mv: ‘./input-file.zip’ and ‘./input-file.zip’ are the same file Creating study carrel named classification-NE-gutenberg Initializing database Unzipping Archive: input-file.zip creating: ./tmp/input/input-file/ inflating: ./tmp/input/input-file/20195.txt inflating: ./tmp/input/input-file/29928.txt inflating: ./tmp/input/input-file/27268.txt inflating: ./tmp/input/input-file/26496.txt inflating: ./tmp/input/input-file/21591.txt inflating: ./tmp/input/input-file/22574.txt inflating: ./tmp/input/input-file/34869.txt inflating: ./tmp/input/input-file/36751.txt inflating: ./tmp/input/input-file/40924.txt inflating: ./tmp/input/input-file/33751.txt inflating: ./tmp/input/input-file/40198.txt inflating: ./tmp/input/input-file/40589.txt inflating: ./tmp/input/input-file/21790.txt inflating: ./tmp/input/input-file/34113.txt inflating: ./tmp/input/input-file/48924.txt inflating: ./tmp/input/input-file/metadata.csv caution: excluded filename not matched: *MACOSX* === DIRECTORIES: ./tmp/input === DIRECTORY: ./tmp/input/input-file === metadata file: ./tmp/input/input-file/metadata.csv === found metadata file === updating bibliographic database Building study carrel named classification-NE-gutenberg FILE: cache/26496.txt OUTPUT: txt/26496.txt FILE: cache/22574.txt OUTPUT: txt/22574.txt FILE: cache/34869.txt OUTPUT: txt/34869.txt FILE: cache/29928.txt OUTPUT: txt/29928.txt FILE: cache/27268.txt OUTPUT: txt/27268.txt FILE: cache/36751.txt OUTPUT: txt/36751.txt FILE: cache/40198.txt OUTPUT: txt/40198.txt FILE: cache/33751.txt OUTPUT: txt/33751.txt FILE: cache/20195.txt OUTPUT: txt/20195.txt FILE: cache/34113.txt OUTPUT: txt/34113.txt FILE: cache/21591.txt OUTPUT: txt/21591.txt FILE: cache/48924.txt OUTPUT: txt/48924.txt FILE: cache/40589.txt OUTPUT: txt/40589.txt FILE: cache/21790.txt OUTPUT: txt/21790.txt FILE: cache/40924.txt OUTPUT: txt/40924.txt 34113 txt/../ent/34113.ent 34113 txt/../pos/34113.pos 34113 txt/../wrd/34113.wrd 26496 txt/../pos/26496.pos 26496 txt/../wrd/26496.wrd 29928 txt/../pos/29928.pos 22574 txt/../pos/22574.pos 22574 txt/../wrd/22574.wrd 22574 txt/../ent/22574.ent 26496 txt/../ent/26496.ent === file2bib.sh === id: 26496 author: Morse, Peter title: Rembrandt's Etching Technique: An Example date: pages: extension: .txt txt: ./txt/26496.txt cache: ./cache/26496.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 4 resourceName b'26496.txt' 29928 txt/../wrd/29928.wrd 29928 txt/../ent/29928.ent 36751 txt/../pos/36751.pos === file2bib.sh === id: 29928 author: Kainen, Jacob title: Why Bewick Succeeded: A Note in the History of Wood Engraving date: pages: extension: .txt txt: ./txt/29928.txt cache: ./cache/29928.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 2 resourceName b'29928.txt' === file2bib.sh === id: 22574 author: Sumner, Charles title: The Best Portraits in Engraving date: pages: extension: .txt txt: ./txt/22574.txt cache: ./cache/22574.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 3 resourceName b'22574.txt' 20195 txt/../pos/20195.pos 36751 txt/../wrd/36751.wrd 21790 txt/../pos/21790.pos 20195 txt/../wrd/20195.wrd 21790 txt/../wrd/21790.wrd 36751 txt/../ent/36751.ent === file2bib.sh === id: 34113 author: Kipling, Rudyard title: An Almanac of Twelve Sports date: pages: extension: .txt txt: ./txt/34113.txt cache: ./cache/34113.txt Content-Encoding ISO-8859-1 Content-Type text/plain; charset=ISO-8859-1 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 3 resourceName b'34113.txt' 48924 txt/../pos/48924.pos 21591 txt/../wrd/21591.wrd 34869 txt/../pos/34869.pos 21591 txt/../pos/21591.pos 34869 txt/../wrd/34869.wrd 48924 txt/../wrd/48924.wrd 40198 txt/../pos/40198.pos 48924 txt/../ent/48924.ent 21591 txt/../ent/21591.ent 21790 txt/../ent/21790.ent 20195 txt/../ent/20195.ent === file2bib.sh === id: 36751 author: Kirkbride, Joseph title: Engraving for Illustration: Historical and Practical Notes date: pages: extension: .txt txt: ./txt/36751.txt cache: ./cache/36751.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 3 resourceName b'36751.txt' 40198 txt/../wrd/40198.wrd 40198 txt/../ent/40198.ent === file2bib.sh === id: 21790 author: Vauzelles, Jean de title: The Dance of Death date: pages: extension: .txt txt: ./txt/21790.txt cache: ./cache/21790.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 2 resourceName b'21790.txt' 34869 txt/../ent/34869.ent === file2bib.sh === id: 48924 author: Pennell, Joseph title: Joseph Pennell's pictures of the Panama Canal Reproductions of a series of lithographs made by him on the Isthmus of Panama, January—March 1912, together with impressions and notes by the artist date: pages: extension: .txt txt: ./txt/48924.txt cache: ./cache/48924.txt Content-Encoding ISO-8859-1 Content-Type text/plain; charset=ISO-8859-1 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 3 resourceName b'48924.txt' === file2bib.sh === id: 20195 author: Fletcher, F. Morley (Frank Morley) title: Wood-Block Printing A Description of the Craft of Woodcutting and Colour Printing Based on the Japanese Practice date: pages: extension: .txt txt: ./txt/20195.txt cache: ./cache/20195.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 3 resourceName b'20195.txt' 40589 txt/../pos/40589.pos === file2bib.sh === id: 21591 author: Ruskin, John title: The Harbours of England date: pages: extension: .txt txt: ./txt/21591.txt cache: ./cache/21591.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 3 resourceName b'21591.txt' 33751 txt/../pos/33751.pos 33751 txt/../wrd/33751.wrd === file2bib.sh === id: 34869 author: Hill, Thomas George title: The Essentials of Illustration A Practical Guide to the Reproduction of Drawings & Photographs for the Use of Scientists & Others date: pages: extension: .txt txt: ./txt/34869.txt cache: ./cache/34869.