id	author	title	date	pages	extension	mime	words	sentences	flesch	summary	cache	txt
work_pucdxmnwxbe2vldnkj2mzxbtsy	Matthew C. Potter	'Bold Liberals Who Fought for the Cause of Freedom': The German Reception of the Graphic Satires of James Gillray and Thomas Rowlandson at the Fin De Siècle (1895–1908)	2019	23	.pdf	application/pdf	10221	911	59	'Bold Liberals Who Fought for the Cause of Freedom': The German Reception of the Graphic Satires of James Gillray and Thomas Rowlandson at the Fin De Siècle (1895–1908) of Freedom': The German Reception of the Graphic Satires of James Gillray and Thomas Keywords: Gillray, Rowlandson, Muther, reception, graphic, satire, internationalism, nationalism, Wilhelmine Political and art-critical developments combined at the end of the nineteenth century to create an ideal context for reigniting German interest in Rowlandson were seen by Muther as having contributed to the development of internationalist modern art owing to their foregrounding of Indeed, when Muther surveyed the nineteenth-century graphic art of Germany he explicitly satire even more directly in two articles for the progressive Berlin magazine Kunst und Künstler (1902–33).74 Veth was a painter, poet, art critic Lenman, Artists and Society in Germany, 25–40; Paret, Art as History, 13–60; Kugler, Handbuch der The Germans and Their Art. New Haven and London: Yale University	./cache/work_pucdxmnwxbe2vldnkj2mzxbtsy.pdf	./txt/work_pucdxmnwxbe2vldnkj2mzxbtsy.txt