' === file2bib.sh === id: 36929 author: Baldry, A. L. (Alfred Lys) title: Leighton date: pages: extension: .txt txt: ./txt/36929.txt cache: ./cache/36929.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 3 resourceName b'36929.txt' === file2bib.sh === id: 36930 author: Bensusan, S. L. (Samuel Levy) title: Murillo date: pages: extension: .txt txt: ./txt/36930.txt cache: ./cache/36930.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 3 resourceName b'36930.txt' === file2bib.sh === id: 6932 author: Bacon, Mary Schell Hoke title: Pictures Every Child Should Know A Selection of the World's Art Masterpieces for Young People date: pages: extension: .txt txt: ./txt/6932.txt cache: ./cache/6932.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 7 resourceName b'6932.txt' 46915 txt/../ent/46915.ent === file2bib.sh === id: 37407 author: Langridge, Irene title: William Blake: A Study of His Life and Art Work date: pages: extension: .txt txt: ./txt/37407.txt cache: ./cache/37407.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 4 resourceName b'37407.txt' === file2bib.sh === id: 39330 author: Price, Lucien title: Immortal Youth: A Study in the Will to Create date: pages: extension: .txt txt: ./txt/39330.txt cache: ./cache/39330.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 3 resourceName b'39330.txt' === file2bib.sh === id: 39943 author: Konody, Paul G. (Paul George) title: Delacroix date: pages: extension: .txt txt: ./txt/39943.txt cache: ./cache/39943.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 3 resourceName b'39943.txt' === file2bib.sh === id: 40423 author: Loftie, W. J. (William John) title: Lessons in the Art of Illuminating A Series of Examples selected from Works in the British Museum, Lambeth Palace Library, and the South Kensington Museum. With Practical Instructions, and a Sketch of the History of the Art date: pages: extension: .txt txt: ./txt/40423.txt cache: ./cache/40423.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 3 resourceName b'40423.txt' 36427 txt/../ent/36427.ent 35995 txt/../ent/35995.ent === file2bib.sh === id: 39942 author: Binns, Henry Bryan title: Botticelli date: pages: extension: .txt txt: ./txt/39942.txt cache: ./cache/39942.txt Content-Encoding ISO-8859-1 Content-Type text/plain; charset=ISO-8859-1 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 3 resourceName b'39942.txt' === file2bib.sh === id: 40251 author: Hurll, Estelle M. (Estelle May) title: Titian: a collection of fifteen pictures and a portrait of the painter date: pages: extension: .txt txt: ./txt/40251.txt cache: ./cache/40251.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 4 resourceName b'40251.txt' === file2bib.sh === id: 41346 author: Hay, George title: Bellini date: pages: extension: .txt txt: ./txt/41346.txt cache: ./cache/41346.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 3 resourceName b'41346.txt' === file2bib.sh === id: 41497 author: Bensusan, S. L. (Samuel Levy) title: Reynolds date: pages: extension: .txt txt: ./txt/41497.txt cache: ./cache/41497.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 3 resourceName b'41497.txt' === file2bib.sh === id: 41492 author: Wood, T. Martin title: Whistler date: pages: extension: .txt txt: ./txt/41492.txt cache: ./cache/41492.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 3 resourceName b'41492.txt' 43792 txt/../ent/43792.ent === file2bib.sh === id: 39265 author: Wilmot-Buxton, H. J. (Harry John) title: English Painters, with a Chapter on American Painters date: pages: extension: .txt txt: ./txt/39265.txt cache: ./cache/39265.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 6 resourceName b'39265.txt' === file2bib.sh === id: 38967 author: Lanzi, Luigi title: The History of Painting in Italy, Vol. 4 (of 6) From the Period of the Revival of the Fine Arts to the End of the Eighteenth Century date: pages: extension: .txt txt: ./txt/38967.txt cache: ./cache/38967.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 7 resourceName b'38967.txt' 44329 txt/../ent/44329.ent === file2bib.sh === id: 32681 author: Willson, Harry, active 19th century title: The Use of a Box of Colours, in a Practical Demonstration on Composition, Light and Shade, and Colour. date: pages: extension: .txt txt: ./txt/32681.txt cache: ./cache/32681.txt Content-Encoding ISO-8859-1 Content-Type text/plain; charset=ISO-8859-1 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 4 resourceName b'32681.txt' === file2bib.sh === id: 40896 author: Bradley, Milton title: Elementary Color date: pages: extension: .txt txt: ./txt/40896.txt cache: ./cache/40896.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 5 resourceName b'40896.txt' === file2bib.sh === id: 39416 author: Rothschild, Max title: Gainsborough date: pages: extension: .txt txt: ./txt/39416.txt cache: ./cache/39416.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 2 resourceName b'39416.txt' === file2bib.sh === id: 32787 author: Sweetser, M. F. (Moses Foster) title: Dürer Artist-Biographies date: pages: extension: .txt txt: ./txt/32787.txt cache: ./cache/32787.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 2 resourceName b'32787.txt' === file2bib.sh === id: 41583 author: Baldry, A. L. (Alfred Lys) title: Burne-Jones date: pages: extension: .txt txt: ./txt/41583.txt cache: ./cache/41583.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 3 resourceName b'41583.txt' === file2bib.sh === id: 41621 author: Hind, C. Lewis (Charles Lewis) title: Watteau date: pages: extension: .txt txt: ./txt/41621.txt cache: ./cache/41621.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 3 resourceName b'41621.txt' === file2bib.sh === id: 35934 author: Barrington, Russell, Mrs. title: The Life, Letters and Work of Frederic Leighton. Volume I date: pages: extension: .txt txt: ./txt/35934.txt cache: ./cache/35934.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 11 resourceName b'35934.txt' === file2bib.sh === id: 41533 author: Lanzi, Luigi title: The History of Painting in Italy, Vol. 6 (of 6) From the Period of the Revival of the Fine Arts to the End of the Eighteenth Century (6 volumes) date: pages: extension: .txt txt: ./txt/41533.txt cache: ./cache/41533.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 8 resourceName b'41533.txt' === file2bib.sh === id: 4999 author: Leonardo, da Vinci title: The Notebooks of Leonardo Da Vinci — Volume 2 date: pages: extension: .txt txt: ./txt/4999.txt cache: ./cache/4999.txt Content-Encoding ISO-8859-1 Content-Type text/plain; charset=ISO-8859-1 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 7 resourceName b'4999.txt' === file2bib.sh === id: 33166 author: Hurll, Estelle M. (Estelle May) title: Landseer A collection of fifteen pictures and a portrait of the painter with introduction and interpretation date: pages: extension: .txt txt: ./txt/33166.txt cache: ./cache/33166.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 2 resourceName b'33166.txt' === file2bib.sh === id: 49068 author: Hartmann, Sadakichi title: The Whistler Book A Monograph of the Life and Position in Art of James McNeill Whistler, Together with a Careful Study of His More Important Works date: pages: extension: .txt txt: ./txt/49068.txt cache: ./cache/49068.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 6 resourceName b'49068.txt' === file2bib.sh === id: 34645 author: Lanzi, Luigi title: The History of Painting in Italy, Vol. 3 (of 6) From the Period of the Revival of the Fine Arts to the End of the Eighteenth Century date: pages: extension: .txt txt: ./txt/34645.txt cache: ./cache/34645.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 7 resourceName b'34645.txt' === file2bib.sh === id: 29907 author: Ruskin, John title: Modern Painters, Volume 1 (of 5) date: pages: extension: .txt txt: ./txt/29907.txt cache: ./cache/29907.txt Content-Encoding ISO-8859-1 Content-Type text/plain; charset=ISO-8859-1 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 11 resourceName b'29907.txt' === file2bib.sh === id: 43988 author: Bensusan, S. L. (Samuel Levy) title: Titian date: pages: extension: .txt txt: ./txt/43988.txt cache: ./cache/43988.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 3 resourceName b'43988.txt' === file2bib.sh === id: 44033 author: Konody, Paul G. (Paul George) title: Raphael date: pages: extension: .txt txt: ./txt/44033.txt cache: ./cache/44033.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 3 resourceName b'44033.txt' === file2bib.sh === id: 44321 author: Lounsbery, Elizabeth title: The Mentor: American Miniature Painters, January 15, 1917, Serial No. 123 date: pages: extension: .txt txt: ./txt/44321.txt cache: ./cache/44321.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 2 resourceName b'44321.txt' === file2bib.sh === id: 36347 author: Coleridge, Mary E. (Mary Elizabeth) title: Holman Hunt date: pages: extension: .txt txt: ./txt/36347.txt cache: ./cache/36347.txt Content-Encoding ISO-8859-1 Content-Type text/plain; charset=ISO-8859-1 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 3 resourceName b'36347.txt' === file2bib.sh === id: 50843 author: Van Dyke, John Charles title: The Mentor: Angels in Art, Vol. 1, Num. 40 date: pages: extension: .txt txt: ./txt/50843.txt cache: ./cache/50843.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 1 resourceName b'50843.txt' === file2bib.sh === id: 41541 author: Bensusan, S. L. (Samuel Levy) title: Rubens date: pages: extension: .txt txt: ./txt/41541.txt cache: ./cache/41541.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 2 resourceName b'41541.txt' === file2bib.sh === id: 41648 author: Baldry, A. L. (Alfred Lys) title: Millais date: pages: extension: .txt txt: ./txt/41648.txt cache: ./cache/41648.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 2 resourceName b'41648.txt' === file2bib.sh === id: 41947 author: MacFall, Haldane title: Boucher date: pages: extension: .txt txt: ./txt/41947.txt cache: ./cache/41947.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 3 resourceName b'41947.txt' === file2bib.sh === id: 41939 author: Crastre, François title: Rosa Bonheur date: pages: extension: .txt txt: ./txt/41939.txt cache: ./cache/41939.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 3 resourceName b'41939.txt' === file2bib.sh === id: 42185 author: D'Anvers, N. title: Mantegna date: pages: extension: .txt txt: ./txt/42185.txt cache: ./cache/42185.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 3 resourceName b'42185.txt' === file2bib.sh === id: 31934 author: Vigée-Lebrun, Louise-Elisabeth title: The Memoirs of Madame Vigée Lebrun date: pages: extension: .txt txt: ./txt/31934.txt cache: ./cache/31934.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 6 resourceName b'31934.txt' === file2bib.sh === id: 41694 author: Hind, C. Lewis (Charles Lewis) title: Turner: Five letters and a postscript. date: pages: extension: .txt txt: ./txt/41694.txt cache: ./cache/41694.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 3 resourceName b'41694.txt' === file2bib.sh === id: 43001 author: Turner, Percy Moore title: Van Dyck date: pages: extension: .txt txt: ./txt/43001.txt cache: ./cache/43001.txt Content-Encoding ISO-8859-1 Content-Type text/plain; charset=ISO-8859-1 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 3 resourceName b'43001.txt' === file2bib.sh === id: 43085 author: Barbusse, Henri title: Meissonier date: pages: extension: .txt txt: ./txt/43085.txt cache: ./cache/43085.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 3 resourceName b'43085.txt' === file2bib.sh === id: 42352 author: Quilter, Harry title: Giotto date: pages: extension: .txt txt: ./txt/42352.txt cache: ./cache/42352.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 5 resourceName b'42352.txt' === file2bib.sh === id: 43068 author: Turner, Percy Moore title: Millet date: pages: extension: .txt txt: ./txt/43068.txt cache: ./cache/43068.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 3 resourceName b'43068.txt' === file2bib.sh === id: 41886 author: Konody, Paul G. (Paul George) title: Chardin date: pages: extension: .txt txt: ./txt/41886.txt cache: ./cache/41886.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 3 resourceName b'41886.txt' === file2bib.sh === id: 41798 author: Weale, J. Cyril M. (James Cyril M.) title: Van Eyck date: pages: extension: .txt txt: ./txt/41798.txt cache: ./cache/41798.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 3 resourceName b'41798.txt' === file2bib.sh === id: 41887 author: Konody, Paul G. (Paul George) title: Filippo Lippi date: pages: extension: .txt txt: ./txt/41887.txt cache: ./cache/41887.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 2 resourceName b'41887.txt' === file2bib.sh === id: 41674 author: Allnutt, Sidney title: Corot date: pages: extension: .txt txt: ./txt/41674.txt cache: ./cache/41674.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 3 resourceName b'41674.txt' === file2bib.sh === id: 42828 author: Wood, T. Martin title: Sargent date: pages: extension: .txt txt: ./txt/42828.txt cache: ./cache/42828.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 2 resourceName b'42828.txt' === file2bib.sh === id: 43410 author: Bensusan, S. L. (Samuel Levy) title: Holbein date: pages: extension: .txt txt: ./txt/43410.txt cache: ./cache/43410.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 3 resourceName b'43410.txt' === file2bib.sh === id: 35466 author: Ward, Leslie, Sir title: Forty Years of 'Spy' date: pages: extension: .txt txt: ./txt/35466.txt cache: ./cache/35466.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 6 resourceName b'35466.txt' === file2bib.sh === id: 43347 author: Pissarro, Lucien title: Rossetti date: pages: extension: .txt txt: ./txt/43347.txt cache: ./cache/43347.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 2 resourceName b'43347.txt' === file2bib.sh === id: 39996 author: Lanzi, Luigi title: The History of Painting in Italy, Vol. 5 (of 6) From the Period of the Revival of the Fine Arts to the End of the Eighteenth Century date: pages: extension: .txt txt: ./txt/39996.txt cache: ./cache/39996.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 7 resourceName b'39996.txt' === file2bib.sh === id: 42163 author: Mason, James title: Bernardino Luini date: pages: extension: .txt txt: ./txt/42163.txt cache: ./cache/42163.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 3 resourceName b'42163.txt' === file2bib.sh === id: 42952 author: Anonymous title: Masters in Art, Part 32, v. 3, August, 1902: Giotto A Series of Illustrated Monographs date: pages: extension: .txt txt: ./txt/42952.txt cache: ./cache/42952.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 4 resourceName b'42952.txt' === file2bib.sh === id: 42528 author: Bensusan, S. L. (Samuel Levy) title: Tintoretto date: pages: extension: .txt txt: ./txt/42528.txt cache: ./cache/42528.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 2 resourceName b'42528.txt' === file2bib.sh === id: 35935 author: Barrington, Russell, Mrs. title: The Life, Letters and Work of Frederic Leighton. Volume II date: pages: extension: .txt txt: ./txt/35935.txt cache: ./cache/35935.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 14 resourceName b'35935.txt' === file2bib.sh === id: 42118 author: MacFall, Haldane title: Fragonard date: pages: extension: .txt txt: ./txt/42118.txt cache: ./cache/42118.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 4 resourceName b'42118.txt' === file2bib.sh === id: 42114 author: Staley, Edgcumbe title: Franz Hals date: pages: extension: .txt txt: ./txt/42114.txt cache: ./cache/42114.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 3 resourceName b'42114.txt' === file2bib.sh === id: 41974 author: Crastre, François title: Veronese date: pages: extension: .txt txt: ./txt/41974.txt cache: ./cache/41974.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 3 resourceName b'41974.txt' === file2bib.sh === id: 41734 author: Furst, Herbert title: Dürer date: pages: extension: .txt txt: ./txt/41734.txt cache: ./cache/41734.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 2 resourceName b'41734.txt' === file2bib.sh === id: 41835 author: Crastre, François title: Puvis de Chavannes date: pages: extension: .txt txt: ./txt/41835.txt cache: ./cache/41835.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 3 resourceName b'41835.txt' === file2bib.sh === id: 41834 author: Mason, James title: Fra Angelico date: pages: extension: .txt txt: ./txt/41834.txt cache: ./cache/41834.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 3 resourceName b'41834.txt' === file2bib.sh === id: 41836 author: Hay, George title: Carlo Dolci date: pages: extension: .txt txt: ./txt/41836.txt cache: ./cache/41836.txt Content-Encoding ISO-8859-1 Content-Type text/plain; charset=ISO-8859-1 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 2 resourceName b'41836.txt' === file2bib.sh === id: 44340 author: Keim, Albert title: Gérôme date: pages: extension: .txt txt: ./txt/44340.txt cache: ./cache/44340.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 3 resourceName b'44340.txt' === file2bib.sh === id: 34479 author: Lanzi, Luigi title: The History of Painting in Italy, Vol. 1 (of 6) From the Period of the Revival of the Fine Arts to the End of the Eighteenth Century date: pages: extension: .txt txt: ./txt/34479.txt cache: ./cache/34479.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 11 resourceName b'34479.txt' === file2bib.sh === id: 38923 author: Ruskin, John title: Modern Painters, Volume 3 (of 5) date: pages: extension: .txt txt: ./txt/38923.txt cache: ./cache/38923.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 12 resourceName b'38923.txt' === file2bib.sh === id: 34585 author: Lanzi, Luigi title: The History of Painting in Italy, Vol. 2 (of 6) From the Period of the Revival of the Fine Arts to the End of the Eighteenth Century date: pages: extension: .txt txt: ./txt/34585.txt cache: ./cache/34585.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 9 resourceName b'34585.txt' === file2bib.sh === id: 45129 author: Wyatt, M. Digby (Matthew Digby), Sir title: The History, Theory, and Practice of Illuminating Condensed from 'The Art of Illuminating' by the same illustrator and author date: pages: extension: .txt txt: ./txt/45129.txt cache: ./cache/45129.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 5 resourceName b'45129.txt' === file2bib.sh === id: 46915 author: Leonardo, da Vinci title: A Treatise on Painting date: pages: extension: .txt txt: ./txt/46915.txt cache: ./cache/46915.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 4 resourceName b'46915.txt' === file2bib.sh === id: 44082 author: Muther, Richard title: The History of Modern Painting, Volume 3 (of 4) Revised edition continued by the author to the end of the XIX century date: pages: extension: .txt txt: ./txt/44082.txt cache: ./cache/44082.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 7 resourceName b'44082.txt' === file2bib.sh === id: 45332 author: Middleton, J. H. (John Henry) title: Illuminated Manuscripts in Classical and Mediaeval Times Their Art and Their Technique date: pages: extension: .txt txt: ./txt/45332.txt cache: ./cache/45332.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 8 resourceName b'45332.txt' === file2bib.sh === id: 35995 author: Swinburne, Algernon Charles title: William Blake: A Critical Essay date: pages: extension: .txt txt: ./txt/35995.txt cache: ./cache/35995.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 7 resourceName b'35995.txt' === file2bib.sh === id: 43894 author: Muther, Richard title: The History of Modern Painting, Volume 2 (of 4) Revised edition continued by the author to the end of the XIX century date: pages: extension: .txt txt: ./txt/43894.txt cache: ./cache/43894.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 9 resourceName b'43894.txt' === file2bib.sh === id: 36427 author: Govett, Ernest title: Art Principles with Special Reference to Painting Together with Notes on the Illusions Produced by the Painter date: pages: extension: .txt txt: ./txt/36427.txt cache: ./cache/36427.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 8 resourceName b'36427.txt' === file2bib.sh === id: 43792 author: Muther, Richard title: The History of Modern Painting, Volume 1 (of 4) Revised edition continued by the author to the end of the XIX century date: pages: extension: .txt txt: ./txt/43792.txt cache: ./cache/43792.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 13 resourceName b'43792.txt' === file2bib.sh === id: 44329 author: Ruskin, John title: Modern Painters, Volume 5 (of 5) date: pages: extension: .txt txt: ./txt/44329.txt cache: ./cache/44329.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 14 resourceName b'44329.txt' === file2bib.sh === id: 47363 author: Pennell, Joseph title: The Life of James McNeill Whistler date: pages: extension: .txt txt: ./txt/47363.txt cache: ./cache/47363.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 13 resourceName b'47363.txt' Done mapping. Reducing classification-ND-gutenberg === reduce.pl bib === id = 14056 author = Mauclair, Camille title = The French Impressionists (1860-1900) date = pages = extension = .txt mime = text/plain words = 31297 sentences = 1444 flesch = 63 summary = to art lovers, the Impressionist works have been but little seen. talent, men like Degas, Monet and Pissarro have achieved great fame and works Manet passed into the second period of his artistic life, and with COLOURS, THE STUDY OF ATMOSPHERE--THE IDEAS OF THE IMPRESSIONISTS ON is a powerful work of strong colour, broad design and intense sentiment, of Manet which are painted in his classic and low-toned manner. Manet, Renoir, and Pissarro, and, after the Impressionists, of the great Manet, and like all truly great and powerful painters, M. His great modern compositions are equal to the most beautiful works by The series of works by Manet and Degas may be considered as artist--admirable in colour, movement and observation; all the great tones, study of complementary colours), Impressionism has brought us removed from the vision and the colouring of Manet and Degas, of Monet cache = ./cache/14056.txt txt = ./txt/14056.txt === reduce.pl bib === id = 18900 author = Van Dyke, John Charles title = A Text-Book of the History of Painting date = pages = extension = .txt mime = text/plain words = 76174 sentences = 5635 flesch = 73 summary = The painters of this school advanced upon the work of Apollodorus as All the fifteenth-century painting shows nature study, force, work, with some Venetian influences showing in the coloring and It was sincere in its way, and the early painters painted its THE EARLY VENETIAN PAINTERS: Painting began at Venice with the methods probably from Flemish painters or pictures in Italy (he never called for altar-pieces the painters painted their new love, art history as the Mannerists, and the men whose works they imitated NINETEENTH-CENTURY PAINTING IN ITALY: There is little in the art of EARLY FRENCH ART: Painting in France did not, as in Italy, spring painters flocked to Rome to study the art of their great predecessors lighting, and coloring; and its example upon the painters of the time works painted by his own hand make a world of art in themselves. by his paintings, howbeit he has done good work in color. cache = ./cache/18900.txt txt = ./txt/18900.txt === reduce.pl bib === id = 22500 author = Trusler, John title = The Works of William Hogarth: In a Series of Engravings With Descriptions, and a Comment on Their Moral Tendency date = pages = extension = .txt mime = text/plain words = 42387 sentences = 2073 flesch = 70 summary = little apprised at that time of the mode Nature had intended he should The faces were said to bear great likenesses to the persons He sent him the following card:--"Mr. Hogarth's dutiful respects to Lord----; finding that he does not mean to time; and the emaciated figure of the cat, strongly mark the natural naturally enough attends in the crowd, to mark the fashions of the day. The picture from which this print was copied, Hogarth painted by the fashionable young lady, a little black boy, and a full-dressed monkey. In this print the characters are marked with a master's hand. for the poor man's tears show that, like the person relieved by the good Mr. Hogarth printed the hands of the man in blue, to show that he was a This plate displays our industrious young man attending divine service The figures in this print are admirably grouped, and the countenances of cache = ./cache/22500.txt txt = ./txt/22500.txt === reduce.pl bib === id = 20915 author = Field, George title = Field's Chromatography or Treatise on Colours and Pigments as Used by Artists date = pages = extension = .txt mime = text/plain words = 60868 sentences = 4618 flesch = 74 summary = Of all colours, except black, blue contrasts white most powerfully. lastly of that gray tint which is known by the name of Ultramarine Ash. The refuse, containing little or no blue, furnishes the useful pigment, red, and Oxford ochre to yellow, this pigment is to the colour blue, yellows, reds, and blues, the following orange and green pigments are or predominating colour in russet is red, to which yellow and blue are is a water-colour pigment, transparent and inclining to red; deep, full, by the brown, Prussian blue, and black: an equally good slate colour " = 2 Purple-blue} + Light Brown, or Black + 2 White when we mix coloured materials, blues, yellows, and reds, the compound is never white, but grey or black; even if these coloured pigments are light colours; thus it _blues_ white, _greens_ yellow, _purples_ red, colour to form white light; thus, green is the complementary of red, cache = ./cache/20915.txt txt = ./txt/20915.txt === reduce.pl bib === id = 19863 author = Tytler, Sarah title = The Old Masters and Their Pictures, For the Use of Schools and Learners in Art date = pages = extension = .txt mime = text/plain words = 78011 sentences = 3551 flesch = 70 summary = simple account of the great Old Masters in painting of every age and painting in oil in the pictures of the Flemish family of painters--the The great picture of the Van Eycks, which was worked at for a number of Of another great work at Vicenza, painted in Gian Bellini's old age, beautiful portraits of women which four great painters gave in Correggio was a second time called upon to paint a great religious work the following year the painter had engaged to paint an altar-piece for religious painter, and during the last years of his life he painted figures--those in his pictures were painted by other painters, and that sometimes painted by the old painters as new-born children), or of the once let the man see the picture till it pleased the painter.' Van Dyck beauty of the great masters of Italian Art. His pictures were long cache = ./cache/19863.txt txt = ./txt/19863.txt === reduce.pl bib === id = 20019 author = Ruskin, John title = Lectures on Landscape Delivered at Oxford in Lent Term, 1871 date = pages = extension = .txt mime = text/plain words = 17590 sentences = 840 flesch = 75 summary = Carpaccio and Turner--have ever painted a fragment of good landscape. In missal painting exquisite figure-drawing is frequent, and landscape Perhaps you think on such conditions you never can paint landscape its terminal lines, then in its light and shade, then in its color. First of the terminal lines of landscape, or of drawing in outline. landscape-painters study from Nature in shade or in color, Turner a sketch by Turner in color from Nature; some few others of the kind character of a study from Nature by Turner; and here the sketch from light and shade study, with limited time, when the forms of the his picture, the drawing is always first with Turner, the color work his way out of the dark Greek school up to Venice; he always school of Phidias; but Turner is true Greek, for he is thinking only You know I told you that the pure Gothic school of color cache = ./cache/20019.txt txt = ./txt/20019.txt === reduce.pl bib === id = 20607 author = Israëls, Jozef title = Rembrandt date = pages = extension = .txt mime = text/plain words = 8910 sentences = 438 flesch = 75 summary = Rembrandt had painted many portraits when the picture of In the first years of his married life Rembrandt moved to the Nieuwe In this year Rembrandt painted the famous fine work, Rembrandt's pleasant years came to an end. [Illustration: PLATE IV.--PORTRAIT OF AN OLD MAN Rembrandt painted very many portraits of men and women whose identity said to be one of Rembrandt's portraits of himself, painted about what had come from the hand of the great master, the unique Rembrandt. When I had looked at Rembrandt's pictures to my heart's content, I used the colours, and the kind of people Rembrandt shows us in his works. of Rembrandt's art, viz., his picture "The Night Patrol." work of the genius whom men call Rembrandt. in his great book on painting: "In Rembrandt's pictures the paint is which for long years did little more than snarl at Rembrandt, has for cache = ./cache/20607.txt txt = ./txt/20607.txt === reduce.pl bib === id = 29532 author = Davies, Randall title = Six Centuries of Painting date = pages = extension = .txt mime = text/plain words = 103555 sentences = 4582 flesch = 67 summary = Having afterwards undertaken, Vasari continues, to paint a large picture in truth it may be said that the whole work is painted in a manner well IN the opening years of the sixteenth century the art of painting had In 1504 Raphael painted the two little pictures in the Louvre, _S. Knight Dreaming_, a small picture, now in the National Gallery (No. 213), is supposed to have been painted a year earlier. A copy of another famous picture painted by Titian for the Emperor Tintoretto's influence is to be seen in the two pictures he painted in The chief work by Hubert Van Eyck is the large altar-piece painted for In 1467 Memling was a master painter at Bruges, and painted the portrait Courts, and studying for years among the finest paintings and painters nature than was possible when painting a foreground picture. on the exhibition of his first important picture, painted three years cache = ./cache/29532.txt txt = ./txt/29532.txt === reduce.pl bib === id = 29907 author = Ruskin, John title = Modern Painters, Volume 1 (of 5) date = pages = extension = .txt mime = text/plain words = 199044 sentences = 8259 flesch = 67 summary = investigation of actual facts, that Turner _is_ like nature, and paints far as mere painting goes, by which it ranks as a work of high art, and with something like truth of form and color to assist them, the idea of natural want of sensibility to the power of beauty of form, and the totally neglectful of all facts and forms which nature uses such color Modern landscape painters have looked at nature with totally different called "effect," that is to say, truths of tone, general color, space, resemble the truth of nature's color--and all the tone of the picture, asserted by all really great works of color; but most by Turner's as the work, that "mere natural light and shade" is the only fit and totally impossible to study the forms of clouds from nature with care is more natural than that the studied form and color of this great cache = ./cache/29907.txt txt = ./txt/29907.txt === reduce.pl bib === id = 29150 author = Fortescue, Beatrice title = Holbein date = pages = extension = .txt mime = text/plain words = 44763 sentences = 2667 flesch = 77 summary = Bryan Tuke--Holbein's return to Basel--Portrait-group of his wife and In the Augsburg Gallery there is a painting by Holbein's father, the a portrait-group of the painter himself,--Hans Holbein the Elder, and As has been said, the sister of that Hans Bär for whom Holbein painted In the next year after painting the portraits of Meyer and his wife Holbein's fame--an original drawing for one of the façade-paintings, Holbein is too often thought to be only--a great portrait-painter. Among the five lost works which Patin says Holbein painted, there was a By 1526 Holbein was back in Basel; but two works of this year would go should know nothing at all of many a portrait Holbein painted--all Holbein painted a prelate of a very different sort in the oil portrait Holbein of 1537 was painting the King of England on the wall of his Collection at Windsor, Holbein painted about this time (Plate 36). cache = ./cache/29150.txt txt = ./txt/29150.txt === reduce.pl bib === id = 29906 author = Ruskin, John title = Modern Painters, Volume 2 (of 5) date = pages = extension = .txt mime = text/plain words = 94935 sentences = 4045 flesch = 65 summary = external beauty whose nature it is our present object to discover. corruption of the sense of beauty, was in that Pagan life of which St. Paul speaks, little less than the essence of it, and the best they had; incalculable influence on the forms of all that we feel to be beautiful. to men, and whose types therefore in material things can be beautiful, them of natural beauty, and are of forms altogether simple and adapted is not in the power of any human imagination to reason out or conceive considering the beauty of human form, we arrived at some conception of untaught study of nature, and much feeling for abstract beauty of form, feeling and the power of imagination; for, on the one hand, those who be fancy or any other form of pseudo-imagination which is at work, imaginative power who can set the supernatural form before us fleshed cache = ./cache/29906.txt txt = ./txt/29906.txt === reduce.pl bib === id = 19009 author = Hurll, Estelle M. (Estelle May) title = Sir Joshua Reynolds A Collection of Fifteen Pictures and a Portrait of the Painter with Introduction and Interpretation date = pages = extension = .txt mime = text/plain words = 18075 sentences = 1262 flesch = 78 summary = works--portraits and subject pictures--arranged in alphabetical order. 3. _Lady Cockburn and her Children._ Reynolds began the picture in Establishment of Reynolds in London as a portrait painter, with Sixteen pictures exhibited at Royal Academy, including portrait were struggling for liberty, lived the great English portrait painter, The portrait by Reynolds was made when the child was four years old. Reynolds painted so many fine portraits of boys that it is hard to say mind when painting the portrait of Miss Bowles; for every picture of The portrait of Master Bunbury was painted a few years after that of The portrait of Master Bunbury was evidently painted by Reynolds for Reynolds painted her portrait as the Tragic Muse. portrait of a little girl conceived the pretty fancy of the picture of portraits Reynolds painted, and one of the most interesting of this collection that Reynolds painted the portrait of Johnson, reproduced cache = ./cache/19009.txt txt = ./txt/19009.txt === reduce.pl bib === id = 29904 author = Leonardo, da Vinci title = Thoughts on Art and Life date = pages = extension = .txt mime = text/plain words = 47687 sentences = 2362 flesch = 75 summary = ancient art no painter had been able to fully express the human form, all thy life, and thou art not yet aware of the thing which more fully things by reason of the evil nature of man, who would use them for memory, which nature has given to us, causes things long past to seem [Sidenote: Painting excels all the Works of Man] Painting represents to the brain the works of nature with greater truth nature are nobler than the words which are the works of man, because thing to imitate the works of nature, which are the true images And if thou, O poet, wishest to describe the works of nature by thine He who blames painting blames nature, because the works of the painter represent the works of nature, and for this reason he who blames in [Sidenote: Painting and Nature] thy art every variety of nature's forms, and this thou canst not do cache = ./cache/29904.txt txt = ./txt/29904.txt === reduce.pl bib === id = 18371 author = Ruskin, John title = Giotto and his works in Padua An Explanatory Notice of the Series of Woodcuts Executed for the Arundel Society After the Frescoes in the Arena Chapel date = pages = extension = .txt mime = text/plain words = 25474 sentences = 1087 flesch = 67 summary = opponent work of Giotto on the walls of the Arena was a sign of the he (the pope) intending to have some paintings executed in St. Peter's; which courtier, coming to see Giotto, and hearing that there Giotto drew the circle as a painter naturally would draw it; that is Giotto with the actual character of his designs, there cannot remain does he bear?'"[7] But at the time of Giotto's eminence, art was never with the paintings in the Arena Chapel, it appeared to me that Giotto exact words in which the scenes represented by Giotto were recorded to Giotto as the head of the Naturalisti.[21] No painter before his time power of the painter; and in this conception of Giotto's, the humility characterises this work of Giotto's as "the Byzantine composition," painters; but while the earlier designers, with Giotto at their head, both of the Virgin and disciples, is represented by Giotto and all cache = ./cache/18371.txt txt = ./txt/18371.txt === reduce.pl bib === id = 17408 author = Berenson, Bernard title = The Florentine Painters of the Renaissance With An Index To Their Works date = pages = extension = .txt mime = text/plain words = 36172 sentences = 6549 flesch = 80 summary = have tactile values, material significance; the figures artistically renders tactile values admirably, as in the Uffizi Madonna--but most Madonna and Saints (on Fra Bartolommeo's cartoon). Pupil of Pier di Cosimo; influenced by Fra Bartolommeo and S. DOMENICO DI FIESOLE (near Florence) Madonna and Saints Fresco: Madonna, Saints, and Angels. Frescoes: Crucifixion and Saints; St. Dominic and two Angels (in Portrait of Man ("Gardener of Pier Francesco dei Medici"). Fresco in an Arch: Madonna and Angels. Fresco: Madonna with two Angels. Fresco: Madonna with two Angels. Fresco: Madonna with two Angels. Fresco: Madonna and Saints. Fresco: Madonna and Saints. FOGG MUSEUM: Fra Bartolommeo, Benozzo, Pier Francesco Fiorentino. Carli, Credi, Franciabigio, Garbo, Mainardi, Pier di Cosimo. LADY HENRY SOMERSET: Carli, Pier Francesco Fiorentino, Cosimo Lorenzo Monaco, Mainardi, Michelangelo, Orcagna, Pier di Cosimo, S. LORENZO: Bronzino, Fra Filippo Lippi, Pier di Cosimo, Rosso, WALKER ART GALLERY: Alunno di Domenico, Pier Francesco Fiorentino, cache = ./cache/17408.txt txt = ./txt/17408.txt === reduce.pl bib === id = 18118 author = Hubbard, Elbert title = Little Journeys to the Homes of the Great - Volume 04 Little Journeys to the Homes of Eminent Painters date = pages = extension = .txt mime = text/plain words = 72504 sentences = 3900 flesch = 79 summary = He began his artistic work when fourteen years old, and he lived to be One day the father came and found the boy in a blouse at work with mallet From that time forth Rembrandt was regarded by the little art world of And so there is a picture of Rembrandt's mother which this son painted Rubens worked four years with Van Noort and then entered the studio of a hundred men worked to produce the pictures we call "Rubens." Titian was a good-looking young man, but he was not handsome like Van Dyck said he would think about it; and Rubens took a look at his old years Van Dyck lived in England he painted nearly one thousand portraits. He set to work feverishly to paint the great picture that was to bring It is a great thing to paint a beautiful picture, but 't is a more cache = ./cache/18118.txt txt = ./txt/18118.txt === reduce.pl bib === id = 17395 author = Conway, William Martin, Sir title = The Book of Art for Young People date = pages = extension = .txt mime = text/plain words = 42202 sentences = 2248 flesch = 78 summary = paintings of new subjects, stirred the painters of the day to alter When an artist was asked to paint a large picture 1377 and look at the picture with the eyes of the person who painted Surely this would be thought a beautiful picture had it been painted any great picture before, but he paints it with such skill and apparent painting of Richard II.'s portrait and the work of the Van Eycks, had But at the time this picture was painted, about the year 1470, St. Jerome in his study was a more usual subject for painters than St. Jerome in the desert. years of age, that he painted the picture here reproduced, as an time painted a picture artistically satisfying. portrait-painters in modern times, when they have been painting people During the years in which Van Dyck was painting his beautiful portraits he painted pictures of middle-class life, in which each figure is cache = ./cache/17395.txt txt = ./txt/17395.txt === reduce.pl bib === id = 17215 author = Menpes, Mortimer title = Rembrandt date = pages = extension = .txt mime = text/plain words = 13121 sentences = 791 flesch = 74 summary = this picture, and, in fact, of all Rembrandt's works, are so poor and so Rembrandt's pictures--that known as _The Night Watch_. with Rembrandt, surrounded by reproductions of his pictures, drawings, and wrongs of Rembrandt's life, but went straight to his pictures and etchings, night, this child asked his mother why Rembrandt's pictures were so that one day Rembrandt noted with amusement a man in the street shaking his imagine the healthy, full-blooded Rembrandt of this portrait painting the When we look at Rembrandt's portrait of _An Old Woman_ at There are authorities who assert that in etching Rembrandt's art found its printed form with the words--"Rembrandt's Etchings and Drawings." Ten years later Rembrandt painted another Doelen or Regent picture which, Rembrandt gave them a work of art. that Rembrandt painted of himself, two years before his death. extraordinary work, perhaps the last Rembrandt painted, is modelled with cache = ./cache/17215.txt txt = ./txt/17215.txt === reduce.pl bib === id = 27759 author = Cruttwell, Maud title = Luca Signorelli date = pages = extension = .txt mime = text/plain words = 38463 sentences = 2711 flesch = 75 summary = child to study painting with Pier dei Franceschi, at Arezzo.