id	author	title	date	pages	extension	mime	words	sentences	flesch	summary	cache	txt
work_7ma5dhs32bepdknrxzmznuguxm	Bernard P. E. Bentley	The 'Ars vivendi' of Laura Mañà's Morir en San Hilario/To Die in San Hilario (2005)	2012.0	19	.pdf	application/pdf	9766	632	72	Latin American cinema, and Morir en San Hilario is a good example of these new flexible Spanish village/pueblo film and a twenty-first-century 'Ars moriendi' developing the topos of Keywords Laura Mañà Morir en San Hilario road film homo viator Laura Mana's To Die in San Hilario is a heavy-handed Spanish comedy in which an irrevocable fact of life, this credit sequence brings to mind the road film journey Piernas is on the run, living the life of fear, full of threats and dangers, pursued by Set on this course, hiding in the village to protect his life, el Piernas is at first making its way to San Hilario at the beginning of the film. his second day in San Hilario, outside the bar-café el Piernas finally sees the notice statement of el Piernas's transformation from life into death. Morir en San Hilario is a reflective film with a universal appeal.	./cache/work_7ma5dhs32bepdknrxzmznuguxm.pdf	./txt/work_7ma5dhs32bepdknrxzmznuguxm.txt