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 4 resourceName b'34869.txt' 40589 txt/../ent/40589.ent 40589 txt/../wrd/40589.wrd === file2bib.sh === id: 40198 author: Seymour, Alfred title: Practical Lithography date: pages: extension: .txt txt: ./txt/40198.txt cache: ./cache/40198.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 3 resourceName b'40198.txt' === file2bib.sh === id: 40589 author: Cundall, Joseph title: A Brief History of Wood-engraving from Its Invention date: pages: extension: .txt txt: ./txt/40589.txt cache: ./cache/40589.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 5 resourceName b'40589.txt' 27268 txt/../pos/27268.pos 33751 txt/../ent/33751.ent 27268 txt/../wrd/27268.wrd 27268 txt/../ent/27268.ent 40924 txt/../pos/40924.pos === file2bib.sh === id: 33751 author: Lalanne, Maxime title: A Treatise on Etching date: pages: extension: .txt txt: ./txt/33751.txt cache: ./cache/33751.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 4 resourceName b'33751.txt' 40924 txt/../wrd/40924.wrd 40924 txt/../ent/40924.ent === file2bib.sh === id: 27268 author: Ruskin, John title: Ariadne Florentina: Six Lectures on Wood and Metal Engraving date: pages: extension: .txt txt: ./txt/27268.txt cache: ./cache/27268.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 6 resourceName b'27268.txt' === file2bib.sh === id: 40924 author: Senefelder, Alois title: The Invention of Lithography date: pages: extension: .txt txt: ./txt/40924.txt cache: ./cache/40924.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 6 resourceName b'40924.txt' Done mapping. Reducing classification-NE-gutenberg === reduce.pl bib === id = 29928 author = Kainen, Jacob title = Why Bewick Succeeded: A Note in the History of Wood Engraving date = pages = extension = .txt mime = text/plain words = 8128 sentences = 488 flesch = 68 summary = A little engraving on wood was also done, but Bewick tells us that his the art of engraving and cutting on wood was just beginning to show "white line" that gave wood engraving its special quality. black ink and white paper, it mattered little whether the engraved lines [Illustration: Figure 3.--Late 15th-Century White-Line Engraving "The Actually, white-line engraving for relief printing dates from the 15th white-line metal relief prints, inked on the surface like woodcuts. Koehler, "White-line engraving for relief-printing in [Illustration: Figure 4.--White-Line Engraving on Metal for Relief Relief engraving on type metal and end-grain wood really got under way _French_ engravers on Wood all working in the old Manner; no Metal [Illustration: Figure 7.--Wood Engraving by Thomas Bewick, "The Man and Bewick's early work was printed on laid paper. Bewick was still using wood engraving as The wood-engraving of Thomas Bewick, produced [Illustration: Figure 12.--Wood Engraving by W. cache = ./cache/29928.txt txt = ./txt/29928.txt === reduce.pl bib === id = 20195 author = Fletcher, F. Morley (Frank Morley) title = Wood-Block Printing A Description of the Craft of Woodcutting and Colour Printing Based on the Japanese Practice date = pages = extension = .txt mime = text/plain words = 17396 sentences = 981 flesch = 76 summary = The following account of colour-printing from wood-blocks is based on a The actual value of wood-block prints for use as decoration is a matter To see a few impressions taken from a set of blocks in colour printing, It is usual to print the line or key-block of a design first, as one is The complete design of a print may require several blocks for colour as block that must be cut first is that which prints the line or "key" of other blocks for printing the coloured portions of the design are cut. development of drawing in designs for wood-block prints. key-block of a Japanese print showing admirable variety in the means printing surface of a colour block would be as follows: Preparation of Paper, Ink, Colour, and Paste for Printing impression from colour-blocks as the long-fibred Japanese paper, yet it One by one each colour-block is printed in this way until the batch of cache = ./cache/20195.txt txt = ./txt/20195.txt === reduce.pl bib === id = 21591 author = Ruskin, John title = The Harbours of England date = pages = extension = .txt mime = text/plain words = 21025 sentences = 804 flesch = 68 summary = seen from any sea-cliff, with its four or five square-set sails. fishing-boat, collier, and ship of the line, as the great glory of this or shattered boat, is a noble subject, while a ship in full sail, or a Things have been painted which have a general effect of ships, just as Sea-like, on right hand and left,--but at least setting close before of the Sea, cannot for the same reason enter into the Mind of Ships, in Coast, Turner appears to have gained many ideas about shipping, which, afterwards forgot; namely, that both ships and sea were things that of ship form into oil, and made his noblest work in drawing rich in hues engraving Turner had made a drawing of Ramsgate for the Southern Coast I look upon this as one of the noblest sea-pieces which Turner ever This drawing has always been interesting to me among Turner's sea cache = ./cache/21591.txt txt = ./txt/21591.txt === reduce.pl bib === id = 26496 author = Morse, Peter title = Rembrandt's Etching Technique: An Example date = pages = extension = .txt mime = text/plain words = 5872 sentences = 492 flesch = 78 summary = _Landscape with a hay barn and a flock of sheep._ Etching by Rembrandt, _A Rembrandt print in the collection of the Smithsonian Institution has prepared drawing on top of a white-grounded plate and traced the lines, Rembrandt almost certainly made all the etched lines in this print in a The author has attempted, by tracing only the etched lines in the print, Rembrandt's