Drummond, Alex. M., _Fifty One-Act Plays_. _Quarterly Journal of Public Speaking_, Vol. I, p. 234, 1915. Drummond, Alex. M., _One-Act Plays for Schools and Colleges_. _Education_, Vol. 4, p. 372, 1918. Faxon, F. W., _Dramatic Index_. Published from year to year, Boston. French, Samuel, _Guide to Selecting Plays_. Catalogues, etc. Samuel French, publisher, New York. Johnson, Gertrude, _Choosing a Play_. Lists of various types of one-act plays in the Appendix. The Century Company, New York, 1920. Kaplan, Samuel, _Actable One-Act Plays_. Chicago Public Library, Chicago, 1916. Koch, Frederick H., _Community Drama Service_. A select list of one-act plays. Extension Series, Number 36, in _University of North Carolina Record_, Chapel Hill, North Carolina, 1920. Lewis, B. Roland, _The Technique of the One-Act Play_ (Appendix: _Contemporary One-Act Plays_). John W. Luce and Company, Boston, 1918. Lewis, B. Roland, _The One-Act Play in Colleges and High Schools_. A select list of fifty one-act plays. _Bulletin of Extension Division of University of Utah_, Series No. 2, Vol. 10, No. 16, Salt Lake City, 1920. Lewis, B. Roland, _One Hundred Representative One-Act Plays_, in _The Drama_, April, 1921, Vol. 11, No. 7, Chicago. Lewis, B. Roland. _Bulletin on the One-Act Play_, prepared for The Drama League of America. Contains a selected list of one hundred and fifty one-act plays, with analyses, etc. The Drama League of America, Chicago, Illinois, 1921. McFadden, E. A., _Selected List of Plays for Amateurs_, 113 Lake View Avenue, Cambridge, Massachusetts, 1920. Mackay, Constance D'Arcy, _The Little Theatre in the United States_ (Appendix: _List of Plays Produced in Little Theatres_). Henry Holt & Company, New York, 1917. Mayorga, Margaret Gardner, _Representative One-Act Plays by American Authors_ (Appendix: _Selective List of One-Act Plays by American Authors_). Little, Brown & Company, Boston, 1919. Merry, Glenn Newton, _College Plays_. University of Iowa, Iowa City, Iowa, 1919. Riley, Alice C. D., _The One-Act Play--Study Course_. Three issues (February, March, April) of _The Drama League Bulletin_, 1918, Washington, D. C. Riley, Ruth, _Plays and Recitations, Extension Division Record_, Vol. 2, No. 2, November, 1920. University of Florida, Gainesville, Florida. _Selected List of Christmas Plays._ Drama League Calendar, November 15, 1918, New York. _Selected List of Patriotic Plays and Pageants Suitable for Amateurs._ Drama League Calendar, October 1, 1918, New York. _Selected List of Plays for Amateurs._ The Drama League, Boston. Also Doubleday, Page & Company, New York, 1917. Shay, Frank, _Play List, Winter, 1921._ Frank Shay, 4 Christopher Street, New York. Shay, Frank, and Loving, Pierre, _Fifty Contemporary One-Act Plays_ (Appendix: _The Plays of the Little Theatre_). Stewart & Kidd Company, Cincinnati, 1920. Stratton, Clarence, _Two Hundred Plays Suitable for Amateurs_. One hundred of them are one-act plays. St. Louis, Missouri, 1920. The Drama Shop, 7 East 42d Street, New York. Stratton, Clarence, _Producing in Little Theatres_ (Appendix contains a revised list of one-act plays). Henry Holt & Company, New York City, 1921. Swartout, Norman Lee, _One Hundred and One Good Plays_. Summit, New Jersey, 1920. BIBLIOGRAPHY OF REFERENCE ON THE ONE-ACT PLAY Andrews, Charlton, _The Technique of Play Writing_, Chapter XVIII. Home Correspondence School, Springfield, Massachusetts. Cannon, Fanny, _Writing and Selling a Play_, Chapter XXII. Henry Holt & Company, New York, 1915. Cohen, Helen Louise, _One-Act Plays by Modern Authors_, Introduction. Harcourt, Brace and Company, New York, 1921. Corbin, John, _The One-Act Play_, in the New York _Times_, May, 1918. Vol. IV, p. 8, col. 1. Eaton, Walter P., _Washington Square Plays_, Introduction. Doubleday, Page & Company, Garden City, New York, 1917. Gibbs, Clayton E., _The One-Act Play_, in _The Theatre_, Vol. XXIII, pp. 143-156, March, 1916. Goodman, Edward, _Why the One-Act Play_?, in _The Theatre_, Vol. XXV, p. 327, June, 1917. Gregory, Lady Augusta, _Our Irish Theatre_. G. P. Putnam's Sons, New York, 1913. Hamilton, Clayton, _The One-Act Play in America_, in _The Bookman_, April, 1913. Appears as Chapter XXII in _Studies in Stagecraft_, Henry Holt & Company, New York, 1914. Johnson, Gertrude, _Choosing a Play_, Chapter III, _Why the One-Act Play?