Seán O'Casey - Wikipedia Seán O'Casey From Wikipedia, the free encyclopedia Jump to navigation Jump to search Seán O'Casey O'Casey in 1924 Born John Casey (1880-03-30)30 March 1880 Dublin, County Dublin, Ireland Died 18 September 1964(1964-09-18) (aged 84) Torquay, Devon, England Pen name Seán Ó Cathasaigh Occupation Dramatist Language English Spouse Eileen Carey Reynolds ​ ​ (m. 1927)​ Children Breon O'Casey, Niall, Shivaun Signature Seán O'Casey (Irish: Seán Ó Cathasaigh [ˈʃaːn̪ˠ oː ˈkahəsˠiː]; born John Casey; 30 March 1880 – 18 September 1964) was an Irish dramatist and memoirist. A committed socialist, he was the first Irish playwright of note to write about the Dublin working classes. Contents 1 Early life 2 Politics 3 After Easter Rising 4 Abbey Theatre 5 England 6 Later life 7 Personal life 8 Archival collection 9 Works 10 Awards and recognition 11 Legacy 12 References 13 Further reading 14 External links Early life[edit] O'Casey was born at 85 Upper Dorset Street, Dublin, as John Casey, the son of Michael Casey, a mercantile clerk (who worked for the Irish Church Missions), and Susan Archer.[1] His parents were Protestants and he was a member of the Church of Ireland, baptised on 28 July 1880 in St. Mary's parish,[2] confirmed at St John the Baptist Church in Clontarf,[3] and an active member of St Barnabas' church at the North Wall quay[4] until his mid-20s,[3] when he drifted away from the church. There is a church called 'Saint Burnupus' in his play Red Roses For Me. O'Casey's father died when Seán was just six years of age, leaving a family of thirteen.[3] The family lived a peripatetic life thereafter, moving from house to house around north Dublin. As a child, he suffered from poor eyesight, which interfered somewhat with his early education, but O'Casey taught himself to read and write by the age of thirteen. He left school at fourteen and worked at a variety of jobs, including a nine-year period as a railwayman on the GNR. O'Casey worked in Eason's for a short while, in the newspaper distribution business, but was sacked for not taking off his cap when collecting his wage packet.[5] From the early 1890s, O'Casey and his elder brother, Archie, put on performances of plays by Dion Boucicault and William Shakespeare in the family home. He also got a small part in Boucicault's The Shaughraun in the Mechanics' Theatre, which stood on what was to be the site of the Abbey Theatre. Politics[edit] As his interest in the Irish nationalist cause grew, O'Casey joined the Gaelic League in 1906 and learned the Irish language. At this time, he Gaelicised his name from John Casey to Seán Ó Cathasaigh. He also learned to play the Uilleann pipes and was a founder and secretary of the St. Laurence O'Toole Pipe Band. He joined the Irish Republican Brotherhood,[6] and became involved in the Irish Transport and General Workers Union, which had been established by Jim Larkin to represent the interests of the unskilled labourers who inhabited the Dublin tenements. He participated in the Dublin Lockout but was blacklisted and could not find steady work for some time. In March 1914, he became General Secretary of Larkin's Irish Citizen Army, which would soon be run by James Connolly. On 24 July 1914 he resigned from the ICA, after his proposal to deny dual membership to both the ICA and the Irish Volunteers was rejected. One of his first satirical ballads, "The Grand Oul' Dame Britannia", was published in The Workers' Republic on 15 January 1916 under his penname An Gall Fada.[7] "Ah, what is all the fuss about?", says the grand old dame Britannia, "Is it us you are trying to live without?", Says the grand old dame Britannia. "Shut your ears to the Sinn Féin lies, you know every Gael for England dies," "And you'll have Home Rule 'neath the clear blue skies." Says the grand old dame Britannia. — Seán Ó Cathasaigh, Grand Ould Dame Britannia, 1916. After Easter Rising[edit] In 1917, his friend Thomas Ashe died in a hunger strike and it inspired him to write. He wrote two laments: one in verse and a longer one in prose.