Summary of your 'study carrel' ============================== This is a summary of your Distant Reader 'study carrel'. The Distant Reader harvested & cached your content into a collection/corpus. It then applied sets of natural language processing and text mining against the collection. The results of this process was reduced to a database file -- a 'study carrel'. The study carrel can then be queried, thus bringing light specific characteristics for your collection. These characteristics can help you summarize the collection as well as enumerate things you might want to investigate more closely. Eric Lease Morgan May 27, 2019 Number of items in the collection; 'How big is my corpus?' ---------------------------------------------------------- 71 Average length of all items measured in words; "More or less, how big is each item?" ------------------------------------------------------------------------------------ 24862 Average readability score of all items (0 = difficult; 100 = easy) ------------------------------------------------------------------ 62 Top 50 statistically significant keywords; "What is my collection about?" ------------------------------------------------------------------------- 17 University 16 Renaissance 14 history 14 art 14 Press 13 german 13 London 11 New 6 italian 6 York 6 Art 5 figure 5 John 5 God 5 Europe 5 Dürer 4 Science 4 Ibid 4 Christ 4 Cambridge 3 fig 3 european 3 death 3 Vol 3 Vienna 3 Strzygowski 3 St. 3 Society 3 Rome 3 Riegl 3 Paris 3 PMC 3 Museum 3 Medieval 3 Library 3 Hans 3 English 3 Baroque 2 work 2 time 2 russian 2 roman 2 nature 2 look 2 jewish 2 internet 2 early 2 body 2 american 2 Venice Top 50 lemmatized nouns; "What is discussed?" --------------------------------------------- 9313 i 6919 t 6700 l 5655 o 5592 r 3691 art 3433 c 2674 e 2449 p 2442 h 2422 body 2366 work 2099 history 2079 time 2009 image 1982 century 1926 book 1848 � 1799 figure 1756 form 1705 n 1598 p. 1597 way 1575 a 1422 study 1372 artist 1329 d 1261 s 1238 example 1211 text 1158 culture 1156 part 1152 painting 1125 world 1072 space 1005 death 997 object 992 life 989 year 986 system 979 v 976 viewer 969 model 945 g 911 edition 906 man 877 word 877 fig 855 point 838 idea Top 50 proper nouns; "What are the names of persons or places?" -------------------------------------------------------------- 12350 e 8761 t 7657 s 4843 r 4721 i 3586 u 3524 f 3387 h 2841 o 2765 n 2533 c 2415 l 2355 d 2254 � 1688 y 1484 University 1417 a 1382 Press 1365 London 1347 g 1258 New 1200 Renaissance 1106 _ 982 m 960 Francke 918 Art 855 de 853 b 839 ’s 835 von 755 York 748 Danse 745 pp 726 Paris 724 p 720 Cambridge 693 John 685 Ibid 663 Halle 632 M. 622 w 622 ed 612 Museum 601 J. 589 des 565 v 563 al 545 God 543 Christ 534 Europe Top 50 personal pronouns nouns; "To whom are things referred?" ------------------------------------------------------------- 7454 i 7356 it 4465 he 2627 they 2475 we 1280 them 1141 she 845 you 824 him 809 me 646 itself 556 us 400 themselves 398 himself 367 one 320 her 96 myself 81 herself 48 ourselves 39 oneself 19 s 18 yourself 14 his 13 mine 10 thee 9 ’s 6 leèvre 6 au 5 ours 5 de- 4 theirs 4 rā 4 cxxxvv 3 yours 3 him-/herself 3 f 2 z”26 2 p 2 je 2 irosolomi.no 2 in- 2 hymself 2 hey 2 hers 2 elias 1 � 1  1 ―if 1 и 1 α Top 50 lemmatized verbs; "What do things do?" --------------------------------------------- 39809 be 8969 have 3611 see 3258 � 2599 do 2259 make 1808 use 1448 become 1390 include 1353 take 1161 find 1102 give 1094 die 1066 know 1035 base 992 print 983 show 960 und 950 write 917 publish 883 provide 858 follow 834 describe 824 come 812 say 800 create 775 consider 774 seem 752 suggest 739 call 709 appear 706 look 661 note 646 represent 643 work 631 produce 630 understand 624 der 608 illustrate 605 explain 596 live 580 go 580 discuss 573 develop 568 argue 565 accord 564 mean 554 ’ 554 paint 544 present Top 50 lemmatized adjectives and adverbs; "How are things described?" --------------------------------------------------------------------- 6050 not 3409 also 2673 more 2239 other 1941 only 1886 such 1798 early 1781 new 1603 first 1560 most 1468 so 1430 even 1366 well 1292 visual 1253 - 1235 same 1204 own 1156 as 1141 however 1128 many 1102 modern 1063 german 1030 different 1026 very 979 up 925 then 924 here 907 � 866 cultural 830 out 794 historical 778 much 768 thus 757 social 726 rather 719 human 717 often 704 especially 703 important 688 later 668 political 659 great 629 still 621 several 619 now 614 long 586 just 563 large 558 real 558 late Top 50 lemmatized superlative adjectives; "How are things described to the extreme?" ------------------------------------------------------------------------- 526 most 281 least 194 good 116 early 57 high 54 Most 53 great 40 late 37 large 31 close 23 old 20 big 16 strong 16 deep 14 bad 13 broad 12 new 11 rich 11 manif 11 low 10 small 9 near 9 fine 9 f 8 slight 8 easy 7 clear 6 young 6 fit 5 wide 5 short 5 full 4 southernmost 4 simple 4 long 3 true 3 l 3 eld 3 bright 2 weary 2 tiny 2 severe 2 sad 2 proud 2 plain 2 palimps 2 minute 2 lovely 2 innermost 2 grand Top 50 lemmatized superlative adverbs; "How do things do to the extreme?" ------------------------------------------------------------------------ 1034 most 53 well 41 least 3 long 2 worst 1 vor 1 infest 1 highest 1 est 1 close Top 50 Internet domains; "What Webbed places are alluded to in this corpus?" ---------------------------------------------------------------------------- 235 haweb1.bibliothek.uni-halle.de:8080 178 dx.doi.org 93 gso.gbv.de 85 doi.org 40 www.cambridge.org 37 vimeo.com 28 creativecommons.org 26 en.wikipedia.org 24 www.nationalgallery.org.uk 23 digi.ub.uni-heidelberg.de 22 www.youtube.com 19 www.bulletennauki.com 17 www.tandfonline.com 15 gyujtemeny.imm.hu 14 www.rochester.edu 13 www.thecrimson.com 12 www.nicholasmirzoeff.com 12 www.britishmuseum.org 12 www 11 www.e-flux.com 10 www.mitpressjournals.org 10 leonardo.info 9 www.gutenberg.org 9 plato.stanford.edu 9 discovery.nationalarchives.gov.uk 9 crossmark.crossref.org 8 www.surveillance-and-society.org 8 vimeo 8 nonsite.org 8 jme.bmj.com 8 books.google.com 7 www.manovich.net 7 public.neprajz.hu 7 orcid.org 7 genomemedicine.com 7 commons.wikimedia.org 6 www.stmoroky.com 6 www.marshlibrary.ie 6 www.erudit.org 6 style.fm 6 muse.jhu.edu 6 archive.org 5 www.strangecities.net 5 www.kalinga.net 5 www.earlymodern- 5 www.acmi.net.au 5 footprints.ctl.columbia.edu 5 atap.google.com 5 arthistoriography.files.wordpress.com 4 www.wired.com Top 50 URLs; "What is hyperlinked from this corpus?" ---------------------------------------------------- 25 http://gso.gbv.de/xslt/DB=2.1/SET=13/TTL=11/MAT=/NOMAT=T/CLK?IKT=8063&TRM=Sa%CC%88mtliche+Schriften+und+Briefe 20 http://www.cambridge.org/core/terms 20 http://www.cambridge.org/core 16 http://www.nationalgallery.org.uk/paintings/learn-about-art/paintings-in-depth/art-in-the-making?viewPage=2 16 http://doi.org/10.1017/S0008938900017970 12 http://www.thecrimson.com/article/1997/5/16/krauss-and-the-art-of-cultural/ 12 http://www.rochester.edu/in_visible_culture/issue1/bryson 12 http://www 12 http://creativecommons.org/licenses/by/4.0/ 11 http://www.nicholasmirzoeff.com/O2012/2012/09/03/the-will-to-justice/ 11 http://www.e-flux.com/journal/the-spam-of-the-earth/ 10 http://gso.gbv.de/xslt/DB=2.1/SET=13/TTL=11/MAT=/NOMAT=T/CLK?IKT=8063&TRM=Politische+Schriften 10 http://creativecommons.org/licenses/by-nc/4.0/ 9 http://www.gutenberg.org/ebooks/1091 9 http://www.bulletennauki.com/ 9 http://www.bulletennauki.com 9 http://leonardo.info/reviews/may2012/mirzoeff-baetens.php 8 http://www.surveillance-and-society.org 8 http://vimeo 8 http://plato.stanford.edu/entries/kyoto-school/ 8 http://nonsite.org/review/neoliberal-art-history 8 http://haweb1.bibliothek.uni-halle.de:8080/DB=5/SET=7/TTL=22/MAT=/NOMAT=T/CLK?IKT=1016&TRM=of 8 http://haweb1.bibliothek.uni-halle.de:8080/DB=5/SET=2/TTL=129/MAT=/NOMAT=T/CLK?IKT=1016&TRM=und 8 http://books.google.com/ 7 http://jme.bmj.com/ 7 http://genomemedicine.com/content/1/9/82 6 http://www.stmoroky.com/reviews/music/jazz.htm 6 http://public.neprajz.hu/neprajz.01.03.php?bm=1&kv=8660280&nks=1 6 http://haweb1.bibliothek.uni-halle.de:8080/DB=5/SET=7/TTL=22/MAT=/NOMAT=T/CLK?IKT=1016&TRM=the 6 http://doi.org/10.16995/olh.357 5 http://www.strangecities.net 5 http://www.manovich.net/ 5 http://www.earlymodern- 5 http://www.acmi.net.au/AIC/BUSH_BERRNIER.html 5 http://footprints.ctl.columbia.edu/ 5 http://dx.doi.org/10.1111/evo.12684 4 http://www.lotussculpture.com/nataraja1.htm 4 http://w 4 http://resolver.staatsbibliothek-berlin.de/SBB0000286F00000000 4 http://haweb1.bibliothek.uni-halle.de:8080/DB=5/SET=2/TTL=129/MAT=/NOMAT=T/CLK?IKT=1016&TRM=der 4 http://haweb1.bibliothek.uni-halle.de:8080/DB=5/SET=2/TTL=129/MAT=/NOMAT=T/CLK?IKT=1016&TRM=dem 4 http://en.wikipedia.org/wiki/ 4 http://dx.doi.org/10.1242/dev.099994 4 http://dx.doi.org/10.1098/rstb.2015.0481 4 http://dx.doi.org/10.1073/pnas.1403667112 4 http://dx.doi.org/10.1073/pnas.1206205109 4 http://dx.doi.org/10.1038/s41559-017-0288-2 4 http://dx.doi.org/10.1016/j.ympev.2014.02.006 4 http://doi.org/10.5334/ah.300 4 http://doi.org/10.1017/S0008938900017428 Top 50 email addresses; "Who are you gonna call?" ------------------------------------------------- 3 eprints@whiterose.ac.uk 2 yoerdiren@nku.edu.tr 2 michael.s.young@uconn.edu 2 julia_griber@mail.ru 2 fibreculture@lists.myspinach.org 2 deborahascher.barnstone@uts.edu.au 2 ben.lewis@sheffield.ac.uk 2 aschwart@ncat.edu 2 a.abzhanov@imperial.ac.uk 2 tatiana.pentes@uts.edu.au 1 working.papers@feem.it 1 warkk@newschool.edu 1 s.muthesius@uea.ac.uk 1 ofatihparlak@gmail.com 1 melinda@subtle.net 1 may.zoltan@ttk.mta.hu 1 juergen.kun@uni-tuebingen.de 1 jmmusto@sewanee.edu 1 jason.mcelligott@marshlibrary.ie 1 izabela.mihalca@geografie.ubbcluj.ro 1 isak.lidstrom@mau.se 1 info@tekka.net 1 gvanbrum@bennington.edu 1 geert@xs4all.nl 1 gcfrosio@law.stanford.edu 1 gcfrosio@gmail.com 1 elizabeth.petcu@ed.ac.uk 1 eleonora.gaudieri@univie.ac.at 1 editor@tekka.net 1 escholarship@mcgill.ca 1 drwalling@gmail.com 1 copyright@paul-mellon-centre.ac.uk 1 christian.schmied@usz.ch 1 caterina.cardamone@uclouvain.be 1 calabi@iuav.it 1 burbani@uiuc.edu 1 brankomitrovic@hotmail.com 1 brad.anderson@dcu.ie 1 archgary@gmail.com 1 apop@uchicago.edu 1 anna.ridovics@gmail.com 1 aclassen@u.arizona.edu 1 karltjohns@aol.com Top 50 positive assertions; "What sentences are in the shape of noun-verb-noun?" ------------------------------------------------------------------------------- 2098 � � � 54 a � b 43 � � t 35 � � * 24 � � sim 19 � � 0 15 a � � 15 y � � 14 s � � 13 � � k 12 t was not 12 t � � 11 r � r 11 r � � 10 i � j 10 t � t 10 � � dist 9 p � p 9 � � # 9 � � p 7 c � � 7 e was t 7 n � k 7 p � q 7 r � ai 7 t � r 7 � � g 7 � � l 6 i � � 6 images do not 6 p � � 6 s � pos 6 t � api 6 � � true 5 body does not 5 body is not 5 books were also 5 s � attr 5 y was t 5 � � aggr 5 � � length 5 � � q 4 a given application 4 a printing workshop 4 a � c 4 body is now 4 books were not 4 image is not 4 n � q 4 o be c Top 50 negative assertions; "What sentences are in the shape of noun-verb-no|not-noun?" --------------------------------------------------------------------------------------- 2 books were not only 1 art had no roots 1 art