id	author	title	date	pages	extension	mime	words	sentences	flesch	summary	cache	txt
work_7p7h7giinfamvfajtnitpsygia	(:Unkn) Unknown	Christian Mysteries in the Italian Renaissance: Typology and Syncretism in the Art of the Italian Renaissance	2020	321	.pdf	application/pdf	73608	4048	59	Renaissance and the significant meaning of classical subjects and figures in such philosophical significance for certain classical subjects and motifs in Renaissance art. medieval artists did occasionally depict classical subjects in their works of art or include that simply replaces Judeo-Christian elements with classical figures and scenes, without holy figure from the Judeo-Christian tradition in a classically inspired pose, typologically related figures from pagan mythology and Judeo-Christian narrative classical and Judeo-Christian figures was both possible and significant. programs that included Judeo-Christian figures, even representations of God or the figures both classical and Christian in Raphael Sanzio‟s fresco cycle in the Vatican‟s with the representation of classical figures in works of art from that century, even from The study of the relationship of classical and Christian figures in the Stanza della of certain works of art from the Italian Renaissance which have classical subjects and 	./cache/work_7p7h7giinfamvfajtnitpsygia.pdf	./txt/work_7p7h7giinfamvfajtnitpsygia.txt