[8] Ballads authored around this time by O'Casey featured in the two editions of Songs of the Wren, published in 1918; these included "The Man from the Daily Mail", which, along with "The Grand Oul' Dame Britannia", became Irish rebel music staples. A common theme was opposition to Irish conscription into the British Army during the First World War. He spent the next five years writing plays. In 1918, when both his sister and mother died (in January and September, respectively), the St Laurence O'Toole National Club commissioned him to write the play The Frost in the Flower. He had been in the St Laurence O'Toole Pipe Band and played on the hurling team. The club declined to put the play on out of fear that its satirical treatment of several parishioners would cause resentment. O'Casey then submitted the play to the Abbey Theatre, which also rejected it but encouraged him to continue writing. Eventually, O'Casey expanded the play to three acts and retitled it The Harvest Festival. Abbey Theatre[edit] No. 422 North Circular Road, the house where O'Casey wrote the Dublin trilogy O'Casey's first accepted play, The Shadow of a Gunman, was performed at the Abbey Theatre in 1923. This was the beginning of a relationship that was to be fruitful for both theatre and dramatist but which ended in some bitterness. The play deals with the impact of revolutionary politics on Dublin's slums and their inhabitants, and is understood to be set in Mountjoy Square, where he lived during the 1916 Easter Rising. It was followed by Juno and the Paycock (1924) and The Plough and the Stars (1926). The former deals with the effect of the Irish Civil War on the working class poor of the city, while the latter is set in Dublin in 1916 around the Easter Rising. Both plays deal realistically with the rhetoric and dangers of Irish patriotism, with tenement life, self-deception, and survival; they are tragi-comedies in which violent death throws into relief the blustering masculine bravado of characters such as Jack Boyle and Joxer Daly in Juno and the Paycock and the heroic resilience of Juno herself or of Bessie Burgess in The Plough and the Stars.[9] Juno and the Paycock became a film directed by Alfred Hitchcock. The Plough and the Stars was not well received by the Abbey audience and resulted in scenes reminiscent of the riots that greeted J. M. Synge's The Playboy of the Western World in 1907. There was a riot reported on the fourth night of the show. His depiction of sex and religion even offended some of the actors, who refused to speak their lines. The full-scale riot occurred partly because the play was thought to be an attack on the men in the rising and partly in protest in opposition to the animated appearance of a prostitute in Act 2.[10] W. B. Yeats got onto the stage and roared at the audience: "You have disgraced yourselves again."[11] The takings of the play were substantial compared with the previous week. O'Casey gave up his job and became a full-time writer. After the incident, even though the play was well liked by most of the Abbey goers, Liam O'Flaherty, Austin Clarke and F. R. Higgins launched an attack against it in the press. O'Casey believed it was an attack on Yeats, that they were using O'Casey's play to berate Yeats. In 1952 he appeared in a play by Irish playwright Teresa Deevy called "The Wild Goose"[12] in which he played the part of Father Ryan. O'Casey was involved in numerous productions with the Abbey; these can be found in the Abbey Archives.[13] England[edit] While in London to receive the Hawthornden Prize and supervise the West End production of Juno and the Paycock, O'Casey fell in love with Eileen Carey. The couple were married in 1927 and remained in London until 1938,[14] when they moved to Totnes. In 1928, W. B. Yeats rejected O'Casey's fourth play, The Silver Tassie for the Abbey. It was an attack on imperialist wars and the suffering they cause. The Abbey refused to perform it. The premier production was funded by Charles B. Cochran, who took only eighteen months to put it on stage. It was put up at the Apollo Theatre but lasted for only twenty-six performances. It was directed by Raymond Massey, starred Charles Laughton and with an Act II set design by Augustus John. George Bernard Shaw and Lady Gregory had a favourable opinion of the show. Study of Seán O'Casey by Dublin artist Reginald Gray, for the New York Times (1966) The plays O'Casey wrote after this included the darkly allegorical Within the Gates (1934), which is set within the gates of a busy city park based on London's Hyde