Tom Stoppard - Wikipedia Tom Stoppard From Wikipedia, the free encyclopedia Jump to navigation Jump to search British playwright Sir Tom Stoppard OM CBE FRSL Stoppard at a reception in Russia in 2007 Born Tomáš Straussler (1937-07-03) 3 July 1937 (age 83) Zlín, Czechoslovakia (present day Zlín, Czech Republic) Occupation Playwright, screenwriter Education Pocklington School, Mount Hermon School, Darjeeling Period 1953–present Genre Dramatic comedy / Tragicomedy Spouse Josie Ingle ​ ​ (m. 1965; div. 1972)​ Miriam Stern ​ ​ (m. 1972; div. 1992)​ Sabrina Guinness ​ ​ (m. 2014)​ Children 4, including Ed Stoppard Website www.unitedagents.co.uk/tom-stoppard Sir Tom Stoppard OM CBE FRSL (born Tomáš Straussler; 3 July 1937) is a Czech-born British playwright and screenwriter.[1] He has written for television, radio, film, and stage, finding prominence with plays such as Arcadia, The Coast of Utopia, Every Good Boy Deserves Favour, Professional Foul, The Real Thing, Travesties, The Invention of Love, and Rosencrantz and Guildenstern Are Dead. He co-wrote the screenplays for Brazil, The Russia House, and Shakespeare in Love, and has received an Academy Award, an Olivier and four Tony Awards.[2] His work covers the themes of human rights, censorship and political freedom, often delving into the deeper philosophical thematics of society. Stoppard has been a playwright of the National Theatre and is one of the most internationally performed dramatists of his generation.[3] In 2008, The Daily Telegraph ranked him number 11 in their list of the "100 most powerful people in British culture".[4] Born in Czechoslovakia, Stoppard left as a child refugee, fleeing imminent Nazi occupation. He settled with his family in Britain after the war, in 1946, having spent the three years prior (1943–1946) in a boarding school in Darjeeling in the Indian Himalayas. After being educated at schools in Nottingham and Yorkshire, Stoppard became a journalist, a drama critic and then, in 1960, a playwright. It was announced in June 2019 that he had written a new play, Leopoldstadt, set in the Jewish community of early 20th-century Vienna. The play premiered in January 2020 at Wyndham's Theatre with Patrick Marber directing.[5] In October 2020, it won the Olivier Award for Best New Play. Contents 1 Life and career 1.1 Early years 1.2 Career 2 Themes 3 Personal life 4 Political views 5 Representations in art 6 Archive 7 Selected awards and honours 7.1 Awards 7.2 Honours 8 Published works 9 References 10 Further reading 11 External links Life and career[edit] Early years[edit] Stoppard was born Tomáš Straussler, in Zlín, a city dominated by the shoe manufacturing industry, in the Moravia region of Czechoslovakia. He is the son of Martha Becková and Eugen Straussler, a doctor employed by the Bata shoe company. His parents were non-observant Jews,[6] members of a long-established community. Just before the German occupation of Czechoslovakia, the town's patron, Jan Antonín Baťa, transferred his Jewish employees, mostly physicians, to branches of his firm outside Europe.[7][8] On 15 March 1939, the day the Nazis invaded Czechoslovakia, the Straussler family fled to Singapore, where Baťa had a factory. Before the Japanese occupation of Singapore, Stoppard, his brother, and their mother fled to India. Stoppard's father remained in Singapore as a British army volunteer, knowing that, as a doctor, he would be needed in its defence.[6] Stoppard was four years old when his father died.[9] In the book Tom Stoppard in Conversation, Stoppard tells how his father died in Japanese captivity, a prisoner of war[10][11] but has said that he subsequently discovered that Straussler was reported to have drowned on board a ship bombed by Japanese forces whilst trying to flee Singapore in 1942.[6] In 1941, when Tomáš was five, the three were evacuated to Darjeeling, India. The boys attended Mount Hermon School, an American multi-racial school,[10] where Tomáš became Tom and his brother Petr became Peter. In 1945, his mother, Martha, married British army major Kenneth Stoppard, who gave the boys his English surname and, in 1946, moved the family to England.[1] Stoppard's stepfather believed strongly that "to be born an Englishman was to have drawn first prize in the lottery of life"—a quote from Cecil Rhodes—telling his 9-year-old stepson: "Don't you realise that I made you British?"[12] setting up Stoppard's desire as a child to become "an honorary Englishman". "I fairly often find I'm with people who forget I don't quite belong in the world we're in", he says. "I find I put a foot wrong—it could be pronunciation, an arcane bit of English history—and suddenly I'm there naked, as someone with a pass, a press ticket." This is reflected in his characters, he notes, who are "constantly being addressed by the wrong name, with jokes and false trails to do with the confusion of having two names".[12] Stoppard attended the Dolphin School in Nottinghamshire, and later completed his education at Pocklington School in East Riding, Yorkshire, which he hated.[11] Stoppard left school at seventeen and began work as a journalist for the Western Daily Press in Bristol, never receiving a university education.[11] Years later, he came to regret not going to university, but at the time he loved his work as a journalist and felt passionately about his career.[11] He worked at the paper from 1954 until 1958, when the Bristol Evening World offered Stoppard the position of feature writer, humour columnist, and secondary drama critic, which took Stoppard into the world of theatre. At the Bristol Old Vic, at the time a well-regarded regional repertory company, Stoppard formed friendships with director John Boorman and actor Peter O'Toole early in their careers. In Bristol, he became known more for his strained attempts at humour and unstylish clothes than for his writing.[1] Career[edit] Stoppard wrote short radio plays in 1953–54 and by 1960 he had completed his first stage play, A Walk on the Water, which was later re-titled Enter a Free Man (1968).[11] He noted that the work owed much to Robert Bolt's Flowering Cherry and Arthur Miller's Death of a Salesman. Within a week after sending A Walk on the Water to an agent, Stoppard received his version of the "Hollywood-style telegrams that change struggling young artists' lives." His first play was optioned, staged in Hamburg, then broadcast on British Independent Television in 1963.[1] From September 1962 until April 1963, Stoppard worked in London as a drama critic for Scene magazine, writing reviews and interviews both under his name and the pseudonym William Boot (taken from Evelyn Waugh's Scoop). In 1964, a Ford Foundation grant enabled Stoppard to spend 5 months writing in a Berlin mansion, emerging with a one-act play titled Rosencrantz and Guildenstern Meet King Lear, which later evolved into his Tony-winning play Rosencrantz and Guildenstern Are Dead.