horatii carmina quae voce canora thomas nudipes pronuntiat q. horati flacci carmina et epodi   thomas nudipes (batavus) omnia horatii carmina et epodos recitat omnes. epodi. carmina: liber i, liber ii, liber iii, liber iv et carmen saeculare. verbis versus cuiuslibet pressis, pagina aperitur cum verbis ipsis, qua in summa auscultandi praebetur facultas. epodorum et carminum verba ab initio usque ad finem omnium inveniuntur hic. sententias vestras libenter exspectat thomas: thomasmbervoets@gmail.com. deze pagina in het nederlands. epodi     ibis liburnis inter     beatus ille qui     parentis olim si     lupis et agnis     at o deorum     quid immerentes hospites     quo quo scelesti     rogare longo putidam     quando repostum caecubum     mala soluta navis     petti nihil me     quid tibi vis     horrida tempestas caelum     mollis inertia cur     nox erat et     altera iam teritur     iam iam efficaci carminum liber primus     maecenas atavis regibus     iam satis terris     sic te diva     solvitur acris hiems     quis multa gracilis     scriberis vario fortis     laudabunt alii claram     lydia dic per omnes     vides ut alta stet     mercuri facunde nepos     tu ne quaesieris     quem virum aut heroa     cum tu lydia     o navis referent     pastor cum traheret     o matre pulchra     velox amoenum saepe     nullam vare sacra     mater saeva cupidinum     vile potabis modicis     dianam tenerae dicite     integer vitae scelerisque     vitas hinnuleo me     quis desiderio sit     parcius iunctas quatiunt     musis amicus tristitiam     natis in usum     te maris et terrae     icci beatis nunc     o venus regina     quid dedicatum poscit     poscimur     albi ne doleas     parcus deorum cultor     o diva gratum     et ture et fidibus     nunc est bibendum     persicos odi puer carminum liber secundus     motum ex metello     nullus argento color     aequam memento rebus     ne sit ancillae     nondum subacta ferre     septimi gades aditure     o saepe mecum     ulla si iuris     non semper imbres     rectius vives licini     quid bellicosus cantaber     nolis longa ferae     ille et nefasto     eheu fugaces posthume     iam pauca aratro     otium divos rogat     cur me querellis     non ebur neque     bacchum in remotis     non usitata nec carminum liber tertius     odi profanum vulgus     angustam amice pauperiem     iustum et tenacem     descende caelo     caelo tonantem credidimus     delicta maiorum immeritus     quid fles asterie     martiis caelebs quid     donec gratus eram     extremum tanain si     mercuri nam te     miserarum est neque     fons bandusiae     herculis ritu modo     uxor pauperis ibyci     inclusam danaen turris     aeli vetusto nobilis     faune nympharum fugientum     quantum distet ab     non vides quanto     o nate mecum     montium custos nemorumque     caelo supinas si     intactis opulentior thesauris     quo me bacche     vix puellis nuper     impios parrae recinentis     festo quid potius     thyrrena regum progenies     exegi monumentum aere carminum liber quartus     intermissa venus diu     pindarum quisquis studet     quem tu melpomene     qualem ministrum fulminis     divis orte bonis     dive quem proles     diffugere nives redeunt     donarem pateras grataque     ne forte credas     o crudelis adhuc     est mihi nonum     iam veris comites     audivere lyce di     quae cura patrum     phoebum volentem proelia carmen saeculare     phoebe silvarumque potens diana iura violata defer ad ut vitia corrigi possint. pagina haec ad www.stilus.nl pertinet.                                                         project gutenberg's lives of the poets, by c. suetonius tranquillus this ebook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. you may copy it, give it away or re-use it under the terms of the project gutenberg license included with this ebook or online at www.gutenberg.net title: lives of the poets the lives of the twelve caesars, volume . author: c. suetonius tranquillus release date: december , [ebook # ] language: english *** start of this project gutenberg ebook lives of the poets *** produced by tapio riikonen and david widger the lives of the twelve caesars                                    by                        c. suetonius tranquillus; to which are added, his lives of the grammarians, rhetoricians, and poets.                           the translation of                         alexander thomson, m.d.                         revised and corrected by                          t.forester, esq., a.m. lives of the poets. ( ) contents:        terence        juvenal        persius        horace        lucan        pliny the life of terence. publius terentius afer, a native of carthage, was a slave, at rome, of the senator terentius lucanus, who, struck by his abilities and handsome person, gave him not only a liberal education in his youth, but his freedom when he arrived at years of maturity. some say that he was a captive taken in war, but this, as fenestella [ ] informs us, could by no means have been the case, since both his birth and death took place in the interval between the termination of the second punic war and the commencement of the third [ ]; nor, even supposing that he had been taken prisoner by the numidian or getulian tribes, could he have fallen into the hands of a roman general, as there was no commercial intercourse between the italians and africans until after the fall of carthage [ ]. terence lived in great familiarity with many persons of high station, and especially with scipio africanus, and caius delius, whose favour he is even supposed to have purchased by the foulest means. but fenestella reverses the charge, contending that terence was older than either of them. cornelius nepos, however, ( ) informs us that they were all of nearly equal age; and porcias intimates a suspicion of this criminal commerce in the following passage:— "while terence plays the wanton with the great, and recommends himself to them by the meretricious ornaments of his person; while, with greedy ears, he drinks in the divine melody of africanus's voice; while he thinks of being a constant guest at the table of furius, and the handsome laelius; while he thinks that he is fondly loved by them, and often invited to albanum for his youthful beauty, he finds himself stripped of his property, and reduced to the lowest state of indigence. then, withdrawing from the world, he betook himself to greece, where he met his end, dying at strymphalos, a town in arcadia. what availed him the friendship of scipio, of laelius, or of furius, three of the most affluent nobles of that age? they did not even minister to his necessities so much as to provide him a hired house, to which his slave might return with the intelligence of his master's death." he wrote comedies, the earliest of which, the andria, having to be performed at the public spectacles given by the aediles [ ], he was commanded to read it first before caecilius [ ]. having been introduced while caecilius was at supper, and being meanly dressed, he is reported to have read the beginning of the play seated on a low stool near the great man's couch. but after reciting a few verses, he was invited to take his place at table, and, having supped with his host, went through the rest to his great delight. this play and five others were received by the public with similar applause, although volcatius, in his enumeration of them, says that "the hecyra [ ] must not be reckoned among these." the eunuch was even acted twice the same day [ ], and earned more money than any comedy, whoever was the writer, had ( ) ever done before, namely, eight thousand sesterces [ ]; besides which, a certain sum accrued to the author for the title. but varro prefers the opening of the adelphi [ ] to that of menander. it is very commonly reported that terence was assisted in his works by laelius and scipio [ ], with whom he lived in such great intimacy. he gave some currency to this report himself, nor did he ever attempt to defend himself against it, except in a light way; as in the prologue to the adelphi:     nam quod isti dicunt malevoli, homines nohiles     hunc adjutare, assidueque una scribere;     quod illi maledictun vehemens existimant,     eam laudem hic ducit maximam: cum illis placet,     qui vobis universis et populo placent;     quorum opera in bello, in otio, in negotio,     suo quisque tempore usus est sine superbia.                                 ————for this,     which malice tells that certain noble persons     assist the bard, and write in concert with him,     that which they deem a heavy slander, he     esteems his greatest praise: that he can please     those who in war, in peace, as counsellors,     have rendered you the dearest services,     and ever borne their faculties so meekly.                                           colman. he appears to have protested against this imputation with less earnestness, because the notion was far from being disagreeable to laelius and scipio. it therefore gained ground, and prevailed in after-times. quintus memmius, in his speech in his own defence, says "publius africanus, who borrowed from terence a character which he had acted in private, brought it on the stage in his name." nepos tells us he found in some book that c. laelius, when he was on some occasion at puteoli, on the calends [the first] of march, [ ] being requested by his wife to rise early, ( ) begged her not to suffer him to be disturbed, as he had gone to bed late, having been engaged in writing with more than usual success. on her asking him to tell her what he had been writing, he repeated the verses which are found in the heautontimoroumenos:     satis pol proterve me syri promessa—heauton. iv. iv. .     i'faith! the rogue syrus's impudent pretences— santra [ ] is of opinion that if terence required any assistance in his compositions [ ], he would not have had recourse to scipio and laelius, who were then very young men, but rather to sulpicius gallus [ ], an accomplished scholar, who had been the first to introduce his plays at the games given by the consuls; or to q. fabius labeo, or marcus popilius [ ], both men of consular rank, as well as poets. it was for this reason that, in alluding to the assistance he had received, he did not speak of his coadjutors as very young men, but as persons of whose services the people had full experience in peace, in war, and in the administration of affairs. after he had given his comedies to the world, at a time when he had not passed his thirty-fifth year, in order to avoid suspicion, as he found others publishing their works under his name, or else to make himself acquainted with the modes of life and habits of the greeks, for the purpose of exhibiting them in his plays, he withdrew from home, to which he never returned. volcatius gives this account of his death:     sed ut afer sei populo dedit comoedias,     iter hic in asiam fecit. navem cum semel     conscendit, visus nunquam est. sic vita vacat.     ( ) when afer had produced six plays for the entertainment of the         people,     he embarked for asia; but from the time he went on board ship     he was never seen again. thus he ended his life. q. consentius reports that he perished at sea on his voyage back from greece, and that one hundred and eight plays, of which he had made a version from menander [ ], were lost with him. others say that he died at stymphalos, in arcadia, or in leucadia, during the consulship of cn. cornelius dolabella and marcus fulvius nobilior [ ], worn out with a severe illness, and with grief and regret for the loss of his baggage, which he had sent forward in a ship that was wrecked, and contained the last new plays he had written. in person, terence is reported to have been rather short and slender, with a dark complexion. he had an only daughter, who was afterwards married to a roman knight; and he left also twenty acres of garden ground [ ], on the appian way, at the villa of mars. i, therefore, wonder the more how porcius could have written the verses,                           ————nihil publius     scipio profuit, nihil et laelius, nihil furius,     tres per idem tempus qui agitabant nobiles facillime.     eorum ille opera ne domum quidem habuit conductitiam     saltem ut esset, quo referret obitum domini servulus. [ ] afranius places him at the head of all the comic writers, declaring, in his compitalia,     terentio non similem dices quempiam.     terence's equal cannot soon be found. on the other hand, volcatius reckons him inferior not only ( ) to naevius, plautus, and caecilius, but also to licinius. cicero pays him this high compliment, in his limo—     tu quoque, qui solus lecto sermone, terenti,     conversum expressumque latina voce menandrum     in medio populi sedatis vocibus offers,     quidquid come loquens, ac omnia dulcia dicens. "you, only, terence, translated into latin, and clothed in choice language the plays of menander, and brought them before the public, who, in crowded audiences, hung upon hushed applause— grace marked each line, and every period charmed." so also caius caesar:     tu quoque tu in summis, o dimidiate menander,     poneris, et merito, puri sermonis amator,     lenibus atque utinam scriptis adjuncta foret vis     comica, ut aequato virtus polleret honore     cum graecis, neque in hoc despectus parte jaceres!     unum hoc maceror, et doleo tibi deesse, terenti. "you, too, who divide your honours with menander, will take your place among poets of the highest order, and justly too, such is the purity of your style. would only that to your graceful diction was added more comic force, that your works might equal in merit the greek masterpieces, and your inferiority in this particular should not expose you to censure. this is my only regret; in this, terence, i grieve to say you are wanting." the life of juvenal. d. junius juvenalis, who was either the son [ ] of a wealthy freedman, or brought up by him, it is not known which, declaimed till the middle of life [ ], more from the bent of his inclination, than from any desire to prepare himself either for the schools or the forum. but having composed a short satire [ ], which was clever enough, on paris [ ], the actor of pantomimes, ( ) and also on the poet of claudius nero, who was puffed up by having held some inferior military rank for six months only; he afterwards devoted himself with much zeal to that style of writing. for a while indeed, he had not the courage to read them even to a small circle of auditors, but it was not long before he recited his satires to crowded audiences, and with entire success; and this he did twice or thrice, inserting new lines among those which he had originally composed.     quod non dant proceres, dabit histrio, tu camerinos,     et bareas, tu nobilium magna atria curas.     praefectos pelopea facit, philomela tribunos.     behold an actor's patronage affords     a surer means of rising than a lord's!     and wilt thou still the camerino's [ ] court,     or to the halls of bareas resort,     when tribunes pelopea can create     and philomela praefects, who shall rule the state? [ ] at that time the player was in high favour at court, and many of those who fawned upon him were daily raised to posts of honour. juvenal therefore incurred the suspicion of having covertly satirized occurrences which were then passing, and, although eighty years old at that time [ ], he was immediately removed from the city, being sent into honourable banishment as praefect of a cohort, which was under orders to proceed to a station at the extreme frontier of egypt [ ]. that ( ) sort of punishment was selected, as it appeared severe enough for an offence which was venial, and a mere piece of drollery. however, he died very soon afterwards, worn down by grief, and weary of his life. the life of persius. aulus persius flaccus was born the day before the nones of december [ th dec.] [ ], in the consulship of fabius persicus and l. vitellius. he died on the eighth of the calends of december [ th nov.] [ ] in the consulship of rubrius marius and asinius gallus. though born at volterra, in etruria, he was a roman knight, allied both by blood and marriage to persons of the highest rank [ ]. he ended his days at an estate he had at the eighth milestone on the appian way. his father, flaccus, who died when he was barely six years old, left him under the care of guardians, and his mother, fulvia silenna, who afterwards married fusius, a roman knight, buried him also in a very few years. persius flaccus pursued his studies at volterra till he was twelve years old, and then continued them at rome, under remmius palaemon, the grammarian, and verginius flaccus, the rhetorician. arriving at the age of twenty-one, he formed a friendship with annaeus cornutus [ ], which lasted through life; and from him he learned the rudiments of philosophy. among his earliest friends were caesius bassus [ ], and calpurnius statura; the latter of whom died while persius himself was yet in his youth. servilius ( ) numanus [ ], he reverenced as a father. through cornutus he was introduced to annaeus, as well as to lucan, who was of his own age, and also a disciple of cornutus. at that time cornutus was a tragic writer; he belonged to the sect of the stoics, and left behind him some philosophical works. lucan was so delighted with the writings of persius flaccus, that he could scarcely refrain from giving loud tokens of applause while the author was reciting them, and declared that they had the true spirit of poetry. it was late before persius made the acquaintance of seneca, and then he was not much struck with his natural endowments. at the house of cornutus he enjoyed the society of two very learned and excellent men, who were then zealously devoting themselves to philosophical enquiries, namely, claudius agaternus, a physician from lacedaemon, and petronius aristocrates, of magnesia, men whom he held in the highest esteem, and with whom he vied in their studies, as they were of his own age, being younger than cornutus. during nearly the last ten years of his life he was much beloved by thraseas, so that he sometimes travelled abroad in his company; and his cousin arria was married to him. persius was remarkable for gentle manners, for a modesty amounting to bashfulness, a handsome form, and an attachment to his mother, sister, and aunt, which was most exemplary. he was frugal and chaste. he left his mother and sister twenty thousand sesterces, requesting his mother, in a written codicil, to present to cornutus, as some say, one hundred sesterces, or as others, twenty pounds of wrought silver [ ], besides about seven hundred books, which, indeed, included his whole library. cornutus, however, would only take the books, and gave up the legacy to the sisters, whom his brother had constituted his heirs. he wrote [ ] seldom, and not very fast; even the work we possess he left incomplete. some verses are wanting at the end of the book [ ], but cornutus thoughtlessly recited it, as if ( ) it was finished; and on caesius bassus requesting to be allowed to publish it, he delivered it to him for that purpose., in his younger days, persius had written a play, as well as an itinerary, with several copies of verses on thraseas' father-in-law, and arria's [ ] mother, who had made away with herself before her husband. but cornutus used his whole influence with the mother of persius to prevail upon her to destroy these compositions. as soon as his book of satires was published, all the world began to admire it, and were eager to buy it up. he died of a disease in the stomach, in the thirtieth year of his age [ ]. but no sooner had he left school and his masters, than he set to work with great vehemence to compose satires, from having read the tenth book of lucilius; and made the beginning of that book his model; presently launching his invectives all around with so little scruple, that he did not spare cotemporary poets and orators, and even lashed nero himself, who was then the reigning prince. the verse ran as follows:     auriculas asini mida rex habet;     king midas has an ass's ears; but cornutus altered it thus;     auriculas asini quis non hahet?     who has not an ass's ears? in order that it might not be supposed that it was meant to apply to nero. the life of horace. horatius flaccus was a native of venusium [ ], his father having been, by his own account [ ], a freedman and collector of taxes, but, as it is generally believed, a dealer in salted ( ) provisions; for some one with whom horace had a quarrel, jeered him, by saying; "how often have i seen your father wiping his nose with his fist?" in the battle of philippi, he served as a military tribune [ ], which post he filled at the instance of marcus brutus [ ], the general; and having obtained a pardon, on the overthrow of his party, he purchased the office of scribe to a quaestor. afterwards insinuating himself first, into the good graces of mecaenas, and then of augustus, he secured no small share in the regard of both. and first, how much mecaenas loved him may be seen by the epigram in which he says:     ni te visceribus meis, horati,     plus jam diligo, titium sodalem,     ginno tu videas strigosiorem. [ ] but it was more strongly exhibited by augustus, in a short sentence uttered in his last moments: "be as mindful of horatius flaccus as you are of me!" augustus offered to appoint him his secretary, signifying his wishes to mecaenas in a letter to the following effect: "hitherto i have been able to write my own epistles to friends; but now i am too much occupied, and in an infirm state of health. i wish, therefore, to deprive you of our horace: let him leave, therefore, your luxurious table and come to the palace, and he shall assist me in writing my letters." and upon his refusing to accept the office, he neither exhibited the smallest displeasure, nor ceased to heap upon him tokens of his regard. letters of his are extant, from which i will make some short extracts to establish this: "use your influence over me with the same freedom as you would do if we were living together as friends. in so doing you will be perfectly right, and guilty of no impropriety; for i could wish that our intercourse should be on that footing, if your health admitted of it." and again: "how i hold you in memory you may learn ( ) from our friend septimius [ ], for i happened to mention you when he was present. and if you are so proud as to scorn my friendship, that is no reason why i should lightly esteem yours, in return." besides this, among other drolleries, he often called him, "his most immaculate penis," and "his charming little man," and loaded him from time to time with proofs of his munificence. he admired his works so much, and was so convinced of their enduring fame, that he directed him to compose the secular poem, as well as that on the victory of his stepsons tiberius and drusus over the vindelici [ ]; and for this purpose urged him to add, after a long interval, a fourth book of odes to the former three. after reading his "sermones," in which he found no mention of himself, he complained in these terms: "you must know that i am very angry with you, because in most of your works of this description you do not choose to address yourself to me. are you afraid that, in times to come, your reputation will suffer; in case it should appear that you lived on terms of intimate friendship with me?" and he wrung from him the eulogy which begins with,     cum tot sustineas, et tanta negotia solus:     res italas armis tuteris, moribus ornes,     legibus emendes: in publica commoda peccem,     si longo sermone morer tua tempora, caesar.—epist. ii. i.     while you alone sustain the important weight     of rome's affairs, so various and so great;     while you the public weal with arms defend,     adorn with morals, and with laws amend;     shall not the tedious letter prove a crime,     that steals one moment of our caesar's time.—francis. in person, horace was short and fat, as he is described by himself in his satires [ ], and by augustus in the following letter: "dionysius has brought me your small volume, which, little as it is, not to blame you for that, i shall judge favourably. you seem to me, however, to be afraid lest your volumes should be bigger than yourself. but if you are short in stature, you are corpulent enough. you may, therefore, ( ) if you will, write in a quart, when the size of your volume is as large round as your paunch." it is reported that he was immoderately addicted to venery. [for he is said to have had obscene pictures so disposed in a bedchamber lined with mirrors, that, whichever way he looked, lascivious images might present themselves to his view.] [ ] he lived for the most part in the retirement of his farm [ ], on the confines of the sabine and tiburtine territories, and his house is shewn in the neighbourhood of a little wood not far from tibur. some elegies ascribed to him, and a prose epistle apparently written to commend himself to mecaenas, have been handed down to us; but i believe that neither of them are genuine works of his; for the elegies are commonplace, and the epistle is wanting in perspicuity, a fault which cannot be imputed to his style. he was born on the sixth of the ides of december [ th december], in the consulship of lucius cotta [ ] and lucius torquatus; and died on the fifth of the calends of december [ th november], in the consulship of caius marcius censorinus and caius asinius gallus [ ]; having completed his fifty-ninth year. he made a nuncupatory will, declaring augustus his heir, not being able, from the violence of his disorder, to sign one in due form. he was interred and lies buried on the skirts of the esquiline hill, near the tomb of mecaenas. [ ] ( ) m. annaeus lucanus, a native of corduba [ ], first tried the powers of his genius in an encomium on nero, at the quinquennial games. he afterwards recited his poem on the civil war carried on between pompey and caesar. his vanity was so immense, and he gave such liberty to his tongue, that in some preface, comparing his age and his first efforts with those of virgil, he had the assurance to say: "and what now remains for me is to deal with a gnat." in his early youth, after being long informed of the sort of life his father led in the country, in consequence of an unhappy marriage [ ], he was recalled from athens by nero, who admitted him into the circle of his friends, and even gave him the honour of the quaestorship; but he did not long remain in favour. smarting at this, and having publicly stated that nero had withdrawn, all of a sudden, without communicating with the senate, and without any other motive than his own recreation, after this he did not cease to assail the emperor both with foul words and with acts which are still notorious. so that on one occasion, when easing his bowels in the common privy, there being a louder explosion than usual, he gave vent to the nemistych of nero: "one would suppose it was thundering under ground," in the hearing of those who were sitting there for the same purpose, and who took to their heels in much consternation [ ]. in a poem also, which was in every one's hands, he severely lashed both the emperor and his most powerful adherents. at length, he became nearly the most active leader in piso's conspiracy [ ]; and while he dwelt without reserve in many quarters on the glory of those who dipped their hands in the ( ) blood of tyrants, he launched out into open threats of violence, and carried them so far as to boast that he would cast the emperor's head at the feet of his neighbours. when, however, the plot was discovered, he did not exhibit any firmness of mind. a confession was wrung from him without much difficulty; and, humbling himself to the most abject entreaties, he even named his innocent mother as one of the conspirators [ ]; hoping that his want of natural affection would give him favour in the eyes of a parricidal prince. having obtained permission to choose his mode of death [ ], he wrote notes to his father, containing corrections of some of his verses, and, having made a full meal, allowed a physician to open the veins in his arm [ ]. i have also heard it said that his poems were offered for sale, and commented upon, not only with care and diligence, but also in a trifling way. [ ] the life of pliny. [ ] plinius secundus, a native of new como [ ], having served in ( ) the wars with strict attention to his duties, in the rank of a knight, distinguished himself, also, by the great integrity with which he administered the high functions of procurator for a long period in the several provinces intrusted to his charge. but still he devoted so much attention to literary pursuits, that it would not have been an easy matter for a person who enjoyed entire leisure to have written more than he did. he comprised, in twenty volumes, an account of all the various wars carried on in successive periods with the german tribes. besides this, he wrote a natural history, which extended to seven books. he fell a victim to the calamitous event which occurred in campania. for, having the command of the fleet at misenum, when vesuvius was throwing up a fiery eruption, he put to sea with his gallies for the purpose of exploring the causes of the phenomenon close on the spot [ ]. but being prevented by contrary winds from sailing back, he was suffocated in the dense cloud of dust and ashes. some, however, think that he was killed by his slave, having implored him to put an end to his sufferings, when he was reduced to the last extremity by the fervent heat. [ ] the end of lives of the poets. footnotes: [ ] lucius fenestella, an historical writer, is mentioned by lactantius, seneca, and pliny, who says, that he died towards the close of the reign of tiberius. [ ] the second punic war ended a.u.c. , and the third began a.u.c. . terence was probably born about . [ ] carthage was laid in ruins a.u.c. or , six hundred and sixty seven years after its foundation. [ ] these entertainments were given by the aediles m. fulvius nobilior and m. acilius glabrio, a.u.c. . [ ] st. jerom also states that terence read the "andria" to caecilius who was a comic poet at rome; but it is clearly an anachronism, as he died two years before this period. it is proposed, therefore, to amend the text by substituting acilius, the aedile; a correction recommended by all the circumstances, and approved by pitiscus and ernesti. [ ] the "hecyra," the mother-in-law, is one of terence's plays. [ ] the "eunuch" was not brought out till five years after the andria, a.u.c. . [ ] about pounds sterling; the price paid for the two performances. what further right of authorship is meant by the words following, is not very clear. [ ] the "adelphi" was first acted a.u.c. . [ ] this report is mentioned by cicero (ad attic, vii. ), who applies it to the younger laelius. the scipio here mentioned is scipio africanus, who was at this time about twenty-one years of age. [ ] the calends of march was the festival of married women. see before, vespasian, c. xix. [ ] santra, who wrote biographies of celebrated characters, is mentioned as "a man of learning," by st. jerom, in his preface to the book on the ecclesiastical writers. [ ] the idea seems to have prevailed that terence, originally an african slave, could not have attained that purity of style in latin composition which is found in his plays, without some assistance. the style of phaedrus, however; who was a slave from thrace, and lived in the reign of tiberius, is equally pure, although no such suspicion attaches to his work. [ ] cicero (de clar. orat. c. ) gives sulpicius gallus a high character as a finished orator and elegant scholar. he was consul when the andria was first produced. [ ] labeo and popilius are also spoken of by cicero in high terms, ib. cc. and . q. fabius labeo was consul with m. claudius marcellus, a.u.c. and popilius with l. postumius albinus, a.u.c. . [ ] the story of terence's having converted into latin plays this large number of menander's greek comedies, is beyond all probability, considering the age at which he died, and other circumstances. indeed, menander never wrote so many as are here stated. [ ] they were consuls a.u.c. . terence was, therefore, thirty-four years old at the time of his death. [ ] hortulorum, in the plural number. this term, often found in roman authors, not inaptly describes the vast number of little inclosures, consisting of vineyards, orchards of fig-trees, peaches, etc., with patches of tillage, in which maize, legumes, melons, pumpkins, and other vegetables are cultivated for sale, still found on small properties, in the south of europe, particularly in the neighbourhood of towns. [ ] suetonius has quoted these lines in the earlier part of his life of terence. see before p. , where they are translated. [ ] juvenal was born at aquinum, a town of the volscians, as appears by an ancient ms., and is intimated by himself. sat. iii. . [ ] he must have been therefore nearly forty years old at this time, as he lived to be eighty. [ ] the seventh of juvenal's satires. [ ] this paris does not appear to have been the favourite of nero, who was put to death by that prince [see nero, c. liv.], but another person of the same name, who was patronised by the emperor domitian. the name of the poet joined with him is not known. salmatius thinks it was statius pompilius, who sold to paris, the actor, the play of agave; esurit, intactam paridi nisi vendat agaven.—juv. sat. vii. . [ ] sulpicius camerinus had been proconsul in africa; bareas soranus in asia. tacit. annal. xiii. ; xvi. . both of them are said to have been corrupt in their administration; and the satirist introduces their names as examples of the rich and noble, whose influence was less than that of favourite actors, or whose avarice prevented them from becoming the patrons of poets. [ ] the "pelopea," was a tragedy founded on the story of the daughter of thyestes; the "philomela," a tragedy on the fate of itys, whose remains were served to his father at a banquet by philomela and her sister progne. [ ] this was in the time of adrian. juvenal, who wrote first in the reigns of domitian and trajan, composed his last satire but one in the third year of adrian, a.u.c. . [ ] syene is meant, the frontier station of the imperial troops in that quarter of the world. [ ] a.u.c. , a.d. . [ ] a.u.c. , a.d. . [ ] persius was one of the few men of rank and affluence among the romans, who acquired distinction as writers; the greater part of them having been freedmen, as appears not only from these lives of the poets, but from our author's notices of the grammarians and rhetoricians. a caius persius is mentioned with distinction by livy in the second punic war, hist. xxvi. ; and another of the same name by cicero, de orat. ii. , and by pliny; but whether the poet was descended from either of them, we have no means of ascertaining. [ ] persius addressed his fifth satire to annaeus cornutus. he was a native of leptis, in africa, and lived at rome in the time of nero, by whom he was banished. [ ] caesius bassus, a lyric poet, flourished during the reigns of nero and galba. persius dedicated his sixth satire to him. [ ] "numanus." it should be servilius nonianus, who is mentioned by pliny, xxviii. , and xxxvii. . [ ] commentators are not agreed about these sums, the text varying both in the manuscripts and editions. [ ] see dr. thomson's remarks on persius, before, p. . [ ] there is no appearance of any want of finish in the sixth satire of persius, as it has come down to us; but it has been conjectured that it was followed by another, which was left imperfect. [ ] there were two arrias, mother and daughter, tacit. annal. xvi. . . [ ] persius died about nine days before he completed his twenty-ninth year. [ ] venusium stood on the confines of the apulian, lucanian, and samnite territories.     sequor hunc, lucanus an appulus anceps;     nam venusinus arat finem sub utrumque colonus.                                         hor sat. xi. . . [ ] sat. i. . . [ ] horace mentions his being in this battle, and does not scruple to admit that he made rather a precipitate retreat, "relicta non bene parmula."—ode xi. - . [ ] see ode xi. . . [ ] the editors of suetonius give different versions of this epigram. it seems to allude to some passing occurrence, and in its present form the sense is to this effect: "if i love you not, horace, to my very heart's core, may you see the priest of the college of titus leaner than his mule." [ ] probably the septimius to whom horace addressed the ode beginning septimi, gades aditure mecum.—ode xl. b. i. [ ] see augustus, c. xxi.; and horace, ode iv, . [ ] see epist. i. iv. xv. me pinguem et nitidum bene curata cute vises. [ ] it is satisfactory to find that the best commentators consider the words between brackets as an interpolation in the work of suetonius. some, including bentley, reject the preceding sentence also. [ ] the works of horace abound with references to his sabine farm which must be familiar to many readers. some remains are still shewn, consisting of a ruined wall and a tesselated pavement in a vineyard, about eight miles from tivoli, which are supposed, with reason, to mark its site. at least, the features of the neighbouring country, as often sketched by the poet—and they are very beautiful—cannot be mistaken. [ ] aurelius cotta and l. manlius torquatus were consuls a.u.c. . the genial horace, in speaking of his old wine, agrees with suetonius in fixing the date of his own birth:     o nata mecum consule manlio     testa.—ode iii. . and again,     tu vina, torquato, move     consule pressa meo.—epod. xiii. . [ ] a.u.c. . so that horace was in his fifty-seventh, not his fifty-ninth year, at the time of his death. [ ] it may be concluded that horace died at rome, under the hospitable roof of his patron mecaenas, whose villa and gardens stood on the esquiline hill; which had formerly been the burial ground of the lower classes; but, as he tells us,     nunc licet esquiliis habitare salubribus, atque     aggere in aprico spatiare.—sat. i. . [ ] cordova. lucan was the son of annaeus mella, seneca's brother. [ ] this sentence is very obscure, and ernesti considers the text to be imperfect. [ ] they had good reason to know that, ridiculous as the tyrant made himself, it was not safe to incur even the suspicion of being parties to a jest upon him. [ ] see nero, c. xxxvi. [ ] st. jerom (chron. euseb.) places lucan's death in the tenth year of nero's reign, corresponding with a.u.c. . this opportunity is taken of correcting an error in the press, p. , respecting the date of nero's accession. it should be a.u.c. , a.d. . [ ] these circumstances are not mentioned by some other writers. see dr. thomson's account of lucan, before, p. , where it is said that he died with philosophical firmness. [ ] we find it stated ib. p. , that lucan expired while pronouncing some verses from his own pharsalia: for which we have the authority of tacitus, annal. xv. . . lucan, it appears, employed his last hours in revising his poems; on the contrary, virgil, we are told, when his death was imminent, renewed his directions that the aeneid should be committed to the flames. [ ] the text of the concluding sentence of lucan's life is corrupt, and neither of the modes proposed for correcting it make the sense intended very clear. [ ] although this brief memoir of pliny is inserted in all the editions of suetonius, it was unquestionably not written by him. the author, whoever he was, has confounded the two plinys, the uncle and nephew, into which error suetonius could not have fallen, as he lived on intimate terms with the younger pliny; nor can it be supposed that he would have composed the memoir of his illustrious friend in so cursory a manner. scaliger and other learned men consider that the life of pliny, attributed to suetonius, was composed more than four centuries after that historian's death. [ ] see julius, c. xxviii. caius plinius caecilius secundus (the younger pliny) was born at como, a.u.c. ; a.d. . his father's name was lucius caecilius, also of como, who married plinia, the sister of caius plinius secundus, supposed to have been a native of verona, the author of the natural history, and by this marriage the uncle of pliny the younger. it was the nephew who enjoyed the confidence of the emperors nerva and trajan, and was the author of the celebrated letters. [ ] the first eruption of mount vesuvius occurred a.u.c. , a.d. . see titus, c. viii. the younger pliny was with his uncle at misenum at the time, and has left an account of his disastrous enterprise in one of his letters, epist. vi. xvi. [ ] for further accounts of the elder pliny, see the epistles of his nephew, b. iii. ; vi. . ; and dr. thomson's remarks before, pp. - . end of project gutenberg's lives of the poets, by c. suetonius tranquillus *** end of this project gutenberg ebook lives of the poets *** ***** this file should be named .txt or .zip ***** this and all associated files of various formats will be found in: http://www.gutenberg.net/ / / / / produced by tapio riikonen and david widger updated editions will replace the previous one—the old editions will be renamed. creating the works from public domain print editions means that no one owns a united states copyright in these works, so the foundation (and you!) can copy and distribute it in the united states without permission and without paying copyright royalties. special rules, set forth in the general terms of use part of this license, apply to copying and distributing project gutenberg-tm electronic works to protect the project gutenberg-tm concept and trademark. project gutenberg is a registered trademark, and may not be used if you charge for the ebooks, unless you receive specific permission. if you do not charge anything for copies of this ebook, complying with the rules is very easy. you may use this ebook for nearly any purpose such as creation of derivative works, reports, performances and research. they may be modified and printed and given away—you may do practically anything with public domain ebooks. redistribution is subject to the trademark license, especially commercial redistribution. *** start: full license *** the full project gutenberg license please read this before you distribute or use this work to protect the project gutenberg-tm mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase "project gutenberg"), you agree to comply with all the terms of the full project gutenberg-tm license (available with this file or online at http://gutenberg.net/license). section . general terms of use and redistributing project gutenberg-tm electronic works .a. by reading or using any part of this project gutenberg-tm electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. if you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of project gutenberg-tm electronic works in your possession. if you paid a fee for obtaining a copy of or access to a project gutenberg-tm electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph .e. . .b. 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be freely shared with anyone. for thirty years, he produced and distributed project gutenberg-tm ebooks with only a loose network of volunteer support. project gutenberg-tm ebooks are often created from several printed editions, all of which are confirmed as public domain in the u.s. unless a copyright notice is included. thus, we do not necessarily keep ebooks in compliance with any particular paper edition. most people start at our web site which has the main pg search facility:      http://www.gutenberg.net this web site includes information about project gutenberg-tm, including how to make donations to the project gutenberg literary archive foundation, how to help produce our new ebooks, and how to subscribe to our email newsletter to hear about new ebooks. solon - wikipedia solon from wikipedia, the free encyclopedia jump to navigation jump to search for other uses, see solon (disambiguation). solon Σόλων bust of solon, copy from a greek original (c.  bc) from the farnese collection, now at the national archaeological museum, naples born c.  bc athens died c.  bc (aged approx ) cyprus occupation statesman, lawmaker, poet solon (greek: Σόλων sólōn [só.lɔːn]; c.   – c.   bc)[ ] was an athenian statesman, lawmaker and poet. he is remembered particularly for his efforts to legislate against political, economic and moral decline in archaic athens.[ ] his reforms failed in the short term, yet he is often credited with having laid the foundations for athenian democracy.[ ][ ][ ] he wrote poetry for pleasure, as patriotic propaganda, and in defence of his constitutional reform. modern knowledge of solon is limited by the fact that his works only survive in fragments and appear to feature interpolations by later authors and by the general paucity of documentary and archaeological evidence covering athens in the early th century bc.[ ] ancient authors such as philo of alexandria[ ], herodotus, and plutarch are the main sources, but wrote about solon long after his death. fourth-century orators, such as aeschines, tended to attribute to solon all the laws of their own, much later times.[ ][ ] the english word solon (meaning "wise lawmaker") derives from his name. contents life historical setting solon's reforms . constitutional reform . economic reform . moral reform . aftermath of solon's reforms poetry solon and athenian sexuality see also notes references . collections of solon's surviving verses further reading external links life[edit] solon was born in athens around bc.[ ] his family was distinguished in attica as they belonged to a noble or eupatrid clan, although they possessed only moderate wealth.[ ] solon's father was probably execestides. if so his lineage could be traced back to codrus, the last king of athens.[ ] according to diogenes laërtius, he had a brother named dropides who was an ancestor (six generations removed) of plato.[ ] according to plutarch, solon was related to the tyrant peisistratos, for their mothers were cousins.[ ] solon was eventually drawn into the unaristocratic pursuit of commerce.[ ] "solon demands to pledge respect for his laws", book illustration (augsburg ) when athens and megara were contesting the possession of salamis, solon was made leader of the athenian forces. after repeated disasters, solon was able to improve the morale of his troops through a poem he wrote about the island.[ ] supported by peisistratos, he defeated the megarians either by means of a cunning trick[ ] or more directly through heroic battle around bc.[ ][ ] the megarians, however, refused to give up their claim. the dispute was referred to the spartans, who eventually awarded possession of the island to athens on the strength of the case that solon put to them.[ ] according to diogenes laertius, in bc, solon was chosen archon, or chief magistrate.[ ][ ] as archon, solon discussed his intended reforms with some friends. knowing that he was about to cancel all debts, these friends took out loans and promptly bought some land. suspected of complicity, solon complied with his own law and released his own debtors, amounting to five talents (or according to some sources). his friends never repaid their debts.[ ] after he had finished his reforms, he travelled abroad for ten years, so that the athenians could not induce him to repeal any of his laws.[ ] his first stop was egypt. there, according to herodotus, he visited the pharaoh of egypt, amasis ii.[ ] according to plutarch, he spent some time and discussed philosophy with two egyptian priests, psenophis of heliopolis and sonchis of sais.[ ] a character in two of plato's dialogues, timaeus and critias, claims solon visited neith's temple at sais and received from the priests there an account of the history of atlantis. next, solon sailed to cyprus, where he oversaw the construction of a new capital for a local king, in gratitude for which the king named it soloi.[ ] croesus awaits fiery execution (attic red-figure amphora, – bc, louvre g ) solon's travels finally brought him to sardis, capital of lydia. according to herodotus and plutarch, he met with croesus and gave the lydian king advice, which croesus failed to appreciate until it was too late. croesus had considered himself to be the happiest man alive and solon had advised him, "count no man happy until he be dead." the reasoning was that at any minute, fortune might turn on even the happiest man and make his life miserable. it was only after he had lost his kingdom to the persian king cyrus, while awaiting execution, that croesus acknowledged the wisdom of solon's advice.[ ][ ] after his return to athens, solon became a staunch opponent of peisistratos. in protest, and as an example to others, solon stood outside his own home in full armour, urging all who passed to resist the machinations of the would-be tyrant. his efforts were in vain. solon died shortly after peisistratos usurped by force the autocratic power that athens had once freely bestowed upon him.[ ] solon died in cyprus at the age of [ ] and, in accordance with his will, his ashes were scattered around salamis, the island where he was born.[ ][ ] the travel writer pausanias listed solon among the seven sages whose aphorisms adorned apollo's temple in delphi.[ ] stobaeus in the florilegium relates a story about a symposium where solon's young nephew was singing a poem of sappho's: solon, upon hearing the song, asked the boy to teach him to sing it. when someone asked, "why should you waste your time on it?", solon replied, "ἵνα μαθὼν αὐτὸ ἀποθάνω", "so that i may learn it before i die."[ ] ammianus marcellinus, however, told a similar story about socrates and the poet stesichorus, quoting the philosopher's rapture in almost identical terms: "ut aliquid sciens amplius e vita discedam",[ ] meaning "in order to leave life knowing a little more". historical setting[edit] "solon, the wise lawgiver of athens", illustration by walter crane, from the story of greece, told to boys and girls, by mary macgregor ( s) during solon's time, many greek city-states had seen the emergence of tyrants, opportunistic noblemen who had taken power on behalf of sectional interests. in sicyon, cleisthenes had usurped power on behalf of an ionian minority. in megara, theagenes had come to power as an enemy of the local oligarchs. the son-in-law of theagenes, an athenian nobleman named cylon, made an unsuccessful attempt to seize power in athens in bc. solon was described by plutarch as having been temporarily awarded autocratic powers by athenian citizens on the grounds that he had the wisdom to sort out their differences for them in a peaceful and equitable manner.[ ] according to ancient sources,[ ][ ] he obtained these powers when he was elected eponymous archon ( / bc). some modern scholars believe these powers were in fact granted some years after solon had been archon, when he would have been a member of the areopagus and probably a more respected statesman by his peers.[ ][ ][ ] the social and political upheavals that characterized athens in solon's time have been variously interpreted by historians from ancient times to the present day. two contemporary historians have identified three distinct historical accounts of solon's athens, emphasizing quite different rivalries: economic and ideological rivalry, regional rivalry and rivalry between aristocratic clans.[ ][ ] these different accounts provide a convenient basis for an overview of the issues involved. economic and ideological rivalry is a common theme in ancient sources. this sort of account emerges from solon's poems (e.g. see below solon the reformer and poet), in which he casts himself in the role of a noble mediator between two intemperate and unruly factions. this same account is substantially taken up about three centuries later by the author of the aristotelian athenaion politeia but with an interesting variation: "...there was conflict between the nobles and the common people for an extended period. for the constitution they were under was oligarchic in every respect and especially in that the poor, along with their wives and children, were in slavery to the rich...all the land was in the hands of a few. and if men did not pay their rents, they themselves and their children were liable to be seized as slaves. the security for all loans was the debtor's person up to the time of solon. he was the first people's champion."[ ] here solon is presented as a partisan in a democratic cause whereas, judged from the viewpoint of his own poems, he was instead a mediator between rival factions. a still more significant variation in the ancient historical account appears in the writing of plutarch in the late st – early nd century ad: "athens was torn by recurrent conflict about the constitution. the city was divided into as many parties as there were geographical divisions in its territory. for the party of the people of the hills was most in favour of democracy, that of the people of the plain was most in favour of oligarchy, while the third group, the people of the coast, which preferred a mixed form of constitution somewhat between the other two, formed an obstruction and prevented the other groups from gaining control."[ ] regional rivalry is a theme commonly found among modern scholars.[ ][ ][ ][ ] "the new picture which emerged was one of strife between regional groups, united by local loyalties and led by wealthy landowners. their goal was control of the central government at athens and with it dominance over their rivals from other districts of attika."[ ] regional factionalism was inevitable in a relatively large territory such as athens possessed. in most greek city states, a farmer could conveniently reside in town and travel to and from his fields every day. according to thucydides, on the other hand, most athenians continued to live in rural settlements right up until the peloponnesian war.[ ] the effects of regionalism in a large territory could be seen in laconia, where sparta had gained control through intimidation and resettlement of some of its neighbours and enslavement of the rest. attika in solon's time seemed to be moving towards a similarly ugly solution with many citizens in danger of being reduced to the status of helots.[ ] rivalry between clans is a theme recently developed by some scholars, based on an appreciation of the political significance of kinship groupings.[ ][ ][ ][ ][ ][ ] according to this account, bonds of kinship rather than local loyalties were the decisive influence on events in archaic athens. an athenian belonged not only to a phyle or tribe and one of its subdivisions, the phratry or brotherhood, but also to an extended family, clan or genos. it has been argued that these interconnecting units of kinship reinforced a hierarchic structure with aristocratic clans at the top.[ ][ ] thus rivalries between aristocratic clans could engage all levels of society irrespective of any regional ties. in that case, the struggle between rich and poor was the struggle between powerful aristocrats and the weaker affiliates of their rivals or perhaps even with their own rebellious affiliates. the historical account of solon's athens has evolved over many centuries into a set of contradictory stories or a complex story that might be interpreted in a variety of ways. as further evidence accumulates, and as historians continue to debate the issues, solon's motivations and the intentions behind his reforms will continue to attract speculation.[ ] solon's reforms[edit] solon, depicted with pupils in an islamic miniature solon's laws were inscribed on large wooden slabs or cylinders attached to a series of axles that stood upright in the prytaneion.[ ][ ] these axones appear to have operated on the same principle as a turntable, allowing both convenient storage and ease of access. originally the axones recorded laws enacted by draco in the late th century (traditionally bc). nothing of draco's codification has survived except for a law relating to homicide, yet there is consensus among scholars that it did not amount to anything like a constitution.[ ][ ] solon repealed all draco's laws except those relating to homicide.[ ] during his visit to athens, pausanias, the nd century ad geographer reported that the inscribed laws of solon were still displayed by the prytaneion.[ ] fragments of the axones were still visible in plutarch's time[ ] but today the only records we have of solon's laws are fragmentary quotes and comments in literary sources such as those written by plutarch himself. moreover, the language of his laws was archaic even by the standards of the fifth century and this caused interpretation problems for ancient commentators.[ ] modern scholars doubt the reliability of these sources and our knowledge of solon's legislation is therefore actually very limited in its details.[citation needed] generally, solon's reforms appear to have been constitutional, economic and moral in their scope. this distinction, though somewhat artificial, does at least provide a convenient framework within which to consider the laws that have been attributed to solon. some short-term consequences of his reforms are considered at the end of the section. constitutional reform[edit] main article: solonian constitution before solon's reforms, the athenian state was administered by nine archons appointed or elected annually by the areopagus on the basis of noble birth and wealth.[ ][ ] the areopagus comprised former archons and it therefore had, in addition to the power of appointment, extraordinary influence as a consultative body. the nine archons took the oath of office while ceremonially standing on a stone in the agora, declaring their readiness to dedicate a golden statue if they should ever be found to have violated the laws.[ ][ ] there was an assembly of athenian citizens (the ekklesia) but the lowest class (the thetes) was not admitted and its deliberative procedures were controlled by the nobles.[ ] there therefore seemed to be no means by which an archon could be called to account for breach of oath unless the areopagus favoured his prosecution. according to the constitution of the athenians, solon legislated for all citizens to be admitted into the ekklesia[ ] and for a court (the heliaia) to be formed from all the citizens.[ ] the heliaia appears to have been the ekklesia, or some representative portion of it, sitting as a jury.[ ][ ] by giving common people the power not only to elect officials but also to call them to account, solon appears to have established the foundations of a true republic. however some scholars have doubted whether solon actually included the thetes in the ekklesia, this being considered too bold a move for any aristocrat in the archaic period.[ ] ancient sources[ ][ ] credit solon with the creation of a council of four hundred, drawn from the four athenian tribes to serve as a steering committee for the enlarged ekklesia. however, many modern scholars have doubted this also.[ ][ ] there is consensus among scholars that solon lowered the requirements – those that existed in terms of financial and social qualifications – which applied to election to public office. the solonian constitution divided citizens into four political classes defined according to assessable property[ ][ ] a classification that might previously have served the state for military or taxation purposes only.[ ] the standard unit for this assessment was one medimnos (approximately gallons) of cereals and yet the kind of classification set out below might be considered too simplistic to be historically accurate.[ ] the areopagus, as viewed from the acropolis, is a monolith where athenian aristocrats decided important matters of state during solon's time. pentakosiomedimnoi valued at medimnoi or more of cereals annually. eligible to serve as strategoi (generals or military governors) hippeis valued at medimnoi or more annually. approximating to the medieval class of knights, they had enough wealth to equip themselves for the cavalry zeugitai valued at a medimnoi or more annually. approximating to the medieval class of yeoman, they had enough wealth to equip themselves for the infantry (hoplite) thetes valued up to medimnoi annually or less manual workers or sharecroppers, they served voluntarily in the role of personal servant, or as auxiliaries armed for instance with the sling or as rowers in the navy. according to the athenian constitution, only the pentakosiomedimnoi were eligible for election to high office as archons and therefore only they gained admission into the areopagus.[ ] a modern view affords the same privilege to the hippeis.[ ] the top three classes were eligible for a variety of lesser posts and only the thetes were excluded from all public office. depending on how we interpret the historical facts known to us, solon's constitutional reforms were either a radical anticipation of democratic government, or they merely provided a plutocratic flavour to a stubbornly aristocratic regime, or else the truth lies somewhere between these two extremes.[a] economic reform[edit] solon's economic reforms need to be understood in the context of the primitive, subsistence economy that prevailed both before and after his time. most athenians were still living in rural settlements right up to the peloponnesian war.[ ] opportunities for trade even within the athenian borders were limited. the typical farming family, even in classical times, barely produced enough to satisfy its own needs.[ ] opportunities for international trade were minimal. it has been estimated that, even in roman times, goods rose % in value for every miles they were carried over land, but only . % for the same distance were they carried by ship[ ] and yet there is no evidence that athens possessed any merchant ships until around bc.[ ] until then, the narrow warship doubled as a cargo vessel. athens, like other greek city states in the th century bc, was faced with increasing population pressures[ ] and by about bc it was able to feed itself only in 'good years'.[ ] solon's reforms can thus be seen to have taken place at a crucial period of economic transition, when a subsistence rural economy increasingly required the support of a nascent commercial sector. the specific economic reforms credited to solon are these: the croeseid, one of the earliest known coins. it was minted in the early th century bc in lydia. coins such as this might have made their way to athens in solon's time but it is unlikely that athens had its own coinage at this period. the earliest coinage of athens, c.  – bc fathers were encouraged to find trades for their sons; if they did not, there would be no legal requirement for sons to maintain their fathers in old age.[ ] foreign tradesmen were encouraged to settle in athens; those who did would be granted citizenship, provided they brought their families with them.[ ] cultivation of olives was encouraged; the export of all other fruits was prohibited.[ ] competitiveness of athenian commerce was promoted through revision of weights and measures, possibly based on successful standards already in use elsewhere, such as aegina or euboia[ ][ ] or, according to the ancient account but unsupported by modern scholarship, argos.[ ] it is generally assumed, on the authority of ancient commentators[ ][ ] that solon also reformed the athenian coinage. however, recent numismatic studies now lead to the conclusion that athens probably had no coinage until around bc, well after solon's reforms.[ ] nevertheless, there are now reasons to suggest[ ] that monetization had already begun before solon's reforms. by early sixth century the athenians were using silver in the form of a variety of bullion silver pieces for monetary payments.[ ] drachma and obol as a term of bullion value had already been adopted, although the corresponding standard weights were probably unstable.[ ] solon's economic reforms succeeded in stimulating foreign trade. athenian black-figure pottery was exported in increasing quantities and good quality throughout the aegean between bc and bc, a success story that coincided with a decline in trade in corinthian pottery.[ ] the ban on the export of grain might be understood as a relief measure for the benefit of the poor. however, the encouragement of olive production for export could actually have led to increased hardship for many athenians to the extent that it led to a reduction in the amount of land dedicated to grain. moreover, an olive produces no fruit for the first six years[ ] (but farmers' difficulty of lasting until payback may also give rise to a mercantilist argument in favour of supporting them through that, since the british case illustrates that 'one domestic policy that had a lasting impact was the conversion of "waste lands" to agricultural use. mercantilists felt that to maximize a nation's power all land and resources had to be used to their utmost...'). the real motives behind solon's economic reforms are therefore as questionable as his real motives for constitutional reform. were the poor being forced to serve the needs of a changing economy, was the economy being reformed to serve the needs of the poor, or were solon's policies the manifestation of a struggle taking place between poorer citizens and the aristocrats? moral reform[edit] in his poems, solon portrays athens as being under threat from the unrestrained greed and arrogance of its citizens.[ ] even the earth (gaia), the mighty mother of the gods, had been enslaved.[ ] the visible symbol of this perversion of the natural and social order was a boundary marker called a horos, a wooden or stone pillar indicating that a farmer was in debt or under contractual obligation to someone else, either a noble patron or a creditor.[ ] up until solon's time, land was the inalienable property of a family or clan[ ] and it could not be sold or mortgaged. this was no disadvantage to a clan with large landholdings since it could always rent out farms in a sharecropping system. a family struggling on a small farm however could not use the farm as security for a loan even if it owned the farm. instead the farmer would have to offer himself and his family as security, providing some form of slave labour in lieu of repayment. equally, a family might voluntarily pledge part of its farm income or labour to a powerful clan in return for its protection. farmers subject to these sorts of arrangements were loosely known as hektemoroi[ ] indicating that they either paid or kept a sixth of a farm's annual yield.[ ][ ][ ] in the event of 'bankruptcy', or failure to honour the contract stipulated by the horoi, farmers and their families could in fact be sold into slavery. this th century athenian black-figure urn, in the british museum, depicts the olive harvest. many farmers, enslaved for debt, would have worked on large estates for their creditors. solon's reform of these injustices was later known and celebrated among athenians as the seisachtheia (shaking off of burdens).[ ][ ] as with all his reforms, there is considerable scholarly debate about its real significance. many scholars are content to accept the account given by the ancient sources, interpreting it as a cancellation of debts, while others interpret it as the abolition of a type of feudal relationship, and some prefer to explore new possibilities for interpretation.[ ] the reforms included: annulment of all contracts symbolised by the horoi.[ ] prohibition on a debtor's person being used as security for a loan, i.e., debt slavery.[ ][ ] release of all athenians who had been enslaved.[ ] the removal of the horoi clearly provided immediate economic relief for the most oppressed group in attica, and it also brought an immediate end to the enslavement of athenians by their countrymen. some athenians had already been sold into slavery abroad and some had fled abroad to escape enslavement – solon proudly records in verse the return of this diaspora.[ ] it has been cynically observed, however, that few of these unfortunates were likely to have been recovered.[ ] it has been observed also that the seisachtheia not only removed slavery and accumulated debt but may also have removed the ordinary farmer's only means of obtaining further credit.[ ] the seisachtheia however was merely one set of reforms within a broader agenda of moral reformation. other reforms included: the abolition of extravagant dowries.[ ] legislation against abuses within the system of inheritance, specifically with relation to the epikleros (i.e. a female who had no brothers to inherit her father's property and who was traditionally required to marry her nearest paternal relative in order to produce an heir to her father's estate).[ ] entitlement of any citizen to take legal action on behalf of another.[ ][ ] the disenfranchisement of any citizen who might refuse to take up arms in times of civil strife, and war, a measure that was intended to counteract dangerous levels of political apathy.[ ][ ][ ][ ][ ] demosthenes claimed that the city's subsequent golden age included "personal modesty and frugality" among the athenian aristocracy.[ ] perhaps solon, by both personal example and legislated reform, established a precedent for this decorum.[citation needed] a heroic sense of civic duty later united athenians against the might of the persians.[citation needed] perhaps this public spirit was instilled in them by solon and his reforms.[citation needed] (see also solon and athenian sexuality below). aftermath of solon's reforms[edit] after completing his work of reform, solon surrendered his extraordinary authority and left the country. according to herodotus[ ] the country was bound by solon to maintain his reforms for years, whereas according to plutarch[ ] and the author of the athenian constitution[ ] (reputedly aristotle) the contracted period was instead years. a modern scholar[ ] considers the time-span given by herodotus to be historically accurate because it fits the years that solon was said to have been absent from the country.[ ] within years of solon's departure, the old social rifts re-appeared, but with some new complications. there were irregularities in the new governmental procedures, elected officials sometimes refused to stand down from their posts and occasionally important posts were left vacant. it has even been said that some people blamed solon for their troubles.[ ] eventually one of solon's relatives, peisistratos, ended the factionalism by force, thus instituting an unconstitutionally gained tyranny. in plutarch's account, solon accused athenians of stupidity and cowardice for allowing this to happen.[ ] poetry[edit] solon, depicted as a medieval scholar in the nuremberg chronicle solon's verses have come down to us in fragmentary quotations by ancient authors such as plutarch and demosthenes[ ] who used them to illustrate their own arguments. it is possible that some fragments have been wrongly attributed to him[ ] and some scholars have detected interpolations by later authors.[ ] he was also the first citizen of athens to reference the goddess athena (fr. . – ).[ ] the literary merit of solon's verse is generally considered unexceptional. solon's poetry can be said to appear 'self-righteous' and 'pompous' at times[ ] and he once composed an elegy with moral advice for a more gifted elegiac poet, mimnermus. most of the extant verses show him writing in the role of a political activist determined to assert personal authority and leadership and they have been described by the german classicist wilamowitz as a "versified harangue" (eine volksrede in versen).[ ] according to plutarch[ ] however, solon originally wrote poetry for amusement, discussing pleasure in a popular rather than philosophical way. solon's elegiac style is said to have been influenced by the example of tyrtaeus.[ ] he also wrote iambic and trochaic verses which, according to one modern scholar,[ ] are more lively and direct than his elegies and possibly paved the way for the iambics of athenian drama. solon's verses are mainly significant for historical rather than aesthetic reasons, as a personal record of his reforms and attitudes. however, poetry is not an ideal genre for communicating facts and very little detailed information can be derived from the surviving fragments.[ ] according to solon the poet, solon the reformer was a voice for political moderation in athens at a time when his fellow citizens were increasingly polarized by social and economic differences: πολλοὶ γὰρ πλουτεῦσι κακοί, ἀγαθοὶ δὲ πένονται: ἀλλ' ἡμεῖς αὐτοῖς οὐ διαμειψόμεθα τῆς ἀρετῆς τὸν πλοῦτον: ἐπεὶ τὸ μὲν ἔμπεδον αἰεί, χρήματα δ' ἀνθρώπων ἄλλοτε ἄλλος ἔχει. some wicked men are rich, some good are poor; we will not change our virtue for their store: virtue's a thing that none can take away, but money changes owners all the day.[ ] here translated by the english poet john dryden, solon's words define a 'moral high ground' where differences between rich and poor can be reconciled or maybe just ignored. his poetry indicates that he attempted to use his extraordinary legislative powers to establish a peaceful settlement between the country's rival factions: ἔστην δ' ἀμφιβαλὼν κρατερὸν σάκος ἀμφοτέροισι: νικᾶν δ' οὐκ εἴασ' οὐδετέρους ἀδίκως. before them both i held my shield of might and let not either touch the other's right.[ ] his attempts evidently were misunderstood: χαῦνα μὲν τότ' ἐφράσαντο, νῦν δέ μοι χολούμενοι λοξὸν ὀφθαλμοῖς ὁρῶσι πάντες ὥστε δήϊον. formerly they boasted of me vainly; with averted eyes now they look askance upon me; friends no more but enemies.[ ] solon gave voice to athenian 'nationalism', particularly in the city state's struggle with megara, its neighbour and rival in the saronic gulf. plutarch professes admiration of solon's elegy urging athenians to recapture the island of salamis from megarian control.[ ] the same poem was said by diogenes laërtius to have stirred athenians more than any other verses that solon wrote: let us go to salamis to fight for the island we desire, and drive away our bitter shame![ ] one fragment describes assorted breads and cakes:[ ] they drink and some nibble honey and sesame cakes (itria), others their bread, other gouroi mixed with lentils. in that place, not one cake was unavailable of all those that the black earth bears for human beings, and all were present unstintingly. the place of abundance described in solon's fragment about cakes is unknown. some authors speculate that it may have been persia based on comments from herodotus that cake was the most significant part of a meal, one of the greek city states or even a literary allusion to 'paradise'. though athenaeus is not able to identify the gouros cake from solon's poem, he describes it as a plakous indicating it was a type of 'flat cake'. similar cakes are described by philoxenus of cythera.[ ] solon and athenian sexuality[edit] bust of solon in vatican museums as a regulator of athenian society, solon, according to some authors, also formalized its sexual mores. according to a surviving fragment from a work ("brothers") by the comic playwright philemon,[ ] solon established publicly funded brothels at athens in order to "democratize" the availability of sexual pleasure.[ ] while the veracity of this comic account is open to doubt, at least one modern author considers it significant that in classical athens, three hundred or so years after the death of solon, there existed a discourse that associated his reforms with an increased availability of heterosexual contacts.[ ] ancient authors also say that solon regulated pederastic relationships in athens; this has been presented as an adaptation of custom to the new structure of the polis.[ ][ ] according to various authors, ancient lawgivers (and therefore solon by implication) drew up a set of laws that were intended to promote and safeguard the institution of pederasty and to control abuses against freeborn boys. in particular, the orator aeschines cites laws excluding slaves from wrestling halls and forbidding them to enter pederastic relationships with the sons of citizens.[ ] accounts of solon's laws by th century orators like aeschines, however, are considered unreliable for a number of reasons;[ ][ ][ ] attic pleaders did not hesitate to attribute to him (solon) any law which suited their case, and later writers had no criterion by which to distinguish earlier from later works. nor can any complete and authentic collection of his statutes have survived for ancient scholars to consult.[ ] besides the alleged legislative aspect of solon's involvement with pederasty, there were also suggestions of personal involvement. ancient readers concluded, based on his own erotic poetry, that solon himself had a preference for boys.[ ] according to some ancient authors solon had taken the future tyrant peisistratos as his eromenos. aristotle, writing around bc, attempted to refute that belief, claiming that "those are manifestly talking nonsense who pretend that solon was the lover of peisistratos, for their ages do not admit of it," as solon was about thirty years older than peisistratos.[ ] nevertheless, the tradition persisted. four centuries later plutarch ignored aristotle's skepticism[ ] and recorded the following anecdote, supplemented with his own conjectures: and they say solon loved [peisistratos]; and that is the reason, i suppose, that when afterwards they differed about the government, their enmity never produced any hot and violent passion, they remembered their old kindnesses, and retained "still in its embers living the strong fire" of their love and dear affection.[ ] a century after plutarch, aelian also said that peisistratos had been solon's eromenos. despite its persistence, however, it is not known whether the account is historical or fabricated. it has been suggested that the tradition presenting a peaceful and happy coexistence between solon and peisistratos was cultivated during the latter's dominion, in order to legitimize his own rule, as well as that of his sons. whatever its source, later generations lent credence to the narrative.[ ] solon's presumed pederastic desire was thought in antiquity to have found expression also in his poetry, which is today represented only in a few surviving fragments.[ ][ ] the authenticity of all the poetic fragments attributed to solon is however uncertain – in particular, pederastic aphorisms ascribed by some ancient sources to solon have been ascribed by other sources to theognis instead.[ ] see also[edit] seven sages of greece notes[edit] ^ "in all areas then it was the work of solon which was decisive in establishing the foundations for the development of a full democracy."—marylin b. arthur, 'the origins of the western attitude toward women', in: women in the ancient world: the arethusa papers, john patrick sullivan (ed.), state university of new york ( ), p. . "in making their own evaluation of solon, the ancient sources concentrated on what were perceived to be the democratic features of the constitution. but...solon was given his extraordinary commission by the nobles, who wanted him to eliminate the threat that the position of the nobles as a whole would be overthrown".— stanton g. r. athenian politics c. – bc: a sourcebook, routledge, london ( ), p. . references[edit] ^ a b "solon", encyclopædia britannica, retrieved april ^ a b aristotle politics b – a ^ stanton, g. r. athenian politics c. – bc: a sourcebook, routledge, london ( ), p. . ^ andrews, a. greek society (penguin ) ^ a b e. harris, a new solution to the riddle of the seisachtheia, in the development of the polis in archaic greece, eds. l. mitchell and p. rhodes (routledge ) ^ stanton g. r. athenian politics c. – bc: a sourcebook, routledge, london ( ), pp. – . ^ philo judaeus alexandria "on the laws i and ii", loeb classical library ( ) ^ a b v. ehrenberg, from solon to socrates: greek history and civilization, routledge ( ) ^ a b plutarch solon s:lives (dryden translation)/solon# ^ "solon" in magill, frank n. (ed)., the ancient world: dictionary of world biography (salem press/routledge, ), p. . ^ diogenes laërtius, the lives and opinions of famous philosophers, book "plato", chapter . ^ plutarch solon s:lives (dryden translation)/solon# . ^ plutarch, life of solon, ch. ^ a b c d solon: biography of solon ^ a b plutarch solon s:lives (dryden translation)/solon# ^ plutarch solon s:lives/solon# ^ plutarch solon s:lives (dryden translation)/solon# ^ solon of athens ^ plutarch solon s:lives (dryden translation)/solon# ^ herodotus, the histories, hdt. . ^ herodotus, the histories, hdt. . ^ a b plutarch solon s:lives (dryden translation)/solon# ^ herodotus . . ^ plutarch solon s:lives (dryden translation)/solon# ^ plutarch solon s:lives (dryden translation)/solon# ^ diogenes laertius . ^ i. m. linforth, solon the athenian, university of california press ( ), p. , google books link ^ pausanias . . (e.g. jones and omerod trans. [ ]). ^ stobaeus, iii, , , taken from a lost work of aelian. ^ ammianus marcellinus . ^ plutarch solon s:lives (dryden translation)/solon# ^ plutarch solon . s:lives (dryden translation)/solon# ^ athenaion politeia . (e.g. kenyon's translation s:athenian constitution# ) ^ stanton g.r. athenian politics c. – bc: a sourcebook, routledge, london ( ), p. . ^ hignett c. a history of the athenian constitution to the end of the fifth century b.c. (oxford university press ). ^ miller, m. arethusa ( ) – . ^ a b stanton g.r. athenian politics c. – bc: a sourcebook, routledge, london ( ), pp. – . ^ a b walters, k.r., geography and kinship as political infrastructures in archaic athens "archived copy". archived from the original on - - . retrieved - - .cs maint: archived copy as title (link) ^ athenaion politeia . – s:athenian constitution# . ^ plutarch solon s:lives (dryden translation)/solon# ^ b. sealey, "regionalism in archaic athens," historia ( ) – . ^ d. lewis, "cleisthenes and attica," historia ( ) – . ^ p. rhodes, a commentary on the aristotelian athenian politeia, oxford university press ( ) . ^ p. rhodes, a history of the greek city states, berkeley ( ). ^ a b walters k.r. geography and kinship as political infrastructures in archaic athens "archived copy". archived from the original on - - . retrieved - - .cs maint: archived copy as title (link) ^ thucydides . – . ^ andrews, a. greek society (penguin ) . ^ stanton g.r. athenian politics c. – bc: a sourcebook, routledge, london ( ), pp. – . ^ frost, "tribal politics and the civic state," ajah ( ) – . ^ connor, the new politicians of fifth century athens, princeton ( ) – . ^ cary, cambridge ancient history, cambridge univ. press ( ) : – . ^ ellis, j. and stanton, g., phoenix ( ) – . ^ see, for example, j. bintliff, "solon's reforms: an archeological perspective", in solon of athens: new historical and philological approaches, eds. j. blok and a. lardinois (brill, leiden )[ ], and other essays published with it. ^ v. ehrenberg, from solon to socrates: greek history and civilization, routledge, london ( ), p. f. ^ stanton, g. r. athenian politics c. – bc: a sourcebook, routledge, london ( ), p. . ^ stanton, g. r. athenian politics c. – bc: a sourcebook, routledge, london ( ), p. . ^ oxford classical dictionary ( ), s. v. 'draco'. ^ plutarch, solon . ^ pausanias, description of greece, . . . ^ a b plutarch, solon . . ^ andrews a. greek society, penguin, london ( ), pp. , . ^ athenaion politeia . s:athenian constitution# ^ athenaion politeia . . ^ athenaion politeia . , . . ^ plutarch, solon . . ^ stanton, g. r. athenian politics c. – bc: a sourcebook, routledge, london ( ), p. , n. . ^ a b athenaion politeia . . ^ aristotle, politics a , a . ^ ostwald m. from popular sovereignty to the sovereignty of the law: law, society and politics in fifth century athens, berkeley ( ), pp. – , . ^ stanton, g. r. athenian politics c. – bc: a sourcebook, routledge, london ( ), p. , n. . ^ hignett c. a history of the athenian constitution to the end of the fifth century b.c., oxford university press ( ), p. f. ^ athenaion politeia . . ^ plutarch, solon . ^ hignett c. a history of the athenian constitution to the end of the fifth century b.c. (oxford university press ) – ^ stanton, g. r. athenian politics c. – bc: a sourcebook, routledge, london ( ), p. n. . ^ a b plutarch, solon . ^ stanton, g. r. athenian politics c. – bc: a sourcebook, routledge, london ( ), p. , n. . ^ v. ehrenberg, from solon to socrates: greek history and civilization, routledge, london ( ). ^ athenaion politeia – . ^ oxford classical dictionary ( rd edition ), s. v. 'solon'. ^ thucydides . – . ^ gallant t. risk and survival in ancient greece, stanford ( ), cited by morris i. in the growth of city states in the first millennium bc, stanford ( ), p. (pdf online). ^ laurence r. land transport in rural italy, parkins and smith ( ), cited by morris i. in the growth of city states in the first millennium bc, stanford ( ). ^ morris i. the growth of city states in the first millennium bc, stanford ( ), p. . ^ snodgrass a. archaic greece, london ( ), cited by morris i. in the growth of city states in the first millennium bc, stanford ( ), p. . ^ garnsey p. famine and food supply in graeco-roman world, cambridge ( ), p. , cited by morris i. in the growth of city states in the first millennium bc, stanford ( ). ^ plutarch, solon . . ^ plutarch, solon . . ^ plutarch, solon . . ^ v. ehrenberg, from solon to socrates: greek history and civilization, routledge ( ), p. f. ^ stanton, g. r. athenian politics c. – bc: a sourcebook, routledge, london ( ), pp. – . ^ a b athenaion politeia . ^ plutarch (quoting androtion), solon . – . ^ stanton, g. r. athenian politics c. – bc: a sourcebook, routledge, london ( ), p. , n. . ^ eberhard ruschenbusch , solonos nomoi (solon's laws). ^ kroll, , , . ^ the oxford handbook of greek and roman coinage by william metcalf, p. . ^ stanton, g. r. athenian politics c. – bc: a sourcebook, routledge, london ( ), p. . ^ stanton, g. r. athenian politics c. – bc: a sourcebook, routledge, london ( ), p. , n. . ^ demosthenes (on the embassy), p. f. ^ athenaion politeia (quoting solon) . . ^ stanton, g. r. athenian politics c. – bc: a sourcebook, routledge, london ( ), pp. – , n. and . ^ innis, h. empire and communications, rowman and littlefield ( ), p. f. ^ stanton, g. r. athenian politics c. – bc: a sourcebook, routledge, london ( ), p. , n. . ^ stanton, g. r. athenian politics c. – bc: a sourcebook, routledge, london ( ), p. , n. . ^ kirk, g. historia, vol. ( ), p. f. ^ woodhouse, w. solon the liberator: a study of the agrarian problem in attika in the seventh century, oxford university press ( ). ^ a b athenaion politeia ^ a b plutarch, solon . . ^ a b athenaion politeia . , quoting solon. ^ solon quoted in athenaion politeia . . ^ forrest g. the oxford history of the classical world ed. griffin j. and murray o. (oxford university press, ), p. . ^ stanton, g. r. athenian politics c. – bc: a sourcebook routledge, london ( ), p. , n. . ^ plutarch, solon . . ^ grant, michael. the rise of the greeks, charles scribner's sons, new york , p. . ^ athenaion politeia . ^ plutarch, solon . . ^ athenaion politeia . . ^ stanton, g. r. athenian politics c. – bc: a sourcebook routledge, london ( ), p. , n. . ^ plutarch, solon . . ^ goldstein j. historia, vol. ( ), pp. – . ^ develin r. historia, vol. ( ), p. f. ^ demosthenes, on organization. ^ herodotus . (e.g. campbell's translation ). ^ athenaion politeia . . ^ stanton, g. r. athenian politics c. – bc: a sourcebook routledge, london ( ), p. . ^ plutarch, solon . . ^ athenaion politeia . ^ plutarch, solon . ^ demosthenes (on the embassy) – ^ a b k. hubbard, homosexuality in greece and rome: a sourcebook of basic documents, uni. california press, ; p. ^ a. lardinois, have we solon's verses? and e. stehle, solon's self-reflexive political persona and its audience, in 'solon of athens: new historical and philological approaches', eds. j. blok and a. lardinois (brill, leiden ) ^ susan deacy, gods and heroes of the ancient world: athena ( ) p. ^ forrest g., the oxford history of the classical world, ed. boardman j., griffin j. and murray o., oxford university press (new york, ), p. ^ wilamowitz, arist. u. athen, ii , cited by eduard fraenkel, horace, oxford university press ( ), p. ^ plutarch solon . – s:lives (dryden translation)/solon# ^ oxford classical dictionary ( ) solon ^ david. a. campbell, greek lyric poetry, bristol classical press , intro. xxix ^ andrews a. greek society (penguin ) ^ plutarch solon s:lives (dryden translation)/solon# ^ solon, quoted in diogenes laërtius . ^ a b wilkins, john m. ( ). food in the ancient world. blackwell. p.  . ^ fr. ^ rachel adams, david savran, the masculinity studies reader; blackwell, ; p. ^ one hundred years of homosexuality: and other essays on greek love, p. ^ bernard sergent, "paederasty and political life in archaic greek cities" in gay studies from the french culture; harrington park press, binghamton, ny ; pp. – ^ eros and greek athletics by thomas francis scanlon, p. "so it is clear that solon was responsible for institutionalizing pederasty to some extent at athens in the early sixth century." ^ aeschines, against timarchus , , [ ]; compare also plutarch, solon . . ^ kevin robb, literacy and paideia in ancient greece, ox. uni. press, ; p. , ^ p. j. rhodes, the reforms and laws of solon: an optimistic view, in 'solon of athens: new historical and philological approaches', eds. j. blok and a. lardinois (brill, leiden ) ^ kevin robb, literacy and paideia in ancient greece, ox. uni. press ; p. (quoting f. e. adcock) ^ marilyn skinner ( ). sexuality in greek and roman culture (ancient cultures), nd edition. wiley-blackwell. p.  . isbn  - - - - . ^ aristotle, the athenian constitution, . ^ homosexuality & civilization by louis crompton, p. ^ plutarch, the lives "solon" tr. john dryden s:lives (dryden translation)/solon ^ solon and early greek poetry by elizabeth irwin p. n. ^ ancient greece by matthew dillon, lynda garland, p. ^ nick fisher, against timarchos, oxford university press , p. a. andrews, greek society, penguin, j. blok and a. lardinois (eds), solon of athens: new historical and philological approaches, leiden, brill, buckley, t. aspects of greek history. london: routledge, . cary, cambridge ancient history, vol. iii, cambridge uni. press, connor, the new politicians of fifth-century athens, princeton, w. connor et al. aspects of athenian democracy, copenhagen, museum tusculanam p., r. develin, historia, vol. , dillon, m and l garland. ancient greece: social and historical documents from archaic times to the death of alexander the great. london: routledge, . v. ehrenberg, from solon to socrates: greek history and civilization, routledge, j. ellis and g. stanton, phoenix, vol. , , – w.r. everdell, the end of kings: a history of republics and republicans, chicago: university of chicago press, . g. forrest, 'greece: the history of the archaic period', in the oxford history of the classical world, ed. boardman j., griffin j. and murray o., oxford university press, new york, frost, 'tribal politics and the civic state', ajah, p. garnsey, famine and food supply in graeco-roman world, cambridge uni. press, j. goldstein, historia, vol. , m. grant, the rise of the greeks. new york: charles scribner's sons, e. harris, 'a new solution to the riddle of the seisachtheia', in the development of the polis in archaic greece, eds. l. mitchell and p. rhodes, routledge, c. hignett, a history of the athenian constitution to the end of the fifth century b.c., oxford university press, k. hubbard, homosexuality in greece and rome: a sourcebook of basic documents, uni. california press, h. innis, empire and communications, rowman and littlefield, g. kirk, historia, vol. , d. lewis, 'cleisthenes and attica', historia, , m. miller, arethusa, vol. , i. morris, the growth of city states in the first millennium bc, stanford, c. mosse, 'comment s'elabore un mythe politique: solon', annales, esc xxxiv, m. ostwald, from popular sovereignty to the sovereignty of the law: law, society and politics in fifth-century athens, berkeley, p. rhodes, a history of the greek city states, berkeley, p. rhodes, a commentary on the aristotelian athenian politeia, oxford university press, k. robb, literacy and paideia in ancient greece, oxford university press, b. sealey, 'regionalism in archaic athens', historia, , g. r. stanton, athenian politics c. – bc: a sourcebook, london, routledge, m. l. west (ed.), iambi et elegi graeci ante alexandrum cantati : callinus. mimnermus. semonides. solon. tyrtaeus. minora adespota, oxford university press: clarendon press, , revised edition, w. woodhouse, 'solon the liberator: a study of the agrarian problem', in attika in the seventh century, oxford university press, collections of solon's surviving verses[edit] martin litchfield west, iambi et elegi graeci ante alexandrum cantati  : callinus. mimnermus. semonides. solon. tyrtaeus. minora adespota,, oxonii: e typographeo clarendoniano , revised edition x + pp. t. hudaon-williams, early greek elegy: ekegiac fragments of callinus, archilochus, mimmermus, tyrtaeus, solon, xenophanes, and others, # taylor and francis ( ), isbn  - - - . h. miltner fragmente / solon, vienna ( ) christoph mülke, solons politische elegien und iamben : (fr. – , – west), munich ( ), isbn  - - - . noussia-fantuzzi, maria, solon the athenian, the poetic fragments. brill ( ). eberhard preime, dichtungen : sämtliche fragmente / solon munich ( ). eberhard ruschenbusch nomoi : die fragmente d. solon. gesetzeswerkes, wiesbaden : f. steiner ( ). kathleen freeman, the work and life of solon, with a translation of his poems, cardiff, university of wales press board . oclc  further reading[edit] hall, jonathan. . "the rise of state action in the archaic age." in a companion to ancient greek government. edited by hans beck, – . chichester, uk: wiley-blackwell. lewis, john. . solon the thinker: political thought in archaic athens. london: duckworth. owens, ron. . solon of athens: poet, philosopher, soldier, statesman. brighton, uk: sussex academic. schubert, charlotte. . solon. tübingen, germany: francke. wallace, robert w. . "charismatic leaders." in a companion to archaic greece. edited by kurt raaflaub and hans van wees, – . malden, ma: wiley-blackwell. external links[edit] library resources about solon online books resources in your library resources in other libraries by solon online books resources in your library resources in other libraries wikiquote has quotations related to: solon wikimedia commons has media related to solon. works about solon at perseus digital library plutarch, parallel lives, solon  laërtius, diogenes ( ). "the seven sages: solon" . lives of the eminent philosophers. : . translated by hicks, robert drew (two volume ed.). loeb classical library. poems of solon chisholm, hugh, ed. ( ). "solon" . encyclopædia britannica. ( th ed.). cambridge university press. pp.  – . v t e the works of plutarch works parallel lives moralia "de genio socratis" "on the malice of herodotus" pseudo-plutarch lives alcibiades and coriolanus alexander the great and julius caesar aratus of sicyon / artaxerxes and galba / otho aristides and cato the elder crassus and nicias demetrius and antony demosthenes and cicero dion and brutus fabius and pericles lucullus and cimon lysander and sulla numa and lycurgus pelopidas and marcellus philopoemen and flamininus phocion and cato the younger pompey and agesilaus poplicola and solon pyrrhus and gaius marius romulus and theseus sertorius and eumenes agis / cleomenes and tiberius gracchus / gaius gracchus timoleon and aemilius paulus themistocles and camillus translators and editors jacques amyot arthur hugh clough john dryden philemon holland thomas north comparison extant four unpaired lives v t e ancient greece timeline history geography periods cycladic civilization minoan 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ancient greeks rulers kings of argos archons of athens kings of athens kings of commagene diadochi kings of lydia kings of macedonia kings of paionia attalid kings of pergamon kings of pontus kings of sparta tyrants of syracuse philosophers anaxagoras anaximander anaximenes antisthenes aristotle democritus diogenes of sinope empedocles epicurus gorgias heraclitus hypatia leucippus parmenides plato protagoras pythagoras socrates thales zeno authors aeschylus aesop alcaeus archilochus aristophanes bacchylides euripides herodotus hesiod hipponax homer ibycus lucian menander mimnermus panyassis philocles pindar plutarch polybius sappho simonides sophocles stesichorus theognis thucydides timocreon tyrtaeus xenophon others agesilaus ii agis ii alcibiades alexander the great aratus archimedes aspasia demosthenes epaminondas euclid hipparchus hippocrates leonidas lycurgus lysander milo of croton miltiades pausanias pericles philip of macedon philopoemen praxiteles ptolemy pyrrhus solon 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writing linear a linear b cypriot syllabary greek alphabet greek numerals attic numerals greek colonisation south italy alision brentesion caulonia chone croton cumae elea heraclea lucania hipponion hydrus krimisa laüs locri medma metapontion neápolis pandosia (lucania) poseidonia pixous rhegion scylletium siris sybaris sybaris on the traeis taras terina thurii sicily akragas akrai akrillai apollonia calacte casmenae catana gela helorus henna heraclea minoa himera hybla gereatis hybla heraea kamarina leontinoi megara hyblaea messana naxos segesta selinous syracuse tauromenion thermae tyndaris aeolian islands didyme euonymos ereikousa hycesia lipara/meligounis phoenicusa strongyle therassía sardinia olbia cyrenaica balagrae barca berenice cyrene (apollonia) ptolemais iberian peninsula akra leuke alonis emporion helike hemeroscopion kalathousa kypsela mainake menestheus's limin illicitanus limin/portus illicitanus rhode salauris zacynthos black sea north coast borysthenes charax chersonesus dioscurias eupatoria gorgippia hermonassa kepoi kimmerikon myrmekion nikonion nymphaion olbia panticapaion phanagoria pityus tanais theodosia tyras tyritake black sea south coast dionysopolis odessos anchialos mesambria apollonia salmydessus heraclea tium sesamus cytorus abonoteichos sinope zaliche amisos oinòe polemonion thèrmae cotyora kerasous tripolis trapezous rhizos athina bathus phasis lists cities in epirus people place names stoae temples theatres category portal outline v t e ancient athenian statesmen aeschines agyrrhius alcibiades andocides archinus aristides aristogeiton aristophon autocles callistratus chremonides cimon cleisthenes cleophon cleon critias demades demetrius of phalerum demochares democles demosthenes draco ephialtes eubulus hyperbolus hypereides laches lycurgus lysicles miltiades moerocles nicias peisistratos pericles philinus phocion solon themistocles theramenes thrasybulus thucydides xanthippus v t e greek lawgivers aegimius cercidas charondas cleisthenes demonax diagoras diocles draco lycurgus nicodorus solon zaleucus v t e seven sages of greece cleobulus of lindos solon of athens chilon of sparta bias of priene thales of miletus pittacus of mytilene periander of corinth (myson of chenae) authority control bibsys: bne: xx bnf: cb r (data) cantic: a cinii: da x gnd: isni: lccn: n nkc: jn nlg: nta: selibr: sudoc: ulan: vcba: / viaf: worldcat identities: lccn-n th and th-century bc athenian statesman and lawgiver retrieved from "https://en.wikipedia.org/w/index.php?title=solon&oldid= " categories: th-century bc poets ancient greek statesmen th-century bc athenians ancient greek poets ancient greek elegiac poets archaic athens ancient legislators greek exiles pederasty in ancient greece seven sages of greece s bc births s bc deaths eponymous archons family of plato hidden categories: articles containing ancient greek (to )-language text cs maint: archived copy as title articles with hcards all articles with unsourced 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greek physician and medical writer,[ ][ ] particularly distinguished by the extent of his erudition.[ ] his birth and death years are not known, but his writings appear to date from the end of the th century or the beginning of the th. aëtius was probably a christian.[ ] if so, he would be among the earliest recorded greek christian physicians.[ ] he is sometimes confused with aëtius of antioch, a famous arian who lived in the time of the emperor julian. contents life works references external links life[edit] aëtius was born a greek [ ][ ] and a native of amida (modern diyarbakır, turkey), a city of mesopotamia,[ ] and studied at alexandria, which was the most famous medical school of the age. though some writers[who?] place him in the th century, he mentions patriarch cyril of alexandria, who died in ,[ ] and petrus archiater, probably the physician of theodoric the great,[ ] whom he defines as a contemporary, so it appears that he wrote at the very end of the th century or the beginning of the th. he is in turn quoted by alexander of tralles,[ ] who lived probably in the middle of the th century. aëtius traveled and visited the copper mines of soli, cyprus, jericho, and the dead sea. in some manuscripts aëtius has the title of komēs opsikiou (κόμης ὀψικίου), latin comes obsequii, which means the chief officer in attendance on the emperor.[ ] works[edit] aëtius seems to be the first greek medical writer among the christians who gives any specimen of the spells and charms so much in vogue with the egyptians, such as that of saint blaise in removing a bone which sticks in the throat,[ ] and another in relation to a fistula.[ ] the division of aëtius' work sixteen books on medicine (Βιβλία Ἰατρικά Ἑκκαίδεκα) into four tetrabibli was not made by himself, but (as fabricius observes) was the invention of some modern translator, as his way of quoting his own work is according to the numerical series of the books. although his work does not contain much original matter, and is heavily indebted to galen and oribasius,[ ] it is nevertheless one of the most valuable medical remains of antiquity, as being a very judicious compilation from the writings of many authors, many from the alexandrian library, whose works have long since been lost.[ ] in the manuscript for book . , the word ἀκμή (acme) is written as ἀκνή, the origin of the modern word acne.[ ] aëtius is recorded as having developed a concoction for contraception consisting of aloe, wallflower seed, pepper, and saffron. he is also known to have developed an abortifacient mixture, whose contents are not known.[ ] references[edit] ^ mercuriale, girolamo ( ). de arte gymnastica. l. s. olschki. p.  . aetius of amida ( st half, ' century), greek galenist doctor, author of a major encyclopedia of extracts. ^ greenhill, william alexander ( ). "aetius". in smith, william (ed.). dictionary of greek and roman biography and mythology. . boston, ma. p.  . ^ dunglison, robley ( ). history of medicine from the earliest ages to the commencement of the th century. philadelphia: lindsay and blakiston. p.  . ^ colón, a. r.; colón, p. a. (january ). nurturing children: a history of pediatrics. greenwood press. p.  . isbn  . retrieved october . ^ meade, richard hardaway ( ). an introduction to the history of general surgery. saunders. p.  . oclc  . aetius of amida, who lived in the sixth century a.d. and was the first greek physician who was a christian, had a chapter on aneurysms in his book on surgery. ^ plant, ian michael ( ). women writers of ancient greece and rome: an anthology. university of oklahoma press. p.  . isbn  . aetius: a greek from amida (in mesopotamia), who wrote on philosophy in the mid- sixth century ad in alexandria. ^ kueny, kathryn m. ( ). conceiving identities: maternity in medieval muslim discourse and practice. suny press. p.  . isbn  . greek physician aetius of amida (ca. sixth c. ce) likewise recommended rubbing an ointment made from pome— granate to prevent conception ^ photius, cod. ^ tetrab. iii. serm. i. , p. ^ tetrab. ii. serm. iii. , p. ^ alexander of tralles, xii. , p. ^ see du cange, gloss. med. et inf. latin. ^ tetrab. ii. serm. iv. , p. ^ tetrab. iv. serm. m. , p. ^ withington, edward theodore ( ). medical history from the earliest times: a popular history of the healing art. scientific press. p.  . aetius medical. ^ lawrence, j.j. ( ). "medical brief". the medical brief: a monthly journal of scientific medicine and surgery. boston: harvard university. : . retrieved - - . ^ kudlien, franz ( ). "aetius of amida". dictionary of scientific biography. . new york: charles scribner's sons. pp.  – . isbn  - - - . ^ riddle, john m. ( ). eve's herbs: a history of contraception and abortion in the west. harvard university press. pp.  , . isbn  - - - .  this article incorporates text from a publication now in the public domain: smith, william, ed. ( ). "aetius". dictionary of greek and roman biography and mythology. external links[edit] olivieri's cmg greek text ( - ) [ ] history of magic and experimental science, part , by lynn thorndike who reviewed both aetius and galen authority control bibsys: bne: xx bnf: cb z (data) cantic: a gnd: isni: lccn: n nta: rero: -a selibr: sudoc: trove: vcba: / viaf: worldcat identities: lccn-n retrieved from "https://en.wikipedia.org/w/index.php?title=aëtius_of_amida&oldid= " categories: byzantine physicians deaths ancient greek science writers th-century byzantine people th-century byzantine scientists th-century byzantine writers th-century physicians th-century byzantine scientists th-century byzantine writers th-century physicians hidden categories: articles with short description short description is different from wikidata articles containing ancient greek (to )-language text all articles with specifically marked weasel-worded phrases articles with specifically marked weasel-worded phrases from february wikipedia articles incorporating a citation from the dgrbm wikipedia articles incorporating a citation from the dgrbm without a wikisource reference wikipedia articles incorporating text from the dgrbm wikipedia articles with bibsys identifiers wikipedia articles with bne identifiers wikipedia articles with bnf identifiers wikipedia articles with cantic identifiers wikipedia articles with gnd identifiers wikipedia articles with isni identifiers wikipedia articles with lccn identifiers wikipedia articles with nta identifiers wikipedia articles with rero identifiers wikipedia articles with selibr identifiers wikipedia articles with sudoc identifiers wikipedia articles with trove identifiers wikipedia articles with vcba identifiers wikipedia articles with viaf identifiers wikipedia articles with worldcatid identifiers year of birth unknown navigation menu personal tools not logged in talk contributions create account log in namespaces article talk variants views read edit view history more search navigation main page contents current events random article about wikipedia contact us donate contribute help learn to edit community portal recent changes upload file tools what links here related changes upload file special pages permanent link page information cite this page wikidata item print/export download as pdf printable version languages català deutsch Ελληνικά español esperanto français gàidhlig galego bahasa indonesia italiano latina mirandés português Русский svenska edit links this page was last edited on december , at :  (utc). text is available under the creative commons attribution-sharealike license; additional terms may apply. by using this site, you agree to the terms of use and privacy policy. wikipedia® is a registered trademark of the wikimedia foundation, inc., a non-profit organization. privacy policy about wikipedia disclaimers contact wikipedia mobile view developers statistics cookie statement view source for horace - wikipedia view source for horace ← horace jump to navigation jump to search you do not have permission to edit this page, for the following reasons: your ip address is in a range that has been blocked on all wikimedia foundation wikis. the block was made by jon kolbert (meta.wikimedia.org). the reason given is open proxy: webhost: contact stewards if you are affected . start of block: : , july expiry of block: : , january your current ip address is . . . and the blocked range is . . . / . please include all above details in any queries you make. if you believe you were blocked by mistake, you can find additional information and instructions in the no open proxies global policy. otherwise, to discuss the block please post a request for review on meta-wiki or send an email to the stewards otrs queue at stewards@wikimedia.org including all above details. you are currently unable to edit wikipedia due to a block affecting your ip address. this does not affect your ability to read wikipedia pages. most people who see this message have done nothing wrong. some kinds of blocks restrict editing from specific service providers or telecom companies in response to recent abuse or vandalism, and affect other users who are unrelated to that abuse. see below if you do not believe you have done anything wrong. editing from . . . / has been blocked (disabled) by ‪sql‬ for the following reason(s): the ip address that you are currently using has been blocked because it is believed to be a web host provider or colocation provider. to prevent abuse, web hosts and colocation providers may be blocked from editing wikipedia. you will not be able to edit wikipedia using a web host or colocation provider because it hides your ip address, much like a proxy or vpn. we recommend that you attempt to use another connection to edit. for example, if you use a proxy or vpn to connect to the internet, turn it off when editing wikipedia. if you edit using a mobile connection, try using a wi-fi connection, and vice versa. if you have a wikipedia account, please log in. if you do not have any other way to edit wikipedia, you will need to request an ip block exemption. if you are confident that you are not using a web host, you may appeal this block by adding the following text on your talk page: {{unblock|reason=caught by a colocation web host block but this host or ip is not a web host. my ip address is _______. place any further information here. ~~~~}}. you must fill in the blank with your ip address for this block to be investigated. your ip address can be determined here. alternatively, if you wish to keep your ip address private you can use the unblock ticket request system. there are several reasons you might be editing using the ip address of a web host or colocation provider (such as if you are using vpn software or a business network); 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"[[ars poetica (horace)|the art of poetry]]" | spouse = | partner = | children = | relatives = | awards = | signature = | signature_alt = | website = | portaldisp = }} '''quintus horatius flaccus''' ( december – november bc), known in the english-speaking world as '''horace''' ({{ipac-en|ˈ|h|ɒr|ɪ|s}}), was the leading [[roman empire|roman]] [[lyric poetry|lyric poet]] during the time of [[augustus]] (also known as octavian). the rhetorician [[quintilian]] regarded his ''[[odes (horace)|odes]]'' as just about the only latin lyrics worth reading: "he can be lofty sometimes, yet he is also full of charm and grace, versatile in his figures, and felicitously daring in his choice of words."quintilian . . . the only other lyrical poet quintilian thought comparable with horace was the now obscure poet/metrical theorist, [[caesius bassus]] (r. tarrant, ''ancient receptions of horace'', ) horace also crafted elegant [[prosody (latin)|hexameter verses]] (''[[satires (horace)|satires]]'' and ''[[epistles (horace)|epistles]]'') and caustic [[iambus (genre)|iambic poetry]] (''[[epodes (horace)|epodes]]''). the hexameters are amusing yet serious works, friendly in tone, leading the ancient satirist [[persius]] to comment: "as his friend laughs, horace slyly puts his finger on his every fault; once let in, he plays about the heartstrings".translated from persius' own 'satires' . – : "omne vafer vitium ridenti flaccus amico / tangit et admissus circum praecordia ludit." his career coincided with rome's momentous change from a [[republic]] to an [[empire]]. an officer in the republican army defeated at the [[battle of philippi]] in bc, he was befriended by octavian's right-hand man in civil affairs, [[maecenas]], and became a spokesman for the new regime. for some commentators, his association with the regime was a delicate balance in which he maintained a strong measure of independence (he was "a master of the graceful sidestep")j. michie, ''the odes of horace'', but for others he was, in [[john dryden]]'s phrase, "a well-mannered court slave".n. rudd, ''the satires of horace and persius'', quoted by [[niall rudd|n. rudd]] from john dryden's ''discourse concerning the original and progress of satire'', excerpted from w.p.ker's edition of dryden's essays, oxford , vol. , pp. – ==life== [[file:horatii flacci sermonum.tif|thumb|''[[horatii flacci sermonum]]'' ( )]] horace can be regarded as the world's first autobiographer.r. barrow r., ''the romans'' pelican books, in his writings, he tells us far more about himself, his character, his development, and his way of life, than any other great poet of antiquity. some of the biographical material contained in his work can be supplemented from the short but valuable "life of horace" by [[suetonius]] (in his ''lives of the poets'').fraenkel, eduard. ''horace.'' oxford: , p. .
for the life of horace by suetonius, see: ([http://www.gutenberg.org/cache/epub/ /pg .html ''vita horati''])
===childhood=== he was born on december bcthe year is given in ''odes'' . . ([[lucius manlius torquatus|"consule manlio"]]), the month in ''epistles'' . . , the day in suetonius' biography ''vita'' (r. nisbet, ''horace: life and chronology'', ) in the [[samnites|samnite]] south of [[italy (roman empire)|italy]].''brill's companion to horace'', edited by hans-christian günther, brill, , p. , [https://books.google.com/books?id=n b yuwxfm c&pg=pa google book] his home town, [[venosa|venusia]], lay on a trade route in the border region between [[apulia]] and [[lucania]] ([[basilicata]]). various italic dialects were spoken in the area and this perhaps enriched his feeling for language. he could have been familiar with greek words even as a young boy and later he poked fun at the jargon of mixed greek and oscan spoken in neighbouring [[canusium]].''satires'' . . one of the works he probably studied in school was the ''odyssia'' of [[livius andronicus]], taught by teachers like the '[[orbilius]]' mentioned in one of his poems.''epistles'' . . ff. army veterans could have been settled there at the expense of local families uprooted by rome as punishment for their part in the [[social war ( – bc)]].e. fraenkel, ''horace'', – such state-sponsored migration must have added still more linguistic variety to the area. according to a local tradition reported by horace,''satires'' . . a colony of romans or latins had been installed in venusia after the [[samnites]] had been driven out early in the third century. in that case, young horace could have felt himself to be a romant. frank, ''catullus and horace'', – a. campbell, ''horace: a new interpretation'', though there are also indications that he regarded himself as a samnite or [[sabellus]] by birth.''epistles'' . . r. nisbet, ''horace: life and chronology'', italians in modern and ancient times have always been devoted to their home towns, even after success in the wider world, and horace was no different. images of his childhood setting and references to it are found throughout his poems.e. fraenkel, ''horace'', – horace's father was probably a venutian taken captive by romans in the social war, or possibly he was descended from a [[sabine]] captured in the [[samnite wars]]. either way, he was a slave for at least part of his life. he was evidently a man of strong abilities however and managed to gain his freedom and improve his social position. thus horace claimed to be the free-born son of a prosperous 'coactor'.v. kiernan, ''horace: poetics and politics'', the term 'coactor' could denote various roles, such as tax collector, but its use by horace''satires'' . . was explained by [[scholia]] as a reference to 'coactor argentareus' i.e. an auctioneer with some of the functions of a banker, paying the seller out of his own funds and later recovering the sum with interest from the buyer.e. fraenkel, ''horace'', – the father spent a small fortune on his son's education, eventually accompanying him to [[rome]] to oversee his schooling and moral development. the poet later paid tribute to him in a poem''satires'' . that one modern scholar considers the best memorial by any son to his father."no son ever set a finer monument to his father than horace did in the sixth satire of book i...horace's description of his father is warm-hearted but free from sentimentality or exaggeration. we see before us one of the common people, a hard-working, open-minded, and thoroughly honest man of simple habits and strict convictions, representing some of the best qualities that at the end of the republic could still be found in the unsophisticated society of the italian ''municipia''" {{emdash}} e. fraenkel, ''horace'', – the poem includes this passage:
if my character is flawed by a few minor faults, but is otherwise decent and moral, if you can point out only a few scattered blemishes on an otherwise immaculate surface, if no one can accuse me of greed, or of prurience, or of profligacy, if i live a virtuous life, free of defilement (pardon, for a moment, my self-praise), and if i am to my friends a good friend, my father deserves all the credit... as it is now, he deserves from me unstinting gratitude and praise. i could never be ashamed of such a father, nor do i feel any need, as many people do, to apologize for being a freedman's son. ''[[satire]]s . . – ''
he never mentioned his mother in his verses and he might not have known much about her. perhaps she also had been a slave. ===adulthood=== horace left rome, possibly after his father's death, and continued his formal education in athens, a great centre of learning in the ancient world, where he arrived at nineteen years of age, enrolling in [[platonic academy|the academy]]. founded by [[plato]], the academy was now dominated by [[epicureans]] and [[stoics]], whose theories and practises made a deep impression on the young man from venusia.v. kiernan, ''horace: poetics and politics'', meanwhile, he mixed and lounged about with the elite of roman youth, such as marcus, the idle son of [[cicero]], and the pompeius to whom he later addressed a poem.''odes'' . it was in athens too that he probably acquired deep familiarity with the ancient tradition of greek lyric poetry, at that time largely the preserve of grammarians and academic specialists (access to such material was easier in athens than in rome, where the public libraries had yet to be built by [[asinius pollio]] and augustus).e. fraenkel, ''horace'', – rome's troubles following the assassination of [[julius caesar]] were soon to catch up with him. [[marcus junius brutus]] came to athens seeking support for the republican cause. brutus was fêted around town in grand receptions and he made a point of attending academic lectures, all the while recruiting supporters among the young men studying there, including horace.e. fraenkel, ''horace'', – an educated young roman could begin military service high in the ranks and horace was made [[tribunus militum]] (one of six senior officers of a typical legion), a post usually reserved for men of senatorial or equestrian rank and which seems to have inspired jealousy among his well-born confederates.''satires'' . . r. nisbet, ''horace: life and chronology'', he learned the basics of military life while on the march, particularly in the wilds of northern greece, whose rugged scenery became a backdrop to some of his later poems.v. kiernan, ''horace'', it was there in bc that [[octavian]] (later [[augustus]]) and his associate [[mark antony]] crushed the republican forces at the [[battle of philippi]]. horace later recorded it as a day of embarrassment for himself, when he fled without his shield,''odes'' . . but allowance should be made for his self-deprecating humour. moreover, the incident allowed him to identify himself with some famous poets who had long ago abandoned their shields in battle, notably his heroes [[alcaeus of mytilene|alcaeus]] and [[archilochus]]. the comparison with the latter poet is uncanny: archilochus lost his shield in a part of thrace near philippi, and he was deeply involved in the greek colonization of [[thasos]], where horace's die-hard comrades finally surrendered. octavian offered an early amnesty to his opponents and horace quickly accepted it. on returning to italy, he was confronted with yet another loss: his father's estate in venusia was one of many throughout italy to be confiscated for the settlement of veterans ([[virgil]] lost his estate in the north about the same time). horace later claimed that he was reduced to poverty and this led him to try his hand at poetry.''epistles'' . . – in reality, there was no money to be had from versifying. at best, it offered future prospects through contacts with other poets and their patrons among the rich.v. kiernan, ''horace: poetics and politics'' meanwhile, he obtained the sinecure of ''scriba quaestorius'', a civil service position at the ''aerarium'' or treasury, profitable enough to be purchased even by members of the ''ordo equester'' and not very demanding in its work-load, since tasks could be delegated to ''scribae'' or permanent clerks.e. fraenkel, ''horace'', – it was about this time that he began writing his ''satires'' and ''epodes''. ====poet==== [[file:fedor bronnikov .jpg|thumb|horace reads before maecenas, by [[fyodor bronnikov]]]] the ''epodes'' belong to [[iambic poetry]]. iambic poetry features insulting and obscene language;christopher brown, in ''a companion to the greek lyric poets'', d.e. gerber (ed), leiden , pages – douglas e. gerber, ''greek iambic poetry'', loeb classical library ( ), introduction pages i–iv sometimes, it is referred to as ''blame poetry''.d. mankin, ''horace: epodes'', c.u.p., ''blame poetry'', or ''shame poetry'', is poetry written to blame and shame fellow citizens into a sense of their social obligations. horace modelled these poems on the poetry of [[archilochus]]. social bonds in rome had been decaying since the destruction of [[carthage]] a little more than a hundred years earlier, due to the vast wealth that could be gained by plunder and corruption.d. mankin, ''horace: epodes'', these social ills were magnified by rivalry between julius caesar, mark antony and confederates like [[sextus pompey]], all jockeying for a bigger share of the spoils. one modern scholar has counted a dozen civil wars in the hundred years leading up to bc, including the [[spartacus]] rebellion, eight years before horace's birth.r. conway, ''new studies of a great inheritance'', – as the heirs to hellenistic culture, horace and his fellow romans were not well prepared to deal with these problems: {{quotation|at bottom, all the problems that the times were stirring up were of a social nature, which the hellenistic thinkers were ill qualified to grapple with. some of them censured oppression of the poor by the rich, but they gave no practical lead, though they may have hoped to see well-meaning rulers doing so. philosophy was drifting into absorption in self, a quest for private contentedness, to be achieved by self-control and restraint, without much regard for the fate of a disintegrating community.|[[v. g. kiernan]]v. kiernan, ''horace: poetics and politics'', – }} horace's hellenistic background is clear in his satires, even though the genre was unique to latin literature. he brought to it a style and outlook suited to the social and ethical issues confronting rome but he changed its role from public, social engagement to private meditation.f. muecke, ''the satires'', – meanwhile, he was beginning to interest octavian's supporters, a gradual process described by him in one of his satires. the way was opened for him by his friend, the poet virgil, who had gained admission into the privileged circle around maecenas, octavian's lieutenant, following the success of his ''[[eclogues]]''. an introduction soon followed and, after a discreet interval, horace too was accepted. he depicted the process as an honourable one, based on merit and mutual respect, eventually leading to true friendship, and there is reason to believe that his relationship was genuinely friendly, not just with maecenas but afterwards with augustus as well.r. lyne, ''augustan poetry and society'', on the other hand, the poet has been unsympathetically described by one scholar as "a sharp and rising young man, with an eye to the main chance."j. griffin, ''horace in the thirties'', there were advantages on both sides: horace gained encouragement and material support, the politicians gained a hold on a potential dissident.r. nisbet, ''horace: life and chronology'', his republican sympathies, and his role at philippi, may have caused him some pangs of remorse over his new status. however most romans considered the civil wars to be the result of ''contentio dignitatis'', or rivalry between the foremost families of the city, and he too seems to have accepted the principate as rome's last hope for much needed peace.d. mankin, ''horace: epodes'', in bc, horace accompanied maecenas on a journey to [[brundisium]], described in one of his poems''satires'' . as a series of amusing incidents and charming encounters with other friends along the way, such as virgil. in fact the journey was political in its motivation, with maecenas en route to negotiatie the [[treaty of tarentum]] with antony, a fact horace artfully keeps from the reader (political issues are largely avoided in the first book of satires). horace was probably also with maecenas on one of octavian's naval expeditions against the piratical sextus pompeius, which ended in a disastrous storm off [[palinurus]] in bc, briefly alluded to by horace in terms of near-drowning.''odes'' . . ''odes'' . . : "nec (me extinxit) sicula palinurus unda"; "nor did palinurus extinguish me with sicilian waters". maecenas' involvement is recorded by [[appian]] ''bell. civ.'' . but horace's ode is the only historical reference to his own presence there, depending however on interpretation. (r. nisbet, ''horace: life and chronology'', ) there are also some indications in his verses that he was with maecenas at the [[battle of actium]] in bc, where octavian defeated his great rival, antony.''epodes'' and the point is much disputed among scholars and hinges on how the text is interpreted. ''epodes'' for example may offer proof of horace's presence if 'ad hunc frementis' ('gnashing at this' man i.e. the traitrous roman ) is a misreading of 'at huc...verterent' (but hither...they fled) in lines describing the defection of the galatian cavalry, "ad hunc frementis verterunt bis mille equos / galli canentes caesarem" (r. nisbet, ''horace: life and chronology'', ). by then horace had already received from maecenas the famous gift of his [[horace's villa|sabine farm]], probably not long after the publication of the first book of ''satires''. the gift, which included income from five tenants, may have ended his career at the treasury, or at least allowed him to give it less time and energy.e. fraenkel, ''horace'', it signalled his identification with the octavian regime yet, in the second book of ''satires'' that soon followed, he continued the apolitical stance of the first book. by this time, he had attained the status of ''eques romanus'',''satires'' . . perhaps as a result of his work at the treasury.r. nisbet, ''horace: life and chronology'', ====knight==== ''odes'' – were the next focus for his artistic creativity. he adapted their forms and themes from greek lyric poetry of the seventh and sixth centuries bc. the fragmented nature of the [[greek world]] had enabled his literary heroes to express themselves freely and his semi-retirement from the treasury in rome to [[horace's villa|his own estate]] in the sabine hills perhaps empowered him to some extent alsov. kiernan, ''horace: poetics and politics'', – yet even when his lyrics touched on public affairs they reinforced the importance of private life. nevertheless, his work in the period – bc began to show his closeness to the regime and his sensitivity to its developing ideology. in ''odes'' . , for example, he eulogized octavian in hyperboles that echo hellenistic court poetry. the name ''augustus'', which octavian assumed in january bc, is first attested in ''odes'' . and . . in the period – bc, political allusions in the ''odes'' concentrated on foreign wars in britain ( . ), arabia ( . ) spain ( . ) and parthia ( . ). he greeted augustus on his return to rome in bc as a beloved ruler upon whose good health he depended for his own happiness ( . ).r. nisbet, ''horace: life and chronology'', the public reception of ''odes'' – disappointed him, however. he attributed the lack of success to jealousy among imperial courtiers and to his isolation from literary cliques.''epistles'' . . – perhaps it was disappointment that led him to put aside the genre in favour of verse letters. he addressed his first book of ''epistles'' to a variety of friends and acquaintances in an urbane style reflecting his new social status as a knight. in the opening poem, he professed a deeper interest in moral philosophy than poetry''epistles'' . . but, though the collection demonstrates a leaning towards stoic theory, it reveals no sustained thinking about ethics.v. kiernan, ''horace: poetics and politics'', , maecenas was still the dominant confidante but horace had now begun to assert his own independence, suavely declining constant invitations to attend his patron.''epistles'' . in the final poem of the first book of ''epistles'', he revealed himself to be forty-four years old in the consulship of lollius and lepidus i.e. bc, and "of small stature, fond of the sun, prematurely grey, quick-tempered but easily placated".''epistles'' . . – r. nisbet, ''horace: life and chronology'', – according to suetonius, the second book of ''epistles'' was prompted by augustus, who desired a verse epistle to be addressed to himself. augustus was in fact a prolific letter-writer and he once asked horace to be his personal secretary. horace refused the secretarial role but complied with the emperor's request for a verse letter.e. fraenkel, ''horace'', – the letter to augustus may have been slow in coming, being published possibly as late as bc. it celebrated, among other things, the bc military victories of his stepsons, drusus and tiberius, yet it and the following letter''epistles'' . were largely devoted to literary theory and criticism. the literary theme was explored still further in ''ars poetica'', published separately but written in the form of an epistle and sometimes referred to as ''epistles'' . (possibly the last poem he ever wrote).r. ferri, ''the epistles'', he was also commissioned to write odes commemorating the victories of drusus and tiberius''odes'' . and . and one to be sung in a temple of apollo for the [[secular games]], a long-abandoned festival that augustus revived in accordance with his policy of recreating ancient customs (''carmen saeculare''). suetonius recorded some gossip about horace's sexual activities late in life, claiming that the walls of his bedchamber were covered with obscene pictures and mirrors, so that he saw erotica wherever he looked.suetonius signals that the report is based on rumours by employing the terms "traditur...dicitur" / "it is reported...it is said" (e. fraenkel, ''horace'', ) the poet died at years of age, not long after his friend maecenas, near whose tomb he was laid to rest. both men bequeathed their property to augustus, an honour that the emperor expected of his friends.e. fraenkel, ''horace'', ==works== [[image:horatius - boek i ode xiv - cleveringaplaats , leiden.jpg|thumb|''odes'' . – [[wall poems in leiden|wall poem in leiden]] ]] the dating of horace's works isn't known precisely and scholars often debate the exact order in which they were first 'published'. there are persuasive arguments for the following chronology:r nisbet, ''horace: life and chronology'', – * ''[[satires (horace)|satires ]]'' (c. – bc) * ''[[satires (horace)|satires ]]'' (c. bc) * ''[[epodes (horace)|epodes]]'' ( bc) * ''[[odes (horace)|odes – ]]'' (c. bc)according to a recent theory, the three books of ''odes'' were issued separately, possibly in , and bc (see g. hutchinson ( ), ''classical quarterly'' : – ) * ''[[epistles (horace)|epistles ]]'' (c. bc) * ''[[carmen saeculare]]'' ( bc) * ''[[epistles (horace)|epistles ]]'' (c. bc) bc is the usual estimate but c. bc has good support too (see r. nisbet, ''horace: life and chronology'', – * ''[[odes (horace)|odes ]]'' (c. bc) * ''[[ars poetica (horace)|ars poetica]]'' (c. – bc)the date however is subject to much controversy with – bc another option (see for example r. syme, ''the augustan aristocracy'', – ===historical context=== horace composed in traditional [[meter (poetry)|metres]] borrowed from [[archaic greece]], employing [[hexameter]]s in his ''satires'' and ''epistles'', and [[iamb (poetry)|iambs]] in his ''epodes'', all of which were relatively easy to adapt into [[prosody (latin)|latin forms]]. his ''odes'' featured more complex measures, including [[alcaic verse|alcaics]] and [[sapphic stanza|sapphics]], which were sometimes a difficult fit for latin structure and [[syntax]]. despite these traditional metres, he presented himself as a partisan in the development of a new and sophisticated style. he was influenced in particular by [[hellenistic poetry|hellenistic]] aesthetics of brevity, elegance and polish, as modelled in the work of [[callimachus]].s. harrison, ''style and poetic texture'', {{quotation|as soon as horace, stirred by his own genius and encouraged by the example of virgil, varius, and perhaps some other poets of the same generation, had determined to make his fame as a poet, being by temperament a fighter, he wanted to fight against all kinds of prejudice, amateurish slovenliness, philistinism, reactionary tendencies, in short to fight for the new and noble type of poetry which he and his friends were endeavouring to bring about.|[[eduard fraenkel]]e. fraenkel, ''horace'', – }} in modern literary theory, a distinction is often made between immediate personal experience (''urerlebnis'') and experience mediated by cultural vectors such as literature, philosophy and the visual arts (''bildungserlebnis'').{{cite book|last =gundolf|first =friedrich|title=goethe|date= |publisher=bondi|location=berlin, germany}} the distinction has little relevance for horace{{citation needed|date=august }} however since his personal and literary experiences are implicated in each other. ''satires'' . , for example, recounts in detail a real trip horace made with virgil and some of his other literary friends, and which parallels a satire by [[gaius lucilius|lucilius]], his predecessor.e. fraenkel, ''horace'', – unlike much hellenistic-inspired literature, however, his poetry was not composed for a small coterie of admirers and fellow poets, nor does it rely on abstruse allusions for many of its effects. though elitist in its literary standards, it was written for a wide audience, as a public form of art.e. fraenkel, ''horace'', ambivalence also characterizes his literary persona, since his presentation of himself as part of a small community of philosophically aware people, seeking true peace of mind while shunning vices like greed, was well adapted to augustus's plans to reform public morality, corrupted by greed—his personal plea for moderation was part of the emperor's grand message to the nation.e. fraenkel, ''horace'', – horace generally followed the examples of poets established as classics in different genres, such as [[archilochus]] in the ''epodes'', lucilius in the ''satires'' and [[alcaeus of mytilene|alcaeus]] in the ''odes'', later broadening his scope for the sake of variation and because his models weren't actually suited to the realities confronting him. archilochus and alcaeus were aristocratic greeks whose poetry had a social and religious function that was immediately intelligible to their audiences but which became a mere artifice or literary motif when transposed to rome. however, the artifice of the ''odes'' is also integral to their success, since they could now accommodate a wide range of emotional effects, and the blend of greek and roman elements adds a sense of detachment and universality.j. griffin, ''gods and religion'', horace proudly claimed to introduce into latin the spirit and iambic poetry of archilochus but (unlike archilochus) without persecuting anyone (''epistles'' . . – ). it was no idle boast. his ''epodes'' were modelled on the verses of the greek poet, as 'blame poetry', yet he avoided targeting real [[scapegoat]]s. whereas archilochus presented himself as a serious and vigorous opponent of wrong-doers, horace aimed for comic effects and adopted the persona of a weak and ineffectual critic of his times (as symbolized for example in his surrender to the witch canidia in the final epode).s. harrison, ''lyric and iambic'', he also claimed to be the first to introduce into latin the lyrical methods of alcaeus (''epistles'' . . – ) and he actually was the first latin poet to make consistent use of alcaic meters and themes: love, politics and the [[symposium]]. he imitated other greek lyric poets as well, employing a 'motto' technique, beginning each ode with some reference to a greek original and then diverging from it.s. harrison, ''lyric and iambic'', – the satirical poet lucilius was a senator's son who could castigate his peers with impunity. horace was a mere freedman's son who had to tread carefully.e. fraenkel, ''horace'', , lucilius was a rugged patriot and a significant voice in roman self-awareness, endearing himself to his countrymen by his blunt frankness and explicit politics. his work expressed genuine freedom or [[libertas]]. his style included 'metrical vandalism' and looseness of structure. horace instead adopted an oblique and ironic style of satire, ridiculing stock characters and anonymous targets. his libertas was the private freedom of a philosophical outlook, not a political or social privilege.l. morgan, ''satire'', – his ''satires'' are relatively easy-going in their use of meter (relative to the tight lyric meters of the ''odes'')s. harrison, ''style and poetic texture'', but formal and highly controlled relative to the poems of lucilius, whom horace mocked for his sloppy standards (''satires'' . . – )"[lucilius]...resembles a man whose only concern is to force / something into the framework of six feet, and who gaily produces / two hundred lines before dinner and another two hundred after."{{spaced ndash}}''satire'' . . – (translated by [[niall rudd]], ''the satires of horace and persius'', penguin classics , p. ) the ''epistles'' may be considered among horace's most innovative works. there was nothing like it in greek or roman literature. occasionally poems had had some resemblance to letters, including an elegiac poem from [[solon]] to [[mimnermus]] and some lyrical poems from [[pindar]] to [[hieron of syracuse]]. lucilius had composed a satire in the form of a letter, and some epistolary poems were composed by [[catullus]] and [[propertius]]. but nobody before horace had ever composed an entire collection of verse letters,r. ferri, ''the epistles'', pp. – let alone letters with a focus on philosophical problems. the sophisticated and flexible style that he had developed in his ''satires'' was adapted to the more serious needs of this new genre.e. fraenkel, ''horace'', p. such refinement of style was not unusual for horace. his craftsmanship as a wordsmith is apparent even in his earliest attempts at this or that kind of poetry, but his handling of each genre tended to improve over time as he adapted it to his own needs. thus for example it is generally agreed that his second book of ''satires'', where human folly is revealed through dialogue between characters, is superior to the first, where he propounds his ethics in monologues. nevertheless, the first book includes some of his most popular poems.v. kiernan, ''horace: poetics and politics'', ===themes=== horace developed a number of inter-related themes throughout his poetic career, including politics, love, philosophy and ethics, his own social role, as well as poetry itself. his ''epodes'' and ''satires'' are forms of 'blame poetry' and both have a natural affinity with the moralising and diatribes of [[cynicism (philosophy)|cynicism]]. this often takes the form of allusions to the work and philosophy of [[bion of borysthenes]] there is one reference to bion by name in ''epistles'' . . , and the clearest allusion to him is in ''satire'' . , which parallels bion fragments , , ''kindstrand'' but it is as much a literary game as a philosophical alignment. by the time he composed his ''epistles'', he was a critic of [[cynicism (philosophy)|cynicism]] along with all impractical and "high-falutin" philosophy in general.''epistles'' . and . . – are critical of the extreme views of [[diogenes]] and also of social adaptations of cynic precepts, and yet ''epistle'' . could be either cynic or stoic in its orientation (j. moles, ''philosophy and ethics'', p. j. moles, ''philosophy and ethics'', pp. – , the ''satires'' also include a strong element of [[epicureanism]], with frequent allusions to the epicurean poet [[lucretius]].''satires'' . . – , – , . . – , . . – , – , . . , – , . . – , . . – , , . . – so for example the epicurean sentiment ''[[carpe diem]]'' is the inspiration behind horace's repeated punning on his own name (''horatius ~ hora'') in ''satires'' . .k. j. reckford, ''some studies in horace's odes on love'' the ''satires'' also feature some [[stoicism|stoic]], [[peripatetic school|peripatetic]] and [[platonic dialogues|platonic]] (''dialogues'') elements. in short, the ''satires'' present a medley of philosophical programs, dished up in no particular order—a style of argument typical of the [[satires (horace)|genre]].j. moles, ''philosophy and ethics'', p. the ''odes'' display a wide range of topics. over time, he becomes more confident about his political voice.santirocco "unity and design", lowrie "horace's narrative odes" although he is often thought of as an overly intellectual lover, he is ingenious in representing passion.ancona, "time and the erotic" the "odes" weave various philosophical strands together, with allusions and statements of doctrine present in about a third of the ''odes'' books – , ranging from the flippant ( . , . ) to the solemn ( . , . , . ). [[epicureanism]] is the dominant influence, characterizing about twice as many of these odes as stoicism. a group of odes combines these two influences in tense relationships, such as ''odes'' . , praising stoic virility and devotion to public duty while also advocating private pleasures among friends. while generally favouring the epicurean lifestyle, the lyric poet is as eclectic as the satiric poet, and in ''odes'' . even proposes aristotle's [[golden mean (philosophy)|golden mean]] as a remedy for rome's political troubles.j. moles, ''philosophy and ethics'', pp. – many of horace's poems also contain much reflection on genre, the lyric tradition, and the function of poetry.davis "polyhymnia" and lowrie "horace's narrative odes" ''odes'' , thought to be composed at the emperor's request, takes the themes of the first three books of "odes" to a new level. this book shows greater poetic confidence after the public performance of his "carmen saeculare" or "century hymn" at a public festival orchestrated by augustus. in it, horace addresses the emperor augustus directly with more confidence and proclaims his power to grant poetic immortality to those he praises. it is the least philosophical collection of his verses, excepting the twelfth ode, addressed to the dead virgil as if he were living. in that ode, the epic poet and the lyric poet are aligned with [[stoicism]] and [[epicureanism]] respectively, in a mood of bitter-sweet pathos.j. moles, ''philosophy and ethics'', p. the first poem of the ''epistles'' sets the philosophical tone for the rest of the collection: "so now i put aside both verses and all those other games: what is true and what befits is my care, this my question, this my whole concern." his poetic renunciation of poetry in favour of philosophy is intended to be ambiguous. ambiguity is the hallmark of the ''epistles''. it is uncertain if those being addressed by the self-mocking poet-philosopher are being honoured or criticized. though he emerges as an [[epicureanism|epicurean]], it is on the understanding that philosophical preferences, like political and social choices, are a matter of personal taste. thus he depicts the ups and downs of the philosophical life more realistically than do most philosophers.j. moles, ''philosophy and ethics'', pp. – ==reception== [[file:quinto orazio flacco.jpg|thumb|horace, portrayed by [[giacomo di chirico]]]] the reception of horace's work has varied from one epoch to another and varied markedly even in his own lifetime. ''odes'' – were not well received when first 'published' in rome, yet augustus later commissioned a ceremonial ode for the centennial games in bc and also encouraged the publication of ''odes'' , after which horace's reputation as rome's premier lyricist was assured. his odes were to become the best received of all his poems in ancient times, acquiring a classic status that discouraged imitation: no other poet produced a comparable body of lyrics in the four centuries that followedr. tarrant, ''ancient receptions of horace'', (though that might also be attributed to social causes, particularly the parasitism that italy was sinking into).v. kiernan, ''horace: poetics and politics'', in the seventeenth and eighteenth centuries, ode-writing became highly fashionable in england and a large number of aspiring poets imitated horace both in english and in latin.d. money, ''the seventeenth and eighteenth centuries'', , in a verse epistle to augustus (epistle . ), in bc, horace argued for classic status to be awarded to contemporary poets, including virgil and apparently himself.r. lyme, ''augustan poetry and society'', in the final poem of his third book of odes he claimed to have created for himself a monument more durable than bronze ("exegi monumentum aere perennius", ''[[carmina]]'' . . ). for one modern scholar, however, horace's personal qualities are more notable than the monumental quality of his achievement: {{quote|... when we hear his name we don't really think of a monument. we think rather of a voice which varies in tone and resonance but is always recognizable, and which by its unsentimental humanity evokes a very special blend of liking and respect.|[[niall rudd]][[niall rudd]], ''the satires of horace and persius'', }} yet for men like [[wilfred owen]], scarred by experiences of world war i, his poetry stood for discredited values: {{poemquote| my friend, you would not tell with such high zest to children ardent for some desperate glory, the old lie: dulce et decorum est pro patria mori.wilfred owen, ''[[dulce et decorum est]]'' ( ), echoes a line from ''carmina'' . . , "it is sweet and honourable to die for one's country", cited by stephen harrison, ''the nineteenth and twentieth centuries'', . }} the same motto, ''[[dulce et decorum est pro patria mori]]'', had been adapted to the ethos of martyrdom in the lyrics of early christian poets like [[prudentius]].r. tarrant, ''ancient receptions of horace'', – these preliminary comments touch on a small sample of developments in the reception of horace's work. more developments are covered epoch by epoch in the following sections. ===antiquity=== horace's influence can be observed in the work of his near contemporaries, [[ovid]] and [[propertius]]. ovid followed his example in creating a completely natural style of expression in hexameter verse, and propertius cheekily mimicked him in his third book of elegies.propertius published his third book of elegies within a year or two of horace's odes – and mimicked him, for example, in the opening lines, characterizing himself in terms borrowed from odes . . and . . – , as a priest of the muses and as an adaptor of greek forms of poetry (r. tarrant, ''ancient receptions of horace'', ) his ''epistles'' provided them both with a model for their own verse letters and it also shaped ovid's exile poetry.ovid for example probably borrowed from horace's ''epistle'' . the image of a poetry book as a slave boy eager to leave home, adapting it to the opening poems of ''tristia'' and (r. tarrant, ''ancient receptions of horace''), and ''tristia'' may be understood as a counterpart to horace's ''epistles'' . , both being letters addressed to augustus on literary themes (a. barchiesi, ''speaking volumes'', – ) his influence had a perverse aspect. as mentioned before, the brilliance of his ''odes'' may have discouraged imitation. conversely, they may have created a vogue for the lyrics of the archaic greek poet [[pindar]], due to the fact that horace had neglected that style of lyric (see [[pindar#influence and legacy|influence and legacy of pindar]]).r. tarrant, ancient receptions of horace, the iambic genre seems almost to have disappeared after publication of horace's ''epodes''. ovid's ''ibis'' was a rare attempt at the form but it was inspired mainly by [[callimachus]], and there are some iambic elements in [[martial]] but the main influence there was [[catullus]].r. tarrant, ''ancient receptions of horace'', a revival of popular interest in the satires of lucilius may have been inspired by horace's criticism of his unpolished style. both horace and lucilius were considered good role-models by [[persius]], who critiqued his own satires as lacking both the acerbity of lucillius and the gentler touch of horace.the comment is in persius . – , yet that same satire has been found to have nearly reminiscences of horace; see d. hooley, ''the knotted thong'', [[juvenal]]'s caustic satire was influenced mainly by lucilius but horace by then was a school classic and juvenal could refer to him respectfully and in a round-about way as "''the venusine lamp''".the allusion to ''venusine'' comes via horace's ''sermones'' . . , while ''lamp'' signifies the lucubrations of a conscientious poet. according to quintilian ( ), however, many people in flavian rome preferred lucilius not only to horace but to all other latin poets (r. tarrant, ''ancient receptions of horace'', ) [[statius]] paid homage to horace by composing one poem in sapphic and one in alcaic meter (the verse forms most often associated with ''odes''), which he included in his collection of occasional poems, ''silvae''. ancient scholars wrote commentaries on the lyric meters of the ''odes'', including the scholarly poet [[caesius bassus]]. by a process called ''derivatio'', he varied established meters through the addition or omission of syllables, a technique borrowed by [[seneca the younger]] when adapting horatian meters to the stage.r. tarrant, ''ancient receptions of horace'', – horace's poems continued to be school texts into late antiquity. works attributed to [[helenius acro]] and [[pomponius porphyrio]] are the remnants of a much larger body of horatian scholarship. porphyrio arranged the poems in non-chronological order, beginning with the ''odes'', because of their general popularity and their appeal to scholars (the ''odes'' were to retain this privileged position in the medieval manuscript tradition and thus in modern editions also). horace was often evoked by poets of the fourth century, such as [[ausonius]] and [[claudian]]. [[prudentius]] presented himself as a christian horace, adapting horatian meters to his own poetry and giving horatian motifs a christian tone.prudentius sometimes alludesto the ''odes'' in a negative context, as expressions of a secular life he is abandoning. thus for example ''male pertinax'', employed in prudentius's ''praefatio'' to describe a willful desire for victory, is lifted from ''odes'' . . , where it describes a girl's half-hearted resistance to seduction. elsewhere he borrows ''dux bone'' from ''odes'' . . and , where it refers to augustus, and applies it to christ (r. tarrant, ''ancient receptions of horace'', on the other hand, [[st jerome]], modelled an uncompromising response to the pagan horace, observing: "''what harmony can there be between christ and the devil? what has horace to do with the psalter?''"st jerome, ''epistles'' . , incorporating a quote from '' 'corinthians'' . : ''qui consensus christo et belial? quid facit cum psalterio horatius?''(cited by k. friis-jensen, ''horace in the middle ages'', ) by the early sixth century, horace and prudentius were both part of a classical heritage that was struggling to survive the disorder of the times. [[boethius]], the last major author of classical latin literature, could still take inspiration from horace, sometimes mediated by senecan tragedy.r. tarrant, ''ancient receptions of horace'', it can be argued that horace's influence extended beyond poetry to dignify core themes and values of the early christian era, such as self-sufficiency, inner contentment and courage.''odes'' . . – was especially influential in promoting the value of heroic calm in the face of danger, describing a man who could bear even the collapse of the world without fear (''si fractus illabatur orbis,/impavidum ferient ruinae''). echoes are found in seneca's ''agamemnon'' – , prudentius's ''peristephanon'' . – and boethius's ''consolatio'' metrum .(r. tarrant, ''ancient receptions of horace'', – ) ===middle ages and renaissance=== [[file:horaz beim studium.jpg|thumb|horace in his studium: german print of the fifteenth century, summarizing the final [[:wikisource:la:carmina (horatius)/liber iv/carmen xv|ode . ]] (in praise of augustus).]] classical texts almost ceased being copied in the period between the mid sixth century and the [[carolingian renaissance|carolingian revival]]. horace's work probably survived in just two or three books imported into northern europe from italy. these became the ancestors of six extant manuscripts dated to the ninth century. two of those six manuscripts are french in origin, one was produced in [[alsace]], and the other three show irish influence but were probably written in continental monasteries ([[lombardy]] for example).r. tarrant, ''ancient receptions of horace'', – by the last half of the ninth century, it was not uncommon for literate people to have direct experience of horace's poetry. his influence on the [[carolingian renaissance]] can be found in the poems of [[heiric of auxerre]]heiric, like prudentius, gave horatian motifs a christian context. thus the character lydia in ''odes'' . . , who would willingly die for her lover twice, becomes in heiric's ''life'' of st germaine of auxerre a saint ready to die twice for the lord's commandments (r. tarrant, ''ancient receptions of horace'', – ) and in some manuscripts marked with [[neumes]], mysterious notations that may have been an aid to the memorization and discussion of his lyric meters. ''ode'' [[:wikisource:la:carmina (horatius)/liber iv/carmen xi| . ]] is neumed with the melody of a hymn to john the baptist, ''[[ut queant laxis]]'', composed in [[sapphic stanza]]s. this hymn later became the basis of the [[solfege]] system (''do, re, mi...''){{emdash}}an association with western music quite appropriate for a lyric poet like horace, though the language of the hymn is mainly prudentian.r. tarrant, ''ancient receptions of horace'', – lyonsstuart lyons, horace's odes and the mystery of do-re-mi argues that the melody in question was linked with horace's ode well before guido d'arezzo fitted [[ut queant laxis]] to it. however, the melody is unlikely to be a survivor from classical times, although ovidtristia, . . – testifies to horace's use of the lyre while performing his odes. the german scholar, [[ludwig traube (palaeographer)|ludwig traube]], once dubbed the tenth and eleventh centuries ''the age of horace'' (''aetas horatiana''), and placed it between the ''aetas vergiliana'' of the eighth and ninth centuries, and the ''aetas ovidiana'' of the twelfth and thirteenth centuries, a distinction supposed to reflect the dominant classical latin influences of those times. such a distinction is over-schematized since horace was a substantial influence in the ninth century as well. traube had focused too much on horace's ''satires''.b. bischoff, ''living with the satirists'', – almost all of horace's work found favour in the medieval period. in fact medieval scholars were also guilty of over-schematism, associating horace's different genres with the different ages of man. a twelfth-century scholar encapsulated the theory: "...horace wrote four different kinds of poems on account of the four ages, the ''odes'' for boys, the ''ars poetica'' for young men, the ''satires'' for mature men, the ''epistles'' for old and complete men."k. friis-jensen,''horace in the middle ages'', it was even thought that horace had composed his works in the order in which they had been placed by ancient scholars.according to a medieval french commentary on the ''satires'': "...first he composed his lyrics, and in them, speaking to the young, as it were, he took as subject-matter love affairs and quarrels, banquets and drinking parties. next he wrote his ''epodes'', and in them composed invectives against men of a more advanced and more dishonourable age...he next wrote his book about the ''ars poetica'', and in that instructed men of his own profession to write well...later he added his book of ''satires'', in which he reproved those who had fallen a prey to various kinds of vices. finally, he finished his oeuvre with the ''epistles'', and in them, following the method of a good farmer, he sowed the virtues where he had rooted out the vices." (cited by k. friis-jensen, ''horace in the middle ages'', – ) despite its naivety, the schematism involved an appreciation of horace's works as a collection, the ''ars poetica'', ''satires'' and ''epistles'' appearing to find favour as well as the ''odes''. the later middle ages however gave special significance to ''satires'' and ''epistles'', being considered horace's mature works. [[dante]] referred to horace as ''orazio satiro'', and he awarded him a privileged position in the first circle of hell, with [[homer]], ovid and [[lucan]].k. friis-jensen, ''horace in the middle ages'', , horace's popularity is revealed in the large number of quotes from all his works found in almost every genre of medieval literature, and also in the number of poets imitating him in [[prosody (latin)#two rhythms|quantitative latin meter]]. the most prolific imitator of his ''odes'' was the bavarian monk, [[metellus of tegernsee]], who dedicated his work to the patron saint of [[tegernsee abbey]], [[quirinus of tegernsee|st quirinus]], around the year . he imitated all horace's lyrical meters then followed these up with imitations of other meters used by prudentius and boethius, indicating that variety, as first modelled by horace, was considered a fundamental aspect of the lyric genre. the content of his poems however was restricted to simple piety.k. friis-jensen, ''horace in the middle ages'', – among the most successful imitators of ''satires'' and ''epistles'' was another germanic author, calling himself [[sextus amarcius]], around , who composed four books, the first two exemplifying vices, the second pair mainly virtues.k. friis-jensen, ''horace in the middle ages'', [[petrarch]] is a key figure in the imitation of horace in accentual meters. his verse letters in latin were modelled on the ''epistles'' and he wrote a letter to horace in the form of an ode. however he also borrowed from horace when composing his italian sonnets. one modern scholar has speculated that authors who imitated horace in accentual rhythms (including stressed latin and vernacular languages) may have considered their work a natural sequel to horace's metrical variety.k. friis-jensen, ''horace in the middle ages'', in france, horace and [[pindar]] were the poetic models for a group of vernacular authors called the [[pléiade]], including for example [[pierre de ronsard]] and [[joachim du bellay]]. [[montaigne]] made constant and inventive use of horatian quotes.michael mcgann, ''horace in the renaissance'', the vernacular languages were dominant in spain and portugal in the sixteenth century, where horace's influence is notable in the works of such authors as [[garcilaso de la vega (poet)|garcilaso de la vega]], [[juan boscán]], [[sá de miranda]], [[antonio ferreira]] and [[fray luis de león]], the last writing odes on the horatian theme ''beatus ille'' (''happy the man'').e. rivers, ''fray luis de león: the original poems'' the sixteenth century in western europe was also an age of translations (except in germany, where horace wasn't translated into the vernacular until well into the seventeenth century). the first english translator was [[thomas drant]], who placed translations of [[jeremiah]] and horace side by side in ''medicinable morall'', . that was also the year that the scot [[george buchanan]] paraphrased the [[psalms]] in a horatian setting. [[ben jonson]] put horace on the stage in in ''[[poetaster (play)|poetaster]]'', along with other classical latin authors, giving them all their own verses to speak in translation. horace's part evinces the independent spirit, moral earnestness and critical insight that many readers look for in his poems.m. mcgann, ''horace in the renaissance'', – , – ===age of enlightenment=== during the seventeenth and eighteenth centuries, or the [[age of enlightenment]], neoclassical culture was pervasive. english literature in the middle of that period has been dubbed [[augustan literature|augustan]]. it is not always easy to distinguish horace's influence during those centuries (the mixing of influences is shown for example in one poet's pseudonym, ''horace juvenal'').'horace juvenal' was author of ''modern manners: a poem'', however a measure of his influence can be found in the diversity of the people interested in his works, both among readers and authors.d. money, ''the seventeenth and eighteenth centuries'', , , new editions of his works were published almost yearly. there were three new editions in (two in [[leiden]], one in [[frankfurt]]) and again in ([[utrecht]], [[barcelona]], [[cambridge]]). cheap editions were plentiful and fine editions were also produced, including one whose entire text was engraved by [[john pine]] in [[copperplate engraving|copperplate]]. the poet [[james thomson (poet)|james thomson]] owned five editions of horace's work and the physician [[james douglas (physician)|james douglas]] had five hundred books with horace-related titles. horace was often commended in periodicals such as [[the spectator ( )|the spectator]], as a hallmark of good judgement, moderation and manliness, a focus for moralising.see for example ''spectator'' ''' ''', feb. ; ''' ''', nov. ; ''' ''', nov. his verses offered a fund of mottoes, such as ''[[simplex munditiis]]'' (elegance in simplicity), ''[[splendide mendax]]'' (nobly untruthful), ''[[sapere aude]]'' (dare to know), ''[[nunc est bibendum]]'' (now is the time to drink), ''[[carpe diem]]'' (seize the day, perhaps the only one still in common use today). these were quoted even in works as prosaic as [[edmund quincy ( - )|edmund quincy]]'s ''a treatise of hemp-husbandry'' ( ). the fictional hero [[the history of tom jones, a foundling|tom jones]] recited his verses with feeling.d. money, ''the seventeenth and eighteenth centuries'', his works were also used to justify commonplace themes, such as patriotic obedience, as in james parry's english lines from an oxford university collection in :d. money, ''the seventeenth and eighteenth centuries'', – {{poemquote| what friendly [[muse]] will teach my lays to emulate the roman fire? justly to sound a caeser's praise demands a bold horatian lyre. }} horatian-style lyrics were increasingly typical of oxford and cambridge verse collections for this period, most of them in latin but some like the previous ode in english. [[john milton]]'s [[lycidas]] first appeared in such a collection. it has few horatian echoesone echo of horace may be found in line : "''were it not better done as others use,/ to sport with amaryllis in the shade/or with the tangles of neaera's hair?''", which points to the neara in ''odes'' . . (douglas bush, ''milton: poetical works'', , note ) yet milton's associations with horace were lifelong. he composed a controversial version of ''odes'' . , and [[paradise lost]] includes references to horace's 'roman' ''odes'' . – (book for example begins with echoes of ''odes'' . ).j. talbot, ''a horatian pun in paradise lost'', – yet horace's lyrics could offer inspiration to libertines as well as moralists, and neo-latin sometimes served as a kind of discrete veil for the risqué. thus for example [[benjamin loveling]] authored a catalogue of drury lane and covent garden prostitutes, in sapphic stanzas, and an encomium for a dying lady "of salacious memory".b. loveling, ''latin and english poems'', – , – some latin imitations of horace were politically subversive, such as a marriage ode by [[anthony alsop]] that included a rallying cry for the [[jacobitism|jacobite]] cause. on the other hand, [[andrew marvell]] took inspiration from horace's ''odes'' . to compose his english masterpiece [[horatian ode upon cromwell's return from ireland]], in which subtly nuanced reflections on the execution of [[charles i of england|charles i]] echo horace's ambiguous response to the death of [[cleopatra]] (marvell's ode was suppressed in spite of its subtlety and only began to be widely published in ). [[samuel johnson]] took particular pleasure in reading ''the odes''.cfr. [[james boswell]], "the life of [[samuel johnson]]" ''aetat.'' , where boswell remarked of johnson that horace's ''odes'' "were the compositions in which he took most delight." [[alexander pope]] wrote direct ''imitations'' of horace (published with the original latin alongside) and also echoed him in ''essays'' and [[the rape of the lock]]. he even emerged as "a quite horatian homer" in his translation of the ''[[iliad]]''.d. money, ''the seventeenth and eighteenth centuries'', – horace appealed also to female poets, such as [[anna seward]] (''original sonnets on various subjects, and odes paraphrased from horace'', ) and [[elizabeth tollet]], who composed a latin ode in sapphic meter to celebrate her brother's return from overseas, with tea and coffee substituted for the wine of horace's [[symposium|sympotic]] settings: {{verse translation|lang=la | quos procax nobis numeros, jocosque musa dictaret? mihi dum tibique temperent baccis arabes, vel herbis pocula serese. tollet, ''poems on several occasions'', | what verses and jokes might the bold muse dictate? while for you and me arabs flavour our cups with beans or chinese with leaves.translation adapted from d. money, ''the seventeenth and eighteenth centuries'', }} horace's ''ars poetica'' is second only to aristotle's ''poetics'' in its influence on literary theory and criticism. milton recommended both works in his treatise ''of education''.a. gilbert, ''literary criticism: plato to dryden'', , horace's ''satires'' and ''epistles'' however also had a huge impact, influencing theorists and critics such as [[john dryden]].w. kupersmith, ''roman satirists in seventeenth century england'', – there was considerable debate over the value of different lyrical forms for contemporary poets, as represented on one hand by the kind of four-line stanzas made familiar by horace's sapphic and alcaic ''odes'' and, on the other, the loosely structured [[pindarics]] associated with the odes of [[pindar]]. translations occasionally involved scholars in the dilemmas of censorship. thus [[christopher smart]] entirely omitted ''odes'' [[:wikisource:la:carmina (horatius)/liber iv/carmen x| . ]] and re-numbered the remaining odes. he also removed the ending of ''odes'' [[:wikisource:la:carmina (horatius)/liber iv/carmen i| . ]]. [[thomas creech]] printed ''epodes'' [[:wikisource:la:epodi#viii| ]] and [[:wikisource:la:epodi#xii| ]] in the original latin but left out their english translations. [[philip francis (translator)|philip francis]] left out both the english and latin for those same two epodes, a gap in the numbering the only indication that something was amiss. french editions of horace were influential in england and these too were regularly [[bowdlerize]]d. most european nations had their own 'horaces': thus for example [[friedrich von hagedorn]] was called ''the german horace'' and [[maciej kazimierz sarbiewski]] ''the polish horace'' (the latter was much imitated by english poets such as [[henry vaughan]] and [[abraham cowley]]). pope [[urban viii]] wrote voluminously in horatian meters, including an ode on gout.d. money, ''the seventeenth and eighteenth centuries'', – === th century on=== horace maintained a central role in the education of english-speaking elites right up until the s.s. harrison, ''the nineteenth and twentieth centuries'', a pedantic emphasis on the formal aspects of language-learning at the expense of literary appreciation may have made him unpopular in some quartersv. kiernan, ''horace: poetics and politics'', x yet it also confirmed his influence{{emdash}}a tension in his reception that underlies [[lord byron|byron]]'s famous lines from ''[[childe harold's pilgrimage|childe harold]]'' (canto iv, ):s. harrison, ''the nineteenth and twentieth centuries'', {{poemquote| then farewell, horace, whom i hated so not for thy faults, but mine; it is a curse to understand, not feel thy lyric flow, to comprehend, but never love thy verse. }} [[william wordsworth]]'s mature poetry, including the [[preface to the lyrical ballads|preface]] to ''[[lyrical ballads]]'', reveals horace's influence in its rejection of false ornamentd. money, ''the seventeenth and eighteenth centuries'', and he once expressed "a wish / to meet the shade of horace...".the quote, from ''memorials of a tour of italy'' ( ), contains allusions to ''odes'' . and . (s. harrison, ''the nineteenth and twentieth centuries'', – ) [[john keats]] echoed the opening of horace's ''epodes'' in the opening lines of ''[[ode to a nightingale]]''."''my heart aches, and a drowsy numbness pains / my sense...''" echoes epodes [[:wikisource:la:epodi#xiv| . – ]] (s. harrison, ''the nineteenth and twentieth centuries'', ) the roman poet was presented in the nineteenth century as an honorary english gentleman. [[william makepeace thackeray|william thackeray]] produced a version of ''odes'' [[:wikisource:la:carmina (horatius)/liber i/carmen xxxviii| . ]] in which horace's 'boy' became 'lucy', and [[gerard manley hopkins]] translated the boy innocently as 'child'. horace was translated by [[sir theodore martin]] (biographer of [[albert, prince consort|prince albert]]) but minus some ungentlemanly verses, such as the erotic ''odes'' [[:wikisource:la:carmina (horatius)/liber i/carmen xxv| . ]] and ''epodes'' and . [[edward bulwer-lytton]] produced a popular translation and [[william gladstone]] also wrote translations during his last days as prime minister.s. harrison, ''the nineteenth and twentieth centuries'', – [[edward fitzgerald (poet)|edward fitzgerald]]'s ''[[rubaiyat of omar khayyam]]'', though formally derived from the persian ''[[ruba'i]]'', nevertheless shows a strong horatian influence, since, as one modern scholar has observed, "''...the quatrains inevitably recall the stanzas of the 'odes', as does the narrating first person of the world-weary, ageing [[epicurus|epicurean]] omar himself, mixing [[symposium|sympotic]] exhortation and 'carpe diem' with splendid moralising and 'memento mori' [[nihilism]].''"comment by s. harrison, editor and contributor to ''the cambridge companion to horace'' (s. harrison, ''the nineteenth and twentieth centuries'', [[matthew arnold]] advised a friend in verse not to worry about politics, an echo of ''odes'' [[:wikisource:la:carmina (horatius)/liber ii/carmen xi| . ]], yet later became a critic of horace's inadequacies relative to greek poets, as role models of [[victorian age|victorian]] virtues, observing: "''if human life were complete without faith, without enthusiasm, without energy, horace...would be the perfect interpreter of human life.''"m. arnold, ''selected prose'', [[christina rossetti]] composed a sonnet depicting a woman willing her own death steadily, drawing on horace's depiction of 'glycera' in ''odes'' [[:wikisource:la:carmina (horatius)/liber i/carmen xix| . . – ]] and cleopatra in ''odes'' [[:wikisource:la:carmina (horatius)/liber i/carmen xxxvii| . ]].rossetti's sonnet, ''a study (a soul)'', dated , was not published in her own lifetime. some lines: ''she stands as pale as parian marble stands / like cleopatra when she turns at bay...'' (c. rossetti, ''complete poems'', [[a. e. housman]] considered ''odes'' [[:wikisource:la:carmina (horatius)/liber iv/carmen vii| . ]], in [[prosody (latin)#first archilochian|archilochian]] couplets, the most beautiful poem of antiquityw. flesch, ''companion to british poetry, th century'', and yet he generally shared horace's penchant for quatrains, being readily adapted to his own elegiac and melancholy strain.s. harrison, ''the nineteenth and twentieth centuries'', the most famous poem of [[ernest dowson]] took its title and its heroine's name from a line of ''odes'' [[:wikisource:la:carmina (horatius)/liber iv/carmen i| . ]], ''non sum qualis eram bonae sub regno cynarae'', as well as its motif of nostalgia for a former flame. [[kipling]] wrote a famous [[parody]] of the ''odes'', satirising their stylistic idiosyncrasies and especially the extraordinary syntax, but he also used horace's roman patriotism as a focus for british imperialism, as in the story ''regulus'' in the school collection ''[[stalky & co.]]'', which he based on ''odes'' [[:wikisource:la:carmina (horatius)/liber iii/carmen v| . ]].s. medcalfe, ''kipling's horace'', – wilfred owen's famous poem, quoted above, incorporated horatian text to question patriotism while ignoring the rules of latin scansion. however, there were few other echoes of horace in the war period, possibly because war is not actually a major theme of horace's work.s. harrison, ''the nineteenth and twentieth centuries'', [[file:michelin poster .jpg|thumb|[[bibendum]] (the symbol of the [[michelin]] tyre company) takes his name from the opening line of [[:wikisource:la:carmina (horatius)/liber i/carmen xxxvii|ode . ]], ''[[nunc est bibendum]]''.]] both [[w.h.auden]] and [[louis macneice]] began their careers as teachers of classics and both responded as poets to horace's influence. auden for example evoked the fragile world of the s in terms echoing ''odes'' [[:wikisource:la:carmina (horatius)/liber ii/carmen xi| . . – ]], where horace advises a friend not to let worries about frontier wars interfere with current pleasures. {{poemquote| and, gentle, do not care to know where poland draws her eastern bow, what violence is done; nor ask what doubtful act allows our freedom in this english house, our picnics in the sun.quoted from auden's poem ''out on the lawn i lie in bed'', , and cited by s. harrison, ''the nineteenth and twentieth centuries'', }} the american poet, [[robert frost]], echoed horace's ''satires'' in the conversational and sententious idiom of some of his longer poems, such as ''the lesson for today'' ( ), and also in his gentle advocacy of life on the farm, as in ''hyla brook'' ( ), evoking horace's ''fons bandusiae'' in ''ode'' [[:wikisource:la:carmina (horatius)/liber iii/carmen xiii| . ]]. now at the start of the third millennium, poets are still absorbing and re-configuring the horatian influence, sometimes in translation (such as a english/american edition of the ''odes'' by thirty-six poets)edited by mcclatchy, reviewed by s. harrison, ''bryn mawr classical review'' . . and sometimes as inspiration for their own work (such as a collection of odes by a new zealand poet).i. wedde, ''the commonplace odes'', auckland , (cited by s. harrison, ''the nineteenth and twentieth centuries'', ) horace's ''epodes'' have largely been ignored in the modern era, excepting those with political associations of historical significance. the obscene qualities of some of the poems have repulsed even scholars'political' epodes are , , , ; notably obscene epodes are and . e. fraenkel is among the admirers repulsed by these two poems, for another view of which see for example dee lesser clayman, 'horace's epodes viii and xii: more than clever obscenity?', ''the classical world'' vol. , no. (september ), pp – {{jstor| }} yet more recently a better understanding of the nature of [[iambus (genre)|iambic poetry]] has led to a re-evaluation of the ''whole'' collection.d. mankin, ''horace: epodes'', – r. mcneill, ''horace'', a re-appraisal of the ''epodes'' also appears in creative adaptations by recent poets (such as a collection of poems that relocates the ancient context to a s industrial town).m. almond, ''the works'' , washington, cited by s. harrison, ''the nineteenth and twentieth centuries'', ==translations== * [[john dryden]] successfully adapted three of the ''odes'' (and one epode) into verse for readers of his own age. [[samuel johnson]] favored the versions of [[philip francis (translator)|philip francis]]. others favor unrhymed translations. * in james michie published a translation of the ''odes''—many of them fully rhymed—including a dozen of the poems in the original [[sapphic stanza|sapphic]] and [[alcaic]] metres. * more recent verse translations of the odes include those by david west (free verse), and colin sydenham (rhymed). * ''[[ars poetica (horace)|ars poetica]]'' was first translated into english by [[ben jonson]] and later by lord byron. * ''horace's odes and the mystery of do-re-mi'' stuart lyons (rhymed) aris & phillips {{isbn| - - - - }} == in popular culture == the oxford latin course textbooks use the life of horace to illustrate an average roman's life in the [[roman republic|late republic]] to [[roman empire|early empire]].{{cite book|title=oxford latin course part one.|last=balme, maurice|first=moorwood, james|publisher=oxford university press|year= |isbn= - }} ==see also== {{portal|literature|ancient rome|biography}} * [[carpe diem]] * [[horatia (gens)]] * [[list of ancient romans]] * [[otium]] * [[prosody (latin)]] * [[translation#western theory|translation]] ==notes== ==citations== {{reflist| em}} ==references== * {{cite book | last=arnold | first=matthew | title=selected prose | publisher=penguin books | year= | isbn= - - - - | url=https://archive.org/details/selectedprose arno }} * {{cite book | last=barrow |first=r | title=the romans | publisher=penguin/pelican books | year= }} * {{cite book | last=barchiesi |first=a | title=speaking volumes: narrative and intertext in ovid and other latin poets | publisher=duckworth| year= }} * {{cite book | last=bischoff |first=b | title=classical influences on european culture ad – | publisher=cambridge university press | year= | chapter=living with the satirists}} * {{cite book | last=bush |first=douglas | title=milton: poetical works | publisher=oxford university press | year= }} * {{cite book | last=campbell |first=a | title=horace: a new interpretation | publisher=london | year= }} * {{cite book | last=conway |first=r | title=new studies of a great inheritance | publisher=london | year= }} * {{cite book | last=davis |first=gregson | title =polyhymnia. the rhetoric to horatian lyric discourse | publisher=university of california | year= }} * {{cite book | last=ferri |first=rolando | title=the cambridge companion to horace | publisher=cambridge university press | year= | chapter=the epistles|isbn= - - - - }} * {{cite book | last=flesch |first=william | title=the facts on file companion to british poetry, th century | publisher=infobase publishing | year= |isbn= - - - - }} * {{cite book | last=frank |first=tenney | title=catullus and horace | publisher=new york | year= }} * {{cite book | last=fraenkel |first=eduard | title=horace | publisher=oxford university press | year= }} * {{cite book | last=friis-jensen |first=karsten | title=the cambridge companion to horace | publisher=cambridge university press | year= | chapter=horace in the middle ages}} * {{cite book | last=griffin |first=jasper | title=horace | publisher=ann arbor | year= | chapter=horace in the thirties}} * {{cite book | last=griffin |first=jasper | title=the cambridge companion to horace | publisher=cambridge university press | year= | chapter=gods and religion}} * {{cite book | last=harrison |first=stephen | title=a companion to latin literature | publisher=blackwell publishing | year= | chapter=lyric and iambic}} * {{cite book | last=harrison |first=stephen | title=the cambridge companion to horace | publisher=cambridge university press | year= | chapter=introduction}} * {{cite book | last=harrison |first=stephen | title=the cambridge companion to horace | publisher=cambridge university press | year= | chapter=style and poetic texture}} * {{cite book | last=harrison |first=stephen | title=the cambridge companion to horace | publisher=cambridge university press | year= | chapter=the nineteenth and twentieth centuries}} * {{cite book | last=hooley |first=d | title=the knotted thong: structures of mimesis in persius | publisher=ann arbor | year= }} * {{cite book | last=hutchinson |first=g | title=classical quarterly | year= | chapter=the publication and individuality of horace's odes – }} * {{cite book | last=kiernan |first=victor | title=horace: poetics and politics| publisher=st martin's press | year= }} * {{cite book | last=kupersmith |first=w | title=roman satirists in seventeenth century england | publisher=lincoln, nebraska and london | year= }} * {{cite book | last=loveling |first=benjamin | title=latin and english poems, by a gentleman of trinity college, oxford | publisher=london | year= }} * {{cite book | last=lowrie |first=michèle | title =horace's narrative odes | publisher=oxford university press | year= }} * {{cite book | last=lyne |first=r | title=the oxford history of the classical world | publisher=oxford university press | year= | chapter=augustan poetry and society}} * {{cite book | last=mankin |first=david | title=horace: epodes| publisher=cambridge university press| year= }} * {{cite book | last=mcneill |first=randall | title=horace | publisher=oxford university press | year= |isbn= - - - - }} * {{cite book | last=michie |first=james | title=the odes of horace | publisher=penguin classics | year= | chapter=horace the man}} * {{cite book|last=moles|first=john|title=the cambridge companion to horace | publisher=cambridge university press | year= | chapter=philosophy and ethics}} * {{cite book | last=money |first=david | title=the cambridge companion to horace | publisher=cambridge university press | year= | chapter=the seventeenth and eighteenth centuries}} * {{cite book | last=morgan |first=llewelyn | title=a companion to latin literature | publisher=blackwell publishing | year= | chapter=satire}} * {{cite book | last=muecke |first=frances | title=the cambridge companion to horace | publisher=cambridge university press | year= | chapter=the satires}} * {{cite book | last=nisbet |first=robin | title=the cambridge companion to horace | publisher=cambridge university press | year= | chapter=horace: life and chronology}} * {{cite book|last=reckford|first=k. j.|title=horatius: the man and the hour|publisher=american journal of philology|volume= |pages= – |year= }} * {{cite book | last=rivers |first=elias | title=fray luis de león: the original poems| publisher=grant and cutler| year= }} * {{cite book | last=rossetti |first=christina | title=the complete poems | publisher=penguin books | year= }} * {{cite book | last=rudd |first=niall | title=the satires of horace and persius| publisher=penguin classics | year= }} * {{cite book | last=santirocco |first=matthew | title =unity and design in horace's odes | url=https://archive.org/details/unitydesigninhor sant | url-access=registration | publisher=university of north carolina | year= }} * {{cite book | last=syme |first=r | title=the augustan aristocracy | publisher=oxford university press | year= }} * {{cite book | last=talbot |first=j | title=notes and queries ( ) | publisher=oxford university press | year= | chapter=a horatian pun in paradise lost}} * {{cite book | last=tarrant |first=richard | title=the cambridge companion to horace | publisher=cambridge university press | year= | chapter=ancient receptions of horace}} * {{cite book | last=tollet |first=elizabeth | title=poems on several occasions | publisher=london | year= }} ==further reading== * {{cite book|last=davis|first=gregson|title=polyhymnia the rhetoric of horatian lyric discourse|year= |publisher=university of california press|location=berkeley|isbn= - - - }} * {{cite book|last=fraenkel|first=eduard|title=horace|year= |publisher=clarendon press|location=oxford}} * {{cite book|last=horace|title=the complete works of horace|year= |publisher=ungar|location=new york|isbn= - - - |others=charles e. passage, trans}} * {{cite book|last=johnson|first=w. r.|title=horace and the dialectic of freedom: readings in epistles |url=https://archive.org/details/horacedialectico john|url-access=registration|year= |publisher=cornell university press|location=ithaca|isbn= - - - }} * {{cite book|last=lyne|first=r.o.a.m.|title=horace: behind the public poetry|year= |publisher=yale univ. press|location=new haven|isbn= - - - }} * {{cite book | last = lyons | first = stuart | title = horace's odes and the mystery of do-re-mi | publisher = aris & phillips | year = }} * {{cite book | last = lyons | first = stuart | title = music in the odes of horace | publisher = aris & phillips | year = }} * {{cite book | last = michie | first = james | title = the odes of horace | publisher = rupert hart-davis | year = }} * {{cite book|last=newman|first=j.k.|title=augustus and the new poetry|year= |publisher=latomus, revue d’études latines|location=brussels}} * {{cite book|last=noyes|first=alfred|title=horace: a portrait|url=https://archive.org/details/horaceportrait noye|url-access=registration|year= |publisher=sheed and ward|location=new york}} * {{cite book|last=perret|first=jacques|title=horace|year= |publisher=new york university press|location=new york|others=bertha humez, trans}} * {{cite book|last=putnam|first=michael c.j.|title=artifices of eternity: horace's fourth book of odes|year= |publisher=cornell university press|location=ithaca, ny|isbn= - - - |url=https://archive.org/details/artificesofetern putn}} * {{cite book|last=reckford|first=kenneth j.|title=horace|year= |publisher=twayne|location=new york}} * {{cite book|editor-last=rudd|editor-first=niall|title=horace : a celebration – essays for the bimillennium|year= |publisher=univ. of michigan press|location=ann arbor|isbn= - - -x}} * {{cite book | last = sydenham | first = colin | title = horace: the odes | publisher = duckworth | year = }} *{{cite book | last = west | first = david | title = horace the complete odes and epodes | publisher = oxford university press | year = }} * {{cite book|last=wilkinson|first=l.p.|title=horace and his lyric poetry|year= |publisher=cambridge university press|location=cambridge}} ==external links== {{sisterlinks|d=q |s=author:horace|c=category:quintus horatius flaccus|v=no|voy=no|m=no|mw=no|species=no|b=no|n=no}} {{library resources box |by=yes |onlinebooks=yes |others=yes |about=yes |label=horace |viaf= |lccn= |lcheading= |wikititle= }} * {{gutenberg author |id= | name=horace}} * {{internet archive author}} * {{librivox author |id= }} * q. horati flacci ''[https://archive.org/details/qhoratiflacciop flacgoog opera]'', recensuerunt o. keller et a. holder, voll., lipsiae in aedibus b. g. teubneri, – . * [http://latin.topword.net/?horace common sayings from horace] * [http://www.thelatinlibrary.com/hor.html the works of horace] at [[the latin library]] * [http://www.stilus.nl/horatius/index-latine.htm carmina horatiana] all ''carmina'' of horace in latin recited by thomas bervoets. * [http://www.poetseers.org/the_great_poets/the_classics/horace/ selected poems of horace] * [http://www.perseus.tufts.edu/hopper/searchresults?q=horatius&redirect=true works by horace at perseus digital library] * [http://www.stoa.org/diotima/anthology/horawillbio.shtml biography and chronology] * [http://www.intratext.com/catalogo/autori/aut .htm horace's works]: text, concordances and frequency list * [http://www.rhapsodes.fll.vt.edu/horace_ode_ .htm sorgll: horace, ''odes'' i. , read by robert sonkowsky] * [http://toutcoule.blogspot.com/search/label/horace translations of several odes in the original meters (with accompaniment).] * [http://www.thethepoetry.com/ / /some-notes-on-translations-of-horace/ a discussion and comparison of three different contemporary translations of horace's ''odes''] * [http://www.virgilmurder.org/images/pdf/arsengl.pdf some spurious lines in the ''ars poetica''?] * [http://www.horatius.net horati opera, acronis et porphyrionis commentarii, varia lectio etc. (latine)] * [http://openn.library.upenn.edu/data/ /html/horace_ms_ a.html horace ms a ars poetica and epistulae at openn] {{horace|state=expanded}} {{ancient rome topics|state=collapsed}} {{authority control}} [[category:horace| ]] [[category: bc births]] [[category: bc deaths]] [[category: st-century bc romans]] [[category: st-century bc writers]] [[category:ancient roman soldiers]] [[category:golden age latin writers]] [[category:latin-language writers]] [[category:people from venosa]] [[category:roman-era poets]] [[category:roman-era satirists]] [[category:iambic poets]] [[category:ancient literary critics]] [[category:roman-era epicurean philosophers]] [[category:horatii|flaccus, quintus]] [[category:roman philhellenes]] pages transcluded onto the current version of this page (help): horace (edit) template:about (view source) (template editor protected) template:ancient rome topics (view source) (semi-protected) template:authority control (view source) (template editor 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what links here related changes upload file special pages page information wikidata item languages privacy policy about wikipedia disclaimers contact wikipedia mobile view developers statistics cookie statement perseus search results search results ("agamemnon", "hom. od. . ", "denarius") all search options [view abbreviations] home collections/texts perseus catalog research grants open source about help hide refine this search search for a new term: your search returned author and title results. if you would like to search the content of all documents, please click here. q. horatius flaccus (horace), carmina (latin) (ed. paul shorey, gordon lang, paul shorey and gordon j. laing) q. horatius flaccus (horace), odes (english) (ed. john conington) q. horatius flaccus (horace), satyrarum libri (latin) (ed. c. smart) q. horatius flaccus (horace), the works of horace (english) (ed. c. smart, theodore alois buckley) q. horatius flaccus (horace), de arte poetica liber (latin) (ed. c. smart) q. horatius flaccus (horace), the art of poetry: to the pisos (english) (ed. c. smart, theodore alois buckley) q. horatius flaccus (horace), carmen saeculare (latin) (ed. paul shorey) q. horatius flaccus (horace), epodon (latin) (ed. friedrich vollmer) q. horatius flaccus (horace), epistles (latin) (ed. h. rushton fairclough) ancient roman bathing - wikipedia ancient roman bathing from wikipedia, the free encyclopedia jump to navigation jump to search custom of ancient roman society some remains of the baths of trajan bathing played a major part in ancient roman culture and society. it was one of the most common daily activities in roman culture and was practiced across a wide variety of social classes. though many contemporary cultures see bathing as a very private activity conducted in the home, bathing in rome was a communal activity. while the extremely wealthy could afford bathing facilities in their homes, most people bathed in the communal baths (thermae). in some ways, these resembled modern-day destination spas. the romans raised bathing to high art as they socialized in these communal baths. communal baths were also available in temples such as the imperial fora. courtship was conducted, as well as sealing business deals, as they built lavish baths on natural hot springs. such was the importance of baths to romans that a catalog of buildings in rome from ad documented baths of varying sizes in the city.[ ] although wealthy romans might set up a bath in their townhouses or in their country villas, heating a series of rooms or even a separate building especially for this purpose, and soldiers might have a bathhouse provided at their fort (as at chesters on hadrian's wall, or at bearsden fort), they still often frequented the numerous public bathhouses in the cities and towns throughout the empire. small bathhouses, called balneum (plural balnea), might be privately owned, while they were public in the sense that they were open to the populace for a fee. larger baths called thermae were owned by the state and often covered several city blocks. the largest of these, the baths of diocletian, could hold up to , bathers. fees for both types of baths were quite reasonable, within the budget of most free roman males. contents greek influence roman bathhouses criticism and concerns see also references further reading greek influence[edit] baths of caracalla, in some of the earliest descriptions of western bathing practices came from greece. the greeks began bathing regimens that formed the foundation for modern spa procedures. these aegean people utilized small bathtubs, washbasins, and foot baths for personal cleanliness. the earliest such findings are the baths in the palace complex at knossos, crete, and the luxurious alabaster bathtubs excavated in akrotiri, santorini; both date from the mid- nd millennium bc. they established public baths and showers within their gymnasium complexes for relaxation and personal hygiene. greek mythology specified that certain natural springs or tidal pools were blessed by the gods to cure disease. around these sacred pools, greeks established bathing facilities for those desiring to heal. supplicants left offerings to the gods for healing at these sites and bathed themselves in hopes of a cure. the spartans developed a primitive steam bath. at serangeum, an early greek balneum (bathhouse, loosely translated), bathing chambers were cut into the hillside into the rock above the chambers held bathers' clothing. one of the bathing chambers had a decorative mosaic floor depicting a driver and chariot pulled by four horses, a woman followed by two dogs, and a dolphin below. thus the early greeks used natural features, but expanded them and added their own amenities, such as decorations and shelves. during the later greek civilization, bathhouses were often built in conjunction with athletic fields. roman bathhouses[edit] the romans emulated many of the greeks' bathing practices and surpassed them in the size of their baths. as in greece, the roman bath became a focal center for social and recreational activity. with the expansion of the roman empire, the idea of the public bath spread to all parts of the mediterranean and into regions of europe and north africa. by constructing aqueducts, the romans had enough water not only for domestic, agricultural, and industrial uses but also for their leisurely pursuits. aqueducts provided water that was later heated for use in the baths. today, the extent of the roman bath is revealed at ruins and in archaeological excavations in europe, africa, and the middle east.[ ] these roman baths varied from simple to exceedingly elaborate structures, and they varied in size, arrangement, and decoration. most contained an apodyterium— a room just inside the entrance where the bather stored his clothes. next, the bather progressed into the tepidarium (warm room), then into the caldarium (hot room) for a steam, and finally into the frigidarium (cold room) with its tank of cold water. the caldarium, heated by a brazier underneath the hollow floor, contained cold-water basins which the bather could use for cooling. after taking this series of sweat and/or immersion baths, the bather returned to the cooler tepidarium for a massage with oils and final scraping with metal implements called strigils. some baths also contained a laconicum (a dry, resting room) where the bather completed the process by resting and sweating.[ ] the layout of roman baths contained other architectural features of note. because wealthy romans brought slaves to attend to their bathing needs, the bathhouse usually had three entrances: one for men, one for women, and one for slaves. the preference of symmetry in roman architecture usually meant a symmetrical facade, even though the women's area was usually smaller than the men's because of fewer numbers of patrons. usually, solid walls or placement on opposite sides of the building separated the men's and women's sections. roman bathhouses often contained a courtyard, or palaestra, which was an open-air garden used for exercise. in some cases, the builders made the palaestra an interior courtyard, and in other cases, the builders placed the palaestra in front of the bathhouse proper and incorporated it into the formal approach. sometimes the palestra held a swimming pool. most often a colonnade outlined the palaestra's edges.[ ] republican bathhouses often had separate bathing facilities for women and men, but by the st century ad mixed bathing was common and is a practice frequently referred to in martial and juvenal, as well as in pliny and quintilian. however, gender separation might have been restored by emperor hadrian[ ] but there is evidence it wasn't. to many roman moralists, baths illustrated how far the rome of their own day had fallen into decline and so became a negative image; cato the elder publicly attacked scipio africanus for his use of the bathhouses. roman bathhouses offered amenities in addition to the bathing ritual. ancillary spaces in the bathhouse proper housed food and perfume-selling booths, libraries, and reading rooms. stages accommodated theatrical and musical performances. adjacent stadia provided spaces for exercise and athletic competitions. inside the bathhouses proper, marble mosaics tiled the elegant floors. the stuccoed walls frequently sported frescoes of trees, birds, and other pastoral images. sky-blue paint, gold stars, and celestial imagery adorned interior domes. statuary and fountains decorated the interior and exterior.[ ] roman baths in bath, england the romans also constructed baths in their colonies, taking advantage of the natural hot springs occurring in europe to construct baths at aix and vichy in france, bath and buxton in england, aachen and wiesbaden in germany, baden in austria, and aquincum in hungary, among other locations. these baths became centers for recreational and social activities in roman communities. libraries, lecture halls, gymnasiums, and formal gardens became part of some bath complexes. in addition, the romans used the hot thermal waters to relieve their suffering from rheumatism, arthritis, and overindulgence in food and drink.[ ] thus the romans elevated bathing to fine art, and their bathhouses physically reflected these advancements. the roman bath, for instance, included a far more complex ritual than a simple immersion or sweating procedure. the various parts of the bathing ritual (undressing, bathing, sweating, receiving a massage and resting), required separated rooms which the romans built to accommodate those functions. the segregation of the sexes and the additions of diversions not directly related to bathing also had a direct impact on the shape and form of bathhouses. the elaborate roman bathing ritual and its resultant architecture served as precedents for later european and american bathing facilities. formal garden spaces and opulent architectural arrangement equal to those of the romans reappeared in europe by the end of the eighteenth century. major american spas followed suit a century later.[ ] criticism and concerns[edit] while the baths were enjoyed by almost every roman, there were those who criticized them. the water was not renewed often and the remains of oil, dirt or even excrement were kept warm, providing a milieu for bacteria.[ ] the emperor marcus aurelius complained about the dirtiness.[ ] celsus,[ ] while commending its therapeutic virtues, warns not to go with a fresh wound, because of the risk of gangrene. in fact, several tombstones from across the empire claim: 'baths, wine, and sex corrupt our bodies, but baths, wine, and sex make life worth living.' (“balnea vina venus / corrumpunt corpora / nostra se vitam faciunt / balnea vina venus,” epitaph of tiberius claudius secundus, cil vi. , rome, st c.) [ ] the objections of the philosopher seneca were instead about the associated noise that interrupted his work when he resided above a bath.[ ] see also[edit] legacy of the roman empire turkish bath references[edit] ^ boëthius, axel; ward-perkins, j. b. ( ). etruscan and roman architecture. harmondsworth: penguin. isbn  - - - . ^ a b c d e f paige, john c; laura woulliere harrison ( ). out of the vapors: a social and architectural history of bathhouse row, hot springs national park (pdf). u.s. department of the interior. ^ women in roman baths* roy bowen ward miami university, oxford, ohio ^ invisible romans, chapter , robert c. knapp. ^ such as bathing appears to thee,—oil, sweat, dirt, filthy water, all things disgusting,—so is every part of life and everything.. meditations, . , marcus aurelius. quoted in knapp. ^ de medicina, v, , d, aulus cornelius celsus. de medicina ^ brian k harvey ( ). daily life in ancient rome: a sourcebook. hackett publishing company. p.  . ^ epistulae morales ad lucilium . , , seneca the younger. quoted in invisible romans, chapter , robert c. knapp. further reading[edit] thermemuseum (museum of the thermae) in heerlen the economy of prostitution in the roman world, thomas a.j. mcginn, ann arbor: the 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liber iii liber iv epistulae liber i liber ii ars poetica carmen saeculare epodes the latin library the classics page هوراس - ویکی‌پدیا هوراس ویکی‌پدیا، آچیق بیلیک‌لیک‌دن پرش به ناوبری پرش به جستجو هوراس horace, as imagined by anton von werner دؤغوم‌تاریخی december , bc venusia, italy, روم جومهوریتی اؤلوم‌تاریخی november , bc (age ) روم یاشایش یئری rome ایش soldier, scriba quaestorius, شاعیر دیل latin میللیت روم جومهوریتی دیرلی‌ایشلری odes هوراس (اینگیلیسجه: horace) شاعیر و یازیچی - ایچینده‌کیلر ۱ بیرده باخ ۲ قایناق‌لار ۳ ائشیک باغلانتی‌لار ۴ گؤرونتولر بیرده باخ[دَییشدیر] ادبی تنقیدچی ادبیات تاریخی ادبیات آخیملاری قایناق‌لار[دَییشدیر] اینگیلیسجه ویکی‌پدیاسی‌نین ایشلدنلری طرفیندن یارانمیش«horace»، مقاله‌سیندن گؤتورولوبدور. (۲۲ آقوست ۲۰۱۷ تاریخینده یوْخلانیلیبدیر). ائشیک باغلانتی‌لار[دَییشدیر] قارداش پروژه‌لرده هوراس گؤره داها آرتیق بیلگی‌لر تاپابیلرسینیز. فایل‌لار ویکی‌آمباردا ب دان دییش ادبیات نؤعلری نثر آنی (خاطره) دوزیازی (نثر) ده‌نه‌مه الشتیری گزی گونلوک مقاله اؤیکو (حیکایه، داستان) رومان رومانس قیسا اؤیکو قیسا رومان حماسه اسطوره‌آفرینی طنز تراژدی نمایش‌نامه نوشتار بیوگرافی (شرح حال) پاورقی حکایت روایت تراژدی مثل مکتوب اوتوبیوگرافی رپورتاژ (گزارش) نظم پوئما داستان شعر غنایی مثنوی غزل قصیده قطعه رباعی مربع تویوق بایاتی گرایلی قوشما (تجنیس * دوداق‌ده‌یمز * قیفیل‌بند مخمس مسدس مسبع مثمن معشر مستزاد ترکیب‌بند ترجیع‌بند درام تراژدی (فاجعه) کومدی درام گؤرونتولر[دَییشدیر] «https://azb.wikipedia.org/w/index.php?title=هوراس&oldid= »-دن آلینمیش‌دیر بؤلمه: یازیچیلار گیزلی بؤلمه: اینگیلیس دیلی سؤزجوک‌لو مقاله‌لر دوْلانماق مِنوسو شخصی آراجلار گیرمه‌میسینیز دانیشیق چالیشمالار حساب آچ گیریش ائت آد فضالاری صفحه دانیشیق دئییش‌لر گؤرونوشلر اوْخو دَییشدیر گئچمیشه باخ بیشتر آختار دوْلانماق آنا صفحه کند مئیدانی ایندیکی حادیثه‌لر سوْن دَییشیکلیکلر تصادوفی صفحه کؤمک باغیشلا آلتلر بۇ صفحه‌‌يه باغلانتیلار باغلی دَییشیکلیک‌لر فایل یۆکله‌ اؤزل صفحه‌لر ثابیت لینک صفحه ایطلاعاتی بو صفحه‌دن آلینتی گؤتور ویکی‌دئیتا آیتمی چاپ ائت/ائشیگه چیخارت کیتاب یارات pdf کیمی ائندیر چاپ اۆچون نۆسخه آیری پروژه‌لرده ویکی‌انبار آیری دیل‌لرده afrikaans አማርኛ aragonés العربية مصرى asturianu Башҡортса Žemaitėška Беларуская Беларуская (тарашкевіца)‎ Български brezhoneg bosanski català Čeština cymraeg dansk deutsch zazaki Ελληνικά english esperanto español eesti euskara فارسی suomi võro français furlan gaeilge galego עברית हिन्दी fiji hindi hrvatski magyar Հայերեն interlingua bahasa indonesia ido Íslenska italiano 日本語 ქართული Қазақша 한국어 kurdî kernowek latina lingua franca nova lietuvių latviešu malagasy Македонски മലയാളം Монгол मराठी bahasa melayu nāhuatl nederlands norsk nynorsk norsk bokmål occitan ਪੰਜਾਬੀ polski piemontèis português română tarandíne Русский sardu sicilianu srpskohrvatski / српскохрватски simple english slovenčina slovenščina Српски / srpski seeltersk svenska kiswahili தமிழ் tagalog türkçe Татарча/tatarça Українська oʻzbekcha/ўзбекча tiếng việt volapük walon winaray 吴语 中文 粵語 باغلانتیلاری دَییشدیر بۇ صفحه‌‌ سوْن دفعه ‏۵ دسامبر ۲۰۱۸، ‏۱۷:۱۰ تاریخینده دَییشدیریلمیشدیر. یازی creative commons attribution-sharealike license;آلتیندا‌دیر آرتیق شرطلر آرتیریلا بیلر. آرتیق ایطلاعات اوچون ایشلتمه شرطلرینه باخین. گیزلیلیک سیاستی ویکی‌پدیا-ه گؤره یالانلامالار موبایل نوسخه‌سی‌ گئنیشلدنلر آمار کوکی ایظهارنامه‌سی‌ ancient roman architecture - wikipedia ancient roman architecture from wikipedia, the free encyclopedia jump to navigation jump to search "roman architecture" redirects here. for the architecture of the city, see architecture of rome. ancient architecture this article includes a list of general references, but it remains largely unverified because it lacks sufficient corresponding inline citations. please help to improve this article by introducing more precise citations. (november ) (learn how and when to remove this template message) the colosseum in rome, italy; the classical orders are used, but purely for aesthetic effect. the castel sant'angelo and ponte sant'angelo in rome, italy aqueduct of segovia in spain; one of the best preserved roman aqueducts today. the maison carrée at nîmes in france, one of the best preserved roman temples. a mid-sized augustan provincial temple of the imperial cult. the alcántara bridge, spain, a masterpiece of ancient bridge building the baths of diocletian, rome the severan basilica in leptis magna the odeon of herodes atticus, a roman theatre in athens, greece ruin of forum of augustus in rome, italy ancient roman architecture adopted the external language of classical greek architecture for the purposes of the ancient romans, but was different from greek buildings, becoming a new architectural style. the two styles are often considered one body of classical architecture. roman architecture flourished in the roman republic and even more so under the empire, when the great majority of surviving buildings were constructed. it used new materials, particularly roman concrete, and newer technologies such as the arch and the dome to make buildings that were typically strong and well-engineered. large numbers remain in some form across the empire, sometimes complete and still in use to this day. roman architecture covers the period from the establishment of the roman republic in bc to about the th century ad, after which it becomes reclassified as late antique or byzantine architecture. almost no substantial examples survive from before about bc, and most of the major survivals are from the later empire, after about ad. roman architectural style continued to influence building in the former empire for many centuries, and the style used in western europe beginning about is called romanesque architecture to reflect this dependence on basic roman forms. the romans only began to achieve significant originality in architecture around the beginning of the imperial period, after they had combined aspects of their original etruscan architecture with others taken from greece, including most elements of the style we now call classical architecture. they moved from trabeated construction mostly based on columns and lintels to one based on massive walls, punctuated by arches, and later domes, both of which greatly developed under the romans. the classical orders now became largely decorative rather than structural, except in colonnades. stylistic developments included the tuscan and composite orders; the first being a shortened, simplified variant on the doric order and the composite being a tall order with the floral decoration of the corinthian and the scrolls of the ionic. the period from roughly bc to about ad saw most of the greatest achievements, before the crisis of the third century and later troubles reduced the wealth and organizing power of the central government. the romans produced massive public buildings and works of civil engineering, and were responsible for significant developments in housing and public hygiene, for example their public and private baths and latrines, under-floor heating in the form of the hypocaust, mica glazing (examples in ostia antica), and piped hot and cold water (examples in pompeii and ostia). contents overview . origins . roman architectural revolution . domes influence on later architecture materials . stone . roman brick . roman concrete city design building types . amphitheatre . basilica . circus . forum . horreum . insula . lighthouses . thermae . temples . theatres . villa . watermills decorative structures . monoliths . obelisks . roman gardens . triumphal arches . victory columns infrastructure . roads . aqueduct . bridges . canals . cisterns . dams . defensive walls architectural features . mosaics . hypocaust . roman roofs . spiral stairs significant buildings and areas . public buildings . private architecture . civil engineering . military engineering see also references . footnotes . works cited further reading external links overview[edit] despite the technical developments of the romans, which took their buildings far away from the basic greek conception where columns were needed to support heavy beams and roofs, they were very reluctant to abandon the classical orders in formal public buildings, even though these had become essentially decorative.[citation needed] however, they did not feel entirely restricted by greek aesthetic concerns and treated the orders with considerable freedom.[citation needed] innovation started in the rd or nd century bc with the development of roman concrete as a readily available adjunct to, or substitute for, stone and brick. more daring buildings soon followed, with great pillars supporting broad arches and domes. the freedom of concrete also inspired the colonnade screen, a row of purely decorative columns in front of a load-bearing wall. in smaller-scale architecture, concrete's strength freed the floor plan from rectangular cells to a more free-flowing environment. factors such as wealth and high population densities in cities forced the ancient romans to discover new architectural solutions of their own. the use of vaults and arches, together with a sound knowledge of building materials, enabled them to achieve unprecedented successes in the construction of imposing infrastructure for public use. examples include the aqueducts of rome, the baths of diocletian and the baths of caracalla, the basilicas and colosseum. these were reproduced at a smaller scale in most important towns and cities in the empire. some surviving structures are almost complete, such as the town walls of lugo in hispania tarraconensis, now northern spain. the administrative structure and wealth of the empire made possible very large projects even in locations remote from the main centers,[ ] as did the use of slave labor, both skilled and unskilled. especially under the empire, architecture often served a political function, demonstrating the power of the roman state in general, and of specific individuals responsible for building. roman architecture perhaps reached its peak in the reign of hadrian, whose many achievements include rebuilding the pantheon in its current form and leaving his mark on the landscape of northern britain with hadrian's wall. origins[edit] while borrowing much from the preceding etruscan architecture, such as the use of hydraulics and the construction of arches, roman prestige architecture remained firmly under the spell of ancient greek architecture and the classical orders.[ ] this came initially from magna graecia, the greek colonies in southern italy, and indirectly from greek influence on the etruscans, but after the roman conquest of greece directly from the best classical and hellenistic examples in the greek world.[citation needed] the influence is evident in many ways; for example, in the introduction and use of the triclinium in roman villas as a place and manner of dining. roman builders employed greeks in many capacities, especially in the great boom in construction in the early empire.[citation needed] roman architectural revolution[edit] the roman pantheon the roman architectural revolution, also known as the concrete revolution,[ ][ ][ ] was the widespread use in roman architecture of the previously little-used architectural forms of the arch, vault, and dome. for the first time in history, their potential was fully exploited in the construction of a wide range of civil engineering structures, public buildings, and military facilities. these included amphitheatres, aqueducts, baths, bridges, circuses, dams, domes, harbours, temples, and theatres. a crucial factor in this development, which saw a trend toward monumental architecture, was the invention of roman concrete (opus caementicium), which led to the liberation of shapes from the dictates of the traditional materials of stone and brick.[ ] these enabled the building of the many aqueducts throughout the empire, such as the aqueduct of segovia, the pont du gard, and the eleven aqueducts of rome. the same concepts produced numerous bridges, some of which are still in daily use, for example the puente romano at mérida in spain, and the pont julien and the bridge at vaison-la-romaine, both in provence, france.[citation needed] the dome permitted construction of vaulted ceilings without crossbeams and made possible large covered public space such as public baths and basilicas, such as hadrian's pantheon, the baths of diocletian and the baths of caracalla, all in rome.[citation needed] the romans first adopted the arch from the etruscans and implemented it in their own building.[ ] the use of arches that spring directly from the tops of columns was a roman development, seen from the st century ad, that was very widely adopted in medieval western, byzantine and islamic architecture.[citation needed] domes[edit] main article: history of roman and byzantine domes further information: list of roman domes dome of the pantheon, inner view the romans were the first builders in the history of architecture to realize the potential of domes for the creation of large and well-defined interior spaces.[ ] domes were introduced in a number of roman building types such as temples, thermae, palaces, mausolea and later also churches. half-domes also became a favoured architectural element and were adopted as apses in christian sacred architecture. monumental domes began to appear in the st century bc in rome and the provinces around the mediterranean sea. along with vaults, they gradually replaced the traditional post and lintel construction which makes use of the column and architrave. the construction of domes was greatly facilitated by the invention of concrete, a process which has been termed the roman architectural revolution.[ ] their enormous dimensions remained unsurpassed until the introduction of structural steel frames in the late th century (see list of the world's largest domes).[ ][ ][ ] influence on later architecture[edit] this section does not cite any sources. please help improve this section by adding citations to reliable sources. unsourced material may be challenged and removed. (january ) (learn how and when to remove this template message) roman architecture supplied the basic vocabulary of pre-romanesque and romanesque architecture, and spread across christian europe well beyond the old frontiers of the empire, to ireland and scandinavia for example. in the east, byzantine architecture developed new styles of churches, but most other buildings remained very close to late roman forms. the same can be said in turn of islamic architecture, where roman forms long continued, especially in private buildings such as houses and the turkish bath, and civil engineering such as fortifications and bridges. palladian stowe house, by william kent in europe the italian renaissance saw a conscious revival of correct classical styles, initially purely based on roman examples. vitruvius was respectfully reinterpreted by a series of architectural writers, and the tuscan and composite orders formalized for the first time, to give five rather than three orders. after the flamboyance of baroque architecture, the neoclassical architecture of the th century revived purer versions of classical style, and for the first time added direct influence from the greek world. numerous local classical styles developed, such as palladian architecture, georgian architecture and regency architecture in the english-speaking world, federal architecture in the united states, and later stripped classicism and pwa moderne. roman influences may be found around us today, in banks, government buildings, great houses, and even small houses, perhaps in the form of a porch with doric columns and a pediment or in a fireplace or a mosaic shower floor derived from a roman original, often from pompeii or herculaneum. the mighty pillars, domes and arches of rome echo in the new world too, where in washington, d.c. stand the capitol building, the white house, the lincoln memorial, and other government buildings. all across the us the seats of regional government were normally built in the grand traditions of rome, with vast flights of stone steps sweeping up to towering pillared porticoes, with huge domes gilded or decorated inside with the same or similar themes that were popular in rome. in britain, a similar enthusiasm has seen the construction of thousands of neoclassical buildings over the last five centuries, both civic and domestic, and many of the grandest country houses and mansions are purely classical in style, an obvious example being buckingham palace. materials[edit] frigidarium of baths of diocletian, today santa maria degli angeli stone[edit] marble is not found especially close to rome, and was only rarely used there before augustus, who famously boasted that he had found rome made of brick and left it made of marble, though this was mainly as a facing for brick or concrete. the temple of hercules victor of the late nd century bc is the earliest surviving exception in rome. from augustus' reign the quarries at carrara were extensively developed for the capital, and other sources around the empire exploited,[ ] especially the prestigious greek marbles like parian. travertine limestone was found much closer, around tivoli, and was used from the end of the republic; the colosseum is mainly built of this stone, which has good load-bearing capacity, with a brick core.[ ] other more or less local stones were used around the empire.[ ] the romans were extremely fond of luxury imported coloured marbles with fancy veining, and the interiors of the most important buildings were very often faced with slabs of these, which have usually now been removed even where the building survives. imports from greece for this purpose began in the nd century bc.[ ] roman brick[edit] close-up view of the wall of the roman shore fort at burgh castle, norfolk, showing alternating courses of flint and brickwork. main article: roman brick the romans made fired clay bricks from about the beginning of the empire, replacing earlier sun-dried mud-brick. roman brick was almost invariably of a lesser height than modern brick, but was made in a variety of different shapes and sizes.[ ] shapes included square, rectangular, triangular and round, and the largest bricks found have measured over three feet in length.[ ] ancient roman bricks had a general size of ½ roman feet by roman foot, but common variations up to inches existed. other brick sizes in ancient rome included " x " x ", and " x " x ". ancient roman bricks found in france measured " x " x ". the constantine basilica in trier is constructed from roman bricks " square by ½" thick.[ ] there is often little obvious difference (particularly when only fragments survive) between roman bricks used for walls on the one hand, and tiles used for roofing or flooring on the other, so archaeologists sometimes prefer to employ the generic term ceramic building material (or cbm). the st. george rotunda ( th century) and remains of serdica, sofia, bulgaria the romans perfected brick-making during the first century of their empire and used it ubiquitously, in public and private construction alike. the romans took their brickmaking skills everywhere they went, introducing the craft to the local populations.[ ] the roman legions, which operated their own kilns, introduced bricks to many parts of the empire; bricks are often stamped with the mark of the legion that supervised their production. the use of bricks in southern and western germany, for example, can be traced back to traditions already described by the roman architect vitruvius. in the british isles, the introduction of roman brick by the ancient romans was followed by a – year gap in major brick production. roman concrete[edit] example of opus caementicium on a tomb on the ancient appian way in rome. the original covering has been removed. main article: roman concrete concrete quickly supplanted brick as the primary building material,[citation needed] and more daring buildings soon followed, with great pillars supporting broad arches and domes rather than dense lines of columns suspending flat architraves. the freedom of concrete also inspired the colonnade screen, a row of purely decorative columns in front of a load-bearing wall. in smaller-scale architecture, concrete's strength freed the floor plan from rectangular cells to a more free-flowing environment.[citation needed] most of these developments are described by vitruvius, writing in the first century bc in his work de architectura. although concrete had been used on a minor scale in mesopotamia, roman architects perfected roman concrete and used it in buildings where it could stand on its own and support a great deal of weight. the first use of concrete by the romans was in the town of cosa sometime after bc. ancient roman concrete was a mixture of lime mortar, aggregate, pozzolana, water, and stones, and was stronger than previously-used concretes. the ancient builders placed these ingredients in wooden frames where they hardened and bonded to a facing of stones or (more frequently) bricks. the aggregates used were often much larger than in modern concrete, amounting to rubble. when the framework was removed, the new wall was very strong, with a rough surface of bricks or stones. this surface could be smoothed and faced with an attractive stucco or thin panels of marble or other coloured stones called a "revetment". concrete construction proved to be more flexible and less costly than building solid stone buildings. the materials were readily available and not difficult to transport. the wooden frames could be used more than once, allowing builders to work quickly and efficiently. concrete is arguably the roman contribution most relevant to modern architecture. city design[edit] further information: centuriation, decumanus maximus, and cardo the temple of claudius to the south (left) of the colosseum (model of imperial rome at the museo della civiltà romana in rome) model of the st century philippopolis (plovdiv, bulgaria) in the roman period created by arch. matey mateev the ancient romans employed regular orthogonal structures on which they molded their colonies.[ ][ ][ ] they probably were inspired by greek and hellenic examples, as well as by regularly planned cities that were built by the etruscans in italy.[ ] (see marzabotto) the romans used a consolidated scheme for city planning, developed for military defense and civil convenience. the basic plan consisted of a central forum with city services, surrounded by a compact, rectilinear grid of streets, and wrapped in a wall for defense. to reduce travel times, two diagonal streets crossed the square grid, passing through the central square. a river usually flowed through the city, providing water, transport, and sewage disposal.[ ] hundreds of towns and cities were built by the romans throughout their empire. many european towns, such as turin, preserve the remains of these schemes, which show the very logical way the romans designed their cities. they would lay out the streets at right angles, in the form of a square grid. all roads were equal in width and length, except for two, which were slightly wider than the others. one of these ran east–west, the other, north–south, and they intersected in the middle to form the center of the grid. all roads were made of carefully fitted flag stones and filled in with smaller, hard-packed rocks and pebbles. bridges were constructed where needed. each square marked off by four roads was called an insula, the roman equivalent of a modern city block. each insula was yards (  m) square, with the land within it divided. as the city developed, each insula would eventually be filled with buildings of various shapes and sizes and crisscrossed with back roads and alleys. most insulae were given to the first settlers of a roman city, but each person had to pay to construct his own house. the city was surrounded by a wall to protect it from invaders and to mark the city limits. areas outside city limits were left open as farmland. at the end of each main road was a large gateway with watchtowers. a portcullis covered the opening when the city was under siege, and additional watchtowers were constructed along the city walls. an aqueduct was built outside the city walls. the development of greek and roman urbanization is relatively well-known, as there are relatively many written sources, and there has been much attention to the subject, since the romans and greeks are generally regarded as the main ancestors of modern western culture. it should not be forgotten, though, that the etruscans had many considerable towns and there were also other cultures with more or less urban settlements in europe, primarily of celtic origin.[ ] building types[edit] amphitheatre[edit] main article: roman amphitheatre further information: list of roman amphitheatres the amphitheatre was, with the triumphal arch and basilica, the only major new type of building developed by the romans.[ ] some of the most impressive secular buildings are the amphitheatres, over being known and many of which are well preserved, such as that at arles, as well as its progenitor, the colosseum in rome. they were used for gladiatorial contests, public displays, public meetings and bullfights, the tradition of which still survives in spain and portugal. their typical shape, functions and name distinguish them from roman theatres, which are more or less semicircular in shape; from the circuses (akin to hippodromes) whose much longer circuits were designed mainly for horse or chariot racing events; and from the smaller stadia, which were primarily designed for athletics and footraces.[ ] the amphitheatre of pompeii, built around bc and buried by the eruption of mount vesuvius ad, once hosted spectacles with gladiators the earliest roman amphitheatres date from the middle of the first century bc, but most were built under imperial rule, from the augustan period ( bc– ad) onwards.[ ] imperial amphitheatres were built throughout the roman empire; the largest could accommodate , – , spectators, and the most elaborate featured multi-storeyed, arcaded façades and were elaborately decorated with marble, stucco and statuary.[ ] after the end of gladiatorial games in the th century and of animal killings in the th, most amphitheatres fell into disrepair, and their materials were mined or recycled. some were razed, and others converted into fortifications. a few continued as convenient open meeting places; in some of these, churches were sited.[ ] architecturally, they are typically an example of the roman use of the classical orders to decorate large concrete walls pierced at intervals, where the columns have nothing to support. aesthetically, however, the formula is successful. basilica[edit] northern aisle of the basilica of maxentius in rome the aula palatina of trier, germany (then part of the roman province of gallia belgica), built during the reign of constantine i (r. – ad) the roman basilica was a large public building where business or legal matters could be transacted. they were normally where the magistrates held court, and used for other official ceremonies, having many of the functions of the modern town hall. the first basilicas had no religious function at all. as early as the time of augustus, a public basilica for transacting business had been part of any settlement that considered itself a city, used in the same way as the late medieval covered market houses of northern europe, where the meeting room, for lack of urban space, was set above the arcades, however. although their form was variable, basilicas often contained interior colonnades that divided the space, giving aisles or arcaded spaces on one or both sides, with an apse at one end (or less often at each end), where the magistrates sat, often on a slightly raised dais. the central aisle tended to be wide and was higher than the flanking aisles, so that light could penetrate through the clerestory windows. the oldest known basilica, the basilica porcia, was built in rome in  bc by cato the elder during the time he was censor. other early examples include the basilica at pompeii (late nd century bc). after christianity became the official religion, the basilica shape was found appropriate for the first large public churches, with the attraction of avoiding reminiscences of the greco-roman temple form. circus[edit] the roman circus was a large open-air venue used for public events in the ancient roman empire. the circuses were similar to the ancient greek hippodromes, although circuses served varying purposes and differed in design and construction. along with theatres and amphitheatres, circuses were one of the main entertainment sites of the time. circuses were venues for chariot races, horse races, and performances that commemorated important events of the empire were performed there. for events that involved re-enactments of naval battles, the circus was flooded with water. the performance space of the roman circus was normally, despite its name, an oblong rectangle of two linear sections of race track, separated by a median strip running along the length of about two thirds the track, joined at one end with a semicircular section and at the other end with an undivided section of track closed (in most cases) by a distinctive starting gate known as the carceres, thereby creating a circuit for the races. forum[edit] further information: roman forum and list of monuments of the roman forum the roman forum a forum was a central public open space in a roman municipium, or any civitas, primarily used as a marketplace, along with the buildings used for shops and the stoas used for open stalls. other large public buildings were often sited at the edges or close by. many forums were constructed at remote locations along a road by the magistrate responsible for the road, in which case the forum was the only settlement at the site and had its own name, such as forum popili or forum livi.[ ] during the years of the republic, augustus claimed he "found the city in brick and left it in marble".[ ] while chances are high that this was an exaggeration, there is something to be said for the influx of marble use in roman forum from bc onwards. during augustus reign, the forum was described to have been "a larger, freer space than was the forum of imperial times."[ ] the forum began to take on even more changes upon the arrival of julius casear who drew out extensive plans for the market hub. while casear's death came prematurely, the ideas himself, as well as augustus had in regards to the forum proved to be the most influential for years to come. according to walter dennison's the roman forum as cicero saw it, the author writes that "the diverting of public business to the larger and splendid imperial fora erected in the vicinity resulted in leaving the general design of the forum romanum".[ ] every city had at least one forum of varying size. in addition to its standard function as a marketplace, a forum was a gathering place of great social significance, and often the scene of diverse activities, including political discussions and debates, rendezvous, meetings, etc. much the best known example is the roman forum, the earliest of several in rome. in new roman towns the forum was usually located at, or just off, the intersection of the main north–south and east–west streets (the cardo and decumanus). all forums would have a temple of jupiter at the north end, and would also contain other temples, as well as the basilica; a public weights and measures table, so customers at the market could ensure they were not being sold short measures; and would often have the baths nearby. a panoramic view of the forum trajanum, with the trajan's column on the far left. horreum[edit] a horreum was a type of public warehouse used during the ancient roman period. although the latin term is often used to refer to granaries, roman horrea were used to store many other types of consumables; the giant horrea galbae in rome were used not only to store grain but also olive oil, wine, foodstuffs, clothing and even marble.[ ] by the end of the imperial period, the city of rome had nearly horrea to supply its demands.[ ] the biggest were enormous, even by modern standards; the horrea galbae contained rooms on the ground floor alone, covering an area of some , square feet ( ,  m ).[ ] the horrea epagathiana et epaphroditiana, a horreum in ostia (rome), italy, built c. – ad the first horrea were built in rome towards the end of the nd century bc,[ ] with the first known public horreum being constructed by the ill-fated tribune, gaius gracchus in bc.[ ] the word came to be applied to any place designated for the preservation of goods; thus it was often used refer to cellars (horrea subterranea), but it could also be applied to a place where artworks were stored,[ ] or even to a library.[ ] some public horrea functioned somewhat like banks, where valuables could be stored, but the most important class of horrea were those where foodstuffs such as grain and olive oil were stored and distributed by the state.[ ] the word itself is thought to have linguist roots tied to the word hordeum which in latin means 'barley'.[ ] in the johns hopkins university press, the classical weekly states that "pliny the elder does indeed make a distinction between the two words. he describes the horreum as a structure made of brick, the walls of which were not less than three feet thick; it had no windows or openings for ventilation".[ ] furthermore, the storehouses would also host oil and wine and also utilize large jars that could serve as cache's for large amounts of products. these storehouses were also used to house keep large sums of money and were used much like personal storage units today are. romans were "these horrea were divided and subdivided, so that one could hire only so much space as one wanted, a whole room (cella), a closet (armarium), or only a chest or strong box (arca, arcula, locus, loculus)."[ ] insula[edit] main article: insula (building) insula in ostia antica multi-story apartment blocks called insulae catered to a range of residential needs. the cheapest rooms were at the top owing to the inability to escape in the event of a fire and the lack of piped water. windows were mostly small, facing the street, with iron security bars. insulae were often dangerous, unhealthy, and prone to fires because of overcrowding and haphazard cooking arrangements.[citation needed] there are examples in the roman port town of ostia, that date back to the reign of trajan, but they seem to have been found only in rome and a few other places. elsewhere writers report them as something remarkable, but livy and vituvius refer to them in rome.[ ] external walls were in "opus reticulatum" and interiors in "opus incertum", which would then be plastered and sometimes painted. to lighten up the small dark rooms, tenants able to afford a degree of painted colourful murals on the walls. examples have been found of jungle scenes with wild animals and exotic plants. imitation windows (trompe-l'œil) were sometimes painted to make the rooms seem less confined. ancient rome had elaborate and luxurious houses owned by the elite. the average house, or in cities apartment, of a commoner or plebe did not contain many luxuries. the domus, or single-family residence, was only for the well-off in rome, with most having a layout of the closed unit, consisting of one or two rooms. between and a.d. rome had domus and , of insulae.[ ] insulae have been the subject of great debate for historians of roman culture, defining the various meanings of the word.[ ] insula was a word used to describe apartment buildings, or the apartments themselves,[ ] meaning apartment, or inhabitable room, demonstrating just how small apartments for plebes were. urban divisions were originally street blocks, and later began to divide into smaller divisions, the word insula referring to both blocks and smaller divisions. the insula contained cenacula, tabernae, storage rooms under the stairs, and lower floor shops. another type of housing unit for plebes was a cenaculum, an apartment, divided into three individual rooms: cubiculum, exedra, and medianum. common roman apartments were mainly masses of smaller and larger structures, many with narrow balconies that present mysteries as to their use, having no doors to access them, and they lacked the excessive decoration and display of wealth that aristocrats’ houses contained. luxury in houses was not common, as the life of the average person did not consist of being in their houses, as they instead would go to public baths, and engage in other communal activities. the tower of hercules, a roman lighthouse in spain lighthouses[edit] main article: roman lighthouse many lighthouses were built around the mediterranean and the coasts of the empire, including the tower of hercules at a coruña in northern spain, a structure which survives to this day. a smaller lighthouse at dover, england also exists as a ruin about half the height of the original. the light would have been provided by a fire at the top of the structure. thermae[edit] main article: thermae further information: list of roman public baths all roman cities had at least one thermae, a popular facility for public bathing, exercising and socializing. exercise might include wrestling and weight-lifting, as well as swimming. bathing was an important part of the roman day, where some hours might be spent, at a very low cost subsidized by the government. wealthier romans were often accompanied by one or more slaves, who performed any required tasks such as fetching refreshment, guarding valuables, providing towels, and at the end of the session, applying olive oil to their masters' bodies which was then scraped off with a strigil, a scraper made of wood or bone. romans did not wash with soap and water as we do now. roman bath-houses were also provided for private villas, town houses and forts. they were normally supplied with water from an adjacent river or stream, or by aqueduct. the design of thermae is discussed by vitruvius in de architectura. temples[edit] main article: roman temple further information: list of ancient roman temples "roman baroque" temple of bacchus at baalbek, lebanon roman temples were among the most important and richest buildings in roman culture, though only a few survive in any sort of complete state. their construction and maintenance was a major part of ancient roman religion, and all towns of any importance had at least one main temple, as well as smaller shrines. the main room (cella) housed the cult image of the deity to whom the temple was dedicated, and often a small altar for incense or libations. behind the cella was a room or rooms used by temple attendants for storage of equipment and offerings. some remains of many roman temples survive, above all in rome itself, but the relatively few near-complete examples were nearly all converted to christian churches (and sometimes subsequently to mosques), usually a considerable time after the initial triumph of christianity under constantine. the decline of roman religion was relatively slow, and the temples themselves were not appropriated by the government until a decree of the emperor honorius in . some of the oldest surviving temples include the temple of hercules victor (mid nd century bc) and temple of portunus ( – bc), both standing within the forum boarium. the temple of hercules victor, rome, built in the mid- nd century bc, most likely by lucius mummius achaicus, who won the achaean war. the form of the roman temple was mainly derived from the etruscan model, but using greek styles[citation needed]. roman temples emphasised the front of the building, which followed greek temple models and typically consisted of wide steps leading to a portico with columns, a pronaos, and usually a triangular pediment above, which was filled with statuary in the most grand examples; this was as often in terracotta as stone, and no examples have survived except as fragments. however, unlike the greek models, which generally gave equal treatment to all sides of the temple, which could be viewed and approached from all directions, the sides and rear of roman temples might be largely undecorated (as in the pantheon, rome and vic), inaccessible by steps (as in the maison carrée and vic), and even back on to other buildings. as in the maison carrée, columns at the side might be half-columns, emerging from ("engaged with" in architectural terminology) the wall.[ ] the platform on which the temple sat was typically raised higher in roman examples than greek, with up ten or twelve or more steps rather than the three typical in greek temples; the temple of claudius was raised twenty steps. these steps were normally only at the front, and typically not the whole width of that. the temple of portunus, god of grain storage, keys, livestock and ports.[ ] rome, built between and bc the greek classical orders in all their details were closely followed in the façades of temples, as in other prestigious buildings. however the idealized proportions between the different elements set out by the only significant roman writer on architecture to survive, vitruvius, and subsequent italian renaissance writers, do not reflect actual roman practice, which could be very variable, though always aiming at balance and harmony. following a hellenistic trend, the corinthian order and its variant the composite order were most common in surviving roman temples, but for small temples like that at alcántara, a simple tuscan order could be used.[ ] there was considerable local variation in style, as roman architects often tried to incorporate elements the population expected in its sacred architecture. this was especially the case in egypt and the near east, where different traditions of large stone temples were already millennia old. the romano-celtic temple was a simple style for small temples found in the western empire, and by far the most common type in roman britain. it often lacked any of the distinctive classical features, and may have had considerable continuity with pre-roman temples of the celtic religion. theatres[edit] roman theatre (mérida), spain roman theatres were built in all areas of the empire from spain, to the middle east. because of the romans' ability to influence local architecture, we see numerous theatres around the world with uniquely roman attributes.[ ] these buildings were semi-circular and possessed certain inherent architectural structures, with minor differences depending on the region in which they were constructed. the scaenae frons was a high back wall of the stage floor, supported by columns. the proscaenium was a wall that supported the front edge of the stage with ornately decorated niches off to the sides. the hellenistic influence is seen through the use of the proscaenium. the roman theatre also had a podium, which sometimes supported the columns of the scaenae frons. the scaenae was originally not part of the building itself, constructed only to provide sufficient background for the actors. eventually, it became a part of the edifice itself, made out of concrete. the theatre itself was divided into the stage (orchestra) and the seating section (auditorium). vomitoria or entrances and exits were made available to the audience.[ ] villa[edit] villa of the mysteries just outside pompeii, seen from above main article: roman villa see also: villa rustica, list of roman villas in england, and list of roman villas in belgium a roman villa was a country house built for the upper class, while a domus was a wealthy family's house in a town. the empire contained many kinds of villas, not all of them lavishly appointed with mosaic floors and frescoes. in the provinces, any country house with some decorative features in the roman style may be called a "villa" by modern scholars.[ ] some, like hadrian's villa at tivoli, were pleasure palaces such as those that were situated in the cool hills within easy reach of rome or, like the villa of the papyri at herculaneum, on picturesque sites overlooking the bay of naples. some villas were more like the country houses of england or poland, the visible seat of power of a local magnate, such as the famous palace rediscovered at fishbourne in sussex. suburban villas on the edge of cities were also known, such as the middle and late republican villas that encroached on the campus martius, at that time on the edge of rome, and which can be also seen outside the city walls of pompeii, including the villa of the mysteries, famous for its frescos. these early suburban villas, such as the one at rome's auditorium site[ ] or at grottarossa in rome, demonstrate the antiquity and heritage of the villa suburbana in central italy. it is possible that these early, suburban villas were also in fact the seats of power (maybe even palaces) of regional strongmen or heads of important families (gentes). a third type of villa provided the organizational center of the large farming estates called latifundia; such villas might be lacking in luxuries. by the th century, villa could simply mean an agricultural estate or holding: jerome translated the gospel of mark (xiv, ) chorion, describing the olive grove of gethsemane, with villa, without an inference that there were any dwellings there at all (catholic encyclopedia "gethsemane"). with the colossal diocletian's palace, built in the countryside but later turned into a fortified city, a form of residential castle emerges, that anticipates the middle ages. watermills[edit] further information: list of ancient watermills the initial invention of the watermill appears to have occurred in the hellenized eastern mediterranean in the wake of the conquests of alexander the great and the rise of hellenistic science and technology.[ ][ ][ ] in the subsequent roman era, the use of water-power was diversified and different types of watermills were introduced. these include all three variants of the vertical water wheel as well as the horizontal water wheel.[ ][ ] apart from its main use in grinding flour, water-power was also applied to pounding grain,[ ][ ][ ] crushing ore,[ ] sawing stones[ ] and possibly fulling and bellows for iron furnaces.[ ] decorative structures[edit] monoliths[edit] further information: list of ancient greek and roman monoliths the capital of trajan's column, rome in architecture, a monolith is a structure which has been excavated as a unit from a surrounding matrix or outcropping of rock.[ ] monoliths are found in all types of roman buildings. they were either: quarried without being moved; or quarried and moved; or quarried, moved and lifted clear off the ground into their position (e.g. architraves); or quarried, moved and erected in an upright position (e.g. columns). transporting was done by land or water (or a combination of both), in the later case often by special-built ships such as obelisk carriers.[ ] for lifting operations, ancient cranes were employed since c. bc,[ ] such as in the construction of trajan's column.[ ] obelisks[edit] further information: list of obelisks in rome an obelisk is a tall, four-sided, narrow tapering monument which ends in a pyramid-like shape at the top. these were originally called "tekhenu" by the builders, the ancient egyptians. the greeks who saw them used the greek 'obeliskos' to describe them, and this word passed into latin and then english.[ ] the romans commissioned obelisks in an ancient egyptian style. examples include: arles, france – the arles obelisk, in place de la république, a th-century obelisk of roman origin benevento, italy – three roman obelisks[ ][ ] munich – obelisk of titus sextius africanus, staatliches museum Ägyptischer kunst, kunstareal, st century ad, .  m rome – there are five ancient roman obelisks in rome. roman gardens[edit] gardens in conimbriga, portugal roman gardens were influenced by egyptian, persian, and greek gardening techniques[citation needed]. in ancient latium, a garden was part of every farm. according to cato the elder, every garden should be close to the house and should have flower beds and ornamental trees.[ ] horace wrote that during his time flower gardens became a national indulgence.[ ] gardens were not reserved for the extremely wealthy. excavations in pompeii show that gardens attaching to residences were scaled down to meet the space constraints of the home of the average roman. modified versions of roman garden designs were adopted in roman settlements in africa, gaul, and britannia. as town houses were replaced by tall insula (apartment buildings), these urban gardens were replaced by window boxes or roof gardens.[citation needed] triumphal arches[edit] further information: list of roman triumphal arches a triumphal arch is a monumental structure in the shape of an archway with one or more arched passageways, often designed to span a road. the origins of the roman triumphal arch are unclear. there were precursors to the triumphal arch within the roman world; in italy, the etruscans used elaborately decorated single bay arches as gates or portals to their cities. surviving examples of etruscan arches can still be seen at perugia and volterra.[ ] the two key elements of the triumphal arch – a round-topped arch and a square entablature – had long been in use as separate architectural elements in ancient greece. the arch of titus in rome, an early roman imperial triumphal arch with a single archway the innovation of the romans was to use these elements in a single free-standing structure. the columns became purely decorative elements on the outer face of arch, while the entablature, liberated from its role as a building support, became the frame for the civic and religious messages that the arch builders wished to convey.[ ] little is known about how the romans viewed triumphal arches. pliny the elder, writing in the first century ad, was the only ancient author to discuss them.[ ] he wrote that they were intended to "elevate above the ordinary world" an image of an honoured person usually depicted in the form of a statue with a quadriga.[ ] the first recorded roman triumphal arches were set up in the time of the roman republic.[ ] generals who were granted a triumph were termed triumphators and would erect fornices or honorific arches bearing statues to commemorate their victories.[ ] roman triumphal practices changed significantly at the start of the imperial period when the first roman emperor augustus decreed that only emperors would be granted triumphs. the triumphal arch changed from being a personal monument to being an essentially propagandistic one, serving to announce and promote the presence of the ruler and the laws of the state.[ ] arches were not necessarily built as entrances, but – unlike many modern triumphal arches – they were often erected across roads and were intended to be passed through, not round.[ ] the arch of augustus in rimini (ariminum), dedicated to augustus by the roman senate in bc, the oldest surviving roman triumphal arch most roman triumphal arches were built during the imperial period. by the fourth century ad there were such arches in rome, of which three have survived – the arch of titus (ad ), the arch of septimius severus ( – ) and the arch of constantine ( ). numerous arches were built elsewhere in the roman empire.[ ] the single arch was the most common, but many triple arches were also built, of which the triumphal arch of orange (c. ad ) is the earliest surviving example. from the nd century ad, many examples of the arcus quadrifrons – a square triumphal arch erected over a crossroads, with arched openings on all four sides – were built, especially in north africa. arch-building in rome and italy diminished after the time of trajan (ad – ) but remained widespread in the provinces during the nd and rd centuries ad; they were often erected to commemorate imperial visits.[ ] the ornamentation of an arch was intended to serve as a constant visual reminder of the triumph and triumphator. the façade was ornamented with marble columns, and the piers and attics with decorative cornices. sculpted panels depicted victories and achievements, the deeds of the triumphator, the captured weapons of the enemy or the triumphal procession itself. the spandrels usually depicted flying victories, while the attic was often inscribed with a dedicatory inscription naming and praising the triumphator. the piers and internal passageways were also decorated with reliefs and free-standing sculptures. the vault was ornamented with coffers. some triumphal arches were surmounted by a statue or a currus triumphalis, a group of statues depicting the emperor or general in a quadriga.[ ][ ] inscriptions on roman triumphal arches were works of art in themselves, with very finely cut, sometimes gilded letters. the form of each letter and the spacing between them was carefully designed for maximum clarity and simplicity, without any decorative flourishes, emphasizing the roman taste for restraint and order. this conception of what later became the art of typography remains of fundamental importance down to the present day.[ ] victory columns[edit] further information: list of roman victory columns infrastructure[edit] roads[edit] via appia antica roman roads were vital to the maintenance and development of the roman state, and were built from about bc through the expansion and consolidation of the roman republic and the roman empire.[ ] they provided efficient means for the overland movement of armies, officials and civilians, and the inland carriage of official communications and trade goods.[ ] at the peak of rome's development, no fewer than great military highways radiated from the capital, and the late empire's provinces were interconnected by great road links.[ ][ ] roman road builders aimed at a regulation width (see laws and standards above), but actual widths have been measured at between .  ft ( .  m) and more than  ft ( .  m). today, the concrete has worn from the spaces around the stones, giving the impression of a very bumpy road, but the original practice was to produce a surface that was no doubt much closer to being flat. aqueduct[edit] main article: roman aqueduct further information: list of aqueducts in the roman empire the pont du gard, near vers-pont-du-gard, france the romans constructed numerous aqueducts in order to bring water from distant sources into their cities and towns, supplying public baths, latrines, fountains and private households. waste water was removed by complex sewage systems and released into nearby bodies of water, keeping the towns clean and free from effluent. aqueducts also provided water for mining operations, milling, farms and gardens. aqueducts moved water through gravity alone, being constructed along a slight downward gradient within conduits of stone, brick or concrete. most were buried beneath the ground, and followed its contours; obstructing peaks were circumvented or, less often, tunnelled through. where valleys or lowlands intervened, the conduit was carried on bridgework, or its contents fed into high-pressure lead, ceramic or stone pipes and siphoned across. most aqueduct systems included sedimentation tanks, sluices and distribution tanks to regulate the supply at need. rome's first aqueduct supplied a water-fountain sited at the city's cattle market. by the third century ad, the city had eleven aqueducts, sustaining a population of over a million in a water-extravagant economy; most of the water supplied the city's many public baths. cities and municipalities throughout the roman empire emulated this model, and funded aqueducts as objects of public interest and civic pride, "an expensive yet necessary luxury to which all could, and did, aspire."[ ] most roman aqueducts proved reliable, and durable; some were maintained into the early modern era, and a few are still partly in use. methods of aqueduct surveying and construction are noted by vitruvius in his work de architectura ( st century bc). the general frontinus gives more detail in his official report on the problems, uses and abuses of imperial rome's public water supply. notable examples of aqueduct architecture include the supporting piers of the aqueduct of segovia, and the aqueduct-fed cisterns of constantinople. bridges[edit] main article: roman bridge further information: list of roman bridges roman bridges, built by ancient romans, were the first large and lasting bridges built.[ ] roman bridges were built with stone and had the arch as the basic structure (see arch bridge). most utilized concrete as well, which the romans were the first to use for bridges. puente romano over the guadiana river at mérida, spain roman arch bridges were usually semicircular, although a few were segmental (such as alconétar bridge). a segmental arch is an arch that is less than a semicircle.[ ] the advantages of the segmental arch bridge were that it allowed great amounts of flood water to pass under it, which would prevent the bridge from being swept away during floods and the bridge itself could be more lightweight. generally, roman bridges featured wedge-shaped primary arch stones (voussoirs) of the same in size and shape. the romans built both single spans and lengthy multiple arch aqueducts, such as the pont du gard and segovia aqueduct. their bridges featured from an early time onwards flood openings in the piers, e.g. in the pons fabricius in rome ( bc), one of the world's oldest major bridges still standing. roman engineers were the first and until the industrial revolution the only ones to construct bridges with concrete, which they called opus caementicium. the outside was usually covered with brick or ashlar, as in the alcántara bridge. the romans also introduced segmental arch bridges into bridge construction. the  m long limyra bridge in southwestern turkey features segmental arches with an average span-to-rise ratio of . : ,[ ] giving the bridge an unusually flat profile unsurpassed for more than a millennium. trajan's bridge over the danube featured open-spandrel segmental arches made of wood (standing on  m high concrete piers). this was to be the longest arch bridge for a thousand years both in terms of overall and individual span length, while the longest extant roman bridge is the  m long puente romano at mérida. canals[edit] further information: list of roman canals roman canals were typically multi-purpose structures, intended for irrigation, drainage, land reclamation, flood control and navigation where feasible. some navigational canals were recorded by ancient geographers and are still traceable by modern archaeology. channels which served the needs of urban water supply are covered at the list of aqueducts in the roman empire. cisterns[edit] further information: list of roman cisterns the basilica cistern in constantinople provided water for the imperial palace. freshwater reservoirs were commonly set up at the termini of aqueducts and their branch lines, supplying urban households, agricultural estates, imperial palaces, thermae or naval bases of the roman navy.[ ] dams[edit] further information: list of roman dams and reservoirs roman dam construction began in earnest in the early imperial period.[ ] for the most part, it concentrated on the semi-arid fringe of the empire, namely the provinces of north africa, the near east, and hispania.[ ][ ][ ] the relative abundance of spanish dams below is due partly to more intensive field work there; for italy only the subiaco dams, created by emperor nero ( – ad) for recreational purposes, are attested.[ ][ ] these dams are noteworthy, though, for their extraordinary height, which remained unsurpassed anywhere in the world until the late middle ages.[ ] the most frequent dam types were earth- or rock-filled embankment dams and masonry gravity dams.[ ] these served a wide array of purposes, such as irrigation, flood control, river diversion, soil-retention, or a combination of these functions.[ ] the impermeability of roman dams was increased by the introduction of waterproof hydraulic mortar and especially opus caementicium in the concrete revolution. these materials also allowed for bigger structures to be built,[ ] like the lake homs dam, possibly the largest water barrier today,[ ] and the sturdy harbaqa dam, both of which consist of a concrete core. roman builders were the first to realize the stabilizing effect of arches and buttresses, which they integrated into their dam designs. previously unknown dam types introduced by the romans include arch-gravity dams,[ ][ ] arch dams,;[ ][ ][ ][ ][ ] buttress dams,[ ] and multiple-arch buttress dams.