had not only 1 art is not even 1 arts were not generally 1 bodies are not self 1 body is not only 1 body is not organic 1 body is not simply 1 body is not skin 1 body were not only 1 book did not initially 1 book was not only 1 book was not unintelligent 1 books are not solely 1 books were not frequently 1 century was no longer 1 e was no escape 1 e was no p 1 e was no r 1 e was not p 1 f is not clear 1 figure is not altogether 1 figures are not marchant 1 figures do not actually 1 figures was not something 1 form was no longer 1 forms have no determin- 1 history does not even 1 image did not simply 1 image does not even 1 image is not entirely 1 image is not there 1 image was not uncommon 1 images are not only 1 images did not so 1 images were no longer 1 images were not unknown 1 n was no l 1 n was not c 1 o be no e 1 o be no f 1 o be no r 1 s have no e 1 s have no p 1 s was no l 1 s was no mere 1 s was not new 1 s were not c 1 s were not v Sizes of items; "Measures in words, how big is each item?" ---------------------------------------------------------- 167079 work_24hpzglhsfbnjb3txa6cyomk34 114173 work_lmtu7ehrifghnfk3za7uabkzaa 105379 work_kpjc6dnuifhs5pyumsbunar6vq 102991 work_7pyey2pb4bdmpouzsepu2xamay 93616 work_4b7qzu3jfvct5bz4t3tmxk7bna 83229 work_qpc4j5ywjvhxphdxtnaxaiut2e 80175 work_jg5dunqmgzddxdtomagnvvecpy 65145 work_bh5f2jz74nbebm2qucayfs44im 64478 work_d2uczvlcfbgopppvtj43m4zczm 59155 work_y5xjdv2rqjajxn2bcc5n3urqde 57688 work_yojo26p6xrfcjjcjta7m45dxhi 47960 work_o66gdqmijjbnref57ub3q2issi 46488 work_lk7q7rybt5ampdm4zgvy4lgz5y 38775 work_3jrjdouewfcy7egu7yyfkjceti 38211 work_n4lnsqdzenc2vfcmeovb4pxdxu 37672 work_bk6h2pegcfemteu4wciwpqxpby 27639 work_2hgwzdb25zflxkohpnbd37sac4 27190 work_up37c36mrrhzrh2yyxrzacqqba 24721 work_5bme66qivvba5mg6e4fjiik2zu 22712 work_aguaj3abbvhl5eersmk7jhd3pa 19982 work_ag675eypmfhd5odalnbtlqsckq 19310 work_k66vqzcgdzavjfpvpxsa43mrga 19206 work_e7v32ehmqzb53komofza7jm6su 19131 work_hebxtavfszdpla5s3vglmcixby 18847 work_pegjwmrxqbfibkzi4o4c6lvoju 17964 work_oujff3afzfe6zpmivcnq6qqjxe 15933 work_isr6wlmplnffdmw5iecchcs32e 15454 work_xrjxcc4hbfaazblfa3xdokljxu 15168 work_n7aqni2sybbwfgfs7q3coipra4 14053 work_xkr2tvayefftnnw6kgqabipyjm 13490 work_g6dfophsb5divdrzgi4w2osloi 12767 work_qyqvrq7om5hm5mspqieyhs3kxu 12721 work_e7ab7hrowrar5pxir2vjsbdf2y 12302 work_cdwkomwxxrhovfgdzfhwiiczsq 12030 work_bjkselntrfhbbbwlnl4nodvzgq 12023 work_2fhjmdc2avbb3eaeciynb643mm 11763 work_xkdakconsreujhkteyjfqeela4 11355 work_yeth7vk2yveevnqvc4xxwukemm 10583 work_suyuohbobrbchktyj6t6vam3qm 10221 work_pucdxmnwxbe2vldnkj2mzxbtsy 9621 work_2ydpwsolhbco7cv4g2tncrkybu 9587 work_is6ydrym6fegppsdidfeutitji 9496 work_rj6x66hr4zhktm2yofuekjdmwu 9191 work_mdz5t7mwtzd7npjuxjxsqmx3oi 8737 work_5iuy2i2x75atlftplyemyqteyy 8509 work_ugekyvphl5cidl6dkve4c4raem 8435 work_w345pjuslbbp3nljy6ibpdxnw4 8190 work_hfjie4jqubglndtadcyyhrp5hm 8146 work_zaoy2pqhjvdk7pu527thsq3g5q 7924 work_pol3drfvfjawxb7jy3dp6zafom 7854 work_tc24q7jqwjhvrl3zmfjtoxue3i 6904 work_2acwg3tkybc6pfjp6h2n5m4pim 6274 work_7s5neclpeffurhfzydqg6gemzi 6008 work_ojg3j2ynv5difkqdwy2vfxu5ja 5171 work_wa74ikynvvh6bacli76s64lzhi 4719 work_ppuzhzc7lrbm3kriww5kbeoybe 4642 work_ebyqgudypbabngkhjcl3n26ebu 4516 work_lhfcyktodndynghc53yqmc2awa 4476 work_ljqs4pzhqzbnhdclxxwpdcifja 4391 work_mukiufmxdnfldog4jciljjr7d4 4280 work_w5diwswuezgqniis7ln6pdwejq 4103 work_sst7m6nd7jcixaiwplj44l4aoa 3427 work_6kznl5vbr5el7jq5u7kbzkhnpe 2997 work_dcilbsvcsfdvlnapnswm6wv5w4 2916 work_jvfs4tpkk5hsbao6jnhwsaaywu 2019 work_4mpikdh3efbmpirqtrp2nhuv3m 1556 work_fxwch2xi4jgdpf3quvap3mhzky 1209 work_mxkgvzlfr5bqbifitg2gka3rdq 995 work_pz5prokln5bshgm7rntfllnmpa 144 work_woatu6ooznbgvmt2sqhdruugxa 5 work_qy7mwqdh5jhv3gqapc4yvv2rgu Readability of items; "How difficult is each item to read?" ----------------------------------------------------------- 89.0 work_g6dfophsb5divdrzgi4w2osloi 87.0 work_y5xjdv2rqjajxn2bcc5n3urqde 83.0 work_pol3drfvfjawxb7jy3dp6zafom 78.0 work_xkdakconsreujhkteyjfqeela4 76.0 work_w345pjuslbbp3nljy6ibpdxnw4 74.0 work_w5diwswuezgqniis7ln6pdwejq 72.0 work_lmtu7ehrifghnfk3za7uabkzaa 71.0 work_woatu6ooznbgvmt2sqhdruugxa 70.0 work_sst7m6nd7jcixaiwplj44l4aoa 69.0 work_4mpikdh3efbmpirqtrp2nhuv3m 69.0 work_mxkgvzlfr5bqbifitg2gka3rdq 68.0 work_e7v32ehmqzb53komofza7jm6su 68.0 work_xkr2tvayefftnnw6kgqabipyjm 68.0 work_d2uczvlcfbgopppvtj43m4zczm 68.0 work_lhfcyktodndynghc53yqmc2awa 67.0 work_fxwch2xi4jgdpf3quvap3mhzky 66.0 work_ppuzhzc7lrbm3kriww5kbeoybe 66.0 work_pegjwmrxqbfibkzi4o4c6lvoju 66.0 work_aguaj3abbvhl5eersmk7jhd3pa 66.0 work_rj6x66hr4zhktm2yofuekjdmwu 66.0 work_ljqs4pzhqzbnhdclxxwpdcifja 65.0 work_ag675eypmfhd5odalnbtlqsckq 64.0 work_hebxtavfszdpla5s3vglmcixby 64.0 work_mukiufmxdnfldog4jciljjr7d4 64.0 work_bk6h2pegcfemteu4wciwpqxpby 63.0 work_n7aqni2sybbwfgfs7q3coipra4 63.0 work_5bme66qivvba5mg6e4fjiik2zu 63.0 work_zaoy2pqhjvdk7pu527thsq3g5q 63.0 work_pz5prokln5bshgm7rntfllnmpa 63.0 work_5iuy2i2x75atlftplyemyqteyy 63.0 work_up37c36mrrhzrh2yyxrzacqqba 63.0 work_24hpzglhsfbnjb3txa6cyomk34 63.0 work_xrjxcc4hbfaazblfa3xdokljxu 63.0 work_yojo26p6xrfcjjcjta7m45dxhi 62.0 work_bh5f2jz74nbebm2qucayfs44im 62.0 work_suyuohbobrbchktyj6t6vam3qm 62.0 work_lk7q7rybt5ampdm4zgvy4lgz5y 62.0 work_is6ydrym6fegppsdidfeutitji 62.0 work_wa74ikynvvh6bacli76s64lzhi 62.0 work_ugekyvphl5cidl6dkve4c4raem 61.0 work_ojg3j2ynv5difkqdwy2vfxu5ja 61.0 work_tc24q7jqwjhvrl3zmfjtoxue3i 60.0 work_k66vqzcgdzavjfpvpxsa43mrga 60.0 work_3jrjdouewfcy7egu7yyfkjceti 59.0 work_bjkselntrfhbbbwlnl4nodvzgq 59.0 work_pucdxmnwxbe2vldnkj2mzxbtsy 59.0 work_o66gdqmijjbnref57ub3q2issi 58.0 work_hfjie4jqubglndtadcyyhrp5hm 58.0 work_7pyey2pb4bdmpouzsepu2xamay 58.0 work_isr6wlmplnffdmw5iecchcs32e 58.0 work_7s5neclpeffurhfzydqg6gemzi 57.0 work_e7ab7hrowrar5pxir2vjsbdf2y 57.0 work_yeth7vk2yveevnqvc4xxwukemm 57.0 work_cdwkomwxxrhovfgdzfhwiiczsq 57.0 work_6kznl5vbr5el7jq5u7kbzkhnpe 56.0 work_qyqvrq7om5hm5mspqieyhs3kxu 56.0 work_n4lnsqdzenc2vfcmeovb4pxdxu 55.0 work_4b7qzu3jfvct5bz4t3tmxk7bna 54.0 work_mdz5t7mwtzd7npjuxjxsqmx3oi 54.0 work_oujff3afzfe6zpmivcnq6qqjxe 53.0 work_ebyqgudypbabngkhjcl3n26ebu 53.0 work_2hgwzdb25zflxkohpnbd37sac4 50.0 work_dcilbsvcsfdvlnapnswm6wv5w4 50.0 work_jvfs4tpkk5hsbao6jnhwsaaywu 48.0 work_qpc4j5ywjvhxphdxtnaxaiut2e 47.0 work_2fhjmdc2avbb3eaeciynb643mm 42.0 work_2ydpwsolhbco7cv4g2tncrkybu 120.0 work_2acwg3tkybc6pfjp6h2n5m4pim 113.0 work_jg5dunqmgzddxdtomagnvvecpy 106.0 work_kpjc6dnuifhs5pyumsbunar6vq -119.0 work_qy7mwqdh5jhv3gqapc4yvv2rgu Item summaries; "In a narrative form, how can each item be abstracted?" ----------------------------------------------------------------------- work_24hpzglhsfbnjb3txa6cyomk34 1704); August Herman Francke, Philotheia, Oder Die Liebe zu Gott : Der Jugend in den Schulen des certain members of Francke''s organization, including the Halle Orphanage printing press, 26 Mathias Ullmann, "August Hermann Francke und Ehrenfried Walter von Tschirnhaus. Francke (1880); Merkel, G.W. von Leibniz und die China­Mission (1920); Edward Winter, Halle als 30 August Hermann Francke, Die Klugheit der Kinder des Lichts [Luke 16:1­9] (Halle: Waysenhaus, 1714): 33 August Hermann Francke, Die Klugheit der Kinder des Lichts (Halle: Waysenhaus, 1714): 29. der Jugend erhalten wird." In August Hermann Francke, Kurzer und Einfältiger Unterricht: wie die Kinder zum Nutzen des Nächsten: Die Pädagogik August Hermann Franckes (Halle, Tübingen: Verlag der the mathematical sciences were taught in Francke''s schools using models, natural and mechanical arts in Halle and many of his models found their way into Francke''s 69 August Hermann Francke, Von Erziehung der Jugend zur Gottseligkeit und Klugheit (1698): 25. work_2acwg3tkybc6pfjp6h2n5m4pim Newe deutzsche Lieder (review) Newe deutzsche Lieder (review) ����8� �� 1�� � ��� ������ ��5����� /0 ��� ��� ������� ����� ��� �� ����� ������� �*+����� ��� ����� �� ��������� 1����� � ������ ����� ��� ���� ����� ��� ������� ���� � ��� ����� 9D�6 � �� � 5� �������� �� 1���� ��5� /��� �+������ �� ��5� ������� /0 ������ �� ��� ������ ������� ����� �� �������� ���� ���� �� ���� ������� ������ ��� # �� �� ����� ��� �������� �� � ������� ���� �� /� ��� �� ����� 41� +������� ��+� ����0 �� ��� �� ����� 41� +������� ��+� ����0 �� ��� ������� +����� ��� ��� ������� +����� ��� �� 1��� �� �� � ��������� � ���� � ����08� � 1��� 1��� �� ���� ������ �� � 1��� 1��� �� ���� ������ �� +�/������ �� ��� �*+���� �� ��� ����� �������� �� ��� 2����++��� �� � ����� ��/��� ��� ����� ������ ���� work_2fhjmdc2avbb3eaeciynb643mm The history of capitalism''s origins is unmistakably Eurocentric, placing sixteenthcentury developments in politics, economy, culture, and ideology squarely within the unique 7 Daniel Goffman, The Ottoman Empire and Early Modern Europe (Cambridge: Cambridge University Review of International Affairs, 23:1 (2010), 165–89; Kamran Matin, ''Uneven and Combined Development in World History: The International Relations of State-formation in Premodern Iran'', European The unevenness between the Ottomans and Europe was underpinned by the predominant practices of social reproduction created by forms of internal differentiation. Social History of the Ottoman Empire, 1300–1914 (Cambridge: Cambridge University Press, 1994), 76 Huri Islamoglu-Inan, State and Peasant in the Ottoman Empire: Agrarian Power Relations and Regional unevenness – the relative backwardness of the European ruling classes, and the comparative weakness in its form of social reproduction when opposed to the Ottoman 108 Kate Fleet, European and Islamic Trade in the Early Ottoman State (Cambridge: Cambridge University work_2hgwzdb25zflxkohpnbd37sac4 Julius Schlosser, The Vienna School of the History of Art Review of a Century of Austrian Scholarship in German expression ''Vienna School:'' the center for art historical teaching, closely related to history of art in the University of Vienna'') – a designation only ten years old and in Schlosser, The Vienna School of the History of Art Review of a Century of Austrian Julius von Schlosser The Vienna school of the history of art Julius von Schlosser The Vienna school of the history of art Julius von Schlosser The Vienna school of the history of art Julius von Schlosser The Vienna school of the history of art Julius von Schlosser The Vienna school of the history of art Julius von Schlosser The Vienna school of the history of art Julius von Schlosser The Vienna school of the history of art Julius von Schlosser The Vienna school of the history of art work_2ydpwsolhbco7cv4g2tncrkybu in developing informed complex geometry based design solution sets as novel spatial form to assist in any production process after the design decisions have been mostly technology utilized in architectural design, computers are not treated merely as of computers showed their potential in architectural design for generating relatively roles of form finding/generating processes/tools operating on the input of a genotype, which results in the production of pheno-type, without offering insight into design in the process of the Form Generator. algorithms in architectural design again as a form/pattern finding process. relationship between the architectural design process and contextual information. 