Museo del Prado - Wikipedia Museo del Prado From Wikipedia, the free encyclopedia Jump to navigation Jump to search Spanish national art museum in Madrid, Spain "Prado" redirects here. For other uses, see Prado (disambiguation). Art museum, Historic site in Madrid, Spain Museo Nacional del Prado Exterior of the Prado Museum Established 1819 Location Paseo del Prado, Madrid, Spain Type Art museum, Historic site Visitors 852,161 (2020)[1] Ranked 16th globally (2020)[2] Director Miguel Falomir[3] Public transit access Atocha Main Line Station Banco de España Underground Station Website www.museodelprado.es Museo del Prado (Main wing) Architect Juan de Villanueva Spanish Property of Cultural Interest Official name Museo Nacional del Prado Type Non-movable Criteria Monument Designated 1962 Reference no. RI-51-0001374 The Prado Museum (/ˈprɑːdoʊ/ PRAH-doh; Spanish: Museo del Prado [muˈseo ðel ˈpɾaðo]), officially known as Museo Nacional del Prado, is the main Spanish national art museum, located in central Madrid. It is widely considered to have one of the world's finest collections of European art, dating from the 12th century to the early 20th century, based on the former Spanish Royal Collection, and the single best collection of Spanish art. Founded as a museum of paintings and sculpture in 1819, it also contains important collections of other types of works. The Prado Museum is one of the most visited sites in the world, and it is considered one of the greatest art museums in the world. The numerous works by Francisco Goya, the single most extensively represented artist, as well as by Hieronymus Bosch, El Greco, Peter Paul Rubens, Titian, and Diego Velázquez, are some of the highlights of the collection. Velázquez and his keen eye and sensibility were also responsible for bringing much of the museum's fine collection of Italian masters to Spain, now the largest outside Italy. The collection currently comprises around 8,200 drawings, 7,600 paintings, 4,800 prints, and 1,000 sculptures, in addition to many other works of art and historic documents. As of 2012, the museum displayed about 1,300 works in the main buildings, while around 3,100 works were on temporary loan to various museums and official institutions. The remainder were in storage.[4] Due to the COVID-19 pandemic, in 2020 attendance plunged by 76 percent to 852,161. Nonetheless, the Prado was ranked as the 16th most-visited museum in the List of most-visited art museums in the world in 2020.[5] It is one of the largest museums in Spain. Contents 1 History 2 Historic structure 3 Special exhibitions 4 Nearby museums 5 Management 5.1 Funding 5.2 Directors 6 Collection highlights 6.1 Selected works 7 In Google Earth 8 References 9 Further reading 10 External links History[edit] The building that is now the home of the Museo Nacional del Prado was designed in 1785 by architect of the Enlightenment in Spain Juan de Villanueva on the orders of Charles III to house the Natural History Cabinet. Nonetheless, the building's final function was not decided until the monarch's grandson, Ferdinand VII, encouraged by his wife, Queen María Isabel de Braganza, decided to use it as a new Royal Museum of Paintings and Sculptures. The Royal Museum, which would soon become known as the National Museum of Painting and Sculpture, and subsequently the Museo Nacional del Prado, opened to the public for the first time in November 1819. It was created with the double aim of showing the works of art belonging to the Spanish Crown and to demonstrate to the rest of Europe that Spanish art was of equal merit to any other national school. Also, this museum needed several renovations during the 19th and 20th centuries, because of the increase of the collection as well as the increase of the public who wants to see all the collection that the Museum hosted.