[3] Vasari Città di Castello, dated 1474,[8] requiring Signorelli to paint, over facts, that in 1484 Signorelli painted the altar-piece in the Perugia The "Madonna," now in the Arezzo Gallery, painted three years later [40] Signorelli's pictures, when not frescoed, are invariably painted hand, imposing and noble figures, splendidly painted in Signorelli's In 1507 was painted another very important work--the altar-piece in the 1508,[72] shows that Signorelli bound himself to paint the figures of Eucharist," Cortona, a painting dated 1512; a beautiful picture, The painting does not seem to be the unassisted work of Signorelli, the the influence of Signorelli, as in the Petrucci Palace frescoes (Nos. 375 and 376 in the Gallery of Siena), his work bears so much resemblance painting as Signorelli's work, but, moreover, the general effect has so OF THE LIFE AND WORKS OF LUCA SIGNORELLI cache = ./cache/27759.txt txt = ./txt/27759.txt === reduce.pl bib === id = 17478 author = nan title = Great Pictures, As Seen and Described by Famous Writers date = pages = extension = .txt mime = text/plain words = 85819 sentences = 4181 flesch = 72 summary = great influence upon the painter's work, and upon this point nearly few great painters, like Michael Angelo or Leonardo, whose work has effect of the picture, its great central light cast against a dark mellow colours of the great group into the cold part of the picture, and dilapidated painting for a beautiful picture, quite new, perfectly picture which in all times must be ranked amongst the master-works of The idea of originating so great a work as this picture to be forgotten that John van Eyck worked in this picture on the lines considered merely as a work of Art. It was the last picture which came _likeness_ painting; so the great landscape painter will at all times The place where this picture is painted must first be considered: for put into his picture whilst he has kept his work of art close to nature, cache = ./cache/17478.txt txt = ./txt/17478.txt === reduce.pl bib === id = 31623 author = Ruskin, John title = Modern Painters, Volume 4 (of 5) date = pages = extension = .txt mime = text/plain words = 49082 sentences = 1824 flesch = 65 summary = classing all water-worn mountain-ground under the general and humble expressed, in one way or another, in all grand mountain-drawing; and the until Turner's time; and the treatment of the masses of mountain in the enough to accustom the reader to the character of true mountain lines, Turner's important mountain designs; for the reader must feel the treat mountain ground with this faithfulness in the days when Turner Titian, of stones in the bed of a torrent (Fig. 108), in many ways good into rectitude of line; and there is hardly any great mountain mass imagination, resting like clouds upon the mountains of Scotland and Influence of mountain on artistical power. power; but for this also the mountain influence is still necessary, only mountain torrent, and that the hills round the vale of Stratford are not _Like far-off mountains, turned into clouds_." true effect of mountains on the human mind, there is any reason to cache = ./cache/31623.txt txt = ./txt/31623.txt === reduce.pl bib === id = 30098 author = Phillipps, Evelyn March title = The Venetian School of Painting date = pages = extension = .txt mime = text/plain words = 77715 sentences = 4293 flesch = 73 summary = When painting in Venice first begins to live a life of its own, Veronese painter on men like Antonio di Murano and Jacopo Bellini, and closely followed is the great picture in the Academy, the "Madonna Venice is rich in works which show us what sort of painter was at the "Bellini is very old, but is still the best painter in Venice"; and leading up to the great period of Venetian art, flooded round Bellini having been painted for San Giobbe, where Bellini's great altarpiece shows his connection with his master by using the figure of the St. Francis in Bellini's San Giobbe altarpiece. colouring of the great altarpiece painted for the Pesaro family in the this time Veronese loved to paint these great displays, repeating some could, indeed, paint pictures at a pace at which many great masters Correr Museum: Eleven paintings of Venetian life; Portrait of cache = ./cache/30098.txt txt = ./txt/30098.txt === reduce.pl bib === id = 30262 author = Rhys, Ernest title = Frederic Lord Leighton: An Illustrated Record of His Life and Work date = pages = extension = .txt mime = text/plain words = 42830 sentences = 3303 flesch = 79 summary = picture, the work of an unknown young artist of twenty-five, painted "It is the only great picture exhibited this year," he writes, exhibited at the Academy, represents a small full-length figure in white In 1859 Leighton showed three pictures at the Academy. artist's pictures at the May exhibition of the Academy: the _Odalisque_, Academy,' said Sir Frederic Leighton's most distinguished colleague picture, as Lord Leighton called it, which he had painted for Sir L. last picture on which the artist was at work before his death. exhibitions of the Royal Academy--Leighton, as we have seen, made his to find "Frederic Leighton" figuring as an illustrator, yet the nine description of Art in Spain, given by Lord Leighton in his Discourse of It speaks of Mr. Leighton as "a young artist who, we believe, has studied in Italy," and critical than creative; but in Lord Leighton's Art there was little cache = ./cache/30262.txt txt = ./txt/30262.txt === reduce.pl bib === id = 30180 author = Brinton, Selwyn title = Perugino date = pages = extension = .txt mime = text/plain words = 12348 sentences = 564 flesch = 69 summary = masterpiece of Pietro's religious art, painted in his best method and Perugia, Paris, London, and his fine paintings in the Vatican Gallery at Rome; and in all these works I traced in Niccolo a great master, commission, Milanesi notes (1475) frescoes painted by him in the great master's critics is the predominance of fresco painting in his earlier The value of fresco painting to these Italian masters as a but Pietro painted another altar-piece for the same church in 1493, year, working at his no less famous altar-piece of the Certosa. Perugian master's work is the great Vallombrosa "Assumption" (dated master had more important work on hand--notably his frescoes for the with a time limit of six months for the work) to paint the altar-piece Perugia in 1796 was very rich in the works of her master, Pietro paintings of his old master Perugino, which yet remain to us in the cache = ./cache/30180.txt txt = ./txt/30180.txt === reduce.pl bib === id = 30314 author = MacFall, Haldane title = Vigée Le Brun date = pages = extension = .txt mime = text/plain words = 13295 sentences = 616 flesch = 78 summary = The first portrait that Vigée Le Brun painted, in her twenty-fourth Like François Boucher, the great painter to the king, Elizabeth Vigée Antoinette come to the throne of France, Elizabeth Vigée was elected to PLATE IV.--PORTRAIT OF MADAME VIGÉE LE BRUN Le Brun painted, in her twenty-fourth year (1779) of Marie Antoinette, Vigée Le Brun was to paint her royal mistress close on thirty times Vigée Le Brun painted another portrait of herself and her little Vigée Le Brun painted another portrait of herself and her little Marie Antoinette, in this the thirtieth portrait that Vigée Le Brun The last portrait that Vigée Le Brun painted of the doomed queen was The last portrait that Vigée Le Brun painted of the doomed queen was It was at Naples, too, that Vigée Le Brun painted that portrait of Vigée Le Brun was now painting without cease. cache = ./cache/30314.txt txt = ./txt/30314.txt === reduce.pl bib === id = 30315 author = Caw, J. L. (James Lewis), Sir title = Raeburn date = pages = extension = .txt mime = text/plain words = 11743 sentences = 504 flesch = 67 summary = He had lived and painted solely in Scotland, and Scottish art, like foreign art, so long as it remains at home, has little interest Painted within a year or two of Raeburn's return from Italy, some painting, was master, however, and tradition has it that Raeburn took Ramsay, having painted many portraits in Edinburgh before he went to London in the same year as Raeburn was born, would be, one would think, portraits painted by Raeburn before 1800. Arrived back in Edinburgh in 1787, Raeburn took a studio in the new work or of portraits he had painted for himself. In pictures painted but little later than these, one finds a marked is otherwise with Raeburn, in his earlier work at least. number of pictures painted, say, five or ten years later, and comparing highest triumph of the portrait-painter's art as such, Raeburn was a cache = ./cache/30315.txt txt = ./txt/30315.txt === reduce.pl bib === id = 30316 author = Bensusan, S. L. (Samuel Levy) title = Velazquez date = pages = extension = .txt mime = text/plain words = 9734 sentences = 434 flesch = 76 summary = This picture was painted about the year 1656, and, now in the Prado, is artist--he was a court painter; and pictures other than portraits were In the years when Velazquez first saw the light, the power of Spain, From these pictures of the secular life Velazquez passed to religious Of the painter's work at court in those early days we hear a little Velazquez was entrusted by Philip with the work of Shortly after Rubens left Madrid, Velazquez completed his picture "Los This is one of the Prado pictures of King Philip's eldest son by his When this picture was painted Don Balthasar Carlos was six years In the years following the return from Italy, Velazquez painted some of the last portraits painted by Velazquez. few men who paint interesting pictures in Spain to-day--Pradilla and There are pictures by Velazquez to be seen in Madrid outside the Prado, cache = ./cache/30316.txt txt = ./txt/30316.txt === reduce.pl bib === id = 30877 author = Parkhurst, Daniel Burleigh title = The Painter in Oil A complete treatise on the principles and technique necessary to the painting of pictures in oil colors date = pages = extension = .txt mime = text/plain words = 80324 sentences = 4671 flesch = 79 summary = THE PAINTING OF PICTURES IN OIL COLORS generally the good paint does enough more work to cover the difference paint has not a full color quality, but mixes dead and flat. turn to the chapters on color, and on the different kinds of painting, paint, which will have a delicate light gray color, which is a most bring about the different effects of light and shade and color, form A picture is a visible idea expressed in terms of color, form, and masses of color in the picture, _considered_ as _light and dark_--_not of light and shade, and makes the study of drawing and painting more terms of color, line, and mass when he is working out his picture; and color effect you can use in painting which does not have to do, more painting of the picture, by means of which the greater masses of color cache = ./cache/30877.txt txt = ./txt/30877.txt === reduce.pl bib === id = 21561 author = Supino, I. B. (Igino Benvenuto) title = Fra Angelico date = pages = extension = .txt mime = text/plain words = 26098 sentences = 1336 flesch = 70 summary = Tradition shows us Fra Giovanni Angelico absorbed in his work, and Vasari does not doubt that Fra Angelico, like other artists from "The most ancient chronicles of the convent of St. Mark and St. Dominic at Fiesole," writes Milanesi when registering the death of Fra Whilst Fra Angelico was putting the legends of the Virgin and St. Dominic into colour in Umbria, Giovanni Dominici together with both figures, though showing Fra Angelico's characteristic sentiment, In the ancient refectory of the Fiesolan convent Fra Angelico painted Fra Giovanni painted Hell and Paradise with small figures for the Antonino, Fra Angelico painted an "Adoration of the Magi." As Pope most beautiful works which Fra Angelico has left us. painted by him for Fra Angelico's picture, we must suppose, and indeed Fra Giovanni painted a panel picture of the "Dead Christ" for the Fra Angelico painted in the roof of the chapel a "Christ in Judgment," cache = ./cache/21561.txt txt = ./txt/21561.txt === reduce.pl bib === id = 22125 author = Berenson, Bernard title = The Venetian Painters of the Renaissance Third Edition date = pages = extension = .txt mime = text/plain words = 32838 sentences = 6180 flesch = 85 summary = expressed the Renaissance; and Venetian painting is interesting above Value of Venetian Art.=--Among the Italian schools of painting the centuries, the early works of Giovanni Bellini, the greatest Venetian in the life of the Venetian of the sixteenth century painting took much The portraits Titian painted in these years show no less feeling of Tintoretto painted portraits not only with much of the air painted for the picture-loving Venetians their own lives in all their Portrait of Man. Madonna and Saints. S. ROCCO, ORGAN PICTURE, Madonna and Saints. =Venice.= PALAZZO DUCALE, SALA DI TRÈ, Madonna, two Saints, GIOVANELLI, Madonna with John the Baptist and female Saint. Madonna, two Saints, and Portraits of Cassoti and his Wife. Madonna, and three portraits. Lotto, Palma Vecchio, Polidoro, Previtali, Rocco Marconi, Tintoretto, Previtali, Rocco Marconi, Savoldo, Tiepolo, Tintoretto, Titian, Gir. =Turin.= Giovanni Bellini, Guardi, Tiepolo, Tintoretto, B. Tiepolo, Tintoretto, Titian, Veronese, Alvise Vivarini, Bartolommeo cache = ./cache/22125.txt txt = ./txt/22125.txt === reduce.pl bib === id = 22690 author = Burnet, John title = Rembrandt and His Works Comprising a Short Account of His Life; with a Critical Examination into His Principles and Practice of Design, Light, Shade, and Colour. Illustrated by Examples from the Etchings of Rembrandt. date = pages = extension = .txt mime = text/plain words = 34161 sentences = 2307 flesch = 78 summary = A ditto, containing Landscapes after Nature by _Rembrandt_. these two figures is light in the picture but the head and hands of the 6. Portrait of Rembrandt when a young man, wearing a fur cap and a black Portrait of Rembrandt, seen in a front view, having an expression of Portrait of Rembrandt, seen in a front view, having a fur cap, and a Portrait of Rembrandt, seen in a three-quarter view, with the head Portrait of Rembrandt, seen in a front view, wearing a fur cap of a Portrait of Rembrandt, seen in nearly a front view, having on a Portrait of Rembrandt, seen in a front view, having on a Portrait of Rembrandt, seen in nearly a front view, having on a fur Portrait strongly resembling Rembrandt, seen in a front view, having Portrait of Rembrandt, seen in a three-quarter view, with a small cache = ./cache/22690.txt txt = ./txt/22690.txt === reduce.pl bib === === reduce.pl bib === === reduce.pl bib === id = 13973 author = nan title = Whistler Stories date = pages = extension = .txt mime = text/plain words = 18312 sentences = 1586 flesch = 85 summary = "After I had my first sitting on New Year's Day, 1903, I saw Whistler A patron of art asked Whistler to tell him where a friend lived on a Whistler said: "I don't think he could get that dirty in seven years; One day when the two men were painting together in Whistler's studio "Chase," said Whistler one day, "how-is it now in America? At an exhibition of Doré's pictures Whistler asked an attendant if a his counsel said, "Yes, nominally," Whistler replied, "Well, I suppose "In such case Mr. Whistler will ask a friend to meet any gentleman Mr. Moore may appoint to represent him; and, awaiting a reply, has the "It has good points, Rossetti," said Whistler. Millais said to Whistler one day: "Jimmy, why don't you "My dear sir," said Whistler, gently, "I know you do not smoke to show "'Oh, some day,' said Whistler. cache = ./cache/13973.txt txt = ./txt/13973.txt === reduce.pl bib === id = 26703 author = Bryant, Lorinda Munson title = The Children's Book of Celebrated Pictures date = pages = extension = .txt mime = text/plain words = 15813 sentences = 1441 flesch = 92 summary = The artists who painted these pictures knew history and the early In this picture painted by Pintoricchio, Jesus is about four years old asked Constable to come and paint a picture of his home. A curious story is told of Corot's painting this picture. The men who had money at the time Rembrandt painted the picture were Titian lived to be ninety-nine-years old and still painted pictures. The little boy standing between his brother and sister in this picture Sir Anthony Van Dyck, the Flemish artist, painted many pictures of the Rembrandt went on painting but no one bought his pictures. Carpaccio, a Venetian artist, painted this picture of "St. George and "Wait, some day I will paint a picture and show you the color." When Chardin began to paint pictures he went into the French homes and this story that Murillo painted his picture to illustrate. cache = ./cache/26703.txt txt = ./txt/26703.txt === reduce.pl bib === id = 13477 author = Hare, William Loftus title = Watts (1817-1904) date = pages = extension = .txt mime = text/plain words = 11505 sentences = 655 flesch = 73 summary = The Publishers have to acknowledge the permission of Mrs. Watts to reproduce the series of paintings here included. picture, "Time and Oblivion," was painted, and, in the year following, Watts' personal life was at this time pervaded by the influence of Lord Watts used to recall, as the happiest time in his life, his youthful life of Watts as a man amongst men, we are now able to come to closer portraits of the famous historian painted by Watts. pictures; when once in his studio, alone facing his canvas, Watts is Watts a great number of paintings, which may be grouped according to painting represents the close of this phase of Watts' work; he received This picture, "Love and Life" (see Plate V.) was painted four "Love and Death," painted three times, represents the Before Watts entered upon his series of great imaginative paintings he There are also several of Watts' best pictures in a gallery cache = ./cache/13477.txt txt = ./txt/13477.txt === reduce.pl bib === === reduce.pl bib === id = 4999 author = Leonardo, da Vinci title = The Notebooks of Leonardo Da Vinci — Volume 2 date = pages = extension = .txt mime = text/plain words = 142453 sentences = 10529 flesch = 85 summary = Leonardo worked less on drawings, than in making small models of wax [Footnote: This text is written by the side of the plan given on Pl. XCI. [Footnote: Leonardo wrote these lines on the margin of a page of the period of his life, Leonardo speaks of his Manuscript note-books as [Footnote: In the diagram Leonardo wrote _sole_ at the place marked A book of the earth carried down by the waters to fill up the great [Footnote: The small sketch below on the left, is placed in the the mountain like a dead thing, cannot come forth from its low place [Footnote: The following are written on the sketches: At the place sketched Plan of Florence (see No. 1004 note) Leonardo has written [Footnote: There is a slight sketch with this text, Leonardo seems [Footnote: This note is written inside the sketch of a plan of a cache = ./cache/4999.txt txt = ./txt/4999.txt === reduce.pl bib === id = 4998 author = Leonardo, da Vinci title = The Notebooks of Leonardo Da Vinci — Volume 1 date = pages = extension = .txt mime = text/plain words = 108302 sentences = 6681 flesch = 82 summary = The eye which turns from a white object in the light of the sun and object in light and shade which sends not its shadow but the image The conditions of shadow and light [as seen] by the eye are 3. (from) an object placed between the eye and the light under various Light [on an object] is of the nature of a luminous body; A body in shadow situated between the light and the eye can never same proportion of light and darkness as their objects [Footnote 6: Any shadow cast by a body in light and shade is of the same nature A body placed between 2 equal lights will cast 2 shadows of itself A body placed between 2 equal lights will cast 2 shadows of itself body placing it nearer to one of the lights the shadow cast towards When you represent the dark shadows in bodies in light and shade, cache = ./cache/4998.txt txt = ./txt/4998.txt === reduce.pl bib === id = 6932 author = Bacon, Mary Schell Hoke title = Pictures Every Child Should Know A Selection of the World's Art Masterpieces for Young People date = pages = extension = .txt mime = text/plain words = 90003 sentences = 4907 flesch = 80 summary = her work in the _Salon_ she painted only two little pictures--one of When this artist undertook to paint sacred subjects, of great dignity, About that time he tried to paint many kinds of pictures, such as In painting one picture many times he declared, "Its light cannot be work of any great artist, he painted the most extraordinary Angelo, and all great Italian artists; but instead he painted on wood, Two great artists painted peasants and little else. Raphael painted this beautiful lady-love many times, and in a picture He lived only three years after painting this picture and it was the The artist was twenty-six years old when he painted the "School of great Madonna pictures, although they painted loving, happy Dutch After that he painted sixty great pictures upon their walls. He declared that picture painting was serious and careful work, Titian's great work, wanted him to paint his portrait. cache = ./cache/6932.txt txt = ./txt/6932.txt === reduce.pl bib === id = 9837 author = Moore, T. Sturge (Thomas Sturge) title = Albert Dürer date = pages = extension = .txt mime = text/plain words = 99835 sentences = 4869 flesch = 73 summary = Albrecht Dürer," by far the best book on this great artist known to me. eyes, for sight is the noblest sense of man,"[4] says Dürer; and again: spirit of the great artist who will learn even from "dull men of little in Michael Angelo; both he and Dürer were not only great artists, and Lived and laboured Albrecht Dürer, the Evangelist of Art. These jingling lines would scarcely merit consideration but that they The total impression produced by Dürer's life and work must help each to Pirkheimer, one year Dürer's senior, was a gross fat man early in life, To Master Albrecht Dürer, unrivalled chief in the art of painting, my well-respected men, endorse the impression produced by Dürer's works and from conversations with the great artist himself.[72] Dürer, like behold great works of art and beautiful things, the like whereof never behold great works of art and beautiful things, the like whereof never cache = ./cache/9837.txt txt = ./txt/9837.txt === reduce.pl bib === id = 529 author = Steedman, Amy title = Knights of Art: Stories of the Italian Painters date = pages = extension = .txt mime = text/plain words = 47193 sentences = 2352 flesch = 86 summary = Now it fell out that one day a great master painter from Florence came Giotto did not only paint pictures, he worked in marble as well. Best of all, the angel-painter loved to paint pictures of the life of boy at work, and his saintly old face beamed with pleasure as he looked. copy in their own pictures the work of the great master. 'Thou art right, friend painter,' answered the great man. In those days painters and goldsmiths worked a great deal together, and placed under the care of a great painter, and worked in the master's find in some old dusty corner a beautiful picture, painted by a master good-bye to his old master and the hard work of the little shop in this wonderful painter, who could make pictures which looked like painted by Carpaccio when he was a little boy only eight years old. cache = ./cache/529.txt txt = ./txt/529.txt === reduce.pl bib === id = 12657 author = Phillips, Claude, Sir title = The Later Works of Titian date = pages = extension = .txt mime = text/plain words = 37179 sentences = 1646 flesch = 66 summary = Gallery--Portraits not painted from life--"Magdalen" of the Pitti--First Portrait of Charles V.--Titian the painter, par excellence, of Having followed Titian as far as the year 1530, rendered memorable by Titian's art of this great period of some twenty years so entirely where, indeed, his work is still to be seen.[15] Titian's canvas, like In the Uffizi and Berlin pictures Titian looks about sixty years old, assumption--that Titian painted his picture for a special place in the _The Visit to Rome--Titian and Michelangelo--The "Danaë" of Naples--"St. John the Baptist in the Desert"--Journey to Augsburg--"Venus and Cupid" general aspect, holds one of the most magnificent works of Titian's late Titian's works, the Berlin picture cannot be allowed to take the highest [Illustration: _Portrait of Titian, by himself. _Portrait of a Man in Black_ by Titian, and belonging to his middle portrait Titian is known to have painted. cache = ./cache/12657.txt txt = ./txt/12657.txt === reduce.pl bib === id = 12626 author = Phillips, Claude, Sir title = The Earlier Work of Titian date = pages = extension = .txt mime = text/plain words = 30095 sentences = 1354 flesch = 66 summary = such unassailable works of his riper time as the great altar-piece of Cadore and Venice--Early Giorgionesque works up to the date of the paramount influence of Giovanni Bellini in such works as the altar-piece notice, too, in Titian's works belonging to this particular group of the fresco decorations painted by Giorgione and Titian on the facades The sacred works of the early time are Giorgionesque, too, but with a his allegiance to the new Venetian art; it was then that Titian Morelli definitively placed among the Giorgionesque works of Titian, with general acceptance classed among the early works of Titian. "Madonna di Casa Pesaro"--Place among Titian's works of "St. Peter Gallery, may be placed somewhere near the time of the great works just admire in Venetian art in general, and in that of Titian in particular, from Giorgione's original, is about as unlike his work or that of Titian cache = ./cache/12626.txt txt = ./txt/12626.txt === reduce.pl bib === id = 12307 author = Cook, Herbert Frederick title = Giorgione date = pages = extension = .txt mime = text/plain words = 45623 sentences = 2991 flesch = 74 summary = Vasari tells us "Giorgione had seen certain works from the hand of quite ten years had been passed in active work ere Giorgione produced reason to doubt the statement,--Giorgione left unfinished a picture on prevent Giorgione having painted this man's portrait when younger. state that little remains of the original work, and Giorgione's touch and not Titian, painted the still lovely head of Christ, and Giorgione, of the Anonimo that the picture was one of Giorgione's early works. influence of Giorgione upon Titian" (to whom he ascribes both portraits) between Titian and Giorgione, the only two Venetian artists capable of Giorgione's work, but not in Titian's. such a man, and Giorgione "painted pictures so perfectly in touch with When Dolce says that Titian painted with Giorgione at the the Vienna picture might prove to be Giorgione's original painting. said to have been painted by Giorgione in the last year of his life cache = ./cache/12307.txt txt = ./txt/12307.txt === reduce.pl bib === === reduce.pl bib === id = 7785 author = Brockwell, Maurice W. title = Leonardo Da Vinci date = pages = extension = .txt mime = text/plain words = 6904 sentences = 384 flesch = 73 summary = by Andrea del Verrocchio, Leonardo's master, is the subject of Plate Christ" he allowed Leonardo to paint in one of the attendant angels in 1480-1482, when Leonardo would be about thirty years of age. About 1482 Leonardo entered the service of Ludovico Sforza, having Ludovico Sforza, Duke of Milan, that Leonardo was taking too long to Ludovico, to whom Leonardo was now court-painter, had married Beatrice Leonardo, as court painter, perhaps painted a portrait, now lost, of to lend her the portrait which Leonardo had painted of her some Among the last of Leonardo da Vinci's works in Milan towards the end Leonardo painted this picture in the full maturity of his talent, and, Contrast the head of the Christ at Milan, Leonardo's conception At last in 1516, three years before his death, Leonardo left his Leonardo was only sixty-seven years of age, and the King cache = ./cache/7785.txt txt = ./txt/7785.txt === reduce.pl bib === id = 7222 author = Scott, Leader title = Fra Bartolommeo date = pages = extension = .txt mime = text/plain words = 38775 sentences = 2027 flesch = 75 summary = culmination of art on its rising side, while Andrea del Sarto stands as working in the cloister of the Servi with Andrea del Sarto and Francia The picture, although a great work of art, and the most laboured of painting equal in merit to the other works of Fra Bartolommeo. he painted a fresco of a _Madonna_ on a wall of the convent of San place near the _Pietà_ of Andrea del Sarto, the two pictures forming the influence of Mariotto and Fra Bartolommeo, while in his later works d'Agnolo, commissioned Andrea del Sarto to paint an _Annunciation_. He painted a great many works, much in [Footnote: _Life of Andrea, del Sarto_, vol. As Andrea painted no less than five pictures of this subject, of which palaces with the works of Andrea del Sarto. On their return to Florence in the autumn Andrea painted a fine work for cache = ./cache/7222.txt txt = ./txt/7222.txt === reduce.pl bib === id = 8162 author = Moore, George title = Modern Painting date = pages = extension = .txt mime = text/plain words = 78058 sentences = 3504 flesch = 70 summary = after five years of the Beaux Arts you cannot become a great painter. the most beautiful pictures are painted. that only five of these pictures were painted by the new man, Seurat, excelling in brilliancy of colour the pictures painted in the ordinary On sitting down to paint this picture the painter's modern art which believes a picture to be the same thing as a scene in The mission of art is not truth, but beauty; and I know of no great The painting of these pictures was the work of years; the placing of purchase of a work of art; but the picture that hangs next to the painted--the picture for which the artist would never be likely to expression, he painted this picture. The picture is only a work of art, and But the picture is merely a work of art, and has nothing to do with cache = ./cache/8162.txt txt = ./txt/8162.txt === reduce.pl bib === id = 13119 author = Hurll, Estelle M. (Estelle May) title = Jean François Millet A Collection of Fifteen Pictures and a Portrait of the Painter, with Introduction and Interpretation date = pages = extension = .txt mime = text/plain words = 18811 sentences = 1246 flesch = 82 summary = In figure painting Millet sought neither grace nor beauty, but In point of composition Millet's pictures have great excellence. Millet's passion for figure expression was first worked out in Julia Cartwright's recent work, "Jean François Millet: His Life and The peasants of our picture carry all they need for the day's work. The picture of Going to Work was painted at about the same time[1] She lets the little girl work by herself for a time, and then As we look at the picture we feel sure that Millet was a lover of The hilly field in which he works is such as the painter Millet was All through the years of Millet's life and work in Barbizon, his A study of the lines of the picture will show the artistic beauty of was for such work we have seen from some of his pictures. cache = ./cache/13119.txt txt = ./txt/13119.txt === reduce.pl bib === id = 36066 author = Howell, Edgar M. title = Hermann Stieffel, Soldier Artist of the West date = pages = extension = .txt mime = text/plain words = 6496 sentences = 410 flesch = 71 summary = HERMANN STIEFFEL, SOLDIER-ARTIST OF THE WEST Indian-fighting army of the post-Civil-War period, but since none Indian-fighting officer of many years experience on the frontier, private soldier, Hermann Stieffel of Company K, 5th U.S. Infantry. documentaries on the West of the post-Civil-War Indian fighting period. Captain Brotherton, Private Stieffel, and the remainder of Company K In September 1867 Company K left New Mexico for Fort Harker, Kansas, in From Fort Harker, Company K escorted the Indian After another period of hospital duty at Fort Harker (figs. as a member of a wagon-train escort to Medicine Bluff, Indian Territory Indian attack on General Marcy's train escorted by Company K on In seven of his nine paintings Stieffel has executed his Indian subjects United States Army_, Washington, Government Printing Office, 1903, vol. [Footnote 6: Enlistment papers of Hermann Stieffel dated December 17, [Footnote 23: There is no record of Stieffel's ever having been a member cache = ./cache/36066.txt txt = ./txt/36066.txt === reduce.pl bib === id = 35934 author = Barrington, Russell, Mrs. title = The Life, Letters and Work of Frederic Leighton. Volume I date = pages = extension = .txt mime = text/plain words = 119145 sentences = 5773 flesch = 74 summary = Some years later, Leighton writes of Mr. Henry Greville, in a letter father"; and Henry Greville in a letter to Leighton writes: "I wish _to Papa_, to whom I immediately wrote, telling him the nature of Mr. Leighton's request, and begging him to write to him at once in case he artists in Florence, but of whose real greatness Leighton, even at works of all the really great artists display that love for flowers. The first group of letters from Leighton to his family from Rome tells As a boy at school I went to the R.A. Exhibition, and saw for the first time a work of Leighton's, the Leighton sent a photograph of the picture to Steinle with a letter So ended the first page of Leighton's life as an artist in the Rome of introduction in the Rome of those days to Leighton's friend, the great cache = ./cache/35934.txt txt = ./txt/35934.txt === reduce.pl bib === id = 34372 author = Keysor, Jennie Ellis title = Fra Angelico: A Sketch date = pages = extension = .txt mime = text/plain words = 6732 sentences = 383 flesch = 78 summary = It is Fra Angelico, the "Angelical Painter," Such a man was Fra Angelico, the sweet character, the beautiful artist Fra Angelico is the last figure of the old simple time in art when the Whoever tells the story of Fra Angelico's life has few dates and events unattractive building is the fact that here Fra Angelico lived and the name _Angelico_, by which we love to call our angel painter, was Fra Angelico must have seen his work and profited by it, too. they were given the church and convent of San Marco in Florence. Everyone talks of Angelico's work in San Marco. fancies that have made Fra Angelico's representations of angels a real less beautiful are Fra Angelico's pictures of this subject, even though The Pope who called Angelico to Rome did not live long after the 4. The Angel-Painter of San Marco. cache = ./cache/34372.txt txt = ./txt/34372.txt === reduce.pl bib === id = 35935 author = Barrington, Russell, Mrs. title = The Life, Letters and Work of Frederic Leighton. Volume II date = pages = extension = .txt mime = text/plain words = 158130 sentences = 9022 flesch = 77 summary = His endeavour has been to make his pictures as good as works of art as him.'" In a like spirit Leighton sought to arrive at viewing art; and DEAR LEIGHTON,--Unless I write again I shall hope to breakfast am working at my "Samson" picture; God knows how I shall finish In the Royal Academy Exhibition of 1860 Leighton sent one picture Good-bye, dear Mr. Leighton; I shall leave this open till That Leighton received great encouragement from personal friends there MY DEAR LEIGHTON,--If you did not paint better than I write you time when the Michael Angelo was painted, between Leighton's pictures friend, Mr. George Aitchison, wrote at the time of Leighton's death: [44] See study for picture in Leighton House Collection. Works by Lord Leighton have been collected and placed in themselves of the very great qualities Lord Leighton's art possesses, Leighton House form a diary of the artist's working life. cache = ./cache/35935.txt txt = ./txt/35935.txt === reduce.pl bib === id = 37714 author = Cundall, H. M. (Herbert Minton) title = Birket Foster, R.W.S. Sixteen examples in colour of the artist's work date = pages = extension = .txt mime = text/plain words = 2989 sentences = 184 flesch = 73 summary = The dainty water-colour paintings executed by Birket Foster probably The chief features, however, in Birket Foster's paintings publication were produced in Landells' office; Birket Foster was After the year 1858 Birket Foster practically abandoned the drawing on With regard to his method of working, Birket Foster's early training said to be drawing with a brush, but Birket Foster's was practically Birket Foster, like many other water-colour artists, turned his charms for his pencil, still Birket Foster was greatly attracted by the Our artist for many years resided at St. John's Wood, and when he took had an influence on Birket Foster's painting, especially his figures. paintings, the neighbourhood around Witley had a great charm for Birket the watering-places which he depicted for _The Illustrated London News_ Another phase of Birket Foster's art was his love for painting fruit this great water-colour artist, who painted English landscape with such cache = ./cache/37714.txt txt = ./txt/37714.txt === reduce.pl bib === id = 36533 author = Crastre, François title = Bastien Lepage date = pages = extension = .txt mime = text/plain words = 10365 sentences = 460 flesch = 68 summary = Bastien-Lepage could not pretend to be the painter of the Beautiful, nor studies; so, when the time came, young Bastien-Lepage wended his way Bastien-Lepage's first attempt in that vein of realistic painting in calculated to inspire an artist of Bastien-Lepage's temperament; he the _Prix de Rome_, Bastien-Lepage painted _The Portrait of M. Bastien-Lepage's brother, himself a painter of some talent, has Nevertheless, Bastien-Lepage was no studio painter; it was not from the After the old people had returned home to Lorraine, Bastien-Lepage set The portrait is a little gem, which Bastien-Lepage wrought Bastien-Lepage_, the artist's uncle, which is here reproduced and there is _Mme. Bastien-Lepage_, the "good little mother," as the great But to Bastien-Lepage portrait painting was only a side issue, a form of closing years of the artist's life, at the time when he was enjoying the Besides, Mme. Bastien-Lepage, the "good little mother," Bastien-Lepage, painter of the soil, found himself unable to cache = ./cache/36533.txt txt = ./txt/36533.txt === reduce.pl bib === id = 37063 author = Cuming, E. D. (Edward William Dirom) title = George Morland: Sixteen examples in colour of the artist's work date = pages = extension = .txt mime = text/plain words = 3047 sentences = 163 flesch = 73 summary = art the work of cleaning and restoring old pictures, it may fairly be picture-dealer who worked him for his own advantage, he spent a few fact remains that within a year of marriage Morland began to neglect pictures, the anxiety of dealers and others to secure works from his would work, and his companion would bring his paintings up to London and pictures which compare favourably with those painted in his best years painted a very large number of pictures, Henry paying him a specified Bigg's pictures of child-life led the dealers to persuade Morland to take up the same line of work, and in his pictures of child-life the but developed the picture under his hand as he worked upon it. Once Morland left his father's roof, his artistic education in one sense artist with whom George Morland has more in common than any is Jean cache = ./cache/37063.txt txt = ./txt/37063.txt === reduce.pl bib === id = 37407 author = Langridge, Irene title = William Blake: A Study of His Life and Art Work date = pages = extension = .txt mime = text/plain words = 62869 sentences = 3102 flesch = 71 summary = all spiritual life and destiny--called Blake mad, he was recognized by a Blake believed that to draw from the typical forms seen by him in vision delicate qualities necessary for the mate of a man like Blake. No words could do full justice to the beautiful life of Catherine Blake. admiration of Blake's poetical genius, helped,--an act of beautiful Man," whom eventually Blake was the means of saving, by a timely word of The work Blake did during the Felpham period included the designs and Mr. Frederick Shields (who, like Blake and many other great artists, The last things Blake did were to execute and colour the design of the In 1791 Blake designed and engraved for Johnson six plates to "Tales for The work is an illustration of Blake's seen anything like this of Blake's imagining? cache = ./cache/37407.txt txt = ./txt/37407.txt === reduce.pl bib === id = 39000 author = nan title = Women Painters of the World From the Time of Caterina Vigri, 1413-1463, to Rosa Bonheur and the Present Day date = pages = extension = .txt mime = text/plain words = 31620 sentences = 2794 flesch = 73 summary = This volume being the first illustrated history of the Women Painters in _The Annals of the Artists of Spain_, that my painter's portraits portrait-painters of interest, like Miss Catharine Read, of Reynolds' portrait painter, Mrs. Matilda Heming, the landscapist, and Lady IN THE NATIONAL PORTRAIT GALLERY, LONDON Mrs. Mary Beale, born ORIGINAL WATER-COLOUR Miss Katharine Cameron, Painter] PICTURE PAINTED IN 1902 Mrs. Mary Young Hunter, Painter] THE ORIGINAL PAINTING Lady Holroyd, Painter] family, father, mother, and daughters alike, being painters; and Mme. Vigée herself, who married the picture dealer Le Brun, was the PORTRAIT OF MADAME LE BRUN, AFTER THE ORIGINAL PAINTING IN THE [Illustration: PORTRAIT (PAINTED BY HERSELF) OF MADAME RUDE, PHOTOGRAPH LENT BY THE ARTIST Madame Marie Cazin, Painter] [Illustration: THE SHEPHERD AFTER THE ORIGINAL PAINTING Madame [Illustration: AFTER A PHOTOGRAPH OF THE ORIGINAL PAINTING PAINTING Madame Marie Philippine Bilders van Bosse, Painter with a portrait-painter, Olga de Boznanska (page 316), whose work cache = ./cache/39000.txt txt = ./txt/39000.txt === reduce.pl bib === id = 38967 author = Lanzi, Luigi title = The History of Painting in Italy, Vol. 4 (of 6) From the Period of the Revival of the Fine Arts to the End of the Eighteenth Century date = pages = extension = .txt mime = text/plain words = 83750 sentences = 3056 flesch = 61 summary = of an excellent artist from the time he produced his Holy Family, at St. Margherita, in 1484, presenting statues of a vivacity and expression truly other times, with works of art repeated in different places. Coreggio manner as to be esteemed one of the best pictures in Parma. of his life, that having seen the works of Coreggio, Francesco began to school of Coreggio, than Francesco, and in his style composed his picture an artist named Francesco Monti, who painted likewise for churches and young artist who had never frequented the school of Coreggio, could so well painting continued to flourish throughout the state and city of Milan, other places, painted for the Corte Maggiore at Milan, those figures of the produced some works at Milan, and other places; but the best is at Bologna. instruction, and executed works enough to have employed ten artists, at cache = ./cache/38967.txt txt = ./txt/38967.txt === reduce.pl bib === id = 38848 author = Fletcher, John Gould title = Paul Gauguin, His Life and Art date = pages = extension = .txt mime = text/plain words = 27843 sentences = 1496 flesch = 72 summary = letters Gauguin wrote from Tahiti, the true turning-point in his career. Paul Gauguin's pictures are very little separated from Paris with her art-theories had nothing now to teach Gauguin. In the pictures which Gauguin produced during his stay in Martinique, we Despite the fact that Gauguin had, before leaving Paris, held his first Paul Gauguin at the Café Volpini in 1889, who lived and worked with him Gauguin himself, when he returned to Paris at the close of this year not he, but Gauguin, who after 1888 painted those magnificent pictures in the nineteenth century, in the works of artists whom Gauguin admired: Gauguin's mind when he painted the pictures: _Le Christ Jaune_ and _Le To this man all lovers of Gauguin's art owe an immense debt. Gauguin returned, picturing a complete conquest of Paris. Gauguin was not the sort of man to end his days in cache = ./cache/38848.txt txt = ./txt/38848.txt === reduce.pl bib === id = 39286 author = Howard, Frank title = Colour as a Means of Art Being an Adaption of the Experience of Professors to the Practice of Amateurs date = pages = extension = .txt mime = text/plain words = 14614 sentences = 619 flesch = 62 summary = acknowledged general principles of Colouring as a means of Art, _Section 1._--PRINCIPLES OF COLOURING OBJECTS 71 principles by which the effects of Colouring, and light and shade have principles must regulate Colouring as a means of Art. The mere representation of any object, however accurately detailed and the lights be white, and the shadows black, or differently coloured, indispensable in a coloured Work of Art. As well as Breadth of Chiaroscuro, there must be BREADTH OF TONE, the affording a better means than Oil colours (in which the light tints PRINCIPLES OF COLOURING OBJECTS. the atmosphere reduces the colours of all objects to a blue tint, so When the atmosphere is coloured by the light of the sun, the blue is beautiful blue tint, slightly warmed by the golden colour of the difference of tint--the shadows being blue or purple, and the lights a Neri, "neither should appear in a finely coloured picture; the cache = ./cache/39286.txt txt = ./txt/39286.txt === reduce.pl bib === id = 39265 author = Wilmot-Buxton, H. J. (Harry John) title = English Painters, with a Chapter on American Painters date = pages = extension = .txt mime = text/plain words = 55628 sentences = 3604 flesch = 73 summary = pictures painted by Holbein in England are portraits; and tradition says patron of Art, yet encouraged foreign portrait painters to work in years in England, painting portraits for Charles I. in the National Portrait Exhibition, and in the collections of works by portrait-painter named JOHN HAYLS, of whom he thought highly, said: "He reign of James II., William III., and Anne, lived to paint the portrait Portrait painting was still the popular branch of art in he was sent to London to study with Hudson, the popular portrait painter SIR WILLIAM BEECHEY (1753--1839) was a portrait painter who received a Examples of the work of nearly all the above-mentioned portrait painters exhibited many pictures at the Royal Academy, but his best works painting, and his works in oil have influenced the art of the nineteenth portrait painter, began his art studies at the Academy in 1811, and was cache = ./cache/39265.txt txt = ./txt/39265.txt === reduce.pl bib === id = 37088 author = Hardie, Martin title = John Pettie, R.A., H.R.S.A. Sixteen examples in colour of the artist's work date = pages = extension = .txt mime = text/plain words = 3111 sentences = 191 flesch = 75 summary = [Illustration: Portrait of John Pettie] 1. Portrait of John Pettie _Tate Gallery_ 4. A Drum-head Court-Martial _Mappin Art Gallery, Sheffield_ In 1858 Pettie exhibited his first picture at the Royal Scottish following, belong several of Pettie's finest works. many pictures that show Pettie's dramatic perception and his power of This, one of the last of Pettie's works, is one of the most brilliant The last years of Pettie's life were lean years for the painter of Pettie had often painted portraits for his own pleasure, and in these The greatness of Pettie's art owes much to his strong personality. Though Pettie's subjects make a universal appeal, his claim to greatness design my subject-pictures first by a blot of colour, then by a abused Pettie's work in his lifetime and since; the storied idea always Pettie's portrait of himself in the Aberdeen Gallery? [Illustration: Portrait of Sir Charles Wyndham as David Garrick] cache = ./cache/37088.txt txt = ./txt/37088.txt === reduce.pl bib === id = 36931 author = Hind, C. Lewis (Charles Lewis) title = Constable date = pages = extension = .txt mime = text/plain words = 13390 sentences = 738 flesch = 77 summary = for in that year Constable's "Hay Wain" was hung in the French Salon. Painted in 1821, exhibited in the French Salon in 1824, "The Hay Wain," The truth about Constable's influence on French art would seem to be and the brightness of Constable's pictures at the 1824 Salon, that, talk between Constable and Sir George Beaumont, when the painter was But Constable's influence on the French painters, although great, must Brown Tree should have been hung above Constable's "Hay Wain," the everything conspired to make John Constable "a natural painter." The Painted in 1820, three years after "Flatford Mill." Constable's father before the date of this picture, Constable, writing of a landscape of collection of Constable's tree studies and sketches, now at South chronological list of Constable's chief pictures and sketches, from Constable exhibited one hundred and four works at the Royal Academy. This picture was bought in at the Constable sale, held the year after cache = ./cache/36931.txt txt = ./txt/36931.txt === reduce.pl bib === id = 36932 author = Hind, C. Lewis (Charles Lewis) title = Romney date = pages = extension = .txt mime = text/plain words = 11641 sentences = 627 flesch = 77 summary = Romney's house, with the large painting-room at the back, which he, [Illustration: PLATE II.--SKETCH PORTRAIT OF LADY HAMILTON.] Romney refused that tempting offer (he painted the family group later), to Sir Martin Archer Shee: Romney has given up portrait painting, and It is by his portraits that Romney lives, not by the heroic designs daughters, and bought one of the four pictures which Romney had painted worth all Romney's pictures; even as a matter of Art, I am sure." inspired by his subject, look at the early "Portraits of Mr. and Mrs. William Lindow," in the adjoining room, painted in Lancaster in 1770 Neither is the remaining Romney in the National Gallery, "Portrait of Walker family group--the last picture Romney painted, and interesting Romney's portraits of Miss Ramus and Miss Benedetta in the hall of of the two Ramus girls painted by Romney. Romney's earliest picture of Emma was the "Lady Hamilton as Nature," an cache = ./cache/36932.txt txt = ./txt/36932.txt === reduce.pl bib === id = 36930 author = Bensusan, S. L. (Samuel Levy) title = Murillo date = pages = extension = .txt mime = text/plain words = 10145 sentences = 443 flesch = 74 summary = must go to see the work of a great artist, but in the city that was his been pleasant, for Murillo worked in the studio for ten years or more, Murillo soon found in his friend's work qualities he direction of sacred picture painting, and in the years that follow we boundaries of the City of London, is rich in works by Murillo. Down to the year of his return to Seville the painter's work is of important work executed by Murillo in the first fifteen years of his Murillo, who know his work in National Gallery, Louvre, Prado, commissions to paint pictures for the Cathedral of Seville, once a Murillo at his best in a picture that has defied the assaults of time, Beyond Murillo's highly important work in Seville Cathedral, attention Murillo painted ten or eleven pictures for the The pictures painted for the Franciscans were held by Murillo's cache = ./cache/36930.txt txt = ./txt/36930.txt === reduce.pl bib === id = 36929 author = Baldry, A. L. (Alfred Lys) title = Leighton date = pages = extension = .txt mime = text/plain words = 9685 sentences = 307 flesch = 60 summary = between the temperament of an artist and the work that he produces. A typical example of the artist's earlier manner--characteristically work and asked whether he should "make him an artist." When Powers Few of Leighton's paintings of Eastern subjects illustrate better than But in an analysis of Leighton's art this famous composition claims a It was founded upon the idea that a work of art to be really great must contributing an important chapter to our art history--with men like painted six years before his death, and represents perfectly the art of Four years after Leighton became a British artist, by residence as well and for another ten years he went on painting pictures into which he sitter in being painted by a man of Leighton's deep insight and great He was a great artist and he proved his powers in both forms of cache = ./cache/36929.txt txt = ./txt/36929.txt === reduce.pl bib === id = 34645 author = Lanzi, Luigi title = The History of Painting in Italy, Vol. 3 (of 6) From the Period of the Revival of the Fine Arts to the End of the Eighteenth Century date = pages = extension = .txt mime = text/plain words = 102873 sentences = 3690 flesch = 61 summary = existing specimens, is that fine picture in the school of San Girolamo, from the same place is seen a figure of the saint, in fresco, painted by and would appear to be a different artist from that Marco, son of Gio. Tedesco, who was employed in 1463 at Rovigo. besides a knowledge of colours not inferior to the best Venetian artists artists, in point of colours and perspective, belonging to the school of flourished, during his time, a great number of excellent artists, who return to their native place introduced a taste for the Venetian School; certain that no artist of the Venetian School, besides Titian, has his style of colouring from the works of Titian, he subsequently distinguished figure, placed near some of the best artists of Verona. scholars of the best Venetian masters, he produced a history piece for places with the works of the best foreign artists, of every country. cache = ./cache/34645.txt txt = ./txt/34645.txt === reduce.pl bib === id = 40251 author = Hurll, Estelle M. (Estelle May) title = Titian: a collection of fifteen pictures and a portrait of the painter date = pages = extension = .txt mime = text/plain words = 19074 sentences = 1536 flesch = 82 summary = Yet in another mood Titian paints the life of the Holy Family as a The Christ of the Tribute Money stands alone in Titian's sacred art. It is undoubtedly as a portrait-painter that Titian's many great great Venetian painter of the sixteenth century,--Titian. beautiful story of her early life is told in an old Latin book called where in 1532 he first called Titian into service to paint his portrait. pictures by Titian so wonderful.[8] Naturally the painter could not so the picture a great work of art. The figures in the picture seem to be taken from common every-day life. thought that the picture was painted for Titian's friend Argentina portrait Titian painted of her, when she was about forty, we see that Titian was fond of painting what may be called ideal portraits, or fancy long a life in which to develop his art as was Titian. cache = ./cache/40251.txt txt = ./txt/40251.txt === reduce.pl bib === id = 40423 author = Loftie, W. J. (William John) title = Lessons in the Art of Illuminating A Series of Examples selected from Works in the British Museum, Lambeth Palace Library, and the South Kensington Museum. With Practical Instructions, and a Sketch of the History of the Art date = pages = extension = .txt mime = text/plain words = 15502 sentences = 1179 flesch = 76 summary = [Illustration: PLATE IX.--FACSIMILE PAGE OF A BOOK OF HOURS, TITLE-PAGE--Border and Initial, Italian Work of fifteenth century. ILLUMINATED PLATE II.--Twelve Initial Letters from French Manuscript ILLUMINATED PLATE III.--Examples of thirteenth-century work from two Outline Drawings of two pages of a Book of Hours of the fourteenth Outline Drawings of two pages of a Book of Hours of the fourteenth ILLUMINATED PLATE V.--Ornaments and large Initial from Manuscripts of ILLUMINATED PLATE VI.--A full page and separate Initials from a Book ILLUMINATED PLATE VIII.--Examples from the Book of Kells (ninth ILLUMINATED PLATE IX.--Facsimile page of a Book of Hours in Lambeth colored, the ground being gold; the body of the letter, black; beautiful miniature with the border painted upon a gold ground; [Illustration: PLATE III.--EXAMPLES OF THIRTEENTH-CENTURY WORK.] [Illustration: PAGES FROM A BOOK OF HOURS OF FOURTEENTH CENTURY.] [Illustration: PAGES FROM A BOOK OF HOURS OF FOURTEENTH CENTURY.] cache = ./cache/40423.txt txt = ./txt/40423.txt === reduce.pl bib === id = 39330 author = Price, Lucien title = Immortal Youth: A Study in the Will to Create date = pages = extension = .txt mime = text/plain words = 14927 sentences = 1089 flesch = 85 summary = one evening in the spring of that year sat a young man about On the walls of the room were two paintings by Fritz; student works. "Would you say I looked like a murderer?" inquired Fritz with relish. It was soon clear that this young man knew exactly what he wanted and Oh, he came and went disguised in the business suit of a young man Fritz came down from Exeter where he had just finished a portrait of face straight at some of the grimaces Fritz made while painting. portrait of Fritz painting. I heard one of his painter friends, eyeing a canvas which Fritz had Alexander James said it was brutal of Fritz to go away to Pittsburgh. I thought, without looking around, 'That is the way Fritz Then would come the day and the hour when he was ready to paint. cache = ./cache/39330.txt txt = ./txt/39330.txt === reduce.pl bib === id = 39943 author = Konody, Paul G. (Paul George) title = Delacroix date = pages = extension = .txt mime = text/plain words = 12850 sentences = 588 flesch = 68 summary = significance of Delacroix in the art of his country, and the hostility art of water-colour painting--then scarcely practised in France--but Delacroix, from his school days to his death, was an ardent admirer of Unfortunately the principal work painted by Delacroix in the year after In this picture Delacroix is intensely dramatic without Louvre, is a picture of precious quality and soft colouring, painted Although Delacroix was too completely absorbed in his art, which--his This is the great picture with which Delacroix, then twenty-four years Before Delacroix had completed the paintings in the Salon du Roi, that the paintings, of which scarcely more than the design is by Delacroix's Delacroix himself considered this picture, which was painted in 1826, Delacroix worked on these designs from 1849 We have seen that from the time when Delacroix began his work for the Delacroix began at once, and had painted the whole cache = ./cache/39943.txt txt = ./txt/39943.txt === reduce.pl bib === id = 39942 author = Binns, Henry Bryan title = Botticelli date = pages = extension = .txt mime = text/plain words = 10404 sentences = 478 flesch = 73 summary = had become master of Florence, commissioned him to paint a St. Sebastian; and from this time forward the Medici gave him frequent Botticelli painted portraits both of Giuliano dei Medici and his adored the portrait cannot have been painted by Botticelli for several years saints and angels, is Sandro's masterpiece, "The Birth of Venus." It Sandro's return from Rome, about the same time as the "Venus." It is qualities of Sandro that he makes one feel, in looking at this picture, The most beautiful of Sandro's earlier works, a little panel only 10 Sandro's work, but they are neither of them in Florence. pictures of the time with the exception of Leonardo's--and in Sandro's We now come to the second great division of Sandro's pictures, his Madonna" (1484-1485); the two pictures being thus separated by Sandro's frescoes; Botticelli has only painted the central figure of Christian cache = ./cache/39942.txt txt = ./txt/39942.txt === reduce.pl bib === id = 40896 author = Bradley, Milton title = Elementary Color date = pages = extension = .txt mime = text/plain words = 42304 sentences = 1819 flesch = 63 summary = white surface, the result is a color between the red and the orange. proportion of the red and orange color-effect which is produced by any a line of tints of that color, and with a black disk, shades. accepted standards and their disk combinations; and Colored Papers and the six spectrum colors red, orange, yellow, green, blue and violet and _Warm Colors._--Red, orange and yellow, and combinations in which they Young-Helmholtz theory red, green and violet are termed primary colors These effects are imitated on the color wheel by the use of a white disk nature three primary colors, red, yellow and blue; and by the mixture of color, white, black, gray or silver and gold; for example, a blue green sizes of disks on the color wheel in shade, standard and tint of red. "Pure Spectrum Scales" consists in part of the six standard colors, red, cache = ./cache/40896.txt txt = ./txt/40896.txt === reduce.pl bib === id = 39996 author = Lanzi, Luigi title = The History of Painting in Italy, Vol. 5 (of 6) From the Period of the Revival of the Fine Arts to the End of the Eighteenth Century date = pages = extension = .txt mime = text/plain words = 126525 sentences = 4967 flesch = 63 summary = artist, who painted for that church a picture of the Nativity, and from He also studied some time in the Venetian School, where he painted for the excelled in Italy, about the year 1407, when he painted an altar-piece of order to acquire the art he studied the works of the best ancient artists, he filled the office of court-painter, and there died; and secondly, Gio. Francesco Bezzi, called Nosadella, who painted a great deal at Bologna and altar-pieces at Rome and at Bologna in the paternal style, as far as pictures by this artist are mentioned, painted in glowing and attractive and two more; a work displaying great freedom of hand, beauty of colouring, and on his return to Bologna executed a number of works in a good style. At Rome his only public works are a picture at the church of these artists from works which some of them left when studying in Rome, cache = ./cache/39996.txt txt = ./txt/39996.txt === reduce.pl bib === id = 41346 author = Hay, George title = Bellini date = pages = extension = .txt mime = text/plain words = 8947 sentences = 422 flesch = 73 summary = Vasari tells us that Jacopo Bellini painted his pictures not on wood, Students of Gian Bellini's life and work can see that only a part of the fifteenth century, when Gian Bellini started his work, differed from and worked in the city at a time when her great men were beginning to developments in the technique of his art, Gian Bellini's painting Gian painted four pictures in fulfilment of a commission, one that the Doge Loredano, whose portrait has been painted by Gian Bellini, her agent in Venice to Gian Bellini to arrange with him to paint a reverence." She had seen Bellini's work, and had admired it in Venice, painting had been in progress for some forty years, Gian Bellini and two With Gian Bellini the last great painter of purely religious subjects Gian Bellini was the leading painter of Venice it was not easy for cache = ./cache/41346.txt txt = ./txt/41346.txt === reduce.pl bib === id = 41497 author = Bensusan, S. L. (Samuel Levy) title = Reynolds date = pages = extension = .txt mime = text/plain words = 9206 sentences = 443 flesch = 72 summary = This picture is perhaps one of Sir Joshua Reynolds' most beautiful This portrait is one of the best examples of Sir Joshua's art, and was It will be remembered that Sir Joshua painted other portraits of Hudson, a portrait painter of the day and a Devon man too. lose his appeal in the last years of Reynolds' life. Joshua's acquaintance with the best minds of his day failed to save him. artists, even apart from his work, because he lived through the years of Mr. Claude Phillips, whose life of Sir Joshua Reynolds is one characteristic portraits painted by Sir Joshua Reynolds was commissioned following year Reynolds painted the wonderful picture of the Ladies In the following year, 1784, Sir Joshua sent sixteen pictures to the To-day we look at the artist's work with a critical eye--he can no portraits of women among those painted by Reynolds in which there is a cache = ./cache/41497.txt txt = ./txt/41497.txt === reduce.pl bib === id = 41492 author = Wood, T. Martin title = Whistler date = pages = extension = .txt mime = text/plain words = 11330 sentences = 635 flesch = 74 summary = if it has an echo in the plastic arts, has it in the work of Whistler. the art of Whistler--as it counts in music. In "The Gentle Art of Making Enemies" Whistler writes of the picture as exhibitions Whistler's art was the sign of a coming, and licentious, opinion Mr. Whistler's pictures were not serious works of art. There was a time when Whistler's pictures were hissed when they were put kinds of art is changed, it is the resolution Whistler showed in life as completely as Whistler often did in the beauty of his own art. After the Ruskin case Whistler left London for Venice for about a year; Whistler who represents her movement as she turns into the room, his art There were qualities in Holloway's art of which Whistler was Also in this year Whistler was very preoccupied with the art of cache = ./cache/41492.txt txt = ./txt/41492.txt === reduce.pl bib === id = 41533 author = Lanzi, Luigi title = The History of Painting in Italy, Vol. 6 (of 6) From the Period of the Revival of the Fine Arts to the End of the Eighteenth Century (6 volumes) date = pages = extension = .txt mime = text/plain words = 57529 sentences = 17097 flesch = 91 summary = Ambrogi, Domen., called Menichino del Brizio, a Bolognese, living in 1678. ---Gio. Francesco, his brother, called Il Vetraro, was painting in 1524. Bernabei, Pier Antonio, of Parma, called della Casa, lived about 1550. Berto, di, Gio., called also _Bertus Joannis Marci_, of Perugia, painted as Bertusio, Gio. Batista, a Bolognese, was living about 1643. Brazzè, Gio. Batista, called Il Bigio, a Florentine, pupil to Empoli. Brughi, thus called in the _Guida di Roma_, Gio. Batista, a Roman, pupil to Francesco, a Bolognese, scholar of Gessi, painted much ---Giuseppe and Gio. Batista, his sons, were living in 1769. Grimaldi, Gio. Francesco, a Bolognese, lived in 1678. ---Gio. Batista, his son, painted in 1657, d. ---Gio. Batista, his son, painted in 1657, d. ---Paolo, son of Cav. Gio., painted about 1670, _ib._ Secchi, Gio. Batista, called Il Caravaggio, painted in 1619. cache = ./cache/41533.txt txt = ./txt/41533.txt === reduce.pl bib === id = 34479 author = Lanzi, Luigi title = The History of Painting in Italy, Vol. 1 (of 6) From the Period of the Revival of the Fine Arts to the End of the Eighteenth Century date = pages = extension = .txt mime = text/plain words = 134634 sentences = 5707 flesch = 65 summary = artist whose name appears in no work of art. eminent artists, natives of Siena, proceeded from the school of Gio. Pisano, namely, the two brothers, Agnolo and Agostino, who are greatly the works of the Florentine artists before his time, and seen how [Footnote 32: A few pictures by superior Greek artists, remain, which [Footnote 73: In the dictionary of Guarienti, in the article, Gio. Abeyk, appears an account of a picture of this artist, existing in the artist who painted the small picture which D'Argenville describes in this artist painted many pictures at Pistoia, one of which may be seen He studied design in Italy, and so improved in that art, that his works who lived but little at Florence, and who painted more pictures when in and fine effect of large works to those pleasing pictures he painted for his works painted after that period are to be seen in Florence, executed cache = ./cache/34479.txt txt = ./txt/34479.txt === reduce.pl bib === id = 32681 author = Willson, Harry, active 19th century title = The Use of a Box of Colours, in a Practical Demonstration on Composition, Light and Shade, and Colour. date = pages = extension = .txt mime = text/plain words = 31502 sentences = 1595 flesch = 69 summary = of their natural colours, the forms of their lights and shadows, and Drawing gives form; Colour, its visible quality; and Light and Shade, Sketching light and shade from nature (with a single colour, or a object producing it; as light occasions the existence of shadow. Yellow is the light; Red, the medium; and Blue, darkness;--colours of Extending either the light or shadow by means of _colour_, is perhaps The masses of light should be of warm colours, yellow or red, supported The shadows on all objects partake of the colour of the light, or are Light and shade may be produced by the influence of _colours alone_, light being warm, and the shadow composed of cold colours--a red or colours, shadows, and lights, in the tenderest hues and forms, and with Colours, forming the middle tint and shadows, should always be warm; Effect consists in either lights and shadows, or _colours_, so massed cache = ./cache/32681.txt txt = ./txt/32681.txt === reduce.pl bib === id = 32787 author = Sweetser, M. F. (Moses Foster) title = Dürer Artist-Biographies date = pages = extension = .txt mime = text/plain words = 29532 sentences = 1482 flesch = 71 summary = The Activities of Nuremberg.--The Dürer Family.--Early Years of The Activities of Nuremberg.--The Dürer Family.--Early Years of In Dürer's day the great churches of St. Sebald, St. Lawrence, and Our Lady were finished; Peter Vischer executed the --Portraits.--"The Apocalypse."--Death of Dürer's Father.--Drawings. Dürer's first copper-plate engraving dates from 1497, and represents numberless sketches and copper-plate designs of the present day, Dürer During this year Dürer published his first great series of woodcuts, Dürer's House.--His Poetry.--Sculptures.--The Great and Little Dürer's House.--His Poetry.--Sculptures.--The Great and Little The third of Dürer's great works in wood-engraving was "The Life Dürer's engravings on copper, and is a small round picture, about one "This portrait has Albert Dürer painted after his master Michael and faithful Albert Dürer." On this picture the master inscribed, During the remaining six years of his life Dürer's art-works were In the same year, Dürer published an engraved portrait cache = ./cache/32787.txt txt = ./txt/32787.txt === reduce.pl bib === id = 38923 author = Ruskin, John title = Modern Painters, Volume 3 (of 5) date = pages = extension = .txt mime = text/plain words = 136759 sentences = 5601 flesch = 69 summary = Schools; using the terms "High Art," "Great or Ideal Style," and Great art is produced by men who feel think painting "naturally" an easy thing. beautiful things are to be seen in nature than in art; on the chapter,--namely, that the difference between great and mean art lies, spurious high art of modern times, two broad forms of error divide work, like the power of a great reasoner over his subject, or a great proper place and way, but it is never _great_ art until the poetical small,--did never yet art or effort make; and, in a general way, men good-natured one, and in all other ways and things setting custom and other masters of true imaginative power, and having fed what mind they ways of life the fitting subjects for their arts of painting or of human thought, we shall find that this dreaming love of natural cache = ./cache/38923.txt txt = ./txt/38923.txt === reduce.pl bib === id = 39416 author = Rothschild, Max title = Gainsborough date = pages = extension = .txt mime = text/plain words = 9737 sentences = 560 flesch = 73 summary = This famous portrait of Mrs. Siddons was painted in 1784. artist, and the habit of portrait-painting became so firmly established Gainsborough painted many portraits of George the Third's GAINSBOROUGH'S EARLY LIFE--IPSWICH AND BATH GAINSBOROUGH'S EARLY LIFE--IPSWICH AND BATH There is a picture by him, painted many years later, that Gainsborough removed from Ipswich to Bath in the year 1758. friendship between Thicknesse and Mrs. Gainsborough; each was probably Gainsborough had for the viol da gamba; Mrs. Thicknesse had a very fine GAINSBOROUGH'S LIFE IN LONDON--LAST YEARS AND DEATH GAINSBOROUGH'S LIFE IN LONDON--LAST YEARS AND DEATH Gainsborough left two daughters, whose portraits he painted several to the king the portrait of Fischer, painted by her father at Bath Year by year Gainsborough continued sending portraits and landscapes to Grosvenor House was painted about the year 1770 at Bath and not in 1779 Gainsborough's "Bath period." It is a portrait of a certain Jonathan cache = ./cache/39416.txt txt = ./txt/39416.txt === reduce.pl bib === id = 41583 author = Baldry, A. L. (Alfred Lys) title = Burne-Jones date = pages = extension = .txt mime = text/plain words = 8698 sentences = 376 flesch = 63 summary = history of modern art is by no means easy to define, for his work with As an early picture, painted while Burne-Jones was still under the To his care and advice concerning his pupil's manner of working Rossetti This picture is one of those on which Burne-Jones worked at intervals working in water-colours, though by his way of using the medium he made in oil-painting at this time were not pictures for exhibition periods--the works he exhibited were not put before the public in exhibited in a particular year were new works; sometimes old ones which He exhibited in the gallery of the Royal Water Colour Society in 1869 a at the Grosvenor Gallery, Burne-Jones became instantly a power in the Burne-Jones is the manner of his advance, within some twenty years only, resulted from his way of working, but this mannerism was by no means the cache = ./cache/41583.txt txt = ./txt/41583.txt === reduce.pl bib === id = 41621 author = Hind, C. Lewis (Charles Lewis) title = Watteau date = pages = extension = .txt mime = text/plain words = 11576 sentences = 661 flesch = 73 summary = In the following pages the life and art of Watteau are considered, also and again in Watteau's pictures; he is in the Fête Champêtre and yet second-hand book-shop, of the life of Watteau, written by his friend the One lucky day Watteau met Claude Gillot, the decorative painter, who on revolt be too strong a word) influenced Watteau to the end of his life. Watteau painted several military pictures--groups marked with truth, yet possess his works; it was for him that Watteau painted the replica, claims that the little Watteau-like picture called "The Swing" in the all Watteau's pictures the nudes seem undoubtedly to have been painted describe Watteau's colour or his fashion of trickling on the paint, as representative master of French art; Watteau, Delacroix, and Monet are Watteau, so like the colour of his pictures are the colours of their cannot but feel that in his "invented" pictures Watteau's inspiration cache = ./cache/41621.txt txt = ./txt/41621.txt === reduce.pl bib === id = 47363 author = Pennell, Joseph title = The Life of James McNeill Whistler date = pages = extension = .txt mime = text/plain words = 199847 sentences = 11682 flesch = 79 summary = believe Whistler at that time had any such facility in colour work as "One day Whistler brought back from London the _Piano Picture_, only man, he thought, who could print Whistler's etchings as the artist Whistler's study of Jo, _Note Blanche_, lent by Mrs. Sickert to the Paris Memorial Exhibition, was doubtless done in 1861, made for the book, and thought that "the startling drawings by Mr. Whistler prove his singular power of hand, strong artistic feeling, and Rossetti's pictures, and Whistler's etchings, possibly his paintings. Leyland was good about standing, we know from Mrs. Leyland, but he had not much time, and few portraits gave Whistler a good friend for the troubled years that were to come, and Mrs. Whistler's house in Wimpole Street was for long a home to him. Whistler said: "I wanted to make the British Artists an art centre; cache = ./cache/47363.txt txt = ./txt/47363.txt === reduce.pl bib === id = 49068 author = Hartmann, Sadakichi title = The Whistler Book A Monograph of the Life and Position in Art of James McNeill Whistler, Together with a Careful Study of His More Important Works date = pages = extension = .txt mime = text/plain words = 57283 sentences = 3443 flesch = 72 summary = _A Monograph of the Life and Position in Art of James McNeill Whistler, Whistler was busy all his life painting just such white chrysanthemums. One thing is certain: Whistler's picture, "The White Girl," even with Like most artists who have suddenly sprung into fame, Whistler had lived Painting did not play quite as important a part in Whistler's life after Cimabue to Whistler, that a work of art is produced as the logical In his later work Whistler returned once more to vivid colouring. The first New York exhibition of work by Whistler was held in the old of art, Whistler has to be ranked primarily as a figure painter. Whistler in his portraits was not an initiator of a new art very essence of Whistler's art is to be seen in these coloured drawings. It was Whistler who taught that painting was a science of colour cache = ./cache/49068.txt txt = ./txt/49068.txt === reduce.pl bib === id = 35466 author = Ward, Leslie, Sir title = Forty Years of 'Spy' date = pages = extension = .txt mime = text/plain words = 104494 sentences = 5538 flesch = 74 summary = different character, many of which are in the possession of the Hon. John Ward, M.V.O. The following letters from Sir Edwin Landseer, Mulready, and Holman same time, like all true artists, men who appreciate shades of colour a fact very soon discovered by his domestics, for one day Mr. and Mrs. Taylor returned from a walk to be met by a startled parlourmaid who course I caricatured my father in due time for _Vanity Fair_; and he --I win my case.