id	sid	tid	token	lemma	pos
work_sk7gnw3pqnavpepvdpzuf3wyti	1	1	S0149767719000391jed	S0149767719000391jed	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	1	2	1	1	CD
work_sk7gnw3pqnavpepvdpzuf3wyti	1	3	..	..	NFP
work_sk7gnw3pqnavpepvdpzuf3wyti	1	4	2	2	CD
work_sk7gnw3pqnavpepvdpzuf3wyti	1	5	Editor	editor	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	1	6	’s	’s	,
work_sk7gnw3pqnavpepvdpzuf3wyti	1	7	Note	note	VB
work_sk7gnw3pqnavpepvdpzuf3wyti	1	8	The	the	DT
work_sk7gnw3pqnavpepvdpzuf3wyti	1	9	first	first	JJ
work_sk7gnw3pqnavpepvdpzuf3wyti	1	10	article	article	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	1	11	by	by	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	1	12	Harmony	Harmony	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	1	13	Bench	Bench	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	1	14	,	,	,
work_sk7gnw3pqnavpepvdpzuf3wyti	1	15	“	"	``
work_sk7gnw3pqnavpepvdpzuf3wyti	1	16	Mapping	Mapping	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	1	17	Touring	touring	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	1	18	:	:	:
work_sk7gnw3pqnavpepvdpzuf3wyti	1	19	Remediating	remediate	VBG
work_sk7gnw3pqnavpepvdpzuf3wyti	1	20	Concert	Concert	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	1	21	Dance	Dance	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	1	22	Archives	Archives	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	1	23	,	,	,
work_sk7gnw3pqnavpepvdpzuf3wyti	1	24	”	"	''
work_sk7gnw3pqnavpepvdpzuf3wyti	1	25	presents	present	VBZ
work_sk7gnw3pqnavpepvdpzuf3wyti	1	26	an	an	DT
work_sk7gnw3pqnavpepvdpzuf3wyti	1	27	ongoing	ongoing	JJ
work_sk7gnw3pqnavpepvdpzuf3wyti	1	28	project	project	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	1	29	that	that	WDT
work_sk7gnw3pqnavpepvdpzuf3wyti	1	30	seeks	seek	VBZ
work_sk7gnw3pqnavpepvdpzuf3wyti	1	31	to	to	TO
work_sk7gnw3pqnavpepvdpzuf3wyti	1	32	examine	examine	VB
work_sk7gnw3pqnavpepvdpzuf3wyti	1	33	the	the	DT
work_sk7gnw3pqnavpepvdpzuf3wyti	1	34	growing	grow	VBG
work_sk7gnw3pqnavpepvdpzuf3wyti	1	35	interest	interest	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	1	36	in	in	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	1	37	combining	combine	VBG
work_sk7gnw3pqnavpepvdpzuf3wyti	1	38	the	the	DT
work_sk7gnw3pqnavpepvdpzuf3wyti	1	39	field	field	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	1	40	of	of	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	1	41	digital	digital	JJ
work_sk7gnw3pqnavpepvdpzuf3wyti	1	42	humanities	humanity	NNS
work_sk7gnw3pqnavpepvdpzuf3wyti	1	43	with	with	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	1	44	dance	dance	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	1	45	studies.1	studies.1	CD
work_sk7gnw3pqnavpepvdpzuf3wyti	1	46	The	the	DT
work_sk7gnw3pqnavpepvdpzuf3wyti	1	47	case	case	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	1	48	study	study	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	1	49	for	for	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	1	50	this	this	DT
work_sk7gnw3pqnavpepvdpzuf3wyti	1	51	article	article	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	1	52	involves	involve	VBZ
work_sk7gnw3pqnavpepvdpzuf3wyti	1	53	mapping	mapping	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	1	54	and	and	CC
work_sk7gnw3pqnavpepvdpzuf3wyti	1	55	analyz-	analyz-	VBD
work_sk7gnw3pqnavpepvdpzuf3wyti	1	56	ing	ing	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	1	57	Denishawn	Denishawn	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	1	58	’s	’s	POS
work_sk7gnw3pqnavpepvdpzuf3wyti	1	59	touring	touring	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	1	60	before	before	RB
work_sk7gnw3pqnavpepvdpzuf3wyti	1	61	and	and	CC
work_sk7gnw3pqnavpepvdpzuf3wyti	1	62	after	after	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	1	63	the	the	DT
work_sk7gnw3pqnavpepvdpzuf3wyti	1	64	company	company	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	1	65	’s	’s	POS
work_sk7gnw3pqnavpepvdpzuf3wyti	1	66	tour	tour	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	1	67	of	of	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	1	68	Asia	Asia	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	1	69	in	in	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	1	70	1925–1926	1925–1926	CD
work_sk7gnw3pqnavpepvdpzuf3wyti	1	71	.	.	.
work_sk7gnw3pqnavpepvdpzuf3wyti	2	1	This	this	DT
work_sk7gnw3pqnavpepvdpzuf3wyti	2	2	project	project	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	2	3	,	,	,
work_sk7gnw3pqnavpepvdpzuf3wyti	2	4	as	as	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	2	5	the	the	DT
work_sk7gnw3pqnavpepvdpzuf3wyti	2	6	author	author	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	2	7	notes	note	VBZ
work_sk7gnw3pqnavpepvdpzuf3wyti	2	8	,	,	,
work_sk7gnw3pqnavpepvdpzuf3wyti	2	9	is	be	VBZ
work_sk7gnw3pqnavpepvdpzuf3wyti	2	10	positioned	position	VBN
work_sk7gnw3pqnavpepvdpzuf3wyti	2	11	“	"	``
work_sk7gnw3pqnavpepvdpzuf3wyti	2	12	within	within	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	2	13	the	the	DT
work_sk7gnw3pqnavpepvdpzuf3wyti	2	14	archival	archival	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	2	15	turn	turn	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	2	16	in	in	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	2	17	dance	dance	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	2	18	,	,	,
work_sk7gnw3pqnavpepvdpzuf3wyti	2	19	”	"	''
work_sk7gnw3pqnavpepvdpzuf3wyti	2	20	and	and	CC
work_sk7gnw3pqnavpepvdpzuf3wyti	2	21	as	as	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	2	22	such	such	JJ
work_sk7gnw3pqnavpepvdpzuf3wyti	2	23	,	,	,
work_sk7gnw3pqnavpepvdpzuf3wyti	2	24	it	-PRON-	PRP
work_sk7gnw3pqnavpepvdpzuf3wyti	2	25	builds	build	VBZ
work_sk7gnw3pqnavpepvdpzuf3wyti	2	26	on	on	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	2	27	recent	recent	JJ
work_sk7gnw3pqnavpepvdpzuf3wyti	2	28	digital	digital	JJ
work_sk7gnw3pqnavpepvdpzuf3wyti	2	29	archival	archival	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	2	30	projects	project	NNS
work_sk7gnw3pqnavpepvdpzuf3wyti	2	31	in	in	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	2	32	this	this	DT
work_sk7gnw3pqnavpepvdpzuf3wyti	2	33	area	area	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	2	34	that	that	WDT
work_sk7gnw3pqnavpepvdpzuf3wyti	2	35	involve	involve	VBP
work_sk7gnw3pqnavpepvdpzuf3wyti	2	36	dance	dance	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	2	37	.	.	.
work_sk7gnw3pqnavpepvdpzuf3wyti	3	1	At	at	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	3	2	the	the	DT
work_sk7gnw3pqnavpepvdpzuf3wyti	3	3	same	same	JJ
work_sk7gnw3pqnavpepvdpzuf3wyti	3	4	time	time	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	3	5	,	,	,
work_sk7gnw3pqnavpepvdpzuf3wyti	3	6	however	however	RB
work_sk7gnw3pqnavpepvdpzuf3wyti	3	7	,	,	,
work_sk7gnw3pqnavpepvdpzuf3wyti	3	8	Bench	Bench	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	3	9	sets	set	VBZ
work_sk7gnw3pqnavpepvdpzuf3wyti	3	10	out	out	RP
work_sk7gnw3pqnavpepvdpzuf3wyti	3	11	the	the	DT
work_sk7gnw3pqnavpepvdpzuf3wyti	3	12	differences	difference	NNS
work_sk7gnw3pqnavpepvdpzuf3wyti	3	13	and	and	CC
work_sk7gnw3pqnavpepvdpzuf3wyti	3	14	the	the	DT
work_sk7gnw3pqnavpepvdpzuf3wyti	3	15	potential	potential	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	3	16	of	of	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	3	17	Mapping	Mapping	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	3	18	Touring	Touring	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	3	19	’s	’s	POS
work_sk7gnw3pqnavpepvdpzuf3wyti	3	20	“	"	``
work_sk7gnw3pqnavpepvdpzuf3wyti	3	21	spatial	spatial	JJ
work_sk7gnw3pqnavpepvdpzuf3wyti	3	22	analysis	analysis	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	3	23	”	"	''
work_sk7gnw3pqnavpepvdpzuf3wyti	3	24	approach	approach	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	3	25	from	from	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	3	26	the	the	DT
work_sk7gnw3pqnavpepvdpzuf3wyti	3	27	more	more	RBR
work_sk7gnw3pqnavpepvdpzuf3wyti	3	28	common	common	JJ
work_sk7gnw3pqnavpepvdpzuf3wyti	3	29	digital	digital	JJ
work_sk7gnw3pqnavpepvdpzuf3wyti	3	30	archival	archival	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	3	31	projects	project	NNS
work_sk7gnw3pqnavpepvdpzuf3wyti	3	32	that	that	WDT
work_sk7gnw3pqnavpepvdpzuf3wyti	3	33	focus	focus	VBP
work_sk7gnw3pqnavpepvdpzuf3wyti	3	34	on	on	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	3	35	an	an	DT
work_sk7gnw3pqnavpepvdpzuf3wyti	3	36	individual	individual	JJ
work_sk7gnw3pqnavpepvdpzuf3wyti	3	37	choreographer	choreographer	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	3	38	’s	’s	POS
work_sk7gnw3pqnavpepvdpzuf3wyti	3	39	work	work	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	3	40	or	or	CC
work_sk7gnw3pqnavpepvdpzuf3wyti	3	41	that	that	DT
work_sk7gnw3pqnavpepvdpzuf3wyti	3	42	of	of	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	3	43	a	a	DT
work_sk7gnw3pqnavpepvdpzuf3wyti	3	44	group	group	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	3	45	,	,	,
work_sk7gnw3pqnavpepvdpzuf3wyti	3	46	or	or	CC
work_sk7gnw3pqnavpepvdpzuf3wyti	3	47	of	of	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	3	48	particular	particular	JJ
work_sk7gnw3pqnavpepvdpzuf3wyti	3	49	archives	archive	NNS
work_sk7gnw3pqnavpepvdpzuf3wyti	3	50	.	.	.
