id	author	title	date	pages	extension	mime	words	sentences	flesch	summary	cache	txt
work_ur2jx45sprb3ndr32hhgznfz24	Daniel Albright	Postmodern Interpretations of Satie's Parade	2001	19	.pdf	application/pdf	9315	561	66	Postmodern Interpretations of Satie's Parade. Postmodern Interpretations of Satie's Parade. Postmodern Interpretations of Satie's Parade. lowbrow; as we will see, Parade strangely blends the ragtime and the highfalutin, advanced musical technique and mere noise. In Satie's ballets, in his film score, the music does what Theatre, and three Music Hall turns are employed as Parade. I find it hard to imagine a performance of Parade in which the music would Cocteau thought of Satie's score as Parade is what Erwartung sounds like with its tongue torn out: a sort of Parade was Picasso, not Cocteau. Satie paid little attention to the content of Parade, as Cocteau imagined it: Satie, however, paid close attention to the style of Parade, as Picasso imagined Some critics of Parade feel that Satie's music is no more cubist than performance itself; Satie, on the other hand, invented the background sounds Satie's music, with Satie's music, with 	./cache/work_ur2jx45sprb3ndr32hhgznfz24.pdf	./txt/work_ur2jx45sprb3ndr32hhgznfz24.txt