print, _Landscape with a hay barn and a flock of sheep_. Rembrandt's print, _Landscape with a hay barn and a flock of sheep_. plate is then put back in the acid and the remaining lines etched more Detail of the etched copper plate for Rembrandt's print, _Christ seated Detail of Rembrandt's finished print, _Landscape with a hay barn and a Detail of Rembrandt's finished print, _Landscape with a hay barn and a Detail of Rembrandt's finished print, _Landscape with a hay barn and a cache = ./cache/26496.txt txt = ./txt/26496.txt === reduce.pl bib === id = 34869 author = Hill, Thomas George title = The Essentials of Illustration A Practical Guide to the Reproduction of Drawings & Photographs for the Use of Scientists & Others date = pages = extension = .txt mime = text/plain words = 21691 sentences = 1209 flesch = 70 summary = known straightforward line drawings reproduced by half-tone; in other of the plate, the drawing is made on the paper with a pencil of a Fig. 1.--A wood engraving, by Edmund Evans, from the original drawing engravings are reproductions of line drawings, so that although we may [Illustration: PLATE 7.--Half Tone reproduction of a photograph taken In making drawings for reproduction by means of the half-tone process, line block, whilst the third is a reproduction by half-tone of a [Illustration: PLATE 12.--Three Colour Half Tone.] In making their drawings for reproduction by line blocks, authors have expressed by drawing with white ink on black paper. black ink where the reproduction by line block is possible. important, so that the result is a block or a plate which will print inches for half tone three colour blocks and photogravure plates. skill is required; for ordinary printing on good plate paper the cache = ./cache/34869.txt txt = ./txt/34869.txt === reduce.pl bib === id = 27268 author = Ruskin, John title = Ariadne Florentina: Six Lectures on Wood and Metal Engraving date = pages = extension = .txt mime = text/plain words = 60696 sentences = 3225 flesch = 76 summary = DESIGN IN THE GERMAN SCHOOLS OF ENGRAVING (HOLBEIN AND DÜRER) 81 DESIGN IN THE FLORENTINE SCHOOLS OF ENGRAVING (SANDRO BOTTICELLI) 108 to say, the pen, producing shade by black lines, as old engraving did; You have thus three arts,--engraving, light-and-shade drawing, and 5. One, English,--to-day sold in the High Street,--Caricaturist Art. And of these, the Florentine and old English are divine work, A line is the simplest work of art you can produce. I mean, by engraving, the art of producing decoration on a surface by engraving, like fine wood-cutting, ignores light and shade; and that, in line-work,--do you mean to tell us that these ignore light and shade?' engravings ever produced by art,--two subjects in Holbein's Dance of beautiful or good a thing as a painting, or line engraving. great schools of European art, than the perfectness of modern line are to look for in engraving, as a separate art from that of painting. cache = ./cache/27268.txt txt = ./txt/27268.txt === reduce.pl bib === id = 40924 author = Senefelder, Alois title = The Invention of Lithography date = pages = extension = .txt mime = text/plain words = 88522 sentences = 4324 flesch = 74 summary = press and paper, and printing on stone probably would not have been rub away than the ordinary copper-plate printing-ink. came the need for a little capital, to buy a press, some stones, paper, rubbing oil over the stone instead of water, while for printing I used chemical printing, I thought of inking an etched copper plate with a known about color, that I might use stone for cotton-printing. Certain methods of stone-printing demand, besides the ink, a fatty, work to mix gum with the printing-color or with the water used to dampen acid-proof ink, smear it on the color-stone, and apply a clean linen or best chemical ink on a perfectly prepared plate, cannot do good work This printing with various colors is a process for which the stone is printing-color, is under the surface of the stone, the design having When the design is dry, the whole stone is inked with printing-color, cache = ./cache/40924.txt txt = ./txt/40924.txt === reduce.pl bib === id = 40198 author = Seymour, Alfred title = Practical Lithography date = pages = extension = .txt mime = text/plain words = 24384 sentences = 1365 flesch = 63 summary = The ink used for transferring impressions from one printing surface to Essential Features--Varnish Transfer Paper--Damp-stone Essential Features--Varnish Transfer Paper--Damp-stone transferring large work in which a number of printings are involved, and lithographic hand-roller charged with good black printing ink. the angles formed by the register lines after the first printing (Fig. 10A), and then to place them to corresponding lines on each colour of colours in the design as upon the manipulation of the printing inks, For effective colour printing the paper must also possess several other printed design from a suitably prepared paper to the metal plates in Impression--Cylinder Covering--Colour Sequence--Printing Impression--Cylinder Covering--Colour Sequence--Printing impression of the printing forme on the metal plate. a drawing for Tin-plate Printing must appear on the lithographic stone transferred to stone and printed in the usual way, would be practically sufficient time for printing, and to ink up the transfer with the cache = ./cache/40198.txt txt = ./txt/40198.txt === reduce.pl bib === id = 40589 author = Cundall, Joseph title = A Brief History of Wood-engraving from Its Invention date = pages = extension = .txt mime = text/plain words = 29078 sentences = 1624 flesch = 74 summary = Wood-Engraving in England in the Fifteenth Century--William the first book, printed from type, that had wood engravings. of the