[6] In the main exhibition hall, first floor The first catalogue of the Museum, published in 1819 and solely devoted to Spanish painting, included 311 paintings, although at that time the Museum housed 1,510 from the various royal residences, the Reales Sitios, including works from other schools. The exceptionally important royal collection, which forms the nucleus of the present-day Museo del Prado, started to increase significantly in the 16th century during the time of Charles V and continued under the succeeding Habsburg and Bourbon monarchs. Their efforts and determination led to the Royal Collection being enriched by some of the masterpieces now to be seen in the Prado. These include The Descent from the Cross by Rogier van der Weyden, The Garden of Earthly Delights by Hieronymous Bosch, Knight with his Hand on his Breast by El Greco, The Death of the Virgin by Mantegna, The Holy Family, known as "La Perla", by Raphael, Charles V at Mülhberg by Titian, Christ Washing the Disciples’ Feet by Tintoretto, Dürer's Self-portrait, Las Meninas by Velázquez, The Three Graces by Rubens, and The Family of Charles IV by Goya.[citation needed] Francisco Goya Francisco Goya, La maja desnuda, oil on canvas, (circa 1797–1800) Francisco Goya, La maja vestida, oil on canvas, (circa 1797–1800) In addition to works from the Spanish royal collection, other holdings increased and enriched the Museum with further masterpieces, such as the two Majas by Goya. Among the now closed museums whose collections have been added to that of the Prado were the Museo de la Trinidad in 1872, and the Museo de Arte Moderno in 1971. In addition, numerous legacies, donations and purchases have been of crucial importance for the growth of the collection. Various works entered the Prado from the Museo de la Trinidad, including The Fountain of Grace by the School of Van Eyck, the Santo Domingo and San Pedro Martír altarpieces painted for the monastery of Santo Tomás in Ávila by Pedro Berruguete, and the five canvases by El Greco executed for the Colegio de doña María de Aragón. Most of the Museum's 19th-century paintings come from the former Museo de Arte Moderno, including works by the Madrazos, José de Madrazo y Agudo and Federico de Madrazo, Vicente López, Carlos de Haes, Eduardo Rosales and Sorolla.[citation needed] Upon the deposition of Isabella II in 1868, the museum was nationalized and acquired the new name of "Museo del Prado". The building housed the royal collection of arts, and it rapidly proved too small. The first enlargement to the museum took place in 1918. Since the creation of the Museo del Prado more than 2,300 paintings have been incorporated into its collection, as well as numerous sculptures, prints, drawings and works of art through bequests, donations and purchases, which account for most of the New Acquisitions. Numerous bequests have enriched the Museum's holdings, such as the outstanding collection of medals left to the Museum by Pablo Bosch; the drawings and items of decorative art left by Pedro Fernández Durán as well as Van der Weyden's masterpiece, Duran Madonna; and the Ramón de Errazu bequest of 19th-century paintings. Particularly important donations include Barón Emile d'Erlanger's gift of Goya's Black Paintings in 1881. Among the numerous works that have entered the collection through purchase are some outstanding ones acquired in recent years including two works by El Greco, The Fable and The Flight into Egypt acquired in 1993 and 2001, Goya's The Countess of Chinchon bought in 2000, Velázquez's Portrait of Ferdinando Brandani, acquired in 2003, Bruegel's The Wine of Saint Martin's Day bought in 2010 and Fra Angelico's Madonna of the Pomegranate purchased in 2016.