--Sir George Lewis.--The late Lord Grimthorpe. --I win my case.--Sir George Lewis.--The late Lord Grimthorpe. painting his portrait at the time, said, "If you would like to have I had great times with my old friend, Harry stopped me and said, "I know the way, sir--I was for some time second as a lady, a great friend of his, said that a grease paint picture I cache = ./cache/35466.txt txt = ./txt/35466.txt === reduce.pl bib === id = 31934 author = Vigée-Lebrun, Louise-Elisabeth title = The Memoirs of Madame Vigée Lebrun date = pages = extension = .txt mime = text/plain words = 74920 sentences = 5140 flesch = 82 summary = About this time I painted a portrait of Count Schouvaloff, Grand Mme. Lebrun's First Portrait of the Queen, Destined for Presentation I painted various pictures of the Queen at different times. Exhibited by Mme. Lebrun at the French Royal Academy of Painting On then living there, sent for me to paint his portrait and Mme. de About this time I painted the portrait of a Polish lady, the Countess painted, he had replied: "No, I shall wait for Mme. Lebrun to come you here for a long time, Mme. Lebrun--so much so that I have Paul, then Grand Duke only, came to France for the first time, he said time, and who, like his father, has a great love for pictures. remarked, "Mme. Lebrun went to see her friends." But Bonaparte's the composition of the picture, I painted Mme. Murat's pretty little her portrait is painted by Mme. Lebrun, 25, 30; cache = ./cache/31934.txt txt = ./txt/31934.txt === reduce.pl bib === id = 34585 author = Lanzi, Luigi title = The History of Painting in Italy, Vol. 2 (of 6) From the Period of the Revival of the Fine Arts to the End of the Eighteenth Century date = pages = extension = .txt mime = text/plain words = 117913 sentences = 4827 flesch = 65 summary = The third artist painted a picture in the church of S. excelled his master, as Vasari observes, in the third picture painted as the head of a school in Rome, and his works were studied by the youth He left not a few works in Rome, and elsewhere his pictures Rome had for some years seen only the two extreme styles of painting. painted both in Venice and in Rome; and Orlandi praises his works in the coloured pictures are those which he painted on first coming to Rome. Lamberti had the honour of giving to the Roman School the Cav. Marco Benefial, born and resident in Rome, a painter of great genius, second artist, remained in Rome the chief painter in this style. master when he painted with care, as in the great picture, in the his style, he painted a small picture. designed and painted a large picture in less time than I dare mention, cache = ./cache/34585.txt txt = ./txt/34585.txt === reduce.pl bib === id = 33166 author = Hurll, Estelle M. (Estelle May) title = Landseer A collection of fifteen pictures and a portrait of the painter with introduction and interpretation date = pages = extension = .txt mime = text/plain words = 17069 sentences = 1267 flesch = 79 summary = It was by means of another dog picture that the artist took his next Sarah Tytler's little book, _Landseer's Dogs and their Stories_.] Such a favorite is the dog of our picture, and we like to fancy that "The Twa Dogs" fits the verses as if painter and poet had worked Two years after painting the picture of The Twa Dogs, Landseer made a Tytler's little book, _Landseer's Dogs and their Stories_.] being obtained to make the dog's portrait, our beautiful picture was custom of calling the white Newfoundland dog the Landseer If a universal dog-lover like Landseer could be said to have a in the picture of Suspense, where the dog's senses are all in intense Landseer lived, like Sir Walter himself, surrounded by dogs. It was characteristic of Landseer to paint his portrait with his dogs. It would appear that Landseer's dog pictures were faithful enough to cache = ./cache/33166.txt txt = ./txt/33166.txt === reduce.pl bib === id = 43894 author = Muther, Richard title = The History of Modern Painting, Volume 2 (of 4) Revised edition continued by the author to the end of the XIX century date = pages = extension = .txt mime = text/plain words = 144565 sentences = 8801 flesch = 73 summary = All works known to the history of art, from the cathedral pictures of the market modest little pictures of the life around them, paintings of The pictures of brigand life which he painted in the beginning of At the time when these pictures were painted the rendering of still-life pictures, introduces the first period of German landscape painting. the _genre_ artists were painting their earliest pictures of rustic life her intense and forceful life, that they have become great works of art painted her pictures, instead of working at them like knitting. In painting, nature had been made artificial, and it was time for art to landscapes, and pictures from popular national life: "The Painter," "M. Years of Artistic Life," the master himself painting a landscape. painting proper there once more appeared great painters of still-life in English Landscape, from pictures painted by John Constable. cache = ./cache/43894.txt txt = ./txt/43894.txt === reduce.pl bib === id = 43988 author = Bensusan, S. L. (Samuel Levy) title = Titian date = pages = extension = .txt mime = text/plain words = 9046 sentences = 445 flesch = 74 summary = This wonderful example of Titian's portrait painting may be seen in the painter knew best, and gave time out of mind to his pictures, has fact that Titian completed some of the pictures that Giorgione left could have his portrait painted by the first painter of his day, and Titian was requested to paint his famous "Assumption" for the great of the first very great pictures of Titian's life, marking as it does commissioned Titian's old master, Gian Bellini, to paint a secular when Titian went to work in Mantua he painted pictures that extended that Titian worked in Mantua for the Duke, and painted many pictures In the early years of this connection Titian painted the Duke and Duchess is painted in repose; like so many of Titian's portraits of portrait painted by Titian was till recently in Rome and reveals a man In Augsburg Titian painted his most famous portrait of cache = ./cache/43988.txt txt = ./txt/43988.txt === reduce.pl bib === id = 44033 author = Konody, Paul G. (Paul George) title = Raphael date = pages = extension = .txt mime = text/plain words = 9656 sentences = 434 flesch = 66 summary = For the beauty of Raphael's art, which in the Raphael's works, whether it be a small panel picture or a monumental apparent even in works painted by Raphael at a time when he had come it is easy to trace in Raphael's pictures of that period entire groups In 1502 Perugino went back to Florence, and Raphael probably joined time Raphael painted his first Madonna pictures, notably the the following year Guidobaldo died; and a letter from Raphael to his Raphael's kinsman, Bramante of Urbino, who drew Pope Julius II.'s it is far more probable that the thought of calling Raphael to Rome to Raphael's greatness as a portrait painter may be judged from his But to return to Raphael's work in the Camera della Signatura, the In the Camera della Signatura, Raphael's entire decoration has the same It was probably in the same year that Raphael painted the magnificent [Illustration: PLATE VIII.--PORTRAIT OF RAPHAEL cache = ./cache/44033.txt txt = ./txt/44033.txt === reduce.pl bib === id = 44321 author = Lounsbery, Elizabeth title = The Mentor: American Miniature Painters, January 15, 1917, Serial No. 123 date = pages = extension = .txt mime = text/plain words = 8443 sentences = 732 flesch = 72 summary = Baer was thirty years of age before he painted a miniature. Institute, New York City, an illustrator for magazines, and a painter the Metropolitan Museum of Art. It is a portrait of Miss Beckington's Miss Beckington, referring to her early efforts in miniature painting, Boston Water Color Club, Copley Society, New York Woman's Art Club, and the American Society of Miniature Painters. and the American Society of Miniature Painters. The miniature work of Mrs. Fuller, like that of Miss Thayer and Miss miniature painting, his work being notable for its extreme delicacy become the most important miniature painter of his time in America. became a well known miniature painter in Boston and New York about American Society of Miniature Painters lent its best efforts--with the As a master of form and an excellent painter of likenesses, Mr. Whittemore has executed a great number of portrait miniatures. cache = ./cache/44321.txt txt = ./txt/44321.txt === reduce.pl bib === id = 36347 author = Coleridge, Mary E. (Mary Elizabeth) title = Holman Hunt date = pages = extension = .txt mime = text/plain words = 12242 sentences = 730 flesch = 82 summary = years old was standing on the stairs of a poor artist's house, watching, was about four years old he begged for a brush and some paints, and his In the room at 83 Gower Street, where Millais painted while his mother "Oh no!" said Millais, "you must come in and see the old people," talk; when Millais was tired to death of his own picture he worked on for the Academy he was not quite ready with the charming picture painted morning, as he sat at work not far from the house, he heard Millais' said Hunt, he should stay where he was, it was a good work that he had "Isabella" was painted in Florence in days of great sadness; a year so ultimately, for Hunt and Millais, whose works already "You vagabond!" said Millais--as he watched Hunt painting in transparent in a volume of Tennyson illustrated by Hunt, Millais, and Rossetti; cache = ./cache/36347.txt txt = ./txt/36347.txt === reduce.pl bib === id = 44082 author = Muther, Richard title = The History of Modern Painting, Volume 3 (of 4) Revised edition continued by the author to the end of the XIX century date = pages = extension = .txt mime = text/plain words = 121765 sentences = 6812 flesch = 71 summary = These works, he said, did not imitate old pictures, but nature; outwardly repellent picture takes shape as a powerful work of art, a them, which in its brilliant colouring looked like an old picture upon life, or painting them, like Menzel, as parts of one great, surging, and every likeness, at a time when Winterhalter painted great men, not as Japanese pictures, _kakemonos_, are painted in water colour or Chinese because--the picture was entirely painted in the old Bolognese style. They paint their pictures in the broad and common light of day. great pictures of contemporary life painted afterwards in Paris and the picture--works in which the aim of decorative art was completely traditional historic picture, since artists painted scenes from modern He paints no great pictures, painted a "White Girl" in 1863, and it was a much greater work of art, than English painting does elsewhere; and in his picture of 1878, "The cache = ./cache/44082.txt txt = ./txt/44082.txt === reduce.pl bib === id = 50843 author = Van Dyke, John Charles title = The Mentor: Angels in Art, Vol. 1, Num. 40 date = pages = extension = .txt mime = text/plain words = 6767 sentences = 455 flesch = 78 summary = MADONNA AND CHILD WITH ANGELS Bellini "Paint an angel!" exclaimed Courbet (koor-bay') the realist to a pupil needed by the pupil; but nevertheless angels have been painted time saw the pretty-faced models they turned into angels by adding enlarged faith,--saw Madonnas, saints, and angels in visions, and painted them, the early painters put into the angel of the Annunciation! The red-robed angels (they were painted red of face as well as of robe) [Illustration: CORREGGIO; ANGEL GROUP (detail of fresco at Parma)] [Illustration: BOTTICELLI: MADONNA, CHILD, AND ANGELS] [Illustration: BOTTICINI: MADONNA AND CHILD (detail of angels)] the young Leonardo, to finish this picture by painting in the second [Illustration: VEROCCHIO: BAPTISM (detail of Leonardo's Angel)] In fresco painting the artist was obliged to work directly on Fra Angelico painted beautiful angels, and his [Illustration: ANGEL OF ANNUNCIATION, BY BURNE-JONES] [Illustration: MADONNA AND CHILD WITH ANGELS, BY BELLINI.] [Illustration: ANGEL WITH LUTE (DETAIL OF PRESENTATION), BY CARPACCIO] cache = ./cache/50843.txt txt = ./txt/50843.txt === reduce.pl bib === id = 41541 author = Bensusan, S. L. (Samuel Levy) title = Rubens date = pages = extension = .txt mime = text/plain words = 8722 sentences = 431 flesch = 73 summary = the life of any smaller man, he found time to paint countless pictures period, which saw the painting of the great works that hang in Antwerp's that Rubens painted far too many works to admit of a truly father, Dr. John Rubens, a man of great attainments, was living in Nearly a year passed before Rubens returned to Mantua. painter, with whom Rubens collaborated in a picture that may be seen the Rubens who painted in Antwerp after his return from Italy and gave Rubens found time to paint portraits of several Turning from a survey of Rubens' life to a consideration of his art, the Among the painters who worked for Rubens or subjects, has rather obscured Rubens the portrait painter, and this is portrait painter that Rubens was often at his best. As far as we can see from a study of the painter's work and life, cache = ./cache/41541.txt txt = ./txt/41541.txt === reduce.pl bib === id = 41648 author = Baldry, A. L. (Alfred Lys) title = Millais date = pages = extension = .txt mime = text/plain words = 8045 sentences = 370 flesch = 67 summary = practically unbroken success, the life-story of John Everett Millais is artists who have played great parts in the modern art world. "North-West Passage," for in both pictures the artist suggests the the boy was then sent to work at the art school which Henry Sass carried After two years' work under Sass, with some study in the British Museum figure imposes the severest test not only upon an artist's powers of audacity of the young painters who sought by works of this character to Millais at the time suffered for his principles; paintings which had years" generously expressed his sentiments towards the Brotherhood. [Illustration: PLATE IV.--AUTUMN LEAVES (Manchester Art Gallery) many of the pictures which Millais painted, this delightful composition was fiercest the Royal Academy showed its faith in Millais by electing pictures, portraits, and landscapes appeared in rapid succession, and in figure subjects to give much time to out-of-door work, and to satisfy cache = ./cache/41648.txt txt = ./txt/41648.txt === reduce.pl bib === id = 42352 author = Quilter, Harry title = Giotto date = pages = extension = .txt mime = text/plain words = 51922 sentences = 2092 flesch = 68 summary = effect as great a change in modern art as the practice of Giotto artists; an art of mosaic work which also owed its chief, if not its "'_To Giotto, the great painter, is given a buckler to paint by a man [39] This fresco is, I think, the work of one of Giotto's pupils, but "The first pictures of Giotto were painted for the Chapel of Giotto also painted at this time in the church of the Carmine,[52] of the frescoes, also felt certain of Giotto only having painted one in this picture is one of the least graceful in Giotto's works. the master himself was at work on the frescoes in the Lower Church, only frescoes in the church so painted, as if Giotto were purposely influence of Cimabue, who had painted here before Giotto's time, and Giotto painted four chapels here, but the only remaining frescoes are cache = ./cache/42352.txt txt = ./txt/42352.txt === reduce.pl bib === id = 41947 author = MacFall, Haldane title = Boucher date = pages = extension = .txt mime = text/plain words = 12015 sentences = 612 flesch = 76 summary = of France of the five-year-old child as Louis Quinze--a comely little prophecy of Boucher achieving greatness in the years to come. come into Boucher's life in after years. Boucher created and painted in large numbers with decorative with Carle Van Loo and his two nephews, François and Louis Van Loo. Of Boucher's wander-years in Italy little is known. Life is now one long triumph for Boucher, only disturbed in this year Boucher painted her handsome being as a shepherdess in Of the rare portraits painted by Boucher, it is strange that the In this year of 1744 Boucher created a new fashion at the annual Salon rise to power, Boucher painted four pictures for the large room of the that they were painted during the years that saw the Pompadour in In his forty-eighth year Boucher's art was at its most luminous Boucher, at sixty-two, was made first painter to the king, with all cache = ./cache/41947.txt txt = ./txt/41947.txt === reduce.pl bib === id = 41939 author = Crastre, François title = Rosa Bonheur date = pages = extension = .txt mime = text/plain words = 9686 sentences = 529 flesch = 71 summary = Rosa Bonheur was inimitable in the art of seizing the expression This painting is considered by some critics to be Rosa Bonheur's Rosa Bonheur exhibited six paintings and two pieces of sculpture. Rosa Bonheur, who carries this order of talent to the This picture is one of the last that Rosa Bonheur painted. From this time forward Rosa Bonheur ceased to exhibit at the Salons. the breeds of cattle and sheep and to whom Rosa Bonheur's paintings Rosa Bonheur worked with desperate energy in the midst of her models are extremely rare in the life work of Rosa Bonheur; she had too high all that Rosa Bonheur painted because of the intensity of the for this reason, among many others, that the work of Rosa Bonheur Rosa Bonheur, and who herself had some talent for painting, presented Grain_, which it took Rosa Bonheur twenty years to bring to cache = ./cache/41939.txt txt = ./txt/41939.txt === reduce.pl bib === id = 42185 author = D'Anvers, N. title = Mantegna date = pages = extension = .txt mime = text/plain words = 11002 sentences = 407 flesch = 62 summary = This beautiful composition, considered one of Mantegna's greatest Florence, belonging to Mantegna's second period of art development. The years during which Mantegna was at work on the Eremitani frescoes, famous frescoes by Mantegna that adorned the Camera degli Sposi and the young prelate Lodovico, the reigning Marquis of Mantua, who writer offers to make Mantegna his court painter with a high salary his death, except for two years spent in Rome, Mantegna worked almost The first pictures painted at Mantua were the beautiful triptych of study only, as it was still in Mantegna's studio when the artist painted in 1485 for the young Marquis of Mantua, Gian Francesco friend to Mantegna, and two years later her son, Cardinal Francesco in the National Gallery, is one of Mantegna's latest works, and Francesco Mantegna; but, probably because of the great anxieties by beautiful forms of Mantegna's figures in his later works, their sweet cache = ./cache/42185.txt txt = ./txt/42185.txt === reduce.pl bib === id = 41694 author = Hind, C. Lewis (Charles Lewis) title = Turner: Five letters and a postscript. date = pages = extension = .txt mime = text/plain words = 10937 sentences = 633 flesch = 79 summary = From the Oil Painting by Turner in the Tate Gallery From the Oil Painting by Turner in the Tate Gallery From the Oil Painting by Turner in the Tate Gallery From the Oil Painting by Turner in the Tate Gallery "Ah," I said, "if you could see a range of Turner's water-colours from Turner water-colours, drawings, studies, and the "unfinished" paintings, (From the oil painting by Turner in the National Gallery) (From the oil painting by Turner in the National Gallery) Turner is painting furiously upon his picture. (From the water-colour by Turner in the National Gallery) (From the water-colour by Turner in the National Gallery) (From the water-colour by Turner in the National Gallery) (From the water-colour by Turner in the National Gallery) (From the water-colour by Turner in the National Gallery) letter Ruskin wrote in 1836 defending Turner's picture of Venice called Turner's later water-colours, would feel in this room; walls covered cache = ./cache/41694.txt txt = ./txt/41694.txt === reduce.pl bib === id = 43001 author = Turner, Percy Moore title = Van Dyck date = pages = extension = .txt mime = text/plain words = 11634 sentences = 552 flesch = 72 summary = Portrait of Van Dyck (or The Artist) In most subject pictures Van Dyck painted before his visit to Italy it solely this cause which raised Van Dyck as an artist above his master. finest horses for the purpose of his journey in Italy, whilst Van Dyck the influence of the great Italian masters upon his work, was During the latter portion of the time Van Dyck stopped with Rubens he PLATE IV.--PORTRAIT OF VAN DYCK (OR THE ARTIST) turned the attention of his engravers to his works, and until Van Dyck contemplating a work of the English period of Van Dyck, for were we to greatest of the portrait painters working in England in the interval As I have already said, the influence of Van Dyck upon the painters who qualities of Van Dyck than his master. with a perfection of execution, which neither Rubens nor Van Dyck cache = ./cache/43001.txt txt = ./txt/43001.txt === reduce.pl bib === id = 43085 author = Barbusse, Henri title = Meissonier date = pages = extension = .txt mime = text/plain words = 9790 sentences = 508 flesch = 70 summary = silken, and a singularly expressive eye, was the painter, Meissonier. Every one of Meissonier's pictures is a document which may be spent much time in painting vast canvases that today hold but a small the Rue des Ecouffes, there lay the paint-box which Mme. Meissonier Meissonier's studio, to sit for his life-mask,--and, once there, it of his artistic career--the plates that served as illustrations for purchased for one hundred francs by the Society of Friends of Art. The following year he did not exhibit. But the small size of Meissonier's pictures! the keynote of his talent: "Meissonier has always painted on such a justly said that "Meissonier's pictures never look small excepting Meissonier's brush!); _A Young Man Playing the 'Cello_; _The Painter picture was done in collaboration; Meissonier painted only the Meissonier's one romantic painting, and he professed a great say that "Meissonier was worthy to paint the stories of Marmot, and cache = ./cache/43085.txt txt = ./txt/43085.txt === reduce.pl bib === id = 43068 author = Turner, Percy Moore title = Millet date = pages = extension = .txt mime = text/plain words = 11614 sentences = 587 flesch = 71 summary = Amongst the great painters of peasant life the name of Jean François life and works have revealed him as one of the greatest masters in his Upon first regarding a picture of Millet's mature years, one wonders In fact when one contemplates the life which Millet Perhaps no season of the year presented the same attraction for Millet MILLET'S EARLY LIFE MILLET'S EARLY LIFE struggle for existence which Millet in his first years saw going Millet, however, the early years which he devoted to the farm and its By means of his influence some of Millet's drawings were brought subjects, and many are the wonderful studies of peasant life which Very few of Millet's works can rival this superb picture in Millet, on the other hand, was absorbed in the peasant. ever the bane of Millet's life. Millet is an instance of an artist working out his own destiny, cache = ./cache/43068.txt txt = ./txt/43068.txt === reduce.pl bib === id = 41886 author = Konody, Paul G. (Paul George) title = Chardin date = pages = extension = .txt mime = text/plain words = 10613 sentences = 493 flesch = 68 summary = This "Still-Life," which is among the fine array of Chardin's pictures No painter knew like Chardin how to express in Chardin's still-life pictures never appear to be grouped to form it may be said that all Chardin's still-life partakes of genre as much of a man like Mariette, who discovers in Chardin's paintings the signs Like all Chardin's genre pictures, it is, as it were, a glimpse figured at the sale of Chardin's works after his death, when his art other artists' work, Chardin lacked the gift to communicate his arrived, Chardin informed him that the exhibited pictures were painted About this time Chardin's still-life period comes to a close, and we picture is the only genre piece by Chardin with life size figures. Three of the genre pictures of the 1734 exhibition were sent by Chardin object for portraiture, whilst Chardin, the student of life, painted the cache = ./cache/41886.txt txt = ./txt/41886.txt === reduce.pl bib === id = 41798 author = Weale, J. Cyril M. (James Cyril M.) title = Van Eyck date = pages = extension = .txt mime = text/plain words = 11376 sentences = 508 flesch = 66 summary = (By John van Eyck.--National Gallery, London, No. 186) (By John van Eyck.--National Gallery, London, No. 186) (By John van Eyck.--National Gallery, London, No. 186) Portrait of Margaret van Eyck, the Painter's Wife, 1439 60 (By John van Eyck.--Town Gallery, Bruges) (By John van Eyck.--Town Gallery, Bruges) of John van Eyck until 1432, nearly six years after his brother's death, find John van Eyck attached to the Count's household as painter and later years acquiring paintings by Van Eyck for his collection. John van Eyck helped to relieve the tedium of life in the intervals of Of the many paintings executed by John van Eyck to which no precise date King's Council John van Eyck was at his easel painting the Infanta's [Illustration: PLATE VII.--PORTRAIT OF MARGARET VAN EYCK THE PAINTER'S "Portrait of Margaret van Eyck" (Plate VII.) in the Town Gallery at The sad loss to Art sustained by John van Eyck's death on the 9th of cache = ./cache/41798.txt txt = ./txt/41798.txt === reduce.pl bib === id = 41887 author = Konody, Paul G. (Paul George) title = Filippo Lippi date = pages = extension = .txt mime = text/plain words = 9918 sentences = 522 flesch = 70 summary = In this earliest known picture by Filippo Lippi, the painter is still authoritative modern critic of Italian art, denies Fra Filippo a Whereas all questions concerning Fra Filippo's artistic education remain into Vasari's life of _The Florentine Painter, Fra Filippo Lippi_. have entered the body of Fra Filippo." At this period he painted several That Fra Filippo, like all the masters of the and later on Masaccio, whose influence clearly appears in Fra Filippo's de' Medici, bestowed upon Fra Filippo Lippi, probably dates back to the of the great romance of Fra Filippo's life, by which his name has become Fra Filippo when, as a mere child, he had to enter the establishment of Fra Filippo, who came to Prato only a year after the two sisters, and fact that both the sisters were for some time under Fra Filippo's 1438, in which he says that by working day and night Fra Filippo could cache = ./cache/41887.txt txt = ./txt/41887.txt === reduce.pl bib === id = 41674 author = Allnutt, Sidney title = Corot date = pages = extension = .txt mime = text/plain words = 9967 sentences = 578 flesch = 77 summary = Before all things Corot was an idealist--a painter of ideas rather than said, "Corot was a great artist. Corot was a great artist. It is, for me, impossible to look at Corot's work without feeling that I go above to see if friend Corot has found me new landscapes to paint." That was it: Corot never failed to find new landscapes to paint, for his Of how the artist went to work when he had "found" a new landscape some To most, Corot is "the man of greys," the painter of the twilight. admired of Corot's works. As was his custom, Corot was always at work in Italy, "sitting down" du Colisée" was one of the paintings that first gained for Corot the With all his intense delight in life and in living, Corot was always Corot's work, of which at one time he was able to boast he had a cache = ./cache/41674.txt txt = ./txt/41674.txt === reduce.pl bib === id = 42828 author = Wood, T. Martin title = Sargent date = pages = extension = .txt mime = text/plain words = 8806 sentences = 481 flesch = 71 summary = This world Sargent paints. Sargent's gift to remove the impression that his sitter has posed, that Supreme is the art of Sargent in its appreciation of those pleasures There are people for whom the opulent world of Sargent's art is their Sargent does not paint modern people as if they all came into thinking about Sargent's interior paintings, which so very vividly and the nature of Sargent's painting, its spirit; it is the most painted artificial things, the rouge on lips, the powder on a face; imagination than Sargent would enter into the spirit of her arts. latter, to my mind, is the aspect in which Sargent has painted this with flowers surrounding, Sargent sees for a moment life itself by matter-of-factness peculiarly belongs to Sargent's art and am interested of a modern painter, with so great a vogue as Sargent's, have been We have then to think of Sargent not only as a painter, cache = ./cache/42828.txt txt = ./txt/42828.txt === reduce.pl bib === id = 43792 author = Muther, Richard title = The History of Modern Painting, Volume 1 (of 4) Revised edition continued by the author to the end of the XIX century date = pages = extension = .txt mime = text/plain words = 145164 sentences = 9290 flesch = 73 summary = painters and the end of the illustrative painting of history 317 centuries as the "old world." New men require a new art. school of nature, and of that the old masters hold the key." The great changed spirit of the age, and art too must become virtuous, and work new age a more beautiful work has not appeared in painting; even Raphael work to the good old times is a more solid study of form and colour than of a period of German art, that these pictures are worthy of high In the Pinakothek, Cornelius' main idea was to paint the life and work still-life of the German schools of art not a sound made its way of what learn the art of painting, Prudhon, in 1811, became her drawing master; times there is in his pictures a natural flesh-colour and an animation scenes comes out true and life-like in the artist's work, because the cache = ./cache/43792.txt txt = ./txt/43792.txt === reduce.pl bib === id = 43410 author = Bensusan, S. L. (Samuel Levy) title = Holbein date = pages = extension = .txt mime = text/plain words = 8708 sentences = 422 flesch = 73 summary = The Renaissance that worked so many wonders in Italy opened Holbein's save in the case of Anne of Cleves, whose portrait he painted for King Apart from this work, we look to Holbein for a long roll of kings, the portraits in the great European galleries, at Windsor or Basle, Holbein, who would have been a great master if he had never painted a would seem that at the time when this work was painted the elder Holbein some of the clever sensational work with which Holbein made his artistic all art work; he prepared the title-page of Sir Thomas More's "Utopia," He painted among many works of the first class a portrait Holbein painted many portraits of his friend and patron, and at Holbein painted this portrait soon after he had painted the portrait of George Gisze, Holbein gave to wrong; and there are pictures that pass for the work of Holbein's hand, cache = ./cache/43410.txt txt = ./txt/43410.txt === reduce.pl bib === id = 43347 author = Pissarro, Lucien title = Rossetti date = pages = extension = .txt mime = text/plain words = 10319 sentences = 624 flesch = 76 summary = This picture was painted from Mrs. William Morris and was left to value of Rossetti's works as artistic creations. Very little is known of the early life of Rossetti. At about the same time that he painted "Mary's Girlhood," Rossetti did The most important of Rossetti's Pre-Raphaelite work during the two Rossetti painted only three pictures strictly according years later, after the death of his wife, Miss Burden, then Mrs. William Morris, again sat to Rossetti for several of his important In 1863 Rossetti painted an oil picture called "Helen of Troy," and the Rossetti now gave up painting those quaint little romantic subjects Rossetti first treated this subject in a little water-colour painted "Silence," probably studies for pictures never painted, the little head painted, the subject is that of the early water-colour of 1856, and the In 1880 and 1881 Rossetti was working on three large pictures, "The cache = ./cache/43347.txt txt = ./txt/43347.txt === reduce.pl bib === id = 42952 author = Anonymous title = Masters in Art, Part 32, v. 3, August, 1902: Giotto A Series of Illustrated Monographs date = pages = extension = .txt mime = text/plain words = 12093 sentences = 656 flesch = 73 summary = The Works of Giotto: Descriptions of the Plates and Page 35 This portrait of Giotto was painted in the first half of the fifteenth picture containing five heads, representing, besides Giotto, Uccello Florentine Renaissance, "Painting took her rise." In other words, Giotto Giotto came to Assisi with his master Cimabue and there painted the painted his frescos in the Lower Church of St. Francis in that city. contemporary, Giotto, the greatest painter of his age, has left such chosen Giotto di Bondone, painter, our great and dear master, since the old ducal palace, Giotto painted a series of frescos of which no JOHN RUSKIN 'GIOTTO AND HIS WORKS IN PADUA' This panel-picture, an early work, was painted for the Church of The last in the series of eight frescos painted by Giotto in the Bardi Florence, shows Giotto in all his strength and greatness," write Crowe cache = ./cache/42952.txt txt = ./txt/42952.txt === reduce.pl bib === id = 42163 author = Mason, James title = Bernardino Luini date = pages = extension = .txt mime = text/plain words = 9018 sentences = 417 flesch = 73 summary = artist's picture of "John the Baptist as a Child." The right hand of the writer of the "Lives" would have seen frescoes and panel pictures Many men have taken up the work of investigation, for Luini grows time comes we must be content to know the man through the work that he of figures in it, and the rest of Luini's work seems to be in Italy. to suppose that Luini worked in it, although at the time when he is last work of Luini or indeed of the great masters even in the churches A painter like Luini would have executed a great many So Luini's work looks down to-day upon a part the city in which Luini painted his last pictures. cities, Milan excepted, in which Luini worked throughout his that the most important part of the great artist is his work. cache = ./cache/42163.txt txt = ./txt/42163.txt === reduce.pl bib === id = 42528 author = Bensusan, S. L. (Samuel Levy) title = Tintoretto date = pages = extension = .txt mime = text/plain words = 8810 sentences = 417 flesch = 72 summary = example of Tintoretto's gifts as a portrait painter. greatest painter in the Venice of his time; a man whose position enabled when Tintoretto was at work in Titian's studio he copied some of the master's pictures so cleverly that Titian told one of his other pupils hundred works left to stand for the seventy-five years of the painter's This remarkable work is one of the finest examples of Tintoretto in Like all great painters Tintoretto had little use for drawings. Tintoretto had completed his work, that he had even fixed it in its The church of San Cassiano has two or three pictures by Tintoretto, and Cana." This church holds several pictures by Titian and other masters picture by the great Venetian master. Looking at Tintoretto's work and remembering that he hardly stirred the Venetian Republic left in Venice to-day, so Tintoretto's pictures Tintoretto had now reached the time when his work could no cache = ./cache/42528.txt txt = ./txt/42528.txt === reduce.pl bib === id = 42118 author = MacFall, Haldane title = Fragonard date = pages = extension = .txt mime = text/plain words = 12850 sentences = 659 flesch = 76 summary = Fragonard, like his master Boucher, soon found that the pompous, artist of the king's majesty, Pompadour's Boucher--large-hearted, Fragonard in his old age was destined to end his days. Marigny--and Fragonard, like many another artist of his day, was to be After a couple of years' training under Boucher, Fragonard's master, For three years thereafter, Fragonard was in the king's school of six those little canvases painted by Fragonard under the strong influence the two friends worked slowly towards Paris, Fragonard entering his When Fragonard came back to Paris on the edge of his thirtieth year it So it came about that before a year was out the old king was become Thus it chanced that for this wilful light-o'-love Fragonard painted Fragonard until twenty years later at Grasse, to complete the set. Fragonard's old master, Boucher, for some time had been "going about like a shadow of himself." The year after Fragonard's marriage the old cache = ./cache/42118.txt txt = ./txt/42118.txt === reduce.pl bib === id = 42114 author = Staley, Edgcumbe title = Franz Hals date = pages = extension = .txt mime = text/plain words = 11569 sentences = 674 flesch = 76 summary = "Franz Hals was a great painter; for truth of character, indeed, he was Karel Van Mander, Franz Hals' master, the son of a noble family, was Three years before the Hals left Antwerp for their dear old home, Karel These Antwerp and Haarlem worthies were the "makers" of Franz Hals in Franz Hals was thirty-three years of age in 1613--an age when artists Franz Hals painted his portrait in 1614, with similar treatment as that Franz Hals, for among the portraits he dated then are three of All this time Hals was making arrangements with his old patrons of St. Joris' Guild for another great portrait-group to be put up in the youngest, Nicolaes, being twenty-four years old--and Dirk Hals with Van Franz Hals' great good-nature and his merry haphazard way of life made In 1655, and again in 1660, Hals painted and dated many portraits, as cache = ./cache/42114.txt txt = ./txt/42114.txt === reduce.pl bib === id = 41974 author = Crastre, François title = Veronese date = pages = extension = .txt mime = text/plain words = 9632 sentences = 568 flesch = 67 summary = picture, painted for the Ducal Palace, served as a ceiling decoration Nevertheless, Veronese was not a native of Venice but of Verona, as is studied at Venice under Titian, undertook the fresco painting, here that Veronese painted his admirable series of episodes from the paintings were entrusted to Paolo Veronese. This immense composition is the most celebrated work by Veronese. This picturesque painting is one of the most curious of all Veronese's This picture of the _Wedding at Cana_ was painted by Veronese for the This painting by Veronese was one of the number, It was about the period of his return to Venice that Veronese Tintoretto, Horatio the son of Titian, and Veronese, had decorated it. Veronese also had a share in the decoration of another of Venice's pictures which Veronese painted for the neighbouring islands of THE WORKS OF PAOLO VERONESE THE WORKS OF PAOLO VERONESE cache = ./cache/41974.txt txt = ./txt/41974.txt === reduce.pl bib === id = 41734 author = Furst, Herbert title = Dürer date = pages = extension = .txt mime = text/plain words = 9294 sentences = 564 flesch = 77 summary = This beautiful portrait represents, artistically, the zenith of Dürer's Dürer, of Nuremberg, painted my own portrait here in the proper colours, Now the old Italians thought Dürer a most admirable artist, blamed what Dürer's brain which caused his Art to be what it is; in