mv: 'input-file.zip' and './input-file.zip' are the same file Creating study carrel named italianRenaissance-from-scholar Initializing database Unzipping Archive: input-file.zip creating: ./tmp/input/italianRenaissance-from-scholar/ inflating: ./tmp/input/italianRenaissance-from-scholar/work_efogy2z3xraqley6pzrxa7de34.pdf inflating: ./tmp/input/italianRenaissance-from-scholar/work_ufv32ww5bngx7dh6zyt3wleakm.pdf inflating: ./tmp/input/italianRenaissance-from-scholar/work_z4dw6ncg6jgbrcdugghkuhzskm.pdf inflating: ./tmp/input/italianRenaissance-from-scholar/work_jxmhfl25avcu5faka2kxpzbf3a.pdf inflating: ./tmp/input/italianRenaissance-from-scholar/work_5qvybg4ra5hwnfyupsyzufrwmq.pdf inflating: ./tmp/input/italianRenaissance-from-scholar/work_zyzn5ad6evfy3jmi3woxkph77e.pdf inflating: ./tmp/input/italianRenaissance-from-scholar/work_342rv3hnmnfgnny6eoj6rmxybm.pdf inflating: ./tmp/input/italianRenaissance-from-scholar/work_xmy75qtsgvhxbemie3hmgd6u6a.pdf inflating: 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JPEG2000 files will not be processed. See https://pdfbox.apache.org/2.0/dependencies.html#jai-image-io for optional dependencies. Apr 05, 2021 9:09:15 PM org.apache.tika.config.InitializableProblemHandler$3 handleInitializableProblem WARNING: Tesseract OCR is installed and will be automatically applied to image files unless you've excluded the TesseractOCRParser from the default parser. Tesseract may dramatically slow down content extraction (TIKA-2359). As of Tika 1.15 (and prior versions), Tesseract is automatically called. In future versions of Tika, users may need to turn the TesseractOCRParser on via TikaConfig. Apr 05, 2021 9:09:15 PM org.apache.tika.config.InitializableProblemHandler$3 handleInitializableProblem WARNING: org.xerial's sqlite-jdbc is not loaded. Please provide the jar on your classpath to parse sqlite files. See tika-parsers/pom.xml for the correct version. 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font 'LiberationMono' for 'Verdana' WARN Using fallback font 'LiberationSerif-Bold' for 'TimesNewRomanPS-BoldMT' WARN Using fallback font 'LiberationSerif-Bold' for 'TimesNewRomanPS-BoldMT' WARN Using fallback font 'LiberationSerif-Bold' for 'TimesNewRomanPS-BoldMT' WARN No Unicode mapping for C68 (68) in font OKDIBE+AdvPSTim-I WARN No Unicode mapping for CID+618 (618) in font OEJPOB+PalatinoLinotype-Italic WARN No Unicode mapping for CID+648 (648) in font OEJPOB+PalatinoLinotype-Italic WARN Using fallback font 'LiberationSerif' for 'TimesNewRomanPSMT' WARN No Unicode mapping for CID+738 (738) in font OEJPOB+PalatinoLinotype-Italic WARN Using fallback font 'LiberationSans' for 'TimesNewRomanPSMT' WARN No Unicode mapping for CID+745 (745) in font OEJPOB+PalatinoLinotype-Italic WARN Using fallback font 'LiberationSans-Italic' for 'Verdana-Italic' WARN No Unicode mapping for C101 (101) in font OKDIBE+AdvPSTim-I WARN No Unicode mapping for C112 (112) in font OKDIBE+AdvPSTim-I WARN No Unicode mapping for C97 (97) in font OKDIBE+AdvPSTim-I WARN No Unicode mapping for C114 (114) in font OKDIBE+AdvPSTim-I WARN No Unicode mapping for C116 (116) in font OKDIBE+AdvPSTim-I WARN No Unicode mapping for C109 (109) in font OKDIBE+AdvPSTim-I WARN No Unicode mapping for C110 (110) in font OKDIBE+AdvPSTim-I WARN No Unicode mapping for C111 (111) in font OKDIBE+AdvPSTim-I WARN No Unicode mapping for C102 (102) in font OKDIBE+AdvPSTim-I WARN No Unicode mapping for C70 (70) in font OKDIBE+AdvPSTim-I WARN No Unicode mapping for C105 (105) in font OKDIBE+AdvPSTim-I WARN Using fallback font LiberationSans for base font Symbol WARN Using fallback font LiberationSans for base font ZapfDingbats WARN No Unicode mapping for C99 (99) in font OKDIBE+AdvPSTim-I WARN No Unicode mapping for C44 (44) in font OKDIBE+AdvPSTim-I WARN Using fallback font LiberationSerif for TimesNewRomanPSMT WARN No Unicode mapping for C85 (85) in font OKDIBE+AdvPSTim-I WARN Using fallback font 'LiberationSerif-Italic' for 'Georgia-Italic' WARN No Unicode mapping for CID+642 (642) in font OEJPDO+PalatinoLinotype-Roman WARN No Unicode mapping for C118 (118) in font OKDIBE+AdvPSTim-I WARN No Unicode mapping for CID+690 (690) in font OEJPDO+PalatinoLinotype-Roman WARN No Unicode mapping for CID+728 (728) in font OEJPDO+PalatinoLinotype-Roman WARN Using fallback font LiberationSans for Symbol WARN No Unicode mapping for CID+698 (698) in font OEJPDO+PalatinoLinotype-Roman WARN No Unicode mapping for C115 (115) in font OKDIBE+AdvPSTim-I WARN No Unicode mapping for CID+725 (725) in font OEJPDO+PalatinoLinotype-Roman WARN No Unicode mapping for CID+710 (710) in font OEJPDO+PalatinoLinotype-Roman WARN No Unicode mapping for C121 (121) in font OKDIBE+AdvPSTim-I WARN No Unicode mapping for C71 (71) in font OKDIBE+AdvPSTim-I WARN Using fallback font LiberationSans for AkzidenzGroteskBE-Md WARN Using fallback font 'LiberationSerif' for 'TimesNewRomanPSMT' WARN No Unicode mapping for CID+726 (726) in font OEJPDO+PalatinoLinotype-Roman WARN No Unicode mapping for CID+693 (693) in font OEJPDO+PalatinoLinotype-Roman WARN No Unicode mapping for CID+750 (750) in font OEJPDO+PalatinoLinotype-Roman WARN No Unicode mapping for CID+723 (723) in font OEJPDO+PalatinoLinotype-Roman WARN No Unicode mapping for CID+694 (694) in font OEJPDO+PalatinoLinotype-Roman WARN No Unicode mapping for CID+739 (739) in font OEJPDO+PalatinoLinotype-Roman WARN No Unicode mapping for CID+749 (749) in font OEJPDO+PalatinoLinotype-Roman WARN No Unicode mapping for CID+697 (697) in font OEJPDO+PalatinoLinotype-Roman WARN No Unicode mapping for CID+738 (738) in font OEJPDO+PalatinoLinotype-Roman WARN No Unicode mapping for CID+643 (643) in font OEJPDO+PalatinoLinotype-Roman WARN No Unicode mapping for CID+714 (714) in font OEJPDO+PalatinoLinotype-Roman WARN No Unicode mapping for CID+719 (719) in font OEJPDO+PalatinoLinotype-Roman WARN No Unicode mapping for CID+745 (745) in font OEJPDO+PalatinoLinotype-Roman WARN FeatureRecord array not alphabetically sorted by FeatureTag: init < isol WARN No Unicode mapping for CID+692 (692) in font OEJPDO+PalatinoLinotype-Roman WARN No Unicode mapping for CID+702 (702) in font OEJPDO+PalatinoLinotype-Roman WARN No Unicode mapping for CID+724 (724) in font OEJPDO+PalatinoLinotype-Roman WARN No Unicode mapping for CID+720 (720) in font OEJPDO+PalatinoLinotype-Roman WARN No Unicode mapping for CID+729 (729) in font OEJPDO+PalatinoLinotype-Roman WARN No Unicode mapping for CID+721 (721) in font OEJPDO+PalatinoLinotype-Roman WARN No Unicode mapping for C103 (103) in font OKDIBE+AdvPSTim-I WARN No Unicode mapping for C80 (80) in font OKDIBE+AdvPSTim-I WARN No Unicode mapping for C46 (46) in font OKDIBE+AdvPSTim-I WARN No Unicode mapping for C79 (79) in font OKDIBE+AdvPSTim-I WARN No Unicode mapping for C66 (66) in font OKDIBE+AdvPSTim-I WARN No Unicode mapping for C120 (120) in font OKDIBE+AdvPSTim-I WARN No Unicode mapping for C56 (56) in font OKDIBE+AdvPSTim-I WARN No Unicode mapping for C48 (48) in font OKDIBE+AdvPSTim-I WARN No Unicode mapping for C57 (57) in font OKDIBE+AdvPSTim-I WARN No Unicode mapping for C55 (55) in font OKDIBE+AdvPSTim-I WARN No Unicode mapping for C65 (65) in font OKDIBE+AdvPSTim-I WARN No Unicode mapping for C86 (86) in font OKDIBE+AdvPSTim-I WARN No Unicode mapping for C78 (78) in font OKDIBE+AdvPSTim-I WARN No Unicode mapping for C104 (104) in font OKDIBE+AdvPSTim-I INFO rmeta/text (autodetecting type) WARN No Unicode mapping for C108 (108) in font OKDIBE+AdvPSTim-I WARN No Unicode mapping for C100 (100) in font OKDIBE+AdvPSTim-I WARN No Unicode mapping for C69 (69) in font OKDIBE+AdvPSTim-I WARN No Unicode mapping for C117 (117) in font OKDIBE+AdvPSTim-I WARN No Unicode mapping for C82 (82) in font OKDIBE+AdvPSTim-I WARN Using fallback font 'LiberationSerif' for 'TimesNewRomanPSMT' WARN Using fallback font 'LiberationSerif-BoldItalic' for 'TimesNewRomanPS-BoldItalicMT' WARN Using fallback font 'LiberationMono-Bold' for 'TrebuchetMS-Bold' WARN No Unicode mapping for CID+729 (729) in font OEJPOB+PalatinoLinotype-Italic WARN No Unicode mapping for CID+694 (694) in font OEJPOB+PalatinoLinotype-Italic WARN No Unicode mapping for CID+723 (723) in font OEJPOB+PalatinoLinotype-Italic WARN No Unicode mapping for CID+697 (697) in font OEJPOB+PalatinoLinotype-Italic WARN No Unicode mapping for CID+714 (714) in font OEJPOB+PalatinoLinotype-Italic WARN No Unicode mapping for C82 (82) in font OKDIBC+AdvPSTim WARN No Unicode mapping for C50 (50) in font OKDIBC+AdvPSTim WARN No Unicode mapping for C53 (53) in font OKDIBC+AdvPSTim WARN FeatureRecord array not alphabetically sorted by FeatureTag: init < isol WARN No Unicode mapping for C112 (112) in font OKDIBC+AdvPSTim WARN No Unicode mapping for C49 (49) in font OKDIBC+AdvPSTim WARN No Unicode mapping for C57 (57) in font OKDIBC+AdvPSTim WARN Using fallback font 'LiberationMono' for 'TrebuchetMS' WARN No Unicode mapping for C56 (56) in font OKDIBC+AdvPSTim WARN No Unicode mapping for C59 (59) in font OKDIBC+AdvPSTim WARN Using fallback font 'LiberationSerif' for 'TimesNewRomanPSMT' WARN Using fallback font 'LiberationSans' for 'Verdana' WARN No Unicode mapping for C65 (65) in font OKDIBG+AdvPSTim-B WARN No Unicode mapping for C98 (98) in font OKDIBG+AdvPSTim-B WARN No Unicode mapping for C115 (115) in font OKDIBG+AdvPSTim-B WARN Using fallback font 'LiberationSerif-Italic' for 'TimesNewRomanPS-ItalicMT' WARN No Unicode mapping for C116 (116) in font OKDIBG+AdvPSTim-B WARN No Unicode mapping for C114 (114) in font OKDIBG+AdvPSTim-B WARN No Unicode mapping for C97 (97) in font OKDIBG+AdvPSTim-B WARN No Unicode mapping for C99 (99) in font OKDIBG+AdvPSTim-B WARN No Unicode mapping for C84 (84) in font OKDIBC+AdvPSTim WARN No Unicode mapping for C119 (119) in font OKDIBC+AdvPSTim WARN No Unicode mapping for C70 (70) in font OKDIBC+AdvPSTim WARN No Unicode mapping for C48 (48) in font OKDIBC+AdvPSTim WARN font 'F20' not found in resources WARN No current font, will use default WARN No Unicode mapping for C74 (74) in font OKDIBC+AdvPSTim WARN No Unicode mapping for CID+281 (281) in font OEJPJA+PalatinoLinotype-Roman INFO rmeta/text (autodetecting type) WARN No Unicode mapping for C103 (103) in font OKDIBC+AdvPSTim WARN No current font, will use default WARN No Unicode mapping for C46 (46) in font OKDIBC+AdvPSTim WARN No Unicode mapping for CID+308 (308) in font OEJPDO+PalatinoLinotype-Roman WARN No Unicode mapping for CID+698 (698) in font OEJPOB+PalatinoLinotype-Italic WARN No Unicode mapping for CID+736 (736) in font OEJPOB+PalatinoLinotype-Italic WARN No Unicode mapping for CID+726 (726) in font OEJPOB+PalatinoLinotype-Italic WARN Using fallback font 'LiberationSans' for 'TimesNewRomanPSMT' INFO rmeta/text (autodetecting type) WARN font 'F20' not found in resources WARN No current font, will use default WARN No current font, will use default INFO rmeta/text (autodetecting type) WARN Using fallback font 'LiberationSerif-Bold' for 'TimesNewRomanPS-BoldMT' WARN No Unicode mapping for C45 (45) in font OKDIBC+AdvPSTim WARN Using fallback font 'LiberationSans-Italic' for 'TimesNewRomanPS-ItalicMT' INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) WARN No Unicode mapping for C211 (211) in font OKDIBI+AdvPSSym WARN No Unicode mapping for C69 (69) in font OKDIBC+AdvPSTim WARN No Unicode mapping for C86 (86) in font OKDIBC+AdvPSTim WARN No Unicode mapping for C74 (74) in font OKDIBE+AdvPSTim-I WARN No Unicode mapping for C76 (76) in font OKDIBE+AdvPSTim-I WARN No Unicode mapping for CID+630 (630) in font OEJPDO+PalatinoLinotype-Roman INFO rmeta/text (autodetecting type) WARN No Unicode mapping for CID+744 (744) in font OEJPDO+PalatinoLinotype-Roman WARN No Unicode mapping for C174 (174) in font OKDIBE+AdvPSTim-I WARN No Unicode mapping for C58 (58) in font OKDIBE+AdvPSTim-I WARN No Unicode mapping for C71 (71) in font OKDIBC+AdvPSTim WARN No Unicode mapping for CID+619 (619) in font OEJPDO+PalatinoLinotype-Roman WARN No Unicode mapping for C76 (76) in font OKDIBC+AdvPSTim WARN No Unicode mapping for C51 (51) in font OKDIBC+AdvPSTim WARN No Unicode mapping for CID+632 (632) in font OEJPDO+PalatinoLinotype-Roman WARN No Unicode mapping for C75 (75) in font OKDIBE+AdvPSTim-I WARN No Unicode mapping for C119 (119) in font OKDIBE+AdvPSTim-I WARN No Unicode mapping for CID+658 (658) in font OEJPDO+PalatinoLinotype-Roman WARN No Unicode mapping for a117 (1) in font ZapfDingbatsITCbyBT-Regular WARN No Unicode mapping for CID+648 (648) in font OEJPDO+PalatinoLinotype-Roman WARN No Unicode mapping for CID+617 (617) in font OEJPDO+PalatinoLinotype-Roman WARN No Unicode mapping for CID+711 (711) in font OEJPDO+PalatinoLinotype-Roman WARN No Unicode mapping for C49 (49) in font OKDIBG+AdvPSTim-B WARN No Unicode mapping for C46 (46) in font OKDIBG+AdvPSTim-B WARN No Unicode mapping for C73 (73) in font OKDIBG+AdvPSTim-B WARN No Unicode mapping for C110 (110) in font OKDIBG+AdvPSTim-B WARN No Unicode mapping for C111 (111) in font OKDIBG+AdvPSTim-B WARN No Unicode mapping for C100 (100) in font OKDIBG+AdvPSTim-B WARN No Unicode mapping for C117 (117) in font OKDIBG+AdvPSTim-B WARN No Unicode mapping for C105 (105) in font OKDIBG+AdvPSTim-B WARN No Unicode mapping for C73 (73) in font OKDIBC+AdvPSTim WARN No Unicode mapping for C40 (40) in font OKDIBC+AdvPSTim WARN No Unicode mapping for C55 (55) in font OKDIBC+AdvPSTim WARN No Unicode mapping for C41 (41) in font OKDIBC+AdvPSTim WARN No Unicode mapping for C38 (38) in font OKDIBC+AdvPSTim WARN No Unicode mapping for C52 (52) in font OKDIBC+AdvPSTim WARN No Unicode mapping for C177 (177) in font OKDIBC+AdvPSTim WARN No Unicode mapping for C47 (47) in font OKDIBC+AdvPSTim WARN No Unicode mapping for CID+643 (643) in font OEKFBF+PalatinoLinotype-Bold WARN No Unicode mapping for G03 (2) in font GMDAIP+MSTT31c52d00 WARN No Unicode mapping for C67 (67) in font OKDIBC+AdvPSTim WARN Using fallback font 'LiberationSans' for 'FranklinGothic-Medium' WARN No Unicode mapping for CID+710 (710) in font OEKFBF+PalatinoLinotype-Bold WARN No Unicode mapping for CID+721 (721) in font OEKFBF+PalatinoLinotype-Bold WARN No Unicode mapping for CID+690 (690) in font OEKFBF+PalatinoLinotype-Bold WARN No Unicode mapping for .notdef (0) in font Times-Roman WARN No Unicode mapping for C58 (58) in font OKDIBC+AdvPSTim WARN No Unicode mapping for C43 (43) in font OKDIBC+AdvPSTim WARN No Unicode mapping for CID+618 (618) in font OEKFBF+PalatinoLinotype-Bold WARN No Unicode mapping for C54 (54) in font OKDIBC+AdvPSTim WARN No Unicode mapping for CID+648 (648) in font OEKFBF+PalatinoLinotype-Bold WARN No Unicode mapping for CID+632 (632) in font OEKFBF+PalatinoLinotype-Bold WARN No Unicode mapping for CID+660 (660) in font OEKFBF+PalatinoLinotype-Bold WARN No Unicode mapping for CID+667 (667) in font OEKFBF+PalatinoLinotype-Bold WARN No Unicode mapping for C120 (120) in font OKDIBC+AdvPSTim WARN No Unicode mapping for CID+615 (615) in font OEKFBF+PalatinoLinotype-Bold WARN No Unicode mapping for C45 (45) in font OKDIBE+AdvPSTim-I WARN No Unicode mapping for C106 (106) in font OKDIBC+AdvPSTim WARN No Unicode mapping for C64 (64) in font OKDIBC+AdvPSTim WARN No Unicode mapping for C36 (36) in font OKDIBC+AdvPSTim WARN No Unicode mapping for C80 (80) in font OKDIBC+AdvPSTim WARN No Unicode mapping for CID+648 (648) in font OELILA+PalatinoLinotype-BoldItalic WARN No Unicode mapping for CID+714 (714) in font OELILA+PalatinoLinotype-BoldItalic WARN No Unicode mapping for CID+690 (690) in font OELILA+PalatinoLinotype-BoldItalic WARN No Unicode mapping for CID+708 (708) in font OELILA+PalatinoLinotype-BoldItalic WARN No Unicode mapping for CID+721 (721) in font OELILA+PalatinoLinotype-BoldItalic WARN No Unicode mapping for CID+710 (710) in font OELILA+PalatinoLinotype-BoldItalic WARN No Unicode mapping for CID+750 (750) in font OELILA+PalatinoLinotype-BoldItalic WARN No Unicode mapping for CID+723 (723) in font OELILA+PalatinoLinotype-BoldItalic WARN No Unicode mapping for CID+724 (724) in font OELILA+PalatinoLinotype-BoldItalic WARN No Unicode mapping for CID+725 (725) in font OELILA+PalatinoLinotype-BoldItalic WARN No Unicode mapping for CID+698 (698) in font OELILA+PalatinoLinotype-BoldItalic WARN No Unicode mapping for CID+697 (697) in font OELILA+PalatinoLinotype-BoldItalic WARN No Unicode mapping for CID+692 (692) in font OELILA+PalatinoLinotype-BoldItalic WARN No Unicode mapping for CID+720 (720) in font OELILA+PalatinoLinotype-BoldItalic WARN No Unicode mapping for CID+642 (642) in font OELILA+PalatinoLinotype-BoldItalic WARN No Unicode mapping for CID+726 (726) in font OELILA+PalatinoLinotype-BoldItalic WARN No Unicode mapping for CID+619 (619) in font OELILA+PalatinoLinotype-BoldItalic WARN No Unicode mapping for 72 (101) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for CID+693 (693) in font OELILA+PalatinoLinotype-BoldItalic WARN No Unicode mapping for 81 (110) in font CCBONJ+Palatino-Roman WARN FeatureRecord array not alphabetically sorted by FeatureTag: init < isol WARN No Unicode mapping for CID+642 (642) in font OEKFBF+PalatinoLinotype-Bold WARN No Unicode mapping for 71 (100) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for CID+723 (723) in font OEKFBF+PalatinoLinotype-Bold WARN No Unicode mapping for 15 (44) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for CID+726 (726) in font OEKFBF+PalatinoLinotype-Bold WARN No Unicode mapping for CID+714 (714) in font OEKFBF+PalatinoLinotype-Bold WARN No Unicode mapping for CID+693 (693) in font OEKFBF+PalatinoLinotype-Bold INFO rmeta/text (autodetecting type) WARN No Unicode mapping for 3 (32) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for 68 (97) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for 70 (99) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for 75 (104) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for CID+708 (708) in font OEKFBF+PalatinoLinotype-Bold WARN No Unicode mapping for 88 (117) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for CID+697 (697) in font OEKFBF+PalatinoLinotype-Bold WARN No Unicode mapping for CID+728 (728) in font OEKFBF+PalatinoLinotype-Bold WARN No Unicode mapping for 80 (109) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for CID+698 (698) in font OEKFBF+PalatinoLinotype-Bold WARN No Unicode mapping for 69 (98) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for CID+719 (719) in font OEKFBF+PalatinoLinotype-Bold WARN No Unicode mapping for CID+746 (746) in font OEKFBF+PalatinoLinotype-Bold WARN No Unicode mapping for 85 (114) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for CID+646 (646) in font OEKFBF+PalatinoLinotype-Bold WARN No Unicode mapping for CID+650 (650) in font OEKFBF+PalatinoLinotype-Bold WARN No Unicode mapping for CID+619 (619) in font OEKFBF+PalatinoLinotype-Bold WARN No Unicode mapping for CID+653 (653) in font OEKFBF+PalatinoLinotype-Bold WARN No Unicode mapping for 86 (115) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for 87 (116) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for 76 (105) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for 79 (108) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for CID+647 (647) in font OEKFBF+PalatinoLinotype-Bold WARN No Unicode mapping for 82 (111) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for 74 (103) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for 40 (69) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for CID+146 (146) in font OFPGFJ+PalatinoLinotype-Bold WARN No Unicode mapping for 17 (46) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for 55 (84) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for CID+1115 (1115) in font OFPGFJ+PalatinoLinotype-Bold WARN No Unicode mapping for CID+1121 (1121) in font OEKFBF+PalatinoLinotype-Bold WARN No Unicode mapping for CID+1120 (1120) in font OFPGFJ+PalatinoLinotype-Bold WARN No Unicode mapping for CID+1126 (1126) in font OFPGFJ+PalatinoLinotype-Bold WARN No Unicode mapping for CID+1102 (1102) in font OFPGFJ+PalatinoLinotype-Bold WARN No Unicode mapping for CID+148 (148) in font OFPGFJ+PalatinoLinotype-Bold WARN No Unicode mapping for CID+158 (158) in font OFPGFJ+PalatinoLinotype-Bold WARN No Unicode mapping for 73 (102) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for 56 (85) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for 92 (121) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for 78 (107) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for 36 (65) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for 93 (122) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for 83 (112) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for 91 (120) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for 90 (119) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for 89 (118) in font CCBONJ+Palatino-Roman WARN Using fallback font 'LiberationSerif' for 'TimesNewRomanPSMT' WARN No Unicode mapping for gid00030 (1) in font MCBCCI+SourceSansRoman-Regular WARN Using fallback font 'LiberationSerif' for 'TimesNewRomanPSMT' WARN No Unicode mapping for 46 (75) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for gid00030 (1) in font MCBCCI+SourceSansRoman-Regular WARN Using fallback font 'LiberationSerif-Bold' for 'TimesNewRomanPS-BoldMT' WARN No Unicode mapping for 38 (67) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for gid00035 (2) in font MCBCCI+SourceSansRoman-Regular WARN No Unicode mapping for gid00032 (3) in font MCBCCI+SourceSansRoman-Regular WARN No Unicode mapping for gid00038 (4) in font MCBCCI+SourceSansRoman-Regular WARN No Unicode mapping for gid00001 (5) in font MCBCCI+SourceSansRoman-Regular WARN No Unicode mapping for gid00033 (6) in font MCBCCI+SourceSansRoman-Regular WARN No Unicode mapping for gid00042 (7) in font MCBCCI+SourceSansRoman-Regular WARN No Unicode mapping for gid00045 (8) in font MCBCCI+SourceSansRoman-Regular WARN No Unicode mapping for 44 (73) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for CID+708 (708) in font OEJPDO+PalatinoLinotype-Roman WARN No Unicode mapping for gid00035 (2) in font MCBCCI+SourceSansRoman-Regular WARN No Unicode mapping for gid00001 (1) in font MCBCCM+SourceSansRoman.613wght WARN No Unicode mapping for gid00048 (1) in font MCBCCO+SourceSansRoman-Bold WARN No Unicode mapping for 53 (82) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for gid00043 (2) in font MCBCCO+SourceSansRoman-Bold WARN No Unicode mapping for gid00031 (3) in font MCBCCO+SourceSansRoman-Bold WARN No Unicode mapping for gid00028 (4) in font MCBCCO+SourceSansRoman-Bold WARN No Unicode mapping for gid00047 (5) in font MCBCCO+SourceSansRoman-Bold WARN No Unicode mapping for gid00032 (6) in font MCBCCO+SourceSansRoman-Bold WARN No Unicode mapping for gid00046 (7) in font MCBCCO+SourceSansRoman-Bold WARN No Unicode mapping for gid00032 (3) in font MCBCCI+SourceSansRoman-Regular WARN No Unicode mapping for CID+762 (762) in font OEJPDO+PalatinoLinotype-Roman WARN FeatureRecord array not alphabetically sorted by FeatureTag: init < isol WARN No Unicode mapping for 43 (72) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for gid00038 (4) in font MCBCCI+SourceSansRoman-Regular WARN No Unicode mapping for gid00001 (5) in font MCBCCI+SourceSansRoman-Regular WARN No Unicode mapping for gid00033 (6) in font MCBCCI+SourceSansRoman-Regular WARN No Unicode mapping for 37 (66) in font CCBONJ+Palatino-Roman WARN Using fallback font 'LiberationSans' for 'TimesNewRomanPSMT' WARN No Unicode mapping for gid00042 (7) in font MCBCCI+SourceSansRoman-Regular WARN No Unicode mapping for G30 (4) in font GMDAAM+MSTT31c49a00 WARN Using fallback font 'LiberationSerif-Bold' for 'TimesNewRomanPS-BoldMT' WARN No Unicode mapping for noteheads.s2 (113) in font SSNMYL+Emmentaler-18 WARN No Unicode mapping for 16 (45) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for G58 (5) in font GMDAAM+MSTT31c49a00 WARN No Unicode mapping for gid00045 (8) in font MCBCCI+SourceSansRoman-Regular WARN No Unicode mapping for G5D (6) in font GMDAAM+MSTT31c49a00 WARN No Unicode mapping for G4C (7) in font GMDAAM+MSTT31c49a00 WARN No Unicode mapping for G4E (8) in font GMDAAM+MSTT31c49a00 WARN No Unicode mapping for G52 (9) in font GMDAAM+MSTT31c49a00 WARN No Unicode mapping for G4F (10) in font GMDAAM+MSTT31c49a00 WARN No Unicode mapping for G4A (11) in font GMDAAM+MSTT31c49a00 WARN No Unicode mapping for G4D (12) in font GMDAAM+MSTT31c49a00 WARN No Unicode mapping for G44 (13) in font GMDAAM+MSTT31c49a00 WARN No Unicode mapping for G03 (14) in font GMDAAM+MSTT31c49a00 WARN No Unicode mapping for G10 (15) in font GMDAAM+MSTT31c49a00 WARN No Unicode mapping for G15 (16) in font GMDAAM+MSTT31c49a00 WARN No Unicode mapping for G13 (17) in font GMDAAM+MSTT31c49a00 WARN No Unicode mapping for gid00001 (1) in font MCBCCM+SourceSansRoman.613wght WARN Using fallback font 'LiberationSerif' for 'TimesNewRomanPSMT' WARN No Unicode mapping for G19 (18) in font GMDAAM+MSTT31c49a00 WARN No Unicode mapping for gid00048 (1) in font MCBCCO+SourceSansRoman-Bold FILE: cache/work_bzolg2ldh5dwrdyv3pglp3iv5i.pdf OUTPUT: txt/work_bzolg2ldh5dwrdyv3pglp3iv5i.txt WARN No Unicode mapping for scripts.sforzato (0) in font SSNMYL+Emmentaler-18 WARN Using fallback font 'LiberationSerif-BoldItalic' for 'TimesNewRomanPS-BoldItalicMT' WARN No Unicode mapping for flags.d3 (1) in font SSNMYL+Emmentaler-18 WARN No Unicode mapping for gid00043 (2) in font MCBCCO+SourceSansRoman-Bold WARN No Unicode mapping for gid00031 (3) in font MCBCCO+SourceSansRoman-Bold WARN No Unicode mapping for gid00028 (4) in font MCBCCO+SourceSansRoman-Bold WARN No Unicode mapping for gid00047 (5) in font MCBCCO+SourceSansRoman-Bold WARN No Unicode mapping for gid00032 (6) in font MCBCCO+SourceSansRoman-Bold WARN No Unicode mapping for gid00046 (7) in font MCBCCO+SourceSansRoman-Bold WARN No Unicode mapping for rests.3 (2) in font SSNMYL+Emmentaler-18 WARN Using fallback font 'LiberationSans-Bold' for 'TimesNewRomanPS-BoldMT' WARN Using fallback font 'LiberationSerif-Italic' for 'TimesNewRomanPS-ItalicMT' WARN Using fallback font 'LiberationSerif-Italic' for 'TimesNewRomanPS-ItalicMT' WARN No Unicode mapping for 49 (78) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for C122 (122) in font OKDIBC+AdvPSTim WARN No Unicode mapping for 11 (40) in font CCBONJ+Palatino-Roman WARN Using fallback font 'LiberationSerif-BoldItalic' for 'TimesNewRomanPS-BoldItalicMT' FILE: cache/work_pexfi5us2fdinhhrwu7zjh32ui.pdf OUTPUT: txt/work_pexfi5us2fdinhhrwu7zjh32ui.txt WARN No Unicode mapping for C128 (128) in font OKDIBC+AdvPSTim WARN No Unicode mapping for 57 (86) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for 50 (79) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for 41 (70) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for 39 (68) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for 48 (77) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for 12 (41) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for 51 (80) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for 42 (71) in font CCBONJ+Palatino-Roman WARN Using fallback font 'LiberationSerif-Italic' for 'TimesNewRomanPS-ItalicMT' WARN No Unicode mapping for 54 (83) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for 45 (74) in font CCBONJ+Palatino-Roman WARN Using fallback font 'LiberationSerif-Bold' for 'TimesNewRomanPS-BoldMT' WARN FeatureRecord array not alphabetically sorted by FeatureTag: init < isol WARN Using fallback font 'LiberationSerif' for 'TimesNewRomanPSMT' WARN Using fallback font 'LiberationSerif-Italic' for 'TimesNewRomanPS-ItalicMT' WARN No Unicode mapping for clefs.G (3) in font SSNMYL+Emmentaler-18 WARN No Unicode mapping for G4C (2) in font GMDBIK+MSTT31c4c302 WARN No Unicode mapping for accidentals.sharp (4) in font SSNMYL+Emmentaler-18 WARN No Unicode mapping for CID+641 (641) in font OEKFBF+PalatinoLinotype-Bold WARN No Unicode mapping for CID+627 (627) in font OEKFBF+PalatinoLinotype-Bold WARN No Unicode mapping for CID+645 (645) in font OEKFBF+PalatinoLinotype-Bold WARN No Unicode mapping for 38 (67) in font CCBONK+Palatino-Italic WARN No Unicode mapping for 82 (111) in font CCBONK+Palatino-Italic WARN No Unicode mapping for 85 (114) in font CCBONK+Palatino-Italic WARN No Unicode mapping for 83 (112) in font CCBONK+Palatino-Italic WARN No Unicode mapping for 88 (117) in font CCBONK+Palatino-Italic WARN No Unicode mapping for 86 (115) in font CCBONK+Palatino-Italic WARN No Unicode mapping for 3 (32) in font CCBONK+Palatino-Italic WARN No Unicode mapping for 47 (76) in font CCBONK+Palatino-Italic WARN No Unicode mapping for 76 (105) in font CCBONK+Palatino-Italic WARN No Unicode mapping for 69 (98) in font CCBONK+Palatino-Italic WARN No Unicode mapping for CID+671 (671) in font OEKFBF+PalatinoLinotype-Bold WARN No Unicode mapping for 80 (109) in font CCBONK+Palatino-Italic WARN No Unicode mapping for 40 (69) in font CCBONK+Palatino-Italic WARN No Unicode mapping for C50 (50) in font OKDIBG+AdvPSTim-B WARN No Unicode mapping for C68 (68) in font OKDIBG+AdvPSTim-B WARN No Unicode mapping for C174 (174) in font OKDIBG+AdvPSTim-B WARN No Unicode mapping for C108 (108) in font OKDIBG+AdvPSTim-B WARN No Unicode mapping for C101 (101) in font OKDIBG+AdvPSTim-B WARN No Unicode mapping for C109 (109) in font OKDIBG+AdvPSTim-B WARN No Unicode mapping for C102 (102) in font OKDIBG+AdvPSTim-B WARN No Unicode mapping for C120 (120) in font OKDIBG+AdvPSTim-B WARN No Unicode mapping for C63 (63) in font OKDIBG+AdvPSTim-B WARN Using fallback font LiberationSans for AkzidenzGroteskBE-Regular WARN No Unicode mapping for .notdef (0) in font Times-Roman WARN Using fallback font LiberationSans-Bold for AkzidenzGroteskBE-Bold WARN No Unicode mapping for C213 (213) in font OKDIBK+AdvPSMP1 WARN No Unicode mapping for C77 (77) in font OKDIBC+AdvPSTim WARN No Unicode mapping for 79 (108) in font CCBONK+Palatino-Italic WARN No Unicode mapping for 72 (101) in font CCBONK+Palatino-Italic WARN No Unicode mapping for 68 (97) in font CCBONK+Palatino-Italic WARN No Unicode mapping for 87 (116) in font CCBONK+Palatino-Italic WARN No Unicode mapping for 29 (58) in font CCBONK+Palatino-Italic WARN No Unicode mapping for CID+636 (636) in font OEKFBF+PalatinoLinotype-Bold WARN No Unicode mapping for C83 (83) in font OKDIBE+AdvPSTim-I WARN No Unicode mapping for C87 (87) in font OKDIBE+AdvPSTim-I WARN No Unicode mapping for C47 (47) in font OKDIBE+AdvPSTim-I WARN No Unicode mapping for C107 (107) in font OKDIBE+AdvPSTim-I WARN No Unicode mapping for C38 (38) in font OKDIBE+AdvPSTim-I WARN No Unicode mapping for C50 (50) in font OKDIBE+AdvPSTim-I WARN No Unicode mapping for C52 (52) in font OKDIBE+AdvPSTim-I WARN No Unicode mapping for C40 (40) in font OKDIBE+AdvPSTim-I WARN No Unicode mapping for C41 (41) in font OKDIBE+AdvPSTim-I WARN No Unicode mapping for C49 (49) in font OKDIBE+AdvPSTim-I WARN No Unicode mapping for C51 (51) in font OKDIBE+AdvPSTim-I WARN No Unicode mapping for C177 (177) in font OKDIBE+AdvPSTim-I WARN No Unicode mapping for C53 (53) in font OKDIBE+AdvPSTim-I WARN No Unicode mapping for 55 (84) in font CCBONK+Palatino-Italic WARN No Unicode mapping for 75 (104) in font CCBONK+Palatino-Italic WARN No Unicode mapping for 45 (74) in font CCBONK+Palatino-Italic WARN No Unicode mapping for 54 (83) in font CCBONK+Palatino-Italic WARN Using fallback font 'LiberationSerif-Italic' for 'TimesNewRomanPS-ItalicMT' WARN No Unicode mapping for CID+623 (623) in font OEKFBF+PalatinoLinotype-Bold WARN No Unicode mapping for CID+633 (633) in font OEKFBF+PalatinoLinotype-Bold WARN No Unicode mapping for 29 (58) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for G25 (0) in font T2 WARN No Unicode mapping for noteheads.s2 (136) in font SEHGNW+Emmentaler-18 WARN No Unicode mapping for CID+617 (617) in font OEKFBF+PalatinoLinotype-Bold WARN No Unicode mapping for CID+657 (657) in font OEKFBF+PalatinoLinotype-Bold WARN No Unicode mapping for 52 (81) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for 183 (146) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for CID+661 (661) in font OEKFBF+PalatinoLinotype-Bold WARN No Unicode mapping for CID+658 (658) in font OEKFBF+PalatinoLinotype-Bold WARN No Unicode mapping for accidentals.sharp (0) in font SEHGNW+Emmentaler-18 WARN No Unicode mapping for CID+646 (646) in font OELILA+PalatinoLinotype-BoldItalic WARN No Unicode mapping for CID+745 (745) in font OELILA+PalatinoLinotype-BoldItalic WARN No Unicode mapping for CID+711 (711) in font OELILA+PalatinoLinotype-BoldItalic WARN No Unicode mapping for rests.3 (1) in font SEHGNW+Emmentaler-18 WARN No Unicode mapping for CID+739 (739) in font OELILA+PalatinoLinotype-BoldItalic WARN No Unicode mapping for rests.2 (2) in font SEHGNW+Emmentaler-18 WARN No Unicode mapping for rests.1 (3) in font SEHGNW+Emmentaler-18 WARN No Unicode mapping for CID+720 (720) in font OEKFBF+PalatinoLinotype-Bold WARN No Unicode mapping for CID+725 (725) in font OEKFBF+PalatinoLinotype-Bold WARN No Unicode mapping for CID+711 (711) in font OEKFBF+PalatinoLinotype-Bold WARN No Unicode mapping for CID+750 (750) in font OEKFBF+PalatinoLinotype-Bold FILE: cache/work_ry5mcwiveba6dgoasw46g6keb4.pdf OUTPUT: txt/work_ry5mcwiveba6dgoasw46g6keb4.txt WARN No Unicode mapping for CID+729 (729) in font OEKFBF+PalatinoLinotype-Bold WARN No Unicode mapping for CID+692 (692) in font OEKFBF+PalatinoLinotype-Bold WARN No Unicode mapping for CID+1109 (1109) in font OFPGFJ+PalatinoLinotype-Bold WARN No Unicode mapping for CID+1119 (1119) in font OFPGFJ+PalatinoLinotype-Bold WARN No Unicode mapping for CID+1116 (1116) in font OFPGFJ+PalatinoLinotype-Bold WARN No Unicode mapping for CID+1123 (1123) in font OFPGFJ+PalatinoLinotype-Bold WARN No Unicode mapping for CID+1121 (1121) in font OFPGFJ+PalatinoLinotype-Bold WARN No Unicode mapping for CID+1106 (1106) in font OFPGFJ+PalatinoLinotype-Bold WARN No Unicode mapping for 47 (76) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for CID+1104 (1104) in font OFPGFJ+PalatinoLinotype-Bold WARN Using fallback font 'LiberationSans' for 'TimesNewRomanPS-ItalicMT' WARN No Unicode mapping for clefs.F (4) in font SEHGNW+Emmentaler-18 WARN No Unicode mapping for timesig.C22 (5) in font SEHGNW+Emmentaler-18 FILE: cache/work_xbxv2eifcnartasdwmxzgfgize.pdf OUTPUT: txt/work_xbxv2eifcnartasdwmxzgfgize.txt WARN No Unicode mapping for flags.d3 (6) in font SEHGNW+Emmentaler-18 WARN No Unicode mapping for noteheads.s2 (136) in font ODYAJZ+Emmentaler-18 WARN No Unicode mapping for accidentals.flat (0) in font ODYAJZ+Emmentaler-18 WARN No Unicode mapping for accidentals.sharp (1) in font ODYAJZ+Emmentaler-18 WARN No Unicode mapping for accidentals.natural (2) in font ODYAJZ+Emmentaler-18 WARN No Unicode mapping for noteheads.s0 (3) in font ODYAJZ+Emmentaler-18 WARN No Unicode mapping for clefs.G_change (4) in font ODYAJZ+Emmentaler-18 WARN No Unicode mapping for clefs.F (5) in font ODYAJZ+Emmentaler-18 WARN No Unicode mapping for C129 (129) in font OKDIBC+AdvPSTim FILE: cache/work_ehwi7qloo5h3vjbkgirnt54ghe.pdf OUTPUT: txt/work_ehwi7qloo5h3vjbkgirnt54ghe.txt WARN No Unicode mapping for C72 (72) in font OKDIBC+AdvPSTim WARN No Unicode mapping for CID+286 (286) in font OEJPDO+PalatinoLinotype-Roman FILE: cache/work_wuuwbyygjjfo7gy5eapkoymyme.pdf OUTPUT: txt/work_wuuwbyygjjfo7gy5eapkoymyme.txt WARN No Unicode mapping for noteheads.s2 (113) in font MNNIBE+Emmentaler-20 WARN No Unicode mapping for C85 (85) in font OKDIBC+AdvPSTim WARN No Unicode mapping for CID+622 (622) in font OEJPOB+PalatinoLinotype-Italic WARN No Unicode mapping for CID+693 (693) in font OEJPOB+PalatinoLinotype-Italic WARN No Unicode mapping for flags.d3 (0) in font MNNIBE+Emmentaler-20 WARN No Unicode mapping for 58 (87) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for clefs.G (1) in font MNNIBE+Emmentaler-20 WARN No Unicode mapping for accidentals.sharp (2) in font MNNIBE+Emmentaler-20 FILE: cache/work_4yq5lfilrvehva57tkohluu5py.pdf OUTPUT: txt/work_4yq5lfilrvehva57tkohluu5py.txt WARN No Unicode mapping for C37 (37) in font OKDIBC+AdvPSTim WARN No Unicode mapping for noteheads.s2 (136) in font FRRRVT+Emmentaler-20 WARN No Unicode mapping for accidentals.flat (0) in font FRRRVT+Emmentaler-20 WARN No Unicode mapping for rests.2 (1) in font FRRRVT+Emmentaler-20 WARN No Unicode mapping for rests.3 (2) in font FRRRVT+Emmentaler-20 WARN No Unicode mapping for accidentals.natural (3) in font FRRRVT+Emmentaler-20 WARN No Unicode mapping for flags.u3 (4) in font FRRRVT+Emmentaler-20 WARN No Unicode mapping for timesig.C22 (5) in font FRRRVT+Emmentaler-20 WARN No Unicode mapping for clefs.G (6) in font FRRRVT+Emmentaler-20 WARN No Unicode mapping for accidentals.sharp (7) in font FRRRVT+Emmentaler-20 WARN Using fallback font LiberationSans for Symbol WARN No Unicode mapping for noteheads.s2 (113) in font SSNMYL+Emmentaler-20 WARN No Unicode mapping for flags.u3 (0) in font SSNMYL+Emmentaler-20 WARN No Unicode mapping for rests.3 (1) in font SSNMYL+Emmentaler-20 WARN No Unicode mapping for rests.2 (2) in font SSNMYL+Emmentaler-20 WARN No Unicode mapping for clefs.G (3) in font SSNMYL+Emmentaler-20 WARN No Unicode mapping for accidentals.sharp (4) in font SSNMYL+Emmentaler-20 FILE: cache/work_gkz7ucesfjhfriqrnx6s2bljby.pdf OUTPUT: txt/work_gkz7ucesfjhfriqrnx6s2bljby.txt FILE: cache/work_ufv32ww5bngx7dh6zyt3wleakm.pdf OUTPUT: txt/work_ufv32ww5bngx7dh6zyt3wleakm.txt WARN No Unicode mapping for noteheads.s2 (136) in font FRRRVT+Emmentaler-20 WARN No Unicode mapping for accidentals.flat (0) in font FRRRVT+Emmentaler-20 WARN No Unicode mapping for accidentals.sharp (1) in font FRRRVT+Emmentaler-20 WARN No Unicode mapping for accidentals.natural (2) in font FRRRVT+Emmentaler-20 FILE: cache/work_os7b5xzzijcohk4ar765rwgdqa.pdf OUTPUT: txt/work_os7b5xzzijcohk4ar765rwgdqa.txt WARN No Unicode mapping for rests.3 (3) in font FRRRVT+Emmentaler-20 WARN No Unicode mapping for flags.d3 (4) in font FRRRVT+Emmentaler-20 WARN No Unicode mapping for scripts.sforzato (5) in font FRRRVT+Emmentaler-20 WARN No Unicode mapping for clefs.F (6) in font FRRRVT+Emmentaler-20 WARN No Unicode mapping for timesig.C22 (7) in font FRRRVT+Emmentaler-20 WARN No Unicode mapping for C175 (175) in font OKDIBC+AdvPSTim WARN No Unicode mapping for C78 (78) in font OKDIBC+AdvPSTim WARN No Unicode mapping for C79 (79) in font OKDIBC+AdvPSTim FILE: cache/work_v4ojoji4lffv5itqqzzcv7szhy.pdf OUTPUT: txt/work_v4ojoji4lffv5itqqzzcv7szhy.txt FILE: cache/work_hovjdokejfachpds22cfi7zocu.pdf OUTPUT: txt/work_hovjdokejfachpds22cfi7zocu.txt WARN No Unicode mapping for 57 (86) in font CCBONK+Palatino-Italic FILE: cache/work_ruutfcfqgzbg3j5niezqauyrqi.pdf OUTPUT: txt/work_ruutfcfqgzbg3j5niezqauyrqi.txt FILE: cache/work_jirzlkcuwfadfpag73tdsojqxe.pdf OUTPUT: txt/work_jirzlkcuwfadfpag73tdsojqxe.txt WARN No Unicode mapping for noteheads.s2 (113) in font AVFXGG+Emmentaler-20 WARN No Unicode mapping for noteheads.s1 (0) in font AVFXGG+Emmentaler-20 WARN No Unicode mapping for dots.dot (1) in font AVFXGG+Emmentaler-20 WARN No Unicode mapping for accidentals.natural (2) in font AVFXGG+Emmentaler-20 WARN No Unicode mapping for flags.u3 (3) in font AVFXGG+Emmentaler-20 WARN No Unicode mapping for accidentals.flat (4) in font AVFXGG+Emmentaler-20 WARN No Unicode mapping for clefs.G (5) in font AVFXGG+Emmentaler-20 WARN No Unicode mapping for noteheads.s2 (113) in font UFRRAK+Emmentaler-20 WARN No Unicode mapping for 70 (99) in font CCBONK+Palatino-Italic WARN No Unicode mapping for 81 (110) in font CCBONK+Palatino-Italic WARN No Unicode mapping for accidentals.sharp (0) in font UFRRAK+Emmentaler-20 WARN No Unicode mapping for 71 (100) in font CCBONK+Palatino-Italic WARN No Unicode mapping for clefs.C (1) in font UFRRAK+Emmentaler-20 WARN No Unicode mapping for 73 (102) in font CCBONK+Palatino-Italic WARN No Unicode mapping for 12 (41) in font CCBONK+Palatino-Italic WARN No Unicode mapping for noteheads.s2 (136) in font IOJVCD+Emmentaler-20 WARN No Unicode mapping for timesig.C22 (0) in font IOJVCD+Emmentaler-20 WARN No Unicode mapping for clefs.C (1) in font IOJVCD+Emmentaler-20 WARN No Unicode mapping for 53 (82) in font CCBONK+Palatino-Italic WARN No Unicode mapping for 39 (68) in font CCBONK+Palatino-Italic WARN No Unicode mapping for 183 (146) in font CCBONK+Palatino-Italic WARN No Unicode mapping for Flower3hbl (1) in font NHGKIA+FournierOrnamentsMT WARN No Unicode mapping for 36 (65) in font CCBONK+Palatino-Italic WARN No Unicode mapping for 89 (118) in font CCBONK+Palatino-Italic WARN No Unicode mapping for 77 (106) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for 51 (80) in font CCBONK+Palatino-Italic WARN No Unicode mapping for 78 (107) in font CCBONK+Palatino-Italic WARN No Unicode mapping for noteheads.s2 (113) in font QOHRPT+Emmentaler-20 FILE: cache/work_4vn4hrfyd5daxpwigzfdpbgt6m.pdf OUTPUT: txt/work_4vn4hrfyd5daxpwigzfdpbgt6m.txt WARN No Unicode mapping for flags.d3 (0) in font QOHRPT+Emmentaler-20 WARN No Unicode mapping for clefs.G (1) in font QOHRPT+Emmentaler-20 WARN No Unicode mapping for accidentals.flat (2) in font QOHRPT+Emmentaler-20 WARN No Unicode mapping for timesig.C44 (3) in font QOHRPT+Emmentaler-20 FILE: cache/work_myk5ygq5zzdhdcfxpeengep4x4.pdf OUTPUT: txt/work_myk5ygq5zzdhdcfxpeengep4x4.txt WARN No Unicode mapping for CID+36 (36) in font AMAMBA+mplus-2p-light-90pv-RKSJ-H WARN No Unicode mapping for 84 (113) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for CID+85 (85) in font AMAMBA+mplus-2p-light-90pv-RKSJ-H WARN No Unicode mapping for accidentals.flat (146) in font KRJDZE+Emmentaler-20 WARN No Unicode mapping for CID+70 (70) in font AMAMBA+mplus-2p-light-90pv-RKSJ-H WARN No Unicode mapping for CID+75 (75) in font AMAMBA+mplus-2p-light-90pv-RKSJ-H WARN No Unicode mapping for CID+76 (76) in font AMAMBA+mplus-2p-light-90pv-RKSJ-H WARN No Unicode mapping for CID+87 (87) in font AMAMBA+mplus-2p-light-90pv-RKSJ-H WARN No Unicode mapping for CID+72 (72) in font AMAMBA+mplus-2p-light-90pv-RKSJ-H WARN No Unicode mapping for CID+88 (88) in font AMAMBA+mplus-2p-light-90pv-RKSJ-H WARN No Unicode mapping for CID+68 (68) in font AMAMBA+mplus-2p-light-90pv-RKSJ-H WARN No Unicode mapping for CID+79 (79) in font AMAMBA+mplus-2p-light-90pv-RKSJ-H WARN No Unicode mapping for CID+3 (3) in font AMAMBA+mplus-2p-light-90pv-RKSJ-H WARN No Unicode mapping for CID+43 (43) in font AMAMBA+mplus-2p-light-90pv-RKSJ-H WARN No Unicode mapping for noteheads.s2 (0) in font KRJDZE+Emmentaler-20 WARN No Unicode mapping for CID+86 (86) in font AMAMBA+mplus-2p-light-90pv-RKSJ-H WARN No Unicode mapping for CID+82 (82) in font AMAMBA+mplus-2p-light-90pv-RKSJ-H WARN No Unicode mapping for rests.2 (1) in font KRJDZE+Emmentaler-20 WARN No Unicode mapping for clefs.G (2) in font KRJDZE+Emmentaler-20 WARN No Unicode mapping for timesig.C22 (3) in font KRJDZE+Emmentaler-20 WARN No Unicode mapping for 56 (85) in font CCBONK+Palatino-Italic WARN No Unicode mapping for 44 (73) in font CCBONK+Palatino-Italic WARN No Unicode mapping for 30 (59) in font CCBONJ+Palatino-Roman FILE: cache/work_5qvybg4ra5hwnfyupsyzufrwmq.pdf OUTPUT: txt/work_5qvybg4ra5hwnfyupsyzufrwmq.txt FILE: cache/work_fhbf5cez6veirdwino5xwyxh7e.pdf OUTPUT: txt/work_fhbf5cez6veirdwino5xwyxh7e.txt WARN No Unicode mapping for noteheads.s2 (113) in font MNNIBE+Emmentaler-20 WARN No Unicode mapping for dots.dot (0) in font MNNIBE+Emmentaler-20 FILE: cache/work_6nrkz7ek7vempc2qkibwkumwgm.pdf OUTPUT: txt/work_6nrkz7ek7vempc2qkibwkumwgm.txt WARN No Unicode mapping for accidentals.sharp (1) in font MNNIBE+Emmentaler-20 WARN No Unicode mapping for clefs.G (2) in font MNNIBE+Emmentaler-20 WARN No Unicode mapping for noteheads.s2 (113) in font UFRRAK+Emmentaler-20 FILE: cache/work_z4dw6ncg6jgbrcdugghkuhzskm.pdf OUTPUT: txt/work_z4dw6ncg6jgbrcdugghkuhzskm.txt INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) WARN No Unicode mapping for C63 (63) in font OKDIBC+AdvPSTim FILE: cache/work_qr7jfmppwffs5iza72ecrn5zua.pdf OUTPUT: txt/work_qr7jfmppwffs5iza72ecrn5zua.txt WARN No Unicode mapping for C212 (212) in font OKDIBK+AdvPSMP1 WARN Using fallback font 'LiberationSerif-Bold' for 'TimesNewRomanPS-BoldMT' WARN No Unicode mapping for accidentals.sharp (0) in font UFRRAK+Emmentaler-20 WARN No Unicode mapping for clefs.G (1) in font UFRRAK+Emmentaler-20 FILE: cache/work_4mn7mq6q2nfm3ocekkk6zfxqqi.pdf OUTPUT: txt/work_4mn7mq6q2nfm3ocekkk6zfxqqi.txt WARN No Unicode mapping for C51 (51) in font OKDIBG+AdvPSTim-B WARN No Unicode mapping for C82 (82) in font OKDIBG+AdvPSTim-B WARN No Unicode mapping for C107 (107) in font OKDIBG+AdvPSTim-B WARN No Unicode mapping for C103 (103) in font OKDIBG+AdvPSTim-B WARN No Unicode mapping for C112 (112) in font OKDIBG+AdvPSTim-B FILE: cache/work_y7qymig3vvh7fidm6gq5z35p2q.pdf OUTPUT: txt/work_y7qymig3vvh7fidm6gq5z35p2q.txt FILE: cache/work_zgb3juzm3vdv5fnvjnxiuqu474.pdf OUTPUT: txt/work_zgb3juzm3vdv5fnvjnxiuqu474.txt WARN No Unicode mapping for accidentals.flat (146) in font AUJSXI+Emmentaler-20 WARN No Unicode mapping for noteheads.s2 (0) in font AUJSXI+Emmentaler-20 WARN No Unicode mapping for scripts.sforzato (1) in font AUJSXI+Emmentaler-20 WARN No Unicode mapping for noteheads.s0 (2) in font AUJSXI+Emmentaler-20 WARN No Unicode mapping for clefs.G (3) in font AUJSXI+Emmentaler-20 WARN No Unicode mapping for timesig.C22 (4) in font AUJSXI+Emmentaler-20 WARN No Unicode mapping for accidentals.sharp (5) in font AUJSXI+Emmentaler-20 WARN No Unicode mapping for noteheads.s2 (136) in font SEHGNW+Emmentaler-20 WARN No Unicode mapping for accidentals.natural (0) in font SEHGNW+Emmentaler-20 WARN No Unicode mapping for accidentals.sharp (1) in font SEHGNW+Emmentaler-20 WARN No Unicode mapping for noteheads.s0 (2) in font SEHGNW+Emmentaler-20 WARN No Unicode mapping for rests.2 (3) in font SEHGNW+Emmentaler-20 WARN No Unicode mapping for clefs.G (4) in font SEHGNW+Emmentaler-20 WARN No Unicode mapping for timesig.C22 (5) in font SEHGNW+Emmentaler-20 WARN No Unicode mapping for accidentals.flat (6) in font SEHGNW+Emmentaler-20 FILE: cache/work_v5jlwtre7nbppakhjkhgs64pee.pdf OUTPUT: txt/work_v5jlwtre7nbppakhjkhgs64pee.txt FILE: cache/work_5p3wy3pevjbxtkty6shzdhdzj4.pdf OUTPUT: txt/work_5p3wy3pevjbxtkty6shzdhdzj4.txt WARN No Unicode mapping for G1A (19) in font GMDAAM+MSTT31c49a00 WARN No Unicode mapping for noteheads.s2 (136) in font ODYAJZ+Emmentaler-20 WARN No Unicode mapping for accidentals.sharp (0) in font ODYAJZ+Emmentaler-20 WARN No Unicode mapping for noteheads.s1 (1) in font ODYAJZ+Emmentaler-20 WARN No Unicode mapping for dots.dot (2) in font ODYAJZ+Emmentaler-20 FILE: cache/work_u5azmrjbpjebtkli6xtsgzzub4.pdf OUTPUT: txt/work_u5azmrjbpjebtkli6xtsgzzub4.txt FILE: cache/work_oy3ftqopknhmtpmoge7shadtxq.pdf OUTPUT: txt/work_oy3ftqopknhmtpmoge7shadtxq.txt FILE: cache/work_tmzvcrjuwvbw7hkyeexhmwwtru.pdf OUTPUT: txt/work_tmzvcrjuwvbw7hkyeexhmwwtru.txt FILE: cache/work_esyca52ph5f75dlhu4il5xlucm.pdf OUTPUT: txt/work_esyca52ph5f75dlhu4il5xlucm.txt FILE: cache/work_pzlnbowgpzejbdfcq4cilzge3i.pdf OUTPUT: txt/work_pzlnbowgpzejbdfcq4cilzge3i.txt WARN No Unicode mapping for noteheads.s0 (3) in font ODYAJZ+Emmentaler-20 WARN No Unicode mapping for clefs.G (4) in font ODYAJZ+Emmentaler-20 WARN No Unicode mapping for timesig.C22 (5) in font ODYAJZ+Emmentaler-20 WARN No Unicode mapping for accidentals.sharp (149) in font BRNYTP+Emmentaler-20 WARN No Unicode mapping for G5F (3) in font GMDBIK+MSTT31c4c302 WARN No Unicode mapping for noteheads.s2 (0) in font BRNYTP+Emmentaler-20 WARN No Unicode mapping for scripts.tenuto (1) in font BRNYTP+Emmentaler-20 WARN No Unicode mapping for scripts.sforzato (2) in font BRNYTP+Emmentaler-20 WARN No Unicode mapping for scripts.staccato (3) in font BRNYTP+Emmentaler-20 WARN No Unicode mapping for accidentals.natural (4) in font BRNYTP+Emmentaler-20 WARN No Unicode mapping for accidentals.flat (5) in font BRNYTP+Emmentaler-20 WARN No Unicode mapping for clefs.G (6) in font BRNYTP+Emmentaler-20 WARN No Unicode mapping for timesig.C22 (7) in font BRNYTP+Emmentaler-20 FILE: cache/work_b7x6bjt64rb6riqc2ejqbiwgwy.pdf OUTPUT: txt/work_b7x6bjt64rb6riqc2ejqbiwgwy.txt WARN No Unicode mapping for C94 (94) in font OKDPOM+AdvP4C4E59 INFO rmeta/text (autodetecting type) FILE: cache/work_nxmwb5nqgvfp7k6dzf4wioefeq.pdf OUTPUT: txt/work_nxmwb5nqgvfp7k6dzf4wioefeq.txt WARN No Unicode mapping for noteheads.s2 (113) in font EWOCLD+Emmentaler-20 FILE: cache/work_sr2bc33dajhlxhanjiuzdpoub4.pdf OUTPUT: txt/work_sr2bc33dajhlxhanjiuzdpoub4.txt FILE: cache/work_l6mafgyxrzcqbgqynnfwl22fx4.pdf OUTPUT: txt/work_l6mafgyxrzcqbgqynnfwl22fx4.txt WARN No Unicode mapping for scripts.sforzato (0) in font EWOCLD+Emmentaler-20 WARN No Unicode mapping for dots.dot (1) in font EWOCLD+Emmentaler-20 WARN No Unicode mapping for scripts.staccato (2) in font EWOCLD+Emmentaler-20 WARN No Unicode mapping for flags.d3 (3) in font EWOCLD+Emmentaler-20 WARN No Unicode mapping for scripts.tenuto (4) in font EWOCLD+Emmentaler-20 WARN No Unicode mapping for accidentals.sharp (5) in font EWOCLD+Emmentaler-20 WARN No Unicode mapping for clefs.G (6) in font EWOCLD+Emmentaler-20 WARN No Unicode mapping for noteheads.s2 (113) in font CRDETF+Emmentaler-20 WARN No Unicode mapping for flags.d3 (0) in font CRDETF+Emmentaler-20 WARN No Unicode mapping for scripts.staccato (1) in font CRDETF+Emmentaler-20 WARN No Unicode mapping for dots.dot (2) in font CRDETF+Emmentaler-20 WARN No Unicode mapping for accidentals.sharp (3) in font CRDETF+Emmentaler-20 WARN No Unicode mapping for clefs.G (4) in font CRDETF+Emmentaler-20 FILE: cache/work_zkhii3lg6jetxg52qkdsnxyww4.pdf OUTPUT: txt/work_zkhii3lg6jetxg52qkdsnxyww4.txt WARN No Unicode mapping for noteheads.s2 (113) in font SSNMYL+Emmentaler-20 WARN No Unicode mapping for dots.dot (0) in font SSNMYL+Emmentaler-20 WARN No Unicode mapping for noteheads.s1 (1) in font SSNMYL+Emmentaler-20 WARN No Unicode mapping for scripts.sforzato (2) in font SSNMYL+Emmentaler-20 WARN No Unicode mapping for clefs.G (3) in font SSNMYL+Emmentaler-20 WARN No Unicode mapping for accidentals.sharp (4) in font SSNMYL+Emmentaler-20 WARN No Unicode mapping for noteheads.s2 (113) in font KSQLSU+Emmentaler-20 FILE: cache/work_6kcmqr3er5f3jbrfbbcp2abkt4.pdf OUTPUT: txt/work_6kcmqr3er5f3jbrfbbcp2abkt4.txt WARN No Unicode mapping for dots.dot (0) in font KSQLSU+Emmentaler-20 WARN No Unicode mapping for CID+36 (36) in font MPVNSQ+mplus-2p-light-90pv-RKSJ-H WARN No Unicode mapping for CID+85 (85) in font MPVNSQ+mplus-2p-light-90pv-RKSJ-H WARN No Unicode mapping for noteheads.s1 (1) in font KSQLSU+Emmentaler-20 WARN No Unicode mapping for CID+70 (70) in font MPVNSQ+mplus-2p-light-90pv-RKSJ-H WARN No Unicode mapping for CID+75 (75) in font MPVNSQ+mplus-2p-light-90pv-RKSJ-H WARN No Unicode mapping for CID+76 (76) in font MPVNSQ+mplus-2p-light-90pv-RKSJ-H WARN No Unicode mapping for CID+87 (87) in font MPVNSQ+mplus-2p-light-90pv-RKSJ-H WARN No Unicode mapping for CID+72 (72) in font MPVNSQ+mplus-2p-light-90pv-RKSJ-H WARN No Unicode mapping for CID+88 (88) in font MPVNSQ+mplus-2p-light-90pv-RKSJ-H WARN No Unicode mapping for scripts.sforzato (2) in font KSQLSU+Emmentaler-20 WARN No Unicode mapping for clefs.G (3) in font KSQLSU+Emmentaler-20 WARN No Unicode mapping for accidentals.sharp (4) in font KSQLSU+Emmentaler-20 WARN No Unicode mapping for CID+68 (68) in font MPVNSQ+mplus-2p-light-90pv-RKSJ-H WARN No Unicode mapping for CID+79 (79) in font MPVNSQ+mplus-2p-light-90pv-RKSJ-H WARN No Unicode mapping for CID+3 (3) in font MPVNSQ+mplus-2p-light-90pv-RKSJ-H WARN No Unicode mapping for flags.d3 (5) in font KSQLSU+Emmentaler-20 WARN No Unicode mapping for accidentals.natural (6) in font KSQLSU+Emmentaler-20 WARN No Unicode mapping for CID+43 (43) in font MPVNSQ+mplus-2p-light-90pv-RKSJ-H WARN No Unicode mapping for CID+86 (86) in font MPVNSQ+mplus-2p-light-90pv-RKSJ-H WARN No Unicode mapping for CID+82 (82) in font MPVNSQ+mplus-2p-light-90pv-RKSJ-H WARN No Unicode mapping for T_h (187) in font WKZGJW+MinionPro-Regular WARN Using fallback font 'LiberationSerif' for 'TimesNewRomanPSMT' WARN Using fallback font 'LiberationSerif-Italic' for 'TimesNewRomanPS-ItalicMT' WARN No Unicode mapping for accidentals.sharp (126) in font YBXLFY+Emmentaler-20 WARN No Unicode mapping for noteheads.s2 (113) in font ACTAIB+Emmentaler-14 FILE: cache/work_i5nloprpffcgnfd4yvk42dc6qm.pdf OUTPUT: txt/work_i5nloprpffcgnfd4yvk42dc6qm.txt WARN No Unicode mapping for noteheads.s2 (0) in font YBXLFY+Emmentaler-20 INFO rmeta/text (autodetecting type) WARN No Unicode mapping for noteheads.s1 (1) in font YBXLFY+Emmentaler-20 WARN No Unicode mapping for flags.ugrace (0) in font ACTAIB+Emmentaler-14 WARN No Unicode mapping for flags.u3 (1) in font ACTAIB+Emmentaler-14 FILE: cache/work_ad3q2s4ahjflbhfb5xst3ni4ha.pdf OUTPUT: txt/work_ad3q2s4ahjflbhfb5xst3ni4ha.txt WARN No Unicode mapping for dots.dot (2) in font YBXLFY+Emmentaler-20 WARN No Unicode mapping for flags.d3 (3) in font YBXLFY+Emmentaler-20 WARN No Unicode mapping for clefs.G (4) in font YBXLFY+Emmentaler-20 WARN No Unicode mapping for timesig.C44 (5) in font YBXLFY+Emmentaler-20 WARN No Unicode mapping for CID+36 (36) in font MNKFHV+mplus-2p-light-90pv-RKSJ-H WARN No Unicode mapping for flags.u3 (6) in font YBXLFY+Emmentaler-20 WARN No Unicode mapping for CID+85 (85) in font MNKFHV+mplus-2p-light-90pv-RKSJ-H WARN No Unicode mapping for CID+70 (70) in font MNKFHV+mplus-2p-light-90pv-RKSJ-H WARN No Unicode mapping for CID+75 (75) in font MNKFHV+mplus-2p-light-90pv-RKSJ-H WARN No Unicode mapping for dots.dot (140) in font UEDPDY+Emmentaler-20 WARN No Unicode mapping for CID+76 (76) in font MNKFHV+mplus-2p-light-90pv-RKSJ-H WARN No Unicode mapping for CID+87 (87) in font MNKFHV+mplus-2p-light-90pv-RKSJ-H WARN No Unicode mapping for CID+72 (72) in font MNKFHV+mplus-2p-light-90pv-RKSJ-H WARN No Unicode mapping for CID+88 (88) in font MNKFHV+mplus-2p-light-90pv-RKSJ-H WARN No Unicode mapping for CID+68 (68) in font MNKFHV+mplus-2p-light-90pv-RKSJ-H WARN No Unicode mapping for CID+79 (79) in font MNKFHV+mplus-2p-light-90pv-RKSJ-H WARN No Unicode mapping for CID+3 (3) in font MNKFHV+mplus-2p-light-90pv-RKSJ-H WARN No Unicode mapping for CID+43 (43) in font MNKFHV+mplus-2p-light-90pv-RKSJ-H WARN No Unicode mapping for CID+86 (86) in font MNKFHV+mplus-2p-light-90pv-RKSJ-H WARN No Unicode mapping for CID+82 (82) in font MNKFHV+mplus-2p-light-90pv-RKSJ-H WARN No Unicode mapping for noteheads.s2 (0) in font UEDPDY+Emmentaler-20 WARN No Unicode mapping for noteheads.s2 (113) in font ACTAIB+Emmentaler-14 WARN No Unicode mapping for flags.ugrace (0) in font ACTAIB+Emmentaler-14 INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) WARN No Unicode mapping for flags.u3 (1) in font ACTAIB+Emmentaler-14 WARN No Unicode mapping for noteheads.s1 (1) in font UEDPDY+Emmentaler-20 WARN No Unicode mapping for rests.2 (2) in font UEDPDY+Emmentaler-20 WARN No Unicode mapping for clefs.G (3) in font UEDPDY+Emmentaler-20 WARN No Unicode mapping for noteheads.s2 (113) in font CRDETF+Emmentaler-20 WARN No Unicode mapping for noteheads.s2 (113) in font ACTAIB+Emmentaler-14 WARN No Unicode mapping for flags.ugrace (0) in font ACTAIB+Emmentaler-14 WARN No Unicode mapping for flags.u3 (1) in font ACTAIB+Emmentaler-14 WARN No Unicode mapping for noteheads.s1 (0) in font CRDETF+Emmentaler-20 WARN No Unicode mapping for dots.dot (1) in font CRDETF+Emmentaler-20 WARN No Unicode mapping for flags.d3 (2) in font CRDETF+Emmentaler-20 WARN No Unicode mapping for clefs.G (3) in font CRDETF+Emmentaler-20 WARN No Unicode mapping for timesig.C44 (4) in font CRDETF+Emmentaler-20 WARN No Unicode mapping for CID+1829 (1829) in font CGMEAP+CambriaMath WARN No Unicode mapping for CID+4666 (4666) in font CGMEAP+CambriaMath WARN No Unicode mapping for CID+1870 (1870) in font CGMEAP+CambriaMath WARN No Unicode mapping for CID+4667 (4667) in font CGMEAP+CambriaMath WARN No Unicode mapping for CID+1840 (1840) in font CGMEAP+CambriaMath WARN No Unicode mapping for CID+3533 (3533) in font CGMEAP+CambriaMath WARN No Unicode mapping for CID+3435 (3435) in font CGMEAP+CambriaMath WARN No Unicode mapping for CID+3627 (3627) in font CGMEAP+CambriaMath WARN No Unicode mapping for CID+1876 (1876) in font CGMEAP+CambriaMath WARN No Unicode mapping for CID+3038 (3038) in font CGMEAP+CambriaMath WARN No Unicode mapping for CID+3037 (3037) in font CGMEAP+CambriaMath WARN No Unicode mapping for CID+3439 (3439) in font CGMEAP+CambriaMath WARN No Unicode mapping for CID+3015 (3015) in font CGMEAP+CambriaMath WARN No Unicode mapping for CID+2880 (2880) in font CGMEAP+CambriaMath WARN No Unicode mapping for CID+2878 (2878) in font CGMEAP+CambriaMath WARN No Unicode mapping for CID+2869 (2869) in font CGMEAP+CambriaMath WARN No Unicode mapping for CID+2879 (2879) in font CGMEAP+CambriaMath WARN No Unicode mapping for CID+3005 (3005) in font CGMEAP+CambriaMath FILE: cache/work_uegvgzkllbc2bakiaenchdozoq.pdf OUTPUT: txt/work_uegvgzkllbc2bakiaenchdozoq.txt WARN No Unicode mapping for circlecopyrt (13) in font WEIJUK+CMSY9 WARN No Unicode mapping for accidentals.sharp (149) in font IKQCFI+Emmentaler-20 WARN No Unicode mapping for noteheads.s2 (0) in font IKQCFI+Emmentaler-20 WARN No Unicode mapping for rests.3 (1) in font IKQCFI+Emmentaler-20 WARN No Unicode mapping for accidentals.flat (2) in font IKQCFI+Emmentaler-20 WARN No Unicode mapping for accidentals.natural (3) in font IKQCFI+Emmentaler-20 WARN No Unicode mapping for clefs.G (4) in font IKQCFI+Emmentaler-20 WARN No Unicode mapping for noteheads.s2 (136) in font KDUYNH+Emmentaler-20 WARN No Unicode mapping for accidentals.flat (0) in font KDUYNH+Emmentaler-20 WARN No Unicode mapping for rests.3 (1) in font KDUYNH+Emmentaler-20 WARN No Unicode mapping for rests.2 (2) in font KDUYNH+Emmentaler-20 WARN No Unicode mapping for clefs.G (3) in font KDUYNH+Emmentaler-20 WARN No Unicode mapping for accidentals.natural (4) in font KDUYNH+Emmentaler-20 WARN No Unicode mapping for noteheads.s2 (113) in font YEMUVV+Emmentaler-20 WARN No Unicode mapping for accidentals.flat (0) in font YEMUVV+Emmentaler-20 WARN No Unicode mapping for scripts.tenuto (1) in font YEMUVV+Emmentaler-20 WARN No Unicode mapping for dots.dot (2) in font YEMUVV+Emmentaler-20 WARN No Unicode mapping for noteheads.s0 (3) in font YEMUVV+Emmentaler-20 WARN No Unicode mapping for clefs.G (4) in font YEMUVV+Emmentaler-20 WARN No Unicode mapping for scripts.tenuto (229) in font AGEVDK+Emmentaler-20 WARN No Unicode mapping for noteheads.s2 (0) in font AGEVDK+Emmentaler-20 WARN No Unicode mapping for accidentals.flat (1) in font AGEVDK+Emmentaler-20 WARN No Unicode mapping for noteheads.sM1 (2) in font AGEVDK+Emmentaler-20 FILE: cache/work_zwzwjzfvkzbczohm4s2xhsqjlu.pdf OUTPUT: txt/work_zwzwjzfvkzbczohm4s2xhsqjlu.txt WARN No Unicode mapping for clefs.G (3) in font AGEVDK+Emmentaler-20 WARN No Unicode mapping for G1C (20) in font GMDAAM+MSTT31c49a00 WARN No Unicode mapping for G26 (13) in font GMDAAK+MSTT31c4c300 WARN No Unicode mapping for G4F (14) in font GMDAAK+MSTT31c4c300 WARN No Unicode mapping for G45 (15) in font GMDAAK+MSTT31c4c300 WARN No Unicode mapping for G55 (16) in font GMDAAK+MSTT31c4c300 WARN No Unicode mapping for G4C (17) in font GMDAAK+MSTT31c4c300 WARN No Unicode mapping for G57 (18) in font GMDAAK+MSTT31c4c300 WARN No Unicode mapping for G53 (19) in font GMDAAK+MSTT31c4c300 WARN No Unicode mapping for G51 (20) in font GMDAAK+MSTT31c4c300 WARN No Unicode mapping for G4A (21) in font GMDAAK+MSTT31c4c300 WARN No Unicode mapping for G4B (22) in font GMDAAK+MSTT31c4c300 WARN No Unicode mapping for G4D (23) in font GMDAAK+MSTT31c4c300 WARN No Unicode mapping for G4E (24) in font GMDAAK+MSTT31c4c300 WARN No Unicode mapping for GB6 (25) in font GMDAAK+MSTT31c4c300 WARN No Unicode mapping for G5C (26) in font GMDAAK+MSTT31c4c300 WARN No Unicode mapping for G5A (27) in font GMDAAK+MSTT31c4c300 WARN No Unicode mapping for G25 (28) in font GMDAAK+MSTT31c4c300 WARN No Unicode mapping for G35 (29) in font GMDAAK+MSTT31c4c300 WARN No Unicode mapping for GFE (30) in font GMDAAK+MSTT31c4c300 WARN No Unicode mapping for GFC (31) in font GMDAAK+MSTT31c4c300 WARN No Unicode mapping for G0F (32) in font GMDAAK+MSTT31c4c300 WARN No Unicode mapping for G2E (33) in font GMDAAK+MSTT31c4c300 WARN No Unicode mapping for G36 (34) in font GMDAAK+MSTT31c4c300 WARN No Unicode mapping for G49 (35) in font GMDAAK+MSTT31c4c300 WARN No Unicode mapping for G46 (36) in font GMDAAK+MSTT31c4c300 WARN No Unicode mapping for G4E (9) in font GMDACM+MSTT31c4dd00 WARN No Unicode mapping for G56 (10) in font GMDACM+MSTT31c4dd00 WARN No Unicode mapping for G4C (11) in font GMDACM+MSTT31c4dd00 WARN No Unicode mapping for G50 (12) in font GMDACM+MSTT31c4dd00 WARN No Unicode mapping for G26 (13) in font GMDACM+MSTT31c4dd00 WARN No Unicode mapping for G55 (14) in font GMDACM+MSTT31c4dd00 WARN No Unicode mapping for G51 (15) in font GMDACM+MSTT31c4dd00 WARN No Unicode mapping for G52 (16) in font GMDACM+MSTT31c4dd00 WARN No Unicode mapping for G4D (17) in font GMDACM+MSTT31c4dd00 WARN No Unicode mapping for G59 (18) in font GMDACM+MSTT31c4dd00 WARN No Unicode mapping for GFC (19) in font GMDACM+MSTT31c4dd00 WARN No Unicode mapping for G2F (37) in font GMDAAK+MSTT31c4c300 WARN No Unicode mapping for G5D (38) in font GMDAAK+MSTT31c4c300 WARN No Unicode mapping for G28 (39) in font GMDAAK+MSTT31c4c300 WARN No Unicode mapping for G29 (40) in font GMDAAK+MSTT31c4c300 WARN No Unicode mapping for G2C (41) in font GMDAAK+MSTT31c4c300 WARN No Unicode mapping for G11 (42) in font GMDAAK+MSTT31c4c300 WARN No Unicode mapping for G14 (43) in font GMDAAK+MSTT31c4c300 WARN No Unicode mapping for G1C (44) in font GMDAAK+MSTT31c4c300 WARN No Unicode mapping for G18 (45) in font GMDAAK+MSTT31c4c300 WARN No Unicode mapping for G3C (46) in font GMDAAK+MSTT31c4c300 WARN No Unicode mapping for G0C (47) in font GMDAAK+MSTT31c4c300 WARN No Unicode mapping for G24 (48) in font GMDAAK+MSTT31c4c300 WARN No Unicode mapping for G5B (49) in font GMDAAK+MSTT31c4c300 WARN No Unicode mapping for G37 (50) in font GMDAAK+MSTT31c4c300 WARN No Unicode mapping for G27 (4) in font GMDBIK+MSTT31c4c302 FILE: cache/work_iki2vvxpqfal5efjldyadko75e.pdf OUTPUT: txt/work_iki2vvxpqfal5efjldyadko75e.txt FILE: cache/work_3usctspz3fdczcukjxotc5szda.pdf OUTPUT: txt/work_3usctspz3fdczcukjxotc5szda.txt FILE: cache/work_yldgzfjkfnbzvfmalok6jufe2m.pdf OUTPUT: txt/work_yldgzfjkfnbzvfmalok6jufe2m.txt WARN No Unicode mapping for G57 (20) in font GMDACM+MSTT31c4dd00 WARN No Unicode mapping for G58 (21) in font GMDACM+MSTT31c4dd00 WARN No Unicode mapping for G53 (22) in font GMDACM+MSTT31c4dd00 WARN No Unicode mapping for accidentals.flat (146) in font ELPWRY+Emmentaler-20 WARN No Unicode mapping for G2F (23) in font GMDACM+MSTT31c4dd00 WARN No Unicode mapping for G5D (24) in font GMDACM+MSTT31c4dd00 WARN No Unicode mapping for G2E (25) in font GMDACM+MSTT31c4dd00 WARN No Unicode mapping for G0B (26) in font GMDACM+MSTT31c4dd00 WARN No Unicode mapping for G45 (27) in font GMDACM+MSTT31c4dd00 WARN No Unicode mapping for G4A (28) in font GMDACM+MSTT31c4dd00 WARN No Unicode mapping for G2B (51) in font GMDAAK+MSTT31c4c300 WARN No Unicode mapping for G13 (52) in font GMDAAK+MSTT31c4c300 WARN No Unicode mapping for G1B (53) in font GMDAAK+MSTT31c4c300 WARN No Unicode mapping for GB1 (54) in font GMDAAK+MSTT31c4c300 WARN No Unicode mapping for G15 (55) in font GMDAAK+MSTT31c4c300 WARN No Unicode mapping for G19 (56) in font GMDAAK+MSTT31c4c300 WARN No Unicode mapping for G16 (57) in font GMDAAK+MSTT31c4c300 WARN No Unicode mapping for G3A (58) in font GMDAAK+MSTT31c4c300 WARN No Unicode mapping for noteheads.s2 (0) in font ELPWRY+Emmentaler-20 WARN No Unicode mapping for scripts.tenuto (1) in font ELPWRY+Emmentaler-20 WARN No Unicode mapping for noteheads.s0 (2) in font ELPWRY+Emmentaler-20 WARN No Unicode mapping for dots.dot (3) in font ELPWRY+Emmentaler-20 WARN No Unicode mapping for noteheads.sM1 (4) in font ELPWRY+Emmentaler-20 WARN No Unicode mapping for noteheads.s1 (5) in font ELPWRY+Emmentaler-20 WARN No Unicode mapping for clefs.G (6) in font ELPWRY+Emmentaler-20 WARN No Unicode mapping for flat (91) in font QEIUZN+CMMI10 FILE: cache/work_wdrxjtxdrnainozlqto6nz7yui.pdf OUTPUT: txt/work_wdrxjtxdrnainozlqto6nz7yui.txt FILE: cache/work_hteicaa3v5d6jomnlfdp3z26va.pdf OUTPUT: txt/work_hteicaa3v5d6jomnlfdp3z26va.txt FILE: cache/work_d5y4aqzokjcc3phil2x4tv2fo4.pdf OUTPUT: txt/work_d5y4aqzokjcc3phil2x4tv2fo4.txt FILE: cache/work_tqetgmsdn5cqphtaxo2wr4npqa.pdf OUTPUT: txt/work_tqetgmsdn5cqphtaxo2wr4npqa.txt FILE: cache/work_trwoaakoerd2fbrjccyp64slnq.pdf OUTPUT: txt/work_trwoaakoerd2fbrjccyp64slnq.txt FILE: cache/work_dlope6rpsneh5dhqdzdooc4bz4.pdf OUTPUT: txt/work_dlope6rpsneh5dhqdzdooc4bz4.txt FILE: cache/work_g65xqir3knbavogwi7usd6j4ca.pdf OUTPUT: txt/work_g65xqir3knbavogwi7usd6j4ca.txt FILE: cache/work_nhz5ecipg5bvvm2ba4w3drfocy.pdf OUTPUT: txt/work_nhz5ecipg5bvvm2ba4w3drfocy.txt FILE: cache/work_dk4udckmizdihepdk7mplrlsfi.pdf OUTPUT: txt/work_dk4udckmizdihepdk7mplrlsfi.txt WARN No Unicode mapping for G14 (21) in font GMDAAM+MSTT31c49a00 WARN No Unicode mapping for G50 (59) in font GMDAAK+MSTT31c4c300 FILE: cache/work_lxjpyn2kz5cstgbzqotozaaybu.pdf OUTPUT: txt/work_lxjpyn2kz5cstgbzqotozaaybu.txt WARN No Unicode mapping for C52 (52) in font OKDIBG+AdvPSTim-B WARN No Unicode mapping for C72 (72) in font OKDIBG+AdvPSTim-B WARN No Unicode mapping for C119 (119) in font OKDIBG+AdvPSTim-B WARN No Unicode mapping for C104 (104) in font OKDIBG+AdvPSTim-B FILE: cache/work_ols2ay4xmza6bpkgbiosmxtua4.pdf OUTPUT: txt/work_ols2ay4xmza6bpkgbiosmxtua4.txt INFO rmeta/text (autodetecting type) WARN No Unicode mapping for g41 (1) in font GXQVTB+Arial,Bold WARN No Unicode mapping for g76 (2) in font GXQVTB+Arial,Bold WARN No Unicode mapping for g74 (3) in font GXQVTB+Arial,Bold WARN No Unicode mapping for g88 (4) in font GXQVTB+Arial,Bold WARN No Unicode mapping for g85 (5) in font GXQVTB+Arial,Bold WARN No Unicode mapping for g72 (6) in font GXQVTB+Arial,Bold WARN Using fallback font 'LiberationSerif' for 'TimesNewRomanPSMT' WARN No Unicode mapping for g3 (7) in font GXQVTB+Arial,Bold WARN No Unicode mapping for g70 (8) in font GXQVTB+Arial,Bold WARN No Unicode mapping for g68 (9) in font GXQVTB+Arial,Bold WARN No Unicode mapping for g83 (10) in font GXQVTB+Arial,Bold WARN No Unicode mapping for g87 (11) in font GXQVTB+Arial,Bold WARN No Unicode mapping for g82 (12) in font GXQVTB+Arial,Bold WARN No Unicode mapping for g81 (13) in font GXQVTB+Arial,Bold WARN No Unicode mapping for g86 (14) in font GXQVTB+Arial,Bold WARN No Unicode mapping for g17 (15) in font GXQVTB+Arial,Bold WARN No Unicode mapping for g20 (16) in font GXQVTB+Arial,Bold WARN No Unicode mapping for g47 (17) in font GXQVTB+Arial,Bold WARN No Unicode mapping for g71 (18) in font GXQVTB+Arial,Bold WARN No Unicode mapping for g182 (19) in font GXQVTB+Arial,Bold WARN No Unicode mapping for g75 (20) in font GXQVTB+Arial,Bold WARN No Unicode mapping for g79 (21) in font GXQVTB+Arial,Bold WARN No Unicode mapping for g78 (22) in font GXQVTB+Arial,Bold WARN No Unicode mapping for g11 (23) in font GXQVTB+Arial,Bold FILE: cache/work_uyjrfome6ffefcympfp5impcri.pdf OUTPUT: txt/work_uyjrfome6ffefcympfp5impcri.txt FILE: cache/work_mjpp5mayqrdhrezz5rgdde775e.pdf OUTPUT: txt/work_mjpp5mayqrdhrezz5rgdde775e.txt WARN No Unicode mapping for g91 (24) in font GXQVTB+Arial,Bold WARN No Unicode mapping for g24 (25) in font GXQVTB+Arial,Bold WARN No Unicode mapping for g19 (26) in font GXQVTB+Arial,Bold WARN No Unicode mapping for g12 (27) in font GXQVTB+Arial,Bold WARN No Unicode mapping for g37 (28) in font GXQVTB+Arial,Bold WARN No Unicode mapping for g69 (29) in font GXQVTB+Arial,Bold WARN No Unicode mapping for g53 (30) in font GXQVTB+Arial,Bold WARN No Unicode mapping for g73 (31) in font GXQVTB+Arial,Bold WARN No Unicode mapping for g55 (32) in font GXQVTB+Arial,Bold WARN No Unicode mapping for g21 (33) in font GXQVTB+Arial,Bold WARN No Unicode mapping for g51 (34) in font GXQVTB+Arial,Bold WARN No Unicode mapping for g36 (35) in font GXQVTB+Arial,Bold WARN Using fallback font 'LiberationSerif-Italic' for 'TimesNewRomanPS-ItalicMT' WARN No Unicode mapping for g92 (36) in font GXQVTB+Arial,Bold WARN No Unicode mapping for g89 (37) in font GXQVTB+Arial,Bold WARN No Unicode mapping for g90 (38) in font GXQVTB+Arial,Bold WARN No Unicode mapping for g38 (39) in font GXQVTB+Arial,Bold FILE: cache/work_qnfhx6hv5nec7jyitp6cnj6ouq.pdf OUTPUT: txt/work_qnfhx6hv5nec7jyitp6cnj6ouq.txt WARN No Unicode mapping for g16 (40) in font GXQVTB+Arial,Bold WARN No Unicode mapping for g44 (41) in font GXQVTB+Arial,Bold WARN No Unicode mapping for g80 (42) in font GXQVTB+Arial,Bold WARN No Unicode mapping for g15 (43) in font GXQVTB+Arial,Bold FILE: cache/work_q5vz4q44pnd5dggy4rb2kysqry.pdf OUTPUT: txt/work_q5vz4q44pnd5dggy4rb2kysqry.txt FILE: cache/work_horvale6ffhqxftvos5h6sbdcy.pdf OUTPUT: txt/work_horvale6ffhqxftvos5h6sbdcy.txt WARN No Unicode mapping for g58 (44) in font GXQVTB+Arial,Bold FILE: cache/work_i5x3h53suva4fbl447zliyfrae.pdf OUTPUT: txt/work_i5x3h53suva4fbl447zliyfrae.txt WARN No Unicode mapping for CID+3006 (3006) in font CGMEAP+CambriaMath WARN No Unicode mapping for CID+3018 (3018) in font CGMEAP+CambriaMath WARN No Unicode mapping for CID+3002 (3002) in font CGMEAP+CambriaMath WARN No Unicode mapping for CID+2868 (2868) in font CGMEAP+CambriaMath FILE: cache/work_iym3pjsemzdphla4lfngvq4efu.pdf OUTPUT: txt/work_iym3pjsemzdphla4lfngvq4efu.txt WARN No Unicode mapping for CID+3250 (3250) in font CGMEAP+CambriaMath WARN No Unicode mapping for CID+3254 (3254) in font CGMEAP+CambriaMath WARN No Unicode mapping for CID+3266 (3266) in font CGMEAP+CambriaMath WARN No Unicode mapping for CID+2028 (2028) in font CGMEAP+CambriaMath WARN No Unicode mapping for CID+1872 (1872) in font CGMEAP+CambriaMath WARN No Unicode mapping for C2 (2) in font IGABKH+AdvP4C4E74 WARN No Unicode mapping for g22 (45) in font GXQVTB+Arial,Bold WARN No Unicode mapping for g56 (46) in font GXQVTB+Arial,Bold WARN No Unicode mapping for g42 (47) in font GXQVTB+Arial,Bold WARN No Unicode mapping for g48 (48) in font GXQVTB+Arial,Bold FILE: cache/work_2fcjnshhyrbvtjjp5auvwein7m.pdf OUTPUT: txt/work_2fcjnshhyrbvtjjp5auvwein7m.txt FILE: cache/work_i76yt642ujezlfkcjljtu3dpeu.pdf OUTPUT: txt/work_i76yt642ujezlfkcjljtu3dpeu.txt WARN No Unicode mapping for g23 (49) in font GXQVTB+Arial,Bold WARN No Unicode mapping for g29 (50) in font GXQVTB+Arial,Bold WARN No Unicode mapping for g18 (51) in font GXQVTB+Arial,Bold WARN No Unicode mapping for g93 (52) in font GXQVTB+Arial,Bold WARN No Unicode mapping for g50 (53) in font GXQVTB+Arial,Bold WARN No Unicode mapping for g25 (54) in font GXQVTB+Arial,Bold WARN No Unicode mapping for CID+1830 (1830) in font CGMEAP+CambriaMath WARN No Unicode mapping for CID+3047 (3047) in font CGMEAP+CambriaMath WARN No Unicode mapping for CID+3046 (3046) in font CGMEAP+CambriaMath WARN No Unicode mapping for g26 (55) in font GXQVTB+Arial,Bold WARN No Unicode mapping for g34 (56) in font GXQVTB+Arial,Bold WARN No Unicode mapping for noteheads.s2 (113) in font EWOCLD+Emmentaler-20 WARN No Unicode mapping for G16 (22) in font GMDAAM+MSTT31c49a00 WARN No Unicode mapping for flags.d3 (0) in font EWOCLD+Emmentaler-20 WARN No Unicode mapping for dots.dot (1) in font EWOCLD+Emmentaler-20 WARN No Unicode mapping for rests.3 (2) in font EWOCLD+Emmentaler-20 WARN No Unicode mapping for rests.2 (3) in font EWOCLD+Emmentaler-20 WARN No Unicode mapping for flags.u3 (4) in font EWOCLD+Emmentaler-20 WARN No Unicode mapping for clefs.G (5) in font EWOCLD+Emmentaler-20 WARN No Unicode mapping for accidentals.sharp (6) in font EWOCLD+Emmentaler-20 WARN No Unicode mapping for G15 (5) in font GMDBIK+MSTT31c4c302 WARN No Unicode mapping for noteheads.s2 (113) in font MNNIBE+Emmentaler-20 WARN No Unicode mapping for flags.d3 (0) in font MNNIBE+Emmentaler-20 WARN No Unicode mapping for G0B (60) in font GMDAAK+MSTT31c4c300 WARN No Unicode mapping for accidentals.sharp (1) in font MNNIBE+Emmentaler-20 WARN No Unicode mapping for clefs.G (2) in font MNNIBE+Emmentaler-20 WARN No Unicode mapping for noteheads.s2 (113) in font KSFIIC+Emmentaler-20 WARN Using fallback font 'LiberationSans-Bold' for 'TimesNewRomanPS-BoldItalicMT' WARN No Unicode mapping for scripts.staccato (0) in font KSFIIC+Emmentaler-20 WARN No Unicode mapping for G15 (3) in font GMDACN+MSTT31c4dd02 WARN No Unicode mapping for G0F (29) in font GMDACM+MSTT31c4dd00 WARN No Unicode mapping for scripts.sforzato (1) in font KSFIIC+Emmentaler-20 WARN No Unicode mapping for clefs.C (2) in font KSFIIC+Emmentaler-20 WARN No Unicode mapping for accidentals.sharp (3) in font KSFIIC+Emmentaler-20 WARN No Unicode mapping for G17 (23) in font GMDAAM+MSTT31c49a00 WARN No Unicode mapping for dots.dot (140) in font YVMPOO+Emmentaler-20 WARN No Unicode mapping for noteheads.s1 (0) in font YVMPOO+Emmentaler-20 WARN No Unicode mapping for clefs.F (1) in font YVMPOO+Emmentaler-20 WARN No Unicode mapping for noteheads.s2 (136) in font SEHGNW+Emmentaler-20 WARN No Unicode mapping for flags.u3 (0) in font SEHGNW+Emmentaler-20 WARN No Unicode mapping for accidentals.flat (1) in font SEHGNW+Emmentaler-20 WARN No Unicode mapping for rests.2 (2) in font SEHGNW+Emmentaler-20 WARN No Unicode mapping for rests.3 (3) in font SEHGNW+Emmentaler-20 WARN No Unicode mapping for accidentals.natural (4) in font SEHGNW+Emmentaler-20 WARN No Unicode mapping for clefs.F (5) in font SEHGNW+Emmentaler-20 WARN No Unicode mapping for timesig.C22 (6) in font SEHGNW+Emmentaler-20 WARN No Unicode mapping for noteheads.s2 (113) in font CRDETF+Emmentaler-20 WARN No Unicode mapping for accidentals.flat (0) in font CRDETF+Emmentaler-20 WARN No Unicode mapping for accidentals.natural (1) in font CRDETF+Emmentaler-20 WARN No Unicode mapping for accidentals.sharp (2) in font CRDETF+Emmentaler-20 WARN No Unicode mapping for clefs.G (3) in font CRDETF+Emmentaler-20 WARN No Unicode mapping for timesig.C22 (4) in font CRDETF+Emmentaler-20 WARN No Unicode mapping for accidentals.sharp (126) in font KVJAJB+Emmentaler-20 WARN No Unicode mapping for noteheads.s2 (0) in font KVJAJB+Emmentaler-20 WARN No Unicode mapping for accidentals.natural (1) in font KVJAJB+Emmentaler-20 WARN No Unicode mapping for clefs.G (2) in font KVJAJB+Emmentaler-20 WARN No Unicode mapping for noteheads.s2 (113) in font SJPRIV+Emmentaler-20 WARN No Unicode mapping for accidentals.natural (0) in font SJPRIV+Emmentaler-20 WARN No Unicode mapping for accidentals.flat (1) in font SJPRIV+Emmentaler-20 WARN No Unicode mapping for clefs.G (2) in font SJPRIV+Emmentaler-20 WARN No Unicode mapping for noteheads.s2 (113) in font SJPRIV+Emmentaler-20 WARN No Unicode mapping for accidentals.flat (0) in font SJPRIV+Emmentaler-20 WARN No Unicode mapping for accidentals.natural (1) in font SJPRIV+Emmentaler-20 WARN No Unicode mapping for clefs.G (2) in font SJPRIV+Emmentaler-20 WARN No Unicode mapping for noteheads.s2 (113) in font ACTAIB+Emmentaler-20 WARN No Unicode mapping for rests.3 (0) in font ACTAIB+Emmentaler-20 WARN No Unicode mapping for timesig.C44 (1) in font ACTAIB+Emmentaler-20 FILE: cache/work_ib4rdxhlmzebfmtcojbi66vzee.pdf OUTPUT: txt/work_ib4rdxhlmzebfmtcojbi66vzee.txt FILE: cache/work_rwgjb345uvewhm5mvv6nleheze.pdf OUTPUT: txt/work_rwgjb345uvewhm5mvv6nleheze.txt FILE: cache/work_yantpzjp55fjleepome37s3ebq.pdf OUTPUT: txt/work_yantpzjp55fjleepome37s3ebq.txt FILE: cache/work_3r2nuqzigrab7f2wwf7zhiewvy.pdf OUTPUT: txt/work_3r2nuqzigrab7f2wwf7zhiewvy.txt FILE: cache/work_tnifay4bqvdujbaznehu5bdk6y.pdf OUTPUT: txt/work_tnifay4bqvdujbaznehu5bdk6y.txt FILE: cache/work_abyopwfy7bdqrmyjftzhera3ta.pdf OUTPUT: txt/work_abyopwfy7bdqrmyjftzhera3ta.txt FILE: cache/work_obgl6bfkznbjflzkss7kklejty.pdf OUTPUT: txt/work_obgl6bfkznbjflzkss7kklejty.txt FILE: cache/work_uyaacz3etfczbeyf5kv4zknoeq.pdf OUTPUT: txt/work_uyaacz3etfczbeyf5kv4zknoeq.txt FILE: cache/work_roslztnlnjgkrd7xaqhm7hv3ra.pdf OUTPUT: txt/work_roslztnlnjgkrd7xaqhm7hv3ra.txt FILE: cache/work_7jnmq62lqja3fihdcs4dtpiqem.pdf OUTPUT: txt/work_7jnmq62lqja3fihdcs4dtpiqem.txt FILE: cache/work_efogy2z3xraqley6pzrxa7de34.pdf OUTPUT: txt/work_efogy2z3xraqley6pzrxa7de34.txt FILE: cache/work_ot6x6baiqbdq5eglzaufd5sqmi.pdf OUTPUT: txt/work_ot6x6baiqbdq5eglzaufd5sqmi.txt FILE: cache/work_6s4msdtx4vfczafcudxtckassi.pdf OUTPUT: txt/work_6s4msdtx4vfczafcudxtckassi.txt WARN No Unicode mapping for rests.0 (37) in font UGKJDN+Emmentaler-20 WARN No Unicode mapping for rests.3 (0) in font UGKJDN+Emmentaler-20 WARN No Unicode mapping for rests.1 (1) in font UGKJDN+Emmentaler-20 WARN No Unicode mapping for noteheads.s1 (2) in font UGKJDN+Emmentaler-20 WARN No Unicode mapping for dots.dot (3) in font UGKJDN+Emmentaler-20 WARN No Unicode mapping for brace178 (72) in font IKVQAE+Emmentaler-Brace WARN No Unicode mapping for clefs.G (4) in font UGKJDN+Emmentaler-20 WARN No Unicode mapping for clefs.F (5) in font UGKJDN+Emmentaler-20 WARN No Unicode mapping for noteheads.s2 (113) in font SVHOIY+Emmentaler-20 WARN No Unicode mapping for scripts.sforzato (0) in font SVHOIY+Emmentaler-20 WARN No Unicode mapping for rests.1 (1) in font SVHOIY+Emmentaler-20 WARN No Unicode mapping for rests.3 (2) in font SVHOIY+Emmentaler-20 WARN No Unicode mapping for clefs.F (3) in font SVHOIY+Emmentaler-20 FILE: cache/work_x4i7iyt2nfgflhp6fvb5j7rn64.pdf OUTPUT: txt/work_x4i7iyt2nfgflhp6fvb5j7rn64.txt INFO rmeta/text (autodetecting type) WARN No Unicode mapping for dots.dot (140) in font DINIKC+Emmentaler-20 WARN No Unicode mapping for noteheads.s2 (0) in font DINIKC+Emmentaler-20 WARN No Unicode mapping for rests.3 (1) in font DINIKC+Emmentaler-20 WARN No Unicode mapping for rests.2 (2) in font DINIKC+Emmentaler-20 WARN No Unicode mapping for rests.0 (3) in font DINIKC+Emmentaler-20 WARN No Unicode mapping for scripts.ufermata (4) in font DINIKC+Emmentaler-20 WARN No Unicode mapping for brace178 (72) in font IKVQAE+Emmentaler-Brace WARN No Unicode mapping for clefs.G (5) in font DINIKC+Emmentaler-20 WARN No Unicode mapping for accidentals.sharp (6) in font DINIKC+Emmentaler-20 WARN No Unicode mapping for clefs.F (7) in font DINIKC+Emmentaler-20 FILE: cache/work_dbwq3dz3anfjflwo5s36pxljky.pdf OUTPUT: txt/work_dbwq3dz3anfjflwo5s36pxljky.txt WARN No Unicode mapping for noteheads.sM1 (21) in font KFYOYR+Emmentaler-20 WARN No Unicode mapping for scripts.ufermata (0) in font KFYOYR+Emmentaler-20 WARN No Unicode mapping for clefs.F (1) in font KFYOYR+Emmentaler-20 WARN No Unicode mapping for clefs.G (2) in font KFYOYR+Emmentaler-20 WARN No Unicode mapping for brace178 (72) in font IKVQAE+Emmentaler-Brace WARN No Unicode mapping for accidentals.flat (3) in font KFYOYR+Emmentaler-20 FILE: cache/work_bfrrlmigfnhzhggc2cuezcljxa.pdf OUTPUT: txt/work_bfrrlmigfnhzhggc2cuezcljxa.txt FILE: cache/work_wv2nvn2pnrciffhqagw72nvhce.pdf OUTPUT: txt/work_wv2nvn2pnrciffhqagw72nvhce.txt INFO rmeta/text (autodetecting type) FILE: cache/work_aoifggeqlrgk7d6buxutwn3yhu.pdf OUTPUT: txt/work_aoifggeqlrgk7d6buxutwn3yhu.txt FILE: cache/work_idshhfihwjhvxdn2ngjcnjbuxy.pdf OUTPUT: txt/work_idshhfihwjhvxdn2ngjcnjbuxy.txt WARN No Unicode mapping for enc-56 (56) in font FJOPPV+bbding FILE: cache/work_pv5awjcgvfdazezkkpwam7a5km.pdf OUTPUT: txt/work_pv5awjcgvfdazezkkpwam7a5km.txt WARN Using fallback font 'LiberationSerif-BoldItalic' for 'TimesNewRomanPS-BoldItalicMT' FILE: cache/work_wdkwaratwfb7rkoeqx43oagjui.pdf OUTPUT: txt/work_wdkwaratwfb7rkoeqx43oagjui.txt FILE: cache/work_bkg2zwivxjd3bnu6imzeg3czta.pdf OUTPUT: txt/work_bkg2zwivxjd3bnu6imzeg3czta.txt FILE: cache/work_caqpdvdtuzb5xbtde2wwhgd4ym.pdf OUTPUT: txt/work_caqpdvdtuzb5xbtde2wwhgd4ym.txt INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) FILE: cache/work_zmgsvhaywbb7dlar6ad4yheey4.pdf OUTPUT: txt/work_zmgsvhaywbb7dlar6ad4yheey4.txt WARN No Unicode mapping for accidentals.natural (54) in font YWZAMO+Emmentaler-20 WARN No Unicode mapping for noteheads.s2 (0) in font YWZAMO+Emmentaler-20 WARN No Unicode mapping for accidentals.sharp (1) in font YWZAMO+Emmentaler-20 WARN No Unicode mapping for accidentals.flat (2) in font YWZAMO+Emmentaler-20 WARN No Unicode mapping for noteheads.s0 (3) in font YWZAMO+Emmentaler-20 WARN No Unicode mapping for rests.2 (4) in font YWZAMO+Emmentaler-20 WARN No Unicode mapping for clefs.G (5) in font YWZAMO+Emmentaler-20 WARN No Unicode mapping for timesig.C22 (6) in font YWZAMO+Emmentaler-20 WARN No Unicode mapping for noteheads.s2 (113) in font KSFIIC+Emmentaler-20 WARN No Unicode mapping for scripts.sforzato (0) in font KSFIIC+Emmentaler-20 WARN No Unicode mapping for flags.d3 (1) in font KSFIIC+Emmentaler-20 WARN No Unicode mapping for clefs.G (2) in font KSFIIC+Emmentaler-20 WARN No Unicode mapping for accidentals.sharp (3) in font KSFIIC+Emmentaler-20 WARN No Unicode mapping for accidentals.natural (54) in font YXEEVT+Emmentaler-20 WARN No Unicode mapping for noteheads.s2 (113) in font MKMKTK+Emmentaler-11 WARN No Unicode mapping for accidentals.sharp (0) in font YXEEVT+Emmentaler-20 WARN No Unicode mapping for accidentals.flat 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in font AJIPDO+TimesNewRoman WARN No Unicode mapping for 21 (50) in font AJIPDO+TimesNewRoman WARN No Unicode mapping for 51 (80) in font AJIPDO+TimesNewRoman WARN No Unicode mapping for 80 (109) in font AJIPDO+TimesNewRoman WARN No Unicode mapping for 77 (106) in font AJIPDO+TimesNewRoman WARN No Unicode mapping for 19 (48) in font AJIPDO+TimesNewRoman WARN No Unicode mapping for 24 (53) in font AJIPDO+TimesNewRoman FILE: cache/work_m2f36fqj7bam3iaw2e7t7hydgq.pdf OUTPUT: txt/work_m2f36fqj7bam3iaw2e7t7hydgq.txt WARN No Unicode mapping for 50 (79) in font AJJAMC+TimesNewRoman,Bold WARN No Unicode mapping for 49 (78) in font AJJAMC+TimesNewRoman,Bold WARN No Unicode mapping for 3 (32) in font AJJAMC+TimesNewRoman,Bold WARN No Unicode mapping for 48 (77) in font AJJAMC+TimesNewRoman,Bold WARN No Unicode mapping for 39 (68) in font AJJAMC+TimesNewRoman,Bold WARN No Unicode mapping for 40 (69) in font AJJAMC+TimesNewRoman,Bold WARN No Unicode mapping for 53 (82) in font AJJAMC+TimesNewRoman,Bold WARN No Unicode mapping for 44 (73) in font AJJAMC+TimesNewRoman,Bold WARN No Unicode mapping for 55 (84) in font AJJAMC+TimesNewRoman,Bold WARN No Unicode mapping for 60 (89) in font AJJAMC+TimesNewRoman,Bold WARN No Unicode mapping for 42 (71) in font AJJAMC+TimesNewRoman,Bold WARN No Unicode mapping for 36 (65) in font AJJAMC+TimesNewRoman,Bold WARN No Unicode mapping for 47 (76) in font AJJAMC+TimesNewRoman,Bold WARN No Unicode mapping for 43 (72) in font AJJAMC+TimesNewRoman,Bold WARN No Unicode mapping for 37 (66) in font AJJAMC+TimesNewRoman,Bold WARN No Unicode mapping for 54 (83) in font AJJAMC+TimesNewRoman,Bold WARN No Unicode mapping for 38 (67) in font AJJAMC+TimesNewRoman,Bold WARN No Unicode mapping for 21 (50) in font AJJAMC+TimesNewRoman,Bold WARN No Unicode mapping for 19 (48) in font AJJAMC+TimesNewRoman,Bold WARN No Unicode mapping for 56 (85) in font AJJAMC+TimesNewRoman,Bold WARN No Unicode mapping for 177 (150) in font AJJAMC+TimesNewRoman,Bold WARN No Unicode mapping for 41 (70) in font AJJAMC+TimesNewRoman,Bold WARN No Unicode mapping for 58 (87) in font AJJAMC+TimesNewRoman,Bold WARN No Unicode mapping for 80 (109) in font AJJAMC+TimesNewRoman,Bold WARN No Unicode mapping for 82 (111) in font AJJAMC+TimesNewRoman,Bold WARN No Unicode mapping for 71 (100) in font AJJAMC+TimesNewRoman,Bold WARN No Unicode mapping for 72 (101) in font AJJAMC+TimesNewRoman,Bold WARN No Unicode mapping for 85 (114) in font AJJAMC+TimesNewRoman,Bold WARN No Unicode mapping for 81 (110) in font AJJAMC+TimesNewRoman,Bold WARN No Unicode mapping for 86 (115) in font AJJAMC+TimesNewRoman,Bold WARN No Unicode mapping for 87 (116) in font AJJAMC+TimesNewRoman,Bold WARN No Unicode mapping for 76 (105) in font AJJAMC+TimesNewRoman,Bold WARN No Unicode mapping for 88 (117) in font AJJAMC+TimesNewRoman,Bold WARN No Unicode mapping for 83 (112) in font AJJAMC+TimesNewRoman,Bold WARN No Unicode mapping for 227 (154) in font AJJAMC+TimesNewRoman,Bold WARN No Unicode mapping for 74 (103) in font AJJAMC+TimesNewRoman,Bold WARN No Unicode mapping for 79 (108) in font AJJAMC+TimesNewRoman,Bold WARN No Unicode mapping for 68 (97) in font AJJAMC+TimesNewRoman,Bold WARN No Unicode mapping for 89 (118) in font AJJAMC+TimesNewRoman,Bold WARN No Unicode mapping for 78 (107) in font AJJAMC+TimesNewRoman,Bold WARN No Unicode mapping for 69 (98) in font AJJAMC+TimesNewRoman,Bold WARN No Unicode mapping for 77 (106) in font AJJAMC+TimesNewRoman,Bold WARN No Unicode mapping for 59 (88) in font AJJAMC+TimesNewRoman,Bold WARN No Unicode mapping for 36 (65) in font AJIPDO+TimesNewRoman WARN No Unicode mapping for 55 (84) in font AJIPDO+TimesNewRoman WARN No Unicode mapping for 53 (82) in font AJIPDO+TimesNewRoman WARN No Unicode mapping for 50 (79) in font AJIOGJ+TimesNewRoman,Italic WARN No Unicode mapping for 89 (118) in font AJIOGJ+TimesNewRoman,Italic WARN No Unicode mapping for 77 (106) in font AJIOGJ+TimesNewRoman,Italic WARN No Unicode mapping for 71 (100) in font AJIOGJ+TimesNewRoman,Italic WARN No Unicode mapping for 81 (110) in font AJIOGJ+TimesNewRoman,Italic WARN No Unicode mapping for 76 (105) in font AJIOGJ+TimesNewRoman,Italic WARN No Unicode mapping for 15 (44) in font AJIOGJ+TimesNewRoman,Italic WARN No Unicode mapping for 83 (112) in font AJIOGJ+TimesNewRoman,Italic WARN No Unicode mapping for 73 (102) in font AJIOGJ+TimesNewRoman,Italic WARN No Unicode mapping for 70 (99) in font AJIOGJ+TimesNewRoman,Italic WARN No Unicode mapping for 82 (111) in font AJIOGJ+TimesNewRoman,Italic WARN No Unicode mapping for 80 (109) in font AJIOGJ+TimesNewRoman,Italic WARN No Unicode mapping for 86 (115) in font AJIOGJ+TimesNewRoman,Italic WARN No Unicode mapping for 87 (116) in font AJIOGJ+TimesNewRoman,Italic WARN No Unicode mapping for 78 (107) in font AJIOGJ+TimesNewRoman,Italic INFO rmeta/text (autodetecting type) WARN No Unicode mapping for 74 (103) in font AJIOGJ+TimesNewRoman,Italic WARN No Unicode mapping for 227 (154) in font AJIOGJ+TimesNewRoman,Italic WARN No Unicode mapping for 18 (47) in font AJIOGJ+TimesNewRoman,Italic WARN No Unicode mapping for 75 (104) in font AJIOGJ+TimesNewRoman,Italic WARN No Unicode mapping for 177 (150) in font AJIOGJ+TimesNewRoman,Italic WARN No Unicode mapping for 69 (98) in font AJIOGJ+TimesNewRoman,Italic WARN No Unicode mapping for 17 (46) in font AJIOGJ+TimesNewRoman,Italic WARN No Unicode mapping for 61 (90) in font AJIOGJ+TimesNewRoman,Italic WARN No Unicode mapping for 16 (45) in font AJIOGJ+TimesNewRoman,Italic WARN No Unicode mapping for 54 (83) in font AJIOGJ+TimesNewRoman,Italic WARN No Unicode mapping for 47 (76) in font AJIPDO+TimesNewRoman WARN No Unicode mapping for 45 (74) in font AJIPDO+TimesNewRoman WARN No Unicode mapping for 49 (78) in font AJIPDO+TimesNewRoman WARN No Unicode mapping for 40 (69) in font AJIPDO+TimesNewRoman WARN No Unicode mapping for 38 (67) in font AJIPDO+TimesNewRoman WARN No Unicode mapping for 90 (119) in font AJIOGJ+TimesNewRoman,Italic WARN No Unicode mapping for 92 (121) in font AJIOGJ+TimesNewRoman,Italic WARN No Unicode mapping for 91 (120) in font AJIOGJ+TimesNewRoman,Italic WARN No Unicode mapping for 21 (50) in font AJIOGJ+TimesNewRoman,Italic WARN No Unicode mapping for 19 (48) in font AJIOGJ+TimesNewRoman,Italic WARN No Unicode mapping for 60 (89) in font AJIPDO+TimesNewRoman WARN No Unicode mapping for 58 (87) in font AJIPDO+TimesNewRoman WARN No Unicode mapping for 50 (79) in font AJIPDO+TimesNewRoman WARN No Unicode mapping for 27 (56) in font AJIPDO+TimesNewRoman WARN No Unicode mapping for 42 (71) in font AJIPDO+TimesNewRoman WARN No Unicode mapping for 15 (44) in font AJIPDO+TimesNewRoman WARN No Unicode mapping for 57 (86) in font AJIPDO+TimesNewRoman WARN No Unicode mapping for 59 (88) in font AJIPDO+TimesNewRoman WARN No Unicode mapping for 11 (40) in font AJIPDO+TimesNewRoman WARN No Unicode mapping for 12 (41) in font AJIPDO+TimesNewRoman WARN No Unicode mapping for 131 (176) in font AJIPDO+TimesNewRoman WARN No Unicode mapping for 70 (99) in font AJJAMC+TimesNewRoman,Bold WARN No Unicode mapping for 92 (121) in font AJJAMC+TimesNewRoman,Bold WARN No Unicode mapping for 83 (112) in font AJIPDO+TimesNewRoman WARN No Unicode mapping for 69 (98) in font AJIPDO+TimesNewRoman WARN No Unicode mapping for 61 (90) in font AJIPDO+TimesNewRoman WARN No Unicode mapping for 90 (119) in font AJIPDO+TimesNewRoman WARN No Unicode mapping for 16 (45) in font AJIPDO+TimesNewRoman WARN No Unicode mapping for 30 (59) in font AJIPDO+TimesNewRoman WARN No Unicode mapping for 34 (63) in font AJIPDO+TimesNewRoman WARN No Unicode mapping for 91 (120) in font AJIPDO+TimesNewRoman WARN No Unicode mapping for 41 (70) in font AJIPDO+TimesNewRoman WARN No Unicode mapping for 18 (47) in font AJIPDO+TimesNewRoman WARN No Unicode mapping for 28 (57) in font AJIPDO+TimesNewRoman WARN No Unicode mapping for 13 (42) in font AJIPDO+TimesNewRoman WARN No Unicode mapping for 179 (147) in font AJIPDO+TimesNewRoman WARN No Unicode mapping for 180 (148) in font AJIPDO+TimesNewRoman WARN No Unicode mapping for 53 (82) in font AJIOGJ+TimesNewRoman,Italic WARN No Unicode mapping for 48 (77) in font AJIOGJ+TimesNewRoman,Italic WARN No Unicode mapping for 44 (73) in font AJIOGJ+TimesNewRoman,Italic WARN No Unicode mapping for 38 (67) in font AJIOGJ+TimesNewRoman,Italic WARN No Unicode mapping for 84 (113) in font AJIOGJ+TimesNewRoman,Italic WARN No Unicode mapping for 171 (133) in font AJIOGJ+TimesNewRoman,Italic WARN No Unicode mapping for 43 (72) in font AJIOGJ+TimesNewRoman,Italic WARN No Unicode mapping for 36 (65) in font AJIOGJ+TimesNewRoman,Italic WARN No Unicode mapping for 178 (151) in font AJIPDO+TimesNewRoman WARN No Unicode mapping for 84 (113) in font AJIPDO+TimesNewRoman WARN No Unicode mapping for 177 (150) in font AJIPDO+TimesNewRoman WARN No Unicode mapping for 226 (138) in font AJIPDO+TimesNewRoman WARN No Unicode mapping for 227 (154) in font AJIPDO+TimesNewRoman WARN No Unicode mapping for 179 (147) in font AJIOGJ+TimesNewRoman,Italic WARN No Unicode mapping for 58 (87) in font AJIOGJ+TimesNewRoman,Italic WARN No Unicode mapping for 34 (63) in font AJIOGJ+TimesNewRoman,Italic WARN No Unicode mapping for 180 (148) in font AJIOGJ+TimesNewRoman,Italic WARN No Unicode mapping for 26 (55) in font AJIPDO+TimesNewRoman WARN No Unicode mapping for .notdef (31) in font AJIPDO+TimesNewRoman WARN No Unicode mapping for 75 (104) in font AJJAMC+TimesNewRoman,Bold WARN No Unicode mapping for 34 (63) in font AJJAMC+TimesNewRoman,Bold WARN No Unicode mapping for 43 (72) in font AJIPDO+TimesNewRoman WARN No Unicode mapping for 171 (133) in font AJIPDO+TimesNewRoman WARN No Unicode mapping for 182 (146) in font AJIPDO+TimesNewRoman WARN No Unicode mapping for 11 (40) in font AJIOGJ+TimesNewRoman,Italic WARN No Unicode mapping for 12 (41) in font AJIOGJ+TimesNewRoman,Italic WARN No Unicode mapping for 4 (33) in font AJIPDO+TimesNewRoman WARN No Unicode mapping for 40 (69) in font AJIOGJ+TimesNewRoman,Italic WARN No Unicode mapping for 39 (68) in font AJIOGJ+TimesNewRoman,Italic WARN No Unicode mapping for 49 (78) in font AJIOGJ+TimesNewRoman,Italic WARN Using fallback font 'LiberationSans' for 'Helvetica,Italic' WARN No Unicode mapping for 47 (76) in font AJIOGJ+TimesNewRoman,Italic WARN No Unicode mapping for 41 (70) in font AJIOGJ+TimesNewRoman,Italic WARN No Unicode mapping for 112 (233) in font AJIOGJ+TimesNewRoman,Italic WARN No Unicode mapping for 129 (252) in font AJIPDO+TimesNewRoman WARN No Unicode mapping for 42 (71) in font AJIOGJ+TimesNewRoman,Italic WARN No Unicode mapping for 51 (80) in font AJIOGJ+TimesNewRoman,Italic WARN No Unicode mapping for 37 (66) in font AJIOGJ+TimesNewRoman,Italic WARN No Unicode mapping for 9 (38) in font AJIPDO+TimesNewRoman WARN No Unicode mapping for 229 (158) in font AJIOGJ+TimesNewRoman,Italic WARN No Unicode mapping for 8 (37) in font AJIPDO+TimesNewRoman WARN No Unicode mapping for 52 (81) in font AJIPDO+TimesNewRoman WARN No Unicode mapping for 29 (58) in font AJIOGJ+TimesNewRoman,Italic WARN No Unicode mapping for 181 (145) in font AJIPDO+TimesNewRoman WARN No Unicode mapping for 113 (232) in font AJIPDO+TimesNewRoman WARN No Unicode mapping for 73 (102) in font AJJAMC+TimesNewRoman,Bold WARN No Unicode mapping for 112 (233) in font AJIPDO+TimesNewRoman WARN No Unicode mapping for 45 (74) in font AJIOGJ+TimesNewRoman,Italic WARN No Unicode mapping for 229 (158) in font AJIPDO+TimesNewRoman INFO rmeta/text (autodetecting type) WARN No Unicode mapping for 129 (252) in font AJIOGJ+TimesNewRoman,Italic FILE: cache/work_c4asicxnznajxesvk5bugp6h7m.pdf OUTPUT: txt/work_c4asicxnznajxesvk5bugp6h7m.txt WARN No Unicode mapping for 57 (86) in font AJIOGJ+TimesNewRoman,Italic WARN No Unicode mapping for 182 (146) in font AJIOGJ+TimesNewRoman,Italic WARN No Unicode mapping for 20 (49) in font AJIOGJ+TimesNewRoman,Italic WARN No Unicode mapping for 28 (57) in font AJIOGJ+TimesNewRoman,Italic WARN No Unicode mapping for 27 (56) in font AJIOGJ+TimesNewRoman,Italic WARN No Unicode mapping for 60 (89) in font AJIOGJ+TimesNewRoman,Italic WARN No Unicode mapping for 59 (88) in font AJIOGJ+TimesNewRoman,Italic FILE: cache/work_3ke7io55efeldayk6hk4hnl3oq.pdf OUTPUT: txt/work_3ke7io55efeldayk6hk4hnl3oq.txt FILE: cache/work_uzvdqp4onfcyvnrs4zwgek6uhq.pdf OUTPUT: txt/work_uzvdqp4onfcyvnrs4zwgek6uhq.txt FILE: cache/work_6ybfo7zywfawtd3uofeupgblzu.pdf OUTPUT: txt/work_6ybfo7zywfawtd3uofeupgblzu.txt INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) WARN No Unicode mapping for H11001 (2) in font JMMAGH+Universal-GreekwithMathPi WARN No Unicode mapping for H6017 (2) in font JMMBKI+MathematicalPi-Five WARN No Unicode mapping for H6126 (3) in font JMMBKI+MathematicalPi-Five INFO rmeta/text (autodetecting type) FILE: cache/work_wfqyk7gcknhtvh3nnbvwmo7som.pdf OUTPUT: txt/work_wfqyk7gcknhtvh3nnbvwmo7som.txt FILE: cache/work_m3i3hil7izdihmzeqeyi4patpy.pdf OUTPUT: txt/work_m3i3hil7izdihmzeqeyi4patpy.txt FILE: cache/work_mj6gddx2gvahljmx7zncknrfty.pdf OUTPUT: txt/work_mj6gddx2gvahljmx7zncknrfty.txt INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) FILE: cache/work_zory6omi2rfmfhalmlvsxawxay.pdf OUTPUT: txt/work_zory6omi2rfmfhalmlvsxawxay.txt INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) FILE: cache/work_gy6fgu7wujb3raw3bi3fxueoxa.pdf OUTPUT: txt/work_gy6fgu7wujb3raw3bi3fxueoxa.txt INFO rmeta/text (autodetecting type) FILE: cache/work_2ek3xaxdxrfjpkbn6jiq5urmfa.pdf OUTPUT: txt/work_2ek3xaxdxrfjpkbn6jiq5urmfa.txt FILE: cache/work_avyg4gyd6bfltgr3kmkwgu5y4y.pdf OUTPUT: txt/work_avyg4gyd6bfltgr3kmkwgu5y4y.txt INFO rmeta/text (autodetecting type) FILE: cache/work_2gt4hsltvfbthnbnnqxti5hdze.pdf OUTPUT: txt/work_2gt4hsltvfbthnbnnqxti5hdze.txt FILE: cache/work_zvsqlfg3uzblfj4jt5vv32ykfi.pdf OUTPUT: txt/work_zvsqlfg3uzblfj4jt5vv32ykfi.txt FILE: cache/work_j7nmsf55djdspckwocsp3zum5e.pdf OUTPUT: txt/work_j7nmsf55djdspckwocsp3zum5e.txt INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) FILE: cache/work_2hnsj5pbofa3rpnjg7kat4meca.pdf OUTPUT: txt/work_2hnsj5pbofa3rpnjg7kat4meca.txt INFO rmeta/text (autodetecting type) WARN Using fallback font 'LiberationSerif' for 'TimesNewRomanPSMT' WARN Using fallback font 'LiberationSerif-Bold' for 'TimesNewRomanPS-BoldMT' INFO rmeta/text (autodetecting type) WARN Using fallback font 'LiberationSans' for 'Verdana' WARN Using fallback font 'LiberationSans' for 'Verdana' WARN Using fallback font 'LiberationSans-Italic' for 'Verdana-Italic' FILE: cache/work_v7ck5kxosvfp7koz3yi6frajcu.pdf OUTPUT: txt/work_v7ck5kxosvfp7koz3yi6frajcu.txt FILE: cache/work_737vo6ecunbghogpx64zbmzl4a.pdf OUTPUT: txt/work_737vo6ecunbghogpx64zbmzl4a.txt FILE: cache/work_27ojiqrrtzenpbhgg7rggpboaa.pdf OUTPUT: txt/work_27ojiqrrtzenpbhgg7rggpboaa.txt INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) FILE: cache/work_lyecrwyr5zf6bkd4egfqdh5hiu.pdf OUTPUT: txt/work_lyecrwyr5zf6bkd4egfqdh5hiu.txt WARN Using fallback font 'LiberationSerif' for 'TimesNewRomanPSMT' WARN Using fallback font 'LiberationSerif-Bold' for 'TimesNewRomanPS-BoldMT' WARN Using fallback font 'LiberationSerif-Italic' for 'TimesNewRomanPS-ItalicMT' WARN Using fallback font 'LiberationSerif' for 'CourierNewPSMT' WARN Using fallback font 'LiberationSerif' for 'TimesNewRomanPSMT' WARN Using fallback font 'LiberationSerif-Bold' for 'TimesNewRomanPS-BoldMT' WARN Using fallback font 'LiberationSerif-Italic' for 'TimesNewRomanPS-ItalicMT' INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) WARN No Unicode mapping for CID+281 (281) in font OEJPJA+PalatinoLinotype-Roman WARN No Unicode mapping for CID+641 (641) in font OEKFBF+PalatinoLinotype-Bold WARN No Unicode mapping for CID+632 (632) in font OEKFBF+PalatinoLinotype-Bold WARN No Unicode mapping for CID+627 (627) in font OEKFBF+PalatinoLinotype-Bold WARN No Unicode mapping for CID+653 (653) in font OEKFBF+PalatinoLinotype-Bold WARN No Unicode mapping for CID+647 (647) in font OEKFBF+PalatinoLinotype-Bold WARN No Unicode mapping for CID+645 (645) in font OEKFBF+PalatinoLinotype-Bold WARN No Unicode mapping for CID+618 (618) in font OEKFBF+PalatinoLinotype-Bold WARN No Unicode mapping for CID+615 (615) in font OEKFBF+PalatinoLinotype-Bold WARN No Unicode mapping for CID+671 (671) in font OEKFBF+PalatinoLinotype-Bold WARN No Unicode mapping for CID+636 (636) in font OEKFBF+PalatinoLinotype-Bold WARN No Unicode mapping for CID+650 (650) in font OEKFBF+PalatinoLinotype-Bold WARN No Unicode mapping for CID+623 (623) in font OEKFBF+PalatinoLinotype-Bold WARN No Unicode mapping for CID+660 (660) in font OEKFBF+PalatinoLinotype-Bold WARN No Unicode mapping for CID+633 (633) in font OEKFBF+PalatinoLinotype-Bold WARN No Unicode mapping for CID+643 (643) in font OEKFBF+PalatinoLinotype-Bold WARN No Unicode mapping for CID+648 (648) in font OEKFBF+PalatinoLinotype-Bold WARN No Unicode mapping for CID+667 (667) in font OEKFBF+PalatinoLinotype-Bold WARN No Unicode mapping for CID+617 (617) in font OEKFBF+PalatinoLinotype-Bold WARN No Unicode mapping for CID+657 (657) in font OEKFBF+PalatinoLinotype-Bold WARN No Unicode mapping for CID+661 (661) in font OEKFBF+PalatinoLinotype-Bold WARN No Unicode mapping for CID+658 (658) in font OEKFBF+PalatinoLinotype-Bold WARN No Unicode mapping for CID+710 (710) in font OEKFBF+PalatinoLinotype-Bold WARN No Unicode mapping for CID+708 (708) in font OEKFBF+PalatinoLinotype-Bold WARN No Unicode mapping for CID+697 (697) in font OEKFBF+PalatinoLinotype-Bold WARN No Unicode mapping for CID+646 (646) in font OELILA+PalatinoLinotype-BoldItalic WARN No Unicode mapping for CID+725 (725) in font OELILA+PalatinoLinotype-BoldItalic WARN No Unicode mapping for CID+698 (698) in font OELILA+PalatinoLinotype-BoldItalic WARN No Unicode mapping for CID+724 (724) in font OELILA+PalatinoLinotype-BoldItalic WARN No Unicode mapping for CID+723 (723) in font OELILA+PalatinoLinotype-BoldItalic WARN No Unicode mapping for CID+697 (697) in font OELILA+PalatinoLinotype-BoldItalic WARN No Unicode mapping for CID+692 (692) in font OELILA+PalatinoLinotype-BoldItalic WARN No Unicode mapping for CID+721 (721) in font OELILA+PalatinoLinotype-BoldItalic WARN No Unicode mapping for CID+745 (745) in font OELILA+PalatinoLinotype-BoldItalic WARN No Unicode mapping for CID+711 (711) in font OELILA+PalatinoLinotype-BoldItalic WARN No Unicode mapping for CID+642 (642) in font OELILA+PalatinoLinotype-BoldItalic WARN No Unicode mapping for CID+690 (690) in font OELILA+PalatinoLinotype-BoldItalic WARN No Unicode mapping for CID+714 (714) in font OELILA+PalatinoLinotype-BoldItalic WARN No Unicode mapping for CID+726 (726) in font OELILA+PalatinoLinotype-BoldItalic WARN No Unicode mapping for CID+710 (710) in font OELILA+PalatinoLinotype-BoldItalic WARN No Unicode mapping for CID+720 (720) in font OELILA+PalatinoLinotype-BoldItalic WARN No Unicode mapping for CID+619 (619) in font OELILA+PalatinoLinotype-BoldItalic WARN No Unicode mapping for CID+648 (648) in font OELILA+PalatinoLinotype-BoldItalic WARN No Unicode mapping for CID+739 (739) in font OELILA+PalatinoLinotype-BoldItalic WARN No Unicode mapping for CID+750 (750) in font OELILA+PalatinoLinotype-BoldItalic WARN No Unicode mapping for CID+723 (723) in font OEKFBF+PalatinoLinotype-Bold WARN No Unicode mapping for CID+720 (720) in font OEKFBF+PalatinoLinotype-Bold WARN No Unicode mapping for CID+642 (642) in font OEKFBF+PalatinoLinotype-Bold WARN No Unicode mapping for CID+726 (726) in font OEKFBF+PalatinoLinotype-Bold WARN No Unicode mapping for CID+714 (714) in font OEKFBF+PalatinoLinotype-Bold WARN No Unicode mapping for CID+693 (693) in font OEKFBF+PalatinoLinotype-Bold WARN No Unicode mapping for CID+690 (690) in font OEKFBF+PalatinoLinotype-Bold WARN No Unicode mapping for CID+721 (721) in font OEKFBF+PalatinoLinotype-Bold WARN No Unicode mapping for CID+725 (725) in font OEKFBF+PalatinoLinotype-Bold WARN No Unicode mapping for CID+711 (711) in font OEKFBF+PalatinoLinotype-Bold WARN No Unicode mapping for CID+750 (750) in font OEKFBF+PalatinoLinotype-Bold WARN No Unicode mapping for CID+698 (698) in font OEKFBF+PalatinoLinotype-Bold WARN No Unicode mapping for CID+729 (729) in font OEKFBF+PalatinoLinotype-Bold WARN No Unicode mapping for CID+728 (728) in font OEKFBF+PalatinoLinotype-Bold WARN No Unicode mapping for CID+692 (692) in font OEKFBF+PalatinoLinotype-Bold WARN No Unicode mapping for CID+719 (719) in font OEKFBF+PalatinoLinotype-Bold WARN No Unicode mapping for CID+1109 (1109) in font OFPGFJ+PalatinoLinotype-Bold WARN No Unicode mapping for CID+1119 (1119) in font OFPGFJ+PalatinoLinotype-Bold WARN No Unicode mapping for CID+1116 (1116) in font OFPGFJ+PalatinoLinotype-Bold WARN No Unicode mapping for CID+1123 (1123) in font OFPGFJ+PalatinoLinotype-Bold WARN No Unicode mapping for CID+1102 (1102) in font OFPGFJ+PalatinoLinotype-Bold WARN No Unicode mapping for CID+1121 (1121) in font OFPGFJ+PalatinoLinotype-Bold WARN No Unicode mapping for CID+1106 (1106) in font OFPGFJ+PalatinoLinotype-Bold WARN No Unicode mapping for CID+1120 (1120) in font OFPGFJ+PalatinoLinotype-Bold WARN No Unicode mapping for CID+1126 (1126) in font OFPGFJ+PalatinoLinotype-Bold WARN No Unicode mapping for CID+1115 (1115) in font OFPGFJ+PalatinoLinotype-Bold WARN No Unicode mapping for CID+1104 (1104) in font OFPGFJ+PalatinoLinotype-Bold WARN No Unicode mapping for CID+158 (158) in font OFPGFJ+PalatinoLinotype-Bold WARN No Unicode mapping for CID+146 (146) in font OFPGFJ+PalatinoLinotype-Bold WARN No Unicode mapping for CID+148 (148) in font OFPGFJ+PalatinoLinotype-Bold WARN No Unicode mapping for CID+308 (308) in font