id	author	title	date	pages	extension	mime	words	sentences	flesch	summary	cache	txt
work_mpeihe564banzpeqvtvfdgoi3u	Morton H. Levine	Prehistoric Art and Ideology	1957	17	.pdf	application/pdf	9118	684	62	art is patterned by the point of view of their culture, if we can suggest the ways Symbolism (1956), in which we are provided with a specific account of aboriginal art and belief in Arnhem Land which discriminates three artistic subcultures (Groote Eylandt, Oenpelli, and Yirrkalla) and details the corresponding ideology. of the Australian material beyond the specifically local situation may be suggested: The ritual production of art. Style is not, as is sometimes assumed, an aspect of art independent of subject matter or "content." This distinction merely refers to different lines of reference to the configuration of culture and art style in the same work is not selection represent the art style of the group or culture. gathering peoples designed to distinguish between what is specific to the Australian situation and what might remain for use in interpreting Upper Paleolithic art.	./cache/work_mpeihe564banzpeqvtvfdgoi3u.pdf	./txt/work_mpeihe564banzpeqvtvfdgoi3u.txt