[citation needed] Between 1873 and 1900, the Prado helped decorate city halls, new universities, and churches. During the Second Spanish Republic from 1931 to 1936, the focus was on developing provincial museums. During the Spanish Civil War, upon the recommendation of the League of Nations, the museum staff removed 353 paintings, 168 drawings and the Dauphin's Treasure and sent the art to Valencia, then later to Girona, and finally to Geneva. The art had to be returned across French territory in night trains to the museum upon the commencement of World War II. During the early years of the dictatorship of Francisco Franco, many paintings were sent to embassies.[7] A main promenade entrance is dominated by this 1899 bronze statue of Diego Velázquez, by Aniceto Marinas The main building was enlarged with short pavilions in the rear between 1900 and 1960. The next enlargement was the incorporation of two buildings (nearby but not adjacent) into the institutional structure of the museum: the Casón del Buen Retiro, which is equipped to display up to 400 paintings and which housed the bulk of the 20th-century art from 1971 to 1997, and the Salón de Reinos (Throne building), formerly the Army Museum. In 1993, an extension proposed by the Prado's director at the time, Felipe Garin, was quickly abandoned after a wave of criticism.[8] In the late 1990s, a $14 million roof work forced the Velázquez masterpiece Las Meninas to change galleries twice.[9] In 1998, the Prado annex in the nearby Casón del Buen Retiro closed for a $10 million two-year overhaul that included three new underground levels. In 2007, the museum finally executed Rafael Moneo's project to expand its exposition room to 16,000 square meters, hoping to increase the yearly number of visitors from 1.8 million to 2.5 million. The cafeteria in the underground extension by Rafael Moneo A glass-roofed and wedge-shaped foyer now contains the museum's shops and cafeteria, removing them from the main building to make more room for galleries.[9] The 16th-century Cloister of Jerónimo has been removed stone by stone to make foundations for increased stability of surrounding buildings and will be re-assembled in the new museum's extension. Hydraulic jacks had to be used to prevent the basement walls from falling during construction. [10] The enlargement is an underground building which connects the main building to another one entirely reconstructed. In November 2016, it was announced that British architect Norman Foster, in a joint project with Carlos Rubio Carvajal, is to renovate the Hall of Realms, which once formed part of the Buen Retiro palace and transform it into a $32 million extension of the Prado. The museum announced the selection of Foster and Rubio after a jury reviewed the proposals of the eight competition finalists – including David Chipperfield, Rem Koolhaas and Eduardo Souto de Moura –,[11] who had already been shortlisted from an initial list of 47 international teams of architects.[12] The building was acquired by the Prado in 2015, after having served as an army museum until 2005. The project is designed to give the Prado about 61,500 square feet of additional available space, of which about 27,000 square feet will be used to exhibit works.[12] Historic structure[edit] The Goya Gate in the north façade of the museum. The Museo del Prado is one of the buildings constructed during the reign of Charles III (Carlos III) as part of a grandiose building scheme designed to bestow upon Madrid a monumental urban space. The building that lodges the Museum of the Prado was initially conceived by José Moñino y Redondo, count of Floridablanca and was commissioned in 1785 by Charles III for the reurbanización of the Paseo del Prado. To this end, Charles III called on one of his favorite architects, Juan de Villanueva, author also of the nearby Botanical Garden and the City Hall of Madrid.