work_sk7gnw3pqnavpepvdpzuf3wyti	4	1	The	the	DT
work_sk7gnw3pqnavpepvdpzuf3wyti	4	2	following	following	JJ
work_sk7gnw3pqnavpepvdpzuf3wyti	4	3	article	article	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	4	4	,	,	,
work_sk7gnw3pqnavpepvdpzuf3wyti	4	5	“	"	``
work_sk7gnw3pqnavpepvdpzuf3wyti	4	6	A	a	DT
work_sk7gnw3pqnavpepvdpzuf3wyti	4	7	Dance	Dance	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	4	8	of	of	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	4	9	Resistance	Resistance	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	4	10	from	from	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	4	11	Recife	Recife	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	4	12	,	,	,
work_sk7gnw3pqnavpepvdpzuf3wyti	4	13	Brazil	Brazil	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	4	14	:	:	:
work_sk7gnw3pqnavpepvdpzuf3wyti	4	15	Carnivalesque	Carnivalesque	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	4	16	Improvisation	Improvisation	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	4	17	in	in	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	4	18	Frevo	Frevo	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	4	19	,	,	,
work_sk7gnw3pqnavpepvdpzuf3wyti	4	20	”	"	''
work_sk7gnw3pqnavpepvdpzuf3wyti	4	21	by	by	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	4	22	Kathleen	Kathleen	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	4	23	A.	a.	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	4	24	Spanos	Spanos	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	4	25	,	,	,
work_sk7gnw3pqnavpepvdpzuf3wyti	4	26	is	be	VBZ
work_sk7gnw3pqnavpepvdpzuf3wyti	4	27	based	base	VBN
work_sk7gnw3pqnavpepvdpzuf3wyti	4	28	on	on	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	4	29	ethnographic	ethnographic	JJ
work_sk7gnw3pqnavpepvdpzuf3wyti	4	30	research	research	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	4	31	,	,	,
work_sk7gnw3pqnavpepvdpzuf3wyti	4	32	which	which	WDT
work_sk7gnw3pqnavpepvdpzuf3wyti	4	33	included	include	VBD
work_sk7gnw3pqnavpepvdpzuf3wyti	4	34	taking	take	VBG
work_sk7gnw3pqnavpepvdpzuf3wyti	4	35	classes	class	NNS
work_sk7gnw3pqnavpepvdpzuf3wyti	4	36	and	and	CC
work_sk7gnw3pqnavpepvdpzuf3wyti	4	37	learning	learn	VBG
work_sk7gnw3pqnavpepvdpzuf3wyti	4	38	frevo	frevo	RB
work_sk7gnw3pqnavpepvdpzuf3wyti	4	39	,	,	,
work_sk7gnw3pqnavpepvdpzuf3wyti	4	40	attending	attend	VBG
work_sk7gnw3pqnavpepvdpzuf3wyti	4	41	carnivals	carnival	NNS
work_sk7gnw3pqnavpepvdpzuf3wyti	4	42	,	,	,
work_sk7gnw3pqnavpepvdpzuf3wyti	4	43	interviewing	interview	VBG
work_sk7gnw3pqnavpepvdpzuf3wyti	4	44	teachers	teacher	NNS
work_sk7gnw3pqnavpepvdpzuf3wyti	4	45	and	and	CC
work_sk7gnw3pqnavpepvdpzuf3wyti	4	46	practitioners	practitioner	NNS
work_sk7gnw3pqnavpepvdpzuf3wyti	4	47	,	,	,
work_sk7gnw3pqnavpepvdpzuf3wyti	4	48	and	and	CC
work_sk7gnw3pqnavpepvdpzuf3wyti	4	49	observing	observe	VBG
work_sk7gnw3pqnavpepvdpzuf3wyti	4	50	.	.	.
work_sk7gnw3pqnavpepvdpzuf3wyti	5	1	The	the	DT
work_sk7gnw3pqnavpepvdpzuf3wyti	5	2	origins	origin	NNS
work_sk7gnw3pqnavpepvdpzuf3wyti	5	3	of	of	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	5	4	frevo	frevo	JJ
work_sk7gnw3pqnavpepvdpzuf3wyti	5	5	stem	stem	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	5	6	from	from	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	5	7	the	the	DT
work_sk7gnw3pqnavpepvdpzuf3wyti	5	8	Brazilian	brazilian	JJ
work_sk7gnw3pqnavpepvdpzuf3wyti	5	9	martial	martial	JJ
work_sk7gnw3pqnavpepvdpzuf3wyti	5	10	art	art	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	5	11	capoeira	capoeira	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	5	12	,	,	,
work_sk7gnw3pqnavpepvdpzuf3wyti	5	13	and	and	CC
work_sk7gnw3pqnavpepvdpzuf3wyti	5	14	it	-PRON-	PRP
work_sk7gnw3pqnavpepvdpzuf3wyti	5	15	is	be	VBZ
work_sk7gnw3pqnavpepvdpzuf3wyti	5	16	from	from	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	5	17	capoeira	capoeira	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	5	18	,	,	,
work_sk7gnw3pqnavpepvdpzuf3wyti	5	19	Spanos	spanos	JJ
work_sk7gnw3pqnavpepvdpzuf3wyti	5	20	notes	note	NNS
work_sk7gnw3pqnavpepvdpzuf3wyti	5	21	,	,	,
work_sk7gnw3pqnavpepvdpzuf3wyti	5	22	that	that	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	5	23	frevo	frevo	RB
work_sk7gnw3pqnavpepvdpzuf3wyti	5	24	derives	derive	VBZ
work_sk7gnw3pqnavpepvdpzuf3wyti	5	25	its	-PRON-	PRP$
work_sk7gnw3pqnavpepvdpzuf3wyti	5	26	“	"	``
work_sk7gnw3pqnavpepvdpzuf3wyti	5	27	form	form	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	5	28	of	of	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	5	29	resistance	resistance	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	5	30	.	.	.
work_sk7gnw3pqnavpepvdpzuf3wyti	5	31	”	"	''
work_sk7gnw3pqnavpepvdpzuf3wyti	5	32	She	-PRON-	PRP
work_sk7gnw3pqnavpepvdpzuf3wyti	5	33	also	also	RB
work_sk7gnw3pqnavpepvdpzuf3wyti	5	34	argues	argue	VBZ
work_sk7gnw3pqnavpepvdpzuf3wyti	5	35	that	that	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	5	36	frevo	frevo	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	5	37	is	be	VBZ
work_sk7gnw3pqnavpepvdpzuf3wyti	5	38	fundamentally	fundamentally	RB
work_sk7gnw3pqnavpepvdpzuf3wyti	5	39	“	"	``
work_sk7gnw3pqnavpepvdpzuf3wyti	5	40	car-	car-	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	5	41	nivalesque	nivalesque	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	5	42	,	,	,
work_sk7gnw3pqnavpepvdpzuf3wyti	5	43	”	"	''
work_sk7gnw3pqnavpepvdpzuf3wyti	5	44	inasmuch	inasmuch	JJ
work_sk7gnw3pqnavpepvdpzuf3wyti	5	45	as	as	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	5	46	it	-PRON-	PRP
work_sk7gnw3pqnavpepvdpzuf3wyti	5	47	is	be	VBZ
work_sk7gnw3pqnavpepvdpzuf3wyti	5	48	performed	perform	VBN
work_sk7gnw3pqnavpepvdpzuf3wyti	5	49	in	in	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	5	50	the	the	DT
work_sk7gnw3pqnavpepvdpzuf3wyti	5	51	heavily	heavily	RB
work_sk7gnw3pqnavpepvdpzuf3wyti	5	52	packed	pack	VBN
work_sk7gnw3pqnavpepvdpzuf3wyti	5	53	carnival	carnival	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	5	54	streets	street	NNS
work_sk7gnw3pqnavpepvdpzuf3wyti	5	55	,	,	,
work_sk7gnw3pqnavpepvdpzuf3wyti	5	56	which	which	WDT
work_sk7gnw3pqnavpepvdpzuf3wyti	5	57	can	can	MD
work_sk7gnw3pqnavpepvdpzuf3wyti	5	58	frequently	frequently	RB
work_sk7gnw3pqnavpepvdpzuf3wyti	5	59	erupt	erupt	VB
work_sk7gnw3pqnavpepvdpzuf3wyti	5	60	in	in	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	5	61	violence	violence	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	5	62	,	,	,
work_sk7gnw3pqnavpepvdpzuf3wyti	5	63	and	and	CC
work_sk7gnw3pqnavpepvdpzuf3wyti	5	64	(	(	-LRB-
work_sk7gnw3pqnavpepvdpzuf3wyti	5	65	following	follow	VBG
work_sk7gnw3pqnavpepvdpzuf3wyti	5	66	Bakhtin	Bakhtin	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	5	67	1984	1984	CD
work_sk7gnw3pqnavpepvdpzuf3wyti	5	68	)	)	-RRB-
work_sk7gnw3pqnavpepvdpzuf3wyti	5	69	“	"	``
work_sk7gnw3pqnavpepvdpzuf3wyti	5	70	when	when	WRB
work_sk7gnw3pqnavpepvdpzuf3wyti	5	71	hierarchies	hierarchy	NNS
work_sk7gnw3pqnavpepvdpzuf3wyti	5	72	are	be	VBP
work_sk7gnw3pqnavpepvdpzuf3wyti	5	73	disrupted	disrupt	VBN
work_sk7gnw3pqnavpepvdpzuf3wyti	5	74	.	.	.
