id	author	title	date	pages	extension	mime	words	sentences	flesch	summary	cache	txt
work_rpfnvy7zqzhodpt4lzrsncpule	PATRICIA SIMONS	HERCULES IN ITALIAN RENAISSANCE ART: MASCULINE LABOUR AND HOMOEROTIC LIBIDO	2008	33	.pdf	application/pdf	19075	1580	71	HERCULES IN ITALIAN RENAISSANCE ART: MASCULINE LABOUR AND HOMOEROTIC LIBIDO articulated.'3 The same can be said of Hercules, for the strain of forging masculinity is worked out in very physical, laboured ways. base, Antaeus in the Cathedral relief (see plate 3) is gasping, locked in the chokehold of death by a Hercules whose face, hair and body type are not dissimilar. 5 Antonio del Pollaiuolo, Hercules and Antaeus, c. Hercules and Antaeus that visualized close, sensual contact between naked men. Mantegna and his followers that production of images of Hercules with Antaeus the narrative of Hercules and Antaeus provided an opportunity for the representation of two naked and muscular male bodies in physical, intimate contact. 10 Michelangelo Buonarroti, Hercules and Antaeus and other sketches, recto, c. Like the drawings of Hercules and Antaeus, this sheet of Hercules and Antaeus by, or after, Mantegna). Italian Drawing of Hercules and Antaeus in a	./cache/work_rpfnvy7zqzhodpt4lzrsncpule.pdf	./txt/work_rpfnvy7zqzhodpt4lzrsncpule.txt