OEJPDO+PalatinoLinotype-Roman WARN No Unicode mapping for CID+286 (286) in font OEJPDO+PalatinoLinotype-Roman WARN No Unicode mapping for CID+622 (622) in font OEJPOB+PalatinoLinotype-Italic WARN No Unicode mapping for CID+690 (690) in font OEJPOB+PalatinoLinotype-Italic WARN No Unicode mapping for CID+693 (693) in font OEJPOB+PalatinoLinotype-Italic WARN No Unicode mapping for CID+745 (745) in font OEJPOB+PalatinoLinotype-Italic WARN No Unicode mapping for CID+697 (697) in font OEJPOB+PalatinoLinotype-Italic WARN No Unicode mapping for CID+723 (723) in font OEJPOB+PalatinoLinotype-Italic WARN No Unicode mapping for CID+710 (710) in font OEJPOB+PalatinoLinotype-Italic WARN No Unicode mapping for CID+726 (726) in font OEJPOB+PalatinoLinotype-Italic WARN No Unicode mapping for CID+714 (714) in font OEJPOB+PalatinoLinotype-Italic WARN No Unicode mapping for CID+646 (646) in font OEJPOB+PalatinoLinotype-Italic WARN No Unicode mapping for CID+725 (725) in font OEJPOB+PalatinoLinotype-Italic WARN No Unicode mapping for CID+698 (698) in font OEJPOB+PalatinoLinotype-Italic WARN No Unicode mapping for CID+724 (724) in font OEJPOB+PalatinoLinotype-Italic WARN No Unicode mapping for CID+692 (692) in font OEJPOB+PalatinoLinotype-Italic WARN No Unicode mapping for CID+721 (721) in font OEJPOB+PalatinoLinotype-Italic WARN No Unicode mapping for CID+711 (711) in font OEJPOB+PalatinoLinotype-Italic WARN No Unicode mapping for CID+642 (642) in font OEJPOB+PalatinoLinotype-Italic WARN No Unicode mapping for CID+720 (720) in font OEJPOB+PalatinoLinotype-Italic WARN No Unicode mapping for CID+619 (619) in font OEJPOB+PalatinoLinotype-Italic WARN No Unicode mapping for CID+282 (282) in font OEJPJA+PalatinoLinotype-Roman WARN No Unicode mapping for CID+283 (283) in font OEJPDO+PalatinoLinotype-Roman WARN No Unicode mapping for CID+284 (284) in font OEJPDO+PalatinoLinotype-Roman WARN No Unicode mapping for CID+736 (736) in font OEKFBF+PalatinoLinotype-Bold WARN No Unicode mapping for CID+672 (672) in font OEKFBF+PalatinoLinotype-Bold WARN 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for CID+729 (729) in font OEJPDO+PalatinoLinotype-Roman WARN No Unicode mapping for CID+622 (622) in font OEJPDO+PalatinoLinotype-Roman WARN No Unicode mapping for CID+690 (690) in font OEJPDO+PalatinoLinotype-Roman WARN No Unicode mapping for CID+693 (693) in font OEJPDO+PalatinoLinotype-Roman WARN No Unicode mapping for CID+697 (697) in font OEJPDO+PalatinoLinotype-Roman FILE: cache/work_w3stgvlts5ahbcfesc7rnof2ue.pdf OUTPUT: txt/work_w3stgvlts5ahbcfesc7rnof2ue.txt INFO rmeta/text (autodetecting type) FILE: cache/work_3utibwenwngcbow7ua6lgcwfcq.pdf OUTPUT: txt/work_3utibwenwngcbow7ua6lgcwfcq.txt INFO rmeta/text (autodetecting type) FILE: cache/work_2kycckjoyzb2tn45yazfmcvqte.pdf OUTPUT: txt/work_2kycckjoyzb2tn45yazfmcvqte.txt FILE: cache/work_kb344nfbxbey5cc5vgl7ncuewe.pdf OUTPUT: txt/work_kb344nfbxbey5cc5vgl7ncuewe.txt FILE: cache/work_6dglvqpfqzacjfcx74ux7pxmxi.pdf OUTPUT: txt/work_6dglvqpfqzacjfcx74ux7pxmxi.txt INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting 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cache/work_c5ru6gdcbfedpfa362nrtmiwda.pdf OUTPUT: txt/work_c5ru6gdcbfedpfa362nrtmiwda.txt FILE: cache/work_dmmefwrnxjfuvcwsi2rtfdjb74.pdf OUTPUT: txt/work_dmmefwrnxjfuvcwsi2rtfdjb74.txt FILE: cache/work_jst3decocjecpclg65do63kaqq.pdf OUTPUT: txt/work_jst3decocjecpclg65do63kaqq.txt INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) FILE: cache/work_odbwvgdt55empgyhqegnbq477i.pdf OUTPUT: txt/work_odbwvgdt55empgyhqegnbq477i.txt WARN Using fallback font 'LiberationSerif' for 'TimesNewRomanPSMT' INFO rmeta/text (autodetecting type) FILE: cache/work_a6z2p2e6avecrndtr24rrdrjre.pdf OUTPUT: txt/work_a6z2p2e6avecrndtr24rrdrjre.txt WARN No Unicode mapping for barb2left (1) in font CXOYBI+Wingdings WARN No Unicode mapping for barb2right (2) in font CXOYBI+Wingdings INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) FILE: cache/work_bbhokuosizgh7pjgvvko2g3lre.pdf OUTPUT: txt/work_bbhokuosizgh7pjgvvko2g3lre.txt INFO rmeta/text (autodetecting type) FILE: cache/work_txfzmi2yobg6tnjfq7t2fa3n6a.pdf OUTPUT: txt/work_txfzmi2yobg6tnjfq7t2fa3n6a.txt INFO rmeta/text (autodetecting type) WARN No Unicode mapping for H6017 (1) in font QEEHIZ+MathematicalPi-Five WARN No Unicode mapping for H11005 (1) in font GFLLRJ+Universal-GreekwithMathPi WARN No Unicode mapping for H11003 (2) in font GFLLRJ+Universal-GreekwithMathPi FILE: cache/work_brr5homcxngj5kuy6twdtox564.pdf OUTPUT: txt/work_brr5homcxngj5kuy6twdtox564.txt FILE: cache/work_b5y3n5oxpbbmjded7mjzrwiwsu.pdf OUTPUT: txt/work_b5y3n5oxpbbmjded7mjzrwiwsu.txt INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) FILE: cache/work_65b7z6j5org33owceyvwvnd4em.pdf OUTPUT: txt/work_65b7z6j5org33owceyvwvnd4em.txt FILE: cache/work_g2gxg745nbh5tg3xobf2gt46au.pdf OUTPUT: txt/work_g2gxg745nbh5tg3xobf2gt46au.txt FILE: cache/work_7qzi6pfiq5g37aopdwyyhgf3o4.pdf OUTPUT: txt/work_7qzi6pfiq5g37aopdwyyhgf3o4.txt FILE: cache/work_bgljpqmhgjgqhgmo5odwxffzui.pdf OUTPUT: txt/work_bgljpqmhgjgqhgmo5odwxffzui.txt INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) FILE: cache/work_47gbt65kpzhhnl4cpilufdzlxu.pdf OUTPUT: txt/work_47gbt65kpzhhnl4cpilufdzlxu.txt FILE: cache/work_hbok5c6t6rgybfgo4vivoeki2i.pdf OUTPUT: txt/work_hbok5c6t6rgybfgo4vivoeki2i.txt INFO rmeta/text (autodetecting type) WARN No Unicode mapping for CID+48 (48) in font RJHYBK+ZoneCelesteRegularprova1 INFO rmeta/text (autodetecting type) WARN No Unicode mapping for CID+44 (44) in font STJMJX+ZoneCelesteRegularprova1 WARN No Unicode mapping for CID+73 (73) in font STJMJX+ZoneCelesteRegularprova1 WARN No Unicode mapping for CID+80 (80) in font STJMJX+ZoneCelesteRegularprova1 WARN No Unicode mapping for CID+48 (48) in font XAKZIC+ZoneCelesteRegularprova1 WARN No Unicode mapping for CID+91 (91) in font STJMJX+ZoneCelesteRegularprova1 WARN No Unicode mapping for CID+83 (83) in font STJMJX+ZoneCelesteRegularprova1 INFO rmeta/text (autodetecting type) FILE: cache/work_ibwu6wgcavaypov5zrsbdhkq7u.pdf OUTPUT: txt/work_ibwu6wgcavaypov5zrsbdhkq7u.txt FILE: cache/work_jxpvgnxzprbnbh4dr66wadqs7m.pdf OUTPUT: txt/work_jxpvgnxzprbnbh4dr66wadqs7m.txt WARN No Unicode mapping for CID+53 (53) in font STJMJX+ZoneCelesteRegularprova1 INFO rmeta/text (autodetecting type) FILE: cache/work_d6qplvfp6nc2zeynue3v2gb6hm.pdf OUTPUT: txt/work_d6qplvfp6nc2zeynue3v2gb6hm.txt FILE: cache/work_sq3j3p2wsfaebhsqzyevq4svpm.pdf OUTPUT: txt/work_sq3j3p2wsfaebhsqzyevq4svpm.txt INFO rmeta/text (autodetecting type) WARN No Unicode mapping for 51 (80) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for 76 (105) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for 72 (101) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for 87 (116) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for 85 (114) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for 82 (111) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for 3 (32) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for 36 (65) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for 81 (110) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for 17 (46) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for 38 (67) in font CCBONK+Palatino-Italic WARN No Unicode mapping for 82 (111) in font CCBONK+Palatino-Italic WARN No Unicode mapping for 85 (114) in font CCBONK+Palatino-Italic WARN No Unicode mapping for 87 (116) in font CCBONK+Palatino-Italic WARN No Unicode mapping for 76 (105) in font CCBONK+Palatino-Italic WARN No Unicode mapping for 74 (103) in font CCBONK+Palatino-Italic WARN No Unicode mapping for 68 (97) in font CCBONK+Palatino-Italic WARN No Unicode mapping for 81 (110) in font CCBONK+Palatino-Italic WARN No Unicode mapping for 17 (46) in font CCBONK+Palatino-Italic WARN No Unicode mapping for 55 (84) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for 68 (97) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for 86 (115) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for 79 (108) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for 71 (100) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for 69 (98) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for 92 (121) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for 45 (74) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for 39 (68) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for 88 (117) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for 74 (103) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for 38 (67) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for 80 (109) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for 83 (112) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for 47 (76) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for 42 (71) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for 54 (83) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for 70 (99) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for 75 (104) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for 53 (82) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for 89 (118) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for 11 (40) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for 12 (41) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for 90 (119) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for 73 (102) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for 29 (58) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for 15 (44) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for 78 (107) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for 77 (106) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for 183 (146) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for 84 (113) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for 182 (145) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for 91 (120) in 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CCBONJ+Palatino-Roman WARN No Unicode mapping for 58 (87) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for 59 (88) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for 37 (66) in font CCBONK+Palatino-Italic WARN No Unicode mapping for 78 (107) in font CCBONK+Palatino-Italic WARN No Unicode mapping for 73 (102) in font CCBONK+Palatino-Italic WARN No Unicode mapping for 75 (104) in font CCBONK+Palatino-Italic WARN No Unicode mapping for 43 (72) in font CCBONK+Palatino-Italic WARN No Unicode mapping for 79 (108) in font CCBONK+Palatino-Italic WARN No Unicode mapping for 48 (77) in font CCBONK+Palatino-Italic WARN No Unicode mapping for 56 (85) in font CCBONK+Palatino-Italic WARN No Unicode mapping for 83 (112) in font CCBONK+Palatino-Italic WARN No Unicode mapping for 49 (78) in font CCBONK+Palatino-Italic WARN No Unicode mapping for 86 (115) in font CCBONK+Palatino-Italic WARN No Unicode mapping for 30 (59) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for 48 (77) 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OBMHDJ+ACaslon-Regular WARN No Unicode mapping for CID+45 (45) in font OBMHDJ+ACaslon-Regular WARN No Unicode mapping for CID+44 (44) in font OBMHDJ+ACaslon-Regular WARN No Unicode mapping for CID+33 (33) in font OBMHDJ+ACaslon-Regular WARN No Unicode mapping for CID+12 (12) in font OBMHDJ+ACaslon-Regular WARN No Unicode mapping for CID+82 (82) in font OBMHDJ+ACaslon-Regular WARN No Unicode mapping for CID+72 (72) in font OBMHDJ+ACaslon-Regular WARN No Unicode mapping for CID+18 (18) in font OBMHDJ+ACaslon-Regular WARN No Unicode mapping for CID+16 (16) in font OBMHDJ+ACaslon-Regular WARN No Unicode mapping for CID+22 (22) in font OBMHDJ+ACaslon-Regular WARN No Unicode mapping for CID+136 (136) in font OBMHDJ+ACaslon-Regular WARN No Unicode mapping for CID+68 (68) in font OBMHDJ+ACaslon-Regular WARN No Unicode mapping for CID+83 (83) in font OBMHDJ+ACaslon-Regular WARN No Unicode mapping for CID+90 (90) in font OBMHDJ+ACaslon-Regular WARN No Unicode mapping for CID+118 (118) in font 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No Unicode mapping for CID+85 (85) in font OMIQOJ+MetaPlusBook-Italic WARN No Unicode mapping for CID+68 (68) in font OMIQOJ+MetaPlusBook-Italic WARN No Unicode mapping for CID+84 (84) in font OMIQOJ+MetaPlusBook-Italic WARN No Unicode mapping for CID+13 (13) in font OMIQOJ+MetaPlusBook-Italic WARN No Unicode mapping for CID+1 (1) in font OMIQOJ+MetaPlusBook-Italic WARN No Unicode mapping for CID+41 (41) in font OMIQOJ+MetaPlusBook-Italic WARN No Unicode mapping for CID+83 (83) in font OMIQOJ+MetaPlusBook-Italic WARN No Unicode mapping for CID+90 (90) in font OMIQOJ+MetaPlusBook-Italic WARN No Unicode mapping for CID+66 (66) in font OMIQOJ+MetaPlusBook-Italic WARN No Unicode mapping for CID+79 (79) in font OMIQOJ+MetaPlusBook-Italic WARN No Unicode mapping for CID+69 (69) in font OMIQOJ+MetaPlusBook-Italic WARN No Unicode mapping for CID+36 (36) in font OMIQOJ+MetaPlusBook-Italic WARN No Unicode mapping for CID+86 (86) in font OMIQOJ+MetaPlusBook-Italic WARN No Unicode mapping for 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WARN No Unicode mapping for CID+62 (62) in font OMIQOJ+MetaPlusBook-Italic WARN No Unicode mapping for CID+111 (111) in font NEYKAL+MrsEavesItalic WARN No Unicode mapping for CID+102 (102) in font NEYKAL+MrsEavesItalic WARN No Unicode mapping for CID+120 (120) in font NEYKAL+MrsEavesItalic WARN No Unicode mapping for CID+33 (33) in font NEYKAL+MrsEavesItalic WARN No Unicode mapping for CID+103 (103) in font NEYKAL+MrsEavesItalic WARN No Unicode mapping for CID+115 (115) in font NEYKAL+MrsEavesItalic WARN No Unicode mapping for CID+112 (112) in font NEYKAL+MrsEavesItalic WARN No Unicode mapping for CID+110 (110) in font NEYKAL+MrsEavesItalic WARN No Unicode mapping for CID+69 (69) in font NEYKAL+MrsEavesItalic WARN No Unicode mapping for CID+86 (86) in font NEYKAL+MrsEavesItalic WARN No Unicode mapping for CID+76 (76) in font NEYKAL+MrsEavesItalic WARN No Unicode mapping for CID+70 (70) in font NEYKAL+MrsEavesItalic WARN No Unicode mapping for CID+37 (37) in font NEYKAL+ScalaSans WARN No Unicode mapping for CID+54 (54) in font NEYKAL+ScalaSans WARN No Unicode mapping for CID+44 (44) in font NEYKAL+ScalaSans WARN No Unicode mapping for CID+38 (38) in font NEYKAL+ScalaSans WARN No Unicode mapping for CID+1 (1) in font NEYKAL+ScalaSans WARN No Unicode mapping for CID+47 (47) in font NEYKAL+ScalaSans WARN No Unicode mapping for CID+42 (42) in font NEYKAL+ScalaSans WARN No Unicode mapping for CID+55 (55) in font NEYKAL+ScalaSans WARN No Unicode mapping for CID+51 (51) in font NEYKAL+ScalaSans WARN No Unicode mapping for CID+52 (52) in font NEYKAL+ScalaSans WARN No Unicode mapping for CID+53 (53) in font NEYKAL+ScalaSans WARN No Unicode mapping for CID+58 (58) in font NEYKAL+ScalaSans WARN No Unicode mapping for CID+49 (49) in font NEYKAL+ScalaSans WARN No Unicode mapping for CID+88 (88) in font NEYKAL+ScalaSans WARN No Unicode mapping for CID+15 (15) in font NEYKAL+ScalaSans WARN No Unicode mapping for CID+69 (69) in font NEYKAL+ScalaSans WARN No Unicode mapping for CID+86 (86) in font NEYKAL+ScalaSans WARN No Unicode mapping for CID+76 (76) in font NEYKAL+ScalaSans WARN No Unicode mapping for CID+70 (70) in font NEYKAL+ScalaSans WARN No Unicode mapping for CID+81 (81) in font NEYKAL+ScalaSans WARN No Unicode mapping for CID+83 (83) in font NEYKAL+ScalaSans WARN No Unicode mapping for CID+84 (84) in font NEYKAL+ScalaSans WARN No Unicode mapping for CID+85 (85) in font NEYKAL+ScalaSans WARN No Unicode mapping for CID+80 (80) in font NEYKAL+ScalaSans WARN No Unicode mapping for CID+77 (77) in font NEYKAL+ScalaSans WARN No Unicode mapping for CID+14 (14) in font NEYKAL+ScalaSans WARN No Unicode mapping for CID+71 (71) in font NEYKAL+ScalaSans WARN No Unicode mapping for CID+18 (18) in font NEYKAL+ScalaSans WARN No Unicode mapping for CID+25 (25) in font NEYKAL+ScalaSans WARN No Unicode mapping for CID+23 (23) in font NEYKAL+ScalaSans WARN No Unicode mapping for CID+22 (22) in font NEYKAL+ScalaSans WARN No Unicode mapping for CID+17 (17) in font NEYKAL+ScalaSans WARN No Unicode mapping for CID+19 (19) in font NEYKAL+ScalaSans INFO rmeta/text (autodetecting type) FILE: cache/work_ggh44k3ypbadlnxwfwjc4huvbq.pdf OUTPUT: txt/work_ggh44k3ypbadlnxwfwjc4huvbq.txt WARN No Unicode mapping for CID+38 (38) in font FOOMHB+Frutiger-Roman WARN No Unicode mapping for CID+79 (79) in font FOOMHB+Frutiger-Roman WARN No Unicode mapping for CID+82 (82) in font FOOMHB+Frutiger-Roman WARN No Unicode mapping for CID+0 (0) in font FOOMHB+Frutiger-Roman WARN No Unicode mapping for CID+77 (77) in font FOOMHB+Frutiger-Roman WARN No Unicode mapping for CID+69 (69) in font FOOMHB+Frutiger-Roman WARN No Unicode mapping for CID+73 (73) in font FOOMHB+Frutiger-Roman WARN No Unicode mapping for CID+78 (78) in font FOOMHB+Frutiger-Roman WARN No Unicode mapping for CID+70 (70) in font FOOMHB+Frutiger-Roman WARN No Unicode mapping for CID+65 (65) in font FOOMHB+Frutiger-Roman WARN No Unicode mapping for CID+84 (84) in font FOOMHB+Frutiger-Roman WARN No Unicode mapping for CID+26 (26) in font FOOMHB+Frutiger-Roman WARN No Unicode mapping for CID+0 (0) in font FOOMHB+Frutiger-Bold WARN No Unicode mapping for CID+66 (66) in font FOOMHB+Frutiger-Bold WARN No Unicode mapping for CID+69 (69) in font FOOMHB+Frutiger-Bold WARN No Unicode mapping for CID+68 (68) in font FOOMHB+Frutiger-Bold WARN No Unicode mapping for CID+70 (70) in font FOOMHB+Frutiger-Bold WARN No Unicode mapping for CID+79 (79) in font FOOMHB+Frutiger-Bold WARN No Unicode mapping for CID+82 (82) in font FOOMHB+Frutiger-Bold WARN No Unicode mapping for CID+83 (83) in font FOOMHB+Frutiger-Bold WARN No Unicode mapping for CID+84 (84) in font FOOMHB+Frutiger-Bold WARN No Unicode mapping for CID+77 (77) in font FOOMHB+Frutiger-Bold WARN No Unicode mapping for CID+65 (65) in font FOOMHB+Frutiger-Bold WARN No Unicode mapping for CID+73 (73) in font FOOMHB+Frutiger-Bold WARN No Unicode mapping for CID+78 (78) in font FOOMHB+Frutiger-Bold WARN No Unicode mapping for CID+14 (14) in font FOOMHB+Frutiger-Bold WARN No Unicode mapping for CID+67 (67) in font FOOMHB+Frutiger-Bold WARN No Unicode mapping for CID+34 (34) in font EGEGTD+ACaslon-Bold WARN No Unicode mapping for CID+37 (37) in font EGEGTD+ACaslon-Bold WARN No Unicode mapping for CID+36 (36) in font EGEGTD+ACaslon-Bold WARN No Unicode mapping for CID+38 (38) in font EGEGTD+ACaslon-Bold WARN No Unicode mapping for CID+47 (47) in font EGEGTD+ACaslon-Bold WARN No Unicode mapping for CID+50 (50) in font EGEGTD+ACaslon-Bold WARN No Unicode mapping for CID+15 (15) in font EGEGTD+ACaslon-Bold WARN No Unicode mapping for CID+51 (51) in font EGEGTD+ACaslon-Bold WARN No Unicode mapping for CID+52 (52) in font EGEGTD+ACaslon-Bold WARN No Unicode mapping for CID+14 (14) in font EGEGTD+ACaslon-Bold WARN No Unicode mapping for CID+0 (0) in font EGEGTD+ACaslon-Bold WARN No Unicode mapping for CID+45 (45) in font EGEGTD+ACaslon-Bold WARN No Unicode mapping for CID+33 (33) in font EGEGTD+ACaslon-Bold WARN No Unicode mapping for CID+41 (41) in font EGEGTD+ACaslon-Bold WARN No Unicode mapping for CID+46 (46) in font EGEGTD+ACaslon-Bold WARN No Unicode mapping for CID+7 (7) in font EGEGTD+ACaslon-Bold WARN No Unicode mapping for CID+52 (52) in font EGEGTD+Frutiger-Black WARN No Unicode mapping for CID+72 (72) in font EGEGTD+Frutiger-Black WARN No Unicode mapping for CID+69 (69) in font EGEGTD+Frutiger-Black WARN No Unicode mapping for CID+0 (0) in font EGEGTD+Frutiger-Black WARN No Unicode mapping for CID+51 (51) in font EGEGTD+Frutiger-Black WARN No Unicode mapping for CID+84 (84) in font EGEGTD+Frutiger-Black WARN No Unicode mapping for CID+79 (79) in font EGEGTD+Frutiger-Black WARN No Unicode mapping for CID+82 (82) in font EGEGTD+Frutiger-Black WARN No Unicode mapping for CID+89 (89) in font EGEGTD+Frutiger-Black WARN No Unicode mapping for CID+65 (65) in font EGEGTD+Frutiger-Black WARN No Unicode mapping for CID+78 (78) in font EGEGTD+Frutiger-Black WARN No Unicode mapping for CID+68 (68) in font EGEGTD+Frutiger-Black WARN No Unicode mapping for CID+41 (41) in font EGEGTD+Frutiger-Black WARN No Unicode mapping for CID+83 (83) in font EGEGTD+Frutiger-Black WARN No Unicode mapping for CID+55 (55) in font EGEGTD+Frutiger-Black WARN No Unicode mapping for CID+73 (73) in font EGEGTD+Frutiger-Black WARN No Unicode mapping for CID+33 (33) in font FOOMHB+Frutiger-Bold WARN No Unicode mapping for CID+41 (41) in font FOOMHB+Frutiger-Bold WARN No Unicode mapping for CID+85 (85) in font FOOMHB+Frutiger-Bold WARN No Unicode mapping for CID+51 (51) in font FOOMHB+Frutiger-Bold WARN No Unicode mapping for CID+72 (72) in font FOOMHB+Frutiger-Bold WARN No Unicode mapping for CID+38 (38) in font FOOMHB+Frutiger-Bold WARN No Unicode mapping for CID+51 (51) in font EGEGTD+Frutiger-Light WARN No Unicode mapping for CID+69 (69) in font EGEGTD+Frutiger-Light WARN No Unicode mapping for CID+86 (86) in font EGEGTD+Frutiger-Light WARN No Unicode mapping for CID+78 (78) in font EGEGTD+Frutiger-Light WARN No Unicode mapping for CID+84 (84) in font EGEGTD+Frutiger-Light WARN No Unicode mapping for CID+72 (72) in font EGEGTD+Frutiger-Light WARN No Unicode mapping for CID+0 (0) in font EGEGTD+Frutiger-Light WARN No Unicode mapping for CID+37 (37) in font EGEGTD+Frutiger-Light WARN No Unicode mapping for CID+68 (68) in font EGEGTD+Frutiger-Light WARN No Unicode mapping for CID+73 (73) in font EGEGTD+Frutiger-Light WARN No Unicode mapping for CID+79 (79) in font EGEGTD+Frutiger-Light WARN No Unicode mapping for CID+35 (35) in font FOOMHB+Frutiger-Bold WARN No Unicode mapping for CID+12 (12) in font EGEGTD+Frutiger-Light WARN No Unicode mapping for CID+35 (35) in font DYUAFF+Frutiger-LightItalic WARN No Unicode mapping for CID+79 (79) in font DYUAFF+Frutiger-LightItalic WARN No Unicode mapping for CID+76 (76) in font DYUAFF+Frutiger-LightItalic WARN No Unicode mapping for CID+85 (85) in font DYUAFF+Frutiger-LightItalic WARN No Unicode mapping for CID+77 (77) in font DYUAFF+Frutiger-LightItalic WARN No Unicode mapping for CID+66 (66) in font DYUAFF+Frutiger-LightItalic WARN No Unicode mapping for CID+73 (73) in font DYUAFF+Frutiger-LightItalic WARN No Unicode mapping for CID+65 (65) in font DYUAFF+Frutiger-LightItalic WARN No Unicode mapping for CID+0 (0) in font DYUAFF+Frutiger-LightItalic WARN No Unicode mapping for CID+53 (53) in font DYUAFF+Frutiger-LightItalic WARN No Unicode mapping for CID+78 (78) in font DYUAFF+Frutiger-LightItalic WARN No Unicode mapping for CID+86 (86) in font DYUAFF+Frutiger-LightItalic WARN No Unicode mapping for CID+69 (69) in font DYUAFF+Frutiger-LightItalic WARN No Unicode mapping for CID+82 (82) in font DYUAFF+Frutiger-LightItalic WARN No Unicode mapping for CID+83 (83) in font DYUAFF+Frutiger-LightItalic WARN No Unicode mapping for CID+84 (84) in font DYUAFF+Frutiger-LightItalic WARN No Unicode mapping for CID+89 (89) in font DYUAFF+Frutiger-LightItalic WARN No Unicode mapping for CID+41 (41) in font EGEGTD+Frutiger-Light WARN No Unicode mapping for CID+83 (83) in font EGEGTD+Frutiger-Light WARN No Unicode mapping for CID+87 (87) in font EGEGTD+Frutiger-Light WARN No Unicode mapping for CID+77 (77) in font EGEGTD+Frutiger-Light WARN No Unicode mapping for CID+76 (76) in font EGEGTD+Frutiger-Light WARN No Unicode mapping for CID+89 (89) in font EGEGTD+Frutiger-Light WARN No Unicode mapping for CID+65 (65) in font EGEGTD+Frutiger-Light WARN No Unicode mapping for CID+80 (80) in font EGEGTD+Frutiger-Light WARN No Unicode mapping for CID+71 (71) in font EGEGTD+Frutiger-Light WARN No Unicode mapping for CID+70 (70) in font EGEGTD+Frutiger-Light WARN No Unicode mapping for CID+75 (75) in font EGEGTD+Frutiger-Light WARN No Unicode mapping for CID+67 (67) in font EGEGTD+Frutiger-Light WARN No Unicode mapping for CID+85 (85) in font EGEGTD+Frutiger-Light WARN No Unicode mapping for CID+82 (82) in font EGEGTD+Frutiger-Light WARN No Unicode mapping for CID+66 (66) in font EGEGTD+Frutiger-Light WARN No Unicode mapping for CID+108 (108) in font EGEGTD+Frutiger-Light WARN No Unicode mapping for CID+14 (14) in font EGEGTD+Frutiger-Light FILE: cache/work_t3dj6knch5bqpfqqhxvh47nyqa.pdf OUTPUT: txt/work_t3dj6knch5bqpfqqhxvh47nyqa.txt WARN No Unicode mapping for CID+33 (33) in font DYUAFF+Frutiger-LightCn WARN No Unicode mapping for CID+80 (80) in font DYUAFF+Frutiger-LightCn WARN No Unicode mapping for CID+82 (82) in font DYUAFF+Frutiger-LightCn WARN No Unicode mapping for CID+73 (73) in font DYUAFF+Frutiger-LightCn WARN No Unicode mapping for CID+76 (76) in font DYUAFF+Frutiger-LightCn WARN No Unicode mapping for CID+0 (0) in font DYUAFF+Frutiger-LightCn WARN No Unicode mapping for CID+18 (18) in font DYUAFF+Frutiger-LightCn WARN No Unicode mapping for CID+16 (16) in font DYUAFF+Frutiger-LightCn WARN No Unicode mapping for CID+22 (22) in font DYUAFF+Frutiger-LightCn WARN No Unicode mapping for CID+15 (15) in font DYUAFF+Frutiger-LightCn WARN No Unicode mapping for CID+65 (65) in font DYUAFF+Frutiger-LightCn WARN No Unicode mapping for CID+69 (69) in font DYUAFF+Frutiger-LightCn WARN No Unicode mapping for CID+17 (17) in font DYUAFF+Frutiger-LightCn WARN No Unicode mapping for CID+24 (24) in font DYUAFF+Frutiger-LightCn WARN No Unicode mapping for CID+21 (21) in font DYUAFF+Frutiger-LightCn WARN No Unicode mapping for CID+71 (71) in font DYUAFF+Frutiger-LightCn WARN No Unicode mapping for CID+83 (83) in font DYUAFF+Frutiger-LightCn WARN No Unicode mapping for CID+66 (66) in font DYUAFF+Frutiger-LightCn WARN No Unicode mapping for CID+68 (68) in font DYUAFF+Frutiger-LightCn WARN No Unicode mapping for CID+70 (70) in font DYUAFF+Frutiger-LightCn WARN No Unicode mapping for CID+79 (79) in font DYUAFF+Frutiger-LightCn WARN No Unicode mapping for CID+84 (84) in font DYUAFF+Frutiger-LightCn WARN No Unicode mapping for CID+77 (77) in font DYUAFF+Frutiger-LightCn WARN No Unicode mapping for CID+78 (78) in font DYUAFF+Frutiger-LightCn WARN No Unicode mapping for CID+14 (14) in font DYUAFF+Frutiger-LightCn WARN No Unicode mapping for CID+67 (67) in font DYUAFF+Frutiger-LightCn WARN No Unicode mapping for CID+72 (72) in font DYUAFF+Frutiger-LightCn WARN No Unicode mapping for CID+35 (35) in font CQKURH+Frutiger-BoldItalic WARN No Unicode mapping for CID+79 (79) in font CQKURH+Frutiger-BoldItalic WARN No Unicode mapping for CID+77 (77) in font CQKURH+Frutiger-BoldItalic WARN No Unicode mapping for CID+73 (73) in font CQKURH+Frutiger-BoldItalic WARN No Unicode mapping for CID+78 (78) in font CQKURH+Frutiger-BoldItalic WARN No Unicode mapping for CID+71 (71) in font CQKURH+Frutiger-BoldItalic WARN No Unicode mapping for CID+0 (0) in font CQKURH+Frutiger-BoldItalic WARN No Unicode mapping for CID+83 (83) in font CQKURH+Frutiger-BoldItalic WARN No Unicode mapping for CID+1 (1) in font CQKURH+Frutiger-BoldItalic WARN No Unicode mapping for CID+35 (35) in font EGEGTD+Frutiger-Light WARN No Unicode mapping for CID+52 (52) in font EGEGTD+Frutiger-Light WARN No Unicode mapping for CID+88 (88) in font EGEGTD+Frutiger-Light WARN No Unicode mapping for CID+52 (52) in font BIAODJ+CantoriaMT-LightItalic WARN No Unicode mapping for CID+72 (72) in font BIAODJ+CantoriaMT-LightItalic WARN No Unicode mapping for CID+69 (69) in font BIAODJ+CantoriaMT-LightItalic WARN No Unicode mapping for CID+0 (0) in font BIAODJ+CantoriaMT-LightItalic WARN No Unicode mapping for CID+51 (51) in font BIAODJ+CantoriaMT-LightItalic WARN No Unicode mapping for CID+84 (84) in font BIAODJ+CantoriaMT-LightItalic WARN No Unicode mapping for CID+79 (79) in font BIAODJ+CantoriaMT-LightItalic WARN No Unicode mapping for CID+82 (82) in font BIAODJ+CantoriaMT-LightItalic WARN No Unicode mapping for CID+89 (89) in font BIAODJ+CantoriaMT-LightItalic WARN No Unicode mapping for CID+65 (65) in font BIAODJ+CantoriaMT-LightItalic WARN No Unicode mapping for CID+78 (78) in font BIAODJ+CantoriaMT-LightItalic WARN No Unicode mapping for CID+68 (68) in font BIAODJ+CantoriaMT-LightItalic WARN No Unicode mapping for CID+41 (41) in font BIAODJ+CantoriaMT-LightItalic WARN No Unicode mapping for CID+83 (83) in font BIAODJ+CantoriaMT-LightItalic WARN No Unicode mapping for CID+55 (55) in font BIAODJ+CantoriaMT-LightItalic WARN No Unicode mapping for CID+73 (73) in font BIAODJ+CantoriaMT-LightItalic WARN No Unicode mapping for CID+0 (0) in font BIAODJ+CantoriaMT-Light WARN No Unicode mapping for CID+79 (79) in font BIAODJ+CantoriaMT-Light WARN No Unicode mapping for CID+70 (70) in font BIAODJ+CantoriaMT-Light WARN No Unicode mapping for CID+69 (69) in font BIAODJ+CantoriaMT-Light WARN No Unicode mapping for CID+82 (82) in font BIAODJ+CantoriaMT-Light WARN No Unicode mapping for CID+83 (83) in font BIAODJ+CantoriaMT-Light WARN No Unicode mapping for CID+84 (84) in font BIAODJ+CantoriaMT-Light WARN No Unicode mapping for CID+72 (72) in font BIAODJ+CantoriaMT-Light WARN No Unicode mapping for CID+108 (108) in font BIAODJ+CantoriaMT-Light WARN No Unicode mapping for CID+78 (78) in font BIAODJ+CantoriaMT-Light WARN No Unicode mapping for CID+67 (67) in font BIAODJ+CantoriaMT-Light WARN No Unicode mapping for CID+76 (76) in font BIAODJ+CantoriaMT-Light WARN No Unicode mapping for CID+73 (73) in font BIAODJ+CantoriaMT-Light WARN No Unicode mapping for CID+68 (68) in font BIAODJ+CantoriaMT-Light WARN No Unicode mapping for CID+65 (65) in font BIAODJ+CantoriaMT-Light WARN No Unicode mapping for CID+89 (89) in font BIAODJ+CantoriaMT-Light WARN No Unicode mapping for CID+7 (7) in font BIAODJ+CantoriaMT-Light WARN No Unicode mapping for CID+77 (77) in font BIAODJ+CantoriaMT-Light WARN No Unicode mapping for CID+75 (75) in font BIAODJ+CantoriaMT-Light WARN No Unicode mapping for CID+14 (14) in font BIAODJ+CantoriaMT-Light WARN No Unicode mapping for CID+136 (136) in font BIAODJ+CantoriaMT-Light WARN No Unicode mapping for CID+36 (36) in font BIAODJ+CantoriaMT-Light WARN No Unicode mapping for CID+44 (44) in font BIAODJ+CantoriaMT-Light WARN No Unicode mapping for CID+71 (71) in font BIAODJ+CantoriaMT-Light WARN No Unicode mapping for CID+12 (12) in font BIAODJ+CantoriaMT-Light WARN No Unicode mapping for CID+85 (85) in font BIAODJ+CantoriaMT-LightItalic WARN No Unicode mapping for CID+35 (35) in font BIAODJ+CantoriaMT-LightItalic WARN No Unicode mapping for CID+77 (77) in font BIAODJ+CantoriaMT-LightItalic WARN No Unicode mapping for CID+76 (76) in font BIAODJ+CantoriaMT-LightItalic WARN No Unicode mapping for CID+71 (71) in font BIAODJ+CantoriaMT-LightItalic WARN No Unicode mapping for CID+0 (0) in font BIAODJ+ACaslon-Regular WARN No Unicode mapping for CID+59 (59) in font BIAODJ+ACaslon-Regular WARN No Unicode mapping for CID+80 (80) in font BIAODJ+ACaslon-Regular WARN No Unicode mapping for CID+76 (76) in font BIAODJ+ACaslon-Regular WARN No Unicode mapping for CID+65 (65) in font BIAODJ+ACaslon-Regular WARN No Unicode mapping for CID+67 (67) in font BIAODJ+ACaslon-Regular WARN No Unicode mapping for CID+69 (69) in font BIAODJ+ACaslon-Regular WARN No Unicode mapping for CID+77 (77) in font BIAODJ+ACaslon-Regular WARN No Unicode mapping for CID+78 (78) in font BIAODJ+ACaslon-Regular WARN No Unicode mapping for CID+84 (84) in font BIAODJ+ACaslon-Regular WARN No Unicode mapping for CID+26 (26) in font BIAODJ+ACaslon-Regular WARN No Unicode mapping for CID+18 (18) in font BIAODJ+ACaslon-Regular WARN No Unicode mapping for CID+71 (71) in font BIAODJ+ACaslon-Regular WARN No Unicode mapping for CID+83 (83) in font BIAODJ+ACaslon-Regular WARN No Unicode mapping for CID+82 (82) in font BIAODJ+ACaslon-Regular WARN No Unicode mapping for CID+68 (68) in font BIAODJ+ACaslon-Regular WARN No Unicode mapping for CID+13 (13) in font BIAODJ+ACaslon-Regular WARN No Unicode mapping for CID+44 (44) in font BIAODJ+ACaslon-Regular WARN No Unicode mapping for CID+37 (37) in font BIAODJ+ACaslon-Regular WARN No Unicode mapping for CID+38 (38) in font BIAODJ+ACaslon-Regular WARN No Unicode mapping for CID+52 (52) in font BIAODJ+ACaslon-Regular WARN No Unicode mapping for CID+33 (33) in font BIAODJ+ACaslon-Regular WARN No Unicode mapping for CID+85 (85) in font BIAODJ+ACaslon-Regular WARN No Unicode mapping for CID+66 (66) in font BIAODJ+ACaslon-Regular WARN No Unicode mapping for CID+73 (73) in font BIAODJ+ACaslon-Regular WARN No Unicode mapping for CID+79 (79) in font BIAODJ+ACaslon-Regular WARN No Unicode mapping for CID+48 (48) in font BIAODJ+ACaslon-Regular WARN No Unicode mapping for CID+45 (45) in font BIAODJ+ACaslon-Regular WARN No Unicode mapping for CID+12 (12) in font BIAODJ+ACaslon-Regular WARN No Unicode mapping for CID+72 (72) in font BIAODJ+ACaslon-Regular WARN No Unicode mapping for CID+16 (16) in font BIAODJ+ACaslon-Regular WARN No Unicode mapping for CID+22 (22) in font BIAODJ+ACaslon-Regular WARN No Unicode mapping for CID+136 (136) in font BIAODJ+ACaslon-Regular WARN No Unicode mapping for CID+90 (90) in font BIAODJ+ACaslon-Regular WARN No Unicode mapping for CID+118 (118) in font BIAODJ+ACaslon-Regular WARN No Unicode mapping for CID+88 (88) in font BIAODJ+ACaslon-Regular WARN No Unicode mapping for CID+24 (24) in font BIAODJ+ACaslon-Regular WARN No Unicode mapping for CID+19 (19) in font BIAODJ+ACaslon-Regular WARN No Unicode mapping for CID+15 (15) in font BIAODJ+ACaslon-Regular WARN No Unicode mapping for CID+20 (20) in font BIAODJ+ACaslon-Regular WARN No Unicode mapping for CID+61 (61) in font BIAODJ+ACaslon-Regular WARN No Unicode mapping for CID+33 (33) in font CQKURH+Frutiger-BoldItalic WARN No Unicode mapping for CID+76 (76) in font CQKURH+Frutiger-BoldItalic WARN No Unicode mapping for CID+65 (65) in font CQKURH+Frutiger-BoldItalic WARN No Unicode mapping for CID+86 (86) in font CQKURH+Frutiger-BoldItalic WARN No Unicode mapping for CID+66 (66) in font CQKURH+Frutiger-BoldItalic WARN No Unicode mapping for CID+69 (69) in font CQKURH+Frutiger-BoldItalic WARN No Unicode mapping for CID+67 (67) in font CQKURH+Frutiger-BoldItalic WARN No Unicode mapping for CID+80 (80) in font CQKURH+Frutiger-BoldItalic WARN No Unicode mapping for CID+84 (84) in font CQKURH+Frutiger-BoldItalic WARN No Unicode mapping for CID+68 (68) in font CQKURH+Frutiger-BoldItalic WARN No Unicode mapping for CID+0 (0) in font AAQIPL+Frutiger-BlackItalic WARN No Unicode mapping for CID+46 (46) in font AAQIPL+Frutiger-BlackItalic WARN No Unicode mapping for CID+37 (37) in font AAQIPL+Frutiger-BlackItalic WARN No Unicode mapping for CID+55 (55) in font AAQIPL+Frutiger-BlackItalic WARN No Unicode mapping for CID+1 (1) in font AAQIPL+Frutiger-BlackItalic FILE: cache/work_arludgr2yvfndhq4sgdsgwhgwm.pdf OUTPUT: txt/work_arludgr2yvfndhq4sgdsgwhgwm.txt WARN No Unicode mapping for CID+38 (38) in font PMKURH+Frutiger-Roman WARN No Unicode mapping for CID+79 (79) in font PMKURH+Frutiger-Roman WARN No Unicode mapping for CID+82 (82) in font PMKURH+Frutiger-Roman WARN No Unicode mapping for CID+0 (0) in font PMKURH+Frutiger-Roman WARN No Unicode mapping for CID+77 (77) in font PMKURH+Frutiger-Roman WARN No Unicode mapping for CID+69 (69) in font PMKURH+Frutiger-Roman WARN No Unicode mapping for CID+73 (73) in font PMKURH+Frutiger-Roman WARN No Unicode mapping for CID+78 (78) in font PMKURH+Frutiger-Roman WARN No Unicode mapping for CID+70 (70) in font PMKURH+Frutiger-Roman WARN No Unicode mapping for CID+65 (65) in font PMKURH+Frutiger-Roman WARN No Unicode mapping for CID+84 (84) in font PMKURH+Frutiger-Roman WARN No Unicode mapping for CID+26 (26) in font PMKURH+Frutiger-Roman WARN No Unicode mapping for CID+0 (0) in font OEAODJ+Frutiger-Bold WARN No Unicode mapping for CID+66 (66) in font OEAODJ+Frutiger-Bold WARN No Unicode mapping for CID+69 (69) in font OEAODJ+Frutiger-Bold WARN No Unicode mapping for CID+68 (68) in font OEAODJ+Frutiger-Bold WARN No Unicode mapping for CID+70 (70) in font OEAODJ+Frutiger-Bold WARN No Unicode mapping for CID+79 (79) in font OEAODJ+Frutiger-Bold WARN No Unicode mapping for CID+82 (82) in font OEAODJ+Frutiger-Bold WARN No Unicode mapping for CID+83 (83) in font OEAODJ+Frutiger-Bold WARN No Unicode mapping for CID+84 (84) in font OEAODJ+Frutiger-Bold WARN No Unicode mapping for CID+77 (77) in font OEAODJ+Frutiger-Bold WARN No Unicode mapping for CID+65 (65) in font OEAODJ+Frutiger-Bold WARN No Unicode mapping for CID+73 (73) in font OEAODJ+Frutiger-Bold WARN No Unicode mapping for CID+78 (78) in font OEAODJ+Frutiger-Bold WARN No Unicode mapping for CID+14 (14) in font OEAODJ+Frutiger-Bold WARN No Unicode mapping for CID+67 (67) in font OEAODJ+Frutiger-Bold WARN No Unicode mapping for CID+34 (34) in font OEAODJ+ACaslon-Bold WARN No Unicode mapping for CID+37 (37) in font OEAODJ+ACaslon-Bold WARN No Unicode mapping for CID+36 (36) in font OEAODJ+ACaslon-Bold WARN No Unicode mapping for CID+38 (38) in font OEAODJ+ACaslon-Bold WARN No Unicode mapping for CID+47 (47) in font OEAODJ+ACaslon-Bold WARN No Unicode mapping for CID+50 (50) in font OEAODJ+ACaslon-Bold WARN No Unicode mapping for CID+15 (15) in font OEAODJ+ACaslon-Bold WARN No Unicode mapping for CID+51 (51) in font OEAODJ+ACaslon-Bold WARN No Unicode mapping for CID+52 (52) in font OEAODJ+ACaslon-Bold WARN No Unicode mapping for CID+14 (14) in font OEAODJ+ACaslon-Bold WARN No Unicode mapping for CID+0 (0) in font OEAODJ+ACaslon-Bold WARN No Unicode mapping for CID+45 (45) in font OEAODJ+ACaslon-Bold WARN No Unicode mapping for CID+33 (33) in font OEAODJ+ACaslon-Bold WARN No Unicode mapping for CID+41 (41) in font OEAODJ+ACaslon-Bold WARN No Unicode mapping for CID+46 (46) in font OEAODJ+ACaslon-Bold WARN No Unicode mapping for CID+7 (7) in font OEAODJ+ACaslon-Bold WARN No Unicode mapping for CID+52 (52) in font NWQIPL+Frutiger-Black WARN No Unicode mapping for CID+72 (72) in font NWQIPL+Frutiger-Black WARN No Unicode mapping for CID+69 (69) in font NWQIPL+Frutiger-Black WARN No Unicode mapping for CID+0 (0) in font NWQIPL+Frutiger-Black WARN No Unicode mapping for CID+35 (35) in font NWQIPL+Frutiger-BlackItalic WARN No Unicode mapping for CID+79 (79) in font NWQIPL+Frutiger-BlackItalic WARN No Unicode mapping for CID+77 (77) in font NWQIPL+Frutiger-BlackItalic WARN No Unicode mapping for CID+80 (80) in font NWQIPL+Frutiger-BlackItalic WARN No Unicode mapping for CID+65 (65) in font NWQIPL+Frutiger-BlackItalic FILE: cache/work_deumepylmbgybplcxvtcvdc75y.pdf OUTPUT: txt/work_deumepylmbgybplcxvtcvdc75y.txt WARN No Unicode mapping for CID+67 (67) in font NWQIPL+Frutiger-BlackItalic WARN No Unicode mapping for CID+84 (84) in font NWQIPL+Frutiger-BlackItalic WARN No Unicode mapping for CID+34 (34) in font NWQIPL+Frutiger-Black WARN No Unicode mapping for CID+68 (68) in font NWQIPL+Frutiger-Black WARN No Unicode mapping for CID+70 (70) in font NWQIPL+Frutiger-Black WARN No Unicode mapping for CID+79 (79) in font NWQIPL+Frutiger-Black WARN No Unicode mapping for CID+82 (82) in font NWQIPL+Frutiger-Black WARN No Unicode mapping for CID+41 (41) in font NWQIPL+Frutiger-Black WARN No Unicode mapping for CID+78 (78) in 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WARN No Unicode mapping for CID+82 (82) in font NWQIPL+Frutiger-Light WARN No Unicode mapping for CID+85 (85) in font NWQIPL+Frutiger-Light WARN No Unicode mapping for CID+71 (71) in font NWQIPL+Frutiger-Light WARN No Unicode mapping for CID+89 (89) in font NWQIPL+Frutiger-Light WARN No Unicode mapping for CID+75 (75) in font NWQIPL+Frutiger-Light WARN No Unicode mapping for CID+14 (14) in font NWQIPL+Frutiger-Light WARN No Unicode mapping for CID+46 (46) in font NWQIPL+Frutiger-Light WARN No Unicode mapping for CID+81 (81) in font NWQIPL+Frutiger-Light WARN No Unicode mapping for CID+35 (35) in font NWQIPL+Frutiger-Light WARN No Unicode mapping for CID+36 (36) in font NWQIPL+Frutiger-Light WARN No Unicode mapping for CID+50 (50) in font NWQIPL+Frutiger-Light WARN No Unicode mapping for CID+47 (47) in font NWQIPL+Frutiger-Light WARN No Unicode mapping for CID+45 (45) in font NWQIPL+Frutiger-Light WARN No Unicode mapping for CID+88 (88) in font NWQIPL+Frutiger-Light WARN No Unicode 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MOGCBN+Frutiger-LightCn WARN No Unicode mapping for CID+82 (82) in font MOGCBN+Frutiger-LightCn WARN No Unicode mapping for CID+17 (17) in font MOGCBN+Frutiger-LightCn WARN No Unicode mapping for CID+20 (20) in font MOGCBN+Frutiger-LightCn WARN No Unicode mapping for CID+0 (0) in font MOGCBN+Frutiger-LightCn WARN No Unicode mapping for CID+71 (71) in font MOGCBN+Frutiger-LightCn WARN No Unicode mapping for CID+83 (83) in font MOGCBN+Frutiger-LightCn WARN No Unicode mapping for CID+33 (33) in font MOGCBN+Frutiger-LightItalic WARN No Unicode mapping for CID+8 (8) in font MOGCBN+Frutiger-LightCn WARN No Unicode mapping for CID+35 (35) in font MOGCBN+Frutiger-LightCn WARN No Unicode mapping for CID+36 (36) in font MOGCBN+Frutiger-LightCn WARN No Unicode mapping for CID+13 (13) in font MOGCBN+Frutiger-LightCn WARN No Unicode mapping for CID+50 (50) in font MOGCBN+Frutiger-LightCn WARN No Unicode mapping for CID+47 (47) in font MOGCBN+Frutiger-LightCn WARN No Unicode mapping for CID+45 (45) in font MOGCBN+Frutiger-LightCn WARN No Unicode mapping for CID+9 (9) in font MOGCBN+Frutiger-LightCn WARN No Unicode mapping for CID+66 (66) in font MOGCBN+Frutiger-LightCn WARN No Unicode mapping for CID+68 (68) in font MOGCBN+Frutiger-LightCn WARN No Unicode mapping for CID+70 (70) in font MOGCBN+Frutiger-LightCn WARN No Unicode mapping for CID+79 (79) in font MOGCBN+Frutiger-LightCn WARN No Unicode mapping for CID+84 (84) in font MOGCBN+Frutiger-LightCn WARN No Unicode mapping for CID+77 (77) in font MOGCBN+Frutiger-LightCn WARN No Unicode mapping for CID+73 (73) in font MOGCBN+Frutiger-LightCn WARN No Unicode mapping for CID+78 (78) in font MOGCBN+Frutiger-LightCn WARN No Unicode mapping for CID+14 (14) in font MOGCBN+Frutiger-LightCn WARN No Unicode mapping for CID+67 (67) in font MOGCBN+Frutiger-LightCn WARN No Unicode mapping for CID+89 (89) in font MOGCBN+Frutiger-LightCn WARN No Unicode mapping for CID+40 (40) in font OEAODJ+Frutiger-Bold WARN No Unicode mapping for CID+85 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in font LBWWNP+ACaslon-Regular WARN No Unicode mapping for CID+90 (90) in font LBWWNP+ACaslon-Regular WARN No Unicode mapping for CID+118 (118) in font LBWWNP+ACaslon-Regular WARN No Unicode mapping for CID+88 (88) in font LBWWNP+ACaslon-Regular WARN No Unicode mapping for CID+24 (24) in font LBWWNP+ACaslon-Regular WARN No Unicode mapping for CID+19 (19) in font LBWWNP+ACaslon-Regular WARN No Unicode mapping for CID+15 (15) in font LBWWNP+ACaslon-Regular WARN No Unicode mapping for CID+20 (20) in font LBWWNP+ACaslon-Regular WARN No Unicode mapping for CID+61 (61) in font LBWWNP+ACaslon-Regular WARN No Unicode mapping for CID+0 (0) in font NWQIPL+Frutiger-BlackItalic WARN No Unicode mapping for CID+46 (46) in font NWQIPL+Frutiger-BlackItalic WARN No Unicode mapping for CID+37 (37) in font NWQIPL+Frutiger-BlackItalic WARN No Unicode mapping for CID+55 (55) in font NWQIPL+Frutiger-BlackItalic WARN No Unicode mapping for CID+1 (1) in font NWQIPL+Frutiger-BlackItalic FILE: cache/work_i3udw6wfhrgbvoe4xtapknhnge.pdf OUTPUT: txt/work_i3udw6wfhrgbvoe4xtapknhnge.txt FILE: cache/work_ar4bbvjsozd4teet6r7w3ko3hi.pdf OUTPUT: txt/work_ar4bbvjsozd4teet6r7w3ko3hi.txt FILE: cache/work_iosapayacvbyndmxnl5pvznway.pdf OUTPUT: txt/work_iosapayacvbyndmxnl5pvznway.txt FILE: cache/work_4we3f6nw2ncirldjazvtmp7nz4.pdf OUTPUT: txt/work_4we3f6nw2ncirldjazvtmp7nz4.txt WARN No Unicode mapping for CID+51 (51) in font ZDWCBN+ACaslon-SemiboldSC WARN No Unicode mapping for CID+48 (48) in font ZDWCBN+ACaslon-SemiboldSC WARN No Unicode mapping for CID+41 (41) in font ZDWCBN+ACaslon-SemiboldSC WARN No Unicode mapping for CID+44 (44) in font ZDWCBN+ACaslon-SemiboldSC WARN No Unicode mapping for CID+46 (46) in font ZDWCBN+ACaslon-SemiboldSC WARN No Unicode mapping for CID+39 (39) in font ZDWCBN+ACaslon-SemiboldSC WARN No Unicode mapping for CID+0 (0) in font ZDWCBN+ACaslon-SemiboldSC WARN No Unicode mapping for CID+52 (52) in font ZDWCBN+ACaslon-SemiboldSC WARN No Unicode mapping for 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ZDWCBN+ACaslon-SemiboldSC WARN No Unicode mapping for CID+84 (84) in font ZDWCBN+ACaslon-SemiboldSC WARN No Unicode mapping for CID+73 (73) in font ZDWCBN+ACaslon-SemiboldSC WARN No Unicode mapping for CID+87 (87) in font ZDWCBN+ACaslon-SemiboldSC WARN No Unicode mapping for CID+72 (72) in font ZDWCBN+ACaslon-SemiboldSC WARN No Unicode mapping for CID+55 (55) in font ZDWCBN+ACaslon-SemiboldSC WARN No Unicode mapping for CID+68 (68) in font ZDWCBN+ACaslon-SemiboldSC WARN No Unicode mapping for CID+34 (34) in font YVMWNP+ACaslon-RegularSC WARN No Unicode mapping for CID+89 (89) in font YVMWNP+ACaslon-RegularSC WARN No Unicode mapping for CID+0 (0) in font YVMWNP+ACaslon-RegularSC WARN No Unicode mapping for CID+38 (38) in font YVMWNP+ACaslon-RegularSC WARN No Unicode mapping for CID+82 (82) in font YVMWNP+ACaslon-RegularSC WARN No Unicode mapping for CID+69 (69) in font YVMWNP+ACaslon-RegularSC WARN No Unicode mapping for CID+68 (68) in font YVMWNP+ACaslon-RegularSC WARN No Unicode 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No Unicode mapping for CID+78 (78) in font XNCQZR+ACaslon-Italic WARN No Unicode mapping for CID+71 (71) in font XNCQZR+ACaslon-Italic WARN No Unicode mapping for CID+0 (0) in font XNCQZR+ACaslon-Italic WARN No Unicode mapping for CID+84 (84) in font XNCQZR+ACaslon-Italic WARN No Unicode mapping for CID+72 (72) in font XNCQZR+ACaslon-Italic WARN No Unicode mapping for CID+69 (69) in font XNCQZR+ACaslon-Italic WARN No Unicode mapping for CID+34 (34) in font XNCQZR+ACaslon-Italic WARN No Unicode mapping for CID+65 (65) in font XNCQZR+ACaslon-Italic WARN No Unicode mapping for CID+83 (83) in font XNCQZR+ACaslon-Italic WARN No Unicode mapping for CID+35 (35) in font XNCQZR+ACaslon-Italic WARN No Unicode mapping for CID+67 (67) in font XNCQZR+ACaslon-Italic WARN No Unicode mapping for CID+79 (79) in font XNCQZR+ACaslon-Italic WARN No Unicode mapping for CID+68 (68) in font XNCQZR+ACaslon-Italic WARN No Unicode mapping for CID+0 (0) in font XNCQZR+ACaslon-Regular WARN No Unicode mapping for CID+80 (80) in font XNCQZR+ACaslon-Regular WARN No Unicode mapping for CID+82 (82) in font XNCQZR+ACaslon-Regular WARN No Unicode mapping for CID+69 (69) in font XNCQZR+ACaslon-Regular WARN No Unicode mapping for CID+83 (83) in font XNCQZR+ACaslon-Regular WARN No Unicode mapping for CID+78 (78) in font XNCQZR+ACaslon-Regular WARN No Unicode mapping for CID+84 (84) in font XNCQZR+ACaslon-Regular WARN No Unicode mapping for CID+76 (76) in font XNCQZR+ACaslon-Regular WARN No Unicode mapping for CID+73 (73) in font XNCQZR+ACaslon-Regular WARN No Unicode mapping for CID+86 (86) in font XNCQZR+ACaslon-Regular WARN No Unicode mapping for CID+89 (89) in font XNCQZR+ACaslon-Regular WARN No Unicode mapping for CID+12 (12) in font XNCQZR+ACaslon-Regular WARN No Unicode mapping for CID+72 (72) in font XNCQZR+ACaslon-Regular WARN No Unicode mapping for CID+79 (79) in font XNCQZR+ACaslon-Regular WARN No Unicode mapping for CID+85 (85) in font XNCQZR+ACaslon-Regular WARN No Unicode mapping for CID+71 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font YIMWNP+Helvetica WARN No Unicode mapping for CID+34 (34) in font YIMWNP+Helvetica WARN No Unicode mapping for CID+90 (90) in font YIMWNP+Helvetica WARN No Unicode mapping for CID+42 (42) in font YIMWNP+Cremona-Bold WARN No Unicode mapping for CID+41 (41) in font YIMWNP+Helvetica WARN No Unicode mapping for CID+48 (48) in font YIMWNP+Helvetica INFO rmeta/text (autodetecting type) WARN No Unicode mapping for CID+50 (50) in font YIMWNP+Helvetica WARN No Unicode mapping for CID+36 (36) in font ZQWCBN+Cremona-Bold WARN No Unicode mapping for CID+45 (45) in font ZQWCBN+Cremona-Bold WARN No Unicode mapping for CID+88 (88) in font YIMWNP+Cremona-Bold WARN No Unicode mapping for CID+45 (45) in font YIMWNP+Cremona-Bold WARN No Unicode mapping for CID+45 (45) in font YIMWNP+Helvetica WARN No Unicode mapping for CID+64 (64) in font YIMWNP+Helvetica WARN No Unicode mapping for CID+7 (7) in font YIMWNP+Helvetica WARN No Unicode mapping for CID+33 (33) in font XACQZR+Helvetica-Oblique WARN No Unicode mapping for CID+67 (67) in font XACQZR+Helvetica-Oblique WARN No Unicode mapping for CID+65 (65) in font XACQZR+Helvetica-Oblique WARN No Unicode mapping for CID+85 (85) in font XACQZR+Helvetica-Oblique WARN No Unicode mapping for CID+12 (12) in font ZQWCBN+Helvetica-Bold WARN No Unicode mapping for CID+17 (17) in font ZQWCBN+Helvetica-Bold WARN No Unicode mapping for CID+48 (48) in font ZQWCBN+Cremona-Bold WARN No Unicode mapping for CID+35 (35) in font YIMWNP+Helvetica WARN No Unicode mapping for CID+41 (41) in font XACQZR+Helvetica-Oblique WARN No Unicode mapping for CID+66 (66) in font XACQZR+Helvetica-Oblique WARN No Unicode mapping for CID+76 (76) in font XACQZR+Helvetica-Oblique WARN No Unicode mapping for CID+45 (45) in font XACQZR+Helvetica-Oblique WARN No Unicode mapping for CID+37 (37) in font YIMWNP+Helvetica WARN No Unicode mapping for CID+20 (20) in font ZQWCBN+Helvetica-Bold WARN No Unicode mapping for CID+52 (52) in font YIMWNP+Cremona-Bold WARN No Unicode mapping for CID+72 (72) in font YIMWNP+Cremona-Bold WARN No Unicode mapping for CID+53 (53) in font YIMWNP+Cremona-Bold WARN No Unicode mapping for CID+86 (86) in font YIMWNP+Cremona-Bold WARN No Unicode mapping for CID+70 (70) in font YIMWNP+Cremona-Bold WARN No Unicode mapping for CID+55 (55) in font YIMWNP+Cremona-Bold WARN No Unicode mapping for CID+41 (41) in font YIMWNP+Cremona-Bold WARN No Unicode mapping for CID+52 (52) in font XACQZR+Helvetica-Oblique WARN No Unicode mapping for CID+72 (72) in font XACQZR+Helvetica-Oblique WARN No Unicode mapping for CID+35 (35) in font XACQZR+Helvetica-Oblique WARN No Unicode mapping for CID+46 (46) in font XACQZR+Helvetica-Oblique WARN No Unicode mapping for CID+57 (57) in font XACQZR+Helvetica-Oblique WARN No Unicode mapping for CID+55 (55) in font ZQWCBN+Cremona-Bold WARN No Unicode mapping for CID+36 (36) in font YIMWNP+Cremona-Bold WARN No Unicode mapping for CID+88 (88) in font YIMWNP+Helvetica WARN No Unicode mapping for CID+108 (108) in font YIMWNP+Helvetica WARN No Unicode mapping for CID+71 (71) in font YIMWNP+Cremona-Bold WARN No Unicode mapping for CID+57 (57) in font ZQWCBN+Cremona-Bold WARN No Unicode mapping for CID+42 (42) in font ZQWCBN+Cremona-Bold WARN No Unicode mapping for CID+90 (90) in font YIMWNP+Cremona-Bold WARN No Unicode mapping for CID+87 (87) in font YIMWNP+Cremona-Bold WARN No Unicode mapping for CID+43 (43) in font YIMWNP+Cremona-Bold WARN No Unicode mapping for CID+75 (75) in font YIMWNP+Cremona-Bold WARN No Unicode mapping for CID+47 (47) in font XMCQZR+AkzidenzGroteskBE-Light WARN No Unicode mapping for CID+38 (38) in font XMCQZR+AkzidenzGroteskBE-Light WARN No Unicode mapping for CID+0 (0) in font XMCQZR+AkzidenzGroteskBE-Light WARN No Unicode mapping for CID+45 (45) in font XMCQZR+AkzidenzGroteskBE-Light WARN No Unicode mapping for CID+37 (37) in font XMCQZR+AkzidenzGroteskBE-Light WARN No Unicode mapping for CID+50 (50) in font XMCQZR+AkzidenzGroteskBE-Light WARN No Unicode mapping for CID+57 (57) in font XMCQZR+AkzidenzGroteskBE-Light WARN No Unicode mapping for CID+46 (46) in font XMCQZR+AkzidenzGroteskBE-Light WARN No Unicode mapping for CID+55 (55) in font XMCQZR+AkzidenzGroteskBE-Light WARN No Unicode mapping for CID+41 (41) in font XMCQZR+AkzidenzGroteskBE-Light WARN No Unicode mapping for CID+52 (52) in font XMCQZR+AkzidenzGroteskBE-Light WARN No Unicode mapping for CID+51 (51) in font XMCQZR+AkzidenzGroteskBE-Light WARN No Unicode mapping for CID+12 (12) in font XMCQZR+AkzidenzGroteskBE-Light WARN No Unicode mapping for CID+36 (36) in font XMCQZR+AkzidenzGroteskBE-Light WARN No Unicode mapping for CID+33 (33) in font XMCQZR+AkzidenzGroteskBE-Light WARN No Unicode mapping for CID+42 (42) in font XMCQZR+AkzidenzGroteskBE-Light WARN No Unicode mapping for CID+53 (53) in font XMCQZR+AkzidenzGroteskBE-Light WARN No Unicode mapping for CID+35 (35) in font XMCQZR+AkzidenzGroteskBE-Light WARN No Unicode mapping for CID+14 (14) in font XMCQZR+AkzidenzGroteskBE-Light WARN No Unicode mapping for CID+34 (34) in font XMCQZR+AkzidenzGroteskBE-Light WARN No Unicode mapping for CID+40 (40) in font XMCQZR+AkzidenzGroteskBE-Light FILE: cache/work_ebyqgudypbabngkhjcl3n26ebu.pdf OUTPUT: txt/work_ebyqgudypbabngkhjcl3n26ebu.txt WARN No Unicode mapping for CID+74 (74) in font FEEMHB+Whitman-BoldOsF WARN No Unicode mapping for CID+102 (102) in font FEEMHB+Whitman-BoldOsF WARN No Unicode mapping for CID+108 (108) in font FEEMHB+Whitman-BoldOsF WARN No Unicode mapping for CID+107 (107) in font FEEMHB+Whitman-BoldOsF WARN No Unicode mapping for CID+95 (95) in font FEEMHB+Whitman-BoldOsF WARN No Unicode mapping for CID+92 (92) in font FEEMHB+Whitman-BoldOsF WARN No Unicode mapping for CID+105 (105) in font FEEMHB+Whitman-BoldOsF WARN No Unicode mapping for CID+101 (101) in font FEEMHB+Whitman-BoldOsF WARN No Unicode mapping for CID+23 (23) in font FEEMHB+Whitman-BoldOsF WARN No Unicode mapping for CID+78 (78) in font FEEMHB+Whitman-BoldOsF WARN No Unicode mapping for CID+96 (96) in font FEEMHB+Whitman-BoldOsF WARN No Unicode mapping for CID+106 (106) in font FEEMHB+Whitman-BoldOsF WARN No Unicode mapping for CID+56 (56) in font FEEMHB+Whitman-ItalicOsF WARN No Unicode mapping for CID+23 (23) in font FEEMHB+Whitman-ItalicOsF WARN No Unicode mapping for CID+69 (69) in font FEEMHB+Whitman-ItalicOsF WARN No Unicode mapping for CID+92 (92) in font FEEMHB+Whitman-ItalicOsF WARN No Unicode mapping for CID+110 (110) in font FEEMHB+Whitman-ItalicOsF WARN No Unicode mapping for CID+57 (57) in font FEEMHB+Whitman-ItalicOsF WARN No Unicode mapping for CID+96 (96) in font FEEMHB+Whitman-ItalicOsF WARN No Unicode mapping for CID+102 (102) in font FEEMHB+Whitman-ItalicOsF WARN No Unicode mapping for CID+94 (94) in font FEEMHB+Whitman-ItalicOsF WARN No Unicode mapping for CID+105 (105) in font FEEMHB+Whitman-ItalicOsF WARN No Unicode mapping for CID+88 (88) in font FEEMHB+Whitman-ItalicOsF WARN No Unicode mapping for CID+103 (103) in font FEEMHB+Whitman-ItalicOsF WARN No Unicode mapping for CID+95 (95) in font FEEMHB+Whitman-ItalicOsF WARN No Unicode mapping for CID+90 (90) in font FEEMHB+Whitman-ItalicOsF WARN No Unicode mapping for CID+99 (99) in font FEEMHB+Whitman-ItalicOsF WARN No Unicode mapping for CID+59 (59) in font FEEMHB+Whitman-ItalicOsF WARN No Unicode mapping for CID+107 (107) in font FEEMHB+Whitman-ItalicOsF WARN No Unicode mapping for CID+101 (101) in font FEEMHB+Whitman-ItalicOsF WARN No Unicode mapping for CID+112 (112) in font FEEMHB+Whitman-ItalicOsF WARN No Unicode mapping for CID+60 (60) in font FEEMHB+Whitman-BoldOsF WARN No Unicode mapping for CID+91 (91) in font FEEMHB+Whitman-BoldOsF WARN No Unicode mapping for CID+89 (89) in font FEEMHB+Whitman-BoldOsF WARN No Unicode mapping for CID+112 (112) in font FEEMHB+Whitman-BoldOsF WARN No Unicode mapping for CID+65 (65) in font FEEMHB+Whitman-BoldOsF WARN No Unicode mapping for CID+70 (70) in font FEEMHB+Whitman-BoldOsF WARN No Unicode mapping for CID+71 (71) in font FEEMHB+Whitman-BoldOsF WARN No Unicode mapping for CID+63 (63) in font FEEMHB+Whitman-BoldOsF WARN No Unicode mapping for CID+68 (68) in font FEEMHB+Whitman-BoldOsF WARN No Unicode mapping for CID+37 (37) in font FEEMHB+Whitman-BoldOsF WARN No Unicode mapping for CID+61 (61) in font FEEMHB+Whitman-BoldOsF WARN No Unicode mapping for CID+67 (67) in font FEEMHB+Whitman-BoldOsF WARN No Unicode mapping for CID+73 (73) in font FEEMHB+Whitman-BoldOsF WARN No Unicode mapping for CID+56 (56) in font FEEMHB+Whitman-BoldOsF WARN No Unicode mapping for CID+88 (88) in font FEEMHB+Whitman-BoldOsF WARN No Unicode mapping for CID+57 (57) in font FEEMHB+Whitman-BoldOsF WARN No Unicode mapping for CID+77 (77) in font FEEMHB+Whitman-BoldOsF WARN No Unicode mapping for CID+62 (62) in font FEEMHB+Whitman-BoldOsF WARN No Unicode mapping for CID+80 (80) in font FEEMHB+Whitman-BoldOsF WARN No Unicode mapping for CID+69 (69) in font FEEMHB+Whitman-BoldOsF WARN No Unicode mapping for CID+64 (64) in font FEEMHB+Whitman-BoldOsF WARN No Unicode mapping for CID+81 (81) in font FEEMHB+Whitman-BoldOsF WARN No Unicode mapping for CID+35 (35) in font FEEMHB+Whitman-BoldOsF WARN No Unicode mapping for CID+115 (115) in font FEEMHB+Whitman-BoldOsF WARN No Unicode mapping for CID+27 (27) in font EWUGTD+Whitman-RomanOsF WARN No Unicode mapping for CID+44 (44) in font EWUGTD+Whitman-RomanOsF WARN No Unicode mapping for CID+37 (37) in font EWUGTD+Whitman-RomanOsF WARN No Unicode mapping for CID+39 (39) in font EWUGTD+Whitman-RomanOsF WARN No Unicode mapping for CID+75 (75) in font FEEMHB+Whitman-BoldOsF WARN No Unicode mapping for CID+93 (93) in font FEEMHB+Whitman-BoldOsF WARN No Unicode mapping for CID+99 (99) in font FEEMHB+Whitman-BoldOsF WARN No Unicode mapping for CID+63 (63) in font FEEMHB+Whitman-ItalicOsF WARN No Unicode mapping for CID+106 (106) in font FEEMHB+Whitman-ItalicOsF WARN No Unicode mapping for CID+91 (91) in font FEEMHB+Whitman-ItalicOsF WARN No Unicode mapping for CID+71 (71) in font FEEMHB+Whitman-ItalicOsF WARN No Unicode mapping for CID+42 (42) in font EWUGTD+Whitman-RomanOsF WARN No Unicode mapping for CID+48 (48) in font EWUGTD+Whitman-RomanOsF WARN No Unicode mapping for CID+94 (94) in font FEEMHB+Whitman-BoldOsF WARN No Unicode mapping for CID+90 (90) in font FEEMHB+Whitman-BoldOsF WARN No Unicode mapping for CID+100 (100) in font FEEMHB+Whitman-BoldOsF WARN No Unicode mapping for CID+103 (103) in font FEEMHB+Whitman-BoldOsF WARN No Unicode mapping for CID+58 (58) in font FEEMHB+Whitman-BoldOsF WARN No Unicode mapping for CID+66 (66) in font FEEMHB+Whitman-BoldOsF WARN No Unicode mapping for CID+43 (43) in font EWUGTD+Whitman-RomanOsF WARN No Unicode mapping for CID+128 (128) in font FEEMHB+Whitman-BoldOsF WARN No Unicode mapping for CID+98 (98) in font FEEMHB+Whitman-BoldOsF WARN No Unicode mapping for CID+203 (203) in font FEEMHB+Whitman-BoldOsF WARN No Unicode mapping for CID+61 (61) in font FEEMHB+Whitman-ItalicOsF WARN No Unicode mapping for CID+75 (75) in font FEEMHB+Whitman-ItalicOsF WARN No Unicode mapping for CID+109 (109) in font FEEMHB+Whitman-ItalicOsF WARN No Unicode mapping for CID+74 (74) in font FEEMHB+Whitman-ItalicOsF WARN No Unicode mapping for CID+98 (98) in font FEEMHB+Whitman-ItalicOsF WARN No Unicode mapping for CID+93 (93) in font FEEMHB+Whitman-ItalicOsF WARN No Unicode mapping for CID+100 (100) in font FEEMHB+Whitman-ItalicOsF WARN No Unicode mapping for CID+89 (89) in font FEEMHB+Whitman-ItalicOsF WARN No Unicode mapping for CID+108 (108) in font FEEMHB+Whitman-ItalicOsF WARN No Unicode mapping for CID+73 (73) in font FEEMHB+Whitman-ItalicOsF WARN No Unicode mapping for CID+59 (59) in font FEEMHB+Whitman-BoldOsF WARN No Unicode mapping for CID+68 (68) in font FEEMHB+Whitman-ItalicOsF WARN No Unicode mapping for CID+97 (97) in font FEEMHB+Whitman-ItalicOsF WARN No Unicode mapping for CID+76 (76) in font FEEMHB+Whitman-BoldOsF WARN No Unicode mapping for CID+110 (110) in font FEEMHB+Whitman-BoldOsF WARN No Unicode mapping for CID+35 (35) in font FEEMHB+Whitman-ItalicOsF WARN No Unicode mapping for CID+36 (36) in font FEEMHB+Whitman-ItalicOsF WARN No Unicode mapping for CID+58 (58) in font FEEMHB+Whitman-ItalicOsF WARN No Unicode mapping for CID+41 (41) in font EWUGTD+Whitman-RomanOsF WARN No Unicode mapping for CID+64 (64) in font FEEMHB+Whitman-ItalicOsF WARN No Unicode mapping for CID+44 (44) in font EWUGTD+HelveticaNeue-BoldCond WARN No Unicode mapping for CID+47 (47) in font EWUGTD+HelveticaNeue-BoldCond WARN No Unicode mapping for CID+53 (53) in font EWUGTD+HelveticaNeue-BoldCond WARN No Unicode mapping for CID+41 (41) in font EWUGTD+HelveticaNeue-BoldCond WARN No Unicode mapping for CID+51 (51) in font EWUGTD+HelveticaNeue-BoldCond WARN No Unicode mapping for CID+33 (33) in font EWUGTD+HelveticaNeue-BoldCond WARN No Unicode mapping for CID+46 (46) in font EWUGTD+HelveticaNeue-BoldCond WARN No Unicode mapping for CID+0 (0) in font EWUGTD+HelveticaNeue-BoldCond WARN No Unicode mapping for CID+52 (52) in font EWUGTD+HelveticaNeue-BoldCond WARN No Unicode mapping for CID+37 (37) in font EWUGTD+HelveticaNeue-BoldCond WARN No Unicode mapping for CID+54 (54) in font EWUGTD+HelveticaNeue-BoldCond WARN No Unicode mapping for CID+50 (50) in font EWUGTD+HelveticaNeue-BoldCond WARN No Unicode mapping for CID+57 (57) in font EWUGTD+HelveticaNeue-BoldCond WARN No Unicode mapping for CID+48 (48) in font EWUGTD+HelveticaNeue-BoldCond WARN No Unicode mapping for CID+8 (8) in font DOKAFF+HelveticaNeue-Condensed WARN No Unicode mapping for CID+24 (24) in font DOKAFF+HelveticaNeue-Condensed WARN No Unicode mapping for CID+16 (16) in font DOKAFF+HelveticaNeue-Condensed WARN No Unicode mapping for CID+9 (9) in font DOKAFF+HelveticaNeue-Condensed WARN No Unicode mapping for CID+0 (0) in font DOKAFF+HelveticaNeue-Condensed WARN No Unicode mapping for CID+22 (22) in font DOKAFF+HelveticaNeue-Condensed WARN No Unicode mapping for CID+17 (17) in font DOKAFF+HelveticaNeue-Condensed WARN No Unicode mapping for CID+13 (13) in font DOKAFF+HelveticaNeue-Condensed WARN No Unicode mapping for CID+19 (19) in font DOKAFF+HelveticaNeue-Condensed WARN No Unicode mapping for CID+20 (20) in font DOKAFF+HelveticaNeue-Condensed WARN No Unicode mapping for CID+23 (23) in font DOKAFF+HelveticaNeue-Condensed WARN No Unicode mapping for CID+115 (115) in font DOKAFF+HelveticaNeue-Condensed WARN No Unicode mapping for CID+54 (54) in font DOKAFF+HelveticaNeue-CondensedObl WARN No Unicode mapping for CID+73 (73) in font DOKAFF+HelveticaNeue-CondensedObl WARN No Unicode mapping for CID+83 (83) in font DOKAFF+HelveticaNeue-CondensedObl WARN No Unicode mapping for CID+84 (84) in font DOKAFF+HelveticaNeue-CondensedObl WARN No Unicode mapping for CID+0 (0) in font CGAURH+HelveticaNeue-BoldCondObl WARN No Unicode mapping for CID+87 (87) in font CGAURH+HelveticaNeue-BoldCondObl WARN No Unicode mapping for CID+14 (14) in font CGAURH+HelveticaNeue-BoldCondObl WARN No Unicode mapping for CID+76 (76) in font CGAURH+HelveticaNeue-BoldCondObl WARN No Unicode mapping for CID+83 (83) in font CGAURH+HelveticaNeue-BoldCondObl WARN No Unicode mapping for CID+85 (85) in font CGAURH+HelveticaNeue-BoldCondObl WARN No Unicode mapping for CID+69 (69) in font CGAURH+HelveticaNeue-BoldCondObl WARN No Unicode mapping for CID+68 (68) in font CGAURH+HelveticaNeue-BoldCondObl WARN No Unicode mapping for CID+15 (15) in font CGAURH+HelveticaNeue-BoldCondObl WARN No Unicode mapping for CID+80 (80) in font CGAURH+HelveticaNeue-BoldCondObl WARN No Unicode mapping for CID+82 (82) in font CGAURH+HelveticaNeue-BoldCondObl WARN No Unicode mapping for CID+0 (0) in font DOKAFF+HelveticaNeue-CondensedObl WARN No Unicode mapping for CID+79 (79) in font DOKAFF+HelveticaNeue-CondensedObl WARN No Unicode mapping for CID+74 (74) in font DOKAFF+HelveticaNeue-CondensedObl WARN No Unicode mapping for CID+78 (78) in font DOKAFF+HelveticaNeue-CondensedObl WARN No Unicode mapping for CID+85 (85) in font DOKAFF+HelveticaNeue-CondensedObl WARN No Unicode mapping for CID+82 (82) in font DOKAFF+HelveticaNeue-CondensedObl WARN No Unicode mapping for CID+69 (69) in font DOKAFF+HelveticaNeue-CondensedObl WARN No Unicode mapping for CID+77 (77) in font DOKAFF+HelveticaNeue-CondensedObl WARN No Unicode mapping for CID+65 (65) in font DOKAFF+HelveticaNeue-CondensedObl WARN No Unicode mapping for CID+76 (76) in font DOKAFF+HelveticaNeue-CondensedObl WARN No Unicode mapping for CID+68 (68) in font DOKAFF+HelveticaNeue-CondensedObl WARN No Unicode mapping for CID+66 (66) in font DOKAFF+HelveticaNeue-CondensedObl WARN No Unicode mapping for CID+72 (72) in font DOKAFF+HelveticaNeue-CondensedObl WARN No Unicode mapping for CID+71 (71) in font DOKAFF+HelveticaNeue-CondensedObl WARN No Unicode mapping for CID+75 (75) in font DOKAFF+HelveticaNeue-CondensedObl WARN No Unicode mapping for CID+1 (1) in font DOKAFF+HelveticaNeue-CondensedObl WARN No Unicode mapping for CID+23 (23) in font EWUGTD+Whitman-RomanOsF WARN No Unicode mapping for CID+40 (40) in font FEEMHB+Whitman-ItalicOsF WARN No Unicode mapping for CID+48 (48) in font FEEMHB+Whitman-ItalicOsF WARN No Unicode mapping for CID+43 (43) in font FEEMHB+Whitman-ItalicOsF WARN No Unicode mapping for CID+42 (42) in font FEEMHB+Whitman-ItalicOsF WARN No Unicode mapping for CID+198 (198) in font FEEMHB+Whitman-ItalicOsF WARN No Unicode mapping for CID+44 (44) in font FEEMHB+Whitman-ItalicOsF WARN No Unicode mapping for CID+41 (41) in font FEEMHB+Whitman-ItalicOsF WARN No Unicode mapping for CID+64 (64) in font EWUGTD+Whitman-RomanOsF WARN No Unicode mapping for CID+99 (99) in font EWUGTD+Whitman-RomanOsF WARN No Unicode mapping for CID+108 (108) in font EWUGTD+Whitman-RomanOsF WARN No Unicode mapping for CID+106 (106) in font EWUGTD+Whitman-RomanOsF WARN No Unicode mapping for CID+107 (107) in font EWUGTD+Whitman-RomanOsF WARN No Unicode mapping for CID+105 (105) in font EWUGTD+Whitman-RomanOsF WARN No Unicode mapping for CID+88 (88) in font EWUGTD+Whitman-RomanOsF WARN No Unicode mapping for CID+92 (92) in font EWUGTD+Whitman-RomanOsF WARN No Unicode mapping for CID+91 (91) in font EWUGTD+Whitman-RomanOsF WARN No Unicode mapping for CID+35 (35) in font EWUGTD+Whitman-RomanOsF WARN No Unicode mapping for CID+47 (47) in font FEEMHB+Whitman-ItalicOsF WARN No Unicode mapping for CID+109 (109) in font FEEMHB+Whitman-BoldOsF WARN No Unicode mapping for CID+65 (65) in font FEEMHB+Whitman-ItalicOsF WARN No Unicode mapping for CID+67 (67) in font FEEMHB+Whitman-ItalicOsF WARN No Unicode mapping for CID+78 (78) in font FEEMHB+Whitman-ItalicOsF WARN No Unicode mapping for CID+36 (36) in font FEEMHB+Whitman-BoldOsF WARN No Unicode mapping for CID+79 (79) in font FEEMHB+Whitman-BoldOsF WARN No Unicode mapping for CID+55 (55) in font EWUGTD+HelveticaNeue-BoldCond WARN No Unicode mapping for CID+34 (34) in font EWUGTD+HelveticaNeue-BoldCond WARN No Unicode mapping for CID+35 (35) in font EWUGTD+HelveticaNeue-BoldCond WARN No Unicode mapping for CID+43 (43) in font EWUGTD+HelveticaNeue-BoldCond WARN No Unicode mapping for CID+1 (1) in font EWUGTD+HelveticaNeue-BoldCond WARN No Unicode mapping for CID+71 (71) in font EWUGTD+Whitman-RomanOsF WARN No Unicode mapping for CID+56 (56) in font EWUGTD+Whitman-RomanOsF WARN No Unicode mapping for CID+60 (60) in font EWUGTD+Whitman-RomanOsF WARN No Unicode mapping for CID+73 (73) in font EWUGTD+Whitman-RomanOsF WARN No Unicode mapping for CID+40 (40) in font EWUGTD+Whitman-RomanOsF WARN No Unicode mapping for CID+62 (62) in font FEEMHB+Whitman-ItalicOsF INFO rmeta/text (autodetecting type) WARN Using fallback font 'LiberationSerif' for 'TimesNewRomanPSMT' WARN Using fallback font 'LiberationSerif-Bold' for 'TimesNewRomanPS-BoldMT' WARN Using fallback font 'LiberationSerif-Italic' for 'TimesNewRomanPS-ItalicMT' WARN No Unicode mapping for CID+23 (23) in font KZSQZR+Interstate-Light WARN No Unicode mapping for CID+23 (23) in font JRIKLT+Interstate-Bold WARN No Unicode mapping for CID+75 (75) in font JRIKLT+Interstate-Bold WARN No Unicode mapping for CID+92 (92) in font JRIKLT+Interstate-Bold WARN No Unicode mapping for CID+88 (88) in font JRIKLT+Interstate-Bold WARN No Unicode mapping for CID+90 (90) in font JRIKLT+Interstate-Bold WARN No Unicode mapping for CID+95 (95) in font JRIKLT+Interstate-Bold WARN No Unicode mapping for CID+96 (96) in font JRIKLT+Interstate-Bold WARN No Unicode mapping for CID+101 (101) in font JRIKLT+Interstate-Bold WARN No Unicode mapping for CID+94 (94) in font JRIKLT+Interstate-Bold WARN No Unicode mapping for CID+108 (108) in font JRIKLT+Interstate-Bold WARN No Unicode mapping for CID+91 (91) in font JRIKLT+Interstate-Bold WARN No Unicode mapping for CID+109 (109) in font JRIKLT+Interstate-Bold WARN No Unicode mapping for CID+99 (99) in font JRIKLT+Interstate-Bold WARN No Unicode mapping for CID+89 (89) in font JRIKLT+Interstate-Bold WARN No Unicode mapping for CID+102 (102) in font JRIKLT+Interstate-Bold WARN No Unicode mapping for CID+37 (37) in font JRIKLT+Interstate-Bold WARN No Unicode mapping for CID+61 (61) in font KZSQZR+Interstate-Light WARN No Unicode mapping for CID+102 (102) in font KZSQZR+Interstate-Light WARN No Unicode mapping for CID+105 (105) in font KZSQZR+Interstate-Light WARN No Unicode mapping for CID+100 (100) in font KZSQZR+Interstate-Light WARN No Unicode mapping for CID+92 (92) in font KZSQZR+Interstate-Light WARN No Unicode mapping for CID+109 (109) in font KZSQZR+Interstate-Light WARN No Unicode mapping for CID+88 (88) in font KZSQZR+Interstate-Light WARN No Unicode mapping for CID+99 (99) in font KZSQZR+Interstate-Light WARN No Unicode mapping for CID+108 (108) in font KZSQZR+Interstate-Light WARN No Unicode mapping for CID+89 (89) in font KZSQZR+Interstate-Light WARN No Unicode mapping for CID+106 (106) in font KZSQZR+Interstate-Light WARN No Unicode mapping for CID+90 (90) in font KZSQZR+Interstate-Light WARN No Unicode mapping for CID+101 (101) in font KZSQZR+Interstate-Light WARN No Unicode mapping for CID+91 (91) in font KZSQZR+Interstate-Light WARN No Unicode mapping for CID+93 (93) in font KZSQZR+Interstate-Light WARN No Unicode mapping for CID+98 (98) in font KZSQZR+Interstate-Light WARN No Unicode mapping for CID+111 (111) in font KZSQZR+Interstate-Light WARN No Unicode mapping for CID+103 (103) in font KZSQZR+Interstate-Light WARN No Unicode mapping for CID+112 (112) in font KZSQZR+Interstate-Light WARN No Unicode mapping for CID+96 (96) in font KZSQZR+Interstate-Light WARN No Unicode mapping for CID+107 (107) in font KZSQZR+Interstate-Light WARN No Unicode mapping for CID+110 (110) in font KZSQZR+Interstate-Light WARN No Unicode mapping for CID+37 (37) in font KZSQZR+Interstate-Light WARN No Unicode mapping for CID+74 (74) in font KZSQZR+Interstate-Light WARN No Unicode mapping for CID+56 (56) in font KZSQZR+Interstate-Light WARN No Unicode mapping for CID+69 (69) in font GTESVZ+Interstate-RegularCondensed WARN No Unicode mapping for CID+70 (70) in font GTESVZ+Interstate-RegularCondensed WARN No Unicode mapping for CID+78 (78) in font GTESVZ+Interstate-RegularCondensed WARN No Unicode mapping for CID+23 (23) in font GTESVZ+Interstate-RegularCondensed WARN No Unicode mapping for CID+56 (56) in font GTESVZ+Interstate-RegularCondensed WARN No Unicode mapping for CID+77 (77) in font GTESVZ+Interstate-RegularCondensed WARN No Unicode mapping for CID+64 (64) in font GTESVZ+Interstate-RegularCondensed WARN No Unicode mapping for CID+67 (67) in font GTESVZ+Interstate-RegularCondensed WARN No Unicode mapping for CID+57 (57) in font GTESVZ+Interstate-RegularCondensed WARN No Unicode mapping for CID+60 (60) in font GTESVZ+Interstate-RegularCondensed WARN No Unicode mapping for CID+71 (71) in font GTESVZ+Interstate-RegularCondensed WARN No Unicode mapping for CID+73 (73) in font GTESVZ+Interstate-RegularCondensed WARN No Unicode mapping for CID+58 (58) in font GTESVZ+Interstate-RegularCondensed WARN No Unicode mapping for CID+66 (66) in font GTESVZ+Interstate-RegularCondensed WARN Using fallback font 'LiberationSerif' for 'TimesNewRomanPSMT' WARN Using fallback font 'LiberationSerif-Italic' for 'TimesNewRomanPS-ItalicMT' INFO rmeta/text (autodetecting type) FILE: cache/work_dr7bh6dn3jdfnpedaynpztlxeu.pdf OUTPUT: txt/work_dr7bh6dn3jdfnpedaynpztlxeu.txt WARN FeatureRecord array not alphabetically sorted by FeatureTag: init < isol FILE: cache/work_emm25ddpgvg2zb4zx4rvxhpfma.pdf OUTPUT: txt/work_emm25ddpgvg2zb4zx4rvxhpfma.txt WARN No Unicode mapping for CID+78 (78) in font RIFGTD+FranklinGothic-BookOblique WARN No Unicode mapping for CID+79 (79) in font RIFGTD+FranklinGothic-BookOblique WARN No Unicode mapping for CID+87 (87) in font RIFGTD+FranklinGothic-BookOblique WARN No Unicode mapping for CID+0 (0) in font RIFGTD+FranklinGothic-BookOblique WARN No Unicode mapping for CID+73 (73) in font RIFGTD+FranklinGothic-BookOblique WARN No Unicode mapping for CID+80 (80) in font RIFGTD+FranklinGothic-BookOblique WARN No Unicode mapping for CID+65 (65) in font RIFGTD+FranklinGothic-BookOblique WARN No Unicode mapping for CID+69 (69) in font RIFGTD+FranklinGothic-BookOblique WARN No Unicode mapping for CID+82 (82) in font RIFGTD+FranklinGothic-BookOblique WARN No Unicode mapping for CID+66 (66) in font RIFGTD+FranklinGothic-BookOblique WARN No Unicode mapping for CID+67 (67) in font RIFGTD+FranklinGothic-BookOblique WARN No Unicode mapping for CID+75 (75) in font RIFGTD+FranklinGothic-BookOblique WARN No Unicode mapping for CID+52 (52) in font QAVAFF+FranklinGothic-Demi WARN No Unicode mapping for CID+72 (72) in font QAVAFF+FranklinGothic-Demi WARN No Unicode mapping for CID+69 (69) in font QAVAFF+FranklinGothic-Demi WARN No Unicode mapping for CID+0 (0) in font QAVAFF+FranklinGothic-Demi WARN No Unicode mapping for CID+35 (35) in font QAVAFF+FranklinGothic-Demi WARN No Unicode mapping for CID+73 (73) in font QAVAFF+FranklinGothic-Demi WARN No Unicode mapping for CID+78 (78) in font QAVAFF+FranklinGothic-Demi WARN No Unicode mapping for CID+77 (77) in font QAVAFF+FranklinGothic-Demi WARN No Unicode mapping for CID+65 (65) in font QAVAFF+FranklinGothic-Demi WARN No Unicode mapping for CID+37 (37) in font QAVAFF+FranklinGothic-Demi WARN No Unicode mapping for CID+70 (70) in font QAVAFF+FranklinGothic-Demi WARN No Unicode mapping for CID+67 (67) in font QAVAFF+FranklinGothic-Demi WARN No Unicode mapping for CID+84 (84) in font QAVAFF+FranklinGothic-Demi WARN No Unicode mapping for CID+51 (51) in font RIFGTD+FranklinGothic-BookOblique WARN No Unicode mapping for CID+35 (35) in font RIFGTD+FranklinGothic-BookOblique WARN No Unicode mapping for CID+85 (85) in font RIFGTD+FranklinGothic-BookOblique WARN No Unicode mapping for CID+84 (84) in font RIFGTD+FranklinGothic-BookOblique WARN No Unicode mapping for CID+104 (104) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+34 (34) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+79 (79) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+84 (84) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+72 (72) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+0 (0) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+69 (69) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+82 (82) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+65 (65) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+78 (78) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+71 (71) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+70 (70) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+77 (77) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+73 (73) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+76 (76) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+67 (67) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+86 (86) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+68 (68) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+80 (80) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+87 (87) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+75 (75) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+83 (83) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+89 (89) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+85 (85) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+66 (66) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+14 (14) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+118 (118) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+136 (136) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+51 (51) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+45 (45) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+12 (12) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+53 (53) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+35 (35) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+44 (44) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+33 (33) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+20 (20) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+22 (22) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+24 (24) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+4 (4) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+18 (18) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+25 (25) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+21 (21) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+38 (38) in font QAVAFF+FranklinGothic-Demi WARN No Unicode mapping for CID+82 (82) in font QAVAFF+FranklinGothic-Demi WARN No Unicode mapping for CID+83 (83) in font QAVAFF+FranklinGothic-Demi WARN No Unicode mapping for CID+48 (48) in font QAVAFF+FranklinGothic-Demi WARN No Unicode mapping for CID+79 (79) in font QAVAFF+FranklinGothic-Demi WARN No Unicode mapping for CID+46 (46) in font QAVAFF+FranklinGothic-Demi WARN No Unicode mapping for CID+87 (87) in font QAVAFF+FranklinGothic-Demi WARN No Unicode mapping for CID+45 (45) in font QAVAFF+FranklinGothic-Demi WARN No Unicode mapping for CID+68 (68) in font QAVAFF+FranklinGothic-Demi WARN No Unicode mapping for CID+51 (51) in font QAVAFF+FranklinGothic-Demi WARN No Unicode mapping for CID+89 (89) in font QAVAFF+FranklinGothic-Demi WARN No Unicode mapping for CID+12 (12) in font QAVAFF+FranklinGothic-Demi WARN No Unicode mapping for CID+39 (39) in font QAVAFF+FranklinGothic-Demi WARN No Unicode mapping for CID+68 (68) in font RIFGTD+FranklinGothic-BookOblique WARN No Unicode mapping for CID+89 (89) in font RIFGTD+FranklinGothic-BookOblique WARN No Unicode mapping for CID+46 (46) in font RIFGTD+FranklinGothic-BookOblique WARN No Unicode mapping for CID+72 (72) in font RIFGTD+FranklinGothic-BookOblique WARN No Unicode mapping for CID+55 (55) in font RIFGTD+FranklinGothic-BookOblique WARN No Unicode mapping for CID+13 (13) in font RIFGTD+FranklinGothic-BookOblique WARN No Unicode mapping for CID+38 (38) in font RIFGTD+FranklinGothic-BookOblique WARN No Unicode mapping for CID+48 (48) in font RIFGTD+FranklinGothic-BookOblique WARN No Unicode mapping for CID+40 (40) in font RIFGTD+FranklinGothic-BookOblique WARN No Unicode mapping for CID+71 (71) in font RIFGTD+FranklinGothic-BookOblique WARN No Unicode mapping for CID+52 (52) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+13 (13) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+90 (90) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+8 (8) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+9 (9) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+19 (19) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+16 (16) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+17 (17) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+41 (41) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+48 (48) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+3 (3) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+23 (23) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+15 (15) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+88 (88) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+72 (72) in font OKBODJ+AvantGarde-Demi WARN No Unicode mapping for CID+84 (84) in font OKBODJ+AvantGarde-Demi WARN No Unicode mapping for CID+80 (80) in font OKBODJ+AvantGarde-Demi WARN No Unicode mapping for CID+26 (26) in font OKBODJ+AvantGarde-Demi WARN No Unicode mapping for CID+15 (15) in font OKBODJ+AvantGarde-Demi WARN No Unicode mapping for CID+77 (77) in font OKBODJ+AvantGarde-Demi WARN No Unicode mapping for CID+73 (73) in font OKBODJ+AvantGarde-Demi WARN No Unicode mapping for CID+82 (82) in font OKBODJ+AvantGarde-Demi WARN No Unicode mapping for CID+69 (69) in font OKBODJ+AvantGarde-Demi WARN No Unicode mapping for CID+83 (83) in font OKBODJ+AvantGarde-Demi WARN No Unicode mapping for CID+14 (14) in font OKBODJ+AvantGarde-Demi WARN No Unicode mapping for CID+68 (68) in font OKBODJ+AvantGarde-Demi WARN No Unicode mapping for CID+85 (85) in font OKBODJ+AvantGarde-Demi WARN No Unicode mapping for CID+24 (24) in font QAVAFF+FranklinGothic-Demi WARN No Unicode mapping for CID+16 (16) in font QAVAFF+FranklinGothic-Demi WARN No Unicode mapping for CID+13 (13) in font QAVAFF+FranklinGothic-Demi WARN No Unicode mapping for CID+20 (20) in font QAVAFF+FranklinGothic-Demi WARN No Unicode mapping for CID+21 (21) in font QAVAFF+FranklinGothic-Demi WARN No Unicode mapping for CID+17 (17) in font QAVAFF+FranklinGothic-Demi WARN No Unicode mapping for CID+22 (22) in font QAVAFF+FranklinGothic-Demi WARN No Unicode mapping for CID+25 (25) in font QAVAFF+FranklinGothic-Demi WARN No Unicode mapping for CID+46 (46) in font OKBODJ+AvantGarde-Demi WARN No Unicode mapping for CID+87 (87) in font OKBODJ+AvantGarde-Demi WARN No Unicode mapping for CID+0 (0) in font OKBODJ+AvantGarde-Demi WARN No Unicode mapping for CID+70 (70) in font OKBODJ+AvantGarde-Demi WARN No Unicode mapping for CID+79 (79) in font OKBODJ+AvantGarde-Demi WARN No Unicode mapping for CID+52 (52) in font OKBODJ+AvantGarde-Demi WARN No Unicode mapping for CID+45 (45) in font OKBODJ+AvantGarde-Demi WARN No Unicode mapping for CID+41 (41) in font OKBODJ+AvantGarde-Demi WARN No Unicode mapping for CID+48 (48) in font OKBODJ+AvantGarde-Demi WARN No Unicode mapping for CID+40 (40) in font QAVAFF+FranklinGothic-Demi WARN No Unicode mapping for CID+90 (90) in font QAVAFF+FranklinGothic-Demi WARN No Unicode mapping for CID+76 (76) in font QAVAFF+FranklinGothic-Demi WARN No Unicode mapping for CID+85 (85) in font QAVAFF+FranklinGothic-Demi WARN No Unicode mapping for CID+33 (33) in font QAVAFF+FranklinGothic-Demi WARN No Unicode mapping for CID+88 (88) in font QAVAFF+FranklinGothic-Demi WARN No Unicode mapping for CID+80 (80) in font QAVAFF+FranklinGothic-Demi WARN No Unicode mapping for CID+36 (36) in font QAVAFF+FranklinGothic-Demi WARN No Unicode mapping for CID+71 (71) in font QAVAFF+FranklinGothic-Demi WARN No Unicode mapping for CID+33 (33) in font RIFGTD+FranklinGothic-BookOblique WARN No Unicode mapping for CID+36 (36) in font RIFGTD+FranklinGothic-BookOblique WARN No Unicode mapping for CID+7 (7) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+200 (200) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+55 (55) in font QAVAFF+FranklinGothic-Demi WARN No Unicode mapping for CID+41 (41) in font QAVAFF+FranklinGothic-Demi WARN No Unicode mapping for CID+42 (42) in font RIFGTD+FranklinGothic-BookOblique WARN No Unicode mapping for CID+86 (86) in font RIFGTD+FranklinGothic-BookOblique WARN No Unicode mapping for CID+34 (34) in font RIFGTD+FranklinGothic-BookOblique WARN No Unicode mapping for CID+76 (76) in font RIFGTD+FranklinGothic-BookOblique WARN No Unicode mapping for CID+39 (39) in font RIFGTD+FranklinGothic-BookOblique WARN No Unicode mapping for CID+77 (77) in font RIFGTD+FranklinGothic-BookOblique WARN No Unicode mapping for CID+42 (42) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+40 (40) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+26 (26) in font RIFGTD+FranklinGothic-BookOblique WARN No Unicode mapping for CID+52 (52) in font RIFGTD+FranklinGothic-BookOblique WARN No Unicode mapping for CID+70 (70) in font RIFGTD+FranklinGothic-BookOblique WARN No Unicode mapping for CID+83 (83) in font RIFGTD+FranklinGothic-BookOblique WARN No Unicode mapping for CID+45 (45) in font RIFGTD+FranklinGothic-BookOblique WARN No Unicode mapping for CID+14 (14) in font RIFGTD+FranklinGothic-BookOblique WARN No Unicode mapping for CID+47 (47) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+206 (206) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+54 (54) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+6 (6) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+88 (88) in font RIFGTD+FranklinGothic-BookOblique WARN No Unicode mapping for CID+50 (50) in font RIFGTD+FranklinGothic-BookOblique WARN No Unicode mapping for CID+38 (38) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+53 (53) in font RIFGTD+FranklinGothic-BookOblique WARN No Unicode mapping for CID+41 (41) in font RIFGTD+FranklinGothic-BookOblique WARN No Unicode mapping for CID+56 (56) in font RIFGTD+FranklinGothic-BookOblique WARN No Unicode mapping for CID+39 (39) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+81 (81) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+54 (54) in font RIFGTD+FranklinGothic-BookOblique WARN No Unicode mapping for CID+639 (639) in font MPHCBN+FranklinGothic-Book INFO rmeta/text (autodetecting type) FILE: cache/work_kqoxlcruifhrvfinqrik6d6dp4.pdf OUTPUT: txt/work_kqoxlcruifhrvfinqrik6d6dp4.txt FILE: cache/work_me7apg3jtvcn7m64klo5u5u7rm.pdf OUTPUT: txt/work_me7apg3jtvcn7m64klo5u5u7rm.txt INFO rmeta/text (autodetecting type) WARN No Unicode mapping for CID+35 (35) in font TNPSVZ+WoodtypeOrnaments-One WARN No Unicode mapping for CID+68 (68) in font GPPSVZ+ScalaSans WARN No Unicode mapping for CID+80 (80) in font GPPSVZ+ScalaSans WARN No Unicode mapping for CID+77 (77) in font GPPSVZ+ScalaSans WARN No Unicode mapping for CID+86 (86) in font GPPSVZ+ScalaSans WARN No Unicode mapping for CID+78 (78) in font GPPSVZ+ScalaSans WARN No Unicode mapping for CID+67 (67) in font GPPSVZ+ScalaSans WARN No Unicode mapping for CID+74 (74) in font GPPSVZ+ScalaSans WARN No Unicode mapping for CID+66 (66) in font GPPSVZ+ScalaSans WARN No Unicode mapping for CID+15 (15) in font GPPSVZ+ScalaSans WARN No Unicode mapping for CID+70 (70) in font GPPSVZ+ScalaSans WARN No Unicode mapping for CID+69 (69) in font GPPSVZ+ScalaSans WARN No Unicode mapping for CID+16 (16) in font GPPSVZ+ScalaSans WARN No Unicode mapping for CID+81 (81) in font GPPSVZ+ScalaSans WARN No Unicode mapping for CID+1 (1) in font GPPSVZ+ScalaSans WARN No Unicode mapping for CID+62 (62) in font FHFMHB+Scala-Caps WARN No Unicode mapping for CID+83 (83) in font FHFMHB+Scala-Caps WARN No Unicode mapping for CID+70 (70) in font FHFMHB+Scala-Caps WARN No Unicode mapping for CID+73 (73) in font FHFMHB+Scala-Caps WARN No Unicode mapping for CID+63 (63) in font FHFMHB+Scala-Caps WARN No Unicode mapping for CID+66 (66) in font FHFMHB+Scala-Caps WARN No Unicode mapping for CID+1 (1) in font FHFMHB+Scala-Caps WARN No Unicode mapping for CID+67 (67) in font FHFMHB+Scala-Caps WARN No Unicode mapping for CID+79 (79) in font FHFMHB+Scala-Caps WARN No Unicode mapping for CID+76 (76) in font FHFMHB+Scala-Caps WARN No Unicode mapping for CID+74 (74) in font FHFMHB+Scala-Caps WARN No Unicode mapping for CID+65 (65) in font FHFMHB+Scala-Caps WARN No Unicode mapping for CID+75 (75) in font FHFMHB+Scala-Caps WARN No Unicode mapping for CID+82 (82) in font FHFMHB+Scala-Caps WARN No Unicode mapping for CID+68 (68) in font FHFMHB+Scala-Caps WARN No Unicode mapping for CID+69 (69) in font FHFMHB+Scala-Caps WARN No Unicode mapping for CID+80 (80) in font FHFMHB+Scala-Caps WARN No Unicode mapping for CID+81 (81) in font FHFMHB+Scala-Caps WARN No Unicode mapping for CID+86 (86) in font FHFMHB+Scala-Caps WARN No Unicode mapping for CID+77 (77) in font FHFMHB+Scala-Caps WARN No Unicode mapping for CID+52 (52) in font FHFMHB+ScalaSans-Bold WARN No Unicode mapping for CID+68 (68) in font FHFMHB+ScalaSans-Bold WARN No Unicode mapping for CID+80 (80) in font FHFMHB+ScalaSans-Bold WARN No Unicode mapping for CID+85 (85) in font FHFMHB+ScalaSans-Bold WARN No Unicode mapping for CID+74 (74) in font FHFMHB+ScalaSans-Bold WARN No Unicode mapping for CID+84 (84) in font FHFMHB+ScalaSans-Bold WARN No Unicode mapping for CID+73 (73) in font FHFMHB+ScalaSans-Bold WARN No Unicode mapping for CID+1 (1) in font FHFMHB+ScalaSans-Bold WARN No Unicode mapping for CID+39 (39) in font FHFMHB+ScalaSans-Bold WARN No Unicode mapping for CID+79 (79) in font FHFMHB+ScalaSans-Bold WARN No Unicode mapping for CID+66 (66) in font FHFMHB+ScalaSans-Bold WARN No Unicode mapping for CID+69 (69) in font FHFMHB+ScalaSans-Bold WARN No Unicode mapping for CID+70 (70) in font FHFMHB+ScalaSans-Bold WARN No Unicode mapping for CID+35 (35) in font FHFMHB+ScalaSans-Bold WARN No Unicode mapping for CID+83 (83) in font FHFMHB+ScalaSans-Bold WARN No Unicode mapping for CID+38 (38) in font FHFMHB+ScalaSans-Bold WARN No Unicode mapping for CID+78 (78) in font FHFMHB+ScalaSans-Bold WARN No Unicode mapping for CID+81 (81) in font FHFMHB+ScalaSans-Bold WARN No Unicode mapping for CID+37 (37) in font FHFMHB+ScalaSans-Italic WARN No Unicode mapping for CID+80 (80) in font FHFMHB+ScalaSans-Italic WARN No Unicode mapping for CID+86 (86) in font FHFMHB+ScalaSans-Italic WARN No Unicode mapping for CID+72 (72) in font FHFMHB+ScalaSans-Italic WARN No Unicode mapping for CID+77 (77) in font FHFMHB+ScalaSans-Italic WARN No Unicode mapping for CID+66 (66) in font FHFMHB+ScalaSans-Italic WARN No Unicode mapping for CID+84 (84) in font FHFMHB+ScalaSans-Italic WARN No Unicode mapping for CID+1 (1) in font FHFMHB+ScalaSans-Italic WARN No Unicode mapping for CID+52 (52) in font FHFMHB+ScalaSans-Italic WARN No Unicode mapping for CID+15 (15) in font FHFMHB+ScalaSans-Italic WARN No Unicode mapping for CID+46 (46) in font FHFMHB+ScalaSans-Italic WARN No Unicode mapping for CID+68 (68) in font FHFMHB+ScalaSans-Italic WARN No Unicode mapping for CID+76 (76) in font FHFMHB+ScalaSans-Italic WARN No Unicode mapping for CID+85 (85) in font GPPSVZ+ScalaSans WARN No Unicode mapping for CID+73 (73) in font GPPSVZ+ScalaSans WARN No Unicode mapping for CID+14 (14) in font GPPSVZ+ScalaSans WARN No Unicode mapping for CID+17 (17) in font GPPSVZ+ScalaSans WARN No Unicode mapping for CID+24 (24) in font GPPSVZ+ScalaSans WARN No Unicode mapping for CID+21 (21) in font GPPSVZ+ScalaSans WARN No Unicode mapping for CID+25 (25) in font GPPSVZ+ScalaSans WARN No Unicode mapping for CID+23 (23) in font GPPSVZ+ScalaSans WARN No Unicode mapping for CID+18 (18) in font GPPSVZ+ScalaSans WARN No Unicode mapping for CID+5 (5) in font GPPSVZ+ScalaSans WARN No Unicode mapping for CID+20 (20) in font GPPSVZ+ScalaSans WARN No Unicode mapping for CID+51 (51) in font FHFMHB+ScalaSans-Bold WARN No Unicode mapping for CID+77 (77) in font FHFMHB+ScalaSans-Bold WARN No Unicode mapping for CID+49 (49) in font GPPSVZ+ScalaSans WARN No Unicode mapping for CID+84 (84) in font GPPSVZ+ScalaSans WARN No Unicode mapping for CID+83 (83) in font GPPSVZ+ScalaSans WARN No Unicode mapping for CID+13 (13) in font GPPSVZ+ScalaSans WARN No Unicode mapping for CID+79 (79) in font GPPSVZ+ScalaSans WARN No Unicode mapping for CID+47 (47) in font GPPSVZ+ScalaSans WARN No Unicode mapping for CID+88 (88) in font GPPSVZ+ScalaSans WARN No Unicode mapping for CID+34 (34) in font GPPSVZ+ScalaSans WARN No Unicode mapping for CID+51 (51) in font FHFMHB+ScalaSans-Italic WARN No Unicode mapping for CID+74 (74) in font FHFMHB+ScalaSans-Italic WARN No Unicode mapping for CID+73 (73) in font FHFMHB+ScalaSans-Italic WARN No Unicode mapping for CID+83 (83) in font FHFMHB+ScalaSans-Italic WARN No Unicode mapping for CID+69 (69) in font FHFMHB+ScalaSans-Italic WARN No Unicode mapping for CID+36 (36) in font FHFMHB+ScalaSans-Italic WARN No Unicode mapping for CID+78 (78) in font FHFMHB+ScalaSans-Italic WARN No Unicode mapping for CID+67 (67) in font FHFMHB+ScalaSans-Italic WARN No Unicode mapping for CID+70 (70) in font FHFMHB+ScalaSans-Italic WARN No Unicode mapping for CID+79 (79) in font FHFMHB+ScalaSans-Italic WARN No Unicode mapping for CID+19 (19) in font GPPSVZ+ScalaSans WARN No Unicode mapping for CID+26 (26) in font GPPSVZ+ScalaSans WARN No Unicode mapping for CID+57 (57) in font GPPSVZ+ScalaSans WARN No Unicode mapping for CID+22 (22) in font GPPSVZ+ScalaSans WARN No Unicode mapping for CID+53 (53) in font FHFMHB+ScalaSans-Bold WARN No Unicode mapping for CID+54 (54) in font FHFMHB+ScalaSans-Bold WARN No Unicode mapping for CID+87 (87) in font FHFMHB+ScalaSans-Bold WARN No Unicode mapping for CID+36 (36) in font FHFMHB+ScalaSans-Bold WARN No Unicode mapping for CID+86 (86) in font FHFMHB+ScalaSans-Bold WARN No Unicode mapping for CID+90 (90) in font FHFMHB+ScalaSans-Bold WARN No Unicode mapping for CID+90 (90) in font GPPSVZ+ScalaSans WARN No Unicode mapping for CID+72 (72) in font GPPSVZ+ScalaSans WARN No Unicode mapping for CID+71 (71) in font GPPSVZ+ScalaSans WARN No Unicode mapping for CID+53 (53) in font GPPSVZ+ScalaSans WARN No Unicode mapping for CID+56 (56) in font FHFMHB+ScalaSans-Italic WARN No Unicode mapping for CID+45 (45) in font FHFMHB+ScalaSans-Italic WARN No Unicode mapping for CID+39 (39) in font GPPSVZ+ScalaSans WARN No Unicode mapping for CID+177 (177) in font GPPSVZ+ScalaSans WARN No Unicode mapping for CID+51 (51) in font GPPSVZ+ScalaSans WARN No Unicode mapping for CID+43 (43) in font GPPSVZ+ScalaSans WARN No Unicode mapping for CID+36 (36) in font GPPSVZ+ScalaSans WARN No Unicode mapping for CID+45 (45) in font FHFMHB+ScalaSans-Bold WARN No Unicode mapping for CID+71 (71) in font FHFMHB+ScalaSans-Bold WARN No Unicode mapping for CID+67 (67) in font 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in font EZVGTD+ScalaSans-Caps WARN No Unicode mapping for CID+62 (62) in font EZVGTD+ScalaSans-Caps WARN No Unicode mapping for CID+69 (69) in font EZVGTD+ScalaSans-Caps WARN No Unicode mapping for CID+61 (61) in font EZVGTD+ScalaSans-Caps WARN No Unicode mapping for CID+10 (10) in font EZVGTD+ScalaSans-Caps WARN No Unicode mapping for CID+71 (71) in font FHFMHB+ScalaSans-Italic WARN No Unicode mapping for CID+84 (84) in font FHFMHB+Scala-Caps INFO rmeta/text (autodetecting type) FILE: cache/work_rfc5tg5yrzbm5p7ukt5qsf7azm.pdf OUTPUT: txt/work_rfc5tg5yrzbm5p7ukt5qsf7azm.txt INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) FILE: cache/work_tknpu5yucjcsxjbsgv5kde5olm.pdf OUTPUT: txt/work_tknpu5yucjcsxjbsgv5kde5olm.txt WARN FeatureRecord array not alphabetically sorted by FeatureTag: init < isol INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) FILE: cache/work_owqg3eqzinconmr7mpy4fmjtje.pdf OUTPUT: txt/work_owqg3eqzinconmr7mpy4fmjtje.txt WARN No Unicode mapping for a73 (2) in font EBJCCL+ZapfDingbats WARN No Unicode mapping for 36 (65) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for 79 (108) in font CCBONJ+Palatino-Roman INFO rmeta/text (autodetecting type) WARN No Unicode mapping for 3 (32) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for 87 (116) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for 75 (104) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for 72 (101) in font CCBONJ+Palatino-Roman WARN No 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No Unicode mapping for 17 (46) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for 44 (73) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for 80 (109) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for 90 (119) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for 74 (103) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for 15 (44) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for 16 (45) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for 91 (120) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for 11 (40) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for 57 (86) in font CCBONK+Palatino-Italic WARN No Unicode mapping for 76 (105) in font CCBONK+Palatino-Italic WARN No Unicode mapping for 68 (97) in font CCBONK+Palatino-Italic WARN No Unicode mapping for 3 (32) in font CCBONK+Palatino-Italic WARN No Unicode mapping for 47 (76) in font CCBONK+Palatino-Italic WARN No Unicode mapping for 70 (99) in font CCBONK+Palatino-Italic WARN No Unicode mapping for 87 (116) in font CCBONK+Palatino-Italic WARN No Unicode mapping for 72 (101) in font CCBONK+Palatino-Italic WARN No Unicode mapping for 81 (110) in font CCBONK+Palatino-Italic WARN No Unicode mapping for 71 (100) in font CCBONK+Palatino-Italic WARN No Unicode mapping for 88 (117) in font CCBONK+Palatino-Italic WARN No Unicode mapping for 86 (115) in font CCBONK+Palatino-Italic WARN No Unicode mapping for 73 (102) in font CCBONK+Palatino-Italic WARN No Unicode mapping for 79 (108) in font CCBONK+Palatino-Italic WARN No Unicode mapping for 80 (109) in font CCBONK+Palatino-Italic WARN No Unicode mapping for 85 (114) in font CCBONK+Palatino-Italic WARN No Unicode mapping for 12 (41) in font CCBONK+Palatino-Italic WARN No Unicode mapping for 93 (122) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for 41 (70) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for 183 (146) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for 40 (69) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for 54 (83) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for 53 (82) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for 51 (80) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for 12 (41) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for 53 (82) in font CCBONK+Palatino-Italic WARN No Unicode mapping for 82 (111) in font CCBONK+Palatino-Italic WARN No Unicode mapping for 45 (74) in font CCBONJ+Palatino-Roman FILE: cache/work_b3g537zxkzhnzpjdsyan4gowha.pdf OUTPUT: txt/work_b3g537zxkzhnzpjdsyan4gowha.txt WARN No Unicode mapping for 39 (68) in font CCBONK+Palatino-Italic WARN No Unicode mapping for 183 (146) in font CCBONK+Palatino-Italic WARN No Unicode mapping for 36 (65) in font CCBONK+Palatino-Italic WARN No Unicode mapping for 89 (118) in font CCBONK+Palatino-Italic WARN No Unicode mapping for 48 (77) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for 55 (84) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for 43 (72) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for 77 (106) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for 29 (58) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for 51 (80) in font CCBONK+Palatino-Italic WARN No Unicode mapping for 69 (98) in font CCBONK+Palatino-Italic WARN No Unicode mapping for 78 (107) in font CCBONK+Palatino-Italic WARN No Unicode mapping for 58 (87) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for 39 (68) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for 57 (86) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for 46 (75) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for 50 (79) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for 84 (113) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for 47 (76) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for 49 (78) in font CCBONJ+Palatino-Roman FILE: cache/work_s4hl3i2n3zer7dvhfqnl3l3lly.pdf OUTPUT: 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Unicode mapping for 15 (44) in font CCBONK+Palatino-Italic FILE: cache/work_bbhvsazkxzavhcgvimv2lgz3fe.pdf OUTPUT: txt/work_bbhvsazkxzavhcgvimv2lgz3fe.txt WARN No Unicode mapping for C0 (2) in font CAMHBH+AdvP4C4E74 WARN No Unicode mapping for 38 (67) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for 60 (89) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for 4 (33) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for G25 (0) in font T1 WARN No Unicode mapping for 182 (145) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for 42 (71) in font CCBONK+Palatino-Italic WARN No Unicode mapping for 90 (119) in font CCBONK+Palatino-Italic WARN No Unicode mapping for 40 (69) in font CCBONK+Palatino-Italic WARN No Unicode mapping for 48 (77) in font CCBONK+Palatino-Italic WARN No Unicode mapping for 34 (63) in font CCBONJ+Palatino-Roman FILE: cache/work_dxsa2q5wbbeo3blbth2knsntb4.pdf OUTPUT: txt/work_dxsa2q5wbbeo3blbth2knsntb4.txt WARN Using fallback font 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FILE: cache/work_rpqybn5v55fwzea4i365uo5bmi.pdf OUTPUT: txt/work_rpqybn5v55fwzea4i365uo5bmi.txt FILE: cache/work_c3avnxoawbdtrgtzmzj5kkbgfi.pdf OUTPUT: txt/work_c3avnxoawbdtrgtzmzj5kkbgfi.txt FILE: cache/work_ft6nlt5byvc4rnbctnhxpuv2fe.pdf OUTPUT: txt/work_ft6nlt5byvc4rnbctnhxpuv2fe.txt FILE: cache/work_4ffmtdl4hfhedga3v745ot5gge.pdf OUTPUT: txt/work_4ffmtdl4hfhedga3v745ot5gge.txt FILE: cache/work_5zyc52fwnfceba32yzaf2m72za.pdf OUTPUT: txt/work_5zyc52fwnfceba32yzaf2m72za.txt FILE: cache/work_uiwrwdvasvbh7nwdbk5r5zk264.pdf OUTPUT: txt/work_uiwrwdvasvbh7nwdbk5r5zk264.txt INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) FILE: cache/work_kluflpspqba5vhzpwkigej3ioe.pdf OUTPUT: txt/work_kluflpspqba5vhzpwkigej3ioe.txt FILE: cache/work_w7a7n6q2sbagzphm6ncrntrxyi.pdf OUTPUT: txt/work_w7a7n6q2sbagzphm6ncrntrxyi.txt FILE: cache/work_6z57z7e2l5ayzmib67vv4ddere.pdf OUTPUT: txt/work_6z57z7e2l5ayzmib67vv4ddere.txt WARN No Unicode mapping for fleuron57 (31) in font CVCCCW+TypeEmbellishmentsOneLetPlain WARN No Unicode mapping for orn.34 (31) in font CVCCCW+Zapfino WARN No Unicode mapping for orn.52 (30) in font CVCCCW+Zapfino WARN No Unicode mapping for T_h (31) in font BISWOY+MinionPro-Regular WARN No Unicode mapping for f_i (30) in font BISWOY+MinionPro-Regular WARN No Unicode mapping for f_f (29) in font BISWOY+MinionPro-Regular WARN No Unicode mapping for f_l (28) in font BISWOY+MinionPro-Regular FILE: cache/work_hpvsn7fok5dj7hi4w4puweoecy.pdf OUTPUT: txt/work_hpvsn7fok5dj7hi4w4puweoecy.txt FILE: cache/work_arjximx7m5gtdimjueuqyxwhxi.pdf OUTPUT: txt/work_arjximx7m5gtdimjueuqyxwhxi.txt FILE: cache/work_bhtvuqlpirh2dijvcd6jc4dzlq.pdf OUTPUT: txt/work_bhtvuqlpirh2dijvcd6jc4dzlq.txt INFO rmeta/text (autodetecting type) WARN No Unicode mapping for circlecopyrt (1) 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MCBCCO+SourceSansRoman-Bold WARN No Unicode mapping for gid00047 (5) in font MCBCCO+SourceSansRoman-Bold WARN No Unicode mapping for gid00032 (6) in font MCBCCO+SourceSansRoman-Bold WARN No Unicode mapping for gid00046 (7) in font MCBCCO+SourceSansRoman-Bold FILE: cache/work_qu6jbtsoijd4vp6e4ul2csukey.pdf OUTPUT: txt/work_qu6jbtsoijd4vp6e4ul2csukey.txt INFO rmeta/text (autodetecting type) FILE: cache/work_qk36od2cbjdbfkp3iskax7fh24.pdf OUTPUT: txt/work_qk36od2cbjdbfkp3iskax7fh24.txt INFO rmeta/text (autodetecting type) FILE: cache/work_4m57butnjvcpfkmovjwsddoj2e.pdf OUTPUT: txt/work_4m57butnjvcpfkmovjwsddoj2e.txt INFO rmeta/text (autodetecting type) FILE: cache/work_cqpfpceinnaxjcsa4kgfbubrfe.pdf OUTPUT: txt/work_cqpfpceinnaxjcsa4kgfbubrfe.txt WARN No Unicode mapping for CID+39 (39) in font TimesNewRoman,Bold WARN No Unicode mapping for CID+44 (44) in font TimesNewRoman,Bold WARN No Unicode mapping for CID+55 (55) in font TimesNewRoman,Bold WARN No Unicode mapping for CID+50 (50) in 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FILE: cache/work_s3jefpwjnndhvf5vietzfr3bxi.pdf OUTPUT: txt/work_s3jefpwjnndhvf5vietzfr3bxi.txt FILE: cache/work_i2pmscqwgzchxiyyiprswog7oq.pdf OUTPUT: txt/work_i2pmscqwgzchxiyyiprswog7oq.txt INFO rmeta/text (autodetecting type) WARN Using fallback font LiberationSans for Symbol INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) WARN No Unicode mapping for sharp (2) in font NXGPPC+XhpqdgRMTMI INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text 