id	author	title	date	pages	extension	mime	words	sentences	flesch	summary	cache	txt
work_6gz4dwsda5ha3nr7yfkkaprpky	Barbara H. Berrie	Mining for Color: New Blues, Yellows, and Translucent Paint	2015	27	.pdf	application/pdf	10901	873	69	seventeenth century, these pigments had found a permanent place on the easel painter's palette, smalt used in place of ultramarine and the antimonial compounds enlivening the yellows of the spectrum. These three discoveries contributed to the saturated colors characteristic of seventeenth-century painting and offered artists latitude in the ways they pursued At the turn of the sixteenth century, new sources of raw materials and production led to the manufacture of vast amounts of blue and yellow pigments that From early times mineral pigments offered a variety of blue colors to painters; Palette and Fifteenth/Sixteenth-century Pharmacy Price Lists: the Use of Azurite & Ultramarine," in Painting Techniques: History, Materials and Studio Practice, eds. The pigment, whether used for easel painting, decorating ceramics or coloring glass, was not prepared directly from the ore but from an intermediate see Ashok Roy and Barbara Berrie, "A New Lead-Based Yellow in the Seventeenth Century," in Painting Techniques: History, Materials and Studio Practice, Contributions to the 	./cache/work_6gz4dwsda5ha3nr7yfkkaprpky.pdf	./txt/work_6gz4dwsda5ha3nr7yfkkaprpky.txt