[ ][ ][ ][ ] defensive walls[edit] main article: ancient roman defensive walls roman walls of lugo, spain the romans generally fortified cities rather than fortresses, but there are some fortified camps such as the saxon shore forts like porchester castle in england. city walls were already significant in etruscan architecture, and in the struggle for control of italy under the early republic many more were built, using different techniques. these included tightly fitting massive irregular polygonal blocks, shaped to fit exactly in a way reminiscent of later inca work. the romans called a simple rampart wall an agger; at this date great height was not necessary. the servian wall around rome was an ambitious project of the early th century bc. the wall was up to  metres ( .  ft) in height in places, .  metres (  ft) wide at its base,  km (  mi) long,[ ] and is believed to have had main gates, though many of these are mentioned only from writings, with no other known remains. some of it had a fossa or ditch in front, and an agger behind, and it was enough to deter hannibal. later the aurelian wall replaced it, enclosing an expanded city, and using more sophisticated designs, with small forts at intervals. the romans walled major cities and towns in areas they saw as vulnerable, and parts of many walls remain incorporated in later defensive fortifications, as at córdoba ( nd century bc), chester (earth and wood in the s ad, stone from c. ), and york (from s ad). strategic walls across open country were far rarer, and hadrian's wall (from ) and the antonine wall (from , abandoned only years after completion) are the most significant examples, both on the pictish frontier of roman britain... architectural features[edit] mosaics[edit] main article: roman mosaic the centaur mosaic ( nd-century), found at hadrian's villa in tivoli, italy. altes museum, berlin on his return from campaigns in greece, the general sulla brought back what is probably the most well-known element of the early imperial period, the mosaic, a decoration made of colourful chips of stone inserted into cement. this tiling method took the empire by storm in the late first century and the second century and in the roman home joined the well known mural in decorating floors, walls, and grottoes with geometric and pictorial designs. there were two main techniques in greco-roman mosaic: opus vermiculatum used tiny tesserae, typically cubes of millimeters or less, and was produced in workshops in relatively small panels which were transported to the site glued to some temporary support. the tiny tesserae allowed very fine detail, and an approach to the illusionism of painting. often small panels called emblemata were inserted into walls or as the highlights of larger floor-mosaics in coarser work. the normal technique, however, was opus tessellatum, using larger tesserae, which were laid on site.[ ] there was a distinct native italian style using black on a white background, which was no doubt cheaper than fully coloured work.[ ] a specific genre of roman mosaic obtained the name asaroton (greek "unswept floor"). it represented an optical illusion of the leftovers from a feast on the floor of rich houses.[ ] hypocaust[edit] hypocaust in saint-rémy-de-provence, france a hypocaust was an ancient roman system of underfloor heating, used to heat houses with hot air. the roman architect vitruvius, writing about the end of the st century bc, attributes their invention to sergius orata. many remains of roman hypocausts have survived throughout europe, western asia, and northern africa. the hypocaust was an invention which improved the hygiene and living conditions of citizens, and was a forerunner of modern central heating. hypocausts were used for heating hot baths (thermae), houses and other buildings, whether public or private. the floor was raised above the ground by pillars, called pilae stacks, with a layer of tiles, then a layer of concrete, then another of tiles on top; and spaces were left inside the walls so that hot air and smoke from the furnace would pass through these enclosed areas and out of flues in the roof, thereby heating but not polluting the interior of the room. roman roofs[edit] further information: list of ancient greek and roman roofs in sicily truss roofs presumably appeared as early as bc.[ ] their potential was fully realized in the roman period, which saw trussed roofs over wide spanning the rectangular spaces of monumental public buildings such as temples, basilicas, and later churches. such spans were three times as wide as the widest prop-and-lintel roofs and only surpassed by the largest roman domes.[ ] the largest truss roof by span of ancient rome covered the aula regia (throne room) built for emperor domitian ( –  ad) on the palatine hill, rome. the timber truss roof had a width of .  m, slightly surpassing the postulated limit of  m for roman roof constructions. tie-beam trusses allowed for much larger spans than the older prop-and-lintel system and even concrete vaulting. nine out of the ten largest rectangular spaces in roman architecture were bridged this way, the only exception being the groin vaulted basilica of maxentius.[ ] spiral stairs[edit] further information: list of ancient spiral stairs the spiral stair is a type of stairway which, due to its complex helical structure, was introduced relatively late into architecture. although the oldest example dates back to the th century bc,[ ] it was only in the wake of the influential design of trajan's column that this space-saving new type permanently caught hold in roman architecture.[ ] apart from the triumphal columns in the imperial cities of rome and constantinople, other types of buildings such as temples, thermae, basilicas and tombs were also fitted with spiral stairways.[ ] their notable absence in the towers of the aurelian wall indicates that although used in medieval castles, they did not yet figure prominently in roman military engineering.[ ] by late antiquity, separate stair towers were constructed adjacent to the main buildings, as in the basilica of san vitale. the construction of spiral stairs passed on both to christian and islamic architecture. significant buildings and areas[edit] the baths of caracalla canopo at hadrian's villa, tivoli, italy verona arena at dawn public buildings[edit] baths of trajan – these were a massive thermae, a bathing and leisure complex, built in ancient rome starting from ad and dedicated during the kalends of july in . baths of diocletian – in ancient rome, these were the grandest of the public baths (thermae), built by successive emperors baths of caracalla colosseum trajan's column, in rome circus maximus, in rome curia hostilia (senate house), in rome domus aurea (former building) forum of augustus hadrian's villa pantheon tower of hercules tropaeum traiani verona arena, in verona rotunda church of st. george, serdika, sofia, bulgaria roman theatre, philippopolis, plovdiv, bulgaria roman stadium, philippopolis, plovdiv, bulgaria roman baths, odessos, varna, bulgaria roman city walls of diocletianopolis (thrace), hisarya, bulgaria roman tomb, primorsko, bulgaria [ ] private architecture[edit] alyscamps – a necropolis in arles, france, one of the most famous necropolises of the ancient world domus catacombs of rome roman villa pompeii and herculaneum hadrian's wall, built in ad in roman britain, in what is now northern england civil engineering[edit] roman engineering – romans are famous for their advanced engineering accomplishments, although some of their own inventions were improvements on older ideas, concepts and inventions. roman watermill military engineering[edit] antonine wall, in scotland hadrian's wall limes germanicus see also[edit] outline of ancient rome outline of architecture ancient greek architecture architecture of mesopotamia achaemenid architecture roman technology ancient rome portal italy portal history portal architecture 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(ed.), high technology ceramics: past, present, future, , american ceramics society hodge, a. trevor ( ), the woodwork of greek roofs, cambridge university press, pp.  – mark, robert; hutchinson, paul ( ), "on the structure of the roman pantheon", art bulletin, ( ), pp.  – , doi: . / , jstor  métreaux, guy p.r. ( ). "villa rustica alimentaria et annonaria". in frazer, alfred (ed.). the roman villa : villa urbana. philadelphia: university museum, university of pennsylvania. isbn  - - - - . miller, stella grobel ( ). "a mosaic floor from a roman villa at anaploga" (pdf). hesperia. ( ): – . doi: . / . issn  - x. jstor  . morris, anthony e. ( ). history of urban form: prehistory to the renaissance. london: george godwin limited. isbn  - . o'connor, colin ( ), roman bridges, cambridge university press, isbn  - - - - o'flaherty, c.a. ( ). "introduction: a historical overview of the development of the road" (pdf). highways. pp.  – . doi: . /b - - / - . isbn  - - - - . patrich, joseph ( ). 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"ancient mediterranean pleasure gardens". geographical review. ( ): – . doi: . / . jstor  . smith, d. j. ( ). "mosaics". in martin henig (ed.). a handbook of roman art. phaidon. isbn  - - - - . smith, norman ( ), "the roman dams of subiaco", technology and culture, ( ): – , doi: . / , jstor  smith, norman ( ), a history of dams, london: peter davies, pp.  – , isbn  - - - - storey, glenn r. ( ). "regionaries-type insulae : architectural/residential units at rome". american journal of archaeology. ( ): – . doi: . / . issn  - . jstor  . storey, glenn r. ( ). "the meaning of "insula" in roman residential terminology". memoirs of the american academy in rome. : – . doi: . / . issn  - . jstor  . sullivan, george h. ( ). not built in a day: exploring the architecture of rome. da capo press. isbn  - - - - . ulrich, roger b. ( ). roman woodworking. yale university press. isbn  - - - - . vitrivius ( ). the ten books on architecture, bk i. morris h. morgan (translator). harvard university press. walters, henry beauchamp; birch, samuel ( ). history of ancient pottery: greek, etruscan, and roman. john murray. ward-perkins, bryan ( ). "chapter . land, labour, and settlement" (pdf). in cameron, averil; ward-perkins, bryan; whitby, michael (eds.). late antiquity: empire and successors a.d. – . the cambridge ancient history. volume xiv. cambridge university press. part iii: east and west: economy and society. doi: . /chol . hdl: /mdp. . isbn  - - - - . ward-perkins, j. b. ( ). "nero's golden house". antiquity. : – . wikander, Örjan ( ), "archaeological evidence for early water-mills. an interim report", history of technology, , pp.  – wikander, Örjan ( a), "the water-mill", in wikander, Örjan (ed.), handbook of ancient water technology, technology and change in history, , leiden: brill, pp.  – , isbn  - - - - wikander, Örjan ( b), "industrial applications of water-power", in wikander, Örjan (ed.), handbook of ancient water technology, technology and change in history, , leiden: brill, pp.  – , isbn  - - - - wilson, andrew ( ), "machines, power and the ancient economy", the journal of roman studies, society for the promotion of roman studies, cambridge university press, , pp.  – , doi: . / , jstor  wilson jones, mark ( ). principles of roman architecture. new haven, conn: yale university press. isbn  - - - - . wirsching, armin ( ), "how the obelisks reached rome: evidence of roman double-ships", the international journal of nautical archaeology, ( ): – , doi: . /j. - . .tb .x zaho, margaret ann ( ). imago triumphalis: the function and significance of triumphal imagery for italian renaissance rulers. peter lang. isbn  - - - - . further reading[edit] adam, jean pierre. roman building: materials and techniques. bloomington: indiana university press, . anderson, james c. roman architecture and society. baltimore: johns hopkins university press, . boëthius, axel. etruscan and early roman architecture. new haven: yale university press, . fant, j. clayton. "quarrying and stoneworking." in the oxford handbook of engineering and technology in the classical world, edited by john p. oleson, – . oxford: oxford university press, . hopkins, john north. the genesis of roman architecture. new haven: yale university press, . lancaster, lynne c. concrete vaulted construction in imperial rome: innovations in context. cambridge: cambridge university press, . --. "roman engineering and construction." in the oxford handbook of engineering and technology in the classical world, edited by john p. oleson, – . oxford: oxford university press. . macdonald, william lloyd. the architecture of the roman empire. rev. ed. new haven: yale university press, . macready, sarah, and f. h. thompson. roman architecture in the greek world. london: society of antiquaries, . sear, frank. roman architecture. ithaca: cornell university press, . thomas, edmund v. monumentality and the roman empire: architecture in the antonine age. oxford: oxford university press, . ulrich, roger b. roman woodworking. new haven: yale university press, . ulrich, roger b., and caroline k quenemoen. a companion to roman architecture. somerset: wiley, . external links[edit] wikimedia commons has media related to ancient roman architecture. wikibooks has more on the topic of: ancient roman architecture library resources about ancient roman architecture online books resources in your 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| tei xml | data horace ms a ars poetica and epistulae title ars poetica and epistulae authors horace (https://viaf.org/viaf/ /) other related names hodossy, imre, former owner funders council on library and information resources call number horace ms a (philadelphia, united states, free library of philadelphia, horace collection) publisher free library of philadelphia language latin origin fourth quarter th century place austria? hungary? summary this manuscript, the first of two volumes, contains the ars poetica and epistulae by horace. it was written in austria or hungary in the fourth quarter of the th century. notes probably once bound in with a larger manuscript, as seventeenth-century (?) folio numbering begins on fol. r with   back flyleaves and are part of quire   watermark briquet no. (a balance) extent ii+ +iv; x mm bound to x mm foliation modern foliation in pencil, upper right recto; earlier (seventeenth century?) foliation in ink, upper middle recto, begins on fol. with " " collation ( , + ), ( ), ( ) support paper binding modern binding, blue cloth with gold stamping over paper boards layout single column of twenty-four to twenty-nine lines (most pages twenty-seven to twenty-eight); lines begin with capitals; drypoint frame-ruled, no line ruling; written area: x mm decoration occasional manicules script gothic--cursiva provenance imre hodossy; purchased by maggs bros; ltd in for the free library at a munich auction   keywords th century austria manicules literature -- poetry licenses text these images and the content of free library of philadelphia, horace ms a: ars poetica and epistulae are free of known copyright restrictions and in the public domain. see the creative commons public domain mark page for usage details, http://creativecommons.org/publicdomain/mark/ . /. url http://creativecommons.org/publicdomain/mark/ . / text to the extent possible under law, free library of philadelphia, special collections has waived all copyright and related or neighboring rights to this metadata about free library of philadelphia horace ms a: ars poetica and epistulae. this work is published from: united states. for a summary of cc , see https://creativecommons.org/publicdomain/zero/ . /. legal code: https://creativecommons.org/publicdomain/zero/ . /legalcode. url https://creativecommons.org/publicdomain/zero/ . /legalcode table of contents insert recto — letter from maggs bros. to free library, january , decorations inside front cover — bookplate, hodossy imre fol. v — manicule fol. v — manicule fol. r — manicule fol. v — manicule fol. r — manicule fol. v — manicule fol. r — manicule fol. r — manicule fol. r — manicule fol. r — manicule fol. r — manicule fol. v — manicule fol. r — manicule fol. v — manicule 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and wine - wikipedia ancient rome and wine from wikipedia, the free encyclopedia jump to navigation jump to search expansion of the roman empire ancient rome played a pivotal role in the history of wine. the earliest influences on the viticulture of the italian peninsula can be traced to ancient greeks and the etruscans. the rise of the roman empire saw both technological advances in and burgeoning awareness of winemaking, which spread to all parts of the empire. rome's influence has had a profound effect on the histories of today's major winemaking regions in france, germany, italy, portugal and spain. the roman belief that wine was a daily necessity made the drink "democratic" and ubiquitous; in various forms, it was available to slaves, peasants and aristocrats, men and women alike. to ensure the steady supply of wine to roman soldiers and colonists, viticulture and wine production spread to every part of the empire. the economic opportunities presented by trading in wine drew merchants to do business with tribes native to gaul and germania, bringing roman influences to these regions even before the arrival of the roman military.[ ] evidence of this trade and the far-reaching ancient wine economy is most often found through amphorae - ceramic jars used to transport wine.[ ] the works of roman writers—most notably cato, columella, horace, catullus, palladius, pliny, varro and virgil—have provided insight into the role played by wine in roman culture as well as contemporary understanding of winemaking and viticultural practices.[ ] many of the techniques and principles first developed in ancient roman times can be found in modern winemaking.[ ] ancient roman statue of dionysus (also known as bacchus), god of wine (c. ad, prado, madrid). contents early history . golden age . pompeii expansion of viticulture . hispania . gaul . germania . britannia roman writings on wine . marcus porcius cato the elder . columella . pliny the elder . other writers roman winemaking wine styles . grape varieties wine in roman culture . religion and festivals . bacchic cult . medical uses see also references external links early history[edit] the ruins of carthage. when the city was destroyed, one of the few items that the romans saved was the agricultural works of mago. though wild grapevines have grown on the italian peninsula since prehistory, historians are unable to determine precisely when domestic viticulture and winemaking first occurred. it is possible that the mycenaean greeks had some influences through early settlements in southern italy, but the earliest recorded evidence of greek influence dates to bc. viticulture was widely entrenched in etruscan civilization, which was centered around the modern winemaking region of tuscany. because the ancient greeks saw wine as a staple of domestic life and a viable economic trade commodity, their settlements were encouraged to plant vineyards for local use and trade with the greek city-states. southern italy's abundance of indigenous vines provided an ideal opportunity for wine production, giving rise to the greek name for the region: oenotria ("land of vines").[ ] the southern greek colonies probably also brought their own wine pressing methods with them and influenced italian production methods.[ ] as rome grew from a collection of settlements to a kingdom and then to a republic, the culture of roman winemaking was increasingly influenced by the viticultural skills and techniques of the regions that were conquered and integrated into the roman empire, which once, was almost completely dry[definition needed].[ ] the greek settlements of southern italy were completely under roman control by bc. the etruscans, who had already established trade routes into gaul, were completely conquered by the st century bc. the punic wars with carthage had a particularly marked effect on roman viticulture. in addition to broadening the cultural horizons of the roman citizenry, carthaginians also introduced them to advanced viticultural techniques, in particular the work of mago. when the libraries of carthage were ransacked and burned, among the few carthaginian works to survive were the volumes of mago's agricultural treatise, which was subsequently translated into latin and greek in bc. although his work did not survive to the modern era, it has been extensively quoted in the influential writings of romans pliny, columella, varro and gargilius martialis.[ ] golden age[edit] for most of rome's winemaking history, greek wine was the most highly prized, with domestic roman wine commanding lower prices. the nd century bc saw the dawn of the "golden age" of roman winemaking and the development of grand cru vineyards (a type of early first growths in rome). the famous vintage of bc became known as the opimian vintage, named for consul lucius opimius. remarkable for its abundant harvest and the unusually high quality of wine produced, some of the vintage's best examples were being enjoyed over a century later. pliny the elder wrote extensively about the first growths of rome—most notably falernian, alban and caecuban wines. other first-growth vineyards included rhaeticum and hadrianum from atri of the adriatic,[ ] along the po in what are now the modern-day regions of lombardy and venice respectively; praetutium (not related to the modern italian city of teramo, historically known as praetutium) along the adriatic coast near the border of emilia-romagna and marche; and lunense in modern-day tuscany. around rome itself were the estates of alban, sabinum, tiburtinum, setinum and signinum. southward to naples were the estates of caecuban, falernian, caulinum, trebellicanum, massicum, gauranium, and surrentinum. in sicily was the first-growth estate of mamertinum.[ ] at this high point in the empire's history of wine, it was estimated that rome was consuming over million litres ( million us gallons) of wine annually, about a bottle of wine each day for every citizen.[ ] pompeii[edit] a fresco depicting mercury (god of commerce) and bacchus (god of wine) in pompeii, in a hot-food establishment (thermopolium) that served the city prior to its destruction. one of the most important wine centres of the roman world was the city of pompeii, located south of naples, in campania. the area was home to a vast expanse of vineyards, serving as an important trading city with roman provinces abroad and the principal source of wine for the city of rome. the pompeians themselves developed a widespread reputation for their wine-drinking capacity. the prevalent worship of bacchus, the god of wine, left depictions of the god on frescoes and archaeological fragments throughout the region. amphoras stamped with the emblems of pompeian merchants have been found across the modern-day remnants of the roman empire, including bordeaux, narbonne, toulouse and spain. evidence in the form of counterfeit stamps on amphoras of non-pompeian wine suggests that its popularity and notoriety may have given rise to early wine fraud.[ ] the ad eruption of mount vesuvius had a devastating effect on the roman wine industry. vineyards across the region and warehouses storing the recent ad vintage were decimated, resulting in a dramatic shortage of wine. the damage to the trading port hindered the flow of wine from rome's outlying provinces, aggravating its scarcity. available wine rose sharply in price, making it unaffordable to all but the most affluent. the wine famine caused panicking romans to hurriedly plant vineyards in the areas near rome, to such an extent that grain fields were uprooted in favor of grapevines. the subsequent wine surplus created by successful efforts to relieve the wine shortage caused a depression in price, hurting the commercial entrance of wine producers and traders. the uprooting of grain fields now contributed to a food shortage for the growing roman population. in ad, roman emperor domitian issued an edict that not only banned new vineyards in rome but ordered the uprooting of half of the vineyards in roman provinces. the 'foro boario' vineyard at pompeii, replanted as it was at the time of the eruption, with small wine press in structure at back. although there is evidence to suggest that this edict was largely ignored in the roman provinces, wine historians have debated the effect of the edict on the infant wine industries of spain and gaul. the intent of the edict was that fewer vineyards would result in only enough wine for domestic consumption, with sparse amount for trade. while vineyards were already established in these growing wine regions, the ignoring of trade considerations may have suppressed the spread of viticulture and winemaking in these areas. domitian's edict remained in effect for nearly two centuries until emperor probus repealed the measure in ad.[ ] the destruction, and preservation, of pompeii has provided unique insights into ancient wine making and viticulture in the roman world.[ ][ ] preserved vine roots reveal planting patterns and whole vineyards have been excavated within the city walls (e.g. at the foro boario). this complements evidence of pressing and production technologies that worked in tandem with this cultivation.[ ] some of these vineyards have now been replanted with ancient grape varieties and experimental archaeology used to recreate roman wine.[ ][ ] expansion of viticulture[edit] among the lasting legacies of the ancient roman empire were the viticultural foundations laid by the romans in lands that would become world-renowned wine regions. through trade, military campaigns and settlements, romans brought with them a taste for wine and the impetus to plant vines. trade was the first and farthest-reaching arm of their influence, and roman wine merchants were eager to trade with enemy and ally alike—from the carthaginians and peoples of southern spain to the celtic tribes in gaul and germanic tribes of the rhine and danube. during the gallic wars, when julius caesar brought his troops to cabyllona in bc, he found two roman wine merchants already established in business trading with the local tribes. in places like bordeaux, mainz, trier and colchester where roman garrisons were established, vineyards were planted to supply local need and limit the cost of long-distance trading. roman settlements were founded and populated by retired soldiers with knowledge of roman viticulture from their families and life before the military; vineyards were planted in their new homelands. while it is possible that the romans imported grapevines from italy and greece, there is sufficient evidence to suggest that they cultivated native vines that may be the ancestors of the grapes grown in those provinces today.[ ] the italian peninsula was known for its high-quality wines, outstanding examples of which included those of pompeii.[ ][ ] as the republic grew into empire beyond the peninsula, wine's trade and market economy echoed this growth. the wine trade in italy consisted of rome's sale of wine abroad to settlements and provinces around the mediterranean sea, yet by the end of the st century ad, its exports had competition from the provinces, themselves exporters to rome.[ ] the roman market economy encouraged the provinces’ exports, enhancing supply and demand.[ ] an elevated supply of wine meant lower prices for consumers. because of the supply-and-demand economy, citizens possessed an ample supply of coinage, suggesting the existence of a complex market economy surrounding the wine trade of the roman empire. adequate monetary supply meant that the citizenry put a great deal of thought into the market economy of wine.[ ] hispania[edit] roman amphorae recovered from catalonia. rome's defeat of carthage in the punic wars brought the southern and coastal territories of spain under its control, but the complete conquest of the iberian peninsula remained unaccomplished until the reign of caesar augustus. roman colonization led to the development of tarraconensis in the northern regions of spain (including what are now the modern winemaking regions of catalonia, the rioja, the ribera del duero, and galicia) and hispania baetica (which includes modern andalusia) montilla-moriles winemaking region of cordoba and the sherry winemaking region of cádiz. while the carthaginians and phoenicians were the first to introduce viticulture to spain, rome's influential wine technology and the development of road networks brought new economic opportunities to the region, elevating grapes from a private agricultural crop to an important component of a viable commercial enterprise. spanish wine was in bordeaux before the region produced its own. french historian roger dion has suggested that the balisca vine (common in spain's northern provinces, particularly rioja) was brought from rioja to plant the first roman vineyards of bordeaux.[ ] spanish wines were frequently traded in rome. the poet martial described a highly regarded wine known as ceretanum from ceret (modern-day jerez de la frontera). wine historian hugh johnson believes this wine was an early ancestor of sherry.[ ] spanish wines penetrated more extensively than italian wines into the roman empire, with amphoras from spain discovered in aquitaine, brittany, the loire valley, normandy, britain and the german frontier. the historian strabo noted in his work geographica that the vineyards of baetica were famous for their beauty. the roman agricultural writer columella was a native of cádiz and was duly influenced by the region's viticulture.[ ] gaul[edit] there is archaeological evidence to suggest that the celts first cultivated the grapevine in gaul. grape pips have been found throughout france, pre-dating the greeks and romans, with some examples found near lake geneva dated to , bc. the extent to which the celts and gallic tribes produced wine is not clearly known, but the arrival of the greeks near massalia in bc certainly introduced new types and styles of winemaking and viticulture. the limit of greek viticultural influence was planting in regions with mediterranean climates where olives and fig trees would also flourish. the romans looked for hillside terrain in regions near a river and an important town. their knowledge of the sciences included the tendency for cold air to flow down a hillside and to pool in frost pockets in the valley. as these are poor conditions under which to grow grapes, they were avoided in favor of sunny hillsides that could provide sufficient warmth to ripen grapes, even in northerly areas. when the romans seized massalia in bc, they pushed farther inland and westward. they founded the city of narbonne in bc (in the modern-day languedoc region) along the via domitia, the first roman road in gaul. the romans established lucrative trading relations with local tribes of gaul, despite their potential to produce wine of their own. the gallic tribes paid high prices for roman wine, with a single amphora worth the value of a slave.[ ] roman ruins in vienne. the first french wine to receive international acclaim was produced in this area near the modern côte-rôtie wine region. from the mediterranean coast, the romans pushed further up the rhone valley, to areas where olives and figs were unable to grow but where oak trees were still found. as a result of their experience in what is now northeastern italy, the romans knew that regions where quercus ilex were found had climates sufficiently warm enough to allow the full ripening of grapes. in the st century ad, pliny notes that the settlement of vienne (near what is now the côte-rôtie aoc) produced a resinated wine that fetched high prices in rome. wine historian hanneke wilson notes that this rhone wine was the first truly french wine to receive international acclaim.[ ] portion of bearded satyr, emptying a wine-skin, arretine ware, roman, augustan period b.c.–a.d. the first mention of roman interest in the bordeaux region was in strabo's report to augustus that there were no vines down the river tarn towards garonne into the region known as burdigala. the wine for this seaport was being supplied by the "high country" region of gaillac in the midi-pyrénées region. the midi had abundant indigenous vines that the romans cultivated, many of which are still being used to produce wine today, including—duras, fer, ondenc and len de l'el. the location of bordeaux on the gironde estuary made it an ideal seaport from which to transport wine along the atlantic coast and to the british isles. it wasn't long before bordeaux became self-sufficient enough with its own vineyards to export its own wine to roman soldiers stationed in britain. in the st century ad, pliny the elder mentions plantings in bordeaux, including the balisca grape (previously known in spain) under the synonym of biturica after the local bituriges tribe. ampelographers note that corruption of the name biturica is vidure, a french synonym of cabernet sauvignon, perhaps pointing to the ancestry of this vine with the cabernet family that includes cabernet sauvignon, cabernet franc, merlot and petit verdot.[ ] further up the rhone, along the saône tributary, the romans encountered the areas that would become the modern-day wine regions of beaujolais, the mâconnais, the côte chalonnaise and the côte d'or. rome's first allies among the tribes of gaul were the aedui, whom they supported by founding the city of augustodunum in what is now the burgundy wine region. while it is possible that vineyards were planted in the st century ad, shortly after the founding of augustodunum, the first definitive evidence of wine production comes from an account of the visit by emperor constantine to the city in ad. the founding of france's other great wine regions is not as clear. the romans' propensity for planting on hillsides has left archaeological evidence of gallo-roman vineyards in the chalk hillsides of sancerre. in the th century, the emperor julian had a vineyard near paris on the hill of montmartre, and a th-century villa in what is now Épernay shows the roman influence in the champagne region.[ ] germania[edit] the roman bridge of trier crosses the river mosel. the romans found that planting vines on the steep banks along the river provided enough warmth to ripen wine grapes. although wild v. vinifera vines have existed along the rhine since prehistory, the earliest evidence of viticulture dates back to the roman conquest and settlement of the western territories of germania. agricultural tools, such as pruning knives, have been found near roman garrison posts in trier and cologne, but the first definitive record of wine production dates to the ad work by ausonius titled mosella, wherein he described vibrant vineyards along the mosel. a native of bordeaux, ausonius compared the vineyards favorably to those of his homeland and seems to indicate that viticulture had long been present in this area. the reasons for planting rhineland were to cater to the growing demand of roman soldiers along the limes germanicus (german frontier) and the high costs associated with importing wine from rome, spain or bordeaux. the romans briefly considered building a canal that would link the saône and mosel rivers in order to facilitate waterway trading. the alternative was to drink what tacitus described as an inferior beer-like beverage.[ ] beer was apparently enjoyed by some roman legionaries. for instance, among the vindolanda tablets (from vindolanda in roman britain, dated c. - ad), the cavalry decurion masculus wrote a letter to prefect flavius cerialis inquiring about the exact instructions for his men for the following day. this included a polite request for beer to be sent to the garrison (which had entirely consumed its previous stock of beer).[ ] the steep hillsides along the rivers mosel and rhine provided an opportunity to extend the cultivation of grapes to a northerly location. a south-southwest-facing slope maximizes the amount of sunshine vines receive, with the degree of angle allowing the vines to receive the sun's rays perpendicularly rather than at the low or diffuse angle vineyards on flatter terrain receive. hillsides offered the added benefit of shielding vines from the cold northern winds, and the rivers' reflection offered additional warmth to aid in ripening the grapes. with the right type of grape (perhaps even an early ancestor of the german wine grape riesling), the romans found that wine could be produced in germania. from the rhine, german wine would make its way downriver to the north sea and to merchants in britain, where it began to develop a good reputation. despite military hostilities, the neighboring germanic tribes like the alamanni and franks were eager customers for german wine until a th-century edict forbade the sale of wine outside of roman settlements. wine historian hugh johnson believes this might have been an added incentive for the barbarian invasions and sacking of roman settlements such as trier—"an invitation to break down the door."[ ] britannia[edit] the silver serving tray depicting bacchus found in mildenhall. rome's influence on britain with respect to wine is not so much viticultural as it is cultural. throughout modern history, the british have played a key role in shaping the world of wine and defining global wine markets.[ ] though evidence of v. vinifera vines in the british isles dates back to the hoxnian stage when the climate was much warmer than it is today, british interest in wine production greatly increased following the roman conquest of britain in the st century ad. amphoras from italy indicate that wine was regularly transported to britain at great expense by sea, around the iberian peninsula. the development of wine-producing regions in bordeaux and germany made supplying the needs of roman colonists much easier at less cost. the presence of amphora production houses found in what is now brockley and middlesex indicates that the british probably had vineyards of their own as well.[ ] there is clear evidence that the roman cult of bacchus, the wine god, was practiced in britain: more than artifacts depicting his likeness have been found throughout britain. included in the mildenhall treasure collection is a silver dish engraved with bacchus having a drinking contest with hercules. in colchester, excavations have uncovered containers identifying over different types of wines from italy, spain, the rhine and bordeaux.[ ] roman writings on wine[edit] works of classical roman writers—most notably cato, columella, horace, palladius, pliny, varro and virgil—shed light on the role of wine in roman culture as well as contemporary winemaking and viticultural practices.[ ] some of these influential techniques can be found in modern winemaking. these include the consideration of climate and landscape in deciding which grape varieties to plant, the benefits of different trellising and vine-training systems, the effects of pruning and harvest yields on the quality of wine, as well as winemaking techniques such as sur lie aging after fermentation and the maintenance of sanitary practices throughout the winemaking process to avoid contamination, impurities and spoilage.[ ] marcus porcius cato the elder[edit] marcus porcius cato was a roman statesman raised in an agricultural family on a farm in reate northeast of rome. he wrote extensively on a variety of subject matters in de agri cultura (concerning the cultivation of the land), the oldest surviving work of latin prose. the author commented in detail on viticulture and winemaking, e.g. the management of a vineyard and calculations concerning the amount of labor a slave could perform before dropping dead.[ ] he believed that grapes produce the best wine when they receive the maximum amount of sunshine. to this extent, he recommended that vines be trained in trees as high as possible and then be severely pruned of all leaves once the grapes began to ripen.[ ] he also advised winemakers to wait until the grapes are fully ripe before the harvest to ensure high quality in the wine and thus maintain the reputation of the wine estate. cato was an early advocate for the importance of hygiene in winemaking, recommending, for example, that wine jars be wiped clean twice a day with a new broom every time; thoroughly sealing the jars after fermentation to prevent the wine from spoiling and turning into vinegar; and not filling the amphoras to the top to leave some head space, leading to a small amount of oxidation.[ ] cato's manual was fervently followed, becoming the standard textbook of roman winemaking for centuries.[ ] columella[edit] statue of columella in his native land of cádiz. columella was st-century ad writer whose -volume de re rustica is considered one of the most important works on roman agriculture. eleven volumes written in prose are augmented by volume , a book on gardens in hexameter verse. volumes and delve into the technical aspects of roman viticulture, including advice on which soil types yield the best wine, while volume concerns various aspects of winemaking.[ ] columella describes the boiling of grape must in a lead vessel to concentrate sugars and at the same time allow the lead to impart sweetness and desirable texture to the wine,[ ] a practice that may have contributed to lead poisoning. he presented precise details on how a well-run vineyard should operate, from the optimum breakfast for slaves to the yield of grapes from each jugerum of land and the pruning practices to ensure those yields. many modern elements of vine training and trellising are evident in columella's description of best practices. in his ideal vineyard, vines were planted two paces apart and fastened with willow withies to chestnut stakes about the height of a man. he also describes some of the wines of roman provinces, noting the potential of wines from spain and the bordeaux region. additionally, columella lauds the quality of wines made from the ancient grape varieties balisca and biturica, believed by ampelographers to be ancestral to the cabernet family.[ ] pliny the elder[edit] pliny the elder. pliny the elder was a st-century ad naturalist and author of the -volume roman encyclopedia naturalis historia (natural history), dedicated to the emperor titus. published after pliny's death near pompeii following the eruption of mount vesuvius, the work covers a vast array of topics, including serious discourse on viticulture and wine. book deals exclusively with the subject of wine itself, including a ranking of the "first growths" of rome. book includes a discussion of various viticultural techniques and an early formalization of the concept of terroir, in that unique places produce unique wine. in his rankings of the best roman wines, pliny concludes that the vineyard has more influence on the resulting quality of wine than the particular vine. the early sections of book deal with some of the purported medicinal properties of wine.[ ] pliny was a strong advocate for training vines up trees in a pergola, noting that the finest wines in campania all derived from this practice. due to the dangers in working on and pruning vines trained this way, however, he advised not using valuable slaves but rather vineyard workers hired with a stipulation in their contract to cover grave and funeral expenses. he described some contemporary varieties, recommending aminean and nomentan as the best. ampelographers believe that two white wine varieties mentioned, arcelaca and argitis, may be early ancestors to the modern grape riesling.[ ] pliny is also the source for one of the most famous latin quotations about wine: "in vino veritas," or "there's truth in wine," referring to the often confessional loquacity of the intoxicated.[ ] other writers[edit] marcus terentius varro, whom the rhetorician quintilian called "the most learned man among the romans,"[ ] wrote extensively on such topics as grammar, geography, religion, law and science, but only his agricultural treatise de re rustica (or rerum rusticarum libri) has survived in its entirety. while there is evidence that he borrowed some of this material from cato's work, varro credits the lost multi-volume work of mago the carthaginian, as well as the greek writers aristotle, theophrastus and xenophon. varro's treatise is written as a dialogue and divided into three parts, the first of which contains most of the discussion on wine and viticulture. he defines old wine as one removed from its vintage by at least a year; nonetheless, he notes that while some wines are best consumed young, especially fine wines such as falernian are meant to be consumed much older.[ ] virgil. the poetry of virgil recalls that of the greek poet hesiod in its focus on the morality and virtue of viticulture, particularly the austerity, integrity and hard work of roman farmers. the second book of the didactic poem georgics deals with viticultural matters.[ ] virgil advises leaving some grapes on the vine until late november when they become "stiff with frost." this early version of ice wine would have produced sweet wines without the acidity of wine made from grapes harvested earlier.[ ] virgil's contemporary horace wrote often of wine, though no single work is devoted entirely to the subject. he espoused an epicurean view of taking life's pleasures, including wine, in moderation. among the earliest recorded examples of deliberately choosing a wine for a specific occasion, horace's odes included serving a wine from the birth-year vintage at a celebration of an honored guest. he writes of serving simple wines for everyday occasions and saving celebrated wines such as caecuban for special events. horace answered the question posed by the alexandrian poet callimachus as to whether water or wine was the preferred drink of poetic inspiration by enthusiastically siding with cratinus and the wine drinkers.[ ] his affinity for wine was such that while contemplating his death, he expressed more dread at the thought of departing from his beloved wine cellar than his wife.[ ] palladius was the th-century writer of the -volume agricultural treatise opus agriculturae or de re rustica, the first volume of which was an introduction to basic farming principles. the volumes following were dedicated to each month of the calendar and the specific agricultural tasks to be performed in that month. while palladius deals with a variety of agricultural crops, he devotes more discussion to the practices of the vineyard than to any other. the last two volumes treat mostly veterinary medicine for farm animals but also include a detailed account of late-roman grafting practices. though borrowing heavily from cato, varro, pliny and columella, the work of palladius is one of the few roman agricultural accounts to still be widely used through the middle ages and into the early renaissance. his writings on viticulture were widely quoted by vincent of beauvais, albertus magnus and pietro crescenzi.[ ] roman winemaking[edit] see also: history of the wine press after fermentation, roman wine was stored in amphoras to be used for serving or further aging. the process of making wine in ancient rome began immediately after the harvest with treading the grapes (often by foot), in a manner similar to the french pigeage. the juice thus expressed was the most highly prized and kept separate from what would later come from pressing the grape.[ ][ ] this free-run juice was also believed to have the most beneficial medicinal properties.[ ] cato described the process of pressing as taking place in a special room that included an elevated concrete platform containing a shallow basin with raised curbs. the basin was shaped with gentle slopes that led to a runoff point. horizontally across the basin were long, wooden beams whose front parts were attached by rope to a windlass. the crushed grapes were placed between the beams, with pressure applied by winding down the windlass. the pressed juice ran down between the beams and collected in the basin. as the construction and use of a wine press was labor-intensive and expensive, its use was generally restricted to large estates, with smaller wineries relying on treading alone to obtain grape juice.[ ] if grape pressing was used, an estate would press the skins one to three times. since juice from later pressings would be coarser and more tannic, the third pressing normally made wine of low quality called lora. after pressing, the grape must was stored in large earthenware jars known as dolia. with a capacity of up to several thousand liters, these jars were often partially buried into the floors of a barn or warehouse. fermentation took place in the dolium, lasting from two weeks to a month before the wine was removed and put in amphoras for storage. small holes drilled into the top allowed the carbon dioxide gas to escape.[ ] to enhance flavor, white wine might age on its lees, and chalk or marble dust was sometimes added to reduce acidity.[ ] wines were often exposed to high temperatures and "baked," a process similar to that used to make modern madeira. to enhance a wine's sweetness, a portion of the wine must was boiled to concentrate the sugars in the process known as defrutum and then added to the rest of the fermenting batch. (columella's writings suggest that the romans believed boiling the must acted as a preservative as well.) lead was also sometimes used as a sweetening agent,[ ] but honey could also be added, as much as kilograms ( .  lb) recommended to sufficiently sweeten litres ( .  us gal) of wine to roman tastes. another technique was to withhold a portion of the sweeter, unfermented must and blend it with the finished wine, a method known today as süssreserve.[ ] wine styles[edit] the grape material from pomace (pictured) was used to make lora, a low-quality wine commonly drunk by roman slaves. as in much of the ancient world, sweet white wine was the most highly regarded style. wines were often very alcoholic[verification needed], with pliny noting that a cup of falernian would catch fire from a candle flame drawn too close. wine was often diluted with warm water, occasionally seawater.[ ] the ability to age was a desirable trait in roman wines, with mature examples from older vintages fetching higher prices than that from the current vintage, regardless of its overall quality. roman law codified the distinction between "old" and "new" as whether wine had aged for at least a year. falernian was particularly valued for its aging ability, said to need at least years to mature but being at its best between and years. the white wine from surrentine was said to need at least years. in the manner of greek wine, roman wine was often flavored with herbs and spices (similar to modern vermouth and mulled wine) and was sometimes stored in resin-coated containers, giving it a flavor similar to modern retsina.[ ] romans were particularly interested in the aroma of wine and experimented with various methods of enhancing a wine's bouquet. one technique that gained some usage in southern gaul was planting herbs such as lavender and thyme in the vineyards, believing that their flavors would pass through the ground and into the grapes. modern-day wines from the rhone are often characterized by using the aroma descriptors of lavender and thyme, presumably as a reflection of the grape varieties used and the terroir.[ ] another widespread practice was the storage of amphoras in a smoke chamber called a fumarium to add smokiness to a wine's flavor. passum, or wine made from dried grapes or raisins, was also particularly popular and was produced in the eastern mediterranean.[ ] it was widely used in ritual contexts and also found popularity in the kitchen and medicinal spheres.[ ] the term "wine" spanned a broad spectrum of wine-based beverages, the quality of which depended on the amount of pure grape juice used and how diluted the wine was when served. the finest wine was reserved for the upper classes of rome. below that was posca, a mixture of water and sour wine that had not yet turned into vinegar. less acidic than vinegar, it still retained some of the aromas and texture of wine and was the preferred wine for the rations of roman soldiers due to its low alcohol levels. posca's use as soldiers' rations was codified in the corpus juris civilis and amounted to around a liter per day. still lower in quality was lora (modern-day piquette), which was made by soaking in water for a day the pomace of grape skins already pressed twice, and then pressing a third time. cato and varro recommended lora for their slaves. both posca and lora were the most commonly available wine for the general roman populace and probably would have been for the most part red wines, since white wine grapes would have been reserved for the upper class.[ ] mosaic depicting the vintage (from cherchell, present-day algeria, roman africa) grape varieties[edit] the writings of virgil, pliny and columella offer the most detail about the grape varieties used in the production of wine in the roman empire, many of which have been lost to antiquity. while virgil's writings often do not distinguish between a wine's name and the grape variety, he made frequent mention of the aminean grape variety, which pliny and columella ranked as the best in the empire. pliny described five sub-varieties of the grape that produced similar but distinct wines, declaring it to be native to the italian peninsula. while he claimed that only democritus knew of every grape variety that existed, he endeavored to speak with authority on the grapes he believed were the only ones worthy of consideration. pliny described nomentan as the second-best wine-producing grape, followed by apian and its two sub-varieties, which were the preferred grape of etruria. the only other grapes worthy of his consideration were greek varieties, including the graecula grape used to make chian wine. he remarked that the eugenia had promise, but only if planted in the colli albani region. columella mentioned many of the same grapes but noted that the same grape produced varied wines in different regions and could even be known under different names, making it hard to track. he encouraged vine growers to experiment with different plantings to find the best for their areas.[ ] ampelographers debate these descriptions of grapes and their possible modern counterparts or descendants. the allobrogica grape that was used to produce the rhone wine of vienne may have been an early ancestor of the pinot family. alternative theories posit that it was more closely related to syrah or mondeuse noire—two grapes that produce vastly different wines. the link between these two is the mondeuse noire synonym of grosse syrah. the rhaetic grape that virgil praised is believed to be related to the modern refosco of northeastern italy.[ ] wine in roman culture[edit] marble table support adorned by dionysos, pan and a satyr; dionysos holds a rhyton (drinking vessel) in the shape of a panther, - ad early roman culture was sharply influenced by the ancient greeks. though early rome was very "dry" by greek standards, this view changed over the course of the empire.[ ] wine had religious, medicinal and social roles that set it apart from other roman cuisine. wine, like in greek culture was mixed with water, and both cultures held banquets, where wine was used to show off wealth and prestige.[ ] as rome entered its golden age of winemaking and the era of expansion, a "democratic" approach to wine started to emerge. wine was increasingly viewed as a necessity of everyday life rather than simply a luxury enjoyed by the elite. cato believed that even slaves should have a weekly ration of liters (over a gallon), nonetheless citing the dietary health of the slaves and the maintenance of their strength rather than personal enjoyment. should a slave become sick and unavailable to work, cato advised halving his rations to conserve wine for the workforce.[ ] the widespread planting of grapes ensued from the need to serve all classes of society, but was also given impetus by the changing roman diet. in the nd century bc, romans began to shift from meals consisting of moist porridge and gruel to those more bread-based; wine aided in eating the drier food.[ ] religion and festivals[edit] wine played a major role in ancient roman religion and roman funerary practices, and was the preferred libation for most deities. the invention of wine was usually credited to liber and his greek equivalents, bacchus (later romanised) and dionysus, who promoted the fertility of human and animal semen, and the "soft seed" of the vine. ordinary, everyday, mixed wines were under the protection of venus, but were considered profane (vinum spurcum), forbidden for use in official sacrifice to deities of the roman state. a sample of pure, undilute strong wine from the first pressing was offered to liber/bacchus, in gratitude for his assistance in its production. the remainder, known as temetum, was customarily reserved for roman men and roman gods, particularly jupiter, king of the gods. it was, however, also an essential element of the secretive, nocturnal and exclusively female bona dea festival, during which it was freely consumed but could only be referred to euphemistically, as "milk" or "honey".[ ][ ] the major public festivals concerning wine production were the two vinalia. at the vinalia prima ("first vinalia") of april, ordinary men and women sampled the previous year's vintage of ordinary wine in venus' name, while the roman elite offered a generous libation of wine to jupiter, in the hope of good weather for the next year's growth.[ ] the vinalia rustica of august, originally a rustic latin harvest festival, celebrated the grape harvest, and the growth and fertility of all garden crops; its patron deity may have been venus, or jupiter, or both.[ ] bacchic cult[edit] main article: bacchanalia see also: bacchus, liber, dionysia, and dionysian mysteries wine's use in the christian sacrament of the eucharist shares similarities with the pagan rites dedicated to bacchus. the bacchanalia were private roman mystery cults of bacchus, the greco-roman god of wine, freedom, intoxication and ecstasy. they were based on the greek dionysia and the dionysian mysteries, and probably arrived in rome c. bc from greek colonies in southern italy, and etruria, rome's northern neighbour. they were originally occasional, women-only affairs, but became increasingly popular and frequent, and were opened up to priests and initiates of both genders and all classes; they may have briefly supplanted an existing, public cult to liber.[ ] cult initiates employed music, dance and copious amounts of wine to achieve ecstatic religious possession. the roman senate perceived the cult as a threat to its own authority and roman morality, and suppressed it with extreme ferocity in . of some seven thousand initiates and their leaders, most were put to death. thereafter the bacchanalia continued in much diminished form, under the supervision of rome's religious authorities, and were probably absorbed into liber's cult.[ ][ ] despite the ban, illicit bacchanals persisted covertly for many years, particularly in southern italy, their likely place of origin.[ ] as rome assimilated more cultures, it encountered peoples from two religions that viewed wine in generally positive terms—judaism and christianity. grapes and wine make frequent literal and allegorical appearances in both the hebrew and christian bibles. in the torah, grapevines were among the first crops planted after the great flood, and in exploring canaan following the exodus from egypt, one of the positive reports about the land was that grapevines were abundant. the jews under roman rule accepted wine as part of their daily life, but regarded negatively the excesses that they associated with roman impurities.[ ] many of the jewish views on wine were adopted by the new christian sect that emerged in the st century ad. one of the first miracles performed by the sect's founder, jesus, was to have turned water into wine. in addition, the sacrament of the eucharist prominently involved wine. the romans drew some parallels between bacchus and christ. both figures possessed narratives strongly featuring the symbolism of life after death: bacchus in the yearly harvest and dormancy of the grape; and christ in the death and resurrection story. eucharist's act of drinking wine as a stand-in for consuming christ, either metaphysically or metaphorically, echoes the rites performed in festivals dedicated to bacchus.[ ] the influence and importance of wine in christianity was undeniable, and soon the church itself would take the mantle from ancient rome as the dominant influence in the world of wine for the centuries leading to the renaissance.[ ] medical uses[edit] see also: wine and health romans believed that wine had the power to both heal and harm. wine was a recommended cure for mental disorders such as depression, memory loss and grief, as well as bodily ailments, from bloating, constipation, diarrhea, gout, and halitosis to snakebites, tapeworms, urinary problems and vertigo. cato wrote extensively on the medical uses of wine, including a recipe for a laxative: wine made from grapevines treated with a mixture of ashes, manure and hellebore. he recommended that the flowers of certain plants, e.g. juniper and myrtle, be soaked in wine to help with snakebites and gout. he also believed that a mixture of old wine and juniper, boiled in a lead pot, could aid in urinary issues and that mixing wine with very acidic pomegranates could cure tapeworms.[ ] the nd-century ce greco-roman physician galen provided several details concerning wine's medicinal use in later roman times. in pergamon, galen was responsible for the diet and care of the gladiators, and used wine liberally in his practice, boasting that not a single gladiator died in his care. wine served as an antiseptic for wounds and an analgesic for surgery. when he became emperor marcus aurelius's physician, he developed pharmaceutical concoctions made from wine known as theriacs. superstitious beliefs concerning theriacs' "miraculous" ability to protect against poisons and cure everything from the plague to mouth sores lasted until the th century. in his work de antidotis, galen noted the trend in romans' tastes from thick, sweet wines to lighter, dry wines that were easier to digest.[ ] the romans were also aware of the negative health effects of drinking wine, particularly the tendency towards "madness" if consumed immoderately. lucretius warned that wine could provoke a fury in one's soul and lead to quarrels. seneca the elder believed that drinking wine magnified the physical and psychological defects of the drinker. drinking wine in excess was frowned upon and those who imbibed heavily were considered dangerous to society. the roman politician cicero frequently labeled his rivals drunkards and a danger to rome—most notably mark antony, who apparently once drank to such excess that he vomited in the senate.[ ] the ambivalent attitude of the romans is summarized in an epitaph: balnea vina venus corrumpunt corpora nostra se vitam faciunt balnea vina venus "baths, wine, and sex corrupt our bodies, but baths, wine, and sex make life worth living." — epitaph of tiberius claudius secundus, [ ] see also[edit] ancient roman cuisine ancient greece and wine phoenicians and wine speyer wine bottle  italy portal  wine portal  history portal references[edit] ^ a b c d e f g r. phillips a short history of wine pp. – harper collins isbn  - - - ^ dodd, emlyn. "from hispania to the chalkidiki: a detailed study of transport amphorae from the macquarie university museum of ancient cultures". chronika. ^ dodd, emlyn k. ( ). roman and late antique wine production in the eastern mediterranean : a comparative ... archaeological study at antiochia ad cragum. [place of publication not identified]: archaeopress. isbn  - - - - . oclc  . ^ a b c d e j. robinson (ed) "the oxford companion to wine" third edition pg – oxford university press isbn  - - - ^ a b c d e f g h. johnson vintage: the story of wine pg – simon and schuster isbn  - - - ^ dodd, emlyn. "pressing issues: a new discovery in the vineyard of region i. , pompeii". archeologia classica. ^ gatley, iain ( ). drink: a cultural history of alcohol. new york: penguin group. p.  . isbn  - - - - . ^ sandler, merton; pinder, roger ( december ). wine: a scientific exploration. crc press. p.  . isbn  - - - - . ^ a b h. johnson vintage: the story of wine pg – simon and schuster isbn  - - - ^ dodd, emlyn. "pressing issues: a new discovery in the vineyard of region i. , pompeii". archeologia classica. ^ dodd, emlyn k. ( ). roman and late antique wine production in the eastern mediterranean : a comparative ... archaeological study at antiochia ad cragum. [place of publication not identified]: archaeopress. isbn  - - - - . oclc  . ^ dodd, emlyn. "pressing issues: a new discovery in the vineyard of region i. , pompeii". archeologia classica. ^ permission, baglioni hotels copyright © italian talks do not use or reproduce without ( february ). "mastroberardino masters the ancient wines of pompeii". italian talks. retrieved september . ^ dodd, emlyn. "pompeii is famous for its ruins and bodies, but what about its wine?". the conversation. retrieved november . ^ a b c d e johnson, h. ( ). vintage: the story of wine. simon and schuster. pp.  – . isbn  - - - . ^ purcell, n. ( ). "wine and wealth in ancient italy". journal of roman studies. : – [p. ]. doi: . / . jstor  . ^ dodd, emlyn. "pompeii is famous for its ruins and bodies, but what about its wine?". the conversation. retrieved november . ^ casson, lionel ( ). the ancient mariners. princeton, new jersey: princeton university press. p.  . ^ temin, peter ( ). "a market economy in the early roman empire" (pdf). journal of roman studies. : – [p. ]. doi: . /s . hdl: . / . jstor  . ^ temin, peter ( ). "a market economy in the early roman empire" (pdf). journal of roman studies. : – [p. ]. doi: . /s . hdl: . / . jstor  . ^ j. robinson (ed) "the oxford companion to wine" third edition pg oxford university press isbn  - - - ^ j. robinson (ed) "the oxford companion to wine" third edition pg oxford university press isbn  - - - ^ a b c d e h. johnson vintage: the story of wine pg – simon and schuster isbn  - - - ^ mike ibeji ( november ). "http://www.bbc.co.uk/history/ancient/romans/vindolanda_ .shtml vindolanda]." bbc.co.uk. accessed october . ^ j. robinson (ed) "the oxford companion to wine" third edition pg oxford university press isbn  - - - ^ j. robinson (ed) "the oxford companion to wine" third edition pg oxford university press isbn  - - - ^ dodd, emlyn k. ( ). roman and late antique wine production in the eastern mediterranean : a comparative ... archaeological study at antiochia ad cragum. [place of publication not identified]: archaeopress. isbn  - - - - . oclc  . ^ j. robinson (ed) "the oxford companion to wine" third edition pg oxford university press isbn  - - - ^ j. robinson (ed) "the oxford companion to wine" third edition pg oxford university press isbn  - - - ^ h. johnson vintage: the story of wine pg simon and schuster isbn  - - - ^ a b c d e f h. johnson vintage: the story of wine pg – simon and schuster isbn  - - - ^ j. robinson (ed) "the oxford companion to wine" third edition pg oxford university press isbn  - - - ^ pliny, natural history . . ^ quintilian, institutio oratoria . . . ^ j. robinson (ed) "the oxford companion to wine" third edition pg oxford university press isbn  - - - ^ j. robinson (ed) "the oxford companion to wine" third edition pg oxford university press isbn  - - - ^ j. robinson (ed) "the oxford companion to wine" third edition pg oxford university press isbn  - - - ^ j. robinson (ed) "the oxford companion to wine" third edition pg oxford university press isbn  - - - ^ dodd, emlyn k. ( ). roman and late antique wine production in the eastern mediterranean : a comparative ... archaeological study at antiochia ad cragum. [place of publication not identified]: archaeopress. isbn  - - - - . oclc  . ^ j. robinson (ed) "the oxford companion to wine" third edition pg oxford university press isbn  - - - ^ dodd, emlyn k. ( ). roman and late antique wine production in the eastern mediterranean : a comparative ... archaeological study at antiochia ad cragum. [place of publication not identified]: archaeopress. isbn  - - - - . oclc  . ^ dodd, emlyn k. ( ). roman and late antique wine production in the eastern mediterranean : a comparative ... archaeological study at antiochia ad cragum. [place of publication not identified]: archaeopress. isbn  - - - - . oclc  . ^ a b r. phillips a short history of wine pg – harper collins isbn  - - - ^ j. robinson (ed) "the oxford companion to wine" third edition pg oxford university press isbn  - - - ^ gately, iain ( ). drink a cultural history of alcohol. new york: gotham books. pp.  – . isbn  . ^ gately, iain ( ). drink: a cultural history of alcohol. new york, new york: penguin group. pp.  , . isbn  - - - - . ^ versnel, h. s., "the festival for bona dea and the thesmophoria", cambridge university press on behalf of the classical association, greece & rome, second series, vol. , no. (apr. ), pp.  , : "the most surprising aspect is the nature of the drinks: during this secret, exclusively female, nocturnal festival the women were allowed to drink - at the very least to handle - wine" ^ wildfang, robin lorsch, rome's vestal virgins: a study of rome's vestal priestesses in the late republic and early empire, routledge/taylor & francis, , p. ^ olivier de cazanove, "jupiter, liber et le vin latin", revue de l'histoire des religions, , vol. , issue - , pp. – persee ^ lipka, michael, roman gods: a conceptual approach, brill, , p. ; citing varro, lingua latina, . ; varro's explicit denial that the festival belongs to venus implies his awareness of the opposite opinion. lipka offers this apparent contradiction as an example of two roman cults that offer "complementary functional foci" within a single festival. ^ most roman sources describe liber as rome's equivalent to dionysus and bacchus, both of whom were sometimes titled eleutherios (liberator); see robert rouselle, liber-dionysus in early roman drama, the classical journal, , ( ), p. . ^ erich s. gruen, "the bacchanalia affair", in studies in greek culture and roman policy, university of california press, , p. ff.[ ] ^ for livy's account, see livy, the history of rome, vol , book , ix. modern scholarly sources offer various estimates on the number executed. ^ see sarolta a. takács, politics and religion in the bacchanalian affair of b.c.e., harvard studies in classical philology, vol. , ( ), op. . [ ] ^ a b c d e r. phillips a short history of wine pg – harper collins isbn  - - - ^ brian k harvey ( ). daily life in ancient rome: a sourcebook. hackett publishing company. p.  . external links[edit] "wine and rome" "roman wine: a window on an ancient economy" emlyn k. dodd ( ). roman and late antique wine production in the eastern mediterranean, archaeopress. isbn  - - - - v t e ancient rome topics outline timeline history foundation kingdom overthrow republic empire history pax romana principate dominate western empire fall historiography of the fall byzantine empire decline fall constitution history kingdom republic empire late empire senate legislative assemblies curiate centuriate tribal plebeian executive magistrates spqr law twelve tables mos maiorum citizenship auctoritas imperium status litigation government curia forum cursus honorum collegiality emperor legatus dux officium prefect vicarius vigintisexviri lictor magister militum imperator princeps senatus pontifex maximus 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(op ) rome, romeinse republiek nasionaliteit romeinse republiek beroep soldaat, scriba quaestorius, digter bekend vir ode, satire, ars poetica quintus horatius flaccus ( desember v.c. — november v.c.) was 'n romeinse digter in die era van keiser augustus. lewe[wysig | wysig bron] horatius is gebore in venusia, 'n klein dorpie tussen apulia en lucania. horatius was die seun van 'n vrygestelde slaaf. sy pa het 'n plaas gehad in venusia, maar het later verhuis na rome waar hy 'n middelman was by 'n afslaer. horatius se vader het baie geld op horatius se opvoeding gespandeer waar horatius in rome sowel as athene gestudeer het. nadat julius caesar vermoor is, het horatius by die romeinse legioene aangesluit onder die generaalskap van brutus. hy het by die slag van philippi geveg en nadat augustus 'n amnestie uitgereik het, het horatius na rome teruggekeer. horatius word as een van die grootste romeinse digters beskou. werke en opsteldatums[wysig | wysig bron] sermonum liber primus of satirae i ( v.c.) epodes ( v.c.) sermonum liber secundus of satirae ii ( v.c.) carminum liber primus of die odes i ( v.c.) carminum liber secundus of die odes ii ( v.c.) carminum liber tertius of die odes iii ( v.c.) epistularum liber primus ( v.c.) ars poetica, of die episte van die pisone ( v.c.) carmen saeculare of die lied van die eue ( v.c.) epistularum liber secundus ( v.c.) carminum liber quartus of die odes iv ( v.c.) normdata bibsys: bnc: bne: xx bnf: cb b (data) cantic: a cinii: da gnd: isni: lccn: n lnb: musicbrainz: af f f- - -a bf- d f c ndl: nkc: jn nla: nlg: nli: nlk: kac nlp: a nsk: nta: rero: -a rsl: iccu: it\iccu\cfiv\ selibr: snac: w pk m c sudoc: trove: ulan: viaf: worldcat identities: lccn-n ontsluit van "https://af.wikipedia.org/w/index.php?title=horatius&oldid= " kategorieë: geboortes in v.c. mense in die ste eeu v.c. romeinse digters sterftes in v.c. versteekte kategorieë: artikels met hcards artikels met bibsys-identifiseerders artikels met bnc-identifiseerders 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large number of adoptions were performed by the senatorial class.[ ] succession and family legacy were very important; therefore romans needed ways of passing down their fortune and name when unable to produce a male heir. adoption was one of the few ways to guarantee succession, so it became a norm to adopt young males into the homes of high ranking families. due to the roman inheritance laws (falcidia lex),[ ] women had very little rights or the ability to inherit fortunes. this made them less valuable for adoption. however, women were still adopted and it was more common for them to be wed to an influential family. contents causes practice adoption of women imperial succession . the julio-claudian dynasty . the adoptive emperors see also references external links causes[edit] one of the benefits of a male heir was the ability to create ties among other high-ranking families through marriage. senators throughout rome had the responsibility of producing sons who could inherit their family’s title and estate. childbirth was very unpredictable during these times and there was no way of knowing gender before birth. this caused many children to be lost in the years directly after and it was hard for the senators to control the situation. with the cost of children being high and average families having very few children, this posed a challenge for the senators. without a male heir, their title and estate could be forfeited. this was the leading cause for adoption in ancient rome. it is important to note that adoption in ancient rome was used for a number of reasons and not exclusively by senators. the use by senators guaranteed them a son; this gave senators the freedom to produce children more freely knowing a male heir could always be adopted if unable to produce one naturally. this also created new benefits for female babies enabling them to be given away for adoption into higher ranked families. with the reduced risk of succession issues this created opportunities for males children to marry into other high-ranking families to create powerful ties among the upper class. in the case of the lower classes, raising a large family was quite challenging. due to the cost, this allowed them to put their children up for adoption. it would benefit both the families and the child. one famous example of this is when lucius aemilius put his own two sons up for adoption.[ ] practice[edit] in rome, the person in charge of adoption was the male head of the household called the paterfamilias. adoption would result in an adoption of power for the adopted child as the status of the adopting family was immediately transferred to the child. this was almost always an increase in power due to the high cost of adoption. publius clodius pulcher famously used this loophole for political power in his attempt to gain control over the plebs.[ ] during the roman republic, the same laws stood in place with only one difference; the requirement of the senate's approval. the actual adoption was often operated like a business contract between the two families. the adopted child took the family name as his own. along with this, the child kept his/her original name through the form of cognomen or essentially a nickname. the adopted child also maintained previous family connections and often leveraged this politically. due to the power disparity that normally existed between the families involved in adoption, a fee was often given to the lower family to help with replacing (in most cases) the first-born son. another case similar to adoption was the fostering of children; this effectively took place when a paterfamilias transferred his power to another man to be left in their care.[ ] former slaves who were freed by their masters could be allowed to adopt his children to legitimize them.[ ] adoption of women[edit] throughout roman history many adoptions took place but very few accounts of female adoption were recorded and preserved throughout history. with men holding the spotlight in history books and articles, it is possible that adoption of girls was more popular. however, because most of the famous adoptions were male children, female adoptions could have been wrongfully accounted. additionally, because the legal impacts of women in ancient rome were so minimal, it is possible that adoptions could have been more informal and therefore less accounted for in history. one of the most well known was livia augusta who gained this name after her adoption into the julian family. known mainly as the wife of augustus. livia played a key role during this time in the roman empire both as a political symbol and a role model for roman households. livia earned herself an honorable place among history as a great mother however some of the rumors related to potential heirs have survived throughout history.[ ] imperial succession[edit] many of rome’s famous emperors came to power through adoption, either because their predecessors had no natural sons or simply to ensure a smooth transition for the most capable candidate. the julio-claudian dynasty[edit] julio claudian family tree the first emperor, augustus, owed much of his success to having been adopted into the gens julia in the will of his great uncle, julius caesar. however, the office of emperor did not exist at that time; octavian inherited caesar's money, name and auctoritas but not the office of dictator. as augustus's central role in the principate solidified, it became increasingly important for him to designate an heir. he first adopted his daughter julia's three sons by marcus agrippa, renaming them gaius caesar, lucius caesar and marcus julius caesar agrippa postumus. after the former two died young and the latter was exiled, augustus adopted his stepson tiberius claudius nero on condition that he adopt his own nephew, germanicus (who was also augustus's great nephew by blood). tiberius succeeded augustus and on tiberius's death germanicus's son caligula became emperor. claudius adopted his stepson lucius domitius ahenobarbus, who changed his name to nero claudius caesar and succeeded claudius as the emperor nero. the adoptive emperors[edit] the nerva-antonine dynasty was also united by a series of adoptions. nerva adopted the popular military leader trajan. trajan in turn took hadrian as his protégé and, although the legitimacy is debatable, hadrian claimed to have been adopted and took the name caesar traianus hadrianus when he became emperor. hadrian adopted lucius ceionius commodus, who changed his name to lucius aelius caesar but predeceased hadrian. he then adopted titus aurelius fulvus boionius arrius antoninus, on condition that he adopt both the natural son of the late lucius aelius and a promising young nephew of his wife. they ruled as antoninus pius, lucius verus and marcus aurelius respectively. niccolò machiavelli described them as the five good emperors and attributed their success to having been chosen for the role: from the study of this history we may also learn how a good government is to be established; for while all the emperors who succeeded to the throne by birth, except titus, were bad, all were good who succeeded by adoption, as in the case of the five from nerva to marcus. but as soon as the empire fell once more to the heirs by birth, its ruin recommenced.[ ] this run of adoptive emperors came to an end when marcus aurelius named his biological son, commodus, as his heir. one reason why adoption never became the official method of designating a successor was because hereditary rule was against republican principles and the republic had never been abandoned in law, even though the emperors of the principate behaved as monarchs. the dominate of diocletian effectively replaced adoption with consortium imperii - designating an heir by appointing him partner in imperium. see also[edit] roman culture adrogation references[edit] ^ a b weigel, richard d. (january ). "a note on p. lepidus". classical philology. ( ): – . doi: . / . issn  - x. ^ "lacuscurtius • roman law — adoption (smith's dictionary, )". penelope.uchicago.edu. retrieved - - . ^ connerty, victor ( ). tatum, w. j. (ed.). "publius clodius pulcher". the classical review. ( ): – . doi: . /cr/ . . . issn  - x. jstor  . ^ "adoption in the roman empire". life in the roman empire. retrieved - - . ^ https://books.google.se/books?id= gdul_ dec&pg=pa &dq=% claudius% +% illegitimate+children% &hl=sv&sa=x&ved= ahukewjz vhq-vdtahxd_cokhufic kq aewb oecacqag#v=onepage&q=% claudius% % % illegitimate% children% &f=false ^ huntsman, eric d. ( ). "livia before octavian". ancient society. : – . doi: . /as. . . . issn  - . jstor  . ^ machiavelli, discourses on livy, book i, chapter . external links[edit] ancient roman family v t e ancient rome topics outline timeline history foundation kingdom overthrow republic empire history pax romana principate dominate western empire fall historiography of the fall byzantine empire decline fall constitution history kingdom republic empire late empire senate legislative assemblies curiate centuriate tribal plebeian executive magistrates spqr law twelve tables mos maiorum citizenship auctoritas imperium status litigation government curia forum cursus honorum collegiality emperor legatus dux officium prefect vicarius vigintisexviri lictor magister militum imperator princeps senatus pontifex maximus augustus caesar tetrarch optimates populares province magistrates ordinary consul censor praetor tribune tribune of the plebs military tribune quaestor aedile promagistrate governor extraordinary rex 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saint vincent de paul § allegations of child abuse in scotland retrieved from "https://en.wikipedia.org/w/index.php?title=adoption_in_ancient_rome&oldid= " categories: adoption in ancient rome adoption history family law in ancient rome navigation menu personal tools not logged in talk contributions create account log in namespaces article talk variants views read edit view history more search navigation main page contents current events random article about wikipedia contact us donate contribute help learn to edit community portal recent changes upload file tools what links here related changes upload file special pages permanent link page information cite this page wikidata item print/export download as pdf printable version languages العربية deutsch español français italiano latina magyar português Русский srpskohrvatski / српскохрватски 中文 edit links this page was last edited on december , at :  (utc). text is available under the creative commons attribution-sharealike license; additional terms may apply. by using this site, you agree to the terms of use and privacy policy. wikipedia® is a registered trademark of the wikimedia foundation, inc., a non-profit organization. privacy policy about wikipedia disclaimers contact wikipedia mobile view developers statistics cookie statement none none andrew marvell - wikipedia andrew marvell from wikipedia, the free encyclopedia jump to navigation jump to search english metaphysical poet, satirist and politician andrew marvell andrew marvell (between c. and c. ) born ( - - ) march winestead, england died august ( - - ) (aged  ) london, england occupation poet alma mater trinity college, cambridge notable works "to his coy mistress", "the garden", "an horatian ode" andrew marvell (/ˈmɑːrvəl, mɑːrˈvɛl/; march – august ) was an english metaphysical poet, satirist and politician who sat in the house of commons at various times between and . during the commonwealth period he was a colleague and friend of john milton. his poems range from the love-song "to his coy mistress", to evocations of an aristocratic country house and garden in "upon appleton house" and "the garden", the political address "an horatian ode upon cromwell's return from ireland", and the later personal and political satires "flecknoe" and "the character of holland". contents early life first poems and marvell's time at nun appleton anglo-dutch war and employment as latin secretary after the restoration prose works views marvell's poetic style in popular culture see also references further reading external links early life[edit] attributed to sir godfrey kneller (who arrived in england in ), trinity college, cambridge andrew marvell marvell was born in winestead-in-holderness, east riding of yorkshire, near the city of kingston upon hull, the son of a church of england clergyman also named andrew marvell. the family moved to hull when his father was appointed lecturer at holy trinity church there, and marvell was educated at hull grammar school. a secondary school in the city, the andrew marvell business and enterprise college, is named after him.[ ] at the age of , marvell attended trinity college, cambridge and eventually received a ba degree.[ ] a portrait of marvell attributed to godfrey kneller hangs in trinity college's collection.[ ] afterwards, from the middle of onwards, marvell probably travelled in continental europe. he may well have served as a tutor for an aristocrat on the grand tour, but the facts are not clear on this point. while england was embroiled in the civil war, marvell seems to have remained on the continent until . in rome in he probably met the villiers brothers, lord francis and the nd duke of buckingham, as well as richard flecknoe, about whom he would later on write a satirical poem.[ ] it is not known exactly where his travels took him except that milton later reported that marvell had mastered four languages, including french, italian and spanish.[ ] first poems and marvell's time at nun appleton[edit] marvell's first poems, which were written in latin and greek and published when he was still at cambridge, lamented a visitation of the plague and celebrated the birth of a child to king charles i and queen henrietta maria. he only belatedly became sympathetic to the successive regimes during the interregnum after charles i's execution on january . his "horatian ode", a political poem dated to early , responds with lament to the regicide even as it praises oliver cromwell's return from ireland.[ ][ ][ ] circa – , marvell served as tutor to the daughter of the lord general thomas fairfax, who had recently relinquished command of the parliamentary army to cromwell. he lived during that time at nun appleton hall, near york, where he continued to write poetry. one poem, "upon appleton house, to my lord fairfax", uses a description of the estate as a way of exploring fairfax's and marvell's own situation in a time of war and political change.[ ] probably the best-known poem he wrote at this time is "to his coy mistress". anglo-dutch war and employment as latin secretary[edit] during the period of increasing tensions leading up to the first anglo-dutch war of , marvell wrote the satirical "character of holland," repeating the then-current stereotype of the dutch as "drunken and profane": "this indigested vomit of the sea,/ fell to the dutch by just propriety." he became a tutor to cromwell's ward, william dutton, in , and moved to live with his pupil at the house of john oxenbridge in eton. oxenbridge had made two trips to bermuda, and it is thought that this inspired marvell to write his poem bermudas. he also wrote several poems in praise of cromwell, who was by this time lord protector of england. in marvell and dutton travelled to france, to visit the protestant academy of saumur.[ ][ ] in , marvell joined milton, who by that time had lost his sight, in service as latin secretary to cromwell's council of state at a salary of £ a year, which represented financial security at that time. oliver cromwell died in . he was succeeded as lord protector by his son richard. in marvell was elected member of parliament for kingston upon hull in the third protectorate parliament.[ ] he was paid a rate of shillings, pence per day during sittings of parliament, a financial support derived from the contributions of his constituency.[ ] he was re-elected mp for hull in for the convention parliament. after the restoration[edit] a statue of andrew marvell, located in the marketplace, kingston upon hull, uk the monarchy was restored to charles ii in . marvell avoided punishment for his own co-operation with republicanism, and he helped convince the government of charles ii not to execute john milton for his antimonarchical writings and revolutionary activities.[ ] the closeness of the relationship between the two former colleagues is indicated by the fact that marvell contributed an eloquent prefatory poem, entitled "on mr. milton's paradise lost", to the second edition of milton's epic paradise lost. according to a biographer: "skilled in the arts of self-preservation, he was not a toady."[ ] in marvell was re-elected mp for hull in the cavalier parliament.[ ] he eventually came to write several long and bitterly satirical verses against the corruption of the court. although circulated in manuscript form, some finding anonymous publication in print, they were too politically sensitive and thus dangerous to be published under his name until well after his death. marvell took up opposition to the 'court party', and satirised them anonymously. in his longest verse satire, last instructions to a painter, written in , marvell responded to the political corruption that had contributed to english failures during the second anglo-dutch war. the poem did not find print publication until after the revolution of – . the poem instructs an imaginary painter how to picture the state without a proper navy to defend them, led by men without intelligence or courage, a corrupt and dissolute court, and dishonest officials. of another such satire, samuel pepys, himself a government official, commented in his diary, "here i met with a fourth advice to a painter upon the coming in of the dutch and the end of the war, that made my heart ake to read, it being too sharp and so true."[ ] from until his death in , marvell was serving as london agent for the hull trinity house, a shipmasters' guild.[citation needed] he went on two missions to the continent, one to the dutch republic and the other encompassing russia, sweden, and denmark.[citation needed] he spent some time living in a cottage on highgate hill in north london, where his time in the area is recorded by a bronze plaque that bears the following inscription: four feet below this spot is the stone step, formerly the entrance to the cottage in which lived andrew marvell, poet, wit, and satirist; colleague with john milton in the foreign or latin secretaryship during the commonwealth; and for about twenty years m.p. for hull. born at winestead, yorkshire, st march, , died in london, th august, , and buried in the church of st. giles-in-the-fields. this memorial is placed here by the london county council, december, .[ ] a floral sundial in the nearby lauderdale house bears an inscription quoting lines from his poem "the garden".[ ] he died suddenly in , while in attendance at a popular meeting of his old constituents at hull. his health had previously been remarkably good; and it was supposed by many that he was poisoned by some of his political or clerical enemies. marvell was buried in the church of st giles in the fields in central london. his monument, erected by his grateful constituency, bears the following inscription: near this place lyeth the body of andrew marvell, esq., a man so endowed by nature, so improved by education, study, and travel, so consummated by experience, that, joining the peculiar graces of wit and learning, with a singular penetration and strength of judgment; and exercising all these in the whole course of his life, with an unutterable steadiness in the ways of virtue, he became the ornament and example of his age, beloved by good men, feared by bad, admired by all, though imitated by few; and scarce paralleled by any. but a tombstone can neither contain his character, nor is marble necessary to transmit it to posterity; it is engraved in the minds of this generation, and will be always legible in his inimitable writings, nevertheless. he having served twenty years successfully in parliament, and that with such wisdom, dexterity, and courage, as becomes a true patriot, the town of kingston-upon-hull, from whence he was deputed to that assembly, lamenting in his death the public loss, have erected this monument of their grief and their gratitude, . prose works[edit] marvell also wrote anonymous prose satires criticizing the monarchy and roman catholicism, defending puritan dissenters, and denouncing censorship. the rehearsal transpros'd, an attack on samuel parker, was published in two parts in and . in , mr. smirke; or the divine in mode, a work critical of intolerance within the church of england, was published together with a "short historical essay, concerning general councils, creeds, and impositions, in matters of religion." marvell's pamphlet an account of the growth of popery and arbitrary government in england, published in late , alleged that: "there has now for diverse years, a design been carried on, to change the lawfull government of england into an absolute tyranny, and to convert the established protestant religion into down-right popery".[ ] john kenyon described it as "one of the most influential pamphlets of the decade"[ ] and g. m. trevelyan called it: "a fine pamphlet, which throws light on causes provocative of the formation of the whig party".[ ] a work published anonymously ("by a protestant") in defense of john howe against the attack of his fellow-dissenter, the severe calvinist thomas danson, is also probably by marvell. its full title is remarks upon a late disingenuous discourse, writ by one t.d. under the pretence de causa dei, and of answering mr. john howe's letter and postscript of god's prescience, &c., affirming, as the protestant doctrine, that god doth by efficacious influence universally move and determine men to all their actions, even to those that are most wicked. views[edit] although marvell became a parliamentarian and was opposed to episcopacy, he was not a puritan. later in life especially, he seems to have been a conforming anglican.[ ] marvell positively identifies himself as "a protestant" in pamphlets.[ ] he had flirted briefly with catholicism as a youth,[ ] and was described in his thirties (on the saumur visit) as "a notable english italo-machiavellian".[ ][ ] his strong biblical influence is clear in poems such as "the garden", the "coronet" and "the bermudas".[ ] vincent palmieri noted that marvell is sometimes known as the "british aristides" for his incorruptible integrity in life and poverty at death. many of his poems were not published until , three years after his death, from a collection owned by mary palmer, his housekeeper. after marvell's death she laid dubious claim to having been his wife, from the time of a secret marriage in .[ ] marvell's poetic style[edit] marvell is said to have adhered to the established stylized forms of his contemporary neoclassical tradition. these include the carpe diem lyric tradition which also forms the basis of his famous lyric "to his coy mistress". he adopted familiar forms and infused them with his unique conceits, analogies, reflections and preoccupations with larger questions about life and death[ ] t.s. eliot wrote of marvell's style that "it is more than a technical accomplishment, or the vocabulary and syntax of an epoch; it is, what we have designated tentatively as wit, a tough reasonableness beneath the slight lyric grace". he also identified marvell and the metaphysical school with the "dissociation of sensibility" that occurred in th-century english literature; eliot described this trend as "something which...happened to the mind of england...it is the difference between the intellectual poet and the reflective poet".[ ] poets increasingly developed a self-conscious relationship to tradition, which took the form of a new emphasis on craftsmanship of expression and an idiosyncratic freedom in allusions to classical and biblical sources. "to his coy mistress", marvell's most celebrated poem, combines an old poetic conceit (the persuasion of the speaker's lover by means of a carpe diem philosophy) with marvell's typically vibrant imagery and easy command of rhyming couplets. other works incorporate topical satire and religious themes. in popular culture[edit] his work is referenced in the british film the serpent's kiss and quoted in the british film a matter of life and death. it is also referenced in audrey niffenegger's the time traveler's wife and emily colin's the memory thief. several works of science fiction, fantasy, and mystery allude to "to his coy mistress". in , christopher peachment published "the green and the gold", a first-person fictional narrative following marvell's life. see also[edit] list of works by andrew marvell the marvell college andrew marvel ( ship) - ship built at kingston upon hull that made some voyages as a greenland whaler references[edit] ^ "andrew marvell college". ^ "marvell, andrew (mrvl a)". a cambridge alumni database. university of cambridge. ^ "trinity college, university of cambridge". bbc your paintings. archived from the original on may . retrieved february . ^ edward chaney, the grand tour and the great rebellion (geneva, ), pp. - . ^ nicholas murray, andrew marvell ( ), pp. – . ^ full title "an horatian ode upon cromwell's return from ireland". ^ "online text". archived from the original on october . ^ understanding poetry (brooks/penn warren): marvell's horatian ode ^ marvell, andrew. "upon appleton house, to my lord fairfax". luminarium. retrieved august . ^ andrew marvell: chronology of important dates ^ nicholas murray, andrew marvell ( ), pp. – . ^ a b history of parliament online – marvell, andrew ^ john stuart mill, considerations on representative government, chapter x, last paragraph p. oxford world's classic edition, on liberty and other essays, , reed. ^ andrew crozier's introduction to the works of andrew marvell, ware , p.vi ^ nicholas murray, andrew marvell ( ), p. . ^ september , the diary of samuel pepys, volume , p. ^ andrew marvell's cottage : london remembers, aiming to capture all memorials in london ^ poetry landmarks - individual landmark ^ andrew marvell, an account of the growth of popery and arbitrary government in england (gregg international publishers limited, ), p. . ^ john kenyon, the popish plot (phoenix, ), p. . ^ g. m. trevelyan, england under the stuarts (routledge, ), p. . ^ http://www.oxforddnb.com/view/ . /ref:odnb/ . . /odnb- -e- ^ http://www.oxforddnb.com/view/ . /ref:odnb/ . . /odnb- -e- ^ john dixon hunt andrew marvell: his life and writings (paul elek, ) pp.  – ^ http://www.english.ox.ac.uk/old% site/lists/marvelldates.htm archived january at the wayback machine ^ robert r. hay, an andrew marvell companion (routledge, ), p. . ^ http://www.gradesaver.com/andrew-marvell-poems/study-guide/summary-bermudas ^ nicholas murray, andrew marvell ( ), pp. – . ^ moldenhauer, josheph j. ( ). "the voices of seduction in "to his coy mistress": a rhetorical analysis". texas studies in literature and language. : – – via jstor. ^ t s. eliot."the metaphysical poets" and "andrew marvell". selected prose of t.s. eliot. ed. frank kermode. harcourt, . further reading[edit] a. b. chambers ( ). andrew marvell and edmund waller: seventeenth-century praise and restoration satire. university park, pa. warren l. chernaik ( ). the poet's time: politics and religion in the work of andrew marvell. cambridge university press. will davenport. the painter. harpercollins. isbn  - - -x. this novel about rembrandt features andrew marvell as a character. kenneth r. friedenreich (ed.) ( ). tercentenary essays in honor of andrew marvell. hamden, ct. nicholas mcdowell ( ). poetry and allegiance in the english civil wars: marvell and the cause of wit. oxford: oxford university press. nigel smith ( ). andrew marvell: the chameleon. new haven, ct. isbn  - - - - . external links[edit] wikiquote has quotations related to: andrew marvell wikisource has original works written by or about: andrew marvell works by marvell: works by andrew marvell at project gutenberg works by or about andrew marvell at internet archive works by andrew marvell at librivox (public domain audiobooks) poems: luminarium correspondence and prose works: in grosart's edition (via google books) biography: poetry foundation; andrew marvell at project gutenberg by augustine birrell andrew marvell's grave portraits of andrew marvell at the national portrait gallery, london "archival material relating to andrew marvell". uk national archives. andrew marvell, sir thomas widdrington and appleton house (notes and queries ); www.phoenixlodger.co.uk andrew marvell at nun appleton (tls ); www.phoenixlodger.co.uk v t e poetry by andrew marvell list list of works by andrew marvell poems "the garden" "the mower's song" "to his coy mistress" "upon appleton house" "on mr. milton's paradise lost" v t e metaphysical poetry major poets john donne ( – ) george herbert ( – ) andrew marvell ( – ) abraham cowley ( – ) robert southwell (c. – ) richard crashaw (c. – ) thomas traherne ( / – ) henry vaughan ( – ) minor poets anne bradstreet (c. – ) thomas carew ( – ) george chapman (c. – ) john hall (c. – ) edward herbert ( – ) richard leigh ( - ) katherine philips ( – ) sir john suckling ( – ) edward taylor (c. – ) critics samuel johnson t. s. eliot authority control bibsys: bne: xx bnf: cb h (data) cantic: a cinii: da gnd: isni: lccn: n lnb: mba: - cbb- -b - a b ndl: nkc: jn nla: nli: nlk: kac nta: selibr: snac: w z sudoc: trove: viaf: worldcat identities: lccn-n retrieved from "https://en.wikipedia.org/w/index.php?title=andrew_marvell&oldid= " categories: births deaths th-century english poets th-century male writers alumni of trinity college, cambridge english male poets english mps english mps english mps – people educated at hull grammar school politicians from kingston upon hull writers from kingston upon hull hidden categories: webarchive template wayback links articles with short description short description matches wikidata use dmy dates from december use british english from december all articles with unsourced statements articles with unsourced statements from december articles with project gutenberg links articles with internet archive links articles with librivox links wikipedia articles with bibsys identifiers wikipedia articles with bne identifiers wikipedia articles with bnf identifiers wikipedia articles with cantic identifiers wikipedia articles with cinii identifiers wikipedia articles with gnd identifiers wikipedia articles with isni identifiers wikipedia articles with lccn identifiers wikipedia articles with lnb identifiers wikipedia articles with musicbrainz identifiers wikipedia articles with ndl identifiers wikipedia articles with nkc identifiers wikipedia articles with nla identifiers wikipedia articles with nli identifiers wikipedia articles with nlk identifiers wikipedia articles with nta identifiers wikipedia articles with selibr identifiers wikipedia articles with snac-id identifiers wikipedia articles with sudoc identifiers wikipedia articles with trove identifiers wikipedia articles with viaf identifiers wikipedia articles with worldcatid identifiers navigation menu personal tools not logged in talk contributions create account log in namespaces article talk variants views read edit view history more search navigation main page contents current events random article about wikipedia contact us donate contribute help learn to edit community portal recent changes upload file tools what links here related changes upload file special pages permanent link page information cite this page wikidata item print/export download as pdf printable version in other projects wikimedia commons wikiquote wikisource languages العربية تۆرکجه Български català Čeština cymraeg deutsch español esperanto euskara فارسی français 한국어 italiano ಕನ್ನಡ magyar nederlands 日本語 norsk bokmål norsk nynorsk polski português română Русский slovenščina suomi svenska tiếng việt 中文 edit links this page was last edited on december , at :  (utc). text is available under the creative commons attribution-sharealike license; additional terms may apply. by using this site, you agree to the terms of use and privacy policy. wikipedia® is a registered trademark of the wikimedia foundation, inc., a non-profit organization. privacy policy about wikipedia disclaimers contact wikipedia mobile view developers statistics cookie statement none horacije - wikipedia horacije s wikipedije, slobodne enciklopedije idi na navigaciju idi na pretragu ovaj članak ili neki od njegovih odlomaka nije dovoljno potkrijepljen izvorima (literatura, veb-sajtovi ili drugi izvori). ako se pravilno ne potkrijepe pouzdanim izvorima, sporne rečenice i navodi mogli bi biti izbrisani. pomozite wikipediji tako što ćete navesti validne izvore putem referenci te nakon toga možete ukloniti ovaj šablon. horacije kvint horacije flak - (quintus horatius flaccus, decembar, . p. n. e. - . novembar p. n. e.), rimski pjesnik. biografija[uredi | uredi izvor] horacije je rođen u decembru . p. n. e. u venusiji, italija, umro je . novembra . p. n. e. u rimu. njegov otac je bio rob koji je stekao slobodu prije horacijevog rođenja. moglo bi se pretpostaviti da je u ropstvo pao za vrijeme pompeja, odnosno nakon spartakovog ustanka. svog sina je odveo u jednu od najpoznatijih škola poznatog sabelijanca po imenu orbilus (koji je po horaciju bio pristalica tjelesnog kažnjavanja). . g. p. n. e. horacije posjećuje predavanja na atinskoj akademiji gdje prve stihove počinje pisati na grčkom. kad je brut u ateni prikupljao vojsku protiv oktavijana i antonija, zajedno sa sinovima cicerona i katona, u nju stupa i horacije. međutim u bitki kod filipa poražena je republika, a i tribunus militium horacije. nakon toga se horacije vraća u rim i posvećuje pjesništvu. . g. p. n. e. je doveden kod mecene, učenog čovjeka iz etrurije iz središnje italije, koji je bio glavni politički savjetnik augusta. mecena je horacija uveo u pjesnički književni krug, a uz to mu poklonio i luksuznu vilu. po izgledu horacije je bio nizak i debeo, posjedio prije vremena, lahko bi se iznervirao ali brzo i smirio. commons ima datoteke na temu: horacije preuzeto iz "https://bs.wikipedia.org/w/index.php?title=horacije&oldid= " kategorije: rimska imperija rimska književnost sakrivena kategorija: Članci koji trebaju izvor navigacija lični alati niste prijavljeni razgovor doprinosi napravi korisnički račun prijavi me imenski prostori stranica razgovor varijante pregledi Čitaj uredi uredi izvor historija više pretraga navigacija početna strana odabrani članci portali kategorije nedavne izmjene nasumična stranica interakcija pomoć igralište vrata zajednice Čaršija novosti donacije alati Šta vodi ovamo srodne izmjene postavi datoteku posebne stranice trajni link informacije o stranici citiraj ovu stranicu na wikipodacima Štampanje / izvoz napravi knjigu preuzmi kao pdf za štampanje na drugim projektima wikimedia commons wikicitat drugi jezici afrikaans አማርኛ aragonés العربية مصرى asturianu تۆرکجه Башҡортса Žemaitėška Беларуская Беларуская (тарашкевіца)‎ Български brezhoneg català Čeština cymraeg dansk deutsch zazaki Ελληνικά english esperanto español eesti euskara فارسی suomi võro français furlan gaeilge galego עברית हिन्दी fiji hindi hrvatski magyar Հայերեն interlingua bahasa indonesia ido Íslenska italiano 日本語 ქართული Қазақша 한국어 kurdî kernowek latina lingua franca nova lietuvių latviešu malagasy Македонски മലയാളം Монгол मराठी bahasa melayu nāhuatl nederlands norsk nynorsk norsk bokmål occitan ਪੰਜਾਬੀ polski piemontèis português română tarandíne Русский sardu sicilianu srpskohrvatski / српскохрватски simple english slovenčina slovenščina Српски / srpski seeltersk svenska kiswahili தமிழ் tagalog türkçe Татарча/tatarça Українська oʻzbekcha/ўзбекча tiếng việt volapük walon winaray 吴语 中文 粵語 uredi veze ova stranica je posljednji put izmijenjena na datum novembar u : . tekst je dostupan pod slobodnom licencom autorstvo-dijeliti pod istim uvjetima; mogu se primijeniti i dodatni uvjeti. korištenjem ovog sajta slažete se s uvjetima korištenja i pravilima o privatnosti. wikipedia® je zaštitni znak neprofitne organizacije wikimedia foundation, inc. politika privatnosti o wikipediji odricanje odgovornosti mobilni prikaz razvojni programeri statistika izjava o kolačićima poet seers » horace about poets a-z index home poetic themes poets female poets british poets american poets contemporary poets the romantics indian poets chinese poets the classics spiritual poets sufi poets hindu poets christian poets buddhist poets daoist poets the poet-seers the great poets » the classic poets » horace horace horace, in full quintus horatius flaccus was an outstanding latin lyric poet and satirist under the emperor augustus. his father owned a small property and could afford to take his son to rome and ensure personally his getting the best available education. in about bc horace went to athens, attending lectures at the academy. early in bc he was introduced to gaius maecenas, a man of letters from etruria in central italy who was one of octavian’s principal political advisers. in bc horace published book i of the satires. these poems drew on greek roots, stating horace’s rejection of public life firmly and aiming at wisdom through serenity. he discusses ethical questions: the race for wealth and position, the folly of extremes, the desirability of mutual forbearance, and the evils of ambition. after octavian had defeated antony and cleopatra horace published his epodes (poems full of mockery, though horace attacks social abuses, not individuals) and a second book of satires. after bc horace turned, in the most active period of his poetical life, to the odes, of which he published three books in bc. horace, in the odes, represented himself as heir to earlier greek lyric poets but displayed a sensitive, economical mastery of words all his own. he sings of love, wine, nature, of friends, of moderation. very shortly after bc, he set to work on three epistles, all relating in different ways to poetic activities. the third, the epistle to the pisos, was also known, at least subsequently, as the ars poetica (“the art of poetry”). in bc he composed the secular hymn (carmen saeculare) for ancient ceremonies called the secular games. in bc maecenas died. one of his last requests to the emperor was: “remember horace as you would remember me.” a month or two later, however, horace himself died, after naming augustus as his heir. he was buried on the esquiline hill near maecenas’ grave. a biographer of the nd century ad quotes a jocular letter he received from augustus, from which it emerges that the poet was short and fat. he himself confirms his short stature and, describing himself at the age of about , states that he was gray before his time, fond of sunshine, and irritable but quickly appeased. already at the time of horace’s death, his odes were suffering the fate he deprecated for them and had become a school textbook. but their excellence was so great that they had few ancient lyrical successors. the medieval epoch had little use for the odes, which did not appeal to its piety, although his satires and epistles were read because of their predominantly moralistic tones. the odes came into their own again with the renaissance and, along with the ars poetica, exerted much influence on western poetry through the th century. horace poems deep with snow i have completed a monument it’s better to live keep a tranquil mind pluck the day poems by horace the fleeting years the snows have fled we all must die what shall a singer ask of apollo you who measured the sea related the classic poets horace at the theatre database horace poetry horace deep with snow i have completed a monument it’s better to live keep a tranquil mind pluck the day poems by horace the fleeting years the snows have fled we all must die what shall a singer ask of apollo you who measured the sea quintus horatius flaccus – wikipedie quintus horatius flaccus z wikipedie, otevřené encyklopedie skočit na navigaci skočit na vyhledávání quintus horatius flaccus narození . prosince  př. n. l. venosa Úmrtí . listopadu  př. n. l. (ve věku  let) Řím místo pohřbení Řím povolání básník, spisovatel a filozof národnost Římané významná díla ars poetica rodiče a multimediální obsah na commons galerie na commons původní texty na wikizdrojích citáty na wikicitátech seznam děl v souborném katalogu Čr některá data mohou pocházet z datové položky. quintus horatius flaccus, často zvaný jen horatius ( . prosince př. n. l. venusia – . listopadu př. n. l. Řím) byl římský básník tzv. zlatého věku římské poezie.[ ] působil za vlády císaře octaviana augusta a patřil k družině básníků gaia cilnia maecenata. obsah Život dílo . osudy horatiova díla České překlady odkazy . reference . literatura . související články . externí odkazy Život[editovat | editovat zdroj] horatius byl synem propuštěnce (zřejmě bývalého státního otroka) z venusie na jihu itálie (dnešní venosa). ačkoli byl jeho otec nízkého původu, byl natolik majetný, že byl schopen synovi zajistit nejlepší vzdělání, nejprve ve venusii, později v Římě. roku př. n. l. odešel horatius studovat filosofii do athén, jak bylo zvykem u mladíků z dobrých rodin, aby se ve studiu zdokonalil.[ ] jeho studentská kariéra byla ale narušena, když v roce př. n. l. vstoupil do brutovy republikánské armády, kde se stal vojenským tribunem. roku př. n. l. se účastnil bitvy u filipp, kde byl brutus poražen vojsky druhého triumvirátu. horatius se zachránil útěkem a později o sobě řekl, že v bitvě zanechal svůj štít, což bylo častým motivem u básníků řecké mélické poezie (např. u archilocha). po amnestii, jejíž podmínkou byla konfiskace majetku, se vrátil do itálie a byl nucen živit se jako písař. v této době vznikly jeho první básně. dostal se do kontaktu s básníky a literáty (spřátelil se například s vergiliem a variem) a roku př. n. l. se jejich prostřednictvím seznámil s gaiem cilniem maecenatem, který mu pomohl s vydáním prvních knih a později mu daroval statek. ten ho ekonomicky zajistil a mohl se tak věnovat už pouze psaní. maecenas ho představil také císaři augustovi, s nímž měl horatius dosti úzké vztahy, přestože se v mládí účastnil bojů proti němu. tyto vztahy byly založeny na upřímné oddanosti, ne však podlézavosti nebo osobních ambicích básníka. například když ho císař požádal, aby se stal jeho osobním tajemníkem, horatius nabídku zdvořile, ale rozhodně odmítl. celý život si zachoval relativní svobodu a nezávislost a oslava augusta v některých jeho básních neplynula z poddanosti, ale upřímného souhlasu s císařovou politikou. horatius zemřel necelé dva měsíce po maecenatovi a byl vedle něj pohřben na esquilinu. dílo[editovat | editovat zdroj] saturae (satiry, i. kniha př. n. l., ii. př. n. l.): knihy (o a skladbách) v daktylském hexametru. ačkoli zde horatius navázal na lucilia, jeho satiry nemají útočný charakter, jedná se spíše o moralizující kritiky soudobé společnosti a lidských vlastností (například cizoložství, lakomství, nenasytnosti, chamtivosti, obžerství). epodae (epódy nebo též jamby, př. n. l.): básnických skladeb, které sám horatius nazýval iambi s ohledem na metrum, jež v díle převažuje, a zároveň vzhledem k jejich útočnému tónu, který byl spojován s řeckou jambickou poezií. sbírka je charakteristická námětovou pestrostí, obsahuje básně útočné, erotické i občanské. carmina (Ódy, knihy, př. n. l., iv. kniha př. n. l.): přes básní různých námětů, délky a meter. horatius zde představuje množství řeckých lyrických meter do té doby v latinské poezie neužívaných, básně jsou seřazeny podle vzoru alexandrijské neoterické poezie a vyznačují se vysokou učeností a propracovaností. carmen saeculare (píseň stoletní, př. n. l.): báseň složená na augustův podnět ku příležitosti oslavy století. jedná se o hymnus pro dívek a hochů. je to prosba k bohům, aby zajistili Římu a augustově vládě prosperitu. epistulae (listy) ( př. n. l.): skladeb v hexametrech. každý list je adresován konkrétní osobě a neomezuje se na jeden námět a téma, podle vzoru neoterické poezie se snaží o námětovou pestrost.. de arte poetica (o umění básnickém, po roce př. n. l.): skladba (jinak také nazývána epistula ad pisones nebo jen ad pisones) podává základy teorií o poezii, především o tvorbě dramatické. zabývá se postupně uměním a jeho tvůrci. jedná se zřejmě o horativo nejznámější dílo. osudy horatiova díla[editovat | editovat zdroj] nedlouho po své smrti se horatius stal římským školním autorem. ve středověku byl dobře znám především jako básník moralizující, z jehož díla bylo možné čerpat mnohá ponaučení. Četly se především listy a satiry. na jeho proslulost a postavení ve školní tradici ukazuje i božská komedie, kde se horatius nachází mezi básníky v předpeklí. jako lyrik byl oslavován a imitován už od renesance (počínaje petrarcou) zejména u francouzských básníků. nepostradatelným vzorem klasicistní literatury byla skladba de arte poetica, na níž se odkazovalo v poetice a literatuře. největší oblibě se horatius těšil zřejmě v . století. vliv měl nepochybně také na českou poezii, v období národního obrození ho například jako jeden z antických vzorů použil antonín jaroslav puchmajer. České překlady[editovat | editovat zdroj] horatius, quintus flaccus. Ódy a epódy. překlad otakar jiráni. královské vinohrady: ludvík bradáč, .  s. dostupné online.  horatius, quintus flaccus. satiry. [kniha i a ii]. překlad otakar jiráni. v praze: alois srdce, . s. horatius, quintus flaccus. listy. překlad otakar jiráni. v praze: alois srdce, . s. horatius, quintus flaccus. vavřín a réva: ódy, epódy, satiry, listy. překlad jindřich pokorný a rudolf mertlík. odeon, praha . s. odkazy[editovat | editovat zdroj] reference[editovat | editovat zdroj] ↑ zlatý věk římské poezie. www.fhs.cuni.cz [online]. [cit. - - ]. dostupné online.  ↑ horace | roman poet. encyclopedia britannica [online]. [cit. - - ]. dostupné online. (anglicky)  literatura[editovat | editovat zdroj] conte, g. b. dějiny římské literatury. klp, praha , s. - slovník latinských spisovatelů, leda, praha , s. - stiebitz, ferdinand. stručné dějiny římské literatury. pedagogické nakladatelství, praha , s. - související články[editovat | editovat zdroj] carpe diem odi profanum vulgus, et arceo sapere aude externí odkazy[editovat | editovat zdroj] obrázky, zvuky či videa k tématu quintus horatius flaccus ve wikimedia commons osoba quintus horatius flaccus ve wikicitátech seznam děl v souborném katalogu Čr, jejichž autorem nebo tématem je quintus horatius flaccus digitalizovaná díla quinta horatia flacca v digitální knihovně kramerius nk Čr. horatius, quintus flaccus: epistola ad pisones de arte poetica ad plures editiones collata, atque in partes et capita divisa, cum praecipuis lectionis varietatibus dostupné online autoritní data: aut: jn | gnd: | isni: | lccn: n | ulan: | viaf: | worldcatid: lccn-n portály: antika | lidé | literatura citováno z „https://cs.wikipedia.org/w/index.php?title=quintus_horatius_flaccus&oldid= “ kategorie: starověcí římští básníci básníci tvořící latinsky spisovatelé píšící latinsky narození př. n. l. narození . prosince Úmrtí př. n. l. Úmrtí . listopadu Úmrtí v Římě skryté kategorie: monitoring:Články s odkazem na autoritní záznam monitoring:Články s autoritní kontrolou muži navigační menu osobní nástroje nejste přihlášen(a) diskuse příspěvky vytvoření účtu přihlášení jmenné prostory Článek diskuse varianty zobrazení Číst editovat editovat zdroj zobrazit historii více hledání navigace hlavní strana nápověda potřebuji pomoc nejlepší články náhodný článek poslední změny komunitní portál pod lípou podpořte wikipedii nástroje odkazuje sem související změny načíst soubor speciální stránky trvalý odkaz informace o stránce citovat stránku položka wikidat tisk/export vytvořit knihu stáhnout jako pdf verze k tisku na jiných projektech wikimedia commons wikicitáty wikizdroje v jiných jazycích afrikaans አማርኛ aragonés العربية مصرى asturianu تۆرکجه Башҡортса Žemaitėška Беларуская Беларуская (тарашкевіца)‎ Български brezhoneg bosanski català cymraeg dansk deutsch zazaki Ελληνικά english esperanto español eesti euskara فارسی suomi võro français furlan gaeilge galego עברית हिन्दी fiji hindi hrvatski magyar Հայերեն interlingua bahasa indonesia ido Íslenska italiano 日本語 ქართული Қазақша 한국어 kurdî kernowek latina lingua franca nova lietuvių latviešu malagasy Македонски മലയാളം Монгол मराठी bahasa melayu nāhuatl nederlands norsk nynorsk norsk bokmål occitan ਪੰਜਾਬੀ polski piemontèis português română tarandíne Русский sardu sicilianu srpskohrvatski / српскохрватски simple english slovenčina slovenščina Српски / srpski seeltersk svenska kiswahili தமிழ் tagalog türkçe Татарча/tatarça Українська oʻzbekcha/ўзбекча tiếng việt volapük walon winaray 吴语 中文 粵語 upravit odkazy stránka byla naposledy editována . . v : . text je dostupný pod licencí creative commons uveďte autora – zachovejte licenci, případně za dalších podmínek. podrobnosti naleznete na stránce podmínky užití. ochrana osobních údajů o wikipedii vyloučení odpovědnosti kontaktujte wikipedii mobilní verze vývojáři statistiky prohlášení o cookies arsengl tossing augustus out of horace’s ars poetica in a previous article i have tried to explain why the lines - of horace’s ars poetica should be considered as an interpolation ascribable to augustus . but did the imperial forger limit himself to these eight verses? five passages are concerned ( - ; - ; - ; - ; - ), whose candidacy to exclusion will be first examined one by one, before being justified at the global level by the observation of the links which connect them (including - ), as well as by some numerical considerations. spuriousness of lines - : ordinis haec uirtus erit et uenus, aut ego fallor, vt iam nunc dicat iam nunc debentia dici, pleraque differat et praesens in tempus omittat, hoc amet, hoc spernat promissi carminis auctor. “charm and excellence in construction, if i’m right, is to say here and now, what’s to be said here and now, retaining, and omitting, much, for the present. moreover as the author of the promised work, liking this, rejecting that…” let’s pass over the clumsiness of haec erit ut, “will consist in the fact that”, the remoteness of dicat from its subject, the uselessness of tempus, a mere http://www.virgilmurder.org/images/pdf/sphengl.pdf, pp. ff. translation (here and after) by a. s. kline: http://tkline.pgcc.net/pitbr/latin/horacearspoetica.htm#_toc padding , the looseness of iam nunc… iam nunc, that should rather mean “sometimes… sometimes”, so that bentley put the comma after dicat, not after dici, with this poor result: “sometimes he would say what must be said, sometimes he would defer it for the most part”. but did we really need horace’s help to know that a writer cannot say at once all he has to say? however, this miserable truism is thrust at us with a lot of redundancies: uirtus… et uenus (instead of uenustas: a cheap effect) ; differat – praesens in tempus omittat, picked up again by hoc amet, hoc spernat : all prescriptions which, except their pretension, add nothing to the thought . finally, there is this bombastic promissi carminis auctor (literally: “the guarantor of a promised work”) whose emptiness becomes obvious as soon as one transposes the sentence at the second person. this promissi is even so inept that one could almost wonder whether the author doesn’t secretly intend it in the sense of ‘long’ (as about a beard), with a derisive intention possibly confirmed not only by the pleraque instead of multa (for is it not evident that, except what you have to say now, all the rest you will one would expect in praesens, or rather in futurum: cf. c. o. brink, horace on poetry. the ars poetica, cambridge, , ad loc.: “praesens in tempus : the opposite, in futurum or the like, may be implied”. p. grimal, essai sur l’art poétique d’horace, paris, sedes, , : “prétentieuse niaiserie… tautologie… platitude”. however his solution is scarcely satisfying: “il a voulu attirer notre attention… sur la nécessité de la confrontation minutieuse entre l’artiste et l’idée de son poème”. an effect sometimes praised however: “they make an effective and untranslatable pair”, judges for example niall rudd, horace epistles book ii and epistle to the pisones (ars poetica), cambridge, , ad loc., arguing that this pair joins a masculine quality to a feminine one (but what is the interest of such a figure about a scheme?). plessis-lejay, horace. Œuvres, paris, ( st ed. ), ad loc.: “spernat : synonyme hyperbolique de omittat”. the interpreters’ discomfort found expression in the initiative formerly taken by bentley (followed inter alios by c. o. brink) in transposing lines and . say later ?), but also and especially by the incidental clause aut ego fallor, “if i am not mistaken”, as though one could be mistaken while stating such a truism. admittedly, the reader who asks horace a regular treaty about poetry expects at this place (between inuentio and elocutio) a development about dispositio, and the interpolator would have filled this illusory lacuna by picking up the just preceding lucidus ordo, in spite of the fact that, as it happens, horace was pointing out that he did not want to dwell on dispositio (or plan), since it would offer itself spontaneously, in its whole clarity, lucidus, to the author who would have adequately chosen its subject: cui lecta potenter erit res / nec facundia deseret hunc, nec lucidus ordo. spuriousness of lines - : indoctus quid enim saperet liberque laborum rusticus urbano confusus, turpis honesto? “what taste could the illiterate show, freed from toil, where country mingled with city, noble with base ?” these two verses constitute a sort of parenthesis perfectly incongruous, and moreover omitted by a whole manuscript family. such a fierce onslaught on countrymen (indoctus, turpis) is not only shocking, to the point that f. villeneuve, for instance, shrinks from the real meaning of turpis, which is a synonymous of ‘shabby’, ‘wretched’, ‘dead loss’ , it is also inconceivable from a poet who always presented himself as a countryman and a nature-lover: see for example sat. , , epist. . , or this verse from epist. . . : rure ego f. villeneuve, les epîtres d’horace, paris, les belles lettres, . similarly, plessis- lejay, ad loc.: “turpis honesto : expriment des catégories sociales, non la moralité”. uiuentem, tu dicis in urbe beatum (“i call the country-dweller, you the townsman, blessed”), and this famous salutation to fuscus in epist. . . - : vrbis amatorem fuscum saluere iubemus / ruris amatores (“to fuscus the city- lover i the country-lover / send greetings”). in addition, this parenthesis is inconsistent with its context. horace indeed, going back to the origins of theatre at rome, has spoken in praise of its ancient spectators, which he depicts as “honest, innocent, modest” ( frugi, castus uerecundusque, ) until the urbs enormously expanded, so that public morality began to lessen, with the result that “tempo and melody possessed greater licence” on the scene : accessit numerisque modisque licentia maior. here take place the two verses in question, which are deeper than it may seem at first view, for, under the cover of blaming that licentia maior, they extol it on the contrary, terming rusticus the ancient roman public so praised by horace. admittedly, those spectators were agricolae (cf. epist. ii, , - : agricolae prisci,fortes paruoque beati, “the farmers of old, those tough men blessed with little”, a clear echo to our v. ), but rusticus is an insult, as if, for the interpolator, agricola meant ‘ignorant and shabby’ . spuriousness of lines - : non alius faceret meliora poemata; uerum nil tanti est. ergo fungar uice cotis, acutum reddere quae ferrum ualet exsors ipsa secandi; kline wrongly translates licentia by ‘freedom’. the qualifier rusticus is a typical insult on the lips of the townsman: cf. virg., ecl. ii, ; iii, . even p. grimal has fallen into the trap, when he speaks of those “rustici qui encombrent le théâtre aux jours de fête” (p. ). munus et officium, nil scribens ipse, docebo, vnde parentur opes, quid alat formatque poetam, quid deceat, quid non, quo uirtus, quo ferat error. “though no one would compose better poetry : it’s really not worth it. instead let me play the grindstone’s role, that sharpens steel, but itself does none of the cutting : writing nothing myself, i’ll teach the office and function, where to find resources, what feeds and forms the poet, what’s right, what’s not, where virtue and error lead.” at first sight, the thought is coherent, and could even pass for witty: horace declares that, if he indulged in madness (if he did not take purges for madness each spring, as he puts it, v. ), his poetry would outdo all his rivals’; but poetry is not worth this price, and therefore he will be satisfied with giving advices to others. so far so good . on reflection however, several questions are to be asked. first of all, does the author speak seriously, or is he merely joking ? nobody doubts, as it appears, that only the first sentence (“no one would compose better poems, but it’s not worth it”) is ironical, even though such a faceret : ‘would compose’, not ‘composes’ (pace kline). admittedly, the grindstone image is amusing enough, but it is a borrowing from isocrates : plut., life of the ten orators. if horace has renounced to poetry for reason’s sake, as he declares, how can he advise those who have made the opposite choice that “wisdom (sapere) is the source and fount of excellent writing” (v. )? c. o. brink duly notes the illogicality of ergo, (“crazy logic”), but does not reprove. position is untenable. indeed, since horace has always been a poet, and will remain a poet until his death , the irony should not affect poemata, but only meliora. in other words, it cannot be a question of renouncement of poetry, but only of a refusal to sacrifice reason for it. how is it possible then that this same horace presents himself as “writing nothing” (nil scribens ipse)? a statement so surprising that commentators try to minimize it, either by claiming, despite the immediate context, that it concerns only theatre , or by arbitrarily asserting that nil means “nothing worth it” . isn’t it more natural, and more conform to the text, to suppose that the man who is speaking here is not actually a poet, or that, if he writes verses, he prefers to conceal it ? no irony at all, thus, in these lines, only sarcasm and dissembling. somebody would have stolen horace’s pen in order to lecture him and his peers : hence the professorial tone of ll. - , puffed up with arrogance (munus et officium docebo), and badly indefinite: uirtus strangely opposed to error, in what sense ? and is the final enumeration announcing the diuisio of the ars’s last part ? on the date of publication of the fourth book of odes, cf. http://www.espace- horace.org/etud/maleuvre .htm. and even though this last collection would have been published as soon - or - , as often believed, that would not mean that horace had ceased to be a poet during the four last years of his life. so plessis-lejay, ad loc. “rien qui vaille”, p. grimal, . that’s typically the case of augustus, who ascribes to others his own production. as for horace, he may well pretend, as in epist. . . , to have renounced poetry, it’s not serious (uersus… pono = apparently “i stop writing verse”, but in reality “i am here serving new verse”), and he willingly admits it in . . - (= “i am lying when i say that”). about epist. ii, , - , cf. infra n. . “le jugement droit”, according to f. villeneuve; “le talent éclairé par la raison”, plessis- lejay. so p. grimal - . he aknowledges that “dès que l’on essaie de suivre, dans le développement, l’application de ce plan, on ne tarde pas à rencontrer mille difficultés”, but he spuriousness of lines - : interdum speciosa locis morataque recte fabula nullius ueneris, sine pondere et arte, valdius oblectat populum meliusque moratur quam uersus inopes rerum nugaeque canorae. “often a play with fine bits, good roles, though without beauty, substance or art, amuses the public more, and holds their attention better, than verses without content, melodious nonsense.” horace has just been urging poets to paint from life, by observing characters and customs, so that morata, , picking up morum, , seems at first to continue the thought, but it rapidly turns out that this verbal bridge is only a pretext for launching a vehement attack against conceptions firmly defended elsewhere by our poet. if indeed speciosa locis means “fine bits” , their recommendation glaringly contradicts the lines - , where they are imputes to commentators “la confusion que l’on pourrait, à bon droit, reprocher à horace” ( ). “des morceaux brillants, qui valent par eux-mêmes et sont souvent des hors-d’œuvre”: plessis-lejay, ad loc., quoting quint. . . : plerique contenti sunt locis speciosis modo… of course, interpreters try to elude this sense: “quand brillent les idées générales”, f. villeneuve ; c. o. brink remains in doubt; niall rudd proposes : “attractive in virtue of his moral observations”. condemned as ‘purple patches’ (purpureus… pannus) . moreover, when he praises the ancient roman playwrights, as he apparently does here , the author of this passage is purely forgetting what horace told augustus in epist. . ( - , - ), wondering that his contemporaries admire that defective theatre of old as though it were nearly perfect. on the contrary, our verse hammers out with a sort of rancour the idea that a play can very well charm an audience (ualdius oblectat) in spite of its defects, its imperfections, its mediocrity. no news for horace, of course, but the problem is that the present speaker openly rejoices at these undeserved successes whereas he disparages the most demanding and most authentic poetry, even daring to call it “melodious nonsense”. it does not come as a surprise that the expression in these four verses is at the same level as the thought itself : obscurity of speciosa locis ; unpleasant (quasi)repetition morata - moratur, in two very different meanings; inconsistency of sine pondere (from epist. . . ), synonymous of inopes rerum, although the two are set in opposition. spuriousness of lines - : si curet quis opem ferre et demittere funem, cf. also epist. . . - : inter quae uerbum emicuit si forte decorum, / si uersus paulo concinnior unus et alter, / iniuste totum ducit uenditque poema, “though maybe a lovely phrase glitters now and then [in livius andronicus], / or a couple of lines are a little more polished, / that unjustly carry, and sell, the whole poem.” plessis-lejay, ad loc.: “horace semble penser aux pièces du vieux théâtre latin, auxquelles il refuse l’élégance, la solidité… et l’habileté technique”. but theatre seems out of context here, so that the word fabula could well mean ‘tale’ (“may be ‘tale’ ”, c. o. brink), here as (probably) at v. . ‘‘qui scis an prudens huc se deiecerit atque seruari nolit?’’ dicam, siculique poetae narrabo interitum. deus inmortalis haberi dum cupit empedocles, ardentem frigidus aetnam insiluit. sit ius liceatque perire poetis; inuitum qui seruat, idem facit occidenti. nec semel hoc fecit, nec, si retractus erit, iam fiet homo et ponet famosae mortis amorem. “if anyone did choose to help, and let down a rope, i’d say: ‘who knows if he didn’t do that on purpose, and doesn’t want to be saved?’ and i’ll tell the tale of the sicilian poet’s death, how empedocles keen to be an immortal god, coolly leapt into burning etna. grant poets the power and right to kill themselves: who saves one, against his will, murders him. it’s not his first time, nor, if he’s rescued will he become human now, and stop craving fame in death.” this base and hateful attack against empedocles, emphasized by the unbearable antithesis ardentem frigidus , has always struck horace’s admirers with consternation . commentators are puzzled : gratuitous joke ? allusion to the belief that icy blood around the heart means stupidity ? reference to empedocles’ conception explaining old age and death by in the preceding lines, horace was mocking the poet so full of his own verses that he loses contact with reality, and eventually falls into a well, or a pit. as the author adds: “however much he cries: ‘help me, citizens!’ none will bother to pull him out.” if the joke stopped here, it would be in perfect taste : after all, this fool deserved a good lesson, and horace does not wish him death anyway, he merely wonders, at v. , why this man keeps at making verses, for the punishment of those he grips to force them to hear his recitations. however, with the addition of the nine lines under examination, the amusement turns rather nasty. the scatterbrained poet has become a suicidal person, or worse, a culprit it would be criminal to save. the example of empedocles is supposed to illustrate such a verdict, since, according to the speaker, the philosopher’s claim to divinity received its due retribution. the lines - stress the point by sarcastically recalling again empedocles’ high hopes (nec… iam / fiet homo), without worrying about the ambiguity of nec semel hoc fecit, which is seemingly still referring to the greek philosopher, although we should have returned to the self-satisfied poet, in order to land smoothly on v. . a landing the interpolator has tried however to prepare by linking up two additional nec to the initial nec of this last verse (nec satis apparet cur uersus factitet (“it’s not too clear why he keeps on making verses”), thus betraying himself on the contrary, for the two new negatives have no logic a diminution of the igneous element? f. villeneuve suggests without conviction: “s’est précipité de sang-froid dans l’etna brûlant”. in short, readers are struggling over the (impossible) task of saving horace… or rather his caricature. “que dirons-nous de la détestable antithèse qu'a fournie à horace la mort du grand poète empédocle ; de cet homme froid qui saute dans l'etna brûlant (v. )? rien, sinon que ce jeu de mots indigne d'horace va trop bien avec les mauvaises plaisanteries sur le métromane, qu'il veut absolument laisser dans le fossé ou dans le puits où il est tombé par mégarde”, alexis pierron: http://www.espace-horace.org/etud/pierron_ .htm relation with the third one ; lastly, let’s point out the disagreeable repetition facit, , fecit, , factitet, , as clumsy as, at the other end of the seam, the reiteration of non sit qui tollere curet, in : si curet quis opem ferre. what links these six passages (ll. - included): -some verbal connections : uirtus, – uirtus, ; uenus, – ueneris, ; meliora, – melius, ; nugae, – nugis… nugae, (cf. nil tanti est, )… besides, hoc amet, hoc spernat, announces quid deceat, quid non, , and docebo / vnde… quid… quid… quid non, quo… quo ferat error, - typically recalls the interpolated aen. . - : quae… -que docet… -que… et quo quemque modo fugiat feratque laborem . - the technique of insertion, either by means of verbal repetition (ordo/ordinis, - ; uitae morumque iubebo… morataque…, - ; qui tollere curet, / si curet quis…, - ), or with the help of a sudden fit of temper, as at and , or a sarcasm, as at . - a general propensity to paddings, redundancies, empty enumerations. - under the veil of a theorician and an adviser, a peremptory and dictatorial tone, which denotes a man used to be obeyed without a word. this line , unique example of a spondaic verse in the whole sermones d’horace (a mystery, according to c. o . brink : “its purpose here has not been explained”), was suppressed by ribbeck and mueller. cf. la lettre de pallas ( ), . it’s true that these lines - plagiarize - , but in - there is no trace of presumptuousness, and their content is very dense, whereas in - (as in aen. . - ) the burden of the syntactical armature seems to be directly proportional to the emptiness of the thought. - a dark coloration, made of sarcasm, inuidia (hatred and jealousy together), surly disposition, underlying menace. - a boundless pretension, a craving for absolute domination, inclusively over the greatest geniuses, either contemporaries or in history. everybody (i surmise) will have identified this sinister, and farcical, character with the emperor augustus, and it only remains to rapidly reexamine one by one each of his five interventions , in order to penetrate his thought and try to find out his secret and shameful intentions. verses - : the apparent platitude of the statement (“you must not say all at the same time”), and the abstruseness of the expression could well conceal a strong warning aimed at the dissident poets, and horace in the first place: “let him say from now on, yes, from now on, what it’s his duty to say (the politically correct), postponing the rest, or rather omitting it (praesens in tempus – instead of in futurum (cf. supra n. ) – fits in with the injunction made by the double iam nunc); let him make all his choices according to the ‘correct’ political line.” verses - : to horace, this son of an emancipated slave, who allows himself to criticize the brilliant roman civilization of the time, augustus retorts with an aristocratic haughtiness: “how can you say that, you, an ignorant, you, a country bumpkin, you, a dead loss ?” the abusive indoctus discredits horace as a literary critic, rusticus refers to his provincial origins, turpis (and perhaps even the sixth one has been examined elsewhere : see supra n. . liber laborum) to his father’s social status . as for confusus, let’s remember that augustus devoted his whole attention to avoiding the mixing of classes . verses - : the nil tanti est, (“it’s not worth it”) is a slap on the face of poets, and an insult to poetry. rising above this ‘miserable’ microcosm (mount parnassus!), augustus pretends to dictate it his own laws: munus, officium, formet, deceat, uirtus, error belong to the lexical field of ethics ; opes and alat could allude to the reward promised to obedient writers: “how poets can grow richer, what feeds them, what shapes them (according to my own criteria)”. verses - : nugaeque canorae (“melodious nonsense”), reiterates the insult aimed at high poetry with nil tanti est. some could feel reassured by recalling that catullus in the opening piece of his libellus termed nugae his own verses, but the word on his lips was profoundly ironic (“what you (cornelius) consider the phrase liber laborum is particularly perverse, for, even though the man aimed at is a free citizen (liber), this quality is scarcely conceded to him before it is taken back, and denied, by this unwonted genitive : “free… from his tasks”, i.e. idle, i.e. (by implication), lazy : fundamentally a slave, turpis, but a slave who twiddles his thumbs. that this is actually an attack ad hominem is verified by the echo to sat. . . - : placui tibi qui turpi secernis honestum / non patre praeclaro, sed uita et pectore puro, “and i think it’s fine / to have pleased you, who separate true from false, / not by a man’s father but by his pure life and heart.” for what else are doing our lines - than judging people after their social origins ? suet., aug. et . “we are probably not meant to distinguish between moral and literary values”, notes niall rudd, ad loc. unless literary values are only a smoke screen here… the wicked ambiguousness of opes and alat should be enough to confirm our suspicions. trifles”) . needless to precise that the first targets of these lines are horace, virgil and their friends, who had a high and uncompromising idea of poetry. verses - : the man who in horace’s ode . (as a speaker) backbites archytas and pythagoras , the man who sneaks in de rerum natura in order to insult heraclitus , we are not surprised to see him now making fun of the great empedocles. but of course, his real concern is not about history, but about current times, and there is some evidence that empedocles is little more here than a disguise to hide virgil. by the fact, such a phrase as siculique poetae should prompt the reader to the author of the bucolics, virgil, whose corydon proudly proclaims: mille meae siculis errant in montibus agnae (ecl. . ). it is well known that the bucolics are placed under the invocation of sicelides musae, “sicilian muses” (ecl. . ), and donatus, virgil’s biographer, informs us that the poet usually resided in campania or in sicilia . assuredly, virgil did not throw himself into a volcano, but only… into the lion’s mouth, when he had to appear for interview with the prince who was awaiting him at athens. however, the verdict sit ius liceatque perire poetis, under the guise of humour, resonates sinisterly (“let poets have the legal right to die”). by adding inuitum this is a flagrant case of ‘focalization’ : cf. catulle ou l’anti-césar, - . when horace assumes the word, as in epist. . . (nimirum sapere est abiectis utile nugis), it’s in order to mark his contempt of occasional verse in opposition to the authentic poetry, which obeys to reason (ars, : scribendi recte sapere est et principium et fons). http://www.espace-horace.org/jym/odes_ /o_i_ .htm http://www.virgilmurder.org/images/pdf/lucr.pdf. horace himself naturally reveres democritus (cf. epist. . . ), who on the contrary is brought here (v. ) into disrepute by those “imitators, slavish herd” denounced in epist. . . , and by anti-ego (augustus) in epist. . : cf. j.-y. maleuvre, “iccius et pompeius, ou horace a-t-il vraiment jeté son bouclier à philippes? (odes i, , ii, et , epist. i, )”. suet.-donat, vita verg. - . qui seruat, idem facit occidenti (“to save somebody against his will amounts to killing him”), the author cynically justifies his crimes (in the same manner as damoetas in the third eclogue) : they are (those poets) suicidal and furious persons, who definitely want to die. “actually, i cannot be accused for having condemned those dissidents to death , since they condemned themselves, and it is if i had spared them that i would have killed them.” everybody will appreciate this logic. . numerical evidence without entering the thorny dispute about the scheme followed by horace in the ars poetica, let’s observe that the principle of a tripartite division meets with a large consensus , a distribution - , - , - perhaps winning most approval . but there is a problem : in the present, ‘orthodox’ state of the text, the second section is comparatively too short ( lines), while the third one is disproportionate ( lines) . admittedly, the stop at v. could very well be moved to v. , the sequence - making a transition, and the sententia of v. being altogether suitable to start a new section; but the imbalance would still remain: , , . on the contrary, after the ecl. . - , in relation with cat. : cf. violence et ironie…, - . for the secret presence of this death sentence at lines - (atrum… signum), cf. http://www.virgilmurder.org/images/pdf/sphinx.pdf, pp. - . “le plus souvent”, according to plessis-lejay . see for instance g. ramain, “horace, art poétique”, revue de philologie, ( ), , o. immisch, “horazens epistel über die dichtkunst”, philologus, suppl. xxiv, , ff., f. villeneuve , j. perret ; g. e. duckworth, structural patterns and proportions in vergil’s aeneid, ann arbor, , : poesis, poema, poeta. j. perret writes nevertheless: “trois parties très justement équilibrées: l’œuvre d’art ( - ) ; le poème dramatique ( - ); le poète ( - )”. suppression of the fraudulent lines ( - = lines; - = lines; - = lines ; - = lines; - = lines; - = lines), the total of ars poetica being so reduced to lines, one gets three blocks strictly equal, but for one line in the third section : ) à (= ) ) (= ) à (= ): lines ) (= ) à (= ): lines. regarding the missing line, we are free either to suppose that it never existed, or that it was suppressed by the imperial forger. conclusion to his detractors who accused him of plagiarism, virgil used to retort that it is more difficult to steal a verse from homer than to snatch his club from hercules’ hands. but it is not easy either to pretend to add a line to horace, all the more if you are not especially gifted.- jym the case of the lines and is discussed by c. o. brink ad loc.; the proposition of rejection of lines to , defended by j. schwartz, revue de philologie ( ), - , has not met approval from philologists. abraham cowley - wikipedia abraham cowley from wikipedia, the free encyclopedia jump to navigation jump to search th-century english writer abraham cowley, portrait by peter lely abraham cowley (/ˈkuːli/;[ ]  – july ) was an english poet born in the city of london late in . he was one of the leading english poets of the th century, with printings of his works published between and .[ ] contents early life and career royalist in exile return to england references sources external links early life and career[edit] cowley's father, a wealthy citizen, who died shortly before his birth, was a stationer. his mother was wholly given to works of devotion, but it happened that there lay in her parlour a copy of the faerie queene. this became the favourite reading of her son, and he had read it twice before he was sent to school.[ ] as early as , that is, in his tenth year, he composed his tragicall history of piramus and thisbe, an epic romance written in a six-line stanza, a style of his own invention. it is not too much to say that this work is the most astonishing feat of imaginative precocity on record; it is marked by no great faults of immaturity, and possesses constructive merits of a very high order. two years later the child wrote another and still more ambitious poem, constantia and philetus, being sent about the same time to westminster school. here he displayed extraordinary mental precocity and versatility, and wrote in his thirteenth year the elegy on the death of dudley, lord carlton. these three poems of considerable size, and some smaller ones, were collected in , and published in a volume entitled poetical blossoms, dedicated to lambert osbaldeston, the head master of the school, and prefaced by many laudatory verses by schoolfellows.[ ] the author at once became famous, although he had not, even yet, completed his fifteenth year. his next composition was a pastoral comedy, entitled love's riddle, a marvellous production for a boy of sixteen, airy, correct and harmonious in language, and rapid in movement. the style is not without resemblance to that of randolph, whose earliest works, however, were at that time only just printed.[ ] in cowley went up to trinity college, cambridge,[ ] where he "betook himself with enthusiasm to the study of all kinds of learning, and early distinguished himself as a ripe scholar".[ ] portraits of cowley, attributed to william faithorne and stephen slaughter, are in trinity college's collection.[ ] it was about this time that he composed his scriptural epic on the history of king david, one book of which still exists in the latin original, the rest being superseded in favour of an english version in four books, called the davideis, which were published after his death. the epic deals with the adventures of king david from his boyhood to the smiting of amalek by saul, where it abruptly closes.[ ] abraham cowley in love's riddle and a latin comedy, the naufragium joculare, were printed, and in the passage of prince charles through cambridge gave occasion to the production of another dramatic work, the guardian, which was acted before the royal visitor with much success. during the civil war this play was privately performed at dublin, but it was not printed till . it is bright and amusing, in the style common to the "sons" of ben jonson, the university wits who wrote more for the closet than the public stage.[ ] royalist in exile[edit] the learned quiet of the young poet's life was broken up by the civil war; he warmly espoused the royalist side. he became a fellow of trinity college, cambridge, but was ejected by the parliamentarians in . he made his way to oxford, where he enjoyed the friendship of lord falkland, and was tossed, in the tumult of affairs, into the personal confidence of the royal family itself.[ ] after the battle of marston moor he followed the queen to paris, and the exile so commenced lasted twelve years. this period was spent almost entirely in the royal service, "bearing a share in the distresses of the royal family, or labouring in their affairs. to this purpose he performed several dangerous journeys into jersey, scotland, flanders, the netherlands, or wherever else the king's troubles required his attendance. but the chief testimony of his fidelity was the laborious service he underwent in maintaining the constant correspondence between the late king and the queen his wife. in that weighty trust he behaved himself with indefatigable integrity and unsuspected secrecy; for he ciphered and deciphered with his own hand the greatest part of all the letters that passed between their majesties, and managed a vast intelligence in many other parts, which for some years together took up all his days, and two or three nights every week."[ ] in spite of these labours he did not refrain from literary industry. during his exile he met with the works of pindar, and determined to reproduce their lofty lyric passion in english.[ ] however, cowley misunderstood pindar's metrical practice and therefore his reproduction of the pindaric ode form in english does not accurately reflect pindar's poetics. but despite this problem, cowley's use of iambic lines of irregular length, pattern, and rhyme scheme was very influential and is still known as english "pindarick" ode, or irregular ode. one of the most famous odes written after cowley in the pindaric tradition is wordsworth's "ode: intimations of immortality".[citation needed] during this same time, cowley occupied himself in writing a history of the civil war (which did not get published in full until ). in the preface to his poems, cowley mentioned that he had completed three books of an epic poem on the civil war, but had left it unfinished after the first battle of newbury when the royalist cause began to lose significant ground. in the preface cowley indicated that he had destroyed all copies of the poem, but this was not precisely the truth. in , twelve years after cowley's death, a shortened version of the first book of the poem, called a poem on the late civil war was published. it was assumed that the rest of the poem had indeed been destroyed or lost until the mid- th century when scholar allan pritchard discovered the first of two extant manuscript copies of the whole poem among the cowper family papers. thus, the three completed books of cowley's great (albeit unfinished) english epic, the civill warre (otherwise spelled "the civil war"), was finally published in full for the first time in .[ ] in a collection of his love verses, entitled the mistress, was published, and in the next year a volume of wretched satires, the four ages of england, was brought out under his name, with the composition of which he had nothing to do. in spite of the troubles of the times, so fatal to poetic fame, his reputation steadily increased, and when, on his return to england in , he published a volume of his collected poetical works, he found himself without a rival in public esteem. this volume included the later works already mentioned, the pindarique odes, the davideis, the mistress and some miscellanies. among the latter are to be found cowley's most vital pieces. this section of his works opens with the famous aspiration: "what shall i do to be for ever known, and make the coming age my own?" it contains elegies on wotton, vandyck, falkland, william hervey and crashaw, the last two being among cowley's finest poems, brilliant, sonorous and original; the amusing ballad of the chronicle, giving a fictitious catalogue of his supposed amours; various gnomic pieces; and some charming paraphrases from anacreon. the pindarique odes contain weighty lines and passages, buried in irregular and inharmonious masses of moral verbiage. not more than one or two are good throughout, but a full posy of beauties may easily be culled from them. the long cadences of the alexandrines with which most of the strophes close, continued to echo in english poetry from dryden down to gray, but the odes themselves, which were found to be obscure by the poet's contemporaries, immediately fell into disesteem.[ ] the mistress was the most popular poetic reading of the age, and is now the least read of all cowley's works. it was the last and most violent expression of the amatory affectation of the th century, an affectation which had been endurable in donne and other early writers because it had been the vehicle of sincere emotion, but was unendurable in cowley because in him it represented nothing but a perfunctory exercise, a mere exhibition of literary calisthenics. he appears to have been of a cold, or at least of a timid, disposition; in the face of these elaborately erotic volumes, we are told that to the end of his days he never summoned up courage to speak of love to a single woman in real life. the "leonora" of the chronicle is said to have been the only woman he ever loved, and she married the brother of his biographer, sprat.[ ] return to england[edit] soon after his return to england he was seized in mistake for another person, and only obtained his liberty on a bail of £ . in he revised and altered his play of the guardian, and prepared it for the press under the title of the cutter of coleman street, but it did not appear until . late in oliver cromwell died, and cowley took advantage of the confusion of affairs to escape to paris, where he remained until the restoration brought him back in charles's train. he published in verses upon several occasions, in which the complaint is included.[ ] he is also known for having provided the earliest reference to coca in english literature, in a poem called "a legend of coca" in his collection of poems six books of plants.[ ] abraham cowley's chertsey house cowley obtained permission to retire into the country; and through his friend, lord st albans, he obtained a property near chertsey, where, devoting himself to botany and books, he lived in comparative solitude until his death. he took a practical interest in experimental science, and he was one of those advocating the foundation of an academy for the protection of scientific enterprise. cowley's pamphlet on the advancement of experimental philosophy, , immediately preceded the foundation of the royal society; to which cowley, in march , at the suggestion of john evelyn, addressed an ode. he died in the porch house, in chertsey, in consequence of having caught a cold while superintending his farm-labourers in the meadows late on a summer evening. on august, cowley was buried in westminster abbey beside the ashes of chaucer and spenser, where in the duke of buckingham erected a monument to his memory. his poemata latina, including six books "plantarum", were printed in . the poetry of cowley rapidly fell into neglect.[ ] frontispice and titlepage to a edition of the collected works of abraham cowley the works of cowley were collected in , when thomas sprat brought out an edition in folio, to which he prefixed a life of the poet. there were many reprints of this collection, which formed the standard edition till , when it was superseded by alexander balloch grosart's privately printed edition in two volumes, for the chertsey worthies library. the essays have frequently been revived.[ ] a satire against separatists, printed in , has been variously attributed to cowley and to peter hausted.[citation needed] references[edit] ^ alan hager (ed.), the age of milton: an encyclopedia of major th-century british and american authors, abc-clio, , p. . ^ oxford dictionary of national biography "abraham cowley" ^ a b c d e f g h i j k l m n  one or more of the preceding sentences incorporates text from a publication now in the public domain: gosse, edmund ( ). "cowley, abraham". in chisholm, hugh (ed.). encyclopædia britannica. ( th ed.). cambridge university press. pp.  – . ^ "cowley, abraham (cwly a)". a cambridge alumni database. university of cambridge. ^ "trinity college, university of cambridge". bbc your paintings. archived from the original on may . retrieved february . ^ ed. allan pritchard. abraham cowley, the civil war, toronto,(utpress: ) p. ^ peru. history of coca, "the divine plant" of the incas; with an introductory account of the incas, and of the andean indians of to-day. w. golden mortimer, m.d. ed. j. h. vail & co, . abraham cowley's poem "a legend of coca" : in chapter i an introduction to the history of coca, pp. – . sources[edit]  this article incorporates text from a publication now in the public domain: cousin, john william ( ). a short biographical dictionary of english literature. london: j. m. dent & sons – via wikisource. external links[edit] wikimedia commons has media related to abraham cowley. wikisource has original works written by or about: abraham cowley wikisource has the text of the – dictionary of national biography's article about abraham cowley. wikiquote has quotations related to: abraham cowley works by abraham cowley at project gutenberg works by or about abraham cowley at internet archive works by abraham cowley at librivox (public domain audiobooks) essays by abraham cowley at quotidiana.org works of abraham cowley at archive.org (pdf download) samuel johnson elevates cowley for "easy poetry" v t e metaphysical poetry major poets john donne ( – ) george herbert ( – ) andrew marvell ( – ) abraham cowley ( – ) robert southwell (c. – ) richard crashaw (c. – ) thomas traherne ( / – ) henry vaughan ( – ) minor poets anne bradstreet (c. – ) thomas carew ( – ) george chapman (c. – ) john hall (c. – ) edward herbert ( – ) richard leigh ( - ) katherine philips ( – ) sir john suckling ( – ) edward taylor (c. – ) critics samuel johnson t. s. eliot authority control bnf: cb (data) cantic: a gnd: isni: lccn: n mba: b e -a ff- b f- - a ce ndl: nkc: jn nla: nlg: nli: nta: selibr: snac: w ht fm sudoc: trove: vcba: / viaf: worldcat identities: lccn-n retrieved from "https://en.wikipedia.org/w/index.php?title=abraham_cowley&oldid= " categories: births deaths english essayists alumni of trinity college, cambridge people from the city of london people educated at westminster school, london burials at westminster abbey th-century english poets th-century male writers male essayists english male poets hidden categories: wikipedia articles incorporating a citation from the encyclopaedia britannica with wikisource reference wikipedia articles incorporating text from the encyclopædia britannica articles with short description short description is different from wikidata use dmy dates from january engvarb from january all articles with unsourced statements articles with unsourced statements from may wikipedia articles incorporating text from a short biographical dictionary of english literature commons category link is on wikidata articles with project gutenberg links articles with internet archive links articles with librivox links wikipedia articles with bnf identifiers wikipedia articles with cantic identifiers wikipedia articles with gnd identifiers wikipedia articles with isni identifiers wikipedia articles with lccn identifiers wikipedia articles with musicbrainz identifiers wikipedia articles with ndl identifiers wikipedia articles with nkc identifiers wikipedia articles with nla identifiers wikipedia articles with nlg identifiers wikipedia articles with nli identifiers wikipedia articles with nta identifiers wikipedia articles with selibr identifiers wikipedia articles with snac-id identifiers wikipedia articles with sudoc identifiers wikipedia articles with trove identifiers wikipedia articles with vcba identifiers wikipedia articles with viaf identifiers wikipedia articles with worldcatid identifiers navigation menu personal tools not logged in talk contributions create account log in namespaces article talk variants views read edit view history more search navigation main page contents current events random article about wikipedia contact us donate contribute help learn to edit community portal recent changes upload file tools what links here related changes upload file special pages permanent link page information cite this page wikidata item print/export download as pdf printable version in other projects wikimedia commons wikiquote wikisource languages العربية cymraeg deutsch español euskara فارسی français Հայերեն italiano עברית മലയാളം nederlands 日本語 norsk bokmål norsk nynorsk polski português română Русский simple english svenska edit links this page was last edited on november , at :  (utc). text is available under the creative commons attribution-sharealike license; 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| list = * [[founding of rome|foundation]] * [[roman kingdom|kingdom]] ** [[overthrow of the roman monarchy|overthrow]] * [[roman republic|republic]] | group = [[roman empire|empire]] | list = * [[history of the roman empire|history]] * [[pax romana]] * [[principate]] * [[dominate]] * [[western roman empire|western empire]] ** [[fall of the western roman empire|fall]] ** [[historiography of the fall of the western roman empire|historiography of the fall]] * [[byzantine empire]] ** [[decline of the byzantine empire|decline]] ** [[fall of constantinople|fall]] }} | group = [[roman constitution|constitution]] | list = * [[history of the roman constitution|history]] * [[constitution of the roman kingdom|kingdom]] * [[constitution of the roman republic|republic]] * [[constitution of the roman empire|empire]] * [[constitution of the late roman empire|late empire]] * [[roman senate|senate]] * [[roman assemblies|legislative assemblies]] ** [[curiate assembly|curiate]] ** [[centuriate assembly|centuriate]] ** [[tribal assembly|tribal]] ** [[plebeian council|plebeian]] * [[roman magistrate|executive magistrates]] * [[spqr]] | group = [[roman law|law]] | list = * [[twelve tables]] * [[mos maiorum]] * [[roman citizenship|citizenship]] * [[auctoritas]] * [[imperium]] * [[status in roman legal system|status]] * [[roman litigation|litigation]] | group = [[political institutions of ancient rome|government]] | list = * [[curia]] * [[forum (roman)|forum]] * [[cursus honorum]] * [[collegiality#in the roman republic|collegiality]] * [[roman emperor|emperor]] * [[legatus]] * [[dux]] * [[officium (ancient rome)|officium]] * [[prefect]] * [[vicarius]] * [[vigintisexviri]] * [[lictor]] * [[magister militum]] * [[imperator]] * [[princeps senatus]] * [[pontifex maximus]] * [[augustus (honorific)|augustus]] * [[caesar (title)|caesar]] * [[tetrarchy|tetrarch]] * [[optimates]] * [[populares]] * [[roman province|province]] | group = [[roman magistrate|magistrates]] | list = {{navbox |child |bodyclass=hlist |groupstyle=font-weight:normal; | group = ordinary | list = * [[roman consul|consul]] * [[roman censor|censor]] * [[praetor]] * [[tribune]] * [[tribune of the plebs]] * [[military tribune]] * [[quaestor]] * [[aedile]] * [[promagistrate]] * [[roman governor|governor]] | group = extraordinary | list = * [[king of rome|rex]] * [[interrex]] * [[roman dictator|dictator]] * [[master of the horse|magister equitum]] * [[decemviri]] * [[tribuni militum consulari potestate|consular tribune]] * [[triumvirate|triumvir]] }} | group = [[military of ancient rome|military]] | list = * [[military history of ancient rome|history]] * [[borders of the roman empire|borders]] * [[military establishment of the roman republic|establishment]] * [[structural history of the roman military|structure]] * [[campaign history of the roman military|campaigns]] * [[political history of the roman military|political control]] * [[strategy of the roman military|strategy]] * [[roman military engineering|engineering]] * [[roman military frontiers and fortifications|frontiers and fortifications]] ** [[castra]] * [[technological history of the roman military|technology]] * [[roman army|army]] ** [[roman legion|legion]] ** [[roman infantry tactics|infantry tactics]] ** [[roman military personal equipment|personal equipment]] ** [[roman siege engines|siege engines]] * [[roman navy|navy]] * [[auxilia|auxiliaries]] * [[roman military decorations and punishments|decorations and punishments]] * [[hippika gymnasia]] | group = [[roman economy|economy]] | list = * [[roman agriculture|agriculture]] * [[deforestation during the roman period|deforestation]] * [[roman commerce|commerce]] * [[roman finance|finance]] * [[roman currency|currency]] * [[roman republican currency|republican currency]] * [[roman imperial currency|imperial currency]] | group = [[culture of ancient rome|culture]] | list = * [[ancient roman architecture|architecture]] * [[roman art|art]] * [[ancient roman bathing|bathing]] * [[roman calendar|calendar]] * [[clothing in ancient rome|clothing]] * [[cosmetics in ancient rome|cosmetics]] * [[ancient roman cuisine|cuisine]] * [[roman hairstyles|hairstyles]] * [[education in ancient rome|education]] * [[latin literature|literature]] * [[music of ancient rome|music]] * [[roman mythology|mythology]] * [[religion in ancient rome|religion]] **[[list of roman deities|deities]] * [[romanization (cultural)|romanization]] * [[roman people]] * [[sexuality in ancient rome|sexuality]] * [[theatre of ancient rome|theatre]] * [[ancient rome and wine|wine]] | group = [[social class in ancient rome|society]] | list = * [[patrician (ancient rome)|patricians]] * [[plebs]] * [[conflict of the orders]] * [[secessio plebis]] * [[equites]] * [[gens]] * [[roman tribe|tribes]] ** [[tribal assembly|assembly]] * [[roman naming conventions|naming conventions]] * [[demography of the roman empire|demography]] * [[women in ancient rome|women]] * [[marriage in ancient rome|marriage]] * [[adoption in ancient rome|adoption]] * [[slavery in ancient rome|slavery]] * [[bagaudae]] | group = [[roman technology|technology]] | list = * [[roman amphitheatre|amphitheatres]] * [[roman aqueduct|aqueducts]] * [[roman bridge|bridges]] * [[circus (building)|circuses]] * [[roman engineering|civil engineering]] * [[roman concrete|concrete]] * [[history of roman and byzantine domes|domes]] * [[roman metallurgy|metallurgy]] * [[roman numerals|numerals]] * [[roman roads|roads]] * [[roman temple|temples]] * [[roman theatre (structure)|theatres]] * [[sanitation in ancient rome|sanitation]] * [[thermae]] | group = [[latin]] | list = * [[history of latin|history]] * [[latin alphabet|alphabet]] * versions ** [[old latin|old]] ** [[classical latin|classical]] ** [[vulgar latin|vulgar]] ** [[late latin|late]] ** [[medieval latin|medieval]] ** [[renaissance latin|renaissance]] ** [[new latin|new]] ** [[contemporary latin|contemporary]] ** [[ecclesiastical latin|ecclesiastical]] * [[romance languages]] | group = [[latin literature|writers]] | list = {{navbox |child |bodyclass=hlist |groupstyle=font-weight:normal; | group = latin | list = * [[aelius donatus]] * [[ammianus marcellinus]] * [[apuleius|appuleius]] * [[asconius pedianus]] * [[augustine of hippo|augustine]] * [[aurelius victor]] * [[ausonius]] * [[boethius|boëthius]] * [[julius caesar|caesar]] * [[catullus]] * [[cassiodorus]] * [[censorinus]] * [[cicero]] * [[claudian]] * [[columella]] * [[cornelius nepos]] * [[ennius]] * [[eutropius (historian)|eutropius]] * [[fabius pictor]] * [[sextus pompeius festus]] * [[festus (historian)|rufus festus]] * [[florus]] * [[frontinus]] * [[marcus cornelius fronto|fronto]] * [[fulgentius]] * [[aulus gellius|gellius]] * [[horace]] * [[hydatius]] * [[gaius julius hyginus|hyginus]] * [[jerome]] * [[jordanes]] * [[julius paulus prudentissimus|julius paulus]] * [[justin (historian)|justin]] * [[juvenal]] * [[lactantius]] * [[livy]] * [[lucan]] * [[lucretius]] * [[macrobius]] * [[marcellus empiricus]] * [[marcus aurelius]] * [[marcus manilius|manilius]] * [[martial]] * [[nicolaus of damascus|nicolaus damascenus]] * [[nonius marcellus]] * [[julius obsequens|obsequens]] * [[orosius]] * [[ovid]] * [[petronius]] * [[phaedrus (fabulist)|phaedrus]] * [[plautus]] * [[pliny the elder]] * [[pliny the younger]] * [[pomponius mela]] * [[priscian]] * [[propertius]] * [[quintus claudius quadrigarius|quadrigarius]] * [[quintilian]] * [[quintus curtius rufus]] * [[sallust]] * [[seneca the elder]] * [[seneca the younger]] * [[maurus servius honoratus|servius]] * [[sidonius apollinaris]] * [[silius italicus]] * [[statius]] * [[suetonius]] * [[quintus aurelius symmachus|symmachus]] * [[tacitus]] * [[terence]] * [[tertullian]] * [[tibullus]] * [[valerius antias]] * [[valerius maximus]] * [[marcus terentius varro|varro]] * [[velleius paterculus]] * [[verrius flaccus]] * [[virgil|vergil]] * [[vitruvius]] | group = greek | list = * [[claudius aelianus|aelian]] * [[aëtius of amida]] * [[appian]] * [[arrian]] * [[cassius dio]] * [[diodorus siculus]] * [[diogenes laërtius]] * [[dionysius of halicarnassus]] * [[pedanius dioscorides|dioscorides]] * [[eusebius of caesaria]] * [[galen]] * [[herodian]] * [[josephus]] * [[julian (emperor)|julian]] * [[libanius]] * [[lucian]] * [[pausanias (geographer)|pausanias]] * [[philostratus]] * [[phlegon of tralles]] * [[photios i of constantinople|photius]] * [[plutarch]] * [[polyaenus]] * [[polybius]] * [[porphyry (philosopher)|porphyrius]] * [[priscus]] * [[procopius]] * [[simplicius of cilicia]] * [[sozomen]] * [[stephanus of byzantium|stephanus byzantinus]] * [[strabo]] * [[themistius]] * [[theodoret]] * [[zonaras]] * [[zosimus]] }} | group = major cities | list = * [[alexandria]] * [[antioch]] * [[aquileia]] * [[berytus]] * [[bologna|bononia]] * [[carthage]] * [[constantinople|constantinopolis]] * [[eboracum]] * [[leptis magna]] * [[londinium]] * [[lugdunum]] * [[lutetia]] * [[mediolanum]] * [[pompeii]] * [[ravenna]] * [[rome|roma]] * [[smyrna]] * [[vindobona]] * [[volubilis]] | group = lists {{nobold|and other
topics}} | list = * [[list of cities founded by the romans|cities and towns]] * [[climate of ancient rome|climate]] * [[list of roman consuls|consuls]] * [[list of roman dictators|dictators]] * [[list of roman women|distinguished women]] * [[list of roman dynasties|dynasties]] * [[list of roman emperors|emperors]] * [[list of roman generals|generals]] * [[list of roman gentes|gentes]] * [[list of graeco-roman geographers|geographers]] * [[political institutions of ancient rome|institutions]] * [[list of roman laws|laws]] * [[legacy of the roman empire|legacy]] * [[list of roman legions|legions]] * [[list of roman dictators|magistri equitum]] * [[list of roman nomina|nomina]] * [[list of pontifices maximi|pontifices maximi]] * [[list of roman praetors|praetors]] * [[list of roman quaestors|quaestors]] * [[list of roman tribunes|tribunes]] * [[roman–iranian relations]] * [[list of roman wars and battles|wars and battles]] ** [[list of roman civil wars and revolts|civil wars and revolts]] * [[fiction set in ancient rome|fiction]] * [[list of films set in ancient rome|films]] }} {{collapsible option |statename=optional |default=collapsed}} [[category:ancient rome templates| ]] [[category:country and territory topics templates]] pages transcluded onto the current version of this page (help): template:big (view source) (template editor protected) template:collapsible option (view source) (template editor protected) template:navbox (view source) (template editor protected) template:nobold (view source) (template editor protected) template:nobold/styles.css (view source) (template editor protected) template:para (view source) (template editor protected) template:pp-template (view source) (template editor protected) template:template link expanded (view source) (protected) template:template other (view source) (protected) template:tlx (view source) (protected) module:arguments (view source) (protected) module:color contrast (view source) (template editor protected) module:color contrast/colors (view source) (template editor protected) module:effective protection expiry (view source) (template editor protected) module:effective protection level (view source) (protected) module:file link (view source) (template editor protected) module:navbar (view source) (protected) module:navbar/configuration (view source) (protected) module:navbar/styles.css (view source) (protected) module:navbox (view source) (template editor protected) module:no globals (view source) (protected) module:protection banner (view source) (template editor protected) module:protection banner/config (view source) (template editor protected) module:template link general (view source) (protected) module:yesno (view source) (protected) return to template:ancient rome topics. retrieved from "https://en.wikipedia.org/wiki/template:ancient_rome_topics" navigation menu personal tools not logged in talk contributions create account log in namespaces template talk variants views read view source view history more search navigation main page contents current events random article about wikipedia contact us donate contribute help learn to edit community portal recent changes upload file tools what links here related changes upload file special pages page information wikidata item languages privacy policy about wikipedia disclaimers contact wikipedia mobile view developers statistics cookie statement Гораций — Башҡорт Википедияһы Гораций Википедия — ирекле энциклопедия мәғлүмәте Перейти к навигации Перейти к поиску saturae, Гора́ций, тулы исеме Квинт Гораций Флакк (лат. quintus horatius flaccus) (б. э. т. , Венузия ҡ. 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Текст creative commons attribution/share-alike лицензияһы шарттары буйынса асыҡ, айырым осраҡтарҙа өҫтәмә шарттар ғәмәлдә булырға мөмкин. Тулы мәғлүмәт өсөн ҡарағыҙ: Ҡулланыу шарттары. Сер һаҡлау сәйәсәте Википедия тураһында Яуаплылыҡтан баш тартыу Мобиль нөсхә Яһаусылар Статистика cookie тураһында килешеү a. e. housman - wikipedia a. e. housman from wikipedia, the free encyclopedia jump to navigation jump to search british classical scholar and poet ( - ) "housman" redirects here. for other people with this surname, see housman (surname). a. e. housman photo portrait by e. o. hoppé, born alfred edward housman ( - - ) march bromsgrove, worcestershire, england died april ( - - ) (aged  ) cambridge, england pen name a. e. housman occupation classicist and poet nationality british alma mater st john's college, oxford genre lyric poetry notable works a shropshire lad relatives clemence housman, laurence housman alfred edward housman (/ˈhaʊsmən/; march – april ), usually known as a. e. housman, was an english classical scholar and poet. his cycle of poems, a shropshire lad wistfully evoke the dooms and disappointments of youth in the english countryside.[ ] their simplicity and distinctive imagery appealed strongly to edwardian taste, and to many early th-century english composers both before and after the first world war. through their song-settings, the poems became closely associated with that era, and with shropshire itself. housman was one of the foremost classicists of his age and has been ranked as one of the greatest scholars who ever lived.[ ][ ] he established his reputation publishing as a private scholar and, on the strength and quality of his work, was appointed professor of latin at university college london and then at the university of cambridge. his editions of juvenal, manilius and lucan are still considered authoritative. contents life poetry . a shropshire lad . later collections . de amicitia (of friendship) housman song settings commemorations works . poetry collections . classical scholarship . published lectures . prose collections . collected letters see also footnotes sources further reading external links . works life[edit] valley house, housman's birthplace the site of the th-century fockbury house (later known as the clock house). home of housman from to home of housman from to and again from to . his younger brother laurence was born here in . the eldest of seven children, housman was born at valley house in fockbury, a hamlet on the outskirts of bromsgrove in worcestershire, to sarah jane (née williams, married june in woodchester, gloucester)[ ] and edward housman (whose family came from lancaster), and was baptised on april at christ church, in catshill.[ ][ ][ ] his mother died on his twelfth birthday, and his father, a country solicitor, remarried, to an elder cousin, lucy, in . two of his siblings became prominent writers, sister clemence housman and brother laurence housman. housman was educated at king edward's school in birmingham and later bromsgrove school, where he revealed his academic promise and won prizes for his poems.[ ][ ] in he won an open scholarship to st john's college, oxford, and went there to study classics.[ ] although introverted by nature, housman formed strong friendships with two roommates, moses john jackson ( – january ) and a. w. pollard. though housman obtained a first in classical moderations in , his dedication to textual analysis led him to neglect the ancient history and philosophy that formed part of the greats curriculum. accordingly, he failed his finals and had to return humiliated in michaelmas term to resit the exam and at least gain a lower-level pass degree.[ ][ ] though some attribute housman's unexpected performance in his exams directly to his unrequited feelings for jackson,[ ] most biographers adduce more obvious causes. housman was indifferent to philosophy and overconfident in his exceptional gifts, and he spent too much time with his friends. he may also have been distracted by news of his father's desperate illness.[ ][ ][ ] moses jackson ( – ) while attending oxford c. after oxford, jackson went to work as a clerk in the patent office in london and arranged a job there for housman too.[ ] the two shared a flat with jackson's brother adalbert until , when housman moved to lodgings of his own, probably after jackson responded to a declaration of love by telling housman that he could not reciprocate his feelings.[ ] two years later, jackson moved to india, placing more distance between himself and housman. when he returned briefly to england in , to marry, housman was not invited to the wedding and knew nothing about it until the couple had left the country. adalbert jackson died in and housman commemorated him in a poem published as "xlii – a.j.j." of more poems ( ). meanwhile, housman pursued his classical studies independently, and published scholarly articles on horace, propertius, ovid, aeschylus, euripides and sophocles.[ ] he also completed an edition of propertius, which however was rejected by both oxford university press and macmillan in , and was destroyed after his death. he gradually acquired such a high reputation that in he was offered and accepted the professorship of latin at university college london (ucl).[ ] when, during his tenure, an immensely rare coverdale bible of was discovered in the ucl library and presented to the library committee, housman (who had become an atheist while at oxford)[ ] remarked that it would be better to sell it to "buy some really useful books with the proceeds".[ ] although housman's early work and his responsibilities as a professor included both latin and greek, he began to specialise in latin poetry. when asked later why he had stopped writing about greek verse, he responded, "i found that i could not attain to excellence in both."[ ] in he took the kennedy professorship of latin at trinity college, cambridge, where he remained for the rest of his life. g. p. goold, classics professor at university college, wrote of housman's accomplishments: the legacy of housman's scholarship is a thing of permanent value; and that value consists less in obvious results, the establishment of general propositions about latin and the removal of scribal mistakes, than in the shining example he provides of a wonderful mind at work … he was and may remain the last great textual critic.[ ] between and housman published his critical edition of manilius's astronomicon in five volumes. he also edited works by juvenal ( ) and lucan ( ). many colleagues were unnerved by his scathing attacks on those he thought guilty of shoddy scholarship.[ ] in his paper "the application of thought to textual criticism" ( ) housman wrote: "a textual critic engaged upon his business is not at all like newton investigating the motion of the planets: he is much more like a dog hunting for fleas." he declared many of his contemporary scholars to be stupid, lazy, vain, or all three, saying: "knowledge is good, method is good, but one thing beyond all others is necessary; and that is to have a head, not a pumpkin, on your shoulders, and brains, not pudding, in your head."[ ][ ] housman's grave at st laurence's church in ludlow his younger colleague a. s. f. gow quoted examples of these attacks, noting that they "were often savage in the extreme".[ ] gow also related how housman intimidated students, sometimes reducing the women to tears. according to gow, housman could never remember the names of female students, maintaining that "had he burdened his memory by the distinction between miss jones and miss robinson, he might have forgotten that between the second and fourth declension". among the more notable students at his cambridge lectures was enoch powell,[ ] one of whose own classical emendations was later complimented by housman.[ ] housman's grave marker in his private life housman enjoyed country walks, gastronomy, air travel and making frequent visits to france, where he read "books which were banned in britain as pornographic".[ ] but he struck a. c. benson, a fellow don, as being "descended from a long line of maiden aunts".[ ] his feelings about his poetry were ambivalent and he certainly treated it as secondary to his scholarship. he did not speak in public about his poems until , when he gave a lecture "the name and nature of poetry", arguing there that poetry should appeal to emotions rather than to the intellect. housman died, aged , in cambridge. his ashes are buried just outside st laurence's church, ludlow, shropshire. a cherry tree was planted there in his memory (see a shropshire lad ii) and replaced by the housman society in with a new cherry tree nearby.[ ][ ] poetry[edit] a shropshire lad[edit] main article: a shropshire lad loveliest of trees, the cherry now is hung with bloom along the bough, and stands about the woodland ride wearing white for eastertide. now, of my threescore years and ten, twenty will not come again, and take from seventy springs a score, it only leaves me fifty more. and since to look at things in bloom fifty springs are little room, about the woodlands i will go to see the cherry hung with snow.[ ] —a shropshire lad: "loveliest of trees, the cherry now" during his years in london, housman completed a shropshire lad, a cycle of poems. after one publisher had turned it down, he helped subsidise its publication in . at first selling slowly, it rapidly became a lasting success. its appeal to english musicians had helped to make it widely known before world war i, when its themes struck a powerful chord with english readers. the book has been in print continuously since may .[ ] the poems are marked by pessimism and preoccupation with death, without religious consolation (housman had become an atheist while still an undergraduate). housman wrote many of them while living in highgate, london, before ever visiting shropshire, which he presented in an idealised pastoral light as his 'land of lost content'.[ ] housman himself acknowledged that "no doubt i have been unconsciously influenced by the greeks and latins, but [the] chief sources of which i am conscious are shakespeare's songs, the scottish border ballads, and heine."[ ] later collections[edit] housman began collecting a new set of poems after the first world war. his early work was an influence on many british poets who became famous by their writing about the war, and he himself wrote several poems as occasional verse to commemorate the war dead. this included his epitaph on an army of mercenaries, honouring the british expeditionary force, an elite but small force of professional soldiers sent to belgium at the start of the war. in the early s, when moses jackson was dying in canada, housman wanted to assemble his best unpublished poems so that jackson could read them before his death.[ ] these later poems, mostly written before , show a greater variety of subject and form than those in a shropshire lad but lack its consistency. he published his new collection as last poems ( ), feeling that his inspiration was exhausted and that he should not publish more in his lifetime. after housman's death in , his brother, laurence published further poems in more poems ( ), a. e .h.: some poems, some letters and a personal memoir by his brother ( ), and collected poems ( ). a. e. h. includes humorous verse such as a parody of longfellow's poem excelsior. housman also wrote a parodic fragment of a greek tragedy, in english, published posthumously with humorous poems under the title unkind to unicorns.[ ] john sparrow quoted a letter written late in housman's life that described the genesis of his poems: poetry was for him …'a morbid secretion', as the pearl is for the oyster. the desire, or the need, did not come upon him often, and it came usually when he was feeling ill or depressed; then whole lines and stanzas would present themselves to him without any effort, or any consciousness of composition on his part. sometimes they wanted a little alteration, sometimes none; sometimes the lines needed in order to make a complete poem would come later, spontaneously or with 'a little coaxing'; sometimes he had to sit down and finish the poem with his head. that... was a long and laborious process.[ ] sparrow himself adds, "how difficult it is to achieve a satisfactory analysis may be judged by considering the last poem in a shropshire lad. of its four stanzas, housman tells us that two were 'given' him ready made; one was coaxed forth from his subconsciousness an hour or two later; the remaining one took months of conscious composition. no one can tell for certain which was which."[ ] de amicitia (of friendship)[edit] in laurence housman also deposited an essay entitled "a. e. housman's 'de amicitia'" (there is a link to the text, below in this article, under "further reading") in the british library, with the proviso that it was not to be published for years. the essay discussed a. e. housman's homosexuality and his love for moses jackson.[ ] despite the conservative nature of the times and his own caution in public life, housman was quite open in his poetry, and especially in a shropshire lad, about his deeper sympathies. poem xxx of that sequence, for instance, speaks of how "fear contended with desire": "others, i am not the first, / have willed more mischief than they durst". in more poems, he buries his love for moses jackson in the very act of commemorating it, as his feelings of love are not reciprocated and must be carried unfulfilled to the grave:[ ] because i liked you better     than suits a man to say, it irked you, and i promised     to throw the thought away. to put the world between us     we parted, stiff and dry; "good-bye," said you, "forget me."     "i will, no fear," said i. if here, where clover whitens     the dead man's knoll, you pass, and no tall flower to meet you     starts in the trefoiled grass, halt by the headstone naming     the heart no longer stirred, and say the lad that loved you     was one that kept his word.[ ] his poem "oh who is that young sinner with the handcuffs on his wrists?", written after the trial of oscar wilde, addressed more general attitudes towards homosexuals.[ ] in the poem the prisoner is suffering "for the colour of his hair", a natural quality that, in a coded reference to homosexuality, is reviled as "nameless and abominable" (recalling the legal phrase peccatum illud horribile, inter christianos non nominandum, "that horrible sin, not to be named amongst christians"). housman song settings[edit] housman's poetry, especially a shropshire lad, was set to music by many british, and in particular english, composers in the first half of the th century. the national, pastoral and traditional elements of his style resonated with similar trends in english music.[ ] in the cycle a shropshire lad was set by arthur somervell, who in had begun to develop the concept of the english song-cycle in his version of tennyson's "maud".[ ] stephen banfield believes it was acquaintance with somervell's cycle that led other composers to set housman: ralph vaughan williams is likely to have attended the first performance at the aeolian hall on february .[ ] his well-known cycle of six songs on wenlock edge, for string quartet, tenor and piano, was published in . between and george butterworth produced settings in two collections, six songs from a shropshire lad and bredon hill and other songs. he also wrote the orchestral tone poem a shropshire lad, first performed at leeds festival in .[ ] ivor gurney was another composer who made renowned settings of housman's poems. towards the end of world war i he was working on his cycle ludlow and teme, for voice and string quartet (published in ),[ ] and went on to compose the eight-song cycle the western playland in .[ ] one more who set housman songs at this period was john ireland in the song cycle, the land of lost content ( – ). even composers not directly associated with the 'pastoral' tradition, such as arnold bax, lennox berkeley and arthur bliss, were attracted to housman's poetry. a catalogue listed musical settings of housman's poems.[ ] as of , lieder net archive records settings of texts.[ ] commemorations[edit] the earliest commemoration of housman was in the chapel of trinity college in cambridge, where there is a memorial brass on the south wall.[ ] the latin inscription was composed by his colleague there, a. s. f. gow, who was also the author of a biographical and bibliographical sketch published immediately following his death.[ ] translated into english, the memorial reads: this inscription commemorates alfred edward housman, who was for twenty-five years kennedy professor of latin and fellow of the college. following in bentley's footsteps he corrected the transmitted text of the latin poets with so keen an intelligence and so ample a stock of learning, and chastised the sloth of editors so sharply and wittily, that he takes his place as the virtual second founder of textual studies. he was also a poet whose slim volumes of verse assured him of a secure place on the british helicon. he died on th april at the age of seventy-six.[ ] housman statue in bromsgrove from , university college london's academic common room was dedicated to his memory as the housman room.[ ] blue plaques followed later elsewhere, the first being on byron cottage in highgate in , recording the fact that a shropshire lad was written there. more followed on his worcestershire birthplace, his homes and school in bromsgrove.[ ] the latter were encouraged by the housman society, which was founded in the town in .[ ] another initiative was the statue in bromsgrove high street, showing the poet striding with walking stick in hand. the work of local sculptor kenneth potts, it was unveiled on march .[ ] the blue plaques in worcestershire were set up on the centenary of a shropshire lad in . in september of the same year a memorial window lozenge was dedicated at poets' corner in westminster abbey[ ] the following year saw the première of tom stoppard's play the invention of love, whose subject is the relationship between housman and moses jackson.[ ] as the th anniversary of his birth approached, london university inaugurated its housman lectures on classical subjects in , initially given every second year then annually after .[ ] the anniversary itself in saw the publication of a new edition of a shropshire lad, including pictures from across shropshire taken by local photographer gareth thomas.[ ] among other events, there were performances of vaughan williams' on wenlock edge and gurney's ludlow and teme at st laurence's church in ludlow.[ ] works[edit] poetry collections[edit] a shropshire lad ( ) last poems ( , henry holt & company) a shropshire lad: authorized edition ( , henry holt & company) more poems ( , barclays) collected poems ( , henry holt & company) collected poems ( ); the poems included in this volume but not the three above are known as additional poems. the penguin edition of includes an introduction by john sparrow. manuscript poems: eight hundred lines of hitherto un-collected verse from the author's notebooks, ed. tom burns haber ( ) unkind to unicorns: selected comic verse, ed. j. roy birch ( ; nd ed. ) the poems of a. e. housman, ed. archie burnett ( ) a shropshire lad and other poems ( , penguin classics) classical scholarship[edit] p. ovidi nasonis ibis ( . in j. p. postgate's "corpus poetarum latinorum") m. manilii astronomica ( – ; nd ed. ; vols.) d. iunii iuuenalis saturae: editorum in usum edidit ( ; nd ed. ) m. annaei lucani, belli ciuilis libri decem: editorum in usum edidit ( ; nd ed. ) the classical papers of a. e. housman, ed. j. diggle and f. r. d. goodyear ( ; vols.) "housman's latin inscriptions", william white, the classical journal ( ) – published lectures[edit] these lectures are listed by date of delivery, with date of first publication given separately if different. introductory lecture ( ) "swinburne" ( ; published ) cambridge inaugural lecture ( ; published as "the confines of criticism") "the application of thought to textual criticism" ( ; published ) "the name and nature of poetry" ( ) prose collections[edit] selected prose, edited by john carter, cambridge university press, collected letters[edit] the letters of a. e. housman, ed. henry maas ( ) the letters of a. e. housman, ed. archie burnett ( ) see also[edit] the invention of love footnotes[edit] ^ "a e housman, the poetry archive". archived from the original on november . retrieved october . ^ "a man who turned out to be not only the great english classical scholar of his time but also one of the few real and great scholars anywhere at any time". charles oscar brink, english classical scholarship: historical reflections on bentley, porson and housman, james clarke & co, oxford, oxford university press, new york, p. ^ a b c "a. e. housman". poetry foundation. may . retrieved may . ^ "england marriages, – for edward housman", baptism record via family search.org ^ "england births and christenings, – for alfred edward housman", baptism record via family search.org ^ christ church catshill ^ a b c d e f g h i j profile at poets.org ^ "housman's th birthday". bbc. retrieved january . ^ p. g. naiditch ( ). a. e. housman at university college, london: the election of . isbn  . retrieved december . ^ cunningham ( ) p. . ^ norman page, macmillan, london ( ) a. e. housman: a critical biography pp. – ^ richard perceval graves, a. e. housman: the scholar-poet charles scribners, new york ( ) pp. – . ^ charles oscar brink, english classical scholarship p. ^ summers ( ) p. ^ blocksidge, martin. a. e. housman: a single life. n.p.: n.p., ^ ricks, christopher ( ). a. e. housman. collected poems and selected prose. harmondsworth: penguin. p.  . ^ gow (cambridge ) p. ^ "the application of thought to textual criticism", ( ) housman ^ gow (cambridge ) p. ^ gow (cambridge ) p. ^ the letters of a. e. housman, clarendon press , p. ^ graves ( ) p. . ^ critchley ( ). ^ wilson, scott. resting places: the burial sites of more than , famous persons, d ed.: (kindle location ). mcfarland & company, inc., publishers. kindle edition ^ housman, a. e. ( ). a shropshire lad. new york: john lane company. pp.  - . ^ peter parker, housman country, london , chapter ^ a. e. housman, a shropshire lad, xl ^ richard stokes, the penguin book of english song, , p. li ^ j. roy birch and norman page, ed. ( ). unkind to unicorns. cambridge: silent books. ^ a b collected poems penguin, harmondsworth ( ), preface by john sparrow. ^ summers ed. , . ^ summers ( ) p . ^ housman, a. e. ( ). more poems. new york: a. a. knopf. pp.  - . ^ housman ( ) p . ^ a b palmer, christopher. 'housman, a(lfred) e(dward)', in grove music online ( ) ^ 'two song cycles by arthur somervell' in opera today, june ^ banfield, stephen. sensibility and english song ( ), p - ^ arthur eaglefield hull, a dictionary of modern music and musicians dent, london ( ), . ^ kate kennedy, "ambivalent englishness: ivor gurney's song cycle ludlow and teme", first world war studies, volume , , – issue : literature and music of the first world war ^ "the western playland". the liedernet archive. retrieved may . ^ "authors starting with the letter h". the liedernet archive. retrieved may . ^ "brasses h-k". trinity college chapel. retrieved may . ^ a.e. housman: classical scholar, bloomsbury , n. hopkinson, "housman and j.p. postgate" ^ in its original latin the plaque reads: hoc titvlo commemoratvr / alfred edward housman [sic] / per xxv annos lingvae latinae professor kennedianvs / et hvivs collegii socivs / qvi bentleii insistens vestigiis / textvm traditvm poetarvm latinorvm / tanto ingenii acvmine tantis doctrinae copiis / editorvm socordiam / tam acri cavillatione castigavit / vt horvm stvdiorvm paene reformator exstiterit / idem poeta / tenvi carminvm fascicvlo / sedem sibi tvtam in helicone nostro vindicavit / obiit prid.kal.mai./ a.s.mdccccxxxvi aetatis svae lxxvii ^ "history of the ascr". ucl. archived from the original on february . retrieved july . ^ "places, subjects, or plaques matching "a. e. housman"". open plaques. retrieved may . ^ housman society newsletter , "early history of the society", pp. – archived october at the wayback machine ^ "statue to a. e. housman". public monuments and sculpture association. archived from the original on september . retrieved may . ^ "a. e. housman". westminster abbey. retrieved may . ^ clapp, susannah ( october ). "susannah clapp on stoppard's the invention of love". the observer. issn  - . retrieved may . ^ "housman lectures". ucl department of greek & latin. november . retrieved may . ^ "a shropshire lad". merlin unwin books. retrieved may . ^ "a. e. housman: th birth anniversary", shropshire life, april sources[edit] critchley, julian, 'homage to a lonely lad', weekend telegraph (uk), april . cunningham, valentine ed., the victorians: an anthology of poetry and poetics (oxford: blackwell, ) gow, a. s. f., a. e. housman: a sketch together with a list of his writings and indexes to his classical papers (cambridge ) graves, richard perceval, a.e. housman: the scholar-poet (oxford: oxford university press, ), p.  housman, laurence, a. e .h.: some poems, some letters and a personal memoir by his brother (london: jonathan cape, ) page, norman, 'housman, alfred edward ( – )', oxford dictionary of national biography (oxford: oxford university press, ) palmer, christopher and stephen banfield, 'a. e. housman', the new grove dictionary of music and musicians (london: macmillan, ) richardson, donna, "the can of ail: a. e. housman's moral irony", victorian poetry, volume , number , summer ( – ) shaw, robin, "housman's places" (the housman society, ) summers, claude j. ed., the gay and lesbian literary heritage (new york: henry holt and co., ) further reading[edit] blocksidge, martin. a. e. housman : a single life (sussex academic press, ) isbn  - - - - brink, c. o. lutterworth.com, english classical scholarship: historical reflections on bentley, porson and housman, james clarke & co ( ), isbn  - - - - efrati, c. the road of danger, guilt, and shame: the lonely way of a. e. housman (associated university presse, ) isbn  - - - gardner, philip, ed. a. e. housman: the critical heritage, a collection of reviews and essays on housman's poetry (london: routledge ) holden, a. w. and birch, j. r. a. e housman – a reassessment (palgrave macmillan, london, ) housman, laurence. [ ], de amicitia with annotation by john carter. encounter (october , pp.  – ). parker, peter. housman country : into the heart of england (little, brown, ) isbn  - - - - external links[edit] wikiquote has quotations related to: a. e. housman wikisource has original works written by or about: alfred edward housman wikimedia commons has media related to alfred edward housman. portraits of a. e. housman at the national portrait gallery, london a. e. housman profile and poems at poets.org profile and poems at poetry foundation london review of books review of "the letters of a.e. housman" july bbc profile june "star man": an article in the tls by robert douglas fairhurst, june "lost horizon: the sad and savage wit of a. e. housman" new yorker article ( pages) by anthony lane february the housman society the papers of a. e. housman, bryn mawr college special collections recording of part of the shropshire lad centenary reading by the housman society catalogus philologorum classicorum newspaper clippings about a. e. housman in the th century press archives of the zbw works[edit] works by a. e. housman at project gutenberg works by or about a. e. housman at internet archive works by a. e. housman at librivox (public domain audiobooks) works by a. e. housman at open library a. e. housman at library of congress authorities, with catalogue records complete poems of a. e. housman academic offices preceded by john e. b. mayor kennedy professor of latin cambridge university – succeeded by william blair anderson authority control bibsys: bne: xx bnf: cb c (data) cantic: a cinii: da gnd: isni: lccn: n lnb: mba: b - - e e-ba - d cd ndl: nkc: xx nla: nlg: nlk: kac nsk: nta: rero: -a selibr: snac: w cv h t sudoc: trove: vcba: / viaf: worldcat identities: lccn-n retrieved from "https://en.wikipedia.org/w/index.php?title=a._e._housman&oldid= " categories: births deaths th-century english poets th-century english writers th-century english poets th-century english writers academics of university college london alumni of st john's college, oxford burials in shropshire english atheists english classical scholars english male poets fellows of trinity college, cambridge lgbt poets lgbt writers from england members of the university of cambridge faculty of classics people educated at bromsgrove school people educated at king edward's school, birmingham people from bromsgrove victorian poets war poets hidden categories: webarchive template wayback links articles with short description short description matches wikidata use dmy dates from november commons category link is on wikidata articles with project gutenberg links articles with internet archive links articles with librivox links open library id same as wikidata articles with open library links wikipedia articles with bibsys identifiers wikipedia articles with bne identifiers wikipedia articles with bnf identifiers wikipedia articles with cantic identifiers wikipedia articles with cinii identifiers wikipedia articles with gnd identifiers wikipedia articles with isni identifiers wikipedia articles with lccn identifiers wikipedia articles with lnb identifiers wikipedia articles with musicbrainz identifiers wikipedia articles with ndl identifiers wikipedia articles with nkc identifiers wikipedia articles with nla identifiers wikipedia articles with nlg identifiers wikipedia articles with nlk identifiers wikipedia articles with nsk identifiers wikipedia articles with nta identifiers wikipedia articles with rero identifiers wikipedia articles with selibr identifiers wikipedia articles with snac-id identifiers wikipedia articles with sudoc identifiers wikipedia articles with trove identifiers wikipedia articles with vcba identifiers wikipedia articles with viaf identifiers wikipedia articles with worldcatid identifiers navigation menu personal tools not logged in talk contributions create account log in namespaces article talk variants views read edit view history more search navigation main page contents current events random article about wikipedia contact us donate contribute help learn to edit community portal recent changes upload file tools what links here related changes upload file special pages permanent link page information cite this page wikidata item print/export download as pdf printable version in other projects wikimedia commons wikiquote wikisource languages العربية تۆرکجه cymraeg deutsch español esperanto فارسی français frysk bahasa indonesia italiano עברית latina مصرى မြန်မာဘာသာ nederlands 日本語 norsk bokmål polski português română Русский suomi svenska tiếng việt 中文 edit links this page was last edited on december , at :  (utc). text is available under the creative commons attribution-sharealike license; additional terms may apply. by using this site, you agree to the terms of use and privacy policy. wikipedia® is a registered trademark of the wikimedia foundation, inc., a non-profit organization. privacy policy about wikipedia disclaimers contact wikipedia mobile view developers statistics cookie statement Οράτιος - Βικιπαίδεια Οράτιος Από τη Βικιπαίδεια, την ελεύθερη εγκυκλοπαίδεια Μετάβαση στην πλοήγηση Πήδηση στην αναζήτηση Το λήμμα παραθέτει τις πηγές του αόριστα, χωρίς παραπομπές. Βοηθήστε συνδέοντας το κείμενο με τις πηγές χρησιμοποιώντας παραπομπές, ώστε να είναι επαληθεύσιμο. Η σήμανση τοποθετήθηκε στις / / . Οράτιος Όνομα Οράτιος Γέννηση Δεκεμβρίου π.Χ. Βενόζα, Ρωμαϊκή Δημοκρατία Θάνατος Νοεμβρίου π.Χ. ( ετών) Ρώμη Επάγγελμα/ ιδιότητες ποιητής[ ][ ], συγγραφέας[ ] και φιλόσοφος[ ] Εθνικότητα Ρωμαίος Υπηκοότητα Αρχαία Ρώμη Είδη Λυρική ποίηση Αξιοσημείωτα έργα Ωδές, Σάτιρες, Ποιητική Τέχνη  Πολυμέσα σχετικά με τoν συγγραφέα δεδομένα (π • σ • ε ) Ο Κουίντος Οράτιος Φλάκκος (quintus horatius flaccus, Δεκεμβρίου π.Χ. - Νοεμβρίου π.Χ.), γνωστότερος απλώς ως Οράτιος, ήταν ο κορυφαίος Ρωμαίος λυρικός ποιητής κατά την εποχή του Οκταβιανού Αύγουστου. Για πολλούς είναι ένας από τους δύο μεγαλύτερους Λατίνους ποιητές όλων των εποχών μαζί με τον Βιργίλιο. Πίνακας περιεχομένων Η ζωή του Το έργο του . Λυρικά . Δακτυλικά Η ζωή του[Επεξεργασία | επεξεργασία κώδικα] Γεννήθηκε στη Βενόζα, μία κωμόπολη στα σύνορα Απουλίας και Λουκανίας, ως γιος απελεύθερου γεννημένος ο ίδιος ελεύθερος. Ο πατέρας του εργαζόταν ως μεσάζοντας σε δημοπρασίες. Παρότι ο ποιητής παρουσιάζει τον εαυτό του ως «πτωχόν και τίμιον» αγρότη (macro pauper agello, «Σάτιρες» . . ), η ασχολία του πατέρα του ήταν επικερδής για τους πρώην σκλάβους: ο πατέρας του μπόρεσε να ξοδέψει αρκετά χρήματα για την εκπαίδευση του γιου του, συνοδεύοντάς τον αρχικώς στη Ρώμη για τη στοιχειώδη μόρφωση και στέλνοντάς τον κατόπιν στην Αθήνα να μελετήσει Ελληνικά και Φιλοσοφία. Ο Οράτιος αργότερα εξέφρασε την ευγνωμοσύνη του ως εξής: «Αν ο χαρακτήρας μου βαρύνεται με λίγα μικρά ελαττώματα, κατά τα άλλα είναι τίμιος και ηθικός. Αν λίγους μόνο διάσπαρτους λεκέδες μπορείτε να δείξετε σε μια κατά τ´άλλα αγνή επιφάνεια, αν κανείς δε μπορεί να με κατηγορήσει για φιλοχρηματία, ή λαγνεία, ή ασωτίες, αν ζω ζωή ενάρετη, αμόλυντη από ακαθαρσίες (συγχωρείστε μου προς στιγμή τον αυτοέπαινό μου),κι αν είμαι ένας καλός φίλος για τους φίλους μου, στον πατέρα μου οφείλονται όλα αυτά... ... Αξίζει από μένα ευγνωμοσύνη και αίνο. Ποτέ δε θα μπορούσα να ντρέπομαι για ένα τέτοιο πατέρα, ούτε και νιώθω ανάγκη καμιά ν' απολογηθώ, σαν πολλούς άλλους, επειδή είμαι γιος απελεύθερου». («Σάτιρες» . . - ) Μετά τη δολοφονία του Ιουλίου Καίσαρα, ο Οράτιος πήγε στο στρατό, υπό τις διαταγές του στρατηγού Βρούτου. Πόλεμησε ως αξιωματικός (tribunus militum) στη Μάχη των Φιλίππων. Αργότερα ισχυρίσθηκε ότι σώθηκε πετώντας την ασπίδα του και φεύγοντας. Επειδή κηρύχθηκε αμνηστία για όσους είχαν πολεμήσει κατά του Οκταβιανού Αυγούστου, ο Οράτιος επέστρεψε στην Ιταλία, όπου όμως ανακάλυψε ότι η ακίνητη περιουσία του είχε δημευθεί και (μάλλον) ότι ο πατέρας του είχε πεθάνει. Είχε πάντως τα χρήματα για να αγοράσει μία μόνιμη θέση εργασίας ως scriba quaestorius, ένα αξίωμα του Θησαυροφυλακίου, που του επέτρεψε να ζήσει άνετα και να επιδοθεί στην ποιητική του τέχνη. Αργότερα κατόρθωσε να εισέλθει σε ένα λογοτεχνικό κύκλο που περιελάμβανε τους Βιργίλιο και Ρούφο. Εκείνοι τον γνώρισαν στον Μαικήνα, φίλο και έμπιστο του Αυγούστου, που έγινε ο προστάτης του και δώρισε στον Οράτιο ένα αγρόκτημα με έπαυλη κοντά στο tibur (το σημερινό Τίβολι). Μη έχοντας κληρονόμους, ο Οράτιος το άφησε πεθαίνοντας στον αυτοκράτορα Αύγουστο. Το αγρόκτημα διατηρείται και σήμερα ως τόπος προσκυνήματος για τους φίλους του έργου του. Το έργο του[Επεξεργασία | επεξεργασία κώδικα] Ο Οράτιος έγραψε ποιήματα λυρικά και ποιήματα δαχτυλικά. Λυρικά[Επεξεργασία | επεξεργασία κώδικα] βιβλία με τις Ωδές Οι Επωδοί ( βιβλίο, επωδοί κατα το πρότυπο του Καλλίμαχου) Ο Εκατονταέτηρος Ύμνος (του ανατέθηκε το π.Χ. να συνθέσει έναν ύμνο της Εκατονταετίας και να τον διδάξει σε ένα χορό αγοριών και κοριτσιών) Δακτυλικά[Επεξεργασία | επεξεργασία κώδικα] Τα wikimedia commons έχουν πολυμέσα σχετικά με το θέμα    Οράτιος βιβλία Σατιρών βιβλία Επιστολών Ποιητική Τέχνη(ars poetica) Σύνδεσμοι σε καταλόγους καθιερωμένων όρων worldcat viaf: europeana: agent/base/ ΕΒΕ: biblionet: lccn: n isni: gnd: selibr: sudoc: bnf: cb b (data) bibsys: ulan: musicbrainz: af f f- - -a bf- d f c nla: ndl: nkc: jn iccu: it\iccu\cfiv\ rls: bne: xx cinii: da Στο λήμμα αυτό έχει ενσωματωθεί κείμενο από το λήμμα horace της Αγγλικής Βικιπαίδειας, η οποία διανέμεται υπό την gnu fdl και την cc-by-sa . . (ιστορικό/συντάκτες).  Αυτό το λήμμα που σχετίζεται με τη βιογραφία ενός προσώπου χρειάζεται επέκταση. Βοηθήστε τη Βικιπαίδεια επεκτείνοντάς το!. ↑ william young sellar, james gow: «horace» (Αγγλικά) ↑ beweb. . Ανακτήθηκε στις  Αυγούστου . ↑ (Ιταλικά) mirabile: digital archives for medieval culture. sismel – edizioni del galluzzo. ↑ Ανακτήθηκε στις  Ιουνίου . 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Πολιτική προσωπικών δεδομένων Για τη Βικιπαίδεια Αποποίηση ευθυνών Προβολή κινητού Προγραμματιστές Στατιστικά Δήλωση cookie aedile - wikipedia aedile from wikipedia, the free encyclopedia jump to navigation jump to search office of the roman republic ancient rome this article is part of a series on the politics and government of ancient rome periods roman kingdom – bc roman republic – bc roman empire bc – ad principate bc – ad dominate ad – western ad – eastern ad – timeline roman constitution constitution of the kingdom constitution of the republic constitution of the empire constitution of the late empire senate legislative assemblies executive magistrates precedent and law roman law ius imperium mos maiorum collegiality auctoritas roman citizenship cursus honorum senatus consultum senatus consultum ultimum assemblies centuriate curiate plebeian tribal ordinary magistrates consul praetor quaestor promagistrate aedile tribune censor governor extraordinary magistrates corrector dictator magister equitum consular tribune rex triumviri decemviri titles and honours emperor legatus dux officium praeses praefectus vicarius vigintisexviri lictor magister militum imperator princeps senatus pontifex maximus augustus caesar tetrarch other countries v t e aedile (/ˈiːdaɪl/ ee-dyle; latin: aedīlis [ae̯ˈdiːlɪs], from aedes, "temple edifice") was an elected office of the roman republic. based in rome, the aediles were responsible for maintenance of public buildings (aedēs) and regulation of public festivals. they also had powers to enforce public order and duties to ensure the city of rome was well supplied and its civil infrastructure well maintained, akin to modern local government. there were two pairs of aediles: the first were the "plebeian aediles" (latin aediles plebis) and possession of this office was limited to plebeians; the other two were "curule aediles" (latin aediles curules), open to both plebeians and patricians, in alternating years. an aedilis curulis was classified as a magister curulis. the office of the aedilis was generally held by young men intending to follow the cursus honorum to high political office, traditionally after their quaestorship but before their praetorship. it was not a compulsory part of the cursus, and hence a former quaestor could be elected to the praetorship without having held the position of aedile. however, it was an advantageous position to hold because it demonstrated the aspiring politician's commitment to public service, as well as giving him the opportunity to hold public festivals and games, an excellent way to increase his name recognition and popularity. contents history of the office . plebeian aediles . curule aediles . differences between the two election to the office powers of the office under the empire shakespeare see also references books history of the office[edit] plebeian aediles[edit] the plebeian aediles were created in the same year as the tribunes of the people ( bc). originally intended as assistants to the tribunes, they guarded the rights of the plebs with respect to their headquarters, the temple of ceres. subsequently, they assumed responsibility for maintenance of the city's buildings as a whole.[ ] their duties at first were simply ministerial. they were the assistants to the tribunes in whatever matters that the tribunes might entrust to them, although most matters with which they were entrusted were of minimal importance. around bc, they were given the authority to care for the decrees of the senate (latin: senatus consulta). when a senatus consultum was passed, it would be transcribed into a document, and deposited in the public treasury, the aerarium. they were given this power because the consuls, who had held this power before, arbitrarily suppressed and altered the documents.[ ] they also maintained the acts of the plebeian council (popular assembly), the "plebiscites". plebiscites, once passed, were also transcribed into a physical document for storage. while their powers grew over time, it is not always easy to distinguish the difference between their powers, and those of the censors. occasionally, if a censor was unable to carry out one of his tasks, an aedile would perform the task instead. curule aediles[edit] according to livy (vi. ), after the passing of the licinian rogations in bc, an extra day was added to the roman games; the plebeian aediles refused to bear the additional expense, whereupon the patricians offered to undertake it, on condition that they were admitted to the aedileship. the plebeians accepted the offer, and accordingly two curule aediles were appointed—at first from the patricians alone, then from patricians and plebeians in turn, lastly, from either—at the tribal assembly under the presidency of the consul.[ ] curule aediles, as formal magistrates, held certain honors that plebeian aediles (who were not technically magistrates), did not hold. besides having the right to sit on a curule chair (sella curulis) and to wear a toga praetexta, the curule aediles also held the power to issue edicts (jus edicendi). these edicts often pertained to matters such as the regulation of the public markets, or what we might call "economic regulation".[ ] livy suggests, perhaps incorrectly, that both curule as well as plebeian aediles were sacrosanct.[ ] although the curule aediles always ranked higher than the plebeian, their functions gradually approximated and became practically identical.[ ] within five days after the beginning of their terms, the four aediles (two plebeian, two curule) were required to determine, by lot or by agreement among themselves, what parts of the city each should hold jurisdiction over.[ ] differences between the two[edit] there was a distinction between the two sets of aediles when it came to public festivals. some festivals were plebeian in nature, and thus were under the superintendence of plebeian aediles.[ ] other festivals were supervised exclusively by the curule aediles,[ ] and it was often with these festivals that the aediles would spend lavishly. this was often done so as to secure the support of voters in future elections. because aediles were not reimbursed for any of their public expenditures, most individuals who sought the office were independently wealthy. since this office was a stepping stone to higher office and the senate, it helped to ensure that only wealthy individuals (mostly landowners) would win election to high office. these extravagant expenditures began shortly after the end of second punic war, and increased as the spoils returned from rome's new eastern conquests. even the decadence of the emperors rarely surpassed that of the aediles under the republic, as could have been seen during julius caesar's aedileship.[ ] election to the office[edit] plebeian aediles were elected by the plebeian council, usually while under the presidency of a plebeian tribune. curule aediles were elected by the tribal assembly, usually while under the presidency of a consul. since the plebeian aediles were elected by the plebeians, rather than by all of the people of rome (plebeians as well as members of the patrician aristocracy), they were not technically magistrates. before the passage of the lex annalis, individuals could run for the aedileship by the time they turned twenty-seven. after the passage of this law in bc, a higher age was set, probably thirty-five.[ ] by the st century bc, aediles were elected in july, and took office on the first day in january. powers of the office[edit] cicero (legg. iii. , ) divides these functions under three heads: ( ) care of the city: the repair and preservation of temples, sewers and aqueducts; street cleansing and paving; regulations regarding traffic, dangerous animals and dilapidated buildings; precautions against fire; superintendence of baths and taverns; enforcement of sumptuary laws; punishment of gamblers and usurers; the care of public morals generally, including the prevention of foreign superstitions and the registration of meretrices. they also punished those who had too large a share of the ager publicus, or kept too many cattle on the state pastures. ( ) care of provisions: investigation of the quality of the articles supplied and the correctness of weights and measures; the purchase of grain for disposal at a low price in case of necessity. ( ) care of the games: superintendence and organization of the public games, as well as of those given by themselves and private individuals (e.g. at funerals) at their own expense. ambitious persons often spent enormous sums in this manner to win the popular favor with a view to official advancement.[ ] under the empire[edit] in bc julius caesar added two plebeian aediles, called cereales, whose special duty was the care of the cereal (grain) supply. under augustus the office lost much of its importance, its judicial functions and the care of the games being transferred to the praetor, while its city responsibilities were limited by the appointment of a praefectus urbi.[ ] augustus took for himself its powers over various religious duties. by stripping it of its powers over temples, augustus effectively destroyed the office, by taking from it its original function. after this point, few people were willing to hold such a powerless office, and augustus was even known to compel individuals into holding the office. augustus accomplished this by randomly selecting former tribunes and quaestors for the office.[ ] future emperors would continue to dilute the power of the office by transferring its powers to newly created offices. however, the office did retain some powers over licentiousness and disorder, in particular over the baths and brothels, as well as the registration of prostitutes.[ ] in the rd century, it disappeared altogether.[ ] under the empire, roman colonies and cities often had officials with powers similar to those of the republican aediles, although their powers widely varied. it seems as though they were usually chosen annually.[ ] today in portugal the county mayor can still be referred to as edil (e.g. 'o edil de coimbra', meaning 'the mayor of coimbra'), a way of reference used also in romania for any mayors (ex. 'edil al bucureștiului', meaning 'mayor of bucharest'). in spain (and latin america) the members of municipal councils are called concejales or ediles. shakespeare[edit] in his play coriolanus, shakespeare references the aediles. however, they are minor characters, and their chief role is to serve as policemen.[ ] see also[edit] aetheling agoranomi constitution of the roman republic ethel references[edit] ^ mccullough, ^ a b liv. iii. ^ a b c d e  one or more of the preceding sentences incorporates text from a publication now in the public domain: chisholm, hugh, ed. ( ). "aedile". encyclopædia britannica. ( th ed.). cambridge university press. p.  . this cites: schubert, de romanorum aedilibus ( ) hoffmann, de aedilibus romanis ( ) göll, de aedilibus sub caesarum imperio ( ) labatut, les Édiles et les moeurs ( ) marquardt-mommsen, handbuch der römischen altertümer, ii. ( ) soltau, die ursprüngliche bedeutung und competenz der aediles plebis (bonn, ). ^ cic. verr. v. ^ tabula heracleensis, ed. alessio simmacho mazzocchi ^ liv. xxxi. ^ liv. xxxi. ^ plut. caesar, ^ livy, xl. ^ dio cassius lv. ^ tacitus annales, ii. ^ de aedil. col, &c. otto. lips. ^ shakespeare, william. the tragedies of william shakespeare. random house, inc. pp.  . isbn  - - - . books[edit] berry, joanne ( ). the complete pompeii. thames and hudson. isbn  - - - - . boatwright, mary t., daniel j. gargola, richard j.a. talbert ( ). a brief history of the romans. oxford university press. isbn  - - - - .cs maint: multiple names: authors list (link) brennan, brain ( ). herculaneum: a sourcebook. ancient history seminars. isbn  - - - - . v t e ancient rome topics outline timeline history foundation kingdom overthrow republic empire history pax romana principate dominate western empire fall historiography of the fall byzantine empire decline fall constitution history kingdom republic empire late empire senate legislative assemblies curiate centuriate tribal plebeian executive magistrates spqr law twelve tables mos maiorum citizenship auctoritas imperium status litigation government curia forum cursus honorum collegiality emperor legatus dux officium prefect vicarius vigintisexviri lictor magister militum imperator princeps senatus pontifex maximus augustus caesar tetrarch optimates populares province magistrates ordinary consul censor praetor tribune tribune of the plebs military tribune quaestor aedile promagistrate governor extraordinary rex interrex dictator magister equitum decemviri consular tribune triumvir military history borders establishment structure campaigns political control strategy engineering frontiers and fortifications castra technology army legion infantry tactics personal equipment siege engines navy auxiliaries decorations and punishments hippika gymnasia economy agriculture deforestation commerce finance currency republican currency imperial 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by using this site, you agree to the terms of use and privacy policy. wikipedia® is a registered trademark of the wikimedia foundation, inc., a non-profit organization. privacy policy about wikipedia disclaimers contact wikipedia mobile view developers statistics cookie statement horace - wikipedia open main menu home random nearby log in settings donate about wikipedia disclaimers search horace language watch edit this article is about the roman poet. for the egyptian god, see horus. for other uses, see horace (disambiguation). quintus horatius flaccus ( december – november bc), known in the english-speaking world as horace (/ˈhɒrɪs/), was the leading roman lyric poet during the time of augustus (also known as octavian). the rhetorician quintilian regarded his odes as just about the only latin lyrics worth reading: "he can be lofty sometimes, yet he is also full of charm and grace, versatile in his figures, and felicitously daring in his choice of words."[nb ] horace horace, as imagined by anton von werner born quintus horatius flaccus december bc venusia, italy, roman republic died november bc (age ) rome resting place rome occupation soldier, scriba quaestorius, poet, senator language latin nationality roman genre lyric poetry notable works odes "the art of poetry" horace also crafted elegant hexameter verses (satires and epistles) and caustic iambic poetry (epodes). the hexameters are amusing yet serious works, friendly in tone, leading the ancient satirist persius to comment: "as his friend laughs, horace slyly puts his finger on his every fault; once let in, he plays about the heartstrings".[nb ] his career coincided with rome's momentous change from a republic to an empire. an officer in the republican army defeated at the battle of philippi in bc, he was befriended by octavian's right-hand man in civil affairs, maecenas, and became a spokesman for the new regime. for some commentators, his association with the regime was a delicate balance in which he maintained a strong measure of independence (he was "a master of the graceful sidestep")[ ] but for others he was, in john dryden's phrase, "a well-mannered court slave".[ ][nb ] contents life . childhood . adulthood . . poet . . knight works . historical context . themes reception . antiquity . middle ages and renaissance . age of enlightenment . th century on translations in popular culture see also notes citations references further reading external links lifeedit   horatii flacci sermonum ( ) horace can be regarded as the world's first autobiographer.[ ] in his writings, he tells us far more about himself, his character, his development, and his way of life, than any other great poet of antiquity. some of the biographical material contained in his work can be supplemented from the short but valuable "life of horace" by suetonius (in his lives of the poets).[ ] childhoodedit he was born on december bc[nb ] in the samnite south of italy.[ ] his home town, venusia, lay on a trade route in the border region between apulia and lucania (basilicata). various italic dialects were spoken in the area and this perhaps enriched his feeling for language. he could have been familiar with greek words even as a young boy and later he poked fun at the jargon of mixed greek and oscan spoken in neighbouring canusium.[ ] one of the works he probably studied in school was the odyssia of livius andronicus, taught by teachers like the 'orbilius' mentioned in one of his poems.[ ] army veterans could have been settled there at the expense of local families uprooted by rome as punishment for their part in the social war ( – bc).[ ] such state-sponsored migration must have added still more linguistic variety to the area. according to a local tradition reported by horace,[ ] a colony of romans or latins had been installed in venusia after the samnites had been driven out early in the third century. in that case, young horace could have felt himself to be a roman[ ][ ] though there are also indications that he regarded himself as a samnite or sabellus by birth.[ ][ ] italians in modern and ancient times have always been devoted to their home towns, even after success in the wider world, and horace was no different. images of his childhood setting and references to it are found throughout his poems.[ ] horace's father was probably a venutian taken captive by romans in the social war, or possibly he was descended from a sabine captured in the samnite wars. either way, he was a slave for at least part of his life. he was evidently a man of strong abilities however and managed to gain his freedom and improve his social position. thus horace claimed to be the free-born son of a prosperous 'coactor'.[ ] the term 'coactor' could denote various roles, such as tax collector, but its use by horace[ ] was explained by scholia as a reference to 'coactor argentareus' i.e. an auctioneer with some of the functions of a banker, paying the seller out of his own funds and later recovering the sum with interest from the buyer.[ ] the father spent a small fortune on his son's education, eventually accompanying him to rome to oversee his schooling and moral development. the poet later paid tribute to him in a poem[ ] that one modern scholar considers the best memorial by any son to his father.[nb ] the poem includes this passage: if my character is flawed by a few minor faults, but is otherwise decent and moral, if you can point out only a few scattered blemishes on an otherwise immaculate surface, if no one can accuse me of greed, or of prurience, or of profligacy, if i live a virtuous life, free of defilement (pardon, for a moment, my self-praise), and if i am to my friends a good friend, my father deserves all the credit... as it is now, he deserves from me unstinting gratitude and praise. i could never be ashamed of such a father, nor do i feel any need, as many people do, to apologize for being a freedman's son. satires . . – he never mentioned his mother in his verses and he might not have known much about her. perhaps she also had been a slave.[ ] adulthoodedit horace left rome, possibly after his father's death, and continued his formal education in athens, a great centre of learning in the ancient world, where he arrived at nineteen years of age, enrolling in the academy. founded by plato, the academy was now dominated by epicureans and stoics, whose theories and practises made a deep impression on the young man from venusia.[ ] meanwhile, he mixed and lounged about with the elite of roman youth, such as marcus, the idle son of cicero, and the pompeius to whom he later addressed a poem.[ ] it was in athens too that he probably acquired deep familiarity with the ancient tradition of greek lyric poetry, at that time largely the preserve of grammarians and academic specialists (access to such material was easier in athens than in rome, where the public libraries had yet to be built by asinius pollio and augustus).[ ] rome's troubles following the assassination of julius caesar were soon to catch up with him. marcus junius brutus came to athens seeking support for the republican cause. brutus was fêted around town in grand receptions and he made a point of attending academic lectures, all the while recruiting supporters among the young men studying there, including horace.[ ] an educated young roman could begin military service high in the ranks and horace was made tribunus militum (one of six senior officers of a typical legion), a post usually reserved for men of senatorial or equestrian rank and which seems to have inspired jealousy among his well-born confederates.[ ][ ] he learned the basics of military life while on the march, particularly in the wilds of northern greece, whose rugged scenery became a backdrop to some of his later poems.[ ] it was there in bc that octavian (later augustus) and his associate mark antony crushed the republican forces at the battle of philippi. horace later recorded it as a day of embarrassment for himself, when he fled without his shield,[ ] but allowance should be made for his self-deprecating humour. moreover, the incident allowed him to identify himself with some famous poets who had long ago abandoned their shields in battle, notably his heroes alcaeus and archilochus. the comparison with the latter poet is uncanny: archilochus lost his shield in a part of thrace near philippi, and he was deeply involved in the greek colonization of thasos, where horace's die-hard comrades finally surrendered.[ ] octavian offered an early amnesty to his opponents and horace quickly accepted it. on returning to italy, he was confronted with yet another loss: his father's estate in venusia was one of many throughout italy to be confiscated for the settlement of veterans (virgil lost his estate in the north about the same time). horace later claimed that he was reduced to poverty and this led him to try his hand at poetry.[ ] in reality, there was no money to be had from versifying. at best, it offered future prospects through contacts with other poets and their patrons among the rich.[ ] meanwhile, he obtained the sinecure of scriba quaestorius, a civil service position at the aerarium or treasury, profitable enough to be purchased even by members of the ordo equester and not very demanding in its work-load, since tasks could be delegated to scribae or permanent clerks.[ ] it was about this time that he began writing his satires and epodes. poetedit   horace reads before maecenas, by fyodor bronnikov the epodes belong to iambic poetry. iambic poetry features insulting and obscene language;[ ][ ] sometimes, it is referred to as blame poetry.[ ] blame poetry, or shame poetry, is poetry written to blame and shame fellow citizens into a sense of their social obligations. horace modelled these poems on the poetry of archilochus. social bonds in rome had been decaying since the destruction of carthage a little more than a hundred years earlier, due to the vast wealth that could be gained by plunder and corruption.[ ] these social ills were magnified by rivalry between julius caesar, mark antony and confederates like sextus pompey, all jockeying for a bigger share of the spoils. one modern scholar has counted a dozen civil wars in the hundred years leading up to bc, including the spartacus rebellion, eight years before horace's birth.[ ] as the heirs to hellenistic culture, horace and his fellow romans were not well prepared to deal with these problems: at bottom, all the problems that the times were stirring up were of a social nature, which the hellenistic thinkers were ill qualified to grapple with. some of them censured oppression of the poor by the rich, but they gave no practical lead, though they may have hoped to see well-meaning rulers doing so. philosophy was drifting into absorption in self, a quest for private contentedness, to be achieved by self-control and restraint, without much regard for the fate of a disintegrating community. — v. g. kiernan[ ] horace's hellenistic background is clear in his satires, even though the genre was unique to latin literature. he brought to it a style and outlook suited to the social and ethical issues confronting rome but he changed its role from public, social engagement to private meditation.[ ] meanwhile, he was beginning to interest octavian's supporters, a gradual process described by him in one of his satires.[ ] the way was opened for him by his friend, the poet virgil, who had gained admission into the privileged circle around maecenas, octavian's lieutenant, following the success of his eclogues. an introduction soon followed and, after a discreet interval, horace too was accepted. he depicted the process as an honourable one, based on merit and mutual respect, eventually leading to true friendship, and there is reason to believe that his relationship was genuinely friendly, not just with maecenas but afterwards with augustus as well.[ ] on the other hand, the poet has been unsympathetically described by one scholar as "a sharp and rising young man, with an eye to the main chance."[ ] there were advantages on both sides: horace gained encouragement and material support, the politicians gained a hold on a potential dissident.[ ] his republican sympathies, and his role at philippi, may have caused him some pangs of remorse over his new status. however most romans considered the civil wars to be the result of contentio dignitatis, or rivalry between the foremost families of the city, and he too seems to have accepted the principate as rome's last hope for much needed peace.[ ] in bc, horace accompanied maecenas on a journey to brundisium, described in one of his poems[ ] as a series of amusing incidents and charming encounters with other friends along the way, such as virgil. in fact the journey was political in its motivation, with maecenas en route to negotiatie the treaty of tarentum with antony, a fact horace artfully keeps from the reader (political issues are largely avoided in the first book of satires).[ ] horace was probably also with maecenas on one of octavian's naval expeditions against the piratical sextus pompeius, which ended in a disastrous storm off palinurus in bc, briefly alluded to by horace in terms of near-drowning.[ ][nb ] there are also some indications in his verses that he was with maecenas at the battle of actium in bc, where octavian defeated his great rival, antony.[ ][nb ] by then horace had already received from maecenas the famous gift of his sabine farm, probably not long after the publication of the first book of satires. the gift, which included income from five tenants, may have ended his career at the treasury, or at least allowed him to give it less time and energy.[ ] it signalled his identification with the octavian regime yet, in the second book of satires that soon followed, he continued the apolitical stance of the first book. by this time, he had attained the status of eques romanus,[ ] perhaps as a result of his work at the treasury.[ ] knightedit odes – were the next focus for his artistic creativity. he adapted their forms and themes from greek lyric poetry of the seventh and sixth centuries bc. the fragmented nature of the greek world had enabled his literary heroes to express themselves freely and his semi-retirement from the treasury in rome to his own estate in the sabine hills perhaps empowered him to some extent also[ ] yet even when his lyrics touched on public affairs they reinforced the importance of private life.[ ] nevertheless, his work in the period – bc began to show his closeness to the regime and his sensitivity to its developing ideology. in odes . , for example, he eulogized octavian in hyperboles that echo hellenistic court poetry. the name augustus, which octavian assumed in january bc, is first attested in odes . and . . in the period – bc, political allusions in the odes concentrated on foreign wars in britain ( . ), arabia ( . ) spain ( . ) and parthia ( . ). he greeted augustus on his return to rome in bc as a beloved ruler upon whose good health he depended for his own happiness ( . ).[ ] the public reception of odes – disappointed him, however. he attributed the lack of success to jealousy among imperial courtiers and to his isolation from literary cliques.[ ] perhaps it was disappointment that led him to put aside the genre in favour of verse letters. he addressed his first book of epistles to a variety of friends and acquaintances in an urbane style reflecting his new social status as a knight. in the opening poem, he professed a deeper interest in moral philosophy than poetry[ ] but, though the collection demonstrates a leaning towards stoic theory, it reveals no sustained thinking about ethics.[ ] maecenas was still the dominant confidante but horace had now begun to assert his own independence, suavely declining constant invitations to attend his patron.[ ] in the final poem of the first book of epistles, he revealed himself to be forty-four years old in the consulship of lollius and lepidus i.e. bc, and "of small stature, fond of the sun, prematurely grey, quick-tempered but easily placated".[ ][ ] according to suetonius, the second book of epistles was prompted by augustus, who desired a verse epistle to be addressed to himself. augustus was in fact a prolific letter-writer and he once asked horace to be his personal secretary. horace refused the secretarial role but complied with the emperor's request for a verse letter.[ ] the letter to augustus may have been slow in coming, being published possibly as late as bc. it celebrated, among other things, the bc military victories of his stepsons, drusus and tiberius, yet it and the following letter[ ] were largely devoted to literary theory and criticism. the literary theme was explored still further in ars poetica, published separately but written in the form of an epistle and sometimes referred to as epistles . (possibly the last poem he ever wrote).[ ] he was also commissioned to write odes commemorating the victories of drusus and tiberius[ ] and one to be sung in a temple of apollo for the secular games, a long-abandoned festival that augustus revived in accordance with his policy of recreating ancient customs (carmen saeculare). suetonius recorded some gossip about horace's sexual activities late in life, claiming that the walls of his bedchamber were covered with obscene pictures and mirrors, so that he saw erotica wherever he looked.[nb ] the poet died at years of age, not long after his friend maecenas, near whose tomb he was laid to rest. both men bequeathed their property to augustus, an honour that the emperor expected of his friends.[ ] worksedit   odes . – wall poem in leiden the dating of horace's works isn't known precisely and scholars often debate the exact order in which they were first 'published'. there are persuasive arguments for the following chronology:[ ] satires (c. – bc) satires (c. bc) epodes ( bc) odes – (c. bc)[nb ] epistles (c. bc) carmen saeculare ( bc) epistles (c. bc)[nb ] odes (c. bc) ars poetica (c. – bc)[nb ] historical contextedit horace composed in traditional metres borrowed from archaic greece, employing hexameters in his satires and epistles, and iambs in his epodes, all of which were relatively easy to adapt into latin forms. his odes featured more complex measures, including alcaics and sapphics, which were sometimes a difficult fit for latin structure and syntax. despite these traditional metres, he presented himself as a partisan in the development of a new and sophisticated style. he was influenced in particular by hellenistic aesthetics of brevity, elegance and polish, as modelled in the work of callimachus.[ ] as soon as horace, stirred by his own genius and encouraged by the example of virgil, varius, and perhaps some other poets of the same generation, had determined to make his fame as a poet, being by temperament a fighter, he wanted to fight against all kinds of prejudice, amateurish slovenliness, philistinism, reactionary tendencies, in short to fight for the new and noble type of poetry which he and his friends were endeavouring to bring about. — eduard fraenkel[ ] in modern literary theory, a distinction is often made between immediate personal experience (urerlebnis) and experience mediated by cultural vectors such as literature, philosophy and the visual arts (bildungserlebnis).[ ] the distinction has little relevance for horace[citation needed] however since his personal and literary experiences are implicated in each other. satires . , for example, recounts in detail a real trip horace made with virgil and some of his other literary friends, and which parallels a satire by lucilius, his predecessor.[ ] unlike much hellenistic-inspired literature, however, his poetry was not composed for a small coterie of admirers and fellow poets, nor does it rely on abstruse allusions for many of its effects. though elitist in its literary standards, it was written for a wide audience, as a public form of art.[ ] ambivalence also characterizes his literary persona, since his presentation of himself as part of a small community of philosophically aware people, seeking true peace of mind while shunning vices like greed, was well adapted to augustus's plans to reform public morality, corrupted by greed—his personal plea for moderation was part of the emperor's grand message to the nation.[ ] horace generally followed the examples of poets established as classics in different genres, such as archilochus in the epodes, lucilius in the satires and alcaeus in the odes, later broadening his scope for the sake of variation and because his models weren't actually suited to the realities confronting him. archilochus and alcaeus were aristocratic greeks whose poetry had a social and religious function that was immediately intelligible to their audiences but which became a mere artifice or literary motif when transposed to rome. however, the artifice of the odes is also integral to their success, since they could now accommodate a wide range of emotional effects, and the blend of greek and roman elements adds a sense of detachment and universality.[ ] horace proudly claimed to introduce into latin the spirit and iambic poetry of archilochus but (unlike archilochus) without persecuting anyone (epistles . . – ). it was no idle boast. his epodes were modelled on the verses of the greek poet, as 'blame poetry', yet he avoided targeting real scapegoats. whereas archilochus presented himself as a serious and vigorous opponent of wrong-doers, horace aimed for comic effects and adopted the persona of a weak and ineffectual critic of his times (as symbolized for example in his surrender to the witch canidia in the final epode).[ ] he also claimed to be the first to introduce into latin the lyrical methods of alcaeus (epistles . . – ) and he actually was the first latin poet to make consistent use of alcaic meters and themes: love, politics and the symposium. he imitated other greek lyric poets as well, employing a 'motto' technique, beginning each ode with some reference to a greek original and then diverging from it.[ ] the satirical poet lucilius was a senator's son who could castigate his peers with impunity. horace was a mere freedman's son who had to tread carefully.[ ] lucilius was a rugged patriot and a significant voice in roman self-awareness, endearing himself to his countrymen by his blunt frankness and explicit politics. his work expressed genuine freedom or libertas. his style included 'metrical vandalism' and looseness of structure. horace instead adopted an oblique and ironic style of satire, ridiculing stock characters and anonymous targets. his libertas was the private freedom of a philosophical outlook, not a political or social privilege.[ ] his satires are relatively easy-going in their use of meter (relative to the tight lyric meters of the odes)[ ] but formal and highly controlled relative to the poems of lucilius, whom horace mocked for his sloppy standards (satires . . – )[nb ] the epistles may be considered among horace's most innovative works. there was nothing like it in greek or roman literature. occasionally poems had had some resemblance to letters, including an elegiac poem from solon to mimnermus and some lyrical poems from pindar to hieron of syracuse. lucilius had composed a satire in the form of a letter, and some epistolary poems were composed by catullus and propertius. but nobody before horace had ever composed an entire collection of verse letters,[ ] let alone letters with a focus on philosophical problems. the sophisticated and flexible style that he had developed in his satires was adapted to the more serious needs of this new genre.[ ] such refinement of style was not unusual for horace. his craftsmanship as a wordsmith is apparent even in his earliest attempts at this or that kind of poetry, but his handling of each genre tended to improve over time as he adapted it to his own needs.[ ] thus for example it is generally agreed that his second book of satires, where human folly is revealed through dialogue between characters, is superior to the first, where he propounds his ethics in monologues. nevertheless, the first book includes some of his most popular poems.[ ] themesedit horace developed a number of inter-related themes throughout his poetic career, including politics, love, philosophy and ethics, his own social role, as well as poetry itself. his epodes and satires are forms of 'blame poetry' and both have a natural affinity with the moralising and diatribes of cynicism. this often takes the form of allusions to the work and philosophy of bion of borysthenes [nb ] but it is as much a literary game as a philosophical alignment. by the time he composed his epistles, he was a critic of cynicism along with all impractical and "high-falutin" philosophy in general.[nb ][ ] the satires also include a strong element of epicureanism, with frequent allusions to the epicurean poet lucretius.[nb ] so for example the epicurean sentiment carpe diem is the inspiration behind horace's repeated punning on his own name (horatius ~ hora) in satires . .[ ] the satires also feature some stoic, peripatetic and platonic (dialogues) elements. in short, the satires present a medley of philosophical programs, dished up in no particular order—a style of argument typical of the genre.[ ] the odes display a wide range of topics. over time, he becomes more confident about his political voice.[ ] although he is often thought of as an overly intellectual lover, he is ingenious in representing passion.[ ] the "odes" weave various philosophical strands together, with allusions and statements of doctrine present in about a third of the odes books – , ranging from the flippant ( . , . ) to the solemn ( . , . , . ). epicureanism is the dominant influence, characterizing about twice as many of these odes as stoicism. a group of odes combines these two influences in tense relationships, such as odes . , praising stoic virility and devotion to public duty while also advocating private pleasures among friends. while generally favouring the epicurean lifestyle, the lyric poet is as eclectic as the satiric poet, and in odes . even proposes aristotle's golden mean as a remedy for rome's political troubles.[ ] many of horace's poems also contain much reflection on genre, the lyric tradition, and the function of poetry.[ ] odes , thought to be composed at the emperor's request, takes the themes of the first three books of "odes" to a new level. this book shows greater poetic confidence after the public performance of his "carmen saeculare" or "century hymn" at a public festival orchestrated by augustus. in it, horace addresses the emperor augustus directly with more confidence and proclaims his power to grant poetic immortality to those he praises. it is the least philosophical collection of his verses, excepting the twelfth ode, addressed to the dead virgil as if he were living. in that ode, the epic poet and the lyric poet are aligned with stoicism and epicureanism respectively, in a mood of bitter-sweet pathos.[ ] the first poem of the epistles sets the philosophical tone for the rest of the collection: "so now i put aside both verses and all those other games: what is true and what befits is my care, this my question, this my whole concern." his poetic renunciation of poetry in favour of philosophy is intended to be ambiguous. ambiguity is the hallmark of the epistles. it is uncertain if those being addressed by the self-mocking poet-philosopher are being honoured or criticized. though he emerges as an epicurean, it is on the understanding that philosophical preferences, like political and social choices, are a matter of personal taste. thus he depicts the ups and downs of the philosophical life more realistically than do most philosophers.[ ] receptionedit   horace, portrayed by giacomo di chirico the reception of horace's work has varied from one epoch to another and varied markedly even in his own lifetime. odes – were not well received when first 'published' in rome, yet augustus later commissioned a ceremonial ode for the centennial games in bc and also encouraged the publication of odes , after which horace's reputation as rome's premier lyricist was assured. his odes were to become the best received of all his poems in ancient times, acquiring a classic status that discouraged imitation: no other poet produced a comparable body of lyrics in the four centuries that followed[ ] (though that might also be attributed to social causes, particularly the parasitism that italy was sinking into).[ ] in the seventeenth and eighteenth centuries, ode-writing became highly fashionable in england and a large number of aspiring poets imitated horace both in english and in latin.[ ] in a verse epistle to augustus (epistle . ), in bc, horace argued for classic status to be awarded to contemporary poets, including virgil and apparently himself.[ ] in the final poem of his third book of odes he claimed to have created for himself a monument more durable than bronze ("exegi monumentum aere perennius", carmina . . ). for one modern scholar, however, horace's personal qualities are more notable than the monumental quality of his achievement: ... when we hear his name we don't really think of a monument. we think rather of a voice which varies in tone and resonance but is always recognizable, and which by its unsentimental humanity evokes a very special blend of liking and respect. — niall rudd[ ] yet for men like wilfred owen, scarred by experiences of world war i, his poetry stood for discredited values: my friend, you would not tell with such high zest to children ardent for some desperate glory, the old lie: dulce et decorum est pro patria mori.[nb ] the same motto, dulce et decorum est pro patria mori, had been adapted to the ethos of martyrdom in the lyrics of early christian poets like prudentius.[ ] these preliminary comments touch on a small sample of developments in the reception of horace's work. more developments are covered epoch by epoch in the following sections. antiquityedit horace's influence can be observed in the work of his near contemporaries, ovid and propertius. ovid followed his example in creating a completely natural style of expression in hexameter verse, and propertius cheekily mimicked him in his third book of elegies.[nb ] his epistles provided them both with a model for their own verse letters and it also shaped ovid's exile poetry.[nb ] his influence had a perverse aspect. as mentioned before, the brilliance of his odes may have discouraged imitation. conversely, they may have created a vogue for the lyrics of the archaic greek poet pindar, due to the fact that horace had neglected that style of lyric (see influence and legacy of pindar).[ ] the iambic genre seems almost to have disappeared after publication of horace's epodes. ovid's ibis was a rare attempt at the form but it was inspired mainly by callimachus, and there are some iambic elements in martial but the main influence there was catullus.[ ] a revival of popular interest in the satires of lucilius may have been inspired by horace's criticism of his unpolished style. both horace and lucilius were considered good role-models by persius, who critiqued his own satires as lacking both the acerbity of lucillius and the gentler touch of horace.[nb ] juvenal's caustic satire was influenced mainly by lucilius but horace by then was a school classic and juvenal could refer to him respectfully and in a round-about way as "the venusine lamp".[nb ] statius paid homage to horace by composing one poem in sapphic and one in alcaic meter (the verse forms most often associated with odes), which he included in his collection of occasional poems, silvae. ancient scholars wrote commentaries on the lyric meters of the odes, including the scholarly poet caesius bassus. by a process called derivatio, he varied established meters through the addition or omission of syllables, a technique borrowed by seneca the younger when adapting horatian meters to the stage.[ ] horace's poems continued to be school texts into late antiquity. works attributed to helenius acro and pomponius porphyrio are the remnants of a much larger body of horatian scholarship. porphyrio arranged the poems in non-chronological order, beginning with the odes, because of their general popularity and their appeal to scholars (the odes were to retain this privileged position in the medieval manuscript tradition and thus in modern editions also). horace was often evoked by poets of the fourth century, such as ausonius and claudian. prudentius presented himself as a christian horace, adapting horatian meters to his own poetry and giving horatian motifs a christian tone.[nb ] on the other hand, st jerome, modelled an uncompromising response to the pagan horace, observing: "what harmony can there be between christ and the devil? what has horace to do with the psalter?"[nb ] by the early sixth century, horace and prudentius were both part of a classical heritage that was struggling to survive the disorder of the times. boethius, the last major author of classical latin literature, could still take inspiration from horace, sometimes mediated by senecan tragedy.[ ] it can be argued that horace's influence extended beyond poetry to dignify core themes and values of the early christian era, such as self-sufficiency, inner contentment and courage.[nb ] middle ages and renaissanceedit   horace in his studium: german print of the fifteenth century, summarizing the final ode . (in praise of augustus). classical texts almost ceased being copied in the period between the mid sixth century and the carolingian revival. horace's work probably survived in just two or three books imported into northern europe from italy. these became the ancestors of six extant manuscripts dated to the ninth century. two of those six manuscripts are french in origin, one was produced in alsace, and the other three show irish influence but were probably written in continental monasteries (lombardy for example).[ ] by the last half of the ninth century, it was not uncommon for literate people to have direct experience of horace's poetry. his influence on the carolingian renaissance can be found in the poems of heiric of auxerre[nb ] and in some manuscripts marked with neumes, mysterious notations that may have been an aid to the memorization and discussion of his lyric meters. ode . is neumed with the melody of a hymn to john the baptist, ut queant laxis, composed in sapphic stanzas. this hymn later became the basis of the solfege system (do, re, mi...)—an association with western music quite appropriate for a lyric poet like horace, though the language of the hymn is mainly prudentian.[ ] lyons[ ] argues that the melody in question was linked with horace's ode well before guido d'arezzo fitted ut queant laxis to it. however, the melody is unlikely to be a survivor from classical times, although ovid[ ] testifies to horace's use of the lyre while performing his odes. the german scholar, ludwig traube, once dubbed the tenth and eleventh centuries the age of horace (aetas horatiana), and placed it between the aetas vergiliana of the eighth and ninth centuries, and the aetas ovidiana of the twelfth and thirteenth centuries, a distinction supposed to reflect the dominant classical latin influences of those times. such a distinction is over-schematized since horace was a substantial influence in the ninth century as well. traube had focused too much on horace's satires.