id	author	title	date	pages	extension	mime	words	sentences	flesch	summary	cache	txt
work_ugekyvphl5cidl6dkve4c4raem	Stefan Muthesius	'Towards an "exakte Kunstwissenschaft"(?). Part II: The new German art history in the nineteenth century: a summary of some problems'	2013	16	.pdf	application/pdf	8509	612	62	Part II: The new German art history in the nineteenth century: 2 'In Methode und Problem völlig verschieden', Moritz Thausing, 'Die Stellung der Kunstgeschichte als Bedingtheiten äusserer und innerer Art bei der Entwicklung', Springer, 13. be 'their' new art history had in fact been prepared by Italian writers in the Hegel's follower as an art historian in Berlin was Heinrich Gustav Hotho to whom As far as the very beginnings of the new art history in the 1820s were concerned, all-comprehensive history and the monograph of a single work of art. from the 1870s, the new medium of the art history periodical which was exclusively scientificness of the eighteenth century contributions to art history. most important new works of the new art history were biographies, such as A new important work on the subject of the illustrated art book, edited by Hence Springer and Thausing would tie in academic probity with art 	./cache/work_ugekyvphl5cidl6dkve4c4raem.pdf	./txt/work_ugekyvphl5cidl6dkve4c4raem.txt