id	author	title	date	pages	extension	mime	words	sentences	flesch	summary	cache	txt
work_m4l7coqfy5evrp3dvr3i7awr34	Romy Golan	'Towards a Latin Europe': Vers une Europe Latine: Acteurs et enjeux des échanges culturels entre la France et l'Italie fasciste, Catherine Fraixe, Lucia Piccioni and Christophe Poupault, eds., Brussels: P.I.E. Lang, 2014	2014	6	.pdf	application/pdf	2642	123	57	In the years between the wars, Republican France and Fascist Italy vied for political regimes might have been, France and Italy were nations where culture was recaptures the awe expressed by French art critic Louis Gillet in La Revue des Deux invasion of Paris in works of the 'Italian School of Painting' made by a group of Italians also living in Paris, 'purveyors of the Latin spirit'. Cameo portraits of Italian painters working in Paris were published alongside ones fascination for certain Italian artists and writers: Surrealism, a movement imported increasing autarchy upheld by the Fascist regime that allowed so little French art, or any foreign art for that matter, to enter Italian collections? Were there no French gallerists, writers, or critics active in Italy at Mario Sironi, the most vocal artist in Fascist Italy, publicly berated Paris for the author of Modernity and Nostalgia: Art and Politics in France Between the Wars and 	./cache/work_m4l7coqfy5evrp3dvr3i7awr34.pdf	./txt/work_m4l7coqfy5evrp3dvr3i7awr34.txt