[ ] almost all of horace's work found favour in the medieval period. in fact medieval scholars were also guilty of over-schematism, associating horace's different genres with the different ages of man. a twelfth-century scholar encapsulated the theory: "...horace wrote four different kinds of poems on account of the four ages, the odes for boys, the ars poetica for young men, the satires for mature men, the epistles for old and complete men."[ ] it was even thought that horace had composed his works in the order in which they had been placed by ancient scholars.[nb ] despite its naivety, the schematism involved an appreciation of horace's works as a collection, the ars poetica, satires and epistles appearing to find favour as well as the odes. the later middle ages however gave special significance to satires and epistles, being considered horace's mature works. dante referred to horace as orazio satiro, and he awarded him a privileged position in the first circle of hell, with homer, ovid and lucan.[ ] horace's popularity is revealed in the large number of quotes from all his works found in almost every genre of medieval literature, and also in the number of poets imitating him in quantitative latin meter. the most prolific imitator of his odes was the bavarian monk, metellus of tegernsee, who dedicated his work to the patron saint of tegernsee abbey, st quirinus, around the year . he imitated all horace's lyrical meters then followed these up with imitations of other meters used by prudentius and boethius, indicating that variety, as first modelled by horace, was considered a fundamental aspect of the lyric genre. the content of his poems however was restricted to simple piety.[ ] among the most successful imitators of satires and epistles was another germanic author, calling himself sextus amarcius, around , who composed four books, the first two exemplifying vices, the second pair mainly virtues.[ ] petrarch is a key figure in the imitation of horace in accentual meters. his verse letters in latin were modelled on the epistles and he wrote a letter to horace in the form of an ode. however he also borrowed from horace when composing his italian sonnets. one modern scholar has speculated that authors who imitated horace in accentual rhythms (including stressed latin and vernacular languages) may have considered their work a natural sequel to horace's metrical variety.[ ] in france, horace and pindar were the poetic models for a group of vernacular authors called the pléiade, including for example pierre de ronsard and joachim du bellay. montaigne made constant and inventive use of horatian quotes.[ ] the vernacular languages were dominant in spain and portugal in the sixteenth century, where horace's influence is notable in the works of such authors as garcilaso de la vega, juan boscán, sá de miranda, antonio ferreira and fray luis de león, the last writing odes on the horatian theme beatus ille (happy the man).[ ] the sixteenth century in western europe was also an age of translations (except in germany, where horace wasn't translated into the vernacular until well into the seventeenth century). the first english translator was thomas drant, who placed translations of jeremiah and horace side by side in medicinable morall, . that was also the year that the scot george buchanan paraphrased the psalms in a horatian setting. ben jonson put horace on the stage in in poetaster, along with other classical latin authors, giving them all their own verses to speak in translation. horace's part evinces the independent spirit, moral earnestness and critical insight that many readers look for in his poems.[ ] age of enlightenmentedit during the seventeenth and eighteenth centuries, or the age of enlightenment, neoclassical culture was pervasive. english literature in the middle of that period has been dubbed augustan. it is not always easy to distinguish horace's influence during those centuries (the mixing of influences is shown for example in one poet's pseudonym, horace juvenal).[nb ] however a measure of his influence can be found in the diversity of the people interested in his works, both among readers and authors.[ ] new editions of his works were published almost yearly. there were three new editions in (two in leiden, one in frankfurt) and again in (utrecht, barcelona, cambridge). cheap editions were plentiful and fine editions were also produced, including one whose entire text was engraved by john pine in copperplate. the poet james thomson owned five editions of horace's work and the physician james douglas had five hundred books with horace-related titles. horace was often commended in periodicals such as the spectator, as a hallmark of good judgement, moderation and manliness, a focus for moralising.[nb ] his verses offered a fund of mottoes, such as simplex munditiis (elegance in simplicity), splendide mendax (nobly untruthful), sapere aude (dare to know), nunc est bibendum (now is the time to drink), carpe diem (seize the day, perhaps the only one still in common use today).[ ] these were quoted even in works as prosaic as edmund quincy's a treatise of hemp-husbandry ( ). the fictional hero tom jones recited his verses with feeling.[ ] his works were also used to justify commonplace themes, such as patriotic obedience, as in james parry's english lines from an oxford university collection in :[ ] what friendly muse will teach my lays to emulate the roman fire? justly to sound a caeser's praise demands a bold horatian lyre. horatian-style lyrics were increasingly typical of oxford and cambridge verse collections for this period, most of them in latin but some like the previous ode in english. john milton's lycidas first appeared in such a collection. it has few horatian echoes[nb ] yet milton's associations with horace were lifelong. he composed a controversial version of odes . , and paradise lost includes references to horace's 'roman' odes . – (book for example begins with echoes of odes . ).[ ] yet horace's lyrics could offer inspiration to libertines as well as moralists, and neo-latin sometimes served as a kind of discrete veil for the risqué. thus for example benjamin loveling authored a catalogue of drury lane and covent garden prostitutes, in sapphic stanzas, and an encomium for a dying lady "of salacious memory".[ ] some latin imitations of horace were politically subversive, such as a marriage ode by anthony alsop that included a rallying cry for the jacobite cause. on the other hand, andrew marvell took inspiration from horace's odes . to compose his english masterpiece horatian ode upon cromwell's return from ireland, in which subtly nuanced reflections on the execution of charles i echo horace's ambiguous response to the death of cleopatra (marvell's ode was suppressed in spite of its subtlety and only began to be widely published in ). samuel johnson took particular pleasure in reading the odes.[nb ] alexander pope wrote direct imitations of horace (published with the original latin alongside) and also echoed him in essays and the rape of the lock. he even emerged as "a quite horatian homer" in his translation of the iliad.[ ] horace appealed also to female poets, such as anna seward (original sonnets on various subjects, and odes paraphrased from horace, ) and elizabeth tollet, who composed a latin ode in sapphic meter to celebrate her brother's return from overseas, with tea and coffee substituted for the wine of horace's sympotic settings: quos procax nobis numeros, jocosque musa dictaret? mihi dum tibique temperent baccis arabes, vel herbis pocula seres[ ] what verses and jokes might the bold muse dictate? while for you and me arabs flavour our cups with beans or chinese with leaves.[ ] horace's ars poetica is second only to aristotle's poetics in its influence on literary theory and criticism. milton recommended both works in his treatise of education.[ ] horace's satires and epistles however also had a huge impact, influencing theorists and critics such as john dryden.[ ] there was considerable debate over the value of different lyrical forms for contemporary poets, as represented on one hand by the kind of four-line stanzas made familiar by horace's sapphic and alcaic odes and, on the other, the loosely structured pindarics associated with the odes of pindar. translations occasionally involved scholars in the dilemmas of censorship. thus christopher smart entirely omitted odes . and re-numbered the remaining odes. he also removed the ending of odes . . thomas creech printed epodes and in the original latin but left out their english translations. philip francis left out both the english and latin for those same two epodes, a gap in the numbering the only indication that something was amiss. french editions of horace were influential in england and these too were regularly bowdlerized. most european nations had their own 'horaces': thus for example friedrich von hagedorn was called the german horace and maciej kazimierz sarbiewski the polish horace (the latter was much imitated by english poets such as henry vaughan and abraham cowley). pope urban viii wrote voluminously in horatian meters, including an ode on gout.[ ] th century onedit horace maintained a central role in the education of english-speaking elites right up until the s.[ ] a pedantic emphasis on the formal aspects of language-learning at the expense of literary appreciation may have made him unpopular in some quarters[ ] yet it also confirmed his influence—a tension in his reception that underlies byron's famous lines from childe harold (canto iv, ):[ ] then farewell, horace, whom i hated so not for thy faults, but mine; it is a curse to understand, not feel thy lyric flow, to comprehend, but never love thy verse. william wordsworth's mature poetry, including the preface to lyrical ballads, reveals horace's influence in its rejection of false ornament[ ] and he once expressed "a wish / to meet the shade of horace...".[nb ] john keats echoed the opening of horace's epodes in the opening lines of ode to a nightingale.[nb ] the roman poet was presented in the nineteenth century as an honorary english gentleman. william thackeray produced a version of odes . in which horace's 'boy' became 'lucy', and gerard manley hopkins translated the boy innocently as 'child'. horace was translated by sir theodore martin (biographer of prince albert) but minus some ungentlemanly verses, such as the erotic odes . and epodes and . edward bulwer-lytton produced a popular translation and william gladstone also wrote translations during his last days as prime minister.[ ] edward fitzgerald's rubaiyat of omar khayyam, though formally derived from the persian ruba'i, nevertheless shows a strong horatian influence, since, as one modern scholar has observed, "...the quatrains inevitably recall the stanzas of the 'odes', as does the narrating first person of the world-weary, ageing epicurean omar himself, mixing sympotic exhortation and 'carpe diem' with splendid moralising and 'memento mori' nihilism."[nb ] matthew arnold advised a friend in verse not to worry about politics, an echo of odes . , yet later became a critic of horace's inadequacies relative to greek poets, as role models of victorian virtues, observing: "if human life were complete without faith, without enthusiasm, without energy, horace...would be the perfect interpreter of human life."[ ] christina rossetti composed a sonnet depicting a woman willing her own death steadily, drawing on horace's depiction of 'glycera' in odes . . – and cleopatra in odes . .[nb ] a. e. housman considered odes . , in archilochian couplets, the most beautiful poem of antiquity[ ] and yet he generally shared horace's penchant for quatrains, being readily adapted to his own elegiac and melancholy strain.[ ] the most famous poem of ernest dowson took its title and its heroine's name from a line of odes . , non sum qualis eram bonae sub regno cynarae, as well as its motif of nostalgia for a former flame. kipling wrote a famous parody of the odes, satirising their stylistic idiosyncrasies and especially the extraordinary syntax, but he also used horace's roman patriotism as a focus for british imperialism, as in the story regulus in the school collection stalky & co., which he based on odes . .[ ] wilfred owen's famous poem, quoted above, incorporated horatian text to question patriotism while ignoring the rules of latin scansion. however, there were few other echoes of horace in the war period, possibly because war is not actually a major theme of horace's work.[ ]   bibendum (the symbol of the michelin tyre company) takes his name from the opening line of ode . , nunc est bibendum. both w.h.auden and louis macneice began their careers as teachers of classics and both responded as poets to horace's influence. auden for example evoked the fragile world of the s in terms echoing odes . . – , where horace advises a friend not to let worries about frontier wars interfere with current pleasures. and, gentle, do not care to know where poland draws her eastern bow,      what violence is done; nor ask what doubtful act allows our freedom in this english house,      our picnics in the sun.[nb ] the american poet, robert frost, echoed horace's satires in the conversational and sententious idiom of some of his longer poems, such as the lesson for today ( ), and also in his gentle advocacy of life on the farm, as in hyla brook ( ), evoking horace's fons bandusiae in ode . . now at the start of the third millennium, poets are still absorbing and re-configuring the horatian influence, sometimes in translation (such as a english/american edition of the odes by thirty-six poets)[nb ] and sometimes as inspiration for their own work (such as a collection of odes by a new zealand poet).[nb ] horace's epodes have largely been ignored in the modern era, excepting those with political associations of historical significance. the obscene qualities of some of the poems have repulsed even scholars[nb ] yet more recently a better understanding of the nature of iambic poetry has led to a re-evaluation of the whole collection.[ ][ ] a re-appraisal of the epodes also appears in creative adaptations by recent poets (such as a collection of poems that relocates the ancient context to a s industrial town).[nb ] translationsedit john dryden successfully adapted three of the odes (and one epode) into verse for readers of his own age. samuel johnson favored the versions of philip francis. others favor unrhymed translations. in james michie published a translation of the odes—many of them fully rhymed—including a dozen of the poems in the original sapphic and alcaic metres. more recent verse translations of the odes include those by david west (free verse), and colin sydenham (rhymed). ars poetica was first translated into english by ben jonson and later by lord byron. horace's odes and the mystery of do-re-mi stuart lyons (rhymed) aris & phillips isbn  - - - - in popular cultureedit the oxford latin course textbooks use the life of horace to illustrate an average roman's life in the late republic to early empire.[ ] see alsoedit  literature portal  ancient rome portal  biography portal carpe diem horatia (gens) list of ancient romans otium prosody (latin) translation notesedit ^ quintilian . . . the only other lyrical poet quintilian thought comparable with horace was the now obscure poet/metrical theorist, caesius bassus (r. tarrant, ancient receptions of horace, ) ^ translated from persius' own 'satires' . – : "omne vafer vitium ridenti flaccus amico / tangit et admissus circum praecordia ludit." ^ quoted by n. rudd from john dryden's discourse concerning the original and progress of satire, excerpted from w.p.ker's edition of dryden's essays, oxford , vol. , pp. – ^ the year is given in odes . . ("consule manlio"), the month in epistles . . , the day in suetonius' biography vita (r. nisbet, horace: life and chronology, ) ^ "no son ever set a finer monument to his father than horace did in the sixth satire of book i...horace's description of his father is warm-hearted but free from sentimentality or exaggeration. we see before us one of the common people, a hard-working, open-minded, and thoroughly honest man of simple habits and strict convictions, representing some of the best qualities that at the end of the republic could still be found in the unsophisticated society of the italian municipia" — e. fraenkel, horace, – ^ odes . . : "nec (me extinxit) sicula palinurus unda"; "nor did palinurus extinguish me with sicilian waters". maecenas' involvement is recorded by appian bell. civ. . but horace's ode is the only historical reference to his own presence there, depending however on interpretation. (r. nisbet, horace: life and chronology, ) ^ the point is much disputed among scholars and hinges on how the text is interpreted. epodes for example may offer proof of horace's presence if 'ad hunc frementis' ('gnashing at this' man i.e. the traitrous roman ) is a misreading of 'at huc...verterent' (but hither...they fled) in lines describing the defection of the galatian cavalry, "ad hunc frementis verterunt bis mille equos / galli canentes caesarem" (r. nisbet, horace: life and chronology, ). ^ suetonius signals that the report is based on rumours by employing the terms "traditur...dicitur" / "it is reported...it is said" (e. fraenkel, horace, ) ^ according to a recent theory, the three books of odes were issued separately, possibly in , and bc (see g. hutchinson ( ), classical quarterly : – ) ^ bc is the usual estimate but c. bc has good support too (see r. nisbet, horace: life and chronology, – ^ the date however is subject to much controversy with – bc another option (see for example r. syme, the augustan aristocracy, – ^ "[lucilius]...resembles a man whose only concern is to force / something into the framework of six feet, and who gaily produces / two hundred lines before dinner and another two hundred after." – satire . . – (translated by niall rudd, the satires of horace and persius, penguin classics , p. ) ^ there is one reference to bion by name in epistles . . , and the clearest allusion to him is in satire . , which parallels bion fragments , , kindstrand ^ epistles . and . . – are critical of the extreme views of diogenes and also of social adaptations of cynic precepts, and yet epistle . could be either cynic or stoic in its orientation (j. moles, philosophy and ethics, p. ^ satires . . – , – , . . – , . . – , – , . . , – , . . – , . . – , , . . – ^ wilfred owen, dulce et decorum est ( ), echoes a line from carmina . . , "it is sweet and honourable to die for one's country", cited by stephen harrison, the nineteenth and twentieth centuries, . ^ propertius published his third book of elegies within a year or two of horace's odes – and mimicked him, for example, in the opening lines, characterizing himself in terms borrowed from odes . . and . . – , as a priest of the muses and as an adaptor of greek forms of poetry (r. tarrant, ancient receptions of horace, ) ^ ovid for example probably borrowed from horace's epistle . the image of a poetry book as a slave boy eager to leave home, adapting it to the opening poems of tristia and (r. tarrant, ancient receptions of horace), and tristia may be understood as a counterpart to horace's epistles . , both being letters addressed to augustus on literary themes (a. barchiesi, speaking volumes, – ) ^ the comment is in persius . – , yet that same satire has been found to have nearly reminiscences of horace; see d. hooley, the knotted thong, ^ the allusion to venusine comes via horace's sermones . . , while lamp signifies the lucubrations of a conscientious poet. according to quintilian ( ), however, many people in flavian rome preferred lucilius not only to horace but to all other latin poets (r. tarrant, ancient receptions of horace, ) ^ prudentius sometimes alludesto the odes in a negative context, as expressions of a secular life he is abandoning. thus for example male pertinax, employed in prudentius's praefatio to describe a willful desire for victory, is lifted from odes . . , where it describes a girl's half-hearted resistance to seduction. elsewhere he borrows dux bone from odes . . and , where it refers to augustus, and applies it to christ (r. tarrant, ancient receptions of horace, ^ st jerome, epistles . , incorporating a quote from 'corinthians . : qui consensus christo et belial? quid facit cum psalterio horatius?(cited by k. friis-jensen, horace in the middle ages, ) ^ odes . . – was especially influential in promoting the value of heroic calm in the face of danger, describing a man who could bear even the collapse of the world without fear (si fractus illabatur orbis,/impavidum ferient ruinae). echoes are found in seneca's agamemnon – , prudentius's peristephanon . – and boethius's consolatio metrum .(r. tarrant, ancient receptions of horace, – ) ^ heiric, like prudentius, gave horatian motifs a christian context. thus the character lydia in odes . . , who would willingly die for her lover twice, becomes in heiric's life of st germaine of auxerre a saint ready to die twice for the lord's commandments (r. tarrant, ancient receptions of horace, – ) ^ according to a medieval french commentary on the satires: "...first he composed his lyrics, and in them, speaking to the young, as it were, he took as subject-matter love affairs and quarrels, banquets and drinking parties. next he wrote his epodes, and in them composed invectives against men of a more advanced and more dishonourable age...he next wrote his book about the ars poetica, and in that instructed men of his own profession to write well...later he added his book of satires, in which he reproved those who had fallen a prey to various kinds of vices. finally, he finished his oeuvre with the epistles, and in them, following the method of a good farmer, he sowed the virtues where he had rooted out the vices." (cited by k. friis-jensen, horace in the middle ages, – ) ^ 'horace juvenal' was author of modern manners: a poem, ^ see for example spectator , feb. ; , nov. ; , nov. ^ one echo of horace may be found in line : "were it not better done as others use,/ to sport with amaryllis in the shade/or with the tangles of neaera's hair?", which points to the neara in odes . . (douglas bush, milton: poetical works, , note ) ^ cfr. james boswell, "the life of samuel johnson" aetat. , where boswell remarked of johnson that horace's odes "were the compositions in which he took most delight." ^ the quote, from memorials of a tour of italy ( ), contains allusions to odes . and . (s. harrison, the nineteenth and twentieth centuries, – ) ^ "my heart aches, and a drowsy numbness pains / my sense..." echoes epodes . – (s. harrison, the nineteenth and twentieth centuries, ) ^ comment by s. harrison, editor and contributor to the cambridge companion to horace (s. harrison, the nineteenth and twentieth centuries, ^ rossetti's sonnet, a study (a soul), dated , was not published in her own lifetime. some lines: she stands as pale as parian marble stands / like cleopatra when she turns at bay... (c. rossetti, complete poems, ^ quoted from auden's poem out on the lawn i lie in bed, , and cited by s. harrison, the nineteenth and twentieth centuries, ^ edited by mcclatchy, reviewed by s. harrison, bryn mawr classical review . . ^ i. wedde, the commonplace odes, auckland , (cited by s. harrison, the nineteenth and twentieth centuries, ) ^ 'political' epodes are , , , ; notably obscene epodes are and . e. fraenkel is among the admirers repulsed by these two poems, for another view of which see for example dee lesser clayman, 'horace's epodes viii and xii: more than clever obscenity?', the classical world vol. , no. (september ), pp – jstor  ^ m. almond, the works , washington, cited by s. harrison, the nineteenth and twentieth centuries, citationsedit ^ a b j. michie, the odes of horace, ^ n. rudd, the satires of horace and persius, ^ r. barrow r., the romans pelican books, ^ fraenkel, eduard. horace. oxford: , p. . for the life of horace by suetonius, see: (vita horati) ^ brill's companion to horace, edited by hans-christian günther, brill, , p. , google book ^ satires . . ^ epistles . . ff. ^ e. fraenkel, horace, – ^ satires . . ^ t. frank, catullus and horace, – ^ a. campbell, horace: a new interpretation, ^ epistles . . ^ r. nisbet, horace: life and chronology, ^ e. fraenkel, horace, – ^ a b v. kiernan, horace: poetics and politics, ^ satires . . ^ e. fraenkel, horace, – ^ a b satires . ^ v. kiernan, horace: poetics and politics, ^ odes . ^ e. fraenkel, horace, – ^ e. fraenkel, horace, – ^ satires . . ^ a b r. nisbet, horace: life and chronology, ^ v. kiernan, horace, ^ odes . . ^ epistles . . – ^ v. kiernan, horace: poetics and politics ^ e. fraenkel, horace, – ^ christopher brown, in a companion to the greek lyric poets, d.e. gerber (ed), leiden , pages – ^ douglas e. gerber, greek iambic poetry, loeb classical library ( ), introduction pages i–iv ^ d. mankin, horace: epodes, c.u.p., ^ d. mankin, horace: epodes, ^ r. conway, new studies of a great inheritance, – ^ v. kiernan, horace: poetics and politics, – ^ f. muecke, the satires, – ^ r. lyne, augustan poetry and society, ^ j. griffin, horace in the thirties, ^ a b r. nisbet, horace: life and chronology, ^ d. mankin, horace: epodes, ^ satires . ^ odes . . ^ epodes and ^ e. fraenkel, horace, ^ satires . . ^ r. nisbet, horace: life and chronology, ^ v. kiernan, horace: poetics and politics, – ^ r. nisbet, horace: life and chronology, ^ epistles . . – ^ epistles . . ^ v. kiernan, horace: poetics and politics, , ^ epistles . ^ epistles . . – ^ r. nisbet, horace: life and chronology, – ^ e. fraenkel, horace, – ^ epistles . ^ r. ferri, the epistles, ^ odes . and . ^ e. fraenkel, horace, ^ r nisbet, horace: life and chronology, – ^ s. harrison, style and poetic texture, ^ e. fraenkel, horace, – ^ gundolf, friedrich ( ). goethe. berlin, germany: bondi. ^ e. fraenkel, horace, – ^ e. fraenkel, horace, ^ e. fraenkel, horace, – ^ j. griffin, gods and religion, ^ s. harrison, lyric and iambic, ^ s. harrison, lyric and iambic, – ^ a b e. fraenkel, horace, , ^ l. morgan, satire, – ^ s. harrison, style and poetic texture, ^ r. ferri, the epistles, pp. – ^ e. fraenkel, horace, p. ^ v. kiernan, horace: poetics and politics, ^ j. moles, philosophy and ethics, pp. – , ^ k. j. reckford, some studies in horace's odes on love ^ j. moles, philosophy and ethics, p. ^ santirocco "unity and design", lowrie "horace's narrative odes" ^ ancona, "time and the erotic" ^ j. moles, philosophy and ethics, pp. – ^ davis "polyhymnia" and lowrie "horace's narrative odes" ^ j. moles, philosophy and ethics, p. ^ j. moles, philosophy and ethics, pp. – ^ r. tarrant, ancient receptions of horace, ^ v. kiernan, horace: poetics and politics, ^ d. money, the seventeenth and eighteenth centuries, , ^ r. lyme, augustan poetry and society, ^ niall rudd, the satires of horace and persius, ^ r. tarrant, ancient receptions of horace, – ^ r. tarrant, ancient receptions of horace, ^ r. tarrant, ancient receptions of horace, ^ r. tarrant, ancient receptions of horace, – ^ a b r. tarrant, ancient receptions of horace, ^ r. tarrant, ancient receptions of horace, – ^ r. tarrant, ancient receptions of horace, – ^ stuart lyons, horace's odes and the mystery of do-re-mi ^ tristia, . . – ^ b. bischoff, living with the satirists, – ^ k. friis-jensen,horace in the middle ages, ^ k. friis-jensen, horace in the middle ages, , ^ k. friis-jensen, horace in the middle ages, – ^ k. friis-jensen, horace in the middle ages, ^ k. friis-jensen, horace in the middle ages, ^ michael mcgann, horace in the renaissance, ^ e. rivers, fray luis de león: the original poems ^ m. mcgann, horace in the renaissance, – , – ^ d. money, the seventeenth and eighteenth centuries, , , ^ d. money, the seventeenth and eighteenth centuries, ^ d. money, the seventeenth and eighteenth centuries, – ^ j. talbot, a horatian pun in paradise lost, – ^ b. loveling, latin and english poems, – , – ^ d. money, the seventeenth and eighteenth centuries, – ^ e. tollet, poems on several occasions, ^ translation adapted from d. money, the seventeenth and eighteenth centuries, ^ a. gilbert, literary criticism: plato to dryden, , ^ w. kupersmith, roman satirists in seventeenth century england, – ^ d. money, the seventeenth and eighteenth centuries, – ^ s. harrison, the nineteenth and twentieth centuries, ^ v. kiernan, horace: poetics and politics, x ^ s. harrison, the nineteenth and twentieth centuries, ^ d. money, the seventeenth and eighteenth centuries, ^ s. harrison, the nineteenth and twentieth centuries, – ^ m. arnold, selected prose, ^ w. flesch, companion to british poetry, th century, ^ s. harrison, the nineteenth and twentieth centuries, ^ s. medcalfe, kipling's horace, – ^ s. harrison, the nineteenth and twentieth centuries, ^ d. mankin, horace: epodes, – ^ r. mcneill, horace, ^ balme, maurice, moorwood, james ( ). oxford latin course part one. oxford university press. isbn  - . referencesedit arnold, matthew ( ). selected prose. penguin books. isbn  - - - - . barrow, r ( ). the romans. penguin/pelican books. barchiesi, a ( ). speaking volumes: narrative and intertext in ovid and other latin poets. duckworth. bischoff, b ( ). 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"gods and religion". the cambridge companion to horace. cambridge university press. harrison, stephen ( ). "lyric and iambic". a companion to latin literature. blackwell publishing. harrison, stephen ( ). "introduction". the cambridge companion to horace. cambridge university press. harrison, stephen ( ). "style and poetic texture". the cambridge companion to horace. cambridge university press. harrison, stephen ( ). "the nineteenth and twentieth centuries". the cambridge companion to horace. cambridge university press. hooley, d ( ). the knotted thong: structures of mimesis in persius. ann arbor. hutchinson, g ( ). "the publication and individuality of horace's odes – ". classical quarterly . kiernan, victor ( ). horace: poetics and politics. st martin's press. kupersmith, w ( ). roman satirists in seventeenth century england. lincoln, nebraska and london. loveling, benjamin ( ). latin and english poems, by a gentleman of trinity college, oxford. london. lowrie, michèle ( ). horace's narrative odes. oxford university press. lyne, r ( ). "augustan poetry and society". the oxford history of the classical world. oxford university press. mankin, david ( ). horace: epodes. cambridge university press. mcneill, randall ( ). horace. oxford university press. isbn  - - - - . michie, james ( ). "horace the man". the odes of horace. penguin classics. moles, john ( ). "philosophy and ethics". the cambridge companion to horace. cambridge university press. money, david ( ). "the seventeenth and eighteenth centuries". the cambridge companion to horace. cambridge university press. morgan, llewelyn ( ). "satire". a companion to latin literature. blackwell publishing. muecke, frances ( ). "the satires". the cambridge companion to horace. cambridge university press. nisbet, robin ( ). "horace: life and chronology". the cambridge companion to horace. cambridge university press. reckford, k. j. ( ). horatius: the man and the hour. . american journal of philology. pp.  – . rivers, elias ( ). fray luis de león: the original poems. grant and cutler. rossetti, christina ( ). the complete poems. penguin books. rudd, niall ( ). the satires of horace and persius. penguin classics. santirocco, matthew ( ). unity and design in horace's odes. university of north carolina. syme, r ( ). the augustan aristocracy. oxford university press. talbot, j ( ). "a horatian pun in paradise lost". notes and queries ( ). oxford university press. tarrant, richard ( ). "ancient receptions of horace". the cambridge companion to horace. cambridge university press. tollet, elizabeth ( ). poems on several occasions. london. further readingedit davis, gregson ( ). polyhymnia the rhetoric of horatian lyric discourse. berkeley: university of california press. isbn  - - - . fraenkel, eduard ( ). horace. oxford: clarendon press. horace ( ). the complete works of horace. charles e. passage, trans. new york: ungar. isbn  - - - . johnson, w. r. ( ). horace and the dialectic of freedom: readings in epistles . ithaca: cornell university press. isbn  - - - . lyne, r.o.a.m. ( ). horace: behind the public poetry. new haven: yale univ. press. isbn  - - - . lyons, stuart ( ). horace's odes and the mystery of do-re-mi. aris & phillips. lyons, stuart ( ). music in the odes of horace. aris & phillips. michie, james ( ). the odes of horace. rupert hart-davis. newman, j.k. ( ). augustus and the new poetry. brussels: latomus, revue d’études latines. noyes, alfred ( ). horace: a portrait. new york: sheed and ward. perret, jacques ( ). horace. bertha humez, trans. new york: new york university press. putnam, michael c.j. ( ). artifices of eternity: horace's fourth book of odes. ithaca, ny: cornell university press. isbn  - - - . reckford, kenneth j. ( ). horace. new york: twayne. rudd, niall, ed. ( ). horace : a celebration – essays for the bimillennium. ann arbor: univ. of michigan press. isbn  - - -x. sydenham, colin ( ). horace: the odes. duckworth. west, david ( ). horace the complete odes and epodes. oxford university press. wilkinson, l.p. ( ). horace and his lyric poetry. cambridge: cambridge university press. external linksedit horaceat wikipedia's sister projects  definitions from wiktionary  media from wikimedia commons  quotations from wikiquote  texts from wikisource  data from wikidata works by horace at project gutenberg works by or about horace at internet archive works by horace at librivox (public domain audiobooks)   q. horati flacci opera, recensuerunt o. keller et a. holder, voll., lipsiae in aedibus b. g. teubneri, – . common sayings from horace the works of horace at the latin library carmina horatiana all carmina of horace in latin recited by thomas bervoets. selected poems of horace works by horace at perseus digital library biography and chronology horace's works: text, concordances and frequency list sorgll: horace, odes i. , read by robert sonkowsky translations of several odes in the original meters (with accompaniment). a discussion and comparison of three different contemporary translations of horace's odes some spurious lines in the ars poetica? horati opera, acronis et porphyrionis commentarii, varia lectio etc. (latine) horace ms a ars poetica and epistulae at openn retrieved from "https://en.wikipedia.org/w/index.php?title=horace&oldid= " last edited on december , at : content is available under cc by-sa . unless otherwise noted. this page was last edited on december , at :  (utc). text is available under the creative commons attribution-sharealike license; additional terms may apply. by using this site, you agree to the terms of use and privacy policy. wikipedia® is a registered trademark of the wikimedia foundation, inc., a non-profit organization. privacy policy about wikipedia disclaimers contact wikipedia terms of use desktop developers statistics cookie statement make your donation now - wikimedia foundation make your donation now jump to navigation jump to search we ask you, humbly, to help. we'll get straight to the point: today we ask you to defend wikipedia's independence. we're a non-profit that depends on donations to stay online and thriving, but % of our readers don't give; they simply look the other way. if everyone who reads wikipedia gave just a little, we could keep wikipedia thriving for years to come. the price of a cup of coffee is all we ask. when we made wikipedia a non-profit, people told us we’d regret it. but if wikipedia were to become commercial, it would be a great loss to the world. wikipedia is a place to learn, not a place for advertising. the heart and soul of wikipedia is a community of people working to bring you unlimited access to reliable, neutral information. we know that most people will ignore this message. but if wikipedia is useful to you, please consider making a donation of $ , $ , $ or whatever you can to protect and sustain wikipedia. thanks, jimmy wales wikipedia founder it appears that you do not have javascript enabled, or your browser does not support it. in order to provide a safe, secure and pleasant experience, our donation form requires javascript. loading… (if the form does not load, your web browser may not be supported. please try a different browser.) donation amount (usd) just once give monthly $ . $ $ $ $ $ $ other please select an amount (minimum $ ) we cannot accept donations greater than usd $ ($ $ ) through our website. please contact our major gifts staff at $ . donate by credit/debit card i'll generously add $x to cover the transaction fees so you can keep % of my donation. where your donation goes technology: servers, bandwidth, maintenance, development. wikipedia is one of the top websites in the world, and it runs on a fraction of what other top websites spend. people and projects: the other top websites have thousands of employees. we have about staff and contractors to support a wide variety of projects, making your donation a great investment in a highly-efficient not-for-profit organization. tax deductibility information we do not sell or trade your information to anyone. by donating, you agree to share your personal information with the wikimedia foundation, the nonprofit organization that hosts wikipedia and other wikimedia projects, and its service providers pursuant to our donor policy. wikimedia foundation and its service providers are located in the united states and in other countries whose privacy laws may not be equivalent to your own. for more information please read our donor policy. for recurring donors, fixed monthly payments will be debited by the wikimedia foundation on the monthly anniversary of the first donation, until such time as you notify us to discontinue them. donations initiated on the , , or of the month will recur on the last day of the month for shorter months, as close to the original date as possible. for questions, please contact donate@wikimedia.org. problems donating? 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( ); lex. alte welt; lcauth zeit lebensdaten: v -v (lebensdaten nach pauly neu) - v. chr. (udk-zeitcode v ) land römisches reich (xt) sprache(n) latein (lat) geografischer bezug geburtsort: venosa wirkungsort: rom sterbeort: rom beruf(e) schriftsteller philosoph weitere angaben augusteischer dichter aus dem kreis des maecenas beziehungen zu personen servius (vd- mitverf.) caesarius, johann (vd- mitverf.) tritonius, petrus (vd- mitverf.) honorius, johannes (vd- mitverf.) irenicus, franciscus (vd- mitverf.) poelmann, theodor (vd- mitverf.) hartung, johannes (vd- mitverf.) frischlin, nicodemus (vd- mitverf.) ramus, petrus (vd- mitverf.) vettori, pietro (vd- mitverf.) systematik . p personen zu literaturgeschichte (schriftsteller) ; . p personen der geschichtswissenschaft (historiker, archäologen) ; . p personen zu sprache typ person (piz) autor von publikationen sämtliche werke horatius flaccus, quintus. - berlin/boston : de gruyter, , . auflage [werke] sämtliche werke horatius flaccus, quintus. - berlin : de gruyter, [ ] ... beteiligt an publikationen die spur der maus münster : ed. depping, mondphasen leipzig : ed. erata, , . aufl. ... thema in publikationen non omnis moriar hildesheim : georg olms verlag, tali dignus amico flores militello, vicente. - tübingen : narr francke attempto verlag, ... maschinell verknüpft mit publikationen die oden des horaz in reimstrophen berlin/boston : de gruyter, , reprint die "siebte epode" von horaz. analyse der politischen und gattungshistorischen aspekte des gedichtes möller, laurenz. - münchen : grin verlag, , . auflage, digitale originalausgabe ... exemplarbezogene daten stehen derzeit nicht zur verfügung. die online-bestellung von medien ist deshalb nicht möglich. treffer von aktionen in meine auswahl übernehmen druckansicht versenden marc -xml-repräsentation dieses datensatzes rdf (turtle)-repräsentation dieses datensatzes dokumentation rdf (linked data service) korrekturanfrage nachweis der quelle zugehöriger artikel in wikipedia administration version . . . / - - t : : seitenanfang information for "horace" - wikipedia help information for "horace" jump to navigation jump to search contents basic information page protection edit history page properties external tools basic information display title horace default sort key horace page length (in bytes) , page id page content language en - english page content model wikitext indexing by robots allowed number of page watchers number of page watchers who visited recent edits number of redirects to this page counted as a content page yes page image page views in the past days , wikidata item id q local description roman lyric poet central description roman lyric poet page protection edit allow all users (no expiry set) move allow all users (no expiry set) view the protection log for this page. edit history page creator . . .xxx (talk) date of page creation : , august latest editor monkbot (talk | contribs) date of latest edit : , december total number of edits , recent number of edits (within past days) recent number of distinct authors page 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izjava o pristupačnosti tout coule: horace tout coule showing posts with label horace. show all posts showing posts with label horace. show all posts . . horatii carmen . winter is melting, its bitterness yielding to pleasing, breezy springtime;       slow winches drag dry vessels onto water. and in the stables no longer rejoices a herd, nor ploughman by fire.       fields aren’t gleaming white with morning hoarfrost. now cytherea is leading the choruses: venus under bright moons       and nymphs accompanied by seemly graces thump earth hard with rhythmical feet, as determined vulcan goes back       to work in bright hot forges of the cyclops. now it is fitting to garland your shimmering head with verdant myrtle       or flowers, which earth, as it thaws, produces. now in the shadowy groves it is fitting to sacrifice to faunus       an ewe, if called for, or a kid, if favored. colorless death kicks over the tables of beggars and the towers       of kings alike. o blessed sestius, how  life's brief span disallows us embarking on limitless endeavors!       now night's upon you pressing, now the fabled manes, and pluto's diaphanous house, where as soon as you have entered,       you neither will cast lots to see who drinks first nor be able to marvel at slender lycidas, who incites now       all youths, and whom soon virgins will be hot for. posted by tout coule at : comments email thisblogthis!share to twittershare to facebookshare to pinterest links to this post labels: archilochian, death, horace, latin, lyric, metrical translation, ode, poetry, renewal, spring . . horatii carmen . for professor raish o bandusian fount, clearer than crystal glass, meritorious of blossoms in sweet merlot, take this kid on the morrow whose head swells with an early horn that would meet, in a clash, goats but alas, revered, it will not; he will dye red hoary rivulets run with blood from the sprouted lineage of a playful flock. the unbearable slow hour of eternity does not know how to touch you, who are proffering swift, sweet cold to the vagrant herd and plow-beaten cow as well. your nobility i make, singing verse of the hollows growing up oaks set in the empty stones whence loquacious nymphs come trickling down in a dance to you. posted by tout coule at : comments email thisblogthis!share to twittershare to facebookshare to pinterest links to this post labels: asclepiadean, carmen . , horace, latin, lyric, metrical translation, ode, poetry home subscribe to: posts (atom) one time... hypnos sweet dreams, delightful one. you are free to go wherever. fancy takes you away. tonight   you don't belong to conscious meadows... archives ▼  ( ) ▼  september ( ) horatii carmen . you cannot trust him if you don't love him ►  august ( ) ►  ( ) ►  january ( ) ►  ( ) ►  june ( ) ►  ( ) ►  june ( ) ►  ( ) ►  june ( ) ►  may ( ) ►  april ( ) ►  march ( ) ►  february ( ) ►  january ( ) ►  ( ) ►  december ( ) qu'il fait beau! merci arata i'm hit! © - tout coule. picture window theme. powered by blogger. horaci - viquipèdia, l'enciclopèdia lliure horaci de viquipèdia salta a la navegació salta a la cerca per a altres significats sobre el nom "horaci", vegeu «gens horàcia». quint horaci flac retrat imaginari d'horaci per anton von werner. l'epístola als pisons o art poètica d'horaci és un dels textos cabdals sobre literatura de la tradició occidental. nom original (la) q. horatius flaccus biografia naixement desembre ac venosa (itàlia) mort novembre ac ( anys) roma sepultura roma dades personals nacionalitat imperi romà grup ètnic antics romans activitat ocupació poeta líric i satíric període república romana activitat ac - ac moviment epicureisme tema reflexió moral i estètica literària professors cràtip de mitilene i arist influències (llatines): gai valeri catul (gregues): arquíloc de paros; hiponacte d'efes; alceu influències en autors de renaixement, generació del obra primeres obres les sàtires obres destacables ars poetica o epístola als pisons família pares valor desconegut  i valor desconegut quint horaci flac (llatí: quintus horatius flaccus), conegut simplement com a horaci (venosa, a la regió de la basilicata (antiga lucània), a l'actual itàlia, de desembre del ac - roma, de novembre del ac), fou un poeta líric i satíric llatí. fill d'un esclau alliberat, va tenir l'oportunitat de seguir estudis a roma, i posteriorment a atenes, on es va traslladar per estudiar filosofia. una vegada allà, va ser acollit per brutus, l'assassí de cèsar, que li va donar un alt càrrec al seu exèrcit. no obstant això, en la batalla de filipos ( ac) es va evidenciar la seva falta d'aptitud per a l'art militar i va decidir tornar a roma. va començar a treballar com a escriba, càrrec que li deixava temps lliure per dedicar-se a escriure versos. en aquells dies va conèixer virgili, que el va introduir en el cercle de mecenes, en què a poc a poc va guanyar rellevància i va afermar l'amistat amb aquest, que el va presentar a august. va aconseguir també la protecció de l'emperador, que fins i tot li va oferir el càrrec de secretari personal seu, que va rebutjar per no adequar-se als principis de la seva moral epicúria. fou molt respectat en els alts cercles romans, tant literaris com polítics; es va mantenir sempre sota la protecció de mecenes, juntament amb qui està enterrat. la poesia horaciana, amb la seva varietat de temes nacionals i, sobretot, la seva perfecció formal, signe d'equilibri i serenitat, va ser identificada en el renaixement com la màxima i més excelsa expressió literària de les virtuts clàssiques. contingut biografia . cronologia la crisi del paganisme l'existencialisme d'horaci influència en la literatura posterior obres . sàtires . epodes . carmina . epístoles . cant secular . . antecedents . . objectius del cant d'encàrrec d'august . . edicions . . transmissió manuscrita . . traduccions al català i castellà traductors referències bibliografia . vida i obra d'horaci . traduccions en català . edicions bilingües . edicions crítiques vegeu també enllaços externs . en anglès . en francès biografia[modifica] retrat d'horaci a la seva casa de venosa quint horaci flac (llatí: quintus horatius flaccus) va néixer el ac[ ] a venosa (llatí: venusa), una ciutat situada entre els límits de la lucània i l'apúlia;[ ] la ciutat era un pas de comerciants entre les dues regions i aquest fet, juntament amb el fet que diverses famílies romanes, normalment les famílies dels militars que van participar en la guerra civil del - ac, es van assentar en aquelles terres com a pagament, explica que horaci creixés en un entorn en el qual es va familiaritzar amb diversos dialectes llatins. era fill d'un llibert que va exercir com a coactor, és a dir, una mena de cobrador de subhastes[ ] i, tot i la seva modesta fortuna, va fer un esforç per poder-li donar una bona educació i el va acompanyar a roma perquè assistís a les classes del rètor orbilius, de qui no guarda pas gaires bons records pels seus mètodes.[ ] el ac es va traslladar a atenes, on entrà en contacte amb els corrents filosòfics de l'epicureisme i l'estoïcisme. allà va fer amistat amb marc valeri messal·la corví i luci calpurni bíbul.[ ] l'any ac, l'any de l'assassinat de juli cèsar, horaci encara era a atenes i va coincidir amb brutus i cassi, que havien viatjat fins allà per trobar suport a la seva causa. va ser nomenat tribunus militum, un dels sis oficials de les legions, cosa que va despertar enveges entre els seus companys nascuts en classes més benestants.[ ] el ac, en la batalla de filipos,[ ][ ] octavi i marc antoni van vèncer l'armada republicana de brutus. horaci descriu aquest dia com un dels més vergonyosos de la seva vida, ja que va lluitar contra octavi i és una manera de redimir-se;[ ] per altra banda, també és un recurs poètic freqüent en els poetes grecs que més el van influenciar: arquíloc de paros i hipònax d'efes;[ ] i, com ells, també va abandonar el seu escut. octavi august va oferir una amnistia per a aquells que van donar suport a la causa de brutus, i horaci la va acceptar, però, en tornar a itàlia, es va trobar que li havien confiscat tots els béns per pagar els soldats veterans que havien participat en la campanya contra brutus i cassi. per poder viure, es va veure obligat a treballar i es va llogar com a escriba quaestorius.[ ] també és en aquesta època que va començar a escriure poesia i freqüentar cercles literaris. el ac, va ser presentat a mecenes per part de virgili i luci vari rufus, però va tardar nou mesos a rebre la invitació formal per formar part del cercle de mecenes.[ ] amb ell, va establir una profunda amistat, que queda demostrada en les seves obres de tal manera que gairebé en tots els llibres dedica el primer poema al seu protector. mecenes també l'arribà a apreciar molt, fins al punt que li va regalar una finca al camp sabí l'any ac.[ ][ ][ ] va participar en el tractat de tàrent, un tractat que marcava una nova pau entre octavi august i marc antoni i l'allargament del triumvirat vigent fins al moment, tot i que es va trencar aviat, car marc antoni va buscar el suport de cleòpatra i es va enfrontar a octavi.[ ] el ac mor el seu amic virgili[ ] i, dos anys després, el ac, august li encomana la composició del cant secular, en commemoració dels jocs seculars celebrats per festejar l'entrada a una nova època de pau, una pau que va arribar amb la derrota de marc antoni. va morir el ac, dos mesos després de la mort de mecenes, a qui dedica la seva carmina [ ] que, a més a més, és una oda premonitòria de la seva pròpia mort. cronologia[modifica] any ac neix horaci, el mateix any que el que va ser el seu patró pol·lió. . neix octavi. conjuració de catilina. . constitució del primer triumvirat (juli cèsar, pompeu i cras). . derrota de cras a carras pels parts. . juli cèsar passa el rubicó. guerra civil entre juli cèsar i pompeu. . victòria de juli cèsar a farsàlia. . arriba horaci a atenes. . assassinat de juli cèsar. . guerra de mòdena. constitució del segon triumvirat (octavi, marc antoni i lèpid). proscripcions i mort de ciceró. naixement d'ovidi. . victòria dels cesarians a filipos. horaci entre els derrotats. . presentació d'horaci a mecenes. casa d'horaci a venosa . viatge a bríndisi amb ocasió de la conferència de tàrent. . derrota de sext pompeu pius en la batalla de nauloc. . publicació del primer llibre de sàtires. . mecenes regala una masia a horaci.[ ] . victòria d'octavi en la batalla d'Àccium sobre marc antoni i cleòpatra. . publicació del llibre ii de sàtires i el llibre dels epodes. . mecenes cau molt malalt. a la seva recuperació, és rebut per gran part del poble romà amb una gran ovació al teatre de pompeu.[ ] . victoria final en la batalla d'Àccium.[ ] . triple triomf en la guerra de dalmàcia, la batalla d'Àccium i la guerra d'egipte.[ ] . ludi actiati (jocs commemoratius per la victòria en la batalla d'Àccium). . expedició als pobles bàrbars.[ ] . final de la il·legalitat revolucionària. octavi rep el títol d'august. . expedició a britannia.[ ] . expedició a aràbia.[ ] . guerres càntabres. viatge amb august a hispània.[ ] . matrimoni marc marcel-júlia (filla d'august).[ ] . mort de quintili varus.[ ] . mort de marc marcel.[ ] . licini murena conspira contra august, però és descobert i condemnat a mort.[ ] . publicació dels tres primers llibres d'odes. el compositor benedictus ducis publicà cants fúnebres sobre aquestes, a tres i quatre veus el .[ ] . publicació del primer llibre d'epístoles. . viatge de virgili a grècia.[ ] . moren virgili i tibul. . celebració dels jocs seculars. cant secular. . publicació del llibre ii de les epístoles. . publicació del llibre iv de les odes. el compositor benedictus ducis publicà cants fúnebres sobre aquestes, a tres i quatre veus el .[ ] ac. mor mecenàs. mor horaci. la crisi del paganisme[modifica] a partir del segle i ac, els romans van començar a perdre la fe en el sistema religiós del paganisme, aquelles creences ja no eren aptes per a proporcionar respostes adequades a les grans preguntes existencials del món romà. el paganisme es redueix cada vegada més a la pràctica d'un conjunt de rituals i litúrgies que no condueixen a un coneixement més profund del significat esotèric de les tradicions espirituals i religioses, sinó perquè estan relacionats amb els mos maiorum (el costum dels ancestres), la identitat cultural i, sobretot, amb el calendari romà. darrere de la façana de la religió pagana, no hi ha certeses, però sí que hi ha el buit deixat per la falta de resposta a les grans qüestions existencials, en una societat imperial cada vegada més cosmopolita. l'individu romà, o almenys tots els que gaudeixen d'una certa cultura, perceben aquest buit, l'angoixa, la inseguretat, la certesa de sentir-se privats, a causa de la desaparició d'un estat de valors ben definits com va passar en l'era republicana, i busquen les respostes en una altra part: la filosofia hel·lenística. aquest sentit espiritual d'inseguretat, que la major part de la classe literària del segle, des de catul a lucreci, horaci i fins a arribar a sèneca, està molt estès. per tant, és en relació amb la crisi del paganisme, la raó que es doni àmplia difusió, en el segle i ac, de l'epicureisme en els cercles intel·lectuals de roma. en aquest període, en els principals cercles epicuris romans com el de la ciutat de nàpols, és on probablement horaci va conèixer virgili i vari, que posteriorment va presentar-lo a mecenes. l'epicureisme volia resoldre qualsevol dubte i l'angoixa existencial de la mort, veient la cancel·lació definitiva de la percepció sensorial com el final d'alguns dels sofriments i preocupacions de la terra. la mort és, per tant, considerada com una zona tranquil·la però infeliç, l'alliberament de la vida, com succeeix en la mort del cos i de l'ànima (per ser ambdues substàncies materials). epicur va tenir una reacció optimista davant d'aquestes al·legacions. aquest sentiment es troba en altres intel·lectuals que es van sumar als romans abans de la filosofia de la buidor eterna de la mort. buit amb una sensació d'horror, també presents en el mateix lucreci que, mentre que la descripció s'estén al gairebé mític epicur, rerum inventor, no passa així amb el missatge alliberador d'aquesta filosofia. l'epicureisme no va ser capaç de curar, a la fi, el mal del segle dins la vida romana. no serà capaç d'omplir el buit deixat per la crisi no sols del sistema religiós, sinó també de la de les institucions republicanes, una crisi que acabaria destruint la seguretat de les bases culturals i socials de l'imperi romà. l'existencialisme d'horaci[modifica] horaci s'uneix a l'epicureisme parcialment, així com a la recerca de respostes sobre les grans qüestions de la vida, respostes que no troba mai: el poeta sembla que mai ha escapat de l'angoixa de la mort, que sempre la percep com a imminent. És interessant analitzar l'opinió que el poeta llatí va tenir del més enllà, ja que és, sens dubte, molt sincer: encara que vetllat per una certa seguretat, pròpia de l'aurea mediocritas de què horaci volia ser un exemple, en diverses ocasions brilla amb una vena de malenconia acompanyada de notes de fosc lirisme i elegància, que traeix el seu veritable estat interior. a vegades horaci apareix com el que probablement era realment: un home que va trobar refugi en la vida de la mort, però en realitat mai no va aconseguir curar-se completament la por a la mort, ja que preferia fugir en lloc de lluitar estoicament. la seva personalitat pot semblar, a primera vista, ambigua. aquesta ambigüitat es deriva de la diferència que a vegades es crea entre la imatge que horaci va voler donar de si mateix, i la veritable personalitat del poeta que traspassa de les línies no coincideix, com sosté ugo enrico paoli, "res [...] sembla tan difícil com entrar en l'ànima d'horaci. la representació del més enllà horacià, tanmateix amb una forta empremta de motlle epicureista, ve segellada de la millor manera en l'afirmació, no sense una nota de malenconia, expressada en l'oda del llibre iv: « pulvis et umbra sumus » influència en la literatura posterior[modifica] article principal: tòpics horacians carpe diem els temes i tòpics creats per horaci tindran un suport universal al llarg de la literatura posterior a la seva mort. essencialment a partir del renaixement, és difícil de trobar una sola composició no influïda pels tòpics o les formes horacianes. així, destaquen poetes com ronsard, petrarca o garcilaso, que escriuen envoltats per la dolçor i les reflexions horacianes. a espanya, podem trobar grans influències horacianes en josé cadalso o moratín i fins i tot altres autors que seguiran el camí preparat pel poeta romà. horaci també influí en poetes anglesos com john keats o john milton. més endavant, en la generació del , també trobarem influències horacianes en poetes com en el val·lisoletà jorge guillén. en vicent andrés estellés amb el seu poemari horacianes. no obstant això, amb el pas del temps, l'admiració a aquest gran poeta es convertirà en un apogeu dels seus tòpics en detriment del mateix autor. aquest serà engolit pels seus propis temes i pel desfasament de la cultura a finals del segle xx i començaments del xxi. el seu carpe diem (carpe diem quam minimum credula postero "aprofita el dia, no confiïs en el demà") de l'oda , acaba per convertir-se pràcticament en una dita universal en la qual la identitat de l'autor queda relegada gairebé a l'oblit. així, horaci, s'anirà oblidant i aquest oblit reforçarà la importància de la vulgarització dels seus tòpics. realment, l'escriptor llatí ha rebut poques crítiques que es fonamentin en el buit existencial de les seves reflexions o de les seves formes poètiques; no obstant això, és cert que va rebre crítiques del sector literari més suspicaç, per exemple els seus contemporanis quadrat i especialment d'hermògenes, l'adversari i detractor d'horaci, inicialment ben disposat envers aquest (l'anomena optimus cantor et modulator) i després enemistat per causes que, segons horaci, es devien a l'enveja: hermògenes s'oposava a les sàtires, però tampoc tenia talent per fer grans obres i es dedicava a l'ensenyament mentre horaci adquiria gran fama. sembla que quan horaci parla de pantolabus es refereix a aquest hermògenes. a mesura que avancen els segles, les crítiques a aquesta figura de la poesia universal acaben per apagar-se, deixant el camí lliure cap a la llista interminable d'adulacions que des del renaixement se li han prodigat. en el segle xxi, es fa gairebé impossible trobar una sola crítica a una figura tan rellevant com horaci, però d'aquesta mateixa manera és difícil trobar un càntic a la seva persona i a la seva tasca. l'única crítica coneguda fins ara amb certa rellevància és el "a tu, horaci", del ceutí hugo de lara lópez, obra en la qual s'ataca horaci per la seva presumpta doble moral (acusació que en l'antiguitat mai no se li va fer), i en la qual es dóna una importància desmesurada al fet de no respectar les seves verdaderes creences i per ofendre i condemnar, de manera metafòrica, el poble pla, que sempre va defugir. curiosament, l'objectiu de la crítica, estesa en dos sonets, fa referència al famós aurea mediocritas ('punt mitjà daurat') del poeta llatí, al·ludeix a l'intent d'assolir un punt desitjat mitjà entre els extrems o un estat ideal en el qual no afectin en excés ni les alegries ni les penes; està relacionat amb l'hedonisme epicureista, basat a conformar-se amb el que es té i no deixar-se portar per les emocions desproporcionades. És un dels tòpics que van fer gran horaci, per a la posteritat, al costat del carpe diem en el beatus ille. obres[modifica] la seva poesia es divideix en quatre gèneres que donen nom a les seves obres: sàtires, retrats irònics del seu temps, dividits en dos llibres i escrits en hexàmetres; epodes, disset poemes iàmbics de temàtica variada i influència hel·lenística; carmina (odes), també en hexàmetres; epístoles, la seva última obra, en la qual, coincidint amb una actitud vital i literària més calmada i més propícia a la reflexió moral que a la invectiva i la sàtira que van caracteritzar les seves obres primeres, va optar per la ficció epistolar sense abandonar l'escriptura en hexàmetres. entre les epístoles, es troba la cèlebre art poètica, que va marcar les pautes de l'estètica literària llatina. sàtires[modifica] saturae, les sàtires d'horaci, publicades entre el ac i el ac, s'agrupen en dos reculls, l'un de deu peces i l'altre de vuit (en hexàmetres). aquest gènere és típicament romà, creat per gai lucili al segle ii ac, i particularment propici a l'autoretrat: és sens dubte amb les sàtires que horaci s'hi descriu millor. es tracta de «xerrades» (sermons) en què es reivindica la llibertat d'expressió i la polèmica, sigui a propòsit de qüestions socials, ètiques, literàries, o fins polítiques. però allò que era permès a lucili sota la república no ho és, evidentment, en temps d'horaci sota un règim despòtic. epodes[modifica] interior de la casa d'horaci, venosa publicats en ac, els epodes són disset poemes, amb un total versos, dels quals quatre són probablement apòcrifs (i, - i xvi, - ). horaci no els anomenava epodes, sinó iàmbics, sent fidel a l'escola de gai valeri catul, cosa que es guarda prou bé de proclamar, ja que catul era maleït per cèsar i els seus seguidors. prefereix, de forma menys arriscada, reivindicar-se seguidor d'arquíloc, inventor del gènere a grècia -i que se n'havia servit com d'una arma temible contra els seus enemics, tant privats com públics. el to és el de la invectiva, l'estil és aspre i tens, i l'erotisme més cru pot acompanyar els accents més patriòtics. com el seu nom indica (almenys en un dels seus sentits), els epodes són escrits en dístics (un vers llarg + un vers curt) de tipus de versos iàmbics. carmina[modifica] carmina, publicades el ac per als tres primers llibres; el ac per al quart: encara que les dates tradicionalment més admeses oscil·len entre el i el ac, les odes d'horaci o carmina són quatre llibres que contenen , , i peces, respectivament, és a dir, un total de . versos, dels quals n'hi ha sis que sens dubte són apòcrifs (iv, , - i iv, , - ). horaci els comparava orgullosament a les piràmides d'egipte, i és en efecte l'obra mestra absoluta de la lírica romana. aquest monument reuneix tots els superlatius, combina totes les meravelles. d'entrada, constitueixen una proesa mètrica, amb la utilització de quatre tipus d'estrofes diferents, sis varietats de dístics, i tres espècies de versos utilitzats sols (kata stikhon). miracle d'equilibri espontani, en una harmoniosa arquitectura que es desplega segons proporcions numèriques tan complexes com impecables. prodigi de circulació també, d'interconnexions, de xarxes, de correspondències, combinacions i simetries diverses, del qual el conjunt constitueix una d'immensa i ultrasensible cambra de ressonància. quant a la increïble virtuositat verbal que tria i emplaça cada paraula amb el màxim d'energia possible, n'hi ha prou amb dir que va impressionar nietzsche en el grau més alt per allò que anomenava la seva «noblesa». però on horaci se supera, allà on es mereix el millor «llorer dèlfic» (odes, iii, ), és en el domini del contingut. en aparença, res més heteròclit que les odes, en què semblen interferir de manera aleatòria l'esfera privada i l'esfera pública, els amors i la política, el món grec i el món llatí, la mitologia més nuvolosa i l'actualitat més ardent, l'epicureisme empès fins al sibaritisme, i un estoïcisme esmolat fins a l'ascetisme i a un renunciament gairebé monacal avançat a l'època. i tanmateix, hi ha un director d'orquestra que domina tots aquests timbres i tots aquests instruments amb una batuta sobirana. subterrània també, ja que la partició en aquesta enlluernadora simfonia, composta en honor de la llibertat humana de cara a la tirania política, no es desxifra més que a condició d'accedir al segon nivell de l'escriptura, fonamentat principalment en el control secret de la situació d'enunciació. el primer llibre (carminum liber i) correspon a la joventut, de fantasia i d'inspiracions variades: composicions severes, èpiques o literàries es barregen amb unes altres de més joioses o d'invocació a venus. en el segon llibre (carminum liber ii) hi ha una pausa per a la meditació, s'esmorteix l'impuls líric. s'hi tracta allò que ell demana a la vida pròpia. s'hi exposa el concepte d'aurea mediocritas; també es parla dels anys que passen (anni labuntur) i de l'otium (l'oci). al tercer llibre (carminum liber iii) ens trobem amb un horaci ja madur. tanmateix, torna als vells temes. epístoles[modifica] l'estàtua d'horaci a venosa (publicades el ac o ac, més probablement que en la data més admesa ( ac), i probablement després del ac per al segon recull.) el primer recull de les epístoles conté peces (és a dir, . versos, dels quals set de la primera peça són probablement apòcrifs); i el segon recull consta de només dues peces, però molt llargues ( i versos). s'hi afegeix l'epístola als pisons, més coneguda sota el nom d'art poètica ( versos). són escrites en hexàmetres, com les sàtires i, com aquestes, són converses d'aspecte lliure. però sent les epístoles cartes fictícies adreçades a persones ben precises, el to hi és menys viu i l'estil més distès. sota aquesta tranquil·litzadora superfície, horaci persegueix amb perseverança el seu combat, un combat en el qual l'amplitud i les peripècies, així com en les odes, no es revelaran més que al lector atent en l'enunciació de la situació: s'ha tenir molt en compte no sols el destinatari (amic o enemic?), sinó també el locutor, que no és automàticament l'autor de l'escrit... la primera epístola del segon recull s'adreça així directament a august: o com agafar la cua del lleó sense que et mossegui. juli flor és el destinatari de la segona, en què horaci diposita el seu testament espiritual i la quinta essència de la seva saviesa. cant secular[modifica] antecedents[modifica] el cant secular està compost en un ritme eòlic: l'estrofa sàfica. té una estructura pindàrica. es tracta d'un cant per encàrrec, pràctica que ja trobem en els autors lírics grecs com ara el mateix píndar, que en els seus epinicis escrivia cants per encàrrec dedicats al vencedors dels jocs esportius. objectius del cant d'encàrrec d'august[modifica] l'any ac august va encarregar a horaci la composició del cant secular amb motiu de la celebració dels ludi tarentini, també anomenats jocs seculars, que es van dur a terme durant el mes de maig del mateix any. august va decidir que fos horaci qui compongués aquest cant pels elogis que el poeta havia fet a les intencions morals i religioses de l'emperador en el darrer llibre de les odes. tot i que horaci no estava gaire d'acord a exaltar la figura d'august, va acceptar l'encàrrec en honor del seu company virgili, el qual havia mort l'any ac. així, en el cant s'entreveu l'homenatge que fa a la figura de virgili tot incloent la llegenda de troia i eneas. l'objectiu del cant era principalment recuperar les antigues tradicions alhora que s'exaltava el principat d'august. d'aquesta manera, el missatge del cant era d'agraïment als déus per la pax augusta i una severa exhortació a fomentar la veneració i devoció cap als déus a més d'establir una relació fluida entre l'estat i els déus. en aquesta obra, queda ben reflectida la filosofia que trobem en l'obra d'horaci, així com podem entreveure la ideologia del principat d'august. el cant és un himne a apol·lo i diana, a més dels déus tutelars de roma. va ser compost amb la idea que fos cantat durant el tercer dia dels jocs per un cor de vint-i-set nois i el mateix nombre de noies, procedents de les millors famílies de roma, els quals havien de ser verges i tenir el dos progenitors vius. a l'hora d'entonar-lo, un dels cors es va situar al cim del mont palatí i l'altre al cim del mont capitoli. aquesta composició li va atorgar el títol de poeta llorejat. edicions[modifica] les edicions que tenim del text ens han arribat sempre compilades juntament amb les odes. actualment, trobem el cant secular en les edicions següents: bibliotheca scriptorum graecorum et romanorum teubneriana editat per fridericus klingner collection des universités de france editat per f. villeneuve. loeb classical library editat per c. e. bennett scriptorum classicorum bibliotheca oxoniensis editat per eduardus c. wickham per altra banda, actualment hi ha dues edicions en línia, corresponents a the latin library[ ] i perseus.[ ] transmissió manuscrita[modifica] tal com ja s'ha mencionat, la compilació del cant secular ha anat lligada a la de les odes. per aquest motiu, per a la transmissió manuscrita, vegeu les odes. traduccions al català i castellà[modifica] les traduccions del cant secular es troben normalment editades juntament amb els quatre llibres d'odes d'horaci. en català, tan sols està traduïda per l'editorial fundació bernat metge, a càrrec de josep vergès. en llengua castellana tenim dues edicions: gredos, traduïda per josé luis moralejo universitat autònoma nacional de mèxic, traduïda per rubén bonifaz nuño. traductors[modifica] josep vergés i fàbregas joan sardà i lloret joaquim garcia girona miguel parera cort aquilino iglesia alvariño josé luis moralejo referències[modifica] ↑ carm. ii. ↑ sat. ii. , ↑ sat. i. , vv. - ↑ ep. ii. , ↑ ep. ii. ↑ sat. i. , ↑ ep. xiii, - ↑ carm. ii. ↑ carm. i. , ↑ ep. vi, - ; viii; x; xi ↑ ep. ii. , ↑ sat. i. ↑ carm. i. , ↑ carm.ii. , , , ↑ carm.iii. , - ↑ carm. i, ↑ , , carm.i. ↑ odes i, , ; ii, , , , ↑ oda i, ↑ oda i, ↑ odes i, ; ii, ↑ oda ii, ↑ , , oda i, ↑ oda i, ; ii, ↑ , , oda i, ↑ oda i, , ↑ oda ii, ↑ , , enciclopèdia espasa volum núm. , a part, pàg. (isbn - - - ) ↑ oda i, ↑ «the latin library (horaci)» (en anglès). [consulta: maig ]. ↑ «perseus collection (greek and roman materials)» (en anglès). [consulta: maig ]. bibliografia[modifica] vida i obra d'horaci[modifica] alberte gonzález, antonio & codoñer merino, carmen. historia de la literatura latina. càtedra, madrid, albrecht, michael von. historia de la literatura romana: desde andronico hasta boecio. herder, bayet, jean. literatura latina. ariel, barcelona citroni, m - consolino, f. e., labate, m., narducci, e., letteratura di roma antica, laterza, roma-bari . conte, gian biagio. latin literature: a history. baltimore, johns hopkins university press, harrison, s. j. a companion to latin literature. malden, ma: blackwell pub. traduccions en català[modifica] joan carbonell i manils. horaci: epodes (en català). barcelona: la magrana, març de . isbn - - - edicions bilingües[modifica] horacio ( ). sátiras. epístolas. arte poética. madrid: editorial gredos isbn - - - - horacio ( ). odas. canto secular. epodos. madrid: editorial gredos isbn - - - - vergés, josep. q. horaci flac: odes i epodes. fundació bernat metge: barcelona, - . llorenç riber. 'q. horaci flac: sàtires i epístoles.' fundació bernat metge: barcelona, . edicions crítiques[modifica] d. r. shackleton bailey. q. horativs flaccvs: opera (en llatí). monachii [etc.]: saur, . isbn vegeu també[modifica] col·lecció fundació bernat metge. tòpics horacians. gens horàcia. enllaços externs[modifica] en altres projectes de wikimedia: commons (galeria) commons (categoria) viquidites viquitexts en anglès[modifica] biography and chronology. horace's works: text, concordances and frequency list. horatius.net litweb. poetry in translation (horace). projecte gutenberg (horace & horatio). selected poems of horace. sorgll: horace, odes i. , read by robert sonkow. the perseus project — latin and greek authors (with english translations), including horace. the works of horace the latin library.com en francès[modifica] espace horace. registres d'autoritat worldcat cantic: a bne: xx bnf: cb b gnd: lccn: n viaf: isni: selibr: sudoc: bibsys: ulan: nla: ndl: nkc: jn rls: iccu: it\iccu\cfiv\ bases d'informació gec: europeana: viccionari obtingut de «https://ca.wikipedia.org/w/index.php?title=horaci&oldid= » categories: poetes satírics romans persones de la província de potenza persones de la basilicata gens horàcia categories ocultes: pàgines amb enllaç commonscat des de wikidata articles amb identificador cantic articles amb identificador europeana control d'autoritats menú de navegació eines personals sense sessió iniciada discussió per aquest ip contribucions crea un compte inicia la sessió espais de noms pàgina discussió variants vistes mostra modifica mostra l'historial més cerca navegació portada article a l'atzar articles de qualitat comunitat portal viquipedista actes presencials canvis recents la taverna contacte xat donatius ajuda eines què hi enllaça canvis relacionats pàgines especials enllaç permanent informació de la pàgina citau aquest article element a wikidata imprimeix/exporta crear un llibre baixa com a pdf versió per a impressora en altres projectes commons viquidites viquitexts en altres idiomes afrikaans አማርኛ aragonés العربية مصرى asturianu تۆرکجه Башҡортса Žemaitėška Беларуская Беларуская (тарашкевіца)‎ Български brezhoneg bosanski Čeština cymraeg dansk deutsch zazaki Ελληνικά english esperanto español eesti euskara فارسی suomi võro français furlan gaeilge galego עברית हिन्दी fiji hindi hrvatski magyar Հայերեն interlingua bahasa indonesia ido Íslenska italiano 日本語 ქართული Қазақша 한국어 kurdî kernowek latina lingua franca nova lietuvių latviešu malagasy Македонски മലയാളം Монгол मराठी bahasa melayu nāhuatl nederlands norsk nynorsk norsk bokmål occitan ਪੰਜਾਬੀ polski piemontèis português română tarandíne Русский sardu sicilianu srpskohrvatski / српскохрватски simple english slovenčina slovenščina Српски / srpski seeltersk svenska kiswahili தமிழ் tagalog türkçe Татарча/tatarça Українська oʻzbekcha/ўзбекча tiếng việt volapük walon winaray 吴语 中文 粵語 modifica els enllaços la pàgina va ser modificada per darrera vegada el nov a les : . el text està disponible sota la llicència de creative commons reconeixement i compartir-igual; es poden aplicar termes addicionals. vegeu les condicions d'ús. wikipedia® (viquipèdia™) és una marca registrada de wikimedia foundation, inc. política de privadesa quant al projecte viquipèdia renúncies versió per a mòbils desenvolupadors estadístiques declaració de cookies nli aut multilang - full view of record national library of israel names and subjects authority file basic advanced recent search previous searches e-shelf other catalogs help quit   record view full record view short record view catalog card name tags marc tags save/email add to my e-shelf   sys. no.   personal name    horace   ‫  הורציוס פלקוס, קוינטוס ‬   ‫  هوراس ‬ s.f. pers. name    flaccus, quintus horatius    horatius flaccus, quintus    oracio    horacy    horacio    quintus horatius flaccus    horaz    horatius flaccus, q. (quintus),  - v. chr.   ‫  הורטיוס פלקוס, קוינטוס ‬   ‫  הוראטיוס פלקוס, קוינטוס ‬   ‫  هوراتيوس فلاكس، كوينتس ‬ source data found   lcn   ‫ فن الشعر، : على الباب (هوراس) ‬ © the national library of israel notice de personne "horace ( - av. j.-c.)" | bnf catalogue général - bibliothèque nationale de france aller au contenu espace personnel utilisez votre espace personnel pour :   réserver vos places et documents sur   le site françois-mitterrand.   réserver vos documents sur les sites  richelieu-louvois (y compris les cartes et plans), opéra, arsenal.   ajouter vos notices et les classer.   voir vos achats de reproductions. se connecter aide aide à la consultation du catalogue une question ? historique mon panier tout gallica haut-de-jardin lancer la recherche    recherche avancée recherches ciblées autres recherches recherches ciblées auteurs a-z sujets a-z pÉriodiques cote  notices d'autorité dans univers dans les univers jeunesse images et cartes musique accueil nom de personne notice de personne notice au format public au format intermarc au format unimarc horace ( - av. j.-c.) forme courante français horatius flaccus, quintus ( - av. j.-c.) forme internationale latin langue(s) :  latin sexe :  masculin responsabilité(s) exercée(s) sur les documents :  auteur naissance :  - mort :  - forme(s) rejetée(s) :  < flaccus, quintus horatius ( - av. j.-c.) < horatius ( - av. j.-c.) < orazio ( - av. j.-c.) italien forme(s) associée(s) :  >> << british library -- manuscrit. harley >> << horace, villa d' (italie) source(s) :  odes ; Épodes ; chant séculaire / horace ; traduction du latin, introduction et notes par jean mayer, gdel . - buchwald : horace (q. horatius flaccus) . - kleine pauly bn cat. gén. : horace (quintus horatius flaccus) domaine(s) :  identifiant international :  isni , cf. http://isni.org/isni/ notice n° :  frbnf création :  / / mise à jour :  / / fermer ce volet ouvrir ce volet outils citer la notice : voir la notice dans le catalogue actuel télécharger/imprimer envoyer par courriel ajouter à mes notices information afin de voir une sélection de notices, veuillez sélectionner au moins une notice dans la liste de résultats. notices bibliographiques liées voir les notices liées en tant que : auteur ( ) sujet ( ) voir toutes les notices liées ( ) Œuvres liées Œuvres de l'auteur ( ) Œuvres de l'auteur (liste a-z) ajouter à mes notices les notices sélectionnées ont bien été ajoutées dans votre espace personnel. > voir mes notices dans mon espace personnel haut de page conditions d'utilisation | À propos | Écrire à la bnf | v . . Инд. авторы - search results directory of names of persons end session | preferences | databases | feedback | help browse | search | results list | previous searches | basket |       selected records:     |     |     |     |     |      whole set:     |     |     |     |    results for system number= ; sorted by : heading discending sort options : heading asc heading disc records - of       # heading publicnote Гораций Флакк, Квинт ( - до н. э.)   © ex libris wikipedia, the free encyclopedia main page from wikipedia, the free encyclopedia jump to navigation jump to search welcome to wikipedia, the free encyclopedia that anyone can edit. , , articles in english the arts biography geography history mathematics science society technology all portals from today's featured article louie nunn ( – ) was the nd governor of kentucky ( – ), the only republican elected to that office between and . the first republican county judge in the history of barren county, kentucky, he ran for governor in , but lost a close race to his democratic opponent ned breathitt. in , nunn again ran for governor. after defeating marlow cook in the republican gubernatorial primary, he eked out a victory over democrat henry ward. despite a democratic majority in the general assembly, nunn was able to enact most of his priorities, including tax increases that funded improvements to the state park system and the construction of a statewide network of mental health centers. his administration was marred by race riots in louisville and a violent protest against the vietnam war at the university of kentucky. following his term as governor, he lost to walter "dee" huddleston in the senatorial election, and to john y. brown jr. for governor in . (full article...) recently featured: interfet logistics efl trophy final anbe sivam archive by email more featured articles did you know ... a ribosome translates mrna into the encoded protein ... that modified mrna (mrna translation depicted) is a key technology in the moderna and biontech/pfizer vaccines against covid- ? ... that dick kaegel began working as a full-time sportswriter while he was still in high school? ... that  years ago today, a military tribunal handed down six controversial death sentences to members of the basque separatist group eta? ... that william gates leduc led a bison through the streets of new york city as part of the minnesota exhibition at the world's fair? ... that trench nephritis caused , british casualties during the first world war? ... that "filipino baby", a song about a sailor's love for a filipino girl, described as "my treasure and my pet", was a top-five hit for three different artists in ? ... that canadian modernist architect and urban planner geoffrey massey was part of a movement that prevented freeways from being built in vancouver? ... that the first official resolution of the international society for the history, philosophy, and social studies of biology was that they would never meet in a place with anti-sodomy laws? archive start a new article nominate an article in the news covid- pandemic disease virus by location impact vaccines portal chang'e the closest great conjunction between jupiter and saturn since occurs. the chang'e (illustration shown) sample-return mission returns lunar material to earth. nana akufo-addo is re-elected for a second term as president of ghana. ongoing: indian farmers' protest tigray conflict recent deaths: robin jackman barry lopez phil niekro minoru makihara karima baloch jim mclean nominate an article on this day december neptune – alaric ii succeeded his father euric as king of the visigoths. – westminster abbey, built by edward the confessor as the first romanesque church in england, was first consecrated. – galileo galilei became the first person to observe the planet neptune (pictured), although he mistakenly catalogued it as a fixed star. – an earthquake registering .  mw struck near messina, which, along with the subsequent tsunami, killed at least , people in southern italy. – american businesswoman muriel siebert became the first woman to own a seat on the new york stock exchange. antoine furetière (b.  ) albert christoph dies (d.  ) susan sontag (d.  ) more anniversaries: december december december archive by email list of days of the year from today's featured list the second season of prison break, an american serial drama television series, commenced airing in the united states on august  , , on mondays at :  pm (est) on the fox broadcasting company. prison break was produced by adelstein-parouse productions, in association with rat entertainment, original film and th century fox television. the season contains  episodes, and concluded on april  , . prison break revolves around two brothers: one who has been sentenced to death for a crime he did not commit, and his younger sibling, a genius who devises an elaborate plan to help him escape prison. the brothers, along with six other prisoners at fox river state penitentiary, manage to escape, and the second season follows a massive manhunt chasing the group. for the season, three characters are downgraded from series regular to recurring status, and a new character is introduced. filming took place in dallas, texas, due to a close proximity of rural and urban settings. for the final three episodes, scenes were filmed in pensacola, florida, to represent panama. (full list...) recently featured: billboard christian songs number ones of the s procyonids in cue sports archive more featured lists today's featured picture thomas ewing (december  ,  – october  , ) was a country lawyer from ohio who was elected to the united states senate in as a whig. he later served as secretary of the treasury and the first secretary of the interior. in the latter capacity, he earned the nickname "butcher ewing" because he replaced so many officials with political appointees. this line engraving of ewing was produced around by the department of the treasury's bureau of engraving and printing (bep) as part of a bep presentation album of the first secretaries of the treasury. engraving credit: bureau of engraving and printing; restored by andrew shiva recently featured: adoration of the shepherds arg-e bam pope pius vi archive more featured pictures other areas of wikipedia community portal – bulletin board, projects, resources and activities covering a wide range of wikipedia areas. help desk – ask questions about using wikipedia. local embassy – for wikipedia-related communication in languages other than english. reference desk – serving as virtual librarians, wikipedia volunteers tackle your questions on a wide range of subjects. site news – announcements, updates, articles and press releases on wikipedia and the wikimedia foundation. village pump – for discussions about wikipedia itself, including areas for technical issues and policies. wikipedia's sister projects wikipedia is hosted by the wikimedia foundation, a non-profit organization that also hosts a range of other projects: commons free media repository mediawiki wiki software development meta-wiki wikimedia project coordination wikibooks free textbooks and manuals wikidata free knowledge base wikinews free-content news wikiquote collection of quotations wikisource free-content library wikispecies directory of species wikiversity free learning resources wikivoyage free travel guide wiktionary dictionary and thesaurus wikipedia languages this wikipedia is written in english. started in  ( ), it currently contains , , articles. many other wikipedias are available; 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additional terms may apply. by using this site, you agree to the terms of use and privacy policy. wikipedia® is a registered trademark of the wikimedia foundation, inc., a non-profit organization. privacy policy about wikipedia disclaimers contact wikipedia mobile view developers statistics cookie statement view source for horace - wikipedia view source for horace ← horace jump to navigation jump to search you do not have permission to edit this page, for the following reasons: your ip address is in a range that has been blocked on all wikimedia foundation wikis. the block was made by jon kolbert (meta.wikimedia.org). the reason given is open proxy: webhost: contact stewards if you are affected . start of block: : , july expiry of block: : , january your current ip address is . . . and the blocked range is . . . / . please include all above details in any queries you make. if you believe you were blocked by mistake, you can find additional information and instructions in the no open proxies global policy. otherwise, to discuss the block please post a request for review on meta-wiki or send an email to the stewards otrs queue at stewards@wikimedia.org including all above details. you are currently unable to edit wikipedia due to a block affecting your ip address. this does not affect your ability to read wikipedia pages. most people who see this message have done nothing wrong. some kinds of blocks restrict editing from specific service providers or telecom companies in response to recent abuse or vandalism, and affect other users who are unrelated to that abuse. see below if you do not believe you have done anything wrong. editing from . . . / has been blocked (disabled) by ‪sql‬ for the following reason(s): the ip address that you are currently using has been blocked because it is believed to be a web host provider or colocation provider. to prevent abuse, web hosts and colocation providers may be blocked from editing wikipedia. you will not be able to edit wikipedia using a web host or colocation provider because it hides your ip address, much like a proxy or vpn. we recommend that you attempt to use another connection to edit. for example, if you use a proxy or vpn to connect to the internet, turn it off when editing wikipedia. if you edit using a mobile connection, try using a wi-fi connection, and vice versa. if you have a wikipedia account, please log in. if you do not have any other way to edit wikipedia, you will need to request an ip block exemption. if you are confident that you are not using a web host, you may appeal this block by adding the following text on your talk page: {{unblock|reason=caught by a colocation web host block but this host or ip is not a web host. my ip address is _______. place any further information here. ~~~~}}. you must fill in the blank with your ip address for this block to be investigated. your ip address can be determined here. alternatively, if you wish to keep your ip address private you can use the unblock ticket request system. there are several reasons you might be editing using the ip address of a web host or colocation provider (such as if you are using vpn software or a business network); please use this method of appeal only if you think your ip address is in fact not a web host or colocation provider. administrators: the ip block exemption user right should only be applied to allow users to edit using web host in exceptional circumstances, and requests should usually be directed to the functionaries team via email. if you intend to give the ipbe user right, a checkuser needs to take a look at the account. this can be requested most easily at spi quick checkuser requests. unblocking an ip or ip range with this template is highly discouraged without at least contacting the blocking administrator. this block has been set to expire: : , june . even when blocked, you will usually still be able to edit your user talk page and email other editors and administrators. for information on how to proceed, first see the faq for blocked users and the guideline on block appeals. the guide to appealing blocks may also be helpful. other useful links: blocking policy · help:i have been blocked you can view and copy the source of this page: ==citations== {{reflist| em}} return to horace. retrieved from "https://en.wikipedia.org/wiki/horace" navigation menu personal tools not logged in talk contributions create account log in namespaces article talk variants views read edit view history more search navigation main page contents current events random article about wikipedia contact us donate contribute help learn to edit community portal recent changes upload file tools what links here related changes upload file special pages page information wikidata item languages privacy policy about wikipedia disclaimers contact wikipedia mobile view developers statistics cookie statement alcaic stanza - wikipedia alcaic stanza from wikipedia, the free encyclopedia   (redirected from alcaic) jump to navigation jump to search the alcaic stanza is a greek lyrical meter, an aeolic verse form traditionally believed to have been invented by alcaeus, a lyric poet from mytilene on the island of lesbos, about bc.[ ] the alcaic stanza and the sapphic stanza named for alcaeus' contemporary, sappho, are two important forms of classical poetry. the alcaic stanza consists of two alcaic hendecasyllables, followed by an alcaic enneasyllable and an alcaic decasyllable. contents in sappho's and alcaeus' poetry in latin poetry imitations in other languages notes in sappho's and alcaeus' poetry[edit] the alcaic stanza as used by sappho and alcaeus has the scheme ( where "–" is a longum, "u" a breve, and "×" an anceps): × – u – × – u u – u – || (alc ) × – u – × – u u – u – || (alc ) × – u – × – u – – || (alc ) – u u – u u – u – – ||| (alc ) in latin poetry[edit] one stanza consists of four lines; the first two lines are divided into two parts by a caesura after the fifth syllable. the metrical pattern of an alcaic stanza would look like this: – – u – – : – u u – u – – – u – – : – u u – u – – – u – – – u – – – u u – u u – u – – (an "–" denotes a long syllable, "u" a short one, and ":" is the caesura.) horace frequently used the alcaic stanza in his odes, as can be seen from this example : – – u – – – u u – u – antehac nefas, depromere caecubum – – u – – : – u u – u– cellis avitis, dum capitolio – – u – – – u– – regina dementis ruinas – u u – u u– u – – funus et imperio parabat. (odes . , lines - ) an english translation, which suggests the metre, is : –– u – – : – u u – u – prior to this, 'twas | irreligious to waste – – u – – : – u u – u – old caecuban wine | whilst, for the capitol – –u – – – u – – mad ruination plots the queen, and – u u – u u – u – – even a funeral for the empire. imitations in other languages[edit] a famous example of english alcaics is tennyson's "milton": o mighty-mouth'd inventor of harmonies, o skill'd to sing of time or eternity,      god-gifted organ-voice of england,           milton, a name to resound for ages![ ] the alcaic stanza was adapted to use in english and french during the renaissance. it was very frequently used in italian poetry of the th century, especially by giosuè carducci. as in english, the meter is accentual rather than quantitative. poi che un sereno vapor d’ambrosia da la tua còppa diffuso avvolsemi,      o ebe con passo di dea           trasvolata sorridendo via; (giosuè carducci, "ideale", from: odi barbare) it was an historically important form in hungarian poetry.[ ] in polish poetry (in contrast to the sapphic stanza which was extremely popular since the th century) alcaics were used very rarely. even in translation horace's alcaic stanzas were usually turned into different forms. an example (perhaps the only) of an alcaic stanza in polish original literature is stanisław trembecki's ode to adam naruszewicz:[ ] o ty, kapłanie delijskiego świętny, przeszłego wiadom, przyszłości pojętny      wieńcz twe skronie, wieszczą bierz laskę,           Śnieżny ubiór i złotą przepaskę. trembecki's verse is syllabic ( / / / ). there is no accentual metrical pattern. german has also used alcaics with some success. they were introduced by klopstock, and used by hölderlin, by johann heinrich voss in his translations of horace, by august kopisch and other th century german poets.[ ] notes[edit] ^ cuddon, john anthony ( ). a dictionary of literary terms and literary theory. wiley. p.  . isbn  . ^ a b chisholm, hugh, ed. ( ). "alcaics" . encyclopædia britannica. ( th ed.). cambridge university press. p.  . ^ see [ ][permanent dead link] and [ ] archived - - at the wayback machine ^ adam ważyk, mickiewicz i wersyfikacja narodowa, warszawa (in polish). retrieved from "https://en.wikipedia.org/w/index.php?title=alcaic_stanza&oldid= " categories: stanzaic form hidden categories: wikipedia articles incorporating a citation from the encyclopaedia britannica with wikisource reference all articles with dead external links articles with dead external links from october articles with permanently dead external links webarchive template wayback links navigation menu personal tools not logged in talk contributions create account log in namespaces article talk variants views read edit view history more search navigation main page contents current events random article about wikipedia contact us donate contribute help learn to edit community portal recent changes upload file tools what links here related changes upload file special pages permanent link page information cite this page wikidata item print/export download as pdf printable version languages Čeština deutsch Ελληνικά español estremeñu français italiano latina magyar 日本語 norsk bokmål polski Русский suomi Українська edit links this page was last edited on april , at :  (utc). text is available under the creative commons attribution-sharealike license; additional terms may apply. by using this site, you agree to the terms of use and privacy policy. wikipedia® is a registered trademark of the wikimedia foundation, inc., a non-profit organization. privacy policy about wikipedia disclaimers contact wikipedia mobile view developers statistics cookie statement view source for horace - wikipedia view source for horace ← horace jump to navigation jump to search you do not have permission to edit this page, for the following reasons: your ip address is in a range that has been blocked on all wikimedia foundation wikis. the block was made by jon kolbert (meta.wikimedia.org). the reason given is open proxy: webhost: contact stewards if you are affected . start of block: : , july expiry of block: : , january your current ip address is . . . and the blocked range is . . . / . please include all above details in any queries you make. if you believe you were blocked by mistake, you can find additional information and instructions in the no open proxies global policy. otherwise, to discuss the block please post a request for review on meta-wiki or send an email to the stewards otrs queue at stewards@wikimedia.org including all above details. you are currently unable to edit wikipedia due to a block affecting your ip address. this does not affect your ability to read wikipedia pages. most people who see this message have done nothing wrong. some kinds of blocks restrict editing from specific service providers or telecom companies in response to recent abuse or vandalism, and affect other users who are unrelated to that abuse. see below if you do not believe you have done 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{{unblock|reason=caught by a colocation web host block but this host or ip is not a web host. my ip address is _______. place any further information here. ~~~~}}. you must fill in the blank with your ip address for this block to be investigated. your ip address can be determined here. alternatively, if you wish to keep your ip address private you can use the unblock ticket request system. there are several reasons you might be editing using the ip address of a web host or colocation provider (such as if you are using vpn software or a business network); please use this method of appeal only if you think your ip address is in fact not a web host or colocation provider. administrators: the ip block exemption user right should only be applied to allow users to edit using web host in exceptional circumstances, and requests should usually be directed to the functionaries team via email. if you intend to give the ipbe user right, a checkuser needs to take a look at the account. this can be requested most easily at spi quick checkuser requests. unblocking an ip or ip range with this template is highly discouraged without at least contacting the blocking administrator. this block has been set to expire: : , june . even when blocked, you will usually still be able to edit your user talk page and email other editors and administrators. for information on how to proceed, first see the faq for blocked users and the guideline on block appeals. the guide to appealing blocks may also be helpful. other useful links: blocking policy · help:i have been blocked you can view and copy the source of this page: ==further reading== * {{cite book|last=davis|first=gregson|title=polyhymnia the rhetoric of horatian lyric discourse|year= |publisher=university of california press|location=berkeley|isbn= - - - }} * {{cite book|last=fraenkel|first=eduard|title=horace|year= |publisher=clarendon press|location=oxford}} * {{cite book|last=horace|title=the complete works of horace|year= |publisher=ungar|location=new york|isbn= - - - |others=charles e. passage, trans}} * {{cite book|last=johnson|first=w. r.|title=horace and the dialectic of freedom: readings in epistles |url=https://archive.org/details/horacedialectico john|url-access=registration|year= |publisher=cornell university press|location=ithaca|isbn= - - - }} * {{cite book|last=lyne|first=r.o.a.m.|title=horace: behind the public poetry|year= |publisher=yale univ. press|location=new haven|isbn= - - - }} * {{cite book | last = lyons | first = stuart | title = horace's odes and the mystery of do-re-mi | publisher = aris & phillips | year = }} * {{cite book | last = lyons | first = stuart | title = music in the odes of horace | publisher = aris & phillips | year = }} * {{cite book | last = michie | first = james | title = the odes of horace | publisher = rupert hart-davis | year = }} * {{cite book|last=newman|first=j.k.|title=augustus and the new poetry|year= |publisher=latomus, revue d’études latines|location=brussels}} * {{cite book|last=noyes|first=alfred|title=horace: a portrait|url=https://archive.org/details/horaceportrait noye|url-access=registration|year= |publisher=sheed and ward|location=new york}} * {{cite book|last=perret|first=jacques|title=horace|year= |publisher=new york university press|location=new york|others=bertha humez, trans}} * {{cite book|last=putnam|first=michael c.j.|title=artifices of eternity: horace's fourth book of odes|year= |publisher=cornell university press|location=ithaca, ny|isbn= - - - |url=https://archive.org/details/artificesofetern putn}} * {{cite book|last=reckford|first=kenneth j.|title=horace|year= |publisher=twayne|location=new york}} * {{cite book|editor-last=rudd|editor-first=niall|title=horace : a celebration – essays for the bimillennium|year= |publisher=univ. of michigan press|location=ann arbor|isbn= - - -x}} * {{cite book | last = sydenham | first = colin | title = horace: the odes | publisher = duckworth | year = }} *{{cite book | last = west | first = david | title = horace the complete odes and epodes | publisher = oxford university press | year = }} * {{cite book|last=wilkinson|first=l.p.|title=horace and his lyric poetry|year= |publisher=cambridge university press|location=cambridge}} return to horace. retrieved from "https://en.wikipedia.org/wiki/horace" navigation menu personal tools not logged in talk contributions create account log in namespaces article talk variants views read edit view history more search navigation main page contents current events random article about wikipedia contact us donate contribute help learn to edit community portal recent changes upload file tools what links here related changes upload file special pages page information wikidata item languages privacy policy about wikipedia disclaimers contact wikipedia mobile view developers statistics cookie statement view source for horace - wikipedia view source for horace ← horace jump to navigation jump to search you do not have permission to edit this page, for the following reasons: your ip address is in a range that has been blocked on all wikimedia foundation wikis. the block was made by jon kolbert (meta.wikimedia.org). the reason given is open proxy: webhost: contact stewards if you are affected . start of block: : , july expiry of block: : , january your current ip address is . . . and the blocked range is . . . / . please include all above details in any queries you make. if you believe you were blocked by mistake, you can find additional information and instructions in the no open proxies global policy. otherwise, to discuss the block please post a request for review on meta-wiki or send an email to the stewards otrs queue at stewards@wikimedia.org including all above details. you are currently unable to edit wikipedia due to a block affecting your ip address. this does not affect your ability to read wikipedia pages. most people who see this message have done nothing wrong. some kinds of blocks restrict editing from specific service providers or telecom companies in response to recent abuse or vandalism, and affect other users who are unrelated to that abuse. see below if you do not believe you have done anything wrong. editing from . . . / has been blocked (disabled) by ‪sql‬ for the following reason(s): the ip address that you are currently using has been blocked because it is believed to be a web host provider or colocation provider. to prevent abuse, web hosts and colocation providers may be blocked from editing wikipedia. you will not be able to edit wikipedia using a web host or colocation provider because it hides your ip address, much like a proxy or vpn. we recommend that you attempt to use another connection to edit. for example, if you use a proxy or vpn to connect to the internet, turn it off when editing wikipedia. if you edit using a mobile connection, try using a wi-fi connection, and vice versa. if you have a wikipedia account, please log in. if you do not have any other way to edit wikipedia, you will need to request an ip block exemption. if you are confident that you are not using a web host, you may appeal this block by adding the following text on your talk page: {{unblock|reason=caught by a colocation web host block but this host or ip is not a web host. my ip address is _______. place any further information here. ~~~~}}. you must fill in the blank with your ip address for this block to be investigated. your ip address can be determined here. alternatively, if you wish to keep your ip address private you can use the unblock ticket request system. there are several reasons you might be editing using the ip address of a web host or colocation provider (such as if you are using vpn software or a business network); please use this method of appeal only if you think your ip address is in fact not a web host or colocation provider. administrators: the ip block exemption user right should only be applied to allow users to edit using web host in exceptional circumstances, and requests should usually be directed to the functionaries team via email. if you intend to give the ipbe user right, a checkuser needs to take a look at the account. this can be requested most easily at spi quick checkuser requests. unblocking an ip or ip range with this template is highly discouraged without at least contacting the blocking administrator. this block has been set to expire: : , june . even when blocked, you will usually still be able to edit your user talk page and email other editors and administrators. for information on how to proceed, first see the faq for blocked users and the guideline on block appeals. the guide to appealing blocks may also be helpful. other useful links: blocking policy · help:i have been blocked you can view and copy the source of this page: ===antiquity=== horace's influence can be observed in the work of his near contemporaries, [[ovid]] and [[propertius]]. ovid followed his example in creating a completely natural style of expression in hexameter verse, and propertius cheekily mimicked him in his third book of elegies.propertius published his third book of elegies within a year or two of horace's odes – and mimicked him, for example, in the opening lines, characterizing himself in terms borrowed from odes . . and . . – , as a priest of the muses and as an adaptor of greek forms of poetry (r. tarrant, ''ancient receptions of horace'', ) his ''epistles'' provided them both with a model for their own verse letters and it also shaped ovid's exile poetry.ovid for example probably borrowed from horace's ''epistle'' . the image of a poetry book as a slave boy eager to leave home, adapting it to the opening poems of ''tristia'' and (r. tarrant, ''ancient receptions of horace''), and ''tristia'' may be understood as a counterpart to horace's ''epistles'' . , both being letters addressed to augustus on literary themes (a. barchiesi, ''speaking volumes'', – ) his influence had a perverse aspect. as mentioned before, the brilliance of his ''odes'' may have discouraged imitation. conversely, they may have created a vogue for the lyrics of the archaic greek poet [[pindar]], due to the fact that horace had neglected that style of lyric (see [[pindar#influence and legacy|influence and legacy of pindar]]).r. tarrant, ancient receptions of horace, the iambic genre seems almost to have disappeared after publication of horace's ''epodes''. ovid's ''ibis'' was a rare attempt at the form but it was inspired mainly by [[callimachus]], and there are some iambic elements in [[martial]] but the main influence there was [[catullus]].r. tarrant, ''ancient receptions of horace'', a revival of popular interest in the satires of lucilius may have been inspired by horace's criticism of his unpolished style. both horace and lucilius were considered good role-models by [[persius]], who critiqued his own satires as lacking both the acerbity of lucillius and the gentler touch of horace.the comment is in persius . – , yet that same satire has been found to have nearly reminiscences of horace; see d. hooley, ''the knotted thong'', [[juvenal]]'s caustic satire was influenced mainly by lucilius but horace by then was a school classic and juvenal could refer to him respectfully and in a round-about way as "''the venusine lamp''".the allusion to ''venusine'' comes via horace's ''sermones'' . . , while ''lamp'' signifies the lucubrations of a conscientious poet. according to quintilian ( ), however, many people in flavian rome preferred lucilius not only to horace but to all other latin poets (r. tarrant, ''ancient receptions of horace'', ) [[statius]] paid homage to horace by composing one poem in sapphic and one in alcaic meter (the verse forms most often associated with ''odes''), which he included in his collection of occasional poems, ''silvae''. ancient scholars wrote commentaries on the lyric meters of the ''odes'', including the scholarly poet [[caesius bassus]]. by a process called ''derivatio'', he varied established meters through the addition or omission of syllables, a technique borrowed by [[seneca the younger]] when adapting horatian meters to the stage.r. tarrant, ''ancient receptions of horace'', – horace's poems continued to be school texts into late antiquity. works attributed to [[helenius acro]] and [[pomponius porphyrio]] are the remnants of a much larger body of horatian scholarship. porphyrio arranged the poems in non-chronological order, beginning with the ''odes'', because of their general popularity and their appeal to scholars (the ''odes'' were to retain this privileged position in the medieval manuscript tradition and thus in modern editions also). horace was often evoked by poets of the fourth century, such as [[ausonius]] and [[claudian]]. [[prudentius]] presented himself as a christian horace, adapting horatian meters to his own poetry and giving horatian motifs a christian tone.prudentius sometimes alludesto the ''odes'' in a negative context, as expressions of a secular life he is abandoning. thus for example ''male pertinax'', employed in prudentius's ''praefatio'' to describe a willful desire for victory, is lifted from ''odes'' . . , where it describes a girl's half-hearted resistance to seduction. elsewhere he borrows ''dux bone'' from ''odes'' . . and , where it refers to augustus, and applies it to christ (r. tarrant, ''ancient receptions of horace'', on the other hand, [[st jerome]], modelled an uncompromising response to the pagan horace, observing: "''what harmony can there be between christ and the devil? what has horace to do with the psalter?''"st jerome, ''epistles'' . , incorporating a quote from '' 'corinthians'' . : ''qui consensus christo et belial? quid facit cum psalterio horatius?''(cited by k. friis-jensen, ''horace in the middle ages'', ) by the early sixth century, horace and prudentius were both part of a classical heritage that was struggling to survive the disorder of the times. [[boethius]], the last major author of classical latin literature, could still take inspiration from horace, sometimes mediated by senecan tragedy.r. tarrant, ''ancient receptions of horace'', it can be argued that horace's influence extended beyond poetry to dignify core themes and values of the early christian era, such as self-sufficiency, inner contentment and courage.''odes'' . . – was especially influential in promoting the value of heroic calm in the face of danger, describing a man who could bear even the collapse of the world without fear (''si fractus illabatur orbis,/impavidum ferient ruinae''). echoes are found in seneca's ''agamemnon'' – , prudentius's ''peristephanon'' . – and boethius's ''consolatio'' metrum .(r. tarrant, ''ancient receptions of horace'', – ) return to horace. retrieved from "https://en.wikipedia.org/wiki/horace" navigation menu personal tools not logged in talk contributions create account log in namespaces article talk variants views read edit view history more search navigation main page contents current events random article about wikipedia contact us donate contribute help learn to edit community portal recent changes upload file tools what links here related changes upload file special pages page information wikidata item languages privacy policy about wikipedia disclaimers contact wikipedia mobile view developers statistics cookie statement view source for horace - wikipedia view source for horace ← horace jump to navigation jump to search you do not have permission to edit this page, for the following reasons: your ip address is in a range that has been blocked on all wikimedia foundation wikis. the block was made by jon kolbert (meta.wikimedia.org). the reason given is open proxy: webhost: contact stewards if you are affected . start of block: : , july expiry of block: : , january your current ip address is . . . and the blocked range is . . . / . please include all above details in any queries you make. if you believe you were blocked by mistake, you can find additional information and instructions in the no open proxies global policy. otherwise, to discuss the block please post a request for review on meta-wiki or send an email to the stewards otrs queue at stewards@wikimedia.org including all above details. you are currently unable to edit wikipedia due to a block affecting your ip address. this does not affect your ability to read wikipedia pages. most people who see this message have done nothing wrong. some kinds of blocks restrict editing from specific service providers or telecom companies in response to recent abuse or vandalism, and affect other users who are unrelated to that abuse. see below if you do not believe you have done anything wrong. editing from . . . / has been blocked (disabled) by ‪sql‬ for the following reason(s): the ip address that you are currently using has been blocked because it is believed to be a web host provider or colocation provider. to prevent abuse, web hosts and colocation providers may be blocked from editing wikipedia. you will not be able to edit wikipedia using a web host or colocation provider because it hides your ip address, much like a proxy or vpn. we recommend that you attempt to use another connection to edit. for example, if you use a proxy or vpn to connect to the internet, turn it off when editing wikipedia. if you edit using a mobile connection, try using a wi-fi connection, and vice versa. if you have a wikipedia account, please log in. if you do not have any other way to edit wikipedia, you will need to request an ip block exemption. if you are confident that you are not using a web host, you may appeal this block by adding the following text on your talk page: {{unblock|reason=caught by a colocation web host block but this host or ip is not a web host. my ip address is _______. place any further information here. ~~~~}}. you must fill in the blank with your ip address for this block to be investigated. your ip address can be determined here. alternatively, if you wish to keep your ip address private you can use the unblock ticket request system. there are several reasons you might be editing using the ip address of a web host or colocation provider (such as if you are using vpn software or a business network); please use this method of appeal only if you think your ip address is in fact not a web host or colocation provider. administrators: the ip block exemption user right should only be applied to allow users to edit using web host in exceptional circumstances, and requests should usually be directed to the functionaries team via email. if you intend to give the ipbe user right, a checkuser needs to take a look at the account. this can be requested most easily at spi quick checkuser requests. unblocking an ip or ip range with this template is highly discouraged without at least contacting the blocking administrator. this block has been set to expire: : , june . even when blocked, you will usually still be able to edit your user talk page and email other editors and administrators. for information on how to proceed, first see the faq for blocked users and the guideline on block appeals. the guide to appealing blocks may also be helpful. other useful links: blocking policy · help:i have been blocked you can view and copy the source of this page: ===childhood=== he was born on december bcthe year is given in ''odes'' . . ([[lucius manlius torquatus|"consule manlio"]]), the month in ''epistles'' . . , the day in suetonius' biography ''vita'' (r. nisbet, ''horace: life and chronology'', ) in the [[samnites|samnite]] south of [[italy (roman empire)|italy]].''brill's companion to horace'', edited by hans-christian günther, brill, , p. , [https://books.google.com/books?id=n b yuwxfm c&pg=pa google book] his home town, [[venosa|venusia]], lay on a trade route in the border region between [[apulia]] and [[lucania]] ([[basilicata]]). various italic dialects were spoken in the area and this perhaps enriched his feeling for language. he could have been familiar with greek words even as a young boy and later he poked fun at the jargon of mixed greek and oscan spoken in neighbouring [[canusium]].''satires'' . . one of the works he probably studied in school was the ''odyssia'' of [[livius andronicus]], taught by teachers like the '[[orbilius]]' mentioned in one of his poems.''epistles'' . . ff. army veterans could have been settled there at the expense of local families uprooted by rome as punishment for their part in the [[social war ( – bc)]].e. fraenkel, ''horace'', – such state-sponsored migration must have added still more linguistic variety to the area. according to a local tradition reported by horace,''satires'' . . a colony of romans or latins had been installed in venusia after the [[samnites]] had been driven out early in the third century. in that case, young horace could have felt himself to be a romant. frank, ''catullus and horace'', – a. campbell, ''horace: a new interpretation'', though there are also indications that he regarded himself as a samnite or [[sabellus]] by birth.''epistles'' . . r. nisbet, ''horace: life and chronology'', italians in modern and ancient times have always been devoted to their home towns, even after success in the wider world, and horace was no different. images of his childhood setting and references to it are found throughout his poems.e. fraenkel, ''horace'', – horace's father was probably a venutian taken captive by romans in the social war, or possibly he was descended from a [[sabine]] captured in the [[samnite wars]]. either way, he was a slave for at least part of his life. he was evidently a man of strong abilities however and managed to gain his freedom and improve his social position. thus horace claimed to be the free-born son of a prosperous 'coactor'.v. kiernan, ''horace: poetics and politics'', the term 'coactor' could denote various roles, such as tax collector, but its use by horace''satires'' . . was explained by [[scholia]] as a reference to 'coactor argentareus' i.e. an auctioneer with some of the functions of a banker, paying the seller out of his own funds and later recovering the sum with interest from the buyer.e. fraenkel, ''horace'', – the father spent a small fortune on his son's education, eventually accompanying him to [[rome]] to oversee his schooling and moral development. the poet later paid tribute to him in a poem''satires'' . that one modern scholar considers the best memorial by any son to his father."no son ever set a finer monument to his father than horace did in the sixth satire of book i...horace's description of his father is warm-hearted but free from sentimentality or exaggeration. we see before us one of the common people, a hard-working, open-minded, and thoroughly honest man of simple habits and strict convictions, representing some of the best qualities that at the end of the republic could still be found in the unsophisticated society of the italian ''municipia''" {{emdash}} e. fraenkel, ''horace'', – the poem includes this passage:
if my character is flawed by a few minor faults, but is otherwise decent and moral, if you can point out only a few scattered blemishes on an otherwise immaculate surface, if no one can accuse me of greed, or of prurience, or of profligacy, if i live a virtuous life, free of defilement (pardon, for a moment, my self-praise), and if i am to my friends a good friend, my father deserves all the credit... as it is now, he deserves from me unstinting gratitude and praise. i could never be ashamed of such a father, nor do i feel any need, as many people do, to apologize for being a freedman's son. ''[[satire]]s . . – ''
he never mentioned his mother in his verses and he might not have known much about her. perhaps she also had been a slave. return to horace. retrieved from "https://en.wikipedia.org/wiki/horace" navigation menu personal tools not logged in talk contributions create account log in namespaces article talk variants views read edit view history more search navigation main page contents current events random article about wikipedia contact us donate contribute help learn to edit community portal recent changes upload file tools what links here related changes upload file special pages page information wikidata item languages privacy policy about wikipedia disclaimers contact wikipedia mobile view developers statistics cookie statement Гарацый — Вікіпедыя Гарацый З пляцоўкі Вікіпедыя jump to navigation jump to search Гарацый лац.: q. horatius flaccus Гарацый (Карціна Антона фон Вернера) Асабістыя звесткі Дата нараджэння снежня да н.э.[ ][ ][ ] Месца нараджэння Веноза[d], правінцыя Патэнца[d], Базіліката, Італія[ ][ ] Дата смерці лістапада да н.э.[ ][ ] ( гадоў) Месца смерці Рым, Рымская імперыя, Старажытны Рым Пахаванне Рым Грамадзянства Старажытны Рым Бацька невядома Маці невядома Прафесійная дзейнасць Род дзейнасці паэт, пісьменнік, філосаф Мова твораў лацінская мова Творы ў Вікікрыніцах  Выявы на Вікісховішчы Цытаты ў Вікіцытатніку Гарацый, Квінт Гарацый Флакк (лац.: quintus horatius flaccus; снежня да н.э., Венузія, сёння ў рэгіёне Базіліката, Італія — лістапада да н.э., Рым) — рымскі паэт «залатога стагоддзя» рымскай літаратуры. Яго творчасць прыпадае на эпоху грамадзянскіх войн канца рэспублікі і першыя дзесяцігоддзі новага рэжыма Актавіяна Аўгуста. Аўтар шматлікіх сатырычных і лірічных твораў, паэтычных пасланняў (у тым ліку "Навука паэзіі" або "Пасланне да Пізонаў"). Змест Жыццё Творчасць Беларускія пераклады Зноскі Літаратура Спасылкі Жыццё[правіць | правіць зыходнік] Гарацый нарадзіўся ў Венузіі ў сям'і вольнаадпушчаніка. Праз пэўны час бацька паэта перабраўся ў Рым, дзе працаваў пасярэднікам пры куплях. Дзякуючы гэтаму, ён змог даць сыну бліскучую адукацыю: той навучаўся спачатку ў Рыме, а пасля ў Афінах. Пасля гібелі Цэзара малады Гарацый далучыўся да войска Марка Юнія Брута, і ў якасці афіцэра ўдзельнічаў у бітве пры Філіпах; войска было разбітае, Брут учыніў самагубства, а Гарацый здолеў уратаваць жыццё ўцёкамі. Пасля абвяшчэння амністыі для ворагаў пераможнага Аўгуста Гарацый вярнуўся ў Італію. Ягоная маёмасць была канфіскаваная, аднак ён здолеў атрымаць чыноўніцкую пасаду, якая давала яму дастаткова сродкаў для жыцця і творчасці. Праз знаёмства з Вергіліем Гарацый увайшоў у кола сяброў Мецэната, які ўзяў на сябе клопат пра матэрыяльнае ўладкаванне паэта, падарыўшы таму маёнтак каля Тыбура. Паступова перайшоў на пазіцыі цэзарызму. Памёр Гарацый у Рыме ва ўзросце год. Творчасць[правіць | правіць зыходнік] «Эподы» Гарацыя — ямбічныя вершы разнастайнага зместу, лепшыя з якіх заклікалі да згоды і міру, і кнігі «Сатыр» («Гутарак») на філасофска-этычныя тэмы створаны паміж і да н.э. Грамадзянскім, філасофскім, велічальным (усхвалялі Мецэната і імператара Аўгуста), любоўным, сяброўскім і застольным одам Гарацыя («Песні», кн. — , да н.э., кн. , — да н.э.) уласцівы яскравая вобразнасць, тонкі гумар, вьгганчанасць мовы і кампазіцыі, рытмічнае багацце. Для твораў Гарацыя характэрны культ суладдзя, мудрай разважлівасці («залатой сярэдзіны») і прыгажосці. У «Пасланні да Пізонаў» («Навука паэзіі», увайшло ў «Пасланні», кн. — , — да н.э.) выклаў свае эстэтычныя прынцыпы, якія былі ўзяты за аснову тэарэтычнай праграмы еўрапейскага класіцызму. На беларускую мову яго творы перакладалі М. Багдановіч (ода «Помнік»), А. Жлутка, А. Ф. Брыль. Беларускія пераклады[правіць | правіць зыходнік] Да Мецэната; Да Ліцынія Мурэны; Да Леўканоі // «Тутэйшыя». Мн., ; Зноскі ↑ , , http://www.treccani.it/enciclopedia/quinto-orazio-flacco_(enciclopedia-italiana)/ ↑ , , , Любкер Ф. horatii // Реальный словарь классических древностей по Любкеру / под ред. Ф. Ф. Зелинский, А. И. Георгиевский, М. С. Куторга и др. — СПб.: Общество классической филологии и педагогики, . — С.  – . ↑ , , w. y. s., j. g. horace // encyclopædia britannica — — nyc: . — vol.  . — p.  – . Літаратура[правіць | правіць зыходнік] Малюковіч С. Гарацый // БелЭн у т. Т. . Мн., . Спасылкі[правіць | правіць зыходнік] На Вікісховішчы ёсць медыяфайлы па тэме Гарацый Біяграфія і вершы Гарацыя на сайце часопіса «ПрайдзіСвет»     Тэматычныя сайты discogs · international music score library project · musicbrainz · project gutenberg · project gutenberg Слоўнікі і энцыклапедыі Вялікая каталанская · Вялікая нарвежская · Вялікая расійская · Вялікая савецкая ( выд.) · Бракгаўза і Ефрона · Малы Бракгаўза і Ефрона · Рэальны слоўнік класічных старажытнасцяў · britannica ( -th) · britannica (онлайн) · brockhaus · notable names database · treccani · universalis · universalis Нарматыўны кантроль bav: adv , adv , adv · bibsys:  · bnc: a · bne: xx · bnf:  b · cinii: da · conor:  · egaxa: vtls · gnd:  · iccu: it\iccu\cfiv\ · isni:  · lccn: n , no · lnb:  · ndl:  · nkc: jn · nla:  · nlg:  · nlp: a · nsk:  · nta:  · nukat: n · ptbnp:  · РДБ:  ,  · libris:  · sudoc:  · viaf:  ,  · ulan:  · worldcat viaf:  ,  Узята з "https://be.wikipedia.org/w/index.php?title=Гарацый&oldid= " Катэгорыі: Нарадзіліся снежня Нарадзіліся ў годзе да н.э. Нарадзіліся ў правінцыі Патэнца Памерлі лістапада Памерлі ў годзе да н.э. Памерлі ў Рыме Пахаваныя ў Рыме Асобы Пісьменнікі паводле алфавіта Гарацый Лацінамоўныя паэты Паэты Старажытнага Рыма Паэты i стагоддзя да н.э. 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(november ) (learn how and when to remove this template message) see also: list of roman wars and battles this is a list of civil wars and organized civil disorder in ancient rome ( bc – ad ). contents rd century bc nd century bc st century bc st century nd century rd century th century th century references see also rd century bc[edit] bc: falisci revolt – revolt suppressed[ ] nd century bc[edit] – bc: first servile war in sicily - revolt suppressed[ ][ ] bc: fregellae revolt - revolt suppressed[ ] – bc: second servile war in sicily - revolt suppressed[ ] st century bc[edit] – bc: social war, between rome and many of its fellow italian allies - roman victory. – bc: sulla's first civil war ( – bc), between lucius cornelius sulla's supporters and gaius marius' forces – sullan victory. – bc: sulla's second civil war between sulla and marius' supporters – sullan victory. – bc: sertorian war between rome and the provinces of hispania under the leadership of quintus sertorius, a supporter of gaius marius – sullan victory. bc: lepidus' rebellion against the sullan regime – sullan victory. – bc: third servile war in italy – revolt suppressed. – bc: catiline conspiracy between the senate and the dissatisfied followers of catiline – senatorial victory. – bc: caesar's civil war between julius caesar and the optimates initially led by pompey the great (gnaeus pompeius magnus) – caesarian victory. bc: revolt of the bellovaci in north-eastern gaul – revolt suppressed bc: revolt of the allobroges in gaul – revolt suppressed – bc: post-caesarian civil war between the senate's army (led first by cicero and then by octavian) and the army of antony, lepidus, and their colleagues – truce results in union of forces. – bc: liberators' civil war between the second triumvirate and the liberators (brutus and cassius, caesar's assassins) – triumvirate victory. – bc: sicilian revolt between the second triumvirate (particularly octavian and agrippa) and sextus pompey, the son of pompey – triumvirate victory. – bc: perusine war between the forces of octavian against lucius antonius and fulvia (the younger brother and wife of mark antony) – octavian victory. bc: revolt of aquitanian tribes – revolt suppressed by marcus vipsanius agrippa – bc: final war of the roman republic between octavian and his friend and general agrippa against antony and cleopatra – octavian victory. – bc: revolt of the morini and treveri in northern gaul with germanic support – revolt suppressed bc: revolt in the nile delta and the thebaid – revolt suppressed by gaius cornelius gallus – bc: revolt in gallia aquitania – revolt suppressed by marcus valerius messalla corvinus bc: revolt of vologases, priest of dionysus, in thrace – revolt suppressed – bc: revolt of southern mountain tribes in thrace – revolt suppressed by calpurnius piso bc: revolt of jews in judea – revolt suppressed by publius quinctilius varus st century[edit] – : revolt of the gaetuli in mauretania – revolt suppressed by cossus cornelius lentulus gaetulicus : revolt of judas of galilee against roman taxation – revolt suppressed – : bellum batonianum, a great rebellion in illyricum against rome – revolt suppressed by tiberius : revolt by german leader arminius destroys three roman legions in the battle of the teutoburg forest, permanently ending roman efforts to conquer germanic territories east of the rhine. : mutiny of the legions in germania and illyricum suppressed by germanicus and drusus julius caesar – : tacfarinas' revolt in north africa – revolt suppressed by publius cornelius dolabella : revolt of the treveri, aedui, andes (andecavi) and turoni under julius florus and julius sacrovir in gaul – revolt suppressed by gaius silius and gaius calpurnius aviola : revolt of the coelaletae, odrysae and dii in thrace – revolt suppressed by p. vellaeus : revolt in thrace – revolt suppressed by gaius poppaeus sabinus : revolt of the frisii in the battle of baduhenna wood – rebel victory : revolt of the cietae in cappadocia – revolt suppressed by marcus trebellius : alexandrian riots : alexandrian riots – : revolt of aedemon and sabalus in mauretania – revolt suppressed by gaius suetonius paulinus and gnaeus hosidius geta : failed usurpation of lucius arruntius camillus scribonianus in dalmatia : the kingdom of thrace riots against the romans after the death of king rhoemetalces iii – revolt suppressed – : jacob and simon uprising in the galilee – revolt suppressed – : boudica's uprising in britain – revolt suppressed by gaius suetonius paulinus – : first jewish–roman war – revolt suppressed : revolt in gallia lugdunensis under gaius julius vindex – revolt suppressed by lucius verginius rufus' army – : the year of the four emperors between various romans following the death of nero (ad ). after nero's suicide, the generals galba, otho, and vitellius take the throne within months of each other. general vespasian, who until that point was fighting the revolt in judaea, is victorious. he founds the flavian dynasty. : revolt of anicetus in colchis – revolt suppressed by virdius geminus – : revolt of the batavi, treveri and lingones in gaul – revolt suppressed – : failed usurpation of terentius maximus, a pseudo-nero, in asia : revolt of lucius antonius saturninus with two legions in germania superior – revolt suppressed nd century[edit] – : kitos war in egypt, cyrenaica and cyprus – revolt suppressed : revolt in mauretania – revolt suppressed by marcius turbo : apis riots in alexandria – : bar kokhba revolt in judea – revolt suppressed : revolt in mauretania – revolt suppressed : alexandrian riots : revolt of the boukoloi in egypt – revolt suppressed by avidius cassius : failed usurpation of avidius cassius in the eastern parts of the roman empire : army mutiny in britain suppressed by pertinax : two revolts in africa suppressed by pertinax – : year of the five emperors and subsequent civil war between the generals septimius severus, pescennius niger and clodius albinus following the assassination of commodus (ad ) and the subsequent murders of pertinax and didius julianus (ad ). severus is victorious and founds the severan dynasty. rd century[edit] : battle of antioch, fought between the emperor macrinus and his rival elagabalus and resulting in macrinus' downfall and his replacement by elagabalus. : failed usurpations of verus and gellius maximus in syria. : failed usurpation of seleucus, possibly in moesia : failed usurpation of seius sallustius in rome : failed usurpation of taurinius in syria. – : crisis of the third century – at least claimants fought with each other to become emperor and emperors fought against usurpers, resulting in frequent civil war and breakaway gallic roman ( – ) and palmyrene empires ( – ). : year of the six emperors between various generals against maximinus thrax and after his murder. after gordian i and gordian ii are defeated by a pro-maximinus army following an attempt to overthrow the emperor, maximinus is assassinated. pupienus, balbinus, and gordian iii replace him, but the former two are assassinated within months and only gordian iii survives. : failed usurpation of sabinianus in mauretania – : failed usurpations of jotapianus in syria and pacatianus in moesia. : emperor philip the arab killed and overthrown by rebels at the battle of verona and replaced by decius. : failed usurpation of licinianus in rome. : failed usurpation of titus julius priscus in thrace. : failed usurpation of cyriades in syria. : usurpations of aemilianus and valerian: emperors trebonianus gallus and volusianus murdered by their soldiers and replaced by aemilianus. valerian raises the rhine legions in revolt, while aemilianus is killed by his own soldiers. : failed usurpation of uranius in syria. : failed usurpations of ingenuus and regalianus in pannonia. – : failed usurpation of macrianus major, macrianus minor, quietus and balista in the east – : the breakaway gallic roman empire : failed usurpations of lucius piso and valens thessalonicus in achaea. – : failed usurpation of mussius aemilianus and memor in egypt. : failed usurpation of aureolus in the west. emperor gallienus murdered by his soldiers and claudius gothicus proclaimed emperor. : usurpation of aurelian against quintillus. – : the breakaway palmyrene empire. : failed usurpations of felicissimus in rome and septimius in dalmatia. : aurelian murdered by the praetorian guard and replaced by marcus claudius tacitus : usurpation of probus against florianus. : failed usurpation of julius saturninus in the east. – : failed usurpation of proculus and bonosus in the west. – : failed usurpation of sabinus julianus. – : usurpation of diocletian against carinus – : bagaudae uprising in gaul under aelianus and amandus – revolt suppressed – : carausian revolt under carausius and allectus in britain and northern gaul – revolt suppressed : revolt of the towns of busiris and coptos in the egyptian thebaid – revolt suppressed by galerius – : failed usurpation of domitius domitianus and achilleus in egypt th century[edit] : failed usurpation of eugenius in roman syria – : civil wars of the tetrarchy, beginning with the usurpation of maxentius and the defeat of flavius valerius severus, and ending with the defeat of licinius at the hands of constantine i in ad. the tetrarchy established by diocletian would break up because of these wars. : failed usurpation of calocaerus in cyprus : caesars dalmatius and hannibalianus killed by soldiers in a purge orchestrated by constantius ii. : civil war, when constans defeated constantine ii near aquileia. – : roman civil war of – , when constantius ii defeated the usurper magnentius who had assassinated constans. – : jewish revolt against constantius gallus in syria palaestina – revolt suppressed : failed usurpation of claudius silvanus in gaul : usurpation of julian the apostate – : revolt of procopius, when the emperor valens defeated the usurpers procopius and marcellus. : failed usurpation of theodorus in antioch – : revolt of firmus in africa – revolt suppressed by count theodosius – : usurpation of magnus maximus in the west and the killing of gratian by the general andragathius : tax riots against emperor theodosius i in antioch. – : civil war of – , when the eastern emperor theodosius i defeated the western emperor magnus maximus. : revolt in thessalonica culminating in the massacre of thessalonica. – : civil war of – , when the eastern emperor theodosius i defeated the usurper eugenius. : gildonic revolt, when the comes gildo rebelled against the western emperor honorius. the revolt was subdued by flavius stilicho, the magister militum of the western roman empire. – : revolt of tribigild and gainas in the eastern empire – revolt suppressed th century[edit] – : civil war as the usurpers marcus, gratian, constantine iii, constans ii (son of constantine iii), maximus of hispania, priscus attalus, jovinus, sebastianus and heraclianus tried to usurp the throne of emperor honorius. all were defeated. – : bagaudae uprising in the loire valley and brittany – : revolt of maximus in hispania – revolt suppressed – : civil war, when the usurper joannes was defeated by the army of emperor valentinian iii. – : civil war, when the comes africae bonifacius fought inconclusively against the magister militum felix. the civil war was terminated by negotiations brokered by galla placidia. : civil war, when the magister militum flavius aetius was defeated by the rival magister militum bonifacius, who died of wounds sustained in battle soon afterwards, giving aetius full control over the western empire. – : bagaudae uprising under tibatto in gaul suppressed by flavius aetius. : valentinian iii assassinated and overthrown by petronius maximus. : petronius maximus stoned to death by mob and replaced by avitus. : majorian assassinated and overthrown by ricimer. : failed usurpation by arvandus. : failed usurpation by romanus. : anthemius overthrown by ricimer. : glycerius overthrown by julius nepos. : julius nepos overthrown by orestes. : orestes overthrown by odoacer. romulus augustulus deposed, ending the western roman empire. references[edit] footnotes ^ potter, david ( - - ). the origin of empire: rome from the republic to hadrian. harvard university press. p.  . isbn  - - - - . ^ boldt, andreas ( - - ). historical mechanisms: an experimental approach to applying scientific theories to the study of history. taylor & francis. p.  . isbn  - - - - . ^ chrystal, paul ( - - ). roman military disasters: dark days & lost legions. pen and sword. isbn  - - - - . ^ conole, p. ( ). "allied disaffection and the revolt of fregellae ". antichthon. : – . doi: . /s . issn  - . ^ flower, harriet i. ( - - ). the cambridge companion to the roman republic. cambridge university press. p.  . isbn  - - - - . general kohn, george childs, 'dictionary of wars, revised edition' (checkmark books, new york, ) see also[edit] list of roman wars and battles v t e ancient rome topics outline timeline history foundation kingdom overthrow republic empire history pax romana principate dominate western empire fall historiography of the fall byzantine empire decline fall constitution history kingdom republic empire late empire senate legislative assemblies curiate centuriate tribal plebeian executive magistrates spqr law twelve tables mos maiorum citizenship auctoritas imperium status litigation government curia forum cursus honorum collegiality emperor legatus dux officium prefect vicarius vigintisexviri lictor magister militum imperator princeps senatus pontifex maximus augustus caesar tetrarch optimates populares province magistrates ordinary consul censor praetor tribune tribune of the plebs military tribune quaestor aedile promagistrate governor extraordinary rex interrex dictator magister equitum decemviri consular tribune triumvir military history borders establishment structure campaigns political control strategy engineering frontiers and fortifications castra technology army legion infantry tactics personal equipment siege engines navy auxiliaries decorations and punishments hippika gymnasia economy agriculture deforestation commerce finance currency republican currency imperial currency culture architecture art bathing calendar clothing cosmetics cuisine hairstyles education literature music mythology religion deities romanization roman people sexuality theatre wine society patricians plebs conflict of the orders secessio plebis equites gens tribes assembly naming conventions demography women marriage adoption slavery bagaudae technology amphitheatres aqueducts bridges circuses civil engineering concrete domes metallurgy numerals roads temples theatres sanitation thermae latin history alphabet versions old classical vulgar late medieval renaissance new contemporary ecclesiastical romance languages writers latin aelius donatus ammianus marcellinus appuleius asconius pedianus augustine aurelius victor ausonius boëthius caesar catullus cassiodorus censorinus cicero claudian columella cornelius nepos ennius eutropius fabius pictor sextus pompeius festus rufus festus florus frontinus fronto fulgentius gellius horace hydatius hyginus jerome jordanes julius paulus justin juvenal lactantius livy lucan lucretius macrobius marcellus empiricus marcus aurelius manilius martial nicolaus damascenus nonius marcellus obsequens orosius ovid petronius phaedrus plautus pliny the elder pliny the younger pomponius mela priscian propertius quadrigarius quintilian quintus curtius rufus sallust seneca the elder seneca the younger servius sidonius apollinaris silius italicus statius suetonius symmachus tacitus terence tertullian tibullus valerius antias valerius 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"https://en.wikipedia.org/w/index.php?title=list_of_roman_civil_wars_and_revolts&oldid= " categories: roman republican civil wars civil wars of the roman empire civil wars involving the states and peoples of europe civil wars of antiquity ancient rome-related lists hidden categories: articles with short description short description matches wikidata articles lacking in-text citations from november all articles lacking in-text citations navigation menu personal tools not logged in talk contributions create account log in namespaces article talk variants views read edit view history more search navigation main page contents current events random article about wikipedia contact us donate contribute help learn to edit community portal recent changes upload file tools what links here related changes upload file special pages permanent link page information cite this page wikidata item print/export download as pdf printable version in other projects wikimedia commons languages العربية 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"horace." wikipedia, the free encyclopedia. wikipedia, the free encyclopedia, dec. . web. dec. . mhra style wikipedia contributors, 'horace', wikipedia, the free encyclopedia, december , : utc, [accessed december ] chicago style wikipedia contributors, "horace," wikipedia, the free encyclopedia, https://en.wikipedia.org/w/index.php?title=horace&oldid= (accessed december , ). cbe/cse style wikipedia contributors. horace [internet]. wikipedia, the free encyclopedia; dec , : utc [cited dec ]. available from: https://en.wikipedia.org/w/index.php?title=horace&oldid= . bluebook style horace, https://en.wikipedia.org/w/index.php?title=horace&oldid= (last visited dec. , ). ama style wikipedia contributors. horace. wikipedia, the free encyclopedia. december , , : utc. available at: https://en.wikipedia.org/w/index.php?title=horace&oldid= . accessed december , . bibtex entry @misc{ wiki:xxx, author = "{wikipedia contributors}", title = "horace --- {wikipedia}{,} the free encyclopedia", year = " ", url = "https://en.wikipedia.org/w/index.php?title=horace&oldid= ", note = "[online; accessed -december- ]" } when using the latex package url (\usepackage{url} somewhere in the preamble), which tends to give much more nicely formatted web addresses, the following may be preferred: @misc{ wiki:xxx, author = "{wikipedia contributors}", title = "horace --- {wikipedia}{,} the free encyclopedia", year = " ", howpublished = "\url{https://en.wikipedia.org/w/index.php?title=horace&oldid= }", note = "[online; accessed -december- ]" } wikipedia talk pages markup [[horace]] ([[special:permalink/ |this version]]) result horace (this version)   retrieved from "https://en.wikipedia.org/wiki/special:citethispage" navigation menu personal tools not logged in talk contributions create account log in namespaces special page variants views more search navigation main page contents current events random article about wikipedia contact us donate contribute help learn to edit community portal recent changes upload file tools upload file special pages printable version languages privacy policy about wikipedia disclaimers contact wikipedia mobile view developers statistics cookie statement brill's companion to horace - google books search images maps play youtube news gmail drive more » sign in books try the new google books check out the new look and enjoy easier access to your favorite features try it now no thanks try the new google books try the new google books my library help advanced book search get print book no ebook available amazon.com barnes&noble.com books-a-million indiebound find in a library all sellers » reviewswrite review brill's companion to horace edited by hans-christian günther   about this book get textbooks on google play rent and save from the world's largest ebookstore. read, highlight, and take notes, across web, tablet, and phone. go to google play now » pages displayed by permission of brill. copyright.  page      restricted page you have reached your viewing limit for this book (why?). view source for horace - wikipedia view source for horace ← horace jump to navigation jump to search you do not have permission to edit this page, for the following reasons: your ip address is in a range that has been blocked on all wikimedia foundation wikis. the block was made by jon kolbert (meta.wikimedia.org). the reason given is open proxy: webhost: contact stewards if you are affected . start of block: : , july expiry of block: : , january your current ip address is . . . and the blocked range is . . . / . please include all above details in any queries you make. if you believe you were blocked by mistake, you can find additional information and instructions in the no open proxies global policy. otherwise, to discuss the block please post a request for review on meta-wiki or send an email to the stewards otrs queue at stewards@wikimedia.org including all above details. you are currently unable to edit wikipedia due to a block affecting your ip address. this does not affect your ability to read wikipedia pages. most people who see this message have done nothing wrong. some kinds of blocks restrict editing from specific service providers or telecom companies in response to recent abuse or vandalism, and affect other users who are unrelated to that abuse. see below if you do not believe you have done anything wrong. editing from . . . / has been blocked (disabled) by ‪sql‬ for the following reason(s): the ip address that you are currently using has been blocked because it is believed to be a web host provider or colocation provider. to prevent abuse, web hosts and colocation providers may be blocked from editing wikipedia. you will not be able to edit wikipedia using a web host or colocation provider because it hides your ip address, much like a proxy or vpn. we recommend that you attempt to use another connection to edit. for example, if you use a proxy or vpn to connect to the internet, turn it off when editing wikipedia. if you edit using a mobile connection, try using a wi-fi connection, and vice versa. if you have a wikipedia account, please log in. if you do not have any other way to edit wikipedia, you will need to request an ip block exemption. if you are confident that you are not using a web host, you may appeal this block by adding the following text on your talk page: {{unblock|reason=caught by a colocation web host block but this host or ip is not a web host. my ip address is _______. place any further information here. ~~~~}}. you must fill in the blank with your ip address for this block to be investigated. your ip address can be determined here. alternatively, if you wish to keep your ip address private you can use the unblock ticket request system. there are several reasons you might be editing using the ip address of a web host or colocation provider (such as if you are using vpn software or a business network); 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it is a curse to understand, not feel thy lyric flow, to comprehend, but never love thy verse. }} [[william wordsworth]]'s mature poetry, including the [[preface to the lyrical ballads|preface]] to ''[[lyrical ballads]]'', reveals horace's influence in its rejection of false ornamentd. money, ''the seventeenth and eighteenth centuries'', and he once expressed "a wish / to meet the shade of horace...".the quote, from ''memorials of a tour of italy'' ( ), contains allusions to ''odes'' . and . (s. harrison, ''the nineteenth and twentieth centuries'', – ) [[john keats]] echoed the opening of horace's ''epodes'' in the opening lines of ''[[ode to a nightingale]]''."''my heart aches, and a drowsy numbness pains / my sense...''" echoes epodes [[:wikisource:la:epodi#xiv| . – ]] (s. harrison, ''the nineteenth and twentieth centuries'', ) the roman poet was presented in the nineteenth century as an honorary english gentleman. [[william makepeace thackeray|william thackeray]] produced a version of ''odes'' [[:wikisource:la:carmina (horatius)/liber i/carmen xxxviii| . ]] in which horace's 'boy' became 'lucy', and [[gerard manley hopkins]] translated the boy innocently as 'child'. horace was translated by [[sir theodore martin]] (biographer of [[albert, prince consort|prince albert]]) but minus some ungentlemanly verses, such as the erotic ''odes'' [[:wikisource:la:carmina (horatius)/liber i/carmen xxv| . ]] and ''epodes'' and . [[edward bulwer-lytton]] produced a popular translation and [[william gladstone]] also wrote translations during his last days as prime minister.s. harrison, ''the nineteenth and twentieth centuries'', – [[edward fitzgerald (poet)|edward fitzgerald]]'s ''[[rubaiyat of omar khayyam]]'', though formally derived from the persian ''[[ruba'i]]'', nevertheless shows a strong horatian influence, since, as one modern scholar has observed, "''...the quatrains inevitably recall the stanzas of the 'odes', as does the narrating first person of the world-weary, ageing [[epicurus|epicurean]] omar himself, mixing [[symposium|sympotic]] exhortation and 'carpe diem' with splendid moralising and 'memento mori' [[nihilism]].''"comment by s. harrison, editor and contributor to ''the cambridge companion to horace'' (s. harrison, ''the nineteenth and twentieth centuries'', [[matthew arnold]] advised a friend in verse not to worry about politics, an echo of ''odes'' [[:wikisource:la:carmina (horatius)/liber ii/carmen xi| . ]], yet later became a critic of horace's inadequacies relative to greek poets, as role models of [[victorian age|victorian]] virtues, observing: "''if human life were complete without faith, without enthusiasm, without energy, horace...would be the perfect interpreter of human life.''"m. arnold, ''selected prose'', [[christina rossetti]] composed a sonnet depicting a woman willing her own death steadily, drawing on horace's depiction of 'glycera' in ''odes'' [[:wikisource:la:carmina (horatius)/liber i/carmen xix| . . – ]] and cleopatra in ''odes'' [[:wikisource:la:carmina (horatius)/liber i/carmen xxxvii| . ]].rossetti's sonnet, ''a study (a soul)'', dated , was not published in her own lifetime. some lines: ''she stands as pale as parian marble stands / like cleopatra when she turns at bay...'' (c. rossetti, ''complete poems'', [[a. e. housman]] considered ''odes'' [[:wikisource:la:carmina (horatius)/liber iv/carmen vii| . ]], in [[prosody (latin)#first archilochian|archilochian]] couplets, the most beautiful poem of antiquityw. flesch, ''companion to british poetry, th century'', and yet he generally shared horace's penchant for quatrains, being readily adapted to his own elegiac and melancholy strain.s. harrison, ''the nineteenth and twentieth centuries'', the most famous poem of [[ernest dowson]] took its title and its heroine's name from a line of ''odes'' [[:wikisource:la:carmina (horatius)/liber iv/carmen i| . ]], ''non sum qualis eram bonae sub regno cynarae'', as well as its motif of nostalgia for a former flame. [[kipling]] wrote a famous [[parody]] of the ''odes'', satirising their stylistic idiosyncrasies and especially the extraordinary syntax, but he also used horace's roman patriotism as a focus for british imperialism, as in the story ''regulus'' in the school collection ''[[stalky & co.]]'', which he based on ''odes'' [[:wikisource:la:carmina (horatius)/liber iii/carmen v| . ]].s. medcalfe, ''kipling's horace'', – wilfred owen's famous poem, quoted above, incorporated horatian text to question patriotism while ignoring the rules of latin scansion. however, there were few other echoes of horace in the war period, possibly because war is not actually a major theme of horace's work.s. harrison, ''the nineteenth and twentieth centuries'', [[file:michelin poster .jpg|thumb|[[bibendum]] (the symbol of the [[michelin]] tyre company) takes his name from the opening line of [[:wikisource:la:carmina (horatius)/liber i/carmen xxxvii|ode . ]], ''[[nunc est bibendum]]''.]] both [[w.h.auden]] and [[louis macneice]] began their careers as teachers of classics and both responded as poets to horace's influence. auden for example evoked the fragile world of the s in terms echoing ''odes'' [[:wikisource:la:carmina (horatius)/liber ii/carmen xi| . . – ]], where horace advises a friend not to let worries about frontier wars interfere with current pleasures. {{poemquote| and, gentle, do not care to know where poland draws her eastern bow, what violence is done; nor ask what doubtful act allows our freedom in this english house, our picnics in the sun.quoted from auden's poem ''out on the lawn i lie in bed'', , and cited by s. harrison, ''the nineteenth and twentieth centuries'', }} the american poet, [[robert frost]], echoed horace's ''satires'' in the conversational and sententious idiom of some of his longer poems, such as ''the lesson for today'' ( ), and also in his gentle advocacy of life on the farm, as in ''hyla brook'' ( ), evoking horace's ''fons bandusiae'' in ''ode'' [[:wikisource:la:carmina (horatius)/liber iii/carmen xiii| . ]]. now at the start of the third millennium, poets are still absorbing and re-configuring the horatian influence, sometimes in translation (such as a english/american edition of the ''odes'' by thirty-six poets)edited by mcclatchy, reviewed by s. harrison, ''bryn mawr classical review'' . . and sometimes as inspiration for their own work (such as a collection of odes by a new zealand poet).i. wedde, ''the commonplace odes'', auckland , (cited by s. harrison, ''the nineteenth and twentieth centuries'', ) horace's ''epodes'' have largely been ignored in the modern era, excepting those with political associations of historical significance. the obscene qualities of some of the poems have repulsed even scholars'political' epodes are , , , ; notably obscene epodes are and . e. fraenkel is among the admirers repulsed by these two poems, for another view of which see for example dee lesser clayman, 'horace's epodes viii and xii: more than clever obscenity?', ''the classical world'' vol. , no. (september ), pp – {{jstor| }} yet more recently a better understanding of the nature of [[iambus (genre)|iambic poetry]] has led to a re-evaluation of the ''whole'' collection.d. mankin, ''horace: epodes'', – r. mcneill, ''horace'', a re-appraisal of the ''epodes'' also appears in creative adaptations by recent poets (such as a collection of poems that relocates the ancient context to a s industrial town).m. almond, ''the works'' , washington, cited by s. harrison, ''the nineteenth and twentieth centuries'', return to horace. retrieved from "https://en.wikipedia.org/wiki/horace" navigation menu personal tools not logged in talk contributions create account log in namespaces article talk variants views read edit view history more search navigation main page contents current events random article about wikipedia contact us donate contribute help learn to edit community portal recent changes upload file tools what links here related changes upload file special pages page information wikidata item languages privacy policy about wikipedia disclaimers contact wikipedia mobile view developers statistics cookie statement download as pdf - wikipedia download as pdf horace jump to navigation jump to search download as pdf horace.pdf download retrieved from "https://en.wikipedia.org/wiki/special:downloadaspdf" navigation menu personal tools not logged in talk contributions create account log in namespaces special page variants views more search navigation main page contents current events random article about wikipedia contact us donate contribute help learn to edit community portal recent changes upload file tools upload file special pages printable version languages privacy policy about wikipedia disclaimers contact wikipedia mobile view developers statistics cookie statement view source for horace - wikipedia view source for horace ← horace jump to navigation jump to search you do not have permission to edit this page, for the following reasons: your ip address is in a range that has been blocked on all wikimedia foundation wikis. the block was made by jon kolbert (meta.wikimedia.org). the reason given is open proxy: webhost: contact stewards if you are affected . start of block: : , july expiry of block: : , january your current ip address is . . . and the blocked range is . . . / . please include all above details in any queries you make. if you believe you were blocked by mistake, you can find additional information and instructions in the no open proxies global policy. otherwise, to discuss the block please post a request for review on meta-wiki or send an email to the stewards otrs queue at stewards@wikimedia.org including all above details. you are currently unable to edit wikipedia due to a block affecting your ip address. this does not affect your ability to read wikipedia pages. most people who see this message have done nothing wrong. some kinds of blocks restrict editing from specific service providers or telecom companies in response to recent abuse or vandalism, and affect other users who are unrelated to that abuse. see below if you do not believe you have done anything wrong. editing from . . . / has been blocked (disabled) by ‪sql‬ for the following reason(s): the ip address that you are currently using has been blocked because it is believed to be a web host provider or colocation provider. to prevent abuse, web hosts and colocation providers may be blocked from editing wikipedia. you will not be able to edit wikipedia using a web host or colocation provider because it hides your ip address, much like a proxy or vpn. we recommend that you attempt to use another connection to edit. for example, if you use a proxy or vpn to connect to the internet, turn it off when editing wikipedia. if you edit using a mobile connection, try using a wi-fi connection, and vice versa. if you have a wikipedia account, please log in. if you do not have any other way to edit wikipedia, you will need to request an ip block exemption. if you are confident that you are not using a web host, you may appeal this block by adding the following text on your talk page: {{unblock|reason=caught by a colocation web host block but this host or ip is not a web host. my ip address is _______. place any further information here. ~~~~}}. you must fill in the blank with your ip address for this block to be investigated. your ip address can be determined here. alternatively, if you wish to keep your ip address private you can use the unblock ticket request system. there are several reasons you might be editing using the ip address of a web host or colocation provider (such as if you are using vpn software or a business network); please use this method of appeal only if you think your ip address is in fact not a web host or colocation provider. administrators: the ip block exemption user right should only be applied to allow users to edit using web host in exceptional circumstances, and requests should usually be directed to the functionaries team via email. if you intend to give the ipbe user right, a checkuser needs to take a look at the account. this can be requested most easily at spi quick checkuser requests. unblocking an ip or ip range with this template is highly discouraged without at least contacting the blocking administrator. this block has been set to expire: : , june . even when blocked, you will usually still be able to edit your user talk page and email other editors and administrators. for information on how to proceed, first see the faq for blocked users and the guideline on block appeals. the guide to appealing blocks may also be helpful. other useful links: blocking policy · help:i have been blocked you can view and copy the source of this page: ==see also== {{portal|literature|ancient rome|biography}} * [[carpe diem]] * [[horatia (gens)]] * [[list of ancient romans]] * [[otium]] * [[prosody (latin)]] * [[translation#western theory|translation]] return to horace. retrieved from "https://en.wikipedia.org/wiki/horace" navigation menu personal tools not logged in talk contributions create account log in namespaces article talk variants views read edit view history more search navigation main page contents current events random article about wikipedia contact us donate contribute help learn to edit community portal recent changes upload file tools what links here related changes upload file special pages page information wikidata item languages privacy policy about wikipedia disclaimers contact wikipedia mobile view developers statistics cookie statement Гарацыюс — Вікіпэдыя Гарацыюс Зьвесткі зь Вікіпэдыі — вольнай энцыкляпэдыі Перайсьці да навігацыі Перайсьці да пошуку Гарацыюс Асабістыя зьвесткі Нарадзіўся сьнежня да н. э.[ ][ ][ ] Вэноза, Патэнца, Базыліката, Італія[ ][ ] Памёр лістапада да н. э.[ ][ ] ( гадоў) Рым, Старажытны Рым Пахаваны Рым Бацькі невядома невядома Літаратурная дзейнасьць Род дзейнасьці паэт, пісьменьнік і філёзаф Мова лацінская мова[ ] Гарацыюс у Вікісховішчы Квінт Гара́цыюс Флак (па-лацінску: quintus horatius flaccus; да н. э., Вэнузія, сёньня ў рэгіёне Базыліката, Італія — да н. э., Рым) — рымскі паэт «залатога стагодзьдзя» рымскай літаратуры. Яго творчасьць прыпадае на эпоху грамадзянскіх войн канца рэспублікі і першыя дзесяцігодзьдзі новага рэжыма Актавіяна Аўгуста. Аўтар шматлікіх сатырычных і лірічных твораў, паэтычных пасланьняў (у тым ліку «Навука паэзіі» або «Пасланьне да Пізонаў»). Беларускія пераклады[рэдагаваць | рэдагаваць крыніцу] На беларускую мову яго творы перакладалі Максім Багдановіч (ода «Помнік»), Алесь Жлутка, Антон Францішак Брыль. Да Мецэната; Да Ліцынія Мурэны; Да Леўканоі // «Тутэйшыя». Мн., ; Крыніцы[рэдагаваць | рэдагаваць крыніцу] ^ а б http://www.treccani.it/enciclopedia/quinto-orazio-flacco_(enciclopedia-italiana)/ ^ а б в Любкер Ф. horatii // Реальный словарь классических древностей по Любкеру / под ред. Ф. Ф. Зелинский, А. И. Георгиевский, М. С. Куторга и др. — СПб.: Общество классической филологии и педагогики, . — С.  – . ^ а б w. y. s., j. g. horace // encyclopædia britannica — — nyc: . — vol.  . — p.  – . ^ mirabile: digital archives for medieval culture — sismel – edizioni del galluzzo. Вонкавыя спасылкі[рэдагаваць | рэдагаваць крыніцу] Легкадумны заўсёды я. Выбраныя оды Нарматыўны кантроль bibsys: bnc: bne: xx bnf: cb b (data) cantic: a cinii: da gnd: isni: lccn: n lnb: musicbrainz: af f f- - -a bf- d f c ndl: nkČ: jn nla: nlg: nli: nlk: kac nlp: a nsk: nta: rero: -a rsl: iccu: it\iccu\cfiv\ selibr: snac: w pk m c sudoc: trove: ulan: viaf: worldcat identities: lccn-n Гэта — накід артыкула пра пісьменьніка альбо пісьменьніцу. Вы можаце дапамагчы Вікіпэдыі, пашырыўшы яго. Атрымана з «https://be-tarask.wikipedia.org/w/index.php?title=Гарацыюс&oldid= » Катэгорыі: Нарадзіліся сьнежня Нарадзіліся ў годзе да н. э. Нарадзіліся ў Італіі Памерлі лістапада Памерлі ў годзе да н. э. 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Палітыка прыватнасьці Пра Вікіпэдыю Адмова ад адказнасьці Мабільная вэрсія Распрацоўнікі statistics Дамова пра файлы-кукі view source for horace - wikipedia view source for horace ← horace jump to navigation jump to search you do not have permission to edit this page, for the following reasons: your ip address is in a range that has been blocked on all wikimedia foundation wikis. the block was made by jon kolbert (meta.wikimedia.org). the reason given is open proxy: webhost: contact stewards if you are affected . start of block: : , july expiry of block: : , january your current ip address is . . . and the blocked range is . . . / . please include all above details in any queries you make. if you believe you were blocked by mistake, you can find additional information and instructions in the no open proxies global policy. otherwise, to discuss the block please post a request for review on meta-wiki or send an email to the stewards otrs queue at stewards@wikimedia.org including all 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have been blocked you can view and copy the source of this page: ==notes== return to horace. retrieved from "https://en.wikipedia.org/wiki/horace" navigation menu personal tools not logged in talk contributions create account log in namespaces article talk variants views read edit view history more search navigation main page contents current events random article about wikipedia contact us donate contribute help learn to edit community portal recent changes upload file tools what links here related changes upload file special pages page information wikidata item languages privacy policy about wikipedia disclaimers contact wikipedia mobile view developers statistics cookie statement horace - wikipedia horace from wikipedia, the free encyclopedia jump to navigation jump to search the printable version is no longer supported and may have rendering errors. please update your browser bookmarks and please use the default browser print function instead. roman lyric poet this article is about the roman poet. for the egyptian god, see horus. for other uses, see horace (disambiguation). horace horace, as imagined by anton von werner born quintus horatius flaccus december bc venusia, italy, roman republic died november bc (age ) rome resting place rome occupation soldier, scriba quaestorius, poet, senator language latin nationality roman genre lyric poetry notable works odes "the art of poetry" quintus horatius flaccus ( december – november bc), known in the english-speaking world as horace (/ˈhɒrɪs/), was the leading roman lyric poet during the time of augustus (also known as octavian). the rhetorician quintilian regarded his odes as just about the only latin lyrics worth reading: "he can be lofty sometimes, yet he is also full of charm and grace, versatile in his figures, and felicitously daring in his choice of words."[nb ] horace also crafted elegant hexameter verses (satires and epistles) and caustic iambic poetry (epodes). the hexameters are amusing yet serious works, friendly in tone, leading the ancient satirist persius to comment: "as his friend laughs, horace slyly puts his finger on his every fault; once let in, he plays about the heartstrings".[nb ] his career coincided with rome's momentous change from a republic to an empire. an officer in the republican army defeated at the battle of philippi in bc, he was befriended by octavian's right-hand man in civil affairs, maecenas, and became a spokesman for the new regime. for some commentators, his association with the regime was a delicate balance in which he maintained a strong measure of independence (he was "a master of the graceful sidestep")[ ] but for others he was, in john dryden's phrase, "a well-mannered court slave".[ ][nb ] contents life . childhood . adulthood . . poet . . knight works . historical context . themes reception . antiquity . middle ages and renaissance . age of enlightenment . th century on translations in popular culture see also notes citations references further reading external links life horatii flacci sermonum ( ) horace can be regarded as the world's first autobiographer.[ ] in his writings, he tells us far more about himself, his character, his development, and his way of life, than any other great poet of antiquity. some of the biographical material contained in his work can be supplemented from the short but valuable "life of horace" by suetonius (in his lives of the poets).[ ] childhood he was born on december bc[nb ] in the samnite south of italy.[ ] his home town, venusia, lay on a trade route in the border region between apulia and lucania (basilicata). various italic dialects were spoken in the area and this perhaps enriched his feeling for language. he could have been familiar with greek words even as a young boy and later he poked fun at the jargon of mixed greek and oscan spoken in neighbouring canusium.[ ] one of the works he probably studied in school was the odyssia of livius andronicus, taught by teachers like the 'orbilius' mentioned in one of his poems.[ ] army veterans could have been settled there at the expense of local families uprooted by rome as punishment for their part in the social war ( – bc).[ ] such state-sponsored migration must have added still more linguistic variety to the area. according to a local tradition reported by horace,[ ] a colony of romans or latins had been installed in venusia after the samnites had been driven out early in the third century. in that case, young horace could have felt himself to be a roman[ ][ ] though there are also indications that he regarded himself as a samnite or sabellus by birth.[ ][ ] italians in modern and ancient times have always been devoted to their home towns, even after success in the wider world, and horace was no different. images of his childhood setting and references to it are found throughout his poems.[ ] horace's father was probably a venutian taken captive by romans in the social war, or possibly he was descended from a sabine captured in the samnite wars. either way, he was a slave for at least part of his life. he was evidently a man of strong abilities however and managed to gain his freedom and improve his social position. thus horace claimed to be the free-born son of a prosperous 'coactor'.[ ] the term 'coactor' could denote various roles, such as tax collector, but its use by horace[ ] was explained by scholia as a reference to 'coactor argentareus' i.e. an auctioneer with some of the functions of a banker, paying the seller out of his own funds and later recovering the sum with interest from the buyer.[ ] the father spent a small fortune on his son's education, eventually accompanying him to rome to oversee his schooling and moral development. the poet later paid tribute to him in a poem[ ] that one modern scholar considers the best memorial by any son to his father.[nb ] the poem includes this passage: if my character is flawed by a few minor faults, but is otherwise decent and moral, if you can point out only a few scattered blemishes on an otherwise immaculate surface, if no one can accuse me of greed, or of prurience, or of profligacy, if i live a virtuous life, free of defilement (pardon, for a moment, my self-praise), and if i am to my friends a good friend, my father deserves all the credit... as it is now, he deserves from me unstinting gratitude and praise. i could never be ashamed of such a father, nor do i feel any need, as many people do, to apologize for being a freedman's son. satires . . – he never mentioned his mother in his verses and he might not have known much about her. perhaps she also had been a slave.[ ] adulthood horace left rome, possibly after his father's death, and continued his formal education in athens, a great centre of learning in the ancient world, where he arrived at nineteen years of age, enrolling in the academy. founded by plato, the academy was now dominated by epicureans and stoics, whose theories and practises made a deep impression on the young man from venusia.[ ] meanwhile, he mixed and lounged about with the elite of roman youth, such as marcus, the idle son of cicero, and the pompeius to whom he later addressed a poem.[ ] it was in athens too that he probably acquired deep familiarity with the ancient tradition of greek lyric poetry, at that time largely the preserve of grammarians and academic specialists (access to such material was easier in athens than in rome, where the public libraries had yet to be built by asinius pollio and augustus).[ ] rome's troubles following the assassination of julius caesar were soon to catch up with him. marcus junius brutus came to athens seeking support for the republican cause. brutus was fêted around town in grand receptions and he made a point of attending academic lectures, all the while recruiting supporters among the young men studying there, including horace.[ ] an educated young roman could begin military service high in the ranks and horace was made tribunus militum (one of six senior officers of a typical legion), a post usually reserved for men of senatorial or equestrian rank and which seems to have inspired jealousy among his well-born confederates.[ ][ ] he learned the basics of military life while on the march, particularly in the wilds of northern greece, whose rugged scenery became a backdrop to some of his later poems.[ ] it was there in bc that octavian (later augustus) and his associate mark antony crushed the republican forces at the battle of philippi. horace later recorded it as a day of embarrassment for himself, when he fled without his shield,[ ] but allowance should be made for his self-deprecating humour. moreover, the incident allowed him to identify himself with some famous poets who had long ago abandoned their shields in battle, notably his heroes alcaeus and archilochus. the comparison with the latter poet is uncanny: archilochus lost his shield in a part of thrace near philippi, and he was deeply involved in the greek colonization of thasos, where horace's die-hard comrades finally surrendered.[ ] octavian offered an early amnesty to his opponents and horace quickly accepted it. on returning to italy, he was confronted with yet another loss: his father's estate in venusia was one of many throughout italy to be confiscated for the settlement of veterans (virgil lost his estate in the north about the same time). horace later claimed that he was reduced to poverty and this led him to try his hand at poetry.[ ] in reality, there was no money to be had from versifying. at best, it offered future prospects through contacts with other poets and their patrons among the rich.[ ] meanwhile, he obtained the sinecure of scriba quaestorius, a civil service position at the aerarium or treasury, profitable enough to be purchased even by members of the ordo equester and not very demanding in its work-load, since tasks could be delegated to scribae or permanent clerks.[ ] it was about this time that he began writing his satires and epodes. poet horace reads before maecenas, by fyodor bronnikov the epodes belong to iambic poetry. iambic poetry features insulting and obscene language;[ ][ ] sometimes, it is referred to as blame poetry.[ ] blame poetry, or shame poetry, is poetry written to blame and shame fellow citizens into a sense of their social obligations. horace modelled these poems on the poetry of archilochus. social bonds in rome had been decaying since the destruction of carthage a little more than a hundred years earlier, due to the vast wealth that could be gained by plunder and corruption.[ ] these social ills were magnified by rivalry between julius caesar, mark antony and confederates like sextus pompey, all jockeying for a bigger share of the spoils. one modern scholar has counted a dozen civil wars in the hundred years leading up to bc, including the spartacus rebellion, eight years before horace's birth.[ ] as the heirs to hellenistic culture, horace and his fellow romans were not well prepared to deal with these problems: at bottom, all the problems that the times were stirring up were of a social nature, which the hellenistic thinkers were ill qualified to grapple with. some of them censured oppression of the poor by the rich, but they gave no practical lead, though they may have hoped to see well-meaning rulers doing so. philosophy was drifting into absorption in self, a quest for private contentedness, to be achieved by self-control and restraint, without much regard for the fate of a disintegrating community. — v. g. kiernan[ ] horace's hellenistic background is clear in his satires, even though the genre was unique to latin literature. he brought to it a style and outlook suited to the social and ethical issues confronting rome but he changed its role from public, social engagement to private meditation.[ ] meanwhile, he was beginning to interest octavian's supporters, a gradual process described by him in one of his satires.[ ] the way was opened for him by his friend, the poet virgil, who had gained admission into the privileged circle around maecenas, octavian's lieutenant, following the success of his eclogues. an introduction soon followed and, after a discreet interval, horace too was accepted. he depicted the process as an honourable one, based on merit and mutual respect, eventually leading to true friendship, and there is reason to believe that his relationship was genuinely friendly, not just with maecenas but afterwards with augustus as well.[ ] on the other hand, the poet has been unsympathetically described by one scholar as "a sharp and rising young man, with an eye to the main chance."[ ] there were advantages on both sides: horace gained encouragement and material support, the politicians gained a hold on a potential dissident.[ ] his republican sympathies, and his role at philippi, may have caused him some pangs of remorse over his new status. however most romans considered the civil wars to be the result of contentio dignitatis, or rivalry between the foremost families of the city, and he too seems to have accepted the principate as rome's last hope for much needed peace.[ ] in bc, horace accompanied maecenas on a journey to brundisium, described in one of his poems[ ] as a series of amusing incidents and charming encounters with other friends along the way, such as virgil. in fact the journey was political in its motivation, with maecenas en route to negotiatie the treaty of tarentum with antony, a fact horace artfully keeps from the reader (political issues are largely avoided in the first book of satires).[ ] horace was probably also with maecenas on one of octavian's naval expeditions against the piratical sextus pompeius, which ended in a disastrous storm off palinurus in bc, briefly alluded to by horace in terms of near-drowning.[ ][nb ] there are also some indications in his verses that he was with maecenas at the battle of actium in bc, where octavian defeated his great rival, antony.[ ][nb ] by then horace had already received from maecenas the famous gift of his sabine farm, probably not long after the publication of the first book of satires. the gift, which included income from five tenants, may have ended his career at the treasury, or at least allowed him to give it less time and energy.[ ] it signalled his identification with the octavian regime yet, in the second book of satires that soon followed, he continued the apolitical stance of the first book. by this time, he had attained the status of eques romanus,[ ] perhaps as a result of his work at the treasury.[ ] knight odes – were the next focus for his artistic creativity. he adapted their forms and themes from greek lyric poetry of the seventh and sixth centuries bc. the fragmented nature of the greek world had enabled his literary heroes to express themselves freely and his semi-retirement from the treasury in rome to his own estate in the sabine hills perhaps empowered him to some extent also[ ] yet even when his lyrics touched on public affairs they reinforced the importance of private life.[ ] nevertheless, his work in the period – bc began to show his closeness to the regime and his sensitivity to its developing ideology. in odes . , for example, he eulogized octavian in hyperboles that echo hellenistic court poetry. the name augustus, which octavian assumed in january bc, is first attested in odes . and . . in the period – bc, political allusions in the odes concentrated on foreign wars in britain ( . ), arabia ( . ) spain ( . ) and parthia ( . ). he greeted augustus on his return to rome in bc as a beloved ruler upon whose good health he depended for his own happiness ( . ).[ ] the public reception of odes – disappointed him, however. he attributed the lack of success to jealousy among imperial courtiers and to his isolation from literary cliques.[ ] perhaps it was disappointment that led him to put aside the genre in favour of verse letters. he addressed his first book of epistles to a variety of friends and acquaintances in an urbane style reflecting his new social status as a knight. in the opening poem, he professed a deeper interest in moral philosophy than poetry[ ] but, though the collection demonstrates a leaning towards stoic theory, it reveals no sustained thinking about ethics.[ ] maecenas was still the dominant confidante but horace had now begun to assert his own independence, suavely declining constant invitations to attend his patron.[ ] in the final poem of the first book of epistles, he revealed himself to be forty-four years old in the consulship of lollius and lepidus i.e. bc, and "of small stature, fond of the sun, prematurely grey, quick-tempered but easily placated".[ ][ ] according to suetonius, the second book of epistles was prompted by augustus, who desired a verse epistle to be addressed to himself. augustus was in fact a prolific letter-writer and he once asked horace to be his personal secretary. horace refused the secretarial role but complied with the emperor's request for a verse letter.[ ] the letter to augustus may have been slow in coming, being published possibly as late as bc. it celebrated, among other things, the bc military victories of his stepsons, drusus and tiberius, yet it and the following letter[ ] were largely devoted to literary theory and criticism. the literary theme was explored still further in ars poetica, published separately but written in the form of an epistle and sometimes referred to as epistles . (possibly the last poem he ever wrote).[ ] he was also commissioned to write odes commemorating the victories of drusus and tiberius[ ] and one to be sung in a temple of apollo for the secular games, a long-abandoned festival that augustus revived in accordance with his policy of recreating ancient customs (carmen saeculare). suetonius recorded some gossip about horace's sexual activities late in life, claiming that the walls of his bedchamber were covered with obscene pictures and mirrors, so that he saw erotica wherever he looked.[nb ] the poet died at years of age, not long after his friend maecenas, near whose tomb he was laid to rest. both men bequeathed their property to augustus, an honour that the emperor expected of his friends.[ ] works odes . – wall poem in leiden the dating of horace's works isn't known precisely and scholars often debate the exact order in which they were first 'published'. there are persuasive arguments for the following chronology:[ ] satires (c. – bc) satires (c. bc) epodes ( bc) odes – (c. bc)[nb ] epistles (c. bc) carmen saeculare ( bc) epistles (c. bc)[nb ] odes (c. bc) ars poetica (c. – bc)[nb ] historical context horace composed in traditional metres borrowed from archaic greece, employing hexameters in his satires and epistles, and iambs in his epodes, all of which were relatively easy to adapt into latin forms. his odes featured more complex measures, including alcaics and sapphics, which were sometimes a difficult fit for latin structure and syntax. despite these traditional metres, he presented himself as a partisan in the development of a new and sophisticated style. he was influenced in particular by hellenistic aesthetics of brevity, elegance and polish, as modelled in the work of callimachus.[ ] as soon as horace, stirred by his own genius and encouraged by the example of virgil, varius, and perhaps some other poets of the same generation, had determined to make his fame as a poet, being by temperament a fighter, he wanted to fight against all kinds of prejudice, amateurish slovenliness, philistinism, reactionary tendencies, in short to fight for the new and noble type of poetry which he and his friends were endeavouring to bring about. — eduard fraenkel[ ] in modern literary theory, a distinction is often made between immediate personal experience (urerlebnis) and experience mediated by cultural vectors such as literature, philosophy and the visual arts (bildungserlebnis).[ ] the distinction has little relevance for horace[citation needed] however since his personal and literary experiences are implicated in each other. satires . , for example, recounts in detail a real trip horace made with virgil and some of his other literary friends, and which parallels a satire by lucilius, his predecessor.[ ] unlike much hellenistic-inspired literature, however, his poetry was not composed for a small coterie of admirers and fellow poets, nor does it rely on abstruse allusions for many of its effects. though elitist in its literary standards, it was written for a wide audience, as a public form of art.[ ] ambivalence also characterizes his literary persona, since his presentation of himself as part of a small community of philosophically aware people, seeking true peace of mind while shunning vices like greed, was well adapted to augustus's plans to reform public morality, corrupted by greed—his personal plea for moderation was part of the emperor's grand message to the nation.[ ] horace generally followed the examples of poets established as classics in different genres, such as archilochus in the epodes, lucilius in the satires and alcaeus in the odes, later broadening his scope for the sake of variation and because his models weren't actually suited to the realities confronting him. archilochus and alcaeus were aristocratic greeks whose poetry had a social and religious function that was immediately intelligible to their audiences but which became a mere artifice or literary motif when transposed to rome. however, the artifice of the odes is also integral to their success, since they could now accommodate a wide range of emotional effects, and the blend of greek and roman elements adds a sense of detachment and universality.[ ] horace proudly claimed to introduce into latin the spirit and iambic poetry of archilochus but (unlike archilochus) without persecuting anyone (epistles . . – ). it was no idle boast. his epodes were modelled on the verses of the greek poet, as 'blame poetry', yet he avoided targeting real scapegoats. whereas archilochus presented himself as a serious and vigorous opponent of wrong-doers, horace aimed for comic effects and adopted the persona of a weak and ineffectual critic of his times (as symbolized for example in his surrender to the witch canidia in the final epode).[ ] he also claimed to be the first to introduce into latin the lyrical methods of alcaeus (epistles . . – ) and he actually was the first latin poet to make consistent use of alcaic meters and themes: love, politics and the symposium. he imitated other greek lyric poets as well, employing a 'motto' technique, beginning each ode with some reference to a greek original and then diverging from it.[ ] the satirical poet lucilius was a senator's son who could castigate his peers with impunity. horace was a mere freedman's son who had to tread carefully.[ ] lucilius was a rugged patriot and a significant voice in roman self-awareness, endearing himself to his countrymen by his blunt frankness and explicit politics. his work expressed genuine freedom or libertas. his style included 'metrical vandalism' and looseness of structure. horace instead adopted an oblique and ironic style of satire, ridiculing stock characters and anonymous targets. his libertas was the private freedom of a philosophical outlook, not a political or social privilege.[ ] his satires are relatively easy-going in their use of meter (relative to the tight lyric meters of the odes)[ ] but formal and highly controlled relative to the poems of lucilius, whom horace mocked for his sloppy standards (satires . . – )[nb ] the epistles may be considered among horace's most innovative works. there was nothing like it in greek or roman literature. occasionally poems had had some resemblance to letters, including an elegiac poem from solon to mimnermus and some lyrical poems from pindar to hieron of syracuse. lucilius had composed a satire in the form of a letter, and some epistolary poems were composed by catullus and propertius. but nobody before horace had ever composed an entire collection of verse letters,[ ] let alone letters with a focus on philosophical problems. the sophisticated and flexible style that he had developed in his satires was adapted to the more serious needs of this new genre.[ ] such refinement of style was not unusual for horace. his craftsmanship as a wordsmith is apparent even in his earliest attempts at this or that kind of poetry, but his handling of each genre tended to improve over time as he adapted it to his own needs.[ ] thus for example it is generally agreed that his second book of satires, where human folly is revealed through dialogue between characters, is superior to the first, where he propounds his ethics in monologues. nevertheless, the first book includes some of his most popular poems.[ ] themes horace developed a number of inter-related themes throughout his poetic career, including politics, love, philosophy and ethics, his own social role, as well as poetry itself. his epodes and satires are forms of 'blame poetry' and both have a natural affinity with the moralising and diatribes of cynicism. this often takes the form of allusions to the work and philosophy of bion of borysthenes [nb ] but it is as much a literary game as a philosophical alignment. by the time he composed his epistles, he was a critic of cynicism along with all impractical and "high-falutin" philosophy in general.[nb ][ ] the satires also include a strong element of epicureanism, with frequent allusions to the epicurean poet lucretius.[nb ] so for example the epicurean sentiment carpe diem is the inspiration behind horace's repeated punning on his own name (horatius ~ hora) in satires . .[ ] the satires also feature some stoic, peripatetic and platonic (dialogues) elements. in short, the satires present a medley of philosophical programs, dished up in no particular order—a style of argument typical of the genre.[ ] the odes display a wide range of topics. over time, he becomes more confident about his political voice.[ ] although he is often thought of as an overly intellectual lover, he is ingenious in representing passion.[ ] the "odes" weave various philosophical strands together, with allusions and statements of doctrine present in about a third of the odes books – , ranging from the flippant ( . , . ) to the solemn ( . , . , . ). epicureanism is the dominant influence, characterizing about twice as many of these odes as stoicism. a group of odes combines these two influences in tense relationships, such as odes . , praising stoic virility and devotion to public duty while also advocating private pleasures among friends. while generally favouring the epicurean lifestyle, the lyric poet is as eclectic as the satiric poet, and in odes . even proposes aristotle's golden mean as a remedy for rome's political troubles.[ ] many of horace's poems also contain much reflection on genre, the lyric tradition, and the function of poetry.[ ] odes , thought to be composed at the emperor's request, takes the themes of the first three books of "odes" to a new level. this book shows greater poetic confidence after the public performance of his "carmen saeculare" or "century hymn" at a public festival orchestrated by augustus. in it, horace addresses the emperor augustus directly with more confidence and proclaims his power to grant poetic immortality to those he praises. it is the least philosophical collection of his verses, excepting the twelfth ode, addressed to the dead virgil as if he were living. in that ode, the epic poet and the lyric poet are aligned with stoicism and epicureanism respectively, in a mood of bitter-sweet pathos.[ ] the first poem of the epistles sets the philosophical tone for the rest of the collection: "so now i put aside both verses and all those other games: what is true and what befits is my care, this my question, this my whole concern." his poetic renunciation of poetry in favour of philosophy is intended to be ambiguous. ambiguity is the hallmark of the epistles. it is uncertain if those being addressed by the self-mocking poet-philosopher are being honoured or criticized. though he emerges as an epicurean, it is on the understanding that philosophical preferences, like political and social choices, are a matter of personal taste. thus he depicts the ups and downs of the philosophical life more realistically than do most philosophers.[ ] reception horace, portrayed by giacomo di chirico the reception of horace's work has varied from one epoch to another and varied markedly even in his own lifetime. odes – were not well received when first 'published' in rome, yet augustus later commissioned a ceremonial ode for the centennial games in bc and also encouraged the publication of odes , after which horace's reputation as rome's premier lyricist was assured. his odes were to become the best received of all his poems in ancient times, acquiring a classic status that discouraged imitation: no other poet produced a comparable body of lyrics in the four centuries that followed[ ] (though that might also be attributed to social causes, particularly the parasitism that italy was sinking into).[ ] in the seventeenth and eighteenth centuries, ode-writing became highly fashionable in england and a large number of aspiring poets imitated horace both in english and in latin.[ ] in a verse epistle to augustus (epistle . ), in bc, horace argued for classic status to be awarded to contemporary poets, including virgil and apparently himself.[ ] in the final poem of his third book of odes he claimed to have created for himself a monument more durable than bronze ("exegi monumentum aere perennius", carmina . . ). for one modern scholar, however, horace's personal qualities are more notable than the monumental quality of his achievement: ... when we hear his name we don't really think of a monument. we think rather of a voice which varies in tone and resonance but is always recognizable, and which by its unsentimental humanity evokes a very special blend of liking and respect. — niall rudd[ ] yet for men like wilfred owen, scarred by experiences of world war i, his poetry stood for discredited values: my friend, you would not tell with such high zest to children ardent for some desperate glory, the old lie: dulce et decorum est pro patria mori.[nb ] the same motto, dulce et decorum est pro patria mori, had been adapted to the ethos of martyrdom in the lyrics of early christian poets like prudentius.[ ] these preliminary comments touch on a small sample of developments in the reception of horace's work. more developments are covered epoch by epoch in the following sections. antiquity horace's influence can be observed in the work of his near contemporaries, ovid and propertius. ovid followed his example in creating a completely natural style of expression in hexameter verse, and propertius cheekily mimicked him in his third book of elegies.[nb ] his epistles provided them both with a model for their own verse letters and it also shaped ovid's exile poetry.[nb ] his influence had a perverse aspect. as mentioned before, the brilliance of his odes may have discouraged imitation. conversely, they may have created a vogue for the lyrics of the archaic greek poet pindar, due to the fact that horace had neglected that style of lyric (see influence and legacy of pindar).[ ] the iambic genre seems almost to have disappeared after publication of horace's epodes. ovid's ibis was a rare attempt at the form but it was inspired mainly by callimachus, and there are some iambic elements in martial but the main influence there was catullus.[ ] a revival of popular interest in the satires of lucilius may have been inspired by horace's criticism of his unpolished style. both horace and lucilius were considered good role-models by persius, who critiqued his own satires as lacking both the acerbity of lucillius and the gentler touch of horace.[nb ] juvenal's caustic satire was influenced mainly by lucilius but horace by then was a school classic and juvenal could refer to him respectfully and in a round-about way as "the venusine lamp".[nb ] statius paid homage to horace by composing one poem in sapphic and one in alcaic meter (the verse forms most often associated with odes), which he included in his collection of occasional poems, silvae. ancient scholars wrote commentaries on the lyric meters of the odes, including the scholarly poet caesius bassus. by a process called derivatio, he varied established meters through the addition or omission of syllables, a technique borrowed by seneca the younger when adapting horatian meters to the stage.[ ] horace's poems continued to be school texts into late antiquity. works attributed to helenius acro and pomponius porphyrio are the remnants of a much larger body of horatian scholarship. porphyrio arranged the poems in non-chronological order, beginning with the odes, because of their general popularity and their appeal to scholars (the odes were to retain this privileged position in the medieval manuscript tradition and thus in modern editions also). horace was often evoked by poets of the fourth century, such as ausonius and claudian. prudentius presented himself as a christian horace, adapting horatian meters to his own poetry and giving horatian motifs a christian tone.[nb ] on the other hand, st jerome, modelled an uncompromising response to the pagan horace, observing: "what harmony can there be between christ and the devil? what has horace to do with the psalter?"[nb ] by the early sixth century, horace and prudentius were both part of a classical heritage that was struggling to survive the disorder of the times. boethius, the last major author of classical latin literature, could still take inspiration from horace, sometimes mediated by senecan tragedy.[ ] it can be argued that horace's influence extended beyond poetry to dignify core themes and values of the early christian era, such as self-sufficiency, inner contentment and courage.[nb ] middle ages and renaissance horace in his studium: german print of the fifteenth century, summarizing the final ode . (in praise of augustus). classical texts almost ceased being copied in the period between the mid sixth century and the carolingian revival. horace's work probably survived in just two or three books imported into northern europe from italy. these became the ancestors of six extant manuscripts dated to the ninth century. two of those six manuscripts are french in origin, one was produced in alsace, and the other three show irish influence but were probably written in continental monasteries (lombardy for example).[ ] by the last half of the ninth century, it was not uncommon for literate people to have direct experience of horace's poetry. his influence on the carolingian renaissance can be found in the poems of heiric of auxerre[nb ] and in some manuscripts marked with neumes, mysterious notations that may have been an aid to the memorization and discussion of his lyric meters. ode . is neumed with the melody of a hymn to john the baptist, ut queant laxis, composed in sapphic stanzas. this hymn later became the basis of the solfege system (do, re, mi...)—an association with western music quite appropriate for a lyric poet like horace, though the language of the hymn is mainly prudentian.[ ] lyons[ ] argues that the melody in question was linked with horace's ode well before guido d'arezzo fitted ut queant laxis to it. however, the melody is unlikely to be a survivor from classical times, although ovid[ ] testifies to horace's use of the lyre while performing his odes. the german scholar, ludwig traube, once dubbed the tenth and eleventh centuries the age of horace (aetas horatiana), and placed it between the aetas vergiliana of the eighth and ninth centuries, and the aetas ovidiana of the twelfth and thirteenth centuries, a distinction supposed to reflect the dominant classical latin influences of those times. such a distinction is over-schematized since horace was a substantial influence in the ninth century as well. traube had focused too much on horace's satires.[ ] almost all of horace's work found favour in the medieval period. in fact medieval scholars were also guilty of over-schematism, associating horace's different genres with the different ages of man. a twelfth-century scholar encapsulated the theory: "...horace wrote four different kinds of poems on account of the four ages, the odes for boys, the ars poetica for young men, the satires for mature men, the epistles for old and complete men."[ ] it was even thought that horace had composed his works in the order in which they had been placed by ancient scholars.[nb ] despite its naivety, the schematism involved an appreciation of horace's works as a collection, the ars poetica, satires and epistles appearing to find favour as well as the odes. the later middle ages however gave special significance to satires and epistles, being considered horace's mature works. dante referred to horace as orazio satiro, and he awarded him a privileged position in the first circle of hell, with homer, ovid and lucan.[ ] horace's popularity is revealed in the large number of quotes from all his works found in almost every genre of medieval literature, and also in the number of poets imitating him in quantitative latin meter. the most prolific imitator of his odes was the bavarian monk, metellus of tegernsee, who dedicated his work to the patron saint of tegernsee abbey, st quirinus, around the year . he imitated all horace's lyrical meters then followed these up with imitations of other meters used by prudentius and boethius, indicating that variety, as first modelled by horace, was considered a fundamental aspect of the lyric genre. the content of his poems however was restricted to simple piety.[ ] among the most successful imitators of satires and epistles was another germanic author, calling himself sextus amarcius, around , who composed four books, the first two exemplifying vices, the second pair mainly virtues.[ ] petrarch is a key figure in the imitation of horace in accentual meters. his verse letters in latin were modelled on the epistles and he wrote a letter to horace in the form of an ode. however he also borrowed from horace when composing his italian sonnets. one modern scholar has speculated that authors who imitated horace in accentual rhythms (including stressed latin and vernacular languages) may have considered their work a natural sequel to horace's metrical variety.[ ] in france, horace and pindar were the poetic models for a group of vernacular authors called the pléiade, including for example pierre de ronsard and joachim du bellay. montaigne made constant and inventive use of horatian quotes.[ ] the vernacular languages were dominant in spain and portugal in the sixteenth century, where horace's influence is notable in the works of such authors as garcilaso de la vega, juan boscán, sá de miranda, antonio ferreira and fray luis de león, the last writing odes on the horatian theme beatus ille (happy the man).[ ] the sixteenth century in western europe was also an age of translations (except in germany, where horace wasn't translated into the vernacular until well into the seventeenth century). the first english translator was thomas drant, who placed translations of jeremiah and horace side by side in medicinable morall, . that was also the year that the scot george buchanan paraphrased the psalms in a horatian setting. ben jonson put horace on the stage in in poetaster, along with other classical latin authors, giving them all their own verses to speak in translation. horace's part evinces the independent spirit, moral earnestness and critical insight that many readers look for in his poems.[ ] age of enlightenment during the seventeenth and eighteenth centuries, or the age of enlightenment, neoclassical culture was pervasive. english literature in the middle of that period has been dubbed augustan. it is not always easy to distinguish horace's influence during those centuries (the mixing of influences is shown for example in one poet's pseudonym, horace juvenal).[nb ] however a measure of his influence can be found in the diversity of the people interested in his works, both among readers and authors.[ ] new editions of his works were published almost yearly. there were three new editions in (two in leiden, one in frankfurt) and again in (utrecht, barcelona, cambridge). cheap editions were plentiful and fine editions were also produced, including one whose entire text was engraved by john pine in copperplate. the poet james thomson owned five editions of horace's work and the physician james douglas had five hundred books with horace-related titles. horace was often commended in periodicals such as the spectator, as a hallmark of good judgement, moderation and manliness, a focus for moralising.[nb ] his verses offered a fund of mottoes, such as simplex munditiis (elegance in simplicity), splendide mendax (nobly untruthful), sapere aude (dare to know), nunc est bibendum (now is the time to drink), carpe diem (seize the day, perhaps the only one still in common use today).[ ] these were quoted even in works as prosaic as edmund quincy's a treatise of hemp-husbandry ( ). the fictional hero tom jones recited his verses with feeling.[ ] his works were also used to justify commonplace themes, such as patriotic obedience, as in james parry's english lines from an oxford university collection in :[ ] what friendly muse will teach my lays to emulate the roman fire? justly to sound a caeser's praise demands a bold horatian lyre. horatian-style lyrics were increasingly typical of oxford and cambridge verse collections for this period, most of them in latin but some like the previous ode in english. john milton's lycidas first appeared in such a collection. it has few horatian echoes[nb ] yet milton's associations with horace were lifelong. he composed a controversial version of odes . , and paradise lost includes references to horace's 'roman' odes . – (book for example begins with echoes of odes . ).[ ] yet horace's lyrics could offer inspiration to libertines as well as moralists, and neo-latin sometimes served as a kind of discrete veil for the risqué. thus for example benjamin loveling authored a catalogue of drury lane and covent garden prostitutes, in sapphic stanzas, and an encomium for a dying lady "of salacious memory".[ ] some latin imitations of horace were politically subversive, such as a marriage ode by anthony alsop that included a rallying cry for the jacobite cause. on the other hand, andrew marvell took inspiration from horace's odes . to compose his english masterpiece horatian ode upon cromwell's return from ireland, in which subtly nuanced reflections on the execution of charles i echo horace's ambiguous response to the death of cleopatra (marvell's ode was suppressed in spite of its subtlety and only began to be widely published in ). samuel johnson took particular pleasure in reading the odes.[nb ] alexander pope wrote direct imitations of horace (published with the original latin alongside) and also echoed him in essays and the rape of the lock. he even emerged as "a quite horatian homer" in his translation of the iliad.[ ] horace appealed also to female poets, such as anna seward (original sonnets on various subjects, and odes paraphrased from horace, ) and elizabeth tollet, who composed a latin ode in sapphic meter to celebrate her brother's return from overseas, with tea and coffee substituted for the wine of horace's sympotic settings: quos procax nobis numeros, jocosque musa dictaret? mihi dum tibique temperent baccis arabes, vel herbis pocula seres[ ] what verses and jokes might the bold muse dictate? while for you and me arabs flavour our cups with beans or chinese with leaves.[ ] horace's ars poetica is second only to aristotle's poetics in its influence on literary theory and criticism. milton recommended both works in his treatise of education.[ ] horace's satires and epistles however also had a huge impact, influencing theorists and critics such as john dryden.[ ] there was considerable debate over the value of different lyrical forms for contemporary poets, as represented on one hand by the kind of four-line stanzas made familiar by horace's sapphic and alcaic odes and, on the other, the loosely structured pindarics associated with the odes of pindar. translations occasionally involved scholars in the dilemmas of censorship. thus christopher smart entirely omitted odes . and re-numbered the remaining odes. he also removed the ending of odes . . thomas creech printed epodes and in the original latin but left out their english translations. philip francis left out both the english and latin for those same two epodes, a gap in the numbering the only indication that something was amiss. french editions of horace were influential in england and these too were regularly bowdlerized. most european nations had their own 'horaces': thus for example friedrich von hagedorn was called the german horace and maciej kazimierz sarbiewski the polish horace (the latter was much imitated by english poets such as henry vaughan and abraham cowley). pope urban viii wrote voluminously in horatian meters, including an ode on gout.[ ] th century on horace maintained a central role in the education of english-speaking elites right up until the s.[ ] a pedantic emphasis on the formal aspects of language-learning at the expense of literary appreciation may have made him unpopular in some quarters[ ] yet it also confirmed his influence—a tension in his reception that underlies byron's famous lines from childe harold (canto iv, ):[ ] then farewell, horace, whom i hated so not for thy faults, but mine; it is a curse to understand, not feel thy lyric flow, to comprehend, but never love thy verse. william wordsworth's mature poetry, including the preface to lyrical ballads, reveals horace's influence in its rejection of false ornament[ ] and he once expressed "a wish / to meet the shade of horace...".[nb ] john keats echoed the opening of horace's epodes in the opening lines of ode to a nightingale.[nb ] the roman poet was presented in the nineteenth century as an honorary english gentleman. william thackeray produced a version of odes . in which horace's 'boy' became 'lucy', and gerard manley hopkins translated the boy innocently as 'child'. horace was translated by sir theodore martin (biographer of prince albert) but minus some ungentlemanly verses, such as the erotic odes . and epodes and . edward bulwer-lytton produced a popular translation and william gladstone also wrote translations during his last days as prime minister.[ ] edward fitzgerald's rubaiyat of omar khayyam, though formally derived from the persian ruba'i, nevertheless shows a strong horatian influence, since, as one modern scholar has observed, "...the quatrains inevitably recall the stanzas of the 'odes', as does the narrating first person of the world-weary, ageing epicurean omar himself, mixing sympotic exhortation and 'carpe diem' with splendid moralising and 'memento mori' nihilism."[nb ] matthew arnold advised a friend in verse not to worry about politics, an echo of odes . , yet later became a critic of horace's inadequacies relative to greek poets, as role models of victorian virtues, observing: "if human life were complete without faith, without enthusiasm, without energy, horace...would be the perfect interpreter of human life."[ ] christina rossetti composed a sonnet depicting a woman willing her own death steadily, drawing on horace's depiction of 'glycera' in odes . . – and cleopatra in odes . .[nb ] a. e. housman considered odes . , in archilochian couplets, the most beautiful poem of antiquity[ ] and yet he generally shared horace's penchant for quatrains, being readily adapted to his own elegiac and melancholy strain.[ ] the most famous poem of ernest dowson took its title and its heroine's name from a line of odes . , non sum qualis eram bonae sub regno cynarae, as well as its motif of nostalgia for a former flame. kipling wrote a famous parody of the odes, satirising their stylistic idiosyncrasies and especially the extraordinary syntax, but he also used horace's roman patriotism as a focus for british imperialism, as in the story regulus in the school collection stalky & co., which he based on odes . .[ ] wilfred owen's famous poem, quoted above, incorporated horatian text to question patriotism while ignoring the rules of latin scansion. however, there were few other echoes of horace in the war period, possibly because war is not actually a major theme of horace's work.[ ] bibendum (the symbol of the michelin tyre company) takes his name from the opening line of ode . , nunc est bibendum. both w.h.auden and louis macneice began their careers as teachers of classics and both responded as poets to horace's influence. auden for example evoked the fragile world of the s in terms echoing odes . . – , where horace advises a friend not to let worries about frontier wars interfere with current pleasures. and, gentle, do not care to know where poland draws her eastern bow,      what violence is done; nor ask what doubtful act allows our freedom in this english house,      our picnics in the sun.[nb ] the american poet, robert frost, echoed horace's satires in the conversational and sententious idiom of some of his longer poems, such as the lesson for today ( ), and also in his gentle advocacy of life on the farm, as in hyla brook ( ), evoking horace's fons bandusiae in ode . . now at the start of the third millennium, poets are still absorbing and re-configuring the horatian influence, sometimes in translation (such as a english/american edition of the odes by thirty-six poets)[nb ] and sometimes as inspiration for their own work (such as a collection of odes by a new zealand poet).[nb ] horace's epodes have largely been ignored in the modern era, excepting those with political associations of historical significance. the obscene qualities of some of the poems have repulsed even scholars[nb ] yet more recently a better understanding of the nature of iambic poetry has led to a re-evaluation of the whole collection.[ ][ ] a re-appraisal of the epodes also appears in creative adaptations by recent poets (such as a collection of poems that relocates the ancient context to a s industrial town).[nb ] translations john dryden successfully adapted three of the odes (and one epode) into verse for readers of his own age. samuel johnson favored the versions of philip francis. others favor unrhymed translations. in james michie published a translation of the odes—many of them fully rhymed—including a dozen of the poems in the original sapphic and alcaic metres. more recent verse translations of the odes include those by david west (free verse), and colin sydenham (rhymed). ars poetica was first translated into english by ben jonson and later by lord byron. horace's odes and the mystery of do-re-mi stuart lyons (rhymed) aris & phillips isbn  - - - - in popular culture the oxford latin course textbooks use the life of horace to illustrate an average roman's life in the late republic to early empire.[ ] see also literature portal ancient rome portal biography portal carpe diem horatia (gens) list of ancient romans otium prosody (latin) translation notes ^ quintilian . . . the only other lyrical poet quintilian thought comparable with horace was the now obscure poet/metrical theorist, caesius bassus (r. tarrant, ancient receptions of horace, ) ^ translated from persius' own 'satires' . – : "omne vafer vitium ridenti flaccus amico / tangit et admissus circum praecordia ludit." ^ quoted by n. rudd from john dryden's discourse concerning the original and progress of satire, excerpted from w.p.ker's edition of dryden's essays, oxford , vol. , pp. – ^ the year is given in odes . . ("consule manlio"), the month in epistles . . , the day in suetonius' biography vita (r. nisbet, horace: life and chronology, ) ^ "no son ever set a finer monument to his father than horace did in the sixth satire of book i...horace's description of his father is warm-hearted but free from sentimentality or exaggeration. we see before us one of the common people, a hard-working, open-minded, and thoroughly honest man of simple habits and strict convictions, representing some of the best qualities that at the end of the republic could still be found in the unsophisticated society of the italian municipia" — e. fraenkel, horace, – ^ odes . . : "nec (me extinxit) sicula palinurus unda"; "nor did palinurus extinguish me with sicilian waters". maecenas' involvement is recorded by appian bell. civ. . but horace's ode is the only historical reference to his own presence there, depending however on interpretation. (r. nisbet, horace: life and chronology, ) ^ the point is much disputed among scholars and hinges on how the text is interpreted. epodes for example may offer proof of horace's presence if 'ad hunc frementis' ('gnashing at this' man i.e. the traitrous roman ) is a misreading of 'at huc...verterent' (but hither...they fled) in lines describing the defection of the galatian cavalry, "ad hunc frementis verterunt bis mille equos / galli canentes caesarem" (r. nisbet, horace: life and chronology, ). ^ suetonius signals that the report is based on rumours by employing the terms "traditur...dicitur" / "it is reported...it is said" (e. fraenkel, horace, ) ^ according to a recent theory, the three books of odes were issued separately, possibly in , and bc (see g. hutchinson ( ), classical quarterly : – ) ^ bc is the usual estimate but c. bc has good support too (see r. nisbet, horace: life and chronology, – ^ the date however is subject to much controversy with – bc another option (see for example r. syme, the augustan aristocracy, – ^ "[lucilius]...resembles a man whose only concern is to force / something into the framework of six feet, and who gaily produces / two hundred lines before dinner and another two hundred after." – satire . . – (translated by niall rudd, the satires of horace and persius, penguin classics , p. ) ^ there is one reference to bion by name in epistles . . , and the clearest allusion to him is in satire . , which parallels bion fragments , , kindstrand ^ epistles . and . . – are critical of the extreme views of diogenes and also of social adaptations of cynic precepts, and yet epistle . could be either cynic or stoic in its orientation (j. moles, philosophy and ethics, p. ^ satires . . – , – , . . – , . . – , – , . . , – , . . – , . . – , , . . – ^ wilfred owen, dulce et decorum est ( ), echoes a line from carmina . . , "it is sweet and honourable to die for one's country", cited by stephen harrison, the nineteenth and twentieth centuries, . ^ propertius published his third book of elegies within a year or two of horace's odes – and mimicked him, for example, in the opening lines, characterizing himself in terms borrowed from odes . . and . . – , as a priest of the muses and as an adaptor of greek forms of poetry (r. tarrant, ancient receptions of horace, ) ^ ovid for example probably borrowed from horace's epistle . the image of a poetry book as a slave boy eager to leave home, adapting it to the opening poems of tristia and (r. tarrant, ancient receptions of horace), and tristia may be understood as a counterpart to horace's epistles . , both being letters addressed to augustus on literary themes (a. barchiesi, speaking volumes, – ) ^ the comment is in persius . – , yet that same satire has been found to have nearly reminiscences of horace; see d. hooley, the knotted thong, ^ the allusion to venusine comes via horace's sermones . . , while lamp signifies the lucubrations of a conscientious poet. according to quintilian ( ), however, many people in flavian rome preferred lucilius not only to horace but to all other latin poets (r. tarrant, ancient receptions of horace, ) ^ prudentius sometimes alludesto the odes in a negative context, as expressions of a secular life he is abandoning. thus for example male pertinax, employed in prudentius's praefatio to describe a willful desire for victory, is lifted from odes . . , where it describes a girl's half-hearted resistance to seduction. elsewhere he borrows dux bone from odes . . and , where it refers to augustus, and applies it to christ (r. tarrant, ancient receptions of horace, ^ st jerome, epistles . , incorporating a quote from 'corinthians . : qui consensus christo et belial? quid facit cum psalterio horatius?(cited by k. friis-jensen, horace in the middle ages, ) ^ odes . . – was especially influential in promoting the value of heroic calm in the face of danger, describing a man who could bear even the collapse of the world without fear (si fractus illabatur orbis,/impavidum ferient ruinae). echoes are found in seneca's agamemnon – , prudentius's peristephanon . – and boethius's consolatio metrum .(r. tarrant, ancient receptions of horace, – ) ^ heiric, like prudentius, gave horatian motifs a christian context. thus the character lydia in odes . . , who would willingly die for her lover twice, becomes in heiric's life of st germaine of auxerre a saint ready to die twice for the lord's commandments (r. tarrant, ancient receptions of horace, – ) ^ according to a medieval french commentary on the satires: "...first he composed his lyrics, and in them, speaking to the young, as it were, he took as subject-matter love affairs and quarrels, banquets and drinking parties. next he wrote his epodes, and in them composed invectives against men of a more advanced and more dishonourable age...he next wrote his book about the ars poetica, and in that instructed men of his own profession to write well...later he added his book of satires, in which he reproved those who had fallen a prey to various kinds of vices. finally, he finished his oeuvre with the epistles, and in them, following the method of a good farmer, he sowed the virtues where he had rooted out the vices." (cited by k. friis-jensen, horace in the middle ages, – ) ^ 'horace juvenal' was author of modern manners: a poem, ^ see for example spectator , feb. ; , nov. ; , nov. ^ one echo of horace may be found in line : "were it not better done as others use,/ to sport with amaryllis in the shade/or with the tangles of neaera's hair?", which points to the neara in odes . . (douglas bush, milton: poetical works, , note ) ^ cfr. james boswell, "the life of samuel johnson" aetat. , where boswell remarked of johnson that horace's odes "were the compositions in which he took most delight." ^ the quote, from memorials of a tour of italy ( ), contains allusions to odes . and . (s. harrison, the nineteenth and twentieth centuries, – ) ^ "my heart aches, and a drowsy numbness pains / my sense..." echoes epodes . – (s. harrison, the nineteenth and twentieth centuries, ) ^ comment by s. harrison, editor and contributor to the cambridge companion to horace (s. harrison, the nineteenth and twentieth centuries, ^ rossetti's sonnet, a study (a soul), dated , was not published in her own lifetime. some lines: she stands as pale as parian marble stands / like cleopatra when she turns at bay... (c. rossetti, complete poems, ^ quoted from auden's poem out on the lawn i lie in bed, , and cited by s. harrison, the nineteenth and twentieth centuries, ^ edited by mcclatchy, reviewed by s. harrison, bryn mawr classical review . . ^ i. wedde, the commonplace odes, auckland , (cited by s. harrison, the nineteenth and twentieth centuries, ) ^ 'political' epodes are , , , ; notably obscene epodes are and . e. fraenkel is among the admirers repulsed by these two poems, for another view of which see for example dee lesser clayman, 'horace's epodes viii and xii: more than clever obscenity?', the classical world vol. , no. (september ), pp – jstor  ^ m. almond, the works , washington, cited by s. harrison, the nineteenth and twentieth centuries, citations ^ a b j. michie, the odes of horace, ^ n. rudd, the satires of horace and persius, ^ r. barrow r., the romans pelican books, ^ fraenkel, eduard. horace. oxford: , p. . for the life of horace by suetonius, see: (vita horati) ^ brill's companion to horace, edited by hans-christian günther, brill, , p. , google book ^ satires . . ^ epistles . . ff. ^ e. fraenkel, horace, – ^ satires . . ^ t. frank, catullus and horace, – ^ a. campbell, horace: a new interpretation, ^ epistles . . ^ r. nisbet, horace: life and chronology, ^ e. fraenkel, horace, – ^ a b v. kiernan, horace: poetics and politics, ^ satires . . ^ e. fraenkel, horace, – ^ a b satires . ^ v. kiernan, horace: poetics and politics, ^ odes . ^ e. fraenkel, horace, – ^ e. fraenkel, horace, – ^ satires . . ^ a b r. nisbet, horace: life and chronology, ^ v. kiernan, horace, ^ odes . . ^ epistles . . – ^ v. kiernan, horace: poetics and politics ^ e. fraenkel, horace, – ^ christopher brown, in a companion to the greek lyric poets, d.e. gerber (ed), leiden , pages – ^ douglas e. gerber, greek iambic poetry, loeb classical library ( ), introduction pages i–iv ^ d. mankin, horace: epodes, c.u.p., ^ d. mankin, horace: epodes, ^ r. conway, new studies of a great inheritance, – ^ v. kiernan, horace: poetics and politics, – ^ f. muecke, the satires, – ^ r. lyne, augustan poetry and society, ^ j. griffin, horace in the thirties, ^ a b r. nisbet, horace: life and chronology, ^ d. mankin, horace: epodes, ^ satires . ^ odes . . ^ epodes and ^ e. fraenkel, horace, ^ satires . . ^ r. nisbet, horace: life and chronology, ^ v. kiernan, horace: poetics and politics, – ^ r. nisbet, horace: life and chronology, ^ epistles . . – ^ epistles . . ^ v. kiernan, horace: poetics and politics, , ^ epistles . ^ epistles . . – ^ r. nisbet, horace: life and chronology, – ^ e. fraenkel, horace, – ^ epistles . ^ r. ferri, the epistles, ^ odes . and . ^ e. fraenkel, horace, ^ r nisbet, horace: life and chronology, – ^ s. harrison, style and poetic texture, ^ e. fraenkel, horace, – ^ gundolf, friedrich ( ). goethe. berlin, germany: bondi. ^ e. fraenkel, horace, – ^ e. fraenkel, horace, ^ e. fraenkel, horace, – ^ j. griffin, gods and religion, ^ s. harrison, lyric and iambic, ^ s. harrison, lyric and iambic, – ^ a b e. fraenkel, horace, , ^ l. morgan, satire, – ^ s. harrison, style and poetic texture, ^ r. ferri, the epistles, pp. – ^ e. fraenkel, horace, p. ^ v. kiernan, horace: poetics and politics, ^ j. moles, philosophy and ethics, pp. – , ^ k. j. reckford, some studies in horace's odes on love ^ j. moles, philosophy and ethics, p. ^ santirocco "unity and design", lowrie "horace's narrative odes" ^ ancona, "time and the erotic" ^ j. moles, philosophy and ethics, pp. – ^ davis "polyhymnia" and lowrie "horace's narrative odes" ^ j. moles, philosophy and ethics, p. ^ j. moles, philosophy and 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"living with the satirists". classical influences on european culture ad – . cambridge university press. bush, douglas ( ). milton: poetical works. oxford university press. campbell, a ( ). horace: a new interpretation. london. conway, r ( ). new studies of a great inheritance. london. davis, gregson ( ). polyhymnia. the rhetoric to horatian lyric discourse. university of california. ferri, rolando ( ). "the epistles". the cambridge companion to horace. cambridge university press. isbn  - - - - . flesch, william ( ). the facts on file companion to british poetry, th century. infobase publishing. isbn  - - - - . frank, tenney ( ). catullus and horace. new york. fraenkel, eduard ( ). horace. oxford university press. friis-jensen, karsten ( ). "horace in the middle ages". the cambridge companion to horace. cambridge university press. griffin, jasper ( ). "horace in the thirties". horace . ann arbor. griffin, jasper ( ). "gods and religion". the cambridge companion to horace. cambridge university press. harrison, stephen ( ). "lyric and iambic". a companion to latin literature. blackwell publishing. harrison, stephen ( ). "introduction". the cambridge companion to horace. cambridge university press. harrison, stephen ( ). "style and poetic texture". the cambridge companion to horace. cambridge university press. harrison, stephen ( ). "the nineteenth and twentieth centuries". the cambridge companion to horace. cambridge university press. hooley, d ( ). the knotted thong: structures of mimesis in persius. ann arbor. hutchinson, g ( ). "the publication and individuality of horace's odes – ". classical quarterly . kiernan, victor ( ). horace: poetics and politics. st martin's press. kupersmith, w ( ). roman satirists in seventeenth century england. lincoln, nebraska and london. loveling, benjamin ( ). latin and english poems, by a gentleman of trinity college, oxford. london. lowrie, michèle ( ). horace's narrative odes. oxford university press. lyne, r ( ). "augustan poetry and society". the oxford history of the classical world. oxford university press. mankin, david ( ). horace: epodes. cambridge university press. mcneill, randall ( ). horace. oxford university press. isbn  - - - - . michie, james ( ). "horace the man". the odes of horace. penguin classics. moles, john ( ). "philosophy and ethics". the cambridge companion to horace. cambridge university press. money, david ( ). "the seventeenth and eighteenth centuries". the cambridge companion to horace. cambridge university press. morgan, llewelyn ( ). "satire". a companion to latin literature. blackwell publishing. muecke, frances ( ). "the satires". the cambridge companion to horace. cambridge university press. nisbet, robin ( ). "horace: life and chronology". the cambridge companion to horace. cambridge university press. reckford, k. j. ( ). horatius: the man and the hour. . american journal of philology. pp.  – . rivers, elias ( ). fray luis de león: the original poems. grant and cutler. rossetti, christina ( ). the complete poems. penguin books. rudd, niall ( ). the satires of horace and persius. penguin classics. santirocco, matthew ( ). unity and design in horace's odes. university of north carolina. syme, r ( ). the augustan aristocracy. oxford university press. talbot, j ( ). "a horatian pun in paradise lost". notes and queries ( ). oxford university press. tarrant, richard ( ). "ancient receptions of horace". the cambridge companion to horace. cambridge university press. tollet, elizabeth ( ). poems on several occasions. london. further reading davis, gregson ( ). polyhymnia the rhetoric of horatian lyric discourse. berkeley: university of california press. isbn  - - - . fraenkel, eduard ( ). horace. oxford: clarendon press. horace ( ). the complete works of horace. charles e. passage, trans. new york: ungar. isbn  - - - . johnson, w. r. ( ). horace and the dialectic of freedom: readings in epistles . ithaca: cornell university press. isbn  - - - . lyne, r.o.a.m. ( ). horace: behind the public poetry. new haven: yale univ. press. isbn  - - - . lyons, stuart ( ). horace's odes and the mystery of do-re-mi. aris & phillips. lyons, stuart ( ). music in the odes of horace. aris & phillips. michie, james ( ). the odes of horace. rupert hart-davis. newman, j.k. ( ). augustus and the new poetry. brussels: latomus, revue d’études latines. noyes, alfred ( ). horace: a portrait. new york: sheed and ward. perret, jacques ( ). horace. bertha humez, trans. new york: new york university press. putnam, michael c.j. ( ). artifices of eternity: horace's fourth book of odes. ithaca, ny: cornell university press. isbn  - - - . reckford, kenneth j. ( ). horace. new york: twayne. rudd, niall, ed. ( ). horace : a celebration – essays for the bimillennium. ann arbor: univ. of michigan press. isbn  - - -x. sydenham, colin ( ). horace: the odes. duckworth. west, david ( ). horace the complete odes and epodes. oxford university press. wilkinson, l.p. ( ). horace and his lyric poetry. cambridge: cambridge university press. external links horaceat wikipedia's sister projects definitions from wiktionary media from wikimedia commons quotations from wikiquote texts from wikisource data from wikidata library resources about horace online books resources in your library resources in other libraries by horace online books resources in your library resources in other libraries works by horace at project gutenberg works by or about horace at internet archive works by horace at librivox (public domain audiobooks) q. horati flacci opera, recensuerunt o. keller et a. holder, voll., lipsiae in aedibus b. g. teubneri, – . common sayings from horace the works of horace at the latin library carmina horatiana all carmina of horace in latin recited by thomas bervoets. selected poems of horace works by horace at perseus digital library biography and chronology horace's works: text, concordances and frequency list sorgll: horace, odes i. , read by robert sonkowsky translations of several odes in the original meters (with accompaniment). a discussion and comparison of three different contemporary translations of horace's odes some spurious lines in the ars poetica? horati opera, acronis et porphyrionis commentarii, varia lectio etc. (latine) horace ms a ars poetica and epistulae at openn v t e works by horace poetry satires epodes odes epistles carmen saeculare ars poetica collections satires . quote ut pictura poesis related spring of bandusium v t e ancient rome topics outline timeline history foundation kingdom overthrow republic empire history pax romana principate dominate western empire fall historiography of the fall byzantine empire decline fall constitution history kingdom republic empire late empire senate legislative assemblies curiate centuriate tribal plebeian executive magistrates spqr law twelve tables mos maiorum citizenship auctoritas imperium status litigation government curia forum cursus honorum collegiality 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Українська tiếng việt volapük võro walon winaray 吴语 粵語 zazaki Žemaitėška 中文 edit links this page was last edited on december , at :  (utc). text is available under the creative commons attribution-sharealike license; additional terms may apply. by using this site, you agree to the terms of use and privacy policy. wikipedia® is a registered trademark of the wikimedia foundation, inc., a non-profit organization. privacy policy about wikipedia disclaimers contact wikipedia mobile view developers statistics cookie statement horaz – wikipedia horaz aus wikipedia, der freien enzyklopädie zur navigation springen zur suche springen horaz (aussprache: [hoˈraːt͡s], * . dezember v. chr. in venusia; † . november v. chr.), eigentlich quintus horatius flaccus, ist neben vergil, properz, tibull und ovid einer der bedeutendsten römischen dichter der augusteischen zeit. seine philosophischen ansichten und dicta gehörten bis in die neuzeit zu den bekanntesten des altertums und erfuhren reichhaltige rezeption in humanismus und klassizismus. horaz trieb die klassische literatur eigener zeit auf neue höhen und war besonders für den englischen klassizismus bedeutendstes antikes vorbild. horaz-denkmal ( ) in venosa inhaltsverzeichnis leben . jugend . dichter im maecenaskreis . spätwerk und alter werk . satiren . epoden . . gestaltungskriterien und inhalte . . weiterentwicklung zu den oden . . chronologie und aufbau . oden . . datierung und produktive bedingungen . . themen . episteln philosophie wirkungsgeschichte textausgaben . editionen . Übersetzungen literatur weblinks anmerkungen leben[bearbeiten | quelltext bearbeiten] Über das leben des dichters horaz ist relativ viel bekannt. dies liegt nicht in erster linie an sekundärer biographischer tradition, die mit beschreibungen in der vita suetons im zweiten jahrhundert einsetzte. hauptquelle für die biographie des dichters bilden vielmehr selbstaussagen. sie dienten horaz in zahlreichen kontexten als folien für seine philosophie und metapoetischen Überlegungen. diese selbstaussagen wurden zwar nicht in der absicht getätigt, horaz’ vita rekonstruieren zu helfen, verweisen jedoch auf zeitgenössische ereignisse und zustände, auf die der dichter bezug nimmt, und helfen so, ihn in einen kontext einzuordnen.[ ] einen dritten hinweis auf sein leben bietet seine literarische arbeitsweise, wozu die auswahl seiner motive und verarbeitung seiner stoffe gehört. horaz zeigt sich selbst agierend im alltagsgeschehen, welches leser der folgezeit auf ereignisse seiner zeit verweist, und bietet besonders in den satiren abbildung zeitgenössischer beziehungen und alltäglichkeiten, wozu ihm – nach eigenaussagen – programmatisch der satirendichter lucilius als vorbild diente.[ ] jugend[bearbeiten | quelltext bearbeiten] geboren wurde horaz am . dezember[ ] v. chr. in venusia, einer stadt an der grenze der italischen provinzen lukanien und apulien.[ ] sein vater – horaz bezeichnet ihn als freigelassenen (libertinus)[ ] – arbeitete als coactor exactionum (versteigerungsagent)[ ] und besaß ein kleines landgut,[ ] das er sich selbst erarbeitet hatte.[ ] ob die herkunft aus dem sklavenstand auf wahrheit beruht, wird unterschiedlich gesehen. gordon williams nahm an, es handle sich um allzu stilisierte darstellung, durch die horaz als aufsteiger aus niedrigem stand dargestellt werden sollte. der vater sei in wirklichkeit italischer herkunft gewesen und im bürgerkrieg mit sulla, wie viele samniten auch, in gefangenschaft geraten.[ ] in aktuelleren darstellungen mehren sich gegenstimmen, die williams' aussage zu relativieren versuchen.[ ] außerdem ist strittig, ob horaz' vater mit diesem gutbezahlten beruf zu wohlstand gelangt ist. horaz selbst verneint dies[ ] und stilisiert das leben seines vaters als pauper, besonders, nachdem ihm im zuge von landverteilungen nach dem römischen bürgerkrieg das gut seines vaters konfisziert wurde.[ ] allerdings meint paupertas nicht eigentliche armut (egestas), sondern genügsames und autarkes landleben nach den sitten römischer frühzeit. zudem muss er wenigstens so viel geld besessen haben, seinem sohn eine literarische und philosophische ausbildung finanzieren zu können. gordon williams begriff horaz' stilisierung als eine form des understatements, die kritikern des vaters zeigen sollte, dass dieser als sohn eines freigelassenen zu großen ehren gekommen war und sie ihn zu unrecht mit seinem stand verspottet haben.[ ] die mutter hat horaz in seinen gedichten nie erwähnt.[ ] der berg voltur (vulture) nahe dem dorf acerenza in horaz' heimat, den der dichter in der römerode , im stile des helikon besingt viele erzählungen, die in horaz' späterer dichtung auftauchen, waren beeinflusst von seinen jugenderfahrungen. neben reichhaltiger verwendung poetischer stilisierungen der natur, die häufig auf seine heimatprovinz bezug nehmen,[ ] liefert horaz gründe für moralvorstellungen und spätere betonung zurückgezogenen und genügsamen landlebens in der ofellusgeschichte. diesen ofellus beschreibt er in den satiren als unterweiser in jugendjahren, der ihm sitten und moralvorstellungen des landmanns wie einfachheit, sparsamkeit und naturbezogenheit mit dem verweis auf seine wurzeln näherbrachte. wie horaz selbst verlor dieser sein gut durch konfiskation.[ ] vermutlich von bis v. chr. schickte horaz' vater ihn zum literatur- und grammatikstudium nach rom.[ ] dort erhielt horaz eine ausbildung in der angesehenen rednerschule des grammatikers orbilius, den er jedoch als plagosus (schlagfreudig) und später sogar als saevus magister (wütenden lehrmeister) kennenlernte.[ ] neben diesen schlechten erfahrungen in rom und im dortigen unterricht, die sich in horaz’ starker aversion gegen die stadt bemerkbar machten, lernte er die archaischen vorbilder lateinischer und griechischer dichtung kennen, sowohl livius andronicus als auch die homerischen epen ilias und odyssee und ihre moralisierenden interpretationen.[ ] nach seinem studium in rom schickte ihn der vater nach athen, wo er griechische philosophie und literatur studierte.[ ] in athen beschäftigte sich horaz mit altgriechischer lyrik und versuchte sich in griechischen versen, wenn auch nicht mit dem ziel, dichtung zu schreiben.[ ] außerdem hörte er vorträge von epikureern, peripatetikern und stoikern. im jahre v. chr., nach der ermordung caesars, warb marcus iunius brutus in athen römische studenten als rekruten für die republikanische armee an, zu denen auch horaz gehörte.[ ] unter brutus' kommando machte er schnell karriere und stieg zum tribunus militum (militärtribun) einer legion auf.[ ] das jähe ende seiner militärzeit kam im herbst , als die armee des brutus in der schlacht bei philippi der caesarpartei octavians unterlag. in kurzer zeit verlor horaz als parteigänger von brutus und cassius das väterliche landgut nach den konfiskationen in venusia und musste nach seiner rückkehr nach rom sämtliche karrierehoffnungen aufgeben.[ ] er sah sich in die paupertas getrieben,[ ] wobei sich diese aussage bei ihm auf den verlust seiner ambitionen bezog, die er hinsichtlich einer zentralen rolle im öffentlichen leben hatte,[ ] und auf die erschütterung seiner Überzeugungen als freier bürger roms. die erfahrung des verlusts einer öffentlichen position in der römischen republik trieb ihn zu dem entschluss, sich der dichtkunst zuzuwenden. nach den altphilologen robin g. m. nisbet und margaret hubbard behandelte horaz diese hinwendung zur dichtung in der ode , , um sich in die nachfolge der griechischen dichtervorbilder alkaios und archilochos zu stellen.[ ] für diese ode hat er den vorwurf erhalten, er habe seine damalige beteiligung an der schlacht im nachhinein zynisch oder gleichmütig gesehen, unter anderem, weil er schrieb, dass er (anders als pompeius) seinen schild in der schlacht weggeworfen habe und nur noch merkur gefolgt sei.[ ] tatsächlich scheint er jedoch die schlacht als einschneidendes ereignis für seinen lebenswandel und seine politische virtus begriffen zu haben.[ ] mit seinem intellektuellen lebenswandel ging die stärkere zuwendung zum epikureismus einher.[ ] die vita suetons erwähnt, dass er nach in rom von der partei octavians rehabilitiert wurde,[ ] eventuell nach dem vertrag von brindisi v. chr.[ ] horaz selbst erkannte in der retrospektive augustus als universalen regenten auch für diejenigen an, die durch den bürgerkrieg in ihren idealen und erwartungen an die republik enttäuscht worden waren.[ ] im gegensatz zum verlust seiner ideellen ziele und politischen ambitionen war horaz' materielle situation keinesfalls pauper oder unglücklich. bereits in athen hatte er mit dem geld aus seiner ausbildung ein gutes leben geführt, kontakte zur oberschicht geknüpft und an festlichkeiten und gastmählern teilgenommen. im heer des brutus konnte er als militärtribun den stand eines eques beanspruchen, wenn er sich nicht schon während eines ersten romaufenthalts dort eingekauft hatte.[ ] in den satiren erweckte er den eindruck, dass er sich sogar in den stand eines prätors oder senators hätte einkaufen können, wenn er gewollt hätte.[ ] in rom hatte er gute beziehungen zu angesehenen rechtsbeiständen und prahlte unter anderem mit kontakten zu gaius trebatius testa und lucius manlius torquatus.[ ] selbst nach der niederlage von philippi schaffte es horaz, seine verdienste erfolgreich einzusetzen und zu organisieren.[ ] nach der rehabilitation durch octavian kaufte er sich in das amt eines quästurschreibers ein, eine hochbezahlte stellung, auf die er nach dem verlust der väterlichen güter vorerst sein vermögen stützte.[ ] dichter im maecenaskreis[bearbeiten | quelltext bearbeiten] die dichter vergil und varius, die zu dieser zeit in rom große erfolge feierten, wurden im jahr auf den jungen horaz aufmerksam und stellten ihn dem adligen gönner und kunstliebhaber maecenas vor.[ ] dieser wählte dichter auf grund ihres außergewöhnlichen talents aus, unterstützte sie finanziell und sorgte mit regelmäßigen rezitationen neuester werke und poetologischen diskussionen für den künstlerischen austausch im privaten kreis. horaz hatte sich bis dahin weder als besonderer dichter hervorgetan noch an irgendeiner strömung römischer dichtung besonderes interesse gefunden.[ ] er präsentierte sich dem gönner daher von der seite seines niedrigen standes und betonte seine einfachen verhältnisse und seine betroffenheit von den landenteignungen.[ ] maecenas ließ ihn neun monate auf eine antwort warten, bevor er horaz in seinen dichterkreis aufnahm.[ ] hans-christian günther vermutete, dass hinter horaz‘ schilderungen die stilisierung der maecenasfigur als verkörperung seiner früheren politischen ambitionen stand. horaz stellte sich wieder mit den wurzeln eines einfachen landmannes aus der provinz vor, und ihm zum gegenbild stand der politisch erfolgreiche und einflussreiche machtmensch maecenas, der tugendhaftes handeln und weise politische Überlegungen verkörperte. nur durch ihn gelang dem dichter der parallele aufstieg zu intellektueller größe und verdienst.[ ] charles françois jalabert (ca. ), der maecenaskreis mit dem rezitierenden vergil, horaz (mitte) und dem hörenden maecenas (rechts), sowie varius im hintergrund nach seiner aufnahme in den maecenaskreis begleitete horaz seinen gönner auf politischen und diplomatischen reisen, so v. chr. nach brindisi (zusammen mit vergil)[ ] und v. chr. im sizilienkrieg, wobei er bei einem schiffbruch am kap palinurus fast ums leben gekommen wäre.[ ] nach brachte horaz seine ersten gedichte heraus. dazu gehörte das erste satirenbuch, in dem hauptsächlich die privaten probleme des dichters anklingen, sich im kreis des maecenas zurechtzufinden.[ ] danach folgten erste adaptionen der altgriechischen versmaße in den iamben (epoden), deren herausgabe erst nach der schlacht bei actium v. chr. erfolgt sein kann.[ ] wie auch das zweite satirenbuch, das nach den iamben erschien, zeigten diese deutliche politische parteinahme für die seite octavians und vorbehalte gegen politisch-kulturelle gegner wie etwa kleopatra, die horaz später in den oden als fatale monstrum (todbringendes wunderzeichen) betitelte.[ ] sieben jahre nach den epoden legte horaz ein kernstück seiner poesie vor mit der geschlossenen herausgabe von drei odenbüchern, in denen er lyrische versmaße der äolischen dichter auf latein verarbeitete. in der zeit der neugeschaffenen pax augusta kamen horaz' politische stellungnahmen für den herrscher immer deutlicher zum ausdruck. trotz der üblichen motive augusteischer dichtung, wie der recusatio (zurückweisung eines wunsches auf herrscherlob mit dem verweis des dichters, dass er und seine dichtung dafür nicht gut genug seien)[ ] komponierte horaz vor v. chr. auch panegyrik auf augustus, wie das carmen , und , . bereits mitte der er jahre schenkte maecenas horaz ein landgut in den sabinerbergen am fuße des bergs lucretilis (gennaro) im heutigen tal von licenza.[ ] dieses sabinum, wie es horaz nannte, war mit fünf coloni, einem vilicus und acht sklaven zwar kein kleines, aber für die verhältnisse in der römischen oberschicht ein sparsames haus.[ ] das sabinum wurde für ihn schnell zum inbegriff einer rückzugsmöglichkeit in literarisches und philosophisches otium („muße“). im gegensatz dazu wuchs seine verachtung für die hektik und die gerüchte der stadt rom, deren gegenstand als bekannter in den höchsten kreisen er war. neben der lästigkeit weniger geschäfte in der stadt legte horaz in der bekannten fabel von der landmaus und der stadtmaus dar, wie sehr das leben des maecenas in rom den philosophischen ansichten des dichters entgegengesetzt war.[ ] später kamen weitere güter in horaz' besitz, wie eine villa in tivoli[ ] und eventuell ein gut in tarentum.[ ] die ruhe, zurückgezogenheit und genügsamkeit des sabinums besang horaz in der folge seiner gedichte immer wieder. ihnen widmete er große teile seiner satire , und dem tarentinum sowie teile seines briefes , . spätwerk und alter[bearbeiten | quelltext bearbeiten] als horaz etwa v. chr. seine oden fertiggestellt hatte, dachte er in seinem neuen werk, den versepisteln, ab v. chr. darüber nach, sich zur ruhe zu setzen und das innovative dichten von lyrik aufzugeben.[ ] der große erfolg seiner oden und horaz' gesicherter sozialer status bewogen ihn dazu, die notwendigkeit zu vermeiden, sich mit einer weiteren neuerung abermals in den mittelpunkt der aufmerksamkeit von kollegen und augusteischen eliten zu stellen. offenbar fanden sich neben den lesern, die horaz begehrte, viele neider und imitatoren.[ ] besonders das alter, das horaz für seine entscheidung anführt, hielt der philologe hans-christian günther für einen plausiblen grund, weil horaz durch sein bewegtes leben mit vielen wendungen und rückschlägen bereits in jungen jahren die fähigkeit zur reiferen reflexion erhalten hatte, die ihn geistig vorzeitig habe altern lassen.[ ] nichtsdestoweniger stellte der Übergang in horaz' dichterisches spätwerk und seine ankündigung, abstand von der innovativen dichtung zu nehmen, für die breite Öffentlichkeit der leser ironischerweise gerade etwas innovatives dar. das erste briefkorpus bestand nicht aus tatsächlichen oder fingierten korrespondenzen, sondern dichterischen und sogar poetologischen versepisteln, die nicht nur kunstvoll komponiert waren, sondern auch eine neue literarische gattung darstellten.[ ] ernst fries, blick in die sabinerberge östlich von licenza, Öl auf mahagoni, ab etwa v. chr. verlor der maecenaskreis für die dichter immer mehr an bedeutung. vergil starb v. chr.[ ] varius v. chr., und properz erwähnte maecenas in seinem vierten elegienbuch nicht einmal mehr. genauso widmete horaz dem gönner kein weiteres werk. ob mit diesem bedeutungsverlust ein politischer bedeutungsverlust des maecenas bei augustus einherging, ist in den letzten jahrzehnten in zweifel gezogen worden. der auslöser für diese vermutung war eine passage bei sueton, der behauptete, maecenas habe augustus’ politik gegenüber das interesse verloren. er habe seinem schwager murena verraten, dass gegen ihn die order vorliege, ihn zu beseitigen.[ ] diese passage sah der historiker ronald syme noch als plausibel an und schloss aus ihr, dass maecenas durch seinen verrat bei augustus in ungnade gefallen sei,[ ] williams dagegen analysierte sie in den er jahren kritisch und kam zu dem schluss, dass keine belege suetons behauptung stützen konnten, sondern augustus maecenas unumschränkt vertraute.[ ] mit der zeit ging das patronageverhältnis von maecenas, dem verwalter augusteischer kulturpolitik, auf augustus als dessen initiator über. der kaiser selbst nahm sich des dichters an, und seine wünsche als princeps hatten beachtung zu finden. damit änderten sich motive und rhetorik von horaz’ werken. eine einfache recusatio konnte politisch eine größere bedeutung haben, wenn sie direkt gegenüber dem kaiser geäußert würde, als gegenüber einem seiner offiziere.[ ] außerdem hielt augustus horaz politisch-pragmatisch für wichtig: er plante, ihn nach seiner rückkehr von den parthern zum privatsekretär für das entwerfen seiner briefe zu machen.[ ] weil er wusste, dass der dichter ein weiteres briefbuch plante, wies er ihn darauf hin, dass eine widmung dieser werke in seinem interesse liege. horaz widmete augustus folglich das zweite briefbuch und auch den so genannten pisonenbrief, die „ars poetica“. die einbindung seiner dichtung in die augusteische kulturpolitik ging schließlich so weit, dass augustus ihn v. chr. beauftragte, für einen chor aus jungen und mädchen ein festlied für die ludi saeculares zu schreiben.[ ] noch in seinem letzten oder vorletzten werk, dem vierten buch der oden, brüstete sich horaz mit der bedeutung, die er mit diesem carmen saeculare in der römischen gesellschaft erlangt hatte.[ ] er sah sich vom vulgären satirendichter, der in unteren poetischen genres und rängen begann, zu einem bedeutenden staatsdichter aufgestiegen.[ ] das letzte buch der oden kann als verschiedenfache widmung gegenüber bedeutenden personen der augusteischen familie angesehen werden. horaz schien es im einvernehmen mit dem princeps verfasst zu haben, angetrieben durch das carmen saeculare und eventuell bestrebt, seine enge beziehung zu augustus dichterisch festzuhalten.[ ] strittig bleibt bisher, wie sehr horaz in seinem spätwerk politisches sprachrohr für die ideen der herrschenden war. niall rudd stellte zum beispiel die frage, wie horaz’ lebenssituation als ehemals republikanisch gesinnter junggeselle und lebemann auf politische anklänge in seinen gedichten einfluss nehmen konnte, die auch die augusteischen ehegesetze zum thema hatten.[ ] sicherlich ist es schwierig, eine politische position des dichters horaz hinter politischen gedichten und panegyrik wie der ode , oder , zu suchen. dies wurde zumeist im kontext der eigenen zeit und politisch-nationalen Überzeugungen der betrachter getan.[ ] hans-christian günther warnte jedoch auch davor, horaz als unpolitischen hedonisten überzubetonen und ihn allein im kontext der modernen „spaßgesellschaft“ zu werten.[ ] zu einem erheblichen teil prägte horaz selbst das bild von sich, doch lassen sich über die jahre auch Änderungen in den sozialen und mentalen lebensumständen des dichters hinter dem werk erkennen. horaz sprach zum beispiel in den satiren den dank an seinen vater aus, der ein symbol seines schnellen sozialen aufstiegs war. er stellte sich bewusst als emporkömmling dar und betrachtete seinen jeweiligen sozialen status als ständigen ansporn und streben nach höherem. dies ist als selbstverteidigung vor dem hintergrund der ständigen angriffe von neidern und spöttern zu sehen.[ ] die stilisierung des vaters transformierte horaz’ vorstellungen von seinem dichter-ich in sein werk, während er selbst durch seine stellung in rom und seine dichtung großen finanziellen und persönlichen erfolg hatte. diese überkompensierte betonung einer niedrigen herkunft deutet auf die unsicherheit des dichters hin, der als ehemaliger octaviangegner von niedrigem stand plötzlich als außenseiter in die höchsten kreise der augusteischen kultur eintauchte.[ ] später beherrschte er ebenfalls die kunst, sich als etablierter dichter mit eigenen Überzeugungen den herrschern gegenüber bescheiden zu geben und die leichteren klänge von wein, liebe und tanz zu besingen, wie er es in der ode , von sich behauptete.[ ] die beziehung zu maecenas, auch wenn sie nun weniger wichtig für horaz war, blieb bis zu dessen tod freundschaftlich. in der ode , besingt horaz die iden des april, maecenas' geburtstag als außerordentliches jubelfest, das ihm wertvoller als sein eigener geburtstag gewesen sei.[ ] v. chr. starb maecenas und noch im selben jahr, am . november, auch horaz. beider gebeine wurden zum esquilin gebracht.[ ] wie sehr die freundschaft der beiden ungleichen männer auf gegenseitigkeit beruhte, zeigte maecenas in seinem epigramm:[ ] „ni te visceribus meis, horati, plus iam diligo, tu tuum sodalem ninnio videas strigosiorem“ „wenn ich dich nicht mehr liebe, horaz, als mein eigen fleisch und blut, könntest du deinen freund magerer sehen als ninnius.“ Über horaz' liebesleben ist wenig bekannt; autobiographische aussagen können hier nicht sicher von literarisch vorgeformten motiven getrennt werden. in den episteln sprach er vom mädchen cinara, die die einzig nachweisbare frau in seiner dichtung war und die er als junger mann in athen traf.[ ] ansonsten blieb horaz junggeselle. in den epoden , und sinniert er über sexuelle vorlieben und eine gewisse antipathie gegen alternde frauen. oftmals sah er sich selbst bereits in mittleren jahren als alter lüstling, und seine gedichte entbehren einer gewissen romantik, wenn er zum beispiel in der satire , schreibt, er sei in unzählige mädchen und jungen vernarrt gewesen.[ ] trotz zahlreicher gerüchte in der biographischen tradition und vermutungen in der forschung über eine mögliche bisexualität[ ] bleiben die motive der horazischen liebesdichtung eher unbestimmt, weder misogyn zwischen den extremen schwankend, wie in der liebeselegie, noch besonders sexistisch. Über sein aussehen hat horaz ausführlich selbst gesprochen. er beschrieb sich als dick, wohlgenährt und von glänzender, gepflegter haut.[ ] außerdem sei er von kurzer statur, frühzeitig ergraut und schnell zu erzürnen, genauso leicht jedoch wieder zu beruhigen gewesen.[ ] horaz' cognomen flaccus bedeutet so viel wie ‚schlappohr‘. werk[bearbeiten | quelltext bearbeiten] die künstlerische entwicklung des horaz kann in drei stufen unterteilt werden: das temperamentvolle und angriffslustige frühwerk, mit den satiren und epoden ( bis ca. v. chr.) die klassische reife, mit den oden i-iii und den episteln i (ca. v. chr. bis ende der er jahre) die abgeklärtheit des späten werkes, mit dem carmen saeculare, den oden iv und den episteln ii, darunter die ars poetica, ( bis oder v. chr.) besonders in den anfangsjahren des dichters überlagern sich die entstehungszeiten der einzelnen werke bis zur herausgabe vollständiger bücher. die darstellung von eduard fraenkel zum werk der epoden und satiren hat versucht, die satiren in der eigentlichen chronologischen reihenfolge zu analysieren. als ältestes gedicht gilt dort wie allgemein die satire , ,[ ] die fränkel mit der unselbständigen themenwahl begründete. die themenwahl der gedichte brachte ebenfalls den altphilologen eckard lefèvre zu der annahme, dass zeitgleich mit der satire , früh zu datierende epoden, unter anderem die gedichte , und , vorgelegen haben müssen, von denen horaz für seine aufnahme bei maecenas diejenigen mit brisanten politischen inhalten benutzte.[ ] auch im spätwerk des dichters überlappen sich immer wieder produktive phasen, wie der beginn des ersten epistelbuchs nach den oden oder die frage, ob sein letztes werk die ars poetica oder das vierte odenbuch war.[ ] zudem sollten die charakterisierungen als orientierung dienen. horaz sprach zwar in seinen oden selbst davon, dass sein frühwerk schneller und angriffslustiger war,[ ] doch bewahrte er sich auch im brief mit augustus eine vertrautheit, die sich im zynischen umgang miteinander äußerte, der an seine frühen werke für maecenas erinnert. in seinem brief fragte ihn der kaiser scherzhaft, ob es horaz’ späteres bild beeinträchtigen würde, wenn er zugäbe, den kaiser gekannt zu haben.[ ] außerdem nimmt er bezug zu seinem frühwerk, wenn er im vierten odenbuch die einfachheit seiner dichtung betont. gleich im ersten gedicht lässt er die frühere moralkritik der römeroden und den anspruch aus der . epode, ein vates zu sein, beiseite und wird zu den leichten lyrischen inhalten der ersten drei odenbücher zurückgedrängt.[ ] satiren[bearbeiten | quelltext bearbeiten] saturae, die zwei bücher der satiren bestehen aus zehn beziehungsweise acht teilweise recht umfangreichen einzelgedichten in hexametern. horaz selbst nannte sie sermones („gespräche“). er spricht darin mit maecenas, mit dem leser, mit sich selbst und führt die personen im dialog vor. ziel dieser nicht unbedingt harmlosen plaudereien ist, dem leser mit humor unangenehme wahrheiten zu sagen. vorbild war ihm der römische satiriker lucilius. horaz war stets um das wesentliche und straffheit bemüht. so lautete sein kunstprinzip: vielfalt in der beschränktheit. zentrales thema ist die rechte lebensgestaltung. die meisten gedichte geißeln laster, die sozialen unfrieden stiften oder zumindest die menschlichen beziehungen beeinträchtigen, wie zum beispiel habgier, ehebruch, aberglaube, schlemmerei, … im gegensatz zu lucilius, der hochgestellte zeitgenossen schonungslos anprangerte, musste sich horaz in dieser beziehung zurückhalten. seine ausfälle beschränkten sich auf verstorbene personen, einflusslose leute und stadtbekannte außenseiter. nicht selten stellte er stellvertretend für den normalbürger auch sich selbst und seine schwächen dar. epoden[bearbeiten | quelltext bearbeiten] gestaltungskriterien und inhalte[bearbeiten | quelltext bearbeiten] als epoden (griechisch ἐπῳδός „epodós“, nachgesang, refrain) werden die gedichte eines schmalen buches bezeichnet, das um etwa v. chr. von horaz herausgegeben wurde; epoden deshalb, weil sich bei den einzelnen versen der gedichte jeweils ein jambischer langvers (trimeter) mit einem refrainartigen kurzvers (dimeter) abwechselt. das versmaß entsprach mehr den regeln der griechischen lyrik und stellte damit eine metrische neuerung gegenüber dem sprechvers der römischen komödie, dem senar, dar. pionier in der anwendung war vor horaz der dichter catull. horaz nannte sein buch „iambi“, obwohl nur elf gedichte ausschließlich im jambischen und die übrigen sechs in kombinationen von jambischem und daktylischem versmaß, dem versfuß des hexameters, geschrieben sind. griechischer urheber der epodendichtung und vorbild des horaz war der ionier archilochos von paros. von ihm ist nicht mehr bekannt, als dass er während einer sonnenfinsternis des jahres v. chr. lebte[ ] und sein werk zwei bemerkenswerte kennzeichen aufwies. einmal galt er als pionier und meister jambischer strophenformen, andererseits verwendete er die form des verses für extrem angriffslustige, persönlich verletzende und teils hetzerische gedichte ohne rücksicht auf den stand der angegriffenen personen. im augusteischen rom war eine dichtung gleicher prägung nicht denkbar. horaz dichtete einerseits für seinen gönner maecenas sowie andererseits für einen unbekannten leserkreis. deshalb waren wie schon bei den „satiren“ auch hier vorsicht und rücksicht geboten. selten nannte er namen, und wenn, dann meist decknamen. so führt er in der wohl bekanntesten epode beatus ille den geldverleiher alfius vor, der ausführlich das idyllische landleben lobt, dann jedoch trotzdem bei seinen städtischen finanzgeschäften bleibt (ep. ). weiterhin verspottet er einen schmähsüchtigen dichter unter dem namen maevius, einen emporkömmling im militär (ep. ), zwei gealterte hetären, deren körperlicher verfall mit derb-obszönen vergleichen geschildert wird, die jedoch ohne namen bleiben (ep. und ), und eine hexe namens canidia (ep. und ep. ), die bereits in seinen satiren auftauchte und die fantasie nachfolgender generationen immer wieder anregte. dass horaz in den epoden keine konkreten namen nannte, heißt zwar, dass er die inhaltlichen gestaltungsmaßstäbe seines vorbilds archilochos änderte. es heißt jedoch nicht, dass keine konkreten persönlichkeiten hinter den angriffen gegen bestimmte typen gestanden haben. die identifikation des dichters maevius aus der zehnten epode mit dem mevius, dessen schlechte verse vergil in seiner dritten ekloge beklagt,[ ] ist von altphilologen häufig hervorgehoben worden. maevius’ bezeichnung als eindeutig sexuell konnotierter geiler bock (libidinosus caper),[ ] den horaz verdientermaßen opfern wollte, kann durchaus auf die schmähung des dichters bezug nehmen, denn bereits bei catull findet sich ein ähnlich gelagerter fall, wo mit der bezeichnung „bock“ die strafwürdigkeit einer bekannten person codiert wird.