work_sk7gnw3pqnavpepvdpzuf3wyti	5	75	”	"	''
work_sk7gnw3pqnavpepvdpzuf3wyti	5	76	Spanos	Spanos	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	5	77	uses	use	VBZ
work_sk7gnw3pqnavpepvdpzuf3wyti	5	78	the	the	DT
work_sk7gnw3pqnavpepvdpzuf3wyti	5	79	term	term	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	5	80	“	"	``
work_sk7gnw3pqnavpepvdpzuf3wyti	5	81	carnivalesque	carnivalesque	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	5	82	improvisation	improvisation	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	5	83	”	"	''
work_sk7gnw3pqnavpepvdpzuf3wyti	5	84	to	to	TO
work_sk7gnw3pqnavpepvdpzuf3wyti	5	85	describe	describe	VB
work_sk7gnw3pqnavpepvdpzuf3wyti	5	86	this	this	DT
work_sk7gnw3pqnavpepvdpzuf3wyti	5	87	engagement	engagement	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	5	88	of	of	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	5	89	frevo	frevo	JJ
work_sk7gnw3pqnavpepvdpzuf3wyti	5	90	practitioners	practitioner	NNS
work_sk7gnw3pqnavpepvdpzuf3wyti	5	91	.	.	.
work_sk7gnw3pqnavpepvdpzuf3wyti	6	1	She	-PRON-	PRP
work_sk7gnw3pqnavpepvdpzuf3wyti	6	2	also	also	RB
work_sk7gnw3pqnavpepvdpzuf3wyti	6	3	notes	note	VBZ
work_sk7gnw3pqnavpepvdpzuf3wyti	6	4	that	that	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	6	5	the	the	DT
work_sk7gnw3pqnavpepvdpzuf3wyti	6	6	frevo	frevo	JJ
work_sk7gnw3pqnavpepvdpzuf3wyti	6	7	practitioners	practitioner	NNS
work_sk7gnw3pqnavpepvdpzuf3wyti	6	8	did	do	VBD
work_sk7gnw3pqnavpepvdpzuf3wyti	6	9	not	not	RB
work_sk7gnw3pqnavpepvdpzuf3wyti	6	10	like	like	VB
work_sk7gnw3pqnavpepvdpzuf3wyti	6	11	the	the	DT
work_sk7gnw3pqnavpepvdpzuf3wyti	6	12	word	word	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	6	13	improvisation	improvisation	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	6	14	due	due	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	6	15	to	to	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	6	16	its	-PRON-	PRP$
work_sk7gnw3pqnavpepvdpzuf3wyti	6	17	negative	negative	JJ
work_sk7gnw3pqnavpepvdpzuf3wyti	6	18	associations	association	NNS
work_sk7gnw3pqnavpepvdpzuf3wyti	6	19	in	in	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	6	20	the	the	DT
work_sk7gnw3pqnavpepvdpzuf3wyti	6	21	Portuguese	portuguese	JJ
work_sk7gnw3pqnavpepvdpzuf3wyti	6	22	language	language	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	6	23	(	(	-LRB-
work_sk7gnw3pqnavpepvdpzuf3wyti	6	24	improviso	improviso	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	6	25	)	)	-RRB-
work_sk7gnw3pqnavpepvdpzuf3wyti	6	26	,	,	,
work_sk7gnw3pqnavpepvdpzuf3wyti	6	27	as	as	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	6	28	lacking	lack	VBG
work_sk7gnw3pqnavpepvdpzuf3wyti	6	29	in	in	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	6	30	“	"	``
work_sk7gnw3pqnavpepvdpzuf3wyti	6	31	preparation	preparation	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	6	32	”	"	''
work_sk7gnw3pqnavpepvdpzuf3wyti	6	33	and	and	CC
work_sk7gnw3pqnavpepvdpzuf3wyti	6	34	“	"	``
work_sk7gnw3pqnavpepvdpzuf3wyti	6	35	technique	technique	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	6	36	,	,	,
work_sk7gnw3pqnavpepvdpzuf3wyti	6	37	”	"	''
work_sk7gnw3pqnavpepvdpzuf3wyti	6	38	along	along	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	6	39	class	class	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	6	40	and	and	CC
work_sk7gnw3pqnavpepvdpzuf3wyti	6	41	race	race	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	6	42	lines	line	NNS
work_sk7gnw3pqnavpepvdpzuf3wyti	6	43	.	.	.
work_sk7gnw3pqnavpepvdpzuf3wyti	7	1	However	however	RB
work_sk7gnw3pqnavpepvdpzuf3wyti	7	2	,	,	,
work_sk7gnw3pqnavpepvdpzuf3wyti	7	3	Spanos	Spanos	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	7	4	discusses	discuss	VBZ
work_sk7gnw3pqnavpepvdpzuf3wyti	7	5	how	how	WRB
work_sk7gnw3pqnavpepvdpzuf3wyti	7	6	the	the	DT
work_sk7gnw3pqnavpepvdpzuf3wyti	7	7	term	term	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	7	8	“	"	``
work_sk7gnw3pqnavpepvdpzuf3wyti	7	9	carnivalesque	carnivalesque	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	7	10	improvisation	improvisation	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	7	11	”	"	''
work_sk7gnw3pqnavpepvdpzuf3wyti	7	12	dislocated	dislocate	VBD
work_sk7gnw3pqnavpepvdpzuf3wyti	7	13	those	those	DT
work_sk7gnw3pqnavpepvdpzuf3wyti	7	14	negative	negative	JJ
work_sk7gnw3pqnavpepvdpzuf3wyti	7	15	linguistic	linguistic	JJ
work_sk7gnw3pqnavpepvdpzuf3wyti	7	16	connotations	connotation	NNS
work_sk7gnw3pqnavpepvdpzuf3wyti	7	17	.	.	.
work_sk7gnw3pqnavpepvdpzuf3wyti	8	1	Amy	Amy	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	8	2	Swanson	Swanson	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	8	3	’s	’s	POS
work_sk7gnw3pqnavpepvdpzuf3wyti	8	4	article	article	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	8	5	“	"	``
work_sk7gnw3pqnavpepvdpzuf3wyti	8	6	Gender	Gender	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	8	7	and	and	CC
work_sk7gnw3pqnavpepvdpzuf3wyti	8	8	Sexual	Sexual	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	8	9	Transgression	Transgression	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	8	10	in	in	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	8	11	Contemporary	Contemporary	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	8	12	Dance	Dance	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	8	13	Works	Works	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	8	14	by	by	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	8	15	Senegalese	Senegalese	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	8	16	Men	Men	NNPS
work_sk7gnw3pqnavpepvdpzuf3wyti	8	17	,	,	,
work_sk7gnw3pqnavpepvdpzuf3wyti	8	18	”	"	''
work_sk7gnw3pqnavpepvdpzuf3wyti	8	19	which	which	WDT
work_sk7gnw3pqnavpepvdpzuf3wyti	8	20	is	be	VBZ
work_sk7gnw3pqnavpepvdpzuf3wyti	8	21	also	also	RB
work_sk7gnw3pqnavpepvdpzuf3wyti	8	22	based	base	VBN
work_sk7gnw3pqnavpepvdpzuf3wyti	8	23	on	on	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	8	24	ethnographic	ethnographic	JJ
work_sk7gnw3pqnavpepvdpzuf3wyti	8	25	research	research	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	8	26	,	,	,
work_sk7gnw3pqnavpepvdpzuf3wyti	8	27	focusses	focusse	VBZ
work_sk7gnw3pqnavpepvdpzuf3wyti	8	28	on	on	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	8	29	three	three	CD
work_sk7gnw3pqnavpepvdpzuf3wyti	8	30	dance	dance	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	8	31	pieces	piece	NNS
work_sk7gnw3pqnavpepvdpzuf3wyti	8	32	by	by	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	8	33	contemporary	contemporary	JJ
work_sk7gnw3pqnavpepvdpzuf3wyti	8	34	Senegalese	senegalese	JJ
work_sk7gnw3pqnavpepvdpzuf3wyti	8	35	choreographers	choreographer	NNS
work_sk7gnw3pqnavpepvdpzuf3wyti	8	36	whose	whose	WP$
work_sk7gnw3pqnavpepvdpzuf3wyti	8	37	work	work	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	8	38	develops	develop	VBZ
work_sk7gnw3pqnavpepvdpzuf3wyti	8	39	out	out	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	8	40	of	of	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	8	41	the	the	DT
work_sk7gnw3pqnavpepvdpzuf3wyti	8	42	spaces	space	NNS
work_sk7gnw3pqnavpepvdpzuf3wyti	8	43	between	between	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	8	44	the	the	DT
work_sk7gnw3pqnavpepvdpzuf3wyti	8	45	“	"	``
work_sk7gnw3pqnavpepvdpzuf3wyti	8	46	local	local	JJ
work_sk7gnw3pqnavpepvdpzuf3wyti	8	47	”	"	''
work_sk7gnw3pqnavpepvdpzuf3wyti	8	48	and	and	CC
work_sk7gnw3pqnavpepvdpzuf3wyti	8	49	the	the	DT
work_sk7gnw3pqnavpepvdpzuf3wyti	8	50	“	"	``
work_sk7gnw3pqnavpepvdpzuf3wyti	8	51	global	global	JJ
work_sk7gnw3pqnavpepvdpzuf3wyti	8	52	,	,	,
work_sk7gnw3pqnavpepvdpzuf3wyti	8	53	”	"	''
work_sk7gnw3pqnavpepvdpzuf3wyti	8	54	and	and	CC
work_sk7gnw3pqnavpepvdpzuf3wyti	8	55	which	which	WDT
work_sk7gnw3pqnavpepvdpzuf3wyti	8	56	are	be	VBP
work_sk7gnw3pqnavpepvdpzuf3wyti	8	57	set	set	VBN
work_sk7gnw3pqnavpepvdpzuf3wyti	8	58	against	against	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	8	59	the	the	DT
work_sk7gnw3pqnavpepvdpzuf3wyti	8	60	expectations	expectation	NNS
work_sk7gnw3pqnavpepvdpzuf3wyti	8	61	of	of	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	8	62	cultural	cultural	JJ
work_sk7gnw3pqnavpepvdpzuf3wyti	8	63	values	value	NNS
work_sk7gnw3pqnavpepvdpzuf3wyti	8	64	that	that	WDT
work_sk7gnw3pqnavpepvdpzuf3wyti	8	65	are	be	VBP
work_sk7gnw3pqnavpepvdpzuf3wyti	8	66	asso-	asso-	RB
work_sk7gnw3pqnavpepvdpzuf3wyti	8	67	ciated	ciate	VBN
work_sk7gnw3pqnavpepvdpzuf3wyti	8	68	with	with	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	8	69	gender	gender	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	8	70	and	and	CC
work_sk7gnw3pqnavpepvdpzuf3wyti	8	71	sexuality	sexuality	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	8	72	.	.	.