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(autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO Detecting media type for Filename: b'work_qnfhx6hv5nec7jyitp6cnj6ouq.pdf' INFO rmeta/text (autodetecting type) WARN Using fallback font LiberationSans for Symbol INFO Detecting media type for Filename: b'work_jxmhfl25avcu5faka2kxpzbf3a.pdf' WARN Using fallback font 'LiberationSerif-BoldItalic' for 'TimesNewRomanPS-BoldItalicMT' INFO rmeta/text (autodetecting type) WARN FeatureRecord array not alphabetically sorted by FeatureTag: init < isol WARN FeatureRecord array not alphabetically sorted by FeatureTag: init < isol INFO rmeta/text (autodetecting type) WARN Using fallback font LiberationSans for Symbol WARN Using fallback font 'LiberationSerif-Bold' for 'TimesNewRomanPS-BoldMT' WARN No Unicode mapping for T_h (187) in font WKZGJW+MinionPro-Regular WARN No Unicode mapping for f_t (193) in font WKZGJW+MinionPro-Regular WARN No Unicode mapping for f_k (155) in font GHXJTC+MinionPro-It WARN No Unicode mapping for f_f (156) in font GHXJTC+MinionPro-It WARN Using fallback font LiberationSans for Symbol WARN No Unicode mapping for f_i (161) in font GHXJTC+MinionPro-It WARN No Unicode mapping for f_i (198) in font WKZGJW+MinionPro-Regular WARN No Unicode mapping for f_l (199) in font WKZGJW+MinionPro-Regular WARN No Unicode mapping for f_f (200) in font WKZGJW+MinionPro-Regular WARN No Unicode mapping for f_f_i (201) in font WKZGJW+MinionPro-Regular WARN No Unicode mapping for T_h (162) in font GHXJTC+MinionPro-It WARN No Unicode mapping for f_l (165) in font GHXJTC+MinionPro-It WARN No Unicode mapping for CID+36 (36) in font AMAMBA+mplus-2p-light-90pv-RKSJ-H WARN No Unicode mapping for CID+85 (85) in font AMAMBA+mplus-2p-light-90pv-RKSJ-H WARN No Unicode mapping for CID+70 (70) in font AMAMBA+mplus-2p-light-90pv-RKSJ-H WARN No Unicode mapping for CID+75 (75) in font AMAMBA+mplus-2p-light-90pv-RKSJ-H WARN No Unicode mapping for CID+76 (76) in font AMAMBA+mplus-2p-light-90pv-RKSJ-H WARN No Unicode mapping for CID+87 (87) in font AMAMBA+mplus-2p-light-90pv-RKSJ-H WARN No Unicode mapping for CID+72 (72) in font AMAMBA+mplus-2p-light-90pv-RKSJ-H WARN No Unicode mapping for CID+88 (88) in font AMAMBA+mplus-2p-light-90pv-RKSJ-H WARN No Unicode mapping for CID+68 (68) in font AMAMBA+mplus-2p-light-90pv-RKSJ-H WARN No Unicode mapping for CID+79 (79) in font AMAMBA+mplus-2p-light-90pv-RKSJ-H WARN No Unicode mapping for CID+3 (3) in font AMAMBA+mplus-2p-light-90pv-RKSJ-H WARN No Unicode mapping for CID+43 (43) in font AMAMBA+mplus-2p-light-90pv-RKSJ-H WARN No Unicode mapping for CID+86 (86) in font AMAMBA+mplus-2p-light-90pv-RKSJ-H WARN No Unicode mapping for CID+82 (82) in font AMAMBA+mplus-2p-light-90pv-RKSJ-H === file2bib.sh === id: work_342rv3hnmnfgnny6eoj6rmxybm author: G. Anastasopoulos title: A novel use of skin grafting nasal cavity: the severe polyposis date: 2017 pages: extension: .pdf txt: ./txt/work_342rv3hnmnfgnny6eoj6rmxybm.txt cache: ./cache/work_342rv3hnmnfgnny6eoj6rmxybm.pdf Content-Encoding UTF-8 Content-Language ru Content-Type text/html; charset=UTF-8 Content-Type-Hint text/html; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.html.HtmlParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 2 X-UA-Compatible IE=edge dc:title Просмотр статьи resourceName b'work_342rv3hnmnfgnny6eoj6rmxybm.pdf' title Просмотр статьи viewport width=device-width, initial-scale=1 Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/reader-compute/reader-classic/bin/file2bib.py", line 112, in summary = summarize( text, word_count=COUNT, split=False ) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/gensim/summarization/summarizer.py", line 428, in summarize raise ValueError("input must have more than one sentence") ValueError: input must have more than one sentence === file2bib.sh === Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2895, in get_loc return self._engine.get_loc(casted_key) File "pandas/_libs/index.pyx", line 70, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/index.pyx", line 101, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/hashtable_class_helper.pxi", line 1675, in pandas._libs.hashtable.PyObjectHashTable.get_item File "pandas/_libs/hashtable_class_helper.pxi", line 1683, in pandas._libs.hashtable.PyObjectHashTable.get_item KeyError: 'work_z4dw6ncg6jgbrcdugghkuhzskm' The above exception was the direct cause of the following exception: Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/reader-compute/reader-classic/bin/file2bib.py", line 66, in if ( bibliographics.loc[ escape ,'author'] ) : author = bibliographics.loc[ escape,'author'] File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 873, in __getitem__ return self._getitem_tuple(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1044, in _getitem_tuple return self._getitem_lowerdim(tup) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 786, in _getitem_lowerdim section = self._getitem_axis(key, axis=i) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1110, in _getitem_axis return self._get_label(key, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1059, in _get_label return self.obj.xs(label, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/generic.py", line 3491, in xs loc = self.index.get_loc(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2897, in get_loc raise KeyError(key) from err KeyError: 'work_z4dw6ncg6jgbrcdugghkuhzskm' === file2bib.sh === Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2895, in get_loc return self._engine.get_loc(casted_key) File "pandas/_libs/index.pyx", line 70, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/index.pyx", line 101, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/hashtable_class_helper.pxi", line 1675, in pandas._libs.hashtable.PyObjectHashTable.get_item File "pandas/_libs/hashtable_class_helper.pxi", line 1683, in pandas._libs.hashtable.PyObjectHashTable.get_item KeyError: 'work_ufv32ww5bngx7dh6zyt3wleakm' The above exception was the direct cause of the following exception: Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/reader-compute/reader-classic/bin/file2bib.py", line 66, in if ( bibliographics.loc[ escape ,'author'] ) : author = bibliographics.loc[ escape,'author'] File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 873, in __getitem__ return self._getitem_tuple(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1044, in _getitem_tuple return self._getitem_lowerdim(tup) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 786, in _getitem_lowerdim section = self._getitem_axis(key, axis=i) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1110, in _getitem_axis return self._get_label(key, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1059, in _get_label return self.obj.xs(label, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/generic.py", line 3491, in xs loc = self.index.get_loc(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2897, in get_loc raise KeyError(key) from err KeyError: 'work_ufv32ww5bngx7dh6zyt3wleakm' === file2bib.sh === Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2895, in get_loc return self._engine.get_loc(casted_key) File "pandas/_libs/index.pyx", line 70, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/index.pyx", line 101, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/hashtable_class_helper.pxi", line 1675, in pandas._libs.hashtable.PyObjectHashTable.get_item File "pandas/_libs/hashtable_class_helper.pxi", line 1683, in pandas._libs.hashtable.PyObjectHashTable.get_item KeyError: 'work_5qvybg4ra5hwnfyupsyzufrwmq' The above exception was the direct cause of the following exception: Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/reader-compute/reader-classic/bin/file2bib.py", line 66, in if ( bibliographics.loc[ escape ,'author'] ) : author = bibliographics.loc[ escape,'author'] File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 873, in __getitem__ return self._getitem_tuple(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1044, in _getitem_tuple return self._getitem_lowerdim(tup) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 786, in _getitem_lowerdim section = self._getitem_axis(key, axis=i) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1110, in _getitem_axis return self._get_label(key, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1059, in _get_label return self.obj.xs(label, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/generic.py", line 3491, in xs loc = self.index.get_loc(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2897, in get_loc raise KeyError(key) from err KeyError: 'work_5qvybg4ra5hwnfyupsyzufrwmq' === file2bib.sh === Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2895, in get_loc return self._engine.get_loc(casted_key) File "pandas/_libs/index.pyx", line 70, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/index.pyx", line 101, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/hashtable_class_helper.pxi", line 1675, in pandas._libs.hashtable.PyObjectHashTable.get_item File "pandas/_libs/hashtable_class_helper.pxi", line 1683, in pandas._libs.hashtable.PyObjectHashTable.get_item KeyError: 'work_jxmhfl25avcu5faka2kxpzbf3a' The above exception was the direct cause of the following exception: Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/reader-compute/reader-classic/bin/file2bib.py", line 66, in if ( bibliographics.loc[ escape ,'author'] ) : author = bibliographics.loc[ escape,'author'] File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 873, in __getitem__ return self._getitem_tuple(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1044, in _getitem_tuple return self._getitem_lowerdim(tup) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 786, in _getitem_lowerdim section = self._getitem_axis(key, axis=i) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1110, in _getitem_axis return self._get_label(key, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1059, in _get_label return self.obj.xs(label, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/generic.py", line 3491, in xs loc = self.index.get_loc(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2897, in get_loc raise KeyError(key) from err KeyError: 'work_jxmhfl25avcu5faka2kxpzbf3a' INFO Detecting media type for Filename: b'work_u4rpqpxt3rhupalnhmwgol3r6u.pdf' INFO rmeta/text (autodetecting type) INFO Detecting media type for Filename: b'work_qrtpg5s4mjacncvjhhflhxrulm.pdf' INFO rmeta/text (autodetecting type) INFO Detecting media type for Filename: b'work_cjryiy6sgbdorccfcv3ibrf5ju.pdf' INFO rmeta/text (autodetecting type) INFO Detecting media type for Filename: b'work_pzlnbowgpzejbdfcq4cilzge3i.pdf' INFO rmeta/text (autodetecting type) INFO Detecting media type for Filename: b'work_dbwq3dz3anfjflwo5s36pxljky.pdf' INFO rmeta/text (autodetecting type) === file2bib.sh === Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2895, in get_loc return self._engine.get_loc(casted_key) File "pandas/_libs/index.pyx", line 70, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/index.pyx", line 101, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/hashtable_class_helper.pxi", line 1675, in pandas._libs.hashtable.PyObjectHashTable.get_item File "pandas/_libs/hashtable_class_helper.pxi", line 1683, in pandas._libs.hashtable.PyObjectHashTable.get_item KeyError: 'work_pzlnbowgpzejbdfcq4cilzge3i' The above exception was the direct cause of the following exception: Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/reader-compute/reader-classic/bin/file2bib.py", line 66, in if ( bibliographics.loc[ escape ,'author'] ) : author = bibliographics.loc[ escape,'author'] File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 873, in __getitem__ return self._getitem_tuple(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1044, in _getitem_tuple return self._getitem_lowerdim(tup) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 786, in _getitem_lowerdim section = self._getitem_axis(key, axis=i) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1110, in _getitem_axis return self._get_label(key, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1059, in _get_label return self.obj.xs(label, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/generic.py", line 3491, in xs loc = self.index.get_loc(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2897, in get_loc raise KeyError(key) from err KeyError: 'work_pzlnbowgpzejbdfcq4cilzge3i' INFO Detecting media type for Filename: b'work_jirzlkcuwfadfpag73tdsojqxe.pdf' INFO rmeta/text (autodetecting type) work_bjxz24joa5dedncck2qto6jhz4 txt/../pos/work_bjxz24joa5dedncck2qto6jhz4.pos work_3m3mvg6ysvehfp6pthlm2zo22e txt/../pos/work_3m3mvg6ysvehfp6pthlm2zo22e.pos work_nry7ffsmqrcqdjwz5mt3dh3olu txt/../pos/work_nry7ffsmqrcqdjwz5mt3dh3olu.pos work_nry7ffsmqrcqdjwz5mt3dh3olu txt/../wrd/work_nry7ffsmqrcqdjwz5mt3dh3olu.wrd work_uegvgzkllbc2bakiaenchdozoq txt/../ent/work_uegvgzkllbc2bakiaenchdozoq.ent work_zf4ta43i6bbpxnbbocscwwge7i txt/../pos/work_zf4ta43i6bbpxnbbocscwwge7i.pos work_bjxz24joa5dedncck2qto6jhz4 txt/../wrd/work_bjxz24joa5dedncck2qto6jhz4.wrd work_uegvgzkllbc2bakiaenchdozoq txt/../pos/work_uegvgzkllbc2bakiaenchdozoq.pos work_pzlnbowgpzejbdfcq4cilzge3i txt/../wrd/work_pzlnbowgpzejbdfcq4cilzge3i.wrd work_bjxz24joa5dedncck2qto6jhz4 txt/../ent/work_bjxz24joa5dedncck2qto6jhz4.ent work_zf4ta43i6bbpxnbbocscwwge7i txt/../wrd/work_zf4ta43i6bbpxnbbocscwwge7i.wrd work_u3xp2nnkcvct7cecd2ijx7vdxu txt/../pos/work_u3xp2nnkcvct7cecd2ijx7vdxu.pos work_uegvgzkllbc2bakiaenchdozoq txt/../wrd/work_uegvgzkllbc2bakiaenchdozoq.wrd work_pzlnbowgpzejbdfcq4cilzge3i txt/../pos/work_pzlnbowgpzejbdfcq4cilzge3i.pos work_uyaacz3etfczbeyf5kv4zknoeq txt/../pos/work_uyaacz3etfczbeyf5kv4zknoeq.pos work_3m3mvg6ysvehfp6pthlm2zo22e txt/../wrd/work_3m3mvg6ysvehfp6pthlm2zo22e.wrd work_u3xp2nnkcvct7cecd2ijx7vdxu txt/../wrd/work_u3xp2nnkcvct7cecd2ijx7vdxu.wrd work_b3zrqbir5rge5gyiarr7nwgooq txt/../wrd/work_b3zrqbir5rge5gyiarr7nwgooq.wrd work_uyaacz3etfczbeyf5kv4zknoeq txt/../wrd/work_uyaacz3etfczbeyf5kv4zknoeq.wrd work_zf4ta43i6bbpxnbbocscwwge7i txt/../ent/work_zf4ta43i6bbpxnbbocscwwge7i.ent work_b3zrqbir5rge5gyiarr7nwgooq txt/../pos/work_b3zrqbir5rge5gyiarr7nwgooq.pos work_bbhokuosizgh7pjgvvko2g3lre txt/../pos/work_bbhokuosizgh7pjgvvko2g3lre.pos work_nry7ffsmqrcqdjwz5mt3dh3olu txt/../ent/work_nry7ffsmqrcqdjwz5mt3dh3olu.ent work_3m3mvg6ysvehfp6pthlm2zo22e txt/../ent/work_3m3mvg6ysvehfp6pthlm2zo22e.ent work_bbhokuosizgh7pjgvvko2g3lre txt/../wrd/work_bbhokuosizgh7pjgvvko2g3lre.wrd work_u3xp2nnkcvct7cecd2ijx7vdxu txt/../ent/work_u3xp2nnkcvct7cecd2ijx7vdxu.ent === file2bib.sh === id: work_zyzn5ad6evfy3jmi3woxkph77e author: H C Moffitt title: CLINICIANS PAST, PRESENT AND FUTURE date: 1922 pages: extension: .pdf txt: ./txt/work_zyzn5ad6evfy3jmi3woxkph77e.txt cache: ./cache/work_zyzn5ad6evfy3jmi3woxkph77e.pdf Content-Type application/xml X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.xml.DcXMLParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 1 resourceName b'work_zyzn5ad6evfy3jmi3woxkph77e.pdf' work_c3yh3thq65h23evvolm3m2qem4 txt/../pos/work_c3yh3thq65h23evvolm3m2qem4.pos work_c3yh3thq65h23evvolm3m2qem4 txt/../wrd/work_c3yh3thq65h23evvolm3m2qem4.wrd work_uyaacz3etfczbeyf5kv4zknoeq txt/../ent/work_uyaacz3etfczbeyf5kv4zknoeq.ent work_pzlnbowgpzejbdfcq4cilzge3i txt/../ent/work_pzlnbowgpzejbdfcq4cilzge3i.ent === file2bib.sh === id: work_efogy2z3xraqley6pzrxa7de34 author: Sophie Berrebi title: Nothing Is Erased: Hubert Damisch and Jean Dubuffet date: 2015 pages: 6 extension: .pdf txt: ./txt/work_efogy2z3xraqley6pzrxa7de34.txt cache: ./cache/work_efogy2z3xraqley6pzrxa7de34.pdf Content-Type application/pdf Creation-Date 2015-11-16T14:33:38Z Last-Modified 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pdf:docinfo:created 2015-11-16T14:33:38Z pdf:docinfo:creator_tool QuarkXPress(R) 11.2 pdf:docinfo:custom:XPressPrivate %%DocumentProcessColors: Black %%EndComments pdf:docinfo:modified 2015-11-16T14:33:38Z pdf:docinfo:producer QuarkXPress(R) 11.2 pdf:docinfo:title Layout 1 pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP false pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0', '0', '0'] producer QuarkXPress(R) 11.2 resourceName b'work_efogy2z3xraqley6pzrxa7de34.pdf' title Layout 1 xmp:CreatorTool QuarkXPress(R) 11.2 xmpTPg:NPages 6 work_b3zrqbir5rge5gyiarr7nwgooq txt/../ent/work_b3zrqbir5rge5gyiarr7nwgooq.ent work_bbhokuosizgh7pjgvvko2g3lre txt/../ent/work_bbhokuosizgh7pjgvvko2g3lre.ent === file2bib.sh === id: work_q5vz4q44pnd5dggy4rb2kysqry author: R. Moses title: The spreading city date: 2003 pages: 6 extension: .pdf txt: ./txt/work_q5vz4q44pnd5dggy4rb2kysqry.txt cache: ./cache/work_q5vz4q44pnd5dggy4rb2kysqry.pdf Content-Type application/pdf Creation-Date 2007-09-28T10:37:16Z Last-Modified 2012-04-12T08:35:45Z Last-Save-Date 2012-04-12T08:35:45Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 25 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2007-09-28T10:37:16Z date 2012-04-12T08:35:45Z dc:format application/pdf; version=1.4 dc:title Microsoft Word - C7_definitivo.doc dcterms:created 2007-09-28T10:37:16Z dcterms:modified 2012-04-12T08:35:45Z meta:creation-date 2007-09-28T10:37:16Z meta:save-date 2012-04-12T08:35:45Z modified 2012-04-12T08:35:45Z pdf:PDFVersion 1.4 pdf:charsPerPage ['1995', '3173', '2977', '3348', '3123', '3150'] pdf:docinfo:created 2007-09-28T10:37:16Z pdf:docinfo:creator_tool AdobePS5.dll Version 5.2 pdf:docinfo:modified 2012-04-12T08:35:45Z pdf:docinfo:producer Acrobat Distiller 5.0 (Windows) pdf:docinfo:title Microsoft Word - C7_definitivo.doc pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0', '0', '0'] producer Acrobat Distiller 5.0 (Windows) resourceName b'work_q5vz4q44pnd5dggy4rb2kysqry.pdf' title Microsoft Word - C7_definitivo.doc xmp:CreatorTool AdobePS5.dll Version 5.2 xmpMM:DocumentID uuid:b1483966-c483-4881-a594-0b52f09780ea xmpTPg:NPages 6 === file2bib.sh === id: work_qnfhx6hv5nec7jyitp6cnj6ouq author: R S Morton title: Syphilis in art: an entertainment in four parts. Part 1 date: 1990 pages: 8 extension: .pdf txt: ./txt/work_qnfhx6hv5nec7jyitp6cnj6ouq.txt cache: ./cache/work_qnfhx6hv5nec7jyitp6cnj6ouq.pdf Content-Type application/pdf Creation-Date 2005-08-16T12:59:41Z Last-Modified 2021-04-06T01:06:14Z Last-Save-Date 2021-04-06T01:06:14Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 34 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2005-08-16T12:59:41Z date 2021-04-06T01:06:14Z dc:format application/pdf; version=1.4 dcterms:created 2005-08-16T12:59:41Z dcterms:modified 2021-04-06T01:06:14Z meta:creation-date 2005-08-16T12:59:41Z meta:save-date 2021-04-06T01:06:14Z modified 2021-04-06T01:06:14Z pdf:PDFVersion 1.4 pdf:charsPerPage ['3476', '1386', '2335', '1313', '1433', '2451', '1855', '3286'] pdf:docinfo:created 2005-08-16T12:59:41Z pdf:docinfo:modified 2021-04-06T01:06:14Z pdf:docinfo:producer Apex PDFWriter pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0', '0', '0', '0', '0'] producer Apex PDFWriter resourceName b'work_qnfhx6hv5nec7jyitp6cnj6ouq.pdf' xmpMM:DocumentID uuid:6b138149-1dd2-11b2-0a00-360a27bd7200 xmpTPg:NPages 8 work_g6dfophsb5divdrzgi4w2osloi txt/../wrd/work_g6dfophsb5divdrzgi4w2osloi.wrd work_g6dfophsb5divdrzgi4w2osloi txt/../pos/work_g6dfophsb5divdrzgi4w2osloi.pos === file2bib.sh === id: work_bfrrlmigfnhzhggc2cuezcljxa author: Predrag Milosevic title: Foundations of Byzantine late middle ages architecture thoughtfulness date: 2003 pages: 10 extension: .pdf txt: ./txt/work_bfrrlmigfnhzhggc2cuezcljxa.txt cache: ./cache/work_bfrrlmigfnhzhggc2cuezcljxa.pdf Author Mile Randjelovic Content-Type application/pdf Creation-Date 2004-12-28T11:33:01Z Last-Modified 2004-12-28T11:33:01Z Last-Save-Date 2004-12-28T11:33:01Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 39 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2004-12-28T11:33:01Z creator Mile Randjelovic date 2004-12-28T11:33:01Z dc:creator Mile Randjelovic dc:format application/pdf; version=1.4 dc:title Microsoft Word - aace2003.doc dcterms:created 2004-12-28T11:33:01Z dcterms:modified 2004-12-28T11:33:01Z meta:author Mile Randjelovic meta:creation-date 2004-12-28T11:33:01Z meta:save-date 2004-12-28T11:33:01Z modified 2004-12-28T11:33:01Z pdf:PDFVersion 1.4 pdf:charsPerPage ['2526', '3768', '3657', '1826', '3880', '3773', '1552', '3831', '4220', '1758'] pdf:docinfo:created 2004-12-28T11:33:01Z pdf:docinfo:creator Mile Randjelovic pdf:docinfo:creator_tool PScript5.dll Version 5.2.2 pdf:docinfo:modified 2004-12-28T11:33:01Z pdf:docinfo:producer Acrobat Distiller 6.0 (Windows) pdf:docinfo:title Microsoft Word - aace2003.doc pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0', '0', '0', '0', '0', '0', '0'] producer Acrobat Distiller 6.0 (Windows) resourceName b'work_bfrrlmigfnhzhggc2cuezcljxa.pdf' title Microsoft Word - aace2003.doc xmp:CreatorTool PScript5.dll Version 5.2.2 xmpMM:DocumentID uuid:d6559889-5b05-4fa0-9b94-7ae144dd55a9 xmpTPg:NPages 10 === file2bib.sh === id: work_ctw7clrpwjalhawwjcnlztrlaa author: Farhad B. Naini title: Nasofacial angle and nasal prominence: A quantitative investigation of idealized and normative values date: 2016 pages: 33 extension: .pdf txt: ./txt/work_ctw7clrpwjalhawwjcnlztrlaa.txt cache: ./cache/work_ctw7clrpwjalhawwjcnlztrlaa.pdf Author ['Dr Farhad B. Naini, BDS MSc PhD, Consultant Orthodontist/Honorary Senior Lecturer', 'Martyn T. Cobourne, BDS MSc PhD, Professor of Orthodontics and Craniofacial Development', 'Umberto Garagiola, DDS PhD, Professor of Orthodontics', 'Fraser McDonald, BDS MSc PhD, Professor and Head of Orthodontics', 'David Wertheim, MA PhD CEng, Professor'] Content-Type application/pdf Creation-Date 2016-01-12T17:13:35Z ElsevierWebPDFSpecifications 6.4 Last-Modified 2016-01-12T17:13:45Z Last-Save-Date 2016-01-12T17:13:45Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 99 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true cp:subject Journal of Cranio-Maxillo-Facial Surgery, Accepted manuscript. doi:10.1016/j.jcms.2016.01.010 created 2016-01-12T17:13:35Z creator ['Dr Farhad B. Naini, BDS MSc PhD, Consultant Orthodontist/Honorary Senior Lecturer', 'Martyn T. Cobourne, BDS MSc PhD, Professor of Orthodontics and Craniofacial Development', 'Umberto Garagiola, DDS PhD, Professor of Orthodontics', 'Fraser McDonald, BDS MSc PhD, Professor and Head of Orthodontics', 'David Wertheim, MA PhD CEng, Professor'] date 2016-01-12T17:13:45Z dc:creator ['Dr Farhad B. Naini, BDS MSc PhD, Consultant Orthodontist/Honorary Senior Lecturer', 'Martyn T. Cobourne, BDS MSc PhD, Professor of Orthodontics and Craniofacial Development', 'Umberto Garagiola, DDS PhD, Professor of Orthodontics', 'Fraser McDonald, BDS MSc PhD, Professor and Head of Orthodontics', 'David Wertheim, MA PhD CEng, Professor'] dc:description Journal of Cranio-Maxillo-Facial Surgery, Accepted manuscript. doi:10.1016/j.jcms.2016.01.010 dc:format application/pdf; version=1.7 dc:title Nasofacial angle and nasal prominence: A quantitative investigation of idealized and normative values dcterms:created 2016-01-12T17:13:35Z dcterms:modified 2016-01-12T17:13:45Z description Journal of Cranio-Maxillo-Facial Surgery, Accepted manuscript. doi:10.1016/j.jcms.2016.01.010 doi 10.1016/j.jcms.2016.01.010 meta:author ['Dr Farhad B. Naini, BDS MSc PhD, Consultant Orthodontist/Honorary Senior Lecturer', 'Martyn T. 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Engel title: Latin American and Latinx Futurities: Publishing Visual Culture in the Twenty-First Century date: 2019 pages: extension: .pdf txt: ./txt/work_mpcoxu4nvzbyjmzjtr5wvilklu.txt cache: ./cache/work_mpcoxu4nvzbyjmzjtr5wvilklu.pdf Content-Encoding UTF-8 Content-Language en Content-Type text/html; charset=UTF-8 Content-Type-Hint text/html; charset=utf-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.html.HtmlParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 7 X-UA-Compatible IE=Edge citation_doi 10.1525/lavc.2019.000002 citation_firstpage 3 citation_issue 1 citation_journal_abbrev Latin American and Latinx Visual Culture citation_journal_title Latin American and Latinx Visual Culture citation_lastpage 6 citation_pdf_url https://online.ucpress.edu/lalvc/article-pdf/1/1/3/187388/lavc_2019_000002.pdf citation_publication_date 2019/01/01 citation_publisher University of California Press citation_title Latin American and Latinx Futurities: Publishing Visual Culture in the Twenty-First Century citation_volume 1 citation_xml_url https://online.ucpress.edu/lalvc/article-xml/1/1/3/61169 dc:title Latin American and Latinx Futurities: Publishing Visual Culture in the Twenty-First Century | Latin American and Latinx Visual Culture | University of California Press format-detection telephone=no msapplication-config //ucp.silverchair-cdn.com/Themes/Client/app/img/favicons/v-637502067970688274/browserconfig.xml og:description Welcome to Latin American and Latinx Visual Culture, the first peer-reviewed academic journal dedicated to visual and material cultures in Mexico, Central America, South America, the Caribbean, the United States, and those in diaspora, published by the University of California Press. Its geographical scope and chronological span are wide-ranging and encompassing. LALVC publishes scholarship from the ancient Americas to the contemporary moment. For the first time, scholars working in these areas have a venue for publishing the latest research in art history, design, material culture, architecture, film, media, performance art, museum studies, popular culture, fashion, public art, and artivism. With the recent spectacular growth in research and exhibitions on Latin American and Latinx art, the increasing visibility of Latin American culture on the world stage, and demographic changes in the United States, where 18 percent of the population is now defined as “Latino” or “Hispanic” by the US census, the time has come for a journal like LALVC.The moment is historic.The cover of this issue captures the journal’s fresh, forward-looking approach. A repeating black and gray design, based on a Panamanian mola textile created by the Kuna people, forms the background. Against that, bold and vibrant letters spell out the title, their paint-rolled-texture evoking activist or street art. The prominence of the word “LATINX” and the use of “X” instead of “o” or “a/o” or “@” proclaim inclusiveness and question the gender binary. The decision to include Latinx art was carefully considered. It’s not that Latin American and Latinx art are the same—it’s that putting them into conversation can be a powerful way to break down nationalist categories in favor of hemispheric conversations. Rather than reifying geopolitical categories wrought with socioeconomic and racial tensions, LALVC is a forum for debating what Latin American and Latinx visual cultures have been and what they can be in the future.LALVC will be produced four times annually in an online format with individual issues made available in hard copy via print on demand. LALVC features three regular sections: long-format research articles, a “Dialogues” section, and book reviews. Each issue presents a diverse collection of research articles, plus illustrations, accompanied by an author biography and an article abstract with keywords in English, Portuguese, and Spanish. The thematic “Dialogues” section, curated by a guest editor and composed of shorter pieces by various authors, addresses current issues in the field; the number and type of contributors will vary but can include state-of-the-field assessments, topical discussions, and artist interviews. Each issue incorporates book reviews representative of the journal’s geographical and historical range, representing a diverse spectrum of authors and types of publications. LALVC provides a forum for scholars, artists, critics, and museum professionals to collectively analyze, debate, and discuss Latin American and Latinx visual culture across national and linguistic boundaries that in the past have limited the opportunity for productive dialogues. This visual material is as diverse as the people who make it, study it, and exhibit it.LALVC is managed by a senior editor and administered by an associate editor working in partnership to achieve the goals of the journal, in addition to a book reviews editor, Aleca Le Blanc. The senior and associate editors initiate and supervise the double-blind peer review of all submissions. LALVC is additionally supported by a large editorial board (with twenty to twenty-five members) reflecting a cross section of the field with expertise in ancient, colonial, modern, contemporary, and Latinx visual cultures. Board members from outside the United States are well represented. Editorial board members participate in directing LALVC toward achieving its proposed goals, play an integral role in the peer review process, and advise the editorial leadership.We welcome submissions from academic, museum, and other professionals in English, Spanish, Portuguese, French, and Indigenous languages to make the most compelling new scholarship available to the widest readership possible. We employ a rigorous double-blind peer review process, the academic gold standard, and accept submissions on a rolling basis. LALVC increases the visibility of Latin American and Latinx visual production, its multidimensional history, and its contemporary cultural relevance. For inquiries about submissions, please contact us at lalvcsubmissions@ucpress.edu.For decades members of the Association of Latin American Art (ALAA) had considered the viability of an academic journal focused on Latin American art, with discussion later turning to also including Latinx art.1 In March 2016, under the direction of then-president Elisa Mandell, ALAA convened a steering committee to discuss a journal, which initially included Derek Burdette, Emily Engel, Michele Greet, Patrick Hajovsky, Margaret Jackson, Patricia Sarro, Lisa Trever, and Charlene Villaseñor Black. During this initial exploratory period, ALAA identified the need for a scholarly journal in the field of Latin American and Latinx visual culture and precipitated our involvement in the project in February 2017 at the ALAA business meeting during the College Art Association (CAA) annual conference.2We began the process of founding LALVC with an extensive period of rigorous research and data gathering on the state of the field. We found that the study of Latin American and Latinx visual culture is burgeoning and has undergone exemplary growth in the twenty-first century. In 2015–16, CAA, the leading academic society for visual culture and visual culture history, had 317 members identify their primary area of focus as “Latin American/Caribbean visual culture” or “Pre-Columbian visual culture.” Forty-two of those members were international, including Puerto Rico, with the highest concentration from Mexico and Brazil.3 In 2017, CAA recognized the US Latinx Art Forum, founded in 2015, as an affiliated society, which entitled it to a yearly session at the conference. Both fields are poised to continue expanding in the coming decades. As of 2015, ninety-five colleges and universities offer graduate studies in Latin American visual culture (forty-five PhD programs, thirty MA programs, and sixteen additional schools with Latin American field specialists).4 CAA reported 147 dissertations completed in Latin American visual culture between 2007 and 2017; twenty-three dissertations in progress were classified as focused on “Latin American/Caribbean visual culture” as of December 2017.5 The number of panels dedicated to Latin American and Latinx visual culture is also on the rise at the CAA national conference. At the upcoming 2019 convening in February there will be Latin American and Latinx panels every single day, for the first time ever.6Yet in contrast to other subfields of visual studies, there has not been a journal dedicated to Latin American or Latinx visual culture. European (or “Western”) visual culture is widely published in major journals of the field, including Art Bulletin, Art Journal, Oxford Art Journal, Art History, and dozens of specialized journals, such as Journal of Historians of Netherlandish Art, Simiolus: Netherlands Quarterly for the History of Art, Oud Holland: Quarterly for Dutch Art History, Renaissance Quarterly, Sixteenth Century Studies Journal, I Tatti Studies in the Italian Renaissance, Notes on Early Modern Art Journal, and Italian Studies Journal, among others. Furthermore, non-Western fields are well represented in Archives of Asian Art, African Arts, Nka Journal of Contemporary African Art, and Journal of African Art History and Visual Culture. LALVC is the first comparable journal for the study of Latin American and Latinx visual culture.With no journal dedicated to our field, most scholars, artists, and museum professionals of Latin American and Latinx visual culture have published their analyses in interdisciplinary journals, leaving groundbreaking scholarship scattered across the literary landscape and placing submissions in competition with hundreds of applicants in publications that may not specialize in art or visual culture. For example, the leading academic art history journal, Art Bulletin, publishes four issues annually with between four and five long-form articles per issue. Between 2000 and 2015, it published thirteen articles on Latin American topics, and none on Latinx, an average of less than one article per year. These numbers began to improve in 2016 and 2017, when it published two articles each year. Latin American Research Review, the journal published by the Latin American Studies Association (LASA), which has almost ten thousand academic members and was founded in 1966, has received fifty-four submissions on topics in the humanities and published no articles related to the history of art or visual studies.7 LASA is, however, expanding its reach as an organization into the visual and performing arts by establishing a dedicated caucus on the subject.Between 2007 and 2014, members of ALAA, the affiliated society for members of CAA interested in Latin American and Latinx visual culture, self-reported an average of thirty-five articles per year.8 The majority of these appeared in research publications that broadly address Latin American issues, such as Colonial Latin American Review, RES, and The Americas. Scholars publishing on Latin American and Latinx visual culture topics have had to rely on historical, anthropological, archaeological, and Latin American studies journals to publish their work in the absence of a journal dedicated to publishing academic research on Latin American and Latinx visual culture. As evidenced by the Latin American Research Review statistics, opportunities to publish in general historical or anthropological journals are limited by interdisciplinary competition. Additionally, interdisciplinary ethnic studies journals have published on Latinx visual culture, most notably Aztlán: A Journal of Chicano Studies, published at the University of California, Los Angeles, which has printed more articles on Chicana/o (Mexican American) and Latinx artists than any other scholarly journal.9In the last decade, scholars of Latin American and Latinx visual culture have increasingly turned to publishing collective essay volumes. While these volumes produce compelling dialogues on topical subjects, they cannot supplant the need for a research journal that releases content on a more frequent basis, without subject matter constraints. Finding venues to publish on Latinx visual culture is similarly challenging. With more PhD students and full-time professors producing academic scholarship, working in an environment predicated on the need to produce high-quality publications on a regular basis, LALVC provides a necessary space for the circulation of this new research.A similar trend is evident in the museum world. The massive Getty-sponsored initiative Pacific Standard Time: LA/LA, which took place in 2017–18, showcased eighty exhibitions on Latin American and Latinx visual culture. In 2016, the city of Chicago hosted the “Spring of Latino Art,” with forty-five exhibitions; a similar event is planned for Houston in 2019 to accompany the conference “¡Latino Art Now!” sponsored by the Inter-University Program for Latino Research and the Smithsonian. Recently, the Metropolitan Museum of Art in New York appointed new curators of ancient American, colonial Latin American, and modern and contemporary Latin American art. The Los Angeles County Museum of Art now includes, in addition to Diana Magaloni, director of the Program for Art of the Ancient Americas, curators who specialize in all areas of Latin American art, from colonial to contemporary, as well as Latinx art. In the last several years, a number of curators specializing in contemporary Latin American and Latinx art have been hired across the United States—at the Smithsonian Institution, Washington, DC; the Whitney Museum of American Art, New York; the Getty Research Institute, Los Angeles; and the DePaul Art Museum, Chicago. In 2017 the Smithsonian American Art Museum elevated E. Carmen Ramos, a specialist in Latinx art originally hired in 2010, to deputy chief curator and curator of Latinx art. In 2016 the Vincent Price Art Museum in Monterey Park, California, named its first Latina director, Pilar Tompkins Rivas, a specialist in contemporary Latinx and Latin American art. In 2017 Miki Garcia, a specialist in contemporary Latin American and Latinx art, was made director of the Arizona State University Art Museum.LALVC affords greater visibility for Latin American and Latinx visual culture. The journal is an aggregate source for the most important scholarly studies focused on this critical component of the history of art and visual studies. One of our editorial board members, Mari Carmen Ramírez, thoughtfully sums up the significance of LALVC to the field:LALVC puts visual culture, historical scholarship, and contemporary artistic analysis in dialogue in an unprecedented way through the dynamic juxtaposition of the most interesting and relevant analyses of Latin American and Latinx visual culture, regardless of language or country of origin.As we shepherd the first issues into production, we are thankful for all the collegial encouragement we received along the way, as well as for the work of our predecessors in the field. Without their dedication to the study of Latin American and Latinx visual culture for generations before us, our work here would not have been possible. We are also grateful to all of our dedicated colleagues who provided unflagging support during the process of bringing LALVC to print, including our expert editorial board, the members and leadership of ALAA, the anonymous peer reviewers of the proposal and submissions, and everyone who has contributed to the content in this and future issues. We have worked closely with David Famiano, journals publisher at the University of California Press, to create a rigorous academic journal that will serve as a scholarly platform for high-quality original research studies, a forum for dynamic intellectual debate, and a vital source for information on the current state of the fields of Latin American and Latinx visual culture. We invite all of our readers to contribute their work: as authors of research articles, as editors and contributors to future “Dialogues,” and as book reviewers. 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doi:10.1016/j.cub.2006.11.046 pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['0', '0'] producer Adobe PDF Library 7.0 resourceName b'work_3usctspz3fdczcukjxotc5szda.pdf' title doi:10.1016/j.cub.2006.11.046 xmp:CreatorTool Elsevier xmpTPg:NPages 2 === file2bib.sh === Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2895, in get_loc return self._engine.get_loc(casted_key) File "pandas/_libs/index.pyx", line 70, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/index.pyx", line 101, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/hashtable_class_helper.pxi", line 1675, in pandas._libs.hashtable.PyObjectHashTable.get_item File "pandas/_libs/hashtable_class_helper.pxi", line 1683, in pandas._libs.hashtable.PyObjectHashTable.get_item KeyError: 'work_pg6dchft4zgtve2fmyuoicjf54' The above exception was the direct cause of the following exception: Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/reader-compute/reader-classic/bin/file2bib.py", line 66, in if ( bibliographics.loc[ escape ,'author'] ) : author = bibliographics.loc[ escape,'author'] File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 873, in __getitem__ return self._getitem_tuple(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1044, in _getitem_tuple return self._getitem_lowerdim(tup) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 786, in _getitem_lowerdim section = self._getitem_axis(key, axis=i) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1110, in _getitem_axis return self._get_label(key, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1059, in _get_label return self.obj.xs(label, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/generic.py", line 3491, in xs loc = self.index.get_loc(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2897, in get_loc raise KeyError(key) from err KeyError: 'work_pg6dchft4zgtve2fmyuoicjf54' === file2bib.sh === id: work_2fcjnshhyrbvtjjp5auvwein7m author: Gino Fornaciari title: A great enigma of the Italian Renaissance: paleopathological study on the death of Giovanni dalle Bande Nere (1498–1526) and historical relevance of a leg amputation date: 2014 pages: 7 extension: .pdf txt: ./txt/work_2fcjnshhyrbvtjjp5auvwein7m.txt cache: ./cache/work_2fcjnshhyrbvtjjp5auvwein7m.pdf Author Content-Type application/pdf Creation-Date 2014-10-09T21:10:56Z Keywords Giovanni dalle Bande 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txt/../pos/work_xbxv2eifcnartasdwmxzgfgize.pos === file2bib.sh === id: work_iv3nildxajhhlmp3vzsw7hf3xq author: Nadezda Mosusova title: Symbolism and theatre of masques: The deathly carnival of la belle époque date: 2005 pages: 15 extension: .pdf txt: ./txt/work_iv3nildxajhhlmp3vzsw7hf3xq.txt cache: ./cache/work_iv3nildxajhhlmp3vzsw7hf3xq.pdf Author Jadranka Content-Type application/pdf Creation-Date 2008-03-20T10:14:19Z Last-Modified 2008-03-20T10:14:19Z Last-Save-Date 2008-03-20T10:14:19Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 50 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2008-03-20T10:14:19Z creator Jadranka date 2008-03-20T10:14:19Z dc:creator Jadranka dc:format application/pdf; version=1.4 dc:title http://www.komunikacija.org.y...show_download?stdlang=ser_lat dcterms:created 2008-03-20T10:14:19Z dcterms:modified 2008-03-20T10:14:19Z meta:author Jadranka meta:creation-date 2008-03-20T10:14:19Z meta:save-date 2008-03-20T10:14:19Z modified 2008-03-20T10:14:19Z pdf:PDFVersion 1.4 pdf:charsPerPage ['2834', '2977', '3043', '3045', '3133', '3330', '3125', '3048', '3119', '3070', '3026', '3014', '3084', '3303', '1375'] pdf:docinfo:created 2008-03-20T10:14:19Z pdf:docinfo:creator Jadranka pdf:docinfo:creator_tool PScript5.dll Version 5.2 pdf:docinfo:modified 2008-03-20T10:14:19Z pdf:docinfo:producer Acrobat Distiller 8.0.0 (Windows) pdf:docinfo:title http://www.komunikacija.org.y...show_download?stdlang=ser_lat pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['83', '23', '19', '22', '325', '306', '128', '77', '157', '77', '73', '127', '73', '302', '667'] producer Acrobat Distiller 8.0.0 (Windows) resourceName b'work_iv3nildxajhhlmp3vzsw7hf3xq.pdf' title http://www.komunikacija.org.y...show_download?stdlang=ser_lat xmp:CreatorTool PScript5.dll Version 5.2 xmpMM:DocumentID uuid:e78f1ae1-e618-4fa1-967b-7c76f9f97dad xmpTPg:NPages 15 INFO Detecting media type for Filename: b'work_wdkwaratwfb7rkoeqx43oagjui.pdf' INFO rmeta/text (autodetecting type) INFO Detecting media type for Filename: b'work_n7aqni2sybbwfgfs7q3coipra4.pdf' INFO rmeta/text (autodetecting type) WARN Using fallback font 'LiberationSerif' for 'TimesNewRomanPSMT' WARN Using fallback font 'LiberationSerif-Bold' for 'TimesNewRomanPS-BoldMT' WARN Using fallback font 'LiberationSerif-Italic' for 'TimesNewRomanPS-ItalicMT' === file2bib.sh === id: work_bkg2zwivxjd3bnu6imzeg3czta author: B. G. Marino title: DATA OPTIMIZATION FOR 3D MODELING AND ANALYSIS OF A FORTRESS ARCHITECTURE date: 2019 pages: 5 extension: .pdf txt: ./txt/work_bkg2zwivxjd3bnu6imzeg3czta.txt cache: ./cache/work_bkg2zwivxjd3bnu6imzeg3czta.pdf Author Content-Type application/pdf Creation-Date 2019-03-19T23:11:54Z Keywords Last-Modified 2019-04-20T16:05:04Z Last-Save-Date 2019-04-20T16:05:04Z PTEX.Fullbanner This is MiKTeX-pdfTeX 2.9.6211 (1.40.17) X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 50 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true cp:subject created 2019-03-19T23:11:54Z creator date 2019-04-20T16:05:04Z dc:creator dc:format application/pdf; version=1.6 dc:subject dc:title dcterms:created 2019-03-19T23:11:54Z dcterms:modified 2019-04-20T16:05:04Z meta:author meta:creation-date 2019-03-19T23:11:54Z meta:keyword meta:save-date 2019-04-20T16:05:04Z modified 2019-04-20T16:05:04Z pdf:PDFVersion 1.6 pdf:charsPerPage ['4800', '5630', '3794', '3249', '4336'] pdf:docinfo:created 2019-03-19T23:11:54Z pdf:docinfo:creator pdf:docinfo:creator_tool LaTeX with hyperref package pdf:docinfo:custom:PTEX.Fullbanner This is MiKTeX-pdfTeX 2.9.6211 (1.40.17) pdf:docinfo:keywords pdf:docinfo:modified 2019-04-20T16:05:04Z pdf:docinfo:producer pdfTeX-1.40.17 pdf:docinfo:subject pdf:docinfo:title pdf:docinfo:trapped False pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0', '0'] producer pdfTeX-1.40.17 resourceName b'work_bkg2zwivxjd3bnu6imzeg3czta.pdf' subject title trapped False xmp:CreatorTool LaTeX with hyperref package xmpMM:DocumentID uuid:b1e4487b-52e3-4559-b725-287e7dcbdd2f xmpTPg:NPages 5 INFO Detecting media type for Filename: b'work_ehwi7qloo5h3vjbkgirnt54ghe.pdf' INFO rmeta/text (autodetecting type) === file2bib.sh === id: work_do53ehbwtrcodc3ao4a2slg5fy author: Evelyn Welch title: Engendering Italian Renaissance art — a bibliographic review date: 2000 pages: 17 extension: .pdf txt: ./txt/work_do53ehbwtrcodc3ao4a2slg5fy.txt cache: ./cache/work_do53ehbwtrcodc3ao4a2slg5fy.pdf Content-Type application/pdf Creation-Date 2019-11-22T11:16:20Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 236 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2019-11-22T11:16:20Z dc:format application/pdf; version=1.4 dcterms:created 2019-11-22T11:16:20Z meta:creation-date 2019-11-22T11:16:20Z pdf:PDFVersion 1.4 pdf:charsPerPage ['2556', '3868', '4095', '3092', '3188', '3224', '2756', '2996', '2047', '2049', '2362', '3867', '3658', '4392', '3250', '3110', '1148'] pdf:docinfo:created 2019-11-22T11:16:20Z pdf:docinfo:producer FPDF 1.81 pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP false pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0'] producer FPDF 1.81 resourceName b'work_do53ehbwtrcodc3ao4a2slg5fy.pdf' xmpTPg:NPages 17 INFO Detecting media type for Filename: b'work_yldgzfjkfnbzvfmalok6jufe2m.pdf' INFO rmeta/text (autodetecting type) INFO Detecting media type for Filename: b'work_sr2bc33dajhlxhanjiuzdpoub4.pdf' INFO rmeta/text (autodetecting type) INFO Detecting media type for Filename: b'work_hzwke6umhrfxbocnluw4wwbmli.pdf' INFO rmeta/text (autodetecting type) work_xbxv2eifcnartasdwmxzgfgize txt/../wrd/work_xbxv2eifcnartasdwmxzgfgize.wrd INFO Detecting media type for Filename: b'work_c3yh3thq65h23evvolm3m2qem4.pdf' INFO rmeta/text (autodetecting type) work_i2pmscqwgzchxiyyiprswog7oq txt/../ent/work_i2pmscqwgzchxiyyiprswog7oq.ent === file2bib.sh === Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2895, in get_loc return self._engine.get_loc(casted_key) File "pandas/_libs/index.pyx", line 70, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/index.pyx", line 101, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/hashtable_class_helper.pxi", line 1675, in pandas._libs.hashtable.PyObjectHashTable.get_item File "pandas/_libs/hashtable_class_helper.pxi", line 1683, in pandas._libs.hashtable.PyObjectHashTable.get_item KeyError: 'work_c3yh3thq65h23evvolm3m2qem4' The above exception was the direct cause of the following exception: Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/reader-compute/reader-classic/bin/file2bib.py", line 66, in if ( bibliographics.loc[ escape ,'author'] ) : author = bibliographics.loc[ escape,'author'] File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 873, in __getitem__ return self._getitem_tuple(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1044, in _getitem_tuple return self._getitem_lowerdim(tup) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 786, in _getitem_lowerdim section = self._getitem_axis(key, axis=i) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1110, in _getitem_axis return self._get_label(key, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1059, in _get_label return self.obj.xs(label, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/generic.py", line 3491, in xs loc = self.index.get_loc(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2897, in get_loc raise KeyError(key) from err KeyError: 'work_c3yh3thq65h23evvolm3m2qem4' INFO Detecting media type for Filename: b'work_l6mafgyxrzcqbgqynnfwl22fx4.pdf' work_i2pmscqwgzchxiyyiprswog7oq txt/../pos/work_i2pmscqwgzchxiyyiprswog7oq.pos INFO rmeta/text (autodetecting type) === file2bib.sh === id: work_mkjybojltndxtgkgvsb6stmhiq author: Ian Thomson title: Manuel Chrysoloras and the Early Italian Renaissance date: 2003 pages: 20 extension: .pdf txt: ./txt/work_mkjybojltndxtgkgvsb6stmhiq.txt cache: ./cache/work_mkjybojltndxtgkgvsb6stmhiq.pdf Content-Type application/pdf Creation-Date 2013-08-02T19:25:32Z Last-Modified 2013-08-27T19:31:23Z Last-Save-Date 2013-08-27T19:31:23Z PDFVersion 1.4 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 81 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2013-08-02T19:25:32Z date 2013-08-27T19:31:23Z dc:format application/pdf; version=1.6 dcterms:created 2013-08-02T19:25:32Z dcterms:modified 2013-08-27T19:31:23Z meta:creation-date 2013-08-02T19:25:32Z meta:save-date 2013-08-27T19:31:23Z modified 2013-08-27T19:31:23Z pdf:PDFVersion 1.6 pdf:charsPerPage ['2312', '3411', '3011', '2882', '2688', '3085', '3508', '3283', '2685', '2378', '3258', '2965', '3052', '2615', '2545', '2508', '2620', '2542', '2651', '582'] pdf:docinfo:created 2013-08-02T19:25:32Z pdf:docinfo:creator_tool Apache FOP Version 1.0 pdf:docinfo:custom:PDFVersion 1.4 pdf:docinfo:modified 2013-08-27T19:31:23Z pdf:docinfo:producer Adobe Acrobat 9.55 Paper Capture Plug-in pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0'] producer Adobe Acrobat 9.55 Paper Capture Plug-in resourceName b'work_mkjybojltndxtgkgvsb6stmhiq.pdf' xmp:CreatorTool Apache FOP Version 1.0 xmpMM:DocumentID uuid:c20b33f3-c1e4-de47-a03d-84dd27746bb3 xmpTPg:NPages 20 work_pg6dchft4zgtve2fmyuoicjf54 txt/../pos/work_pg6dchft4zgtve2fmyuoicjf54.pos work_i2pmscqwgzchxiyyiprswog7oq txt/../wrd/work_i2pmscqwgzchxiyyiprswog7oq.wrd work_c5qxoeff2faibmot6yx2c4l5la txt/../ent/work_c5qxoeff2faibmot6yx2c4l5la.ent === file2bib.sh === id: work_dlope6rpsneh5dhqdzdooc4bz4 author: David Cast title: 'Vasari's words'. Review of: Douglas Biow, Vasari's Words: The Lives of the Artists as a History of Ideas in the Italian Renaissance, Cambridge University Press: Cambridge 2018 date: 2019 pages: 4 extension: .pdf txt: ./txt/work_dlope6rpsneh5dhqdzdooc4bz4.txt cache: ./cache/work_dlope6rpsneh5dhqdzdooc4bz4.pdf Author Library and Information Technology Services Content-Type application/pdf Creation-Date 2019-08-21T20:38:05Z Last-Modified 2019-08-21T20:38:05Z Last-Save-Date 2019-08-21T20:38:05Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 29 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2019-08-21T20:38:05Z creator Library and Information Technology Services date 2019-08-21T20:38:05Z dc:creator Library and Information Technology Services dc:format application/pdf; version=1.5 dc:language en-GB dcterms:created 2019-08-21T20:38:05Z dcterms:modified 2019-08-21T20:38:05Z language en-GB meta:author Library and Information Technology Services meta:creation-date 2019-08-21T20:38:05Z meta:save-date 2019-08-21T20:38:05Z modified 2019-08-21T20:38:05Z pdf:PDFVersion 1.5 pdf:charsPerPage ['2948', '3491', '3464', '1674'] pdf:docinfo:created 2019-08-21T20:38:05Z pdf:docinfo:creator Library and Information Technology Services pdf:docinfo:creator_tool Microsoft® Office Word 2007 pdf:docinfo:modified 2019-08-21T20:38:05Z pdf:docinfo:producer Microsoft® Office Word 2007 pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP false pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0'] producer Microsoft® Office Word 2007 resourceName b'work_dlope6rpsneh5dhqdzdooc4bz4.pdf' xmp:CreatorTool Microsoft® Office Word 2007 xmpTPg:NPages 4 work_c5qxoeff2faibmot6yx2c4l5la txt/../wrd/work_c5qxoeff2faibmot6yx2c4l5la.wrd work_qioebu6z4vgynitaulujxlfvui txt/../wrd/work_qioebu6z4vgynitaulujxlfvui.wrd work_c5qxoeff2faibmot6yx2c4l5la txt/../pos/work_c5qxoeff2faibmot6yx2c4l5la.pos work_qioebu6z4vgynitaulujxlfvui txt/../pos/work_qioebu6z4vgynitaulujxlfvui.pos work_qbvoso2adbfebfhchnd5n7udha txt/../wrd/work_qbvoso2adbfebfhchnd5n7udha.wrd work_qbvoso2adbfebfhchnd5n7udha txt/../pos/work_qbvoso2adbfebfhchnd5n7udha.pos work_xbxv2eifcnartasdwmxzgfgize txt/../ent/work_xbxv2eifcnartasdwmxzgfgize.ent work_r4pgejerevax7dsp5mcojaym74 txt/../pos/work_r4pgejerevax7dsp5mcojaym74.pos work_pg6dchft4zgtve2fmyuoicjf54 txt/../wrd/work_pg6dchft4zgtve2fmyuoicjf54.wrd work_r4pgejerevax7dsp5mcojaym74 txt/../wrd/work_r4pgejerevax7dsp5mcojaym74.wrd work_fq2a3cktdfcprfdssk3v3j4kgy txt/../wrd/work_fq2a3cktdfcprfdssk3v3j4kgy.wrd work_fq2a3cktdfcprfdssk3v3j4kgy txt/../pos/work_fq2a3cktdfcprfdssk3v3j4kgy.pos work_qioebu6z4vgynitaulujxlfvui txt/../ent/work_qioebu6z4vgynitaulujxlfvui.ent work_uo67dfvt6fa6teykha7ptyl6la txt/../pos/work_uo67dfvt6fa6teykha7ptyl6la.pos work_pg6dchft4zgtve2fmyuoicjf54 txt/../ent/work_pg6dchft4zgtve2fmyuoicjf54.ent work_fq2a3cktdfcprfdssk3v3j4kgy txt/../ent/work_fq2a3cktdfcprfdssk3v3j4kgy.ent work_uo67dfvt6fa6teykha7ptyl6la txt/../wrd/work_uo67dfvt6fa6teykha7ptyl6la.wrd work_q57cafylife2rmvihlvmu6hgue txt/../pos/work_q57cafylife2rmvihlvmu6hgue.pos INFO Detecting media type for Filename: b'work_fhbf5cez6veirdwino5xwyxh7e.pdf' INFO rmeta/text (autodetecting type) === file2bib.sh === Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2895, in get_loc return self._engine.get_loc(casted_key) File "pandas/_libs/index.pyx", line 70, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/index.pyx", line 101, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/hashtable_class_helper.pxi", line 1675, in pandas._libs.hashtable.PyObjectHashTable.get_item File "pandas/_libs/hashtable_class_helper.pxi", line 1683, in pandas._libs.hashtable.PyObjectHashTable.get_item KeyError: 'work_fhbf5cez6veirdwino5xwyxh7e' The above exception was the direct cause of the following exception: Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/reader-compute/reader-classic/bin/file2bib.py", line 66, in if ( bibliographics.loc[ escape ,'author'] ) : author = bibliographics.loc[ escape,'author'] File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 873, in __getitem__ return self._getitem_tuple(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1044, in _getitem_tuple return self._getitem_lowerdim(tup) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 786, in _getitem_lowerdim section = self._getitem_axis(key, axis=i) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1110, in _getitem_axis return self._get_label(key, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1059, in _get_label return self.obj.xs(label, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/generic.py", line 3491, in xs loc = self.index.get_loc(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2897, in get_loc raise KeyError(key) from err KeyError: 'work_fhbf5cez6veirdwino5xwyxh7e' INFO Detecting media type for Filename: b'work_oy3ftqopknhmtpmoge7shadtxq.pdf' INFO rmeta/text (autodetecting type) work_r4pgejerevax7dsp5mcojaym74 txt/../ent/work_r4pgejerevax7dsp5mcojaym74.ent === file2bib.sh === Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2895, in get_loc return self._engine.get_loc(casted_key) File "pandas/_libs/index.pyx", line 70, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/index.pyx", line 101, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/hashtable_class_helper.pxi", line 1675, in pandas._libs.hashtable.PyObjectHashTable.get_item File "pandas/_libs/hashtable_class_helper.pxi", line 1683, in pandas._libs.hashtable.PyObjectHashTable.get_item KeyError: 'work_oy3ftqopknhmtpmoge7shadtxq' The above exception was the direct cause of the following exception: Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/reader-compute/reader-classic/bin/file2bib.py", line 66, in if ( bibliographics.loc[ escape ,'author'] ) : author = bibliographics.loc[ escape,'author'] File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 873, in __getitem__ return self._getitem_tuple(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1044, in _getitem_tuple return self._getitem_lowerdim(tup) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 786, in _getitem_lowerdim section = self._getitem_axis(key, axis=i) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1110, in _getitem_axis return self._get_label(key, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1059, in _get_label return self.obj.xs(label, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/generic.py", line 3491, in xs loc = self.index.get_loc(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2897, in get_loc raise KeyError(key) from err KeyError: 'work_oy3ftqopknhmtpmoge7shadtxq' work_qbvoso2adbfebfhchnd5n7udha txt/../ent/work_qbvoso2adbfebfhchnd5n7udha.ent work_q57cafylife2rmvihlvmu6hgue txt/../wrd/work_q57cafylife2rmvihlvmu6hgue.wrd INFO Detecting media type for Filename: b'work_myk5ygq5zzdhdcfxpeengep4x4.pdf' INFO rmeta/text (autodetecting type) work_uo67dfvt6fa6teykha7ptyl6la txt/../ent/work_uo67dfvt6fa6teykha7ptyl6la.ent work_v4ojoji4lffv5itqqzzcv7szhy txt/../wrd/work_v4ojoji4lffv5itqqzzcv7szhy.wrd === file2bib.sh === Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2895, in get_loc return self._engine.get_loc(casted_key) File "pandas/_libs/index.pyx", line 70, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/index.pyx", line 101, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/hashtable_class_helper.pxi", line 1675, in pandas._libs.hashtable.PyObjectHashTable.get_item File "pandas/_libs/hashtable_class_helper.pxi", line 1683, in pandas._libs.hashtable.PyObjectHashTable.get_item KeyError: 'work_myk5ygq5zzdhdcfxpeengep4x4' The above exception was the direct cause of the following exception: Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/reader-compute/reader-classic/bin/file2bib.py", line 66, in if ( bibliographics.loc[ escape ,'author'] ) : author = bibliographics.loc[ escape,'author'] File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 873, in __getitem__ return self._getitem_tuple(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1044, in _getitem_tuple return self._getitem_lowerdim(tup) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 786, in _getitem_lowerdim section = self._getitem_axis(key, axis=i) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1110, in _getitem_axis return self._get_label(key, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1059, in _get_label return self.obj.xs(label, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/generic.py", line 3491, in xs loc = self.index.get_loc(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2897, in get_loc raise KeyError(key) from err KeyError: 'work_myk5ygq5zzdhdcfxpeengep4x4' === file2bib.sh === id: work_3r2nuqzigrab7f2wwf7zhiewvy author: Bert Scholtens title: A critique on the theory of financial intermediation date: 2000 pages: 9 extension: .pdf txt: ./txt/work_3r2nuqzigrab7f2wwf7zhiewvy.txt cache: ./cache/work_3r2nuqzigrab7f2wwf7zhiewvy.pdf Content-Type application/pdf Creation-Date 2000-06-26T12:52:18Z Last-Modified 2000-06-26T12:58:06Z Last-Save-Date 2000-06-26T12:58:06Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 34 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2000-06-26T12:52:18Z date 2000-06-26T12:58:06Z dc:format application/pdf; version=1.2 dc:title PII: S0378-4266(99)00085-0 dcterms:created 2000-06-26T12:52:18Z dcterms:modified 2000-06-26T12:58:06Z meta:creation-date 2000-06-26T12:52:18Z meta:save-date 2000-06-26T12:58:06Z modified 2000-06-26T12:58:06Z pdf:PDFVersion 1.2 pdf:charsPerPage ['1318', '2582', '1837', '1457', '2490', '2743', '2561', '2472', '1397'] pdf:docinfo:created 2000-06-26T12:52:18Z pdf:docinfo:creator_tool 3B2 Total Publishing 6.05e/W pdf:docinfo:modified 2000-06-26T12:58:06Z pdf:docinfo:producer Acrobat Distiller 3.02 pdf:docinfo:title PII: S0378-4266(99)00085-0 pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP false pdf:unmappedUnicodeCharsPerPage ['1318', '2582', '1837', '1457', '2490', '2743', '2561', '2472', '1397'] producer Acrobat Distiller 3.02 resourceName b'work_3r2nuqzigrab7f2wwf7zhiewvy.pdf' title PII: S0378-4266(99)00085-0 xmp:CreatorTool 3B2 Total Publishing 6.05e/W xmpTPg:NPages 9 work_v4ojoji4lffv5itqqzzcv7szhy txt/../pos/work_v4ojoji4lffv5itqqzzcv7szhy.pos work_q57cafylife2rmvihlvmu6hgue txt/../ent/work_q57cafylife2rmvihlvmu6hgue.ent work_4ir6mfe7a5hmheaidkipdxhfvi txt/../pos/work_4ir6mfe7a5hmheaidkipdxhfvi.pos work_4ir6mfe7a5hmheaidkipdxhfvi txt/../wrd/work_4ir6mfe7a5hmheaidkipdxhfvi.wrd INFO Detecting media type for Filename: b'work_rpfnvy7zqzhodpt4lzrsncpule.pdf' INFO rmeta/text (autodetecting type) WARN No Unicode mapping for C2 (2) in font IGABKH+AdvP4C4E74 INFO Detecting media type for Filename: b'work_ot6x6baiqbdq5eglzaufd5sqmi.pdf' INFO rmeta/text (autodetecting type) work_v4ojoji4lffv5itqqzzcv7szhy txt/../ent/work_v4ojoji4lffv5itqqzzcv7szhy.ent INFO Detecting media type for Filename: b'work_bzolg2ldh5dwrdyv3pglp3iv5i.pdf' INFO rmeta/text (autodetecting type) INFO Detecting media type for Filename: b'work_6nrkz7ek7vempc2qkibwkumwgm.pdf' INFO rmeta/text (autodetecting type) === file2bib.sh === id: work_ehwi7qloo5h3vjbkgirnt54ghe author: Judy De Roy title: Cut in Alabaster: A Material of Sculpture and Its European Traditions 1330–1530. Kim W. Woods. Distinguished Contributions to the Study of the Arts in the Burgundian Netherlands 3. London: Harvey Miller Publishers, 2018. ii + 418 pp. €150 date: 2020 pages: 2 extension: .pdf txt: ./txt/work_ehwi7qloo5h3vjbkgirnt54ghe.txt cache: ./cache/work_ehwi7qloo5h3vjbkgirnt54ghe.pdf Content-Type application/pdf Last-Modified 2021-04-06T01:06:20Z Last-Save-Date 2021-04-06T01:06:20Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 13 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true date 2021-04-06T01:06:20Z dc:description Downloaded from https://www.cambridge.org/core. 06 Apr 2021 at 01:06:20, subject to the Cambridge Core terms of use. dc:format application/pdf; version=1.4 dcterms:modified 2021-04-06T01:06:20Z description Downloaded from https://www.cambridge.org/core. 06 Apr 2021 at 01:06:20, subject to the Cambridge Core terms of use. meta:save-date 2021-04-06T01:06:20Z modified 2021-04-06T01:06:20Z pdf:PDFVersion 1.4 pdf:charsPerPage ['2629', '2577'] pdf:docinfo:modified 2021-04-06T01:06:20Z pdf:docinfo:producer PDF::API2 0.55 (fix-3328 / 2006-08-14) [MSWin32] pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['0', '0'] producer PDF::API2 0.55 (fix-3328 / 2006-08-14) [MSWin32] resourceName b'work_ehwi7qloo5h3vjbkgirnt54ghe.pdf' xmpTPg:NPages 2 === file2bib.sh === Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2895, in get_loc return self._engine.get_loc(casted_key) File "pandas/_libs/index.pyx", line 70, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/index.pyx", line 101, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/hashtable_class_helper.pxi", line 1675, in pandas._libs.hashtable.PyObjectHashTable.get_item File "pandas/_libs/hashtable_class_helper.pxi", line 1683, in pandas._libs.hashtable.PyObjectHashTable.get_item KeyError: 'work_bzolg2ldh5dwrdyv3pglp3iv5i' The above exception was the direct cause of the following exception: Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/reader-compute/reader-classic/bin/file2bib.py", line 66, in if ( bibliographics.loc[ escape ,'author'] ) : author = bibliographics.loc[ escape,'author'] File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 873, in __getitem__ return self._getitem_tuple(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1044, in _getitem_tuple return self._getitem_lowerdim(tup) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 786, in _getitem_lowerdim section = self._getitem_axis(key, axis=i) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1110, in _getitem_axis return self._get_label(key, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1059, in _get_label return self.obj.xs(label, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/generic.py", line 3491, in xs loc = self.index.get_loc(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2897, in get_loc raise KeyError(key) from err KeyError: 'work_bzolg2ldh5dwrdyv3pglp3iv5i' === file2bib.sh === id: work_wdkwaratwfb7rkoeqx43oagjui author: Denitza Nedkova title: Grammatizing the Visible date: 2019 pages: 9 extension: .pdf txt: ./txt/work_wdkwaratwfb7rkoeqx43oagjui.txt cache: ./cache/work_wdkwaratwfb7rkoeqx43oagjui.pdf Content-Type application/pdf Creation-Date 2019-11-19T14:26:10Z Last-Modified 2019-11-19T14:26:10Z Last-Save-Date 2019-11-19T14:26:10Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 112 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2019-11-19T14:26:10Z date 2019-11-19T14:26:10Z dc:format application/pdf; version=1.3 dc:title Microsoft Word - Nedkova-imp.docx dcterms:created 2019-11-19T14:26:10Z dcterms:modified 2019-11-19T14:26:10Z meta:creation-date 2019-11-19T14:26:10Z meta:save-date 2019-11-19T14:26:10Z modified 2019-11-19T14:26:10Z pdf:PDFVersion 1.3 pdf:charsPerPage ['1398', '3265', '3966', '4215', '2479', '3030', '3204', '2655', '2473'] pdf:docinfo:created 2019-11-19T14:26:10Z pdf:docinfo:creator_tool Word pdf:docinfo:modified 2019-11-19T14:26:10Z pdf:docinfo:producer macOS Versione 10.15.1 (Build 19B88) Quartz PDFContext pdf:docinfo:title Microsoft Word - Nedkova-imp.docx pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP false pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0', '0', '0', '0', '0', '0'] producer macOS Versione 10.15.1 (Build 19B88) Quartz PDFContext resourceName b'work_wdkwaratwfb7rkoeqx43oagjui.pdf' title Microsoft Word - Nedkova-imp.docx xmp:CreatorTool Word xmpTPg:NPages 9 === file2bib.sh === id: work_femegcta6nabhnp5yylntpz3qm author: Diletta Gamberini title: The Artist as a Dantista: Francesco da Sangallo's Dantism in Mid-Cinquecento Florence date: 2017 pages: 24 extension: .pdf txt: ./txt/work_femegcta6nabhnp5yylntpz3qm.txt cache: ./cache/work_femegcta6nabhnp5yylntpz3qm.pdf Author Diletta Gamberini Content-Type application/pdf Creation-Date 2018-02-08T17:18:10Z GTS_PDFXConformance PDF/X-1a:2001 GTS_PDFXVersion PDF/X-1:2001 Last-Modified 2018-02-12T19:10:36Z Last-Save-Date 2018-02-12T19:10:36Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 103 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2018-02-08T17:18:10Z creator Diletta Gamberini date 2018-02-12T19:10:36Z dc:creator Diletta Gamberini dc:format application/pdf; version=1.4 dc:language en-US dc:title The Artist as a Dantista: Francesco da Sangallo’s Dantism in Mid-Cinquecento Florence dcterms:created 2018-02-08T17:18:10Z dcterms:modified 2018-02-12T19:10:36Z language en-US meta:author Diletta Gamberini meta:creation-date 2018-02-08T17:18:10Z meta:save-date 2018-02-12T19:10:36Z modified 2018-02-12T19:10:36Z pdf:PDFVersion 1.4 pdf:charsPerPage ['396', '1699', '2287', '2491', '218', '228', '2880', '371', '2564', '2428', '2371', '2095', '2459', '2072', '2526', '2593', '214', '2390', '4495', '4334', '4624', '4906', '4784', '4049'] pdf:docinfo:created 2018-02-08T17:18:10Z pdf:docinfo:creator Diletta Gamberini pdf:docinfo:creator_tool Adobe InDesign CC 2017 (Macintosh) pdf:docinfo:custom:GTS_PDFXConformance PDF/X-1a:2001 pdf:docinfo:custom:GTS_PDFXVersion PDF/X-1:2001 pdf:docinfo:modified 2018-02-12T19:10:36Z pdf:docinfo:producer Project MUSE pdf:docinfo:title The Artist as a Dantista: Francesco da Sangallo’s Dantism in Mid-Cinquecento Florence pdf:docinfo:trapped False pdf:encrypted false pdf:hasMarkedContent true pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0'] producer Project MUSE resourceName b'work_femegcta6nabhnp5yylntpz3qm.pdf' title The Artist as a Dantista: Francesco da Sangallo’s Dantism in Mid-Cinquecento Florence trapped False xmp:CreatorTool Adobe InDesign CC 2017 (Macintosh) xmpMM:DerivedFrom:DocumentID xmp.did:467b6f87-519f-40da-b215-5da820817318 xmpMM:DerivedFrom:InstanceID xmp.iid:3d733ba3-f53b-4964-9c1a-c8ee28fd7252 xmpMM:DocumentID xmp.id:95b48129-dd31-4782-99c6-5007188e5dd1 xmpTPg:NPages 24 work_txfzmi2yobg6tnjfq7t2fa3n6a txt/../pos/work_txfzmi2yobg6tnjfq7t2fa3n6a.pos work_4ir6mfe7a5hmheaidkipdxhfvi txt/../ent/work_4ir6mfe7a5hmheaidkipdxhfvi.ent === file2bib.sh === id: work_sr2bc33dajhlxhanjiuzdpoub4 author: John W. Kronik title: Editor's Column date: 1987 pages: 2 extension: .pdf txt: ./txt/work_sr2bc33dajhlxhanjiuzdpoub4.txt cache: ./cache/work_sr2bc33dajhlxhanjiuzdpoub4.pdf Content-Type application/pdf Creation-Date 2020-04-30T08:43:05Z Last-Modified 2020-04-30T08:45:56Z Last-Save-Date 2020-04-30T08:45:56Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 27 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2020-04-30T08:43:05Z date 2020-04-30T08:45:56Z dc:format application/pdf; version=1.4 dcterms:created 2020-04-30T08:43:05Z dcterms:modified 2020-04-30T08:45:56Z meta:creation-date 2020-04-30T08:43:05Z meta:save-date 2020-04-30T08:45:56Z modified 2020-04-30T08:45:56Z pdf:PDFVersion 1.4 pdf:charsPerPage ['5296', '3961'] pdf:docinfo:created 2020-04-30T08:43:05Z pdf:docinfo:creator_tool ABBYY FineReader 14 pdf:docinfo:modified 2020-04-30T08:45:56Z pdf:docinfo:producer ABBYY FineReader 14 pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['0', '0'] producer ABBYY FineReader 14 resourceName b'work_sr2bc33dajhlxhanjiuzdpoub4.pdf' xmp:CreatorTool ABBYY FineReader 14 xmpMM:DocumentID uuid:e32dd0a3-7fe0-4387-a1b3-b099cc9368a3 xmpTPg:NPages 2 INFO Detecting media type for Filename: b'work_fstfhgvg6ve4tmxjs2xhbxq3ta.pdf' INFO rmeta/text (autodetecting type) INFO Detecting media type for Filename: b'work_i5x3h53suva4fbl447zliyfrae.pdf' INFO rmeta/text (autodetecting type) WARN No Unicode mapping for circlecopyrt (2) in font CNIADG+CMSY10 === file2bib.sh === id: work_yldgzfjkfnbzvfmalok6jufe2m author: Luca Degl'Innocenti title: Street Singers: An Interdisciplinary Perspective date: 2016 pages: 6 extension: .pdf txt: ./txt/work_yldgzfjkfnbzvfmalok6jufe2m.txt cache: ./cache/work_yldgzfjkfnbzvfmalok6jufe2m.pdf Author Luca Degl’Innocenti Content-Type application/pdf Creation-Date 2016-05-12T18:52:09Z Keywords Last-Modified 2016-05-18T14:07:07Z Last-Save-Date 2016-05-18T14:07:07Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 29 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true cp:subject Italian Studies, 2016. doi:10.1080/00751634.2016.1175713 created 2016-05-12T18:52:09Z creator Luca 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last): File "/ocean/projects/cis210016p/shared/reader-compute/reader-classic/bin/file2bib.py", line 66, in if ( bibliographics.loc[ escape ,'author'] ) : author = bibliographics.loc[ escape,'author'] File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 873, in __getitem__ return self._getitem_tuple(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1044, in _getitem_tuple return self._getitem_lowerdim(tup) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 786, in _getitem_lowerdim section = self._getitem_axis(key, axis=i) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1110, in _getitem_axis return self._get_label(key, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1059, in _get_label return self.obj.xs(label, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/generic.py", line 3491, in xs loc = self.index.get_loc(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2897, in get_loc raise KeyError(key) from err KeyError: 'work_4yq5lfilrvehva57tkohluu5py' === file2bib.sh === id: work_n7aqni2sybbwfgfs7q3coipra4 author: (:Unkn) Unknown title: Rogier van der Weyden: A Netherlandish Artist and the Ferrarese Court date: 2020 pages: 67 extension: .pdf txt: ./txt/work_n7aqni2sybbwfgfs7q3coipra4.txt cache: ./cache/work_n7aqni2sybbwfgfs7q3coipra4.pdf Author Amanda Pesce Company NJDOBI Content-Type application/pdf Creation-Date 2016-12-12T15:41:17Z Last-Modified 2016-12-12T15:41:21Z Last-Save-Date 2016-12-12T15:41:21Z SourceModified D:20161212154102 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler 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Stenton title: Faces from the Franklin expedition? 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dc:subject dc:title dcterms:created 2015-11-28T04:45:21Z dcterms:modified 2015-11-28T04:45:37Z meta:author meta:creation-date 2015-11-28T04:45:21Z meta:keyword meta:save-date 2015-11-28T04:45:37Z modified 2015-11-28T04:45:37Z pdf:PDFVersion 1.3 pdf:charsPerPage ['3805', '5107', '3490', '1748', '2864', '4722'] pdf:docinfo:created 2015-11-28T04:45:21Z pdf:docinfo:creator pdf:docinfo:creator_tool LaTeX with hyperref package pdf:docinfo:keywords pdf:docinfo:modified 2015-11-28T04:45:37Z pdf:docinfo:producer Acrobat Distiller 10.1.13 (Windows) pdf:docinfo:subject pdf:docinfo:title pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['1', '0', '0', '0', '0', '0'] producer Acrobat Distiller 10.1.13 (Windows) resourceName b'work_i5x3h53suva4fbl447zliyfrae.pdf' subject title xmp:CreatorTool LaTeX with hyperref package xmpMM:DocumentID uuid:2a73adf1-3544-48c1-8878-153d46dd449d xmpTPg:NPages 6 work_lo7n23kgfzbqnfrem6d762spwm txt/../wrd/work_lo7n23kgfzbqnfrem6d762spwm.wrd work_qrgfwpeionck3mquhuuq3scbku txt/../ent/work_qrgfwpeionck3mquhuuq3scbku.ent INFO Detecting media type for Filename: b'work_4vn4hrfyd5daxpwigzfdpbgt6m.pdf' INFO rmeta/text (autodetecting type) === file2bib.sh === id: work_fstfhgvg6ve4tmxjs2xhbxq3ta author: Chitra Sankaran title: Materiality, Devotion and Compromise: A Study of Goddess Films of South India date: 2015 pages: 35 extension: .pdf txt: ./txt/work_fstfhgvg6ve4tmxjs2xhbxq3ta.txt cache: ./cache/work_fstfhgvg6ve4tmxjs2xhbxq3ta.pdf Content-Type application/pdf Creation-Date 2018-10-26T06:25:45Z Last-Modified 2018-10-26T06:58:11Z Last-Save-Date 2018-10-26T06:58:11Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 86 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2018-10-26T06:25:45Z date 2018-10-26T06:58:11Z dc:format application/pdf; version=1.3 dc:language he dcterms:created 2018-10-26T06:25:45Z dcterms:modified 2018-10-26T06:58:11Z language he meta:creation-date 2018-10-26T06:25:45Z meta:save-date 2018-10-26T06:58:11Z modified 2018-10-26T06:58:11Z pdf:PDFVersion 1.3 pdf:charsPerPage ['127', '93', '2689', '993', '2119', '3187', '2311', '3131', '364', '1023', '1446', '3547', '1324', '970', '1164', '1343', '3378', '1143', '2976', '1012', '1133', '1169', '3091', '1292', '3509', '3194', '1042', '3095', '3035', '2954', '3335', '2923', '2563', '2569', '2591'] pdf:docinfo:created 2018-10-26T06:25:45Z pdf:docinfo:creator_tool Adobe InDesign CC 13.0 (Windows) pdf:docinfo:modified 2018-10-26T06:58:11Z pdf:docinfo:producer Adobe PDF Library 15.0 pdf:docinfo:trapped False pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0'] producer Adobe PDF Library 15.0 resourceName b'work_fstfhgvg6ve4tmxjs2xhbxq3ta.pdf' trapped False xmp:CreatorTool Adobe InDesign CC 13.0 (Windows) xmpMM:DerivedFrom:DocumentID xmp.did:627c52f3-1c66-6548-bc5a-9defcac24004 xmpMM:DerivedFrom:InstanceID xmp.iid:88ed4a6f-a566-b249-a313-ba3a9d1f95cb xmpMM:DocumentID xmp.id:f564690d-09cb-3e40-9215-a25a26e3b3da xmpTPg:NPages 35 work_lo7n23kgfzbqnfrem6d762spwm txt/../ent/work_lo7n23kgfzbqnfrem6d762spwm.ent INFO Detecting media type for Filename: b'work_wuuwbyygjjfo7gy5eapkoymyme.pdf' INFO rmeta/text (autodetecting type) WARN Using fallback font LiberationSans for AkzidenzGroteskBE-Md WARN Using fallback font LiberationSans for AkzidenzGroteskBE-Regular WARN Using fallback font LiberationSans-Bold for AkzidenzGroteskBE-Bold === file2bib.sh === Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2895, in get_loc return self._engine.get_loc(casted_key) File "pandas/_libs/index.pyx", line 70, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/index.pyx", line 101, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/hashtable_class_helper.pxi", line 1675, in pandas._libs.hashtable.PyObjectHashTable.get_item File "pandas/_libs/hashtable_class_helper.pxi", line 1683, in pandas._libs.hashtable.PyObjectHashTable.get_item KeyError: 'work_4vn4hrfyd5daxpwigzfdpbgt6m' The above exception was the direct cause of the following exception: Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/reader-compute/reader-classic/bin/file2bib.py", line 66, in if ( bibliographics.loc[ escape ,'author'] ) : author = bibliographics.loc[ escape,'author'] File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 873, in __getitem__ return self._getitem_tuple(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1044, in _getitem_tuple return self._getitem_lowerdim(tup) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 786, in _getitem_lowerdim section = self._getitem_axis(key, axis=i) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1110, in _getitem_axis return self._get_label(key, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1059, in _get_label return self.obj.xs(label, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/generic.py", line 3491, in xs loc = self.index.get_loc(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2897, in get_loc raise KeyError(key) from err KeyError: 'work_4vn4hrfyd5daxpwigzfdpbgt6m' work_k4f33zbszfhzxpqcawutk5hvvm txt/../pos/work_k4f33zbszfhzxpqcawutk5hvvm.pos === file2bib.sh === Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2895, in get_loc return self._engine.get_loc(casted_key) File "pandas/_libs/index.pyx", line 70, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/index.pyx", line 101, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/hashtable_class_helper.pxi", line 1675, in pandas._libs.hashtable.PyObjectHashTable.get_item File "pandas/_libs/hashtable_class_helper.pxi", line 1683, in pandas._libs.hashtable.PyObjectHashTable.get_item KeyError: 'work_wuuwbyygjjfo7gy5eapkoymyme' The above exception was the direct cause of the following exception: Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/reader-compute/reader-classic/bin/file2bib.py", line 66, in if ( bibliographics.loc[ escape ,'author'] ) : author = bibliographics.loc[ escape,'author'] File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 873, in __getitem__ return self._getitem_tuple(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1044, in _getitem_tuple return self._getitem_lowerdim(tup) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 786, in _getitem_lowerdim section = self._getitem_axis(key, axis=i) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1110, in _getitem_axis return self._get_label(key, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1059, in _get_label return self.obj.xs(label, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/generic.py", line 3491, in xs loc = self.index.get_loc(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2897, in get_loc raise KeyError(key) from err KeyError: 'work_wuuwbyygjjfo7gy5eapkoymyme' work_k4f33zbszfhzxpqcawutk5hvvm txt/../wrd/work_k4f33zbszfhzxpqcawutk5hvvm.wrd === file2bib.sh === id: work_uyaacz3etfczbeyf5kv4zknoeq author: Kate Quinlan title: Rachel Jackson: 'There is no more poignant time to consider art as therapy' date: 2020 pages: 4 extension: .pdf txt: ./txt/work_uyaacz3etfczbeyf5kv4zknoeq.txt cache: ./cache/work_uyaacz3etfczbeyf5kv4zknoeq.pdf Content-Type application/pdf Creation-Date 2020-04-03T08:12:32Z Keywords - Last-Modified 2020-04-03T08:13:01Z 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b'work_wdrxjtxdrnainozlqto6nz7yui.pdf' INFO rmeta/text (autodetecting type) === file2bib.sh === id: work_rpfnvy7zqzhodpt4lzrsncpule author: PATRICIA SIMONS title: HERCULES IN ITALIAN RENAISSANCE ART: MASCULINE LABOUR AND HOMOEROTIC LIBIDO date: 2008 pages: 33 extension: .pdf txt: ./txt/work_rpfnvy7zqzhodpt4lzrsncpule.txt cache: ./cache/work_rpfnvy7zqzhodpt4lzrsncpule.pdf Content-Type application/pdf Creation-Date 2008-12-12T05:48:02Z Last-Modified 2010-09-24T15:59:41Z Last-Save-Date 2010-09-24T15:59:41Z WPS-ARTICLEDOI 10.1111/j.1467-8365.2008.00635.x WPS-PROCLEVEL 2 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 113 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true 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pdf:docinfo:producer PDFlib PLOP 3.0 (.NET/Win32)/Acrobat Distiller 7.0 (Windows) pdf:docinfo:title HERCULES IN ITALIAN RENAISSANCE ART: MASCULINE LABOUR AND HOMOEROTIC LIBIDO pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0', '0', '0', '0', '0', '0', '1', '0', '0', '1', '0', '0', '0', '2', '0', '1', '1', '1', '1', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0'] producer PDFlib PLOP 3.0 (.NET/Win32)/Acrobat Distiller 7.0 (Windows) resourceName b'work_rpfnvy7zqzhodpt4lzrsncpule.pdf' title HERCULES IN ITALIAN RENAISSANCE ART: MASCULINE LABOUR AND HOMOEROTIC LIBIDO xmp:CreatorTool 3B2 Total Publishing System 8.07f/W xmpMM:DocumentID uuid:CEA656A3-86DE-EC60-24EB-57918DEA138D xmpTPg:NPages 33 INFO Detecting media type for Filename: b'work_wc7xyrmcyjfdvcumwybolxql4u.pdf' INFO rmeta/text (autodetecting type) work_xip6ysml5nhu7jpq5vpsweynhi txt/../wrd/work_xip6ysml5nhu7jpq5vpsweynhi.wrd 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Schwartz title: The Monocular Duke of Urbino date: 2016 pages: extension: .pdf txt: ./txt/work_p2vikxgvzjao3cxwrbe57dcgse.txt cache: ./cache/work_p2vikxgvzjao3cxwrbe57dcgse.pdf Content-Type application/xml X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.xml.DcXMLParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 2 resourceName b'work_p2vikxgvzjao3cxwrbe57dcgse.pdf' work_xip6ysml5nhu7jpq5vpsweynhi txt/../pos/work_xip6ysml5nhu7jpq5vpsweynhi.pos INFO Detecting media type for Filename: b'work_2m6gvudwpnfufht6i5sceyxfva.pdf' INFO rmeta/text (autodetecting type) work_zrv7a6p4fvfnfjst7lkpjlswqu txt/../wrd/work_zrv7a6p4fvfnfjst7lkpjlswqu.wrd === file2bib.sh === id: work_pv5awjcgvfdazezkkpwam7a5km author: Giuseppe Lacidogna title: Correlation between Earthquakes and AE Monitoring of Historical Buildings in Seismic Areas date: 2015 pages: 16 extension: .pdf txt: ./txt/work_pv5awjcgvfdazezkkpwam7a5km.txt cache: ./cache/work_pv5awjcgvfdazezkkpwam7a5km.pdf Author Giuseppe Lacidogna,Patrizia Cutugno,Gianni Niccolini,Stefano Invernizzi,Alberto Carpinteri Content-Type application/pdf Creation-Date 2015-12-08T09:41:29Z Keywords acoustic emission; structural monitoring; cultural heritage; earthquakes; seismic precursors Last-Modified 2015-12-08T09:43:12Z Last-Save-Date 2015-12-08T09:43:12Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 39 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true cp:subject In this contribution a new method for evaluating seismic risk in regional areas based on the acoustic emission (AE) technique is proposed. Most earthquakes have precursors, i.e., phenomena of changes in the Earth’s physical-chemical properties that take place prior to an earthquake. Acoustic emissions in materials and earthquakes in the Earth’s crust, despite the fact that they take place on very different scales, are very similar phenomena; both are caused by a release of elastic energy from a source located in a medium. For the AE monitoring, two important constructions of Italian cultural heritage are considered: the chapel of the “Sacred Mountain of Varallo” and the “Asinelli Tower” of Bologna. They were monitored during earthquake sequences in their relative areas. By using the Grassberger-Procaccia algorithm, a statistical method of analysis was developed that detects AEs as earthquake precursors or aftershocks. Under certain conditions it was observed that AEs precede earthquakes. These considerations reinforce the idea that the AE monitoring can be considered an effective tool for earthquake risk evaluation. created 2015-12-08T09:41:29Z creator Giuseppe Lacidogna,Patrizia Cutugno,Gianni Niccolini,Stefano Invernizzi,Alberto Carpinteri date 2015-12-08T09:43:12Z dc:creator Giuseppe Lacidogna,Patrizia Cutugno,Gianni Niccolini,Stefano Invernizzi,Alberto Carpinteri dc:description In this contribution a new method for evaluating seismic risk in regional areas based on the acoustic emission (AE) technique is proposed. Most earthquakes have precursors, i.e., phenomena of changes in the Earth’s physical-chemical properties that take place prior to an earthquake. Acoustic emissions in materials and earthquakes in the Earth’s crust, despite the fact that they take place on very different scales, are very similar phenomena; both are caused by a release of elastic energy from a source located in a medium. For the AE monitoring, two important constructions of Italian cultural heritage are considered: the chapel of the “Sacred Mountain of Varallo” and the “Asinelli Tower” of Bologna. They were monitored during earthquake sequences in their relative areas. By using the Grassberger-Procaccia algorithm, a statistical method of analysis was developed that detects AEs as earthquake precursors or aftershocks. Under certain conditions it was observed that AEs precede earthquakes. These considerations reinforce the idea that the AE monitoring can be considered an effective tool for earthquake risk evaluation. dc:format ['application/pdf; version="A-1b"', 'application/pdf; version=1.4'] dc:subject acoustic emission; structural monitoring; cultural heritage; earthquakes; seismic precursors dc:title Correlation between Earthquakes and AE Monitoring of Historical Buildings in Seismic Areas dcterms:created 2015-12-08T09:41:29Z dcterms:modified 2015-12-08T09:43:12Z description In this contribution a new method for evaluating seismic risk in regional areas based on the acoustic emission (AE) technique is proposed. Most earthquakes have precursors, i.e., phenomena of changes in the Earth’s physical-chemical properties that take place prior to an earthquake. Acoustic emissions in materials and earthquakes in the Earth’s crust, despite the fact that they take place on very different scales, are very similar phenomena; both are caused by a release of elastic energy from a source located in a medium. For the AE monitoring, two important constructions of Italian cultural heritage are considered: the chapel of the “Sacred Mountain of Varallo” and the “Asinelli Tower” of Bologna. They were monitored during earthquake sequences in their relative areas. By using the Grassberger-Procaccia algorithm, a statistical method of analysis was developed that detects AEs as earthquake precursors or aftershocks. Under certain conditions it was observed that AEs precede earthquakes. These considerations reinforce the idea that the AE monitoring can be considered an effective tool for earthquake risk evaluation. meta:author Giuseppe Lacidogna,Patrizia Cutugno,Gianni Niccolini,Stefano Invernizzi,Alberto Carpinteri meta:creation-date 2015-12-08T09:41:29Z meta:keyword acoustic emission; structural monitoring; cultural heritage; earthquakes; seismic precursors meta:save-date 2015-12-08T09:43:12Z modified 2015-12-08T09:43:12Z pdf:PDFVersion 1.4 pdf:charsPerPage ['2236', '3028', '1678', '1746', '1289', '1939', '548', '3242', '1059', '2871', '2145', '2231', '420', '1873', '2715', '1117'] pdf:docinfo:created 2015-12-08T09:41:29Z pdf:docinfo:creator Giuseppe Lacidogna,Patrizia Cutugno,Gianni Niccolini,Stefano Invernizzi,Alberto Carpinteri pdf:docinfo:creator_tool PScript5.dll Version 5.2.2 pdf:docinfo:keywords acoustic emission; structural monitoring; cultural heritage; earthquakes; seismic precursors pdf:docinfo:modified 2015-12-08T09:43:12Z pdf:docinfo:producer Acrobat Distiller 11.0 (Windows) pdf:docinfo:subject In this contribution a new method for evaluating seismic risk in regional areas based on the acoustic emission (AE) technique is proposed. Most earthquakes have precursors, i.e., phenomena of changes in the Earth’s physical-chemical properties that take place prior to an earthquake. Acoustic emissions in materials and earthquakes in the Earth’s crust, despite the fact that they take place on very different scales, are very similar phenomena; both are caused by a release of elastic energy from a source located in a medium. For the AE monitoring, two important constructions of Italian cultural heritage are considered: the chapel of the “Sacred Mountain of Varallo” and the “Asinelli Tower” of Bologna. They were monitored during earthquake sequences in their relative areas. By using the Grassberger-Procaccia algorithm, a statistical method of analysis was developed that detects AEs as earthquake precursors or aftershocks. Under certain conditions it was observed that AEs precede earthquakes. These considerations reinforce the idea that the AE monitoring can be considered an effective tool for earthquake risk evaluation. pdf:docinfo:title Correlation between Earthquakes and AE Monitoring of Historical Buildings in Seismic Areas pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0', '0', '0', '0', '37', '0', '59', '41', '0', '0', '0', '0', '0'] pdfa:PDFVersion A-1b pdfaid:conformance B pdfaid:part 1 producer Acrobat Distiller 11.0 (Windows) resourceName b'work_pv5awjcgvfdazezkkpwam7a5km.pdf' subject In this contribution a new method for evaluating seismic risk in regional areas based on the acoustic emission (AE) technique is proposed. Most earthquakes have precursors, i.e., phenomena of changes in the Earth’s physical-chemical properties that take place prior to an earthquake. Acoustic emissions in materials and earthquakes in the Earth’s crust, despite the fact that they take place on very different scales, are very similar phenomena; both are caused by a release of elastic energy from a source located in a medium. For the AE monitoring, two important constructions of Italian cultural heritage are considered: the chapel of the “Sacred Mountain of Varallo” and the “Asinelli Tower” of Bologna. They were monitored during earthquake sequences in their relative areas. By using the Grassberger-Procaccia algorithm, a statistical method of analysis was developed that detects AEs as earthquake precursors or aftershocks. Under certain conditions it was observed that AEs precede earthquakes. 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M. Woodhouse: George Gemistos Plethon. The Last of the Hellenes. Pp. xxi + 391. 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The Bible and Natural Philosophy in Renaissance Italy: Jewish and Christian Physicians in Search of Truth. New York: Cambridge University Press, 2015. 309 pp date: 2016 pages: 4 extension: .pdf txt: ./txt/work_ols2ay4xmza6bpkgbiosmxtua4.txt cache: ./cache/work_ols2ay4xmza6bpkgbiosmxtua4.pdf Content-Type application/pdf Last-Modified 2021-04-06T01:06:08Z Last-Save-Date 2021-04-06T01:06:08Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 18 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true date 2021-04-06T01:06:08Z dc:description Downloaded from https://www.cambridge.org/core. 