[1] In the following years, Stoppard produced several works for radio, television and the theatre, including "M" is for Moon Among Other Things (1964), A Separate Peace (1966) and If You're Glad I'll Be Frank (1966). On 11 April 1967 – following acclaim at the 1966 Edinburgh Festival – the opening of Rosencrantz and Guildenstern Are Dead in a National Theatre production at the Old Vic made Stoppard an overnight success. Jumpers (1972) places a professor of moral philosophy in a murder mystery thriller alongside a slew of radical gymnasts. Travesties (1974) explored the 'Wildean' possibilities arising from the fact that Vladimir Lenin, James Joyce, and Tristan Tzara had all been in Zürich during the First World War.[3] Arcadia (1993) explores the interaction between two modern academics and the residents of a Derbyshire country house in the early 19th century, including aristocrats, tutors and the fleeting presence, unseen on stage, of Lord Byron. The themes of the play include the philosophical implications of the second law of thermodynamics, Romantic literature, and the English picturesque style of garden design.[13] The Coast of Utopia (2002) was a trilogy of plays Stoppard wrote about the philosophical arguments among Russian revolutionary figures in the late 19th century. The trilogy comprises Voyage, Shipwreck, and Salvage. Major figures in the play include Michael Bakunin, Ivan Turgenev and Alexander Herzen.[14] Rock'n'Roll (2006) was set in both Cambridge, England and Prague. The play explored the culture of 1960s rock music, especially the persona of Syd Barrett and the political challenge of the Czech band The Plastic People of the Universe, mirroring the contrast between liberal society in England and the repressive Czech state after the Warsaw Pact intervention in the Prague Spring.[15] In his early years, Stoppard wrote extensively for BBC radio, often introducing surrealist themes. He has also adapted many of his stage works for radio, film and television winning extensive awards and honours from the start of his career. His radio production, Darkside (2013), was written for BBC Radio 2 to celebrate the 40th anniversary of Pink Floyd's album, The Dark Side of the Moon.[16] Stoppard has written one novel, Lord Malquist and Mr Moon (1966), set in contemporary London. Its cast includes the 18th-century figure of the dandified Malquist and his ineffectual Boswell, Moon, and also cowboys, a lion (banned from the Ritz) and a donkey-borne Irishman claiming to be the Risen Christ. In the 1980s, in addition to writing his own works, Stoppard translated many plays into English, including works by Sławomir Mrożek, Johann Nestroy, Arthur Schnitzler, and Václav Havel. It was at this time that Stoppard became influenced by the works of Polish and Czech absurdists. He has been co-opted into the Outrapo group, a far-from-serious French movement to improve actors' stage technique through science.[17] Stoppard has also co-written screenplays including Shakespeare in Love and Indiana Jones and the Last Crusade. Steven Spielberg states that though Stoppard was uncredited for the latter, "he was responsible for almost every line of dialogue in the film".[18] Stoppard also worked on Star Wars: Episode III – Revenge of the Sith, though again Stoppard received no official or formal credit in this role.[19][20] He worked in a similar capacity with Tim Burton on his film Sleepy Hollow.[21] Stoppard serves on the advisory board of the magazine Standpoint, and was instrumental in its foundation, giving the opening speech at its launch.[22] He is also a patron of the Shakespeare Schools Festival, a charity that enables school children across the UK to perform Shakespeare in professional theatres.[23] In July 2013 Stoppard was awarded the PEN Pinter Prize for "determination to tell things as they are."[24] Stoppard was appointed president of the London Library in 2002 and Vice-President in 2017 following the election of Sir Tim Rice as president.[25] In July 2017, Stoppard was elected an Honorary Fellow of the British Academy (HonFBA), the United Kingdom's national academy for the humanities and social sciences.[26] Stoppard was appointed Cameron Mackintosh Visiting Professor of Contemporary Theatre, St Catherine's College, Oxford, for the academic year 2017–2018. Themes[edit] Rosencrantz and Guildenstern Are Dead (1966–67) was Stoppard's first major play to gain recognition. The story of Hamlet as told from the viewpoint of two courtiers echoes Beckett in its double act repartee, existential themes and language play.[3] "Stoppardian" became a term describing works using wit and comedy while addressing philosophical concepts.[3] Critic Dennis Kennedy notes "It established several characteristics of Stoppard's dramaturgy: his word-playing intellectuality, audacious, paradoxical, and self-conscious theatricality, and preference for reworking pre-existing narratives... Stoppard's plays have been sometimes dismissed as pieces of clever showmanship, lacking in substance, social commitment, or emotional weight. His theatrical surfaces serve to conceal rather than reveal their author's views, and his fondness for towers of paradox spirals away from social comment. This is seen most clearly in his comedies The Real Inspector Hound (1968) and After Magritte (1970), which create their humour through highly formal devices of reframing and juxtaposition."[3] Stoppard himself went so far as to declare "I must stop compromising my plays with this whiff of social application. They must be entirely untouched by any suspicion of usefulness."[1] He acknowledges that he started off "as a language nerd", primarily enjoying linguistic and ideological playfulness, feeling early in his career that journalism was far better suited for presaging political change, than playwriting.[11] The accusations of favouring intellectuality over political commitment or commentary were met with a change of tack, as Stoppard produced increasingly socially engaged work.[3] From 1977, he became personally involved with human-rights issues, in particular with the situation of political dissidents in Central and Eastern Europe. In February 1977, he visited the Soviet Union and several Eastern European countries with a member of Amnesty International.[1] In June, Stoppard met Vladimir Bukovsky in London and travelled to Czechoslovakia (then under communist control), where he met dissident playwright and future president Václav Havel, whose writing he greatly admires.[1][11] Stoppard became involved with Index on Censorship, Amnesty International, and the Committee Against Psychiatric Abuse and wrote various newspaper articles and letters about human rights. He was instrumental in translating Havel's works into English. Every Good Boy Deserves Favour (1977), "a play for actors and orchestra" was based on a request by conductor/composer André Previn; inspired by a meeting with a Russian exile. This play as well as Dogg's Hamlet, Cahoot's Macbeth (1979), The Coast of Utopia (2002), Rock 'n' Roll (2006), and two works for television Professional Foul (1977) and Squaring the Circle (1984) all concern themes of censorship, rights abuses, and state repression.