work_sk7gnw3pqnavpepvdpzuf3wyti	9	1	Swanson	Swanson	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	9	2	draws	draw	VBZ
work_sk7gnw3pqnavpepvdpzuf3wyti	9	3	on	on	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	9	4	the	the	DT
work_sk7gnw3pqnavpepvdpzuf3wyti	9	5	knotted	knotted	JJ
work_sk7gnw3pqnavpepvdpzuf3wyti	9	6	relations	relation	NNS
work_sk7gnw3pqnavpepvdpzuf3wyti	9	7	between	between	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	9	8	the	the	DT
work_sk7gnw3pqnavpepvdpzuf3wyti	9	9	local	local	JJ
work_sk7gnw3pqnavpepvdpzuf3wyti	9	10	and	and	CC
work_sk7gnw3pqnavpepvdpzuf3wyti	9	11	the	the	DT
work_sk7gnw3pqnavpepvdpzuf3wyti	9	12	global	global	JJ
work_sk7gnw3pqnavpepvdpzuf3wyti	9	13	as	as	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	9	14	an	an	DT
work_sk7gnw3pqnavpepvdpzuf3wyti	9	15	“	"	``
work_sk7gnw3pqnavpepvdpzuf3wyti	9	16	analytic	analytic	JJ
work_sk7gnw3pqnavpepvdpzuf3wyti	9	17	tool	tool	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	9	18	”	"	''
work_sk7gnw3pqnavpepvdpzuf3wyti	9	19	for	for	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	9	20	her	-PRON-	PRP$
work_sk7gnw3pqnavpepvdpzuf3wyti	9	21	analysis	analysis	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	9	22	of	of	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	9	23	the	the	DT
work_sk7gnw3pqnavpepvdpzuf3wyti	9	24	choreographic	choreographic	JJ
work_sk7gnw3pqnavpepvdpzuf3wyti	9	25	works	work	NNS
work_sk7gnw3pqnavpepvdpzuf3wyti	9	26	,	,	,
work_sk7gnw3pqnavpepvdpzuf3wyti	9	27	which	which	WDT
work_sk7gnw3pqnavpepvdpzuf3wyti	9	28	reveal	reveal	VBP
work_sk7gnw3pqnavpepvdpzuf3wyti	9	29	the	the	DT
work_sk7gnw3pqnavpepvdpzuf3wyti	9	30	artists	artist	NNS
work_sk7gnw3pqnavpepvdpzuf3wyti	9	31	drawing	draw	VBG
work_sk7gnw3pqnavpepvdpzuf3wyti	9	32	on	on	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	9	33	“	"	``
work_sk7gnw3pqnavpepvdpzuf3wyti	9	34	gender	gender	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	9	35	and	and	CC
work_sk7gnw3pqnavpepvdpzuf3wyti	9	36	sexual	sexual	JJ
work_sk7gnw3pqnavpepvdpzuf3wyti	9	37	transgressions	transgression	NNS
work_sk7gnw3pqnavpepvdpzuf3wyti	9	38	”	"	''
work_sk7gnw3pqnavpepvdpzuf3wyti	9	39	on	on	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	9	40	the	the	DT
work_sk7gnw3pqnavpepvdpzuf3wyti	9	41	one	one	CD
work_sk7gnw3pqnavpepvdpzuf3wyti	9	42	hand	hand	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	9	43	,	,	,
work_sk7gnw3pqnavpepvdpzuf3wyti	9	44	and	and	CC
work_sk7gnw3pqnavpepvdpzuf3wyti	9	45	what	what	WP
work_sk7gnw3pqnavpepvdpzuf3wyti	9	46	appears	appear	VBZ
work_sk7gnw3pqnavpepvdpzuf3wyti	9	47	to	to	TO
work_sk7gnw3pqnavpepvdpzuf3wyti	9	48	be	be	VB
work_sk7gnw3pqnavpepvdpzuf3wyti	9	49	verbal	verbal	JJ
work_sk7gnw3pqnavpepvdpzuf3wyti	9	50	intonations	intonation	NNS
work_sk7gnw3pqnavpepvdpzuf3wyti	9	51	that	that	WDT
work_sk7gnw3pqnavpepvdpzuf3wyti	9	52	go	go	VBP
work_sk7gnw3pqnavpepvdpzuf3wyti	9	53	against	against	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	9	54	that	that	DT
work_sk7gnw3pqnavpepvdpzuf3wyti	9	55	reading	read	VBG
work_sk7gnw3pqnavpepvdpzuf3wyti	9	56	on	on	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	9	57	the	the	DT
work_sk7gnw3pqnavpepvdpzuf3wyti	9	58	other	other	JJ
work_sk7gnw3pqnavpepvdpzuf3wyti	9	59	.	.	.
work_sk7gnw3pqnavpepvdpzuf3wyti	10	1	Swanson	Swanson	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	10	2	considers	consider	VBZ
work_sk7gnw3pqnavpepvdpzuf3wyti	10	3	that	that	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	10	4	these	these	DT
work_sk7gnw3pqnavpepvdpzuf3wyti	10	5	contemporary	contemporary	JJ
work_sk7gnw3pqnavpepvdpzuf3wyti	10	6	dance	dance	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	10	7	works	work	NNS
work_sk7gnw3pqnavpepvdpzuf3wyti	10	8	suggest	suggest	VBP
work_sk7gnw3pqnavpepvdpzuf3wyti	10	9	“	"	``
work_sk7gnw3pqnavpepvdpzuf3wyti	10	10	ambiguous	ambiguous	JJ
work_sk7gnw3pqnavpepvdpzuf3wyti	10	11	assemblages	assemblage	NNS
work_sk7gnw3pqnavpepvdpzuf3wyti	10	12	of	of	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	10	13	masculinities	masculinity	NNS
work_sk7gnw3pqnavpepvdpzuf3wyti	10	14	”	"	''
work_sk7gnw3pqnavpepvdpzuf3wyti	10	15	that	that	WDT
work_sk7gnw3pqnavpepvdpzuf3wyti	10	16	confront	confront	VBP
work_sk7gnw3pqnavpepvdpzuf3wyti	10	17	the	the	DT
work_sk7gnw3pqnavpepvdpzuf3wyti	10	18	notion	notion	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	10	19	of	of	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	10	20	mascu-	mascu-	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	10	21	linity	linity	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	10	22	in	in	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	10	23	Senegal	Senegal	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	10	24	.	.	.
work_sk7gnw3pqnavpepvdpzuf3wyti	11	1	The	the	DT
work_sk7gnw3pqnavpepvdpzuf3wyti	11	2	penultimate	penultimate	JJ
work_sk7gnw3pqnavpepvdpzuf3wyti	11	3	article	article	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	11	4	by	by	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	11	5	Daniela	Daniela	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	11	6	Perazzo	Perazzo	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	11	7	Domm	Domm	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	11	8	,	,	,
work_sk7gnw3pqnavpepvdpzuf3wyti	11	9	titled	title	VBN
work_sk7gnw3pqnavpepvdpzuf3wyti	11	10	“	"	``
work_sk7gnw3pqnavpepvdpzuf3wyti	11	11	Im	Im	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	11	12	/	/	SYM
work_sk7gnw3pqnavpepvdpzuf3wyti	11	13	possible	possible	JJ
work_sk7gnw3pqnavpepvdpzuf3wyti	11	14	Choreographies	choreography	NNS
work_sk7gnw3pqnavpepvdpzuf3wyti	11	15	:	:	:
work_sk7gnw3pqnavpepvdpzuf3wyti	11	16	Diffractive	diffractive	JJ
work_sk7gnw3pqnavpepvdpzuf3wyti	11	17	Processes	process	NNS
work_sk7gnw3pqnavpepvdpzuf3wyti	11	18	and	and	CC
work_sk7gnw3pqnavpepvdpzuf3wyti	11	19	Ethical	Ethical	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	11	20	Entanglements	Entanglements	NNPS
work_sk7gnw3pqnavpepvdpzuf3wyti	11	21	in	in	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	11	22	Current	Current	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	11	23	British	British	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	11	24	Dance	Dance	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	11	25	Practices	Practices	NNPS
work_sk7gnw3pqnavpepvdpzuf3wyti	11	26	,	,	,
work_sk7gnw3pqnavpepvdpzuf3wyti	11	27	”	"	''
work_sk7gnw3pqnavpepvdpzuf3wyti	11	28	centers	center	VBZ
work_sk7gnw3pqnavpepvdpzuf3wyti	11	29	on	on	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	11	30	an	an	DT
work_sk7gnw3pqnavpepvdpzuf3wyti	11	31	analysis	analysis	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	11	32	of	of	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	11	33	particular	particular	JJ
work_sk7gnw3pqnavpepvdpzuf3wyti	11	34	dance	dance	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	11	35	works	work	NNS
work_sk7gnw3pqnavpepvdpzuf3wyti	11	36	performed	perform	VBN
work_sk7gnw3pqnavpepvdpzuf3wyti	11	37	in	in	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	11	38	the	the	DT
work_sk7gnw3pqnavpepvdpzuf3wyti	11	39	past	past	JJ
work_sk7gnw3pqnavpepvdpzuf3wyti	11	40	five	five	CD
work_sk7gnw3pqnavpepvdpzuf3wyti	11	41	years	year	NNS
work_sk7gnw3pqnavpepvdpzuf3wyti	11	42	in	in	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	11	43	the	the	DT
work_sk7gnw3pqnavpepvdpzuf3wyti	11	44	UK	UK	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	11	45	,	,	,
work_sk7gnw3pqnavpepvdpzuf3wyti	11	46	which	which	WDT
work_sk7gnw3pqnavpepvdpzuf3wyti	11	47	,	,	,
work_sk7gnw3pqnavpepvdpzuf3wyti	11	48	she	-PRON-	PRP
work_sk7gnw3pqnavpepvdpzuf3wyti	11	49	argues	argue	VBZ
work_sk7gnw3pqnavpepvdpzuf3wyti	11	50	,	,	,
work_sk7gnw3pqnavpepvdpzuf3wyti	11	51	take	take	VB
work_sk7gnw3pqnavpepvdpzuf3wyti	11	52	on	on	RP
work_sk7gnw3pqnavpepvdpzuf3wyti	11	53	“	"	``
work_sk7gnw3pqnavpepvdpzuf3wyti	11	54	eth-	eth-	JJ
work_sk7gnw3pqnavpepvdpzuf3wyti	11	55	ical	ical	JJ
work_sk7gnw3pqnavpepvdpzuf3wyti	11	56	possibilities	possibility	NNS
work_sk7gnw3pqnavpepvdpzuf3wyti	11	57	”	"	''
