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For information on how to proceed, first see the FAQ for blocked users and the guideline on block appeals. The guide to appealing blocks may also be helpful. Other useful links: Blocking policy · Help:I have been blocked You can view and copy the source of this page: ====Drama==== An important cultural movement in the British theatre which developed in the late 1950s and early 1960s was [[Kitchen sink realism]] (or "kitchen sink drama"), a term coined to describe art, novels, film and [[television play]]s. The term [[angry young men]] was often applied to members of this artistic movement. It used a style of [[social realism]] which depicts the domestic lives of the working class, to explore social issues and political issues. The [[drawing room play]]s of the post war period, typical of dramatists like [[Terence Rattigan]] and [[Noël Coward]] were challenged in the 1950s by these [[Angry Young Men]], in plays like [[John Osborne]]'s ''[[Look Back in Anger]]'' (1956). Again in the 1950s, the [[Absurdism|absurdist]] play ''[[Waiting for Godot]]'' (1955), by Irish writer [[Samuel Beckett]] profoundly affected British drama. The [[Theatre of the Absurd]] influenced [[Harold Pinter]] (born 1930), ([[The Birthday Party (play)|The Birthday Party]], 1958), whose works are often characterised by menace or claustrophobia. Beckett also influenced [[Tom Stoppard]] (born 1937) (''[[Rosencrantz and Guildenstern are Dead]]'', 1966). Stoppard's works are however also notable for their high-spirited wit and the great range of intellectual issues which he tackles in different plays. An important new element in the world of British drama, from the beginnings of radio in the 1920s, was the commissioning of plays, or the adaption of existing plays, by [[Radio drama|BBC radio]]. This was especially important in the 1950s and 1960s (and from the 1960s for television). Many major British playwrights in fact, either effectively began their careers with the BBC, or had works adapted for radio, including [[Caryl Churchill]] and [[Tom Stoppard]] whose "first professional production was in the fifteen-minute ''Just Before Midnight'' programme on BBC Radio, which showcased new dramatists".{{Citation | publisher = IRDP | url = http://www.irdp.co.uk/radiodrama.htm | first = Tim | last = Crook | title = International radio drama | place = [[United Kingdom|UK]]}}. [[John Mortimer]] made his radio debut as a dramatist in 1955, with his adaptation of his own novel ''Like Men Betrayed'' for the [[BBC]] [[Light Programme]]. Other notable radio dramatists included [[Brendan Behan]], and novelist [[Angela Carter]]. Among the most famous works created for radio, are [[Dylan Thomas]]'s ''[[Under Milk Wood]]'' (1954), [[Samuel Beckett]]'s ''[[All That Fall]]'' (1957), [[Harold Pinter]]'s ''[[A Slight Ache]]'' (1959) and [[Robert Bolt]]'s ''[[A Man for All Seasons]]'' (1954).[[J. C. Trewin]], "Critic on the Hearth." ''Listener''. London. 5 August 1954: 224. Return to English literature. Retrieved from "https://en.wikipedia.org/wiki/English_literature" Navigation menu Personal tools Not logged in Talk Contributions Create account Log in Namespaces Article Talk Variants Views Read Edit View history More Search Navigation Main page Contents Current events Random article About Wikipedia Contact us Donate Contribute Help Learn to edit Community portal Recent changes Upload file Tools What links here Related changes Upload file Special pages Page information Wikidata item Languages Privacy policy About Wikipedia Disclaimers Contact Wikipedia Mobile view Developers Statistics Cookie statement