103 Information Processor Digital Form with Computational Means 103 Information Processor Digital Form with Computational Means 103 Information Processor Digital Form with Computational Means 103 Information Processor Digital Form with Computational Means 103 Information Processor Digital Form with Computational Means 103 Information Processor Digital Form with Computational Means work_3jrjdouewfcy7egu7yyfkjceti v The Festzug Photographs and Late Nineteenth Century Munich Art Patronage 71 Fig. 5 Fr. August von Kaulbach, Invitation to Allotria''s 1876 Artist-Costume-Festival As it turned out, Allotria, the Munich based artist society which had organized the Festzug Karl festivals.3 Given both the obvious import of this form of cultural practice to Munich''s artistic (and threat) of current concepts of nation to both artists and to a specific and increasingly selfconscious socio-economic group, Munich''s Burgerlum. So far, late 19th century Munich artist festivals have not been the subject of significant photographs of festival participants in northern Renaissance costumes, to late 19th century Allotrian artists, festival participants and specific constituencies within Munich''s art system v The Festzug Photographs and Late 19th Century Munich Art Patronage festivals, asserted the cultural superiority of Munich''s academic artists in the following terms: Fig. 4 The Costume Festival of Munich''s Artist Society Allotria, 1876. Fig. 4 The Costume Festival of Munich''s Artist Society Allotria, 1876. work_4b7qzu3jfvct5bz4t3tmxk7bna Beyond the Mirror Seeing in Art History and Visual Culture Studies Seeing in Art History and Visual Culture Studies In the view of visual culture studies, art history represented For visual culture studies, unlike for art history, seeing is a point of intense As a young discipline, visual culture studies has yet to pass through a canonization process comparable to that undergone by art history. political resource in visual culture studies" presents two extremely contrasting examples of the use of the theory of the gaze in the register of visibility as I then bring approaches to interpretative seeing in art history and visual culture studies together under the culture studies (visibility as a political resource in the form of the visual representation of identity) and art history (art as object and subject). the relationship between historicity, alterity and models of seeing in art history and visual culture studies. work_4mpikdh3efbmpirqtrp2nhuv3m for the right dose of physical training increased rate of atrial fibrillation in endurance athletes at an older age compared with ACUTE ADAPTATIONS ON PHYSICAL EFFORTS As a relevant part of the population competes at marathon events, these athletes have been in the focus of various increase of cardiac biomarkers (eg, troponin right ventricle were significantly greater than in sedentary rats at 16 weeks. In 42% of the ''marathon rats,'' ventricular tachycardia could be induced (significantly Not only the results of the study with ''marathon rats'' and chronic adaptations to physical training that is most Moreover, none of the microRNAs correlated with cardiac injury markers such as troponin T, is the question whether regular training (and competition) of an individual who performs on a relatively moderate level (eg, as half-marathon racers) provokes less longtime adverse effects on the athlete''s heart. acute, but long-time, effects of regular physical training work_5bme66qivvba5mg6e4fjiik2zu This project explores the work of Hans Holbein the Younger, sixteenth-century Figure 3.3 – Hans Holbein the Younger, Judge from the Pictures of Death, 1538... Figure 3.8 – Hans Holbein the Younger, Monk from the Pictures of Death, 1538... Figure 3.11 – Hans Holbein the Younger, Fool from the Pictures of Death, 1547... Figure 3.13 – Hans Holbein the Younger, King from the Pictures of Death, 1538... Figure 4.1 – Hans Holbein the Younger, Portrait of Jacob Meyer, 1516................ Figure 4.9 – Hans Holbein the Younger, Portrait of Desiderius Erasmus, 1523...... Figure 4.9 – Hans Holbein the Younger, Portrait of Desiderius Erasmus, 1523...... Figure 4.9 – Hans Holbein the Younger, Portrait of Desiderius Erasmus, 1523...... Figure 4.13 – Hans Holbein the Younger, Self-Portrait, 1542-1543......................... Steven Greenblatt''s foundational work on Renaissance selffashioning, in fact, featured Hans Holbein the Younger''s Ambassadors and described the physiognomic examination of some of Holbein''s numerous portraits of Erasmus. work_5iuy2i2x75atlftplyemyqteyy by Sibylle Muller as Alois Riegl, L''Origine de l''Art Baroque à Rome, Paris: Klincksieck, 1993. the latest contribution to Riegl''s work on Baroque art, see Ute Engel, Stil und Nation: literal transcription of selected parts of Riegl''s lecture notes on Baroque art, which, Riegl gave his first course on Baroque, dedicated to ''Art History of the Riegl then focused his attention on Italian art and dedicated a second cycle of lecture materials, especially the lecture notes of his second course, ''Italian Art History from lectures.''13 Grey paper was used for his course on ''Art History of the Baroque Age'' sections of lecture notes of the first folder on the origins of Baroque style, the main his third lecture notes, ''Italian Art History from 1520 to 1700'' (1901–02), the sections Riegl''s lectures notes on Baroque art, From the investigation of Riegl''s lecture notes on ''Art History of the work_6kznl5vbr5el7jq5u7kbzkhnpe Figure 20.1: Repsold meridian circle (La Plata Astronomical Observatory) La Plata Astronomical Observatory La Plata, the current capital city of the province of Buenos of La Plata National University, an institution with a strong in September 1982 leading him to choose the Astronomical Observatory as one of the founding institutions November 1881, a local commitee was designed to collaborate with the French mission from Paris Astronomical Observatory that would observe the phenomenon The budget for the construction of the public buildings, including the astronomical observatory, was accepted 18th October 1882. and their evolution, making a link to the different directors of the Observatory that contributed to build up In April 1886, a reflector telescope of 80 cm of aperture was ordered from Paris Observatory. Figure 20.5: Building that hosts the Gautier equatorial refractor telescope, where the Museum of Astronomy and Geophysics work_7pyey2pb4bdmpouzsepu2xamay Before them, materialism could be viewed as an interpretation of theoretical constructs; subsequently, it seemed to men like Tyndall and Clifford a The former, like many Victorian positivists, advanced a belief in death''s physical dominion but metaphoric impotence if life has been lived well and nobly, dedicated to the betterment of both self and species. the First Law, in particular, which Tyndall referred to as one of science''s ''great generalizations'', ''has been called the most important discovery of the nineteenth century'', as Sharlin has universal history, like sentience and organic growth, material phenomena, as Tyndall explained at Belfast (BA, p. Frank Turner, in ''Victorian Scientific Naturalism and Thomas Carlyle'', concurs with Tyndall''s (perhaps biased, one suspects, by friendship and long familiarity) opinions in this regard: ''Preaching Science: John Tyndall and the Rhetoric of Victorian Scientific Naturalism''. ''Preaching Science: John Tyndall and the Rhetoric of Victorian Scientific Naturalism''. ''John Tyndall and Victorian Scientific Naturalism''. work_7s5neclpeffurhfzydqg6gemzi KEY WORDS: Procedural Modeling, Neo-Classical Architecture, 3D-Reconstruction, Shape Grammars, Fact Labeling Method We introduce the mentioned concepts (fact label, attribute, element, procedural asset, exemplar) as part of our generative fact method is generative shape reconstruction, i.e., to produce a library of functions that allow not only reproducing the limited Hierarchical structures, such as façade layouts, are an ideal use case for shape grammars; but it turns out that their value for windows is only limited. Recent approaches on shape grammars for procedural modeling of architecture (Müller et al., 2006, Hohmann et Figure 3: Various fact labels applied to five example windows. 3.2 Generative fact labeling applied to windows then used to quickly obtain scripted building blocks for interactive procedural modeling, in this case window elements. Figure 5: Samples of procedural assets from the window part library: Cornices and pediments (first row, a1-h1), window shapes with Figure 7: Interactive window modeling using procedural assets. work_ag675eypmfhd5odalnbtlqsckq use of heraldic shields within his images of the Christian Virtues and Vices. study of Aldegrever''s Virtues and Vices series also provides key examples of how printed portrayals of the Virtues and Vices in order to show the ways in which Aldegrever''s Aldegrever created two series of engraved images, one of Virtues and one of Vices, the Virtues and Vices in comparison to Aldegrever''s series in order to better understand In Virtues and Vices each of Aldegrever''s figures is accompanied by both a In each print in Virtues and Vices, Aldegrever depicts the symbolic In the case of Pride''s coat-ofarms, however, Aldegrever depicts the heraldic symbols within this print in the traditional elements suggests that Aldegrever designed the Virtues and Vices for an anonymous but Aldegrever''s Virtues and Vices share certain similarities with the Italian tarocchi, is likely that Aldegrever''s presumed audience for Virtues and Vices would have been work_aguaj3abbvhl5eersmk7jhd3pa surroundings, many artists who painted nudes in the 1930s in Canada found their works Canadian sensibility in the visual arts, the nudes painted in this period would not come to nude figure study to produce one of the most compelling works painted in Canada in the of nudes from art history: models whose robes are discarded as they pose in the artist''s Artists painting nudes in Canada during the interwar period did not offer idealized nude woman'': Art, Popular Culture, and Modernity at the Canadian National Exhibition, 1927," Social Grandbois, Anna Hudson, and Esther Trépanier, eds., The Nude in Modern Canadian Art 1920-1950 Canadian landscape painting produced by masculine "bushwhackers." In Canada, artists explore the convergence of landscape and figural painting by Edwin Holgate or in a selfaware nude portrait like MacLeod''s Descent of Lilies, did not have a significant impact on paintings like Brooker''s Figures in Landscape and Newton''s Nude were removed from an work_bh5f2jz74nbebm2qucayfs44im 5.1 Hans Holbein the Younger, The Body of the Dead Christ in the Tomb (c. 5.6 Hans Holbein the Younger (1521), The Body of the Dead Christ in the Tomb, oil 5.6 Hans Holbein the Younger (1521), The Body of the Dead Christ in the Tomb, oil 5.6 Hans Holbein the Younger (1521), The Body of the Dead Christ in the Tomb, oil the study of Hans Holbein the Younger''s Dead Christ in the Tomb, as well as its visual Viewed this way, transi tombs to fifteenthand sixteenthcentury viewers are not only suggestions of memorial, but also statements about the nonending status of life throughout stages of corporeal decay. Fuggers'' relief epitaphs in Augsburg and Holbein''s painted Dead Christ in Basel, both to tomb tradition, Holbein''s painting conflates Christ''s corpse as an effigy, transi, and Figure 5.6: Hans Holbein the Younger (1521), The Body of the Dead Christ in the Tomb, work_bjkselntrfhbbbwlnl4nodvzgq Media socialisation and the culturally dominant mode of representation On the way from the coherent media to semiotic spaces, the example of Popstars Media socialisation and the culturally dominant mode The interrelation of programme offer, cultural products, situations of activities, reception and acquisition is moving. multimodal programmes function like a cultural space. This fragmentation of the media correlates with an integrative mode of the cultural products receive coherence by aesthetic similarity, which opens a functional frame for specific users and their way of acquisition. media form cultural objects like other commodities and tools of everyday media, events and other cultural products, which offer a space where of cultural objects (media, commodities, events etc) within different of cultural products like Popstars receive their coherency by aesthetic An arrangement of cultural products like Popstars delivers the symbolic, or – the symbolic material of cultural products like media, work_bk6h2pegcfemteu4wciwpqxpby Figure 4 The Family of Henry VII with St. George and the Dragon, 1503-1509, Attributed to Art History survey texts.2 4 Henry VII ''s visage in death is transformed into a vision of rebirth James Gairdner in his compilation Memorials of King Henry VII (London: Longman, Brown, Green, Longmans and Triumph 62; Beckett 131; Christopher Lloyd and Simon Thurley, Henry VIII: Images of a Tudor King (London: the Soul: A Critical Edition of the Middle English Dream Vision (New York and London: Garland Publishing, inc, the Visual Arts in Tudor England (Athens and London: The University of Georgia Press, 1990) 78. strange then that Henry would have commissioned a painting like the Holyrood panel in view of "Richard III, Henry VII and the City: London Politics and the ''Dun Cowe,'' Kings and Nobles in the Later Middle Henry VHI: Images of a Tudor King. work_cdwkomwxxrhovfgdzfhwiiczsq in architectural literature [Fig. 1].3 Alongside his remarks on Vitruvius''s account of the acanthus-laden capitals of the Corinthian Specklin, Counterfeit Image of the True Acanthus, woodcut illustration to Vitruvius/Walther Hermann Ryff, Vitruvius Teutsch […] (Nuremberg: Johann Petreius, The nature study purports to derive either from specific observations of life or to collate and generalize such investigations (a synthesis Lorraine Daston dubbed an "epistemic image"), and treatises, and the contested professionalization of the architectural discipline.14 Ryff''s case for architectural nature study confronted Renaissance architecture''s crisis of expertise with an empiricism that reconciled tensions between abstract theory and hands-on Until Ryff''s time, authors conceived architectural naturalism in terms of general principles or ideals rather Unknown artist after Cesare Cesariano, Vitruvian Man, woodcut illustration to Vitruvius/Walther Hermann Ryff, Vitruvius Teutsch […] (Nuremberg: Johann Petreius, 1548). famous work of nature study, Ryff implies that architecture, like the a paradigmatic treatise on nature study, Vitruvius Teutsch accommodates a culture of architectural research with terms of pictorial work_d2uczvlcfbgopppvtj43m4zczm In European works of art, the presence of strokes resembling Arabic letters painting Adorazione dei Magi by Gentile da Fabriano;15 there he observes oddlooking letters on the gold halo on the head of the Virgin Mary, which bring a study on the use of ornaments with Arabic lettering in Gentile''s paintings. themed on Arab epigraphic decorations in medieval Italian painting. inscription in Italian paintings, since the dating of medieval works, especially the role of Byzantine art in transferring the epigraphic decorations in Arabic The decoration of a Virgin and Child painted by an unknown Sienese artist, the Virgin and Child kept at the Metropolitan Museum of New York256 (fig.162) transfer of Arabic inscriptions to Italian art is represented by the works of decorative inscriptions over the centuries, so that the lettering occurring on Arabic inscriptions in Italian painting and their prototypes on the objects work_dcilbsvcsfdvlnapnswm6wv5w4 Teaching in a Time of Discord: Six Strategies for Learning to engage in civil discourse for the common good. Research has linked collaborative tasks to student engagement in knowledge construction. Moreover, instructors who use CSCL can monitor student understanding and achievement in collaborative learning activities. backgrounds learn how to engage in civil discourse and to In schools, educators have found that developing empathy Interestingly, with the current emphasis on testing, fostering empathy can improve students'' test scores. nation need and deserve to be immersed in learning that fosters civil discourse as fundamental to the most effective working of our democratic system of governance. http://www.pewresearch.org/facttank/2014/06/12/7-things-to-know-about-polarization-in-america/. aspeninstitute.org/publications/informing-communities-sustainingdemocracy-digital-age/. https://www.edutopia.org/blog/empathy-classroom-whyshould-i-care-lauren-owen. Why we should teach empathy to improve education (and test scores). http://www.act.org/research http://www.act.org/research https://www.aspeninstitute.org/publications/informing-communities-sustaining-democracy-digital-age/ https://www.aspeninstitute.org/publications/informing-communities-sustaining-democracy-digital-age/ https://www.aspeninstitute.org/publications/informing-communities-sustaining-democracy-digital-age/ http://www.youthmediareporter.org/2010/06/24/can-a-democracy-survive-without-reliable-information/ http://www.youthmediareporter.org/2010/06/24/can-a-democracy-survive-without-reliable-information/ https://www.edutopia.org/blog/empathy-classroom-why-should-i-care-lauren-owen https://www.edutopia.org/blog/empathy-classroom-why-should-i-care-lauren-owen http://www.forbes.com/sites/ashoka/2012/09/26/why-we-should-teach-empathy-to-improve-education-and-test-scores/#4a3ead041a0d http://www.forbes.com/sites/ashoka/2012/09/26/why-we-should-teach-empathy-to-improve-education-and-test-scores/#4a3ead041a0d http://www.forbes.com/sites/ashoka/2012/09/26/why-we-should-teach-empathy-to-improve-education-and-test-scores/#4a3ead041a0d Teaching in a Time of Discord: Six Strategies for Learning Design and Practice Teaching in a Time of Discord: Six Strategies for Learning Design and Practice work_e7ab7hrowrar5pxir2vjsbdf2y The old and new faces of morphology: the legacy of D''Arcy Thompson''s ''theory of transformations'' and ''laws of growth'' in producing morphological variation, Thompson''s ''laws of growth'' transformations, Laws of growth, Evolution, Morphology, Form comes from Thompson''s attempts to relate biological shapes (Right) Collapse of all group shapes onto a common shape via a composition of shear and scaling transformations suggesting a two-tier morphological variation observed in the beak shapes of Darwin''s finches by reducing the morphological variation in the beaks of Darwin''s finches suggests shapes in Tholospiza (Darwin''s finches on Galápagos and endemic Caribbean relatives, marked with an asterisk) and Hawaiian honeycreepers as compared with (B) Highly modular multigenic beak developmental programs are found in Darwin''s finches and close Tholospiza relatives but not in the developmental shape variation, explaining morphological origin of their morphological diversity, beak shapes of Hawaiian Scaling and shear transformations capture beak shape variation in Darwin''s work_e7v32ehmqzb53komofza7jm6su like Baumgartner''s prints, capture moments of self-reflection and history in a poetic the prints of Leipzig artist Christiane Baumgartner (b. matter at that—into a print is a process that Baumgartner will later share with Dürer, and is based on a photograph and, also like Baumgartner''s altered class picture, is "not a oneto-one copy of the source image … as Richter altered the composition somewhat and two Baumgartner stated that she likes "using woodcut as it used to be in Dürer''s time, In Dürer''s time, the production of prints at Baumgartner''s scale was possible Both Baumgartner and Richter work with images of tangible objects in known In 2002, Baumgartner made original woodcuts for a re-print of this essay, a Figure 1.8 Christiane Baumgartner, Transall, Woodcut on Kozo paper, 2002. Figure 1.8 Christiane Baumgartner, Transall, Woodcut on Kozo paper, 2002. Figures 2.1-4 Christiane Baumgartner, Schkeuditz I-IV, Series of four woodcuts, 2005. work_ebyqgudypbabngkhjcl3n26ebu Presenting Finnish Art History in an international context: Presenting Finnish Art History in an international context: anniversary of the birth of Johan Jakob Tikkanen, first professor of art history in Finland. Better integrating Tikkanen''s contributions and context into the discipline''s history are Time,‛ ‚National and International Art History,‛ and ‚Viewing, Experiencing and The three essays in the section on the role of the arts in Tikkanen''s time highlight following essay, in which Anna-Maria von Bonsdorff investigates Finnish art at the turn Five essays comprise the second section, ‚National and International Art History.‛ Marianne Marcussen''s essay on Danish art historian Julius Lange emphasizes his The significance not only of German contributions to art history but also of Vasold mentions that Danish art historian Julius Lange''s work also contains Tikkanen''s review.4 Given his major role in the art-historical dialogue of his day, can we turn-of-the-century art history. work_fxwch2xi4jgdpf3quvap3mhzky Neotropical primates were perceived in the 16th century artistic views of New World primates from the early Contact period. These suggest that Neotropical primates played an primate during the 16th century (see other figures in Urbani 2a and 2b) suggest the existence of an early international network of primate trade; the geographical distribution of these marmosets was a Portuguese territory in the a capuchin monkey (Fig. 2c; Zuckerman, 1998; Fragaszy distribution of Peru''s endemic primates showed that if local of Peru''s endemic and endangered species are also the areas Yunkawasi, together with the support of Neotropical Primate Conservation, the Peruvian National Institute of Natural Resources (INRENA) and the Ministry of Education of Peru, has started the program "Environmental Education for the Conservation of Peruvian Primates," using of Peru, with emphasis on the endemic primate species and carried out by Neotropical Primate Conservation and the many Peruvian primates, they are not enough and many work_g6dfophsb5divdrzgi4w2osloi Bilateral symmetry of motifs (Fig. 3) (point group m or Cs) and rotations with mirror planes A playful collection o f symmetries appears on a roll (Fig. 6), including point group C3 with Hatched motifs (Fig. 7) can be considered to possess colour symmetry, which means a combination o f a geometrical synunetry operation (reflection, rotation, translation etc.) with a simultaneous Renaissance bindings in the early sixteenth century, and they appeared as ogee branches (Fig. 10). German Gothic binding with leaf relief obtained by the headed outline tools in Fig. 8(h-j). Similarly, border patterns from bookbindings are shown in Fig. 18, and classified according to symmetry groups. Fig. 25.