work_sk7gnw3pqnavpepvdpzuf3wyti	11	58	that	that	WDT
work_sk7gnw3pqnavpepvdpzuf3wyti	11	59	can	can	MD
work_sk7gnw3pqnavpepvdpzuf3wyti	11	60	contribute	contribute	VB
work_sk7gnw3pqnavpepvdpzuf3wyti	11	61	to	to	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	11	62	a	a	DT
work_sk7gnw3pqnavpepvdpzuf3wyti	11	63	rethinking	rethink	VBG
work_sk7gnw3pqnavpepvdpzuf3wyti	11	64	and	and	CC
work_sk7gnw3pqnavpepvdpzuf3wyti	11	65	opening	opening	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	11	66	of	of	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	11	67	“	"	``
work_sk7gnw3pqnavpepvdpzuf3wyti	11	68	difference	difference	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	11	69	and	and	CC
work_sk7gnw3pqnavpepvdpzuf3wyti	11	70	boundaries	boundary	NNS
work_sk7gnw3pqnavpepvdpzuf3wyti	11	71	”	"	''
work_sk7gnw3pqnavpepvdpzuf3wyti	11	72	through	through	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	11	73	what	what	WP
work_sk7gnw3pqnavpepvdpzuf3wyti	11	74	she	-PRON-	PRP
work_sk7gnw3pqnavpepvdpzuf3wyti	11	75	terms	term	VBZ
work_sk7gnw3pqnavpepvdpzuf3wyti	11	76	“	"	``
work_sk7gnw3pqnavpepvdpzuf3wyti	11	77	ethico	ethico	JJ
work_sk7gnw3pqnavpepvdpzuf3wyti	11	78	-	-	HYPH
work_sk7gnw3pqnavpepvdpzuf3wyti	11	79	aesthetic	aesthetic	JJ
work_sk7gnw3pqnavpepvdpzuf3wyti	11	80	”	"	''
work_sk7gnw3pqnavpepvdpzuf3wyti	11	81	practices	practice	NNS
work_sk7gnw3pqnavpepvdpzuf3wyti	11	82	in	in	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	11	83	the	the	DT
work_sk7gnw3pqnavpepvdpzuf3wyti	11	84	current	current	JJ
work_sk7gnw3pqnavpepvdpzuf3wyti	11	85	unstable	unstable	JJ
work_sk7gnw3pqnavpepvdpzuf3wyti	11	86	,	,	,
work_sk7gnw3pqnavpepvdpzuf3wyti	11	87	precarious	precarious	JJ
work_sk7gnw3pqnavpepvdpzuf3wyti	11	88	political	political	JJ
work_sk7gnw3pqnavpepvdpzuf3wyti	11	89	environment	environment	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	11	90	in	in	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	11	91	the	the	DT
work_sk7gnw3pqnavpepvdpzuf3wyti	11	92	UK	UK	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	11	93	and	and	CC
work_sk7gnw3pqnavpepvdpzuf3wyti	11	94	Europe	Europe	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	11	95	,	,	,
work_sk7gnw3pqnavpepvdpzuf3wyti	11	96	for	for	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	11	97	example	example	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	11	98	.	.	.
work_sk7gnw3pqnavpepvdpzuf3wyti	12	1	The	the	DT
work_sk7gnw3pqnavpepvdpzuf3wyti	12	2	theoretical	theoretical	JJ
work_sk7gnw3pqnavpepvdpzuf3wyti	12	3	framing	framing	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	12	4	and	and	CC
work_sk7gnw3pqnavpepvdpzuf3wyti	12	5	analysis	analysis	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	12	6	draw	draw	VBP
work_sk7gnw3pqnavpepvdpzuf3wyti	12	7	on	on	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	12	8	Karen	Karen	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	12	9	Barad	Barad	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	12	10	’s	’s	POS
work_sk7gnw3pqnavpepvdpzuf3wyti	12	11	construct	construct	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	12	12	of	of	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	12	13	“	"	``
work_sk7gnw3pqnavpepvdpzuf3wyti	12	14	intra	intra	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	12	15	-	-	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	12	16	action	action	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	12	17	,	,	,
work_sk7gnw3pqnavpepvdpzuf3wyti	12	18	”	"	''
work_sk7gnw3pqnavpepvdpzuf3wyti	12	19	which	which	WDT
work_sk7gnw3pqnavpepvdpzuf3wyti	12	20	,	,	,
work_sk7gnw3pqnavpepvdpzuf3wyti	12	21	as	as	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	12	22	Perazzo	Perazzo	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	12	23	Dome	Dome	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	12	24	notes	note	NNS
work_sk7gnw3pqnavpepvdpzuf3wyti	12	25	,	,	,
work_sk7gnw3pqnavpepvdpzuf3wyti	12	26	is	be	VBZ
work_sk7gnw3pqnavpepvdpzuf3wyti	12	27	formulated	formulate	VBN
work_sk7gnw3pqnavpepvdpzuf3wyti	12	28	in	in	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	12	29	DRJ	DRJ	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	12	30	51/3	51/3	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	12	31	•	•	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	12	32	DECEMBER	DECEMBER	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	12	33	2019	2019	CD
work_sk7gnw3pqnavpepvdpzuf3wyti	12	34	1	1	CD
work_sk7gnw3pqnavpepvdpzuf3wyti	12	35	Copyright	copyright	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	12	36	©	©	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	12	37	2019	2019	CD
work_sk7gnw3pqnavpepvdpzuf3wyti	12	38	Dance	Dance	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	12	39	Studies	Studies	NNPS
work_sk7gnw3pqnavpepvdpzuf3wyti	12	40	Association	Association	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	12	41	doi:10.1017	doi:10.1017	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	12	42	/	/	SYM
work_sk7gnw3pqnavpepvdpzuf3wyti	12	43	S0149767719000391	S0149767719000391	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	12	44	https://www.cambridge.org/core/terms	https://www.cambridge.org/core/terms	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	12	45	.	.	.
work_sk7gnw3pqnavpepvdpzuf3wyti	13	1	https://doi.org/10.1017/S0149767719000391	https://doi.org/10.1017/S0149767719000391	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	13	2	Downloaded	download	VBN
work_sk7gnw3pqnavpepvdpzuf3wyti	13	3	from	from	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	13	4	https://www.cambridge.org/core	https://www.cambridge.org/core	ADD
work_sk7gnw3pqnavpepvdpzuf3wyti	13	5	.	.	.
work_sk7gnw3pqnavpepvdpzuf3wyti	14	1	Carnegie	Carnegie	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	14	2	Mellon	Mellon	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	14	3	University	University	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	14	4	,	,	,
work_sk7gnw3pqnavpepvdpzuf3wyti	14	5	on	on	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	14	6	06	06	CD
work_sk7gnw3pqnavpepvdpzuf3wyti	14	7	Apr	Apr	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	14	8	2021	2021	CD
work_sk7gnw3pqnavpepvdpzuf3wyti	14	9	at	at	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	14	10	01:28:42	01:28:42	CD
work_sk7gnw3pqnavpepvdpzuf3wyti	14	11	,	,	,
work_sk7gnw3pqnavpepvdpzuf3wyti	14	12	subject	subject	JJ
work_sk7gnw3pqnavpepvdpzuf3wyti	14	13	to	to	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	14	14	the	the	DT
work_sk7gnw3pqnavpepvdpzuf3wyti	14	15	Cambridge	Cambridge	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	14	16	Core	Core	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	14	17	terms	term	NNS
work_sk7gnw3pqnavpepvdpzuf3wyti	14	18	of	of	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	14	19	use	use	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	14	20	,	,	,
work_sk7gnw3pqnavpepvdpzuf3wyti	14	21	available	available	JJ
work_sk7gnw3pqnavpepvdpzuf3wyti	14	22	at	at	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	14	23	https://www.cambridge.org/core/terms	https://www.cambridge.org/core/terms	CD
work_sk7gnw3pqnavpepvdpzuf3wyti	14	24	https://doi.org/10.1017/S0149767719000391	https://doi.org/10.1017/s0149767719000391	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	14	25	https://www.cambridge.org/core	https://www.cambridge.org/core	JJR
work_sk7gnw3pqnavpepvdpzuf3wyti	14	26	discussion	discussion	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	14	27	with	with	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	14	28	Donna	Donna	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	14	29	Haraway	Haraway	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	14	30	’s	’s	POS
work_sk7gnw3pqnavpepvdpzuf3wyti	14	31	notion	notion	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	14	32	of	of	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	14	33	“	"	``
work_sk7gnw3pqnavpepvdpzuf3wyti	14	34	diffraction	diffraction	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	14	35	.	.	.
