id	author	title	date	pages	extension	mime	words	sentences	flesch	summary	cache	txt
work_jvfs4tpkk5hsbao6jnhwsaaywu	Gordon E. Smith	Gary Tomlinson. Music in Renaissance Magic: Toward a Historiography of Others. Chicago and London: University of Chicago Press, 1993. xvi, 291 pp. ISBN 0-226-80791-6 (hardcover)	1995	7	.pdf	application/pdf	2916	186	50	Music in Renaissance Magic: Toward a Historiography of Music in Renaissance Magic: Toward a Historiography of (1987), and, of course, Music in Renaissance Magic. A close reading of Music in Renaissance Magic shows Tomlinson of issues and ideas Tomlinson feels have been left aside in Renaissance studies, Music in Renaissance Magic is divided into eight chapters, a preface, and an engagement Tomlinson maintains has dominated writing in historical musicology. 1 Tomlinson discusses implications of the hermeneutic/archaeological dualism first with a review of recent trends in anthropology ("Anthropology and Its In Chapter 2, "The Scope of Renaissance Magic," Tomlinson examines for example, that musical magic in the Renaissance tended to fall into three In the book's penultimate chapter, "Archaeology and Music: Apropos of Monteverdi's Musical Magic," Tomlinson maintains that musicology has not in Tomlinson's position is his criticism of the eurocentricity of musical Music in Renaissance Magic is not an easy book.	./cache/work_jvfs4tpkk5hsbao6jnhwsaaywu.pdf	./txt/work_jvfs4tpkk5hsbao6jnhwsaaywu.txt