Park. Although it was highly controversial, Eugene O'Neill responded positively to it. The play was originally going to be a film script for Alfred Hitchcock. O'Casey's widow described it in her memoirs, Sean (1971): "Originally he had imagined it as a film in which everything, from flower-beds to uniforms, would be stylised. Beginning at dawn and ending at midnight, to the soft chime of Big Ben in the distance, it would be 'geometrical and emotional, the emotions of the living characters to be shown against their own patterns and the patterns of the Park.' Having got so far, he wrote to Alfred Hitchcock, and when Hitchcock and his wife dined with us Sean explained his ideas to an apparently responsive hearer. Hitchcock and he talked excitedly. They parted on the same terms, with the prospect of another immediate meeting, and Sean never heard again."[8] The play was unsuccessful in Northern Ireland and was not produced in the south until 2010.[15] In the autumn of 1934, O'Casey went to the United States to visit the New York City production of Within the Gates, which he admired greatly. It was directed by actor Melvyn Douglas and starred Lillian Gish. This is when he befriended Eugene O'Neill, Sherwood Anderson and George Jean Nathan.[8][16] The Star Turns Red (1940) is a four-act political allegory in which the Star of Bethlehem turns red. The story follows Big Red (who was based on O'Casey's friend, James Larkin) who is a trade-union leader. The union takes over the unnamed country despite the ruthless efforts of the Saffron Shirts, a fascist organisation openly supported by the Roman Catholic hierarchy of the country. It was staged by Unity Theatre in London during 1940 (later, in 1978 by the Abbey in Dublin). Purple Dust (1943) follows two wealthy, materialistic English stockbrokers who buy an ancient Irish mansion and attempt to restore it with their wrong notions of Tudor customs and taste. They try to impose upon a community with vastly different customs and lifestyles that are much closer to ancient Gaelic ways and are against such false values. Seán O'Casey's childhood home. Upper Dorset Street, Dublin. The Englishmen set their opposing standards against those represented by the men employed to renovate the house. In the resulting confrontation the English are satirised and in the end disappointed when a symbolic storm destroys their dream of resettling the old into the present. The hint that is enforced by the conclusion is that the little heap of purple dust that remains will be swept away by the rising winds of change, like the residue of pompous imperialism that abides in Ireland. The show has been compared to Shaw's John Bull's Other Island, which was one of O'Casey's favourites, but aside from a few similarities, there are no real grounds for comparison.[8] He also penned Red Roses for Me (1943), which saw him move away from his early style in favour of more expressionistic means and overtly socialist content to his writing. It went up at Dublin's Olympia Theatre (which was the first one produced in Ireland in seventeen years). It would move on to London in 1946, where O'Casey himself was able to see it. This was the first show of his own he saw since Within The Gates in 1934.[8] Oak Leaves and Lavender (1945) is a propaganda play commemorating the Battle of Britain and Britain's heroism in the anti-Nazi crusade and it takes place in a manor with shadowy 18th-century figures commenting on the present.[8] These plays have never had the same critical or popular success as the early trilogy. After the Second World War he wrote Cock-a-Doodle Dandy (1949), which is perhaps his most beautiful and exciting work. From The Bishop's Bonfire (1955) O'Casey's late plays are studies on the common life in Ireland, "Irish microcosmos", like The Drums of Father Ned (1958). His play The Drums of Father Ned was supposed to go up at the 1958 Dublin Theatre Festival, but the Catholic Archbishop of Dublin, John Charles McQuaid, refused to give his blessing (it has been assumed because works of both James Joyce and O'Casey were in the festival). After Joyce's play was quietly dropped, massive changes were required for The Drums of Father Ned, a devious way to get O'Casey to drop. After this, Samuel Beckett withdrew his mime piece in protest.