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Carnegie Mellon University, on 06 Apr 2021 at 01:06:08, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. meta:save-date 2021-04-06T01:06:08Z modified 2021-04-06T01:06:08Z pdf:PDFVersion 1.4 pdf:charsPerPage ['2501', '3273', '3305', '2595'] pdf:docinfo:modified 2021-04-06T01:06:08Z pdf:docinfo:producer Carnegie Mellon University pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0'] producer Carnegie Mellon University resourceName b'work_ols2ay4xmza6bpkgbiosmxtua4.pdf' xmpTPg:NPages 4 work_nhyyb6vjnbfwnge73z46gdpjca txt/../pos/work_nhyyb6vjnbfwnge73z46gdpjca.pos work_rsb5ss7nc5cgllek6zggqrykju txt/../ent/work_rsb5ss7nc5cgllek6zggqrykju.ent === file2bib.sh === Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2895, in get_loc return self._engine.get_loc(casted_key) File "pandas/_libs/index.pyx", line 70, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/index.pyx", line 101, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/hashtable_class_helper.pxi", line 1675, in pandas._libs.hashtable.PyObjectHashTable.get_item File "pandas/_libs/hashtable_class_helper.pxi", line 1683, in pandas._libs.hashtable.PyObjectHashTable.get_item KeyError: 'work_qr7jfmppwffs5iza72ecrn5zua' The above exception was the direct cause of the following exception: Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/reader-compute/reader-classic/bin/file2bib.py", line 66, in if ( bibliographics.loc[ escape ,'author'] ) : author = bibliographics.loc[ escape,'author'] File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 873, in __getitem__ return self._getitem_tuple(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1044, in _getitem_tuple return self._getitem_lowerdim(tup) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 786, in _getitem_lowerdim section = self._getitem_axis(key, axis=i) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1110, in _getitem_axis return self._get_label(key, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1059, in _get_label return self.obj.xs(label, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/generic.py", line 3491, in xs loc = self.index.get_loc(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2897, in get_loc raise KeyError(key) from err KeyError: 'work_qr7jfmppwffs5iza72ecrn5zua' work_mpcoxu4nvzbyjmzjtr5wvilklu txt/../ent/work_mpcoxu4nvzbyjmzjtr5wvilklu.ent INFO Detecting media type for Filename: b'work_v5jlwtre7nbppakhjkhgs64pee.pdf' INFO rmeta/text (autodetecting type) INFO Detecting media type for Filename: b'work_s4atjewim5b7ddgwi5hzwm3foa.pdf' INFO rmeta/text (autodetecting type) work_33mifywa6rgttcmle2p3n7fnei txt/../ent/work_33mifywa6rgttcmle2p3n7fnei.ent === file2bib.sh === Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2895, in get_loc return self._engine.get_loc(casted_key) File "pandas/_libs/index.pyx", line 70, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/index.pyx", line 101, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/hashtable_class_helper.pxi", line 1675, in pandas._libs.hashtable.PyObjectHashTable.get_item File "pandas/_libs/hashtable_class_helper.pxi", line 1683, in pandas._libs.hashtable.PyObjectHashTable.get_item KeyError: 'work_v5jlwtre7nbppakhjkhgs64pee' The above exception was the direct cause of the following exception: Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/reader-compute/reader-classic/bin/file2bib.py", line 66, in if ( bibliographics.loc[ escape ,'author'] ) : author = bibliographics.loc[ escape,'author'] File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 873, in __getitem__ return self._getitem_tuple(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1044, in _getitem_tuple return self._getitem_lowerdim(tup) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 786, in _getitem_lowerdim section = self._getitem_axis(key, axis=i) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1110, in _getitem_axis return self._get_label(key, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1059, in _get_label return self.obj.xs(label, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/generic.py", line 3491, in xs loc = self.index.get_loc(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2897, in get_loc raise KeyError(key) from err KeyError: 'work_v5jlwtre7nbppakhjkhgs64pee' work_nhyyb6vjnbfwnge73z46gdpjca txt/../ent/work_nhyyb6vjnbfwnge73z46gdpjca.ent INFO Detecting media type for Filename: b'work_i5nloprpffcgnfd4yvk42dc6qm.pdf' INFO rmeta/text (autodetecting type) work_nhyyb6vjnbfwnge73z46gdpjca txt/../wrd/work_nhyyb6vjnbfwnge73z46gdpjca.wrd WARN No Unicode mapping for 72 (101) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for 81 (110) in font CCBONJ+Palatino-Roman WARN No Unicode mapping for 71 (100) in font CCBONJ+Palatino-Roman WARN No 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No Unicode mapping for 44 (73) in font CCBONK+Palatino-Italic WARN No Unicode mapping for 30 (59) in font CCBONJ+Palatino-Roman INFO Detecting media type for Filename: b'work_os7b5xzzijcohk4ar765rwgdqa.pdf' INFO rmeta/text (autodetecting type) === file2bib.sh === Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2895, in get_loc return self._engine.get_loc(casted_key) File "pandas/_libs/index.pyx", line 70, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/index.pyx", line 101, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/hashtable_class_helper.pxi", line 1675, in pandas._libs.hashtable.PyObjectHashTable.get_item File "pandas/_libs/hashtable_class_helper.pxi", line 1683, in pandas._libs.hashtable.PyObjectHashTable.get_item KeyError: 'work_os7b5xzzijcohk4ar765rwgdqa' The above exception was the direct cause of the following exception: Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/reader-compute/reader-classic/bin/file2bib.py", line 66, in if ( bibliographics.loc[ escape ,'author'] ) : author = bibliographics.loc[ escape,'author'] File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 873, in __getitem__ return self._getitem_tuple(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1044, in _getitem_tuple return self._getitem_lowerdim(tup) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 786, in _getitem_lowerdim section = self._getitem_axis(key, axis=i) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1110, in _getitem_axis return self._get_label(key, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1059, in _get_label return self.obj.xs(label, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/generic.py", line 3491, in xs loc = self.index.get_loc(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2897, in get_loc raise KeyError(key) from err KeyError: 'work_os7b5xzzijcohk4ar765rwgdqa' === file2bib.sh === id: work_wc7xyrmcyjfdvcumwybolxql4u author: Carlo M. Oranges title: Body Contouring date: 2016 pages: extension: .pdf txt: ./txt/work_wc7xyrmcyjfdvcumwybolxql4u.txt cache: ./cache/work_wc7xyrmcyjfdvcumwybolxql4u.pdf Content-Encoding UTF-8 Content-Language en Content-Type text/html; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.html.HtmlParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 9 application-name   citation_author ['C. M. Oranges', 'A. Gohritz', 'M. Tremp', 'D. Schäfer'] citation_journal_title undefined citation_pdf_url https://www.ncbi.nlm.nih.gov/pubmed/27200229 citation_publication_date 2016 citation_title Body Contouring: The Success of the Androgynous Model dc:title Body Contouring: The Success of the Androgynous Model | Semantic Scholar description 1 Carlo M. Oranges, MD Andreas Gohritz, MD Mathias Tremp, MD Dirk J. Schaefer, MD Department of Plastic, Reconstructive, Aesthetic and Hand Surgery Basel University Hospital Basel, Switzerland Sir: T pharaonic belief in androgynous nature of gods was the motivation for practicing female circumcision in ancient Egypt.1 This historical observation leads us, as plastic surgeons, to consider how much the aesthetical ideals are influenced by philosophical and ethical views. We are called to translate into adequate treatments for our patients the concept of beauty, which evolves along the history and is strictly related to the spirit of every period. Interestingly, several studies during the last decades reported a reemerging trend toward the androgynous model. An androgyny index, based on waist, bust, and pelvic width, was introduced in 2002 to investigate female body attractiveness.2 Analyzing temporal changes, a trend toward the success of a more androgynous appearance was observed in photograph models’ body shapes over the period of 50 years until 2001. The androgyny index was further validated by studies published in Plastic and Reconstructive Surgery.3 Moreover, this evolution of aesthetical ideals was reflected by the increased preoccupation for specific parts of the body, leading to an increase in requests for related body contouring operations.4 After the Egyptians, the idea of the androgynous nature of the primordial human being was philosophically developed by Plato in Symposium 189a– 193e through the speech of Aristophanes. By using a mythical narration, Plato said that in the beginning, the androgynous human being was participating in both male and female natures. Afterwards, Zeus, the king of gods in Greek Olympus, divided the androgyne in man and woman to reduce the extraordinary power related to the androgynous nature. However, as a consequence, one of the strongest desires was generated in the human being: the research of the lost unity through Love. These philosophical beliefs oriented the aesthetical ideals of the Hellenistic period and were expressed in art by many sculptures representing Aphroditus. During the Italian Renaissance period, these ideas were rediscovered by the Neo-Platonic Academy of Marsilio Ficino, which adopted a monistic interpretation of the Nature and proposed that an ultimate One lies behind all existence.5 Conversely, dualism between thought and reality had to be overcome.5 Classical symbolic expressions of dualism, like the opposites above/below, in/out, and in biology male/female, man/woman, were judged as mere appearance. The androgynous model represented the ideal reconciliation of the human being with the original Unity mentioned above. Steeped in this Neo-Platonic view, Renaissance art was guided by philosophy.5 Leonardo da Vinci’s drawing Androgynous is probably the most explicit representation of the androgynous model in this period. Androgynous characters can also be identified in the Leonardo’s most famous painting, Mona Lisa, and in St. John the Baptist. After Napoleon Bonaparte’s campaign in Egypt and Syria (1798–1801), the Egyptian philosophy and aesthetical principles were widely rediscovered and accepted with increasing interest in the Western countries. In 20th century, Jung postulated that both masculine and feminine components of the psyche are present in each individual.6 Accordingly, androgyny was considered as expression of the unified self. Today, the androgynous tendency can be easily recognized as a part of the pop culture, reflecting the success of the philosophical background described above. To be aware of this view of human nature may help us to better understand the aesthetical ideals of our period and, consequently, the requirements of our patients. msapplication-TileColor #FFFFFF msapplication-TileImage https://dab4rbh62k56j.cloudfront.net/151517c6e734fd0b/img/mstile-144x144.png msapplication-square150x150logo https://dab4rbh62k56j.cloudfront.net/151517c6e734fd0b/img/mstile-150x150.png msapplication-square310x310logo https://dab4rbh62k56j.cloudfront.net/151517c6e734fd0b/img/mstile-310x310.png msapplication-square70x70logo https://dab4rbh62k56j.cloudfront.net/151517c6e734fd0b/img/mstile-70x70.png msapplication-wide310x150logo https://dab4rbh62k56j.cloudfront.net/151517c6e734fd0b/img/mstile-310x150.png og:description 1 Carlo M. Oranges, MD Andreas Gohritz, MD Mathias Tremp, MD Dirk J. Schaefer, MD Department of Plastic, Reconstructive, Aesthetic and Hand Surgery Basel University Hospital Basel, Switzerland Sir: T pharaonic belief in androgynous nature of gods was the motivation for practicing female circumcision in ancient Egypt.1 This historical observation leads us, as plastic surgeons, to consider how much the aesthetical ideals are influenced by philosophical and ethical views. We are called to translate into adequate treatments for our patients the concept of beauty, which evolves along the history and is strictly related to the spirit of every period. Interestingly, several studies during the last decades reported a reemerging trend toward the androgynous model. An androgyny index, based on waist, bust, and pelvic width, was introduced in 2002 to investigate female body attractiveness.2 Analyzing temporal changes, a trend toward the success of a more androgynous appearance was observed in photograph models’ body shapes over the period of 50 years until 2001. The androgyny index was further validated by studies published in Plastic and Reconstructive Surgery.3 Moreover, this evolution of aesthetical ideals was reflected by the increased preoccupation for specific parts of the body, leading to an increase in requests for related body contouring operations.4 After the Egyptians, the idea of the androgynous nature of the primordial human being was philosophically developed by Plato in Symposium 189a– 193e through the speech of Aristophanes. By using a mythical narration, Plato said that in the beginning, the androgynous human being was participating in both male and female natures. Afterwards, Zeus, the king of gods in Greek Olympus, divided the androgyne in man and woman to reduce the extraordinary power related to the androgynous nature. However, as a consequence, one of the strongest desires was generated in the human being: the research of the lost unity through Love. These philosophical beliefs oriented the aesthetical ideals of the Hellenistic period and were expressed in art by many sculptures representing Aphroditus. During the Italian Renaissance period, these ideas were rediscovered by the Neo-Platonic Academy of Marsilio Ficino, which adopted a monistic interpretation of the Nature and proposed that an ultimate One lies behind all existence.5 Conversely, dualism between thought and reality had to be overcome.5 Classical symbolic expressions of dualism, like the opposites above/below, in/out, and in biology male/female, man/woman, were judged as mere appearance. The androgynous model represented the ideal reconciliation of the human being with the original Unity mentioned above. Steeped in this Neo-Platonic view, Renaissance art was guided by philosophy.5 Leonardo da Vinci’s drawing Androgynous is probably the most explicit representation of the androgynous model in this period. Androgynous characters can also be identified in the Leonardo’s most famous painting, Mona Lisa, and in St. John the Baptist. After Napoleon Bonaparte’s campaign in Egypt and Syria (1798–1801), the Egyptian philosophy and aesthetical principles were widely rediscovered and accepted with increasing interest in the Western countries. In 20th century, Jung postulated that both masculine and feminine components of the psyche are present in each individual.6 Accordingly, androgyny was considered as expression of the unified self. Today, the androgynous tendency can be easily recognized as a part of the pop culture, reflecting the success of the philosophical background described above. To be aware of this view of human nature may help us to better understand the aesthetical ideals of our period and, consequently, the requirements of our patients. og:image https://www.semanticscholar.org/img/semantic_scholar_og.png og:image:height 582 og:image:secure_url ['https://www.semanticscholar.org/img/semantic_scholar_og.png', 'https://www.semanticscholar.org/img/semantic_scholar_og.png'] og:image:width 1110 og:locale ['en_US', 'en_US'] og:title Body Contouring: The Success of the Androgynous Model | Semantic Scholar og:type website resourceName b'work_wc7xyrmcyjfdvcumwybolxql4u.pdf' robots noarchive,noindex s2-ui-version 0a1ee7b640e58bf005fa3cbd97e8cba83bff3dc9 title Body Contouring: The Success of the Androgynous Model | Semantic Scholar twitter:card summary_large_image twitter:description 1 Carlo M. Oranges, MD Andreas Gohritz, MD Mathias Tremp, MD Dirk J. Schaefer, MD Department of Plastic, Reconstructive, Aesthetic and Hand Surgery Basel University Hospital Basel, Switzerland Sir: T pharaonic belief in androgynous nature of gods was the motivation for practicing female circumcision in ancient Egypt.1 This historical observation leads us, as plastic surgeons, to consider how much the aesthetical ideals are influenced by philosophical and ethical views. We are called to translate into adequate treatments for our patients the concept of beauty, which evolves along the history and is strictly related to the spirit of every period. Interestingly, several studies during the last decades reported a reemerging trend toward the androgynous model. An androgyny index, based on waist, bust, and pelvic width, was introduced in 2002 to investigate female body attractiveness.2 Analyzing temporal changes, a trend toward the success of a more androgynous appearance was observed in photograph models’ body shapes over the period of 50 years until 2001. The androgyny index was further validated by studies published in Plastic and Reconstructive Surgery.3 Moreover, this evolution of aesthetical ideals was reflected by the increased preoccupation for specific parts of the body, leading to an increase in requests for related body contouring operations.4 After the Egyptians, the idea of the androgynous nature of the primordial human being was philosophically developed by Plato in Symposium 189a– 193e through the speech of Aristophanes. By using a mythical narration, Plato said that in the beginning, the androgynous human being was participating in both male and female natures. Afterwards, Zeus, the king of gods in Greek Olympus, divided the androgyne in man and woman to reduce the extraordinary power related to the androgynous nature. However, as a consequence, one of the strongest desires was generated in the human being: the research of the lost unity through Love. These philosophical beliefs oriented the aesthetical ideals of the Hellenistic period and were expressed in art by many sculptures representing Aphroditus. During the Italian Renaissance period, these ideas were rediscovered by the Neo-Platonic Academy of Marsilio Ficino, which adopted a monistic interpretation of the Nature and proposed that an ultimate One lies behind all existence.5 Conversely, dualism between thought and reality had to be overcome.5 Classical symbolic expressions of dualism, like the opposites above/below, in/out, and in biology male/female, man/woman, were judged as mere appearance. The androgynous model represented the ideal reconciliation of the human being with the original Unity mentioned above. Steeped in this Neo-Platonic view, Renaissance art was guided by philosophy.5 Leonardo da Vinci’s drawing Androgynous is probably the most explicit representation of the androgynous model in this period. Androgynous characters can also be identified in the Leonardo’s most famous painting, Mona Lisa, and in St. John the Baptist. After Napoleon Bonaparte’s campaign in Egypt and Syria (1798–1801), the Egyptian philosophy and aesthetical principles were widely rediscovered and accepted with increasing interest in the Western countries. In 20th century, Jung postulated that both masculine and feminine components of the psyche are present in each individual.6 Accordingly, androgyny was considered as expression of the unified self. Today, the androgynous tendency can be easily recognized as a part of the pop culture, reflecting the success of the philosophical background described above. To be aware of this view of human nature may help us to better understand the aesthetical ideals of our period and, consequently, the requirements of our patients. twitter:image ['https://www.semanticscholar.org/img/semantic_scholar_og.png', 'https://www.semanticscholar.org/img/semantic_scholar_og.png'] twitter:site @allenai_org twitter:title Body Contouring: The Success of the Androgynous Model | Semantic Scholar viewport width=device-width,initial-scale=1 work_tjca5n7vpba2zdlv7ffnxjq2hu txt/../pos/work_tjca5n7vpba2zdlv7ffnxjq2hu.pos INFO Detecting media type for Filename: b'work_xc3xbeukojeytidelzjeztvuze.pdf' INFO rmeta/text (autodetecting type) === file2bib.sh === id: work_rwgjb345uvewhm5mvv6nleheze author: Amelia Carolina Sparavigna title: Portraits Of Leonardo Da Vinci date: 2011 pages: 7 extension: .pdf txt: ./txt/work_rwgjb345uvewhm5mvv6nleheze.txt cache: ./cache/work_rwgjb345uvewhm5mvv6nleheze.pdf Author amelia Content-Type application/pdf Creation-Date 2012-06-13T12:00:13Z Last-Modified 2015-02-07T08:13:45Z Last-Save-Date 2015-02-07T08:13:45Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 126 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2012-06-13T12:00:13Z creator amelia date 2015-02-07T08:13:45Z dc:creator amelia dc:format application/pdf; version=1.3 dc:title Figure captions - Blocco note.pdf dcterms:created 2012-06-13T12:00:13Z dcterms:modified 2015-02-07T08:13:45Z meta:author amelia meta:creation-date 2012-06-13T12:00:13Z meta:save-date 2015-02-07T08:13:45Z modified 2015-02-07T08:13:45Z pdf:PDFVersion 1.3 pdf:charsPerPage ['5895', '6294', '2066', '0', '0', '0', '1501'] pdf:docinfo:created 2012-06-13T12:00:13Z pdf:docinfo:creator amelia pdf:docinfo:creator_tool PrimoPDF http://www.primopdf.com pdf:docinfo:modified 2015-02-07T08:13:45Z pdf:docinfo:producer Nitro PDF PrimoPDF pdf:docinfo:title Figure captions - Blocco note.pdf pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP false pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0', '0', '0', '1501'] producer Nitro PDF PrimoPDF resourceName b'work_rwgjb345uvewhm5mvv6nleheze.pdf' title Figure captions - Blocco note.pdf xmp:CreatorTool PrimoPDF http://www.primopdf.com xmpTPg:NPages 7 === file2bib.sh === id: work_wdrxjtxdrnainozlqto6nz7yui author: Andrei Pop title: The pinch of Expressionism in art history date: 2015 pages: 5 extension: .pdf txt: ./txt/work_wdrxjtxdrnainozlqto6nz7yui.txt cache: ./cache/work_wdrxjtxdrnainozlqto6nz7yui.pdf Author Samba Account Andrei Pop Content-Type application/pdf Creation-Date 2015-11-18T13:52:46Z Last-Modified 2015-11-18T13:52:46Z Last-Save-Date 2015-11-18T13:52:46Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 30 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2015-11-18T13:52:46Z creator Samba Account Andrei Pop date 2015-11-18T13:52:46Z dc:creator Samba Account Andrei Pop dc:format application/pdf; version=1.5 dc:language en-GB dcterms:created 2015-11-18T13:52:46Z dcterms:modified 2015-11-18T13:52:46Z language en-GB meta:author Samba Account Andrei Pop meta:creation-date 2015-11-18T13:52:46Z meta:save-date 2015-11-18T13:52:46Z modified 2015-11-18T13:52:46Z pdf:PDFVersion 1.5 pdf:charsPerPage ['2963', '3722', '3810', '3810', '770'] pdf:docinfo:created 2015-11-18T13:52:46Z pdf:docinfo:creator Samba Account Andrei Pop pdf:docinfo:creator_tool Microsoft® Office Word 2007 pdf:docinfo:modified 2015-11-18T13:52:46Z pdf:docinfo:producer Microsoft® Office Word 2007 pdf:encrypted false pdf:hasMarkedContent true pdf:hasXFA false pdf:hasXMP false pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0', '0'] producer Microsoft® Office Word 2007 resourceName b'work_wdrxjtxdrnainozlqto6nz7yui.pdf' xmp:CreatorTool Microsoft® Office Word 2007 xmpTPg:NPages 5 work_tjca5n7vpba2zdlv7ffnxjq2hu txt/../wrd/work_tjca5n7vpba2zdlv7ffnxjq2hu.wrd work_xa4uwnfgy5ajzdb4tyfrzk4v2u txt/../wrd/work_xa4uwnfgy5ajzdb4tyfrzk4v2u.wrd work_tbltzadnxjeulmunqczzcukutu txt/../pos/work_tbltzadnxjeulmunqczzcukutu.pos INFO Detecting media type for Filename: b'work_lxjpyn2kz5cstgbzqotozaaybu.pdf' INFO rmeta/text (autodetecting type) === file2bib.sh === id: work_wv2nvn2pnrciffhqagw72nvhce author: R. 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dcterms:modified 2021-04-06T01:06:16Z description Downloaded from https://www.cambridge.org/core. 06 Apr 2021 at 01:06:16, subject to the Cambridge Core terms of use. meta:save-date 2021-04-06T01:06:16Z modified 2021-04-06T01:06:16Z pdf:PDFVersion 1.4 pdf:charsPerPage ['2552', '3001', '2629'] pdf:docinfo:modified 2021-04-06T01:06:16Z pdf:docinfo:producer PDF::API2 0.55 (fix-3328 / 2006-08-14) [MSWin32] pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['0', '0', '0'] producer PDF::API2 0.55 (fix-3328 / 2006-08-14) [MSWin32] resourceName b'work_5p3wy3pevjbxtkty6shzdhdzj4.pdf' xmpTPg:NPages 3 work_uzvdqp4onfcyvnrs4zwgek6uhq txt/../pos/work_uzvdqp4onfcyvnrs4zwgek6uhq.pos === file2bib.sh === Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2895, in get_loc return self._engine.get_loc(casted_key) File "pandas/_libs/index.pyx", line 70, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/index.pyx", line 101, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/hashtable_class_helper.pxi", line 1675, in pandas._libs.hashtable.PyObjectHashTable.get_item File "pandas/_libs/hashtable_class_helper.pxi", line 1683, in pandas._libs.hashtable.PyObjectHashTable.get_item KeyError: 'work_ry5mcwiveba6dgoasw46g6keb4' The above exception was the direct cause of the following exception: Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/reader-compute/reader-classic/bin/file2bib.py", line 66, in if ( bibliographics.loc[ escape ,'author'] ) : author = bibliographics.loc[ escape,'author'] File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 873, in __getitem__ return self._getitem_tuple(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1044, in _getitem_tuple return self._getitem_lowerdim(tup) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 786, in _getitem_lowerdim section = self._getitem_axis(key, axis=i) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1110, in _getitem_axis return self._get_label(key, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1059, in _get_label return self.obj.xs(label, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/generic.py", line 3491, in xs loc = self.index.get_loc(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2897, in get_loc raise KeyError(key) from err KeyError: 'work_ry5mcwiveba6dgoasw46g6keb4' === file2bib.sh === Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2895, in get_loc return self._engine.get_loc(casted_key) File "pandas/_libs/index.pyx", line 70, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/index.pyx", line 101, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/hashtable_class_helper.pxi", line 1675, in pandas._libs.hashtable.PyObjectHashTable.get_item File "pandas/_libs/hashtable_class_helper.pxi", line 1683, in pandas._libs.hashtable.PyObjectHashTable.get_item KeyError: 'work_y7qymig3vvh7fidm6gq5z35p2q' The above exception was the direct cause of the following exception: Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/reader-compute/reader-classic/bin/file2bib.py", line 66, in if ( bibliographics.loc[ escape ,'author'] ) : author = bibliographics.loc[ escape,'author'] File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 873, in __getitem__ return self._getitem_tuple(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1044, in _getitem_tuple return self._getitem_lowerdim(tup) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 786, in _getitem_lowerdim section = self._getitem_axis(key, axis=i) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1110, in _getitem_axis return self._get_label(key, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1059, in _get_label return self.obj.xs(label, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/generic.py", line 3491, in xs loc = self.index.get_loc(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2897, in get_loc raise KeyError(key) from err KeyError: 'work_y7qymig3vvh7fidm6gq5z35p2q' work_kb344nfbxbey5cc5vgl7ncuewe txt/../ent/work_kb344nfbxbey5cc5vgl7ncuewe.ent INFO Detecting media type for Filename: b'work_esyca52ph5f75dlhu4il5xlucm.pdf' INFO rmeta/text (autodetecting type) WARN No Unicode mapping for Flower3hbl (1) in font NHGKIA+FournierOrnamentsMT work_f3fuzpnijvc6nk5axrr6bsjkce txt/../ent/work_f3fuzpnijvc6nk5axrr6bsjkce.ent === file2bib.sh === id: work_n2l3ffedhnc2pkzcw34llihdqi author: J. V. ARMITAGE title: Old Master date: 1967 pages: 28 extension: .pdf txt: ./txt/work_n2l3ffedhnc2pkzcw34llihdqi.txt cache: ./cache/work_n2l3ffedhnc2pkzcw34llihdqi.pdf Author Francesco Ventrella Content-Type application/pdf Creation-Date 2019-07-04T12:00:04Z Last-Modified 2019-04-25T08:03:17Z Last-Save-Date 2019-04-25T08:03:17Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 739 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true cp:subject 2019. 19: Interdisciplinary Studies in the Long Nineteenth Century, 28 (2019) created 2019-07-04T12:00:04Z creator Francesco Ventrella date 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pandas._libs.hashtable.PyObjectHashTable.get_item KeyError: 'work_esyca52ph5f75dlhu4il5xlucm' The above exception was the direct cause of the following exception: Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/reader-compute/reader-classic/bin/file2bib.py", line 66, in if ( bibliographics.loc[ escape ,'author'] ) : author = bibliographics.loc[ escape,'author'] File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 873, in __getitem__ return self._getitem_tuple(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1044, in _getitem_tuple return self._getitem_lowerdim(tup) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 786, in _getitem_lowerdim section = self._getitem_axis(key, axis=i) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1110, in _getitem_axis return self._get_label(key, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1059, in _get_label return self.obj.xs(label, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/generic.py", line 3491, in xs loc = self.index.get_loc(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2897, in get_loc raise KeyError(key) from err KeyError: 'work_esyca52ph5f75dlhu4il5xlucm' work_o2zix4tlabgyhibawqpcte3lca txt/../ent/work_o2zix4tlabgyhibawqpcte3lca.ent work_mv3d5gxclzdchj7ijh4penhfbu txt/../ent/work_mv3d5gxclzdchj7ijh4penhfbu.ent work_hav2puxacjev3dq63pemt7wt5q txt/../ent/work_hav2puxacjev3dq63pemt7wt5q.ent INFO Detecting media type for Filename: b'work_upvs35f5xzhe5avk2dh4dreopm.pdf' INFO rmeta/text (autodetecting type) === file2bib.sh === Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2895, in get_loc return self._engine.get_loc(casted_key) File "pandas/_libs/index.pyx", line 70, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/index.pyx", line 101, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/hashtable_class_helper.pxi", line 1675, in pandas._libs.hashtable.PyObjectHashTable.get_item File "pandas/_libs/hashtable_class_helper.pxi", line 1683, in pandas._libs.hashtable.PyObjectHashTable.get_item KeyError: 'work_upvs35f5xzhe5avk2dh4dreopm' The above exception was the direct cause of the following exception: Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/reader-compute/reader-classic/bin/file2bib.py", line 66, in if ( bibliographics.loc[ escape ,'author'] ) : author = bibliographics.loc[ escape,'author'] File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 873, in __getitem__ return self._getitem_tuple(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1044, in _getitem_tuple return self._getitem_lowerdim(tup) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 786, in _getitem_lowerdim section = self._getitem_axis(key, axis=i) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1110, in _getitem_axis return self._get_label(key, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1059, in _get_label return self.obj.xs(label, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/generic.py", line 3491, in xs loc = self.index.get_loc(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2897, in get_loc raise KeyError(key) from err KeyError: 'work_upvs35f5xzhe5avk2dh4dreopm' === file2bib.sh === id: work_6kcmqr3er5f3jbrfbbcp2abkt4 author: Ian Campbell title: Ethan Matt Kavaler. Renaissance Gothic: Architecture and the Arts in Northern Europe, 1470–1540. New Haven: Yale University Press, 2012. xi + 332 pp. $75. 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false pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0', '0'] producer Microsoft® Word 2013 resourceName b'work_iym3pjsemzdphla4lfngvq4efu.pdf' title CENTRO DI MASSA xmp:CreatorTool Microsoft® Word 2013 xmpTPg:NPages 5 work_t3dj6knch5bqpfqqhxvh47nyqa txt/../pos/work_t3dj6knch5bqpfqqhxvh47nyqa.pos INFO Detecting media type for Filename: b'work_fqjn2myxo5akbhjhjfs3kvmkou.pdf' INFO rmeta/text (autodetecting type) === file2bib.sh === Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2895, in get_loc return self._engine.get_loc(casted_key) File "pandas/_libs/index.pyx", line 70, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/index.pyx", line 101, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/hashtable_class_helper.pxi", line 1675, in pandas._libs.hashtable.PyObjectHashTable.get_item File "pandas/_libs/hashtable_class_helper.pxi", line 1683, in pandas._libs.hashtable.PyObjectHashTable.get_item KeyError: 'work_fqjn2myxo5akbhjhjfs3kvmkou' The above exception was the direct cause of the following exception: Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/reader-compute/reader-classic/bin/file2bib.py", line 66, in if ( bibliographics.loc[ escape ,'author'] ) : author = bibliographics.loc[ escape,'author'] File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 873, in __getitem__ return self._getitem_tuple(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1044, in _getitem_tuple return self._getitem_lowerdim(tup) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 786, in _getitem_lowerdim section = self._getitem_axis(key, axis=i) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1110, in _getitem_axis return self._get_label(key, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1059, in _get_label return self.obj.xs(label, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/generic.py", line 3491, in xs loc = self.index.get_loc(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2897, in get_loc raise KeyError(key) from err KeyError: 'work_fqjn2myxo5akbhjhjfs3kvmkou' work_2ek3xaxdxrfjpkbn6jiq5urmfa txt/../wrd/work_2ek3xaxdxrfjpkbn6jiq5urmfa.wrd work_vs6nfsiagjfoppejwupcf5oj5i txt/../wrd/work_vs6nfsiagjfoppejwupcf5oj5i.wrd === file2bib.sh === id: work_qyqvrq7om5hm5mspqieyhs3kxu author: Branko Mitrović title: Ruminations on the dark side: history of art as rage and denials date: 2009 pages: 22 extension: .pdf txt: ./txt/work_qyqvrq7om5hm5mspqieyhs3kxu.txt cache: ./cache/work_qyqvrq7om5hm5mspqieyhs3kxu.pdf Author Branko Mitrovic Comments Company Content-Type application/pdf Creation-Date 2010-01-08T13:54:59Z Keywords Last-Modified 2010-01-08T13:55:09Z Last-Save-Date 2010-01-08T13:55:09Z SourceModified D:20100108135429 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 111 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true cp:subject created 2010-01-08T13:54:59Z creator Branko Mitrovic date 2010-01-08T13:55:09Z dc:creator Branko Mitrovic dc:format application/pdf; version=1.5 dc:subject dc:title Branko Mitrović dcterms:created 2010-01-08T13:54:59Z dcterms:modified 2010-01-08T13:55:09Z meta:author Branko Mitrovic meta:creation-date 2010-01-08T13:54:59Z meta:keyword meta:save-date 2010-01-08T13:55:09Z modified 2010-01-08T13:55:09Z pdf:PDFVersion 1.5 pdf:charsPerPage ['2734', '3586', '3775', '3565', '4124', '3806', '2492', '5314', '4298', '3514', '3883', '4180', '3044', '3198', '4579', '3864', '3535', '3951', '4082', '4491', '3936', '3242'] pdf:docinfo:created 2010-01-08T13:54:59Z pdf:docinfo:creator Branko Mitrovic pdf:docinfo:creator_tool Acrobat PDFMaker 9.1 for Word pdf:docinfo:custom:Comments pdf:docinfo:custom:Company pdf:docinfo:custom:SourceModified D:20100108135429 pdf:docinfo:keywords pdf:docinfo:modified 2010-01-08T13:55:09Z pdf:docinfo:producer Adobe PDF Library 9.0 pdf:docinfo:subject pdf:docinfo:title Branko Mitrović pdf:encrypted false pdf:hasMarkedContent true pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0'] producer Adobe PDF Library 9.0 resourceName b'work_qyqvrq7om5hm5mspqieyhs3kxu.pdf' subject title Branko Mitrović xmp:CreatorTool Acrobat PDFMaker 9.1 for Word xmpMM:DocumentID uuid:d2c4f7d9-9044-4216-ab53-d69ba7e05c00 xmpTPg:NPages 22 work_2ek3xaxdxrfjpkbn6jiq5urmfa txt/../pos/work_2ek3xaxdxrfjpkbn6jiq5urmfa.pos work_efogy2z3xraqley6pzrxa7de34 txt/../wrd/work_efogy2z3xraqley6pzrxa7de34.wrd work_efogy2z3xraqley6pzrxa7de34 txt/../pos/work_efogy2z3xraqley6pzrxa7de34.pos work_y7qymig3vvh7fidm6gq5z35p2q txt/../pos/work_y7qymig3vvh7fidm6gq5z35p2q.pos work_bjfpvntqzray5fpxsazobnbl5u txt/../pos/work_bjfpvntqzray5fpxsazobnbl5u.pos work_vs6nfsiagjfoppejwupcf5oj5i txt/../pos/work_vs6nfsiagjfoppejwupcf5oj5i.pos INFO Detecting media type for Filename: b'work_ls3eci5rsrbrve3efbykcxuqly.htm' INFO rmeta/text (autodetecting type) work_bjfpvntqzray5fpxsazobnbl5u txt/../wrd/work_bjfpvntqzray5fpxsazobnbl5u.wrd work_ehwi7qloo5h3vjbkgirnt54ghe txt/../wrd/work_ehwi7qloo5h3vjbkgirnt54ghe.wrd work_y7qymig3vvh7fidm6gq5z35p2q txt/../wrd/work_y7qymig3vvh7fidm6gq5z35p2q.wrd work_jxpvgnxzprbnbh4dr66wadqs7m txt/../wrd/work_jxpvgnxzprbnbh4dr66wadqs7m.wrd work_ehwi7qloo5h3vjbkgirnt54ghe txt/../pos/work_ehwi7qloo5h3vjbkgirnt54ghe.pos === file2bib.sh === id: work_aoifggeqlrgk7d6buxutwn3yhu author: Patricia Rader title: Ingrid Brainard date: 2000 pages: 8 extension: .pdf txt: ./txt/work_aoifggeqlrgk7d6buxutwn3yhu.txt cache: ./cache/work_aoifggeqlrgk7d6buxutwn3yhu.pdf Author Content-Type application/pdf Creation-Date 2011-12-31T02:54:45Z Last-Modified 2021-04-06T01:06:11Z Last-Save-Date 2021-04-06T01:06:11Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 34 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true cp:subject created 2011-12-31T02:54:45Z creator date 2021-04-06T01:06:11Z dc:creator dc:description Downloaded from https://www.cambridge.org/core. Carnegie Mellon University, on 06 Apr 2021 at 01:06:11, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. dc:format application/pdf; version=1.4 dc:title dcterms:created 2011-12-31T02:54:45Z dcterms:modified 2021-04-06T01:06:11Z description Downloaded from https://www.cambridge.org/core. Carnegie Mellon University, on 06 Apr 2021 at 01:06:11, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. meta:author meta:creation-date 2011-12-31T02:54:45Z meta:save-date 2021-04-06T01:06:11Z modified 2021-04-06T01:06:11Z pdf:PDFVersion 1.4 pdf:charsPerPage ['4335', '3426', '3561', '3085', '1138', '1048', '1048', '1929'] pdf:docinfo:created 2011-12-31T02:54:45Z pdf:docinfo:creator pdf:docinfo:creator_tool ABBYY FineReader pdf:docinfo:modified 2021-04-06T01:06:11Z pdf:docinfo:producer Carnegie Mellon University pdf:docinfo:subject pdf:docinfo:title pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0', '0', '0', '0', '0'] producer Carnegie Mellon University resourceName b'work_aoifggeqlrgk7d6buxutwn3yhu.pdf' subject title xmp:CreatorTool ABBYY FineReader xmpTPg:NPages 8 work_t3dj6knch5bqpfqqhxvh47nyqa txt/../ent/work_t3dj6knch5bqpfqqhxvh47nyqa.ent work_wc7xyrmcyjfdvcumwybolxql4u txt/../wrd/work_wc7xyrmcyjfdvcumwybolxql4u.wrd INFO Detecting media type for Filename: b'work_v4ojoji4lffv5itqqzzcv7szhy.pdf' INFO rmeta/text (autodetecting type) work_jxpvgnxzprbnbh4dr66wadqs7m txt/../pos/work_jxpvgnxzprbnbh4dr66wadqs7m.pos === file2bib.sh === Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2895, in get_loc return self._engine.get_loc(casted_key) File "pandas/_libs/index.pyx", line 70, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/index.pyx", line 101, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/hashtable_class_helper.pxi", line 1675, in pandas._libs.hashtable.PyObjectHashTable.get_item File "pandas/_libs/hashtable_class_helper.pxi", line 1683, in pandas._libs.hashtable.PyObjectHashTable.get_item KeyError: 'work_v4ojoji4lffv5itqqzzcv7szhy' The above exception was the direct cause of the following exception: Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/reader-compute/reader-classic/bin/file2bib.py", line 66, in if ( bibliographics.loc[ escape ,'author'] ) : author = bibliographics.loc[ escape,'author'] File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 873, in __getitem__ return self._getitem_tuple(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1044, in _getitem_tuple return self._getitem_lowerdim(tup) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 786, in _getitem_lowerdim section = self._getitem_axis(key, axis=i) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1110, in _getitem_axis return self._get_label(key, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1059, in _get_label return self.obj.xs(label, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/generic.py", line 3491, in xs loc = self.index.get_loc(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2897, in get_loc raise KeyError(key) from err KeyError: 'work_v4ojoji4lffv5itqqzzcv7szhy' INFO Detecting media type for Filename: b'work_pexfi5us2fdinhhrwu7zjh32ui.pdf' INFO rmeta/text (autodetecting type) work_makljxq2yzajtaprkqnxxn3jhi txt/../pos/work_makljxq2yzajtaprkqnxxn3jhi.pos work_makljxq2yzajtaprkqnxxn3jhi txt/../wrd/work_makljxq2yzajtaprkqnxxn3jhi.wrd work_wc7xyrmcyjfdvcumwybolxql4u txt/../pos/work_wc7xyrmcyjfdvcumwybolxql4u.pos work_ehwi7qloo5h3vjbkgirnt54ghe txt/../ent/work_ehwi7qloo5h3vjbkgirnt54ghe.ent work_y7qymig3vvh7fidm6gq5z35p2q txt/../ent/work_y7qymig3vvh7fidm6gq5z35p2q.ent work_bjfpvntqzray5fpxsazobnbl5u txt/../ent/work_bjfpvntqzray5fpxsazobnbl5u.ent work_efogy2z3xraqley6pzrxa7de34 txt/../ent/work_efogy2z3xraqley6pzrxa7de34.ent work_2ek3xaxdxrfjpkbn6jiq5urmfa txt/../ent/work_2ek3xaxdxrfjpkbn6jiq5urmfa.ent === file2bib.sh === id: work_jhnc4rbhtvd3jbi6y72ne6lqtm author: L. B. Hunt title: The long history of lost wax casting date: 1980 pages: 17 extension: .pdf txt: ./txt/work_jhnc4rbhtvd3jbi6y72ne6lqtm.txt cache: ./cache/work_jhnc4rbhtvd3jbi6y72ne6lqtm.pdf Content-Type application/pdf Creation-Date 2011-03-02T15:41:12Z Last-Modified 2011-03-29T02:31:56Z Last-Save-Date 2011-03-29T02:31:56Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 78 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2011-03-02T15:41:12Z date 2011-03-29T02:31:56Z dc:format application/pdf; version=1.3 dc:title The long history of lost wax casting dcterms:created 2011-03-02T15:41:12Z dcterms:modified 2011-03-29T02:31:56Z meta:creation-date 2011-03-02T15:41:12Z meta:save-date 2011-03-29T02:31:56Z modified 2011-03-29T02:31:56Z pdf:PDFVersion 1.3 pdf:charsPerPage ['2912', '3466', '4093', '3541', '3212', '3366', '4187', '2696', '5389', '4353', '4717', '4600', '4966', '5318', '3472', '4278', '6831'] pdf:docinfo:created 2011-03-02T15:41:12Z pdf:docinfo:modified 2011-03-29T02:31:56Z pdf:docinfo:producer ScanSoft OmniPage 16 pdf:docinfo:title The long history of lost wax casting pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP false pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0'] producer ScanSoft OmniPage 16 resourceName b'work_jhnc4rbhtvd3jbi6y72ne6lqtm.pdf' title The long history of lost wax casting xmpTPg:NPages 17 INFO Detecting media type for Filename: b'work_6ymflzbwuvcqxbhxdgxvfaybne.pdf' INFO rmeta/text (autodetecting type) work_vs6nfsiagjfoppejwupcf5oj5i txt/../ent/work_vs6nfsiagjfoppejwupcf5oj5i.ent work_jxpvgnxzprbnbh4dr66wadqs7m txt/../ent/work_jxpvgnxzprbnbh4dr66wadqs7m.ent INFO Detecting media type for Filename: b'work_xa4uwnfgy5ajzdb4tyfrzk4v2u.pdf' INFO rmeta/text (autodetecting type) work_wc7xyrmcyjfdvcumwybolxql4u txt/../ent/work_wc7xyrmcyjfdvcumwybolxql4u.ent === file2bib.sh === id: work_btdspbn52rffzp7j2z5fsz26ca author: Ugo Filippo Tesler title: The history of art versus the art of surgery date: 2012 pages: extension: .pdf txt: ./txt/work_btdspbn52rffzp7j2z5fsz26ca.txt cache: ./cache/work_btdspbn52rffzp7j2z5fsz26ca.pdf Content-Type application/xml X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.xml.DcXMLParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 2 resourceName b'work_btdspbn52rffzp7j2z5fsz26ca.pdf' work_makljxq2yzajtaprkqnxxn3jhi txt/../ent/work_makljxq2yzajtaprkqnxxn3jhi.ent === file2bib.sh === id: work_tnifay4bqvdujbaznehu5bdk6y author: Luiza Şoşu title: Tradition in pedagogy and linguistics: two footholds in ascention - John Amos Comenius and Eugenio Coseriu date: 2019 pages: 6 extension: .pdf txt: ./txt/work_tnifay4bqvdujbaznehu5bdk6y.txt cache: ./cache/work_tnifay4bqvdujbaznehu5bdk6y.pdf Author Test Content-Type application/pdf Creation-Date 2016-02-17T16:11:11Z ICNAppName Foxit Advanced PDF Editor ICNAppPlatform Windows ICNAppVersion 3.10 Last-Modified 2019-11-21T17:02:57Z Last-Save-Date 2019-11-21T17:02:57Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 49 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2016-02-17T16:11:11Z creator Test date 2019-11-21T17:02:57Z dc:creator Test dc:format application/pdf; version=1.4 dcterms:created 2016-02-17T16:11:11Z dcterms:modified 2019-11-21T17:02:57Z meta:author Test meta:creation-date 2016-02-17T16:11:11Z meta:save-date 2019-11-21T17:02:57Z modified 2019-11-21T17:02:57Z pdf:PDFVersion 1.4 pdf:charsPerPage ['4852', '5216', '4916', '5222', '3406', '1252'] pdf:docinfo:created 2016-02-17T16:11:11Z pdf:docinfo:creator Test pdf:docinfo:creator_tool (Foxit Advanced PDF Editor) pdf:docinfo:custom:ICNAppName Foxit Advanced PDF Editor pdf:docinfo:custom:ICNAppPlatform Windows pdf:docinfo:custom:ICNAppVersion 3.10 pdf:docinfo:modified 2019-11-21T17:02:57Z pdf:docinfo:producer Foxit Phantom - Foxit Corporation pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP false pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0', '0', '0'] producer Foxit Phantom - Foxit Corporation resourceName b'work_tnifay4bqvdujbaznehu5bdk6y.pdf' xmp:CreatorTool (Foxit Advanced PDF Editor) xmpTPg:NPages 6 === file2bib.sh === id: work_53ui56gfifgbno25w6dnpdylrm author: Petar Namicev title: Comparative analysis of antique furniture with regard to the Scandinavian design date: 2018 pages: 9 extension: .pdf txt: ./txt/work_53ui56gfifgbno25w6dnpdylrm.txt cache: ./cache/work_53ui56gfifgbno25w6dnpdylrm.pdf Author Server Content-Type application/pdf Creation-Date 2018-04-30T20:37:55Z Last-Modified 2018-04-30T20:37:55Z Last-Save-Date 2018-04-30T20:37:55Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 54 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2018-04-30T20:37:55Z creator Server date 2018-04-30T20:37:55Z dc:creator Server dc:format application/pdf; version=1.5 dc:language en-US dcterms:created 2018-04-30T20:37:55Z dcterms:modified 2018-04-30T20:37:55Z language en-US meta:author Server meta:creation-date 2018-04-30T20:37:55Z meta:save-date 2018-04-30T20:37:55Z modified 2018-04-30T20:37:55Z pdf:PDFVersion 1.5 pdf:charsPerPage ['3169', '3312', '2607', '2602', '3095', '1968', '2668', '2322', '2245'] pdf:docinfo:created 2018-04-30T20:37:55Z pdf:docinfo:creator Server pdf:docinfo:creator_tool Microsoft® Word 2016 pdf:docinfo:modified 2018-04-30T20:37:55Z pdf:docinfo:producer www.ilovepdf.com pdf:encrypted false pdf:hasMarkedContent true pdf:hasXFA false pdf:hasXMP false pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0', '0', '0', '0', '0', '0'] producer www.ilovepdf.com resourceName b'work_53ui56gfifgbno25w6dnpdylrm.pdf' xmp:CreatorTool Microsoft® Word 2016 xmpTPg:NPages 9 INFO Detecting media type for Filename: b'work_hteicaa3v5d6jomnlfdp3z26va.pdf' INFO rmeta/text (autodetecting type) INFO Detecting media type for Filename: b'work_7jnmq62lqja3fihdcs4dtpiqem.pdf' INFO rmeta/text (autodetecting type) WARN font 'F20' not found in resources WARN No current font, will use default WARN No current font, will use default WARN font 'F20' not found in resources WARN No current font, will use default WARN No current font, will use default work_3m2c6wnvmnh4fjdmncnkxrb5ce txt/../pos/work_3m2c6wnvmnh4fjdmncnkxrb5ce.pos === file2bib.sh === id: work_e25keos5erhhxapt5sq3gseug4 author: Giuseppe Longo title: Naturalizing Physics. 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id: work_ls3eci5rsrbrve3efbykcxuqly author: Nicholas Terpstra title: 'Republics by Contract': Civil Society, Social Capital, and the 'Putnam Thesis' in the Papal Stat date: 2006 pages: extension: .htm txt: ./txt/work_ls3eci5rsrbrve3efbykcxuqly.txt cache: ./cache/work_ls3eci5rsrbrve3efbykcxuqly.htm Content-Encoding UTF-8 Content-Type text/html; charset=UTF-8 Content-Type-Hint text/html; charset=utf-8 DC.Creator Nicholas Terpstra DC.Creator.PersonalName Nicholas Terpstra DC.Date 2006-12-31 DC.Date.created 2006-12-31 DC.Date.issued 2006-12-31 DC.Date.modified 2014-05-12 22:23:27 DC.Description Storicamente: rivista scientifica di storia, open access, supportata dal Dipartimento di Storia Culture Civiltà dell'Università di Bologna. 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Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/reader-compute/reader-classic/bin/file2bib.py", line 66, in if ( bibliographics.loc[ escape ,'author'] ) : author = bibliographics.loc[ escape,'author'] File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 873, in __getitem__ return self._getitem_tuple(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1044, in _getitem_tuple return self._getitem_lowerdim(tup) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 786, in _getitem_lowerdim section = self._getitem_axis(key, axis=i) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1110, in _getitem_axis return self._get_label(key, axis=axis) File 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Moraitis Content-Type application/pdf Creation-Date 2018-02-26T16:03:19Z Keywords Arabic landscape and garden art; Byzantine landscape and garden art; cultural sustainability; political sustainability; Twain-born Border Lord Last-Modified 2018-02-26T16:03:19Z Last-Save-Date 2018-02-26T16:03:19Z PTEX.Fullbanner This is pdfTeX, Version 3.14159265-2.6-1.40.17 (TeX Live 2016/W32TeX) kpathsea version 6.2.2 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 62 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true cp:subject An evaluation of landscape tradition, in Near and Middle East area, could 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In reference to this common past, Byzantine and Arabic landscape and garden art paradigms appear to be geographically and culturally correlated, as proved by a Byzantine 12th century folksong, presenting the construction of a villa, with its surrounding gardens and landscape formations, in the territory of Euphrates River. This song refers to Vasilios Digenes Akritas or ‘Border Lord’, a legendary hero of mixed Byzantine-Greek and Arab blood; ‘Digenes’ meaning a person of dual genes, both of Byzantine and Arabic origin, and ‘Akritas’ an inhabitant of the borderline. At the end of the narration of the song, contemporary reader feels skeptical. 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In reference to this common past, Byzantine and Arabic landscape and garden art paradigms appear to be geographically and culturally correlated, as proved by a Byzantine 12th century folksong, presenting the construction of a villa, with its surrounding gardens and landscape formations, in the territory of Euphrates River. This song refers to Vasilios Digenes Akritas or ‘Border Lord’, a legendary hero of mixed Byzantine-Greek and Arab blood; ‘Digenes’ meaning a person of dual genes, both of Byzantine and Arabic origin, and ‘Akritas’ an inhabitant of the borderline. At the end of the narration of the song, contemporary reader feels skeptical. 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Architectural Histories 8(1): 5, 1–21. DOI: https://doi.org/10.5334/ah.424 created 2020-05-14T15:38:27Z creator Caterina Cardamone date 2020-05-14T15:38:53Z dc:creator Caterina Cardamone dc:description (2020). Architectural Histories 8(1): 5, 1–21. DOI: https://doi.org/10.5334/ah.424 dc:format application/pdf; version=1.4 dc:title Varietas, Mediocritas and Annehmlichkeit: The Reception of the Classical Tradition in the Work of Josef Frank and Its Viennese Context dcterms:created 2020-05-14T15:38:27Z dcterms:modified 2020-05-14T15:38:53Z description (2020). Architectural Histories 8(1): 5, 1–21. DOI: https://doi.org/10.5334/ah.424 meta:author Caterina Cardamone meta:creation-date 2020-05-14T15:38:27Z meta:save-date 2020-05-14T15:38:53Z modified 2020-05-14T15:38:53Z pdf:PDFVersion 1.4 pdf:charsPerPage ['4556', '6428', '6751', '6408', '665', '4375', '461', '2575', '426', '396', '406', '608', '446', '3704', '240', '6231', '6458', '5622', '6001', '5595', '832'] pdf:docinfo:created 2020-05-14T15:38:27Z pdf:docinfo:creator Caterina Cardamone pdf:docinfo:creator_tool Adobe InDesign CS5.5 (7.5.2) pdf:docinfo:modified 2020-05-14T15:38:53Z pdf:docinfo:producer Adobe PDF Library 9.9 pdf:docinfo:subject (2020). Architectural Histories 8(1): 5, 1–21. DOI: https://doi.org/10.5334/ah.424 pdf:docinfo:title Varietas, Mediocritas and Annehmlichkeit: The Reception of the Classical Tradition in the Work of Josef Frank and Its Viennese Context pdf:docinfo:trapped False pdf:encrypted false pdf:hasMarkedContent true pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['23', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0'] producer Adobe PDF Library 9.9 resourceName b'work_es5wgnmjdjemvobxhxrsjtdhyi.pdf' subject (2020). Architectural Histories 8(1): 5, 1–21. 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access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true cp:subject Analysis 9th Symphony created 2017-03-30T20:03:43Z creator Jürgen Lange date 2017-03-30T20:03:43Z dc:creator Jürgen Lange dc:format application/pdf; version=1.5 dc:subject Symphony, Pettersson, Smetana, The Moldau dc:title Allan Pettersson: Symphony No. 9 dcterms:created 2017-03-30T20:03:43Z dcterms:modified 2017-03-30T20:03:43Z meta:author Jürgen Lange meta:creation-date 2017-03-30T20:03:43Z meta:keyword Symphony, Pettersson, Smetana, The Moldau meta:save-date 2017-03-30T20:03:43Z modified 2017-03-30T20:03:43Z pdf:PDFVersion 1.5 pdf:charsPerPage ['662', '770', '706', '549', '324', '218', '308', '961', '1130', '873', '1010', '1142', '36', '51', '392', '470', '272', '387', '2193', '476', '68', '610', '736', '1104', '301', '869', '462', 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trapped False xmp:CreatorTool LaTeX with hyperref package xmpTPg:NPages 37 === file2bib.sh === id: work_q57cafylife2rmvihlvmu6hgue author: Minou Schraven title: Out of Sight, Yet Still in Place: On the Use of Italian Renaissance Portrait Medals as Building Deposits date: 2009 pages: 12 extension: .pdf txt: ./txt/work_q57cafylife2rmvihlvmu6hgue.txt cache: ./cache/work_q57cafylife2rmvihlvmu6hgue.pdf Content-Type application/pdf Creation-Date 2009-10-22T18:21:23Z Last-Modified 2011-10-21T11:27:31Z Last-Save-Date 2011-10-21T11:27:31Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 53 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true 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adobe:docid:indd:66c25a40-e520-11dc-af69-a611db0c79a9 xmpMM:DerivedFrom:InstanceID 66c25a41-e520-11dc-af69-a611db0c79a9 xmpMM:DocumentID adobe:docid:indd:b0687043-e533-11dc-886f-db946ec78fbb xmpTPg:NPages 12 work_brr5homcxngj5kuy6twdtox564 txt/../ent/work_brr5homcxngj5kuy6twdtox564.ent work_bvq5znaqafbg3ep4jq6qqcljsy txt/../wrd/work_bvq5znaqafbg3ep4jq6qqcljsy.wrd work_b7x6bjt64rb6riqc2ejqbiwgwy txt/../pos/work_b7x6bjt64rb6riqc2ejqbiwgwy.pos INFO Detecting media type for Filename: b'work_y75ooidbbfbw5oejxtiqsmemhy.pdf' INFO rmeta/text (autodetecting type) INFO Detecting media type for Filename: b'work_horvale6ffhqxftvos5h6sbdcy.pdf' INFO rmeta/text (autodetecting type) work_oryf7qhulnfyddxsq7qqmbyfse txt/../pos/work_oryf7qhulnfyddxsq7qqmbyfse.pos === file2bib.sh === Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2895, in get_loc return self._engine.get_loc(casted_key) File "pandas/_libs/index.pyx", line 70, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/index.pyx", line 101, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/hashtable_class_helper.pxi", line 1675, in pandas._libs.hashtable.PyObjectHashTable.get_item File "pandas/_libs/hashtable_class_helper.pxi", line 1683, in pandas._libs.hashtable.PyObjectHashTable.get_item KeyError: 'work_horvale6ffhqxftvos5h6sbdcy' The above exception was the direct cause of the following exception: Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/reader-compute/reader-classic/bin/file2bib.py", line 66, in if ( bibliographics.loc[ escape ,'author'] ) : author = bibliographics.loc[ escape,'author'] File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 873, in __getitem__ return self._getitem_tuple(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1044, in _getitem_tuple return self._getitem_lowerdim(tup) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 786, in _getitem_lowerdim section = self._getitem_axis(key, axis=i) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1110, in _getitem_axis return self._get_label(key, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1059, in _get_label return self.obj.xs(label, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/generic.py", line 3491, in xs loc = self.index.get_loc(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2897, in get_loc raise KeyError(key) from err KeyError: 'work_horvale6ffhqxftvos5h6sbdcy' INFO Detecting media type for Filename: b'work_j6bb3dhd7fdphpdl3we6mi7eg4.pdf' INFO rmeta/text (autodetecting type) WARN No Unicode mapping for .notdef (0) in font Times-Roman work_frymu6uqqbg2lhypatlm3bqxee txt/../pos/work_frymu6uqqbg2lhypatlm3bqxee.pos work_bvq5znaqafbg3ep4jq6qqcljsy txt/../pos/work_bvq5znaqafbg3ep4jq6qqcljsy.pos INFO Detecting media type for Filename: b'work_zrzfcdrkb5gmxgocdyvstk62wq.pdf' INFO rmeta/text (autodetecting type) === file2bib.sh === id: work_4revxqlkmbe4pamtg5ni24qc2u author: Andrea Rizzi title: Leonardo Bruni and the Shimmering Facets of Languages in Early Quattrocento Florence date: 2013 pages: 16 extension: .pdf txt: ./txt/work_4revxqlkmbe4pamtg5ni24qc2u.txt cache: ./cache/work_4revxqlkmbe4pamtg5ni24qc2u.pdf Content-Type application/pdf Creation-Date 2013-11-28T07:53:07Z Last-Modified 2018-10-26T17:14:58Z Last-Save-Date 2018-10-26T17:14:58Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 74 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pdf:docinfo:modified 2018-10-26T17:14:58Z pdf:docinfo:producer Acrobat Distiller 10.0.0 (Windows); modified using iText® 7.1.3 ©2000-2018 iText Group NV (JSTOR Michigan; licensed version) pdf:docinfo:title Leonardo Bruni and the Shimmering Facets of Languages in Early Quattrocento Florence pdf:encrypted true pdf:hasMarkedContent true pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['24', '24', '24', '24', '24', '24', '24', '24', '24', '24', '24', '24', '24', '24', '24', '0'] producer Acrobat Distiller 10.0.0 (Windows); modified using iText® 7.1.3 ©2000-2018 iText Group NV (JSTOR Michigan; licensed version) resourceName b'work_4revxqlkmbe4pamtg5ni24qc2u.pdf' title Leonardo Bruni and the Shimmering Facets of Languages in Early Quattrocento Florence xmp:CreatorTool 3B2 Total Publishing System 8.07e/W Unicode xmpMM:DocumentID uuid:c793fac9-4ea7-4808-9403-f2501f634558 xmpTPg:NPages 16 INFO Detecting media type for Filename: b'work_iki2vvxpqfal5efjldyadko75e.pdf' INFO rmeta/text (autodetecting type) === file2bib.sh === Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2895, in get_loc return self._engine.get_loc(casted_key) File "pandas/_libs/index.pyx", line 70, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/index.pyx", line 101, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/hashtable_class_helper.pxi", line 1675, in pandas._libs.hashtable.PyObjectHashTable.get_item File "pandas/_libs/hashtable_class_helper.pxi", line 1683, in pandas._libs.hashtable.PyObjectHashTable.get_item KeyError: 'work_iki2vvxpqfal5efjldyadko75e' The above exception was the direct cause of the following exception: Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/reader-compute/reader-classic/bin/file2bib.py", line 66, in if ( bibliographics.loc[ escape ,'author'] ) : author = bibliographics.loc[ escape,'author'] File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 873, in __getitem__ return self._getitem_tuple(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1044, in _getitem_tuple return self._getitem_lowerdim(tup) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 786, in _getitem_lowerdim section = self._getitem_axis(key, axis=i) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1110, in _getitem_axis return self._get_label(key, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1059, in _get_label return self.obj.xs(label, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/generic.py", line 3491, in xs loc = self.index.get_loc(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2897, in get_loc raise KeyError(key) from err KeyError: 'work_iki2vvxpqfal5efjldyadko75e' work_frymu6uqqbg2lhypatlm3bqxee txt/../wrd/work_frymu6uqqbg2lhypatlm3bqxee.wrd work_fmx4anp74vfd7ps34dqgsropbm txt/../wrd/work_fmx4anp74vfd7ps34dqgsropbm.wrd work_u2u5pmtmdjadlcbufsftpegw2q txt/../wrd/work_u2u5pmtmdjadlcbufsftpegw2q.wrd work_upvs35f5xzhe5avk2dh4dreopm txt/../ent/work_upvs35f5xzhe5avk2dh4dreopm.ent work_u2u5pmtmdjadlcbufsftpegw2q txt/../pos/work_u2u5pmtmdjadlcbufsftpegw2q.pos work_bzolg2ldh5dwrdyv3pglp3iv5i txt/../pos/work_bzolg2ldh5dwrdyv3pglp3iv5i.pos work_iosapayacvbyndmxnl5pvznway txt/../wrd/work_iosapayacvbyndmxnl5pvznway.wrd work_fmx4anp74vfd7ps34dqgsropbm txt/../pos/work_fmx4anp74vfd7ps34dqgsropbm.pos work_bzolg2ldh5dwrdyv3pglp3iv5i txt/../wrd/work_bzolg2ldh5dwrdyv3pglp3iv5i.wrd work_iosapayacvbyndmxnl5pvznway txt/../pos/work_iosapayacvbyndmxnl5pvznway.pos work_caqpdvdtuzb5xbtde2wwhgd4ym txt/../wrd/work_caqpdvdtuzb5xbtde2wwhgd4ym.wrd INFO Detecting media type for Filename: b'work_trwoaakoerd2fbrjccyp64slnq.pdf' INFO rmeta/text (autodetecting type) === file2bib.sh === id: work_g74m2o2prrc23gagfihi3yusfu author: Jonathan Katz Nelson title: Risky Business: Commissioning Portraits in Renaissance Italy date: 2019 pages: 22 extension: .pdf txt: ./txt/work_g74m2o2prrc23gagfihi3yusfu.txt cache: ./cache/work_g74m2o2prrc23gagfihi3yusfu.pdf Author itfsa Content-Type application/pdf Creation-Date 2019-07-18T20:51:40Z Last-Modified 2019-07-18T20:51:40Z Last-Save-Date 2019-07-18T20:51:40Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 76 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2019-07-18T20:51:40Z creator itfsa date 2019-07-18T20:51:40Z dc:creator itfsa dc:format application/pdf; version=1.6 dc:title dcterms:created 2019-07-18T20:51:40Z dcterms:modified 2019-07-18T20:51:40Z meta:author itfsa meta:creation-date 2019-07-18T20:51:40Z meta:save-date 2019-07-18T20:51:40Z modified 2019-07-18T20:51:40Z pdf:PDFVersion 1.6 pdf:charsPerPage ['929', '3163', '854', '2688', '2630', '2870', '2991', '1382', '2433', '2649', '2868', '2562', '1329', '1166', '2858', '1399', '2679', '2611', '2839', '2580', '2627', '955'] pdf:docinfo:created 2019-07-18T20:51:40Z pdf:docinfo:creator itfsa pdf:docinfo:creator_tool Acrobat PDFMaker 15 for Word pdf:docinfo:modified 2019-07-18T20:51:40Z pdf:docinfo:producer Adobe PDF Library 15.0 pdf:docinfo:title pdf:encrypted false pdf:hasMarkedContent true pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0'] producer Adobe PDF Library 15.0 resourceName b'work_g74m2o2prrc23gagfihi3yusfu.pdf' title xmp:CreatorTool Acrobat PDFMaker 15 for Word xmpMM:DocumentID uuid:b301e118-07c9-4e62-a5b0-22c28960b262 xmpTPg:NPages 22 === file2bib.sh === Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2895, in get_loc return self._engine.get_loc(casted_key) File "pandas/_libs/index.pyx", line 70, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/index.pyx", line 101, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/hashtable_class_helper.pxi", line 1675, in pandas._libs.hashtable.PyObjectHashTable.get_item File "pandas/_libs/hashtable_class_helper.pxi", line 1683, in pandas._libs.hashtable.PyObjectHashTable.get_item KeyError: 'work_trwoaakoerd2fbrjccyp64slnq' The above exception was the direct cause of the following exception: Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/reader-compute/reader-classic/bin/file2bib.py", line 66, in if ( bibliographics.loc[ escape ,'author'] ) : author = bibliographics.loc[ escape,'author'] File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 873, in __getitem__ return self._getitem_tuple(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1044, in _getitem_tuple return self._getitem_lowerdim(tup) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 786, in _getitem_lowerdim section = self._getitem_axis(key, axis=i) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1110, in _getitem_axis return self._get_label(key, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1059, in _get_label return self.obj.xs(label, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/generic.py", line 3491, in xs loc = self.index.get_loc(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2897, in get_loc raise KeyError(key) from err KeyError: 'work_trwoaakoerd2fbrjccyp64slnq' work_qk36od2cbjdbfkp3iskax7fh24 txt/../pos/work_qk36od2cbjdbfkp3iskax7fh24.pos work_caqpdvdtuzb5xbtde2wwhgd4ym txt/../pos/work_caqpdvdtuzb5xbtde2wwhgd4ym.pos work_qk36od2cbjdbfkp3iskax7fh24 txt/../wrd/work_qk36od2cbjdbfkp3iskax7fh24.wrd INFO Detecting media type for Filename: b'work_x4i7iyt2nfgflhp6fvb5j7rn64.pdf' INFO rmeta/text (autodetecting type) === file2bib.sh === Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2895, in get_loc return self._engine.get_loc(casted_key) File "pandas/_libs/index.pyx", line 70, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/index.pyx", line 101, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/hashtable_class_helper.pxi", line 1675, in pandas._libs.hashtable.PyObjectHashTable.get_item File "pandas/_libs/hashtable_class_helper.pxi", line 1683, in pandas._libs.hashtable.PyObjectHashTable.get_item KeyError: 'work_x4i7iyt2nfgflhp6fvb5j7rn64' The above exception was the direct cause of the following exception: Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/reader-compute/reader-classic/bin/file2bib.py", line 66, in if ( bibliographics.loc[ escape ,'author'] ) : author = bibliographics.loc[ escape,'author'] File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 873, in __getitem__ return self._getitem_tuple(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1044, in _getitem_tuple return self._getitem_lowerdim(tup) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 786, in _getitem_lowerdim section = self._getitem_axis(key, axis=i) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1110, in _getitem_axis return self._get_label(key, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1059, in _get_label return self.obj.xs(label, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/generic.py", line 3491, in xs loc = self.index.get_loc(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2897, in get_loc raise KeyError(key) from err KeyError: 'work_x4i7iyt2nfgflhp6fvb5j7rn64' INFO Detecting media type for Filename: b'work_uegvgzkllbc2bakiaenchdozoq.pdf' INFO rmeta/text (autodetecting type) === file2bib.sh === id: work_gkz7ucesfjhfriqrnx6s2bljby author: Madison U. Sowell title: The Enemy in Italian Renaissance Epic: Images of Hostility from Dante to Tasso. Andrea Moudarres. The Early Modern Exchange. Newark: University of Delaware Press, 2019. xii + 250 pp. $35 date: 2020 pages: 2 extension: .pdf txt: ./txt/work_gkz7ucesfjhfriqrnx6s2bljby.txt cache: ./cache/work_gkz7ucesfjhfriqrnx6s2bljby.pdf Content-Type application/pdf Creation-Date 2021-01-15T08:30:55Z Last-Modified 2021-04-06T01:06:09Z Last-Save-Date 2021-04-06T01:06:09Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 12 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2021-01-15T08:30:55Z date 2021-04-06T01:06:09Z dc:description Downloaded from https://www.cambridge.org/core. 06 Apr 2021 at 01:06:09, subject to the Cambridge Core terms of use. dc:format application/pdf; version=1.3 dc:title RQX_73_4_BookReviews 1455..1456 dcterms:created 2021-01-15T08:30:55Z dcterms:modified 2021-04-06T01:06:09Z description Downloaded from https://www.cambridge.org/core. 06 Apr 2021 at 01:06:09, subject to the Cambridge Core terms of use. meta:creation-date 2021-01-15T08:30:55Z meta:save-date 2021-04-06T01:06:09Z modified 2021-04-06T01:06:09Z pdf:PDFVersion 1.3 pdf:charsPerPage ['2488', '2638'] pdf:docinfo:created 2021-01-15T08:30:55Z pdf:docinfo:creator_tool Arbortext Advanced Print Publisher 10.0.1465/W Unicode pdf:docinfo:modified 2021-04-06T01:06:09Z pdf:docinfo:producer Acrobat Distiller 7.0.5 (Windows) pdf:docinfo:title RQX_73_4_BookReviews 1455..1456 pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['0', '0'] producer Acrobat Distiller 7.0.5 (Windows) resourceName b'work_gkz7ucesfjhfriqrnx6s2bljby.pdf' title RQX_73_4_BookReviews 1455..1456 xmp:CreatorTool Arbortext Advanced Print Publisher 10.0.1465/W Unicode xmpMM:DocumentID uuid:8dc6325c-b108-494d-a8a2-3738efd8bf0a xmpTPg:NPages 2 work_b7x6bjt64rb6riqc2ejqbiwgwy txt/../ent/work_b7x6bjt64rb6riqc2ejqbiwgwy.ent work_ggh44k3ypbadlnxwfwjc4huvbq txt/../wrd/work_ggh44k3ypbadlnxwfwjc4huvbq.wrd work_bvq5znaqafbg3ep4jq6qqcljsy txt/../ent/work_bvq5znaqafbg3ep4jq6qqcljsy.ent work_oryf7qhulnfyddxsq7qqmbyfse txt/../ent/work_oryf7qhulnfyddxsq7qqmbyfse.ent work_ggh44k3ypbadlnxwfwjc4huvbq txt/../pos/work_ggh44k3ypbadlnxwfwjc4huvbq.pos === file2bib.sh === id: work_b7x6bjt64rb6riqc2ejqbiwgwy author: Steven Vanden Broecke title: Mary Quinlan-McGrath, Influences: Art, Optics, and Astrology in the Italian Renaissance. Chicago and London: The University of Chicago Press, 2013. Pp. xi+284. ISBN 978-0-226-92284-3. $35.00 (hardback) date: 2014 pages: 3 extension: .pdf txt: ./txt/work_b7x6bjt64rb6riqc2ejqbiwgwy.txt cache: ./cache/work_b7x6bjt64rb6riqc2ejqbiwgwy.pdf Content-Type application/pdf Creation-Date 2014-06-02T07:13:23Z Last-Modified 2014-06-02T07:13:23Z Last-Save-Date 2014-06-02T07:13:23Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 20 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2014-06-02T07:13:23Z date 2014-06-02T07:13:23Z dc:format application/pdf; version=1.4 dcterms:created 2014-06-02T07:13:23Z dcterms:modified 2014-06-02T07:13:23Z meta:creation-date 2014-06-02T07:13:23Z meta:save-date 2014-06-02T07:13:23Z modified 2014-06-02T07:13:23Z pdf:PDFVersion 1.4 pdf:charsPerPage ['976', '3485', '3523'] pdf:docinfo:created 2014-06-02T07:13:23Z pdf:docinfo:modified 2014-06-02T07:13:23Z pdf:docinfo:producer PDF::API2 0.55 (fix-3328 / 2006-08-14) [MSWin32] (via http://bfo.com/products/pdf?version=2.14-r17981) pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['0', '0', '0'] producer PDF::API2 0.55 (fix-3328 / 2006-08-14) [MSWin32] (via http://bfo.com/products/pdf?version=2.14-r17981) resourceName b'work_b7x6bjt64rb6riqc2ejqbiwgwy.pdf' xmpMM:DocumentID uuid:98ef0d56-d18d-4689-946c-eeaa11726459 xmpTPg:NPages 3 === file2bib.sh === id: work_u5azmrjbpjebtkli6xtsgzzub4 author: James M. Saslow title: The Globalization of Renaissance Art: A Critical Review. Daniel Savoy, ed. Brill's Studies in Intellectual History 274; Brill's Studies on Art, Art History, and Intellectual History 23. Leiden: Brill, 2017. xii + 342 pp. $159 date: 2020 pages: 3 extension: .pdf txt: ./txt/work_u5azmrjbpjebtkli6xtsgzzub4.txt cache: ./cache/work_u5azmrjbpjebtkli6xtsgzzub4.pdf Content-Type application/pdf Last-Modified 2021-04-06T01:06:12Z Last-Save-Date 2021-04-06T01:06:12Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 15 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true date 2021-04-06T01:06:12Z dc:description Downloaded from https://www.cambridge.org/core. 06 Apr 2021 at 01:06:12, subject to the Cambridge Core terms of use. dc:format application/pdf; version=1.4 dcterms:modified 2021-04-06T01:06:12Z description Downloaded from https://www.cambridge.org/core. 06 Apr 2021 at 01:06:12, subject to the Cambridge Core terms of use. meta:save-date 2021-04-06T01:06:12Z modified 2021-04-06T01:06:12Z pdf:PDFVersion 1.4 pdf:charsPerPage ['2676', '3035', '2537'] pdf:docinfo:modified 2021-04-06T01:06:12Z pdf:docinfo:producer PDF::API2 0.55 (fix-3328 / 2006-08-14) [MSWin32] pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['0', '0', '0'] producer PDF::API2 0.55 (fix-3328 / 2006-08-14) [MSWin32] resourceName b'work_u5azmrjbpjebtkli6xtsgzzub4.pdf' xmpTPg:NPages 3 work_u2u5pmtmdjadlcbufsftpegw2q txt/../ent/work_u2u5pmtmdjadlcbufsftpegw2q.ent INFO Detecting media type for Filename: b'work_yantpzjp55fjleepome37s3ebq.pdf' INFO rmeta/text (autodetecting type) INFO Detecting media type for Filename: b'work_vs6nfsiagjfoppejwupcf5oj5i.pdf' INFO rmeta/text (autodetecting type) work_lwkwu57qd5ahfnovbpdhkw5vhq txt/../pos/work_lwkwu57qd5ahfnovbpdhkw5vhq.pos === file2bib.sh === Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2895, in get_loc return self._engine.get_loc(casted_key) File "pandas/_libs/index.pyx", line 70, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/index.pyx", line 101, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/hashtable_class_helper.pxi", line 1675, in pandas._libs.hashtable.PyObjectHashTable.get_item File "pandas/_libs/hashtable_class_helper.pxi", line 1683, in pandas._libs.hashtable.PyObjectHashTable.get_item KeyError: 'work_yantpzjp55fjleepome37s3ebq' The above exception was the direct cause of the following exception: Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/reader-compute/reader-classic/bin/file2bib.py", line 66, in if ( bibliographics.loc[ escape ,'author'] ) : author = bibliographics.loc[ escape,'author'] File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 873, in __getitem__ return self._getitem_tuple(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1044, in _getitem_tuple return self._getitem_lowerdim(tup) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 786, in _getitem_lowerdim section = self._getitem_axis(key, axis=i) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1110, in _getitem_axis return self._get_label(key, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1059, in _get_label return self.obj.xs(label, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/generic.py", line 3491, in xs loc = self.index.get_loc(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2897, in get_loc raise KeyError(key) from err KeyError: 'work_yantpzjp55fjleepome37s3ebq' work_frymu6uqqbg2lhypatlm3bqxee txt/../ent/work_frymu6uqqbg2lhypatlm3bqxee.ent INFO Detecting media type for Filename: b'work_4kyxg4drgvbxfae3aat2jfukcy.pdf' INFO rmeta/text (autodetecting type) work_fmx4anp74vfd7ps34dqgsropbm txt/../ent/work_fmx4anp74vfd7ps34dqgsropbm.ent INFO Detecting media type for Filename: b'work_mso2mklylrcy3alvqwwc7zxkvy.pdf' INFO rmeta/text (autodetecting type) work_bzolg2ldh5dwrdyv3pglp3iv5i txt/../ent/work_bzolg2ldh5dwrdyv3pglp3iv5i.ent INFO Detecting media type for Filename: b'work_zsdrzwz7ynb3vjqqn3733zemiu.pdf' INFO rmeta/text (autodetecting type) INFO Detecting media type for Filename: b'work_idshhfihwjhvxdn2ngjcnjbuxy.pdf' INFO rmeta/text (autodetecting type) work_caqpdvdtuzb5xbtde2wwhgd4ym txt/../ent/work_caqpdvdtuzb5xbtde2wwhgd4ym.ent work_iosapayacvbyndmxnl5pvznway txt/../ent/work_iosapayacvbyndmxnl5pvznway.ent INFO Detecting media type for Filename: b'work_slaq2hjnbnc3fbi77mbudua6py.pdf' INFO rmeta/text (autodetecting type) WARN No Unicode mapping for C211 (2) in font BUOTCS+CtdswbAdvPSSym work_lwkwu57qd5ahfnovbpdhkw5vhq txt/../wrd/work_lwkwu57qd5ahfnovbpdhkw5vhq.wrd === file2bib.sh === id: work_ib4rdxhlmzebfmtcojbi66vzee author: Natalie Luckyj title: Parks Canada's Architectural Styles Series date: 1985 pages: 5 extension: .pdf txt: ./txt/work_ib4rdxhlmzebfmtcojbi66vzee.txt cache: ./cache/work_ib4rdxhlmzebfmtcojbi66vzee.pdf Author Natalie Luckyj Content-Type application/pdf Creation-Date 2021-04-05T16:06:15Z Keywords Last-Modified 2021-04-05T16:06:15Z Last-Save-Date 2021-04-05T16:06:15Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 24 access_permission:assemble_document true 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Price title: Jacopo de' Barbari: Künstlerschaft und Hofkultur um 1500. Beate Böckem. Studien zur Kunst 32. 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xmpMM:History:When ['2018-08-09T10:47:30Z', '2018-08-09T10:48:12Z'] xmpTPg:NPages 15 work_yge3cqoenjeprncxu5zw2zm3gm txt/../wrd/work_yge3cqoenjeprncxu5zw2zm3gm.wrd work_obgl6bfkznbjflzkss7kklejty txt/../ent/work_obgl6bfkznbjflzkss7kklejty.ent work_4mn7mq6q2nfm3ocekkk6zfxqqi txt/../ent/work_4mn7mq6q2nfm3ocekkk6zfxqqi.ent INFO Detecting media type for Filename: b'work_oteoyqdqpjburjcolcxqpgyjhy.pdf' INFO rmeta/text (autodetecting type) WARN No Unicode mapping for p30 (1) in font NPBBOO+PiOne work_dmmefwrnxjfuvcwsi2rtfdjb74 txt/../wrd/work_dmmefwrnxjfuvcwsi2rtfdjb74.wrd INFO Detecting media type for Filename: b'work_3njkdpwtzrhivi7hfmcno26aoe.pdf' INFO rmeta/text (autodetecting type) work_ruutfcfqgzbg3j5niezqauyrqi txt/../wrd/work_ruutfcfqgzbg3j5niezqauyrqi.wrd work_nlueipbdffbjjbtg6nadsgu2bm txt/../ent/work_nlueipbdffbjjbtg6nadsgu2bm.ent === file2bib.sh === id: work_srgptiqs3beplff4aipr6fr5qi author: J Oliver title: THE LURE OF MEDICAL HISTORY: AMBROISE PARE date: 1927 pages: extension: .pdf txt: ./txt/work_srgptiqs3beplff4aipr6fr5qi.txt cache: ./cache/work_srgptiqs3beplff4aipr6fr5qi.pdf Content-Type application/xml X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.xml.DcXMLParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 2 resourceName b'work_srgptiqs3beplff4aipr6fr5qi.pdf' === file2bib.sh === Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2895, in get_loc return self._engine.get_loc(casted_key) File "pandas/_libs/index.pyx", line 70, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/index.pyx", line 101, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/hashtable_class_helper.pxi", line 1675, in pandas._libs.hashtable.PyObjectHashTable.get_item File "pandas/_libs/hashtable_class_helper.pxi", line 1683, in pandas._libs.hashtable.PyObjectHashTable.get_item KeyError: 'work_3njkdpwtzrhivi7hfmcno26aoe' The above exception was the direct cause of the following exception: Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/reader-compute/reader-classic/bin/file2bib.py", line 66, in if ( bibliographics.loc[ escape ,'author'] ) : author = bibliographics.loc[ escape,'author'] File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 873, in __getitem__ return self._getitem_tuple(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1044, in _getitem_tuple return self._getitem_lowerdim(tup) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 786, in _getitem_lowerdim section = self._getitem_axis(key, axis=i) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1110, in _getitem_axis return self._get_label(key, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1059, in _get_label return self.obj.xs(label, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/generic.py", line 3491, in xs loc = self.index.get_loc(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2897, in get_loc raise KeyError(key) from err KeyError: 'work_3njkdpwtzrhivi7hfmcno26aoe' INFO Detecting media type for Filename: b'work_qzpu3oj2nveztnrm7ubxqaqf6m.pdf' INFO rmeta/text (autodetecting type) work_dmmefwrnxjfuvcwsi2rtfdjb74 txt/../pos/work_dmmefwrnxjfuvcwsi2rtfdjb74.pos work_i76yt642ujezlfkcjljtu3dpeu txt/../wrd/work_i76yt642ujezlfkcjljtu3dpeu.wrd === file2bib.sh === Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2895, in get_loc return self._engine.get_loc(casted_key) File "pandas/_libs/index.pyx", line 70, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/index.pyx", line 101, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/hashtable_class_helper.pxi", line 1675, in pandas._libs.hashtable.PyObjectHashTable.get_item File "pandas/_libs/hashtable_class_helper.pxi", line 1683, in pandas._libs.hashtable.PyObjectHashTable.get_item KeyError: 'work_qzpu3oj2nveztnrm7ubxqaqf6m' The above exception was the direct cause of the following exception: Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/reader-compute/reader-classic/bin/file2bib.py", line 66, in if ( bibliographics.loc[ escape ,'author'] ) : author = bibliographics.loc[ escape,'author'] File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 873, in __getitem__ return self._getitem_tuple(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1044, in _getitem_tuple return self._getitem_lowerdim(tup) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 786, in _getitem_lowerdim section = self._getitem_axis(key, axis=i) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1110, in _getitem_axis return self._get_label(key, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1059, in _get_label return self.obj.xs(label, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/generic.py", line 3491, in xs loc = self.index.get_loc(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2897, in get_loc raise KeyError(key) from err KeyError: 'work_qzpu3oj2nveztnrm7ubxqaqf6m' work_v7ck5kxosvfp7koz3yi6frajcu txt/../ent/work_v7ck5kxosvfp7koz3yi6frajcu.ent INFO Detecting media type for Filename: b'work_rkaw7hvttbe53pulejewt5c2mm.pdf' INFO rmeta/text (autodetecting type) work_i76yt642ujezlfkcjljtu3dpeu txt/../pos/work_i76yt642ujezlfkcjljtu3dpeu.pos INFO Detecting media type for Filename: b'work_uzvdqp4onfcyvnrs4zwgek6uhq.pdf' INFO rmeta/text (autodetecting type) === file2bib.sh === Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2895, in get_loc return self._engine.get_loc(casted_key) File "pandas/_libs/index.pyx", line 70, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/index.pyx", line 101, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/hashtable_class_helper.pxi", line 1675, in pandas._libs.hashtable.PyObjectHashTable.get_item File "pandas/_libs/hashtable_class_helper.pxi", line 1683, in pandas._libs.hashtable.PyObjectHashTable.get_item KeyError: 'work_rkaw7hvttbe53pulejewt5c2mm' The above exception was the direct cause of the following exception: Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/reader-compute/reader-classic/bin/file2bib.py", line 66, in if ( bibliographics.loc[ escape ,'author'] ) : author = bibliographics.loc[ escape,'author'] File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 873, in __getitem__ return self._getitem_tuple(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1044, in _getitem_tuple return self._getitem_lowerdim(tup) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 786, in _getitem_lowerdim section = self._getitem_axis(key, axis=i) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1110, in _getitem_axis return self._get_label(key, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1059, in _get_label return self.obj.xs(label, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/generic.py", line 3491, in xs loc = self.index.get_loc(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2897, in get_loc raise KeyError(key) from err KeyError: 'work_rkaw7hvttbe53pulejewt5c2mm' work_be3khgmimzemfb2c64aluqvryi txt/../ent/work_be3khgmimzemfb2c64aluqvryi.ent work_owqg3eqzinconmr7mpy4fmjtje txt/../ent/work_owqg3eqzinconmr7mpy4fmjtje.ent work_ruutfcfqgzbg3j5niezqauyrqi txt/../pos/work_ruutfcfqgzbg3j5niezqauyrqi.pos INFO Detecting media type for Filename: b'work_c4asicxnznajxesvk5bugp6h7m.pdf' INFO rmeta/text (autodetecting type) INFO Detecting media type for Filename: b'work_m2f36fqj7bam3iaw2e7t7hydgq.pdf' INFO rmeta/text (autodetecting type) work_wdrxjtxdrnainozlqto6nz7yui txt/../wrd/work_wdrxjtxdrnainozlqto6nz7yui.wrd INFO Detecting media type for Filename: b'work_zory6omi2rfmfhalmlvsxawxay.pdf' INFO rmeta/text (autodetecting type) === file2bib.sh === id: work_o5hpppppwnd4hj46tyqg72m3ry author: Irena Ndreu title: Albanian Cultural Representation In The City Of Venice Through Albanian Painters In Italy date: 2017 pages: 14 extension: .pdf txt: ./txt/work_o5hpppppwnd4hj46tyqg72m3ry.txt cache: ./cache/work_o5hpppppwnd4hj46tyqg72m3ry.pdf Content-Type application/pdf Creation-Date 2017-04-06T07:55:02Z Last-Modified 2017-04-06T07:55:21Z Last-Save-Date 2017-04-06T07:55:21Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 39 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2017-04-06T07:55:02Z date 2017-04-06T07:55:21Z dc:format application/pdf; version=1.5 dcterms:created 2017-04-06T07:55:02Z dcterms:modified 2017-04-06T07:55:21Z meta:creation-date 2017-04-06T07:55:02Z meta:save-date 2017-04-06T07:55:21Z modified 2017-04-06T07:55:21Z pdf:PDFVersion 1.5 pdf:charsPerPage ['2626', '3179', '3556', '3756', '1442', '213', '198', '362', '249', '307', '272', '200', '214', '900'] pdf:docinfo:created 2017-04-06T07:55:02Z pdf:docinfo:creator_tool convertonlinefree.com pdf:docinfo:modified 2017-04-06T07:55:21Z pdf:docinfo:producer convertonlinefree.com pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0'] producer convertonlinefree.com resourceName b'work_o5hpppppwnd4hj46tyqg72m3ry.pdf' xmp:CreatorTool convertonlinefree.com xmpMM:DocumentID uuid:2abc7eef-8483-42e0-941b-2cd797d66d93 xmpTPg:NPages 14 work_yge3cqoenjeprncxu5zw2zm3gm txt/../ent/work_yge3cqoenjeprncxu5zw2zm3gm.ent === file2bib.sh === Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2895, in get_loc return self._engine.get_loc(casted_key) File "pandas/_libs/index.pyx", line 70, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/index.pyx", line 101, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/hashtable_class_helper.pxi", line 1675, in pandas._libs.hashtable.PyObjectHashTable.get_item File "pandas/_libs/hashtable_class_helper.pxi", line 1683, in pandas._libs.hashtable.PyObjectHashTable.get_item KeyError: 'work_zory6omi2rfmfhalmlvsxawxay' The above exception was the direct cause of the following exception: Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/reader-compute/reader-classic/bin/file2bib.py", line 66, in if ( bibliographics.loc[ escape ,'author'] ) : author = bibliographics.loc[ escape,'author'] File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 873, in __getitem__ return self._getitem_tuple(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1044, in _getitem_tuple return self._getitem_lowerdim(tup) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 786, in _getitem_lowerdim section = self._getitem_axis(key, axis=i) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1110, in _getitem_axis return self._get_label(key, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1059, in _get_label return self.obj.xs(label, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/generic.py", line 3491, in xs loc = self.index.get_loc(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2897, in get_loc raise KeyError(key) from err KeyError: 'work_zory6omi2rfmfhalmlvsxawxay' INFO Detecting media type for Filename: b'work_ftqims6p5vectppgruh3db4hx4.pdf' INFO rmeta/text (autodetecting type) work_rwgjb345uvewhm5mvv6nleheze txt/../pos/work_rwgjb345uvewhm5mvv6nleheze.pos work_hzwke6umhrfxbocnluw4wwbmli txt/../pos/work_hzwke6umhrfxbocnluw4wwbmli.pos work_i5nloprpffcgnfd4yvk42dc6qm txt/../wrd/work_i5nloprpffcgnfd4yvk42dc6qm.wrd work_wdrxjtxdrnainozlqto6nz7yui txt/../pos/work_wdrxjtxdrnainozlqto6nz7yui.pos === file2bib.sh === id: work_zjyhfaqwvngdpn5lj47pqr7m7y author: Marco Giorgio Bevilacqua title: Military Architecture and Mathematics date: 2014 pages: 5 extension: .pdf txt: ./txt/work_zjyhfaqwvngdpn5lj47pqr7m7y.txt cache: ./cache/work_zjyhfaqwvngdpn5lj47pqr7m7y.pdf Content-Type application/pdf Creation-Date 2014-12-06T04:32:26Z Last-Modified 2014-12-06T04:33:55Z Last-Save-Date 2014-12-06T04:33:55Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 52 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2014-12-06T04:32:26Z date 2014-12-06T04:33:55Z dc:format ['application/pdf; version="A-1b"', 'application/pdf; version=1.4'] dc:language EN dc:title dcterms:created 2014-12-06T04:32:26Z dcterms:modified 2014-12-06T04:33:55Z language EN meta:creation-date 2014-12-06T04:32:26Z meta:save-date 2014-12-06T04:33:55Z modified 2014-12-06T04:33:55Z pdf:PDFVersion 1.4 pdf:charsPerPage ['1716', '3005', '3098', '2958', '2623'] pdf:docinfo:created 2014-12-06T04:32:26Z pdf:docinfo:creator_tool Arbortext Advanced Print Publisher 9.0.114/W pdf:docinfo:modified 2014-12-06T04:33:55Z pdf:docinfo:producer Acrobat Distiller 10.1.8 (Windows) pdf:docinfo:title pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['3', '0', '0', '0', '0'] pdfa:PDFVersion A-1b pdfaid:conformance B pdfaid:part 1 producer Acrobat Distiller 10.1.8 (Windows) resourceName b'work_zjyhfaqwvngdpn5lj47pqr7m7y.pdf' title xmp:CreatorTool Arbortext Advanced Print Publisher 9.0.114/W xmpMM:DocumentID uuid:be450920-a492-40eb-92e8-8ff5c465d4ab xmpMM:History:Action converted xmpMM:History:InstanceID uuid:e3b83bf3-e207-4a91-b43c-948eb0cfe7fc xmpMM:History:SoftwareAgent pdfToolbox xmpMM:History:When 2014-12-06T10:03:22Z xmpTPg:NPages 5 work_i5nloprpffcgnfd4yvk42dc6qm txt/../pos/work_i5nloprpffcgnfd4yvk42dc6qm.pos === file2bib.sh === id: work_3vrprdyoknbgxfyvuhgvu7eqwu author: Yves Blanc title: History of the Study of Skeletal Muscle Function with Emphasis on Kinesiological Electromyography date: 2010 pages: 10 extension: .pdf txt: ./txt/work_3vrprdyoknbgxfyvuhgvu7eqwu.txt cache: ./cache/work_3vrprdyoknbgxfyvuhgvu7eqwu.pdf Author Hashim Content-Type application/pdf Creation-Date 2010-10-05T13:30:28Z Last-Modified 2010-10-05T13:30:28Z Last-Save-Date 2010-10-05T13:30:28Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 101 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2010-10-05T13:30:28Z creator Hashim date 2010-10-05T13:30:28Z dc:creator Hashim dc:format application/pdf; version=1.4 dc:title Microsoft Word - Blanc_TOREHJ dcterms:created 2010-10-05T13:30:28Z dcterms:modified 2010-10-05T13:30:28Z meta:author Hashim meta:creation-date 2010-10-05T13:30:28Z meta:save-date 2010-10-05T13:30:28Z modified 2010-10-05T13:30:28Z pdf:PDFVersion 1.4 pdf:charsPerPage ['5191', '6871', '6693', '6715', '6679', '6437', '6490', '7077', '8304', '1765'] pdf:docinfo:created 2010-10-05T13:30:28Z pdf:docinfo:creator Hashim pdf:docinfo:creator_tool Word: cgpdftops CUPS filter pdf:docinfo:modified 2010-10-05T13:30:28Z pdf:docinfo:producer Acrobat Distiller 8.0.0 (Macintosh) pdf:docinfo:title Microsoft Word - Blanc_TOREHJ pdf:encrypted false pdf:hasMarkedContent 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By Aleksei Kurbanovskii. St. Petersburg: Izdatel΄stvo "ARS," 2015. 311 pp. Appendix. Bibliography. Index. Plates. Photographs. 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SIVETER title: The Brady Medal date: 2008 pages: 4 extension: .pdf txt: ./txt/work_oteoyqdqpjburjcolcxqpgyjhy.txt cache: ./cache/work_oteoyqdqpjburjcolcxqpgyjhy.pdf Author Content-Type application/pdf Creation-Date 2008-05-13T12:07:36Z Keywords Last-Modified 2008-05-13T12:07:36Z Last-Save-Date 2008-05-13T12:07:36Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:EXCEPTION:warn org.xml.sax.SAXParseException; lineNumber: 4; columnNumber: 14; The prefix "dc" for element "dc:creator" is not bound. at org.apache.xerces.parsers.DOMParser.parse(Unknown Source) at org.apache.xerces.jaxp.DocumentBuilderImpl.parse(Unknown Source) at javax.xml.parsers.DocumentBuilder.parse(DocumentBuilder.java:121) at org.apache.tika.utils.XMLReaderUtils.buildDOM(XMLReaderUtils.java:407) at org.apache.tika.parser.pdf.PDMetadataExtractor.loadDOM(PDMetadataExtractor.java:241) at org.apache.tika.parser.pdf.PDMetadataExtractor.extract(PDMetadataExtractor.java:62) at org.apache.tika.parser.pdf.PDFParser.extractMetadata(PDFParser.java:273) at org.apache.tika.parser.pdf.PDFParser.parse(PDFParser.java:155) at org.apache.tika.parser.CompositeParser.parse(CompositeParser.java:280) at org.apache.tika.parser.CompositeParser.parse(CompositeParser.java:280) at org.apache.tika.parser.AutoDetectParser.parse(AutoDetectParser.java:143) at org.apache.tika.parser.RecursiveParserWrapper.parse(RecursiveParserWrapper.java:233) at org.apache.tika.server.resource.TikaResource.parse(TikaResource.java:409) at org.apache.tika.server.resource.RecursiveMetadataResource.parseMetadata(RecursiveMetadataResource.java:147) at org.apache.tika.server.resource.RecursiveMetadataResource.getMetadata(RecursiveMetadataResource.java:123) at sun.reflect.GeneratedMethodAccessor3.invoke(Unknown Source) at sun.reflect.DelegatingMethodAccessorImpl.invoke(DelegatingMethodAccessorImpl.java:43) at java.lang.reflect.Method.invoke(Method.java:498) at org.apache.cxf.service.invoker.AbstractInvoker.performInvocation(AbstractInvoker.java:179) at org.apache.cxf.service.invoker.AbstractInvoker.invoke(AbstractInvoker.java:96) at org.apache.cxf.jaxrs.JAXRSInvoker.invoke(JAXRSInvoker.java:201) at org.apache.cxf.jaxrs.JAXRSInvoker.invoke(JAXRSInvoker.java:104) at org.apache.cxf.interceptor.ServiceInvokerInterceptor$1.run(ServiceInvokerInterceptor.java:59) at org.apache.cxf.interceptor.ServiceInvokerInterceptor.handleMessage(ServiceInvokerInterceptor.java:96) at org.apache.cxf.phase.PhaseInterceptorChain.doIntercept(PhaseInterceptorChain.java:308) at org.apache.cxf.transport.ChainInitiationObserver.onMessage(ChainInitiationObserver.java:121) at org.apache.cxf.transport.http.AbstractHTTPDestination.invoke(AbstractHTTPDestination.java:267) at org.apache.cxf.transport.http_jetty.JettyHTTPDestination.doService(JettyHTTPDestination.java:247) at org.apache.cxf.transport.http_jetty.JettyHTTPHandler.handle(JettyHTTPHandler.java:79) at org.eclipse.jetty.server.handler.HandlerWrapper.handle(HandlerWrapper.java:127) at org.eclipse.jetty.server.handler.ScopedHandler.nextHandle(ScopedHandler.java:235) at org.eclipse.jetty.server.handler.ContextHandler.doHandle(ContextHandler.java:1300) at org.eclipse.jetty.server.handler.ScopedHandler.nextScope(ScopedHandler.java:190) at org.eclipse.jetty.server.handler.ContextHandler.doScope(ContextHandler.java:1215) at org.eclipse.jetty.server.handler.ScopedHandler.handle(ScopedHandler.java:141) at org.eclipse.jetty.server.handler.ContextHandlerCollection.handle(ContextHandlerCollection.java:221) at org.eclipse.jetty.server.handler.HandlerWrapper.handle(HandlerWrapper.java:127) at org.eclipse.jetty.server.Server.handle(Server.java:500) at org.eclipse.jetty.server.HttpChannel.lambda$handle$1(HttpChannel.java:383) at org.eclipse.jetty.server.HttpChannel.dispatch(HttpChannel.java:547) at org.eclipse.jetty.server.HttpChannel.handle(HttpChannel.java:375) at org.eclipse.jetty.server.HttpConnection.onFillable(HttpConnection.java:273) at org.eclipse.jetty.io.AbstractConnection$ReadCallback.succeeded(AbstractConnection.java:311) at org.eclipse.jetty.io.FillInterest.fillable(FillInterest.java:103) at org.eclipse.jetty.io.ChannelEndPoint$2.run(ChannelEndPoint.java:117) at org.eclipse.jetty.util.thread.strategy.EatWhatYouKill.runTask(EatWhatYouKill.java:336) at org.eclipse.jetty.util.thread.strategy.EatWhatYouKill.doProduce(EatWhatYouKill.java:313) at org.eclipse.jetty.util.thread.strategy.EatWhatYouKill.tryProduce(EatWhatYouKill.java:171) at org.eclipse.jetty.util.thread.strategy.EatWhatYouKill.run(EatWhatYouKill.java:129) at org.eclipse.jetty.util.thread.ReservedThreadExecutor$ReservedThread.run(ReservedThreadExecutor.java:375) at org.eclipse.jetty.util.thread.QueuedThreadPool.runJob(QueuedThreadPool.java:806) at org.eclipse.jetty.util.thread.QueuedThreadPool$Runner.run(QueuedThreadPool.java:938) at java.lang.Thread.run(Thread.java:748) X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 27 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true cp:subject created 2008-05-13T12:07:36Z creator date 2008-05-13T12:07:36Z dc:creator dc:format application/pdf; version=1.2 dc:subject dc:title dcterms:created 2008-05-13T12:07:36Z dcterms:modified 2008-05-13T12:07:36Z meta:author meta:creation-date 2008-05-13T12:07:36Z meta:keyword meta:save-date 2008-05-13T12:07:36Z modified 2008-05-13T12:07:36Z pdf:PDFVersion 1.2 pdf:charsPerPage ['2971', '1956', '1493', '1189'] pdf:docinfo:created 2008-05-13T12:07:36Z pdf:docinfo:creator pdf:docinfo:creator_tool XPP pdf:docinfo:keywords pdf:docinfo:modified 2008-05-13T12:07:36Z pdf:docinfo:producer pdf:docinfo:subject pdf:docinfo:title pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['1', '0', '0', '0'] producer resourceName b'work_oteoyqdqpjburjcolcxqpgyjhy.pdf' subject title xmp:CreatorTool XPP xmpTPg:NPages 4 work_i5nloprpffcgnfd4yvk42dc6qm txt/../ent/work_i5nloprpffcgnfd4yvk42dc6qm.ent work_74ebj7p5rrbzxp3ufci3xsi3yy txt/../wrd/work_74ebj7p5rrbzxp3ufci3xsi3yy.wrd work_wdrxjtxdrnainozlqto6nz7yui txt/../ent/work_wdrxjtxdrnainozlqto6nz7yui.ent work_rwgjb345uvewhm5mvv6nleheze txt/../ent/work_rwgjb345uvewhm5mvv6nleheze.ent INFO Detecting media type for Filename: b'work_m3i3hil7izdihmzeqeyi4patpy.pdf' work_cqpfpceinnaxjcsa4kgfbubrfe txt/../ent/work_cqpfpceinnaxjcsa4kgfbubrfe.ent INFO rmeta/text (autodetecting type) work_jjiq6vojrnaijn52ajdibn6jbu txt/../wrd/work_jjiq6vojrnaijn52ajdibn6jbu.wrd === file2bib.sh === id: work_uzvdqp4onfcyvnrs4zwgek6uhq author: Monica Azzolini title: Tommaso Duranti. Mai sotto Saturno: Girolamo Manfredi, medico e astrologo. Bologna medievale ieri e oggi 10. Bologna: CLUEB, 2008. 212 pp. index. illus. tbls. chron. bibl. €19. ISBN: 978–88–491–3129–1 date: 2010 pages: 4 extension: .pdf txt: ./txt/work_uzvdqp4onfcyvnrs4zwgek6uhq.txt cache: ./cache/work_uzvdqp4onfcyvnrs4zwgek6uhq.pdf Content-Type application/pdf Creation-Date 2010-05-05T02:35:41Z Last-Modified 2014-03-17T09:52:39Z Last-Save-Date 2014-03-17T09:52:39Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 18 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2010-05-05T02:35:41Z date 2014-03-17T09:52:39Z dc:format application/pdf; version=1.6 dc:language en dc:title renq63205 545..715 dcterms:created 2010-05-05T02:35:41Z dcterms:modified 2014-03-17T09:52:39Z language en meta:creation-date 2010-05-05T02:35:41Z meta:save-date 2014-03-17T09:52:39Z modified 2014-03-17T09:52:39Z pdf:PDFVersion 1.6 pdf:charsPerPage ['1387', '1213', '2910', '1752'] pdf:docinfo:created 2010-05-05T02:35:41Z pdf:docinfo:creator_tool Arbortext Advanced Print Publisher 9.1.510/W pdf:docinfo:modified 2014-03-17T09:52:39Z pdf:docinfo:producer iText 2.1.5 (by lowagie.com) pdf:docinfo:title Tommaso Duranti. Mai sotto Saturno: Girolamo Manfredi, medico e astrologo pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0'] producer iText 2.1.5 (by lowagie.com) resourceName b'work_uzvdqp4onfcyvnrs4zwgek6uhq.pdf' title renq63205 545..715 xmp:CreatorTool Arbortext Advanced Print Publisher 9.1.510/W xmpMM:DocumentID uuid:0fb689a9-1837-4e7a-ac07-e0814281913b xmpTPg:NPages 4 work_hzwke6umhrfxbocnluw4wwbmli txt/../ent/work_hzwke6umhrfxbocnluw4wwbmli.ent INFO Detecting media type for Filename: b'work_wfqyk7gcknhtvh3nnbvwmo7som.pdf' INFO rmeta/text (autodetecting type) WARN No Unicode mapping for H11001 (2) in font JMMAGH+Universal-GreekwithMathPi INFO Detecting media type for Filename: b'work_avyg4gyd6bfltgr3kmkwgu5y4y.pdf' WARN No Unicode mapping for H6017 (2) in font JMMBKI+MathematicalPi-Five WARN No Unicode mapping for H6126 (3) in font JMMBKI+MathematicalPi-Five INFO rmeta/text (autodetecting type) work_ijxgqcknlrecvak7usubdtibt4 txt/../wrd/work_ijxgqcknlrecvak7usubdtibt4.wrd work_z7s7owqxirhatchqhnjcfb3uba txt/../pos/work_z7s7owqxirhatchqhnjcfb3uba.pos work_jjiq6vojrnaijn52ajdibn6jbu txt/../pos/work_jjiq6vojrnaijn52ajdibn6jbu.pos work_cgnkdhjo3nd3tneb3b5dh5zkee txt/../ent/work_cgnkdhjo3nd3tneb3b5dh5zkee.ent work_oppay2yymnfwdh7l67tsuuqv4u txt/../ent/work_oppay2yymnfwdh7l67tsuuqv4u.ent work_ijxgqcknlrecvak7usubdtibt4 txt/../pos/work_ijxgqcknlrecvak7usubdtibt4.pos === file2bib.sh === id: work_c4asicxnznajxesvk5bugp6h7m author: Andrea Urbani title: Proteomics and renaissance: accounts of the V Italian Proteomics Association Congress, Florence 2010 date: 2011 pages: 2 extension: .pdf txt: ./txt/work_c4asicxnznajxesvk5bugp6h7m.txt cache: ./cache/work_c4asicxnznajxesvk5bugp6h7m.pdf Appligent StampPDF Batch 4.5.1 Nov 16 2007 Content-Type application/pdf Creation-Date 2011-02-08T10:20:47Z Last-Modified 2012-10-18T10:58:58Z Last-Save-Date 2012-10-18T10:58:58Z SPDF 1122.1 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 18 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2011-02-08T10:20:47Z date 2012-10-18T10:58:58Z dc:format application/pdf; version=1.3 dc:title RSC_mb_C1MB90007B 1..2 dcterms:created 2011-02-08T10:20:47Z dcterms:modified 2012-10-18T10:58:58Z meta:creation-date 2011-02-08T10:20:47Z meta:save-date 2012-10-18T10:58:58Z modified 2012-10-18T10:58:58Z pdf:PDFVersion 1.3 pdf:charsPerPage ['4531', '3464'] pdf:docinfo:created 2011-02-08T10:20:47Z pdf:docinfo:creator_tool Appligent StampPDF Batch 4.5.1 pdf:docinfo:custom:Appligent StampPDF Batch 4.5.1 Nov 16 2007 pdf:docinfo:custom:SPDF 1122.1 pdf:docinfo:modified 2012-10-18T10:58:58Z pdf:docinfo:producer Acrobat Distiller 8.1.0 (Windows) pdf:docinfo:title RSC_mb_C1MB90007B 1..2 pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['0', '0'] producer Acrobat Distiller 8.1.0 (Windows) resourceName b'work_c4asicxnznajxesvk5bugp6h7m.pdf' title RSC_mb_C1MB90007B 1..2 xmp:CreatorTool Appligent StampPDF Batch 4.5.1 xmpMM:DocumentID uuid:e65fe428-7ab9-4505-92e8-f296a0784623 xmpTPg:NPages 2 work_s4atjewim5b7ddgwi5hzwm3foa txt/../ent/work_s4atjewim5b7ddgwi5hzwm3foa.ent === file2bib.sh === id: work_ftqims6p5vectppgruh3db4hx4 author: Jo Ann Cavallo title: Stephen Kolsky.The Ghost of Boccaccio: Writings on Famous Women in Renaissance Italy.. Late Medieval and Early Modern Studies 7. Turnhout: Brepols Publishers, 2005. x + 254 pp. index. append. illus. bibl. €60. ISBN: 2-503-52190-8 date: 2006 pages: 4 extension: .pdf txt: ./txt/work_ftqims6p5vectppgruh3db4hx4.txt cache: ./cache/work_ftqims6p5vectppgruh3db4hx4.pdf Content-Type application/pdf Creation-Date 2006-12-08T13:16:22Z Last-Modified 2014-04-24T20:40:05Z Last-Save-Date 2014-04-24T20:40:05Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 16 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2006-12-08T13:16:22Z date 2014-04-24T20:40:05Z dc:format application/pdf; version=1.6 dc:language en dc:title Stephen Kolsky. The Ghost of Boccaccio: Writings on Famous Women in Renaissance Italy dcterms:created 2006-12-08T13:16:22Z dcterms:modified 2014-04-24T20:40:05Z language en meta:creation-date 2006-12-08T13:16:22Z meta:save-date 2014-04-24T20:40:05Z modified 2014-04-24T20:40:05Z pdf:PDFVersion 1.6 pdf:charsPerPage ['1246', '454', '3077', '1204'] pdf:docinfo:created 2006-12-08T13:16:22Z pdf:docinfo:modified 2014-04-24T20:40:05Z pdf:docinfo:producer Creo Normalizer JTP pdf:docinfo:title Stephen Kolsky. The Ghost of Boccaccio: Writings on Famous Women in Renaissance Italy pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0'] producer Creo Normalizer JTP resourceName b'work_ftqims6p5vectppgruh3db4hx4.pdf' title Stephen Kolsky. The Ghost of Boccaccio: Writings on Famous Women in Renaissance Italy xmpMM:DocumentID uuid:5e8d9632-1983-4152-bb29-7d01c7b60040 xmpTPg:NPages 4 === file2bib.sh === id: work_m2f36fqj7bam3iaw2e7t7hydgq author: Anna Kérchy title: Interview with Liliane Louvel date: 2017 pages: 5 extension: .pdf txt: ./txt/work_m2f36fqj7bam3iaw2e7t7hydgq.txt cache: ./cache/work_m2f36fqj7bam3iaw2e7t7hydgq.pdf Author ['Anna Kérchy', 'Catriona McAra'] Content-Type application/pdf Creation-Date 2017-09-19T13:46:14Z Keywords Last-Modified 2017-09-26T08:35:23Z Last-Save-Date 2017-09-26T08:35:23Z PDFVersion 1.4 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 29 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true cp:subject European Journal of English Studies, 2017. doi:10.1080/13825577.2017.1369268 created 2017-09-19T13:46:14Z creator ['Anna Kérchy', 'Catriona McAra'] date 2017-09-26T08:35:23Z dc:creator ['Anna Kérchy', 'Catriona McAra'] dc:description European Journal of English Studies, 2017. doi:10.1080/13825577.2017.1369268 dc:format application/pdf; version=1.4 dc:language EN dc:subject dc:title Liliane Louvel interview EJES_A_1369268.1.1 dcterms:created 2017-09-19T13:46:14Z dcterms:modified 2017-09-26T08:35:23Z description European Journal of English Studies, 2017. doi:10.1080/13825577.2017.1369268 language EN meta:author ['Anna Kérchy', 'Catriona McAra'] meta:creation-date 2017-09-19T13:46:14Z meta:keyword meta:save-date 2017-09-26T08:35:23Z modified 2017-09-26T08:35:23Z pdf:PDFVersion 1.4 pdf:charsPerPage ['3241', '4179', '4211', '4133', '1524'] pdf:docinfo:created 2017-09-19T13:46:14Z pdf:docinfo:creator Anna Kérchy pdf:docinfo:creator_tool Adobe InDesign CC 2015 (Windows) pdf:docinfo:custom:PDFVersion 1.4 pdf:docinfo:keywords pdf:docinfo:modified 2017-09-26T08:35:23Z pdf:docinfo:producer 3-Heights(TM) PDF Merge Split API 4.9.17.0 (http://www.pdf-tools.com) pdf:docinfo:subject European Journal of English Studies, 2017. doi:10.1080/13825577.2017.1369268 pdf:docinfo:title Liliane Louvel interview EJES_A_1369268.1.1 pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0', '0'] producer 3-Heights(TM) PDF Merge Split API 4.9.17.0 (http://www.pdf-tools.com) resourceName b'work_m2f36fqj7bam3iaw2e7t7hydgq.pdf' subject European Journal of English Studies, 2017. doi:10.1080/13825577.2017.1369268 title Liliane Louvel interview EJES_A_1369268.1.1 xmp:CreatorTool Adobe InDesign CC 2015 (Windows) xmpMM:DocumentID uuid:80a51e85-278d-4afd-b231-cbab6c71141c xmpTPg:NPages 5 work_esyca52ph5f75dlhu4il5xlucm txt/../wrd/work_esyca52ph5f75dlhu4il5xlucm.wrd INFO Detecting media type for Filename: b'work_2ek3xaxdxrfjpkbn6jiq5urmfa.pdf' INFO rmeta/text (autodetecting type) === file2bib.sh === Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2895, in get_loc return self._engine.get_loc(casted_key) File "pandas/_libs/index.pyx", line 70, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/index.pyx", line 101, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/hashtable_class_helper.pxi", line 1675, in pandas._libs.hashtable.PyObjectHashTable.get_item File "pandas/_libs/hashtable_class_helper.pxi", line 1683, in pandas._libs.hashtable.PyObjectHashTable.get_item KeyError: 'work_2ek3xaxdxrfjpkbn6jiq5urmfa' The above exception was the direct cause of the following exception: Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/reader-compute/reader-classic/bin/file2bib.py", line 66, in if ( bibliographics.loc[ escape ,'author'] ) : author = bibliographics.loc[ escape,'author'] File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 873, in __getitem__ return self._getitem_tuple(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1044, in _getitem_tuple return self._getitem_lowerdim(tup) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 786, in _getitem_lowerdim section = self._getitem_axis(key, axis=i) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1110, in _getitem_axis return self._get_label(key, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1059, in _get_label return self.obj.xs(label, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/generic.py", line 3491, in xs loc = self.index.get_loc(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2897, in get_loc raise KeyError(key) from err KeyError: 'work_2ek3xaxdxrfjpkbn6jiq5urmfa' work_esyca52ph5f75dlhu4il5xlucm txt/../pos/work_esyca52ph5f75dlhu4il5xlucm.pos work_74ebj7p5rrbzxp3ufci3xsi3yy txt/../ent/work_74ebj7p5rrbzxp3ufci3xsi3yy.ent work_dbwq3dz3anfjflwo5s36pxljky txt/../pos/work_dbwq3dz3anfjflwo5s36pxljky.pos INFO Detecting media type for Filename: b'work_2gt4hsltvfbthnbnnqxti5hdze.pdf' work_dbwq3dz3anfjflwo5s36pxljky txt/../wrd/work_dbwq3dz3anfjflwo5s36pxljky.wrd INFO rmeta/text (autodetecting type) work_csvl25uu2bgm5a6iogfiawoe2u txt/../wrd/work_csvl25uu2bgm5a6iogfiawoe2u.wrd work_csvl25uu2bgm5a6iogfiawoe2u txt/../pos/work_csvl25uu2bgm5a6iogfiawoe2u.pos work_rkaw7hvttbe53pulejewt5c2mm txt/../wrd/work_rkaw7hvttbe53pulejewt5c2mm.wrd work_rkaw7hvttbe53pulejewt5c2mm txt/../pos/work_rkaw7hvttbe53pulejewt5c2mm.pos === file2bib.sh === Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2895, in get_loc return self._engine.get_loc(casted_key) File "pandas/_libs/index.pyx", line 70, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/index.pyx", line 101, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/hashtable_class_helper.pxi", line 1675, in pandas._libs.hashtable.PyObjectHashTable.get_item File "pandas/_libs/hashtable_class_helper.pxi", line 1683, in pandas._libs.hashtable.PyObjectHashTable.get_item KeyError: 'work_2gt4hsltvfbthnbnnqxti5hdze' The above exception was the direct cause of the following exception: Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/reader-compute/reader-classic/bin/file2bib.py", line 66, in if ( bibliographics.loc[ escape ,'author'] ) : author = bibliographics.loc[ escape,'author'] File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 873, in __getitem__ return self._getitem_tuple(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1044, in _getitem_tuple return self._getitem_lowerdim(tup) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 786, in _getitem_lowerdim section = self._getitem_axis(key, axis=i) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1110, in _getitem_axis return self._get_label(key, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1059, in _get_label return self.obj.xs(label, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/generic.py", line 3491, in xs loc = self.index.get_loc(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2897, in get_loc raise KeyError(key) from err KeyError: 'work_2gt4hsltvfbthnbnnqxti5hdze' work_4yq5lfilrvehva57tkohluu5py txt/../pos/work_4yq5lfilrvehva57tkohluu5py.pos work_4yq5lfilrvehva57tkohluu5py txt/../wrd/work_4yq5lfilrvehva57tkohluu5py.wrd work_z7s7owqxirhatchqhnjcfb3uba txt/../ent/work_z7s7owqxirhatchqhnjcfb3uba.ent === file2bib.sh === id: work_3ke7io55efeldayk6hk4hnl3oq author: Mollie Claypool title: The Consequences of Dialogue and the Virgilian Nostalgia of Colin Rowe date: 2016 pages: 13 extension: .pdf txt: ./txt/work_3ke7io55efeldayk6hk4hnl3oq.txt cache: ./cache/work_3ke7io55efeldayk6hk4hnl3oq.pdf Author isas_helpdesk Content-Type application/pdf Creation-Date 2016-11-16T20:14:47Z Last-Modified 2016-11-16T20:14:47Z Last-Save-Date 2016-11-16T20:14:47Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 67 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2016-11-16T20:14:47Z creator isas_helpdesk date 2016-11-16T20:14:47Z dc:creator isas_helpdesk dc:format application/pdf; version=1.5 dc:language en-GB dcterms:created 2016-11-16T20:14:47Z dcterms:modified 2016-11-16T20:14:47Z language en-GB meta:author isas_helpdesk meta:creation-date 2016-11-16T20:14:47Z meta:save-date 2016-11-16T20:14:47Z modified 2016-11-16T20:14:47Z pdf:PDFVersion 1.5 pdf:charsPerPage ['1862', '2178', '2471', '2257', '2467', '2321', '2405', '2450', '2499', '2387', '2597', '2812', '166'] pdf:docinfo:created 2016-11-16T20:14:47Z pdf:docinfo:creator isas_helpdesk pdf:docinfo:creator_tool Microsoft® Word 2013 pdf:docinfo:modified 2016-11-16T20:14:47Z pdf:docinfo:producer Microsoft® Word 2013 pdf:encrypted false pdf:hasMarkedContent true pdf:hasXFA false pdf:hasXMP false pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0'] producer Microsoft® Word 2013 resourceName b'work_3ke7io55efeldayk6hk4hnl3oq.pdf' xmp:CreatorTool Microsoft® Word 2013 xmpTPg:NPages 13 INFO Detecting media type for Filename: b'work_v7ck5kxosvfp7koz3yi6frajcu.pdf' INFO rmeta/text (autodetecting type) INFO Detecting media type for Filename: b'work_zvsqlfg3uzblfj4jt5vv32ykfi.pdf' INFO rmeta/text (autodetecting type) work_m2f36fqj7bam3iaw2e7t7hydgq txt/../wrd/work_m2f36fqj7bam3iaw2e7t7hydgq.wrd INFO Detecting media type for Filename: b'work_737vo6ecunbghogpx64zbmzl4a.pdf' INFO rmeta/text (autodetecting type) WARN Using fallback font 'LiberationSans' for 'Verdana' WARN Using fallback font 'LiberationSans' for 'Verdana' WARN Using fallback font 'LiberationSans-Italic' for 'Verdana-Italic' work_m2f36fqj7bam3iaw2e7t7hydgq txt/../pos/work_m2f36fqj7bam3iaw2e7t7hydgq.pos work_ijxgqcknlrecvak7usubdtibt4 txt/../ent/work_ijxgqcknlrecvak7usubdtibt4.ent work_lask4pvip5fixdb6uf4extrktm txt/../pos/work_lask4pvip5fixdb6uf4extrktm.pos === file2bib.sh === id: work_mj6gddx2gvahljmx7zncknrfty author: I. I. Rabi title: SCIENCE AND THE SATISFACTION OF HUMAN ASPIRATIONS date: 1963 pages: 5 extension: .pdf txt: ./txt/work_mj6gddx2gvahljmx7zncknrfty.txt cache: ./cache/work_mj6gddx2gvahljmx7zncknrfty.pdf Content-Type application/pdf CreationDate--Text D:20033119173142 Last-Modified 2021-04-06T01:06:18Z Last-Save-Date 2021-04-06T01:06:18Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 28 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true date 2021-04-06T01:06:18Z dc:format application/pdf; version=1.4 dcterms:modified 2021-04-06T01:06:18Z meta:save-date 2021-04-06T01:06:18Z modified 2021-04-06T01:06:18Z pdf:PDFVersion 1.4 pdf:charsPerPage ['2709', '3135', '3081', '3022', '2950'] pdf:docinfo:custom:CreationDate--Text D:20033119173142 pdf:docinfo:modified 2021-04-06T01:06:18Z pdf:docinfo:producer Apex PDFWriter pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0', '0'] producer Apex PDFWriter