id	author	title	date	pages	extension	mime	words	sentences	flesch	summary	cache	txt
work_lndjzqzwpvhrppf4w5v64bab4m	(:Unkn) Unknown	THE MUSIC OF THE SPHERES: MUSIC AND THE GENDERED MIND IN NINETEENTH-CENTURY BRITAIN	2020.0	265	.pdf	application/pdf	79007	5794	67	This work makes use of but differs from previous studies of music in nineteenthcentury British literature in both scope and argument. 16 Paula Gillett, Musical Women in England, 1870-1914 (New York: St. Martin's Press, 2000). nineteenth-century British literature, but it differs from previous studies of music in Piano: Women and Music in Nineteenth-Century Fiction,‖ Victorian Studies 30 (Autumn 1986): 51-76. 86 Anthony Baines, The Oxford Companion to Musical Instruments (New York: Oxford University Press, 10 See Richard Taruskin, Music in the Nineteenth Century (Oxford: Oxford University Press, 2010), 63; 12 Carl Dahlhaus, Nineteenth Century Music (Berkeley and Los Angeles: University of California Press, As a result, women are rarely portrayed as listening to music in Victorian literature, For much of the century, listening to, composing, and performing music had been Musical Lives of Victorian Women,‖ Nineteenth-Century Gender Studies 5 (Summer 2009), paragraph 6. New-Found Voices: Women in Nineteenth Century English Music.	./cache/work_lndjzqzwpvhrppf4w5v64bab4m.pdf	./txt/work_lndjzqzwpvhrppf4w5v64bab4m.txt