(a) Rolls of palmettos and acanthus leaves from Hungarian Renaissance bindings. Fig, 26.(a) Knotwork border design composed of single stamps from the Hungarian Renaissance binding: represented in every field of Renaissance art, hence also in book illustrations (Fig. 42) and on work_hebxtavfszdpla5s3vglmcixby I will also elaborate on Kavaler''s work on social order in the historical context of midsixteenth-century Flanders and specifically the city of Antwerp, home to Bruegel and the may appear within many of Bruegel''s paintings, I will argue that the works connected 7 Margaret Sullivan, Bruegel''s Peasants: Art and Audience in the Northern Renaissance the paintings, I will investigate how in his religious works Bruegel sets up what John Bruegel''s three paintings Procession to Calvary, Sermon of St. John the Baptist, The audience for Bruegel''s paintings included scholars, merchants, nobility, and the Rogierian group in the Procession to Calvary evoke the timeless quality of fifteenthcentury style painting, it also makes a claim about Bruegel''s own spiritual health Carel van Mander was struck by Bruegel''s landscape, as he noted the painting Bruegel''s use of structural elements in the painting of Saul also worked to evoke work_hfjie4jqubglndtadcyyhrp5hm History and Prophecy: Oswald Spengler and the Decline of the West (New York: Peter Lang, 1989); John Farrenkopf, Prophet of Decline: Spengler on World History and Politics (Louisiana: Louisiana State University line with what Spengler deems the Prussian socialist spirit, then the German people will, he Spengler''s personal and intellectual connections with German social democracy, the largest political party of his Prussianism and Socialism runs a fine line, reflecting Spengler''s adventurist political gamble in Indeed, for Prussianism and Socialism, the so-called German revolution of 1918 Spengler argues that World War I is but one manifestation of a historically rooted Anglo-German envisaged the democratic republic as the form of working-class rule,32 Spengler and his rightwing contemporaries viewed republicanism an alien political form that was the epitome of social This is not the end of Spengler''s discussion of German social democracy, however. Germans had socialism in their blood.37 Spengler, however, would have argued that Natorp had work_is6ydrym6fegppsdidfeutitji Research for this article, which is part of a book nearing completion entitled Barock: Art History and Politics from Burckhardt to Sedlmayr (1844–1945), was supported by the Adler, and Harry Francis Mallgrave, among others, have discussed Wölfflin''s philosophical NeoKantianism in terms of organicism and aesthetic theory, as well as his interest in empathy theory and psychology, and his relations to Gottfried Semper''s theory of style, to archaeologist Heinrich Brunn''s incipient formalism, and to Jacob Burckhardt''s art and cultural histories. of New York, 2002); Adler, "Painterly Politics: Wölfflin, Formalism and German Academic Culture, the archaeologists dismiss them as decadent.12 Heinrich Brunn, the Munich archaeologist to whom Wölfflin dedicated Renaissance and Baroque, published an important Wölfflin''s Renaissance und Barock: Individual and State Political themes emerge within Wölfflin''s formal categories, most significantly the relation of part to whole, of individual to totality. Wölfflin''s conception of the individual architectural form.17 Related to both of work_isr6wlmplnffdmw5iecchcs32e 3 Hans Tietze, ''† Oskar Pollak'', Kunstchronik: Wochenschrift für Kunst und Kunstgewerbe, N.F. 5 Ludwig von Pastor, ''Der Heldentod des Dr. Oskar Pollak'', Fremden-Blatt 186, 7 Juli 1915, 8: Pollak''s study of art history at the German University of Prague had begun Vienna art historians with whom Pollak later completed his studies. When Pollak began studying in the Vienna Institute of Art History in 1910, 79 Archiv des Instituts für Kunstgeschichte, Universität Wien, Vienna: II – Nachlässe – Pollak, 79 Archiv des Instituts für Kunstgeschichte, Universität Wien, Vienna: II – Nachlässe – Pollak, 79 Archiv des Instituts für Kunstgeschichte, Universität Wien, Vienna: II – Nachlässe – Pollak, 79 Archiv des Instituts für Kunstgeschichte, Universität Wien, Vienna: II – Nachlässe – Pollak, Instituts für Kunstgeschichte, Universität Wien, Vienna: II – Nachlässe – Pollak, Oskar Instituts für Kunstgeschichte, Universität Wien, Vienna: II – Nachlässe – Pollak, Oskar work_jg5dunqmgzddxdtomagnvvecpy When Duke Johann F r i e d r i c h of Wurttemberg had another son i n Duke Johann F r i e d r i c h became the r u l e r o f Wurttemberg a t the and f r e e c i t i e s w i t h i n the German empire of the need t o form a Duke Johann F r i e d r i c h of Wurttemberg j o i n e d t h i s union over In the fragmented Holy Roman Empire of the German N a t i o n , the brought Johann F r i e d r i c h t o power, the new duke f e l t he needed which the Holy Roman Empire o f the German N a t i o n took i t s German-Roman empire by the Turks. work_jvfs4tpkk5hsbao6jnhwsaaywu Music in Renaissance Magic: Toward a Historiography of Music in Renaissance Magic: Toward a Historiography of (1987), and, of course, Music in Renaissance Magic. A close reading of Music in Renaissance Magic shows Tomlinson of issues and ideas Tomlinson feels have been left aside in Renaissance studies, Music in Renaissance Magic is divided into eight chapters, a preface, and an engagement Tomlinson maintains has dominated writing in historical musicology. 1 Tomlinson discusses implications of the hermeneutic/archaeological dualism first with a review of recent trends in anthropology ("Anthropology and Its In Chapter 2, "The Scope of Renaissance Magic," Tomlinson examines for example, that musical magic in the Renaissance tended to fall into three In the book''s penultimate chapter, "Archaeology and Music: Apropos of Monteverdi''s Musical Magic," Tomlinson maintains that musicology has not in Tomlinson''s position is his criticism of the eurocentricity of musical Music in Renaissance Magic is not an easy book. work_k66vqzcgdzavjfpvpxsa43mrga 1. Minorities in the early modern city: conflicts and new urban strategies. foreigners'' traces may be identified: whole districts, such as the Jews'' ghettos, or the area where Foreigner and the City", which results were published in two different books, one in italian La città italiana e i luoghi research group was constituted by the European Science Foundation on Cities and Cultural Exchanges, which work The commercial cities of early-modern Europe contained buildings specifically devoted to housing Keene, ''The setting of the Royal Exchange: continuity and change in the financial district of the city of London, building of Antwerp''s new Town Hall (largely complete by 1566) and perhaps in work on Jews and city authorities concerning details of ghetto to be established: location, number of inhabitants; other times, areas where Jews had lived for centuries were surrounded with walls, house.96 Following the precedent of the original ghettos in Venice and Rome, other cities, work_kpjc6dnuifhs5pyumsbunar6vq anomalous position in German l i f e and how the Catholic church, Genesis of the German Church Conflict, New York, Round Table, Siegfried Leffler, founded the German Christian Church Movement sympathetic to the Nazi movement, the "German Christians" represent the embodiment of implications within Lutheran doctrine, "Confessional Church", struck at Nazi totalitarianism and objected to the oath of personal allegiance Hitler demanded and i s t students that Hitler had saved German youth, had l i f t e d Zahn, German Catholics and Hitler''s that German Catholics accepted the authority of the Nazi state position of the Catholic Church seemed to grow more hostile before 1 9 3 3 , and, considering this, the Nazis might expect greater hatred."^ The Nazis understood that the dubious material prosperity of the churches was not what Christian leaders prized the other German youth organizations, Christian and p o l i t i c a l ; work_lhfcyktodndynghc53yqmc2awa The measures taken over time by the decision makers regarding the built heritage in Romania they played in the degradation of the Casino of Vatra Dornei [Cazinoul Băilor]. The Casino of Vatra Dornei presents a piece of the local history. for data collection and the Casino of Vatra Dornei was chosen as a case study. monument (e.g. What actions have the local decision makers taken in order to protect the building? decision makers were involved in the protection of the building? had over time concerning the protection and conservation of the building: locally we collected According to the subjects, the actions taken by the local authorities related to the protection the Archdiocese of Suceava and Rădăuţi is the current owner of the Casino and of other buildings and After 1989, the building had four owners: the state, a private firm, the Vatra Dornei Local state of the building is due to the local decision makers. work_ljqs4pzhqzbnhdclxxwpdcifja Ancient buoyancy devices in Sweden: floats made of reed, club-rush, inflated skins and animal bladders To cite this article: Isak Lidström & Ingvar Svanberg (2019) Ancient buoyancy devices in Sweden: floats made of reed, club-rush, inflated skins and animal bladders, Folk Life, 57:2, 85-94, DOI: Ancient buoyancy devices in Sweden: floats made of reed, The use of inflated animal skins and bladders as floats is a very ancient method in the floats or ''swim-belts'' of reed or club-rush has also occurred in more recent times in bundle of club-rush, which they put under the chest when they learned to swim.36 in the mid-nineteenth century38, reed or club-rush bundles were still in use here and learning to swim with the support of a bundle of club-rush.41 The custom of using bundles of reed or club-rush as buoyancy devices is known from should nevertheless be noted that the use of reed, club-rush and animal bladders in work_lk7q7rybt5ampdm4zgvy4lgz5y generally applicable in virtual integration scenarios, where global similarity predicates can be transformed for evaluation during distributed query processing. Because efficient support for string similarity is often required in data integration, an approach for index-based approximate string index-supported string similarity predicate, the results of the evaluation regarding the implementation based on Oracle8i are described. only provided through a Web form as an interface to a Web database, additionally, the support for similarity-based functionality in most data management solutions is per se either marginal, intended only for for certain The approaches presented in this thesis address these problems for string similarity predicates by mapping similarity predicates to standard predicates and minimising the required data transfer by means of an efficient pre-selection based on As this thesis deals with similarity-based operations in data integration related sets from different sources, similarity-based operations were integrated in data