Italy it would harmony of both--hence we may place Dürer's "Man of Sorrows" by the side Throughout Dürer's Art I cannot think of any better way of explaining the effect of Dürer's Art Dürer's Art: features, arms, hands, bodies, legs, feet, draperies, Dürer's works Dürer did for northern Art, or at least attempted, what Leonardo did for Dürer's works were always more than works of _Art_.] Dürer's portraits are the subject of discussion. Dürer-like mode of seeing an undoubted work from his hand. Dürer's last great work! Dürer's greatest work: here for once his mind and his hand were at one. cache = ./cache/41734.txt txt = ./txt/41734.txt === reduce.pl bib === id = 41835 author = Crastre, François title = Puvis de Chavannes date = pages = extension = .txt mime = text/plain words = 9485 sentences = 525 flesch = 69 summary = the saint watching over the city was Puvis de Chavannes' own wife. Puvis de Chavannes for a long time fared scarcely better than these time the artist's personality, was _Peace_, now in the Museum at Amiens. Puvis de Chavannes replied that the two paintings in question belonged Puvis de Chavannes set to work immediately. same time commissioned Puvis to paint the picture itself for the Museum We have followed Puvis de Chavannes in his decoration of the Museum of When Puvis de Chavannes received a commission for a mural painting he This type of painting, although new to Puvis de Chavannes, failed to In the same Palace of Arts, Puvis de Chavannes painted two additional There is, in the work of Puvis de Chavannes, so much harmony and It is always so in the paintings of Puvis de Chavannes: the landscape CATALOGUE OF THE WORKS OF PUVIS DE CHAVANNES cache = ./cache/41835.txt txt = ./txt/41835.txt === reduce.pl bib === id = 41834 author = Mason, James title = Fra Angelico date = pages = extension = .txt mime = text/plain words = 8856 sentences = 426 flesch = 73 summary = devout Catholics, on the other hand, will approach Fra Angelico's work all Fra Angelico's life and art were given to the service of the Church, the best work of the artist's hand, painted in the closing years. exhaustive work on Fra Angelico, that the artist was profoundly Among the works belonging to the years before Fra Angelico went to San In all his work Fra Angelico showed himself an innovator, a man who, in day, Fra Angelico was a man of experience and an independence so far in to leave the Eternal City, came to Florence and saw Fra Angelico's work eight years in Rome, he did much for Fra Angelico, who painted the In the early days of Fra Angelico's work his This is a fresco from the Cloisters of San Marco and represents St. Peter, a saint whose appeal to the artist was very great The fact that cache = ./cache/41834.txt txt = ./txt/41834.txt === reduce.pl bib === id = 41836 author = Hay, George title = Carlo Dolci date = pages = extension = .txt mime = text/plain words = 8591 sentences = 375 flesch = 73 summary = If, in dealing with the life and work of Carlo Dolci, a writer sets down Dolci lived physical beauty was in a sense the keynote of all art work. to their proper place, the pictures of Carlo Dolci are bound to please, eleven Carlo Dolci painted his first heads of Christ, one as a child, travels, and in a very little time young Dolci had all the work he could The public demand for Carlo Dolci's work at this time was very greatly be said of Carlo Dolci's work that it has preserved its freshness to a Carlo Dolci turned his attention to fresco, and painted a figure of God He admired Carlo Dolci's work very much, but used When Carlo Dolci was born, the time of great men having We cannot, then, look upon Carlo Dolci's life or work as being complete. At the same time we must not underrate Carlo Dolci's work cache = ./cache/41836.txt txt = ./txt/41836.txt === reduce.pl bib === id = 45332 author = Middleton, J. H. (John Henry) title = Illuminated Manuscripts in Classical and Mediaeval Times Their Art and Their Technique date = pages = extension = .txt mime = text/plain words = 84660 sentences = 5345 flesch = 70 summary = Use of minium; Egyptian miniatures; illuminations in Roman manuscripts; metal-workers copied by illuminators of manuscripts; the _Book of Kells_, illuminated by Albert Dürer; Dutch fifteenth century manuscripts; their ancient and beautiful art of manuscript illumination. century illuminator had before him some very fine manuscript of early not in the form of manuscript illuminations that Irish art was introduced During the tenth century a large number of illuminated manuscripts were very like the miniatures in an illuminated manuscript of the time; they illuminated manuscripts, especially in the fifteenth century for _Books of ILLUMINATED MANUSCRIPTS OF THE TEUTONIC SCHOOL AFTER THE TENTH CENTURY. ILLUMINATED MANUSCRIPTS OF THE TEUTONIC SCHOOL AFTER THE TENTH CENTURY. the panel paintings and the miniature illuminations of manuscripts is very influence on painting of the styles of manuscript illumination at the first decade of the sixteenth century the art of manuscript illumination early fourteenth century French manuscripts, in which large miniatures are cache = ./cache/45332.txt txt = ./txt/45332.txt === reduce.pl bib === id = 45129 author = Wyatt, M. Digby (Matthew Digby), Sir title = The History, Theory, and Practice of Illuminating Condensed from 'The Art of Illuminating' by the same illustrator and author date = pages = extension = .txt mime = text/plain words = 54935 sentences = 2493 flesch = 65 summary = recur in books illuminated at periods corresponding with the great pictures these volumes contained, no doubt reproduced the style of art Ulphilas, written in silver and gold letters on a purple ground, about A.D. 360, which is, perhaps, the most ancient existing specimen of this noble volume, generally called the Durham Book, and known also as St. Cuthbert's Gospels, now in the British Museum. with illuminated title-pages, with pure Anglo-Saxon ornaments, and grand Manuscripts written in letters of gold, on white vellum, are chiefly great sovereign to raise the art of book-decoration in his day to its illuminate with gold and vermilion, except the great letters of double end of the 15th century, the miniatures of the illuminated books reflected of coloured ornament or lettering to panels, and, generally speaking, to [115] For illumination in water-colour on paper, cardboard, or vellum, useful for mixing with illuminating colours; giving great hardness cache = ./cache/45129.txt txt = ./txt/45129.txt === reduce.pl bib === id = 44329 author = Ruskin, John title = Modern Painters, Volume 5 (of 5) date = pages = extension = .txt mime = text/plain words = 157223 sentences = 9111 flesch = 77 summary = stoop forward and keep his head out of the great bough's way, as in Fig. 48, and grow as he best may, with the consumptive pain in his chest. One reason for this is that all great men like their inferior forms clouds pass, perhaps, in great measure, away from the plains leaving of the Power of Death, which formed one great chapter of religious the expression of the spirits of great men, iii. Beauty of nature, character of minds destitute of the love of, iii. modern idea of, as separated from the life of nature, iii. love of nature develops a sense of the presence and power of, iii. careful drawing of, by great men, iii. Inspiration, the expression of the mind of a God-made great man, iii. modern love of darkness and dark color, the "service of clouds," iii. faith, life the expression of man's delight in God's work, iii. cache = ./cache/44329.txt txt = ./txt/44329.txt === reduce.pl bib === id = 44340 author = Keim, Albert title = Gérôme date = pages = extension = .txt mime = text/plain words = 9729 sentences = 495 flesch = 68 summary = [Illustration: PLATE I.--YOUNG GREEKS ENGAGED IN COCK FIGHTING Gérôme has his allotted place among the illustrious French painters picturesque manner Gérôme could execute a painting officially ordered. Although it is some years since he passed away, Gérôme has left behind this work, which brought Gérôme much valued praise and some influential these two works were judged at their true value, and Gérôme received Gérôme remains, beyond question, the unrivalled painter of Egypt, whose spectators such as Rachel (whose portrait Gérôme painted in 1861), her Gérôme passed ceaselessly from one type of painting to the following excellent portrait of Gérôme: "A head firmly set upon a Ney_, he evoked this noble declaration from Gérôme: "The painter has with Bacchus and Cupid_ (1848, Toulouse Museum) which Gérôme himself called the picture "The Day of the Washerwoman." Gérôme appreciated As a painter of exotic life Gérôme remains an observer of the highest cache = ./cache/44340.txt txt = ./txt/44340.txt === reduce.pl bib === id = 46915 author = Leonardo, da Vinci title = A Treatise on Painting date = pages = extension = .txt mime = text/plain words = 72614 sentences = 5253 flesch = 81 summary = No Object appears in its true Colour, unless the Light which Of the Light proper for painting Flesh Colour from Nature. objects, and nothing is seen of the figure but what the light strikes /Objects/ contrasted with a light ground will appear much more detached /The/ colour of the shadows of an object can never be pure if the body The air, between the eye and the object seen, will change the colour The true colour of any object whatever will be seen in those parts /Of/ two objects equally light, one will appear less so if seen upon the lights in colour, because on that side the object receives a /The/ shadows or lights which surround figures, or any other objects, Objects seen between lights and shadows will appear to have greater Those objects which are most different in colour, will appear the most cache = ./cache/46915.txt txt = ./txt/46915.txt === reduce.pl bib === id = 35995 author = Swinburne, Algernon Charles title = William Blake: A Critical Essay date = pages = extension = .txt mime = text/plain words = 106723 sentences = 5170 flesch = 74 summary = But these best things are as wonderful as any work of Blake's. on spiritual grounds to the works of Blake, in whose eyes the views taken Blake's work only, but of most other men's: in actual conception of things "Rights of Man" and "Age of Reason." Blake had as perfect a gift of ready In this engraved symbolic poem of life and death, most of Blake's chief life a great and pleasant thing to attain; praise of his work now leaves do art a good turn in some small way, by explaining the "faith and works" neglect of form which was natural to Blake when his main work was done and chaotic leaves of his note-book, are many of Blake's best things. (if indeed they were not one thing) worth a man's life and work; and no hand (namely, the life of Blake, and the faith and works which made that cache = ./cache/35995.txt txt = ./txt/35995.txt === reduce.pl bib === id = 36427 author = Govett, Ernest title = Art Principles with Special Reference to Painting Together with Notes on the Illusions Produced by the Painter date = pages = extension = .txt mime = text/plain words = 106308 sentences = 4789 flesch = 64 summary = That part of the work dealing with the fine arts generally is the result styles of painting after many years of good work, and produce pictures All the paintings which we recognize as great works of art both painted in the fine manner, are equally great works of art with received as a great work of art, but there appeared at this time in beautiful whole, produces the greatest work of art. The degrees of beauty which the art of the painter can exhibit appear to the art of the painter there is a limit to the expression of general to produce such excellent works of art by means of their portraits. general æsthetic value of graceful form in a painted figure varies with value as works of art, for the imagination of the artist cannot extend invented by the artist, and so the work becomes one of pure art; but the cache = ./cache/36427.txt txt = ./txt/36427.txt Building ./etc/reader.txt 29907 47363 43792 29532 19863 39265 number of items: 135 sum of words: 5,677,827 average size in words: 43,342 average readability score: 73 nouns: art; work; picture; time; pictures; life; painter; man; painting; works; artist; years; nature; light; colour; illustration; men; day; figures; hand; artists; beauty; portrait; way; painters; part; place; style; master; school; century; form; things; nothing; one; world; figure; others; color; year; subject; manner; landscape; power; side; name; character; water; mind; eye verbs: is; was; be; are; have; had; were; has; been; painted; made; see; do; being; seen; did; said; found; make; called; say; find; having; given; know; came; does; give; left; known; done; come; paint; take; seems; went; became; am; used; look; think; took; gave; saw; produced; taken; go; brought; let; put adjectives: other; great; same; little; many; such; first; own; more; old; good; much; beautiful; last; few; best; new; full; young; large; certain; true; small; whole; white; fine; different; long; human; several; modern; high; general; early; various; most; natural; blue; original; second; greater; greatest; possible; black; dark; perfect; less; least; present; simple adverbs: not; so; more; only; very; most; as; also; now; then; even; well; up; never; out; still; here; too; always; much; far; there; however; ever; again; perhaps; often; thus; almost; less; first; down; just; yet; once; rather; indeed; therefore; all; away; together; already; long; quite; back; no; sometimes; on; probably; especially pronouns: his; he; it; i; him; their; they; we; its; you; them; her; my; me; himself; she; our; us; your; itself; themselves; one; myself; herself; ourselves; thy; yourself; thee; yours; mine; theirs; ours; thyself; oneself; hers; ye; ''s; ''em; au; je; yourselves; gir; di; whereof; theseus; i''m; us:--; there; si; sat proper nouns: _; s.; whistler; st.; mr.; de; i.; ii; rome; titian; gallery; paris; madonna; venice; florence; london; leighton; sir; italy; vasari; da; john; christ; academy; van; d.; turner; virgin; c.; leonardo; england; di; .; m.; god; iii; giotto; iv; lord; la; mrs.; raphael; national; dürer; rubens; france; portrait; footnote; rembrandt; charles keywords: st.; illustration; gallery; work; art; picture; florence; venice; london; titian; paris; italy; christ; man; madonna; virgin; great; rome; plate; mr.; academy; sir; england; vasari; van; louvre; french; rubens; national; nature; john; god; france; footnote; reynolds; painter; museum; colour; turner; raphael; english; school; san; rembrandt; paint; mrs.; lord; king; italian; giotto one topic; one dimension: art file(s): ./cache/14056.txt titles(s): The French Impressionists (1860-1900) three topics; one dimension: art; art; painted file(s): ./cache/29907.txt, ./cache/39000.txt, ./cache/41533.txt titles(s): Modern Painters, Volume 1 (of 5) | Women Painters of the World From the Time of Caterina Vigri, 1413-1463, to Rosa Bonheur and the Present Day | The History of Painting in Italy, Vol. 6 (of 6) From the Period of the Revival of the Fine Arts to the End of the Eighteenth Century (6 volumes) five topics; three dimensions: nature art color; art whistler pictures; work picture painter; art works painted; footnote colour light file(s): ./cache/29907.txt, ./cache/47363.txt, ./cache/42114.txt, ./cache/34479.txt, ./cache/41533.txt titles(s): Modern Painters, Volume 1 (of 5) | The Life of James McNeill Whistler | Franz Hals | The History of Painting in Italy, Vol. 1 (of 6) From the Period of the Revival of the Fine Arts to the End of the Eighteenth Century | The History of Painting in Italy, Vol. 6 (of 6) From the Period of the Revival of the Fine Arts to the End of the Eighteenth Century (6 volumes) Type: gutenberg title: classification-ND-gutenberg date: 2021-05-29 time: 12:05 username: emorgan patron: Eric Morgan email: emorgan@nd.edu input: classification:"ND" ==== make-pages.sh htm files ==== make-pages.sh complex files ==== make-pages.sh named enities ==== making bibliographics id: 41674 author: Allnutt, Sidney title: Corot date: words: 9967.0 sentences: 578.0 pages: flesch: 77.0 cache: ./cache/41674.txt txt: ./txt/41674.txt summary: Before all things Corot was an idealist--a painter of ideas rather than said, "Corot was a great artist. Corot was a great artist. It is, for me, impossible to look at Corot''s work without feeling that I go above to see if friend Corot has found me new landscapes to paint." That was it: Corot never failed to find new landscapes to paint, for his Of how the artist went to work when he had "found" a new landscape some To most, Corot is "the man of greys," the painter of the twilight. admired of Corot''s works. As was his custom, Corot was always at work in Italy, "sitting down" du Colisée" was one of the paintings that first gained for Corot the With all his intense delight in life and in living, Corot was always Corot''s work, of which at one time he was able to boast he had a id: 42952 author: Anonymous title: Masters in Art, Part 32, v. 3, August, 1902: Giotto A Series of Illustrated Monographs date: words: 12093.0 sentences: 656.0 pages: flesch: 73.0 cache: ./cache/42952.txt txt: ./txt/42952.txt summary: The Works of Giotto: Descriptions of the Plates and Page 35 This portrait of Giotto was painted in the first half of the fifteenth picture containing five heads, representing, besides Giotto, Uccello Florentine Renaissance, "Painting took her rise." In other words, Giotto Giotto came to Assisi with his master Cimabue and there painted the painted his frescos in the Lower Church of St. Francis in that city. contemporary, Giotto, the greatest painter of his age, has left such chosen Giotto di Bondone, painter, our great and dear master, since the old ducal palace, Giotto painted a series of frescos of which no JOHN RUSKIN ''GIOTTO AND HIS WORKS IN PADUA'' This panel-picture, an early work, was painted for the Church of The last in the series of eight frescos painted by Giotto in the Bardi Florence, shows Giotto in all his strength and greatness," write Crowe id: 25073 author: Atkinson, J. Beavington title: Overbeck date: words: nan sentences: nan pages: flesch: nan cache: txt: summary: id: 6932 author: Bacon, Mary Schell Hoke title: Pictures Every Child Should Know A Selection of the World''s Art Masterpieces for Young People date: words: 90003.0 sentences: 4907.0 pages: flesch: 80.0 cache: ./cache/6932.txt txt: ./txt/6932.txt summary: her work in the _Salon_ she painted only two little pictures--one of When this artist undertook to paint sacred subjects, of great dignity, About that time he tried to paint many kinds of pictures, such as In painting one picture many times he declared, "Its light cannot be work of any great artist, he painted the most extraordinary Angelo, and all great Italian artists; but instead he painted on wood, Two great artists painted peasants and little else. Raphael painted this beautiful lady-love many times, and in a picture He lived only three years after painting this picture and it was the The artist was twenty-six years old when he painted the "School of great Madonna pictures, although they painted loving, happy Dutch After that he painted sixty great pictures upon their walls. He declared that picture painting was serious and careful work, Titian''s great work, wanted him to paint his portrait. id: 36929 author: Baldry, A. L. (Alfred Lys) title: Leighton date: words: 9685.0 sentences: 307.0 pages: flesch: 60.0 cache: ./cache/36929.txt txt: ./txt/36929.txt summary: between the temperament of an artist and the work that he produces. A typical example of the artist''s earlier manner--characteristically work and asked whether he should "make him an artist." When Powers Few of Leighton''s paintings of Eastern subjects illustrate better than But in an analysis of Leighton''s art this famous composition claims a It was founded upon the idea that a work of art to be really great must contributing an important chapter to our art history--with men like painted six years before his death, and represents perfectly the art of Four years after Leighton became a British artist, by residence as well and for another ten years he went on painting pictures into which he sitter in being painted by a man of Leighton''s deep insight and great He was a great artist and he proved his powers in both forms of id: 41583 author: Baldry, A. L. (Alfred Lys) title: Burne-Jones date: words: 8698.0 sentences: 376.0 pages: flesch: 63.0 cache: ./cache/41583.txt txt: ./txt/41583.txt summary: history of modern art is by no means easy to define, for his work with As an early picture, painted while Burne-Jones was still under the To his care and advice concerning his pupil''s manner of working Rossetti This picture is one of those on which Burne-Jones worked at intervals working in water-colours, though by his way of using the medium he made in oil-painting at this time were not pictures for exhibition periods--the works he exhibited were not put before the public in exhibited in a particular year were new works; sometimes old ones which He exhibited in the gallery of the Royal Water Colour Society in 1869 a at the Grosvenor Gallery, Burne-Jones became instantly a power in the Burne-Jones is the manner of his advance, within some twenty years only, resulted from his way of working, but this mannerism was by no means the id: 41648 author: Baldry, A. L. (Alfred Lys) title: Millais date: words: 8045.0 sentences: 370.0 pages: flesch: 67.0 cache: ./cache/41648.txt txt: ./txt/41648.txt summary: practically unbroken success, the life-story of John Everett Millais is artists who have played great parts in the modern art world. "North-West Passage," for in both pictures the artist suggests the the boy was then sent to work at the art school which Henry Sass carried After two years'' work under Sass, with some study in the British Museum figure imposes the severest test not only upon an artist''s powers of audacity of the young painters who sought by works of this character to Millais at the time suffered for his principles; paintings which had years" generously expressed his sentiments towards the Brotherhood. [Illustration: PLATE IV.--AUTUMN LEAVES (Manchester Art Gallery) many of the pictures which Millais painted, this delightful composition was fiercest the Royal Academy showed its faith in Millais by electing pictures, portraits, and landscapes appeared in rapid succession, and in figure subjects to give much time to out-of-door work, and to satisfy id: 43085 author: Barbusse, Henri title: Meissonier date: words: 9790.0 sentences: 508.0 pages: flesch: 70.0 cache: ./cache/43085.txt txt: ./txt/43085.txt summary: silken, and a singularly expressive eye, was the painter, Meissonier. Every one of Meissonier''s pictures is a document which may be spent much time in painting vast canvases that today hold but a small the Rue des Ecouffes, there lay the paint-box which Mme. Meissonier Meissonier''s studio, to sit for his life-mask,--and, once there, it of his artistic career--the plates that served as illustrations for purchased for one hundred francs by the Society of Friends of Art. The following year he did not exhibit. But the small size of Meissonier''s pictures! the keynote of his talent: "Meissonier has always painted on such a justly said that "Meissonier''s pictures never look small excepting Meissonier''s brush!); _A Young Man Playing the ''Cello_; _The Painter picture was done in collaboration; Meissonier painted only the Meissonier''s one romantic painting, and he professed a great say that "Meissonier was worthy to paint the stories of Marmot, and id: 35934 author: Barrington, Russell, Mrs. title: The Life, Letters and Work of Frederic Leighton. Volume I date: words: 119145.0 sentences: 5773.0 pages: flesch: 74.0 cache: ./cache/35934.txt txt: ./txt/35934.txt summary: Some years later, Leighton writes of Mr. Henry Greville, in a letter father"; and Henry Greville in a letter to Leighton writes: "I wish _to Papa_, to whom I immediately wrote, telling him the nature of Mr. Leighton''s request, and begging him to write to him at once in case he artists in Florence, but of whose real greatness Leighton, even at works of all the really great artists display that love for flowers. The first group of letters from Leighton to his family from Rome tells As a boy at school I went to the R.A. Exhibition, and saw for the first time a work of Leighton''s, the Leighton sent a photograph of the picture to Steinle with a letter So ended the first page of Leighton''s life as an artist in the Rome of introduction in the Rome of those days to Leighton''s friend, the great id: 35935 author: Barrington, Russell, Mrs. title: The Life, Letters and Work of Frederic Leighton. Volume II date: words: 158130.0 sentences: 9022.0 pages: flesch: 77.0 cache: ./cache/35935.txt txt: ./txt/35935.txt summary: His endeavour has been to make his pictures as good as works of art as him.''" In a like spirit Leighton sought to arrive at viewing art; and DEAR LEIGHTON,--Unless I write again I shall hope to breakfast am working at my "Samson" picture; God knows how I shall finish In the Royal Academy Exhibition of 1860 Leighton sent one picture Good-bye, dear Mr. Leighton; I shall leave this open till That Leighton received great encouragement from personal friends there MY DEAR LEIGHTON,--If you did not paint better than I write you time when the Michael Angelo was painted, between Leighton''s pictures friend, Mr. George Aitchison, wrote at the time of Leighton''s death: [44] See study for picture in Leighton House Collection. Works by Lord Leighton have been collected and placed in themselves of the very great qualities Lord Leighton''s art possesses, Leighton House form a diary of the artist''s working life. id: 30316 author: Bensusan, S. L. (Samuel Levy) title: Velazquez date: words: 9734.0 sentences: 434.0 pages: flesch: 76.0 cache: ./cache/30316.txt txt: ./txt/30316.txt summary: This picture was painted about the year 1656, and, now in the Prado, is artist--he was a court painter; and pictures other than portraits were In the years when Velazquez first saw the light, the power of Spain, From these pictures of the secular life Velazquez passed to religious Of the painter''s work at court in those early days we hear a little Velazquez was entrusted by Philip with the work of Shortly after Rubens left Madrid, Velazquez completed his picture "Los This is one of the Prado pictures of King Philip''s eldest son by his When this picture was painted Don Balthasar Carlos was six years In the years following the return from Italy, Velazquez painted some of the last portraits painted by Velazquez. few men who paint interesting pictures in Spain to-day--Pradilla and There are pictures by Velazquez to be seen in Madrid outside the Prado, id: 36930 author: Bensusan, S. L. (Samuel Levy) title: Murillo date: words: 10145.0 sentences: 443.0 pages: flesch: 74.0 cache: ./cache/36930.txt txt: ./txt/36930.txt summary: must go to see the work of a great artist, but in the city that was his been pleasant, for Murillo worked in the studio for ten years or more, Murillo soon found in his friend''s work qualities he direction of sacred picture painting, and in the years that follow we boundaries of the City of London, is rich in works by Murillo. Down to the year of his return to Seville the painter''s work is of important work executed by Murillo in the first fifteen years of his Murillo, who know his work in National Gallery, Louvre, Prado, commissions to paint pictures for the Cathedral of Seville, once a Murillo at his best in a picture that has defied the assaults of time, Beyond Murillo''s highly important work in Seville Cathedral, attention Murillo painted ten or eleven pictures for the The pictures painted for the Franciscans were held by Murillo''s id: 41497 author: Bensusan, S. L. (Samuel Levy) title: Reynolds date: words: 9206.0 sentences: 443.0 pages: flesch: 72.0 cache: ./cache/41497.txt txt: ./txt/41497.txt summary: This picture is perhaps one of Sir Joshua Reynolds'' most beautiful This portrait is one of the best examples of Sir Joshua''s art, and was It will be remembered that Sir Joshua painted other portraits of Hudson, a portrait painter of the day and a Devon man too. lose his appeal in the last years of Reynolds'' life. Joshua''s acquaintance with the best minds of his day failed to save him. artists, even apart from his work, because he lived through the years of Mr. Claude Phillips, whose life of Sir Joshua Reynolds is one characteristic portraits painted by Sir Joshua Reynolds was commissioned following year Reynolds painted the wonderful picture of the Ladies In the following year, 1784, Sir Joshua sent sixteen pictures to the To-day we look at the artist''s work with a critical eye--he can no portraits of women among those painted by Reynolds in which there is a id: 43988 author: Bensusan, S. L. (Samuel Levy) title: Titian date: words: 9046.0 sentences: 445.0 pages: flesch: 74.0 cache: ./cache/43988.txt txt: ./txt/43988.txt summary: This wonderful example of Titian''s portrait painting may be seen in the painter knew best, and gave time out of mind to his pictures, has fact that Titian completed some of the pictures that Giorgione left could have his portrait painted by the first painter of his day, and Titian was requested to paint his famous "Assumption" for the great of the first very great pictures of Titian''s life, marking as it does commissioned Titian''s old master, Gian Bellini, to paint a secular when Titian went to work in Mantua he painted pictures that extended that Titian worked in Mantua for the Duke, and painted many pictures In the early years of this connection Titian painted the Duke and Duchess is painted in repose; like so many of Titian''s portraits of portrait painted by Titian was till recently in Rome and reveals a man In Augsburg Titian painted his most famous portrait of id: 41541 author: Bensusan, S. L. (Samuel Levy) title: Rubens date: words: 8722.0 sentences: 431.0 pages: flesch: 73.0 cache: ./cache/41541.txt txt: ./txt/41541.txt summary: the life of any smaller man, he found time to paint countless pictures period, which saw the painting of the great works that hang in Antwerp''s that Rubens painted far too many works to admit of a truly father, Dr. John Rubens, a man of great attainments, was living in Nearly a year passed before Rubens returned to Mantua. painter, with whom Rubens collaborated in a picture that may be seen the Rubens who painted in Antwerp after his return from Italy and gave Rubens found time to paint portraits of several Turning from a survey of Rubens'' life to a consideration of his art, the Among the painters who worked for Rubens or subjects, has rather obscured Rubens the portrait painter, and this is portrait painter that Rubens was often at his best. As far as we can see from a study of the painter''s work and life, id: 43410 author: Bensusan, S. L. (Samuel Levy) title: Holbein date: words: 8708.0 sentences: 422.0 pages: flesch: 73.0 cache: ./cache/43410.txt txt: ./txt/43410.txt summary: The Renaissance that worked so many wonders in Italy opened Holbein''s save in the case of Anne of Cleves, whose portrait he painted for King Apart from this work, we look to Holbein for a long roll of kings, the portraits in the great European galleries, at Windsor or Basle, Holbein, who would have been a great master if he had never painted a would seem that at the time when this work was painted the elder Holbein some of the clever sensational work with which Holbein made his artistic all art work; he prepared the title-page of Sir Thomas More''s "Utopia," He painted among many works of the first class a portrait Holbein painted many portraits of his friend and patron, and at Holbein painted this portrait soon after he had painted the portrait of George Gisze, Holbein gave to wrong; and there are pictures that pass for the work of Holbein''s hand, id: 42528 author: Bensusan, S. L. (Samuel Levy) title: Tintoretto date: words: 8810.0 sentences: 417.0 pages: flesch: 72.0 cache: ./cache/42528.txt txt: ./txt/42528.txt summary: example of Tintoretto''s gifts as a portrait painter. greatest painter in the Venice of his time; a man whose position enabled when Tintoretto was at work in Titian''s studio he copied some of the master''s pictures so cleverly that Titian told one of his other pupils hundred works left to stand for the seventy-five years of the painter''s This remarkable work is one of the finest examples of Tintoretto in Like all great painters Tintoretto had little use for drawings. Tintoretto had completed his work, that he had even fixed it in its The church of San Cassiano has two or three pictures by Tintoretto, and Cana." This church holds several pictures by Titian and other masters picture by the great Venetian master. Looking at Tintoretto''s work and remembering that he hardly stirred the Venetian Republic left in Venice to-day, so Tintoretto''s pictures Tintoretto had now reached the time when his work could no id: 17408 author: Berenson, Bernard title: The Florentine Painters of the Renaissance With An Index To Their Works date: words: 36172.0 sentences: 6549.0 pages: flesch: 80.0 cache: ./cache/17408.txt txt: ./txt/17408.txt summary: have tactile values, material significance; the figures artistically renders tactile values admirably, as in the Uffizi Madonna--but most Madonna and Saints (on Fra Bartolommeo''s cartoon). Pupil of Pier di Cosimo; influenced by Fra Bartolommeo and S. DOMENICO DI FIESOLE (near Florence) Madonna and Saints Fresco: Madonna, Saints, and Angels. Frescoes: Crucifixion and Saints; St. Dominic and two Angels (in Portrait of Man ("Gardener of Pier Francesco dei Medici"). Fresco in an Arch: Madonna and Angels. Fresco: Madonna with two Angels. Fresco: Madonna with two Angels. Fresco: Madonna with two Angels. Fresco: Madonna and Saints. Fresco: Madonna and Saints. FOGG MUSEUM: Fra Bartolommeo, Benozzo, Pier Francesco Fiorentino. Carli, Credi, Franciabigio, Garbo, Mainardi, Pier di Cosimo. LADY HENRY SOMERSET: Carli, Pier Francesco Fiorentino, Cosimo Lorenzo Monaco, Mainardi, Michelangelo, Orcagna, Pier di Cosimo, S. LORENZO: Bronzino, Fra Filippo Lippi, Pier di Cosimo, Rosso, WALKER ART GALLERY: Alunno di Domenico, Pier Francesco Fiorentino, id: 22125 author: Berenson, Bernard title: The Venetian Painters of the Renaissance Third Edition date: words: 32838.0 sentences: 6180.0 pages: flesch: 85.0 cache: ./cache/22125.txt txt: ./txt/22125.txt summary: expressed the Renaissance; and Venetian painting is interesting above Value of Venetian Art.=--Among the Italian schools of painting the centuries, the early works of Giovanni Bellini, the greatest Venetian in the life of the Venetian of the sixteenth century painting took much The portraits Titian painted in these years show no less feeling of Tintoretto painted portraits not only with much of the air painted for the picture-loving Venetians their own lives in all their Portrait of Man. Madonna and Saints. S. ROCCO, ORGAN PICTURE, Madonna and Saints. =Venice.= PALAZZO DUCALE, SALA DI TRÈ, Madonna, two Saints, GIOVANELLI, Madonna with John the Baptist and female Saint. Madonna, two Saints, and Portraits of Cassoti and his Wife. Madonna, and three portraits. Lotto, Palma Vecchio, Polidoro, Previtali, Rocco Marconi, Tintoretto, Previtali, Rocco Marconi, Savoldo, Tiepolo, Tintoretto, Titian, Gir. =Turin.