work_sk7gnw3pqnavpepvdpzuf3wyti	14	36	”	"	''
work_sk7gnw3pqnavpepvdpzuf3wyti	14	37	The	the	DT
work_sk7gnw3pqnavpepvdpzuf3wyti	14	38	analysis	analysis	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	14	39	of	of	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	14	40	the	the	DT
work_sk7gnw3pqnavpepvdpzuf3wyti	14	41	dance	dance	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	14	42	performances	performance	NNS
work_sk7gnw3pqnavpepvdpzuf3wyti	14	43	in	in	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	14	44	question	question	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	14	45	are	be	VBP
work_sk7gnw3pqnavpepvdpzuf3wyti	14	46	examined	examine	VBN
work_sk7gnw3pqnavpepvdpzuf3wyti	14	47	in	in	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	14	48	terms	term	NNS
work_sk7gnw3pqnavpepvdpzuf3wyti	14	49	of	of	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	14	50	their	-PRON-	PRP$
work_sk7gnw3pqnavpepvdpzuf3wyti	14	51	inherent	inherent	JJ
work_sk7gnw3pqnavpepvdpzuf3wyti	14	52	“	"	``
work_sk7gnw3pqnavpepvdpzuf3wyti	14	53	materialist	materialist	JJ
work_sk7gnw3pqnavpepvdpzuf3wyti	14	54	”	"	''
work_sk7gnw3pqnavpepvdpzuf3wyti	14	55	ethical	ethical	JJ
work_sk7gnw3pqnavpepvdpzuf3wyti	14	56	practices	practice	NNS
work_sk7gnw3pqnavpepvdpzuf3wyti	14	57	,	,	,
work_sk7gnw3pqnavpepvdpzuf3wyti	14	58	which	which	WDT
work_sk7gnw3pqnavpepvdpzuf3wyti	14	59	Barad	Barad	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	14	60	’s	’s	POS
work_sk7gnw3pqnavpepvdpzuf3wyti	14	61	construct	construct	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	14	62	offers	offer	VBZ
work_sk7gnw3pqnavpepvdpzuf3wyti	14	63	.	.	.
work_sk7gnw3pqnavpepvdpzuf3wyti	15	1	The	the	DT
work_sk7gnw3pqnavpepvdpzuf3wyti	15	2	materialist	materialist	JJ
work_sk7gnw3pqnavpepvdpzuf3wyti	15	3	stance	stance	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	15	4	adopted	adopt	VBN
work_sk7gnw3pqnavpepvdpzuf3wyti	15	5	here	here	RB
work_sk7gnw3pqnavpepvdpzuf3wyti	15	6	also	also	RB
work_sk7gnw3pqnavpepvdpzuf3wyti	15	7	builds	build	VBZ
work_sk7gnw3pqnavpepvdpzuf3wyti	15	8	on	on	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	15	9	other	other	JJ
work_sk7gnw3pqnavpepvdpzuf3wyti	15	10	dance	dance	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	15	11	scholars	scholar	NNS
work_sk7gnw3pqnavpepvdpzuf3wyti	15	12	’	’	POS
work_sk7gnw3pqnavpepvdpzuf3wyti	15	13	approaches	approach	NNS
work_sk7gnw3pqnavpepvdpzuf3wyti	15	14	,	,	,
work_sk7gnw3pqnavpepvdpzuf3wyti	15	15	whose	whose	WP$
work_sk7gnw3pqnavpepvdpzuf3wyti	15	16	discussions	discussion	NNS
work_sk7gnw3pqnavpepvdpzuf3wyti	15	17	of	of	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	15	18	choreographic	choreographic	JJ
work_sk7gnw3pqnavpepvdpzuf3wyti	15	19	practices	practice	NNS
work_sk7gnw3pqnavpepvdpzuf3wyti	15	20	analytically	analytically	RB
work_sk7gnw3pqnavpepvdpzuf3wyti	15	21	engage	engage	VBP
work_sk7gnw3pqnavpepvdpzuf3wyti	15	22	with	with	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	15	23	“	"	``
work_sk7gnw3pqnavpepvdpzuf3wyti	15	24	the	the	DT
work_sk7gnw3pqnavpepvdpzuf3wyti	15	25	complexities	complexity	NNS
work_sk7gnw3pqnavpepvdpzuf3wyti	15	26	and	and	CC
work_sk7gnw3pqnavpepvdpzuf3wyti	15	27	contradictions	contradiction	NNS
work_sk7gnw3pqnavpepvdpzuf3wyti	15	28	of	of	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	15	29	the	the	DT
work_sk7gnw3pqnavpepvdpzuf3wyti	15	30	present	present	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	15	31	.	.	.
work_sk7gnw3pqnavpepvdpzuf3wyti	15	32	”	"	''
work_sk7gnw3pqnavpepvdpzuf3wyti	15	33	In	in	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	15	34	“	"	``
work_sk7gnw3pqnavpepvdpzuf3wyti	15	35	Choreographic	choreographic	JJ
work_sk7gnw3pqnavpepvdpzuf3wyti	15	36	Ghosts	Ghosts	NNPS
work_sk7gnw3pqnavpepvdpzuf3wyti	15	37	:	:	:
work_sk7gnw3pqnavpepvdpzuf3wyti	15	38	Dance	Dance	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	15	39	and	and	CC
work_sk7gnw3pqnavpepvdpzuf3wyti	15	40	the	the	DT
work_sk7gnw3pqnavpepvdpzuf3wyti	15	41	Revival	Revival	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	15	42	of	of	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	15	43	Shuffle	Shuffle	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	15	44	Along	Along	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	15	45	,	,	,
work_sk7gnw3pqnavpepvdpzuf3wyti	15	46	”	"	''
work_sk7gnw3pqnavpepvdpzuf3wyti	15	47	by	by	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	15	48	Joanna	Joanna	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	15	49	Dee	Dee	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	15	50	Das	Das	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	15	51	,	,	,
work_sk7gnw3pqnavpepvdpzuf3wyti	15	52	as	as	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	15	53	indi-	indi-	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	15	54	cated	cat	VBD
work_sk7gnw3pqnavpepvdpzuf3wyti	15	55	in	in	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	15	56	the	the	DT
work_sk7gnw3pqnavpepvdpzuf3wyti	15	57	title	title	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	15	58	,	,	,
work_sk7gnw3pqnavpepvdpzuf3wyti	15	59	considers	consider	VBZ
work_sk7gnw3pqnavpepvdpzuf3wyti	15	60	the	the	DT
work_sk7gnw3pqnavpepvdpzuf3wyti	15	61	remaking	remaking	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	15	62	of	of	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	15	63	a	a	DT
work_sk7gnw3pqnavpepvdpzuf3wyti	15	64	1921	1921	CD
work_sk7gnw3pqnavpepvdpzuf3wyti	15	65	popular	popular	JJ
work_sk7gnw3pqnavpepvdpzuf3wyti	15	66	musical	musical	JJ
work_sk7gnw3pqnavpepvdpzuf3wyti	15	67	which	which	WDT
work_sk7gnw3pqnavpepvdpzuf3wyti	15	68	was	be	VBD
work_sk7gnw3pqnavpepvdpzuf3wyti	15	69	noted	note	VBN
work_sk7gnw3pqnavpepvdpzuf3wyti	15	70	for	for	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	15	71	its	-PRON-	PRP$
work_sk7gnw3pqnavpepvdpzuf3wyti	15	72	all	all	RB
work_sk7gnw3pqnavpepvdpzuf3wyti	15	73	-	-	HYPH
work_sk7gnw3pqnavpepvdpzuf3wyti	15	74	black	black	JJ
work_sk7gnw3pqnavpepvdpzuf3wyti	15	75	cast	cast	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	15	76	and	and	CC
work_sk7gnw3pqnavpepvdpzuf3wyti	15	77	the	the	DT
work_sk7gnw3pqnavpepvdpzuf3wyti	15	78	team	team	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	15	79	that	that	WDT
work_sk7gnw3pqnavpepvdpzuf3wyti	15	80	created	create	VBD
work_sk7gnw3pqnavpepvdpzuf3wyti	15	81	it	-PRON-	PRP
work_sk7gnw3pqnavpepvdpzuf3wyti	15	82	.	.	.
work_sk7gnw3pqnavpepvdpzuf3wyti	16	1	The	the	DT
work_sk7gnw3pqnavpepvdpzuf3wyti	16	2	remake	remake	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	16	3	in	in	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	16	4	2016	2016	CD
work_sk7gnw3pqnavpepvdpzuf3wyti	16	5	,	,	,
work_sk7gnw3pqnavpepvdpzuf3wyti	16	6	with	with	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	16	7	George	George	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	16	8	C.	C.	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	16	9	Wolfe	Wolfe	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	16	10	as	as	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	16	11	director	director	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	16	12	and	and	CC
work_sk7gnw3pqnavpepvdpzuf3wyti	16	13	Savion	Savion	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	16	14	Glover	Glover	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	16	15	as	as	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	16	16	choreographer	choreographer	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	16	17	,	,	,
work_sk7gnw3pqnavpepvdpzuf3wyti	16	18	took	take	VBD
work_sk7gnw3pqnavpepvdpzuf3wyti	16	19	the	the	DT
work_sk7gnw3pqnavpepvdpzuf3wyti	16	20	form	form	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	16	21	of	of	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	16	22	a	a	DT
work_sk7gnw3pqnavpepvdpzuf3wyti	16	23	backstage	backstage	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	16	24	musical	musical	JJ
work_sk7gnw3pqnavpepvdpzuf3wyti	16	25	and	and	CC
work_sk7gnw3pqnavpepvdpzuf3wyti	16	26	was	be	VBD
work_sk7gnw3pqnavpepvdpzuf3wyti	16	27	titled	title	VBN
work_sk7gnw3pqnavpepvdpzuf3wyti	16	28	Shuffle	Shuffle	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	16	29	Along	along	RB
work_sk7gnw3pqnavpepvdpzuf3wyti	16	30	,	,	,
work_sk7gnw3pqnavpepvdpzuf3wyti	16	31	Or	or	CC
work_sk7gnw3pqnavpepvdpzuf3wyti	16	32	,	,	,
work_sk7gnw3pqnavpepvdpzuf3wyti	16	33	the	the	DT
work_sk7gnw3pqnavpepvdpzuf3wyti	16	34	Making	making	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	16	35	of	of	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	16	36	the	the	DT
work_sk7gnw3pqnavpepvdpzuf3wyti	16	37	Musical	Musical	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	16	38	Sensation	Sensation	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	16	39	of	of	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	16	40	1921	1921	CD
work_sk7gnw3pqnavpepvdpzuf3wyti	16	41	and	and	CC
work_sk7gnw3pqnavpepvdpzuf3wyti	16	42	All	all	PDT
work_sk7gnw3pqnavpepvdpzuf3wyti	16	43	That	that	WDT
work_sk7gnw3pqnavpepvdpzuf3wyti	16	44	Followed	follow	VBD
work_sk7gnw3pqnavpepvdpzuf3wyti	16	45	.	.	.