work_lmtu7ehrifghnfk3za7uabkzaa macabre art reference the printed books – especially Marchant''s first edition that Vérard and hand painted many of his printed editions, including a copy of the Danse Death in Print: The Danse macabre and the Medium of Illustrated Books an important edition of the Danse macabre (Dance of Death) book in Lyons. printed the first edition of the Danse macabre des femmes, the dead are changed Marchant''s multiple editions of the Danse macabre and on another illustrated book Vérard, printing illustrated books (including an edition of the Danse) in 1485/6 (?), The Three Living, La danse macabre nouvelle, illustrated book, printed by The Three Dead, La danse macabre nouvelle, illustrated book, printed by The Three Dead, La danse macabre nouvelle, illustrated book, printed by the Soul, La danse macabre des femmes, illustrated book, printed by Guy Marchant, the Soul, La danse macabre des femmes, illustrated book, printed by Guy Marchant, work_mdz5t7mwtzd7npjuxjxsqmx3oi Summary: The aim of this work is to provide a possible definition for Renaissance antiquarianism. cultural pathway, which influenced the way the past was interpreted between the fourteenth and seventeenth centuries, represented a methodological perspective which involved the cross-referencing of heterogeneous sources, strongly linked to mankind''s perception of time and that helped shape a renewed Key words: Renaissance, antiquarianism, Classical tradition, philology, collecting However, the concept of Renaissance antiquarianism per se has not yet been completely and fully defined: this remains very much a work in progress which deserves a Developing at the same time as new philological trends that found support from the increase in the number of archaeological investigations conducted, its history fully embraces the spirit of Humanism. In Renaissance antiquarian studies, the source began to take on a central role in Renaissance antiquarianism first emerged from the study of the classical world, but it work_mukiufmxdnfldog4jciljjr7d4 importance of languages, literatures, music, art history, philosophy, religion, and education. disregard specifically liberal arts colleges that focus on the humanities above all or exclusively. humanities play a central role in that context, as most universities, at least in North America and ideal at a modern university would be to help the young people enrolled as students to gain a wellrounded education, which includes both scientific-mathematical and humanistic aspects. Here the humanities suddenly come into play, and they prove to be essential. artistic expressions (music, literature, visual arts, etc.), the human creature would not be what it is in Moreover, human life is determined by the experiences of love, happiness, joy, and best qualified to help the individual to come to terms with some of those issues that are so important Studying the humanities means many different things, such as developing linguistic skills to reach We are people not simply because of our human body, but because of work_mxkgvzlfr5bqbifitg2gka3rdq Albrecht Dürer''in Gravür Eserlerine Estetik Açıdan Bir Bakış In this study, Albrecht Dürer''s examples of engravings will be examined. sanatını başarılı bir şekilde uygulayan Albrecht Dürer Alman Rönesans ressamı ve ünlü gravür Bunun yanı sıra, Dürer''in eserlerini kavramak ve anlamak için o eserleri estetik açıdan renk, şekil, çizgi, ton, ışık ve gölge, denge, vurgulama, görsel devamlılık, oran-orantı ve bütünlük olarak Bu çalışmada, Dürer''in gravür eserlerinin bu nitelikler ile birlikte nasıl incelendiğini Alman Rönesans Ressamı ve Gravürcüsü Albrecht Dürer 1471''de Nürnberg''de doğdu. Gergedan, Albrecht Dürer tarafından 1515 yılında yapılan bir gravür çalışmasıdır. Çizgi ve ton bakımından başarılı bir şekilde yansıtılmıştır. Şövalye, Ölüm ve Şeytan, 1513 Meisterstiche''den biri olan Alman ressam Albrecht Dürer''in gravür Gölge ve ışık başarılı bir şekilde Çalışmalarında Saint Jerome, Alman sanatçı Albrecht Dürer''in 1514 gravürüdür. Perspektif başarılı bir şekilde yansıtılmıştır. başarılı bir şekilde yansıtılmıştır. Dürer, her gravür eserlerinde sıra dışı temalarıyla ışık ve gölge başarılı bir şekilde work_n4lnsqdzenc2vfcmeovb4pxdxu 7 Hans Belting, Likeness and Presence: A History of the Image before the Era of Art, trans. and Image-Making in Medieval Art (New York: Cambridge University Press, 1989), particularly chapter passage Latour pulls on the chains of mediation in order to gather the times of icon viewing, OldTestament iconoclasm, and 20th-century deconstructionist theory into his own present, marshaling of interpretation, I will suggest that, as the figure of the Baptist migrated from the margins of 14thcentury icons to the center of 16th-century panel paintings, the phenomenon of rupture was itself the Baptist on the composition''s margin claims the practical aspect of iconic presence associated Baptist with the practical aspect of icon viewing familiar from first-stage images is expanded the absent iconic referent to the third-stage image''s mediation of our access to first and second absent icon while preserving the referent through the Baptist''s own mediating presence, it work_n7aqni2sybbwfgfs7q3coipra4 Cosmè Tura''s Re-Appropriation of Rogier van der Weyden''s 1. Rogier van der Weyden, Descent From the Cross, oil on oak panel, 6. Rogier van der Weyden, Portrait of Francesco d''Este, oil on panel, 3 Martin Davies, Rogier van der Weyden: An Essay with a Critical Catalogue of Paintings (London: Placing Rogier van der Weyden''s work into the context of the Ferrarese court in evidence that sheer presence of Rogier van der Weyden''s work in Ferrara affected the 5 Dirk De Vos, Rogier van der Weyden: The Complete Works, (New York: Harry N. Rogier van der Weyden''s style and is one of his most well-known works. Cosmè Tura''s Re-Appropriation of Rogier Van Der Weyden''s Netherlandish Oil To see the similarities of Cosmè Tura''s work to that of Rogier van der Weyden, CHAPTER 4: ROGIER VAN DER WEYDEN AND COSMÈ TURA Techniques of Five Paintings by Rogier van der Weyden and His Workshop." work_o66gdqmijjbnref57ub3q2issi of digitally produced music, sound, image and text relationships in a disc based and Rembetika – a politically engaged Greek blues; (ii) classical Indian dance and music fragments, objects, musical memories and ethnic dance forms, which create for her a Greek, and Indian music/ dance traditions, I have composed a creative work that origins, and as a performative form documenting the dance between shifting musical and music: Rembetika the Greek blues; Odissi/ Kuchipudi classical Indian dance and 1940''s; classical Indian dance/music; and Rembetika, the Greek blues. open up narratives revealing classical Indian dance performances, across the forms of classical Indian dance and music performances in Australia. representing the various music and dance cultures used in the electronic work. dance culture incorporating Russian, Indian and Greek texts. performances of these cultural forms (Rembetika, classical Indian, and jazz jewelBOX – classical Indian dance music performances (Odissi and classical Indian dance music performances (Odissi, Kuchipudi), and (c) work_ojg3j2ynv5difkqdwy2vfxu5ja Parasite-host interaction in malaria: genetic clues and copy genome-wide association studies; GPC, glycophorin C; HLA, human leukocyte antigen; ICAM-1, intercellular adhesion molecule 1; IL, interleukin; MBL2, mannose/mannan-binding lectin2; Pfcrt, Plasmodium falciparum chloroquine resistance transporter; Pfmdr, Plasmodium falciparum multi-drug resistance; RBC, red blood cell; SNP, single nucleotide polymorphism. Gabonese infants, ICAM-1Kilifi was associated with protection against severe malaria [15]. Malaria in humans: Plasmodium falciparum blood infection levels are linked to chromosome 5q31-q33. Kwiatkowski DP: Variation in the ICAM1 gene is not associated with severe malaria phenotypes. Rowe A, Obeiro J, Newbold CI, Marsh K: Plasmodium falciparum rosetting is associated with malaria severity in Reeder J, Alpers M: Human cerebral malaria: lack of significant association between erythrocyte rosetting and plasma levels and gene polymorphisms in Plasmodium falciparum malaria. Genome-wide linkage analysis of malaria infection intensity and mild disease. to Plasmodium falciparum: from classical malaria resistance genes towards genome-wide association studies. work_oujff3afzfe6zpmivcnq6qqjxe An Exceptional Inclusion: On MoMA''s Exhibition Recent American Prints in Color and the First Exhibition of Southeast Asian Art exhibition of Southeast Asia, it also included the Museum of Modern Art Among the first exhibitions developed in the early years of MoMA''s International Program, Recent American Prints in Color was one of five new Southeast Asia Art Conference and Competition (Figure 1) presents a oneroom exhibition of "the foremost works of Southeast Asian artists" in the figure 1: Image of the First Southeast Asia Art Competition Exhibition, Manila, 12 May 1957. in the production of the catalogue of the First Southeast Asia Art Competition''s exhibition, which USIS designed, producing a total of 3,280 copies, of identified when they were displayed at the recent Manila exhibition of Southeast Asian Art."22 No additional material would be sent. The exhibition of the First Southeast Asia Art Conference and Competition The exhibition of the First Southeast Asia Art Conference and Competition work_pegjwmrxqbfibkzi4o4c6lvoju Jewish and Hebrew Books in Marsh''s Library: Materiality and Intercultural Engagement in Early Modern Ireland Jewish and Hebrew books in Marsh''s collection, with particular focus on issues of materiality—that is, Keywords: Narcissus Marsh; Marsh''s Library; Judaism; Jewish books; Hebrew; Christian Hebraism; encompassing books written by and for Jews, as well as Jewish texts specifically aimed at early modern Christian readers; Hebrew Bibles, Talmudic texts, rabbinic writings, and Yiddish books that date back to the early modern volumes representing Hebrew Bibles, Talmudic texts, rabbinic writings, and Yiddish books that date 250 volumes representing Hebrew Bibles, Talmudic texts, rabbinic writings, and Yiddish books that Marsh''s collection points to the production and circulation of Jewish books and situates his library Beyond Jewish and Hebrew texts, there are other aspects of the collection in Marsh''s Library Beyond Jewish and Hebrew texts, there are other aspects of the collection in Marsh''s Library https://www.marshlibrary.ie/from-lublin-to-dublin-jewish-books-in-marshs-library/ https://www.marshlibrary.ie/from-lublin-to-dublin-jewish-books-in-marshs-library/ work_pol3drfvfjawxb7jy3dp6zafom the value of death, and on the quality of dying. will call Bianca and Tom, whose baby, Hal, had a severe cardiomyopathy and was several days old.ii In adults, cardiomyopathy families about death and dying, how to answer some of the As in Hal''s case, the ventilator could delay Alfie''s death, Death is bad in one important way because it deprives the person musical genius Schubert, or of an infant like Hal or Alfie are and good nursing care would have made Schubert''s dying experience much less unpleasant.iv would not wish to end up dying in hospital on life support. This element of the value of death is obviously important for death deprives our life of something that we would value. Death and the value of life. Sleep softly: Schubert, ethics and the value of dying well Sleep softly: Schubert, ethics and the value of dying well work_ppuzhzc7lrbm3kriww5kbeoybe Robert Bagley, Gombrich among the Egyptians and Other Essays in the History of reads as a brief for how to understand art, artists, and humans better on the basis of Bagley ably dodges this risk in the exemplary chapter on style. the only major art historian to escape Gombrich among the Egyptians unscathed. 