= Giovanni Bellini, Guardi, Tiepolo, Tintoretto, B. Tiepolo, Tintoretto, Titian, Veronese, Alvise Vivarini, Bartolommeo id: 39942 author: Binns, Henry Bryan title: Botticelli date: words: 10404.0 sentences: 478.0 pages: flesch: 73.0 cache: ./cache/39942.txt txt: ./txt/39942.txt summary: had become master of Florence, commissioned him to paint a St. Sebastian; and from this time forward the Medici gave him frequent Botticelli painted portraits both of Giuliano dei Medici and his adored the portrait cannot have been painted by Botticelli for several years saints and angels, is Sandro''s masterpiece, "The Birth of Venus." It Sandro''s return from Rome, about the same time as the "Venus." It is qualities of Sandro that he makes one feel, in looking at this picture, The most beautiful of Sandro''s earlier works, a little panel only 10 Sandro''s work, but they are neither of them in Florence. pictures of the time with the exception of Leonardo''s--and in Sandro''s We now come to the second great division of Sandro''s pictures, his Madonna" (1484-1485); the two pictures being thus separated by Sandro''s frescoes; Botticelli has only painted the central figure of Christian id: 40896 author: Bradley, Milton title: Elementary Color date: words: 42304.0 sentences: 1819.0 pages: flesch: 63.0 cache: ./cache/40896.txt txt: ./txt/40896.txt summary: white surface, the result is a color between the red and the orange. proportion of the red and orange color-effect which is produced by any a line of tints of that color, and with a black disk, shades. accepted standards and their disk combinations; and Colored Papers and the six spectrum colors red, orange, yellow, green, blue and violet and _Warm Colors._--Red, orange and yellow, and combinations in which they Young-Helmholtz theory red, green and violet are termed primary colors These effects are imitated on the color wheel by the use of a white disk nature three primary colors, red, yellow and blue; and by the mixture of color, white, black, gray or silver and gold; for example, a blue green sizes of disks on the color wheel in shade, standard and tint of red. "Pure Spectrum Scales" consists in part of the six standard colors, red, id: 30180 author: Brinton, Selwyn title: Perugino date: words: 12348.0 sentences: 564.0 pages: flesch: 69.0 cache: ./cache/30180.txt txt: ./txt/30180.txt summary: masterpiece of Pietro''s religious art, painted in his best method and Perugia, Paris, London, and his fine paintings in the Vatican Gallery at Rome; and in all these works I traced in Niccolo a great master, commission, Milanesi notes (1475) frescoes painted by him in the great master''s critics is the predominance of fresco painting in his earlier The value of fresco painting to these Italian masters as a but Pietro painted another altar-piece for the same church in 1493, year, working at his no less famous altar-piece of the Certosa. Perugian master''s work is the great Vallombrosa "Assumption" (dated master had more important work on hand--notably his frescoes for the with a time limit of six months for the work) to paint the altar-piece Perugia in 1796 was very rich in the works of her master, Pietro paintings of his old master Perugino, which yet remain to us in the id: 7785 author: Brockwell, Maurice W. title: Leonardo Da Vinci date: words: 6904.0 sentences: 384.0 pages: flesch: 73.0 cache: ./cache/7785.txt txt: ./txt/7785.txt summary: by Andrea del Verrocchio, Leonardo''s master, is the subject of Plate Christ" he allowed Leonardo to paint in one of the attendant angels in 1480-1482, when Leonardo would be about thirty years of age. About 1482 Leonardo entered the service of Ludovico Sforza, having Ludovico Sforza, Duke of Milan, that Leonardo was taking too long to Ludovico, to whom Leonardo was now court-painter, had married Beatrice Leonardo, as court painter, perhaps painted a portrait, now lost, of to lend her the portrait which Leonardo had painted of her some Among the last of Leonardo da Vinci''s works in Milan towards the end Leonardo painted this picture in the full maturity of his talent, and, Contrast the head of the Christ at Milan, Leonardo''s conception At last in 1516, three years before his death, Leonardo left his Leonardo was only sixty-seven years of age, and the King id: 26703 author: Bryant, Lorinda Munson title: The Children''s Book of Celebrated Pictures date: words: 15813.0 sentences: 1441.0 pages: flesch: 92.0 cache: ./cache/26703.txt txt: ./txt/26703.txt summary: The artists who painted these pictures knew history and the early In this picture painted by Pintoricchio, Jesus is about four years old asked Constable to come and paint a picture of his home. A curious story is told of Corot''s painting this picture. The men who had money at the time Rembrandt painted the picture were Titian lived to be ninety-nine-years old and still painted pictures. The little boy standing between his brother and sister in this picture Sir Anthony Van Dyck, the Flemish artist, painted many pictures of the Rembrandt went on painting but no one bought his pictures. Carpaccio, a Venetian artist, painted this picture of "St. George and "Wait, some day I will paint a picture and show you the color." When Chardin began to paint pictures he went into the French homes and this story that Murillo painted his picture to illustrate. id: 22690 author: Burnet, John title: Rembrandt and His Works Comprising a Short Account of His Life; with a Critical Examination into His Principles and Practice of Design, Light, Shade, and Colour. Illustrated by Examples from the Etchings of Rembrandt. date: words: 34161.0 sentences: 2307.0 pages: flesch: 78.0 cache: ./cache/22690.txt txt: ./txt/22690.txt summary: A ditto, containing Landscapes after Nature by _Rembrandt_. these two figures is light in the picture but the head and hands of the 6. Portrait of Rembrandt when a young man, wearing a fur cap and a black Portrait of Rembrandt, seen in a front view, having an expression of Portrait of Rembrandt, seen in a front view, having a fur cap, and a Portrait of Rembrandt, seen in a three-quarter view, with the head Portrait of Rembrandt, seen in a front view, wearing a fur cap of a Portrait of Rembrandt, seen in nearly a front view, having on a Portrait of Rembrandt, seen in a front view, having on a Portrait of Rembrandt, seen in nearly a front view, having on a fur Portrait strongly resembling Rembrandt, seen in a front view, having Portrait of Rembrandt, seen in a three-quarter view, with a small id: 30315 author: Caw, J. L. (James Lewis), Sir title: Raeburn date: words: 11743.0 sentences: 504.0 pages: flesch: 67.0 cache: ./cache/30315.txt txt: ./txt/30315.txt summary: He had lived and painted solely in Scotland, and Scottish art, like foreign art, so long as it remains at home, has little interest Painted within a year or two of Raeburn''s return from Italy, some painting, was master, however, and tradition has it that Raeburn took Ramsay, having painted many portraits in Edinburgh before he went to London in the same year as Raeburn was born, would be, one would think, portraits painted by Raeburn before 1800. Arrived back in Edinburgh in 1787, Raeburn took a studio in the new work or of portraits he had painted for himself. In pictures painted but little later than these, one finds a marked is otherwise with Raeburn, in his earlier work at least. number of pictures painted, say, five or ten years later, and comparing highest triumph of the portrait-painter''s art as such, Raeburn was a id: 36347 author: Coleridge, Mary E. (Mary Elizabeth) title: Holman Hunt date: words: 12242.0 sentences: 730.0 pages: flesch: 82.0 cache: ./cache/36347.txt txt: ./txt/36347.txt summary: years old was standing on the stairs of a poor artist''s house, watching, was about four years old he begged for a brush and some paints, and his In the room at 83 Gower Street, where Millais painted while his mother "Oh no!" said Millais, "you must come in and see the old people," talk; when Millais was tired to death of his own picture he worked on for the Academy he was not quite ready with the charming picture painted morning, as he sat at work not far from the house, he heard Millais'' said Hunt, he should stay where he was, it was a good work that he had "Isabella" was painted in Florence in days of great sadness; a year so ultimately, for Hunt and Millais, whose works already "You vagabond!" said Millais--as he watched Hunt painting in transparent in a volume of Tennyson illustrated by Hunt, Millais, and Rossetti; id: 17395 author: Conway, William Martin, Sir title: The Book of Art for Young People date: words: 42202.0 sentences: 2248.0 pages: flesch: 78.0 cache: ./cache/17395.txt txt: ./txt/17395.txt summary: paintings of new subjects, stirred the painters of the day to alter When an artist was asked to paint a large picture 1377 and look at the picture with the eyes of the person who painted Surely this would be thought a beautiful picture had it been painted any great picture before, but he paints it with such skill and apparent painting of Richard II.''s portrait and the work of the Van Eycks, had But at the time this picture was painted, about the year 1470, St. Jerome in his study was a more usual subject for painters than St. Jerome in the desert. years of age, that he painted the picture here reproduced, as an time painted a picture artistically satisfying. portrait-painters in modern times, when they have been painting people During the years in which Van Dyck was painting his beautiful portraits he painted pictures of middle-class life, in which each figure is id: 12307 author: Cook, Herbert Frederick title: Giorgione date: words: 45623.0 sentences: 2991.0 pages: flesch: 74.0 cache: ./cache/12307.txt txt: ./txt/12307.txt summary: Vasari tells us "Giorgione had seen certain works from the hand of quite ten years had been passed in active work ere Giorgione produced reason to doubt the statement,--Giorgione left unfinished a picture on prevent Giorgione having painted this man''s portrait when younger. state that little remains of the original work, and Giorgione''s touch and not Titian, painted the still lovely head of Christ, and Giorgione, of the Anonimo that the picture was one of Giorgione''s early works. influence of Giorgione upon Titian" (to whom he ascribes both portraits) between Titian and Giorgione, the only two Venetian artists capable of Giorgione''s work, but not in Titian''s. such a man, and Giorgione "painted pictures so perfectly in touch with When Dolce says that Titian painted with Giorgione at the the Vienna picture might prove to be Giorgione''s original painting. said to have been painted by Giorgione in the last year of his life id: 36533 author: Crastre, François title: Bastien Lepage date: words: 10365.0 sentences: 460.0 pages: flesch: 68.0 cache: ./cache/36533.txt txt: ./txt/36533.txt summary: Bastien-Lepage could not pretend to be the painter of the Beautiful, nor studies; so, when the time came, young Bastien-Lepage wended his way Bastien-Lepage''s first attempt in that vein of realistic painting in calculated to inspire an artist of Bastien-Lepage''s temperament; he the _Prix de Rome_, Bastien-Lepage painted _The Portrait of M. Bastien-Lepage''s brother, himself a painter of some talent, has Nevertheless, Bastien-Lepage was no studio painter; it was not from the After the old people had returned home to Lorraine, Bastien-Lepage set The portrait is a little gem, which Bastien-Lepage wrought Bastien-Lepage_, the artist''s uncle, which is here reproduced and there is _Mme. Bastien-Lepage_, the "good little mother," as the great But to Bastien-Lepage portrait painting was only a side issue, a form of closing years of the artist''s life, at the time when he was enjoying the Besides, Mme. Bastien-Lepage, the "good little mother," Bastien-Lepage, painter of the soil, found himself unable to id: 41939 author: Crastre, François title: Rosa Bonheur date: words: 9686.0 sentences: 529.0 pages: flesch: 71.0 cache: ./cache/41939.txt txt: ./txt/41939.txt summary: Rosa Bonheur was inimitable in the art of seizing the expression This painting is considered by some critics to be Rosa Bonheur''s Rosa Bonheur exhibited six paintings and two pieces of sculpture. Rosa Bonheur, who carries this order of talent to the This picture is one of the last that Rosa Bonheur painted. From this time forward Rosa Bonheur ceased to exhibit at the Salons. the breeds of cattle and sheep and to whom Rosa Bonheur''s paintings Rosa Bonheur worked with desperate energy in the midst of her models are extremely rare in the life work of Rosa Bonheur; she had too high all that Rosa Bonheur painted because of the intensity of the for this reason, among many others, that the work of Rosa Bonheur Rosa Bonheur, and who herself had some talent for painting, presented Grain_, which it took Rosa Bonheur twenty years to bring to id: 41974 author: Crastre, François title: Veronese date: words: 9632.0 sentences: 568.0 pages: flesch: 67.0 cache: ./cache/41974.txt txt: ./txt/41974.txt summary: picture, painted for the Ducal Palace, served as a ceiling decoration Nevertheless, Veronese was not a native of Venice but of Verona, as is studied at Venice under Titian, undertook the fresco painting, here that Veronese painted his admirable series of episodes from the paintings were entrusted to Paolo Veronese. This immense composition is the most celebrated work by Veronese. This picturesque painting is one of the most curious of all Veronese''s This picture of the _Wedding at Cana_ was painted by Veronese for the This painting by Veronese was one of the number, It was about the period of his return to Venice that Veronese Tintoretto, Horatio the son of Titian, and Veronese, had decorated it. Veronese also had a share in the decoration of another of Venice''s pictures which Veronese painted for the neighbouring islands of THE WORKS OF PAOLO VERONESE THE WORKS OF PAOLO VERONESE id: 41835 author: Crastre, François title: Puvis de Chavannes date: words: 9485.0 sentences: 525.0 pages: flesch: 69.0 cache: ./cache/41835.txt txt: ./txt/41835.txt summary: the saint watching over the city was Puvis de Chavannes'' own wife. Puvis de Chavannes for a long time fared scarcely better than these time the artist''s personality, was _Peace_, now in the Museum at Amiens. Puvis de Chavannes replied that the two paintings in question belonged Puvis de Chavannes set to work immediately. same time commissioned Puvis to paint the picture itself for the Museum We have followed Puvis de Chavannes in his decoration of the Museum of When Puvis de Chavannes received a commission for a mural painting he This type of painting, although new to Puvis de Chavannes, failed to In the same Palace of Arts, Puvis de Chavannes painted two additional There is, in the work of Puvis de Chavannes, so much harmony and It is always so in the paintings of Puvis de Chavannes: the landscape CATALOGUE OF THE WORKS OF PUVIS DE CHAVANNES id: 27759 author: Cruttwell, Maud title: Luca Signorelli date: words: 38463.0 sentences: 2711.0 pages: flesch: 75.0 cache: ./cache/27759.txt txt: ./txt/27759.txt summary: child to study painting with Pier dei Franceschi, at Arezzo.[3] Vasari Città di Castello, dated 1474,[8] requiring Signorelli to paint, over facts, that in 1484 Signorelli painted the altar-piece in the Perugia The "Madonna," now in the Arezzo Gallery, painted three years later [40] Signorelli''s pictures, when not frescoed, are invariably painted hand, imposing and noble figures, splendidly painted in Signorelli''s In 1507 was painted another very important work--the altar-piece in the 1508,[72] shows that Signorelli bound himself to paint the figures of Eucharist," Cortona, a painting dated 1512; a beautiful picture, The painting does not seem to be the unassisted work of Signorelli, the the influence of Signorelli, as in the Petrucci Palace frescoes (Nos. 375 and 376 in the Gallery of Siena), his work bears so much resemblance painting as Signorelli''s work, but, moreover, the general effect has so OF THE LIFE AND WORKS OF LUCA SIGNORELLI id: 37063 author: Cuming, E. D. (Edward William Dirom) title: George Morland: Sixteen examples in colour of the artist''s work date: words: 3047.0 sentences: 163.0 pages: flesch: 73.0 cache: ./cache/37063.txt txt: ./txt/37063.txt summary: art the work of cleaning and restoring old pictures, it may fairly be picture-dealer who worked him for his own advantage, he spent a few fact remains that within a year of marriage Morland began to neglect pictures, the anxiety of dealers and others to secure works from his would work, and his companion would bring his paintings up to London and pictures which compare favourably with those painted in his best years painted a very large number of pictures, Henry paying him a specified Bigg''s pictures of child-life led the dealers to persuade Morland to take up the same line of work, and in his pictures of child-life the but developed the picture under his hand as he worked upon it. Once Morland left his father''s roof, his artistic education in one sense artist with whom George Morland has more in common than any is Jean id: 37714 author: Cundall, H. M. (Herbert Minton) title: Birket Foster, R.W.S. Sixteen examples in colour of the artist''s work date: words: 2989.0 sentences: 184.0 pages: flesch: 73.0 cache: ./cache/37714.txt txt: ./txt/37714.txt summary: The dainty water-colour paintings executed by Birket Foster probably The chief features, however, in Birket Foster''s paintings publication were produced in Landells'' office; Birket Foster was After the year 1858 Birket Foster practically abandoned the drawing on With regard to his method of working, Birket Foster''s early training said to be drawing with a brush, but Birket Foster''s was practically Birket Foster, like many other water-colour artists, turned his charms for his pencil, still Birket Foster was greatly attracted by the Our artist for many years resided at St. John''s Wood, and when he took had an influence on Birket Foster''s painting, especially his figures. paintings, the neighbourhood around Witley had a great charm for Birket the watering-places which he depicted for _The Illustrated London News_ Another phase of Birket Foster''s art was his love for painting fruit this great water-colour artist, who painted English landscape with such id: 42185 author: D''Anvers, N. title: Mantegna date: words: 11002.0 sentences: 407.0 pages: flesch: 62.0 cache: ./cache/42185.txt txt: ./txt/42185.txt summary: This beautiful composition, considered one of Mantegna''s greatest Florence, belonging to Mantegna''s second period of art development. The years during which Mantegna was at work on the Eremitani frescoes, famous frescoes by Mantegna that adorned the Camera degli Sposi and the young prelate Lodovico, the reigning Marquis of Mantua, who writer offers to make Mantegna his court painter with a high salary his death, except for two years spent in Rome, Mantegna worked almost The first pictures painted at Mantua were the beautiful triptych of study only, as it was still in Mantegna''s studio when the artist painted in 1485 for the young Marquis of Mantua, Gian Francesco friend to Mantegna, and two years later her son, Cardinal Francesco in the National Gallery, is one of Mantegna''s latest works, and Francesco Mantegna; but, probably because of the great anxieties by beautiful forms of Mantegna''s figures in his later works, their sweet id: 29532 author: Davies, Randall title: Six Centuries of Painting date: words: 103555.0 sentences: 4582.0 pages: flesch: 67.0 cache: ./cache/29532.txt txt: ./txt/29532.txt summary: Having afterwards undertaken, Vasari continues, to paint a large picture in truth it may be said that the whole work is painted in a manner well IN the opening years of the sixteenth century the art of painting had In 1504 Raphael painted the two little pictures in the Louvre, _S. Knight Dreaming_, a small picture, now in the National Gallery (No. 213), is supposed to have been painted a year earlier. A copy of another famous picture painted by Titian for the Emperor Tintoretto''s influence is to be seen in the two pictures he painted in The chief work by Hubert Van Eyck is the large altar-piece painted for In 1467 Memling was a master painter at Bruges, and painted the portrait Courts, and studying for years among the finest paintings and painters nature than was possible when painting a foreground picture. on the exhibition of his first important picture, painted three years id: 3226 author: Dürer, Albrecht title: Records of Journeys to Venice and the Low Countries date: words: nan sentences: nan pages: flesch: nan cache: txt: summary: id: 20915 author: Field, George title: Field''s Chromatography or Treatise on Colours and Pigments as Used by Artists date: words: 60868.0 sentences: 4618.0 pages: flesch: 74.0 cache: ./cache/20915.txt txt: ./txt/20915.txt summary: Of all colours, except black, blue contrasts white most powerfully. lastly of that gray tint which is known by the name of Ultramarine Ash. The refuse, containing little or no blue, furnishes the useful pigment, red, and Oxford ochre to yellow, this pigment is to the colour blue, yellows, reds, and blues, the following orange and green pigments are or predominating colour in russet is red, to which yellow and blue are is a water-colour pigment, transparent and inclining to red; deep, full, by the brown, Prussian blue, and black: an equally good slate colour " = 2 Purple-blue} + Light Brown, or Black + 2 White when we mix coloured materials, blues, yellows, and reds, the compound is never white, but grey or black; even if these coloured pigments are light colours; thus it _blues_ white, _greens_ yellow, _purples_ red, colour to form white light; thus, green is the complementary of red, id: 38848 author: Fletcher, John Gould title: Paul Gauguin, His Life and Art date: words: 27843.0 sentences: 1496.0 pages: flesch: 72.0 cache: ./cache/38848.txt txt: ./txt/38848.txt summary: letters Gauguin wrote from Tahiti, the true turning-point in his career. Paul Gauguin''s pictures are very little separated from Paris with her art-theories had nothing now to teach Gauguin. In the pictures which Gauguin produced during his stay in Martinique, we Despite the fact that Gauguin had, before leaving Paris, held his first Paul Gauguin at the Café Volpini in 1889, who lived and worked with him Gauguin himself, when he returned to Paris at the close of this year not he, but Gauguin, who after 1888 painted those magnificent pictures in the nineteenth century, in the works of artists whom Gauguin admired: Gauguin''s mind when he painted the pictures: _Le Christ Jaune_ and _Le To this man all lovers of Gauguin''s art owe an immense debt. Gauguin returned, picturing a complete conquest of Paris. Gauguin was not the sort of man to end his days in id: 29150 author: Fortescue, Beatrice title: Holbein date: words: 44763.0 sentences: 2667.0 pages: flesch: 77.0 cache: ./cache/29150.txt txt: ./txt/29150.txt summary: Bryan Tuke--Holbein''s return to Basel--Portrait-group of his wife and In the Augsburg Gallery there is a painting by Holbein''s father, the a portrait-group of the painter himself,--Hans Holbein the Elder, and As has been said, the sister of that Hans Bär for whom Holbein painted In the next year after painting the portraits of Meyer and his wife Holbein''s fame--an original drawing for one of the façade-paintings, Holbein is too often thought to be only--a great portrait-painter. Among the five lost works which Patin says Holbein painted, there was a By 1526 Holbein was back in Basel; but two works of this year would go should know nothing at all of many a portrait Holbein painted--all Holbein painted a prelate of a very different sort in the oil portrait Holbein of 1537 was painting the King of England on the wall of his Collection at Windsor, Holbein painted about this time (Plate 36). id: 41734 author: Furst, Herbert title: Dürer date: words: 9294.0 sentences: 564.0 pages: flesch: 77.0 cache: ./cache/41734.txt txt: ./txt/41734.txt summary: This beautiful portrait represents, artistically, the zenith of Dürer''s Dürer, of Nuremberg, painted my own portrait here in the proper colours, Now the old Italians thought Dürer a most admirable artist, blamed what Dürer''s brain which caused his Art to be what it is; in Italy it would harmony of both--hence we may place Dürer''s "Man of Sorrows" by the side Throughout Dürer''s Art I cannot think of any better way of explaining the effect of Dürer''s Art Dürer''s Art: features, arms, hands, bodies, legs, feet, draperies, Dürer''s works Dürer did for northern Art, or at least attempted, what Leonardo did for Dürer''s works were always more than works of _Art_.] Dürer''s portraits are the subject of discussion. Dürer-like mode of seeing an undoubted work from his hand. Dürer''s last great work! Dürer''s greatest work: here for once his mind and his hand were at one. id: 8857 author: Galt, John title: The Life, Studies, and Works of Benjamin West, Esq. Composed from Materials Furnished by Himself date: words: nan sentences: nan pages: flesch: nan cache: txt: summary: id: 36427 author: Govett, Ernest title: Art Principles with Special Reference to Painting Together with Notes on the Illusions Produced by the Painter date: words: 106308.0 sentences: 4789.0 pages: flesch: 64.0 cache: ./cache/36427.txt txt: ./txt/36427.txt summary: That part of the work dealing with the fine arts generally is the result styles of painting after many years of good work, and produce pictures All the paintings which we recognize as great works of art both painted in the fine manner, are equally great works of art with received as a great work of art, but there appeared at this time in beautiful whole, produces the greatest work of art. The degrees of beauty which the art of the painter can exhibit appear to the art of the painter there is a limit to the expression of general to produce such excellent works of art by means of their portraits. general æsthetic value of graceful form in a painted figure varies with value as works of art, for the imagination of the artist cannot extend invented by the artist, and so the work becomes one of pure art; but the id: 37088 author: Hardie, Martin title: John Pettie, R.A., H.R.S.A. Sixteen examples in colour of the artist''s work date: words: 3111.0 sentences: 191.0 pages: flesch: 75.0 cache: ./cache/37088.txt txt: ./txt/37088.txt summary: [Illustration: Portrait of John Pettie] 1. Portrait of John Pettie _Tate Gallery_ 4. A Drum-head Court-Martial _Mappin Art Gallery, Sheffield_ In 1858 Pettie exhibited his first picture at the Royal Scottish following, belong several of Pettie''s finest works. many pictures that show Pettie''s dramatic perception and his power of This, one of the last of Pettie''s works, is one of the most brilliant The last years of Pettie''s life were lean years for the painter of Pettie had often painted portraits for his own pleasure, and in these The greatness of Pettie''s art owes much to his strong personality. Though Pettie''s subjects make a universal appeal, his claim to greatness design my subject-pictures first by a blot of colour, then by a abused Pettie''s work in his lifetime and since; the storied idea always Pettie''s portrait of himself in the Aberdeen Gallery? [Illustration: Portrait of Sir Charles Wyndham as David Garrick] id: 13477 author: Hare, William Loftus title: Watts (1817-1904) date: words: 11505.0 sentences: 655.0 pages: flesch: 73.0 cache: ./cache/13477.txt txt: ./txt/13477.txt summary: The Publishers have to acknowledge the permission of Mrs. Watts to reproduce the series of paintings here included. picture, "Time and Oblivion," was painted, and, in the year following, Watts'' personal life was at this time pervaded by the influence of Lord Watts used to recall, as the happiest time in his life, his youthful life of Watts as a man amongst men, we are now able to come to closer portraits of the famous historian painted by Watts. pictures; when once in his studio, alone facing his canvas, Watts is Watts a great number of paintings, which may be grouped according to painting represents the close of this phase of Watts'' work; he received This picture, "Love and Life" (see Plate V.) was painted four "Love and Death," painted three times, represents the Before Watts entered upon his series of great imaginative paintings he There are also several of Watts'' best pictures in a gallery id: 49068 author: Hartmann, Sadakichi title: The Whistler Book A Monograph of the Life and Position in Art of James McNeill Whistler, Together with a Careful Study of His More Important Works date: words: 57283.0 sentences: 3443.0 pages: flesch: 72.0 cache: ./cache/49068.txt txt: ./txt/49068.txt summary: _A Monograph of the Life and Position in Art of James McNeill Whistler, Whistler was busy all his life painting just such white chrysanthemums. One thing is certain: Whistler''s picture, "The White Girl," even with Like most artists who have suddenly sprung into fame, Whistler had lived Painting did not play quite as important a part in Whistler''s life after Cimabue to Whistler, that a work of art is produced as the logical In his later work Whistler returned once more to vivid colouring. The first New York exhibition of work by Whistler was held in the old of art, Whistler has to be ranked primarily as a figure painter. Whistler in his portraits was not an initiator of a new art very essence of Whistler''s art is to be seen in these coloured drawings. It was Whistler who taught that painting was a science of colour id: 41346 author: Hay, George title: Bellini date: words: 8947.0 sentences: 422.0 pages: flesch: 73.0 cache: ./cache/41346.txt txt: ./txt/41346.txt summary: Vasari tells us that Jacopo Bellini painted his pictures not on wood, Students of Gian Bellini''s life and work can see that only a part of the fifteenth century, when Gian Bellini started his work, differed from and worked in the city at a time when her great men were beginning to developments in the technique of his art, Gian Bellini''s painting Gian painted four pictures in fulfilment of a commission, one that the Doge Loredano, whose portrait has been painted by Gian Bellini, her agent in Venice to Gian Bellini to arrange with him to paint a reverence." She had seen Bellini''s work, and had admired it in Venice, painting had been in progress for some forty years, Gian Bellini and two With Gian Bellini the last great painter of purely religious subjects Gian Bellini was the leading painter of Venice it was not easy for id: 41836 author: Hay, George title: Carlo Dolci date: words: 8591.0 sentences: 375.0 pages: flesch: 73.0 cache: ./cache/41836.txt txt: ./txt/41836.txt summary: If, in dealing with the life and work of Carlo Dolci, a writer sets down Dolci lived physical beauty was in a sense the keynote of all art work. to their proper place, the pictures of Carlo Dolci are bound to please, eleven Carlo Dolci painted his first heads of Christ, one as a child, travels, and in a very little time young Dolci had all the work he could The public demand for Carlo Dolci''s work at this time was very greatly be said of Carlo Dolci''s work that it has preserved its freshness to a Carlo Dolci turned his attention to fresco, and painted a figure of God He admired Carlo Dolci''s work very much, but used When Carlo Dolci was born, the time of great men having We cannot, then, look upon Carlo Dolci''s life or work as being complete. At the same time we must not underrate Carlo Dolci''s work id: 36931 author: Hind, C. Lewis (Charles Lewis) title: Constable date: words: 13390.0 sentences: 738.0 pages: flesch: 77.0 cache: ./cache/36931.txt txt: ./txt/36931.txt summary: for in that year Constable''s "Hay Wain" was hung in the French Salon. Painted in 1821, exhibited in the French Salon in 1824, "The Hay Wain," The truth about Constable''s influence on French art would seem to be and the brightness of Constable''s pictures at the 1824 Salon, that, talk between Constable and Sir George Beaumont, when the painter was But Constable''s influence on the French painters, although great, must Brown Tree should have been hung above Constable''s "Hay Wain," the everything conspired to make John Constable "a natural painter." The Painted in 1820, three years after "Flatford Mill." Constable''s father before the date of this picture, Constable, writing of a landscape of collection of Constable''s tree studies and sketches, now at South chronological list of Constable''s chief pictures and sketches, from Constable exhibited one hundred and four works at the Royal Academy. This picture was bought in at the Constable sale, held the year after id: 36932 author: Hind, C. Lewis (Charles Lewis) title: Romney date: words: 11641.0 sentences: 627.0 pages: flesch: 77.0 cache: ./cache/36932.txt txt: ./txt/36932.txt summary: Romney''s house, with the large painting-room at the back, which he, [Illustration: PLATE II.--SKETCH PORTRAIT OF LADY HAMILTON.] Romney refused that tempting offer (he painted the family group later), to Sir Martin Archer Shee: Romney has given up portrait painting, and It is by his portraits that Romney lives, not by the heroic designs daughters, and bought one of the four pictures which Romney had painted worth all Romney''s pictures; even as a matter of Art, I am sure." inspired by his subject, look at the early "Portraits of Mr. and Mrs. William Lindow," in the adjoining room, painted in Lancaster in 1770 Neither is the remaining Romney in the National Gallery, "Portrait of Walker family group--the last picture Romney painted, and interesting Romney''s portraits of Miss Ramus and Miss Benedetta in the hall of of the two Ramus girls painted by Romney. Romney''s earliest picture of Emma was the "Lady Hamilton as Nature," an id: 41621 author: Hind, C. Lewis (Charles Lewis) title: Watteau date: words: 11576.0 sentences: 661.0 pages: flesch: 73.0 cache: ./cache/41621.txt txt: ./txt/41621.txt summary: In the following pages the life and art of Watteau are considered, also and again in Watteau''s pictures; he is in the Fête Champêtre and yet second-hand book-shop, of the life of Watteau, written by his friend the One lucky day Watteau met Claude Gillot, the decorative painter, who on revolt be too strong a word) influenced Watteau to the end of his life. Watteau painted several military pictures--groups marked with truth, yet possess his works; it was for him that Watteau painted the replica, claims that the little Watteau-like picture called "The Swing" in the all Watteau''s pictures the nudes seem undoubtedly to have been painted describe Watteau''s colour or his fashion of trickling on the paint, as representative master of French art; Watteau, Delacroix, and Monet are Watteau, so like the colour of his pictures are the colours of their cannot but feel that in his "invented" pictures Watteau''s inspiration id: 41694 author: Hind, C. Lewis (Charles Lewis) title: Turner: Five letters and a postscript. date: words: 10937.0 sentences: 633.0 pages: flesch: 79.0 cache: ./cache/41694.txt txt: ./txt/41694.txt summary: From the Oil Painting by Turner in the Tate Gallery From the Oil Painting by Turner in the Tate Gallery From the Oil Painting by Turner in the Tate Gallery From the Oil Painting by Turner in the Tate Gallery "Ah," I said, "if you could see a range of Turner''s water-colours from Turner water-colours, drawings, studies, and the "unfinished" paintings, (From the oil painting by Turner in the National Gallery) (From the oil painting by Turner in the National Gallery) Turner is painting furiously upon his picture. (From the water-colour by Turner in the National Gallery) (From the water-colour by Turner in the National Gallery) (From the water-colour by Turner in the National Gallery) (From the water-colour by Turner in the National Gallery) (From the water-colour by Turner in the National Gallery) letter Ruskin wrote in 1836 defending Turner''s picture of Venice called Turner''s later water-colours, would feel in this room; walls covered id: 39286 author: Howard, Frank title: Colour as a Means of Art Being an Adaption of the Experience of Professors to the Practice of Amateurs date: words: 14614.0 sentences: 619.0 pages: flesch: 62.0 cache: ./cache/39286.txt txt: ./txt/39286.txt summary: acknowledged general principles of Colouring as a means of Art, _Section 1._--PRINCIPLES OF COLOURING OBJECTS 71 principles by which the effects of Colouring, and light and shade have principles must regulate Colouring as a means of Art. The mere representation of any object, however accurately detailed and the lights be white, and the shadows black, or differently coloured, indispensable in a coloured Work of Art. As well as Breadth of Chiaroscuro, there must be BREADTH OF TONE, the affording a better means than Oil colours (in which the light tints PRINCIPLES OF COLOURING OBJECTS. the atmosphere reduces the colours of all objects to a blue tint, so When the atmosphere is coloured by the light of the sun, the blue is beautiful blue tint, slightly warmed by the golden colour of the difference of tint--the shadows being blue or purple, and the lights a Neri, "neither should appear in a finely coloured picture; the id: 36066 author: Howell, Edgar M. title: Hermann Stieffel, Soldier Artist of the West date: words: 6496.0 sentences: 410.0 pages: flesch: 71.0 cache: ./cache/36066.txt txt: ./txt/36066.txt summary: HERMANN STIEFFEL, SOLDIER-ARTIST OF THE WEST Indian-fighting army of the post-Civil-War period, but since none Indian-fighting officer of many years experience on the frontier, private soldier, Hermann Stieffel of Company K, 5th U.S. Infantry. documentaries on the West of the post-Civil-War Indian fighting period. Captain Brotherton, Private Stieffel, and the remainder of Company K In September 1867 Company K left New Mexico for Fort Harker, Kansas, in From Fort Harker, Company K escorted the Indian After another period of hospital duty at Fort Harker (figs. as a member of a wagon-train escort to Medicine Bluff, Indian Territory Indian attack on General Marcy''s train escorted by Company K on In seven of his nine paintings Stieffel has executed his Indian subjects United States Army_, Washington, Government Printing Office, 1903, vol. [Footnote 6: Enlistment papers of Hermann Stieffel dated December 17, [Footnote 23: There is no record of Stieffel''s ever having been a member id: 18118 author: Hubbard, Elbert title: Little Journeys to the Homes of the Great - Volume 04 Little Journeys to the Homes of Eminent Painters date: words: 72504.0 sentences: 3900.0 pages: flesch: 79.0 cache: ./cache/18118.txt txt: ./txt/18118.txt summary: He began his artistic work when fourteen years old, and he lived to be One day the father came and found the boy in a blouse at work with mallet From that time forth Rembrandt was regarded by the little art world of And so there is a picture of Rembrandt''s mother which this son painted Rubens worked four years with Van Noort and then entered the studio of a hundred men worked to produce the pictures we call "Rubens." Titian was a good-looking young man, but he was not handsome like Van Dyck said he would think about it; and Rubens took a look at his old years Van Dyck lived in England he painted nearly one thousand portraits. He set to work feverishly to paint the great picture that was to bring It is a great thing to paint a beautiful picture, but ''t is a more id: 19009 author: Hurll, Estelle M. (Estelle May) title: Sir Joshua Reynolds A Collection of Fifteen Pictures and a Portrait of the Painter with Introduction and Interpretation date: words: 18075.0 sentences: 1262.0 pages: flesch: 78.0 cache: ./cache/19009.txt txt: ./txt/19009.txt summary: works--portraits and subject pictures--arranged in alphabetical order. 3. _Lady Cockburn and her Children._ Reynolds began the picture in Establishment of Reynolds in London as a portrait painter, with Sixteen pictures exhibited at Royal Academy, including portrait were struggling for liberty, lived the great English portrait painter, The portrait by Reynolds was made when the child was four years old. Reynolds painted so many fine portraits of boys that it is hard to say mind when painting the portrait of Miss Bowles; for every picture of The portrait of Master Bunbury was painted a few years after that of The portrait of Master Bunbury was evidently painted by Reynolds for Reynolds painted her portrait as the Tragic Muse. portrait of a little girl conceived the pretty fancy of the picture of portraits Reynolds painted, and one of the most interesting of this collection that Reynolds painted the portrait of Johnson, reproduced id: 13119 author: Hurll, Estelle M. (Estelle May) title: Jean François Millet A Collection of Fifteen Pictures and a Portrait of the Painter, with Introduction and Interpretation date: words: 18811.0 sentences: 1246.0 pages: flesch: 82.0 cache: ./cache/13119.txt txt: ./txt/13119.txt summary: In figure painting Millet sought neither grace nor beauty, but In point of composition Millet''s pictures have great excellence. Millet''s passion for figure expression was first worked out in Julia Cartwright''s recent work, "Jean François Millet: His Life and The peasants of our picture carry all they need for the day''s work. The picture of Going to Work was painted at about the same time[1] She lets the little girl work by herself for a time, and then As we look at the picture we feel sure that Millet was a lover of The hilly field in which he works is such as the painter Millet was All through the years of Millet''s life and work in Barbizon, his A study of the lines of the picture will show the artistic beauty of was for such work we have seen from some of his pictures. id: 40251 author: Hurll, Estelle M. (Estelle May) title: Titian: a collection of fifteen pictures and a portrait of the painter date: words: 19074.0 sentences: 1536.0 pages: flesch: 82.0 cache: ./cache/40251.txt txt: ./txt/40251.txt summary: Yet in another mood Titian paints the life of the Holy Family as a The Christ of the Tribute Money stands alone in Titian''s sacred art. It is undoubtedly as a portrait-painter that Titian''s many great great Venetian painter of the sixteenth century,--Titian. beautiful story of her early life is told in an old Latin book called where in 1532 he first called Titian into service to paint his portrait. pictures by Titian so wonderful.[8] Naturally the painter could not so the picture a great work of art. The figures in the picture seem to be taken from common every-day life. thought that the picture was painted for Titian''s friend Argentina portrait Titian painted of her, when she was about forty, we see that Titian was fond of painting what may be called ideal portraits, or fancy long a life in which to develop his art as was Titian. id: 33166 author: Hurll, Estelle M. (Estelle May) title: Landseer A collection of fifteen pictures and a portrait of the painter with introduction and interpretation date: words: 17069.0 sentences: 1267.0 pages: flesch: 79.0 cache: ./cache/33166.txt txt: ./txt/33166.txt summary: It was by means of another dog picture that the artist took his next Sarah Tytler''s little book, _Landseer''s Dogs and their Stories_.] Such a favorite is the dog of our picture, and we like to fancy that "The Twa Dogs" fits the verses as if painter and poet had worked Two years after painting the picture of The Twa Dogs, Landseer made a Tytler''s little book, _Landseer''s Dogs and their Stories_.] being obtained to make the dog''s portrait, our beautiful picture was custom of calling the white Newfoundland dog the Landseer If a universal dog-lover like Landseer could be said to have a in the picture of Suspense, where the dog''s senses are all in intense Landseer lived, like Sir Walter himself, surrounded by dogs. It was characteristic of Landseer to paint his portrait with his dogs. It would appear that Landseer''s dog pictures were faithful enough to id: 20607 author: Israëls, Jozef title: Rembrandt date: words: 8910.0 sentences: 438.0 pages: flesch: 75.0 cache: ./cache/20607.txt txt: ./txt/20607.txt summary: Rembrandt had painted many portraits when the picture of In the first years of his married life Rembrandt moved to the Nieuwe In this year Rembrandt painted the famous fine work, Rembrandt''s pleasant years came to an end. [Illustration: PLATE IV.