[ ] weiterhin versuchte der spätantike horazkommentator porphyrio personen der epoden zu identifizieren, wie den militärtribun der vierten epode mit menas, dem freigelassenen flottenführer des sextus pompeius. solche identifizierungen sind wenig klar und oft angezweifelt worden, zeigen jedoch, dass früh über einen wirkungskontext der epoden spekuliert wurde. dieser wirkungskontext schien zunächst von einem kleinen hörerkreis abzuhängen, der mit den gezielten, aber verdeckten angriffen etwas anzufangen wusste. der freiburger altphilologe eckard lefèvre sah einen wichtigen hinweis für die zielgerichtetheit der epoden in der häufigen pointiertheit. so lobt horaz in der zweiten epode über verse hinweg das sittsame landleben, und erst in den letzten zwei strophen löst er auf, dass ein wucherer dieses lob ausspricht, der sich im auge des landmannes unsittlich verhält. Ähnliches findet sich in der vierten epode, in der horaz seine verachtung für einen neureichen kundtut, von dem er erst in der letzten zeile berichtet, ihm obliege die verantwortung eines militärtribuns. derartig gezielte pointen wären kaum von einem gewöhnlichen spottdichter gesetzt worden.[ ] weiterentwicklung zu den oden[bearbeiten | quelltext bearbeiten] horaz nutzte die archilochische dichtung formal, trotzdem war auch hier seine bereitschaft nicht hoch, seine nachfolge in der iambendichtung in den vordergrund zu stellen. dies lässt sich am eröffnungsgedicht ibis liburnis ablesen, das von der sorge um horaz' schicksal nach der bevorstehenden schlacht bei actium geprägt ist (ep. ). Ähnlich gelagert ist das jubellied über den sieg bei actium (quando repostum, ep. ). beide gedichte entstanden vor dem politischen hintergrund des siegs der bürgerkriegspartei octavians, der jedoch nur als vorlage dient, um feiern und die freundschaft und den dank zum gönner maecenas auszudrücken. die zwei gedichte, die das römische volk zum adressaten haben (quo, quo scelesti und altera iam teritur, ep. und ), hatten hingegen noch das elend der bürgerkriege beklagt, aus dem nur noch eine auswanderung nach den inseln der seligen rettung gewähre. in den programmgedichten und treten kritik an zeitzuständen oder schmähungen von kriegertugenden nun völlig zurück. die direkte verbindung besteht bereits zum jubellied auf den tod der kleopatra im carmen des ersten odenbuchs (nunc est bibendum), das die züge eines alkäischen trinkliedes aufweist und wohl zur selben zeit wie die beiden epoden entstanden sein muss. motive der iamben werden nur noch am rande genannt, zum beispiel die aussage des dichters, nicht wie chremes werden zu wollen, der topos des geizhalses der plautinischen komödie.[ ] horaz war also spätestens seit v. chr. auf dem weg zur lyrik der oden. untypisch für griechische iamben war überdies die selbstironie des dichters in den invektiven. dies war horaz’ persönliche note für die iambendichtung, ebenso wie seine zustimmung und fürsprache für den freund vergil in der epode . der von ihm geschmähte neureiche in epode hatte als militärtribun keine andere politische laufbahn genommen als horaz selbst. die komische klage parentis siquis über bauchschmerzen, die dem dichter ein ländliches gericht mit zu viel knoblauch eingetragen habe (ep. ), ist gleichzeitig ein seitenhieb auf den schadenfrohen maecenas, der sich darüber lustig macht, dass horaz das gelobte einfache essen vom lande nicht bekommt. daneben existieren eine reihe von themen, die sich iambenuntypisch durch das buch ziehen und die entwicklung des dichters zur odendichtung erkennen lassen. mollis inertia, eine entschuldigung für eine pause im dichten, die horaz mit akutem liebeskummer erklärt (ep. ), der trost im wein (ep. ) und die liebe (ep. und ) sind themen, die der archilochischen dichtung bereits völlig entgegenstanden. teilweise setzte horaz diese antithetik von form und inhalt auch als komischen effekt ein, zum beispiel, wenn dem gelehrten leser der epode klar wird, dass das langgezogene loblied auf das landleben in einer gedichtform für beleidigungen und schmähungen steht. mit der entwicklung der epoden- hin zur odendichtung entwickelte horaz seine politisch-philosophischen einstellung als dichter zum staat. eduard fränkel wies darauf hin, dass es eine moderne geisteshaltung sei, dem dichter zu unterstellen, er hätte über die wiederbelebung griechischer kampflieder auf leben und gemeinwesen eine politische geisteshaltung transportiert. vielmehr entwickelte das dichten selbst die geisteshaltung des dichters. fränkel begriff daher horaz' frühe epode auf den bürgerkrieg als misslungenen anfang, weil sie im ton des freien griechischen dichters nicht für die politische situation des römischen dichters niedrigen standes taugten. horaz’ form der anrede passte nicht in die verfassungswirklichkeit römischer redner. der vorschlag aus dem iambenvorbild des archilochos, dass die sittlich guten des volkes auf eine insel auswandern sollten, war bei horaz lediglich eine literarische anspielung. dass er sich vor diesem hintergrund noch als vates gab,[ ] hielt fränkel für eine "kühne konzeption".[ ] neuere darstellungen neigen dazu, horaz’ ansprache an das römische volk in bezug auf das literarische umfeld genauer zu deuten. lefèvre schlussfolgerte entgegen fränkel, dass horaz nicht für einen großen politischen zuschauerkreis dichtete, und hob das provokative element der aussagen und die literarischen beziehungen zur vierten ekloge vergils hervor. horaz bezog seine berechtigung als vates durch den bezug auf vergil, der das goldene zeitalter nach den bürgerkriegen prophezeite. ganz im stile seiner dichtung war horaz’ sicht auf die zukunft jedoch keine idealisierte, sondern eine realistische, die den klaren bruch und die völlige abkapselung von der vergangenheit forderte, gleichwie dem auswandern auf eine insel.[ ] chronologie und aufbau[bearbeiten | quelltext bearbeiten] die pointierte form der epoden war ursprünglich für eine mündliche rede ausgelegt. dies lässt sich daran erkennen, dass manche epoden zwischen beschreibungen und sprechparts wechseln oder wie die epode in der dialogform stoff für einen volkstümlichen mimus bilden konnten. weiterer hinweis neben der form ist die verteidigung der freunde, die ebenfalls auf die wirkung in einem rezitationskontext schließen lässt. vor dem hintergrund einer langen mündlichen vorgeschichte der epoden lassen sich auch die abweichungen zwischen entstehungszeit bzw. datierung der einzelnen gedichte und ihrer zusammenstellung als buch erkennen. dahinter lief bereits die künstlerische weiterentwicklung des dichters zu den alkäischen oden und trinkliedern ab. es lässt sich daher eine grobe chronologie des epodenbuchs ausmachen. epoden und , beide ca. . v. chr. (die frühesten, politischen gedichte mit unterschiedlich gedeutetem bezug von ep. auf vergils vierte ekloge) epode (maeviusepode), um v. chr. (wegen des bezugs zu vergils dritter ekloge) epoden – sowie die und (erster invektivenzyklus, der vor den 'liebesepoden' zwischen und v. chr. entstanden sein muss, kleinere gedichte wie und könnten frühe Übungsformen des versmaßes darstellen)[ ] epoden und – über trinken, liebe und gesang, nach den invektiven (wobei nach fränkel die epode als letzte die schwierigkeiten darstellt, das buch fertigzustellen)[ ] epoden und als programmgedichte, ca. / v. chr. nach der schlacht bei actium der aufbau des epodenbuchs folgt nicht dieser chronologie. wie bei vielen gedichtsbüchern der augusteischen zeit stand eine architektur hinter der anordnung, die eine entwicklung markiert, wie sich unschwer am ersten wort der sammlung ibis (du wirst gehen) und dem letzten satz (ep. , ) plorem artis in te nil agentis exitus ? (soll ich etwa das ende meiner kunst beweinen [nur], weil die nichts an dir bewirkt?) zeigt. ein herausragendes organisationsprinzip für das buch ist die metrische anordnung der gedichte, wobei die ersten epoden der distichischen jambischen strophe folgen, die weiteren sechs die daktylische variation derselben darstellen, und ein gedicht in stichischen trimetern die sammlung beendet. der erste teil aus zehn gedichten hat vorbilder in der literatur, wie die eklogen vergils.[ ] neben der metrischen lässt sich eine paarische anordnung von inhaltlich ähnlichen epoden erkennen, so z. b. die epoden und , die mit widmung horaz’ beziehungen zu maecenas thematisieren. hans christian günther verwies auf ein literarisches vorbild in den iambi des hellenistischen dichters kallimachos.[ ] dieser schrieb gedichte, und ausgerechnet die . epode hat keinen inhaltlichen zwilling.[ ] horaz hätte mit der anordnung der restlichen gedichte sein möglichstes getan, die über jahre versprengten gedichte so in eine formal annehmbare gestalt zu bringen. eine weitere these ist die nach der einheit des gesamten epodenbuchs. so las porter von der ersten bis zur letzten epode ein diminuendo von einer überschwänglichen stimmung der ersten zu einer düsteren in der letzten epode.[ ] diese ansichten haben sich nicht durchgesetzt, und es gibt keine hinweise, dass es horaz’ intention war, eine das werk verbindende gesamtstimmung zu kreieren. die größte einheit der epoden bildet die erkenntnis, dass sich der dichter kontinuierlich zu den oden weiterentwickelte, wie dies der forscher stephen heyworth feststellte.[ ] in diesem zusammenhang ist noch der von kathryn gutzwiller herausgearbeitete begriff des "associative bridging" zu nennen, also des springens der motive von einem gedicht zum nächsten, sodass das buch seine motive wie eine girlande aufzieht und schließlich am ende generisch weiterzieht.[ ] oden[bearbeiten | quelltext bearbeiten] oden (carmina , ) in einem codex aus dem besitz von francesco petrarca. florenz, biblioteca medicea laurenziana, plut. . , fol. r ( . jahrhundert) horaz an septimius, zitat aus oden , auf einer gedenkplatte in tarent nach seinem erfolg mit den „satiren“ und „epoden“ widmete sich horaz der frühgriechischen lieddichtung, deren blütezeit etwa von bis v. chr. dauerte. während sich die griechischen lieddichter selbst sänger oder musendiener nannten, bürgerte sich später der begriff lyriker nach ihrem hauptinstrument, der siebensaitigen lyra, ein. horaz schrieb vier lyrikbücher, die „carmina“, die insgesamt gedichte enthalten. die ersten drei publizierte er in einem corpus um v. chr. und das vierte um v. chr. im gegensatz zu den nicht immer ganz ausgereiften „epoden“ stellen die „oden“ (odé, gesang) eine vollendete meisterleistung dar. datierung und produktive bedingungen[bearbeiten | quelltext bearbeiten] obwohl die ersten drei odenbücher als volumina (buchrollen) herausgegeben wurden,[ ] schrieb horaz seine gedichte nicht in der reihenfolge der komposition, die in den späteren ausgaben und heutigen texteditionen standard geworden sind. das werk entstand über lange zeit aus stücken, die der dichter nach und nach komponierte und die zunächst zur rezitation auf gastmählern gedient haben könnten. eine der ältesten möglichen datierbaren oden, das carmen , , liegt in der entstehungszeit noch vor der schlacht bei actium, etwa um v. chr.[ ] da der terminus post quem keiner ode auszumachen ist, die jünger als v. chr. wäre, kann eine veröffentlichung der bücher zu diesem zeitpunkt oder danach erfolgt sein. im carmen , richtet horaz die rede an lucius sestius quirinus, den konsul des jahres v. chr., von dem er unter anderem dessen leidenschaft zum würfelspiel und seine zuneigung zum knaben lycidas thematisiert.[ ] dass die oden nach v. chr. für eine herausgabe als ganzes von horaz noch einmal überarbeitet, teilweise chronologisch geordnet und neu zusammengestellt wurden, zeigen einzelne chronologische verläufe innerhalb des werkes und die beiden parallelen programmgedichte , und , , deren beider versmaß ein sich eingängig wiederholender, stichischer asclepiadeus minor ist, das heißt, dasselbe versmaß wird zeile für zeile wiederholt. themen[bearbeiten | quelltext bearbeiten] themen sind wie schon bei den griechen vor allem liebe und politik, aber auch freundschaft, alltäglichkeiten des lebens und fragen der philosophie. vorbild war unter anderem alkaios von lesbos, von dem er teilweise auch die strophenform übernahm. im großen unterschied zu seinen griechischen vorgängern war horaz nur dichter und nicht musiker. deshalb waren seine „oden“ nicht vertont. eine ausnahme bildete nur das v. chr. für die jahrhundertfeier, die den beginn einer friedensära einleiten sollte, verfasste „carmen saeculare“. wie auch schon die chorlyriker liebte es horaz, in einem gedicht die verschiedensten themen zusammenzufügen. oft verwendete er verhaltene, hintergründige aussagen. mittel dazu waren treffende bilder, aussparungen, offenlassungen und leise untertöne. viele seiner gedichte beginnen wuchtig und klingen leicht und heiter aus. beispiel: , . obwohl horaz kurze gedichte bevorzugte, sind auch zahlreiche längere gedichte erhalten. wichtig sind hier vor allem das „carmen saeculare“ und die sechs „römeroden“. letztere mahnten das römische volk an die alten mores maiorum: genügsamkeit, tapferkeit, treue, standhaftigkeit, gerechtigkeit und ehrfurcht. episteln[bearbeiten | quelltext bearbeiten] da die oden nicht den erhofften erfolg brachten, ließ horaz ab v. chr. von der lyrik ab und widmete sich dem ersten buch der epistulae („episteln“). horaz stellt in diesem buch, das aus briefgedichten in hexametern besteht, seine lebensphilosophie dar. diese lebensphilosophie geht nicht von abstrakten begriffen aus, sondern vom einzelnen menschen mit seinen fehlern, schwächen und eigenheiten. sie fordert nicht auf, über den eigenen schatten zu springen, wohl aber, sich in der eigenen art um ein rechtes maß zu bemühen, damit das zusammenleben der menschen erträglich bleibt. vorbild für die „epistulae“ waren ihm wahrscheinlich die briefe des attischen philosophen epikur. im zweiten buch der „epistulae“ ab v. chr. betätigte sich horaz als literaturkritiker. drei große briefgedichte widmete er am ende seiner schaffenszeit diesem thema. zwei davon bilden das zweite buch der „epistulae“. im ersten brief an augustus kritisiert der dichter die gedankenlose Überbewertung der altrömischen dichtung, vor allem des dramas, und weist auf den wert der neuen klassik, mit den werken von vergil und varius, hin. im zweiten brief (an florus) entsagt er scheinbar der dichtung zugunsten der philosophie, nur um in wahrheit auf die erdrückenden anforderungen an einen dichter hinzuweisen. im dritten und längsten literaturbrief (an die pisonen), der als gesondertes buch unter dem titel de arte poetica überliefert ist, will horaz als dichter rechenschaft ablegen und den geschmack verständiger leser bilden. er will dilettanten, nachahmern und modepoeten das handwerk erschweren, aber echte begabung auf ihrem harten weg ermuntern. horaz hat in seiner epistula ad pisones auch eine gliederung des dramas in fünf akte gefordert (ars poetica, v. ) (siehe regeldrama), die nützlichkeit des literarischen werkes mit dem aspekt der freude und der unterhaltung verknüpft (ars poetica, v. f.: „aut prodesse volunt aut delectare poetae“) und den mimesischarakter literarischer werke (ars poetica, v. ) betont. philosophie[bearbeiten | quelltext bearbeiten] horaz bezeichnete sich selbst als einen schüler epikurs (epicuri de grege porcum – „ein schweinchen aus der herde des epikur“).[ ] dabei hängt er der epikureischen lehre nicht auf orthodoxe weise an, sondern hat für sich einige grundprinzipien übernommen. lust ist das höchste gut und schmerz das größte Übel. dabei ist die wahre lust die ataraxia, der zustand vollkommener ruhe und ungestörtheit, das stille glück im garten (bzw. auf dem lande), das sich aus dem getriebe der welt heraushält. Λάθε βιώσας (lebe im verborgenen) war einer der leitsätze des kepos der epikureer. götter existieren, doch sie leben glückselig und abgesondert von der welt und üben keinen einfluss auf sie aus. trotzdem muss man das zitat aus epistel , , vers mitlesen, um horazens lebenshaltung zu verstehen: nullius addictus iurare in verba magistri („nicht verpflichtet, auf die worte eines meisters zu schwören“). er mag zwar in vielerlei hinsicht epikureer sein, aber er möchte sich trotzdem als freidenker verstehen. horaz urteilt also nicht immer als epikureer, sondern zum beispiel auch als anhänger der aristotelischen philosophie (aurea mediocritas, carminum liber ii , rectius vives, licini,…). wirkungsgeschichte[bearbeiten | quelltext bearbeiten] ausschnitt aus dem fresko der parnass von raffael, ca. – gemalt. die vorne stehende männliche figur wird als horaz gedeutet. horaz wurde bald schulautor, erhielt aber nicht die breitenwirkung wie vergil oder ovid. dennoch war er besonders für den gelehrtenkreis um karl den großen und später für die humanisten wichtig. von größter bedeutung war horaz aber für die französischen klassiker des . und . jahrhunderts. insbesondere versuchten dichter und kritiker wie nicolas boileau oder martin opitz, aus dem brief de arte poetica eine programmatische poetik zu (re)konstruieren, wie sie in dieser systematik von horaz kaum beabsichtigt war. textausgaben[bearbeiten | quelltext bearbeiten] editionen[bearbeiten | quelltext bearbeiten] quintus horatius flaccus: opera. hrsg. v. friedrich klingner, (=bt), dritte auflage (zuerst ), leipzig (und nachdrucke) (gewöhnlich zitierte standardausgabe, auf der viele spätere editionen aufbauen) quintus horatius flaccus: opera. hrsg. v. d. r. shackleton bailey, (=bt), vierte auflage (zuerst ), stuttgart (und nachdrucke) (konjekturfreudiger umgang mit dem überlieferten text). quintus horatius flaccus: opera. hrsg .v. s.(tefan = istván) borzsák. (=bt), leipzig (textkritisch behutsam und konservativ). friedemann weitz: "lectiones teubnerianae. textkritische ausgaben als problemanzeige (am beispiele horazens)" http://archiv.ub.uni-heidelberg.de/propylaeumdok/volltexte/ / (Übersicht der unterschiedlichen lesungen der obigen drei ausgaben in der bibliotheca teubneriana; mit einem vortrag von hermann tränkle als anhang: "von keller-holder zu shackleton-bailey. prinzipien und probleme der horaz-edition"). quintus horatius flaccus: opera. hrsg. v. edward c.(harles) wickham, oxford ; zweite auflage. hg. von heathcote w.(illiam) garrod, oxford (und nachdrucke). Übersetzungen[bearbeiten | quelltext bearbeiten] deutsch christian morgenstern: horatius travestitus: ein studentenscherz, mit einem anhang: aus dem nachlass des horaz, piper verlag, münchen , ., vermehrte auflage.[ ] horaz: oden und epoden. hrsg. v. w. killy, ernst a. schmidt und übers. v. ch. f. k. herzlieb und j. p. uz, zürich/münchen , isbn - - - . horaz: sämtliche gedichte mit den holzschnitten der straßburger ausgabe von . lat./dt., hrsg. v. bernhard kytzler. reclam, stuttgart , isbn - - - . horaz: sämtliche werke. hrsg. v. hans färber, artemis & winkler (sammlung tusculum), münchen , zehnte auflage. (in versübersetzung) isbn - - - . christoph martin wieland: Übersetzung des horaz. hrsg. v. manfred fuhrmann, (= bibliothek deutscher klassiker, band ), dt. klassiker-verlag, frankfurt am main (einsprachig, briefe und satiren übers. mit einl. u. erkl., rezeptionsgeschichtlich relevant) isbn - - - . englisch horace: satires, epistles and ars poetica. hrsg. v. henry rushton fairclough (= loeb classical library, band ), cambridge, mass/ harvard university press u. a., cambridge (nd, ältere ausgabe, schwierig zu lesen) isbn - - - . horace: odes and epodes. hrsg. v. niall rudd, (= loeb classical library, band ), cambridge, mass. / harvard university press u. a., cambridge , isbn - - - . horace: epodes. engl./lat., hrsg. v. david mankin, cambridge univ. press, cambridge , isbn - - - . horace: the complete works of horace. hrsg. v. charles e. passage, ungar new york , isbn - - - . horatius flaccus: the works of horace, translated into verse. engl./lat., hrsg. v. karina williamson/christopher smart(= the poetical works of christopher smart, band ), oxford , isbn - - - . italienisch quinto orazio flacco: le opere band i. -ii. , hrsg. v. paolo fedeli/carlo carena (= antiquitas perennis), istituto poligrafico e zecca dello stato, rom – , isbn - - - . orazio: tutte le poesie ital./lat., hg. v. paolo fedeli/carlo carena, (= i millenni), einaudi, turin , isbn - - - - . quinto orazio flacco: le opere ital./lat., hrsg. v. mario ramous (= i libri della spiga), garzanti, mailand , isbn - - - . französisch horace: q. horati flacci opera avec un commentaire critique et explicatif des introd. et des tables. hrsg. v. frédéric plessis, paul lejay. hachette, paris (enth. satiren). literatur[bearbeiten | quelltext bearbeiten] Übersichtsdarstellung michael von albrecht: geschichte der römischen literatur von andronicus bis boethius und ihr fortwirken. band . ., verbesserte und erweiterte auflage. de gruyter, berlin , isbn - - - - , s. – einführungen und gesamtdarstellungen eduard fraenkel: horaz. . auflage. wissenschaftliche buchgesellschaft, darmstadt (klassische gesamtdarstellung der dichtung des horaz) niklas holzberg: horaz. dichter und werk. c. h. beck verlag, münchen , isbn - - - - . bernhard kytzler: horaz. eine einführung. reclam, stuttgart , , isbn - - - - (übersichtliche und gut verständliche einführung) eckard lefèvre: horaz. dichter im augusteischen rom. c. h. beck, münchen , isbn - - - . kommentare q. horatius flaccus: werke. band / , hg.v. und erkl. v. adolf kiessling/richard heinze, dublin/zürich , zwölfte auflage. lindsay c. watson: a commentary on horace’s epodes. oxford . robin g. m. nisbet, margaret hubbard: a commentary on horace. odes book i/ii. oxford / . robin g. m. nisbet, niall rudd: a commentary on horace. odes book iii. oxford . paolo fideli, irma ciccarelli: quintii horatii flacci carmina liber iv. florenz . karl numberger: horaz, lyrische gedichte, kommentar für lehrer der gymnasien und für studierende. . auflage. aschendorff, münster . untersuchungen zu einzelnen themen paul barié: horaz „carpe diem. pflücke den tag“. lebensweisheit in der lyrik des horaz (= reihe: exemplarische reihe literatur und philosophie. ). sonnenberg, annweiler , isbn - - - - hans oppermann (hrsg.): wege zu horaz. darmstadt . nina mindt: die meta-sympotischen oden und epoden des horaz (= vertumnus. berliner beiträge zur klassischen philologie und zu ihren nachbargebieten. band ). edition ruprecht, göttingen , isbn - - - - . michael c. j. putnam: artifices of eternity. horace’s fourth book of odes. cornell university press, ithaca/ london (glänzende ‚rehabilitation‘ des lange als zweitrangig betrachteten vierten odenbuches) rezeption gianluigi baldo: horaz (quintus horatius flaccus). carmina. in: christine walde (hrsg.): die rezeption der antiken literatur. kulturhistorisches werklexikon (= der neue pauly. supplemente. band ). metzler, stuttgart/weimar , isbn - - - - , sp.  – . tino licht: horazüberlieferung im frühmittelalter. in: ex praeteritis praesentia. heidelberg , s. – .. lexika dominicus bo: lexicon horatianum bände i und ii, olms, hildesheim und . enciclopedia oraziana. band i-iii, istituto della enciclopedia italiana, rom – . weblinks[bearbeiten | quelltext bearbeiten] wikisource: quintus horatius flaccus – quellen und volltexte (latein) wikisource: horaz – quellen und volltexte wikiquote: horaz – zitate commons: horaz – album mit bildern, videos und audiodateien literatur von und über horaz im katalog der deutschen nationalbibliothek werke von und über horaz in der deutschen digitalen bibliothek werke von horaz im projekt gutenberg-de das gesamtwerk des horaz im lateinischen originaltext, bibliotheca augustana das . buch der oden – mit kommentaren und hilfen briefe (epistolae) epoden (iambi) und oden (carmina) satiren (sermones) gemeinfreie hörbücher von horaz bei librivox kurzbiographie leben, werk, textauswahl, zitate, literatur auf gottwein.de horati opera, acronis et porphyrionis commentarii, varia lectio etc. (latine) carmina horatiana alle carmina des horaz auf lateinisch deklamiert von thomas bervoets. jutta duhm-heitzmann: . . v. chr. - todestag des dichters horaz wdr zeitzeichen vom . november . (podcast) anmerkungen[bearbeiten | quelltext bearbeiten] ↑ eduard fraenkel: horace. oxford , s. – . ↑ vgl. hor. serm. , , - . quot capitum vivunt, totidem studiorum milia: me pedibus delectat claudere verba lucili ritu, nostrum melioris utroque. ille velut fidis arcana sodalibus olim credebat libris neque, si male cesserat, usquam decurrens alio neque, si bene. quo fit ut omnis votiva pateat veluti descripta tabella vita senis. sequor hunc […] (wie viele tausend leben sind, so viele bestrebungen gibt es auch. mich freut es, in lucilischer art mit versfüßen die worte einzuschließen, eines mannes, besser als jeder von uns. jener vertraute einst seine geheimnisse seinen bücher wie guten freunden an. egal, ob dinge schlecht oder gut eingetreten waren, wendete er sich nicht auf anderes. daher kommt es, dass das leben der alten offen vor uns liegt, beschrieben wie ein wunschtäfelchen. diesem folge ich […]) ↑ vgl. suet. vita hor. ; vgl. hor. epist. , , . ↑ vgl. hor. serm. , , und epod. , . ↑ hor. serm. , , .nunc ad me redeo libertino patre natum (nun komme ich zu mir zurück, dem sohn eines freigelassenen) ↑ suet. vita hor. . nach sueton wurde auch angenommen, dass der vater ein salsamentarius (salzfischhändler) gewesen sei, weil jemand horaz in einer unterredung einst gesagt habe, er sehe ihn sich oft mit dem arm die nase schnäuzen ↑ hor. serm. , , . ↑ hor. serm. , , . ↑ gordon williams: libertino patre natus: true or false? in: s. j. harrison (hrsg.): homage to horace. a bimillenary celebration. clarendon press, oxford , s. ff. ↑ john kevin newman: horace as outsider, (= spudasmata ), georg olms, hildesheim/zürich/new york , s. ; edward courtney: the two books of satires. in: hans-christian günther (hrsg.): brill’s companion to horace, leiden und boston , s. ff. ↑ hor. serm. , , . ↑ vgl. hor. epist. , , – . ↑ gordon williams: libertino patre natus: true or false? in: s. j. harrison (hrsg.): homage to horace. a bimillenary celebration. clarendon press, oxford , s. . ↑ bernhard kytzler: horaz. eine einführung. reclam, stuttgart , s. . ↑ zum beispiel hor. carm. , , – . ↑ hor. serm. , , – / – . ↑ hor. serm. , , . ↑ hor. epist. , , / , , . ↑ hans-christian günther: horace’s life and work. in: derselbe (hrsg.): brill’s companion to horace. leiden und boston , s. . ↑ hor. epist. , , . ↑ hor. serm. , , ff. ↑ plut. brut. . ↑ hor. serm. , , – . ↑ hor. epist. , , – . ↑ hor. epist. , , . ↑ kenneth j. reckford: horace. (=world authors, band ). twayne publishers, new york , s. . ↑ robin nisbet, margaret hubbard: a commentary on horace. band , oxford , s. – . ↑ hor. carm. , , – . ↑ hor. carm. , , . fracta virtus spielt auf die 'letzten worte' des sterbenden brutus an, die cassius dio , , später überlieferte. ↑ hans-christian günther: horace’s life and work. in: derselbe (hrsg.): brill’s companion to horace. leiden und boston , s. ff. ↑ suet. vita hor. ↑ françois hinard: les proscriptions de la rome républicaine (= collection de l’École française, band ), rome , s. ff. ↑ hor. carm. , , vgl. michèle lowrie: horace, odes . in: gregson davis (hrsg.): a companion to horace. john wiley & sons, chichester/malden , s. . ↑ hor. serm. , , – . der sklave davus kritisiert hier den rollenwechsel des dichters, der durch verschiedene Äußerlichkeiten wie seinen ring, immer mehr zu einem richter der dama werde. die satire nimmt bezug auf die satire , , , wo horaz beschreibt, dass er schon zu seines vaters zeiten von ausgewählten männern als richter lernte. davus beschrieb also offenbar ein amt des horaz, das mit der zeit durch die einstellung des dichters korrumpiert wurde. ↑ hor. serm. , , ff.; vgl. david armstrong: the biographical and social foundations of horace poetic voice. in: gregson davis (hrsg.): a companion to horace. john wiley & sons, chichester/malden , s. – . ↑ hor. serm. , / , , epist. , , carm. , . ↑ hans-christian günther: horace’s life and work. in: derselbe (hrsg.): brill’s companion to horace. leiden und boston , s. . ↑ suet. vita hor. . […] victisque partibus venia impetrata scriptum quaestorium comparavit. ↑ hor. serm. , , ff. ↑ robin nisbet: collected papers in latin literature, oxford , s. ff. ↑ hor. serm. , , ff., vgl. david armstrong: the biographical and social foundations of horace poetic voice. in: hans-christian günther (hrsg.): brill’s companion to horace. leiden und boston , s. . ↑ hor. serm. , , . ↑ hans-christian günther: horace’s life and work. in: derselbe (hrsg.): brill’s companion to horace. leiden und boston , s. . ↑ hor. serm. , . ↑ hor. carm. , , . ↑ hans-christian günther: horace’s life and work. in: derselbe (hrsg.): brill’s companion to horace. leiden und boston , s. – . ↑ hans-christian günther: horace’s life and work. in: derselbe (hrsg.): brill’s companion to horace. leiden und boston , s. . ↑ hor. carm , , , vgl. auch epod. , . ↑ hor. carm. , . horaz warnte mehrfach asinius pollio, der zu dieser zeit sein geschichtswerk über den bürgerkrieg herausgeben wollte, wieder zur tragödie und zu leichteren klängen zurückzukehren. ↑ suet. vita hor. . ↑ ernst a. schmidt: sabinum. horaz und sein landgut im licenzatal. (= heidelberger akademie der wissenschaften, schriften der philosophisch-historischen klasse , band ), heidelberg , s. ff. ↑ hor. serm , , – . ↑ hor. carm. , , ff. ↑ r. o. a. m. lyne: 'horace. behind the public poetry', new haven , s. . ↑ hor. epist. , , – . ↑ hor. epist. , , – . o imitatores, servum pecus, ut mihi saepe bilem, saepe iocum vestri movere tumultus! (o imitatoren, sklavenvieh, wie euer zetern mir oft die galle, oft beißenden witz hervortrieb. ↑ hans-christian günther: die Ästhetik der augusteischen dichtung: eine Ästhetik des verzichts. Überlegungen zum spätwerk des horaz. leiden/london , s. . ↑ eduard fraenkel: horace. oxford , s. ff.; vgl. richard heinze: die augusteische kultur. wissenschaftliche buchgesellschaft, darmstadt (nd), s. – . heinze verwies auf die rückkehr zum lucilianischen dichtermotiv, (siehe anm. ) ↑ vgl. suet. vit. verg. – . ↑ vgl. suet. aug. , . ↑ vgl. ronald syme, the roman revolution, oxford , s. . ↑ vgl. gordon williams: did maecenas “fall from favor”? augustan literary patronage. in: kurt a. raaflaub, mark toher, g. w. bowersock (hrsg.): between republic and empire: interpretations of augustus and his principate. oxford , s. – . williams' behauptung des gegenseitigen vertrauensverhältnisses der beiden männer stützt eine passage bei seneca dem jüngeren, vgl. sen. de brev. , , . ↑ vgl. gordon williams, did maecenas „fall from favor? augustan literary patronage“. in: kurt a. raaflaub, mark toher und g. w. bowersock (hrsg.): "between republic and empire. interpretations of augustus and his principate". oxford , s. . ↑ suet. vita hor. – . ↑ cil , , . ↑ hor. carm. , . ↑ kenneth j. reckford: horace. (= world authors, band ), twayne publishers, new york , s. . ↑ eduard fraenkel: horace. oxford , s. ; hans-christian günther: horace’s life and work. in: derselbe (hrsg.): brill’s companion to horace. leiden und boston , s. . ↑ hans-christian günther: horace’s life and work. in: derselbe (hrsg.): brill’s companion to horace. leiden und boston , s. . ↑ siehe zum beispiel ulrich von wilamowitz-moellendorff: sappho und simonides. untersuchungen über griechische lyriker., berlin , s. „[…] der rechte vermittler zwischen uns und den griechen, denen gegenüber er am ende jene freiheit gewann, die auch wir behaupten wollen.“; vgl. ronald syme: the roman aristocracy, oxford , s. . ↑ hans-christian günther: horace’s life and work. in: derselbe (hrsg.): brill’s companion to horace. leiden und boston , s. . ↑ vgl. hans-christian günther: horace’s life and work. in: brill’s companion to horace. hrsg. v. hans-christian günther, leiden/boston , s. . ↑ vgl. john kevin newman: horace as outsider. (= spudasmata ), , s. ff. ↑ vgl. hor. carm. , , ff. ↑ hor. carm. , , ff. ↑ vgl. suet. vita hor. ff. ↑ suet. vita hor. ff. ↑ hor. epist. , , . ↑ hor. serm. , , . mille puellarum, puerorum mille furores ↑ saara lilja: homosexuality in republican and augustan rome (= commentationes humanarum litterarum, band ), helsinki , s. ff. ↑ hor. epist. , , . ↑ hor. epist. , , - . ↑ vgl. eduard fraenkel, horace, oxford , s. . ↑ a b eckard lefèvre, horaz, münchen , s. . ↑ vgl. niall rudd, horace. epistles book ii and the epistle to the pisones, cambridge , s. ff. ↑ vgl. hor. oden , , – . ↑ vgl. suet. vita horatii, . ↑ vgl. hor. oden , , – . ↑ vgl. verg. ecl. , . ↑ epoden , ↑ vgl. s. j. harrison, two notes on horace, epodes ( , ), in: the classical quarterly, band ( ), nr. , s. ff. ↑ eckard lefèvre, horaz, münchen , s. . ↑ vgl. hor. epod , . ↑ vgl. hor. epod. , . ↑ vgl. eduard fraenkel: horace. oxford , s. . ↑ eckard lefèvre, horaz, münchen , s. . ↑ hans-christian günther: the book of iambi. in: derselbe (hrsg.): brill’s companion to horace, leiden und boston , s. . ↑ vgl. eduard fraenkel: horace. oxford , s. . ↑ vgl. lindsay watson, a commentary on horace's epodes, oxford , s. . ↑ vgl. hans-christian günther, the two books of iambi, in: brill’s companion to horace, hrsg. v. hans-christian günther, leiden/boston , s. ., alternativ diskutieren nisbet/hubbard, a commentary on horace, band i, oxford , s. f. eine spätere datierung der ode. ↑ david h. porter, "quo, quo scelesti ruitis": the downward momentum of horace's "epodes", in: illinois classical studies, band ( ), s. . ↑ david h. porter, "quo, quo scelesti ruitis": the downward momentum of horace's "epodes", in: illinois classical studies, band ( ), s. . ↑ stephen j. heyworth: horace's ibis: on the titles, unity and contents of the epodes, in: papers of the leeds international latin seminar, band ( ), s. . ↑ kathryn j. gutzwiller, poetic garlands. hellenistic epigrams in context. berkeley: university of california press, . ↑ vgl. hor. epist. , , ff. ↑ vgl. hans-christian günther, the first collection of odes, in: brill’s companion to horace, hrsg. v. hans-christian günther, leiden/boston , s. ., alternativ diskutieren nisbet/hubbard, a commentary on horace, band i, oxford , s. f. eine spätere datierung der ode. ↑ vgl. hor. carm. , , ff. ↑ hor. epist. , , ↑ [ ] dnb-link normdaten (person): gnd: (ognd, aks) | lccn: n | ndl: | viaf: | wikipedia-personensuche personendaten name horaz alternativnamen horatius flaccus, quintus kurzbeschreibung römischer dichter und satiriker geburtsdatum v. chr. geburtsort stadt venusia (venosa, apulien) sterbedatum . november v. chr. abgerufen von „https://de.wikipedia.org/w/index.php?title=horaz&oldid= “ kategorien: autor literatur (latein) antike (literatur) lyrik satire namensgeber für einen merkurkrater römer person (venosa) geboren v. chr. gestorben v. chr. mann horaz navigationsmenü meine werkzeuge nicht angemeldet diskussionsseite beiträge benutzerkonto erstellen 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wikipedia® ist eine eingetragene marke der wikimedia foundation inc. datenschutz Über wikipedia impressum mobile ansicht entwickler statistiken stellungnahme zu cookies view source for horace - wikipedia view source for horace ← horace jump to navigation jump to search you do not have permission to edit this page, for the following reasons: your ip address is in a range that has been blocked on all wikimedia foundation wikis. the block was made by jon kolbert (meta.wikimedia.org). the reason given is open proxy: webhost: contact stewards if you are affected . start of block: : , july expiry of block: : , january your current ip address is . . . and the blocked range is . . . / . please include all above details in any queries you make. if you believe you were blocked by mistake, you can find additional information and instructions in the no open proxies global policy. otherwise, to discuss the block please post a request for review on meta-wiki or send an email to the stewards otrs 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helpful. other useful links: blocking policy · help:i have been blocked you can view and copy the source of this page: ==references== * {{cite book | last=arnold | first=matthew | title=selected prose | publisher=penguin books | year= | isbn= - - - - | url=https://archive.org/details/selectedprose arno }} * {{cite book | last=barrow |first=r | title=the romans | publisher=penguin/pelican books | year= }} * {{cite book | last=barchiesi |first=a | title=speaking volumes: narrative and intertext in ovid and other latin poets | publisher=duckworth| year= }} * {{cite book | last=bischoff |first=b | title=classical influences on european culture ad – | publisher=cambridge university press | year= | chapter=living with the satirists}} * {{cite book | last=bush |first=douglas | title=milton: poetical works | publisher=oxford university press | year= }} * {{cite book | last=campbell |first=a | title=horace: a new interpretation | publisher=london | year= }} * {{cite book | last=conway |first=r | title=new studies of a great inheritance | publisher=london | year= }} * {{cite book | last=davis |first=gregson | title =polyhymnia. the rhetoric to horatian lyric discourse | publisher=university of california | year= }} * {{cite book | last=ferri |first=rolando | title=the cambridge companion to horace | publisher=cambridge university press | year= | chapter=the epistles|isbn= - - - - }} * {{cite book | last=flesch |first=william | title=the facts on file companion to british poetry, th century | publisher=infobase publishing | year= |isbn= - - - - }} * {{cite book | last=frank |first=tenney | title=catullus and horace | publisher=new york | year= }} * {{cite book | last=fraenkel |first=eduard | title=horace | publisher=oxford university press | year= }} * {{cite book | last=friis-jensen |first=karsten | title=the cambridge companion to horace | publisher=cambridge university press | year= | chapter=horace in the middle ages}} * {{cite book | last=griffin |first=jasper | title=horace | publisher=ann arbor | year= | chapter=horace in the thirties}} * {{cite book | last=griffin |first=jasper | title=the cambridge companion to horace | publisher=cambridge university press | year= | chapter=gods and religion}} * {{cite book | last=harrison |first=stephen | title=a companion to latin literature | publisher=blackwell publishing | year= | chapter=lyric and iambic}} * {{cite book | last=harrison |first=stephen | title=the cambridge companion to horace | publisher=cambridge university press | year= | chapter=introduction}} * {{cite book | last=harrison |first=stephen | title=the cambridge companion to horace | publisher=cambridge university press | year= | chapter=style and poetic texture}} * {{cite book | last=harrison |first=stephen | title=the cambridge companion to horace | publisher=cambridge university press | year= | chapter=the nineteenth and twentieth centuries}} * {{cite book | last=hooley |first=d | title=the knotted thong: structures of mimesis in persius | publisher=ann arbor | year= }} * {{cite book | last=hutchinson |first=g | title=classical quarterly | year= | chapter=the publication and individuality of horace's odes – }} * {{cite book | last=kiernan |first=victor | title=horace: poetics and politics| publisher=st martin's press | year= }} * {{cite book | last=kupersmith |first=w | title=roman satirists in seventeenth century england | publisher=lincoln, nebraska and london | year= }} * {{cite book | last=loveling |first=benjamin | title=latin and english poems, by a gentleman of trinity college, oxford | publisher=london | year= }} * {{cite book | last=lowrie |first=michèle | title =horace's narrative odes | publisher=oxford university press | year= }} * {{cite book | last=lyne |first=r | title=the oxford history of the classical world | publisher=oxford university press | year= | chapter=augustan poetry and society}} * {{cite book | last=mankin |first=david | title=horace: epodes| publisher=cambridge university press| year= }} * {{cite book | last=mcneill |first=randall | title=horace | publisher=oxford university press | year= |isbn= - - - - }} * {{cite book | last=michie |first=james | title=the odes of horace | publisher=penguin classics | year= | chapter=horace the man}} * {{cite book|last=moles|first=john|title=the cambridge companion to horace | publisher=cambridge university press | year= | chapter=philosophy and ethics}} * {{cite book | last=money |first=david | title=the cambridge companion to horace | publisher=cambridge university press | year= | chapter=the seventeenth and eighteenth centuries}} * {{cite book | last=morgan |first=llewelyn | title=a companion to latin literature | publisher=blackwell publishing | year= | chapter=satire}} * {{cite book | last=muecke |first=frances | title=the cambridge companion to horace | publisher=cambridge university press | year= | chapter=the satires}} * {{cite book | last=nisbet |first=robin | title=the cambridge companion to horace | publisher=cambridge university press | year= | chapter=horace: life and chronology}} * {{cite book|last=reckford|first=k. j.|title=horatius: the man and the hour|publisher=american journal of philology|volume= |pages= – |year= }} * {{cite book | last=rivers |first=elias | title=fray luis de león: the original poems| publisher=grant and cutler| year= }} * {{cite book | last=rossetti |first=christina | title=the complete poems | publisher=penguin books | year= }} * {{cite book | last=rudd |first=niall | title=the satires of horace and persius| publisher=penguin classics | year= }} * {{cite book | last=santirocco |first=matthew | title =unity and design in horace's odes | url=https://archive.org/details/unitydesigninhor sant | url-access=registration | publisher=university of north carolina | year= }} * {{cite book | last=syme |first=r | title=the augustan aristocracy | publisher=oxford university press | year= }} * {{cite book | last=talbot |first=j | title=notes and queries ( ) | publisher=oxford university press | year= | chapter=a horatian pun in paradise lost}} * {{cite book | last=tarrant |first=richard | title=the cambridge companion to horace | publisher=cambridge university press | year= | chapter=ancient receptions of horace}} * {{cite book | last=tollet |first=elizabeth | title=poems on several occasions | publisher=london | year= }} return to horace. retrieved from "https://en.wikipedia.org/wiki/horace" navigation menu personal tools not logged in talk contributions create account log in namespaces article talk variants views read edit view history more search navigation main page contents current events random article about wikipedia contact us donate contribute help learn to edit community portal recent changes upload file tools what links here related changes upload file special pages page information wikidata item languages privacy policy about wikipedia disclaimers contact wikipedia mobile view developers statistics cookie statement horace - wikipedia horace from wikipedia, the free encyclopedia this is the current revision of this page, as edited by monkbot (talk | contribs) at : , december (task (cosmetic): eval templates: del empty params ( ×);). the present address (url) is a permanent link to this version. revision as of : , december by monkbot (talk | contribs) (task (cosmetic): eval templates: del empty params ( ×);) (diff) ← previous revision | latest revision (diff) | newer revision → (diff) jump to navigation jump to search roman lyric poet this article is about the roman poet. for the egyptian god, see horus. for other uses, see horace (disambiguation). horace horace, as imagined by anton von werner born quintus horatius flaccus december bc venusia, italy, roman republic died november bc (age ) rome resting place rome occupation soldier, scriba quaestorius, poet, senator language latin nationality roman genre lyric poetry notable works odes "the art of poetry" quintus horatius flaccus ( december – november bc), known in the english-speaking world as horace (/ˈhɒrɪs/), was the leading roman lyric poet during the time of augustus (also known as octavian). the rhetorician quintilian regarded his odes as just about the only latin lyrics worth reading: "he can be lofty sometimes, yet he is also full of charm and grace, versatile in his figures, and felicitously daring in his choice of words."[nb ] horace also crafted elegant hexameter verses (satires and epistles) and caustic iambic poetry (epodes). the hexameters are amusing yet serious works, friendly in tone, leading the ancient satirist persius to comment: "as his friend laughs, horace slyly puts his finger on his every fault; once let in, he plays about the heartstrings".[nb ] his career coincided with rome's momentous change from a republic to an empire. an officer in the republican army defeated at the battle of philippi in bc, he was befriended by octavian's right-hand man in civil affairs, maecenas, and became a spokesman for the new regime. for some commentators, his association with the regime was a delicate balance in which he maintained a strong measure of independence (he was "a master of the graceful sidestep")[ ] but for others he was, in john dryden's phrase, "a well-mannered court slave".[ ][nb ] contents life . childhood . adulthood . . poet . . knight works . historical context . themes reception . antiquity . middle ages and renaissance . age of enlightenment . th century on translations in popular culture see also notes citations references further reading external links life[edit] horatii flacci sermonum ( ) horace can be regarded as the world's first autobiographer.[ ] in his writings, he tells us far more about himself, his character, his development, and his way of life, than any other great poet of antiquity. some of the biographical material contained in his work can be supplemented from the short but valuable "life of horace" by suetonius (in his lives of the poets).[ ] childhood[edit] he was born on december bc[nb ] in the samnite south of italy.[ ] his home town, venusia, lay on a trade route in the border region between apulia and lucania (basilicata). various italic dialects were spoken in the area and this perhaps enriched his feeling for language. he could have been familiar with greek words even as a young boy and later he poked fun at the jargon of mixed greek and oscan spoken in neighbouring canusium.[ ] one of the works he probably studied in school was the odyssia of livius andronicus, taught by teachers like the 'orbilius' mentioned in one of his poems.[ ] army veterans could have been settled there at the expense of local families uprooted by rome as punishment for their part in the social war ( – bc).[ ] such state-sponsored migration must have added still more linguistic variety to the area. according to a local tradition reported by horace,[ ] a colony of romans or latins had been installed in venusia after the samnites had been driven out early in the third century. in that case, young horace could have felt himself to be a roman[ ][ ] though there are also indications that he regarded himself as a samnite or sabellus by birth.[ ][ ] italians in modern and ancient times have always been devoted to their home towns, even after success in the wider world, and horace was no different. images of his childhood setting and references to it are found throughout his poems.[ ] horace's father was probably a venutian taken captive by romans in the social war, or possibly he was descended from a sabine captured in the samnite wars. either way, he was a slave for at least part of his life. he was evidently a man of strong abilities however and managed to gain his freedom and improve his social position. thus horace claimed to be the free-born son of a prosperous 'coactor'.[ ] the term 'coactor' could denote various roles, such as tax collector, but its use by horace[ ] was explained by scholia as a reference to 'coactor argentareus' i.e. an auctioneer with some of the functions of a banker, paying the seller out of his own funds and later recovering the sum with interest from the buyer.[ ] the father spent a small fortune on his son's education, eventually accompanying him to rome to oversee his schooling and moral development. the poet later paid tribute to him in a poem[ ] that one modern scholar considers the best memorial by any son to his father.[nb ] the poem includes this passage: if my character is flawed by a few minor faults, but is otherwise decent and moral, if you can point out only a few scattered blemishes on an otherwise immaculate surface, if no one can accuse me of greed, or of prurience, or of profligacy, if i live a virtuous life, free of defilement (pardon, for a moment, my self-praise), and if i am to my friends a good friend, my father deserves all the credit... as it is now, he deserves from me unstinting gratitude and praise. i could never be ashamed of such a father, nor do i feel any need, as many people do, to apologize for being a freedman's son. satires . . – he never mentioned his mother in his verses and he might not have known much about her. perhaps she also had been a slave.[ ] adulthood[edit] horace left rome, possibly after his father's death, and continued his formal education in athens, a great centre of learning in the ancient world, where he arrived at nineteen years of age, enrolling in the academy. founded by plato, the academy was now dominated by epicureans and stoics, whose theories and practises made a deep impression on the young man from venusia.[ ] meanwhile, he mixed and lounged about with the elite of roman youth, such as marcus, the idle son of cicero, and the pompeius to whom he later addressed a poem.[ ] it was in athens too that he probably acquired deep familiarity with the ancient tradition of greek lyric poetry, at that time largely the preserve of grammarians and academic specialists (access to such material was easier in athens than in rome, where the public libraries had yet to be built by asinius pollio and augustus).[ ] rome's troubles following the assassination of julius caesar were soon to catch up with him. marcus junius brutus came to athens seeking support for the republican cause. brutus was fêted around town in grand receptions and he made a point of attending academic lectures, all the while recruiting supporters among the young men studying there, including horace.[ ] an educated young roman could begin military service high in the ranks and horace was made tribunus militum (one of six senior officers of a typical legion), a post usually reserved for men of senatorial or equestrian rank and which seems to have inspired jealousy among his well-born confederates.[ ][ ] he learned the basics of military life while on the march, particularly in the wilds of northern greece, whose rugged scenery became a backdrop to some of his later poems.[ ] it was there in bc that octavian (later augustus) and his associate mark antony crushed the republican forces at the battle of philippi. horace later recorded it as a day of embarrassment for himself, when he fled without his shield,[ ] but allowance should be made for his self-deprecating humour. moreover, the incident allowed him to identify himself with some famous poets who had long ago abandoned their shields in battle, notably his heroes alcaeus and archilochus. the comparison with the latter poet is uncanny: archilochus lost his shield in a part of thrace near philippi, and he was deeply involved in the greek colonization of thasos, where horace's die-hard comrades finally surrendered.[ ] octavian offered an early amnesty to his opponents and horace quickly accepted it. on returning to italy, he was confronted with yet another loss: his father's estate in venusia was one of many throughout italy to be confiscated for the settlement of veterans (virgil lost his estate in the north about the same time). horace later claimed that he was reduced to poverty and this led him to try his hand at poetry.[ ] in reality, there was no money to be had from versifying. at best, it offered future prospects through contacts with other poets and their patrons among the rich.[ ] meanwhile, he obtained the sinecure of scriba quaestorius, a civil service position at the aerarium or treasury, profitable enough to be purchased even by members of the ordo equester and not very demanding in its work-load, since tasks could be delegated to scribae or permanent clerks.[ ] it was about this time that he began writing his satires and epodes. poet[edit] horace reads before maecenas, by fyodor bronnikov the epodes belong to iambic poetry. iambic poetry features insulting and obscene language;[ ][ ] sometimes, it is referred to as blame poetry.[ ] blame poetry, or shame poetry, is poetry written to blame and shame fellow citizens into a sense of their social obligations. horace modelled these poems on the poetry of archilochus. social bonds in rome had been decaying since the destruction of carthage a little more than a hundred years earlier, due to the vast wealth that could be gained by plunder and corruption.[ ] these social ills were magnified by rivalry between julius caesar, mark antony and confederates like sextus pompey, all jockeying for a bigger share of the spoils. one modern scholar has counted a dozen civil wars in the hundred years leading up to bc, including the spartacus rebellion, eight years before horace's birth.[ ] as the heirs to hellenistic culture, horace and his fellow romans were not well prepared to deal with these problems: at bottom, all the problems that the times were stirring up were of a social nature, which the hellenistic thinkers were ill qualified to grapple with. some of them censured oppression of the poor by the rich, but they gave no practical lead, though they may have hoped to see well-meaning rulers doing so. philosophy was drifting into absorption in self, a quest for private contentedness, to be achieved by self-control and restraint, without much regard for the fate of a disintegrating community. — v. g. kiernan[ ] horace's hellenistic background is clear in his satires, even though the genre was unique to latin literature. he brought to it a style and outlook suited to the social and ethical issues confronting rome but he changed its role from public, social engagement to private meditation.[ ] meanwhile, he was beginning to interest octavian's supporters, a gradual process described by him in one of his satires.[ ] the way was opened for him by his friend, the poet virgil, who had gained admission into the privileged circle around maecenas, octavian's lieutenant, following the success of his eclogues. an introduction soon followed and, after a discreet interval, horace too was accepted. he depicted the process as an honourable one, based on merit and mutual respect, eventually leading to true friendship, and there is reason to believe that his relationship was genuinely friendly, not just with maecenas but afterwards with augustus as well.[ ] on the other hand, the poet has been unsympathetically described by one scholar as "a sharp and rising young man, with an eye to the main chance."[ ] there were advantages on both sides: horace gained encouragement and material support, the politicians gained a hold on a potential dissident.[ ] his republican sympathies, and his role at philippi, may have caused him some pangs of remorse over his new status. however most romans considered the civil wars to be the result of contentio dignitatis, or rivalry between the foremost families of the city, and he too seems to have accepted the principate as rome's last hope for much needed peace.[ ] in bc, horace accompanied maecenas on a journey to brundisium, described in one of his poems[ ] as a series of amusing incidents and charming encounters with other friends along the way, such as virgil. in fact the journey was political in its motivation, with maecenas en route to negotiatie the treaty of tarentum with antony, a fact horace artfully keeps from the reader (political issues are largely avoided in the first book of satires).[ ] horace was probably also with maecenas on one of octavian's naval expeditions against the piratical sextus pompeius, which ended in a disastrous storm off palinurus in bc, briefly alluded to by horace in terms of near-drowning.[ ][nb ] there are also some indications in his verses that he was with maecenas at the battle of actium in bc, where octavian defeated his great rival, antony.[ ][nb ] by then horace had already received from maecenas the famous gift of his sabine farm, probably not long after the publication of the first book of satires. the gift, which included income from five tenants, may have ended his career at the treasury, or at least allowed him to give it less time and energy.[ ] it signalled his identification with the octavian regime yet, in the second book of satires that soon followed, he continued the apolitical stance of the first book. by this time, he had attained the status of eques romanus,[ ] perhaps as a result of his work at the treasury.[ ] knight[edit] odes – were the next focus for his artistic creativity. he adapted their forms and themes from greek lyric poetry of the seventh and sixth centuries bc. the fragmented nature of the greek world had enabled his literary heroes to express themselves freely and his semi-retirement from the treasury in rome to his own estate in the sabine hills perhaps empowered him to some extent also[ ] yet even when his lyrics touched on public affairs they reinforced the importance of private life.[ ] nevertheless, his work in the period – bc began to show his closeness to the regime and his sensitivity to its developing ideology. in odes . , for example, he eulogized octavian in hyperboles that echo hellenistic court poetry. the name augustus, which octavian assumed in january bc, is first attested in odes . and . . in the period – bc, political allusions in the odes concentrated on foreign wars in britain ( . ), arabia ( . ) spain ( . ) and parthia ( . ). he greeted augustus on his return to rome in bc as a beloved ruler upon whose good health he depended for his own happiness ( . ).[ ] the public reception of odes – disappointed him, however. he attributed the lack of success to jealousy among imperial courtiers and to his isolation from literary cliques.[ ] perhaps it was disappointment that led him to put aside the genre in favour of verse letters. he addressed his first book of epistles to a variety of friends and acquaintances in an urbane style reflecting his new social status as a knight. in the opening poem, he professed a deeper interest in moral philosophy than poetry[ ] but, though the collection demonstrates a leaning towards stoic theory, it reveals no sustained thinking about ethics.[ ] maecenas was still the dominant confidante but horace had now begun to assert his own independence, suavely declining constant invitations to attend his patron.[ ] in the final poem of the first book of epistles, he revealed himself to be forty-four years old in the consulship of lollius and lepidus i.e. bc, and "of small stature, fond of the sun, prematurely grey, quick-tempered but easily placated".[ ][ ] according to suetonius, the second book of epistles was prompted by augustus, who desired a verse epistle to be addressed to himself. augustus was in fact a prolific letter-writer and he once asked horace to be his personal secretary. horace refused the secretarial role but complied with the emperor's request for a verse letter.[ ] the letter to augustus may have been slow in coming, being published possibly as late as bc. it celebrated, among other things, the bc military victories of his stepsons, drusus and tiberius, yet it and the following letter[ ] were largely devoted to literary theory and criticism. the literary theme was explored still further in ars poetica, published separately but written in the form of an epistle and sometimes referred to as epistles . (possibly the last poem he ever wrote).[ ] he was also commissioned to write odes commemorating the victories of drusus and tiberius[ ] and one to be sung in a temple of apollo for the secular games, a long-abandoned festival that augustus revived in accordance with his policy of recreating ancient customs (carmen saeculare). suetonius recorded some gossip about horace's sexual activities late in life, claiming that the walls of his bedchamber were covered with obscene pictures and mirrors, so that he saw erotica wherever he looked.[nb ] the poet died at years of age, not long after his friend maecenas, near whose tomb he was laid to rest. both men bequeathed their property to augustus, an honour that the emperor expected of his friends.[ ] works[edit] odes . – wall poem in leiden the dating of horace's works isn't known precisely and scholars often debate the exact order in which they were first 'published'. there are persuasive arguments for the following chronology:[ ] satires (c. – bc) satires (c. bc) epodes ( bc) odes – (c. bc)[nb ] epistles (c. bc) carmen saeculare ( bc) epistles (c. bc)[nb ] odes (c. bc) ars poetica (c. – bc)[nb ] historical context[edit] horace composed in traditional metres borrowed from archaic greece, employing hexameters in his satires and epistles, and iambs in his epodes, all of which were relatively easy to adapt into latin forms. his odes featured more complex measures, including alcaics and sapphics, which were sometimes a difficult fit for latin structure and syntax. despite these traditional metres, he presented himself as a partisan in the development of a new and sophisticated style. he was influenced in particular by hellenistic aesthetics of brevity, elegance and polish, as modelled in the work of callimachus.[ ] as soon as horace, stirred by his own genius and encouraged by the example of virgil, varius, and perhaps some other poets of the same generation, had determined to make his fame as a poet, being by temperament a fighter, he wanted to fight against all kinds of prejudice, amateurish slovenliness, philistinism, reactionary tendencies, in short to fight for the new and noble type of poetry which he and his friends were endeavouring to bring about. — eduard fraenkel[ ] in modern literary theory, a distinction is often made between immediate personal experience (urerlebnis) and experience mediated by cultural vectors such as literature, philosophy and the visual arts (bildungserlebnis).[ ] the distinction has little relevance for horace[citation needed] however since his personal and literary experiences are implicated in each other. satires . , for example, recounts in detail a real trip horace made with virgil and some of his other literary friends, and which parallels a satire by lucilius, his predecessor.[ ] unlike much hellenistic-inspired literature, however, his poetry was not composed for a small coterie of admirers and fellow poets, nor does it rely on abstruse allusions for many of its effects. though elitist in its literary standards, it was written for a wide audience, as a public form of art.[ ] ambivalence also characterizes his literary persona, since his presentation of himself as part of a small community of philosophically aware people, seeking true peace of mind while shunning vices like greed, was well adapted to augustus's plans to reform public morality, corrupted by greed—his personal plea for moderation was part of the emperor's grand message to the nation.[ ] horace generally followed the examples of poets established as classics in different genres, such as archilochus in the epodes, lucilius in the satires and alcaeus in the odes, later broadening his scope for the sake of variation and because his models weren't actually suited to the realities confronting him. archilochus and alcaeus were aristocratic greeks whose poetry had a social and religious function that was immediately intelligible to their audiences but which became a mere artifice or literary motif when transposed to rome. however, the artifice of the odes is also integral to their success, since they could now accommodate a wide range of emotional effects, and the blend of greek and roman elements adds a sense of detachment and universality.[ ] horace proudly claimed to introduce into latin the spirit and iambic poetry of archilochus but (unlike archilochus) without persecuting anyone (epistles . . – ). it was no idle boast. his epodes were modelled on the verses of the greek poet, as 'blame poetry', yet he avoided targeting real scapegoats. whereas archilochus presented himself as a serious and vigorous opponent of wrong-doers, horace aimed for comic effects and adopted the persona of a weak and ineffectual critic of his times (as symbolized for example in his surrender to the witch canidia in the final epode).[ ] he also claimed to be the first to introduce into latin the lyrical methods of alcaeus (epistles . . – ) and he actually was the first latin poet to make consistent use of alcaic meters and themes: love, politics and the symposium. he imitated other greek lyric poets as well, employing a 'motto' technique, beginning each ode with some reference to a greek original and then diverging from it.[ ] the satirical poet lucilius was a senator's son who could castigate his peers with impunity. horace was a mere freedman's son who had to tread carefully.[ ] lucilius was a rugged patriot and a significant voice in roman self-awareness, endearing himself to his countrymen by his blunt frankness and explicit politics. his work expressed genuine freedom or libertas. his style included 'metrical vandalism' and looseness of structure. horace instead adopted an oblique and ironic style of satire, ridiculing stock characters and anonymous targets. his libertas was the private freedom of a philosophical outlook, not a political or social privilege.[ ] his satires are relatively easy-going in their use of meter (relative to the tight lyric meters of the odes)[ ] but formal and highly controlled relative to the poems of lucilius, whom horace mocked for his sloppy standards (satires . . – )[nb ] the epistles may be considered among horace's most innovative works. there was nothing like it in greek or roman literature. occasionally poems had had some resemblance to letters, including an elegiac poem from solon to mimnermus and some lyrical poems from pindar to hieron of syracuse. lucilius had composed a satire in the form of a letter, and some epistolary poems were composed by catullus and propertius. but nobody before horace had ever composed an entire collection of verse letters,[ ] let alone letters with a focus on philosophical problems. the sophisticated and flexible style that he had developed in his satires was adapted to the more serious needs of this new genre.[ ] such refinement of style was not unusual for horace. his craftsmanship as a wordsmith is apparent even in his earliest attempts at this or that kind of poetry, but his handling of each genre tended to improve over time as he adapted it to his own needs.[ ] thus for example it is generally agreed that his second book of satires, where human folly is revealed through dialogue between characters, is superior to the first, where he propounds his ethics in monologues. nevertheless, the first book includes some of his most popular poems.[ ] themes[edit] horace developed a number of inter-related themes throughout his poetic career, including politics, love, philosophy and ethics, his own social role, as well as poetry itself. his epodes and satires are forms of 'blame poetry' and both have a natural affinity with the moralising and diatribes of cynicism. this often takes the form of allusions to the work and philosophy of bion of borysthenes [nb ] but it is as much a literary game as a philosophical alignment. by the time he composed his epistles, he was a critic of cynicism along with all impractical and "high-falutin" philosophy in general.[nb ][ ] the satires also include a strong element of epicureanism, with frequent allusions to the epicurean poet lucretius.[nb ] so for example the epicurean sentiment carpe diem is the inspiration behind horace's repeated punning on his own name (horatius ~ hora) in satires . .[ ] the satires also feature some stoic, peripatetic and platonic (dialogues) elements. in short, the satires present a medley of philosophical programs, dished up in no particular order—a style of argument typical of the genre.[ ] the odes display a wide range of topics. over time, he becomes more confident about his political voice.[ ] although he is often thought of as an overly intellectual lover, he is ingenious in representing passion.[ ] the "odes" weave various philosophical strands together, with allusions and statements of doctrine present in about a third of the odes books – , ranging from the flippant ( . , . ) to the solemn ( . , . , . ). epicureanism is the dominant influence, characterizing about twice as many of these odes as stoicism. a group of odes combines these two influences in tense relationships, such as odes . , praising stoic virility and devotion to public duty while also advocating private pleasures among friends. while generally favouring the epicurean lifestyle, the lyric poet is as eclectic as the satiric poet, and in odes . even proposes aristotle's golden mean as a remedy for rome's political troubles.[ ] many of horace's poems also contain much reflection on genre, the lyric tradition, and the function of poetry.[ ] odes , thought to be composed at the emperor's request, takes the themes of the first three books of "odes" to a new level. this book shows greater poetic confidence after the public performance of his "carmen saeculare" or "century hymn" at a public festival orchestrated by augustus. in it, horace addresses the emperor augustus directly with more confidence and proclaims his power to grant poetic immortality to those he praises. it is the least philosophical collection of his verses, excepting the twelfth ode, addressed to the dead virgil as if he were living. in that ode, the epic poet and the lyric poet are aligned with stoicism and epicureanism respectively, in a mood of bitter-sweet pathos.[ ] the first poem of the epistles sets the philosophical tone for the rest of the collection: "so now i put aside both verses and all those other games: what is true and what befits is my care, this my question, this my whole concern." his poetic renunciation of poetry in favour of philosophy is intended to be ambiguous. ambiguity is the hallmark of the epistles. it is uncertain if those being addressed by the self-mocking poet-philosopher are being honoured or criticized. though he emerges as an epicurean, it is on the understanding that philosophical preferences, like political and social choices, are a matter of personal taste. thus he depicts the ups and downs of the philosophical life more realistically than do most philosophers.[ ] reception[edit] horace, portrayed by giacomo di chirico the reception of horace's work has varied from one epoch to another and varied markedly even in his own lifetime. odes – were not well received when first 'published' in rome, yet augustus later commissioned a ceremonial ode for the centennial games in bc and also encouraged the publication of odes , after which horace's reputation as rome's premier lyricist was assured. his odes were to become the best received of all his poems in ancient times, acquiring a classic status that discouraged imitation: no other poet produced a comparable body of lyrics in the four centuries that followed[ ] (though that might also be attributed to social causes, particularly the parasitism that italy was sinking into).[ ] in the seventeenth and eighteenth centuries, ode-writing became highly fashionable in england and a large number of aspiring poets imitated horace both in english and in latin.[ ] in a verse epistle to augustus (epistle . ), in bc, horace argued for classic status to be awarded to contemporary poets, including virgil and apparently himself.[ ] in the final poem of his third book of odes he claimed to have created for himself a monument more durable than bronze ("exegi monumentum aere perennius", carmina . . ). for one modern scholar, however, horace's personal qualities are more notable than the monumental quality of his achievement: ... when we hear his name we don't really think of a monument. we think rather of a voice which varies in tone and resonance but is always recognizable, and which by its unsentimental humanity evokes a very special blend of liking and respect. — niall rudd[ ] yet for men like wilfred owen, scarred by experiences of world war i, his poetry stood for discredited values: my friend, you would not tell with such high zest to children ardent for some desperate glory, the old lie: dulce et decorum est pro patria mori.[nb ] the same motto, dulce et decorum est pro patria mori, had been adapted to the ethos of martyrdom in the lyrics of early christian poets like prudentius.[ ] these preliminary comments touch on a small sample of developments in the reception of horace's work. more developments are covered epoch by epoch in the following sections. antiquity[edit] horace's influence can be observed in the work of his near contemporaries, ovid and propertius. ovid followed his example in creating a completely natural style of expression in hexameter verse, and propertius cheekily mimicked him in his third book of elegies.[nb ] his epistles provided them both with a model for their own verse letters and it also shaped ovid's exile poetry.[nb ] his influence had a perverse aspect. as mentioned before, the brilliance of his odes may have discouraged imitation. conversely, they may have created a vogue for the lyrics of the archaic greek poet pindar, due to the fact that horace had neglected that style of lyric (see influence and legacy of pindar).[ ] the iambic genre seems almost to have disappeared after publication of horace's epodes. ovid's ibis was a rare attempt at the form but it was inspired mainly by callimachus, and there are some iambic elements in martial but the main influence there was catullus.[ ] a revival of popular interest in the satires of lucilius may have been inspired by horace's criticism of his unpolished style. both horace and lucilius were considered good role-models by persius, who critiqued his own satires as lacking both the acerbity of lucillius and the gentler touch of horace.[nb ] juvenal's caustic satire was influenced mainly by lucilius but horace by then was a school classic and juvenal could refer to him respectfully and in a round-about way as "the venusine lamp".[nb ] statius paid homage to horace by composing one poem in sapphic and one in alcaic meter (the verse forms most often associated with odes), which he included in his collection of occasional poems, silvae. ancient scholars wrote commentaries on the lyric meters of the odes, including the scholarly poet caesius bassus. by a process called derivatio, he varied established meters through the addition or omission of syllables, a technique borrowed by seneca the younger when adapting horatian meters to the stage.[ ] horace's poems continued to be school texts into late antiquity. works attributed to helenius acro and pomponius porphyrio are the remnants of a much larger body of horatian scholarship. porphyrio arranged the poems in non-chronological order, beginning with the odes, because of their general popularity and their appeal to scholars (the odes were to retain this privileged position in the medieval manuscript tradition and thus in modern editions also). horace was often evoked by poets of the fourth century, such as ausonius and claudian. prudentius presented himself as a christian horace, adapting horatian meters to his own poetry and giving horatian motifs a christian tone.[nb ] on the other hand, st jerome, modelled an uncompromising response to the pagan horace, observing: "what harmony can there be between christ and the devil? what has horace to do with the psalter?"[nb ] by the early sixth century, horace and prudentius were both part of a classical heritage that was struggling to survive the disorder of the times. boethius, the last major author of classical latin literature, could still take inspiration from horace, sometimes mediated by senecan tragedy.[ ] it can be argued that horace's influence extended beyond poetry to dignify core themes and values of the early christian era, such as self-sufficiency, inner contentment and courage.[nb ] middle ages and renaissance[edit] horace in his studium: german print of the fifteenth century, summarizing the final ode . (in praise of augustus). classical texts almost ceased being copied in the period between the mid sixth century and the carolingian revival. horace's work probably survived in just two or three books imported into northern europe from italy. these became the ancestors of six extant manuscripts dated to the ninth century. two of those six manuscripts are french in origin, one was produced in alsace, and the other three show irish influence but were probably written in continental monasteries (lombardy for example).[ ] by the last half of the ninth century, it was not uncommon for literate people to have direct experience of horace's poetry. his influence on the carolingian renaissance can be found in the poems of heiric of auxerre[nb ] and in some manuscripts marked with neumes, mysterious notations that may have been an aid to the memorization and discussion of his lyric meters. ode . is neumed with the melody of a hymn to john the baptist, ut queant laxis, composed in sapphic stanzas. this hymn later became the basis of the solfege system (do, re, mi...)—an association with western music quite appropriate for a lyric poet like horace, though the language of the hymn is mainly prudentian.[ ] lyons[ ] argues that the melody in question was linked with horace's ode well before guido d'arezzo fitted ut queant laxis to it. however, the melody is unlikely to be a survivor from classical times, although ovid[ ] testifies to horace's use of the lyre while performing his odes. the german scholar, ludwig traube, once dubbed the tenth and eleventh centuries the age of horace (aetas horatiana), and placed it between the aetas vergiliana of the eighth and ninth centuries, and the aetas ovidiana of the twelfth and thirteenth centuries, a distinction supposed to reflect the dominant classical latin influences of those times. such a distinction is over-schematized since horace was a substantial influence in the ninth century as well. traube had focused too much on horace's satires.[ ] almost all of horace's work found favour in the medieval period. in fact medieval scholars were also guilty of over-schematism, associating horace's different genres with the different ages of man. a twelfth-century scholar encapsulated the theory: "...horace wrote four different kinds of poems on account of the four ages, the odes for boys, the ars poetica for young men, the satires for mature men, the epistles for old and complete men."[ ] it was even thought that horace had composed his works in the order in which they had been placed by ancient scholars.[nb ] despite its naivety, the schematism involved an appreciation of horace's works as a collection, the ars poetica, satires and epistles appearing to find favour as well as the odes. the later middle ages however gave special significance to satires and epistles, being considered horace's mature works. dante referred to horace as orazio satiro, and he awarded him a privileged position in the first circle of hell, with homer, ovid and lucan.[ ] horace's popularity is revealed in the large number of quotes from all his works found in almost every genre of medieval literature, and also in the number of poets imitating him in quantitative latin meter. the most prolific imitator of his odes was the bavarian monk, metellus of tegernsee, who dedicated his work to the patron saint of tegernsee abbey, st quirinus, around the year . he imitated all horace's lyrical meters then followed these up with imitations of other meters used by prudentius and boethius, indicating that variety, as first modelled by horace, was considered a fundamental aspect of the lyric genre. the content of his poems however was restricted to simple piety.[ ] among the most successful imitators of satires and epistles was another germanic author, calling himself sextus amarcius, around , who composed four books, the first two exemplifying vices, the second pair mainly virtues.[ ] petrarch is a key figure in the imitation of horace in accentual meters. his verse letters in latin were modelled on the epistles and he wrote a letter to horace in the form of an ode. however he also borrowed from horace when composing his italian sonnets. one modern scholar has speculated that authors who imitated horace in accentual rhythms (including stressed latin and vernacular languages) may have considered their work a natural sequel to horace's metrical variety.[ ] in france, horace and pindar were the poetic models for a group of vernacular authors called the pléiade, including for example pierre de ronsard and joachim du bellay. montaigne made constant and inventive use of horatian quotes.[ ] the vernacular languages were dominant in spain and portugal in the sixteenth century, where horace's influence is notable in the works of such authors as garcilaso de la vega, juan boscán, sá de miranda, antonio ferreira and fray luis de león, the last writing odes on the horatian theme beatus ille (happy the man).[ ] the sixteenth century in western europe was also an age of translations (except in germany, where horace wasn't translated into the vernacular until well into the seventeenth century). the first english translator was thomas drant, who placed translations of jeremiah and horace side by side in medicinable morall, . that was also the year that the scot george buchanan paraphrased the psalms in a horatian setting. ben jonson put horace on the stage in in poetaster, along with other classical latin authors, giving them all their own verses to speak in translation. horace's part evinces the independent spirit, moral earnestness and critical insight that many readers look for in his poems.[ ] age of enlightenment[edit] during the seventeenth and eighteenth centuries, or the age of enlightenment, neoclassical culture was pervasive. english literature in the middle of that period has been dubbed augustan. it is not always easy to distinguish horace's influence during those centuries (the mixing of influences is shown for example in one poet's pseudonym, horace juvenal).[nb ] however a measure of his influence can be found in the diversity of the people interested in his works, both among readers and authors.[ ] new editions of his works were published almost yearly. there were three new editions in (two in leiden, one in frankfurt) and again in (utrecht, barcelona, cambridge). cheap editions were plentiful and fine editions were also produced, including one whose entire text was engraved by john pine in copperplate. the poet james thomson owned five editions of horace's work and the physician james douglas had five hundred books with horace-related titles. horace was often commended in periodicals such as the spectator, as a hallmark of good judgement, moderation and manliness, a focus for moralising.[nb ] his verses offered a fund of mottoes, such as simplex munditiis (elegance in simplicity), splendide mendax (nobly untruthful), sapere aude (dare to know), nunc est bibendum (now is the time to drink), carpe diem (seize the day, perhaps the only one still in common use today).[ ] these were quoted even in works as prosaic as edmund quincy's a treatise of hemp-husbandry ( ). the fictional hero tom jones recited his verses with feeling.[ ] his works were also used to justify commonplace themes, such as patriotic obedience, as in james parry's english lines from an oxford university collection in :[ ] what friendly muse will teach my lays to emulate the roman fire? justly to sound a caeser's praise demands a bold horatian lyre. horatian-style lyrics were increasingly typical of oxford and cambridge verse collections for this period, most of them in latin but some like the previous ode in english. john milton's lycidas first appeared in such a collection. it has few horatian echoes[nb ] yet milton's associations with horace were lifelong. he composed a controversial version of odes . , and paradise lost includes references to horace's 'roman' odes . – (book for example begins with echoes of odes . ).[ ] yet horace's lyrics could offer inspiration to libertines as well as moralists, and neo-latin sometimes served as a kind of discrete veil for the risqué. thus for example benjamin loveling authored a catalogue of drury lane and covent garden prostitutes, in sapphic stanzas, and an encomium for a dying lady "of salacious memory".[ ] some latin imitations of horace were politically subversive, such as a marriage ode by anthony alsop that included a rallying cry for the jacobite cause. on the other hand, andrew marvell took inspiration from horace's odes . to compose his english masterpiece horatian ode upon cromwell's return from ireland, in which subtly nuanced reflections on the execution of charles i echo horace's ambiguous response to the death of cleopatra (marvell's ode was suppressed in spite of its subtlety and only began to be widely published in ). samuel johnson took particular pleasure in reading the odes.[nb ] alexander pope wrote direct imitations of horace (published with the original latin alongside) and also echoed him in essays and the rape of the lock. he even emerged as "a quite horatian homer" in his translation of the iliad.[ ] horace appealed also to female poets, such as anna seward (original sonnets on various subjects, and odes paraphrased from horace, ) and elizabeth tollet, who composed a latin ode in sapphic meter to celebrate her brother's return from overseas, with tea and coffee substituted for the wine of horace's sympotic settings: quos procax nobis numeros, jocosque musa dictaret? mihi dum tibique temperent baccis arabes, vel herbis pocula seres[ ] what verses and jokes might the bold muse dictate? while for you and me arabs flavour our cups with beans or chinese with leaves.[ ] horace's ars poetica is second only to aristotle's poetics in its influence on literary theory and criticism. milton recommended both works in his treatise of education.[ ] horace's satires and epistles however also had a huge impact, influencing theorists and critics such as john dryden.[ ] there was considerable debate over the value of different lyrical forms for contemporary poets, as represented on one hand by the kind of four-line stanzas made familiar by horace's sapphic and alcaic odes and, on the other, the loosely structured pindarics associated with the odes of pindar. translations occasionally involved scholars in the dilemmas of censorship. thus christopher smart entirely omitted odes . and re-numbered the remaining odes. he also removed the ending of odes . . thomas creech printed epodes and in the original latin but left out their english translations. philip francis left out both the english and latin for those same two epodes, a gap in the numbering the only indication that something was amiss. french editions of horace were influential in england and these too were regularly bowdlerized. most european nations had their own 'horaces': thus for example friedrich von hagedorn was called the german horace and maciej kazimierz sarbiewski the polish horace (the latter was much imitated by english poets such as henry vaughan and abraham cowley). pope urban viii wrote voluminously in horatian meters, including an ode on gout.[ ] th century on[edit] horace maintained a central role in the education of english-speaking elites right up until the s.[ ] a pedantic emphasis on the formal aspects of language-learning at the expense of literary appreciation may have made him unpopular in some quarters[ ] yet it also confirmed his influence—a tension in his reception that underlies byron's famous lines from childe harold (canto iv, ):[ ] then farewell, horace, whom i hated so not for thy faults, but mine; it is a curse to understand, not feel thy lyric flow, to comprehend, but never love thy verse. william wordsworth's mature poetry, including the preface to lyrical ballads, reveals horace's influence in its rejection of false ornament[ ] and he once expressed "a wish / to meet the shade of horace...".[nb ] john keats echoed the opening of horace's epodes in the opening lines of ode to a nightingale.[nb ] the roman poet was presented in the nineteenth century as an honorary english gentleman. william thackeray produced a version of odes . in which horace's 'boy' became 'lucy', and gerard manley hopkins translated the boy innocently as 'child'. horace was translated by sir theodore martin (biographer of prince albert) but minus some ungentlemanly verses, such as the erotic odes . and epodes and . edward bulwer-lytton produced a popular translation and william gladstone also wrote translations during his last days as prime minister.[ ] edward fitzgerald's rubaiyat of omar khayyam, though formally derived from the persian ruba'i, nevertheless shows a strong horatian influence, since, as one modern scholar has observed, "...the quatrains inevitably recall the stanzas of the 'odes', as does the narrating first person of the world-weary, ageing epicurean omar himself, mixing sympotic exhortation and 'carpe diem' with splendid moralising and 'memento mori' nihilism."[nb ] matthew arnold advised a friend in verse not to worry about politics, an echo of odes . , yet later became a critic of horace's inadequacies relative to greek poets, as role models of victorian virtues, observing: "if human life were complete without faith, without enthusiasm, without energy, horace...would be the perfect interpreter of human life."[ ] christina rossetti composed a sonnet depicting a woman willing her own death steadily, drawing on horace's depiction of 'glycera' in odes . . – and cleopatra in odes . .[nb ] a. e. housman considered odes . , in archilochian couplets, the most beautiful poem of antiquity[ ] and yet he generally shared horace's penchant for quatrains, being readily adapted to his own elegiac and melancholy strain.[ ] the most famous poem of ernest dowson took its title and its heroine's name from a line of odes . , non sum qualis eram bonae sub regno cynarae, as well as its motif of nostalgia for a former flame. kipling wrote a famous parody of the odes, satirising their stylistic idiosyncrasies and especially the extraordinary syntax, but he also used horace's roman patriotism as a focus for british imperialism, as in the story regulus in the school collection stalky & co., which he based on odes . .[ ] wilfred owen's famous poem, quoted above, incorporated horatian text to question patriotism while ignoring the rules of latin scansion. however, there were few other echoes of horace in the war period, possibly because war is not actually a major theme of horace's work.[ ] bibendum (the symbol of the michelin tyre company) takes his name from the opening line of ode . , nunc est bibendum. both w.h.auden and louis macneice began their careers as teachers of classics and both responded as poets to horace's influence. auden for example evoked the fragile world of the s in terms echoing odes . . – , where horace advises a friend not to let worries about frontier wars interfere with current pleasures. and, gentle, do not care to know where poland draws her eastern bow,      what violence is done; nor ask what doubtful act allows our freedom in this english house,      our picnics in the sun.[nb ] the american poet, robert frost, echoed horace's satires in the conversational and sententious idiom of some of his longer poems, such as the lesson for today ( ), and also in his gentle advocacy of life on the farm, as in hyla brook ( ), evoking horace's fons bandusiae in ode . . now at the start of the third millennium, poets are still absorbing and re-configuring the horatian influence, sometimes in translation (such as a english/american edition of the odes by thirty-six poets)[nb ] and sometimes as inspiration for their own work (such as a collection of odes by a new zealand poet).[nb ] horace's epodes have largely been ignored in the modern era, excepting those with political associations of historical significance. the obscene qualities of some of the poems have repulsed even scholars[nb ] yet more recently a better understanding of the nature of iambic poetry has led to a re-evaluation of the whole collection.[ ][ ] a re-appraisal of the epodes also appears in creative adaptations by recent poets (such as a collection of poems that relocates the ancient context to a s industrial town).[nb ] translations[edit] john dryden successfully adapted three of the odes (and one epode) into verse for readers of his own age. samuel johnson favored the versions of philip francis. others favor unrhymed translations. in james michie published a translation of the odes—many of them fully rhymed—including a dozen of the poems in the original sapphic and alcaic metres. more recent verse translations of the odes include those by david west (free verse), and colin sydenham (rhymed). ars poetica was first translated into english by ben jonson and later by lord byron. horace's odes and the mystery of do-re-mi stuart lyons (rhymed) aris & phillips isbn  - - - - in popular culture[edit] the oxford latin course textbooks use the life of horace to illustrate an average roman's life in the late republic to early empire.[ ] see also[edit] literature portal ancient rome portal biography portal carpe diem horatia (gens) list of ancient romans otium prosody (latin) translation notes[edit] ^ quintilian . . . the only other lyrical poet quintilian thought comparable with horace was the now obscure poet/metrical theorist, caesius bassus (r. tarrant, ancient receptions of horace, ) ^ translated from persius' own 'satires' . – : "omne vafer vitium ridenti flaccus amico / tangit et admissus circum praecordia ludit." ^ quoted by n. rudd from john dryden's discourse concerning the original and progress of satire, excerpted from w.p.ker's edition of dryden's essays, oxford , vol. , pp. – ^ the year is given in odes . . ("consule manlio"), the month in epistles . . , the day in suetonius' biography vita (r. nisbet, horace: life and chronology, ) ^ "no son ever set a finer monument to his father than horace did in the sixth satire of book i...horace's description of his father is warm-hearted but free from sentimentality or exaggeration. we see before us one of the common people, a hard-working, open-minded, and thoroughly honest man of simple habits and strict convictions, representing some of the best qualities that at the end of the republic could still be found in the unsophisticated society of the italian municipia" — e. fraenkel, horace, – ^ odes . . : "nec (me extinxit) sicula palinurus unda"; "nor did palinurus extinguish me with sicilian waters". maecenas' involvement is recorded by appian bell. civ. . but horace's ode is the only historical reference to his own presence there, depending however on interpretation. (r. nisbet, horace: life and chronology, ) ^ the point is much disputed among scholars and hinges on how the text is interpreted. epodes for example may offer proof of horace's presence if 'ad hunc frementis' ('gnashing at this' man i.e. the traitrous roman ) is a misreading of 'at huc...verterent' (but hither...they fled) in lines describing the defection of the galatian cavalry, "ad hunc frementis verterunt bis mille equos / galli canentes caesarem" (r. nisbet, horace: life and chronology, ). ^ suetonius signals that the report is based on rumours by employing the terms "traditur...dicitur" / "it is reported...it is said" (e. fraenkel, horace, ) ^ according to a recent theory, the three books of odes were issued separately, possibly in , and bc (see g. hutchinson ( ), classical quarterly : – ) ^ bc is the usual estimate but c. bc has good support too (see r. nisbet, horace: life and chronology, – ^ the date however is subject to much controversy with – bc another option (see for example r. syme, the augustan aristocracy, – ^ "[lucilius]...resembles a man whose only concern is to force / something into the framework of six feet, and who gaily produces / two hundred lines before dinner and another two hundred after." – satire . . – (translated by niall rudd, the satires of horace and persius, penguin classics , p. ) ^ there is one reference to bion by name in epistles . . , and the clearest allusion to him is in satire . , which parallels bion fragments , , kindstrand ^ epistles . and . . – are critical of the extreme views of diogenes and also of social adaptations of cynic precepts, and yet epistle . could be either cynic or stoic in its orientation (j. moles, philosophy and ethics, p. ^ satires . . – , – , . . – , . . – , – , . . , – , . . – , . . – , , . . – ^ wilfred owen, dulce et decorum est ( ), echoes a line from carmina . . , "it is sweet and honourable to die for one's country", cited by stephen harrison, the nineteenth and twentieth centuries, . ^ propertius published his third book of elegies within a year or two of horace's odes – and mimicked him, for example, in the opening lines, characterizing himself in terms borrowed from odes . . and . . – , as a priest of the muses and as an adaptor of greek forms of poetry (r. tarrant, ancient receptions of horace, ) ^ ovid for example probably borrowed from horace's epistle . the image of a poetry book as a slave boy eager to leave home, adapting it to the opening poems of tristia and (r. tarrant, ancient receptions of horace), and tristia may be understood as a counterpart to horace's epistles . , both being letters addressed to augustus on literary themes (a. barchiesi, speaking volumes, – ) ^ the comment is in persius . – , yet that same satire has been found to have nearly reminiscences of horace; see d. hooley, the knotted thong, ^ the allusion to venusine comes via horace's sermones . . , while lamp signifies the lucubrations of a conscientious poet. according to quintilian ( ), however, many people in flavian rome preferred lucilius not only to horace but to all other latin poets (r. tarrant, ancient receptions of horace, ) ^ prudentius sometimes alludesto the odes in a negative context, as expressions of a secular life he is abandoning. thus for example male pertinax, employed in prudentius's praefatio to describe a willful desire for victory, is lifted from odes . . , where it describes a girl's half-hearted resistance to seduction. elsewhere he borrows dux bone from odes . . and , where it refers to augustus, and applies it to christ (r. tarrant, ancient receptions of horace, ^ st jerome, epistles . , incorporating a quote from 'corinthians . : qui consensus christo et belial? quid facit cum psalterio horatius?(cited by k. friis-jensen, horace in the middle ages, ) ^ odes . . – was especially influential in promoting the value of heroic calm in the face of danger, describing a man who could bear even the collapse of the world without fear (si fractus illabatur orbis,/impavidum ferient ruinae). echoes are found in seneca's agamemnon – , prudentius's peristephanon . – and boethius's consolatio metrum .(r. tarrant, ancient receptions of horace, – ) ^ heiric, like prudentius, gave horatian motifs a christian context. thus the character lydia in odes . . , who would willingly die for her lover twice, becomes in heiric's life of st germaine of auxerre a saint ready to die twice for the lord's commandments (r. tarrant, ancient receptions of horace, – ) ^ according to a medieval french commentary on the satires: "...first he composed his lyrics, and in them, speaking to the young, as it were, he took as subject-matter love affairs and quarrels, banquets and drinking parties. next he wrote his epodes, and in them composed invectives against men of a more advanced and more dishonourable age...he next wrote his book about the ars poetica, and in that instructed men of his own profession to write well...later he added his book of satires, in which he reproved those who had fallen a prey to various kinds of vices. finally, he finished his oeuvre with the epistles, and in them, following the method of a good farmer, he sowed the virtues where he had rooted out the vices." (cited by k. friis-jensen, horace in the middle ages, – ) ^ 'horace juvenal' was author of modern manners: a poem, ^ see for example spectator , feb. ; , nov. ; , nov. ^ one echo of horace may be found in line : "were it not better done as others use,/ to sport with amaryllis in the shade/or with the tangles of neaera's hair?", which points to the neara in odes . . (douglas bush, milton: poetical works, , note ) ^ cfr. james boswell, "the life of samuel johnson" aetat. , where boswell remarked of johnson that horace's odes "were the compositions in which he took most delight." ^ the quote, from memorials of a tour of italy ( ), contains allusions to odes . and . (s. harrison, the nineteenth and twentieth centuries, – ) ^ "my heart aches, and a drowsy numbness pains / my sense..." echoes epodes . – (s. harrison, the nineteenth and twentieth centuries, ) ^ comment by s. harrison, editor and contributor to the cambridge companion to horace (s. harrison, the nineteenth and twentieth centuries, ^ rossetti's sonnet, a study (a soul), dated , was not published in her own lifetime. some lines: she stands as pale as parian marble stands / like cleopatra when she turns at bay... (c. rossetti, complete poems, ^ quoted from auden's poem out on the lawn i lie in bed, , and cited by s. harrison, the nineteenth and twentieth centuries, ^ edited by mcclatchy, reviewed by s. harrison, bryn mawr classical review . . ^ i. wedde, the commonplace odes, auckland , (cited by s. harrison, the nineteenth and twentieth centuries, ) ^ 'political' epodes are , , , ; notably obscene epodes are and . e. fraenkel is among the admirers repulsed by these two poems, for another view of which see for example dee lesser clayman, 'horace's epodes viii and xii: more than clever obscenity?', the classical world vol. , no. (september ), pp – jstor  ^ m. almond, the works , washington, cited by s. harrison, the nineteenth and twentieth centuries, citations[edit] ^ a b j. michie, the odes of horace, ^ n. rudd, the satires of horace and persius, ^ r. barrow r., the romans pelican books, ^ fraenkel, eduard. horace. oxford: , p. . for the life of horace by suetonius, see: (vita horati) ^ brill's companion to horace, edited by hans-christian günther, brill, , p. , google book ^ satires . . ^ epistles . . ff. ^ e. fraenkel, horace, – ^ satires . . ^ t. frank, catullus and horace, – ^ a. campbell, horace: a new interpretation, ^ epistles . . ^ r. nisbet, horace: life and chronology, ^ e. fraenkel, horace, – ^ a b v. kiernan, horace: poetics and politics, ^ satires . . ^ e. fraenkel, horace, – ^ a b satires . ^ v. kiernan, horace: poetics and politics, ^ odes . ^ e. fraenkel, horace, – ^ e. fraenkel, horace, – ^ satires . . ^ a b r. nisbet, horace: life and chronology, ^ v. kiernan, horace, ^ odes . . ^ epistles . . – ^ v. kiernan, horace: poetics and politics ^ e. fraenkel, horace, – ^ christopher brown, in a companion to the greek lyric poets, d.e. gerber (ed), leiden , pages – ^ douglas e. gerber, greek iambic poetry, loeb classical library ( ), introduction pages i–iv ^ d. mankin, horace: epodes, c.u.p., ^ d. mankin, horace: epodes, ^ r. conway, new studies of a great inheritance, – ^ v. kiernan, horace: poetics and politics, – ^ f. muecke, the satires, – ^ r. lyne, augustan poetry and society, ^ j. griffin, horace in the thirties, ^ a b r. nisbet, horace: life and chronology, ^ d. mankin, horace: epodes, ^ satires . ^ odes . . ^ epodes and ^ e. fraenkel, horace, ^ satires . . ^ r. nisbet, horace: life and chronology, ^ v. kiernan, horace: poetics and politics, – ^ r. nisbet, horace: life and chronology, ^ epistles . . – ^ epistles . . ^ v. kiernan, horace: poetics and politics, , ^ epistles . ^ epistles . . – ^ r. nisbet, horace: life and chronology, – ^ e. fraenkel, horace, – ^ epistles . ^ r. ferri, the epistles, ^ odes . and . ^ e. fraenkel, horace, ^ r nisbet, horace: life and chronology, – ^ s. harrison, style and poetic texture, ^ e. fraenkel, horace, – ^ gundolf, friedrich ( ). goethe. berlin, germany: bondi. ^ e. fraenkel, horace, – ^ e. fraenkel, horace, ^ e. fraenkel, horace, – ^ j. griffin, gods and religion, ^ s. harrison, lyric and iambic, ^ s. harrison, lyric and iambic, – ^ a b e. fraenkel, horace, , ^ l. morgan, satire, – ^ s. harrison, style and poetic texture, ^ r. ferri, the epistles, pp. – ^ e. fraenkel, horace, p. ^ v. kiernan, horace: poetics and politics, ^ j. moles, philosophy and ethics, pp. – , ^ k. j. reckford, some studies in horace's odes on love ^ j. moles, philosophy and ethics, p. ^ santirocco "unity and design", lowrie "horace's narrative odes" ^ ancona, "time and the erotic" ^ j. moles, philosophy and ethics, pp. – ^ davis "polyhymnia" and lowrie "horace's narrative odes" ^ j. moles, philosophy and ethics, p. ^ j. moles, philosophy and ethics, pp. – ^ r. tarrant, ancient receptions of horace, ^ v. kiernan, horace: poetics and politics, ^ d. money, the seventeenth and eighteenth centuries, , ^ r. lyme, augustan poetry and society, ^ niall rudd, the satires of horace and persius, ^ r. tarrant, ancient receptions of horace, – ^ r. tarrant, ancient receptions of horace, ^ r. tarrant, ancient receptions of horace, ^ r. tarrant, ancient receptions of horace, – ^ a b r. tarrant, ancient receptions of horace, ^ r. tarrant, ancient receptions of horace, – ^ r. tarrant, ancient receptions of horace, – ^ stuart lyons, horace's odes and the mystery of do-re-mi ^ tristia, . . – ^ b. bischoff, living with the satirists, – ^ k. friis-jensen,horace in the middle ages, ^ k. friis-jensen, horace in the middle ages, , ^ k. friis-jensen, horace in the middle ages, – ^ k. friis-jensen, horace in the middle ages, ^ k. friis-jensen, horace in the middle ages, ^ michael mcgann, horace in the renaissance, ^ e. rivers, fray luis de león: the 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"gods and religion". the cambridge companion to horace. cambridge university press. harrison, stephen ( ). "lyric and iambic". a companion to latin literature. blackwell publishing. harrison, stephen ( ). "introduction". the cambridge companion to horace. cambridge university press. harrison, stephen ( ). "style and poetic texture". the cambridge companion to horace. cambridge university press. harrison, stephen ( ). "the nineteenth and twentieth centuries". the cambridge companion to horace. cambridge university press. hooley, d ( ). the knotted thong: structures of mimesis in persius. ann arbor. hutchinson, g ( ). "the publication and individuality of horace's odes – ". classical quarterly . kiernan, victor ( ). horace: poetics and politics. st martin's press. kupersmith, w ( ). roman satirists in seventeenth century england. lincoln, nebraska and london. loveling, benjamin ( ). latin and english poems, by a gentleman of trinity college, oxford. london. lowrie, michèle ( ). horace's narrative odes. oxford university press. lyne, r ( ). "augustan poetry and society". the oxford history of the classical world. oxford university press. mankin, david ( ). horace: epodes. cambridge university press. mcneill, randall ( ). horace. oxford university press. isbn  - - - - . michie, james ( ). "horace the man". the odes of horace. penguin classics. moles, john ( ). "philosophy and ethics". the cambridge companion to horace. cambridge university press. money, david ( ). "the seventeenth and eighteenth centuries". the cambridge companion to horace. cambridge university press. morgan, llewelyn ( ). "satire". a companion to latin literature. blackwell publishing. muecke, frances ( ). "the satires". the cambridge companion to horace. cambridge university press. nisbet, robin ( ). "horace: life and chronology". the cambridge companion to horace. cambridge university press. reckford, k. j. ( ). horatius: the man and the hour. . american journal of philology. pp.  – . rivers, elias ( ). fray luis de león: the original poems. grant and cutler. rossetti, christina ( ). the complete poems. penguin books. rudd, niall ( ). the satires of horace and persius. penguin classics. santirocco, matthew ( ). unity and design in horace's odes. university of north carolina. syme, r ( ). the augustan aristocracy. oxford university press. talbot, j ( ). "a horatian pun in paradise lost". notes and queries ( ). oxford university press. tarrant, richard ( ). "ancient receptions of horace". the cambridge companion to horace. cambridge university press. tollet, elizabeth ( ). poems on several occasions. london. further reading[edit] davis, gregson ( ). polyhymnia the rhetoric of horatian lyric discourse. berkeley: university of california press. isbn  - - - . fraenkel, eduard ( ). horace. oxford: clarendon press. horace ( ). the complete works of horace. charles e. passage, trans. new york: ungar. isbn  - - - . johnson, w. r. ( ). horace and the dialectic of freedom: readings in epistles . ithaca: cornell university press. isbn  - - - . lyne, r.o.a.m. ( ). horace: behind the public poetry. new haven: yale univ. press. isbn  - - - . lyons, stuart ( ). horace's odes and the mystery of do-re-mi. aris & phillips. lyons, stuart ( ). music in the odes of horace. aris & phillips. michie, james ( ). the odes of horace. rupert hart-davis. newman, j.k. ( ). augustus and the new poetry. brussels: latomus, revue d’études latines. noyes, alfred ( ). horace: a portrait. new york: sheed and ward. perret, jacques ( ). horace. bertha humez, trans. new york: new york university press. putnam, michael c.j. ( ). artifices of eternity: horace's fourth book of odes. ithaca, ny: cornell university press. isbn  - - - . reckford, kenneth j. ( ). horace. new york: twayne. rudd, niall, ed. ( ). horace : a celebration – essays for the bimillennium. ann arbor: univ. of michigan press. isbn  - - -x. sydenham, colin ( ). horace: the odes. duckworth. west, david ( ). horace the complete odes and epodes. oxford university press. wilkinson, l.p. ( ). horace and his lyric poetry. cambridge: cambridge university press. external links[edit] horaceat wikipedia's sister projects definitions from wiktionary media from wikimedia commons quotations from wikiquote texts from wikisource data from wikidata library resources about horace online books resources in your library resources in other libraries by horace online books resources in your library resources in other libraries works by horace at project gutenberg works by or about horace at internet archive works by horace at librivox (public domain audiobooks) q. horati flacci opera, recensuerunt o. keller et a. holder, voll., lipsiae in aedibus b. g. teubneri, – . common sayings from horace the works of horace at the latin library carmina horatiana all carmina of horace in latin recited by thomas bervoets. selected poems of horace works by horace at perseus digital library biography and chronology horace's works: text, concordances and frequency list sorgll: horace, odes i. , read by robert sonkowsky translations of several odes in the original meters (with accompaniment). a discussion and comparison of three different contemporary translations of horace's odes some spurious lines in the ars poetica? horati opera, acronis et porphyrionis commentarii, varia lectio etc. (latine) horace ms a ars poetica and epistulae at openn v t e works by horace poetry satires epodes odes epistles carmen saeculare ars poetica collections satires . quote ut pictura poesis related spring of bandusium v t e ancient rome topics outline timeline history foundation kingdom overthrow republic empire history pax romana principate dominate western empire fall historiography of the fall byzantine empire decline fall constitution history kingdom republic empire late empire senate legislative assemblies curiate centuriate tribal plebeian executive magistrates spqr law twelve tables mos maiorum citizenship auctoritas imperium status litigation government curia forum cursus honorum 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development, and his way of life, than any other great poet of antiquity. some of the biographical material contained in his work can be supplemented from the short but valuable "life of horace" by [[suetonius]] (in his ''lives of the poets'').fraenkel, eduard. ''horace.'' oxford: , p. .
for the life of horace by suetonius, see: ([http://www.gutenberg.org/cache/epub/ /pg .html ''vita horati''])
===childhood=== he was born on december bcthe year is given in ''odes'' . . ([[lucius manlius torquatus|"consule manlio"]]), the month in ''epistles'' . . , the day in suetonius' biography ''vita'' (r. nisbet, ''horace: life and chronology'', ) in the [[samnites|samnite]] south of [[italy (roman empire)|italy]].''brill's companion to horace'', edited by hans-christian günther, brill, , p. , [https://books.google.com/books?id=n b yuwxfm c&pg=pa google book] his home town, [[venosa|venusia]], lay on a trade route in the border region between [[apulia]] and [[lucania]] ([[basilicata]]). various italic dialects were spoken in the area and this perhaps enriched his feeling for language. he could have been familiar with greek words even as a young boy and later he poked fun at the jargon of mixed greek and oscan spoken in neighbouring [[canusium]].''satires'' . . one of the works he probably studied in school was the ''odyssia'' of [[livius andronicus]], taught by teachers like the '[[orbilius]]' mentioned in one of his poems.''epistles'' . . ff. army veterans could have been settled there at the expense of local families uprooted by rome as punishment for their part in the [[social war ( – bc)]].e. fraenkel, ''horace'', – such state-sponsored migration must have added still more linguistic variety to the area. according to a local tradition reported by horace,''satires'' . . a colony of romans or latins had been installed in venusia after the [[samnites]] had been driven out early in the third century. in that case, young horace could have felt himself to be a romant. frank, ''catullus and horace'', – a. campbell, ''horace: a new interpretation'', though there are also indications that he regarded himself as a samnite or [[sabellus]] by birth.''epistles'' . . r. nisbet, ''horace: life and chronology'', italians in modern and ancient times have always been devoted to their home towns, even after success in the wider world, and horace was no different. images of his childhood setting and references to it are found throughout his poems.e. fraenkel, ''horace'', – horace's father was probably a venutian taken captive by romans in the social war, or possibly he was descended from a [[sabine]] captured in the [[samnite wars]]. either way, he was a slave for at least part of his life. he was evidently a man of strong abilities however and managed to gain his freedom and improve his social position. thus horace claimed to be the free-born son of a prosperous 'coactor'.v. kiernan, ''horace: poetics and politics'', the term 'coactor' could denote various roles, such as tax collector, but its use by horace''satires'' . . was explained by [[scholia]] as a reference to 'coactor argentareus' i.e. an auctioneer with some of the functions of a banker, paying the seller out of his own funds and later recovering the sum with interest from the buyer.e. fraenkel, ''horace'', – the father spent a small fortune on his son's education, eventually accompanying him to [[rome]] to oversee his schooling and moral development. the poet later paid tribute to him in a poem''satires'' . that one modern scholar considers the best memorial by any son to his father."no son ever set a finer monument to his father than horace did in the sixth satire of book i...horace's description of his father is warm-hearted but free from sentimentality or exaggeration. we see before us one of the common people, a hard-working, open-minded, and thoroughly honest man of simple habits and strict convictions, representing some of the best qualities that at the end of the republic could still be found in the unsophisticated society of the italian ''municipia''" {{emdash}} e. fraenkel, ''horace'', – the poem includes this passage:
if my character is flawed by a few minor faults, but is otherwise decent and moral, if you can point out only a few scattered blemishes on an otherwise immaculate surface, if no one can accuse me of greed, or of prurience, or of profligacy, if i live a virtuous life, free of defilement (pardon, for a moment, my self-praise), and if i am to my friends a good friend, my father deserves all the credit... as it is now, he deserves from me unstinting gratitude and praise. i could never be ashamed of such a father, nor do i feel any need, as many people do, to apologize for being a freedman's son. ''[[satire]]s . . – ''
he never mentioned his mother in his verses and he might not have known much about her. perhaps she also had been a slave. ===adulthood=== horace left rome, possibly after his father's death, and continued his formal education in athens, a great centre of learning in the ancient world, where he arrived at nineteen years of age, enrolling in [[platonic academy|the academy]]. founded by [[plato]], the academy was now dominated by [[epicureans]] and [[stoics]], whose theories and practises made a deep impression on the young man from venusia.v. kiernan, ''horace: poetics and politics'', meanwhile, he mixed and lounged about with the elite of roman youth, such as marcus, the idle son of [[cicero]], and the pompeius to whom he later addressed a poem.''odes'' . it was in athens too that he probably acquired deep familiarity with the ancient tradition of greek lyric poetry, at that time largely the preserve of grammarians and academic specialists (access to such material was easier in athens than in rome, where the public libraries had yet to be built by [[asinius pollio]] and augustus).e. fraenkel, ''horace'', – rome's troubles following the assassination of [[julius caesar]] were soon to catch up with him. [[marcus junius brutus]] came to athens seeking support for the republican cause. brutus was fêted around town in grand receptions and he made a point of attending academic lectures, all the while recruiting supporters among the young men studying there, including horace.e. fraenkel, ''horace'', – an educated young roman could begin military service high in the ranks and horace was made [[tribunus militum]] (one of six senior officers of a typical legion), a post usually reserved for men of senatorial or equestrian rank and which seems to have inspired jealousy among his well-born confederates.''satires'' . . r. nisbet, ''horace: life and chronology'', he learned the basics of military life while on the march, particularly in the wilds of northern greece, whose rugged scenery became a backdrop to some of his later poems.v. kiernan, ''horace'', it was there in bc that [[octavian]] (later [[augustus]]) and his associate [[mark antony]] crushed the republican forces at the [[battle of philippi]]. horace later recorded it as a day of embarrassment for himself, when he fled without his shield,''odes'' . . but allowance should be made for his self-deprecating humour. moreover, the incident allowed him to identify himself with some famous poets who had long ago abandoned their shields in battle, notably his heroes [[alcaeus of mytilene|alcaeus]] and [[archilochus]]. the comparison with the latter poet is uncanny: archilochus lost his shield in a part of thrace near philippi, and he was deeply involved in the greek colonization of [[thasos]], where horace's die-hard comrades finally surrendered. octavian offered an early amnesty to his opponents and horace quickly accepted it. on returning to italy, he was confronted with yet another loss: his father's estate in venusia was one of many throughout italy to be confiscated for the settlement of veterans ([[virgil]] lost his estate in the north about the same time). horace later claimed that he was reduced to poverty and this led him to try his hand at poetry.''epistles'' . . – in reality, there was no money to be had from versifying. at best, it offered future prospects through contacts with other poets and their patrons among the rich.v. kiernan, ''horace: poetics and politics'' meanwhile, he obtained the sinecure of ''scriba quaestorius'', a civil service position at the ''aerarium'' or treasury, profitable enough to be purchased even by members of the ''ordo equester'' and not very demanding in its work-load, since tasks could be delegated to ''scribae'' or permanent clerks.e. fraenkel, ''horace'', – it was about this time that he began writing his ''satires'' and ''epodes''. ====poet==== [[file:fedor bronnikov .jpg|thumb|horace reads before maecenas, by [[fyodor bronnikov]]]] the ''epodes'' belong to [[iambic poetry]]. iambic poetry features insulting and obscene language;christopher brown, in ''a companion to the greek lyric poets'', d.e. gerber (ed), leiden , pages – douglas e. gerber, ''greek iambic poetry'', loeb classical library ( ), introduction pages i–iv sometimes, it is referred to as ''blame poetry''.d. mankin, ''horace: epodes'', c.u.p., ''blame poetry'', or ''shame poetry'', is poetry written to blame and shame fellow citizens into a sense of their social obligations. horace modelled these poems on the poetry of [[archilochus]]. social bonds in rome had been decaying since the destruction of [[carthage]] a little more than a hundred years earlier, due to the vast wealth that could be gained by plunder and corruption.d. mankin, ''horace: epodes'', these social ills were magnified by rivalry between julius caesar, mark antony and confederates like [[sextus pompey]], all jockeying for a bigger share of the spoils. one modern scholar has counted a dozen civil wars in the hundred years leading up to bc, including the [[spartacus]] rebellion, eight years before horace's birth.r. conway, ''new studies of a great inheritance'', – as the heirs to hellenistic culture, horace and his fellow romans were not well prepared to deal with these problems: {{quotation|at bottom, all the problems that the times were stirring up were of a social nature, which the hellenistic thinkers were ill qualified to grapple with. some of them censured oppression of the poor by the rich, but they gave no practical lead, though they may have hoped to see well-meaning rulers doing so. philosophy was drifting into absorption in self, a quest for private contentedness, to be achieved by self-control and restraint, without much regard for the fate of a disintegrating community.|[[v. g. kiernan]]v. kiernan, ''horace: poetics and politics'', – }} horace's hellenistic background is clear in his satires, even though the genre was unique to latin literature. he brought to it a style and outlook suited to the social and ethical issues confronting rome but he changed its role from public, social engagement to private meditation.f. muecke, ''the satires'', – meanwhile, he was beginning to interest octavian's supporters, a gradual process described by him in one of his satires. the way was opened for him by his friend, the poet virgil, who had gained admission into the privileged circle around maecenas, octavian's lieutenant, following the success of his ''[[eclogues]]''. an introduction soon followed and, after a discreet interval, horace too was accepted. he depicted the process as an honourable one, based on merit and mutual respect, eventually leading to true friendship, and there is reason to believe that his relationship was genuinely friendly, not just with maecenas but afterwards with augustus as well.r. lyne, ''augustan poetry and society'', on the other hand, the poet has been unsympathetically described by one scholar as "a sharp and rising young man, with an eye to the main chance."j. griffin, ''horace in the thirties'', there were advantages on both sides: horace gained encouragement and material support, the politicians gained a hold on a potential dissident.r. nisbet, ''horace: life and chronology'', his republican sympathies, and his role at philippi, may have caused him some pangs of remorse over his new status. however most romans considered the civil wars to be the result of ''contentio dignitatis'', or rivalry between the foremost families of the city, and he too seems to have accepted the principate as rome's last hope for much needed peace.d. mankin, ''horace: epodes'', in bc, horace accompanied maecenas on a journey to [[brundisium]], described in one of his poems''satires'' . as a series of amusing incidents and charming encounters with other friends along the way, such as virgil. in fact the journey was political in its motivation, with maecenas en route to negotiatie the [[treaty of tarentum]] with antony, a fact horace artfully keeps from the reader (political issues are largely avoided in the first book of satires). horace was probably also with maecenas on one of octavian's naval expeditions against the piratical sextus pompeius, which ended in a disastrous storm off [[palinurus]] in bc, briefly alluded to by horace in terms of near-drowning.''odes'' . . ''odes'' . . : "nec (me extinxit) sicula palinurus unda"; "nor did palinurus extinguish me with sicilian waters". maecenas' involvement is recorded by [[appian]] ''bell. civ.'' . but horace's ode is the only historical reference to his own presence there, depending however on interpretation. (r. nisbet, ''horace: life and chronology'', ) there are also some indications in his verses that he was with maecenas at the [[battle of actium]] in bc, where octavian defeated his great rival, antony.''epodes'' and the point is much disputed among scholars and hinges on how the text is interpreted. ''epodes'' for example may offer proof of horace's presence if 'ad hunc frementis' ('gnashing at this' man i.e. the traitrous roman ) is a misreading of 'at huc...verterent' (but hither...they fled) in lines describing the defection of the galatian cavalry, "ad hunc frementis verterunt bis mille equos / galli canentes caesarem" (r. nisbet, ''horace: life and chronology'', ). by then horace had already received from maecenas the famous gift of his [[horace's villa|sabine farm]], probably not long after the publication of the first book of ''satires''. the gift, which included income from five tenants, may have ended his career at the treasury, or at least allowed him to give it less time and energy.e. fraenkel, ''horace'', it signalled his identification with the octavian regime yet, in the second book of ''satires'' that soon followed, he continued the apolitical stance of the first book. by this time, he had attained the status of ''eques romanus'',''satires'' . . perhaps as a result of his work at the treasury.r. nisbet, ''horace: life and chronology'', ====knight==== ''odes'' – were the next focus for his artistic creativity. he adapted their forms and themes from greek lyric poetry of the seventh and sixth centuries bc. the fragmented nature of the [[greek world]] had enabled his literary heroes to express themselves freely and his semi-retirement from the treasury in rome to [[horace's villa|his own estate]] in the sabine hills perhaps empowered him to some extent alsov. kiernan, ''horace: poetics and politics'', – yet even when his lyrics touched on public affairs they reinforced the importance of private life. nevertheless, his work in the period – bc began to show his closeness to the regime and his sensitivity to its developing ideology. in ''odes'' . , for example, he eulogized octavian in hyperboles that echo hellenistic court poetry. the name ''augustus'', which octavian assumed in january bc, is first attested in ''odes'' . and . . in the period – bc, political allusions in the ''odes'' concentrated on foreign wars in britain ( . ), arabia ( . ) spain ( . ) and parthia ( . ). he greeted augustus on his return to rome in bc as a beloved ruler upon whose good health he depended for his own happiness ( . ).r. nisbet, ''horace: life and chronology'', the public reception of ''odes'' – disappointed him, however. he attributed the lack of success to jealousy among imperial courtiers and to his isolation from literary cliques.''epistles'' . . – perhaps it was disappointment that led him to put aside the genre in favour of verse letters. he addressed his first book of ''epistles'' to a variety of friends and acquaintances in an urbane style reflecting his new social status as a knight. in the opening poem, he professed a deeper interest in moral philosophy than poetry''epistles'' . . but, though the collection demonstrates a leaning towards stoic theory, it reveals no sustained thinking about ethics.v. kiernan, ''horace: poetics and politics'', , maecenas was still the dominant confidante but horace had now begun to assert his own independence, suavely declining constant invitations to attend his patron.''epistles'' . in the final poem of the first book of ''epistles'', he revealed himself to be forty-four years old in the consulship of lollius and lepidus i.e. bc, and "of small stature, fond of the sun, prematurely grey, quick-tempered but easily placated".''epistles'' . . – r. nisbet, ''horace: life and chronology'', – according to suetonius, the second book of ''epistles'' was prompted by augustus, who desired a verse epistle to be addressed to himself. augustus was in fact a prolific letter-writer and he once asked horace to be his personal secretary. horace refused the secretarial role but complied with the emperor's request for a verse letter.e. fraenkel, ''horace'', – the letter to augustus may have been slow in coming, being published possibly as late as bc. it celebrated, among other things, the bc military victories of his stepsons, drusus and tiberius, yet it and the following letter''epistles'' . were largely devoted to literary theory and criticism. the literary theme was explored still further in ''ars poetica'', published separately but written in the form of an epistle and sometimes referred to as ''epistles'' . (possibly the last poem he ever wrote).r. ferri, ''the epistles'', he was also commissioned to write odes commemorating the victories of drusus and tiberius''odes'' . and . and one to be sung in a temple of apollo for the [[secular games]], a long-abandoned festival that augustus revived in accordance with his policy of recreating ancient customs (''carmen saeculare''). suetonius recorded some gossip about horace's sexual activities late in life, claiming that the walls of his bedchamber were covered with obscene pictures and mirrors, so that he saw erotica wherever he looked.suetonius signals that the report is based on rumours by employing the terms "traditur...dicitur" / "it is reported...it is said" (e. fraenkel, ''horace'', ) the poet died at years of age, not long after his friend maecenas, near whose tomb he was laid to rest. both men bequeathed their property to augustus, an honour that the emperor expected of his friends.e. fraenkel, ''horace'', return to horace. retrieved 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blocking administrator. this block has been set to expire: : , june . even when blocked, you will usually still be able to edit your user talk page and email other editors and administrators. for information on how to proceed, first see the faq for blocked users and the guideline on block appeals. the guide to appealing blocks may also be helpful. other useful links: blocking policy · help:i have been blocked you can view and copy the source of this page: ===middle ages and renaissance=== [[file:horaz beim studium.jpg|thumb|horace in his studium: german print of the fifteenth century, summarizing the final [[:wikisource:la:carmina (horatius)/liber iv/carmen xv|ode . ]] (in praise of augustus).]] classical texts almost ceased being copied in the period between the mid sixth century and the [[carolingian renaissance|carolingian revival]]. horace's work probably survived in just two or three books imported into northern europe from italy. these became the ancestors of six extant manuscripts dated to the ninth century. two of those six manuscripts are french in origin, one was produced in [[alsace]], and the other three show irish influence but were probably written in continental monasteries ([[lombardy]] for example).r. tarrant, ''ancient receptions of horace'', – by the last half of the ninth century, it was not uncommon for literate people to have direct experience of horace's poetry. his influence on the [[carolingian renaissance]] can be found in the poems of [[heiric of auxerre]]heiric, like prudentius, gave horatian motifs a christian context. thus the character lydia in ''odes'' . . , who would willingly die for her lover twice, becomes in heiric's ''life'' of st germaine of auxerre a saint ready to die twice for the lord's commandments (r. tarrant, ''ancient receptions of horace'', – ) and in some manuscripts marked with [[neumes]], mysterious notations that may have been an aid to the memorization and discussion of his lyric meters. ''ode'' [[:wikisource:la:carmina (horatius)/liber iv/carmen xi| . ]] is neumed with the melody of a hymn to john the baptist, ''[[ut queant laxis]]'', composed in [[sapphic stanza]]s. this hymn later became the basis of the [[solfege]] system (''do, re, mi...''){{emdash}}an association with western music quite appropriate for a lyric poet like horace, though the language of the hymn is mainly prudentian.r. tarrant, ''ancient receptions of horace'', – lyonsstuart lyons, horace's odes and the mystery of do-re-mi argues that the melody in question was linked with horace's ode well before guido d'arezzo fitted [[ut queant laxis]] to it. however, the melody is unlikely to be a survivor from classical times, although ovidtristia, . . – testifies to horace's use of the lyre while performing his odes. the german scholar, [[ludwig traube (palaeographer)|ludwig traube]], once dubbed the tenth and eleventh centuries ''the age of horace'' (''aetas horatiana''), and placed it between the ''aetas vergiliana'' of the eighth and ninth centuries, and the ''aetas ovidiana'' of the twelfth and thirteenth centuries, a distinction supposed to reflect the dominant classical latin influences of those times. such a distinction is over-schematized since horace was a substantial influence in the ninth century as well. traube had focused too much on horace's ''satires''.b. bischoff, ''living with the satirists'', – almost all of horace's work found favour in the medieval period. in fact medieval scholars were also guilty of over-schematism, associating horace's different genres with the different ages of man. a twelfth-century scholar encapsulated the theory: "...horace wrote four different kinds of poems on account of the four ages, the ''odes'' for boys, the ''ars poetica'' for young men, the ''satires'' for mature men, the ''epistles'' for old and complete men."k. friis-jensen,''horace in the middle ages'', it was even thought that horace had composed his works in the order in which they had been placed by ancient scholars.according to a medieval french commentary on the ''satires'': "...first he composed his lyrics, and in them, speaking to the young, as it were, he took as subject-matter love affairs and quarrels, banquets and drinking parties. next he wrote his ''epodes'', and in them composed invectives against men of a more advanced and more dishonourable age...he next wrote his book about the ''ars poetica'', and in that instructed men of his own profession to write well...later he added his book of ''satires'', in which he reproved those who had fallen a prey to various kinds of vices. finally, he finished his oeuvre with the ''epistles'', and in them, following the method of a good farmer, he sowed the virtues where he had rooted out the vices." (cited by k. friis-jensen, ''horace in the middle ages'', – ) despite its naivety, the schematism involved an appreciation of horace's works as a collection, the ''ars poetica'', ''satires'' and ''epistles'' appearing to find favour as well as the ''odes''. the later middle ages however gave special significance to ''satires'' and ''epistles'', being considered horace's mature works. [[dante]] referred to horace as ''orazio satiro'', and he awarded him a privileged position in the first circle of hell, with [[homer]], ovid and [[lucan]].k. friis-jensen, ''horace in the middle ages'', , horace's popularity is revealed in the large number of quotes from all his works found in almost every genre of medieval literature, and also in the number of poets imitating him in [[prosody (latin)#two rhythms|quantitative latin meter]]. the most prolific imitator of his ''odes'' was the bavarian monk, [[metellus of tegernsee]], who dedicated his work to the patron saint of [[tegernsee abbey]], [[quirinus of tegernsee|st quirinus]], around the year . he imitated all horace's lyrical meters then followed these up with imitations of other meters used by prudentius and boethius, indicating that variety, as first modelled by horace, was considered a fundamental aspect of the lyric genre. the content of his poems however was restricted to simple piety.k. friis-jensen, ''horace in the middle ages'', – among the most successful imitators of ''satires'' and ''epistles'' was another germanic author, calling himself [[sextus amarcius]], around , who composed four books, the first two exemplifying vices, the second pair mainly virtues.k. friis-jensen, ''horace in the middle ages'', [[petrarch]] is a key figure in the imitation of horace in accentual meters. his verse letters in latin were modelled on the ''epistles'' and he wrote a letter to horace in the form of an ode. however he also borrowed from horace when composing his italian sonnets. one modern scholar has speculated that authors who imitated horace in accentual rhythms (including stressed latin and vernacular languages) may have considered their work a natural sequel to horace's metrical variety.k. friis-jensen, ''horace in the middle ages'', in france, horace and [[pindar]] were the poetic models for a group of vernacular authors called the [[pléiade]], including for example [[pierre de ronsard]] and [[joachim du bellay]]. [[montaigne]] made constant and inventive use of horatian quotes.michael mcgann, ''horace in the renaissance'', the vernacular languages were dominant in spain and portugal in the sixteenth century, where horace's influence is notable in the works of such authors as [[garcilaso de la vega (poet)|garcilaso de la vega]], [[juan boscán]], [[sá de miranda]], [[antonio ferreira]] and [[fray luis de león]], the last writing odes on the horatian theme ''beatus ille'' (''happy the man'').e. rivers, ''fray luis de león: the original poems'' the sixteenth century in western europe was also an age of translations (except in germany, where horace wasn't translated into the vernacular until well into the seventeenth century). the first english translator was [[thomas drant]], who placed translations of [[jeremiah]] and horace side by side in ''medicinable morall'', . that was also the year that the scot [[george buchanan]] paraphrased the [[psalms]] in a horatian setting. [[ben jonson]] put horace on the stage in in ''[[poetaster (play)|poetaster]]'', along with other classical latin authors, giving them all their own verses to speak in translation. horace's part evinces the independent spirit, moral earnestness and critical insight that many readers look for in his poems.m. mcgann, ''horace in the renaissance'', – , – return to horace. retrieved from "https://en.wikipedia.org/wiki/horace" navigation menu personal tools not logged in talk contributions create account log in namespaces article talk variants views read edit view history more search navigation main page contents current events random article about wikipedia contact us donate contribute help learn to edit community portal recent changes upload file tools what links here related changes upload file special pages page information wikidata item languages privacy policy about wikipedia disclaimers contact wikipedia mobile view developers statistics cookie statement Хораций – Уикипедия Хораций от Уикипедия, свободната енциклопедия Направо към навигацията Направо към търсенето Хорацийq. horatius flaccus древноримски писател Роден декември г. пр.н.е. Венусия, дн.Италия Починал ноември г. пр.н.е. ( г.) Рим, Италия Погребан Рим, Италия Семейство Баща неизвестна Майка неизвестна Хораций в Общомедия Квинт Хораций Флак (на лат. quintus horatius flaccus) или Хораций е римски поет от Златния век на римската литература. Неговото творчество обхваща революционната епоха на Древен Рим – края на републиката и първото десетилетие на новия режим на Октавиан Август. Бащата на Хораций е бил земевладелец, освободен роб. Съумял да даде на сина си солидно образование в училищата в Рим, откъдето бъдещия поет тръгнал към Атина, за да се усъвършенства. Там Хораций попаднал сред средите на републикански настроени аристократични младежи. През г. пр.н.е. той взема участие в решителната битка при Филипи (в Македония) (между силите на Марк Антоний и Октавиан Август срещу тези на Марк Юний Брут и Касий) След поражението на републиканците и дадената амнистия за билите се на страната на загубилия, Хораций се връща в Италия, където разбира, че баща му е мъртъв, а имотите им са конфискувани. За да се издържа, става писар. Вергилий го въвежда в кръга на Меценат, който става негов приятел и покровител и го представя на Октавиан. От републиканец Хораций става поддръжник на монархията. На Хораций принадлежи репликата carpe diem (Наслаждавай се на момента). Изследвания[редактиране | редактиране на кода] Костова, Мария. Правото в поезията на Хораций. С., . Костова, Мария. Правният език и правните ситуации като стилистично средство в поезията на Хораций. – В: Езици и култури в диалог: Традиции, приемственост, новаторство. Конференция, посветена на -годишната история на преподаването на класически и нови филологии в Софийския университет „Св. Климент Охридски“. С., УИ, , Външни препратки[редактиране | редактиране на кода] ((la)) Произведения на Хораций Уикицитат съдържа колекция от цитати от/за Хораций. Тази статия, свързана с Древен Рим, все още е мъниче. Помогнете на Уикипедия, като я редактирате и разширите. Тази статия за писател все още е мъниче. Помогнете на Уикипедия, като я редактирате и разширите. Взето от „https://bg.wikipedia.org/w/index.php?title=Хораций&oldid= “. Категория: Древноримски поети Скрити категории: Родени през година пр.н.е. Родени на декември Починали през година пр.н.е. 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Текстът е достъпен под лиценза creative commons Признание-Споделяне на споделеното; може да са приложени допълнителни условия. За подробности вижте Условия за ползване. Поверителност За контакт с Уикипедия Предупреждение Мобилен изглед За разработчици Статистика Използване на „бисквитки“ horatius - wikipedia horatius wikipediya, ensiklopediya xosere ra xıl de be pusula xıl de cıgeyrayışi horatius melumato şexsi dewlete roma antike cınsiyet camêrd cay biyayışi venosa biyayış kanun İr merdış tışrino peyên İr (roma de merdo) cay merdışi roma gırwe Şair, nuştekar u filozof zıwani latinki Şariye ancient romans quintus horatius flaccus (b. venosa, kanun v.İ. - m. roma, tışrino peyên v.İ. yew nuştekar u şairê İmperatoriya roma biyo. horatius nuştekarê carminayo. tedeestey qısey bibliyografiye (vergilius) bibliyografiye Çımey qısey[bıvurne | çımeyi bıvurne] dum loquimur fugerit invida aetas: carpe diem, quam minimum credula postero. bibliyografiye (vergilius)[bıvurne | çımeyi bıvurne] horatius, giacomo di chirico saturae, v.İ.- v.İ. epodon libri, v.İ. epistulae, v.İ.- v.İ. carmina v.İ.- v.İ. ars poetica, v.İ. carmen saeculare, v.İ. bibliyografiye[bıvurne | çımeyi bıvurne] hutchinson, g ( ). the publication and individuality of horace's odes – . kiernan, victor ( ). horace: poetics and politics. mankin, david ( ). horace: epodes. cambridge university press. mcneill, randall ( ). horace. oxford university press. isbn - - - - . campbell, a ( ). horace: a new interpretation. conway, r ( ). new studies of a great inheritance.. barrow, r ( ). the romans. bischoff, b ( ). living with the satirists". classical influences on european culture ad – . rossetti, christina ( ). the complete poems. rudd, niall ( ). the satires of horace and persius. syme, r ( ). the augustan aristocracy. Çımey[bıvurne | çımeyi bıvurne] arşivê embarê wikimediya de heqa horatius de vêşêri multimedya esta. biobliografiye opera omnia retrieved from "https://diq.wikipedia.org/w/index.php?title=horatius&oldid= " kategoriy: camêrd merdumê ke venosa de biyê merdumê merdey merdumê ke roma de merdê nuştekarê İmperatoriya roma kategoriya nımıte: pelê ke gıreyê efsunê isbni gurenenê menuyê navigasyoni hacetê şexsi Şıma nêkewtê hesabê xo perra werênayışê nê ipy İştıraki hesab vıraze cı kewe heruna nameyan meqale werênayış varyanti asayışi bıwane bıvurne Çımeyi bıvurne verêni bıvêne zêde cıgeyrayış navigasyon pela seri portalê cemati vurnayışê peyêni rapori zazakipediya portali pela raştameyiye İştıraki meydanê dewe textey cerrebi waştışi peştdariye bêc piya guriyayış xeberi haceti gırey be pele vurnayışê eleqeyıni dosya bar kerê pelê xısusiyi gırey be halê peyêni melumatê pele na pele çıme bımocne unsurê wikidata Çap/teber kerê yew kıtab vırazê warardışê pdf versiyonê çapkerdışi proceyanê binan de embarê wikimedya zıwanê bini afrikaans አማርኛ aragonés العربية مصرى asturianu تۆرکجه Башҡортса Žemaitėška Беларуская Беларуская (тарашкевіца)‎ Български brezhoneg bosanski català Čeština cymraeg dansk deutsch Ελληνικά english esperanto español eesti euskara فارسی suomi võro français furlan gaeilge galego עברית हिन्दी fiji hindi hrvatski magyar Հայերեն interlingua bahasa indonesia ido Íslenska italiano 日本語 ქართული Қазақша 한국어 kurdî kernowek latina lingua franca nova lietuvių latviešu malagasy Македонски മലയാളം Монгол मराठी bahasa melayu nāhuatl nederlands norsk nynorsk norsk bokmål occitan ਪੰਜਾਬੀ polski piemontèis português română tarandíne Русский sardu sicilianu srpskohrvatski / српскохрватски simple english slovenčina slovenščina Српски / srpski seeltersk svenska kiswahili தமிழ் tagalog türkçe Татарча/tatarça Українська oʻzbekcha/ўзбекча tiếng việt volapük walon winaray 吴语 中文 粵語 gıreyan bıvurne ena pele tewr peyên roca : de, saeta Şıbat de vurriya nuşte creative commons atıf-zey pê vılakerdış'i de yo; şertê bini tetbiq benê. detayan rê Şertanê karkerdışi bıvênên. madeyê nımıtışi heqa wikipediya de redê mesulêti asayışo mobil raverberdoği İstatistiki Çerezê pêhesnayışi view source for horace - wikipedia view source for horace ← horace jump to navigation jump to search you do not have permission to edit this page, for the following reasons: your ip address is in a range that has been blocked on all wikimedia foundation wikis. the block was made by jon kolbert (meta.wikimedia.org). the reason given is open proxy: webhost: contact stewards if you are affected . start of block: : , july expiry of block: : , january your current ip address is . . . and the blocked range is . . . / . please include all above details in any queries you make. if you believe you were blocked by mistake, you can find additional information and instructions in the no open proxies global policy. otherwise, to discuss the block please post a request for review on meta-wiki or send an email to the stewards otrs queue at stewards@wikimedia.org including all above details. you are currently unable to edit wikipedia due to a block affecting your ip address. this does not affect your ability to read wikipedia pages. most people who see this message have done nothing wrong. some kinds of blocks restrict editing from specific service providers or telecom companies in response to recent abuse or vandalism, and affect other users who are unrelated to that abuse. see below if you do not believe you have done anything wrong. editing from . . . / has been blocked (disabled) by ‪sql‬ for the following reason(s): the ip address that you are currently using has been blocked because it is believed to be a web host provider or colocation provider. to prevent abuse, web hosts and colocation providers may be blocked from editing wikipedia. you will not be able to edit wikipedia using a web host or colocation provider because it hides your ip address, much like a proxy or vpn. we recommend that you attempt to use another connection to edit. for example, if you use a proxy or vpn to connect to the internet, turn it off when editing wikipedia. if you edit using a mobile connection, try using a wi-fi connection, and vice versa. if you have a wikipedia account, please log in. if you do not have any other way to edit wikipedia, you will need to request an ip block exemption. if you are confident that you are not using a web host, you may appeal this block by adding the following text on your talk page: {{unblock|reason=caught by a colocation web host block but this host or ip is not a web host. my ip address is _______. place any further information here. ~~~~}}. you must fill in the blank with your ip address for this block to be investigated. your ip address can be determined here. alternatively, if you wish to keep your ip address private you can use the unblock ticket request system. there are several reasons you might be editing using the ip address of a web host or colocation provider (such as if you are using vpn software or a business network); please use this method of appeal only if you think your ip address is in fact not a web host or colocation provider. administrators: the ip block exemption user right should only be applied to allow users to edit using web host in exceptional circumstances, and requests should usually be directed to the functionaries team via email. if you intend to give the ipbe user right, a checkuser needs to take a look at the account. this can be requested most easily at spi quick checkuser requests. unblocking an ip or ip range with this template is highly discouraged without at least contacting the blocking administrator. this block has been set to expire: : , june . even when blocked, you will usually still be able to edit your user talk page and email other editors and administrators. for information on how to proceed, first see the faq for blocked users and the guideline on block appeals. the guide to appealing blocks may also be helpful. other useful links: blocking policy · help:i have been blocked you can view and copy the source of this page: == in popular culture == the oxford latin course textbooks use the life of horace to illustrate an average roman's life in the [[roman republic|late republic]] to [[roman empire|early empire]].{{cite book|title=oxford latin course part one.|last=balme, maurice|first=moorwood, james|publisher=oxford university press|year= |isbn= - }} return to horace. retrieved from "https://en.wikipedia.org/wiki/horace" navigation menu personal tools not logged in talk contributions create account log in namespaces article talk variants views read edit view history more search navigation main page contents current events random article about wikipedia contact us donate contribute help learn to edit community portal recent changes upload file tools what links here related changes upload file special pages page information wikidata item languages privacy policy about wikipedia disclaimers contact wikipedia mobile view developers statistics cookie statement quintus horatius flaccus - wikipedia quintus horatius flaccus eus wikipedia sauter à la navigation sauter à la recherche horace, hervez anton von werner quintus horatius flaccus (horas a-wechoù e brezhoneg), ganet d'an a viz kerzu, kent j-k ha marvet d'ar a viz du eus ar bloavezh kent j-k) a oa ar barzh latin pennañ en amzer aogust. ganet e oa bet e venosia, ur gêr vihan war an harz etre apulia ha lukania. mab ur sklav frankizet e oa hag un deskadurezh vat a voe roet dezhañ. goude muntr caius julius caesar e soudardas horace e lu brutus ha stourm a reas en emgann philippi gant ar renk a d-tribunus militum. pa embannas aogust un distaol evit ar re o doa brezelet outañ e tistroas da italia met lamet e oa bet e zouareier digantañ gant ar stad. daoust ma lavare e oa aet da baour e voe barrek horatius da brenañ ur post scriba quaestorius a roas tro dezhañ da vevañ en un doare klet. gant maecenas e voe gwarezet. mervel a reas en kent j-k, un nebeud mizioù hepken goude marv e warezer. anavezet eo buhez horas dre e oberenn, leun a zitour diwar e benn. re all a lenner en de viris illustribus gant suetonius. oberennoù[kemmañ | kemmañ ar vammenn] sermonum liber primus [ ] ( kt j-k) epodes [ ] ( kt j-k) sermonum liber secundus [ ] ( kt j-k) carminum liber primus [ ] ( kt j-k) carminum liber secundus [ ] ( kt j-k) carminum liber tertius [ ] ( kt j-k) epistularum liber primus [ ] ( kt j-k) ars poetica' [ ] ( kt j-k) carmen saeculare [ ] ( kt j-k) epistularum liber secundus [ ] ( kt j-k) carminum liber quartus [ ] ( kt j-k) liammoù diavaez[kemmañ | kemmañ ar vammenn] oberennoù horace e latin hag e saozneg adtapet diwar « https://br.wikipedia.org/w/index.php?title=quintus_horatius_flaccus&oldid=  » rummadoù : skrivagnerien latin skrivagnerien henroma ganedigezhioù - 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wikipedia view source for horace ← horace jump to navigation jump to search you do not have permission to edit this page, for the following reasons: your ip address is in a range that has been blocked on all wikimedia foundation wikis. the block was made by jon kolbert (meta.wikimedia.org). the reason given is open proxy: webhost: contact stewards if you are affected . start of block: : , july expiry of block: : , january your current ip address is . . . and the blocked range is . . . / . please include all above details in any queries you make. if you believe you were blocked by mistake, you can find additional information and instructions in the no open proxies global policy. otherwise, to discuss the block please post a request for review on meta-wiki or send an email to the stewards otrs queue at stewards@wikimedia.org including all above details. you are currently unable to edit wikipedia due to a block affecting your ip address. this does not affect your ability to read wikipedia pages. most people who see this message have done nothing wrong. some kinds of blocks restrict editing from specific service providers or telecom companies in response to recent abuse or vandalism, and affect other users who are unrelated to that abuse. see below if you do not believe you have done anything wrong. editing from . . . / has been blocked (disabled) by ‪sql‬ for the following reason(s): the ip address that you are currently using has been blocked because it is believed to be a web host provider or colocation provider. to prevent abuse, web hosts and colocation providers may be blocked from editing wikipedia. you will not be able to edit wikipedia using a web host or colocation provider because it hides your ip address, much like a proxy or vpn. we recommend that you attempt to use another connection to edit. for example, if you use a proxy or vpn to connect to the internet, turn it off when editing wikipedia. if you edit using a mobile connection, try using a wi-fi connection, and vice versa. if you have a wikipedia account, please log in. if you do not have any other way to edit wikipedia, you will need to request an ip block exemption. if you are confident that you are not using a web host, you may appeal this block by adding the following text on your talk page: {{unblock|reason=caught by a colocation web host block but this host or ip is not a web host. my ip address is _______. place any further information here. ~~~~}}. you must fill in the blank with your ip address for this block to be investigated. your ip address can be determined here. alternatively, if you wish to keep your ip address private you can use the unblock ticket request system. there are several reasons you might be editing using the ip address of a web host or colocation provider (such as if you are using vpn software or a business network); please use this method of appeal only if you think your ip address is in fact not a web host or colocation provider. administrators: the ip block exemption user right should only be applied to allow users to edit using web host in exceptional circumstances, and requests should usually be directed to the functionaries team via email. if you intend to give the ipbe user right, a checkuser needs to take a look at the account. this can be requested most easily at spi quick checkuser requests. unblocking an ip or ip range with this template is highly discouraged without at least contacting the blocking administrator. this block has been set to expire: : , june . even when blocked, you will usually still be able to edit your user talk page and email other editors and administrators. for information on how to proceed, first see the faq for blocked users and the guideline on block appeals. the guide to appealing blocks may also be helpful. other useful links: blocking policy · help:i have been blocked you can view and copy the source of this page: ==works== [[image:horatius - boek i ode xiv - cleveringaplaats , leiden.jpg|thumb|''odes'' . – [[wall poems in leiden|wall poem in leiden]] ]] the dating of horace's works isn't known precisely and scholars often debate the exact order in which they were first 'published'. there are persuasive arguments for the following chronology:r nisbet, ''horace: life and chronology'', – * ''[[satires (horace)|satires ]]'' (c. – bc) * ''[[satires (horace)|satires ]]'' (c. bc) * ''[[epodes (horace)|epodes]]'' ( bc) * ''[[odes (horace)|odes – ]]'' (c. bc)according to a recent theory, the three books of ''odes'' were issued separately, possibly in , and bc (see g. hutchinson ( ), ''classical quarterly'' : – ) * ''[[epistles (horace)|epistles ]]'' (c. bc) * ''[[carmen saeculare]]'' ( bc) * ''[[epistles (horace)|epistles ]]'' (c. bc) bc is the usual estimate but c. bc has good support too (see r. nisbet, ''horace: life and chronology'', – * ''[[odes (horace)|odes ]]'' (c. bc) * ''[[ars poetica (horace)|ars poetica]]'' (c. – bc)the date however is subject to much controversy with – bc another option (see for example r. syme, ''the augustan aristocracy'', – ===historical context=== horace composed in traditional [[meter (poetry)|metres]] borrowed from [[archaic greece]], employing [[hexameter]]s in his ''satires'' and ''epistles'', and [[iamb (poetry)|iambs]] in his ''epodes'', all of which were relatively easy to adapt into [[prosody (latin)|latin forms]]. his ''odes'' featured more complex measures, including [[alcaic verse|alcaics]] and [[sapphic stanza|sapphics]], which were sometimes a difficult fit for latin structure and [[syntax]]. despite these traditional metres, he presented himself as a partisan in the development of a new and sophisticated style. he was influenced in particular by [[hellenistic poetry|hellenistic]] aesthetics of brevity, elegance and polish, as modelled in the work of [[callimachus]].s. harrison, ''style and poetic texture'', {{quotation|as soon as horace, stirred by his own genius and encouraged by the example of virgil, varius, and perhaps some other poets of the same generation, had determined to make his fame as a poet, being by temperament a fighter, he wanted to fight against all kinds of prejudice, amateurish slovenliness, philistinism, reactionary tendencies, in short to fight for the new and noble type of poetry which he and his friends were endeavouring to bring about.|[[eduard fraenkel]]e. fraenkel, ''horace'', – }} in modern literary theory, a distinction is often made between immediate personal experience (''urerlebnis'') and experience mediated by cultural vectors such as literature, philosophy and the visual arts (''bildungserlebnis'').{{cite book|last =gundolf|first =friedrich|title=goethe|date= |publisher=bondi|location=berlin, germany}} the distinction has little relevance for horace{{citation needed|date=august }} however since his personal and literary experiences are implicated in each other. ''satires'' . , for example, recounts in detail a real trip horace made with virgil and some of his other literary friends, and which parallels a satire by [[gaius lucilius|lucilius]], his predecessor.e. fraenkel, ''horace'', – unlike much hellenistic-inspired literature, however, his poetry was not composed for a small coterie of admirers and fellow poets, nor does it rely on abstruse allusions for many of its effects. though elitist in its literary standards, it was written for a wide audience, as a public form of art.e. fraenkel, ''horace'', ambivalence also characterizes his literary persona, since his presentation of himself as part of a small community of philosophically aware people, seeking true peace of mind while shunning vices like greed, was well adapted to augustus's plans to reform public morality, corrupted by greed—his personal plea for moderation was part of the emperor's grand message to the nation.e. fraenkel, ''horace'', – horace generally followed the examples of poets established as classics in different genres, such as [[archilochus]] in the ''epodes'', lucilius in the ''satires'' and [[alcaeus of mytilene|alcaeus]] in the ''odes'', later broadening his scope for the sake of variation and because his models weren't actually suited to the realities confronting him. archilochus and alcaeus were aristocratic greeks whose poetry had a social and religious function that was immediately intelligible to their audiences but which became a mere artifice or literary motif when transposed to rome. however, the artifice of the ''odes'' is also integral to their success, since they could now accommodate a wide range of emotional effects, and the blend of greek and roman elements adds a sense of detachment and universality.j. griffin, ''gods and religion'', horace proudly claimed to introduce into latin the spirit and iambic poetry of archilochus but (unlike archilochus) without persecuting anyone (''epistles'' . . – ). it was no idle boast. his ''epodes'' were modelled on the verses of the greek poet, as 'blame poetry', yet he avoided targeting real [[scapegoat]]s. whereas archilochus presented himself as a serious and vigorous opponent of wrong-doers, horace aimed for comic effects and adopted the persona of a weak and ineffectual critic of his times (as symbolized for example in his surrender to the witch canidia in the final epode).s. harrison, ''lyric and iambic'', he also claimed to be the first to introduce into latin the lyrical methods of alcaeus (''epistles'' . . – ) and he actually was the first latin poet to make consistent use of alcaic meters and themes: love, politics and the [[symposium]]. he imitated other greek lyric poets as well, employing a 'motto' technique, beginning each ode with some reference to a greek original and then diverging from it.s. harrison, ''lyric and iambic'', – the satirical poet lucilius was a senator's son who could castigate his peers with impunity. horace was a mere freedman's son who had to tread carefully.e. fraenkel, ''horace'', , lucilius was a rugged patriot and a significant voice in roman self-awareness, endearing himself to his countrymen by his blunt frankness and explicit politics. his work expressed genuine freedom or [[libertas]]. his style included 'metrical vandalism' and looseness of structure. horace instead adopted an oblique and ironic style of satire, ridiculing stock characters and anonymous targets. his libertas was the private freedom of a philosophical outlook, not a political or social privilege.l. morgan, ''satire'', – his ''satires'' are relatively easy-going in their use of meter (relative to the tight lyric meters of the ''odes'')s. harrison, ''style and poetic texture'', but formal and highly controlled relative to the poems of lucilius, whom horace mocked for his sloppy standards (''satires'' . . – )"[lucilius]...resembles a man whose only concern is to force / something into the framework of six feet, and who gaily produces / two hundred lines before dinner and another two hundred after."{{spaced ndash}}''satire'' . . – (translated by [[niall rudd]], ''the satires of horace and persius'', penguin classics , p. ) the ''epistles'' may be considered among horace's most innovative works. there was nothing like it in greek or roman literature. occasionally poems had had some resemblance to letters, including an elegiac poem from [[solon]] to [[mimnermus]] and some lyrical poems from [[pindar]] to [[hieron of syracuse]]. lucilius had composed a satire in the form of a letter, and some epistolary poems were composed by [[catullus]] and [[propertius]]. but nobody before horace had ever composed an entire collection of verse letters,r. ferri, ''the epistles'', pp. – let alone letters with a focus on philosophical problems. the sophisticated and flexible style that he had developed in his ''satires'' was adapted to the more serious needs of this new genre.e. fraenkel, ''horace'', p. such refinement of style was not unusual for horace. his craftsmanship as a wordsmith is apparent even in his earliest attempts at this or that kind of poetry, but his handling of each genre tended to improve over time as he adapted it to his own needs. thus for example it is generally agreed that his second book of ''satires'', where human folly is revealed through dialogue between characters, is superior to the first, where he propounds his ethics in monologues. nevertheless, the first book includes some of his most popular poems.v. kiernan, ''horace: poetics and politics'', ===themes=== horace developed a number of inter-related themes throughout his poetic career, including politics, love, philosophy and ethics, his own social role, as well as poetry itself. his ''epodes'' and ''satires'' are forms of 'blame poetry' and both have a natural affinity with the moralising and diatribes of [[cynicism (philosophy)|cynicism]]. this often takes the form of allusions to the work and philosophy of [[bion of borysthenes]] there is one reference to bion by name in ''epistles'' . . , and the clearest allusion to him is in ''satire'' . , which parallels bion fragments , , ''kindstrand'' but it is as much a literary game as a philosophical alignment. by the time he composed his ''epistles'', he was a critic of [[cynicism (philosophy)|cynicism]] along with all impractical and "high-falutin" philosophy in general.''epistles'' . and . . – are critical of the extreme views of [[diogenes]] and also of social adaptations of cynic precepts, and yet ''epistle'' . could be either cynic or stoic in its orientation (j. moles, ''philosophy and ethics'', p. j. moles, ''philosophy and ethics'', pp. – , the ''satires'' also include a strong element of [[epicureanism]], with frequent allusions to the epicurean poet [[lucretius]].''satires'' . . – , – , . . – , . . – , – , . . , – , . . – , . . – , , . . – so for example the epicurean sentiment ''[[carpe diem]]'' is the inspiration behind horace's repeated punning on his own name (''horatius ~ hora'') in ''satires'' . .k. j. reckford, ''some studies in horace's odes on love'' the ''satires'' also feature some [[stoicism|stoic]], [[peripatetic school|peripatetic]] and [[platonic dialogues|platonic]] (''dialogues'') elements. in short, the ''satires'' present a medley of philosophical programs, dished up in no particular order—a style of argument typical of the [[satires (horace)|genre]].j. moles, ''philosophy and ethics'', p. the ''odes'' display a wide range of topics. over time, he becomes more confident about his political voice.santirocco "unity and design", lowrie "horace's narrative odes" although he is often thought of as an overly intellectual lover, he is ingenious in representing passion.ancona, "time and the erotic" the "odes" weave various philosophical strands together, with allusions and statements of doctrine present in about a third of the ''odes'' books – , ranging from the flippant ( . , . ) to the solemn ( . , . , . ). [[epicureanism]] is the dominant influence, characterizing about twice as many of these odes as stoicism. a group of odes combines these two influences in tense relationships, such as ''odes'' . , praising stoic virility and devotion to public duty while also advocating private pleasures among friends. while generally favouring the epicurean lifestyle, the lyric poet is as eclectic as the satiric poet, and in ''odes'' . even proposes aristotle's [[golden mean (philosophy)|golden mean]] as a remedy for rome's political troubles.j. moles, ''philosophy and ethics'', pp. – many of horace's poems also contain much reflection on genre, the lyric tradition, and the function of poetry.davis "polyhymnia" and lowrie "horace's narrative odes" ''odes'' , thought to be composed at the emperor's request, takes the themes of the first three books of "odes" to a new level. this book shows greater poetic confidence after the public performance of his "carmen saeculare" or "century hymn" at a public festival orchestrated by augustus. in it, horace addresses the emperor augustus directly with more confidence and proclaims his power to grant poetic immortality to those he praises. it is the least philosophical collection of his verses, excepting the twelfth ode, addressed to the dead virgil as if he were living. in that ode, the epic poet and the lyric poet are aligned with [[stoicism]] and [[epicureanism]] respectively, in a mood of bitter-sweet pathos.j. moles, ''philosophy and ethics'', p. the first poem of the ''epistles'' sets the philosophical tone for the rest of the collection: "so now i put aside both verses and all those other games: what is true and what befits is my care, this my question, this my whole concern." his poetic renunciation of poetry in favour of philosophy is intended to be ambiguous. ambiguity is the hallmark of the ''epistles''. it is uncertain if those being addressed by the self-mocking poet-philosopher are being honoured or criticized. though he emerges as an [[epicureanism|epicurean]], it is on the understanding that philosophical preferences, like political and social choices, are a matter of personal taste. thus he depicts the ups and downs of the philosophical life more realistically than do most philosophers.j. moles, ''philosophy and ethics'', pp. – return to horace. retrieved from "https://en.wikipedia.org/wiki/horace" navigation menu personal tools not logged in talk contributions create account log in namespaces article talk variants views read edit view history more search navigation main page contents current events random article about wikipedia contact us donate contribute help learn to edit community portal recent changes upload file tools what links here related changes upload file special pages page information wikidata item languages privacy policy about wikipedia disclaimers contact wikipedia mobile view developers statistics cookie statement view source for horace - wikipedia view source for horace ← horace jump to navigation jump to search you do not have permission to edit this page, for the following reasons: your ip address is in a range that has been blocked on all wikimedia foundation wikis. the block was made by jon kolbert (meta.wikimedia.org). the reason given is open proxy: webhost: contact stewards if you are affected . start of block: : , july expiry of block: : , january your current ip address is . . . and the blocked range is . . . / . please include all above details in any queries you make. if you believe you were blocked by mistake, you can find additional information and instructions in the no open proxies global policy. otherwise, to discuss the block please post a request for review on meta-wiki or send an email to the stewards otrs queue at stewards@wikimedia.org including all above details. you are currently unable to edit wikipedia due to a block affecting your ip address. this does not affect your ability to read wikipedia pages. most people who see this message 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flaccus|v=no|voy=no|m=no|mw=no|species=no|b=no|n=no}} {{library resources box |by=yes |onlinebooks=yes |others=yes |about=yes |label=horace |viaf= |lccn= |lcheading= |wikititle= }} * {{gutenberg author |id= | name=horace}} * {{internet archive author}} * {{librivox author |id= }} * q. horati flacci ''[https://archive.org/details/qhoratiflacciop flacgoog opera]'', recensuerunt o. keller et a. holder, voll., lipsiae in aedibus b. g. teubneri, – . * [http://latin.topword.net/?horace common sayings from horace] * [http://www.thelatinlibrary.com/hor.html the works of horace] at [[the latin library]] * [http://www.stilus.nl/horatius/index-latine.htm carmina horatiana] all ''carmina'' of horace in latin recited by thomas bervoets. * [http://www.poetseers.org/the_great_poets/the_classics/horace/ selected poems of horace] * [http://www.perseus.tufts.edu/hopper/searchresults?q=horatius&redirect=true works by horace at perseus digital library] * [http://www.stoa.org/diotima/anthology/horawillbio.shtml biography and chronology] * [http://www.intratext.com/catalogo/autori/aut .htm horace's works]: text, concordances and frequency list * [http://www.rhapsodes.fll.vt.edu/horace_ode_ .htm sorgll: horace, ''odes'' i. , read by robert sonkowsky] * [http://toutcoule.blogspot.com/search/label/horace translations of several odes in the original meters (with accompaniment).] * [http://www.thethepoetry.com/ / /some-notes-on-translations-of-horace/ a discussion and comparison of three different contemporary translations of horace's ''odes''] * [http://www.virgilmurder.org/images/pdf/arsengl.pdf some spurious lines in the ''ars poetica''?] * [http://www.horatius.net horati opera, acronis et porphyrionis commentarii, varia lectio etc. (latine)] * [http://openn.library.upenn.edu/data/ /html/horace_ms_ a.html horace ms a ars poetica and epistulae at openn] {{horace|state=expanded}} {{ancient rome topics|state=collapsed}} {{authority control}} [[category:horace| ]] [[category: bc births]] [[category: bc deaths]] [[category: st-century bc romans]] [[category: st-century bc writers]] [[category:ancient roman soldiers]] [[category:golden age latin writers]] [[category:latin-language writers]] [[category:people from venosa]] [[category:roman-era poets]] [[category:roman-era satirists]] [[category:iambic poets]] [[category:ancient literary critics]] [[category:roman-era epicurean philosophers]] [[category:horatii|flaccus, quintus]] [[category:roman philhellenes]] return to horace. retrieved from "https://en.wikipedia.org/wiki/horace" navigation menu personal tools not logged in talk contributions create account log in namespaces article talk variants views read edit view history more search navigation main page contents current events random article about wikipedia contact us donate contribute help learn to edit community portal recent changes upload file tools what links here related changes upload file special pages page information wikidata item languages privacy policy about wikipedia disclaimers contact wikipedia mobile view developers statistics cookie statement intratext digital library: author card: quintus horatius flaccus intratext digital library home   map   catalogue   updates   download   info   ixt format   privacy   copyright   references   contributors   newsletter   contacts   author card horatius flaccus, quintus quintus horatius flaccus horace   orazio   on-line resources about this author:   - wikipedia it: http://it.wikipedia.org/wiki/quinto_orazio_flacco   - wikipedia en: http://en.wikipedia.org/wiki/horace   - wikipedia la: http://la.wikipedia.org/wiki/quintus_horatius_flaccus   - wikipedia fr: http://fr.wikipedia.org/wiki/horace list of works available at intratext this list contains only essential information: title, subtitle, language and isfn. sort order: title, date, language click on the title to show a detailed card and to read or download ars poetica [in opera omnia] [- ca] lingua latina - in lat carmen saeculare [in opera omnia] [- ] lingua latina - in lat carmina [in opera omnia] [- ] lingua latina - in lat epistulae [in opera omnia] [- - - ca] lingua latina - in lat epodes [in opera omnia] [- (tpq)] lingua latina - in lat opera omnia [- - - ca] lingua latina - lat sermones [in opera omnia] [- - - ] lingua latina - in lat best viewed with any browser at x or x on touch, multitouch and tablet devices the intratext® digital library - some rights reserved by Èulogos spa - - . content in this page is licensed under a creative commons license last updated: . . view source for horace - wikipedia view source for horace ← horace jump to navigation jump to search you do not have permission to edit this page, for the following reasons: your ip address is in a range that has been blocked on all wikimedia foundation wikis. the block was made by jon kolbert (meta.wikimedia.org). the reason given is open proxy: webhost: contact stewards if you are affected . 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ip or ip range with this template is highly discouraged without at least contacting the blocking administrator. this block has been set to expire: : , june . even when blocked, you will usually still be able to edit your user talk page and email other editors and administrators. for information on how to proceed, first see the faq for blocked users and the guideline on block appeals. the guide to appealing blocks may also be helpful. other useful links: blocking policy · help:i have been blocked you can view and copy the source of this page: ==translations== * [[john dryden]] successfully adapted three of the ''odes'' (and one epode) into verse for readers of his own age. [[samuel johnson]] favored the versions of [[philip francis (translator)|philip francis]]. others favor unrhymed translations. * in james michie published a translation of the ''odes''—many of them fully rhymed—including a dozen of the poems in the original [[sapphic stanza|sapphic]] and [[alcaic]] metres. * more recent verse translations of the odes include those by david west (free verse), and colin sydenham (rhymed). * ''[[ars poetica (horace)|ars poetica]]'' was first translated into english by [[ben jonson]] and later by lord byron. * ''horace's odes and the mystery of do-re-mi'' stuart lyons (rhymed) aris & phillips {{isbn| - - - - }} return to horace. retrieved from "https://en.wikipedia.org/wiki/horace" navigation menu personal tools not logged in talk contributions create account log in namespaces article talk variants views read edit view history more search navigation main page contents current events random article about wikipedia contact us donate contribute help learn to edit community portal recent changes upload file tools what links here related changes upload file special pages page information wikidata item languages privacy policy about wikipedia disclaimers contact wikipedia mobile view developers statistics cookie statement field value system control number autid x handle http://hdl.handle.net/ / scn isni viaf http://viaf.org/viaf/ bibbi status kat authority type person created date tue sep : : cest last update date wed feb : : cet deleted false personal name horatius flaccus, quintus $a rom. $m nasjonalitet/regional gruppe $ bs-nasj personal name (see from tracing) horats personal name (see from tracing) flaccus, quintus horatius personal name (see from tracing) horatz personal name (see from tracing) horace personal name (see from tracing) horaz personal name (see from tracing) orazio nonpublic general note navneform hentet fra 'greske og latinske navneformer innti heading or subdivision term poeta ( - f.kr.) latin. carmen saeculare er del av verke view source for horace - wikipedia view source for horace ← horace jump to navigation jump to search you do not have permission to edit this page, for the following reasons: your ip address is in a range that has been blocked on all wikimedia foundation wikis. the block was made by jon kolbert (meta.wikimedia.org). the reason given is open proxy: webhost: contact stewards if you are affected . start of block: : , july expiry of block: : , january your current ip address is . . . and the blocked range is . . . / . please include all above details in any queries you make. if you believe you were blocked by mistake, you can find additional information and instructions in the no open proxies global policy. otherwise, to discuss the block please post a request for review on meta-wiki or send an email to the stewards otrs queue at stewards@wikimedia.org including all above details. you are currently unable to edit wikipedia due to a block affecting your ip address. this does not affect your ability to read wikipedia pages. most people who see this message have done nothing wrong. some kinds of blocks restrict editing from specific service providers or telecom companies in response to recent abuse or vandalism, and affect other users who are unrelated to that abuse. see below if you do not believe you have done anything wrong. editing from . . . / has been blocked (disabled) by ‪sql‬ for the following reason(s): the ip address that you are currently using has been blocked because it is believed to be a web host provider or colocation provider. to prevent abuse, web hosts and colocation providers may be blocked from editing wikipedia. you will not be able to edit wikipedia using a web host or colocation provider because it hides your ip address, much like a proxy or vpn. we recommend that you attempt to use another connection to edit. for example, if you use a proxy or vpn to connect to the internet, turn it off when editing wikipedia. if you edit using a mobile connection, try using a wi-fi connection, and vice versa. if you have a wikipedia account, please log in. if you do not have any other way to edit wikipedia, you will need to request an ip block exemption. if you are confident that you are not using a web host, you may appeal this block by adding the following text on your talk page: {{unblock|reason=caught by a colocation web host block but this host or ip is not a web host. my ip address is _______. place any further information here. ~~~~}}. you must fill in the blank with your ip address for this block to be investigated. your ip address can be determined here. alternatively, if you wish to keep your ip address private you can use the unblock ticket request system. there are several reasons you might be editing using the ip address of a web host or colocation provider (such as if you are using vpn software or a business network); please use this method of appeal only if you think your ip address is in fact not a web host or colocation provider. administrators: the ip block exemption user right should only be applied to allow users to edit using web host in exceptional circumstances, and requests should usually be directed to the functionaries team via email. if you intend to give the ipbe user right, a checkuser needs to take a look at the account. this can be requested most easily at spi quick checkuser requests. unblocking an ip or ip range with this template is highly discouraged without at least contacting the blocking administrator. this block has been set to expire: : , june . even when blocked, you will usually still be able to edit your user talk page and email other editors and administrators. for information on how to proceed, first see the faq for blocked users and the guideline on block appeals. the guide to appealing blocks may also be helpful. other useful links: blocking policy · help:i have been blocked you can view and copy the source of this page: ===age of enlightenment=== during the seventeenth and eighteenth centuries, or the [[age of enlightenment]], neoclassical culture was pervasive. english literature in the middle of that period has been dubbed [[augustan literature|augustan]]. it is not always easy to distinguish horace's influence during those centuries (the mixing of influences is shown for example in one poet's pseudonym, ''horace juvenal'').'horace juvenal' was author of ''modern manners: a poem'', however a measure of his influence can be found in the diversity of the people interested in his works, both among readers and authors.d. money, ''the seventeenth and eighteenth centuries'', , , new editions of his works were published almost yearly. there were three new editions in (two in [[leiden]], one in [[frankfurt]]) and again in ([[utrecht]], [[barcelona]], [[cambridge]]). cheap editions were plentiful and fine editions were also produced, including one whose entire text was engraved by [[john pine]] in [[copperplate engraving|copperplate]]. the poet [[james thomson (poet)|james thomson]] owned five editions of horace's work and the physician [[james douglas (physician)|james douglas]] had five hundred books with horace-related titles. horace was often commended in periodicals such as [[the spectator ( )|the spectator]], as a hallmark of good judgement, moderation and manliness, a focus for moralising.see for example ''spectator'' ''' ''', feb. ; ''' ''', nov. ; ''' ''', nov. his verses offered a fund of mottoes, such as ''[[simplex munditiis]]'' (elegance in simplicity), ''[[splendide mendax]]'' (nobly untruthful), ''[[sapere aude]]'' (dare to know), ''[[nunc est bibendum]]'' (now is the time to drink), ''[[carpe diem]]'' (seize the day, perhaps the only one still in common use today). these were quoted even in works as prosaic as [[edmund quincy ( - )|edmund quincy]]'s ''a treatise of hemp-husbandry'' ( ). the fictional hero [[the history of tom jones, a foundling|tom jones]] recited his verses with feeling.d. money, ''the seventeenth and eighteenth centuries'', his works were also used to justify commonplace themes, such as patriotic obedience, as in james parry's english lines from an oxford university collection in :d. money, ''the seventeenth and eighteenth centuries'', – {{poemquote| what friendly [[muse]] will teach my lays to emulate the roman fire? justly to sound a caeser's praise demands a bold horatian lyre. }} horatian-style lyrics were increasingly typical of oxford and cambridge verse collections for this period, most of them in latin but some like the previous ode in english. [[john milton]]'s [[lycidas]] first appeared in such a collection. it has few horatian echoesone echo of horace may be found in line : "''were it not better done as others use,/ to sport with amaryllis in the shade/or with the tangles of neaera's hair?''", which points to the neara in ''odes'' . . (douglas bush, ''milton: poetical works'', , note ) yet milton's associations with horace were lifelong. he composed a controversial version of ''odes'' . , and [[paradise lost]] includes references to horace's 'roman' ''odes'' . – (book for example begins with echoes of ''odes'' . ).j. talbot, ''a horatian pun in paradise lost'', – yet horace's lyrics could offer inspiration to libertines as well as moralists, and neo-latin sometimes served as a kind of discrete veil for the risqué. thus for example [[benjamin loveling]] authored a catalogue of drury lane and covent garden prostitutes, in sapphic stanzas, and an encomium for a dying lady "of salacious memory".b. loveling, ''latin and english poems'', – , – some latin imitations of horace were politically subversive, such as a marriage ode by [[anthony alsop]] that included a rallying cry for the [[jacobitism|jacobite]] cause. on the other hand, [[andrew marvell]] took inspiration from horace's ''odes'' . to compose his english masterpiece [[horatian ode upon cromwell's return from ireland]], in which subtly nuanced reflections on the execution of [[charles i of england|charles i]] echo horace's ambiguous response to the death of [[cleopatra]] (marvell's ode was suppressed in spite of its subtlety and only began to be widely published in ). [[samuel johnson]] took particular pleasure in reading ''the odes''.cfr. [[james boswell]], "the life of [[samuel johnson]]" ''aetat.'' , where boswell remarked of johnson that horace's ''odes'' "were the compositions in which he took most delight." [[alexander pope]] wrote direct ''imitations'' of horace (published with the original latin alongside) and also echoed him in ''essays'' and [[the rape of the lock]]. he even emerged as "a quite horatian homer" in his translation of the ''[[iliad]]''.d. money, ''the seventeenth and eighteenth centuries'', – horace appealed also to female poets, such as [[anna seward]] (''original sonnets on various subjects, and odes paraphrased from horace'', ) and [[elizabeth tollet]], who composed a latin ode in sapphic meter to celebrate her brother's return from overseas, with tea and coffee substituted for the wine of horace's [[symposium|sympotic]] settings: {{verse translation|lang=la | quos procax nobis numeros, jocosque musa dictaret? mihi dum tibique temperent baccis arabes, vel herbis pocula serese. tollet, ''poems on several occasions'', | what verses and jokes might the bold muse dictate? while for you and me arabs flavour our cups with beans or chinese with leaves.translation adapted from d. money, ''the seventeenth and eighteenth centuries'', }} horace's ''ars poetica'' is second only to aristotle's ''poetics'' in its influence on literary theory and criticism. milton recommended both works in his treatise ''of education''.a. gilbert, ''literary criticism: plato to dryden'', , horace's ''satires'' and ''epistles'' however also had a huge impact, influencing theorists and critics such as [[john dryden]].w. kupersmith, ''roman satirists in seventeenth century england'', – there was considerable debate over the value of different lyrical forms for contemporary poets, as represented on one hand by the kind of four-line stanzas made familiar by horace's sapphic and alcaic ''odes'' and, on the other, the loosely structured [[pindarics]] associated with the odes of [[pindar]]. translations occasionally involved scholars in the dilemmas of censorship. thus [[christopher smart]] entirely omitted ''odes'' [[:wikisource:la:carmina (horatius)/liber iv/carmen x| . ]] and re-numbered the remaining odes. he also removed the ending of ''odes'' [[:wikisource:la:carmina (horatius)/liber iv/carmen i| . ]]. [[thomas creech]] printed ''epodes'' [[:wikisource:la:epodi#viii| ]] and [[:wikisource:la:epodi#xii| ]] in the original latin but left out their english translations. [[philip francis (translator)|philip francis]] left out both the english and latin for those same two epodes, a gap in the numbering the only indication that something was amiss. french editions of horace were influential in england and these too were regularly [[bowdlerize]]d. most european nations had their own 'horaces': thus for example [[friedrich von hagedorn]] was called ''the german horace'' and [[maciej kazimierz sarbiewski]] ''the polish horace'' (the latter was much imitated by english poets such as [[henry vaughan]] and [[abraham cowley]]). pope [[urban viii]] wrote voluminously in horatian meters, including an ode on gout.d. money, ''the seventeenth and eighteenth centuries'', – return to horace. retrieved from "https://en.wikipedia.org/wiki/horace" navigation menu personal tools not logged in talk contributions create account log in namespaces article talk variants views read edit view history more search navigation main page contents current events random article about wikipedia contact us donate contribute help learn to edit community portal recent changes upload file tools what links here related changes upload file special pages page information wikidata item languages privacy policy about wikipedia disclaimers contact wikipedia mobile view developers statistics cookie statement aelius donatus - wikipedia aelius donatus from wikipedia, the free encyclopedia jump to navigation jump to search from nuremberg chronicle aelius donatus (english: /doʊˈneɪtəs/; fl. mid-fourth century ad) was a roman grammarian and teacher of rhetoric. st. jerome states in contra rufinum . that donatus was his tutor. contents works references further reading external links works[edit] he was the author of a number of professional works, of which several are extant: a partly incomplete commentary on the playwright terence is compiled from other commentaries, but probably not in its original form. his life of virgil is thought to be based on a lost vita by suetonius, together with the preface and introduction of his commentary on virgil's works. a greatly expanded version of servius' commentary exists, however, which is supplemented with frequent and extensive extracts from what is thought to be donatus' commentary on virgil. his ars grammatica, especially the section on the eight parts of speech, though possessing little claim to originality, and evidently based on the same authorities which were used by the grammarians charisius and diomedes, attained such popularity as a schoolbook that, in the middle ages, he became the eponym for a rudimentary treatise of any sort, called a donet. when books came to be printed in the th century, editions of the little book were multiplied to an enormous extent. it is also the only purely textual work to be printed in blockbook form (cut like a woodcut, not using movable type). it is in the form of an ars minor, which only treats of the parts of speech, and an ars major, which deals with grammar in general at greater length.[ ] donatus was a proponent of an early system of punctuation, consisting of dots placed in three successively higher positions to indicate successively longer pauses, roughly equivalent to the modern comma, colon, and full stop. this system remained current through the seventh century, when a more refined system due to isidore of seville gained prominence.[ ] donatus invented the system whereby a play is made up of three separate parts: protasis, epitasis, and catastrophe. aelius donatus should not be confused with tiberius claudius donatus, also the author of a commentary (interpretationes) on the aeneid, who lived about years later.[ ] references[edit] ^ a b chisholm, hugh, ed. ( ). "donatus, aelius" . encyclopædia britannica. ( th ed.). cambridge university press. p.  . ^ m. b. parkes, pause and effect: punctuation in the west, , isbn  - - - . further reading[edit] daintree, david. . "the virgil commentary of aelius donatus: black hole or 'Éminence grise'?" greece & rome . : – . demetriou, chrysanthi. . "aelius donatus and his commentary on terence’s comedies." in the oxford handbook of greek and roman comedy. edited by michael fontaine and adele c. scafuro, – . oxford: oxford univ. press. dutsch, dorota m. . feminine discourse in roman comedy. oxford: oxford univ. press. farrell, joseph. . "ancient commentaries on theocritus’ idylls and virgil's eclogues." in classical commentaries: explorations in a scholarly genre. edited by christina f. kraus and christopher stray, – . oxford: oxford univ. press. ferri, rolando. . "an ancient grammarian's view of how the spoken language works: pragmalinguistic observations in donatus' commentum terentii." in the latin of the grammarians: reflections about language in the roman world. edited by rolando ferri and anna zago. turnhout: brepols publishers. kragelund, patrick. . "evidence for performances of republican comedy in fourth-century rome." classical quarterly . : – . maltby, robert. . "the role of etymologies in servius and donatus." in etymologia: studies in ancient etymology. proceedings of the cambridge conference on ancient etymology, - september . edited by christos nifadopoulos, – . münster, germany: nodus publikationen. mcgill, scott. . "the plagiarized virgil in donatus, servius, and the anthologia latina." harvard studies in classical philology : – . murgia, charles e. . "the truth about vergil's commentators." in romane memento: vergil in the fourth century. edited by roger rees, – . london: duckworth. stok, f. . "commenting on virgil, from aelius donatus to servius." dead sea discoveries . : – . external links[edit] library resources about aelius donatus online books resources in your library resources in other libraries by aelius donatus online books resources in your library resources in other libraries vita vergiliana, aelius donatus' life of virgil in the original latin. suetonius: the life of virgil, the loeb english translation (which presumes that donatus' life "is almost wholly suetonius’.") virgil.org: aelius donatus' life of virgil translated into english by david wilson-okamura includes interpolated text not included in the loeb translation latin texts of some of aelius donatus, including the ars minor and all the parts of the ars major the commentary on terence online corpus grammaticorum latinorum: complete texts and full bibliography commentum in terentii comoedias from the rare book and special collections division at the library of congress authority control bibsys: bne: xx bnf: cb h (data) cantic: a cinii: da gnd: isni: lccn: n nkc: ola nla: nsk: nta: rero: -a selibr: sudoc: trove: vcba: / viaf: worldcat identities: lccn-n retrieved from "https://en.wikipedia.org/w/index.php?title=aelius_donatus&oldid= " categories: grammarians of latin ancient linguists th-century romans th-century latin writers aelii hidden categories: wikipedia articles incorporating a citation from the encyclopaedia britannica with wikisource reference wikipedia articles with bibsys identifiers wikipedia articles with bne identifiers wikipedia articles with bnf identifiers wikipedia articles with cantic identifiers wikipedia articles with cinii identifiers wikipedia articles with gnd identifiers wikipedia articles with isni identifiers wikipedia articles with lccn identifiers wikipedia articles with nkc identifiers wikipedia articles with nla identifiers wikipedia articles with nsk identifiers wikipedia articles with nta identifiers wikipedia articles with rero identifiers wikipedia articles with selibr identifiers wikipedia articles with sudoc identifiers wikipedia articles with trove identifiers wikipedia articles with vcba identifiers wikipedia articles with viaf identifiers wikipedia articles with worldcatid identifiers navigation menu personal tools not logged in talk contributions create account log in namespaces article talk variants views read edit view history more search navigation main page contents current events random article about wikipedia contact us donate contribute help learn to edit community portal recent changes upload file tools what links here related changes upload file special pages permanent link page information cite this page wikidata item print/export download as pdf printable version in other projects wikimedia commons languages asturianu Български català Čeština deutsch español esperanto français galego Íslenska italiano latina lietuvių magyar Македонски nederlands 日本語 norsk nynorsk polski português Русский slovenčina Српски / srpski srpskohrvatski / српскохрватски suomi svenska türkçe Українська 中文 edit links this page was last edited on june , at :  (utc). text is available under the creative commons attribution-sharealike license; additional terms may apply. by using this site, you agree to the terms of use and privacy policy. wikipedia® is a registered trademark of the wikimedia foundation, inc., a non-profit organization. privacy policy about wikipedia disclaimers contact wikipedia mobile view developers statistics cookie statement view source for horace - wikipedia view source for horace ← horace jump to navigation jump to search you do not have permission to edit this page, for the following reasons: your ip address is in a range that has been blocked on all wikimedia foundation wikis. the block was made by jon kolbert (meta.wikimedia.org). the reason given is open proxy: webhost: contact stewards if you are affected . start of block: : , july expiry of block: : , january your current ip address is . . . and the blocked range is . . . / . please include all above details in any queries you make. if you believe you were blocked by mistake, you can find additional information and instructions in the no open proxies global policy. otherwise, to discuss the block please post a request for review on meta-wiki or send an email to the stewards otrs queue at stewards@wikimedia.org including all above details. you are currently unable to edit wikipedia due to a block affecting your ip address. this does not affect your ability to read wikipedia pages. most people who see this message have done nothing wrong. some kinds of blocks restrict editing from specific service providers or telecom companies in response to recent abuse or vandalism, and affect other users who are unrelated to that abuse. see below if you do not believe you have done anything wrong. editing from . . . / has been blocked (disabled) by ‪sql‬ for the following reason(s): the ip address that you are currently using has been blocked because it is believed to be a web host provider or colocation provider. to prevent abuse, web hosts and colocation providers may be blocked from editing wikipedia. you will not be able to edit wikipedia using a web host or colocation provider because it hides your ip address, much like a proxy or vpn. we recommend that you attempt to use another connection to edit. for example, if you use a proxy or vpn to connect to the internet, turn it off when editing wikipedia. if you edit using a mobile connection, try using a wi-fi connection, and vice versa. if you have a wikipedia account, please log in. if you do not have any other way to edit wikipedia, you will need to request an ip block exemption. if you are confident that you are not using a web host, you may appeal this block by adding the following text on your talk page: {{unblock|reason=caught by a colocation web host block but this host or ip is not a web host. my ip address is _______. place any further information here. ~~~~}}. you must fill in the blank with your ip address for this block to be investigated. your ip address can be determined here. alternatively, if you wish to keep your ip address private you can use the unblock ticket request system. there are several reasons you might be editing using the ip address of a web host or colocation provider (such as if you are using vpn software or a business network); please use this method of appeal only if you think your ip address is in fact not a web host or colocation provider. administrators: the ip block exemption user right should only be applied to allow users to edit using web host in exceptional circumstances, and requests should usually be directed to the functionaries team via email. if you intend to give the ipbe user right, a checkuser needs to take a look at the account. this can be requested most easily at spi quick checkuser requests. unblocking an ip or ip range with this template is highly discouraged without at least contacting the blocking administrator. this block has been set to expire: : , june . even when blocked, you will usually still be able to edit your user talk page and email other editors and administrators. for information on how to proceed, first see the faq for blocked users and the guideline on block appeals. the guide to appealing blocks may also be helpful. other useful links: blocking policy · help:i have been blocked you can view and copy the source of this page: ===adulthood=== horace left rome, possibly after his father's death, and continued his formal education in athens, a great centre of learning in the ancient world, where he arrived at nineteen years of age, enrolling in [[platonic academy|the academy]]. founded by [[plato]], the academy was now dominated by [[epicureans]] and [[stoics]], whose theories and practises made a deep impression on the young man from venusia.v. kiernan, ''horace: poetics and politics'', meanwhile, he mixed and lounged about with the elite of roman youth, such as marcus, the idle son of [[cicero]], and the pompeius to whom he later addressed a poem.''odes'' . it was in athens too that he probably acquired deep familiarity with the ancient tradition of greek lyric poetry, at that time largely the preserve of grammarians and academic specialists (access to such material was easier in athens than in rome, where the public libraries had yet to be built by [[asinius pollio]] and augustus).e. fraenkel, ''horace'', – rome's troubles following the assassination of [[julius caesar]] were soon to catch up with him. [[marcus junius brutus]] came to athens seeking support for the republican cause. brutus was fêted around town in grand receptions and he made a point of attending academic lectures, all the while recruiting supporters among the young men studying there, including horace.e. fraenkel, ''horace'', – an educated young roman could begin military service high in the ranks and horace was made [[tribunus militum]] (one of six senior officers of a typical legion), a post usually reserved for men of senatorial or equestrian rank and which seems to have inspired jealousy among his well-born confederates.''satires'' . . r. nisbet, ''horace: life and chronology'', he learned the basics of military life while on the march, particularly in the wilds of northern greece, whose rugged scenery became a backdrop to some of his later poems.v. kiernan, ''horace'', it was there in bc that [[octavian]] (later [[augustus]]) and his associate [[mark antony]] crushed the republican forces at the [[battle of philippi]]. horace later recorded it as a day of embarrassment for himself, when he fled without his shield,''odes'' . . but allowance should be made for his self-deprecating humour. moreover, the incident allowed him to identify himself with some famous poets who had long ago abandoned their shields in battle, notably his heroes [[alcaeus of mytilene|alcaeus]] and [[archilochus]]. the comparison with the latter poet is uncanny: archilochus lost his shield in a part of thrace near philippi, and he was deeply involved in the greek colonization of [[thasos]], where horace's die-hard comrades finally surrendered. octavian offered an early amnesty to his opponents and horace quickly accepted it. on returning to italy, he was confronted with yet another loss: his father's estate in venusia was one of many throughout italy to be confiscated for the settlement of veterans ([[virgil]] lost his estate in the north about the same time). horace later claimed that he was reduced to poverty and this led him to try his hand at poetry.''epistles'' . . – in reality, there was no money to be had from versifying. at best, it offered future prospects through contacts with other poets and their patrons among the rich.v. kiernan, ''horace: poetics and politics'' meanwhile, he obtained the sinecure of ''scriba quaestorius'', a civil service position at the ''aerarium'' or treasury, profitable enough to be purchased even by members of the ''ordo equester'' and not very demanding in its work-load, since tasks could be delegated to ''scribae'' or permanent clerks.e. fraenkel, ''horace'', – it was about this time that he began writing his ''satires'' and ''epodes''. ====poet==== [[file:fedor bronnikov .jpg|thumb|horace reads before maecenas, by [[fyodor bronnikov]]]] the ''epodes'' belong to [[iambic poetry]]. iambic poetry features insulting and obscene language;christopher brown, in ''a companion to the greek lyric poets'', d.e. gerber (ed), leiden , pages – douglas e. gerber, ''greek iambic poetry'', loeb classical library ( ), introduction pages i–iv sometimes, it is referred to as ''blame poetry''.d. mankin, ''horace: epodes'', c.u.p., ''blame poetry'', or ''shame poetry'', is poetry written to blame and shame fellow citizens into a sense of their social obligations. horace modelled these poems on the poetry of [[archilochus]]. social bonds in rome had been decaying since the destruction of [[carthage]] a little more than a hundred years earlier, due to the vast wealth that could be gained by plunder and corruption.d. mankin, ''horace: epodes'', these social ills were magnified by rivalry between julius caesar, mark antony and confederates like [[sextus pompey]], all jockeying for a bigger share of the spoils. one modern scholar has counted a dozen civil wars in the hundred years leading up to bc, including the [[spartacus]] rebellion, eight years before horace's birth.r. conway, ''new studies of a great inheritance'', – as the heirs to hellenistic culture, horace and his fellow romans were not well prepared to deal with these problems: {{quotation|at bottom, all the problems that the times were stirring up were of a social nature, which the hellenistic thinkers were ill qualified to grapple with. some of them censured oppression of the poor by the rich, but they gave no practical lead, though they may have hoped to see well-meaning rulers doing so. philosophy was drifting into absorption in self, a quest for private contentedness, to be achieved by self-control and restraint, without much regard for the fate of a disintegrating community.|[[v. g. kiernan]]v. kiernan, ''horace: poetics and politics'', – }} horace's hellenistic background is clear in his satires, even though the genre was unique to latin literature. he brought to it a style and outlook suited to the social and ethical issues confronting rome but he changed its role from public, social engagement to private meditation.f. muecke, ''the satires'', – meanwhile, he was beginning to interest octavian's supporters, a gradual process described by him in one of his satires. the way was opened for him by his friend, the poet virgil, who had gained admission into the privileged circle around maecenas, octavian's lieutenant, following the success of his ''[[eclogues]]''. an introduction soon followed and, after a discreet interval, horace too was accepted. he depicted the process as an honourable one, based on merit and mutual respect, eventually leading to true friendship, and there is reason to believe that his relationship was genuinely friendly, not just with maecenas but afterwards with augustus as well.r. lyne, ''augustan poetry and society'', on the other hand, the poet has been unsympathetically described by one scholar as "a sharp and rising young man, with an eye to the main chance."j. griffin, ''horace in the thirties'', there were advantages on both sides: horace gained encouragement and material support, the politicians gained a hold on a potential dissident.r. nisbet, ''horace: life and chronology'', his republican sympathies, and his role at philippi, may have caused him some pangs of remorse over his new status. however most romans considered the civil wars to be the result of ''contentio dignitatis'', or rivalry between the foremost families of the city, and he too seems to have accepted the principate as rome's last hope for much needed peace.d. mankin, ''horace: epodes'', in bc, horace accompanied maecenas on a journey to [[brundisium]], described in one of his poems''satires'' . as a series of amusing incidents and charming encounters with other friends along the way, such as virgil. in fact the journey was political in its motivation, with maecenas en route to negotiatie the [[treaty of tarentum]] with antony, a fact horace artfully keeps from the reader (political issues are largely avoided in the first book of satires). horace was probably also with maecenas on one of octavian's naval expeditions against the piratical sextus pompeius, which ended in a disastrous storm off [[palinurus]] in bc, briefly alluded to by horace in terms of near-drowning.''odes'' . . ''odes'' . . : "nec (me extinxit) sicula palinurus unda"; "nor did palinurus extinguish me with sicilian waters". maecenas' involvement is recorded by [[appian]] ''bell. civ.'' . but horace's ode is the only historical reference to his own presence there, depending however on interpretation. (r. nisbet, ''horace: life and chronology'', ) there are also some indications in his verses that he was with maecenas at the [[battle of actium]] in bc, where octavian defeated his great rival, antony.''epodes'' and the point is much disputed among scholars and hinges on how the text is interpreted. ''epodes'' for example may offer proof of horace's presence if 'ad hunc frementis' ('gnashing at this' man i.e. the traitrous roman ) is a misreading of 'at huc...verterent' (but hither...they fled) in lines describing the defection of the galatian cavalry, "ad hunc frementis verterunt bis mille equos / galli canentes caesarem" (r. nisbet, ''horace: life and chronology'', ). by then horace had already received from maecenas the famous gift of his [[horace's villa|sabine farm]], probably not long after the publication of the first book of ''satires''. the gift, which included income from five tenants, may have ended his career at the treasury, or at least allowed him to give it less time and energy.e. fraenkel, ''horace'', it signalled his identification with the octavian regime yet, in the second book of ''satires'' that soon followed, he continued the apolitical stance of the first book. by this time, he had attained the status of ''eques romanus'',''satires'' . . perhaps as a result of his work at the treasury.r. nisbet, ''horace: life and chronology'', ====knight==== ''odes'' – were the next focus for his artistic creativity. he adapted their forms and themes from greek lyric poetry of the seventh and sixth centuries bc. the fragmented nature of the [[greek world]] had enabled his literary heroes to express themselves freely and his semi-retirement from the treasury in rome to [[horace's villa|his own estate]] in the sabine hills perhaps empowered him to some extent alsov. kiernan, ''horace: poetics and politics'', – yet even when his lyrics touched on public affairs they reinforced the importance of private life. nevertheless, his work in the period – bc began to show his closeness to the regime and his sensitivity to its developing ideology. in ''odes'' . , for example, he eulogized octavian in hyperboles that echo hellenistic court poetry. the name ''augustus'', which octavian assumed in january bc, is first attested in ''odes'' . and . . in the period – bc, political allusions in the ''odes'' concentrated on foreign wars in britain ( . ), arabia ( . ) spain ( . ) and parthia ( . ). he greeted augustus on his return to rome in bc as a beloved ruler upon whose good health he depended for his own happiness ( . ).r. nisbet, ''horace: life and chronology'', the public reception of ''odes'' – disappointed him, however. he attributed the lack of success to jealousy among imperial courtiers and to his isolation from literary cliques.''epistles'' . . – perhaps it was disappointment that led him to put aside the genre in favour of verse letters. he addressed his first book of ''epistles'' to a variety of friends and acquaintances in an urbane style reflecting his new social status as a knight. in the opening poem, he professed a deeper interest in moral philosophy than poetry''epistles'' . . but, though the collection demonstrates a leaning towards stoic theory, it reveals no sustained thinking about ethics.v. kiernan, ''horace: poetics and politics'', , maecenas was still the dominant confidante but horace had now begun to assert his own independence, suavely declining constant invitations to attend his patron.''epistles'' . in the final poem of the first book of ''epistles'', he revealed himself to be forty-four years old in the consulship of lollius and lepidus i.e. bc, and "of small stature, fond of the sun, prematurely grey, quick-tempered but easily placated".''epistles'' . . – r. nisbet, ''horace: life and chronology'', – according to suetonius, the second book of ''epistles'' was prompted by augustus, who desired a verse epistle to be addressed to himself. augustus was in fact a prolific letter-writer and he once asked horace to be his personal secretary. horace refused the secretarial role but complied with the emperor's request for a verse letter.e. fraenkel, ''horace'', – the letter to augustus may have been slow in coming, being published possibly as late as bc. it celebrated, among other things, the bc military victories of his stepsons, drusus and tiberius, yet it and the following letter''epistles'' . were largely devoted to literary theory and criticism. the literary theme was explored still further in ''ars poetica'', published separately but written in the form of an epistle and sometimes referred to as ''epistles'' . (possibly the last poem he ever wrote).r. ferri, ''the epistles'', he was also commissioned to write odes commemorating the victories of drusus and tiberius''odes'' . and . and one to be sung in a temple of apollo for the [[secular games]], a long-abandoned festival that augustus revived in accordance with his policy of recreating ancient customs (''carmen saeculare''). suetonius recorded some gossip about horace's sexual activities late in life, claiming that the walls of his bedchamber were covered with obscene pictures and mirrors, so that he saw erotica wherever he looked.suetonius signals that the report is based on rumours by employing the terms "traditur...dicitur" / "it is reported...it is said" (e. fraenkel, ''horace'', ) the poet died at years of age, not long after his friend maecenas, near whose tomb he was laid to rest. both men bequeathed their property to augustus, an honour that the emperor expected of his friends.e. fraenkel, ''horace'', return to horace. retrieved from "https://en.wikipedia.org/wiki/horace" navigation menu personal tools not logged in talk contributions create account log in namespaces article talk variants views read edit view history more search navigation main page contents current events random article about wikipedia contact us donate contribute help learn to edit community portal recent changes upload file tools what links here related changes upload file special pages page information wikidata item languages privacy policy about wikipedia disclaimers contact wikipedia mobile view developers statistics cookie statement log in - wikipedia log in jump to navigation jump to search username password  keep me logged in (for up to days) log in help with logging in don't have an account?join wikipedia retrieved from "https://en.wikipedia.org/wiki/special:userlogin" navigation menu personal tools not logged in talk contributions create account log in namespaces special page variants views more search navigation main page contents current events random article about wikipedia contact us donate contribute help learn to edit community portal recent changes upload file tools upload file special pages printable version languages privacy policy about wikipedia disclaimers contact wikipedia mobile view developers statistics cookie statement view source for horace - wikipedia view source for horace ← horace jump to navigation jump to search you do not have permission to edit this page, for the following reasons: your ip address is in a range that has been blocked on all wikimedia foundation wikis. the block was made by jon kolbert (meta.wikimedia.org). the reason given is open proxy: webhost: contact stewards if you are affected . start of block: : , july expiry of block: : , january your current ip address is . . . and the blocked range is . . . / . please include all above details in any queries you make. if you believe you were blocked by mistake, you can find additional information and instructions in the no open proxies global policy. otherwise, to discuss the block please post a request for review on meta-wiki or send an email to the stewards otrs queue at stewards@wikimedia.org including all above details. you are currently unable to edit wikipedia due to a block affecting your ip address. this does not affect your ability to read wikipedia pages. most people who see this message have done nothing wrong. some kinds of blocks restrict editing from specific service providers or telecom companies in response to recent abuse or vandalism, and affect other users who are unrelated to that abuse. see below if you do not believe you have done anything wrong. editing from . . . / has been blocked (disabled) by ‪sql‬ for the following reason(s): the ip address that you are currently using has been blocked because it is believed to be a web host provider or colocation provider. to prevent abuse, web hosts and colocation providers may be blocked from editing wikipedia. you will not be able to edit 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the unblock ticket request system. there are several reasons you might be editing using the ip address of a web host or colocation provider (such as if you are using vpn software or a business network); please use this method of appeal only if you think your ip address is in fact not a web host or colocation provider. administrators: the ip block exemption user right should only be applied to allow users to edit using web host in exceptional circumstances, and requests should usually be directed to the functionaries team via email. if you intend to give the ipbe user right, a checkuser needs to take a look at the account. this can be requested most easily at spi quick checkuser requests. unblocking an ip or ip range with this template is highly discouraged without at least contacting the blocking administrator. this block has been set to expire: : , june . even when blocked, you will usually still be able to edit your user talk page and email other editors and administrators. for information on how to proceed, first see the faq for blocked users and the guideline on block appeals. the guide to appealing blocks may also be helpful. other useful links: blocking policy · help:i have been blocked you can view and copy the source of this page: ===historical context=== horace composed in traditional [[meter (poetry)|metres]] borrowed from [[archaic greece]], employing [[hexameter]]s in his ''satires'' and ''epistles'', and [[iamb (poetry)|iambs]] in his ''epodes'', all of which were relatively easy to adapt into [[prosody (latin)|latin forms]]. his ''odes'' featured more complex measures, including [[alcaic verse|alcaics]] and [[sapphic stanza|sapphics]], which were sometimes a difficult fit for latin structure and [[syntax]]. despite these traditional metres, he presented himself as a partisan in the development of a new and sophisticated style. he was influenced in particular by [[hellenistic poetry|hellenistic]] aesthetics of brevity, elegance and polish, as modelled in the work of [[callimachus]].s. harrison, ''style and poetic texture'', {{quotation|as soon as horace, stirred by his own genius and encouraged by the example of virgil, varius, and perhaps some other poets of the same generation, had determined to make his fame as a poet, being by temperament a fighter, he wanted to fight against all kinds of prejudice, amateurish slovenliness, philistinism, reactionary tendencies, in short to fight for the new and noble type of poetry which he and his friends were endeavouring to bring about.|[[eduard fraenkel]]e. fraenkel, ''horace'', – }} in modern literary theory, a distinction is often made between immediate personal experience (''urerlebnis'') and experience mediated by cultural vectors such as literature, philosophy and the visual arts (''bildungserlebnis'').{{cite book|last =gundolf|first =friedrich|title=goethe|date= |publisher=bondi|location=berlin, germany}} the distinction has little relevance for horace{{citation needed|date=august }} however since his personal and literary experiences are implicated in each other. ''satires'' . , for example, recounts in detail a real trip horace made with virgil and some of his other literary friends, and which parallels a satire by [[gaius lucilius|lucilius]], his predecessor.e. fraenkel, ''horace'', – unlike much hellenistic-inspired literature, however, his poetry was not composed for a small coterie of admirers and fellow poets, nor does it rely on abstruse allusions for many of its effects. though elitist in its literary standards, it was written for a wide audience, as a public form of art.e. fraenkel, ''horace'', ambivalence also characterizes his literary persona, since his presentation of himself as part of a small community of philosophically aware people, seeking true peace of mind while shunning vices like greed, was well adapted to augustus's plans to reform public morality, corrupted by greed—his personal plea for moderation was part of the emperor's grand message to the nation.e. fraenkel, ''horace'', – horace generally followed the examples of poets established as classics in different genres, such as [[archilochus]] in the ''epodes'', lucilius in the ''satires'' and [[alcaeus of mytilene|alcaeus]] in the ''odes'', later broadening his scope for the sake of variation and because his models weren't actually suited to the realities confronting him. archilochus and alcaeus were aristocratic greeks whose poetry had a social and religious function that was immediately intelligible to their audiences but which became a mere artifice or literary motif when transposed to rome. however, the artifice of the ''odes'' is also integral to their success, since they could now accommodate a wide range of emotional effects, and the blend of greek and roman elements adds a sense of detachment and universality.j. griffin, ''gods and religion'', horace proudly claimed to introduce into latin the spirit and iambic poetry of archilochus but (unlike archilochus) without persecuting anyone (''epistles'' . . – ). it was no idle boast. his ''epodes'' were modelled on the verses of the greek poet, as 'blame poetry', yet he avoided targeting real [[scapegoat]]s. whereas archilochus presented himself as a serious and vigorous opponent of wrong-doers, horace aimed for comic effects and adopted the persona of a weak and ineffectual critic of his times (as symbolized for example in his surrender to the witch canidia in the final epode).s. harrison, ''lyric and iambic'', he also claimed to be the first to introduce into latin the lyrical methods of alcaeus (''epistles'' . . – ) and he actually was the first latin poet to make consistent use of alcaic meters and themes: love, politics and the [[symposium]]. he imitated other greek lyric poets as well, employing a 'motto' technique, beginning each ode with some reference to a greek original and then diverging from it.s. harrison, ''lyric and iambic'', – the satirical poet lucilius was a senator's son who could castigate his peers with impunity. horace was a mere freedman's son who had to tread carefully.e. fraenkel, ''horace'', , lucilius was a rugged patriot and a significant voice in roman self-awareness, endearing himself to his countrymen by his blunt frankness and explicit politics. his work expressed genuine freedom or [[libertas]]. his style included 'metrical vandalism' and looseness of structure. horace instead adopted an oblique and ironic style of satire, ridiculing stock characters and anonymous targets. his libertas was the private freedom of a philosophical outlook, not a political or social privilege.l. morgan, ''satire'', – his ''satires'' are relatively easy-going in their use of meter (relative to the tight lyric meters of the ''odes'')s. harrison, ''style and poetic texture'', but formal and highly controlled relative to the poems of lucilius, whom horace mocked for his sloppy standards (''satires'' . . – )"[lucilius]...resembles a man whose only concern is to force / something into the framework of six feet, and who gaily produces / two hundred lines before dinner and another two hundred after."{{spaced ndash}}''satire'' . . – (translated by [[niall rudd]], ''the satires of horace and persius'', penguin classics , p. ) the ''epistles'' may be considered among horace's most innovative works. there was nothing like it in greek or roman literature. occasionally poems had had some resemblance to letters, including an elegiac poem from [[solon]] to [[mimnermus]] and some lyrical poems from [[pindar]] to [[hieron of syracuse]]. lucilius had composed a satire in the form of a letter, and some epistolary poems were composed by [[catullus]] and [[propertius]]. but nobody before horace had ever composed an entire collection of verse letters,r. ferri, ''the epistles'', pp. – let alone letters with a focus on philosophical problems. the sophisticated and flexible style that he had developed in his ''satires'' was adapted to the more serious needs of this new genre.e. fraenkel, ''horace'', p. such refinement of style was not unusual for horace. his craftsmanship as a wordsmith is apparent even in his earliest attempts at this or that kind of poetry, but his handling of each genre tended to improve over time as he adapted it to his own needs. thus for example it is generally agreed that his second book of ''satires'', where human folly is revealed through dialogue between characters, is superior to the first, where he propounds his ethics in monologues. nevertheless, the first book includes some of his most popular poems.v. kiernan, ''horace: poetics and politics'', return to horace. retrieved from "https://en.wikipedia.org/wiki/horace" navigation menu personal tools not logged in talk contributions create account log in namespaces article talk variants views read edit view history more search navigation main page contents current events random article about wikipedia contact us donate contribute help learn to edit community portal recent changes upload file tools what links here related changes upload file special pages page information wikidata item languages privacy policy about wikipedia disclaimers contact wikipedia mobile view developers statistics cookie statement view source for horace - wikipedia view source for horace ← horace jump to navigation jump to search you do not have permission to edit this page, for the following reasons: your ip address is in a range that has been blocked on all wikimedia foundation wikis. the block was made by jon kolbert (meta.wikimedia.org). the reason given is open proxy: webhost: contact stewards if you are affected . start of block: : , july expiry of block: : , january your current ip address is . . . and the blocked range is . . . / . please include all above details in any queries you make. if you believe you were blocked by mistake, you can find additional information and instructions in the no open proxies global policy. otherwise, to discuss the block please post a request for review on meta-wiki or send an email to the stewards otrs queue at 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other useful links: blocking policy · help:i have been blocked you can view and copy the source of this page: ====knight==== ''odes'' – were the next focus for his artistic creativity. he adapted their forms and themes from greek lyric poetry of the seventh and sixth centuries bc. the fragmented nature of the [[greek world]] had enabled his literary heroes to express themselves freely and his semi-retirement from the treasury in rome to [[horace's villa|his own estate]] in the sabine hills perhaps empowered him to some extent alsov. kiernan, ''horace: poetics and politics'', – yet even when his lyrics touched on public affairs they reinforced the importance of private life. nevertheless, his work in the period – bc began to show his closeness to the regime and his sensitivity to its developing ideology. in ''odes'' . , for example, he eulogized octavian in hyperboles that echo hellenistic court poetry. the name ''augustus'', which octavian assumed in january bc, is first attested in ''odes'' . and . . in the period – bc, political allusions in the ''odes'' concentrated on foreign wars in britain ( . ), arabia ( . ) spain ( . ) and parthia ( . ). he greeted augustus on his return to rome in bc as a beloved ruler upon whose good health he depended for his own happiness ( . ).r. nisbet, ''horace: life and chronology'', the public reception of ''odes'' – disappointed him, however. he attributed the lack of success to jealousy among imperial courtiers and to his isolation from literary cliques.''epistles'' . . – perhaps it was disappointment that led him to put aside the genre in favour of verse letters. he addressed his first book of ''epistles'' to a variety of friends and acquaintances in an urbane style reflecting his new social status as a knight. in the opening poem, he professed a deeper interest in moral philosophy than poetry''epistles'' . . but, though the collection demonstrates a leaning towards stoic theory, it reveals no sustained thinking about ethics.v. kiernan, ''horace: poetics and politics'', , maecenas was still the dominant confidante but horace had now begun to assert his own independence, suavely declining constant invitations to attend his patron.''epistles'' . in the final poem of the first book of ''epistles'', he revealed himself to be forty-four years old in the consulship of lollius and lepidus i.e. bc, and "of small stature, fond of the sun, prematurely grey, quick-tempered but easily placated".''epistles'' . . – r. nisbet, ''horace: life and chronology'', – according to suetonius, the second book of ''epistles'' was prompted by augustus, who desired a verse epistle to be addressed to himself. augustus was in fact a prolific letter-writer and he once asked horace to be his personal secretary. horace refused the secretarial role but complied with the emperor's request for a verse letter.e. fraenkel, ''horace'', – the letter to augustus may have been slow in coming, being published possibly as late as bc. it celebrated, among other things, the bc military victories of his stepsons, drusus and tiberius, yet it and the following letter''epistles'' . were largely devoted to literary theory and criticism. the literary theme was explored still further in ''ars poetica'', published separately but written in the form of an epistle and sometimes referred to as ''epistles'' . (possibly the last poem he ever wrote).r. ferri, ''the epistles'', he was also commissioned to write odes commemorating the victories of drusus and tiberius''odes'' . and . and one to be sung in a temple of apollo for the [[secular games]], a long-abandoned festival that augustus revived in accordance with his policy of recreating ancient customs (''carmen saeculare''). suetonius recorded some gossip about horace's sexual activities late in life, claiming that the walls of his bedchamber were covered with obscene pictures and mirrors, so that he saw erotica wherever he looked.suetonius signals that the report is based on rumours by employing the terms "traditur...dicitur" / "it is reported...it is said" (e. fraenkel, ''horace'', ) the poet died at years of age, not long after his friend maecenas, near whose tomb he was laid to rest. both men bequeathed their property to augustus, an honour that the emperor expected of his friends.e. fraenkel, ''horace'', return to horace. retrieved from "https://en.wikipedia.org/wiki/horace" navigation menu personal tools not logged in talk contributions create account log in namespaces article talk variants views read edit view history more search navigation main page contents current events random article about wikipedia contact us donate contribute help learn to edit community portal recent changes upload file tools what links here related changes upload file special pages page information wikidata item languages privacy policy about wikipedia disclaimers contact wikipedia mobile view developers statistics cookie statement alexander pope - wikipedia alexander pope from wikipedia, the free encyclopedia jump to navigation jump to search not to be confused with pope alexander. for other uses, see alexander pope (disambiguation). english poet alexander pope pope c. born ( - - ) may london, england died may ( - - ) (aged  ) twickenham, middlesex, england resting place st mary's church, twickenham, middlesex, england occupation poet, writer, translator notable works the dunciad, the rape of the lock, an essay on criticism, his translation of homer signature alexander pope ( may – may ) is regarded as one of the greatest english poets, and the foremost poet of the early eighteenth century. he is best known for his satirical and discursive poetry, including the rape of the lock, the dunciad, and an essay on criticism, as well as for his translation of homer. after shakespeare, pope is the second-most quoted writer in the english language per the oxford dictionary of quotations,[ ] some of his verses having even become popular idioms in common parlance (e. g., damning with faint praise). he is considered a master of the heroic couplet. contents spirit, skill and satire life . early life . early career poetry . essay on criticism . the rape of the lock . the dunciad and moral essays . an essay on man . later life and works translations and editions . translation of the iliad . translation of the odyssey . edition of shakespeare's works reception works . major works . other works . editions see also references bibliography external links spirit, skill and satire[edit] pope's poetic career testifies to his indomitable spirit in the face of disadvantages, of health and of circumstance. the poet and his family were catholics and thus fell subject to the test acts, prohibitive measures which severely hampered the prosperity of their co-religionists after the abdication of james ii; one of these banned them from living within ten miles of london, and another from attending public school or university. for this reason, except for a few spurious catholic schools, pope was largely self-educated. he was taught to read by his aunt and became a lover of books. he learned french, italian, latin, and greek by himself, and discovered homer at the age of six. as a child pope survived being once trampled by a cow, but when he was began struggling with tuberculosis of the spine (pott disease), along with fits of crippling headaches which troubled him throughout his life. in the year , pope showcased his precocious metrical skill with the publication of pastorals, his first major poems. they earned him instant fame. by the time he was he had written an essay on criticism, released in . a kind of poetic manifesto in the vein of horace's ars poetica, the essay was met with enthusiastic attention and won pope a wider circle of prominent friends, most notably joseph addison and richard steele, who had recently started collaborating on the influential the spectator. the critic john dennis, having located an ironic and veiled portrait of himself, was outraged by what he considered the impudence of the younger author. dennis hated pope for the rest of his life, and, save for a temporary reconciliation, dedicated his efforts to insulting him in print, to which pope retaliated in kind, making dennis the butt of much satire. the rape of the lock, perhaps the poet's most famous poem, appeared first in , followed by a revised and enlarged version in . when lord petre forcibly snipped off a lock from miss arabella fermor's head (the "belinda" of the poem), the incident gave rise to a high-society quarrel between the families. with the idea of allaying this, pope treated the subject in a playful and witty mock-heroic epic. the narrative poem brings into focus the onset of acquisitive individualism and conspicuous consumption, where purchased goods assume dominance over moral agency. a folio comprising a collection of his poems appeared in , together with two new ones written about the passion of love. these were verses to the memory of an unfortunate lady and the famous proto-romantic poem eloisa to abelard. though pope never married, about this time he became strongly attached to lady m. montagu, whom he indirectly referenced in the popular poem eloisa to abelard, and to martha blount, with whom his friendship continued throughout his life. in his career as a satirist, pope made his share of enemies as the critics, politicians, and certain other prominent figures felt the sting of his sharp-witted satires. some were so virulent, that pope even carried pistols at one point while walking his dog. after , pope composed relatively little. he toyed with the idea of writing a patriotic epic called brutus. he mainly revised and expanded his masterpiece the dunciad. book four appeared in , and a complete revision of the whole poem in the following year. in this version, he replaced lewis theobald with the poet laureate colley cibber, as "king of dunces". however, his real target in the poem is the whig politician robert walpole. by now pope's health was failing, and when told by his physician, on the morning of his death, that he was better, pope replied: "here am i, dying of a hundred good symptoms." life[edit] portrait of alexander pope. studio of godfrey kneller. oil on canvas, c. [ ] early life[edit] alexander pope was born in london on may , the year of the glorious revolution. his father (also alexander, – ) was a successful linen merchant in the strand. the poet's mother, edith ( – ), was the daughter of william turner, esquire, of york. both parents were catholics.[ ] edith's sister, christiana, was the wife of famous miniature painter samuel cooper. pope's education was affected by the recently enacted test acts, which upheld the status of the established church of england and banned catholics from teaching, attending a university, voting, and holding public office on penalty of perpetual imprisonment. pope was taught to read by his aunt and went to twyford school in about / .[ ] he then went on to two roman catholic schools in london.[ ] such schools, while illegal, were tolerated in some areas.[ ] a look-a-like of pope derived from a portrait by william hoare[ ] in , his family moved to a small estate at popeswood in binfield, berkshire, close to the royal windsor forest.[ ] this was due to strong anti-catholic sentiment and a statute preventing "papists" from living within miles (  km) of london or westminster.[ ] pope would later describe the countryside around the house in his poem windsor forest.[ ] pope's formal education ended at this time, and from then on, he mostly educated himself by reading the works of classical writers such as the satirists horace and juvenal, the epic poets homer and virgil, as well as english authors such as geoffrey chaucer, william shakespeare and john dryden.[ ] he studied many languages and read works by english, french, italian, latin, and greek poets. after five years of study, pope came into contact with figures from london literary society such as william congreve, samuel garth and william trumbull.[ ][ ] at binfield he made many important friends. one of them, john caryll (the future dedicatee of the rape of the lock), was twenty years older than the poet and had made many acquaintances in the london literary world. he introduced the young pope to the ageing playwright william wycherley and to william walsh, a minor poet, who helped pope revise his first major work, the pastorals. he also met the blount sisters, teresa and martha, both of whom remained lifelong friends.[ ] from the age of he suffered numerous health problems, including pott disease, a form of tuberculosis that affects the spine, which deformed his body and stunted his growth, leaving him with a severe hunchback. his tuberculosis infection caused other health problems including respiratory difficulties, high fevers, inflamed eyes and abdominal pain.[ ] he grew to a height of only .  m (  ft  in). pope was already removed from society as a catholic, and his poor health alienated him further. although he never married, he had many female friends to whom he wrote witty letters, including lady mary wortley montagu. it has been alleged that his lifelong friend martha blount was his lover.[ ][ ][ ][ ] his friend william cheselden said, according to joseph spence, "i could give a more particular account of mr. pope's health than perhaps any man. cibber's slander (of carnosity) is false. he had been gay [happy], but left that way of life upon his acquaintance with mrs. b."[ ] early career[edit] plaque above pope's grotto at twickenham in may , pope's pastorals was published in the sixth part of bookseller jacob tonson's poetical miscellanies. this earned pope instant fame and was followed by an essay on criticism, published in may , which was equally well received. pope's villa at twickenham, showing the grotto; from a watercolour produced soon after his death around , pope made friends with tory writers jonathan swift, thomas parnell and john arbuthnot, who together formed the satirical scriblerus club. its aim was to satirise ignorance and pedantry through the fictional scholar martinus scriblerus. he also made friends with whig writers joseph addison and richard steele. in march , windsor forest[ ] was published to great acclaim.[ ] during pope's friendship with joseph addison, he contributed to addison's play cato, as well as writing for the guardian and the spectator. around this time, he began the work of translating the iliad, which was a painstaking process – publication began in and did not end until .[ ] in the political situation worsened with the death of queen anne and the disputed succession between the hanoverians and the jacobites, leading to the jacobite rising of . though pope, as a catholic, might have been expected to have supported the jacobites because of his religious and political affiliations, according to maynard mack, "where pope himself stood on these matters can probably never be confidently known". these events led to an immediate downturn in the fortunes of the tories, and pope's friend henry st john, st viscount bolingbroke, fled to france. pope lived in his parents' house in mawson row, chiswick, between and ; the red brick building is now the mawson arms, commemorating him with a blue plaque.[ ] the money made from his translation of homer allowed pope to move in to a villa at twickenham, where he created his now famous grotto and gardens. the serendipitous discovery of a spring during the excavation of the subterranean retreat enabled it to be filled with the relaxing sound of trickling water, which would quietly echo around the chambers. pope was said to have remarked that: "were it to have nymphs as well – it would be complete in everything." although the house and gardens have long since been demolished, much of the grotto survives. it now lies beneath radnor house independent co-ed school and is occasionally opened to the public.[ ][ ] poetry[edit] mawson arms, chiswick lane, with blue plaque to pope essay on criticism[edit] main article: an essay on criticism an essay on criticism was first published anonymously on may . pope began writing the poem early in his career and took about three years to finish it. at the time the poem was published, the heroic couplet style in which it was written was a moderately new poetic form, and pope's work was an ambitious attempt to identify and refine his own positions as a poet and critic. the poem was said to be a response to an ongoing debate on the question of whether poetry should be natural, or written according to predetermined artificial rules inherited from the classical past.[ ] the 'essay' begins with a discussion of the standard rules that govern poetry by which a critic passes judgment. pope comments on the classical authors who dealt with such standards and the authority that he believed should be accredited to them. he discusses the laws to which a critic should adhere while critiquing poetry, and points out that critics serve an important function in aiding poets with their works, as opposed to the practice of attacking them.[ ] the final section of an essay on criticism discusses the moral qualities and virtues inherent in the ideal critic, who, pope claims, is also the ideal man. the rape of the lock[edit] pope's most famous poem is the rape of the lock, first published in , with a revised version published in . a mock-epic, it satirises a high-society quarrel between arabella fermor (the "belinda" of the poem) and lord petre, who had snipped a lock of hair from her head without her permission. the satirical style is tempered, however, by a genuine and almost voyeuristic interest in the "beau-monde" (fashionable world) of th-century english society.[ ] the revised, extended version of the poem brought more clearly into focus its true subject – the onset of acquisitive individualism and a society of conspicuous consumers. in the world of the poem, purchased artifacts displace human agency, and "trivial things" assume dominance.[ ] the dunciad and moral essays[edit] this section does not cite any sources. please help improve this section by adding citations to reliable sources. unsourced material may be challenged and removed. (may ) (learn how and when to remove this template message) alexander pope, painting attributed to english painter jonathan richardson, c. , museum of fine arts, boston though the dunciad was first published anonymously in dublin, its authorship was not in doubt. pope pilloried a host of other "hacks", "scribblers" and "dunces" in addition to theobald, and maynard mack has accordingly called its publication "in many ways the greatest act of folly in pope's life." though a masterpiece which would become "one of the most challenging and distinctive works in the history of english poetry", writes mack, "it bore bitter fruit. it brought the poet in his own time the hostility of its victims and their sympathizers, who pursued him implacably from then on with a few damaging truths and a host of slanders and lies."[ ] according to his half-sister magdalen rackett, some of pope's targets were so enraged by the dunciad that they threatened him. "my brother does not seem to know what fear is," she told joseph spence, explaining that pope loved to walk alone, so went accompanied by his great dane bounce, and for some time carried pistols in his pocket.[ ] together with john gay's the beggar's opera and jonathan swift's gulliver's travels, this first dunciad was part of a concerted propaganda assault against robert walpole's whig ministry and the financial revolution it stabilised. although he was a keen participant in the stock and money markets, pope never missed an opportunity to satirise the personal, social and political effects of the new scheme of things. from the rape of the lock onwards, these satirical themes are a constant in his work. in , pope published his "epistle to burlington," on the subject of architecture, the first of four poems which would later be grouped under the title moral essays ( – ). in the epistle, pope ridiculed the bad taste of the aristocrat "timon". pope's enemies claimed he was attacking the duke of chandos and his estate, cannons. though the charge was untrue, it did much damage to pope. an essay on man[edit] main article: an essay on man an essay on man is a philosophical poem, written in heroic couplets and published between and . pope intended this poem to be the centrepiece of a proposed system of ethics that was to be put forth in poetic form. it was a piece of work that pope intended to make into a larger work; however, he did not live to complete it.[ ] the poem is an attempt to "vindicate the ways of god to man", a variation on milton's attempt in paradise lost to "justify the ways of god to man" ( . ). it challenges as prideful an anthropocentric world-view. the poem is not solely christian, however; it makes an assumption that man has fallen and must seek his own salvation.[ ] alexander pope circa it consists of four epistles addressed to lord bolingbroke. pope presents an idea on his view of the universe: no matter how imperfect, complex, inscrutable and disturbing the universe appears to be, it functions in a rational fashion according to the natural laws. the natural laws consider the universe as a whole a perfect work of god. to humans, it appears to be evil and imperfect in many ways. pope ascribes this to our limited mindset and limited intellectual capacity. he gets the message across that humans must accept their position in the "great chain of being", at a middle stage between the angels and the beasts of the world. accomplish this and we potentially could lead happy and virtuous lives.[ ] the poem is an affirmative poem of faith: life seems to be chaotic and confusing to man when he is in the centre of it, but according to pope it is really divinely ordered. in pope's world, god exists and is what he centres the universe around in order to have an ordered structure. the limited intelligence of man can only take in tiny portions of this order and can experience only partial truths, hence man must rely on hope which then leads into faith. man must be aware of his existence in the universe and what he brings to it, in terms of riches, power, and fame. it is man's duty to strive to be good regardless of other situations: this is the message pope is trying to get across to the reader.[ ] later life and works[edit] the death of alexander pope from museus, a threnody by william mason. diana holds the dying pope, and john milton, edmund spenser, and geoffrey chaucer prepare to welcome him to heaven. the imitations of horace followed ( – ). these were written in the popular augustan form of the "imitation" of a classical poet, not so much a translation of his works as an updating with contemporary references. pope used the model of horace to satirise life under george ii, especially what he regarded as the widespread corruption tainting the country under walpole's influence and the poor quality of the court's artistic taste. pope also added a wholly original poem, epistle to doctor arbuthnot, as an introduction to the "imitations". it reviews his own literary career and includes the famous portraits of lord hervey ("sporus") and addison ("atticus"). in he wrote the universal prayer.[ ] among the younger poets whose work pope admired was joseph thurston.[ ] after , pope himself wrote little. he toyed with the idea of composing a patriotic epic in blank verse called brutus, but only the opening lines survive. his major work in these years was revising and expanding his masterpiece the dunciad. book four appeared in and a complete revision of the whole poem the following year. here pope replaced the "hero" lewis theobald with the poet laureate, colley cibber as "king of dunces". however, the real focus of the revised poem is walpole and his works. by now pope's health, which had never been good, was failing. when told by his physician, on the morning of his death, that he was better, pope replied: "here am i, dying of a hundred good symptoms."[ ][ ] he died in his villa surrounded by friends on may , about eleven o'clock at night. on the previous day, may , pope had called for a priest and received the last rites of the catholic church. he was buried in the nave of st mary's church, twickenham. translations and editions[edit] translation of the iliad[edit] pope had been fascinated by homer since childhood. in , he announced his plans to publish a translation of the iliad. the work would be available by subscription, with one volume appearing every year over the course of six years. pope secured a revolutionary deal with the publisher bernard lintot, which earned him two hundred guineas (£ ) a volume, a vast sum at the time. his translation of the iliad appeared between and . it was acclaimed by samuel johnson as "a performance which no age or nation could hope to equal" (although the classical scholar richard bentley wrote: "it is a pretty poem, mr. pope, but you must not call it homer.")[citation needed] translation of the odyssey[edit] frontispiece and title page of a edition of pope's odyssey encouraged by the success of the iliad, bernard lintot published pope's five-volume translation of homer's odyssey in and .[ ] for this work pope collaborated with william broome and elijah fenton: broome translated eight books ( , , , , , , , ), fenton four ( , , , ) and pope the remaining . broome provided the annotations.[ ] pope tried to conceal the extent of the collaboration, but the secret leaked out.[ ] it did some damage to pope's reputation for a time, but not to his profits.[ ] leslie stephen considered pope's portion of the odyssey inferior to his version of the iliad, given that pope had put more effort into the earlier work – to which, in any case, his style was better suited.[ ] edition of shakespeare's works[edit] in this period, pope was employed by publisher jacob tonson to produce an opulent new edition of shakespeare.[ ] when it appeared in , this edition silently regularised shakespeare's metre and rewrote his verse in a number of places. pope also removed about , lines of shakespearean material, arguing that some appealed to him more than others.[ ] in , lawyer, poet and pantomime-deviser lewis theobald published a scathing pamphlet called shakespeare restored, which catalogued the errors in pope's work and suggested a number of revisions to the text. this enraged pope, and thus, theobald was the main target of pope's poem the dunciad.[ ] the second edition of pope's shakespeare appeared in .[ ] aside from making some minor revisions to the preface, it seems that pope had little to do with it. most later th-century editors of shakespeare dismissed pope's creatively motivated approach to textual criticism. pope's preface continued to be highly rated. it was suggested that shakespeare's texts were thoroughly contaminated by actors' interpolations and they would influence editors for most of the th century. reception[edit] by the mid- th century, new fashions in poetry emerged. a decade after pope's death, joseph warton claimed that pope's style of poetry was not the most excellent form of the art. the romantic movement that rose to prominence in early th-century england was more ambivalent towards his work. though lord byron identified pope as one of his chief influences – believing his scathing satire of contemporary english literature english bards and scotch reviewers to be a continuance of pope's tradition) – william wordsworth found pope's style fundamentally too decadent to be a representation of the human condition.[ ] george gilfillan in his study of described pope's talent as "a rose peering into the summer air, fine, rather than powerful".[ ] in the th century, pope's reputation revived. pope's work was, of course, full of references to the people and places of his time, and these aided people's understanding of the past. the post-war period stressed the power of pope's poetry, recognising that pope's immersion in christian and biblical culture lent depth to his poetry. for example, maynard mack, a pope scholar of the later th century, argued that pope's moral vision demanded as much respect as his technical excellence. between and the definitive twickenham edition of pope's poems was published in ten volumes, including an index volume.[ ] works[edit] major works[edit] : pastorals : an essay on criticism[ ] : messiah (from the book of isaiah, and later translated into latin by samuel johnson) : the rape of the lock (enlarged in )[ ] : windsor forest[ ][ ] : the temple of fame: a vision[ ] – : translation of the iliad[ ] : eloisa to abelard[ ] : three hours after marriage, with others : elegy to the memory of an unfortunate lady[ ] – : the works of shakespear, in six volumes – : translation of the odyssey[ ] : peri bathous, or the art of sinking in poetry : the dunciad[ ] – : essay on man[ ] : the prologue to the satires (see the epistle to dr arbuthnot and who breaks a butterfly upon a wheel?) other works[edit] : ode on solitude : ode for musick[ ] : the court ballad[ ] : an epistle to the right honourable richard earl of burlington[ ] : the impertinent, or a visit to the court[ ] : bounce to fop[ ] : the first ode of the fourth book of horace[ ] : the first epistle of the first book of horace[ ] editions[edit] the works of alexander pope vol vol v of v of see also[edit] characters and observations list of abolitionist forerunners pope's urn references[edit] ^ the oxford dictionary of quotations ( th ed.). oxford university press. . ^ portrait of alexander pope ( – ). historical portraits image library. retrieved january . ^ a b c d e f g erskine-hill, howard ( ). "pope, alexander ( – )", oxford dictionary of national biography. oxford university press. doi: . /ref:odnb/ ^ a b c d e f g h "alexander pope", literature online biography (chadwyck-healey: cambridge, ). ^ "national portrait gallery – portrait – npg ; alexander pope". npg.org.uk. ^ "an act to prevent and avoid dangers which may grow by popish recusants" ( . jac. , v). for details, see catholic encyclopedia, "penal laws". ^ a b c pope, alexander. windsor-forest. eighteenth-century poetry archive (ecpa). ^ a b gordon, ian ( january ). "an epistle to a lady (moral essay ii)". the literary encyclopedia. retrieved april . ^ "martha blount". encyclopædia britannica. . retrieved april . ^ the life of alexander pope, by robert carruthers, , with a corrupted and badly scanned version available from internet archive, or as an even worse mb pdf. for reference to his relationship with martha blount and her sister, see pp. – (p. ff. of the pdf). in particular, discussion of the controversy over whether the relationship was sexual is described in some detail on pp. – . ^ zachary cope ( ) william cheselden, – . edinburgh: e. & s. livingstone, p. . ^ clegg, gillian. "chiswick history". people: alexander pope. chiswickhistory.org.uk. retrieved march . ^ london evening standard, november . ^ rogers, pat ( ). the major works. oxford university press. pp.  – . isbn  x. ^ baines, paul ( ). the complete critical guide to alexander pope. routledge publishing. pp.  – . ^ "from the london school of journalism". archived from the original on may . ^ colin nicholson ( ). writing and the rise of finance: capital satires of the early eighteenth century, cambridge. ^ maynard mack ( ). alexander pope: a life. w. w. norton & company, and yale university press, pp. – . isbn  ^ joseph spence. observations, anecdotes, and characters of books and men, collected from the conversation of mr. pope ( ), p. . ^ a b c nuttal, anthony ( ). pope's essay on man. allen & unwin. pp.  – , – . isbn  . ^ cassirer, ernst ( ). an essay on man; an introduction to a philosophy of human culture. yale university press. ^ mckeown, trevor w. "alexander pope 'universal prayer'". bcy.ca. full-text. also at the eighteenth-century poetry archive (ecpa). ^ james sambrook ( ) "thurston, josephlocked ( – )", oxford dictionary of national biography. oxford university press. doi: . /ref:odnb/ ^ ruffhead, owen ( ). the life of alexander pope; with a critical essay on his writings and genius. p.  . ^ dyce, alexander ( ). the poetical works of alexander pope, with a life, by a. dyce. p. cxxxi. ^ homer ( – ). the odyssey of homer. translated by alexander pope; william broome & elijah fenton ( st ed.). london: bernard lintot. ^ fenton, elijah ( ). the poetical works of elijah fenton with the life of the author. printed for, and under the direction of, g. cawthorn, british library, strand. p.  . ^ fraser, george ( ). alexander pope. routledge. p.  . isbn  . ^ damrosch, leopold ( ). the imaginative world of alexander pope. university of california press. p.  . ^ stephen, sir leslie ( ). alexander pope. harper & brothers. pp.  . ^ a b c "preface to shakespeare, , alexander pope". shakespearebrasileiro. retrieved march . ^ "lewis theobald" encyclopaedia britannica. ^ george gilfillan ( ) "the genius and poetry of pope", the poetical works of alexander pope, vol. . ^ a b c d e f g h i cox, michael, editor, the concise oxford chronology of english literature, oxford university press, , isbn  - - - ^ alexander pope ( ) the temple of fame: a vision. london: printed for bernard lintott. print. ^ pope, alexander. ode for musick.. eighteenth-century poetry archive (ecpa). ^ pope, alexander. the court ballad. eighteenth-century poetry archive (ecpa). ^ pope, alexander. epistle to richard earl of burlington. eighteenth-century poetry archive (ecpa). ^ pope, alexander. the impertinent, or a visit to the court. a satyr.. eighteenth-century poetry archive (ecpa). ^ pope, alexander. bounce to fop. eighteenth-century poetry archive (ecpa). ^ pope, alexander. the first ode of the fourth book of horace.. eighteenth-century poetry archive (ecpa). ^ pope, alexander. the first epistle of the first book of horace.. eighteenth-century poetry archive (ecpa). bibliography[edit] davis, herbert, ed. ( ). poetical works. oxford standard authors. london: oxford u.p. hans ostrom ( ) "pope's epilogue to the satires, 'dialogue i'." explicator, : , pp.  – . rogers, pat ( ). the cambridge companion to alexander pope. cambridge: cambridge university press. external links[edit] wikimedia commons has media related to alexander pope. wikiquote has quotations related to: alexander pope wikisource has original works written by or about: alexander pope wikisource has the text of the – dictionary of national biography's article about pope, alexander ( – ). alexander pope at the eighteenth-century poetry archive (ecpa) works by alexander pope at project gutenberg works by or about alexander pope at internet archive works by alexander pope at librivox (public domain audiobooks) john wilkes and alexander pope – uk parliament living heritage lennox, patrick joseph ( ). "alexander pope" . catholic encyclopedia. . bbc audio file. in our time, radio discussion of pope. university of toronto "representative poetry online" page on pope pope's grave the twickenham museum pope's grotto preservation trust richmond libraries' local studies collection. local history. accessed - - "archival material relating to alexander pope". uk national archives. portraits of alexander pope at the national portrait gallery, london images relating to alexander pope at the english heritage archive blue plaque at chiswick lane south, chiswick, london w lr v t e alexander pope plays three hours after marriage ( ) essays "peri bathous, or the art of sinking in poetry" ( ) poetry "ode on solitude" ( ) an essay on criticism ( ) messiah (english poem) ( ) the rape of the lock ( ) the temple of fame ( ) eloisa to abelard ( ) "elegy to the memory of an unfortunate lady" ( ) messiah (latin poem) ( ) the dunciad ( – , – ) an essay on man ( ) moral essays ( - ) epistle to dr arbuthnot ( ) related popeswood binfield scriblerus club memoirs of martinus scriblerus "who breaks a butterfly upon a wheel?" heroic couplet people martha blount john caryll authority control bibsys: bne: xx bnf: cb f (data) bpn: cantic: a cinii: da gnd: iccu: it\iccu\cfiv\ isni: lccn: n lnb: mba: f ccfb -bb e- d- -ab a c d d ndl: nkc: jn nla: nlg: nlk: kac nsk: nta: rero: -a rkd: selibr: snac: w gh g w sudoc: tepapa: trove: ulan: vcba: / viaf: worldcat identities: lccn-n retrieved from "https://en.wikipedia.org/w/index.php?title=alexander_pope&oldid= " categories: births deaths th-century deaths from tuberculosis th-century english poets th-century english writers th-century male writers th-century essayists burials at st mary's church, twickenham english catholic poets english essayists english male poets english roman catholics british male essayists neoclassical writers people educated at twyford school people from binfield people from the city of london roman catholic writers works by alexander pope freemasons of the premier grand lodge of england tory poets english male non-fiction writers translators of homer english landscape and garden designers tuberculosis deaths in england hidden categories: articles with short description short description matches wikidata use british english from august use dmy dates from december articles needing additional references from may all articles needing additional references all articles with unsourced statements articles with unsourced statements from august commons category link is on wikidata articles with project gutenberg links articles with internet archive links articles with librivox links articles incorporating a citation from the catholic encyclopedia with wikisource reference wikipedia articles with bibsys identifiers wikipedia articles with bne identifiers wikipedia articles with bnf identifiers wikipedia articles with bpn identifiers wikipedia articles with cantic identifiers wikipedia articles with cinii 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"https://en.wikipedia.org/wiki/template:horace" navigation menu personal tools not logged in talk contributions create account log in namespaces template talk variants views read edit view history more search navigation main page contents current events random article about wikipedia contact us donate contribute help learn to edit community portal recent changes upload file tools what links here related changes upload file special pages page information wikidata item languages privacy policy about wikipedia disclaimers contact wikipedia mobile view developers statistics cookie statement ammianus marcellinus - wikipedia ammianus marcellinus from wikipedia, the free encyclopedia jump to navigation jump to search roman historian ammianus marcellinus born greek-speaking east, possibly antioch died – (aged – ) rome allegiance western roman empire service/branch roman army other work res gestae ammianus marcellinus (born c.  , died c.   – ) was a roman soldier and historian who wrote the penultimate major historical account surviving from antiquity (preceding procopius). his work, known as the res gestae, chronicled in latin the history of rome from the accession of the emperor nerva in to the death of valens at the battle of adrianople in , although only the sections covering the period to survive. contents biography work reception notes references sources external links biography[edit] a bust of emperor constantius ii from syria. ammianus was born in the greek-speaking east,[ ] possibly in syria or phoenicia[a] in .[ ] his native language was most likely greek.[ ] the surviving books of his history cover the years to .[ ] ammianus served as an officer in the army of the emperors constantius ii and julian, he served in gaul (julian) and in the east (twice for constantius, once under julian). he professes to have been "a former soldier and a greek" (miles quondam et graecus),[ ] and his enrollment among the elite protectores domestici (household guards) shows that he was of middle class or higher birth. consensus is that ammianus probably came from a curial family, but it is also possible that he was the son of a comes orientis of the same family name. he entered the army at an early age, when constantius ii was emperor of the east, and was sent to serve under ursicinus, governor of nisibis in mesopotamia, and magister militum. ammianus campaigned in the east twice under ursicinus. the walls of amida, built by constantius ii before the siege of amida of . ammianus himself was present in the city until a day before its fall. he travelled with ursicinus to italy when ursicinus was called on by constantius to begin an expedition against claudius silvanus. silvanus had been forced by the allegedly false accusations of his enemies into proclaiming himself emperor in gaul. ursicinus had one of his men assassinate silvanus, restoring gaul to constantius. he then stayed in gaul to help install julian as caesar of gaul, spain and britain. ammianus probably met julian for the first time while serving on ursicinus' staff in gaul. in constantius sent ursicinus back to the east to help in the defence against a persian invasion led by king shapur ii himself. ammianus returned with his commander to the east and again served ursicinus as a staff officer. ursicinus, although he was the more experienced commander, was placed under the command of sabinianus, the magister peditum of the east. the two did not get along, resulting in a lack of cooperation between the limitanei (border regiments) of mesopotamia and osrhoene under ursicinus' command and the comitatus (field army) of sabinianus. while on a mission near nisibis, ammianus spotted a persian patrol which was about to try and capture ursicinus, he was able to warn his commander in time.[ ] in an attempt to locate the persian royal army ursicinus sent ammianus to jovinianus, the semi-independent governor of corduene, and a friend of ursicinus. ammianus successfully located the persian main body and reported his findings to ursicinus.[ ] after his mission in corduene amminianus accompanied his commander when the latter rode out from his headquarters at amida on a mission to make sure the bridges across the euphrates were demolished. they were attacked by the persian vanguard who had made a night march in an attempt to catch the romans at amida off guard. after a protracted cavalry battle the romans were scattered, ursicinus evaded capture and fled to melitene while ammianus barely made it back to amida with a wounded comrade.[ ] the persians started to besiege the city. when it fell ammianus barely escaped with his life.[ ] when ursicinus was dismissed from his military post by constantius, ammianus too seems to have retired from the military; however, reevaluation of his participation in julian's persian campaigns has led modern scholarship to suggest that he continued his service but did not for some reason include the period in his history. he accompanied julian, for whom he expresses enthusiastic admiration, in his campaigns against the alamanni and the sassanids. after julian's death, ammianus accompanied the retreat of the new emperor, jovian, as far as antioch. he was residing in antioch in when a certain theodorus was thought to have been identified the successor to the emperor valens by divination. speaking as an alleged eyewitness, marcellinus recounts how theodorus and several others were made to confess their deceit through the use of torture, and cruelly punished. portrait of julian on a bronze coin of antioch he eventually settled in rome and began the res gestae. the precise year of his death is unknown, but scholarly consensus places it somewhere between and at the latest.[ ][ ] modern scholarship generally describes ammianus as a pagan who was tolerant of christianity.[ ] marcellinus writes of christianity as being a pure and simple religion that demands only what is just and mild, and when he condemns the actions of christians, he does not do so on the basis of their christianity as such.[ ] his lifetime was marked by lengthy outbreaks of sectarian and dogmatic strife within the new state-backed faith, often with violent consequences (especially the arian controversy) and these conflicts sometimes appeared unworthy to him, though it was territory where he could not risk going very far in criticism, due to the growing and volatile political connections between the church and imperial power. he was not blind to the faults of christians or of pagans; he observed in his res gestae that "no wild beasts are so deadly to humans as most christians are to each other."[ ] and he condemns his hero julian for excessive attachment to (pagan) sacrifice, and for his edict effectively barring christians from teaching posts.[ ] work[edit] while living in rome in the s, ammianus wrote a latin history of the roman empire from the accession of nerva ( ) to the death of valens at the battle of adrianople ( ),[ ] in effect writing a continuation of the history of tacitus. he presumably completed the work before , as at . . he praises the serapeum in egypt as the glory of the empire; it was in that same year the emperor granted the temple grounds to a christian bishop, provoking pagans into barricading themselves in the temple, plundering its contents, and torturing christians, ultimately destroying the temple. the res gestae (rerum gestarum libri xxxi) was originally composed of thirty-one books, but the first thirteen have been lost.[ ][b] the surviving eighteen books cover the period from to .[ ] it constitutes the foundation of modern understanding of the history of the fourth century roman empire. it is lauded as a clear, comprehensive, and generally impartial account of events by a contemporary; like many ancient historians, however, ammianus was in fact not impartial, although he expresses an intention to be so, and had strong moral and religious prejudices. although criticised as lacking literary merit by his early biographers, he was in fact quite skilled in rhetoric, which significantly has brought the veracity of some of the res gestae into question. his work has suffered substantially from manuscript transmission. aside from the loss of the first thirteen books, the remaining eighteen are in many places corrupt and lacunose. the sole surviving manuscript from which almost every other is derived is a ninth-century carolingian text, vatican lat. (v), produced in fulda from an insular exemplar. the only independent textual source for ammianus lies in fragmenta marbugensia (m), another ninth-century frankish codex which was taken apart to provide covers for account-books during the fifteenth century. only six leaves of m survive; however, before this manuscript was dismantled the abbot of hersfeld lent the manuscript to sigismund gelenius, who used it in preparing the text of the second froben edition (g). the dates and relationship of v and m were long disputed until when r. p. robinson demonstrated persuasively that v was copied from m. as l. d. reynolds summarizes, "m is thus a fragment of the archetype; symptoms of an insular pre-archetype are evident."[ ] his handling from his earliest printers was little better. the editio princeps was printed in in rome by georg sachsel and bartholomaeus golsch, which broke off at the end of book . the next edition (bologna, ) suffered from its editor's conjectures upon the poor text of the edition; the edition was pirated for the first froben edition (basle, ). it was not until that the last five books of ammianus' history were put into print by silvanus otmar and edited by mariangelus accursius. the first modern edition was produced by c.u. clark (berlin, – ).[ ] the first english translations were by philemon holland in ,[ ] and later by c.d. yonge in .[ ] reception[edit] a copy of the res gestae from edward gibbon judged ammianus "an accurate and faithful guide, who composed the history of his own times without indulging the prejudices and passions which usually affect the mind of a contemporary."[ ] but he also condemned ammianus for lack of literary flair: "the coarse and undistinguishing pencil of ammianus has delineated his bloody figures with tedious and disgusting accuracy."[ ] austrian historian ernst stein praised ammianus as "the greatest literary genius that the world produced between tacitus and dante".[ ] according to kimberly kagan, his accounts of battles emphasize the experience of the soldiers but at the cost of ignoring the bigger picture. as a result, it is difficult for the reader to understand why the battles he describes had the outcome they did.[ ] ammianus' work contains a detailed description of the tsunami in alexandria which devastated the metropolis and the shores of the eastern mediterranean on july . his report describes accurately the characteristic sequence of earthquake, retreat of the sea and sudden giant wave.[ ] notes[edit] ^ following earlier scholars, matthews suggested a hometown of antioch on the orontes based on the assumption that ammianus was the recipient of a letter from a pagan contemporary, libanius, to a certain marcellinus;[ ] however formara in argued that this letter must have referred in fact to a younger man and an orator newly arrived in rome, rather than ammianus, who had long been a resident in the city, and barnes solidified this stance in modern scholarship. however, many scholars remain convinced that ammianus was a native of antioch.[ ] ^ historian t.d. barnes argues that the original was actually thirty-six books, which if correct would mean that eighteen books have been lost.[ ] references[edit] ^ young , p.  . ^ matthews , p.  . ^ barnes , p.  - . ^ a b barnes , p.  . ^ norden , p.  . ^ kagan , p.  . ^ barnes , p.  . ^ ammianus, res gestae, , – . ^ ammianus, res gestae, , . – . . ^ ammianus, res gestae, , , – . ^ kagan , p.  - . ^ kelly , p.  . ^ barnes , p. ?. ^ treadgold , p.  -. ^ hunt , p.  , . ^ hunt , p.  . ^ hunt , p.  . ^ kagan , p.  . ^ frakes , p.  . ^ fisher , p.  . ^ a b reynolds , p.  ff. ^ a b jenkins , p.  . ^ gibbon , p. chapter . . ^ gibbon , p. chapter . ^ stein , p. ?. ^ kagan , p.  - . ^ kelly , p.  - . sources[edit] barnes, timothy d. ( ). ammianus marcellinus and the representation of historical reality (cornell studies in classical philology). cornell university press. clark, charles upson. the text tradition of ammianus marcellinus. ph.d. diss. yale: . crump, gary a. ammianus marcellinus as a military historian. steiner, , isbn  - - - . drijvers, jan and david hunt. late roman world and its historian. routledge, , isbn  - - -x. fisher, h. a. l. ( ). "the last latin historian". the quarterly review. july. frakes, robert m. ( ). "ammianus marcellinus and zonaras on a late roman assassination plot". historia: zeitschrift für alte geschichte. franz steiner verlag. bd. , h. st qtr. gibbon, edward ( ). bury, j.b. (ed.). decline and fall of the roman empire. i. random house inc. isbn  - - - - . hunt, e.d. ( ). "christians and christianity in ammianus marcellinus". classical quarterly. new series. ( ): – . doi: . /s . jstor  . jenkins, fred w. ( ). ammianus marcellinus: an annotated bibliography, to the present. brill. kelly, g. ( ). "ammianus and the great tsunami". the journal of roman studies. society for the promotion of roman studies. : – . doi: . / . hdl: . . / a - c - - caa- f e cb . jstor  . kelly, gavin ( ). ammianus marcellinus: the allusive historian. cambridge university press. isbn  - - - - . kagan, kimberly ( ). the eye of command. the university of michigan press. marcos, moyses. "a tale of two commanders: ammianus marcellinus on the campaigns of constantius ii and julian on the northern frontiers." american journal of philology . : – , . matthews, j. ( ). the roman empire of ammianus. johns hopkins university press. norden, eduard ( ). antika kunstprosa. leipzig. reynolds, l. d., ed. ( ). texts and transmission: a survey of the latin classics. clarendon press. roth, roman "pyrrhic paradigms: ennius, livy, and ammianus marcellinus." hermes . : – , . rowell, henry thompson. ammianus marcellinus, soldier-historian of the late roman empire. university of cincinnati, . sabbah, guy. "ammianus marcellinus." in greek and roman historiography in late antiquity: fourth to sixth century ad. edited by gabriele marasco, – . leiden, the netherlands: brill, . sabbah, guy. la méthode d'ammien marcellin. paris: les belles lettres, . seager, robin. ammianus marcellinus: seven studies in his language and thought. univ of missouri pr, , isbn  - - - . stein, e. ( ). geschichte des spätrömischen reiches (in german). vienna. syme, ronald. ammianus and the historia augusta. oxford: clarendon, . thompson, e.a. the historical work of ammianus marcellinus. london: cambridge university press, . tougher, s. "ammianus marcellinus on the empress eusebia: a split personality." greece and rome . : - , . treadgold, warren t. ( ). a history of the byzantine state and society. stanford university press. p.  . isbn  - - - - . retrieved august . young, george frederick ( ). east and west through fifteen centuries: being a general history from b.c. to a.d. . longmans, green and co. external links[edit] wikisource has original works written by or about: ammianus marcellinus library resources about ammianus marcellinus online books resources in your library resources in other libraries by ammianus marcellinus online books resources in your library resources in other libraries works by ammianus marcellinus at project gutenberg works by or about ammianus marcellinus at internet archive works by ammianus marcellinus at perseus digital library ammianus marcellinus on-line project ammianus marcellinus' works in latin at the latin library ammianus marcellinus' works in english at the tertullian project with introduction on the manuscripts bibliography for ammianus marcellinus at bibliographia latina selecta compiled by m.g.m. van der poel authority control bibsys: bnc: bne: xx bnf: cb (data) cantic: a cinii: da gnd: hds: isni: lccn: n lnb: nkc: jn nla: nlg: nli: nlp: a nta: rero: -a selibr: sudoc: trove: vcba: / viaf: worldcat identities: lccn-n retrieved from "https://en.wikipedia.org/w/index.php?title=ammianus_marcellinus&oldid= " categories: s births s deaths th-century historians th-century greek people th-century latin writers th-century romans ancient greeks in rome ancient roman equites ancient roman soldiers byzantine-era pagans latin historians people of roman syria people of the roman–sasanian wars roman-era greeks hidden categories: articles with short description short description matches wikidata cs : long volume value cs german-language sources (de) articles with project gutenberg links articles with internet archive links wikipedia articles with bibsys identifiers wikipedia articles with bnc identifiers wikipedia articles with bne identifiers wikipedia articles with bnf identifiers wikipedia articles with cantic identifiers wikipedia articles with cinii identifiers wikipedia articles with gnd identifiers wikipedia articles with hds identifiers wikipedia articles with isni identifiers wikipedia articles with lccn identifiers wikipedia articles with lnb identifiers wikipedia articles with nkc identifiers wikipedia articles with nla identifiers wikipedia articles with nlg identifiers wikipedia articles with nli identifiers wikipedia articles with nlp identifiers wikipedia articles with nta identifiers wikipedia articles with rero identifiers wikipedia articles with selibr identifiers wikipedia articles with sudoc identifiers wikipedia articles with trove identifiers wikipedia articles with vcba identifiers wikipedia articles with viaf identifiers wikipedia articles with worldcatid identifiers year of death unknown navigation menu personal tools not logged in talk contributions create account log in namespaces article talk variants views read edit view history more search navigation main page contents current events random article about wikipedia contact us donate contribute help learn to edit community portal recent changes upload file tools what links here related changes upload file special pages permanent link page information cite this page wikidata item print/export download as pdf printable version in other projects wikimedia commons wikisource languages alemannisch العربية asturianu azərbaycanca বাংলা Беларуская Български brezhoneg català Čeština cymraeg dansk deutsch Ελληνικά español esperanto euskara فارسی français frysk galego 한국어 Հայերեն hrvatski bahasa indonesia italiano עברית ქართული Қазақша latina lietuvių lingua franca nova magyar Македонски malagasy മലയാളം nederlands 日本語 norsk bokmål norsk nynorsk piemontèis polski português română Русский shqip sicilianu slovenčina slovenščina Српски / srpski srpskohrvatski / српскохрватски suomi svenska türkçe Українська tiếng việt 中文 edit links this page was last edited on december , at :  (utc). text is available under the creative commons attribution-sharealike license; additional terms may apply. by using this site, you agree to the terms of use and privacy policy. wikipedia® is a registered trademark of the wikimedia foundation, inc., a non-profit organization. privacy policy about wikipedia disclaimers contact wikipedia mobile view developers statistics cookie statement dux - wikipedia dux from wikipedia, the free encyclopedia jump to navigation jump to search roman title for other uses, see dux (disambiguation). ancient rome this article is part of a series on the politics and government of ancient rome periods roman kingdom – bc roman republic – bc roman empire bc – ad principate bc – ad dominate ad – western ad – eastern ad – timeline roman constitution constitution of the kingdom constitution of the republic constitution of the empire constitution of the late empire senate legislative assemblies executive magistrates precedent and law roman law ius imperium mos maiorum collegiality auctoritas roman citizenship cursus honorum senatus consultum senatus consultum ultimum assemblies centuriate curiate plebeian tribal ordinary magistrates consul praetor quaestor promagistrate aedile tribune censor governor extraordinary magistrates corrector dictator magister equitum consular tribune rex triumviri decemviri titles and honours emperor legatus dux officium praeses praefectus vicarius vigintisexviri lictor magister militum imperator princeps senatus pontifex maximus augustus caesar tetrarch other countries v t e dux (/dʌks, dʊks/; plural: ducēs) is latin for "leader" (from the noun dux, ducis, "leader, general") and later for duke and its variant forms (doge, duce, etc.). during the roman republic, dux could refer to anyone who commanded troops including foreign leaders, but was not a formal military rank. in writing his commentaries on the gallic wars, julius caesar uses the term only for celtic generals, with one exception for a roman commander who held no official rank.[ ] contents roman empire . original usage . change in usage . the office under the dominate later developments post-roman uses . education see also notes references . citations . sources external links roman empire[edit] this section needs additional citations for verification. please help improve this article by adding citations to reliable sources. unsourced material may be challenged and removed. (may ) (learn how and when to remove this template message) original usage[edit] until the rd century, dux was not a formal expression of rank within the roman military or administrative hierarchy.[ ] in the roman military, a dux would be a general in charge of two or more legions. while the title of dux could refer to a consul or imperator, it usually refers to the roman governor of the provinces. as the governor, the dux was both the highest civil official as well as the commander-in-chief of the legions garrisoned within the province. change in usage[edit] by the mid- rd century ad, it had acquired a more precise connotation defining the commander of an expeditionary force, usually made up of detachments (i.e. vexillationes) from one or more of the regular military formations. such appointments were made to deal with specific military situations when the threat to be countered seemed beyond the capabilities of the province-based military command structure that had characterised the roman army of the high empire.[ ] from the time of gallienus onwards for more than a century duces were invariably viri perfectissimi, i.e. members of the second class of the equestrian order.[ ] thus, they would have out-ranked the commanders of provincial legions, who were usually viri egregii - equestrians of the third class.[ ] duces differed from praesides who were the supreme civil as well as military authority within their provinces in that the function of the former was purely military. however, the military authority of a dux was not necessarily confined to a single province and they do not seem to have been subject to the authority of the governor of the province in which they happened to be operating. it was not until the end of the rd century that the term dux emerged as a regular military rank held by a senior officer of limitanei - i.e. frontier troops as opposed those attached to an imperial field-army (comitatenses) - with a defined geographic area of responsibility[note ] the office under the dominate[edit] during the time of the dominate, the powers of a dux were split from the role of the governor and were given to a new office called dux. the dux was now the highest military office within the province and commanded the legions, but the governor had to authorize the use of the dux's powers. but once authorized, the dux could act independently from the governor and handled all military matters. an example would be the dux per gallia belgica who was the dux of the province of gallia belgica. after diocletian's tetrarchy reform, the provinces were organized into dioceses each administered by a vicarius. as with the governors, the vicarius was assisted by a dux. this dux was superior to all other duces within the dioceses and when the vicarius called the legions of the dioceses into action, all of the legions were at the dux's command. an example would be the dux per gallia who was the dux of the dioceses of gaul. the office of dux was, in turn, made subject to the magister militum of his respective praetorian prefecture, and above him to the emperor. later developments[edit] this section does not cite any sources. please help improve this section by adding citations to reliable sources. unsourced material may be challenged and removed. (may ) (learn how and when to remove this template message) in the byzantine era of the roman empire, the position of dux survived (byzantine greek: "δούξ", doux, plural "δούκες", doukes) as a rank equivalent to a general (strategos). in the late th and early th centuries, a doux or katepano was in charge of large circumscriptions consisting of several smaller themata and of the professional regiments (tagmata) of the byzantine army (as opposed to the largely militia-like forces of most themata). in the komnenian period, the title of doux replaced altogether the strategos in designating the military official in charge of a thema. in the byzantine navy, doukes of the fleet appear in the s, and the office of megas doux ("grand duke") was created in the s as the commander-in-chief of the entire navy. the title also gave rise to a family name, the aristocratic doukas clan, which in the th– th centuries provided several byzantine emperors and generals, while later bearers of the name (maternally descended from the original family) founded the despotate of epirus in northwestern greece. post-roman uses[edit] see also: duke (lombard) this section needs additional citations for verification. please help improve this article by adding citations to reliable sources. unsourced material may be challenged and removed. (may ) (learn how and when to remove this template message) king arthur, in one of his earliest literary appearances, is described as dux bellorum ("dux of battles") among the kings of the romano-britons in their wars against the anglo-saxons. a chronicle from st martin's monastery in cologne states that the monastery had been pillaged by the saxons in , but that it was rebuilt by an "olgerus, dux daniæ" (who may have been the historical person around whom the myth of ogier the dane formed), with the help of charlemagne. dux is also the root of various high feudal noble titles of peerage rank, such as the english duke, the french duc, the spanish and portuguese duque, the venetian doge, the italian duca and duce, and the byzantine greek dukas or doukas (gr. δούκας) (see doukas). italian fascist dictator benito mussolini used the title of dux (and duce in italian) to represent his leadership. one fascist motto was "dvx mea lvx", latin for "[the] duce [is] my light" or "[the] leader [is] my light".[ ] in pre-revolutionary russia, the dux factory built bicycles, automobiles and aircraft in moscow.[citation needed] education[edit] this section needs additional citations for verification. please help improve this article by adding citations to reliable sources. unsourced material may be challenged and removed. (may ) (learn how and when to remove this template message) in scotland, south africa, australia and new zealand dux is a modern title given to the highest-ranking student in academic, arts or sporting achievement (dux litterarum, dux artium and dux ludorum respectively) in each graduating year.[ ] this can lead to scholarships at universities.[ ] the runner-up may be given the title proxime accessit (meaning "he/she came next") or semidux.[ ] in portuguese universities the dux is the most senior of students, usually in charge of overseeing the praxe (initiation rituals for the freshmen). see also[edit] valedictorian salutatorian notes[edit] ^ the earliest attested dux with a defined regional responsibility seems to have been aur. firminianus, dux limit. prov. scyt ...[ ] – i.e. dux of the frontier troops of the province of scythia – in the s ad. references[edit] citations[edit] ^ thomas wiedemann, “the fetiales: a reconsideration,” classical quarterly ( ), p. . the roman called dux is publius crassus, who was too young to hold a commission; see discussion of his rank. ^ fergus millar, the roman near east, b.c.-a.d. (harvard university press, ), pg. online ^ smith, prof. r.e. ( ). "dux; praepositus". zeitschrift für papyrologie und epigraphik. . pp.  – . ^ christol, m. ( ). "un duc dans une inscription de termessos (pisidie)". chiron. : – . ) ^ nagy, prof. t. ( ). "commanders of legions in the age of gallienus". acta archeologica hungarica. xvii: – . ^ j.b. campbell, cil iii = ils , "inscriptions to the magna mater in the provinces of moesia", the roman army, bc-ad : a sourcebook, books.google.com; accessed may . ^ duce-mussolini, delcampe.it; accessed may . ^ "albion park high school | dux of the school". www.albionpk-h.schools.nsw.edu.au. retrieved - - . ^ "university of otago dux scholarship, scholarships database, university of otago, new zealand". www.otago.ac.nz. retrieved - - . ^ "prizes & awards » lincoln high school". www.lincoln.school.nz. retrieved - - . sources[edit] realencyclopädie der classischen altertumswissenschaft (pauly–wissowa) external links[edit] the dictionary definition of dux at wiktionary v t e ancient rome topics outline timeline history foundation kingdom overthrow republic empire history pax romana principate dominate western empire fall historiography of the fall byzantine empire decline fall constitution history kingdom republic empire late empire senate legislative assemblies curiate centuriate tribal plebeian executive magistrates spqr law twelve tables mos maiorum citizenship auctoritas imperium status litigation government curia forum cursus honorum collegiality emperor legatus dux officium prefect vicarius vigintisexviri lictor magister militum imperator princeps senatus pontifex maximus augustus caesar tetrarch optimates populares province magistrates ordinary consul censor praetor tribune tribune of the plebs military tribune quaestor aedile promagistrate governor extraordinary rex interrex dictator magister equitum decemviri consular tribune triumvir military history borders establishment structure campaigns political control strategy engineering frontiers and fortifications castra technology army legion infantry tactics personal equipment siege engines navy auxiliaries decorations and punishments hippika gymnasia economy agriculture deforestation commerce finance currency republican currency imperial currency culture architecture art bathing calendar clothing cosmetics cuisine hairstyles education literature music mythology religion deities romanization roman people sexuality theatre wine society patricians plebs conflict of the orders secessio plebis equites gens tribes assembly naming conventions demography women marriage adoption slavery bagaudae technology amphitheatres aqueducts bridges circuses civil engineering concrete domes metallurgy numerals roads temples theatres sanitation thermae latin history alphabet versions old classical vulgar late medieval renaissance new contemporary ecclesiastical romance languages writers latin aelius donatus ammianus marcellinus appuleius asconius pedianus augustine aurelius victor ausonius boëthius caesar catullus cassiodorus censorinus cicero claudian columella cornelius nepos ennius eutropius fabius pictor sextus pompeius festus rufus festus florus frontinus fronto fulgentius gellius horace hydatius hyginus jerome jordanes julius paulus justin juvenal lactantius livy lucan lucretius macrobius marcellus empiricus marcus aurelius manilius martial nicolaus damascenus nonius marcellus obsequens orosius ovid petronius phaedrus plautus pliny the elder pliny the younger pomponius mela priscian propertius quadrigarius quintilian quintus curtius rufus sallust seneca the elder seneca the younger servius sidonius apollinaris silius italicus statius suetonius symmachus tacitus terence tertullian tibullus valerius antias valerius maximus varro velleius paterculus verrius flaccus vergil vitruvius greek aelian aëtius of amida appian arrian cassius dio diodorus siculus diogenes laërtius dionysius of halicarnassus dioscorides eusebius of caesaria galen herodian josephus julian libanius lucian pausanias philostratus phlegon of tralles photius plutarch polyaenus polybius porphyrius priscus procopius simplicius of cilicia sozomen stephanus byzantinus strabo themistius theodoret zonaras zosimus major cities alexandria antioch aquileia berytus bononia carthage constantinopolis eboracum leptis magna londinium lugdunum lutetia mediolanum pompeii ravenna roma smyrna vindobona volubilis lists and other topics cities and towns climate consuls dictators distinguished women dynasties emperors generals gentes geographers institutions laws legacy legions magistri equitum nomina pontifices maximi praetors quaestors tribunes roman–iranian relations wars and battles civil wars and revolts fiction films v t e highest military ranks general officer flag officer air officer ancient autokrator beylerbey grand constable of france domestic of the schools dux bellorum grand domestic imperator ispahsalar magister militum megas doux polemarch rigsmarsk sardar shōgun spahbed voivode modern admiral of the navy aluf da yuan shuai dai-gensui first marshal of the empire general of the air force general of the armies generalfeldmarschall generalissimo generalissimus of the soviet union grand marshal chom thap thai hetman jenderal besar marshal 'mareşal' marshal of italy marshal of the air force marshal of the mongolian people's republic marshal of peru marshal of the russian federation marshal of the soviet union marshal of yugoslavia vojvoda (serbia and yugoslavia) mushir reichsmarschall serasker supreme allied commander taewonsu wonsu yuan shuai retrieved from "https://en.wikipedia.org/w/index.php?title=dux&oldid= " categories: ancient roman titles latin words and phrases military ranks of ancient rome late roman military ranks hidden categories: articles with short description short description matches wikidata articles needing additional references from may all articles needing additional references all articles with unsourced statements articles with unsourced statements from may navigation menu personal tools not logged in talk contributions create account log in namespaces article talk variants views read edit view history more search navigation main page contents current events random 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developers statistics cookie statement horace - wikipedia open main menu home random nearby log in settings donate about wikipedia disclaimers search horace language watch edit this article is about the roman poet. for the egyptian god, see horus. for other uses, see horace (disambiguation). quintus horatius flaccus ( december – november bc), known in the english-speaking world as horace (/ˈhɒrɪs/), was the leading roman lyric poet during the time of augustus (also known as octavian). the rhetorician quintilian regarded his odes as just about the only latin lyrics worth reading: "he can be lofty sometimes, yet he is also full of charm and grace, versatile in his figures, and felicitously daring in his choice of words."[nb ] horace horace, as imagined by anton von werner born quintus horatius flaccus december bc venusia, italy, roman republic died november bc (age ) rome resting place rome occupation soldier, scriba quaestorius, poet, senator language latin nationality roman genre lyric poetry notable works odes "the art of poetry" horace also crafted elegant hexameter verses (satires and epistles) and caustic iambic poetry (epodes). the hexameters are amusing yet serious works, friendly in tone, leading the ancient satirist persius to comment: "as his friend laughs, horace slyly puts his finger on his every fault; once let in, he plays about the heartstrings".[nb ] his career coincided with rome's momentous change from a republic to an empire. an officer in the republican army defeated at the battle of philippi in bc, he was befriended by octavian's right-hand man in civil affairs, maecenas, and became a spokesman for the new regime. for some commentators, his association with the regime was a delicate balance in which he maintained a strong measure of independence (he was "a master of the graceful sidestep")[ ] but for others he was, in john dryden's phrase, "a well-mannered court slave".[ ][nb ] contents life . childhood . adulthood . . poet . . knight works . historical context . themes reception . antiquity . middle ages and renaissance . age of enlightenment . th century on translations in popular culture see also notes citations references further reading external links lifeedit   horatii flacci sermonum ( ) horace can be regarded as the world's first autobiographer.[ ] in his writings, he tells us far more about himself, his character, his development, and his way of life, than any other great poet of antiquity. some of the biographical material contained in his work can be supplemented from the short but valuable "life of horace" by suetonius (in his lives of the poets).[ ] childhoodedit he was born on december bc[nb ] in the samnite south of italy.[ ] his home town, venusia, lay on a trade route in the border region between apulia and lucania (basilicata). various italic dialects were spoken in the area and this perhaps enriched his feeling for language. he could have been familiar with greek words even as a young boy and later he poked fun at the jargon of mixed greek and oscan spoken in neighbouring canusium.[ ] one of the works he probably studied in school was the odyssia of livius andronicus, taught by teachers like the 'orbilius' mentioned in one of his poems.[ ] army veterans could have been settled there at the expense of local families uprooted by rome as punishment for their part in the social war ( – bc).[ ] such state-sponsored migration must have added still more linguistic variety to the area. according to a local tradition reported by horace,[ ] a colony of romans or latins had been installed in venusia after the samnites had been driven out early in the third century. in that case, young horace could have felt himself to be a roman[ ][ ] though there are also indications that he regarded himself as a samnite or sabellus by birth.[ ][ ] italians in modern and ancient times have always been devoted to their home towns, even after success in the wider world, and horace was no different. images of his childhood setting and references to it are found throughout his poems.[ ] horace's father was probably a venutian taken captive by romans in the social war, or possibly he was descended from a sabine captured in the samnite wars. either way, he was a slave for at least part of his life. he was evidently a man of strong abilities however and managed to gain his freedom and improve his social position. thus horace claimed to be the free-born son of a prosperous 'coactor'.[ ] the term 'coactor' could denote various roles, such as tax collector, but its use by horace[ ] was explained by scholia as a reference to 'coactor argentareus' i.e. an auctioneer with some of the functions of a banker, paying the seller out of his own funds and later recovering the sum with interest from the buyer.[ ] the father spent a small fortune on his son's education, eventually accompanying him to rome to oversee his schooling and moral development. the poet later paid tribute to him in a poem[ ] that one modern scholar considers the best memorial by any son to his father.[nb ] the poem includes this passage: if my character is flawed by a few minor faults, but is otherwise decent and moral, if you can point out only a few scattered blemishes on an otherwise immaculate surface, if no one can accuse me of greed, or of prurience, or of profligacy, if i live a virtuous life, free of defilement (pardon, for a moment, my self-praise), and if i am to my friends a good friend, my father deserves all the credit... as it is now, he deserves from me unstinting gratitude and praise. i could never be ashamed of such a father, nor do i feel any need, as many people do, to apologize for being a freedman's son. satires . . – he never mentioned his mother in his verses and he might not have known much about her. perhaps she also had been a slave.[ ] adulthoodedit horace left rome, possibly after his father's death, and continued his formal education in athens, a great centre of learning in the ancient world, where he arrived at nineteen years of age, enrolling in the academy. founded by plato, the academy was now dominated by epicureans and stoics, whose theories and practises made a deep impression on the young man from venusia.[ ] meanwhile, he mixed and lounged about with the elite of roman youth, such as marcus, the idle son of cicero, and the pompeius to whom he later addressed a poem.[ ] it was in athens too that he probably acquired deep familiarity with the ancient tradition of greek lyric poetry, at that time largely the preserve of grammarians and academic specialists (access to such material was easier in athens than in rome, where the public libraries had yet to be built by asinius pollio and augustus).[ ] rome's troubles following the assassination of julius caesar were soon to catch up with him. marcus junius brutus came to athens seeking support for the republican cause. brutus was fêted around town in grand receptions and he made a point of attending academic lectures, all the while recruiting supporters among the young men studying there, including horace.[ ] an educated young roman could begin military service high in the ranks and horace was made tribunus militum (one of six senior officers of a typical legion), a post usually reserved for men of senatorial or equestrian rank and which seems to have inspired jealousy among his well-born confederates.[ ][ ] he learned the basics of military life while on the march, particularly in the wilds of northern greece, whose rugged scenery became a backdrop to some of his later poems.[ ] it was there in bc that octavian (later augustus) and his associate mark antony crushed the republican forces at the battle of philippi. horace later recorded it as a day of embarrassment for himself, when he fled without his shield,[ ] but allowance should be made for his self-deprecating humour. moreover, the incident allowed him to identify himself with some famous poets who had long ago abandoned their shields in battle, notably his heroes alcaeus and archilochus. the comparison with the latter poet is uncanny: archilochus lost his shield in a part of thrace near philippi, and he was deeply involved in the greek colonization of thasos, where horace's die-hard comrades finally surrendered.[ ] octavian offered an early amnesty to his opponents and horace quickly accepted it. on returning to italy, he was confronted with yet another loss: his father's estate in venusia was one of many throughout italy to be confiscated for the settlement of veterans (virgil lost his estate in the north about the same time). horace later claimed that he was reduced to poverty and this led him to try his hand at poetry.[ ] in reality, there was no money to be had from versifying. at best, it offered future prospects through contacts with other poets and their patrons among the rich.[ ] meanwhile, he obtained the sinecure of scriba quaestorius, a civil service position at the aerarium or treasury, profitable enough to be purchased even by members of the ordo equester and not very demanding in its work-load, since tasks could be delegated to scribae or permanent clerks.[ ] it was about this time that he began writing his satires and epodes. poetedit   horace reads before maecenas, by fyodor bronnikov the epodes belong to iambic poetry. iambic poetry features insulting and obscene language;[ ][ ] sometimes, it is referred to as blame poetry.[ ] blame poetry, or shame poetry, is poetry written to blame and shame fellow citizens into a sense of their social obligations. horace modelled these poems on the poetry of archilochus. social bonds in rome had been decaying since the destruction of carthage a little more than a hundred years earlier, due to the vast wealth that could be gained by plunder and corruption.[ ] these social ills were magnified by rivalry between julius caesar, mark antony and confederates like sextus pompey, all jockeying for a bigger share of the spoils. one modern scholar has counted a dozen civil wars in the hundred years leading up to bc, including the spartacus rebellion, eight years before horace's birth.[ ] as the heirs to hellenistic culture, horace and his fellow romans were not well prepared to deal with these problems: at bottom, all the problems that the times were stirring up were of a social nature, which the hellenistic thinkers were ill qualified to grapple with. some of them censured oppression of the poor by the rich, but they gave no practical lead, though they may have hoped to see well-meaning rulers doing so. philosophy was drifting into absorption in self, a quest for private contentedness, to be achieved by self-control and restraint, without much regard for the fate of a disintegrating community. — v. g. kiernan[ ] horace's hellenistic background is clear in his satires, even though the genre was unique to latin literature. he brought to it a style and outlook suited to the social and ethical issues confronting rome but he changed its role from public, social engagement to private meditation.[ ] meanwhile, he was beginning to interest octavian's supporters, a gradual process described by him in one of his satires.[ ] the way was opened for him by his friend, the poet virgil, who had gained admission into the privileged circle around maecenas, octavian's lieutenant, following the success of his eclogues. an introduction soon followed and, after a discreet interval, horace too was accepted. he depicted the process as an honourable one, based on merit and mutual respect, eventually leading to true friendship, and there is reason to believe that his relationship was genuinely friendly, not just with maecenas but afterwards with augustus as well.[ ] on the other hand, the poet has been unsympathetically described by one scholar as "a sharp and rising young man, with an eye to the main chance."[ ] there were advantages on both sides: horace gained encouragement and material support, the politicians gained a hold on a potential dissident.[ ] his republican sympathies, and his role at philippi, may have caused him some pangs of remorse over his new status. however most romans considered the civil wars to be the result of contentio dignitatis, or rivalry between the foremost families of the city, and he too seems to have accepted the principate as rome's last hope for much needed peace.[ ] in bc, horace accompanied maecenas on a journey to brundisium, described in one of his poems[ ] as a series of amusing incidents and charming encounters with other friends along the way, such as virgil. in fact the journey was political in its motivation, with maecenas en route to negotiatie the treaty of tarentum with antony, a fact horace artfully keeps from the reader (political issues are largely avoided in the first book of satires).[ ] horace was probably also with maecenas on one of octavian's naval expeditions against the piratical sextus pompeius, which ended in a disastrous storm off palinurus in bc, briefly alluded to by horace in terms of near-drowning.[ ][nb ] there are also some indications in his verses that he was with maecenas at the battle of actium in bc, where octavian defeated his great rival, antony.[ ][nb ] by then horace had already received from maecenas the famous gift of his sabine farm, probably not long after the publication of the first book of satires. the gift, which included income from five tenants, may have ended his career at the treasury, or at least allowed him to give it less time and energy.[ ] it signalled his identification with the octavian regime yet, in the second book of satires that soon followed, he continued the apolitical stance of the first book. by this time, he had attained the status of eques romanus,[ ] perhaps as a result of his work at the treasury.[ ] knightedit odes – were the next focus for his artistic creativity. he adapted their forms and themes from greek lyric poetry of the seventh and sixth centuries bc. the fragmented nature of the greek world had enabled his literary heroes to express themselves freely and his semi-retirement from the treasury in rome to his own estate in the sabine hills perhaps empowered him to some extent also[ ] yet even when his lyrics touched on public affairs they reinforced the importance of private life.[ ] nevertheless, his work in the period – bc began to show his closeness to the regime and his sensitivity to its developing ideology. in odes . , for example, he eulogized octavian in hyperboles that echo hellenistic court poetry. the name augustus, which octavian assumed in january bc, is first attested in odes . and . . in the period – bc, political allusions in the odes concentrated on foreign wars in britain ( . ), arabia ( . ) spain ( . ) and parthia ( . ). he greeted augustus on his return to rome in bc as a beloved ruler upon whose good health he depended for his own happiness ( . ).[ ] the public reception of odes – disappointed him, however. he attributed the lack of success to jealousy among imperial courtiers and to his isolation from literary cliques.[ ] perhaps it was disappointment that led him to put aside the genre in favour of verse letters. he addressed his first book of epistles to a variety of friends and acquaintances in an urbane style reflecting his new social status as a knight. in the opening poem, he professed a deeper interest in moral philosophy than poetry[ ] but, though the collection demonstrates a leaning towards stoic theory, it reveals no sustained thinking about ethics.[ ] maecenas was still the dominant confidante but horace had now begun to assert his own independence, suavely declining constant invitations to attend his patron.[ ] in the final poem of the first book of epistles, he revealed himself to be forty-four years old in the consulship of lollius and lepidus i.e. bc, and "of small stature, fond of the sun, prematurely grey, quick-tempered but easily placated".[ ][ ] according to suetonius, the second book of epistles was prompted by augustus, who desired a verse epistle to be addressed to himself. augustus was in fact a prolific letter-writer and he once asked horace to be his personal secretary. horace refused the secretarial role but complied with the emperor's request for a verse letter.[ ] the letter to augustus may have been slow in coming, being published possibly as late as bc. it celebrated, among other things, the bc military victories of his stepsons, drusus and tiberius, yet it and the following letter[ ] were largely devoted to literary theory and criticism. the literary theme was explored still further in ars poetica, published separately but written in the form of an epistle and sometimes referred to as epistles . (possibly the last poem he ever wrote).[ ] he was also commissioned to write odes commemorating the victories of drusus and tiberius[ ] and one to be sung in a temple of apollo for the secular games, a long-abandoned festival that augustus revived in accordance with his policy of recreating ancient customs (carmen saeculare). suetonius recorded some gossip about horace's sexual activities late in life, claiming that the walls of his bedchamber were covered with obscene pictures and mirrors, so that he saw erotica wherever he looked.[nb ] the poet died at years of age, not long after his friend maecenas, near whose tomb he was laid to rest. both men bequeathed their property to augustus, an honour that the emperor expected of his friends.[ ] worksedit   odes . – wall poem in leiden the dating of horace's works isn't known precisely and scholars often debate the exact order in which they were first 'published'. there are persuasive arguments for the following chronology:[ ] satires (c. – bc) satires (c. bc) epodes ( bc) odes – (c. bc)[nb ] epistles (c. bc) carmen saeculare ( bc) epistles (c. bc)[nb ] odes (c. bc) ars poetica (c. – bc)[nb ] historical contextedit horace composed in traditional metres borrowed from archaic greece, employing hexameters in his satires and epistles, and iambs in his epodes, all of which were relatively easy to adapt into latin forms. his odes featured more complex measures, including alcaics and sapphics, which were sometimes a difficult fit for latin structure and syntax. despite these traditional metres, he presented himself as a partisan in the development of a new and sophisticated style. he was influenced in particular by hellenistic aesthetics of brevity, elegance and polish, as modelled in the work of callimachus.[ ] as soon as horace, stirred by his own genius and encouraged by the example of virgil, varius, and perhaps some other poets of the same generation, had determined to make his fame as a poet, being by temperament a fighter, he wanted to fight against all kinds of prejudice, amateurish slovenliness, philistinism, reactionary tendencies, in short to fight for the new and noble type of poetry which he and his friends were endeavouring to bring about. — eduard fraenkel[ ] in modern literary theory, a distinction is often made between immediate personal experience (urerlebnis) and experience mediated by cultural vectors such as literature, philosophy and the visual arts (bildungserlebnis).[ ] the distinction has little relevance for horace[citation needed] however since his personal and literary experiences are implicated in each other. satires . , for example, recounts in detail a real trip horace made with virgil and some of his other literary friends, and which parallels a satire by lucilius, his predecessor.[ ] unlike much hellenistic-inspired literature, however, his poetry was not composed for a small coterie of admirers and fellow poets, nor does it rely on abstruse allusions for many of its effects. though elitist in its literary standards, it was written for a wide audience, as a public form of art.[ ] ambivalence also characterizes his literary persona, since his presentation of himself as part of a small community of philosophically aware people, seeking true peace of mind while shunning vices like greed, was well adapted to augustus's plans to reform public morality, corrupted by greed—his personal plea for moderation was part of the emperor's grand message to the nation.[ ] horace generally followed the examples of poets established as classics in different genres, such as archilochus in the epodes, lucilius in the satires and alcaeus in the odes, later broadening his scope for the sake of variation and because his models weren't actually suited to the realities confronting him. archilochus and alcaeus were aristocratic greeks whose poetry had a social and religious function that was immediately intelligible to their audiences but which became a mere artifice or literary motif when transposed to rome. however, the artifice of the odes is also integral to their success, since they could now accommodate a wide range of emotional effects, and the blend of greek and roman elements adds a sense of detachment and universality.[ ] horace proudly claimed to introduce into latin the spirit and iambic poetry of archilochus but (unlike archilochus) without persecuting anyone (epistles . . – ). it was no idle boast. his epodes were modelled on the verses of the greek poet, as 'blame poetry', yet he avoided targeting real scapegoats. whereas archilochus presented himself as a serious and vigorous opponent of wrong-doers, horace aimed for comic effects and adopted the persona of a weak and ineffectual critic of his times (as symbolized for example in his surrender to the witch canidia in the final epode).[ ] he also claimed to be the first to introduce into latin the lyrical methods of alcaeus (epistles . . – ) and he actually was the first latin poet to make consistent use of alcaic meters and themes: love, politics and the symposium. he imitated other greek lyric poets as well, employing a 'motto' technique, beginning each ode with some reference to a greek original and then diverging from it.[ ] the satirical poet lucilius was a senator's son who could castigate his peers with impunity. horace was a mere freedman's son who had to tread carefully.[ ] lucilius was a rugged patriot and a significant voice in roman self-awareness, endearing himself to his countrymen by his blunt frankness and explicit politics. his work expressed genuine freedom or libertas. his style included 'metrical vandalism' and looseness of structure. horace instead adopted an oblique and ironic style of satire, ridiculing stock characters and anonymous targets. his libertas was the private freedom of a philosophical outlook, not a political or social privilege.[ ] his satires are relatively easy-going in their use of meter (relative to the tight lyric meters of the odes)[ ] but formal and highly controlled relative to the poems of lucilius, whom horace mocked for his sloppy standards (satires . . – )[nb ] the epistles may be considered among horace's most innovative works. there was nothing like it in greek or roman literature. occasionally poems had had some resemblance to letters, including an elegiac poem from solon to mimnermus and some lyrical poems from pindar to hieron of syracuse. lucilius had composed a satire in the form of a letter, and some epistolary poems were composed by catullus and propertius. but nobody before horace had ever composed an entire collection of verse letters,[ ] let alone letters with a focus on philosophical problems. the sophisticated and flexible style that he had developed in his satires was adapted to the more serious needs of this new genre.[ ] such refinement of style was not unusual for horace. his craftsmanship as a wordsmith is apparent even in his earliest attempts at this or that kind of poetry, but his handling of each genre tended to improve over time as he adapted it to his own needs.[ ] thus for example it is generally agreed that his second book of satires, where human folly is revealed through dialogue between characters, is superior to the first, where he propounds his ethics in monologues. nevertheless, the first book includes some of his most popular poems.[ ] themesedit horace developed a number of inter-related themes throughout his poetic career, including politics, love, philosophy and ethics, his own social role, as well as poetry itself. his epodes and satires are forms of 'blame poetry' and both have a natural affinity with the moralising and diatribes of cynicism. this often takes the form of allusions to the work and philosophy of bion of borysthenes [nb ] but it is as much a literary game as a philosophical alignment. by the time he composed his epistles, he was a critic of cynicism along with all impractical and "high-falutin" philosophy in general.[nb ][ ] the satires also include a strong element of epicureanism, with frequent allusions to the epicurean poet lucretius.[nb ] so for example the epicurean sentiment carpe diem is the inspiration behind horace's repeated punning on his own name (horatius ~ hora) in satires . .[ ] the satires also feature some stoic, peripatetic and platonic (dialogues) elements. in short, the satires present a medley of philosophical programs, dished up in no particular order—a style of argument typical of the genre.[ ] the odes display a wide range of topics. over time, he becomes more confident about his political voice.[ ] although he is often thought of as an overly intellectual lover, he is ingenious in representing passion.[ ] the "odes" weave various philosophical strands together, with allusions and statements of doctrine present in about a third of the odes books – , ranging from the flippant ( . , . ) to the solemn ( . , . , . ). epicureanism is the dominant influence, characterizing about twice as many of these odes as stoicism. a group of odes combines these two influences in tense relationships, such as odes . , praising stoic virility and devotion to public duty while also advocating private pleasures among friends. while generally favouring the epicurean lifestyle, the lyric poet is as eclectic as the satiric poet, and in odes . even proposes aristotle's golden mean as a remedy for rome's political troubles.[ ] many of horace's poems also contain much reflection on genre, the lyric tradition, and the function of poetry.[ ] odes , thought to be composed at the emperor's request, takes the themes of the first three books of "odes" to a new level. this book shows greater poetic confidence after the public performance of his "carmen saeculare" or "century hymn" at a public festival orchestrated by augustus. in it, horace addresses the emperor augustus directly with more confidence and proclaims his power to grant poetic immortality to those he praises. it is the least philosophical collection of his verses, excepting the twelfth ode, addressed to the dead virgil as if he were living. in that ode, the epic poet and the lyric poet are aligned with stoicism and epicureanism respectively, in a mood of bitter-sweet pathos.[ ] the first poem of the epistles sets the philosophical tone for the rest of the collection: "so now i put aside both verses and all those other games: what is true and what befits is my care, this my question, this my whole concern." his poetic renunciation of poetry in favour of philosophy is intended to be ambiguous. ambiguity is the hallmark of the epistles. it is uncertain if those being addressed by the self-mocking poet-philosopher are being honoured or criticized. though he emerges as an epicurean, it is on the understanding that philosophical preferences, like political and social choices, are a matter of personal taste. thus he depicts the ups and downs of the philosophical life more realistically than do most philosophers.[ ] receptionedit   horace, portrayed by giacomo di chirico the reception of horace's work has varied from one epoch to another and varied markedly even in his own lifetime. odes – were not well received when first 'published' in rome, yet augustus later commissioned a ceremonial ode for the centennial games in bc and also encouraged the publication of odes , after which horace's reputation as rome's premier lyricist was assured. his odes were to become the best received of all his poems in ancient times, acquiring a classic status that discouraged imitation: no other poet produced a comparable body of lyrics in the four centuries that followed[ ] (though that might also be attributed to social causes, particularly the parasitism that italy was sinking into).[ ] in the seventeenth and eighteenth centuries, ode-writing became highly fashionable in england and a large number of aspiring poets imitated horace both in english and in latin.[ ] in a verse epistle to augustus (epistle . ), in bc, horace argued for classic status to be awarded to contemporary poets, including virgil and apparently himself.[ ] in the final poem of his third book of odes he claimed to have created for himself a monument more durable than bronze ("exegi monumentum aere perennius", carmina . . ). for one modern scholar, however, horace's personal qualities are more notable than the monumental quality of his achievement: ... when we hear his name we don't really think of a monument. we think rather of a voice which varies in tone and resonance but is always recognizable, and which by its unsentimental humanity evokes a very special blend of liking and respect. — niall rudd[ ] yet for men like wilfred owen, scarred by experiences of world war i, his poetry stood for discredited values: my friend, you would not tell with such high zest to children ardent for some desperate glory, the old lie: dulce et decorum est pro patria mori.[nb ] the same motto, dulce et decorum est pro patria mori, had been adapted to the ethos of martyrdom in the lyrics of early christian poets like prudentius.[ ] these preliminary comments touch on a small sample of developments in the reception of horace's work. more developments are covered epoch by epoch in the following sections. antiquityedit horace's influence can be observed in the work of his near contemporaries, ovid and propertius. ovid followed his example in creating a completely natural style of expression in hexameter verse, and propertius cheekily mimicked him in his third book of elegies.[nb ] his epistles provided them both with a model for their own verse letters and it also shaped ovid's exile poetry.[nb ] his influence had a perverse aspect. as mentioned before, the brilliance of his odes may have discouraged imitation. conversely, they may have created a vogue for the lyrics of the archaic greek poet pindar, due to the fact that horace had neglected that style of lyric (see influence and legacy of pindar).[ ] the iambic genre seems almost to have disappeared after publication of horace's epodes. ovid's ibis was a rare attempt at the form but it was inspired mainly by callimachus, and there are some iambic elements in martial but the main influence there was catullus.[ ] a revival of popular interest in the satires of lucilius may have been inspired by horace's criticism of his unpolished style. both horace and lucilius were considered good role-models by persius, who critiqued his own satires as lacking both the acerbity of lucillius and the gentler touch of horace.[nb ] juvenal's caustic satire was influenced mainly by lucilius but horace by then was a school classic and juvenal could refer to him respectfully and in a round-about way as "the venusine lamp".[nb ] statius paid homage to horace by composing one poem in sapphic and one in alcaic meter (the verse forms most often associated with odes), which he included in his collection of occasional poems, silvae. ancient scholars wrote commentaries on the lyric meters of the odes, including the scholarly poet caesius bassus. by a process called derivatio, he varied established meters through the addition or omission of syllables, a technique borrowed by seneca the younger when adapting horatian meters to the stage.[ ] horace's poems continued to be school texts into late antiquity. works attributed to helenius acro and pomponius porphyrio are the remnants of a much larger body of horatian scholarship. porphyrio arranged the poems in non-chronological order, beginning with the odes, because of their general popularity and their appeal to scholars (the odes were to retain this privileged position in the medieval manuscript tradition and thus in modern editions also). horace was often evoked by poets of the fourth century, such as ausonius and claudian. prudentius presented himself as a christian horace, adapting horatian meters to his own poetry and giving horatian motifs a christian tone.[nb ] on the other hand, st jerome, modelled an uncompromising response to the pagan horace, observing: "what harmony can there be between christ and the devil? what has horace to do with the psalter?"[nb ] by the early sixth century, horace and prudentius were both part of a classical heritage that was struggling to survive the disorder of the times. boethius, the last major author of classical latin literature, could still take inspiration from horace, sometimes mediated by senecan tragedy.[ ] it can be argued that horace's influence extended beyond poetry to dignify core themes and values of the early christian era, such as self-sufficiency, inner contentment and courage.[nb ] middle ages and renaissanceedit   horace in his studium: german print of the fifteenth century, summarizing the final ode . (in praise of augustus). classical texts almost ceased being copied in the period between the mid sixth century and the carolingian revival. horace's work probably survived in just two or three books imported into northern europe from italy. these became the ancestors of six extant manuscripts dated to the ninth century. two of those six manuscripts are french in origin, one was produced in alsace, and the other three show irish influence but were probably written in continental monasteries (lombardy for example).[ ] by the last half of the ninth century, it was not uncommon for literate people to have direct experience of horace's poetry. his influence on the carolingian renaissance can be found in the poems of heiric of auxerre[nb ] and in some manuscripts marked with neumes, mysterious notations that may have been an aid to the memorization and discussion of his lyric meters. ode . is neumed with the melody of a hymn to john the baptist, ut queant laxis, composed in sapphic stanzas. this hymn later became the basis of the solfege system (do, re, mi...)—an association with western music quite appropriate for a lyric poet like horace, though the language of the hymn is mainly prudentian.[ ] lyons[ ] argues that the melody in question was linked with horace's ode well before guido d'arezzo fitted ut queant laxis to it. however, the melody is unlikely to be a survivor from classical times, although ovid[ ] testifies to horace's use of the lyre while performing his odes. the german scholar, ludwig traube, once dubbed the tenth and eleventh centuries the age of horace (aetas horatiana), and placed it between the aetas vergiliana of the eighth and ninth centuries, and the aetas ovidiana of the twelfth and thirteenth centuries, a distinction supposed to reflect the dominant classical latin influences of those times. such a distinction is over-schematized since horace was a substantial influence in the ninth century as well. traube had focused too much on horace's satires.[ ] almost all of horace's work found favour in the medieval period. in fact medieval scholars were also guilty of over-schematism, associating horace's different genres with the different ages of man. a twelfth-century scholar encapsulated the theory: "...horace wrote four different kinds of poems on account of the four ages, the odes for boys, the ars poetica for young men, the satires for mature men, the epistles for old and complete men."[ ] it was even thought that horace had composed his works in the order in which they had been placed by ancient scholars.[nb ] despite its naivety, the schematism involved an appreciation of horace's works as a collection, the ars poetica, satires and epistles appearing to find favour as well as the odes. the later middle ages however gave special significance to satires and epistles, being considered horace's mature works. dante referred to horace as orazio satiro, and he awarded him a privileged position in the first circle of hell, with homer, ovid and lucan.[ ] horace's popularity is revealed in the large number of quotes from all his works found in almost every genre of medieval literature, and also in the number of poets imitating him in quantitative latin meter. the most prolific imitator of his odes was the bavarian monk, metellus of tegernsee, who dedicated his work to the patron saint of tegernsee abbey, st quirinus, around the year . he imitated all horace's lyrical meters then followed these up with imitations of other meters used by prudentius and boethius, indicating that variety, as first modelled by horace, was considered a fundamental aspect of the lyric genre. the content of his poems however was restricted to simple piety.[ ] among the most successful imitators of satires and epistles was another germanic author, calling himself sextus amarcius, around , who composed four books, the first two exemplifying vices, the second pair mainly virtues.[ ] petrarch is a key figure in the imitation of horace in accentual meters. his verse letters in latin were modelled on the epistles and he wrote a letter to horace in the form of an ode. however he also borrowed from horace when composing his italian sonnets. one modern scholar has speculated that authors who imitated horace in accentual rhythms (including stressed latin and vernacular languages) may have considered their work a natural sequel to horace's metrical variety.[ ] in france, horace and pindar were the poetic models for a group of vernacular authors called the pléiade, including for example pierre de ronsard and joachim du bellay. montaigne made constant and inventive use of horatian quotes.[ ] the vernacular languages were dominant in spain and portugal in the sixteenth century, where horace's influence is notable in the works of such authors as garcilaso de la vega, juan boscán, sá de miranda, antonio ferreira and fray luis de león, the last writing odes on the horatian theme beatus ille (happy the man).[ ] the sixteenth century in western europe was also an age of translations (except in germany, where horace wasn't translated into the vernacular until well into the seventeenth century). the first english translator was thomas drant, who placed translations of jeremiah and horace side by side in medicinable morall, . that was also the year that the scot george buchanan paraphrased the psalms in a horatian setting. ben jonson put horace on the stage in in poetaster, along with other classical latin authors, giving them all their own verses to speak in translation. horace's part evinces the independent spirit, moral earnestness and critical insight that many readers look for in his poems.[ ] age of enlightenmentedit during the seventeenth and eighteenth centuries, or the age of enlightenment, neoclassical culture was pervasive. english literature in the middle of that period has been dubbed augustan. it is not always easy to distinguish horace's influence during those centuries (the mixing of influences is shown for example in one poet's pseudonym, horace juvenal).[nb ] however a measure of his influence can be found in the diversity of the people interested in his works, both among readers and authors.[ ] new editions of his works were published almost yearly. there were three new editions in (two in leiden, one in frankfurt) and again in (utrecht, barcelona, cambridge). cheap editions were plentiful and fine editions were also produced, including one whose entire text was engraved by john pine in copperplate. the poet james thomson owned five editions of horace's work and the physician james douglas had five hundred books with horace-related titles. horace was often commended in periodicals such as the spectator, as a hallmark of good judgement, moderation and manliness, a focus for moralising.[nb ] his verses offered a fund of mottoes, such as simplex munditiis (elegance in simplicity), splendide mendax (nobly untruthful), sapere aude (dare to know), nunc est bibendum (now is the time to drink), carpe diem (seize the day, perhaps the only one still in common use today).[ ] these were quoted even in works as prosaic as edmund quincy's a treatise of hemp-husbandry ( ). the fictional hero tom jones recited his verses with feeling.[ ] his works were also used to justify commonplace themes, such as patriotic obedience, as in james parry's english lines from an oxford university collection in :[ ] what friendly muse will teach my lays to emulate the roman fire? justly to sound a caeser's praise demands a bold horatian lyre. horatian-style lyrics were increasingly typical of oxford and cambridge verse collections for this period, most of them in latin but some like the previous ode in english. john milton's lycidas first appeared in such a collection. it has few horatian echoes[nb ] yet milton's associations with horace were lifelong. he composed a controversial version of odes . , and paradise lost includes references to horace's 'roman' odes . – (book for example begins with echoes of odes . ).[ ] yet horace's lyrics could offer inspiration to libertines as well as moralists, and neo-latin sometimes served as a kind of discrete veil for the risqué. thus for example benjamin loveling authored a catalogue of drury lane and covent garden prostitutes, in sapphic stanzas, and an encomium for a dying lady "of salacious memory".[ ] some latin imitations of horace were politically subversive, such as a marriage ode by anthony alsop that included a rallying cry for the jacobite cause. on the other hand, andrew marvell took inspiration from horace's odes . to compose his english masterpiece horatian ode upon cromwell's return from ireland, in which subtly nuanced reflections on the execution of charles i echo horace's ambiguous response to the death of cleopatra (marvell's ode was suppressed in spite of its subtlety and only began to be widely published in ). samuel johnson took particular pleasure in reading the odes.[nb ] alexander pope wrote direct imitations of horace (published with the original latin alongside) and also echoed him in essays and the rape of the lock. he even emerged as "a quite horatian homer" in his translation of the iliad.[ ] horace appealed also to female poets, such as anna seward (original sonnets on various subjects, and odes paraphrased from horace, ) and elizabeth tollet, who composed a latin ode in sapphic meter to celebrate her brother's return from overseas, with tea and coffee substituted for the wine of horace's sympotic settings: quos procax nobis numeros, jocosque musa dictaret? mihi dum tibique temperent baccis arabes, vel herbis pocula seres[ ] what verses and jokes might the bold muse dictate? while for you and me arabs flavour our cups with beans or chinese with leaves.[ ] horace's ars poetica is second only to aristotle's poetics in its influence on literary theory and criticism. milton recommended both works in his treatise of education.[ ] horace's satires and epistles however also had a huge impact, influencing theorists and critics such as john dryden.[ ] there was considerable debate over the value of different lyrical forms for contemporary poets, as represented on one hand by the kind of four-line stanzas made familiar by horace's sapphic and alcaic odes and, on the other, the loosely structured pindarics associated with the odes of pindar. translations occasionally involved scholars in the dilemmas of censorship. thus christopher smart entirely omitted odes . and re-numbered the remaining odes. he also removed the ending of odes . . thomas creech printed epodes and in the original latin but left out their english translations. philip francis left out both the english and latin for those same two epodes, a gap in the numbering the only indication that something was amiss. french editions of horace were influential in england and these too were regularly bowdlerized. most european nations had their own 'horaces': thus for example friedrich von hagedorn was called the german horace and maciej kazimierz sarbiewski the polish horace (the latter was much imitated by english poets such as henry vaughan and abraham cowley). pope urban viii wrote voluminously in horatian meters, including an ode on gout.[ ] th century onedit horace maintained a central role in the education of english-speaking elites right up until the s.[ ] a pedantic emphasis on the formal aspects of language-learning at the expense of literary appreciation may have made him unpopular in some quarters[ ] yet it also confirmed his influence—a tension in his reception that underlies byron's famous lines from childe harold (canto iv, ):[ ] then farewell, horace, whom i hated so not for thy faults, but mine; it is a curse to understand, not feel thy lyric flow, to comprehend, but never love thy verse. william wordsworth's mature poetry, including the preface to lyrical ballads, reveals horace's influence in its rejection of false ornament[ ] and he once expressed "a wish / to meet the shade of horace...".[nb ] john keats echoed the opening of horace's epodes in the opening lines of ode to a nightingale.[nb ] the roman poet was presented in the nineteenth century as an honorary english gentleman. william thackeray produced a version of odes . in which horace's 'boy' became 'lucy', and gerard manley hopkins translated the boy innocently as 'child'. horace was translated by sir theodore martin (biographer of prince albert) but minus some ungentlemanly verses, such as the erotic odes . and epodes and . edward bulwer-lytton produced a popular translation and william gladstone also wrote translations during his last days as prime minister.[ ] edward fitzgerald's rubaiyat of omar khayyam, though formally derived from the persian ruba'i, nevertheless shows a strong horatian influence, since, as one modern scholar has observed, "...the quatrains inevitably recall the stanzas of the 'odes', as does the narrating first person of the world-weary, ageing epicurean omar himself, mixing sympotic exhortation and 'carpe diem' with splendid moralising and 'memento mori' nihilism."[nb ] matthew arnold advised a friend in verse not to worry about politics, an echo of odes . , yet later became a critic of horace's inadequacies relative to greek poets, as role models of victorian virtues, observing: "if human life were complete without faith, without enthusiasm, without energy, horace...would be the perfect interpreter of human life."[ ] christina rossetti composed a sonnet depicting a woman willing her own death steadily, drawing on horace's depiction of 'glycera' in odes . . – and cleopatra in odes . .[nb ] a. e. housman considered odes . , in archilochian couplets, the most beautiful poem of antiquity[ ] and yet he generally shared horace's penchant for quatrains, being readily adapted to his own elegiac and melancholy strain.[ ] the most famous poem of ernest dowson took its title and its heroine's name from a line of odes . , non sum qualis eram bonae sub regno cynarae, as well as its motif of nostalgia for a former flame. kipling wrote a famous parody of the odes, satirising their stylistic idiosyncrasies and especially the extraordinary syntax, but he also used horace's roman patriotism as a focus for british imperialism, as in the story regulus in the school collection stalky & co., which he based on odes . .[ ] wilfred owen's famous poem, quoted above, incorporated horatian text to question patriotism while ignoring the rules of latin scansion. however, there were few other echoes of horace in the war period, possibly because war is not actually a major theme of horace's work.[ ]   bibendum (the symbol of the michelin tyre company) takes his name from the opening line of ode . , nunc est bibendum. both w.h.auden and louis macneice began their careers as teachers of classics and both responded as poets to horace's influence. auden for example evoked the fragile world of the s in terms echoing odes . . – , where horace advises a friend not to let worries about frontier wars interfere with current pleasures. and, gentle, do not care to know where poland draws her eastern bow,      what violence is done; nor ask what doubtful act allows our freedom in this english house,      our picnics in the sun.[nb ] the american poet, robert frost, echoed horace's satires in the conversational and sententious idiom of some of his longer poems, such as the lesson for today ( ), and also in his gentle advocacy of life on the farm, as in hyla brook ( ), evoking horace's fons bandusiae in ode . . now at the start of the third millennium, poets are still absorbing and re-configuring the horatian influence, sometimes in translation (such as a english/american edition of the odes by thirty-six poets)[nb ] and sometimes as inspiration for their own work (such as a collection of odes by a new zealand poet).[nb ] horace's epodes have largely been ignored in the modern era, excepting those with political associations of historical significance. the obscene qualities of some of the poems have repulsed even scholars[nb ] yet more recently a better understanding of the nature of iambic poetry has led to a re-evaluation of the whole collection.[ ][ ] a re-appraisal of the epodes also appears in creative adaptations by recent poets (such as a collection of poems that relocates the ancient context to a s industrial town).[nb ] translationsedit john dryden successfully adapted three of the odes (and one epode) into verse for readers of his own age. samuel johnson favored the versions of philip francis. others favor unrhymed translations. in james michie published a translation of the odes—many of them fully rhymed—including a dozen of the poems in the original sapphic and alcaic metres. more recent verse translations of the odes include those by david west (free verse), and colin sydenham (rhymed). ars poetica was first translated into english by ben jonson and later by lord byron. horace's odes and the mystery of do-re-mi stuart lyons (rhymed) aris & phillips isbn  - - - - in popular cultureedit the oxford latin course textbooks use the life of horace to illustrate an average roman's life in the late republic to early empire.[ ] see alsoedit  literature portal  ancient rome portal  biography portal carpe diem horatia (gens) list of ancient romans otium prosody (latin) translation notesedit ^ quintilian . . . the only other lyrical poet quintilian thought comparable with horace was the now obscure poet/metrical theorist, caesius bassus (r. tarrant, ancient receptions of horace, ) ^ translated from persius' own 'satires' . – : "omne vafer vitium ridenti flaccus amico / tangit et admissus circum praecordia ludit." ^ quoted by n. rudd from john dryden's discourse concerning the original and progress of satire, excerpted from w.p.ker's edition of dryden's essays, oxford , vol. , pp. – ^ the year is given in odes . . ("consule manlio"), the month in epistles . . , the day in suetonius' biography vita (r. nisbet, horace: life and chronology, ) ^ "no son ever set a finer monument to his father than horace did in the sixth satire of book i...horace's description of his father is warm-hearted but free from sentimentality or exaggeration. we see before us one of the common people, a hard-working, open-minded, and thoroughly honest man of simple habits and strict convictions, representing some of the best qualities that at the end of the republic could still be found in the unsophisticated society of the italian municipia" — e. fraenkel, horace, – ^ odes . . : "nec (me extinxit) sicula palinurus unda"; "nor did palinurus extinguish me with sicilian waters". maecenas' involvement is recorded by appian bell. civ. . but horace's ode is the only historical reference to his own presence there, depending however on interpretation. (r. nisbet, horace: life and chronology, ) ^ the point is much disputed among scholars and hinges on how the text is interpreted. epodes for example may offer proof of horace's presence if 'ad hunc frementis' ('gnashing at this' man i.e. the traitrous roman ) is a misreading of 'at huc...verterent' (but hither...they fled) in lines describing the defection of the galatian cavalry, "ad hunc frementis verterunt bis mille equos / galli canentes caesarem" (r. nisbet, horace: life and chronology, ). ^ suetonius signals that the report is based on rumours by employing the terms "traditur...dicitur" / "it is reported...it is said" (e. fraenkel, horace, ) ^ according to a recent theory, the three books of odes were issued separately, possibly in , and bc (see g. hutchinson ( ), classical quarterly : – ) ^ bc is the usual estimate but c. bc has good support too (see r. nisbet, horace: life and chronology, – ^ the date however is subject to much controversy with – bc another option (see for example r. syme, the augustan aristocracy, – ^ "[lucilius]...resembles a man whose only concern is to force / something into the framework of six feet, and who gaily produces / two hundred lines before dinner and another two hundred after." – satire . . – (translated by niall rudd, the satires of horace and persius, penguin classics , p. ) ^ there is one reference to bion by name in epistles . . , and the clearest allusion to him is in satire . , which parallels bion fragments , , kindstrand ^ epistles . and . . – are critical of the extreme views of diogenes and also of social adaptations of cynic precepts, and yet epistle . could be either cynic or stoic in its orientation (j. moles, philosophy and ethics, p. ^ satires . . – , – , . . – , . . – , – , . . , – , . . – , . . – , , . . – ^ wilfred owen, dulce et decorum est ( ), echoes a line from carmina . . , "it is sweet and honourable to die for one's country", cited by stephen harrison, the nineteenth and twentieth centuries, . ^ propertius published his third book of elegies within a year or two of horace's odes – and mimicked him, for example, in the opening lines, characterizing himself in terms borrowed from odes . . and . . – , as a priest of the muses and as an adaptor of greek forms of poetry (r. tarrant, ancient receptions of horace, ) ^ ovid for example probably borrowed from horace's epistle . the image of a poetry book as a slave boy eager to leave home, adapting it to the opening poems of tristia and (r. tarrant, ancient receptions of horace), and tristia may be understood as a counterpart to horace's epistles . , both being letters addressed to augustus on literary themes (a. barchiesi, speaking volumes, – ) ^ the comment is in persius . – , yet that same satire has been found to have nearly reminiscences of horace; see d. hooley, the knotted thong, ^ the allusion to venusine comes via horace's sermones . . , while lamp signifies the lucubrations of a conscientious poet. according to quintilian ( ), however, many people in flavian rome preferred lucilius not only to horace but to all other latin poets (r. tarrant, ancient receptions of horace, ) ^ prudentius sometimes alludesto the odes in a negative context, as expressions of a secular life he is abandoning. thus for example male pertinax, employed in prudentius's praefatio to describe a willful desire for victory, is lifted from odes . . , where it describes a girl's half-hearted resistance to seduction. elsewhere he borrows dux bone from odes . . and , where it refers to augustus, and applies it to christ (r. tarrant, ancient receptions of horace, ^ st jerome, epistles . , incorporating a quote from 'corinthians . : qui consensus christo et belial? quid facit cum psalterio horatius?(cited by k. friis-jensen, horace in the middle ages, ) ^ odes . . – was especially influential in promoting the value of heroic calm in the face of danger, describing a man who could bear even the collapse of the world without fear (si fractus illabatur orbis,/impavidum ferient ruinae). echoes are found in seneca's agamemnon – , prudentius's peristephanon . – and boethius's consolatio metrum .(r. tarrant, ancient receptions of horace, – ) ^ heiric, like prudentius, gave horatian motifs a christian context. thus the character lydia in odes . . , who would willingly die for her lover twice, becomes in heiric's life of st germaine of auxerre a saint ready to die twice for the lord's commandments (r. tarrant, ancient receptions of horace, – ) ^ according to a medieval french commentary on the satires: "...first he composed his lyrics, and in them, speaking to the young, as it were, he took as subject-matter love affairs and quarrels, banquets and drinking parties. next he wrote his epodes, and in them composed invectives against men of a more advanced and more dishonourable age...he next wrote his book about the ars poetica, and in that instructed men of his own profession to write well...later he added his book of satires, in which he reproved those who had fallen a prey to various kinds of vices. finally, he finished his oeuvre with the epistles, and in them, following the method of a good farmer, he sowed the virtues where he had rooted out the vices." (cited by k. friis-jensen, horace in the middle ages, – ) ^ 'horace juvenal' was author of modern manners: a poem, ^ see for example spectator , feb. ; , nov. ; , nov. ^ one echo of horace may be found in line : "were it not better done as others use,/ to sport with amaryllis in the shade/or with the tangles of neaera's hair?", which points to the neara in odes . . (douglas bush, milton: poetical works, , note ) ^ cfr. james boswell, "the life of samuel johnson" aetat. , where boswell remarked of johnson that horace's odes "were the compositions in which he took most delight." ^ the quote, from memorials of a tour of italy ( ), contains allusions to odes . and . (s. harrison, the nineteenth and twentieth centuries, – ) ^ "my heart aches, and a drowsy numbness pains / my sense..." echoes epodes . – (s. harrison, the nineteenth and twentieth centuries, ) ^ comment by s. harrison, editor and contributor to the cambridge companion to horace (s. harrison, the nineteenth and twentieth centuries, ^ rossetti's sonnet, a study (a soul), dated , was not published in her own lifetime. some lines: she stands as pale as parian marble stands / like cleopatra when she turns at bay... (c. rossetti, complete poems, ^ quoted from auden's poem out on the lawn i lie in bed, , and cited by s. harrison, the nineteenth and twentieth centuries, ^ edited by mcclatchy, reviewed by s. harrison, bryn mawr classical review . . ^ i. wedde, the commonplace odes, auckland , (cited by s. harrison, the nineteenth and twentieth centuries, ) ^ 'political' epodes are , , , ; notably obscene epodes are and . e. fraenkel is among the admirers repulsed by these two poems, for another view of which see for example dee lesser clayman, 'horace's epodes viii and xii: more than clever obscenity?', the classical world vol. , no. (september ), pp – jstor  ^ m. almond, the works , washington, cited by s. harrison, the nineteenth and twentieth centuries, citationsedit ^ a b j. michie, the odes of horace, ^ n. rudd, the satires of horace and persius, ^ r. barrow r., the romans pelican books, ^ fraenkel, eduard. horace. oxford: , p. . for the life of horace by suetonius, see: (vita horati) ^ brill's companion to horace, edited by hans-christian günther, brill, , p. , google book ^ satires . . ^ epistles . . ff. ^ e. fraenkel, horace, – ^ satires . . ^ t. frank, catullus and horace, – ^ a. campbell, horace: a new interpretation, ^ epistles . . ^ r. nisbet, horace: life and chronology, ^ e. fraenkel, horace, – ^ a b v. kiernan, horace: poetics and politics, ^ satires . . ^ e. fraenkel, horace, – ^ a b satires . ^ v. kiernan, horace: poetics and politics, ^ odes . ^ e. fraenkel, horace, – ^ e. fraenkel, horace, – ^ satires . . ^ a b r. nisbet, horace: life and chronology, ^ v. kiernan, horace, ^ odes . . ^ epistles . . – ^ v. kiernan, horace: poetics and politics ^ e. fraenkel, horace, – ^ christopher brown, in a companion to the greek lyric poets, d.e. gerber (ed), leiden , pages – ^ douglas e. gerber, greek iambic poetry, loeb classical library ( ), introduction pages i–iv ^ d. mankin, horace: epodes, c.u.p., ^ d. mankin, horace: epodes, ^ r. conway, new studies of a great inheritance, – ^ v. kiernan, horace: poetics and politics, – ^ f. muecke, the satires, – ^ r. lyne, augustan poetry and society, ^ j. griffin, horace in the thirties, ^ a b r. nisbet, horace: life and chronology, ^ d. mankin, horace: epodes, ^ satires . ^ odes . . ^ epodes and ^ e. fraenkel, horace, ^ satires . . ^ r. nisbet, horace: life and chronology, ^ v. kiernan, horace: poetics and politics, – ^ r. nisbet, horace: life and chronology, ^ epistles . . – ^ epistles . . ^ v. kiernan, horace: poetics and politics, , ^ epistles . ^ epistles . . – ^ r. nisbet, horace: life and chronology, – ^ e. fraenkel, horace, – ^ epistles . ^ r. ferri, the epistles, ^ odes . and . ^ e. fraenkel, horace, ^ r nisbet, horace: life and chronology, – ^ s. harrison, style and poetic texture, ^ e. fraenkel, horace, – ^ gundolf, friedrich ( ). goethe. berlin, germany: bondi. ^ e. fraenkel, horace, – ^ e. fraenkel, horace, ^ e. fraenkel, horace, – ^ j. griffin, gods and religion, ^ s. harrison, lyric and iambic, ^ s. harrison, lyric and iambic, – ^ a b e. fraenkel, horace, , ^ l. morgan, satire, – ^ s. harrison, style and poetic texture, ^ r. ferri, the epistles, pp. – ^ e. fraenkel, horace, p. ^ v. kiernan, horace: poetics and politics, ^ j. moles, philosophy and ethics, pp. – , ^ k. j. reckford, some studies in horace's odes on love ^ j. moles, philosophy and ethics, p. ^ santirocco "unity and design", lowrie "horace's narrative odes" ^ ancona, "time and the erotic" ^ j. moles, philosophy and ethics, pp. – ^ davis "polyhymnia" and lowrie "horace's narrative odes" ^ j. moles, philosophy and ethics, p. ^ j. moles, philosophy and ethics, pp. – ^ r. tarrant, ancient receptions of horace, ^ v. kiernan, horace: poetics and politics, ^ d. money, the seventeenth and eighteenth centuries, , ^ r. lyme, augustan poetry and society, ^ niall rudd, the satires of horace and persius, ^ r. tarrant, ancient receptions of horace, – ^ r. tarrant, ancient receptions of horace, ^ r. tarrant, ancient receptions of horace, ^ r. tarrant, ancient receptions of horace, – ^ a b r. tarrant, ancient receptions of horace, ^ r. tarrant, ancient receptions of horace, – ^ r. tarrant, ancient receptions of horace, – ^ stuart lyons, horace's odes and the mystery of do-re-mi ^ tristia, . . – ^ b. bischoff, living with the satirists, – ^ k. friis-jensen,horace in the middle ages, ^ k. friis-jensen, horace in the middle ages, , ^ k. friis-jensen, horace in the middle ages, – ^ k. friis-jensen, horace in the middle ages, ^ k. friis-jensen, horace in the middle ages, ^ michael mcgann, horace in the renaissance, ^ e. rivers, fray luis de león: the original poems ^ m. mcgann, horace in the renaissance, – , – ^ d. money, the seventeenth and eighteenth centuries, , , ^ d. money, the seventeenth and eighteenth centuries, ^ d. money, the seventeenth and eighteenth centuries, – ^ j. talbot, a horatian pun in paradise lost, – ^ b. loveling, latin and english poems, – , – ^ d. money, the seventeenth and eighteenth centuries, – ^ e. tollet, poems on several occasions, ^ translation adapted from d. money, the seventeenth and eighteenth centuries, ^ a. gilbert, literary criticism: plato to dryden, , ^ w. kupersmith, roman satirists in seventeenth century england, – ^ d. money, the seventeenth and eighteenth centuries, – ^ s. harrison, the nineteenth and twentieth centuries, ^ v. kiernan, horace: poetics and politics, x ^ s. harrison, the nineteenth and twentieth centuries, ^ d. money, the seventeenth and eighteenth centuries, ^ s. harrison, the nineteenth and twentieth centuries, – ^ m. arnold, selected prose, ^ w. flesch, companion to british poetry, th century, ^ s. harrison, the nineteenth and twentieth centuries, ^ s. medcalfe, kipling's horace, – ^ s. harrison, the nineteenth and twentieth centuries, ^ d. mankin, horace: epodes, – ^ r. mcneill, horace, ^ balme, maurice, moorwood, james ( ). oxford latin course part one. oxford university press. isbn  - . referencesedit arnold, matthew ( ). selected prose. penguin books. isbn  - - - - . barrow, r ( ). the romans. penguin/pelican books. barchiesi, a ( ). speaking volumes: narrative and intertext in ovid and other latin poets. duckworth. bischoff, b ( ). "living with the satirists". classical influences on european culture ad – . cambridge university press. bush, douglas ( ). milton: poetical works. oxford university press. campbell, a ( ). horace: a new interpretation. london. conway, r ( ). new studies of a great inheritance. london. davis, gregson ( ). polyhymnia. the rhetoric to horatian lyric discourse. university of california. ferri, rolando ( ). "the epistles". the cambridge companion to horace. cambridge university press. isbn  - - - - . flesch, william ( ). the facts on file companion to british poetry, th century. infobase publishing. isbn  - - - - . frank, tenney ( ). catullus and horace. new york. fraenkel, eduard ( ). horace. oxford university press. friis-jensen, karsten ( ). "horace in the middle ages". the cambridge companion to horace. cambridge university press. griffin, jasper ( ). "horace in the thirties". horace . ann arbor. griffin, jasper ( ). "gods and religion". the cambridge companion to horace. cambridge university press. harrison, stephen ( ). "lyric and iambic". a companion to latin literature. blackwell publishing. harrison, stephen ( ). "introduction". the cambridge companion to horace. cambridge university press. harrison, stephen ( ). "style and poetic texture". the cambridge companion to horace. cambridge university press. harrison, stephen ( ). "the nineteenth and twentieth centuries". the cambridge companion to horace. cambridge university press. hooley, d ( ). the knotted thong: structures of mimesis in persius. ann arbor. hutchinson, g ( ). "the publication and individuality of horace's odes – ". classical quarterly . kiernan, victor ( ). horace: poetics and politics. st martin's press. kupersmith, w ( ). roman satirists in seventeenth century england. lincoln, nebraska and london. loveling, benjamin ( ). latin and english poems, by a gentleman of trinity college, oxford. london. lowrie, michèle ( ). horace's narrative odes. oxford university press. lyne, r ( ). "augustan poetry and society". the oxford history of the classical world. oxford university press. mankin, david ( ). horace: epodes. cambridge university press. mcneill, randall ( ). horace. oxford university press. isbn  - - - - . michie, james ( ). "horace the man". the odes of horace. penguin classics. moles, john ( ). "philosophy and ethics". the cambridge companion to horace. cambridge university press. money, david ( ). "the seventeenth and eighteenth centuries". the cambridge companion to horace. cambridge university press. morgan, llewelyn ( ). "satire". a companion to latin literature. blackwell publishing. muecke, frances ( ). "the satires". the cambridge companion to horace. cambridge university press. nisbet, robin ( ). "horace: life and chronology". the cambridge companion to horace. cambridge university press. reckford, k. j. ( ). horatius: the man and the hour. . american journal of philology. pp.  – . rivers, elias ( ). fray luis de león: the original poems. grant and cutler. rossetti, christina ( ). the complete poems. penguin books. rudd, niall ( ). the satires of horace and persius. penguin classics. santirocco, matthew ( ). unity and design in horace's odes. university of north carolina. syme, r ( ). the augustan aristocracy. oxford university press. talbot, j ( ). "a horatian pun in paradise lost". notes and queries ( ). oxford university press. tarrant, richard ( ). "ancient receptions of horace". the cambridge companion to horace. cambridge university press. tollet, elizabeth ( ). poems on several occasions. london. further readingedit davis, gregson ( ). polyhymnia the rhetoric of horatian lyric discourse. berkeley: university of california press. isbn  - - - . fraenkel, eduard ( ). horace. oxford: clarendon press. horace ( ). the complete works of horace. charles e. passage, trans. new york: ungar. isbn  - - - . johnson, w. r. ( ). horace and the dialectic of freedom: readings in epistles . ithaca: cornell university press. isbn  - - - . lyne, r.o.a.m. ( ). horace: behind the public poetry. new haven: yale univ. press. isbn  - - - . lyons, stuart ( ). horace's odes and the mystery of do-re-mi. aris & phillips. lyons, stuart ( ). music in the odes of horace. aris & phillips. michie, james ( ). the odes of horace. rupert hart-davis. newman, j.k. ( ). augustus and the new poetry. brussels: latomus, revue d’études latines. noyes, alfred ( ). horace: a portrait. new york: sheed and ward. perret, jacques ( ). horace. bertha humez, trans. new york: new york university press. putnam, michael c.j. ( ). artifices of eternity: horace's fourth book of odes. ithaca, ny: cornell university press. isbn  - - - . reckford, kenneth j. ( ). horace. new york: twayne. rudd, niall, ed. ( ). horace : a celebration – essays for the bimillennium. ann arbor: univ. of michigan press. isbn  - - -x. sydenham, colin ( ). horace: the odes. duckworth. west, david ( ). horace the complete odes and epodes. oxford university press. wilkinson, l.p. ( ). horace and his lyric poetry. cambridge: cambridge university press. external linksedit horaceat wikipedia's sister projects  definitions from wiktionary  media from wikimedia commons  quotations from wikiquote  texts from wikisource  data from wikidata works by horace at project gutenberg works by or about horace at internet archive works by horace at librivox (public domain audiobooks)   q. horati flacci opera, recensuerunt o. keller et a. holder, voll., lipsiae in aedibus b. g. teubneri, – . common sayings from horace the works of horace at the latin library carmina horatiana all carmina of horace in latin recited by thomas bervoets. selected poems of horace works by horace at perseus digital library biography and chronology horace's works: text, concordances and frequency list sorgll: horace, odes i. , read by robert sonkowsky translations of several odes in the original meters (with accompaniment). a discussion and comparison of three different contemporary translations of horace's odes some spurious lines in the ars poetica? horati opera, acronis et porphyrionis commentarii, varia lectio etc. (latine) horace ms a ars poetica and epistulae at openn retrieved from "https://en.wikipedia.org/w/index.php?title=horace&oldid= " last edited on december , at : content is available under cc by-sa . unless otherwise noted. this page was last edited on december , at :  (utc). text is available under the creative commons attribution-sharealike license; additional terms may apply. by using this site, you agree to the terms of use and privacy policy. wikipedia® is a registered trademark of the wikimedia foundation, inc., a non-profit organization. privacy policy about wikipedia disclaimers contact wikipedia terms of use desktop developers statistics cookie statement autoridades de la b.n.: búsqueda nueva búsqueda cambiar formato etiquetado marc garr/tesauro formato: etiquetado horacio flaco, quinto lugar de nacimiento: venosa, basilicata, italia lugar de fallecimiento: roma (ciudad), italia otros lugares asociados: roma categoría profesional: poetas lengua: latín usado por: horace horacio horacy horaci horatius flaccus, q. horaci flac, q. horacio flaco, q. horatius flaccus, quintus horaz orazio fuentes: obras completas, ; port. (horacio) r.c. ap. iv; (horacio flaco, quinto) sàtires, ; port. (horaci) odes i epodes, ; (q. horaci flac) odes i epodes, ; port. (q. horaci flac) dic. de escritores célebres, ; (horacio (quintus horatius flaccus); poeta latino (venusia, -roma, a.c.)) otro identificador normalizado: http://viaf.org/viaf/ viaf http://www.isni.org/isni/ isni https://www.wikidata.org/wiki/q wikidata registro en datos.bne.es: http://datos.bne.es/resource/xx nº registro: xx obras marcar/desmarcar todos los de esta páginaañadir marcados a la lista de registros    borrar toda la lista de registros añadir este registro a su lista    borrar toda la lista de registros exportar registros en formato por qué medio marcados en esta página guardados en la lista ( ) etiquetadogarr/tesauro marc iso  por pantalla  por fichero buzón de sugerencias página principal | inicio página alexandria - wikipedia alexandria from wikipedia, the free encyclopedia jump to navigation jump to search this article is about the city in egypt. for other uses, see alexandria (disambiguation). metropolis in egypt alexandria الإسكندرية (arabic) standard arabic: al-ʾiskandariyya egyptian arabic: eskenderiyya ⲁⲗⲉⲝⲁⲛⲇⲣⲓⲁ, ⲣⲁⲕⲟϯ (coptic) ⲁⲗⲉⲝⲁⲛⲇⲣⲓⲁ: alexandria ⲣⲁⲕⲟϯ: rakodī Αλεξάνδρεια (greek) Αλεξάνδρεια: alexandria Ρακώτις: rhakotis metropolis clockwise from top: view of shatby district and suez canal street, skyline of the eastern district (sharq), stanley bridge, montaza palace, bibliotheca alexandrina and the statue of ptolemy ii philadelphus, planetarium science center (with corniche in the background). flag emblem nicknames: mediterranean's bride, pearl of the mediterranean, aleks alexandria location in egypt coordinates: ° ′n ° ′e /  . °n . °e / . ; . coordinates: ° ′n ° ′e /  . °n . °e / . ; . country  egypt governorate alexandria founded bc founded by alexander the great government  • governor elsherif[ ] area  • total ,  km ( ,  sq mi) elevation  m (  ft) population (october [ ])  • total , ,  • density , /km ( , /sq mi) demonym(s) alexandrian, alexandrine (arabic: إسكندراني‎) time zone utc+ (est) postal code area code(s) (+ ) website alexandria.gov.eg r-ꜥ-qd(y)t (alexandria)[ ][ ] in hieroglyphs alexandria (/ˌælɪɡˈzændriə/ or /-ˈzɑːnd-/;[ ] arabic: الإسكندرية‎ al-ʾiskandariyya;[ ] egyptian arabic: اسكندرية‎ eskendereyya; coptic: ⲣⲁⲕⲟϯ rakodī;[ ] greek: Αλεξάνδρεια alexandria)[ ][ ] is the second-largest city in egypt and a major economic centre. with a population of , , , alexandria is the largest city on the mediterranean - also called the bride of the mediterranean by locals - the sixth-largest city in the arab world and the ninth-largest in africa. the city extends about  km (  mi) at the northern coast of egypt along the mediterranean sea. alexandria is a popular tourist destination, and also an important industrial centre because of its natural gas and oil pipelines from suez. alexandria was founded in c.  bc by alexander the great,[ ] king of macedon and leader of the greek league of corinth, during his conquest of the achaemenid empire. an egyptian village named rhacotis existed at the location and grew into the egyptian quarter of alexandria. alexandria grew rapidly to become an important centre of hellenistic civilization and remained the capital of ptolemaic egypt and roman and byzantine egypt for almost , years, until the muslim conquest of egypt in ad  , when a new capital was founded at fustat (later absorbed into cairo). hellenistic alexandria was best known for the lighthouse of alexandria (pharos), one of the seven wonders of the ancient world; its great library (the largest in the ancient world); and the necropolis, one of the seven wonders of the middle ages. alexandria was the intellectual and cultural centre of the ancient mediterranean world for much of the hellenistic age and late antiquity.[ ] it was at one time the largest city in the ancient world before being eventually overtaken by rome. the city was a major centre of early christianity and was the centre of the patriarchate of alexandria, which was one of the major centres of christianity in the eastern roman empire. in the modern world, the coptic orthodox church and the greek orthodox church of alexandria both lay claim to this ancient heritage. by the time of the arab conquest of egypt in ad, the city had already been largely plundered and lost its significance before re-emerging in the modern era.[ ] from the late th century, alexandria became a major centre of the international shipping industry and one of the most important trading centres in the world, both because it profited from the easy overland connection between the mediterranean sea and the red sea, and the lucrative trade in egyptian cotton. contents history . ancient era . islamic era . ibn battuta in alexandria . timeline ancient layout geography . climate cityscape . temple of taposiris magna places of worship . islam . christianity . judaism education . colleges and universities . schools . women transport . airports . port . highways . rail . trams . metro . taxis and minibuses culture . libraries . museums . theaters architecture sports twin towns – sister cities see also references further reading external links history[edit] main articles: history of alexandria and timeline of alexandria alexander the great plan of alexandria c.   bc ancient era[edit] recent radiocarbon dating of seashell fragments and lead contamination show human activity at the location during the period of the old kingdom ( th- st centuries bc) and again in the period - bc, followed by the absence of activity thereafter.[ ] from ancient sources it is known there existed a trading post at this location during the time of rameses the great for trade with crete, but it had long been lost by the time of alexander's arrival.[ ] a small egyptian fishing village named rhakotis (egyptian: rꜥ-qdy.t, 'that which is built up') existed since the th century bc in the vicinity and eventually grew into the egyptian quarter of the city.[ ] just east of alexandria (where abu qir bay is now), there was in ancient times marshland and several islands. as early as the th century bc, there existed important port cities of canopus and heracleion. the latter was recently rediscovered under water. alexandria was founded by alexander the great in april bc as Ἀλεξάνδρεια (alexandreia). passing through egypt, alexander wanted to build a large greek city on egypt's coast that would bear his name. he chose the site of alexandria, envisioning the building of a causeway to the nearby island of pharos that would generate two great natural harbours.[ ] alexandria was intended to supersede the older greek colony of naucratis as a hellenistic centre in egypt, and to be the link between greece and the rich nile valley. a few months after the foundation, alexander left egypt and never returned to the city during his life. after alexander's departure, his viceroy cleomenes continued the expansion. the architect dinocrates of rhodes designed the city, using a hippodamian grid plan. following alexander's death in bc, his general ptolemy lagides took possession of egypt and brought alexander's body to egypt with him.[ ] ptolemy at first ruled from the old egyptian capital of memphis. in / bc he had cleomenes executed. finally, in bc, ptolemy declared himself pharaoh as ptolemy i soter ("savior") and moved his capital to alexandria. although cleomenes was mainly in charge of overseeing alexandria's early development, the heptastadion and the mainland quarters seem to have been primarily ptolemaic work. inheriting the trade of ruined tyre and becoming the centre of the new commerce between europe and the arabian and indian east, the city grew in less than a generation to be larger than carthage. in a century, alexandria had become the largest city in the world and, for some centuries more, was second only to rome. it became egypt's main greek city, with greek people from diverse backgrounds.[ ] the lighthouse of alexandria on coins minted in alexandria in the second century ( : reverse of a coin of antoninus pius, and : reverse of a coin of commodus). alexandria was not only a centre of hellenism, but was also home to the largest urban jewish community in the world. the septuagint, a greek version of the tanakh, was produced there. the early ptolemies kept it in order and fostered the development of its museum into the leading hellenistic centre of learning (library of alexandria), but were careful to maintain the distinction of its population's three largest ethnicities: greek, jewish, and egyptian.[ ] by the time of augustus, the city walls encompassed an area of .  km , and the total population during the roman principate was around , – , , which would wax and wane in the course of the next four centuries under roman rule.[ ] according to philo of alexandria, in the year of the common era, disturbances erupted between jews and greek citizens of alexandria during a visit paid by the jewish king agrippa i to alexandria, principally over the respect paid by the jewish nation to the roman emperor, and which quickly escalated to open affronts and violence between the two ethnic groups and the desecration of alexandrian synagogues. the violence was quelled after caligula intervened and had the roman governor, flaccus, removed from the city.[ ] in ad , large parts of alexandria were destroyed during the kitos war, which gave hadrian and his architect, decriannus, an opportunity to rebuild it. in , the emperor caracalla visited the city and, because of some insulting satires that the inhabitants had directed at him, abruptly commanded his troops to put to death all youths capable of bearing arms. on july , alexandria was devastated by a tsunami ( crete earthquake),[ ] an event annually commemorated years later as a "day of horror".[ ] islamic era[edit] alexandria in the late th century, by luigi mayer entry of general bonaparte into alexandria, oil on canvas,  cm ×   cm (  in ×   in), c. , versailles the battle of abukir, by antoine-jean gros . alexandria: bombardment by british naval forces in , alexandria fell to the sassanid persians. although the byzantine emperor heraclius recovered it in , in the arabs under the general 'amr ibn al-'as invaded it during the muslim conquest of egypt, after a siege that lasted months. the first arab governor of egypt recorded to have visited alexandria was utba ibn abi sufyan, who strengthened the arab presence and built a governor's palace in the city in – .[ ][ ] after the battle of ridaniya in , the city was conquered by the ottoman turks and remained under ottoman rule until . alexandria lost much of its former importance to the egyptian port city of rosetta during the th to th centuries, and only regained its former prominence with the construction of the mahmoudiyah canal in . alexandria figured prominently in the military operations of napoleon's expedition to egypt in . french troops stormed the city on july , and it remained in their hands until the arrival of a british expedition in . the british won a considerable victory over the french at the battle of alexandria on march , following which they besieged the city, which fell to them on september . muhammad ali, the ottoman governor of egypt, began rebuilding and redevelopment around , and by , alexandria had returned to something akin to its former glory.[ ] egypt turned to europe in their effort to modernize the country. greeks, followed by other europeans and others, began moving to the city. in the early th century, the city became a home for novelists and poets.[ ] in july , the city came under bombardment from british naval forces and was occupied.[ ] in july , the city was a target of an israeli bombing campaign that later became known as the lavon affair. on october , alexandria's mansheya square was the site of a failed assassination attempt on gamal abdel nasser.[ ] europeans began leaving alexandria following the suez crisis that led to an outburst of arab nationalism. the nationalization of property by nasser, which reached its highest point in , drove out nearly all the rest.[ ] ibn battuta in alexandria[edit] map of the city in the s, by louis-françois cassas. in reference to alexandria, egypt, ibn battuta speaks of great saints that resided here. one of them being imam borhan oddin el aaraj. he was said to have the power of working miracles. he told ibn battuta that he should go find his three brothers, farid oddin, who lived in india, rokn oddin ibn zakarya, who lived in sindia, and borhan oddin, who lived in china. battuta then made it his purpose to find these people and give them his compliments. sheikh yakut was another great man. he was the disciple of sheikh abu abbas el mursi, who was the disciple of abu el hasan el shadali, who is known to be a servant of god. abu abbas was the author of the hizb el bahr and was famous for piety and miracles. abu abd allah el murshidi was a great interpreting saint that lived secluded in the minyat of ibn murshed. he lived alone but was visited daily by emirs, viziers, and crowds that wished to eat with him. the sultan of egypt (el malik el nasir) visited him, as well. ibn battuta left alexandria with the intent of visiting him.[ ] ibn battuta also visited the pharos lighthouse on occasions; in he found it to be partly in ruins and in it had deteriorated further, making entrance to the edifice impossible. [ ] timeline[edit] the most important battles and sieges of alexandria include: siege of alexandria ( bc), julius caesar's civil war battle of alexandria ( bc), final war of the roman republic siege of alexandria ( ), byzantine-persian wars siege of alexandria ( ), rashidun conquest of byzantine egypt alexandrian crusade ( ), a crusade led by peter de lusignan of cyprus which resulted in the defeat of the mamluks and the sack of the city. battle of alexandria ( ), napoleonic wars siege of alexandria ( ), napoleonic wars alexandria expedition ( ), napoleonic wars ancient layout[edit] greek alexandria was divided into three regions: macedonian army, shown on the alexander sarcophagus. brucheum brucheum is the royal or greek quarter and forms the most magnificent portion of the city. in roman times brucheum was enlarged by the addition of an official quarter, making four regions in all. the city was laid out as a grid of parallel streets, each of which had an attendant subterranean canal; the jewish quarter this quarter is the northeast portion of the city; rhakotis rhakotis is the old city that was absorbed into alexandria. it was occupied chiefly by egyptians. (from coptic rakotə "alexandria"). engraving by l f cassas of the canopic street in alexandria, egypt made in . two main streets, lined with colonnades and said to have been each about meters (  ft) wide, intersected in the centre of the city, close to the point where the sema (or soma) of alexander (his mausoleum) rose. this point is very near the present mosque of nebi daniel; and the line of the great east–west "canopic" street, only slightly diverged from that of the modern boulevard de rosette (now sharia fouad). traces of its pavement and canal have been found near the rosetta gate, but remnants of streets and canals were exposed in by german excavators outside the east fortifications, which lie well within the area of the ancient city. alexandria consisted originally of little more than the island of pharos, which was joined to the mainland by a , -metre-long ( ,  ft) mole and called the heptastadion ("seven stadia"—a stadium was a greek unit of length measuring approximately metres or feet). the end of this abutted on the land at the head of the present grand square, where the "moon gate" rose. all that now lies between that point and the modern "ras al-tin" quarter is built on the silt which gradually widened and obliterated this mole. the ras al-tin quarter represents all that is left of the island of pharos, the site of the actual lighthouse having been weathered away by the sea. on the east of the mole was the great harbour, now an open bay; on the west lay the port of eunostos, with its inner basin kibotos, now vastly enlarged to form the modern harbour. in strabo's time, (latter half of the st century bc) the principal buildings were as follows, enumerated as they were to be seen from a ship entering the great harbour. the royal palaces, filling the northeast angle of the town and occupying the promontory of lochias, which shut in the great harbour on the east. lochias (the modern pharillon) has almost entirely disappeared into the sea, together with the palaces, the "private port," and the island of antirrhodus. there has been a land subsidence here, as throughout the northeast coast of africa. the great theater, on the modern hospital hill near the ramleh station. this was used by julius caesar as a fortress, where he withstood a siege from the city mob after he took egypt after the battle of pharsalus[citation needed][clarification needed] the poseidon, or temple of the sea god, close to the theater the timonium built by marc antony the emporium (exchange) the apostases (magazines) the navalia (docks), lying west of the timonium, along the seafront as far as the mole behind the emporium rose the great caesareum, by which stood the two great obelisks, which become known as "cleopatra's needles," and were transported to new york city and london. this temple became, in time, the patriarchal church, though some ancient remains of the temple have been discovered. the actual caesareum, the parts not eroded by the waves, lies under the houses lining the new seawall. the gymnasium and the palaestra are both inland, near the boulevard de rosette in the eastern half of the town; sites unknown. the temple of saturn; alexandria west. the mausolea of alexander (soma) and the ptolemies in one ring-fence, near the point of intersection of the two main streets. the musaeum with its famous library and theater in the same region; site unknown. the serapeum of alexandria, the most famous of all alexandrian temples. strabo tells us that this stood in the west of the city; and recent discoveries go far as to place it near "pompey's pillar," which was an independent monument erected to commemorate diocletian's siege of the city. the names of a few other public buildings on the mainland are known, but there is little information as to their actual position. none, however, are as famous as the building that stood on the eastern point of pharos island. there, the great lighthouse, one of the seven wonders of the world, reputed to be metres ( feet) high, was situated. the first ptolemy began the project, and the second ptolemy (ptolemy ii philadelphus) completed it, at a total cost of  talents. it took  years to complete and served as a prototype for all later lighthouses in the world. the light was produced by a furnace at the top and the tower was built mostly with solid blocks of limestone. the pharos lighthouse was destroyed by an earthquake in the th century, making it the second longest surviving ancient wonder, after the great pyramid of giza. a temple of hephaestus also stood on pharos at the head of the mole. in the st century, the population of alexandria contained over , adult male citizens,[ ] according to a census dated from ce, in addition to a large number of freedmen, women, children and slaves. estimates of the total population range from , [ ] to , [ ] making it one of the largest cities ever built before the industrial revolution and the largest pre-industrial city that was not an imperial capital.[citation needed] geography[edit] skyline from qaitbay citadel satellite image of alexandria and other cities show its surrounding coastal plain lake mariout alexandria is located in the country of egypt, on the southern coast of the mediterranean. climate[edit] alexandria has a borderline hot desert climate (köppen climate classification: bwh),[ ] approaching a hot semi-arid climate (bsh). as the rest of egypt's northern coast, the prevailing north wind, blowing across the mediterranean, gives the city a less severe climate from the desert hinterland.[ ] rafah and alexandria[ ] are the wettest places in egypt; the other wettest places are rosetta, baltim, kafr el-dawwar, and mersa matruh. the city's climate is influenced by the mediterranean sea, moderating its temperatures, causing variable rainy winters and moderately hot and slightly prolonged summers that, at times, can be very humid; january and february are the coolest months, with daily maximum temperatures typically ranging from to  °c ( to  °f) and minimum temperatures that could reach  °c (  °f). temperature sometimes gets lower than and it sometimes rains snow. alexandria experiences violent storms, rain and sometimes sleet and hail during the cooler months; these events, combined with a poor drainage system, have been responsible for occasional flooding in the city in the past though they rarely occur anymore.[ ] july and august are the hottest and driest months of the year, with an average daily maximum temperature of  °c (  °f). the average annual rainfall is around  mm ( .  in) but has been as high as  mm ( .  in)[ ] port said, kosseir, baltim, damietta and alexandria have the least temperature variation in egypt. the highest recorded temperature was  °c (  °f) on may , and the coldest recorded temperature was  °c (  °f) on january .[ ] climate data for alexandria month jan feb mar apr may jun jul aug sep oct nov dec year record high °c (°f) . ( . ) . ( . ) . ( . ) . ( . ) . ( . ) . ( . ) . ( . ) . ( . ) . ( . ) . ( . ) . ( . ) . ( . ) . ( . ) average high °c (°f) . ( . ) . ( . ) . ( . ) . ( . ) . ( . ) . ( . ) . ( . ) . ( . ) . ( . ) . ( . ) . ( . ) . ( . ) . ( . ) daily mean °c (°f) . ( . ) . ( . ) . ( . ) . ( . ) . ( . ) . ( . ) . ( . ) . ( . ) . ( . ) . ( . ) . ( . ) . ( . ) . ( . ) average low °c (°f) . ( . ) . ( . ) . ( . ) . ( . ) . ( . ) . ( . ) . ( . ) . ( . ) . ( . ) . ( . ) . ( . ) . ( . ) . ( . ) record low °c (°f) . ( . ) . ( . ) . ( . ) . ( . ) . ( . ) . ( . ) . ( . ) . ( . ) ( ) . ( . ) . ( . ) . ( . ) . ( . ) average rainfall mm (inches) . ( . ) . ( . ) . ( . ) . ( . ) . ( . ) . ( . ) . ( . ) . ( . ) . ( . ) . ( . ) . ( . ) . ( . ) . ( . ) average rainy days (≥ . mm) . . . . . . . . . . . . . average relative humidity (%) . mean monthly sunshine hours . . . . . . . . . . . . , . source : world meteorological organization (un),[ ] hong kong observatory for sunshine and mean temperatures,[ ] climate charts for humidity[ ] source : voodoo skies[ ] and bing weather[ ] for record temperatures alexandria mean sea temperature[ ] jan feb mar apr may jun jul aug sep oct nov dec  °c (  °f)  °c (  °f)  °c (  °f)  °c (  °f)  °c (  °f)  °c (  °f)  °c (  °f)  °c (  °f)  °c (  °f)  °c (  °f)  °c (  °f)  °c (  °f) cityscape[edit] egypt – obelisk, alexandria. brooklyn museum archives, goodyear archival collection. roman amphitheater roman pompey's pillar due to the constant presence of war in alexandria in ancient times, very little of the ancient city has survived into the present day. much of the royal and civic quarters sank beneath the harbour and the rest has been built over in modern times. catacombs of kom el shoqafa "pompey's pillar", a roman triumphal column, is one of the best-known ancient monuments still standing in alexandria today. it is located on alexandria's ancient acropolis—a modest hill located adjacent to the city's arab cemetery—and was originally part of a temple colonnade. including its pedestal, it is  m (  ft) high; the shaft is of polished red granite, .  m ( .  ft) in diameter at the base, tapering to .  m ( .  ft) at the top. the shaft is feet (  m) high, and made out of a single piece of granite. its volume is cubic meters ( , cubic feet) and weight approximately tons.[ ] pompey's pillar may have been erected using the same methods that were used to erect the ancient obelisks. the romans had cranes but they were not strong enough to lift something this heavy. roger hopkins and mark lehrner conducted several obelisk erecting experiments including a successful attempt to erect a -ton obelisk in . this followed two experiments to erect smaller obelisks and two failed attempts to erect a -ton obelisk.[ ][ ] the structure was plundered and demolished in the th century when a bishop decreed that paganism must be eradicated. "pompey's pillar" is a misnomer, as it has nothing to do with pompey, having been erected in for diocletian, possibly in memory of the rebellion of domitius domitianus. beneath the acropolis itself are the subterranean remains of the serapeum, where the mysteries of the god serapis were enacted, and whose carved wall niches are believed to have provided overflow storage space for the ancient library. in more recent years, many ancient artifacts have been discovered from the surrounding sea, mostly pieces of old pottery. alexandria's catacombs, known as kom el shoqafa, are a short distance southwest of the pillar, consist of a multi-level labyrinth, reached via a large spiral staircase, and featuring dozens of chambers adorned with sculpted pillars, statues, and other syncretic romano-egyptian religious symbols, burial niches, and sarcophagi, as well as a large roman-style banquet room, where memorial meals were conducted by relatives of the deceased. the catacombs were long forgotten by the citizens until they were discovered by accident in .[ ] the most extensive ancient excavation currently being conducted in alexandria is known as kom el deka. it has revealed the ancient city's well-preserved theater, and the remains of its roman-era baths. persistent efforts have been made to explore the antiquities of alexandria. encouragement and help have been given by the local archaeological society, and by many individuals, notably greeks proud of a city which is one of the glories of their national history. excavations were performed in the city by greeks seeking the tomb of alexander the great without success. the past and present directors of the museum have been enabled from time to time to carry out systematic excavations whenever opportunity is offered; d. g. hogarth made tentative researches on behalf of the egypt exploration fund and the society for the promotion of hellenic studies in ; and a german expedition worked for two years ( – ). but two difficulties face the would-be excavator in alexandria: lack of space for excavation and the underwater location of some areas of interest. side view of the temple of taposiris magna. since the great and growing modern city stands immediately over the ancient one, it is almost impossible to find any considerable space in which to dig, except at enormous cost. cleopatra vii's royal quarters were inundated by earthquakes and tsunami, leading to gradual subsidence in the th century ad.[ ] this underwater section, containing many of the most interesting sections of the hellenistic city, including the palace quarter, was explored in and is still being extensively investigated by the french underwater archaeologist franck goddio and his team.[ ] it raised a noted head of caesarion. these are being opened up to tourists, to some controversy.[ ] the spaces that are most open are the low grounds to northeast and southwest, where it is practically impossible to get below the roman strata. the most important results were those achieved by dr. g. botti, late director of the museum, in the neighborhood of "pompey's pillar", where there is a good deal of open ground. here, substructures of a large building or group of buildings have been exposed, which are perhaps part of the serapeum. nearby, immense catacombs and columbaria have been opened which may have been appendages of the temple. these contain one very remarkable vault with curious painted reliefs, now artificially lit and open to visitors. the objects found in these researches are in the museum, the most notable being a great basalt bull, probably once an object of cult in the serapeum. other catacombs and tombs have been opened in kom el shoqafa (roman) and ras el tin (painted). the german excavation team found remains of a ptolemaic colonnade and streets in the north-east of the city, but little else. hogarth explored part of an immense brick structure under the mound of kom el deka, which may have been part of the paneum, the mausolea, or a roman fortress. the making of the new foreshore led to the dredging up of remains of the patriarchal church; and the foundations of modern buildings are seldom laid without some objects of antiquity being discovered. the wealth underground is doubtlessly immense; but despite all efforts, there is not much for antiquarians to see in alexandria outside the museum and the neighborhood of "pompey's pillar". temple of taposiris magna[edit] the temple was built in the ptolemy era and dedicated to osiris, which finished the construction of alexandria. it is located in abusir, the western suburb of alexandria in borg el arab city. only the outer wall and the pylons remain from the temple. there is evidence to prove that sacred animals were worshiped there. archaeologists found an animal necropolis near the temple. remains of a christian church show that the temple was used as a church in later centuries. also found in the same area are remains of public baths built by the emperor justinian, a seawall, quays and a bridge. near the beach side of the area, there are the remains of a tower built by ptolemy ii philadelphus. the tower was an exact scale replica of the destroyed alexandrine pharos lighthouse.[ ] places of worship[edit] among the places of worship, there are muslim mosques.[ ] coptic christian churches are most common churches .there are also other christian churches as: greek, latin and armenian . orthodox christian churches are most common but catholic, anglican and evangelical churches are present. also there is a jewish synagogue places of worship in alexandria el-mursi abul abbas mosque latin catholic church of saint catherine in mansheya eliyahu hanavi synagogue islam[edit] see also: list of mosques in alexandria the most famous mosque in alexandria is abu al-abbas al-mursi mosque in bahary. other notable mosques in the city include ali ibn abi talib mosque in somouha, bilal mosque, al-gamaa al-bahari in mandara, hatem mosque in somouha, hoda el-islam mosque in sidi bishr, al-mowasah mosque in hadara, sharq al-madina mosque in miami, al-shohadaa mosque in mostafa kamel, al qa'ed ibrahim mosque, yehia mosque in zizinia, sidi gaber mosque in sidi gaber, sidi b esher mosque, rokay el-islam mosque in elessway, elsadaka mosque in sidibesher qebly, elshatbi mosque and sultan mosque. alexandria is the base of the salafi movements in egypt. al-nour party, which is based in the city and overwhelmingly won most of the salafi votes in the – parliamentary election, supports the president abdel fattah el-sisi.[ ] christianity[edit] after rome and constantinople, alexandria was considered the third-most important seat of christianity in the world. the pope of alexandria was second only to the bishop of rome, the capital of the roman empire until . the church of alexandria had jurisdiction over most of the continent of africa. after the council of chalcedon in ad , the church of alexandria was split between the miaphysites and the melkites. the miaphysites went on to constitute what is known today as the coptic orthodox church of alexandria. the melkites went on to constitute what is known today as the greek orthodox church of alexandria. in the th century, catholic and protestant missionaries converted some of the adherents of the orthodox churches to their respective faiths. today, the patriarchal seat of the pope of the coptic orthodox church is saint mark cathedral . the most important coptic orthodox churches in alexandria include pope cyril i church in cleopatra, saint georges church in sporting, saint mark & pope peter i church in sidi bishr, saint mary church in assafra, saint mary church in gianaclis, saint mina church in fleming, saint mina church in mandara and saint takla haymanot's church in ibrahimeya. the most important eastern orthodox churches in alexandria are agioi anárgyroi church, church of the annunciation, saint anthony church, archangels gabriel & michael church, taxiarchon church, saint catherine church, cathedral of the dormition in mansheya, church of the dormition, prophet elijah church, saint george church, saint joseph church in fleming, saint joseph of arimathea church, saint mark & saint nektarios chapel in ramleh, saint nicholas church, saint paraskevi church, saint sava cathedral in ramleh, saint theodore chapel and the russian church of saint alexander nevsky in alexandria, which serves the russian speaking community in the city. the apostolic vicariate of alexandria in egypt-heliopolis-port said has jurisdiction over all latin church catholics in egypt. member churches include saint catherine church in mansheya and church of the jesuits in cleopatra. the city is also the nominal see of the melkite greek catholic titular patriarchate of alexandria (generally vested in its leading patriarch of antioch) and the actual cathedral see of its patriarchal territory of egypt, sudan and south sudan, which uses the byzantine rite, and the nominal see of the armenian catholic eparchy of alexandria (for all egypt and sudan, whose actual cathedral is in cairo), a suffragan of the armenian catholic patriarch of cilicia, using the armenian rite. the saint mark church in shatby, founded as part of collège saint marc, is multi-denominational and holds liturgies according to latin catholic, coptic catholic and coptic orthodox rites. in antiquity, alexandria was a major centre of the cosmopolitan religious movement called gnosticism (today mainly remembered as a christian heresy). judaism[edit] jewish girls during bat mitzva in alexandria see also: history of the jews in egypt alexandria's once-flourishing jewish community declined rapidly following the arab–israeli war, after which negative reactions towards zionism among egyptians led to jewish residents in the city, and elsewhere in egypt, being perceived as zionist collaborators. most jewish residents of egypt fled to the newly established israel, france, brazil and other countries in the s and s. the community once numbered , but is now estimated at below .[ ] the most important synagogue in alexandria is the eliyahu hanavi synagogue. education[edit] colleges and universities[edit] collège saint marc alexandria has a number of higher education institutions. alexandria university is a public university that follows the egyptian system of higher education. many of its faculties are internationally renowned, most notably its faculty of medicine & faculty of engineering. in addition, the egypt-japan university of science and technology in new borg el arab city is a research university set up in collaboration between the japanese and egyptian governments in . the arab academy for science, technology & maritime transport is a semi-private educational institution that offers courses for high school, undergraduate level, and postgraduate students. it is considered the most reputable university in egypt after the auc american university in cairo because of its worldwide recognition from board of engineers at uk & abet in us. université senghor is a private french university that focuses on the teaching of humanities, politics and international relations, which mainly recruits students from the african continent. other institutions of higher education in alexandria include alexandria institute of technology (ait) and pharos university in alexandria. schools[edit] lycée français d'alexandrie alexandria has a long history of foreign educational institutions. the first foreign schools date to the early th century, when french missionaries began establishing french charitable schools to educate the egyptians. today, the most important french schools in alexandria run by catholic missionaries include collège de la mère de dieu, collège notre dame de sion, collège saint marc, ecoles des soeurs franciscaines (four different schools), École girard, École saint gabriel, École saint-vincent de paul, École saint joseph, École sainte catherine, and institution sainte jeanne-antide. as a reaction to the establishment of french religious institutions, a secular (laic) mission established lycée el-horreya, which initially followed a french system of education, but is currently a public school run by the egyptian government. the only school in alexandria that completely follows the french educational system is lycée français d'alexandrie (École champollion). it is usually frequented by the children of french expatriates and diplomats in alexandria. the italian school is the istituto "don bosco". english schools in alexandria are becoming the most popular. english-language schools in the city include: riada american school, riada language school, alexandria language school, future language school, future international schools (future igcse, future american school and future german school), alexandria american school, british school of alexandria, egyptian american school, pioneers language school, egyptian english language school, princesses girls' school, sidi gaber language school, taymour english school, sacred heart girls' school, schutz american school, victoria college, el manar language school for girls (previously called scottish school for girls), kawmeya language school, el nasr boys' school (previously called british boys' school), and el nasr girls' college. there are only two german schools in alexandria which are deutsche schule der borromärinnen (dsb of saint charles borromé) and neue deutsche schule alexandria, which is run by frau sally hammam. the montessori educational system was first introduced in alexandria in at alexandria montessori. the most notable public schools in alexandria include el abbassia high school and gamal abdel nasser high school. women[edit] this section needs expansion. you can help by adding to it. (july ) circa the s, twice the percentage of women in alexandria knew how to read compared to the same percentage in cairo. as a result, specialist women's publications like al-fatāh by hind nawal, the country's first women's journal, appeared.[ ] transport[edit] airports[edit] borg el arab international airport the city's principal airport is currently borg el arab airport, which is located about  km (  mi) away from the city centre. from late , el nouzha airport (alexandria international airport) was to be closed to commercial operations for two years as it underwent expansion, with all airlines operating out of borg el arab airport from then onwards, where a brand new terminal was completed there in february .[ ] in , the government announced that alexandria international airport will shut down permanently for operational reasons. port[edit] main article: alexandria port alexandria port alexandria has four ports; namely the western port also known as(alexandria port), which is the main port of the country that handles about % of the country's exports and imports, dekhela port west of the western port, the eastern port which is a yachting harbour, and abu qir port at the northern east of the governorate. it is a commercial port for general cargo and phosphates. highways[edit] international coastal road (mersa matruh – alexandria – port said) cairo–alexandria desert road (alexandria – cairo –  km (  mi), – lanes) cairo-alexandria agriculture road (alexandria – cairo) mehwar el ta'meer – (alexandria – borg el arab) rail[edit] misr railway station alexandria's intracity commuter rail system extends from misr station (alexandria's primary intercity railway station) to abu qir, parallel to the tram line. the commuter line's locomotives operate on diesel, as opposed to the overhead-electric tram. alexandria plays host to two intercity railway stations: the aforementioned misr station (in the older manshia district in the western part of the city) and sidi gaber railway station (in the district of sidi gaber in the centre of the eastern expansion in which most alexandrines reside), both of which also serve the commuter rail line. intercity passenger service is operated by egyptian national railways. trams[edit] main article: trams in alexandria an alexandria tram an extensive tramway network was built in and is the oldest in africa. the network begins at the el raml district in the west and ends in the victoria district in the east. most of the vehicles are blue in colour. some smaller yellow-coloured vehicles have further routes beyond the two main endpoints. the tram routes have one of four numbers: , , , and . all four start at el raml, but only two ( and ) reach victoria. there are two converging and diverging points. the first starts at bolkly (isis) and ends at san stefano. the other begins at sporting and ends at mostafa kamel. route starts at san stefano and takes the inner route to bolkly. route starts at sidi gaber el sheikh in the outer route between sporting and mustafa kamel. route takes the inner route between san stefano and bolkly and the outer route between sporting and mustafa kamel. route takes the route opposite to route in both these areas. the tram fares used to be piastres ( . pounds), and piastres ( . pounds) for the middle car, but have been doubled sometime in . some trams (that date back the s) charge a pound. the tram is considered the cheapest method of public transport. a café operates in the second floor of the first car of tram (a women-only car) which costs l.e per person, also offering a wifi service. a luxury light blue tram car operates from san stefano to ras el tin, with free wifi and movies and songs played inside for l.e per ticket. stations: baccos – victoria (number ) al seyouf sidi beshr el saraya laurent louran tharwat san stefano gianaklis schutz safar abou shabana (baccos) al karnak (fleming) al wezara (the ministry) isis bolkly bulkley roushdy mohammed mahfouz mustafa kamil sidi gaber al-sheikh cleopatra hammamat (cleopatra baths) cleopatra el soghra el reyada el kobra (sporting el kobra) el reyada el soghra (sporting al soghra) al ibrahimiyya el moaskar (camp caesar) al gamaa (the university) al shatby el shobban el moslemin el shahid moustafa ziean hassan rasim (azarita) gamea' ibrahim (mosque of ibrahim) mahattet al ramleh (ramlh station) route serves: el nasr – victoria (number ) al seyouf sidi beshr el saraya louran tharwat san stefano kasr el safa (zizini al safa palace) al fonoun al gamella (the fine arts) ramsis (glym or gleem) el bostan (saba pasha) al hedaya (the guidance) isis bolkly roushdy mohammed mahfouz mustafa kamil sidi gaber el mahata (railway station) cleopatra (zananere) el reyada el kobra (sporting el kobra) el reyada el soghra (sporting al soghra) al ibrahimiyya el moaskar (camp chezar) al gamaa (the university) al shatby el shobban el moslemin el shahid moustafa ziean hassan rasim (azarita) gamea' ibrahim (mosque of ibrahim) mahattet al ramlh (ramlh station) metro[edit] construction of the alexandria metro is due to begin in at a cost of $ .  billion.[ ] taxis and minibuses[edit] see also: taxicabs by country § egypt taxis in alexandria sport a yellow-and-black livery and are widely available. while egyptian law requires all cabs to carry meters, these generally do not work and fares must be negotiated with the driver on either departure or arrival. play media share taxis in alexandria the minibus share taxi system, or mashrū' operates along well-known traffic arteries. the routes can be identified by both their endpoints and the route between them: corniche routes: el mandara – bahari el mandara – el mansheya asafra – bahari asafra – el mansheya el sa'aa – el mansheya abu qir routes: el mandara – el mahata (lit. "the station", i.e. misr railway station) abu qir – el mahata victoria – el mahata el mandara – victoria interior routes: cabo – bahari el mansheya – el awayid el mansheya – el maw'af el gedid (the new bus station) hadara – el mahata the route is generally written in arabic on the side of the vehicle, although some drivers change their route without changing the paint. some drivers also drive only a segment of a route rather than the whole path; such drivers generally stop at a point known as a major hub of the transportation system (for example, victoria) to allow riders to transfer to another car or to another mode of transport. fare is generally l.e. . to travel the whole route. shorter trips may have a lower fare, depending on the driver and the length of the trip. culture[edit] libraries[edit] the bibliotheca alexandrina the royal library of alexandria, in alexandria, egypt, was once the largest library in the world. it is generally thought to have been founded at the beginning of the rd century bc, during the reign of ptolemy ii of egypt. it was likely created after his father had built what would become the first part of the library complex, the temple of the muses—the museion, greek Μουσείον (from which the modern english word museum is derived). it has been reasonably established that the library, or parts of the collection, were destroyed by fire on a number of occasions (library fires were common and replacement of handwritten manuscripts was very difficult, expensive, and time-consuming). to this day the details of the destruction (or destructions) remain a lively source of controversy.[ ] the bibliotheca alexandrina was inaugurated in , near the site of the old library.[ ] museums[edit] the alexandria national museum graeco-roman museum royal jewelry museum the alexandria national museum was inaugurated december . it is located in a restored italian style palace in tariq el horreya street (formerly rue fouad), near the centre of the city. it contains about , artifacts that narrate the story of alexandria and egypt. most of these pieces came from other egyptian museums. the museum is housed in the old al-saad bassili pasha palace, who was one of the wealthiest wood merchants in alexandria. construction on the site was first undertaken in . cavafy museum the graeco-roman museum the museum of fine arts the royal jewelry museum theaters[edit] alexandria opera house, where classical music, arabic music, ballet, and opera are performed and bearm basha theatre in elshatby. architecture[edit] throughout alexandria, there is art that resembles some of the oldest architectural styles of the hellenic city, and its ancient decorations, especially in the bibliotheca alexandrina, is based on reviving the ancient library of alexandria. the kom el shoqafa catacombs are considered one of the seven wonders of the middle ages and date back to the nd century. the remnants of pompey's pillar still remain today. this single pillar represents the elaborate temple which once stood in alexandria. it remains at the site of the serapeum, alexandria's acropolis. the serapeum, which stood for ancient tradition, conflicted with the rise of christianity. it is a large tourist destination, today. the roman amphitheatre of alexandria is another popular destination. here, there remains a stage with around seven hundred to eight hundred seats. they also have numerous galleries of statues and details leftover form this time. alexandria's tourism office announced plans to reserve some beaches for tourists in july .[ ] shalalat gardens montaza garden alexandria art centre alexandria opera house fawzia fahmy palace alexander the great's statue monument of the unknown navy soldier montaza palace sports[edit] alexandria stadium the main sport that interests alexandrians is football, as is the case in the rest of egypt and africa. alexandria stadium is a multi-purpose stadium in alexandria, egypt. it is currently used mostly for football matches, and was used for the african cup of nations. the stadium is the oldest stadium in egypt, being built in . the stadium holds , people. alexandria was one of three cities that participated in hosting the african cup of nations in january , which egypt won. sea sports such as surfing, jet-skiing and water polo are practiced on a lower scale. the skateboarding culture in egypt started in this city. the city is also home to the alexandria sporting club, which is especially known for its basketball team, which traditionally provides the country's national team with key players. the city hosted the afrobasket, the continent's most prestigious basketball tournament, on four occasions ( , , , ). alexandria has four stadiums: alexandria stadium borg el arab stadium el krom stadium harras el hodoud stadium other less popular sports like tennis and squash are usually played in private social and sports clubs, like: acacia country club alexandria sporting club – in "sporting" alexandria country club al ittihad alexandria club olympic club haras el hodoud sc club koroum club lagoon resort courts smouha sc – in "smouha" started in , cross egypt challenge is an international cross-country motorcycle and scooter rally conducted throughout the most difficult tracks and roads of egypt. alexandria is known as the yearly starting point of cross egypt challenge and a huge celebration is conducted the night before the rally starts after all the international participants arrive to the city. twin towns – sister cities[edit] the italian consulate in saad zaghloul square see also: list of twin towns and sister cities in egypt alexandria is twinned with: almaty, kazakhstan[citation needed] baltimore, united states[ ] bratislava, slovakia[ ] catania, italy[ ] cleveland, united states[ ] constanța, romania[ ] durban, south africa[ ] incheon, south korea[ ] kazanlak, bulgaria[ ] limassol, cyprus[ ] odessa, ukraine[ ] paphos, cyprus[ ] port louis, mauritius[ ] saint petersburg, russia[ ] shanghai, china[ ] thessaloniki, greece[ ] see also[edit] baucalis cultural tourism in egypt list of cities and towns in egypt list of cities founded by alexander the great of alexandria references[edit] ^ "alexandria governor". archived from the original on february . ^ "الجهاز المركزي للتعبئة العامة والإحصاء". www.capmas.gov.eg. archived from the original on october . retrieved october . ^ erman, adolf, and hermann grapow, eds. – . wörterbuch der aegyptischen sprache im auftrage der deutschen akademien. vols. leipzig: j. c. hinrichs'schen buchhandlungen. (reprinted berlin: akademie-verlag gmbh, ). ^ john baines, "possible implications of the egyptian word for alexandria", journal of roman archaeology, vol. ( ), pp. – . (appendix to judith mckenzie, "glimpsing alexandria from archaeological evidence".) ^ "alexandria". collins dictionary. n.d. archived from the original on june . retrieved september . ^ "travel in egypt: alexandria". arab academy. august . retrieved may . ; fideler, david ( january ). alexandria . red wheel/weiser. isbn  - - - - . ^ a b michael haag ( ). alexandria: city of memory. yale university press. isbn  - - - - . ^ fowden, garth ( february ). "alexandria between antiquity and islam". apollo-university of cambridge repository, apollo-university of cambridge repository. doi: . /cam. . cite journal requires |journal= (help) ^ a b c d e justin pollard; howard reid ( october ). the rise and fall of alexandria: birthplace of the modern world. viking. p.  - . isbn  - - - - . ^ a b c d "the lighthouse dims". foreign policy. december . archived from the original on march . retrieved march . ^ véron, a.; goiran, j. p.; morhange, c.; marriner, n.; empereur, j. y. ( ). "pollutant lead reveals the pre-hellenistic occupation and ancient growth of alexandria, egypt". geophysical research letters. ( ). doi: . / gl . issn  - . ^ o'connor, lauren ( ) "the remains of alexander the great: the god, the king, the symbol," constructing the past: vol. : iss. , article ^ erskine, andrew (april ). "greece & rome, nd ser". culture and power in ptolemaic egypt: the museum and library of alexandria. ( ): – [ ]. one effect of the newly created hellenistic kingdoms was the imposition of greek cities occupied by greeks on an alien landscape. in egypt, there was a native egyptian population with its own culture, history, and traditions. the greeks who came to egypt, to the court or to live in alexandria, were separated from their original cultures. alexandria was the main greek city of egypt and within it there was an extraordinary mix of greeks from many cities and backgrounds. ^ erskine, andrew (april ). "culture and power in ptolemaic egypt: the museum and library of alexandria". greece & rome. ( ): – . doi: . /s . the ptolemaic emphasis on greek culture establishes the greeks of egypt with an identity for themselves. [...] but the emphasis on greek culture does even more than this – these are greeks ruling in a foreign land. the more greeks can indulge in their own culture, the more they can exclude non-greeks, in other words egyptians, the subjects whose land has been taken over. the assertion of greek culture serves to enforce egyptian subjection. so the presence in alexandria of two institutions devoted to the preservation and study of greek culture acts as a powerful symbol of egyptian exclusion and subjection. texts from other cultures could be kept in the library, but only once they had been translated, that is to say hellenized. [...] a reading of alexandrian poetry might easily give the impression that egyptians did not exist at all; indeed egypt itself is hardly mentioned except for the nile and the nile flood, [...] this omission of the egypt and egyptians from poetry masks a fundamental insecurity. it is no coincidence that one of the few poetic references to egyptians presents them as muggers. ^ delia, diana ( ). "the population of roman alexandria". transactions of the american philological association. : – . doi: . / . jstor  . ^ philo of alexandria, against flaccus. ^ ammianus marcellinus, "res gestae", . . – archived march at the wayback machine ^ stiros, stathis c.: "the ad crete earthquake and possible seismic clustering during the fourth to sixth centuries ad in the eastern mediterranean: a review of historical and archaeological data", journal of structural geology, vol. ( ), pp. – ( & ) ^ kennedy, hugh ( ). "egypt as a province in the islamic caliphate, – ". in petry, carl f. 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"between politics and literature: journals in alexandria and istanbul at the end of the nineteenth century" (chapter ). in: fawaz, leila tarazi and c. a. bayly (editors) and robert ilbert (collaboration). modernity and culture: from the mediterranean to the indian ocean. columbia university press, . isbn  , . start: p. . cited: p. . ^ "a new gateway for alexandria". al-ahram weekly. archived from the original on september . ^ "egypt's $ bn alexandria metro to start construction in q ". middle east construction news. november . retrieved november . ^ raven, james ( ). lost libraries: the destruction of great book collections since antiquity. springer. p.  . isbn  . ^ long, tony ( october ). "oct. , : second great library opens in alexandria" – via www.wired.com. ^ "egypt's alexandria to create private tourist-only beaches". egypt's alexandria to create private tourist-only beaches (in turkish). archived from the original on july . retrieved july . ^ "baltimore sister cities". baltimoresistercities.org. baltimore sister cities, inc. retrieved october . ^ "partner (twin) towns of bratislava". bratislava-city.sk. retrieved october . ^ "catania amica del mondo, ecco tutti i gemellaggi della città etnea". cataniaup.it (in italian). catania up. july . retrieved october . ^ "cleveland's sister cities". city.cleveland.oh.us. city of cleveland. retrieved october . ^ "orașe înfrățite". primaria-constanta.ro (in romanian). constanța. retrieved october . ^ "sister cities". durban.gov.za. ethekwini municipality. retrieved october . ^ "sister cities & affiliated cities". incheon.go.kr. incheon metropolitan city. retrieved october . ^ "Побратимени градове". kazanlak.bg (in bulgarian). kazanlak. retrieved october . ^ "twinned cities". limassolmunicipal.com.cy. limassol. retrieved october . ^ "Міста-побратими". omr.gov.ua (in ukrainian). odessa. retrieved october . ^ "governor of alexandria meets mayor of paphos to reinforce cooperation agreement between the two sides and to discuss repercussions of corona virus via video conference". alexandria.gov.eg. alexandria. may . retrieved october . ^ "international links". mccpl.mu. city council of port louis. retrieved october . ^ "Международные и межрегиональные связи". gov.spb.ru (in russian). federal city of saint petersburg. retrieved october . ^ "市级友好城市". sh.gov.cn (in chinese). shanghai. retrieved october . ^ "twin towns". thessaloniki.gr. thessaloniki. retrieved october . further reading[edit] a. bernand, alexandrie la grande ( ) a. j. butler, the arab conquest of egypt ( nd. ed., ) p.-a. claudel, alexandrie. histoire d'un mythe ( ) a. de cosson, mareotis ( ) j.-y. empereur, alexandria rediscovered ( ) e. m. forster, alexandria a history and a guide ( ) (reprint ed. m. allott, ) p. m. fraser, ptolemaic alexandria ( ) m. haag, alexandria: city of memory ( ) [ th-century social and literary history] m. haag, vintage alexandria: photographs of the city – ( ) m. haag, alexandria illustrated r. ilbert, i. yannakakis, alexandrie – ( ) r. ilbert, alexandrie entre deux mondes ( ) judith mckenzie et al., the architecture of alexandria and egypt, b.c.–a.d. . (pelican history of art, yale university press, ) philip mansel, levant: splendour and catastrophe on the mediterranean, london, john murray, november , hardback, pages, isbn  - - - - , new haven, yale university press, may , hardback, pages, isbn  - - - - don nardo, a travel guide to ancient alexandria, lucent books. ( ) v. w. von hagen, the roads that led to rome ( ) external links[edit] wikimedia commons has media related to: alexandria (category) wikivoyage has a travel guide for alexandria. "alexandria". egyptian government, ministry of state for administrative development. . "greek community of alexandria". . details on the archaïc port with a pdf of gaston jondet's report, map of alexandria, ca. , eran laor cartographic collection, the national library of israel. preceded by sebennytos capital of egypt bc – ad succeeded by fustat v t e list of cities and towns in egypt cairo governorate cairo giza governorate giza, th of october city, sheikh zayed city, el hawamdeya, el badrashein, el saff, atfih, el ayyat, bawiti, manshiyat al qanater, awsim, kerdasa, abu el namras qalyubia governorate benha, qalyub, shubra el kheima, el qanater el khayreya, khanka, kafr shukr, toukh, qaha, obour city, khusus, shibin el qanater alexandria governorate alexandria, borg el arab, new borg el arab beheira governorate damanhur, kafr el dawwar, rosetta, edku, abu el matamir, abu hummus, el delengat, el mahmoudiyah, el rahmaniya, itay el barud, hosh issa, shubrakhit, koum hamada, badr, wadi el natrun, new nubariya matrouh governorate mersa matruh, el hamam, el alamein, el dabaa, el negaila, sidi barrani, sallum, siwa oasis damietta governorate damietta, new damietta, ras el bar, faraskur, kafr saad, el zarqa, assarw, arrawda, kafr el battikh, ezbet el borg, mit abu ghaleb dakahlia governorate mansoura, talkha, mit ghamr, dekernes, aga, minyat an-nasr, el senbellawein, el kurdi, bani ebaid, el manzala, temay el amdeed, el gammalia, sherbin, el matareya, belqas, mit salsil, gamasa, mahallat damana, nabaruh kafr el sheikh governorate kafr el sheikh, desouk, fuwwah, metoubes, baltim, el hamool, biyala, el reyad, sidi salem, qallin, sidi ghazi, borg el burulus gharbia governorate tanta, el mahalla el kubra, kafr az-zayyat, zefta, as-santa, qutur, basyoun, sebennytos monufia governorate shibin el kom, sadat (city), menouf, sirs al-layyan, ashmoun, el bagour, quesna, birket el sab, tala, shuhada sharqia governorate zagazig, th of ramadan (city), minya el qamh, bilbeis, mashtool el souk, al-qinayat, abu hammad, el qurein, hihya, abu kebir, faqous, el salheya el gedida, el ibrahimiya, diyarb negm, kafr saqr, awlad saqr, el husseiniya, tanis, minshat abu omar port said governorate port said, port fuad ismailia governorate ismailia, fayed, el qantara, tell el kebir, abu suwir, kassassin suez governorate suez north sinai governorate arish, sheikh zuweid, rafah, bir al-abd, el hasana, nekhel south sinai governorate el tor, sharm el sheikh, dahab, nuweiba, taba, saint catherine, abou redis, abu zenima, ras sedr beni suef governorate beni suef, new beni suef, al wasta, nasser, heracleopolis magna, biba, sumusta, el fashn faiyum governorate faiyum, new faiyum, tamiya, sinnuris, itsa, ibsheway, yousef el seddik minya governorate minya, new minya, el idwa, maghagha, beni mazar, matai, samalut, al madinah al fikriyyah, mallawi, dir mawas asyut governorate asyut, new asyut, dairut, dayrut al-sharif, manfalut, el quseyya, abnub, abu tig, el ghanayem, sahel selim, el badari, sidfa new valley governorate el kharga, baris, mut, farafra, balat red sea governorate hurghada, ras ghareb, safaga, el qoseir, marsa alam, shalateen, halayeb sohag governorate sohag, new sohag, akhmim, new akhmim, el balyana, el maragha, ptolemais hermiou, dar el salam, girga, west juhayna, saqultah, tima, tahta qena governorate qena, new qena, abu tesht, nag hammadi, dishna, el waqf, qift, naqada, qus, farshut luxor governorate luxor, new luxor, new thebes, zainiya, bayadiya, kurna, armant, el-tod, esna aswan governorate aswan, new aswan, daraw, kom ombo, nasr al-nuba, kalabsha, edfu, radisia, busylia, sebaiya, abu simbel capital cities are in bold font. v t e neighborhoods in alexandria amreya anfoushi asafra azarita bahary bakos bolkly camp shezar cleopatra el atareen el gomrok el ibrahimiya el labban el maamora el mandara el mansheya el max el qabary el saraya el soyof dekhela downtown fleming gianaclis glim hadara kafr abdu karmoz kom el deka louran mahatet el raml miami moharam bek roshdy saba pasha safar san stefano smouha shatby shods sidi bishr sidi gaber sporting stanley tharwat victoria wardeyan zezenia v t e governorates capitals of egypt governorate (capital) alexandria (alexandria) aswan (aswan) asyut (asyut) beheira (damanhur) beni suef (beni suef) cairo (cairo) dakahlia (mansoura) damietta (damietta) faiyum (faiyum) gharbia (tanta) giza (giza) ismailia (ismailia) kafr el sheikh (kafr el sheikh) luxor (luxor) matrouh (mersa matrouh) minya (minya) monufia (shibin el kom) new valley (kharga) north sinai (arish) port said (port said) qalyubia (benha) qena (qena) red sea (hurghada) sharqia (zagazig) sohag (sohag) south sinai (el tor) suez (suez) v t e egyptian cities and towns by population , , and more alexandria cairo giza shubra el kheima , – , asyut bilbeis damietta faiyum imbaba ismailia el mahalla el kubra kom ombo mansoura luxor port said suez tanta zagazig , – , th of october arish aswan benha beni suef damanhur desouk edfu hurghada kafr el dawwar kafr el sheikh mallawi minya new borg el arab new cairo obour qena shibin el kom sohag < , abydos ain sokhna akhmim dahab dakhla dendera dekernes el alamein el gouna esna port fuad hamrah dom hala'ib kharga marsa alam marsa matruh nag hammadi new nubariya nuweiba rosetta sadat safaga saint catherine siwa sharm el sheikh taba talkha v t e world book capitals : madrid : alexandria : new delhi : antwerp : montreal : turin : bogotá : amsterdam : beirut : ljubljana : buenos aires : yerevan : bangkok : port harcourt : incheon : wrocław : conakry : athens : sharjah : kuala lumpur v t e ancient greece timeline history geography periods cycladic civilization minoan civilization mycenaean civilization greek dark ages archaic period classical greece hellenistic greece roman greece geography aegean sea aeolis alexandria antioch cappadocia crete cyprus doris ephesus epirus hellespont ionia ionian sea macedonia magna graecia miletus peloponnesus pergamon pontus taurica ancient greek colonies city states politics military city states argos athens byzantion chalcis corinth eretria kerkyra larissa megalopolis megara rhodes samos sparta syracuse thebes politics boule koinon proxeny tagus tyrant amphictyonic league athenian agora areopagus ecclesia graphe paranomon heliaia ostracism spartan apella ephor gerousia macedon synedrion koinon military wars athenian military scythian archers antigonid macedonian army army of macedon ballista cretan archers hellenistic armies hippeis hoplite hetairoi macedonian phalanx phalanx peltast pezhetairos sarissa sacred band of thebes sciritae seleucid army spartan army strategos toxotai xiphos xyston people list of ancient greeks rulers kings of argos archons of athens kings of athens kings of commagene diadochi kings of lydia kings of macedonia kings of paionia attalid kings of pergamon kings of pontus kings of sparta tyrants of syracuse philosophers anaxagoras anaximander anaximenes antisthenes aristotle democritus diogenes of sinope empedocles epicurus gorgias heraclitus hypatia leucippus parmenides plato protagoras pythagoras socrates thales zeno authors aeschylus aesop alcaeus archilochus aristophanes bacchylides euripides herodotus hesiod hipponax homer ibycus lucian menander mimnermus panyassis philocles pindar plutarch polybius sappho simonides sophocles stesichorus theognis thucydides timocreon tyrtaeus xenophon others agesilaus ii agis ii alcibiades alexander the great aratus archimedes aspasia demosthenes epaminondas euclid hipparchus hippocrates leonidas lycurgus lysander milo of croton miltiades pausanias pericles philip of macedon philopoemen praxiteles ptolemy pyrrhus solon themistocles groups philosophers playwrights poets tyrants by culture ancient greek tribes thracian greeks ancient macedonians society culture society agriculture calendar clothing coinage cuisine economy education festivals homosexuality law olympic games pederasty philosophy prostitution religion slavery warfare wedding customs wine arts and science architecture greek revival architecture astronomy literature mathematics medicine music musical system pottery sculpture technology theatre religion funeral and burial practices mythology mythological figures temple twelve olympians underworld sacred places eleusis delphi delos dion dodona mount olympus olympia structures athenian treasury lion gate long walls philippeion theatre of dionysus tunnel of eupalinos temples aphaea artemis athena nike erechtheion hephaestus hera, olympia parthenon samothrace zeus, olympia language proto-greek mycenaean homeric dialects aeolic arcadocypriot attic doric ionic locrian macedonian pamphylian koine writing linear a linear b cypriot syllabary greek alphabet greek numerals attic numerals greek colonisation south italy alision brentesion caulonia chone croton cumae elea heraclea lucania hipponion hydrus krimisa laüs locri medma metapontion neápolis pandosia (lucania) poseidonia pixous rhegion scylletium siris sybaris sybaris on the traeis taras terina thurii sicily akragas akrai akrillai apollonia calacte casmenae catana gela helorus henna heraclea minoa himera hybla gereatis hybla heraea kamarina leontinoi megara hyblaea messana naxos segesta selinous syracuse tauromenion thermae tyndaris aeolian islands didyme euonymos ereikousa hycesia lipara/meligounis phoenicusa strongyle therassía sardinia olbia cyrenaica balagrae barca berenice cyrene (apollonia) ptolemais iberian peninsula akra leuke alonis emporion helike hemeroscopion kalathousa kypsela mainake menestheus's limin illicitanus limin/portus illicitanus rhode salauris zacynthos black sea north coast borysthenes charax chersonesus dioscurias eupatoria gorgippia hermonassa kepoi kimmerikon myrmekion nikonion nymphaion olbia panticapaion phanagoria pityus tanais theodosia tyras tyritake black sea south coast dionysopolis odessos anchialos mesambria apollonia salmydessus heraclea tium sesamus cytorus abonoteichos sinope zaliche amisos oinòe polemonion thèrmae cotyora kerasous tripolis trapezous rhizos athina bathus phasis lists cities in epirus people place names stoae temples theatres category portal outline v t e hellenistic/macedonian colonies africa alexandria ptolemais hermiou asia alexandretta antioch apamea alexandria arachosia alexandria eschate alexandria on the caucasus alexandria on the indus alexandria on the oxus alexandria prophthasia attalia edessa laodicea paralos laodicea in phoenicia nicaea philadelphia seleucia seleucia pieria serraepolis europe antigonia (paeonia) alexandropolis maedica v t e ancient egypt topics index major topics glossary of artifacts agriculture architecture (egyptian revival architecture) art portraiture astronomy chronology cities (list) clothing cuisine dance dynasties funerary practices geography great royal wives (list) hieroglyphs history language literature mathematics medicine military music mythology people pharaohs (list) philosophy religion sites technology trade writing egyptology egyptologists museums book category portal wikiproject commons outline v t e mediterranean games alexandria barcelona beirut naples tunis İzmir algiers split casablanca latakia athens languedoc-roussillon bari tunis almería pescara mersin tarragona oran taranto authority control bnf: cb m (data) gnd: - isni: x lccn: n mbarea: fb - a- ab-b f - ba ce d nara: ndl: nkc: ge nli: sudoc: viaf: worldcat identities: lccn-n retrieved from "https://en.wikipedia.org/w/index.php?title=alexandria&oldid= " categories: alexandria governorate capitals in egypt ancient greek archaeological sites in egypt populated places in alexandria governorate populated coastal places in egypt historic jewish communities metropolitan areas of egypt roman towns and cities in egypt mediterranean port cities and towns in egypt populated places along the silk road cities in egypt cities founded by alexander the great s bc establishments s bc th-century bc establishments populated places established in the th century bc former capitals of egypt hidden categories: cs errors: missing periodical 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attic red-figure calathus, c.  bc, staatliche antikensammlungen (inv. ) alcaeus of mytilene (/ælˈsiːəs/; ancient greek: Ἀλκαῖος ὁ Μυτιληναῖος, alkaios ho mutilēnaios; c.  / – c.  bc)[ ][ ] was a lyric poet from the greek island of lesbos who is credited with inventing the alcaic stanza. he was included in the canonical list of nine lyric poets by the scholars of hellenistic alexandria. he was a contemporary and an alleged lover of sappho, with whom he may have exchanged poems. he was born into the aristocratic governing class of mytilene, the main city of lesbos, where he was involved in political disputes and feuds. contents biography poetry . poetic genres . a drinking poem (fr. ) . a hymn (fr. ) tributes from other poets . horace . ovid scholars, fragments and sources references sources external links biography[edit] alcaeus "a probably authentic lesbian coin has been preserved, bearing upon the obverse ... a profile head of alcaeus, and upon the reverse ...a profile head of pittacus. this coin is said to have belonged to fulvius ursinus. it passed through various hands and collections into the royal museum at paris, and was engraved by the chevalier visconti." — j. easby-smith[ ] pittacus the broad outlines of the poet's life are well known.[ ][ ][ ] he was born into the aristocratic, warrior class that dominated mytilene, the strongest city-state on the island of lesbos and, by the end of the seventh century bc, the most influential of all the north aegean greek cities, with a strong navy and colonies securing its trade-routes in the hellespont. the city had long been ruled by kings born to the penthilid clan but, during the poet's life, the penthilids were a spent force and rival aristocrats and their factions contended with each other for supreme power. alcaeus and his older brothers were passionately involved in the struggle but experienced little success. their political adventures can be understood in terms of three tyrants who came and went in succession: melanchrus – he was overthrown sometime between  bc and  bc by a faction that, in addition to the brothers of alcaeus, included pittacus (later renowned as one of the seven sages of greece); alcaeus at that time was too young to be actively involved; myrsilus – it is not known when he came to power but some verses by alcaeus (frag. ) indicate that the poet, his brothers and pittacus made plans to overthrow him and that pittacus subsequently betrayed them; alcaeus and his brothers fled into exile where the poet later wrote a drinking song in celebration of the news of the tyrant's death (frag. ); pittacus – the dominant political figure of his time, he was voted supreme power by the political assembly of mytilene and appears to have governed well ( -  bc), even allowing alcaeus and his faction to return home in peace. sometime before  bc, mytilene fought athens for control of sigeion and alcaeus was old enough to participate in the fighting. according to the historian herodotus,[ ] the poet threw away his shield to make good his escape from the victorious athenians then celebrated the occasion in a poem that he later sent to his friend, melanippus. it is thought that alcaeus travelled widely during his years in exile, including at least one visit to egypt. his older brother, antimenidas, appears to have served as a mercenary in the army of nebuchadnezzar ii and probably took part in the conquest of askelon. alcaeus wrote verses in celebration of antimenides' return, including mention of his valour in slaying the larger opponent (frag. ), and he proudly describes the military hardware that adorned their family home (frag. ). "alcaeus was in some respects not unlike a royalist soldier of the age of the stuarts. he had the high spirit and reckless gaiety, the love of country bound up with belief in a caste, the licence tempered by generosity and sometimes by tenderness, of a cavalier who has seen good and evil days." — richard claverhouse jebb[ ] sappho and alcaeus by lawrence alma-tadema. the walters art museum. alcaeus was a contemporary and a countryman of sappho and, since both poets composed for the entertainment of mytilenean friends, they had many opportunities to associate with each other on a quite regular basis, such as at the kallisteia, an annual festival celebrating the island's federation under mytilene, held at the 'messon' (referred to as temenos in frs. and ), where sappho performed publicly with female choirs. alcaeus' reference to sappho in terms more typical of a divinity, as holy/pure, honey-smiling sappho (fr. ), may owe its inspiration to her performances at the festival.[ ] the lesbian or aeolic school of poetry "reached in the songs of sappho and alcaeus that high point of brilliancy to which it never after-wards approached"[ ] and it was assumed by later greek critics and during the early centuries of the christian era that the two poets were in fact lovers, a theme which became a favourite subject in art (as in the urn pictured above). poetry[edit] the poetic works of alcaeus were collected into ten books, with elaborate commentaries, by the alexandrian scholars aristophanes of byzantium and aristarchus of samothrace sometime in the rd century bc, and yet his verses today exist only in fragmentary form, varying in size from mere phrases, such as wine, window into a man (fr. ) to entire groups of verses and stanzas, such as those quoted below (fr. ). alexandrian scholars numbered him in their canonic nine (one lyric poet per muse). among these, pindar was held by many ancient critics to be pre-eminent,[ ] but some gave precedence to alcaeus instead.[ ] the canonic nine are traditionally divided into two groups, with alcaeus, sappho and anacreon, being 'monodists' or 'solo-singers', with the following characteristics:[ ] they composed and performed personally for friends and associates on topics of immediate interest to them; they wrote in their native dialects (alcaeus and sappho in aeolic dialect, anacreon in ionic); they preferred quite short, metrically simple stanzas or 'strophes' which they re-used in many poems — hence the 'alcaic' and 'sapphic' stanzas, named after the two poets who perfected them or possibly invented them. the other six of the canonic nine composed verses for public occasions, performed by choruses and professional singers and typically featuring complex metrical arrangements that were never reproduced in other verses. however, this division into two groups is considered by some modern scholars to be too simplistic and often it is practically impossible to know whether a lyric composition was sung or recited, or whether or not it was accompanied by musical instruments and dance. even the private reflections of alcaeus, ostensibly sung at dinner parties, still retain a public function.[ ] critics often seek to understand alcaeus in comparison with sappho: if we compare the two, we find that alcaeus is versatile, sappho narrow in her range; that his verse is less polished and less melodious than hers; and that the emotions which he chooses to display are less intense. — david campbell[ ] the aeolian song is suddenly revealed, as a mature work of art, in the spirited stanzas of alcaeus. it is raised to a supreme excellence by his younger contemporary, sappho, whose melody is unsurpassed, perhaps unequalled, among all the relics of greek verse. — richard jebb[ ] in the variety of his subjects, in the exquisite rhythm of his meters, and in the faultless perfection of his style, all of which appear even in mutilated fragments, he excels all the poets, even his more intense, more delicate and more truly inspired contemporary sappho. — james easby-smith[ ] the roman poet, horace, also compared the two, describing alcaeus as "more full-throatedly singing"[ ] — see horace's tribute below. alcaeus himself seems to underscore the difference between his own 'down-to-earth' style and sappho's more 'celestial' qualities when he describes her almost as a goddess (as cited above), and yet it has been argued that both poets were concerned with a balance between the divine and the profane, each emphasising different elements in that balance.[ ] dionysius of halicarnassus exhorts us to "observe in alcaeus the sublimity, brevity and sweetness coupled with stern power, his splendid figures, and his clearness which was unimpaired by the dialect; and above all mark his manner of expressing his sentiments on public affairs,"[ ] while quintilian, after commending alcaeus for his excellence "in that part of his works where he inveighs against tyrants and contributes to good morals; in his language he is concise, exalted, careful and often like an orator;" goes on to add: "but he descended into wantonness and amours, though better fitted for higher things."[ ] poetic genres[edit] the works of alcaeus are conventionally grouped according to five genres. political songs: alcaeus often composed on a political theme, covering the power struggles on lesbos with the passion and vigour of a partisan, cursing his opponents,[ ] rejoicing in their deaths,[ ] delivering blood-curdling homilies on the consequences of political inaction[ ] and exhorting his comrades to heroic defiance, as in one of his 'ship of state' allegories.[ ] commenting on alcaeus as a political poet, the scholar dionysius of halicarnassus once observed that "...if you removed the meter you would find political rhetoric."[ ] drinking songs: according to the grammarian athenaeus, alcaeus made every occasion an excuse for drinking and he has provided posterity several quotes in proof of it.[ ] alcaeus exhorts his friends to drink in celebration of a tyrant's death,[ ] to drink away their sorrows,[ ] to drink because life is short[ ] and along the lines in vino veritas,[ ] to drink through winter storms[ ] and to drink through the heat of summer.[ ] the latter poem in fact paraphrases verses from hesiod,[ ] re-casting them in asclepiad meter and aeolian dialect. hymns: alcaeus sang about the gods in the spirit of the homeric hymns, to entertain his companions rather than to glorify the gods and in the same meters that he used for his 'secular' lyrics.[ ] there are for example fragments in 'sapphic' meter praising the dioscuri,[ ] hermes[ ] and the river hebrus[ ] (a river significant in lesbian mythology since it was down its waters that the head of orpheus was believed to have floated singing, eventually crossing the sea to lesbos and ending up in a temple of apollo, as a symbol of lesbian supremacy in song).[ ] according to porphyrion, the hymn to hermes was imitated by horace in one of his own 'sapphic' odes (c. . : mercuri, facunde nepos atlantis).[ ] love songs: almost all alcaeus' amorous verses, mentioned with disapproval by quintilian above, have vanished without trace. there is a brief reference to his love poetry in a passage by cicero.[ ] horace, who often wrote in imitation of alcaeus, sketches in verse one of the lesbian poet's favourite subjects — lycus of the black hair and eyes (c. . . - : nigris oculis nigroque/crine decorum). it is possible that alcaeus wrote amorously about sappho, as indicated in an earlier quote.[ ] miscellaneous: alcaeus wrote on such a wide variety of subjects and themes that contradictions in his character emerge. the grammarian athenaeus quoted some verses about perfumed ointments to prove just how unwarlike alcaeus could be[ ] and he quoted his description of the armour adorning the walls of his house[ ] as proof that he could be unusually warlike for a lyric poet.[ ] other examples of his readiness for both warlike and unwarlike subjects are lyrics celebrating his brother's heroic exploits as a babylonian mercenary[ ] and lyrics sung in a rare meter (sapphic ionic in minore) in the voice of a distressed girl,[ ] "wretched me, who share in all ills!" — possibly imitated by horace in an ode in the same meter (c. . : miserarum est neque amori dare ludum neque dulci).[ ] he also wrote sapphic stanzas on homeric themes but in un-homeric style, comparing helen of troy unfavourably with thetis, the mother of akhilles.[ ] a drinking poem (fr. )[edit] the following verses demonstrate some key characteristics of the alcaic style (square brackets indicate uncertainties in the ancient text): πώνωμεν· τί τὰ λύχν' ὀμμένομεν; δάκτυλος ἀμέρα· κὰδ δ'ἄερρε κυλίχναις μεγάλαις [αιτα]ποικίλαισ· οἶνον γὰρ Σεμέλας καὶ Δίος υἶος λαθικάδεον ἀνθρώποισιν ἔδωκ'. ἔγχεε κέρναις ἔνα καὶ δύο πλήαις κὰκ κεφάλας, [ἀ] δ' ἀτέρα τὰν ἀτέραν κύλιξ ὠθήτω...[ ] let's drink! why are we waiting for the lamps? only an inch of daylight left. lift down the large cups, my friends, the painted ones; for wine was given to men by the son of semele and zeus to help them forget their troubles. mix one part of water to two of wine, pour it in up to the brim, and let one cup push the other along...[ ] the greek meter here is relatively simple, comprising the greater asclepiad, adroitly used to convey, for example, the rhythm of jostling cups (ἀ δ' ἀτέρα τὰν ἀτέραν). the language of the poem is typically direct and concise and comprises short sentences — the first line is in fact a model of condensed meaning, comprising an exhortation ("let's drink!), a rhetorical question ("why are we waiting for the lamps?") and a justifying statement (only an inch of daylight left.)[ ] the meaning is clear and uncomplicated, the subject is drawn from personal experience, and there is an absence of poetic ornament, such as simile or metaphor. like many of his poems (e.g., frs. , , , , ), it begins with a verb (in this case "let's drink!") and it includes a proverbial expression ("only an inch of daylight left") though it is possible that he coined it himself.[ ] a hymn (fr. )[edit] alcaeus rarely used metaphor or simile and yet he had a fondness for the allegory of the storm-tossed ship of state. the following fragment of a hymn to castor and polydeuces (the dioscuri) is possibly another example of this though some scholars interpret it instead as a prayer for a safe voyage.[ ] hither now to me from your isle of pelops, you powerful children of zeus and leda, showing youselves kindly by nature, castor and polydeuces! travelling abroad on swift-footed horses, over the wide earth, over all the ocean, how easily you bring deliverance from death's gelid rigor, landing on tall ships with a sudden, great bound, a far-away light up the forestays running, bringing radiance to a ship in trouble, sailed in the darkness! the poem was written in sapphic stanzas, a verse form popularly associated with his compatriot, sappho, but in which he too excelled, here paraphrased in english to suggest the same rhythms. there were probably another three stanzas in the original poem but only nine letters of them remain.[ ] the 'far-away light' (Πήλοθεν λάμπροι) is a reference to st. elmo's fire, an electrical discharge supposed by ancient greek mariners to be an epiphany of the dioscuri, but the meaning of the line was obscured by gaps in the papyrus until reconstructed by a modern scholar—such reconstructions are typical of the extant poetry (see scholars, fragments and sources below). this poem doesn't begin with a verb but with an adverb (Δευτέ) but still communicates a sense of action. he probably performed his verses at drinking parties for friends and political allies—men for whom loyalty was essential, particularly in such troubled times.[ ] tributes from other poets[edit] horace[edit] the roman poet horace modelled his own lyrical compositions on those of alcaeus, rendering the lesbian poet's verse-forms, including 'alcaic' and 'sapphic' stanzas, into concise latin — an achievement he celebrates in his third book of odes.[ ] in his second book, in an ode composed in alcaic stanzas on the subject of an almost fatal accident he had on his farm, he imagines meeting alcaeus and sappho in hades: quam paene furvae regna proserpinae et iudicantem vidimus aeacum sedesque descriptas piorum et aeoliis fidibus querentem sappho puellis de popularibus et te sonantem plenius aureo, alcaee, plectro dura navis, dura fugae mala, dura belli! [ ] how close the realm of dusky proserpine yawned at that instant! i half glimpsed the dire judge of the dead, the blest in their divine seclusion, sappho on the aeolian lyre, mourning the cold girls of her native isle, and you, alcaeus, more full-throatedly singing with your gold quill of ships, exile and war, hardship on land, hardship at sea.[ ] ovid[edit] ovid compared alcaeus to sappho in letters of the heroines, where sappho is imagined to speak as follows: nec plus alcaeus consors patriaeque lyraeque laudis habet, quamvis grandius ille sonet. nor does alcaeus, my fellow-countryman and fellow-poet, receive more praise, although he resounds more grandly.[ ] scholars, fragments and sources[edit] a nd century ad papyrus of alcaeus, one of the many such fragments that have contributed to our greatly improved knowledge of alcaeus' poetry during the th century (p.berol. inv. = fr. l.–p.). the story of alcaeus is partly the story of the scholars who rescued his work from oblivion.[ ][ ] his verses have not come down to us through a manuscript tradition — generations of scribes copying an author's collected works, such as delivered intact into the modern age four entire books of pindar's odes — but haphazardly, in quotes from ancient scholars and commentators whose own works have chanced to survive, and in the tattered remnants of papyri uncovered from an ancient rubbish pile at oxyrhynchus and other locations in egypt: sources that modern scholars have studied and correlated exhaustively, adding little by little to the world's store of poetic fragments. ancient scholars quoted alcaeus in support of various arguments. thus for example heraclitus 'the allegorist'[ ] quoted fr. and part of fr. , about ships in a storm, in his study on homer's use of allegory.[ ] the hymn to hermes, fr (b), was quoted by hephaestion (grammarian)[ ] and both he and libanius, the rhetorician, quoted the first two lines of fr. ,[ ] celebrating the return from babylon of alcaeus' brother. the rest of fr. was paraphrased in prose by the historian/geographer strabo.[ ] many fragments were supplied in quotes by athenaeus, principally on the subject of wine-drinking, but fr. , "wine, window into a man", was quoted much later by the byzantine grammarian, john tzetzes.[ ] the first 'modern' publication of alcaeus' verses appeared in a greek and latin edition of fragments collected from the canonic nine lyrical poets by michael neander, published at basle in . this was followed by another edition of the nine poets, collected by henricus stephanus and published in paris in . fulvius ursinus compiled a fuller collection of alcaic fragments, including a commentary, which was published at antwerp in . the first separate edition of alcaeus was by christian david jani and it was published at halle in . the next separate edition was by august matthiae, leipzig . some of the fragments quoted by ancient scholars were able to be integrated by scholars in the nineteenth century. thus for example two separate quotes by athenaeus[ ] were united by theodor bergk to form fr. . three separate sources were combined to form fr. , as mentioned above, including a prose paraphrase from strabo that first needed to be restored to its original meter, a synthesis achieved by the united efforts of otto hoffmann, karl otfried müller[ ] and franz heinrich ludolf ahrens. the discovery of the oxyrhynchus papyri towards the end of the nineteenth century dramatically increased the scope of scholarly research. in fact, eight important fragments have now been compiled from papyri — frs. , a, , , , , and most recently s . these fragments typically feature lacunae or gaps that scholars fill with 'educated guesses', including for example a "brilliant supplement" by maurice bowra in fr. , a hymn to the dioscuri that includes a description of st. elmo's fire in the ship's rigging.[ ] working with only eight letters (πρό...τρ...ντες; tr. pró...tr...ntes), bowra conjured up a phrase that develops the meaning and the euphony of the poem (πρότον' ὀντρέχοντες; tr. próton' ontréchontes), describing luminescence "running along the forestays". references[edit] ^ carey, c. ( - - ). "alcaeus ( ), lyric poet". oxford research encyclopedia of classics. doi: . /acrefore/ . . . ^ "alcaeus | greek poet". encyclopedia britannica. retrieved - - . ^ j. easby-smith, the songs of alcaeus, w. h. lowdermilk and co. ( ) ^ david mulroy, early greek lyric poetry, university of michigan press, , pp. – ^ david. a. campbell, greek lyric poetry, bristol classic press, , pp. – ^ a b easby-smith, james s. ( ). "the songs of alcaeus". washington: w. h. lowdermilk and co. ^ histories . ^ r. c. jebb, greek literature, macmillan and co. , p. ^ a b c nagy, gregory ( ). lyric and greek myth (the cambridge companion to greek mythology). ed. r. d. woodward, cambridge university press. pp.  – . ^ james s. easby-smith, the songs of alcaeus, w. h. lowdermilk and co., washington, ^ quintilian . . ; cf. pseudo-longinus . archived - - at the wayback machine. ^ a b james easby-smith, the songs of alcaeus p. ^ andrew m.miller (trans.), greek lyric: an anthology in translation, hackett publishing co. ( ), intro. xiii ^ a b david a. campbell, greek lyric poetry, bristol classical press ( ), p. ^ jebb, richard ( ). bacchylides: the poems and fragments. cambridge university press. p.  . ^ a b james michie (trans.), the odes of horace, penguin classics ( ), p. ^ imit. , quoted from easby-smith in songs of alcaeus ^ quintillian . . , quoted by d.campbell in g.l.p, p. ^ fr. ^ a b fr. ^ fr. s ^ fr. ^ imit. , quoted by campbell in g.l.p., p. ^ athenaeus . c ^ frs. , ^ fr. a ^ fr. ^ fr. ^ fr. ^ hesiod op. – ^ david a. campbell, greek lyric poetry, bristol classical press ( ), p. ^ fr. a ^ fr. c ^ fr. ^ david a. campbell, greek lyric poetry, bristol classical press ( ), pp. – ^ david campbell, 'monody', in the cambridge history of classical literature: greek literature, p. easterling and e. kenney (eds), cambridge university press ( ), p. ^ cicero, tusc. disp. . ^ fr. ; however, liberman ( ) reads "aphro" (Ἄφροι; a diminutive of "aphrodite"), instead of "sappho". ^ fr. , athenaeus . d ^ fr. ^ athenaeus . a ^ fr. ^ fr. b ^ a b david campbell, 'monody', in the cambridge history of classical literature: greek literature, p. easterling and e. kenney (eds), cambridge university press ( ), p. ^ fr. ^ david a. campbell, greek lyric poetry, bristol classical press ( ), p. ^ andrew m.miller (trans.), greek lyric: an anthology in translation, hackett publishing co. ( ), p. ^ david campbell, 'monody', in the cambridge history of classical literature: greek literature, p. easterling and e. kenney (eds), cambridge university press ( ), p. ^ david a. campbell, greek lyric poetry, bristol classical press ( ), pp. , ^ david a. campbell, greek lyric vol. i, loeb classical library ( ), p. ^ horace od. . ^ horace od. . . – ^ ovid her. . s, cited and translated by david a. campbell, greek lyric i: sappho and alcaeus, loeb classical library ( ), p. ^ david. a. campbell, greek lyric poetry, bristol classic press, , pp. – ^ donald. a. russell and david konstan (ed.s and tran.s.), heraclitus:homeric problems, society of biblical literature ( ), introduction ^ heraclitus all. ^ hephaestion ench. xiv. ^ hephaestion ench. x ; libanus or. . ^ strabo . ^ tzetzes alex. ^ athenaeus . cd, . d ^ müller, karl otfried, "ein bruder des dichters alkäos ficht unter nebukadnezar," rheinisches museum ( ): . ^ david. a. campbell, greek lyric poetry, bristol classic press, , p. sources[edit] sappho et alcaeus. fragmenta. eva-maria voigt (ed.). polak and van gennep, amsterdam, . greek lyric poetry. d.a. campbell (ed.). bristol classical press, london, . isbn  - - - - greek lyric : sappho and alcaeus. d. a. campbell (ed.). harvard university press, cambridge, mass., . isbn  - - - - alcée. fragments. gauthier liberman (ed.). collection budé, paris, . isbn  - - - - sappho and the greek lyric poets. translated by willis barnstone. schoken books inc., new york, . isbn  - - - - external links[edit] alcaeus of mytileneat wikipedia's sister projects media from wikimedia commons texts from wikisource data from wikidata greek wikisource has original text related to this article: Ἀλκαῖος ὁ Μυτιληναῖος works by or about alcaeus of mytilene at internet archive works by alcaeus of mytilene at librivox (public domain audiobooks) poems by alcaeus – english translations a. m. miller, greek lyric: – alcaeus, many fragments alcaeus bilingual anthology (in greek and english, side 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organization. privacy policy about wikipedia disclaimers contact wikipedia mobile view developers statistics cookie statement horacio - biquipedia, a enciclopedia libre horacio de biquipedia ir a la navegación ir a la búsqueda horacio horacio información personal calendata de naixencia d'aviento de ac puesto de naixencia venosa (imperio román) calendata de muerte de noviembre de ac puesto de muerte roma (imperio román) ocupación escritor y poeta horacio (quintus horatius flaccus en latín), naixito de venosa (imperio román) o d'aviento de ac y muerto en roma o de noviembre de ac, estió un escritor y poeta román en luenga latina. horacio vivió en o periodo de transformación d'o paso dende l'antiga roma republicana enta o imperio román, en vida de chulio césar y augusto. vinclos externos[editar | editar código] se veigan as imáchens de commons sobre horacio. obtenito de "https://an.wikipedia.org/w/index.php?title=horacio&oldid= " categorías: escritors de roma antiga poetas latinos 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$a a $ rero _ $a $ idref _ _ $a a _ $a $b vload $c $d vload $c $d vload $c $d $y $z vload _ _ $a rero _ $a horatius flaccus, quintus _ $a horacio flaco, quinto _ $a horaz _ $a horace _ $a orazio flacco, quinto _ $a orazio age of enlightenment - wikipedia age of enlightenment from wikipedia, the free encyclopedia jump to navigation jump to search european cultural movement of the th, th, and th centuries "age of reason" redirects here. for other uses, see age of reason (disambiguation). reading of voltaire's tragedy of the orphan of china in the salon of marie thérèse rodet geoffrin, by lemonnier.[note ] history of western philosophy the school of athens fresco by raphael western philosophy by era ancient medieval renaissance modern early modern late modern contemporary by century th th th th th st see also religious philosophy buddhist christian hindu islamic jain jewish sikh eastern philosophy chinese indian iranian japanese korean western culture western world v t e part of a series on classicism classical antiquity greco-roman world age of enlightenment neoclassicism economics music physics th-century neoclassicism between world war i and ii ballet economics music philosophy v t e part of a series on capitalism concepts business business cycle businessperson capital capital accumulation capital markets capitalist mode of production company corporation competitive markets economic interventionism economic liberalism economic surplus entrepreneurship fictitious capital financial market free price system free market goods and services investor invisible hand liberalization marginalism money private property privatization profit rent seeking supply and demand surplus value value wage labour economic systems anglo-saxon authoritarian corporate dirigist free-market humanistic laissez-faire liberal libertarian market mercantilist mixed monopoly national neoliberal nordic private raw regulated market regulatory rhine social state state-sponsored welfare economic theories 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capitalism post-capitalism speculation spontaneous order venture philanthropy wage slavery ideologies anarcho-capitalism authoritarian capitalism democratic capitalism dirigism eco-capitalism humanistic capitalism inclusive capitalism liberal capitalism liberalism libertarian capitalism neo-capitalism neoliberalism objectivism ordoliberalism right-libertarianism third way  capitalism portal  business portal  philosophy portal  politics portal  money portal v t e part of a series on liberalism history age of enlightenment list of liberal theorists (contributions to liberal theory) ideas civil and political rights cultural liberalism democracy democratic capitalism economic freedom economic liberalism egalitarianism free market free trade freedom of the press freedom of religion freedom of speech gender equality harm principle internationalism laissez-faire liberty market economy natural and legal rights negative/positive liberty non-aggression principle open society permissive society private property rule of law secularism separation of church and state social contract welfare state schools of thought anarcho-capitalism classical liberalism radical liberalism left-libertarianism geolibertarianism right-libertarianism conservative liberalism democratic liberalism green liberalism liberal autocracy liberal catholicism liberal conservatism liberal feminism equity feminism liberal internationalism liberal nationalism liberal socialism social democracy muscular liberalism neoliberalism national liberalism ordoliberalism radical centrism religious liberalism christian islamic jewish secular liberalism social liberalism technoliberalism third way whiggism people acton alain alberdi alembert arnold aron badawi barante bastiat bentham berlin beveridge bobbio brentano bright broglie burke Čapek cassirer chicherin chu chydenius clinton cobden collingdood condorcet constant croce cuoco dahrendorf decy dewey dickens diderot dongsun dunoyer dworkin einaudi emerson eötvös flach friedman galbraith garrison george gladstone gobetti gomes gray green gu guizot hayek herbert hobbes hobhouse hobson holbach hu humboldt jefferson jubani kant kelsen kemal keynes korais korwin-mikke kymlicka lamartine larra lecky li lincoln locke lufti macaulay madariaga madison martineau masani michelet mill (father) mill (son) milton mises molteno mommsen money montalembert montesquieu mora mouffe naoroji naumann nozick nussbaum obama ohlin ortega paine paton popper price priestley prieto quesnay qin ramírez rathenau rawls raz renan renouvier renzi ricardo röpke rorthy rosmini rosselli rousseau ruggiero sarmiento say sen earl of shaftesbury shklar sidney sieyès Şinasi sismondi smith soto polar spencer spinoza staël sumner tahtawi tao thierry thorbecke thoreau tocqueville tracy troeltsch turgot villemain voltaire ward weber wollstonecraft zambrano organizations africa liberal network alliance of liberals and democrats for europe alliance of liberals and democrats for europe party arab liberal federation council of asian liberals and democrats european democratic party european liberal youth european party for individual liberty international alliance of libertarian parties international federation of liberal youth liberal international liberal network for latin america liberal parties liberal south east european network regional variants europe latin america albania armenia australia austria belgium bolivia brazil bulgaria canada china chile colombia croatia cuba cyprus czech lands denmark ecuador egypt estonia finland france georgia germany greece honduras hong kong hungary iceland india iran israel italy japan latvia lithuania luxembourg macedonia mexico moldova montenegro netherlands new zealand nicaragua nigeria norway panama paraguay peru philippines poland portugal romania russia senegal serbia slovakia slovenia spain south africa south korea sweden switzerland thailand tunisia turkey ukraine united kingdom united states arizona school classical modern uruguay venezuela zimbabwe related topics bias in academia bias in the media  liberalism portal  politics portal v t e the age of enlightenment (also known as the age of reason or simply the enlightenment)[ ][note ] was an intellectual and philosophical movement that dominated the world of ideas in europe during the th and th centuries.[ ] the enlightenment emerged out of a european intellectual and scholarly movement known as renaissance humanism and was also preceded by the scientific revolution and the work of francis bacon, among others. some date the beginning of the enlightenment to rené descartes' philosophy of cogito, ergo sum ("i think, therefore i am"), while others cite the publication of isaac newton's principia mathematica ( ) as the culmination of the scientific revolution and the beginning of the enlightenment. french historians traditionally date its beginning with the death of louis xiv of france in until the outbreak of the french revolution. most end it with the beginning of the th century. philosophers and scientists of the period widely circulated their ideas through meetings at scientific academies, masonic lodges, literary salons, coffeehouses and in printed books, journals, and pamphlets. the ideas of the enlightenment undermined the authority of the monarchy and the catholic church and paved the way for the political revolutions of the th and th centuries. a variety of th-century movements, including liberalism and neoclassicism, trace their intellectual heritage to the enlightenment.[ ] the enlightenment included a range of ideas centered on the sovereignty of reason and the evidence of the senses as the primary sources of knowledge and advanced ideals such as liberty, progress, toleration, fraternity, constitutional government and separation of church and state.[ ][ ] in france, the central doctrines of the enlightenment philosophers were individual liberty and religious tolerance, in opposition to an absolute monarchy and the fixed dogmas of the church. the enlightenment was marked by an emphasis on the scientific method and reductionism, along with increased questioning of religious orthodoxy—an attitude captured by immanuel kant's essay answering the question: what is enlightenment, where the phrase sapere aude (dare to know) can be found.[ ] contents significant people and publications philosophy science sociology, economics and law politics . theories of government . enlightened absolutism . french revolution religion . separation of church and state national variations . great britain . . england . . scotland . . anglo-american colonies . german states . italy . spain and spanish america . portugal . russia . poland historiography . definition . time span . modern study society and culture . social and cultural implications in the arts dissemination of ideas . the republic of letters . the book industry . natural history . scientific and literary journals . encyclopedias and dictionaries . popularization of science . schools and universities . learned academies . salons . coffeehouses . debating societies . masonic lodges . art important intellectuals see also notes references . citations . sources further reading . reference and surveys . specialty studies . primary sources external links significant people and publications the most famous work by nicholas de condorcet, esquisse d'un tableau historique des progres de l'esprit humain, .[ ] with the publication of this book, the development of the age of enlightenment is considered generally ended.[ ] the age of enlightenment was preceded by and closely associated with the scientific revolution.[ ] earlier philosophers whose work influenced the enlightenment included francis bacon and rené descartes.[ ] some of the major figures of the enlightenment included cesare beccaria, denis diderot, david hume, immanuel kant, gottfried wilhelm leibniz, john locke, montesquieu, jean-jacques rousseau, adam smith, hugo grotius, baruch spinoza, and voltaire.[ ] one particularly influential enlightenment publication was the encyclopédie (encyclopedia). published between and in thirty-five volumes, it was compiled by denis diderot, jean le rond d'alembert, and a team of other intellectuals. the encyclopédie helped in spreading the ideas of the enlightenment across europe and beyond.[ ] other landmark publications of the enlightenment included voltaire's letters on the english ( ) and dictionnaire philosophique (philosophical dictionary; ); hume's a treatise of human nature ( ); montesquieu's the spirit of the laws ( ); rousseau's discourse on inequality ( ) and the social contract ( ); adam smith's the theory of moral sentiments ( ) and the wealth of nations ( ); and kant's critique of pure reason ( ). enlightenment thought was deeply influential in the political realm. european rulers such as catherine ii of russia, joseph ii of austria and frederick ii of prussia tried to apply enlightenment thought on religious and political tolerance, which became known as enlightened absolutism.[ ] many of the main political and intellectual figures behind the american revolution associated themselves closely with the enlightenment: benjamin franklin visited europe repeatedly and contributed actively to the scientific and political debates there and brought the newest ideas back to philadelphia; thomas jefferson closely followed european ideas and later incorporated some of the ideals of the enlightenment into the declaration of independence; and james madison incorporated these ideals into the united states constitution during its framing in .[ ] the ideas of the enlightenment also played a major role in inspiring the french revolution, which began in . philosophy rené descartes' rationalist philosophy laid the foundation for enlightenment thinking. his attempt to construct the sciences on a secure metaphysical foundation was not as successful as his method of doubt applied in philosophic areas leading to a dualistic doctrine of mind and matter. his skepticism was refined by john locke's essay concerning human understanding ( ) and david hume's writings in the s. his dualism was challenged by spinoza's uncompromising assertion of the unity of matter in his tractatus ( ) and ethics ( ). according to jonathan israel, these laid down two distinct lines of enlightenment thought: first, the moderate variety, following descartes, locke and christian wolff, which sought accommodation between reform and the traditional systems of power and faith, and second, the radical enlightenment, inspired by the philosophy of spinoza, advocating democracy, individual liberty, freedom of expression and eradication of religious authority.[ ][ ] the moderate variety tended to be deistic, whereas the radical tendency separated the basis of morality entirely from theology. both lines of thought were eventually opposed by a conservative counter-enlightenment, which sought a return to faith.[ ] german philosopher immanuel kant in the mid- th century, paris became the center of philosophic and scientific activity challenging traditional doctrines and dogmas. the philosophical movement was led by voltaire and jean-jacques rousseau, who argued for a society based upon reason as in ancient greece[ ] rather than faith and catholic doctrine, for a new civil order based on natural law, and for science based on experiments and observation. the political philosopher montesquieu introduced the idea of a separation of powers in a government, a concept which was enthusiastically adopted by the authors of the united states constitution. while the philosophes of the french enlightenment were not revolutionaries and many were members of the nobility, their ideas played an important part in undermining the legitimacy of the old regime and shaping the french revolution.[ ] francis hutcheson, a moral philosopher, described the utilitarian and consequentialist principle that virtue is that which provides, in his words, "the greatest happiness for the greatest numbers". much of what is incorporated in the scientific method (the nature of knowledge, evidence, experience and causation) and some modern attitudes towards the relationship between science and religion were developed by his protégés david hume and adam smith.[ ] hume became a major figure in the skeptical philosophical and empiricist traditions of philosophy. immanuel kant ( – ) tried to reconcile rationalism and religious belief, individual freedom and political authority, as well as map out a view of the public sphere through private and public reason.[ ] kant's work continued to shape german thought and indeed all of european philosophy, well into the th century.[ ] mary wollstonecraft was one of england's earliest feminist philosophers.[ ] she argued for a society based on reason and that women as well as men should be treated as rational beings. she is best known for her work a vindication of the rights of woman ( ).[ ] science main article: science in the age of enlightenment science played an important role in enlightenment discourse and thought. many enlightenment writers and thinkers had backgrounds in the sciences and associated scientific advancement with the overthrow of religion and traditional authority in favour of the development of free speech and thought. scientific progress during the enlightenment included the discovery of carbon dioxide (fixed air) by the chemist joseph black, the argument for deep time by the geologist james hutton and the invention of the condensing steam engine by james watt.[ ] the experiments of lavoisier were used to create the first modern chemical plants in paris and the experiments of the montgolfier brothers enabled them to launch the first manned flight in a hot-air balloon on november from the château de la muette, near the bois de boulogne.[ ] the wide-ranging contributions to mathematics of leonhard euler ( – ) included major results in analysis, number theory, topology, combinatorics, graph theory, algebra, and geometry (among other fields). in applied mathematics, he made fundamental contributions to mechanics, hydraulics, acoustics, optics, and astronomy. he was based in the imperial academy of sciences in st. petersburg ( – ), then in berlin at the royal prussian academy of sciences and belles lettres ( – ), and finally back in st. petersburg at the imperial academy ( – ).[ ] broadly speaking, enlightenment science greatly valued empiricism and rational thought and was embedded with the enlightenment ideal of advancement and progress. the study of science, under the heading of natural philosophy, was divided into physics and a conglomerate grouping of chemistry and natural history, which included anatomy, biology, geology, mineralogy and zoology.[ ] as with most enlightenment views, the benefits of science were not seen universally: rousseau criticized the sciences for distancing man from nature and not operating to make people happier.[ ] science during the enlightenment was dominated by scientific societies and academies, which had largely replaced universities as centres of scientific research and development. societies and academies were also the backbone of the maturation of the scientific profession. another important development was the popularization of science among an increasingly literate population. philosophes introduced the public to many scientific theories, most notably through the encyclopédie and the popularization of newtonianism by voltaire and Émilie du châtelet. some historians have marked the th century as a drab period in the history of science.[ ] however, the century saw significant advancements in the practice of medicine, mathematics and physics; the development of biological taxonomy; a new understanding of magnetism and electricity; and the maturation of chemistry as a discipline, which established the foundations of modern chemistry. scientific academies and societies grew out of the scientific revolution as the creators of scientific knowledge in contrast to the scholasticism of the university.[ ] during the enlightenment, some societies created or retained links to universities, but contemporary sources distinguished universities from scientific societies by claiming that the university's utility was in the transmission of knowledge while societies functioned to create knowledge.[ ] as the role of universities in institutionalized science began to diminish, learned societies became the cornerstone of organized science. official scientific societies were chartered by the state in order to provide technical expertise.[ ] most societies were granted permission to oversee their own publications, control the election of new members and the administration of the society.[ ] after , a tremendous number of official academies and societies were founded in europe and by there were over seventy official scientific societies. in reference to this growth, bernard de fontenelle coined the term "the age of academies" to describe the th century.[ ] the influence of science also began appearing more commonly in poetry and literature during the enlightenment. some poetry became infused with scientific metaphor and imagery, while other poems were written directly about scientific topics. sir richard blackmore committed the newtonian system to verse in creation, a philosophical poem in seven books ( ). after newton's death in , poems were composed in his honour for decades.[ ] james thomson ( – ) penned his "poem to the memory of newton", which mourned the loss of newton, but also praised his science and legacy.[ ] sociology, economics and law cesare beccaria, father of classical criminal theory ( – ) hume and other scottish enlightenment thinkers developed a "science of man",[ ] which was expressed historically in works by authors including james burnett, adam ferguson, john millar and william robertson, all of whom merged a scientific study of how humans behaved in ancient and primitive cultures with a strong awareness of the determining forces of modernity. modern sociology largely originated from this movement[ ] and hume's philosophical concepts that directly influenced james madison (and thus the u.s. constitution) and as popularised by dugald stewart, would be the basis of classical liberalism.[ ] in , adam smith published the wealth of nations, often considered the first work on modern economics as it had an immediate impact on british economic policy that continues into the st century.[ ] it was immediately preceded and influenced by anne-robert-jacques turgot, baron de laune drafts of reflections on the formation and distribution of wealth (paris, ). smith acknowledged indebtedness and possibly was the original english translator.[ ] cesare beccaria, a jurist, criminologist, philosopher and politician and one of the great enlightenment writers, became famous for his masterpiece of crimes and punishments ( ), later translated into languages,[ ] which condemned torture and the death penalty and was a founding work in the field of penology and the classical school of criminology by promoting criminal justice. another prominent intellectual was francesco mario pagano, who wrote important studies such as saggi politici (political essays, ), one of the major works of the enlightenment in naples; and considerazioni sul processo criminale (considerations on the criminal trial, ), which established him as an international authority on criminal law.[ ] politics the enlightenment has long been hailed as the foundation of modern western political and intellectual culture.[ ] the enlightenment brought political modernization to the west, in terms of introducing democratic values and institutions and the creation of modern, liberal democracies. this thesis has been widely accepted by anglophone scholars and has been reinforced by the large-scale studies by robert darnton, roy porter and most recently by jonathan israel.[ ][ ] theories of government john locke, one of the most influential enlightenment thinkers,[ ] based his governance philosophy in social contract theory, a subject that permeated enlightenment political thought. the english philosopher thomas hobbes ushered in this new debate with his work leviathan in . hobbes also developed some of the fundamentals of european liberal thought: the right of the individual; the natural equality of all men; the artificial character of the political order (which led to the later distinction between civil society and the state); the view that all legitimate political power must be "representative" and based on the consent of the people; and a liberal interpretation of law which leaves people free to do whatever the law does not explicitly forbid.[ ] like other enlightenment philosophers, rousseau was critical of the atlantic slave trade[ ] both locke and rousseau developed social contract theories in two treatises of government and discourse on inequality, respectively. while quite different works, locke, hobbes and rousseau agreed that a social contract, in which the government's authority lies in the consent of the governed,[ ] is necessary for man to live in civil society. locke defines the state of nature as a condition in which humans are rational and follow natural law, in which all men are born equal and with the right to life, liberty and property. however, when one citizen breaks the law of nature both the transgressor and the victim enter into a state of war, from which it is virtually impossible to break free. therefore, locke said that individuals enter into civil society to protect their natural rights via an "unbiased judge" or common authority, such as courts, to appeal to. contrastingly, rousseau's conception relies on the supposition that "civil man" is corrupted, while "natural man" has no want he cannot fulfill himself. natural man is only taken out of the state of nature when the inequality associated with private property is established.[ ] rousseau said that people join into civil society via the social contract to achieve unity while preserving individual freedom. this is embodied in the sovereignty of the general will, the moral and collective legislative body constituted by citizens. locke is known for his statement that individuals have a right to "life, liberty and property" and his belief that the natural right to property is derived from labor. tutored by locke, anthony ashley-cooper, rd earl of shaftesbury wrote in : "there is a mighty light which spreads its self over the world especially in those two free nations of england and holland; on whom the affairs of europe now turn".[ ] locke's theory of natural rights has influenced many political documents, including the united states declaration of independence and the french national constituent assembly's declaration of the rights of man and of the citizen. the philosophes argued that the establishment of a contractual basis of rights would lead to the market mechanism and capitalism, the scientific method, religious tolerance and the organization of states into self-governing republics through democratic means. in this view, the tendency of the philosophes in particular to apply rationality to every problem is considered the essential change.[ ] although much of enlightenment political thought was dominated by social contract theorists, both david hume and adam ferguson criticized this camp. hume's essay of the original contract argues that governments derived from consent are rarely seen and civil government is grounded in a ruler's habitual authority and force. it is precisely because of the ruler's authority over-and-against the subject, that the subject tacitly consents and hume says that the subjects would "never imagine that their consent made him sovereign", rather the authority did so.[ ] similarly, ferguson did not believe citizens built the state, rather polities grew out of social development. in his an essay on the history of civil society, ferguson uses the four stages of progress, a theory that was very popular in scotland at the time, to explain how humans advance from a hunting and gathering society to a commercial and civil society without "signing" a social contract. both rousseau's and locke's social contract theories rest on the presupposition of natural rights, which are not a result of law or custom, but are things that all men have in pre-political societies and are therefore universal and inalienable. the most famous natural right formulation comes from john locke in his second treatise, when he introduces the state of nature. for locke, the law of nature is grounded on mutual security or the idea that one cannot infringe on another's natural rights, as every man is equal and has the same inalienable rights. these natural rights include perfect equality and freedom, as well as the right to preserve life and property. locke also argued against slavery on the basis that enslaving oneself goes against the law of nature because one cannot surrender one's own rights: one's freedom is absolute and no-one can take it away. additionally, locke argues that one person cannot enslave another because it is morally reprehensible, although he introduces a caveat by saying that enslavement of a lawful captive in time of war would not go against one's natural rights. as a spill-over of the enlightenment, nonsecular beliefs expressed first by quakers and then by protestant evangelicals in britain and the united states emerged. to these groups, slavery became "repugnant to our religion" and a "crime in the sight of god."[ ] these ideas added to those expressed by enlightenment thinkers, leading many in britain to believe that slavery was "not only morally wrong and economically inefficient, but also politically unwise."[ ] as these notions gained more adherents, britain was forced to end its participation in the slave trade. enlightened absolutism main article: enlightened absolutism the marquis of pombal, as the head of the government of portugal, implemented sweeping socio-economic reforms (abolished slavery, significantly weakened the inquisition, created the basis for secular public schools and restructured the tax system) the leaders of the enlightenment were not especially democratic, as they more often look to absolute monarchs as the key to imposing reforms designed by the intellectuals. voltaire despised democracy and said the absolute monarch must be enlightened and must act as dictated by reason and justice – in other words, be a "philosopher-king".[ ] denmark's minister johann struensee, a social reformer, was publicly executed in in several nations, rulers welcomed leaders of the enlightenment at court and asked them to help design laws and programs to reform the system, typically to build stronger states. these rulers are called "enlightened despots" by historians.[ ] they included frederick the great of prussia, catherine the great of russia, leopold ii of tuscany and joseph ii of austria. joseph was over-enthusiastic, announcing many reforms that had little support so that revolts broke out and his regime became a comedy of errors and nearly all his programs were reversed.[ ] senior ministers pombal in portugal and johann friedrich struensee in denmark also governed according to enlightenment ideals. in poland, the model constitution of expressed enlightenment ideals, but was in effect for only one year before the nation was partitioned among its neighbors. more enduring were the cultural achievements, which created a nationalist spirit in poland.[ ] frederick the great, the king of prussia from to , saw himself as a leader of the enlightenment and patronized philosophers and scientists at his court in berlin. voltaire, who had been imprisoned and maltreated by the french government, was eager to accept frederick's invitation to live at his palace. frederick explained: "my principal occupation is to combat ignorance and prejudice ... to enlighten minds, cultivate morality, and to make people as happy as it suits human nature, and as the means at my disposal permit".[ ] french revolution the enlightenment has been frequently linked to the french revolution of . one view of the political changes that occurred during the enlightenment is that the "consent of the governed" philosophy as delineated by locke in two treatises of government ( ) represented a paradigm shift from the old governance paradigm under feudalism known as the "divine right of kings". in this view, the revolutions of the late s and early s were caused by the fact that this governance paradigm shift often could not be resolved peacefully and therefore violent revolution was the result. clearly a governance philosophy where the king was never wrong was in direct conflict with one whereby citizens by natural law had to consent to the acts and rulings of their government. alexis de tocqueville proposed the french revolution as the inevitable result of the radical opposition created in the th century between the monarchy and the men of letters of the enlightenment. these men of letters constituted a sort of "substitute aristocracy that was both all-powerful and without real power". this illusory power came from the rise of "public opinion", born when absolutist centralization removed the nobility and the bourgeoisie from the political sphere. the "literary politics" that resulted promoted a discourse of equality and was hence in fundamental opposition to the monarchical regime.[ ] de tocqueville "clearly designates  ... the cultural effects of transformation in the forms of the exercise of power".[ ] religion the french philosopher voltaire argued for religious tolerance, saying that "it does not require great art, or magnificently trained eloquence, to prove that christians should tolerate each other. i, however, am going further: i say that we should regard all men as our brothers. what? the turk my brother? the chinaman my brother? the jew? the siam? yes, without doubt; are we not all children of the same father and creatures of the same god?"[ ] enlightenment era religious commentary was a response to the preceding century of religious conflict in europe, especially the thirty years' war.[ ] theologians of the enlightenment wanted to reform their faith to its generally non-confrontational roots and to limit the capacity for religious controversy to spill over into politics and warfare while still maintaining a true faith in god. for moderate christians, this meant a return to simple scripture. john locke abandoned the corpus of theological commentary in favor of an "unprejudiced examination" of the word of god alone. he determined the essence of christianity to be a belief in christ the redeemer and recommended avoiding more detailed debate.[ ] in the jefferson bible, thomas jefferson went further and dropped any passages dealing with miracles, visitations of angels and the resurrection of jesus after his death, as he tried to extract the practical christian moral code of the new testament.[ ] enlightenment scholars sought to curtail the political power of organized religion and thereby prevent another age of intolerant religious war.[ ] spinoza determined to remove politics from contemporary and historical theology (e.g., disregarding judaic law).[ ] moses mendelssohn advised affording no political weight to any organized religion, but instead recommended that each person follow what they found most convincing.[ ] they believed a good religion based in instinctive morals and a belief in god should not theoretically need force to maintain order in its believers, and both mendelssohn and spinoza judged religion on its moral fruits, not the logic of its theology.[ ] a number of novel ideas about religion developed with the enlightenment, including deism and talk of atheism. according to thomas paine, deism is the simple belief in god the creator, with no reference to the bible or any other miraculous source. instead, the deist relies solely on personal reason to guide his creed,[ ] which was eminently agreeable to many thinkers of the time.[ ] atheism was much discussed, but there were few proponents. wilson and reill note: "in fact, very few enlightened intellectuals, even when they were vocal critics of christianity, were true atheists. rather, they were critics of orthodox belief, wedded rather to skepticism, deism, vitalism, or perhaps pantheism".[ ] some followed pierre bayle and argued that atheists could indeed be moral men.[ ] many others like voltaire held that without belief in a god who punishes evil, the moral order of society was undermined. that is, since atheists gave themselves to no supreme authority and no law and had no fear of eternal consequences, they were far more likely to disrupt society.[ ] bayle ( – ) observed that, in his day, "prudent persons will always maintain an appearance of [religion]," and he believed that even atheists could hold concepts of honor and go beyond their own self-interest to create and interact in society.[ ] locke said that if there were no god and no divine law, the result would be moral anarchy: every individual "could have no law but his own will, no end but himself. he would be a god to himself, and the satisfaction of his own will the sole measure and end of all his actions."[ ] separation of church and state main articles: separation of church and state and separation of church and state in the united states the "radical enlightenment"[ ][ ] promoted the concept of separating church and state,[ ] an idea that is often credited to english philosopher john locke ( – ).[ ] according to his principle of the social contract, locke said that the government lacked authority in the realm of individual conscience, as this was something rational people could not cede to the government for it or others to control. for locke, this created a natural right in the liberty of conscience, which he said must therefore remain protected from any government authority. these views on religious tolerance and the importance of individual conscience, along with the social contract, became particularly influential in the american colonies and the drafting of the united states constitution.[ ] thomas jefferson called for a "wall of separation between church and state" at the federal level. he previously had supported successful efforts to disestablish the church of england in virginia[ ] and authored the virginia statute for religious freedom.[ ] jefferson's political ideals were greatly influenced by the writings of john locke, francis bacon, and isaac newton,[ ] whom he considered the three greatest men that ever lived.[ ] national variations europe at the beginning of the war of the spanish succession, the enlightenment took hold in most european countries, often with a specific local emphasis. for example, in france it became associated with anti-government and anti-church radicalism, while in germany it reached deep into the middle classes, where it expressed a spiritualistic and nationalistic tone without threatening governments or established churches.[ ] government responses varied widely. in france, the government was hostile, and the philosophes fought against its censorship, sometimes being imprisoned or hounded into exile. the british government, for the most part, ignored the enlightenment's leaders in england and scotland, although it did give isaac newton a knighthood and a very lucrative government office. a common theme among most countries which derived enlightenment ideas from europe was the intentional non-inclusion of enlightenment philosophies pertaining to slavery. originally during the french revolution, a revolution deeply inspired by enlightenment philosophy, "france's revolutionary government had denounced slavery, but the property-holding 'revolutionaries' then remembered their bank accounts."[ ] slavery often showed the limitations of the enlightenment as it pertained to european countries since many european countries held colonies supported by slavery. for instance, during the haitian revolution england and the united states supported france "rather than giving aid to saint-domingue's anti-colonial struggle."[ ] great britain england further information: georgian era § english enlightenment the very existence of an english enlightenment has been hotly debated by scholars. the majority of textbooks on british history make little or no mention of an english enlightenment. some surveys of the entire enlightenment include england and others ignore it, although they do include coverage of such major intellectuals as joseph addison, edward gibbon, john locke, isaac newton, alexander pope, joshua reynolds and jonathan swift.[ ] roy porter argues that the reasons for this neglect were the assumptions that the movement was primarily french-inspired, that it was largely a-religious or anti-clerical, and that it stood in outspoken defiance to the established order.[ ] porter admits that, after the s, england could claim thinkers to equal diderot, voltaire or rousseau. however, its leading intellectuals such as edward gibbon,[ ] edmund burke and samuel johnson were all quite conservative and supportive of the standing order. porter says the reason was that enlightenment had come early to england and had succeeded so that the culture had accepted political liberalism, philosophical empiricism, and religious toleration of the sort that intellectuals on the continent had to fight for against powerful odds. furthermore, england rejected the collectivism of the continent and emphasized the improvement of individuals as the main goal of enlightenment.[ ] one leader of the scottish enlightenment was adam smith, the father of modern economic science scotland further information: scottish enlightenment in the scottish enlightenment, scotland's major cities created an intellectual infrastructure of mutually supporting institutions such as universities, reading societies, libraries, periodicals, museums and masonic lodges.[ ] the scottish network was "predominantly liberal calvinist, newtonian, and 'design' oriented in character which played a major role in the further development of the transatlantic enlightenment".[ ] in france, voltaire said that "we look to scotland for all our ideas of civilization".[ ] the focus of the scottish enlightenment ranged from intellectual and economic matters to the specifically scientific as in the work of william cullen, physician and chemist; james anderson, an agronomist; joseph black, physicist and chemist; and james hutton, the first modern geologist.[ ][ ] anglo-american colonies further information: american enlightenment john trumbull's declaration of independence imagines the drafting committee presenting its work to the congress several americans, especially benjamin franklin and thomas jefferson, played a major role in bringing enlightenment ideas to the new world and in influencing british and french thinkers.[ ] franklin was influential for his political activism and for his advances in physics.[ ][ ] the cultural exchange during the age of enlightenment ran in both directions across the atlantic. thinkers such as paine, locke and rousseau all take native american cultural practices as examples of natural freedom.[ ] the americans closely followed english and scottish political ideas, as well as some french thinkers such as montesquieu.[ ] as deists, they were influenced by ideas of john toland ( – ) and matthew tindal ( – ). during the enlightenment there was a great emphasis upon liberty, republicanism and religious tolerance. there was no respect for monarchy or inherited political power. deists reconciled science and religion by rejecting prophecies, miracles and biblical theology. leading deists included thomas paine in the age of reason and by thomas jefferson in his short jefferson bible – from which all supernatural aspects were removed.[ ] german states further information: history of germany § enlightenment, and hymnody of continental europe § rationalism prussia took the lead among the german states in sponsoring the political reforms that enlightenment thinkers urged absolute rulers to adopt. there were important movements as well in the smaller states of bavaria, saxony, hanover and the palatinate. in each case, enlightenment values became accepted and led to significant political and administrative reforms that laid the groundwork for the creation of modern states.[ ] the princes of saxony, for example, carried out an impressive series of fundamental fiscal, administrative, judicial, educational, cultural and general economic reforms. the reforms were aided by the country's strong urban structure and influential commercial groups and modernized pre- saxony along the lines of classic enlightenment principles.[ ][ ] weimar's courtyard of the muses by theobald von oer, a tribute to the enlightenment and the weimar classicism depicting german poets schiller, wieland, herder and goethe before , the german upper classes looked to france for intellectual, cultural and architectural leadership, as french was the language of high society. by the mid- th century, the aufklärung (the enlightenment) had transformed german high culture in music, philosophy, science and literature. christian wolff ( – ) was the pioneer as a writer who expounded the enlightenment to german readers and legitimized german as a philosophic language.[ ] johann gottfried von herder ( – ) broke new ground in philosophy and poetry, as a leader of the sturm und drang movement of proto-romanticism. weimar classicism (weimarer klassik) was a cultural and literary movement based in weimar that sought to establish a new humanism by synthesizing romantic, classical and enlightenment ideas. the movement (from until ) involved herder as well as polymath johann wolfgang von goethe ( – ) and friedrich schiller ( – ), a poet and historian. herder argued that every folk had its own particular identity, which was expressed in its language and culture. this legitimized the promotion of german language and culture and helped shape the development of german nationalism. schiller's plays expressed the restless spirit of his generation, depicting the hero's struggle against social pressures and the force of destiny.[ ] german music, sponsored by the upper classes, came of age under composers johann sebastian bach ( – ), joseph haydn ( – ) and wolfgang amadeus mozart ( – ).[ ] in remote königsberg, philosopher immanuel kant ( – ) tried to reconcile rationalism and religious belief, individual freedom and political authority. kant's work contained basic tensions that would continue to shape german thought – and indeed all of european philosophy – well into the th century.[ ] the german enlightenment won the support of princes, aristocrats and the middle classes and it permanently reshaped the culture.[ ] however, there was a conservatism among the elites that warned against going too far.[ ] in the s, lutheran ministers johann heinrich schulz and karl wilhelm brumbey got in trouble with their preaching as they were attacked and ridiculed by immanuel kant, wilhelm abraham teller and others. in , prussia issued an "edict on religion" that forbade preaching any sermon that undermined popular belief in the holy trinity and the bible. the goal was to avoid skepticism, deism and theological disputes that might impinge on domestic tranquility. men who doubted the value of enlightenment favoured the measure, but so too did many supporters. german universities had created a closed elite that could debate controversial issues among themselves, but spreading them to the public was seen as too risky. this intellectual elite was favoured by the state, but that might be reversed if the process of the enlightenment proved politically or socially destabilizing.[ ] italy the enlightenment played a distinctive, if small, role in the history of italy.[ ][ ] although most of italy was controlled by conservative habsburgs or the pope, tuscany had some opportunities for reform. leopold ii of tuscany abolished the death penalty in tuscany and reduced censorship. from naples, antonio genovesi ( – ) influenced a generation of southern italian intellectuals and university students. his textbook "diceosina, o sia della filosofia del giusto e dell'onesto" ( ) was a controversial attempt to mediate between the history of moral philosophy on the one hand and the specific problems encountered by th-century commercial society on the other. it contained the greater part of genovesi's political, philosophical and economic thought – guidebook for neapolitan economic and social development.[ ] science flourished as alessandro volta and luigi galvani made break-through discoveries in electricity. pietro verri was a leading economist in lombardy. historian joseph schumpeter states he was "the most important pre-smithian authority on cheapness-and-plenty".[ ] the most influential scholar on the italian enlightenment has been franco venturi.[ ][ ] italy also produced some of the enlightenment's greatest legal theorists, including cesare beccaria, giambattista vico and francesco mario pagano. beccaria in particular is now considered one of the fathers of classical criminal theory as well as modern penology.[ ] beccaria is famous for his masterpiece on crimes and punishments ( ), a treatise (later translated into languages) that served as one of the earliest prominent condemnations of torture and the death penalty and thus a landmark work in anti-death penalty philosophy.[ ] spain and spanish america main articles: enlightenment in spain and spanish american enlightenment spanish constitution of when charles ii the last spanish hapsburg monarch died in , it touched out a major european conflict about succession and the fate of spain and the spanish empire. the war of the spanish succession ( - ) brought bourbon prince philip, duke of anjou to the throne of spain as philip v. under the treaty of utrecht, the french and the spanish bourbons could not unite, with philip renouncing any rights to the french throne. the political restriction did not impede strong french influence of the age of enlightenment on spain, the spanish monarchs, the spanish empire.[ ][ ] philip did not come into effective power until and began implementing administrative reforms to try to stop the decline of the spanish empire. under charles iii, the crown began to implement serious structural changes, generally known as the bourbon reforms. the crown curtailed the power of the catholic church and the clergy, established a standing military in spanish america, established new viceroyalties and reorganized administrative districts into intendancies. freer trade was promoted under comercio libre in which regions could trade with companies sailing from any other spanish port, rather than the restrictive mercantile system limiting trade. the crown sent out scientific expeditions to assert spanish sovereignty over territories it claimed but did not control, but also importantly to discover the economic potential of its far-flung empire. botanical expeditions sought plants that could be of use to the empire.[ ] one of the best acts by charles iv, a monarch not notable for his good judgment, was to give prussian scientist, baron alexander von humboldt, free rein to travel and gather information about the spanish empire during his five-year, self-funded expedition. crown officials were to aid humboldt in any way they could, so that he was able to get access to expert information. given that spain’s empire was closed to foreigners, humboldt's unfettered access is quite remarkable. his observations of new spain, published as the political essay on the kingdom of new spain remains an important scientific and historical text.[ ] when napoleon invaded spain in , ferdinand vii abdicated and napoleon placed his brother joseph bonaparte on the throne. to add legitimacy to this move, the bayonne constitution was promulgated, which included representation from spain's overseas components, but most spaniards rejected the whole napoleonic project. a war of national resistance erupted. the cortes de cádiz (parliament) was convened to rule spain in the absence of the legitimate monarch, ferdinand. it created a new governing document, the constitution of , which laid out three branches of government: executive, legislative, and judicial, put limits on the king by creating a constitutional monarchy, defined citizens as those in the spanish empire without african ancestry, established universal manhood suffrage, and established public education starting with primary school through university as well as freedom of expression. the constitution was in effect from until , when napoleon was defeated and ferdinand was restored to the throne of spain. upon his return, ferdinand repudiated the constitution and reestablished absolutist rule.[ ] the french invasion of spain sparked a crisis of legitimacy of rule in spanish america, with many regions establishing juntas to rule in the name of ferdinand vii. most of spanish america fought for independence, leaving only cuba and puerto rico, as well as the philippines as overseas components of the spanish empire. all of newly independent and sovereign nations became republics by , with written constitutions. mexico's brief post-independence monarchy was overthrown and replaced by a federal republic under the constitution of , inspired by both the u.s. and spanish constitutions. portugal main article: history of portugal ( – ) the enlightenment in portugal (iluminismo) was marked by the rule of the prime minister marquis of pombal under king joseph i of portugal from to . following the lisbon earthquake which destroyed great part of lisbon, the marquis of pombal implemented important economic policies to regulate commercial activity (in particular with brazil and england), and to standardise quality throughout the country (for example by introducing the first integrated industries in portugal). his reconstruction of lisbon's riverside district in straight and perpendicular streets, methodically organized to facilitate commerce and exchange (for example by assigning to each street a different product or service), can be seen as a direct application of the enlightenment ideas to governance and urbanism. his urbanistic ideas, also being the first large-scale example of earthquake engineering, became collectively known as pombaline style, and were implemented throughout the kingdom during his stay in office. his governance was as enlightened as ruthless, see for example the távora affair. in literature, the first enlightenment ideas in portugal can be traced back to the diplomat, philosopher, and writer antónio vieira ( - )[citation needed], who spent a considerable amount of his life in colonial brazil denouncing discriminations against new christians and the indigenous peoples in brazil. his works remain today as one of the best pieces of portuguese literature[citation needed]. during the th century, enlightened literary movements such as the arcádia lusitana (lasting from until , then replaced by the nova arcádia in until ) surfaced in the academic medium, in particular involving former students of the university of coimbra. a distinct member of this group was the poet manuel maria barbosa du bocage. the ideas of the enlightenment also influenced various economists and anti-colonial intellectuals throughout the portuguese empire, such as josé de azeredo coutinho, josé da silva lisboa, cláudio manoel da costa, and tomás de antônio gonzaga. as with the napoleonic invasion of spain, his invasion of portugal had consequences for the portuguese monarchy. with the aid of the british navy, the portuguese royal family was evacuated to brazil, its most important colony. even though napoleon had been defeated, the royal court remained in brazil. the liberal revolution of forced the return of the royal family to portugal. the terms by which the restored king was to rule was a constitutional monarchy under the constitution of portugal. brazil declared its independence of portugal in , and became a monarchy. russia in russia, the government began to actively encourage the proliferation of arts and sciences in the mid- th century. this era produced the first russian university, library, theatre, public museum and independent press. like other enlightened despots, catherine the great played a key role in fostering the arts, sciences and education. she used her own interpretation of enlightenment ideals, assisted by notable international experts such as voltaire (by correspondence) and in residence world class scientists such as leonhard euler and peter simon pallas. the national enlightenment differed from its western european counterpart in that it promoted further modernization of all aspects of russian life and was concerned with attacking the institution of serfdom in russia. the russian enlightenment centered on the individual instead of societal enlightenment and encouraged the living of an enlightened life.[ ][ ] a powerful element was prosveshchenie which combined religious piety, erudition and commitment to the spread of learning. however, it lacked the skeptical and critical spirit of the western european enlightenment.[ ] poland constitution of may, , europe's first modern constitution main article: enlightenment in poland enlightenment ideas (oświecenie) emerged late in poland, as the polish middle class was weaker and szlachta (nobility) culture (sarmatism) together with the polish–lithuanian commonwealth political system (golden liberty) were in deep crisis. the political system was built on republicanism, but was unable to defend itself against powerful neighbors russia, prussia and austria as they repeatedly sliced off regions until nothing was left of independent poland. the period of polish enlightenment began in the s– s and especially in theatre and the arts peaked in the reign of king stanisław august poniatowski (second half of the th century). warsaw was a main centre after , with an expansion of schools and educational institutions and the arts patronage held at the royal castle.[ ] leaders promoted tolerance and more education. they included king stanislaw ii poniatowski and reformers piotr switkowski, antoni poplawski, josef niemcewicz and jósef pawlinkowski, as well as baudouin de cortenay, a polonized dramatist. opponents included florian jaroszewicz, gracjan piotrowski, karol wyrwicz and wojciech skarszewski.[ ] the movement went into decline with the third partition of poland ( ) – a national tragedy inspiring a short period of sentimental writing – and ended in , replaced by romanticism.