id	author	title	date	pages	extension	mime	words	sentences	flesch	summary	cache	txt
work_xofl75h6r5ehndm5tdobnb3lwa	Stephen Grossberg	How Humans Consciously See Paintings and Paintings Illuminate How Humans See	2017	95	.pdf	application/pdf	37922	2720	61	This article illustrates how the paintings of visual artists activate multiple brain processes that contribute to their conscious perception. were chosen to illustrate processes that range from discounting the illuminant and lightness anchoring, to boundary and texture grouping and classification, through filling-in of surface brightness and This article accordingly describes illustrative paintings or painterly theories of ten artists in light of neural models such as the Form-And-ColorAnd-DEpth (FACADE) model of 3D vision and figure–ground perception vision—boundaries and surfaces—as can a wide range of other scenic properties, including 3D shape, boundary groupings, texture, shading, color, brightness, and object identity. This is true because boundary completion and surface filling-in have been demonstrated by neural models and supportive data to obey computationally complementary properties across a scene that could cause wildly unstable shape and color percepts, feature contours are computed at positions where luminance or color contrasts and Schumer, 1981; Kulikowski, 1978; Richards and Kaye, 1974; Schor and 	./cache/work_xofl75h6r5ehndm5tdobnb3lwa.pdf	./txt/work_xofl75h6r5ehndm5tdobnb3lwa.txt