id	author	title	date	pages	extension	mime	words	sentences	flesch	summary	cache	txt
work_tsbzzl7nrjaadi2tfeugsfin6e	Ding Guogi	Art's Commitment to Liberation in Marcuse's Philosophy	2015	9	.pdf	application/pdf	4501	264	55	Instead, his program is grounded in the 'activism' of the aesthetic form seeking after the earthly actualization of pleasure, beauty, happiness, and satisfaction".1 Marcuse's 8 Herbert Marcuse, "Art as Form of Reality", New Left Review, 1972, No. 74, 51–58. In the aesthetic form, the autonomy of art constitutes itself. Marcuse is critical of modern art because it betrays form and autonomy, whereas Adorno but often combines "form" organically with the fate of human liberation and people's dissatisfaction with repression in real life so that his thought on form presents distinct and revolutionary practical features, which naturally adds theoretical value and truth to his theory. of "aesthetic dimension" constructed by "aesthetic form" makes Marcuse's theory of art both a 24 Herbert Marcuse, "Art as Form of Reality", op. 24 Herbert Marcuse, "Art as Form of Reality", op. Marcuse's aesthetic stress on art's resistance to reality and on human liberation is by no 	./cache/work_tsbzzl7nrjaadi2tfeugsfin6e.pdf	./txt/work_tsbzzl7nrjaadi2tfeugsfin6e.txt