resourceName b'work_mj6gddx2gvahljmx7zncknrfty.pdf' xmpMM:DocumentID uuid:6b199dc5-1dd2-11b2-0a00-f308271d5700 xmpTPg:NPages 5 INFO Detecting media type for Filename: b'work_2hnsj5pbofa3rpnjg7kat4meca.pdf' INFO rmeta/text (autodetecting type) work_jjiq6vojrnaijn52ajdibn6jbu txt/../ent/work_jjiq6vojrnaijn52ajdibn6jbu.ent INFO Detecting media type for Filename: b'work_27ojiqrrtzenpbhgg7rggpboaa.pdf' INFO rmeta/text (autodetecting type) WARN Using fallback font 'LiberationSerif' for 'TimesNewRomanPSMT' WARN Using fallback font 'LiberationSerif-Bold' for 'TimesNewRomanPS-BoldMT' work_rpfnvy7zqzhodpt4lzrsncpule txt/../pos/work_rpfnvy7zqzhodpt4lzrsncpule.pos work_lask4pvip5fixdb6uf4extrktm txt/../wrd/work_lask4pvip5fixdb6uf4extrktm.wrd work_6ybfo7zywfawtd3uofeupgblzu txt/../pos/work_6ybfo7zywfawtd3uofeupgblzu.pos work_rpfnvy7zqzhodpt4lzrsncpule txt/../wrd/work_rpfnvy7zqzhodpt4lzrsncpule.wrd === file2bib.sh === id: work_gy6fgu7wujb3raw3bi3fxueoxa author: Jelena Mitrovic title: The architecture of subject date: 2016 pages: 17 extension: .pdf txt: ./txt/work_gy6fgu7wujb3raw3bi3fxueoxa.txt cache: ./cache/work_gy6fgu7wujb3raw3bi3fxueoxa.pdf Author Z31RQ Content-Type application/pdf Creation-Date 2016-07-25T09:49:47Z Last-Modified 2016-07-25T09:49:47Z Last-Save-Date 2016-07-25T09:49:47Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 82 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2016-07-25T09:49:47Z creator Z31RQ date 2016-07-25T09:49:47Z dc:creator Z31RQ dc:format application/pdf; version=1.5 dc:language en-US dc:title Plane Thermoelastic Waves in Infinite Half-Space Caused dcterms:created 2016-07-25T09:49:47Z dcterms:modified 2016-07-25T09:49:47Z language en-US meta:author Z31RQ meta:creation-date 2016-07-25T09:49:47Z meta:save-date 2016-07-25T09:49:47Z modified 2016-07-25T09:49:47Z pdf:PDFVersion 1.5 pdf:charsPerPage ['2697', '3383', '3915', '2609', '3959', '3557', '3577', '2562', '2437', '3148', '3495', '2268', '2510', '2472', '2267', '3941', '1356'] pdf:docinfo:created 2016-07-25T09:49:47Z pdf:docinfo:creator Z31RQ pdf:docinfo:creator_tool Microsoft® Word 2010 pdf:docinfo:modified 2016-07-25T09:49:47Z pdf:docinfo:producer Microsoft® Word 2010 pdf:docinfo:title Plane Thermoelastic Waves in Infinite Half-Space Caused pdf:encrypted false pdf:hasMarkedContent true pdf:hasXFA false pdf:hasXMP false pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0'] producer Microsoft® Word 2010 resourceName b'work_gy6fgu7wujb3raw3bi3fxueoxa.pdf' title Plane Thermoelastic Waves in Infinite Half-Space Caused xmp:CreatorTool Microsoft® Word 2010 xmpTPg:NPages 17 === file2bib.sh === id: work_6ybfo7zywfawtd3uofeupgblzu author: Karel Turza title: On modernity in general and on the main obstacles to modernity in Serbia in the 20th century - and afterwards date: 2003 pages: 24 extension: .pdf txt: ./txt/work_6ybfo7zywfawtd3uofeupgblzu.txt cache: ./cache/work_6ybfo7zywfawtd3uofeupgblzu.pdf Author grbic Content-Type application/pdf Creation-Date 2004-10-13T18:17:19Z Last-Modified 2004-10-13T18:17:19Z Last-Save-Date 2004-10-13T18:17:19Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 115 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2004-10-13T18:17:19Z creator grbic date 2004-10-13T18:17:19Z dc:creator grbic dc:format application/pdf; version=1.2 dc:title Microsoft Word - 02 Turza.doc dcterms:created 2004-10-13T18:17:19Z dcterms:modified 2004-10-13T18:17:19Z meta:author grbic meta:creation-date 2004-10-13T18:17:19Z meta:save-date 2004-10-13T18:17:19Z modified 2004-10-13T18:17:19Z pdf:PDFVersion 1.2 pdf:charsPerPage ['1725', '2607', '3712', '3219', '3110', '3146', '3235', '3316', '2979', '3352', '2978', '3245', '4435', '3472', '3083', '2913', '2832', '3449', '3698', '3240', '2927', '3029', '2896', '270'] pdf:docinfo:created 2004-10-13T18:17:19Z pdf:docinfo:creator grbic pdf:docinfo:creator_tool ADOBEPS4.DRV Version 4.50 pdf:docinfo:modified 2004-10-13T18:17:19Z pdf:docinfo:producer Acrobat Distiller 5.0 (Windows) pdf:docinfo:title Microsoft Word - 02 Turza.doc pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['1714', '2592', '3707', '3219', '3107', '3139', '3224', '3309', '2976', '3349', '2968', '3237', '4429', '3470', '3072', '2905', '2821', '3440', '3682', '3233', '2923', '3026', '2881', '270'] producer Acrobat Distiller 5.0 (Windows) resourceName b'work_6ybfo7zywfawtd3uofeupgblzu.pdf' title Microsoft Word - 02 Turza.doc xmp:CreatorTool ADOBEPS4.DRV Version 4.50 xmpTPg:NPages 24 INFO Detecting media type for Filename: b'work_lyecrwyr5zf6bkd4egfqdh5hiu.pdf' INFO rmeta/text (autodetecting type) work_esyca52ph5f75dlhu4il5xlucm txt/../ent/work_esyca52ph5f75dlhu4il5xlucm.ent === file2bib.sh === Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2895, in get_loc return self._engine.get_loc(casted_key) File "pandas/_libs/index.pyx", line 70, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/index.pyx", line 101, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/hashtable_class_helper.pxi", line 1675, in pandas._libs.hashtable.PyObjectHashTable.get_item File "pandas/_libs/hashtable_class_helper.pxi", line 1683, in pandas._libs.hashtable.PyObjectHashTable.get_item KeyError: 'work_lyecrwyr5zf6bkd4egfqdh5hiu' The above exception was the direct cause of the following exception: Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/reader-compute/reader-classic/bin/file2bib.py", line 66, in if ( bibliographics.loc[ escape ,'author'] ) : author = bibliographics.loc[ escape,'author'] File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 873, in __getitem__ return self._getitem_tuple(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1044, in _getitem_tuple return self._getitem_lowerdim(tup) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 786, in _getitem_lowerdim section = self._getitem_axis(key, axis=i) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1110, in _getitem_axis return self._get_label(key, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1059, in _get_label return self.obj.xs(label, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/generic.py", line 3491, in xs loc = self.index.get_loc(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2897, in get_loc raise KeyError(key) from err KeyError: 'work_lyecrwyr5zf6bkd4egfqdh5hiu' work_rkaw7hvttbe53pulejewt5c2mm txt/../ent/work_rkaw7hvttbe53pulejewt5c2mm.ent === file2bib.sh === id: work_m3i3hil7izdihmzeqeyi4patpy author: Graham Oppy title: ON DEFINING ART HISTORICALLY date: 1992 pages: 7 extension: .pdf txt: ./txt/work_m3i3hil7izdihmzeqeyi4patpy.txt cache: ./cache/work_m3i3hil7izdihmzeqeyi4patpy.pdf Author Jesse Content-Type application/pdf Creation-Date 2008-01-14T14:09:47Z Last-Modified 2008-01-14T14:09:47Z Last-Save-Date 2008-01-14T14:09:47Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 31 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2008-01-14T14:09:47Z creator Jesse date 2008-01-14T14:09:47Z dc:creator Jesse dc:format application/pdf; version=1.4 dc:title Microsoft Word - OppyOnLevinson.doc dcterms:created 2008-01-14T14:09:47Z dcterms:modified 2008-01-14T14:09:47Z meta:author Jesse meta:creation-date 2008-01-14T14:09:47Z meta:save-date 2008-01-14T14:09:47Z modified 2008-01-14T14:09:47Z pdf:PDFVersion 1.4 pdf:charsPerPage ['2456', '3492', '3371', '4045', '3474', '3869', '3218'] pdf:docinfo:created 2008-01-14T14:09:47Z pdf:docinfo:creator Jesse pdf:docinfo:creator_tool Word: cgpdftops CUPS filter pdf:docinfo:modified 2008-01-14T14:09:47Z pdf:docinfo:producer Acrobat Distiller 8.0.0 (Macintosh) pdf:docinfo:title Microsoft Word - OppyOnLevinson.doc pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0', '0', '0', '0'] producer Acrobat Distiller 8.0.0 (Macintosh) resourceName b'work_m3i3hil7izdihmzeqeyi4patpy.pdf' title Microsoft Word - OppyOnLevinson.doc xmp:CreatorTool Word: cgpdftops CUPS filter xmpMM:DocumentID uuid:39bcf78a-e118-3148-8586-7010b7dfe27a xmpTPg:NPages 7 === file2bib.sh === id: work_wfqyk7gcknhtvh3nnbvwmo7som author: Ann-Sophie Lehmann title: Pamela H. Smith;, Amy R. W. Meyers;, Harold J. Cook (Editors). Ways of Making and Knowing: The Material Culture of Empirical Knowledge. (Bard Graduate Center Cultural Histories of the Material World.) xi + 430 pp., illus., table, bibl., index. Ann Arbor: University of Michigan Press, 2014. $60 (cloth) date: 2015 pages: 3 extension: .pdf txt: ./txt/work_wfqyk7gcknhtvh3nnbvwmo7som.txt cache: ./cache/work_wfqyk7gcknhtvh3nnbvwmo7som.pdf Content-Type application/pdf Creation-Date 2015-06-11T13:51:03Z Last-Modified 2018-11-02T13:36:33Z Last-Save-Date 2018-11-02T13:36:33Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 22 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true cp:subject Isis 2015.106:423-424 created 2015-06-11T13:51:03Z date 2018-11-02T13:36:33Z dc:format application/pdf; version=1.6 dc:title Pamela H. Smith; Amy R. W. Meyers; Harold J. Cook, eds. Ways of Making and Knowing: The Material Culture of Empirical Knowledge. dcterms:created 2015-06-11T13:51:03Z dcterms:modified 2018-11-02T13:36:33Z meta:creation-date 2015-06-11T13:51:03Z meta:save-date 2018-11-02T13:36:33Z modified 2018-11-02T13:36:33Z pdf:PDFVersion 1.6 pdf:charsPerPage ['1556', '4075', '3705'] pdf:docinfo:created 2015-06-11T13:51:03Z pdf:docinfo:creator_tool PDFplus pdf:docinfo:modified 2018-11-02T13:36:33Z pdf:docinfo:producer Atypon Systems, Inc.; modified using iText 4.2.0 by 1T3XT pdf:docinfo:subject Isis 2015.106:423-424 pdf:docinfo:title Pamela H. Smith; Amy R. W. Meyers; Harold J. Cook, eds. Ways of Making and Knowing: The Material Culture of Empirical Knowledge. pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['0', '1', '34'] producer Atypon Systems, Inc.; modified using iText 4.2.0 by 1T3XT resourceName b'work_wfqyk7gcknhtvh3nnbvwmo7som.pdf' subject Isis 2015.106:423-424 title Pamela H. Smith; Amy R. W. Meyers; Harold J. Cook, eds. Ways of Making and Knowing: The Material Culture of Empirical Knowledge. xmp:CreatorTool PDFplus xmpMM:DocumentID uuid:3e28288a-0273-4b72-bd93-44439cffa055 xmpTPg:NPages 3 work_6ybfo7zywfawtd3uofeupgblzu txt/../wrd/work_6ybfo7zywfawtd3uofeupgblzu.wrd work_2ei7tqntfveo7pirys7seuge7q txt/../wrd/work_2ei7tqntfveo7pirys7seuge7q.wrd work_dbwq3dz3anfjflwo5s36pxljky txt/../ent/work_dbwq3dz3anfjflwo5s36pxljky.ent work_csvl25uu2bgm5a6iogfiawoe2u txt/../ent/work_csvl25uu2bgm5a6iogfiawoe2u.ent work_x5otsfv7bvalhcdqfrw653itha txt/../wrd/work_x5otsfv7bvalhcdqfrw653itha.wrd work_4yq5lfilrvehva57tkohluu5py txt/../ent/work_4yq5lfilrvehva57tkohluu5py.ent INFO Detecting media type for Filename: b'work_kb344nfbxbey5cc5vgl7ncuewe.pdf' INFO rmeta/text (autodetecting type) INFO Detecting media type for Filename: b'work_w3stgvlts5ahbcfesc7rnof2ue.pdf' work_2gk324xzmjdcvpudk6to6ak3hm txt/../wrd/work_2gk324xzmjdcvpudk6to6ak3hm.wrd INFO rmeta/text (autodetecting type) WARN Using fallback font 'LiberationSerif' for 'TimesNewRomanPSMT' WARN Using fallback font 'LiberationSerif-Bold' for 'TimesNewRomanPS-BoldMT' WARN Using fallback font 'LiberationSerif-Italic' for 'TimesNewRomanPS-ItalicMT' WARN Using fallback font 'LiberationSerif' for 'CourierNewPSMT' WARN Using fallback font 'LiberationSerif' for 'TimesNewRomanPSMT' WARN Using fallback font 'LiberationSerif-Bold' for 'TimesNewRomanPS-BoldMT' WARN Using fallback font 'LiberationSerif-Italic' for 'TimesNewRomanPS-ItalicMT' work_2gk324xzmjdcvpudk6to6ak3hm txt/../pos/work_2gk324xzmjdcvpudk6to6ak3hm.pos === file2bib.sh === Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2895, in get_loc return self._engine.get_loc(casted_key) File "pandas/_libs/index.pyx", line 70, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/index.pyx", line 101, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/hashtable_class_helper.pxi", line 1675, in pandas._libs.hashtable.PyObjectHashTable.get_item File "pandas/_libs/hashtable_class_helper.pxi", line 1683, in pandas._libs.hashtable.PyObjectHashTable.get_item KeyError: 'work_kb344nfbxbey5cc5vgl7ncuewe' The above exception was the direct cause of the following exception: Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/reader-compute/reader-classic/bin/file2bib.py", line 66, in if ( bibliographics.loc[ escape ,'author'] ) : author = bibliographics.loc[ escape,'author'] File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 873, in __getitem__ return self._getitem_tuple(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1044, in _getitem_tuple return self._getitem_lowerdim(tup) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 786, in _getitem_lowerdim section = self._getitem_axis(key, axis=i) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1110, in _getitem_axis return self._get_label(key, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1059, in _get_label return self.obj.xs(label, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/generic.py", line 3491, in xs loc = self.index.get_loc(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2897, in get_loc raise KeyError(key) from err KeyError: 'work_kb344nfbxbey5cc5vgl7ncuewe' work_2ei7tqntfveo7pirys7seuge7q txt/../pos/work_2ei7tqntfveo7pirys7seuge7q.pos work_x5otsfv7bvalhcdqfrw653itha txt/../pos/work_x5otsfv7bvalhcdqfrw653itha.pos INFO Detecting media type for Filename: b'work_2kycckjoyzb2tn45yazfmcvqte.pdf' INFO rmeta/text (autodetecting type) INFO Detecting media type for Filename: b'work_4ir6mfe7a5hmheaidkipdxhfvi.pdf' INFO Detecting media type for Filename: b'work_4ddwhs7gxvevfnrrl2qoyha4ya.pdf' INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) WARN font '' not found in resources work_m2f36fqj7bam3iaw2e7t7hydgq txt/../ent/work_m2f36fqj7bam3iaw2e7t7hydgq.ent work_lask4pvip5fixdb6uf4extrktm txt/../ent/work_lask4pvip5fixdb6uf4extrktm.ent work_uk4akh4d25h6xjqvmx5srpwh7e txt/../wrd/work_uk4akh4d25h6xjqvmx5srpwh7e.wrd INFO Detecting media type for Filename: b'work_6dglvqpfqzacjfcx74ux7pxmxi.pdf' INFO rmeta/text (autodetecting type) === file2bib.sh === Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2895, in get_loc return self._engine.get_loc(casted_key) File "pandas/_libs/index.pyx", line 70, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/index.pyx", line 101, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/hashtable_class_helper.pxi", line 1675, in pandas._libs.hashtable.PyObjectHashTable.get_item File "pandas/_libs/hashtable_class_helper.pxi", line 1683, in pandas._libs.hashtable.PyObjectHashTable.get_item KeyError: 'work_6dglvqpfqzacjfcx74ux7pxmxi' The above exception was the direct cause of the following exception: Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/reader-compute/reader-classic/bin/file2bib.py", line 66, in if ( bibliographics.loc[ escape ,'author'] ) : author = bibliographics.loc[ escape,'author'] File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 873, in __getitem__ return self._getitem_tuple(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1044, in _getitem_tuple return self._getitem_lowerdim(tup) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 786, in _getitem_lowerdim section = self._getitem_axis(key, axis=i) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1110, in _getitem_axis return self._get_label(key, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1059, in _get_label return self.obj.xs(label, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/generic.py", line 3491, in xs loc = self.index.get_loc(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2897, in get_loc raise KeyError(key) from err KeyError: 'work_6dglvqpfqzacjfcx74ux7pxmxi' === file2bib.sh === id: work_zvsqlfg3uzblfj4jt5vv32ykfi author: Maria Kukhta title: Experience of Integrating Humanities and Natural Sciences into the Educational Environment date: 2015 pages: 5 extension: .pdf txt: 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Procedia - Social and Behavioral Sciences, 206 (2015) 369-373. doi:10.1016/j.sbspro.2015.10.067 created 2015-11-05T11:10:37Z creator ['Maria Kukhta', 'Olga Homushku', 'Mikhail Kornienko', 'Larisa Kutsenko'] date 2015-11-05T11:15:20Z dc:creator ['Maria Kukhta', 'Olga Homushku', 'Mikhail Kornienko', 'Larisa Kutsenko'] dc:description Procedia - Social and Behavioral Sciences, 206 (2015) 369-373. doi:10.1016/j.sbspro.2015.10.067 dc:format application/pdf; version=1.7 dc:title Experience of Integrating Humanities and Natural Sciences into the Educational Environment dcterms:created 2015-11-05T11:10:37Z dcterms:modified 2015-11-05T11:15:20Z description Procedia - Social and Behavioral Sciences, 206 (2015) 369-373. doi:10.1016/j.sbspro.2015.10.067 doi 10.1016/j.sbspro.2015.10.067 meta:author ['Maria Kukhta', 'Olga Homushku', 'Mikhail Kornienko', 'Larisa Kutsenko'] meta:creation-date 2015-11-05T11:10:37Z meta:save-date 2015-11-05T11:15:20Z modified 2015-11-05T11:15:20Z pdf:PDFVersion 1.7 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direct cause of the following exception: Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/reader-compute/reader-classic/bin/file2bib.py", line 66, in if ( bibliographics.loc[ escape ,'author'] ) : author = bibliographics.loc[ escape,'author'] File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 873, in __getitem__ return self._getitem_tuple(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1044, in _getitem_tuple return self._getitem_lowerdim(tup) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 786, in _getitem_lowerdim section = self._getitem_axis(key, axis=i) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1110, in _getitem_axis return self._get_label(key, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1059, in _get_label return self.obj.xs(label, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/generic.py", line 3491, in xs loc = self.index.get_loc(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2897, in get_loc raise KeyError(key) from err KeyError: 'work_s6rlcqel7nbincw3tw2yjcwhv4' work_nggycmuqmbhlbhprs5axbkyp44 txt/../wrd/work_nggycmuqmbhlbhprs5axbkyp44.wrd INFO Detecting media type for Filename: b'work_spywvikfcfcshk3sabxrwkntv4.pdf' INFO rmeta/text (autodetecting type) INFO Detecting media type for Filename: b'work_5it3u352k5g6njvgiikhn4o54a.pdf' INFO rmeta/text (autodetecting type) work_w7a7n6q2sbagzphm6ncrntrxyi txt/../pos/work_w7a7n6q2sbagzphm6ncrntrxyi.pos work_nggycmuqmbhlbhprs5axbkyp44 txt/../pos/work_nggycmuqmbhlbhprs5axbkyp44.pos 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date: 2017 pages: extension: .pdf txt: ./txt/work_hb7b563idff4poltgemv2idvtu.txt cache: ./cache/work_hb7b563idff4poltgemv2idvtu.pdf Content-Encoding UTF-8 Content-Language en Content-Type text/html; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.html.HtmlParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 7 application-name   citation_author F. Carelli citation_journal_title undefined citation_pdf_url https://doi.org/10.1080/17571472.2017.1317405 citation_publication_date 2017 citation_title Brueghel: his art and his syndrome dc:title Brueghel: his art and his syndrome | Semantic Scholar description The exhibition is a fascinating journey into the Golden Age of Flemish Paintings of the seventeenth century, in a search for the visionary genius of as many as five generations of artists. They are able to embody as one, like as nobody before or after them, the style and trends of more than a century of history of art. While the Italian Renaissance focuses attention on the human figure’s noble and virtuous ideal through the experiences of Michelangelo, Leonardo and Tiziano, in Flanders the perspective radically changes. Pieter Brueghel the Elder, the family’s ancestor who knew well Italian painting, addresses himself to the daily reality of human life, and investigated all its aspects without exclusion. He dwelled on peasants’ and merchants’ shadows and vices, on living labour, but also on people’s cheeriness, often coarse and rough. It was inevitably both crude and realistic. And if in Italian Renaissance, nature is restricted to be the background for the magnificent plastic and aesthetic superiority of man; in Flemish painting, and in Brueghel’s style, nature fully takes on the role of the true protagonist of human history. It is presented with a visual wealth, an attention to detail and a compositional beauty never seen before in the history of painting. Pieter Brueghel the Elder, and his rich progeny after him, were the inventors of a pictorial code soon to become the brand of his articulate family that since the middle of sixteenth century were active for two centuries. Brueghel’s gaze settled on simple humanity, free but at the same time the slave of its needs, continuously moving between spiritual trends and the virtuous and vicious carnal seductions. The Brueghel are tellers of facts and stories. In their works there is a telling of true life, as peasants bent by their living fatigue, drunks or beggars. There are also individuals represented only from behind, as anonymous characters going on their way of existence, being unaware and indifferent to the by standing observer looking at the painting. One of these very realistic characters, painted by Peter Brueghel the Elder, is of the action of yawning widely, in the work named De Gaper. It was taken by the English neurologist David Marsden as the paradigm of Brueghel’s Syndrome, in a medical article issued in 1976 about blepharospasm and oromandibular dystonia. msapplication-TileColor #FFFFFF msapplication-TileImage https://dab4rbh62k56j.cloudfront.net/151517c6e734fd0b/img/mstile-144x144.png msapplication-square150x150logo https://dab4rbh62k56j.cloudfront.net/151517c6e734fd0b/img/mstile-150x150.png msapplication-square310x310logo https://dab4rbh62k56j.cloudfront.net/151517c6e734fd0b/img/mstile-310x310.png msapplication-square70x70logo https://dab4rbh62k56j.cloudfront.net/151517c6e734fd0b/img/mstile-70x70.png msapplication-wide310x150logo https://dab4rbh62k56j.cloudfront.net/151517c6e734fd0b/img/mstile-310x150.png og:description The exhibition is a fascinating journey into the Golden Age of Flemish Paintings of the seventeenth century, in a search for the visionary genius of as many as five generations of artists. They are able to embody as one, like as nobody before or after them, the style and trends of more than a century of history of art. While the Italian Renaissance focuses attention on the human figure’s noble and virtuous ideal through the experiences of Michelangelo, Leonardo and Tiziano, in Flanders the perspective radically changes. Pieter Brueghel the Elder, the family’s ancestor who knew well Italian painting, addresses himself to the daily reality of human life, and investigated all its aspects without exclusion. He dwelled on peasants’ and merchants’ shadows and vices, on living labour, but also on people’s cheeriness, often coarse and rough. It was inevitably both crude and realistic. And if in Italian Renaissance, nature is restricted to be the background for the magnificent plastic and aesthetic superiority of man; in Flemish painting, and in Brueghel’s style, nature fully takes on the role of the true protagonist of human history. It is presented with a visual wealth, an attention to detail and a compositional beauty never seen before in the history of painting. Pieter Brueghel the Elder, and his rich progeny after him, were the inventors of a pictorial code soon to become the brand of his articulate family that since the middle of sixteenth century were active for two centuries. Brueghel’s gaze settled on simple humanity, free but at the same time the slave of its needs, continuously moving between spiritual trends and the virtuous and vicious carnal seductions. The Brueghel are tellers of facts and stories. In their works there is a telling of true life, as peasants bent by their living fatigue, drunks or beggars. There are also individuals represented only from behind, as anonymous characters going on their way of existence, being unaware and indifferent to the by standing observer looking at the painting. One of these very realistic characters, painted by Peter Brueghel the Elder, is of the action of yawning widely, in the work named De Gaper. It was taken by the English neurologist David Marsden as the paradigm of Brueghel’s Syndrome, in a medical article issued in 1976 about blepharospasm and oromandibular dystonia. og:image https://www.semanticscholar.org/img/semantic_scholar_og.png og:image:height 582 og:image:secure_url ['https://www.semanticscholar.org/img/semantic_scholar_og.png', 'https://www.semanticscholar.org/img/semantic_scholar_og.png'] og:image:width 1110 og:locale ['en_US', 'en_US'] og:title Brueghel: his art and his syndrome | Semantic Scholar og:type website resourceName b'work_hb7b563idff4poltgemv2idvtu.pdf' robots noarchive,noindex s2-ui-version 0a1ee7b640e58bf005fa3cbd97e8cba83bff3dc9 title Brueghel: his art and his syndrome | Semantic Scholar twitter:card summary_large_image twitter:description The exhibition is a fascinating journey into the Golden Age of Flemish Paintings of the seventeenth century, in a search for the visionary genius of as many as five generations of artists. They are able to embody as one, like as nobody before or after them, the style and trends of more than a century of history of art. While the Italian Renaissance focuses attention on the human figure’s noble and virtuous ideal through the experiences of Michelangelo, Leonardo and Tiziano, in Flanders the perspective radically changes. Pieter Brueghel the Elder, the family’s ancestor who knew well Italian painting, addresses himself to the daily reality of human life, and investigated all its aspects without exclusion. He dwelled on peasants’ and merchants’ shadows and vices, on living labour, but also on people’s cheeriness, often coarse and rough. It was inevitably both crude and realistic. And if in Italian Renaissance, nature is restricted to be the background for the magnificent plastic and aesthetic superiority of man; in Flemish painting, and in Brueghel’s style, nature fully takes on the role of the true protagonist of human history. It is presented with a visual wealth, an attention to detail and a compositional beauty never seen before in the history of painting. Pieter Brueghel the Elder, and his rich progeny after him, were the inventors of a pictorial code soon to become the brand of his articulate family that since the middle of sixteenth century were active for two centuries. Brueghel’s gaze settled on simple humanity, free but at the same time the slave of its needs, continuously moving between spiritual trends and the virtuous and vicious carnal seductions. The Brueghel are tellers of facts and stories. In their works there is a telling of true life, as peasants bent by their living fatigue, drunks or beggars. There are also individuals represented only from behind, as anonymous characters going on their way of existence, being unaware and indifferent to the by standing observer looking at the painting. One of these very realistic characters, painted by Peter Brueghel the Elder, is of the action of yawning widely, in the work named De Gaper. It was taken by the English neurologist David Marsden as the paradigm of Brueghel’s Syndrome, in a medical article issued in 1976 about blepharospasm and oromandibular dystonia. twitter:image ['https://www.semanticscholar.org/img/semantic_scholar_og.png', 'https://www.semanticscholar.org/img/semantic_scholar_og.png'] twitter:site @allenai_org twitter:title Brueghel: his art and his syndrome | Semantic Scholar viewport width=device-width,initial-scale=1 work_nxmwb5nqgvfp7k6dzf4wioefeq txt/../ent/work_nxmwb5nqgvfp7k6dzf4wioefeq.ent work_tnifay4bqvdujbaznehu5bdk6y txt/../pos/work_tnifay4bqvdujbaznehu5bdk6y.pos work_go2e7wfqtvbtreivwepy2aa4fu txt/../pos/work_go2e7wfqtvbtreivwepy2aa4fu.pos === file2bib.sh === id: work_3utibwenwngcbow7ua6lgcwfcq author: A. Muraviev title: Л. И. ЖУРОВА, В. Ю. КРУТЕЦКИЙ, H. В. СИНИЦЫНА, Б. Л. Фонкич, К. ХВОСТОВА (изд.), Преподобный Максим Грек. Сочинения. Том I (Москва: «Индрик», 2008) 568 с. [Российская Акаде¬мия Наук: Институт Российской Истории, Сибирское отделение РАН: Институт Истории] date: 2008 pages: 3 extension: .pdf txt: ./txt/work_3utibwenwngcbow7ua6lgcwfcq.txt cache: ./cache/work_3utibwenwngcbow7ua6lgcwfcq.pdf Content-Type application/pdf Creation-Date 2016-03-17T07:14:22Z Last-Modified 2016-03-17T19:01:33Z Last-Save-Date 2016-03-17T19:01:33Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 36 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2016-03-17T07:14:22Z date 2016-03-17T19:01:33Z dc:format application/pdf; version=1.3 dc:language EN dcterms:created 2016-03-17T07:14:22Z dcterms:modified 2016-03-17T19:01:33Z language EN meta:creation-date 2016-03-17T07:14:22Z meta:save-date 2016-03-17T19:01:33Z modified 2016-03-17T19:01:33Z pdf:PDFVersion 1.3 pdf:charsPerPage ['2333', '2783', '2337'] pdf:docinfo:created 2016-03-17T07:14:22Z pdf:docinfo:creator_tool PDF4NET 3.2.4.7 (http://www.o2sol.com/) pdf:docinfo:modified 2016-03-17T19:01:33Z pdf:docinfo:producer PDF4NET 3.2.4.7 (http://www.o2sol.com/) pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['255', '28', '206'] producer PDF4NET 3.2.4.7 (http://www.o2sol.com/) resourceName b'work_3utibwenwngcbow7ua6lgcwfcq.pdf' xmp:CreatorTool PDF4NET 3.2.4.7 (http://www.o2sol.com/) xmpMM:DocumentID uuid:e341fa83-f9ca-4ff1-8e86-78a8957d7c01 xmpTPg:NPages 3 work_nxievuo4wbbyfozobtna32gqei txt/../wrd/work_nxievuo4wbbyfozobtna32gqei.wrd work_nxievuo4wbbyfozobtna32gqei txt/../pos/work_nxievuo4wbbyfozobtna32gqei.pos work_3vrprdyoknbgxfyvuhgvu7eqwu txt/../pos/work_3vrprdyoknbgxfyvuhgvu7eqwu.pos work_3vrprdyoknbgxfyvuhgvu7eqwu txt/../wrd/work_3vrprdyoknbgxfyvuhgvu7eqwu.wrd work_zyzn5ad6evfy3jmi3woxkph77e txt/../ent/work_zyzn5ad6evfy3jmi3woxkph77e.ent work_64ceqmrdrjfhndvhflpjgfgur4 txt/../pos/work_64ceqmrdrjfhndvhflpjgfgur4.pos work_go2e7wfqtvbtreivwepy2aa4fu txt/../wrd/work_go2e7wfqtvbtreivwepy2aa4fu.wrd INFO Detecting media type for Filename: b'work_fd3cvpjtmbg3diaabq64drrwoy.pdf' INFO rmeta/text (autodetecting type) work_64ceqmrdrjfhndvhflpjgfgur4 txt/../wrd/work_64ceqmrdrjfhndvhflpjgfgur4.wrd === file2bib.sh === id: work_zbse57nzgjfxticbc2i27cm7bu author: Megan Johnson title: Virtually Usable: A Test of the Information Gardens date: 2007 pages: 17 extension: .pdf txt: ./txt/work_zbse57nzgjfxticbc2i27cm7bu.txt cache: ./cache/work_zbse57nzgjfxticbc2i27cm7bu.pdf Author Appstate User Company Appalachian State University Content-Type application/pdf Creation-Date 2008-07-30T18:16:11Z Last-Modified 2008-07-30T18:16:22Z Last-Save-Date 2008-07-30T18:16:22Z SourceModified D:20080730181434 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 45 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2008-07-30T18:16:11Z creator Appstate User date 2008-07-30T18:16:22Z dc:creator Appstate User dc:format application/pdf; 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version=1.5 dc:language es-ES dcterms:created 2017-06-01T18:21:05Z dcterms:modified 2017-06-01T18:21:05Z language es-ES meta:author usuario meta:creation-date 2017-06-01T18:21:05Z meta:save-date 2017-06-01T18:21:05Z modified 2017-06-01T18:21:05Z pdf:PDFVersion 1.5 pdf:charsPerPage ['1320', '1907', '1993', '2515', '2259', '2346', '2478', '2159', '2200', '3166', '3527', '2700', '2605', '2896', '2944', '2640', '2521', '3131', '2250', '2682', '2759', '2552', '3038', '2637', '2746', '2350', '2226', '1970', '1906', '554'] pdf:docinfo:created 2017-06-01T18:21:05Z pdf:docinfo:creator usuario pdf:docinfo:creator_tool Microsoft® Office Word 2007 pdf:docinfo:modified 2017-06-01T18:21:05Z pdf:docinfo:producer Microsoft® Office Word 2007 pdf:encrypted false pdf:hasMarkedContent true pdf:hasXFA false pdf:hasXMP false pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0'] producer Microsoft® Office Word 2007 resourceName b'work_dbllj5j3lvguri2ppeiimlqc4e.pdf' xmp:CreatorTool Microsoft® Office Word 2007 xmpTPg:NPages 30 work_ko7ngfvi3vckflkhlbzvsavuxq txt/../ent/work_ko7ngfvi3vckflkhlbzvsavuxq.ent INFO Detecting media type for Filename: b'work_7p7h7giinfamvfajtnitpsygia.pdf' INFO rmeta/text (autodetecting type) === file2bib.sh === id: work_pcafmyawcffjzbxa4voqncf7ra author: Jaynie Anderson title: Art history's history in Melbourne: Franz Philipp in correspondence with Arthur Boyd date: 2011 pages: 18 extension: .pdf txt: ./txt/work_pcafmyawcffjzbxa4voqncf7ra.txt cache: ./cache/work_pcafmyawcffjzbxa4voqncf7ra.pdf Author Benjamin Thomas Content-Type application/pdf Creation-Date 2011-05-10T18:01:18Z Last-Modified 2011-05-10T18:01:18Z Last-Save-Date 2011-05-10T18:01:18Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 77 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2011-05-10T18:01:18Z creator Benjamin Thomas date 2011-05-10T18:01:18Z dc:creator Benjamin Thomas dc:format application/pdf; version=1.5 dc:language en-GB dc:title Art history’s history in Melbourne: dcterms:created 2011-05-10T18:01:18Z dcterms:modified 2011-05-10T18:01:18Z language en-GB meta:author Benjamin Thomas meta:creation-date 2011-05-10T18:01:18Z meta:save-date 2011-05-10T18:01:18Z modified 2011-05-10T18:01:18Z pdf:PDFVersion 1.5 pdf:charsPerPage ['2072', '2959', '3336', '3321', '3748', '1419', '4102', '3433', '3383', '3268', '3712', '2881', '4171', '3391', '2234', '3382', '2431', '734'] pdf:docinfo:created 2011-05-10T18:01:18Z pdf:docinfo:creator Benjamin Thomas pdf:docinfo:creator_tool Microsoft® Office Word 2007 pdf:docinfo:modified 2011-05-10T18:01:18Z pdf:docinfo:producer Microsoft® Office Word 2007 pdf:docinfo:title Art history’s history in Melbourne: pdf:encrypted false pdf:hasMarkedContent true pdf:hasXFA false pdf:hasXMP false pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0'] producer Microsoft® Office Word 2007 resourceName b'work_pcafmyawcffjzbxa4voqncf7ra.pdf' title Art history’s history in Melbourne: xmp:CreatorTool Microsoft® Office Word 2007 xmpTPg:NPages 18 work_odbwvgdt55empgyhqegnbq477i txt/../pos/work_odbwvgdt55empgyhqegnbq477i.pos work_nggycmuqmbhlbhprs5axbkyp44 txt/../ent/work_nggycmuqmbhlbhprs5axbkyp44.ent work_odbwvgdt55empgyhqegnbq477i txt/../wrd/work_odbwvgdt55empgyhqegnbq477i.wrd === file2bib.sh === id: work_qbvoso2adbfebfhchnd5n7udha author: Donatella Nisi title: Dal latino al volgare. Echi catulliani nei "Rerum Vulgarium Fragmenta" date: 2019 pages: 19 extension: .pdf txt: ./txt/work_qbvoso2adbfebfhchnd5n7udha.txt cache: ./cache/work_qbvoso2adbfebfhchnd5n7udha.pdf Author operatore Content-Type application/pdf Creation-Date 2019-02-22T14:27:39Z Last-Modified 2019-05-06T06:03:06Z Last-Save-Date 2019-05-06T06:03:06Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 38 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2019-02-22T14:27:39Z creator operatore date 2019-05-06T06:03:06Z dc:creator operatore dc:format application/pdf; version=1.6 dc:title Microsoft Word - 6. NISI - Petrarca dcterms:created 2019-02-22T14:27:39Z dcterms:modified 2019-05-06T06:03:06Z meta:author operatore meta:creation-date 2019-02-22T14:27:39Z meta:save-date 2019-05-06T06:03:06Z modified 2019-05-06T06:03:06Z pdf:PDFVersion 1.6 pdf:charsPerPage ['144', '1969', '1860', '444', '1784', '2503', '1816', '1786', '2222', '2230', '2067', '2091', '2183', '1488', '2686', '2324', '1398', '0', '173'] pdf:docinfo:created 2019-02-22T14:27:39Z pdf:docinfo:creator operatore pdf:docinfo:creator_tool PScript5.dll Version 5.2.2 pdf:docinfo:modified 2019-05-06T06:03:06Z pdf:docinfo:producer Acrobat Distiller 10.1.16 (Windows) pdf:docinfo:title Microsoft Word - 6. NISI - Petrarca pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0'] producer Acrobat Distiller 10.1.16 (Windows) resourceName b'work_qbvoso2adbfebfhchnd5n7udha.pdf' title Microsoft Word - 6. NISI - Petrarca xmp:CreatorTool PScript5.dll Version 5.2.2 xmpMM:DocumentID uuid:5bdd388e-df24-4668-87df-1a45f67f5718 xmpTPg:NPages 19 work_w7a7n6q2sbagzphm6ncrntrxyi txt/../ent/work_w7a7n6q2sbagzphm6ncrntrxyi.ent work_kjzx5iye6vcinl5hc6tznnyonu txt/../wrd/work_kjzx5iye6vcinl5hc6tznnyonu.wrd INFO Detecting media type for Filename: b'work_jst3decocjecpclg65do63kaqq.pdf' INFO rmeta/text (autodetecting type) work_c5ru6gdcbfedpfa362nrtmiwda txt/../wrd/work_c5ru6gdcbfedpfa362nrtmiwda.wrd INFO Detecting media type for Filename: b'work_o44x43bfbjdufccy5dmzkaatsy.pdf' INFO rmeta/text (autodetecting type) work_ejmqppxnunavharb2fwzbdiauu txt/../ent/work_ejmqppxnunavharb2fwzbdiauu.ent === file2bib.sh === Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2895, in get_loc return self._engine.get_loc(casted_key) File "pandas/_libs/index.pyx", line 70, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/index.pyx", line 101, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/hashtable_class_helper.pxi", line 1675, in pandas._libs.hashtable.PyObjectHashTable.get_item File "pandas/_libs/hashtable_class_helper.pxi", line 1683, in pandas._libs.hashtable.PyObjectHashTable.get_item KeyError: 'work_jst3decocjecpclg65do63kaqq' The above exception was the direct cause of the following exception: Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/reader-compute/reader-classic/bin/file2bib.py", line 66, in if ( bibliographics.loc[ escape ,'author'] ) : author = bibliographics.loc[ escape,'author'] File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 873, in __getitem__ return self._getitem_tuple(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1044, in _getitem_tuple return self._getitem_lowerdim(tup) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 786, in _getitem_lowerdim section = self._getitem_axis(key, axis=i) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1110, in _getitem_axis return self._get_label(key, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1059, in _get_label return self.obj.xs(label, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/generic.py", line 3491, in xs loc = self.index.get_loc(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2897, in get_loc raise KeyError(key) from err KeyError: 'work_jst3decocjecpclg65do63kaqq' INFO Detecting media type for Filename: b'work_xkzug3pxdnaydjkmc2sdxajfbi.pdf' INFO rmeta/text (autodetecting type) === file2bib.sh === Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2895, in get_loc return self._engine.get_loc(casted_key) File "pandas/_libs/index.pyx", line 70, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/index.pyx", line 101, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/hashtable_class_helper.pxi", line 1675, in pandas._libs.hashtable.PyObjectHashTable.get_item File "pandas/_libs/hashtable_class_helper.pxi", line 1683, in pandas._libs.hashtable.PyObjectHashTable.get_item KeyError: 'work_xkzug3pxdnaydjkmc2sdxajfbi' The above exception was the direct cause of the following exception: Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/reader-compute/reader-classic/bin/file2bib.py", line 66, in if ( bibliographics.loc[ escape ,'author'] ) : author = bibliographics.loc[ escape,'author'] File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 873, in __getitem__ return self._getitem_tuple(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1044, in _getitem_tuple return self._getitem_lowerdim(tup) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 786, in _getitem_lowerdim section = self._getitem_axis(key, axis=i) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1110, in _getitem_axis return self._get_label(key, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1059, in _get_label return self.obj.xs(label, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/generic.py", line 3491, in xs loc = self.index.get_loc(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2897, in get_loc raise KeyError(key) from err KeyError: 'work_xkzug3pxdnaydjkmc2sdxajfbi' work_c5ru6gdcbfedpfa362nrtmiwda txt/../pos/work_c5ru6gdcbfedpfa362nrtmiwda.pos work_tnifay4bqvdujbaznehu5bdk6y txt/../ent/work_tnifay4bqvdujbaznehu5bdk6y.ent work_kjzx5iye6vcinl5hc6tznnyonu txt/../pos/work_kjzx5iye6vcinl5hc6tznnyonu.pos work_x4i7iyt2nfgflhp6fvb5j7rn64 txt/../pos/work_x4i7iyt2nfgflhp6fvb5j7rn64.pos work_x4i7iyt2nfgflhp6fvb5j7rn64 txt/../wrd/work_x4i7iyt2nfgflhp6fvb5j7rn64.wrd === file2bib.sh === id: work_spywvikfcfcshk3sabxrwkntv4 author: Matthew Rampley title: 'The Persistence of Nationalism': Michela Passini, La fabrique de l'art national: Le nationalisme et les origins de l'histoire de l'art en France et en Allemagne 1870-1933. Paris, Maisons des sciences de l'homme, 2012 date: 2014 pages: 4 extension: .pdf txt: ./txt/work_spywvikfcfcshk3sabxrwkntv4.txt cache: ./cache/work_spywvikfcfcshk3sabxrwkntv4.pdf Author Matthew Rampley Content-Type application/pdf Creation-Date 2014-11-22T10:21:49Z Last-Modified 2014-11-22T10:21:49Z Last-Save-Date 2014-11-22T10:21:49Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 24 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2014-11-22T10:21:49Z creator Matthew Rampley date 2014-11-22T10:21:49Z dc:creator Matthew Rampley dc:format application/pdf; version=1.5 dc:language en-GB dcterms:created 2014-11-22T10:21:49Z dcterms:modified 2014-11-22T10:21:49Z language en-GB meta:author Matthew Rampley meta:creation-date 2014-11-22T10:21:49Z meta:save-date 2014-11-22T10:21:49Z modified 2014-11-22T10:21:49Z pdf:PDFVersion 1.5 pdf:charsPerPage ['3008', '3825', '3634', '591'] pdf:docinfo:created 2014-11-22T10:21:49Z pdf:docinfo:creator Matthew Rampley pdf:docinfo:creator_tool Microsoft® Office Word 2007 pdf:docinfo:modified 2014-11-22T10:21:49Z pdf:docinfo:producer Microsoft® Office Word 2007 pdf:encrypted false pdf:hasMarkedContent true pdf:hasXFA false pdf:hasXMP false pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0'] producer Microsoft® Office Word 2007 resourceName b'work_spywvikfcfcshk3sabxrwkntv4.pdf' xmp:CreatorTool Microsoft® Office Word 2007 xmpTPg:NPages 4 INFO Detecting media type for Filename: b'work_odbwvgdt55empgyhqegnbq477i.pdf' INFO rmeta/text (autodetecting type) === file2bib.sh === id: work_5it3u352k5g6njvgiikhn4o54a author: Saul Jarcho title: W. F. Bynum, C. Lawrence and V. Nutton, (editors), The emergence of modern cardiology (Medical History, Suplement no. 5), London, Wellcome Institute for the History of Medicine, 1985, 8vo, pp. x, 178, illus., £12.00 (UK)/£16.00 (overseas) date: 1987 pages: 2 extension: .pdf txt: ./txt/work_5it3u352k5g6njvgiikhn4o54a.txt cache: ./cache/work_5it3u352k5g6njvgiikhn4o54a.pdf Content-Type application/pdf Last-Modified 2021-04-06T01:06:19Z Last-Save-Date 2021-04-06T01:06:19Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 16 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true date 2021-04-06T01:06:19Z dc:description Downloaded from https://www.cambridge.org/core. Carnegie Mellon University, on 06 Apr 2021 at 01:06:19, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. dc:format application/pdf; version=1.3 dcterms:modified 2021-04-06T01:06:19Z description Downloaded from https://www.cambridge.org/core. Carnegie Mellon University, on 06 Apr 2021 at 01:06:19, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. meta:save-date 2021-04-06T01:06:19Z modified 2021-04-06T01:06:19Z pdf:PDFVersion 1.3 pdf:charsPerPage ['3969', '4039'] pdf:docinfo:modified 2021-04-06T01:06:19Z pdf:docinfo:producer Carnegie Mellon University pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['0', '0'] producer Carnegie Mellon University resourceName b'work_5it3u352k5g6njvgiikhn4o54a.pdf' xmpTPg:NPages 2 work_nxievuo4wbbyfozobtna32gqei txt/../ent/work_nxievuo4wbbyfozobtna32gqei.ent work_3r2nuqzigrab7f2wwf7zhiewvy txt/../wrd/work_3r2nuqzigrab7f2wwf7zhiewvy.wrd work_3vrprdyoknbgxfyvuhgvu7eqwu txt/../ent/work_3vrprdyoknbgxfyvuhgvu7eqwu.ent INFO Detecting media type for Filename: b'work_hfjkobcupjegravwuvlxxbegre.pdf' INFO rmeta/text (autodetecting type) INFO Detecting media type for Filename: b'work_c5ru6gdcbfedpfa362nrtmiwda.pdf' INFO rmeta/text (autodetecting type) work_6dglvqpfqzacjfcx74ux7pxmxi txt/../pos/work_6dglvqpfqzacjfcx74ux7pxmxi.pos WARN Using fallback font 'LiberationSerif' for 'TimesNewRomanPSMT' WARN Using fallback font 'LiberationSerif-Bold' for 'TimesNewRomanPS-BoldMT' WARN Using fallback font 'LiberationSerif-Italic' for 'Georgia-Italic' WARN Using fallback font 'LiberationSerif' for 'Georgia' WARN Using fallback font 'LiberationSerif-Italic' for 'TimesNewRomanPS-ItalicMT' === file2bib.sh === Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2895, in get_loc return self._engine.get_loc(casted_key) File "pandas/_libs/index.pyx", line 70, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/index.pyx", line 101, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/hashtable_class_helper.pxi", line 1675, in pandas._libs.hashtable.PyObjectHashTable.get_item File "pandas/_libs/hashtable_class_helper.pxi", line 1683, in pandas._libs.hashtable.PyObjectHashTable.get_item KeyError: 'work_hfjkobcupjegravwuvlxxbegre' The above exception was the direct cause of the following exception: Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/reader-compute/reader-classic/bin/file2bib.py", line 66, in if ( bibliographics.loc[ escape ,'author'] ) : author = bibliographics.loc[ escape,'author'] File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 873, in __getitem__ return self._getitem_tuple(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1044, in _getitem_tuple return self._getitem_lowerdim(tup) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 786, in _getitem_lowerdim section = self._getitem_axis(key, axis=i) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1110, in _getitem_axis return self._get_label(key, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1059, in _get_label return self.obj.xs(label, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/generic.py", line 3491, in xs loc = self.index.get_loc(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2897, in get_loc raise KeyError(key) from err KeyError: 'work_hfjkobcupjegravwuvlxxbegre' === file2bib.sh === id: work_g6dfophsb5divdrzgi4w2osloi author: M. Rozsondai title: Symmetry aspects of bookbindings date: 1989 pages: 49 extension: .pdf txt: ./txt/work_g6dfophsb5divdrzgi4w2osloi.txt cache: ./cache/work_g6dfophsb5divdrzgi4w2osloi.pdf Content-Type application/pdf Creation-Date 2002-08-03T21:34:51Z Last-Modified 2009-10-27T09:34:39Z Last-Save-Date 2009-10-27T09:34:39Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 86 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2002-08-03T21:34:51Z date 2009-10-27T09:34:39Z dc:format application/pdf; version=1.4 dc:title PII: 0898-1221(89)90264-2 dcterms:created 2002-08-03T21:34:51Z dcterms:modified 2009-10-27T09:34:39Z meta:creation-date 2002-08-03T21:34:51Z meta:save-date 2009-10-27T09:34:39Z modified 2009-10-27T09:34:39Z pdf:PDFVersion 1.4 pdf:charsPerPage ['1918', '4956', '3217', '104', '539', '915', '1310', '1141', '2433', '206', '170', '49', '114', '1239', '1025', '73', '1593', '2078', '48', '3061', '279', '210', '233', '436', '261', '1901', '1064', '238', '2986', '213', '3341', '160', '384', '198', '532', '268', '3486', '1346', '1791', '224', '188', '51', '251', '1924', '382', '739', '3060', '4008', '3823'] pdf:docinfo:created 2002-08-03T21:34:51Z pdf:docinfo:creator_tool Acrobat 3.0 Capture Plug-in pdf:docinfo:modified 2009-10-27T09:34:39Z pdf:docinfo:producer Acrobat 3.0 Import Plug-in pdf:docinfo:title PII: 0898-1221(89)90264-2 pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0'] producer Acrobat 3.0 Import Plug-in resourceName b'work_g6dfophsb5divdrzgi4w2osloi.pdf' title PII: 0898-1221(89)90264-2 xmp:CreatorTool Acrobat 3.0 Capture Plug-in xmpMM:DocumentID uuid:ca5c6d15-2e85-45e1-bb3f-720a76fa660d xmpTPg:NPages 49 === file2bib.sh === Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2895, in get_loc return self._engine.get_loc(casted_key) File "pandas/_libs/index.pyx", line 70, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/index.pyx", line 101, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/hashtable_class_helper.pxi", line 1675, in pandas._libs.hashtable.PyObjectHashTable.get_item File "pandas/_libs/hashtable_class_helper.pxi", line 1683, in pandas._libs.hashtable.PyObjectHashTable.get_item KeyError: 'work_c5ru6gdcbfedpfa362nrtmiwda' The above exception was the direct cause of the following exception: Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/reader-compute/reader-classic/bin/file2bib.py", line 66, in if ( bibliographics.loc[ escape ,'author'] ) : author = bibliographics.loc[ escape,'author'] File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 873, in __getitem__ return self._getitem_tuple(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1044, in _getitem_tuple return self._getitem_lowerdim(tup) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 786, in _getitem_lowerdim section = self._getitem_axis(key, axis=i) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1110, in _getitem_axis return self._get_label(key, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1059, in _get_label return self.obj.xs(label, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/generic.py", line 3491, in xs loc = self.index.get_loc(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2897, in get_loc raise KeyError(key) from err KeyError: 'work_c5ru6gdcbfedpfa362nrtmiwda' work_6dglvqpfqzacjfcx74ux7pxmxi txt/../wrd/work_6dglvqpfqzacjfcx74ux7pxmxi.wrd work_64ceqmrdrjfhndvhflpjgfgur4 txt/../ent/work_64ceqmrdrjfhndvhflpjgfgur4.ent === file2bib.sh === id: work_4kaqpb7lqvhyffchpvq2durlja author: Jennifer Selwyn title: The Spanish Presence in Sixteenth-Century Italy: Images of Iberia, edited by Piers Baker-Bates & Miles Pattenden date: 2016 pages: 3 extension: .pdf txt: ./txt/work_4kaqpb7lqvhyffchpvq2durlja.txt cache: 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Gode-von Aesch title: Wilhelm Waiblinger in Italy date: 1954 pages: 117 extension: .pdf txt: ./txt/work_j7nmsf55djdspckwocsp3zum5e.txt cache: ./cache/work_j7nmsf55djdspckwocsp3zum5e.pdf Content-Type application/pdf Creation-Date 2020-01-15T13:56:01Z Last-Modified 2020-02-08T13:58:56Z Last-Save-Date 2020-02-08T13:58:56Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 390 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2020-01-15T13:56:01Z date 2020-02-08T13:58:56Z dc:format application/pdf; version=1.4 dcterms:created 2020-01-15T13:56:01Z dcterms:modified 2020-02-08T13:58:56Z meta:creation-date 2020-01-15T13:56:01Z meta:save-date 2020-02-08T13:58:56Z modified 2020-02-08T13:58:56Z pdf:PDFVersion 1.4 pdf:charsPerPage ['0', '27', '710', '108', '946', '59', '0', '2133', '871', '28', '0', '2037', '2334', '2497', '2416', '2363', '2350', '2442', '2426', '2402', '2408', '2435', '434', '2142', '2444', '2596', '2528', '2509', '2099', '2261', '2603', '2217', '2389', '2428', '2553', '2486', '2424', '1349', '2150', '2489', '2401', '2383', '2295', '2507', '2426', '2350', '2661', '2964', '2268', '2579', '1549', '2055', '2416', '2674', '2332', '2211', '2317', '2475', '2707', '2667', '2798', '2968', '2462', '769', '2163', '2344', '2145', '2670', '2920', '2900', '2168', '2741', '2544', '2301', '2072', '2575', '2327', '2813', '2540', '2580', '1817', '2144', '2217', '2076', '2372', '2362', '2418', '2363', '2430', '2468', '1844', '2205', '2354', '2361', '2365', '2486', '2683', '2229', '2365', '2274', '2438', '2336', '2390', '405', '2247', '2429', '2552', '2454', '1705', '3119', '2094', '2449', '2483', '2235', '2131', '1705', '16'] pdf:docinfo:created 2020-01-15T13:56:01Z pdf:docinfo:creator_tool LSI pdfnormalizer 1.0p pdf:docinfo:modified 2020-02-08T13:58:56Z pdf:docinfo:producer Adobe Acrobat Pro DC 19 Paper Capture Plug-in pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0'] producer Adobe Acrobat Pro DC 19 Paper Capture Plug-in resourceName b'work_j7nmsf55djdspckwocsp3zum5e.pdf' xmp:CreatorTool LSI pdfnormalizer 1.0p xmpMM:DocumentID uuid:55ecd1c2-e8a9-433f-aefd-e0ed51019b7b xmpTPg:NPages 117 work_odbwvgdt55empgyhqegnbq477i txt/../ent/work_odbwvgdt55empgyhqegnbq477i.ent INFO Detecting media type for Filename: b'work_bbhokuosizgh7pjgvvko2g3lre.pdf' INFO rmeta/text (autodetecting type) work_ojonoz56fzduvdeyghijiphdcm txt/../wrd/work_ojonoz56fzduvdeyghijiphdcm.wrd work_go2e7wfqtvbtreivwepy2aa4fu txt/../ent/work_go2e7wfqtvbtreivwepy2aa4fu.ent work_qrtpg5s4mjacncvjhhflhxrulm txt/../wrd/work_qrtpg5s4mjacncvjhhflhxrulm.wrd === file2bib.sh === id: work_qrgfwpeionck3mquhuuq3scbku author: C. Guglieri Rodriguez title: A comparative study of Hispano-Moorish and Italian Renaissance lustred majolicas by using X-ray absorption spectroscopy date: 2015 pages: 7 extension: .pdf txt: ./txt/work_qrgfwpeionck3mquhuuq3scbku.txt cache: ./cache/work_qrgfwpeionck3mquhuuq3scbku.pdf Author ['C. Guglieri Rodriguez', 'P. Fermo', 'L. Olivi', 'G. Padeletti'] Content-Type application/pdf Creation-Date 2015-02-20T09:57:42Z CrossMarkDomains[1] rsc.org CrossmarkDomainExclusive true CrossmarkMajorVersionDate 2015-02-20 Last-Modified 2015-03-17T16:49:21Z Last-Save-Date 2015-03-17T16:49:21Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 54 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true cp:subject Journal of Analytical Atomic Spectrometry (2015), 30, 738-744, doi:10.1039/C4JA00382A created 2015-02-20T09:57:42Z creator ['C. Guglieri Rodriguez', 'P. Fermo', 'L. Olivi', 'G. Padeletti'] date 2015-03-17T16:49:21Z dc:creator ['C. Guglieri Rodriguez', 'P. Fermo', 'L. Olivi', 'G. Padeletti'] dc:description Journal of Analytical Atomic Spectrometry (2015), 30, 738-744, doi:10.1039/C4JA00382A dc:format application/pdf; version=1.6 dc:title A comparative study of Hispano-Moorish and Italian Renaissance lustred majolicas by using X-ray absorption spectroscopy dcterms:created 2015-02-20T09:57:42Z dcterms:modified 2015-03-17T16:49:21Z description Journal of Analytical Atomic Spectrometry (2015), 30, 738-744, doi:10.1039/C4JA00382A doi 10.1039/C4JA00382A meta:author ['C. Guglieri Rodriguez', 'P. Fermo', 'L. Olivi', 'G. Padeletti'] meta:creation-date 2015-02-20T09:57:42Z meta:save-date 2015-03-17T16:49:21Z modified 2015-03-17T16:49:21Z pdf:PDFVersion 1.6 pdf:charsPerPage ['4251', '5257', '2863', '3764', '3321', '4857', '1534'] pdf:docinfo:created 2015-02-20T09:57:42Z pdf:docinfo:creator C. Guglieri Rodriguez pdf:docinfo:creator_tool Arbortext Advanced Print Publisher 9.1.510/W Unicode pdf:docinfo:custom:CrossMarkDomains[1] rsc.org pdf:docinfo:custom:CrossmarkDomainExclusive true pdf:docinfo:custom:CrossmarkMajorVersionDate 2015-02-20 pdf:docinfo:custom:doi 10.1039/C4JA00382A pdf:docinfo:modified 2015-03-17T16:49:21Z pdf:docinfo:producer Acrobat Distiller 8.1.0 (Windows); modified using iText® 5.3.3 ©2000-2012 1T3XT BVBA (AGPL-version) pdf:docinfo:subject Journal of Analytical Atomic Spectrometry (2015), 30, 738-744, doi:10.1039/C4JA00382A pdf:docinfo:title A comparative study of Hispano-Moorish and Italian Renaissance lustred majolicas by using X-ray absorption spectroscopy pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['1', '6', '7', '10', '13', '0', '0'] producer Acrobat Distiller 8.1.0 (Windows); modified using iText® 5.3.3 ©2000-2012 1T3XT BVBA (AGPL-version) resourceName b'work_qrgfwpeionck3mquhuuq3scbku.pdf' subject Journal of Analytical Atomic Spectrometry (2015), 30, 738-744, doi:10.1039/C4JA00382A title A comparative study of Hispano-Moorish and Italian Renaissance lustred majolicas by using X-ray absorption spectroscopy xmp:CreatorTool Arbortext Advanced Print Publisher 9.1.510/W Unicode xmpMM:DocumentID uuid:e1d34c25-d2e3-4824-8f45-18e04f24cd5b xmpTPg:NPages 7 work_ojonoz56fzduvdeyghijiphdcm txt/../pos/work_ojonoz56fzduvdeyghijiphdcm.pos work_qrtpg5s4mjacncvjhhflhxrulm txt/../pos/work_qrtpg5s4mjacncvjhhflhxrulm.pos INFO Detecting media type for Filename: b'work_txfzmi2yobg6tnjfq7t2fa3n6a.pdf' INFO rmeta/text (autodetecting type) WARN Using fallback font 'LiberationSerif' for 'TimesNewRomanPSMT' INFO Detecting media type for Filename: b'work_rsb5ss7nc5cgllek6zggqrykju.pdf' INFO rmeta/text (autodetecting type) INFO Detecting media type for Filename: b'work_bgljpqmhgjgqhgmo5odwxffzui.pdf' INFO rmeta/text (autodetecting type) === file2bib.sh === id: work_fd3cvpjtmbg3diaabq64drrwoy author: David Malkiel title: Renaissance in the Graveyard: The Hebrew Tombstones of Padua and Ashkenazic Acculturation in Sixteenth-Century Italy – CORRIGENDUM date: 2014 pages: 1 extension: .pdf txt: ./txt/work_fd3cvpjtmbg3diaabq64drrwoy.txt cache: ./cache/work_fd3cvpjtmbg3diaabq64drrwoy.pdf Content-Type application/pdf Creation-Date 2014-04-25T07:07:54Z Last-Modified 2021-04-06T01:06:11Z Last-Save-Date 2021-04-06T01:06:11Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 7 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2014-04-25T07:07:54Z date 2021-04-06T01:06:11Z dc:description Downloaded from https://www.cambridge.org/core. 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Carnegie Mellon University, on 06 Apr 2021 at 01:06:11, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. meta:creation-date 2014-04-25T07:07:54Z meta:save-date 2021-04-06T01:06:11Z modified 2021-04-06T01:06:11Z pdf:PDFVersion 1.3 pdf:charsPerPage 1752 pdf:docinfo:created 2014-04-25T07:07:54Z pdf:docinfo:creator_tool Arbortext Advanced Print Publisher 10.0.1465/W Unicode pdf:docinfo:modified 2021-04-06T01:06:11Z pdf:docinfo:producer Carnegie Mellon University pdf:docinfo:title S0364009414000233jer 201..202 pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage 0 producer Carnegie Mellon University resourceName b'work_fd3cvpjtmbg3diaabq64drrwoy.pdf' title S0364009414000233jer 201..202 xmp:CreatorTool Arbortext Advanced Print Publisher 10.0.1465/W Unicode xmpMM:DocumentID uuid:b6c029d5-18e1-4691-978d-c76b4d505eeb xmpTPg:NPages 1 WARN No Unicode mapping for CID+36 (36) in font 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BVURVT+mplus-2p-light-90pv-RKSJ-H WARN No Unicode mapping for CID+82 (82) in font BVURVT+mplus-2p-light-90pv-RKSJ-H INFO Detecting media type for Filename: b'work_brr5homcxngj5kuy6twdtox564.pdf' INFO rmeta/text (autodetecting type) INFO Detecting media type for Filename: b'work_a6z2p2e6avecrndtr24rrdrjre.pdf' INFO rmeta/text (autodetecting type) work_b45vgls3mjcejkflq6gv5dbdum txt/../pos/work_b45vgls3mjcejkflq6gv5dbdum.pos === file2bib.sh === Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2895, in get_loc return self._engine.get_loc(casted_key) File "pandas/_libs/index.pyx", line 70, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/index.pyx", line 101, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/hashtable_class_helper.pxi", line 1675, in pandas._libs.hashtable.PyObjectHashTable.get_item File "pandas/_libs/hashtable_class_helper.pxi", line 1683, in pandas._libs.hashtable.PyObjectHashTable.get_item KeyError: 'work_brr5homcxngj5kuy6twdtox564' The above exception was the direct cause of the following exception: Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/reader-compute/reader-classic/bin/file2bib.py", line 66, in if ( bibliographics.loc[ escape ,'author'] ) : author = bibliographics.loc[ escape,'author'] File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 873, in __getitem__ return self._getitem_tuple(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1044, in _getitem_tuple return self._getitem_lowerdim(tup) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 786, in _getitem_lowerdim section = self._getitem_axis(key, axis=i) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1110, in _getitem_axis return self._get_label(key, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1059, in _get_label return self.obj.xs(label, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/generic.py", line 3491, in xs loc = self.index.get_loc(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2897, in get_loc raise KeyError(key) from err KeyError: 'work_brr5homcxngj5kuy6twdtox564' === file2bib.sh === Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2895, in get_loc return self._engine.get_loc(casted_key) File "pandas/_libs/index.pyx", line 70, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/index.pyx", line 101, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/hashtable_class_helper.pxi", line 1675, in pandas._libs.hashtable.PyObjectHashTable.get_item File "pandas/_libs/hashtable_class_helper.pxi", line 1683, in pandas._libs.hashtable.PyObjectHashTable.get_item KeyError: 'work_a6z2p2e6avecrndtr24rrdrjre' The above exception was the direct cause of the following exception: Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/reader-compute/reader-classic/bin/file2bib.py", line 66, in if ( bibliographics.loc[ escape ,'author'] ) : author = bibliographics.loc[ escape,'author'] File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 873, in __getitem__ return self._getitem_tuple(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1044, in _getitem_tuple return self._getitem_lowerdim(tup) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 786, in _getitem_lowerdim section = self._getitem_axis(key, axis=i) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1110, in _getitem_axis return self._get_label(key, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1059, in _get_label return self.obj.xs(label, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/generic.py", line 3491, in xs loc = self.index.get_loc(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2897, in get_loc raise KeyError(key) from err KeyError: 'work_a6z2p2e6avecrndtr24rrdrjre' work_gwalsihpxbgzhcka34l4iovedy txt/../wrd/work_gwalsihpxbgzhcka34l4iovedy.wrd work_gwalsihpxbgzhcka34l4iovedy txt/../pos/work_gwalsihpxbgzhcka34l4iovedy.pos work_kpaiksyv3fb2ze4iziq6bam7mu txt/../pos/work_kpaiksyv3fb2ze4iziq6bam7mu.pos work_kjzx5iye6vcinl5hc6tznnyonu txt/../ent/work_kjzx5iye6vcinl5hc6tznnyonu.ent work_ourgqjcxbvhyfagnhejs3rprxa txt/../pos/work_ourgqjcxbvhyfagnhejs3rprxa.pos work_c5ru6gdcbfedpfa362nrtmiwda txt/../ent/work_c5ru6gdcbfedpfa362nrtmiwda.ent INFO Detecting media type for Filename: b'work_dmmefwrnxjfuvcwsi2rtfdjb74.pdf' INFO rmeta/text (autodetecting type) work_b45vgls3mjcejkflq6gv5dbdum txt/../wrd/work_b45vgls3mjcejkflq6gv5dbdum.wrd work_x4i7iyt2nfgflhp6fvb5j7rn64 txt/../ent/work_x4i7iyt2nfgflhp6fvb5j7rn64.ent === file2bib.sh === Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2895, in get_loc return self._engine.get_loc(casted_key) File "pandas/_libs/index.pyx", line 70, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/index.pyx", line 101, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/hashtable_class_helper.pxi", line 1675, in pandas._libs.hashtable.PyObjectHashTable.get_item File "pandas/_libs/hashtable_class_helper.pxi", line 1683, in pandas._libs.hashtable.PyObjectHashTable.get_item KeyError: 'work_dmmefwrnxjfuvcwsi2rtfdjb74' The above exception was the direct cause of the following exception: Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/reader-compute/reader-classic/bin/file2bib.py", line 66, in if ( bibliographics.loc[ escape ,'author'] ) : author = bibliographics.loc[ escape,'author'] File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 873, in __getitem__ return self._getitem_tuple(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1044, in _getitem_tuple return self._getitem_lowerdim(tup) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 786, in _getitem_lowerdim section = self._getitem_axis(key, axis=i) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1110, in _getitem_axis return self._get_label(key, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1059, in _get_label return self.obj.xs(label, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/generic.py", line 3491, in xs loc = self.index.get_loc(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2897, in get_loc raise KeyError(key) from err KeyError: 'work_dmmefwrnxjfuvcwsi2rtfdjb74' INFO Detecting media type for Filename: b'work_65b7z6j5org33owceyvwvnd4em.pdf' INFO rmeta/text (autodetecting type) WARN No Unicode mapping for H6017 (1) in font QEEHIZ+MathematicalPi-Five WARN No Unicode mapping for H11005 (1) in font GFLLRJ+Universal-GreekwithMathPi WARN No Unicode mapping for H11003 (2) in font GFLLRJ+Universal-GreekwithMathPi work_ourgqjcxbvhyfagnhejs3rprxa txt/../wrd/work_ourgqjcxbvhyfagnhejs3rprxa.wrd work_kpaiksyv3fb2ze4iziq6bam7mu txt/../wrd/work_kpaiksyv3fb2ze4iziq6bam7mu.wrd INFO Detecting media type for Filename: b'work_7qzi6pfiq5g37aopdwyyhgf3o4.pdf' INFO rmeta/text (autodetecting type) === file2bib.sh === id: work_o44x43bfbjdufccy5dmzkaatsy author: Daniela del Pesco title: 'The Italian Renaissance in the nineteenth century: revision, revival and return'. Review of: The Italian Renaissance in the Nineteenth Century. Revision, Revival and Return, edited by Lina Bolzoni and Alina Payne, I Tatti Research Series, 1, Harvard University Press-Officina Libraria, Milan 2018 date: 2019 pages: 5 extension: .pdf txt: ./txt/work_o44x43bfbjdufccy5dmzkaatsy.txt cache: ./cache/work_o44x43bfbjdufccy5dmzkaatsy.pdf Author daniela Content-Type application/pdf Creation-Date 2019-05-21T18:27:22Z Last-Modified 2019-05-21T18:27:22Z Last-Save-Date 2019-05-21T18:27:22Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 36 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2019-05-21T18:27:22Z creator daniela date 2019-05-21T18:27:22Z dc:creator daniela dc:format application/pdf; version=1.5 dc:language en-GB dcterms:created 2019-05-21T18:27:22Z dcterms:modified 2019-05-21T18:27:22Z language en-GB meta:author daniela meta:creation-date 2019-05-21T18:27:22Z meta:save-date 2019-05-21T18:27:22Z modified 2019-05-21T18:27:22Z pdf:PDFVersion 1.5 pdf:charsPerPage ['3041', '3756', '3870', '3904', '2753'] pdf:docinfo:created 2019-05-21T18:27:22Z pdf:docinfo:creator daniela pdf:docinfo:creator_tool Microsoft® Office Word 2007 pdf:docinfo:modified 2019-05-21T18:27:22Z pdf:docinfo:producer Microsoft® Office Word 2007 pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP false pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0', '0'] producer Microsoft® Office Word 2007 resourceName b'work_o44x43bfbjdufccy5dmzkaatsy.pdf' xmp:CreatorTool Microsoft® Office Word 2007 xmpTPg:NPages 5 INFO Detecting media type for Filename: b'work_b5y3n5oxpbbmjded7mjzrwiwsu.pdf' INFO rmeta/text (autodetecting type) === file2bib.sh === Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2895, in get_loc return self._engine.get_loc(casted_key) File "pandas/_libs/index.pyx", line 70, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/index.pyx", line 101, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/hashtable_class_helper.pxi", line 1675, in pandas._libs.hashtable.PyObjectHashTable.get_item File "pandas/_libs/hashtable_class_helper.pxi", line 1683, in pandas._libs.hashtable.PyObjectHashTable.get_item KeyError: 'work_b5y3n5oxpbbmjded7mjzrwiwsu' The above exception was the direct cause of the following exception: Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/reader-compute/reader-classic/bin/file2bib.py", line 66, in if ( bibliographics.loc[ escape ,'author'] ) : author = bibliographics.loc[ escape,'author'] File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 873, in __getitem__ return self._getitem_tuple(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1044, in _getitem_tuple return self._getitem_lowerdim(tup) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 786, in _getitem_lowerdim section = self._getitem_axis(key, axis=i) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1110, in _getitem_axis return self._get_label(key, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1059, in _get_label return self.obj.xs(label, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/generic.py", line 3491, in xs loc = self.index.get_loc(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2897, in get_loc raise KeyError(key) from err KeyError: 'work_b5y3n5oxpbbmjded7mjzrwiwsu' work_6dglvqpfqzacjfcx74ux7pxmxi txt/../ent/work_6dglvqpfqzacjfcx74ux7pxmxi.ent work_3r2nuqzigrab7f2wwf7zhiewvy txt/../ent/work_3r2nuqzigrab7f2wwf7zhiewvy.ent work_ebyqgudypbabngkhjcl3n26ebu txt/../wrd/work_ebyqgudypbabngkhjcl3n26ebu.wrd INFO Detecting media type for Filename: b'work_47gbt65kpzhhnl4cpilufdzlxu.pdf' INFO rmeta/text (autodetecting type) === file2bib.sh === id: work_odbwvgdt55empgyhqegnbq477i author: Maria Vittoria Comacchi title: Voir l'au-delà: L'experience visionnaire et sa representation dans l'art Italien de la Renaissance. Andreas Beyer, Philippe Morel, and Alessandro Nova, eds. Études Renaissantes 22. Turnhout: Brepols, 2017. 420 pp. €80 date: 2019 pages: extension: .pdf txt: ./txt/work_odbwvgdt55empgyhqegnbq477i.txt cache: ./cache/work_odbwvgdt55empgyhqegnbq477i.pdf Content-Encoding UTF-8 Content-Language en Content-Type text/html; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.html.HtmlParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 6 application-name   citation_author ['Alessandro Nova', 'A. Beyer', 'P. Morel'] citation_journal_title undefined citation_publication_date 2017 citation_title Voir l'au-delà : l'expérience visionnaire et sa représentation dans l'art italien de la Renaissance (Collection dc:title Voir l'au-delà : l'expérience visionnaire et sa représentation dans l'art italien de la Renaissance (Collection "Études renaissantes" ; 22) | Semantic Scholar description (ca. 1660–65) as an antiquarian response to the 1641 edition of Hadrianus Junius’s Schilder-Konst der Oude. The book’s last section exclusively attends to Apelles, arguably the most storied ancient artist of all. Here, Sarah Blake-McHam (translated into crisp, accessible French by Chantal di Biasi) uses Apelles’s love for Campaspe as an exemplum for exploring early modern depictions of the metaphoric trope of the artist who turns amorous for his model. Most useful is this book’s appendix, which contains summaries of all the ancient anecdotes it mentions. Abstracts for each essay appear in French and English, accompanying their authors’ short biographies (the editors should have asked an Englishspeaking colleague to scrutinize the English abstracts; some went to press badly needing refinement). In short, Hénin and Naas have compiled a book that mounts a most welcome contribution to a topic sorely in need of attention. msapplication-TileColor #FFFFFF msapplication-TileImage https://dab4rbh62k56j.cloudfront.net/151517c6e734fd0b/img/mstile-144x144.png msapplication-square150x150logo https://dab4rbh62k56j.cloudfront.net/151517c6e734fd0b/img/mstile-150x150.png msapplication-square310x310logo https://dab4rbh62k56j.cloudfront.net/151517c6e734fd0b/img/mstile-310x310.png msapplication-square70x70logo https://dab4rbh62k56j.cloudfront.net/151517c6e734fd0b/img/mstile-70x70.png msapplication-wide310x150logo https://dab4rbh62k56j.cloudfront.net/151517c6e734fd0b/img/mstile-310x150.png og:description (ca. 1660–65) as an antiquarian response to the 1641 edition of Hadrianus Junius’s Schilder-Konst der Oude. The book’s last section exclusively attends to Apelles, arguably the most storied ancient artist of all. Here, Sarah Blake-McHam (translated into crisp, accessible French by Chantal di Biasi) uses Apelles’s love for Campaspe as an exemplum for exploring early modern depictions of the metaphoric trope of the artist who turns amorous for his model. Most useful is this book’s appendix, which contains summaries of all the ancient anecdotes it mentions. Abstracts for each essay appear in French and English, accompanying their authors’ short biographies (the editors should have asked an Englishspeaking colleague to scrutinize the English abstracts; some went to press badly needing refinement). In short, Hénin and Naas have compiled a book that mounts a most welcome contribution to a topic sorely in need of attention. og:image https://www.semanticscholar.org/img/semantic_scholar_og.png og:image:height 582 og:image:secure_url ['https://www.semanticscholar.org/img/semantic_scholar_og.png', 'https://www.semanticscholar.org/img/semantic_scholar_og.png'] og:image:width 1110 og:locale ['en_US', 'en_US'] og:title Voir l'au-delà : l'expérience visionnaire et sa représentation dans l'art italien de la Renaissance (Collection "Études renaissantes" ; 22) | Semantic Scholar og:type website resourceName b'work_odbwvgdt55empgyhqegnbq477i.pdf' robots noarchive,noindex s2-ui-version 0a1ee7b640e58bf005fa3cbd97e8cba83bff3dc9 title Voir l'au-delà : l'expérience visionnaire et sa représentation dans l'art italien de la Renaissance (Collection "Études renaissantes" ; 22) | Semantic Scholar twitter:card summary_large_image twitter:description (ca. 1660–65) as an antiquarian response to the 1641 edition of Hadrianus Junius’s Schilder-Konst der Oude. The book’s last section exclusively attends to Apelles, arguably the most storied ancient artist of all. Here, Sarah Blake-McHam (translated into crisp, accessible French by Chantal di Biasi) uses Apelles’s love for Campaspe as an exemplum for exploring early modern depictions of the metaphoric trope of the artist who turns amorous for his model. Most useful is this book’s appendix, which contains summaries of all the ancient anecdotes it mentions. Abstracts for each essay appear in French and English, accompanying their authors’ short biographies (the editors should have asked an Englishspeaking colleague to scrutinize the English abstracts; some went to press badly needing refinement). In short, Hénin and Naas have compiled a book that mounts a most welcome contribution to a topic sorely in need of attention. twitter:image ['https://www.semanticscholar.org/img/semantic_scholar_og.png', 'https://www.semanticscholar.org/img/semantic_scholar_og.png'] twitter:site @allenai_org twitter:title Voir l'au-delà : l'expérience visionnaire et sa représentation dans l'art italien de la Renaissance (Collection "Études renaissantes" ; 22) | Semantic Scholar viewport width=device-width,initial-scale=1 === file2bib.sh === Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2895, in get_loc return self._engine.get_loc(casted_key) File "pandas/_libs/index.pyx", line 70, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/index.pyx", line 101, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/hashtable_class_helper.pxi", line 1675, in pandas._libs.hashtable.PyObjectHashTable.get_item File "pandas/_libs/hashtable_class_helper.pxi", line 1683, in pandas._libs.hashtable.PyObjectHashTable.get_item KeyError: 'work_47gbt65kpzhhnl4cpilufdzlxu' The above exception was the direct cause of the following exception: Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/reader-compute/reader-classic/bin/file2bib.py", line 66, in if ( bibliographics.loc[ escape ,'author'] ) : author = bibliographics.loc[ escape,'author'] File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 873, in __getitem__ return self._getitem_tuple(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1044, in _getitem_tuple return self._getitem_lowerdim(tup) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 786, in _getitem_lowerdim section = self._getitem_axis(key, axis=i) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1110, in _getitem_axis return self._get_label(key, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1059, in _get_label return self.obj.xs(label, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/generic.py", line 3491, in xs loc = self.index.get_loc(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2897, in get_loc raise KeyError(key) from err KeyError: 'work_47gbt65kpzhhnl4cpilufdzlxu' work_ojonoz56fzduvdeyghijiphdcm txt/../ent/work_ojonoz56fzduvdeyghijiphdcm.ent work_qrtpg5s4mjacncvjhhflhxrulm txt/../ent/work_qrtpg5s4mjacncvjhhflhxrulm.ent work_czhyll5jrjan5oak6m2a4uwp2i txt/../wrd/work_czhyll5jrjan5oak6m2a4uwp2i.wrd INFO Detecting media type for Filename: 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pandas._libs.hashtable.PyObjectHashTable.get_item KeyError: 'work_jxpvgnxzprbnbh4dr66wadqs7m' The above exception was the direct cause of the following exception: Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/reader-compute/reader-classic/bin/file2bib.py", line 66, in if ( bibliographics.loc[ escape ,'author'] ) : author = bibliographics.loc[ escape,'author'] File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 873, in __getitem__ return self._getitem_tuple(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1044, in _getitem_tuple return self._getitem_lowerdim(tup) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 786, in _getitem_lowerdim section = self._getitem_axis(key, axis=i) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1110, in _getitem_axis return self._get_label(key, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1059, in _get_label return self.obj.xs(label, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/generic.py", line 3491, in xs loc = self.index.get_loc(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2897, in get_loc raise KeyError(key) from err KeyError: 'work_jxpvgnxzprbnbh4dr66wadqs7m' work_ebyqgudypbabngkhjcl3n26ebu txt/../pos/work_ebyqgudypbabngkhjcl3n26ebu.pos work_g65xqir3knbavogwi7usd6j4ca txt/../wrd/work_g65xqir3knbavogwi7usd6j4ca.wrd INFO Detecting media type for Filename: b'work_d6qplvfp6nc2zeynue3v2gb6hm.pdf' INFO rmeta/text (autodetecting type) WARN No Unicode mapping for CID+48 (48) in font RJHYBK+ZoneCelesteRegularprova1 WARN No Unicode mapping for CID+44 (44) in font 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work_bgljpqmhgjgqhgmo5odwxffzui author: John M. McManamon title: Res aut res publica: The Evidence from Italian Renaissance Manuscripts and Their Owners date: 2012 pages: 18 extension: .pdf txt: ./txt/work_bgljpqmhgjgqhgmo5odwxffzui.txt cache: ./cache/work_bgljpqmhgjgqhgmo5odwxffzui.pdf Author ['John M. McManamon', 'S. J.'] Content-Type application/pdf Creation-Date 2012-04-13T10:08:12Z Keywords renaissance; manuscripts; humanism; libraries; private property; common wealth Last-Modified 2012-04-13T02:09:14Z Last-Save-Date 2012-04-13T02:09:14Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 133 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true cp:subject This paper examines a key tension in Renaissance culture as reflected in the origin and provenance of manuscript books. Were Renaissance manuscripts the private property of individual owners or the common wealth of a lettered public? Even an officially public library could not escape that tension, whether through abuse of borrowing privileges or plundering of vulnerable holdings. Market forces encouraged theft, while impoverished scholars used their knowledge to supplement meager incomes. Alternatively, a sense of common wealth is reflected in an ex-libris indicating that a codex belonged to an individual “and his friends.” Book collecting, finally, becomes a helpful clue in discerning to what a scholar is committed. Some Renaissance clergymen used culture as a way to promote their ecclesiastical careers, while others collected and shared manuscripts as a way to promote tolerance. created 2012-04-13T10:08:12Z creator ['John M. McManamon', 'S. J.'] date 2012-04-13T02:09:14Z dc:creator ['John M. McManamon', 'S. J.'] dc:description This paper examines a key tension in Renaissance culture as reflected in the origin and provenance of manuscript books. Were Renaissance manuscripts the private property of individual owners or the common wealth of a lettered public? Even an officially public library could not escape that tension, whether through abuse of borrowing privileges or plundering of vulnerable holdings. Market forces encouraged theft, while impoverished scholars used their knowledge to supplement meager incomes. Alternatively, a sense of common wealth is reflected in an ex-libris indicating that a codex belonged to an individual “and his friends.” Book collecting, finally, becomes a helpful clue in discerning to what a scholar is committed. Some Renaissance clergymen used culture as a way to promote their ecclesiastical careers, while others collected and shared manuscripts as a way to promote tolerance. dc:format application/pdf; version=1.5 dc:language en-US dc:subject renaissance; manuscripts; humanism; libraries; private property; common wealth dc:title Res aut res publica: The Evidence from Italian Renaissance Manuscripts and Their Owners dcterms:created 2012-04-13T10:08:12Z dcterms:modified 2012-04-13T02:09:14Z description This paper examines a key tension in Renaissance culture as reflected in the origin and provenance of manuscript books. Were Renaissance manuscripts the private property of individual owners or the common wealth of a lettered public? Even an officially public library could not escape that tension, whether through abuse of borrowing privileges or plundering of vulnerable holdings. Market forces encouraged theft, while impoverished scholars used their knowledge to supplement meager incomes. Alternatively, a sense of common wealth is reflected in an ex-libris indicating that a codex belonged to an individual “and his friends.” Book collecting, finally, becomes a helpful clue in discerning to what a scholar is committed. Some Renaissance clergymen used culture as a way to promote their ecclesiastical careers, while others collected and shared manuscripts as a way to promote tolerance. language en-US meta:author ['John M. McManamon', 'S. J.'] meta:creation-date 2012-04-13T10:08:12Z meta:keyword renaissance; manuscripts; humanism; libraries; private property; common wealth meta:save-date 2012-04-13T02:09:14Z modified 2012-04-13T02:09:14Z pdf:PDFVersion 1.5 pdf:charsPerPage ['2206', '4019', '3967', '3915', '4004', '4454', '3935', '4047', '3998', '3805', '4151', '4108', '3975', '3013', '3003', '3025', '3205', '2329'] pdf:docinfo:created 2012-04-13T10:08:12Z pdf:docinfo:creator John M. 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Alternatively, a sense of common wealth is reflected in an ex-libris indicating that a codex belonged to an individual “and his friends.” Book collecting, finally, becomes a helpful clue in discerning to what a scholar is committed. Some Renaissance clergymen used culture as a way to promote their ecclesiastical careers, while others collected and shared manuscripts as a way to promote tolerance. pdf:docinfo:title Res aut res publica: The Evidence from Italian Renaissance Manuscripts and Their Owners pdf:encrypted false pdf:hasMarkedContent true pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0'] producer Microsoft® Office Word 2007 resourceName b'work_bgljpqmhgjgqhgmo5odwxffzui.pdf' subject This paper examines a key tension in Renaissance culture as reflected in the origin and provenance of manuscript books. Were Renaissance manuscripts the private property of individual owners or the common wealth of a lettered public? Even an officially public library could not escape that tension, whether through abuse of borrowing privileges or plundering of vulnerable holdings. Market forces encouraged theft, while impoverished scholars used their knowledge to supplement meager incomes. Alternatively, a sense of common wealth is reflected in an ex-libris indicating that a codex belonged to an individual “and his friends.” Book collecting, finally, becomes a helpful clue in discerning to what a scholar is committed. 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txt/../wrd/work_durarhbgxnapvd35d5jv6bjbui.wrd work_idshhfihwjhvxdn2ngjcnjbuxy txt/../ent/work_idshhfihwjhvxdn2ngjcnjbuxy.ent INFO Detecting media type for Filename: b'work_tgdwevfh5fgm7khuvynwiujwji.pdf' INFO rmeta/text (autodetecting type) INFO Detecting media type for Filename: b'work_m4l7coqfy5evrp3dvr3i7awr34.pdf' INFO rmeta/text (autodetecting type) === file2bib.sh === Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2895, in get_loc return self._engine.get_loc(casted_key) File "pandas/_libs/index.pyx", line 70, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/index.pyx", line 101, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/hashtable_class_helper.pxi", line 1675, in pandas._libs.hashtable.PyObjectHashTable.get_item File "pandas/_libs/hashtable_class_helper.pxi", line 1683, in pandas._libs.hashtable.PyObjectHashTable.get_item KeyError: 'work_tgdwevfh5fgm7khuvynwiujwji' The above exception was the direct cause of the following exception: Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/reader-compute/reader-classic/bin/file2bib.py", line 66, in if ( bibliographics.loc[ escape ,'author'] ) : author = bibliographics.loc[ escape,'author'] File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 873, in __getitem__ return self._getitem_tuple(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1044, in _getitem_tuple return self._getitem_lowerdim(tup) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 786, in _getitem_lowerdim section = self._getitem_axis(key, axis=i) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1110, in _getitem_axis return self._get_label(key, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1059, in _get_label return self.obj.xs(label, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/generic.py", line 3491, in xs loc = self.index.get_loc(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2897, in get_loc raise KeyError(key) from err KeyError: 'work_tgdwevfh5fgm7khuvynwiujwji' work_v4mj6zift5dg7on5n2atqes6ve txt/../wrd/work_v4mj6zift5dg7on5n2atqes6ve.wrd === file2bib.sh === id: work_hbok5c6t6rgybfgo4vivoeki2i author: Jim Price title: Michael Gregory Price date: 2007 pages: extension: .pdf txt: ./txt/work_hbok5c6t6rgybfgo4vivoeki2i.txt cache: ./cache/work_hbok5c6t6rgybfgo4vivoeki2i.pdf Content-Type application/xml X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.xml.DcXMLParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 1 resourceName b'work_hbok5c6t6rgybfgo4vivoeki2i.pdf' work_auwp6swqw5bfxa32wkn7px7lg4 txt/../wrd/work_auwp6swqw5bfxa32wkn7px7lg4.wrd work_durarhbgxnapvd35d5jv6bjbui txt/../pos/work_durarhbgxnapvd35d5jv6bjbui.pos work_4ddwhs7gxvevfnrrl2qoyha4ya txt/../ent/work_4ddwhs7gxvevfnrrl2qoyha4ya.ent work_j6bb3dhd7fdphpdl3we6mi7eg4 txt/../ent/work_j6bb3dhd7fdphpdl3we6mi7eg4.ent === file2bib.sh === id: work_ibwu6wgcavaypov5zrsbdhkq7u author: Amarí Peliowski title: La conquista de la naturaleza: el imaginario arquitectónico de Alonso de Ovalle en el siglo XVII date: 2016 pages: 10 extension: .pdf txt: ./txt/work_ibwu6wgcavaypov5zrsbdhkq7u.txt cache: ./cache/work_ibwu6wgcavaypov5zrsbdhkq7u.pdf Content-Type application/pdf Creation-Date 2016-12-06T18:16:40Z Last-Modified 2016-12-06T20:06:33Z Last-Save-Date 2016-12-06T20:06:33Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 45 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2016-12-06T18:16:40Z date 2016-12-06T20:06:33Z dc:format application/pdf; version=1.6 dcterms:created 2016-12-06T18:16:40Z dcterms:modified 2016-12-06T20:06:33Z meta:creation-date 2016-12-06T18:16:40Z meta:save-date 2016-12-06T20:06:33Z modified 2016-12-06T20:06:33Z pdf:PDFVersion 1.6 pdf:charsPerPage ['1852', '2884', '3469', '2516', '455', '3072', '3487', '2741', '3328', '4566'] pdf:docinfo:created 2016-12-06T18:16:40Z pdf:docinfo:creator_tool Adobe InDesign CC 2015 (Windows) pdf:docinfo:modified 2016-12-06T20:06:33Z pdf:docinfo:producer Adobe PDF Library 15.0 pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0', '0', '0', '0', '0', '0', '0'] producer Adobe PDF Library 15.0 resourceName b'work_ibwu6wgcavaypov5zrsbdhkq7u.pdf' xmp:CreatorTool Adobe InDesign CC 2015 (Windows) xmpMM:DocumentID uuid:3ea6fb7e-9424-4e36-8556-a680f6ef0d45 xmpTPg:NPages 10 work_auwp6swqw5bfxa32wkn7px7lg4 txt/../pos/work_auwp6swqw5bfxa32wkn7px7lg4.pos work_v4mj6zift5dg7on5n2atqes6ve txt/../pos/work_v4mj6zift5dg7on5n2atqes6ve.pos work_z6kl2ubv6jckpjk7zks5yhqpau txt/../wrd/work_z6kl2ubv6jckpjk7zks5yhqpau.wrd INFO Detecting media type for Filename: b'work_h4saf4x5hregjpgf7isw4aoerm.pdf' INFO rmeta/text (autodetecting type) INFO Detecting media type for Filename: b'work_l7po3cmgjrdnbgqgas65xaq7du.pdf' INFO rmeta/text (autodetecting type) === file2bib.sh === Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2895, in get_loc return self._engine.get_loc(casted_key) File "pandas/_libs/index.pyx", line 70, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/index.pyx", line 101, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/hashtable_class_helper.pxi", line 1675, in pandas._libs.hashtable.PyObjectHashTable.get_item File "pandas/_libs/hashtable_class_helper.pxi", line 1683, in pandas._libs.hashtable.PyObjectHashTable.get_item KeyError: 'work_h4saf4x5hregjpgf7isw4aoerm' The above exception was the direct cause of the following exception: Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/reader-compute/reader-classic/bin/file2bib.py", line 66, in if ( bibliographics.loc[ escape ,'author'] ) : author = bibliographics.loc[ escape,'author'] File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 873, in __getitem__ return self._getitem_tuple(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1044, in _getitem_tuple return self._getitem_lowerdim(tup) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 786, in _getitem_lowerdim section = self._getitem_axis(key, axis=i) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1110, in _getitem_axis return self._get_label(key, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1059, in _get_label return self.obj.xs(label, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/generic.py", line 3491, in xs loc = self.index.get_loc(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2897, in get_loc raise KeyError(key) from err KeyError: 'work_h4saf4x5hregjpgf7isw4aoerm' work_dshunqjcvbfqxozorphuuhp7hq txt/../ent/work_dshunqjcvbfqxozorphuuhp7hq.ent === file2bib.sh === id: work_d6qplvfp6nc2zeynue3v2gb6hm author: Luz Neira García title: Fashion: Cultural Heritage and the Made in date: 2018 pages: 13 extension: .pdf txt: ./txt/work_d6qplvfp6nc2zeynue3v2gb6hm.txt cache: ./cache/work_d6qplvfp6nc2zeynue3v2gb6hm.pdf Author Luz Neira García Content-Type application/pdf Creation-Date 2018-07-24T07:58:22Z Keywords Made in, Fashion Culture, Museology, Fashion Exhibitions, Fashion Heritage X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 62 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2018-07-24T07:58:22Z creator Luz Neira García dc:creator Luz Neira García dc:format application/pdf; version=1.5 dc:language en-US dc:subject Made in, Fashion Culture, Museology, Fashion Exhibitions, Fashion Heritage dc:title Fashion: Cultural Heritage and the Made in dcterms:created 2018-07-24T07:58:22Z language en-US meta:author Luz Neira García meta:creation-date 2018-07-24T07:58:22Z meta:keyword Made in, Fashion Culture, Museology, Fashion Exhibitions, Fashion Heritage pdf:PDFVersion 1.5 pdf:charsPerPage ['1697', '3869', '4422', '3325', '3471', '3963', '3494', '3805', '3370', '3498', '3628', '2972', '2603'] pdf:docinfo:created 2018-07-24T07:58:22Z pdf:docinfo:creator Luz Neira García pdf:docinfo:creator_tool LaTeX with hyperref package pdf:docinfo:keywords Made in, Fashion Culture, Museology, Fashion Exhibitions, Fashion Heritage pdf:docinfo:producer XeTeX 0.99998 pdf:docinfo:title Fashion: Cultural Heritage and the Made in pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP false pdf:unmappedUnicodeCharsPerPage ['1', '4', '0', '7', '2', '0', '0', '3', '3', '2', '0', '2', '0'] producer XeTeX 0.99998 resourceName b'work_d6qplvfp6nc2zeynue3v2gb6hm.pdf' subject Made in, Fashion Culture, Museology, Fashion Exhibitions, Fashion Heritage title Fashion: Cultural Heritage and the Made in xmp:CreatorTool LaTeX with hyperref package xmpTPg:NPages 13 work_z6kl2ubv6jckpjk7zks5yhqpau txt/../pos/work_z6kl2ubv6jckpjk7zks5yhqpau.pos INFO Detecting media type for Filename: b'work_ijxgqcknlrecvak7usubdtibt4.pdf' INFO rmeta/text (autodetecting type) === file2bib.sh === id: work_56nc3yc2lncbvphhqvqrsic6iq author: Anna Karolak title: Experimental investigations of timber beams with stop-splayed scarf carpentry joints date: 2020 pages: 17 extension: .pdf txt: ./txt/work_56nc3yc2lncbvphhqvqrsic6iq.txt cache: ./cache/work_56nc3yc2lncbvphhqvqrsic6iq.pdf Author Content-Type application/pdf Creation-Date 2020-03-21T10:17:05Z Keywords Last-Modified 2020-03-21T10:17:05Z Last-Save-Date 2020-03-21T10:17:05Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 135 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true cp:subject created 2020-03-21T10:17:05Z creator date 2020-03-21T10:17:05Z dc:creator dc:format application/pdf; version=1.5 dc:subject dc:title dcterms:created 2020-03-21T10:17:05Z dcterms:modified 2020-03-21T10:17:05Z meta:author meta:creation-date 2020-03-21T10:17:05Z meta:keyword meta:save-date 2020-03-21T10:17:05Z modified 2020-03-21T10:17:05Z pdf:PDFVersion 1.5 pdf:charsPerPage ['3709', '3442', '2027', '3456', '2407', '1304', '1985', '1628', '1440', '38', '521', '1321', '909', '1198', '3392', '4371', '4297'] pdf:docinfo:created 2020-03-21T10:17:05Z pdf:docinfo:creator pdf:docinfo:creator_tool pdf:docinfo:keywords pdf:docinfo:modified 2020-03-21T10:17:05Z pdf:docinfo:producer Foxit Reader PDF Printer Version 7.1.0.112 pdf:docinfo:subject pdf:docinfo:title pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP false pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0'] producer Foxit Reader PDF Printer Version 7.1.0.112 resourceName b'work_56nc3yc2lncbvphhqvqrsic6iq.pdf' subject title xmp:CreatorTool xmpTPg:NPages 17 work_6gz4dwsda5ha3nr7yfkkaprpky txt/../pos/work_6gz4dwsda5ha3nr7yfkkaprpky.pos work_y3sxrelf3ncznhdsztx53rdtza txt/../wrd/work_y3sxrelf3ncznhdsztx53rdtza.wrd work_ad3q2s4ahjflbhfb5xst3ni4ha txt/../ent/work_ad3q2s4ahjflbhfb5xst3ni4ha.ent work_j7nmsf55djdspckwocsp3zum5e txt/../ent/work_j7nmsf55djdspckwocsp3zum5e.ent work_iym3pjsemzdphla4lfngvq4efu txt/../wrd/work_iym3pjsemzdphla4lfngvq4efu.wrd work_iym3pjsemzdphla4lfngvq4efu txt/../pos/work_iym3pjsemzdphla4lfngvq4efu.pos === file2bib.sh === id: work_sq3j3p2wsfaebhsqzyevq4svpm author: KASPAR VON GREYERZ title: Reviews of Books date: 1987 pages: 3 extension: .pdf txt: ./txt/work_sq3j3p2wsfaebhsqzyevq4svpm.txt cache: ./cache/work_sq3j3p2wsfaebhsqzyevq4svpm.pdf Content-Type application/pdf X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 17 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true dc:format application/pdf; version=1.3 pdf:PDFVersion 1.3 pdf:charsPerPage ['3618', '3751', '3302'] pdf:docinfo:producer PyPDF2 pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP false pdf:unmappedUnicodeCharsPerPage ['0', '0', '0'] producer PyPDF2 resourceName b'work_sq3j3p2wsfaebhsqzyevq4svpm.pdf' xmpTPg:NPages 3 === file2bib.sh === id: work_63vjm466o5bnpjg2oxbd4kaxs4 author: Michael Lettieri title: Cortigiana (review) date: 2004 pages: 3 extension: .pdf txt: ./txt/work_63vjm466o5bnpjg2oxbd4kaxs4.txt cache: ./cache/work_63vjm466o5bnpjg2oxbd4kaxs4.pdf Author Michael Lettieri Content-Type application/pdf Creation-Date 2005-03-15T15:26:19Z Last-Modified 2005-03-15T15:31:25Z Last-Save-Date 2005-03-15T15:31:25Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 23 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2005-03-15T15:26:19Z creator Michael Lettieri date 2005-03-15T15:31:25Z dc:creator Michael Lettieri dc:format application/pdf; version=1.4 dc:title Cortigiana (review) dcterms:created 2005-03-15T15:26:19Z dcterms:modified 2005-03-15T15:31:25Z meta:author Michael Lettieri meta:creation-date 2005-03-15T15:26:19Z meta:save-date 2005-03-15T15:31:25Z modified 2005-03-15T15:31:25Z pdf:PDFVersion 1.4 pdf:charsPerPage ['363', '2889', '2799'] pdf:docinfo:created 2005-03-15T15:26:19Z pdf:docinfo:creator Michael Lettieri pdf:docinfo:creator_tool Adobe Acrobat 6.0 pdf:docinfo:modified 2005-03-15T15:31:25Z pdf:docinfo:producer Project MUSE pdf:docinfo:title Cortigiana (review) pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['0', '2781', '2666'] producer Project MUSE resourceName b'work_63vjm466o5bnpjg2oxbd4kaxs4.pdf' title Cortigiana (review) xmp:CreatorTool Adobe Acrobat 6.0 xmpTPg:NPages 3 work_roslztnlnjgkrd7xaqhm7hv3ra txt/../wrd/work_roslztnlnjgkrd7xaqhm7hv3ra.wrd work_y3sxrelf3ncznhdsztx53rdtza txt/../pos/work_y3sxrelf3ncznhdsztx53rdtza.pos INFO Detecting media type for Filename: b'work_ccdw3wdq5ffurecxalwcf3fk4u.pdf' INFO rmeta/text (autodetecting type) work_6gz4dwsda5ha3nr7yfkkaprpky txt/../wrd/work_6gz4dwsda5ha3nr7yfkkaprpky.wrd INFO Detecting media type for Filename: b'work_lask4pvip5fixdb6uf4extrktm.pdf' INFO rmeta/text (autodetecting type) work_l3giqgsspvdh7g73i2vdyftajq txt/../ent/work_l3giqgsspvdh7g73i2vdyftajq.ent work_durarhbgxnapvd35d5jv6bjbui txt/../ent/work_durarhbgxnapvd35d5jv6bjbui.ent 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work_bhtvuqlpirh2dijvcd6jc4dzlq txt/../wrd/work_bhtvuqlpirh2dijvcd6jc4dzlq.wrd === file2bib.sh === id: work_fmx4anp74vfd7ps34dqgsropbm author: Alessandro Nova title: Raphael and the redefinition of art in Renaissance Italy date: 2019 pages: 6 extension: .pdf txt: ./txt/work_fmx4anp74vfd7ps34dqgsropbm.txt cache: ./cache/work_fmx4anp74vfd7ps34dqgsropbm.pdf Author Nova Content-Type application/pdf Creation-Date 2019-04-15T08:04:00Z Last-Modified 2019-04-15T08:04:00Z Last-Save-Date 2019-04-15T08:04:00Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 39 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2019-04-15T08:04:00Z creator Nova date 2019-04-15T08:04:00Z dc:creator Nova dc:format application/pdf; version=1.5 dc:language en-GB dc:title Alessandro Nova: Einführung ins Hauptstudium 20 dcterms:created 2019-04-15T08:04:00Z dcterms:modified 2019-04-15T08:04:00Z language en-GB meta:author Nova meta:creation-date 2019-04-15T08:04:00Z meta:save-date 2019-04-15T08:04:00Z modified 2019-04-15T08:04:00Z pdf:PDFVersion 1.5 pdf:charsPerPage ['3000', '3859', '3802', '3806', '3841', '1829'] pdf:docinfo:created 2019-04-15T08:04:00Z pdf:docinfo:creator Nova pdf:docinfo:creator_tool Microsoft® Office Word 2007 pdf:docinfo:modified 2019-04-15T08:04:00Z pdf:docinfo:producer Microsoft® Office Word 2007 pdf:docinfo:title Alessandro Nova: Einführung ins Hauptstudium 20 pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP false pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0', '0', '0'] producer Microsoft® Office Word 2007 resourceName b'work_fmx4anp74vfd7ps34dqgsropbm.pdf' title Alessandro Nova: Einführung ins Hauptstudium 20 xmp:CreatorTool Microsoft® Office Word 2007 xmpTPg:NPages 6 work_t3ltsd5vgbea5j4bzaesckjc7q txt/../wrd/work_t3ltsd5vgbea5j4bzaesckjc7q.wrd work_v4mj6zift5dg7on5n2atqes6ve txt/../ent/work_v4mj6zift5dg7on5n2atqes6ve.ent === file2bib.sh === id: work_tat5nea3cjhgpagdc7bbvbdlay author: Stefano Gambari title: "You will be richer, but I very much doubt that you will be happier". Antonio Panizzi professor in London, 1828-1831 date: 2020 pages: 16 extension: .pdf txt: ./txt/work_tat5nea3cjhgpagdc7bbvbdlay.txt cache: ./cache/work_tat5nea3cjhgpagdc7bbvbdlay.pdf Author Valentina Demontis Content-Type application/pdf Creation-Date 2020-01-13T08:30:22Z Last-Modified 2020-01-13T08:30:22Z Last-Save-Date 2020-01-13T08:30:22Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 100 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2020-01-13T08:30:22Z creator Valentina Demontis date 2020-01-13T08:30:22Z dc:creator Valentina Demontis dc:format application/pdf; version=1.7 dc:language it-IT dcterms:created 2020-01-13T08:30:22Z dcterms:modified 2020-01-13T08:30:22Z language it-IT meta:author Valentina Demontis meta:creation-date 2020-01-13T08:30:22Z meta:save-date 2020-01-13T08:30:22Z modified 2020-01-13T08:30:22Z pdf:PDFVersion 1.7 pdf:charsPerPage ['2330', '3821', '4353', '4315', '3755', '3913', '3898', '4012', '3781', '4498', '4120', '4423', '3357', '4276', '2584', '2626'] pdf:docinfo:created 2020-01-13T08:30:22Z pdf:docinfo:creator Valentina Demontis pdf:docinfo:creator_tool Microsoft® Word per Office 365 pdf:docinfo:modified 2020-01-13T08:30:22Z pdf:docinfo:producer Microsoft® Word per Office 365 pdf:encrypted false pdf:hasMarkedContent true pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0'] producer Microsoft® Word per Office 365 resourceName b'work_tat5nea3cjhgpagdc7bbvbdlay.pdf' xmp:CreatorTool Microsoft® Word per Office 365 xmpMM:DocumentID uuid:971FAE89-6F59-4A1B-9924-3E34E8457046 xmpTPg:NPages 16 work_spywvikfcfcshk3sabxrwkntv4 txt/../wrd/work_spywvikfcfcshk3sabxrwkntv4.wrd === file2bib.sh === id: work_m4l7coqfy5evrp3dvr3i7awr34 author: Romy Golan title: 'Towards a Latin Europe': Vers une Europe Latine: Acteurs et enjeux des échanges culturels entre la France et l'Italie fasciste, Catherine Fraixe, Lucia Piccioni and Christophe Poupault, eds., Brussels: P.I.E. Lang, 2014 date: 2014 pages: 6 extension: .pdf txt: ./txt/work_m4l7coqfy5evrp3dvr3i7awr34.txt cache: ./cache/work_m4l7coqfy5evrp3dvr3i7awr34.pdf Author romy golan Content-Type application/pdf Creation-Date 2014-11-21T10:30:49Z Last-Modified 2014-11-21T10:30:49Z Last-Save-Date 2014-11-21T10:30:49Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 33 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2014-11-21T10:30:49Z creator romy golan date 2014-11-21T10:30:49Z dc:creator romy golan dc:format application/pdf; version=1.5 dc:language en-GB dcterms:created 2014-11-21T10:30:49Z 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Bernadett Bajnóczi title: Archaeometric characterization of 17th-century tin-glazed Anabaptist (Hutterite) faience artefacts from North-East-Hungary date: 2014 pages: 37 extension: .pdf txt: ./txt/work_be3khgmimzemfb2c64aluqvryi.txt cache: ./cache/work_be3khgmimzemfb2c64aluqvryi.pdf Author Bajnóczi Bernadett Content-Type application/pdf Creation-Date 2014-01-06T21:51:26Z Last-Modified 2014-01-06T21:51:26Z Last-Save-Date 2014-01-06T21:51:26Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 222 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2014-01-06T21:51:26Z creator Bajnóczi Bernadett date 2014-01-06T21:51:26Z dc:creator Bajnóczi Bernadett dc:format application/pdf; version=1.6 dc:title Microsoft Word - BB et al - revised.doc dcterms:created 2014-01-06T21:51:26Z dcterms:modified 2014-01-06T21:51:26Z meta:author Bajnóczi Bernadett meta:creation-date 2014-01-06T21:51:26Z meta:save-date 2014-01-06T21:51:26Z modified 2014-01-06T21:51:26Z pdf:PDFVersion 1.6 pdf:charsPerPage ['2287', '2950', '3077', '2774', '2892', '2579', '2772', '2860', '3120', '2706', '3021', '3179', '2978', '3191', '3176', '2754', '2319', '2577', '2487', '2286', '2533', '2396', '2115', '2234', '1679', '807', '2763', '3790', '116', '30', '306', '23', '25', '41', '415', '52', '250'] pdf:docinfo:created 2014-01-06T21:51:26Z pdf:docinfo:creator Bajnóczi Bernadett pdf:docinfo:creator_tool PScript5.dll Version 5.2.2 pdf:docinfo:modified 2014-01-06T21:51:26Z pdf:docinfo:producer Acrobat Distiller 8.1.0 (Windows) pdf:docinfo:title Microsoft Word - BB et al - revised.doc pdf:encrypted false pdf:hasMarkedContent true pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '2', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0'] producer Acrobat Distiller 8.1.0 (Windows) resourceName b'work_be3khgmimzemfb2c64aluqvryi.pdf' title Microsoft Word - BB et al - revised.doc xmp:CreatorTool PScript5.dll Version 5.2.2 xmpMM:DocumentID uuid:103a1f67-96e6-4c4f-9502-c436eb626274 xmpTPg:NPages 37 work_spywvikfcfcshk3sabxrwkntv4 txt/../pos/work_spywvikfcfcshk3sabxrwkntv4.pos INFO Detecting media type for Filename: b'work_k4f33zbszfhzxpqcawutk5hvvm.pdf' INFO rmeta/text (autodetecting type) work_iym3pjsemzdphla4lfngvq4efu txt/../ent/work_iym3pjsemzdphla4lfngvq4efu.ent work_y3sxrelf3ncznhdsztx53rdtza txt/../ent/work_y3sxrelf3ncznhdsztx53rdtza.ent work_6gz4dwsda5ha3nr7yfkkaprpky txt/../ent/work_6gz4dwsda5ha3nr7yfkkaprpky.ent INFO Detecting media type for Filename: b'work_33mifywa6rgttcmle2p3n7fnei.pdf' INFO rmeta/text (autodetecting type) INFO Detecting media type for Filename: b'work_6q2fn7zxrzg5vdc36m7ws37fse.pdf' INFO rmeta/text (autodetecting type) work_utka6uyabvh5bfb5nf4p7yixia txt/../wrd/work_utka6uyabvh5bfb5nf4p7yixia.wrd work_2hnsj5pbofa3rpnjg7kat4meca txt/../pos/work_2hnsj5pbofa3rpnjg7kat4meca.pos === file2bib.sh === Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2895, in get_loc return self._engine.get_loc(casted_key) File "pandas/_libs/index.pyx", line 70, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/index.pyx", line 101, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/hashtable_class_helper.pxi", line 1675, in pandas._libs.hashtable.PyObjectHashTable.get_item File "pandas/_libs/hashtable_class_helper.pxi", line 1683, in pandas._libs.hashtable.PyObjectHashTable.get_item KeyError: 'work_6q2fn7zxrzg5vdc36m7ws37fse' The above exception was the direct cause of the following exception: Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/reader-compute/reader-classic/bin/file2bib.py", line 66, in if ( bibliographics.loc[ escape ,'author'] ) : author = bibliographics.loc[ escape,'author'] File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 873, in __getitem__ return self._getitem_tuple(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1044, in _getitem_tuple return self._getitem_lowerdim(tup) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 786, in _getitem_lowerdim section = self._getitem_axis(key, axis=i) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1110, in _getitem_axis return self._get_label(key, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1059, in _get_label return self.obj.xs(label, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/generic.py", line 3491, in xs loc = self.index.get_loc(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2897, in get_loc raise KeyError(key) from err KeyError: 'work_6q2fn7zxrzg5vdc36m7ws37fse' work_z6kl2ubv6jckpjk7zks5yhqpau txt/../ent/work_z6kl2ubv6jckpjk7zks5yhqpau.ent INFO Detecting media type for Filename: b'work_2qnly4fkejbtrgzmorqaqn2ray.pdf' INFO rmeta/text (autodetecting type) work_lcs2cdrzrbexvmveharbjoitoy txt/../wrd/work_lcs2cdrzrbexvmveharbjoitoy.wrd === file2bib.sh === id: work_l7po3cmgjrdnbgqgas65xaq7du author: Marina Radic-Sestic title: The beginnings of education of the deaf persons: Renaissance Europe (XIV-XVI century) date: 2012 pages: 19 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work_ijxgqcknlrecvak7usubdtibt4 author: Emilian M. Dobrescu title: Technical Means of Preservation of Renewable Human Energy's date: 2012 pages: 6 extension: .pdf txt: ./txt/work_ijxgqcknlrecvak7usubdtibt4.txt cache: ./cache/work_ijxgqcknlrecvak7usubdtibt4.pdf Author ['Emilian M. Dobrescu', 'Edith Mihaela Dobre', 'Gavrila-Paven Ionela'] Content-Type application/pdf Creation-Date 2013-09-19T09:38:30Z ElsevierWebPDFSpecifications 6.4 Last-Modified 2014-11-03T12:45:34Z Last-Save-Date 2014-11-03T12:45:34Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 53 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true cp:subject Procedia - Social and Behavioral Sciences, 3 (2012) 463-468. doi:10.1016/S2212-5671(12)00181-5 created 2013-09-19T09:38:30Z creator ['Emilian M. Dobrescu', 'Edith Mihaela Dobre', 'Gavrila-Paven Ionela'] date 2014-11-03T12:45:34Z dc:creator ['Emilian M. Dobrescu', 'Edith Mihaela Dobre', 'Gavrila-Paven Ionela'] dc:description Procedia - Social and Behavioral Sciences, 3 (2012) 463-468. doi:10.1016/S2212-5671(12)00181-5 dc:format application/pdf; version=1.7 dc:title Technical Means of Preservation of Renewable Human Energy's dcterms:created 2013-09-19T09:38:30Z dcterms:modified 2014-11-03T12:45:34Z description Procedia - Social and Behavioral Sciences, 3 (2012) 463-468. doi:10.1016/S2212-5671(12)00181-5 doi 10.1016/S2212-5671(12)00181-5 meta:author ['Emilian M. Dobrescu', 'Edith Mihaela Dobre', 'Gavrila-Paven Ionela'] meta:creation-date 2013-09-19T09:38:30Z meta:save-date 2014-11-03T12:45:34Z modified 2014-11-03T12:45:34Z pdf:PDFVersion 1.7 pdf:charsPerPage ['2335', '4363', '4172', '4672', '4642', '3862'] pdf:docinfo:created 2013-09-19T09:38:30Z pdf:docinfo:creator Emilian M. Dobrescu pdf:docinfo:creator_tool Elsevier pdf:docinfo:custom:ElsevierWebPDFSpecifications 6.4 pdf:docinfo:custom:doi 10.1016/S2212-5671(12)00181-5 pdf:docinfo:custom:robots noindex pdf:docinfo:modified 2014-11-03T12:45:34Z pdf:docinfo:producer Acrobat Distiller 10.0.0 (Windows) pdf:docinfo:subject Procedia - Social and Behavioral Sciences, 3 (2012) 463-468. doi:10.1016/S2212-5671(12)00181-5 pdf:docinfo:title Technical Means of Preservation of Renewable Human Energy's pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0', '0', '0'] producer Acrobat Distiller 10.0.0 (Windows) resourceName b'work_ijxgqcknlrecvak7usubdtibt4.pdf' robots noindex subject Procedia - Social and Behavioral Sciences, 3 (2012) 463-468. doi:10.1016/S2212-5671(12)00181-5 title Technical Means of Preservation of Renewable Human Energy's xmp:CreatorTool Elsevier xmpMM:DocumentID uuid:a1d970af-f73b-4f5d-ac8c-4010aa82f988 xmpTPg:NPages 6 === file2bib.sh === id: work_ccdw3wdq5ffurecxalwcf3fk4u author: Warren Van Egmond title: Piero dell Francesca's mathematical treatises: The "trattato d'abaco" and "libellus de quinque corporibus regularibus" date: 1980 pages: 3 extension: .pdf txt: ./txt/work_ccdw3wdq5ffurecxalwcf3fk4u.txt cache: ./cache/work_ccdw3wdq5ffurecxalwcf3fk4u.pdf Content-Type application/pdf Creation-Date 2003-11-24T09:42:36Z Last-Modified 2003-12-18T20:33:33Z Last-Save-Date 2003-12-18T20:33:33Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 18 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2003-11-24T09:42:36Z date 2003-12-18T20:33:33Z dc:format application/pdf; version=1.3 dc:title PII: 0315-0860(80)90011-7 dcterms:created 2003-11-24T09:42:36Z dcterms:modified 2003-12-18T20:33:33Z meta:creation-date 2003-11-24T09:42:36Z meta:save-date 2003-12-18T20:33:33Z modified 2003-12-18T20:33:33Z pdf:PDFVersion 1.3 pdf:charsPerPage ['2430', '2984', '2241'] pdf:docinfo:created 2003-11-24T09:42:36Z pdf:docinfo:creator_tool Acrobat 4.0 Capture Plug-in for Windows pdf:docinfo:modified 2003-12-18T20:33:33Z pdf:docinfo:producer Acrobat 4.0 Import Plug-in for Windows pdf:docinfo:title PII: 0315-0860(80)90011-7 pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP false pdf:unmappedUnicodeCharsPerPage ['0', '0', '0'] producer Acrobat 4.0 Import Plug-in for Windows resourceName b'work_ccdw3wdq5ffurecxalwcf3fk4u.pdf' title PII: 0315-0860(80)90011-7 xmp:CreatorTool Acrobat 4.0 Capture Plug-in for Windows xmpTPg:NPages 3 work_4dl72z3tira6peb3anajf2etrq txt/../wrd/work_4dl72z3tira6peb3anajf2etrq.wrd INFO Detecting media type for Filename: b'work_ig53zppym5cm5mpxazcugkm5za.pdf' INFO rmeta/text (autodetecting type) work_lcs2cdrzrbexvmveharbjoitoy txt/../pos/work_lcs2cdrzrbexvmveharbjoitoy.pos work_l7po3cmgjrdnbgqgas65xaq7du txt/../wrd/work_l7po3cmgjrdnbgqgas65xaq7du.wrd work_zkhii3lg6jetxg52qkdsnxyww4 txt/../wrd/work_zkhii3lg6jetxg52qkdsnxyww4.wrd work_l7po3cmgjrdnbgqgas65xaq7du txt/../pos/work_l7po3cmgjrdnbgqgas65xaq7du.pos work_qzpu3oj2nveztnrm7ubxqaqf6m txt/../ent/work_qzpu3oj2nveztnrm7ubxqaqf6m.ent === file2bib.sh === id: work_db3ig76kabgabikjk2z7k3vysm author: J. 