id	author	title	date	pages	extension	mime	words	sentences	flesch	summary	cache	txt
work_bnbvmodb6be2ppzezbtqjqw3fi	Bevil R. Conway	Color consilience: color through the lens of art practice, history, philosophy, and neuroscience	2012	18	.pdf	application/pdf	11962	1105	69	poses a challenge for artists: a mark situated on an otherwise blank canvas will appear a different color in the context How do artists account for this change in color during the production of a painting? broader context of neural and philosophical considerations of color, I discuss the practices of three modern masters, on the neural mechanisms of color, but also influenced the trajectory of western art history. Color poses an enormous challenge for artists because the way a painted mark will ultimately appear The visual system as feedback device used to paint color: Paul Cézanne (1839–1906; French) Study of trees 1904 Oil on The visual system as feedback device used to paint color: Claude Monet (1840–1926). The use of achromatic borders to separate colored regions in paintings of Henri Matisse. The development of color in the later paintings of Henri Matisse accentuates their inherent flatness.	./cache/work_bnbvmodb6be2ppzezbtqjqw3fi.pdf	./txt/work_bnbvmodb6be2ppzezbtqjqw3fi.txt