[8] Later life[edit] No. 9 Innisfallen Parade, Dublin. Seán O'Casey lived here from 1882 to 1888. In 1959, O'Casey gave his blessing to a musical adaptation of Juno and the Paycock by American composer Marc Blitzstein. The musical, retitled Juno, was a commercial failure, closing after only 16 Broadway performances. It was also panned by some critics as being too "dark" to be an appropriate musical, a genre then almost invariably associated with light comedy. However, the music, which survives in a cast album made before the show opened, has since been regarded as some of Blitzstein's best work. Although endorsed by the then 79-year-old O'Casey, he did not contribute to the production or even see it during its brief run. Despite general agreement on the brilliance of the underlying material, the musical has defied all efforts to mount any successful revival. Also in 1959, George Devine produced Cock-a-Doodle Dandy at the Royal Court Theatre and it was also successful at the Edinburgh International Festival and had a West End run. His eightieth birthday occurred in 1960, and to celebrate, David Krause and Robert Hogan wrote full-length studies. The Mermaid Theatre in London launched the "O'Casey Festival" in 1962, which in turn made more theatre establishments put on his works, mostly in Britain and Germany.[8] It is in the late years that O'Casey put his creative energy into his six-volume Autobiography. On 18 September 1964 at the age of 84, O'Casey died of a heart attack, in Torquay, Devon.[17] He was cremated at the Golders Green Crematorium. In 1965, his autobiography Mirror in My House (the umbrella title under which the six autobiographies he published from 1939 to 1956 were republished, in two large volumes, in 1956) was turned into a film based on his life called Young Cassidy. The film was directed by Jack Cardiff (and John Ford) featuring Rod Taylor (as O'Casey), Flora Robson, Maggie Smith, Julie Christie, Edith Evans and Michael Redgrave. Personal life[edit] O'Casey was married to Irish actress Eileen Carey Reynolds (1903–1995)[18] from 1927 to his death. The couple had three children: two sons, Breon and Níall (who died in 1957 of leukaemia), and a daughter, Shivaun.[8][19] Archival collection[edit] In 2005, David H. Greene donated a collection of letters he received from O'Casey from 1944 to 1962 to the Fales Library at New York University. Also in the collection are two letters written by Eileen O'Casey and one letter addressed to Catherine Greene, David Greene's spouse. O'Casey's papers are held in the New York Public Library, the Cornell University Library, the University of California, Los Angeles Library System, the University of London Library, the National Library of Ireland, Colby College, Boston College and the Fales Library. Works[edit] Lament for Thomas Ashe (1917), as Seán Ó Cathasaigh The Story of Thomas Ashe (1917), as Seán Ó Cathasaigh Songs of the Wren (1918), as Seán Ó Cathasaigh More Wren Songs (1918), as Seán Ó Cathasaigh The Harvest Festival (1918) The Story of the Irish Citizen Army (1919), as Seán Ó Cathasaigh The Shadow of a Gunman (1923) Kathleen Listens In (1923) Juno and the Paycock (1924) Nannie's Night Out (1924) The Plough and the Stars (1926) The Silver Tassie (1927) Within the Gates (1934) The End of the Beginning (1937) A Pound on Demand (1939) The Star Turns Red (1940) Red Roses for Me (1942) Purple Dust (1940/1945) Oak Leaves and Lavender (1946) Cock-a-Doodle Dandy (1949) Hall of Healing (1951) Bedtime Story (1951) Time to Go (1951) The Wild Goose (1952) The Bishop's Bonfire: A Sad Play within the Tune of a Polka (1955) Mirror in My House (two volumes, 1956, reissued as Autobiographies, 1963 and since; combining the six books of memoirs listed next) I Knock at the Door (1939) Pictures in the Hallway (1942) Drums Under the Window (1945) Inishfallen, Fare Thee Well (1949) Rose and Crown (1952) Sunset and Evening Star (1954) The Drums of Father Ned (written 1957, staged 1959) Behind the Green Curtains (1961) Figuro in the Night (1961) The Moon Shines on Kylenamoe (1961) Niall: A Lament (1991) Awards and recognition[edit] (1926) – Hawthornden Prize for Juno and the Paycock (1949) – Newspaper Guild of New York's "Page One Award" for I Knock at the Door, Pictures in the Hallway, Drums under the Windows, and Inishfallen, Fare Thee Well Order of the