id	author	title	date	pages	extension	mime	words	sentences	flesch	summary	cache	txt
work_xj23nld4g5bvtmbyl3epakp2pi	Josephine Berry	On a Walkway to Hell: Vantages on Art and Life's Exhaustion	2020	21	.pdf	application/pdf	7076	391	51	of art's own "corporealisation" or becoming body, and neo-avantgarde movements' development of life performances. the resources of biopolitical theory are used to critique the separation of the artist's appearance from their own powers of self-affection fixing them as a creative yet static "form of life" within these Neoliberal institutions; financialisation; creative life; biopolitics; York artists in the 1950s and '60s also helped to create a new fascination for artists' studios and lives among the art-interested public As Zukin's remarks make evident, we can trace such institutional framing of artists as creative in themselves back to art's internal material, articulated and set into doubt the static form of life allocated to them according to the intersecting social matrices of gender, these art/life performances opened up the prospect of reworking the endless work of artistic life: by an institutional reflex that creates artistic life as "only work"?	./cache/work_xj23nld4g5bvtmbyl3epakp2pi.pdf	./txt/work_xj23nld4g5bvtmbyl3epakp2pi.txt