[3] Stoppard's later works have sought greater inter-personal depths, whilst maintaining their intellectual playfulness. Stoppard acknowledges that around 1982 he moved away from the "argumentative" works and more towards plays of the heart, as he became "less shy" about emotional openness. Discussing the later integration of heart and mind in his work, he commented "I think I was too concerned when I set off, to have a firework go off every few seconds... I think I was always looking for the entertainer in myself and I seem to be able to entertain through manipulating language... [but] it's really about human beings, it's not really about language at all." The Real Thing (1982) uses a meta-theatrical structure to explore the suffering that adultery can produce and The Invention of Love (1997) also investigates the pain of passion. Arcadia (1993) explores the meeting of chaos theory, historiography, and landscape gardening.[3] He was inspired by a Trevor Nunn production of Gorky's Summerfolk to write a trilogy of "human" plays: The Coast of Utopia (Voyage, Shipwreck, and Salvage, 2002).[11] Stoppard has commented that he loves the medium of theatre for how 'adjustable' it is at every point, how unfrozen it is, continuously growing and developing through each rehearsal, free from the text. His experience of writing for film is similar, offering the liberating opportunity to 'play God', in control of creative reality. It often takes four to five years from the first idea of a play to staging, taking pains to be as profoundly accurate in his research as he can be.[11] Personal life[edit] Stoppard has been married three times. His first marriage was to Josie Ingle (1965–1972), a nurse;[27] his second marriage was to Miriam Stern (1972–92). They separated when he began a relationship with actress Felicity Kendal.[28][29] He also had a relationship with actress Sinéad Cusack. but she made it clear she wished to remain married to Jeremy Irons and stay close to their two sons. Also, after she was reunited with a son she had given up for adoption, she wished to spend time with him in Dublin rather than with Stoppard in the house they shared in France.[30] He has two sons from each of his first two marriages: Oliver Stoppard, Barnaby Stoppard, the actor Ed Stoppard, and Will Stoppard, who is married to violinist Linzi Stoppard.[29] In 2014 he married Sabrina Guinness.[31] Stoppard's mother died in 1996. The family had not talked about their history and neither brother knew what had happened to the family left behind in Czechoslovakia.[32] In the early 1990s, with the fall of communism, Stoppard found out that all four of his grandparents had been Jewish and had died in Terezin, Auschwitz and other camps, along with three of his mother's sisters. In 1998, following the deaths of his parents, he returned to Zlín for the first time in over 50 years.[11] He has expressed grief both for a lost father and a missing past, but he has no sense of being a survivor, at whatever remove. "I feel incredibly lucky not to have had to survive or die. It's a conspicuous part of what might be termed a charmed life."[12] In 2013, Stoppard asked Hermione Lee to write his biography.[30] It appeared in 2020. Political views[edit] In 1979, the year of Margaret Thatcher's election, Stoppard noted to Paul Delaney: "I'm a conservative with a small c. I am a conservative in politics, literature, education and theatre."[33] In 2007, Stoppard described himself as a "timid libertarian".[34] The Tom Stoppard Prize (Czech: Cena Toma Stopparda) was created in 1983 under the Charter 77 Foundation and is awarded to authors of Czech origin.[35] With Kevin Spacey, Jude Law and others, Stoppard joined protests against the regime of Alexander Lukashenko in March 2011, showing their support for the Belarusian democracy movement.[citation needed] In 2014, Stoppard publicly backed "Hacked Off" and its campaign towards press self-regulation by "safeguarding the press from political interference while also giving vital protection to the vulnerable."[36] Representations in art[edit] Stoppard sat for sculptor Alan Thornhill, and a bronze head is now in public collection, situated with the Stoppard papers in the reading room of the Harry Ransom Center at the University of Texas at Austin.[37] The terracotta remains in the collection of the artist in London.[38] The correspondence file relating to the Stoppard bust is held in the archive of the Henry Moore Foundation's Henry Moore Institute in Leeds.[39] Stoppard also sat for the sculptor and friend Angela Conner, and his bronze portrait bust is on display in the grounds of Chatsworth House. Tom Stoppard, whose archive resides at the Harry Ransom Center, on The University of Texas at Austin campus in 1996. Image courtesy of Harry Ransom Center. Archive[edit] The papers of Tom Stoppard are housed at the Harry Ransom Center at the University of Texas at Austin. The archive was first established by Stoppard in 1991 and continues to grow. The collection consists of typescript and handwritten drafts, revision pages, outlines, and notes; production material, including cast lists, set drawings, schedules, and photographs; theatre programs; posters; advertisements; clippings; page and galley proofs; dust jackets; correspondence; legal documents and financial papers, including passports, contracts, and royalty and account statements; itineraries; appointment books and diary sheets; photographs; sheet music; sound recordings; a scrapbook; artwork; minutes of meetings; and publications.[40] Selected awards and honours[edit] Awards[edit] 1967: Evening Standard Award for Most Promising Playwright (UK) 1967: Plays and Players London Theatre Critics Award Rosencrantz and Guildenstern Are Dead (UK) 1968: Rosencrantz and Guildenstern Are Dead – Tony Award for Best Play, New York Drama Critics' Circle Best Play of the Year (US), Plays and Players London Theatre Critics Award for Best New Play (UK) 1968: Albert's Bridge – Prix Italia (Italy)[41] 1972: Jumpers – Evening Standard Award for Best Play, Plays and Players London Theatre Critics Award for Best New Play (UK) 1974: Travesties – Evening Standard Award for Best Comedy of the Year (UK) 1976: Travesties – Tony Award for Best Play, New York Critics Award for Best Play (US) 1978: Night and Day – Evening Standard Award for Best Play (UK) 1982: The Dog It Was That Died – Giles Cooper Award 1982: The Real Thing – Evening Standard Award for Best Play (UK) 1984: The Real Thing – Tony Award for Best Play, New York Critics Award for Best Foreign Play (US) 1991: In the Native State – Giles Cooper Award 1993: Arcadia – Critics' Circle Theatre Awards for Best New Play, Evening Standard Award for Best Play of the Year 1994: Arcadia – Laurence Olivier Award for Best New Play (UK) 1997: The Invention of Love – Evening Standard Award for Best Play (UK) 1998: Shakespeare in Love – Academy Award for Best Original