id	author	title	date	pages	extension	mime	words	sentences	flesch	summary	cache	txt
work_yge3cqoenjeprncxu5zw2zm3gm	Ronit Haimov-Kochman	Three Giants in the Cradle of Reproductive Medicine; Reproduction Theories of the Seventeenth Century as Discerned by Pregnancy Portraiture in the Oeuvre of Jan Vermeer	2016	7	.pdf	application/pdf	4064	296	61	Three Giants in the Cradle of Reproductive Medicine; Reproduction Theories of the Seventeenth Century as Discerned by Pregnancy Portraiture in the Oeuvre of Jan Vermeer the Seventeenth Century as Discerned by Pregnancy Portraiture in the Oeuvre of Jan Vermeer. Portraits of pregnant women are rare in Catholic Renaissance art. Vermeer confined himself almost entirely to images of women in various domestic situations, including oeuvre, and suggest that the use of pregnancy in his paintings could have been inspired by his Delft-resident contemporaries Antony van Leeuwenhoek and Reinier de Graaf, fathers of well-known and opposing of Vermeer in Delft, Antony van Leeuwenhoek and https://commons.wikimedia.org/wiki/File:Jan_Vermeer_van_Delft_-_Young_Woman_with_a_Pearl_Necklace_-_Google_Art_Project.jpg https://commons.wikimedia.org/wiki/File:Woman-with-a-balance-by-Vermeer.jpg Both van Leeuwenhoek and Vermeer were born in Both van Leeuwenhoek and Vermeer had About 30 out of Vermeer's works depict women as for the pregnant women was Vermeer's wife. conflicts depicted within Vermeer's paintings, pregnancy stands as an icon that is intended to intensify Vermeer's pregnant women.	./cache/work_yge3cqoenjeprncxu5zw2zm3gm.pdf	./txt/work_yge3cqoenjeprncxu5zw2zm3gm.txt