[ ] historiography the enlightenment has always been contested territory. according to keith thomas, its supporters "hail it as the source of everything that is progressive about the modern world. for them, it stands for freedom of thought, rational inquiry, critical thinking, religious tolerance, political liberty, scientific achievement, the pursuit of happiness, and hope for the future."[ ] thomas adds that its detractors accuse it of shallow rationalism, naïve optimism, unrealistic universalism and moral darkness. from the start, conservative and clerical defenders of traditional religion attacked materialism and skepticism as evil forces that encouraged immorality. by , they pointed to the terror during the french revolution as confirmation of their predictions. as the enlightenment was ending, romantic philosophers argued that excessive dependence on reason was a mistake perpetuated by the enlightenment because it disregarded the bonds of history, myth, faith, and tradition that were necessary to hold society together.[ ] definition the term "enlightenment" emerged in english in the later part of the th century,[ ] with particular reference to french philosophy, as the equivalent of the french term lumières (used first by dubos in and already well established by ). from immanuel kant's essay "beantwortung der frage: was ist aufklärung?" ("answering the question: what is enlightenment?"), the german term became aufklärung (aufklären = to illuminate; sich aufklären = to clear up). however, scholars have never agreed on a definition of the enlightenment, or on its chronological or geographical extent. terms like les lumières (french), illuminismo (italian), ilustración (spanish) and aufklärung (german) referred to partly overlapping movements. not until the late nineteenth century did english scholars agree they were talking about "the enlightenment".[ ][ ] if there is something you know, communicate it. if there is something you don't know, search for it.— an engraving from the edition of the encyclopédie; truth, in the top center, is surrounded by light and unveiled by the figures to the right, philosophy and reason enlightenment historiography began in the period itself, from what enlightenment figures said about their work. a dominant element was the intellectual angle they took. d'alembert's preliminary discourse of l'encyclopédie provides a history of the enlightenment which comprises a chronological list of developments in the realm of knowledge – of which the encyclopédie forms the pinnacle.[ ] in , jewish philosopher moses mendelssohn referred to enlightenment as a process by which man was educated in the use of reason.[ ] immanuel kant called enlightenment "man's release from his self-incurred tutelage", tutelage being "man's inability to make use of his understanding without direction from another".[ ] "for kant, enlightenment was mankind's final coming of age, the emancipation of the human consciousness from an immature state of ignorance".[ ] the german scholar ernst cassirer called the enlightenment "a part and a special phase of that whole intellectual development through which modern philosophic thought gained its characteristic self-confidence and self-consciousness".[ ] according to historian roy porter, the liberation of the human mind from a dogmatic state of ignorance, is the epitome of what the age of enlightenment was trying to capture.[ ] bertrand russell saw the enlightenment as a phase in a progressive development which began in antiquity and that reason and challenges to the established order were constant ideals throughout that time.[ ] russell said that the enlightenment was ultimately born out of the protestant reaction against the catholic counter-reformation and that philosophical views such as affinity for democracy against monarchy originated among th-century protestants to justify their desire to break away from the catholic church. although many of these philosophical ideals were picked up by catholics, russell argues that by the th century the enlightenment was the principal manifestation of the schism that began with martin luther.[ ] jonathan israel rejects the attempts of postmodern and marxian historians to understand the revolutionary ideas of the period purely as by-products of social and economic transformations.[ ] he instead focuses on the history of ideas in the period from to the end of the th century and claims that it was the ideas themselves that caused the change that eventually led to the revolutions of the latter half of the th century and the early th century.[ ] israel argues that until the s western civilization "was based on a largely shared core of faith, tradition and authority".[ ] time span there is little consensus on the precise beginning of the age of enlightenment, though several historians and philosophers argue that it was marked by descartes' philosophy of cogito, ergo sum ("i think, therefore i am"), which shifted the epistemological basis from external authority to internal certainty.[ ][ ][ ] in france, many cited the publication of isaac newton's principia mathematica ( ),[ ] which built upon the work of earlier scientists and formulated the laws of motion and universal gravitation.[ ] the middle of the th century ( ) or the beginning of the th century ( ) are often used as epochs.[citation needed] french historians usually place the siècle des lumières ("century of enlightenments") between and : from the beginning of the reign of louis xv until the french revolution.[ ] most scholars use the last years of the century, often choosing the french revolution of or the beginning of the napoleonic wars ( – ) as a convenient point in time with which to date the end of the enlightenment.[ ] modern study in the book dialectic of enlightenment, frankfurt school philosophers max horkheimer and theodor w. adorno argued: enlightenment, understood in the widest sense as the advance of thought, has always aimed at liberating human beings from fear and installing them as masters. yet the wholly enlightened earth radiates under the sign of disaster triumphant.[ ] extending horkheimer and adorno's argument, intellectual historian jason josephson-storm has argued that any idea of the age of enlightenment as a clearly defined period that is separate from the earlier renaissance and later romanticism or counter-enlightenment constitutes a myth. josephson-storm points out that there are vastly different and mutually contradictory periodizations of the enlightenment depending on nation, field of study, and school of thought; that the term and category of "enlightenment" referring to the scientific revolution was actually applied after the fact; that the enlightenment did not see an increase in disenchantment or the dominance of the mechanistic worldview; and that a blur in the early modern ideas of the humanities and natural sciences makes it hard to circumscribe a scientific revolution.[ ] josephson-storm defends his categorization of the enlightenment as "myth" by noting the regulative role ideas of a period of enlightenment and disenchantment play in modern western culture, such that belief in magic, spiritualism, and even religion appears somewhat taboo in intellectual strata.[ ] in the s, study of the enlightenment expanded to include the ways enlightenment ideas spread to european colonies and how they interacted with indigenous cultures and how the enlightenment took place in formerly unstudied areas such as italy, greece, the balkans, poland, hungary and russia.[ ] intellectuals such as robert darnton and jürgen habermas have focused on the social conditions of the enlightenment. habermas described the creation of the "bourgeois public sphere" in th-century europe, containing the new venues and modes of communication allowing for rational exchange. habermas said that the public sphere was bourgeois, egalitarian, rational and independent from the state, making it the ideal venue for intellectuals to critically examine contemporary politics and society, away from the interference of established authority. while the public sphere is generally an integral component of the social study of the enlightenment, other historians[note ] have questioned whether the public sphere had these characteristics. society and culture a medal minted during the reign of joseph ii, holy roman emperor, commemorating his grant of religious liberty to jews and protestants in hungary—another important reform of joseph ii was the abolition of serfdom in contrast to the intellectual historiographical approach of the enlightenment, which examines the various currents or discourses of intellectual thought within the european context during the th and th centuries, the cultural (or social) approach examines the changes that occurred in european society and culture. this approach studies the process of changing sociabilities and cultural practices during the enlightenment. one of the primary elements of the culture of the enlightenment was the rise of the public sphere, a "realm of communication marked by new arenas of debate, more open and accessible forms of urban public space and sociability, and an explosion of print culture", in the late th century and th century.[ ] elements of the public sphere included that it was egalitarian, that it discussed the domain of "common concern," and that argument was founded on reason.[ ] habermas uses the term "common concern" to describe those areas of political/social knowledge and discussion that were previously the exclusive territory of the state and religious authorities, now open to critical examination by the public sphere. the values of this bourgeois public sphere included holding reason to be supreme, considering everything to be open to criticism (the public sphere is critical), and the opposition of secrecy of all sorts.[ ] german explorer alexander von humboldt showed his disgust for slavery and often criticized the colonial policies—he always acted out of a deeply humanistic conviction, borne by the ideas of the enlightenment.[ ] the creation of the public sphere has been associated with two long-term historical trends: the rise of the modern nation state and the rise of capitalism. the modern nation state, in its consolidation of public power, created by counterpoint a private realm of society independent of the state, which allowed for the public sphere. capitalism also increased society's autonomy and self-awareness, as well as an increasing need for the exchange of information. as the nascent public sphere expanded, it embraced a large variety of institutions and the most commonly cited were coffee houses and cafés, salons and the literary public sphere, figuratively localized in the republic of letters.[ ] in france, the creation of the public sphere was helped by the aristocracy's move from the king's palace at versailles to paris in about , since their rich spending stimulated the trade in luxuries and artistic creations, especially fine paintings.[ ] the context for the rise of the public sphere was the economic and social change commonly associated with the industrial revolution: "economic expansion, increasing urbanization, rising population and improving communications in comparison to the stagnation of the previous century".[ ] rising efficiency in production techniques and communication lowered the prices of consumer goods and increased the amount and variety of goods available to consumers (including the literature essential to the public sphere). meanwhile, the colonial experience (most european states had colonial empires in the th century) began to expose european society to extremely heterogeneous cultures, leading to the breaking down of "barriers between cultural systems, religious divides, gender differences and geographical areas".[ ] the word "public" implies the highest level of inclusivity – the public sphere by definition should be open to all. however, this sphere was only public to relative degrees. enlightenment thinkers frequently contrasted their conception of the "public" with that of the people: condorcet contrasted "opinion" with populace, marmontel "the opinion of men of letters" with "the opinion of the multitude" and d'alembert the "truly enlightened public" with "the blind and noisy multitude".[ ] additionally, most institutions of the public sphere excluded both women and the lower classes.[ ] cross-class influences occurred through noble and lower class participation in areas such as the coffeehouses and the masonic lodges. social and cultural implications in the arts because of the focus on reason over superstition, the enlightenment cultivated the arts.[ ] emphasis on learning, art and music became more widespread, especially with the growing middle class. areas of study such as literature, philosophy, science, and the fine arts increasingly explored subject matter to which the general public, in addition to the previously more segregated professionals and patrons, could relate.[ ] george frideric handel as musicians depended more and more on public support, public concerts became increasingly popular and helped supplement performers' and composers' incomes. the concerts also helped them to reach a wider audience. handel, for example, epitomized this with his highly public musical activities in london. he gained considerable fame there with performances of his operas and oratorios. the music of haydn and mozart, with their viennese classical styles, are usually regarded as being the most in line with the enlightenment ideals.[ ] the desire to explore, record and systematize knowledge had a meaningful impact on music publications. jean-jacques rousseau's dictionnaire de musique (published in geneva and in paris) was a leading text in the late th century.[ ] this widely available dictionary gave short definitions of words like genius and taste and was clearly influenced by the enlightenment movement. another text influenced by enlightenment values was charles burney's a general history of music: from the earliest ages to the present period ( ), which was a historical survey and an attempt to rationalize elements in music systematically over time.[ ] recently, musicologists have shown renewed interest in the ideas and consequences of the enlightenment. for example, rose rosengard subotnik's deconstructive variations (subtitled music and reason in western society) compares mozart's die zauberflöte ( ) using the enlightenment and romantic perspectives and concludes that the work is "an ideal musical representation of the enlightenment".[ ] as the economy and the middle class expanded, there was an increasing number of amateur musicians. one manifestation of this involved women, who became more involved with music on a social level. women were already engaged in professional roles as singers and increased their presence in the amateur performers' scene, especially with keyboard music.[ ] music publishers begin to print music that amateurs could understand and play. the majority of the works that were published were for keyboard, voice and keyboard and chamber ensemble.[ ] after these initial genres were popularized, from the mid-century on, amateur groups sang choral music, which then became a new trend for publishers to capitalize on. the increasing study of the fine arts, as well as access to amateur-friendly published works, led to more people becoming interested in reading and discussing music. music magazines, reviews and critical works which suited amateurs as well as connoisseurs began to surface.[ ] dissemination of ideas the philosophes spent a great deal of energy disseminating their ideas among educated men and women in cosmopolitan cities. they used many venues, some of them quite new. french philosopher pierre bayle the republic of letters main article: republic of letters the term "republic of letters" was coined in by pierre bayle in his journal nouvelles de la republique des lettres. towards the end of the th century, the editor of histoire de la république des lettres en france, a literary survey, described the republic of letters as being: in the midst of all the governments that decide the fate of men; in the bosom of so many states, the majority of them despotic ... there exists a certain realm which holds sway only over the mind ... that we honour with the name republic, because it preserves a measure of independence, and because it is almost its essence to be free. it is the realm of talent and of thought.[ ] the republic of letters was the sum of a number of enlightenment ideals: an egalitarian realm governed by knowledge that could act across political boundaries and rival state power.[ ] it was a forum that supported "free public examination of questions regarding religion or legislation".[ ] immanuel kant considered written communication essential to his conception of the public sphere; once everyone was a part of the "reading public", then society could be said to be enlightened.[ ] the people who participated in the republic of letters, such as diderot and voltaire, are frequently known today as important enlightenment figures. indeed, the men who wrote diderot's encyclopédie arguably formed a microcosm of the larger "republic".[ ] front page of the gentleman's magazine, january many women played an essential part in the french enlightenment, due to the role they played as salonnières in parisian salons, as the contrast to the male philosophes. the salon was the principal social institution of the republic[ ] and "became the civil working spaces of the project of enlightenment". women, as salonnières, were "the legitimate governors of [the] potentially unruly discourse" that took place within.[ ] while women were marginalized in the public culture of the old regime, the french revolution destroyed the old cultural and economic restraints of patronage and corporatism (guilds), opening french society to female participation, particularly in the literary sphere.[ ] in france, the established men of letters (gens de lettres) had fused with the elites (les grands) of french society by the mid- th century. this led to the creation of an oppositional literary sphere, grub street, the domain of a "multitude of versifiers and would-be authors".[ ] these men came to london to become authors, only to discover that the literary market simply could not support large numbers of writers, who in any case were very poorly remunerated by the publishing-bookselling guilds.[ ] the writers of grub street, the grub street hacks, were left feeling bitter about the relative success of the men of letters[ ] and found an outlet for their literature which was typified by the libelle. written mostly in the form of pamphlets, the libelles "slandered the court, the church, the aristocracy, the academies, the salons, everything elevated and respectable, including the monarchy itself".[ ] le gazetier cuirassé by charles théveneau de morande was a prototype of the genre. it was grub street literature that was most read by the public during the enlightenment.[ ] according to darnton, more importantly the grub street hacks inherited the "revolutionary spirit" once displayed by the philosophes and paved the way for the french revolution by desacralizing figures of political, moral and religious authority in france.[ ] the book industry estc data – by decade given with a regional differentiation the increased consumption of reading materials of all sorts was one of the key features of the "social" enlightenment. developments in the industrial revolution allowed consumer goods to be produced in greater quantities at lower prices, encouraging the spread of books, pamphlets, newspapers and journals – "media of the transmission of ideas and attitudes". commercial development likewise increased the demand for information, along with rising populations and increased urbanisation.[ ] however, demand for reading material extended outside of the realm of the commercial and outside the realm of the upper and middle classes, as evidenced by the bibliothèque bleue. literacy rates are difficult to gauge, but in france the rates doubled over the course of the th century.[ ] reflecting the decreasing influence of religion, the number of books about science and art published in paris doubled from to , while the number of books about religion dropped to just one-tenth of the total.[ ] reading underwent serious changes in the th century. in particular, rolf engelsing has argued for the existence of a reading revolution. until , reading was done intensively: people tended to own a small number of books and read them repeatedly, often to small audience. after , people began to read "extensively", finding as many books as they could, increasingly reading them alone.[ ] this is supported by increasing literacy rates, particularly among women.[ ] the vast majority of the reading public could not afford to own a private library and while most of the state-run "universal libraries" set up in the th and th centuries were open to the public, they were not the only sources of reading material. on one end of the spectrum was the bibliothèque bleue, a collection of cheaply produced books published in troyes, france. intended for a largely rural and semi-literate audience these books included almanacs, retellings of medieval romances and condensed versions of popular novels, among other things. while some historians have argued against the enlightenment's penetration into the lower classes, the bibliothèque bleue represents at least a desire to participate in enlightenment sociability.[ ] moving up the classes, a variety of institutions offered readers access to material without needing to buy anything. libraries that lent out their material for a small price started to appear and occasionally bookstores would offer a small lending library to their patrons. coffee houses commonly offered books, journals and sometimes even popular novels to their customers. the tatler and the spectator, two influential periodicals sold from to , were closely associated with coffee house culture in london, being both read and produced in various establishments in the city.[ ] this is an example of the triple or even quadruple function of the coffee house: reading material was often obtained, read, discussed and even produced on the premises.[ ] denis diderot is best known as the editor of the encyclopédie it is extremely difficult to determine what people actually read during the enlightenment. for example, examining the catalogs of private libraries gives an image skewed in favor of the classes wealthy enough to afford libraries and also ignores censored works unlikely to be publicly acknowledged. for this reason, a study of publishing would be much more fruitful for discerning reading habits.[ ] across continental europe, but in france especially, booksellers and publishers had to negotiate censorship laws of varying strictness. for example, the encyclopédie narrowly escaped seizure and had to be saved by malesherbes, the man in charge of the french censor. indeed, many publishing companies were conveniently located outside france so as to avoid overzealous french censors. they would smuggle their merchandise across the border, where it would then be transported to clandestine booksellers or small-time peddlers.[ ] the records of clandestine booksellers may give a better representation of what literate frenchmen might have truly read, since their clandestine nature provided a less restrictive product choice.[ ] in one case, political books were the most popular category, primarily libels and pamphlets. readers were more interested in sensationalist stories about criminals and political corruption than they were in political theory itself. the second most popular category, "general works" (those books "that did not have a dominant motif and that contained something to offend almost everyone in authority"), demonstrated a high demand for generally low-brow subversive literature. however, these works never became part of literary canon and are largely forgotten today as a result.[ ] a healthy, legal publishing industry existed throughout europe, although established publishers and book sellers occasionally ran afoul of the law. for example, the encyclopédie condemned not only by the king, but also by clement xii, nevertheless found its way into print with the help of the aforementioned malesherbes and creative use of french censorship law.[ ] however, many works were sold without running into any legal trouble at all. borrowing records from libraries in england, germany, and north america indicate that more than  percent of books borrowed were novels. less than  percent of the books were of a religious nature, indicating the general trend of declining religiosity.[ ] natural history georges buffon is best remembered for his histoire naturelle, a volume encyclopedia describing everything known about the natural world main article: natural history a genre that greatly rose in importance was that of scientific literature. natural history in particular became increasingly popular among the upper classes. works of natural history include rené-antoine ferchault de réaumur's histoire naturelle des insectes and jacques gautier d'agoty's la myologie complète, ou description de tous les muscles du corps humain ( ). outside ancien régime france, natural history was an important part of medicine and industry, encompassing the fields of botany, zoology, meteorology, hydrology and mineralogy. students in enlightenment universities and academies were taught these subjects to prepare them for careers as diverse as medicine and theology. as shown by matthew daniel eddy, natural history in this context was a very middle class pursuit and operated as a fertile trading zone for the interdisciplinary exchange of diverse scientific ideas.[ ] the target audience of natural history was french polite society, evidenced more by the specific discourse of the genre than by the generally high prices of its works. naturalists catered to polite society's desire for erudition – many texts had an explicit instructive purpose. however, natural history was often a political affair. as emma spary writes, the classifications used by naturalists "slipped between the natural world and the social ... to establish not only the expertise of the naturalists over the natural, but also the dominance of the natural over the social".[ ] the idea of taste (le goût) was a social indicator: to truly be able to categorize nature, one had to have the proper taste, an ability of discretion shared by all members of polite society. in this way natural history spread many of the scientific developments of the time, but also provided a new source of legitimacy for the dominant class.[ ] from this basis, naturalists could then develop their own social ideals based on their scientific works.[ ] scientific and literary journals journal des sçavans was the earliest academic journal published in europe the first scientific and literary journals were established during the enlightenment. the first journal, the parisian journal des sçavans, appeared in . however, it was not until that periodicals began to be more widely produced. french and latin were the dominant languages of publication, but there was also a steady demand for material in german and dutch. there was generally low demand for english publications on the continent, which was echoed by england's similar lack of desire for french works. languages commanding less of an international market—such as danish, spanish and portuguese—found journal success more difficult and more often than not a more international language was used instead. french slowly took over latin's status as the lingua franca of learned circles. this in turn gave precedence to the publishing industry in holland, where the vast majority of these french language periodicals were produced.[ ] jonathan israel called the journals the most influential cultural innovation of european intellectual culture.[ ] they shifted the attention of the "cultivated public" away from established authorities to novelty and innovation and instead promoted the "enlightened" ideals of toleration and intellectual objectivity. being a source of knowledge derived from science and reason, they were an implicit critique of existing notions of universal truth monopolized by monarchies, parliaments and religious authorities. they also advanced christian enlightenment that upheld "the legitimacy of god-ordained authority"—the bible—in which there had to be agreement between the biblical and natural theories.[ ] encyclopedias and dictionaries first page of the encyclopedie, published between and although the existence of dictionaries and encyclopedias spanned into ancient times, the texts changed from simply defining words in a long running list to far more detailed discussions of those words in th-century encyclopedic dictionaries.[ ] the works were part of an enlightenment movement to systematize knowledge and provide education to a wider audience than the elite. as the th century progressed, the content of encyclopedias also changed according to readers' tastes. volumes tended to focus more strongly on secular affairs, particularly science and technology, rather than matters of theology. along with secular matters, readers also favoured an alphabetical ordering scheme over cumbersome works arranged along thematic lines.[ ] commenting on alphabetization, the historian charles porset has said that "as the zero degree of taxonomy, alphabetical order authorizes all reading strategies; in this respect it could be considered an emblem of the enlightenment". for porset, the avoidance of thematic and hierarchical systems thus allows free interpretation of the works and becomes an example of egalitarianism.[ ] encyclopedias and dictionaries also became more popular during the age of enlightenment as the number of educated consumers who could afford such texts began to multiply.[ ] in the later half of the th century, the number of dictionaries and encyclopedias published by decade increased from between and to approximately in the decade proceeding the french revolution ( – ).[ ] along with growth in numbers, dictionaries and encyclopedias also grew in length, often having multiple print runs that sometimes included in supplemented editions.[ ] the first technical dictionary was drafted by john harris and entitled lexicon technicum: or, an universal english dictionary of arts and sciences. harris' book avoided theological and biographical entries and instead it concentrated on science and technology. published in , the lexicon technicum was the first book to be written in english that took a methodical approach to describing mathematics and commercial arithmetic along with the physical sciences and navigation. other technical dictionaries followed harris' model, including ephraim chambers' cyclopaedia ( ), which included five editions and was a substantially larger work than harris'. the folio edition of the work even included foldout engravings. the cyclopaedia emphasized newtonian theories, lockean philosophy and contained thorough examinations of technologies, such as engraving, brewing and dyeing. "figurative system of human knowledge", the structure that the encyclopédie organised knowledge into—it had three main branches: memory, reason and imagination in germany, practical reference works intended for the uneducated majority became popular in the th century. the marperger curieuses natur-, kunst-, berg-, gewerkund handlungs-lexicon ( ) explained terms that usefully described the trades and scientific and commercial education. jablonksi allgemeines lexicon ( ) was better known than the handlungs-lexicon and underscored technical subjects rather than scientific theory. for example, over five columns of text were dedicated to wine while geometry and logic were allocated only twenty-two and seventeen lines, respectively. the first edition of the encyclopædia britannica ( ) was modelled along the same lines as the german lexicons.[ ] however, the prime example of reference works that systematized scientific knowledge in the age of enlightenment were universal encyclopedias rather than technical dictionaries. it was the goal of universal encyclopedias to record all human knowledge in a comprehensive reference work.[ ] the most well-known of these works is denis diderot and jean le rond d'alembert's encyclopédie, ou dictionnaire raisonné des sciences, des arts et des métiers. the work, which began publication in , was composed of thirty-five volumes and over separate entries. a great number of the entries were dedicated to describing the sciences and crafts in detail and provided intellectuals across europe with a high-quality survey of human knowledge. in d'alembert's preliminary discourse to the encyclopedia of diderot, the work's goal to record the extent of human knowledge in the arts and sciences is outlined: as an encyclopédie, it is to set forth as well as possible the order and connection of the parts of human knowledge. as a reasoned dictionary of the sciences, arts, and trades, it is to contain the general principles that form the basis of each science and each art, liberal or mechanical, and the most essential facts that make up the body and substance of each.[ ] the massive work was arranged according to a "tree of knowledge". the tree reflected the marked division between the arts and sciences, which was largely a result of the rise of empiricism. both areas of knowledge were united by philosophy, or the trunk of the tree of knowledge. the enlightenment's desacrilization of religion was pronounced in the tree's design, particularly where theology accounted for a peripheral branch, with black magic as a close neighbour.[ ] as the encyclopédie gained popularity, it was published in quarto and octavo editions after . the quarto and octavo editions were much less expensive than previous editions, making the encyclopédie more accessible to the non-elite. robert darnton estimates that there were approximately copies of the encyclopédie in circulation throughout france and europe before the french revolution.[ ] the extensive, yet affordable encyclopedia came to represent the transmission of enlightenment and scientific education to an expanding audience.[ ] popularization of science one of the most important developments that the enlightenment era brought to the discipline of science was its popularization. an increasingly literate population seeking knowledge and education in both the arts and the sciences drove the expansion of print culture and the dissemination of scientific learning. the new literate population was due to a high rise in the availability of food. this enabled many people to rise out of poverty, and instead of paying more for food, they had money for education.[ ] popularization was generally part of an overarching enlightenment ideal that endeavoured "to make information available to the greatest number of people".[ ] as public interest in natural philosophy grew during the th century, public lecture courses and the publication of popular texts opened up new roads to money and fame for amateurs and scientists who remained on the periphery of universities and academies.[ ] more formal works included explanations of scientific theories for individuals lacking the educational background to comprehend the original scientific text. sir isaac newton's celebrated philosophiae naturalis principia mathematica was published in latin and remained inaccessible to readers without education in the classics until enlightenment writers began to translate and analyze the text in the vernacular. a portrait of bernard de fontenelle the first significant work that expressed scientific theory and knowledge expressly for the laity, in the vernacular and with the entertainment of readers in mind, was bernard de fontenelle's conversations on the plurality of worlds ( ). the book was produced specifically for women with an interest in scientific writing and inspired a variety of similar works.[ ] these popular works were written in a discursive style, which was laid out much more clearly for the reader than the complicated articles, treatises and books published by the academies and scientists. charles leadbetter's astronomy ( ) was advertised as "a work entirely new" that would include "short and easie [sic] rules and astronomical tables".[ ] the first french introduction to newtonianism and the principia was eléments de la philosophie de newton, published by voltaire in .[ ] Émilie du châtelet's translation of the principia, published after her death in , also helped to spread newton's theories beyond scientific academies and the university.[ ] writing for a growing female audience, francesco algarotti published il newtonianism per le dame, which was a tremendously popular work and was translated from italian into english by elizabeth carter. a similar introduction to newtonianism for women was produced by henry pemberton. his a view of sir isaac newton's philosophy was published by subscription. extant records of subscribers show that women from a wide range of social standings purchased the book, indicating the growing number of scientifically inclined female readers among the middling class.[ ] during the enlightenment, women also began producing popular scientific works themselves. sarah trimmer wrote a successful natural history textbook for children titled the easy introduction to the knowledge of nature ( ), which was published for many years after in eleven editions.[ ] schools and universities main article: education in the age of enlightenment most work on the enlightenment emphasizes the ideals discussed by intellectuals, rather than the actual state of education at the time. leading educational theorists like england's john locke and switzerland's jean jacques rousseau both emphasized the importance of shaping young minds early. by the late enlightenment, there was a rising demand for a more universal approach to education, particularly after the american and french revolutions. the predominant educational psychology from the s onward, especially in northern european countries was associationism, the notion that the mind associates or dissociates ideas through repeated routines. in addition to being conducive to enlightenment ideologies of liberty, self-determination and personal responsibility, it offered a practical theory of the mind that allowed teachers to transform longstanding forms of print and manuscript culture into effective graphic tools of learning for the lower and middle orders of society.[ ] children were taught to memorize facts through oral and graphic methods that originated during the renaissance.[ ] many of the leading universities associated with enlightenment progressive principles were located in northern europe, with the most renowned being the universities of leiden, göttingen, halle, montpellier, uppsala and edinburgh. these universities, especially edinburgh, produced professors whose ideas had a significant impact on britain's north american colonies and later the american republic. within the natural sciences, edinburgh's medical school also led the way in chemistry, anatomy and pharmacology.[ ] in other parts of europe, the universities and schools of france and most of europe were bastions of traditionalism and were not hospitable to the enlightenment. in france, the major exception was the medical university at montpellier.[ ] learned academies louis xiv visiting the académie des sciences in : "it is widely accepted that 'modern science' arose in the europe of the th century, introducing a new understanding of the natural world" — peter barrett[ ] the history of academies in france during the enlightenment begins with the academy of science, founded in in paris. it was closely tied to the french state, acting as an extension of a government seriously lacking in scientists. it helped promote and organize new disciplines and it trained new scientists. it also contributed to the enhancement of scientists' social status, considering them to be the "most useful of all citizens". academies demonstrate the rising interest in science along with its increasing secularization, as evidenced by the small number of clerics who were members ( percent).[ ] the presence of the french academies in the public sphere cannot be attributed to their membership, as although the majority of their members were bourgeois, the exclusive institution was only open to elite parisian scholars. they perceived themselves as "interpreters of the sciences for the people". for example, it was with this in mind that academicians took it upon themselves to disprove the popular pseudo-science of mesmerism.[ ] the strongest contribution of the french academies to the public sphere comes from the concours académiques (roughly translated as "academic contests") they sponsored throughout france. these academic contests were perhaps the most public of any institution during the enlightenment.[ ] the practice of contests dated back to the middle ages and was revived in the mid- th century. the subject matter had previously been generally religious and/or monarchical, featuring essays, poetry and painting. however, by roughly this subject matter had radically expanded and diversified, including "royal propaganda, philosophical battles, and critical ruminations on the social and political institutions of the old regime". topics of public controversy were also discussed such as the theories of newton and descartes, the slave trade, women's education and justice in france.[ ] antoine lavoisier conducting an experiment related to combustion generated by amplified sun light more importantly, the contests were open to all and the enforced anonymity of each submission guaranteed that neither gender nor social rank would determine the judging. indeed, although the "vast majority" of participants belonged to the wealthier strata of society ("the liberal arts, the clergy, the judiciary and the medical profession"), there were some cases of the popular classes submitting essays and even winning.[ ] similarly, a significant number of women participated—and won—the competitions. of a total of , prize competitions offered in france, women won —perhaps a small number by modern standards, but very significant in an age in which most women did not have any academic training. indeed, the majority of the winning entries were for poetry competitions, a genre commonly stressed in women's education.[ ] in england, the royal society of london also played a significant role in the public sphere and the spread of enlightenment ideas. it was founded by a group of independent scientists and given a royal charter in .[ ] the society played a large role in spreading robert boyle's experimental philosophy around europe and acted as a clearinghouse for intellectual correspondence and exchange.[ ] boyle was "a founder of the experimental world in which scientists now live and operate" and his method based knowledge on experimentation, which had to be witnessed to provide proper empirical legitimacy. this is where the royal society came into play: witnessing had to be a "collective act" and the royal society's assembly rooms were ideal locations for relatively public demonstrations.[ ] however, not just any witness was considered to be credible: "oxford professors were accounted more reliable witnesses than oxfordshire peasants". two factors were taken into account: a witness's knowledge in the area and a witness's "moral constitution". in other words, only civil society were considered for boyle's public.[ ] salons main article: historiography of the salon salons were places where philosophes were reunited and discussed old, actual or new ideas. this led to salons being the birthplace of intellectual and enlightened ideas. coffeehouses main articles: coffeehouse and english coffeehouses in the th and th centuries coffeehouses were especially important to the spread of knowledge during the enlightenment because they created a unique environment in which people from many different walks of life gathered and shared ideas. they were frequently criticized by nobles who feared the possibility of an environment in which class and its accompanying titles and privileges were disregarded. such an environment was especially intimidating to monarchs who derived much of their power from the disparity between classes of people. if classes were to join together under the influence of enlightenment thinking, they might recognize the all-encompassing oppression and abuses of their monarchs and because of their size might be able to carry out successful revolts. monarchs also resented the idea of their subjects convening as one to discuss political matters, especially those concerning foreign affairs—rulers thought political affairs to be their business only, a result of their supposed divine right to rule.[ ] coffeehouses represent a turning point in history during which people discovered that they could have enjoyable social lives within their communities. coffeeshops became homes away from home for many who sought, for the first time, to engage in discourse with their neighbors and discuss intriguing and thought-provoking matters, especially those regarding philosophy to politics. coffeehouses were essential to the enlightenment, for they were centers of free-thinking and self-discovery. although many coffeehouse patrons were scholars, a great deal were not. coffeehouses attracted a diverse set of people, including not only the educated wealthy but also members of the bourgeoisie and the lower class. while it may seem positive that patrons, being doctors, lawyers, merchants, etc. represented almost all classes, the coffeeshop environment sparked fear in those who sought to preserve class distinction. one of the most popular critiques of the coffeehouse claimed that it "allowed promiscuous association among people from different rungs of the social ladder, from the artisan to the aristocrat" and was therefore compared to noah's ark, receiving all types of animals, clean or unclean.[ ] this unique culture served as a catalyst for journalism when joseph addison and richard steele recognized its potential as an audience. together, steele and addison published the spectator ( ), a daily publication which aimed, through fictional narrator mr. spectator, both to entertain and to provoke discussion regarding serious philosophical matters. the first english coffeehouse opened in oxford in . brian cowan said that oxford coffeehouses developed into "penny universities", offering a locus of learning that was less formal than structured institutions. these penny universities occupied a significant position in oxford academic life, as they were frequented by those consequently referred to as the virtuosi, who conducted their research on some of the resulting premises. according to cowan, "the coffeehouse was a place for like-minded scholars to congregate, to read, as well as learn from and to debate with each other, but was emphatically not a university institution, and the discourse there was of a far different order than any university tutorial".[ ] the café procope was established in paris in and by the s there were around cafés in the city. the café procope in particular became a center of enlightenment, welcoming such celebrities as voltaire and rousseau. the café procope was where diderot and d'alembert decided to create the encyclopédie.[ ] the cafés were one of the various "nerve centers" for bruits publics, public noise or rumour. these bruits were allegedly a much better source of information than were the actual newspapers available at the time.[ ] debating societies main article: london debating societies the debating societies are an example of the public sphere during the enlightenment.[ ] their origins include: clubs of fifty or more men who, at the beginning of the th century, met in pubs to discuss religious issues and affairs of state. mooting clubs, set up by law students to practice rhetoric. spouting clubs, established to help actors train for theatrical roles. john henley's oratory, which mixed outrageous sermons with even more absurd questions, like "whether scotland be anywhere in the world?".[ ] an example of a french salon in the late s, popular debating societies began to move into more "genteel" rooms, a change which helped establish a new standard of sociability.[ ] the backdrop to these developments was "an explosion of interest in the theory and practice of public elocution". the debating societies were commercial enterprises that responded to this demand, sometimes very successfully. some societies welcomed from to , spectators a night.[ ] the debating societies discussed an extremely wide range of topics. before the enlightenment, most intellectual debates revolved around "confessional" – that is, catholic, lutheran, reformed (calvinist) or anglican issues and the main aim of these debates was to establish which bloc of faith ought to have the "monopoly of truth and a god-given title to authority".[ ] after this date, everything thus previously rooted in tradition was questioned and often replaced by new concepts in the light of philosophical reason. after the second half of the th century and during the th century, a "general process of rationalization and secularization set in" and confessional disputes were reduced to a secondary status in favor of the "escalating contest between faith and incredulity".[ ] in addition to debates on religion, societies discussed issues such as politics and the role of women. however, it is important to note that the critical subject matter of these debates did not necessarily translate into opposition to the government. in other words, the results of the debate quite frequently upheld the status quo.[ ] from a historical standpoint, one of the most important features of the debating society was their openness to the public, as women attended and even participated in almost every debating society, which were likewise open to all classes providing they could pay the entrance fee. once inside, spectators were able to participate in a largely egalitarian form of sociability that helped spread enlightenment ideas.[ ] masonic lodges masonic initiation ceremony historians have long debated the extent to which the secret network of freemasonry was a main factor in the enlightenment. the leaders of the enlightenment included freemasons such as diderot, montesquieu, voltaire, lessing, pope,[ ] horace walpole, sir robert walpole, mozart, goethe, frederick the great, benjamin franklin[ ] and george washington.[ ] norman davies said that freemasonry was a powerful force on behalf of liberalism in europe from about to the twentieth century. it expanded rapidly during the age of enlightenment, reaching practically every country in europe. it was especially attractive to powerful aristocrats and politicians as well as intellectuals, artists and political activists.[ ] during the age of enlightenment, freemasons comprised an international network of like-minded men, often meeting in secret in ritualistic programs at their lodges. they promoted the ideals of the enlightenment and helped diffuse these values across britain and france and other places. freemasonry as a systematic creed with its own myths, values and set of rituals originated in scotland around and spread first to england and then across the continent in the eighteenth century. they fostered new codes of conduct—including a communal understanding of liberty and equality inherited from guild sociability—"liberty, fraternity and equality".[ ] scottish soldiers and jacobite scots brought to the continent ideals of fraternity which reflected not the local system of scottish customs but the institutions and ideals originating in the english revolution against royal absolutism.[ ] freemasonry was particularly prevalent in france—by , there were perhaps as many as , french masons, making freemasonry the most popular of all enlightenment associations.[ ] the freemasons displayed a passion for secrecy and created new degrees and ceremonies. similar societies, partially imitating freemasonry, emerged in france, germany, sweden and russia. one example was the illuminati founded in bavaria in , which was copied after the freemasons, but was never part of the movement. the illuminati was an overtly political group, which most masonic lodges decidedly were not.[ ] masonic lodges created a private model for public affairs. they "reconstituted the polity and established a constitutional form of self-government, complete with constitutions and laws, elections and representatives". in other words, the micro-society set up within the lodges constituted a normative model for society as a whole. this was especially true on the continent: when the first lodges began to appear in the s, their embodiment of british values was often seen as threatening by state authorities. for example, the parisian lodge that met in the mid s was composed of english jacobite exiles.[ ] furthermore, freemasons all across europe explicitly linked themselves to the enlightenment as a whole. for example, in french lodges the line "as the means to be enlightened i search for the enlightened" was a part of their initiation rites. british lodges assigned themselves the duty to "initiate the unenlightened". this did not necessarily link lodges to the irreligious, but neither did this exclude them from the occasional heresy. in fact, many lodges praised the grand architect, the masonic terminology for the deistic divine being who created a scientifically ordered universe.[ ] german historian reinhart koselleck claimed: "on the continent there were two social structures that left a decisive imprint on the age of enlightenment: the republic of letters and the masonic lodges".[ ] scottish professor thomas munck argues that "although the masons did promote international and cross-social contacts which were essentially non-religious and broadly in agreement with enlightened values, they can hardly be described as a major radical or reformist network in their own right".[ ] many of the masons values seemed to greatly appeal to enlightenment values and thinkers. diderot discusses the link between freemason ideals and the enlightenment in d'alembert's dream, exploring masonry as a way of spreading enlightenment beliefs.[ ] historian margaret jacob stresses the importance of the masons in indirectly inspiring enlightened political thought.[ ] on the negative side, daniel roche contests claims that masonry promoted egalitarianism and he argues that the lodges only attracted men of similar social backgrounds.[ ] the presence of noble women in the french "lodges of adoption" that formed in the s was largely due to the close ties shared between these lodges and aristocratic society.[ ] the major opponent of freemasonry was the roman catholic church so that in countries with a large catholic element, such as france, italy, spain and mexico, much of the ferocity of the political battles involve the confrontation between what davies calls the reactionary church and enlightened freemasonry.[ ][ ] even in france, masons did not act as a group.[ ] american historians, while noting that benjamin franklin and george washington were indeed active masons, have downplayed the importance of freemasonry in causing the american revolution because the masonic order was non-political and included both patriots and their enemy the loyalists.[ ] art the art produced during the enlightenment focused on a search for morality that was absent from the art in previous eras. at the same time, the classical art of greece and rome became interesting to people again, since archaeological teams discovered pompeii and herculaneum.[ ] people did take inspiration from it and revived the classical art into neo-classical art. this can be especially seen in early american art, where, throughout their art and architecture, they used arches, goddesses, and other classical architectural designs. important intellectuals for a more comprehensive list, see list of intellectuals of the enlightenment. see also lisbon earthquake atlantic revolutions chapbook early modern philosophy education in the age of enlightenment european and american voyages of scientific exploration midlands enlightenment regional enlightenments: american enlightenment haskalah, jewish enlightenment modern greek enlightenment polish enlightenment russian enlightenment scottish enlightenment spanish enlightenment whig history notes ^ back row, left to right: jean-baptiste-louis gresset, pierre de marivaux, jean-françois marmontel, joseph-marie vien, antoine léonard thomas, charles marie de la condamine, guillaume thomas françois raynal, jean-jacques rousseau, jean-philippe rameau, la clairon, charles-jean-françois hénault, Étienne françois, duc de choiseul, a bust of voltaire, charles-augustin de ferriol d'argental, jean françois de saint-lambert, edmé bouchardon, jacques-germain soufflot, jean-baptiste bourguignon d'anville, anne claude de caylus, fortunato felice, françois quesnay, denis diderot, anne-robert-jacques turgot, baron de laune, chrétien guillaume de lamoignon de malesherbes, armand de vignerot du plessis, pierre louis maupertuis, jean-jacques dortous de mairan, henri françois d'aguesseau, alexis clairaut. front row, right to left: montesquieu, sophie d'houdetot, claude joseph vernet, bernard le bouyer de fontenelle, marie-thérèse rodet geoffrin, louis françois, prince of conti, duchesse d'anville, philippe jules françois mancini, françois-joachim de pierre de bernis, claude prosper jolyot de crébillon, alexis piron, charles pinot duclos, claude-adrien helvétius, charles-andré van loo, jean le rond d'alembert, lekain at the desk reading aloud, jeanne julie Éléonore de lespinasse, anne-marie du boccage, rené antoine ferchault de réaumur, françoise de graffigny, Étienne bonnot de condillac, bernard de jussieu, louis-jean-marie daubenton, georges-louis leclerc, comte de buffon. ^ french: le siècle des lumières, lit. 'the century of lights'; german: aufklärung, "enlightenment"; italian: l'illuminismo, "enlightenment"; polish: oświecenie , "enlightenment"; portuguese: iluminismo, "enlightenment"; spanish: la ilustración, "enlightenment"[ ] ^ for example, robert darnton, roger chartier, brian cowan, donna t. andrew. references citations ^ roberson, rusty ( ), "enlightened piety during the age of benevolence: the christian knowledge movement in the british atlantic world", church history, ( ): , doi: . /s ^ "enlightenment", encyclopædia britannica, encyclopædia britannica online, encyclopædia britannica inc., , retrieved june ^ "the age of enlightenment: a history from beginning to end: chapter ". publishinghau .com. archived from the original on march . retrieved april . ^ eugen weber, movements, currents, trends: aspects of european thought in the 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"alexander von humboldt: a metabiography". university of chicago press. p. isbn  - - - ^ melton, , . habermas, – . ^ daniel brewer, ed. ( ). the cambridge companion to the french enlightenment. cambridge up. pp.  ff. isbn  - - - - . ^ outram, dorinda. the enlightenment ( nd ed.). cambridge university press, , p. . ^ outram , p. . ^ chartier, . ^ mona ozouf, "'public opinion' at the end of the old regime ^ david beard and kenneth gloag, musicology, the key concepts (new york: routledge, ), . ^ j. peter burkholder, donald j. grout and claude v. palisca, a history of western music, seventh edition, (new york: w.w. norton & company, inc., ), . ^ a b beard and gloag, musicology, . ^ a b beard and gloag, musicology, . ^ a b c burkholder, grout and palisca, a history of western music, . ^ a b c outram, . ^ chartier, . ^ chartier, , . kant, "what is enlightenment?" ^ outram, . ^ goodman, . ^ dena goodman, the republic of letters: a cultural history of the french enlightenment ( ), . ^ carla hesse, the other enlightenment: how french women became modern ( ), . ^ crébillon fils, quoted from darnton, the literary underground, . ^ darnton, the literary underground, , . ^ darnton, "the literary underground", , . ^ darnton, the literary underground, ^ outram, . ^ darnton, the literary underground, – . ^ outram, , . ^ darnton, "the literary underground", . ^ from outram, . see rolf engelsing, "die perioden der lesergeschichte in der neuzeit. das statische ausmass und die soziokulturelle bedeutung der lektüre", archiv für geschichte des buchwesens, ( ), cols. – and der bürger als leser: lesergeschichte in deutschland, – (stuttgart, ). ^ "history of publishing :: developments in the th century". encyclopædia britannica. ^ outram, – ^ erin mackie, the commerce of everyday life: selections from the tatler and the spectator (boston: bedford/st. martin's, ), . ^ see mackie, darnton, an early information society ^ in particular, see chapter , "reading, writing and publishing" ^ see darnton, the literary underground, . ^ a b darnton, the literary underground, – . ^ darnton, the business of enlightenment, , . for a more detailed description of french censorship laws, see darnton, the literary underground ^ eddy, matthew daniel ( ). the language of mineralogy: john walker, chemistry and the edinburgh medical school, – . ashgate. ^ emma spary, "the 'nature' of enlightenment" in the sciences in enlightened europe, william clark, jan golinski, and steven schaffer, eds. (chicago: university of chicago press, ), – . ^ spary, – . ^ see thomas laqueur, making sex: body and gender from the greeks to freud ( ). ^ israel , pp.  – . ^ israel , pp.  . ^ israel , pp.  – . ^ a b headrick, ( ), p. . ^ a b headrick, ( ), p. . ^ porter, ( ), pp.  – . ^ headrick, ( ), p. . ^ headrick, ( ), pp.  – . ^ headrick, ( ), p. . ^ d'alembert, p. . ^ darnton, ( ), p. . ^ darnton, ( ), p. . ^ darnton, ( ), p. . ^ jacob, ( ), p. ; melton, ( ), pp.  – ^ headrick, ( ), p. ^ headrick, ( ), p. . ^ phillips, ( ), pp. , ^ phillips, ( ), p. . ^ porter, ( ), p. . ^ porter, ( ), p. . ^ phillips, ( ), p. . ^ phillips, ( ), p. . ^ eddy, matthew daniel ( ). "the shape of knowledge: children and the visual culture of literacy and numeracy". science in context. ( ): – . doi: . /s . ^ hotson, howard ( ). commonplace learning: ramism and its german ramifications – . oxford: oxford university press. ^ eddy, matthew daniel ( ). the language of mineralogy: john walker, chemistry and the edinburgh medical school, – . aldershot: ashgate. ^ elizabeth williams, a cultural history of medical vitalism in enlightenment montpellier ( ) p. ^ peter barrett ( ), science and theology since copernicus: the search for understanding, p. , continuum international publishing group, isbn  - - -x ^ daniel roche, france in the enlightenment, ( ), . ^ roche, – . ^ caradonna jl. annales, "prendre part au siècle des lumières: le concours académique et la culture intellectuelle au xviiie siècle" ^ jeremy l. caradonna, "prendre part au siècle des lumières: le concours académique et la culture intellectuelle au xviiie siècle", annales. histoire, sciences sociales, vol. (mai-juin ), n. , – . ^ caradonna, – . ^ caradonna, – . ^ "royal charters". royalsociety.org. ^ steven shapin, a social history of truth: civility and science in seventeenth-century england, chicago; london: university of chicago press, . ^ steven shapin and simon schaffer, leviathan and the air-pump: hobbes, boyle, and the experimental life (princeton: princeton university press, ), , , . this same desire for multiple witnesses led to attempts at replication in other locations and a complex iconography and literary technology developed to provide visual and written proof of experimentation. see pp. – . ^ shapin and schaffer, , . ^ klein, lawrence e. ( january ). "coffeehouse civility, – : an aspect of post-courtly culture in england". huntington library quarterly. ( ): – . doi: . / . jstor  . ^ klein, . ^ cowan, , . ^ colin jones, paris: biography of a city (new york: viking, ), , . ^ darnton, robert ( ). "an early information society: news and the media in eighteenth-century paris". the american historical review. # ( ): – . doi: . / . jstor  . ^ donna t. andrew, "popular culture and public debate: london ", this historical journal, vol. , no. . (june ), pp. – . ^ andrew, . andrew gives the name as "william henley", which must be a lapse of writing. ^ andrew, . ^ andrew, – , . ^ a b israel , p.  . ^ andrew, – . ^ andrew, . ^ maynard mack, alexander pope: a life, yale university press, p. – . pope, a catholic, was a freemason in , eight years before membership was prohibited by the catholic church ( ). pope's name is on the membership list of the goat tavern lodge (p. ). pope's name appears on a list and a list. ^ j.a. leo lemay ( ). the life of benjamin franklin, volume : printer and publisher, – . university of pennsylvania press. pp.  – . isbn  - - - - . ^ bullock, steven c. ( ). "initiating the enlightenment?: recent scholarship on european freemasonry". eighteenth-century life. ( ): . ^ norman davies, europe: a history ( ) pp. – ^ margaret c. jacob's seminal work on enlightenment freemasonry, margaret c. jacob, living the enlightenment: free masonry and politics in eighteenth-century europe (oxford university press, ) p. . ^ margaret c. jacob, "polite worlds of enlightenment," in martin fitzpatrick and peter jones, eds. the enlightenment world (routledge, ) pp. – . ^ roche, . ^ fitzpatrick and jones, eds. the enlightenment world p. ^ jacob, pp. , , . ^ jacob, – . ^ reinhart koselleck, critique and crisis, p. , (the mit press, ) ^ thomas munck, , p. . ^ diderot, denis ( ). "d'alembert's dream" (pdf). ^ margaret c. jacob, living the enlightenment: freemasonry and politics in eighteenth-century europe (oxford university press, .) ^ roche, . ^ jacob, . see also janet m. burke, "freemasonry, friendship and noblewomen: the role of the secret society in bringing enlightenment thought to pre-revolutionary women elites", history of european ideas no. ( ): – . ^ davies, europe: a history ( ) pp. – ^ richard weisberger et al., eds., freemasonry on both sides of the atlantic: essays concerning the craft in the british isles, europe, the united states, and mexico ( ) ^ robert r. palmer, the age of the democratic revolution: the struggle ( ) p. ^ neil l. york, "freemasons and the american revolution", the historian volume: . issue: . , pp. +. ^ janson, h. w.; janson, anthony ( ). a basic history of art. new york: harry n. abrams, inc. pp.  – . sources andrew, donna t. "popular culture and public debate: london ". the historical journal, vol. , no. . (june ), pp.  – . in jstor burns, william. science in the enlightenment: an encyclopædia ( ) cowan, brian, the social life of coffee: the emergence of the british coffeehouse. new haven: yale university press, darnton, robert. the literary underground of the old regime. ( ). israel, jonathan i. ( ). radical enlightenment; philosophy and the making of modernity – . oxford university press. israel, jonathan i. ( ). enlightenment contested. oxford university press. israel, jonathan i. ( ). a revolution of the mind: radical enlightenment and the intellectual origins of modern democracy. princeton. israel, jonathan i. ( ). democratic enlightenment: philosophy, revolution, and human rights – . oxford university press. melton, james van horn. the rise of the public in enlightenment europe. ( ). petitfils, jean-christian ( ). louis xvi. perrin. isbn  - - - - . roche, daniel. france in the enlightenment. ( ). further reading reference and surveys becker, carl l. the heavenly city of the eighteenth-century philosophers. ( ), a famous short classic bronner, stephen. the great divide: the enlightenment and its critics ( ) chisick, harvey. historical dictionary of the enlightenment. . delon, michel. encyclopædia of the enlightenment ( ) pp. dupre, louis. the enlightenment & the intellectual foundations of modern culture gay, peter. the enlightenment: the rise of modern paganism ( , nd ed. ), pp. excerpt and text search vol . peter gay, the enlightenment: the science of freedom, ( nd ed. ), a highly influential study excerpt and text search vol ; greensides f, hyland p, gomez o (ed.). the enlightenment ( ) fitzpatrick, martin et al., eds. the enlightenment world. ( ). pp.  essays by scholars hampson, norman. the enlightenment ( ) online hazard, paul. european thought in the th century: from montesquieu to lessing ( ) hesmyr, atle: from enlightenment to romanticism in th century europe ( ) himmelfarb, gertrude. the roads to modernity: the british, french, and american enlightenments ( ) excerpt and text search jacob, margaret enlightenment: a brief history with documents kors, alan charles. encyclopædia of the enlightenment ( vol. ; nd ed. ), pp. excerpt and text search munck, thomas. enlightenment: a comparative social history, – england. ( ) lehner, ulrich l.. the catholic enlightenment ( ) lehner, ulrich l.. women, catholicism and enlightenment ( ) outram, dorinda. the enlightenment( ) pp. excerpt and text search; also online outram, dorinda. panorama of the enlightenment ( ), emphasis on germany; heavily illustrated porter, roy ( ), the enlightenment ( nd ed.), isbn  - - - - sarmant, thierry ( ). histoire de paris: politique, urbanisme, civilisation. editions jean-paul gisserot. isbn  - - - - . reill, peter hanns, and wilson, ellen judy. encyclopædia of the enlightenment. ( nd ed. ). pp. warman, caroline; et al. ( ), warman, caroline (ed.), tolerance: the beacon of the englightenment, open book publishers, doi: . /obp. , isbn  - - - - yolton, john w. et al. the blackwell companion to the enlightenment. ( ). pp. specialty studies aldridge, a. owen (ed.). the ibero-american enlightenment ( ). artz, frederick b. the enlightenment in france ( ) online brewer, daniel. the enlightenment past: reconstructing th-century french thought. ( ). broadie, alexander. the scottish enlightenment: the historical age of the historical nation ( ) broadie, alexander. the cambridge companion to the scottish enlightenment ( ) excerpt and text search bronner, stephen. reclaiming the enlightenment: toward a politics of radical engagement, brown, stuart, ed. british philosophy in the age of enlightenment ( ) buchan, james. crowded with genius: the scottish enlightenment: edinburgh's moment of the mind ( ) excerpt and text search campbell, r.s. and skinner, a.s., (eds.) the origins and nature of the scottish enlightenment, edinburgh, cassirer, ernst. the philosophy of the enlightenment. . a highly influential study by a neokantian philosopher excerpt and text search chartier, roger. the cultural origins of the french revolution. translated by lydia g. cochrane. duke university press, . europe in the age of enlightenment and revolution. new york: the metropolitan museum of art. . isbn  - - - - . edelstein, dan. the enlightenment: a genealogy (university of chicago press; ) pp. golinski, jan ( ). "science in the enlightenment, revisited". history of science. ( ): – . bibcode: hissc.. .. g. doi: . / . s cid  . goodman, dena. the republic of letters: a cultural history of the french enlightenment. ( ). hesse, carla. the other enlightenment: how french women became modern. princeton: princeton university press, . hankins, thomas l. science and the enlightenment ( ). may, henry f. the enlightenment in america. . pp. porter, roy. the creation of the modern world: the untold story of the british enlightenment. . pp. excerpt and text search redkop, benjamin. the enlightenment and community, reid-maroney, nina. philadelphia's enlightenment, – : kingdom of christ, empire of reason. . pp. schmidt, james ( ). "inventing the enlightenment: anti-jacobins, british hegelians, and the 'oxford english dictionary'". journal of the history of ideas. ( ): – . jstor  . sorkin, david. the religious enlightenment: protestants, jews, and catholics from london to vienna ( ) staloff, darren. hamilton, adams, jefferson: the politics of enlightenment and the american founding. . pp. excerpt and text search till, nicholas. mozart and the enlightenment: truth, virtue, and beauty in mozart's operas. . pp. tunstall, kate e. blindness and enlightenment. an essay. with a new translation of diderot's letter on the blind (continuum, ) venturi, franco. utopia and reform in the enlightenment. george macaulay trevelyan lecture, ( ) venturi, franco. italy and the enlightenment: studies in a cosmopolitan century ( ) online wills, garry. cincinnatus : george washington and the enlightenment ( ) online winterer, caroline. american enlightenments: pursuing happiness in the age of reason (new haven: yale university press, ) navarro i soriano, ferran ( ). harca, harca, harca! músiques per a la recreació històrica de la guerra de successió ( - ). editorial denes. isbn  - - - - . primary sources broadie, alexander, ed. the scottish enlightenment: an anthology ( ) excerpt and text search diderot, denis. rameau's nephew and other works ( ) excerpt and text search. diderot, denis. "letter on the blind" in tunstall, kate e. blindness and enlightenment. an essay. with a new translation of diderot's letter on the blind (continuum, ) diderot, denis. the encyclopédie of diderot and d'alembert: selected articles ( ) excerpt and text search collaborative translation project of the university of michigan gay, peter, ed. ( ). the enlightenment: a comprehensive anthology. isbn  . gomez, olga, et al. eds. the enlightenment: a sourcebook and reader ( ) excerpt and text search kramnick, issac, ed. the portable enlightenment reader ( ) excerpt and text search manuel, frank edward, ed. the enlightenment ( ) online, excerpts schmidt, james, ed. what is enlightenment?: eighteenth-century answers and twentieth-century questions ( ) excerpt and text search external links age of enlightenmentat wikipedia's sister projects definitions from wiktionary media from wikimedia commons quotations from wikiquote data from wikidata zalta, edward n. (ed.). "enlightenment". stanford encyclopedia of philosophy. age of enlightenment at philpapers age of enlightenment at the indiana philosophy ontology project still, judith; marks, john; ford, rebecca. "enlightenment". words of the world. brady haran (university of nottingham). legacy of the enlightenment: the democratic revolution of the enlightenment areo magazine (march ) collection: art of the enlightenment era from the university of michigan museum of art v t e age of enlightenment topics atheism capitalism civil liberties counter-enlightenment critical thinking deism democracy empiricism encyclopédistes enlightened absolutism free markets haskalah humanism human rights liberalism liberté, égalité, fraternité methodological skepticism nationalism natural philosophy objectivity rationality rationalism reason reductionism sapere aude science scientific method socialism universality weimar classicism thinkers france jean le rond d'alembert rené louis d'argenson pierre bayle pierre beaumarchais nicolas chamfort Émilie du châtelet Étienne bonnot de condillac marquis de condorcet rené descartes denis diderot bernard le bovier de fontenelle claude adrien helvétius baron d'holbach louis 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the moralising and diatribes of [[cynicism (philosophy)|cynicism]]. this often takes the form of allusions to the work and philosophy of [[bion of borysthenes]] there is one reference to bion by name in ''epistles'' . . , and the clearest allusion to him is in ''satire'' . , which parallels bion fragments , , ''kindstrand'' but it is as much a literary game as a philosophical alignment. by the time he composed his ''epistles'', he was a critic of [[cynicism (philosophy)|cynicism]] along with all impractical and "high-falutin" philosophy in general.''epistles'' . and . . – are critical of the extreme views of [[diogenes]] and also of social adaptations of cynic precepts, and yet ''epistle'' . could be either cynic or stoic in its orientation (j. moles, ''philosophy and ethics'', p. j. moles, ''philosophy and ethics'', pp. – , the ''satires'' also include a strong element of [[epicureanism]], with frequent allusions to the epicurean poet [[lucretius]].''satires'' . . – , – , . . – , . . – , – , . . , – , . . – , . . – , , . . – so for example the epicurean sentiment ''[[carpe diem]]'' is the inspiration behind horace's repeated punning on his own name (''horatius ~ hora'') in ''satires'' . .k. j. reckford, ''some studies in horace's odes on love'' the ''satires'' also feature some [[stoicism|stoic]], [[peripatetic school|peripatetic]] and [[platonic dialogues|platonic]] (''dialogues'') elements. in short, the ''satires'' present a medley of philosophical programs, dished up in no particular order—a style of argument typical of the [[satires (horace)|genre]].j. moles, ''philosophy and ethics'', p. the ''odes'' display a wide range of topics. over time, he becomes more confident about his political voice.santirocco "unity and design", lowrie "horace's narrative odes" although he is often thought of as an overly intellectual lover, he is ingenious in representing passion.ancona, "time and the erotic" the "odes" weave various philosophical strands together, with allusions and statements of doctrine present in about a third of the ''odes'' books – , ranging from the flippant ( . , . ) to the solemn ( . , . , . ). [[epicureanism]] is the dominant influence, characterizing about twice as many of these odes as stoicism. a group of odes combines these two influences in tense relationships, such as ''odes'' . , praising stoic virility and devotion to public duty while also advocating private pleasures among friends. while generally favouring the epicurean lifestyle, the lyric poet is as eclectic as the satiric poet, and in ''odes'' . even proposes aristotle's [[golden mean (philosophy)|golden mean]] as a remedy for rome's political troubles.j. moles, ''philosophy and ethics'', pp. – many of horace's poems also contain much reflection on genre, the lyric tradition, and the function of poetry.davis "polyhymnia" and lowrie "horace's narrative odes" ''odes'' , thought to be composed at the emperor's request, takes the themes of the first three books of "odes" to a new level. this book shows greater poetic confidence after the public performance of his "carmen saeculare" or "century hymn" at a public festival orchestrated by augustus. in it, horace addresses the emperor augustus directly with more confidence and proclaims his power to grant poetic immortality to those he praises. it is the least philosophical collection of his verses, excepting the twelfth ode, addressed to the dead virgil as if he were living. in that ode, the epic poet and the lyric poet are aligned with [[stoicism]] and [[epicureanism]] respectively, in a mood of bitter-sweet pathos.j. moles, ''philosophy and ethics'', p. the first poem of the ''epistles'' sets the philosophical tone for the rest of the collection: "so now i put aside both verses and all those other games: what is true and what befits is my care, this my question, this my whole concern." his poetic renunciation of poetry in favour of philosophy is intended to be ambiguous. ambiguity is the hallmark of the ''epistles''. it is uncertain if those being addressed by the self-mocking poet-philosopher are being honoured or criticized. though he emerges as an [[epicureanism|epicurean]], it is on the understanding that philosophical preferences, like political and social choices, are a matter of personal taste. thus he depicts the ups and downs of the philosophical life more realistically than do most philosophers.j. moles, ''philosophy and ethics'', pp. – return to horace. retrieved from "https://en.wikipedia.org/wiki/horace" navigation menu personal tools not logged in talk contributions create account log in namespaces article talk variants views read edit view history more search navigation main page contents current events random article about wikipedia contact us donate contribute help learn to edit community portal recent changes upload file tools what links here related changes upload file special pages page information wikidata item languages privacy policy about wikipedia disclaimers contact wikipedia mobile view developers statistics cookie statement albert, prince consort - wikipedia albert, prince consort from wikipedia, the free encyclopedia jump to navigation jump to search husband of queen victoria ( - ) prince consort albert of saxe-coburg and gotha prince consort photograph by j. j. e. mayall, consort of the british monarch tenure february – december born ( - - ) august schloss rosenau, coburg, german confederation died december ( - - ) (aged  ) windsor castle, england, united kingdom burial december st george's chapel; december frogmore mausoleum spouse victoria, queen of the united kingdom ​ ​ (m.  )​ issue victoria, german empress edward vii alice, grand duchess of hesse and by rhine alfred, duke of saxe-coburg and gotha helena, princess christian of schleswig-holstein princess louise, duchess of argyll prince arthur, duke of connaught and strathearn prince leopold, duke of albany beatrice, princess henry of battenberg full name english: francis albert augustus charles emmanuel german: franz albert august karl emanuel house saxe-coburg-saalfeld (until ) saxe-coburg and gotha (from ) father ernest i, duke of saxe-coburg and gotha mother princess louise of saxe-gotha-altenburg prince albert of saxe-coburg and gotha (francis albert augustus charles emmanuel;[ ] august – december ) was the husband of queen victoria of the united kingdom of great britain and ireland. albert was born in the saxon duchy of saxe-coburg-saalfeld to a family connected to many of europe's ruling monarchs. at the age of twenty, he married his cousin, victoria; they had nine children. initially he felt constrained by his role of prince consort, which did not afford him power or responsibilities. he gradually developed a reputation for supporting public causes, such as educational reform and the abolition of slavery worldwide, and was entrusted with running the queen's household, office and estates. he was heavily involved with the organisation of the great exhibition of , which was a resounding success. victoria came to depend more and more on albert's support and guidance. he aided the development of britain's constitutional monarchy by persuading his wife to be less partisan in her dealings with parliament—although he actively disagreed with the interventionist foreign policy pursued during lord palmerston's tenure as foreign secretary. albert died at the relatively young age of . victoria was so devastated at the loss of her husband that she entered into a deep state of mourning and wore black for the rest of her life. on her death in , their eldest son succeeded as edward vii, the first british monarch of the house of saxe-coburg and gotha, named after the ducal house to which albert belonged. contents early life marriage consort of the queen reformer and innovator family and public life ( – ) illness and death legacy titles, styles, honours and arms . titles and styles . british honours . . military appointments . foreign honours . arms issue ancestry see also references sources further reading external links early life[edit] albert (left) with his elder brother ernest and mother louise, shortly before her exile from court albert was born at schloss rosenau, near coburg, germany, the second son of ernest iii, duke of saxe-coburg-saalfeld, and his first wife, louise of saxe-gotha-altenburg.[ ] albert's future wife, victoria, was born earlier in the same year with the assistance of the same midwife, charlotte von siebold.[ ] albert was baptised into the lutheran evangelical church on september in the marble hall at schloss rosenau with water taken from the local river, the itz.[ ] his godparents were his paternal grandmother, the dowager duchess of saxe-coburg-saalfeld; his maternal grandfather, the duke of saxe-gotha-altenburg; the emperor of austria; the duke of teschen; and emanuel, count of mensdorff-pouilly.[ ] in , albert's great-uncle, frederick iv, duke of saxe-gotha-altenburg, died. his death led to a realignment of the saxon duchies the following year and albert's father became the first reigning duke of saxe-coburg and gotha.[ ] albert and his elder brother, ernest, spent their youth in a close companionship marred by their parents' turbulent marriage and eventual separation and divorce.[ ] after their mother was exiled from court in , she married her lover, alexander von hanstein, count of pölzig and beiersdorf. she presumably never saw her children again, and died of cancer at the age of in .[ ] the following year, their father married his niece, his sons' cousin princess marie of württemberg; their marriage was not close, however, and marie had little—if any—impact on her stepchildren's lives.[ ] the brothers were educated privately at home by christoph florschütz and later studied in brussels, where adolphe quetelet was one of their tutors.[ ] like many other german princes, albert attended the university of bonn, where he studied law, political economy, philosophy and the history of art. he played music and excelled at sport, especially fencing and riding.[ ] his tutors at bonn included the philosopher fichte and the poet schlegel.[ ] marriage[edit] main article: wedding of queen victoria and prince albert of saxe-coburg and gotha portrait by john partridge, the idea of marriage between albert and his cousin, victoria, was first documented in an letter from his paternal grandmother, the dowager duchess of saxe-coburg-saalfeld, who said that he was "the pendant to the pretty cousin".[ ] by , this idea had also arisen in the mind of their ambitious uncle leopold, who had been king of the belgians since .[ ] at this time, victoria was the heir presumptive to the british throne. her father, prince edward, duke of kent and strathearn, the fourth son of king george iii, had died when she was a baby, and her elderly uncle, king william iv, had no legitimate children. her mother, the duchess of kent, was the sister of both albert's father—the duke of saxe-coburg and gotha—and king leopold. leopold arranged for his sister, victoria's mother, to invite the duke of saxe-coburg and gotha and his two sons to visit her in may , with the purpose of meeting victoria. william iv, however, disapproved of any match with the coburgs, and instead favoured the suit of prince alexander, second son of the prince of orange. victoria was well aware of the various matrimonial plans and critically appraised a parade of eligible princes.[ ] she wrote, "[albert] is extremely handsome; his hair is about the same colour as mine; his eyes are large and blue, and he has a beautiful nose and a very sweet mouth with fine teeth; but the charm of his countenance is his expression, which is most delightful."[ ] alexander, on the other hand, she described as "very plain".[ ] victoria wrote to her uncle leopold to thank him "for the prospect of great happiness you have contributed to give me, in the person of dear albert ... he possesses every quality that could be desired to render me perfectly happy."[ ] although the parties did not undertake a formal engagement, both the family and their retainers widely assumed that the match would take place.[ ] victoria came to the throne aged eighteen on june . her letters of the time show interest in albert's education for the role he would have to play, although she resisted attempts to rush her into marriage.[ ] in the winter of – , the prince visited italy, accompanied by the coburg family's confidential adviser, baron stockmar.[ ] armorial bookplate of prince albert albert returned to the united kingdom with ernest in october to visit the queen, with the objective of settling the marriage.[ ] albert and victoria felt mutual affection and the queen proposed to him on october .[ ] victoria's intention to marry was declared formally to the privy council on november,[ ] and the couple married on february at the chapel royal, st james's palace.[ ] just before the marriage, albert was naturalised by act of parliament,[ ] and granted the style of royal highness by an order in council.[ ] initially albert was not popular with the british public; he was perceived to be from an impoverished and undistinguished minor state, barely larger than a small english county.[ ] the british prime minister, lord melbourne, advised the queen against granting her husband the title of "king consort"; parliament also objected to albert being created a peer—partly because of anti-german sentiment and a desire to exclude albert from any political role.[ ] albert's religious views provided a small amount of controversy when the marriage was debated in parliament: although as a member of the lutheran evangelical church albert was a protestant, the non-episcopal nature of his church was considered worrisome.[ ] of greater concern, however, was that some of albert's family were roman catholic.[ ] melbourne led a minority government and the opposition took advantage of the marriage to weaken his position further. they opposed the ennoblement of albert and granted him a smaller annuity than previous consorts,[ ] £ , instead of the usual £ , .[ ] albert claimed that he had no need of a british peerage, writing: "it would almost be a step downwards, for as a duke of saxony, i feel myself much higher than a duke of york or kent."[ ] for the next seventeen years, albert was formally titled "hrh prince albert" until, on june , victoria formally granted him the title prince consort.[ ] consort of the queen[edit] portrait by winterhalter, the position in which the prince was placed by his marriage, while one of distinction, also offered considerable difficulties; in albert's own words, "i am very happy and contented; but the difficulty in filling my place with the proper dignity is that i am only the husband, not the master in the house."[ ] the queen's household was run by her former governess,[ ] baroness lehzen. albert referred to her as the "house dragon", and manoeuvred to dislodge the baroness from her position.[ ] within two months of the marriage, victoria was pregnant. albert started to take on public roles; he became president of the society for the extinction of slavery (which was still legal in many parts of the world beyond the british empire); and helped victoria privately with her government paperwork.[ ] in june , while on a public carriage ride, albert and the pregnant victoria were shot at by edward oxford, who was later judged insane. neither albert nor victoria was hurt and albert was praised in the newspapers for his courage and coolness during the attack.[ ] albert was gaining public support as well as political influence, which showed itself practically when, in august, parliament passed the regency act to designate him regent in the event of victoria's death before their child reached the age of majority.[ ] their first child, victoria, named after her mother, was born in november. eight other children would follow over the next seventeen years. all nine children survived to adulthood, which was remarkable for the era and which biographer hermione hobhouse credited to albert's "enlightened influence" on the healthy running of the nursery.[ ] in early , he successfully removed the nursery from lehzen's pervasive control, and in september , lehzen left britain permanently—much to albert's relief.[ ] after the general election, melbourne was replaced as prime minister by sir robert peel, who appointed albert as chairman of the royal commission in charge of redecorating the new palace of westminster. the palace had burned down seven years before, and was being rebuilt. as a patron and purchaser of pictures and sculpture, the commission was set up to promote the fine arts in britain. the commission's work was slow, and the architect, charles barry, took many decisions out of the commissioners' hands by decorating rooms with ornate furnishings that were treated as part of the architecture.[ ] albert was more successful as a private patron and collector. among his notable purchases were early german and italian paintings—such as lucas cranach the elder's apollo and diana and fra angelico's st peter martyr—and contemporary pieces from franz xaver winterhalter and edwin landseer.[ ] ludwig gruner, of dresden, assisted albert in buying pictures of the highest quality.[ ] albert and victoria were shot at again on both and may , but were unhurt. the culprit, john francis, was detained and condemned to death,[ ] although he was later reprieved.[ ] some of their early unpopularity came about because of their stiffness and adherence to protocol in public, though in private the couple were more easy-going.[ ] in early , victoria and albert were apart for the first time since their marriage when he returned to coburg on the death of his father.[ ] osborne house, isle of wight, uk by , albert had managed to modernise the royal finances and, through various economies, had sufficient capital to purchase osborne house on the isle of wight as a private residence for their growing family.[ ] over the next few years a house modelled in the style of an italianate villa was built to the designs of albert and thomas cubitt.[ ] albert laid out the grounds, and improved the estate and farm.[ ] albert managed and improved the other royal estates; his model farm at windsor was admired by his biographers,[ ] and under his stewardship the revenues of the duchy of cornwall—the hereditary property of the prince of wales—steadily increased.[ ] unlike many landowners who approved of child labour and opposed peel's repeal of the corn laws, albert supported moves to raise working ages and free up trade.[ ] in , albert was rebuked by lord george bentinck when he attended the debate on the corn laws in the house of commons to give tacit support to peel.[ ] during peel's premiership, albert's authority behind, or beside, the throne became more apparent. he had access to all the queen's papers, was drafting her correspondence[ ] and was present when she met her ministers, or even saw them alone in her absence.[ ] the clerk of the privy council, charles greville, wrote of him: "he is king to all intents and purposes."[ ] reformer and innovator[edit] early daguerreotype with hand-colouring, in , albert was elected chancellor of the university of cambridge after a close contest with the earl of powis.[ ] albert used his position as chancellor to campaign successfully for reformed and more modern university curricula, expanding the subjects taught beyond the traditional mathematics and classics to include modern history and the natural sciences.[ ] that summer, victoria and albert spent a rainy holiday in the west of scotland at loch laggan, but heard from their doctor, sir james clark, that clark's son had enjoyed dry, sunny days farther east at balmoral castle. the tenant of balmoral, sir robert gordon, died suddenly in early october, and albert began negotiations to take over the lease from the owner, the earl fife.[ ] in may the following year, albert leased balmoral, which he had never visited, and in september he, his wife and the older children went there for the first time.[ ] they came to relish the privacy it afforded.[ ] revolutions spread throughout europe in as the result of a widespread economic crisis. throughout the year, victoria and albert complained about foreign secretary palmerston's independent foreign policy, which they believed destabilised foreign european powers further.[ ] albert was concerned for many of his royal relatives, a number of whom were deposed. he and victoria, who gave birth to their daughter louise during that year, spent some time away from london in the relative safety of osborne. although there were sporadic demonstrations in england, no effective revolutionary action took place, and albert even gained public acclaim when he expressed paternalistic, yet well-meaning and philanthropic, views.[ ] in a speech to the society for the improvement of the condition of the labouring classes, of which he was president, he expressed his "sympathy and interest for that class of our community who have most of the toil and fewest of the enjoyments of this world".[ ] it was the "duty of those who, under the blessings of divine providence, enjoy station, wealth, and education" to assist those less fortunate than themselves.[ ] the great exhibition of was housed in the crystal palace in hyde park, london. a man of progressive and relatively liberal ideas, albert not only led reforms in university education, welfare, the royal finances and slavery, he had a special interest in applying science and art to the manufacturing industry.[ ] the great exhibition of arose from the annual exhibitions of the society of arts, of which albert was president from , and owed most of its success to his efforts to promote it.[ ][ ] albert served as president of the royal commission for the exhibition of , and had to fight for every stage of the project.[ ] in the house of lords, lord brougham fulminated against the proposal to hold the exhibition in hyde park.[ ] opponents of the exhibition prophesied that foreign rogues and revolutionists would overrun england, subvert the morals of the people, and destroy their faith.[ ] albert thought such talk absurd and quietly persevered, trusting always that british manufacturing would benefit from exposure to the best products of foreign countries.[ ] the queen opened the exhibition in a specially designed and built glass building known as the crystal palace on may . it proved a colossal success.[ ] a surplus of £ , was used to purchase land in south kensington on which to establish educational and cultural institutions—including the natural history museum, science museum, imperial college london and what would later be named the royal albert hall and the victoria and albert museum.[ ] the area was referred to as "albertopolis" by sceptics.[ ] family and public life ( – )[edit] queen victoria and prince albert, in , john camden neild, an eccentric miser, left victoria an unexpected legacy, which albert used to obtain the freehold of balmoral. as usual, he embarked on an extensive programme of improvements.[ ] the same year, he was appointed to several of the offices left vacant by the death of the duke of wellington, including the mastership of trinity house and the colonelcy of the grenadier guards.[ ] with wellington's passing, albert was able to propose and campaign for modernisation of the army, which was long overdue.[ ] thinking that the military was unready for war, and that christian rule was preferable to islamic rule, albert counselled a diplomatic solution to conflict between the russian and ottoman empires. palmerston was more bellicose, and favoured a policy that would prevent further russian expansion.[ ] palmerston was manoeuvred out of the cabinet in december , but at about the same time a russian fleet attacked the ottoman fleet at anchor at sinop. the london press depicted the attack as a criminal massacre, and palmerston's popularity surged as albert's fell.[ ] within two weeks, palmerston was re-appointed as a minister. as public outrage at the russian action continued, false rumours circulated that albert had been arrested for treason and was being held prisoner in the tower of london.[ ] by march , britain and russia were embroiled in the crimean war. albert devised a master-plan for winning the war by laying siege to sevastopol while starving russia economically, which became the allied strategy after the tsar decided to fight a purely defensive war.[ ] early british optimism soon faded as the press reported that british troops were ill-equipped and mismanaged by aged generals using out-of-date tactics and strategy. the conflict dragged on as the russians were as poorly prepared as their opponents. the prime minister, lord aberdeen, resigned and palmerston succeeded him.[ ] a negotiated settlement eventually put an end to the war with the treaty of paris. during the war, albert arranged the marriage of his fourteen-year-old daughter, victoria, to prince frederick william of prussia, though albert delayed the marriage until victoria was seventeen. albert hoped that his daughter and son-in-law would be a liberalising influence in the enlarging but very conservative prussian state.[ ] prince albert, queen victoria and their nine children, . left to right: alice, arthur, albert (prince consort), albert edward (prince of wales), leopold, louise, queen victoria with beatrice, alfred, victoria and helena[ ] albert promoted many public educational institutions. chiefly at meetings in connection with these he spoke of the need for better schooling.[ ] a collection of his speeches was published in . recognised as a supporter of education and technological progress, he was invited to speak at scientific meetings, such as the memorable address he delivered as president of the british association for the advancement of science when it met at aberdeen in .[ ] his espousal of science met with clerical opposition; he and palmerston unsuccessfully recommended a knighthood for charles darwin, after the publication of on the origin of species, which was opposed by the bishop of oxford.[ ] albert continued to devote himself to the education of his family and the management of the royal household.[ ] his children's governess, lady lyttelton, thought him unusually kind and patient, and described him joining in family games with enthusiasm.[ ] he felt keenly the departure of his eldest daughter for prussia when she married her fiancé at the beginning of ,[ ] and was disappointed that his eldest son, the prince of wales, did not respond well to the intense educational programme that albert had designed for him.[ ] at the age of seven, the prince of wales was expected to take six hours of instruction, including an hour of german and an hour of french every day.[ ] when the prince of wales failed at his lessons, albert caned him.[ ] corporal punishment was common at the time, and was not thought unduly harsh.[ ] albert's biographer roger fulford wrote that the relationships between the family members were "friendly, affectionate and normal ... there is no evidence either in the royal archives or in the printed authorities to justify the belief that the relations between the prince and his eldest son were other than deeply affectionate."[ ] philip magnus wrote in his biography of albert's eldest son that albert "tried to treat his children as equals; and they were able to penetrate his stiffness and reserve because they realised instinctively not only that he loved them but that he enjoyed and needed their company."[ ] illness and death[edit] portrait by winterhalter, in august , albert fell seriously ill with stomach cramps.[ ] his steadily worsening medical condition led to a sense of despair. he lost the will to live, says biographer robert rhodes james.[ ] he had an accidental brush with death during a trip to coburg in october , when he was driving alone in a carriage drawn by four horses that suddenly bolted. as the horses continued to gallop toward a wagon waiting at a railway crossing, albert jumped for his life from the carriage. one of the horses was killed in the collision, and albert was badly shaken, though his only physical injuries were cuts and bruises. he confided in his brother and eldest daughter that he had sensed his time had come.[ ] victoria's mother and albert's aunt, the duchess of kent, died in march , and victoria was grief-stricken. albert took on most of the queen's duties despite continuing to suffer with chronic stomach trouble.[ ] the last public event he presided over was the opening of the royal horticultural gardens on june .[ ] in august, victoria and albert visited the curragh camp, ireland, where the prince of wales was attending army manoeuvres. at the curragh, the prince of wales was introduced, by his fellow officers, to nellie clifden, an irish actress.[ ] by november, victoria and albert had returned to windsor, and the prince of wales had returned to cambridge, where he was a student. two of albert's young cousins, brothers king pedro v of portugal and prince ferdinand, died of typhoid fever within five days of each other in early november.[ ] on top of this news, albert was informed that gossip was spreading in gentlemen's clubs and the foreign press that the prince of wales was still involved with nellie clifden.[ ] albert and victoria were horrified by their son's indiscretion, and feared blackmail, scandal or pregnancy.[ ] although albert was ill and at a low ebb, he travelled to cambridge to see the prince of wales on november[ ] to discuss his son's indiscreet affair.[ ] in his final weeks albert suffered from pains in his back and legs.[ ] also in november , the trent affair—the forcible removal of confederate envoys from a british ship by union forces during the american civil war—threatened war between the united states and britain. the british government prepared an ultimatum and readied a military response. albert was gravely ill but intervened to defuse the crisis.[ ] in a few hours, he revised the british demands in a manner that allowed the lincoln administration to surrender the confederate commissioners who had been seized from the trent and to issue a public apology to london without losing face. the key idea, based on a suggestion from the times, was to give washington the opportunity to deny it had officially authorised the seizure and thereby apologise for the captain's mistake.[ ] on december, one of albert's doctors, william jenner, diagnosed him with typhoid fever. albert died at :  p.m. on december in the blue room at windsor castle, in the presence of the queen and five of their nine children.[ ] the contemporary diagnosis was typhoid fever, but modern writers have pointed out that albert's ongoing stomach pain, leaving him ill for at least two years before his death, may indicate that a chronic disease, such as crohn's disease,[ ] kidney failure, or abdominal cancer, was the cause of death.[ ] legacy[edit] further information: royal eponyms in canada the albert memorial in hyde park, london royal albert hall, london the queen's grief was overwhelming, and the tepid feelings the public had felt previously for albert were replaced by sympathy.[ ] the widowed victoria never recovered from albert's death; she entered into a deep state of mourning and wore black for the rest of her life. albert's rooms in all his houses were kept as they had been, even with hot water brought in the morning and linen and towels changed daily.[ ] such practices were not uncommon in the houses of the very rich.[ ] victoria withdrew from public life and her seclusion eroded some of albert's work in attempting to re-model the monarchy as a national institution setting a moral, if not political, example.[ ] albert is credited with introducing the principle that the british royal family should remain above politics.[ ] before his marriage to victoria, she supported the whigs; for example, early in her reign victoria managed to thwart the formation of a tory government by sir robert peel by refusing to accept substitutions which peel wanted to make among her ladies-in-waiting.[ ] albert's body was temporarily entombed in st george's chapel, windsor castle.[ ] a year after his death his remains were deposited at frogmore mausoleum, which remained incomplete until .[ ] the sarcophagus, in which both he and the queen were eventually laid, was carved from the largest block of granite that had ever been quarried in britain.[ ] despite albert's request that no effigies of him should be raised, many public monuments were erected all over the country and across the british empire.[ ] the most notable are the royal albert hall and the albert memorial in london. the plethora of memorials erected to albert became so great that charles dickens told a friend that he sought an "inaccessible cave" to escape from them.[ ] places and objects named after albert range from lake albert in africa to the city of prince albert, saskatchewan, to the albert medal presented by the royal society of arts. four regiments of the british army were named after him: th (prince albert's own) hussars; prince albert's light infantry; prince albert's own leicestershire regiment of yeomanry cavalry; and the prince consort's own rifle brigade. he and queen victoria showed a keen interest in the establishment and development of aldershot in hampshire as a garrison town in the s. they had a wooden royal pavilion built there in which they would often stay when attending military reviews.[ ] albert established and endowed the prince consort's library at aldershot, which still exists today.[ ] biographies published after his death were typically heavy on eulogy. theodore martin's five-volume magnum opus was authorised and supervised by queen victoria, and her influence shows in its pages. nevertheless, it is an accurate and exhaustive account.[ ] lytton strachey's queen victoria ( ) was more critical, but it was discredited in part by mid-twentieth-century biographers such as hector bolitho and roger fulford, who (unlike strachey) had access to victoria's journal and letters.[ ] popular myths about prince albert—such as the claim that he introduced christmas trees to britain—are dismissed by scholars.[ ] recent biographers such as stanley weintraub portray albert as a figure in a tragic romance who died too soon and was mourned by his lover for a lifetime.[ ] in the movie the young victoria, albert, played by rupert friend, is made into an heroic character; in the fictionalised depiction of the shooting, he is struck by a bullet—something that did not happen in real life.[ ][ ] titles, styles, honours and arms[edit] titles and styles[edit] albert robed as a knight grand cross of the bath, in the united kingdom, albert was styled "his serene highness prince albert of saxe-coburg and gotha" in the months before his marriage.[ ] he was granted the style of royal highness on february ,[ ] and given the title of prince consort on june .[ ] british honours[edit] kg: royal knight of the garter, december [ ] gcb: knight grand cross of the bath (military), march ;[ ] great master, may [ ] gcmg: knight grand cross of st michael and st george, january [ ] kt: knight of the thistle, january [ ] kp: extra and principal knight of st. patrick, january [ ] ksi: extra knight of the star of india, june [ ] military appointments[edit] field marshal of the british army, february [ ] colonel-in-chief of the th (prince albert's own) hussars, april – [ ] colonel of the scots fusilier guards, april – [ ] captain-general and colonel of the honourable artillery company, [ ] constable and governor of windsor castle, [ ] colonel-in-chief of the th (the king's royal rifle corps) regiment of foot, august – [ ] colonel of the st grenadier guards, august [ ] colonel-in-chief of the rifle brigade, september [ ] foreign honours[edit] ernestine duchies: grand cross of the saxe-ernestine house order, february [ ]  portugal:[ ] grand cross of the military order of christ, april grand cross of the sash of the two orders (aviz and st. james), september grand cross of the tower and sword, november  belgium: grand cordon of the order of leopold, november – wedding gift[ ]  saxony: knight of the rue crown, [ ]  saxe-weimar-eisenach: grand cross of the white falcon, january [ ] spain: knight of the golden fleece, april [ ] prussia:[ ] knight of the black eagle, january grand cross of the red eagle, january  sardinia: knight of the annunciation, december [ ]  netherlands: grand cross of the netherlands lion, [ ]  denmark: knight of the elephant, january [ ]  russia:[ ] knight of st. andrew, july knight of st. alexander nevsky, july knight of the white eagle, july knight of st. anna, st class, july france: grand cross of the legion of honour, september [ ]  austria: grand cross of st. stephen, [ ]  württemberg: grand cross of the württemberg crown, [ ]  baden:[ ] knight of the house order of fidelity, grand cross of the zähringer lion,  bavaria: knight of st. hubert, [ ]  two sicilies: grand cross of st. ferdinand and merit, [ ]  hanover:[ ] knight of st. george, grand cross of the royal guelphic order,  sovereign military order of malta: bailiff grand cross of honour and devotion[ ] sweden-norway: knight of the seraphim, february [ ]  ottoman empire: order of the medjidie, st class in diamonds, [ ] arms[edit] coat of arms of prince albert of saxe-coburg and gotha as granted in upon his marriage to queen victoria in , prince albert received a personal grant of arms, being the royal coat of arms of the united kingdom differenced by a white three-point label with a red cross in the centre, quartered with his ancestral arms of saxony.[ ][ ] they are blazoned: "quarterly, st and th, the royal arms, with overall a label of three points argent charged on the centre with cross gules; nd and rd, barry of ten or and sable, a crown of rue in bend vert".[ ] the arms are unusual, being described by s. t. aveling as a "singular example of quartering differenced arms, [which] is not in accordance with the rules of heraldry, and is in itself an heraldic contradiction."[ ] prior to his marriage albert used the arms of his father undifferenced, in accordance with german custom. albert's garter stall plate displays his arms surmounted by a royal crown with six crests for the house of saxe-coburg and gotha; these are from left to right: . "a bull's head caboshed gules armed and ringed argent, crowned or, the rim chequy gules and argent" for mark. . "out of a coronet or, two buffalo horns argent, attached to the outer edge of five branches fesswise each with three linden leaves vert" for thuringia. . "out of a coronet or, a pyramidal chapeau charged with the arms of saxony ensigned by a plume of peacock feathers proper out of a coronet also or" for saxony. . "a bearded man in profile couped below the shoulders clothed paly argent and gules, the pointed coronet similarly paly terminating in a plume of three peacock feathers" for meissen. . "a demi griffin displayed or, winged sable, collared and langued gules" for jülich. . "out of a coronet or, a panache of peacock feathers proper" for berg.[ ] the supporters were the crowned lion of england and the unicorn of scotland (as in the royal arms) charged on the shoulder with a label as in the arms. albert's personal motto is the german treu und fest (loyal and sure).[ ] this motto was also used by prince albert's own or the th hussars. issue[edit] see also: grandchildren of victoria and albert name birth death notes[ ] victoria, princess royal november august married , crown prince frederick, later frederick iii, german emperor; had issue edward vii of the united kingdom november may married , princess alexandra of denmark; had issue princess alice april december married , prince louis, later ludwig iv, grand duke of hesse and by rhine; had issue alfred, duke of saxe-coburg and gotha august july married , grand duchess marie alexandrovna of russia; had issue princess helena may june married , prince christian of schleswig-holstein; had issue princess louise march december married , john campbell, marquess of lorne, later th duke of argyll; no issue prince arthur, duke of connaught and strathearn may january married , princess louise margaret of prussia; had issue prince leopold, duke of albany april march married , princess helena of waldeck and pyrmont; had issue princess beatrice april october married , prince henry of battenberg; had issue prince albert's grandchildren included four reigning monarchs: king george v of the united kingdom; wilhelm ii, german emperor; ernest louis, grand duke of hesse; and charles edward, duke of saxe-coburg and gotha, and five consorts of monarchs: queens maud of norway, sophia of greece, victoria eugenie of spain, marie of romania, and empress alexandra of russia. albert's many descendants include royalty and nobility throughout europe. victoria and albert's family in by franz xaver winterhalter left to right: prince alfred (unbreeched at two years); the prince of wales; the queen; prince albert; and princesses alice, helena and victoria ancestry[edit] ancestors of albert, prince consort . ernest frederick, duke of saxe-coburg-saalfeld[ ] . francis, duke of saxe-coburg-saalfeld[ ] . sophia antonia of brunswick-wolfenbüttel[ ] . ernest i, duke of saxe-coburg and gotha[ ] . henry xxiv, count reuss of ebersdorf[ ] . countess augusta caroline reuss of ebersdorf[ ] . countess karoline ernestine of erbach-schönberg[ ] . prince albert of saxe-coburg and gotha . ernest ii, duke of saxe-gotha-altenburg[ ] . augustus, duke of saxe-gotha-altenburg[ ] . princess charlotte of saxe-meiningen[ ] . princess louise of saxe-gotha-altenburg[ ] . frederick francis i, grand duke of mecklenburg-schwerin[ ] . duchess louise charlotte of mecklenburg-schwerin[ ] . princess louise of saxe-gotha-altenburg[ ] see also[edit] john brown list of coupled cousins royal albert memorial museum references[edit] ^ a b c d "no. ". the london gazette. february . p.  . ^ hobhouse , p.  ; weintraub , p.  ; weir , p.  . ^ weintraub , p.  . ^ weintraub , p.  . ^ ames , p.  ; hobhouse , p.  . ^ e.g. montgomery-massingberd , pp.  – . ^ weintraub , pp.  – . ^ hobhouse , p.  ; weintraub , pp.  – . ^ weintraub , pp.  – . ^ hobhouse , p.  . ^ weintraub , pp.  – . ^ ames , p.  ; weintraub , pp.  – . ^ hobhouse , pp.  . ^ hobhouse , pp.  – ; weintraub , pp.  – . ^ weintraub , pp.  – . ^ a b victoria quoted in weintraub , p.  . ^ weintraub , p.  . ^ weintraub , pp.  , , , . ^ weintraub , p.  . ^ hobhouse , pp.  – ; weintraub , p.  . ^ fulford , p.  ; weintraub , pp.  – . ^ fulford , pp.  – ; hobhouse , p.  ; weintraub , pp.  – . ^ fulford , p.  ; hobhouse , p.  ; weintraub , p.  . ^ fulford , p.  ; hobhouse , p.  . ^ a b "no. ". the london gazette. february . p.  . ^ fulford , p.  . ^ weintraub , p.  . ^ abecasis-phillips . ^ murphy , pp.  – . ^ weintraub , pp.  – , . ^ fulford , p.  ; hobhouse , pp.  – . ^ quoted in jagow , p.  . ^ a b "no. ". the london gazette. june . p.  . ^ albert to william von lowenstein, may , quoted in hobhouse , p.  . ^ or more properly "lady attendant". ^ fulford , pp.  – . ^ weintraub , pp.  – . ^ weintraub , pp.  – . ^ weintraub , p.  . ^ hobhouse , p.  . ^ fulford , pp.  – . ^ ames , pp.  – ; fulford , pp.  – ; hobhouse , pp.  – . ^ ames , pp.  – , – ; hobhouse , pp.  – . the national gallery, london, received paintings in presented by queen victoria at the prince consort's wish. see external links for works in the royal collection. ^ cust , pp.  – . ^ old bailey proceedings online, trial of john francis. (t - , june ). ^ weintraub , pp.  – . ^ ames , p.  ; fulford , pp.  – ; weintraub , p.  . ^ ames , p.  ; weintraub , p.  . ^ fulford , p.  ; hobhouse , p.  ; weintraub , p.  . ^ ames , pp.  – ; fulford , p.  ; hobhouse , p.  ; weintraub , p.  . ^ hobhouse , pp.  , . ^ fulford , pp.  – ; hobhouse , pp.  – . ^ a b c d e weintraub . ^ fulford , p.  . ^ fulford , p.  ; hobhouse , pp.  – . ^ hobhouse , pp.  – . ^ fulford , p.  . ^ greville's diary volume v, p. quoted in fulford , p.  . ^ fulford , pp.  – ; hobhouse , p.  ; weintraub , pp.  – . ^ fulford , pp.  – ; hobhouse , p.  ; weintraub , pp.  , . ^ weintraub , pp.  – . ^ weintraub , pp.  , , , , . ^ extracts from the queen's journal of the holidays were published in as leaves from the journal of our life in the highlands. ^ fulford , pp.  – ; weintraub , pp.  , , and – . ^ weintraub , pp.  – . ^ a b the text of the speech was widely reproduced, e.g. "the condition of the labouring classes". the times, may , p. . ^ fulford , pp.  – ; hobhouse , pp.  – . ^ fulford , pp.  – . ^ e.g. fulford , p.  . ^ fulford , p.  . ^ fulford , pp.  – . ^ fulford , p.  ; hobhouse , p.  . ^ hobhouse , p.  . ^ ames , p.  ; hobhouse , p. x; weintraub , p.  . ^ hobhouse , p.  . ^ weintraub , pp.  – , – . ^ hobhouse , pp.  – , – ; weintraub , pp.  – . ^ e.g. fulford , pp.  , – . ^ weintraub , pp.  – . ^ fulford , pp.  – ; weintraub , pp.  – . ^ stewart , pp.  – . ^ weintraub , pp.  – , . ^ weintraub , pp.  , . ^ finestone , p.  . ^ hobhouse , p.  . ^ darby & smith , p.  ; hobhouse , pp.  – ; weintraub , p.  . ^ weintraub , p.  . ^ fulford , pp.  – ; hobhouse , pp.  – . ^ lady lyttelton's journal quoted in fulford , p.  and her correspondence quoted in hobhouse , p.  . ^ fulford , p.  ; weintraub , p.  . ^ fulford , pp.  – ; weintraub , p.  . ^ fulford , p.  . ^ diary of sir james clark quoted in fulford , p.  . ^ fulford , p.  . ^ fulford , pp.  – . ^ magnus, philip ( ) king edward vii, pp. – , quoted in hobhouse , pp.  – . ^ stewart , p.  . ^ rhodes james , p.  . ^ weintraub , pp.  – . ^ hobhouse , pp.  – ; weintraub , p.  . ^ stewart , p.  . ^ weintraub , p.  . ^ weintraub , p.  . ^ hobhouse , p.  ; weintraub , p.  . ^ weintraub , p.  . ^ hobhouse , p.  ; fulford , p.  . ^ stewart , p.  . ^ hobhouse , pp.  – ; martin – , pp.  – , vol. v; weintraub , pp.  – . ^ ferris, norman b. 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"the royal collection of pictures". the cornhill magazine, new series. xxii: – . darby, elizabeth; smith, nicola ( ). the cult of the prince consort. new haven and london: yale university press. isbn  - - - - . finestone, jeffrey ( ). the last courts of europe. london: the vendome press. isbn  - - - - . fulford, roger ( ). the prince consort. london: macmillan publishers. hobhouse, hermione ( ). prince albert: his life and work. london: hamish hamilton. isbn  - - - - . jagow, kurt, ed. ( ). the letters of the prince consort, – . london: john murray. jurgensen, john ( december ). "victorian romance: when the dour queen was young and in love". the wall street journal. retrieved august . knight, chris ( december ). "a duchess, a reader and a man named alistair". national post. retrieved august . louda, jiří; maclagan, michael ( ) [ ]. lines of succession: heraldry of the royal families of europe ( nd ed.). london: little, brown. isbn  - - - - . martin, theodore ( – ). the life of h. r. h. the prince consort. volumes, authorised by queen victoria. montgomery-massingberd, hugh, ed. ( ). burke's royal families of the world ( st ed.). london: burke's peerage. isbn  - - - - . murphy, james ( ). abject loyalty: nationalism and monarchy in ireland during the reign of queen victoria. washington dc: catholic university of america press. isbn  - - - - . pinches, john harvey; pinches, rosemary ( ). heraldry today: the royal heraldry of england. slough, buckinghamshire: hollen street press. isbn  - - - - . rhodes james, robert ( ). albert, prince consort: a biography. new york: knopf. isbn  - - - . stewart, jules ( ). albert: a life. london; new york: i.b. tauris. isbn  - - - - . oclc  . weintraub, stanley ( ). albert: uncrowned king. london: john murray. isbn  - - - - . weintraub, stanley (september ). "albert [prince albert of saxe-coburg and gotha] ( – )". oxford dictionary of national biography (online, january ed.). oxford university press. doi: . /ref:odnb/ . retrieved august . (subscription required) weir, alison ( ). britain's royal families: the complete genealogy (revised ed.). london: random house. isbn  - - - - . further reading[edit] eyck, frank. the prince consort: a political biography (chatto, ), a scholarly study online. haspel, paul. "england's unsung hero of the american civil war." north & south: the official magazine of the civil war society (july ) ,` # pp - ; how prince albert aided the peaceful resolution of the 'trent' affair in . hough, richard. victoria & albert: their love & their tragedies ( ) pp lalumia, christine. "scrooge and albert" history today ( ) # pp. – . lemay, g. h. l. "prince albert and the british constitution" history today ( ) # pp. – . rappaport, helen. magnificent obsession: victoria, albert and the death that changed the monarchy (random house, ). walton, oliver. "distant patron: prince albert and the development of the coburg-gotha economy." acta oeconomica pragensia . ( ): - . online external links[edit] wikimedia commons has media related to albert, prince consort. wikiquote has quotations related to: albert, prince consort albert, prince consort at the encyclopædia britannica portraits of prince albert of saxe-coburg-gotha at the national portrait gallery, london works by albert, prince consort at project gutenberg albert of saxe-coburg and gotha at the royal collection chisholm, hugh, ed. ( ). "albert (francis charles augustus albert emmanuel)" . encyclopædia britannica. ( th ed.). cambridge university press. pp.  – . prince consort albert, england and europe, virtual exhibition of bavarikon prince albert ( – ), bbc history uk parliamentary archives, oaths of prince albert, duke of saxe, prince of saxe coburg and gotha albert, prince consort house of saxe-coburg and gotha cadet branch of the house of wettin born: august  died: december british royalty vacanttitle last held by adelaide of saxe-meiningen as queen consort consort of the british monarch (created "prince consort" ) – vacanttitle next held by alexandra of denmark as queen consort military offices preceded by philip philpot colonel of the th (prince albert's own) hussars – succeeded by sir arthur benjamin clifton preceded by the earl ludlow colonel of the scots fusilier guards – succeeded by the duke of cambridge preceded by the duke of wellington colonel of the grenadier guards – colonel-in-chief of the rifle brigade – succeeded by the lord seaton court offices preceded by the marquess of hertford lord warden of the stannaries – succeeded by the duke of newcastle academic offices preceded by the duke of northumberland chancellor of the university of cambridge – succeeded by the duke of devonshire honorary titles preceded by the duke of sussex great master of the order of the bath – acting – vacanttitle next held by the prince of wales v t e chancellors of the university of cambridge richard of wetheringsett hugh de hotton reginald gerninghall stephen hepworth william de ludham richard de gedney richard dryfield john de asgarby john hooke roger de fulbourn andrew de gisleham thomas sheringham stephen hepworth ralph de leicester henry de boyton john de bradenham thomas de sheringham stephen hepworth stephen haslingfield stephen de segrace stephen haslingfield richard de ashton roger northburgh richard de badew thomas de foxton robert de winwick robert de winwick john de langley robert de mildenhall henry de herwarden richard harling robert de claydon thomas de northwood thomas de northwood john de crakhall thomas de grantchester william de lymbergh richard harling anthony of grantchester william tynkell thomas sutton richard de wetherset michael de haynton michael de causton william de gotham thomas de stewkley john de donwich adam de lakenheath john de donwich william de gotham richard scrope eudo zouche john cavendish guy zouche john de bromyard john of neketon john de burgh thomas hetherset john de burgh william colvile richard dereham william colvile john de neketon william colvile guy zouche richard billingford richard dereham richard billingford stephen le scrope john de rickingale thomas of cobham robert fitzhugh william wymbell marmaduke lumley john holeroke william lascells richard billingford richard cawdray john langton nicholas kenton john langton robert ascogh nicholas close william percy lawrence booth william wilflete robert woodlark richard scroope robert woodlark john booth william wilflete john harrison william wilflete edward story thomas rotherham (or scot) edward story thomas rotherham john boynton thomas rotherham thomas cosyn john blythe george fitzhugh thomas rotherham richard fox george fitzhugh thomas ruthall (or rowthall) john fisher thomas cromwell stephen gardiner edward seymour the duke of northumberland stephen gardiner reginald pole the lord burghley the earl of essex the earl of salisbury the earl of northampton the earl of suffolk the duke of buckingham the earl of holland the earl of manchester oliver st john the duke of manchester the duke of buckingham the duke of monmouth the duke of albemarle the duke of somerset thomas pelham-holles, st duke of newcastle the duke of grafton hrh the duke of gloucester and edinburgh the marquess camden the duke of northumberland hrh the prince consort the duke of devonshire the duke of devonshire the lord rayleigh the earl of balfour the earl baldwin of bewdley jan smuts the lord tedder the lord adrian hrh the duke of edinburgh david sainsbury v t e british consorts george of denmark ( – ) caroline of ansbach ( – ) charlotte of mecklenburg-strelitz ( – ) caroline of brunswick ( – ) adelaide of saxe-meiningen ( – ) albert of saxe-coburg and gotha ( – ) alexandra of denmark ( – ) mary of teck ( – ) elizabeth bowes-lyon ( – ) philip mountbatten ( –present) v t e princes of saxe-coburg-saalfeld the generations are numbered from the union of saxe-coburg and saxe-saalfeld in st generation christian ernst ii* francis josias* nd generation ernest frederick prince josias rd generation francis th generation ernest iii prince ferdinand** leopold i of belgium** th generation ernest ii, duke of saxe-coburg and gotha** albert, prince consort of the united kingdom** ferdinand ii of portugal** prince august** prince leopold** * prince of saxe-saalfeld until ** became prince of saxe-coburg and gotha in v t e princes of saxe-coburg and gotha forefather duke francis i* st generation duke ernest i* prince ferdinand* king leopold i of the belgians* nd generation ducal duke ernest ii* albert, prince consort of the united kingdom* koháry king ferdinand ii of portugal and the algarves* prince august* prince leopold* belgium crown prince louis philippe king leopold ii prince philippe rd generation united kingdom king edward vii duke alfred i prince arthur prince leopold portugal king pedro v king luís i infante joão infante fernando infante augusto koháry prince philipp prince ludwig august tsar ferdinand i of the bulgarians belgium prince leopold prince baudouin king albert i th generation united kingdom prince albert victor king george v hereditary prince alfred prince arthur duke charles edward i portugal king carlos i infante afonso koháry prince leopold clement prince pedro augusto prince august leopold prince joseph ferdinand prince ludwig gaston bulgaria tsar boris iii prince kiril belgium king leopold iii prince charles th generation united kingdom king edward viii king george vi prince henry prince george prince john prince alastair ducal hereditary prince johann leopold prince hubertus prince friedrich josias portugal prince luís filipe king manuel ii koháry prince rainer prince philipp bulgaria tsar simeon ii belgium king baudouin i king albert ii prince alexandre th generation ducal prince andreas koháry prince johannes heinrich bulgaria prince kardam prince kyril belgium king philippe i prince laurent th generation bulgaria prince boris belgium prince gabriel prince emmanuel *titled as princes of saxe-coburg-saalfeld before february v t e british princes the generations indicate descent from george i, who formalised the use of the titles prince and princess for members of the british royal family. st generation king george ii nd generation frederick, prince of wales prince george william prince william, duke of cumberland rd generation king george iii prince edward, duke of york and albany prince william henry, duke of gloucester and edinburgh prince henry, duke of cumberland and strathearn prince frederick th generation king george iv prince frederick, duke of york and albany king william iv prince edward, duke of kent and strathearn king ernest augustus of hanover prince augustus frederick, duke of sussex prince adolphus, duke of cambridge prince octavius prince alfred prince william frederick, duke of gloucester and edinburgh th generation prince albert king george v of hanover prince george, duke of cambridge th generation king edward vii prince alfred, duke of saxe-coburg and gotha prince arthur, duke of connaught and strathearn prince leopold, duke of albany prince ernest augustus th generation prince albert victor, duke of clarence and avondale king george v prince alexander john of wales alfred, hereditary prince of saxe-coburg and gotha prince arthur of connaught prince charles edward, duke of albany and of saxe-coburg and gotha prince george william of hanover prince christian of hanover prince ernest augustus, duke of brunswick th generation king edward viii king george vi prince henry, duke of gloucester prince george, duke of kent prince john alastair, nd duke of connaught and strathearn johann leopold, hereditary prince of saxe-coburg and gotha prince hubertus of saxe-coburg and gotha prince ernest augustus of hanover prince george william of hanover th generation prince philip, duke of edinburgh prince william of gloucester prince richard, duke of gloucester prince edward, duke of kent prince michael of kent th generation charles, prince of wales prince andrew, duke of york prince edward, earl of wessex th generation prince william, duke of cambridge prince harry, duke of sussex james, viscount severn th generation prince george of cambridge prince louis of cambridge not a british prince by birth, but created prince consort. not a british prince by birth, but created a prince of the united kingdom. status debatable; see his article. v t e great masters of the order of the bath john montagu, nd duke of montagu vacant prince frederick, duke of york and albany prince william, duke of clarence and st andrews vacant prince augustus frederick, duke of sussex albert, prince consort vacant albert edward, prince of wales prince arthur, duke of connaught and strathearn prince henry, duke of gloucester charles, prince of wales v t e queen victoria events coronation honours hackpen white horse wedding wedding dress golden jubilee honours medal police medal clock tower, weymouth clock tower, brighton bust diamond jubilee honours medal reign bedchamber crisis prime ministers edward oxford empress of india victorian era victorian morality visits to manchester foreign visits funeral mausoleum family albert, prince consort (husband) victoria, princess royal (daughter) edward vii (son) princess alice of the united kingdom (daughter) alfred, duke of saxe-coburg and gotha (son) princess helena of the united kingdom (daughter) princess louise, duchess of argyll (daughter) prince arthur, duke of connaught and strathearn (son) prince leopold, duke of albany (son) princess beatrice of the united kingdom (daughter) prince edward, duke of kent and strathearn (father) princess victoria of saxe-coburg-saalfeld (mother) grandchildren royal descendants princess feodora of leiningen (half-sister) carl, rd prince of leiningen (half-brother) early life kensington system john conroy victoire conroy louise lehzen lady flora hastings charlotte percy george davys legitimacy honours places empire day royal family order victoria day victoria day (scotland) victoria cross victoria (plant) depictions film sixty years a queen ( ) victoria in dover ( ) victoria the great ( ) sixty glorious years ( ) victoria in dover ( ) mrs brown ( ) the young victoria ( ) victoria & abdul ( ) the black prince ( ) dolittle ( ) television happy and glorious ( ) victoria regina ( ) the young victoria ( ) victoria & albert ( ) looking for victoria ( ) royal upstairs downstairs ( ) victoria ( – ) stage victoria and merrie england ( ) victoria regina ( ) i and albert ( ) statues and memorials list of statues london memorial statue square leeds st helens lancaster bristol weymouth chester reading liverpool birmingham birkenhead dundee balmoral cairns guernsey isle of man valletta statue gate winnipeg montreal square victoria, british columbia toronto regina bangalore hong kong kolkata visakhapatnam penang sydney building square adelaide brisbane melbourne christchurch poetry "the widow at windsor" ( ) "recessional" ( ) songs victoria choral songs stamps british penny black vr official penny blue two penny blue penny red embossed stamps halfpenny rose red three halfpence red penny venetian red penny lilac lilac and green issue jubilee issue colonial chalon head canada d black canada c large queen ceylon dull rose india inverted head annas malta halfpenny yellow mauritius "post office" stamps related osborne house queen victoria's journals john brown abdul karim pets dash diamond crown authority control bibsys: bne: xx bnf: cb (data) cantic: a gnd: x isni: lccn: n lnb: mba: fc d -f d- c -b f- c a b nara: ngv: nkc: jn nla: nli: nta: rkd: selibr: snac: w s sudoc: tepapa: trove: ulan: vcba: / viaf: worldcat identities: lccn-n retrieved from "https://en.wikipedia.org/w/index.php?title=albert,_prince_consort&oldid= " categories: albert, prince consort births deaths th-century british people th hussars officers british field marshals british royal consorts british protestants chancellors of the university of cambridge german emigrants to the united kingdom german protestants grenadier guards officers honorary fellows of the royal society of edinburgh house of saxe-coburg and gotha (united kingdom) people from coburg presidents of the zoological society of london presidents of the british science association princes of saxe-coburg and gotha princes of the united kingdom queen victoria scots guards officers members of the privy council of the united kingdom university of bonn alumni knights of the garter knights of the thistle knights of st patrick knights grand cross of the order of st michael and st george knights companion of the order of the star of india knights grand cross of the order of the bath great masters of the order of the bath grand crosses of the saxe-ernestine house order grand crosses of the order of saint stephen of hungary knights of the order of saint hubert recipients of the house order of fidelity knights grand cross of the order of the zähringer lion grand croix of the légion d'honneur knights grand cross of the royal guelphic order bailiffs grand cross of honour and devotion of the sovereign military order of malta recipients of the order of the netherlands lion recipients of the order of the medjidie, st class grand crosses of the order of christ (portugal) grand crosses of the order of aviz grand crosses of the order of saint james of the sword grand crosses of the order of the tower and sword recipients of the order of the black eagle grand crosses of the order of the red eagle recipients of the order of st. andrew recipients of the order of the white eagle (russia) recipients of the order of st. anna, st class recipients of the order of the white falcon recipients of the order of the rue crown knights of the golden fleece of spain knights grand cross of the order of saint ferdinand and of merit knights grand cross of the order of the crown (württemberg) hidden categories: cs : julian–gregorian uncertainty cs portuguese-language sources (pt) cs french-language sources (fr) cs italian-language sources (it) cs japanese-language sources (ja) cs danish-language sources (da) webarchive template wayback links articles with short description short description matches wikidata use british english from april use dmy dates from february short description is different from wikidata articles containing explicitly cited english-language text articles containing german-language text cs : abbreviated year range pages containing links to subscription-only content commons 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lapkristė d.) – vėins žīmiausiu luotīnu kalba rašiosiu puetu. gautė ėš „https://bat-smg.wikipedia.org/w/index.php?title=huoracėjos&oldid= “ kateguorėjės: antėkas puoetā senuobės ruomas rašītuojē naršīma pasirinkėmā asabėnē rakondā neprėsėjongis aptarėms kūriejē pasėdėrbtė paskīra prėsėjongtė vardū srėtis poslapis aptarėms atmainā parveizė̄jėmā skaitītė taisītė taisītė straipsnė wiki teksta istuorėjė daugiau Ėiškuotė naršīms pėrms poslapis kuolektīvs vielībė̄jė pakeitėmā bikuoks poslapis pagelba puoslaugis rakondā sosėjė̄ straipsnē sosėjė̄ pakeitėmā ožkrautė abruozdieli specēlė̄jė poslapē nūlatėnė nūruoda poslapė infuormacėjė cėtoutė ton poslapi vikiduomenys īrašos Ėšgoldītė/eksportoutė dėrbtė kninga siōstėis pdf skvarmuo atmains spausdėnėmou kėtūs tinklapiūs vikiteka kėtuom kalbuom afrikaans አማርኛ aragonés العربية مصرى asturianu تۆرکجه Башҡортса Беларуская Беларуская (тарашкевіца)‎ Български brezhoneg bosanski català Čeština cymraeg dansk deutsch zazaki Ελληνικά english esperanto 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politika horaciu - wikipedia horaciu de wikipedia saltar a navegación saltar a la gueta horaciu vida nacimientu venosa (es) [ ],   d'avientuedc [ ] nacionalidá antigua roma grupu étnicu antiguos romanos (es) muerte roma,   de payaresedc [ ] ( años) sepultura roma familia padre valor desconocíu madre valor desconocíu estudios llingües llatín alumnu de cratipo de pérgamo (es) aristos of ascalon (en) oficiu oficiu poeta, escritor, filósofu llugares de trabayu roma trabayos destacaos epístola a los pisones (es) quintu horaciu flaccu, en llatín quintus horatius flaccus, conocíu tradicionalmente como horaciu, (venosa, d'avientu de e.c. - brindisi, de payares de e.c.), ta consideráu como unu de los más grandes poetes romanos. obres[editar | editar la fonte] epodi saturae carmina epístoles carmen saeculare ↑ , , , «q » (en rusu). real'nyj slovar' klassicheskih drevnostej po ljubkeru.  ↑ , , william young sellar. «eb- / horace» (n'inglés). encyclopædia britannica de .  ↑ url de la referencia: http://www.treccani.it/enciclopedia/quinto-orazio-flacco_(enciclopedia-italiana)/. ↑ url de la referencia: http://www.treccani.it/enciclopedia/quinto-orazio-flacco_(enciclopedia-italiana)/. sacáu de «https://ast.wikipedia.org/w/index.php?title=horaciu&oldid= » categoríes: homes escritores de la roma antigua categoría anubrida: wikipedia:páxines con etiquetes de wikidata ensin traducir menú de navegación ferramientes personales nun aniciasti sesión alderique contribuciones crear una cuenta entrar espacios de nome páxina alderique variantes vistes lleer editar editar la fonte ver historial más buscar navegación portada portal de la comunidá fechos actuales cambeos recientes páxina al debalu ayuda ferramientes lo qu'enllaza equí cambios rellacionaos xubir ficheru páxines especiales enllaz permanente información de la páxina citar esta páxina elementu de wikidata imprentar/esportar crear un llibru descargar como pdf versión pa imprentar n'otros proyeutos wikimedia commons n'otres llingües afrikaans አማርኛ aragonés العربية مصرى تۆرکجه Башҡортса Žemaitėška Беларуская Беларуская (тарашкевіца)‎ Български brezhoneg bosanski català Čeština cymraeg dansk deutsch zazaki Ελληνικά english esperanto español eesti euskara فارسی suomi võro français furlan gaeilge galego עברית हिन्दी fiji hindi hrvatski magyar Հայերեն interlingua bahasa indonesia ido Íslenska italiano 日本語 ქართული Қазақша 한국어 kurdî kernowek latina lingua franca nova lietuvių latviešu malagasy Македонски മലയാളം Монгол मराठी bahasa melayu nāhuatl nederlands norsk nynorsk norsk bokmål occitan ਪੰਜਾਬੀ polski piemontèis português română tarandíne Русский sardu sicilianu srpskohrvatski / српскохрватски simple english slovenčina slovenščina Српски / srpski seeltersk svenska kiswahili தமிழ் tagalog türkçe Татарча/tatarça Українська oʻzbekcha/ўзбекча tiếng việt volapük walon winaray 吴语 中文 粵語 editar los enllaces la última edición d'esta páxina foi el set , a les : . el testu ta disponible baxo la llicencia creative commons reconocimientu/compartirigual . ; puen aplicase otres cláusules más. llei les condiciones d'usu pa más detalles. política d'intimidá tocante a wikipedia avisu llegal vista pa móvil desendolcadores estadístiques declaración de cookies ancient rome - wikipedia ancient rome from wikipedia, the free encyclopedia jump to navigation jump to search this article is about the history of rome in antiquity. for a general overview, see rome. for other uses, see ancient rome (disambiguation). ancient rome roma bc– ad senatus populusque romanus territories of the roman civilization:   roman republic   roman empire   western roman empire   eastern roman empire capital rome, several others during the late empire, notably constantinople and ravenna. common languages latin government kingdom ( – bc) republic ( – bc) empire ( bc– ad) historical era ancient history • founding of rome bc • overthrow of tarquin the proud bc • octavian proclaimed augustus bc • collapse of the western roman empire ad ancient rome this article is part of a series on the politics and government of ancient rome periods roman kingdom – bc roman republic – bc roman empire bc – ad principate bc – ad dominate ad – western ad – eastern ad – timeline roman constitution constitution of the kingdom constitution of the republic constitution of the empire constitution of the late empire senate legislative assemblies executive magistrates precedent and law roman law ius imperium mos maiorum collegiality auctoritas roman citizenship cursus honorum senatus consultum senatus consultum ultimum assemblies centuriate curiate plebeian tribal ordinary magistrates consul praetor quaestor promagistrate aedile tribune censor governor extraordinary magistrates corrector dictator magister equitum consular tribune rex triumviri decemviri titles and honours emperor legatus dux officium praeses praefectus vicarius vigintisexviri lictor magister militum imperator princeps senatus pontifex maximus augustus caesar tetrarch other countries v t e in historiography, ancient rome is roman civilization from the founding of the italian city of rome in the th century bc to the collapse of the western roman empire in the th century ad, encompassing the roman kingdom ( bc– bc), roman republic ( bc– bc) and roman empire ( bc– ad) until the fall of the western empire.[ ] the civilisation began as an italic settlement in the italian peninsula, traditionally dated to bc, that grew into the city of rome and which subsequently gave its name to the empire over which it ruled and to the widespread civilisation the empire developed. the civilization was led and ruled by the romans, alternately considered an ethnic group or a nationality. the roman empire expanded to become one of the largest empires in the ancient world, still ruled from the city, with an estimated to  million inhabitants (roughly % of the world's population at the time) and covering  million square kilometres ( .  million square miles) at its height in ad .[ ][ ] in its many centuries of existence, the roman state evolved from an elective monarchy to a democratic classical republic and then to an increasingly autocratic semi-elective military dictatorship during the empire. through conquest, cultural, and linguistic assimilation, at its height it controlled the north african coast, egypt, southern europe, and most of western europe, the balkans, crimea and much of the middle east, including anatolia, levant and parts of mesopotamia and arabia. it is often grouped into classical antiquity together with ancient greece, and their similar cultures and societies are known as the greco-roman world. ancient roman civilisation has contributed to modern language, religion, society, technology, law, politics, government, warfare, art, literature, architecture and engineering. rome professionalised and expanded its military and created a system of government called res publica, the inspiration for modern republics such as the united states and france.[ ][ ][ ] it achieved impressive technological and architectural feats, such as the construction of an extensive system of aqueducts and roads, as well as the construction of large monuments, palaces, and public facilities. the punic wars with carthage were decisive in establishing rome as a world power. in this series of wars, rome gained control of the strategic islands of corsica, sardinia, and sicily; took hispania (modern spain and portugal); and destroyed the city of carthage in bc, giving rome supremacy in the mediterranean. by the end of the republic ( bc), rome had conquered the lands around the mediterranean and beyond: its domain extended from the atlantic to arabia and from the mouth of the rhine to north africa. the roman empire emerged with the end of the republic and the dictatorship of augustus. seven-hundred and twenty-one years of roman–persian wars started in  bc with the first struggle against parthia. it would become the longest conflict in human history, and have major lasting effects and consequences for both empires. under trajan, the empire reached its territorial peak. it stretched from the entire mediterranean basin to the beaches of the north sea in the north, to the shores of the red and caspian seas in the east. republican mores and traditions started to decline during the imperial period, with civil wars becoming a prelude common to the rise of a new emperor.[ ][ ][ ] splinter states, such as the palmyrene empire, would temporarily divide the empire during the crisis of the rd century before some stability was restored in the tetrarchy phase of imperial rule. plagued by internal instability and attacked by various migrating peoples, the western part of the empire broke up into independent barbarian kingdoms in the th century.[a] the eastern part of the empire remained a power through the middle ages until its fall in ad.[b] contents founding myth kingdom republic . punic wars late republic . marius and sulla . caesar and the first triumvirate . octavian and the second triumvirate empire – the principate . julio-claudian dynasty . . augustus . . from tiberius to nero . flavian dynasty . . vespasian . . titus and domitian . nerva–antonine dynasty . . trajan . . from hadrian to commodus . severan dynasty . . septimius severus . . from caracalla to alexander severus . crisis of the third century empire – the tetrarchy . diocletian . constantine and christianity fall of the western roman empire society . law . class structure . education . government . military . economy . family culture . language . religion . ethics and morality . art, music and literature . cuisine . games and recreation technology legacy genetics historiography . in roman times . in modern times see also references . sources further reading external links founding myth main article: founding of rome according to the founding myth of rome, the city was founded on april  bc on the banks of the river tiber in central italy, by the twin brothers romulus and remus, who descended from the trojan prince aeneas,[ ] and who were grandsons of the latin king numitor of alba longa. king numitor was deposed by his brother, amulius, while numitor's daughter, rhea silvia, gave birth to the twins.[ ][ ] since rhea silvia had been raped and impregnated by mars, the roman god of war, the twins were considered half-divine. according to legend, rome was founded in  bc by romulus and remus, who were raised by a she-wolf the new king, amulius, feared romulus and remus would take back the throne, so he ordered them to be drowned.[ ] a she-wolf (or a shepherd's wife in some accounts) saved and raised them, and when they were old enough, they returned the throne of alba longa to numitor.[ ][ ] the twins then founded their own city, but romulus killed remus in a quarrel over the location of the roman kingdom, though some sources state the quarrel was about who was going to rule or give his name to the city.[ ] romulus became the source of the city's name.[ ] in order to attract people to the city, rome became a sanctuary for the indigent, exiled, and unwanted. this caused a problem, in that rome came to have a large male population but was bereft of women. romulus visited neighboring towns and tribes and attempted to secure marriage rights, but as rome was so full of undesirables he was refused. legend says that the latins invited the sabines to a festival and stole their unmarried maidens, leading to the integration of the latins with the sabines.[ ] another legend, recorded by greek historian dionysius of halicarnassus, says that prince aeneas led a group of trojans on a sea voyage to found a new troy, since the original was destroyed at the end of the trojan war. after a long time in rough seas, they landed on the banks of the tiber river. not long after they landed, the men wanted to take to the sea again, but the women who were traveling with them did not want to leave. one woman, named roma, suggested that the women burn the ships out at sea to prevent their leaving. at first, the men were angry with roma, but they soon realized that they were in the ideal place to settle. they named the settlement after the woman who torched their ships.[ ] the roman poet virgil recounted this legend in his classical epic poem the aeneid, where the trojan prince aeneas is destined by the gods to found a new troy. in the epic, the women also refuse to go back to the sea, but they were not left on the tiber. after reaching italy, aeneas, who wanted to marry lavinia, was forced to wage war with her former suitor, turnus. according to the poem, the alban kings were descended from aeneas, and thus romulus, the founder of rome, was his descendant. kingdom main article: roman kingdom etruscan painting; dancer and musicians, tomb of the leopards, in tarquinia, italy the city of rome grew from settlements around a ford on the river tiber, a crossroads of traffic and trade.[ ] according to archaeological evidence, the village of rome was probably founded some time in the th century bc, though it may go back as far as the th century bc, by members of the latin tribe of italy, on the top of the palatine hill.[ ][ ] the etruscans, who had previously settled to the north in etruria, seem to have established political control in the region by the late th century bc, forming an aristocratic and monarchical elite. the etruscans apparently lost power by the late th century bc, and at this point, the original latin and sabine tribes reinvented their government by creating a republic, with much greater restraints on the ability of rulers to exercise power.[ ] roman tradition and archaeological evidence point to a complex within the forum romanum as the seat of power for the king and the beginnings of the religious center there as well. numa pompilius the second king of rome, succeeding romulus, began rome's building projects with his royal palace the regia and the complex of the vestal virgins. republic main article: roman republic this bust from the capitoline museums is traditionally identified as a portrait of lucius junius brutus, roman bronze sculpture, th to late rd centuries bc according to tradition and later writers such as livy, the roman republic was established around  bc,[ ] when the last of the seven kings of rome, tarquin the proud, was deposed by lucius junius brutus and a system based on annually elected magistrates and various representative assemblies was established.[ ] a constitution set a series of checks and balances, and a separation of powers. the most important magistrates were the two consuls, who together exercised executive authority such as imperium, or military command.[ ] the consuls had to work with the senate, which was initially an advisory council of the ranking nobility, or patricians, but grew in size and power.[ ] other magistrates of the republic include tribunes, quaestors, aediles, praetors and censors.[ ] the magistracies were originally restricted to patricians, but were later opened to common people, or plebeians.[ ] republican voting assemblies included the comitia centuriata (centuriate assembly), which voted on matters of war and peace and elected men to the most important offices, and the comitia tributa (tribal assembly), which elected less important offices.[ ] italy (as defined by today's borders) in bc. in the th century bc, rome had come under attack by the gauls, who now extended their power in the italian peninsula beyond the po valley and through etruria. on july  bc, a gallic army under the leadership of tribal chieftain brennus, met the romans on the banks of the allia river ten miles north of rome. brennus defeated the romans, and the gauls marched to rome. most romans had fled the city, but some barricaded themselves upon the capitoline hill for a last stand. the gauls looted and burned the city, then laid siege to the capitoline hill. the siege lasted seven months. the gauls then agreed to give the romans peace in exchange for , pounds (  kg) of gold.[ ] according to later legend, the roman supervising the weighing noticed that the gauls were using false scales. the romans then took up arms and defeated the gauls. their victorious general camillus remarked "with iron, not with gold, rome buys her freedom."[ ] the romans gradually subdued the other peoples on the italian peninsula, including the etruscans.[ ] the last threat to roman hegemony in italy came when tarentum, a major greek colony, enlisted the aid of pyrrhus of epirus in  bc, but this effort failed as well.[ ][ ] the romans secured their conquests by founding roman colonies in strategic areas, thereby establishing stable control over the region of italy they had conquered.[ ] punic wars main article: punic wars see also: roman conquest of the iberian peninsula this section needs additional citations for verification. please help improve this article by adding citations to reliable sources. unsourced material may be challenged and removed. (september ) (learn how and when to remove this template message) rome and carthage possession changes during the punic wars   carthaginian possessions   roman possessions one of the most famous roman sieges was that of the celtiberian stronghold of numantia in present north-central spain by scipio aemilianus in bc[ ] roman bronze bust of scipio africanus the elder from the naples national archaeological museum (inv. no. ), dated mid st century bc[ ] excavated from the villa of the papyri at herculaneum by karl jakob weber, – [ ] in the rd century bc rome faced a new and formidable opponent: carthage. carthage was a rich, flourishing phoenician city-state that intended to dominate the mediterranean area. the two cities were allies in the times of pyrrhus, who was a menace to both, but with rome's hegemony in mainland italy and the carthaginian thalassocracy, these cities became the two major powers in the western mediterranean and their contention over the mediterranean led to conflict. the first punic war began in  bc, when the city of messana asked for carthage's help in their conflicts with hiero ii of syracuse. after the carthaginian intercession, messana asked rome to expel the carthaginians. rome entered this war because syracuse and messana were too close to the newly conquered greek cities of southern italy and carthage was now able to make an offensive through roman territory; along with this, rome could extend its domain over sicily.[ ] although the romans had experience in land battles, defeating this new enemy required naval battles. carthage was a maritime power, and the roman lack of ships and naval experience made the path to the victory a long and difficult one for the roman republic. despite this, after more than years of war, rome defeated carthage and a peace treaty was signed. among the reasons for the second punic war[ ] was the subsequent war reparations carthage acquiesced to at the end of the first punic war.[ ] the second punic war is famous for its brilliant generals: on the punic side hannibal and hasdrubal; on the roman, marcus claudius marcellus, quintus fabius maximus verrucosus and publius cornelius scipio. rome fought this war simultaneously with the first macedonian war. the war began with the audacious invasion of hispania by hannibal, the carthaginian general who had led operations on sicily in the first punic war. hannibal, son of hamilcar barca, rapidly marched through hispania to the italian alps, causing panic among rome's italian allies. the best way found to defeat hannibal's purpose of causing the italians to abandon rome was to delay the carthaginians with a guerrilla war of attrition, a strategy propounded by quintus fabius maximus, who would be nicknamed cunctator ("delayer" in latin), and whose strategy would be forever after known as fabian. due to this, hannibal's goal was unachieved: he could not bring enough italian cities to revolt against rome and replenish his diminishing army, and he thus lacked the machines and manpower to besiege rome. still, hannibal's invasion lasted over years, ravaging italy. finally, when the romans perceived the depletion of hannibal's supplies, they sent scipio, who had defeated hannibal's brother hasdrubal in modern-day spain, to invade the unprotected carthaginian hinterland and force hannibal to return to defend carthage itself. the result was the ending of the second punic war by the famously decisive battle of zama in october  bc, which gave to scipio his agnomen africanus. at great cost, rome had made significant gains: the conquest of hispania by scipio, and of syracuse, the last greek realm in sicily, by marcellus. more than a half century after these events, carthage was humiliated and rome was no more concerned about the african menace. the republic's focus now was only to the hellenistic kingdoms of greece and revolts in hispania. however, carthage, after having paid the war indemnity, felt that its commitments and submission to rome had ceased, a vision not shared by the roman senate. when in  bc numidia invaded carthage, carthage asked for roman intercession. ambassadors were sent to carthage, among them was marcus porcius cato, who after seeing that carthage could make a comeback and regain its importance, ended all his speeches, no matter what the subject was, by saying: "ceterum censeo carthaginem esse delendam" ("furthermore, i think that carthage must be destroyed"). as carthage fought with numidia without roman consent, the third punic war began when rome declared war against carthage in  bc. carthage resisted well at the first strike, with the participation of all the inhabitants of the city. however, carthage could not withstand the attack of scipio aemilianus, who entirely destroyed the city and its walls, enslaved and sold all the citizens and gained control of that region, which became the province of africa. thus ended the punic war period. all these wars resulted in rome's first overseas conquests (sicily, hispania and africa) and the rise of rome as a significant imperial power and began the end of democracy. [ ][ ] late republic after defeating the macedonian and seleucid empires in the nd century bc, the romans became the dominant people of the mediterranean sea.[ ][ ] the conquest of the hellenistic kingdoms brought the roman and greek cultures in closer contact and the roman elite, once rural, became a luxurious and cosmopolitan one. at this time rome was a consolidated empire—in the military view—and had no major enemies. gaius marius, a roman general and politician who dramatically reformed the roman military foreign dominance led to internal strife. senators became rich at the provinces' expense; soldiers, who were mostly small-scale farmers, were away from home longer and could not maintain their land; and the increased reliance on foreign slaves and the growth of latifundia reduced the availability of paid work.[ ][ ] income from war booty, mercantilism in the new provinces, and tax farming created new economic opportunities for the wealthy, forming a new class of merchants, called the equestrians.[ ] the lex claudia forbade members of the senate from engaging in commerce, so while the equestrians could theoretically join the senate, they were severely restricted in political power.[ ][ ] the senate squabbled perpetually, repeatedly blocked important land reforms and refused to give the equestrian class a larger say in the government. violent gangs of the urban unemployed, controlled by rival senators, intimidated the electorate through violence. the situation came to a head in the late nd century bc under the gracchi brothers, a pair of tribunes who attempted to pass land reform legislation that would redistribute the major patrician landholdings among the plebeians. both brothers were killed and the senate passed reforms reversing the gracchi brother's actions.[ ] this led to the growing divide of the plebeian groups (populares) and equestrian classes (optimates). marius and sulla gaius marius, a novus homo, who started his political career with the help of the powerful metelli family soon become a leader of the republic, holding the first of his seven consulships (an unprecedented number) in  bc by arguing that his former patron quintus caecilius metellus numidicus was not able to defeat and capture the numidian king jugurtha. marius then started his military reform: in his recruitment to fight jugurtha, he levied the very poor (an innovation), and many landless men entered the army; this was the seed of securing loyalty of the army to the general in command. lucius cornelius sulla was born into a poor family that used to be a patrician family. he had a good education but became poor when his father died and left none of his will. sulla joined the theater and found many friends there, prior to becoming a general in the jugurthine war.[ ] at this time, marius began his quarrel with sulla: marius, who wanted to capture jugurtha, asked bocchus, son-in-law of jugurtha, to hand him over. as marius failed, sulla, a general of marius at that time, in a dangerous enterprise, went himself to bocchus and convinced bocchus to hand jugurtha over to him. this was very provocative to marius, since many of his enemies were encouraging sulla to oppose marius. despite this, marius was elected for five consecutive consulships from to  bc, as rome needed a military leader to defeat the cimbri and the teutones, who were threatening rome. lucius cornelius sulla after marius's retirement, rome had a brief peace, during which the italian socii ("allies" in latin) requested roman citizenship and voting rights. the reformist marcus livius drusus supported their legal process but was assassinated, and the socii revolted against the romans in the social war. at one point both consuls were killed; marius was appointed to command the army together with lucius julius caesar and sulla.[ ] by the end of the social war, marius and sulla were the premier military men in rome and their partisans were in conflict, both sides jostling for power. in  bc, sulla was elected for his first consulship and his first assignment was to defeat mithridates vi of pontus, whose intentions were to conquer the eastern part of the roman territories. however, marius's partisans managed his installation to the military command, defying sulla and the senate, and this caused sulla's wrath. to consolidate his own power, sulla conducted a surprising and illegal action: he marched to rome with his legions, killing all those who showed support to marius's cause and impaling their heads in the roman forum. in the following year,  bc, marius, who had fled at sulla's march, returned to rome while sulla was campaigning in greece. he seized power along with the consul lucius cornelius cinna and killed the other consul, gnaeus octavius, achieving his seventh consulship. in an attempt to raise sulla's anger, marius and cinna revenged their partisans by conducting a massacre.[ ][ ] marius died in  bc, due to age and poor health, just a few months after seizing power. cinna exercised absolute power until his death in  bc. sulla after returning from his eastern campaigns, had a free path to reestablish his own power. in  bc he made his second march in rome and began a time of terror: thousands of nobles, knights and senators were executed. sulla also held two dictatorships and one more consulship, which began the crisis and decline of roman republic.[ ] caesar and the first triumvirate this section needs additional citations for verification. please help improve this article by adding citations to reliable sources. unsourced material may be challenged and removed. (september ) (learn how and when to remove this template message) landing of the romans in kent, bc: caesar with ships and two legions made an opposed landing, probably near deal. after pressing a little way inland against fierce opposition and losing ships in a storm, he retired back across the english channel to gaul from what was a reconnaissance in force, only to return the following year for a more serious invasion. in the mid- st century bc, roman politics were restless. political divisions in rome became identified with two groupings, populares (who hoped for the support of the people) and optimates (the "best", who wanted to maintain exclusive aristocratic control). sulla overthrew all populist leaders and his constitutional reforms removed powers (such as those of the tribune of the plebs) that had supported populist approaches. meanwhile, social and economic stresses continued to build; rome had become a metropolis with a super-rich aristocracy, debt-ridden aspirants, and a large proletariat often of impoverished farmers. the latter groups supported the catilinarian conspiracy—a resounding failure, since the consul marcus tullius cicero quickly arrested and executed the main leaders of the conspiracy. onto this turbulent scene emerged gaius julius caesar, from an aristocratic family of limited wealth. his aunt julia was marius' wife,[ ] and caesar identified with the populares. to achieve power, caesar reconciled the two most powerful men in rome: marcus licinius crassus, who had financed much of his earlier career, and crassus' rival, gnaeus pompeius magnus (anglicized as pompey), to whom he married his daughter. he formed them into a new informal alliance including himself, the first triumvirate ("three men"). this satisfied the interests of all three: crassus, the richest man in rome, became richer and ultimately achieved high military command; pompey exerted more influence in the senate; and caesar obtained the consulship and military command in gaul.[ ] so long as they could agree, the three were in effect the rulers of rome. in  bc, caesar's daughter, pompey's wife, died in childbirth, unraveling one link in the alliance. in  bc, crassus invaded parthia and was killed in the battle of carrhae. the triumvirate disintegrated at crassus' death. crassus had acted as mediator between caesar and pompey, and, without him, the two generals manoeuvred against each other for power. caesar conquered gaul, obtaining immense wealth, respect in rome and the loyalty of battle-hardened legions. he also became a clear menace to pompey and was loathed by many optimates. confident that caesar could be stopped by legal means, pompey's party tried to strip caesar of his legions, a prelude to caesar's trial, impoverishment, and exile. to avoid this fate, caesar crossed the rubicon river and invaded rome in  bc. pompey and his party fled from italy, pursued by caesar. the battle of pharsalus was a brilliant victory for caesar and in this and other campaigns he destroyed all of the optimates' leaders: metellus scipio, cato the younger, and pompey's son, gnaeus pompeius. pompey was murdered in egypt in  bc. caesar was now pre-eminent over rome, attracting the bitter enmity of many aristocrats. he was granted many offices and honours. in just five years, he held four consulships, two ordinary dictatorships, and two special dictatorships: one for ten years and another for perpetuity. he was murdered in  bc, on the ides of march by the liberatores.[ ] octavian and the second triumvirate the battle of actium, by laureys a castro, painted , national maritime museum, london caesar's assassination caused political and social turmoil in rome; without the dictator's leadership, the city was ruled by his friend and colleague, marcus antonius. soon afterward, octavius, whom caesar adopted through his will, arrived in rome. octavian (historians regard octavius as octavian due to the roman naming conventions) tried to align himself with the caesarian faction. in  bc, along with antony and marcus aemilius lepidus, caesar's best friend,[ ] he legally established the second triumvirate. this alliance would last for five years. upon its formation, – senators were executed, and their property was confiscated, due to their supposed support for the liberatores.[ ] in  bc, the senate deified caesar as divus iulius; octavian thus became divi filius,[ ] the son of the deified. in the same year, octavian and antony defeated both caesar's assassins and the leaders of the liberatores, marcus junius brutus and gaius cassius longinus, in the battle of philippi. the second triumvirate was marked by the proscriptions of many senators and equites: after a revolt led by antony's brother lucius antonius, more than senators and equites involved were executed on the anniversary of the ides of march, although lucius was spared.[ ] the triumvirate proscribed several important men, including cicero, whom antony hated;[ ] quintus tullius cicero, the younger brother of the orator; and lucius julius caesar, cousin and friend of the acclaimed general, for his support of cicero. however, lucius was pardoned, perhaps because his sister julia had intervened for him.[ ] the triumvirate divided the empire among the triumvirs: lepidus was given charge of africa, antony, the eastern provinces, and octavian remained in italia and controlled hispania and gaul. the second triumvirate expired in  bc but was renewed for five more years. however, the relationship between octavian and antony had deteriorated, and lepidus was forced to retire in  bc after betraying octavian in sicily. by the end of the triumvirate, antony was living in ptolemaic egypt, an independent and rich kingdom ruled by antony's lover, cleopatra vii. antony's affair with cleopatra was seen as an act of treason, since she was queen of another country. additionally, antony adopted a lifestyle considered too extravagant and hellenistic for a roman statesman.[ ] following antony's donations of alexandria, which gave to cleopatra the title of "queen of kings", and to antony's and cleopatra's children the regal titles to the newly conquered eastern territories, war between octavian and antony broke out. octavian annihilated egyptian forces in the battle of actium in  bc. antony and cleopatra committed suicide. now egypt was conquered by the roman empire, and for the romans, a new era had begun. empire – the principate main article: roman empire in  bc and at the age of , octavian was the sole roman leader. in that year, he took the name augustus. that event is usually taken by historians as the beginning of roman empire—although rome was an "imperial" state since  bc, when carthage was razed by scipio aemilianus and greece was conquered by lucius mummius. officially, the government was republican, but augustus assumed absolute powers.[ ][ ] his reform of the government brought about a two-century period colloquially referred to by romans as the pax romana. julio-claudian dynasty the julio-claudian dynasty was established by augustus. the emperors of this dynasty were: augustus, tiberius, caligula, claudius and nero. the dynasty is so-called due to the gens julia, family of augustus, and the gens claudia, family of tiberius. the julio-claudians started the destruction of republican values, but on the other hand, they boosted rome's status as the central power in the world.[ ] while caligula and nero are usually remembered as dysfunctional emperors in popular culture, augustus and claudius are remembered as emperors who were successful in politics and the military. this dynasty instituted imperial tradition in rome[ ] and frustrated any attempt to reestablish a republic.[ ] augustus the augustus of prima porta, st century ad, depicting augustus, the first roman emperor augustus gathered almost all the republican powers under his official title, princeps: he had powers of consul, princeps senatus, aedile, censor and tribune—including tribunician sacrosanctity.[ ] this was the base of an emperor's power. augustus also styled himself as imperator gaius julius caesar divi filius, "commander gaius julius caesar, son of the deified one". with this title he not only boasted his familial link to deified julius caesar, but the use of imperator signified a permanent link to the roman tradition of victory. he also diminished the senatorial class influence in politics by boosting the equestrian class. the senators lost their right to rule certain provinces, like egypt; since the governor of that province was directly nominated by the emperor. the creation of the praetorian guard and his reforms in the military, creating a standing army with a fixed size of legions, ensured his total control over the army.[ ] compared with the second triumvirate's epoch, augustus' reign as princeps was very peaceful. this peace and richness (that was granted by the agrarian province of egypt)[ ] led the people and the nobles of rome to support augustus increasing his strength in political affairs.[ ] in military activity, augustus was absent at battles. his generals were responsible for the field command; gaining such commanders as marcus vipsanius agrippa, nero claudius drusus and germanicus much respect from the populace and the legions. augustus intended to extend the roman empire to the whole known world, and in his reign, rome conquered cantabria, aquitania, raetia, dalmatia, illyricum and pannonia.[ ] under augustus's reign, roman literature grew steadily in what is known as the golden age of latin literature. poets like virgil, horace, ovid and rufus developed a rich literature, and were close friends of augustus. along with maecenas, he stimulated patriotic poems, as virgil's epic aeneid and also historiographical works, like those of livy. the works of this literary age lasted through roman times, and are classics. augustus also continued the shifts on the calendar promoted by caesar, and the month of august is named after him.[ ] augustus brought a peaceful and thriving era to rome, known as pax augusta or pax romana. augustus died in  ad, but the empire's glory continued after his era. from tiberius to nero extent of the roman empire under augustus. the yellow legend represents the extent of the republic in  bc, the shades of green represent gradually conquered territories under the reign of augustus, and pink areas on the map represent client states; areas under roman control shown here were subject to change even during augustus' reign, especially in germania. the julio-claudians continued to rule rome after augustus' death and remained in power until the death of nero in  ad.[ ] augustus' favorites for succeeding him were already dead in his senescence: his nephew marcellus died in  bc, his friend and military commander agrippa in  bc and his grandson gaius caesar in  ad. influenced by his wife, livia drusilla, augustus appointed her son from another marriage, tiberius, as his heir.[ ] the senate agreed with the succession, and granted to tiberius the same titles and honors once granted to augustus: the title of princeps and pater patriae, and the civic crown. however, tiberius was not an enthusiast of political affairs: after agreement with the senate, he retired to capri in  ad,[ ] and left control of the city of rome in the hands of the praetorian prefect sejanus (until  ad) and macro (from to  ad). tiberius was regarded as an evil and melancholic man, who may have ordered the murder of his relatives, the popular general germanicus in  ad,[ ] and his own son drusus julius caesar in  ad.[ ] tiberius died (or was killed)[ ] in  ad. the male line of the julio-claudians was limited to tiberius' nephew claudius, his grandson tiberius gemellus and his grand-nephew caligula. as gemellus was still a child, caligula was chosen to rule the empire. he was a popular leader in the first half of his reign, but became a crude and insane tyrant in his years controlling government.[ ][ ] suetonius states that he committed incest with his sisters, killed some men just for amusement and nominated a horse for a consulship.[ ] the praetorian guard murdered caligula four years after the death of tiberius,[ ] and, with belated support from the senators, proclaimed his uncle claudius as the new emperor.[ ] claudius was not as authoritarian as tiberius and caligula. claudius conquered lycia and thrace; his most important deed was the beginning of the conquest of britannia.[ ] claudius was poisoned by his wife, agrippina the younger in  ad.[ ] his heir was nero, son of agrippina and her former husband, since claudius' son britannicus had not reached manhood upon his father's death. nero sent his general, suetonius paulinus, to invade modern-day wales, where he encountered stiff resistance. the celts in modern-day wales were independent, tough and resistant to tax collectors and fought paulinus, as he battled his way across from east to west. it took him a long time to reach the north west coast and in ad he finally crossed the menai strait to the sacred island of mona (modern-day anglesey), the last stronghold of the druids.[ ] his soldiers attacked the island and massacred the druids, men, women and children,[ ] destroyed the shrine and the sacred groves and threw many of the sacred standing stones into the sea. while paulinus and his troops were massacring druids in mona, the tribes of modern-day east anglia staged a revolt led by queen boadicea of the iceni.[ ] the rebels sacked and burned camulodunum, londinium and verulamium (modern-day colchester, london and st albans respectively) before they were crushed by paulinus.[ ] boadicea, like cleopatra before her, committed suicide to avoid the disgrace of being paraded in triumph in rome.[ ] the fault of nero in this rebellion is debatable but there was certainly an impact (both positive and negative) upon the prestige of his regime.[citation needed] nero is widely known as the first persecutor of christians and for the great fire of rome, rumoured to have been started by the emperor himself.[ ][ ] in ad he murdered his mother and in ad, his wife claudia octavia. never very stable, he allowed his advisers to run the government while he slid into debauchery, excess, and madness. he was married three times, and had numerous affairs with both men and women, and, according to some rumors, even his mother. a conspiracy against nero in ad under calpurnius piso failed, but in ad the armies under julius vindex in gaul and servius sulpicius galba in modern-day spain revolted. deserted by the praetorian guards and condemned to death by the senate, nero killed himself.[ ] flavian dynasty bust of vespasian, founder of the flavian dynasty the flavians were the second dynasty to rule rome.[ ] by  ad, year of nero's death, there was no chance of return to the old and traditional roman republic, thus a new emperor had to rise. after the turmoil in the year of the four emperors, titus flavius vespasianus (anglicized as vespasian) took control of the empire and established a new dynasty. under the flavians, rome continued its expansion, and the state remained secure.[ ][ ] the most significant military campaign undertaken during the flavian period, was the siege and destruction of jerusalem in by titus. the destruction of the city was the culmination of the roman campaign in judea following the jewish uprising of . the second temple was completely demolished, after which titus's soldiers proclaimed him imperator in honor of the victory. jerusalem was sacked and much of the population killed or dispersed. josephus claims that , , people were killed during the siege, of which a majority were jewish.[ ] , were captured and enslaved, including simon bar giora and john of giscala. many fled to areas around the mediterranean. titus reportedly refused to accept a wreath of victory, as there is "no merit in vanquishing people forsaken by their own god". vespasian vespasian was a general under claudius and nero. he fought as a commander in the first jewish-roman war along with his son titus. following the turmoil of the year of the four emperors, in  ad, four emperors were enthroned: galba, otho, vitellius, and, lastly, vespasian, who crushed vitellius' forces and became emperor.[ ] he reconstructed many buildings which were uncompleted, like a statue of apollo and the temple of divus claudius ("the deified claudius"), both initiated by nero. buildings once destroyed by the great fire of rome were rebuilt, and he revitalized the capitol. vespasian also started the construction of the flavian amphitheater, more commonly known as the colosseum.[ ] the historians josephus and pliny the elder wrote their works during vespasian's reign. vespasian was josephus' sponsor and pliny dedicated his naturalis historia to titus, son of vespasian. vespasian sent legions to defend the eastern frontier in cappadocia, extended the occupation in britannia (modern-day england, wales and southern scotland) and reformed the tax system. he died in  ad. titus and domitian titus had a short-lived rule; he was emperor from to  ad. he finished the flavian amphitheater, which was constructed with war spoils from the first jewish-roman war, and promoted games celebrating the victory over the jews that lasted for a hundred days. these games included gladiatorial combats, chariot races and a sensational mock naval battle on the flooded grounds of the colosseum.[ ][ ] titus died of fever in  ad, and was succeeded by his brother domitian. as emperor, domitian assumed totalitarian characteristics,[ ] thought he could be a new augustus, and tried to make a personal cult of himself. domitian ruled for fifteen years, and his reign was marked by his attempts to compare himself to the gods. he constructed at least two temples in honour of jupiter, the supreme deity in roman religion. he also liked to be called "dominus et deus" ("master and god").[ ] nerva–antonine dynasty the roman empire reached its greatest extent under trajan in ad  the nerva–antonine dynasty from ad to ad was the rule of the emperors nerva, trajan, hadrian, antoninus pius, marcus aurelius, lucius verus, and commodus. during their rule, rome reached its territorial and economical apogee.[ ] this was a time of peace for rome. the criteria for choosing an emperor were the qualities of the candidate and no longer ties of kinship; additionally, there were no civil wars or military defeats in this period. following domitian's murder, the senate rapidly appointed nerva to hold imperial dignity. this was the first time that senators chose the emperor since octavian was honored with the titles of princeps and augustus. nerva had a noble ancestry, and he had served as an advisor to nero and the flavians. his rule restored many of the liberties once assumed by domitian[ ] and started the last golden era of rome. trajan the justice of trajan (fragment) by eugène delacroix nerva died in  ad and his successor and heir was the general trajan. trajan was born in a non-patrician family from hispania baetica (modern-day andalusia) and his preeminence emerged in the army, under domitian. he is the second of the five good emperors, the first being nerva. trajan was greeted by the people of rome with enthusiasm, which he justified by governing well and without the bloodiness that had marked domitian's reign. he freed many people who had been unjustly imprisoned by domitian and returned private property that domitian had confiscated; a process begun by nerva before his death.[ ] trajan conquered dacia (roughly modern-day romania and moldova), and defeated the king decebalus, who had defeated domitian's forces. in the first dacian war ( – ), the defeated dacia became a client kingdom; in the second dacian war ( – ), trajan completely devastated the enemy's resistance and annexed dacia to the empire. trajan also annexed the client state of nabatea to form the province of arabia petraea, which included the lands of southern syria and northwestern arabia.[ ] he erected many buildings that survive to this day, such as trajan's forum, trajan's market and trajan's column. his main architect was apollodorus of damascus; apollodorus made the project of the forum and of the column, and also reformed the pantheon. trajan's triumphal arches in ancona and beneventum are other constructions projected by him. in the second dacian war, apollodorus made a great bridge over the danube for trajan.[ ] trajan's final war was against parthia. when parthia appointed a king for armenia who was unacceptable to rome (parthia and rome shared dominance over armenia), he declared war. he probably wanted to be the first roman leader to conquer parthia, and repeat the glory of alexander the great, conqueror of asia, whom trajan next followed in the clash of greek-romans and the persian cultures.[ ] in he marched to armenia and deposed the local king. in trajan turned south into the core of parthian hegemony, took the northern mesopotamian cities of nisibis and batnae, organized a province of mesopotamia ( ), and issued coins announcing that armenia and mesopotamia was under the authority of the roman people.[ ] in that same year, he captured seleucia and the parthian capital ctesiphon (near modern baghdad).[ ] after defeating a parthian revolt and a jewish revolt, he withdrew due to health issues. in , his illness grew and he died of edema. he nominated hadrian as his heir. under trajan's leadership the roman empire reached the peak of its territorial expansion;[ ] rome's dominion now spanned .  million square kilometres ( .  million square miles).[ ] from hadrian to commodus map showing the location of hadrian's wall and the antonine wall in scotland and northern england many romans emigrated to hispania (modern-day spain and portugal) and stayed for generations, in some cases intermarrying with iberians; one of these families produced the emperor hadrian.[ ] hadrian withdrew all the troops stationed in parthia, armenia and mesopotamia (modern-day iraq), abandoning trajan's conquests. hadrian's army crushed a revolt in mauretania and the bar kokhba revolt in judea. this was the last large-scale jewish revolt against the romans, and was suppressed with massive repercussions in judea. hundreds of thousands of jews were killed. hadrian renamed the province of judea "provincia syria palaestina," after one of judea's most hated enemies.[ ] he constructed fortifications and walls, like the celebrated hadrian's wall which separated roman britannia and the tribes of modern-day scotland. hadrian promoted culture, especially the greek. he also forbade torture and humanized the laws. his many building projects included aqueducts, baths, libraries and theaters; additionally, he travelled nearly every province in the empire to check the military and infrastructural conditions.[ ] following hadrian's death in ad, his successor antoninus pius built temples, theaters, and mausoleums, promoted the arts and sciences, and bestowed honours and financial rewards upon the teachers of rhetoric and philosophy. on becoming emperor, antoninus made few initial changes, leaving intact as far as possible the arrangements instituted by his predecessor. antoninus expanded roman britannia by invading what is now southern scotland and building the antonine wall.[ ] he also continued hadrian's policy of humanizing the laws. he died in  ad. the pantheon, rome, built during the reign of hadrian, which still contains the largest unreinforced concrete dome in the world marcus aurelius, known as the philosopher, was the last of the five good emperors. he was a stoic philosopher and wrote the meditations. he defeated barbarian tribes in the marcomannic wars as well as the parthian empire.[ ] his co-emperor, lucius verus died in  ad, probably victim of the antonine plague, a pandemic that killed nearly five million people through the empire in –  ad.[ ] from nerva to marcus aurelius, the empire achieved an unprecedented status. the powerful influence of laws and manners had gradually cemented the union of the provinces. all the citizens enjoyed and abused the advantages of wealth. the image of a free constitution was preserved with decent reverence. the roman senate appeared to possess the sovereign authority, and devolved on the emperors all the executive powers of government.[clarification needed] the five good emperors' rule is considered the golden era of the empire.[ ] commodus, son of marcus aurelius, became emperor after his father's death. he is not counted as one of the five good emperors. firstly, this was due to his direct kinship with the latter emperor; in addition, he was militarily passive compared to his predecessors, who had frequently led their armies in person. commodus usually participated in gladiatorial combats, which were frequently brutal and rough. he killed many citizens, and cassius dio identifies his reign as the beginning of roman decadence: "(rome has transformed) from a kingdom of gold to one of iron and rust."[ ] severan dynasty commodus was killed by a conspiracy involving quintus aemilius laetus and his wife marcia in late  ad. the following year is known as the year of the five emperors, during which helvius pertinax, didius julianus, pescennius niger, clodius albinus and septimius severus held the imperial dignity. pertinax, a member of the senate who had been one of marcus aurelius's right hand men, was the choice of laetus, and he ruled vigorously and judiciously. laetus soon became jealous and instigated pertinax's murder by the praetorian guard, who then auctioned the empire to the highest bidder, didius julianus, for , sesterces per man.[ ] the people of rome were appalled and appealed to the frontier legions to save them. the legions of three frontier provinces—britannia, pannonia superior, and syria—resented being excluded from the "donative" and replied by declaring their individual generals to be emperor. lucius septimius severus geta, the pannonian commander, bribed the opposing forces, pardoned the praetorian guards and installed himself as emperor. he and his successors governed with the legions' support. the changes on coinage and military expenditures were the root of the financial crisis that marked the crisis of the third century. septimius severus the severan tondo, c. , severus, julia domna, caracalla and geta, whose face is erased severus was enthroned after invading rome and having didius julianus killed. his two other rivals, pescennius niger and clodius albinus, were both were hailed by other factions as imperator. severus quickly subdued niger in byzantium and promised to albinus the title of caesar (which meant he would be a co-emperor).[ ] however, severus betrayed albinus by blaming him for a plot against his life. severus marched to gaul and defeated albinus. for these acts, machiavelli said that severus was "a ferocious lion and a clever fox"[ ] severus attempted to revive totalitarianism and, addressing the roman people and senate, praised the severity and cruelty of marius and sulla, which worried the senators.[ ] when parthia invaded roman territory, severus waged war against that country and seized the cities of nisibis, babylon and seleucia. reaching ctesiphon, the parthian capital, he ordered plundering and his army slew and captured many people. notwithstanding this military success, severus failed in invading hatra, a rich arabian city. severus killed his legate, who was gaining respect from the legions; and his soldiers fell victim to famine. after this disastrous campaign, he withdrew.[ ] severus also intended to vanquish the whole of britannia. to achieve this, he waged war against the caledonians. after many casualties in the army due to the terrain and the barbarians' ambushes, severus himself went to the field. however, he became ill and died in  ad, at the age of . from caracalla to alexander severus bust of caracalla from the pergamon museum, berlin upon the death of severus, his sons caracalla and geta were made emperors. during their youth, their squabbles had divided rome. in that same year caracalla had his brother, a youth, assassinated in his mother's arms, and may have murdered , of geta's followers. like his father, caracalla was warlike. he continued severus' policy and gained respect from the legions. a cruel man, caracalla was pursued by the guilt of his brother's murder. he ordered the death of people of his own circle, like his tutor, cilo, and a friend of his father, papinian. knowing that the citizens of alexandria disliked him and were denigrating his character, caracalla served a banquet for its notable citizens, after which his soldiers killed all the guests. from the security of the temple of sarapis, he then directed an indiscriminate slaughter of alexandria's people.[ ][ ] in , he issued the edict of caracalla, giving full roman citizenship to all free men living in the empire, and at the same time raised the inheritance tax, levied only on roman citizens, to ten percent. a report that a soothsayer had predicted that the praetorian prefect macrinus and his son were to rule over the empire was dutifully sent to caracalla. but the report fell into the hands of macrinus, who felt he must act or die. macrinus conspired to have caracalla assassinated by one of his soldiers during a pilgrimage to the temple of the moon in carrhae, in  ad. the incompetent macrinus assumed power, but soon removed himself from rome to the east and antioch. his brief reign ended in , when the youngster bassianus, high priest of the temple of the sun at emesa, and supposedly illegitimate son of caracalla, was declared emperor by the disaffected soldiers of macrinus. bribes gained bassianus support from the legionaries and they fought against macrinus and his praetorian guards. he adopted the name of antoninus but history has named him after his sun god elagabalus, represented on earth in the form of a large black stone. an incompetent and lascivious ruler,[ ] elagabalus offended all but his favourites. cassius dio, herodian and the historia augusta give many accounts of his notorious extravagance. elagabalus adopted his cousin alexander severus, as caesar, but subsequently grew jealous and attempted to assassinate him. however, the praetorian guard preferred alexander, murdered elagabalus, dragged his mutilated corpse through the streets of rome, and threw it into the tiber. alexander severus then succeeded him. alexander waged war against many foes, including the revitalized persia and also the germanic peoples, who invaded gaul. his losses generated dissatisfaction among his soldiers, and some of them murdered him during his germanic campaign in  ad.[ ] crisis of the third century main article: crisis of the third century the roman empire suffered internal schisms, forming the palmyrene empire and the gallic empire a disastrous scenario emerged after the death of alexander severus: the roman state was plagued by civil wars, external invasions, political chaos, pandemics and economic depression.[ ][ ] the old roman values had fallen, and mithraism and christianity had begun to spread through the populace. emperors were no longer men linked with nobility; they usually were born in lower-classes of distant parts of the empire. these men rose to prominence through military ranks, and became emperors through civil wars. there were emperors in a -year period, a signal of political instability. maximinus thrax was the first ruler of that time, governing for just three years. others ruled just for a few months, like gordian i, gordian ii, balbinus and hostilian. the population and the frontiers were abandoned, since the emperors were mostly concerned with defeating rivals and establishing their power. the economy also suffered during that epoch. the massive military expenditures from the severi caused a devaluation of roman coins. hyperinflation came at this time as well. the plague of cyprian broke out in and killed a huge portion of the population.[ ] in  ad, the provinces of syria palaestina, asia minor and egypt separated from the rest of the roman state to form the palmyrene empire, ruled by queen zenobia and centered on palmyra. in that same year the gallic empire was created by postumus, retaining britannia and gaul.[ ] these countries separated from rome after the capture of emperor valerian by the sassanids of persia, the first roman ruler to be captured by his enemies; it was a humiliating fact for the romans.[ ] the crisis began to recede during the reigns of claudius gothicus ( – ), who defeated the gothic invaders, and aurelian ( – ), who reconquered both the gallic and palmyrene empires.[ ][ ] the crisis was overcome during the reign of diocletian. empire – the tetrarchy main article: roman empire diocletian a roman follis depicting the profile of diocletian in  ad, diocletian was hailed as imperator by the eastern army. diocletian healed the empire from the crisis, by political and economic shifts. a new form of government was established: the tetrarchy. the empire was divided among four emperors, two in the west and two in the east. the first tetrarchs were diocletian (in the east), maximian (in the west), and two junior emperors, galerius (in the east) and flavius constantius (in the west). to adjust the economy, diocletian made several tax reforms.[ ] diocletian expelled the persians who plundered syria and conquered some barbarian tribes with maximian. he adopted many behaviors of eastern monarchs, like wearing pearls and golden sandals and robes. anyone in the presence of the emperor had now to prostrate himself—a common act in the east, but never practiced in rome before.[ ] diocletian did not use a disguised form of republic, as the other emperors since augustus had done.[ ] between and , half a dozen new capitals had been established by the members of the tetrarchy, officially or not: antioch, nicomedia, thessalonike, sirmium, milan, and trier.[ ] diocletian was also responsible for a significant christian persecution. in he and galerius started the persecution and ordered the destruction of all the christian churches and scripts and forbade christian worship.[ ] diocletian abdicated in  ad together with maximian, thus, he was the first roman emperor to resign. his reign ended the traditional form of imperial rule, the principate (from princeps) and started the tetrarchy. the aula palatina of trier, germany (then part of the roman province of gallia belgica), a christian basilica built during the reign of constantine i (r. – ad) constantine and christianity constantine assumed the empire as a tetrarch in . he conducted many wars against the other tetrarchs. firstly he defeated maxentius in . in , he issued the edict of milan, which granted liberty for christians to profess their religion.[ ] constantine was converted to christianity, enforcing the christian faith. he began the christianization of the empire and of europe—a process concluded by the catholic church in the middle ages. he was defeated by the franks and the alamanni during – . in he defeated another tetrarch, licinius, and controlled all the empire, as it was before diocletian. to celebrate his victories and christianity's relevance, he rebuilt byzantium and renamed it nova roma ("new rome"); but the city soon gained the informal name of constantinople ("city of constantine").[ ][ ] the reign of julian, who under the influence of his adviser mardonius attempted to restore classical roman and hellenistic religion, only briefly interrupted the succession of christian emperors. constantinople served as a new capital for the empire. in fact, rome had lost its central importance since the crisis of the third century—mediolanum was the western capital from to , until the reign of honorius, when ravenna was made capital, in the th century.[ ] constantine's administrative and monetary reforms, that reunited the empire under one emperor, and rebuilt the city of byzantium changed the high period of the ancient world. fall of the western roman empire main article: fall of the western roman empire in the late th and th centuries the western empire entered a critical stage which terminated with the fall of the western roman empire.[ ] under the last emperors of the constantinian dynasty and the valentinianic dynasty, rome lost decisive battles against the sasanian empire and germanic barbarians: in , emperor julian the apostate was killed in the battle of samarra, against the persians and the battle of adrianople cost the life of emperor valens ( – ); the victorious goths were never expelled from the empire nor assimilated.[ ] the next emperor, theodosius i ( – ), gave even more force to the christian faith, and after his death, the empire was divided into the eastern roman empire, ruled by arcadius and the western roman empire, commanded by honorius, both of which were theodosius' sons.[citation needed] ending invasions on roman empire between ad – . visigoths entering athens. the sack of rome by the barbarians in by joseph-noël sylvestre. the situation became more critical in , after the death of stilicho, a general who tried to reunite the empire and repel barbarian invasion in the early years of the th century. the professional field army collapsed. in , the theodosian dynasty saw the visigoths sack rome.[ ] during the th century, the western empire experienced a significant reduction of its territory. the vandals conquered north africa, the visigoths claimed the southern part of gaul, gallaecia was taken by the suebi, britannia was abandoned by the central government, and the empire suffered further from the invasions of attila, chief of the huns.[ ][ ][ ][ ][ ][ ] general orestes refused to meet the demands of the barbarian "allies" who now formed the army, and tried to expel them from italy. unhappy with this, their chieftain odoacer defeated and killed orestes, invaded ravenna and dethroned romulus augustus, son of orestes. this event of , usually marks the end of classical antiquity and beginning of the middle ages.[ ][ ] the roman noble and former emperor julius nepos continued to rule as emperor from dalmatia even after the deposition of romulus augustus until his death in . some historians consider him to be the last emperor of the western empire instead of romulus augustus.[ ] after some years of independence and nearly years as a great power, the rule of rome in the west ended.[ ] various reasons for rome's fall have been proposed ever since, including loss of republicanism, moral decay, military tyranny, class war, slavery, economic stagnation, environmental change, disease, the decline of the roman race, as well as the inevitable ebb and flow that all civilizations experience. at the time many pagans argued that christianity and the decline of traditional roman religion were responsible; some rationalist thinkers of the modern era attribute the fall to a change from a martial to a more pacifist religion that lessened the number of available soldiers; while christians such as augustine of hippo argued that the sinful nature of roman society itself was to blame.[ ] the eastern empire had a different fate. it survived for almost years after the fall of its western counterpart and became the most stable christian realm during the middle ages. during the th century, justinian reconquered the italian peninsula from the ostrogoths, north africa from the vandals, and southern hispania from the visigoths. but within a few years of justinian's death, byzantine possessions in italy were greatly reduced by the lombards who settled in the peninsula.[ ] in the east, partially due to the weakening effect of the plague of justinian, the byzantines were threatened by the rise of islam. its followers rapidly brought about the conquest of the levant, the conquest of armenia and the conquest of egypt during the arab–byzantine wars, and soon presented a direct threat to constantinople.[ ][ ] in the following century, the arabs also captured southern italy and sicily.[ ] on the west, slavic populations were also able to penetrate deep into the balkans. the byzantines, however, managed to stop further islamic expansion into their lands during the th century and, beginning in the th century, reclaimed parts of the conquered lands.[ ][ ] in  ad, the eastern empire was at its height: basil ii reconquered bulgaria and armenia, and culture and trade flourished.[ ] however, soon after, this expansion was abruptly stopped in with the byzantine defeat in the battle of manzikert. the aftermath of this battle sent the empire into a protracted period of decline. two decades of internal strife and turkic invasions ultimately led emperor alexios i komnenos to send a call for help to the western european kingdoms in .[ ] the west responded with the crusades, eventually resulting in the sack of constantinople by participants of the fourth crusade. the conquest of constantinople in fragmented what remained of the empire into successor states; the ultimate victor was the empire of nicaea.[ ] after the recapture of constantinople by imperial forces, the empire was little more than a greek state confined to the aegean coast. the byzantine empire collapsed when mehmed the conqueror conquered constantinople on may,  .[ ] society the roman forum, the political, economic, cultural, and religious center of the city during the republic and later empire this section needs additional citations for verification. please help improve this article by adding citations to reliable sources. unsourced material may be challenged and removed. (september ) (learn how and when to remove this template message) the imperial city of rome was the largest urban center in the empire, with a population variously estimated from , to close to one million.[ ][ ][ ] the public spaces in rome resounded with such a din of hooves and clatter of iron chariot wheels that julius caesar had once proposed a ban on chariot traffic during the day. historical estimates show that around percent of the population under jurisdiction of ancient rome ( – %, depending on the standards used, in roman italy)[ ] lived in innumerable urban centers, with population of , and more and several military settlements, a very high rate of urbanization by pre-industrial standards. most of those centers had a forum, temples, and other buildings similar to rome's. average life expectancy was about .[ ][timeframe?] law main article: roman law the roots of the legal principles and practices of the ancient romans may be traced to the law of the twelve tables promulgated in  bc and to the codification of law issued by order of emperor justinian i around  ad (see corpus juris civilis). roman law as preserved in justinian's codes continued into the byzantine empire, and formed the basis of similar codifications in continental western europe. roman law continued, in a broader sense, to be applied throughout most of europe until the end of the th century. the major divisions of the law of ancient rome, as contained within the justinian and theodosian law codes, consisted of ius civile, ius gentium, and ius naturale. the ius civile ("citizen law") was the body of common laws that applied to roman citizens.[ ] the praetores urbani (sg. praetor urbanus) were the people who had jurisdiction over cases involving citizens. the ius gentium ("law of nations") was the body of common laws that applied to foreigners, and their dealings with roman citizens.[ ] the praetores peregrini (sg. praetor peregrinus) were the people who had jurisdiction over cases involving citizens and foreigners. ius naturale encompassed natural law, the body of laws that were considered common to all beings. class structure main articles: social class in ancient rome and status in roman legal system the patrician torlonia bust of cato the elder, st century bc the orator, c. bc, an etrusco-roman bronze statue depicting aule metele (latin: aulus metellus), an etruscan man wearing a roman toga while engaged in rhetoric; the statue features an inscription in the etruscan language roman society is largely viewed as hierarchical, with slaves (servi) at the bottom, freedmen (liberti) above them, and free-born citizens (cives) at the top. free citizens were also divided by class. the broadest, and earliest, division was between the patricians, who could trace their ancestry to one of the patriarchs at the founding of the city, and the plebeians, who could not. this became less important in the later republic, as some plebeian families became wealthy and entered politics, and some patrician families fell economically. anyone, patrician or plebeian, who could count a consul as his ancestor was a noble (nobilis); a man who was the first of his family to hold the consulship, such as marius or cicero, was known as a novus homo ("new man") and ennobled his descendants. patrician ancestry, however, still conferred considerable prestige, and many religious offices remained restricted to patricians. a class division originally based on military service became more important. membership of these classes was determined periodically by the censors, according to property. the wealthiest were the senatorial class, who dominated politics and command of the army. next came the equestrians (equites, sometimes translated "knights"), originally those who could afford a warhorse, and who formed a powerful mercantile class. several further classes, originally based on the military equipment their members could afford, followed, with the proletarii, citizens who had no property at all, at the bottom. before the reforms of marius they were ineligible for military service and are often described as being just above freed slaves in wealth and prestige. voting power in the republic depended on class. citizens were enrolled in voting "tribes", but the tribes of the richer classes had fewer members than the poorer ones, all the proletarii being enrolled in a single tribe. voting was done in class order, from top down, and stopped as soon as most of the tribes had been reached, so the poorer classes were often unable to cast their votes. women shared some basic rights with their male counterparts, but were not fully regarded as citizens and were thus not allowed to vote or take part in politics. at the same time the limited rights of women were gradually expanded (due to emancipation) and women reached freedom from paterfamilias, gained property rights and even had more juridical rights than their husbands, but still no voting rights, and were absent from politics.[ ] allied foreign cities were often given the latin right, an intermediary level between full citizens and foreigners (peregrini), which gave their citizens rights under roman law and allowed their leading magistrates to become full roman citizens. while there were varying degrees of latin rights, the main division was between those cum suffragio ("with vote"; enrolled in a roman tribe and able to take part in the comitia tributa) and sine suffragio ("without vote"; could not take part in roman politics). most of rome's italian allies were given full citizenship after the social war of –  bc, and full roman citizenship was extended to all free-born men in the empire by caracalla in . education main article: roman school in the early republic, there were no public schools, so boys were taught to read and write by their parents, or by educated slaves, called paedagogi, usually of greek origin.[ ][ ][ ] the primary aim of education during this period was to train young men in agriculture, warfare, roman traditions, and public affairs.[ ] young boys learned much about civic life by accompanying their fathers to religious and political functions, including the senate for the sons of nobles.[ ] the sons of nobles were apprenticed to a prominent political figure at the age of , and campaigned with the army from the age of (this system was still in use among some noble families into the imperial era).[ ] educational practices were modified after the conquest of the hellenistic kingdoms in the rd century bc and the resulting greek influence, although roman educational practices were still much different from greek ones.[ ][ ] if their parents could afford it, boys and some girls at the age of were sent to a private school outside the home called a ludus, where a teacher (called a litterator or a magister ludi, and often of greek origin) taught them basic reading, writing, arithmetic, and sometimes greek, until the age of .[ ][ ][ ] beginning at age , students went to secondary schools, where the teacher (now called a grammaticus) taught them about greek and roman literature.[ ][ ] at the age of , some students went on to rhetoric school (where the teacher, usually greek, was called a rhetor).[ ][ ] education at this level prepared students for legal careers, and required that the students memorize the laws of rome.[ ] pupils went to school every day, except religious festivals and market days. there were also summer holidays. government main articles: roman constitution and history of the roman constitution further information: history of citizenship § roman conceptions of citizenship this section needs additional citations for verification. please help improve this article by adding citations to reliable sources. unsourced material may be challenged and removed. (september ) (learn how and when to remove this template message) initially, rome was ruled by kings, who were elected from each of rome's major tribes in turn.[ ] the exact nature of the king's power is uncertain. he may have held near-absolute power, or may also have merely been the chief executive of the senate and the people. at least in military matters, the king's authority (imperium) was likely absolute. he was also the head of the state religion. in addition to the authority of the king, there were three administrative assemblies: the senate, which acted as an advisory body for the king; the comitia curiata, which could endorse and ratify laws suggested by the king; and the comitia calata, which was an assembly of the priestly college that could assemble the people to bear witness to certain acts, hear proclamations, and declare the feast and holiday schedule for the next month. representation of a sitting of the roman senate: cicero attacks catilina, from a th-century fresco the class struggles of the roman republic resulted in an unusual mixture of democracy and oligarchy. the word republic comes from the latin res publica, which literally translates to "public business". roman laws traditionally could only be passed by a vote of the popular assembly (comitia tributa). likewise, candidates for public positions had to run for election by the people. however, the roman senate represented an oligarchic institution, which acted as an advisory body. in the republic, the senate held actual authority (auctoritas), but no real legislative power; it was technically only an advisory council. however, as the senators were individually very influential, it was difficult to accomplish anything against the collective will of the senate. new senators were chosen from among the most accomplished patricians by censors (censura), who could also remove a senator from his office if he was found "morally corrupt"; a charge that could include bribery or, as under cato the elder, embracing one's wife in public. later, under the reforms of the dictator sulla, quaestors were made automatic members of the senate, though most of his reforms did not survive. the republic had no fixed bureaucracy, and collected taxes through the practice of tax farming. government positions such as quaestor, aedile, or praefect were funded by the office-holder. to prevent any citizen from gaining too much power, new magistrates were elected annually and had to share power with a colleague. for example, under normal conditions, the highest authority was held by two consuls. in an emergency, a temporary dictator could be appointed. throughout the republic, the administrative system was revised several times to comply with new demands. in the end, it proved inefficient for controlling the ever-expanding dominion of rome, contributing to the establishment of the roman empire. in the early empire, the pretense of a republican form of government was maintained. the roman emperor was portrayed as only a princeps, or "first citizen", and the senate gained legislative power and all legal authority previously held by the popular assemblies. however, the rule of the emperors became increasingly autocratic, and the senate was reduced to an advisory body appointed by the emperor. the empire did not inherit a set bureaucracy from the republic, since the republic did not have any permanent governmental structures apart from the senate. the emperor appointed assistants and advisers, but the state lacked many institutions, such as a centrally planned budget. some historians have cited this as a significant reason for the decline of the roman empire. military main articles: military history of ancient rome, military of ancient rome, structural history of the roman military, roman army, and roman navy part of a series on the military of ancient rome bc – ad structural history army unit types and ranks decorations and punishments legions auxilia generals navy fleets admirals campaign history wars and battles technological history military engineering castra siege engines triumphal arches roads political history   strategy and tactics infantry tactics frontiers and fortifications limes limes britannicus antonine wall hadrian's wall saxon shore limes germanicus alb limes lauter valley limes lower germanic limes main limes neckar-odenwald limes upper germanic-rhaetian limes wetterau limes danube–iller–rhine limes norican limes claustra alpium iuliarum pannonian limes limes alutanus limes moesiae trajan's wall anastasian wall limes sarmatiae limes arabicus limes tripolitanus limes mauretaniae  ancient rome portal •  war portal v t e modern replica of lorica segmentata type armor, used in conjunction with the popular chainmail after the st century ad roman tower (reconstruction) at limes – taunus / germany the early roman army (c.  bc) was, like those of other contemporary city-states influenced by greek civilization, a citizen militia that practiced hoplite tactics. it was small (the population of free men of military age was then about , ) and organized in five classes (in parallel to the comitia centuriata, the body of citizens organized politically), with three providing hoplites and two providing light infantry. the early roman army was tactically limited and its stance during this period was essentially defensive.[ ][ ][ ] by the rd century bc, the romans abandoned the hoplite formation in favor of a more flexible system in which smaller groups of (or sometimes ) men called maniples could maneuver more independently on the battlefield. thirty maniples arranged in three lines with supporting troops constituted a legion, totalling between , and , men.[ ][ ] the early republican legion consisted of five sections, each of which was equipped differently and had different places in formation: the three lines of manipular heavy infantry (hastati, principes and triarii), a force of light infantry (velites), and the cavalry (equites). with the new organization came a new orientation toward the offensive and a much more aggressive posture toward adjoining city-states.[ ][ ] at nominal full strength, an early republican legion included , to , men: , to , heavy infantry, several hundred light infantry, and several hundred cavalrymen.[ ][ ][ ] legions were often significantly understrength from recruitment failures or following periods of active service due to accidents, battle casualties, disease and desertion. during the civil war, pompey's legions in the east were at full strength because they were recently recruited, while caesar's legions were often well below nominal strength after long active service in gaul. this pattern also held true for auxiliary forces.[ ][ ] until the late republican period, the typical legionary was a property-owning citizen farmer from a rural area (an adsiduus) who served for particular (often annual) campaigns,[ ] and who supplied his own equipment and, in the case of equites, his own mount. harris suggests that down to  bc, the average rural farmer (who survived) might participate in six or seven campaigns. freedmen and slaves (wherever resident) and urban citizens did not serve except in rare emergencies.[ ] after  bc, economic conditions in rural areas deteriorated as manpower needs increased, so that the property qualifications for service were gradually reduced. beginning with gaius marius in  bc, citizens without property and some urban-dwelling citizens (proletarii) were enlisted and provided with equipment, although most legionaries continued to come from rural areas. terms of service became continuous and long—up to twenty years if emergencies required although six- or seven-year terms were more typical.[ ] beginning in the rd century bc, legionaries were paid stipendium (amounts are disputed but caesar famously "doubled" payments to his troops to denarii a year), could anticipate booty and donatives (distributions of plunder by commanders) from successful campaigns and, beginning at the time of marius, often were granted allotments of land upon retirement.[ ][ ] cavalry and light infantry attached to a legion (the auxilia) were often recruited in the areas where the legion served. caesar formed a legion, the fifth alaudae, from non-citizens in transalpine gaul to serve in his campaigns in gaul.[ ] by the time of caesar augustus, the ideal of the citizen-soldier had been abandoned and the legions had become fully professional. legionaries received sesterces a year and could expect , sesterces on retirement.[ ] at the end of the civil war, augustus reorganized roman military forces, discharging soldiers and disbanding legions. he retained legions, distributed through the provinces of the empire.[ ] during the principate, the tactical organization of the army continued to evolve. the auxilia remained independent cohorts, and legionary troops often operated as groups of cohorts rather than as full legions. a new versatile type of unit—the cohortes equitatae—combined cavalry and legionaries in a single formation. they could be stationed at garrisons or outposts and could fight on their own as balanced small forces or combine with other similar units as a larger legion-sized force. this increase in organizational flexibility helped ensure the long-term success of roman military forces.[ ] the emperor gallienus ( –  ad) began a reorganization that created the last military structure of the late empire. withdrawing some legionaries from the fixed bases on the border, gallienus created mobile forces (the comitatenses or field armies) and stationed them behind and at some distance from the borders as a strategic reserve. the border troops (limitanei) stationed at fixed bases continued to be the first line of defense. the basic unit of the field army was the "regiment", legiones or auxilia for infantry and vexellationes for cavalry. evidence suggests that nominal strengths may have been , men for infantry regiments and for cavalry, although many records show lower actual troop levels ( and ).[ ] many infantry and cavalry regiments operated in pairs under the command of a comes. in addition to roman troops, the field armies included regiments of "barbarians" recruited from allied tribes and known as foederati. by  ad, foederati regiments had become permanently established units of the roman army, paid and equipped by the empire, led by a roman tribune and used just as roman units were used. in addition to the foederati, the empire also used groups of barbarians to fight along with the legions as "allies" without integration into the field armies. under the command of the senior roman general present, they were led at lower levels by their own officers.[ ] military leadership evolved over the course of the history of rome. under the monarchy, the hoplite armies were led by the kings of rome. during the early and middle roman republic, military forces were under the command of one of the two elected consuls for the year. during the later republic, members of the roman senatorial elite, as part of the normal sequence of elected public offices known as the cursus honorum, would have served first as quaestor (often posted as deputies to field commanders), then as praetor.[ ][ ] julius caesar's most talented, effective and reliable subordinate in gaul, titus labienus, was recommended to him by pompey.[ ] altar of domitius ahenobarbus, c. bc; the altar shows two roman infantrymen equipped with long scuta and a cavalryman with his horse. all are shown wearing chain mail armour. following the end of a term as praetor or consul, a senator might be appointed by the senate as a propraetor or proconsul (depending on the highest office held before) to govern a foreign province. more junior officers (down to but not including the level of centurion) were selected by their commanders from their own clientelae or those recommended by political allies among the senatorial elite.[ ] under augustus, whose most important political priority was to place the military under a permanent and unitary command, the emperor was the legal commander of each legion but exercised that command through a legatus (legate) he appointed from the senatorial elite. in a province with a single legion, the legate commanded the legion (legatus legionis) and also served as provincial governor, while in a province with more than one legion, each legion was commanded by a legate and the legates were commanded by the provincial governor (also a legate but of higher rank).[ ] during the later stages of the imperial period (beginning perhaps with diocletian), the augustan model was abandoned. provincial governors were stripped of military authority, and command of the armies in a group of provinces was given to generals (duces) appointed by the emperor. these were no longer members of the roman elite but men who came up through the ranks and had seen much practical soldiering. with increasing frequency, these men attempted (sometimes successfully) to usurp the positions of the emperors who had appointed them. decreased resources, increasing political chaos and civil war eventually left the western empire vulnerable to attack and takeover by neighboring barbarian peoples.[ ] less is known about the roman navy than the roman army. prior to the middle of the rd century bc, officials known as duumviri navales commanded a fleet of twenty ships used mainly to control piracy. this fleet was given up in  ad and replaced by allied forces. the first punic war required that rome build large fleets, and it did so largely with the assistance of and financing from allies. this reliance on allies continued to the end of the roman republic. the quinquereme was the main warship on both sides of the punic wars and remained the mainstay of roman naval forces until replaced by the time of caesar augustus by lighter and more maneuverable vessels.[ ] as compared with a trireme, the quinquereme permitted the use of a mix of experienced and inexperienced crewmen (an advantage for a primarily land-based power), and its lesser maneuverability permitted the romans to adopt and perfect boarding tactics using a troop of about marines in lieu of the ram. ships were commanded by a navarch, a rank equal to a centurion, who was usually not a citizen. potter suggests that because the fleet was dominated by non-romans, the navy was considered non-roman and allowed to atrophy in times of peace.[ ] information suggests that by the time of the late empire (  ad), the roman navy comprised several fleets including warships and merchant vessels for transportation and supply. warships were oared sailing galleys with three to five banks of oarsmen. fleet bases included such ports as ravenna, arles, aquilea, misenum and the mouth of the somme river in the west and alexandria and rhodes in the east. flotillas of small river craft (classes) were part of the limitanei (border troops) during this period, based at fortified river harbors along the rhine and the danube. that prominent generals commanded both armies and fleets suggests that naval forces were treated as auxiliaries to the army and not as an independent service. the details of command structure and fleet strengths during this period are not well known, although fleets were commanded by prefects.[ ] economy main articles: roman agriculture, roman commerce, roman finance, and roman currency night view of trajan's market, built by apollodorus of damascus ancient rome commanded a vast area of land, with tremendous natural and human resources. as such, rome's economy remained focused on farming and trade. agricultural free trade changed the italian landscape, and by the st century bc, vast grape and olive estates had supplanted the yeoman farmers, who were unable to match the imported grain price. the annexation of egypt, sicily and tunisia in north africa provided a continuous supply of grains. in turn, olive oil and wine were italy's main exports. two-tier crop rotation was practiced, but farm productivity was low, around ton per hectare. industrial and manufacturing activities were smaller. the largest such activities were the mining and quarrying of stones, which provided basic construction materials for the buildings of that period. in manufacturing, production was on a relatively small scale, and generally consisted of workshops and small factories that employed at most dozens of workers. however, some brick factories employed hundreds of workers. the economy of the early republic was largely based on smallholding and paid labor. however, foreign wars and conquests made slaves increasingly cheap and plentiful, and by the late republic, the economy was largely dependent on slave labor for both skilled and unskilled work. slaves are estimated to have constituted around % of the roman empire's population at this time and % in the city of rome. only in the roman empire, when the conquests stopped and the prices of slaves increased, did hired labor become more economical than slave ownership. although barter was used in ancient rome, and often used in tax collection, rome had a very developed coinage system, with brass, bronze, and precious metal coins in circulation throughout the empire and beyond—some have even been discovered in india. before the rd century bc, copper was traded by weight, measured in unmarked lumps, across central italy. the original copper coins (as) had a face value of one roman pound of copper, but weighed less. thus, roman money's utility as a unit of exchange consistently exceeded its intrinsic value as metal. after nero began debasing the silver denarius, its legal value was an estimated one-third greater than its intrinsic value. horses were expensive and other pack animals were slower. mass trade on the roman roads connected military posts, where roman markets were centered.[ ] these roads were designed for wheels.[ ] as a result, there was transport of commodities between roman regions, but increased with the rise of roman maritime trade in the nd century bc. during that period, a trading vessel took less than a month to complete a trip from gades to alexandria via ostia, spanning the entire length of the mediterranean.[ ] transport by sea was around times cheaper than by land, so the volume for such trips was much larger. some economists consider the roman empire a market economy, similar in its degree of capitalistic practices to th century netherlands and th century england.[ ] family a gold glass portrait of a family from roman egypt. the greek inscription on the medallion may indicate either the name of the artist or the pater familias who is absent in the portrait.[ ] the basic units of roman society were households and families.[ ] households included the head (usually the father) of the household, pater familias (father of the family), his wife, children, and other relatives. in the upper classes, slaves and servants were also part of the household.[ ] the power of the head of the household was supreme (patria potestas, "father's power") over those living with him: he could force marriage (usually for money) and divorce, sell his children into slavery, claim his dependents' property as his own, and even had the right to punish or kill family members (though this last right apparently ceased to be exercised after the st century bc).[ ] patria potestas even extended over adult sons with their own households: a man was not considered a paterfamilias, nor could he truly hold property, while his own father lived.[ ][ ] during the early period of rome's history, a daughter, when she married, fell under the control (manus) of the paterfamilias of her husband's household, although by the late republic this fell out of fashion, as a woman could choose to continue recognizing her father's family as her true family.[ ] however, as romans reckoned descent through the male line, any children she had belonged to her husband's family.[ ] little affection was shown for the children of rome. the mother or an elderly relative often raised both boys and girls. unwanted children were often sold as slaves.[ ] children might have waited on tables for the family, but they could not have participated in the conversation. in noble families a greek nurse usually taught the children latin and greek. their father taught the boys how to swim and ride, although he sometimes hired a slave to teach them instead. at seven, a boy began his education. having no school building, classes were held on a rooftop (if dark, the boy had to carry a lantern to school). wax-covered boards were used as paper, papyrus, and parchment were too expensive—or he could just write in the sand. a loaf of bread to be eaten was also carried.[ ] groups of related households formed a family (gens). families were based on blood ties or adoption, but were also political and economic alliances. especially during the roman republic, some powerful families, or gentes maiores, came to dominate political life. in ancient rome, marriage was often regarded more as a financial and political alliance than as a romantic association, especially in the upper classes (see marriage in ancient rome). fathers usually began seeking husbands for their daughters when these reached an age between twelve and fourteen. the husband was usually older than the bride. while upper-class girls married very young, there is evidence that lower-class women often married in their late teens or early s. culture main article: culture of ancient rome the seven hills of rome life in ancient rome revolved around the city of rome, located on seven hills. the city had a vast number of monumental structures like the colosseum, the forum of trajan and the pantheon. it had theatres, gymnasiums, marketplaces, functional sewers, bath complexes complete with libraries and shops, and fountains with fresh drinking water supplied by hundreds of miles of aqueducts. throughout the territory under the control of ancient rome, residential architecture ranged from modest houses to country villas. in the capital city of rome, there were imperial residences on the elegant palatine hill, from which the word palace derives. the low plebeian and middle equestrian classes lived in the city center, packed into apartments, or insulae, which were almost like modern ghettos. these areas, often built by upper class property owners to rent, were often centred upon collegia or taberna. these people, provided with a free supply of grain, and entertained by gladiatorial games, were enrolled as clients of patrons among the upper class patricians, whose assistance they sought and whose interests they upheld. language main article: latin roman fresco of a blond maiden reading a text, pompeian fourth style ( – ad), pompeii, italy the native language of the romans was latin, an italic language the grammar of which relies little on word order, conveying meaning through a system of affixes attached to word stems.[ ] its alphabet was based on the etruscan alphabet, which was in turn based on the greek alphabet.[ ] although surviving latin literature consists almost entirely of classical latin, an artificial and highly stylized and polished literary language from the st century bc, the spoken language of the roman empire was vulgar latin, which significantly differed from classical latin in grammar and vocabulary, and eventually in pronunciation.[ ] speakers of latin could understand both until the th century when spoken latin began to diverge so much that 'classical' or 'good latin' had to be learned as a second language[ ] while latin remained the main written language of the roman empire, greek came to be the language spoken by the well-educated elite, as most of the literature studied by romans was written in greek. in the eastern half of the roman empire, which later became the byzantine empire, latin was never able to replace greek, and after the death of justinian, greek became the official language of the byzantine government.[ ] the expansion of the roman empire spread latin throughout europe, and vulgar latin evolved into dialects in different locations, gradually shifting into many distinct romance languages. religion main articles: religion in ancient rome, roman mythology, and roman temple further information: constantine the great and christianity and state church of the roman empire punishment of ixion: in the center is mercury holding the caduceus and on the right juno sits on her throne. behind her iris stands and gestures. on the left is vulcan (blond figure) standing behind the wheel, manning it, with ixion already tied to it. nephele sits at mercury's feet; a roman fresco from the eastern wall of the triclinium in the house of the vettii, pompeii, fourth style ( – ad). archaic roman religion, at least concerning the gods, was made up not of written narratives, but rather of complex interrelations between gods and humans.[ ] unlike in greek mythology, the gods were not personified, but were vaguely defined sacred spirits called numina. romans also believed that every person, place or thing had its own genius, or divine soul. during the roman republic, roman religion was organized under a strict system of priestly offices, which were held by men of senatorial rank. the college of pontifices was uppermost body in this hierarchy, and its chief priest, the pontifex maximus, was the head of the state religion. flamens took care of the cults of various gods, while augurs were trusted with taking the auspices. the sacred king took on the religious responsibilities of the deposed kings. in the roman empire, emperors were deified,[ ][ ] and the formalized imperial cult became increasingly prominent. as contact with the greeks increased, the old roman gods became increasingly associated with greek gods.[ ] thus, jupiter was perceived to be the same deity as zeus, mars became associated with ares, and neptune with poseidon. the roman gods also assumed the attributes and mythologies of these greek gods. under the empire, the romans absorbed the mythologies of their conquered subjects, often leading to situations in which the temples and priests of traditional italian deities existed side by side with those of foreign gods.[ ] beginning with emperor nero in the st century ad, roman official policy towards christianity was negative, and at some points, simply being a christian could be punishable by death. under emperor diocletian, the persecution of christians reached its peak. however, it became an officially supported religion in the roman state under diocletian's successor, constantine i, with the signing of the edict of milan in , and quickly became dominant. all religions except christianity were prohibited in  ad by an edict of emperor theodosius i.[ ] ethics and morality like many ancient cultures, concepts of ethics and morality, while sharing some commonalities with modern society, differed greatly in several important ways. because ancient civilizations like rome were under constant threat of attack from marauding tribes, their culture was necessarily militaristic with martial skills being a prized attribute.[ ] whereas modern societies consider compassion a virtue, roman society considered compassion a vice, a moral defect. indeed, one of the primary purposes of the gladiatorial games was to inoculate roman citizens from this weakness.[ ][ ][ ] romans instead prized virtues such as courage and conviction (virtus), a sense of duty to one's people, moderation and avoiding excess (moderatio), forgiveness and understanding (clementia), fairness (severitas), and loyalty (pietas).[ ] contrary to popular descriptions, roman society had well-established and restrictive norms related to sexuality, though as with many societies, the lion's share of the responsibilities fell on women. women were generally expected to be monogamous having only a single husband during their life (univira), though this was much less regarded by the elite, especially under the empire. women were expected to be modest in public avoiding any provocative appearance and to demonstrate absolute fidelity to their husbands (pudicitia). indeed, wearing a veil was a common expectation to preserve modesty. sex outside of marriage was generally frowned upon for men and women and indeed was made illegal during the imperial period.[ ] nevertheless, prostitution was seen entirely differently and indeed was an accepted and regulated practice.[ ] art, music and literature main articles: roman art, latin literature, music of ancient rome, roman sculpture, and theatre of ancient rome woman playing a kithara, from the villa boscoreale, – bc frescoes from the villa of the mysteries in pompeii, italy, roman artwork dated to the mid- st century bc roman painting styles show greek influences, and surviving examples are primarily frescoes used to adorn the walls and ceilings of country villas, though roman literature includes mentions of paintings on wood, ivory, and other materials.[ ][ ] several examples of roman painting have been found at pompeii, and from these art historians divide the history of roman painting into four periods. the first style of roman painting was practiced from the early nd century bc to the early- or mid- st century bc. it was mainly composed of imitations of marble and masonry, though sometimes including depictions of mythological characters. the second style of roman painting began during the early st century bc, and attempted to depict realistically three-dimensional architectural features and landscapes. the third style occurred during the reign of augustus (  bc –  ad), and rejected the realism of the second style in favor of simple ornamentation. a small architectural scene, landscape, or abstract design was placed in the center with a monochrome background. the fourth style, which began in the st century ad, depicted scenes from mythology, while retaining architectural details and abstract patterns. portrait sculpture during the period[which?] utilized youthful and classical proportions, evolving later into a mixture of realism and idealism. during the antonine and severan periods, ornate hair and bearding, with deep cutting and drilling, became popular. advancements were also made in relief sculptures, usually depicting roman victories. latin literature was, from its start, influenced heavily by greek authors. some of the earliest extant works are of historical epics telling the early military history of rome. as the republic expanded, authors began to produce poetry, comedy, history, and tragedy. roman music was largely based on greek music, and played an important part in many aspects of roman life.[ ] in the roman military, musical instruments such as the tuba (a long trumpet) or the cornu (similar to a french horn) were used to give various commands, while the bucina (possibly a trumpet or horn) and the lituus (probably an elongated j-shaped instrument), were used in ceremonial capacities.[ ] music was used in the amphitheaters between fights and in the odea, and in these settings is known to have featured the cornu and the hydraulis (a type of water organ).[ ] most religious rituals featured musical performances, with tibiae (double pipes) at sacrifices, cymbals and tambourines at orgiastic cults, and rattles and hymns across the spectrum.[ ] some music historians believe that music was used at almost all public ceremonies.[ ] music historians are not certain if roman musicians made a significant contribution to the theory or practice of music.[ ] the graffiti, brothels, paintings, and sculptures found in pompeii and herculaneum suggest that the romans had a sex-saturated culture.[ ] cuisine main article: ancient roman cuisine ancient roman cuisine changed over the long duration of this ancient civilization. dietary habits were affected by the influence of greek culture, the political changes from kingdom to republic to empire, and empire's enormous expansion, which exposed romans to many new, provincial culinary habits and cooking techniques. in the beginning the differences between social classes were relatively small, but disparities evolved with the empire's growth. men and women drank wine with their meals, a tradition that has been carried through to the present day.[ ] games and recreation this section needs additional citations for verification. please help improve this article by adding citations to reliable sources. unsourced material may be challenged and removed. (september ) (learn how and when to remove this template message) choregos and theater actors, from the house of the tragic poet, pompeii, italy. naples national archeological museum the "bikini girls" mosaic, showing women playing sports, from the villa romana del casale, roman province of sicilia (sicily), th century ad the youth of rome had several forms of athletic play and exercise, such as jumping, wrestling, boxing, and racing.[ ] in the countryside, pastimes for the wealthy also included fishing and hunting.[ ] the romans also had several forms of ball playing, including one resembling handball.[ ] dice games, board games, and gamble games were popular pastimes.[ ] women did not take part in these activities. for the wealthy, dinner parties presented an opportunity for entertainment, sometimes featuring music, dancing, and poetry readings.[ ] plebeians sometimes enjoyed similar parties through clubs or associations, but for most romans, recreational dining usually meant patronizing taverns.[ ] children entertained themselves with toys and such games as leapfrog.[ ][ ] public games were sponsored by leading romans who wished to advertise their generosity and court popular approval; in the imperial era, this usually meant the emperor. several venues were developed specifically for public games. the colisseum was built in the imperial era to host, among other events, gladiatorial combats. these combats had begun as funeral games around the th century bc, and became popular spectator events in the late republic and empire. gladiators had an exotic and inventive variety of arms and armour. they sometimes fought to the death, but more often to an adjudicated victory, dependent on a referee's decision. the outcome was usually in keeping with the mood of the watching crowd. shows of exotic animals were popular in their own right; but sometimes animals were pitted against human beings, either armed professionals or unarmed criminals who had been condemned to a spectacular and theatrical public death in the arena. some of these encounters were based on episodes from roman or greek mythology. chariot racing was extremely popular among all classes. in rome, these races were usually held at the circus maximus, which had been purpose-built for chariot and horse-racing and, as rome's largest public place, was also used for festivals and animal shows.[ ] it could seat around , people;[ ] the charioteers raced in teams, identified by their colours. the track was divided lengthwise by a barrier that contained obelisks, temples, statues and lap-counters. the best seats were at the track-side, close to the action; they were reserved for senators. behind them sat the equites (knights), and behind the knights were the plebs (commoners) and non-citizens. the donor of the games sat on a high platform in the stands alongside images of the gods, visible to all. large sums were bet on the outcomes of races. some romans offered prayers and sacrifices on behalf of their favourites, or laid curses on the opposing teams, and some aficionados were members of extremely, even violently partisan circus factions. technology main article: roman technology this section needs additional citations for verification. please help improve this article by adding citations to reliable sources. unsourced material may be challenged and removed. (september ) (learn how and when to remove this template message) pont du gard in france is a roman aqueduct built in c.  bc. it is a world heritage site. ancient rome boasted impressive technological feats, using many advancements that were lost in the middle ages and not rivaled again until the th and th centuries. an example of this is insulated glazing, which was not invented again until the s. many practical roman innovations were adopted from earlier greek designs. advancements were often divided and based on craft. artisans guarded technologies as trade secrets.[ ] roman civil engineering and military engineering constituted a large part of rome's technological superiority and legacy, and contributed to the construction of hundreds of roads, bridges, aqueducts, baths, theaters and arenas. many monuments, such as the colosseum, pont du gard, and pantheon, remain as testaments to roman engineering and culture. the romans were renowned for their architecture, which is grouped with greek traditions into "classical architecture". although there were many differences from greek architecture, rome borrowed heavily from greece in adhering to strict, formulaic building designs and proportions. aside from two new orders of columns, composite and tuscan, and from the dome, which was derived from the etruscan arch, rome had relatively few architectural innovations until the end of the republic. the appian way (via appia), a road connecting the city of rome to the southern parts of italy, remains usable even today in the st century bc, romans started to use concrete widely. concrete was invented in the late rd century bc. it was a powerful cement derived from pozzolana, and soon supplanted marble as the chief roman building material and allowed many daring architectural forms.[ ] also in the st century bc, vitruvius wrote de architectura, possibly the first complete treatise on architecture in history. in the late st century bc, rome also began to use glassblowing soon after its invention in syria about  bc. mosaics took the empire by storm after samples were retrieved during lucius cornelius sulla's campaigns in greece. the romans also largely built using timber, causing a rapid decline of the woodlands surrounding rome and in much of the apennine mountains due to the demand for wood for construction, shipbuilding and fire. the first evidence of long-distance wood trading come from the discovery of wood planks, felled between a.d. and , coming from the jura mountains in northeastern france and ending up more than , miles away, in the foundations of a lavish portico that was part of a vast wealthy patrician villa, in central rome. it is suggested that timber, around meters long, came up to rome via the tiber river via ships traveling across the mediterranean sea from the confluence of the saône and rhône rivers in what is now the city of lyon in present-day france.[ ] with solid foundations and good drainage,[ ] roman roads were known for their durability and many segments of the roman road system were still in use a thousand years after the fall of rome. the construction of a vast and efficient travel network throughout the empire dramatically increased rome's power and influence. they allowed roman legions to be deployed rapidly, with predictable marching times between key points of the empire, no matter the season.[ ] these highways also had enormous economic significance, solidifying rome's role as a trading crossroads—the origin of the saying "all roads lead to rome". the roman government maintained a system of way stations, known as the cursus publicus, that provided refreshments to couriers at regular intervals along the roads and established a system of horse relays allowing a dispatch to travel up to  km (  mi) a day. the romans constructed numerous aqueducts to supply water to cities and industrial sites and to aid in their agriculture. by the third century, the city of rome was supplied by aqueducts with a combined length of  km (  mi). most aqueducts were constructed below the surface, with only small portions above ground supported by arches.[ ][ ] sometimes, where valleys deeper than  m ( ,  ft) had to be crossed, inverted siphons were used to convey water across a valley.[ ] the romans also made major advancements in sanitation. romans were particularly famous for their public baths, called thermae, which were used for both hygienic and social purposes. many roman houses came to have flush toilets and indoor plumbing, and a complex sewer system, the cloaca maxima, was used to drain the local marshes and carry waste into the tiber river. some historians have speculated that lead pipes in the sewer and plumbing systems led to widespread lead poisoning, which contributed to the decline in birth rate and general decay of roman society leading up to the fall of rome. however, lead content would have been minimized because the flow of water from aqueducts could not be shut off; it ran continuously through public and private outlets into the drains, and only a few taps were in use.[ ] other authors have raised similar objections to this theory, also pointing out that roman water pipes were thickly coated with deposits that would have prevented lead from leaching into the water.[ ] legacy main articles: legacy of the roman empire and classics external video ancient rome[ ] ( : ), smarthistory at khan academy ancient rome is the progenitor of western civilization.[ ][ ][ ] the customs, religion, law, technology, architecture, political system, military, literature, languages, alphabet, government and many factors and aspects of western civilization are all inherited from roman advancements. the rediscovery of roman culture revitalized western civilization, playing a role in the renaissance and the age of enlightenment.[ ][ ] genetics see also: latins (italic tribe) § genetic studies a genetic study published in science in november examined the genetic history of rome from the mesolithic up to modern times.[ ] the mesolithic inhabitants of rome were determined to be western hunter gatherers (whgs), who were almost entirely replaced by early european farmers (eefs) around , bc coming from anatolia and the fertile crescent.[ ] however, the authors observe that the eef farmers studied carry a small amount of another component that is found at high levels in neolithic iranian farmers and caucasus hunter-gatherers (chg),[ ] suggesting different or additional population contributions from near eastern farmers during the neolithic transition, according to the authors. between , bc and bc, the eef/whg descended population of rome was overwhelmed by peoples with steppe ancestry largely tracing their origin to the pontic-caspian steppe.[ ] the iron age latin founding population of rome which subsequently emerged overwhelmingly carried the paternal haplogroup r-m ,[ ] and were of about % steppe ancestry.[ ] however, two out of six individuals from latin burials were found to be a mixture of local iron age ancestry and a near eastern population. in addition, one out of four individuals from etruscan burials, a female, was found to be a mixture of local iron age ancestry and a north african population. overall, the genetic differentiation between the latins, etruscans and the preceding proto-villanovan population of italy was found to be insignificant.[ ] examined individuals from rome during the time of the roman empire ( bce – ce) bore almost no genetic resemblance to rome's founding populations, and were instead shifted towards the eastern mediterranean and middle east.[ ] the imperial population of rome was found to have been extremely diverse, with barely any of the examined individuals being of primarily european ancestry.[ ] it was suggested that the observed genetic replacement of rome's founding populations was a result of heavy migration of merchants and slaves from the populous urban centres of the middle east.[ ] during late antiquity, rome's population was drastically reduced as a result of political instability, epidemics and economic changes. repeated invasions of barbarians brought european ancestry back into rome, resulting in the loss of genetic link to the eastern mediterranean and middle east.[ ] by the middle ages, the people of rome again genetically resembled european populations.[ ] historiography main article: roman historiography this section needs additional citations for verification. please help improve this article by adding citations to reliable sources. unsourced material may be challenged and removed. (september ) (learn how and when to remove this template message) although there has been a diversity of works on ancient roman history, many of them are lost. as a result of this loss, there are gaps in roman history, which are filled by unreliable works, such as the historia augusta and other books from obscure authors. however, there remains a number of reliable accounts of roman history. in roman times the first historians used their works for the lauding of roman culture and customs. by the end of republic, some historians distorted their histories to flatter their patrons—especially at the time of marius's and sulla's clash.[ ] caesar wrote his own histories to make a complete account of his military campaigns in gaul and during the civil war. in the empire, the biographies of famous men and early emperors flourished, examples being the twelve caesars of suetonius, and plutarch's parallel lives. other major works of imperial times were that of livy and tacitus. polybius – the histories sallust – bellum catilinae and bellum jugurthinum julius caesar – de bello gallico and de bello civili livy – ab urbe condita dionysius of halicarnassus – roman antiquities pliny the elder – naturalis historia josephus – the jewish war suetonius – the twelve caesars (de vita caesarum) tacitus – annales and histories plutarch – parallel lives (a series of biographies of famous roman and greek men) cassius dio – historia romana herodian – history of the roman empire since marcus aurelius ammianus marcellinus – res gestae in modern times part of a series on the history of italy early prehistoric italy etruscan civilization ( th– th c. bc) magna graecia ( th– rd c. bc) ancient rome kingdom ( bc– bc) republic ( bc– bc) empire ( bc– ad) roman italy western empire ( ad– ad) praetorian prefecture of italy post-roman kingdoms odoacer's - ostrogothic - vandal - lombard (independence) - lombard (under the frankish rule) - frankish (as part of the carolingian empire) - germanic (as part of the holy roman empire) - medieval italy in the middle ages byzantine reconquest of italy ( th– th c.) islam and normans in southern italy maritime republics and italian city-states guelphs and ghibellines early modern italian renaissance ( th– th c.) italian wars ( – ) catholic revival ( - ) foreign dominations napoleonic italy ( – ) republic kingdom risorgimento ( – ) young italy thousand modern monarchy ( – ) colonial empire ( – ) italy in world war i ( – ) fascism ( – ) italy in world war ii ( – ) fascist italian social republic, partisans and civil war ( – ) republic ( –present) years of lead ( s– s) maxi trial ( – ) mani pulite ( – ) great recession ( – ) european migrant crisis ( –present) coronavirus pandemic ( –present) by topic list of historic states citizenship currency economy fashion genetic military music postage railway timeline  italy portal v t e interest in studying, and even idealizing, ancient rome became prevalent during the italian renaissance, and continues until the present day. charles montesquieu wrote a work reflections on the causes of the grandeur and declension of the romans. the first major work was the history of the decline and fall of the roman empire by edward gibbon, which encompassed the roman civilization from the end of the nd century to the fall of the byzantine empire in .