Screenplay (US) 1999: Shakespeare in Love – Silver Bear for an outstanding single achievement (Berlin)[42] 2000: The Real Thing – Drama Desk Award for Outstanding Revival of a Play (US) 2000: The Real Thing – Tony Award for Best Revival of a Play (US) 2001: The Invention of Love – New York Drama Critics Circle Award for Best Play (US) 2007: The Coast of Utopia – Tony Award for Best Play (US) 2007: The Critics' Circle Award for Distinguished Service to the Arts (presented on 3 April 2008 at the National Theatre) (UK) 2008: The 2008 Dan David Prize for Creative Rendering of the Past in Theatre (Israeli) 2013: The PEN Pinter Prize for "determination to tell things as they are." (UK) 2013: Laurel Award for Screenwriting Achievement 2015: PEN/Allen Foundation Literary Service Award[43] 2017: America Award in Literature[44] 2017: David Cohen Prize[45] 2020: Leopoldstadt - Laurence Olivier Award for Best New Play Honours[edit] Insignia of Knight Bachelor 1972: Elected as a Fellow of the Royal Society of Literature 1978: Commander of the Order of the British Empire in the 1978 New Year Honours[46] 1997: Knight Bachelor in the 1997 Birthday Honours for services to literature[47] 1999: Induction into American Theater Hall of Fame[48] 2000: Order of Merit[49] 2000: Honorary Doctor of Letters, Yale University 2000: Honorary Doctor of Letters, University of Cambridge 2002: President of The London Library 2009:[50] Honorary Patronage of the University Philosophical Society, Trinity College, Dublin 2013: Honorary Doctor of Letters, University of Oxford 2017: Honorary Fellow of the British Academy[26] Published works[edit] Novel 1966: Lord Malquist and Mr Moon Theatre 1964: A Walk on the Water 1965: The Gamblers, based on the novel The Gambler by Dostoevsky 1966: Tango, adapted from Sławomir Mrożek's play and Nicholas Bethell translation, premiered at the Aldwych Theatre 1966: Rosencrantz and Guildenstern Are Dead 1968: Enter a Free Man. Developed from A Walk on the Water. First performed 28 March 1968. 1968: The Real Inspector Hound 1969: Albert's Bridge premiered at St. Mary's Hall in Edinburgh 1969: If You're Glad I'll Be Frank premiered at St. Mary's Hall in Edinburgh 1970: After Magritte frequently performed as a companion piece to The Real Inspector Hound 1971: Dogg's Our Pet premiered at the Almost Free Theatre 1972: Jumpers 1972: Artist Descending a Staircase 1974: Travesties 1976: Dirty Linen and New-Found-Land first performed on 6 April 1976 1976: 15-Minute Hamlet 1977: Every Good Boy Deserves Favour was written at the request of André Previn. The play calls for a full orchestra 1978: Night and Day 1979: Dogg's Hamlet, Cahoot's Macbeth – two plays written to be performed together. 1979: Undiscovered Country – an adaptation of Das Weite Land by the Austrian playwright Arthur Schnitzler 1981: On the Razzle based on Einen Jux will er sich machen by Johann Nestroy 1982: The Real Thing 1982: The (15 Minute) Dogg's Troupe Hamlet, revision of 1979 play, Tom Stoppard's contribution to eight one-act plays by eight playwrights performed as Pieces of Eight 1983: English libretto for The Love for Three Oranges. Original opera by Sergei Prokofiev. 1984: Rough Crossing based on Play at the Castle by Ferenc Molnár 1986: Dalliance An adaptation of Arthur Schnitzler's Liebelei 1987: Largo Desolato, translation of a play by Václav Havel 1988: Hapgood 1993: Arcadia 1995: Indian Ink – based on Stoppard's radio play In the Native State 1997: The Invention of Love 1997: The Seagull – translation of the play by Anton Chekhov 2002: The Coast of Utopia is a trilogy of plays: Voyage, Shipwreck, and Salvage 2004: Enrico IV (Henry IV) – translation of the Italian play by Luigi Pirandello[51] First presented at the Donmar Theatre, London, in April 2004 2006: Rock 'n' Roll – first public performance 3 June 2006 preview at the Royal Court Theatre. 2010: The Laws of War – contributor to a collaborative piece for a one-night benefit performance in support of Human Rights Watch.[52] 2015: The Hard Problem 2020: Leopoldstadt Original works for radio 1964: The Dissolution of Dominic Boot 1964: 'M' is for Moon Amongst Other Things 1966: If You're Glad I'll be Frank 1967: Albert's Bridge 1968: Where Are They Now?, written for schools radio 1972: Artist Descending a Staircase 1982: The Dog It Was That Died 1991: In the Native State, later expanded to become the stage play Indian Ink (1995) 2007: On Dover Beach[53] 2012: Albert's Bridge, Artist Descending a Staircase, The Dog It Was That Died, and In the Native State have been published by the British Library as Tom Stoppard Radio Plays[54] 2013: Darkside, written for BBC Radio 2[16] Television plays A Separate Peace transmitted August 1966[55] Teeth Another Moon Called Earth (containing some dialogue and situations later incorporated into Jumpers) Neutral Ground (a loose adaptation of Sophocles' Philoctetes) Professional Foul Squaring the Circle 1970: The Engagement, a television version of The Dissolution of Dominic Boot on NBC Experiment in Television[56] Film and television adaptation of plays and books 1975: Three Men in a Boat adaptation of Jerome K. Jerome's novel for BBC Television 1975: The Boundary co-authored by Clive Exton, for the BBC 1978: Despair – screenplay for the film directed by Rainer Werner Fassbinder, starring Dirk Bogarde, based on the novel by Vladimir Nabokov 1979: The Human Factor — a film adaption of the novel by Graham Greene 1985: Brazil co-authored with Terry Gilliam and Charles McKeown, script nominated for an Academy Award 1987: Empire of the Sun first draft of the screenplay 1989: Indiana Jones and the Last Crusade final rewrite of Jeffrey Boam's rewrite of Menno Meyjes's screenplay 1990: The Russia House screenplay for the 1990 film of the John le Carré novel 1990: Rosencrantz & Guildenstern are Dead – won the Golden Lion and which he also directed 1998: Shakespeare in Love co-authored with Marc Norman; script won an Academy Award 1998: Poodle Springs teleplay adaptation of the novel by Robert B. Parker and Raymond Chandler 2001: Enigma film screenplay of the Robert Harris novel 2005: Star Wars: Episode III – Revenge of the Sith dialogue-polish of George Lucas's screenplay 2005: The Golden Compass a draft screenplay, not produced 2012: Parade's End, television screenplay for BBC/HBO of Ford Madox Ford's series of novels 2012: Anna Karenina, film screenplay of the Leo Tolstoy novel 2014: Tulip Fever, film screenplay of the Deborah Moggach novel References[edit] ^ a b c d e f g h Reiter, Amy (13 November 2001). "Tom Stoppard". Salon. Retrieved 9 October 2008. ^ "Stoppard play sweeps Tony awards". BBC News. 11 June 2007. Retrieved 5 October 2008. ^ a b c d e f g h "Stoppard, Tom" The Oxford Companion to Theatre and Performance. Edited by Dennis Kennedy. Oxford University Press Inc. ^ "The 100 most powerful people in British culture". The Daily Telegraph. 9 November 2016. Retrieved 9 May 2020. ^ "Jewish district inspires Tom Stoppard in 'personal' new play". The Guardian. 26 June 2019. Retrieved 17 July 2019. ^ a b c Moss, Stephen (22 June 2002). "And now, the real thing". 'The Guardian. Retrieved 10 February 2010. ^ Theresienstadt memorial archive Tom Stoppard Discloses his Past ^ "And now the real thing" The Guardian, 22 June 2002. Retrieved 10 October 2010 ^ Bloom, p.13 ^ a b Tom Stoppard, Paul Delaney (1994). Tom Stoppard in Conversation, p. 91, University of Michigan Press ^ a b c d e f g h i j BBC John Tusa Interview (Audio 43 mins). Transcript ^ a b c "You can't help being what you write". The Guardian, 6 September 2008 ^ Perloff, Carey (2013). "Words on Plays: Arcadia" (PDF). act.sf. Retrieved 11 October 2020. ^ "The Coast of Utopia: Voyage". Royal National Theatre. 2008. Archived from the original on 18 May 2011. Retrieved 12 October 2020. ^ Broderson, Elizabeth (2008). "Words on Plays: Rock'n'Roll" (PDF). act.sf. Retrieved 11 October 2020. ^ a b "Tom Stoppard's Dark Side comes to BBC Radio 2". Tuppence Magazine. Retrieved 28 April 2013. ^ von Bariter, Milie. "L'acteur cérébral". Contrainte du moment. Outrapo. Retrieved 6 September 2008. ^ "Empire: Features". Empire. Retrieved 8 July 2009. ^ TimeOut New York interview ^ Rolling Stone magazine article. Retrieved 19 February 2010 ^ Morris, Mark (30 November 1999). "Get me Tom Stoppard". The Guardian Retrieved 9 May 2020. ^ Tom Stoppard. "ONLINE ONLY: Speech at the Standpoint Launch". Standpoint. Retrieved 8 July 2009. ^ "Archived copy". Archived from the original on 19 January 2013. Retrieved 27 November 2012.CS1 maint: archived copy as title (link) ^ "Sir Tom Stoppard wins annual Pen Pinter prize". BBC News. 31 July 2013. Retrieved 31 July 2013. ^ artonezero. "Patrons and Presidents". londonlibrary.co.uk. Retrieved 28 February 2017. ^ a b "Elections to the British Academy celebrate the diversity of UK research". 21 July 2017. ^ Stade, George and Karen Karbiener (2009). Encyclopedia of British Writers, 1800 to the Present, Volume 2. New York: Infobase Publishing. pp. 467–69. ISBN 978-0816073856. Retrieved 9 October 2015. ^ Kelly 2001, pp. 33–34. sfn error: multiple targets (2×): CITEREFKelly2001 (help) ^ a b Kelly 2001, pp. 242–243. sfn error: multiple targets (2×): CITEREFKelly2001 (help) ^ a b "Tom Stoppard :A Life-A great biography of a great playwright". www.irishtimes.com. Retrieved 24 October 2020. ^ "Playwright Sir Tom Stoppard marries brewery heiress Sabrina Guinness in Wimborne". Bournemouth Echo. 8 June 2014. Retrieved 9 May 2020. ^ Theresienstadt memorial archive websiteTom Stoppard Discloses his Past ^ Kelly 2001, p. 151. sfn error: multiple targets (2×): CITEREFKelly2001 (help) ^ "Theater: Elitist, Moi?". Time. 25 October 2007. ^ "Cenu Toma Stopparda získala Linhartová za knihu, která vznikala 40 let". Hospodářské noviny (in Czech). 26 May 2011. Retrieved 30 September 2013. ^ Georg Szalai (18 March 2014). "Benedict Cumberbatch, Alfonso Cuaron, Maggie Smith Back U.K. Press Regulation". The Hollywood Reporter. ^ "Inventory of Tom Stoppard papers and location of bronze head". Research.hrc.utexas.edu:8080. Retrieved 8 July 2009. ^ "image of Stoppard bust by sculptor Alan Thornhill". Alanthornhill.co.uk. Archived from the original on 29 June 2009. Retrieved 8 July 2009. ^ "HMI Archive". Henry-moore-fdn.co.uk. Archived from the original on 12 January 2009. Retrieved 8 July 2009. ^ "Tom Stoppard: An Inventory of His Papers at the Harry Ransom Center". norman.hrc.utexas.edu. Retrieved 29 February 2016. ^ Prix Italia, Winners 1949–2010, RAI Archived 22 October 2013 at the Wayback Machine ^ "Berlinale: 1999 Prize Winners". berlinale.de. Retrieved 4 February 2012. ^ "2015 PEN Literary Gala & Free Expression Awards". ^ "Archived copy". Archived from the original on 29 November 2013. Retrieved 5 December 2013.CS1 maint: archived copy as title (link) ^ Alison Flood (8 November 2017). "Tom Stoppard is 'bashful' winner of lifetime achievement award". The Guardian. Retrieved 8 November 2017. ^ "No. 47418". The London Gazette (Supplement). 30 December 1977. p. 9. ^ "No. 54794". The London Gazette (Supplement). 13 June 1997. p. 2. ^ "On Stage: New class of theater hall of famers". Pittsburgh Post-Gazette. ^ "No. 55859". The London Gazette. 26 May 2000. p. 5821. ^ L ^ Bassett, Kate (9 May 2004). "Madness – it's just another act". The Independent. Archived from the original on 7 February 2009. Retrieved 7 September 2008. ^ "The Laws of War at The Royal Court Theatre". Royal Court Theatre. Retrieved 24 September 2011. ^ "Alan Howard Reads". RadioListings.co.uk. Retrieved 1 June 2011. ^ "Tom Stoppard Radio Plays". British Library, press release, 25 Jun 2012. ^ Hodgson 2001, p. 41. ^ Kelly, Katherine E. (2001). The Cambridge Companion to Tom Stoppard. Cambridge University Press. pp. 78–80. ISBN 0-521-64178-0. Retrieved 24 March 2020. Further reading[edit] Bloom, Harold, ed. Tom Stoppard. Bloom's Major Dramatists series. New York: Chelsea House, 2003, ISBN 0791070328. Cahn, Victor L. Beyond Absurdity: The Plays of Tom Stoppard. Madison, N.J.: Fairleigh Dickinson University Press, 1979. Corballis, Richard. Stoppard. The Mystery and the Clockwork Oxford, New York, 1984. Delaney, Paul. Tom Stoppard: The Moral Vision of the Plays London, Basingstoke: Macmillan, 1990. Fleming, John. Stoppard's Theater: Finding Order Amid Chaos Austin: University of Texas Press, 2001. Hodgson, Terry (2001). The Plays of Tom Stoppard: For Stage, Radio, TV and Film. Duxford, England: Icon. ISBN 1-84046-241-8. Hunter, Jim. About Stoppard: The Playwright and the Work. London: Faber and Faber, 2005. Kelly, Katherine E., ed. (2001). The Cambridge Companion to Tom Stoppard. Cambridge: Cambridge University Press. ISBN 0-521-64592-1. Londré, Felicia Hardison. Tom Stoppard Modern Literature Series. New York: Frederick Ungar Publishing Co., 1981. Purse, Nigel. Tom Stoppard's Plays. Patterns of Plenitude and Parsimony. Leiden: Brill, 2016. Stoppard, Tom & Delaney, Paul (eds). Tom Stoppard in Conversation University of Michigan Press, 1994. Südkamp, Holger. Tom Stoppard's Biographical Drama. Trier: WVT, 2008. External links[edit] Wikimedia Commons has media related to Tom Stoppard. Wikiquote has quotations related to: Tom Stoppard United Kingdom portal Biography portal Theatre portal Bibliography at Open Library Tom Stoppard at the British Film Institute at the British Film Institute A Tom Stoppard Bibliography. Retrieved 13 August 2020. Tom Stoppard Papers at the Harry Ransom Center, University of Texas at Austin Tom Stoppard on IMDb British Council profile Retrieved 9 May 2020. BBC John Tusa Interview (Audio 43 mins). With transcript. BBC profile. Retrieved 2 January 2011. Tom Stoppard on Charlie Rose Works by or about Tom Stoppard in libraries (WorldCat catalog) Guppy, Shusha (Winter 1988). "Tom Stoppard, The Art of Theater No. 7", Paris Review interview Appearances on C-SPAN Stoppard talking about his life on BBC Radio 4's Front Row in April 2017 v t e Tom Stoppard Stage plays Rosencrantz and Guildenstern Are Dead Enter a Free Man The Real Inspector Hound After Magritte Jumpers