fifteenth century, illustrated a few books printed in Italy, is This book contains the first decorative work by wood-engraving we have met These works mark an important era in the history of wood-engraving and Dürer made also many drawings on wood which were engraved and printed under wood-engravings, after Dürer's drawings, appeared between the years 1510 work, the most important production of the art of wood-engraving the world designed and engraved pictures for books. books and printed them, but designed ornamental borders and engraved them. several excellent wood-engravings published in London in illustration of wood-engraver at Antwerp, Christoph Jegher, who worked for many years with engraving, and devoted himself to drawings for the illustration of books. fifteenth century, many artists and engravers produced work of great merit: cache = ./cache/40589.txt txt = ./txt/40589.txt === reduce.pl bib === id = 33751 author = Lalanne, Maxime title = A Treatise on Etching date = pages = extension = .txt mime = text/plain words = 38337 sentences = 2478 flesch = 80 summary = copper plate with a ground or varnish composed of wax and resinous 1. A COPPER PLATE on which to execute your etching. 5. ETCHING-GROUND, with which to protect the plate against the action of ETCHING POINTS OR NEEDLES, for scratching the lines into the ground. AN ETCHING-TRAY to hold the acid during the operation of biting. which the acid may bite little holes in the plate; burning ruins the ordinary etching-ground, just as if the plate had never yet been touched bitten line, as the acid bites into the copper perpendicularly at right This inequality disappears if a plate in which etched lines and dry =Stopping-out Varnish dropped on a Plate while Biting.=--You are =Stopping-out Varnish dropped on a Plate while Biting.=--You are quickly, as the biting of a plate etched in the bath in this manner the plate, produces the difference in the engraved lines. ordinary etching-ground on a copper plate sufficiently heated; then take cache = ./cache/33751.txt txt = ./txt/33751.txt === reduce.pl bib === id = 36751 author = Kirkbride, Joseph title = Engraving for Illustration: Historical and Practical Notes date = pages = extension = .txt mime = text/plain words = 14168 sentences = 939 flesch = 61 summary = early pictorial reproductions from engraved wood blocks. of substantial progress, and impressed the art of wood engraving with attention of the artistic world, and for many years wood engraving was The exact measure of Bewick's influence on the art of wood engraving The possibilities of the wood engraver's art, therefore, transition, _i.e._ Niello work to engraving as a reproductive art, is in the reception accorded by her artists to the art of metal engraving. into England of metal engraving as a reproductive art is doubtful. style of Houbraken, a Dutch artist, who some time previously engraved a was a brilliant exponent of the expressive power of the engraver's art. The work of the engraver, like many other phases of reproductive art, is employment of process engraving for purposes of pictorial illustration the wood engraver's art to the amplification of their half tone blocks. Process engraving, artistic, 58. Wood engraving, pictorial and artistic effects, 14. cache = ./cache/36751.txt txt = ./txt/36751.txt === reduce.pl bib === id = 22574 author = Sumner, Charles title = The Best Portraits in Engraving date = pages = extension = .txt mime = text/plain words = 7777 sentences = 447 flesch = 68 summary = Engraving is one of the fine arts, and in this beautiful family has remarks that the former "paints men in general, a portrait-painter a Vandyck from producing portraits precious in the history of art. engraver Longhi in his interesting work, _La Calcografia_.[3] Dwelling A good engraving is an undoubted work of art, but the artist, whether painter or engraver, naturally excelling in But choice portraits are less numerous in engraving than in Pontius, designer and engraver, whose portrait of RUBENS is of great engraved portraits in the history of the art is his CARDINAL at the head of engraved portraits, although not particularly pleasing beautiful engraved portrait that exists. studied all the remarkable engraved portraits at the royal work remembered only for its engraved portraits, his famous life He was eminently a portrait engraver, which I must insist is the companion of the great portraits in the past; but here the engraver cache = ./cache/22574.txt txt = ./txt/22574.txt === reduce.pl bib === id = 34113 author = Kipling, Rudyard title = An Almanac of Twelve Sports date = pages = extension = .txt mime = text/plain words = 1058 sentences = 189 flesch = 98 summary = God knows you can enter the game And the price of the game is a candle-[Illustration: January.] Each man seeks it a different way [Illustration: February.] The horse is ridden--the jockey rides-And I should leave this play alone. [Illustration: March.] Lean days and lives enforced pure. [Illustration: April.] Men and not Gods torment you, little fishes. [Illustration: May.] Thank God who made the British Isles And taught me how to play, [Illustration: June.] [Illustration: July.] A maid may work a man's salvation. Four horses and a girl are not, [Illustration: August.] So greet we Christmas Day. Oh Christian load your gun and then, [Illustration: September.] [Illustration: October.] _Man cannot tell but Allah knows [Illustration: November.] Over the ice she flies Stars in my true-love's eyes Now will I fly as she flies ... Stars that I saw in her eyes [Illustration: December.] And the candle's down to the socket-- cache = ./cache/34113.txt txt = ./txt/34113.txt === reduce.pl bib === id = 21790 author = Vauzelles, Jean de title = The Dance of Death date = pages = extension = .txt mime = text/plain words = 5414 sentences = 743 flesch = 84 summary = as "_Holbein's Dance of Death._" It is a small _quarto_, bearing on discourse, _De la Necessite de la Mort qui ne laisse riens estre designed but actually cut on the wood some eleven years before the book that "Epistre" expressly refers to "_la mort de celluy, qui nous en a to the so-called "Little Dance of Death," an alphabet by Holbein, engraved in 1833 for Douce's _Holbein's Dance of Death_. Adam and Eve, preceded by Death, playing on a Pour quelque bien qui uous abonde, Mal pour uous qui iustifiez Qui est celluy, tant soit grande homme, Et de la Mort, qui tout assomme, Mal pour uous qui ainsi osez Est via quæ videtur homini iusta: nouissima autem eius deducunt hominem [Illustration: THE RICH MAN.] [Illustration: THE OLD MAN.] Vous qui estes par trop charge. [Illustration: THE ESCUTCHEON OF DEATH.] _Of this edition of Holbein's "The Dance of Death," cache = ./cache/21790.txt txt = ./txt/21790.txt === reduce.pl bib === id = 48924 author = Pennell, Joseph title = Joseph Pennell's pictures of the Panama Canal Reproductions of a series of lithographs made by him on the Isthmus of Panama, January—March 1912, together with impressions and notes by the artist date = pages = extension = .txt mime = text/plain words = 7079 sentences = 384 flesch = 82 summary = Here are locomotives, dredges, lock-gates, huge bulks of iron, great the French Canal, completed and working up to, I believe, Gatun Lock built to carry the huge engines that drag the long trains of dirt and you, and show you how, the French worked on the Canal right across the American politics--which we are in for; but to draw the Canal as it is, from Colon, on the left bank of the French Canal, seen on the right of While I was on the Isthmus the old line from Gatun to the Culebra Cut drawing was made looking across the lake near Gatun, with the dam in does the work of digging the Canal and filling the trains, and does it The drawing shows the two locks side by side, the great will be filled by a small lake between this lock and Pedro Miguel. lock--the last on the Canal. cache = ./cache/48924.txt txt = ./txt/48924.txt Building ./etc/reader.txt 40924 27268 40198 40924 29928 36751 number of items: 15 sum of words: 350,625 average size in words: 23,375 average readability score: 74 nouns: stone; work; plate; paper; printing; ink; lines; art; time; wood; color; illustration; design; line; water; drawing; parts; engraving; colour; block; copper; acid; plates; surface; process; ground; hand; press; part; book; way; print; metal; artist; method; use; impression; gum; impressions; drawings; point; means; power; day; engraver; oil; pressure; man; form; blocks verbs: is; be; are; was; have; has; had; been; were; made; used; do; printed; printing; make; see; being; done; engraving; give; take; engraved; etching; cut; produced; does; did; found; taken; given; use; know; drawn; having; seen; find; known; obtained; say; produce; described; prepared; said; required; put; left; laid; making; draw; let adjectives: other; many; great; first; good; little; same; such; more; necessary; best; black; much; white; few; new; own; small; possible; fine; dry; several; large; clean; old; various; original; last; important; better; ordinary; different; second; whole; true; soft; certain; strong; modern; general; excellent; greater; lithographic; thin; present; least; beautiful; artistic; thick; most adverbs: not; so; very; only; then; more; as; well; also; now; most; even; out; up; too; thus; therefore; however; again; much; first; still; far; here; always; down; never; away; once; soon; in; especially; often; almost; entirely; just; all; quite; less; yet; easily; off; ever; on; over; about; already; generally; merely; thoroughly pronouns: it; i; his; he; you; its; they; my; their; we; them; me; him; your; our; her; itself; himself; us; she; one; myself; themselves; yourself; ourselves; herself; mine; thy; yours; theirs; oneself; thee; yourselves; hamerton:--; you.--your; you,--you; wax; then,--you; rome?--his; records.=--the; out.=--the; ours; ii; hic; hers; execution,--the; breast,--the; ay; au proper nouns: _; herr; mr.; von; bewick; london; de; holbein; fig; rembrandt; england; turner; |; gleissner; st.; john; paris; botticelli; andre; plate; la; vienna; munich; hartl; dürer; chapter; le; vol; m.; j.; royal; museum; thomas; w.; venice; new; c.; et; death; iv; italy; madame; ii; english; canal; william; florence; christ; i.; germany keywords: illustration; work; plate; mr.; wood; printing; line; holbein; fig; engraving; england; bewick; art; turner; stone; st.; print; london; ink; dürer; drawing; death; vol; vienna; venice; varnish; transfer; thomas; sunday; steiner; southern; sidenote; sibyl; ship; sea; sandro; ruskin; royal; rembrandt; process; portrait; point; picture; panama; paint; museum; munich; mort; michael; man one topic; one dimension: work file(s): ./cache/29928.txt titles(s): Why Bewick Succeeded: A Note in the History of Wood Engraving three topics; one dimension: plate; stone; illustration file(s): ./cache/27268.txt, ./cache/40924.txt, ./cache/40589.txt titles(s): Ariadne Florentina: Six Lectures on Wood and Metal Engraving | The Invention of Lithography | A Brief History of Wood-engraving from Its Invention five topics; three dimensions: stone plate work; printing colour block; illustration death great; wood engraving century; rembrandt print lines file(s): ./cache/40924.txt, ./cache/40198.txt, ./cache/22574.txt, ./cache/40589.txt, ./cache/26496.txt titles(s): The Invention of Lithography | Practical Lithography | The Best Portraits in Engraving | A Brief History of Wood-engraving from Its Invention | Rembrandt''s Etching Technique: An Example Type: gutenberg title: classification-NE-gutenberg date: 2021-05-29 time: 12:05 username: emorgan patron: Eric Morgan email: emorgan@nd.edu input: classification:"NE" ==== make-pages.sh htm files ==== make-pages.sh complex files ==== make-pages.sh named enities ==== making bibliographics id: 40589 author: Cundall, Joseph title: A Brief History of Wood-engraving from Its Invention date: words: 29078 sentences: 1624 pages: flesch: 74 cache: ./cache/40589.txt txt: ./txt/40589.txt summary: Wood-Engraving in England in the Fifteenth Century--William the first book, printed from type, that had wood engravings. of the fifteenth century, illustrated a few books printed in Italy, is This book contains the first decorative work by wood-engraving we have met These works mark an important era in the history of wood-engraving and Dürer made also many drawings on wood which were engraved and printed under wood-engravings, after Dürer''s drawings, appeared between the years 1510 work, the most important production of the art of wood-engraving the world designed and engraved pictures for books. books and printed them, but designed ornamental borders and engraved them. several excellent wood-engravings published in London in illustration of wood-engraver at Antwerp, Christoph Jegher, who worked for many years with engraving, and devoted himself to drawings for the illustration of books. fifteenth century, many artists and engravers produced work of great merit: id: 20195 author: Fletcher, F. Morley (Frank Morley) title: Wood-Block Printing A Description of the Craft of Woodcutting and Colour Printing Based on the Japanese Practice date: words: 17396 sentences: 981 pages: flesch: 76 cache: ./cache/20195.txt txt: ./txt/20195.txt summary: The following account of colour-printing from wood-blocks is based on a The actual value of wood-block prints for use as decoration is a matter To see a few impressions taken from a set of blocks in colour printing, It is usual to print the line or key-block of a design first, as one is The complete design of a print may require several blocks for colour as block that must be cut first is that which prints the line or "key" of other blocks for printing the coloured portions of the design are cut. development of drawing in designs for wood-block prints. key-block of a Japanese print showing admirable variety in the means printing surface of a colour block would be as follows: Preparation of Paper, Ink, Colour, and Paste for Printing impression from colour-blocks as the long-fibred Japanese paper, yet it One by one each colour-block is printed in this way until the batch of id: 34869 author: Hill, Thomas George title: The Essentials of Illustration A Practical Guide to the Reproduction of Drawings & Photographs for the Use of Scientists & Others date: words: 21691 sentences: 1209 pages: flesch: 70 cache: ./cache/34869.txt txt: ./txt/34869.txt summary: known straightforward line drawings reproduced by half-tone; in other of the plate, the drawing is made on the paper with a pencil of a Fig. 1.--A wood engraving, by Edmund Evans, from the original drawing engravings are reproductions of line drawings, so that although we may [Illustration: PLATE 7.--Half Tone reproduction of a photograph taken In making drawings for reproduction by means of the half-tone process, line block, whilst the third is a reproduction by half-tone of a [Illustration: PLATE 12.--Three Colour Half Tone.] In making their drawings for reproduction by line blocks, authors have expressed by drawing with white ink on black paper. black ink where the reproduction by line block is possible. important, so that the result is a block or a plate which will print inches for half tone three colour blocks and photogravure plates. skill is required; for ordinary printing on good plate paper the id: 29928 author: Kainen, Jacob title: Why Bewick Succeeded: A Note in the History of Wood Engraving date: words: 8128 sentences: 488 pages: flesch: 68 cache: ./cache/29928.txt txt: ./txt/29928.txt summary: A little engraving on wood was also done, but Bewick tells us that his the art of engraving and cutting on wood was just beginning to show "white line" that gave wood engraving its special quality. black ink and white paper, it mattered little whether the engraved lines [Illustration: Figure 3.--Late 15th-Century White-Line Engraving "The Actually, white-line engraving for relief printing dates from the 15th white-line metal relief prints, inked on the surface like woodcuts. Koehler, "White-line engraving for relief-printing in [Illustration: Figure 4.--White-Line Engraving on Metal for Relief Relief engraving on type metal and end-grain wood really got under way _French_ engravers on Wood all working in the old Manner; no Metal [Illustration: Figure 7.--Wood Engraving by Thomas Bewick, "The Man and Bewick''s early work was printed on laid paper. Bewick was still using wood engraving as The wood-engraving of Thomas Bewick, produced [Illustration: Figure 12.