British Empire (declined) (1960) – Durham University Honorary Degree (declined) (1960) – University of Exeter Honorary Degree (declined) (1961) – Trinity College, Dublin Honorary Degree (declined)[8] Legacy[edit] In Dublin, a foot bridge on the Liffey is named after him. References[edit] ^ "General Registrar's Office". IrishGenealogy.ie. Retrieved 30 March 2017. ^ "Church records". IrishGenealogy.ie. Retrieved 30 March 2017. ^ a b c O'Casey, Sean; Krause, David; Lowery, Robert G. (1980). Sean O'Casey, Centenary Essays. C. Smythe. pp. 1–2. ISBN 978-0-86140-008-9. ^ "St Barnabas". Retrieved 2 March 2019. ^ LM Cullen, Eason and Son, A History. ^ Murray, Christopher (2004). Seán O'Casey: writer at work : a biography. Gill & Macmillan Ltd. p. 66. ISBN 978-0-7171-2750-4. Retrieved 29 October 2011. ^ Murray, Christopher (2004). Sean O'Casey: Writer at Work : a Biography. McGill-Queen's Press-MQUP. p. 106. ^ a b c d e f g h i j Ayling, Ronald (1982). Modern British Dramatists, 1900–1945. Detroit, Michigan: Gale. ISBN 978-0-8103-0937-1. ^ The Oxford Companion to English Literature, 6th Edition. Edited by Margaret Drabble, Oxford University Press, 2000 Pp 734 ^ Contemporary Authors Online. Detroit, Michigan: Gale. 2003. ISBN 978-0-7876-3995-2. ^ Hogan, Robert; Burnham, Richard (1992). The Years of O'Casey, 1921-1926: A Documentary History. Newark: University of Delaware Press. p. 281. ISBN 978-0874134216. Retrieved 18 August 2018. ^ "The Wild Goose". The Teresa Deevy Archive. Retrieved 14 July 2016. ^ "O'Casey, Sean (I)". The Abbey Theatre Archive. Retrieved 14 July 2016. ^ Krause, David Sean O'Casey and his world, London: Thames & Hudson, 1976 ^ "Within the Gates". Dublin Lyric Theatre. ^ "Within The Gates 1934". LillianGish1893. ^ Seán O'Casey, Irish Playwright, Is Dead at 84, New York Times ^ Calder, John (11 April 1995). "OBITUARY: Eileen O'Casey". The Independent. London. ^ Rota, Kara (October 2010). "A Lasting Legacy: Sean O'Casey and the Abbey Theater". Further reading[edit] Irish Writers on Writing featuring Seán O'Casey. Edited by Eavan Boland (Trinity University Press, 2007). Igoe, Vivien. A Literary Guide to Dublin. Methuen, 1994; ISBN 0-413-69120-9 Krause, David. Seán O'Casey and his World. New York: C. Scribner's, 1976; ISBN 0-500-13055-8 Murray, Christopher. Seán O'Casey, Writer at Work. Gill and MacMillan, McGill-Queen's University Press, 2004; ISBN 0-7735-2889-X Ryan, Philip B. The Lost Theatres of Dublin. The Badger Press, 1998; ISBN 0-9526076-1-1 Schrank, Bernice. Sean O'Casey: A Research and Production Sourcebook. Greenwood Press, 1996; ISBN 0-313-27844-X External links[edit] Wikiquote has quotations related to: Seán O'Casey Website devoted to Seán O'Casey with an extensive iconography of programmes Link to the Fales library guide to the David H. Greene Collection of Sean O'Casey Letters Seán O'Casey and the 1916 Easter Rising O'Casey at Today in Literature Robert G. Lowery – Sean O'Casey Collection – at Boston College John J. Burns Library Sean O'Casey letters, 1946–1969 – at Boston College John J. Burns Library Bibliography, Seán O'Casey profile, threemonkeysonline.com David J. Marcou's sequel to 'Juno and Paycock' ('Song of Joy—Or the Old Reliables'), first performed in 2008 in La Crosse, Wisconsin. Marcou's sequel was revised for publication on the La Crosse History Unbound website in 2009, then further revised in 2010, based on a critique by the National Theatre of Ireland, the Abbey. "Archival material relating to Seán O'Casey". UK National Archives. Portraits of Sean O'Casey at the National Portrait Gallery, London 'Ireland's Shakespeare': three actors on Seán O'Casey Seán O'Casey at The Teresa Deevy Archive Seán O'Casey at The Abbey Theatre Archive v t e Seán O'Casey Plays The Shadow of a Gunman (1923) Juno and the Paycock (1924) The Plough and the Stars (1926) The Silver Tassie (1927) The End of the Beginning (1937) Red Roses for Me (1942) Cock-a-Doodle Dandy (1949) Family Breon O'Casey (son) Related Seán O'Casey Bridge v t e Irish rebel songs Gaelic Ireland Óró sé do bheatha abhaile Follow Me up to Carlow O'Donnell Abú Mná na hÉireann United Irishmen The Wind that Shakes the Barley The Rising of the Moon Kelly from Killanne Boolavogue Highland Paddy Irish Soldier Laddie The Wearing of the Green The Croppy Boy The Boys of Wexford Come All You