Travesties Dirty Linen and New-Found-Land Professional Foul Every Good Boy Deserves Favour Night and Day Dogg's Hamlet, Cahoot's Macbeth 15-Minute Hamlet Undiscovered Country On the Razzle The Real Thing Rough Crossing Dalliance Hapgood Arcadia Indian Ink The Invention of Love The Coast of Utopia Rock 'n' Roll The Hard Problem Leopoldstadt Radio plays Artist Descending a Staircase The Dog It Was That Died In the Native State Darkside Screenplays The Romantic Englishwoman Three Men in a Boat The Boundary Despair Brazil Empire of the Sun Rosencrantz & Guildenstern Are Dead (also directed) The Russia House Billy Bathgate Poodle Springs Shakespeare in Love Enigma The Lion King 1½ Anna Karenina Parade's End Tulip Fever Awards for Tom Stoppard v t e Academy Award for Best Original Screenplay 1940–1975 Preston Sturges (1940) Herman J. Mankiewicz and Orson Welles (1941) Michael Kanin and Ring Lardner Jr. (1942) Norman Krasna (1943) Lamar Trotti (1944) Richard Schweizer (1945) Muriel Box and Sydney Box (1946) Sidney Sheldon (1947) No award (1948) Robert Pirosh (1949) Charles Brackett, D. M. Marshman Jr., and Billy Wilder (1950) Alan Jay Lerner (1951) T. E. B. Clarke (1952) Charles Brackett, Richard L. Breen, and Walter Reisch (1953) Budd Schulberg (1954) Sonya Levien and William Ludwig (1955) Albert Lamorisse (1956) George Wells (1957) Nathan E. Douglas and Harold Jacob Smith (1958) Clarence Greene, Maurice Richlin, Russell Rouse, and Stanley Shapiro (1959) I. A. L. Diamond and Billy Wilder (1960) William Inge (1961) Ennio de Concini, Pietro Germi, and Alfredo Giannetti (1962) James Webb (1963) S. H. Barnett, Peter Stone and Frank Tarloff (1964) Frederic Raphael (1965) Claude Lelouch and Pierre Uytterhoeven (1966) William Rose (1967) Mel Brooks (1968) William Goldman (1969) Francis Ford Coppola and Edmund H. North (1970) Paddy Chayefsky (1971) Jeremy Larner (1972) David S. Ward (1973) Robert Towne (1974) Frank Pierson (1975) 1976–2000 Paddy Chayefsky (1976) Woody Allen and Marshall Brickman (1977) Robert C. Jones, Waldo Salt, and Nancy Dowd (1978) Steve Tesich (1979) Bo Goldman (1980) Colin Welland (1981) John Briley (1982) Horton Foote (1983) Robert Benton (1984) William Kelley, Pamela Wallace, and Earl W. Wallace (1985) Woody Allen (1986) John Patrick Shanley (1987) Ronald Bass and Barry Morrow (1988) Tom Schulman (1989) Bruce Joel Rubin (1990) Callie Khouri (1991) Neil Jordan (1992) Jane Campion (1993) Quentin Tarantino and Roger Avary (1994) Christopher McQuarrie (1995) Joel Coen and Ethan Coen (1996) Ben Affleck and Matt Damon (1997) Marc Norman and Tom Stoppard (1998) Alan Ball (1999) Cameron Crowe (2000) 2001–present Julian Fellowes (2001) Pedro Almodóvar (2002) Sofia Coppola (2003) Pierre Bismuth, Michel Gondry and Charlie Kaufman (2004) Paul Haggis and Bobby Moresco (2005) Michael Arndt (2006) Diablo Cody (2007) Dustin Lance Black (2008) Mark Boal (2009) David Seidler (2010) Woody Allen (2011) Quentin Tarantino (2012) Spike Jonze (2013) Alejandro G. Iñárritu, Nicolás Giacobone, Alexander Dinelaris Jr., and Armando Bo (2014) Tom McCarthy and Josh Singer (2015) Kenneth Lonergan (2016) Jordan Peele (2017) Nick Vallelonga, Brian Currie and Peter Farrelly (2018) Bong Joon-ho and Han Jin-won (2019) v t e Chicago Film Critics Association Award for Best Screenplay Nicholas Pileggi and Martin Scorsese (1990) No Award (1991) No Award (1992) Steven Zaillian (1993) Roger Avary and Quentin Tarantino (1994) Christopher McQuarrie (1995) Joel Coen and Ethan Coen (1996) Curtis Hanson and Brian Helgeland (1997) Marc Norman and Tom Stoppard (1998) Charlie Kaufman (1999) Cameron Crowe (2000) Christopher Nolan (2001) Charlie and Donald Kaufman (2002) Sofia Coppola (2003) Alexander Payne and Jim Taylor (2004) Paul Haggis and Bobby Moresco (2005) v t e Critics' Choice Movie Award for Best Screenplay Screenplay (1995–1996, 2001–2008) Emma Thompson (1995) Anthony Minghella (1996) Christopher Nolan (2001) Charlie Kaufman (2002) Jim Sheridan, Kirsten Sheridan, and Naomi Sheridan (2003) Alexander Payne and Jim Taylor (2004) Paul Haggis and Bobby Moresco (2005) Michael Arndt (2006) Diablo Cody (2007) Simon Beaufoy (2008) Original Screenplay (1997–2000, 2009–present) Matt Damon and Ben Affleck (1997) Tom Stoppard and Marc Norman (1998) Alan Ball (1999) Cameron Crowe (2000) Quentin Tarantino (2009) David Seidler (2010) Woody Allen (2011) Quentin Tarantino (2012) Spike Jonze (2013) Alejandro G. Iñárritu, Nicolás Giacobone, Alexander Dinelaris Jr., and Armando Bo (2014) Tom McCarthy and Josh Singer (2015) Damien Chazelle / Kenneth Lonergan (2016) Jordan Peele (2017) Paul Schrader (2018) Quentin Tarantino (2019) Adapted Screenplay (1997–2000, 2009–present) Curtis Hanson and Brian Helgeland (1997) Scott Smith (1998) Frank Darabont (1999) Stephen Gaghan (2000) Jason Reitman and Sheldon Turner (2009) Aaron Sorkin (2010) Steven Zaillian, Aaron Sorkin, and Stan Chervin (2011) Tony Kushner (2012) John Ridley (2013) Gillian Flynn (2014) Adam McKay and Charles Randolph (2015) Eric Heisserer (2016) James Ivory (2017) Barry Jenkins (2018) Greta Gerwig (2019) v t e David Cohen Prize 1990s V. S. Naipaul (1993) Harold Pinter (1995) Muriel Spark (1997) William Trevor (1999) 2000s Doris Lessing (2001) Beryl Bainbridge and Thom Gunn (2003) Michael Holroyd (2005) Derek Mahon (2007) Seamus Heaney (2009) 2010s Julian Barnes (2011) Hilary Mantel (2013) Tony Harrison (2015) Tom Stoppard (2017) v t e Florida Film Critics Circle Award for Best Screenplay Screenplay 1996–2009 Joel Coen and Ethan Coen (1996) Curtis Hanson and Brian Helgeland (1997) Marc Norman and Tom Stoppard (1998) Alexander Payne and Jim Taylor (1999) David Mamet (2000) Christopher Nolan (2001) Charlie and Donald Kaufman (2002) Sofia Coppola (2003) Alexander Payne and Jim Taylor (2004) Larry McMurtry and Diana Ossana (2005) William Monahan (2006) Diablo Cody (2007) Simon Beaufoy (2008) Scott Neustadter and Michael H. Weber (2009) Original Screenplay 2010–present Christopher Nolan (2010) Michel Hazanavicius (2011) Rian Johnson (2012) Spike Jonze (2013) Wes Anderson and Hugo Guinness (2014) Tom McCarthy and Josh Singer (2015) Efthymis Filippou and Yorgos Lanthimos (2016) Jordan Peele (2017) Boots Riley (2018) Ronald Bronstein and Benny and Josh Safdie (2019) Lee Isaac Chung (2020) Adapted Screenplay 2010–present Aaron Sorkin (2010) Alexander Payne, Nat Faxon and Jim Rash (2011) Chris Terrio (2012) John Ridley (2013) Gillian Flynn (2014) Adam McKay and Charles Randolph (2015) Whit Stillman (2016) James Ivory (2017) Nicole Holofcener and Jeff Whitty (2018) Greta Gerwig (2019) Charlie Kaufman (2020) v t e Golden Globe Award for Best Screenplay Robert Bolt (1965) Robert Bolt (1966) Stirling Silliphant (1967) Stirling Silliphant (1968) Bridget Boland, John Hale and Richard Sokolove (1969) Erich Segal (1970) Paddy Chayefsky (1971) Francis Ford Coppola and Mario Puzo (1972) William Peter Blatty (1973) Robert Towne (1974) Bo Goldman and Lawrence Hauben (1975) Paddy Chayefsky (1976) Neil Simon (1977) Oliver