[13] The prado ("meadow") that was where the museum now stands gave its name to the area, the Salón del Prado (later Paseo del Prado), and to the museum itself upon nationalisation. Work on the building stopped at the conclusion of Charles III's reign and throughout the Peninsular War and was only initiated again during the reign of Charles III's grandson, Ferdinand VII. The premises had been used as headquarters for the cavalry and a gunpowder-store for the Napoleonic troops based in Madrid during the war. The next renovations that this Museum will undergo will be conducted by British architect, Norman Foster. This renovation was approved in June 2020 and is expected to take a minimum of four years.[14] Special exhibitions[edit] Between 8 November 2011 and 25 March 2012, a group of 179 works of art were brought to the Museo del Prado from the Hermitage Museum in St. Petersburg.[15] Notable works included: A Scholar (1631), by Rembrandt The Lute Player (c. 1596), by Caravaggio Ecstasy of Saint Teresa (1647), by Bernini Game of Bowls (1908), by Henri Matisse Bouquet of Cornflowers with Stems of Oats in a Vase (c. 1900), by House of Fabergé Pond at Montgeron (1876), by Claude Monet Belt buckle with a monster attacking a horse, (4th–3rd century BC), (gold ornament from Peter I's Siberian Collection) Moonrise, Two Men on the Shore (c. 1900), by Caspar David Friedrich Composition VI (1913), by Wassily Kandinsky Metaphysical Still life (1918), by Giorgio Morandi Conversely, for the first time in its 200-year history, the Museo del Prado has toured an exhibition of its renowned collection of Italian masterpieces at the National Gallery of Victoria in Melbourne, Australia, from 16 May 2014 until 31 August 2014. Many of the works have never before left Spain. Nearby museums[edit] The Prado, with the nearby Thyssen-Bornemisza Museum and the Museo Reina Sofía, forms Madrid's Golden Triangle of Art. Nearby is the Real Academia de Bellas Artes de San Fernando. The Museo Arqueológico houses some art of Ancient Egypt, Mesopotamia, Greece, and Rome formerly in the collection of the Prado. The Naval Museum, managed by the Ministry of Defence, is also nearby. Management[edit] Funding[edit] Until the early 2000s, the Prado's annual income was approximately $18 million, $15 million of which came from the government and the remainder from private contributions, publications, and admissions.[16] In 2001, the conservative government of José María Aznar decided to change the museum's financing platform, ushering in a public-private partnership. Under its new bylaws, which the Cortes Generales approved in 2003, the Prado must gradually reduce its level of state support to 50 percent from 80 percent. In exchange, the museum gained control of the budget — now roughly €35 million — and the power to raise money from corporate donations and merchandising. However, its recent €150 million expansion was paid for by the Spanish state.[17] In 1991, Manuel Villaescusa bequeathed his fortune of nearly $40 million in Madrid real estate to the Prado, to be used solely for the acquisition of paintings. The museum subsequently sold Villaescusa's buildings to realize income from them. The bequest suddenly made the Prado one of the most formidable bidders for paintings in the world.