id	author	title	date	pages	extension	mime	words	sentences	flesch	summary	cache	txt
work_bhtvuqlpirh2dijvcd6jc4dzlq	Christopher S. Wood	'Aby Warburg, Homo victor' [A translation (back into English, and with some revisions) of the article that appeared in French: 'Aby Warburg, Homo victor', in Cahiers du Musée national d'art moderne 118, 2011/12, 81-101]	2014	24	.pdf	application/pdf	11061	687	59	appeared in French: 'Aby Warburg, Homo victor', in Cahiers du Musée national d'art moderne 118, Warburg's texts bring out all the fault-lines in the discipline of art history. The Warburg Institute offered instead a model of art historical scholarship History as Cultural History: Warburg's Projects, Amsterdam: G+B Arts International, 2001, 266and Warburg: Symbol, Art, and History, New Haven: Yale University Press, 1989; and Salvatore Forster, 'Aby Warburg's History of Art: Collective Memory and the Social Warburg's Tradition', Art History 16, 1993, 541-551; and the anthology of critical essays on Warburg never speaks of the art of painting as if it might have been 50 Gombrich, Aby Warburg, 248; also Didi-Huberman, L'image survivante, 176. Warburg moved from art history to the scientific study of man, attending courses in Warburg's art history, so too is the visualizing subject. The work of art, for Baxandall just as for Warburg, was not 	./cache/work_bhtvuqlpirh2dijvcd6jc4dzlq.pdf	./txt/work_bhtvuqlpirh2dijvcd6jc4dzlq.txt