2 Bagley is unfair to Sylvan Barnett, in claiming that his Short Guide to Writing about Art ''is Again, this holism is almost a platitude in contemporary art history: but Bagley''s Greek in a 1999 press release accompanying the reissue of The Story of Art. Bagley, Gombrich may be guilty but does Bagley do better? explanation of canonical style is that the important personages in Egyptian art ought He might have reminded Bagley that Egyptian art did swerve away from Bagley forgets this, and as a consequence his talk of Egyptian art is just as work_pucdxmnwxbe2vldnkj2mzxbtsy ''Bold Liberals Who Fought for the Cause of Freedom'': The German Reception of the Graphic Satires of James Gillray and Thomas Rowlandson at the Fin De Siècle (1895–1908) of Freedom'': The German Reception of the Graphic Satires of James Gillray and Thomas Keywords: Gillray, Rowlandson, Muther, reception, graphic, satire, internationalism, nationalism, Wilhelmine Political and art-critical developments combined at the end of the nineteenth century to create an ideal context for reigniting German interest in Rowlandson were seen by Muther as having contributed to the development of internationalist modern art owing to their foregrounding of Indeed, when Muther surveyed the nineteenth-century graphic art of Germany he explicitly satire even more directly in two articles for the progressive Berlin magazine Kunst und Künstler (1902–33).74 Veth was a painter, poet, art critic Lenman, Artists and Society in Germany, 25–40; Paret, Art as History, 13–60; Kugler, Handbuch der The Germans and Their Art. New Haven and London: Yale University work_pz5prokln5bshgm7rntfllnmpa [PDF] Classification of lead white pigments using synchrotron radiation micro X-ray diffraction | Semantic Scholar Corpus ID: 21978085Classification of lead white pigments using synchrotron radiation micro X-ray diffraction title={Classification of lead white pigments using synchrotron radiation micro X-ray diffraction}, Walter, +4 authors M. Citation Type Citation Type Sort by Most Influenced Papers Sort by Citation Count Composition and microstructure of the lead white pigment in Masters paintings using HR Synchrotron XRD Plumbonacrite identified by X-ray powder diffraction tomography as a missing link during degradation of red lead in a Van Gogh painting. Macroscopic x-ray powder diffraction imaging reveals Vermeer''s discriminating use of lead white pigments in Girl with a Pearl Earring Vanmeert, +8 authors K. Materials Science, Medicine Compositional study of prehistoric pigments "Carriqueo rock shelter, Argentina… by synchrotron radiation X-ray diffraction Chemistry, Medicine Chemistry, Medicine Chemistry, Medicine Chemistry, Medicine work_qpc4j5ywjvhxphdxtnaxaiut2e real-time interactive designs leading to novel organic architectural proposals. How to materialized an organic body-like space as an interactive architecture? points towards future directions for Interactive Architecture (as active organic Bioarchitecture) and strongly provokes researchers and architects to dedicate themselves organic body-like interactive architectural space to a techno-artistic level of making a FIGURE 2.14 The Hylozoic Series designed by Philip Beesley, an organic space like nature (source: http://www. FIGURE 2.17 A space created by the interactive projection platform designed by the HyperBody Research Group Organic Body-like Interactive Bio-Architectural Design Framework. 2 From Interactive to Intra-active Body: Towards a New Organic Digital Architecture 2 From Interactive to Intra-active Body: Towards a New Organic Digital Architecture 2 From Interactive to Intra-active Body: Towards a New Organic Digital Architecture 2 From Interactive to Intra-active Body: Towards a New Organic Digital Architecture 2 From Interactive to Intra-active Body: Towards a New Organic Digital Architecture work_qy7mwqdh5jhv3gqapc4yvv2rgu work_qyqvrq7om5hm5mspqieyhs3kxu characteristic of such, holist, view is that individual creativity is a mere manifestation Behind these facts of human culture stands a ''Wille von überindividueller Art, der dem Naturalismus in der Gotischen Skulptur und Malerei'' explained that Gothic art was a 27 In Wölfflin, Renaissance und Barock, 1, one reads that northern nations (not the individual artists who predetermined the way Weimar-era historians wrote art history. his book Spengler says that he writes history the way he has to, being a German good example is a protest letter written by Max Dvořák to Italian art historians in examine whether it may be possible to explain Weimar era historians'' holist Weimar-era historians'' adoption of holist methodology was motivated by that the holist tendencies of Weimar-era art historians were insecurity motivated is a Individual Weimar-era art historians could have decided not to say that it was necessary that German Weimar-era art historians make a certain type work_rj6x66hr4zhktm2yofuekjdmwu The viennese art historian Josef Strzygowski global cultural awareness, Strzygowski''s restless explorations of the frontiers of art history, Thus, what interests scholars of early 20th century art history riegl''s work may be viewed as nothing less than an obsession for Strzygowski, for, riegl, Strzygowski insisted that the art historian''s attention be directed primarily to the appearance of form. article enhance our understanding of Strzygowski''s views on art, but it also establishes a Greek art, Strzygowski continues, originated in the North, but when it came into contact explanation for the fall of Greek art, Strzygowski once again composes his history painting to stress the consequences of any "oriental" 2 a few years ago there was a discussion at the Viennese institute of art History at the University of Vienna about how Strzygowski''s legacy might be handled. Cf. Olin, Margaret, art History and ideology: alois riegl and Josef Strzygowski. 20 riegl, alois, Josef Strzygowski: Cimabue und rom. work_sst7m6nd7jcixaiwplj44l4aoa Antagonist Images of the Turk in Early Modern European Games early modern European board games and Games, Playing Cards, Early Modern find the image of the Turk in early modern European board games and playing cards early modern humanists situated the Turk However, there are examples in representations of the Turk in the early modern Early modern board games and playing printed playing cards and board games, cards required skillful woodcut and etching artists, unique pieces of art were produced in this medium by leading German Figure 1: Meister PW''s playing cards; Turkish King and the Over Knave. Turk on a playing card: a Turkish King, Turks on early modern playing cards draw Mitelli''s Turks constitute fundamental differences from that of the above-mentioned German playing cards. Turk in these games bears neither negative aspects, as in the German tradition, of the European in early modern Ottoman in games played in early modern work_suyuohbobrbchktyj6t6vam3qm Representing the Rhinoceros: The Royal Society between Art and Science in the Eighteenth Century double-horned rhinos puzzled members of the Royal Society for decades, Keywords: Richard Mead, Hans Sloane, rhinoceros, Royal Society of London, the President of the Royal Society on the Double Horns of the Rhinoceros'', included ''the bones of the face of a young Rhinoceros, with two horns, in situ, Parsons''s earlier contribution, the ''Natural History of the Rhinoceros'' rhinoceros.22 He observes that Dr Hans Sloane''s collection included a Royal Society on the topic of serpent stones, rhinoceros bezoars and the specimen of double horns from his own collection, which Parsons had Rhinoceros with a Double Horn'', Philosophical Transactions 46 (1749). rhinoceros painted by Parsons around 1740 (Fig. 6).47 Mead certainly for the two-horned rhinoceros in 1758, although – still unclear about the animal''s geographical James Parsons, ''Letter to the President of the Royal Society on the Double Horns of the work_tc24q7jqwjhvrl3zmfjtoxue3i Recycling Discarded Histories to Chronicle Identities: Making Art from Waste in Mozambique multivalent themes including object materiality, recycling, art making in Mozambique''s past wars into powerful tools for peacebuilding and postconflict resolution; Cármen, who uses her old dresses to create hanging use recyclia (recycled materials/found objects) to create artworks, chronicling their object materiality, recycling, art making in urban Africa, and post-conflict resolution.1 artists utilize recyclia to create distinctly Mozambican art. Mozambican artists who recycle their nation''s pre-used materials not only This investigation of recyclia as artistic media is underpinned by object materiality. as a recycled material it gains more expressive power as it is transformed into art. a representative sample of artists who use recycled materials, presenting a concise João''s response to why he specifically selects recycled materials in his art illustrates his Each of the wooden materials Pekiwa obtains to recycle into his art becomes work_ugekyvphl5cidl6dkve4c4raem Part II: The new German art history in the nineteenth century: 2 ''In Methode und Problem völlig verschieden'', Moritz Thausing, ''Die Stellung der Kunstgeschichte als Bedingtheiten äusserer und innerer Art bei der Entwicklung'', Springer, 13. be ''their'' new art history had in fact been prepared by Italian writers in the Hegel''s follower as an art historian in Berlin was Heinrich Gustav Hotho to whom As far as the very beginnings of the new art history in the 1820s were concerned, all-comprehensive history and the monograph of a single work of art. from the 1870s, the new medium of the art history periodical which was exclusively scientificness of the eighteenth century contributions to art history. most important new works of the new art history were biographies, such as A new important work on the subject of the illustrated art book, edited by Hence Springer and Thausing would tie in academic probity with art work_up37c36mrrhzrh2yyxrzacqqba In this work, I discuss the tension between the gift and market society enhances the proliferativeness of the gift exchange model that culture, knowledge, and creativity are gifts that cannot be sold on the collaboration, peer production, and gift exchange.9 I. ECONOMICS OF CREATIVITY BETWEEN MARKET AND GIFT I. ECONOMICS OF CREATIVITY BETWEEN MARKET AND GIFT gift exchange approach to creativity); Woodbury, supra note 19, at 535-36 (noting Martial''s authorship model contrasted patronage''s gift economy. publishers in the market for books.80 Under this model, the patron to gift exchange challenged the premises of market economy based on the market, the construction