[ ] like montesquieu, gibbon paid tribute to the virtue of roman citizens. barthold georg niebuhr was a founder of the examination of ancient roman history and wrote the roman history, tracing the period until the first punic war. niebuhr tried to determine the way the roman tradition evolved. according to him, romans, like other people, had an historical ethos preserved mainly in the noble families. during the napoleonic period a work titled the history of romans by victor duruy appeared. it highlighted the caesarean period popular at the time. history of rome, roman constitutional law and corpus inscriptionum latinarum, all by theodor mommsen,[ ] became very important milestones. later the work greatness and decline of rome by guglielmo ferrero was published. the russian work Очерки по истории римского землевладения, преимущественно в эпоху Империи (the outlines on roman landownership history, mainly during the empire) by ivan grevs contained information on the economy of pomponius atticus, one of the largest landowners at the end of the republic. edward gibbon ( – ) – the history of the decline and fall of the roman empire john bagnall bury ( – ) – history of the later roman empire michael grant ( – ) – the roman world[ ] barbara levick (born ) – claudius[ ] barthold georg niebuhr ( – ) michael rostovtzeff ( – ) howard hayes scullard ( – ) – the history of the roman world[ ] ronald syme ( – ) – the roman revolution[ ] adrian goldsworthy (born ) – caesar: the life of a colossus and how rome fell[ ] see also civilizations portal  ancient rome portal ancient roman architecture daqin, the chinese name for the roman empire, see sino-roman relations outline of classical studies outline of ancient rome constitution of the roman republic history of rome timeline of roman history legacy of the roman empire regions in greco-roman antiquity roman agriculture list of ancient romans list of roman emperors roman culture list of roman civil wars and revolts references footnotes ^ this splintering is a landmark historians use to divide the ancient period of universal history from the pre-medieval "dark ages" of europe. ^ although the citizens of the empire made no distinction, the empire is most commonly referred to as the "byzantine empire" by modern historians to differentiate between the state in antiquity and the state during the middle ages.[ ] citations ^ "ancient rome | facts, maps, & history". encyclopædia britannica. retrieved september . ^ there are several different estimates for the population of the roman empire. scheidel ( , p. ) estimates . goldsmith ( , p. ) estimates . beloch ( , p. ) estimates . maddison ( , pp. , ) estimates . roman empire population estimates (while mentioning several other estimates between and ). mclynn, frank ( ). marcus aurelius: warrior, philosopher, emperor. random house. p.  . isbn  . [t]he most likely estimate for the reign of marcus aurelius is somewhere between seventy and eighty million. mcevedy and jones ( ). an average of figures from different sources as listed at the us census bureau's historical estimates of world population archived october at the wayback machine kremer, michael ( ). "population growth and technological change: one million b.c. to " in the quarterly journal of economics ( ): – . ^ a b * taagepera, rein ( ). "size and duration of empires: growth-decline curves,  b.c. to  a.d.". social science history. ( / ): . doi: . / . jstor  . turchin, peter; adams, jonathan m.; hall, thomas d (december ). "east-west orientation of historical empires". journal of world-systems research. ( ): . doi: . /jwsr. . . issn  - x. ^ furet, françois; ozouf, mona, eds. ( ). a critical dictionary of the french revolution. harvard university press. p.  . isbn  - . ^ luckham, robin; white, gordon ( ). democratization in the south: the jagged wave. manchester university press. p.  . isbn  - . ^ sellers, mortimer n. ( ). american republicanism: roman ideology in the united states constitution. nyu press. p.  . isbn  - . ^ ferrero, guglielmo ( ). the greatness and decline of rome, volume . translated by zimmern, sir alfred eckhard; chaytor, henry john. g.p. putnam's sons. p.  . ^ hadfield, andrew hadfield ( ). shakespeare and republicanism. cambridge university press. p.  . isbn  - . ^ gray, christopher b ( ). the philosophy of law: an encyclopedia, volume . taylor & francis. p.  . isbn  - . ^ cartwright, mark ( september ). "byzantine empire". ancient history encyclopedia. ^ adkins, lesley; adkins, roy ( ). handbook to life in ancient rome. oxford: oxford university press. p.  . isbn  - - - - . ^ cavazzi, f. 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"people from the city’s earliest eras and from after the western empire’s decline in the fourth century c.e. genetically resembled other western europeans. but during the imperial period most sampled residents had eastern mediterranean or middle eastern ancestry... the study suggests the vast majority of immigrants to rome came from the east. of individuals sampled from this period, only two showed strong genetic ties to europe... invading barbarians brought in more european ancestry. rome gradually lost its strong genetic link to the eastern mediterranean and middle east. by medieval times, city residents again genetically resembled european populations." ^ antonio et al. , pp.  - . ^ [ ] plutarch, parallel lives, life of marius, xi, – . ^ the history of the decline and fall of the roman empire, vols. ^ liukkonen, petri. "theodor mommsen". books and writers (kirjasto.sci.fi). finland: kuusankoski public library. archived from the original on august . ^ see excerpt and text search ^ levick, barbara ( ). claudius. yale university press. isbn  - . ^ see online edition ^ syme, ronald ( ). the roman revolution. oxford university press. isbn  - . ^ "dr adrian goldsworthy, the historian and author". adriangoldsworthy.com. retrieved march . sources adkins, lesley; roy adkins ( ). handbook to life in ancient rome. oxford: oxford university press. isbn  - - - - . antonio, margaret l.; et al. ( november ). "ancient rome: a genetic crossroads of europe and the mediterranean". science. american association for the advancement of science. ( ): – . doi: . /science.aay . pmc  . pmid  . cary, m. ( ). a history of rome down to the reign of constantine ( nd ed.). new york: st. martin's press. casson, lionel ( ). everyday life in ancient rome. baltimore: the johns hopkins university press. isbn  - - - - . dio, cassius (january ). dio's rome, volume v., books – (ad – ). retrieved december . duiker, william; jackson spielvogel ( ). world history (third ed.). wadsworth. isbn  - - - - . durant, will ( ). the story of civilization, volume iii: caesar and christ. simon and schuster, inc. elton, hugh ( ). warfare in roman europe ad – . oxford: oxford university press. isbn  - - - - . flower (editor), harriet i. ( ). the cambridge companion to the roman republic. cambridge: cambridge university press. isbn  - - - - .cs maint: extra text: authors list (link) edward gibbon, the history of the decline and fall of the roman empire goldsworthy, adrian keith ( ). caesar: life of a colossus. yale university press goldsworthy, adrian keith ( ). the roman army at war bc – ad . oxford: oxford university press. isbn  - - - - . goldsworthy, adrian keith ( ). the complete roman army. london: thames and hudson, ltd. isbn  - - - - . grant, michael ( ). cities of vesuvius: pompeii and herculaneum. london: phoenix press. isbn  - - - - . haywood, richard ( ). the ancient world. david mckay company, inc. keegan, john ( ). a history of warfare. new york: alfred a. knopf. isbn  - - - - . livy. the rise of rome, books – , translated from latin by t.j. luce, . oxford world's classics. oxford: oxford university press. isbn  - - - . mackay, christopher s. ( ). ancient rome: a military and political history. cambridge: cambridge university press. isbn  - - - - . matyszak, philip ( ). chronicle of the roman republic. london: thames & hudson, ltd. isbn  - - - - . o'connell, robert ( ). of arms and men: a history of war, weapons, and aggression. oxford: oxford university press. isbn  - - - - . scarre, chris (september ). the penguin historical atlas of ancient rome. penguin books. isbn  - - - - . scullard, h.h. ( ). from the gracchi to nero. ( th edition). routledge. isbn  - - - - . ward-perkins, john bryan ( ). roman imperial architecture. yale university press. isbn  - - - - . wade, lizzie ( november ). "immigrants from the middle east shaped rome". science. american association for the advancement of science. ( ): . doi: . /science. . . . pmid  . werner, paul ( ). life in rome in ancient times. translated by david macrae. geneva: editions minerva s.a. willis, roy ( ). world mythology: the illustrated guide. collingwood, victoria: ken fin books. isbn  - - - - . further reading coarelli, filippo. rome and environs: an archaeological guide. berkeley: univ. of california press, . cornell, tim j. the beginnings of rome: italy and rome from the bronze age to the punic wars (c. – bc). london: routledge, . coulston, j. c, and hazel dodge, editors. ancient rome: the archaeology of the eternal city. oxford: oxford university school of archaeology, . forsythe, gary. a critical history of early rome. berkeley: university of california press, . fox, matthew. roman historical myths: the regal period in augustan literature. oxford: oxford university press, . gabba, emilio. dionysius and the history of archaic rome. berkeley: university of california press, . holloway, r. ross. the archaeology of early rome and latium. london: routledge, . keaveney, arthur. rome and the unification of italy. nd edition. bristol: bristol phoenix, . kraus, christina shuttleworth, and a.j. woodman. latin historians. oxford: oxford university press, . mitchell, richard e. patricians and plebeians: the origin of the roman state. ithaca: cornell university press, . potter, t.w. roman italy. berkeley: university of california press, . raaflaub, kurt a., editors. social struggles in archaic rome: new perspectives on the conflict of the orders. nd edition. oxford: blackwell, . rosenstein, nathan s., and robert morstein-marx, editors. a companion to the roman republic. oxford: blackwell, . scheidel, walter, richard p saller, and ian morris. the cambridge economic history of the greco-roman world. cambridge: cambridge university press, . smith, christopher j. early rome and latium: economy and society c. – bc. oxford: oxford university press, . stewart, roberta. public office in early rome: ritual procedure and political practice. ann arbor: university of michigan press, . woolf, greg. rome: an empire's story. oxford: oxford university press, . wyke, maria. projecting the past: ancient rome, cinema, and history. new york: routledge, . external links wikimedia commons has media related to ancient rome. library resources about ancient rome online books resources in your library resources in other libraries ancient rome resources for students from the courtenay middle school library. history of ancient rome opencourseware from the university of notre dame providing free resources including lectures, discussion questions, assignments, and exams. gallery of the ancient art: ancient rome lacus curtius livius.org united nations of roma victrix (unrv) history water and wastewater systems in imperial rome roman dna project v t e ancient rome topics outline timeline history foundation kingdom overthrow republic empire history pax romana principate dominate western empire fall historiography of the fall byzantine empire decline fall constitution history kingdom republic empire late empire senate legislative assemblies curiate centuriate tribal plebeian executive magistrates spqr law twelve tables mos maiorum citizenship auctoritas imperium status litigation government curia forum cursus honorum collegiality emperor legatus dux officium prefect vicarius vigintisexviri lictor magister militum imperator princeps senatus pontifex maximus augustus caesar tetrarch optimates populares province magistrates ordinary consul censor praetor tribune tribune of the plebs military tribune quaestor aedile promagistrate governor extraordinary rex interrex dictator magister equitum decemviri consular tribune triumvir military history borders establishment structure campaigns political control strategy engineering frontiers and fortifications castra technology army legion infantry tactics personal equipment siege engines navy auxiliaries decorations and punishments hippika gymnasia economy agriculture deforestation commerce finance currency republican currency imperial currency culture architecture art bathing calendar clothing cosmetics cuisine hairstyles education literature music mythology religion deities romanization roman people sexuality theatre wine society patricians plebs conflict of the orders secessio plebis equites gens tribes assembly naming conventions demography women marriage adoption slavery bagaudae technology amphitheatres aqueducts bridges circuses civil engineering concrete domes metallurgy numerals roads temples theatres sanitation thermae latin history alphabet versions old classical vulgar late medieval renaissance new contemporary ecclesiastical romance languages writers latin aelius donatus ammianus marcellinus appuleius asconius pedianus augustine aurelius victor ausonius boëthius caesar catullus cassiodorus censorinus cicero claudian columella cornelius nepos ennius eutropius fabius pictor sextus pompeius festus rufus festus florus frontinus fronto fulgentius gellius horace hydatius hyginus jerome jordanes julius paulus justin juvenal lactantius livy lucan lucretius macrobius marcellus empiricus marcus aurelius manilius martial nicolaus damascenus nonius marcellus obsequens orosius ovid petronius phaedrus plautus pliny the elder pliny the younger pomponius mela priscian propertius quadrigarius quintilian quintus curtius rufus sallust seneca the elder seneca the younger servius sidonius apollinaris silius italicus statius suetonius symmachus tacitus terence tertullian tibullus valerius antias valerius maximus varro velleius paterculus verrius flaccus vergil vitruvius greek aelian aëtius of amida appian arrian cassius dio diodorus siculus diogenes laërtius dionysius of halicarnassus dioscorides eusebius of caesaria galen herodian josephus julian libanius lucian pausanias philostratus phlegon of tralles photius plutarch polyaenus polybius porphyrius priscus procopius simplicius of cilicia sozomen stephanus byzantinus strabo themistius theodoret zonaras zosimus major cities alexandria antioch aquileia berytus bononia carthage constantinopolis eboracum leptis magna londinium lugdunum lutetia mediolanum pompeii ravenna roma smyrna vindobona volubilis lists and other topics cities and towns climate consuls dictators distinguished women dynasties emperors generals gentes geographers institutions laws legacy legions magistri equitum nomina pontifices maximi praetors quaestors tribunes roman–iranian relations wars and battles civil wars and revolts fiction films v t e ancient roman religion and mythology deities (dii consentes) agenoria angerona anna perenna apollo bellona bona dea carmenta castor and pollux ceres cloacina cupid dea dia diana dies dīs pater egeria fauna faunus flora genius hercules janus juno jupiter lares liber libertas mars mercury minerva neptune orcus penates pluto pomona priapus proserpina quirinus saturn silvanus sol venus veritas vesta vulcan abstract deities abundantia aequitas aeternitas africa annona averruncus concordia feronia fides fortuna fontus laverna pietas roma salus securitas spes tranquillitas victoria terra legendary figures aeneas rhea silvia romulus and remus numa pompilius tullus hostilius servius tullius ancus marcius lucius tarquinius priscus lucius tarquinius superbus texts virgil aeneid ovid metamorphoses fasti propertius apuleius the golden ass varro concepts and practices religion in ancient rome festivals interpretatio graeca imperial cult pomerium temples philosophy cynicism epicureanism neoplatonism peripateticism pythagoreanism stoicism see also glossary greek mythology myth and ritual roman polytheism (list) classical mythology conversion to christianity decline of greco-roman polytheism v t e roman constitution ancient rome history constitution senate assemblies curiate century tribal plebeian magistrates roman kingdom history constitution senate assemblies magistrates roman republic history constitution (reforms of sulla • reforms of caesar • reforms of augustus) senate assemblies magistrates roman empire history (post diocletian) constitution (post diocletian) senate assemblies magistrates miscellaneous sulla's constitutional reforms caesar's constitutional reforms conflict of the orders roman law v t e roman and byzantine emperors principate bc – ad augustus tiberius caligula claudius nero galba otho vitellius vespasian titus domitian nerva trajan hadrian antoninus pius marcus aurelius lucius verus commodus pertinax didius julianus (pescennius niger) (clodius albinus) septimius severus caracalla geta macrinus diadumenian elagabalus severus alexander crisis – maximinus thrax gordian i gordian ii pupienus balbinus gordian iii philip the arab philip ii decius herennius etruscus hostilian trebonianus gallus volusianus aemilianus valerian gallienus saloninus claudius gothicus quintillus aurelian tacitus florian probus carus carinus numerian gallic emperors postumus (laelianus) marius victorinus (domitianus ii) tetricus i with tetricus ii as caesar dominate – diocletian maximian galerius constantius chlorus severus constantine the great maxentius licinius maximinus daia (valerius valens) (martinian) constantine ii constantius ii constans magnentius vetranio julian jovian valentinian i (west) valens (east) gratian (west) valentinian ii (west) theodosius i magnus maximus victor (eugenius) western empire – honorius constantine iii with son constans ii constantius iii joannes valentinian iii petronius maximus avitus majorian libius severus anthemius olybrius glycerius julius nepos romulus augustulus eastern/ byzantine empire – arcadius theodosius ii marcian leo the thracian leo ii zeno basiliscus marcus anastasius i dicorus justin i justinian the great justin ii tiberius ii constantine maurice with son theodosius as co-emperor phocas heraclius constantine iii heraklonas constans ii constantine iv with brothers heraclius and tiberius and then justinian ii as co-emperors justinian ii (first reign) leontios tiberius iii justinian ii (second reign) with son tiberius as co-emperor philippikos anastasios ii theodosius iii leo iii the isaurian constantine v artabasdos leo iv the khazar constantine vi irene nikephoros i staurakios michael i rangabe with son theophylact as co-emperor leo v the armenian with symbatios-constantine as junior emperor michael ii the amorian theophilos michael iii basil i the macedonian leo vi the wise alexander constantine vii porphyrogennetos romanos i lekapenos with sons christopher, stephen and constantine as junior co-emperors romanos ii nikephoros ii phokas john i tzimiskes basil ii constantine viii zoë (first reign) and romanos iii argyros zoë (first reign) and michael iv the paphlagonian michael v kalaphates zoë (second reign) with theodora zoë (second reign) and constantine ix monomachos constantine ix monomachos (sole emperor) theodora michael vi bringas isaac i komnenos constantine x doukas romanos iv diogenes michael vii doukas with brothers andronikos and konstantios and son constantine nikephoros iii botaneiates alexios i komnenos john ii komnenos with alexios komnenos as co-emperor manuel i komnenos alexios ii komnenos andronikos i komnenos with john komnenos as co-emperor isaac ii angelos alexios iii angelos alexios iv angelos nicholas kanabos (chosen by the senate) alexios v doukas empire of nicaea – constantine laskaris theodore i laskaris john iii doukas vatatzes theodore ii laskaris john iv laskaris byzantine empire – michael viii palaiologos andronikos ii palaiologos with michael ix palaiologos as co-emperor andronikos iii palaiologos john v palaiologos john vi kantakouzenos with john v palaiologos and matthew kantakouzenos as co-emperors john v palaiologos andronikos iv palaiologos john vii palaiologos andronikos v palaiologos manuel ii palaiologos john viii palaiologos constantine xi palaiologos italics indicates a junior co-emperor, while underlining indicates a usurper. v t e ancient greek and roman wars ancient greece trojan war first messenian war second messenian war lelantine war greek–punic wars (sicilian wars) greco-persian wars aeginetan war wars of the delian league samian war peloponnesian war corinthian war first / second / third sacred war social war ( – bc) expansion of macedonia wars of alexander the great wars of the diadochi lamian war chremonidean war cleomenean war social war ( – bc) cretan war aetolian war war against nabis maccabean revolt roman republic roman–latin wars (first latin war (battle of lake regillus) second latin war) samnite wars pyrrhic war punic wars (first second third) macedonian wars (illyrian first macedonian second macedonian seleucid third macedonian fourth macedonian) jugurthine war cimbrian war roman servile wars (first second third) social war ( – bc) sulla's civil wars (first second) mithridatic wars (first second third) gallic wars julius caesar's civil war augustus' rise to power (battle of mutina liberators' civil war sicilian revolt perusine war (fulvia's civil war) final war of the roman republic) roman empire germanic wars (marcomannic alemannic gothic visigothic) conquest of britain wars of boudica armenian war four emperors jewish wars domitian's dacian war trajan's dacian wars parthian wars wars against persia third-century civil wars decline and fall of the western empire military history v t e colonies of ancient rome with correspondence to modern geography europe britannia superior camulodunum lindum colonia londinium britannia inferior eboracum roman dacia ulpia traiana sarmizegetusa gallia lugdunensis lugdunum gallia narbonensis narbo martius germania inferior colonia claudia ara agrippinensium mogontiacum hispania emerita augusta italia aelia augusta aeclanum castra taurinorum florentia mediolanum placentia moesia singidunum levant of legion veterans berytus caesarea maritima aelia capitolina ptolemais of late empire laodicea antioch seleucia emesa heliopolis palmyra damascus arca caesarea sidon tyrus sebaste bostra petra neapolis philippopolis dura-europos possible colonies gaza ascalon gerasa gadara emmaus nicopolis neronias locations with modern names israel and the palestinian territories jerusalem: aelia capitolina acre: ptolemais caesarea: caesarea maritima imwas: emmaus nicopolis banias: neronias jordan petra: petra umm qais: gadara jerash: gerasa lebanon arqa: arca caesarea beirut: berytus baalbek: heliopolis saida: sidon tyre: tyrus syria bosra: bostra damascus: damascus dura-europos: dura-europus homs: emesa latakia: laodicea shahba: philippopolis tadmur: palmyra turkey antakya: antioch samandağ: seleucia unesco world heritage sites; proposed; in danger see also: legacy of the roman empire v t e italy articles history chronology prehistory italic peoples ancient peoples of italy pre-nuragic sardinia nuragic peoples etruscan civilization nuragic civilization phoenician/carthaginian colonies magna graecia ancient rome kingdom republic empire western empire middle ages italy under odoacer ostrogoths byzantium lombards the holy roman empire the sardinian judicates arabs normans guelphs and ghibellines the italian city-states the maritime republics renaissance italian wars early modern period unification revolutions of revolutions of revolutions of sicilian revolution of first war of independence crimean war second war of independence expedition of the thousand third war of independence capture of rome monarchy and the world wars kingdom of italy colonial empire world war i fascist italy world war ii resistance and social republic civil war republic economic boom years of lead maxi trial mani pulite great recession european migrant crisis coronavirus pandemic by topic citizenship currency economy fashion flags genetic historic states military music railways geography geographical region peninsula northern northwest northeast central southern south insular climate fauna flora mountains prealps alps apennines volcanology volcanoes beaches canals caves earthquakes islands lakes national parks rivers valleys politics constitution elections foreign relations judiciary law enforcement military parliament political parties president (list) prime minister (list) council of ministers regions provinces metropolitan cities cities comune municipalities renamed municipalities fused municipalities economy economic history regions by gdp automotive industry banking central bank companies energy government debt science and technology stock exchange taxation telecommunications tourism trade unions transportation welfare society corruption crime organized crime demographics education emigration gambling health immigration lgbt rights religion social class terrorism women culture duecento trecento quattrocento cinquecento seicento settecento ottocento architecture aristocracy art castles cinema cuisine cultural icons orders, decorations, and medals design fashion folklore italophilia italophobia inventions and discoveries languages italian regional dialects literature media monuments music mythology national symbols anthem cockade colours emblem flag regions monument personification tree italians people philosophy public holidays sculpture sport traditions world heritage sites  italy portal category commons news quotes travel wikiproject v t e list of historic states of italy etruscan civilization lega dei popoli etruscan dodecapolis ancient rome roman kingdom ( bc– bc) roman republic ( bc– bc) italy ( th/ rd century bc– ad) sicilia ( bc– ad) corsica and sardinia ( bc– ad) roman empire ( bc– ad) western roman empire ( ad– ad) praetorian prefecture of italy ( ad– ad) medieval and early modern states early italian kingdom ( – ) odoacer's rule ( – ) ostrogothic rule ( – ) vandal rule ( – ) lombard rule ( – ) duchy of benevento duchy of friuli duchy of ivrea duchy of spoleto duchy of tridentum byzantine empire ( – ) exarchate of ravenna ( – ) duchy of rome ( – ) duchy of perugia ( – ) duchy of the pentapolis ( – ) exarchate of africa ( – ) holy roman empire and other independent states bishopric of bressanone city of fiume and its district commune of rome county of gorizia princely county of gorizia and gradisca county of guastalla duchy of guastalla kingdom of italy ancona ceva finale march of friuli patria del friuli (patriarchate of aquileia) ivrea istria mantua milan march of montferrat duchy of montferrat tyrol trieste turin tuscany verona duchy of ivrea duchy of mantua duchy of massa and carrara duchy of merania duchy of mirandola duchy of modena and reggio principality of piombino duchy of reggio marquisate of saluzzo duchy of spoleto bishopric of tarantasia bishopric of trento grand duchy of tuscany papal states ( – ) duchy of castro duchy of ferrara holy see duchy of parma duchy of urbino republics republic of cospaia republic of ancona republic of florence republic of genoa republic of noli republic of lucca republic of massa republic of pisa republic of siena republic of venice ( – ) dogado domini di terraferma stato da màr southern italy ( – ) byzantine duchy of amalfi duchy of gaeta catepanate of italy longobardia theme of lucania duchy of naples theme of sicily and byzantine sicily duchy of sorrento arab emirate of bari emirate of sicily lombard principality of benevento principality of salerno principality of capua norman county of apulia and calabria county of aversa county of sicily principality of taranto sardinia and corsica ( th century– ) judicates agugliastra arborea cagliari gallura logudoro oristano republic of sassari kingdom of sardinia and corsica corsican republic ( – ) kingdom of sicily ( – ) and kingdom of naples ( – ) state of the presidi duke of san donato duchy of sora principality of taranto terra sancti benedicti neapolitan republic ( – ) hospitaller malta gozo malta protectorate crown colony of malta savoy and the savoyard state (from the th century) savoy county of savoy county of maurienne county of geneva duchy of chablais barony of faucigny piedmont duchy of aosta county of nice county of tenda sicily ( – ) sardinia ( – ) french revolutionary and napoleonic eras ( – ) republics cisalpinia cispadania italy liguria lucca parthenopea piedmont rome subalpinia transpadania monarchies benevento etruria guastalla italy lucca and piombino massa and carrara naples pontecorvo tuscany elba corsica post-napoleonic states duchy of genoa ( – ) duchy of lucca ( – ) duchy of massa and carrara ( – ) duchy of modena and reggio ( – ) duchy of parma ( – ) grand duchy of tuscany ( – ) italian united provinces ( ) provisional government of milan ( ) republic of san marco ( – ) roman republic ( ) united provinces of central italy ( – ) kingdom of sardinia ( – ) kingdom of the two sicilies ( – ) kingdom of lombardy–venetia ( – ) papal states ( – ) post-unification kingdom of italy ( – ) julian march italian empire ( – ) free state of fiume ( – ) italian social republic ( – ) free territory of trieste ( – ) v t e western world and culture aspects canon 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policy. wikipedia® is a registered trademark of the wikimedia foundation, inc., a non-profit organization. privacy policy about wikipedia disclaimers contact wikipedia mobile view developers statistics cookie statement view source for horace - wikipedia view source for horace ← horace jump to navigation jump to search you do not have permission to edit this page, for the following reasons: your ip address is in a range that has been blocked on all wikimedia foundation wikis. the block was made by jon kolbert (meta.wikimedia.org). the reason given is open proxy: webhost: contact stewards if you are affected . start of block: : , july expiry of block: : , january your current ip address is . . . and the blocked range is . . . / . please include all above details in any queries you make. if you believe you were blocked by mistake, you can find additional information and instructions in the no open proxies global policy. otherwise, to discuss the block please post a request for review on 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appeals. the guide to appealing blocks may also be helpful. other useful links: blocking policy · help:i have been blocked you can view and copy the source of this page: ==reception== [[file:quinto orazio flacco.jpg|thumb|horace, portrayed by [[giacomo di chirico]]]] the reception of horace's work has varied from one epoch to another and varied markedly even in his own lifetime. ''odes'' – were not well received when first 'published' in rome, yet augustus later commissioned a ceremonial ode for the centennial games in bc and also encouraged the publication of ''odes'' , after which horace's reputation as rome's premier lyricist was assured. his odes were to become the best received of all his poems in ancient times, acquiring a classic status that discouraged imitation: no other poet produced a comparable body of lyrics in the four centuries that followedr. tarrant, ''ancient receptions of horace'', (though that might also be attributed to social causes, particularly the parasitism that italy was sinking into).v. kiernan, ''horace: poetics and politics'', in the seventeenth and eighteenth centuries, ode-writing became highly fashionable in england and a large number of aspiring poets imitated horace both in english and in latin.d. money, ''the seventeenth and eighteenth centuries'', , in a verse epistle to augustus (epistle . ), in bc, horace argued for classic status to be awarded to contemporary poets, including virgil and apparently himself.r. lyme, ''augustan poetry and society'', in the final poem of his third book of odes he claimed to have created for himself a monument more durable than bronze ("exegi monumentum aere perennius", ''[[carmina]]'' . . ). for one modern scholar, however, horace's personal qualities are more notable than the monumental quality of his achievement: {{quote|... when we hear his name we don't really think of a monument. we think rather of a voice which varies in tone and resonance but is always recognizable, and which by its unsentimental humanity evokes a very special blend of liking and respect.|[[niall rudd]][[niall rudd]], ''the satires of horace and persius'', }} yet for men like [[wilfred owen]], scarred by experiences of world war i, his poetry stood for discredited values: {{poemquote| my friend, you would not tell with such high zest to children ardent for some desperate glory, the old lie: dulce et decorum est pro patria mori.wilfred owen, ''[[dulce et decorum est]]'' ( ), echoes a line from ''carmina'' . . , "it is sweet and honourable to die for one's country", cited by stephen harrison, ''the nineteenth and twentieth centuries'', . }} the same motto, ''[[dulce et decorum est pro patria mori]]'', had been adapted to the ethos of martyrdom in the lyrics of early christian poets like [[prudentius]].r. tarrant, ''ancient receptions of horace'', – these preliminary comments touch on a small sample of developments in the reception of horace's work. more developments are covered epoch by epoch in the following sections. ===antiquity=== horace's influence can be observed in the work of his near contemporaries, [[ovid]] and [[propertius]]. ovid followed his example in creating a completely natural style of expression in hexameter verse, and propertius cheekily mimicked him in his third book of elegies.propertius published his third book of elegies within a year or two of horace's odes – and mimicked him, for example, in the opening lines, characterizing himself in terms borrowed from odes . . and . . – , as a priest of the muses and as an adaptor of greek forms of poetry (r. tarrant, ''ancient receptions of horace'', ) his ''epistles'' provided them both with a model for their own verse letters and it also shaped ovid's exile poetry.ovid for example probably borrowed from horace's ''epistle'' . the image of a poetry book as a slave boy eager to leave home, adapting it to the opening poems of ''tristia'' and (r. tarrant, ''ancient receptions of horace''), and ''tristia'' may be understood as a counterpart to horace's ''epistles'' . , both being letters addressed to augustus on literary themes (a. barchiesi, ''speaking volumes'', – ) his influence had a perverse aspect. as mentioned before, the brilliance of his ''odes'' may have discouraged imitation. conversely, they may have created a vogue for the lyrics of the archaic greek poet [[pindar]], due to the fact that horace had neglected that style of lyric (see [[pindar#influence and legacy|influence and legacy of pindar]]).r. tarrant, ancient receptions of horace, the iambic genre seems almost to have disappeared after publication of horace's ''epodes''. ovid's ''ibis'' was a rare attempt at the form but it was inspired mainly by [[callimachus]], and there are some iambic elements in [[martial]] but the main influence there was [[catullus]].r. tarrant, ''ancient receptions of horace'', a revival of popular interest in the satires of lucilius may have been inspired by horace's criticism of his unpolished style. both horace and lucilius were considered good role-models by [[persius]], who critiqued his own satires as lacking both the acerbity of lucillius and the gentler touch of horace.the comment is in persius . – , yet that same satire has been found to have nearly reminiscences of horace; see d. hooley, ''the knotted thong'', [[juvenal]]'s caustic satire was influenced mainly by lucilius but horace by then was a school classic and juvenal could refer to him respectfully and in a round-about way as "''the venusine lamp''".the allusion to ''venusine'' comes via horace's ''sermones'' . . , while ''lamp'' signifies the lucubrations of a conscientious poet. according to quintilian ( ), however, many people in flavian rome preferred lucilius not only to horace but to all other latin poets (r. tarrant, ''ancient receptions of horace'', ) [[statius]] paid homage to horace by composing one poem in sapphic and one in alcaic meter (the verse forms most often associated with ''odes''), which he included in his collection of occasional poems, ''silvae''. ancient scholars wrote commentaries on the lyric meters of the ''odes'', including the scholarly poet [[caesius bassus]]. by a process called ''derivatio'', he varied established meters through the addition or omission of syllables, a technique borrowed by [[seneca the younger]] when adapting horatian meters to the stage.r. tarrant, ''ancient receptions of horace'', – horace's poems continued to be school texts into late antiquity. works attributed to [[helenius acro]] and [[pomponius porphyrio]] are the remnants of a much larger body of horatian scholarship. porphyrio arranged the poems in non-chronological order, beginning with the ''odes'', because of their general popularity and their appeal to scholars (the ''odes'' were to retain this privileged position in the medieval manuscript tradition and thus in modern editions also). horace was often evoked by poets of the fourth century, such as [[ausonius]] and [[claudian]]. [[prudentius]] presented himself as a christian horace, adapting horatian meters to his own poetry and giving horatian motifs a christian tone.prudentius sometimes alludesto the ''odes'' in a negative context, as expressions of a secular life he is abandoning. thus for example ''male pertinax'', employed in prudentius's ''praefatio'' to describe a willful desire for victory, is lifted from ''odes'' . . , where it describes a girl's half-hearted resistance to seduction. elsewhere he borrows ''dux bone'' from ''odes'' . . and , where it refers to augustus, and applies it to christ (r. tarrant, ''ancient receptions of horace'', on the other hand, [[st jerome]], modelled an uncompromising response to the pagan horace, observing: "''what harmony can there be between christ and the devil? what has horace to do with the psalter?''"st jerome, ''epistles'' . , incorporating a quote from '' 'corinthians'' . : ''qui consensus christo et belial? quid facit cum psalterio horatius?''(cited by k. friis-jensen, ''horace in the middle ages'', ) by the early sixth century, horace and prudentius were both part of a classical heritage that was struggling to survive the disorder of the times. [[boethius]], the last major author of classical latin literature, could still take inspiration from horace, sometimes mediated by senecan tragedy.r. tarrant, ''ancient receptions of horace'', it can be argued that horace's influence extended beyond poetry to dignify core themes and values of the early christian era, such as self-sufficiency, inner contentment and courage.''odes'' . . – was especially influential in promoting the value of heroic calm in the face of danger, describing a man who could bear even the collapse of the world without fear (''si fractus illabatur orbis,/impavidum ferient ruinae''). echoes are found in seneca's ''agamemnon'' – , prudentius's ''peristephanon'' . – and boethius's ''consolatio'' metrum .(r. tarrant, ''ancient receptions of horace'', – ) ===middle ages and renaissance=== [[file:horaz beim studium.jpg|thumb|horace in his studium: german print of the fifteenth century, summarizing the final [[:wikisource:la:carmina (horatius)/liber iv/carmen xv|ode . ]] (in praise of augustus).]] classical texts almost ceased being copied in the period between the mid sixth century and the [[carolingian renaissance|carolingian revival]]. horace's work probably survived in just two or three books imported into northern europe from italy. these became the ancestors of six extant manuscripts dated to the ninth century. two of those six manuscripts are french in origin, one was produced in [[alsace]], and the other three show irish influence but were probably written in continental monasteries ([[lombardy]] for example).r. tarrant, ''ancient receptions of horace'', – by the last half of the ninth century, it was not uncommon for literate people to have direct experience of horace's poetry. his influence on the [[carolingian renaissance]] can be found in the poems of [[heiric of auxerre]]heiric, like prudentius, gave horatian motifs a christian context. thus the character lydia in ''odes'' . . , who would willingly die for her lover twice, becomes in heiric's ''life'' of st germaine of auxerre a saint ready to die twice for the lord's commandments (r. tarrant, ''ancient receptions of horace'', – ) and in some manuscripts marked with [[neumes]], mysterious notations that may have been an aid to the memorization and discussion of his lyric meters. ''ode'' [[:wikisource:la:carmina (horatius)/liber iv/carmen xi| . ]] is neumed with the melody of a hymn to john the baptist, ''[[ut queant laxis]]'', composed in [[sapphic stanza]]s. this hymn later became the basis of the [[solfege]] system (''do, re, mi...''){{emdash}}an association with western music quite appropriate for a lyric poet like horace, though the language of the hymn is mainly prudentian.r. tarrant, ''ancient receptions of horace'', – lyonsstuart lyons, horace's odes and the mystery of do-re-mi argues that the melody in question was linked with horace's ode well before guido d'arezzo fitted [[ut queant laxis]] to it. however, the melody is unlikely to be a survivor from classical times, although ovidtristia, . . – testifies to horace's use of the lyre while performing his odes. the german scholar, [[ludwig traube (palaeographer)|ludwig traube]], once dubbed the tenth and eleventh centuries ''the age of horace'' (''aetas horatiana''), and placed it between the ''aetas vergiliana'' of the eighth and ninth centuries, and the ''aetas ovidiana'' of the twelfth and thirteenth centuries, a distinction supposed to reflect the dominant classical latin influences of those times. such a distinction is over-schematized since horace was a substantial influence in the ninth century as well. traube had focused too much on horace's ''satires''.b. bischoff, ''living with the satirists'', – almost all of horace's work found favour in the medieval period. in fact medieval scholars were also guilty of over-schematism, associating horace's different genres with the different ages of man. a twelfth-century scholar encapsulated the theory: "...horace wrote four different kinds of poems on account of the four ages, the ''odes'' for boys, the ''ars poetica'' for young men, the ''satires'' for mature men, the ''epistles'' for old and complete men."k. friis-jensen,''horace in the middle ages'', it was even thought that horace had composed his works in the order in which they had been placed by ancient scholars.according to a medieval french commentary on the ''satires'': "...first he composed his lyrics, and in them, speaking to the young, as it were, he took as subject-matter love affairs and quarrels, banquets and drinking parties. next he wrote his ''epodes'', and in them composed invectives against men of a more advanced and more dishonourable age...he next wrote his book about the ''ars poetica'', and in that instructed men of his own profession to write well...later he added his book of ''satires'', in which he reproved those who had fallen a prey to various kinds of vices. finally, he finished his oeuvre with the ''epistles'', and in them, following the method of a good farmer, he sowed the virtues where he had rooted out the vices." (cited by k. friis-jensen, ''horace in the middle ages'', – ) despite its naivety, the schematism involved an appreciation of horace's works as a collection, the ''ars poetica'', ''satires'' and ''epistles'' appearing to find favour as well as the ''odes''. the later middle ages however gave special significance to ''satires'' and ''epistles'', being considered horace's mature works. [[dante]] referred to horace as ''orazio satiro'', and he awarded him a privileged position in the first circle of hell, with [[homer]], ovid and [[lucan]].k. friis-jensen, ''horace in the middle ages'', , horace's popularity is revealed in the large number of quotes from all his works found in almost every genre of medieval literature, and also in the number of poets imitating him in [[prosody (latin)#two rhythms|quantitative latin meter]]. the most prolific imitator of his ''odes'' was the bavarian monk, [[metellus of tegernsee]], who dedicated his work to the patron saint of [[tegernsee abbey]], [[quirinus of tegernsee|st quirinus]], around the year . he imitated all horace's lyrical meters then followed these up with imitations of other meters used by prudentius and boethius, indicating that variety, as first modelled by horace, was considered a fundamental aspect of the lyric genre. the content of his poems however was restricted to simple piety.k. friis-jensen, ''horace in the middle ages'', – among the most successful imitators of ''satires'' and ''epistles'' was another germanic author, calling himself [[sextus amarcius]], around , who composed four books, the first two exemplifying vices, the second pair mainly virtues.k. friis-jensen, ''horace in the middle ages'', [[petrarch]] is a key figure in the imitation of horace in accentual meters. his verse letters in latin were modelled on the ''epistles'' and he wrote a letter to horace in the form of an ode. however he also borrowed from horace when composing his italian sonnets. one modern scholar has speculated that authors who imitated horace in accentual rhythms (including stressed latin and vernacular languages) may have considered their work a natural sequel to horace's metrical variety.k. friis-jensen, ''horace in the middle ages'', in france, horace and [[pindar]] were the poetic models for a group of vernacular authors called the [[pléiade]], including for example [[pierre de ronsard]] and [[joachim du bellay]]. [[montaigne]] made constant and inventive use of horatian quotes.michael mcgann, ''horace in the renaissance'', the vernacular languages were dominant in spain and portugal in the sixteenth century, where horace's influence is notable in the works of such authors as [[garcilaso de la vega (poet)|garcilaso de la vega]], [[juan boscán]], [[sá de miranda]], [[antonio ferreira]] and [[fray luis de león]], the last writing odes on the horatian theme ''beatus ille'' (''happy the man'').e. rivers, ''fray luis de león: the original poems'' the sixteenth century in western europe was also an age of translations (except in germany, where horace wasn't translated into the vernacular until well into the seventeenth century). the first english translator was [[thomas drant]], who placed translations of [[jeremiah]] and horace side by side in ''medicinable morall'', . that was also the year that the scot [[george buchanan]] paraphrased the [[psalms]] in a horatian setting. [[ben jonson]] put horace on the stage in in ''[[poetaster (play)|poetaster]]'', along with other classical latin authors, giving them all their own verses to speak in translation. horace's part evinces the independent spirit, moral earnestness and critical insight that many readers look for in his poems.m. mcgann, ''horace in the renaissance'', – , – ===age of enlightenment=== during the seventeenth and eighteenth centuries, or the [[age of enlightenment]], neoclassical culture was pervasive. english literature in the middle of that period has been dubbed [[augustan literature|augustan]]. it is not always easy to distinguish horace's influence during those centuries (the mixing of influences is shown for example in one poet's pseudonym, ''horace juvenal'').'horace juvenal' was author of ''modern manners: a poem'', however a measure of his influence can be found in the diversity of the people interested in his works, both among readers and authors.d. money, ''the seventeenth and eighteenth centuries'', , , new editions of his works were published almost yearly. there were three new editions in (two in [[leiden]], one in [[frankfurt]]) and again in ([[utrecht]], [[barcelona]], [[cambridge]]). cheap editions were plentiful and fine editions were also produced, including one whose entire text was engraved by [[john pine]] in [[copperplate engraving|copperplate]]. the poet [[james thomson (poet)|james thomson]] owned five editions of horace's work and the physician [[james douglas (physician)|james douglas]] had five hundred books with horace-related titles. horace was often commended in periodicals such as [[the spectator ( )|the spectator]], as a hallmark of good judgement, moderation and manliness, a focus for moralising.see for example ''spectator'' ''' ''', feb. ; ''' ''', nov. ; ''' ''', nov. his verses offered a fund of mottoes, such as ''[[simplex munditiis]]'' (elegance in simplicity), ''[[splendide mendax]]'' (nobly untruthful), ''[[sapere aude]]'' (dare to know), ''[[nunc est bibendum]]'' (now is the time to drink), ''[[carpe diem]]'' (seize the day, perhaps the only one still in common use today). these were quoted even in works as prosaic as [[edmund quincy ( - )|edmund quincy]]'s ''a treatise of hemp-husbandry'' ( ). the fictional hero [[the history of tom jones, a foundling|tom jones]] recited his verses with feeling.d. money, ''the seventeenth and eighteenth centuries'', his works were also used to justify commonplace themes, such as patriotic obedience, as in james parry's english lines from an oxford university collection in :d. money, ''the seventeenth and eighteenth centuries'', – {{poemquote| what friendly [[muse]] will teach my lays to emulate the roman fire? justly to sound a caeser's praise demands a bold horatian lyre. }} horatian-style lyrics were increasingly typical of oxford and cambridge verse collections for this period, most of them in latin but some like the previous ode in english. [[john milton]]'s [[lycidas]] first appeared in such a collection. it has few horatian echoesone echo of horace may be found in line : "''were it not better done as others use,/ to sport with amaryllis in the shade/or with the tangles of neaera's hair?''", which points to the neara in ''odes'' . . (douglas bush, ''milton: poetical works'', , note ) yet milton's associations with horace were lifelong. he composed a controversial version of ''odes'' . , and [[paradise lost]] includes references to horace's 'roman' ''odes'' . – (book for example begins with echoes of ''odes'' . ).j. talbot, ''a horatian pun in paradise lost'', – yet horace's lyrics could offer inspiration to libertines as well as moralists, and neo-latin sometimes served as a kind of discrete veil for the risqué. thus for example [[benjamin loveling]] authored a catalogue of drury lane and covent garden prostitutes, in sapphic stanzas, and an encomium for a dying lady "of salacious memory".b. loveling, ''latin and english poems'', – , – some latin imitations of horace were politically subversive, such as a marriage ode by [[anthony alsop]] that included a rallying cry for the [[jacobitism|jacobite]] cause. on the other hand, [[andrew marvell]] took inspiration from horace's ''odes'' . to compose his english masterpiece [[horatian ode upon cromwell's return from ireland]], in which subtly nuanced reflections on the execution of [[charles i of england|charles i]] echo horace's ambiguous response to the death of [[cleopatra]] (marvell's ode was suppressed in spite of its subtlety and only began to be widely published in ). [[samuel johnson]] took particular pleasure in reading ''the odes''.cfr. [[james boswell]], "the life of [[samuel johnson]]" ''aetat.'' , where boswell remarked of johnson that horace's ''odes'' "were the compositions in which he took most delight." [[alexander pope]] wrote direct ''imitations'' of horace (published with the original latin alongside) and also echoed him in ''essays'' and [[the rape of the lock]]. he even emerged as "a quite horatian homer" in his translation of the ''[[iliad]]''.d. money, ''the seventeenth and eighteenth centuries'', – horace appealed also to female poets, such as [[anna seward]] (''original sonnets on various subjects, and odes paraphrased from horace'', ) and [[elizabeth tollet]], who composed a latin ode in sapphic meter to celebrate her brother's return from overseas, with tea and coffee substituted for the wine of horace's [[symposium|sympotic]] settings: {{verse translation|lang=la | quos procax nobis numeros, jocosque musa dictaret? mihi dum tibique temperent baccis arabes, vel herbis pocula serese. tollet, ''poems on several occasions'', | what verses and jokes might the bold muse dictate? while for you and me arabs flavour our cups with beans or chinese with leaves.translation adapted from d. money, ''the seventeenth and eighteenth centuries'', }} horace's ''ars poetica'' is second only to aristotle's ''poetics'' in its influence on literary theory and criticism. milton recommended both works in his treatise ''of education''.a. gilbert, ''literary criticism: plato to dryden'', , horace's ''satires'' and ''epistles'' however also had a huge impact, influencing theorists and critics such as [[john dryden]].w. kupersmith, ''roman satirists in seventeenth century england'', – there was considerable debate over the value of different lyrical forms for contemporary poets, as represented on one hand by the kind of four-line stanzas made familiar by horace's sapphic and alcaic ''odes'' and, on the other, the loosely structured [[pindarics]] associated with the odes of [[pindar]]. translations occasionally involved scholars in the dilemmas of censorship. thus [[christopher smart]] entirely omitted ''odes'' [[:wikisource:la:carmina (horatius)/liber iv/carmen x| . ]] and re-numbered the remaining odes. he also removed the ending of ''odes'' [[:wikisource:la:carmina (horatius)/liber iv/carmen i| . ]]. [[thomas creech]] printed ''epodes'' [[:wikisource:la:epodi#viii| ]] and [[:wikisource:la:epodi#xii| ]] in the original latin but left out their english translations. [[philip francis (translator)|philip francis]] left out both the english and latin for those same two epodes, a gap in the numbering the only indication that something was amiss. french editions of horace were influential in england and these too were regularly [[bowdlerize]]d. most european nations had their own 'horaces': thus for example [[friedrich von hagedorn]] was called ''the german horace'' and [[maciej kazimierz sarbiewski]] ''the polish horace'' (the latter was much imitated by english poets such as [[henry vaughan]] and [[abraham cowley]]). pope [[urban viii]] wrote voluminously in horatian meters, including an ode on gout.d. money, ''the seventeenth and eighteenth centuries'', – === th century on=== horace maintained a central role in the education of english-speaking elites right up until the s.s. harrison, ''the nineteenth and twentieth centuries'', a pedantic emphasis on the formal aspects of language-learning at the expense of literary appreciation may have made him unpopular in some quartersv. kiernan, ''horace: poetics and politics'', x yet it also confirmed his influence{{emdash}}a tension in his reception that underlies [[lord byron|byron]]'s famous lines from ''[[childe harold's pilgrimage|childe harold]]'' (canto iv, ):s. harrison, ''the nineteenth and twentieth centuries'', {{poemquote| then farewell, horace, whom i hated so not for thy faults, but mine; it is a curse to understand, not feel thy lyric flow, to comprehend, but never love thy verse. }} [[william wordsworth]]'s mature poetry, including the [[preface to the lyrical ballads|preface]] to ''[[lyrical ballads]]'', reveals horace's influence in its rejection of false ornamentd. money, ''the seventeenth and eighteenth centuries'', and he once expressed "a wish / to meet the shade of horace...".the quote, from ''memorials of a tour of italy'' ( ), contains allusions to ''odes'' . and . (s. harrison, ''the nineteenth and twentieth centuries'', – ) [[john keats]] echoed the opening of horace's ''epodes'' in the opening lines of ''[[ode to a nightingale]]''."''my heart aches, and a drowsy numbness pains / my sense...''" echoes epodes [[:wikisource:la:epodi#xiv| . – ]] (s. harrison, ''the nineteenth and twentieth centuries'', ) the roman poet was presented in the nineteenth century as an honorary english gentleman. [[william makepeace thackeray|william thackeray]] produced a version of ''odes'' [[:wikisource:la:carmina (horatius)/liber i/carmen xxxviii| . ]] in which horace's 'boy' became 'lucy', and [[gerard manley hopkins]] translated the boy innocently as 'child'. horace was translated by [[sir theodore martin]] (biographer of [[albert, prince consort|prince albert]]) but minus some ungentlemanly verses, such as the erotic ''odes'' [[:wikisource:la:carmina (horatius)/liber i/carmen xxv| . ]] and ''epodes'' and . [[edward bulwer-lytton]] produced a popular translation and [[william gladstone]] also wrote translations during his last days as prime minister.s. harrison, ''the nineteenth and twentieth centuries'', – [[edward fitzgerald (poet)|edward fitzgerald]]'s ''[[rubaiyat of omar khayyam]]'', though formally derived from the persian ''[[ruba'i]]'', nevertheless shows a strong horatian influence, since, as one modern scholar has observed, "''...the quatrains inevitably recall the stanzas of the 'odes', as does the narrating first person of the world-weary, ageing [[epicurus|epicurean]] omar himself, mixing [[symposium|sympotic]] exhortation and 'carpe diem' with splendid moralising and 'memento mori' [[nihilism]].''"comment by s. harrison, editor and contributor to ''the cambridge companion to horace'' (s. harrison, ''the nineteenth and twentieth centuries'', [[matthew arnold]] advised a friend in verse not to worry about politics, an echo of ''odes'' [[:wikisource:la:carmina (horatius)/liber ii/carmen xi| . ]], yet later became a critic of horace's inadequacies relative to greek poets, as role models of [[victorian age|victorian]] virtues, observing: "''if human life were complete without faith, without enthusiasm, without energy, horace...would be the perfect interpreter of human life.''"m. arnold, ''selected prose'', [[christina rossetti]] composed a sonnet depicting a woman willing her own death steadily, drawing on horace's depiction of 'glycera' in ''odes'' [[:wikisource:la:carmina (horatius)/liber i/carmen xix| . . – ]] and cleopatra in ''odes'' [[:wikisource:la:carmina (horatius)/liber i/carmen xxxvii| . ]].rossetti's sonnet, ''a study (a soul)'', dated , was not published in her own lifetime. some lines: ''she stands as pale as parian marble stands / like cleopatra when she turns at bay...'' (c. rossetti, ''complete poems'', [[a. e. housman]] considered ''odes'' [[:wikisource:la:carmina (horatius)/liber iv/carmen vii| . ]], in [[prosody (latin)#first archilochian|archilochian]] couplets, the most beautiful poem of antiquityw. flesch, ''companion to british poetry, th century'', and yet he generally shared horace's penchant for quatrains, being readily adapted to his own elegiac and melancholy strain.s. harrison, ''the nineteenth and twentieth centuries'', the most famous poem of [[ernest dowson]] took its title and its heroine's name from a line of ''odes'' [[:wikisource:la:carmina (horatius)/liber iv/carmen i| . ]], ''non sum qualis eram bonae sub regno cynarae'', as well as its motif of nostalgia for a former flame. [[kipling]] wrote a famous [[parody]] of the ''odes'', satirising their stylistic idiosyncrasies and especially the extraordinary syntax, but he also used horace's roman patriotism as a focus for british imperialism, as in the story ''regulus'' in the school collection ''[[stalky & co.]]'', which he based on ''odes'' [[:wikisource:la:carmina (horatius)/liber iii/carmen v| . ]].s. medcalfe, ''kipling's horace'', – wilfred owen's famous poem, quoted above, incorporated horatian text to question patriotism while ignoring the rules of latin scansion. however, there were few other echoes of horace in the war period, possibly because war is not actually a major theme of horace's work.s. harrison, ''the nineteenth and twentieth centuries'', [[file:michelin poster .jpg|thumb|[[bibendum]] (the symbol of the [[michelin]] tyre company) takes his name from the opening line of [[:wikisource:la:carmina (horatius)/liber i/carmen xxxvii|ode . ]], ''[[nunc est bibendum]]''.]] both [[w.h.auden]] and [[louis macneice]] began their careers as teachers of classics and both responded as poets to horace's influence. auden for example evoked the fragile world of the s in terms echoing ''odes'' [[:wikisource:la:carmina (horatius)/liber ii/carmen xi| . . – ]], where horace advises a friend not to let worries about frontier wars interfere with current pleasures. {{poemquote| and, gentle, do not care to know where poland draws her eastern bow, what violence is done; nor ask what doubtful act allows our freedom in this english house, our picnics in the sun.quoted from auden's poem ''out on the lawn i lie in bed'', , and cited by s. harrison, ''the nineteenth and twentieth centuries'', }} the american poet, [[robert frost]], echoed horace's ''satires'' in the conversational and sententious idiom of some of his longer poems, such as ''the lesson for today'' ( ), and also in his gentle advocacy of life on the farm, as in ''hyla brook'' ( ), evoking horace's ''fons bandusiae'' in ''ode'' [[:wikisource:la:carmina (horatius)/liber iii/carmen xiii| . ]]. now at the start of the third millennium, poets are still absorbing and re-configuring the horatian influence, sometimes in translation (such as a english/american edition of the ''odes'' by thirty-six poets)edited by mcclatchy, reviewed by s. harrison, ''bryn mawr classical review'' . . and sometimes as inspiration for their own work (such as a collection of odes by a new zealand poet).i. wedde, ''the commonplace odes'', auckland , (cited by s. harrison, ''the nineteenth and twentieth centuries'', ) horace's ''epodes'' have largely been ignored in the modern era, excepting those with political associations of historical significance. the obscene qualities of some of the poems have repulsed even scholars'political' epodes are , , , ; notably obscene epodes are and . e. fraenkel is among the admirers repulsed by these two poems, for another view of which see for example dee lesser clayman, 'horace's epodes viii and xii: more than clever obscenity?', ''the classical world'' vol. , no. (september ), pp – {{jstor| }} yet more recently a better understanding of the nature of [[iambus (genre)|iambic poetry]] has led to a re-evaluation of the ''whole'' collection.d. mankin, ''horace: epodes'', – r. mcneill, ''horace'', a re-appraisal of the ''epodes'' also appears in creative adaptations by recent poets (such as a collection of poems that relocates the ancient context to a s industrial town).m. almond, ''the works'' , washington, cited by s. harrison, ''the nineteenth and twentieth centuries'', return to horace. retrieved from "https://en.wikipedia.org/wiki/horace" navigation menu personal tools not logged in talk contributions create account log in namespaces article talk variants views read edit view history more search navigation main page contents current events random article about wikipedia contact us donate contribute help learn to edit community portal recent changes upload file tools what links here related changes upload file special pages page information wikidata item languages privacy policy about wikipedia disclaimers contact wikipedia mobile view developers statistics cookie statement horas - wicipedia horas oddi ar wicipedia jump to navigation jump to search horas ganwyd rhagfyr cc  venosa  bu farw rhufain  dinasyddiaeth rhufain hynafol  galwedigaeth bardd, ysgrifennwr, athronydd  adnabyddus am ars poetica  tad unknown  mam unknown  bardd yn yr iaith lladin oedd quintus horatius flaccus neu horas, hefyd horace ( rhagfyr, cc - tachwedd cc). gyda cicero, ofydd ac eraill, roedd yn un o lenorion mawr yr oes awgwstaidd. cynnwys ei waith llyfryddiaeth . gwaith horas . cyfieithiadau ac astudiaethau cyfeiriadau ei waith[golygu | golygu cod y dudalen] un o'i gerddi enwocaf yw ei gerdd ar fyrhoedledd dyn, sy'n dechrau gyda'r bennill adnabyddus, eheu fugaces, postume, postume, labuntur anni nec pietas moram rugis et instanti senectae afferet indominataeque morti. (ebrwydd, o postumus, ebrwydd y derfydd blwyddi ein heinioes : nid etyl dy grefydd ddynesiad henaint hagr ei rychau, nac anorchfygol rymuster angau.)[ ] llyfryddiaeth[golygu | golygu cod y dudalen] saturae, gwaith horas[golygu | golygu cod y dudalen] ars poetica carmen saeculare carminum llyfr # [ ] carminum llyfr # [ ] carminum llyfr # [ ] carminum llyfr # [ ] epistularum llyfr # [ ] epistularum llyfr # [ ] epodes [ ] sermonum llyfr # [ ] sermonum llyfr # [ ] cyfieithiadau ac astudiaethau[golygu | golygu cod y dudalen] j. gwyn griffiths (gol.), cerddi o'r lladin (gwasg prifysgol cymru, ). yn cynnwys detholiad o gerddi horas. cyfeiriadau[golygu | golygu cod y dudalen] ↑ cyfieithiad h. parry jones yn cerddi o'r lladin (caerdydd, ). awdurdod worldcat viaf: lccn: n isni: gnd: selibr: sudoc: bnf: cb b (data) bibsys: ulan: nla: ndl: nkc: jn iccu: it\iccu\cfiv\ rls: bne: xx cinii: da wedi dod o "https://cy.wikipedia.org/w/index.php?title=horas&oldid= " categorïau: genedigaethau cc marwolaethau cc pobl o basilicata beirdd lladin llenorion eidalaidd llenyddiaeth ladin glasurol categorïau cuddiedig: articles with hcards erthyglau sy'n defnyddio nodyn gwybodlen person wicidata ac with elements wikipedia articles with viaf identifiers wikipedia articles with lccn identifiers wikipedia articles with isni identifiers wikipedia articles with gnd identifiers wikipedia articles with selibr identifiers wikipedia articles with bnf identifiers wikipedia articles with bibsys identifiers wikipedia articles with ulan identifiers wikipedia articles with nla identifiers llywio offer personol heb fewngofnodi sgwrs cyfraniadau crëwch gyfrif mewngofnodi parthau erthygl sgwrs amrywiolion golygon darllen golygu golygu cod y dudalen gweld yr hanes more chwilio panel llywio hafan porth y gymuned y caffi materion cyfoes newidiadau diweddar erthygl ar hap cymorth rhoi blwch offer beth sy'n cysylltu yma newidiadau perthnasol tudalennau arbennig dolen barhaol gwybodaeth am y dudalen cyfeiriwch at yr erthygl hon eitem wikidata argraffu/allforio llunio llyfr lawrlwytho ar ffurf pdf fersiwn argraffu mewn prosiectau eraill wikimedia commons ieithoedd eraill afrikaans አማርኛ aragonés العربية مصرى asturianu تۆرکجه Башҡортса Žemaitėška Беларуская Беларуская (тарашкевіца)‎ Български brezhoneg bosanski català Čeština dansk deutsch zazaki Ελληνικά english esperanto español eesti euskara فارسی suomi võro français furlan gaeilge galego עברית हिन्दी fiji hindi hrvatski magyar Հայերեն interlingua bahasa indonesia ido Íslenska italiano 日本語 ქართული Қазақша 한국어 kurdî kernowek latina lingua franca nova lietuvių latviešu malagasy Македонски മലയാളം Монгол मराठी bahasa melayu nāhuatl nederlands norsk nynorsk norsk bokmål occitan ਪੰਜਾਬੀ polski piemontèis português română tarandíne Русский sardu sicilianu srpskohrvatski / српскохрватски simple english slovenčina slovenščina Српски / srpski seeltersk svenska kiswahili தமிழ் tagalog türkçe Татарча/tatarça Українська oʻzbekcha/ўзбекча tiếng việt volapük walon winaray 吴语 中文 粵語 golygu cysylltau newidiwyd y dudalen hon ddiwethaf ar mawrth , am : . mae testun y dudalen ar gael dan drwydded creative commons attribution-sharealike; gall fod telerau ychwanegol perthnasol. gweler telerau defnyddio'r drwydded am fanylion pellach. polisi preifatrwydd ynglŷn â wicipedia gwadiadau golwg symudol datblygwyr statistics cookie statement horats - wikipedia, den frie encyklopædi horats fra wikipedia, den frie encyklopædi spring til navigation spring til søgning horats romerske republik horats malet af anton von werner personlig information født . december f.v.t. venosa død . november f.v.t. ( år) rom gravsted rom uddannelse og virke elev af aristos fra askalon, kratippos fra pergamon beskæftigelse skribent, filosof, digter arbejdssted rom kendte værker arc poetica information med symbolet hentes fra wikidata. kildehenvisninger foreligger sammesteds.  [ redigér på wikidata ] quintus horatius flaccus (født f.kr., død f.kr.), ofte bare horats, var en af de ypperste romerske digtere. han stammede fra den syditalienske by venusia, i den nuværende region basilicata. hans far var en frigiven slave, som skabte sig en pæn formue som inkassator og ved landbrug. horats er citeret for at have sagt jeg hader den gemene pøbel, og holder afstand til dem (latin: odi profanum vulgus et arceo). se også[redigér | redigér wikikode] wikimedia commons har flere filer relateret til horats v d r antikken (ca. f.kr. til e.kr.) oldtidens grækenland det deliske søforbund det athenske demokrati dorer græske kolonier joner makedonien milet mykene olympia oraklet i delfi peloponnes peloponnesiske krig perikles perserkrigene polis slaget ved marathon sokrates solon sparta themistokles troja Æoler hellenismen alexander den store athens historie diadokerne græsk mytologi makedonerne theben thrakien græsk litteratur aischylos aristofanes aristoteles demosthenes euripides herodot hesiod homer iliaden menander ni lyrikere odysseen platon sofokles thukydid xenofon den romerske republik det romerske senat etruskere forbundsfællekrigen gaius julius caesar gallerkrigene latium puniske krige romersk borger romersk arkitektur romersk religion spqr triumvirat det romerske kejserrige armenien augustus germanien hadrian hadrians mur julisk-claudiske dynasti kejserkult konstantin den store limes mysteriereligion pannonien pax romana prætorianergarden trajan urkristendom det østromerske rige (byzans) belisar byzans cæsareopapisme katafrakt hagia sophia justinian . 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yderligere betingelser kan være gældende. se brugsbetingelserne for flere oplysninger. fortrolighedspolitik om wikipedia forbehold mobilvisning udviklere statistik brug af cookies ancient roman cuisine - wikipedia ancient roman cuisine from wikipedia, the free encyclopedia jump to navigation jump to search a mosaic depicting a banquet during a hunting trip from the late roman villa romana del casale in sicily ancient roman cuisine changed greatly over the duration of the civilization's existence. dietary habits were affected by the political changes from kingdom to republic to empire, and the empire's enormous expansion, which exposed romans to many new provincial culinary habits and cooking methods. in the beginning, dietary differences between roman social classes were not great, but disparities developed with the empire's growth. contents archaeology meals foods and ingredients cooking alcoholic drinks desserts see also notes references further reading external links archaeology[edit] most organic foods decay under ordinary conditions, but ashes and animal bones offer some archaeological details about the ancient roman diet. phytoliths have been found at a cemetery in tarragona, spain. imported figs were among the charred foods preserved when boudica and her army burned down a roman shop in colchester. chickpeas and bowls of fruit are known from herculaneum, preserved since vesuvius destroyed the town in ad. remains of small fish bones, sea urchin spines and mineralized plants have survived in the city's sewers; among the plants archaeologists have identified dill, coriander, flax, lentil, cabbage, opium poppy and various other nuts, fruits and legumes, as well as a diverse variety of fish and shellfish. at pompeii, grapes, bread and pastry were burned and buried in peristyle courtyard gardens as offerings to household lares.[ ] meals[edit] further information: food and dining in the roman empire traditionally, a breakfast called ientaculum[ ] was served at dawn. at mid-day to early afternoon, romans ate cena,[ ] the main meal of the day, and at nightfall a light supper called vesperna.[ ] with the increased importation of foreign foods, the cena grew larger in size and included a wider range of foods. thus, it gradually shifted to the evening, while the vesperna[ ] was abandoned completely over the course of the years. the mid-day meal prandium became a light meal to hold one over until cena.[ ] among the lower classes of the roman society, these changes were less pronounced as the traditional routines corresponded closely to the daily rhythms of manual labour. roman spoons with duck or swan handles however, among the upper classes, who normally did not engage in manual labour, it became customary to schedule all business obligations in the morning. after the prandium, the last responsibilities would be discharged, and a visit would be made to the baths. around  p.m.,[ ] the cena would begin. this meal could last until late in the night, especially if guests were invited, and would often be followed by comissatio, a round of alcoholic beverages (usually wine.) in the period of the kings and the early republic, but also in later periods (for the working classes), the cena essentially consisted of a kind of porridge, the puls.[ ] the simplest kind would be made from emmer, water, salt and fat. a more sophisticated variation was made with olive oil, and consumed with an accompaniment of assorted vegetables when available. the wealthy commonly ate their puls with eggs, cheese, and honey and it was also occasionally served with meat or fish. over the course of the republican period, the cena developed into two courses: the main course and a dessert with fruit and seafood (e.g. molluscs, shrimp). by the end of the republic, it was usual for the meal to be served in three parts: an appetiser (gustatio), main course (primae mensae), and dessert (secundae mensae). the roman legions' staple ration of food was wheat. in the th century, most legionaries ate as well as anyone in rome. they were supplied with rations of bread and vegetables along with meats such as beef, mutton, or pork. rations also depended on where the legions were stationed or were campaigning. mutton was popular in northern gaul and britannica, but pork was the main meat ration of the legions.[ ] foods and ingredients[edit] a carbonised loaf of ancient roman bread from pompeii. bread was a staple food in the roman world. from bc, a ration of unmilled wheat (as much as  kg), known as the frumentatio, was distributed to as many as , people every month by the roman state.[ ] there was originally a charge for this but from bc this charge was abolished by the plebeian tribune publius clodius pulcher. individuals had to be citizens and domiciled in rome to receive the frumentatio.[ ] originally flat, round loaves made of emmer (a cereal grain closely related to wheat) with a bit of salt were eaten; among the upper classes, eggs, cheese, and honey, along with milk and fruit were also consumed. in the imperial period, around ad, bread made of wheat was introduced; with time, more and more wheaten foods began to replace emmer loaves. there were many kinds of bread of differing quality. typically white bread was baked for the elite, with darker bread baked for the middle class, and the darkest bread for the poor peasants.[ ] the bread was sometimes dipped in wine and eaten with olives, cheese, and grapes. at the time of the destruction of pompeii in ad , there were at least bakeries in that city.[ ] roman chefs made sweet buns flavored with blackcurrants and cheese cakes made with flour, honey, eggs, ricotta-like cheese and poppy seed. sweet wine cakes were made with honey, reduced red wine and cinnamon. fruit tarts were popular with the upper class, but the lower classes couldn't afford to personally make them or purchase them from markets and vendors. the ancient roman diet included many items that are staples of modern italian cooking. pliny the elder discussed more than varieties of olive, kinds of pear, figs (native and imported from africa and the eastern provinces), and a wide variety of vegetables.[a][ ] some of these vegetables are no longer present in the modern world, while others have undergone significant changes. carrots of different colours were consumed, but not in orange.[ ] many kinds of vegetables were cultivated and consumed.[ ] these included celery, garlic, some flower bulbs, cabbage and other brassicas (such as kale and broccoli), lettuce, endive, onion, leek, asparagus, radishes, turnips, parsnips, carrots, beets, green peas, chard, french beans[citation needed], cardoons, olives, and cucumber.[ ] some vegetables were illustrated in reliefs.[ ] the potato, tomato and chili pepper from the new world were not available in ancient roman times, nor was maize (the modern source of polenta).[ ] however, some foods considered characteristic of modern italian cuisine were not used.[ ] in particular, spinach and eggplant (aubergine) were introduced later from the arab world, and tomatoes and capsicum peppers only appeared in europe following the discovery of the new world and the columbian exchange.[ ] the romans knew of rice, but it was very rarely available to them. there were also few citrus fruits.[ ] lemons were known in italy from the second century ad but were not widely cultivated.[ ] butcher's meat was an uncommon luxury. the most popular meat was pork, especially sausages.[ ] beef was uncommon in ancient rome, being more common in ancient greece – it is not mentioned by juvenal or horace.[ ] seafood, game, and poultry, including ducks and geese, were more usual. for instance, on his triumph, caesar gave a public feast to , humiliores (poorer people) which featured all three of these foods, but no butcher's meat.[ ] john e. stambaugh writes that meat "was scarce except at sacrifices and the dinner parties of the rich".[ ] cows were prized for their milk; bulls as plough and draft animals. the beef was tough and unappetizing. veal was eaten sometimes. apicius gives only four recipes for beef but the same recipes call for lamb or pork as options. there is only one recipe for beef stew and another for veal scallopini.[ ] fish was more common than meat.[ ] aquaculture was sophisticated, with large-scale industries devoted to oyster farming.[ ] the romans also engaged in snail farming and oak grub farming.[ ] some fish were greatly esteemed and fetched high prices, such as mullet raised in the fishery at cosa, and "elaborate means were invented to assure its freshness".[ ] dormice were eaten and considered a delicacy.[ ] it was a status symbol among wealthy romans, and some even had dormice weighed in front of dinner guests.[ ] a sumptuary law enacted under marcus aemilius scaurus forbade the eating of dormice, but failed to stop the practice.[ ] a still life with fruit basket and vases (pompeii, c. ad ) the thermopolium (eatery) of pompeii, italy, st century ad. fruit was eaten fresh when in season, and dried or preserved over winter. popular fruit included apples, pears, figs, grapes, quinces, citron, strawberries, blackberries, elderberries, currants, damson plums, dates, melons, rose hips and pomegranates.[ ] less common fruits were the more exotic azeroles and medlars. cherries and apricots, both introduced in the st century bc, were popular. peaches were introduced in the st century ad from persia. oranges and lemons were known but used more for medicinal purposes than in cookery.[ ] although known to the ancient romans, lemons were not cultivated in italy until the principate.[ ][ ] at least cultivars of pear were grown in rome, along with three types of apples. cato described pear culture methods similar to modern techniques.[ ] there are recipes for pear and peach creams and milk puddings flavored with honey, pepper and a little garum. while the precursors of brussels sprouts, artichokes, peas, rutabaga, and possibly cauliflower probably existed in roman times, the modern cultivated forms we think of were not developed until the late middle ages and early renaissance times. cabbage was eaten both raw (sometimes dipped in vinegar) and cooked.[ ] cato greatly esteemed cabbage, believing it to be good for the digestion, and also believed that if a sick person ate a great deal of cabbage and bathed in his urine, he would recover.[ ] legumes were limited to dried peas, fava beans (broad beans), chickpeas, lentils, and lupines. the romans knew several varieties of chickpea, such as venus, ram, and punic. they were either cooked down into a broth or roasted as a snack. the roman cookbook apicius gives several recipes for chickpeas.[ ] the ancient romans ate walnuts, almonds, pistachios, chestnuts, hazelnuts (filberts), pine nuts, and sesame seeds, which they sometimes pulverized to thicken spiced, sweet wine sauces for roast meat and fowl to serve on the side or over the meat as a glaze. nuts were also used in savoury pesto-like sauces for cold cuts. nuts were used in pastries, tarts and puddings sweetened with honey. the roman colonies provided many foods to rome; the city received ham from belgium, oysters from brittany, garum from mauritania, wild game from tunisia, silphium (laser) from cyrenaica, flowers from egypt, lettuce from cappadocia, and fish from pontus.[ ] a re-creation of moretum, a herb and cheese spread eaten with bread cheese was eaten and its manufacture was well-established by the roman empire period.[ ] it was part of the standard rations for roman soldiers and was popular among civilians as well. the emperor diocletian ( – ce) fixed maximum prices for cheese.[ ] the manufacture of cheese and its quality and culinary uses are mentioned by a number of roman authors: pliny the elder described cheese's dietary and medicinal uses in book of historia naturalis, and varro in de agricultura described the roman cheesemaking season (spring and summer) and compared soft, new cheeses with drier, aged cheeses. the most extensive description of roman cheese-making comes from columella, from his treatise on roman agriculture, de re rustica.[ ] juscellum was a broth with grated bread, eggs, sage and saffron, described in apicius, a roman recipe book of the late th or early th century.[ ] garum was the distinctive fish sauce of ancient rome.[ ] it was used as a seasoning, in place of salt; as a table condiment; and as a sauce. there were four major fish sauce types: garum, liquamen, muria, and allec.[ ] it was made in different qualities, from fish such as tuna, mullet, and sea bass.[ ] it could be flavoured, for example mixed with wine, or diluted with water (hydrogarum), a form popular among roman soldiers, although the emperor elagabalus asserted that he was the first to serve it at public banquets in rome.[ ] the most costly garum was garum sociorum, made from mackerel (scomber) at the new carthage fisheries in spain, and widely traded.[ ] pliny wrote in his natural history that two congii ( litres) of this sauce cost , sesterces.[ ] one thousand sesterces in the early empire was equal to g of gold. cooking[edit] a boy holding a platter of fruits and what may be a bucket of crabs, in a kitchen with fish and squid, on the june panel from a mosaic depicting the months ( rd century)[ ] one of many modes of cooking in ancient rome was the focus, a hearth that was placed in front of the lararium, the household altar which contained small sculptures of the household deity (the lares, or guardian ancestor-spirits, and the penates, who were believed to protect the floor, the larder).[ ] in homes where the lararium was built into the wall, the focus was sometimes built of raised brick into four sides, constructed against a baseboard on which a fire was lit. more common was a focus that was rectangular and portable, consisting simply of a moveable hearth with stone or bronze feet.[ ] after the development of separate kitchens, the focus began to be used only for religious offerings and for warmth, rather than for cooking.[ ] portable stoves and ovens were used by the romans, and some had water pots and grills laid onto them. at pompeii, most houses had separate kitchens, most fairly small, but a few large; the villa of the mysteries covers a nine-by-twelve meter area.[ ] a number of kitchens at pompeii had no roofs, resembling courtyards more than ordinary rooms; this allowed smoke to ventilate.[ ] kitchens that did have roofs must have been extremely smokey, since the only ventilation would come from high windows or holes in the ceiling; while the romans built chimneys for their bakeries and smithies, they were unknown in private dwellings until about the th century a.d, well after the collapse of roman civilization.[ ][ ] many roman kitchens had an oven (furnus or fornax), and some (such as the kitchen of the villa of the mysteries) had two.[ ] a square or dome-shaped construction of brick or stone, these ovens had a flat floor, often of granite and sometimes lava, which were filled with dry twigs and then lit.[ ] on the walls of kitchens were hooks and chains for hanging cooking equipment, including various pots and pans, knives, meat forks, sieves, graters, spits, tongs, cheese-slicers, nutcrackers, jugs for measuring, and pâté moulds.[ ] alcoholic drinks[edit] see also: ancient rome and wine roman fresco with a banquet scene from the casa dei casti amanti, pompeii in ancient rome, wine was normally mixed with water immediately before drinking, since the fermentation was not controlled and the alcohol grade was high. wine was sometimes adjusted and "improved" by its makers: instructions survive for making white wine from red and vice versa, as well as for rescuing wine that is turning to vinegar.[ ] those instructions as well as detailed descriptions of roman viticulture date back to bc in the first known text written in latin prose.[ ] wine was also variously flavored. for example, there was passum, a strong and sweet raisin wine, for which the earliest known recipe is of carthaginian origin; mulsum, a freshly made mixture of wine and honey (called a pyment today); and conditum, a mixture of wine, honey and spices made in advance and matured. one specific recipe, conditum paradoxum, is for a mixture of wine, honey, pepper, laurel, dates, mastic, and saffron, cooked and stored for later use. another recipe called for the addition of seawater, pitch and rosin to the wine. a greek traveler reported that the beverage was apparently an acquired taste.[ ] sour wine mixed with water and herbs (posca) was a popular drink for the lower classes and a staple part of the roman soldier's ration.[ ] beer (cerevisia) was known but considered vulgar, and was associated with barbarians.[ ][ ] desserts[edit] while lacking necessary ingredients commonly used in the modern era for sweets such as refined sugar or properly churned butter, ancient rome had an abundance of desserts to serve after they had completed their meals served with wine.[ ] the most renowned were large platters of various fruits picked fresh; some of the more exotic fruits that were not able to grow in rome were even shipped in from distant continents for the wealthy. due to the lack of a sweetener such as sugar there was always a desire for the sweetest fruits that were available. sprias were a type of sweet pastry that were readily available during this time that were always spent with a thin cake-like crust while sometimes containing fruit in them. enkythoi is another common type of roman pastry that was softer and like a modern sponge cake. see also[edit] food portal history portal ancient greek cuisine byzantine cuisine, eastern roman empire italian cuisine list of ancient dishes spice use in antiquity notes[edit] ^ jacques andré listed cultivated and wild vegetables in ancient rome.[ ] references[edit] ^ wilkins, john. a companion to food in the ancient world. wiley blackwell. pp.  – . ^ a b c artman, john:"ancient rome- independent learning unit", page , good apple, . ^ a b artman, john::"ancient rome- independent learning unit", page , good apple, . ^ guy, john:"roman life", page , ticktock publishing ltd, . ^ greg woolf ( ). ancient civilizations: the illustrated guide to belief, mythology, and art. barnes & noble. p.  . isbn  - - - - . ^ giacosa, ilaria gozzini ( ). a taste of ancient rome. chicago: university of chicago. ^ a b garnsey, peter ( ). scheidel, walter (ed.). cities, peasants and food in classical antiquity: essays in social and economic history. cambridge university press. pp.  – . doi: . /cbo . isbn  . ^ feldman, charles ( - - ). "roman taste". food, culture & society. ( ): – . doi: . / . issn  - . s cid  . ^ berry, joanne ( february ). "bakery". pompeii art and architecture gallery. bbc. retrieved september . ^ andré, jacques. l'alimentation et la cuisine à rome. paris: les belles lettres, . ^ phyllis pray bober, art, culture, and cuisine: ancient and medieval gastronomy, university of chicago press ( ), pp. – . ^ phyllis pray bober, art, culture, and cuisine: ancient and medieval gastronomy, university of chicago press ( ), p. . ^ a b patrick faas, around the roman table: food and feasting in ancient rome, university of chicago press ( ), p. . ^ a b c patrick faas, around the roman table: food and feasting in ancient rome, university of chicago press ( ), pp. , – , – ^ a b c phyllis pray bober, art, culture, and cuisine: ancient and medieval gastronomy, university of chicago press ( ), p. . ^ julia f. morton, lemon in fruits of warm climates, pp. – |url=http://www.hort.purdue.edu/newcrop/morton/lemon.html#description% cpublisher=purdue university} ^ a b c maguelonne toussaint-samat, a history of food, john wiley & sons ( ), p. . ^ a b c d e f g h john e. stambaugh, the ancient roman city, jhu press ( ), p. . ^ ilaria gozzini giacosa, a taste of rome, , pp. – , isbn  - - - ^ john e. stambaugh, the ancient roman city, jhu press ( ), p. ; george a. feldhamer, mammalogy: adaptation, diversity, ecology, jhu press ( ), p. . ^ maurice burton & robert burton, international wildlife encyclopedia ( ), p. . ^ patrick faas, around the roman table: food and feasting in ancient rome, university of chicago press ( ), p. - . ^ wilhelmina f. jashernski, frederick g. meyer, & massumino ricciardi, plants: evidence from wall paintings, mosaics, sculpture, plant remains, graffiti, inscriptions, and ancient authors, in the natural history of pompeii (wilhelmina feemster jashemski & frederick g. meyer, eds), cambridge university press, ( ), p. . ^ j.f. hancock & g.a. lobos, pears, in the future of drylands: international scientific conference on desertification and drylands research, tunis, tunisia ( ), springer ( ), p. . ^ patrick faas, around the roman table: food and feasting in ancient rome, university of chicago press ( ), p. . ^ wikipedia entry for chickpea ^ patrick faas, around the roman table: food and feasting in ancient rome, university of chicago press ( ), p. . ^ a b p.f. fox and p.l.h. mcsweeney, cheese: an overview, in cheese: chemistry, physics, and microbiology vol. ( d ed.), p. - . ^ p.f. fox and p.l.h. mcsweeney, cheese: an overview, in cheese: chemistry, physics, and microbiology vol. ( d ed.), p. - ^ way, a. ( ). promptorium parvulorum sive clericorum, lexicon anglo-latinum princeps, recens. a. way. camden society. p.  . retrieved may , . ^ a b c d e harlan walker, fish: food from the waters, proceedings of the oxford symposium on food and cookery, - ( ). ^ harlan walker, fish: food from the waters, proceedings of the oxford symposium on food and cookery, ( ). ^ j. carson webster, the labors of the months in antique and mediaeval art to the end of the twelfth century, studies in the humanities (northwestern university press, ), p. . in the collections of the hermitage museum. ^ faas, p. - . ^ a b faas, p. . ^ a b faas, p. . ^ faas, p. . ^ james burke, connections (little, brown and co.) / , isbn  - - - , p. ^ a b c faas, p. . ^ a b c erdoes, richard ( ), remarkable facts about booze, new york: the rutledge press, p.  , isbn  - ^ stilo, aelius. "wine and rome". university of chicago. retrieved december . ^ dalby, andrew ( ). posca. food in the ancient world from a to z. routledge. p.  . isbn  - - - - . ^ stambaugh, john e. ( ), the ancient roman city, baltimore: johns hopkins university press, p.  , isbn  - ^ bonfante, larissa ( ), the barbarians of ancient europe: realities and interactions, new york: cambridge university press, p.  , isbn  further reading[edit] gold, barbara k.; donahue, john f. ( ). roman dining: a special issue of american journal of philology. jhu press. isbn  - - - - . faas, patrick; whiteside, shaun ( ). around the roman table: food and feasting in ancient rome. university of chicago press. isbn  - - - - . dalby, andrew ( ). food in the ancient world from a to z. london, new york: routledge. isbn  - - - - . dalby, andrew ( ). empire of pleasures. london, new york: routledge. isbn  - - - - . grocock, christopher; grainger, sally ( ). apicius. a critical edition with an introduction and an english translation. totnes: prospect books. isbn  - - - - . [includes vinidarius] ricotti, eugenia salza prina ( ). dining as a roman emperor: how to cook ancient roman recipes today. rome: l'erma di bretschneider. external links[edit] wikimedia commons has media related to food in ancient rome. pass the garum: recreations of roman recipes eight recipes for an ancient roman dinner resourcesforhistory.com: food in roman britain v t e ancient rome topics outline timeline history foundation kingdom overthrow republic empire history pax romana principate dominate western empire fall historiography of the fall byzantine empire decline fall constitution history kingdom republic empire late empire senate legislative assemblies curiate centuriate tribal plebeian executive magistrates spqr law twelve tables mos maiorum citizenship auctoritas imperium status litigation government curia forum cursus honorum collegiality emperor legatus dux officium prefect vicarius vigintisexviri lictor magister militum imperator princeps senatus pontifex maximus augustus 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additional terms may apply. by using this site, you agree to the terms of use and privacy policy. wikipedia® is a registered trademark of the wikimedia foundation, inc., a non-profit organization. privacy policy about wikipedia disclaimers contact wikipedia mobile view developers statistics cookie statement aurelius victor - wikipedia aurelius victor from wikipedia, the free encyclopedia jump to navigation jump to search sextus aurelius victor afer (c. – c. ) was a historian and politician of the roman empire. victor was the author of a short history of imperial rome, entitled de caesaribus and covering the period from augustus to constantius ii. the work was published in . under the emperor julian ( - ), victor served as governor of pannonia secunda; in he became praefectus urbi (urban prefect), senior imperial official in rome.[ ] contents works see also notes references external links works[edit] four small historical works have been ascribed to him, although only his authorship of de caesaribus is securely established: origo gentis romanae de viris illustribus romae de caesaribus (for which aurelius victor used the enmannsche kaisergeschichte) epitome de caesaribus (attributed) the four have generally been published together under the name historia romana. the second was first printed at naples about , in to, under the name of pliny the younger, and the fourth in strasbourg in .[ ] the first edition of all four books was that of andreas schottus ( volumes, antwerp, ). a recent edition of the de caesaribus is by pierre dufraigne (collection budé, ). see also[edit] sirmium sremska mitrovica syrmia tetrarchy praetorian prefecture praetorian prefecture of illyricum roman provinces roman empire notes[edit] ^ ammianus marcellinus, xxi. . ^ chisholm . references[edit]  this article incorporates text from a publication now in the public domain: chisholm, hugh, ed. ( ). "victor, sextus aurelius". encyclopædia britannica. ( th ed.). cambridge university press. h.w. bird ( ) aurelius victor: de caesaribus. liverpool: liverpool university press. h.w. bird ( ) sextus aurelius victor: a historiographical study. liverpool: francis cairns. w. den boer ( ) some minor roman historians. leiden: brill. p. dufraigne ( ) aurelius victor: livre de cesars. paris: les belles lettres. d. rohrbacher ( ) the historians of late antiquity. london: routledge. external links[edit] chaumont, m.l. ( ). "aurelius victor". encyclopaedia iranica, vol. iii, fasc. . pp.  – .cs maint: ref=harv (link) works by aurelius victor in thelatinlibrary.com (latin text) works by aurelius victor in forumromanum.org (latin, english and french texts) sexti aurelii victoris quae vulgo habentur scripta historica, friedrich schroeter (ed.), voll., lipsiae, sumptibus augusti lehnholdi, - (contains origo and de viris illustribus). sexti aurelii victoris de caesaribus liber, franciscus pichlmayr (ed.), monachii, typos curavit f. straub, . sexti aurelii victoris historia romana, lipsiae, sumptibus succ. ottonis holtze, (contains the opera omnia). sexti aurelii victoris historia romana, th. chr. harlesii (ed.), voll., londini, curante et imprimente a. j. valpy, : vol. , vol. (contains the opera omnia). authority control bibsys: bne: xx bnf: cb (data) cantic: a cinii: da gnd: isni: lccn: n nkc: jn nla: nlg: nli: nlp: a nsk: nta: selibr: snac: w qd hcm sudoc: trove: vcba: / viaf: worldcat identities: lccn-n retrieved from "https://en.wikipedia.org/w/index.php?title=aurelius_victor&oldid= " categories: births deaths ancient roman politicians latin historians th-century historians th-century romans aurelii hidden categories: wikipedia articles incorporating a citation from the encyclopaedia britannica with wikisource reference wikipedia articles incorporating text from the encyclopædia britannica cs maint: ref=harv wikipedia articles with bibsys identifiers wikipedia articles with bne identifiers wikipedia articles with bnf identifiers wikipedia articles with cantic identifiers wikipedia articles with cinii identifiers wikipedia articles with gnd identifiers wikipedia articles with isni identifiers wikipedia articles with lccn identifiers wikipedia articles with nkc identifiers wikipedia articles with nla identifiers wikipedia articles with nlg identifiers wikipedia articles with nli identifiers wikipedia articles with nlp identifiers wikipedia articles with nsk identifiers wikipedia articles with nta identifiers wikipedia articles with selibr identifiers wikipedia articles with snac-id identifiers wikipedia articles with sudoc identifiers wikipedia articles with trove identifiers wikipedia articles with vcba identifiers wikipedia articles with viaf identifiers wikipedia articles with worldcatid identifiers year of birth uncertain year of death uncertain navigation menu personal tools not logged in talk contributions create account log in namespaces article talk variants views read edit view history more search navigation main page contents current events random article about wikipedia contact us donate contribute help learn to edit community portal recent changes upload file tools what links here related changes upload file special pages permanent link page information cite this page wikidata item print/export download as pdf printable version in other projects wikimedia commons languages العربية azərbaycanca Български brezhoneg català Čeština cymraeg deutsch Ελληνικά español esperanto فارسی français frysk galego Հայերեն hrvatski bahasa indonesia italiano עברית ქართული Кыргызча latina lietuvių magyar nederlands polski português română Русский slovenčina slovenščina Српски / srpski srpskohrvatski / српскохрватски suomi svenska taqbaylit Українська tiếng việt 中文 edit links this page was last edited on december , at :  (utc). text is available under the creative commons attribution-sharealike license; additional terms may apply. by using this site, you agree to the terms of use and privacy policy. wikipedia® is a registered trademark of the wikimedia foundation, inc., a non-profit organization. privacy policy about wikipedia disclaimers contact wikipedia mobile view developers statistics cookie statement augustus - wikipedia augustus from wikipedia, the free encyclopedia jump to navigation jump to search first roman emperor, from bc to ad this article is about the first roman emperor. for other uses, see augustus (title), augustus (disambiguation), and octavian (disambiguation). princeps civitatis augustus princeps civitatis augustus of prima porta, st century roman emperor reign january bc – august ad predecessor empire established successor tiberius born gaius octavius september bc rome, italy, roman republic died august ad (aged ) nola, italy, roman empire burial mausoleum of augustus, rome spouse claudia ( – bc; divorce) scribonia ( – bc; divorce) livia ( bc–ad ; his death) issue julia the elder gaius caesar (adopted) lucius caesar (adopted) agrippa postumus (adopted) tiberius (adopted) regnal name imperator caesar divi filius augustus dynasty julio-claudian father gaius octavius julius caesar (adoptive) mother atia balba caesonia bust of augustus wearing the civic crown, at glyptothek, munich caesar augustus ( september bc – august ad ) was the first roman emperor, reigning from  bc until his death in ad  .[nb ] his status as the founder of the roman principate (the first phase of the roman empire) has consolidated an enduring legacy as one of the most effective and controversial leaders in human history.[ ][ ] the reign of augustus initiated an era of relative peace known as the pax romana. the roman world was largely free from large-scale conflict for more than two centuries, despite continuous wars of imperial expansion on the empire's frontiers and the year-long civil war known as the "year of the four emperors" over the imperial succession. augustus was born gaius octavius into an old and wealthy equestrian branch of the plebeian gens octavia. his maternal great-uncle julius caesar was assassinated in bc, and octavius was named in caesar's will as his adopted son and heir. afterwards, octavius took the name gaius julius caesar and was called octavianus. he, mark antony, and marcus lepidus formed the second triumvirate to defeat the assassins of caesar. following their victory at the battle of philippi ( bc), the triumvirate divided the roman republic among themselves and ruled as de facto dictators. the triumvirate was eventually torn apart by the competing ambitions of its members; lepidus was exiled in bc, and antony was defeated by octavian at the battle of actium in bc. after the demise of the second triumvirate, augustus restored the outward façade of the free republic, with governmental power vested in the roman senate, the executive magistrates, and the legislative assemblies. in reality, however, he retained his autocratic power—with the senate granting him lifetime powers of supreme military command, tribune, and censor. augustus rejected monarchical titles, and instead called himself princeps civitatis ("first citizen"). augustus dramatically enlarged the empire, annexing egypt, dalmatia, pannonia, noricum, and raetia, expanding possessions in africa, and completing the conquest of hispania, but suffered a major setback in germania. beyond the frontiers, he secured the empire with a buffer region of client states and made peace with the parthian empire through diplomacy. he reformed the roman system of taxation, developed networks of roads with an official courier system, established a standing army, established the praetorian guard, created official police and fire-fighting services for rome, and rebuilt much of the city during his reign. augustus died in ad at the age of , probably from natural causes. however, there were unconfirmed rumors that his wife livia poisoned him. he was succeeded as emperor by his adopted son tiberius (also stepson and former son-in-law). contents name early life rise to power . heir to caesar . growing tensions . first conflict with antony . second triumvirate . . proscriptions . . battle of philippi and division of territory . . rebellion and marriage alliances . . war with pompeius . . war with antony and cleopatra sole ruler of rome . first settlement . change to augustus . second settlement . primary reasons for the second settlement . additional powers . conspiracy . stability and staying power war and expansion death and succession legacy . revenue reforms . month of august . building projects physical appearance and official images see also references . notes . citations . works cited further reading external links . primary sources . secondary source material name as a consequence of roman customs, society, and personal preference, augustus (/ɔːˈɡʌstəs/)(aw-gust-əs) was known by many names throughout his life: gaius octavius (/ɒkˈteɪviəs/ ok-tay-vee-əs, latin: [ˈɡaː.jʊs ɔkˈtaː.wi.us]): he received his birth name, after his biological father, in bc. "gaius" was his praenomen, while "octavius" was his nomen. he did not yet receive a cognomen at birth since his father appears to have lacked or eschewed one, which would normally be inherited. gaius octavius thurinus: he was given the cognomen "thurinus" in bc, when he was a few years old.[ ][ ] later, after he had taken the name of caesar, his rival mark antony referred to him as "thurinus" in order to belittle him. in response, he merely said he was surprised that "using his old name was thought to be an insult".[ ][ ] gaius julius caesar: after he was adopted by julius caesar, he adopted caesar's name in accordance with roman naming conventions.[ ] while he dropped all references to the gens octavia, people colloquially added the epithet octavianus (latin: [ɔktaːwɪˈaːnʊs]) to his legal name, either to differentiate him from his adoptive father or to highlight his more modest origins. modern english language historians refer to him using the anglicized form "octavian" (/ɒkˈteɪviən/ ok-tay-vee-ən) to the period between bc and bc, rather than "gaius julius caesar", as he was officially called, mainly to avoid possible confusion with julius caesar.[ ] gaius julius caesar divi filius: two years after his adoption, he founded the temple of caesar additionally adding the title divi filius ("son of the divine") to his name in attempt to strengthen his political ties to caesar's former soldiers, following the deification of caesar.[ ] imperator caesar divi filius: from bc, octavian opted to use imperator, the title by which troops hailed their leader after military success. his name is roughly translated as "commander caesar, son of the divine". imperator caesar divi filius augustus (latin: [ɪmpɛˈraːtɔr ˈkae̯sar ˈdiːwiː ˈfiːlɪ.ʊs au̯ˈɡʊstʊs]): following his bc defeat of mark antony and cleopatra, partly on his own insistence, on january bc the roman senate granted him the additional name "augustus".[ ][ ] historians use this name to refer to him from bc until his death in ad .[ ] early life main article: early life of augustus while his paternal family was from the volscian town of velletri, approximately kilometres (  mi) to the south-east of rome, augustus was born in the city of rome on september  bc.[ ] he was born at ox head, a small property on the palatine hill, very close to the roman forum. he was given the name gaius octavius thurinus, his cognomen possibly commemorating his father's victory at thurii over a rebellious band of slaves which occurred a few years after his birth.[ ][ ] suetonius wrote: "there are many indications that the octavian family was in days of old a distinguished one at velitrae; for not only was a street in the most frequented part of town long ago called octavian, but an altar was shown there besides, consecrated by an octavius. this man was leader in a war with a neighbouring town ..." [ ] due to the crowded nature of rome at the time, octavius was taken to his father's home village at velletri to be raised. octavius mentions his father's equestrian family only briefly in his memoirs. his paternal great-grandfather gaius octavius was a military tribune in sicily during the second punic war. his grandfather had served in several local political offices. his father, also named gaius octavius, had been governor of macedonia. his mother, atia, was the niece of julius caesar.[ ][ ] a denarius from bc, showing julius caesar on the obverse and the goddess venus on the reverse of the coin. caption: caesar imp. m. / l. aemilivs bvca in  bc, when he was four years old, his father died.[ ] his mother married a former governor of syria, lucius marcius philippus.[ ] philippus claimed descent from alexander the great, and was elected consul in  bc. philippus never had much of an interest in young octavius. because of this, octavius was raised by his grandmother, julia, the sister of julius caesar. julia died in or  bc, and octavius delivered the funeral oration for his grandmother.[ ][ ] from this point, his mother and stepfather took a more active role in raising him. he donned the toga virilis four years later,[ ] and was elected to the college of pontiffs in  bc.[ ][ ] the following year he was put in charge of the greek games that were staged in honor of the temple of venus genetrix, built by julius caesar.[ ] according to nicolaus of damascus, octavius wished to join caesar's staff for his campaign in africa, but gave way when his mother protested.[ ] in  bc, she consented for him to join caesar in hispania, where he planned to fight the forces of pompey, caesar's late enemy, but octavius fell ill and was unable to travel. when he had recovered, he sailed to the front, but was shipwrecked; after coming ashore with a handful of companions, he crossed hostile territory to caesar's camp, which impressed his great-uncle considerably.[ ] velleius paterculus reports that after that time, caesar allowed the young man to share his carriage.[ ] when back in rome, caesar deposited a new will with the vestal virgins, naming octavius as the prime beneficiary.[ ] rise to power heir to caesar the death of caesar, by jean-léon gérôme ( ). on march  bc, octavius's adoptive father julius caesar was assassinated by a conspiracy led by marcus junius brutus and gaius cassius longinus. walters art museum, baltimore. octavius was studying and undergoing military training in apollonia, illyria, when julius caesar was killed on the ides of march ( march)  bc. he rejected the advice of some army officers to take refuge with the troops in macedonia and sailed to italy to ascertain whether he had any potential political fortunes or security.[ ] caesar had no living legitimate children under roman law,[nb ] and so had adopted octavius, his grand-nephew, making him his primary heir.[ ] mark antony later charged that octavian had earned his adoption by caesar through sexual favours, though suetonius describes antony's accusation as political slander.[ ] this form of slander was popular during this time in the roman republic to demean and discredit political opponents by accusing them of having an inappropriate sexual affair.[ ][ ] after landing at lupiae near brundisium, octavius learned the contents of caesar's will, and only then did he decide to become caesar's political heir as well as heir to two-thirds of his estate.[ ][ ][ ] upon his adoption, octavius assumed his great-uncle's name gaius julius caesar. roman citizens adopted into a new family usually retained their old nomen in cognomen form (e.g., octavianus for one who had been an octavius, aemilianus for one who had been an aemilius, etc.). however, though some of his contemporaries did,[ ] there is no evidence that octavius ever himself officially used the name octavianus, as it would have made his modest origins too obvious.[ ][ ][ ] historians usually refer to the new caesar as octavian during the time between his adoption and his assumption of the name augustus in  bc in order to avoid confusing the dead dictator with his heir.[ ] octavian could not rely on his limited funds to make a successful entry into the upper echelons of the roman political hierarchy.[ ] after a warm welcome by caesar's soldiers at brundisium,[ ] octavian demanded a portion of the funds that were allotted by caesar for the intended war against the parthian empire in the middle east.[ ] this amounted to  million sesterces stored at brundisium, the staging ground in italy for military operations in the east.[ ] a later senatorial investigation into the disappearance of the public funds took no action against octavian, since he subsequently used that money to raise troops against the senate's arch enemy mark antony.[ ] octavian made another bold move in  bc when, without official permission, he appropriated the annual tribute that had been sent from rome's near eastern province to italy.[ ][ ] octavian began to bolster his personal forces with caesar's veteran legionaries and with troops designated for the parthian war, gathering support by emphasizing his status as heir to caesar.[ ][ ] on his march to rome through italy, octavian's presence and newly acquired funds attracted many, winning over caesar's former veterans stationed in campania.[ ] by june, he had gathered an army of , loyal veterans, paying each a salary of denarii.[ ][ ][ ] growing tensions a reconstructed statue of augustus as a younger octavian, dated ca. bc arriving in rome on may  bc, octavian found consul mark antony, caesar's former colleague, in an uneasy truce with the dictator's assassins. they had been granted a general amnesty on march, yet antony had succeeded in driving most of them out of rome with an inflammatory eulogy at caesar's funeral, mounting public opinion against the assassins.[ ] mark antony was amassing political support, but octavian still had opportunity to rival him as the leading member of the faction supporting caesar. mark antony had lost the support of many romans and supporters of caesar when he initially opposed the motion to elevate caesar to divine status.[ ] octavian failed to persuade antony to relinquish caesar's money to him. during the summer, he managed to win support from caesarian sympathizers and also made common with the optimates, the former enemies of caesar, who saw him as the lesser evil and hoped to manipulate him.[ ] in september, the leading optimate orator marcus tullius cicero began to attack antony in a series of speeches portraying him as a threat to the republican order.[ ][ ] first conflict with antony bust of augustus in musei capitolini, rome with opinion in rome turning against him and his year of consular power nearing its end, antony attempted to pass laws that would assign him the province of cisalpine gaul.[ ][ ] octavian meanwhile built up a private army in italy by recruiting caesarian veterans and, on november, he won over two of antony's legions with the enticing offer of monetary gain.[ ][ ][ ] in the face of octavian's large and capable force, antony saw the danger of staying in rome and, to the relief of the senate, he left rome for cisalpine gaul, which was to be handed to him on january.[ ] however, the province had earlier been assigned to decimus junius brutus albinus, one of caesar's assassins, who now refused to yield to antony. antony besieged him at mutina[ ] and rejected the resolutions passed by the senate to stop the fighting. the senate had no army to enforce their resolutions. this provided an opportunity for octavian, who already was known to have armed forces.[ ] cicero also defended octavian against antony's taunts about octavian's lack of noble lineage and aping of julius caesar's name, stating "we have no more brilliant example of traditional piety among our youth."[ ] at the urging of cicero, the senate inducted octavian as senator on january  bc, yet he also was given the power to vote alongside the former consuls.[ ][ ] in addition, octavian was granted propraetor imperium (commanding power) which legalized his command of troops, sending him to relieve the siege along with hirtius and pansa (the consuls for  bc).[ ][ ] in april  bc, antony's forces were defeated at the battles of forum gallorum and mutina, forcing antony to retreat to transalpine gaul. both consuls were killed, however, leaving octavian in sole command of their armies.[ ][ ] the senate heaped many more rewards on decimus brutus than on octavian for defeating antony, then attempted to give command of the consular legions to decimus brutus.[ ] in response, octavian stayed in the po valley and refused to aid any further offensive against antony.[ ] in july, an embassy of centurions sent by octavian entered rome and demanded the consulship left vacant by hirtius and pansa[ ] and also that the decree should be rescinded which declared antony a public enemy.[ ] when this was refused, he marched on the city with eight legions.[ ] he encountered no military opposition in rome, and on august  bc was elected consul with his relative quintus pedius as co-consul.[ ][ ] meanwhile, antony formed an alliance with marcus aemilius lepidus, another leading caesarian.[ ] second triumvirate proscriptions roman aureus bearing the portraits of mark antony (left) and octavian (right), issued in  bc to celebrate the establishment of the second triumvirate by octavian, antony and marcus lepidus in  bc. both sides bear the inscription "iii vir r p c", meaning "one of three men for the regulation of the republic". caption: m. ant. imp. avg. iii vir rpc m. barbat. q. p. / caesar imp. pont. iii vir prc. the m. barbatius pollio was a moneyer[ ] in a meeting near bologna in october  bc, octavian, antony, and lepidus formed the second triumvirate.[ ] this explicit arrogation of special powers lasting five years was then legalised by law passed by the plebs, unlike the unofficial first triumvirate formed by pompey, julius caesar, and marcus licinius crassus.[ ][ ] the triumvirs then set in motion proscriptions, in which between and senators[nb ] and , equites were branded as outlaws and deprived of their property and, for those who failed to escape, their lives.[ ] this decree issued by the triumvirate was motivated in part by a need to raise money to pay the salaries of their troops for the upcoming conflict against caesar's assassins, marcus junius brutus and gaius cassius longinus.[ ] rewards for their arrest gave incentive for romans to capture those proscribed, while the assets and properties of those arrested were seized by the triumvirs.[ ] contemporary roman historians provide conflicting reports as to which triumvir was most responsible for the proscriptions and killing. however, the sources agree that enacting the proscriptions was a means by all three factions to eliminate political enemies.[ ] marcus velleius paterculus asserted that octavian tried to avoid proscribing officials whereas lepidus and antony were to blame for initiating them. cassius dio defended octavian as trying to spare as many as possible, whereas antony and lepidus, being older and involved in politics longer, had many more enemies to deal with.[ ] this claim was rejected by appian, who maintained that octavian shared an equal interest with lepidus and antony in eradicating his enemies.[ ] suetonius said that octavian was reluctant to proscribe officials, but did pursue his enemies with more vigor than the other triumvirs.[ ] plutarch described the proscriptions as a ruthless and cutthroat swapping of friends and family among antony, lepidus, and octavian. for example, octavian allowed the proscription of his ally cicero, antony the proscription of his maternal uncle lucius julius caesar (the consul of bc), and lepidus his brother paullus.[ ] a denarius minted c.  bc. obverse: caesar avgvstvs; reverse: comet of eight rays with tail upward; divvs ivliv[s] (divine julius). battle of philippi and division of territory further information: liberators' civil war on january  bc, the senate posthumously recognized julius caesar as a divinity of the roman state, divus iulius. octavian was able to further his cause by emphasizing the fact that he was divi filius, "son of the divine".[ ] antony and octavian then sent legions by sea to face the armies of brutus and cassius, who had built their base of power in greece.[ ] after two battles at philippi in macedonia in october , the caesarian army was victorious and brutus and cassius committed suicide. mark antony later used the examples of these battles as a means to belittle octavian, as both battles were decisively won with the use of antony's forces. in addition to claiming responsibility for both victories, antony also branded octavian as a coward for handing over his direct military control to marcus vipsanius agrippa instead.[ ] after philippi, a new territorial arrangement was made among the members of the second triumvirate. gaul and the province of hispania were placed in the hands of octavian. antony traveled east to egypt where he allied himself with queen cleopatra vii, the former lover of julius caesar and mother of caesar's infant son caesarion. lepidus was left with the province of africa, stymied by antony, who conceded hispania to octavian instead.[ ] octavian was left to decide where in italy to settle the tens of thousands of veterans of the macedonian campaign, whom the triumvirs had promised to discharge. the tens of thousands who had fought on the republican side with brutus and cassius could easily ally with a political opponent of octavian if not appeased, and they also required land.[ ] there was no more government-controlled land to allot as settlements for their soldiers, so octavian had to choose one of two options: alienating many roman citizens by confiscating their land, or alienating many roman soldiers who could mount a considerable opposition against him in the roman heartland. octavian chose the former.[ ] there were as many as eighteen roman towns affected by the new settlements, with entire populations driven out or at least given partial evictions.[ ] rebellion and marriage alliances there was widespread dissatisfaction with octavian over these settlements of his soldiers, and this encouraged many to rally at the side of lucius antonius, who was brother of mark antony and supported by a majority in the senate. meanwhile, octavian asked for a divorce from claudia, the daughter of fulvia (mark antony's wife) and her first husband publius clodius pulcher. he returned claudia to her mother, claiming that their marriage had never been consummated. fulvia decided to take action. together with lucius antonius, she raised an army in italy to fight for antony's rights against octavian. lucius and fulvia took a political and martial gamble in opposing octavian, however, since the roman army still depended on the triumvirs for their salaries. lucius and his allies ended up in a defensive siege at perusia (modern perugia), where octavian forced them into surrender in early  bc.[ ] fresco paintings inside the house of augustus, his residence during his reign as emperor. lucius and his army were spared, due to his kinship with antony, the strongman of the east, while fulvia was exiled to sicyon.[ ] octavian showed no mercy, however, for the mass of allies loyal to lucius; on march, the anniversary of julius caesar's assassination, he had roman senators and equestrians executed for allying with lucius.[ ] perusia also was pillaged and burned as a warning for others.[ ] this bloody event sullied octavian's reputation and was criticized by many, such as augustan poet sextus propertius.[ ] sextus pompeius, the son of pompey and still a renegade general following julius caesar's victory over his father, had established himself in sicily and sardinia as part of an agreement reached with the second triumvirate in  bc.[ ] both antony and octavian were vying for an alliance with pompeius. octavian succeeded in a temporary alliance in  bc when he married scribonia, a sister or daughter of pompeius's father-in-law lucius scribonius libo. scribonia gave birth to octavian's only natural child, julia, the same day that he divorced her to marry livia drusilla, little more than a year after their marriage.[ ] while in egypt, antony had been engaged in an affair with cleopatra and had fathered twin children with her.[nb ] aware of his deteriorating relationship with octavian, antony left cleopatra; he sailed to italy in  bc with a large force to oppose octavian, laying siege to brundisium. this new conflict proved untenable for both octavian and antony, however. their centurions, who had become important figures politically, refused to fight due to their caesarian cause, while the legions under their command followed suit. meanwhile, in sicyon, antony's wife fulvia died of a sudden illness while antony was en route to meet her. fulvia's death and the mutiny of their centurions allowed the two remaining triumvirs to effect a reconciliation.[ ][ ] a roman marble portrait bust of mark antony, made during the flavian dynasty ( – ad), vatican museums in the autumn of , octavian and antony approved the treaty of brundisium, by which lepidus would remain in africa, antony in the east, octavian in the west. the italian peninsula was left open to all for the recruitment of soldiers, but in reality, this provision was useless for antony in the east. to further cement relations of alliance with mark antony, octavian gave his sister, octavia minor, in marriage to antony in late  bc.[ ] war with pompeius further information: sicilian revolt a denarius of sextus pompeius, minted for his victory over octavian's fleet. obverse: the place where he defeated octavian, pharus of messina decorated with a statue of neptune; before that galley adorned with aquila, sceptre & trident; mag. pivs imp. iter. reverse, the monster scylla, her torso of dogs and fish tails, wielding a rudder as a club. caption: praef[ectus] clas[sis] et orae marit[imae] ex s. c. sextus pompeius threatened octavian in italy by denying shipments of grain through the mediterranean sea to the peninsula. pompeius's own son was put in charge as naval commander in the effort to cause widespread famine in italy.[ ] pompeius's control over the sea prompted him to take on the name neptuni filius, "son of neptune".[ ] a temporary peace agreement was reached in  bc with the treaty of misenum; the blockade on italy was lifted once octavian granted pompeius sardinia, corsica, sicily, and the peloponnese, and ensured him a future position as consul for  bc.[ ][ ] the territorial agreement between the triumvirate and sextus pompeius began to crumble once octavian divorced scribonia and married livia on january  bc.[ ] one of pompeius's naval commanders betrayed him and handed over corsica and sardinia to octavian. octavian lacked the resources to confront pompeius alone, however, so an agreement was reached with the second triumvirate's extension for another five-year period beginning in  bc.[ ][ ] in supporting octavian, antony expected to gain support for his own campaign against the parthian empire, desiring to avenge rome's defeat at carrhae in  bc.[ ] in an agreement reached at tarentum, antony provided ships for octavian to use against pompeius, while octavian was to send , legionaries to antony for use against parthia. octavian sent only a tenth of those promised, however, which antony viewed as an intentional provocation.[ ] octavian and lepidus launched a joint operation against sextus in sicily in  bc.[ ] despite setbacks for octavian, the naval fleet of sextus pompeius was almost entirely destroyed on september by general agrippa at the naval battle of naulochus. sextus fled to the east with his remaining forces, where he was captured and executed in miletus by one of antony's generals the following year. as lepidus and octavian accepted the surrender of pompeius's troops, lepidus attempted to claim sicily for himself, ordering octavian to leave. lepidus's troops deserted him, however, and defected to octavian since they were weary of fighting and were enticed by octavian's promises of money.[ ] lepidus surrendered to octavian and was permitted to retain the office of pontifex maximus (head of the college of priests), but was ejected from the triumvirate, his public career at an end, and effectively was exiled to a villa at cape circei in italy.[ ][ ] the roman dominions were now divided between octavian in the west and antony in the east. octavian ensured rome's citizens of their rights to property in order to maintain peace and stability in his portion of the empire. this time, he settled his discharged soldiers outside of italy, while also returning , slaves to their former roman owners—slaves who had fled to join pompeius's army and navy.[ ] octavian had the senate grant him, his wife, and his sister tribunal immunity, or sacrosanctitas, in order to ensure his own safety and that of livia and octavia once he returned to rome.[ ] war with antony and cleopatra main article: final war of the roman republic further information: early life of cleopatra, reign of cleopatra, and death of cleopatra anthony and cleopatra, by lawrence alma-tadema the battle of actium, by laureys a castro, painted , national maritime museum, london. meanwhile, antony's campaign turned disastrous against parthia, tarnishing his image as a leader, and the mere , legionaries sent by octavian to antony were hardly enough to replenish his forces.[ ] on the other hand, cleopatra could restore his army to full strength; he already was engaged in a romantic affair with her, so he decided to send octavia back to rome.[ ] octavian used this to spread propaganda implying that antony was becoming less than roman because he rejected a legitimate roman spouse for an "oriental paramour".[ ] in  bc, octavian used a political ploy to make himself look less autocratic and antony more the villain by proclaiming that the civil wars were coming to an end, and that he would step down as triumvir—if only antony would do the same. antony refused.[ ] roman troops captured the kingdom of armenia in  bc, and antony made his son alexander helios the ruler of armenia. he also awarded the title "queen of kings" to cleopatra, acts that octavian used to convince the roman senate that antony had ambitions to diminish the preeminence of rome.[ ] octavian became consul once again on january  bc, and he opened the following session in the senate with a vehement attack on antony's grants of titles and territories to his relatives and to his queen.[ ] the breach between antony and octavian prompted a large portion of the senators, as well as both of that year's consuls, to leave rome and defect to antony. however, octavian received two key deserters from antony in the autumn of  bc: munatius plancus and marcus titius.[ ] these defectors gave octavian the information that he needed to confirm with the senate all the accusations that he made against antony.[ ] octavian forcibly entered the temple of the vestal virgins and seized antony's secret will, which he promptly publicized. the will would have given away roman-conquered territories as kingdoms for his sons to rule, and designated alexandria as the site for a tomb for him and his queen.[ ][ ] in late  bc, the senate officially revoked antony's powers as consul and declared war on cleopatra's regime in egypt.[ ][ ] this mid- st-century-bc roman wall painting in pompeii, italy, showing venus holding a cupid is most likely a depiction of cleopatra vii of ptolemaic egypt as venus genetrix, with her son caesarion as the cupid, similar in appearance to the now lost statue of cleopatra erected by julius caesar in the temple of venus genetrix (within the forum of caesar). the owner of the house of marcus fabius rufus at pompeii walled off the room with this painting, most likely in immediate reaction to the execution of caesarion on orders of augustus in bc, when artistic depictions of caesarion would have been considered a sensitive issue for the ruling regime.[ ][ ] in early  bc, antony and cleopatra were temporarily stationed in greece when octavian gained a preliminary victory: the navy successfully ferried troops across the adriatic sea under the command of agrippa. agrippa cut off antony and cleopatra's main force from their supply routes at sea, while octavian landed on the mainland opposite the island of corcyra (modern corfu) and marched south. trapped on land and sea, deserters of antony's army fled to octavian's side daily while octavian's forces were comfortable enough to make preparations.[ ] antony's fleet sailed through the bay of actium on the western coast of greece in a desperate attempt to break free of the naval blockade. it was there that antony's fleet faced the much larger fleet of smaller, more maneuverable ships under commanders agrippa and gaius sosius in the battle of actium on september  bc.[ ] antony and his remaining forces were spared only due to a last-ditch effort by cleopatra's fleet that had been waiting nearby.[ ] aureus of octavian, circa  bc, british museum. octavian pursued them and defeated their forces in alexandria on august  bc—after which antony and cleopatra committed suicide. antony fell on his own sword and was taken by his soldiers back to alexandria where he died in cleopatra's arms. cleopatra died soon after, reputedly by the venomous bite of an asp or by poison.[ ] octavian had exploited his position as caesar's heir to further his own political career, and he was well aware of the dangers in allowing another person to do the same. he therefore followed the advice of arius didymus that "two caesars are one too many", ordering caesarion, julius caesar's son by cleopatra, killed, while sparing cleopatra's children by antony, with the exception of antony's older son.[ ][ ] octavian had previously shown little mercy to surrendered enemies and acted in ways that had proven unpopular with the roman people, yet he was given credit for pardoning many of his opponents after the battle of actium.[ ] sole ruler of rome main article: constitutional reforms of augustus further information: elections in the roman republic after actium and the defeat of antony and cleopatra, octavian was in a position to rule the entire republic under an unofficial principate[ ]—but he had to achieve this through incremental power gains. he did so by courting the senate and the people while upholding the republican traditions of rome, appearing that he was not aspiring to dictatorship or monarchy.[ ][ ] marching into rome, octavian and marcus agrippa were elected as consuls by the senate.[ ] years of civil war had left rome in a state of near lawlessness, but the republic was not prepared to accept the control of octavian as a despot. at the same time, octavian could not simply give up his authority without risking further civil wars among the roman generals and, even if he desired no position of authority whatsoever, his position demanded that he look to the well-being of the city of rome and the roman provinces. octavian's aims from this point forward were to return rome to a state of stability, traditional legality, and civility by lifting the overt political pressure imposed on the courts of law and ensuring free elections—in name at least.[ ] first settlement main articles: constitution of the roman empire and history of the constitution of the roman empire in bc, octavian made a show of returning full power to the roman senate and relinquishing his control of the roman provinces and their armies. under his consulship, however, the senate had little power in initiating legislation by introducing bills for senatorial debate. octavian was no longer in direct control of the provinces and their armies, but he retained the loyalty of active duty soldiers and veterans alike. the careers of many clients and adherents depended on his patronage, as his financial power was unrivaled in the roman republic.[ ] historian werner eck states: the sum of his power derived first of all from various powers of office delegated to him by the senate and people, secondly from his immense private fortune, and thirdly from numerous patron-client relationships he established with individuals and groups throughout the empire. all of them taken together formed the basis of his auctoritas, which he himself emphasized as the foundation of his political actions.[ ] to a large extent, the public were aware of the vast financial resources that octavian commanded. he failed to encourage enough senators to finance the building and maintenance of networks of roads in italy in bc, but he undertook direct responsibility for them. this was publicized on the roman currency issued in bc, after he donated vast amounts of money to the aerarium saturni, the public treasury.[ ] octavian as a magistrate. the statue's marble head was made c. –  bc, the body sculpted in the nd century ad (louvre, paris). according to h. h. scullard, however, octavian's power was based on the exercise of "a predominant military power and ... the ultimate sanction of his authority was force, however much the fact was disguised."[ ] the senate proposed to octavian, the victor of rome's civil wars, that he once again assume command of the provinces. the senate's proposal was a ratification of octavian's extra-constitutional power. through the senate, octavian was able to continue the appearance of a still-functional constitution. feigning reluctance, he accepted a ten-year responsibility of overseeing provinces that were considered chaotic.[ ][ ] the provinces ceded to augustus for that ten-year period comprised much of the conquered roman world, including all of hispania and gaul, syria, cilicia, cyprus, and egypt.[ ][ ] moreover, command of these provinces provided octavian with control over the majority of rome's legions.[ ][ ] while octavian acted as consul in rome, he dispatched senators to the provinces under his command as his representatives to manage provincial affairs and ensure that his orders were carried out. the provinces not under octavian's control were overseen by governors chosen by the roman senate.[ ] octavian became the most powerful political figure in the city of rome and in most of its provinces, but he did not have a monopoly on political and martial power.[ ] the senate still controlled north africa, an important regional producer of grain, as well as illyria and macedonia, two strategic regions with several legions.[ ] however, the senate had control of only five or six legions distributed among three senatorial proconsuls, compared to the twenty legions under the control of octavian, and their control of these regions did not amount to any political or military challenge to octavian.[ ][ ] the senate's control over some of the roman provinces helped maintain a republican façade for the autocratic principate. also, octavian's control of entire provinces followed republican-era precedents for the objective of securing peace and creating stability, in which such prominent romans as pompey had been granted similar military powers in times of crisis and instability.[ ] change to augustus on january  bc the senate gave octavian the new titles of augustus and princeps.[ ] augustus is from the latin word augere (meaning to increase) and can be translated as "the illustrious one". it was a title of religious authority rather than political authority. his new title of augustus was also more favorable than romulus, the previous one which he styled for himself in reference to the story of the legendary founder of rome, which symbolized a second founding of rome.[ ] the title of romulus was associated too strongly with notions of monarchy and kingship, an image that octavian tried to avoid.[ ] the title princeps senatus originally meant the member of the senate with the highest precedence,[ ] but in the case of augustus, it became an almost regnal title for a leader who was first in charge.[ ] augustus also styled himself as imperator caesar divi filius, "commander caesar son of the deified one". with this title, he boasted his familial link to deified julius caesar, and the use of imperator signified a permanent link to the roman tradition of victory. he transformed caesar, a cognomen for one branch of the julian family, into a new family line that began with him.[ ] the arch of augustus in rimini (ariminum), dedicated to augustus by the roman senate in bc, the oldest surviving roman triumphal arch augustus was granted the right to hang the corona civica above his door, the "civic crown" made from oak, and to have laurels drape his doorposts.[ ] however, he renounced flaunting insignia of power such as holding a scepter, wearing a diadem, or wearing the golden crown and purple toga of his predecessor julius caesar.[ ] if he refused to symbolize his power by donning and bearing these items on his person, the senate nonetheless awarded him with a golden shield displayed in the meeting hall of the curia, bearing the inscription virtus, pietas, clementia, iustitia—"valor, piety, clemency, and justice."[ ][ ] second settlement portraits of augustus show the emperor with idealized features by  bc, some of the un-republican implications were becoming apparent concerning the settlement of  bc. augustus's retention of an annual consulate drew attention to his de facto dominance over the roman political system, and cut in half the opportunities for others to achieve what was still nominally the preeminent position in the roman state.[ ] further, he was causing political problems by desiring to have his nephew marcus claudius marcellus follow in his footsteps and eventually assume the principate in his turn,[nb ] alienating his three greatest supporters – agrippa, maecenas, and livia.[ ] he appointed noted republican calpurnius piso (who had fought against julius caesar and supported cassius and brutus[ ]) as co-consul in  bc, after his choice aulus terentius varro murena died unexpectedly.[ ] in the late spring augustus suffered a severe illness, and on his supposed deathbed made arrangements that would ensure the continuation of the principate in some form,[ ] while allaying senators' suspicions of his anti-republicanism. augustus prepared to hand down his signet ring to his favored general agrippa. however, augustus handed over to his co-consul piso all of his official documents, an account of public finances, and authority over listed troops in the provinces while augustus's supposedly favored nephew marcellus came away empty-handed.[ ][ ] this was a surprise to many who believed augustus would have named an heir to his position as an unofficial emperor.[ ] augustus bestowed only properties and possessions to his designated heirs, as an obvious system of institutionalized imperial inheritance would have provoked resistance and hostility among the republican-minded romans fearful of monarchy.[ ] with regards to the principate, it was obvious to augustus that marcellus was not ready to take on his position;[ ] nonetheless, by giving his signet ring to agrippa, augustus intended to signal to the legions that agrippa was to be his successor, and that constitutional procedure notwithstanding, they should continue to obey agrippa.[ ] the blacas cameo showing augustus wearing a gorgoneion on a three layered sardonyx cameo, ad – soon after his bout of illness subsided, augustus gave up his consulship. the only other times augustus would serve as consul would be in the years and  bc,[ ][ ] both times to introduce his grandsons into public life.[ ] this was a clever ploy by augustus; ceasing to serve as one of two annually elected consuls allowed aspiring senators a better chance to attain the consular position, while allowing augustus to exercise wider patronage within the senatorial class.[ ] although augustus had resigned as consul, he desired to retain his consular imperium not just in his provinces but throughout the empire. this desire, as well as the marcus primus affair, led to a second compromise between him and the senate known as the second settlement.[ ] primary reasons for the second settlement the primary reasons for the second settlement were as follows. first, after augustus relinquished the annual consulship, he was no longer in an official position to rule the state, yet his dominant position remained unchanged over his roman, 'imperial' provinces where he was still a proconsul.[ ][ ] when he annually held the office of consul, he had the power to intervene with the affairs of the other provincial proconsuls appointed by the senate throughout the empire, when he deemed necessary.[ ] a second problem later arose showing the need for the second settlement in what became known as the "marcus primus affair".[ ] in late or early  bc, charges were brought against marcus primus, the former proconsul (governor) of macedonia, for waging a war without prior approval of the senate on the odrysian kingdom of thrace, whose king was a roman ally.[ ] he was defended by lucius lucinius varro murena, who told the trial that his client had received specific instructions from augustus, ordering him to attack the client state.[ ] later, primus testified that the orders came from the recently deceased marcellus.[ ] such orders, had they been given, would have been considered a breach of the senate's prerogative under the constitutional settlement of bc and its aftermath—i.e., before augustus was granted imperium proconsulare maius—as macedonia was a senatorial province under the senate's jurisdiction, not an imperial province under the authority of augustus. such an action would have ripped away the veneer of republican restoration as promoted by augustus, and exposed his fraud of merely being the first citizen, a first among equals.[ ] even worse, the involvement of marcellus provided some measure of proof that augustus's policy was to have the youth take his place as princeps, instituting a form of monarchy – accusations that had already played out.[ ] augustus as jove, holding a scepter and orb (first half of st century ad) the situation was so serious that augustus himself appeared at the trial, even though he had not been called as a witness. under oath, augustus declared that he gave no such order.[ ] murena disbelieved augustus's testimony and resented his attempt to subvert the trial by using his auctoritas. he rudely demanded to know why augustus had turned up to a trial to which he had not been called; augustus replied that he came in the public interest.[ ] although primus was found guilty, some jurors voted to acquit, meaning that not everybody believed augustus's testimony, an insult to the 'august one'.[ ] the second constitutional settlement was completed in part to allay confusion and formalize augustus's legal authority to intervene in senatorial provinces. the senate granted augustus a form of general imperium proconsulare, or proconsular imperium (power) that applied throughout the empire, not solely to his provinces. moreover, the senate augmented augustus's proconsular imperium into imperium proconsulare maius, or proconsular imperium applicable throughout the empire that was more (maius) or greater than that held by the other proconsuls. this in effect gave augustus constitutional power superior to all other proconsuls in the empire.[ ] augustus stayed in rome during the renewal process and provided veterans with lavish donations to gain their support, thereby ensuring that his status of proconsular imperium maius was renewed in  bc.[ ] additional powers during the second settlement, augustus was also granted the power of a tribune (tribunicia potestas) for life, though not the official title of tribune.[ ] for some years, augustus had been awarded tribunicia sacrosanctitas, the immunity given to a tribune of the plebs. now he decided to assume the full powers of the magistracy, renewed annually, in perpetuity. legally, it was closed to patricians, a status that augustus had acquired some years earlier when adopted by julius caesar.[ ] this power allowed him to convene the senate and people at will and lay business before them, to veto the actions of either the assembly or the senate, to preside over elections, and to speak first at any meeting.[ ][ ] also included in augustus's tribunician authority were powers usually reserved for the roman censor; these included the right to supervise public morals and scrutinize laws to ensure that they were in the public interest, as well as the ability to hold a census and determine the membership of the senate.[ ] with the powers of a censor, augustus appealed to virtues of roman patriotism by banning all attire but the classic toga while entering the forum.[ ] there was no precedent within the roman system for combining the powers of the tribune and the censor into a single position, nor was augustus ever elected to the office of censor.[ ] julius caesar had been granted similar powers, wherein he was charged with supervising the morals of the state. however, this position did not extend to the censor's ability to hold a census and determine the senate's roster. the office of the tribunus plebis began to lose its prestige due to augustus's amassing of tribunal powers, so he revived its importance by making it a mandatory appointment for any plebeian desiring the praetorship.[ ] head of augustus as pontifex maximus, roman artwork of the late augustan period, last decade of the st century bc augustus was granted sole imperium within the city of rome itself, in addition to being granted proconsular imperium maius and tribunician authority for life. traditionally, proconsuls (roman province governors) lost their proconsular "imperium" when they crossed the pomerium – the sacred boundary of rome – and entered the city. in these situations, augustus would have power as part of his tribunician authority but his constitutional imperium within the pomerium would be less than that of a serving consul. that would mean that, when he was in the city, he might not be the constitutional magistrate with the most authority. thanks to his prestige or auctoritas, his wishes would usually be obeyed, but there might be some difficulty. to fill this power vacuum, the senate voted that augustus's imperium proconsulare maius (superior proconsular power) should not lapse when he was inside the city walls. all armed forces in the city had formerly been under the control of the urban praetors and consuls, but this situation now placed them under the sole authority of augustus.[ ] in addition, the credit was given to augustus for each subsequent roman military victory after this time, because the majority of rome's armies were stationed in imperial provinces commanded by augustus through the legatus who were deputies of the princeps in the provinces. moreover, if a battle was fought in a senatorial province, augustus's proconsular imperium maius allowed him to take command of (or credit for) any major military victory. this meant that augustus was the only individual able to receive a triumph, a tradition that began with romulus, rome's first king and first triumphant general. lucius cornelius balbus was the last man outside augustus's family to receive this award, in  bc.[ ] tiberius, augustus's eldest stepson by livia, was the only other general to receive a triumph—for victories in germania in  bc.[ ] conspiracy a colossal statue of augustus from the augusteum of herculaneum, seated and wearing a laurel wreath. many of the political subtleties of the second settlement seem to have evaded the comprehension of the plebeian class, who were augustus's greatest supporters and clientele. this caused them to insist upon augustus's participation in imperial affairs from time to time. augustus failed to stand for election as consul in  bc, and fears arose once again that he was being forced from power by the aristocratic senate. in , , and  bc, the people rioted in response, and only allowed a single consul to be elected for each of those years, ostensibly to leave the other position open for augustus.[ ] likewise, there was a food shortage in rome in  bc which sparked panic, while many urban plebs called for augustus to take on dictatorial powers to personally oversee the crisis. after a theatrical display of refusal before the senate, augustus finally accepted authority over rome's grain supply "by virtue of his proconsular imperium", and ended the crisis almost immediately.[ ] it was not until ad that a food crisis of this sort prompted augustus to establish a praefectus annonae, a permanent prefect who was in charge of procuring food supplies for rome.[ ] there were some who were concerned by the expansion of powers granted to augustus by the second settlement, and this came to a head with the apparent conspiracy of fannius caepio.[ ] some time prior to september bc, a certain castricius provided augustus with information about a conspiracy led by fannius caepio.[ ] murena, the outspoken consul who defended primus in the marcus primus affair, was named among the conspirators. the conspirators were tried in absentia with tiberius acting as prosecutor; the jury found them guilty, but it was not a unanimous verdict.[ ] all the accused were sentenced to death for treason and executed as soon as they were captured—without ever giving testimony in their defence.[ ] augustus ensured that the facade of republican government continued with an effective cover-up of the events.[ ] in  bc, the senate granted augustus a form of 'general consular imperium', which was probably 'imperium consulare maius', like the proconsular powers that he received in bc. like his tribune authority, the consular powers were another instance of gaining power from offices that he did not actually hold.[ ] in addition, augustus was allowed to wear the consul's insignia in public and before the senate,[ ] as well as to sit in the symbolic chair between the two consuls and hold the fasces, an emblem of consular authority.[ ] this seems to have assuaged the populace; regardless of whether or not augustus was a consul, the importance was that he both appeared as one before the people and could exercise consular power if necessary. on march  bc, after the death of lepidus, he additionally took up the position of pontifex maximus, the high priest of the college of the pontiffs, the most important position in roman religion.[ ][ ] on february  bc, augustus was also given the title pater patriae, or "father of the country".[ ][ ] stability and staying power a final reason for the second settlement was to give the principate constitutional stability and staying power in case something happened to princeps augustus. his illness of early bc and the caepio conspiracy showed that the regime's existence hung by the thin thread of the life of one man, augustus himself, who suffered from several severe and dangerous illnesses throughout his life.[ ] if he were to die from natural causes or fall victim to assassination, rome could be subjected to another round of civil war. the memories of pharsalus, the ides of march, the proscriptions, philippi, and actium, barely twenty-five years distant, were still vivid in the minds of many citizens. proconsular imperium was conferred upon agrippa for five years, similar to augustus's power, in order to accomplish this constitutional stability. the exact nature of the grant is uncertain but it probably covered augustus's imperial provinces, east and west, perhaps lacking authority over the provinces of the senate. that came later, as did the jealously guarded tribunicia potestas.[ ] augustus's accumulation of powers was now complete. in fact, he dated his 'reign' from the completion of the second settlement, july bc.[ ] war and expansion main article: wars of augustus further information: roman–persian relations the victorious advance of hermann, depiction of the ad battle of the teutoburg forest, by peter janssen, augustus chose imperator ("victorious commander") to be his first name, since he wanted to make an emphatically clear connection between himself and the notion of victory, and consequently became known as imperator caesar divi filius augustus. by the year , augustus boasted occasions where his troops proclaimed "imperator" as his title after a successful battle. almost the entire fourth chapter in his publicly released memoirs of achievements known as the res gestae was devoted to his military victories and honors.[ ] augustus also promoted the ideal of a superior roman civilization with a task of ruling the world (to the extent to which the romans knew it), a sentiment embodied in words that the contemporary poet virgil attributes to a legendary ancestor of augustus: tu regere imperio populos, romane, memento—"roman, remember by your strength to rule the earth's peoples!"[ ] the impulse for expansionism was apparently prominent among all classes at rome, and it is accorded divine sanction by virgil's jupiter in book of the aeneid, where jupiter promises rome imperium sine fine, "sovereignty without end".[ ] by the end of his reign, the armies of augustus had conquered northern hispania (modern spain and portugal) and the alpine regions of raetia and noricum (modern switzerland, bavaria, austria, slovenia), illyricum and pannonia (modern albania, croatia, hungary, serbia, etc.), and had extended the borders of the africa province to the east and south. judea was added to the province of syria when augustus deposed herod archelaus, successor to client king herod the great ( –  bc). syria (like egypt after antony) was governed by a high prefect of the equestrian class rather than by a proconsul or legate of augustus.[ ] bust of tiberius, a successful military commander under augustus before he was designated as his heir and successor again, no military effort was needed in  bc when galatia (modern turkey) was converted to a roman province shortly after amyntas of galatia was killed by an avenging widow of a slain prince from homonada.[ ] the rebellious tribes of asturias and cantabria in modern-day spain were finally quelled in  bc, and the territory fell under the provinces of hispania and lusitania. this region proved to be a major asset in funding augustus's future military campaigns, as it was rich in mineral deposits that could be fostered in roman mining projects, especially the very rich gold deposits at las medulas.[ ] muziris in the chera kingdom of southern india, as shown in the tabula peutingeriana, with depiction of a "temple of augustus" ("templum augusti"), an illustration of indo-roman relations in the period conquering the peoples of the alps in  bc was another important victory for rome, since it provided a large territorial buffer between the roman citizens of italy and rome's enemies in germania to the north.[ ] horace dedicated an ode to the victory, while the monumental trophy of augustus near monaco was built to honor the occasion.[ ] the capture of the alpine region also served the next offensive in  bc, when tiberius began the offensive against the pannonian tribes of illyricum, and his brother nero claudius drusus moved against the germanic tribes of the eastern rhineland. both campaigns were successful, as drusus's forces reached the elbe river by  bc—though he died shortly after by falling off his horse.[ ] it was recorded that the pious tiberius walked in front of his brother's body all the way back to rome.[ ] a parthian returning an aquila, relief in the heroic cuirass of the augustus of prima porta statue to protect rome's eastern territories from the parthian empire, augustus relied on the client states of the east to act as territorial buffers and areas that could raise their own troops for defense. to ensure security of the empire's eastern flank, augustus stationed a roman army in syria, while his skilled stepson tiberius negotiated with the parthians as rome's diplomat to the east.[ ] tiberius was responsible for restoring tigranes v to the throne of the kingdom of armenia.[ ] yet arguably his greatest diplomatic achievement was negotiating with phraates iv of parthia ( –  bc) in  bc for the return of the battle standards lost by crassus in the battle of carrhae, a symbolic victory and great boost of morale for rome.[ ][ ][ ] werner eck claims that this was a great disappointment for romans seeking to avenge crassus's defeat by military means.[ ] however, maria brosius explains that augustus used the return of the standards as propaganda symbolizing the submission of parthia to rome. the event was celebrated in art such as the breastplate design on the statue augustus of prima porta and in monuments such as the temple of mars ultor ('mars the avenger') built to house the standards.[ ] parthia had always posed a threat to rome in the east, but the real battlefront was along the rhine and danube rivers.[ ] before the final fight with antony, octavian's campaigns against the tribes in dalmatia were the first step in expanding roman dominions to the danube.[ ] victory in battle was not always a permanent success, as newly conquered territories were constantly retaken by rome's enemies in germania.[ ] a prime example of roman loss in battle was the battle of teutoburg forest in ad , where three entire legions led by publius quinctilius varus were destroyed by arminius, leader of the cherusci, an apparent roman ally.[ ] augustus retaliated by dispatching tiberius and drusus to the rhineland to pacify it, which had some success although the battle of ad brought the end to roman expansion into germany.[ ] roman general germanicus took advantage of a cherusci civil war between arminius and segestes; they defeated arminius, who fled that battle of idistaviso in ad but was killed later in due to treachery.[ ] death and succession augustus in a late th-century copper engraving by giovanni battista cavalieri. from the book romanorum imperatorum effigies ( ), preserved in the municipal library of trento (italy) the illness of augustus in  bc brought the problem of succession to the forefront of political issues and the public. to ensure stability, he needed to designate an heir to his unique position in roman society and government. this was to be achieved in small, undramatic, and incremental ways that did not stir senatorial fears of monarchy. if someone was to succeed to augustus's unofficial position of power, he would have to earn it through his own publicly proven merits.[ ] some augustan historians argue that indications pointed toward his sister's son marcellus, who had been quickly married to augustus's daughter julia the elder.[ ] other historians dispute this due to augustus's will being read aloud to the senate while he was seriously ill in  bc,[ ] instead indicating a preference for marcus agrippa, who was augustus's second in charge and arguably the only one of his associates who could have controlled the legions and held the empire together.[ ] after the death of marcellus in  bc, augustus married his daughter to agrippa. this union produced five children, three sons and two daughters: gaius caesar, lucius caesar, vipsania julia, agrippina the elder, and postumus agrippa, so named because he was born after marcus agrippa died. shortly after the second settlement, agrippa was granted a five-year term of administering the eastern half of the empire with the imperium of a proconsul and the same tribunicia potestas granted to augustus (although not trumping augustus's authority), his seat of governance stationed at samos in the eastern aegean.[ ][ ] this granting of power showed augustus's favor for agrippa, but it was also a measure to please members of his caesarian party by allowing one of their members to share a considerable amount of power with him.[ ] the mausoleum of augustus augustus's intent became apparent to make gaius and lucius caesar his heirs when he adopted them as his own children.[ ] he took the consulship in and  bc so that he could personally usher them into their political careers,[ ] and they were nominated for the consulships of ad and .[ ] augustus also showed favor to his stepsons, livia's children from her first marriage nero claudius drusus germanicus (henceforth referred to as drusus) and tiberius claudius (henceforth tiberius), granting them military commands and public office, though seeming to favor drusus. after agrippa died in  bc, tiberius was ordered to divorce his own wife vipsania agrippina and marry agrippa's widow, augustus's daughter julia—as soon as a period of mourning for agrippa had ended.[ ] drusus's marriage to augustus's niece antonia was considered an unbreakable affair, whereas vipsania was "only" the daughter of the late agrippa from his first marriage.[ ] tiberius shared in augustus's tribune powers as of  bc, but shortly thereafter went into retirement, reportedly wanting no further role in politics while he exiled himself to rhodes.[ ][ ] no specific reason is known for his departure, though it could have been a combination of reasons, including a failing marriage with julia,[ ][ ] as well as a sense of envy and exclusion over augustus's apparent favouring of his young grandchildren-turned-sons gaius and lucius. (gaius and lucius joined the college of priests at an early age, were presented to spectators in a more favorable light, and were introduced to the army in gaul.)[ ][ ] after the early deaths of both lucius and gaius in ad and respectively, and the earlier death of his brother drusus (  bc), tiberius was recalled to rome in june ad , where he was adopted by augustus on the condition that he, in turn, adopt his nephew germanicus.[ ] this continued the tradition of presenting at least two generations of heirs.[ ] in that year, tiberius was also granted the powers of a tribune and proconsul, emissaries from foreign kings had to pay their respects to him, and by ad was awarded with his second triumph and equal level of imperium with that of augustus.[ ] the deified augustus hovers over tiberius and other julio-claudians in the great cameo of france the only other possible claimant as heir was postumus agrippa, who had been exiled by augustus in ad , his banishment made permanent by senatorial decree, and augustus officially disowned him. he certainly fell out of augustus's favor as an heir; the historian erich s. gruen notes various contemporary sources that state postumus agrippa was a "vulgar young man, brutal and brutish, and of depraved character".[ ] on august ad , augustus died while visiting nola where his father had died. both tacitus and cassius dio wrote that livia was rumored to have brought about augustus's death by poisoning fresh figs.[ ][ ] this element features in many modern works of historical fiction pertaining to augustus's life, but some historians view it as likely to have been a salacious fabrication made by those who had favoured postumus as heir, or other of tiberius's political enemies. livia had long been the target of similar rumors of poisoning on the behalf of her son, most or all of which are unlikely to have been true.[ ] alternatively, it is possible that livia did supply a poisoned fig (she did cultivate a variety of fig named for her that augustus is said to have enjoyed), but did so as a means of assisted suicide rather than murder. augustus's health had been in decline in the months immediately before his death, and he had made significant preparations for a smooth transition in power, having at last reluctantly settled on tiberius as his choice of heir.[ ] it is likely that augustus was not expected to return alive from nola, but it seems that his health improved once there; it has therefore been speculated that augustus and livia conspired to end his life at the anticipated time, having committed all political process to accepting tiberius, in order to not endanger that transition.[ ] augustus's famous last words were, "have i played the part well? then applaud as i exit" ("acta est fabula, plaudite")—referring to the play-acting and regal authority that he had put on as emperor. publicly, though, his last words were, "behold, i found rome of clay, and leave her to you of marble" ("marmoream se relinquere, quam latericiam accepisset"). an enormous funerary procession of mourners traveled with augustus's body from nola to rome, and on the day of his burial all public and private businesses closed for the day.[ ] tiberius and his son drusus delivered the eulogy while standing atop two rostra. augustus's body was coffin-bound and cremated on a pyre close to his mausoleum. it was proclaimed that augustus joined the company of the gods as a member of the roman pantheon.[ ] historian d. c. a. shotter states that augustus's policy of favoring the julian family line over the claudian might have afforded tiberius sufficient cause to show open disdain for augustus after the latter's death; instead, tiberius was always quick to rebuke those who criticized augustus.[ ] shotter suggests that augustus's deification obliged tiberius to suppress any open resentment that he might have harbored, coupled with tiberius's "extremely conservative" attitude towards religion.[ ] also, historian r. shaw-smith points to letters of augustus to tiberius which display affection towards tiberius and high regard for his military merits.[ ] shotter states that tiberius focused his anger and criticism on gaius asinius gallus (for marrying vipsania after augustus forced tiberius to divorce her), as well as toward the two young caesars, gaius and lucius—instead of augustus, the real architect of his divorce and imperial demotion.[ ] legacy further information: cultural depictions of augustus the virgin mary and child, the prophetess sibyl tivoli bottom left and the emperor augustus in the bottom right, from the très riches heures du duc de berry. the likeness of augustus is that of the byzantine emperor manuel ii palaiologos[ ] the augustus cameo at the center of the medieval cross of lothair augustus's reign laid the foundations of a regime that lasted, in one form or another, for nearly fifteen hundred years through the ultimate decline of the western roman empire and until the fall of constantinople in . both his adoptive surname, caesar, and his title augustus became the permanent titles of the rulers of the roman empire for fourteen centuries after his death, in use both at old rome and at new rome. in many languages, caesar became the word for emperor, as in the german kaiser and in the bulgarian and subsequently russian tsar (sometimes csar or czar). the cult of divus augustus continued until the state religion of the empire was changed to christianity in by theodosius i. consequently, there are many excellent statues and busts of the first emperor. he had composed an account of his achievements, the res gestae divi augusti, to be inscribed in bronze in front of his mausoleum.[ ] copies of the text were inscribed throughout the empire upon his death.[ ] the inscriptions in latin featured translations in greek beside it, and were inscribed on many public edifices, such as the temple in ankara dubbed the monumentum ancyranum, called the "queen of inscriptions" by historian theodor mommsen.[ ] the res gestae is the only work to have survived from antiquity, though augustus is also known to have composed poems entitled sicily, epiphanus, and ajax, an autobiography of books, a philosophical treatise, and a written rebuttal to brutus's eulogy of cato.[ ] historians are able to analyze excerpts of letters penned by augustus, preserved in other works, to others for additional facts or clues about his personal life.[ ][ ] many consider augustus to be rome's greatest emperor; his policies certainly extended the empire's life span and initiated the celebrated pax romana or pax augusta. the roman senate wished subsequent emperors to "be more fortunate than augustus and better than trajan". augustus was intelligent, decisive, and a shrewd politician, but he was not perhaps as charismatic as julius caesar and was influenced on occasion by livia (sometimes for the worse). nevertheless, his legacy proved more enduring. the city of rome was utterly transformed under augustus, with rome's first institutionalized police force, fire fighting force, and the establishment of the municipal prefect as a permanent office. the police force was divided into cohorts of men each, while the units of firemen ranged from to , men each, with units assigned to divided city sectors.[ ] a praefectus vigilum, or "prefect of the watch" was put in charge of the vigiles, rome's fire brigade and police.[ ] with rome's civil wars at an end, augustus was also able to create a standing army for the roman empire, fixed at a size of legions of about , soldiers.[ ] this was supported by numerous auxiliary units of non-citizen soldiers each, often recruited from recently conquered areas.[ ] with his finances securing the maintenance of roads throughout italy, augustus also installed an official courier system of relay stations overseen by a military officer known as the praefectus vehiculorum.[ ] besides the advent of swifter communication among italian polities, his extensive building of roads throughout italy also allowed rome's armies to march swiftly and at an unprecedented pace across the country.[ ] in the year augustus established the aerarium militare, donating  million sesterces to the new military treasury that provided for both active and retired soldiers.[ ] one of the most enduring institutions of augustus was the establishment of the praetorian guard in  bc, originally a personal bodyguard unit on the battlefield that evolved into an imperial guard as well as an important political force in rome.[ ] they had the power to intimidate the senate, install new emperors, and depose ones they disliked; the last emperor they served was maxentius, as it was constantine i who disbanded them in the early th century and destroyed their barracks, the castra praetoria.[ ] augustus in an egyptian-style depiction, a stone carving of the kalabsha temple in nubia although the most powerful individual in the roman empire, augustus wished to embody the spirit of republican virtue and norms. he also wanted to relate to and connect with the concerns of the plebs and lay people. he achieved this through various means of generosity and a cutting back of lavish excess. in the year  bc, augustus gave sesterces (equal to / of a roman pound of gold) each to , citizens, , sesterces each to , veterans in the colonies, and spent  million sesterces in purchasing land for his soldiers to settle upon.[ ] he also restored different temples to display his care for the roman pantheon of deities.[ ] in  bc, he melted down silver statues erected in his likeness and in honor of him, an attempt of his to appear frugal and modest.[ ] coin of kushan ruler kujula kadphises, in the style of roman emperor augustus. british museum. ae dichalkon, chach, c. first half of st. century, weight: . gm., diam: mm. caption: obcerse in greek kozoΛa kaΔaΦeΣ xopanoy zaooy; reverse in kharoshti. the longevity of augustus's reign and its legacy to the roman world should not be overlooked as a key factor in its success. as tacitus wrote, the younger generations alive in ad had never known any form of government other than the principate.[ ] had augustus died earlier (in  bc, for instance), matters might have turned out differently. the attrition of the civil wars on the old republican oligarchy and the longevity of augustus, therefore, must be seen as major contributing factors in the transformation of the roman state into a de facto monarchy in these years. augustus's own experience, his patience, his tact, and his political acumen also played their parts. he directed the future of the empire down many lasting paths, from the existence of a standing professional army stationed at or near the frontiers, to the dynastic principle so often employed in the imperial succession, to the embellishment of the capital at the emperor's expense. augustus's ultimate legacy was the peace and prosperity the empire enjoyed for the next two centuries under the system he initiated. his memory was enshrined in the political ethos of the imperial age as a paradigm of the good emperor. every emperor of rome adopted his name, caesar augustus, which gradually lost its character as a name and eventually became a title.[ ] the augustan era poets virgil and horace praised augustus as a defender of rome, an upholder of moral justice, and an individual who bore the brunt of responsibility in maintaining the empire.[ ] however, for his rule of rome and establishing the principate, augustus has also been subjected to criticism throughout the ages. the contemporary roman jurist marcus antistius labeo (d. ad / ), fond of the days of pre-augustan republican liberty in which he had been born, openly criticized the augustan regime. in the beginning of his annals, the roman historian tacitus (c. –c. ) wrote that augustus had cunningly subverted republican rome into a position of slavery. he continued to say that, with augustus's death and swearing of loyalty to tiberius, the people of rome simply traded one slaveholder for another.[ ] tacitus, however, records two contradictory but common views of augustus: intelligent people praised or criticized him in varying ways. one opinion was as follows. filial duty and a national emergency, in which there was no place for law-abiding conduct, had driven him to civil war—and this can neither be initiated nor maintained by decent methods. he had made many concessions to anthony and to lepidus for the sake of vengeance on his father's murderers. when lepidus grew old and lazy, and anthony's self-indulgence got the better of him, the only possible cure for the distracted country had been government by one man. however, augustus had put the state in order not by making himself king or dictator, but by creating the principate. the empire's frontiers were on the ocean, or distant rivers. armies, provinces, fleets, the whole system was interrelated. roman citizens were protected by the law. provincials were decently treated. rome itself had been lavishly beautified. force had been sparingly used—merely to preserve peace for the majority.[ ] fragment of a bronze equestrian statue of augustus, st century ad, national archaeological museum of athens virgil reading the aeneid to augustus and octavia, by jean-joseph taillasson, according to the second opposing opinion: filial duty and national crisis had been merely pretexts. in actual fact, the motive of octavian, the future augustus, was lust for power ... there had certainly been peace, but it was a blood-stained peace of disasters and assassinations.[ ] in a biography on augustus, anthony everitt asserts that through the centuries, judgments on augustus's reign have oscillated between these two extremes but stresses that: opposites do not have to be mutually exclusive, and we are not obliged to choose one or the other. the story of his career shows that augustus was indeed ruthless, cruel, and ambitious for himself. this was only in part a personal trait, for upper-class romans were educated to compete with one another and to excel. however, he combined an overriding concern for his personal interests with a deep-seated patriotism, based on a nostalgia of rome's antique virtues. in his capacity as princeps, selfishness and selflessness coexisted in his mind. while fighting for dominance, he paid little attention to legality or to the normal civilities of political life. he was devious, untrustworthy, and bloodthirsty. but once he had established his authority, he governed efficiently and justly, generally allowed freedom of speech, and promoted the rule of law. he was immensely hardworking and tried as hard as any democratic parliamentarian to treat his senatorial colleagues with respect and sensitivity. he suffered from no delusions of grandeur.[ ] tacitus was of the belief that nerva (r. – ) successfully "mingled two formerly alien ideas, principate and liberty".[ ] the rd-century historian cassius dio acknowledged augustus as a benign, moderate ruler, yet like most other historians after the death of augustus, dio viewed augustus as an autocrat.[ ] the poet marcus annaeus lucanus (ad – ) was of the opinion that caesar's victory over pompey and the fall of cato the younger ( bc–  bc) marked the end of traditional liberty in rome; historian chester g. starr, jr. writes of his avoidance of criticizing augustus, "perhaps augustus was too sacred a figure to accuse directly."[ ] the anglo-irish writer jonathan swift ( – ), in his discourse on the contests and dissentions in athens and rome, criticized augustus for installing tyranny over rome, and likened what he believed great britain's virtuous constitutional monarchy to rome's moral republic of the nd century bc. in his criticism of augustus, the admiral and historian thomas gordon ( – ) compared augustus to the puritanical tyrant oliver cromwell ( – ).[ ] thomas gordon and the french political philosopher montesquieu ( – ) both remarked that augustus was a coward in battle.[ ] in his memoirs of the court of augustus, the scottish scholar thomas blackwell ( – ) deemed augustus a machiavellian ruler, "a bloodthirsty vindicative usurper", "wicked and worthless", "a mean spirit", and a "tyrant".[ ] revenue reforms coin of augustus found at the pudukottai hoard, from an ancient tamil country, pandyan kingdom of present-day tamil nadu in india, a testimony to indo-roman trade. british museum. caption: avgvstvs divi f[ilivs]. augustus's public revenue reforms had a great impact on the subsequent success of the empire. augustus brought a far greater portion of the empire's expanded land base under consistent, direct taxation from rome, instead of exacting varying, intermittent, and somewhat arbitrary tributes from each local province as augustus's predecessors had done. this reform greatly increased rome's net revenue from its territorial acquisitions, stabilized its flow, and regularized the financial relationship between rome and the provinces, rather than provoking fresh resentments with each new arbitrary exaction of tribute.[ ] the measures of taxation in the reign of augustus were determined by population census, with fixed quotas for each province. citizens of rome and italy paid indirect taxes, while direct taxes were exacted from the provinces. indirect taxes included a % tax on the price of slaves, a % tax on goods sold at auction, and a % tax on the inheritance of estates valued at over , sesterces by persons other than the next of kin.[ ] st century coin of the himyarite kingdom, southern coast of the arabian peninsula. this is also an imitation of a coin of augustus. an equally important reform was the abolition of private tax farming, which was replaced by salaried civil service tax collectors. private contractors who collected taxes for the state were the norm in the republican era. some of them were powerful enough to influence the number of votes for men running for offices in rome. these tax farmers called publicans were infamous for their depredations, great private wealth, and the right to tax local areas.[ ] the use of egypt's immense land rents to finance the empire's operations resulted from augustus's conquest of egypt and the shift to a roman form of government.[ ] as it was effectively considered augustus's private property rather than a province of the empire, it became part of each succeeding emperor's patrimonium.[ ] instead of a legate or proconsul, augustus installed a prefect from the equestrian class to administer egypt and maintain its lucrative seaports; this position became the highest political achievement for any equestrian besides becoming prefect of the praetorian guard.[ ] the highly productive agricultural land of egypt yielded enormous revenues that were available to augustus and his successors to pay for public works and military expeditions.[ ] during his reign the circus games resulted in the killing of , elephants.[ ] month of august the month of august (latin: augustus) is named after augustus; until his time it was called sextilis (named so because it had been the sixth month of the original roman calendar and the latin word for six is sex). commonly repeated lore has it that august has days because augustus wanted his month to match the length of julius caesar's july, but this is an invention of the th century scholar johannes de sacrobosco. sextilis in fact had days before it was renamed, and it was not chosen for its length (see julian calendar). according to a senatus consultum quoted by macrobius, sextilis was renamed to honor augustus because several of the most significant events in his rise to power, culminating in the fall of alexandria, fell in that month.[ ] building projects main page: category:augustan building projects further information: vitruvius and de architectura close up on the sculpted detail of the ara pacis (altar of peace),  bc to bc on his deathbed, augustus boasted "i found a rome of bricks; i leave to you one of marble." although there is some truth in the literal meaning of this, cassius dio asserts that it was a metaphor for the empire's strength.[ ] marble could be found in buildings of rome before augustus, but it was not extensively used as a building material until the reign of augustus.[ ] although this did not apply to the subura slums, which were still as rickety and fire-prone as ever, he did leave a mark on the monumental topography of the centre and of the campus martius, with the ara pacis (altar of peace) and monumental sundial, whose central gnomon was an obelisk taken from egypt.[ ] the relief sculptures decorating the ara pacis visually augmented the written record of augustus's triumphs in the res gestae. its reliefs depicted the imperial pageants of the praetorians, the vestals, and the citizenry of rome.[ ] he also built the temple of caesar, the baths of agrippa, and the forum of augustus with its temple of mars ultor.[ ] other projects were either encouraged by him, such as the theatre of balbus, and agrippa's construction of the pantheon, or funded by him in the name of others, often relations (e.g. portico of octavia, theatre of marcellus). even his mausoleum of augustus was built before his death to house members of his family.[ ] to celebrate his victory at the battle of actium, the arch of augustus was built in  bc near the entrance of the temple of castor and pollux, and widened in  bc to include a triple-arch design.[ ] the temple of augustus and livia in vienne, late st century bc after the death of agrippa in  bc, a solution had to be found in maintaining rome's water supply system. this came about because it was overseen by agrippa when he served as aedile, and was even funded by him afterwards when he was a private citizen paying at his own expense. in that year, augustus arranged a system where the senate designated three of its members as prime commissioners in charge of the water supply and to ensure that rome's aqueducts did not fall into disrepair.[ ] in the late augustan era, the commission of five senators called the curatores locorum publicorum iudicandorum (translated as "supervisors of public property") was put in charge of maintaining public buildings and temples of the state cult.[ ] augustus created the senatorial group of the curatores viarum (translated as "supervisors for roads") for the upkeep of roads; this senatorial commission worked with local officials and contractors to organize regular repairs.[ ] the corinthian order of architectural style originating from ancient greece was the dominant architectural style in the age of augustus and the imperial phase of rome. suetonius once commented that rome was unworthy of its status as an imperial capital, yet augustus and agrippa set out to dismantle this sentiment by transforming the appearance of rome upon the classical greek model.[ ] physical appearance and official images the meroë head of augustus, bronze roman portraiture bust from meroë, kingdom of kush (nubia, modern sudan), – bc his biographer suetonius, writing about a century after augustus's death, described his appearance as: "... unusually handsome and exceedingly graceful at all periods of his life, though he cared nothing for personal adornment. he was so far from being particular about the dressing of his hair, that he would have several barbers working in a hurry at the same time, and as for his beard he now had it clipped and now shaved, while at the very same time he would either be reading or writing something ... he had clear, bright eyes ... his teeth were wide apart, small, and ill-kept; his hair was slightly curly and inclined to golden; his eyebrows met. his ears were of moderate size, and his nose projected a little at the top and then bent ever so slightly inward. his complexion was between dark and fair. he was short of stature, although julius marathus, his freedman and keeper of his records, says that he was five feet and nine inches (just under ft. in., or . meters, in modern height measurements), but this was concealed by the fine proportion and symmetry of his figure, and was noticeable only by comparison with some taller person standing beside him...",[ ] adding that "his shoes [were] somewhat high-soled, to make him look taller than he really was".[ ] scientific analysis of traces of paint found in his official statues show that he most likely had light brown hair and eyes (his hair and eyes were depicted as the same color).[ ] his official images were very tightly controlled and idealized, drawing from a tradition of hellenistic royal portraiture rather than the tradition of realism in roman portraiture. he first appeared on coins at the age of , and from about bc "the explosion in the number of augustan portraits attests a concerted propaganda campaign aimed at dominating all aspects of civil, religious, economic and military life with augustus's person."[ ] the early images did indeed depict a young man, but although there were gradual changes his images remained youthful until he died in his seventies, by which time they had "a distanced air of ageless majesty".[ ] among the best known of many surviving portraits are the augustus of prima porta, the image on the ara pacis, and the via labicana augustus, which shows him as a priest. several cameo portraits include the blacas cameo and gemma augustea. see also augustan literature (ancient rome) augustan poetry bierzo edict caesar's comet gaius maecenas gaius octavian (rome character) indo-roman trade and relations julio-claudian family tree list of biblical figures identified in extra-biblical sources temple of augustus references notes ^ the dates of his rule are contemporary dates; augustus lived under two calendars, the roman republican until bc, and the julian after bc. due to departures from julius caesar's intentions, augustus finished restoring the julian calendar in march ad , and the correspondence between the proleptic julian calendar and the calendar observed in rome is uncertain before bc. (blackburn & holford-strevens : – ) ^ his daughter julia had died in  bc.; his son caesarion by cleopatra was not recognized by roman law and was not mentioned in his will.[ ] ^ appian estimates that senators were proscribed, while his earlier contemporary livy asserted that only senators had been proscribed.[ ] ^ these were alexander helios, cleopatra selene ii, and ptolemy philadelphus. ^ he acted on the orders of marcellus and augustus – see southern, p. and eck ( ), p. citations ^ "augustus | biography, accomplishments, full name, & facts". encyclopædia britannica. retrieved march . ^ "augustus - ancient history - history.com". history.com. retrieved march . ^ luke, trevor ( ). "cultivating the memory of octavius thurinus". journal of ancient history. ( ): – . doi: . /jah- - . s cid  . ^ a b "augustus - ancient history - history.com". history.com. retrieved march . ^ "suetonius • life of augustus". penelope.uchicago.edu. retrieved march . ^ goldsworthy, adrian ( august ). augustus: first emperor of rome. yale university press. isbn  . ^ "augustus". ancient history encyclopedia. retrieved march . ^ jo-ann shelton, as the romans did (oxford university press, ), . ^ pliny the elder, naturalis historia, . – ^ wells, john c. ( ). longman pronunciation dictionary. harlow, england: longman. isbn  - - - - . entry "augustus" ^ the spelling agvstvs, which according to allen ( ), , occurs in inscriptions, indicates the pronunciation [aˈɡʊstʊs].[ ] ^ " maps that explain the roman empire". vox. retrieved march . ^ day and month according to the roman calendar, see suetonius ( ), § , footnote a}} ^ suetonius, augustus ^ – on-line text. ^ suetonius, "the life of augustus," (j. c. rolfe, translator). ^ suetonius, augustus – ^ rowell ( ), . ^ chisholm ( ), . ^ suetonius, augustus – ; nicolaus of damascus, augustus . archived july at the wayback machine ^ suetonius, augustus . ; quintilian, . . . ^ pelham, henry francis ( ). 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( ). zig-zag-and-swirl. doi: . /j.ctt h tqz. isbn  . smith, r. r. r., "the public image of licinius i: portrait sculpture and imperial ideology in the early fourth century", the journal of roman studies, vol. , ( ), pp.  – , jstor southern, pat. ( ). augustus. london: routledge. isbn  - - - - . syme, ronald ( ). the roman revolution. oxford: oxford university press. isbn  - - - - . walker, susan, and burnett, andrew, the image of augustus, , british museum publications, isbn  - - - walker, susan. "cleopatra in pompeii?" in papers of the british school at rome, ( ), pp.  – and – . wells, colin michael, the roman empire, harvard university press, . further reading bleicken, jochen. ( ). augustus. eine biographie. berlin. buchan, john ( ). augustus. boston: houghton mifflin co. everitt, anthony. the first emperor: caesar augustus and the triumph of rome. london: john murray, . isbn  - - - - . galinsky, karl. augustan culture. princeton, nj: princeton university press, (paperback, isbn  - - - - ). galinsky, karl ( ). augustus: introduction to the life of an emperor. cambridge university press. p.  . isbn  - - - - . goldsworthy, adrian ( ) augustus: first emperor of rome. yale university press. isbn  - - - . grant, michael ( ). the roman emperors: a biographical guide to the rulers of imperial rome, bc – ad . new york: charles scribner's sons. levick, barbara. augustus: image and substance. london: longman, . isbn  - - - - . lewis, p. r. and g. d. b. jones, roman gold-mining in north-west spain, journal of roman studies ( ): – jones, r. f. j. and bird, d. g., roman gold-mining in north-west spain, ii: workings on the rio duerna, journal of roman studies ( ): – . jones, a. h. m. "the imperium of augustus", the journal of roman studies, vol.  , parts and . ( ), pp.  – . jones, a. h. m. augustus. london: chatto & windus, (paperback, isbn  - - - - ). massie, allan ( ). the caesars. new york: franklin watts. osgood, josiah. caesar's legacy: civil war and the emergence of the roman empire. new york: cambridge university press (usa), (hardback, isbn  - - - - ; paperback, isbn  - - - - ). raaflaub, kurt a. and toher, mark (eds.). between republic and empire: interpretations of augustus and his principate. berkeley; los angeles: university of california press, (paperback, isbn  - - - - ). reinhold, meyer. the golden age of augustus (aspects of antiquity). toronto, on: univ. of toronto press, (hardcover, isbn  - - - - ; paperback, isbn  - - - - ). roebuck, c. ( ). the world of ancient times. new york: charles scribner's sons. shotter, d. c. a. ( ). augustus caesar. lancaster pamphlets. london: routledge. southern, pat. augustus (roman imperial biographies). new york: routledge, (hardcover, isbn  - - - - ); (paperback, isbn  - - - - ). zanker, paul. the power of images in the age of augustus (thomas spencer jerome lectures). ann arbor, mi: university of michigan press, (hardcover, isbn  - - - - ); (paperback, isbn  - - - - ). external links augustusat wikipedia's sister projects definitions from wiktionary media from wikimedia commons news from wikinews quotations from wikiquote texts from wikisource primary sources works by and about augustus at perseus digital library cassius dio's roman history: books – , english translation gallery of the ancient art: august life of augustus by nicolaus of damascus, english translation suetonius's biography of augustus, latin text with english translation the res gestae divi augusti (the deeds of augustus, his own account: complete latin and greek texts with facing english translation) the via iulia augusta: road built by the romans; constructed on the orders of augustus between the – b.c. library resources about augustus online books resources in your library resources in other libraries secondary source material augustan legionaries – augustus's legions and legionaries augustus – short biography at the bbc brown, f. the achievements of augustus caesar, clio history journal, . "augustus caesar and the pax romana" – essay by steven kreis about augustus's legacy "de imperatoribus romanis" – article about augustus at garrett g. fagan's online encyclopedia of roman emperors augustus why he is important – his place in world history augustus julio-claudian dynasty born: september bc died: august ad roman emperors new title roman emperor bc – ad succeeded by tiberius political offices preceded by c. vibius pansa caetronianus a. hirtius consul of rome  bc (suffect) with: q. pedius succeeded by m. aemilius lepidus l. munatius plancus preceded by paullus aemilius lepidus m. herennius picens consul of rome  bc with: l. volcatius tullus succeeded by cn. domitius ahenobarbus c. sosius preceded by cn. domitius ahenobarbus c. sosius consul of rome –  bc with: marc antony m. valerius messalla corvinus m. licinius crassus sex. appuleius m. agrippa t. statilius taurus m. junius silanus c. norbanus flaccus cn. calpurnius piso succeeded by m. claudius marcellus aeserninus l. arruntius preceded by d. laelius balbus c. antistius vetus consul of rome  bc with: l. cornelius sulla succeeded by c. calvisius sabinus l. passienus rufus preceded by l. cornelius lentulus m. valerius messalla messallinus consul of rome  bc with: m. plautius silvanus succeeded by cossus cornelius lentulus l. calpurnius piso religious titles preceded by m. aemilius lepidus pontifex maximus bc – ad succeeded by tiberius v t e roman and byzantine emperors principate bc – ad augustus tiberius caligula claudius nero galba otho vitellius vespasian titus domitian nerva trajan hadrian antoninus pius marcus aurelius lucius verus commodus pertinax didius julianus (pescennius niger) (clodius albinus) septimius severus caracalla geta macrinus diadumenian elagabalus severus alexander crisis – maximinus thrax gordian i gordian ii pupienus balbinus gordian iii philip the arab philip ii decius herennius etruscus hostilian trebonianus gallus volusianus aemilianus valerian gallienus saloninus claudius gothicus quintillus aurelian tacitus florian probus carus carinus numerian gallic emperors postumus (laelianus) marius victorinus (domitianus ii) tetricus i with tetricus ii as caesar dominate – diocletian maximian galerius constantius chlorus severus constantine the great maxentius licinius maximinus daia (valerius valens) (martinian) constantine ii constantius ii constans magnentius vetranio julian jovian valentinian i (west) valens (east) gratian (west) valentinian ii (west) theodosius i magnus maximus victor (eugenius) western empire – honorius constantine iii with son constans ii constantius iii joannes valentinian iii petronius maximus avitus majorian libius severus anthemius olybrius glycerius julius nepos romulus augustulus eastern/ byzantine empire – arcadius theodosius ii marcian leo the thracian leo ii zeno basiliscus marcus anastasius i dicorus justin i justinian the great justin ii tiberius ii constantine maurice with son theodosius as co-emperor phocas heraclius constantine iii heraklonas constans ii constantine iv with brothers heraclius and tiberius and then justinian ii as co-emperors justinian ii (first reign) leontios tiberius iii justinian ii (second reign) with son tiberius as co-emperor philippikos anastasios ii theodosius iii leo iii the isaurian constantine v artabasdos leo iv the khazar constantine vi irene nikephoros i staurakios michael i rangabe with son theophylact as co-emperor leo v the armenian with symbatios-constantine as junior emperor michael ii the amorian theophilos michael iii basil i the macedonian leo vi the wise alexander constantine vii porphyrogennetos romanos i lekapenos with sons christopher, stephen and constantine as junior co-emperors romanos ii nikephoros ii phokas john i tzimiskes basil ii constantine viii zoë (first reign) and romanos iii argyros zoë (first reign) and michael iv the paphlagonian michael v kalaphates zoë (second reign) with theodora zoë (second reign) and constantine ix monomachos constantine ix monomachos (sole emperor) theodora michael vi bringas isaac i komnenos constantine x doukas romanos iv diogenes michael vii doukas with brothers andronikos and konstantios and son constantine nikephoros iii botaneiates alexios i komnenos john ii komnenos with alexios komnenos as co-emperor manuel i komnenos alexios ii komnenos andronikos i komnenos with john komnenos as co-emperor isaac ii angelos alexios iii angelos alexios iv angelos nicholas kanabos (chosen by the senate) alexios v doukas empire of nicaea – constantine laskaris theodore i laskaris john iii doukas vatatzes theodore ii laskaris john iv laskaris byzantine empire – michael viii palaiologos andronikos ii palaiologos with michael ix palaiologos as co-emperor andronikos iii palaiologos john v palaiologos john vi kantakouzenos with john v palaiologos and matthew kantakouzenos as co-emperors john v palaiologos andronikos iv palaiologos john vii palaiologos andronikos v palaiologos manuel ii palaiologos john viii palaiologos constantine xi palaiologos italics indicates a junior co-emperor, while underlining indicates a usurper. v t e ancient roman religion and mythology deities (dii consentes) agenoria angerona anna perenna apollo bellona bona dea carmenta castor and pollux ceres cloacina cupid dea dia diana dies dīs pater egeria fauna faunus flora genius hercules janus juno jupiter lares liber libertas mars mercury minerva neptune orcus penates pluto pomona priapus proserpina quirinus saturn silvanus sol venus veritas vesta vulcan abstract deities abundantia aequitas aeternitas africa annona averruncus concordia feronia fides fortuna fontus laverna pietas roma salus securitas spes tranquillitas victoria terra legendary figures aeneas rhea silvia romulus and remus numa pompilius tullus hostilius servius tullius ancus marcius lucius tarquinius priscus lucius tarquinius superbus texts virgil aeneid ovid metamorphoses fasti propertius apuleius the golden ass varro concepts and practices religion in ancient rome festivals interpretatio graeca imperial cult pomerium temples philosophy cynicism epicureanism neoplatonism peripateticism pythagoreanism stoicism see also glossary greek mythology myth and ritual roman polytheism (list) classical mythology conversion to christianity decline of greco-roman polytheism v t e ancient roman wars wars of the roman republic roman–etruscan wars roman-aequian wars roman–latin wars roman–hernician wars roman-volscian wars samnite wars pyrrhic war punic wars (first, second, third) illyrian wars (first, second, third) macedonian wars (first, second, third, fourth) roman–seleucid war aetolian war galatian war roman conquest of hispania (celtiberian wars, lusitanian war, numantine war, sertorian war, cantabrian wars) achaean war jugurthine war cimbrian war servile wars (first, second, third) social war sulla's civil wars (first, second) mithridatic wars (first, second, third) gallic wars invasions of britain caesar's civil war end of the republic (post-caesarian, liberators', sicilian, perusine, last) wars of the roman empire germanic wars (teutoburg, marcomannic, alemannic, gothic, visigothic) wars in britain boudica's revolt armenian war civil war of jewish–roman wars domitian's dacian war trajan's dacian wars persian wars civil wars of the third century wars of the fall of the western roman empire military history of ancient rome v t e pontifices maximi bc: numa marcius bc: c. papirius bc: q. furius bc: a. cornelius cossus bc: s. minucius bc: m. fabius ambustus bc: p. cornelius calussa bc: p. cornelius scipio barbatus bc: ti. coruncanius bc: l. caecilius metellus bc: l. cornelius lentulus caudinus bc: m. cornelius cethegus bc: p. licinius crassus dives bc: m. aemilius lepidus bc: p. cornelius scipio nasica corculum bc: p. cornelius scipio nasica serapio bc: p. licinius crassus dives mucianus bc: p. mucius scaevola bc: l. caecilius metellus delmaticus bc: cn. domitius ahenobarbus bc: q. mucius scaevola bc: q. caecilius metellus pius bc: c. julius caesar bc: m. aemilius lepidus bc: imp. caesar augustus bc - ad : held by the emperors. v t e ancient greek and roman wars ancient greece trojan war first messenian war second messenian war lelantine war greek–punic wars (sicilian wars) greco-persian wars aeginetan war wars of the delian league samian war peloponnesian war corinthian war first / second / third sacred war social war ( – bc) expansion of macedonia wars of alexander the great wars of the diadochi lamian war chremonidean war cleomenean war social war ( – bc) cretan war aetolian war war against nabis maccabean revolt roman republic roman–latin wars (first latin war (battle of lake regillus) second latin war) samnite wars pyrrhic war punic wars (first second third) macedonian wars (illyrian first macedonian second macedonian seleucid third macedonian fourth macedonian) jugurthine war cimbrian war roman servile wars (first second third) social war ( – bc) sulla's civil wars (first second) mithridatic wars (first second third) gallic wars julius caesar's civil war augustus' rise to power (battle of mutina liberators' civil war sicilian revolt perusine war (fulvia's civil war) final war of the roman republic) roman empire germanic wars (marcomannic alemannic gothic visigothic) conquest of britain wars of boudica armenian war four emperors jewish wars domitian's dacian war trajan's dacian wars parthian wars wars against persia third-century civil wars decline and fall of the western empire military history v t e empires ancient (colonies) akkadian neo-sumerian old babylonian egyptian old kingdom middle kingdom new kingdom assyrian neo-babylonian phoenician carthaginian chinese shang qin han three kingdoms jin north and south hellenistic macedonian seleucid hittite indian nanda maurya satavahana shunga gupta harsha iranian median achaemenid parthian sasanian kushan mongol xianbei roman western eastern teotihuacan post-classical aksum arab rashidun umayyad abbasid fatimid córdoba aragonese angevin aztec benin bornu bruneian bulgarian first second byzantine nicaea thessalonica trebizond calakmul castilian chinese sui tang liao song jīn yuan uyghur khaganate ethiopian zagwe solomonic genoese georgian holy-roman carolingian huetar hunnic hephthalite inca indian chola gurjara-pratihara pala eastern ganga dynasty delhi vijayanagara iranian samanid saffarid kanem khmer latin majapahit malaccan mali mongol yuan golden horde chagatai khanate ilkhanate moroccan idrisid almoravid almohad marinid north sea oyo serbian singhasari somali ajuran ifatite adalite mogadishan songhai srivijaya tibetan tikal timurid tiwanku toltec turko-persian ghaznavid great seljuk khwarezmian venetian vietnamese dai viet wagadou wari modern afghan ashanti austrian austro-hungarian brazilian central african chinese ming qing china manchukuo ethiopian haitian first second french first second german first/old reich second reich third reich indian mughal mysorean sikh maratha british raj iranian safavid afsharid qajar pahlavi japanese johor korean mexican first second moroccan saadi alaouite russian somali gobroon majeerteen hobyo swedish tongan ottoman vietnamese dainam vietnam colonial american belgian british english scottish danish dutch french german italian japanese omani polish–lithuanian couronian portuguese sovereign military order of malta spanish swedish lists empires largest in india ancient great powers medieval great powers modern great powers european colonialism african empires miscellaneous the empire on which the sun never sets "empire" as a description of foreign policy american empire soviet empire v t e julius caesar major life events early life and career first triumvirate lucca conference gallic wars caesar's civil war crossing the rubicon constitutional reforms dictator perpetuo assassination military campaigns gallic wars arar bibracte vosges axona sabis atuatuci octodurus invasions of britain ambiorix's revolt avaricum gergovia alesia uxellodunum civil war corfinium brundisium ilerda dyrrhachium gomphi pharsalus nile alexandria zela ruspina thapsus munda planned invasion of the parthian empire works laudatio iuliae amitae anticato commentarii de bello civili commentarii de bello gallico de analogia poems by julius caesar portraits green caesar tusculum portrait arles bust buildings forum of caesar curia julia basilica julia temple of venus genetrix caesar's rhine bridges quotes alea iacta est veni, vidi, vici ut est rerum omnium magister usus last words family wives cossutia (disputed) cornelia pompeia calpurnia children julia caesarion augustus (adopted) other gaius julius caesar (father) aurelia (mother) julia major (sister) julia minor (sister) legacy cultural depictions of julius caesar temple of caesar caesar's comet caesarism julio-claudian dynasty related julia gens mark antony cleopatra servilia marcus junius brutus category authority control bibsys: bne: xx bnf: cb z (data) cantic: a cinii: da gnd: hds: iccu: it\iccu\cfiv\ isni: lccn: n lnb: ndl: nkc: jn nla: nlg: nli: nlk: kac nsk: nta: rero: -a selibr: snac: w n pq sudoc: trove: ulan: vcba: / viaf: worldcat identities: lccn-n retrieved from "https://en.wikipedia.org/w/index.php?title=augustus&oldid= " categories: augustus bc births deaths st-century bc romans st-century bc clergy st-century clergy st-century bc roman emperors st-century roman emperors adoptees adopted by relations ancient roman adoptees ancient roman military personnel ancient roman propraetors burials at the mausoleum of augustus characters in book vi of the aeneid children of julius caesar deified roman emperors founding monarchs imperial roman consuls julii caesares julio-claudian dynasty octavii rufi people in the canonical gospels pontifices maximi of the roman empire roman republican consuls senators of the roman republic shipwreck survivors hidden categories: webarchive template wayback links articles with short description short description is different from 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identifiers wikipedia articles with nta identifiers wikipedia articles with rero identifiers wikipedia articles with selibr identifiers wikipedia articles with snac-id identifiers wikipedia articles with sudoc identifiers wikipedia articles with trove identifiers wikipedia articles with ulan identifiers wikipedia articles with vcba identifiers wikipedia articles with viaf identifiers wikipedia articles with worldcatid identifiers ac with elements featured articles navigation menu personal tools not logged in talk contributions create account log in namespaces article talk variants views read view source view history more search navigation main page contents current events random article about wikipedia contact us donate contribute help learn to edit community portal recent changes upload file tools what links here related changes upload file special pages permanent link page information cite this page wikidata item print/export download as pdf printable version in other projects wikimedia commons wikiquote wikisource languages Адыгэбзэ afrikaans alemannisch አማርኛ Ænglisc Аҧсшәа العربية aragonés ܐܪܡܝܐ armãneashti asturianu aymar aru azərbaycanca تۆرکجه বাংলা bân-lâm-gú basa banyumasan Башҡортса Беларуская Беларуская (тарашкевіца)‎ bikol central bislama Български boarisch བོད་ཡིག bosanski brezhoneg Буряад català Чӑвашла cebuano Čeština chavacano de zamboanga chi-chewa corsu cymraeg dansk deutsch ދިވެހިބަސް dolnoserbski eesti Ελληνικά español esperanto estremeñu euskara فارسی fiji hindi føroyskt français frysk furlan gaeilge gàidhlig galego 贛語 gĩkũyũ 客家語/hak-kâ-ngî 한국어 hausa hawaiʻi Հայերեն हिन्दी hrvatski ido ilokano bahasa indonesia interlingua interlingue isixhosa Íslenska italiano עברית jawa kabɩyɛ ಕನ್ನಡ ქართული Қазақша kiswahili kongo kreyòl ayisyen kriyòl gwiyannen kurdî Кыргызча ladin ladino latina latviešu lëtzebuergesch Лезги lietuvių ligure limburgs lingua franca nova livvinkarjala lumbaart magyar मैथिली Македонски malagasy മലയാളം मराठी მარგალური مصرى bahasa melayu minangkabau mìng-dĕ̤ng-ngṳ̄ Монгол မြန်မာဘာသာ nāhuatl dorerin naoero nederlands 日本語 napulitano Нохчийн nordfriisk norsk bokmål norsk nynorsk occitan ଓଡ଼ିଆ oromoo oʻzbekcha/ўзбекча ਪੰਜਾਬੀ پنجابی patois ភាសាខ្មែរ piemontèis tok pisin plattdüütsch polski português qaraqalpaqsha română rumantsch runa simi Русиньскый Русский Саха тыла gagana samoa संस्कृतम् ᱥᱟᱱᱛᱟᱲᱤ sardu scots seeltersk shqip sicilianu සිංහල simple english slovenčina slovenščina soomaaliga کوردی Српски / srpski srpskohrvatski / српскохрватски sunda suomi svenska tagalog தமிழ் Татарча/tatarça తెలుగు ไทย Тоҷикӣ türkçe türkmençe twi Тыва дыл Удмурт Українська اردو vèneto vepsän kel’ tiếng việt volapük võro walon 文言 west-vlams winaray 吴语 ייִדיש yorùbá 粵語 zazaki zeêuws Žemaitėška 中文 edit links this page was last edited on december , at :  (utc). text is available under the creative commons attribution-sharealike license; additional terms may apply. by using this site, you agree to the terms of use and privacy policy. wikipedia® is a registered trademark of the wikimedia foundation, inc., a non-profit organization. privacy policy about wikipedia disclaimers contact wikipedia mobile view developers statistics cookie statement category:golden age latin writers - wikipedia help category:golden age latin writers from wikipedia, the free encyclopedia jump to navigation jump to search authors writing in latin from the first century bc to the end of the reign of augustus caesar. see also: category:silver age latin writers. pages in category "golden age latin writers" the following pages are in this category, out of total. this list may not reflect recent changes (learn more). a marcus actorius naso valerius aedituus lucius afranius (poet) marcus antistius labeo varro atacinus c aulus caecina severus (writer) gaius cassius parmensis cassius severus catullus cicero cincius cornelius severus cornificia d domitius marsus f fenestella nigidius figulus verrius flaccus marcus furius bibaculus g granius flaccus grattius h aulus hirtius horace j julius caesar gaius julius hyginus l decimus laberius licinius macer calvus livy lucretius m aemilius macer licinius macer gaius maecenas gaius matius gaius maecenas melissus n cornelius nepos o ovid p albinovanus pedo propertius r lucius varius rufus publius rutilius rufus s sabinus (ovid) sallust abronius silo sulpicia publilius syrus t tibullus plotius tucca v valgius rufus marcus terentius varro virgil vitruvius retrieved from "https://en.wikipedia.org/w/index.php?title=category:golden_age_latin_writers&oldid= " categories: st-century bc writers classical latin-language writers hidden categories: catautotoc generates no toc navigation menu personal tools not logged in talk contributions create account log in namespaces category talk variants views read edit view history more search navigation main page contents current events random article about wikipedia contact us donate contribute help learn to edit community portal recent changes upload file tools what links here related changes upload file special pages permanent link page information wikidata item print/export download as pdf printable version languages Ελληνικά فارسی Հայերեն scots اردو edit links this page was last edited on april , at :  (utc). text is available under the creative commons attribution-sharealike license; additional terms may apply. by using this site, you agree to the terms of use and privacy policy. wikipedia® is a registered trademark of the wikimedia foundation, inc., a non-profit organization. privacy policy about wikipedia disclaimers contact wikipedia mobile view developers statistics cookie statement q. horati flacci opera, recens. o. keller et a. holder : quintus horatius flaccus : free download, borrow, and streaming : internet archive skip to main content see what's new with book lending at the internet archive can you chip in? in the internet archive has seen unprecedented use—and we need your help. when the covid- pandemic hit, 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(previous page) (next page)b advertising bicycle cold war json list of programming languages rubik's cube thalassery cuisine ubuntu unix birmingham, alabama c – russian protests fifa world cup united states presidential election recounts agatha christie agra ahrar al-sham amazon river ambrosius holbein anne hathaway ashton irwin assembly language aucassin and nicolette bell hooks beyoncé buckminsterfullerene c. auguste dupin c. kunalan calum hood canary islands catherine of aragon clovis, new mexico covid- drug development database delicatessen dendritic cell dengue fever disease dolores o'riordan e-commerce elizabeth warren presidential campaign Éva henger executive order fenyr supersport fiction flip-flops friends george hampson george washington university gilligan's island haiku (operating system) henry e. steinway huey long human history huygens (spacecraft) ido incroyables and merveilleuses inverse function iphone iphone jan polack jim morrison johann baptist walpoth john calvin judo jyoti basu kidnapping of jaycee dugard las palmas list of flamenco guitarists louis black lubo kristek luke hemmings lunar eclipse marie antoinette mark millar matthias gerung michael clifford (musician) microbiome mohammed bin salman monetary economics niels bohr northern sun battalion palestinian territories palmach partial differential equation père lachaise cemetery preparation (principle) president of the united states privy council of the united kingdom radium rayon reynard the fox robert mueller robot rock and roll rock music roof tent rumi são luís, maranhão scalable vector graphics scottish independence self-build sign language sofmap sophie b. hawkins soviet union synth-pop the avengers ( film) the immaculate conception (tiepolo) the rachidia the tragically hip tom petty and the heartbreakers vegeta vomero west frisian language william crooke wolf huber wolfram mathematica d decatur, georgia e the everly brothers l lakeland, florida n akbar hashemi rafsanjani al-qaeda q : a space odyssey (film) al-ma'arri alfred, lord tennyson apocalypse aroma compound arthur eddington balkans catwoman dave matthews discourse on voluntary servitude girls (tv series) go (game) human joker (character) jonathan edwards (theologian) kali kālidāsa keshub chandra sen l. l. zamenhof lisp (programming language) ma anand sheela malaysia airlines flight martin luther king jr. may muslim world outrageous betrayal prometheus ( film) robert chambers (publisher, born ) september attacks spring (season) stranger things the thing ( film) the three stooges tommy robinson (activist) viswanathan anand westboro baptist church s ali ibn husayn zayn al-abidin anton chekhov barney frank benjamin n. cardozo bernie sanders bertrand russell c. s. lewis calvin coolidge carl von clausewitz charles dickens colin powell constitution of the autonomous administration of north and east syria constitution of the united states david petraeus denzil ibbetson dolores ibárruri dwight d. eisenhower eddie august schneider elizabeth blackwell Émile durkheim Émile zola ernst georg ravenstein fernando pessoa fyodor dostoevsky g. k. chesterton george iii gerald ford grover cleveland hannah glasse helen keller horace j. r. r. tolkien james clark mcreynolds james fergusson (architect) jim mcgovern (american politician) joe biden john brown (abolitionist) john f. kennedy john manners, th duke of rutland john marshall john marshall harlan john s. mosby (previous page) (next page) retrieved from "https://en.wikipedia.org/w/index.php?title=category:pages_using_sister_project_links_with_wikidata_mismatch&oldid= " hidden categories: hidden categories tracking category for sister project links navigation menu personal tools not logged in talk contributions create account log in namespaces category talk variants views read edit view history more search navigation main page contents current events random article about wikipedia contact us donate contribute help learn to edit community portal recent changes upload file tools what links here related changes upload file special pages permanent link page information print/export download as pdf printable version languages add links this page was last edited on december , at :  (utc). text is available under the creative commons attribution-sharealike license; additional terms may apply. by using this site, you agree to the terms of use and privacy policy. wikipedia® is a registered trademark of the wikimedia foundation, inc., a non-profit organization. privacy policy about wikipedia disclaimers contact wikipedia mobile view developers statistics cookie statement category:wikipedia articles with cinii identifiers - wikipedia help category:wikipedia articles with cinii identifiers from wikipedia, the free encyclopedia jump to navigation jump to search this category is for articles with cinii identifiers. please do not add subcategories. for more information, see wikipedia:authority control. administrators: please do not delete this category even if it is empty! this category may be empty occasionally or even most of the time. this is a maintenance category, used for maintenance of the wikipedia project. it is not part of the encyclopedia and contains non-article pages, or groups articles by status rather than subject. do not include this category in content categories. this is a tracking category. it builds and maintains a list of pages primarily for the sake of the list itself. they are not part of the encyclopedia's categorization scheme. this category is hidden on its member pages—unless the corresponding user preference (appearance → show hidden categories) is set. these categories are used to track, build and organize lists of pages needing "attention en masse" (for example, pages using deprecated syntax), or that may need to be edited at someone's earliest convenience. these categories also serve to aggregate members of several lists or sub-categories into a larger, more efficient list (discriminated by classifications). contents: top – a b c d e f g h i j k l m n o p q r s t u v w x y z * # • a aa ae aj ao at • b ba be bj bo bt • c ca ce cj co ct • d da de dj do dt • e ea ee ej eo et • f fa fe fj fo ft • g ga ge gj go gt • h ha he hj ho ht • i ia ie ij io it • j ja je jj jo jt • k ka ke kj ko kt • l la le lj lo lt • m ma me mj mo mt • n na ne nj no nt • o oa oe oj oo ot • p pa pe pj po pt • q qa qe qj qo qt • r ra re rj ro rt • s sa se sj so st • t ta te tj to tt • u ua ue uj uo ut • v va ve vj vo vt • w wa we wj wo wt • x xa xe xj xo xt • y ya ye yj yo yt • z za ze zj zo zt pages in this category should only be added by module:authority control. pages in category "wikipedia articles with cinii identifiers" the following pages are in this category, out of approximately , total. this list may not reflect recent changes (learn more). 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additional terms may apply. by using this site, you agree to the terms of use and privacy policy. wikipedia® is a registered trademark of the wikimedia foundation, inc., a non-profit organization. privacy policy about wikipedia disclaimers contact wikipedia mobile view developers statistics cookie statement horace : a portrait : noyes, alfred, - : free download, borrow, and streaming : internet archive skip to main content see what's new with book lending at the internet archive can you chip in? in the internet archive has seen unprecedented use—and we need your help. when the covid- pandemic hit, our bandwidth demand skyrocketed. right now we’re getting over . million daily unique visitors and storing more than petabytes of data. we build and maintain all our own systems, but we don’t charge for access, sell user information, or run ads. instead, we rely on individual generosity to fund our infrastructure; we're powered by donations averaging $ . unfortunately, fewer than  in of our patrons donate. we don't ask often, but right now, we have a -to- matching gift campaign, tripling the impact of every donation. if each of our users gave just $ , we could end this fundraiser today—so if you find all these bits and bytes useful, please pitch in. we know it's been a difficult year, and we understand if you can't afford to contribute. but if you can afford to lend a hand, i promise it will be money well spent. thank you for your support. —brewster kahle, founder, internet archive continue maybe later send me an email reminder email address (required) please enter a valid email address. first name last name submit by submitting, you agree to receive donor-related emails from the internet archive. your privacy is important to us. we do not sell or trade your information with anyone. a line drawing of the internet archive headquarters building façade. an illustration of a magnifying glass. an illustration of a magnifying glass. an illustration of a horizontal line over an up pointing arrow. upload an illustration of a person's head and chest. sign up | log in an illustration of a computer application window wayback machine an illustration of an open book. books an illustration of two cells of a film strip. video an illustration of an audio speaker. audio an illustration of a . " floppy disk. software an illustration of two photographs. images an illustration of a heart shape donate an illustration of text ellipses. more an icon used to represent a menu that can be toggled by interacting with this icon. about blog projects help donate an illustration of a heart shape contact jobs volunteer people search metadata search text contents search tv news captions search archived websites advanced search sign up for free log in horace : a portrait item preview remove-circle share or embed this item embed embed (for wordpress.com hosted blogs and archive.org item tags) [archiveorg horaceportrait noye width= height= frameborder= webkitallowfullscreen=true mozallowfullscreen=true] want more? advanced embedding details, examples, and help! no_favorite share flag flag this item for graphic violence graphic sexual content texts horace : a portrait by noyes, alfred, - publication date topics horace -- criticism and interpretation, laudatory poetry, latin -- history and criticism, epistolary poetry, latin -- history and criticism, verse satire, latin -- history and criticism, rome -- in literature publisher new york : sheed & ward collection inlibrary; printdisabled; oliverwendellholmeslibrary; phillipsacademy; americana digitizing sponsor kahle/austin foundation contributor phillips academy, oliver wendell holmes library language english xiii, p. ; cm london ed. (sheed & ward) has title: portrait of horace access-restricted-item true addeddate - - : : boxid ia camera sony alpha-a (control) collection_set phillipsacademy external-identifier urn:oclc:record: foldoutcount identifier horaceportrait noye identifier-ark ark:/ /t wj j invoice lccn ocr abbyy finereader . (extended ocr) old_pallet ia openlibrary_edition ol m openlibrary_work ol w pages ppi republisher_date republisher_operator associate-mavanessa-cando@archive.org republisher_time scandate scanner station .cebu.archive.org scanningcenter cebu scribe _search_catalog phillips scribe _search_id tts_version . -initial- -ge e b show more show less full catalog record marcxml plus-circle add review comment reviews there are no reviews yet. be the first one to write a review. previews favorite download options download file encrypted daisy download for print-disabled users day loan required to access epub and pdf files. in collections books to borrow books for people with print disabilities oliver wendell holmes library phillips academy american libraries uploaded by station .cebu on october , similar items (based on metadata) terms of service (last updated / / ) horace and the dialectic of freedom : readings in epistles : johnson, w. r. (walter ralph), - : free download, borrow, and streaming : internet archive skip to main content see what's new with book lending at the internet archive can you chip in? in the internet archive has seen unprecedented use—and we need your help. when the covid- pandemic hit, our bandwidth demand skyrocketed. right now we’re getting over . million daily unique visitors and storing more than petabytes of data. we build and maintain all our own systems, but we don’t charge for access, sell user information, or run ads. instead, we rely on individual generosity to fund our infrastructure; we're powered by donations averaging $ . unfortunately, fewer than  in of our patrons donate. we don't ask often, but right now, we have a -to- matching gift campaign, tripling the impact of every donation. if each of our users gave just $ , we could end this fundraiser today—so if you find all these bits and bytes useful, please pitch in. we know it's been a difficult year, and we understand if you can't afford to contribute. but if you can afford to lend a hand, i promise it will be money well spent. thank you for your support. —brewster kahle, founder, internet archive continue maybe later send me an email reminder email address (required) please enter a valid email address. first name last name submit by submitting, you agree to receive donor-related emails from the internet archive. your privacy is important to us. we do not sell or trade your information with anyone. a line drawing of the internet archive headquarters building façade. an illustration of a magnifying glass. an illustration of a magnifying glass. an illustration of a horizontal line over an up pointing arrow. upload an illustration of a person's head and chest. sign up | log in an illustration of a computer application window wayback machine an illustration of an open book. books an illustration of two cells of a film strip. video an illustration of an audio speaker. audio an illustration of a . " floppy disk. software an illustration of two photographs. images an illustration of a heart shape donate an illustration of text ellipses. more an icon used to represent a menu that can be toggled by interacting with this icon. about blog projects help donate an illustration of a heart shape contact jobs volunteer people search metadata search text contents search tv news captions search archived websites advanced search sign up for free log in horace and the dialectic of freedom : readings in epistles item preview remove-circle share or embed this item embed embed (for wordpress.com hosted blogs and archive.org item tags) [archiveorg horacedialectico john width= height= frameborder= webkitallowfullscreen=true mozallowfullscreen=true] want more? advanced embedding details, examples, and help! no_favorite share flag flag this item for graphic violence graphic sexual content texts horace and the dialectic of freedom : readings in epistles by johnson, w. r. (walter ralph), - publication date topics horace. epistulae, horace -- political and social views, epistolary poetry, latin -- history and criticism, political poetry, latin -- history and criticism, liberty in literature, dialectic, rome -- in literature publisher ithaca, n.y. : cornell university press collection inlibrary; printdisabled; cornelluniversitypress; americana digitizing sponsor the arcadia fund contributor cornell university press language english xi, p includes bibliographical references and index access-restricted-item true addeddate - - : : bookplateleaf external-identifier urn:oclc:record: foldoutcount identifier horacedialectico john identifier-ark ark:/ /t m dn z invoice isbn lccn ocr abbyy finereader . (extended ocr) openlibrary_edition ol m openlibrary_work ol w page-progression lr pages ppi republisher_date republisher_operator associate-joseph-ondreicka@archive.org republisher_time scandate scanner scribe .nj.archive.org scanningcenter nj tts_version v . -final- -g facaa show more show less full catalog record marcxml plus-circle add review comment reviews there are no reviews yet. be the first one to write a review. previews favorites download options download file encrypted daisy download for print-disabled users day loan required to access epub and pdf files. in collections books to borrow books for people with print disabilities cornell university press american libraries uploaded by associate-cheri-destefano on august , similar items (based on metadata) terms of service (last updated / / ) selected prose : arnold, matthew, - : free download, borrow, and streaming : internet archive skip to main content see what's new with book lending at the internet archive can you chip in? in the internet archive has seen unprecedented use—and we need your help. when the covid- pandemic hit, our bandwidth demand skyrocketed. right now we’re getting over . million daily unique visitors and storing more than petabytes of data. we build and maintain all our own systems, but we don’t charge for access, sell user information, or run ads. instead, we rely on individual generosity to fund our infrastructure; we're powered by donations averaging $ . unfortunately, fewer than  in of our patrons donate. we don't ask often, but right now, we have a -to- matching gift campaign, tripling the impact of every donation. if each of our users gave just $ , we could end this fundraiser today—so if you find all these bits and bytes useful, please pitch in. we know it's been a difficult year, and we understand if you can't afford to contribute. but if you can afford to lend a hand, i promise it will be money well spent. thank you for your support. —brewster kahle, founder, internet archive continue maybe later send me an email reminder email address (required) please enter a valid email address. first name last name submit by submitting, you agree to receive donor-related emails from the internet archive. your privacy is important to us. we do not sell or trade your information with anyone. a line drawing of the internet archive headquarters building façade. an illustration of a magnifying glass. an illustration of a magnifying glass. an illustration of a horizontal line over an up pointing arrow. upload an illustration of a person's head and chest. sign up | log in an illustration of a computer application window wayback machine an illustration of an open book. books an illustration of two cells of a film strip. video an illustration of an audio speaker. audio an illustration of a . 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[ ] access-restricted-item true addeddate - - : : boxid ia camera canon eos d mark ii city [harmondsworth, eng.] donor friendsofthesanfranciscopubliclibrary edition repr. external-identifier urn:oclc:record: extramarc ohiolink library catalog foldoutcount identifier selectedprose arno identifier-ark ark:/ /t isbn x lccn ocr abbyy finereader . openlibrary ol m openlibrary_edition ol m openlibrary_work ol w page-progression lr pages ppi republisher_date republisher_operator scanner-shenzhen-david@archive.org;scanner-shenzhen-leo@archive.org scandate scanner scribe .shenzhen.archive.org scanningcenter shenzhen worldcat (source edition) show more show less full catalog record marcxml plus-circle add review comment reviews there are no reviews yet. be the first one to write a review. previews favorites purchase options better world books download options download file encrypted daisy download for print-disabled users day loan required to access epub and pdf files. in collections books to borrow books for people with print disabilities internet archive books scanned in china uploaded by lotu.t on november , similar items (based on metadata) terms of service (last updated / / ) category: bc deaths - wikipedia help category: bc deaths from wikipedia, the free encyclopedia jump to navigation jump to search people who died c. bc. see also: bc births. s bc deaths: • • • • • • • • wikimedia commons has media related to bc deaths. pages in category " bc deaths" the following pages are in this category, out of total. this list may not reflect recent changes (learn more). h horace j juya m gaius maecenas p polemon i of pontus x empress xu (cheng) retrieved from "https://en.wikipedia.org/w/index.php?title=category: _bc_deaths&oldid= " categories: bc s bc deaths deaths by year hidden categories: commons category link from wikidata navigation menu personal tools not logged in talk contributions create account log in namespaces category talk variants views read edit view history more search navigation main page contents current events random article about wikipedia contact us donate contribute help learn to edit community portal recent changes upload file tools what links here related changes upload file special pages permanent link page information wikidata item print/export download as pdf printable version in other projects wikimedia commons wikisource languages afrikaans العربية aragonés Беларуская Български bosanski Čeština cymraeg dansk deutsch eesti español euskara فارسی français gaeilge galego 한국어 Հայերեն bahasa indonesia Íslenska italiano ქართული Қазақша kiswahili latina latviešu lëtzebuergesch magyar Македонски मराठी مصرى 日本語 norsk bokmål polski português română Русиньскый Русский simple english slovenčina slovenščina Српски / srpski srpskohrvatski / српскохрватски svenska ไทย türkçe Українська اردو tiếng việt winaray 粵語 中文 edit links this page was last edited on december , at :  (utc). text is available under the creative commons attribution-sharealike license; additional terms may apply. by using this site, you agree to the terms of use and privacy policy. wikipedia® is a registered trademark of the wikimedia foundation, inc., a non-profit organization. privacy policy about wikipedia disclaimers contact wikipedia mobile view developers statistics cookie statement michelin man - wikipedia michelin man from wikipedia, the free encyclopedia   (redirected from bibendum) jump to navigation jump to search mascot of michelin tyre company the michelin tyre man bibendum in taipei, bibendum (french pronunciation: ​[bibɛ̃dɔm]), commonly referred to in english as the michelin man or michelin tyre man, is the official mascot of the michelin tyre company. a humanoid figure consisting of stacked white tyres, the mascot was introduced at the lyon exhibition of where the michelin brothers had a stand,[ ] and is one of the world's oldest trademarks. the slogan nunc est bibendum (now is the time to drink) is taken from horace's odes (book i, ode xxxvii, line ). he is also referred to as bib or bibelobis.[ ] michelin dominated the french tyre industry for decades and remains a leading player in the market. it was one of the leading advertisers; to this day its famous guidebooks are widely used by travellers. bibendum was depicted visually as a lord of industry, a master of all he surveyed, and a patriotic exponent of the french spirit. in the s, bibendum urged frenchmen to adopt america's superior factory system, but to patriotically avoid using the "inferior" products of those factories. as automobiles became available to the middle classes, michelin advertising likewise shifted downscale, and its restaurant and hotel guides likewise covered a broader range of price categories.[ ] contents development in popular culture references external links development[edit] a poster by "o'galop" of bibendum, the michelin man, produced in . while attending the universal and colonial exposition in lyon in , Édouard and andré michelin noticed a stack of tyres that suggested to Édouard the figure of a man without arms. four years later, andré met french cartoonist marius rossillon, popularly known as o'galop, who showed him a rejected image he had created for a munich brewery[citation needed] — a large, regal figure holding a huge glass of beer and quoting horace's phrase nunc est bibendum ("now is the time for drinking").[ ]. andré immediately suggested replacing the man with a figure made from tyres. thus o'galop transformed the earlier image into michelin's symbol. today, bibendum is one of the world's most recognised trademarks, representing michelin in over countries.[citation needed] the poster showed him offering the toast nunc est bibendum to his scrawny competitors with a glass full of road hazards, with the title and the tag c'est à dire : À votre santé. le pneu michelin boit l'obstacle ("that is to say: here's to your health. the michelin tyre drinks up obstacles").[ ] the character's glass is filled with nails and broken glass.[ ] the implication is that michelin tyres will easily take on road hazards. the company used this basic poster format for fifteen years, adding its latest products to the table in front of the figure. it is unclear when the word "bibendum" came to be the name of the character himself. at the latest, it was in , when michelin commissioned curnonsky to write a newspaper column signed "bibendum". in , michelin ran a contest for "naming the michelin tire man" in the united states.[ ] from onwards, tyres became black in colour because carbon was added as a preservative and a strengthener to the basic rubber material. before then, they were a gray-white or light and translucent-beige colour. bibendum's appearance also changed, becoming black[citation needed]. though michelin briefly featured him that way in several print ads, it quickly changed back his appearance, citing printing and aesthetic issues for the change, and not racial concerns as commonly believed.[ ] the name of the plump tyre-man has entered the language to describe someone obese or wearing comically bulky clothing (e.g. "how can i wrap up warmly without looking like the michelin man?").[ ] bibendum's shape has changed over the years. o'galop's logo was based on bicycle tyres, wore pince-nez glasses with lanyard, and smoked a cigar. by the s, bibendum was being shown running, and in , his th anniversary, a slimmed-down version became the company's new logo. he had long since given up the cigar and pince-nez. the slimming of the logo reflected lower-profile, smaller tyres of modern cars. bib even had a similar-looking puppy as a companion when the duo were cgi animated for recent american television advertisements. a history of the emblem was written by olivier darmon and published in : le grand siècle de bibendum; paris: hoëbeke.[ ] in popular culture[edit] this section does not cite any sources. please help improve this section by adding citations to reliable sources. unsourced material may be challenged and removed. (february ) (learn how and when to remove this template message) bibendum is one of several advertising characters featured in this advertisement from the "bibendum chair" was designed by eileen gray in . cayce pollard, the main character of william gibson's novel pattern recognition, has a strong aversion to corporate brands and logos. the sight of bibendum in particular gives her panic attacks. bibendum made a brief guest appearance in the asterix series, as the chariot-wheel dealer in certain translations, including the english one, of asterix in switzerland. (the original french version used the gaulish warrior mascot of french service-station company antar.) michelin sued the performance artist momus for releasing a song about the trademarked michelin man. french reggae band tryo sang about bibendum on their album grain de sable. 'monsieur bibendum, il est vraiment énorme / monsieur bibendum, le bonheur en personne' ('mr bibendum, he is truly enormous, mr bibendum; happiness personified'). in the animated, academy award-winning satire logorama, a series of bibendums play police detectives, a sheriff, and a squad of swat personnel who all work together to try to bring down a psychotic, ultraviolent criminal played by ronald mcdonald. in season episode of family guy, "stand by meg", the michelin man was "murdered" by chris griffin on behalf of "mr. firestone". he later shows up at the griffin house with the police, pointing to chris as "the one who popped me". in the french dubbed version of ghostbusters the giant stay puft marshmallow man is named "bibendum chamallow" ("chamallow" was originally a confectionery marketed in france under this name, which vaguely resembles the american marshmallow). lego released the stay puft bibendum chamallow minifigure in its edition of the fun pack set. references[edit] ^ "l'aimable mons. bibendum or quelques precisions sur le guide michelin". the motor. nbr : page . august . ^ "michelin corporate - bibendum, the michelin man, the living tyre". archived from the original on - - . retrieved - - . ^ stephen l. harp, marketing michelin. advertising and cultural identity in twentieth-century france (johns hopkins university press, ) ^ horace, odes, book , poem . ^ cross, mary ( ). a century of american icons: products and slogans from the th-century consumer culture. greenwood press. pp.  – . isbn  - . retrieved september . ^ dotz, warren; morton, jim ( ). what a character! th century american advertising icons. chronicle books. p.  . isbn  - - - . ^ advertisement, saturday evening post : (march , ), p. ^ "michelin man: the inside story - september , ". ^ brodkin, jon ( - - ). "kenny has a big pair of gloves to fill on ireland's twin mission". the guardian. london. retrieved - - . ^ also in english and german: one hundred years of michelin man; translated from the french by bernard besserglik; paris: hoëbeke, ; michelin man: years of bibendum; london: conran octopus, .--bibendum: ein jahrhundert geschichte; aus dem französischen von herta luise ott. external links[edit] wikimedia commons has media related to bibendum. bibimage.com, unofficial site dedicated to bibendum. (in french) authority control bnf: cb (data) gnd: - lccn: sh sudoc: x viaf: worldcat identities: viaf- retrieved from "https://en.wikipedia.org/w/index.php?title=michelin_man&oldid= " categories: automobile advertising characters cartoon mascots corporate mascots mascots introduced in michelin hidden categories: cs : long volume value articles with short description short description is different from wikidata all articles with unsourced statements articles with unsourced statements from october articles containing latin-language text articles containing french-language text articles with unsourced statements from september articles needing additional references from february all articles needing additional references commons category link is on wikidata articles with french-language sources (fr) wikipedia articles with bnf identifiers wikipedia articles with gnd identifiers wikipedia articles with lccn identifiers wikipedia articles with sudoc identifiers wikipedia articles with viaf identifiers wikipedia articles with worldcatid identifiers navigation menu personal tools not logged in talk contributions create account log in namespaces article talk variants views read edit view history more search navigation main page contents current events random article about wikipedia contact us donate contribute help learn to edit community portal recent changes upload file tools what links here related changes upload file special pages permanent link page information cite this page wikidata item print/export download as pdf printable version in other projects wikimedia commons languages العربية bân-lâm-gú català deutsch español esperanto euskara français italiano lëtzebuergesch nederlands polski português svenska Українська tiếng việt 中文 edit links this page was last edited on november , at :  (utc). text is available under the creative commons attribution-sharealike license; additional terms may apply. by using this site, you agree to the terms of use and privacy policy. wikipedia® is a registered trademark of the wikimedia foundation, inc., a non-profit organization. privacy policy about wikipedia disclaimers contact wikipedia mobile view developers statistics cookie statement category:roman-era poets - wikipedia help category:roman-era poets from wikipedia, the free encyclopedia jump to navigation jump to search wikimedia commons has media related to ancient roman poets. see also: category:virgil and category:catullus history portal subcategories this category has the following subcategories, out of total. - ► st-century bc roman poets‎ ( c, p) – ► st-century roman poets‎ ( c, p) ► th-century roman poets‎ ( p) ► th-century roman poets‎ ( p) p ► latin panegyrists‎ ( p) s ► roman-era satirists‎ ( p) pages in category "roman-era poets" the following pages are in this category, out of total. this list may not reflect recent changes (learn more).   list of roman latin poets and writers from north africa a valerius aedituus aelius saturninus lucius afranius (poet) alphius avitus ambrose titus annianus anser (poet) arator aemilius magnus arborius marcus argentarius varro atacinus ausonius b babrius balbinus caesius bassus saleius bassus bavius c titus calpurnius siculus christodorus commodian corippus gnaeus cornelius lentulus gaetulicus (consul ) cornificia d pope damasus i domitius marsus double heroides dracontius f gaius valerius flaccus (poet) works attributed to florus marcus furius bibaculus g cornelius gallus grattius h helvius cinna horace hostius j julius florus juvencus l laevius licinius macer calvus lollius bassus lucan lucilius junior lucretius m aemilius macer gaius maecenas marcus manilius gaius maecenas melissus gaius memmius (poet) n gnaeus naevius nemesianus nestor of laranda o ovid juventinus albius ovidius p albinovanus pedo peisander of laranda persius petronius philippus of thessalonica publius pomponius secundus clutorius priscus faltonia betitia proba propertius q quintus smyrnaeus r gaius rabirius (poet) valgius rufus lucius varius rufus s sabinus (ovid) serenus sammonicus severus sanctus endelechius silius italicus abronius silo statius straton of sardis sulpicia sulpicia (satirist) t tibullus tigellius v publius valerius cato virgil volcatius sedigitus retrieved from "https://en.wikipedia.org/w/index.php?title=category:roman-era_poets&oldid= " categories: latin-language writers ancient roman writers poets latin poetry ancient poets hidden categories: commons category link is on wikidata catautotoc generates no toc navigation menu personal tools not logged in talk contributions create account log in namespaces category talk variants views read edit view history more search navigation main page contents current events random article about wikipedia contact us donate contribute help learn to edit community portal recent changes upload file tools what links here related changes upload file special pages permanent link page information wikidata item print/export download as pdf printable version in other projects wikimedia commons wikiquote languages afrikaans العربية aragonés বাংলা Башҡортса Беларуская Беларуская (тарашкевіца)‎ भोजपुरी Български català Čeština cymraeg dansk Ελληνικά español esperanto فارسی français frysk furlan gaeilge 한국어 Հայերեն Íslenska italiano עברית jawa ქართული Қазақша lietuvių magyar മലയാളം मराठी Монгол nederlands polski português română Русский sardu scots slovenčina slovenščina Српски / srpski srpskohrvatski / српскохрватски suomi svenska Татарча/tatarça türkçe Українська اردو vepsän kel’ 粵語 edit links this page was last edited on april , at :  (utc). text is available under the creative commons attribution-sharealike license; additional terms may apply. by using this site, you agree to the terms of use and privacy policy. wikipedia® is a registered trademark of the wikimedia foundation, inc., a non-profit organization. privacy policy about wikipedia disclaimers contact wikipedia mobile view developers statistics cookie statement bibliothèque nationale de france - wikipedia bibliothèque nationale de france from wikipedia, the free encyclopedia   (redirected from bnf (identifier)) jump to navigation jump to search national library of france "bnf" and "gallica" redirect here. for the compound abbreviated as "bnf", see benzyl fluoride. for other uses, see gallica (disambiguation). coordinates: ° ′ ″n ° ′ ″e /  . °n . °e / . ; . national library of france bibliothèque nationale de france established ;  years ago ( )[ ] location paris, france collection items collected books, journals, newspapers, magazines, sound and music recordings, patents, databases, maps, stamps, prints, drawings and manuscripts size m items m books and publications[ ] access and use access requirements open to anyone with a need to use the collections and services other information budget € million[ ] director laurence engel staff , website www.bnf.fr map the bibliothèque nationale de france (french: [biblijɔtɛk nɑsjɔnal də fʁɑ̃s], "national library of france"; bnf) is the national library of france, located in paris. it is the national repository of all that is published in france and also holds extensive historical collections. contents history new buildings mission manuscript collection digital library list of directors . – . –present films about the library famous patrons see also references further reading external links history[edit] the national library of france traces its origin to the royal library founded at the louvre palace by charles v in . charles had received a collection of manuscripts from his predecessor, john ii, and transferred them to the louvre from the palais de la cité. the first librarian of record was claude mallet, the king's valet de chambre, who made a sort of catalogue, inventoire des livres du roy nostre seigneur estans au chastel du louvre. jean blanchet made another list in and jean de bégue one in and another in . charles v was a patron of learning and encouraged the making and collection of books. it is known that he employed nicholas oresme, raoul de presle and others to transcribe ancient texts. at the death of charles vi, this first collection was unilaterally bought by the english regent of france, the duke of bedford, who transferred it to england in . it was apparently dispersed at his death in .[ ][ ] charles vii did little to repair the loss of these books, but the invention of printing resulted in the starting of another collection in the louvre inherited by louis xi in . charles viii seized a part of the collection of the kings of aragon.[ ] louis xii, who had inherited the library at blois, incorporated the latter into the bibliothèque du roi and further enriched it with the gruthuyse collection and with plunder from milan. francis i transferred the collection in to fontainebleau and merged it with his private library. during his reign, fine bindings became the craze and many of the books added by him and henry ii are masterpieces of the binder's art.[ ] under librarianship of amyot, the collection was transferred to paris during which process many treasures were lost. henry iv again moved it to the collège de clermont and in it was housed in the rue de la harpe. the appointment of jacques auguste de thou as librarian initiated a period of development that made it the largest and richest collection of books in the world. he was succeeded by his son who was replaced, when executed for treason, by jérôme bignon, the first of a line of librarians of the same name. under de thou, the library was enriched by the collections of queen catherine de medici. the library grew rapidly during the reigns of louis xiii and louis xiv, due in great part to the interest of the minister of finance, colbert, an indefatigable collectors of books.[ ] the quarters in the rue de la harpe becoming inadequate, the library was again moved, in , to a more spacious house in rue vivienne. the minister louvois took quite as much interest in the library as colbert and during his administration a magnificent building to be erected in the place vendôme was planned. the death of louvois, however, prevented the realization of this plan. louvois employed mabillon, thévenot and others to procure books from every source. in , a catalogue in eight volumes was compiled.[ ] the library opened to the public in , under the administration of abbé louvois, minister louvois's son. abbé louvois was succeeded by jean-paul bignon, who instituted a complete reform of the library's system. catalogues were made which appeared from to in volumes. the collections increased steadily by purchase and gift to the outbreak of the french revolution, at which time it was in grave danger of partial or total destruction, but owing to the activities of antoine-augustin renouard and joseph van praet it suffered no injury.[ ] the library's collections swelled to over , volumes during the radical phase of the french revolution when the private libraries of aristocrats and clergy were seized. after the establishment of the french first republic in september , "the assembly declared the bibliotheque du roi to be national property and the institution was renamed the bibliothèque nationale. after four centuries of control by the crown, this great library now became the property of the french people."[ ] reading room, richelieu site a new administrative organization was established. napoleon took great interest in the library and among other things issued an order that all books in provincial libraries not possessed by the bibliothèque nationale should be forwarded to it, subject to replacement by exchanges of equal value from the duplicate collections, making it possible, as napoleon said, to find a copy of any book in france in the national library. napoleon furthermore increased the collections by spoil from his conquests. a considerable number of these books were restored after his downfall. during the period from to , the library was virtually under the control of joseph van praet. at his death it contained more than , printed books and some , manuscripts.[ ] following a series of regime changes in france, it became the imperial national library and in was moved to newly constructed buildings on the rue de richelieu designed by henri labrouste. upon labrouste's death in the library was further expanded, including the grand staircase and the oval room, by academic architect jean-louis pascal. in , the library was still the largest repository of books in the world, although it has since been surpassed by other libraries for that title.[ ] by , the library's collection had grown to , , volumes and , manuscripts.[ ] m. henri lemaître, a vice-president of the french library association and formerly librarian of the bibliothèque nationale ... outlined the story of french libraries and librarians during the german occupation, a record of destruction and racial discrimination. during – , more than two million books were lost through the ravages of war, many of them forming the irreplaceable local collections in which france abounded. many thousands of books, including complete libraries, were seized by the germans. yet french librarians stood firm against all threats, and continued to serve their readers to the best of their abilities. in their private lives and in their professional occupations they were in the van of the struggle against the nazis, and many suffered imprisonment and death for their devotion. despite nazi opposition they maintained a supply of books to french prisoners of war. they continued to supply books on various proscribed lists to trustworthy readers; and when liberation came, they were ready with their plans for rehabilitation with the creation of new book centres for the french people on lines of the english county library system.[ ] new buildings[edit] view of the bibliothèque nationale de france, françois-mitterrand site on july , president françois mitterrand announced "the construction and the expansion of one of the largest and most modern libraries in the world, intended to cover all fields of knowledge, and designed to be accessible to all, using the most modern data transfer technologies, which could be consulted from a distance, and which would collaborate with other european libraries". book and media logistics inside the whole library was planned with an automated .  km ( .  mi) telelift system. only with this high level of automation, the library can comply with all demands fully in time. due to initial trade union opposition, a wireless network was fully installed only in august . in july , the services of the architectural firm of dominique perrault were retained. the design was recognized with the european union prize for contemporary architecture in . the construction was carried out by bouygues.[ ] construction of the library ran into huge cost overruns and technical difficulties related to its high-rise design, so much so that it was referred to as the "tgb" or "très grande bibliothèque" (i.e. "very large library", a sarcastic allusion to france's successful high-speed rail system, the tgv).[ ] after the move of the major collections from the rue de richelieu, the national library of france was inaugurated on december .[ ] as of [update], the bnf contained roughly  million books at its four parisian sites (tolbiac, i.e. bibliothèque françois-mitterrand, and richelieu, arsenal and opéra) as well as printed documents, manuscripts, prints, photographs, maps and plans, scores, coins, medals, sound documents, video and multimedia documents, scenery elements..."