Warriors Tone's Grave Famine & Young Ireland The Fields of Athenry Skibbereen Back Home in Derry God Save Ireland A Nation Once Again Join the British Army The Peeler and the Goat The Black Velvet Band 1916 & Tan War Amhrán na bhFiann Come Out, Ye Black and Tans The Foggy Dew Down by the Glenside (The Bold Fenian Men) The Boys of the Old Brigade The Valley of Knockanure Tri-Colored Ribbon The Broad Black Brimmer Old Fenian Gun Rifles of the IRA Who Is Ireland's Enemy? Man from the Daily Mail Grand Old Dame Britannia Erin Go Bragh Kevin Barry Johnston's Motor Car Pat of Mullingar Banna Strand Dying Rebel Civil War & Anti-Treaty Take It Down from the Mast The Patriot Game Sean South from Garryowen The Troubles The Men Behind the Wire The Ballad of Joe McDonnell Only Our Rivers Run Free The People's Own MP Little Armalite Roll of Honour Writers Patrick Joseph McCall Timothy Daniel Sullivan Peadar Kearney Patrick Pearse Seán O'Casey Brian O'Higgins Bryan MacMahon Paddy McGuigan Dominic Behan Pete St. John Derek Warfield Mickey MacConnell Authority control BIBSYS: 90059793 BNE: XX1051203 BNF: cb120172199 (data) CANTIC: a18745179 GND: 11858927X ISNI: 0000 0001 0870 131X LCCN: n79063153 LNB: 000036998 NDL: 00621223 NKC: jn19990006214 NLI: 000100724 NLK: KAC199620476 NTA: 068190115 PLWABN: 9810623212505606 SELIBR: 218921 SNAC: w6s180gm SUDOC: 028309820 Trove: 937454 VIAF: 12319997 WorldCat Identities: lccn-n79063153 Retrieved from "https://en.wikipedia.org/w/index.php?title=Seán_O%27Casey&oldid=998417074" Categories: 1880 births 1964 deaths 20th-century Irish dramatists and playwrights 20th-century male writers Abbey Theatre Christian communists Democratic socialists Disease-related deaths in England Irish Anglicans Irish Christian socialists Irish communists Irish expatriates in the United Kingdom Irish memoirists Irish male dramatists and playwrights Members of the Irish Republican Brotherhood Golders Green Crematorium Writers from Dublin (city) Politics of Dublin (city) Anglican socialists 20th-century memoirists Hidden categories: EngvarB from November 2013 Use dmy dates from November 2013 Articles containing Irish-language text Wikipedia articles with BIBSYS identifiers Wikipedia articles with BNE identifiers Wikipedia articles with BNF identifiers Wikipedia articles with CANTIC identifiers Wikipedia articles with GND identifiers Wikipedia articles with ISNI identifiers Wikipedia articles with LCCN identifiers Wikipedia articles with LNB identifiers Wikipedia articles with NDL identifiers Wikipedia articles with NKC identifiers Wikipedia articles with NLI identifiers Wikipedia articles with NLK identifiers Wikipedia articles with NTA identifiers Wikipedia articles with PLWABN identifiers Wikipedia articles with SELIBR identifiers Wikipedia articles with SNAC-ID identifiers Wikipedia articles with SUDOC identifiers Wikipedia articles with Trove identifiers Wikipedia articles with VIAF identifiers Wikipedia articles with WORLDCATID identifiers Navigation menu Personal tools Not logged in Talk Contributions Create account Log in Namespaces Article Talk Variants Views Read Edit View history More Search Navigation Main page Contents Current events Random article About Wikipedia Contact us Donate Contribute Help Learn to edit Community portal Recent changes Upload file Tools What links here Related changes Upload file Special pages Permanent link Page information Cite this page Wikidata item Print/export Download as PDF Printable version In other projects Wikimedia Commons Wikiquote Languages العربية تۆرکجه Български Brezhoneg Català Čeština Cymraeg Dansk Deutsch Ελληνικά Español Euskara فارسی Français Gaeilge Galego 한국어 Հայերեն Hrvatski Italiano עברית Magyar Nederlands 日本語 Norsk bokmål Oʻzbekcha/ўзбекча Polski Português Română Русский Srpskohrvatski / српскохрватски Suomi Svenska Татарча/tatarça Türkçe Українська 中文 Edit links This page was last edited on 5 January 2021, at 08:16 (UTC). Text is available under the Creative Commons Attribution-ShareAlike License; additional terms may apply. By using this site, you agree to the Terms of Use and Privacy Policy. Wikipedia® is a registered trademark of the Wikimedia Foundation, Inc., a non-profit organization. Privacy policy About Wikipedia Disclaimers Contact Wikipedia Mobile view Developers Statistics Cookie statement