[16] Directors[edit] The first four directors were drawn from nobility. From 1838 to 1960, the directors were mostly artists. Since then, most of them have been art historians. The Marquess of Santa Cruz, 1817–1820 The Prince of Anglona, 1820–1823 José Idiáquez Carvajal [es], 1823–1826 The Duke of Híjar, 1826–1838 José de Madrazo, 1838–1857 Juan Antonio de Ribera, 1857–1860 Federico de Madrazo, 1860–1868 Antonio Gisbert, 1868–1873 Francisco Sans Cabot, 1873–1881 Federico de Madrazo, 1881–1894 Vicente Palmaroli, 1894–1896 Francisco Pradilla, 1896–1898 Luis Álvarez Catalá, 1898–1901 José Villegas Cordero, 1901–1918 Aureliano de Beruete y Moret, 1918–1922 Fernando Álvarez de Sotomayor, 1922–1931 Ramón Pérez de Ayala, 1931–1936 Pablo Ruiz Picasso, 1936–1939 Fernando Álvarez de Sotomayor, 1939–1960 Francisco Javier Sánchez Cantón, 1960–1968 Diego Angulo Íñiguez, 1968–1971 Xavier de Salas Bosch [es], 1971–1978 José Manuel Pita Andrade [es], 1978–1981 Federico Sopeña [es], 1981–1983 Alfonso Pérez Sánchez [es], 1983–1991 Felipe Garín Llombart [es], 1991–1993 Francisco Calvo Serraller, 1993–1994 José María Luzón Nogué [es], 1994–1996 Fernando Checa Cremades [es], 1996–2002 Miguel Zugaza Miranda [es], 2002–2017 Miguel Falomir [es], 2017 – present Collection highlights[edit] Further information: Category:Collections of the Museo del Prado See also: British paintings in the Museo del Prado Hieronymus Bosch, The Garden of Earthly Delights, between 1480 and 1505. Diego Velázquez, Las Meninas, between 1656 and 1657. Diego Velázquez, The Triumph of Bacchus, 1628–29 Fra Angelico, Annunciation, 1430–32 Raphael, Christ Falling on the Way to Calvary, 1517 Pieter Bruegel the Elder, The Triumph of Death, c. 1562 Peter Paul Rubens, The Adoration of the Magi, 1609/1628-1629 Peter Paul Rubens, The Three Graces, c.1635 Selected works[edit] Rogier van der Weyden, The Descent from the Cross, c. 1435 Andrea Mantegna, Death of the Virgin, c. 1461 Antonello da Messina, The Dead Christ Supported by an Angel, c. 1475 Albrecht Dürer Adam and Eve, 1507 Raphael, Portrait of a Cardinal, c. 1510–11 Tintoretto, Christ Washing the Disciples' Feet, c. 1518 Correggio, Noli me tangere, c. 1525 Titian, Bacchanal of the Andrians, c. 1523–1526 Titian, Equestrian Portrait of Charles V, c. 1548 Titian, The Fall of Man, c. 1570 El Greco, The Holy Trinity, 1577–1579 El Greco, The Knight with His Hand on His Breast, c. 1580 Paolo Veronese, Venus and Adonis, c. 1580 Caravaggio, David and Goliath, 1600 Georges de La Tour, Ciego tocando la zanfonía, 1610–1630 Guido Reni, Hipómenes y Atalanta, 1618–19 Joos de Momper, Landscape with Sea and Mountains, c. 1623 Gaspar de Crayer, Caritas Romana, ca. 1625 Nicolas Poussin, Parnassus, c. 1630–31 Rembrandt, Artemisia, c. 1634 Anthony van Dyck, Self-portrait with Endymion Porter, c. 1635 Diego Velázquez, The Surrender of Breda, 1634–35 Diego Velázquez, Mars Resting, 1639–1641 José de Ribera, Jacob's Dream, 1639 Peter Paul Rubens, The Judgement of Paris, 1638–39 Claude Lorrain El embarque de santa Paula, 1639–40 Francisco de Zurbarán, Agnus Dei, 1635–1640 Bartolomé Esteban Murillo, La Inmaculada de Soult, 1678 Giovanni Battista Tiepolo, The Immaculate Conception, 1767 Francisco Goya, The Third of May 1808, 1814 Francisco Goya, The Dog, 1819–1823 Francisco Goya, Saturn Devouring His Son, 1819–1823 Paul Baudry, The Pearl and the Wave, 1862 Antonio Gisbert Pérez, Execution of Torrijos and his Companions on the Beach at Málaga, 1882 In Google Earth[edit] In 2009, the Prado Museum selected 14 of its most important paintings to be displayed in Google Earth and Google Maps at extremely high resolution, with the largest displayed at 14,000 megapixels. The images' zoom capability allows for close-up views of paint texture and fine detail.[18][19] References[edit] ^ The Art Newspaper, Marc h 31,2021 ^ Top 100 Art Museum Attendance, The Art Newspaper, 2014. Retrieved on 15 July 2014. ^ Barrigós, Concha (21 March 2017). "Miguel Falomir, nuevo director del Prado: "Nunca, nunca pediré el traslado del 'Guernica'"". 