--Wood Engraving by W. id: 34113 author: Kipling, Rudyard title: An Almanac of Twelve Sports date: words: 1058 sentences: 189 pages: flesch: 98 cache: ./cache/34113.txt txt: ./txt/34113.txt summary: God knows you can enter the game And the price of the game is a candle-[Illustration: January.] Each man seeks it a different way [Illustration: February.] The horse is ridden--the jockey rides-And I should leave this play alone. [Illustration: March.] Lean days and lives enforced pure. [Illustration: April.] Men and not Gods torment you, little fishes. [Illustration: May.] Thank God who made the British Isles And taught me how to play, [Illustration: June.] [Illustration: July.] A maid may work a man''s salvation. Four horses and a girl are not, [Illustration: August.] So greet we Christmas Day. Oh Christian load your gun and then, [Illustration: September.] [Illustration: October.] _Man cannot tell but Allah knows [Illustration: November.] Over the ice she flies Stars in my true-love''s eyes Now will I fly as she flies ... Stars that I saw in her eyes [Illustration: December.] And the candle''s down to the socket-- id: 36751 author: Kirkbride, Joseph title: Engraving for Illustration: Historical and Practical Notes date: words: 14168 sentences: 939 pages: flesch: 61 cache: ./cache/36751.txt txt: ./txt/36751.txt summary: early pictorial reproductions from engraved wood blocks. of substantial progress, and impressed the art of wood engraving with attention of the artistic world, and for many years wood engraving was The exact measure of Bewick''s influence on the art of wood engraving The possibilities of the wood engraver''s art, therefore, transition, _i.e._ Niello work to engraving as a reproductive art, is in the reception accorded by her artists to the art of metal engraving. into England of metal engraving as a reproductive art is doubtful. style of Houbraken, a Dutch artist, who some time previously engraved a was a brilliant exponent of the expressive power of the engraver''s art. The work of the engraver, like many other phases of reproductive art, is employment of process engraving for purposes of pictorial illustration the wood engraver''s art to the amplification of their half tone blocks. Process engraving, artistic, 58. Wood engraving, pictorial and artistic effects, 14. id: 33751 author: Lalanne, Maxime title: A Treatise on Etching date: words: 38337 sentences: 2478 pages: flesch: 80 cache: ./cache/33751.txt txt: ./txt/33751.txt summary: copper plate with a ground or varnish composed of wax and resinous 1. A COPPER PLATE on which to execute your etching. 5. ETCHING-GROUND, with which to protect the plate against the action of ETCHING POINTS OR NEEDLES, for scratching the lines into the ground. AN ETCHING-TRAY to hold the acid during the operation of biting. which the acid may bite little holes in the plate; burning ruins the ordinary etching-ground, just as if the plate had never yet been touched bitten line, as the acid bites into the copper perpendicularly at right This inequality disappears if a plate in which etched lines and dry =Stopping-out Varnish dropped on a Plate while Biting.=--You are =Stopping-out Varnish dropped on a Plate while Biting.=--You are quickly, as the biting of a plate etched in the bath in this manner the plate, produces the difference in the engraved lines. ordinary etching-ground on a copper plate sufficiently heated; then take id: 26496 author: Morse, Peter title: Rembrandt''s Etching Technique: An Example date: words: 5872 sentences: 492 pages: flesch: 78 cache: ./cache/26496.txt txt: ./txt/26496.txt summary: _Landscape with a hay barn and a flock of sheep._ Etching by Rembrandt, _A Rembrandt print in the collection of the Smithsonian Institution has prepared drawing on top of a white-grounded plate and traced the lines, Rembrandt almost certainly made all the etched lines in this print in a The author has attempted, by tracing only the etched lines in the print, Rembrandt''s print, _Landscape with a hay barn and a flock of sheep_. Rembrandt''s print, _Landscape with a hay barn and a flock of sheep_. plate is then put back in the acid and the remaining lines etched more Detail of the etched copper plate for Rembrandt''s print, _Christ seated Detail of Rembrandt''s finished print, _Landscape with a hay barn and a Detail of Rembrandt''s finished print, _Landscape with a hay barn and a Detail of Rembrandt''s finished print, _Landscape with a hay barn and a id: 48924 author: Pennell, Joseph title: Joseph Pennell''s pictures of the Panama Canal Reproductions of a series of lithographs made by him on the Isthmus of Panama, January—March 1912, together with impressions and notes by the artist date: words: 7079 sentences: 384 pages: flesch: 82 cache: ./cache/48924.txt txt: ./txt/48924.txt summary: Here are locomotives, dredges, lock-gates, huge bulks of iron, great the French Canal, completed and working up to, I believe, Gatun Lock built to carry the huge engines that drag the long trains of dirt and you, and show you how, the French worked on the Canal right across the American politics--which we are in for; but to draw the Canal as it is, from Colon, on the left bank of the French Canal, seen on the right of While I was on the Isthmus the old line from Gatun to the Culebra Cut drawing was made looking across the lake near Gatun, with the dam in does the work of digging the Canal and filling the trains, and does it The drawing shows the two locks side by side, the great will be filled by a small lake between this lock and Pedro Miguel. lock--the last on the Canal. id: 27268 author: Ruskin, John title: Ariadne Florentina: Six Lectures on Wood and Metal Engraving date: words: 60696 sentences: 3225 pages: flesch: 76 cache: ./cache/27268.txt txt: ./txt/27268.txt summary: DESIGN IN THE GERMAN SCHOOLS OF ENGRAVING (HOLBEIN AND DÜRER) 81 DESIGN IN THE FLORENTINE SCHOOLS OF ENGRAVING (SANDRO BOTTICELLI) 108 to say, the pen, producing shade by black lines, as old engraving did; You have thus three arts,--engraving, light-and-shade drawing, and 5. One, English,--to-day sold in the High Street,--Caricaturist Art. And of these, the Florentine and old English are divine work, A line is the simplest work of art you can produce. I mean, by engraving, the art of producing decoration on a surface by engraving, like fine wood-cutting, ignores light and shade; and that, in line-work,--do you mean to tell us that these ignore light and shade?'' engravings ever produced by art,--two subjects in Holbein''s