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No Unicode mapping for CID+47 (47) in font RZQZTD+ACaslon-Bold WARN No Unicode mapping for CID+50 (50) in font RZQZTD+ACaslon-Bold WARN No Unicode mapping for CID+15 (15) in font RZQZTD+ACaslon-Bold WARN No Unicode mapping for CID+51 (51) in font RZQZTD+ACaslon-Bold WARN No Unicode mapping for CID+52 (52) in font RZQZTD+ACaslon-Bold WARN No Unicode mapping for CID+14 (14) in font RZQZTD+ACaslon-Bold WARN No Unicode mapping for CID+0 (0) in font RZQZTD+ACaslon-Bold WARN No Unicode mapping for CID+45 (45) in font RZQZTD+ACaslon-Bold WARN No Unicode mapping for CID+33 (33) in font RZQZTD+ACaslon-Bold WARN No Unicode mapping for CID+41 (41) in font RZQZTD+ACaslon-Bold WARN No Unicode mapping for CID+46 (46) in font RZQZTD+ACaslon-Bold WARN No Unicode mapping for CID+7 (7) in font RZQZTD+ACaslon-Bold WARN No Unicode mapping for CID+52 (52) in font QRGTFF+Frutiger-Black WARN No Unicode mapping for CID+72 (72) in font QRGTFF+Frutiger-Black WARN No Unicode mapping for CID+69 (69) in font QRGTFF+Frutiger-Black WARN No Unicode mapping for CID+0 (0) in font QRGTFF+Frutiger-Black WARN No Unicode mapping for CID+35 (35) in font QRGTFF+Frutiger-Black WARN No Unicode mapping for CID+82 (82) in font QRGTFF+Frutiger-Black WARN No Unicode mapping for CID+73 (73) in font QRGTFF+Frutiger-Black WARN No Unicode mapping for CID+84 (84) in font QRGTFF+Frutiger-Black WARN No Unicode mapping for CID+67 (67) in font QRGTFF+Frutiger-Black WARN No Unicode mapping for CID+65 (65) in font QRGTFF+Frutiger-Black WARN No Unicode mapping for CID+76 (76) in font QRGTFF+Frutiger-Black WARN No Unicode mapping for CID+68 (68) in font QRGTFF+Frutiger-Black WARN No Unicode mapping for CID+79 (79) in font QRGTFF+Frutiger-Black WARN No Unicode mapping for CID+78 (78) in font QRGTFF+Frutiger-Black WARN No Unicode mapping for CID+35 (35) in font RZQZTD+Frutiger-Bold WARN No Unicode mapping for CID+76 (76) in font RZQZTD+Frutiger-Bold WARN No Unicode mapping for CID+52 (52) in font RZQZTD+Frutiger-Bold WARN No Unicode mapping for CID+88 (88) in font RZQZTD+Frutiger-Bold WARN No Unicode mapping for CID+80 (80) in font RZQZTD+Frutiger-Bold WARN No Unicode mapping for CID+89 (89) in font RZQZTD+Frutiger-Bold WARN No Unicode mapping for CID+52 (52) in font QRGTFF+Frutiger-Light WARN No Unicode mapping for CID+72 (72) in font QRGTFF+Frutiger-Light WARN No Unicode mapping for CID+73 (73) in font QRGTFF+Frutiger-Light WARN No Unicode mapping for CID+82 (82) in font QRGTFF+Frutiger-Light WARN No Unicode mapping for CID+68 (68) in font QRGTFF+Frutiger-Light WARN No Unicode mapping for CID+0 (0) in font QRGTFF+Frutiger-Light WARN No Unicode mapping for CID+37 (37) in font QRGTFF+Frutiger-Light WARN No Unicode mapping for CID+84 (84) in font QRGTFF+Frutiger-Light WARN No Unicode mapping for CID+79 (79) in font QRGTFF+Frutiger-Light WARN No Unicode mapping for CID+78 (78) in font QRGTFF+Frutiger-Light WARN No Unicode mapping for CID+36 (36) in font RZQZTD+Frutiger-Bold WARN No Unicode mapping 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PJWNRH+Frutiger-LightItalic WARN No Unicode mapping for CID+71 (71) in font PJWNRH+Frutiger-LightItalic WARN No Unicode mapping for CID+65 (65) in font PJWNRH+Frutiger-LightItalic WARN No Unicode mapping for CID+68 (68) in font PJWNRH+Frutiger-LightItalic WARN No Unicode mapping for CID+39 (39) in font PJWNRH+Frutiger-LightItalic WARN No Unicode mapping for CID+82 (82) in font PJWNRH+Frutiger-LightItalic WARN No Unicode mapping for CID+84 (84) in font PJWNRH+Frutiger-LightItalic WARN No Unicode mapping for CID+70 (70) in font PJWNRH+Frutiger-LightItalic WARN No Unicode mapping for CID+72 (72) in font PJWNRH+Frutiger-LightItalic WARN No Unicode mapping for CID+73 (73) in font PJWNRH+Frutiger-LightItalic WARN No Unicode mapping for CID+89 (89) in font PJWNRH+Frutiger-LightItalic WARN No Unicode mapping for CID+53 (53) in font PJWNRH+Frutiger-LightItalic WARN No Unicode mapping for CID+86 (86) in font PJWNRH+Frutiger-LightItalic WARN No Unicode mapping for CID+46 (46) in font PJWNRH+Frutiger-LightItalic WARN No Unicode mapping for CID+87 (87) in font PJWNRH+Frutiger-LightItalic WARN No Unicode mapping for CID+57 (57) in font PJWNRH+Frutiger-LightItalic WARN No Unicode mapping for CID+75 (75) in font PJWNRH+Frutiger-LightItalic WARN No Unicode mapping for CID+83 (83) in font QRGTFF+Frutiger-Light WARN No Unicode mapping for CID+66 (66) in font QRGTFF+Frutiger-Light WARN No Unicode mapping for CID+69 (69) in font QRGTFF+Frutiger-Light WARN No Unicode mapping for CID+13 (13) in font QRGTFF+Frutiger-Light WARN No Unicode mapping for CID+76 (76) in font QRGTFF+Frutiger-Light WARN No Unicode mapping for CID+65 (65) in font QRGTFF+Frutiger-Light WARN No Unicode mapping for CID+67 (67) in font QRGTFF+Frutiger-Light WARN No Unicode mapping for CID+77 (77) in font QRGTFF+Frutiger-Light WARN No Unicode mapping for CID+80 (80) in font QRGTFF+Frutiger-Light WARN No Unicode mapping for CID+86 (86) in font QRGTFF+Frutiger-Light WARN No Unicode mapping for CID+85 (85) in font QRGTFF+Frutiger-Light WARN No Unicode mapping for CID+71 (71) in font QRGTFF+Frutiger-Light WARN No Unicode mapping for CID+89 (89) in font QRGTFF+Frutiger-Light WARN No Unicode mapping for CID+70 (70) in font QRGTFF+Frutiger-Light WARN No Unicode mapping for CID+74 (74) in font QRGTFF+Frutiger-Light WARN No Unicode mapping for CID+136 (136) in font QRGTFF+Frutiger-Light WARN No Unicode mapping for CID+48 (48) in font QRGTFF+Frutiger-Light WARN No Unicode mapping for CID+87 (87) in font QRGTFF+Frutiger-Light WARN No Unicode mapping for CID+14 (14) in font QRGTFF+Frutiger-Light WARN No Unicode mapping for CID+18 (18) in font PJWNRH+Frutiger-LightCn WARN No Unicode mapping for CID+16 (16) in font PJWNRH+Frutiger-LightCn WARN No Unicode mapping for CID+22 (22) in font PJWNRH+Frutiger-LightCn WARN No Unicode mapping for CID+15 (15) in font PJWNRH+Frutiger-LightCn WARN No Unicode mapping for CID+67 (67) in font PJWNRH+Frutiger-LightCn WARN No Unicode mapping for CID+76 (76) in font PJWNRH+Frutiger-LightCn WARN No Unicode mapping for CID+79 (79) in font PJWNRH+Frutiger-LightCn WARN No Unicode mapping for CID+84 (84) in font PJWNRH+Frutiger-LightCn WARN No Unicode mapping for CID+72 (72) in font PJWNRH+Frutiger-LightCn WARN No Unicode mapping for CID+0 (0) in font PJWNRH+Frutiger-LightCn WARN No Unicode mapping for CID+80 (80) in font PJWNRH+Frutiger-LightCn WARN No Unicode mapping for CID+65 (65) in font PJWNRH+Frutiger-LightCn WARN No Unicode mapping for CID+71 (71) in font PJWNRH+Frutiger-LightCn WARN No Unicode mapping for CID+69 (69) in font PJWNRH+Frutiger-LightCn WARN No Unicode mapping for CID+83 (83) in font PJWNRH+Frutiger-LightCn WARN No Unicode mapping for CID+82 (82) in font PJWNRH+Frutiger-LightCn WARN No Unicode mapping for CID+20 (20) in font PJWNRH+Frutiger-LightCn WARN No Unicode mapping for CID+24 (24) in font PJWNRH+Frutiger-LightCn WARN No Unicode mapping for CID+46 (46) in font RZQZTD+Frutiger-Bold WARN No Unicode mapping for CID+33 (33) in font RZQZTD+Frutiger-Bold WARN No Unicode mapping for CID+41 (41) in font RZQZTD+Frutiger-Bold WARN No Unicode mapping for CID+37 (37) in font RZQZTD+Frutiger-Bold WARN No Unicode mapping for CID+44 (44) in font RZQZTD+Frutiger-Bold WARN No Unicode mapping for CID+55 (55) in font RZQZTD+Frutiger-Bold WARN No Unicode mapping for CID+47 (47) in font RZQZTD+Frutiger-Bold WARN No Unicode mapping for CID+51 (51) in font QRGTFF+Frutiger-Black WARN No Unicode mapping for CID+44 (44) in font QRGTFF+Frutiger-Black WARN No Unicode mapping for CID+51 (51) in font QRGTFF+Frutiger-Light WARN No Unicode mapping for CID+45 (45) in font RZQZTD+Frutiger-Bold WARN No Unicode mapping for CID+85 (85) in font RZQZTD+Frutiger-Bold WARN No Unicode mapping for CID+108 (108) in font RZQZTD+Frutiger-Bold WARN No Unicode mapping for CID+51 (51) in font PJWNRH+Frutiger-LightItalic WARN No Unicode mapping for CID+45 (45) in font PJWNRH+Frutiger-LightItalic WARN No Unicode mapping for CID+42 (42) in font RZQZTD+Frutiger-Bold WARN No Unicode mapping for CID+51 (51) in font RZQZTD+Frutiger-Bold WARN No Unicode mapping for CID+57 (57) in font RZQZTD+Frutiger-Bold WARN No Unicode mapping for CID+33 (33) in font QRGTFF+Frutiger-Black WARN No Unicode mapping for CID+48 (48) in font QRGTFF+Frutiger-Black WARN No Unicode mapping for CID+70 (70) in font QRGTFF+Frutiger-Black WARN No Unicode mapping for CID+83 (83) in font QRGTFF+Frutiger-Black WARN No Unicode mapping for CID+57 (57) in font QRGTFF+Frutiger-Black WARN No Unicode mapping for CID+85 (85) in font QRGTFF+Frutiger-Black WARN No Unicode mapping for CID+71 (71) in font QRGTFF+Frutiger-Black WARN No Unicode mapping for CID+45 (45) in font QRGTFF+Frutiger-Black WARN No Unicode mapping for CID+34 (34) in font RZQZTD+Frutiger-Bold WARN No Unicode mapping for CID+43 (43) in font RZQZTD+Frutiger-Bold WARN No Unicode mapping for CID+38 (38) in font PJWNRH+Frutiger-LightItalic WARN No Unicode mapping for CID+0 (0) in font OBMHDJ+ACaslon-Regular WARN No Unicode mapping for CID+59 (59) in font OBMHDJ+ACaslon-Regular WARN No Unicode mapping for CID+80 (80) in font OBMHDJ+ACaslon-Regular WARN No Unicode mapping for CID+76 (76) in font OBMHDJ+ACaslon-Regular WARN No Unicode mapping for CID+65 (65) in font OBMHDJ+ACaslon-Regular WARN No Unicode mapping for CID+67 (67) in font OBMHDJ+ACaslon-Regular WARN No Unicode mapping for CID+69 (69) in font OBMHDJ+ACaslon-Regular WARN No Unicode mapping for CID+77 (77) in font OBMHDJ+ACaslon-Regular WARN No Unicode mapping for CID+78 (78) in font OBMHDJ+ACaslon-Regular WARN No Unicode mapping for CID+84 (84) in font OBMHDJ+ACaslon-Regular WARN No Unicode mapping for CID+26 (26) in font OBMHDJ+ACaslon-Regular WARN No Unicode mapping for CID+47 (47) in font OBMHDJ+ACaslon-Regular WARN No Unicode mapping for CID+71 (71) in font OBMHDJ+ACaslon-Regular WARN No Unicode mapping for CID+85 (85) in font OBMHDJ+ACaslon-Regular WARN No Unicode mapping for CID+66 (66) in font OBMHDJ+ACaslon-Regular WARN No Unicode mapping for CID+73 (73) in font OBMHDJ+ACaslon-Regular WARN No Unicode mapping for CID+79 (79) in font OBMHDJ+ACaslon-Regular WARN No Unicode mapping for CID+48 (48) in font OBMHDJ+ACaslon-Regular WARN No Unicode mapping for CID+45 (45) in font OBMHDJ+ACaslon-Regular WARN No Unicode mapping for CID+44 (44) in font OBMHDJ+ACaslon-Regular WARN No Unicode mapping for CID+33 (33) in font OBMHDJ+ACaslon-Regular WARN No Unicode mapping for CID+12 (12) in font OBMHDJ+ACaslon-Regular WARN No Unicode mapping for CID+82 (82) in font OBMHDJ+ACaslon-Regular WARN No Unicode mapping for CID+72 (72) in font OBMHDJ+ACaslon-Regular WARN No Unicode mapping for CID+18 (18) in font OBMHDJ+ACaslon-Regular WARN No Unicode mapping for CID+16 (16) in font OBMHDJ+ACaslon-Regular WARN No Unicode mapping for CID+22 (22) in font OBMHDJ+ACaslon-Regular WARN No Unicode mapping for CID+136 (136) in font OBMHDJ+ACaslon-Regular WARN No Unicode mapping for CID+68 (68) in font OBMHDJ+ACaslon-Regular WARN No Unicode mapping for CID+83 (83) in font OBMHDJ+ACaslon-Regular WARN No Unicode mapping for CID+90 (90) in font OBMHDJ+ACaslon-Regular WARN No Unicode mapping for CID+118 (118) in font OBMHDJ+ACaslon-Regular WARN No Unicode mapping for CID+88 (88) in font OBMHDJ+ACaslon-Regular WARN No Unicode mapping for CID+24 (24) in font OBMHDJ+ACaslon-Regular WARN No Unicode mapping for CID+13 (13) in font OBMHDJ+ACaslon-Regular WARN No Unicode mapping for CID+19 (19) in font OBMHDJ+ACaslon-Regular WARN No Unicode mapping for CID+15 (15) in font OBMHDJ+ACaslon-Regular WARN No Unicode mapping for CID+20 (20) in font OBMHDJ+ACaslon-Regular WARN No Unicode mapping for CID+61 (61) in font OBMHDJ+ACaslon-Regular WARN No Unicode mapping for CID+0 (0) in font NTCBPL+Frutiger-BlackItalic WARN No Unicode mapping for CID+46 (46) in font NTCBPL+Frutiger-BlackItalic WARN No Unicode mapping for CID+37 (37) in font NTCBPL+Frutiger-BlackItalic WARN No Unicode mapping for CID+55 (55) in font NTCBPL+Frutiger-BlackItalic WARN No Unicode mapping for CID+1 (1) in font NTCBPL+Frutiger-BlackItalic WARN No Unicode mapping for CID+41 (41) in font PUSWCH+MetaPlusBold-Roman WARN No Unicode mapping for CID+70 (70) in font PUSWCH+MetaPlusBold-Roman WARN No Unicode mapping for CID+66 (66) in font PUSWCH+MetaPlusBold-Roman WARN No Unicode mapping for CID+77 (77) in font PUSWCH+MetaPlusBold-Roman WARN No Unicode mapping for CID+74 (74) in font PUSWCH+MetaPlusBold-Roman WARN No Unicode mapping for CID+79 (79) in font PUSWCH+MetaPlusBold-Roman WARN No Unicode mapping for CID+72 (72) in font PUSWCH+MetaPlusBold-Roman WARN No Unicode mapping for CID+1 (1) in font PUSWCH+MetaPlusBold-Roman WARN No Unicode mapping for CID+52 (52) in font PUSWCH+MetaPlusBold-Roman WARN No Unicode mapping for CID+80 (80) in font PUSWCH+MetaPlusBold-Roman WARN No Unicode mapping for CID+84 (84) in font PUSWCH+MetaPlusBold-Roman WARN No Unicode mapping for CID+53 (53) in font PUSWCH+MetaPlusBold-Roman WARN No Unicode mapping for CID+38 (38) in font PUSWCH+MetaPlusBold-Roman WARN No Unicode mapping for CID+37 (37) in font PUSWCH+MetaPlusBold-Roman WARN No Unicode mapping for CID+40 (40) in font PUSWCH+MetaPlusBold-Roman WARN No Unicode mapping for CID+42 (42) in font PUSWCH+MetaPlusBold-Roman WARN No Unicode mapping for CID+48 (48) in font PUSWCH+MetaPlusBold-Roman WARN No Unicode mapping for CID+34 (34) in font PUSWCH+MetaPlusBold-Roman WARN No Unicode mapping for CID+19 (19) in font OMIQOJ+MetaPlusBook-Roman WARN No Unicode mapping for CID+23 (23) in font OMIQOJ+MetaPlusBook-Roman WARN No Unicode mapping for CID+21 (21) in font OMIQOJ+MetaPlusBook-Roman WARN No Unicode mapping for CID+1 (1) in font OMIQOJ+MetaPlusBook-Roman WARN No Unicode mapping for CID+81 (81) in font OMIQOJ+MetaPlusBook-Roman WARN No Unicode mapping for CID+66 (66) in font OMIQOJ+MetaPlusBook-Roman WARN No Unicode mapping for CID+72 (72) in font OMIQOJ+MetaPlusBook-Roman WARN No Unicode mapping for CID+70 (70) in font OMIQOJ+MetaPlusBook-Roman WARN No Unicode mapping for CID+84 (84) in font OMIQOJ+MetaPlusBook-Roman WARN No Unicode mapping for CID+13 (13) in font OMIQOJ+MetaPlusBook-Roman WARN No Unicode mapping for CID+73 (73) in font OMIQOJ+MetaPlusBook-Roman WARN No Unicode mapping for CID+83 (83) in font OMIQOJ+MetaPlusBook-Roman WARN No Unicode mapping for CID+69 (69) in font OMIQOJ+MetaPlusBook-Roman WARN No Unicode mapping for CID+68 (68) in font OMIQOJ+MetaPlusBook-Roman WARN No Unicode mapping for CID+80 (80) in font OMIQOJ+MetaPlusBook-Roman WARN No Unicode mapping for CID+87 (87) in font OMIQOJ+MetaPlusBook-Roman WARN No Unicode mapping for CID+5 (5) in font OMIQOJ+MetaPlusBook-Roman WARN No Unicode mapping for CID+15 (15) in font OMIQOJ+MetaPlusBook-Roman WARN No Unicode mapping for CID+26 (26) in font OMIQOJ+MetaPlusBook-Roman WARN No Unicode mapping for CID+22 (22) in font OMIQOJ+MetaPlusBook-Roman WARN No Unicode mapping for CID+56 (56) in font PUSWCH+MetaPlusBold-Roman WARN No Unicode mapping for CID+83 (83) in font PUSWCH+MetaPlusBold-Roman WARN No Unicode mapping for CID+76 (76) in font PUSWCH+MetaPlusBold-Roman WARN No Unicode mapping for CID+20 (20) in font OMIQOJ+MetaPlusBook-Roman WARN No Unicode mapping for CID+25 (25) in font OMIQOJ+MetaPlusBook-Roman WARN No Unicode mapping for CID+24 (24) in font OMIQOJ+MetaPlusBook-Roman WARN No Unicode mapping for CID+35 (35) in font PUSWCH+MetaPlusBold-Roman WARN No Unicode mapping for CID+69 (69) in font PUSWCH+MetaPlusBold-Roman WARN No Unicode mapping for CID+46 (46) in font PUSWCH+MetaPlusBold-Roman WARN No Unicode mapping for CID+78 (78) in font PUSWCH+MetaPlusBold-Roman WARN No Unicode mapping for CID+54 (54) in font PUSWCH+MetaPlusBold-Roman WARN No Unicode mapping for CID+45 (45) in font PUSWCH+MetaPlusBold-Roman WARN No Unicode mapping for CID+7 (7) in font PUSWCH+MetaPlusBold-Roman WARN No Unicode mapping for CID+51 (51) in font PUSWCH+MetaPlusBold-Roman WARN No Unicode mapping for CID+36 (36) in font PUSWCH+MetaPlusBold-Roman WARN No Unicode mapping for CID+15 (15) in font PUSWCH+MetaPlusBold-Roman WARN No Unicode mapping for CID+44 (44) in font PUSWCH+MetaPlusBold-Roman WARN No Unicode mapping for CID+59 (59) in font PUSWCH+MetaPlusBold-Roman WARN No Unicode mapping for CID+13 (13) in font PUSWCH+MetaPlusBold-Roman WARN No Unicode mapping for CID+17 (17) in font OMIQOJ+MetaPlusBook-Roman WARN No Unicode mapping for CID+18 (18) in font OMIQOJ+MetaPlusBook-Roman WARN No Unicode mapping for CID+67 (67) in font OMIQOJ+MetaPlusBook-Roman WARN No Unicode mapping for CID+7 (7) in font OMIQOJ+MetaPlusBook-Roman WARN No Unicode mapping for CID+88 (88) in font OMIQOJ+MetaPlusBook-Roman WARN No Unicode mapping for CID+85 (85) in font OMIQOJ+MetaPlusBook-Roman WARN No Unicode mapping for CID+71 (71) in font PUSWCH+MetaPlusBold-Roman WARN No Unicode mapping for CID+68 (68) in font PUSWCH+MetaPlusBold-Roman WARN No Unicode mapping for CID+85 (85) in font PUSWCH+MetaPlusBold-Roman WARN No Unicode mapping for CID+87 (87) in font PUSWCH+MetaPlusBold-Roman WARN No Unicode mapping for CID+86 (86) in font PUSWCH+MetaPlusBold-Roman WARN No Unicode mapping for CID+34 (34) in font OMIQOJ+MetaPlusBook-Roman WARN No Unicode mapping for CID+79 (79) in font OMIQOJ+MetaPlusBook-Roman WARN No Unicode mapping for CID+74 (74) in font OMIQOJ+MetaPlusBook-Roman WARN No Unicode mapping for CID+77 (77) in font OMIQOJ+MetaPlusBook-Roman WARN No Unicode mapping for CID+53 (53) in font OMIQOJ+MetaPlusBook-Roman WARN No Unicode mapping for CID+86 (86) in font OMIQOJ+MetaPlusBook-Roman WARN No Unicode mapping for CID+39 (39) in font OMIQOJ+MetaPlusBook-Roman WARN No Unicode mapping for CID+14 (14) in font OMIQOJ+MetaPlusBook-Roman WARN No Unicode mapping for CID+52 (52) in font OMIQOJ+MetaPlusBook-Roman WARN No Unicode mapping for CID+111 (111) in font OMIQOJ+MetaPlusBook-Roman WARN No Unicode mapping for CID+51 (51) in font OMIQOJ+MetaPlusBook-Roman WARN No Unicode mapping for CID+78 (78) in 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BIAODJ+ACaslon-Regular WARN No Unicode mapping for CID+44 (44) in font BIAODJ+ACaslon-Regular WARN No Unicode mapping for CID+37 (37) in font BIAODJ+ACaslon-Regular WARN No Unicode mapping for CID+38 (38) in font BIAODJ+ACaslon-Regular WARN No Unicode mapping for CID+52 (52) in font BIAODJ+ACaslon-Regular WARN No Unicode mapping for CID+33 (33) in font BIAODJ+ACaslon-Regular WARN No Unicode mapping for CID+85 (85) in font BIAODJ+ACaslon-Regular WARN No Unicode mapping for CID+66 (66) in font BIAODJ+ACaslon-Regular WARN No Unicode mapping for CID+73 (73) in font BIAODJ+ACaslon-Regular WARN No Unicode mapping for CID+79 (79) in font BIAODJ+ACaslon-Regular WARN No Unicode mapping for CID+48 (48) in font BIAODJ+ACaslon-Regular WARN No Unicode mapping for CID+45 (45) in font BIAODJ+ACaslon-Regular WARN No Unicode mapping for CID+12 (12) in font BIAODJ+ACaslon-Regular WARN No Unicode mapping for CID+72 (72) in font BIAODJ+ACaslon-Regular WARN No Unicode mapping for CID+16 (16) in font BIAODJ+ACaslon-Regular WARN No Unicode mapping for CID+22 (22) in font BIAODJ+ACaslon-Regular WARN No Unicode mapping for CID+136 (136) in font BIAODJ+ACaslon-Regular WARN No Unicode mapping for CID+90 (90) in font BIAODJ+ACaslon-Regular WARN No Unicode mapping for CID+118 (118) in font BIAODJ+ACaslon-Regular WARN No Unicode mapping for CID+88 (88) in font BIAODJ+ACaslon-Regular WARN No Unicode mapping for CID+24 (24) in font BIAODJ+ACaslon-Regular WARN No Unicode mapping for CID+19 (19) in font BIAODJ+ACaslon-Regular WARN No Unicode mapping for CID+15 (15) in font BIAODJ+ACaslon-Regular WARN No Unicode mapping for CID+20 (20) in font BIAODJ+ACaslon-Regular WARN No Unicode mapping for CID+61 (61) in font BIAODJ+ACaslon-Regular WARN No Unicode mapping for CID+33 (33) in font CQKURH+Frutiger-BoldItalic WARN No Unicode mapping for CID+76 (76) in font CQKURH+Frutiger-BoldItalic WARN No Unicode mapping for CID+65 (65) in font CQKURH+Frutiger-BoldItalic WARN No Unicode mapping for CID+86 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PMKURH+Frutiger-Roman WARN No Unicode mapping for CID+82 (82) in font PMKURH+Frutiger-Roman WARN No Unicode mapping for CID+0 (0) in font PMKURH+Frutiger-Roman WARN No Unicode mapping for CID+77 (77) in font PMKURH+Frutiger-Roman WARN No Unicode mapping for CID+69 (69) in font PMKURH+Frutiger-Roman WARN No Unicode mapping for CID+73 (73) in font PMKURH+Frutiger-Roman WARN No Unicode mapping for CID+78 (78) in font PMKURH+Frutiger-Roman WARN No Unicode mapping for CID+70 (70) in font PMKURH+Frutiger-Roman WARN No Unicode mapping for CID+65 (65) in font PMKURH+Frutiger-Roman WARN No Unicode mapping for CID+84 (84) in font PMKURH+Frutiger-Roman WARN No Unicode mapping for CID+26 (26) in font PMKURH+Frutiger-Roman WARN No Unicode mapping for CID+0 (0) in font OEAODJ+Frutiger-Bold WARN No Unicode mapping for CID+66 (66) in font OEAODJ+Frutiger-Bold WARN No Unicode mapping for CID+69 (69) in font OEAODJ+Frutiger-Bold WARN No Unicode mapping for CID+68 (68) in font OEAODJ+Frutiger-Bold WARN No Unicode mapping for CID+70 (70) in font OEAODJ+Frutiger-Bold WARN No Unicode mapping for CID+79 (79) in font OEAODJ+Frutiger-Bold WARN No Unicode mapping for CID+82 (82) in font OEAODJ+Frutiger-Bold WARN No Unicode mapping for CID+83 (83) in font OEAODJ+Frutiger-Bold WARN No Unicode mapping for CID+84 (84) in font OEAODJ+Frutiger-Bold WARN No Unicode mapping for CID+77 (77) in font OEAODJ+Frutiger-Bold WARN No Unicode mapping for CID+65 (65) in font OEAODJ+Frutiger-Bold WARN No Unicode mapping for CID+73 (73) in font OEAODJ+Frutiger-Bold WARN No Unicode mapping for CID+78 (78) in font OEAODJ+Frutiger-Bold WARN No Unicode mapping for CID+14 (14) in font OEAODJ+Frutiger-Bold WARN No Unicode mapping for CID+67 (67) in font OEAODJ+Frutiger-Bold WARN No Unicode mapping for CID+34 (34) in font OEAODJ+ACaslon-Bold WARN No Unicode mapping for CID+37 (37) in font OEAODJ+ACaslon-Bold WARN No Unicode mapping for CID+36 (36) in font OEAODJ+ACaslon-Bold WARN No Unicode mapping for CID+38 (38) in font OEAODJ+ACaslon-Bold WARN No Unicode mapping for CID+47 (47) in font OEAODJ+ACaslon-Bold WARN No Unicode mapping for CID+50 (50) in font OEAODJ+ACaslon-Bold WARN No Unicode mapping for CID+15 (15) in font OEAODJ+ACaslon-Bold WARN No Unicode mapping for CID+51 (51) in font OEAODJ+ACaslon-Bold WARN No Unicode mapping for CID+52 (52) in font OEAODJ+ACaslon-Bold WARN No Unicode mapping for CID+14 (14) in font OEAODJ+ACaslon-Bold WARN No Unicode mapping for CID+0 (0) in font OEAODJ+ACaslon-Bold WARN No Unicode mapping for CID+45 (45) in font OEAODJ+ACaslon-Bold WARN No Unicode mapping for CID+33 (33) in font OEAODJ+ACaslon-Bold WARN No Unicode mapping for CID+41 (41) in font OEAODJ+ACaslon-Bold WARN No Unicode mapping for CID+46 (46) in font OEAODJ+ACaslon-Bold WARN No Unicode mapping for CID+7 (7) in font OEAODJ+ACaslon-Bold WARN No Unicode mapping for CID+52 (52) in font NWQIPL+Frutiger-Black WARN No Unicode mapping for CID+72 (72) in font NWQIPL+Frutiger-Black WARN No Unicode mapping for CID+69 (69) in font NWQIPL+Frutiger-Black WARN No Unicode mapping for CID+0 (0) in font NWQIPL+Frutiger-Black WARN No Unicode mapping for CID+35 (35) in font NWQIPL+Frutiger-BlackItalic WARN No Unicode mapping for CID+79 (79) in font NWQIPL+Frutiger-BlackItalic WARN No Unicode mapping for CID+77 (77) in font NWQIPL+Frutiger-BlackItalic WARN No Unicode mapping for CID+80 (80) in font NWQIPL+Frutiger-BlackItalic WARN No Unicode mapping for CID+65 (65) in font NWQIPL+Frutiger-BlackItalic WARN No Unicode mapping for CID+67 (67) in font NWQIPL+Frutiger-BlackItalic WARN No Unicode mapping for CID+84 (84) in font NWQIPL+Frutiger-BlackItalic WARN No Unicode mapping for CID+34 (34) in font NWQIPL+Frutiger-Black WARN No Unicode mapping for CID+68 (68) in font NWQIPL+Frutiger-Black WARN No Unicode mapping for CID+70 (70) in font NWQIPL+Frutiger-Black WARN No Unicode mapping for CID+79 (79) in font NWQIPL+Frutiger-Black WARN No Unicode mapping for CID+82 (82) in font NWQIPL+Frutiger-Black WARN No Unicode mapping for CID+41 (41) in font NWQIPL+Frutiger-Black WARN No Unicode mapping for CID+78 (78) in font NWQIPL+Frutiger-Black WARN No Unicode mapping for CID+84 (84) in font NWQIPL+Frutiger-Black WARN No Unicode mapping for CID+85 (85) in font NWQIPL+Frutiger-Black WARN No Unicode mapping for CID+67 (67) in font NWQIPL+Frutiger-Black WARN No Unicode mapping for CID+73 (73) in font NWQIPL+Frutiger-Black WARN No Unicode mapping for CID+44 (44) in font NWQIPL+Frutiger-Black WARN No Unicode mapping for CID+65 (65) in font NWQIPL+Frutiger-Black WARN No Unicode mapping for CID+50 (50) in font OEAODJ+Frutiger-Bold WARN No Unicode mapping for CID+71 (71) in font OEAODJ+Frutiger-Bold WARN No Unicode mapping for CID+115 (115) in font OEAODJ+Frutiger-Bold WARN No Unicode mapping for CID+52 (52) in font OEAODJ+Frutiger-Bold WARN No Unicode mapping for CID+72 (72) in font OEAODJ+Frutiger-Bold WARN No Unicode mapping for CID+75 (75) in font OEAODJ+Frutiger-Bold WARN No Unicode mapping for CID+55 (55) in font OEAODJ+Frutiger-Bold WARN No Unicode mapping for CID+51 (51) in font NWQIPL+Frutiger-Light WARN No Unicode mapping for CID+69 (69) in font NWQIPL+Frutiger-Light WARN No Unicode mapping for CID+86 (86) in font NWQIPL+Frutiger-Light WARN No Unicode mapping for CID+78 (78) in font NWQIPL+Frutiger-Light WARN No Unicode mapping for CID+84 (84) in font NWQIPL+Frutiger-Light WARN No Unicode mapping for CID+72 (72) in font NWQIPL+Frutiger-Light WARN No Unicode mapping for CID+0 (0) in font NWQIPL+Frutiger-Light WARN No Unicode mapping for CID+37 (37) in font NWQIPL+Frutiger-Light WARN No Unicode mapping for CID+68 (68) in font NWQIPL+Frutiger-Light WARN No Unicode mapping for CID+73 (73) in font NWQIPL+Frutiger-Light WARN No Unicode mapping for CID+79 (79) in font NWQIPL+Frutiger-Light WARN No Unicode mapping for CID+45 (45) in font OEAODJ+Frutiger-Bold WARN No Unicode mapping for CID+76 (76) in font OEAODJ+Frutiger-Bold WARN No Unicode mapping for CID+89 (89) in font OEAODJ+Frutiger-Bold WARN No Unicode mapping for CID+12 (12) in font NWQIPL+Frutiger-Light WARN No Unicode mapping for CID+53 (53) in font MOGCBN+Frutiger-LightItalic WARN No Unicode mapping for CID+78 (78) in font MOGCBN+Frutiger-LightItalic WARN No Unicode mapping for CID+73 (73) in font MOGCBN+Frutiger-LightItalic WARN No Unicode mapping for CID+86 (86) in font MOGCBN+Frutiger-LightItalic WARN No Unicode mapping for CID+69 (69) in font MOGCBN+Frutiger-LightItalic WARN No Unicode mapping for CID+82 (82) in font MOGCBN+Frutiger-LightItalic WARN No Unicode mapping for CID+83 (83) in font MOGCBN+Frutiger-LightItalic WARN No Unicode mapping for CID+84 (84) in font MOGCBN+Frutiger-LightItalic WARN No Unicode mapping for CID+89 (89) in font MOGCBN+Frutiger-LightItalic WARN No Unicode mapping for CID+0 (0) in font MOGCBN+Frutiger-LightItalic WARN No Unicode mapping for CID+79 (79) in font MOGCBN+Frutiger-LightItalic WARN No Unicode mapping for CID+70 (70) in font MOGCBN+Frutiger-LightItalic WARN No Unicode mapping for CID+35 (35) in font MOGCBN+Frutiger-LightItalic WARN No Unicode mapping for CID+67 (67) in font MOGCBN+Frutiger-LightItalic WARN No Unicode mapping for CID+85 (85) in font MOGCBN+Frutiger-LightItalic WARN No Unicode mapping for CID+52 (52) in font NWQIPL+Frutiger-Light WARN No Unicode mapping for CID+87 (87) in font NWQIPL+Frutiger-Light WARN No Unicode mapping for CID+70 (70) in font NWQIPL+Frutiger-Light WARN No Unicode mapping for CID+83 (83) in font NWQIPL+Frutiger-Light WARN No Unicode mapping for CID+67 (67) in font NWQIPL+Frutiger-Light WARN No Unicode mapping for CID+77 (77) in font NWQIPL+Frutiger-Light WARN No Unicode mapping for CID+80 (80) in font NWQIPL+Frutiger-Light WARN No Unicode mapping for CID+65 (65) in font NWQIPL+Frutiger-Light WARN No Unicode mapping for CID+66 (66) in font NWQIPL+Frutiger-Light WARN No Unicode mapping for CID+13 (13) in font NWQIPL+Frutiger-Light WARN No Unicode mapping for CID+76 (76) in font NWQIPL+Frutiger-Light WARN No Unicode mapping for CID+82 (82) in font NWQIPL+Frutiger-Light WARN No Unicode mapping for CID+85 (85) in font NWQIPL+Frutiger-Light WARN No Unicode mapping for CID+71 (71) in font NWQIPL+Frutiger-Light WARN No Unicode mapping for CID+89 (89) in font NWQIPL+Frutiger-Light WARN No Unicode mapping for CID+75 (75) in font NWQIPL+Frutiger-Light WARN No Unicode mapping for CID+14 (14) in font NWQIPL+Frutiger-Light WARN No Unicode mapping for CID+46 (46) in font NWQIPL+Frutiger-Light WARN No Unicode mapping for CID+81 (81) in font NWQIPL+Frutiger-Light WARN No Unicode mapping for CID+35 (35) in font NWQIPL+Frutiger-Light WARN No Unicode mapping for CID+36 (36) in font NWQIPL+Frutiger-Light WARN No Unicode mapping for CID+50 (50) in font NWQIPL+Frutiger-Light WARN No Unicode mapping for CID+47 (47) in font NWQIPL+Frutiger-Light WARN No Unicode mapping for CID+45 (45) in font NWQIPL+Frutiger-Light WARN No Unicode mapping for CID+88 (88) in font NWQIPL+Frutiger-Light WARN No Unicode mapping for CID+52 (52) in font MOGCBN+Frutiger-LightItalic WARN No Unicode mapping for CID+72 (72) in font MOGCBN+Frutiger-LightItalic WARN No Unicode mapping for CID+34 (34) in font MOGCBN+Frutiger-LightItalic WARN No Unicode mapping for CID+68 (68) in font MOGCBN+Frutiger-LightItalic WARN No Unicode mapping for CID+41 (41) in font MOGCBN+Frutiger-LightItalic WARN No Unicode mapping for CID+44 (44) in font MOGCBN+Frutiger-LightItalic WARN No Unicode mapping for CID+65 (65) in font MOGCBN+Frutiger-LightItalic WARN No Unicode mapping for CID+18 (18) in font MOGCBN+Frutiger-LightCn WARN No Unicode mapping for CID+16 (16) in font MOGCBN+Frutiger-LightCn WARN No Unicode mapping for CID+22 (22) in font MOGCBN+Frutiger-LightCn WARN No Unicode mapping for CID+15 (15) in font MOGCBN+Frutiger-LightCn WARN No Unicode mapping for CID+80 (80) in font MOGCBN+Frutiger-LightCn WARN No Unicode mapping for CID+65 (65) in font MOGCBN+Frutiger-LightCn WARN No Unicode mapping for CID+69 (69) in font MOGCBN+Frutiger-LightCn WARN No Unicode mapping for CID+82 (82) in font MOGCBN+Frutiger-LightCn WARN No Unicode mapping for CID+17 (17) in font MOGCBN+Frutiger-LightCn WARN No Unicode mapping for CID+20 (20) in font MOGCBN+Frutiger-LightCn WARN No Unicode mapping for CID+0 (0) in font MOGCBN+Frutiger-LightCn WARN No Unicode mapping for CID+71 (71) in font MOGCBN+Frutiger-LightCn WARN No Unicode mapping for CID+83 (83) in font MOGCBN+Frutiger-LightCn WARN No Unicode mapping for CID+33 (33) in font MOGCBN+Frutiger-LightItalic WARN No Unicode mapping for CID+8 (8) in font MOGCBN+Frutiger-LightCn WARN No Unicode mapping for CID+35 (35) in font MOGCBN+Frutiger-LightCn WARN No Unicode mapping for CID+36 (36) in font MOGCBN+Frutiger-LightCn WARN No Unicode mapping for CID+13 (13) in font MOGCBN+Frutiger-LightCn WARN No Unicode mapping for CID+50 (50) in font MOGCBN+Frutiger-LightCn WARN No Unicode mapping for CID+47 (47) in font MOGCBN+Frutiger-LightCn WARN No Unicode mapping for CID+45 (45) in font MOGCBN+Frutiger-LightCn WARN No Unicode mapping for CID+9 (9) in font MOGCBN+Frutiger-LightCn WARN No Unicode mapping for CID+66 (66) in font MOGCBN+Frutiger-LightCn WARN No Unicode mapping for CID+68 (68) in font MOGCBN+Frutiger-LightCn WARN No Unicode mapping for CID+70 (70) in font MOGCBN+Frutiger-LightCn WARN No Unicode mapping for CID+79 (79) in font MOGCBN+Frutiger-LightCn WARN No Unicode mapping for CID+84 (84) in font MOGCBN+Frutiger-LightCn WARN No Unicode mapping for CID+77 (77) in font MOGCBN+Frutiger-LightCn WARN No Unicode mapping for CID+73 (73) in font MOGCBN+Frutiger-LightCn WARN No Unicode mapping for CID+78 (78) in font MOGCBN+Frutiger-LightCn WARN No Unicode mapping for CID+14 (14) in font MOGCBN+Frutiger-LightCn WARN No Unicode mapping for CID+67 (67) in font MOGCBN+Frutiger-LightCn WARN No Unicode mapping for CID+89 (89) in font MOGCBN+Frutiger-LightCn WARN No Unicode mapping for CID+40 (40) in font OEAODJ+Frutiger-Bold WARN No Unicode mapping for CID+85 (85) in font OEAODJ+Frutiger-Bold WARN No Unicode mapping for CID+37 (37) in font OEAODJ+Frutiger-Bold WARN No Unicode mapping for CID+88 (88) in font OEAODJ+Frutiger-Bold WARN No Unicode mapping for CID+80 (80) in font OEAODJ+Frutiger-Bold WARN No Unicode mapping for CID+33 (33) in font OEAODJ+Frutiger-Bold WARN No Unicode mapping for CID+86 (86) in font OEAODJ+Frutiger-Bold WARN No Unicode mapping for CID+43 (43) in font OEAODJ+Frutiger-Bold WARN No Unicode mapping for CID+90 (90) in font OEAODJ+Frutiger-Bold WARN No Unicode mapping for CID+76 (76) in font MOGCBN+Frutiger-LightItalic WARN No Unicode mapping for CID+51 (51) in font MOGCBN+Frutiger-LightItalic WARN No Unicode mapping for CID+12 (12) in font MOGCBN+Frutiger-LightItalic WARN No Unicode mapping for CID+46 (46) in font MOGCBN+Frutiger-LightItalic WARN No Unicode mapping for CID+71 (71) in font MOGCBN+Frutiger-LightItalic WARN No Unicode mapping for CID+33 (33) in font NWQIPL+Frutiger-Light WARN No Unicode mapping for CID+109 (109) in font NWQIPL+Frutiger-Light WARN No Unicode mapping for CID+136 (136) in font NWQIPL+Frutiger-Light WARN No Unicode mapping for CID+55 (55) in font NWQIPL+Frutiger-Light WARN No Unicode mapping for CID+24 (24) in font MOGCBN+Frutiger-LightCn WARN No Unicode mapping for CID+88 (88) in font MOGCBN+Frutiger-LightCn WARN No Unicode mapping for CID+63 (63) in font MOGCBN+Frutiger-LightCn WARN No Unicode mapping for CID+76 (76) in font MOGCBN+Frutiger-LightCn WARN No Unicode mapping for CID+85 (85) in font MOGCBN+Frutiger-LightCn WARN No Unicode mapping for CID+0 (0) in font LBWWNP+ACaslon-Regular WARN No Unicode mapping for CID+59 (59) in font LBWWNP+ACaslon-Regular WARN No Unicode mapping for CID+80 (80) in font LBWWNP+ACaslon-Regular WARN No Unicode mapping for CID+76 (76) in font LBWWNP+ACaslon-Regular WARN No Unicode mapping for CID+65 (65) in font LBWWNP+ACaslon-Regular WARN No Unicode mapping for CID+67 (67) in font LBWWNP+ACaslon-Regular WARN No Unicode mapping for CID+69 (69) in font LBWWNP+ACaslon-Regular WARN No Unicode mapping for CID+77 (77) in font LBWWNP+ACaslon-Regular WARN No Unicode mapping for CID+78 (78) in font LBWWNP+ACaslon-Regular WARN No Unicode mapping for CID+84 (84) in font LBWWNP+ACaslon-Regular WARN No Unicode mapping for CID+26 (26) in font LBWWNP+ACaslon-Regular WARN No Unicode mapping for CID+18 (18) in font LBWWNP+ACaslon-Regular WARN No Unicode mapping for CID+71 (71) in font LBWWNP+ACaslon-Regular WARN No Unicode mapping for CID+83 (83) in font LBWWNP+ACaslon-Regular WARN No Unicode mapping for CID+82 (82) in font LBWWNP+ACaslon-Regular WARN No Unicode mapping for CID+68 (68) in font LBWWNP+ACaslon-Regular WARN No Unicode mapping for CID+13 (13) in font LBWWNP+ACaslon-Regular WARN No Unicode mapping for CID+50 (50) in font LBWWNP+ACaslon-Regular WARN No Unicode mapping for CID+41 (41) in font LBWWNP+ACaslon-Regular WARN No Unicode mapping for CID+39 (39) in font LBWWNP+ACaslon-Regular WARN No Unicode mapping for CID+40 (40) in font LBWWNP+ACaslon-Regular WARN No Unicode mapping for CID+52 (52) in font LBWWNP+ACaslon-Regular WARN No Unicode mapping for CID+33 (33) in font LBWWNP+ACaslon-Regular WARN No Unicode mapping for CID+85 (85) in font LBWWNP+ACaslon-Regular WARN No Unicode mapping for CID+66 (66) in font LBWWNP+ACaslon-Regular WARN No Unicode mapping for CID+73 (73) in font LBWWNP+ACaslon-Regular WARN No Unicode mapping for CID+79 (79) in font LBWWNP+ACaslon-Regular WARN No Unicode mapping for CID+48 (48) in font LBWWNP+ACaslon-Regular WARN No Unicode mapping for CID+45 (45) in font LBWWNP+ACaslon-Regular WARN No Unicode mapping for CID+44 (44) in font LBWWNP+ACaslon-Regular WARN No Unicode mapping for CID+12 (12) in font LBWWNP+ACaslon-Regular WARN No Unicode mapping for CID+72 (72) in font LBWWNP+ACaslon-Regular WARN No Unicode mapping for CID+16 (16) in font LBWWNP+ACaslon-Regular WARN No Unicode mapping for CID+22 (22) in font LBWWNP+ACaslon-Regular WARN No Unicode mapping for CID+136 (136) in font LBWWNP+ACaslon-Regular WARN No Unicode mapping for CID+90 (90) in font LBWWNP+ACaslon-Regular WARN No Unicode mapping for CID+118 (118) in font LBWWNP+ACaslon-Regular WARN No Unicode mapping for CID+88 (88) in font LBWWNP+ACaslon-Regular WARN No Unicode mapping for CID+24 (24) in font LBWWNP+ACaslon-Regular WARN No Unicode mapping for CID+19 (19) in font LBWWNP+ACaslon-Regular WARN No Unicode mapping for CID+15 (15) in font LBWWNP+ACaslon-Regular WARN No Unicode mapping for CID+20 (20) in font LBWWNP+ACaslon-Regular WARN No Unicode mapping for CID+61 (61) in font LBWWNP+ACaslon-Regular WARN No Unicode mapping for CID+0 (0) in font NWQIPL+Frutiger-BlackItalic WARN No Unicode mapping for CID+46 (46) in font NWQIPL+Frutiger-BlackItalic WARN No Unicode mapping for CID+37 (37) in font NWQIPL+Frutiger-BlackItalic WARN No Unicode mapping for CID+55 (55) in font NWQIPL+Frutiger-BlackItalic WARN No Unicode mapping for CID+1 (1) in font NWQIPL+Frutiger-BlackItalic WARN No Unicode mapping 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ZDWCBN+ACaslon-SemiboldSC WARN No Unicode mapping for CID+36 (36) in font ZDWCBN+ACaslon-SemiboldSC WARN No Unicode mapping for CID+79 (79) in font ZDWCBN+ACaslon-SemiboldSC WARN No Unicode mapping for CID+78 (78) in font ZDWCBN+ACaslon-SemiboldSC WARN No Unicode mapping for CID+86 (86) in font ZDWCBN+ACaslon-SemiboldSC WARN No Unicode mapping for CID+69 (69) in font ZDWCBN+ACaslon-SemiboldSC WARN No Unicode mapping for CID+82 (82) in font ZDWCBN+ACaslon-SemiboldSC WARN No Unicode mapping for CID+83 (83) in font ZDWCBN+ACaslon-SemiboldSC WARN No Unicode mapping for CID+65 (65) in font ZDWCBN+ACaslon-SemiboldSC WARN No Unicode mapping for CID+84 (84) in font ZDWCBN+ACaslon-SemiboldSC WARN No Unicode mapping for CID+73 (73) in font ZDWCBN+ACaslon-SemiboldSC WARN No Unicode mapping for CID+87 (87) in font ZDWCBN+ACaslon-SemiboldSC WARN No Unicode mapping for CID+72 (72) in font ZDWCBN+ACaslon-SemiboldSC WARN No Unicode mapping for CID+55 (55) in font ZDWCBN+ACaslon-SemiboldSC WARN No 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for CID+76 (76) in font YIMWNP+Cremona-Bold WARN No Unicode mapping for CID+48 (48) in font YIMWNP+Cremona-Bold WARN No Unicode mapping for CID+67 (67) in font YIMWNP+Cremona-Bold WARN No Unicode mapping for CID+40 (40) in font YIMWNP+Cremona-Bold WARN No Unicode mapping for CID+85 (85) in font YIMWNP+Cremona-Bold WARN No Unicode mapping for CID+83 (83) in font YIMWNP+Cremona-Bold WARN No Unicode mapping for CID+79 (79) in font YIMWNP+Cremona-Bold WARN No Unicode mapping for CID+104 (104) in font YIMWNP+Helvetica WARN No Unicode mapping for CID+52 (52) in font YIMWNP+Helvetica WARN No Unicode mapping for CID+68 (68) in font YIMWNP+Helvetica WARN No Unicode mapping for CID+86 (86) in font YIMWNP+Helvetica WARN No Unicode mapping for CID+83 (83) in font YIMWNP+Helvetica WARN No Unicode mapping for CID+89 (89) in font YIMWNP+Helvetica WARN No Unicode mapping for CID+70 (70) in font YIMWNP+Helvetica WARN No Unicode mapping for CID+13 (13) in font YIMWNP+Helvetica WARN No Unicode mapping for CID+17 (17) in font YIMWNP+Helvetica WARN No Unicode mapping for CID+23 (23) in font YIMWNP+Helvetica WARN No Unicode mapping for CID+16 (16) in font YIMWNP+Helvetica WARN No Unicode mapping for CID+44 (44) in font XACQZR+Helvetica-Oblique WARN No Unicode mapping for CID+73 (73) in font XACQZR+Helvetica-Oblique WARN No Unicode mapping for CID+83 (83) in font XACQZR+Helvetica-Oblique WARN No Unicode mapping for CID+84 (84) in font XACQZR+Helvetica-Oblique WARN No Unicode mapping for CID+69 (69) in font XACQZR+Helvetica-Oblique WARN No Unicode mapping for CID+78 (78) in font XACQZR+Helvetica-Oblique WARN No Unicode mapping for CID+0 (0) in font XACQZR+Helvetica-Oblique WARN No Unicode mapping for CID+40 (40) in font XACQZR+Helvetica-Oblique WARN No Unicode mapping for CID+82 (82) in font XACQZR+Helvetica-Oblique WARN No Unicode mapping for CID+87 (87) in font YIMWNP+Helvetica WARN No Unicode mapping for CID+12 (12) in font YIMWNP+Helvetica WARN No Unicode mapping for CID+85 (85) in font YIMWNP+Helvetica WARN No Unicode mapping for CID+66 (66) in font YIMWNP+Helvetica WARN No Unicode mapping for CID+14 (14) in font YIMWNP+Helvetica WARN No Unicode mapping for CID+118 (118) in font YIMWNP+Helvetica WARN No Unicode mapping for CID+136 (136) in font YIMWNP+Helvetica WARN No Unicode mapping for CID+55 (55) in font XACQZR+Helvetica-Oblique WARN No Unicode mapping for CID+79 (79) in font XACQZR+Helvetica-Oblique WARN No Unicode mapping for CID+77 (77) in font XACQZR+Helvetica-Oblique WARN No Unicode mapping for CID+7 (7) in font XACQZR+Helvetica-Oblique WARN No Unicode mapping for CID+50 (50) in font XACQZR+Helvetica-Oblique WARN No Unicode mapping for CID+86 (86) in font XACQZR+Helvetica-Oblique WARN No Unicode mapping for CID+87 (87) in font XACQZR+Helvetica-Oblique WARN No Unicode mapping for CID+70 (70) in font XACQZR+Helvetica-Oblique WARN No Unicode mapping for CID+34 (34) in font XACQZR+Helvetica-Oblique WARN No Unicode mapping for CID+75 (75) in font XACQZR+Helvetica-Oblique WARN No Unicode mapping for CID+4 (4) in font ZQWCBN+Helvetica-Bold WARN No Unicode mapping for CID+18 (18) in font ZQWCBN+Helvetica-Bold WARN No Unicode mapping for CID+73 (73) in font ZQWCBN+Helvetica-Bold WARN No Unicode mapping for CID+65 (65) in font ZQWCBN+Helvetica-Bold WARN No Unicode mapping for CID+33 (33) in font ZQWCBN+Cremona-Bold WARN No Unicode mapping for CID+39 (39) in font ZQWCBN+Cremona-Bold WARN No Unicode mapping for CID+47 (47) in font ZQWCBN+Cremona-Bold WARN No Unicode mapping for CID+38 (38) in font ZQWCBN+Cremona-Bold WARN No Unicode mapping for CID+54 (54) in font ZQWCBN+Cremona-Bold WARN No Unicode mapping for CID+47 (47) in font YIMWNP+Helvetica WARN No Unicode mapping for CID+36 (36) in font YIMWNP+Helvetica WARN No Unicode mapping for CID+50 (50) in font YIMWNP+Cremona-Bold WARN No Unicode mapping for CID+77 (77) in font YIMWNP+Cremona-Bold WARN No Unicode mapping for CID+75 (75) in font YIMWNP+Helvetica WARN No Unicode mapping for CID+51 (51) in font YIMWNP+Helvetica WARN No Unicode mapping for CID+42 (42) in font YIMWNP+Helvetica WARN No Unicode mapping for CID+44 (44) in font YIMWNP+Helvetica WARN No Unicode mapping for CID+76 (76) in font ZQWCBN+Helvetica-Bold WARN No Unicode mapping for CID+72 (72) in font ZQWCBN+Helvetica-Bold WARN No Unicode mapping for CID+35 (35) in font ZQWCBN+Cremona-Bold WARN No Unicode mapping for CID+53 (53) in font ZQWCBN+Cremona-Bold WARN No Unicode mapping for CID+38 (38) in font YIMWNP+Helvetica WARN No Unicode mapping for CID+34 (34) in font YIMWNP+Helvetica WARN No Unicode mapping for CID+90 (90) in font YIMWNP+Helvetica WARN No Unicode mapping for CID+42 (42) in font YIMWNP+Cremona-Bold WARN No Unicode mapping for CID+41 (41) in font YIMWNP+Helvetica WARN No Unicode mapping for CID+48 (48) in font YIMWNP+Helvetica WARN No Unicode mapping for CID+50 (50) in font YIMWNP+Helvetica WARN No Unicode mapping for CID+36 (36) in font ZQWCBN+Cremona-Bold WARN No Unicode mapping for CID+45 (45) in font ZQWCBN+Cremona-Bold WARN No Unicode mapping for CID+88 (88) in font YIMWNP+Cremona-Bold WARN No Unicode mapping for CID+45 (45) in font YIMWNP+Cremona-Bold WARN No Unicode mapping for CID+45 (45) in font YIMWNP+Helvetica WARN No Unicode mapping for CID+64 (64) in font YIMWNP+Helvetica WARN No Unicode mapping for CID+7 (7) in font YIMWNP+Helvetica WARN No Unicode mapping for CID+33 (33) in font XACQZR+Helvetica-Oblique WARN No Unicode mapping for CID+67 (67) in font XACQZR+Helvetica-Oblique WARN No Unicode mapping for CID+65 (65) in font XACQZR+Helvetica-Oblique WARN No Unicode mapping for CID+85 (85) in font XACQZR+Helvetica-Oblique WARN No Unicode mapping for CID+12 (12) in font ZQWCBN+Helvetica-Bold WARN No Unicode mapping for CID+17 (17) in font ZQWCBN+Helvetica-Bold WARN No Unicode mapping for CID+48 (48) in font ZQWCBN+Cremona-Bold WARN No Unicode mapping for CID+35 (35) in font YIMWNP+Helvetica WARN No Unicode mapping for CID+41 (41) in font XACQZR+Helvetica-Oblique WARN No Unicode mapping for CID+66 (66) in font XACQZR+Helvetica-Oblique WARN No Unicode mapping for CID+76 (76) in font XACQZR+Helvetica-Oblique WARN No Unicode mapping for CID+45 (45) in font XACQZR+Helvetica-Oblique WARN No Unicode mapping for CID+37 (37) in font YIMWNP+Helvetica WARN No Unicode mapping for CID+20 (20) in font ZQWCBN+Helvetica-Bold WARN No Unicode mapping for CID+52 (52) in font YIMWNP+Cremona-Bold WARN No Unicode mapping for CID+72 (72) in font YIMWNP+Cremona-Bold WARN No Unicode mapping for CID+53 (53) in font YIMWNP+Cremona-Bold WARN No Unicode mapping for CID+86 (86) in font YIMWNP+Cremona-Bold WARN No Unicode mapping for CID+70 (70) in font YIMWNP+Cremona-Bold WARN No Unicode mapping for CID+55 (55) in font YIMWNP+Cremona-Bold WARN No Unicode mapping for CID+41 (41) in font YIMWNP+Cremona-Bold WARN No Unicode mapping for CID+52 (52) in font XACQZR+Helvetica-Oblique WARN No Unicode mapping for CID+72 (72) in font XACQZR+Helvetica-Oblique WARN No Unicode mapping for CID+35 (35) in font XACQZR+Helvetica-Oblique WARN No Unicode mapping for CID+46 (46) in font XACQZR+Helvetica-Oblique WARN No Unicode mapping for CID+57 (57) in font XACQZR+Helvetica-Oblique WARN No Unicode mapping for CID+55 (55) in font ZQWCBN+Cremona-Bold WARN No Unicode mapping for CID+36 (36) in font YIMWNP+Cremona-Bold WARN No Unicode mapping for CID+88 (88) in font YIMWNP+Helvetica WARN No Unicode mapping for CID+108 (108) in font YIMWNP+Helvetica WARN No Unicode mapping for CID+71 (71) in font YIMWNP+Cremona-Bold WARN No Unicode mapping for CID+57 (57) in font ZQWCBN+Cremona-Bold WARN No Unicode mapping for CID+42 (42) in font ZQWCBN+Cremona-Bold WARN No Unicode mapping for CID+90 (90) in font YIMWNP+Cremona-Bold WARN No Unicode mapping for CID+87 (87) in font YIMWNP+Cremona-Bold WARN No Unicode mapping for CID+43 (43) in font YIMWNP+Cremona-Bold WARN No Unicode mapping for CID+75 (75) in font YIMWNP+Cremona-Bold WARN No Unicode mapping for CID+47 (47) in font XMCQZR+AkzidenzGroteskBE-Light WARN No Unicode mapping for CID+38 (38) in font XMCQZR+AkzidenzGroteskBE-Light WARN No Unicode mapping for CID+0 (0) in font XMCQZR+AkzidenzGroteskBE-Light WARN No Unicode mapping for CID+45 (45) in font XMCQZR+AkzidenzGroteskBE-Light WARN No Unicode mapping for CID+37 (37) in font XMCQZR+AkzidenzGroteskBE-Light WARN No Unicode mapping for CID+50 (50) in font XMCQZR+AkzidenzGroteskBE-Light WARN No Unicode mapping for CID+57 (57) in font XMCQZR+AkzidenzGroteskBE-Light WARN No Unicode mapping for CID+46 (46) in font XMCQZR+AkzidenzGroteskBE-Light WARN No Unicode mapping for CID+55 (55) in font XMCQZR+AkzidenzGroteskBE-Light WARN No Unicode mapping for CID+41 (41) in font XMCQZR+AkzidenzGroteskBE-Light WARN No Unicode mapping for CID+52 (52) in font XMCQZR+AkzidenzGroteskBE-Light WARN No Unicode mapping for CID+51 (51) in font XMCQZR+AkzidenzGroteskBE-Light WARN No Unicode mapping for CID+12 (12) in font XMCQZR+AkzidenzGroteskBE-Light WARN No Unicode mapping for CID+36 (36) in font XMCQZR+AkzidenzGroteskBE-Light WARN No Unicode mapping for CID+33 (33) in font XMCQZR+AkzidenzGroteskBE-Light WARN No Unicode mapping for CID+42 (42) in font XMCQZR+AkzidenzGroteskBE-Light WARN No Unicode mapping for CID+53 (53) in font XMCQZR+AkzidenzGroteskBE-Light WARN No Unicode mapping for CID+35 (35) in font XMCQZR+AkzidenzGroteskBE-Light WARN No Unicode mapping for CID+14 (14) in font XMCQZR+AkzidenzGroteskBE-Light WARN No Unicode mapping for CID+34 (34) in font XMCQZR+AkzidenzGroteskBE-Light WARN No Unicode mapping for CID+40 (40) in font XMCQZR+AkzidenzGroteskBE-Light WARN No Unicode mapping for CID+74 (74) in font FEEMHB+Whitman-BoldOsF WARN No Unicode mapping for CID+102 (102) in font FEEMHB+Whitman-BoldOsF WARN No Unicode mapping for CID+108 (108) in font FEEMHB+Whitman-BoldOsF WARN No Unicode mapping for CID+107 (107) in font FEEMHB+Whitman-BoldOsF WARN No Unicode mapping for CID+95 (95) in font FEEMHB+Whitman-BoldOsF WARN No Unicode mapping for CID+92 (92) in font FEEMHB+Whitman-BoldOsF WARN No Unicode mapping for CID+105 (105) in font FEEMHB+Whitman-BoldOsF WARN No Unicode mapping for CID+101 (101) in font FEEMHB+Whitman-BoldOsF WARN No Unicode mapping for CID+23 (23) in font FEEMHB+Whitman-BoldOsF WARN No Unicode mapping for CID+78 (78) in font FEEMHB+Whitman-BoldOsF WARN No Unicode mapping for CID+96 (96) in font FEEMHB+Whitman-BoldOsF WARN No Unicode mapping for CID+106 (106) in font FEEMHB+Whitman-BoldOsF WARN No Unicode mapping for CID+56 (56) in font FEEMHB+Whitman-ItalicOsF WARN No Unicode mapping for CID+23 (23) in font FEEMHB+Whitman-ItalicOsF WARN No Unicode mapping for CID+69 (69) in font FEEMHB+Whitman-ItalicOsF WARN No Unicode mapping for CID+92 (92) in font FEEMHB+Whitman-ItalicOsF WARN No Unicode mapping for CID+110 (110) in font FEEMHB+Whitman-ItalicOsF WARN No Unicode mapping for CID+57 (57) in font FEEMHB+Whitman-ItalicOsF WARN No Unicode mapping for CID+96 (96) in font FEEMHB+Whitman-ItalicOsF WARN No Unicode mapping for CID+102 (102) in font FEEMHB+Whitman-ItalicOsF WARN No Unicode mapping for CID+94 (94) in font FEEMHB+Whitman-ItalicOsF WARN No Unicode mapping for CID+105 (105) in font FEEMHB+Whitman-ItalicOsF WARN No Unicode mapping for CID+88 (88) in font FEEMHB+Whitman-ItalicOsF WARN No Unicode mapping for CID+103 (103) in font FEEMHB+Whitman-ItalicOsF WARN No Unicode mapping for CID+95 (95) in font FEEMHB+Whitman-ItalicOsF WARN No Unicode mapping for CID+90 (90) in font FEEMHB+Whitman-ItalicOsF WARN No Unicode mapping for CID+99 (99) in font FEEMHB+Whitman-ItalicOsF WARN No Unicode mapping for CID+59 (59) in font FEEMHB+Whitman-ItalicOsF WARN No Unicode mapping for CID+107 (107) in font FEEMHB+Whitman-ItalicOsF WARN No Unicode mapping for CID+101 (101) in font FEEMHB+Whitman-ItalicOsF WARN No Unicode mapping for CID+112 (112) in font FEEMHB+Whitman-ItalicOsF WARN No Unicode mapping for CID+60 (60) in font FEEMHB+Whitman-BoldOsF WARN No Unicode mapping for CID+91 (91) in font FEEMHB+Whitman-BoldOsF WARN No Unicode mapping for CID+89 (89) in font FEEMHB+Whitman-BoldOsF WARN No Unicode mapping for CID+112 (112) in font FEEMHB+Whitman-BoldOsF WARN No Unicode mapping for CID+65 (65) in font FEEMHB+Whitman-BoldOsF WARN No Unicode mapping for CID+70 (70) in font FEEMHB+Whitman-BoldOsF WARN No Unicode mapping for CID+71 (71) in font FEEMHB+Whitman-BoldOsF WARN No Unicode mapping for CID+63 (63) in font FEEMHB+Whitman-BoldOsF WARN No Unicode mapping for CID+68 (68) in font FEEMHB+Whitman-BoldOsF WARN No Unicode mapping for CID+37 (37) in font FEEMHB+Whitman-BoldOsF WARN No Unicode mapping for CID+61 (61) in font FEEMHB+Whitman-BoldOsF WARN No Unicode mapping for CID+67 (67) in font FEEMHB+Whitman-BoldOsF WARN No Unicode mapping for CID+73 (73) in font FEEMHB+Whitman-BoldOsF WARN No Unicode mapping for CID+56 (56) in font FEEMHB+Whitman-BoldOsF WARN No Unicode mapping for CID+88 (88) in font FEEMHB+Whitman-BoldOsF WARN No Unicode mapping for CID+57 (57) in font FEEMHB+Whitman-BoldOsF WARN No Unicode mapping for CID+77 (77) in font FEEMHB+Whitman-BoldOsF WARN No Unicode mapping for CID+62 (62) in font FEEMHB+Whitman-BoldOsF WARN No Unicode mapping for CID+80 (80) in font FEEMHB+Whitman-BoldOsF WARN No Unicode mapping for CID+69 (69) in font FEEMHB+Whitman-BoldOsF WARN No Unicode mapping for CID+64 (64) in font FEEMHB+Whitman-BoldOsF WARN No Unicode mapping for CID+81 (81) in font FEEMHB+Whitman-BoldOsF WARN No Unicode mapping for CID+35 (35) in font FEEMHB+Whitman-BoldOsF WARN No Unicode mapping for CID+115 (115) in font FEEMHB+Whitman-BoldOsF WARN No Unicode mapping for CID+27 (27) in font EWUGTD+Whitman-RomanOsF WARN No Unicode mapping for CID+44 (44) in font EWUGTD+Whitman-RomanOsF WARN No Unicode mapping for CID+37 (37) in font EWUGTD+Whitman-RomanOsF WARN No Unicode mapping for CID+39 (39) in font EWUGTD+Whitman-RomanOsF WARN No Unicode mapping for CID+75 (75) in font FEEMHB+Whitman-BoldOsF WARN No Unicode mapping for CID+93 (93) in font FEEMHB+Whitman-BoldOsF WARN No Unicode mapping for CID+99 (99) in font FEEMHB+Whitman-BoldOsF WARN No Unicode mapping for CID+63 (63) in font FEEMHB+Whitman-ItalicOsF WARN No Unicode mapping for CID+106 (106) in font FEEMHB+Whitman-ItalicOsF WARN No Unicode mapping for CID+91 (91) in font FEEMHB+Whitman-ItalicOsF WARN No Unicode mapping for CID+71 (71) in font FEEMHB+Whitman-ItalicOsF WARN No Unicode mapping for CID+42 (42) in font EWUGTD+Whitman-RomanOsF WARN No Unicode mapping for CID+48 (48) in font EWUGTD+Whitman-RomanOsF WARN No Unicode mapping for CID+94 (94) in font FEEMHB+Whitman-BoldOsF WARN No Unicode mapping for CID+90 (90) in font FEEMHB+Whitman-BoldOsF WARN No Unicode mapping for CID+100 (100) in font FEEMHB+Whitman-BoldOsF WARN No Unicode mapping for CID+103 (103) in font FEEMHB+Whitman-BoldOsF WARN No Unicode mapping for CID+58 (58) in font FEEMHB+Whitman-BoldOsF WARN No Unicode mapping for CID+66 (66) in font FEEMHB+Whitman-BoldOsF WARN No Unicode mapping for CID+43 (43) in font EWUGTD+Whitman-RomanOsF WARN No Unicode mapping for CID+128 (128) in font FEEMHB+Whitman-BoldOsF WARN No Unicode mapping for CID+98 (98) in font FEEMHB+Whitman-BoldOsF WARN No Unicode mapping for CID+203 (203) in font FEEMHB+Whitman-BoldOsF WARN No Unicode mapping for CID+61 (61) in font FEEMHB+Whitman-ItalicOsF WARN No Unicode mapping for CID+75 (75) in font FEEMHB+Whitman-ItalicOsF WARN No Unicode mapping for CID+109 (109) in font FEEMHB+Whitman-ItalicOsF WARN No Unicode mapping for CID+74 (74) in font FEEMHB+Whitman-ItalicOsF WARN No Unicode mapping for CID+98 (98) in font FEEMHB+Whitman-ItalicOsF WARN No Unicode mapping for CID+93 (93) in font FEEMHB+Whitman-ItalicOsF WARN No Unicode mapping for CID+100 (100) in font FEEMHB+Whitman-ItalicOsF WARN No Unicode mapping for CID+89 (89) in font FEEMHB+Whitman-ItalicOsF WARN No Unicode mapping for CID+108 (108) in font FEEMHB+Whitman-ItalicOsF WARN No Unicode mapping for CID+73 (73) in font FEEMHB+Whitman-ItalicOsF WARN No Unicode mapping for CID+59 (59) in font FEEMHB+Whitman-BoldOsF WARN No Unicode mapping for CID+68 (68) in font FEEMHB+Whitman-ItalicOsF WARN No Unicode mapping for CID+97 (97) in font FEEMHB+Whitman-ItalicOsF WARN No Unicode mapping for CID+76 (76) in font FEEMHB+Whitman-BoldOsF WARN No Unicode mapping for CID+110 (110) in font FEEMHB+Whitman-BoldOsF WARN No Unicode mapping for CID+35 (35) in font FEEMHB+Whitman-ItalicOsF WARN No Unicode mapping for CID+36 (36) in font FEEMHB+Whitman-ItalicOsF WARN No Unicode mapping for CID+58 (58) in font FEEMHB+Whitman-ItalicOsF WARN No Unicode mapping for CID+41 (41) in font EWUGTD+Whitman-RomanOsF WARN No Unicode mapping for CID+64 (64) in font FEEMHB+Whitman-ItalicOsF WARN No Unicode mapping for CID+44 (44) in font EWUGTD+HelveticaNeue-BoldCond WARN No Unicode mapping for CID+47 (47) in font EWUGTD+HelveticaNeue-BoldCond WARN No Unicode mapping for CID+53 (53) in font EWUGTD+HelveticaNeue-BoldCond WARN No Unicode mapping for CID+41 (41) in font EWUGTD+HelveticaNeue-BoldCond WARN No Unicode mapping for CID+51 (51) in font EWUGTD+HelveticaNeue-BoldCond WARN No Unicode mapping for CID+33 (33) in font EWUGTD+HelveticaNeue-BoldCond WARN No Unicode mapping for CID+46 (46) in font EWUGTD+HelveticaNeue-BoldCond WARN No Unicode mapping for CID+0 (0) in font EWUGTD+HelveticaNeue-BoldCond WARN No Unicode mapping for CID+52 (52) in font EWUGTD+HelveticaNeue-BoldCond WARN No Unicode mapping for CID+37 (37) in font EWUGTD+HelveticaNeue-BoldCond WARN No Unicode mapping for CID+54 (54) in font EWUGTD+HelveticaNeue-BoldCond WARN No Unicode mapping for CID+50 (50) in font EWUGTD+HelveticaNeue-BoldCond WARN No Unicode mapping for CID+57 (57) in font EWUGTD+HelveticaNeue-BoldCond WARN No Unicode mapping for CID+48 (48) in font EWUGTD+HelveticaNeue-BoldCond WARN No Unicode mapping for CID+8 (8) in font DOKAFF+HelveticaNeue-Condensed WARN No Unicode mapping for CID+24 (24) in font DOKAFF+HelveticaNeue-Condensed WARN No Unicode mapping for CID+16 (16) in font DOKAFF+HelveticaNeue-Condensed WARN No Unicode mapping for CID+9 (9) in font DOKAFF+HelveticaNeue-Condensed WARN No Unicode mapping for CID+0 (0) in font DOKAFF+HelveticaNeue-Condensed WARN No Unicode mapping for CID+22 (22) in font DOKAFF+HelveticaNeue-Condensed WARN No Unicode mapping for CID+17 (17) in font DOKAFF+HelveticaNeue-Condensed WARN No Unicode mapping for CID+13 (13) in font DOKAFF+HelveticaNeue-Condensed WARN No Unicode mapping for CID+19 (19) in font DOKAFF+HelveticaNeue-Condensed WARN No Unicode mapping for CID+20 (20) in font DOKAFF+HelveticaNeue-Condensed WARN No Unicode mapping for CID+23 (23) in font DOKAFF+HelveticaNeue-Condensed WARN No Unicode mapping for CID+115 (115) in font DOKAFF+HelveticaNeue-Condensed WARN No Unicode mapping for CID+54 (54) in font DOKAFF+HelveticaNeue-CondensedObl WARN No Unicode mapping for CID+73 (73) in font DOKAFF+HelveticaNeue-CondensedObl WARN No Unicode mapping for CID+83 (83) in font DOKAFF+HelveticaNeue-CondensedObl WARN No Unicode mapping for CID+84 (84) in font DOKAFF+HelveticaNeue-CondensedObl WARN No Unicode mapping for CID+0 (0) in font CGAURH+HelveticaNeue-BoldCondObl WARN No Unicode mapping for CID+87 (87) in font CGAURH+HelveticaNeue-BoldCondObl WARN No Unicode mapping for CID+14 (14) in font CGAURH+HelveticaNeue-BoldCondObl WARN No Unicode mapping for CID+76 (76) in font CGAURH+HelveticaNeue-BoldCondObl WARN No Unicode mapping for CID+83 (83) in font CGAURH+HelveticaNeue-BoldCondObl WARN No Unicode mapping for CID+85 (85) in font CGAURH+HelveticaNeue-BoldCondObl WARN No Unicode mapping for CID+69 (69) in font CGAURH+HelveticaNeue-BoldCondObl WARN No Unicode mapping for CID+68 (68) in font CGAURH+HelveticaNeue-BoldCondObl WARN No Unicode mapping for CID+15 (15) in font CGAURH+HelveticaNeue-BoldCondObl WARN No Unicode mapping for CID+80 (80) in font CGAURH+HelveticaNeue-BoldCondObl WARN No Unicode mapping for CID+82 (82) in font CGAURH+HelveticaNeue-BoldCondObl WARN No Unicode mapping for CID+0 (0) in font DOKAFF+HelveticaNeue-CondensedObl WARN No Unicode mapping for CID+79 (79) in font DOKAFF+HelveticaNeue-CondensedObl WARN No Unicode mapping for CID+74 (74) in font DOKAFF+HelveticaNeue-CondensedObl WARN No Unicode mapping for CID+78 (78) in font DOKAFF+HelveticaNeue-CondensedObl WARN No Unicode mapping for CID+85 (85) in font DOKAFF+HelveticaNeue-CondensedObl WARN No Unicode mapping for CID+82 (82) in font DOKAFF+HelveticaNeue-CondensedObl WARN No Unicode mapping for CID+69 (69) in font DOKAFF+HelveticaNeue-CondensedObl WARN No Unicode mapping for CID+77 (77) in font DOKAFF+HelveticaNeue-CondensedObl WARN No Unicode mapping for CID+65 (65) in font DOKAFF+HelveticaNeue-CondensedObl WARN No Unicode mapping for CID+76 (76) in font DOKAFF+HelveticaNeue-CondensedObl WARN No Unicode mapping for CID+68 (68) in font DOKAFF+HelveticaNeue-CondensedObl WARN No Unicode mapping for CID+66 (66) in font DOKAFF+HelveticaNeue-CondensedObl WARN No Unicode mapping for CID+72 (72) in font DOKAFF+HelveticaNeue-CondensedObl WARN No Unicode mapping for CID+71 (71) in font DOKAFF+HelveticaNeue-CondensedObl WARN No Unicode mapping for CID+75 (75) in font DOKAFF+HelveticaNeue-CondensedObl WARN No Unicode mapping for CID+1 (1) in font DOKAFF+HelveticaNeue-CondensedObl WARN No Unicode mapping for CID+23 (23) in font EWUGTD+Whitman-RomanOsF WARN No Unicode mapping for CID+40 (40) in font FEEMHB+Whitman-ItalicOsF WARN No Unicode mapping for CID+48 (48) in font FEEMHB+Whitman-ItalicOsF WARN No Unicode mapping for CID+43 (43) in font FEEMHB+Whitman-ItalicOsF WARN No Unicode mapping for CID+42 (42) in font FEEMHB+Whitman-ItalicOsF WARN No Unicode mapping for CID+198 (198) in font FEEMHB+Whitman-ItalicOsF WARN No Unicode mapping for CID+44 (44) in font FEEMHB+Whitman-ItalicOsF WARN No Unicode mapping for CID+41 (41) in font FEEMHB+Whitman-ItalicOsF WARN No Unicode mapping for CID+64 (64) in font EWUGTD+Whitman-RomanOsF WARN No Unicode mapping for CID+99 (99) in font EWUGTD+Whitman-RomanOsF WARN No Unicode mapping for CID+108 (108) in font EWUGTD+Whitman-RomanOsF WARN No Unicode mapping for CID+106 (106) in font EWUGTD+Whitman-RomanOsF WARN No Unicode mapping for CID+107 (107) in font EWUGTD+Whitman-RomanOsF WARN No Unicode mapping for CID+105 (105) in font EWUGTD+Whitman-RomanOsF WARN No Unicode mapping for CID+88 (88) in font EWUGTD+Whitman-RomanOsF WARN No Unicode mapping for CID+92 (92) in font EWUGTD+Whitman-RomanOsF WARN No Unicode mapping for CID+91 (91) in font EWUGTD+Whitman-RomanOsF WARN No Unicode mapping for CID+35 (35) in font EWUGTD+Whitman-RomanOsF WARN No Unicode mapping for CID+47 (47) in font FEEMHB+Whitman-ItalicOsF WARN No Unicode mapping for CID+109 (109) in font FEEMHB+Whitman-BoldOsF WARN No Unicode mapping for CID+65 (65) in font FEEMHB+Whitman-ItalicOsF WARN No Unicode mapping for CID+67 (67) in font FEEMHB+Whitman-ItalicOsF WARN No Unicode mapping for CID+78 (78) in font FEEMHB+Whitman-ItalicOsF WARN No Unicode mapping for CID+36 (36) in font FEEMHB+Whitman-BoldOsF WARN No Unicode mapping for CID+79 (79) in font FEEMHB+Whitman-BoldOsF WARN No Unicode mapping for CID+55 (55) in font EWUGTD+HelveticaNeue-BoldCond WARN No Unicode mapping for CID+34 (34) in font EWUGTD+HelveticaNeue-BoldCond WARN No Unicode mapping for CID+35 (35) in font EWUGTD+HelveticaNeue-BoldCond WARN No Unicode mapping for CID+43 (43) in font EWUGTD+HelveticaNeue-BoldCond WARN No Unicode mapping for CID+1 (1) in font EWUGTD+HelveticaNeue-BoldCond WARN No Unicode mapping for CID+71 (71) in font EWUGTD+Whitman-RomanOsF WARN No Unicode mapping for CID+56 (56) in font EWUGTD+Whitman-RomanOsF WARN No Unicode mapping for CID+60 (60) in font EWUGTD+Whitman-RomanOsF WARN No Unicode mapping for CID+73 (73) in font EWUGTD+Whitman-RomanOsF WARN No Unicode mapping for CID+40 (40) in font EWUGTD+Whitman-RomanOsF WARN No Unicode mapping for CID+62 (62) in font FEEMHB+Whitman-ItalicOsF WARN No Unicode mapping for CID+23 (23) in font KZSQZR+Interstate-Light WARN No Unicode mapping for CID+23 (23) in font JRIKLT+Interstate-Bold WARN No Unicode mapping for CID+75 (75) in font JRIKLT+Interstate-Bold WARN No Unicode mapping for CID+92 (92) in font JRIKLT+Interstate-Bold WARN No Unicode mapping for CID+88 (88) in font JRIKLT+Interstate-Bold WARN No Unicode mapping for CID+90 (90) in font JRIKLT+Interstate-Bold WARN No Unicode mapping for CID+95 (95) in font JRIKLT+Interstate-Bold WARN No Unicode mapping for CID+96 (96) in font JRIKLT+Interstate-Bold WARN No Unicode mapping for CID+101 (101) in font JRIKLT+Interstate-Bold WARN No Unicode mapping for CID+94 (94) in font JRIKLT+Interstate-Bold WARN No Unicode mapping for CID+108 (108) in font JRIKLT+Interstate-Bold WARN No Unicode mapping for CID+91 (91) in font JRIKLT+Interstate-Bold WARN No Unicode mapping for CID+109 (109) in font JRIKLT+Interstate-Bold WARN No Unicode mapping for CID+99 (99) in font JRIKLT+Interstate-Bold WARN No Unicode mapping for CID+89 (89) in font JRIKLT+Interstate-Bold WARN No Unicode mapping for CID+102 (102) in font JRIKLT+Interstate-Bold WARN No Unicode mapping for CID+37 (37) in font JRIKLT+Interstate-Bold WARN No Unicode mapping for CID+61 (61) in font KZSQZR+Interstate-Light WARN No Unicode mapping for CID+102 (102) in font KZSQZR+Interstate-Light WARN No Unicode mapping for CID+105 (105) in font KZSQZR+Interstate-Light WARN No Unicode mapping for CID+100 (100) in font KZSQZR+Interstate-Light WARN No Unicode mapping for CID+92 (92) in font KZSQZR+Interstate-Light WARN No Unicode mapping for CID+109 (109) in font KZSQZR+Interstate-Light WARN No Unicode mapping for CID+88 (88) in font KZSQZR+Interstate-Light WARN No Unicode mapping for CID+99 (99) in font KZSQZR+Interstate-Light WARN No Unicode mapping for CID+108 (108) in font KZSQZR+Interstate-Light WARN No Unicode mapping for CID+89 (89) in font KZSQZR+Interstate-Light WARN No Unicode mapping for CID+106 (106) in font KZSQZR+Interstate-Light WARN No Unicode mapping for CID+90 (90) in font KZSQZR+Interstate-Light WARN No Unicode mapping for CID+101 (101) in font KZSQZR+Interstate-Light WARN No Unicode mapping for CID+91 (91) in font KZSQZR+Interstate-Light WARN No Unicode mapping for CID+93 (93) in font KZSQZR+Interstate-Light WARN No Unicode mapping for CID+98 (98) in font KZSQZR+Interstate-Light WARN No Unicode mapping for CID+111 (111) in font KZSQZR+Interstate-Light WARN No Unicode mapping for CID+103 (103) in font KZSQZR+Interstate-Light WARN No Unicode mapping for CID+112 (112) in font KZSQZR+Interstate-Light WARN No Unicode mapping for CID+96 (96) in font KZSQZR+Interstate-Light WARN No Unicode mapping for CID+107 (107) in font KZSQZR+Interstate-Light WARN No Unicode mapping for CID+110 (110) in font KZSQZR+Interstate-Light WARN No Unicode mapping for CID+37 (37) in font KZSQZR+Interstate-Light WARN No Unicode mapping for CID+74 (74) in font KZSQZR+Interstate-Light WARN No Unicode mapping for CID+56 (56) in font KZSQZR+Interstate-Light WARN No Unicode mapping for CID+69 (69) in font GTESVZ+Interstate-RegularCondensed WARN No Unicode mapping for CID+70 (70) in font GTESVZ+Interstate-RegularCondensed WARN No Unicode mapping for CID+78 (78) in font GTESVZ+Interstate-RegularCondensed WARN No Unicode mapping for CID+23 (23) in font GTESVZ+Interstate-RegularCondensed WARN No Unicode mapping for CID+56 (56) in font GTESVZ+Interstate-RegularCondensed WARN No Unicode mapping for CID+77 (77) in font GTESVZ+Interstate-RegularCondensed WARN No Unicode mapping for CID+64 (64) in font GTESVZ+Interstate-RegularCondensed WARN No Unicode mapping for CID+67 (67) in font GTESVZ+Interstate-RegularCondensed WARN No Unicode mapping for CID+57 (57) in font GTESVZ+Interstate-RegularCondensed WARN No Unicode mapping for CID+60 (60) in font GTESVZ+Interstate-RegularCondensed WARN No Unicode mapping for CID+71 (71) in font GTESVZ+Interstate-RegularCondensed WARN No Unicode mapping for CID+73 (73) in font GTESVZ+Interstate-RegularCondensed WARN No Unicode mapping for CID+58 (58) in font GTESVZ+Interstate-RegularCondensed WARN No Unicode mapping for CID+66 (66) in font GTESVZ+Interstate-RegularCondensed work_yantpzjp55fjleepome37s3ebq txt/../wrd/work_yantpzjp55fjleepome37s3ebq.wrd WARN No Unicode mapping for CID+78 (78) in font RIFGTD+FranklinGothic-BookOblique WARN No Unicode mapping for CID+79 (79) in font RIFGTD+FranklinGothic-BookOblique WARN No Unicode mapping for CID+87 (87) in font RIFGTD+FranklinGothic-BookOblique WARN No Unicode mapping for CID+0 (0) in font RIFGTD+FranklinGothic-BookOblique WARN No Unicode mapping for CID+73 (73) in font RIFGTD+FranklinGothic-BookOblique WARN No Unicode mapping for CID+80 (80) in font RIFGTD+FranklinGothic-BookOblique WARN No Unicode mapping for CID+65 (65) in font RIFGTD+FranklinGothic-BookOblique WARN No Unicode mapping for CID+69 (69) in font RIFGTD+FranklinGothic-BookOblique WARN No Unicode mapping for CID+82 (82) in font RIFGTD+FranklinGothic-BookOblique WARN No Unicode mapping for CID+66 (66) in font RIFGTD+FranklinGothic-BookOblique WARN No Unicode mapping for CID+67 (67) in font RIFGTD+FranklinGothic-BookOblique WARN No Unicode mapping for CID+75 (75) in font RIFGTD+FranklinGothic-BookOblique WARN No Unicode mapping for CID+52 (52) in font QAVAFF+FranklinGothic-Demi WARN No Unicode mapping for CID+72 (72) in font QAVAFF+FranklinGothic-Demi WARN No Unicode mapping for CID+69 (69) in font QAVAFF+FranklinGothic-Demi WARN No Unicode mapping for CID+0 (0) in font QAVAFF+FranklinGothic-Demi WARN No Unicode mapping for CID+35 (35) in font QAVAFF+FranklinGothic-Demi WARN No Unicode mapping for CID+73 (73) in font QAVAFF+FranklinGothic-Demi WARN No Unicode mapping for CID+78 (78) in font QAVAFF+FranklinGothic-Demi WARN No Unicode mapping for CID+77 (77) in font QAVAFF+FranklinGothic-Demi WARN No Unicode mapping for CID+65 (65) in font QAVAFF+FranklinGothic-Demi WARN No Unicode mapping for CID+37 (37) in font QAVAFF+FranklinGothic-Demi WARN No Unicode mapping for CID+70 (70) in font QAVAFF+FranklinGothic-Demi WARN No Unicode mapping for CID+67 (67) in font QAVAFF+FranklinGothic-Demi WARN No Unicode mapping for CID+84 (84) in font QAVAFF+FranklinGothic-Demi WARN No Unicode mapping for CID+51 (51) in font RIFGTD+FranklinGothic-BookOblique WARN No Unicode mapping for CID+35 (35) in font RIFGTD+FranklinGothic-BookOblique WARN No Unicode mapping for CID+85 (85) in font RIFGTD+FranklinGothic-BookOblique WARN No Unicode mapping for CID+84 (84) in font RIFGTD+FranklinGothic-BookOblique WARN No Unicode mapping for CID+104 (104) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+34 (34) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+79 (79) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+84 (84) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+72 (72) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+0 (0) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+69 (69) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+82 (82) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+65 (65) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+78 (78) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+71 (71) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+70 (70) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+77 (77) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+73 (73) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+76 (76) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+67 (67) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+86 (86) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+68 (68) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+80 (80) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+87 (87) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+75 (75) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+83 (83) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+89 (89) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+85 (85) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+66 (66) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+14 (14) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+118 (118) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+136 (136) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+51 (51) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+45 (45) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+12 (12) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+53 (53) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+35 (35) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+44 (44) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+33 (33) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+20 (20) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+22 (22) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+24 (24) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+4 (4) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+18 (18) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+25 (25) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+21 (21) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+38 (38) in font QAVAFF+FranklinGothic-Demi WARN No Unicode mapping for CID+82 (82) in font QAVAFF+FranklinGothic-Demi WARN No Unicode mapping for CID+83 (83) in font QAVAFF+FranklinGothic-Demi WARN No Unicode mapping for CID+48 (48) in font QAVAFF+FranklinGothic-Demi WARN No Unicode mapping for CID+79 (79) in font QAVAFF+FranklinGothic-Demi WARN No Unicode mapping for CID+46 (46) in font QAVAFF+FranklinGothic-Demi WARN No Unicode mapping for CID+87 (87) in font QAVAFF+FranklinGothic-Demi WARN No Unicode mapping for CID+45 (45) in font QAVAFF+FranklinGothic-Demi WARN No Unicode mapping for CID+68 (68) in font QAVAFF+FranklinGothic-Demi WARN No Unicode mapping for CID+51 (51) in font QAVAFF+FranklinGothic-Demi WARN No Unicode mapping for CID+89 (89) in font QAVAFF+FranklinGothic-Demi WARN No Unicode mapping for CID+12 (12) in font QAVAFF+FranklinGothic-Demi WARN No Unicode mapping for CID+39 (39) in font QAVAFF+FranklinGothic-Demi WARN No Unicode mapping for CID+68 (68) in font RIFGTD+FranklinGothic-BookOblique WARN No Unicode mapping for CID+89 (89) in font RIFGTD+FranklinGothic-BookOblique WARN No Unicode mapping for CID+46 (46) in font RIFGTD+FranklinGothic-BookOblique WARN No Unicode mapping for CID+72 (72) in font RIFGTD+FranklinGothic-BookOblique WARN No Unicode mapping for CID+55 (55) in font RIFGTD+FranklinGothic-BookOblique WARN No Unicode mapping for CID+13 (13) in font RIFGTD+FranklinGothic-BookOblique WARN No Unicode mapping for CID+38 (38) in font RIFGTD+FranklinGothic-BookOblique WARN No Unicode mapping for CID+48 (48) in font RIFGTD+FranklinGothic-BookOblique WARN No Unicode mapping for CID+40 (40) in font RIFGTD+FranklinGothic-BookOblique WARN No Unicode mapping for CID+71 (71) in font RIFGTD+FranklinGothic-BookOblique WARN No Unicode mapping for CID+52 (52) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+13 (13) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+90 (90) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+8 (8) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+9 (9) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+19 (19) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+16 (16) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+17 (17) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+41 (41) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+48 (48) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+3 (3) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+23 (23) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+15 (15) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+88 (88) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+72 (72) in font OKBODJ+AvantGarde-Demi WARN No Unicode mapping for CID+84 (84) in font OKBODJ+AvantGarde-Demi WARN No Unicode mapping for CID+80 (80) in font OKBODJ+AvantGarde-Demi WARN No Unicode mapping for CID+26 (26) in font OKBODJ+AvantGarde-Demi WARN No Unicode mapping for CID+15 (15) in font OKBODJ+AvantGarde-Demi WARN No Unicode mapping for CID+77 (77) in font OKBODJ+AvantGarde-Demi WARN No Unicode mapping for CID+73 (73) in font OKBODJ+AvantGarde-Demi WARN No Unicode mapping for CID+82 (82) in font OKBODJ+AvantGarde-Demi WARN No Unicode mapping for CID+69 (69) in font OKBODJ+AvantGarde-Demi WARN No Unicode mapping for CID+83 (83) in font OKBODJ+AvantGarde-Demi WARN No Unicode mapping for CID+14 (14) in font OKBODJ+AvantGarde-Demi WARN No Unicode mapping for CID+68 (68) in font OKBODJ+AvantGarde-Demi WARN No Unicode mapping for CID+85 (85) in font OKBODJ+AvantGarde-Demi WARN No Unicode mapping for CID+24 (24) in font QAVAFF+FranklinGothic-Demi WARN No Unicode mapping for CID+16 (16) in font QAVAFF+FranklinGothic-Demi WARN No Unicode mapping for CID+13 (13) in font QAVAFF+FranklinGothic-Demi WARN No Unicode mapping for CID+20 (20) in font QAVAFF+FranklinGothic-Demi WARN No Unicode mapping for CID+21 (21) in font QAVAFF+FranklinGothic-Demi WARN No Unicode mapping for CID+17 (17) in font QAVAFF+FranklinGothic-Demi WARN No Unicode mapping for CID+22 (22) in font QAVAFF+FranklinGothic-Demi WARN No Unicode mapping for CID+25 (25) in font QAVAFF+FranklinGothic-Demi WARN No Unicode mapping for CID+46 (46) in font OKBODJ+AvantGarde-Demi WARN No Unicode mapping for CID+87 (87) in font OKBODJ+AvantGarde-Demi WARN No Unicode mapping for CID+0 (0) in font OKBODJ+AvantGarde-Demi WARN No Unicode mapping for CID+70 (70) in font OKBODJ+AvantGarde-Demi WARN No Unicode mapping for CID+79 (79) in font OKBODJ+AvantGarde-Demi WARN No Unicode mapping for CID+52 (52) in font OKBODJ+AvantGarde-Demi WARN No Unicode mapping for CID+45 (45) in font OKBODJ+AvantGarde-Demi WARN No Unicode mapping for CID+41 (41) in font OKBODJ+AvantGarde-Demi WARN No Unicode mapping for CID+48 (48) in font OKBODJ+AvantGarde-Demi WARN No Unicode mapping for CID+40 (40) in font QAVAFF+FranklinGothic-Demi WARN No Unicode mapping for CID+90 (90) in font QAVAFF+FranklinGothic-Demi WARN No Unicode mapping for CID+76 (76) in font QAVAFF+FranklinGothic-Demi WARN No Unicode mapping for CID+85 (85) in font QAVAFF+FranklinGothic-Demi WARN No Unicode mapping for CID+33 (33) in font QAVAFF+FranklinGothic-Demi WARN No Unicode mapping for CID+88 (88) in font QAVAFF+FranklinGothic-Demi WARN No Unicode mapping for CID+80 (80) in font QAVAFF+FranklinGothic-Demi WARN No Unicode mapping for CID+36 (36) in font QAVAFF+FranklinGothic-Demi WARN No Unicode mapping for CID+71 (71) in font QAVAFF+FranklinGothic-Demi WARN No Unicode mapping for CID+33 (33) in font RIFGTD+FranklinGothic-BookOblique WARN No Unicode mapping for CID+36 (36) in font RIFGTD+FranklinGothic-BookOblique WARN No Unicode mapping for CID+7 (7) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+200 (200) in font PSLURH+FranklinGothic-Book WARN No Unicode mapping for CID+55 (55) in font QAVAFF+FranklinGothic-Demi WARN No Unicode mapping for CID+41 (41) in font QAVAFF+FranklinGothic-Demi WARN No Unicode mapping for CID+42 (42) in 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GPPSVZ+ScalaSans WARN No Unicode mapping for CID+177 (177) in font GPPSVZ+ScalaSans WARN No Unicode mapping for CID+51 (51) in font GPPSVZ+ScalaSans WARN No Unicode mapping for CID+43 (43) in font GPPSVZ+ScalaSans WARN No Unicode mapping for CID+36 (36) in font GPPSVZ+ScalaSans WARN No Unicode mapping for CID+45 (45) in font FHFMHB+ScalaSans-Bold WARN No Unicode mapping for CID+71 (71) in font FHFMHB+ScalaSans-Bold WARN No Unicode mapping for CID+67 (67) in font FHFMHB+ScalaSans-Bold WARN No Unicode mapping for CID+38 (38) in font FHFMHB+ScalaSans-Italic WARN No Unicode mapping for CID+85 (85) in font FHFMHB+ScalaSans-Italic WARN No Unicode mapping for CID+90 (90) in font FHFMHB+ScalaSans-Italic WARN No Unicode mapping for CID+53 (53) in font FHFMHB+ScalaSans-Italic WARN No Unicode mapping for CID+56 (56) in font GPPSVZ+ScalaSans WARN No Unicode mapping for CID+45 (45) in font GPPSVZ+ScalaSans WARN No Unicode mapping for CID+38 (38) in font GPPSVZ+ScalaSans WARN No Unicode mapping for CID+46 (46) in font FHFMHB+ScalaSans-Bold WARN No Unicode mapping for CID+42 (42) in font GPPSVZ+ScalaSans WARN No Unicode mapping for CID+87 (87) in font GPPSVZ+ScalaSans WARN No Unicode mapping for CID+34 (34) in font FHFMHB+ScalaSans-Italic WARN No Unicode mapping for CID+41 (41) in font GPPSVZ+ScalaSans WARN No Unicode mapping for CID+76 (76) in font GPPSVZ+ScalaSans WARN No Unicode mapping for CID+40 (40) in font GPPSVZ+ScalaSans WARN No Unicode mapping for CID+40 (40) in font FHFMHB+ScalaSans-Bold WARN No Unicode mapping for CID+34 (34) in font FHFMHB+ScalaSans-Bold WARN No Unicode mapping for CID+14 (14) in font FHFMHB+ScalaSans-Italic WARN No Unicode mapping for CID+43 (43) in font FHFMHB+ScalaSans-Italic WARN No Unicode mapping for CID+44 (44) in font FHFMHB+ScalaSans-Italic WARN No Unicode mapping for CID+87 (87) in font FHFMHB+ScalaSans-Italic WARN No Unicode mapping for CID+46 (46) in font GPPSVZ+ScalaSans WARN No Unicode mapping for CID+37 (37) in font FHFMHB+ScalaSans-Bold WARN No Unicode mapping for CID+177 (177) in font FHFMHB+ScalaSans-Bold WARN No Unicode mapping for CID+35 (35) in font FHFMHB+ScalaSans-Italic WARN No Unicode mapping for CID+63 (63) in font EZVGTD+ScalaSans-Caps WARN No Unicode mapping for CID+75 (75) in font EZVGTD+ScalaSans-Caps WARN No Unicode mapping for CID+72 (72) in font EZVGTD+ScalaSans-Caps WARN No Unicode mapping for CID+81 (81) in font EZVGTD+ScalaSans-Caps WARN No Unicode mapping for CID+73 (73) in font EZVGTD+ScalaSans-Caps WARN No Unicode mapping for CID+62 (62) in font EZVGTD+ScalaSans-Caps WARN No Unicode mapping for CID+69 (69) in font EZVGTD+ScalaSans-Caps WARN No Unicode mapping for CID+61 (61) in font EZVGTD+ScalaSans-Caps WARN No Unicode mapping for CID+10 (10) in font EZVGTD+ScalaSans-Caps WARN No Unicode mapping for CID+71 (71) in font FHFMHB+ScalaSans-Italic WARN No Unicode mapping for CID+84 (84) in font FHFMHB+Scala-Caps === file2bib.sh === Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2895, in get_loc return self._engine.get_loc(casted_key) File "pandas/_libs/index.pyx", line 70, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/index.pyx", line 101, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/hashtable_class_helper.pxi", line 1675, in pandas._libs.hashtable.PyObjectHashTable.get_item File "pandas/_libs/hashtable_class_helper.pxi", line 1683, in pandas._libs.hashtable.PyObjectHashTable.get_item KeyError: 'work_rfc5tg5yrzbm5p7ukt5qsf7azm' The above exception was the direct cause of the following exception: Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/reader-compute/reader-classic/bin/file2bib.py", line 66, in if ( bibliographics.loc[ escape ,'author'] ) : author = bibliographics.loc[ escape,'author'] File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 873, in __getitem__ return self._getitem_tuple(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1044, in _getitem_tuple return self._getitem_lowerdim(tup) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 786, in _getitem_lowerdim section = self._getitem_axis(key, axis=i) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1110, in _getitem_axis return self._get_label(key, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1059, in _get_label return self.obj.xs(label, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/generic.py", line 3491, in xs loc = self.index.get_loc(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2897, in get_loc raise KeyError(key) from err KeyError: 'work_rfc5tg5yrzbm5p7ukt5qsf7azm' work_tqetgmsdn5cqphtaxo2wr4npqa txt/../pos/work_tqetgmsdn5cqphtaxo2wr4npqa.pos work_l7po3cmgjrdnbgqgas65xaq7du txt/../ent/work_l7po3cmgjrdnbgqgas65xaq7du.ent work_u3tqo65ss5e4zmdcmrmgthecd4 txt/../wrd/work_u3tqo65ss5e4zmdcmrmgthecd4.wrd work_zkhii3lg6jetxg52qkdsnxyww4 txt/../ent/work_zkhii3lg6jetxg52qkdsnxyww4.ent work_yantpzjp55fjleepome37s3ebq txt/../pos/work_yantpzjp55fjleepome37s3ebq.pos work_jhnc4rbhtvd3jbi6y72ne6lqtm txt/../ent/work_jhnc4rbhtvd3jbi6y72ne6lqtm.ent INFO Detecting media type for Filename: b'work_jlsoxwmetrdhfp53qdl25t3xui.pdf' INFO rmeta/text (autodetecting type) WARN No Unicode mapping for circlecopyrt (2) in font AAAAAD+MTSY INFO Detecting media type for Filename: b'work_xw5rhldghbd3jj36isdiqeitn4.pdf' INFO rmeta/text (autodetecting type) WARN No Unicode mapping for C176 (2) in font AHINGL+AdvTTab7e17fd WARN No Unicode mapping for C0 (2) in font AHINHN+AdvP4C4E74 WARN No Unicode mapping for C1 (3) in font AHINHN+AdvP4C4E74 WARN No Unicode mapping for C2 (4) in font AHINHN+AdvP4C4E74 WARN No Unicode mapping for C20 (5) in font AHINHN+AdvP4C4E74 work_t23htd37fzavbmcylyujhzeuta txt/../wrd/work_t23htd37fzavbmcylyujhzeuta.wrd INFO Detecting media type for Filename: b'work_vo6c67tgmjegbnwultbo75z76y.pdf' INFO rmeta/text (autodetecting type) === file2bib.sh === Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2895, in get_loc return self._engine.get_loc(casted_key) File "pandas/_libs/index.pyx", line 70, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/index.pyx", line 101, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/hashtable_class_helper.pxi", line 1675, in pandas._libs.hashtable.PyObjectHashTable.get_item File "pandas/_libs/hashtable_class_helper.pxi", line 1683, in pandas._libs.hashtable.PyObjectHashTable.get_item KeyError: 'work_vo6c67tgmjegbnwultbo75z76y' The above exception was the direct cause of the following exception: Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/reader-compute/reader-classic/bin/file2bib.py", line 66, in if ( bibliographics.loc[ escape ,'author'] ) : author = bibliographics.loc[ escape,'author'] File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 873, in __getitem__ return self._getitem_tuple(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1044, in _getitem_tuple return self._getitem_lowerdim(tup) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 786, in _getitem_lowerdim section = self._getitem_axis(key, axis=i) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1110, in _getitem_axis return self._get_label(key, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1059, in _get_label return self.obj.xs(label, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/generic.py", line 3491, in xs loc = self.index.get_loc(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2897, in get_loc raise KeyError(key) from err KeyError: 'work_vo6c67tgmjegbnwultbo75z76y' === file2bib.sh === id: work_l3giqgsspvdh7g73i2vdyftajq author: Jan L. de Jong title: Luba Freedman. Classical Myths in Italian Renaissance Painting. Cambridge: Cambridge University Press, 2011. xvi + 292 pp. $95. ISBN: 978–1–107–00119–0 date: 2012 pages: 4 extension: .pdf txt: ./txt/work_l3giqgsspvdh7g73i2vdyftajq.txt cache: ./cache/work_l3giqgsspvdh7g73i2vdyftajq.pdf Content-Type application/pdf Creation-Date 2012-06-07T10:12:03Z Last-Modified 2018-07-02T07:01:13Z Last-Save-Date 2018-07-02T07:01:13Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 15 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true cp:subject Renaissance Quarterly 2012.65:519-521 created 2012-06-07T10:12:03Z date 2018-07-02T07:01:13Z dc:format application/pdf; version=1.6 dc:title renq65205 485..652 dcterms:created 2012-06-07T10:12:03Z dcterms:modified 2018-07-02T07:01:13Z meta:creation-date 2012-06-07T10:12:03Z meta:save-date 2018-07-02T07:01:13Z modified 2018-07-02T07:01:13Z pdf:PDFVersion 1.6 pdf:charsPerPage ['1434', '1255', '3074', '440'] pdf:docinfo:created 2012-06-07T10:12:03Z pdf:docinfo:creator_tool PDFplus pdf:docinfo:modified 2018-07-02T07:01:13Z pdf:docinfo:producer Atypon Systems, Inc.; modified using iText 4.2.0 by 1T3XT pdf:docinfo:subject Renaissance Quarterly 2012.65:519-521 pdf:docinfo:title Luba Freedman. Classical Myths in Italian Renaissance Painting pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0'] producer Atypon Systems, Inc.; modified using iText 4.2.0 by 1T3XT resourceName b'work_l3giqgsspvdh7g73i2vdyftajq.pdf' subject Renaissance Quarterly 2012.65:519-521 title renq65205 485..652 xmp:CreatorTool PDFplus xmpMM:DocumentID uuid:142fee23-cfa4-43b8-8083-ead324ac3e1e xmpTPg:NPages 4 work_hbok5c6t6rgybfgo4vivoeki2i txt/../ent/work_hbok5c6t6rgybfgo4vivoeki2i.ent work_lcs2cdrzrbexvmveharbjoitoy txt/../ent/work_lcs2cdrzrbexvmveharbjoitoy.ent work_t23htd37fzavbmcylyujhzeuta txt/../pos/work_t23htd37fzavbmcylyujhzeuta.pos work_u3tqo65ss5e4zmdcmrmgthecd4 txt/../pos/work_u3tqo65ss5e4zmdcmrmgthecd4.pos === file2bib.sh === id: work_bwqd52xoybcllawprh6dckpvze author: Amit Om title: Integrating the Integumentary System with the Arts: A Review of Dermatologic Findings in Artwork date: 2018 pages: extension: .pdf txt: ./txt/work_bwqd52xoybcllawprh6dckpvze.txt cache: ./cache/work_bwqd52xoybcllawprh6dckpvze.pdf Content-Type application/xml X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.xml.DcXMLParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 2 resourceName b'work_bwqd52xoybcllawprh6dckpvze.pdf' === file2bib.sh === id: work_ig53zppym5cm5mpxazcugkm5za author: F. Castro title: A Quantitative Look at Mediterranean Lateen- and Square-Rigged Ships (Part 1) date: 2008 pages: 13 extension: .pdf txt: ./txt/work_ig53zppym5cm5mpxazcugkm5za.txt cache: ./cache/work_ig53zppym5cm5mpxazcugkm5za.pdf Author Huang Liping Content-Type application/pdf Creation-Date 2008-12-18T19:34:55Z Last-Modified 2008-12-18T19:34:55Z Last-Save-Date 2008-12-18T19:34:55Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 49 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2008-12-18T19:34:55Z creator Huang Liping date 2008-12-18T19:34:55Z dc:creator Huang Liping dc:format application/pdf; version=1.4 dc:title ijna(09)_183.fm dcterms:created 2008-12-18T19:34:55Z dcterms:modified 2008-12-18T19:34:55Z meta:author Huang Liping meta:creation-date 2008-12-18T19:34:55Z meta:save-date 2008-12-18T19:34:55Z modified 2008-12-18T19:34:55Z pdf:PDFVersion 1.4 pdf:charsPerPage ['3367', '4907', '5085', '4938', '4903', '2833', '1852', '1843', '1695', '1236', '2022', '2253', '5105'] pdf:docinfo:created 2008-12-18T19:34:55Z pdf:docinfo:creator Huang Liping pdf:docinfo:creator_tool FrameMaker+SGML 5.5 PowerPC: AdobePS 8.8.0 (301) pdf:docinfo:modified 2008-12-18T19:34:55Z pdf:docinfo:producer Acrobat Distiller 8.1.0 (Windows) pdf:docinfo:title ijna(09)_183.fm pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0'] producer Acrobat Distiller 8.1.0 (Windows) resourceName b'work_ig53zppym5cm5mpxazcugkm5za.pdf' title ijna(09)_183.fm xmp:CreatorTool FrameMaker+SGML 5.5 PowerPC: AdobePS 8.8.0 (301) xmpMM:DocumentID uuid:8ece2189-8282-4636-907d-94704c2ccf1c xmpTPg:NPages 13 work_2m6gvudwpnfufht6i5sceyxfva txt/../wrd/work_2m6gvudwpnfufht6i5sceyxfva.wrd === file2bib.sh === id: work_33mifywa6rgttcmle2p3n7fnei author: Robert Fredona title: Italy and the Origins of Capitalism date: 2020 pages: 34 extension: .pdf txt: ./txt/work_33mifywa6rgttcmle2p3n7fnei.txt cache: ./cache/work_33mifywa6rgttcmle2p3n7fnei.pdf Content-Type application/pdf Creation-Date 2020-04-27T22:23:14Z Last-Modified 2021-04-06T01:06:08Z Last-Save-Date 2021-04-06T01:06:08Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 130 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2020-04-27T22:23:14Z date 2021-04-06T01:06:08Z dc:description Downloaded from https://www.cambridge.org/core. Carnegie Mellon University, on 06 Apr 2021 at 01:06:08, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. dc:format application/pdf; version=1.3 dc:title S0007680520000057jra 5..38 dcterms:created 2020-04-27T22:23:14Z dcterms:modified 2021-04-06T01:06:08Z description Downloaded from https://www.cambridge.org/core. Carnegie Mellon University, on 06 Apr 2021 at 01:06:08, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. meta:creation-date 2020-04-27T22:23:14Z meta:save-date 2021-04-06T01:06:08Z modified 2021-04-06T01:06:08Z pdf:PDFVersion 1.3 pdf:charsPerPage ['2872', '2006', '2997', '3360', '3366', '1682', '2216', '3301', '2859', '2894', '3305', '3635', '3516', '1369', '2437', '3391', '3084', '2794', '3201', '2773', '3316', '3692', '3215', '3040', '2985', '3473', '3461', '2955', '958', '3008', '3510', '3061', '2937', '1034'] pdf:docinfo:created 2020-04-27T22:23:14Z pdf:docinfo:creator_tool Arbortext Advanced Print Publisher 10.0.1465/W Unicode pdf:docinfo:modified 2021-04-06T01:06:08Z pdf:docinfo:producer Carnegie Mellon University pdf:docinfo:title S0007680520000057jra 5..38 pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0'] producer Carnegie Mellon University resourceName b'work_33mifywa6rgttcmle2p3n7fnei.pdf' title S0007680520000057jra 5..38 xmp:CreatorTool Arbortext Advanced Print Publisher 10.0.1465/W Unicode xmpMM:DocumentID uuid:e7634206-d81a-4bd5-a195-d0de39ef5237 xmpTPg:NPages 34 work_ar4bbvjsozd4teet6r7w3ko3hi txt/../ent/work_ar4bbvjsozd4teet6r7w3ko3hi.ent work_kqoxlcruifhrvfinqrik6d6dp4 txt/../pos/work_kqoxlcruifhrvfinqrik6d6dp4.pos INFO Detecting media type for Filename: b'work_33acxxkmznfkbgw4vudbsvznse.pdf' INFO rmeta/text (autodetecting type) work_2m6gvudwpnfufht6i5sceyxfva txt/../pos/work_2m6gvudwpnfufht6i5sceyxfva.pos work_v5fiyth2fjgjzdpoethem3ybmy txt/../wrd/work_v5fiyth2fjgjzdpoethem3ybmy.wrd work_2fcjnshhyrbvtjjp5auvwein7m txt/../ent/work_2fcjnshhyrbvtjjp5auvwein7m.ent work_kqoxlcruifhrvfinqrik6d6dp4 txt/../wrd/work_kqoxlcruifhrvfinqrik6d6dp4.wrd work_v5fiyth2fjgjzdpoethem3ybmy txt/../pos/work_v5fiyth2fjgjzdpoethem3ybmy.pos === file2bib.sh === id: work_hav2puxacjev3dq63pemt7wt5q author: Catherine L. Howey title: Ceremonial Culture in Pre-Modern Europe (review) date: 2010 pages: 4 extension: .pdf txt: ./txt/work_hav2puxacjev3dq63pemt7wt5q.txt cache: ./cache/work_hav2puxacjev3dq63pemt7wt5q.pdf Author Catherine L. Howey Content-Type application/pdf Creation-Date 2010-02-23T19:24:10Z Last-Modified 2010-03-05T16:34:34Z Last-Save-Date 2010-03-05T16:34:34Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 21 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2010-02-23T19:24:10Z creator Catherine L. Howey date 2010-03-05T16:34:34Z dc:creator Catherine L. Howey dc:format application/pdf; version=1.4 dc:title Ceremonial Culture in Pre-Modern Europe (review) dcterms:created 2010-02-23T19:24:10Z dcterms:modified 2010-03-05T16:34:34Z meta:author Catherine L. Howey meta:creation-date 2010-02-23T19:24:10Z meta:save-date 2010-03-05T16:34:34Z modified 2010-03-05T16:34:34Z pdf:PDFVersion 1.4 pdf:charsPerPage ['378', '2442', '2833', '2502'] pdf:docinfo:created 2010-02-23T19:24:10Z pdf:docinfo:creator Catherine L. Howey pdf:docinfo:creator_tool Adobe InDesign CS2 (4.0.5) pdf:docinfo:modified 2010-03-05T16:34:34Z pdf:docinfo:producer Project MUSE pdf:docinfo:title Ceremonial Culture in Pre-Modern Europe (review) pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0'] producer Project MUSE resourceName b'work_hav2puxacjev3dq63pemt7wt5q.pdf' title Ceremonial Culture in Pre-Modern Europe (review) xmp:CreatorTool Adobe InDesign CS2 (4.0.5) xmpMM:DocumentID uuid:04b6897e-20b1-11df-bd90-0017f2075b88 xmpTPg:NPages 4 INFO Detecting media type for Filename: b'work_u3335tn4arejjafzahtplfjxcm.pdf' INFO rmeta/text (autodetecting type) INFO Detecting media type for Filename: b'work_ojonoz56fzduvdeyghijiphdcm.pdf' INFO rmeta/text (autodetecting type) INFO Detecting media type for Filename: b'work_7t4fowj4mfcijpmqwdy5vmp3le.pdf' INFO rmeta/text (autodetecting type) WARN No Unicode mapping for C19 (1) in font CKBCAE+AdvP4C4E59 === file2bib.sh === id: work_dmmntzn7bncphif652vin6trsy author: Ludo Beheydt title: European influence of Dutch and Flemish art. Cultural mobility date: 2019 pages: 25 extension: .pdf txt: ./txt/work_dmmntzn7bncphif652vin6trsy.txt cache: ./cache/work_dmmntzn7bncphif652vin6trsy.pdf Content-Type application/pdf Creation-Date 2019-03-07T10:14:44Z GTS_PDFXConformance PDF/X-1a:2001 GTS_PDFXVersion PDF/X-1:2001 Last-Modified 2019-03-08T14:14:15Z Last-Save-Date 2019-03-08T14:14:15Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 72 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2019-03-07T10:14:44Z date 2019-03-08T14:14:15Z dc:format application/pdf; version=1.3 dc:title AUC Philologica 4 2018 6385 po 2. k. barva.indd dcterms:created 2019-03-07T10:14:44Z dcterms:modified 2019-03-08T14:14:15Z meta:creation-date 2019-03-07T10:14:44Z meta:save-date 2019-03-08T14:14:15Z modified 2019-03-08T14:14:15Z pdf:PDFVersion 1.3 pdf:charsPerPage ['2478', '3163', '1714', '2001', '2033', '105', '2002', '2108', '905', '1636', '2150', '1438', '3540', '1340', '1957', '1652', '165', '3671', '1189', '3408', '182', '246', '1576', '3374', '844'] pdf:docinfo:created 2019-03-07T10:14:44Z pdf:docinfo:creator_tool Adobe InDesign CC 14.0 (Macintosh) pdf:docinfo:custom:GTS_PDFXConformance