20 minutos. Retrieved 1 April 2017. ^ "The Collection: origins". Museo Nacional del Prado. Retrieved 15 November 2012.See also Museo del Prado, Catálogo de las pinturas, 1996, Ministerio de Educación y Cultura, Madrid, No ISBN, which lists about 7,800 paintings. Many works have been passed to the Museo Reina Sofia and other museums over the years; others are on loan or in storage. On the new displays, see El Prado se reordena y agranda. europapress.es here (in Spanish) ^ "The Art Newspaper", 31 march 2021 ^ "La historia del Museo del Prado". Vipealo. Retrieved 13 November 2020. ^ Alan Riding (1 August 1990). "The Prado Finds Out What It Has and Where". The New York Times. NYTimes.com. Retrieved 15 November 2012. ^ Alan Riding (1 May 1995). "The Prado Embarks On Plans to Expand Into a Complex". New York Times. NYTimes.com. Retrieved 15 November 2012. ^ a b Al Goodman (19 November 1998). "At Long Last, Expanding Spain's Treasure Chest". The New York Times. NYTimes.com. Retrieved 15 November 2012. ^ "Chronology of the extension". Museo Nacional del Prado. Retrieved 15 November 2012. ^ Hannah McGivern (25 November 2016), Norman Foster to design Prado extension in historic palace Archived 27 November 2016 at the Wayback Machine The Art Newspaper. ^ a b Raphael Minder (25 November 2016), Norman Foster to Remodel Palace for Prado Extension New York Times. ^ "Chronology of Museo del Prado, 1785" (in Spanish). Museo Nacional del Prado. Retrieved 15 November 2012. ^ "Así es la ampliación del Museo del Prado de Norman Foster". ABC. Retrieved 13 November 2020. ^ "The Hermitage in the Prado". Museo Nacional del Prado. Retrieved 15 November 2012. ^ a b Michael Kimmelman (21 November 1993). "New Brooms Sweep Madrid's Museums". The New York Times. NYTimes.com. Retrieved 15 November 2012. ^ Dale Fuchs (24 December 2004). "The art of financing the Prado". New York Times. NYTimes.com. Retrieved 15 November 2012. ^ Tremlett, Giles (14 January 2009). "Online gallery zooms in on Prado's masterpieces (even the smutty bits)". The Guardian. London: Guardian News & Media Limited. Retrieved 5 March 2019. ^ "The Prado in Google Earth". Google.com. Archived from the original on 17 January 2009. Retrieved 24 January 2009. Further reading[edit] Alcolea Blanch, Santiago. The Prado, translated by Richard-Lewis Rees and Angela Patricia Hall. Madrid: Ediciones Polígrafa 1991. Araujo Sánchez, Ceferino. Los museos de España. Madrid 1875. Blanco, Antonio. Museo del Prado. Catálago de la Escultura. I Esculturas clásicas. II. Escultura, copia e imitaciones de las antiguas) (siglos XVI–XVIII). Madrid 1957. Luca de Tena, Consuelo and Mena, Manuela. Guía actualizada del Prado. Madrid: Alfiz 1985. Rumeu de Armas, Antonio. Origen y fundación del Museo del Prado. Madrid: Instituto de España 1980. External links[edit] Wikimedia Commons has media related to: Museo del Prado (category) Official website Masterworks in the collection Prado in Google Earth, extra high resolution v t e National Museums of Spain Prado National Museum (Madrid) Queen Sofía Art Center National Museum (Madrid) Thyssen-Bornemisza National Museum (Madrid) Art National Museum and Research Center of Altamira (Santillana del Mar) Museum of the Americas (Madrid) National Museum of Anthropology (Madrid) National Archaeological Museum (Madrid) National Museum of Subaquatic Archaeology (Cartagena) National Museum of Architecture and Urbanism (Salamanca and Barcelona) González Martí National Museum of Ceramics and Decorative Arts (Valencia) Museum Cerralbo (Madrid) Cervantes' House Museum (Valladolid) Museum of Garment - Ethnologic Heritage Research Center (Madrid) National Museum of Decorative Arts (Madrid) El Greco Museum (Toledo) Lázaro Galdiano Museum (Madrid) National Museum of Roman Art (Mérida) National Museum of Romanticism (Madrid) National Museum of Sculpture (Valladolid) Sephardic Museum (Toledo) Sorolla Museum (Madrid) National Museum of Theatre (Almagro) Military Museum of the Army (Toledo) Naval Museum (Madrid) Aeronautical and