_?The Century Company, New York, 1920. Lewis, B. Roland, _The Technique of the One-Act Play_. John W. Luce & Company, Boston, 1918. Lewis, B. Roland, _The One-Act Play in Colleges and High Schools, Bulletin of the University of Utah_, Extension Series No. 2, Vol. X, No. 16, 1920. Extension Division, University of Utah, Salt Lake City. Mackay, Constance D'Arcy, _The Little Theatre in the United States_, some interesting comments on various one-act plays. Henry Holt & Company, New York, 1917. Middleton, George, _Tradition and Other One-Act Plays_, Introduction, 1913; _Embers, Etc._, Introduction, 1911; _Possession, Etc._, Introduction, 1915. All published by Henry Holt & Company, New York. Middleton, George, _The Neglected One-Act Play_, in _The Dramatic Mirror_, January 31, 1913, pp. 13-14, New York. Moses, Montrose J., _The American Dramatist_, comment on the one-act play. Little, Brown & Company, Boston, 1917. Neal, Robert Wilson, _Short Stories in the Making_, Chapter I. Oxford University Press, New York, 1914. Page, Brett, _Writing for Vaudeville_. Home Correspondence School, Springfield, Massachusetts, 1915. _Poole's Index_, for articles on the one-act play in the magazines. _The Reader's Guide to Periodical Literature_ for articles on the one-act play in the magazines. Schitzler, Arthur, _Comedies of Words_, Introduction by Pierre Loving. Stewart & Kidd Company, Cincinnati, 1917. Underhill, John Garrett, _The One-Art Play in Spain_, in _The Drama: A Quarterly Review_, February, 1917. Wilde, Percival, _Confessional, and Other One-Act Plays_, Preface. Henry Holt & Company, New York, 1916. The several volumes dealing with the short story are suggested as collateral study: Pitkin, Neal, Williams, Grabo, Baker, Esenwein, Notestein and Dunn, Canby, Albright, Smith, Cross, Barrett, Mathews, Pain, Gerwig. BIBLIOGRAPHY ON HOW TO PRODUCE PLAYS Beegle, Mary Porter, and Crawford, Jack, _Community Drama and Pageantry_. The Appendices in this volume contain excellent bibliographies on almost every aspect of dramatic production. It is a most valuable work. Yale University Press, New Haven, 1917. Chubb, Percival, _Festivals and Plays_. Harper and Brothers, New York, 1912. Clark, Barrett H., _How to Produce Amateur Plays_. Little, Brown & Company, Boston, 1917. Crampton, C. Ward, _Folk Dance Book_. A. S. Barnes & Company, New York, 1909. Hughes, Talbot, _Dress Designs_. The Macmillan Company, New York, 1913. Johnson, Gertrude, _Choosing a Play_. The Century Company, New York, 1920. Mackay, Constance D'Arcy, _Costumes and Scenery for Amateurs_. Henry Holt & Company, New York, 1915. Mackay, Constance D'Arcy, _How to Produce Children's Plays_. Henry Holt & Company, New York, 1915. Rath, Emil, _Esthetic Dancing_. A. S. Barnes & Company, New York, 1914. Rhead, G. N., _Chats on Costume, or Treatment of Draperies in Art_. F. A. Stokes Company, New York, 1906. Stratton, Clarence, _Producing in the Little Theatres_. Henry Holt & Company, New York, 1921. Stratton, Clarence, _Public Speaking_, has a chapter on Dramatics. Henry Holt & Company, New York, 1920. Taylor, Emerson, _Practical Stage Directing for Amateurs_. E. P. Dutton & Company, New York, 1916. Waugh, Frank A., _Outdoor Theatres_. Richard G. Badger, Boston, 1917. Young, James, _Making Up_. M. Witmark & Sons, 114 West 37th Street, New York. FOOTNOTES: [A] Copyright, 1914, by Charles Scribner's Sons. All rights reserved. [B] Copyright, 1913, by George Middleton. All rights reserved. [C] Copyright, 1921. All rights reserved. [D] Copyright, 1912, 1921, by Percy Mackaye. All rights reserved. [E] The head and face of the Figure are partly hidden by a beak-shaped cowl. Momentarily, however, when his head is turned toward the fire, enough of the face is discernible to reveal his narrow iron-gray beard, shaven upper lip, aquiline nose, and eyes that twinkle in the dimness. [F] Copyright, 1919, by _The Stratford Journal_. [G] Copyright, 1914, by Bosworth Crocker. All rights reserved. [H] Pronounced _niece_. [I] Copyright, 1917, by Little, Brown & Co. All rights reserved. [J] Copyright, 1917, by Oscar M. Wolff. All rights reserved. [K] Plans for this clock may be had by addressing Professor N. B. Knapp, of the Manual Training Department, University of North Dakota, University, North Dakota. Copyright, 1922, by the Dakota Playmakers. [L] Copyright, 1909, by Charles Scribner's Sons. All rights reserved. [M] Copyright, 1912, by Charles Scribner's Sons. All rights reserved.