--PORTRAIT OF AN OLD MAN Rembrandt painted very many portraits of men and women whose identity said to be one of Rembrandt''s portraits of himself, painted about what had come from the hand of the great master, the unique Rembrandt. When I had looked at Rembrandt''s pictures to my heart''s content, I used the colours, and the kind of people Rembrandt shows us in his works. of Rembrandt''s art, viz., his picture "The Night Patrol." work of the genius whom men call Rembrandt. in his great book on painting: "In Rembrandt''s pictures the paint is which for long years did little more than snarl at Rembrandt, has for id: 44340 author: Keim, Albert title: Gérôme date: words: 9729.0 sentences: 495.0 pages: flesch: 68.0 cache: ./cache/44340.txt txt: ./txt/44340.txt summary: [Illustration: PLATE I.--YOUNG GREEKS ENGAGED IN COCK FIGHTING Gérôme has his allotted place among the illustrious French painters picturesque manner Gérôme could execute a painting officially ordered. Although it is some years since he passed away, Gérôme has left behind this work, which brought Gérôme much valued praise and some influential these two works were judged at their true value, and Gérôme received Gérôme remains, beyond question, the unrivalled painter of Egypt, whose spectators such as Rachel (whose portrait Gérôme painted in 1861), her Gérôme passed ceaselessly from one type of painting to the following excellent portrait of Gérôme: "A head firmly set upon a Ney_, he evoked this noble declaration from Gérôme: "The painter has with Bacchus and Cupid_ (1848, Toulouse Museum) which Gérôme himself called the picture "The Day of the Washerwoman." Gérôme appreciated As a painter of exotic life Gérôme remains an observer of the highest id: 34372 author: Keysor, Jennie Ellis title: Fra Angelico: A Sketch date: words: 6732.0 sentences: 383.0 pages: flesch: 78.0 cache: ./cache/34372.txt txt: ./txt/34372.txt summary: It is Fra Angelico, the "Angelical Painter," Such a man was Fra Angelico, the sweet character, the beautiful artist Fra Angelico is the last figure of the old simple time in art when the Whoever tells the story of Fra Angelico''s life has few dates and events unattractive building is the fact that here Fra Angelico lived and the name _Angelico_, by which we love to call our angel painter, was Fra Angelico must have seen his work and profited by it, too. they were given the church and convent of San Marco in Florence. Everyone talks of Angelico''s work in San Marco. fancies that have made Fra Angelico''s representations of angels a real less beautiful are Fra Angelico''s pictures of this subject, even though The Pope who called Angelico to Rome did not live long after the 4. The Angel-Painter of San Marco. id: 39943 author: Konody, Paul G. (Paul George) title: Delacroix date: words: 12850.0 sentences: 588.0 pages: flesch: 68.0 cache: ./cache/39943.txt txt: ./txt/39943.txt summary: significance of Delacroix in the art of his country, and the hostility art of water-colour painting--then scarcely practised in France--but Delacroix, from his school days to his death, was an ardent admirer of Unfortunately the principal work painted by Delacroix in the year after In this picture Delacroix is intensely dramatic without Louvre, is a picture of precious quality and soft colouring, painted Although Delacroix was too completely absorbed in his art, which--his This is the great picture with which Delacroix, then twenty-four years Before Delacroix had completed the paintings in the Salon du Roi, that the paintings, of which scarcely more than the design is by Delacroix''s Delacroix himself considered this picture, which was painted in 1826, Delacroix worked on these designs from 1849 We have seen that from the time when Delacroix began his work for the Delacroix began at once, and had painted the whole id: 44033 author: Konody, Paul G. (Paul George) title: Raphael date: words: 9656.0 sentences: 434.0 pages: flesch: 66.0 cache: ./cache/44033.txt txt: ./txt/44033.txt summary: For the beauty of Raphael''s art, which in the Raphael''s works, whether it be a small panel picture or a monumental apparent even in works painted by Raphael at a time when he had come it is easy to trace in Raphael''s pictures of that period entire groups In 1502 Perugino went back to Florence, and Raphael probably joined time Raphael painted his first Madonna pictures, notably the the following year Guidobaldo died; and a letter from Raphael to his Raphael''s kinsman, Bramante of Urbino, who drew Pope Julius II.''s it is far more probable that the thought of calling Raphael to Rome to Raphael''s greatness as a portrait painter may be judged from his But to return to Raphael''s work in the Camera della Signatura, the In the Camera della Signatura, Raphael''s entire decoration has the same It was probably in the same year that Raphael painted the magnificent [Illustration: PLATE VIII.--PORTRAIT OF RAPHAEL id: 41886 author: Konody, Paul G. (Paul George) title: Chardin date: words: 10613.0 sentences: 493.0 pages: flesch: 68.0 cache: ./cache/41886.txt txt: ./txt/41886.txt summary: This "Still-Life," which is among the fine array of Chardin''s pictures No painter knew like Chardin how to express in Chardin''s still-life pictures never appear to be grouped to form it may be said that all Chardin''s still-life partakes of genre as much of a man like Mariette, who discovers in Chardin''s paintings the signs Like all Chardin''s genre pictures, it is, as it were, a glimpse figured at the sale of Chardin''s works after his death, when his art other artists'' work, Chardin lacked the gift to communicate his arrived, Chardin informed him that the exhibited pictures were painted About this time Chardin''s still-life period comes to a close, and we picture is the only genre piece by Chardin with life size figures. Three of the genre pictures of the 1734 exhibition were sent by Chardin object for portraiture, whilst Chardin, the student of life, painted the id: 41887 author: Konody, Paul G. (Paul George) title: Filippo Lippi date: words: 9918.0 sentences: 522.0 pages: flesch: 70.0 cache: ./cache/41887.txt txt: ./txt/41887.txt summary: In this earliest known picture by Filippo Lippi, the painter is still authoritative modern critic of Italian art, denies Fra Filippo a Whereas all questions concerning Fra Filippo''s artistic education remain into Vasari''s life of _The Florentine Painter, Fra Filippo Lippi_. have entered the body of Fra Filippo." At this period he painted several That Fra Filippo, like all the masters of the and later on Masaccio, whose influence clearly appears in Fra Filippo''s de'' Medici, bestowed upon Fra Filippo Lippi, probably dates back to the of the great romance of Fra Filippo''s life, by which his name has become Fra Filippo when, as a mere child, he had to enter the establishment of Fra Filippo, who came to Prato only a year after the two sisters, and fact that both the sisters were for some time under Fra Filippo''s 1438, in which he says that by working day and night Fra Filippo could id: 37407 author: Langridge, Irene title: William Blake: A Study of His Life and Art Work date: words: 62869.0 sentences: 3102.0 pages: flesch: 71.0 cache: ./cache/37407.txt txt: ./txt/37407.txt summary: all spiritual life and destiny--called Blake mad, he was recognized by a Blake believed that to draw from the typical forms seen by him in vision delicate qualities necessary for the mate of a man like Blake. No words could do full justice to the beautiful life of Catherine Blake. admiration of Blake''s poetical genius, helped,--an act of beautiful Man," whom eventually Blake was the means of saving, by a timely word of The work Blake did during the Felpham period included the designs and Mr. Frederick Shields (who, like Blake and many other great artists, The last things Blake did were to execute and colour the design of the In 1791 Blake designed and engraved for Johnson six plates to "Tales for The work is an illustration of Blake''s seen anything like this of Blake''s imagining? id: 38967 author: Lanzi, Luigi title: The History of Painting in Italy, Vol. 4 (of 6) From the Period of the Revival of the Fine Arts to the End of the Eighteenth Century date: words: 83750.0 sentences: 3056.0 pages: flesch: 61.0 cache: ./cache/38967.txt txt: ./txt/38967.txt summary: of an excellent artist from the time he produced his Holy Family, at St. Margherita, in 1484, presenting statues of a vivacity and expression truly other times, with works of art repeated in different places. Coreggio manner as to be esteemed one of the best pictures in Parma. of his life, that having seen the works of Coreggio, Francesco began to school of Coreggio, than Francesco, and in his style composed his picture an artist named Francesco Monti, who painted likewise for churches and young artist who had never frequented the school of Coreggio, could so well painting continued to flourish throughout the state and city of Milan, other places, painted for the Corte Maggiore at Milan, those figures of the produced some works at Milan, and other places; but the best is at Bologna. instruction, and executed works enough to have employed ten artists, at id: 34645 author: Lanzi, Luigi title: The History of Painting in Italy, Vol. 3 (of 6) From the Period of the Revival of the Fine Arts to the End of the Eighteenth Century date: words: 102873.0 sentences: 3690.0 pages: flesch: 61.0 cache: ./cache/34645.txt txt: ./txt/34645.txt summary: existing specimens, is that fine picture in the school of San Girolamo, from the same place is seen a figure of the saint, in fresco, painted by and would appear to be a different artist from that Marco, son of Gio. Tedesco, who was employed in 1463 at Rovigo. besides a knowledge of colours not inferior to the best Venetian artists artists, in point of colours and perspective, belonging to the school of flourished, during his time, a great number of excellent artists, who return to their native place introduced a taste for the Venetian School; certain that no artist of the Venetian School, besides Titian, has his style of colouring from the works of Titian, he subsequently distinguished figure, placed near some of the best artists of Verona. scholars of the best Venetian masters, he produced a history piece for places with the works of the best foreign artists, of every country. id: 39996 author: Lanzi, Luigi title: The History of Painting in Italy, Vol. 5 (of 6) From the Period of the Revival of the Fine Arts to the End of the Eighteenth Century date: words: 126525.0 sentences: 4967.0 pages: flesch: 63.0 cache: ./cache/39996.txt txt: ./txt/39996.txt summary: artist, who painted for that church a picture of the Nativity, and from He also studied some time in the Venetian School, where he painted for the excelled in Italy, about the year 1407, when he painted an altar-piece of order to acquire the art he studied the works of the best ancient artists, he filled the office of court-painter, and there died; and secondly, Gio. Francesco Bezzi, called Nosadella, who painted a great deal at Bologna and altar-pieces at Rome and at Bologna in the paternal style, as far as pictures by this artist are mentioned, painted in glowing and attractive and two more; a work displaying great freedom of hand, beauty of colouring, and on his return to Bologna executed a number of works in a good style. At Rome his only public works are a picture at the church of these artists from works which some of them left when studying in Rome, id: 41533 author: Lanzi, Luigi title: The History of Painting in Italy, Vol. 6 (of 6) From the Period of the Revival of the Fine Arts to the End of the Eighteenth Century (6 volumes) date: words: 57529.0 sentences: 17097.0 pages: flesch: 91.0 cache: ./cache/41533.txt txt: ./txt/41533.txt summary: Ambrogi, Domen., called Menichino del Brizio, a Bolognese, living in 1678. ---Gio. Francesco, his brother, called Il Vetraro, was painting in 1524. Bernabei, Pier Antonio, of Parma, called della Casa, lived about 1550. Berto, di, Gio., called also _Bertus Joannis Marci_, of Perugia, painted as Bertusio, Gio. Batista, a Bolognese, was living about 1643. Brazzè, Gio. Batista, called Il Bigio, a Florentine, pupil to Empoli. Brughi, thus called in the _Guida di Roma_, Gio. Batista, a Roman, pupil to Francesco, a Bolognese, scholar of Gessi, painted much ---Giuseppe and Gio. Batista, his sons, were living in 1769. Grimaldi, Gio. Francesco, a Bolognese, lived in 1678. ---Gio. Batista, his son, painted in 1657, d. ---Gio. Batista, his son, painted in 1657, d. ---Paolo, son of Cav. Gio., painted about 1670, _ib._ Secchi, Gio. Batista, called Il Caravaggio, painted in 1619. id: 34479 author: Lanzi, Luigi title: The History of Painting in Italy, Vol. 1 (of 6) From the Period of the Revival of the Fine Arts to the End of the Eighteenth Century date: words: 134634.0 sentences: 5707.0 pages: flesch: 65.0 cache: ./cache/34479.txt txt: ./txt/34479.txt summary: artist whose name appears in no work of art. eminent artists, natives of Siena, proceeded from the school of Gio. Pisano, namely, the two brothers, Agnolo and Agostino, who are greatly the works of the Florentine artists before his time, and seen how [Footnote 32: A few pictures by superior Greek artists, remain, which [Footnote 73: In the dictionary of Guarienti, in the article, Gio. Abeyk, appears an account of a picture of this artist, existing in the artist who painted the small picture which D''Argenville describes in this artist painted many pictures at Pistoia, one of which may be seen He studied design in Italy, and so improved in that art, that his works who lived but little at Florence, and who painted more pictures when in and fine effect of large works to those pleasing pictures he painted for his works painted after that period are to be seen in Florence, executed id: 34585 author: Lanzi, Luigi title: The History of Painting in Italy, Vol. 2 (of 6) From the Period of the Revival of the Fine Arts to the End of the Eighteenth Century date: words: 117913.0 sentences: 4827.0 pages: flesch: 65.0 cache: ./cache/34585.txt txt: ./txt/34585.txt summary: The third artist painted a picture in the church of S. excelled his master, as Vasari observes, in the third picture painted as the head of a school in Rome, and his works were studied by the youth He left not a few works in Rome, and elsewhere his pictures Rome had for some years seen only the two extreme styles of painting. painted both in Venice and in Rome; and Orlandi praises his works in the coloured pictures are those which he painted on first coming to Rome. Lamberti had the honour of giving to the Roman School the Cav. Marco Benefial, born and resident in Rome, a painter of great genius, second artist, remained in Rome the chief painter in this style. master when he painted with care, as in the great picture, in the his style, he painted a small picture. designed and painted a large picture in less time than I dare mention, id: 29904 author: Leonardo, da Vinci title: Thoughts on Art and Life date: words: 47687.0 sentences: 2362.0 pages: flesch: 75.0 cache: ./cache/29904.txt txt: ./txt/29904.txt summary: ancient art no painter had been able to fully express the human form, all thy life, and thou art not yet aware of the thing which more fully things by reason of the evil nature of man, who would use them for memory, which nature has given to us, causes things long past to seem [Sidenote: Painting excels all the Works of Man] Painting represents to the brain the works of nature with greater truth nature are nobler than the words which are the works of man, because thing to imitate the works of nature, which are the true images And if thou, O poet, wishest to describe the works of nature by thine He who blames painting blames nature, because the works of the painter represent the works of nature, and for this reason he who blames in [Sidenote: Painting and Nature] thy art every variety of nature''s forms, and this thou canst not do id: 4999 author: Leonardo, da Vinci title: The Notebooks of Leonardo Da Vinci — Volume 2 date: words: 142453.0 sentences: 10529.0 pages: flesch: 85.0 cache: ./cache/4999.txt txt: ./txt/4999.txt summary: Leonardo worked less on drawings, than in making small models of wax [Footnote: This text is written by the side of the plan given on Pl. XCI. [Footnote: Leonardo wrote these lines on the margin of a page of the period of his life, Leonardo speaks of his Manuscript note-books as [Footnote: In the diagram Leonardo wrote _sole_ at the place marked A book of the earth carried down by the waters to fill up the great [Footnote: The small sketch below on the left, is placed in the the mountain like a dead thing, cannot come forth from its low place [Footnote: The following are written on the sketches: At the place sketched Plan of Florence (see No. 1004 note) Leonardo has written [Footnote: There is a slight sketch with this text, Leonardo seems [Footnote: This note is written inside the sketch of a plan of a id: 4998 author: Leonardo, da Vinci title: The Notebooks of Leonardo Da Vinci — Volume 1 date: words: 108302.0 sentences: 6681.0 pages: flesch: 82.0 cache: ./cache/4998.txt txt: ./txt/4998.txt summary: The eye which turns from a white object in the light of the sun and object in light and shade which sends not its shadow but the image The conditions of shadow and light [as seen] by the eye are 3. (from) an object placed between the eye and the light under various Light [on an object] is of the nature of a luminous body; A body in shadow situated between the light and the eye can never same proportion of light and darkness as their objects [Footnote 6: Any shadow cast by a body in light and shade is of the same nature A body placed between 2 equal lights will cast 2 shadows of itself A body placed between 2 equal lights will cast 2 shadows of itself body placing it nearer to one of the lights the shadow cast towards When you represent the dark shadows in bodies in light and shade, id: 46915 author: Leonardo, da Vinci title: A Treatise on Painting date: words: 72614.0 sentences: 5253.0 pages: flesch: 81.0 cache: ./cache/46915.txt txt: ./txt/46915.txt summary: No Object appears in its true Colour, unless the Light which Of the Light proper for painting Flesh Colour from Nature. objects, and nothing is seen of the figure but what the light strikes /Objects/ contrasted with a light ground will appear much more detached /The/ colour of the shadows of an object can never be pure if the body The air, between the eye and the object seen, will change the colour The true colour of any object whatever will be seen in those parts /Of/ two objects equally light, one will appear less so if seen upon the lights in colour, because on that side the object receives a /The/ shadows or lights which surround figures, or any other objects, Objects seen between lights and shadows will appear to have greater Those objects which are most different in colour, will appear the most id: 40423 author: Loftie, W. J. (William John) title: Lessons in the Art of Illuminating A Series of Examples selected from Works in the British Museum, Lambeth Palace Library, and the South Kensington Museum. With Practical Instructions, and a Sketch of the History of the Art date: words: 15502.0 sentences: 1179.0 pages: flesch: 76.0 cache: ./cache/40423.txt txt: ./txt/40423.txt summary: [Illustration: PLATE IX.--FACSIMILE PAGE OF A BOOK OF HOURS, TITLE-PAGE--Border and Initial, Italian Work of fifteenth century. ILLUMINATED PLATE II.--Twelve Initial Letters from French Manuscript ILLUMINATED PLATE III.--Examples of thirteenth-century work from two Outline Drawings of two pages of a Book of Hours of the fourteenth Outline Drawings of two pages of a Book of Hours of the fourteenth ILLUMINATED PLATE V.--Ornaments and large Initial from Manuscripts of ILLUMINATED PLATE VI.--A full page and separate Initials from a Book ILLUMINATED PLATE VIII.--Examples from the Book of Kells (ninth ILLUMINATED PLATE IX.--Facsimile page of a Book of Hours in Lambeth colored, the ground being gold; the body of the letter, black; beautiful miniature with the border painted upon a gold ground; [Illustration: PLATE III.--EXAMPLES OF THIRTEENTH-CENTURY WORK.] [Illustration: PAGES FROM A BOOK OF HOURS OF FOURTEENTH CENTURY.] [Illustration: PAGES FROM A BOOK OF HOURS OF FOURTEENTH CENTURY.] id: 44321 author: Lounsbery, Elizabeth title: The Mentor: American Miniature Painters, January 15, 1917, Serial No. 123 date: words: 8443.0 sentences: 732.0 pages: flesch: 72.0 cache: ./cache/44321.txt txt: ./txt/44321.txt summary: Baer was thirty years of age before he painted a miniature. Institute, New York City, an illustrator for magazines, and a painter the Metropolitan Museum of Art. It is a portrait of Miss Beckington''s Miss Beckington, referring to her early efforts in miniature painting, Boston Water Color Club, Copley Society, New York Woman''s Art Club, and the American Society of Miniature Painters. and the American Society of Miniature Painters. The miniature work of Mrs. Fuller, like that of Miss Thayer and Miss miniature painting, his work being notable for its extreme delicacy become the most important miniature painter of his time in America. became a well known miniature painter in Boston and New York about American Society of Miniature Painters lent its best efforts--with the As a master of form and an excellent painter of likenesses, Mr. Whittemore has executed a great number of portrait miniatures. id: 30314 author: MacFall, Haldane title: Vigée Le Brun date: words: 13295.0 sentences: 616.0 pages: flesch: 78.0 cache: ./cache/30314.txt txt: ./txt/30314.txt summary: The first portrait that Vigée Le Brun painted, in her twenty-fourth Like François Boucher, the great painter to the king, Elizabeth Vigée Antoinette come to the throne of France, Elizabeth Vigée was elected to PLATE IV.--PORTRAIT OF MADAME VIGÉE LE BRUN Le Brun painted, in her twenty-fourth year (1779) of Marie Antoinette, Vigée Le Brun was to paint her royal mistress close on thirty times Vigée Le Brun painted another portrait of herself and her little Vigée Le Brun painted another portrait of herself and her little Marie Antoinette, in this the thirtieth portrait that Vigée Le Brun The last portrait that Vigée Le Brun painted of the doomed queen was The last portrait that Vigée Le Brun painted of the doomed queen was It was at Naples, too, that Vigée Le Brun painted that portrait of Vigée Le Brun was now painting without cease. id: 41947 author: MacFall, Haldane title: Boucher date: words: 12015.0 sentences: 612.0 pages: flesch: 76.0 cache: ./cache/41947.txt txt: ./txt/41947.txt summary: of France of the five-year-old child as Louis Quinze--a comely little prophecy of Boucher achieving greatness in the years to come. come into Boucher''s life in after years. Boucher created and painted in large numbers with decorative with Carle Van Loo and his two nephews, François and Louis Van Loo. Of Boucher''s wander-years in Italy little is known. Life is now one long triumph for Boucher, only disturbed in this year Boucher painted her handsome being as a shepherdess in Of the rare portraits painted by Boucher, it is strange that the In this year of 1744 Boucher created a new fashion at the annual Salon rise to power, Boucher painted four pictures for the large room of the that they were painted during the years that saw the Pompadour in In his forty-eighth year Boucher''s art was at its most luminous Boucher, at sixty-two, was made first painter to the king, with all id: 42118 author: MacFall, Haldane title: Fragonard date: words: 12850.0 sentences: 659.0 pages: flesch: 76.0 cache: ./cache/42118.txt txt: ./txt/42118.txt summary: Fragonard, like his master Boucher, soon found that the pompous, artist of the king''s majesty, Pompadour''s Boucher--large-hearted, Fragonard in his old age was destined to end his days. Marigny--and Fragonard, like many another artist of his day, was to be After a couple of years'' training under Boucher, Fragonard''s master, For three years thereafter, Fragonard was in the king''s school of six those little canvases painted by Fragonard under the strong influence the two friends worked slowly towards Paris, Fragonard entering his When Fragonard came back to Paris on the edge of his thirtieth year it So it came about that before a year was out the old king was become Thus it chanced that for this wilful light-o''-love Fragonard painted Fragonard until twenty years later at Grasse, to complete the set. Fragonard''s old master, Boucher, for some time had been "going about like a shadow of himself." The year after Fragonard''s marriage the old id: 42163 author: Mason, James title: Bernardino Luini date: words: 9018.0 sentences: 417.0 pages: flesch: 73.0 cache: ./cache/42163.txt txt: ./txt/42163.txt summary: artist''s picture of "John the Baptist as a Child." The right hand of the writer of the "Lives" would have seen frescoes and panel pictures Many men have taken up the work of investigation, for Luini grows time comes we must be content to know the man through the work that he of figures in it, and the rest of Luini''s work seems to be in Italy. to suppose that Luini worked in it, although at the time when he is last work of Luini or indeed of the great masters even in the churches A painter like Luini would have executed a great many So Luini''s work looks down to-day upon a part the city in which Luini painted his last pictures. cities, Milan excepted, in which Luini worked throughout his that the most important part of the great artist is his work. id: 41834 author: Mason, James title: Fra Angelico date: words: 8856.0 sentences: 426.0 pages: flesch: 73.0 cache: ./cache/41834.txt txt: ./txt/41834.txt summary: devout Catholics, on the other hand, will approach Fra Angelico''s work all Fra Angelico''s life and art were given to the service of the Church, the best work of the artist''s hand, painted in the closing years. exhaustive work on Fra Angelico, that the artist was profoundly Among the works belonging to the years before Fra Angelico went to San In all his work Fra Angelico showed himself an innovator, a man who, in day, Fra Angelico was a man of experience and an independence so far in to leave the Eternal City, came to Florence and saw Fra Angelico''s work eight years in Rome, he did much for Fra Angelico, who painted the In the early days of Fra Angelico''s work his This is a fresco from the Cloisters of San Marco and represents St. Peter, a saint whose appeal to the artist was very great The fact that id: 14056 author: Mauclair, Camille title: The French Impressionists (1860-1900) date: words: 31297.0 sentences: 1444.0 pages: flesch: 63.0 cache: ./cache/14056.txt txt: ./txt/14056.txt summary: to art lovers, the Impressionist works have been but little seen. talent, men like Degas, Monet and Pissarro have achieved great fame and works Manet passed into the second period of his artistic life, and with COLOURS, THE STUDY OF ATMOSPHERE--THE IDEAS OF THE IMPRESSIONISTS ON is a powerful work of strong colour, broad design and intense sentiment, of Manet which are painted in his classic and low-toned manner. Manet, Renoir, and Pissarro, and, after the Impressionists, of the great Manet, and like all truly great and powerful painters, M. His great modern compositions are equal to the most beautiful works by The series of works by Manet and Degas may be considered as artist--admirable in colour, movement and observation; all the great tones, study of complementary colours), Impressionism has brought us removed from the vision and the colouring of Manet and Degas, of Monet id: 17215 author: Menpes, Mortimer title: Rembrandt date: words: 13121.0 sentences: 791.0 pages: flesch: 74.0 cache: ./cache/17215.txt txt: ./txt/17215.txt summary: this picture, and, in fact, of all Rembrandt''s works, are so poor and so Rembrandt''s pictures--that known as _The Night Watch_. with Rembrandt, surrounded by reproductions of his pictures, drawings, and wrongs of Rembrandt''s life, but went straight to his pictures and etchings, night, this child asked his mother why Rembrandt''s pictures were so that one day Rembrandt noted with amusement a man in the street shaking his imagine the healthy, full-blooded Rembrandt of this portrait painting the When we look at Rembrandt''s portrait of _An Old Woman_ at There are authorities who assert that in etching Rembrandt''s art found its printed form with the words--"Rembrandt''s Etchings and Drawings." Ten years later Rembrandt painted another Doelen or Regent picture which, Rembrandt gave them a work of art. that Rembrandt painted of himself, two years before his death. extraordinary work, perhaps the last Rembrandt painted, is modelled with id: 45332 author: Middleton, J. H. (John Henry) title: Illuminated Manuscripts in Classical and Mediaeval Times Their Art and Their Technique date: words: 84660.0 sentences: 5345.0 pages: flesch: 70.0 cache: ./cache/45332.txt txt: ./txt/45332.txt summary: Use of minium; Egyptian miniatures; illuminations in Roman manuscripts; metal-workers copied by illuminators of manuscripts; the _Book of Kells_, illuminated by Albert Dürer; Dutch fifteenth century manuscripts; their ancient and beautiful art of manuscript illumination. century illuminator had before him some very fine manuscript of early not in the form of manuscript illuminations that Irish art was introduced During the tenth century a large number of illuminated manuscripts were very like the miniatures in an illuminated manuscript of the time; they illuminated manuscripts, especially in the fifteenth century for _Books of ILLUMINATED MANUSCRIPTS OF THE TEUTONIC SCHOOL AFTER THE TENTH CENTURY. ILLUMINATED MANUSCRIPTS OF THE TEUTONIC SCHOOL AFTER THE TENTH CENTURY. the panel paintings and the miniature illuminations of manuscripts is very influence on painting of the styles of manuscript illumination at the first decade of the sixteenth century the art of manuscript illumination early fourteenth century French manuscripts, in which large miniatures are id: 8162 author: Moore, George title: Modern Painting date: words: 78058.0 sentences: 3504.0 pages: flesch: 70.0 cache: ./cache/8162.txt txt: ./txt/8162.txt summary: after five years of the Beaux Arts you cannot become a great painter. the most beautiful pictures are painted. that only five of these pictures were painted by the new man, Seurat, excelling in brilliancy of colour the pictures painted in the ordinary On sitting down to paint this picture the painter''s modern art which believes a picture to be the same thing as a scene in The mission of art is not truth, but beauty; and I know of no great The painting of these pictures was the work of years; the placing of purchase of a work of art; but the picture that hangs next to the painted--the picture for which the artist would never be likely to expression, he painted this picture. The picture is only a work of art, and But the picture is merely a work of art, and has nothing to do with id: 9837 author: Moore, T. Sturge (Thomas Sturge) title: Albert Dürer date: words: 99835.0 sentences: 4869.0 pages: flesch: 73.0 cache: ./cache/9837.txt txt: ./txt/9837.txt summary: Albrecht Dürer," by far the best book on this great artist known to me. eyes, for sight is the noblest sense of man,"[4] says Dürer; and again: spirit of the great artist who will learn even from "dull men of little in Michael Angelo; both he and Dürer were not only great artists, and Lived and laboured Albrecht Dürer, the Evangelist of Art. These jingling lines would scarcely merit consideration but that they The total impression produced by Dürer''s life and work must help each to Pirkheimer, one year Dürer''s senior, was a gross fat man early in life, To Master Albrecht Dürer, unrivalled chief in the art of painting, my well-respected men, endorse the impression produced by Dürer''s works and from conversations with the great artist himself.[72] Dürer, like behold great works of art and beautiful things, the like whereof never behold great works of art and beautiful things, the like whereof never id: 43894 author: Muther, Richard title: The History of Modern Painting, Volume 2 (of 4) Revised edition continued by the author to the end of the XIX century date: words: 144565.0 sentences: 8801.0 pages: flesch: 73.0 cache: ./cache/43894.txt txt: ./txt/43894.txt summary: All works known to the history of art, from the cathedral pictures of the market modest little pictures of the life around them, paintings of The pictures of brigand life which he painted in the beginning of At the time when these pictures were painted the rendering of still-life pictures, introduces the first period of German landscape painting. the _genre_ artists were painting their earliest pictures of rustic life her intense and forceful life, that they have become great works of art painted her pictures, instead of working at them like knitting. In painting, nature had been made artificial, and it was time for art to landscapes, and pictures from popular national life: "The Painter," "M. Years of Artistic Life," the master himself painting a landscape. painting proper there once more appeared great painters of still-life in English Landscape, from pictures painted by John Constable. id: 44082 author: Muther, Richard title: The History of Modern Painting, Volume 3 (of 4) Revised edition continued by the author to the end of the XIX century date: words: 121765.0 sentences: 6812.0 pages: flesch: 71.0 cache: ./cache/44082.txt txt: ./txt/44082.txt summary: These works, he said, did not imitate old pictures, but nature; outwardly repellent picture takes shape as a powerful work of art, a them, which in its brilliant colouring looked like an old picture upon life, or painting them, like Menzel, as parts of one great, surging, and every likeness, at a time when Winterhalter painted great men, not as Japanese pictures, _kakemonos_, are painted in water colour or Chinese because--the picture was entirely painted in the old Bolognese style. They paint their pictures in the broad and common light of day. great pictures of contemporary life painted afterwards in Paris and the picture--works in which the aim of decorative art was completely traditional historic picture, since artists painted scenes from modern He paints no great pictures, painted a "White Girl" in 1863, and it was a much greater work of art, than English painting does elsewhere; and in his picture of 1878, "The id: 43792 author: Muther, Richard title: The History of Modern Painting, Volume 1 (of 4) Revised edition continued by the author to the end of the XIX century date: words: 145164.0 sentences: 9290.0 pages: flesch: 73.0 cache: ./cache/43792.txt txt: ./txt/43792.txt summary: painters and the end of the illustrative painting of history 317 centuries as the "old world." New men require a new art. school of nature, and of that the old masters hold the key." The great changed spirit of the age, and art too must become virtuous, and work new age a more beautiful work has not appeared in painting; even Raphael work to the good old times is a more solid study of form and colour than of a period of German art, that these pictures are worthy of high In the Pinakothek, Cornelius'' main idea was to paint the life and work still-life of the German schools of art not a sound made its way of what learn the art of painting, Prudhon, in 1811, became her drawing master; times there is in his pictures a natural flesh-colour and an animation scenes comes out true and life-like in the artist''s work, because the id: 30877 author: Parkhurst, Daniel Burleigh title: The Painter in Oil A complete treatise on the principles and technique necessary to the painting of pictures in oil colors date: words: 80324.0 sentences: 4671.0 pages: flesch: 79.0 cache: ./cache/30877.txt txt: ./txt/30877.txt summary: THE PAINTING OF PICTURES IN OIL COLORS generally the good paint does enough more work to cover the difference paint has not a full color quality, but mixes dead and flat. turn to the chapters on color, and on the different kinds of painting, paint, which will have a delicate light gray color, which is a most bring about the different effects of light and shade and color, form A picture is a visible idea expressed in terms of color, form, and masses of color in the picture, _considered_ as _light and dark_--_not of light and shade, and makes the study of drawing and painting more terms of color, line, and mass when he is working out his picture; and color effect you can use in painting which does not have to do, more painting of the picture, by means of which the greater masses of color id: 47363 author: Pennell, Joseph title: The Life of James McNeill Whistler date: words: 199847.0 sentences: 11682.0 pages: flesch: 79.0 cache: ./cache/47363.txt txt: ./txt/47363.txt summary: believe Whistler at that time had any such facility in colour work as "One day Whistler brought back from London the _Piano Picture_, only man, he thought, who could print Whistler''s etchings as the artist Whistler''s study of Jo, _Note Blanche_, lent by Mrs. Sickert to the Paris Memorial Exhibition, was doubtless done in 1861, made for the book, and thought that "the startling drawings by Mr. Whistler prove his singular power of hand, strong artistic feeling, and Rossetti''s pictures, and Whistler''s etchings, possibly his paintings. Leyland was good about standing, we know from Mrs. Leyland, but he had not much time, and few portraits gave Whistler a good friend for the troubled years that were to come, and Mrs. Whistler''s house in Wimpole Street was for long a home to him. Whistler said: "I wanted to make the British Artists an art centre; id: 30098 author: Phillipps, Evelyn March title: The Venetian School of Painting date: words: 77715.0 sentences: 4293.0 pages: flesch: 73.0 cache: ./cache/30098.txt txt: ./txt/30098.txt summary: When painting in Venice first begins to live a life of its own, Veronese painter on men like Antonio di Murano and Jacopo Bellini, and closely followed is the great picture in the Academy, the "Madonna Venice is rich in works which show us what sort of painter was at the "Bellini is very old, but is still the best painter in Venice"; and leading up to the great period of Venetian art, flooded round Bellini having been painted for San Giobbe, where Bellini''s great altarpiece shows his connection with his master by using the figure of the St. Francis in Bellini''s San Giobbe altarpiece. colouring of the great altarpiece painted for the Pesaro family in the this time Veronese loved to paint these great displays, repeating some could, indeed, paint pictures at a pace at which many great masters Correr Museum: Eleven paintings of Venetian life; Portrait of id: 12657 author: Phillips, Claude, Sir title: The Later Works of Titian date: words: 37179.0 sentences: 1646.0 pages: flesch: 66.0 cache: ./cache/12657.txt txt: ./txt/12657.txt summary: Gallery--Portraits not painted from life--"Magdalen" of the Pitti--First Portrait of Charles V.--Titian the painter, par excellence, of Having followed Titian as far as the year 1530, rendered memorable by Titian''s art of this great period of some twenty years so entirely where, indeed, his work is still to be seen.