[ ] the library retains the use of the rue de richelieu complex for some of its collections. plan of the bibliothèque françois-mitterrand ___ located near the métro station: bibliothèque françois mitterrand. mission[edit] the national library of france is a public establishment under the supervision of the ministry of culture. its mission is to constitute collections, especially the copies of works published in france that must, by law, be deposited there, conserve them, and make them available to the public. it produces a reference catalogue, cooperates with other national and international establishments, and participates in research programs. manuscript collection[edit] the manuscripts department houses the largest collection of medieval and modern manuscripts worldwide. the collection includes medieval chansons de geste and chivalric romances, eastern literature, eastern and western religions, ancient history, scientific history, and literary manuscripts by pascal, diderot, apollinaire, proust, colette, sartre, etc. the collection is organised: according to language (ancient greek, latin, french and other european languages, arabic, coptic, ethiopian, hebrew, persian, turkish, near- and middle-eastern languages, chinese, japanese, tibetan, sanskrit, indian languages, vietnamese, etc.) the library holds about , ancient greek manuscripts, which are divided into three fonds: ancien fonds grec, fonds coislin, and fonds du supplément grec. according to content: learned and bibliophilic, collections of learned materials, library archives, genealogical collections, french provinces, masonic collection, etc. digital library[edit] gallica is the digital library for online users of the bibliothèque nationale de france and its partners. it was established in october . today it has more than million digitized materials of various types: books, magazines, newspapers, photographs, cartoons, drawings, prints, posters, maps, manuscripts, antique coins, scores, theater costumes and sets, audio and video materials. all library materials are freely available. on february , , a digitized copy of scenes from bohemian life by henri murger ( ) became gallica's millionth document. and in february , the five millionth document was a copy of the manuscript "record of an unsuccessful trip to the west indies" stored in the bibliothèque inguimbertine. as of  january  [update], gallica had made available on the web about: million documents , books , maps , manuscripts , , images , , newspapers and magazines , sheets of music , audio recordings , objects , video recordings most of gallica's collections have been converted into text format using optical character recognition (ocr-processing), which allows full-text search in the library materials. each document has a digital identifier, the so-called ark (archival resource key) of the national library of france and is accompanied by a bibliographic description. list of directors[edit] – [edit] – : gilles mallet [fr] (fr) – : guillaume budé – : pierre duchâtel [fr] – : pierre de montdoré [fr] – : jacques amyot – : jacques-auguste de thou – : françois auguste de thou – : jérôme bignon – : jérôme ii bignon [fr] – : jean gosselin [fr] – : isaac casaubon – : nicolas rigault – : pierre dupuy – : jacques dupuy [fr] – : nicolas colbert [fr]; pierre de carcavi ( - ) – : louis colbert [fr]; melchisédech thévenot ( - ) – : camille le tellier de louvois; nicolas clément [fr] ( - ) – : jean-paul bignon – : jérôme bignon de blanzy [fr] – : armand-jérôme bignon – : jérôme-frédéric bignon [fr]; grégoire desaunays [fr] (from to ) – : jean-charles-pierre le noir (démission) – : louis le fèvre d'ormesson de noyseau [fr] –present[edit] – : jean-louis carra [fr] and sébastien-roch nicolas de chamfort (fr) : jean-baptiste cœuilhe [fr] (interim) – : jean baptiste lefebvre de villebrune – : andré barthélemy de courcay [fr] – : jean-augustin capperonnier [fr] – : adrien-jacques joly [fr] – : aubin-louis millin de grandmaison – : jean-augustin capperonnier – : pascal-françois-joseph gossellin [fr] – : bon-joseph dacier – : joseph van praet : joseph van praet : jean-pierre abel-rémusat – : jean-antoine letronne – : edmé françois jomard : charles dunoyer – : antoine jean letronne – : joseph naudet – : jules-antoine taschereau [fr]; the paris commune appointed Élie reclus ( april to may ) – : léopold delisle – : henry marcel – : théophile homolle – : pierre-rené roland-marcel [fr] – : julien cain – : bernard faÿ – : jean laran [fr] (interim) – : julien cain – : Étienne dennery – : georges le rider – : alain gourdon [fr] – : andré miquel – : emmanuel le roy ladurie – : dominique jamet [fr] – : jean favier – : jean-pierre angremy – : jean-noël jeanneney – : bruno racine –present: laurence engel [fr] films about the library[edit] alain resnais directed toute la mémoire du monde, a short film about the library and its collections. famous patrons[edit] raoul rigault, leader during the paris commune, is known for habitually occupying the library and reading endless copies of the newspaper le père duchesne.[ ] see also[edit] arcade (blinkenlights) bibliothèque de l'arsenal bibliothèque-musée de l'opéra national de paris books in france cabinet des médailles dossiers secrets d'henri lobineau les enfers, a department within the bibliothèque nationale legal deposit national electronic library references[edit] ^ jack a. clarke. "french libraries in transition, – ." the library quarterly, vol. , no. (oct., ) ^ a b "la bnf en chiffres". archived from the original on - - . ^ a b priebe, paul m. ( ). "from bibliothèque du roi to bibliothèque nationale: the creation of a state library, – ". the journal of library history. ( ): – . jstor  . ^ a b c d e f g this article incorporates text from a publication now in the public domain: rines, george edwin, ed. ( ). "national library of france" . encyclopedia americana. ^ konstantinos staikos ( ), history of the library in western civilization: from petrarch to michelangelo, new castle, de: oak knoll press, isbn  - - - - ^ dunton, larkin ( ). the world and its people. silver, burdett. p.  . ^ "university and research libraries". nature. ( ): . october . doi: . / a . ^ bouygues website: bibliothèque nationale de france archived november , , at the wayback machine ^ fitchett, joseph ( march ). "new paris library: visionary or outdated?". the new york times. retrieved april . ^ ramsay, raylene l. ( ). french women in politics: writing power, paternal legitimization, and maternal legacies. berghahn books. p.  . isbn  - - - - . retrieved may . ^ "welcome to the bnf". bnf (bibliothèque nationale de france). archived from the original on january . retrieved january . ^ horne, alistair ( ). the fall of paris: the siege and the commune - . st. martin's press, new york. pp.  – . further reading[edit] bibliothèque nationale (france), département de la phonothèque nationale et de l'audiovisuel. the national [sound] record[ings] and audiovisual department of the national library [of france]. [paris]: bibliothèque nationale, [ ]. p. david h. stam, ed. ( ). international dictionary of library histories. fitzroy dearborn. isbn  - - - . riding, alan. 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oʻzbekcha/ўзбекча polski português română Русский scots සිංහල simple english slovenčina slovenščina کوردی Српски / srpski srpskohrvatski / српскохрватски suomi svenska தமிழ் türkçe Українська vèneto tiếng việt winaray 吴语 粵語 zazaki 中文 edit links this page was last edited on december , at :  (utc). text is available under the creative commons attribution-sharealike license; additional terms may apply. by using this site, you agree to the terms of use and privacy policy. wikipedia® is a registered trademark of the wikimedia foundation, inc., a non-profit organization. privacy policy about wikipedia disclaimers contact wikipedia mobile view developers statistics cookie statement augustine of hippo - wikipedia augustine of hippo from wikipedia, the free encyclopedia jump to navigation jump to search catholic theologian, philosopher, church father, bishop and christian saint ( – ) "augustine", "saint augustine", and "augustinus" redirect here. for other uses, see augustine (disambiguation), saint augustine (disambiguation), and augustinus (disambiguation). saint augustine of hippo bishop of hippo regius the triumph of saint augustine painted by claudio coello, c. bishop and doctor of the church born november thagaste, numidia cirtensis, western roman empire (modern-day souk ahras, algeria) died august (aged ) hippo regius, numidia cirtensis, western roman empire (modern-day annaba, algeria) resting place pavia, italy venerated in all christian denominations which venerate saints canonized pre-congregation major shrine san pietro in ciel d'oro, pavia, italy feast august (latin church, western christianity) june (eastern christianity) november (assyrian) attributes child dove pen shell pierced heart holding book with a small church pectoral cross crozier miter patronage brewers, printers, theologians, sore eyes bridgeport, connecticut, cagayan de oro, philippines, san agustin, isabela, mendez, cavite, tanza, cavite augustine of hippo portrait of saint augustine of hippo receiving the most sacred heart of jesus, by philippe de champaigne, c. th century born aurelius augustinus nationality roman african notable work confessions on christian doctrine on the trinity city of god era ancient philosophy medieval philosophy region western philosophy school augustinianism notable students paul orosius[ ] main interests anthropology biblical criticism epistemology ethics metaphysics pedagogy philosophy of religion theodicy theology notable ideas   filioque[ ] original sin free will augustinian predestination just war theory absence of good[ ] concupiscence[ ] sacramental character[ ] augustinian hypothesis[ ] augustinian theodicy augustinian values[ ] divine command theory[ ] amillennialism you are christ[ ] deity[ ] solvitur ambulando[ ] heroic virtue[ ] incurvatus in se[ ] genesis as an allegory[ ][ ] divine illumination theocentricism[ ] limbo[ ] influences ambrose aristotle cicero cyprian monica paul plato plotinus victorinus virgil influenced virtually all of subsequent western philosophy and catholic theology, as well as a significant amount of protestant theology. ordination history of augustine of hippo history priestly ordination date place hippo regius, africa, roman empire episcopal consecration consecrated by megalius date source(s):[ ][ ] part of a series on augustinianism saint augustine thoughts platonic realism filioque original sin free will augustinian predestination just war theory absence of good concupiscence sacramental character augustinian theodicy augustinian values divine command theory amillennialism deity church invisible divine illumination theocentricism limbo phrases solvitur ambulando heroic virtue incurvatus in se biblical criticism augustinian hypothesis allegorical interpretations of genesis influences and precursors homer socrates plato cicero virgil paul seneca tertullian cyprian origen plotinus augustinian thinkers boethius isidore of seville john scotus eriugena anselm of canterbury bonaventure giles of rome duns scotus gregory of rimini rené descartes nicolas malebranche john henry newman joseph ratzinger other similar developments scholastic method anselmianism thomism scotism christian humanism molinism contrary positions pelagianism thomistic epistemology palamism calvinism jansenism related western christianity catholic theology neoplatonism and christianity  christianity portal v t e part of a series on augustine of hippo augustine in the four doctors of the western church augustinianism divine command amillennialism original sin invisible church predestination incurvatus in se augustinian hypothesis just war augustinian theodicy works the city of god confessions on christian doctrine soliloquies enchiridion on the trinity influences and followers plotinus saint monica ambrose possidius anselm aquinas bonaventure luther calvin jansen newman related topics augustinians neoplatonism pelagianism scholasticism jansenism order of saint augustine great schism of related categories ► augustine of hippo  catholicism portal  christianity portal  philosophy portal this box: view talk edit v t e augustine of hippo (/ɔːˈɡʌstɪn/; latin: aurelius augustinus hipponensis; november – august [ ]), also known as saint augustine, was a theologian, philosopher, and the bishop of hippo regius in numidia, roman north africa. his writings influenced the development of western philosophy and western christianity, and he is viewed as one of the most important church fathers of the latin church in the patristic period. his many important works include the city of god, on christian doctrine, and confessions. according to his contemporary, jerome, augustine "established anew the ancient faith".[a] in his youth he was drawn to the major persian religion, manichaeism, and later to neoplatonism. after his conversion to christianity and baptism in , augustine developed his own approach to philosophy and theology, accommodating a variety of methods and perspectives.[ ] believing the grace of christ was indispensable to human freedom, he helped formulate the doctrine of original sin and made significant contributions to the development of just war theory. when the western roman empire began to disintegrate, augustine imagined the church as a spiritual city of god, distinct from the material earthly city.[ ] his thoughts profoundly influenced the medieval worldview. the segment of the church that adhered to the concept of the trinity as defined by the council of nicaea and the council of constantinople[ ] closely identified with augustine's on the trinity. augustine is recognized as a saint in the catholic church, the eastern orthodox church, and the anglican communion. he is also a preeminent catholic doctor of the church and the patron of the augustinians. his memorial is celebrated on august, the day of his death. augustine is the patron saint of brewers, printers, theologians, and a number of cities and dioceses.[ ] many protestants, especially calvinists and lutherans, consider him one of the theological fathers of the protestant reformation due to his teachings on salvation and divine grace.[ ][ ][ ] protestant reformers generally, and martin luther in particular, held augustine in preeminence among early church fathers. luther was, from to , a member of the order of the augustinian eremites. in the east, his teachings are more disputed and were notably attacked by john romanides.[ ] but other theologians and figures of the eastern orthodox church have shown significant approbation of his writings, chiefly georges florovsky.[ ] the most controversial doctrine associated with him, the filioque,[ ] was rejected by the orthodox church.[ ] other disputed teachings include his views on original sin, the doctrine of grace, and predestination.[ ] nevertheless, though considered to be mistaken on some points, he is still considered a saint and has influenced some eastern church fathers, most notably gregory palamas.[ ] in the orthodox church his feast day is celebrated on june.[ ][ ] historian diarmaid macculloch has written: "augustine's impact on western christian thought can hardly be overstated; only his beloved example paul of tarsus, has been more influential, and westerners have generally seen paul through augustine's eyes."[ ] contents life . background . childhood and education . move to carthage, rome, milan . conversion to christianity and priesthood death and sainthood . relics views and thought . theology . . christian anthropology . . creation . . ecclesiology . . eschatology . . mariology . . natural knowledge and biblical interpretation . . original sin . . predestination . . sacramental theology . philosophy . . astrology . . epistemology . . just war . . free will . sociology, morals and ethics . . slavery . . jews . . sexuality . . pedagogy . . coercion . . . the context . . . the theology works influence . in philosophy . in theology . oratorio, music . in popular art see also references . notes . citations . cited sources . further reading external links . general . bibliography . works by augustine . biography and criticism life[edit] background[edit] augustine of hippo (/ɔːˈɡʌstɪn/,[ ] /əˈɡʌstɪn/,[ ] or /ˈɔːɡʌstɪn/;[ ] latin: aurelius augustinus hipponensis;[b] november – august ), also known as saint augustine or saint austin,[ ] is known by various cognomens throughout the many denominations of the christian world, including blessed augustine and the doctor of grace[ ] (latin: doctor gratiae). hippo regius, where augustine was the bishop, was in modern-day annaba, algeria.[ ][ ] childhood and education[edit] the saint augustine taken to school by saint monica. by niccolò di pietro – augustine was born in in the municipium of thagaste (now souk ahras, algeria) in the roman province of numidia.[ ][ ][ ][ ][ ] his mother, monica or monnica,[c] was a devout christian; his father patricius was a pagan who converted to christianity on his deathbed.[ ] he had a brother named navigius and a sister whose name is lost but is conventionally remembered as perpetua.[ ] scholars generally agree augustine and his family were berbers, an ethnic group indigenous to north africa,[ ][ ][ ] but were heavily romanized, speaking only latin at home as a matter of pride and dignity.[ ] in his writings, augustine leaves some information as to the consciousness of his african heritage. for example, he refers to apuleius as "the most notorious of us africans,"[ ][ ] to ponticianus as "a country man of ours, insofar as being african,"[ ][ ] and to faustus of mileve as "an african gentleman".[ ][ ] it is important to note that in augustine's time, 'africa' was a roman term for the territories surrounding carthage. it did not refer to sub-saharan africa, or the continent as a whole. augustine's family name, aurelius, suggests his father's ancestors were freedmen of the gens aurelia given full roman citizenship by the edict of caracalla in . augustine's family had been roman, from a legal standpoint, for at least a century when he was born.[ ] it is assumed his mother, monica, was of berber origin, on the basis of her name,[ ][ ] but as his family were honestiores, an upper class of citizens known as honorable men, augustine's first language was likely latin.[ ] at the age of , augustine was sent to school at madaurus (now m'daourouch), a small numidian city about miles (  km) south of thagaste. there he became familiar with latin literature, as well as pagan beliefs and practices.[ ] his first insight into the nature of sin occurred when he and a number of friends stole fruit they did not want from a neighborhood garden. he tells this story in his autobiography, the confessions. he remembers he stole the fruit, not because he was hungry, but because "it was not permitted."[ ] his very nature, he says, was flawed. 'it was foul, and i loved it. i loved my own error—not that for which i erred, but the error itself."[ ] from this incident he concluded the human person is naturally inclined to sin, and in need of the grace of christ. at the age of , through the generosity of his fellow citizen romanianus,[ ] augustine went to carthage to continue his education in rhetoric, though it was above the financial means of his family.[ ] in spite of the good warnings of his mother, as a youth augustine lived a hedonistic lifestyle for a time, associating with young men who boasted of their sexual exploits. the need to gain their acceptance forced inexperienced boys like augustine to seek or make up stories about sexual experiences.[ ] it was while he was a student in carthage that he read cicero's dialogue hortensius (now lost), which he described as leaving a lasting impression, enkindling in his heart the love of wisdom and a great thirst for truth. it started his interest in philosophy.[ ] although raised catholic, augustine became a manichaean, much to his mother's chagrin.[ ] at about the age of , augustine began a relationship with a young woman in carthage. though his mother wanted him to marry a person of his class, the woman remained his lover[ ] for over fifteen years[ ] and gave birth to his son adeodatus ( – ), which means "gift from god",[ ] who was viewed as extremely intelligent by his contemporaries. in , augustine ended his relationship with his lover in order to prepare to marry a ten-year-old heiress. (he had to wait for two years because the legal age of marriage for women was twelve.) by the time he was able to marry her, however, he had decided to become a catholic priest and the marriage did not happen.[ ][ ] augustine was from the beginning a brilliant student, with an eager intellectual curiosity, but he never mastered greek[ ] – he tells us his first greek teacher was a brutal man who constantly beat his students, and augustine rebelled and refused to study. by the time he realized he needed to know greek, it was too late; and although he acquired a smattering of the language, he was never eloquent with it. however, his mastery of latin was another matter. he became an expert both in the eloquent use of the language and in the use of clever arguments to make his points. move to carthage, rome, milan[edit] the earliest known portrait of saint augustine in a th-century fresco, lateran, rome augustine taught grammar at thagaste during and . the following year he moved to carthage to conduct a school of rhetoric and remained there for the next nine years.[ ] disturbed by unruly students in carthage, he moved to establish a school in rome, where he believed the best and brightest rhetoricians practiced, in . however, augustine was disappointed with the apathetic reception. it was the custom for students to pay their fees to the professor on the last day of the term, and many students attended faithfully all term, and then did not pay. manichaean friends introduced him to the prefect of the city of rome, symmachus, who had been asked by the imperial court at milan[ ] to provide a rhetoric professor. augustine won the job and headed north to take his position in milan in late . thirty years old, he had won the most visible academic position in the latin world at a time when such posts gave ready access to political careers. although augustine spent ten years as a manichaean, he was never an initiate or "elect", but an "auditor", the lowest level in this religion's hierarchy.[ ][ ] while still at carthage a disappointing meeting with the manichaean bishop, faustus of mileve, a key exponent of manichaean theology, started augustine's scepticism of manichaeanism.[ ] in rome, he reportedly turned away from manichaeanism, embracing the scepticism of the new academy movement. because of his education, augustine had great rhetorical prowess and was very knowledgeable of the philosophies behind many faiths.[ ] at milan, his mother's religiosity, augustine's own studies in neoplatonism, and his friend simplicianus all urged him towards catholicism.[ ] not coincidentally, this was shortly after the roman emperor theodosius i had issued a decree of death for all manichaean monks in and shortly before he declared christianity to be the only legitimate religion for the roman empire in .[ ] initially augustine was not strongly influenced by christianity and its ideologies, but after coming in contact with ambrose of milan, augustine reevaluated himself and was forever changed. saint augustine and his mother, saint monica ( ) by ary scheffer augustine arrived in milan and visited ambrose, having heard of his reputation as an orator. like augustine, ambrose was a master of rhetoric, but older and more experienced.[ ] soon, their relationship grew, as augustine wrote, "and i began to love him, of course, not at the first as a teacher of the truth, for i had entirely despaired of finding that in thy church—but as a friendly man."[ ] eventually, augustine says he was spiritually led into catholicism.[ ] augustine was very much influenced by ambrose, even more than by his own mother and others he admired. in his confessions, augustine states, "that man of god received me as a father would, and welcomed my coming as a good bishop should."[ ] ambrose adopted augustine as a spiritual son after the death of augustine's father.[ ] augustine's mother had followed him to milan and arranged a respectable marriage for him. although augustine acquiesced, he had to dismiss his concubine and grieved for having forsaken his lover. he wrote, "my mistress being torn from my side as an impediment to my marriage, my heart, which clave to her, was racked, and wounded, and bleeding." augustine confessed he had not been a lover of wedlock so much as a slave of lust, so he procured another concubine since he had to wait two years until his fiancée came of age. however, his emotional wound was not healed.[ ] it was during this period that he uttered his famously insincere prayer, "grant me chastity and continence, but not yet."[ ] there is evidence augustine may have considered this former relationship to be equivalent to marriage.[ ] in his confessions, he admitted the experience eventually produced a decreased sensitivity to pain. augustine eventually broke off his engagement to his eleven-year-old fiancée, but never renewed his relationship with either of his concubines. alypius of thagaste steered augustine away from marriage, saying they could not live a life together in the love of wisdom if he married. augustine looked back years later on the life at cassiciacum, a villa outside of milan where he gathered with his followers, and described it as christianae vitae otium – the leisure of christian life.[ ] conversion to christianity and priesthood[edit] the conversion of st. augustine by fra angelico in late august of ,[d] at the age of , having heard of ponticianus's and his friends' first reading of the life of anthony of the desert, augustine converted to christianity. as augustine later told it, his conversion was prompted by hearing a child's voice say "take up and read" (latin: tolle, lege). resorting to the sortes sanctorum, he opened a book of st. paul's writings (codex apostoli, . . ) at random and read romans : – : not in rioting and drunkenness, not in chambering and wantonness, not in strife and envying, but put on the lord jesus christ, and make no provision for the flesh to fulfill the lusts thereof.[ ] he later wrote an account of his conversion in his confessions (latin: confessiones), which has since become a classic of christian theology and a key text in the history of autobiography. this work is an outpouring of thanksgiving and penitence. although it is written as an account of his life, the confessions also talks about the nature of time, causality, free will, and other important philosophical topics.[ ] the following is taken from that work: belatedly i loved thee, o beauty so ancient and so new, belatedly i loved thee. for see, thou wast within and i was without, and i sought thee out there. unlovely, i rushed heedlessly among the lovely things thou hast made. thou wast with me, but i was not with thee. these things kept me far from thee; even though they were not at all unless they were in thee. thou didst call and cry aloud, and didst force open my deafness. thou didst gleam and shine, and didst chase away my blindness. thou didst breathe fragrant odors and i drew in my breath; and now i pant for thee. i tasted, and now i hunger and thirst. thou didst touch me, and i burned for thy peace.[ ] the vision of st. augustine by ascanio luciano ambrose baptized augustine and his son adeodatus, in milan on easter vigil, – april .[ ] a year later, in , augustine completed his apology on the holiness of the catholic church.[ ] that year, also, adeodatus and augustine returned home to africa.[ ] augustine's mother monica died at ostia, italy, as they prepared to embark for africa.[ ] upon their arrival, they began a life of aristocratic leisure at augustine's family's property.[ ] soon after, adeodatus, too, died.[ ] augustine then sold his patrimony and gave the money to the poor. he only kept the family house, which he converted into a monastic foundation for himself and a group of friends.[ ] in augustine was ordained a priest in hippo regius (now annaba), in algeria. he became a famous preacher (more than preserved sermons are believed to be authentic), and was noted for combating the manichaean religion, to which he had formerly adhered.[ ] in , he was made coadjutor bishop of hippo and became full bishop shortly thereafter,[ ] hence the name "augustine of hippo"; and he gave his property to the church of thagaste.[ ] he remained in that position until his death in . he wrote his autobiographical confessions in – . his work the city of god was written to console his fellow christians shortly after the visigoths had sacked rome in . augustine worked tirelessly to convince the people of hippo to convert to christianity. though he had left his monastery, he continued to lead a monastic life in the episcopal residence. much of augustine's later life was recorded by his friend possidius, bishop of calama (present-day guelma, algeria), in his sancti augustini vita. possidius admired augustine as a man of powerful intellect and a stirring orator who took every opportunity to defend christianity against its detractors. possidius also described augustine's personal traits in detail, drawing a portrait of a man who ate sparingly, worked tirelessly, despised gossip, shunned the temptations of the flesh, and exercised prudence in the financial stewardship of his see.[ ] death and sainthood[edit] shortly before augustine's death, the vandals, a germanic tribe that had converted to arianism, invaded roman africa. the vandals besieged hippo in the spring of , when augustine entered his final illness. according to possidius, one of the few miracles attributed to augustine, the healing of an ill man, took place during the siege.[ ] according to possidius, augustine spent his final days in prayer and repentance, requesting the penitential psalms of david be hung on his walls so he could read them. he directed the library of the church in hippo and all the books therein should be carefully preserved. he died on august .[ ] shortly after his death, the vandals lifted the siege of hippo, but they returned soon after and burned the city. they destroyed all but augustine's cathedral and library, which they left untouched.[ ] augustine was canonized by popular acclaim, and later recognized as a doctor of the church in by pope boniface viii.[ ] his feast day is august, the day on which he died. he is considered the patron saint of brewers, printers, theologians, and a number of cities and dioceses. he is invoked against sore eyes.[ ] relics[edit] augustine's arm bones, saint augustin basilica, annaba, algeria according to bede's true martyrology, augustine's body was later translated or moved to cagliari, sardinia, by the catholic bishops expelled from north africa by huneric. around , his remains were transported again by peter, bishop of pavia and uncle of the lombard king liutprand, to the church of san pietro in ciel d'oro in pavia, in order to save them from frequent coastal raids by saracens. in january , pope john xxii issued the papal bull veneranda santorum patrum, in which he appointed the augustinians guardians of the tomb of augustine (called arca), which was remade in and elaborately carved with bas-reliefs of scenes from augustine's life. in october , some workmen in the church of san pietro in ciel d'oro in pavia discovered a marble box containing human bones (including part of a skull). a dispute arose between the augustinian hermits (order of saint augustine) and the regular canons (canons regular of saint augustine) as to whether these were the bones of augustine. the hermits did not believe so; the canons affirmed they were. eventually pope benedict xiii ( – ) directed the bishop of pavia, monsignor pertusati, to make a determination. the bishop declared that, in his opinion, the bones were those of saint augustine.[ ] the augustinians were expelled from pavia in , taking refuge in milan with the relics of augustine, and the disassembled arca, which were removed to the cathedral there. san pietro fell into disrepair, but was finally rebuilt in the s, under the urging of agostino gaetano riboldi, and reconsecrated in when the relics of augustine and the shrine were once again reinstalled.[ ][ ] in , a portion of augustine's right arm (cubitus) was secured from pavia and returned to annaba.[ ] it now rests in the saint augustin basilica within a glass tube inserted into the arm of a life-size marble statue of the saint. views and thought[edit] part of a series on christianity jesus christ nativity crucifixion resurrection bible foundations old testament new testament gospel canon books of the bible church creed new covenant theology god trinity father son holy spirit apologetics baptism christology history of theology mission salvation history tradition apostles peter paul mary early christianity church fathers constantine councils augustine east–west schism crusades aquinas reformation luther denominations groups western roman catholic protestant adventist anabaptist anglican baptist calvinist evangelical holiness lutheran methodist pentecostal eastern eastern catholic eastern orthodox oriental orthodox church of the east (nestorian) nontrinitarian jehovah's witness latter day saint oneness pentecostal related topics art criticism ecumenism music other religions prayer sermon symbolism worship  christianity portal v t e part of a series on catholic philosophy   aquinas, scotus, and ockham ethics cardinal virtues just price just war probabilism natural law personalism social teaching virtue ethics schools augustinianism cartesianism molinism occamism salamanca scholasticism neo-scholasticism scotism thomism philosophers ancient ambrose athanasius the great augustine of hippo clement of alexandria cyprian of carthage cyril of alexandria gregory of nyssa irenaeus of lyons jerome john chrysostom john of damascus justin martyr origen paul the apostle tertullian postclassical pseudo-dionysius boethius isidore of seville scotus eriugena bede anselm of canterbury hildegard of bingen peter abelard symeon the new theologian bernard of clairvaux hugh of saint victor thomas aquinas benedict of nursia pope gregory i peter lombard bonaventure albertus magnus duns scotus roger bacon giles of rome james of viterbo giambattista vico gregory of rimini william of ockham catherine of siena paul of venice modern baltasar gracián erasmus of rotterdam thomas cajetan nicholas of cusa luis de molina teresa of Ávila thomas more francis de sales francisco de vitoria domingo de soto martín de azpilcueta tomás de mercado antoine arnauld rené descartes robert bellarmine ignacy krasicki hugo kołłątaj françois fénelon alphonsus liguori nicolas malebranche blaise pascal francisco suárez giovanni botero felicité de lamennais antonio rosmini john henry newman contemporary pope benedict xvi pope john paul ii g. e. m. anscombe hans urs von balthasar maurice blondel g. k. chesterton yves congar henri de lubac john finnis reginald garrigou-lagrange Étienne gilson rené girard nicolás gómez dávila romano guardini john haldane dietrich von hildebrand bernard lonergan marshall mcluhan alasdair macintyre gabriel marcel jean-luc marion jacques maritain emmanuel mounier josef pieper karl rahner edith stein charles taylor  catholicism portal  philosophy portal v t e augustine's large contribution of writings covered diverse fields including theology, philosophy and sociology. along with john chrysostom, augustine was among the most prolific scholars of the early church by quantity. theology[edit] christian anthropology[edit] augustine was one of the first christian ancient latin authors with a very clear vision of theological anthropology.[ ] he saw the human being as a perfect unity of soul and body. in his late treatise on care to be had for the dead, section ( ) he exhorted respect for the body on the grounds it belonged to the very nature of the human person.[ ] augustine's favourite figure to describe body-soul unity is marriage: caro tua, coniunx tua – your body is your wife.[ ][ ][ ] initially, the two elements were in perfect harmony. after the fall of humanity they are now experiencing dramatic combat between one another. they are two categorically different things. the body is a three-dimensional object composed of the four elements, whereas the soul has no spatial dimensions.[ ] soul is a kind of substance, participating in reason, fit for ruling the body.[ ] augustine was not preoccupied, as plato and descartes were, in detailed efforts to explain the metaphysics of the soul-body union. it sufficed for him to admit they are metaphysically distinct: to be a human is to be a composite of soul and body, with the soul superior to the body. the latter statement is grounded in his hierarchical classification of things into those that merely exist, those that exist and live, and those that exist, live, and have intelligence or reason.[ ][ ] like other church fathers such as athenagoras,[ ] tertullian,[ ] clement of alexandria and basil of caesarea,[ ] augustine "vigorously condemned the practice of induced abortion", and although he disapproved of an abortion during any stage of pregnancy, he made a distinction between early and later abortions.[ ] he acknowledged the distinction between "formed" and "unformed" fetuses mentioned in the septuagint translation of exodus : – , which incorrectly translates the word "harm" (from the original hebrew text) as "form" in the koine greek of the septuagint. his view was based on the aristotelian distinction "between the fetus before and after its supposed 'vivification'". therefore, he did not classify as murder the abortion of an "unformed" fetus since he thought it could not be known with certainty the fetus had received a soul.[ ][ ] augustine held that "the timing of the infusion of the soul was a mystery known to god alone".[ ] however, he considered procreation as one of the goods of marriage; abortion figured as a means, along with drugs that cause sterility, of frustrating this good. it lay along a continuum that included infanticide as an instance of 'lustful cruelty' or 'cruel lust.' augustine called the use of means to avoid the birth of a child an 'evil work:’ a reference to either abortion or contraception or both."[ ] creation[edit] see also: allegorical interpretations of genesis in city of god, augustine rejected both the contemporary ideas of ages (such as those of certain greeks and egyptians) that differed from the church's sacred writings.[ ] in the literal interpretation of genesis augustine argued god had created everything in the universe simultaneously and not over a period of six days. he argued the six-day structure of creation presented in the book of genesis represents a logical framework, rather than the passage of time in a physical way – it would bear a spiritual, rather than physical, meaning, which is no less literal. one reason for this interpretation is the passage in sirach  : , creavit omnia simul ("he created all things at once"), which augustine took as proof the days of genesis  had to be taken non-literalistically.[ ] as an additional support for describing the six days of creation as a heuristic device, augustine thought the actual event of creation would be incomprehensible by humans and therefore needed to be translated.[ ] augustine also does not envision original sin as causing structural changes in the universe, and even suggests the bodies of adam and eve were already created mortal before the fall.[ ][ ][ ] ecclesiology[edit] see also: ecclesiology st. augustine by carlo crivelli augustine developed his doctrine of the church principally in reaction to the donatist sect. he taught there is one church, but within this church there are two realities, namely, the visible aspect (the institutional hierarchy, the catholic sacraments, and the laity) and the invisible (the souls of those in the church, who are either dead, sinful members or elect predestined for heaven). the former is the institutional body established by christ on earth which proclaims salvation and administers the sacraments, while the latter is the invisible body of the elect, made up of genuine believers from all ages, and who are known only to god. the church, which is visible and societal, will be made up of "wheat" and "tares", that is, good and wicked people (as per mat. : ), until the end of time. this concept countered the donatist claim that only those in a state of grace were the "true" or "pure" church on earth, and that priests and bishops who were not in a state of grace had no authority or ability to confect the sacraments.[ ] augustine's ecclesiology was more fully developed in city of god. there he conceives of the church as a heavenly city or kingdom, ruled by love, which will ultimately triumph over all earthly empires which are self-indulgent and ruled by pride. augustine followed cyprian in teaching that bishops and priests of the church are the successors of the apostles,[ ] and their authority in the church is god-given. eschatology[edit] augustine originally believed in premillennialism, namely that christ would establish a literal , -year kingdom prior to the general resurrection, but later rejected the belief, viewing it as carnal. he was the first theologian to expound a systematic doctrine of amillennialism, although some theologians and christian historians believe his position was closer to that of modern postmillennialists. the catholic church during the medieval period built its system of eschatology on augustinian amillennialism, where christ rules the earth spiritually through his triumphant church.[ ] during the reformation theologians such as john calvin accepted amillennialism. augustine taught that the eternal fate of the soul is determined at death,[ ][ ] and that purgatorial fires of the intermediate state purify only those who died in communion with the church. his teaching provided fuel for later theology.[ ] mariology[edit] although augustine did not develop an independent mariology, his statements on mary surpass in number and depth those of other early writers. even before the council of ephesus, he defended the ever-virgin mary as the mother of god, believing her to be "full of grace" (following earlier latin writers such as jerome) on account of her sexual integrity and innocence.[ ] likewise, he affirmed that the virgin mary "conceived as virgin, gave birth as virgin and stayed virgin forever".[ ] natural knowledge and biblical interpretation[edit] augustine took the view that, if a literal interpretation contradicts science and humans' god-given reason, the biblical text should be interpreted metaphorically. while each passage of scripture has a literal sense, this "literal sense" does not always mean the scriptures are mere history; at times they are rather an extended metaphor.[ ] original sin[edit] see also: original sin painting of saint augustine by tomás giner, year , tempera on panel diocesan museum of zaragoza, aragon, spain. augustine taught that the sin of adam and eve was either an act of foolishness (insipientia) followed by pride and disobedience to god or that pride came first.[e] the first couple disobeyed god, who had told them not to eat of the tree of the knowledge of good and evil (gen : ).[ ] the tree was a symbol of the order of creation.[ ] self-centeredness made adam and eve eat of it, thus failing to acknowledge and respect the world as it was created by god, with its hierarchy of beings and values.[f] they would not have fallen into pride and lack of wisdom if satan hadn't sown into their senses "the root of evil" (radix mali).[ ] their nature was wounded by concupiscence or libido, which affected human intelligence and will, as well as affections and desires, including sexual desire.[g] in terms of metaphysics, concupiscence is not a being but bad quality, the privation of good or a wound.[ ] augustine's understanding of the consequences of original sin and the necessity of redeeming grace was developed in the struggle against pelagius and his pelagian disciples, caelestius and julian of eclanum,[ ] who had been inspired by rufinus of syria, a disciple of theodore of mopsuestia.[ ][ ] they refused to agree original sin wounded human will and mind, insisting human nature was given the power to act, to speak, and to think when god created it. human nature cannot lose its moral capacity for doing good, but a person is free to act or not act in a righteous way. pelagius gave an example of eyes: they have capacity for seeing, but a person can make either good or bad use of it.[ ][ ] like jovinian, pelagians insisted human affections and desires were not touched by the fall either. immorality, e.g. fornication, is exclusively a matter of will, i.e. a person does not use natural desires in a proper way. in opposition, augustine pointed out the apparent disobedience of the flesh to the spirit, and explained it as one of the results of original sin, punishment of adam and eve's disobedience to god.[ ] augustine had served as a "hearer" for the manichaeans for about nine years,[ ] who taught that the original sin was carnal knowledge.[ ] but his struggle to understand the cause of evil in the world started before that, at the age of nineteen.[ ] by malum (evil) he understood most of all concupiscence, which he interpreted as a vice dominating people and causing in men and women moral disorder. agostino trapè insists augustine's personal experience cannot be credited for his doctrine about concupiscence. he considers augustine's marital experience to be quite normal, and even exemplary, aside from the absence of christian wedding rites.[ ] as j. brachtendorf showed, augustine used ciceronian stoic concept of passions, to interpret paul's doctrine of universal sin and redemption.[ ] st. augustine by peter paul rubens the view that not only human soul but also senses were influenced by the fall of adam and eve was prevalent in augustine's time among the fathers of the church.[ ][ ][ ] it is clear the reason for augustine's distancing from the affairs of the flesh was different from that of plotinus, a neoplatonist[h] who taught that only through disdain for fleshly desire could one reach the ultimate state of mankind.[ ] augustine taught the redemption, i.e. transformation and purification, of the body in the resurrection.[ ] some authors perceive augustine's doctrine as directed against human sexuality and attribute his insistence on continence and devotion to god as coming from augustine's need to reject his own highly sensual nature as described in the confessions.[i] augustine taught that human sexuality has been wounded, together with the whole of human nature, and requires redemption of christ. that healing is a process realized in conjugal acts. the virtue of continence is achieved thanks to the grace of the sacrament of christian marriage, which becomes therefore a remedium concupiscentiae – remedy of concupiscence.[ ][ ] the redemption of human sexuality will be, however, fully accomplished only in the resurrection of the body.[ ] the sin of adam is inherited by all human beings. already in his pre-pelagian writings, augustine taught that original sin is transmitted to his descendants by concupiscence,[ ] which he regarded as the passion of both, soul and body,[j] making humanity a massa damnata (mass of perdition, condemned crowd) and much enfeebling, though not destroying, the freedom of the will.[ ] although earlier christian authors taught the elements of physical death, moral weakness, and a sin propensity within original sin, augustine was the first to add the concept of inherited guilt (reatus) from adam whereby an infant was eternally damned at birth.[ ] although augustine's anti-pelagian defense of original sin was confirmed at numerous councils, i.e. carthage ( ), ephesus ( ), orange ( ), trent ( ) and by popes, i.e. pope innocent i ( – ) and pope zosimus ( – ), his inherited guilt eternally damning infants was omitted by these councils and popes.[ ] anselm of canterbury established in his cur deus homo the definition that was followed by the great th-century schoolmen, namely that original sin is the "privation of the righteousness which every man ought to possess", thus separating it from concupiscence, with which some of augustine's disciples had defined it[ ][ ] as later did luther and calvin.[ ] in , pope pius v condemned the identification of original sin with concupiscence.[ ] predestination[edit] see also: predestination augustine taught that god orders all things while preserving human freedom.[ ] prior to , he believed predestination was based on god's foreknowledge of whether individuals would believe in christ, that god's grace was "a reward for human assent".[ ] later, in response to pelagius, augustine said that the sin of pride consists in assuming "we are the ones who choose god or that god chooses us (in his foreknowledge) because of something worthy in us", and argued that god's grace causes individual act of faith.[ ] scholars are divided over whether augustine's teaching implies double predestination, or the belief god chooses some people for damnation as well as some for salvation. catholic scholars tend to deny he held such a view while some protestants and secular scholars have held that augustine did believe in double predestination.[ ] about , augustine became the first christian to understand predestination as a divine unilateral pre-determination of individuals' eternal destinies independently of human choice, although his prior manichaean sect did teach this concept.[ ][ ][ ][ ] some protestant theologians, such as justo l. gonzález[ ] and bengt hägglund,[ ] interpret augustine's teaching that grace is irresistible, results in conversion, and leads to perseverance. in on rebuke and grace (de correptione et gratia), augustine wrote: "and what is written, that he wills all men to be saved, while yet all men are not saved, may be understood in many ways, some of which i have mentioned in other writings of mine; but here i will say one thing: he wills all men to be saved, is so said that all the predestinated may be understood by it, because every kind of men is among them."[ ] speaking of the twins jacob and esau, augustine wrote in his book on the gift of perseverance, "[i]t ought to be a most certain fact that the former is of the predestinated, the latter is not."[ ] sacramental theology[edit] st. augustine in his study by vittore carpaccio, also in reaction against the donatists, augustine developed a distinction between the "regularity" and "validity" of the sacraments. regular sacraments are performed by clergy of the catholic church, while sacraments performed by schismatics are considered irregular. nevertheless, the validity of the sacraments do not depend upon the holiness of the priests who perform them (ex opere operato); therefore, irregular sacraments are still accepted as valid provided they are done in the name of christ and in the manner prescribed by the church. on this point augustine departs from the earlier teaching of cyprian, who taught that converts from schismatic movements must be re-baptised.[ ] augustine taught that sacraments administered outside the catholic church, though true sacraments, avail nothing. however, he also stated that baptism, while it does not confer any grace when done outside the church, does confer grace as soon as one is received into the catholic church.[ ] augustine upheld the early christian understanding of the real presence of christ in the eucharist, saying that christ's statement, "this is my body" referred to the bread he carried in his hands,[ ][ ] and that christians must have faith the bread and wine are in fact the body and blood of christ, despite what they see with their eyes.[ ] for instance he stated that "he [jesus] walked here in the same flesh, and gave us the same flesh to be eaten unto salvation. but no one eats that flesh unless first he adores it; and thus it is discovered how such a footstool of the lord's feet is adored; and not only do we not sin by adoring, we do sin by not adoring."[ ] nevertheless, in some of his writings, augustine expressed a symbolic view of the eucharist.[ ] for example, in his work on christian doctrine, augustine referred to the eucharist as a "figure" and a "sign."[ ] against the pelagians, augustine strongly stressed the importance of infant baptism. about the question whether baptism is an absolute necessity for salvation, however, augustine appears to have refined his beliefs during his lifetime, causing some confusion among later theologians about his position. he said in one of his sermons that only the baptized are saved.[ ] this belief was shared by many early christians. however, a passage from his city of god, concerning the apocalypse, may indicate augustine did believe in an exception for children born to christian parents.[ ] philosophy[edit] saint augustine in the nuremberg chronicle astrology[edit] augustine's contemporaries often believed astrology to be an exact and genuine science. its practitioners were regarded as true men of learning and called mathemathici. astrology played a prominent part in manichaean doctrine, and augustine himself was attracted by their books in his youth, being particularly fascinated by those who claimed to foretell the future. later, as a bishop, he warned that one should avoid astrologers who combine science and horoscopes. (augustine's term "mathematici", meaning "astrologers", is sometimes mistranslated as "mathematicians".) according to augustine, they were not genuine students of hipparchus or eratosthenes but "common swindlers".[ ][ ][ ][ ] epistemology[edit] epistemological concerns shaped augustine's intellectual development. his early dialogues [contra academicos ( ) and de magistro ( )], both written shortly after his conversion to christianity, reflect his engagement with sceptical arguments and show the development of his doctrine of divine illumination. the doctrine of illumination claims god plays an active and regular part in human perception (as opposed to god designing the human mind to be reliable consistently, as in, for example, descartes' idea of clear and distinct perceptions) and understanding by illuminating the mind so human beings can recognize intelligible realities god presents. according to augustine, illumination is obtainable to all rational minds and is different from other forms of sense perception. it is meant to be an explanation of the conditions required for the mind to have a connection with intelligible entities.[ ] augustine also posed the problem of other minds throughout different works, most famously perhaps in on the trinity (viii. . ), and developed what has come to be a standard solution: the argument from analogy to other minds.[ ] in contrast to plato and other earlier philosophers, augustine recognized the centrality of testimony to human knowledge and argued that what others tell us can provide knowledge even if we don't have independent reasons to believe their testimonial reports.[ ] just war[edit] see also: just war theory augustine asserted christians should be pacifists as a personal, philosophical stance.[ ] however, peacefulness in the face of a grave wrong that could only be stopped by violence would be a sin. defence of one's self or others could be a necessity, especially when authorized by a legitimate authority. while not breaking down the conditions necessary for war to be just, augustine coined the phrase in his work the city of god.[ ] in essence, the pursuit of peace must include the option of fighting for its long-term preservation.[ ] such a war could not be pre-emptive, but defensive, to restore peace.[ ] thomas aquinas, centuries later, used the authority of augustine's arguments in an attempt to define the conditions under which a war could be just.[ ][ ] free will[edit] included in augustine's earlier theodicy is the claim god created humans and angels as rational beings possessing free will. free will was not intended for sin, meaning it is not equally predisposed to both good and evil. a will defiled by sin is not considered as "free" as it once was because it is bound by material things, which could be lost or be difficult to part with, resulting in unhappiness. sin impairs free will, while grace restores it. only a will that was once free can be subjected to sin's corruption.[ ] after , augustine changed his theology, teaching that humanity had no free will to believe in christ but only a free will to sin: "i in fact strove on behalf of the free choice of the human 'will,’ but god's grace conquered" (retract. . ).[ ] the early christians opposed the deterministic views (e.g., fate) of stoics, gnostics, and manichaeans prevalent in the first four centuries.[ ] christians championed the concept of a relational god who interacts with humans rather than a stoic or gnostic god who unilaterally foreordained every event (yet stoics still claimed to teach free will).[ ] patristics scholar ken wilson argues that every early christian author with extant writings who wrote on the topic prior to augustine of hippo ( ) advanced human free choice rather than a deterministic god.[ ] according to wilson, augustine taught traditional free choice until , when he reverted to his earlier manichaean and stoic deterministic training when battling the pelagians.[ ] only a few christians accepted augustine's view of free will until the protestant reformation when both luther and calvin embraced augustine's deterministic teachings wholeheartedly.[ ][ ] the catholic church considers augustine's teaching to be consistent with free will.[ ] he often said that anyone can be saved if they wish.[ ] while god knows who will and won't be saved, with no possibility for the latter to be saved in their lives, this knowledge represents god's perfect knowledge of how humans will freely choose their destinies.[ ] sociology, morals and ethics[edit] slavery[edit] augustine led many clergy under his authority at hippo to free their slaves "as an act of piety".[ ] he boldly wrote a letter urging the emperor to set up a new law against slave traders and was very much concerned about the sale of children. christian emperors of his time for years had permitted sale of children, not because they approved of the practice, but as a way of preventing infanticide when parents were unable to care for a child. augustine noted that the tenant farmers in particular were driven to hire out or to sell their children as a means of survival.[ ] in his book, the city of god, he presents the development of slavery as a product of sin and as contrary to god's divine plan. he wrote that god "did not intend that this rational creature, who was made in his image, should have dominion over anything but the irrational creation – not man over man, but man over the beasts". thus he wrote that righteous men in primitive times were made shepherds of cattle, not kings over men. "the condition of slavery is the result of sin", he declared.[ ] in the city of god, augustine wrote he felt the existence of slavery was a punishment for the existence of sin, even if an individual enslaved person committed no sin meriting punishment. he wrote: "slavery is, however, penal, and is appointed by that law which enjoins the preservation of the natural order and forbids its disturbance."[ ] augustine believed slavery did more harm to the slave owner than the enslaved person himself: "the lowly position does as much good to the servant as the proud position does harm to the master."[ ] augustine proposes as a solution to sin a type of cognitive reimagining of one's situation, where slaves "may themselves make their slavery in some sort free, by serving not in crafty fear, but in faithful love," until the end of the world eradicated slavery for good: "until all unrighteousness pass away, and all principality and every human power be brought to nothing, and god be all in all."[ ] jews[edit] against certain christian movements, some of which rejected the use of hebrew scripture, augustine countered that god had chosen the jews as a special people,[ ] and he considered the scattering of jewish people by the roman empire to be a fulfillment of prophecy.[ ] he rejected homicidal attitudes, quoting part of the same prophecy, namely "slay them not, lest they should at last forget thy law" (psalm : ). augustine, who believed jewish people would be converted to christianity at "the end of time", argued god had allowed them to survive their dispersion as a warning to christians; as such, he argued, they should be permitted to dwell in christian lands.[ ] the sentiment sometimes attributed to augustine that christians should let the jews "survive but not thrive" (it is repeated by author james carroll in his book constantine's sword, for example)[ ] is apocryphal and is not found in any of his writings.[ ] sexuality[edit] for augustine, the evil of sexual immorality was not in the sexual act itself, but in the emotions that typically accompany it. in on christian doctrine augustine contrasts love, which is enjoyment on account of god, and lust, which is not on account of god.[ ] augustine claims that, following the fall, sexual lust (concupiscentia) has become necessary for copulation (as required to stimulate male erection), sexual lust is an evil result of the fall, and therefore, evil must inevitably accompany sexual intercourse (on marriage and concupiscence . , see footnote[ ]). therefore, following the fall, even marital sex carried out merely to procreate inevitably perpetuates evil (on marriage and concupiscence . ; a treatise against two letters of the pelagians . ). for augustine, proper love exercises a denial of selfish pleasure and the subjugation of corporeal desire to god. the only way to avoid evil caused by sexual intercourse is to take the "better" way (confessions . ) and abstain from marriage (on marriage and concupiscence . ). sex within marriage is not, however, for augustine a sin, although necessarily producing the evil of sexual lust. based on the same logic, augustine also declared the pious virgins raped during the sack of rome to be innocent because they did not intend to sin nor enjoy the act.[ ][ ] before the fall, augustine believed sex was a passionless affair, "just like many a laborious work accomplished by the compliant operation of our other limbs, without any lascivious heat",[ ] that the seed "might be sown without any shameful lust, the genital members simply obeying the inclination of the will".[ ] after the fall, by contrast, the penis cannot be controlled by mere will, subject instead to both unwanted impotence and involuntary erections: "sometimes the urge arises unwanted; sometimes, on the other hand, it forsakes the eager lover, and desire grows cold in the body while burning in the mind... it arouses the mind, but it does not follow through what it has begun and arouse the body also" (city of god . ). augustine censured those who try to prevent the creation of offspring when engaging in sexual relations, saying that though they may be nominally married they are not really, but are using that designation as a cloak for turpitude. when they allow their unwanted children to die of exposure, they unmask their sin. sometimes they use drugs to produce sterility, or other means to try to destroy the fetus before they are born. their marriage is not wedlock but debauchery.[ ] augustine believed adam and eve had both already chosen in their hearts to disobey god's command not to eat of the tree of knowledge before eve took the fruit, ate it, and gave it to adam.[ ][ ] accordingly, augustine did not believe adam was any less guilty of sin.[ ][ ] augustine praises women and their role in society and in the church. in his tractates on the gospel of john, augustine, commenting on the samaritan woman from [john : – ], uses the woman as a figure of the church in agreement with the new testament teaching that the church is the bride of christ. "husbands, love your wives, as christ loved the church and gave himself up for her."[eph : ] pedagogy[edit] saint augustine in his study by sandro botticelli, , uffizi gallery augustine is considered an influential figure in the history of education. a work early in augustine's writings is de magistro (on the teacher), which contains insights about education. his ideas changed as he found better directions or better ways of expressing his ideas. in the last years of his life augustine wrote his retractationes (retractations), reviewing his writings and improving specific texts. henry chadwick believes an accurate translation of "retractationes" may be "reconsiderations". reconsiderations can be seen as an overarching theme of the way augustine learned. augustine's understanding of the search for understanding, meaning, and truth as a restless journey leaves room for doubt, development, and change.[ ] augustine was a strong advocate of critical thinking skills. because written works were limited during this time, spoken communication of knowledge was very important. his emphasis on the importance of community as a means of learning distinguishes his pedagogy from some others. augustine believed dialectic is the best means for learning and that this method should serve as a model for learning encounters between teachers and students. augustine's dialogue writings model the need for lively interactive dialogue among learners.[ ] he recommended adapting educational practices to fit the students' educational backgrounds: the student who has been well-educated by knowledgeable teachers; the student who has had no education; and the student who has had a poor education, but believes himself to be well-educated. if a student has been well educated in a wide variety of subjects, the teacher must be careful not to repeat what they have already learned, but to challenge the student with material they do not yet know thoroughly. with the student who has had no education, the teacher must be patient, willing to repeat things until the student understands, and sympathetic. perhaps the most difficult student, however, is the one with an inferior education who believes he understands something when he does not. augustine stressed the importance of showing this type of student the difference between "having words and having understanding" and of helping the student to remain humble with his acquisition of knowledge. under the influence of bede, alcuin, and rabanus maurus, de catechizandis rudibus came to exercise an important role in the education of clergy at the monastic schools, especially from the eighth century onwards.[ ] augustine believed students should be given an opportunity to apply learned theories to practical experience. yet another of augustine's major contributions to education is his study on the styles of teaching. he claimed there are two basic styles a teacher uses when speaking to the students. the mixed style includes complex and sometimes showy language to help students see the beautiful artistry of the subject they are studying. the grand style is not quite as elegant as the mixed style, but is exciting and heartfelt, with the purpose of igniting the same passion in the students' hearts. augustine balanced his teaching philosophy with the traditional bible-based practice of strict discipline. coercion[edit] augustine of hippo had to deal with issues of violence and coercion throughout his entire career due largely to the donatist-catholic conflict. he is one of very few authors in antiquity who ever truly theoretically examined the ideas of religious freedom and coercion.[ ]: however, it is his teaching on coercion that has most "embarrassed his modern defenders and vexed his modern detractors,"[ ]: making him appear "to generations of religious liberals as le prince et patriarche de persecuteurs."[ ]: russell says augustine's theory of coercion "was not crafted from dogma, but in response to a unique historical situation" and is therefore context dependent, while others see it as inconsistent with his other teachings.[ ]: the context[edit] during the great persecution, "when roman soldiers came calling, some of the [catholic] officials handed over the sacred books, vessels, and other church goods rather than risk legal penalties" over a few objects.[ ]:ix maureen tilley[ ] says this was a problem by , that became a schism by , because many of the north african christians had a long established tradition of a "physicalist approach to religion."[ ]:xv the sacred scriptures were not simply books to them, but were the word of god in physical form, therefore they saw handing over the bible, and handing over a person to be martyred, as "two sides of the same coin."[ ]:ix those who cooperated with the authorities became known as traditores. the term originally meant one who hands over a physical object, but it came to mean "traitor."[ ]:ix according to tilley, after the persecution ended, those who had apostatized wanted to return to their positions in the church.[ ]:xiv the north african christians, (the rigorists who became known as donatists), refused to accept them.[ ]:ix, x catholics were more tolerant and wanted to wipe the slate clean.[ ]:xiv, for the next years, both parties existed, often directly alongside each other, with a double line of bishops for the same cities.[ ]:xv competition for the loyalty of the people included multiple new churches and violence.[k]: no one is exactly sure when the circumcellions and the donatists allied, but for decades, they fomented protests and street violence, accosted travelers and attacked random catholics without warning, often doing serious and unprovoked bodily harm such as beating people with clubs, cutting off their hands and feet, and gouging out eyes.[ ]: , , , , augustine became coadjutor bishop of hippo in , and since he believed that conversion must be voluntary, his appeals to the donatists were verbal. for several years, he used popular propaganda, debate, personal appeal, general councils, appeals to the emperor and political pressure to bring the donatists back into union with the catholics, but all attempts failed.[ ]: , the harsh realities augustine faced can be found in his letter written to bishop novatus around . donatists had attacked, cut out the tongue and cut off the hands of a bishop rogatus who had recently converted to catholicism. an unnamed count of africa had sent his agent with rogatus, and he too had been attacked; the count was "inclined to pursue the matter."[ ]: russell says augustine demonstrates a "hands on" involvement with the details of his bishopric, but at one point in the letter, he confesses he does not know what to do. "all the issues that plague him are there: stubborn donatists, circumcellion violence, the vacillating role of secular officials, the imperative to persuade, and his own trepidations."[ ]: , the empire responded to the civil unrest with law and its enforcement, and thereafter, augustine changed his mind on using verbal arguments alone. instead, he came to support the state's use of coercion.[ ]: – augustine did not believe the empire's enforcement would "make the donatists more virtuous" but he did believe it would make them "less vicious."[ ]: the theology[edit] the primary 'proof text' of what augustine thought concerning coercion is from letter , written in , as a reply to the bishop vincentius, of cartenna (mauretania, north africa). this letter shows that both practical and biblical reasons led augustine to defend the legitimacy of coercion. he confesses that he changed his mind because of "the ineffectiveness of dialogue and the proven efficacy of laws."[ ]: he had been worried about false conversions if force was used, but "now," he says, "it seems imperial persecution is working." many donatists had converted.[ ]: "fear had made them reflect, and made them docile."[ ]: augustine continued to assert that coercion could not directly convert someone, but concluded it could make a person ready to be reasoned with.[ ]: – according to mar marcos, augustine made use of several biblical examples to legitimize coercion, but the primary analogy in letter and in letter , is the parable of the great feast in luke . - and its statement compel them to come in.[ ]: russell says, augustine uses the latin term cogo, instead of the compello of the vulgate, since to augustine, cogo meant to "gather together" or "collect" and was not simply "compel by physical force."[ ]: in , robert markus[ ] argued that, for augustine, a degree of external pressure being brought for the purpose of reform was compatible with the exercise of free will.[ ] russell asserts that confessions is crucial to understanding augustine's thought on coercion; using peter brown's explanation of augustine's view of salvation, he explains that augustine's past, his own sufferings and "conversion through god's pressures," along with his biblical hermeneutics, is what led him to see the value in suffering for discerning truth.[ ]: – according to russell, augustine saw coercion as one among many conversion strategies for forming "a pathway to the inner person."[ ]: in augustine's view, there is such a thing as just and unjust persecution. augustine explains that when the purpose of persecution is to lovingly correct and instruct, then it becomes discipline and is just.[ ]: he said the church would discipline its people out of a loving desire to heal them, and that, "once compelled to come in, heretics would gradually give their voluntary assent to the truth of christian orthodoxy."[ ]: frederick h. russell[ ] describes this as "a pastoral strategy in which the church did the persecuting with the dutiful assistance of roman authorities,"[ ]: adding that it is "a precariously balanced blend of external discipline and inward nurturance."[ ]: augustine placed limits on the use of coercion, recommending fines, imprisonment, banishment, and moderate floggings, preferring beatings with rods which was a common practice in the ecclesial courts.[ ]: he opposed severity, maiming, and the execution of heretics.[ ]: while these limits were mostly ignored by roman authorities, michael lamb says that in doing this, "augustine appropriates republican principles from his roman predecessors..." and maintains his commitment to liberty, legitimate authority, and the rule of law as a constraint on arbitrary power. he continues to advocate holding authority accountable to prevent domination, but affirms the state's right to act.[ ] h. a. deane,[ ] on the other hand, says there is a fundamental inconsistency between augustine's political thought and "his final position of approval of the use of political and legal weapons to punish religious dissidence" and others have seconded this view.[l] brown asserts that augustine's thinking on coercion is more of an attitude than a doctrine, since it is "not in a state of rest," but is instead marked by "a painful and protracted attempt to embrace and resolve tensions."[ ]: according to russell it is possible to see how augustine himself had evolved from his earlier confessions to this teaching on coercion and the latter's strong patriarchal nature: "intellectually, the burden has shifted imperceptibly from discovering the truth to disseminating the truth."[ ]: the bishops had become the church's elite with their own rationale for acting as "stewards of the truth." russell points out that augustine's views are limited to time and place and his own community, but later, others took what he said and applied it outside those parameters in ways augustine never imagined or intended.[ ]: works[edit] main article: augustine of hippo bibliography saint augustine painting by antonio rodríguez augustine was one of the most prolific latin authors in terms of surviving works, and the list of his works consists of more than one hundred separate titles.[ ] they include apologetic works against the heresies of the arians, donatists, manichaeans and pelagians; texts on christian doctrine, notably de doctrina christiana (on christian doctrine); exegetical works such as commentaries on genesis, the psalms and paul's letter to the romans; many sermons and letters; and the retractationes, a review of his earlier works which he wrote near the end of his life. apart from those, augustine is probably best known for his confessions, which is a personal account of his earlier life, and for de civitate dei (the city of god, consisting of books), which he wrote to restore the confidence of his fellow christians, which was badly shaken by the sack of rome by the visigoths in . his on the trinity, in which he developed what has become known as the 'psychological analogy' of the trinity, is also considered to be among his masterpieces, and arguably of more doctrinal importance than the confessions or the city of god.[ ] he also wrote on free choice of the will (de libero arbitrio), addressing why god gives humans free will that can be used for evil. influence[edit] saint augustine disputing with the heretics painting by vergós group in both his philosophical and theological reasoning, augustine was greatly influenced by stoicism, platonism and neoplatonism, particularly by the work of plotinus, author of the enneads, probably through the mediation of porphyry and victorinus (as pierre hadot has argued). some neoplatonic concepts are still visible in augustine's early writings.[ ] his early and influential writing on the human will, a central topic in ethics, would become a focus for later philosophers such as schopenhauer, kierkegaard, and nietzsche. he was also influenced by the works of virgil (known for his teaching on language), and cicero (known for his teaching on argument).[ ] in philosophy[edit] philosopher bertrand russell was impressed by augustine's meditation on the nature of time in the confessions, comparing it favourably to kant's version of the view that time is subjective.[ ] catholic theologians generally subscribe to augustine's belief that god exists outside of time in the "eternal present"; that time only exists within the created universe because only in space is time discernible through motion and change. his meditations on the nature of time are closely linked to his consideration of the human ability of memory. frances yates in her study the art of memory argues that a brief passage of the confessions, . . , in which augustine writes of walking up a flight of stairs and entering the vast fields of memory[ ] clearly indicates that the ancient romans were aware of how to use explicit spatial and architectural metaphors as a mnemonic technique for organizing large amounts of information. augustine's philosophical method, especially demonstrated in his confessions, had continuing influence on continental philosophy throughout the th century. his descriptive approach to intentionality, memory, and language as these phenomena are experienced within consciousness and time anticipated and inspired the insights of modern phenomenology and hermeneutics.[ ] edmund husserl writes: "the analysis of time-consciousness is an age-old crux of descriptive psychology and theory of knowledge. the first thinker to be deeply sensitive to the immense difficulties to be found here was augustine, who laboured almost to despair over this problem."[ ] martin heidegger refers to augustine's descriptive philosophy at several junctures in his influential work being and time.[m] hannah arendt began her philosophical writing with a dissertation on augustine's concept of love, der liebesbegriff bei augustin ( ): "the young arendt attempted to show that the philosophical basis for vita socialis in augustine can be understood as residing in neighbourly love, grounded in his understanding of the common origin of humanity."[ ] jean bethke elshtain in augustine and the limits of politics tried to associate augustine with arendt in their concept of evil: "augustine did not see evil as glamorously demonic but rather as absence of good, something which paradoxically is really nothing. arendt ... envisioned even the extreme evil which produced the holocaust as merely banal [in eichmann in jerusalem]."[ ] augustine's philosophical legacy continues to influence contemporary critical theory through the contributions and inheritors of these th-century figures. seen from a historical perspective, there are three main perspectives on the political thought of augustine: first, political augustinianism; second, augustinian political theology; and third, augustinian political theory.[ ] in theology[edit] part of a series on scholasticism scholastic schools thomism scotism occamism major scholastic works summa theologica cur deus homo summa grammatica summa logicae opus oxoniense libri quattuor sententiarum precursors augustine of hippo boethius pope gregory i alcuin of york john scotus eriugena people thomas aquinas ("doctor angelicus") duns scotus ("doctor subtilis") william of ockham ("doctor invincibilis") francisco suárez ("doctor eximius") averroes ("the commentator") albertus magnus ("doctor universalis") peter lombard ("the master") bonaventure ("doctor seraphicus") anselm of canterbury ("doctor marianus") peter abelard ("doctor scholasticus") related philosophy aristotelianism dominican order franciscan order catholic theology islamic philosophy empiricism neoplatonism neo-thomism problem of universals  philosophy portal  catholicism portal v t e thomas aquinas was influenced heavily by augustine. on the topic of original sin, aquinas proposed a more optimistic view of man than that of augustine in that his conception leaves to the reason, will, and passions of fallen man their natural powers even after the fall, without "supernatural gifts".[ ] while in his pre-pelagian writings augustine taught that adam's guilt as transmitted to his descendants much enfeebles, though does not destroy, the freedom of their will, protestant reformers martin luther and john calvin affirmed that original sin completely destroyed liberty (see total depravity).[ ] according to leo ruickbie, augustine's arguments against magic, differentiating it from miracle, were crucial in the early church's fight against paganism and became a central thesis in the later denunciation of witches and witchcraft. according to professor deepak lal, augustine's vision of the heavenly city has influenced the secular projects and traditions of the enlightenment, marxism, freudianism and eco-fundamentalism.[ ] post-marxist philosophers antonio negri and michael hardt rely heavily on augustine's thought, particularly the city of god, in their book of political philosophy empire. augustine has influenced many modern-day theologians and authors such as john piper. hannah arendt, an influential th-century political theorist, wrote her doctoral dissertation in philosophy on augustine, and continued to rely on his thought throughout her career. ludwig wittgenstein extensively quotes augustine in philosophical investigations for his approach to language, both admiringly, and as a sparring partner to develop his own ideas, including an extensive opening passage from the confessions.[citation needed] contemporary linguists have argued that augustine has significantly influenced the thought of ferdinand de saussure, who did not 'invent' the modern discipline of semiotics, but rather built upon aristotelian and neoplatonic knowledge from the middle ages, via an augustinian connection: "as for the constitution of saussurian semiotic theory, the importance of the augustinian thought contribution (correlated to the stoic one) has also been recognized. saussure did not do anything but reform an ancient theory in europe, according to the modern conceptual exigencies."[ ] in his autobiographical book milestones, pope benedict xvi claims augustine as one of the deepest influences in his thought. oratorio, music[edit] marc-antoine charpeentier, motet "pour st augustin mourant", h. , for voices and contino ( ), and "pour st augustin", h. , for voices and continuo ( s). the consecration of saint augustine by jaume huguet much of augustine's conversion is dramatized in the oratorio la conversione di sant'agostino ( ) composed by johann adolph hasse. the libretto for this oratorio, written by duchess maria antonia of bavaria, draws upon the influence of metastasio (the finished libretto having been edited by him) and is based on an earlier five-act play idea perfectae conversionis dive augustinus written by the jesuit priest franz neumayr.[ ] in the libretto augustine's mother monica is presented as a prominent character that is worried that augustine might not convert to christianity. as dr. andrea palent[ ] says: maria antonia walpurgis revised the five-part jesuit drama into a two-part oratorio liberty in which she limits the subject to the conversion of augustine and his submission to the will of god. to this was added the figure of the mother, monica, so as to let the transformation appear by experience rather than the dramatic artifice of deus ex machina. throughout the oratorio augustine shows his willingness to turn to god, but the burden of the act of conversion weighs heavily on him. this is displayed by hasse through extended recitative passages. in popular art[edit] augustine has been the subject of songs by bob dylan and the chairman dances.[ ] in his poem "confessional", frank bidart compares the relationship between augustine and his mother, saint monica, to the relationship between the poem's speaker and his mother.[ ] see also[edit] cogito, ergo sum rule of saint augustine references[edit] notes[edit] ^ jerome wrote to augustine in : "you are known throughout the world; catholics honour and esteem you as the one who has established anew the ancient faith" (conditor antiquae rursum fidei). cf. epistola ;teselle , p.  ^ the nomen aurelius is virtually meaningless, signifying little more than roman citizenship.[ ] ^ "[t]he names monnica and nonnica are found on tombstones in the libyan language—as such monnica is the only berber name commonly used in english."brett & fentress , p.  ^ brown , p.  places augustine's garden conversion at the end of august, . ^ he explained to julian of eclanum that it was a most subtle job to discern what came first: sed si disputatione subtilissima et elimatissima opus est, ut sciamus utrum primos homines insipientia superbos, an insipientes superbia fecerit. (contra julianum, v, . ; pl , ) ^ augustine explained it in this way: "why therefore is it enjoined upon mind, that it should know itself? i suppose, in order that, it may consider itself, and live according to its own nature; that is, seek to be regulated according to its own nature, viz., under him to whom it ought to be subject, and above those things to which it is to be preferred; under him by whom it ought to be ruled, above those things which it ought to rule. for it does many things through vicious desire, as though in forgetfulness of itself. for it sees some things intrinsically excellent, in that more excellent nature which is god: and whereas it ought to remain steadfast that it may enjoy them, it is turned away from him, by wishing to appropriate those things to itself, and not to be like to him by his gift, but to be what he is by its own, and it begins to move and slip gradually down into less and less, which it thinks to be more and more." ("on the trinity" (de trinitate), : ; ccl , [ – ]) ^ in one of augustine's late works, retractationes, he made a significant remark indicating the way he understood difference between spiritual, moral libido and the sexual desire: "libido is not good and righteous use of the libido" ("libido non-est bonus et rectus usus libidinis"). see the whole passage: dixi etiam quodam loco: «quod enim est cibus ad salutem hominis, hoc est concubitus ad salutem generis, et utrumque non-est sine delectatione carnali, quae tamen modificata et temperantia refrenante in usum naturalem redacta, libido esse non-potest». quod ideo dictum est, quoniam "libido non-est bonus et rectus usus libidinis". sicut enim malum est male uti bonis, ita bonum bene uti malis. de qua re alias, maxime contra novos haereticos pelagianos, diligentius disputavi. cf. de bono coniugali, . ; pl , ; de nuptiis et concupiscentia, ii, . ; pl , ; contra iulianum, iii, . ; pl , ; ibid., v, . ; pl , . see also idem ( ). le mariage chrétien dans l'oeuvre de saint augustin. une théologie baptismale de la vie conjugale. paris: Études augustiniennes. p.  . ^ although augustine praises him in the confessions, . ., it is widely acknowledged that augustine's attitude towards that pagan philosophy was very much of a christian apostle, as clarke , p.  writes: towards neoplatonism there was throughout his life a decidedly ambivalent attitude; one must expect both agreement and sharp dissent, derivation but also repudiation. in the matter which concerns us here, the agreement with neoplatonism (and with the platonic tradition in general) centers on two related notions: immutability as primary characteristic of divinity, and likeness to divinity as the primary vocation of the soul. the disagreement chiefly concerned, as we have said, two related and central christian dogmas: the incarnation of the son of god and the resurrection of the flesh. cf. É. schmitt's chapter : l'idéologie hellénique et la conception augustinienne de réalités charnelles in: idem ( ). le mariage chrétien dans l'oeuvre de saint augustin. une théologie baptismale de la vie conjugale. paris: Études augustiniennes. pp.  – . o'meara, j.j. ( ). the young augustine: the growth of st. augustine's mind up to his conversion. london. pp.  – and f. madec, g. le "platonisme" des pères. p.  . in idem ( ). petites Études augustiniennes. «antiquité» . paris: collection d'Études augustiniennes. pp.  – . thomas aq. sth i q a ; augustine of hippo, city of god (de civitate dei), viii, ; ccl , [ – ]. ^ "it is, of course, always easier to oppose and denounce than to understand."[ ] ^ in or he commented: moreover, if unbelief is fornication, and idolatry unbelief, and covetousness idolatry, it is not to be doubted that covetousness also is fornication. who, then, in that case can rightly separate any unlawful lust whatever from the category of fornication, if covetousness is fornication? and from this we perceive, that because of unlawful lusts, not only those of which one is guilty in acts of uncleanness with another's husband or wife, but any unlawful lusts whatever, which cause the soul making a bad use of the body to wander from the law of god, and to be ruinously and basely corrupted, a man may, without crime, put away his wife, and a wife her husband, because the lord makes the cause of fornication an exception; which fornication, in accordance with the above considerations, we are compelled to understand as being general and universal. ("on the sermon on the mount", de sermone domini in monte, : : ; ccl , ). ^ french archaeology has shown the north african landscape of this time period became "covered with a white robe of churches" with catholics and donatists building multiple churches with granaries to feed the poor as they competed for the loyalty of the people.[ ] ^ see: c. kirwan, augustine (london, ), pp. – ; and j. m. rist. augustine: ancient thought baptized (canbridge, ), pp. – . ^ for example, martin heidegger's articulations of how "being-in-the-world" is described through thinking about seeing: "the remarkable priority of 'seeing' was noticed particularly by augustine, in connection with his interpretation of concupiscentia." heidegger then quotes theconfessions: "seeing belongs properly to the eyes. but we even use this word 'seeing' for the other senses when we devote them to cognizing... we not only say, 'see how that shines', ... 'but we even say, 'see how that sounds'". being and time, trs. macquarrie & robinson. new york: harpers, , p. . citations[edit] ^ siecienski . ^ augustine. "what is called evil in the universe is but the absence of good". enchridion. retrieved november . ^ greenblatt . ^ ryan . ^ st. augustine, the harmony of the gospels, book chapter paragraph . from hypothesis.com ^ esmeralda n.d. ^ austin . ^ online, catholic. 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"on rebuke and grace". in philip schaff (ed.). nicene and post-nicene fathers, first series, vol. . translated by peter holmes and robert ernest wallis, and revised by benjamin b. warfield (revised and edited for new advent by kevin knight) ( ed.). buffalo, new york: christian literature publishing co. ^ "some underlying positions of this website". www.romanity.org. retrieved september . ^ "limits of church". www.fatheralexander.org. retrieved september . ^ a b c papademetriou, george c. "saint augustine in the greek orthodox tradition". goarch.org archived november at the wayback machine ^ siecienski , pp.  – . ^ kappes, christiaan ( september ). "gregory palamas' use of augustine's de trinitate for original sin and its application to the theotokos & scholarius' palamitico-augustinianism of the immaculate conception (stockholm .vi. )". stolcholm university press. ^ archimandrite. "book review: the place of blessed augustine in the orthodox church". orthodox tradition. ii ( & ): – . archived from the original on july . retrieved june . ^ macculloch , p.  . ^ "augustine", in webster's new biographical dictionary ( ), springfield, ma: merriam-webster, isbn  - - - . ^ "augustin (e, n. (and adj.)". oxford english dictionary. march . oxford university press. retrieved may . ^ salway , pp.  - . ^ the american heritage college dictionary. boston: houghton mifflin company. . p.  . isbn  - - - - . ^ chadwick , p.  . ^ oakes , p.  . ^ "saint augustine – biography, philosophy, & major works". encyclopedia britannica. retrieved january . ^ magill , p.  . ^ saint augustine (bishop of hippo.) ( ). on christian teaching. oxford university press. p.  . isbn  - - - - . ^ jones , p.  . ^ jayapalan , p.  . ^ vesey, mark, trans. 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"st. augustine and conjugal sexuality". communio. iv ( ): – . burnaby, john ( ). amor dei: a study of the religion of st. augustine. the canterbury press norwich. isbn  - - - - . conybeare, catherine ( ). the irrational augustine. oxford university press. isbn  - - - - . clark, mary t. ( ). augustine. geoffrey chapman. isbn  - - - - . deane, herbert a. ( ). the political and social ideas of st. augustine. new york: columbia university press. de paulo, craig j.n. ( ). augustinian just war theory and the wars in afghanistan and iraq: confessions, contentions and the lust for power. peter lang. isbn  - - - - . doull, james a. ( ). "augustinian trinitarianism and existential theology". dionysius. iii: – . doull, james a. ( ). "what is augustinian "sapientia"?". dionysius. xii: – . gilson, etienne ( ). the christian philosophy of st. augustine. l.e.m. lynch, trans. new york: random house. green, bradley g. colin gunton and the failure of augustine: the theology of colin gunton in the light of augustine, james clarke and co. ( ), isbn  - kolbet, paul r. ( ). augustine and the cure of souls: revising a classical ideal. notre dame, indiana: university of notre dame press. isbn  - . lawless, george p. ( ). augustine of hippo and his monastic rule. oxford: clarendon press. lemoine, fannie; kleinhenz, christopher, eds. ( ). saint augustine the bishop: a book of essays. garland medieval casebooks. . new york: garland. lubin, augustino ( ). orbis augustinianus sive conventuum ordinis eremitarum sancti augustini – chorographica et topographica descriptio. paris. archived from the original on march .cs maint: bot: original-url status unknown (link) mackey, louis ( ). faith order understanding: natural theology in the augustinian tradition. totonto: pims. isbn  - - - - . markus, r.a., ed. ( ). augustine: a collection of critical essays. garden city, ny: anchor. matthews, gareth b. ( ). augustine. blackwell. isbn  - - - - . mayer, cornelius p. (ed.). augustinus-lexikon. basel: schwabe ag. miles, margaret r. ( ). augustine and the fundamentalist's daughter, lutterworth press, isbn  - . nash, ronald h ( ). the light of the mind: st augustine's theory of knowledge. lexington: university press of kentucky. nelson, john charles ( ). "platonism in the renaissance". in wiener, philip (ed.). dictionary of the history of ideas. . new york: scribner. pp.  – (vol. ). isbn  - - - - . (...) saint augustine asserted that neo-platonism possessed all spiritual truths except that of the incarnation. (...) o'daly, gerard ( ). augustine's philosophy of the mind. berkeley: university of california press. o'donnell, james ( ). augustine: a new biography. new york: ecco. isbn  - - - - . pagels, elaine ( ). adam, eve, and the serpent: sex and politics in early christianity. vintage books. isbn  - - - - . park, jae-eun ( ), "lacking love or conveying love? the fundamental roots of the donatists and augustine's nuanced treatment of them", the reformed theological review, ( ): – . plumer, eric antone ( ). augustine's commentary on galatians. oxford university press. isbn  - - - - . pollman, karla ( ). saint augustine the algerian. göttingen: edition ruprecht. isbn  - - - - . pottier, rené ( ). saint augustin le berbère (in french). fernand lanore. isbn  - - - - . règle de st. augustin pour les religieuses de son ordre; et constitutions de la congrégation des religieuses du verbe-incarné et du saint-sacrament (lyon: chez pierre guillimin, ), pp.  – . cf. later edition published at lyon (chez briday, libraire, ), pp.  – . english edition, (new york: schwartz, kirwin, and fauss, ), pp.  – . starnes, colin ( ). augustine's conversion: a guide to the arguments of confessions i–ix. waterloo, ontario: wilfrid laurier university press. tanquerey, adolphe ( ). the spiritual life: a treatise on ascetical and mystical theology. rockford, illinois: tan books & publishers. p.  ). isbn  - - - - . trapè, a. ( ). s. agostino: introduzione alla dottrina della grazia. collana di studi agostiniani . i – natura e grazia. rome: città nuova. p.  . isbn  - - - - . von heyking, john ( ). augustine and politics as longing in the world. columbia: university of missouri press. isbn  - - - - . woo, b. hoon ( ). "augustine's hermeneutics and homiletics in de doctrina christiana". journal of christian philosophy. : – . zumkeller o.s.a., adolar ( ). augustine's ideal of the religious life. new york: fordham university press. isbn  - - - - . zumkeller o.s.a., adolar ( ). augustine's rule. villanova: augustinian press. isbn  - - - - . external links[edit] wikisource has original works written by or about: augustine of hippo wikiquote has quotations related to: augustine of hippo wikimedia commons has media related to augustinus. library resources about augustine of hippo online books resources in your library resources in other libraries by augustine of hippo online books resources in your library resources in other libraries general[edit] "complete works of saint augustine (in english)" from augustinus.it "complete works of saint augustine (in french)" from abbey saint benoît de port-valais "complete works of saint augustine (in spanish)" from mercaba, catholic leaders' website "works by saint augustine" from ccel.org works by augustine at perseus digital library mendelson, michael. "saint augustine". in zalta, edward n. (ed.). stanford encyclopedia of philosophy. "augustine". internet encyclopedia of philosophy. "augustine's political and social philosophy". internet encyclopedia of philosophy. "st. augustine, bishop and confessor, doctor of the church", butler's lives of the saints augustine of hippo edited by james j. o'donnell – texts, translations, introductions, commentaries, etc. augustine's theory of knowledge "saint augustine of hippo" at the christian iconography website "the life of st. austin, or augustine, doctor" from the caxton translation of the golden legend david lindsay: saint augustine – doctor gratiae st. augustine – a male chauvinist? [ ], fr. edmund hill, op. talk given to the robert hugh benson graduate society at fisher house, cambridge, on november . st. augustine timeline – church history timelines giovanni domenico giulio: nachtgedanken des heiligen augustinus. trier digitized bibliography[edit] augustine of hippo at earlychurch.org.uk – extensive bibliography and on-line articles bibliography on st. augustine – started by t.j. van bavel o.s.a., continued at the augustinian historical institute in louvain, belgium works by augustine[edit] works by aurelius augustine at project gutenberg works by saint augustine at project gutenberg works by or about saint augustine at internet archive works by augustine of hippo at librivox (public domain audiobooks) st. augustine at the christian classics ethereal library augustine against secundinus in english. aurelius augustinus at "intratext digital library" – texts in several languages, with concordance and frequency list augustinus.it – latin, spanish and italian texts sanctus augustinus at documenta catholica omnia – latin city of god, confessions, enchiridion, doctrine audio books saint augustine ( ). the happy life; answer to sceptics; divine providence and the problem of evil; soliloquies. us: cua press. isbn  - - - - . digitized manuscript created in france between and with extract of augustine of hippo works at somni expositio psalmorum beati augustini – digitized codex created between and , also known as "enarrationes in psalmos. – ", at somni aurelii agustini hipponae episcopi super loannem librum – digitized codex created in ; his sermons about john's gospel at somni sententiae ex omnibus operibus divi augustini decerptae – digitized codex created in ; at library of the hungarian academy of sciences lewis e in epistolam johannis ad parthos (sermons on the first epistle of saint john) at openn lewis e de sermone domini in monte habito (on the sermon on the mount) and other treatises; de superbia (on pride) and other treatises; expositio dominice orationis (exposition on the lord's prayer) at openn lewis e enarrationes in psalmos (expositions on the psalms); initials (abc); prayer at openn lewis e sermons at openn lewis e rule of saint augustine; sermon on matthew : at openn lehigh codex bifolium from de civitate dei, book at openn biography and criticism[edit] order of st augustine blessed augustine of hippo: his place in the orthodox church augustine's world: an introduction to his speculative philosophy by donald burt, osa, member of the augustinian order, villanova university tabula in librum sancti augustini de civitate dei by robert kilwardby, digitized manuscript of at somni v t e saints of the catholic church stages of canonization: servant of god   →   venerable   →   blessed   →   saint virgin mary mother of god (theotokos) immaculate conception perpetual virginity assumption marian apparition titles of mary joseph (husband) apostles andrew barnabas bartholomew james of alphaeus james the great john jude matthew matthias paul peter philip simon thomas archangels gabriel michael raphael confessors anatolius anthony of kiev athanasius the confessor chariton the confessor dominic edward the confessor francis of assisi francis borgia louis bertrand maximus the confessor michael of synnada paphnutius the confessor paul i of constantinople peter claver salonius seraphim of sarov theophanes the confessor disciples apollos mary magdalene priscilla and aquila silvanus stephen timothy titus seventy disciples doctors gregory the great ambrose augustine of hippo jerome john chrysostom basil of caesarea gregory of nazianzus athanasius of alexandria cyril of alexandria cyril of jerusalem john of damascus bede the venerable ephrem the syrian thomas aquinas bonaventure anselm of canterbury isidore of seville peter chrysologus leo the great peter damian bernard of clairvaux hilary of poitiers alphonsus liguori francis de sales peter canisius john of the cross robert bellarmine albertus magnus anthony of padua lawrence of brindisi teresa of Ávila catherine of siena thérèse of lisieux john of Ávila hildegard of bingen gregory of narek evangelists matthew mark luke john church fathers alexander of alexandria alexander of jerusalem ambrose of milan anatolius athanasius of alexandria augustine of hippo caesarius of arles caius cappadocian fathers clement of alexandria clement of rome cyprian of carthage cyril of alexandria cyril of jerusalem damasus i desert fathers desert mothers dionysius of alexandria dionysius of corinth dionysius ephrem the syrian epiphanius of salamis fulgentius of ruspe gregory the great gregory of nazianzus gregory of nyssa hilary of poitiers hippolytus of rome ignatius of antioch irenaeus of lyons isidore of seville jerome of stridonium john chrysostom john of damascus maximus the confessor melito of sardis quadratus of athens papias of hierapolis peter chrysologus polycarp of smyrna theophilus of antioch victorinus of pettau vincent of lérins zephyrinus martyrs canadian martyrs carthusian martyrs child martyrs of tlaxcala christina of persia dismas the good thief forty martyrs of england and wales four crowned martyrs gerard of csanád great martyr the holy innocents irish martyrs joan of arc john fisher korean martyrs lorenzo ruiz lübeck martyrs luigi versiglia martyrology martyrs of albania martyrs of china martyrs of japan martyrs of laos martyrs of natal martyrs of otranto martyrs of the spanish civil war maximilian kolbe Óscar romero pedro calungsod perpetua and felicity peter chanel pietro parenzo philomena saints of the cristero war stephen teresa benedicta of the cross thomas becket thomas more three martyrs of chimbote uganda martyrs vietnamese martyrs valentine of rome victor and corona missionaries augustine of canterbury boniface damien of molokai francis xavier françois de laval gregory the illuminator junípero serra nico of georgia patrick of ireland remigius patriarchs adam abel abraham isaac jacob joseph joseph (father of jesus) david noah solomon matriarchs popes adeodatus i adeodatus ii adrian iii agapetus i agatho alexander i anacletus anastasius i anicetus anterus benedict ii boniface i boniface iv caius callixtus i celestine i celestine v clement i cornelius damasus i dionysius eleuterus eugene i eusebius eutychian evaristus fabian felix i felix iii felix iv gelasius i gregory i gregory ii gregory iii gregory vii hilarius hormisdas hyginus innocent i john i john xxiii john paul ii julius i leo i leo ii leo iii leo iv leo ix linus lucius i marcellinus marcellus i mark martin i miltiades nicholas i paschal i paul i paul vi peter pius i pius v pius x pontian sergius i silverius simplicius siricius sixtus i sixtus ii sixtus iii soter stephen i stephen iv sylvester i symmachus telesphorus urban i victor i vitalian zachary zephyrinus zosimus prophets agabus amos anna baruch ben neriah david dalua elijah ezekiel habakkuk haggai hosea isaiah jeremiah job joel john the baptist jonah judas barsabbas malachi melchizedek micah moses nahum obadiah samuel seven maccabees and their mother simeon zechariah (prophet) zechariah (nt) zephaniah virgins agatha of sicily agnes of rome angela of the cross Æthelthryth bernadette soubirous brigid of kildare catherine labouré catherine of siena cecilia clare of assisi eulalia of mérida euphemia faustina kowalska genevieve kateri tekakwitha lucy of syracuse maria goretti teresa of calcutta narcisa de jesús rose of lima see also calendar of saints fourteen holy helpers military saints athleta christi miles christianus church militant virtuous pagan  catholic church portal  saints portal links to related articles v t e philosophy branches traditional metaphysics epistemology logic ethics aesthetics philosophy of... action color culture design music film cosmology education environment geography happiness history human nature humor feminism language law life literature mathematics medicine healthcare psychiatry mind pain psychology perception 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al-farabi (alpharabius) ibn masarra al amiri ebn meskavayh ibn al-haytham (alhazen) abu rayhan biruni "brethren of purity" high ibn sīnā (avicenna) ibn hazm al-ghazali (algazel) abu'l-barakāt al-baghdādī ibn bajjah (avempace) ayn al-quzat hamadani ibn tufail ibn rushd (averroes) late ibn sab'in shahab al-din suhrawardi fakhr ad-din ar-razi rashid al-din ibn arabi zachariah kazwin abd-el-latif athīr al-dīn al-abharī nasir al-din al-tusi ibn al-nafis qutb al-din al-shirazi ibn taymiyyah ibn khaldun jewish medieval isaac israeli ben solomon saadia gaon solomon ibn gabirol judah halevi abraham ibn daud maimonides nachmanides gersonides hasdai crescas joseph albo christian early "church fathers" augustine of hippo boethius pseudo-dionysius the areopagite isidore of seville johannes scotus eriugena alcuin – th century "scholasticism" anselm of canterbury peter abelard anselm of laon hugh of saint victor richard of saint victor roscelin peter lombard alexander of hales bernard of chartres dominicus gundissalinus gilbert de la porrée alain de lille – th century robert grosseteste albertus magnus bonaventure thomas aquinas siger of brabant boetius of dacia henry of ghent roger bacon john peckham ramon llull petrus aureolus petrus peregrinus de maricourt durandus giles of rome godfrey of fontaines duns scotus william of ockham late jean buridan nicole oresme albert of saxony francesc eiximenis vincent ferrer paul of venice lambertus de monte john hennon see also renaissance philosophy v t e epistemology epistemologists thomas aquinas augustine of hippo william alston robert audi a. j. ayer george berkeley laurence bonjour keith derose rené descartes john dewey fred dretske edmund gettier alvin goldman nelson goodman paul grice anil gupta susan haack david hume immanuel kant søren kierkegaard peter klein saul kripke hilary kornblith david lewis john locke g. e. moore john mcdowell robert nozick alvin plantinga plato duncan pritchard james pryor hilary putnam w. v. o. quine 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ancient and medieval anselm of canterbury augustine of hippo avicenna averroes boethius erasmus gaunilo of marmoutiers pico della mirandola heraclitus king james vi and i marcion of sinope thomas aquinas maimonides early modern augustin calmet rené descartes blaise pascal baruch spinoza nicolas malebranche gottfried w leibniz william wollaston thomas chubb david hume baron d'holbach immanuel kant johann g herder friedrich schleiermacher karl c f krause georg w f hegel william whewell ludwig feuerbach søren kierkegaard karl marx albrecht ritschl afrikan spir ernst haeckel w k clifford friedrich nietzsche harald høffding william james vladimir solovyov ernst troeltsch rudolf otto lev shestov sergei bulgakov pavel florensky ernst cassirer joseph maréchal postwar george santayana bertrand russell martin buber rené guénon paul tillich karl barth emil brunner rudolf bultmann gabriel marcel reinhold niebuhr charles hartshorne mircea eliade frithjof schuon j l mackie walter kaufmann martin lings peter geach george i mavrodes william alston antony flew william l rowe dewi z phillips alvin plantinga anthony kenny nicholas wolterstorff richard swinburne robert merrihew adams ravi zacharias peter van inwagen daniel dennett loyal rue jean-luc marion william lane craig ali akbar rashad alexander pruss related topics criticism of religion desacralization of knowledge ethics in religion exegesis history of religion religion religious language religious philosophy relationship between religion and science faith and rationality more... portal category v t e platonists academic old plato aristotle eudoxus philip of opus aristonymus coriscus and erastus of scepsis demetrius of amphipolis euaeon of lampsacus heraclides and python of aenus hestiaeus of perinthus lastheneia of mantinea timolaus of cyzicus speusippus axiothea of phlius heraclides ponticus menedemus of pyrrha xenocrates crantor polemon crates of athens skeptic middle arcesilaus diocles of cnidus lacydes telecles and evander hegesinus new carneades hagnon of tarsus metrodorus of stratonicea clitomachus charmadas aeschines of neapolis philo of larissa cicero dio of alexandria middle platonist antiochus philo of alexandria plutarch justin martyr gaius albinus alcinous apuleius atticus maximus of tyre numenius of apamea longinus clement of alexandria origen the pagan calcidius neoplatonist ancient ammonius saccas plotinus disciples origen amelius porphyry iamblichus sopater eustathius of cappadocia sosipatra aedesius dexippus chrysanthius theodorus of asine julian sallustius maximus of ephesus eusebius of myndus priscus of epirus antoninus gregory of nyssa hypatia augustine macrobius academy plutarch of athens asclepigenia hierocles syrianus hermias aedesia proclus ammonius hermiae asclepiodotus hegias zenodotus marinus agapius isidore damascius simplicius priscian medieval boethius john philoponus olympiodorus pseudo-dionysius the areopagite john scotus eriugena islamic golden age al-farabi anselm 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ratzinger bernard bolzano v t e social and political philosophy ancient philosophers aristotle chanakya cicero confucius han fei lactantius laozi mencius mozi origen plato polybius shang socrates sun tzu tertullian thucydides valluvar xenophon xunzi medieval philosophers alpharabius augustine averroes baldus bartolus bruni dante gelasius al-ghazali giles hostiensis ibn khaldun john of paris john of salisbury latini maimonides marsilius nizam al-mulk photios thomas aquinas wang william of ockham early modern philosophers beza bodin bossuet botero buchanan calvin cumberland duplessis-mornay erasmus filmer grotius guicciardini harrington hayashi hobbes hotman huang leibniz locke luther machiavelli malebranche mariana milton montaigne more müntzer naudé pufendorf rohan sansovino sidney spinoza suárez th– th-century philosophers bakunin bentham bonald bosanquet burke comte constant emerson engels fichte fourier franklin godwin hamann hegel herder hume jefferson justi kant political 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apostle corinthians seven deadly sins lust (luxuria) gluttony (gula) greed (avaritia) sloth (acedia) wrath (ira) envy (invidia) pride (superbia) source: prudentius, psychomachia people: evagrius ponticus john cassian pope gregory i dante alighieri peter binsfeld related concepts ten commandments great commandment eschatology sin original sin old covenant hamartiology christian philosophy v t e catholic philosophy ethics cardinal virtues divine command just price just war probabilism natural law personalism seven virtues social teaching theological virtues virtue ethics schools medieval augustinianism scholasticism thomism scotism occamism modern salamanca christian humanism cartesianism molinism neo-scholasticism analytical thomism universals augustinian realism nominalism conceptualism moderate realism scotistic realism other theological intellectualism theological voluntarism foundationalism philosophers clement augustine boethius dionysius isidore eriugena alcuin anselm abelard lombard albertus bonaventure aquinas llull scotus occam ficino pico erasmus cusa luis more suárez descartes pierre montaigne pascal krasicki kołłątaj staszic newman scheler chesterton maritain stein mortimer rahner anscombe macintyre wojtyla ratzinger concepts actus purus actus essendi actus primus quinque viae theodicy augustinian irenaean formal distinction univocity head of a pin occam's razor augustinian values principle of double effect seven deadly sins quiddity cardinal virtues stratification of emotional life disputation evil demon aevum haecceity cartesian dualism divine illumination peripatetic axiom memento mori ressentiment rota fortunae double truth ontological argument utopia trademark argument pascal's wager dehellenization differentia homo unius libri cogito, ergo sum infused righteousness related catholic theology platonism aristotelianism neoplatonism islamic philosophy doctor of the church renaissance rationalism empiricism phenomenology  catholicism portal 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good and evil good evil happiness ideal immorality justice liberty morality norm freedom suffering or pain stewardship sympathy trust value virtue wrong full index... philosophers laozi socrates plato aristotle diogenes valluvar cicero confucius augustine of hippo mencius mozi xunzi thomas aquinas baruch spinoza david hume immanuel kant georg w. f. hegel arthur schopenhauer jeremy bentham john stuart mill søren kierkegaard henry sidgwick friedrich nietzsche g. e. moore karl barth paul tillich dietrich bonhoeffer philippa foot john rawls john dewey bernard williams j. l. mackie g. e. m. anscombe william frankena alasdair macintyre r. m. hare peter singer derek parfit thomas nagel robert merrihew adams charles taylor joxe azurmendi christine korsgaard martha nussbaum more... related articles casuistry christian ethics descriptive ethics ethics in religion evolutionary ethics feminist ethics history of ethics ideology islamic ethics jewish ethics moral psychology philosophy of law political philosophy population ethics social philosophy category v t e latin church latin church, also known as the 'western church', the largest particular church sui iuris of the catholic church, and the original and still major part of western christianity patriarchates (by order of precedence) current rome ('patriarch of the west'): pope francis (with cathedra in archbasilica of saint john lateran) jerusalem: pierbattista pizzaballa east indies: filipe neri ferrão lisbon: manuel clemente venice: francesco moraglia defunct carthage (?− ) alexandria ( – ) antioch ( – ) constantinople ( – ) west indies ( – ) aquileia ( – ) ethiopia ( – ) grado ( – ) history apostolic sees rome peter paul syracuse peter malta paul milan barnabas santiago de compostela james church fathers tertullian cyprian hilary of poitiers ambrose* pope damasus i jerome* augustine of hippo* pope gregory i* isidore of seville apostolic succession history of the papacy papal primacy historical development first 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additional terms may apply. by using this site, you agree to the terms of use and privacy policy. wikipedia® is a registered trademark of the wikimedia foundation, inc., a non-profit organization. privacy policy about wikipedia disclaimers contact wikipedia mobile view developers statistics cookie statement auxilia - wikipedia auxilia from wikipedia, the free encyclopedia jump to navigation jump to search non-citizen troops in the imperial roman army roman auxiliary infantry crossing a river, probably the danube, on a pontoon bridge during the emperor trajan's dacian wars (ad – ). they can be distinguished by the oval shield (clipeus) they were equipped with, in contrast to the rectangular scutum carried by legionaries. panel from trajan's column, rome part of a series on the military of ancient rome bc – ad structural history army unit types and ranks decorations and punishments legions auxilia generals navy fleets admirals campaign history wars and battles technological history military engineering castra siege engines triumphal arches roads political history   strategy and tactics infantry tactics frontiers and fortifications limes limes britannicus antonine wall hadrian's wall saxon shore limes germanicus alb limes lauter valley limes lower germanic limes main limes neckar-odenwald limes upper germanic-rhaetian limes wetterau limes danube–iller–rhine limes norican limes claustra alpium iuliarum pannonian limes limes alutanus limes moesiae trajan's wall anastasian wall limes sarmatiae limes arabicus limes tripolitanus limes mauretaniae  ancient rome portal •  war portal v t e the auxilia (latin: [au̯kˈsɪlia], lit. "auxiliaries") were introduced as non-citizen troops attached to the citizen legions by augustus after his reorganisation of the imperial roman army from  bc.[ ] by the nd century, the auxilia contained the same number of infantry as the legions and, in addition, provided almost all of the roman army's cavalry (especially light cavalry and archers) and more specialised troops. the auxilia thus represented three-fifths of rome's regular land forces at that time. like their legionary counterparts, auxiliary recruits were mostly volunteers, not conscripts. the auxilia were mainly recruited from the peregrini, free provincial subjects who did not hold roman citizenship and constituted the vast majority of the population in the st and nd centuries (c. % in the early st century). in contrast to the legions, which only admitted roman citizens, members of the auxilia could be recruited from territories outside of roman control. reliance on the various contingents of non-italic troops, especially cavalry, increased when the roman republic employed them in increasing numbers to support its legions after  bc. the julio-claudian period (  bc–  ad) saw the transformation of the auxilia from motley levies to a standing corps with standardised structure, equipment and conditions of service. by the end of the period, there were no significant differences between legionaries and auxiliaries in terms of training, and thus, combat capability. auxiliary regiments were often stationed in provinces other than that in which they were originally raised, for reasons of security and to foster the process of romanisation in the provinces. the regimental names of many auxiliary units persisted into the th century, but by then the units in question were different in size, structure, and quality from their predecessors. contents historical development . background: roman republic (to bc) . foundation of the auxilia under augustus ( bc– ad) . illyrian revolt ( –  ad) . later julio-claudians ( –  ad) . revolt of the batavi ( –  ad) . flavian era ( –  ad) . later principate ( – ) . th century unit types and structure . regular unit types . . cohortes . . alae . . cohortes equitatae . . auxiliary specialised units . . . heavily-armoured lancers . . . light cavalry . . . camel troops . . . archers . . . slingers . . . scouts/numeri irregular allied forces recruitment, ranks and pay . rankers (caligati) . junior officers (principales) . senior officers . commanders names, titles and decorations . regimental names . titles . decorations deployment in the nd century see also citations references . ancient . modern external links historical development[edit] background: roman republic (to bc)[edit] etruscan funerary urn crowned with the sculpture of a woman and a front-panel relief showing two warriors fighting, polychrome terracotta, c. bc the mainstay of the roman republic's war machine was the manipular legion, a heavy infantry unit suitable for close-quarter engagements on more or less any terrain, which was probably adopted sometime during the samnite wars ( –  bc).[ ] despite its formidable strength, the legion had a number of deficiencies, especially a lack of cavalry. around  bc, a legion of , infantry had a cavalry arm of only horse (just % of the total force).[ ] this was because the class of citizens who could afford to pay for their own horse and equipment – the equestrian order, the second rank in roman society, after the senatorial order – was relatively small. in addition, the legion lacked missile forces such as slingers and archers.[ ] until  bc, the bulk of a roman army's cavalry was provided by rome's regular italian allies (socii), commonly known as the "latin" allies, which made up the roman military confederation. this was rome's defence system until the social war of –  bc. the italian forces were organised into alae (literally: "wings", because they were generally posted on the flanks of the roman line of battle). an allied ala, commanded by roman praefecti sociorum, was similar or slightly larger in infantry size ( – , men) to a legion, but contained a more substantial cavalry contingent: horse, three times the legionary contingent. since a pre-social war consular army always contained an equal number of legions and alae, % of its cavalry was provided by the latin allies. the overall cavalry element, c. % of the total force ( , out of a normal consular army of approximately , total effectives), was greater than in most peninsular italian forces, but well below the overall % cavalry component that was typical of the principate army ( , cavalry out of , total effectives in the early nd century).[ ][ ] the roman/latin cavalry was sufficient while rome was in conflict with other states in the mountainous italian peninsula, which also disposed of limited cavalry resources. but, as rome was confronted by external enemies that deployed far more powerful cavalry elements, such as the gauls and the carthaginians, the roman deficiency in cavalry numbers could be a serious liability, which in the second punic war ( –  bc) resulted in crushing defeats. hannibal's major victories at the trebia and at cannae, were owed to his spanish and gallic heavy cavalry, which far outnumbered the roman and latin levies, and to his numidians, light, fast cavalry which the romans wholly lacked.[ ] the decisive roman victory at zama in  bc, which ended the war, owed much to the numidian cavalry provided by king massinissa, which outnumbered the roman/latin cavalry fielded by to .[ ] from then, roman armies were always accompanied by large numbers of non-italian cavalry: numidian light cavalry and, later, gallic heavy cavalry. for example, caesar relied heavily on gallic and german cavalry for his conquest of gaul ( –  bc).[ ] as the role of native cavalry grew, that of roman/latin cavalry diminished. in the early st century bc, roman cavalry was phased out altogether. after the social war, the socii were all granted roman citizenship, the latin alae abolished, and the socii recruited into the legions.[ ] furthermore, roman equestrians were no longer required to perform cavalry service after this time.[ ] the late republican legion was thus probably bereft of cavalry (a tiny cavalry force of men was probably added back to the legion under augustus).[ ] slingers from the cast of trajan's column in the victoria and albert museum, london, nd century ad by the outbreak of the second punic war, the romans were remedying the legions' other deficiencies by using non-italian specialised troops. livy reports hiero of syracuse offering to supply rome with archers and slingers in  bc.[ ] from  bc onwards, specialist troops were hired as mercenaries on a regular basis: sagittarii (archers) from crete, and funditores (slingers) from the balearic isles almost always accompanied roman legions in campaigns all over the mediterranean.[ ] the other main sources of non-italian troops in the late republic were subject provincials, allied cities and rome's amici (satellite kings). during the late republic, non-italian units were led by their own native chiefs, and their internal organisation was left to their own commanders. the units varied widely in dress, equipment, and weapons. they were normally raised for specific campaigns and often disbanded soon afterwards, in a similar manner to the earlier socii militia legions.[ ] foundation of the auxilia under augustus ( bc– ad)[edit] it appears that not all indigenous units were disbanded at the end of the civil war period (  bc). some of the more experienced units were kept in existence to complement the legions, and became the core of the standing auxiliary forces that developed in the julio-claudian period.[ ] during the early part of augustus' rule (  bc onwards), the corps of regular auxilia was created. it was clearly inspired by the latin forces of the pre-social war republic, as a corps of non-citizen troops parallel to the legions. but there were fundamental differences, the same as between republican and augustan legions. the latin forces of the republic were made up of part-time conscripts in units that would be raised and disbanded for and after particular campaigns. the augustan auxilia were mainly volunteer professionals serving in permanent units.[ ] the unit structure of the auxilia also differed from the latin alae, which were like legions with a larger cavalry arm. however, augustus organised the auxilia into regiments the size of cohorts (a tenth the size of legions), due to the much greater flexibility of the smaller unit size. further, the regiments were of three types: ala (cavalry), cohors (peditata) (infantry) and cohors equitata (mixed cavalry/infantry).[ ] the evidence for the size of the augustus' new units is not clearcut, with our most precise evidence dating to the nd century, by which time the unit strengths may have changed. cohortes were likely modelled on legionary cohorts i.e. six centuriae of about men each (total about men).[ ] alae were divided into turmae (squadrons) of (or ) men, each under a decurio (literally: "leader of ten").[ ] this title derives from the old roman cavalry of the pre-social war republic, in which each turma was under the command of three decuriones.[ ] cohortes equitatae were infantry cohortes with a cavalry contingent of four turmae attached.[ ] auxiliary regiments were now led by a praefectus (prefect), who could be either a native nobleman, who would probably be granted roman citizenship for the purpose (e.g. the famous german war leader arminius gained roman citizenship probably by serving as an auxiliary prefect before turning against rome); or a roman, either of knightly rank, or a senior centurion.[ ] at the start of augustus' sole rule (  bc), the original core auxiliary units in the west were composed of warlike tribesmen from the gallic provinces (especially gallia belgica, which then included the regions later separated to form the provinces germania inferior and germania superior), and from the balkan provinces (dalmatia and illyricum). by  bc, the cantabrian and asturian wars were concluded, leading to the annexation of northern hispania and lusitania. judging by the names of attested auxiliary regiments, these parts of the iberian peninsula soon became a major source of recruits. then the danubian regions were annexed: raetia (annexed  bc), noricum (  bc), pannonia (  bc) and moesia (  ad), becoming, with illyricum, the principate's most important source of auxiliary recruits for its entire duration. in the east, where the syrians already provided the bulk of the roman army's archers, augustus annexed galatia (  bc) and judaea: the former, a region in central anatolia with a celtic-speaking people, became an important source of recruits. in n. africa, egypt, cyrene, and numidia (  bc) were added to the empire. numidia (modern day eastern algeria) was home to the numidians/moors, the ancestors of today's berber people. their light cavalry (equites maurorum) was highly prized and had alternately fought and assisted the romans for well over two centuries: they now started to be recruited into the regular auxilia. even more mauri units were formed after the annexation of mauretania (nw algeria, morocco), the rest of the berber homeland, in  ad by emperor claudius (ruled – ).[ ] recruitment was thus heavy throughout the augustan period, with a steady increase in the number of units formed. by ad , the roman historian tacitus records that there were roughly the same numbers of auxiliaries in service as there were legionaries.[ ] since at this time there were legions of c. , men each, the auxilia thus amounted to c. , men, implying c. auxiliary regiments.[ ] illyrian revolt ( –  ad)[edit] main article: great illyrian revolt during the early julio-claudian period, many auxiliary regiments raised in frontier provinces were stationed in or near their home provinces, except during periods of major crises such as the cantabrian wars, when they were deployed temporarily in theatre. this carried the obvious risk if their own tribe or ethnic group rebelled against rome (or attacked the roman frontier from outside the empire), auxiliary troops could be tempted to make common cause with them. the romans would then be faced by an enemy that included units fully equipped and trained by themselves, thus losing their usual tactical advantages over tribal foes.[ ] the german leader arminius is the classic example at an individual level: after several years of serving in rome's forces as prefect of an auxiliary unit, he used the military training and experience he had gained to lead a confederacy of german tribes against rome, culminating in the destruction of three roman legions in the teutoberg forest in  ad, and the abandonment of augustus' strategy of annexing germany as far as the elbe river. (this strategy was never revived by later emperors).[ ] at a collective level, the risk was even greater, as the hugely dangerous illyrian revolt proved. the central illyrian tribes were tough and spartan shepherds of the bosnian mountains and excellent soldier-material. their territory formed part of the strategic province of illyricum, recently expanded to include the territory of the pannonii, celticised illyrian tribes based on the west bank of the danube who were subjugated by rome in –  bc (the bellum pannonicum). by the start of the common era, they were an important recruitment base for the auxilia.[ ] but discontent was festering among the illyrian tribes, largely due to what they saw as the rapacity of roman tax officials.[ ] in ad , several regiments of dalmatae, a warlike illyrian tribe, were ordered to report to a designated location to prepare to join augustus' stepson and senior military commander tiberius in a war against the germans. instead, they mutinied at the assembly point, and defeated a roman force sent against them.[ ] the dalmatae were soon joined by the breuci, another illyrian tribe that supplied several auxiliary regiments. they gave battle to a second roman force from moesia. they lost, but inflicted heavy casualties.[ ] the rebels were now joined by a large number of other illyrian tribes. the dalmatae attacked the port of salona and overran the adriatic coast, defeating a roman force and exposing the roman heartland of italy to the fear of a rebel invasion.[ ] augustus ordered tiberius to break off operations in germany and move his main army to illyricum.[ ] when it became clear that even tiberius' forces were insufficient, augustus was obliged to raise a second task force under tiberius' nephew germanicus, resorting to the compulsory purchase and emancipation of thousands of slaves to find enough troops, for the first time since the aftermath of the battle of cannae over two centuries earlier.[ ] the romans had now deployed no less than legions and an equivalent number of auxilia.[ ] this amounts to a total of c. , men, including at least auxiliary cohorts composed, exceptionally, of roman citizens. these were men whose status or background was regarded by augustus as unsuitable for recruitment into the legions: either natural-born citizens of the lowest category, including vagrants and convicted criminals, or the freed slaves (roman law accorded citizenship to the freed slaves of roman citizens). these special units were accorded the title civium romanorum ("of roman citizens"), or c.r. for short. after the illyrian revolt, these cohorts remained in being and recruited non-citizens like other auxiliary units, but retained their prestigious c.r. title.[ ][ ] in addition, the regular forces were assisted by a large number of allied troops from neighbouring thrace deployed by their king rhoemetalces i, a roman amicus (puppet king).[ ] the romans faced further reverses on the battlefield and a savage guerrilla war in the bosnian mountains.[ ] it took them three years of hard fighting to quell the revolt, which was described by the roman historian suetonius, writing in c. ad , as the most difficult conflict faced by rome since the punic wars over two centuries earlier.[ ] tiberius finally succeeded in quelling the revolt in  ad. this was apparently lucky timing for the romans: that same year arminius destroyed varus' three legions in germany. the roman high command had no doubt that arminius would have formed a grand alliance with the illyrians.[ ] despite the gravity of this rebellion, the illyrians went on, alongside their neighbours the thracians, to become the backbone of the roman army. by the nd century, with roughly half the roman army deployed on the danube frontier, the auxilia and legions alike were dominated by illyrian recruits. in the rd century, illyrians largely replaced italians in the senior officer echelons of praefecti of auxiliary regiments and tribuni militum of legions. finally, from ad to , virtually all emperors, including diocletian and constantine the great were romanised illyrians from the provinces of dalmatia, moesia superior and pannonia. these were members of a military aristocracy, outstanding soldiers who saved the empire from collapse in the turbulent late rd century.[ ] later julio-claudians ( –  ad)[edit] the cavalry witcham gravel helmet from cambridgeshire (england), st century ad significant development of the auxilia appears to have taken place during the rule of the emperor claudius ( –  ad). a minimum term of service of years was established, at the end of which the retiring auxiliary soldier, and all his children, were awarded roman citizenship.[ ] this is deduced from the fact that the first known roman military diplomas date from the time of claudius. this was a folding bronze tablet engraved with the details of the soldier's service record, which he could use to prove his citizenship.[ ] claudius also decreed that prefects of auxiliary regiments must all be of equestrian rank, thus excluding centurions from such commands.[ ] the fact that auxiliary commanders were now all of the same social rank as most tribuni militum, (military tribunes, a legion's senior staff officers, all of whom only one, the tribunus laticlavius, was of the higher senatorial rank), probably indicates that auxilia now enjoyed greater prestige. indigenous chiefs continued to command some auxiliary regiments, and were probably granted equestrian rank for the purpose. it is also likely that auxiliary pay was standardised at this time, but we only have estimates for the julio-claudian period.[ ] auxiliary uniform, armour, weapons and equipment were probably standardised by the end of the julio-claudian period. auxiliary equipment was broadly similar to that of the legions (see section . below for possible differences in armour). by  ad, there was little difference between most auxiliary infantry and their legionary counterparts in equipment, training and fighting capability. the main difference was that auxilia contained combat cavalry, both heavy and light, and other specialized units that legions lacked.[ ] claudius annexed to the empire three regions that became important sources of auxiliary recruits: britannia (  ad), and the former client kingdoms of mauretania ( ) and thracia ( ). the latter became as important as illyria as a source of auxiliary recruits, especially cavalry and archers. britain in mid- nd century contained the largest number of auxiliary regiments in any single province: about out of about ( %).[ ] by the rule of nero ( – ), auxiliary numbers may have reached, by one estimate, about , men, implying about regiments.[ ] revolt of the batavi ( –  ad)[edit] main article: revolt of the batavi rhine frontier of the roman empire,  ad, showing the location of the batavi in the rhine delta region. roman territory is shaded dark. their homeland was called the insula batavorum by the romans and corresponded roughly with modern gelderland province, neth. their chief town was noviomagus (nijmegen, neth.), a strategic prominence in an otherwise flat and waterlogged land that became the site of a roman legionary fortress (housing the legion x gemina) after the batavi revolt ended in ad. the name is of celtic origin, meaning "new market", suggesting that the germanic batavi either displaced or subjugated an indigenous gallic tribe the batavi, a germanic tribe, inhabited the region today known as gelderland (netherlands), in the rhine river delta, then known as the insula batavorum ("island of the batavi", because surrounded by branches of the rhine), part of the roman province of germania inferior.[ ] they were a warlike people, skilled horsemen, boatmen and swimmers. in return for the unusual privilege of exemption from tributum (direct taxes on land and heads normally exacted from peregrini), they supplied a disproportionate number of recruits to the julio-claudian auxilia: one ala and eight cohortes.[ ] they also provided most of augustus' elite personal bodyguard unit (the germani corpore custodes), which continued in service until  ad. the batavi auxilia amounted to about , men, implying that during the entire julio-claudian period, over % of all batavi males reaching military age ( years) may have enlisted in the auxilia.[ ] thus the batavi, although just . % of the total population of the empire of c. million in  ad,[ ] supplied about % of the total auxilia i.e. times their proportionate share. they were regarded by the romans as the very best (fortissimi, validissimi) of their auxiliary, and indeed all, their forces.[ ] in roman service, both their cavalry and infantry had perfected a technique for swimming across rivers wearing full armour and weapons.[ ][ ] julius civilis (literally: "julius the citizen", clearly a latin name adopted on gaining roman citizenship, not his native one) was a hereditary prince of the batavi and the prefect of a batavi cohort. a veteran of years' service, he had distinguished himself by service in britain, where he and the eight batavi cohorts had played a crucial role in both the roman invasion in  ad and the subsequent subjugation of southern britain.[ ] by , however, civilis, the batavi regiments and the batavi people had become utterly disaffected with rome. after the batavi regiments were withdrawn from britain to italy in , civilis and his brother (also a prefect) were arrested by the governor of germania inferior on a fabricated accusation of sedition. the governor ordered his brother's execution, while civilis, who as a roman citizen had the right to appeal to the emperor, was sent to rome in chains for judgement by nero.[ ] he was released by nero's overthrower and successor, galba, but the latter also disbanded the imperial bodyguard unit for their loyalty to nero. this alienated several hundred crack batavi troops, and indeed the whole batavi nation who regarded it as a grave insult.[ ] at the same time, relations collapsed between the batavi cohorts and the legion to which they had been attached since the invasion of britain years earlier (xiv gemina). their mutual hatred erupted in open fighting on at least two occasions.[ ] at this juncture, the roman empire was convulsed by its first major civil war since the battle of actium exactly a century earlier: the year of the four emperors ( – ad). the governor of germania inferior, ordered to raise more troops, outraged the batavi by attempting to conscript more batavi than the maximum stipulated in their treaty. the brutality and corruption of the roman recruiting-centurions (including incidents of sexual assault on batavi young men) brought already deep discontent in the batavi homeland to the boil.[ ] civilis now led his people in open revolt. initially, he claimed he was supporting the bid for power of vespasian, the general in command of the legions in syria, whom civilis had probably befriended when both were involved in the roman invasion of britain years earlier (vespasian was then commander of the legion ii augusta).[ ] but the uprising soon became a bid for independence.[ ] civilis exploited the fact that some legions were absent from the rhine area due to the civil war, and the rest under-strength. in addition, the roman commanders and their rank-and-file soldiers were divided by loyalty to rival emperors.[ ] civilis quickly won the support of the batavi's neighbours and kinsmen, the cananefates, who in turn won over the frisii. first the rebel allies captured two roman forts in their territory, and a cohort of tungri defected to civilis.[ ] then two legions sent against civilis were defeated when their companion batavi ala defected to his side.[ ] the classis germanica (rhine flotilla), largely manned by batavi, was seized by civilis.[ ] most importantly, the batavi cohorts stationed at mainz with xiv gemina mutinied and joined him, defeating at bonn a roman force that attempted to block their return to their homeland.[ ] by now, civilis commanded at least regiments ( , men) of roman-trained and equipped auxiliary troops, as well as a much larger number of tribal levies. a number of german tribes from beyond the rhine joined his cause.[ ] several other german and gallic units sent against him deserted, as the revolt spread to the rest of gallia belgica, including the tungri, lingones and treviri tribes.[ ] he was able to destroy the two remaining legions in germania inferior, (v alaudae and xv primigenia).[ ] by this stage, rome's entire position on the rhine and even in gaul was imperiled. their civil war over, the romans mustered a huge task force of eight legions (five dispatched from italy, two from spain and one from britain) to deal with civilis.[ ] its commander petillius cerialis had to fight two difficult battles, at trier and xanten, before he could overrun the batavi's homeland.[ ] tacitus' surviving narrative breaks off as he describes a meeting on an island in the rhine delta between civilis and cerialis to discuss peace terms.[ ] we do not know the outcome of this meeting or civilis' ultimate fate. but, in view of his former friendship with vespasian, who had already offered him a pardon, and the fact that the romans still needed the batavi levies, it is likely that the terms were lenient by roman standards.[ ] petilius cerialis took a number of reconstituted batavi units with him to britain, and the batavi regiments continued to serve with special distinction in britain and elsewhere for the rest of the st century and beyond.[ ] even as late as , units with the batavi name, although long since composed of recruits from all over the empire, were still classified as elite palatini, e.g. the equites batavi seniores (cavalry) and auxilium batavi seniores (infantry).[ ] flavian era ( –  ad)[edit] tombstone of the flavian-era eques alaris (ala cavalryman) titus flavius bassus, son of mucala. a dansala, (i.e. member of the thracian dentheletae tribe), he belonged to the ala noricorum (originally raised from the taurisci tribe of noricum). he died at age after years' service, not having advanced beyond the lowest rank. bassus' adopted roman names, titus flavius, indicate that he had gained roman citizenship, doubtless by serving the required years in the auxilia. the names adopted would normally be those of the emperor ruling at the time of the citizenship award. in this case, they could refer to any of the emperors of the flavian dynasty (ruled – ), vespasian and his two sons, titus and domitian, all of whom carried the same names. the arrangement of the scene, a rider spearing a man (the motif of the thracian hero), indicates that bassus was a thracian, as does his father's name. date: late st century. römisch-germanisches museum, cologne, germany the revolt of the batavi appears to have led to a significant change in the roman government's policy on deployment of auxilia. the revolt proved that in times of civil strife, when legions were far from their bases campaigning for rival claimants to the imperial throne, it was dangerous to leave provinces exclusively in the hands of auxiliary regiments recruited from the indigenous nation. during the julio-claudian period, auxiliary regiments had often been deployed away from their original home province.[ ] but in the flavian period ( – ), this appears to have become standard policy.[ ] thus in ad , five reconstituted batavi regiments (one ala and four cohortes) were transferred to britain under petillius cerialis, who had suppressed the civilis revolt and then embarked on the governorship of the island.[ ] the great majority of regiments probably founded in the st century were stationed away from their province of origin in the second e.g. of british regiments recorded in the mid- nd century, none were stationed in britain.[ ] furthermore, it appears that in the flavian era native noblemen were no longer permitted to command auxiliary units from their own tribe.[ ] after a prolonged period in a foreign province a regiment would become assimilated, since the majority of its new recruits would be drawn from the province in which it was stationed, or neighbouring provinces.[ ] those same "british" units, mostly based on the danube frontier, would by c. , after almost a century away from their home island, be largely composed of illyrian, thracian and dacian recruits. however, there is evidence that a few regiments at least continued to draw some recruits from their original home provinces in the nd century e.g. batavi units stationed in britain.[ ] the flavian period also saw the first formation of large, double-size units, both infantry and cavalry, of a nominal strength of , men (cohors/ala milliaria), though they were actually mostly smaller ( for an ala milliaria and for a cohors milliaria).[ ] these were the mirror image of the double-strength first cohorts of legions also introduced at this time. such units remained a minority of the auxilia: in the mid- nd century, they constituted % of units, containing % of total manpower.[ ] later principate ( – )[edit] roman cavalry spatha, a longer sword (median blade length:  mm [ .  in]), designed to give the rider a longer reach than the gladius[ ] in  ad, emperor trajan finally defeated the dacian kingdom of decebalus and annexed it as the roman province of dacia traiana. by the mid- nd century, there were auxiliary regiments stationed there, about % of the total auxilia. in britain, there were . together, these two provinces contained about a quarter of the total auxiliary regiments.[ ] there is considerable scholarly dispute about the precise size of the auxilia during the imperial era, even during the corp's best-documented period, the rule of trajan's successor, hadrian ( – ). this is evident if one compares calculations by spaul ( ) and holder ( ): estimates of roman auxilia numbers (units attested in the mid- nd century) author no. alae no. cohortes total no. units total cavalry total infantry total effectives j. spaul ( )[ ] , , , p. a. holder ( )[ ] , , , note: manpower figures exclude officers (centurions and decurions), which would have numbered about , men overall. in addition, holder believes that a further cohortes, which are attested under trajan, immediately before hadrian's rule, but not during or after it, probably continued in existence, giving a total of units and , effectives. the discrepancy between the two scholars is due to: (i) interpretation of units with the same name and number, but attested in different provinces in the same period. spaul tends to take a more cautious approach and to assume such are the same unit moving base frequently, while holder tends to regard them as separate units which acquired the same number due to duplicated (or even triplicated) seriation. (ii) assumptions about how many cohortes were equitatae. spaul accepts only those cohortes specifically attested as equitatae i.e., about % of recorded units. holder estimates that at least % of cohortes contained cavalry contingents by the early nd century[ ] even according to the more conservative estimate, the auxilia were by this time significantly larger than the legions, which contained c. , effectives ( legions of , men each) at this time, of which just , were cavalry. (for a detailed breakdown, see section : auxilia deployment in the nd century, below). during the second half of the nd century, the roman army underwent considerable further expansion, with the addition of five new legions ( , men) to a principate peak of .[ ] a matching number of auxilia (i.e. c. regiments, although only the names of around – have survived in the epigraphic record) were probably added, possibly reaching a peak of c. regiments and around , effectives by the end of septimius severus's rule (  ad).[ ] the likely growth of the roman auxilia may be summarised as follows: estimated size of roman army –  ad army corps tiberius  ad hadrian c.  ad s. severus  ad rd-century crisis c.  ad diocletian – legions , [ ] , [ ] , [ ] auxilia , [ ][failed verification] , [ ] , [ ] praetorian guard ~~ , [ ] ~~ , [ ] ~ , [ ] total roman army , [ ] , [ ] , [ ] , ?[ ] , [ ] note: regular land forces only. excludes citizen-militias, barbarian foederati, and roman navy effectives during the nd century, some units with the new names numerus ("group") and vexillatio ("detachment") appear in the diploma record.[ ] their size is uncertain, but was likely smaller than the regular alae and cohortes, as originally they were probably detachments from the latter, acquiring independent status after long-term separation. as these units are mentioned in diplomas, they were presumably part of the regular auxiliary organisation.[ ] but numeri was also a generic term used for barbarian units outside the regular auxilia. (see section . irregular units, below). in , the constitutio antoniniana (antonine decree) of emperor caracalla granted roman citizenship to all the free inhabitants of the empire – the peregrini – thus abolishing their second-class status.[ ] but there is no evidence that the citizens-only rule for legions was also abolished at this time. the legions simply gained a much wider recruitment base, as they were now able to recruit any male free resident of the empire. auxiliary units were now recruited mainly from roman citizens, but probably continued to recruit non-citizen barbari from outside the empire's borders.[ ] however, the citizens-only rule for legions appears to have been dropped some time during the rd century, as by the th-century romans and barbarians are found serving together in all units.[ ] in the mid to late rd century, the army was afflicted by a combination of military disasters and of pestilence, the so-called crisis of the third century. in – , gaul, the alpine regions and italy, the balkans and the east were simultaneously overrun by alamanni, sarmatians, goths and persians respectively.[ ] at the same time, the roman army was struggling with the effects of a devastating pandemic, probably of smallpox: the plague of cyprian, which began in and was still raging in , when it claimed the life of emperor claudius ii gothicus. the evidence for an earlier pandemic, the antonine plague (also smallpox) indicates a mortality of – % in the empire as a whole.[ ] the armies would likely have suffered deaths at the top end of the range, due to their close concentration of individuals and frequent movements across the empire.[ ] this probably led to a steep decline in military numbers, which only recovered at the end of the century under diocletian (r. – ).[ ] the recruitment shortfall caused by the crisis seems to have led to recruitment of barbarians to the auxilia on a much greater scale than previously. by the th century, it has been estimated that some % of regular army recruits were barbarian-born. in the elite palatini regiments, anywhere between a third and a half of recruits may have been barbarian.[ ] this is likely a much greater proportion of foreigners than joined the auxilia in the st and nd centuries.[ ] in the rd century, a small number of regular auxiliary units appear in the record that, for the first time, bear the names of barbarian tribes from outside the empire e.g. the ala i sarmatarum attested in rd-century britain.[ ] this was probably an offshoot of the , surrendered sarmatian horsemen posted on hadrian's wall by emperor marcus aurelius in c. .[ ] this unit may be an early example of a novel process whereby irregular units of barbari (foederati) were transformed into regular auxilia. this process intensified in the th century: the notitia dignitatum, a key document on the late roman army, lists a large number of regular units with barbarian names.[ ] th century[edit] roman cavalry from a mosaic of the villa romana del casale, sicily, th century ad in the th century, the roman army underwent a radical restructuring. in the rule of diocletian ( – ), the traditional principate formations of legiones, alae and cohortes appear to have been broken up into smaller units, many of which bore a variety of new names.[ ] under constantine i (r. – ) it appears that military units were classified into three grades based on strategic role and to some extent quality: palatini, elite units normally part of the exercitus praesentales (imperial escort armies); comitatenses, higher-grade interception forces based in frontier provinces; and limitanei, lower-grade border troops.[ ] (see late roman army). the old principate auxilia regiments provided the basis for units at all three grades. the notitia dignitatum lists about alae and cohortes that retained their nd-century names, mostly limitanei.[ ] but traces of other auxilia regiments can be found in the praesentales and comitatenses armies. for example, many of the new-style auxilia palatina infantry regiments, considered among the best units in the army, were probably formed from old-style auxiliary cohortes, which they appear to closely resemble.[ ] the late th-century writer on military affairs vegetius complains of contemporary young men joining the "auxilia" in preference to the "legions" to avoid the latter's tougher training and duties.[ ] but it is unclear what types of units he was referring to. it is possible that those older terms were still popularly used (misleadingly) to mean limitanei and comitatenses respectively. in any event, his quote in no way describes accurately the principate auxilia, many of which were of very high quality.[ ] unit types and structure[edit] regular unit types[edit] the following table sets out the official, or establishment, strength of auxiliary units in the nd century. the real strength of a unit would fluctuate continually, but would likely have been somewhat less than the establishment most of the time. roman auxiliary regiments: type, structure and strength[ ] unit type service unit commander sub-unit commander no of sub-units sub-unit strength unit strength ala quingenaria cavalry praefectus decurio turmae ( ) ( ) ala milliaria cavalry praefectus decurio turmae ( ) ( ) cohors quingenaria infantry praefectus* centurio centuriae cohors milliaria infantry tribunus militum** centurio centuriae cohors equitata quingenaria infantry plus cavalry contingent praefectus centurio (inf) decurio (cav) centuriae turmae . ( inf/ cav) cohors equitata milliaria infantry plus cavalry contingent tribunus militum** centurio (inf) decurio (cav) centuriae turmae , ( inf/ cav) * tribunus militum in original c.r. cohortes[ ] ** praefectus in batavi and tungri cohortes milliariae[ ] note: opinion is divided about the size of an ala turma, between and men. was the size of a turma in the republican cavalry and in the cohors equitata of the principate auxilia. against this is a statement by arrian that an ala was strong.[ ] this would make an ala turma men strong. cohortes[edit] these all-infantry units were modelled on the cohorts of the legions, with the same officers and sub-units. they were typically considered to be more of a light infantry than proper legionaries. some auxiliaries may however have been equipped with the lorica segmentata, the most sophisticated legionary body-armour, although scholars dispute this.[ ][ ] there is no evidence that auxiliary infantry fought in a looser order than legionaries.[ ] it appears that in a set-piece battle-line, auxiliary infantry would normally be stationed on the flanks, with legionary infantry holding the centre e.g. as in the battle of watling street (ad ), the final defeat of the rebel britons under queen boudicca.[ ] this was a tradition inherited from the republic, when the precursors of auxiliary cohortes, the latin alae, occupied the same position in the line.[ ] the flanks of the line required equal, if not greater, skill to hold as the centre. alae[edit] during the principate period of the roman empire ( bc – ad ), the all-mounted alae ("wings") contained the elite cavalry of the army.[ ] they were specially trained in elaborate manoeuvres, such as those displayed to the emperor hadrian during a documented inspection in numidia. they were best-suited for large-scale operations and battle, during which they acted as the primary cavalry escort for the legions, which had almost no cavalry of their own. roman alares were normally armoured, with mail or scale body armour, a cavalry version of the infantry helmet (with more protective features, such as completely covered ears) and oval shield or hexagonal. their weapons could be a lance, javelins, or bow and arrow but all roman horseman had a sword called a (spatha) and the ubiquitous pugio. the elite status of an alaris is shown by the fact that he received % more pay than his counterpart in an auxiliary cohort or a legionary infantryman. the favored sources of recruitment for the cavalry of the auxilia were gauls, germans, iberians and thracians. all of these peoples had long-established skills and experience of fighting from horseback – in contrast to the romans themselves. the alae were better paid and mounted than the more numerous horsemen of the cohortes equitatae[ ] (see below). cohortes equitatae[edit] these were cohortes with a cavalry contingent attached. there is evidence that their numbers expanded with the passage of time. only about % of attested cohortes are specifically attested as equitatae in inscriptions, which is probably the original augustan proportion. a study of units stationed in syria in the mid- nd century found that many units that did not carry the equitata title did in fact contain cavalrymen e.g. by discovery of a tombstone of a cavalryman attached to the cohort. this implies that by that time, at least % of cohortes were probably equitatae.[ ] the addition of cavalry to a cohort obviously enabled it to carry out a wider range of independent operations. a cohors equitata was in effect a self-contained mini-army.[ ] the traditional view of equites cohortales (the cavalry arm of cohortes equitatae), as expounded by g.l. cheesman, was that they were just a mounted infantry with poor-quality horses. they would use their mounts simply to reach the battlefield and then would dismount to fight.[ ] this view is today discredited. although it is clear that equites cohortales did not match equites alares (ala cavalrymen) in quality (hence their lower pay), the evidence is that they fought as cavalry in the same way as the alares and often alongside them. their armour and weapons were the same as for the alares.[ ] nevertheless, non-combat roles of the equites cohortales differed significantly from the alares. non-combat roles such as despatch-riders (dispositi) were generally filled by cohort cavalry. auxiliary specialised units[edit] routed sarmatian cataphracts (right) flee for their lives from roman alares (auxiliary cavalrymen), during the dacian wars (ad – ). note full-body scalar armour, also armoured caparison for horses (including eye-guards). the sarmatians' lances (as well as the romans') have disappeared due to stone erosion, but a sword is still visible, as is a bow carried by one man. it was apparently in the period following this conflict (perhaps as a result of the lessons learnt from it) that the romans first established their own regular units of cataphracts, and deployed them in the danubian region. they were most likely equipped as the sarmatians. panel from trajan's column, rome roman archers (top left) in action. note conical helmets, indicating syrian unit, and recurved bows. trajan's column, rome roman slingers (funditores) in action in the dacian wars. detail from trajan's column, rome in the republican period, the standard trio of specialised auxilia were balearic slingers, cretan archers and numidian light cavalry. these functions, plus some new ones, continued in the nd-century auxilia. heavily-armoured lancers[edit] equites cataphractarii, or simply cataphractarii for short, were the heavily armoured cavalry of the roman army. based on sarmatian and parthian models, they were also known as contarii and clibanarii, although it is unclear whether these terms were interchangeable or whether they denoted variations in equipment or role. together with new units of light mounted archers, the cataphractarii were designed to counter parthian (and, in pannonia, sarmatian) battle tactics. parthian armies consisted largely of cavalry. their standard tactic was to use light mounted archers to weaken and break up the roman infantry line, and then to rout it with a charge by the cataphractarii concentrated on the weakest point.[ ] the only special heavy cavalry units to appear in the nd-century record are: ala i ulpia contariorum and ala i gallorum et pannoniorum cataphractaria stationed in pannonia and moesia inferior respectively in the nd century.[ ] light cavalry[edit] from the second punic war until the rd century ad, the bulk of rome's light cavalry (apart from mounted archers from syria) was provided by the inhabitants of the maghrebi provinces of africa and mauretania caesariensis, the numidae or mauri (from whom derives the english term "moors"), who were the ancestors of the berber people of modern algeria and morocco. they were known as the equites maurorum or numidarum ("moorish or numidian cavalry"). on trajan's column, mauri horsemen, depicted with long hair in dreadlocks, are shown riding their small but resilient horses bare-back and unbridled, with a simple braided rope round their mount's neck for control. they wear no body or head armour, carrying only a small, round leather shield. their weaponry cannot be discerned due to stone erosion, but is known from livy to have consisted of several short javelins.[ ][ ] exceptionally fast and maneuverable, numidian cavalry would harass the enemy by hit-and-run attacks, riding up and loosing volleys of javelins, then scattering faster than any opposing cavalry could pursue. they were superbly suited to scouting, harassment, ambush and pursuit.[ ] it is unclear what proportion of the numidian cavalry were regular auxilia units as opposed to irregular foederati units.[ ] in the rd century, new formations of light cavalry appear, apparently recruited from the danubian provinces: the equites dalmatae ("dalmatian cavalry"). little is known about these, but they were prominent in the th century, with several units listed in the notitia dignitatum. camel troops[edit] a unit of dromedarii ("camel-mounted troops") is attested from the nd century, the ala i ulpia dromedariorum milliaria in syria.[ ] archers[edit] a substantial number of auxiliary regiments ( , or about in in the nd century) were denoted sagittariorum, or archer-units (from sagittarii lit. "arrow-men", from sagitta = "arrow"). these units (of which were double-strength) had a total official strength of , men. all three types of auxiliary regiment (ala, cohors and cohors equitata) could be denoted sagittariorum. although these units evidently specialised in archery, it is uncertain from the available evidence whether all sagittariorum personnel were archers, or simply a higher proportion than in ordinary units. at the same time, ordinary regiments probably also possessed some archers, otherwise their capacity for independent operations would have been unduly constrained. bas-reliefs appear to show personnel in ordinary units employing bows.[ ] from about bc onwards, the archers of the roman army of the mid-republic were virtually all mercenaries from the island of crete, which boasted a long specialist tradition. during the late republic ( – bc) and the augustan period, crete was gradually eclipsed by men from other, much more populous, regions subjugated by the romans with strong archery traditions. these included thrace, anatolia and, above all, syria. of the sagittarii units attested in the mid- nd century, have syrian names, thracian, from anatolia, from crete and the remaining of other or uncertain origin.[ ] three distinct types of archers are shown on trajan's column: (a) with scalar cuirass, conical steel helmet and cloak; (b) without armour, with cloth conical cap and long tunic; or (c) equipped in the same way as general auxiliary foot-soldiers (apart from carrying bows instead of javelins). the first type were probably syrian or anatolian units; the third type probably thracian.[ ] the standard bow used by roman auxilia was the recurved composite bow, a sophisticated, compact and powerful weapon.[ ] slingers[edit] balearic slinger from about bc onwards, the republican army's slingers were exclusively mercenaries from the balearic islands, which had nurtured a strong indigenous tradition of slinging from prehistoric times. as a result, in classical latin, baleares (literally "inhabitants of the balearic islands") became an alternative word for "slingers" (funditores, from funda = "sling"). because of this, it is uncertain whether the most of the imperial army's slingers continued to be drawn from the balearics themselves, or, like archers, derived mainly from other regions. independent slinger units are not attested in the epigraphic record of the principate.[ ] however, slingers are portrayed on trajan's column. they are shown unarmoured, wearing a short tunic. they carry a cloth bag, slung in front, to hold their shot (glandes).[ ] scouts/numeri[edit] exploratores ('reconnaissance troops', from explorare = "to scout"). two examples include numeri exploratorum attested to in the rd century in britain: habitanco and bremenio (both names of forts).[ ] it is possible, however, that more than such units served in britain.[ ] the literal translation of numeri is 'numbers' and it was often used in the context of a generic title for any unit that was not of a standard size or structure. from the nd century onward they served as frontier guards, often supplied by the sarmatians and the germans.[ ] little else is known about such units. irregular allied forces[edit] throughout the principate period, there is evidence of ethnic units of barbari outside the normal auxilia organisation fighting alongside roman troops. to an extent, these units were simply a continuation of the old client-king levies of the late republic: ad hoc bodies of troops supplied by rome's puppet petty-kings on the imperial borders for particular campaigns. some clearly remained in roman service beyond the campaigns, keeping their own native leadership, attire and equipment and structure. these units were known to the romans as socii ("allies"), symmachiarii (from symmachoi, greek for "allies") or foederati ("treaty troops" from foedus, "treaty"). one estimate puts the number of foederati in the time of trajan at about , , divided into about numeri (units) of about men each. the purpose of employing foederati units was to use their specialist fighting skills.[ ] many of these would have been troops of numidian cavalry (see light cavalry above). the foederati make their first official appearance on trajan's column, where they are portrayed in a standardised manner, with long hair and beards, barefoot, stripped to the waist, wearing long trousers held up by wide belts and wielding clubs. in reality, several different tribes supported the romans in the dacian wars. their attire and weapons would have varied widely. the column stereotypes them with the appearance of a single tribe, probably the most outlandish-looking, to differentiate them clearly from the regular auxilia.[ ] judging by the frequency of their appearance in the column's battle scenes, the foederati were important contributors to the roman operations in dacia. another example of foederati are the , captured sarmatian cavalrymen sent by emperor marcus aurelius (r. – ) to garrison a fort on hadrian's wall after their defeat in the marcomannic wars.[ ] recruitment, ranks and pay[edit] the evidence for auxiliary ranks and pay is scant: even less exists than the patchy evidence for their legionary counterparts. there seems to be some consensus, however, that the auxiliary was paid one third of what a legionary received: sesterces a year ( after the reign of the emperor commodus). both auxiliaries and seamen received the viaticum of sesterces, although the various sources differ as to whether auxiliaries and sailors received the retirement bonus[ ] known as the honesta missio, or honorable discharge.[ ][ ] the available data may be broken down and summarised as follows: auxilia ranks and pay (mid- st century)[ ] pay scale (as multiple of basic) cohors infantry rank (in ascending order) amount (denarii) xxx ala rank (in ascending order) amount (denarii) (caligati = "rankers") pedes (infantryman) gregalis (ala cavalryman) . (sesquiplicarii = "one-and-half-pay men") tesserarius (corporal) sesquiplicarius (corporal) (duplicarii = "double-pay men") signifer (centuria standard-bearer) optio (centurion's deputy) vexillarius (cohort standard-bearer) signifer (turma standard-bearer) curator? (decurion's deputy) vexillarius (ala standard-bearer) over centurio (centurion = centuria commander) centurio princeps (chief centurion) beneficiarius? (deputy cohort commander) + decurio (decurion = turma commander) decurio princeps (chief decurion) beneficiarius? (deputy ala commander) , + praefectus or tribunus (cohort commander) , praefectus or tribunus (ala commander) , rankers (caligati)[edit] tombstone of marius son of ructicnus. the inscription states that he was a miles (ranker) of the alpine infantry regiment cohors i montanorum, who died in his th year of service (i.e. in the final year of the minimum term for an auxiliary and just before qualifying for roman citizenship). his heir, who erected the stone, is named montanus, the same ethnic name as the regiment's, meaning a native of the eastern alps, most likely the origin of the deceased. note (top corners) the alpine edelweiss flowers, called stella alpina ("alpine star") in latin. these were either a regimental symbol, or a national symbol of the montani. the crescent moon-and-star motif between the flowers may be either a regimental emblem or a religious symbol. date: st century, probably ante . from carinthia, austria at the bottom end of the rank pyramid, rankers were known as caligati (lit: "sandal men" from the caligae or hob-nailed sandals worn by soldiers). depending on the type of regiment they belonged to, they held the official ranks of pedes (foot soldier in a cohors), eques (cavalryman in a cohors equitata) and gregalis (ala cavalryman).[ ] during the principate, recruitment into the legions was restricted to roman citizens only. this rule, which derived from the pre-social war republican army, was strictly enforced. the few exceptions recorded, such as during emergencies and for the illegitimate sons of legionaries, do not warrant the suggestion that the rule was routinely ignored.[ ] in the st century, the vast majority of auxiliary common soldiers were recruited from the roman peregrine (second-class citizens). in the julio-claudian era, conscription of peregrini seems to have been practiced alongside voluntary recruitment, probably in the form of a fixed proportion of men reaching military age in each tribe being drafted.[ ] from the flavian era onwards, the auxilia were an all-volunteer force.[ ] although recruits as young as are recorded, the majority of recruits ( %) were from the – age group.[ ] when it was first raised, an auxiliary regiment would have been recruited from the native tribe or people whose name it bore. in the early julio-claudian period, it seems that efforts were made to preserve the ethnic integrity of units, even when the regiment was posted in a faraway province. but in the later part of the period, recruitment in the region where the regiment was posted increased and became predominant from the flavian era onwards.[ ] the regiment would thus lose its original ethnic identity.[ ] the unit's name would thus become a mere curiosity devoid of meaning, although some of its members might inherit foreign names from their veteran ancestors. this view has to be qualified, however, as evidence from military diplomas and other inscriptions shows that some units continued to recruit in their original home areas e.g. batavi units stationed in britain, where some units had an international membership.[ ] it also appears that the danubian provinces (raetia, pannonia, moesia, dacia) remained key recruiting grounds for units stationed all over the empire.[ ][ ] it appears that roman citizens were also regularly recruited to the auxilia. most likely, the majority of citizen recruits to auxiliary regiments were the sons of auxiliary veterans who were enfranchised on their fathers' discharge.[ ] many such may have preferred to join their fathers' old regiments, which were a kind of extended family to them, rather than join a much larger, unfamiliar legion. there are also instances of legionaries transferring to the auxilia (to a higher rank).[ ] the incidence of citizens in the auxilia would thus have grown steadily over time until, after the grant of citizenship to all peregrini in , auxiliary regiments became predominantly, if not exclusively, citizen units. less clearcut is the question of whether the regular auxilia recruited barbari (barbarians, as the romans called people living outside the empire's borders). although there is little evidence of it before the rd century, the consensus is that auxilia recruited barbarians throughout their history.[ ][ ] in the rd century, a few auxilia units of clearly barbarian origin start to appear in the record e.g. ala i sarmatarum, cuneus frisiorum and numerus hnaufridi in britain.[ ][ ] there existed a hierarchy of pay between types of auxiliary, with cavalry higher paid than infantry. one recent estimate is that in the time of augustus, the annual pay structure was: eques alaris (gregalis) denarii, eques cohortalis , and cohors infantryman .[ ] the same differentials (of about % between grades) seem to have existed at the time of domitian (r. – ).[ ] however, goldsworthy points out that the common assumption that rates of pay were universal across provinces and units is unproven. pay may have varied according to the origin of the unit.[ ] the remuneration of an auxiliary pedes cohortalis may be compared to a legionary's as follows: remuneration of roman common foot soldiers (about ad )[ ] remuneration item legionary pedes: amount (denarii) (annualised) xxx auxiliary pedes amount (denarii) (annualised) stipendium (gross salary) less: food deduction less: equipment etc. deductions net disposable pay plus: donativa (bonuses) (average: denarii every years) none proven total disposable income praemia (discharge bonus: , denarii) none proven gross salary was subject to deductions for food, clothing, boots and hay (probably for the company mules). it is unclear whether the cost of armour and weapons was also deducted, or borne by the army. deductions left the soldier with a net salary of denarii. this sum was sufficient, on the basis of the food deduction, to amply feed an adult for a year. in  ad domitian increased basic legionary pay by % (from to denarii): a similar increase was presumably accorded to auxiliaries, boosting their net income to denarii, i.e. more than two food allowances.[ ] it was entirely disposable, as the soldier was exempt from the poll tax (capitatio), did not pay rent (he was housed in fort barracks) and his food, clothing and equipment were already deducted. it should be borne in mind that most recruits came from peasant families living at subsistence level. to such persons, any disposable income would appear attractive.[ ] it could be spent on leisure activities, sent to relatives or simply saved for retirement. there is no evidence that auxiliaries received the substantial cash bonuses (donativum) handed to legionaries on the accession of a new emperor and other occasions.[ ] although irregular, these payments (each worth denarii to a common legionary) averaged once every . years in the early st century and every three years later. duncan-jones has suggested that donativa may have been paid to auxiliaries also from the time of hadrian onwards, on the grounds that the total amount of donative to the military increased sharply at that time.[ ] a very valuable benefit paid to legionaries was the discharge bonus (praemia) paid on completion of the full years' service. at , denarii, this was equivalent to ten years' gross salary for a common legionary after the pay increase of  ad. it would enable him to purchase a substantial plot of land. again, there is no indication that auxiliaries were paid a discharge bonus. for auxiliaries, the discharge bonus was the grant of roman citizenship, which carried important tax exemptions. however, duncan-jones argues that the fact that service in the auxilia was competitive with the legions (deduced from the many roman citizens that joined the auxilia) that a discharge bonus may have been paid.[ ] junior officers (principales)[edit] below centurion/decurion rank, junior officers in the roman army were known as principales. an auxiliary cohort's ranks appear the same as in a legionary centuria. these were, in ascending order: tesserarius ("officer of the watch"), signifer (standard-bearer for the centuria), optio (centurion's deputy) and vexillarius (standard-bearer for the whole regiment, from vexillum). in the turmae of cohortes equitatae (and of alae?), the decurion's second-in-command was probably known as a curator, responsible for horses and caparison.[ ] as in the legions, the principales, together with some regimental specialists, were classified in two pay-scales: sesquiplicarii ("one-and-a-half-pay men") and duplicarii ("double-pay men").[ ] these ranks are probably most closely resembled by the modern ranks of corporal and sergeant respectively. besides combat effectives, regiments also contained specialists, the most senior of whom were sesquiplicarii or duplicarii, the rest common soldiers with the status of milities immunes ("exempt soldiers" i.e. exempt from normal duties). ranking specialists included the medicus (regimental doctor), veterinarius (veterinary doctor, in charge of the care of horses, pack animals and livestock), custos armorum (keeper of the armoury), and the cornicularius (clerk in charge of all the regiment's records and paperwork).[ ] senior officers[edit] tombstone of titus calidius severus, a roman cavalryman. the career summary in the inscription shows that severus joined the auxiliary regiment cohors i alpinorum, rising from eques (common cavalryman) through optio to decurion. he then switched to a legion (presumably after gaining roman citizenship after of his years of service) and became a centurion in legio xv apollinaris (it appears that legion cavalrymen used infantry ranks). he died at age , probably a few years after his discharge. note the portrayal of his chain-mail armour, centurion's transverse-crested helmet and his horse, led by his equerry, probably a slave. this soldier's long career shows that many auxiliaries served longer than the minimum years, and sometimes joined legions. erected by his brother, quintus. dates from ante , when xv apollinaris was transferred from carnuntum (austria) to the east the limited evidence on auxiliary centuriones and decuriones is that such officers could be directly commissioned as well as promoted from the ranks. many appear to have come from provincial aristocracies.[ ] those rising from the ranks could be promotions from the legions as well as from the regiment's own ranks. in the julio-claudian period auxiliary centuriones and decuriones were a roughly equal split between citizens and peregrini, though later citizens became predominant due to the spread of citizenship among military families.[ ] because centuriones and decuriones often rose from the ranks, they have often been compared to warrant officers such as sergeants-major in modern armies. however, centurions' social role was much wider than a modern warrant-officer. in addition to their military duties, centurions performed a wide range of administrative tasks, which was necessary in the absence of an adequate bureaucracy to support provincial governors. they were also relatively wealthy, due to their high salaries (see table above).[ ] however, most of the surviving evidence concerns legionary centurions and it is uncertain whether their auxiliary counterparts shared their high status and non-military role.[ ] there is little evidence about the pay-scales of auxiliary centuriones and decuriones, but these are also believed to have amounted to several times that of a miles.[ ] unlike a legatus legionis (who had an officer staff of tribuni militum and one praefectus castrorum), an auxiliary praefectus does not appear to have enjoyed the support of purely staff officers. the possible exception is an attested beneficiarius ("deputy"), who may have been the praefectus' second-in-command, if this title was a regular rank and not simply an ad hoc appointment for a specific task. also attached to the praefectus were the regiment's vexillarius (standard-bearer for the whole unit) and cornucen (horn-blower).[ ] commanders[edit] from a survey by devijver of persons whose origin can be determined, it appears that during the st century, the large majority ( %) of auxiliary prefects were of italian origin. the italian proportion dropped steadily, to % in the nd century, and % in the rd century.[ ] from the time of emperor claudius (r. – ) only roman knights were eligible to hold command of an auxiliary regiment. this status could be obtained either by birth (i.e. if the person was the son of a hereditary roman knight; or by attaining the property qualification ( , denarii, the equivalent of years' gross salary for an auxiliary alaris); or by military promotion: the latter were the chief centurions of legions (centurio primus pilus) who would normally be elevated to equestrian rank by the emperor after completing their single-year term as primuspilus.[ ] equestrians by birth would normally begin their military careers at c. years of age. an axillary had to do years of service before joining the army. commands were held in a set sequence, each held for – years: prefect of an auxiliary cohors, tribunus militum in a legion and finally prefect of an auxiliary ala. in hadrian's time, a fourth command was added, for exceptionally able officers, of prefect of an ala milliaria. like officers senatorial rank, hereditary equestrians held civilian posts before and after their decade of military service, whereas non-hereditary officers tended to remain in the army, commanding various units in various provinces. by the rd century, most auxiliary prefects had exclusively military careers.[ ][ ] the pay of a praefectus of an auxiliary regiment in the early nd century has been estimated at over times that of a miles (common soldier).[ ] (this compares to a full colonel in the british army, who is currently paid about five times a private's salary).[ ] the reason for the huge gap between the top and the bottom of the pyramid is that roman society was far more hierarchical than a modern one. a praefectus was not just a senior officer. he was also a roman citizen (which most of his men were not) and, as a member of the equestrian order, an aristocrat. the social gulf between the praefectus and a peregrinus soldier was thus immense, and the pay differential reflected that fact. names, titles and decorations[edit] regimental names[edit] the nomenclature of the great majority of regiments followed a standard configuration: unit type, followed by serial number, followed by name of the peregrini tribe (or nation) from whom the regiment was originally raised, in the genitive plural case e.g. cohors iii batavorum (" rd cohort of batavi"); cohors i brittonum (" st cohort of britons"). some regiments combine the names of two peregrini tribes, most likely after the merger of two previously separate regiments e.g. ala i pannoniorum et gallorum (" st wing of pannonii and gauls"). a minority of regiments are named after an individual, mostly after the first prefect of the regiment, e.g. ala sulpicia (presumably named after a prefect whose middle (gens) name was sulpicius). the latter is also an example of a regiment that did not have a serial number.[ ] titles[edit] regiments were often rewarded for meritorious service by the grant of an honorific title. the most sought-after was the prestigious c.r. (civium romanorum = "of roman citizens") title. in the latter case, all the regiment's members at the time, but not their successors, would be granted roman citizenship. but the regiment would retain the c.r. title in perpetuity. another common title was the gens name of the emperor making the award (or founding the regiment) e.g. ulpia: the gens name of trajan (marcus ulpius traianus r. – ). other titles were similar to those given to the legions e.g. pia fidelis (p.f. = "dutiful and loyal").[ ] decorations[edit] the roman army awarded a variety of individual decorations (dona) for valour to its legionaries. hasta pura was a miniature spear; phalerae were large medal-like bronze or silver discs worn on the cuirass; armillae were bracelets worn on the wrist; and torques were worn round the neck, or on the cuirass. the highest awards were the coronae ("crowns"), of which the most prestigious was the corona civica, a crown made of oak-leaves awarded for saving the life of a roman citizen in battle. the most valuable award was the corona muralis, a crown made of gold awarded to the first man to scale an enemy rampart. this was awarded rarely, as such a man hardly ever survived.[ ] there is no evidence that auxiliary common soldiers received individual decorations, although auxiliary officers did. instead, the whole regiment was honoured by a title reflecting the type of award e.g. torquata (awarded a torque) or armillata (awarded bracelets). some regiments would, in the course of time, accumulate a long list of titles and decorations e.g. cohors i brittonum ulpia torquata pia fidelis c.r..[ ] deployment in the nd century[edit] imperial auxilia: summary of known deployments c.  ad[ ] province approx. modern equivalent alae (no. mill.) cohortes (no. mill.) total aux. units auxiliary infantry auxiliary cavalry* total auxilia britannia england/wales ( ) ( ) , , , rhine frontier germania inferior s neth/nw rhineland , , , germania superior pfalz/alsace ( ) , , , danube frontier raetia/noricum s ger/switz/austria ( ) ( ) , , , pannonia (inf + sup) w hungary/slovenia/croatia ( ) ( ) , , , moesia superior serbia , , , moesia inferior n bulgaria/coastal rom , , , dacia (inf/sup/poroliss) romania ( ) ( ) , , , eastern frontier cappadocia central/east turkey ( ) , , , syria (inc judaea/arabia) syria/leb/palest/jordan/israel ( ) ( ) , , , north africa aegyptus egypt , , , mauretania (inc africa) tunisia/algeria/morocco ( ) ( ) , , , internal provinces , , , total empire ( ) ( ) , , , roman empire during hadrian's reign (ad ) notes: ( ) table excludes about , officers (centurions and above). ( ) auxiliary cavalry nos. assumes % of cohortes were equitatae analysis the table shows the importance of auxiliary troops in the nd century, when they outnumbered legionaries by . to . the table shows that legions did not have a standard complement of auxiliary regiments[ ] and that there was no fixed ratio of auxiliary regiments to legions in each province. the ratio varied from six regiments per legion in cappadocia to per legion in mauretania. overall, cavalry represented about % (including the small contingents of legionary cavalry) of the total army effectives. but there were variations: in mauretania the cavalry proportion was %. the figures show the massive deployments in britannia and dacia. together, these two provinces account for % of the total auxilia corps. see also[edit] ancient rome portal war portal imperial roman army list of roman auxiliary regiments roman auxiliaries in britain structural history of the roman military citations[edit] ^ campbell, duncan b. ( ). roman auxiliary forts bc-ad . oxford: osprey publishing. isbn  - - - - ^ goldsworthy ( ) ^ goldsworthy ( ) ^ goldsworthy ( ) ^ a b c d holder ( ) ^ a b hassall ( ) ^ goldsworthy ( ) – ^ goldsworthy ( ) – ^ a b c goldsworthy ( ) ^ goldsworthy ( ) ^ keppie ( ) ^ keppie ( ) ^ livy ab urbe condita xxii. ^ g.l. cheesman, the auxilia of the roman imperial army (oxford, ), – . ^ keppie ( ) ^ keppie ( ) ^ a b c d e goldsworthy ( ) ^ holder ( ) ^ goldsworthy ( ) ^ goldsworthy ( ) ^ holder ( ) ^ keppie ( ) ^ holder ( ) – ^ tacitus annales iv. ^ goldsworthy ( ) ^ a b c d keppie ( ) ^ goldsworthy ( ) ^ holder ( ) ^ dio lv. . ^ dio lv. . ^ dio lv. . ^ dio lv. . ^ dio lv. . ^ dio lv. . ^ a b suetonius iii. ^ goldsworthy ( ) ^ dio lv. . ^ dio lv. . ^ suetonius iii. ^ goldsworthy ( ) – ^ a b c d e keppie ( ) ^ http://www.romanlegions.info archived - - at the wayback machine military diplomas online introduction ^ keppie ( ) ^ a b tacitus historiae iv. ^ tacitus historiae iv. ^ birley ( ) ^ scheidel ( ) ^ tacitus germania . and historiae ii. ^ dio cassius lxix. . ^ tacitus historiae iv. ^ tacitus annales iv. ^ tacitus historiae iv. ^ tacitus historiae ii. ^ tacitus historiae i. , ii. ^ tacitus historiae iv. ^ tacitus historiae iv. ^ tacitus historiae iv. ^ tacitus historiae iv. , ^ tacitus historiae iv. – ^ tacitus historiae iv. ^ tacitus historiae iv. ^ tacitus historiae iv. , ^ tacitus historiae iv. , , ^ tacitus historiae ^ tacitus historiae iv. ^ tacitus historiae v ^ tacitus historiae v. ^ birley ( ) ^ tacitus agricola – ^ notitia dignitatum titles iv and v ^ mattingly ( ) ^ roxan ( ); holder ( ) ^ keppie ( ) ^ a b mattingly ( ) – ^ a b hassall ( ) – ^ goldsworthy ( ) ^ spaul ( ) ^ a b holder ( ), p.  ^ goldsworthy ( ) (map): legiones ii and iii italica under marcus aurelius (r. – ) and i, ii and iii parthica under septimius severus (r. – ) ^ legions of , men each ^ legions of , each (double-strength st cohorts introduced under domitian (r. – ) ^ goldsworthy ( ) (map): legions of , each ^ tacitus annales iv. ^ holder ( ) ^ j. c. spaul ala ( ) – and cohors ( ) – identify alae and – cohortes raised in the late nd/early rd centuries ^ goldsworthy ( ) : cohorts of men each plus german bodyguards ^ a b rankov ( ) ^ implied by tacitus annales ^ hassall ( ) estimates , ^ macmullen how big was the roman army? in klio ( ) estimates , ^ assuming % drop in nos. due to war/disease ^ john lydus de mensibus i. ^ holder ( ) ; roxan ( ) ^ campbell ( ) ^ the roman law library constitutio antoniniana de civitate ^ a b goldsworthy ( ) ^ a b elton ( ) – ^ goldsworthy ( ) ^ d. ch. stathakopoulos famine and pestilence in the late roman and early byzantine empire ( ) ^ zosimus new history , , ^ macmullen ( ) ^ lee ( ) ^ http://www.roman-britain.org archived - - at the wayback machine list of alae ^ dio lxxi ^ jones ( ) ^ goldsworthy ( ) ^ jones ( ) ^ notitia dignitatum passim ^ goldsworthy ( ) ^ vegetius iii. ^ a b c birley ( ) ^ arrian ars tactica . ^ hassall ( ) ^ goldsworthy ( ) ^ goldsworthy ( ), pp.  – ^ goldsworthy ( ), p.  ^ fields, nic ( - - ). boudicca's rebellion ad – . p.  . isbn  - - - - . ^ goldsworthy ( ), p.  ^ cheesman ( ) ^ davies ( ), pp.  – ^ goldsworthy ( ), p.  ^ holder ( ), pp.  , ^ livy xxxv. ^ rossi ( ), p.  ^ sidnell ( ), p.  ^ cah xii ^ holder ( ), p.  ^ a b c goldsworthy ( ), p.  ^ holder ( ) ^ a b rossi ( ), p.  ^ mattingly, , ^ holder, the roman army in britain batsford, . ^ dando-collins, the legions of rome, pp , quercus ( ). ^ grant ( ), p.  ^ rossi ( ), p.  . ^ dio cassius lxxi. ^ starr, imperial roman navy, bc-ad westport, . ^ gardiner , p.  ^ morris, londinium, pp , book club associates, ^ based on data in goldsworthy ( ) – ; holder ( ) – ; elton ( ) ^ davies ( ) ^ goldsworthy ( ) , ^ a b holder ( ) ^ goldsworthy ( ) ^ holder ( ) ^ military diplomas online introduction ^ rmd vol v appendix e.g. rmd , ^ mattingly ( ) ^ a b holder ( ) – ^ heather ( ) ^ mattingly ( ) ^ http://www.roman-britain.org archived - - at the wayback machine list of auxiliary units in britain ^ a b goldsworthy ( ) ^ hassall ( ) ^ goldsworthy ( ) ^ based on figs in goldsworthy ( ) ; duncan-jones ( ) – ^ duncan-jones ( ) ^ jones ( ) ^ a b goldsworthy ( ) ^ duncan-jones ( ) ^ duncan-jones ( ) ^ a b birley ( ) ^ birley ( ) – ; vindolanda tablets online introduction: personnel ^ a b goldsworthy ( ) ^ a b goldsworthy ( ) ^ dewijver ( ) ^ a b goldsworthy ( ) – ^ goldsworthy ( ) ^ "armed forces - defence suppliers directory - defence and security consultancy - military books - armed forces of europe - royal navy - british army - royal air force - raf - defence news - defence projects". www.armedforces.co.uk. archived from the original on april . retrieved may . ^ holder ( ) chapter ^ a b goldsworthy ( ) ^ auxiliary unit figures from holder ( ) ^ goldsworthy ( ) references[edit] ancient[edit] arrian acies contra alanos (early nd century) dio cassius roman history (mid- rd century) suetonius de vita caesarum (early nd century) tacitus agricola (end of st century) tacitus annales (end of st century) tacitus historiae (end of st century) vegetius de re militari (late th century) modern[edit] birley, anthony ( ). band of brothers: garrison life at vindolanda. burton, g. ( ). the roman world (j. wacher ed.). campbell, brian ( ). "the army" in cambridge ancient history nd ed vol xii (the crisis of empire – ). davies, r.w. ( ). service in the roman army. devijver, hubert ( ). the equestrian officers of the roman imperial army. duncan-jones, richard ( ). structure and scale in the roman economy. duncan-jones, richard ( ). money and government in the roman empire. elton, hugh ( ). frontiers of the roman empire. goldsworthy, adrian ( ). roman warfare. goldsworthy, adrian ( ). complete roman army. grant, michael ( ). the roman emperors. hassall, mark ( ). "the army" in cambridge ancient history nd ed vol xi (the high empire – ). holder, paul ( ). studies in the auxilia of the roman army. holder, paul ( ). the roman army in britain. holder, paul ( ). auxiliary deployment in the reign of hadrian. holder, paul ( ). roman military diplomas v. keppie, lawrence ( ). "the army and the navy" in cambridge ancient history nd ed vol x (the augustan empire bc – ad). luttwak, edward ( ). grand strategy of the roman empire. mattingly, david ( ). an imperial possession: britain in the roman empire. jones, a.h.m. ( ). the later roman empire. rossi, l. ( ). trajan's column and the dacian wars. ithaca, n.y., cornell university press. roxan, margaret ( ). roman military diplomas iv. spaul, john ( ). cohors . external links[edit] roman military diplomas online batavian auxiliaries re-enactors list of auxiliary units in britain vindolanda tablets online v t e ancient rome topics outline timeline history foundation kingdom overthrow republic empire history pax romana principate dominate western empire fall historiography of the fall byzantine empire decline fall constitution history kingdom republic empire late empire senate legislative assemblies curiate centuriate tribal plebeian executive magistrates spqr law twelve tables mos maiorum citizenship auctoritas imperium status litigation government curia forum cursus honorum collegiality emperor legatus dux officium prefect vicarius vigintisexviri lictor magister militum imperator princeps senatus pontifex maximus augustus caesar tetrarch optimates populares province magistrates ordinary consul censor praetor tribune tribune of the plebs military tribune quaestor aedile promagistrate governor extraordinary rex interrex dictator magister equitum decemviri consular tribune triumvir military history borders establishment structure campaigns political control strategy engineering frontiers and fortifications castra technology army legion infantry tactics personal equipment siege engines navy auxiliaries decorations and punishments hippika gymnasia economy agriculture deforestation commerce finance currency republican currency imperial currency culture architecture art bathing calendar clothing cosmetics cuisine hairstyles education literature music mythology religion deities romanization roman people sexuality theatre wine society patricians plebs conflict of the orders secessio plebis equites gens tribes assembly naming conventions demography women marriage adoption slavery bagaudae technology amphitheatres aqueducts bridges circuses civil engineering concrete domes metallurgy numerals roads temples theatres sanitation thermae latin history alphabet versions old classical vulgar late medieval renaissance new contemporary ecclesiastical romance languages writers latin aelius donatus ammianus marcellinus appuleius asconius pedianus augustine aurelius victor ausonius boëthius caesar catullus cassiodorus censorinus cicero claudian columella cornelius nepos ennius eutropius fabius pictor sextus pompeius festus rufus festus florus frontinus fronto fulgentius gellius horace hydatius hyginus jerome jordanes julius paulus justin juvenal lactantius livy lucan lucretius macrobius marcellus empiricus marcus aurelius manilius martial nicolaus damascenus nonius marcellus obsequens orosius ovid petronius phaedrus plautus pliny the elder pliny the younger pomponius mela priscian propertius quadrigarius quintilian quintus curtius rufus sallust seneca the elder seneca the younger servius sidonius apollinaris silius italicus statius suetonius symmachus tacitus terence tertullian tibullus valerius antias valerius maximus varro velleius paterculus verrius flaccus vergil vitruvius greek aelian aëtius of amida appian arrian cassius dio diodorus siculus diogenes laërtius dionysius of halicarnassus dioscorides eusebius of caesaria galen herodian josephus julian libanius lucian pausanias philostratus phlegon of tralles photius plutarch polyaenus polybius porphyrius priscus procopius simplicius of cilicia sozomen stephanus byzantinus strabo themistius theodoret zonaras zosimus major cities alexandria antioch aquileia berytus bononia carthage constantinopolis eboracum leptis magna londinium lugdunum lutetia mediolanum pompeii ravenna roma smyrna vindobona volubilis lists and other topics cities and towns climate consuls dictators distinguished women dynasties emperors generals gentes geographers institutions laws legacy legions magistri equitum nomina pontifices maximi praetors quaestors tribunes roman–iranian relations wars and battles civil wars and revolts fiction films authority control gnd: - 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wikipedia aulus gellius from wikipedia, the free encyclopedia jump to navigation jump to search latin author and grammarian aulus gellius frontispiece to a latin edition of the attic nights [fr] by jakob gronovius born c. a.d. died c. a.d. aulus gellius (c.  – after ad) was a roman author and grammarian, who was probably born and certainly brought up in rome. he was educated in athens, after which he returned to rome. he is famous for his attic nights, a commonplace book, or compilation of notes on grammar, philosophy, history, antiquarianism, and other subjects, preserving fragments of the works of many authors who might otherwise be unknown today. contents name life writings editions see also notes references further reading . translations . studies external links name[edit] medieval manuscripts of the noctes atticae commonly gave the author's name in the form of "agellius", which is used by priscian; lactantius, servius and saint augustine had "a. gellius" instead. scholars from the renaissance onwards hotly debated which one of the two transmitted names is correct (the other one being presumably a corruption) before settling on the latter of the two in modern times.[ ] life[edit] the only source for the life of aulus gellius is the details recorded in his writings.[ ] internal evidence points to gellius having been born between ad and .[ ] he was of good family and connections, possibly of african origin,[ ] but he was probably born and certainly brought up in rome. he attended the pythian games in the year ,[ ] and resided for a considerable period in athens.[ ] gellius studied rhetoric under titus castricius and sulpicius apollinaris; philosophy under calvisius taurus and peregrinus proteus; and enjoyed also the friendship and instruction of favorinus, herodes atticus, and fronto.[ ] he returned to rome, where he held a judicial office.[ ] he was appointed by the praetor to act as an umpire in civil causes, and much of the time which he would gladly have devoted to literary pursuits was consequently occupied by judicial duties.[ ] writings[edit] his only known work, the attic nights (latin: noctes atticae), takes its name from having been begun during the long nights of a winter which he spent in attica. he afterwards continued it in rome. it is compiled out of an adversaria, or commonplace book, in which he had jotted down everything of unusual interest that he heard in conversation or read in books, and it comprises notes on grammar, geometry, philosophy, history and many other subjects.[ ] one story is the fable of androcles, which is often included in compilations of aesop's fables, but was not originally from that source. internal evidence led leofranc holford-strevens to date its publication in or after ad .[ ] the work, deliberately devoid of sequence or arrangement, is divided into twenty books. all have survived except the eighth, of which only the index survives. the attic nights are valuable for the insight they afford into the nature of the society and pursuits of those times, and for its many excerpts from works of lost ancient authors.[ ] the attic nights found many readers in antiquity. writers who used this compilation include apuleius, lactantius, nonius marcellus, ammianus marcellinus, the anonymous author of the historia augusta, servius, and augustine; but most notable is how gellius' work was mined by macrobius, "who, without mentioning his name, quotes gellius verbatim throughout the saturnalia, and is thus of the highest value for the text".[ ] editions[edit] the editio princeps was published at rome in by giovanni andrea bussi, bishop-designate of aleria.[ ] the earliest critical edition was by ludovicus carrio in , published by henricus stephanus; however, the projected commentary fell victim to personal quarrels. better known is the critical edition of johann friedrich gronovius ; although he devoted his entire life to work on gellius, he died in before his work could be completed. his son jakob published most of his comments on gellius in , and brought out a revised text with all of his father's comments and other materials at leyden in ; this later work became known as the "gronoviana". according to leofranc holford-strevens, the "gronoviana" remained the standard text of gellius for over a hundred years, until the edition of martin hertz (berlin, – ; there is also a smaller edition by the same author, berlin, ), revised by c. hosius, , with bibliography. a volume of selections, with notes and vocabulary, was published by nall (london, ). there is an english translation by w. beloe (london, ), and a french translation ( ).[ ][ ] a more recent english translation is by john carew rolfe ( ) for the loeb classical library. more recently, peter k. marshall's edition (oxford u. press, , (reissued with corrections) seems widespread both in print and digital (open access) formats.[ ] see also[edit] ex pede herculem gellia gens notes[edit] ^ rené marache ( ). "introduction". aulu-gelle, les nuits attiques. livres i–iv. paris: les belles lettres. p. vii. ^ a b c d ramsay, william ( ), "a. gellius", in smith, william (ed.), dictionary of greek and roman biography and mythology, , boston, p.  ^ a b c leofranc holford-strevens, "towards a chronology of aulus gellius", latomus, ( ), pp. - ^ leofranc holford-strevens ( ), aulus gellius: an antonine scholar and his achievement, pages – ^ a b c d  one or more of the preceding sentences incorporates text from a publication now in the public domain: chisholm, hugh, ed. ( ). "gellius, aulus". encyclopædia britannica. ( th ed.). cambridge university press. p.  . ^ p. k. marshall, "aulus gellius" in texts and transmission: a survey of the latin classics (oxford: clarendon press, ), p. ^ unless otherwise indicated, this section is based on leofranc holford-strevens, aulus gellius (chapel hill: university of north carolina, ), pp. - ^ gilman, d. c.; peck, h. t.; colby, f. m., eds. ( ). "gellius, aulus" . new international encyclopedia ( st ed.). new york: dodd, mead. ^ marshall, peter k. ( ). a. gellii noctes atticae. oxford: oxford university press. isbn  - - - . references[edit]  this article incorporates text from a publication now in the public domain: wm ramsay ( ). "a.gellius". in smith, william (ed.). dictionary of greek and roman biography and mythology. . p.  . further reading[edit] translations[edit] george herbert nall, ed. ( ). stories from aulus gellius. elementary classics. london: macmillan. john carew rolfe ( ), the attic nights of aulus gellius. loeb classical library. volumes. isbn  , isbn  , isbn  studies[edit] anderson, graham. ( ). "aulus gellius: a miscellanist and his world," in aufstieg und niedergang der römischen welt, vol. ii. . . berlin and new york: walter de gruyter. beall, s. ( ). "translation in aulus gellius." the classical quarterly, ( ), – . ceaicovschi, k. ( ). "cato the elder in aulus gellius." illinois classical studies, ( - ), – . lakmann, marie-luise. ( ). der platoniker tauros in der darstellung des aulus gellius. leiden, the netherlands, and new york: brill. garcea, alessandro. ( ). "paradoxes in aulus gellius." argumentation : – . gunderson, eric. ( ). nox philologiae: aulus gellius and the fantasy of the roman library. madison: univ. of wisconsin press. holford-strevens, leofranc. ( ). aulus gellius: an antonine scholar and his achievement. oxford: oxford univ. press. holford-strevens, leofranc. ( ). "fact and fiction in aulus gellius." liverpool classical monthly : – . holford-strevens, leofranc, and amiel vardi, eds. ( ). the worlds of aulus gellius. oxford: oxford univ. press. howley, joseph a. ( ). "why read the jurists ?: aulus gellius on reading across disciplines." in new frontiers: law and society in the roman world. edited by paul j. du plessis. edinburgh: edinburgh university press. howley, joseph a. ( ). aulus gellius and roman reading culture. text, presence, and imperial knowledge in the noctes atticae. cambridge: cambridge university press. johnson, william a. ( ). "aulus gellius: the life of the litteratus" in readers and reading culture in the high roman empire: a study of elite communities. classical culture and society. oxford; new york: oxford university press. ker, james ( ). "nocturnal writers in imperial rome: the culture of lucubratio." classical philology, ( ), – . keulen, wytse. ( ). "gellius the satirist: roman cultural authority in attic nights." mnemosyne supplements . leiden, the netherlands, and boston: brill. mcginn, thomas a.j. ( ). "communication and the capability problem in roman law: aulus gellius as iudex and the jurists on child-custody." rida , – . russell, brigette. ( ). "wine, women, and the polis: gender and the formation of the city-state in archaic rome." greece & rome, ( ), - external links[edit] wikiquote has quotations related to: aulus gellius latin wikisource has original text related to this article: works by aulus gellius wikimedia commons has media related to aulus gellius. library resources about aulus gellius online books resources in your library resources in other libraries by aulus gellius online books resources in your library resources in other libraries works by aulus gellius at perseus digital library works by aulus gellius at project gutenberg works by or about aulus gellius at internet archive the attic nights of aulus gellius, translation, vol. i, vol. ii, vol. iii. attic nights (latin text: complete; english translation: preface thru book  ) attic nights (latin text: books – , , ) noctes atticae at somni authority control bibsys: bne: xx bnf: cb k (data) cantic: a cinii: da gnd: iccu: it\iccu\cfiv\ isni: lccn: n lnb: ndl: nkc: jn nla: nlg: nlp: a nsk: nta: rero: -a selibr: snac: w h qb sudoc: trove: vcba: / viaf: worldcat identities: viaf- retrieved from "https://en.wikipedia.org/w/index.php?title=aulus_gellius&oldid= " categories: births nd-century deaths nd-century romans nd-century writers ancient roman antiquarians gellii grammarians of latin latin-language writers middle platonists roman-era students in athens silver age latin writers writers from rome hidden categories: wikipedia articles incorporating a citation from the encyclopaedia britannica with wikisource reference wikipedia articles incorporating text from the encyclopædia britannica wikipedia articles incorporating a citation from the new international encyclopedia articles with short description short description matches wikidata articles containing latin-language text wikipedia articles incorporating a citation from the dgrbm wikipedia articles incorporating a citation from the dgrbm without a wikisource reference wikipedia articles incorporating text from the dgrbm commons category link is on wikidata articles with project gutenberg links articles with internet archive links wikipedia articles with bibsys identifiers wikipedia articles with bne identifiers wikipedia articles with bnf identifiers wikipedia articles with cantic identifiers wikipedia articles with cinii identifiers wikipedia articles with gnd identifiers wikipedia articles with iccu identifiers wikipedia articles with isni identifiers wikipedia articles with lccn identifiers wikipedia articles with lnb identifiers wikipedia articles with ndl identifiers wikipedia articles with nkc identifiers wikipedia articles with nla identifiers wikipedia articles with nlg identifiers wikipedia articles with nlp identifiers wikipedia articles with nsk identifiers wikipedia articles with nta identifiers wikipedia articles with rero identifiers wikipedia articles with selibr identifiers wikipedia articles with snac-id identifiers wikipedia articles with sudoc identifiers wikipedia articles with trove identifiers wikipedia articles with vcba identifiers wikipedia articles with viaf identifiers wikipedia articles with worldcatid identifiers navigation menu personal tools not logged in talk contributions create account log in namespaces article talk variants views read edit view history more search navigation main page contents current events random article about wikipedia contact us donate contribute help learn to edit community portal recent changes upload file tools what links here related changes upload file special pages permanent link page information cite this page wikidata item print/export download as pdf printable version in other projects wikimedia commons wikiquote wikisource languages asturianu Беларуская Български brezhoneg català Čeština dansk deutsch Ελληνικά español esperanto فارسی français 한국어 Հայերեն Íslenska italiano עברית latina latviešu magyar nederlands 日本語 norsk bokmål polski português română Русский slovenčina srpskohrvatski / српскохрватски suomi svenska Українська 中文 edit links this page was last edited on december , at :  (utc). text is available under the creative commons attribution-sharealike license; 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(song) . . . .cuz + (tv channel) + international a (radio program) & ionos cak daylater e st carabinier regiment er bataillon de fusiliers marins commandos lib ref life healthcare (previous page) (next page) retrieved from "https://en.wikipedia.org/w/index.php?title=category:short_description_matches_wikidata&oldid= " categories: wikiproject short descriptions hidden categories: hidden categories template large category toc via catautotoc on category with over , pages catautotoc generates large category toc articles with short description wikipedia categories tracking data same as wikidata navigation menu personal tools not logged in talk contributions create account log in namespaces category talk variants views read edit view history more search navigation main page contents current events random article about wikipedia contact us donate contribute help learn to edit community portal recent changes upload file tools what links here related changes upload file special pages permanent link page information wikidata item print/export download as pdf printable version languages bahasa indonesia bahasa melayu edit links this page was last edited on november , at :  (utc). text is available under the creative commons attribution-sharealike license; additional terms may apply. by using this site, you agree to the terms of use and privacy policy. wikipedia® is a registered trademark of the wikimedia foundation, inc., a non-profit organization. privacy policy about wikipedia disclaimers contact wikipedia mobile view developers statistics cookie statement berytus - wikipedia berytus from wikipedia, the free encyclopedia jump to navigation jump to search "berytos" redirects here. for the defunct airline, see berytos airlines. for the women's association football club, see Óberytus. berytus biruta  (phoenician) Βηρυτός  (ancient greek) bērȳtus  (latin) roman ruins of berytus, in front of saint george greek orthodox cathedral in modern-day beirut shown within lebanon alternative name laodicea in phoenicia (ancient greek: Λαοδίκεια ἡ ἐν Φοινίκῃ) or laodicea in canaan ( nd century to bce) location beirut, lebanon coordinates ° ′ . ″n ° ′ . ″e /  . °n . °e / . ; . coordinates: ° ′ . ″n ° ′ . ″e /  . °n . °e / . ; . type settlement history founded (merchants from berytus recorded by – bce) periods hellenistic, roman and early byzantine/late antiquity; previous port dating back to iron age iii and persian periods cultures phoenician, greek, roman berytus (/ˈbɛrɪtəs, bəˈraɪtəs/;[ ] phoenician: biruta; ancient greek: Βηρυτός, romanized: bērytós; latin: bērȳtus), briefly known as laodicea in phoenicia (ancient greek: Λαοδίκεια ἡ ἐν Φοινίκῃ) or laodicea in canaan from the nd century to bce, was the ancient city of beirut (in modern-day lebanon) from the hellenistic period through the roman and early byzantine period/late antiquity. the city had been rebuilt by the seleucids in the nd century bce over the ruins of an older settlement centred on a phoenician port dating back to iron age iii and persian periods. berytus became a roman colonia that would be the center of roman presence in the eastern mediterranean shores south of anatolia.[ ] the veterans of two roman legions under augustus were established in the city (the fifth macedonian and the third gallic), that afterward quickly became romanized and was the only fully latin-speaking city in the syria-phoenicia region until the fourth century. although berytus was an important city, tyre was made the capital of the roman province of phoenicia. "of the great law schools of rome, constantinople, and berytus", the law school of berytus stood "pre-eminent".[ ] the code of justinian (one part of the corpus juris civilis, the codification of roman law ordered early in the th century ad by justinian i and fully written in latin) was mostly created in this school. contents history . early history . roman colonia . . the law school of berytus . early byzantine rule recent discoveries notable people see also notes bibliography history[edit] early history[edit] in bc the phoenician village called "biruta" was destroyed by diodotus tryphon in his contest with antiochus vii sidetes for the throne of the macedonian seleucid monarchy. later it was rebuilt on a more conventional hellenistic plan—the exact date is unclear but prosperous berytian merchants were recorded in delos by – bce[ ]—under the name of laodicea in phoenicia (greek: Λαοδίκεια ἡ ἐν Φοινίκῃ) or laodicea in canaan in honor of a seleucid laodice. the city was conquered by the romans of pompey in bc and renamed "berytus", as a reference to the name of the old original phoenician port-village. the city was assimilated into the roman empire, veteran soldiers were sent there, and large building projects were undertaken.[ ][ ][ ] roman colonia[edit] roman columns of basilica near the forum of berytus in bc, during the reign of herod the great, berytus became an important roman colonia. the city was named colonia iulia augusta felix berytus in honor of julia, the only daughter of augustus (according to theodore mommsen, "res gestae divi augusti", ii, ). furthermore, the veterans of two roman legions were established in the city of berytus by emperor augustus: the fifth macedonian and the third gallic.[ ] consequently, the city quickly became fully romanized. large public buildings and monuments were erected and berytus enjoyed full status as a part of the empire.[ ] ...(berytus) was made a roman colony about b.c. herod the great, agrippa i and ii, and queen berenice built exedras, porticos, temples, a forum, a theater, amphitheater, and baths here. in the d c. a.d. the city became the seat of a famous school of law and continued to flourish until the earthquake of a.d. ravaged the city....its streets, laid out on a grid plan, are spaced at roughly the same intervals as those of damascus and laodicea. the new roman city spread farther s and w (of the port), with its forum near the (actual) place de l'etoile. on its n side was a civic basilica m long with a corinthian portico of polychrome materials..., dating from the st c. a.d. some large baths have been uncovered on the e slope of the (actual) colline du sérail, and the hippodrome lay on the nw side of the same hill. some villas in a s suburb facing the sea had mosaic floors (now in the beirut museum).some km upstream on the beirut river are the ruined arches of an aqueduct.[ ] berytus was considered the most roman city in the eastern provinces of the roman empire.[ ] it was one of four roman colonies in the syria-phoenicia region and the only one with full ius italicum (meaning: exemption from imperial taxation). its territory under claudius reached the bekaa valley and included heliopolis: it was the only area mostly latin-speaking in the syria-phoenicia region, because settled by roman colonists who even promoted agriculture in the fertile lands around actual yammoune. from the st century bc the bekaa valley served as a source of grain for the roman provinces of the levant and even for the same rome (today the valley makes up to percent of lebanon's arable land):roman colonists created there even a "country district" called pagus augustus.[ ] agrippa greatly favoured the city of berytus, and adorned it with a splendid theatre and amphitheatre, beside baths and porticoes, inaugurating them with games and spectacles of every kind, including shows of gladiators. but now only minor ruins remains, in front of the catholic cathedral of beirut. indeed, four large bath complexes as well as numerous private baths increased the city's water consumption: the romans constructed an aqueduct fed by the beirut river whose main source was located  km from the city. the aqueduct crossed the river at qanater zbaydeh and the water finally reached the place of actual riad al solh square; there, at the foot of the serail hill, it was stored in large cisterns. an intricate network of lead or clay pipes and channels distributed the water to the various pools of the roman baths. roman berytus was a city of nearly , inhabitants during trajan times and had a huge forum and necropolis[ ] the hippodrome of roman berytus was the largest known in the levant,[ ] while literary sources indicate there was even a theater.[ ] scholars like linda hall pinpoint that the hippodrome was still working in the fifth century.[ ] roman coin minted in berytus[ ] berytus had a monumental "roman gate" with huge walls (recently discovered[ ]) and was a trade center of silk and wine production, well connected by efficient roman roads to heliopolis and caesarea. according to kevin butcher,[ ] the latin character of berytus remained dominant until the fifth century: the city was a center for the study of latin literature and -after septimius severus- of roman law. under nero the son of a roman colonist, marcus valerius probus (born in berytus around ad), was known in all the empire as a latin grammarian and literature master philologist. roman emperors promoted the development of high-level culture in the fully romanized city (even in greek language as with hermippus of berytus). the law school of berytus[edit] the berytian law school was widely known in the roman empire;:[ ] it was famous the latin motto berytus nutrix legum ("beirut, mother of laws"). indeed, two of rome's most famous jurists, papinian and ulpian, both natives of phoenicia, taught there under the severan emperors. when justinian assembled his pandects in the sixth century, a large part of the "corpus of laws" -all in latin- was derived from these two jurists, and in ad justinian recognized the school as one of the three official law schools of the empire. the flag of beirut features an open book with the motto "berytus nutrix legum" (beirut, mother of laws) on one side and its arabic translation "بيروت أم الشرائع" on the other. the law school of beirut supplied the roman empire, especially its eastern provinces, with lawyers and magistrates for three centuries until the school's destruction in a powerful earthquake. after the beirut earthquake[ ] the students were transferred to sidon.[ ] since the third century, the city had an important law college. it was here that the great codification of roman law, which was to be propagated by emperors like theodosius ii and justinian, was prepared.[ ] early byzantine rule[edit] under the eastern roman empire, some intellectual and economic activities in berytus continued to flourish for more than a century, even if the latin language started to be replaced by the greek language and become hellenised again. however, in the sixth century a series of earthquakes demolished most of the temples of heliopolis (actual baalbek) and destroyed the city of berytus, leveling its famous law school and killing nearly , inhabitants. furthermore, the ecumenical christian councils of the fifth and sixth centuries ad were unsuccessful in settling religious disagreements within the surviving community. berytus became a "christian see" at an early date, and was a suffragan of tyre in "phoenicia prima", a province of the "patriarchate of antioch". in antiquity its most famous bishop was eusebius, afterwards bishop of nicomedia, the courtier-prelate and strong supporter of arianism in the fourth century....in ad berytus obtained from theodosius ii the title of metropolis, with jurisdiction over six sees taken from tyre; but in ad the "council of chalcedon" restored these to tyre, leaving, however, to berytus its rank of metropolis (mansi, vii, – ). thus, from ad berytus was an exempt metropolis depending directly on the patriarch of antioch.[ ] this turbulent byzantine period weakened the alredy hellenised (and fully christian) population and made it easy prey to the newly converted muslim arabs of the arabian peninsula.[ ][ ] eastern roman berytus -reduced to the size of a village- fell to the arabs in ad.[ ] roman ruins in the "roman baths garden" general view of the "roman baths garden" recent discoveries[edit] recently at the garden of forgiveness the two main streets of roman berytus, the cardo and decumanus maximus, were discovered in the beirut central district. their shaded colonnades became busy markets on festival days. at other times, these streets would have been frequented by law school students and citizens passing to the forum or visiting temples and churches. in were discovered the "roman baths" gardens, that is a landscaped public space that lies on the eastern slope of the serail hill. it consists of a garden and a set of uncovered ruins of the ancient roman baths of berytus (hence the name of the place). these ruins underwent a thorough cleaning and further excavation in – . designed by the british landscaping firm gillepsies, the garden's layout is dominated with low-slung glass walls and lookout platforms that can be turned into concert venues, thus giving a st-century touch without harming the area's historical fabric.[ ] at the turn of the th century was identified the area were existed the famous school of roman law at berytus. archaeological excavations in the area between the saint george greek orthodox cathedral and saint george cathedral of the maronites unearthed a funerary stele etched with an epitaph to a man named patricius, "whose career was consecrated for the study of law".[ ] the epitaph was identified as being dedicated to the famous th-century law school professor.[ ] in , archaeological diggings underneath the saint george greek orthodox cathedral in beirut central district's nejmeh square identified structural elements of the anastasis cathedral, but they were restricted to an area of square metres ( ,  sq ft) and failed to unearth the interred school.[ ] in the th century, zacharias rhetor reported that the school stood next to the "temple of god", the description of which permitted its identification with the byzantine anastasis cathedral.[ ] notable people[edit] hermippus of berytus (fl. nd century ad) marcus valerius probus (c. / – ad) vindonius anatolius see also[edit] cisterns of the roman baths, beirut phoenicia under roman rule roman baths, beirut roman "lex schola" of berytus notes[edit] ^ worcester, joseph e. ( ) an elementary dictionary of the english language, boston: swan, brewer & tileston, page ^ theodore mommsen."the provinces of the roman empire" chapter: phoenicia ^ scott, samuel parsons ( ). the civil law, including the twelve tables: the institutes of gaius, the rules of ulpian, the opinions of paulus, the enactments of justinian, and the constitutions of leo. isbn  . ^ paturel , p.  . ^ about beirut and downtown beirut, downtownbeirut.com. ^ beirut travel information, lonely planet ^ czech excavations in beirut, martyrs' square, institute for classical archaeology, archived july , , at the wayback machine ^ hall , p.  . ^ about beirut and downtown beirut, downtownbeirut.com. retrieved november , . ^ princeton e.: berytus ^ morgan, james f. the prodigal empire: the fall of the western roman empire, page ^ a b c butcher , p.  . ^ "data with map of roman berytus (in spanish)". archived from the original on - - . retrieved - - . ^ "roman wall removed from beirut hippodrome site". beirut report. october , . ^ hall , p.  . ^ "cng: the coin shop. phoenicia, berytus. claudius. ad - . Æ mm ( . g, h). legionary issue". www.cngcoins.com. ^ "possible roman gate and road found in beirut dig". beirut report. may , . ^ beirut archived - - at archive.today, britannica.com ^ archive, full text. "history of phoenicia" – via www.fulltextarchive.com. ^ history of berytus archived - - at the wayback machine ^ "livius: berytus". ^ catholic e.:berytus ([ ]) ^ ostrogorsky, george ( ). "the byzantine empire in the world of the seventh century" (pdf). dumbarton oaks papers. : . doi: . / . jstor  . s cid  . ^ wells, herbert george ( ). "chapter ". a short history of the world. new york: macmillan. isbn  - - - - . ^ donner, fred mcgraw ( ), "the early islamic conquests". princeton university press, isbn  - - - ^ "beirut shakes off rubble, dons slick new architecture". co.design. - - . ^ collinet , p.  . ^ collinet , pp.  – . ^ skaf & assaf , pp.  – . ^ collinet , pp.  – . bibliography[edit] look up berytus in wiktionary, the free dictionary. butcher, kevin ( ). roman syria and the near east. los angeles: getty publications. isbn  - - - - . collinet, paul ( ). histoire de l'école de droit de beyrouth (in french). paris: société anonyme du recueil sirey. gil, moshe ( ) [ ]. a history of palestine, – . translated by ethel broido. cambridge: cambridge university press. isbn  - - - . hall, linda j. ( ). roman berytus: beirut in late antiquity. london: psychology press. isbn  - - - - . mann, j.c. the settlement of veterans in the roman empire london university. london, mommsen, theodore. the provinces of the roman empire from caesar to diocletian. press holdings international. new york, . isbn  mouterde, rené et lauffray, jean ( ) beyrouth ville romaine. publications de la direction des antiquités du liban, beyrouth. paturel, simone ( ). baalbek-heliopolis, the bekaa, and berytus from bce to ce: a landscape transformed. brill. isbn  . skaf, isabelle; assaf, yasmine makaroun bou (november – december , ). aïcha ben abed ben khader; martha demas; thomas roby (eds.). une nouvelle approche pour la préservation in situ des mosaïques et vestiges archéologiques au liban: la crypte de l'église saint-georges à beyrouth. lessons learned: reflecting on the theory and practice of mosaic conservation ( th iccm conference, hammamet, tunisia) (in french). getty publications. isbn  . v t e ancient 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jerash: gerasa lebanon arqa: arca caesarea beirut: berytus baalbek: heliopolis saida: sidon tyre: tyrus syria bosra: bostra damascus: damascus dura-europos: dura-europus homs: emesa latakia: laodicea shahba: philippopolis tadmur: palmyra turkey antakya: antioch samandağ: seleucia unesco world heritage sites; proposed; in danger see also: legacy of the roman empire v t e roman archaeological sites in lebanon roman berytus (actual beirut) berytus roman forum of berytus berytus roman baths cisterns of berytus baths berytus cardo decumanus berytus colonnaded street byzantine mosaics roman hippodrome of berytus roman law school of berytus roman phoenicia (actual lebanon) heliopolis temple of bacchus temple of jupiter (roman heliopolis) temples of mount hermon temples of the beqaa valley aaqbe temple afqa ain aata temple amioun monastery arca caesarea bakka temple batroumine bziza temple canalizations of zenobia dakoue temple mansourieh roman aqueduct hebbariye temple iaat column kafr zabad temples labweh roman temple monastery of saint maron nebi safa temple niha qal'at bustra temple castra chbib castra el banat saraain el faouqa colonia aurelia pia "sidon" temnin el-foka nymphaeum tripolis in phoenicia tyrus tyre necropolis roman temple to venus in yammoune related articles & lists roman lebanon phoenice (roman province) stone of the pregnant woman ulpianus marcus valerius probus palaestina secunda coele-syria list of christian cathedrals in lebanon christianity in lebanon catholic church in lebanon saint george greek orthodox cathedral beirut earthquake unesco world heritage sites proposed category:roman sites in lebanon v t e archaeological sites in lebanon aadloun aaiha aammiq aaqbe ain aata ain choaab ain harcha akbiyeh akkar plain foothills al-bireh amioun amlaq qatih anjar, lebanon antelias cave apheca ard saouda ard tlaili arqa baalbek baidar ech chamout batroumine batroun bechamoun beirut beit mery berytus (roman beirut) bustan birke byblos canalizations of zenobia dahr el ahmar dakoue deir el aachayer deir al-ahmar deir mar maroun dekwaneh douris (baalbek) elaea (lebanon) flaoui fadous sud hebbariye hadeth south haret ech cheikh hashbai heliopolis in phoenicia hermel plains iaat jabal es saaïdé jbaa jdeideh jebel aabeby jeita grotto joub jannine jieh kafr zabad kamid al lawz kamouh el hermel karak nuh kaukaba kefraya kafr tebnit kfar qouq kfarhata khallet michte khirbet el-knese kouachra megalith field ksar akil labweh lake qaraoun (ain jaouze) libbaya lion tower majdal anjar mansourieh maronite mummies mayrouba mdoukha (jebel kassir) moukhtara mtaileb nabi zair nachcharini nahle, lebanon neba'a faour nebi safa niha bekaa phoenician port of beirut plain of zgharta qaa qal'at bustra qalaat tannour qaraoun qasr el banat ras baalbek i ras beirut ras el kelb rashaya roman forum of berytus roman temple of bziza roman hippodrome of berytus sands of beirut saraain el faouqa shheem sidon sin el fil sarepta stone of the pregnant woman tahun ben aissa taire tayibe tell aalaq tell ablah tell addus tell ahle tell ain cerif tell ain el meten tell ain ghessali tell ain nfaikh tell ain saouda tell ain sofar tell ayoub tell bar elias tell beshara tell bir dakoue tell deir tell delhamieh tell derzenoun tell dibbine tell el-burak tell el ghassil tell el hadeth tell fadous tell hazzine tell hoch rafqa tell karmita tell khardane tell kirri tell jezireh tell jisr tell kabb elias tell majdaloun tell masoud tell mekhada tell meouchi tell mureibit tell murtafa tell nahariyah tell neba'a chaate tell neba'a litani tell qasr labwe tell rasm el hadeth tell rayak tell saatiya tell safiyeh tell saoudhi tell serhan tell shaikh hassan al rai tell shamsine tell sultan yakoub tell taalabaya tell wardeen tell zenoub tell zeitoun temnin el-foka temple of bacchus temple of eshmun temple of jupiter temple of the obelisks tlail megaliths toron tripolis (region of phoenicia) tyre necropolis tyre umm al-amad wadi boura wadi koura wadi yaroun yammoune yanta ain w zain zahlé retrieved from "https://en.wikipedia.org/w/index.php?title=berytus&oldid= " categories: archaeological sites in lebanon beirut coloniae (roman) history of beirut seleucid colonies razed cities roman sites in lebanon hidden categories: webarchive template wayback links webarchive template archiveis links articles containing phoenician-language text articles containing ancient greek (to )-language text articles containing latin-language text coordinates on wikidata articles containing greek-language text articles containing arabic-language text cs french-language sources (fr) navigation menu personal tools not logged in talk contributions create account log in namespaces article talk variants views read edit view history more search navigation main page contents current events random article about wikipedia contact us donate contribute help learn to edit community portal recent changes upload file tools what links here related changes upload file special pages permanent 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disclaimers contact wikipedia mobile view developers statistics cookie statement biblioteca nacional de españa - wikipedia biblioteca nacional de españa from wikipedia, the free encyclopedia   (redirected from bne (identifier)) jump to navigation jump to search public library in madrid, spain this article needs additional citations for verification. please help improve this article by adding citations to reliable sources. unsourced material may be challenged and removed. find sources: "biblioteca nacional de españa" – news · newspapers · books · scholar · jstor (december ) (learn how and when to remove this template message) national library of spain biblioteca nacional de españa country spain established (  years ago) ( ) reference to legal mandate royal decree / on october location madrid collection items collected books, journals, newspapers, magazines, sound and music recordings, patents, databases, maps, stamps, prints, drawings and manuscripts size , , items, including , , books and other printed materials, , manuscripts, , newspapers and serials, , , graphic materials, , music scores, etc. legal deposit yes, by decree on december access and use access requirements access to reproductions and post- materials is open to biblioteca nacional library card holders. access to pre- materials is only allowed with a researcher card.[ ] materials in exceptional circumstances are subject to special restrictions.[ ] members , readers in . the web users in the same year were , , . other information budget € , , director ana santos aramburo (since ) staff (including external employees) website http://www.bne.es/ map national library of spain native name spanish: biblioteca nacional de españa location madrid, spain spanish property of cultural interest official name biblioteca nacional de españa type non-movable criteria monument designated reference no. ri- - location of national library of spain in spain the biblioteca nacional de españa (national library of spain) is a major public library, the largest in spain, and one of the largest in the world. it is located in madrid, on the paseo de recoletos. contents history the library today see also references external links history[edit] the library was founded by king philip v in as the palace public library (biblioteca pública de palacio). the royal letters patent that he granted, the predecessor of the current legal deposit requirement, made it mandatory for printers to submit a copy of every book printed in spain to the library. in , the library's status as crown property was revoked and ownership was transferred to the ministry of governance (ministerio de la gobernación). at the same time, it was renamed the biblioteca nacional. during the th century, confiscations, purchases and donations enabled the biblioteca nacional to acquire the majority of the antique and valuable books that it currently holds. in the building was used to host the historical american exposition.[ ] on march , the biblioteca nacional opened to the public in the same building in which it is currently housed and included a vast reading room on the main floor designed to hold readers. in the reading room was reorganised, providing it with a major collection of reference works, and the general reading room was created to cater for students, workers and general readers. during the spanish civil war close to , volumes were collected by the confiscation committee (junta de incautación) and stored in the biblioteca nacional to safeguard works of art and books held until then in religious establishments, palaces and private houses. during the th century numerous modifications were made to the building to adapt its rooms and repositories to its constantly expanding collections, to the growing volume of material received following the modification to the legal deposit requirement in , and to the numerous works purchased by the library. among this building work, some of the most noteworthy changes were the alterations made in to triple the capacity of the library's repositories, and those started in and completed in , which led to the creation of the new building in alcalá de henares and complete remodelling of the building on paseo de recoletos, madrid. in , when spain's main bibliographic institutions - the national newspaper library (hemeroteca nacional), the spanish bibliographic institute (instituto bibliográfico hispánico) and the centre for documentary and bibliographic treasures (centro del tesoro documental y bibliográfico) - were incorporated into the biblioteca nacional, the library was established as the state repository of spain's cultural memory (centro estatal depositario de la memoria cultural española), making all of spain's bibliographic output on any media available to the spanish library system and national and international researchers and cultural and educational institutions. in it was made an autonomous entity attached to the ministry of culture (ministerio de cultura). the madrid premises are shared with the national archaeological museum. the library today[edit] the biblioteca nacional is spain's highest library institution and is head of the spanish library system. as the country's national library, it is the centre responsible for identifying, preserving, conserving, and disseminating information about spain's documentary heritage, and it aspires to be an essential point of reference for research into spanish culture. in accordance with its articles of association, passed by royal decree / (r.d. / ) of october , its principal functions are to: compile, catalogue, and conserve bibliographic archives produced in any language of the spanish state, or any other language, for the purposes of research, culture, and information. promote research through the study, loan, and reproduction of its bibliographic archive. disseminate information on spain's bibliographic output based on the entries received through the legal deposit requirement. the library's collection consists of more than , , items, including , , books and other printed materials, , , graphic materials, , sound recordings, , music scores, more than , microforms, , maps, , newspapers and serials, , audiovisuals, , electronic documents, and , manuscripts. the current director of the biblioteca nacional is ana santos aramburo, appointed in . former directors include her predecessors glòria pérez-salmerón ( – ) and milagros del corral ( - ) as well as historian juan pablo fusi ( – ) and author rosa regàs ( – ). given its role as the legal deposit for the whole of spain, since it has kept most of the overflowing collection at a secondary site in alcalá de henares, near madrid. the biblioteca nacional provides access to its collections through the following library services: guidance and general information on the institution and other libraries. bibliographic information about its collection and those held by other libraries or library systems. access to its automated catalogue, which currently contains close to , , bibliographic records encompassing all of its collections. archive consultation in the library's reading rooms. interlibrary loans. archive reproduction. stairs and main entrance with monuments to san isidoro, alonso berruguete, alfonso x el sabio by josé alcoverro statue of hispania by agustí querol above the library a page from the manuscript of the lay of the cid statue of marcelino menéndez y pelayo in the lobby of the b.n.e. building of the national library of spain in alcalá de henares see also[edit] biblioteca digital hispánica [es], digital library launched in by the biblioteca nacional de españa list of libraries in spain references[edit] ^ "carnés de la biblioteca". www.bne.es (in spanish). march . retrieved february . ^ "carné de investigador. biblioteca nacional de españa". www.bne.es (in spanish). december . retrieved february . ^ "cronología. national library of spain". - - . retrieved may . external links[edit] media related to biblioteca nacional de españa at wikimedia commons official site (in english) official web catalog (in english) v t e national libraries of europe sovereign states albania andorra armenia austria azerbaijan belarus belgium bosnia and herzegovina bulgaria croatia cyprus czech republic denmark estonia finland france georgia germany greece hungary iceland ireland italy kazakhstan latvia liechtenstein lithuania luxembourg malta moldova monaco montenegro netherlands north macedonia norway poland portugal romania russia san marino serbia slovakia slovenia spain sweden switzerland turkey ukraine united kingdom vatican city states with limited recognition abkhazia artsakh kosovo northern cyprus south ossetia transnistria dependencies and other entities Åland faroe islands gibraltar guernsey isle of man jersey svalbard other entities european union v t e authority control files aag • acm dl • adb • agsa • autores.uy • awr • balat • bibsys • bildindex • bnc • bne • bnf • botanist • bpn • cantic • cinii • cwgc • daao • dblp • dsi • fnza • gnd • hds • iaaf • iccu • icia • isni • joconde • kulturnav • lccn • lir • lnb • léonore • mba • mgp • nara • nbl • ndl • ngv • nkc • nla • nlg • nli • nlk • nlp • nlr • nsk • nta • orcid • pic • researcherid • rero • rkd • rkdimages id • rsl • selibr • sikart • snac • sudoc • s authorid • ta • tdvİa • te • tepapa • th • tls • trove • ukparl • ulan • us congress • vcba • viaf • worldcat identities authority control bne: xx bnf: cb v (data) cantic: a gnd: - isni: lccn: n lnb: nkc: kn nla: nli: nlp: a x nsk: selibr: sudoc: trove: ulan: viaf: worldcat identities: lccn-n retrieved from "https://en.wikipedia.org/w/index.php?title=biblioteca_nacional_de_españa&oldid= " categories: establishments in spain libraries in madrid national libraries spanish culture buildings and structures in recoletos neighborhood, madrid bien de interés cultural landmarks in madrid libraries established in deposit libraries world's fair architecture in spain hidden categories: cs spanish-language sources (es) articles with short description short description is different from wikidata articles needing additional references from december all articles needing additional references infobox mapframe without osm relation id on wikidata articles containing spanish-language text commons category link is on wikidata wikipedia articles with bne identifiers wikipedia articles with bnf identifiers wikipedia articles with cantic identifiers wikipedia articles with gnd identifiers wikipedia articles with isni identifiers wikipedia articles with lccn identifiers wikipedia articles with lnb identifiers wikipedia articles with nkc identifiers wikipedia articles with nla identifiers wikipedia articles with nli identifiers wikipedia articles with nlp identifiers wikipedia articles with nsk identifiers wikipedia articles with selibr identifiers wikipedia articles with sudoc identifiers wikipedia articles with trove identifiers wikipedia articles with 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nederlands 日本語 nordfriisk occitan polski português română Русский සිංහල simple english slovenščina کوردی Српски / srpski suomi svenska தமிழ் türkçe Українська vèneto tiếng việt winaray 中文 edit links this page was last edited on november , at :  (utc). text is available under the creative commons attribution-sharealike license; additional terms may apply. by using this site, you agree to the terms of use and privacy policy. wikipedia® is a registered trademark of the wikimedia foundation, inc., a non-profit organization. privacy policy about wikipedia disclaimers contact wikipedia mobile view developers statistics cookie statement national library of chile - wikipedia national library of chile from wikipedia, the free encyclopedia   (redirected from bnc (identifier)) jump to navigation jump to search this article needs additional citations for verification. please help improve this article by adding citations to reliable sources. unsourced material may be challenged and removed. find sources: "national library of chile" – news · newspapers · books · scholar · jstor (april ) (learn how and when to remove this template message) national library of chile front view of the national library of chile building established location santiago coordinates ° ′ ″s ° ′ ″w /  . °s . °w / - . ; - . coordinates: ° ′ ″s ° ′ ″w /  . °s . °w / - . ; - . branches n/a collection size , , registries[ ] access and use population served , , members of the public other information director Ángel cabeza monteira website [ ] map the national library of chile (spanish: biblioteca nacional de chile) is the national library of chile. it is located on the avenida libertador general bernardo o'higgins in santiago, in a building completed in , though its history reaches to the early nineteenth century before it was relocated to its current home. contents history location collections see also references further reading external links history[edit] the aurora de chile, chile's first newspaper, is kept at the biblioteca nacional. the biblioteca nacional is, together with the instituto nacional and a small number of institutions, one of the first institutions created by the newly formed republic of chile in the patria vieja period. in the newspaper el monitor araucano, a proclama de fundación ("proclamation of foundation") of the biblioteca nacional was published on august , . with this vision, a call was made to all the citizens to submit their books for the formation of one great public library. as with other republican institutions, the library was closed after the disaster of rancagua, in which the national troops were defeated by the army of the realistas. with the victorious battle of chacabuco, it was reopened and supported by the government, and started to receive important collections. the supreme director of chile, bernardo o'higgins, named professor manuel de salas as the first director of the biblioteca nacional. in friar camilo henríquez (director of the aurora de chile newspaper) was named as the second head librarian. since its creation, the library had been a dependency of the universidad de san felipe and its successor, the universidad de chile, until it gained autonomy in . in , upon its th anniversary, the biblioteca nacional acquired the monasterio de santa clara, located on the alameda de las delicias on present-day cerro santa lucía. at the creation in , the library was made into a dependency of the dirección de bibliotecas, archivos y museos. location[edit] chilean hallroom (sección chilena) of the biblioteca nacional de chile since , biblioteca nacional has been situated in the centre of santiago, chile. it was formerly located in the square where now stands the teatro municipal de santiago (municipal theater of santiago). construction of the present building began in . it was commissioned as one of the commemorative public works in honour of the first centenary of the independence of chile. the building boasts an imposing façade of columns and arches, of very pronounced french neoclassical influence. the library shares its building with the archivo nacional de chile (the national archive). adjoining the building is the santa lucía metro station, and to the east is cerro santa lucía. the interior, spread out over two main levels and a basement, has been embellished and decorated with carved marble staircases, sculptures and paintings from some of the country's classic artists, such as alfredo helsby and arturo gordon. biblioteca nacional de chile, computers hall, details of the doors collections[edit] the biblioteca nacional has an extensive and valuable collection of books and manuscripts. several of these were acquired from or donated by their owners, making up an important national historical treasure.[ ] the most important collections include: name year mariano egaña benjamín vicuña mackenna andrés bello claude gay josé ignacio eyzaguirre portales diego portales aníbal pinto diego barros arana josé toribio medina enrique matta vial raúl silva castro guillermo feliú cruz antonio doddis see also[edit] list of national libraries chilean national museum of fine arts asociación de estados iberoamericanos para el desarrollo de las bibliotecas nacionales de iberoamérica references[edit] ^ http://descubre.bibliotecanacional.cl/primo_library/libweb/action/search.do?vid=bnc ^ [ ] www.thisischile.cl friday, november , , retrieved november , "la biblioteca nacional de chile" (in spanish). official site. further reading[edit] david h. stam, ed. ( ). international dictionary of library histories. fitzroy dearborn. isbn  . external links[edit] media related to biblioteca nacional de chile at wikimedia commons v t e national libraries of south america sovereign states argentina bolivia brazil chile colombia ecuador guyana paraguay peru suriname uruguay venezuela dependencies and other territories falkland islands french guiana south georgia and the south sandwich islands v t e authority control files aag • acm dl • adb • agsa • autores.uy • awr • balat • bibsys • bildindex • bnc • bne • bnf • botanist • bpn • cantic • cinii • cwgc • daao • dblp • dsi • fnza • gnd • hds • iaaf • iccu • icia • isni • joconde • kulturnav • lccn • lir • lnb • léonore • mba • mgp • nara • nbl • ndl • ngv • nkc • nla • nlg • nli • nlk • nlp • nlr • nsk • nta • orcid • pic • researcherid • rero • rkd • rkdimages id • rsl • selibr • sikart • snac • sudoc • s authorid • ta • tdvİa • te • tepapa • th • tls • trove • ukparl • ulan • us congress • vcba • viaf • worldcat identities authority control bnc: bne: xx bnf: cb z (data) cantic: a gnd: - isni: lccn: n nla: nlp: a rero: -a sudoc: trove: vcba: / viaf: worldcat identities: lccn-n retrieved from "https://en.wikipedia.org/w/index.php?title=national_library_of_chile&oldid= " categories: biblioteca nacional de chile library buildings completed in buildings and structures in santiago libraries in chile national libraries tourist attractions in santiago, chile education in santiago, chile world digital library partners national monuments of chile deposit libraries hidden categories: articles needing additional references from april all articles needing additional references coordinates on wikidata infobox mapframe without osm relation id on wikidata articles containing spanish-language text cs spanish-language sources (es) commons category link from wikidata wikipedia articles with bnc identifiers wikipedia articles with bne identifiers wikipedia articles with bnf identifiers wikipedia articles with cantic identifiers wikipedia articles with gnd identifiers wikipedia articles with isni identifiers wikipedia articles with lccn identifiers wikipedia articles with nla identifiers wikipedia articles with nlp identifiers wikipedia articles with rero identifiers wikipedia articles with sudoc identifiers wikipedia articles with trove identifiers wikipedia articles with vcba identifiers wikipedia articles with viaf identifiers wikipedia articles with worldcatid identifiers pages using the kartographer extension navigation menu personal tools not logged in talk contributions create account log in namespaces article talk variants views read edit view history more search navigation main page contents current events random article about wikipedia contact us donate contribute help learn to edit community portal recent changes upload file tools what links here related changes upload file special pages permanent link page information cite this page wikidata item print/export download as pdf printable version in other projects wikimedia commons languages asturianu català español français português română Русский suomi 中文 edit links this page was last edited on november , at :  (utc). text is available under the creative commons attribution-sharealike license; additional terms may apply. by using this site, you agree to the terms of use and privacy policy. wikipedia® is a registered trademark of the wikimedia foundation, inc., a non-profit organization. privacy policy about wikipedia disclaimers contact wikipedia mobile view developers statistics cookie statement basilicata - wikipedia basilicata from wikipedia, the free encyclopedia jump to navigation jump to search region of italy region of italy basilicata lucania region of italy flag coat of arms country italy capital potenza government  • president vito bardi (fi) area  • total ,  km ( ,  sq mi) population ( october )  • total ,  • density /km ( /sq mi) demonym(s) english: lucanian italian: lucano (man) italian: lucana (woman) time zone utc+ (cet)  • summer (dst) utc+ (cest) iso code it- gdp (nominal) € . billion ( )[ ] gdp per capita € , ( )[ ] hdi ( ) . [ ] very high · th of nuts region itf website www.regione.basilicata.it basilicata (uk: /bəˌsɪlɪˈkɑːtə/,[ ] us: /-ˌzɪl-/,[ ] italian: [baziliˈkaːta]), also known by its ancient name lucania (/luːˈkeɪniə/, also us: /luːˈkɑːnjə/,[ ][ ] italian: [luˈkaːnja]), is an administrative region in southern italy, bordering on campania to the west, apulia to the north and east, and calabria to the south. it has two coastlines: a -km stretch on the tyrrhenian sea between campania and calabria, and a longer coastline along the gulf of taranto between calabria and apulia. the region can be thought of as the "instep" of italy, with calabria functioning as the "toe" and apulia the "heel". the region covers about ,  km ( ,  sq mi). in the population was slightly under , . the regional capital is potenza. the region is divided into two provinces: potenza and matera.[ ][ ] its inhabitants are generally known as lucanians, although this ethnonym should properly refer to ancient lucania's populations. contents etymology geography history . prehistory . ancient history . middle ages . modern and contemporary ages demographics government and politics administrative divisions economy tourism . archeological sites . religious buildings . castles . other sights culture . music . cinema . cuisine references external links etymology[edit] the name probably derives from "basilikos" (greek: βασιλικός), which refers to the basileus, the byzantine emperor, who ruled the region for years, from / to / and from to . others argue that the name may refer to the basilica of acerenza, which held judicial power in the middle ages. during the greek and roman ages, basilicata was known as lucania. this was possibly derived from "leukos" (greek: λευκός), meaning "white", from "lykos" (greek: λύκος), meaning "wolf", or from latin "lūcus", meaning "sacred wood". geography[edit] dolomiti lucane and pietrapertosa basilicata covers an extensive part of the southern apennine mountains, between the ofanto river in the north and the pollino massif in the south. it is bordered on the east by a large part of the bradano river depression, which is traversed by numerous streams and declines to the southeastern coastal plains on the ionian sea. the region also has a short coastline to the southwest on the tyrrhenian sea side of the peninsula. basilicata is the most mountainous region in the south of italy, with % of its area of ,  km ( ,  sq mi) covered by mountains. of the remaining area, % is hilly, and % is made up of plains. notable mountains and ranges include the pollino massif, the dolomiti lucane, monte vulture, monte alpi, monte carmine, monti li foj and toppa pizzuta. badlands in aliano geological features of the region include the volcanic formations of monte vulture, and the seismic faults in the melfi and potenza areas in the north, and around pollino in the south. much of the region was devastated in the basilicata earthquake. more recently, the irpinia earthquake destroyed many towns in the northwest of the region. the mountainous terrain combined with weak rock and soil types makes landslides prevalent. the lithological structure of the substratum and its chaotic tectonic deformation predispose the slope to landslides, and this problem is compounded by the lack of forested land. in common with many another mediterranean region, basilicata was once rich in forests, but they were largely felled and made barren during the time of roman rule. the variable climate is influenced by three coastlines (adriatic, ionian and tyrrhenian) and the complexity of the region's physical features. in general, the climate is continental in the mountains and mediterranean along the coasts. history[edit] prehistory[edit] the first traces of human presence in basilicata date to the late paleolithic, with findings of homo erectus. late cenozoic fossils, found at venosa and other locations, include elephants, rhinoceros and species now extinct such as a saber-toothed cat of the genus machairodus. examples of rock art from the mesolithic have been discovered near filiano. from the fifth millennium, people stopped living in caves and built settlements of huts up to the rivers leading to the interior (tolve, tricarico, aliano, melfi, metaponto). in this period, anatomically modern humans lived by cultivating cereals and animal husbandry (bovinae and caprinae). chalcolithic sites include the grottoes of latronico and the funerary findings of the cervaro grotto near lagonegro. the first known stable market center of the apennine culture on the sea, consisting of huts on the promontory of capo la timpa [it], near to maratea, dates to the bronze age. the first indigenous iron age communities lived in large villages in plateaus located at the borders of the plains and the rivers, in places fitting their breeding and agricultural activities. such settlements include that of anglona, located between the fertile valleys of agri and sinni, of siris and, on the coast of the ionian sea, of incoronata-san teodoro. the first presence of greek colonists, coming from the greek islands and anatolia, date from the late eighth century bc. there are virtually no traces of survival of the th– th century bc archaeological sites of the settlements (aside from a necropolis at castelluccio on the coast of the tyrrhenian sea): this was perhaps caused by the increasing presence of greek colonies, which changed the balance of the trades. ancient history[edit] the ancient region of lucania in ancient historical times the region was originally known as lucania, named for the lucani, an oscan-speaking population from central italy. their name might be derived from greek leukos meaning "white", lykos ("gray wolf"), or latin lucus ("sacred grove"). or more probably lucania, as much as the lucius forename (praenomen) derives from the latin word lux (gen. lucis), meaning "light" (