PDF/X-1a:2001 pdf:docinfo:custom:GTS_PDFXVersion PDF/X-1:2001 pdf:docinfo:modified 2019-03-08T14:14:15Z pdf:docinfo:producer Adobe PDF Library 15.0 pdf:docinfo:title AUC Philologica 4 2018 6385 po 2. k. barva.indd pdf:docinfo:trapped False pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0'] producer Adobe PDF Library 15.0 resourceName b'work_dmmntzn7bncphif652vin6trsy.pdf' title AUC Philologica 4 2018 6385 po 2. k. barva.indd trapped False xmp:CreatorTool Adobe InDesign CC 14.0 (Macintosh) xmpMM:DerivedFrom:DocumentID xmp.did:d62086bb-f492-4ede-9dfd-c32a8983276b xmpMM:DerivedFrom:InstanceID xmp.iid:12c2c9c7-e881-4564-8f0b-68bc981e874f xmpMM:DocumentID xmp.id:36d5b71e-6fb3-4d3f-a27b-e718f112bab1 xmpTPg:NPages 25 === file2bib.sh === id: work_cahnjmi5qfctriwpmawibtmf3a author: Filomena Maggino title: XI Conference of the International Society for Quality-of-Life Studies (ISQOLS) "Discovering New Frontiers in Quality of Life Research" (1-4 November 2012, Venice, Italy) date: 2013 pages: 6 extension: .pdf txt: ./txt/work_cahnjmi5qfctriwpmawibtmf3a.txt cache: ./cache/work_cahnjmi5qfctriwpmawibtmf3a.pdf Content-Encoding ISO-8859-1 Content-Length -1 Content-Type ['application/pdf', 'text/plain; charset=ISO-8859-1'] Creation-Date 2013-06-20T06:12:50Z Last-Modified 2013-06-20T06:12:56Z Last-Save-Date 2013-06-20T06:12:56Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser', ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser']] X-TIKA:content_handler ['ToTextContentHandler', 'ToTextContentHandler'] X-TIKA:embedded_depth ['0', '1'] X-TIKA:embedded_resource_path /folder.joboptions X-TIKA:origResourceName folder.joboptions X-TIKA:parse_time_millis ['25', '2'] access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2013-06-20T06:12:50Z date 2013-06-20T06:12:56Z dc:format application/pdf; version=1.3 dc:title BMS486402 79..84 dcterms:created 2013-06-20T06:12:50Z dcterms:modified 2013-06-20T06:12:56Z embeddedResourceType ATTACHMENT meta:creation-date 2013-06-20T06:12:50Z meta:save-date 2013-06-20T06:12:56Z modified 2013-06-20T06:12:56Z pdf:PDFVersion 1.3 pdf:charsPerPage ['1467', '2753', '2981', '3295', '3176', '2790'] pdf:docinfo:created 2013-06-20T06:12:50Z pdf:docinfo:creator_tool Arbortext Advanced Print Publisher 9.0.114/W pdf:docinfo:modified 2013-06-20T06:12:56Z pdf:docinfo:producer Acrobat Distiller 7.0.5 (Windows) pdf:docinfo:title BMS486402 79..84 pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0', '0', '0'] producer Acrobat Distiller 7.0.5 (Windows) resourceName ["b'work_cahnjmi5qfctriwpmawibtmf3a.pdf'", 'folder.joboptions'] title BMS486402 79..84 xmp:CreatorTool Arbortext Advanced Print Publisher 9.0.114/W xmpMM:DocumentID uuid:d2ee417a-d937-4e41-9704-24680604ca0e xmpTPg:NPages 6 work_hpvsn7fok5dj7hi4w4puweoecy txt/../wrd/work_hpvsn7fok5dj7hi4w4puweoecy.wrd === file2bib.sh === Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2895, in get_loc return self._engine.get_loc(casted_key) File "pandas/_libs/index.pyx", line 70, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/index.pyx", line 101, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/hashtable_class_helper.pxi", line 1675, in pandas._libs.hashtable.PyObjectHashTable.get_item File "pandas/_libs/hashtable_class_helper.pxi", line 1683, in pandas._libs.hashtable.PyObjectHashTable.get_item KeyError: 'work_ojonoz56fzduvdeyghijiphdcm' The above exception was the direct cause of the following exception: Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/reader-compute/reader-classic/bin/file2bib.py", line 66, in if ( bibliographics.loc[ escape ,'author'] ) : author = bibliographics.loc[ escape,'author'] File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 873, in __getitem__ return self._getitem_tuple(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1044, in _getitem_tuple return self._getitem_lowerdim(tup) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 786, in _getitem_lowerdim section = self._getitem_axis(key, axis=i) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1110, in _getitem_axis return self._get_label(key, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1059, in _get_label return self.obj.xs(label, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/generic.py", line 3491, in xs loc = self.index.get_loc(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2897, in get_loc raise KeyError(key) from err KeyError: 'work_ojonoz56fzduvdeyghijiphdcm' work_hpvsn7fok5dj7hi4w4puweoecy txt/../pos/work_hpvsn7fok5dj7hi4w4puweoecy.pos INFO Detecting media type for Filename: b'work_h23timofjrbf5btc2ozxc7pf7m.pdf' work_y7zwoh6gqveg3o3lj3e7hmniym txt/../ent/work_y7zwoh6gqveg3o3lj3e7hmniym.ent INFO rmeta/text (autodetecting type) work_4ffmtdl4hfhedga3v745ot5gge txt/../ent/work_4ffmtdl4hfhedga3v745ot5gge.ent work_cjryiy6sgbdorccfcv3ibrf5ju txt/../wrd/work_cjryiy6sgbdorccfcv3ibrf5ju.wrd work_h23timofjrbf5btc2ozxc7pf7m txt/../pos/work_h23timofjrbf5btc2ozxc7pf7m.pos === file2bib.sh === Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2895, in get_loc return self._engine.get_loc(casted_key) File "pandas/_libs/index.pyx", line 70, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/index.pyx", line 101, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/hashtable_class_helper.pxi", line 1675, in pandas._libs.hashtable.PyObjectHashTable.get_item File "pandas/_libs/hashtable_class_helper.pxi", line 1683, in pandas._libs.hashtable.PyObjectHashTable.get_item KeyError: 'work_h23timofjrbf5btc2ozxc7pf7m' The above exception was the direct cause of the following exception: Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/reader-compute/reader-classic/bin/file2bib.py", line 66, in if ( bibliographics.loc[ escape ,'author'] ) : author = bibliographics.loc[ escape,'author'] File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 873, in __getitem__ return self._getitem_tuple(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1044, in _getitem_tuple return self._getitem_lowerdim(tup) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 786, in _getitem_lowerdim section = self._getitem_axis(key, axis=i) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1110, in _getitem_axis return self._get_label(key, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1059, in _get_label return self.obj.xs(label, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/generic.py", line 3491, in xs loc = self.index.get_loc(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2897, in get_loc raise KeyError(key) from err KeyError: 'work_h23timofjrbf5btc2ozxc7pf7m' work_cjryiy6sgbdorccfcv3ibrf5ju txt/../pos/work_cjryiy6sgbdorccfcv3ibrf5ju.pos work_ft6nlt5byvc4rnbctnhxpuv2fe txt/../wrd/work_ft6nlt5byvc4rnbctnhxpuv2fe.wrd === file2bib.sh === id: work_qmxdse47xjd4zml6abstjmlylm author: Karamjit S. Gill title: Architect or Bee? Mike Cooley: the human spirit date: 2016 pages: 3 extension: .pdf txt: ./txt/work_qmxdse47xjd4zml6abstjmlylm.txt cache: ./cache/work_qmxdse47xjd4zml6abstjmlylm.pdf Author Karamjit S. Gill Content-Type application/pdf Creation-Date 2016-08-24T19:42:03Z CrossMarkDomains[1] springer.com CrossMarkDomains[2] springerlink.com CrossmarkDomainExclusive true CrossmarkMajorVersionDate 2010-04-23 Last-Modified 2016-09-28T10:31:11Z Last-Save-Date 2016-09-28T10:31:11Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 61 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true cp:subject AI & SOCIETY, doi:10.1007/s00146-016-0675-2 created 2016-08-24T19:42:03Z creator Karamjit S. Gill date 2016-09-28T10:31:11Z dc:creator Karamjit S. Gill dc:description AI & SOCIETY, doi:10.1007/s00146-016-0675-2 dc:format ['application/pdf; version="A-2b"', 'application/pdf; version=1.6'] dc:language EN dc:title Architect or Bee? Mike Cooley: the human spirit dcterms:created 2016-08-24T19:42:03Z dcterms:modified 2016-09-28T10:31:11Z description AI & SOCIETY, doi:10.1007/s00146-016-0675-2 doi 10.1007/s00146-016-0675-2 language EN meta:author Karamjit S. Gill meta:creation-date 2016-08-24T19:42:03Z meta:save-date 2016-09-28T10:31:11Z modified 2016-09-28T10:31:11Z pdf:PDFVersion 1.6 pdf:charsPerPage ['3331', '4937', '4755'] pdf:docinfo:created 2016-08-24T19:42:03Z pdf:docinfo:creator Karamjit S. Gill pdf:docinfo:creator_tool Springer pdf:docinfo:custom:CrossMarkDomains[1] springer.com pdf:docinfo:custom:CrossMarkDomains[2] springerlink.com pdf:docinfo:custom:CrossmarkDomainExclusive true pdf:docinfo:custom:CrossmarkMajorVersionDate 2010-04-23 pdf:docinfo:custom:doi 10.1007/s00146-016-0675-2 pdf:docinfo:custom:robots noindex pdf:docinfo:modified 2016-09-28T10:31:11Z pdf:docinfo:subject AI & SOCIETY, doi:10.1007/s00146-016-0675-2 pdf:docinfo:title Architect or Bee? Mike Cooley: the human spirit pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['1', '0', '0'] pdfa:PDFVersion A-2b pdfaid:conformance B pdfaid:part 2 resourceName b'work_qmxdse47xjd4zml6abstjmlylm.pdf' robots noindex subject AI & SOCIETY, doi:10.1007/s00146-016-0675-2 title Architect or Bee? Mike Cooley: the human spirit xmp:CreatorTool Springer xmpMM:DocumentID uuid:e2d104e0-987e-41f9-971b-240994e1379b xmpMM:History:Action ['converted', 'converted'] xmpMM:History:InstanceID ['uuid:a7b7c7ed-7320-4da2-a2f7-6d7a83906dde', 'uuid:7b6945fd-15c4-488b-b598-915bf8a8e506'] xmpMM:History:SoftwareAgent ['pdfToolbox', 'pdfToolbox'] xmpMM:History:When ['2016-09-28T16:00:32Z', '2016-09-28T16:01:11Z'] xmpTPg:NPages 3 work_h23timofjrbf5btc2ozxc7pf7m txt/../wrd/work_h23timofjrbf5btc2ozxc7pf7m.wrd work_tqetgmsdn5cqphtaxo2wr4npqa txt/../ent/work_tqetgmsdn5cqphtaxo2wr4npqa.ent work_jxmhfl25avcu5faka2kxpzbf3a txt/../pos/work_jxmhfl25avcu5faka2kxpzbf3a.pos INFO Detecting media type for Filename: b'work_jqesykhuijdedaerzwsztrji4m.pdf' INFO rmeta/text (autodetecting type) INFO Detecting media type for Filename: b'work_nsikzubac5dvdi4f67cir6urhm.pdf' INFO rmeta/text (autodetecting type) INFO Detecting media type for Filename: b'work_bjxz24joa5dedncck2qto6jhz4.pdf' INFO rmeta/text (autodetecting type) work_jxmhfl25avcu5faka2kxpzbf3a txt/../wrd/work_jxmhfl25avcu5faka2kxpzbf3a.wrd === file2bib.sh === Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2895, in get_loc return self._engine.get_loc(casted_key) File "pandas/_libs/index.pyx", line 70, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/index.pyx", line 101, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/hashtable_class_helper.pxi", line 1675, in pandas._libs.hashtable.PyObjectHashTable.get_item File "pandas/_libs/hashtable_class_helper.pxi", line 1683, in pandas._libs.hashtable.PyObjectHashTable.get_item KeyError: 'work_jqesykhuijdedaerzwsztrji4m' The above exception was the direct cause of the following exception: Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/reader-compute/reader-classic/bin/file2bib.py", line 66, in if ( bibliographics.loc[ escape ,'author'] ) : author = bibliographics.loc[ escape,'author'] File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 873, in __getitem__ return self._getitem_tuple(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1044, in _getitem_tuple return self._getitem_lowerdim(tup) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 786, in _getitem_lowerdim section = self._getitem_axis(key, axis=i) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1110, in _getitem_axis return self._get_label(key, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1059, in _get_label return self.obj.xs(label, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/generic.py", line 3491, in xs loc = self.index.get_loc(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2897, in get_loc raise KeyError(key) from err KeyError: 'work_jqesykhuijdedaerzwsztrji4m' INFO Detecting media type for Filename: b'work_deumepylmbgybplcxvtcvdc75y.pdf' INFO rmeta/text (autodetecting type) work_zycg6gymcvamxosqe6jv6j4zoq txt/../wrd/work_zycg6gymcvamxosqe6jv6j4zoq.wrd === file2bib.sh === Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2895, in get_loc return self._engine.get_loc(casted_key) File "pandas/_libs/index.pyx", line 70, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/index.pyx", line 101, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/hashtable_class_helper.pxi", line 1675, in pandas._libs.hashtable.PyObjectHashTable.get_item File "pandas/_libs/hashtable_class_helper.pxi", line 1683, in pandas._libs.hashtable.PyObjectHashTable.get_item KeyError: 'work_bjxz24joa5dedncck2qto6jhz4' The above exception was the direct cause of the following exception: Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/reader-compute/reader-classic/bin/file2bib.py", line 66, in if ( bibliographics.loc[ escape ,'author'] ) : author = bibliographics.loc[ escape,'author'] File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 873, in __getitem__ return self._getitem_tuple(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1044, in _getitem_tuple return self._getitem_lowerdim(tup) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 786, in _getitem_lowerdim section = self._getitem_axis(key, axis=i) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1110, in _getitem_axis return self._get_label(key, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1059, in _get_label return self.obj.xs(label, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/generic.py", line 3491, in xs loc = self.index.get_loc(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2897, in get_loc raise KeyError(key) from err KeyError: 'work_bjxz24joa5dedncck2qto6jhz4' work_u3tqo65ss5e4zmdcmrmgthecd4 txt/../ent/work_u3tqo65ss5e4zmdcmrmgthecd4.ent work_zycg6gymcvamxosqe6jv6j4zoq txt/../pos/work_zycg6gymcvamxosqe6jv6j4zoq.pos INFO Detecting media type for Filename: b'work_ggh44k3ypbadlnxwfwjc4huvbq.pdf' INFO rmeta/text (autodetecting type) work_yantpzjp55fjleepome37s3ebq txt/../ent/work_yantpzjp55fjleepome37s3ebq.ent work_s6rlcqel7nbincw3tw2yjcwhv4 txt/../wrd/work_s6rlcqel7nbincw3tw2yjcwhv4.wrd INFO Detecting media type for Filename: b'work_fhxmds6jbfbo7jsidd7ibey7sm.pdf' INFO rmeta/text (autodetecting type) work_t23htd37fzavbmcylyujhzeuta txt/../ent/work_t23htd37fzavbmcylyujhzeuta.ent work_ft6nlt5byvc4rnbctnhxpuv2fe txt/../pos/work_ft6nlt5byvc4rnbctnhxpuv2fe.pos INFO Detecting media type for Filename: b'work_7a6z7ddmirdpjjicsmrg7x7lx4.pdf' INFO rmeta/text (autodetecting type) work_s6rlcqel7nbincw3tw2yjcwhv4 txt/../pos/work_s6rlcqel7nbincw3tw2yjcwhv4.pos INFO Detecting media type for Filename: b'work_gbma37pz4ndptjduyabnecbwua.pdf' INFO rmeta/text (autodetecting type) === file2bib.sh === id: work_xw5rhldghbd3jj36isdiqeitn4 author: R. Lanza title: Magnetic remanence of hematite-bearing murals date: 2009 pages: 6 extension: .pdf txt: ./txt/work_xw5rhldghbd3jj36isdiqeitn4.txt cache: ./cache/work_xw5rhldghbd3jj36isdiqeitn4.pdf Content-Type application/pdf X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 24 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true dc:format application/pdf; version=1.4 pdf:PDFVersion 1.4 pdf:charsPerPage ['696', '5181', '3512', '1995', '2330', '2246'] pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP false pdf:unmappedUnicodeCharsPerPage ['0', '14', '24', '3', '12', '23'] resourceName b'work_xw5rhldghbd3jj36isdiqeitn4.pdf' xmpTPg:NPages 6 === file2bib.sh === id: work_jlsoxwmetrdhfp53qdl25t3xui author: PHILIPPA JACKSON title: Parading in public: patrician women and sumptuary law in Renaissance Siena date: 2010 pages: 12 extension: .pdf txt: ./txt/work_jlsoxwmetrdhfp53qdl25t3xui.txt cache: ./cache/work_jlsoxwmetrdhfp53qdl25t3xui.pdf Content-Type application/pdf Creation-Date 2010-10-27T11:09:24Z Last-Modified 2021-04-06T01:06:07Z Last-Save-Date 2021-04-06T01:06:07Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 51 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2010-10-27T11:09:24Z date 2021-04-06T01:06:07Z dc:description Downloaded from https://www.cambridge.org/core. Carnegie Mellon University, on 06 Apr 2021 at 01:06:07, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. dc:format application/pdf; version=1.3 dc:title uhy1000056a dcterms:created 2010-10-27T11:09:24Z dcterms:modified 2021-04-06T01:06:07Z description Downloaded from https://www.cambridge.org/core. Carnegie Mellon University, on 06 Apr 2021 at 01:06:07, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. meta:creation-date 2010-10-27T11:09:24Z meta:save-date 2021-04-06T01:06:07Z modified 2021-04-06T01:06:07Z pdf:PDFVersion 1.3 pdf:charsPerPage ['2410', '3198', '3390', '2950', '3237', '2992', '2918', '3194', '3081', '3059', '2859', '928'] pdf:docinfo:created 2010-10-27T11:09:24Z pdf:docinfo:creator_tool dvips(k) 5.95a Copyright 2005 Radical Eye Software pdf:docinfo:modified 2021-04-06T01:06:07Z pdf:docinfo:producer Carnegie Mellon University pdf:docinfo:title uhy1000056a pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['1', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0'] producer Carnegie Mellon University resourceName b'work_jlsoxwmetrdhfp53qdl25t3xui.pdf' title uhy1000056a xmp:CreatorTool dvips(k) 5.95a Copyright 2005 Radical Eye Software xmpTPg:NPages 12 work_v5fiyth2fjgjzdpoethem3ybmy txt/../ent/work_v5fiyth2fjgjzdpoethem3ybmy.ent work_72767d3fu5fevg3uf5k3rbk7vu txt/../wrd/work_72767d3fu5fevg3uf5k3rbk7vu.wrd work_737vo6ecunbghogpx64zbmzl4a txt/../wrd/work_737vo6ecunbghogpx64zbmzl4a.wrd work_737vo6ecunbghogpx64zbmzl4a txt/../pos/work_737vo6ecunbghogpx64zbmzl4a.pos work_2m6gvudwpnfufht6i5sceyxfva txt/../ent/work_2m6gvudwpnfufht6i5sceyxfva.ent INFO Detecting media type for Filename: b'work_mn66we6evrddvbeem6q4rc56i4.pdf' INFO rmeta/text (autodetecting type) work_kqoxlcruifhrvfinqrik6d6dp4 txt/../ent/work_kqoxlcruifhrvfinqrik6d6dp4.ent work_72767d3fu5fevg3uf5k3rbk7vu txt/../pos/work_72767d3fu5fevg3uf5k3rbk7vu.pos work_3ke7io55efeldayk6hk4hnl3oq txt/../wrd/work_3ke7io55efeldayk6hk4hnl3oq.wrd INFO Detecting media type for Filename: b'work_ztam74ozsvd2fnxe47icvj5pkm.pdf' INFO rmeta/text (autodetecting type) WARN No Unicode mapping for CID+165 (165) in font OEGFPJ+TimesNewRomanPSMT work_3ke7io55efeldayk6hk4hnl3oq txt/../pos/work_3ke7io55efeldayk6hk4hnl3oq.pos === file2bib.sh === id: work_u3335tn4arejjafzahtplfjxcm author: Raffaella Santi title: The antiquity of hydrocephalus: the first full palaeo-neuropathological description date: 2018 pages: 8 extension: .pdf txt: ./txt/work_u3335tn4arejjafzahtplfjxcm.txt cache: ./cache/work_u3335tn4arejjafzahtplfjxcm.pdf Author ['Raffaella Santi', 'Piera Rizzolo', 'Michele Pietragalla', 'Virginia Valentini', 'Veronica Zelli', 'Francesco Maria Galassi', 'Laura Ottini', 'Gabriella Nesi'] Content-Type application/pdf Creation-Date 2019-05-15T08:21:54Z Keywords Hydrocephalus,Palaeoneurology,Pathology museum,Wax models,Palaeo-radiology,Ancient DNA Last-Modified 2019-05-16T02:02:30Z Last-Save-Date 2019-05-16T02:02:30Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 71 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true cp:subject Neurol Sci, doi:10.1007/s10072-018-3643-4 created 2019-05-15T08:21:54Z creator ['Raffaella Santi', 'Piera Rizzolo', 'Michele Pietragalla', 'Virginia Valentini', 'Veronica Zelli', 'Francesco Maria Galassi', 'Laura Ottini', 'Gabriella Nesi'] date 2019-05-16T02:02:30Z dc:creator ['Raffaella Santi', 'Piera Rizzolo', 'Michele Pietragalla', 'Virginia Valentini', 'Veronica Zelli', 'Francesco Maria Galassi', 'Laura Ottini', 'Gabriella Nesi'] dc:description Neurol Sci, doi:10.1007/s10072-018-3643-4 dc:format ['application/pdf; version="A-2b"', 'application/pdf; version=1.4'] dc:language EN dc:subject Hydrocephalus,Palaeoneurology,Pathology museum,Wax models,Palaeo-radiology,Ancient DNA dc:title The antiquity of hydrocephalus: the first full palaeo-neuropathological description dcterms:created 2019-05-15T08:21:54Z dcterms:modified 2019-05-16T02:02:30Z description Neurol Sci, doi:10.1007/s10072-018-3643-4 language EN meta:author ['Raffaella Santi', 'Piera Rizzolo', 'Michele Pietragalla', 'Virginia Valentini', 'Veronica Zelli', 'Francesco Maria Galassi', 'Laura Ottini', 'Gabriella Nesi'] meta:creation-date 2019-05-15T08:21:54Z meta:keyword Hydrocephalus,Palaeoneurology,Pathology museum,Wax models,Palaeo-radiology,Ancient DNA meta:save-date 2019-05-16T02:02:30Z modified 2019-05-16T02:02:30Z pdf:PDFVersion 1.4 pdf:charsPerPage ['3540', '4745', '3362', '3013', '2452', '2366', '4393', '652'] pdf:docinfo:created 2019-05-15T08:21:54Z pdf:docinfo:creator Raffaella Santi pdf:docinfo:creator_tool Arbortext Advanced Print Publisher 9.1.440/W Unicode pdf:docinfo:keywords Hydrocephalus,Palaeoneurology,Pathology museum,Wax models,Palaeo-radiology,Ancient DNA pdf:docinfo:modified 2019-05-16T02:02:30Z pdf:docinfo:producer Acrobat Distiller 9.0.0 (Windows) pdf:docinfo:subject Neurol Sci, doi:10.1007/s10072-018-3643-4 pdf:docinfo:title The antiquity of hydrocephalus: the first full palaeo-neuropathological description pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0', '0', '0', '0', '0'] pdfa:PDFVersion A-2b pdfaid:conformance B pdfaid:part 2 producer Acrobat Distiller 9.0.0 (Windows) resourceName b'work_u3335tn4arejjafzahtplfjxcm.pdf' subject Neurol Sci, doi:10.1007/s10072-018-3643-4 title The antiquity of hydrocephalus: the first full palaeo-neuropathological description xmp:CreatorTool Arbortext Advanced Print Publisher 9.1.440/W Unicode xmpMM:DocumentID uuid:f7b34cb0-adff-4bce-9734-2e9438b53aaa xmpMM:History:Action converted xmpMM:History:InstanceID uuid:b56f1c06-045e-4af4-821c-84dd408da268 xmpMM:History:SoftwareAgent pdfToolbox xmpMM:History:When 2019-05-16T10:02:29Z xmpTPg:NPages 8 === file2bib.sh === id: work_7t4fowj4mfcijpmqwdy5vmp3le author: Steven Vanden Broecke title: Monica Azzolini. The Duke and the Stars: Astrology and Politics in Renaissance Milan. I Tatti Studies in Italian Renaissance History. Cambridge, MA: Harvard University Press, 2013. xiii + 370 pp. $49.95. 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Bolton pdf:docinfo:creator_tool dvips(k) 5.95a Copyright 2005 Radical Eye Software pdf:docinfo:keywords mythology, paintings, constellations, planets, moons, space exploration pdf:docinfo:modified 2021-04-06T01:06:18Z pdf:docinfo:producer Carnegie Mellon University pdf:docinfo:subject Proceedings of the International Astronomical Union pdf:docinfo:title The planets and our culture a history and a legacy pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['1', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0'] producer Carnegie Mellon University resourceName b'work_o2zix4tlabgyhibawqpcte3lca.pdf' subject Proceedings of the International Astronomical Union title The planets and our culture a history and a legacy xmp:CreatorTool dvips(k) 5.95a Copyright 2005 Radical Eye Software xmpTPg:NPages 14 work_arjximx7m5gtdimjueuqyxwhxi txt/../ent/work_arjximx7m5gtdimjueuqyxwhxi.ent work_7t4fowj4mfcijpmqwdy5vmp3le txt/../ent/work_7t4fowj4mfcijpmqwdy5vmp3le.ent work_hidxkhi2jbgx5off6oof7zhroi txt/../pos/work_hidxkhi2jbgx5off6oof7zhroi.pos work_fqjn2myxo5akbhjhjfs3kvmkou txt/../wrd/work_fqjn2myxo5akbhjhjfs3kvmkou.wrd work_6q2fn7zxrzg5vdc36m7ws37fse txt/../wrd/work_6q2fn7zxrzg5vdc36m7ws37fse.wrd work_km2th7e2irc4lnwpymp4sg4tc4 txt/../ent/work_km2th7e2irc4lnwpymp4sg4tc4.ent work_pr4q5gm7vnhblgolqq2ujdiql4 txt/../pos/work_pr4q5gm7vnhblgolqq2ujdiql4.pos INFO Detecting media type for Filename: b'work_emm25ddpgvg2zb4zx4rvxhpfma.pdf' INFO rmeta/text (autodetecting type) work_7qzi6pfiq5g37aopdwyyhgf3o4 txt/../ent/work_7qzi6pfiq5g37aopdwyyhgf3o4.ent WARN Using fallback font 'LiberationSerif' for 'TimesNewRomanPSMT' WARN Using fallback font 'LiberationSerif-Bold' for 'TimesNewRomanPS-BoldMT' WARN Using fallback font 'LiberationSerif-Italic' for 'TimesNewRomanPS-ItalicMT' WARN Using fallback font 'LiberationSerif' for 'TimesNewRomanPSMT' WARN Using fallback font 'LiberationSerif-Italic' for 'TimesNewRomanPS-ItalicMT' INFO Detecting media type for Filename: b'work_ar4bbvjsozd4teet6r7w3ko3hi.pdf' INFO rmeta/text (autodetecting type) WARN Using fallback font LiberationSans for Symbol INFO Detecting media type for Filename: b'work_bjfpvntqzray5fpxsazobnbl5u.pdf' INFO rmeta/text (autodetecting type) === file2bib.sh === id: work_gcxyp6ur2jflbgb3hxhi72trs4 author: Maria Alambritis title: Julia Cartwright (7 November 1851–28 April 1924) date: 2019 pages: extension: .pdf txt: ./txt/work_gcxyp6ur2jflbgb3hxhi72trs4.txt cache: ./cache/work_gcxyp6ur2jflbgb3hxhi72trs4.pdf Content-Encoding UTF-8 Content-Language en Content-Type text/html; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.html.HtmlParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 3 X-UA-Compatible IE=edge dc:title 19: Interdisciplinary Studies in the Long Nineteenth Century resourceName b'work_gcxyp6ur2jflbgb3hxhi72trs4.pdf' title 19: Interdisciplinary Studies in the Long Nineteenth Century viewport width=device-width, initial-scale=1.0 work_ybfzgl3vizc4dastvnnfkr77c4 txt/../wrd/work_ybfzgl3vizc4dastvnnfkr77c4.wrd work_pr4q5gm7vnhblgolqq2ujdiql4 txt/../wrd/work_pr4q5gm7vnhblgolqq2ujdiql4.wrd === file2bib.sh === Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2895, in get_loc return self._engine.get_loc(casted_key) File "pandas/_libs/index.pyx", line 70, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/index.pyx", line 101, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/hashtable_class_helper.pxi", line 1675, in pandas._libs.hashtable.PyObjectHashTable.get_item File "pandas/_libs/hashtable_class_helper.pxi", line 1683, in pandas._libs.hashtable.PyObjectHashTable.get_item KeyError: 'work_ar4bbvjsozd4teet6r7w3ko3hi' The above exception was the direct cause of the following exception: Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/reader-compute/reader-classic/bin/file2bib.py", line 66, in if ( bibliographics.loc[ escape ,'author'] ) : author = bibliographics.loc[ escape,'author'] File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 873, in __getitem__ return self._getitem_tuple(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1044, in _getitem_tuple return self._getitem_lowerdim(tup) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 786, in _getitem_lowerdim section = self._getitem_axis(key, axis=i) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1110, in _getitem_axis return self._get_label(key, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1059, in _get_label return self.obj.xs(label, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/generic.py", line 3491, in xs loc = self.index.get_loc(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2897, in get_loc raise KeyError(key) from err KeyError: 'work_ar4bbvjsozd4teet6r7w3ko3hi' work_6q2fn7zxrzg5vdc36m7ws37fse txt/../pos/work_6q2fn7zxrzg5vdc36m7ws37fse.pos work_fqjn2myxo5akbhjhjfs3kvmkou txt/../pos/work_fqjn2myxo5akbhjhjfs3kvmkou.pos === file2bib.sh === id: work_uo67dfvt6fa6teykha7ptyl6la author: GIORGIO SANGUINETTI title: EDITORIAL date: 2014 pages: 7 extension: .pdf txt: ./txt/work_uo67dfvt6fa6teykha7ptyl6la.txt cache: ./cache/work_uo67dfvt6fa6teykha7ptyl6la.pdf Content-Type application/pdf Creation-Date 2014-01-28T02:46:15Z Last-Modified 2021-04-06T01:06:09Z Last-Save-Date 2021-04-06T01:06:09Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 35 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2014-01-28T02:46:15Z date 2021-04-06T01:06:09Z dc:description Downloaded from https://www.cambridge.org/core. 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version="A-2b"', 'application/pdf; version=1.6'] dc:language en-US dc:title Marta Ajmar, Mechanical Disegno, RIHA Journal 0084 dcterms:created 2015-11-30T16:59:56Z dcterms:modified 2020-02-04T12:04:50Z language en-US meta:creation-date 2015-11-30T16:59:56Z meta:save-date 2020-02-04T12:04:50Z modified 2020-02-04T12:04:50Z pdf:PDFVersion 1.6 pdf:charsPerPage ['3655', '4405', '976', '3496', '4076', '2196', '3633', '3963', '3589', '3485', '3905', '2476', '2782', '1605', '3655', '3433', '2536', '2790', '2447', '1896', '1690'] pdf:docinfo:created 2015-11-30T16:59:56Z pdf:docinfo:creator_tool Writer pdf:docinfo:modified 2020-02-04T12:04:50Z pdf:docinfo:producer LibreOffice 4.2 pdf:docinfo:title Marta Ajmar, Mechanical Disegno, RIHA Journal 0084 pdf:encrypted false pdf:hasMarkedContent true pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0'] pdfa:PDFVersion A-2b pdfaid:conformance B pdfaid:part 2 producer LibreOffice 4.2 resourceName b'work_4we3f6nw2ncirldjazvtmp7nz4.pdf' title Marta Ajmar, Mechanical Disegno, RIHA Journal 0084 xmp:CreatorTool Writer xmpMM:DocumentID uuid:e41ebd14-4f3b-4786-b66a-3be48c7026d0 xmpMM:History:Action ['converted', 'converted'] xmpMM:History:InstanceID ['uuid:f7c74ce3-e22a-413d-8d38-2fb833158241', 'uuid:d88d382d-e878-40af-aa5b-20439013a20c'] xmpMM:History:SoftwareAgent ['Preflight', 'Preflight'] xmpMM:History:When ['2020-01-16T15:42:29Z', '2020-02-04T13:04:50Z'] xmpTPg:NPages 21 INFO Detecting media type for Filename: b'work_dr7bh6dn3jdfnpedaynpztlxeu.pdf' INFO rmeta/text (autodetecting type) INFO Detecting media type for Filename: b'work_i3udw6wfhrgbvoe4xtapknhnge.pdf' INFO rmeta/text (autodetecting type) work_5zyc52fwnfceba32yzaf2m72za txt/../ent/work_5zyc52fwnfceba32yzaf2m72za.ent === file2bib.sh === id: work_iosapayacvbyndmxnl5pvznway author: Ingrid Ciulisová title: 'Dvořák's Pupil Johannes Wilde (1891–1970)' originally published in umění LX (2012), 101-8 date: 2016 pages: 9 extension: .pdf txt: ./txt/work_iosapayacvbyndmxnl5pvznway.txt cache: ./cache/work_iosapayacvbyndmxnl5pvznway.pdf Author Robert V. Novák Content-Type application/pdf Creation-Date 2016-12-03T17:42:42Z Last-Modified 2016-12-03T17:42:42Z Last-Save-Date 2016-12-03T17:42:42Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 57 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2016-12-03T17:42:42Z creator Robert V. Novák date 2016-12-03T17:42:42Z dc:creator Robert V. Novák dc:format application/pdf; version=1.6 dc:title dcterms:created 2016-12-03T17:42:42Z dcterms:modified 2016-12-03T17:42:42Z meta:author Robert V. Novák meta:creation-date 2016-12-03T17:42:42Z meta:save-date 2016-12-03T17:42:42Z modified 2016-12-03T17:42:42Z pdf:PDFVersion 1.6 pdf:charsPerPage ['3929', '2820', '4914', '4206', '2499', '7108', '7953', '6029', '1422'] pdf:docinfo:created 2016-12-03T17:42:42Z pdf:docinfo:creator Robert V. Novák pdf:docinfo:creator_tool Adobe Acrobat Pro DC 15.6.30244 pdf:docinfo:modified 2016-12-03T17:42:42Z pdf:docinfo:producer Adobe Acrobat Pro DC 15.6.30244 pdf:docinfo:title pdf:encrypted false pdf:hasMarkedContent true pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0', '0', '0', '0', '0', '0'] producer Adobe Acrobat Pro DC 15.6.30244 resourceName b'work_iosapayacvbyndmxnl5pvznway.pdf' title xmp:CreatorTool Adobe Acrobat Pro DC 15.6.30244 xmpMM:DocumentID uuid:57c84d2b-a866-4e18-8fd8-12f44ee3062e xmpTPg:NPages 9 INFO Detecting media type for Filename: b'work_kqoxlcruifhrvfinqrik6d6dp4.pdf' INFO Detecting media type for Filename: b'work_me7apg3jtvcn7m64klo5u5u7rm.pdf' INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) === file2bib.sh === Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2895, in get_loc return self._engine.get_loc(casted_key) File "pandas/_libs/index.pyx", line 70, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/index.pyx", line 101, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/hashtable_class_helper.pxi", line 1675, in pandas._libs.hashtable.PyObjectHashTable.get_item File "pandas/_libs/hashtable_class_helper.pxi", line 1683, in pandas._libs.hashtable.PyObjectHashTable.get_item KeyError: 'work_i3udw6wfhrgbvoe4xtapknhnge' The above exception was the direct cause of the following exception: Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/reader-compute/reader-classic/bin/file2bib.py", line 66, in if ( bibliographics.loc[ escape ,'author'] ) : author = bibliographics.loc[ escape,'author'] File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 873, in __getitem__ return self._getitem_tuple(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1044, in _getitem_tuple return self._getitem_lowerdim(tup) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 786, in _getitem_lowerdim section = self._getitem_axis(key, axis=i) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1110, in _getitem_axis return self._get_label(key, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1059, in _get_label return self.obj.xs(label, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/generic.py", line 3491, in xs loc = self.index.get_loc(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2897, in get_loc raise KeyError(key) from err KeyError: 'work_i3udw6wfhrgbvoe4xtapknhnge' WARN FeatureRecord array not alphabetically sorted by FeatureTag: init < isol work_hb7b563idff4poltgemv2idvtu txt/../wrd/work_hb7b563idff4poltgemv2idvtu.wrd work_ybfzgl3vizc4dastvnnfkr77c4 txt/../pos/work_ybfzgl3vizc4dastvnnfkr77c4.pos INFO Detecting media type for Filename: b'work_b3g537zxkzhnzpjdsyan4gowha.pdf' INFO rmeta/text (autodetecting type) === file2bib.sh === id: work_6a33e6ttvfh2plfrluqaheznai author: Alexandra Carter title: Reshaping Dance through Time: A Critical View of Historical Periodisation in Relation to Pedagogy and Research date: 2009 pages: 13 extension: .pdf txt: ./txt/work_6a33e6ttvfh2plfrluqaheznai.txt cache: ./cache/work_6a33e6ttvfh2plfrluqaheznai.pdf Content-Type application/pdf Creation-Date 2021-02-03T17:39:30Z Last-Modified 2021-02-03T17:39:30Z Last-Save-Date 2021-02-03T17:39:30Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 50 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2021-02-03T17:39:30Z date 2021-02-03T17:39:30Z dc:format application/pdf; version=1.5 dcterms:created 2021-02-03T17:39:30Z dcterms:modified 2021-02-03T17:39:30Z meta:creation-date 2021-02-03T17:39:30Z meta:save-date 2021-02-03T17:39:30Z modified 2021-02-03T17:39:30Z pdf:PDFVersion 1.5 pdf:charsPerPage ['1806', '2454', '2151', '2345', '2169', '2218', '2040', '2325', '2341', '3096', '2986', '3023', '369'] pdf:docinfo:created 2021-02-03T17:39:30Z pdf:docinfo:creator_tool pdftk 2.02 - www.pdftk.com pdf:docinfo:modified 2021-02-03T17:39:30Z pdf:docinfo:producer itext-paulo-155 (itextpdf.sf.net-lowagie.com) pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP false pdf:unmappedUnicodeCharsPerPage ['97', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0'] producer itext-paulo-155 (itextpdf.sf.net-lowagie.com) resourceName b'work_6a33e6ttvfh2plfrluqaheznai.pdf' xmp:CreatorTool pdftk 2.02 - www.pdftk.com xmpTPg:NPages 13 work_fhxmds6jbfbo7jsidd7ibey7sm txt/../ent/work_fhxmds6jbfbo7jsidd7ibey7sm.ent === file2bib.sh === Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2895, in get_loc return self._engine.get_loc(casted_key) File "pandas/_libs/index.pyx", line 70, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/index.pyx", line 101, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/hashtable_class_helper.pxi", line 1675, in pandas._libs.hashtable.PyObjectHashTable.get_item File "pandas/_libs/hashtable_class_helper.pxi", line 1683, in pandas._libs.hashtable.PyObjectHashTable.get_item KeyError: 'work_b3g537zxkzhnzpjdsyan4gowha' The above exception was the direct cause of the following exception: Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/reader-compute/reader-classic/bin/file2bib.py", line 66, in if ( bibliographics.loc[ escape ,'author'] ) : author = bibliographics.loc[ escape,'author'] File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 873, in __getitem__ return self._getitem_tuple(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1044, in _getitem_tuple return self._getitem_lowerdim(tup) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 786, in _getitem_lowerdim section = self._getitem_axis(key, axis=i) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1110, in _getitem_axis return self._get_label(key, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1059, in _get_label return self.obj.xs(label, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/generic.py", line 3491, in xs loc = self.index.get_loc(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2897, in get_loc raise KeyError(key) from err KeyError: 'work_b3g537zxkzhnzpjdsyan4gowha' work_srgptiqs3beplff4aipr6fr5qi txt/../wrd/work_srgptiqs3beplff4aipr6fr5qi.wrd work_srgptiqs3beplff4aipr6fr5qi txt/../pos/work_srgptiqs3beplff4aipr6fr5qi.pos work_p2vikxgvzjao3cxwrbe57dcgse txt/../ent/work_p2vikxgvzjao3cxwrbe57dcgse.ent work_5p3wy3pevjbxtkty6shzdhdzj4 txt/../pos/work_5p3wy3pevjbxtkty6shzdhdzj4.pos INFO Detecting media type for Filename: b'work_owqg3eqzinconmr7mpy4fmjtje.pdf' INFO rmeta/text (autodetecting type) work_hb7b563idff4poltgemv2idvtu txt/../pos/work_hb7b563idff4poltgemv2idvtu.pos === file2bib.sh === id: work_arludgr2yvfndhq4sgdsgwhgwm author: C. Dore title: Structural Simulations and Conservation Analysis -Historic Building Information Model (HBIM) date: 2015 pages: 7 extension: .pdf txt: ./txt/work_arludgr2yvfndhq4sgdsgwhgwm.txt cache: ./cache/work_arludgr2yvfndhq4sgdsgwhgwm.pdf Author Lawrence W. Fritz Content-Type application/pdf Creation-Date 2015-01-26T22:05:58Z Last-Modified 2015-02-18T12:15:14Z Last-Save-Date 2015-02-18T12:15:14Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 58 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2015-01-26T22:05:58Z creator Lawrence W. Fritz date 2015-02-18T12:15:14Z dc:creator Lawrence W. Fritz dc:format application/pdf; version=1.6 dc:language en-IE dc:title FOREWORD dcterms:created 2015-01-26T22:05:58Z dcterms:modified 2015-02-18T12:15:14Z language en-IE meta:author Lawrence W. Fritz meta:creation-date 2015-01-26T22:05:58Z meta:save-date 2015-02-18T12:15:14Z modified 2015-02-18T12:15:14Z pdf:PDFVersion 1.6 pdf:charsPerPage ['5733', '4069', '4416', '4332', '3892', '5055', '358'] pdf:docinfo:created 2015-01-26T22:05:58Z pdf:docinfo:creator Lawrence W. Fritz pdf:docinfo:creator_tool Microsoft® Word 2010 pdf:docinfo:modified 2015-02-18T12:15:14Z pdf:docinfo:producer Microsoft® Word 2010 pdf:docinfo:title FOREWORD pdf:encrypted false pdf:hasMarkedContent true pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0', '0', '0', '0'] producer Microsoft® Word 2010 resourceName b'work_arludgr2yvfndhq4sgdsgwhgwm.pdf' title FOREWORD xmp:CreatorTool Microsoft® Word 2010 xmpMM:DocumentID uuid:f33376a7-1543-4ccf-a381-33d3b9964d91 xmpTPg:NPages 7 === file2bib.sh === id: work_durarhbgxnapvd35d5jv6bjbui author: Theodore Dalrymple title: Where there's a will date: 2007 pages: extension: .pdf txt: ./txt/work_durarhbgxnapvd35d5jv6bjbui.txt cache: ./cache/work_durarhbgxnapvd35d5jv6bjbui.pdf Content-Type application/xml X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.xml.DcXMLParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 1 resourceName b'work_durarhbgxnapvd35d5jv6bjbui.pdf' INFO Detecting media type for Filename: b'work_uiwrwdvasvbh7nwdbk5r5zk264.pdf' INFO rmeta/text (autodetecting type) work_oq3g2f3tc5e2leg2oxyuhpa7he txt/../ent/work_oq3g2f3tc5e2leg2oxyuhpa7he.ent work_rquuwxqt2rcvdfnzvoqekauq6e txt/../ent/work_rquuwxqt2rcvdfnzvoqekauq6e.ent WARN Using fallback font 'LiberationSerif-Bold' for 'TimesNewRomanPS-BoldMT' WARN Using fallback font 'LiberationSerif' for 'TimesNewRomanPSMT' WARN Using fallback font 'LiberationSerif-Italic' for 'TimesNewRomanPS-ItalicMT' WARN FeatureRecord array not alphabetically sorted by FeatureTag: init < isol work_w7b7ykvomrbizhicuzzvwuc5si txt/../wrd/work_w7b7ykvomrbizhicuzzvwuc5si.wrd work_nc5xralahraphil46fjuozr3oi txt/../pos/work_nc5xralahraphil46fjuozr3oi.pos work_w7b7ykvomrbizhicuzzvwuc5si txt/../pos/work_w7b7ykvomrbizhicuzzvwuc5si.pos work_5p3wy3pevjbxtkty6shzdhdzj4 txt/../wrd/work_5p3wy3pevjbxtkty6shzdhdzj4.wrd === file2bib.sh === id: work_ebyqgudypbabngkhjcl3n26ebu author: Jeanne-Marie Musto title: Review of Towards a Science of Art History: J. J. Tikkanen and Art Historical Scholarship in Europe, The Acts of an International Conference, Helsinki, December 7-8 2007 date: 2010 pages: 9 extension: .pdf txt: ./txt/work_ebyqgudypbabngkhjcl3n26ebu.txt cache: ./cache/work_ebyqgudypbabngkhjcl3n26ebu.pdf Author cns Content-Type application/pdf Creation-Date 2010-11-29T10:38:05Z Last-Modified 2010-11-29T10:38:05Z Last-Save-Date 2010-11-29T10:38:05Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 48 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2010-11-29T10:38:05Z creator cns date 2010-11-29T10:38:05Z dc:creator cns dc:format application/pdf; version=1.5 dc:language en-GB dc:title Presenting Finnish Art History in International Context: dcterms:created 2010-11-29T10:38:05Z dcterms:modified 2010-11-29T10:38:05Z language en-GB meta:author cns meta:creation-date 2010-11-29T10:38:05Z meta:save-date 2010-11-29T10:38:05Z modified 2010-11-29T10:38:05Z pdf:PDFVersion 1.5 pdf:charsPerPage ['3179', '3596', '3566', '3538', '3644', '3876', '3537', '3549', '1040'] pdf:docinfo:created 2010-11-29T10:38:05Z pdf:docinfo:creator cns pdf:docinfo:creator_tool Microsoft® Office Word 2007 pdf:docinfo:modified 2010-11-29T10:38:05Z pdf:docinfo:producer Microsoft® Office Word 2007 pdf:docinfo:title Presenting Finnish Art History in International Context: pdf:encrypted false pdf:hasMarkedContent true pdf:hasXFA false pdf:hasXMP false pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0', '0', '0', '0', '0', '0'] producer Microsoft® Office Word 2007 resourceName b'work_ebyqgudypbabngkhjcl3n26ebu.pdf' title Presenting Finnish Art History in International Context: xmp:CreatorTool Microsoft® Office Word 2007 xmpTPg:NPages 9 work_mjpp5mayqrdhrezz5rgdde775e txt/../pos/work_mjpp5mayqrdhrezz5rgdde775e.pos INFO Detecting media type for Filename: b'work_6bgb5rqpt5chll2i2ykb43lrbu.pdf' INFO rmeta/text (autodetecting type) work_o44x43bfbjdufccy5dmzkaatsy txt/../pos/work_o44x43bfbjdufccy5dmzkaatsy.pos WARN No Unicode mapping for a73 (2) in font EBJCCL+ZapfDingbats INFO Detecting media type for Filename: b'work_5zyc52fwnfceba32yzaf2m72za.pdf' INFO rmeta/text (autodetecting type) work_nc5xralahraphil46fjuozr3oi txt/../wrd/work_nc5xralahraphil46fjuozr3oi.wrd WARN FeatureRecord array not alphabetically sorted by FeatureTag: init < isol WARN No Unicode mapping for C0 (2) in font CAMHBH+AdvP4C4E74 WARN No Unicode mapping for C15 (3) in font CAMHBH+AdvP4C4E74 work_hidxkhi2jbgx5off6oof7zhroi txt/../ent/work_hidxkhi2jbgx5off6oof7zhroi.ent work_iki2vvxpqfal5efjldyadko75e txt/../ent/work_iki2vvxpqfal5efjldyadko75e.ent work_o44x43bfbjdufccy5dmzkaatsy txt/../wrd/work_o44x43bfbjdufccy5dmzkaatsy.wrd work_bwqd52xoybcllawprh6dckpvze txt/../ent/work_bwqd52xoybcllawprh6dckpvze.ent INFO Detecting media type for Filename: b'work_r4pgejerevax7dsp5mcojaym74.pdf' INFO rmeta/text (autodetecting type) work_mjpp5mayqrdhrezz5rgdde775e txt/../wrd/work_mjpp5mayqrdhrezz5rgdde775e.wrd INFO Detecting media type for Filename: b'work_bbhvsazkxzavhcgvimv2lgz3fe.pdf' INFO rmeta/text (autodetecting type) work_g3hwc2avtbgdhjlmfx2rxhevee txt/../wrd/work_g3hwc2avtbgdhjlmfx2rxhevee.wrd work_fqjn2myxo5akbhjhjfs3kvmkou txt/../ent/work_fqjn2myxo5akbhjhjfs3kvmkou.ent work_d6qplvfp6nc2zeynue3v2gb6hm txt/../wrd/work_d6qplvfp6nc2zeynue3v2gb6hm.wrd work_oy3ftqopknhmtpmoge7shadtxq txt/../wrd/work_oy3ftqopknhmtpmoge7shadtxq.wrd INFO Detecting media type for Filename: b'work_tknpu5yucjcsxjbsgv5kde5olm.pdf' INFO rmeta/text (autodetecting type) work_d6qplvfp6nc2zeynue3v2gb6hm txt/../pos/work_d6qplvfp6nc2zeynue3v2gb6hm.pos work_oy3ftqopknhmtpmoge7shadtxq txt/../pos/work_oy3ftqopknhmtpmoge7shadtxq.pos === file2bib.sh === Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2895, in get_loc return self._engine.get_loc(casted_key) File "pandas/_libs/index.pyx", line 70, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/index.pyx", line 101, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/hashtable_class_helper.pxi", line 1675, in pandas._libs.hashtable.PyObjectHashTable.get_item File "pandas/_libs/hashtable_class_helper.pxi", line 1683, in pandas._libs.hashtable.PyObjectHashTable.get_item KeyError: 'work_tknpu5yucjcsxjbsgv5kde5olm' The above exception was the direct cause of the following exception: Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/reader-compute/reader-classic/bin/file2bib.py", line 66, in if ( bibliographics.loc[ escape ,'author'] ) : author = bibliographics.loc[ escape,'author'] File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 873, in __getitem__ return self._getitem_tuple(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1044, in _getitem_tuple return self._getitem_lowerdim(tup) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 786, in _getitem_lowerdim section = self._getitem_axis(key, axis=i) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1110, in _getitem_axis return self._get_label(key, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1059, in _get_label return self.obj.xs(label, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/generic.py", line 3491, in xs loc = self.index.get_loc(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2897, in get_loc raise KeyError(key) from err KeyError: 'work_tknpu5yucjcsxjbsgv5kde5olm' work_6q2fn7zxrzg5vdc36m7ws37fse txt/../ent/work_6q2fn7zxrzg5vdc36m7ws37fse.ent === file2bib.sh === id: work_bjfpvntqzray5fpxsazobnbl5u author: Elena Marcheschi title: A spiritual journey in Bill Viola's art date: 2014 pages: 4 extension: .pdf txt: ./txt/work_bjfpvntqzray5fpxsazobnbl5u.txt cache: ./cache/work_bjfpvntqzray5fpxsazobnbl5u.pdf Author Elena Marcheschi Content-Type application/pdf Creation-Date 2017-09-17T16:46:47Z Last-Modified 2017-09-17T16:46:47Z Last-Save-Date 2017-09-17T16:46:47Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 27 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2017-09-17T16:46:47Z creator Elena Marcheschi date 2017-09-17T16:46:47Z dc:creator Elena Marcheschi dc:format application/pdf; version=1.5 dc:language it-IT dcterms:created 2017-09-17T16:46:47Z dcterms:modified 2017-09-17T16:46:47Z language it-IT meta:author Elena Marcheschi meta:creation-date 2017-09-17T16:46:47Z meta:save-date 2017-09-17T16:46:47Z modified 2017-09-17T16:46:47Z pdf:PDFVersion 1.5 pdf:charsPerPage ['4282', '4603', '3761', '241'] pdf:docinfo:created 2017-09-17T16:46:47Z pdf:docinfo:creator Elena Marcheschi pdf:docinfo:creator_tool Microsoft® Word 2013 pdf:docinfo:modified 2017-09-17T16:46:47Z pdf:docinfo:producer Microsoft® Word 2013 pdf:encrypted false pdf:hasMarkedContent true pdf:hasXFA false pdf:hasXMP false pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0'] producer Microsoft® Word 2013 resourceName b'work_bjfpvntqzray5fpxsazobnbl5u.pdf' xmp:CreatorTool Microsoft® Word 2013 xmpTPg:NPages 4 work_mn66we6evrddvbeem6q4rc56i4 txt/../wrd/work_mn66we6evrddvbeem6q4rc56i4.wrd work_g3hwc2avtbgdhjlmfx2rxhevee txt/../pos/work_g3hwc2avtbgdhjlmfx2rxhevee.pos === file2bib.sh === id: work_emm25ddpgvg2zb4zx4rvxhpfma author: Corrado Confalonieri title: Quale Virgilio? Note sul finale del "Furioso" date: 2013 pages: 17 extension: .pdf txt: ./txt/work_emm25ddpgvg2zb4zx4rvxhpfma.txt cache: ./cache/work_emm25ddpgvg2zb4zx4rvxhpfma.pdf Author Prof Rinaldi Content-Type application/pdf Creation-Date 2014-03-21T06:51:48Z Last-Modified 2014-03-21T06:51:48Z Last-Save-Date 2014-03-21T06:51:48Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 44 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2014-03-21T06:51:48Z creator Prof Rinaldi date 2014-03-21T06:51:48Z dc:creator Prof Rinaldi dc:format application/pdf; version=1.6 dc:title dcterms:created 2014-03-21T06:51:48Z dcterms:modified 2014-03-21T06:51:48Z meta:author Prof Rinaldi meta:creation-date 2014-03-21T06:51:48Z meta:save-date 2014-03-21T06:51:48Z modified 2014-03-21T06:51:48Z pdf:PDFVersion 1.6 pdf:charsPerPage ['142', '1176', '1447', '411', '1710', '3506', '2707', '2416', '2603', '2094', '2630', '2498', '2379', '2929', '2207', '1659', '173'] pdf:docinfo:created 2014-03-21T06:51:48Z pdf:docinfo:creator Prof Rinaldi pdf:docinfo:creator_tool Adobe Acrobat Pro 10.0.0 pdf:docinfo:modified 2014-03-21T06:51:48Z pdf:docinfo:producer Adobe Acrobat Pro 10.0.0 pdf:docinfo:title pdf:encrypted false pdf:hasMarkedContent true pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0'] producer Adobe Acrobat Pro 10.0.0 resourceName b'work_emm25ddpgvg2zb4zx4rvxhpfma.pdf' title xmp:CreatorTool Adobe Acrobat Pro 10.0.0 xmpMM:DocumentID uuid:0955d94d-de0e-4d5c-8520-db88711aa030 xmpTPg:NPages 17 work_wfqyk7gcknhtvh3nnbvwmo7som txt/../wrd/work_wfqyk7gcknhtvh3nnbvwmo7som.wrd work_wfqyk7gcknhtvh3nnbvwmo7som txt/../pos/work_wfqyk7gcknhtvh3nnbvwmo7som.pos === file2bib.sh === id: work_dr7bh6dn3jdfnpedaynpztlxeu author: L. Obolonczyk title: "La Toilette". When a doctor becomes a painter: Frederic Bazille date: 2019 pages: 2 extension: .pdf txt: ./txt/work_dr7bh6dn3jdfnpedaynpztlxeu.txt cache: ./cache/work_dr7bh6dn3jdfnpedaynpztlxeu.pdf Author ['L. Obolonczyk ', 'M. Berendt-Obolonczyk ', 'K. 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Berendt-Obolonczyk ', 'K. Sworczak '] date 2019-09-10T13:26:01Z dc:creator ['L. Obolonczyk ', 'M. Berendt-Obolonczyk ', 'K. Sworczak '] dc:description Journal of Endocrinological Investigation, https://doi.org/10.1007/s40618-019-01040-7 dc:format ['application/pdf; version="A-2b"', 'application/pdf; version=1.6'] dc:language EN dc:subject Frederic Bazille,Endocrinology,Painting dc:title “La Toilette”. When a doctor becomes a painter: Frederic Bazille dcterms:created 2019-04-13T13:17:37Z dcterms:modified 2019-09-10T13:26:01Z description Journal of Endocrinological Investigation, https://doi.org/10.1007/s40618-019-01040-7 doi 10.1007/s40618-019-01040-7 language EN meta:author ['L. Obolonczyk ', 'M. Berendt-Obolonczyk ', 'K. 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pages: 12 extension: .pdf txt: ./txt/work_5zyc52fwnfceba32yzaf2m72za.txt cache: ./cache/work_5zyc52fwnfceba32yzaf2m72za.pdf Author Ángela Di Serio, María Blanca Ibáñez, Carlos Delgado Kloos Content-Type application/pdf Creation-Date 2014-07-15T08:16:42Z Keywords Augmented reality; Motivation; Middle-school education Last-Modified 2014-07-15T08:16:42Z Last-Save-Date 2014-07-15T08:16:42Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 75 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true cp:subject Computers & Education, (2013), 68, 586-596. created 2014-07-15T08:16:42Z creator Ángela Di Serio, María Blanca Ibáñez, Carlos Delgado Kloos date 2014-07-15T08:16:42Z dc:creator Ángela Di Serio, María Blanca Ibáñez, Carlos Delgado Kloos dc:description Computers & Education, (2013), 68, 586-596. dc:format ['application/pdf; version="A-1b"', 'application/pdf; version=1.5'] dc:subject Augmented reality; Motivation; Middle-school education dc:title Impact of an augmented reality system on students' motivation for a visual art course dcterms:created 2014-07-15T08:16:42Z dcterms:modified 2014-07-15T08:16:42Z description Computers & Education, (2013), 68, 586-596. meta:author Ángela Di Serio, María Blanca Ibáñez, Carlos Delgado Kloos meta:creation-date 2014-07-15T08:16:42Z meta:keyword Augmented reality; Motivation; Middle-school education meta:save-date 2014-07-15T08:16:42Z modified 2014-07-15T08:16:42Z pdf:PDFVersion 1.5 pdf:charsPerPage ['145', '4859', '4881', '5670', '3913', '2943', '4272', '4148', '4164', '5537', '6873', '7361'] pdf:docinfo:created 2014-07-15T08:16:42Z pdf:docinfo:creator Ángela Di Serio, María Blanca Ibáñez, Carlos Delgado Kloos pdf:docinfo:creator_tool Elsevier pdf:docinfo:keywords Augmented reality; Motivation; Middle-school education pdf:docinfo:modified 2014-07-15T08:16:42Z pdf:docinfo:producer Acrobat Distiller 11.0 (Windows) pdf:docinfo:subject Computers & Education, (2013), 68, 586-596. pdf:docinfo:title Impact of an augmented reality system on students' motivation for a visual art course pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0', '0', '3', '0', '0', '4', '0', '0', '0'] pdfa:PDFVersion A-1b pdfaid:conformance B pdfaid:part 1 producer Acrobat Distiller 11.0 (Windows) resourceName b'work_5zyc52fwnfceba32yzaf2m72za.pdf' subject Computers & Education, (2013), 68, 586-596. title Impact of an augmented reality system on students' motivation for a visual art course xmp:CreatorTool Elsevier xmpMM:DocumentID uuid:7b13b6cd-d3bb-49bd-a6c2-44b820c9fe60 xmpMM:History:Action converted xmpMM:History:InstanceID uuid:0d0b3056-ff77-4005-94e6-33aeb1e90107 xmpMM:History:SoftwareAgent Preflight xmpMM:History:When 2014-07-15T10:16:40Z xmpTPg:NPages 12 INFO Detecting media type for Filename: b'work_go2e7wfqtvbtreivwepy2aa4fu.pdf' INFO rmeta/text (autodetecting type) work_4m57butnjvcpfkmovjwsddoj2e txt/../pos/work_4m57butnjvcpfkmovjwsddoj2e.pos work_d6qplvfp6nc2zeynue3v2gb6hm txt/../ent/work_d6qplvfp6nc2zeynue3v2gb6hm.ent work_n7aqni2sybbwfgfs7q3coipra4 txt/../wrd/work_n7aqni2sybbwfgfs7q3coipra4.wrd === file2bib.sh === Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2895, in get_loc return self._engine.get_loc(casted_key) File "pandas/_libs/index.pyx", line 70, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/index.pyx", line 101, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/hashtable_class_helper.pxi", line 1675, in pandas._libs.hashtable.PyObjectHashTable.get_item File "pandas/_libs/hashtable_class_helper.pxi", line 1683, in pandas._libs.hashtable.PyObjectHashTable.get_item KeyError: 'work_go2e7wfqtvbtreivwepy2aa4fu' The above exception was the direct cause of the following exception: Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/reader-compute/reader-classic/bin/file2bib.py", line 66, in if ( bibliographics.loc[ escape ,'author'] ) : author = bibliographics.loc[ escape,'author'] File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 873, in __getitem__ return self._getitem_tuple(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1044, in _getitem_tuple return self._getitem_lowerdim(tup) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 786, in _getitem_lowerdim section = self._getitem_axis(key, axis=i) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1110, in _getitem_axis return self._get_label(key, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1059, in _get_label return self.obj.xs(label, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/generic.py", line 3491, in xs loc = self.index.get_loc(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2897, in get_loc raise KeyError(key) from err KeyError: 'work_go2e7wfqtvbtreivwepy2aa4fu' work_g3hwc2avtbgdhjlmfx2rxhevee txt/../ent/work_g3hwc2avtbgdhjlmfx2rxhevee.ent work_6s4msdtx4vfczafcudxtckassi txt/../pos/work_6s4msdtx4vfczafcudxtckassi.pos work_ib4rdxhlmzebfmtcojbi66vzee txt/../wrd/work_ib4rdxhlmzebfmtcojbi66vzee.wrd === file2bib.sh === id: work_bpnphnjjuzdxxfvwa7swbrajhm author: Jonathan K. Nelson title: An Unpublished Essay by Mary Berenson, 'Botticelli and his Critics' (1894–95) date: 2019 pages: extension: .pdf txt: ./txt/work_bpnphnjjuzdxxfvwa7swbrajhm.txt cache: ./cache/work_bpnphnjjuzdxxfvwa7swbrajhm.pdf Content-Encoding UTF-8 Content-Language en Content-Type text/html; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.html.HtmlParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 3 X-UA-Compatible IE=edge dc:title 19: Interdisciplinary Studies in the Long Nineteenth Century resourceName b'work_bpnphnjjuzdxxfvwa7swbrajhm.pdf' title 19: Interdisciplinary Studies in the Long Nineteenth Century viewport width=device-width, initial-scale=1.0 === file2bib.sh === id: work_tt2jcy5q7bds7h6treilo4u6zy author: Francesco Ventrella title: Writing Under Pressure: Maud Cruttwell and the Old Master Monograph date: 2019 pages: extension: .pdf txt: ./txt/work_tt2jcy5q7bds7h6treilo4u6zy.txt cache: ./cache/work_tt2jcy5q7bds7h6treilo4u6zy.pdf Content-Encoding UTF-8 Content-Language en Content-Type text/html; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.html.HtmlParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 3 X-UA-Compatible IE=edge dc:title 19: Interdisciplinary Studies in the Long Nineteenth Century resourceName b'work_tt2jcy5q7bds7h6treilo4u6zy.pdf' title 19: Interdisciplinary Studies in the Long Nineteenth Century viewport width=device-width, initial-scale=1.0 work_n2l3ffedhnc2pkzcw34llihdqi txt/../wrd/work_n2l3ffedhnc2pkzcw34llihdqi.wrd INFO Detecting media type for Filename: b'work_ozxd2ionwbfhbelz65jugccfu4.pdf' INFO rmeta/text (autodetecting type) work_wfqyk7gcknhtvh3nnbvwmo7som txt/../ent/work_wfqyk7gcknhtvh3nnbvwmo7som.ent === file2bib.sh === id: work_s4hl3i2n3zer7dvhfqnl3l3lly author: Valentina Giuffra title: Diffuse idiopathic skeletal hyperostosis in the Medici, Grand Dukes of Florence (XVI century) date: 2009 pages: extension: .pdf txt: ./txt/work_s4hl3i2n3zer7dvhfqnl3l3lly.txt cache: ./cache/work_s4hl3i2n3zer7dvhfqnl3l3lly.pdf Content-Type application/xml X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.xml.DcXMLParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 2 resourceName b'work_s4hl3i2n3zer7dvhfqnl3l3lly.pdf' === file2bib.sh === id: work_4ffmtdl4hfhedga3v745ot5gge author: Ljubov Marsova title: Homosexualita a staré umění: poznámky k interpretaci mužských renesančních portrétů date: 2020 pages: 13 extension: .pdf txt: ./txt/work_4ffmtdl4hfhedga3v745ot5gge.txt cache: ./cache/work_4ffmtdl4hfhedga3v745ot5gge.pdf Content-Type application/pdf Creation-Date 2020-09-11T09:26:46Z Last-Modified 2020-09-11T09:26:46Z Last-Save-Date 2020-09-11T09:26:46Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 53 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2020-09-11T09:26:46Z date 2020-09-11T09:26:46Z dc:format application/pdf; version=1.4 dcterms:created 2020-09-11T09:26:46Z dcterms:modified 2020-09-11T09:26:46Z meta:creation-date 2020-09-11T09:26:46Z meta:save-date 2020-09-11T09:26:46Z modified 2020-09-11T09:26:46Z pdf:PDFVersion 1.4 pdf:charsPerPage ['3262', '3649', '3625', '3461', '3449', '3763', '3507', '3538', '3555', '2735', '472', '615', '168'] pdf:docinfo:created 2020-09-11T09:26:46Z pdf:docinfo:modified 2020-09-11T09:26:46Z pdf:docinfo:producer PDFill PDF Editor 14.0 pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP false pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0'] producer PDFill PDF Editor 14.0 resourceName b'work_4ffmtdl4hfhedga3v745ot5gge.pdf' xmpTPg:NPages 13 INFO Detecting media type for Filename: b'work_ft6nlt5byvc4rnbctnhxpuv2fe.pdf' INFO rmeta/text (autodetecting type) work_mn66we6evrddvbeem6q4rc56i4 txt/../ent/work_mn66we6evrddvbeem6q4rc56i4.ent work_n2l3ffedhnc2pkzcw34llihdqi txt/../pos/work_n2l3ffedhnc2pkzcw34llihdqi.pos INFO Detecting media type for Filename: b'work_w7a7n6q2sbagzphm6ncrntrxyi.pdf' INFO rmeta/text (autodetecting type) INFO Detecting media type for Filename: b'work_6z57z7e2l5ayzmib67vv4ddere.pdf' INFO rmeta/text (autodetecting type) === file2bib.sh === Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2895, in get_loc return self._engine.get_loc(casted_key) File "pandas/_libs/index.pyx", line 70, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/index.pyx", line 101, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/hashtable_class_helper.pxi", line 1675, in pandas._libs.hashtable.PyObjectHashTable.get_item File "pandas/_libs/hashtable_class_helper.pxi", line 1683, in pandas._libs.hashtable.PyObjectHashTable.get_item KeyError: 'work_w7a7n6q2sbagzphm6ncrntrxyi' The above exception was the direct cause of the following exception: Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/reader-compute/reader-classic/bin/file2bib.py", line 66, in if ( bibliographics.loc[ escape ,'author'] ) : author = bibliographics.loc[ escape,'author'] File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 873, in __getitem__ return self._getitem_tuple(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1044, in _getitem_tuple return self._getitem_lowerdim(tup) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 786, in _getitem_lowerdim section = self._getitem_axis(key, axis=i) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1110, in _getitem_axis return self._get_label(key, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1059, in _get_label return self.obj.xs(label, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/generic.py", line 3491, in xs loc = self.index.get_loc(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2897, in get_loc raise KeyError(key) from err KeyError: 'work_w7a7n6q2sbagzphm6ncrntrxyi' INFO Detecting media type for Filename: b'work_j7xz7rcedvaftmunuytqe5a2ya.pdf' INFO rmeta/text (autodetecting type) WARN No Unicode mapping for fleuron57 (31) in font CVCCCW+TypeEmbellishmentsOneLetPlain WARN No Unicode mapping for orn.34 (31) in font CVCCCW+Zapfino WARN No Unicode mapping for orn.52 (30) in font CVCCCW+Zapfino WARN No Unicode mapping for T_h (31) in font BISWOY+MinionPro-Regular WARN No Unicode mapping for f_i (30) in font BISWOY+MinionPro-Regular WARN No Unicode mapping for f_f (29) in font BISWOY+MinionPro-Regular WARN No Unicode mapping for f_l (28) in font BISWOY+MinionPro-Regular work_fq4x3rwngfgrnerdx7w7z6ul64 txt/../ent/work_fq4x3rwngfgrnerdx7w7z6ul64.ent INFO Detecting media type for Filename: b'work_bhtvuqlpirh2dijvcd6jc4dzlq.pdf' INFO rmeta/text (autodetecting type) WARN No Unicode mapping for T_h (31) in font SOGUSQ+AGaramondPro-Regular WARN No Unicode mapping for f_f (30) in font SOGUSQ+AGaramondPro-Regular WARN No Unicode mapping for T_h (31) in font SOGUSQ+AGaramondPro-Italic WARN No Unicode mapping for f_l (29) in font SOGUSQ+AGaramondPro-Regular === file2bib.sh === id: work_dxsa2q5wbbeo3blbth2knsntb4 author: Marianna D. Birnbaum title: Janus Pannonius Versei. Edited by Tibor Kardos. Budapest: Szépirodalmi Könyvkiadó, 1972. 322 pp. 34 Ft.ÉLő Humanizmus. By Tibor Kardos. Budapest: Magvető Kiadó, 1972. 654 pp. 35 Ft date: 1973 pages: 3 extension: .pdf txt: ./txt/work_dxsa2q5wbbeo3blbth2knsntb4.txt cache: ./cache/work_dxsa2q5wbbeo3blbth2knsntb4.pdf Content-Type application/pdf Creation-Date 2016-10-01T10:44:35Z Last-Modified 2016-10-01T10:44:42Z Last-Save-Date 2016-10-01T10:44:42Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 19 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2016-10-01T10:44:35Z date 2016-10-01T10:44:42Z dc:format application/pdf; version=1.6 dcterms:created 2016-10-01T10:44:35Z dcterms:modified 2016-10-01T10:44:42Z meta:creation-date 2016-10-01T10:44:35Z meta:save-date 2016-10-01T10:44:42Z modified 2016-10-01T10:44:42Z pdf:PDFVersion 1.6 pdf:charsPerPage ['3315', '3819', '3379'] pdf:docinfo:created 2016-10-01T10:44:35Z pdf:docinfo:modified 2016-10-01T10:44:42Z pdf:docinfo:producer ABBYY FineReader 8.0 Professional Edition pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['0', '0', '0'] producer ABBYY FineReader 8.0 Professional Edition resourceName b'work_dxsa2q5wbbeo3blbth2knsntb4.pdf' xmpMM:DocumentID uuid:b0e9e8c3-e804-49fa-b204-133ceb7f3f27 xmpTPg:NPages 3 === file2bib.sh === Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2895, in get_loc return self._engine.get_loc(casted_key) File "pandas/_libs/index.pyx", line 70, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/index.pyx", line 101, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/hashtable_class_helper.pxi", line 1675, in pandas._libs.hashtable.PyObjectHashTable.get_item File "pandas/_libs/hashtable_class_helper.pxi", line 1683, in pandas._libs.hashtable.PyObjectHashTable.get_item KeyError: 'work_j7xz7rcedvaftmunuytqe5a2ya' The above exception was the direct cause of the following exception: Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/reader-compute/reader-classic/bin/file2bib.py", line 66, in if ( bibliographics.loc[ escape ,'author'] ) : author = bibliographics.loc[ escape,'author'] File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 873, in __getitem__ return self._getitem_tuple(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1044, in _getitem_tuple return self._getitem_lowerdim(tup) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 786, in _getitem_lowerdim section = self._getitem_axis(key, axis=i) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1110, in _getitem_axis return self._get_label(key, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1059, in _get_label return self.obj.xs(label, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/generic.py", line 3491, in xs loc = self.index.get_loc(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2897, in get_loc raise KeyError(key) from err KeyError: 'work_j7xz7rcedvaftmunuytqe5a2ya' work_ib4rdxhlmzebfmtcojbi66vzee txt/../pos/work_ib4rdxhlmzebfmtcojbi66vzee.pos work_g74m2o2prrc23gagfihi3yusfu txt/../wrd/work_g74m2o2prrc23gagfihi3yusfu.wrd work_zrzfcdrkb5gmxgocdyvstk62wq txt/../ent/work_zrzfcdrkb5gmxgocdyvstk62wq.ent work_6gbywtxgtbatfaqnvshtpwbyve txt/../wrd/work_6gbywtxgtbatfaqnvshtpwbyve.wrd === file2bib.sh === id: work_rrtzsma5kja4ffl7e3o33crbsu author: Giulia Bologna title: Gold in book binding date: 1982 pages: 6 extension: .pdf txt: ./txt/work_rrtzsma5kja4ffl7e3o33crbsu.txt cache: ./cache/work_rrtzsma5kja4ffl7e3o33crbsu.pdf Content-Type application/pdf Creation-Date 2011-05-11T07:56:43Z Last-Modified 2011-05-12T02:49:05Z Last-Save-Date 2011-05-12T02:49:05Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 36 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2011-05-11T07:56:43Z date 2011-05-12T02:49:05Z dc:format application/pdf; version=1.3 dc:title Gold in book binding dcterms:created 2011-05-11T07:56:43Z dcterms:modified 2011-05-12T02:49:05Z meta:creation-date 2011-05-11T07:56:43Z meta:save-date 2011-05-12T02:49:05Z modified 2011-05-12T02:49:05Z pdf:PDFVersion 1.3 pdf:charsPerPage ['3499', '2711', '2697', '2751', '5943', '6004'] pdf:docinfo:created 2011-05-11T07:56:43Z pdf:docinfo:modified 2011-05-12T02:49:05Z pdf:docinfo:producer ScanSoft OmniPage 16 pdf:docinfo:title Gold in book binding pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0', '0', '0'] producer ScanSoft OmniPage 16 resourceName b'work_rrtzsma5kja4ffl7e3o33crbsu.pdf' title Gold in book binding xmpMM:DocumentID uuid:54a0a33e-f7cb-42d0-ba31-3095aea29ef6 xmpTPg:NPages 6 INFO Detecting media type for Filename: b'work_kluflpspqba5vhzpwkigej3ioe.pdf' INFO rmeta/text (autodetecting type) work_fboytmjchfcs5hrhmundirdyz4 txt/../ent/work_fboytmjchfcs5hrhmundirdyz4.ent work_6gbywtxgtbatfaqnvshtpwbyve txt/../pos/work_6gbywtxgtbatfaqnvshtpwbyve.pos === file2bib.sh === Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2895, in get_loc return self._engine.get_loc(casted_key) File "pandas/_libs/index.pyx", line 70, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/index.pyx", line 101, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/hashtable_class_helper.pxi", line 1675, in pandas._libs.hashtable.PyObjectHashTable.get_item File "pandas/_libs/hashtable_class_helper.pxi", line 1683, in pandas._libs.hashtable.PyObjectHashTable.get_item KeyError: 'work_kluflpspqba5vhzpwkigej3ioe' The above exception was the direct cause of the following exception: Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/reader-compute/reader-classic/bin/file2bib.py", line 66, in if ( bibliographics.loc[ escape ,'author'] ) : author = bibliographics.loc[ escape,'author'] File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 873, in __getitem__ return self._getitem_tuple(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1044, in _getitem_tuple return self._getitem_lowerdim(tup) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 786, in _getitem_lowerdim section = self._getitem_axis(key, axis=i) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1110, in _getitem_axis return self._get_label(key, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1059, in _get_label return self.obj.xs(label, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/generic.py", line 3491, in xs loc = self.index.get_loc(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2897, in get_loc raise KeyError(key) from err KeyError: 'work_kluflpspqba5vhzpwkigej3ioe' === file2bib.sh === id: work_xip6ysml5nhu7jpq5vpsweynhi author: Andrea Veglia title: Michael Silk, Ingo Gildenhard, Rosemary Barrow, The Classical Tradition: Art, Literature, Thought date: 2014 pages: 3 extension: .pdf txt: ./txt/work_xip6ysml5nhu7jpq5vpsweynhi.txt cache: ./cache/work_xip6ysml5nhu7jpq5vpsweynhi.pdf Author stefania irene sini Content-Type application/pdf Creation-Date 2014-07-14T07:13:54Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 18 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2014-07-14T07:13:54Z creator stefania irene sini dc:creator stefania irene sini dc:format application/pdf; version=1.4 dc:language it-IT dcterms:created 2014-07-14T07:13:54Z language it-IT meta:author stefania irene sini meta:creation-date 2014-07-14T07:13:54Z pdf:PDFVersion 1.4 pdf:charsPerPage ['2667', '4142', '2256'] pdf:docinfo:created 2014-07-14T07:13:54Z pdf:docinfo:creator stefania irene sini pdf:docinfo:creator_tool Writer pdf:docinfo:producer LibreOffice 4.2 pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP false pdf:unmappedUnicodeCharsPerPage ['0', '0', '0'] producer LibreOffice 4.2 resourceName b'work_xip6ysml5nhu7jpq5vpsweynhi.pdf' xmp:CreatorTool Writer xmpTPg:NPages 3 work_g74m2o2prrc23gagfihi3yusfu txt/../pos/work_g74m2o2prrc23gagfihi3yusfu.pos work_m4l7coqfy5evrp3dvr3i7awr34 txt/../wrd/work_m4l7coqfy5evrp3dvr3i7awr34.wrd INFO Detecting media type for Filename: b'work_hpvsn7fok5dj7hi4w4puweoecy.pdf' INFO rmeta/text (autodetecting type) INFO Detecting media type for Filename: b'work_arjximx7m5gtdimjueuqyxwhxi.pdf' INFO rmeta/text (autodetecting type) work_m4l7coqfy5evrp3dvr3i7awr34 txt/../pos/work_m4l7coqfy5evrp3dvr3i7awr34.pos === file2bib.sh === Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2895, in get_loc return self._engine.get_loc(casted_key) File "pandas/_libs/index.pyx", line 70, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/index.pyx", line 101, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/hashtable_class_helper.pxi", line 1675, in pandas._libs.hashtable.PyObjectHashTable.get_item File "pandas/_libs/hashtable_class_helper.pxi", line 1683, in pandas._libs.hashtable.PyObjectHashTable.get_item KeyError: 'work_arjximx7m5gtdimjueuqyxwhxi' The above exception was the direct cause of the following exception: Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/reader-compute/reader-classic/bin/file2bib.py", line 66, in if ( bibliographics.loc[ escape ,'author'] ) : author = bibliographics.loc[ escape,'author'] File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 873, in __getitem__ return self._getitem_tuple(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1044, in _getitem_tuple return self._getitem_lowerdim(tup) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 786, in _getitem_lowerdim section = self._getitem_axis(key, axis=i) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1110, in _getitem_axis return self._get_label(key, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1059, in _get_label return self.obj.xs(label, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/generic.py", line 3491, in xs loc = self.index.get_loc(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2897, in get_loc raise KeyError(key) from err KeyError: 'work_arjximx7m5gtdimjueuqyxwhxi' work_gkz7ucesfjhfriqrnx6s2bljby txt/../wrd/work_gkz7ucesfjhfriqrnx6s2bljby.wrd work_gkz7ucesfjhfriqrnx6s2bljby txt/../pos/work_gkz7ucesfjhfriqrnx6s2bljby.pos INFO Detecting media type for Filename: b'work_ldgg3kgxcrew7lmyost4mrsnzi.pdf' === file2bib.sh === id: work_rpqybn5v55fwzea4i365uo5bmi author: Michael Wyatt title: The Universities of the Italian Renaissance (review) date: 2004 pages: 4 extension: .pdf txt: ./txt/work_rpqybn5v55fwzea4i365uo5bmi.txt cache: ./cache/work_rpqybn5v55fwzea4i365uo5bmi.pdf Author Michael Wyatt Content-Type application/pdf Creation-Date 2005-03-15T15:25:48Z Last-Modified 2005-03-15T15:28:00Z Last-Save-Date 2005-03-15T15:28:00Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 28 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2005-03-15T15:25:48Z creator Michael Wyatt date 2005-03-15T15:28:00Z dc:creator Michael Wyatt dc:format application/pdf; version=1.4 dc:title The Universities of the Italian Renaissance (review) dcterms:created 2005-03-15T15:25:48Z dcterms:modified 2005-03-15T15:28:00Z meta:author Michael Wyatt meta:creation-date 2005-03-15T15:25:48Z meta:save-date 2005-03-15T15:28:00Z modified 2005-03-15T15:28:00Z pdf:PDFVersion 1.4 pdf:charsPerPage ['393', '2822', '3025', '2782'] pdf:docinfo:created 2005-03-15T15:25:48Z pdf:docinfo:creator Michael Wyatt pdf:docinfo:creator_tool Adobe Acrobat 6.0 pdf:docinfo:modified 2005-03-15T15:28:00Z pdf:docinfo:producer Project MUSE pdf:docinfo:title The Universities of the Italian Renaissance (review) pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['0', '2718', '2872', '2676'] producer Project MUSE resourceName b'work_rpqybn5v55fwzea4i365uo5bmi.pdf' title The Universities of the Italian Renaissance (review) xmp:CreatorTool Adobe Acrobat 6.0 xmpTPg:NPages 4 INFO rmeta/text (autodetecting type) work_6z57z7e2l5ayzmib67vv4ddere txt/../pos/work_6z57z7e2l5ayzmib67vv4ddere.pos === file2bib.sh === id: work_c3avnxoawbdtrgtzmzj5kkbgfi author: W. Houk title: The Look of L.A date: 1984 pages: extension: .pdf txt: ./txt/work_c3avnxoawbdtrgtzmzj5kkbgfi.txt cache: ./cache/work_c3avnxoawbdtrgtzmzj5kkbgfi.pdf Content-Encoding UTF-8 Content-Language en Content-Type text/html; charset=UTF-8 Content-Type-Hint text/html; charset=utf-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.html.HtmlParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 6 X-UA-Compatible IE=Edge citation_author Houk, Walter citation_doi 10.2307/25158193 citation_firstpage 58 citation_issn 0162-2897 citation_issue 1 citation_journal_abbrev California History citation_journal_title California History citation_lastpage 65 citation_pdf_url https://online.ucpress.edu/ch/article-pdf/63/1/58/102144/25158193.pdf citation_publication_date 1984/01/01 citation_publisher University of California Press citation_title The Look of L.A. citation_volume 63 citation_xml_url https://online.ucpress.edu/ch/article-xml/63/1/58/32461 dc:title The Look of L.A. | California History | University of California Press format-detection telephone=no msapplication-config //ucp.silverchair-cdn.com/Themes/Client/app/img/favicons/v-637502067970688274/browserconfig.xml og:description og:image /UI/app/svg/umbrella/logo.svg og:site_name University of California Press og:title The Look of L.A. og:type article og:updated_time 1/1/1984 og:url /ch/article/63/1/58/32461/The-Look-of-L-A resourceName b'work_c3avnxoawbdtrgtzmzj5kkbgfi.pdf' theme-color #002f65 title The Look of L.A. | California History | University of California Press twitter:card summary_large_image twitter:creator @ucpress twitter:description twitter:image:src /UI/app/svg/umbrella/logo.svg twitter:site @ucpress twitter:title The Look of L.A. viewport width=device-width, initial-scale=1, maximum-scale=1 === file2bib.sh === Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2895, in get_loc return self._engine.get_loc(casted_key) File "pandas/_libs/index.pyx", line 70, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/index.pyx", line 101, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/hashtable_class_helper.pxi", line 1675, in pandas._libs.hashtable.PyObjectHashTable.get_item File "pandas/_libs/hashtable_class_helper.pxi", line 1683, in pandas._libs.hashtable.PyObjectHashTable.get_item KeyError: 'work_ldgg3kgxcrew7lmyost4mrsnzi' The above exception was the direct cause of the following exception: Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/reader-compute/reader-classic/bin/file2bib.py", line 66, in if ( bibliographics.loc[ escape ,'author'] ) : author = bibliographics.loc[ escape,'author'] File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 873, in __getitem__ return self._getitem_tuple(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1044, in _getitem_tuple return self._getitem_lowerdim(tup) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 786, in _getitem_lowerdim section = self._getitem_axis(key, axis=i) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1110, in _getitem_axis return self._get_label(key, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1059, in _get_label return self.obj.xs(label, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/generic.py", line 3491, in xs loc = self.index.get_loc(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2897, in get_loc raise KeyError(key) from err KeyError: 'work_ldgg3kgxcrew7lmyost4mrsnzi' INFO Detecting media type for Filename: b'work_jhwmsqjpbjgb7f7ad7ajywv3fe.pdf' INFO rmeta/text (autodetecting type) INFO Detecting media type for Filename: b'work_jb74g4gaeze7tlooskzdbav4x4.pdf' INFO rmeta/text (autodetecting type) WARN No Unicode mapping for circlecopyrt (1) in font FCELNO+CMSY8 work_rhaxeyirezawvf5ifecn2wbfky txt/../pos/work_rhaxeyirezawvf5ifecn2wbfky.pos === file2bib.sh === Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2895, in get_loc return self._engine.get_loc(casted_key) File "pandas/_libs/index.pyx", line 70, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/index.pyx", line 101, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/hashtable_class_helper.pxi", line 1675, in pandas._libs.hashtable.PyObjectHashTable.get_item File "pandas/_libs/hashtable_class_helper.pxi", line 1683, in pandas._libs.hashtable.PyObjectHashTable.get_item KeyError: 'work_jhwmsqjpbjgb7f7ad7ajywv3fe' The above exception was the direct cause of the following exception: Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/reader-compute/reader-classic/bin/file2bib.py", line 66, in if ( bibliographics.loc[ escape ,'author'] ) : author = bibliographics.loc[ escape,'author'] File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 873, in __getitem__ return self._getitem_tuple(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1044, in _getitem_tuple return self._getitem_lowerdim(tup) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 786, in _getitem_lowerdim section = self._getitem_axis(key, axis=i) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1110, in _getitem_axis return self._get_label(key, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1059, in _get_label return self.obj.xs(label, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/generic.py", line 3491, in xs loc = self.index.get_loc(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2897, in get_loc raise KeyError(key) from err KeyError: 'work_jhwmsqjpbjgb7f7ad7ajywv3fe' work_u3335tn4arejjafzahtplfjxcm txt/../ent/work_u3335tn4arejjafzahtplfjxcm.ent work_6z57z7e2l5ayzmib67vv4ddere txt/../wrd/work_6z57z7e2l5ayzmib67vv4ddere.wrd work_bfrrlmigfnhzhggc2cuezcljxa txt/../wrd/work_bfrrlmigfnhzhggc2cuezcljxa.wrd work_rhaxeyirezawvf5ifecn2wbfky txt/../wrd/work_rhaxeyirezawvf5ifecn2wbfky.wrd work_qyqvrq7om5hm5mspqieyhs3kxu txt/../ent/work_qyqvrq7om5hm5mspqieyhs3kxu.ent work_n654sm7ypfftrcrv3imi3fimji txt/../ent/work_n654sm7ypfftrcrv3imi3fimji.ent work_n7aqni2sybbwfgfs7q3coipra4 txt/../ent/work_n7aqni2sybbwfgfs7q3coipra4.ent work_bfrrlmigfnhzhggc2cuezcljxa txt/../pos/work_bfrrlmigfnhzhggc2cuezcljxa.pos work_4m57butnjvcpfkmovjwsddoj2e txt/../ent/work_4m57butnjvcpfkmovjwsddoj2e.ent work_lxsnmjwgzjgtxhxat4rgp7jpua txt/../wrd/work_lxsnmjwgzjgtxhxat4rgp7jpua.wrd work_xpa3msb455hnznot2pvlf5ywgi txt/../wrd/work_xpa3msb455hnznot2pvlf5ywgi.wrd work_xpa3msb455hnznot2pvlf5ywgi txt/../pos/work_xpa3msb455hnznot2pvlf5ywgi.pos INFO Detecting media type for Filename: b'work_qioebu6z4vgynitaulujxlfvui.pdf' INFO rmeta/text (autodetecting type) work_65b7z6j5org33owceyvwvnd4em txt/../ent/work_65b7z6j5org33owceyvwvnd4em.ent work_femegcta6nabhnp5yylntpz3qm txt/../pos/work_femegcta6nabhnp5yylntpz3qm.pos work_i3udw6wfhrgbvoe4xtapknhnge txt/../wrd/work_i3udw6wfhrgbvoe4xtapknhnge.wrd work_femegcta6nabhnp5yylntpz3qm txt/../wrd/work_femegcta6nabhnp5yylntpz3qm.wrd === file2bib.sh === id: work_ozxd2ionwbfhbelz65jugccfu4 author: A.J. Lees title: From Neuron to Brain: A Cellular Approach to the Function of the Nervous System date: 1985 pages: 1 extension: .pdf txt: ./txt/work_ozxd2ionwbfhbelz65jugccfu4.txt cache: ./cache/work_ozxd2ionwbfhbelz65jugccfu4.pdf Content-Type application/pdf Creation-Date 2008-05-24T05:11:54Z Last-Modified 2021-04-06T01:06:10Z Last-Save-Date 2021-04-06T01:06:10Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 11 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2008-05-24T05:11:54Z date 2021-04-06T01:06:10Z dc:format application/pdf; version=1.4 dcterms:created 2008-05-24T05:11:54Z dcterms:modified 2021-04-06T01:06:10Z meta:creation-date 2008-05-24T05:11:54Z meta:save-date 2021-04-06T01:06:10Z modified 2021-04-06T01:06:10Z pdf:PDFVersion 1.4 pdf:charsPerPage 4023 pdf:docinfo:created 2008-05-24T05:11:54Z pdf:docinfo:modified 2021-04-06T01:06:10Z pdf:docinfo:producer Apex PDFWriter pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage 0 producer Apex PDFWriter resourceName b'work_ozxd2ionwbfhbelz65jugccfu4.pdf' xmpMM:DocumentID uuid:6b0d5770-1dd2-11b2-0a00-d309276d7200 xmpTPg:NPages 1 === file2bib.sh === id: work_ft6nlt5byvc4rnbctnhxpuv2fe author: Lillian Schwartz title: ACM SIGGRAPH Distinguished Artist Award for Lifetime Achievement in Digital Art date: 2015 pages: extension: .pdf txt: ./txt/work_ft6nlt5byvc4rnbctnhxpuv2fe.txt cache: ./cache/work_ft6nlt5byvc4rnbctnhxpuv2fe.pdf Content-Encoding UTF-8 Content-Language en Content-Type text/html; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.html.HtmlParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 3 X-UA-Compatible IE=edge dc:title The University of Brighton og:image https://research.brighton.ac.uk/skin/headerImage/ og:locale en_GB og:site_name The University of Brighton og:type website og:url https://research.brighton.ac.uk/ resourceName b'work_ft6nlt5byvc4rnbctnhxpuv2fe.pdf' title The University of Brighton viewport width=device-width, initial-scale=1 work_6s4msdtx4vfczafcudxtckassi txt/../ent/work_6s4msdtx4vfczafcudxtckassi.ent INFO Detecting media type for Filename: b'work_qk36od2cbjdbfkp3iskax7fh24.pdf' INFO rmeta/text (autodetecting type) WARN No Unicode mapping for gid00030 (1) in font MCBCCI+SourceSansRoman-Regular WARN No Unicode mapping for gid00035 (2) in font MCBCCI+SourceSansRoman-Regular WARN No Unicode mapping for gid00032 (3) in font MCBCCI+SourceSansRoman-Regular WARN No Unicode mapping for gid00038 (4) in font MCBCCI+SourceSansRoman-Regular WARN No Unicode mapping for gid00001 (5) in font MCBCCI+SourceSansRoman-Regular WARN No Unicode mapping for gid00033 (6) in font MCBCCI+SourceSansRoman-Regular WARN No Unicode mapping for gid00042 (7) in font MCBCCI+SourceSansRoman-Regular WARN No Unicode mapping for gid00045 (8) in font MCBCCI+SourceSansRoman-Regular WARN No Unicode mapping for gid00001 (1) in font MCBCCM+SourceSansRoman.613wght WARN No Unicode mapping for gid00048 (1) in font MCBCCO+SourceSansRoman-Bold WARN No Unicode mapping for gid00043 (2) in font MCBCCO+SourceSansRoman-Bold WARN No Unicode mapping for gid00031 (3) in font MCBCCO+SourceSansRoman-Bold WARN No Unicode mapping for gid00028 (4) in font MCBCCO+SourceSansRoman-Bold WARN No Unicode mapping for gid00047 (5) in font MCBCCO+SourceSansRoman-Bold WARN No Unicode mapping for gid00032 (6) in font MCBCCO+SourceSansRoman-Bold WARN No Unicode mapping for gid00046 (7) in font MCBCCO+SourceSansRoman-Bold work_lxsnmjwgzjgtxhxat4rgp7jpua txt/../pos/work_lxsnmjwgzjgtxhxat4rgp7jpua.pos INFO Detecting media type for Filename: b'work_qu6jbtsoijd4vp6e4ul2csukey.pdf' INFO rmeta/text (autodetecting type) INFO Detecting media type for Filename: b'work_4m57butnjvcpfkmovjwsddoj2e.pdf' INFO rmeta/text (autodetecting type) INFO Detecting media type for Filename: b'work_u3tqo65ss5e4zmdcmrmgthecd4.pdf' INFO rmeta/text (autodetecting type) WARN No Unicode mapping for CID+249 (249) in font OJEIGG+TimesNewRomanPSMT === file2bib.sh === Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2895, in get_loc return self._engine.get_loc(casted_key) File "pandas/_libs/index.pyx", line 70, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/index.pyx", line 101, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/hashtable_class_helper.pxi", line 1675, in pandas._libs.hashtable.PyObjectHashTable.get_item File "pandas/_libs/hashtable_class_helper.pxi", line 1683, in pandas._libs.hashtable.PyObjectHashTable.get_item KeyError: 'work_4m57butnjvcpfkmovjwsddoj2e' The above exception was the direct cause of the following exception: Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/reader-compute/reader-classic/bin/file2bib.py", line 66, in if ( bibliographics.loc[ escape ,'author'] ) : author = bibliographics.loc[ escape,'author'] File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 873, in __getitem__ return self._getitem_tuple(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1044, in _getitem_tuple return self._getitem_lowerdim(tup) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 786, in _getitem_lowerdim section = self._getitem_axis(key, axis=i) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1110, in _getitem_axis return self._get_label(key, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1059, in _get_label return self.obj.xs(label, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/generic.py", line 3491, in xs loc = self.index.get_loc(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2897, in get_loc raise KeyError(key) from err KeyError: 'work_4m57butnjvcpfkmovjwsddoj2e' === file2bib.sh === Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2895, in get_loc return self._engine.get_loc(casted_key) File "pandas/_libs/index.pyx", line 70, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/index.pyx", line 101, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/hashtable_class_helper.pxi", line 1675, in pandas._libs.hashtable.PyObjectHashTable.get_item File "pandas/_libs/hashtable_class_helper.pxi", line 1683, in pandas._libs.hashtable.PyObjectHashTable.get_item KeyError: 'work_u3tqo65ss5e4zmdcmrmgthecd4' The above exception was the direct cause of the following exception: Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/reader-compute/reader-classic/bin/file2bib.py", line 66, in if ( bibliographics.loc[ escape ,'author'] ) : author = bibliographics.loc[ escape,'author'] File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 873, in __getitem__ return self._getitem_tuple(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1044, in _getitem_tuple return self._getitem_lowerdim(tup) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 786, in _getitem_lowerdim section = self._getitem_axis(key, axis=i) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1110, in _getitem_axis return self._get_label(key, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1059, in _get_label return self.obj.xs(label, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/generic.py", line 3491, in xs loc = self.index.get_loc(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2897, in get_loc raise KeyError(key) from err KeyError: 'work_u3tqo65ss5e4zmdcmrmgthecd4' work_j7xz7rcedvaftmunuytqe5a2ya txt/../wrd/work_j7xz7rcedvaftmunuytqe5a2ya.wrd work_j7xz7rcedvaftmunuytqe5a2ya txt/../pos/work_j7xz7rcedvaftmunuytqe5a2ya.pos === file2bib.sh === id: work_6z57z7e2l5ayzmib67vv4ddere author: J Stokes title: Gordon Roy Cameron date: 1967 pages: 2 extension: .pdf txt: ./txt/work_6z57z7e2l5ayzmib67vv4ddere.txt cache: ./cache/work_6z57z7e2l5ayzmib67vv4ddere.pdf Content-Type application/pdf Creation-Date 2004-08-30T08:08:47Z Last-Modified 2021-04-06T01:06:16Z Last-Save-Date 2021-04-06T01:06:16Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 16 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2004-08-30T08:08:47Z date 2021-04-06T01:06:16Z dc:format application/pdf; version=1.4 dcterms:created 2004-08-30T08:08:47Z dcterms:modified 2021-04-06T01:06:16Z meta:creation-date 2004-08-30T08:08:47Z meta:save-date 2021-04-06T01:06:16Z modified 2021-04-06T01:06:16Z pdf:PDFVersion 1.4 pdf:charsPerPage ['3299', '4897'] pdf:docinfo:created 2004-08-30T08:08:47Z pdf:docinfo:modified 2021-04-06T01:06:16Z pdf:docinfo:producer Apex PDFWriter pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['0', '0'] producer Apex PDFWriter resourceName b'work_6z57z7e2l5ayzmib67vv4ddere.pdf' xmpMM:DocumentID uuid:6b1681ea-1dd2-11b2-0a00-320927bd7200 xmpTPg:NPages 2 work_ib4rdxhlmzebfmtcojbi66vzee txt/../ent/work_ib4rdxhlmzebfmtcojbi66vzee.ent INFO Detecting media type for Filename: b'work_dtxomv26ajbjjdvhnwi5rdtkge.pdf' INFO rmeta/text (autodetecting type) INFO Detecting media type for Filename: b'work_cqpfpceinnaxjcsa4kgfbubrfe.pdf' INFO rmeta/text (autodetecting type) WARN No Unicode mapping for CID+39 (39) in font TimesNewRoman,Bold WARN No Unicode mapping for CID+44 (44) in font TimesNewRoman,Bold WARN No Unicode mapping for CID+55 (55) in font TimesNewRoman,Bold WARN No Unicode mapping for CID+50 (50) in font TimesNewRoman,Bold WARN No Unicode mapping for CID+53 (53) in font TimesNewRoman,Bold WARN No Unicode mapping for CID+36 (36) in font TimesNewRoman,Bold WARN No Unicode mapping for CID+47 (47) in font TimesNewRoman,Bold INFO Detecting media type for Filename: b'work_v4mj6zift5dg7on5n2atqes6ve.pdf' INFO rmeta/text (autodetecting type) INFO Detecting media type for Filename: b'work_iwxodlrvbjegvehziimm75fofy.pdf' INFO rmeta/text (autodetecting type) work_n2l3ffedhnc2pkzcw34llihdqi txt/../ent/work_n2l3ffedhnc2pkzcw34llihdqi.ent INFO Detecting media type for Filename: b'work_w7b7ykvomrbizhicuzzvwuc5si.pdf' INFO rmeta/text (autodetecting type) work_i3udw6wfhrgbvoe4xtapknhnge txt/../pos/work_i3udw6wfhrgbvoe4xtapknhnge.pos work_6gbywtxgtbatfaqnvshtpwbyve txt/../ent/work_6gbywtxgtbatfaqnvshtpwbyve.ent work_os7b5xzzijcohk4ar765rwgdqa txt/../wrd/work_os7b5xzzijcohk4ar765rwgdqa.wrd work_os7b5xzzijcohk4ar765rwgdqa txt/../pos/work_os7b5xzzijcohk4ar765rwgdqa.pos work_bxudptucfjdi7cvg4vctjdnmuq txt/../pos/work_bxudptucfjdi7cvg4vctjdnmuq.pos work_m4l7coqfy5evrp3dvr3i7awr34 txt/../ent/work_m4l7coqfy5evrp3dvr3i7awr34.ent work_bxudptucfjdi7cvg4vctjdnmuq txt/../wrd/work_bxudptucfjdi7cvg4vctjdnmuq.wrd === file2bib.sh === id: work_bhtvuqlpirh2dijvcd6jc4dzlq author: Christopher S. Wood title: 'Aby Warburg, Homo victor' [A translation (back into English, and with some revisions) of the article that appeared in French: 'Aby Warburg, Homo victor', in Cahiers du Musée national d'art moderne 118, 2011/12, 81-101] date: 2014 pages: 24 extension: .pdf txt: ./txt/work_bhtvuqlpirh2dijvcd6jc4dzlq.txt cache: ./cache/work_bhtvuqlpirh2dijvcd6jc4dzlq.pdf Author Preferred Customer Content-Type application/pdf Creation-Date 2014-11-11T11:23:54Z Last-Modified 2014-11-11T11:23:54Z Last-Save-Date 2014-11-11T11:23:54Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 111 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2014-11-11T11:23:54Z creator Preferred Customer date 2014-11-11T11:23:54Z dc:creator Preferred Customer dc:format application/pdf; version=1.5 dc:language en-GB dc:title Title dcterms:created 2014-11-11T11:23:54Z dcterms:modified 2014-11-11T11:23:54Z language en-GB meta:author Preferred Customer meta:creation-date 2014-11-11T11:23:54Z meta:save-date 2014-11-11T11:23:54Z modified 2014-11-11T11:23:54Z pdf:PDFVersion 1.5 pdf:charsPerPage ['2338', '2040', '1824', '3190', '2181', '3725', '3644', '3212', '3672', '3347', '3546', '3613', '3421', '3342', '3346', '1516', '1230', '3163', '3479', '1920', '3073', '3347', '3398', '3161'] pdf:docinfo:created 2014-11-11T11:23:54Z pdf:docinfo:creator Preferred Customer pdf:docinfo:creator_tool Microsoft® Office Word 2007 pdf:docinfo:modified 2014-11-11T11:23:54Z pdf:docinfo:producer Microsoft® Office Word 2007 pdf:docinfo:title Title pdf:encrypted false pdf:hasMarkedContent true pdf:hasXFA false pdf:hasXMP false pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0'] producer Microsoft® Office Word 2007 resourceName b'work_bhtvuqlpirh2dijvcd6jc4dzlq.pdf' title Title xmp:CreatorTool Microsoft® Office Word 2007 xmpTPg:NPages 24 work_g74m2o2prrc23gagfihi3yusfu txt/../ent/work_g74m2o2prrc23gagfihi3yusfu.ent work_iwxodlrvbjegvehziimm75fofy txt/../wrd/work_iwxodlrvbjegvehziimm75fofy.wrd === file2bib.sh === id: work_qioebu6z4vgynitaulujxlfvui author: D Wishart title: Convention cities: Seattle date: 1984 pages: extension: .pdf txt: ./txt/work_qioebu6z4vgynitaulujxlfvui.txt cache: ./cache/work_qioebu6z4vgynitaulujxlfvui.pdf Content-Type application/xml X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.xml.DcXMLParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 1 resourceName b'work_qioebu6z4vgynitaulujxlfvui.pdf' === file2bib.sh === id: work_hpvsn7fok5dj7hi4w4puweoecy author: V. 