Astronautical Museum (Madrid) Science and Technology Royal Botanical Garden (Madrid) Geomineral Museum (Madrid) Museum of the Royal Mint (Madrid) National Museum of Natural Sciences (Madrid) Railway Museum (Madrid) Catalonia Railway Museum (Vilanova i la Geltrú) National Museum of Science and Technology (La Coruña and Alcobendas) v t e Juan de Villanueva Projects Casita del Infante (1773) House of the Prince in El Escorial (1770s) House of the Prince in El Pardo (1780s) Royal Botanical Garden (1781) Prado Museum (1785) Royal Academy of History (1788) Oratory of the Caballero de Gracia (1789) Royal Observatory of Madrid (1790) Reconstruction of Plaza Mayor (1791) v t e Rafael Moneo Projects National Museum of Roman Art (1986) Madrid Atocha railway station remodeling and extension (1992) Palace of Villahermosa transformation into Thyssen-Bornemisza Museum (1992) Seville Airport main terminal (1992) Davis Museum at Wellesley College (1993) Moderna Museet and Swedish Centre for Architecture and Design complex (1997) L'Auditori (1999) Kursaal Congress Centre and Auditorium (1999) Audrey Jones Beck Building (2000) Cathedral of Our Lady of the Angels (2002) Valladolid Science Museum (2003) Prado Museum extension (2007) Rhode Island School of Design Museum Chace Center (2008) Princeton Neuroscience Institute Scully Hall (2013) v t e Laureates of the Prince or Princess of Asturias Award for Communication and Humanities Prince of Asturias Award for Communication and Humanities 1980s 1981: María Zambrano 1982: Mario Bunge 1983: El País newspaper 1984: Claudio Sánchez-Albornoz 1985: José Ferrater Mora 1986: Grupo Globo 1987: El Espectador and El Tiempo newspapers 1988: Horacio Sáenz Guerrero 1989: Pedro Laín Entralgo and Fondo de Cultura Económica 1990s 1990: José Simeón Cañas Central American University 1991: Luis María Anson 1992: Emilio García Gómez 1993: Vuelta magazine by Octavio Paz 1994: Spanish Missions in Rwanda and Burundi 1995: EFE Agency and José Luis López Aranguren 1996: Indro Montanelli and Julián Marías 1997: Václav Havel and CNN 1998: Reinhard Mohn 1999: Caro and Cuervo Institute 2000s 2000: Umberto Eco 2001: George Steiner 2002: Hans Magnus Enzensberger 2003: Ryszard Kapuściński and Gustavo Gutiérrez Merino 2004: Jean Daniel 2005: Alliance Française, Società Dante Alighieri, British Council, Goethe-Institut, Instituto Cervantes and Instituto Camões 2006: National Geographic Society 2007: Nature and Science journals 2008: Google 2009: National Autonomous University of Mexico 2010s 2010: Alain Touraine and Zygmunt Bauman 2011: Royal Society 2012: Shigeru Miyamoto 2013: Annie Leibovitz 2014: Quino Princess of Asturias Award for Communication and Humanities 2010s 2015: Emilio Lledó Íñigo 2016: James Nachtwey 2017: Les Luthiers 2018: Alma Guillermoprieto 2019: Museo del Prado 2020s 2020: Guadalajara International Book Fair and Hay Festival of Literature & Arts 2021: Gloria Steinem Authority control General Integrated Authority File ISNI 1 2 VIAF 1 WorldCat National libraries Norway Spain France (data) Catalonia United States Latvia Czech Republic Australia Israel Croatia Vatican Art research institutes Artist Names (Getty) Scientific databases CiNii (Japan) Other Microsoft Academic RERO (Switzerland) 1 SUDOC (France) 1 Retrieved from "https://en.wikipedia.org/w/index.php?title=Museo_del_Prado&oldid=1026987650" Categories: Museo del Prado Museums in Madrid Art museums and galleries in Madrid Paseo del Prado Bien de Interés Cultural landmarks in Madrid Tourism in Madrid Art museums established in 1819 1819 establishments in Spain Juan de Villanueva buildings Neoclassical architecture in Madrid Cultural tourism in Spain Buildings and structures in Jerónimos neighborhood, Madrid Hidden categories: 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