Stone (1978) Robert Benton (1979) William Peter Blatty (1980) Ernest Thompson (1981) John Briley (1982) James L. Brooks (1983) Peter Shaffer (1984) Woody Allen (1985) Robert Bolt (1986) Bernardo Bertolucci, Mark Peploe and Enzo Ungari (1987) Naomi Foner (1988) Oliver Stone and Ron Kovic (1989) Michael Blake (1990) Callie Khouri (1991) Bo Goldman (1992) Steven Zaillian (1993) Quentin Tarantino (1994) Emma Thompson (1995) Scott Alexander and Larry Karaszewski (1996) Ben Affleck and Matt Damon (1997) Marc Norman and Tom Stoppard (1998) Alan Ball (1999) Stephen Gaghan (2000) Akiva Goldsman (2001) Alexander Payne and Jim Taylor (2002) Sofia Coppola (2003) Alexander Payne and Jim Taylor (2004) Larry McMurtry and Diana Ossana (2005) Peter Morgan (2006) Joel Coen and Ethan Coen (2007) Simon Beaufoy (2008) Jason Reitman and Sheldon Turner (2009) Aaron Sorkin (2010) Woody Allen (2011) Quentin Tarantino (2012) Spike Jonze (2013) Alejandro G. Iñárritu, Nicolás Giacobone, Alexander Dinelaris Jr., and Armando Bo (2014) Aaron Sorkin (2015) Damien Chazelle (2016) Martin McDonagh (2017) Brian Hayes Currie, Peter Farrelly, and Nick Vallelonga (2018) Quentin Tarantino (2019) v t e John Whiting Award 1967–1969 Tom Stoppard for Rosencrantz and Guildenstern Are Dead and Wole Soyinka for The Interpreters (shared) (1967) Peter Nichols for A Day in the Death of Joe Egg (1967) Peter Barnes for The Ruling Class and Edward Bond for Narrow Road to the Deep North (shared) (1968) Howard Brenton for Christie in Love (1969) 1970–1979 Freehold Company and Peter Hulton (joint) for Freehold on Antigone (1970) Mustapha Matura for As Time Goes By (1971) Heathcote Williams for AC/DC (1972) John Arden (1973) David Rudkin (1974) David Edgar for Destiny (1975) David Lan for The Winter Dancers (1976) David Halliwell and Snoo Wilson for The Glad Hand (shared) (1978) Stephen Bill (1979) 1980–1989 David Pownall for Beef (1981) Karim Alrawi for Migrations (1982) Peter Flannery for Our Friends in the North (1983) Ron Hutchinson for The Rat in the Skull (1984) Guy Hibbert for On the Edge and Heidi Thomas for Shamrocks & Crocodiles (shared) (1985) Nick Dear for The Art of Success (1986) Iain Heggie for American Bagpipes (1988) Billy Roche for A Handful of Stars (1989) 1990–1999 Lucy Gannon for Keeping Tom Nice (1990) Terry Johnson for Imagine Drowning (1991) Rod Wooden for Your Home in the West (1992) Martin Crimp for The Treatment and Helen Edmundson for The Clearing (shared) (1993) Jonathan Harvey for Beautiful Thing (1994) Joe Penhall for Some Voices (1995) Ayub Khan-Din for East is East (1996) Ann Coburn for Get Up and Tie Your Fingers (1997) Roy Williams for Starstruck (1998/9) 2000–2009 David Greig for The Cosmonaut's Last Message ... and Tanika Gupta for The Waiting Room (shared) (2000) Zinnie Harris for Further than the Furthest Thing (2001) Peter Rumney for Jumping on my Shadow (2002) Rona Munro for Iron (2003) Owen McCafferty for Scenes from the Big Picture (2004) Fin Kennedy for How to Disappear Completely and Never Be Found (2005) James Philips for The Rubenstein Kiss and Fraser Grace for Breakfast with Mugabe (shared) (2006) Dennis Kelly for Taking Care of Baby (2007) Bryony Lavery for Stockholm (2008) Alexi Kaye Campbell for The Pride (2009) 2010–9999 Tim Crouch for The Author and Lucy Kirkwood for It Felt Empty When the Heart Went at First but It Is Alright Now (shared) (2010) v t e Los Angeles Film Critics Association Award for Best Screenplay Joan Tewkesbury (1975) Paddy Chayefsky (1976) Woody Allen and Marshall Brickman (1977) Paul Mazursky (1978) Robert Benton (1979) John Sayles (1980) John Guare (1981) Larry Gelbart and Murray Schisgal (1982) James L. Brooks (1983) Peter Shaffer (1984) Terry Gilliam, Charles McKeown and Tom Stoppard (1985) Woody Allen (1986) John Boorman (1987) Ron Shelton (1988) Gus Van Sant and Daniel Yost (1989) Nicholas Kazan (1990) James Toback (1991) David Webb Peoples (1992) Jane Campion (1993) Quentin Tarantino and Roger Avary (1994) Emma Thompson (1995) Joel Coen and Ethan Coen (1996) Curtis Hanson and Brian Helgeland (1997) Warren Beatty and Jeremy Pikser (1998) Charlie Kaufman (1999) Kenneth Lonergan (2000) Christopher Nolan (2001) Alexander Payne and Jim Taylor (2002) Shari Springer Berman and Robert Pulcini (2003) Alexander Payne and Jim Taylor (2004) Noah Baumbach / Dan Futterman (2005) Peter Morgan (2006) Tamara Jenkins (2007) Mike Leigh (2008) Jason Reitman and Sheldon Turner (2009) Aaron Sorkin (2010) Asghar Farhadi (2011) Chris Terrio (2012) Richard Linklater, Ethan Hawke and Julie Delpy (2013) Wes Anderson (2014) Tom McCarthy and Josh Singer (2015) Yorgos Lanthimos and Efthymis Filippou (2016) Jordan Peele (2017) Nicole Holofcener and Jeff Whitty (2018) Noah Baumbach (2019) Emerald Fennell (2020) v t e New York Film Critics Circle Award for Best Screenplay James Poe, John Farrow and S. J. Perelman (1956) No Award (1957) Nedrick Young and Harold Jacob Smith (1958) Wendell Mayes (1959) I. A. L. Diamond and Billy Wilder (1960) Abby Mann (1961) No Award (1962) Irving Ravetch and Harriet Frank Jr. (1963) Harold Pinter (1964) No Award (1965) Robert Bolt (1966) David Newman and Robert Benton (1967) Lorenzo Semple Jr. (1968) Paul Mazursky and Larry Tucker (1969) Éric Rohmer (1970) Larry McMurtry and Peter Bogdanovich / Penelope Gilliatt (1971) Ingmar Bergman (1972) George Lucas, Gloria Katz and Willard Huyck (1973) Ingmar Bergman (1974) François Truffaut, Suzanne Schiffman and Jean Gruault (1975) Paddy Chayefsky (1976) Woody Allen and Marshall Brickman (1977) Paul Mazursky (1978) Steve Tesich (1979) Bo Goldman (1980) John Guare (1981) Larry Gelbart and Murray Schisgal (1982) Bill Forsyth (1983) Robert Benton (1984) Woody Allen (1985) Hanif Kureishi (1986) James L. Brooks (1987) Ron Shelton (1988) Gus Van Sant and Daniel Yost (1989) Ruth Prawer Jhabvala (1990) David Cronenberg (1991) Neil Jordan (1992) Jane Campion (1993) Quentin Tarantino and Roger Avary (1994) Emma Thompson (1995) Albert Brooks and Monica Johnson (1996) Curtis Hanson and Brian Helgeland (1997) Marc Norman and Tom Stoppard (1998) Alexander Payne and Jim Taylor (1999) Kenneth Lonergan (2000) Julian Fellowes (2001) Charlie and Donald Kaufman (2002) Craig Lucas (2003) Alexander Payne and Jim Taylor (2004) Noah Baumbach (2005) Peter Morgan (2006) Joel Coen and Ethan Coen (2007) Jenny Lumet (2008) Jesse Armstrong, Simon Blackwell, Armando Iannucci and Tony Roche (2009) Stuart Blumberg and Lisa Cholodenko (2010) Steven Zaillian, Aaron Sorkin and Stan Chervin (2011) Tony Kushner (2012) Eric Warren Singer and David O. Russell (2013) Wes Anderson (2014) Phyllis Nagy (2015) Kenneth Lonergan (2016) Paul Thomas Anderson (2017) Paul Schrader (2018) Quentin Tarantino (2019) Eliza Hittman (2020) v t e Writers Guild of America Award for Best Original Screenplay Original Drama (1969–1983) William Goldman (1969) Francis Ford Coppola and Edmund H. North (1970) Penelope Gilliatt (1971) Jeremy Larner (1972) Steve Shagan (1973) Robert Towne (1974) Frank Pierson (1975) Paddy