id	author	title	date	pages	extension	mime	words	sentences	flesch	summary	cache	txt
work_yldgzfjkfnbzvfmalok6jufe2m	Luca Degl'Innocenti	Street Singers: An Interdisciplinary Perspective	2016	6	.pdf	application/pdf	2611	271	59	To cite this article: Luca Degl'Innocenti & Massimo Rospocher (2016): Street Singers: An They all refer to the street singers and performers of Renaissance Italy, and at first Hence, cantastorie or canterini would be the specific names for the poet-singers, whose principal trade was to perform verses, stories, and songs, usually to musical of the street singers, all of their different social and cultural characteristics no longer At least since Peter Burke's seminal work on early modern popular culture, cantastorie 3 Rosa Salzberg and Massimo Rospocher, 'Street Singers in Italian Renaissance Urban Culture and Communication', Italy', Renaissance Studies, 24 (2010), 638–53, and idem, Ephemeral City: Cheap Print and Urban Culture in Renaissance Venice (Manchester: Manchester University Press, 2014); Massimo Rospocher, 'From Orality to Renaissance, 16 (2013), 273–87, and idem, 'Canterino and Improvvisatore: Oral Poetry and Performance', in The street entertainment and the Commedia dell'Arte by exploring the many cheap prints that 	./cache/work_yldgzfjkfnbzvfmalok6jufe2m.pdf	./txt/work_yldgzfjkfnbzvfmalok6jufe2m.txt