[15] Titian''s canvas, like In the Uffizi and Berlin pictures Titian looks about sixty years old, assumption--that Titian painted his picture for a special place in the _The Visit to Rome--Titian and Michelangelo--The "Danaë" of Naples--"St. John the Baptist in the Desert"--Journey to Augsburg--"Venus and Cupid" general aspect, holds one of the most magnificent works of Titian''s late Titian''s works, the Berlin picture cannot be allowed to take the highest [Illustration: _Portrait of Titian, by himself. _Portrait of a Man in Black_ by Titian, and belonging to his middle portrait Titian is known to have painted. id: 12626 author: Phillips, Claude, Sir title: The Earlier Work of Titian date: words: 30095.0 sentences: 1354.0 pages: flesch: 66.0 cache: ./cache/12626.txt txt: ./txt/12626.txt summary: such unassailable works of his riper time as the great altar-piece of Cadore and Venice--Early Giorgionesque works up to the date of the paramount influence of Giovanni Bellini in such works as the altar-piece notice, too, in Titian''s works belonging to this particular group of the fresco decorations painted by Giorgione and Titian on the facades The sacred works of the early time are Giorgionesque, too, but with a his allegiance to the new Venetian art; it was then that Titian Morelli definitively placed among the Giorgionesque works of Titian, with general acceptance classed among the early works of Titian. "Madonna di Casa Pesaro"--Place among Titian''s works of "St. Peter Gallery, may be placed somewhere near the time of the great works just admire in Venetian art in general, and in that of Titian in particular, from Giorgione''s original, is about as unlike his work or that of Titian id: 43347 author: Pissarro, Lucien title: Rossetti date: words: 10319.0 sentences: 624.0 pages: flesch: 76.0 cache: ./cache/43347.txt txt: ./txt/43347.txt summary: This picture was painted from Mrs. William Morris and was left to value of Rossetti''s works as artistic creations. Very little is known of the early life of Rossetti. At about the same time that he painted "Mary''s Girlhood," Rossetti did The most important of Rossetti''s Pre-Raphaelite work during the two Rossetti painted only three pictures strictly according years later, after the death of his wife, Miss Burden, then Mrs. William Morris, again sat to Rossetti for several of his important In 1863 Rossetti painted an oil picture called "Helen of Troy," and the Rossetti now gave up painting those quaint little romantic subjects Rossetti first treated this subject in a little water-colour painted "Silence," probably studies for pictures never painted, the little head painted, the subject is that of the early water-colour of 1856, and the In 1880 and 1881 Rossetti was working on three large pictures, "The id: 39330 author: Price, Lucien title: Immortal Youth: A Study in the Will to Create date: words: 14927.0 sentences: 1089.0 pages: flesch: 85.0 cache: ./cache/39330.txt txt: ./txt/39330.txt summary: one evening in the spring of that year sat a young man about On the walls of the room were two paintings by Fritz; student works. "Would you say I looked like a murderer?" inquired Fritz with relish. It was soon clear that this young man knew exactly what he wanted and Oh, he came and went disguised in the business suit of a young man Fritz came down from Exeter where he had just finished a portrait of face straight at some of the grimaces Fritz made while painting. portrait of Fritz painting. I heard one of his painter friends, eyeing a canvas which Fritz had Alexander James said it was brutal of Fritz to go away to Pittsburgh. I thought, without looking around, ''That is the way Fritz Then would come the day and the hour when he was ready to paint. id: 42352 author: Quilter, Harry title: Giotto date: words: 51922.0 sentences: 2092.0 pages: flesch: 68.0 cache: ./cache/42352.txt txt: ./txt/42352.txt summary: effect as great a change in modern art as the practice of Giotto artists; an art of mosaic work which also owed its chief, if not its "''_To Giotto, the great painter, is given a buckler to paint by a man [39] This fresco is, I think, the work of one of Giotto''s pupils, but "The first pictures of Giotto were painted for the Chapel of Giotto also painted at this time in the church of the Carmine,[52] of the frescoes, also felt certain of Giotto only having painted one in this picture is one of the least graceful in Giotto''s works. the master himself was at work on the frescoes in the Lower Church, only frescoes in the church so painted, as if Giotto were purposely influence of Cimabue, who had painted here before Giotto''s time, and Giotto painted four chapels here, but the only remaining frescoes are id: 30262 author: Rhys, Ernest title: Frederic Lord Leighton: An Illustrated Record of His Life and Work date: words: 42830.0 sentences: 3303.0 pages: flesch: 79.0 cache: ./cache/30262.txt txt: ./txt/30262.txt summary: picture, the work of an unknown young artist of twenty-five, painted "It is the only great picture exhibited this year," he writes, exhibited at the Academy, represents a small full-length figure in white In 1859 Leighton showed three pictures at the Academy. artist''s pictures at the May exhibition of the Academy: the _Odalisque_, Academy,'' said Sir Frederic Leighton''s most distinguished colleague picture, as Lord Leighton called it, which he had painted for Sir L. last picture on which the artist was at work before his death. exhibitions of the Royal Academy--Leighton, as we have seen, made his to find "Frederic Leighton" figuring as an illustrator, yet the nine description of Art in Spain, given by Lord Leighton in his Discourse of It speaks of Mr. Leighton as "a young artist who, we believe, has studied in Italy," and critical than creative; but in Lord Leighton''s Art there was little id: 39416 author: Rothschild, Max title: Gainsborough date: words: 9737.0 sentences: 560.0 pages: flesch: 73.0 cache: ./cache/39416.txt txt: ./txt/39416.txt summary: This famous portrait of Mrs. Siddons was painted in 1784. artist, and the habit of portrait-painting became so firmly established Gainsborough painted many portraits of George the Third''s GAINSBOROUGH''S EARLY LIFE--IPSWICH AND BATH GAINSBOROUGH''S EARLY LIFE--IPSWICH AND BATH There is a picture by him, painted many years later, that Gainsborough removed from Ipswich to Bath in the year 1758. friendship between Thicknesse and Mrs. Gainsborough; each was probably Gainsborough had for the viol da gamba; Mrs. Thicknesse had a very fine GAINSBOROUGH''S LIFE IN LONDON--LAST YEARS AND DEATH GAINSBOROUGH''S LIFE IN LONDON--LAST YEARS AND DEATH Gainsborough left two daughters, whose portraits he painted several to the king the portrait of Fischer, painted by her father at Bath Year by year Gainsborough continued sending portraits and landscapes to Grosvenor House was painted about the year 1770 at Bath and not in 1779 Gainsborough''s "Bath period." It is a portrait of a certain Jonathan id: 20019 author: Ruskin, John title: Lectures on Landscape Delivered at Oxford in Lent Term, 1871 date: words: 17590.0 sentences: 840.0 pages: flesch: 75.0 cache: ./cache/20019.txt txt: ./txt/20019.txt summary: Carpaccio and Turner--have ever painted a fragment of good landscape. In missal painting exquisite figure-drawing is frequent, and landscape Perhaps you think on such conditions you never can paint landscape its terminal lines, then in its light and shade, then in its color. First of the terminal lines of landscape, or of drawing in outline. landscape-painters study from Nature in shade or in color, Turner a sketch by Turner in color from Nature; some few others of the kind character of a study from Nature by Turner; and here the sketch from light and shade study, with limited time, when the forms of the his picture, the drawing is always first with Turner, the color work his way out of the dark Greek school up to Venice; he always school of Phidias; but Turner is true Greek, for he is thinking only You know I told you that the pure Gothic school of color id: 29907 author: Ruskin, John title: Modern Painters, Volume 1 (of 5) date: words: 199044.0 sentences: 8259.0 pages: flesch: 67.0 cache: ./cache/29907.txt txt: ./txt/29907.txt summary: investigation of actual facts, that Turner _is_ like nature, and paints far as mere painting goes, by which it ranks as a work of high art, and with something like truth of form and color to assist them, the idea of natural want of sensibility to the power of beauty of form, and the totally neglectful of all facts and forms which nature uses such color Modern landscape painters have looked at nature with totally different called "effect," that is to say, truths of tone, general color, space, resemble the truth of nature''s color--and all the tone of the picture, asserted by all really great works of color; but most by Turner''s as the work, that "mere natural light and shade" is the only fit and totally impossible to study the forms of clouds from nature with care is more natural than that the studied form and color of this great id: 29906 author: Ruskin, John title: Modern Painters, Volume 2 (of 5) date: words: 94935.0 sentences: 4045.0 pages: flesch: 65.0 cache: ./cache/29906.txt txt: ./txt/29906.txt summary: external beauty whose nature it is our present object to discover. corruption of the sense of beauty, was in that Pagan life of which St. Paul speaks, little less than the essence of it, and the best they had; incalculable influence on the forms of all that we feel to be beautiful. to men, and whose types therefore in material things can be beautiful, them of natural beauty, and are of forms altogether simple and adapted is not in the power of any human imagination to reason out or conceive considering the beauty of human form, we arrived at some conception of untaught study of nature, and much feeling for abstract beauty of form, feeling and the power of imagination; for, on the one hand, those who be fancy or any other form of pseudo-imagination which is at work, imaginative power who can set the supernatural form before us fleshed id: 18371 author: Ruskin, John title: Giotto and his works in Padua An Explanatory Notice of the Series of Woodcuts Executed for the Arundel Society After the Frescoes in the Arena Chapel date: words: 25474.0 sentences: 1087.0 pages: flesch: 67.0 cache: ./cache/18371.txt txt: ./txt/18371.txt summary: opponent work of Giotto on the walls of the Arena was a sign of the he (the pope) intending to have some paintings executed in St. Peter''s; which courtier, coming to see Giotto, and hearing that there Giotto drew the circle as a painter naturally would draw it; that is Giotto with the actual character of his designs, there cannot remain does he bear?''"[7] But at the time of Giotto''s eminence, art was never with the paintings in the Arena Chapel, it appeared to me that Giotto exact words in which the scenes represented by Giotto were recorded to Giotto as the head of the Naturalisti.[21] No painter before his time power of the painter; and in this conception of Giotto''s, the humility characterises this work of Giotto''s as "the Byzantine composition," painters; but while the earlier designers, with Giotto at their head, both of the Virgin and disciples, is represented by Giotto and all id: 31623 author: Ruskin, John title: Modern Painters, Volume 4 (of 5) date: words: 49082.0 sentences: 1824.0 pages: flesch: 65.0 cache: ./cache/31623.txt txt: ./txt/31623.txt summary: classing all water-worn mountain-ground under the general and humble expressed, in one way or another, in all grand mountain-drawing; and the until Turner''s time; and the treatment of the masses of mountain in the enough to accustom the reader to the character of true mountain lines, Turner''s important mountain designs; for the reader must feel the treat mountain ground with this faithfulness in the days when Turner Titian, of stones in the bed of a torrent (Fig. 108), in many ways good into rectitude of line; and there is hardly any great mountain mass imagination, resting like clouds upon the mountains of Scotland and Influence of mountain on artistical power. power; but for this also the mountain influence is still necessary, only mountain torrent, and that the hills round the vale of Stratford are not _Like far-off mountains, turned into clouds_." true effect of mountains on the human mind, there is any reason to id: 38923 author: Ruskin, John title: Modern Painters, Volume 3 (of 5) date: words: 136759.0 sentences: 5601.0 pages: flesch: 69.0 cache: ./cache/38923.txt txt: ./txt/38923.txt summary: Schools; using the terms "High Art," "Great or Ideal Style," and Great art is produced by men who feel think painting "naturally" an easy thing. beautiful things are to be seen in nature than in art; on the chapter,--namely, that the difference between great and mean art lies, spurious high art of modern times, two broad forms of error divide work, like the power of a great reasoner over his subject, or a great proper place and way, but it is never _great_ art until the poetical small,--did never yet art or effort make; and, in a general way, men good-natured one, and in all other ways and things setting custom and other masters of true imaginative power, and having fed what mind they ways of life the fitting subjects for their arts of painting or of human thought, we shall find that this dreaming love of natural id: 44329 author: Ruskin, John title: Modern Painters, Volume 5 (of 5) date: words: 157223.0 sentences: 9111.0 pages: flesch: 77.0 cache: ./cache/44329.txt txt: ./txt/44329.txt summary: stoop forward and keep his head out of the great bough''s way, as in Fig. 48, and grow as he best may, with the consumptive pain in his chest. One reason for this is that all great men like their inferior forms clouds pass, perhaps, in great measure, away from the plains leaving of the Power of Death, which formed one great chapter of religious the expression of the spirits of great men, iii. Beauty of nature, character of minds destitute of the love of, iii. modern idea of, as separated from the life of nature, iii. love of nature develops a sense of the presence and power of, iii. careful drawing of, by great men, iii. Inspiration, the expression of the mind of a God-made great man, iii. modern love of darkness and dark color, the "service of clouds," iii. faith, life the expression of man''s delight in God''s work, iii. id: 7222 author: Scott, Leader title: Fra Bartolommeo date: words: 38775.0 sentences: 2027.0 pages: flesch: 75.0 cache: ./cache/7222.txt txt: ./txt/7222.txt summary: culmination of art on its rising side, while Andrea del Sarto stands as working in the cloister of the Servi with Andrea del Sarto and Francia The picture, although a great work of art, and the most laboured of painting equal in merit to the other works of Fra Bartolommeo. he painted a fresco of a _Madonna_ on a wall of the convent of San place near the _Pietà_ of Andrea del Sarto, the two pictures forming the influence of Mariotto and Fra Bartolommeo, while in his later works d''Agnolo, commissioned Andrea del Sarto to paint an _Annunciation_. He painted a great many works, much in [Footnote: _Life of Andrea, del Sarto_, vol. As Andrea painted no less than five pictures of this subject, of which palaces with the works of Andrea del Sarto. On their return to Florence in the autumn Andrea painted a fine work for id: 42114 author: Staley, Edgcumbe title: Franz Hals date: words: 11569.0 sentences: 674.0 pages: flesch: 76.0 cache: ./cache/42114.txt txt: ./txt/42114.txt summary: "Franz Hals was a great painter; for truth of character, indeed, he was Karel Van Mander, Franz Hals'' master, the son of a noble family, was Three years before the Hals left Antwerp for their dear old home, Karel These Antwerp and Haarlem worthies were the "makers" of Franz Hals in Franz Hals was thirty-three years of age in 1613--an age when artists Franz Hals painted his portrait in 1614, with similar treatment as that Franz Hals, for among the portraits he dated then are three of All this time Hals was making arrangements with his old patrons of St. Joris'' Guild for another great portrait-group to be put up in the youngest, Nicolaes, being twenty-four years old--and Dirk Hals with Van Franz Hals'' great good-nature and his merry haphazard way of life made In 1655, and again in 1660, Hals painted and dated many portraits, as id: 529 author: Steedman, Amy title: Knights of Art: Stories of the Italian Painters date: words: 47193.0 sentences: 2352.0 pages: flesch: 86.0 cache: ./cache/529.txt txt: ./txt/529.txt summary: Now it fell out that one day a great master painter from Florence came Giotto did not only paint pictures, he worked in marble as well. Best of all, the angel-painter loved to paint pictures of the life of boy at work, and his saintly old face beamed with pleasure as he looked. copy in their own pictures the work of the great master. ''Thou art right, friend painter,'' answered the great man. In those days painters and goldsmiths worked a great deal together, and placed under the care of a great painter, and worked in the master''s find in some old dusty corner a beautiful picture, painted by a master good-bye to his old master and the hard work of the little shop in this wonderful painter, who could make pictures which looked like painted by Carpaccio when he was a little boy only eight years old. id: 21561 author: Supino, I. B. (Igino Benvenuto) title: Fra Angelico date: words: 26098.0 sentences: 1336.0 pages: flesch: 70.0 cache: ./cache/21561.txt txt: ./txt/21561.txt summary: Tradition shows us Fra Giovanni Angelico absorbed in his work, and Vasari does not doubt that Fra Angelico, like other artists from "The most ancient chronicles of the convent of St. Mark and St. Dominic at Fiesole," writes Milanesi when registering the death of Fra Whilst Fra Angelico was putting the legends of the Virgin and St. Dominic into colour in Umbria, Giovanni Dominici together with both figures, though showing Fra Angelico''s characteristic sentiment, In the ancient refectory of the Fiesolan convent Fra Angelico painted Fra Giovanni painted Hell and Paradise with small figures for the Antonino, Fra Angelico painted an "Adoration of the Magi." As Pope most beautiful works which Fra Angelico has left us. painted by him for Fra Angelico''s picture, we must suppose, and indeed Fra Giovanni painted a panel picture of the "Dead Christ" for the Fra Angelico painted in the roof of the chapel a "Christ in Judgment," id: 32787 author: Sweetser, M. F. (Moses Foster) title: Dürer Artist-Biographies date: words: 29532.0 sentences: 1482.0 pages: flesch: 71.0 cache: ./cache/32787.txt txt: ./txt/32787.txt summary: The Activities of Nuremberg.--The Dürer Family.--Early Years of The Activities of Nuremberg.--The Dürer Family.--Early Years of In Dürer''s day the great churches of St. Sebald, St. Lawrence, and Our Lady were finished; Peter Vischer executed the --Portraits.--"The Apocalypse."--Death of Dürer''s Father.--Drawings. Dürer''s first copper-plate engraving dates from 1497, and represents numberless sketches and copper-plate designs of the present day, Dürer During this year Dürer published his first great series of woodcuts, Dürer''s House.--His Poetry.--Sculptures.--The Great and Little Dürer''s House.--His Poetry.--Sculptures.--The Great and Little The third of Dürer''s great works in wood-engraving was "The Life Dürer''s engravings on copper, and is a small round picture, about one "This portrait has Albert Dürer painted after his master Michael and faithful Albert Dürer." On this picture the master inscribed, During the remaining six years of his life Dürer''s art-works were In the same year, Dürer published an engraved portrait id: 35995 author: Swinburne, Algernon Charles title: William Blake: A Critical Essay date: words: 106723.0 sentences: 5170.0 pages: flesch: 74.0 cache: ./cache/35995.txt txt: ./txt/35995.txt summary: But these best things are as wonderful as any work of Blake''s. on spiritual grounds to the works of Blake, in whose eyes the views taken Blake''s work only, but of most other men''s: in actual conception of things "Rights of Man" and "Age of Reason." Blake had as perfect a gift of ready In this engraved symbolic poem of life and death, most of Blake''s chief life a great and pleasant thing to attain; praise of his work now leaves do art a good turn in some small way, by explaining the "faith and works" neglect of form which was natural to Blake when his main work was done and chaotic leaves of his note-book, are many of Blake''s best things. (if indeed they were not one thing) worth a man''s life and work; and no hand (namely, the life of Blake, and the faith and works which made that id: 22500 author: Trusler, John title: The Works of William Hogarth: In a Series of Engravings With Descriptions, and a Comment on Their Moral Tendency date: words: 42387.0 sentences: 2073.0 pages: flesch: 70.0 cache: ./cache/22500.txt txt: ./txt/22500.txt summary: little apprised at that time of the mode Nature had intended he should The faces were said to bear great likenesses to the persons He sent him the following card:--"Mr. Hogarth''s dutiful respects to Lord----; finding that he does not mean to time; and the emaciated figure of the cat, strongly mark the natural naturally enough attends in the crowd, to mark the fashions of the day. The picture from which this print was copied, Hogarth painted by the fashionable young lady, a little black boy, and a full-dressed monkey. In this print the characters are marked with a master''s hand. for the poor man''s tears show that, like the person relieved by the good Mr. Hogarth printed the hands of the man in blue, to show that he was a This plate displays our industrious young man attending divine service The figures in this print are admirably grouped, and the countenances of id: 43001 author: Turner, Percy Moore title: Van Dyck date: words: 11634.0 sentences: 552.0 pages: flesch: 72.0 cache: ./cache/43001.txt txt: ./txt/43001.txt summary: Portrait of Van Dyck (or The Artist) In most subject pictures Van Dyck painted before his visit to Italy it solely this cause which raised Van Dyck as an artist above his master. finest horses for the purpose of his journey in Italy, whilst Van Dyck the influence of the great Italian masters upon his work, was During the latter portion of the time Van Dyck stopped with Rubens he PLATE IV.--PORTRAIT OF VAN DYCK (OR THE ARTIST) turned the attention of his engravers to his works, and until Van Dyck contemplating a work of the English period of Van Dyck, for were we to greatest of the portrait painters working in England in the interval As I have already said, the influence of Van Dyck upon the painters who qualities of Van Dyck than his master. with a perfection of execution, which neither Rubens nor Van Dyck id: 43068 author: Turner, Percy Moore title: Millet date: words: 11614.0 sentences: 587.0 pages: flesch: 71.0 cache: ./cache/43068.txt txt: ./txt/43068.txt summary: Amongst the great painters of peasant life the name of Jean François life and works have revealed him as one of the greatest masters in his Upon first regarding a picture of Millet''s mature years, one wonders In fact when one contemplates the life which Millet Perhaps no season of the year presented the same attraction for Millet MILLET''S EARLY LIFE MILLET''S EARLY LIFE struggle for existence which Millet in his first years saw going Millet, however, the early years which he devoted to the farm and its By means of his influence some of Millet''s drawings were brought subjects, and many are the wonderful studies of peasant life which Very few of Millet''s works can rival this superb picture in Millet, on the other hand, was absorbed in the peasant. ever the bane of Millet''s life. Millet is an instance of an artist working out his own destiny, id: 19863 author: Tytler, Sarah title: The Old Masters and Their Pictures, For the Use of Schools and Learners in Art date: words: 78011.0 sentences: 3551.0 pages: flesch: 70.0 cache: ./cache/19863.txt txt: ./txt/19863.txt summary: simple account of the great Old Masters in painting of every age and painting in oil in the pictures of the Flemish family of painters--the The great picture of the Van Eycks, which was worked at for a number of Of another great work at Vicenza, painted in Gian Bellini''s old age, beautiful portraits of women which four great painters gave in Correggio was a second time called upon to paint a great religious work the following year the painter had engaged to paint an altar-piece for religious painter, and during the last years of his life he painted figures--those in his pictures were painted by other painters, and that sometimes painted by the old painters as new-born children), or of the once let the man see the picture till it pleased the painter.'' Van Dyck beauty of the great masters of Italian Art. His pictures were long id: 18900 author: Van Dyke, John Charles title: A Text-Book of the History of Painting date: words: 76174.0 sentences: 5635.0 pages: flesch: 73.0 cache: ./cache/18900.txt txt: ./txt/18900.txt summary: The painters of this school advanced upon the work of Apollodorus as All the fifteenth-century painting shows nature study, force, work, with some Venetian influences showing in the coloring and It was sincere in its way, and the early painters painted its THE EARLY VENETIAN PAINTERS: Painting began at Venice with the methods probably from Flemish painters or pictures in Italy (he never called for altar-pieces the painters painted their new love, art history as the Mannerists, and the men whose works they imitated NINETEENTH-CENTURY PAINTING IN ITALY: There is little in the art of EARLY FRENCH ART: Painting in France did not, as in Italy, spring painters flocked to Rome to study the art of their great predecessors lighting, and coloring; and its example upon the painters of the time works painted by his own hand make a world of art in themselves. by his paintings, howbeit he has done good work in color. id: 50843 author: Van Dyke, John Charles title: The Mentor: Angels in Art, Vol. 1, Num. 40 date: words: 6767.0 sentences: 455.0 pages: flesch: 78.0 cache: ./cache/50843.txt txt: ./txt/50843.txt summary: MADONNA AND CHILD WITH ANGELS Bellini "Paint an angel!" exclaimed Courbet (koor-bay'') the realist to a pupil needed by the pupil; but nevertheless angels have been painted time saw the pretty-faced models they turned into angels by adding enlarged faith,--saw Madonnas, saints, and angels in visions, and painted them, the early painters put into the angel of the Annunciation! The red-robed angels (they were painted red of face as well as of robe) [Illustration: CORREGGIO; ANGEL GROUP (detail of fresco at Parma)] [Illustration: BOTTICELLI: MADONNA, CHILD, AND ANGELS] [Illustration: BOTTICINI: MADONNA AND CHILD (detail of angels)] the young Leonardo, to finish this picture by painting in the second [Illustration: VEROCCHIO: BAPTISM (detail of Leonardo''s Angel)] In fresco painting the artist was obliged to work directly on Fra Angelico painted beautiful angels, and his [Illustration: ANGEL OF ANNUNCIATION, BY BURNE-JONES] [Illustration: MADONNA AND CHILD WITH ANGELS, BY BELLINI.] [Illustration: ANGEL WITH LUTE (DETAIL OF PRESENTATION), BY CARPACCIO] id: 31934 author: Vigée-Lebrun, Louise-Elisabeth title: The Memoirs of Madame Vigée Lebrun date: words: 74920.0 sentences: 5140.0 pages: flesch: 82.0 cache: ./cache/31934.txt txt: ./txt/31934.txt summary: About this time I painted a portrait of Count Schouvaloff, Grand Mme. Lebrun''s First Portrait of the Queen, Destined for Presentation I painted various pictures of the Queen at different times. Exhibited by Mme. Lebrun at the French Royal Academy of Painting On then living there, sent for me to paint his portrait and Mme. de About this time I painted the portrait of a Polish lady, the Countess painted, he had replied: "No, I shall wait for Mme. Lebrun to come you here for a long time, Mme. Lebrun--so much so that I have Paul, then Grand Duke only, came to France for the first time, he said time, and who, like his father, has a great love for pictures. remarked, "Mme. Lebrun went to see her friends." But Bonaparte''s the composition of the picture, I painted Mme. Murat''s pretty little her portrait is painted by Mme. Lebrun, 25, 30; id: 35466 author: Ward, Leslie, Sir title: Forty Years of ''Spy'' date: words: 104494.0 sentences: 5538.0 pages: flesch: 74.0 cache: ./cache/35466.txt txt: ./txt/35466.txt summary: different character, many of which are in the possession of the Hon. John Ward, M.V.O. The following letters from Sir Edwin Landseer, Mulready, and Holman same time, like all true artists, men who appreciate shades of colour a fact very soon discovered by his domestics, for one day Mr. and Mrs. Taylor returned from a walk to be met by a startled parlourmaid who course I caricatured my father in due time for _Vanity Fair_; and he --I win my case.--Sir George Lewis.--The late Lord Grimthorpe. --I win my case.--Sir George Lewis.--The late Lord Grimthorpe. painting his portrait at the time, said, "If you would like to have I had great times with my old friend, Harry stopped me and said, "I know the way, sir--I was for some time second as a lady, a great friend of his, said that a grease paint picture I id: 41798 author: Weale, J. Cyril M. (James Cyril M.) title: Van Eyck date: words: 11376.0 sentences: 508.0 pages: flesch: 66.0 cache: ./cache/41798.txt txt: ./txt/41798.txt summary: (By John van Eyck.--National Gallery, London, No. 186) (By John van Eyck.--National Gallery, London, No. 186) (By John van Eyck.--National Gallery, London, No. 186) Portrait of Margaret van Eyck, the Painter''s Wife, 1439 60 (By John van Eyck.--Town Gallery, Bruges) (By John van Eyck.--Town Gallery, Bruges) of John van Eyck until 1432, nearly six years after his brother''s death, find John van Eyck attached to the Count''s household as painter and later years acquiring paintings by Van Eyck for his collection. John van Eyck helped to relieve the tedium of life in the intervals of Of the many paintings executed by John van Eyck to which no precise date King''s Council John van Eyck was at his easel painting the Infanta''s [Illustration: PLATE VII.--PORTRAIT OF MARGARET VAN EYCK THE PAINTER''S "Portrait of Margaret van Eyck" (Plate VII.) in the Town Gallery at The sad loss to Art sustained by John van Eyck''s death on the 9th of id: 24650 author: Whistler, James McNeill title: The Gentle Art of Making Enemies date: words: nan sentences: nan pages: flesch: nan cache: txt: summary: id: 32681 author: Willson, Harry, active 19th century title: The Use of a Box of Colours, in a Practical Demonstration on Composition, Light and Shade, and Colour. date: words: 31502.0 sentences: 1595.0 pages: flesch: 69.0 cache: ./cache/32681.txt txt: ./txt/32681.txt summary: of their natural colours, the forms of their lights and shadows, and Drawing gives form; Colour, its visible quality; and Light and Shade, Sketching light and shade from nature (with a single colour, or a object producing it; as light occasions the existence of shadow. Yellow is the light; Red, the medium; and Blue, darkness;--colours of Extending either the light or shadow by means of _colour_, is perhaps The masses of light should be of warm colours, yellow or red, supported The shadows on all objects partake of the colour of the light, or are Light and shade may be produced by the influence of _colours alone_, light being warm, and the shadow composed of cold colours--a red or colours, shadows, and lights, in the tenderest hues and forms, and with Colours, forming the middle tint and shadows, should always be warm; Effect consists in either lights and shadows, or _colours_, so massed id: 39265 author: Wilmot-Buxton, H. J. (Harry John) title: English Painters, with a Chapter on American Painters date: words: 55628.0 sentences: 3604.0 pages: flesch: 73.0 cache: ./cache/39265.txt txt: ./txt/39265.txt summary: pictures painted by Holbein in England are portraits; and tradition says patron of Art, yet encouraged foreign portrait painters to work in years in England, painting portraits for Charles I. in the National Portrait Exhibition, and in the collections of works by portrait-painter named JOHN HAYLS, of whom he thought highly, said: "He reign of James II., William III., and Anne, lived to paint the portrait Portrait painting was still the popular branch of art in he was sent to London to study with Hudson, the popular portrait painter SIR WILLIAM BEECHEY (1753--1839) was a portrait painter who received a Examples of the work of nearly all the above-mentioned portrait painters exhibited many pictures at the Royal Academy, but his best works painting, and his works in oil have influenced the art of the nineteenth portrait painter, began his art studies at the Academy in 1811, and was id: 41492 author: Wood, T. Martin title: Whistler date: words: 11330.0 sentences: 635.0 pages: flesch: 74.0 cache: ./cache/41492.txt txt: ./txt/41492.txt summary: if it has an echo in the plastic arts, has it in the work of Whistler. the art of Whistler--as it counts in music. In "The Gentle Art of Making Enemies" Whistler writes of the picture as exhibitions Whistler''s art was the sign of a coming, and licentious, opinion Mr. Whistler''s pictures were not serious works of art. There was a time when Whistler''s pictures were hissed when they were put kinds of art is changed, it is the resolution Whistler showed in life as completely as Whistler often did in the beauty of his own art. After the Ruskin case Whistler left London for Venice for about a year; Whistler who represents her movement as she turns into the room, his art There were qualities in Holloway''s art of which Whistler was Also in this year Whistler was very preoccupied with the art of id: 42828 author: Wood, T. Martin title: Sargent date: words: 8806.0 sentences: 481.0 pages: flesch: 71.0 cache: ./cache/42828.txt txt: ./txt/42828.txt summary: This world Sargent paints. Sargent''s gift to remove the impression that his sitter has posed, that Supreme is the art of Sargent in its appreciation of those pleasures There are people for whom the opulent world of Sargent''s art is their Sargent does not paint modern people as if they all came into thinking about Sargent''s interior paintings, which so very vividly and the nature of Sargent''s painting, its spirit; it is the most painted artificial things, the rouge on lips, the powder on a face; imagination than Sargent would enter into the spirit of her arts. latter, to my mind, is the aspect in which Sargent has painted this with flowers surrounding, Sargent sees for a moment life itself by matter-of-factness peculiarly belongs to Sargent''s art and am interested of a modern painter, with so great a vogue as Sargent''s, have been We have then to think of Sargent not only as a painter, id: 45129 author: Wyatt, M. Digby (Matthew Digby), Sir title: The History, Theory, and Practice of Illuminating Condensed from ''The Art of Illuminating'' by the same illustrator and author date: words: 54935.0 sentences: 2493.0 pages: flesch: 65.0 cache: ./cache/45129.txt txt: ./txt/45129.txt summary: recur in books illuminated at periods corresponding with the great pictures these volumes contained, no doubt reproduced the style of art Ulphilas, written in silver and gold letters on a purple ground, about A.D. 360, which is, perhaps, the most ancient existing specimen of this noble volume, generally called the Durham Book, and known also as St. Cuthbert''s Gospels, now in the British Museum. with illuminated title-pages, with pure Anglo-Saxon ornaments, and grand Manuscripts written in letters of gold, on white vellum, are chiefly great sovereign to raise the art of book-decoration in his day to its illuminate with gold and vermilion, except the great letters of double end of the 15th century, the miniatures of the illuminated books reflected of coloured ornament or lettering to panels, and, generally speaking, to [115] For illumination in water-colour on paper, cardboard, or vellum, useful for mixing with illuminating colours; giving great hardness id: 17478 author: nan title: Great Pictures, As Seen and Described by Famous Writers date: words: 85819.0 sentences: 4181.0 pages: flesch: 72.0 cache: ./cache/17478.txt txt: ./txt/17478.txt summary: great influence upon the painter''s work, and upon this point nearly few great painters, like Michael Angelo or Leonardo, whose work has effect of the picture, its great central light cast against a dark mellow colours of the great group into the cold part of the picture, and dilapidated painting for a beautiful picture, quite new, perfectly picture which in all times must be ranked amongst the master-works of The idea of originating so great a work as this picture to be forgotten that John van Eyck worked in this picture on the lines considered merely as a work of Art. It was the last picture which came _likeness_ painting; so the great landscape painter will at all times The place where this picture is painted must first be considered: for put into his picture whilst he has kept his work of art close to nature, id: 13973 author: nan title: Whistler Stories date: words: 18312.0 sentences: 1586.0 pages: flesch: 85.0 cache: ./cache/13973.txt txt: ./txt/13973.txt summary: "After I had my first sitting on New Year''s Day, 1903, I saw Whistler A patron of art asked Whistler to tell him where a friend lived on a Whistler said: "I don''t think he could get that dirty in seven years; One day when the two men were painting together in Whistler''s studio "Chase," said Whistler one day, "how-is it now in America? At an exhibition of Doré''s pictures Whistler asked an attendant if a his counsel said, "Yes, nominally," Whistler replied, "Well, I suppose "In such case Mr. Whistler will ask a friend to meet any gentleman Mr. Moore may appoint to represent him; and, awaiting a reply, has the "It has good points, Rossetti," said Whistler. Millais said to Whistler one day: "Jimmy, why don''t you "My dear sir," said Whistler, gently, "I know you do not smoke to show "''Oh, some day,'' said Whistler. id: 39000 author: nan title: Women Painters of the World From the Time of Caterina Vigri, 1413-1463, to Rosa Bonheur and the Present Day date: words: 31620.0 sentences: 2794.0 pages: flesch: 73.0 cache: ./cache/39000.txt txt: ./txt/39000.txt summary: This volume being the first illustrated history of the Women Painters in _The Annals of the Artists of Spain_, that my painter''s portraits portrait-painters of interest, like Miss Catharine Read, of Reynolds'' portrait painter, Mrs. Matilda Heming, the landscapist, and Lady IN THE NATIONAL PORTRAIT GALLERY, LONDON Mrs. Mary Beale, born ORIGINAL WATER-COLOUR Miss Katharine Cameron, Painter] PICTURE PAINTED IN 1902 Mrs. Mary Young Hunter, Painter] THE ORIGINAL PAINTING Lady Holroyd, Painter] family, father, mother, and daughters alike, being painters; and Mme. Vigée herself, who married the picture dealer Le Brun, was the PORTRAIT OF MADAME LE BRUN, AFTER THE ORIGINAL PAINTING IN THE [Illustration: PORTRAIT (PAINTED BY HERSELF) OF MADAME RUDE, PHOTOGRAPH LENT BY THE ARTIST Madame Marie Cazin, Painter] [Illustration: THE SHEPHERD AFTER THE ORIGINAL PAINTING Madame [Illustration: AFTER A PHOTOGRAPH OF THE ORIGINAL PAINTING PAINTING Madame Marie Philippine Bilders van Bosse, Painter with a portrait-painter, Olga de Boznanska (page 316), whose work ==== make-pages.sh questions ==== make-pages.sh search ==== make-pages.sh topic modeling corpus Zipping study carrel