id	author	title	date	pages	extension	mime	words	sentences	flesch	summary	cache	txt
work_tblpfwut2zd6zlbcgnw5mblmuq	Carl Goldstein	Charlotte Guillard: Une femme imprimeur à la Renaissance. Rémi Jimenes. Renaissance. Rennes: Presses Universitaires de Rennes; Tours: Presses Universitaires François-Rabelais, 2017. 306 pp. €34	2019	2	.pdf	application/pdf	1020	59	61	to the printing of legal texts, which accounted for one third of all items published in Spain printing and the book in early modern Iberia and on the impact of the press in its societies. Charlotte Guillard was active as a printer-publisher in Paris from 1537 to 1556, at the assumed control of the business after the death of her second husband, printing/publishing firms being first and foremost family establishments; women as the heads of Guillard's on the title pages of the press's books. books in theology and law, overwhelmingly texts by the church fathers and other sacred (This same return to sources distinguishes the books in jurisprudence published by Guillard.) All in all, then, Charlotte Guillard's Soleil d'Or deserves a place, Whereas the humanist/antiquarian texts of the Aldine Press, of regard, the books published by the Soleil d'Or are indeed not at all comparable.	./cache/work_tblpfwut2zd6zlbcgnw5mblmuq.pdf	./txt/work_tblpfwut2zd6zlbcgnw5mblmuq.txt