work_sk7gnw3pqnavpepvdpzuf3wyti	17	1	Dee	Dee	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	17	2	Das	Das	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	17	3	notes	note	VBZ
work_sk7gnw3pqnavpepvdpzuf3wyti	17	4	that	that	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	17	5	,	,	,
work_sk7gnw3pqnavpepvdpzuf3wyti	17	6	despite	despite	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	17	7	the	the	DT
work_sk7gnw3pqnavpepvdpzuf3wyti	17	8	fact	fact	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	17	9	that	that	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	17	10	the	the	DT
work_sk7gnw3pqnavpepvdpzuf3wyti	17	11	2016	2016	CD
work_sk7gnw3pqnavpepvdpzuf3wyti	17	12	director	director	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	17	13	announced	announce	VBD
work_sk7gnw3pqnavpepvdpzuf3wyti	17	14	that	that	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	17	15	dance	dance	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	17	16	was	be	VBD
work_sk7gnw3pqnavpepvdpzuf3wyti	17	17	the	the	DT
work_sk7gnw3pqnavpepvdpzuf3wyti	17	18	principal	principal	JJ
work_sk7gnw3pqnavpepvdpzuf3wyti	17	19	component	component	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	17	20	of	of	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	17	21	the	the	DT
work_sk7gnw3pqnavpepvdpzuf3wyti	17	22	original	original	JJ
work_sk7gnw3pqnavpepvdpzuf3wyti	17	23	musical	musical	JJ
work_sk7gnw3pqnavpepvdpzuf3wyti	17	24	,	,	,
work_sk7gnw3pqnavpepvdpzuf3wyti	17	25	the	the	DT
work_sk7gnw3pqnavpepvdpzuf3wyti	17	26	choreographer	choreographer	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	17	27	of	of	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	17	28	the	the	DT
work_sk7gnw3pqnavpepvdpzuf3wyti	17	29	1921	1921	CD
work_sk7gnw3pqnavpepvdpzuf3wyti	17	30	production	production	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	17	31	,	,	,
work_sk7gnw3pqnavpepvdpzuf3wyti	17	32	Lawrence	Lawrence	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	17	33	Deas	Deas	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	17	34	,	,	,
work_sk7gnw3pqnavpepvdpzuf3wyti	17	35	was	be	VBD
work_sk7gnw3pqnavpepvdpzuf3wyti	17	36	not	not	RB
work_sk7gnw3pqnavpepvdpzuf3wyti	17	37	given	give	VBN
work_sk7gnw3pqnavpepvdpzuf3wyti	17	38	a	a	DT
work_sk7gnw3pqnavpepvdpzuf3wyti	17	39	byline	byline	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	17	40	,	,	,
work_sk7gnw3pqnavpepvdpzuf3wyti	17	41	nor	nor	CC
work_sk7gnw3pqnavpepvdpzuf3wyti	17	42	did	do	VBD
work_sk7gnw3pqnavpepvdpzuf3wyti	17	43	the	the	DT
work_sk7gnw3pqnavpepvdpzuf3wyti	17	44	pro-	pro-	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	17	45	duction	duction	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	17	46	consider	consider	VB
work_sk7gnw3pqnavpepvdpzuf3wyti	17	47	the	the	DT
work_sk7gnw3pqnavpepvdpzuf3wyti	17	48	dancers	dancer	NNS
work_sk7gnw3pqnavpepvdpzuf3wyti	17	49	’	’	POS
work_sk7gnw3pqnavpepvdpzuf3wyti	17	50	contribution	contribution	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	17	51	.	.	.
work_sk7gnw3pqnavpepvdpzuf3wyti	18	1	Indeed	indeed	RB
work_sk7gnw3pqnavpepvdpzuf3wyti	18	2	,	,	,
work_sk7gnw3pqnavpepvdpzuf3wyti	18	3	as	as	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	18	4	she	-PRON-	PRP
work_sk7gnw3pqnavpepvdpzuf3wyti	18	5	shows	show	VBZ
work_sk7gnw3pqnavpepvdpzuf3wyti	18	6	,	,	,
work_sk7gnw3pqnavpepvdpzuf3wyti	18	7	dance	dance	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	18	8	did	do	VBD
work_sk7gnw3pqnavpepvdpzuf3wyti	18	9	not	not	RB
work_sk7gnw3pqnavpepvdpzuf3wyti	18	10	play	play	VB
work_sk7gnw3pqnavpepvdpzuf3wyti	18	11	such	such	PDT
work_sk7gnw3pqnavpepvdpzuf3wyti	18	12	a	a	DT
work_sk7gnw3pqnavpepvdpzuf3wyti	18	13	large	large	JJ
work_sk7gnw3pqnavpepvdpzuf3wyti	18	14	part	part	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	18	15	in	in	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	18	16	the	the	DT
work_sk7gnw3pqnavpepvdpzuf3wyti	18	17	2016	2016	CD
work_sk7gnw3pqnavpepvdpzuf3wyti	18	18	musical	musical	JJ
work_sk7gnw3pqnavpepvdpzuf3wyti	18	19	.	.	.
work_sk7gnw3pqnavpepvdpzuf3wyti	19	1	These	these	DT
work_sk7gnw3pqnavpepvdpzuf3wyti	19	2	omissions	omission	NNS
work_sk7gnw3pqnavpepvdpzuf3wyti	19	3	,	,	,
work_sk7gnw3pqnavpepvdpzuf3wyti	19	4	Dee	Dee	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	19	5	Das	Das	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	19	6	argues	argue	VBZ
work_sk7gnw3pqnavpepvdpzuf3wyti	19	7	,	,	,
work_sk7gnw3pqnavpepvdpzuf3wyti	19	8	reveal	reveal	VB
work_sk7gnw3pqnavpepvdpzuf3wyti	19	9	how	how	WRB
work_sk7gnw3pqnavpepvdpzuf3wyti	19	10	dance	dance	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	19	11	“	"	``
work_sk7gnw3pqnavpepvdpzuf3wyti	19	12	remains	remain	VBZ
work_sk7gnw3pqnavpepvdpzuf3wyti	19	13	subordinate	subordinate	JJ
work_sk7gnw3pqnavpepvdpzuf3wyti	19	14	to	to	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	19	15	other	other	JJ
work_sk7gnw3pqnavpepvdpzuf3wyti	19	16	aspects	aspect	NNS
work_sk7gnw3pqnavpepvdpzuf3wyti	19	17	of	of	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	19	18	a	a	DT
work_sk7gnw3pqnavpepvdpzuf3wyti	19	19	musical	musical	JJ
work_sk7gnw3pqnavpepvdpzuf3wyti	19	20	”	"	''
work_sk7gnw3pqnavpepvdpzuf3wyti	19	21	which	which	WDT
work_sk7gnw3pqnavpepvdpzuf3wyti	19	22	in	in	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	19	23	turn	turn	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	19	24	replicates	replicate	NNS
work_sk7gnw3pqnavpepvdpzuf3wyti	19	25	“	"	``
work_sk7gnw3pqnavpepvdpzuf3wyti	19	26	racist	racist	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	19	27	and	and	CC
work_sk7gnw3pqnavpepvdpzuf3wyti	19	28	embodied	embody	VBD
work_sk7gnw3pqnavpepvdpzuf3wyti	19	29	sexist	sexist	JJ
work_sk7gnw3pqnavpepvdpzuf3wyti	19	30	logics	logic	NNS
work_sk7gnw3pqnavpepvdpzuf3wyti	19	31	about	about	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	19	32	embodied	embody	VBN
work_sk7gnw3pqnavpepvdpzuf3wyti	19	33	performance	performance	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	19	34	.	.	.
work_sk7gnw3pqnavpepvdpzuf3wyti	19	35	”	"	''
work_sk7gnw3pqnavpepvdpzuf3wyti	19	36	Helen	Helen	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	19	37	Thomas	Thomas	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	19	38	Editor	Editor	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	19	39	,	,	,
work_sk7gnw3pqnavpepvdpzuf3wyti	19	40	Dance	Dance	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	19	41	Research	Research	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	19	42	Journal	Journal	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	19	43	Note	Note	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	19	44	1	1	CD
work_sk7gnw3pqnavpepvdpzuf3wyti	19	45	.	.	.
work_sk7gnw3pqnavpepvdpzuf3wyti	20	1	The	the	DT
work_sk7gnw3pqnavpepvdpzuf3wyti	20	2	British	British	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	20	3	Academy	Academy	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	20	4	considers	consider	VBZ
work_sk7gnw3pqnavpepvdpzuf3wyti	20	5	that	that	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	20	6	the	the	DT
work_sk7gnw3pqnavpepvdpzuf3wyti	20	7	field	field	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	20	8	of	of	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	20	9	digital	digital	JJ
work_sk7gnw3pqnavpepvdpzuf3wyti	20	10	humanities	humanity	NNS
work_sk7gnw3pqnavpepvdpzuf3wyti	20	11	is	be	VBZ
work_sk7gnw3pqnavpepvdpzuf3wyti	20	12	at	at	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	20	13	“	"	``
work_sk7gnw3pqnavpepvdpzuf3wyti	20	14	the	the	DT
work_sk7gnw3pqnavpepvdpzuf3wyti	20	15	leading	lead	VBG
work_sk7gnw3pqnavpepvdpzuf3wyti	20	16	edge	edge	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	20	17	of	of	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	20	18	applying	apply	VBG
work_sk7gnw3pqnavpepvdpzuf3wyti	20	19	computer	computer	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	20	20	-	-	HYPH
work_sk7gnw3pqnavpepvdpzuf3wyti	20	21	based	base	VBN
work_sk7gnw3pqnavpepvdpzuf3wyti	20	22	technology	technology	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	20	23	in	in	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	20	24	the	the	DT
work_sk7gnw3pqnavpepvdpzuf3wyti	20	25	humanities	humanity	NNS
work_sk7gnw3pqnavpepvdpzuf3wyti	20	26	”	"	''
work_sk7gnw3pqnavpepvdpzuf3wyti	20	27	(	(	-LRB-
work_sk7gnw3pqnavpepvdpzuf3wyti	20	28	The	the	DT
work_sk7gnw3pqnavpepvdpzuf3wyti	20	29	British	British	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	20	30	Academy	Academy	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	20	31	,	,	,
work_sk7gnw3pqnavpepvdpzuf3wyti	20	32	n.d	n.d	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	20	33	.	.	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	20	34	)	)	-RRB-
work_sk7gnw3pqnavpepvdpzuf3wyti	20	35	.	.	.