Dance of beautiful or good a thing as a painting, or line engraving. great schools of European art, than the perfectness of modern line are to look for in engraving, as a separate art from that of painting. id: 21591 author: Ruskin, John title: The Harbours of England date: words: 21025 sentences: 804 pages: flesch: 68 cache: ./cache/21591.txt txt: ./txt/21591.txt summary: seen from any sea-cliff, with its four or five square-set sails. fishing-boat, collier, and ship of the line, as the great glory of this or shattered boat, is a noble subject, while a ship in full sail, or a Things have been painted which have a general effect of ships, just as Sea-like, on right hand and left,--but at least setting close before of the Sea, cannot for the same reason enter into the Mind of Ships, in Coast, Turner appears to have gained many ideas about shipping, which, afterwards forgot; namely, that both ships and sea were things that of ship form into oil, and made his noblest work in drawing rich in hues engraving Turner had made a drawing of Ramsgate for the Southern Coast I look upon this as one of the noblest sea-pieces which Turner ever This drawing has always been interesting to me among Turner''s sea id: 40924 author: Senefelder, Alois title: The Invention of Lithography date: words: 88522 sentences: 4324 pages: flesch: 74 cache: ./cache/40924.txt txt: ./txt/40924.txt summary: press and paper, and printing on stone probably would not have been rub away than the ordinary copper-plate printing-ink. came the need for a little capital, to buy a press, some stones, paper, rubbing oil over the stone instead of water, while for printing I used chemical printing, I thought of inking an etched copper plate with a known about color, that I might use stone for cotton-printing. Certain methods of stone-printing demand, besides the ink, a fatty, work to mix gum with the printing-color or with the water used to dampen acid-proof ink, smear it on the color-stone, and apply a clean linen or best chemical ink on a perfectly prepared plate, cannot do good work This printing with various colors is a process for which the stone is printing-color, is under the surface of the stone, the design having When the design is dry, the whole stone is inked with printing-color, id: 40198 author: Seymour, Alfred title: Practical Lithography date: words: 24384 sentences: 1365 pages: flesch: 63 cache: ./cache/40198.txt txt: ./txt/40198.txt summary: The ink used for transferring impressions from one printing surface to Essential Features--Varnish Transfer Paper--Damp-stone Essential Features--Varnish Transfer Paper--Damp-stone transferring large work in which a number of printings are involved, and lithographic hand-roller charged with good black printing ink. the angles formed by the register lines after the first printing (Fig. 10A), and then to place them to corresponding lines on each colour of colours in the design as upon the manipulation of the printing inks, For effective colour printing the paper must also possess several other printed design from a suitably prepared paper to the metal plates in Impression--Cylinder Covering--Colour Sequence--Printing Impression--Cylinder Covering--Colour Sequence--Printing impression of the printing forme on the metal plate. a drawing for Tin-plate Printing must appear on the lithographic stone transferred to stone and printed in the usual way, would be practically sufficient time for printing, and to ink up the transfer with the id: 22574 author: Sumner, Charles title: The Best Portraits in Engraving date: words: 7777 sentences: 447 pages: flesch: 68 cache: ./cache/22574.txt txt: ./txt/22574.txt summary: Engraving is one of the fine arts, and in this beautiful family has remarks that the former "paints men in general, a portrait-painter a Vandyck from producing portraits precious in the history of art. engraver Longhi in his interesting work, _La Calcografia_.[3] Dwelling A good engraving is an undoubted work of art, but the artist, whether painter or engraver, naturally excelling in But choice portraits are less numerous in engraving than in Pontius, designer and engraver, whose portrait of RUBENS is of great engraved portraits in the history of the art is his CARDINAL at the head of engraved portraits, although not particularly pleasing beautiful engraved portrait that exists. studied all the remarkable engraved portraits at the royal work remembered only for its engraved portraits, his famous life He was eminently a portrait engraver, which I must insist is the companion of the great portraits in the past; but here the engraver id: 21790 author: Vauzelles, Jean de title: The Dance of Death date: words: 5414 sentences: 743 pages: flesch: 84 cache: ./cache/21790.txt txt: ./txt/21790.txt summary: as "_Holbein''s Dance of Death._" It is a small _quarto_, bearing on discourse, _De la Necessite de la Mort qui ne laisse riens estre designed but actually cut on the wood some eleven years before the book that "Epistre" expressly refers to "_la mort de celluy, qui nous en a to the so-called "Little Dance of Death," an alphabet by Holbein, engraved in 1833 for Douce''s _Holbein''s Dance of Death_. Adam and Eve, preceded by Death, playing on a Pour quelque bien qui uous abonde, Mal pour uous qui iustifiez Qui est celluy, tant soit grande homme, Et de la Mort, qui tout assomme, Mal pour uous qui ainsi osez Est via quæ videtur homini iusta: nouissima autem eius deducunt hominem [Illustration: THE RICH MAN.] [Illustration: THE OLD MAN.] Vous qui estes par trop charge. [Illustration: THE ESCUTCHEON OF DEATH.] _Of this edition of Holbein''s "The Dance of Death," ==== make-pages.sh questions ==== make-pages.sh search ==== make-pages.sh topic modeling corpus Zipping study carrel