of creativity as a gift exchange still indebted to society for the gift of this common knowledge. emergence of a new cultural landscape.261 Digital creativity is mass REVIEW 23-82 (2014), http://www.create.ac.uk/publications/open-access-publishingBusiness Models in the Creative Economy discussing the open access publishing The re-emergence of a gift economy in the crowd society work_w345pjuslbbp3nljy6ibpdxnw4 Taking a Stand for Reformation: Martin Luther and Caritas Pirckheimer Taking a Stand for Reformation: Martin Luther and Caritas Martin Luther and Caritas Pirckheimer the most iconic scenes of the Reformation: Martin Luther''s posting of his Disputation on the Power of Indulgences, commonly known were issued to have Luther brought to Rome to stand trial in person. attached to Luther''s personal fate was the outcome of the Reformation itself. juxtapose Luther''s great stand with that of another Reformer, someone far less known today, a Catholic woman who was a nun and always in these early years of the Reformation, Luther and his allies Martin Luther, an entire society was beginning to take a stand as the Caritas Pirckheimer was abbess of a convent in the imperial city opportunity for a life of learning.22 Of the four Pirckheimer daughters, three would enter convents.23 Four years later, in 1483, which work_w5diwswuezgqniis7ln6pdwejq Time-of-flight secondary ion mass spectrometry (TOF-SIMS) imaging using cluster primary ion ClusterTOF-SIMS, Matthias Grünewald, Mass spectrometry imaging, Painting cross-section The aim of this research is to use time-offlight secondary ion mass spectrometry (TOF-SIMS) imaging using cluster primary ion beams to identify and locate the area of 200 μm×200 μm delimited by the green square; (b to d) TOF-SIMS ion images recorded in the positive-ion mode: (b) images in the positive-ion mode of copper carboxylate ions: (j) sum of the Cun TOF-SIMS mass spectra of copper carboxylates from the area rich in lipids (a) in the negative ion mode and (b) in the 1736 Richardin et al.: TOF-SIMS Copper Green Pigments 1736 Richardin et al.: TOF-SIMS Copper Green Pigments 1736 Richardin et al.: TOF-SIMS Copper Green Pigments 1736 Richardin et al.: TOF-SIMS Copper Green Pigments Identification of Different Copper Green Pigments in Renaissance Paintings by Cluster-TOF-SIMS Imaging Analysis work_wa74ikynvvh6bacli76s64lzhi The paper reveals the unique additional shades of meaning that the non-use of colour in urban neoclassicism, and Stalin empire style, different forms of "zero signs" in the space of Soviet cities of the principle of "reflexive symmetry" that it is used to organize the colour space of towns, urban spaces of the Soviet cities will be considered, where color negation acquired unique additional A very important point in understanding of colouring of the Soviet cities was that the spaces Chromatic "zero signs" in the Soviet urban space had two evident shades of meaning. On the other hand, colour negation in Soviet urban space had one more expressed shade of goroda (Colour representations of social space of European cities). Griber Yu. Chromatic "zero signs" in the Soviet urban colour design // Бюллетень науки и Chromatic "zero signs" in the Soviet urban colour design. Chromatic "zero signs" in the Soviet urban colour design. work_woatu6ooznbgvmt2sqhdruugxa sys_1000 wp-p1m-38.ebi.ac.uk wp-p1m-38.ebi.ac.uk exception exception Params is empty Params is empty Params is empty if (typeof jQuery === "undefined") document.write(''[script type="text/javascript" src="/corehtml/pmc/jig/1.14.8/js/jig.min.js"][/script]''.replace(/\[/g,String.fromCharCode(60)).replace(/\]/g,String.fromCharCode(62))); // // // window.name="mainwindow"; .pmc-wm {background:transparent repeat-y top left;background-image:url(/corehtml/pmc/pmcgifs/wm-nobrand.png);background-size: auto, contain} .print-view{display:block} Page not available Reason: The web page address (URL) that you used may be incorrect. Message ID: 217999423 (wp-p1m-38.ebi.ac.uk) Time: 2021/04/06 02:05:24 If you need further help, please send an email to PMC. Include the information from the box above in your message. Otherwise, click on one of the following links to continue using PMC: Search the complete PMC archive. Browse the contents of a specific journal in PMC. Find a specific article by its citation (journal, date, volume, first page, author or article title). http://europepmc.org/abstract/MED/ work_xkdakconsreujhkteyjfqeela4 Abstract: From the mid-15th century "berettino", or "turchino", lighter and darker, deep blue, cobalt-bearing glazes were used on Italian maiolica objects. Keywords: Hutterite, Haban ceramics, blue glaze, cobalt, uranium, jugs with miners'' symbols, where blue-glazed vessels were made in the 17th century as Alvinc; Mária Krisztinkovich considers that they 3 Measurements have been made on the objects of the following collections (see together with the identifying abbreviations before the inventary number): the Museum of Applied Arts (IMM, Budapest), the Hungarian National Museum (MNM), the Museum of Ethnography (NM, Budapest), the Budapest History Museum At present we classify 13 ceramic vessels with blue glaze in the 17th century group (3 A few pieces with a white glaze decorated with the blue of cobalt pigment containing uranium (6 pieces) cannot be linked to the workshop mentioned above, as they differ Examination of Haban Vessels with Uranium-Bearing Blue Glaze 515 work_xkr2tvayefftnnw6kgqabipyjm Annemie Leemans, "A Very Proper Treatise: Specialist Knowledge for a NonSpecialist Public", British Art Studies, Issue 17, https://dx.doi.org/10.17658/ Tottel printed the first edition of A Very Proper Treatise in 1573. In another recipe, The Art of Making mentions the word "books", referring to Proper Treatise is a book made for an audience with artistic interests. A Very Proper Treatise, these are the only book titles Tottel ever published Anonymous, A Very Proper Treatise, (London: Richard Anonymous, A Very Proper Treatise, (London: Richard Talley notices that two books use recipes from A Very Proper Treatise. Merrifield, Medieval and Renaissance Treatises on the Arts of Painting: Original Texts with English book of interest: the anonymously printed A Very Proper Treatise. 1r; Anonymous, A Very Proper Treatise (London: Richarde Tottill, 1581), fol. 1r; Anonymous, A Very Proper Treatise (London: Richarde Tottill, 1581), fol. 1r; Anonymous, A Very Proper Treatise (London: Richarde Tottill, 1581), fol. work_xrjxcc4hbfaazblfa3xdokljxu In his preface to the  edition of Euclid, Leèvre recapitulated the reason for these studies: "Besides mathematics, what discipline, e Fabrist Origins of Erasmian Science: Mathematical Erudition in Erasmus'' Basle  :  e Fabrist Origins of Erasmian Science: Mathematical Erudition in Erasmus'' Basle  :  e Fabrist Origins of Erasmian Science: Mathematical Erudition in Erasmus'' Basle  :  e Fabrist Origins of Erasmian Science: Mathematical Erudition in Erasmus'' Basle  :  e Fabrist Origins of Erasmian Science: Mathematical Erudition in Erasmus'' Basle  :  e Fabrist Origins of Erasmian Science: Mathematical Erudition in Erasmus'' Basle  :  e Fabrist Origins of Erasmian Science: Mathematical Erudition in Erasmus'' Basle  :  e Fabrist Origins of Erasmian Science: Mathematical Erudition in Erasmus'' Basle  :  e Fabrist Origins of Erasmian Science: Mathematical Erudition in Erasmus'' Basle  :  work_y5xjdv2rqjajxn2bcc5n3urqde young people jingle out hymns like a big white polyester-blend acne-prone calliope of transforms my red dress with white dots into a body of felt feathers, like tongues of fire in On the way home, I stop at this lunch place I like for a "hillbilly flu shot," a hot liked it when I asked how they met (Nana Sheets: at a church service, Hazel: roller looked like an old-fashioned juke box; the stereo played a CD of Christy singing, though people, liked to dance around a statue of Saint Vitus on his feast day, June 15. up, the heart would keep watching movies about the Old Times all day long if you''d let And funny thing about clocks: I wore a watch at Burning Man, just like I do in the I was hoping that Burning Man was like church camp but different. The sky above Black Rock City was kind of like Day to Night Barbie. work_yeth7vk2yveevnqvc4xxwukemm Josef Frank and the history of architecture: Gothic foundation of modern architecture in the context of Frank''s entire theoretical 13 Frank, Architektur als Symbol, 161 and 160 for the stronger German original: ''Unsere Zeit ist Roof in the discussion of late antiquity (Frank, Architektur als Symbol, 69). 33 Frank, Architektur als Symbol, 137, but also 133: ''the machine age is not new, but rather was 43 About harmony in Gothic architecture, Frank, Architektur als Symbol, 81. 46 Frank, Architektur als Symbol, 77 and 95: ''The reawakening of Gothic forms is limited at the 49 Frank, Architektur als Symbol, 119, on gothic as national style during the nineteenth century. ''international style''; Frank, Architektur als Symbol, 125 on economic goals of new German German architecture from life, also Frank, Architektur als Symbol, 131. 95 Frank, Architektur als Symbol, 119 and 125 on popular art history at the beginning of the work_yojo26p6xrfcjjcjta7m45dxhi beings and bodies in contemporary Japanese science fiction anime, manga, and literature. Japanese popular culture has created a wide range of imagined technological bodies, the As Yōrō points out, the human brain prefers controlling everything, including its body. (2004), to discuss cyborg subjectivity and gender, posthuman/technological bodies, the body and the self/mind; and what kind of issues do anime and manga persist in illustrating. In order to demonstrate the hybridity of the human body, in her later work Haraway robot body, influenced by advanced technology, and human beings; 2) the conceptualization of and most popular Japanese humanoid-robot character in post-war Japan was Astro Boy, created character to reveal 1) the relation between the robot body, influenced by advanced technology, robot (artificial) body, influenced by advanced technology, and human beings; 2) the many Japanese anime and novels to illustrate a new conceptualization of the body. work_zaoy2pqhjvdk7pu527thsq3g5q In spite of the negative connotations ''style'' has in contemporary architectural discourse, in early 20thcentury Germany there was no consensus on the meaning or value of the concept amongst architects and Although style was endlessly debated between 1910 and 1930 by German architects, critics, and intellectuals of all stripes, later scholars have either largely overlooked its significance or used the term as und der Baukunst [Style Architecture and the Building In 1914, Gropius wrote ''Der Stilbildende Wert industrieller Bau-formen'' [The Style-Forming Value of Industrial form to that culture, to the appearance of a new style. Barnstone: Style Debates in Early 20th-Century German Architectural Discourse Art. 17, page 9 of 9 Barnstone: Style Debates in Early 20th-Century German Architectural Discourse Art. 17, page 9 of 9 Barnstone: Style Debates in Early 20th-Century German Architectural Discourse Art. 17, page 9 of 9 Barnstone: Style Debates in Early 20th-Century German Architectural Discourse Art. 17, page 9 of 9