id	author	title	date	pages	extension	mime	words	sentences	flesch	summary	cache	txt
work_neg7q52odffhjeafdnhykarjbu	M.E. Sparks	Painting Things	2016	42	.pdf	application/pdf	9866	958	64	theory inform my perception of still life objects, as well as the vitality and agency of the painting I consider the nostalgia for painting's history to be one causal factor of "zombie-formalism", a term presented by art critic Walter 2 painted forms in We'd Like To Help bring into question this distinction between object and thing, life painting functions beyond the depiction of objects: how colour, line and surface of each In my painting Floor Life (Painters' Forms) (see fig. Guston's painted forms are readily nameable as he presents his objects as solidly as possible, to and Bennett describe when looking at objects, I believe painting from observation exposes the evolving relationship is formed between the objects, the space of the studio, the physical painting this practice of painting things, observation has become a expanded component of my working To tie together intersecting theories of still life, object-hood, and observational painting, I 	./cache/work_neg7q52odffhjeafdnhykarjbu.pdf	./txt/work_neg7q52odffhjeafdnhykarjbu.txt