work_sk7gnw3pqnavpepvdpzuf3wyti	21	1	This	this	DT
work_sk7gnw3pqnavpepvdpzuf3wyti	21	2	rela-	rela-	JJ
work_sk7gnw3pqnavpepvdpzuf3wyti	21	3	tively	tively	RB
work_sk7gnw3pqnavpepvdpzuf3wyti	21	4	new	new	JJ
work_sk7gnw3pqnavpepvdpzuf3wyti	21	5	field	field	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	21	6	has	have	VBZ
work_sk7gnw3pqnavpepvdpzuf3wyti	21	7	developed	develop	VBN
work_sk7gnw3pqnavpepvdpzuf3wyti	21	8	over	over	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	21	9	a	a	DT
work_sk7gnw3pqnavpepvdpzuf3wyti	21	10	period	period	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	21	11	of	of	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	21	12	forty	forty	CD
work_sk7gnw3pqnavpepvdpzuf3wyti	21	13	years	year	NNS
work_sk7gnw3pqnavpepvdpzuf3wyti	21	14	and	and	CC
work_sk7gnw3pqnavpepvdpzuf3wyti	21	15	has	have	VBZ
work_sk7gnw3pqnavpepvdpzuf3wyti	21	16	generated	generate	VBN
work_sk7gnw3pqnavpepvdpzuf3wyti	21	17	new	new	JJ
work_sk7gnw3pqnavpepvdpzuf3wyti	21	18	methods	method	NNS
work_sk7gnw3pqnavpepvdpzuf3wyti	21	19	that	that	WDT
work_sk7gnw3pqnavpepvdpzuf3wyti	21	20	can	can	MD
work_sk7gnw3pqnavpepvdpzuf3wyti	21	21	be	be	VB
work_sk7gnw3pqnavpepvdpzuf3wyti	21	22	applied	apply	VBN
work_sk7gnw3pqnavpepvdpzuf3wyti	21	23	to	to	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	21	24	,	,	,
work_sk7gnw3pqnavpepvdpzuf3wyti	21	25	for	for	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	21	26	example	example	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	21	27	,	,	,
work_sk7gnw3pqnavpepvdpzuf3wyti	21	28	archives	archive	NNS
work_sk7gnw3pqnavpepvdpzuf3wyti	21	29	.	.	.
work_sk7gnw3pqnavpepvdpzuf3wyti	22	1	Works	work	NNS
work_sk7gnw3pqnavpepvdpzuf3wyti	22	2	Cited	cite	VBD
work_sk7gnw3pqnavpepvdpzuf3wyti	22	3	Bakhtin	Bakhtin	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	22	4	,	,	,
work_sk7gnw3pqnavpepvdpzuf3wyti	22	5	Mikhail	Mikhail	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	22	6	.	.	.
work_sk7gnw3pqnavpepvdpzuf3wyti	23	1	1984	1984	CD
work_sk7gnw3pqnavpepvdpzuf3wyti	23	2	.	.	.
work_sk7gnw3pqnavpepvdpzuf3wyti	24	1	Rabelais	Rabelais	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	24	2	and	and	CC
work_sk7gnw3pqnavpepvdpzuf3wyti	24	3	His	-PRON-	PRP$
work_sk7gnw3pqnavpepvdpzuf3wyti	24	4	World	World	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	24	5	.	.	.
work_sk7gnw3pqnavpepvdpzuf3wyti	25	1	Translated	translate	VBN
work_sk7gnw3pqnavpepvdpzuf3wyti	25	2	by	by	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	25	3	Hélène	Hélène	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	25	4	Iswolsky	Iswolsky	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	25	5	.	.	.
work_sk7gnw3pqnavpepvdpzuf3wyti	26	1	Bloomington	Bloomington	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	26	2	:	:	:
work_sk7gnw3pqnavpepvdpzuf3wyti	26	3	Indiana	Indiana	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	26	4	University	University	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	26	5	Press	Press	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	26	6	.	.	.
work_sk7gnw3pqnavpepvdpzuf3wyti	27	1	The	the	DT
work_sk7gnw3pqnavpepvdpzuf3wyti	27	2	British	British	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	27	3	Academy	Academy	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	27	4	.	.	.
work_sk7gnw3pqnavpepvdpzuf3wyti	28	1	n.d	n.d	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	28	2	.	.	.
work_sk7gnw3pqnavpepvdpzuf3wyti	28	3	“	"	``
work_sk7gnw3pqnavpepvdpzuf3wyti	28	4	What	what	WP
work_sk7gnw3pqnavpepvdpzuf3wyti	28	5	Are	be	VBP
work_sk7gnw3pqnavpepvdpzuf3wyti	28	6	the	the	DT
work_sk7gnw3pqnavpepvdpzuf3wyti	28	7	Digital	Digital	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	28	8	Humanities	Humanities	NNPS
work_sk7gnw3pqnavpepvdpzuf3wyti	28	9	?	?	.
work_sk7gnw3pqnavpepvdpzuf3wyti	28	10	”	"	''
work_sk7gnw3pqnavpepvdpzuf3wyti	28	11	Accessed	access	VBN
work_sk7gnw3pqnavpepvdpzuf3wyti	28	12	September	September	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	28	13	18	18	CD
work_sk7gnw3pqnavpepvdpzuf3wyti	28	14	,	,	,
work_sk7gnw3pqnavpepvdpzuf3wyti	28	15	2019	2019	CD
work_sk7gnw3pqnavpepvdpzuf3wyti	28	16	.	.	.
work_sk7gnw3pqnavpepvdpzuf3wyti	28	17	https://www.thebritishacademy.ac.uk/blog/what-are-digital-humanities	https://www.thebritishacademy.ac.uk/blog/what-are-digital-humanitie	NNS
work_sk7gnw3pqnavpepvdpzuf3wyti	28	18	.	.	.
work_sk7gnw3pqnavpepvdpzuf3wyti	29	1	2	2	CD
work_sk7gnw3pqnavpepvdpzuf3wyti	29	2	DRJ	DRJ	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	29	3	51/3	51/3	CD
work_sk7gnw3pqnavpepvdpzuf3wyti	29	4	•	•	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	29	5	DECEMBER	DECEMBER	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	29	6	2019	2019	CD
work_sk7gnw3pqnavpepvdpzuf3wyti	29	7	https://www.cambridge.org/core/terms	https://www.cambridge.org/core/term	NNS
work_sk7gnw3pqnavpepvdpzuf3wyti	29	8	.	.	.
work_sk7gnw3pqnavpepvdpzuf3wyti	30	1	https://doi.org/10.1017/S0149767719000391	https://doi.org/10.1017/S0149767719000391	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	30	2	Downloaded	download	VBN
work_sk7gnw3pqnavpepvdpzuf3wyti	30	3	from	from	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	30	4	https://www.cambridge.org/core	https://www.cambridge.org/core	ADD
work_sk7gnw3pqnavpepvdpzuf3wyti	30	5	.	.	.
work_sk7gnw3pqnavpepvdpzuf3wyti	31	1	Carnegie	Carnegie	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	31	2	Mellon	Mellon	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	31	3	University	University	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	31	4	,	,	,
work_sk7gnw3pqnavpepvdpzuf3wyti	31	5	on	on	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	31	6	06	06	CD
work_sk7gnw3pqnavpepvdpzuf3wyti	31	7	Apr	Apr	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	31	8	2021	2021	CD
work_sk7gnw3pqnavpepvdpzuf3wyti	31	9	at	at	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	31	10	01:28:42	01:28:42	CD
work_sk7gnw3pqnavpepvdpzuf3wyti	31	11	,	,	,
work_sk7gnw3pqnavpepvdpzuf3wyti	31	12	subject	subject	JJ
work_sk7gnw3pqnavpepvdpzuf3wyti	31	13	to	to	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	31	14	the	the	DT
work_sk7gnw3pqnavpepvdpzuf3wyti	31	15	Cambridge	Cambridge	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	31	16	Core	Core	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	31	17	terms	term	NNS
work_sk7gnw3pqnavpepvdpzuf3wyti	31	18	of	of	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	31	19	use	use	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	31	20	,	,	,
work_sk7gnw3pqnavpepvdpzuf3wyti	31	21	available	available	JJ
work_sk7gnw3pqnavpepvdpzuf3wyti	31	22	at	at	IN
work_sk7gnw3pqnavpepvdpzuf3wyti	31	23	https://www.thebritishacademy.ac.uk/blog/what-are-digital-humanities	https://www.thebritishacademy.ac.uk/blog/what-are-digital-humanities	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	31	24	https://www.thebritishacademy.ac.uk/blog/what-are-digital-humanities	https://www.thebritishacademy.ac.uk/blog/what-are-digital-humanities	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	31	25	https://www.thebritishacademy.ac.uk/blog/what-are-digital-humanities	https://www.thebritishacademy.ac.uk/blog/what-are-digital-humanities	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	31	26	https://www.thebritishacademy.ac.uk/blog/what-are-digital-humanities	https://www.thebritishacademy.ac.uk/blog/what-are-digital-humanities	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	31	27	https://www.thebritishacademy.ac.uk/blog/what-are-digital-humanities	https://www.thebritishacademy.ac.uk/blog/what-are-digital-humanities	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	31	28	https://www.cambridge.org/core/terms	https://www.cambridge.org/core/terms	NN
work_sk7gnw3pqnavpepvdpzuf3wyti	31	29	https://doi.org/10.1017/S0149767719000391	https://doi.org/10.1017/s0149767719000391	VBP
work_sk7gnw3pqnavpepvdpzuf3wyti	31	30	https://www.cambridge.org/core	https://www.cambridge.org/core	WRB
work_sk7gnw3pqnavpepvdpzuf3wyti	31	31	Editor	Editor	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	31	32	's	's	POS
work_sk7gnw3pqnavpepvdpzuf3wyti	31	33	Note	Note	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	31	34	Note	Note	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	31	35	Works	Works	NNP
work_sk7gnw3pqnavpepvdpzuf3wyti	31	36	Cited	cite	VBD