Chayefsky (1976) Arthur Laurents (1977) Nancy Dowd, Robert C. Jones and Waldo Salt (1978) Mike Gray, T. S. Cook and James Bridges (1979) Bo Goldman (1980) Warren Beatty and Trevor Griffiths (1981) Melissa Mathison (1982) Horton Foote (1983) Original Comedy (1969–1983) Paul Mazursky and Larry Tucker (1969) Neil Simon (1970) Paddy Chayefsky (1971) Peter Bogdanovich, Buck Henry, David Newman and Robert Benton (1972) Melvin Frank and Jack Rose (1973) Mel Brooks, Norman Steinberg, Andrew Bergman, Richard Pryor and Alan Uger (1974) Robert Towne and Warren Beatty (1975) Bill Lancaster (1976) Woody Allen and Marshall Brickman (1977) Larry Gelbart and Sheldon Keller (1978) Steve Tesich (1979) Nancy Meyers, Harvey Miller and Charles Shyer (1980) Steve Gordon (1981) Don McGuire, Larry Gelbart and Murray Schisgal (1982) Lawrence Kasdan and Barbara Benedek (1983) Original Screenplay (1984–present) Woody Allen (1984) William Kelley and Earl W. Wallace (1985) Woody Allen (1986) John Patrick Shanley (1987) Ron Shelton (1988) Woody Allen (1989) Barry Levinson (1990) Callie Khouri (1991) Neil Jordan (1992) Jane Campion (1993) Richard Curtis (1994) Randall Wallace (1995) Joel Coen and Ethan Coen (1996) James L. Brooks and Mark Andrus (1997) Marc Norman and Tom Stoppard (1998) Alan Ball (1999) Kenneth Lonergan (2000) Julian Fellowes (2001) Michael Moore (2002) Sofia Coppola (2003) Charlie Kaufman (2004) Paul Haggis and Bobby Moresco (2005) Michael Arndt (2006) Diablo Cody (2007) Dustin Lance Black (2008) Mark Boal (2009) Christopher Nolan (2010) Woody Allen (2011) Mark Boal (2012) Spike Jonze (2013) Wes Anderson and Hugo Guinness (2014) Tom McCarthy and Josh Singer (2015) Barry Jenkins and Tarell Alvin McCraney (2016) Jordan Peele (2017) Bo Burnham (2018) Bong Joon-ho and Han Jin-won (2019) v t e Fellows of the British Academy elected in 2017 Fellows Franklin Allen John Armour Alison Bashford Dauvit Broun Michael Burton Mark Casson Sir Paul Collier Mary Daly Douglas Davies Paulo de Moraes Farias Gillian Douglas Christian Dustmann Jaś Elsner Gary Gerstle John Gowlett Emily Grundy Sara Hobolt Jennifer Hornsby Charles Hulme Peter Jackson Julian Johnson Paul Kerswill Melissa Leach Richard Ned Lebow Adam Ledgeway M. M. McCabe Angela McRobbie Charles Mitchell Tariq Modood Lynne Murray Francesca Orsini Chakravarthi Ram-Prasad Nicholas Roe Eugene Rogan Ulinka Rublack Barbara Sahakian Andreas Schönle Catriona Seth Sir Hew Strachan Anna Vignoles Teresa Webber Gregory Woolf Corresponding John Agnew Susanne Baer Eszter Bánffy Caroline Walker Bynum William Cronon Marie-Luce Demonet Georges Didi-Huberman Peter Hall Rebecca Henderson Nancy Kanwisher Mahmood Mamdani James McClelland Kenneth Pomeranz James M. Poterba Claudia Rapp Ineke Sluiter Barbara Stollberg-Rilinger Cass Sunstein Agnès van Zanten Manfred Woidich Honorary A. S. Byatt Graça Machel George Soros Tom Stoppard Authority control BIBSYS: 90055286 BNE: XX875122 BNF: cb11925604h (data) CANTIC: a10993022 CiNii: DA00128999 GND: 118618695 ICCU: IT\ICCU\CFIV\052313 ISNI: 0000 0001 0929 3653 LCCN: n79034816 LNB: 000034286 NDL: 00457845 NKC: jk01121270 NLA: 35527145 NLI: 000127485 NLK: KAC201829948 NSK: 000035738 NTA: 069056951 PLWABN: 9810598453205606 RERO: 02-A003867611 SELIBR: 303514 SNAC: w6wq0dnm SUDOC: 027149706 Trove: 985196 VIAF: 101362857 WorldCat Identities: lccn-n79034816 Retrieved from "https://en.wikipedia.org/w/index.php?title=Tom_Stoppard&oldid=996602509" Categories: 1937 births Living people 20th-century British dramatists and playwrights 21st-century British dramatists and playwrights Best Original Screenplay Academy Award winners Best Screenplay Golden Globe winners British knights Campaign Against Psychiatric Abuse Commanders of the Order of the British Empire Critics' Circle Theatre Award winners Czechoslovak emigrants to England Directors of Golden Lion winners Drama Desk Award winners English Jewish writers English libertarians English male dramatists and playwrights English male journalists English male screenwriters English people of Czech-Jewish descent English radio writers Exophonic writers Fellows of the Royal Society of Literature Jewish dramatists and playwrights Knights Bachelor Laurence Olivier Award winners Members of the Order of Merit Naturalised citizens of the United Kingdom People educated at Pocklington School People from Bristol Writers from Zlín Prix Italia winners Stoppard family Theatre of the Absurd Tony Award winners Writers Guild of America Award winners Hidden categories: CS1 maint: archived copy as title Harv and Sfn multiple-target errors CS1 Czech-language sources (cs) Webarchive template wayback links Pages containing London Gazette template with parameter supp set to y Articles with short description Short description matches Wikidata EngvarB from November 2015 Use dmy dates from July 2017 Articles containing Czech-language text All articles with unsourced statements Articles with unsourced statements from April 2020 Commons category link is on Wikidata Wikipedia articles with BIBSYS identifiers Wikipedia articles with BNE identifiers Wikipedia articles with BNF identifiers Wikipedia articles with CANTIC identifiers Wikipedia articles with CINII identifiers Wikipedia articles with GND identifiers Wikipedia articles with ICCU identifiers Wikipedia articles with ISNI identifiers Wikipedia articles with LCCN identifiers Wikipedia articles with LNB identifiers Wikipedia articles with NDL identifiers Wikipedia articles with NKC identifiers Wikipedia articles with NLA identifiers Wikipedia articles with NLI identifiers Wikipedia articles with NLK identifiers Wikipedia articles with NSK identifiers Wikipedia articles with NTA identifiers Wikipedia articles with PLWABN identifiers Wikipedia articles with RERO identifiers Wikipedia articles with SELIBR identifiers Wikipedia articles with SNAC-ID identifiers Wikipedia articles with SUDOC identifiers Wikipedia articles with Trove identifiers Wikipedia articles with VIAF identifiers Wikipedia articles with WORLDCATID identifiers Navigation menu Personal tools Not logged in Talk Contributions Create account Log in Namespaces Article Talk Variants Views Read Edit View history More Search Navigation Main page Contents Current events Random article About Wikipedia Contact us Donate Contribute Help Learn to edit Community portal Recent changes Upload file Tools What links here Related changes Upload file Special pages Permanent link Page information Cite this page Wikidata item Print/export Download as PDF Printable version In other projects Wikimedia Commons Wikiquote Languages Afrikaans العربية تۆرکجه Беларуская Беларуская (тарашкевіца)‎ Català Čeština Cymraeg Deutsch Eesti Español Esperanto Euskara فارسی Français Frysk Gaeilge Galego 한국어 Italiano עברית ქართული Latviešu مصرى Nederlands 日本語 Norsk bokmål Polski Português Română Русский Simple English Suomi Svenska Türkçe Українська 中文 Edit links This page was last edited on 27 December 2020, at 16:15 (UTC). 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