id	author	title	date	pages	extension	mime	words	sentences	flesch	summary	cache	txt
work_qzmc564uh5ey5gsvsjwup7ql3q	Nancy Berman	From Le sacre to Les noces: Primitivism and the Changing Face of Modernity	1999	14	.pdf	application/pdf	7897	536	60	From Le sacre to Les noces: Primitivism and the Changing Face of Modernity From Le sacre to Les noces: Primitivism and the Changing Face (New York: Oxford University Press, 1978), 22: "Modernists hated modernity: they hated, in other Les noces\ primitivism's primary musical sign was understood to be rhythm; for saw the work as critical of modern French culture include Jacques-Emile Blanche, who claimed that the aesthetic as manifest in Le sacre and Les noces. background" ("Pour la technique les Noces s'apparentent au Sacre; mais, dans l'ensemble, l'œuvre est classicism of Les noces was the hallmark of its modernism; the critics situated An exploration of the Purists' modernist affinity for the classical, an affinity which characterized the reception of Les noces, which dominated French cultural life after World War I.26 According to the art noces was one of many cultural products by means of which post-war modernists extolled the virtues of the machine age.	./cache/work_qzmc564uh5ey5gsvsjwup7ql3q.pdf	./txt/work_qzmc564uh5ey5gsvsjwup7ql3q.txt