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Barbara Vrachnas & James Leveque title xmp:CreatorTool soffice xmpMM:DocumentID uuid:d281244d-a312-407f-864a-e9a64a8bb013 xmpMM:History:Action saved xmpMM:History:InstanceID xmp.iid:755A232C6548E3118342FB06DC397160 xmpMM:History:SoftwareAgent Adobe Bridge CS6 (Windows) xmpMM:History:When 2013-11-08T11:35:24Z xmpTPg:NPages 25 work_trwoaakoerd2fbrjccyp64slnq txt/../pos/work_trwoaakoerd2fbrjccyp64slnq.pos INFO Detecting media type for Filename: b'work_npormd7kbzcmxhkxpufdqjc2re.pdf' INFO rmeta/text (autodetecting type) WARN FeatureRecord array not alphabetically sorted by FeatureTag: init < isol work_ziw3hoz3pre47c6plwjzoryydy txt/../ent/work_ziw3hoz3pre47c6plwjzoryydy.ent work_trwoaakoerd2fbrjccyp64slnq txt/../wrd/work_trwoaakoerd2fbrjccyp64slnq.wrd INFO Detecting media type for Filename: b'work_3m3mvg6ysvehfp6pthlm2zo22e.pdf' INFO rmeta/text (autodetecting type) work_rpqybn5v55fwzea4i365uo5bmi txt/../pos/work_rpqybn5v55fwzea4i365uo5bmi.pos work_ry5mcwiveba6dgoasw46g6keb4 txt/../ent/work_ry5mcwiveba6dgoasw46g6keb4.ent work_fd3cvpjtmbg3diaabq64drrwoy txt/../ent/work_fd3cvpjtmbg3diaabq64drrwoy.ent work_2kycckjoyzb2tn45yazfmcvqte txt/../ent/work_2kycckjoyzb2tn45yazfmcvqte.ent work_mso2mklylrcy3alvqwwc7zxkvy txt/../wrd/work_mso2mklylrcy3alvqwwc7zxkvy.wrd === file2bib.sh === Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2895, in get_loc return self._engine.get_loc(casted_key) File "pandas/_libs/index.pyx", line 70, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/index.pyx", line 101, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/hashtable_class_helper.pxi", line 1675, in pandas._libs.hashtable.PyObjectHashTable.get_item File "pandas/_libs/hashtable_class_helper.pxi", line 1683, in pandas._libs.hashtable.PyObjectHashTable.get_item KeyError: 'work_3m3mvg6ysvehfp6pthlm2zo22e' The above exception was the direct cause of the following exception: Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/reader-compute/reader-classic/bin/file2bib.py", line 66, in if ( bibliographics.loc[ escape ,'author'] ) : author = bibliographics.loc[ escape,'author'] File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 873, in __getitem__ return self._getitem_tuple(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1044, in _getitem_tuple return self._getitem_lowerdim(tup) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 786, in _getitem_lowerdim section = self._getitem_axis(key, axis=i) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1110, in _getitem_axis return self._get_label(key, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1059, in _get_label return self.obj.xs(label, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/generic.py", line 3491, in xs loc = self.index.get_loc(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2897, in get_loc raise KeyError(key) from err KeyError: 'work_3m3mvg6ysvehfp6pthlm2zo22e' work_d5y4aqzokjcc3phil2x4tv2fo4 txt/../ent/work_d5y4aqzokjcc3phil2x4tv2fo4.ent work_mso2mklylrcy3alvqwwc7zxkvy txt/../pos/work_mso2mklylrcy3alvqwwc7zxkvy.pos work_do53ehbwtrcodc3ao4a2slg5fy txt/../pos/work_do53ehbwtrcodc3ao4a2slg5fy.pos work_do53ehbwtrcodc3ao4a2slg5fy txt/../wrd/work_do53ehbwtrcodc3ao4a2slg5fy.wrd work_7a6z7ddmirdpjjicsmrg7x7lx4 txt/../pos/work_7a6z7ddmirdpjjicsmrg7x7lx4.pos work_dmmntzn7bncphif652vin6trsy txt/../ent/work_dmmntzn7bncphif652vin6trsy.ent work_7a6z7ddmirdpjjicsmrg7x7lx4 txt/../wrd/work_7a6z7ddmirdpjjicsmrg7x7lx4.wrd === file2bib.sh === id: work_qxafti4gx5g7deirz6g5kel2ni author: Juan Francisco Reinoso-Gordo title: Digital Graphic Documentation and Architectural Heritage: Deformations in a 16th-Century Ceiling of the Pinelo Palace in Seville (Spain) date: 2021 pages: 17 extension: .pdf txt: ./txt/work_qxafti4gx5g7deirz6g5kel2ni.txt cache: ./cache/work_qxafti4gx5g7deirz6g5kel2ni.pdf Author Juan Francisco Reinoso-Gordo, Antonio Gámiz-Gordo and Pedro Barrero-Ortega Content-Type application/pdf Creation-Date 2021-02-25T07:38:55Z Keywords ceiling; 16th century; Pinelo; palace; Seville; deformation; scanner; photogrammetry Last-Modified 2021-02-25T07:52:38Z Last-Save-Date 2021-02-25T07:52:38Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 159 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true cp:subject Suitable graphic documentation is essential to ascertain and conserve architectural heritage. For the first time, accurate digital images are provided of a 16th-century wooden ceiling, composed of geometric interlacing patterns, in the Pinelo Palace in Seville. Today, this ceiling suffers from significant deformation. Although there are many publications on the digital documentation of architectural heritage, no graphic studies on this type of deformed ceilings have been presented. This study starts by providing data on the palace history concerning the design of geometric interlacing patterns in carpentry according to the 1633 book by López de Arenas, and on the ceiling consolidation in the 20th century. Images were then obtained using two complementary procedures: from a 3D laser scanner, which offers metric data on deformations; and from photogrammetry, which facilitates the visualisation of details. In this way, this type of heritage is documented in an innovative graphic approach, which is essential for its conservation and/or restoration with scientific foundations and also to disseminate a reliable digital image of the most beautiful ceiling of this Renaissance palace in southern Europe. created 2021-02-25T07:38:55Z creator Juan Francisco Reinoso-Gordo, Antonio Gámiz-Gordo and Pedro Barrero-Ortega date 2021-02-25T07:52:38Z dc:creator Juan Francisco Reinoso-Gordo, Antonio Gámiz-Gordo and Pedro Barrero-Ortega dc:format application/pdf; version=1.7 dc:subject ceiling; 16th century; Pinelo; palace; Seville; deformation; scanner; photogrammetry dc:title Digital Graphic Documentation and Architectural Heritage: Deformations in a 16th-Century Ceiling of the Pinelo Palace in Seville (Spain) dcterms:created 2021-02-25T07:38:55Z dcterms:modified 2021-02-25T07:52:38Z meta:author Juan Francisco Reinoso-Gordo, Antonio Gámiz-Gordo and Pedro Barrero-Ortega meta:creation-date 2021-02-25T07:38:55Z meta:keyword ceiling; 16th century; Pinelo; palace; Seville; deformation; scanner; photogrammetry meta:save-date 2021-02-25T07:52:38Z modified 2021-02-25T07:52:38Z pdf:PDFVersion 1.7 pdf:charsPerPage ['3896', '5537', '4325', '3543', '7228', '4150', '6216', '4314', '5619', '5409', '3339', '4339', '4157', '1910', '3632', '5148', '1468'] pdf:docinfo:created 2021-02-25T07:38:55Z pdf:docinfo:creator Juan Francisco Reinoso-Gordo, Antonio Gámiz-Gordo and Pedro Barrero-Ortega pdf:docinfo:creator_tool LaTeX with hyperref pdf:docinfo:keywords ceiling; 16th century; Pinelo; palace; Seville; deformation; scanner; photogrammetry pdf:docinfo:modified 2021-02-25T07:52:38Z pdf:docinfo:producer pdfTeX-1.40.21 pdf:docinfo:subject Suitable graphic documentation is essential to ascertain and conserve architectural heritage. For the first time, accurate digital images are provided of a 16th-century wooden ceiling, composed of geometric interlacing patterns, in the Pinelo Palace in Seville. Today, this ceiling suffers from significant deformation. Although there are many publications on the digital documentation of architectural heritage, no graphic studies on this type of deformed ceilings have been presented. This study starts by providing data on the palace history concerning the design of geometric interlacing patterns in carpentry according to the 1633 book by López de Arenas, and on the ceiling consolidation in the 20th century. Images were then obtained using two complementary procedures: from a 3D laser scanner, which offers metric data on deformations; and from photogrammetry, which facilitates the visualisation of details. In this way, this type of heritage is documented in an innovative graphic approach, which is essential for its conservation and/or restoration with scientific foundations and also to disseminate a reliable digital image of the most beautiful ceiling of this Renaissance palace in southern Europe. pdf:docinfo:title Digital Graphic Documentation and Architectural Heritage: Deformations in a 16th-Century Ceiling of the Pinelo Palace in Seville (Spain) pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP false pdf:unmappedUnicodeCharsPerPage ['17', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '9', '3', '0', '0', '0', '0'] producer pdfTeX-1.40.21 resourceName b'work_qxafti4gx5g7deirz6g5kel2ni.pdf' subject Suitable graphic documentation is essential to ascertain and conserve architectural heritage. For the first time, accurate digital images are provided of a 16th-century wooden ceiling, composed of geometric interlacing patterns, in the Pinelo Palace in Seville. Today, this ceiling suffers from significant deformation. Although there are many publications on the digital documentation of architectural heritage, no graphic studies on this type of deformed ceilings have been presented. This study starts by providing data on the palace history concerning the design of geometric interlacing patterns in carpentry according to the 1633 book by López de Arenas, and on the ceiling consolidation in the 20th century. Images were then obtained using two complementary procedures: from a 3D laser scanner, which offers metric data on deformations; and from photogrammetry, which facilitates the visualisation of details. In this way, this type of heritage is documented in an innovative graphic approach, which is essential for its conservation and/or restoration with scientific foundations and also to disseminate a reliable digital image of the most beautiful ceiling of this Renaissance palace in southern Europe. title Digital Graphic Documentation and Architectural Heritage: Deformations in a 16th-Century Ceiling of the Pinelo Palace in Seville (Spain) xmp:CreatorTool LaTeX with hyperref xmpTPg:NPages 17 INFO Detecting media type for Filename: b'work_igeachsmibcsnje2ktd7bswoci.pdf' INFO rmeta/text (autodetecting type) WARN No Unicode mapping for C211 (2) in font AdvPSSym WARN No Unicode mapping for C1 (2) in font AdvP4C4E74 work_qfhaojdj45aa5k5qd73czm76am txt/../wrd/work_qfhaojdj45aa5k5qd73czm76am.wrd === file2bib.sh === id: work_lxsnmjwgzjgtxhxat4rgp7jpua author: Sinan Caya title: Evolution of "State Ruling" date: 2015 pages: 9 extension: .pdf txt: ./txt/work_lxsnmjwgzjgtxhxat4rgp7jpua.txt cache: ./cache/work_lxsnmjwgzjgtxhxat4rgp7jpua.pdf Author Sinan Caya Content-Type application/pdf Creation-Date 2015-06-04T18:56:09Z CrossMarkDomains[1] sciencedirect.com CrossMarkDomains[2] elsevier.com CrossmarkDomainExclusive true CrossmarkMajorVersionDate 2010-04-23 ElsevierWebPDFSpecifications 6.4 Last-Modified 2015-06-04T19:22:51Z Last-Save-Date 2015-06-04T19:22:51Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 40 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true cp:subject Procedia - Social and Behavioral Sciences, 190 (2015) 314-322. doi:10.1016/j.sbspro.2015.05.005 created 2015-06-04T18:56:09Z creator Sinan Caya date 2015-06-04T19:22:51Z dc:creator Sinan Caya dc:description Procedia - Social and Behavioral Sciences, 190 (2015) 314-322. doi:10.1016/j.sbspro.2015.05.005 dc:format application/pdf; 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Carnegie Mellon University, on 06 Apr 2021 at 01:06:10, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. meta:save-date 2021-04-06T01:06:10Z modified 2021-04-06T01:06:10Z pdf:PDFVersion 1.3 pdf:charsPerPage ['4039', '3910'] pdf:docinfo:modified 2021-04-06T01:06:10Z pdf:docinfo:producer Carnegie Mellon University pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['0', '0'] producer Carnegie Mellon University resourceName b'work_ftjj7sec7bhhbos7apltyvvtui.pdf' xmpTPg:NPages 2 INFO Detecting media type for Filename: b'work_utka6uyabvh5bfb5nf4p7yixia.pdf' INFO rmeta/text (autodetecting type) work_j4by5m2dlrdufe7zxvdyra3gs4 txt/../ent/work_j4by5m2dlrdufe7zxvdyra3gs4.ent === file2bib.sh === Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2895, in get_loc return self._engine.get_loc(casted_key) File "pandas/_libs/index.pyx", line 70, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/index.pyx", line 101, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/hashtable_class_helper.pxi", line 1675, in pandas._libs.hashtable.PyObjectHashTable.get_item File "pandas/_libs/hashtable_class_helper.pxi", line 1683, in pandas._libs.hashtable.PyObjectHashTable.get_item KeyError: 'work_utka6uyabvh5bfb5nf4p7yixia' The above exception was the direct cause of the following exception: Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/reader-compute/reader-classic/bin/file2bib.py", line 66, in if ( bibliographics.loc[ escape ,'author'] ) : author = bibliographics.loc[ escape,'author'] File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 873, in __getitem__ return self._getitem_tuple(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1044, in _getitem_tuple return self._getitem_lowerdim(tup) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 786, in _getitem_lowerdim section = self._getitem_axis(key, axis=i) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1110, in _getitem_axis return self._get_label(key, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1059, in _get_label return self.obj.xs(label, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/generic.py", line 3491, in xs loc = self.index.get_loc(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2897, in get_loc raise KeyError(key) from err KeyError: 'work_utka6uyabvh5bfb5nf4p7yixia' === file2bib.sh === id: work_km2th7e2irc4lnwpymp4sg4tc4 author: John K. Delaney title: Application of Visible and Infrared Imaging Spectroscopy To The Study of Paintings date: 2014 pages: 2 extension: .pdf txt: ./txt/work_km2th7e2irc4lnwpymp4sg4tc4.txt cache: ./cache/work_km2th7e2irc4lnwpymp4sg4tc4.pdf Appligent StampPDF Batch 4.5.1 Nov 16 2007 Author Vineet Singh Content-Type application/pdf Creation-Date 2014-07-21T04:31:49Z Last-Modified 2021-04-06T01:06:15Z Last-Save-Date 2021-04-06T01:06:15Z SPDF 1122.1 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 24 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2014-07-21T04:31:49Z creator Vineet Singh date 2021-04-06T01:06:15Z dc:creator Vineet Singh dc:description Downloaded from https://www.cambridge.org/core. Carnegie Mellon University, on 06 Apr 2021 at 01:06:15, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. dc:format application/pdf; version=1.5 dc:language en-US dc:title R-001186_JKDelaney_session1_P08_formatted dcterms:created 2014-07-21T04:31:49Z dcterms:modified 2021-04-06T01:06:15Z description Downloaded from https://www.cambridge.org/core. Carnegie Mellon University, on 06 Apr 2021 at 01:06:15, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. language en-US meta:author Vineet Singh meta:creation-date 2014-07-21T04:31:49Z meta:save-date 2021-04-06T01:06:15Z modified 2021-04-06T01:06:15Z pdf:PDFVersion 1.5 pdf:charsPerPage ['3943', '2107'] pdf:docinfo:created 2014-07-21T04:31:49Z pdf:docinfo:creator Vineet Singh pdf:docinfo:creator_tool Appligent StampPDF Batch 4.5.1 pdf:docinfo:custom:Appligent StampPDF Batch 4.5.1 Nov 16 2007 pdf:docinfo:custom:SPDF 1122.1 pdf:docinfo:modified 2021-04-06T01:06:15Z pdf:docinfo:producer Carnegie Mellon University pdf:docinfo:title R-001186_JKDelaney_session1_P08_formatted pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['0', '0'] producer Carnegie Mellon University resourceName b'work_km2th7e2irc4lnwpymp4sg4tc4.pdf' title R-001186_JKDelaney_session1_P08_formatted xmp:CreatorTool Appligent StampPDF Batch 4.5.1 xmpTPg:NPages 2 work_33acxxkmznfkbgw4vudbsvznse txt/../ent/work_33acxxkmznfkbgw4vudbsvznse.ent INFO Detecting media type for Filename: b'work_ntn6bge3mrf4rkk2dgjgre5wz4.pdf' INFO rmeta/text (autodetecting type) work_oiuwmjfrgbcrlg3uj3oz7yziqm txt/../pos/work_oiuwmjfrgbcrlg3uj3oz7yziqm.pos INFO Detecting media type for Filename: b'work_b3zrqbir5rge5gyiarr7nwgooq.pdf' INFO rmeta/text (autodetecting type) WARN Using fallback font 'LiberationSans' for 'TimesNewRomanPSMT' WARN Using fallback font 'LiberationSans' for 'TimesNewRomanPS-ItalicMT' INFO Detecting media type for Filename: b'work_gwalsihpxbgzhcka34l4iovedy.pdf' INFO rmeta/text (autodetecting type) work_qxafti4gx5g7deirz6g5kel2ni txt/../pos/work_qxafti4gx5g7deirz6g5kel2ni.pos work_qxafti4gx5g7deirz6g5kel2ni txt/../wrd/work_qxafti4gx5g7deirz6g5kel2ni.wrd === file2bib.sh === Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2895, in get_loc return self._engine.get_loc(casted_key) File "pandas/_libs/index.pyx", line 70, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/index.pyx", line 101, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/hashtable_class_helper.pxi", line 1675, in pandas._libs.hashtable.PyObjectHashTable.get_item File "pandas/_libs/hashtable_class_helper.pxi", line 1683, in pandas._libs.hashtable.PyObjectHashTable.get_item KeyError: 'work_gwalsihpxbgzhcka34l4iovedy' The above exception was the direct cause of the following exception: Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/reader-compute/reader-classic/bin/file2bib.py", line 66, in if ( bibliographics.loc[ escape ,'author'] ) : author = bibliographics.loc[ escape,'author'] File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 873, in __getitem__ return self._getitem_tuple(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1044, in _getitem_tuple return self._getitem_lowerdim(tup) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 786, in _getitem_lowerdim section = self._getitem_axis(key, axis=i) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1110, in _getitem_axis return self._get_label(key, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1059, in _get_label return self.obj.xs(label, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/generic.py", line 3491, in xs loc = self.index.get_loc(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2897, in get_loc raise KeyError(key) from err KeyError: 'work_gwalsihpxbgzhcka34l4iovedy' INFO Detecting media type for Filename: b'work_ajbmzakuzvaqrcjumpuvvcg5f4.pdf' INFO rmeta/text (autodetecting type) work_2qnly4fkejbtrgzmorqaqn2ray txt/../wrd/work_2qnly4fkejbtrgzmorqaqn2ray.wrd INFO Detecting media type for Filename: b'work_g3hwc2avtbgdhjlmfx2rxhevee.pdf' INFO rmeta/text (autodetecting type) work_2qnly4fkejbtrgzmorqaqn2ray txt/../pos/work_2qnly4fkejbtrgzmorqaqn2ray.pos work_53ui56gfifgbno25w6dnpdylrm txt/../ent/work_53ui56gfifgbno25w6dnpdylrm.ent === file2bib.sh === id: work_n2rggds445cs3hi4lowp2n7tte author: Jeffrey Mifflin title: Albrecht Dürer: Documentary Biography date: 2019 pages: 5 extension: .pdf txt: ./txt/work_n2rggds445cs3hi4lowp2n7tte.txt cache: ./cache/work_n2rggds445cs3hi4lowp2n7tte.pdf Content-Type application/pdf Creation-Date 2019-06-17T15:49:59Z Last-Modified 2021-04-06T01:06:17Z Last-Save-Date 2021-04-06T01:06:17Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 25 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2019-06-17T15:49:59Z date 2021-04-06T01:06:17Z dc:format application/pdf; version=1.6 dc:language en-US dcterms:created 2019-06-17T15:49:59Z dcterms:modified 2021-04-06T01:06:17Z language en-US meta:creation-date 2019-06-17T15:49:59Z meta:save-date 2021-04-06T01:06:17Z modified 2021-04-06T01:06:17Z pdf:PDFVersion 1.6 pdf:charsPerPage ['3110', '3395', '3459', '4090', '3082'] pdf:docinfo:created 2019-06-17T15:49:59Z pdf:docinfo:creator_tool Adobe InDesign CC 2017 (Macintosh) pdf:docinfo:modified 2021-04-06T01:06:17Z pdf:docinfo:producer Adobe PDF Library 15.0; modified using iTextSharp 4.1.6 by 1T3XT pdf:docinfo:trapped False pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0', '0'] producer Adobe PDF Library 15.0; modified using iTextSharp 4.1.6 by 1T3XT resourceName b'work_n2rggds445cs3hi4lowp2n7tte.pdf' trapped False xmp:CreatorTool Adobe InDesign CC 2017 (Macintosh) xmpMM:DerivedFrom:DocumentID xmp.did:6d7176a8-306b-4eb1-9fb8-2f5297ecc94d xmpMM:DerivedFrom:InstanceID xmp.iid:bd473eed-2332-4c9d-b657-c606f9af6dc7 xmpMM:DocumentID xmp.id:1acafcc8-1e15-4966-b307-9895fe421977 xmpTPg:NPages 5 work_c4asicxnznajxesvk5bugp6h7m txt/../wrd/work_c4asicxnznajxesvk5bugp6h7m.wrd === file2bib.sh === id: work_h7gtylpmpfdfnmlpci7nonaiuq author: Michael J. B. Allen title: The Intellectual World of the Italian Renaissance: Language, Philosophy, and the Search for Meaning. Christopher S. Celenza. Cambridge: Cambridge University Press, 2017. xvi + 438 pp. $120 date: 2019 pages: 3 extension: .pdf txt: ./txt/work_h7gtylpmpfdfnmlpci7nonaiuq.txt cache: ./cache/work_h7gtylpmpfdfnmlpci7nonaiuq.pdf Content-Encoding ISO-8859-1 Content-Length -1 Content-Type ['application/pdf', 'text/plain; charset=ISO-8859-1'] Creation-Date 2019-09-24T04:43:47Z Last-Modified 2021-04-06T01:06:06Z Last-Save-Date 2021-04-06T01:06:06Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser', ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser']] X-TIKA:content_handler ['ToTextContentHandler', 'ToTextContentHandler'] X-TIKA:embedded_depth ['0', '1'] X-TIKA:embedded_resource_path /CUP_Press_v4_d7.joboptions X-TIKA:origResourceName CUP_Press_v4_d7.joboptions X-TIKA:parse_time_millis ['17', '2'] access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2019-09-24T04:43:47Z date 2021-04-06T01:06:06Z dc:description Downloaded from https://www.cambridge.org/core. 06 Apr 2021 at 01:06:06, subject to the Cambridge Core terms of use. dc:format application/pdf; version=1.3 dc:title RQX_72_3_bookreviews 1008..1010 dcterms:created 2019-09-24T04:43:47Z dcterms:modified 2021-04-06T01:06:06Z description Downloaded from https://www.cambridge.org/core. 06 Apr 2021 at 01:06:06, subject to the Cambridge Core terms of use. embeddedResourceType ATTACHMENT meta:creation-date 2019-09-24T04:43:47Z meta:save-date 2021-04-06T01:06:06Z modified 2021-04-06T01:06:06Z pdf:PDFVersion 1.3 pdf:charsPerPage ['2684', '3063', '2583'] pdf:docinfo:created 2019-09-24T04:43:47Z pdf:docinfo:creator_tool Arbortext Advanced Print Publisher 10.0.1465/W Unicode pdf:docinfo:modified 2021-04-06T01:06:06Z pdf:docinfo:producer Acrobat Distiller 7.0.5 (Windows) pdf:docinfo:title RQX_72_3_bookreviews 1008..1010 pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['0', '0', '0'] producer Acrobat Distiller 7.0.5 (Windows) resourceName ["b'work_h7gtylpmpfdfnmlpci7nonaiuq.pdf'", 'CUP_Press_v4_d7.joboptions'] title RQX_72_3_bookreviews 1008..1010 xmp:CreatorTool Arbortext Advanced Print Publisher 10.0.1465/W Unicode xmpMM:DocumentID uuid:1ed2af3c-e07b-4e18-a605-64642359854d xmpTPg:NPages 3 work_ols2ay4xmza6bpkgbiosmxtua4 txt/../wrd/work_ols2ay4xmza6bpkgbiosmxtua4.wrd work_dbllj5j3lvguri2ppeiimlqc4e txt/../pos/work_dbllj5j3lvguri2ppeiimlqc4e.pos INFO Detecting media type for Filename: b'work_nggycmuqmbhlbhprs5axbkyp44.pdf' INFO rmeta/text (autodetecting type) work_c4asicxnznajxesvk5bugp6h7m txt/../pos/work_c4asicxnznajxesvk5bugp6h7m.pos work_rfc5tg5yrzbm5p7ukt5qsf7azm txt/../pos/work_rfc5tg5yrzbm5p7ukt5qsf7azm.pos work_rfc5tg5yrzbm5p7ukt5qsf7azm txt/../wrd/work_rfc5tg5yrzbm5p7ukt5qsf7azm.wrd work_ols2ay4xmza6bpkgbiosmxtua4 txt/../pos/work_ols2ay4xmza6bpkgbiosmxtua4.pos work_dbllj5j3lvguri2ppeiimlqc4e txt/../wrd/work_dbllj5j3lvguri2ppeiimlqc4e.wrd work_tt2jcy5q7bds7h6treilo4u6zy txt/../ent/work_tt2jcy5q7bds7h6treilo4u6zy.ent work_6kcmqr3er5f3jbrfbbcp2abkt4 txt/../wrd/work_6kcmqr3er5f3jbrfbbcp2abkt4.wrd work_6kcmqr3er5f3jbrfbbcp2abkt4 txt/../pos/work_6kcmqr3er5f3jbrfbbcp2abkt4.pos === file2bib.sh === id: work_npormd7kbzcmxhkxpufdqjc2re author: C. Pisu title: CLOUD GIS AND 3D MODELLING TO ENHANCE SARDINIAN LATE GOTHIC ARCHITECTURAL HERITAGE date: 2013 pages: 6 extension: .pdf txt: ./txt/work_npormd7kbzcmxhkxpufdqjc2re.txt cache: ./cache/work_npormd7kbzcmxhkxpufdqjc2re.pdf Content-Type application/pdf Creation-Date 2013-07-10T07:54:20Z Last-Modified 2013-07-18T12:37:09Z Last-Save-Date 2013-07-18T12:37:09Z PTEX.Fullbanner This is pdfTeX, Version 3.141592-1.40.3-2.2 (Web2C 7.5.6) kpathsea version 3.5.6 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 54 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2013-07-10T07:54:20Z date 2013-07-18T12:37:09Z dc:format application/pdf; 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8 8', '8 8 8 8', '8 8 8 8', '8 8 8 8', '8 8 8 8', '8 8 8 8', '8 8 8 8', '8 8 8 8'] Data PlanarConfiguration ['PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved', 'PixelInterleaved'] Data SampleFormat ['UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral', 'UnsignedIntegral'] Dimension ImageOrientation ['Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal', 'Normal'] Dimension PixelAspectRatio ['1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0', '1.0'] IHDR ['width=1, height=1, bitDepth=8, colorType=RGBAlpha, compressionMethod=deflate, filterMethod=adaptive, interlaceMethod=none', 'width=1, height=1, bitDepth=8, colorType=RGBAlpha, compressionMethod=deflate, filterMethod=adaptive, interlaceMethod=none', 'width=1, height=1, bitDepth=8, colorType=RGBAlpha, compressionMethod=deflate, filterMethod=adaptive, interlaceMethod=none', 'width=1, height=1, bitDepth=8, colorType=RGBAlpha, compressionMethod=deflate, filterMethod=adaptive, interlaceMethod=none', 'width=1, height=1, bitDepth=8, colorType=RGBAlpha, compressionMethod=deflate, filterMethod=adaptive, interlaceMethod=none', 'width=1, height=1, bitDepth=8, colorType=RGBAlpha, compressionMethod=deflate, filterMethod=adaptive, interlaceMethod=none', 'width=1, height=1, bitDepth=8, colorType=RGBAlpha, compressionMethod=deflate, filterMethod=adaptive, interlaceMethod=none', 'width=1, height=1, bitDepth=8, colorType=RGBAlpha, compressionMethod=deflate, filterMethod=adaptive, interlaceMethod=none', 'width=1, height=1, bitDepth=8, colorType=RGBAlpha, compressionMethod=deflate, filterMethod=adaptive, interlaceMethod=none', 'width=1, height=1, bitDepth=8, colorType=RGBAlpha, compressionMethod=deflate, filterMethod=adaptive, interlaceMethod=none', 'width=1, height=1, bitDepth=8, colorType=RGBAlpha, compressionMethod=deflate, filterMethod=adaptive, interlaceMethod=none', 'width=1, height=1, bitDepth=8, colorType=RGBAlpha, compressionMethod=deflate, filterMethod=adaptive, interlaceMethod=none', 'width=1, height=1, bitDepth=8, colorType=RGBAlpha, compressionMethod=deflate, filterMethod=adaptive, interlaceMethod=none', 'width=1, height=1, bitDepth=8, colorType=RGBAlpha, compressionMethod=deflate, filterMethod=adaptive, interlaceMethod=none', 'width=1, height=1, bitDepth=8, colorType=RGBAlpha, compressionMethod=deflate, filterMethod=adaptive, interlaceMethod=none', 'width=1, height=1, bitDepth=8, colorType=RGBAlpha, compressionMethod=deflate, filterMethod=adaptive, interlaceMethod=none', 'width=1, height=1, bitDepth=8, colorType=RGBAlpha, compressionMethod=deflate, filterMethod=adaptive, interlaceMethod=none', 'width=1, height=1, bitDepth=8, colorType=RGBAlpha, compressionMethod=deflate, filterMethod=adaptive, interlaceMethod=none', 'width=1, height=1, bitDepth=8, colorType=RGBAlpha, compressionMethod=deflate, filterMethod=adaptive, interlaceMethod=none', 'width=1, height=1, bitDepth=8, colorType=RGBAlpha, compressionMethod=deflate, filterMethod=adaptive, interlaceMethod=none', 'width=1, height=1, bitDepth=8, colorType=RGBAlpha, compressionMethod=deflate, filterMethod=adaptive, interlaceMethod=none', 'width=1, height=1, bitDepth=8, colorType=RGBAlpha, compressionMethod=deflate, filterMethod=adaptive, interlaceMethod=none', 'width=1, height=1, bitDepth=8, colorType=RGBAlpha, compressionMethod=deflate, filterMethod=adaptive, interlaceMethod=none', 'width=1, height=1, bitDepth=8, colorType=RGBAlpha, compressionMethod=deflate, filterMethod=adaptive, interlaceMethod=none', 'width=1, height=1, bitDepth=8, colorType=RGBAlpha, compressionMethod=deflate, filterMethod=adaptive, interlaceMethod=none', 'width=1, height=1, bitDepth=8, colorType=RGBAlpha, compressionMethod=deflate, filterMethod=adaptive, interlaceMethod=none', 'width=1, height=1, bitDepth=8, colorType=RGBAlpha, compressionMethod=deflate, filterMethod=adaptive, interlaceMethod=none', 'width=1, height=1, bitDepth=8, colorType=RGBAlpha, compressionMethod=deflate, filterMethod=adaptive, interlaceMethod=none', 'width=1, height=1, bitDepth=8, colorType=RGBAlpha, compressionMethod=deflate, filterMethod=adaptive, interlaceMethod=none', 'width=1, height=1, bitDepth=8, colorType=RGBAlpha, compressionMethod=deflate, filterMethod=adaptive, interlaceMethod=none', 'width=1, height=1, bitDepth=8, colorType=RGBAlpha, compressionMethod=deflate, filterMethod=adaptive, interlaceMethod=none', 'width=1, height=1, bitDepth=8, colorType=RGBAlpha, compressionMethod=deflate, filterMethod=adaptive, interlaceMethod=none', 'width=1, height=1, bitDepth=8, colorType=RGBAlpha, compressionMethod=deflate, filterMethod=adaptive, interlaceMethod=none', 'width=1, height=1, bitDepth=8, colorType=RGBAlpha, compressionMethod=deflate, filterMethod=adaptive, interlaceMethod=none', 'width=1, height=1, bitDepth=8, colorType=RGBAlpha, compressionMethod=deflate, filterMethod=adaptive, interlaceMethod=none', 'width=1, height=1, bitDepth=8, colorType=RGBAlpha, compressionMethod=deflate, filterMethod=adaptive, interlaceMethod=none', 'width=1, height=1, bitDepth=8, colorType=RGBAlpha, compressionMethod=deflate, filterMethod=adaptive, interlaceMethod=none', 'width=1, height=1, bitDepth=8, colorType=RGBAlpha, compressionMethod=deflate, filterMethod=adaptive, interlaceMethod=none', 'width=1, height=1, bitDepth=8, colorType=RGBAlpha, compressionMethod=deflate, filterMethod=adaptive, interlaceMethod=none', 'width=1, height=1, bitDepth=8, colorType=RGBAlpha, compressionMethod=deflate, filterMethod=adaptive, interlaceMethod=none', 'width=1, height=1, bitDepth=8, colorType=RGBAlpha, compressionMethod=deflate, filterMethod=adaptive, interlaceMethod=none', 'width=1, height=1, bitDepth=8, colorType=RGBAlpha, compressionMethod=deflate, filterMethod=adaptive, interlaceMethod=none', 'width=1, height=1, bitDepth=8, colorType=RGBAlpha, compressionMethod=deflate, filterMethod=adaptive, interlaceMethod=none', 'width=1, height=1, bitDepth=8, colorType=RGBAlpha, compressionMethod=deflate, filterMethod=adaptive, interlaceMethod=none', 'width=1, height=1, bitDepth=8, colorType=RGBAlpha, compressionMethod=deflate, filterMethod=adaptive, interlaceMethod=none', 'width=1, height=1, bitDepth=8, colorType=RGBAlpha, compressionMethod=deflate, filterMethod=adaptive, interlaceMethod=none', 'width=1, height=1, bitDepth=8, colorType=RGBAlpha, compressionMethod=deflate, filterMethod=adaptive, interlaceMethod=none', 'width=1, height=1, bitDepth=8, colorType=RGBAlpha, compressionMethod=deflate, filterMethod=adaptive, interlaceMethod=none', 'width=1, height=1, bitDepth=8, colorType=RGBAlpha, compressionMethod=deflate, filterMethod=adaptive, interlaceMethod=none', 'width=1, height=1, bitDepth=8, colorType=RGBAlpha, compressionMethod=deflate, filterMethod=adaptive, interlaceMethod=none', 'width=1, height=1, bitDepth=8, colorType=RGBAlpha, compressionMethod=deflate, filterMethod=adaptive, interlaceMethod=none', 'width=1, height=1, bitDepth=8, colorType=RGBAlpha, compressionMethod=deflate, filterMethod=adaptive, interlaceMethod=none', 'width=1, height=1, bitDepth=8, colorType=RGBAlpha, compressionMethod=deflate, filterMethod=adaptive, interlaceMethod=none', 'width=1, height=1, bitDepth=8, colorType=RGBAlpha, compressionMethod=deflate, filterMethod=adaptive, interlaceMethod=none', 'width=1, height=1, bitDepth=8, colorType=RGBAlpha, compressionMethod=deflate, filterMethod=adaptive, interlaceMethod=none', 'width=1, height=1, bitDepth=8, colorType=RGBAlpha, compressionMethod=deflate, filterMethod=adaptive, interlaceMethod=none', 'width=1, height=1, bitDepth=8, colorType=RGBAlpha, compressionMethod=deflate, filterMethod=adaptive, interlaceMethod=none', 'width=1, height=1, bitDepth=8, colorType=RGBAlpha, compressionMethod=deflate, filterMethod=adaptive, interlaceMethod=none', 'width=1, height=1, bitDepth=8, colorType=RGBAlpha, compressionMethod=deflate, filterMethod=adaptive, interlaceMethod=none', 'width=1, height=1, bitDepth=8, colorType=RGBAlpha, compressionMethod=deflate, filterMethod=adaptive, interlaceMethod=none', 'width=1, height=1, bitDepth=8, colorType=RGBAlpha, compressionMethod=deflate, filterMethod=adaptive, interlaceMethod=none', 'width=1, height=1, bitDepth=8, colorType=RGBAlpha, compressionMethod=deflate, filterMethod=adaptive, interlaceMethod=none', 'width=1, height=1, bitDepth=8, colorType=RGBAlpha, compressionMethod=deflate, filterMethod=adaptive, interlaceMethod=none', 'width=1, height=1, bitDepth=8, colorType=RGBAlpha, compressionMethod=deflate, filterMethod=adaptive, interlaceMethod=none', 'width=1, height=1, bitDepth=8, colorType=RGBAlpha, compressionMethod=deflate, filterMethod=adaptive, interlaceMethod=none', 'width=1, height=1, bitDepth=8, colorType=RGBAlpha, compressionMethod=deflate, filterMethod=adaptive, interlaceMethod=none', 'width=1, height=1, bitDepth=8, colorType=RGBAlpha, compressionMethod=deflate, filterMethod=adaptive, interlaceMethod=none', 'width=1, height=1, bitDepth=8, colorType=RGBAlpha, compressionMethod=deflate, filterMethod=adaptive, interlaceMethod=none', 'width=1, height=1, bitDepth=8, colorType=RGBAlpha, compressionMethod=deflate, filterMethod=adaptive, interlaceMethod=none', 'width=1, height=1, bitDepth=8, colorType=RGBAlpha, compressionMethod=deflate, filterMethod=adaptive, interlaceMethod=none', 'width=1, height=1, bitDepth=8, colorType=RGBAlpha, compressionMethod=deflate, filterMethod=adaptive, interlaceMethod=none', 'width=1, height=1, bitDepth=8, colorType=RGBAlpha, compressionMethod=deflate, filterMethod=adaptive, interlaceMethod=none', 'width=1, height=1, bitDepth=8, colorType=RGBAlpha, compressionMethod=deflate, filterMethod=adaptive, interlaceMethod=none', 'width=1, height=1, bitDepth=8, colorType=RGBAlpha, compressionMethod=deflate, filterMethod=adaptive, interlaceMethod=none', 'width=1, height=1, bitDepth=8, colorType=RGBAlpha, compressionMethod=deflate, filterMethod=adaptive, interlaceMethod=none', 'width=1, height=1, bitDepth=8, colorType=RGBAlpha, compressionMethod=deflate, filterMethod=adaptive, interlaceMethod=none', 'width=1, height=1, bitDepth=8, colorType=RGBAlpha, compressionMethod=deflate, filterMethod=adaptive, interlaceMethod=none', 'width=1, height=1, bitDepth=8, colorType=RGBAlpha, compressionMethod=deflate, filterMethod=adaptive, interlaceMethod=none', 'width=1, height=1, bitDepth=8, colorType=RGBAlpha, compressionMethod=deflate, filterMethod=adaptive, interlaceMethod=none', 'width=1, height=1, bitDepth=8, colorType=RGBAlpha, compressionMethod=deflate, filterMethod=adaptive, interlaceMethod=none', 'width=1, height=1, bitDepth=8, colorType=RGBAlpha, compressionMethod=deflate, filterMethod=adaptive, interlaceMethod=none', 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txt/../ent/work_rfc5tg5yrzbm5p7ukt5qsf7azm.ent work_jirzlkcuwfadfpag73tdsojqxe txt/../pos/work_jirzlkcuwfadfpag73tdsojqxe.pos work_gbma37pz4ndptjduyabnecbwua txt/../pos/work_gbma37pz4ndptjduyabnecbwua.pos work_jirzlkcuwfadfpag73tdsojqxe txt/../wrd/work_jirzlkcuwfadfpag73tdsojqxe.wrd work_qxafti4gx5g7deirz6g5kel2ni txt/../ent/work_qxafti4gx5g7deirz6g5kel2ni.ent work_ftqims6p5vectppgruh3db4hx4 txt/../wrd/work_ftqims6p5vectppgruh3db4hx4.wrd work_2qnly4fkejbtrgzmorqaqn2ray txt/../ent/work_2qnly4fkejbtrgzmorqaqn2ray.ent work_ftqims6p5vectppgruh3db4hx4 txt/../pos/work_ftqims6p5vectppgruh3db4hx4.pos INFO Detecting media type for Filename: b'work_ivrfypjtmzgita6ooxkobsubqu.pdf' INFO rmeta/text (autodetecting type) INFO Detecting media type for Filename: b'work_ybfzgl3vizc4dastvnnfkr77c4.pdf' INFO rmeta/text (autodetecting type) === file2bib.sh === Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2895, in get_loc return self._engine.get_loc(casted_key) File "pandas/_libs/index.pyx", line 70, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/index.pyx", line 101, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/hashtable_class_helper.pxi", line 1675, in pandas._libs.hashtable.PyObjectHashTable.get_item File "pandas/_libs/hashtable_class_helper.pxi", line 1683, in pandas._libs.hashtable.PyObjectHashTable.get_item KeyError: 'work_ivrfypjtmzgita6ooxkobsubqu' The above exception was the direct cause of the following exception: Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/reader-compute/reader-classic/bin/file2bib.py", line 66, in if ( bibliographics.loc[ escape ,'author'] ) : author = bibliographics.loc[ escape,'author'] File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 873, in __getitem__ return self._getitem_tuple(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1044, in _getitem_tuple return self._getitem_lowerdim(tup) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 786, in _getitem_lowerdim section = self._getitem_axis(key, axis=i) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1110, in _getitem_axis return self._get_label(key, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1059, in _get_label return self.obj.xs(label, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/generic.py", line 3491, in xs loc = self.index.get_loc(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2897, in get_loc raise KeyError(key) from err KeyError: 'work_ivrfypjtmzgita6ooxkobsubqu' work_4vn4hrfyd5daxpwigzfdpbgt6m txt/../pos/work_4vn4hrfyd5daxpwigzfdpbgt6m.pos work_c4asicxnznajxesvk5bugp6h7m txt/../ent/work_c4asicxnznajxesvk5bugp6h7m.ent work_zrgejo5lxnhqhdioapyoybvr2u txt/../pos/work_zrgejo5lxnhqhdioapyoybvr2u.pos work_4vn4hrfyd5daxpwigzfdpbgt6m txt/../wrd/work_4vn4hrfyd5daxpwigzfdpbgt6m.wrd work_ols2ay4xmza6bpkgbiosmxtua4 txt/../ent/work_ols2ay4xmza6bpkgbiosmxtua4.ent work_zrgejo5lxnhqhdioapyoybvr2u txt/../wrd/work_zrgejo5lxnhqhdioapyoybvr2u.wrd === file2bib.sh === id: work_ejmqppxnunavharb2fwzbdiauu author: Demetra Koukouzika title: There and back again: Callimachus Epigr. 31 and the (Greek) Renaissance date: 2012 pages: 10 extension: .pdf txt: ./txt/work_ejmqppxnunavharb2fwzbdiauu.txt cache: ./cache/work_ejmqppxnunavharb2fwzbdiauu.pdf AAPL:Keywords Author Kent Rigsby Content-Type application/pdf Creation-Date 2012-02-19T21:13:47Z Keywords Last-Modified 2012-02-19T21:13:47Z Last-Save-Date 2012-02-19T21:13:47Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 49 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true cp:subject created 2012-02-19T21:13:47Z creator Kent Rigsby date 2012-02-19T21:13:47Z dc:creator Kent Rigsby dc:format application/pdf; version=1.3 dc:subject dc:title KoMa dcterms:created 2012-02-19T21:13:47Z dcterms:modified 2012-02-19T21:13:47Z meta:author Kent Rigsby meta:creation-date 2012-02-19T21:13:47Z meta:keyword meta:save-date 2012-02-19T21:13:47Z modified 2012-02-19T21:13:47Z pdf:PDFVersion 1.3 pdf:charsPerPage ['1826', '2297', '1857', '2014', '2188', '2114', '2248', '2108', '2564', '641'] pdf:docinfo:created 2012-02-19T21:13:47Z pdf:docinfo:creator Kent Rigsby pdf:docinfo:creator_tool Microsoft Word pdf:docinfo:custom:AAPL:Keywords pdf:docinfo:keywords pdf:docinfo:modified 2012-02-19T21:13:47Z pdf:docinfo:producer Mac OS X 10.6.8 Quartz PDFContext pdf:docinfo:subject pdf:docinfo:title KoMa pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP false pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0', '0', '0', '0', '0', '0', '0'] producer Mac OS X 10.6.8 Quartz PDFContext resourceName b'work_ejmqppxnunavharb2fwzbdiauu.pdf' subject title KoMa xmp:CreatorTool Microsoft Word xmpTPg:NPages 10 work_6kcmqr3er5f3jbrfbbcp2abkt4 txt/../ent/work_6kcmqr3er5f3jbrfbbcp2abkt4.ent === file2bib.sh === id: work_ckte3du24nffvbfdz4jxwvjok4 author: Jane C. Long title: Images and Identity in Fifteenth-Century Florence date: 2008 pages: 3 extension: .pdf txt: ./txt/work_ckte3du24nffvbfdz4jxwvjok4.txt cache: ./cache/work_ckte3du24nffvbfdz4jxwvjok4.pdf Content-Type application/pdf Creation-Date 2010-10-01T18:54:32Z Last-Modified 2010-10-01T18:54:38Z Last-Save-Date 2010-10-01T18:54:38Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 23 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2010-10-01T18:54:32Z date 2010-10-01T18:54:38Z dc:format application/pdf; version=1.6 dcterms:created 2010-10-01T18:54:32Z dcterms:modified 2010-10-01T18:54:38Z meta:creation-date 2010-10-01T18:54:32Z meta:save-date 2010-10-01T18:54:38Z modified 2010-10-01T18:54:38Z pdf:PDFVersion 1.6 pdf:charsPerPage ['2629', '2957', '2458'] pdf:docinfo:created 2010-10-01T18:54:32Z pdf:docinfo:creator_tool Adobe InDesign CS3 (5.0.4) pdf:docinfo:modified 2010-10-01T18:54:38Z pdf:docinfo:producer Adobe PDF Library 8.0 pdf:encrypted false pdf:hasMarkedContent true pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['0', '0', '0'] producer Adobe PDF Library 8.0 resourceName b'work_ckte3du24nffvbfdz4jxwvjok4.pdf' xmp:CreatorTool Adobe InDesign CS3 (5.0.4) xmpMM:DocumentID uuid:c8ad9027-d6d5-42c4-916b-33af0dee3e87 xmpTPg:NPages 3 === file2bib.sh === id: work_c4xeq4nfxzffrm6w5esboioqka author: CAROL M. RICHARDSON title: St Joseph, St Peter, Jean Gerson and the Guelphs date: 2011 pages: 38 extension: .pdf txt: ./txt/work_c4xeq4nfxzffrm6w5esboioqka.txt cache: ./cache/work_c4xeq4nfxzffrm6w5esboioqka.pdf Content-Type application/pdf Creation-Date 2010-09-05T19:40:29Z Last-Modified 2010-09-05T19:40:29Z Last-Save-Date 2010-09-05T19:40:29Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 97 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2010-09-05T19:40:29Z date 2010-09-05T19:40:29Z dc:format application/pdf; version=1.3 dcterms:created 2010-09-05T19:40:29Z dcterms:modified 2010-09-05T19:40:29Z meta:creation-date 2010-09-05T19:40:29Z meta:save-date 2010-09-05T19:40:29Z modified 2010-09-05T19:40:29Z pdf:PDFVersion 1.3 pdf:charsPerPage ['1383', '1377', '2125', '2140', '2033', '2239', '2322', '1990', '2124', '2197', '2154', '1997', '2012', '1899', '1889', '2239', '1996', '2162', '2185', '2725', '2099', '2194', '2200', '1918', '2246', '2060', '1905', '1813', '1830', '403', '351', '246', '214', '217', '202', '214', '146', '218'] pdf:docinfo:created 2010-09-05T19:40:29Z pdf:docinfo:creator_tool SPDF pdf:docinfo:modified 2010-09-05T19:40:29Z pdf:docinfo:producer Mac OS X 10.6.4 Quartz PDFContext pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP false pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0'] producer Mac OS X 10.6.4 Quartz PDFContext resourceName b'work_c4xeq4nfxzffrm6w5esboioqka.pdf' xmp:CreatorTool SPDF xmpTPg:NPages 38 work_qr7jfmppwffs5iza72ecrn5zua txt/../ent/work_qr7jfmppwffs5iza72ecrn5zua.ent work_4we3f6nw2ncirldjazvtmp7nz4 txt/../wrd/work_4we3f6nw2ncirldjazvtmp7nz4.wrd INFO Detecting media type for Filename: b'work_y7zwoh6gqveg3o3lj3e7hmniym.pdf' INFO rmeta/text (autodetecting type) work_4we3f6nw2ncirldjazvtmp7nz4 txt/../pos/work_4we3f6nw2ncirldjazvtmp7nz4.pos === file2bib.sh === Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2895, in get_loc return self._engine.get_loc(casted_key) File "pandas/_libs/index.pyx", line 70, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/index.pyx", line 101, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/hashtable_class_helper.pxi", line 1675, in pandas._libs.hashtable.PyObjectHashTable.get_item File "pandas/_libs/hashtable_class_helper.pxi", line 1683, in pandas._libs.hashtable.PyObjectHashTable.get_item KeyError: 'work_y7zwoh6gqveg3o3lj3e7hmniym' The above exception was the direct cause of the following exception: Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/reader-compute/reader-classic/bin/file2bib.py", line 66, in if ( bibliographics.loc[ escape ,'author'] ) : author = bibliographics.loc[ escape,'author'] File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 873, in __getitem__ return self._getitem_tuple(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1044, in _getitem_tuple return self._getitem_lowerdim(tup) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 786, in _getitem_lowerdim section = self._getitem_axis(key, axis=i) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1110, in _getitem_axis return self._get_label(key, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1059, in _get_label return self.obj.xs(label, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/generic.py", line 3491, in xs loc = self.index.get_loc(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2897, in get_loc raise KeyError(key) from err KeyError: 'work_y7zwoh6gqveg3o3lj3e7hmniym' work_bjxsnu4df5atjofgccv3yfulfy txt/../wrd/work_bjxsnu4df5atjofgccv3yfulfy.wrd work_dbllj5j3lvguri2ppeiimlqc4e txt/../ent/work_dbllj5j3lvguri2ppeiimlqc4e.ent work_7szsdm7eb5fuplucu7gcjbzfve txt/../ent/work_7szsdm7eb5fuplucu7gcjbzfve.ent INFO Detecting media type for Filename: b'work_fq4x3rwngfgrnerdx7w7z6ul64.pdf' INFO rmeta/text (autodetecting type) work_db3ig76kabgabikjk2z7k3vysm txt/../ent/work_db3ig76kabgabikjk2z7k3vysm.ent work_bjxsnu4df5atjofgccv3yfulfy txt/../pos/work_bjxsnu4df5atjofgccv3yfulfy.pos INFO Detecting media type for Filename: b'work_lcs2cdrzrbexvmveharbjoitoy.pdf' INFO rmeta/text (autodetecting type) WARN No Unicode mapping for prime (48) in font DZNKCP+Cmsy8 WARN No Unicode mapping for epsilon1 (15) in font CEJGTK+Cmmi10 WARN No Unicode mapping for hatwide (98) in font KDMQII+Cmex10 WARN No Unicode mapping for summationdisplay (88) in font KDMQII+Cmex10 WARN No Unicode mapping for summationtext (80) in font KDMQII+Cmex10 INFO Detecting media type for Filename: b'work_czhyll5jrjan5oak6m2a4uwp2i.pdf' INFO rmeta/text (autodetecting type) work_rv5f5umljvfq5bi7phut7fz3y4 txt/../wrd/work_rv5f5umljvfq5bi7phut7fz3y4.wrd === file2bib.sh === id: work_6gbywtxgtbatfaqnvshtpwbyve author: Biljana Arandjelovic title: Berlin between past, present and future date: 2009 pages: 9 extension: .pdf txt: ./txt/work_6gbywtxgtbatfaqnvshtpwbyve.txt cache: ./cache/work_6gbywtxgtbatfaqnvshtpwbyve.pdf Author Mile Content-Encoding ISO-8859-1 Content-Length -1 Content-Type ['application/pdf', 'text/plain; charset=ISO-8859-1'] Creation-Date 2010-02-23T11:40:05Z Last-Modified 2010-03-03T13:51:57Z Last-Save-Date 2010-03-03T13:51:57Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser', ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser']] X-TIKA:content_handler ['ToTextContentHandler', 'ToTextContentHandler'] X-TIKA:embedded_depth ['0', '1'] X-TIKA:embedded_resource_path /Press Quality.joboptions X-TIKA:origResourceName Press Quality.joboptions X-TIKA:parse_time_millis ['29', '2'] access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2010-02-23T11:40:05Z creator Mile date 2010-03-03T13:51:57Z dc:creator Mile dc:format application/pdf; version=1.3 dc:title Microsoft Word - aace200902defdef.doc dcterms:created 2010-02-23T11:40:05Z dcterms:modified 2010-03-03T13:51:57Z embeddedResourceType ATTACHMENT meta:author Mile meta:creation-date 2010-02-23T11:40:05Z meta:save-date 2010-03-03T13:51:57Z modified 2010-03-03T13:51:57Z pdf:PDFVersion 1.3 pdf:charsPerPage ['2653', '2426', '1902', '1339', '2669', '883', '2163', '2139', '2526'] pdf:docinfo:created 2010-02-23T11:40:05Z pdf:docinfo:creator Mile pdf:docinfo:creator_tool PScript5.dll Version 5.2.2 pdf:docinfo:modified 2010-03-03T13:51:57Z pdf:docinfo:producer Acrobat Distiller 7.0 (Windows) pdf:docinfo:title Microsoft Word - aace200902defdef.doc pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0', '0', '0', '0', '0', '0'] producer Acrobat Distiller 7.0 (Windows) resourceName ["b'work_6gbywtxgtbatfaqnvshtpwbyve.pdf'", 'Press Quality.joboptions'] title Microsoft Word - aace200902defdef.doc xmp:CreatorTool PScript5.dll Version 5.2.2 xmpMM:DocumentID uuid:c3b6eae1-885a-4a80-8a91-a5812a62bf39 xmpTPg:NPages 9 === file2bib.sh === id: work_ourgqjcxbvhyfagnhejs3rprxa author: Stephen Bowd title: The animal in Renaissance Italy date: 2017 pages: 32 extension: .pdf txt: ./txt/work_ourgqjcxbvhyfagnhejs3rprxa.txt cache: ./cache/work_ourgqjcxbvhyfagnhejs3rprxa.pdf Content-Type application/pdf Creation-Date 2016-07-26T13:03:18Z Keywords Last-Modified 2017-07-19T08:23:15Z Last-Save-Date 2017-07-19T08:23:15Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 90 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2016-07-26T13:03:18Z date 2017-07-19T08:23:15Z dc:format application/pdf; version=1.3 dc:subject dc:title Microsoft Word - Introduction.docx dcterms:created 2016-07-26T13:03:18Z dcterms:modified 2017-07-19T08:23:15Z meta:creation-date 2016-07-26T13:03:18Z meta:keyword meta:save-date 2017-07-19T08:23:15Z modified 2017-07-19T08:23:15Z pdf:PDFVersion 1.3 pdf:charsPerPage ['1506', '1718', '2040', '1977', '2021', '2084', '1813', '1980', '2043', '2047', '1875', '1741', '2027', '2050', '1924', '1938', '2058', '1996', '2010', '1992', '1908', '2010', '1828', '1862', '1842', '1997', '1899', '1746', '1732', '1831', '2004', '354'] pdf:docinfo:created 2016-07-26T13:03:18Z pdf:docinfo:creator_tool Word pdf:docinfo:keywords pdf:docinfo:modified 2017-07-19T08:23:15Z pdf:docinfo:producer Mac OS X 10.10.5 Quartz PDFContext pdf:docinfo:title Microsoft Word - Introduction.docx pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0'] producer Mac OS X 10.10.5 Quartz PDFContext resourceName b'work_ourgqjcxbvhyfagnhejs3rprxa.pdf' subject title Microsoft Word - Introduction.docx xmp:CreatorTool Word xmpMM:DocumentID uuid:c1353da6-dc33-4b0b-8012-d15bd260b088 xmpTPg:NPages 32 INFO Detecting media type for Filename: b'work_n654sm7ypfftrcrv3imi3fimji.pdf' INFO rmeta/text (autodetecting type) === file2bib.sh === id: work_3m2c6wnvmnh4fjdmncnkxrb5ce author: Florian Schwieger title: Lessons From the Culturally Diverse Classroom: Intellectual Challenges and Opportunities of Teaching in the American University date: 2010 pages: 20 extension: .pdf txt: ./txt/work_3m2c6wnvmnh4fjdmncnkxrb5ce.txt cache: 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pdf:hasXFA false pdf:hasXMP false pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0'] producer PDFLaTeX resourceName b'work_3m2c6wnvmnh4fjdmncnkxrb5ce.pdf' subject Humanities and Social Sciences/Education title '' Lessons From the Culturally Diverse Classroom: Intellectual Challenges and Opportunities of Teaching in the American University xmp:CreatorTool HAL xmpTPg:NPages 20 work_z4dw6ncg6jgbrcdugghkuhzskm txt/../pos/work_z4dw6ncg6jgbrcdugghkuhzskm.pos work_jqesykhuijdedaerzwsztrji4m txt/../ent/work_jqesykhuijdedaerzwsztrji4m.ent work_63vjm466o5bnpjg2oxbd4kaxs4 txt/../wrd/work_63vjm466o5bnpjg2oxbd4kaxs4.wrd work_z4dw6ncg6jgbrcdugghkuhzskm txt/../wrd/work_z4dw6ncg6jgbrcdugghkuhzskm.wrd work_6zxqgvyozzdlvfr7bnudh7u3ua txt/../ent/work_6zxqgvyozzdlvfr7bnudh7u3ua.ent INFO Detecting media type for Filename: b'work_qfhaojdj45aa5k5qd73czm76am.pdf' INFO rmeta/text (autodetecting type) === file2bib.sh === id: work_mv3d5gxclzdchj7ijh4penhfbu author: Davide Lazzeri title: A systematic reappraisal of the fifth finger in Renaissance paintings date: 2014 pages: extension: .pdf txt: ./txt/work_mv3d5gxclzdchj7ijh4penhfbu.txt cache: ./cache/work_mv3d5gxclzdchj7ijh4penhfbu.pdf Content-Type application/xml X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.xml.DcXMLParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 2 resourceName b'work_mv3d5gxclzdchj7ijh4penhfbu.pdf' INFO Detecting media type for Filename: b'work_cgnkdhjo3nd3tneb3b5dh5zkee.pdf' INFO rmeta/text (autodetecting type) === file2bib.sh === id: work_p4ogduqj7fcpjbtdkjgcubgoju author: Edlira Dhima title: An Overview of Eqrem Cabej's Literary Thought date: 2012 pages: 4 extension: .pdf txt: ./txt/work_p4ogduqj7fcpjbtdkjgcubgoju.txt cache: ./cache/work_p4ogduqj7fcpjbtdkjgcubgoju.pdf Author enis Content-Type application/pdf Creation-Date 2012-08-23T08:33:52Z Last-Modified 2012-08-23T08:33:52Z Last-Save-Date 2012-08-23T08:33:52Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 30 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2012-08-23T08:33:52Z creator enis date 2012-08-23T08:33:52Z dc:creator enis dc:format application/pdf; version=1.5 dc:title Microsoft Word - MJSS VOL 3 NO 3 SEPTEMBER 2012 ONLINE VERSION.doc dcterms:created 2012-08-23T08:33:52Z dcterms:modified 2012-08-23T08:33:52Z meta:author enis meta:creation-date 2012-08-23T08:33:52Z meta:save-date 2012-08-23T08:33:52Z modified 2012-08-23T08:33:52Z pdf:PDFVersion 1.5 pdf:charsPerPage ['4779', '5064', '5877', '4518'] pdf:docinfo:created 2012-08-23T08:33:52Z pdf:docinfo:creator enis pdf:docinfo:creator_tool PScript5.dll Version 5.2.2 pdf:docinfo:modified 2012-08-23T08:33:52Z pdf:docinfo:producer Acrobat Distiller 9.0.0 (Windows) pdf:docinfo:title Microsoft Word - MJSS VOL 3 NO 3 SEPTEMBER 2012 ONLINE VERSION.doc pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0'] producer Acrobat Distiller 9.0.0 (Windows) resourceName b'work_p4ogduqj7fcpjbtdkjgcubgoju.pdf' title Microsoft Word - MJSS VOL 3 NO 3 SEPTEMBER 2012 ONLINE VERSION.doc xmp:CreatorTool PScript5.dll Version 5.2.2 xmpMM:DocumentID uuid:e1b28770-c8d7-4ce1-8392-2637e414c804 xmpTPg:NPages 4 INFO Detecting media type for Filename: b'work_fboytmjchfcs5hrhmundirdyz4.pdf' INFO rmeta/text (autodetecting type) === file2bib.sh === id: work_2ei7tqntfveo7pirys7seuge7q author: Rens Bod title: A New Field: History of Humanities date: 2016 pages: 9 extension: .pdf txt: ./txt/work_2ei7tqntfveo7pirys7seuge7q.txt cache: ./cache/work_2ei7tqntfveo7pirys7seuge7q.pdf Author Rens Bod, Julia Kursell, Jaap Maat, and Thijs Weststeijn Content-Type application/pdf Creation-Date 2016-03-11T07:35:19Z GTS_PDFXVersion PDF/X-3:2003 Last-Modified 2017-11-16T13:22:13Z Last-Save-Date 2017-11-16T13:22:13Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 35 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true cp:subject History of Humanities 2016.1:1-8 created 2016-03-11T07:35:19Z creator Rens Bod, Julia Kursell, Jaap Maat, and Thijs Weststeijn date 2017-11-16T13:22:13Z dc:creator Rens Bod, Julia Kursell, Jaap Maat, and Thijs Weststeijn dc:format application/pdf; version=1.3 dc:title A New Field: History of Humanities dcterms:created 2016-03-11T07:35:19Z dcterms:modified 2017-11-16T13:22:13Z meta:author Rens Bod, Julia Kursell, Jaap Maat, and Thijs Weststeijn meta:creation-date 2016-03-11T07:35:19Z meta:save-date 2017-11-16T13:22:13Z modified 2017-11-16T13:22:13Z pdf:PDFVersion 1.3 pdf:charsPerPage ['1367', '2242', '2555', '2775', '2935', '2625', '2964', '2645', '866'] pdf:docinfo:created 2016-03-11T07:35:19Z pdf:docinfo:creator Rens Bod, Julia Kursell, Jaap Maat, and Thijs Weststeijn pdf:docinfo:creator_tool PDFplus pdf:docinfo:custom:GTS_PDFXVersion PDF/X-3:2003 pdf:docinfo:modified 2017-11-16T13:22:13Z pdf:docinfo:producer Atypon Systems, Inc.; modified using iText 4.2.0 by 1T3XT pdf:docinfo:subject History of Humanities 2016.1:1-8 pdf:docinfo:title A New Field: History of Humanities pdf:docinfo:trapped False pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0', '0', '0', '0', '0', '0'] producer Atypon Systems, Inc.; modified using iText 4.2.0 by 1T3XT resourceName b'work_2ei7tqntfveo7pirys7seuge7q.pdf' subject History of Humanities 2016.1:1-8 title A New Field: History of Humanities trapped False xmp:CreatorTool PDFplus xmpMM:DocumentID uuid:c1a4ba60-d0b2-4397-83c3-a298b795d247 xmpTPg:NPages 9 work_63vjm466o5bnpjg2oxbd4kaxs4 txt/../pos/work_63vjm466o5bnpjg2oxbd4kaxs4.pos work_lyecrwyr5zf6bkd4egfqdh5hiu txt/../wrd/work_lyecrwyr5zf6bkd4egfqdh5hiu.wrd work_rv5f5umljvfq5bi7phut7fz3y4 txt/../pos/work_rv5f5umljvfq5bi7phut7fz3y4.pos === file2bib.sh === id: work_rv5f5umljvfq5bi7phut7fz3y4 author: Marco Sgarbi title: What was meant by vulgarizing in the Italian Renaissance? date: 2018 pages: 29 extension: .pdf txt: ./txt/work_rv5f5umljvfq5bi7phut7fz3y4.txt cache: ./cache/work_rv5f5umljvfq5bi7phut7fz3y4.pdf Author Marco Sgarbi Content-Type application/pdf Creation-Date 2018-12-04T15:39:16Z Keywords vulgarization; Ludovico Castelvetro; Faustus Longianus; Alessandro Piccolomini; Orazio Toscanella; Girolamo Catena Last-Modified 2018-12-06T13:16:50Z Last-Save-Date 2018-12-06T13:16:50Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 115 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true cp:subject Intellectual History Review, 2018. doi:10.1080/17496977.2018.1521628 created 2018-12-04T15:39:16Z creator Marco Sgarbi date 2018-12-06T13:16:50Z dc:creator Marco Sgarbi dc:description Intellectual History Review, 2018. doi:10.1080/17496977.2018.1521628 dc:format application/pdf; version=1.4 dc:subject vulgarization; Ludovico Castelvetro; Faustus Longianus; Alessandro Piccolomini; Orazio Toscanella; Girolamo Catena dc:title What was meant by vulgarizing in the Italian Renaissance? dcterms:created 2018-12-04T15:39:16Z dcterms:modified 2018-12-06T13:16:50Z description Intellectual History Review, 2018. doi:10.1080/17496977.2018.1521628 meta:author Marco Sgarbi meta:creation-date 2018-12-04T15:39:16Z meta:keyword vulgarization; Ludovico Castelvetro; Faustus Longianus; Alessandro Piccolomini; Orazio Toscanella; Girolamo Catena meta:save-date 2018-12-06T13:16:50Z modified 2018-12-06T13:16:50Z pdf:PDFVersion 1.4 pdf:charsPerPage ['641', '2427', '3336', '3086', '3062', '3237', '3319', '3081', '3165', '3379', '3137', '3214', '3099', '3158', '3004', '3447', '3148', '3045', '3092', '3102', '3141', '3212', '3421', '1798', '1498', '2215', '3400', '3271', '2321'] pdf:docinfo:created 2018-12-04T15:39:16Z pdf:docinfo:creator Marco Sgarbi pdf:docinfo:creator_tool Arbortext Advanced Print Publisher 10.0.1465/W Unicode pdf:docinfo:keywords vulgarization; Ludovico Castelvetro; Faustus Longianus; Alessandro Piccolomini; Orazio Toscanella; Girolamo Catena pdf:docinfo:modified 2018-12-06T13:16:50Z pdf:docinfo:producer iText 4.2.0 by 1T3XT pdf:docinfo:subject Intellectual History Review, 2018. doi:10.1080/17496977.2018.1521628 pdf:docinfo:title What was meant by vulgarizing in the Italian Renaissance? pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0'] producer iText 4.2.0 by 1T3XT resourceName b'work_rv5f5umljvfq5bi7phut7fz3y4.pdf' subject Intellectual History Review, 2018. doi:10.1080/17496977.2018.1521628 title What was meant by vulgarizing in the Italian Renaissance? xmp:CreatorTool Arbortext Advanced Print Publisher 10.0.1465/W Unicode xmpMM:DocumentID uuid:8eaffe6c-2318-4139-9759-3e72fd647d9d xmpTPg:NPages 29 work_kluflpspqba5vhzpwkigej3ioe txt/../wrd/work_kluflpspqba5vhzpwkigej3ioe.wrd work_lyecrwyr5zf6bkd4egfqdh5hiu txt/../pos/work_lyecrwyr5zf6bkd4egfqdh5hiu.pos work_kluflpspqba5vhzpwkigej3ioe txt/../pos/work_kluflpspqba5vhzpwkigej3ioe.pos === file2bib.sh === id: work_ybfzgl3vizc4dastvnnfkr77c4 author: Erik Borg title: Writing in fine arts and design education in context date: 2007 pages: 8 extension: .pdf txt: ./txt/work_ybfzgl3vizc4dastvnnfkr77c4.txt cache: ./cache/work_ybfzgl3vizc4dastvnnfkr77c4.pdf Author math Content-Type application/pdf Creation-Date 2019-10-09T09:45:16Z Last-Modified 2019-10-09T09:45:22Z Last-Save-Date 2019-10-09T09:45:22Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 33 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2019-10-09T09:45:16Z creator math date 2019-10-09T09:45:22Z dc:creator math dc:format application/pdf; version=1.6 dc:title Microsoft Word - Тит Слово.doc dcterms:created 2019-10-09T09:45:16Z dcterms:modified 2019-10-09T09:45:22Z meta:author math meta:creation-date 2019-10-09T09:45:16Z meta:save-date 2019-10-09T09:45:22Z modified 2019-10-09T09:45:22Z pdf:PDFVersion 1.6 pdf:charsPerPage ['2761', '3360', '3068', '2866', '2985', '2345', '2367', '2218'] pdf:docinfo:created 2019-10-09T09:45:16Z pdf:docinfo:creator math pdf:docinfo:creator_tool PScript5.dll Version 5.2.2 pdf:docinfo:modified 2019-10-09T09:45:22Z pdf:docinfo:producer Acrobat Distiller 7.0.5 (Windows) pdf:docinfo:title Microsoft Word - Тит Слово.doc pdf:encrypted false pdf:hasMarkedContent true pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0', '0', '0', '0', '0'] producer Acrobat Distiller 7.0.5 (Windows) resourceName b'work_ybfzgl3vizc4dastvnnfkr77c4.pdf' title Microsoft Word - Тит Слово.doc xmp:CreatorTool PScript5.dll Version 5.2.2 xmpMM:DocumentID uuid:5b76fffb-6353-4b66-8211-7c8290d8dae0 xmpTPg:NPages 8 work_viygu64xmzge3aograbxeppcfy txt/../wrd/work_viygu64xmzge3aograbxeppcfy.wrd INFO Detecting media type for Filename: b'work_lo7n23kgfzbqnfrem6d762spwm.pdf' INFO rmeta/text (autodetecting type) work_342rv3hnmnfgnny6eoj6rmxybm txt/../ent/work_342rv3hnmnfgnny6eoj6rmxybm.ent work_ot6x6baiqbdq5eglzaufd5sqmi txt/../ent/work_ot6x6baiqbdq5eglzaufd5sqmi.ent === file2bib.sh === Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2895, in get_loc return self._engine.get_loc(casted_key) File "pandas/_libs/index.pyx", line 70, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/index.pyx", line 101, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/hashtable_class_helper.pxi", line 1675, in pandas._libs.hashtable.PyObjectHashTable.get_item File "pandas/_libs/hashtable_class_helper.pxi", line 1683, in pandas._libs.hashtable.PyObjectHashTable.get_item KeyError: 'work_lo7n23kgfzbqnfrem6d762spwm' The above exception was the direct cause of the following exception: Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/reader-compute/reader-classic/bin/file2bib.py", line 66, in if ( bibliographics.loc[ escape ,'author'] ) : author = bibliographics.loc[ escape,'author'] File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 873, in __getitem__ return self._getitem_tuple(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1044, in _getitem_tuple return self._getitem_lowerdim(tup) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 786, in _getitem_lowerdim section = self._getitem_axis(key, axis=i) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1110, in _getitem_axis return self._get_label(key, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1059, in _get_label return self.obj.xs(label, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/generic.py", line 3491, in xs loc = self.index.get_loc(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2897, in get_loc raise KeyError(key) from err KeyError: 'work_lo7n23kgfzbqnfrem6d762spwm' work_viygu64xmzge3aograbxeppcfy txt/../pos/work_viygu64xmzge3aograbxeppcfy.pos work_zjyhfaqwvngdpn5lj47pqr7m7y txt/../ent/work_zjyhfaqwvngdpn5lj47pqr7m7y.ent INFO Detecting media type for Filename: b'work_nry7ffsmqrcqdjwz5mt3dh3olu.pdf' INFO rmeta/text (autodetecting type) work_jirzlkcuwfadfpag73tdsojqxe txt/../ent/work_jirzlkcuwfadfpag73tdsojqxe.ent INFO Detecting media type for Filename: b'work_oryf7qhulnfyddxsq7qqmbyfse.pdf' INFO rmeta/text (autodetecting type) work_xkzug3pxdnaydjkmc2sdxajfbi txt/../pos/work_xkzug3pxdnaydjkmc2sdxajfbi.pos work_xkzug3pxdnaydjkmc2sdxajfbi txt/../wrd/work_xkzug3pxdnaydjkmc2sdxajfbi.wrd work_jlsoxwmetrdhfp53qdl25t3xui txt/../pos/work_jlsoxwmetrdhfp53qdl25t3xui.pos work_jlsoxwmetrdhfp53qdl25t3xui txt/../wrd/work_jlsoxwmetrdhfp53qdl25t3xui.wrd work_es5wgnmjdjemvobxhxrsjtdhyi txt/../wrd/work_es5wgnmjdjemvobxhxrsjtdhyi.wrd INFO Detecting media type for Filename: b'work_csvl25uu2bgm5a6iogfiawoe2u.pdf' INFO rmeta/text (autodetecting type) WARN Using fallback font 'LiberationSerif' for 'TimesNewRomanPSMT' WARN Using fallback font 'LiberationSerif-Bold' for 'TimesNewRomanPS-BoldMT' WARN Using fallback font 'LiberationSerif-Italic' for 'TimesNewRomanPS-ItalicMT' WARN Using fallback font 'LiberationSerif-BoldItalic' for 'TimesNewRomanPS-BoldItalicMT' work_mj6gddx2gvahljmx7zncknrfty txt/../pos/work_mj6gddx2gvahljmx7zncknrfty.pos work_gbma37pz4ndptjduyabnecbwua txt/../ent/work_gbma37pz4ndptjduyabnecbwua.ent work_es5wgnmjdjemvobxhxrsjtdhyi txt/../pos/work_es5wgnmjdjemvobxhxrsjtdhyi.pos work_mj6gddx2gvahljmx7zncknrfty txt/../wrd/work_mj6gddx2gvahljmx7zncknrfty.wrd === file2bib.sh === Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2895, in get_loc return self._engine.get_loc(casted_key) File "pandas/_libs/index.pyx", line 70, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/index.pyx", line 101, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/hashtable_class_helper.pxi", line 1675, in pandas._libs.hashtable.PyObjectHashTable.get_item File "pandas/_libs/hashtable_class_helper.pxi", line 1683, in pandas._libs.hashtable.PyObjectHashTable.get_item KeyError: 'work_csvl25uu2bgm5a6iogfiawoe2u' The above exception was the direct cause of the following exception: Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/reader-compute/reader-classic/bin/file2bib.py", line 66, in if ( bibliographics.loc[ escape ,'author'] ) : author = bibliographics.loc[ escape,'author'] File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 873, in __getitem__ return self._getitem_tuple(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1044, in _getitem_tuple return self._getitem_lowerdim(tup) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 786, in _getitem_lowerdim section = self._getitem_axis(key, axis=i) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1110, in _getitem_axis return self._get_label(key, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1059, in _get_label return self.obj.xs(label, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/generic.py", line 3491, in xs loc = self.index.get_loc(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2897, in get_loc raise KeyError(key) from err KeyError: 'work_csvl25uu2bgm5a6iogfiawoe2u' work_ftqims6p5vectppgruh3db4hx4 txt/../ent/work_ftqims6p5vectppgruh3db4hx4.ent INFO Detecting media type for Filename: b'work_s3jefpwjnndhvf5vietzfr3bxi.pdf' INFO rmeta/text (autodetecting type) work_4kaqpb7lqvhyffchpvq2durlja txt/../ent/work_4kaqpb7lqvhyffchpvq2durlja.ent INFO Detecting media type for Filename: b'work_u2u5pmtmdjadlcbufsftpegw2q.pdf' INFO rmeta/text (autodetecting type) work_4vn4hrfyd5daxpwigzfdpbgt6m txt/../ent/work_4vn4hrfyd5daxpwigzfdpbgt6m.ent work_bbhvsazkxzavhcgvimv2lgz3fe txt/../wrd/work_bbhvsazkxzavhcgvimv2lgz3fe.wrd INFO Detecting media type for Filename: b'work_v4axvbd4tre6rfrqvrcexynoei.pdf' INFO rmeta/text (autodetecting type) work_27ojiqrrtzenpbhgg7rggpboaa txt/../pos/work_27ojiqrrtzenpbhgg7rggpboaa.pos work_27ojiqrrtzenpbhgg7rggpboaa txt/../wrd/work_27ojiqrrtzenpbhgg7rggpboaa.wrd === file2bib.sh === id: work_fq4x3rwngfgrnerdx7w7z6ul64 author: Michael Asselmeyer title: Architecture of Regionalism in the Age of Globalization: Peaks and Valleys in the Flat World By Liane Lefaivre and Alexander Tzonis Routledge, London and New York, 2011 232 pp., many drawings and illus. ISBN: 978-0-415-57579-9 £29.99 (pb) date: 2012 pages: 4 extension: .pdf txt: ./txt/work_fq4x3rwngfgrnerdx7w7z6ul64.txt cache: ./cache/work_fq4x3rwngfgrnerdx7w7z6ul64.pdf Content-Type application/pdf Creation-Date 2013-06-24T13:14:45Z Last-Modified 2013-06-24T13:14:45Z Last-Save-Date 2013-06-24T13:14:45Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 37 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2013-06-24T13:14:45Z date 2013-06-24T13:14:45Z dc:format application/pdf; version=1.3 dcterms:created 2013-06-24T13:14:45Z dcterms:modified 2013-06-24T13:14:45Z meta:creation-date 2013-06-24T13:14:45Z meta:save-date 2013-06-24T13:14:45Z modified 2013-06-24T13:14:45Z pdf:PDFVersion 1.3 pdf:charsPerPage ['1103', '4260', '2402', '5928'] pdf:docinfo:created 2013-06-24T13:14:45Z pdf:docinfo:modified 2013-06-24T13:14:45Z pdf:docinfo:producer http://big.faceless.org/products/pdf?version=2.10.2 pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0'] producer http://big.faceless.org/products/pdf?version=2.10.2 resourceName b'work_fq4x3rwngfgrnerdx7w7z6ul64.pdf' xmpTPg:NPages 4 work_v4axvbd4tre6rfrqvrcexynoei txt/../wrd/work_v4axvbd4tre6rfrqvrcexynoei.wrd work_v4axvbd4tre6rfrqvrcexynoei txt/../pos/work_v4axvbd4tre6rfrqvrcexynoei.pos === file2bib.sh === Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2895, in get_loc return self._engine.get_loc(casted_key) File "pandas/_libs/index.pyx", line 70, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/index.pyx", line 101, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/hashtable_class_helper.pxi", line 1675, in pandas._libs.hashtable.PyObjectHashTable.get_item File "pandas/_libs/hashtable_class_helper.pxi", line 1683, in pandas._libs.hashtable.PyObjectHashTable.get_item KeyError: 'work_v4axvbd4tre6rfrqvrcexynoei' The above exception was the direct cause of the following exception: Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/reader-compute/reader-classic/bin/file2bib.py", line 66, in if ( bibliographics.loc[ escape ,'author'] ) : author = bibliographics.loc[ escape,'author'] File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 873, in __getitem__ return self._getitem_tuple(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1044, in _getitem_tuple return self._getitem_lowerdim(tup) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 786, in _getitem_lowerdim section = self._getitem_axis(key, axis=i) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1110, in _getitem_axis return self._get_label(key, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1059, in _get_label return self.obj.xs(label, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/generic.py", line 3491, in xs loc = self.index.get_loc(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2897, in get_loc raise KeyError(key) from err KeyError: 'work_v4axvbd4tre6rfrqvrcexynoei' work_zrgejo5lxnhqhdioapyoybvr2u txt/../ent/work_zrgejo5lxnhqhdioapyoybvr2u.ent work_4we3f6nw2ncirldjazvtmp7nz4 txt/../ent/work_4we3f6nw2ncirldjazvtmp7nz4.ent === file2bib.sh === id: work_cgnkdhjo3nd3tneb3b5dh5zkee author: Jeanette Kohl title: Hydrocephalus, rickets, and the bust of an infant from Renaissance Italy date: 2019 pages: 4 extension: .pdf txt: ./txt/work_cgnkdhjo3nd3tneb3b5dh5zkee.txt cache: ./cache/work_cgnkdhjo3nd3tneb3b5dh5zkee.pdf Author Jeanette Kohl Content-Type application/pdf Creation-Date 2019-06-06T13:10:40Z Keywords Last-Modified 2019-06-07T03:04:38Z Last-Save-Date 2019-06-07T03:04:38Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 23 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true cp:subject Childs Nerv Syst, doi:10.1007/s00381-019-04134-y created 2019-06-06T13:10:40Z creator Jeanette Kohl date 2019-06-07T03:04:38Z dc:creator Jeanette Kohl dc:description Childs Nerv Syst, doi:10.1007/s00381-019-04134-y dc:format ['application/pdf; version="A-2b"', 'application/pdf; version=1.4'] dc:language EN dc:subject dc:title Hydrocephalus, rickets, and the bust of an infant from Renaissance Italy dcterms:created 2019-06-06T13:10:40Z dcterms:modified 2019-06-07T03:04:38Z description Childs Nerv Syst, doi:10.1007/s00381-019-04134-y language EN meta:author Jeanette Kohl meta:creation-date 2019-06-06T13:10:40Z meta:keyword meta:save-date 2019-06-07T03:04:38Z modified 2019-06-07T03:04:38Z pdf:PDFVersion 1.4 pdf:charsPerPage ['3251', '2667', '1064', '2470'] pdf:docinfo:created 2019-06-06T13:10:40Z pdf:docinfo:creator Jeanette Kohl pdf:docinfo:creator_tool Arbortext Advanced Print Publisher 9.1.440/W Unicode pdf:docinfo:keywords pdf:docinfo:modified 2019-06-07T03:04:38Z pdf:docinfo:producer Acrobat Distiller 9.0.0 (Windows) pdf:docinfo:subject Childs Nerv Syst, doi:10.1007/s00381-019-04134-y pdf:docinfo:title Hydrocephalus, rickets, and the bust of an infant from Renaissance Italy pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0'] pdfa:PDFVersion A-2b pdfaid:conformance B pdfaid:part 2 producer Acrobat Distiller 9.0.0 (Windows) resourceName b'work_cgnkdhjo3nd3tneb3b5dh5zkee.pdf' subject Childs Nerv Syst, doi:10.1007/s00381-019-04134-y title Hydrocephalus, rickets, and the bust of an infant from Renaissance Italy xmp:CreatorTool Arbortext Advanced Print Publisher 9.1.440/W Unicode xmpMM:DocumentID uuid:08300907-a4ed-401f-bd67-b216c4ee720f xmpMM:History:Action converted xmpMM:History:InstanceID uuid:a65562d0-6cd9-45eb-af72-ea8ef30905b0 xmpMM:History:SoftwareAgent pdfToolbox xmpMM:History:When 2019-06-07T11:04:38Z xmpTPg:NPages 4 work_bbhvsazkxzavhcgvimv2lgz3fe txt/../pos/work_bbhvsazkxzavhcgvimv2lgz3fe.pos === file2bib.sh === id: work_czhyll5jrjan5oak6m2a4uwp2i author: Brian jeffrey Maxson title: Kings and tyrants: Leonardo Bruni's translation of Xenophon'sHiero date: 2010 pages: 20 extension: .pdf txt: ./txt/work_czhyll5jrjan5oak6m2a4uwp2i.txt cache: ./cache/work_czhyll5jrjan5oak6m2a4uwp2i.pdf Appligent AppendPDF Pro 5.5 Linux Kernel 2.6 64bit Oct 2 2014 Library 10.1.0 Content-Type application/pdf Creation-Date 2017-08-25T10:34:37Z Last-Modified 2017-08-25T10:34:37Z Last-Save-Date 2017-08-25T10:34:37Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 56 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2017-08-25T10:34:37Z date 2017-08-25T10:34:37Z dc:format application/pdf; version=1.7 dc:title Kings and Tyrants: Leonardo Bruni's translation of Xenophon's "Hiero" dcterms:created 2017-08-25T10:34:37Z dcterms:modified 2017-08-25T10:34:37Z meta:creation-date 2017-08-25T10:34:37Z meta:save-date 2017-08-25T10:34:37Z modified 2017-08-25T10:34:37Z pdf:PDFVersion 1.7 pdf:charsPerPage ['260', '2310', '3367', '2813', '2970', '3153', '3003', '2697', '2813', '3004', '2711', '2721', '2687', '3154', '2523', '2370', '2616', '4000', '2896', '455'] pdf:docinfo:created 2017-08-25T10:34:37Z pdf:docinfo:creator_tool Appligent AppendPDF Pro 5.5 pdf:docinfo:custom:Appligent AppendPDF Pro 5.5 Linux Kernel 2.6 64bit Oct 2 2014 Library 10.1.0 pdf:docinfo:modified 2017-08-25T10:34:37Z pdf:docinfo:producer Prince 9.0 rev 5 (www.princexml.com) pdf:docinfo:title Kings and Tyrants: Leonardo Bruni's translation of Xenophon's "Hiero" pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0'] producer Prince 9.0 rev 5 (www.princexml.com) resourceName b'work_czhyll5jrjan5oak6m2a4uwp2i.pdf' title Kings and Tyrants: Leonardo Bruni's translation of Xenophon's "Hiero" xmp:CreatorTool Appligent AppendPDF Pro 5.5 xmpMM:DocumentID uuid:d34b98e2-a693-11b2-0a00-782dad000000 xmpTPg:NPages 20 work_bjxsnu4df5atjofgccv3yfulfy txt/../ent/work_bjxsnu4df5atjofgccv3yfulfy.ent INFO Detecting media type for Filename: b'work_zrv7a6p4fvfnfjst7lkpjlswqu.pdf' INFO rmeta/text (autodetecting type) INFO Detecting media type for Filename: b'work_v5fiyth2fjgjzdpoethem3ybmy.pdf' INFO rmeta/text (autodetecting type) === file2bib.sh === Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2895, in get_loc return self._engine.get_loc(casted_key) File "pandas/_libs/index.pyx", line 70, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/index.pyx", line 101, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/hashtable_class_helper.pxi", line 1675, in pandas._libs.hashtable.PyObjectHashTable.get_item File "pandas/_libs/hashtable_class_helper.pxi", line 1683, in pandas._libs.hashtable.PyObjectHashTable.get_item KeyError: 'work_v5fiyth2fjgjzdpoethem3ybmy' The above exception was the direct cause of the following exception: Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/reader-compute/reader-classic/bin/file2bib.py", line 66, in if ( bibliographics.loc[ escape ,'author'] ) : author = bibliographics.loc[ escape,'author'] File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 873, in __getitem__ return self._getitem_tuple(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1044, in _getitem_tuple return self._getitem_lowerdim(tup) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 786, in _getitem_lowerdim section = self._getitem_axis(key, axis=i) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1110, in _getitem_axis return self._get_label(key, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1059, in _get_label return self.obj.xs(label, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/generic.py", line 3491, in xs loc = self.index.get_loc(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2897, in get_loc raise KeyError(key) from err KeyError: 'work_v5fiyth2fjgjzdpoethem3ybmy' work_zwzwjzfvkzbczohm4s2xhsqjlu txt/../wrd/work_zwzwjzfvkzbczohm4s2xhsqjlu.wrd === file2bib.sh === id: work_fboytmjchfcs5hrhmundirdyz4 author: K. van der Ven title: Immunofluorescence on proteinase XXIV-digested paraffin sections date: 2007 pages: 1 extension: .pdf txt: ./txt/work_fboytmjchfcs5hrhmundirdyz4.txt cache: ./cache/work_fboytmjchfcs5hrhmundirdyz4.pdf Author ['K. van der Ven', 'T.Q. Nguyen', 'R. Goldschmeding'] Content-Type application/pdf Creation-Date 2010-12-08T09:22:12Z CrossMarkDomains[1] sciencedirect.com CrossMarkDomains[2] elsevier.com CrossmarkDomainExclusive true CrossmarkMajorVersionDate 2010-04-23 ElsevierWebPDFSpecifications 6.4 Last-Modified 2015-10-24T20:04:53Z Last-Save-Date 2015-10-24T20:04:53Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 11 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true cp:subject Kidney International, (2007) 896. doi:10.1038/sj.ki.5002495 created 2010-12-08T09:22:12Z creator ['K. van der Ven', 'T.Q. Nguyen', 'R. Goldschmeding'] date 2015-10-24T20:04:53Z dc:creator ['K. van der Ven', 'T.Q. Nguyen', 'R. Goldschmeding'] dc:description Kidney International, (2007) 896. doi:10.1038/sj.ki.5002495 dc:format application/pdf; version=1.7 dc:title Immunofluorescence on proteinase XXIV-digested paraffin sections dcterms:created 2010-12-08T09:22:12Z dcterms:modified 2015-10-24T20:04:53Z description Kidney International, (2007) 896. doi:10.1038/sj.ki.5002495 doi 10.1038/sj.ki.5002495 meta:author ['K. van der Ven', 'T.Q. Nguyen', 'R. Goldschmeding'] meta:creation-date 2010-12-08T09:22:12Z meta:save-date 2015-10-24T20:04:53Z modified 2015-10-24T20:04:53Z pdf:PDFVersion 1.7 pdf:charsPerPage 4941 pdf:docinfo:created 2010-12-08T09:22:12Z pdf:docinfo:creator K. van der Ven pdf:docinfo:creator_tool Elsevier pdf:docinfo:custom:CrossMarkDomains[1] sciencedirect.com pdf:docinfo:custom:CrossMarkDomains[2] elsevier.com pdf:docinfo:custom:CrossmarkDomainExclusive true pdf:docinfo:custom:CrossmarkMajorVersionDate 2010-04-23 pdf:docinfo:custom:ElsevierWebPDFSpecifications 6.4 pdf:docinfo:custom:doi 10.1038/sj.ki.5002495 pdf:docinfo:custom:robots noindex pdf:docinfo:modified 2015-10-24T20:04:53Z pdf:docinfo:producer Acrobat Distiller 7.0.5 pour Macintosh pdf:docinfo:subject Kidney International, (2007) 896. doi:10.1038/sj.ki.5002495 pdf:docinfo:title Immunofluorescence on proteinase XXIV-digested paraffin sections pdf:docinfo:trapped Unknown pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage 0 producer Acrobat Distiller 7.0.5 pour Macintosh resourceName b'work_fboytmjchfcs5hrhmundirdyz4.pdf' robots noindex subject Kidney International, (2007) 896. doi:10.1038/sj.ki.5002495 title Immunofluorescence on proteinase XXIV-digested paraffin sections trapped Unknown xmp:CreatorTool Elsevier xmpMM:DocumentID uuid:7524f14b-9648-4d71-a152-5f6a390acf71 xmpTPg:NPages 1 === file2bib.sh === id: work_qfhaojdj45aa5k5qd73czm76am author: Elena Basso title: Unmasking a wild man: scientific analysis of Bertoldo di Giovanni's Shield Bearer in The Frick Collection date: 2020 pages: 14 extension: .pdf txt: ./txt/work_qfhaojdj45aa5k5qd73czm76am.txt cache: ./cache/work_qfhaojdj45aa5k5qd73czm76am.pdf Author ['Elena Basso ', 'Federica Pozzi ', 'Julia Day ', 'Linda Borsch '] Content-Type application/pdf Creation-Date 2020-10-31T04:06:26Z CrossMarkDomains[1] springer.com CrossMarkDomains[2] springerlink.com CrossmarkDomainExclusive true CrossmarkMajorVersionDate 2010-04-23 Keywords Bertoldo di Giovanni,15th century,Italian Renaissance sculpture,Organic coating,Brass,Bronze,Gilding,Patina,Solder,Lost-wax cast Last-Modified 2020-11-02T10:50:28Z Last-Save-Date 2020-11-02T10:50:28Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 82 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true cp:subject Heritage Science, https://doi.org/10.1186/s40494-020-00453-5 created 2020-10-31T04:06:26Z creator ['Elena Basso ', 'Federica Pozzi ', 'Julia Day ', 'Linda Borsch '] date 2020-11-02T10:50:28Z dc:creator ['Elena Basso ', 'Federica Pozzi ', 'Julia Day ', 'Linda Borsch '] dc:description Heritage Science, https://doi.org/10.1186/s40494-020-00453-5 dc:format ['application/pdf; 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Carnegie Mellon University, on 06 Apr 2021 at 01:06:10, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. dc:format application/pdf; version=1.3 dc:title S0018246X19000608jra 162..184 dcterms:created 2021-01-29T19:27:29Z dcterms:modified 2021-04-06T01:06:10Z description Downloaded from https://www.cambridge.org/core. Carnegie Mellon University, on 06 Apr 2021 at 01:06:10, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. meta:creation-date 2021-01-29T19:27:29Z meta:save-date 2021-04-06T01:06:10Z modified 2021-04-06T01:06:10Z pdf:PDFVersion 1.3 pdf:charsPerPage ['2734', '3034', '3110', '2932', '2740', '2819', '3293', '3054', '2901', '3163', '3112', '2734', '2984', '3019', '2890', '2867', '2762', '3137', '2988', '2871', '3002', '2738', '1935'] pdf:docinfo:created 2021-01-29T19:27:29Z pdf:docinfo:creator_tool Arbortext Advanced Print Publisher 10.0.1465/W Unicode pdf:docinfo:modified 2021-04-06T01:06:10Z pdf:docinfo:producer Carnegie Mellon University pdf:docinfo:title S0018246X19000608jra 162..184 pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0'] producer Carnegie Mellon University resourceName b'work_n654sm7ypfftrcrv3imi3fimji.pdf' title S0018246X19000608jra 162..184 xmp:CreatorTool Arbortext Advanced Print Publisher 10.0.1465/W Unicode xmpMM:DocumentID uuid:71a8b7d7-df63-4111-a143-789c514dd592 xmpTPg:NPages 23 work_hovjdokejfachpds22cfi7zocu txt/../wrd/work_hovjdokejfachpds22cfi7zocu.wrd work_zwzwjzfvkzbczohm4s2xhsqjlu txt/../pos/work_zwzwjzfvkzbczohm4s2xhsqjlu.pos INFO Detecting media type for Filename: b'work_i2pmscqwgzchxiyyiprswog7oq.pdf' INFO rmeta/text (autodetecting type) INFO Detecting media type for Filename: b'work_rhaxeyirezawvf5ifecn2wbfky.pdf' INFO rmeta/text (autodetecting type) work_z4dw6ncg6jgbrcdugghkuhzskm txt/../ent/work_z4dw6ncg6jgbrcdugghkuhzskm.ent === file2bib.sh === id: work_lcs2cdrzrbexvmveharbjoitoy author: Luigi Pascali title: Banks and Development: Jewish Communities in the Italian Renaissance and Current Economic Performance date: 2016 pages: 42 extension: .pdf txt: ./txt/work_lcs2cdrzrbexvmveharbjoitoy.txt cache: ./cache/work_lcs2cdrzrbexvmveharbjoitoy.pdf Author IT Services Content-Type application/pdf Creation-Date 2013-09-16T10:31:06Z Last-Modified 2014-02-07T09:15:04Z Last-Save-Date 2014-02-07T09:15:04Z PTEX.Fullbanner This is pdfTeX, Version 3.141592-1.40.3-2.2 (Web2C 7.5.6) kpathsea version 3.5.6 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 135 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2013-09-16T10:31:06Z creator IT Services date 2014-02-07T09:15:04Z dc:creator IT Services dc:format application/pdf; version=1.5 dc:title THE ROLE OF CONSUMERS IN COMPETITION dcterms:created 2013-09-16T10:31:06Z dcterms:modified 2014-02-07T09:15:04Z meta:author IT Services meta:creation-date 2013-09-16T10:31:06Z meta:save-date 2014-02-07T09:15:04Z modified 2014-02-07T09:15:04Z pdf:PDFVersion 1.5 pdf:charsPerPage ['1449', '198', '2706', '3142', '2865', '2841', '4166', '3672', '2781', '3502', '3381', '2908', '2694', '2718', '2755', '1933', '4055', '2853', '1983', '2769', '2612', '3353', '2330', '2477', '2477', '2521', '2599', '1640', '2400', '2504', '1802', '1700', '1711', '1691', '2627', '1967', '2120', '2085', '2342', '3788', '119', '95'] pdf:docinfo:created 2013-09-16T10:31:06Z pdf:docinfo:creator IT Services pdf:docinfo:creator_tool TeX pdf:docinfo:custom:PTEX.Fullbanner This is pdfTeX, Version 3.141592-1.40.3-2.2 (Web2C 7.5.6) kpathsea version 3.5.6 pdf:docinfo:modified 2014-02-07T09:15:04Z pdf:docinfo:producer pdfTeX-1.40.3 pdf:docinfo:title THE ROLE OF CONSUMERS IN COMPETITION pdf:docinfo:trapped False pdf:encrypted false pdf:hasMarkedContent true pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '4', '1', '0', '2', '0', '0', '0', '1', '13', '1', '0', '5', '5', '2', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0'] producer pdfTeX-1.40.3 resourceName b'work_lcs2cdrzrbexvmveharbjoitoy.pdf' title THE ROLE OF CONSUMERS IN COMPETITION trapped False xmp:CreatorTool TeX xmpTPg:NPages 42 work_pcafmyawcffjzbxa4voqncf7ra txt/../wrd/work_pcafmyawcffjzbxa4voqncf7ra.wrd === file2bib.sh === Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2895, in get_loc return self._engine.get_loc(casted_key) File "pandas/_libs/index.pyx", line 70, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/index.pyx", line 101, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/hashtable_class_helper.pxi", line 1675, in pandas._libs.hashtable.PyObjectHashTable.get_item File "pandas/_libs/hashtable_class_helper.pxi", line 1683, in pandas._libs.hashtable.PyObjectHashTable.get_item KeyError: 'work_i2pmscqwgzchxiyyiprswog7oq' The above exception was the direct cause of the following exception: Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/reader-compute/reader-classic/bin/file2bib.py", line 66, in if ( bibliographics.loc[ escape ,'author'] ) : author = bibliographics.loc[ escape,'author'] File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 873, in __getitem__ return self._getitem_tuple(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1044, in _getitem_tuple return self._getitem_lowerdim(tup) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 786, in _getitem_lowerdim section = self._getitem_axis(key, axis=i) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1110, in _getitem_axis return self._get_label(key, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1059, in _get_label return self.obj.xs(label, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/generic.py", line 3491, in xs loc = self.index.get_loc(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2897, in get_loc raise KeyError(key) from err KeyError: 'work_i2pmscqwgzchxiyyiprswog7oq' work_3pl6vuybd5bm5hyut3yoe4wa4e txt/../wrd/work_3pl6vuybd5bm5hyut3yoe4wa4e.wrd === file2bib.sh === Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2895, in get_loc return self._engine.get_loc(casted_key) File "pandas/_libs/index.pyx", line 70, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/index.pyx", line 101, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/hashtable_class_helper.pxi", line 1675, in pandas._libs.hashtable.PyObjectHashTable.get_item File "pandas/_libs/hashtable_class_helper.pxi", line 1683, in pandas._libs.hashtable.PyObjectHashTable.get_item KeyError: 'work_rhaxeyirezawvf5ifecn2wbfky' The above exception was the direct cause of the following exception: Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/reader-compute/reader-classic/bin/file2bib.py", line 66, in if ( bibliographics.loc[ escape ,'author'] ) : author = bibliographics.loc[ escape,'author'] File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 873, in __getitem__ return self._getitem_tuple(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1044, in _getitem_tuple return self._getitem_lowerdim(tup) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 786, in _getitem_lowerdim section = self._getitem_axis(key, axis=i) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1110, in _getitem_axis return self._get_label(key, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1059, in _get_label return self.obj.xs(label, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/generic.py", line 3491, in xs loc = self.index.get_loc(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2897, in get_loc raise KeyError(key) from err KeyError: 'work_rhaxeyirezawvf5ifecn2wbfky' work_pcafmyawcffjzbxa4voqncf7ra txt/../pos/work_pcafmyawcffjzbxa4voqncf7ra.pos work_3pl6vuybd5bm5hyut3yoe4wa4e txt/../pos/work_3pl6vuybd5bm5hyut3yoe4wa4e.pos INFO Detecting media type for Filename: b'work_bvq5znaqafbg3ep4jq6qqcljsy.pdf' INFO rmeta/text (autodetecting type) work_hovjdokejfachpds22cfi7zocu txt/../pos/work_hovjdokejfachpds22cfi7zocu.pos === file2bib.sh === id: work_oryf7qhulnfyddxsq7qqmbyfse author: Janet Levarie Smarr title: Albert Russell Ascoli A Local Habitation and a Name: Imagining Histories in the Italian RenaissanceA Local Habitation and a Name: Imagining Histories in the Italian Renaissance. Albert Russell Ascoli. New York: Fordham University Press, 2011. Pp. x+387 date: 2013 pages: 6 extension: .pdf txt: ./txt/work_oryf7qhulnfyddxsq7qqmbyfse.txt cache: ./cache/work_oryf7qhulnfyddxsq7qqmbyfse.pdf Author Lenovo User Content-Type application/pdf Creation-Date 2015-10-21T16:30:12Z Last-Modified 2020-03-03T14:15:14Z Last-Save-Date 2020-03-03T14:15:14Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 18 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2015-10-21T16:30:12Z creator Lenovo User date 2020-03-03T14:15:14Z dc:creator Lenovo User dc:format application/pdf; version=1.4 dc:language en-US dcterms:created 2015-10-21T16:30:12Z dcterms:modified 2020-03-03T14:15:14Z language en-US meta:author Lenovo User meta:creation-date 2015-10-21T16:30:12Z meta:save-date 2020-03-03T14:15:14Z modified 2020-03-03T14:15:14Z pdf:PDFVersion 1.4 pdf:charsPerPage ['391', '2205', '2176', '2255', '2256', '209'] pdf:docinfo:created 2015-10-21T16:30:12Z pdf:docinfo:creator Lenovo User pdf:docinfo:creator_tool Writer pdf:docinfo:modified 2020-03-03T14:15:14Z pdf:docinfo:producer LibreOffice 4.4; modified using iText® 7.1.4 ©2000-2018 iText Group NV (AGPL-version) pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP false pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0', '0', '0'] producer LibreOffice 4.4; modified using iText® 7.1.4 ©2000-2018 iText Group NV (AGPL-version) resourceName b'work_oryf7qhulnfyddxsq7qqmbyfse.pdf' xmp:CreatorTool Writer xmpTPg:NPages 6 INFO Detecting media type for Filename: b'work_oppay2yymnfwdh7l67tsuuqv4u.pdf' INFO rmeta/text (autodetecting type) INFO Detecting media type for Filename: b'work_bjxsnu4df5atjofgccv3yfulfy.pdf' INFO rmeta/text (autodetecting type) WARN Using fallback font LiberationSans for Symbol work_ozxd2ionwbfhbelz65jugccfu4 txt/../wrd/work_ozxd2ionwbfhbelz65jugccfu4.wrd === file2bib.sh === Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2895, in get_loc return self._engine.get_loc(casted_key) File "pandas/_libs/index.pyx", line 70, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/index.pyx", line 101, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/hashtable_class_helper.pxi", line 1675, in pandas._libs.hashtable.PyObjectHashTable.get_item File "pandas/_libs/hashtable_class_helper.pxi", line 1683, in pandas._libs.hashtable.PyObjectHashTable.get_item KeyError: 'work_oppay2yymnfwdh7l67tsuuqv4u' The above exception was the direct cause of the following exception: Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/reader-compute/reader-classic/bin/file2bib.py", line 66, in if ( bibliographics.loc[ escape ,'author'] ) : author = bibliographics.loc[ escape,'author'] File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 873, in __getitem__ return self._getitem_tuple(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1044, in _getitem_tuple return self._getitem_lowerdim(tup) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 786, in _getitem_lowerdim section = self._getitem_axis(key, axis=i) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1110, in _getitem_axis return self._get_label(key, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1059, in _get_label return self.obj.xs(label, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/generic.py", line 3491, in xs loc = self.index.get_loc(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2897, in get_loc raise KeyError(key) from err KeyError: 'work_oppay2yymnfwdh7l67tsuuqv4u' work_kluflpspqba5vhzpwkigej3ioe txt/../ent/work_kluflpspqba5vhzpwkigej3ioe.ent === file2bib.sh === id: work_nry7ffsmqrcqdjwz5mt3dh3olu author: L F Haas title: Atropa belladonna (deadly nightshade) date: 1995 pages: 1 extension: .pdf txt: ./txt/work_nry7ffsmqrcqdjwz5mt3dh3olu.txt cache: ./cache/work_nry7ffsmqrcqdjwz5mt3dh3olu.pdf Content-Type application/pdf CreationDate--Text D:20031719161725 Last-Modified 2021-04-06T01:06:07Z Last-Save-Date 2021-04-06T01:06:07Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 9 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true date 2021-04-06T01:06:07Z dc:format application/pdf; version=1.4 dcterms:modified 2021-04-06T01:06:07Z meta:save-date 2021-04-06T01:06:07Z modified 2021-04-06T01:06:07Z pdf:PDFVersion 1.4 pdf:charsPerPage 3751 pdf:docinfo:custom:CreationDate--Text D:20031719161725 pdf:docinfo:modified 2021-04-06T01:06:07Z pdf:docinfo:producer Apex PDFWriter pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage 0 producer Apex PDFWriter resourceName b'work_nry7ffsmqrcqdjwz5mt3dh3olu.pdf' xmpMM:DocumentID uuid:6b09af04-1dd2-11b2-0a00-7e09275dc400 xmpTPg:NPages 1 work_63vjm466o5bnpjg2oxbd4kaxs4 txt/../ent/work_63vjm466o5bnpjg2oxbd4kaxs4.ent work_ozxd2ionwbfhbelz65jugccfu4 txt/../pos/work_ozxd2ionwbfhbelz65jugccfu4.pos work_4revxqlkmbe4pamtg5ni24qc2u txt/../pos/work_4revxqlkmbe4pamtg5ni24qc2u.pos INFO Detecting media type for Filename: b'work_3pl6vuybd5bm5hyut3yoe4wa4e.pdf' INFO rmeta/text (autodetecting type) work_lyecrwyr5zf6bkd4egfqdh5hiu txt/../ent/work_lyecrwyr5zf6bkd4egfqdh5hiu.ent === file2bib.sh === id: work_u2u5pmtmdjadlcbufsftpegw2q author: Leslie Zarker Morgan title: Introduction date: 2018 pages: 5 extension: .pdf txt: ./txt/work_u2u5pmtmdjadlcbufsftpegw2q.txt cache: ./cache/work_u2u5pmtmdjadlcbufsftpegw2q.pdf Author ['Leslie Zarker Morgan', 'April Oettinger', 'John C. McLucas'] Content-Type application/pdf Creation-Date 2018-04-27T15:52:17Z Last-Modified 2018-06-01T15:53:01Z Last-Save-Date 2018-06-01T15:53:01Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 26 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2018-04-27T15:52:17Z creator ['Leslie Zarker Morgan', 'April Oettinger', 'John C. McLucas'] date 2018-06-01T15:53:01Z dc:creator ['Leslie Zarker Morgan', 'April Oettinger', 'John C. McLucas'] dc:format application/pdf; version=1.4 dc:title Introduction dcterms:created 2018-04-27T15:52:17Z dcterms:modified 2018-06-01T15:53:01Z meta:author ['Leslie Zarker Morgan', 'April Oettinger', 'John C. McLucas'] meta:creation-date 2018-04-27T15:52:17Z meta:save-date 2018-06-01T15:53:01Z modified 2018-06-01T15:53:01Z pdf:PDFVersion 1.4 pdf:charsPerPage ['380', '2193', '2739', '2800', '2579'] pdf:docinfo:created 2018-04-27T15:52:17Z pdf:docinfo:creator Leslie Zarker Morgan, April Oettinger, John C. McLucas pdf:docinfo:creator_tool Adobe InDesign CC 2017 (Macintosh) pdf:docinfo:modified 2018-06-01T15:53:01Z pdf:docinfo:producer Project MUSE pdf:docinfo:title Introduction pdf:docinfo:trapped False pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0', '0'] producer Project MUSE resourceName b'work_u2u5pmtmdjadlcbufsftpegw2q.pdf' title Introduction trapped False xmp:CreatorTool Adobe InDesign CC 2017 (Macintosh) xmpMM:DerivedFrom:DocumentID xmp.did:5064be5c-4782-4676-b2bd-9d1e719208e4 xmpMM:DerivedFrom:InstanceID xmp.iid:be1134bf-6ab7-4f22-acef-c569389e3f1a xmpMM:DocumentID xmp.id:5c90c9ba-94f5-409f-9101-bf9a47445a62 xmpTPg:NPages 5 === file2bib.sh === Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2895, in get_loc return self._engine.get_loc(casted_key) File "pandas/_libs/index.pyx", line 70, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/index.pyx", line 101, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/hashtable_class_helper.pxi", line 1675, in pandas._libs.hashtable.PyObjectHashTable.get_item File "pandas/_libs/hashtable_class_helper.pxi", line 1683, in pandas._libs.hashtable.PyObjectHashTable.get_item KeyError: 'work_3pl6vuybd5bm5hyut3yoe4wa4e' The above exception was the direct cause of the following exception: Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/reader-compute/reader-classic/bin/file2bib.py", line 66, in if ( bibliographics.loc[ escape ,'author'] ) : author = bibliographics.loc[ escape,'author'] File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 873, in __getitem__ return self._getitem_tuple(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1044, in _getitem_tuple return self._getitem_lowerdim(tup) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 786, in _getitem_lowerdim section = self._getitem_axis(key, axis=i) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1110, in _getitem_axis return self._get_label(key, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1059, in _get_label return self.obj.xs(label, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/generic.py", line 3491, in xs loc = self.index.get_loc(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2897, in get_loc raise KeyError(key) from err KeyError: 'work_3pl6vuybd5bm5hyut3yoe4wa4e' work_pexfi5us2fdinhhrwu7zjh32ui txt/../wrd/work_pexfi5us2fdinhhrwu7zjh32ui.wrd INFO Detecting media type for Filename: b'work_f3fuzpnijvc6nk5axrr6bsjkce.pdf' INFO rmeta/text (autodetecting type) INFO Detecting media type for Filename: b'work_t3ltsd5vgbea5j4bzaesckjc7q.pdf' INFO rmeta/text (autodetecting type) WARN No Unicode mapping for sharp (2) in font NXGPPC+XhpqdgRMTMI WARN No Unicode mapping for lscript (3) in font NXGPPC+XhpqdgRMTMI work_pexfi5us2fdinhhrwu7zjh32ui txt/../pos/work_pexfi5us2fdinhhrwu7zjh32ui.pos INFO Detecting media type for Filename: b'work_u74foqxbj5c2njl6cf7wvbf3ge.pdf' INFO rmeta/text (autodetecting type) work_viygu64xmzge3aograbxeppcfy txt/../ent/work_viygu64xmzge3aograbxeppcfy.ent work_rv5f5umljvfq5bi7phut7fz3y4 txt/../ent/work_rv5f5umljvfq5bi7phut7fz3y4.ent INFO Detecting media type for Filename: b'work_6zxqgvyozzdlvfr7bnudh7u3ua.pdf' INFO rmeta/text (autodetecting type) INFO Detecting media type for Filename: b'work_jjiq6vojrnaijn52ajdibn6jbu.pdf' work_4revxqlkmbe4pamtg5ni24qc2u txt/../wrd/work_4revxqlkmbe4pamtg5ni24qc2u.wrd INFO rmeta/text (autodetecting type) === file2bib.sh === Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2895, in get_loc return self._engine.get_loc(casted_key) File "pandas/_libs/index.pyx", line 70, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/index.pyx", line 101, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/hashtable_class_helper.pxi", line 1675, in pandas._libs.hashtable.PyObjectHashTable.get_item File "pandas/_libs/hashtable_class_helper.pxi", line 1683, in pandas._libs.hashtable.PyObjectHashTable.get_item KeyError: 'work_jjiq6vojrnaijn52ajdibn6jbu' The above exception was the direct cause of the following exception: Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/reader-compute/reader-classic/bin/file2bib.py", line 66, in if ( bibliographics.loc[ escape ,'author'] ) : author = bibliographics.loc[ escape,'author'] File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 873, in __getitem__ return self._getitem_tuple(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1044, in _getitem_tuple return self._getitem_lowerdim(tup) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 786, in _getitem_lowerdim section = self._getitem_axis(key, axis=i) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1110, in _getitem_axis return self._get_label(key, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1059, in _get_label return self.obj.xs(label, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/generic.py", line 3491, in xs loc = self.index.get_loc(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2897, in get_loc raise KeyError(key) from err KeyError: 'work_jjiq6vojrnaijn52ajdibn6jbu' INFO Detecting media type for Filename: b'work_tjca5n7vpba2zdlv7ffnxjq2hu.pdf' work_nm6cbsskwfaapajiladh2a5qva txt/../wrd/work_nm6cbsskwfaapajiladh2a5qva.wrd INFO rmeta/text (autodetecting type) work_2gt4hsltvfbthnbnnqxti5hdze txt/../wrd/work_2gt4hsltvfbthnbnnqxti5hdze.wrd === file2bib.sh === id: work_s3jefpwjnndhvf5vietzfr3bxi author: Jan P Hogendijk title: Sharaf al-Dīn al-Ṫūsī on the number of positive roots of cubic equations date: 1989 pages: 17 extension: .pdf txt: ./txt/work_s3jefpwjnndhvf5vietzfr3bxi.txt cache: ./cache/work_s3jefpwjnndhvf5vietzfr3bxi.pdf Content-Type application/pdf Creation-Date 2003-11-25T02:38:00Z Last-Modified 2003-12-18T23:22:53Z Last-Save-Date 2003-12-18T23:22:53Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 84 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2003-11-25T02:38:00Z date 2003-12-18T23:22:53Z dc:format application/pdf; version=1.3 dc:title PII: 0315-0860(89)90099-2 dcterms:created 2003-11-25T02:38:00Z dcterms:modified 2003-12-18T23:22:53Z meta:creation-date 2003-11-25T02:38:00Z meta:save-date 2003-12-18T23:22:53Z modified 2003-12-18T23:22:53Z pdf:PDFVersion 1.3 pdf:charsPerPage ['2457', '2068', '2719', '2737', '2962', '1896', '2101', '1706', '1957', '2115', '2778', '2341', '3026', '2619', '2674', '3499', '454'] pdf:docinfo:created 2003-11-25T02:38:00Z pdf:docinfo:creator_tool Acrobat 4.0 Capture Plug-in for Windows pdf:docinfo:modified 2003-12-18T23:22:53Z pdf:docinfo:producer Acrobat 4.0 Import Plug-in for Windows pdf:docinfo:title PII: 0315-0860(89)90099-2 pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP false pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0'] producer Acrobat 4.0 Import Plug-in for Windows resourceName b'work_s3jefpwjnndhvf5vietzfr3bxi.pdf' title PII: 0315-0860(89)90099-2 xmp:CreatorTool Acrobat 4.0 Capture Plug-in for Windows xmpTPg:NPages 17 work_jlsoxwmetrdhfp53qdl25t3xui txt/../ent/work_jlsoxwmetrdhfp53qdl25t3xui.ent work_nm6cbsskwfaapajiladh2a5qva txt/../pos/work_nm6cbsskwfaapajiladh2a5qva.pos work_2gt4hsltvfbthnbnnqxti5hdze txt/../pos/work_2gt4hsltvfbthnbnnqxti5hdze.pos work_tknpu5yucjcsxjbsgv5kde5olm txt/../wrd/work_tknpu5yucjcsxjbsgv5kde5olm.wrd INFO Detecting media type for Filename: b'work_64ceqmrdrjfhndvhflpjgfgur4.pdf' INFO rmeta/text (autodetecting type) INFO Detecting media type for Filename: b'work_zf4ta43i6bbpxnbbocscwwge7i.pdf' INFO rmeta/text (autodetecting type) === file2bib.sh === Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2895, in get_loc return self._engine.get_loc(casted_key) File "pandas/_libs/index.pyx", line 70, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/index.pyx", line 101, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/hashtable_class_helper.pxi", line 1675, in pandas._libs.hashtable.PyObjectHashTable.get_item File "pandas/_libs/hashtable_class_helper.pxi", line 1683, in pandas._libs.hashtable.PyObjectHashTable.get_item KeyError: 'work_zf4ta43i6bbpxnbbocscwwge7i' The above exception was the direct cause of the following exception: Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/reader-compute/reader-classic/bin/file2bib.py", line 66, in if ( bibliographics.loc[ escape ,'author'] ) : author = bibliographics.loc[ escape,'author'] File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 873, in __getitem__ return self._getitem_tuple(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1044, in _getitem_tuple return self._getitem_lowerdim(tup) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 786, in _getitem_lowerdim section = self._getitem_axis(key, axis=i) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1110, in _getitem_axis return self._get_label(key, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1059, in _get_label return self.obj.xs(label, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/generic.py", line 3491, in xs loc = self.index.get_loc(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2897, in get_loc raise KeyError(key) from err KeyError: 'work_zf4ta43i6bbpxnbbocscwwge7i' work_mj6gddx2gvahljmx7zncknrfty txt/../ent/work_mj6gddx2gvahljmx7zncknrfty.ent work_tknpu5yucjcsxjbsgv5kde5olm txt/../pos/work_tknpu5yucjcsxjbsgv5kde5olm.pos work_3njkdpwtzrhivi7hfmcno26aoe txt/../wrd/work_3njkdpwtzrhivi7hfmcno26aoe.wrd work_ntn6bge3mrf4rkk2dgjgre5wz4 txt/../wrd/work_ntn6bge3mrf4rkk2dgjgre5wz4.wrd work_3njkdpwtzrhivi7hfmcno26aoe txt/../pos/work_3njkdpwtzrhivi7hfmcno26aoe.pos work_xkzug3pxdnaydjkmc2sdxajfbi txt/../ent/work_xkzug3pxdnaydjkmc2sdxajfbi.ent INFO Detecting media type for Filename: b'work_frymu6uqqbg2lhypatlm3bqxee.pdf' INFO rmeta/text (autodetecting type) WARN Using fallback font 'LiberationSans' for 'TimesNewRomanPSMT' WARN No Unicode mapping for CID+250 (250) in font TimesNewRomanPSMT-Identity-H WARN Using fallback font LiberationSerif-Italic for TimesNewRomanPS-ItalicMT WARN Using fallback font LiberationSans-Bold for TimesNewRomanPS-BoldMT WARN No Unicode mapping for CID+3 (3) in font Calibri-Identity-H WARN No Unicode mapping for CID+253 (253) in font TimesNewRomanPSMT-Identity-H WARN No Unicode mapping for CID+254 (254) in font TimesNewRomanPSMT-Identity-H WARN No Unicode mapping for CID+263 (263) in font TimesNewRomanPSMT-Identity-H WARN No Unicode mapping for CID+292 (292) in font TimesNewRomanPSMT-Identity-H WARN No Unicode mapping for CID+284 (284) in font TimesNewRomanPSMT-Identity-H WARN No Unicode mapping for CID+268 (268) in font TimesNewRomanPSMT-Identity-H WARN No Unicode mapping for CID+213 (213) in font MNAFKC+TimesNewRomanPSMT INFO Detecting media type for Filename: b'work_u3xp2nnkcvct7cecd2ijx7vdxu.pdf' INFO rmeta/text (autodetecting type) === file2bib.sh === Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2895, in get_loc return self._engine.get_loc(casted_key) File "pandas/_libs/index.pyx", line 70, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/index.pyx", line 101, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/hashtable_class_helper.pxi", line 1675, in pandas._libs.hashtable.PyObjectHashTable.get_item File "pandas/_libs/hashtable_class_helper.pxi", line 1683, in pandas._libs.hashtable.PyObjectHashTable.get_item KeyError: 'work_u3xp2nnkcvct7cecd2ijx7vdxu' The above exception was the direct cause of the following exception: Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/reader-compute/reader-classic/bin/file2bib.py", line 66, in if ( bibliographics.loc[ escape ,'author'] ) : author = bibliographics.loc[ escape,'author'] File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 873, in __getitem__ return self._getitem_tuple(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1044, in _getitem_tuple return self._getitem_lowerdim(tup) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 786, in _getitem_lowerdim section = self._getitem_axis(key, axis=i) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1110, in _getitem_axis return self._get_label(key, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1059, in _get_label return self.obj.xs(label, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/generic.py", line 3491, in xs loc = self.index.get_loc(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2897, in get_loc raise KeyError(key) from err KeyError: 'work_u3xp2nnkcvct7cecd2ijx7vdxu' work_ntn6bge3mrf4rkk2dgjgre5wz4 txt/../pos/work_ntn6bge3mrf4rkk2dgjgre5wz4.pos work_es5wgnmjdjemvobxhxrsjtdhyi txt/../ent/work_es5wgnmjdjemvobxhxrsjtdhyi.ent INFO Detecting media type for Filename: b'work_lwkwu57qd5ahfnovbpdhkw5vhq.pdf' INFO rmeta/text (autodetecting type) === file2bib.sh === Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2895, in get_loc return self._engine.get_loc(casted_key) File "pandas/_libs/index.pyx", line 70, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/index.pyx", line 101, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/hashtable_class_helper.pxi", line 1675, in pandas._libs.hashtable.PyObjectHashTable.get_item File "pandas/_libs/hashtable_class_helper.pxi", line 1683, in pandas._libs.hashtable.PyObjectHashTable.get_item KeyError: 'work_lwkwu57qd5ahfnovbpdhkw5vhq' The above exception was the direct cause of the following exception: Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/reader-compute/reader-classic/bin/file2bib.py", line 66, in if ( bibliographics.loc[ escape ,'author'] ) : author = bibliographics.loc[ escape,'author'] File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 873, in __getitem__ return self._getitem_tuple(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1044, in _getitem_tuple return self._getitem_lowerdim(tup) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 786, in _getitem_lowerdim section = self._getitem_axis(key, axis=i) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1110, in _getitem_axis return self._get_label(key, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1059, in _get_label return self.obj.xs(label, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/generic.py", line 3491, in xs loc = self.index.get_loc(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2897, in get_loc raise KeyError(key) from err KeyError: 'work_lwkwu57qd5ahfnovbpdhkw5vhq' === file2bib.sh === id: work_zrv7a6p4fvfnfjst7lkpjlswqu author: Y. Yin title: COMPREHENSIVE COMPARISON BETWEEN THE QING IMPERIAL GARDEN AND THE ENGLISH LANDSCAPE GARDEN IN THE 18TH CENTURY: A CULTURAL HERITAGE STUDIES APPROACH date: 2019 pages: 5 extension: .pdf txt: ./txt/work_zrv7a6p4fvfnfjst7lkpjlswqu.txt cache: ./cache/work_zrv7a6p4fvfnfjst7lkpjlswqu.pdf Author yysshanshui Comments Company Content-Type application/pdf Creation-Date 2019-07-22T01:09:59Z Keywords Last-Modified 2019-08-14T12:44:55Z Last-Save-Date 2019-08-14T12:44:55Z SourceModified D:20190722011000+00'10' X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 49 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true cp:subject created 2019-07-22T01:09:59Z creator yysshanshui date 2019-08-14T12:44:55Z dc:creator yysshanshui dc:format application/pdf; version=1.7 dc:subject dc:title dcterms:created 2019-07-22T01:09:59Z dcterms:modified 2019-08-14T12:44:55Z meta:author yysshanshui meta:creation-date 2019-07-22T01:09:59Z meta:keyword meta:save-date 2019-08-14T12:44:55Z modified 2019-08-14T12:44:55Z pdf:PDFVersion 1.7 pdf:charsPerPage ['2963', '5780', '3276', '3865', '1789'] pdf:docinfo:created 2019-07-22T01:09:59Z pdf:docinfo:creator yysshanshui pdf:docinfo:creator_tool WPS 文字 pdf:docinfo:custom:Comments pdf:docinfo:custom:Company pdf:docinfo:custom:SourceModified D:20190722011000+00'10' pdf:docinfo:keywords pdf:docinfo:modified 2019-08-14T12:44:55Z pdf:docinfo:producer pdf:docinfo:subject pdf:docinfo:title pdf:docinfo:trapped False pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0', '0'] producer resourceName b'work_zrv7a6p4fvfnfjst7lkpjlswqu.pdf' subject title trapped False xmp:CreatorTool WPS 文字 xmpMM:DocumentID uuid:0e9675d0-4b66-425b-9131-2208b3b7bc8b xmpTPg:NPages 5 work_l6mafgyxrzcqbgqynnfwl22fx4 txt/../wrd/work_l6mafgyxrzcqbgqynnfwl22fx4.wrd work_27ojiqrrtzenpbhgg7rggpboaa txt/../ent/work_27ojiqrrtzenpbhgg7rggpboaa.ent INFO Detecting media type for Filename: b'work_6gz4dwsda5ha3nr7yfkkaprpky.pdf' INFO rmeta/text (autodetecting type) work_bbhvsazkxzavhcgvimv2lgz3fe txt/../ent/work_bbhvsazkxzavhcgvimv2lgz3fe.ent work_l6mafgyxrzcqbgqynnfwl22fx4 txt/../pos/work_l6mafgyxrzcqbgqynnfwl22fx4.pos INFO Detecting media type for Filename: b'work_oq3g2f3tc5e2leg2oxyuhpa7he.pdf' INFO rmeta/text (autodetecting type) work_gcxyp6ur2jflbgb3hxhi72trs4 txt/../wrd/work_gcxyp6ur2jflbgb3hxhi72trs4.wrd INFO Detecting media type for Filename: b'work_ziw3hoz3pre47c6plwjzoryydy.pdf' INFO rmeta/text (autodetecting type) work_gcxyp6ur2jflbgb3hxhi72trs4 txt/../pos/work_gcxyp6ur2jflbgb3hxhi72trs4.pos work_b5y3n5oxpbbmjded7mjzrwiwsu txt/../pos/work_b5y3n5oxpbbmjded7mjzrwiwsu.pos work_horvale6ffhqxftvos5h6sbdcy txt/../wrd/work_horvale6ffhqxftvos5h6sbdcy.wrd === file2bib.sh === Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2895, in get_loc return self._engine.get_loc(casted_key) File "pandas/_libs/index.pyx", line 70, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/index.pyx", line 101, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/hashtable_class_helper.pxi", line 1675, in pandas._libs.hashtable.PyObjectHashTable.get_item File "pandas/_libs/hashtable_class_helper.pxi", line 1683, in pandas._libs.hashtable.PyObjectHashTable.get_item KeyError: 'work_ziw3hoz3pre47c6plwjzoryydy' The above exception was the direct cause of the following exception: Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/reader-compute/reader-classic/bin/file2bib.py", line 66, in if ( bibliographics.loc[ escape ,'author'] ) : author = bibliographics.loc[ escape,'author'] File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 873, in __getitem__ return self._getitem_tuple(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1044, in _getitem_tuple return self._getitem_lowerdim(tup) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 786, in _getitem_lowerdim section = self._getitem_axis(key, axis=i) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1110, in _getitem_axis return self._get_label(key, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1059, in _get_label return self.obj.xs(label, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/generic.py", line 3491, in xs loc = self.index.get_loc(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2897, in get_loc raise KeyError(key) from err KeyError: 'work_ziw3hoz3pre47c6plwjzoryydy' work_b5y3n5oxpbbmjded7mjzrwiwsu txt/../wrd/work_b5y3n5oxpbbmjded7mjzrwiwsu.wrd === file2bib.sh === id: work_bvq5znaqafbg3ep4jq6qqcljsy author: Elisabetta Corsi title: "Visiting Humanists" and Their Interpreters: Ricci (and Ruggieri) in China date: 2012 pages: 8 extension: .pdf txt: ./txt/work_bvq5znaqafbg3ep4jq6qqcljsy.txt cache: ./cache/work_bvq5znaqafbg3ep4jq6qqcljsy.pdf Content-Type application/pdf Creation-Date 2013-10-10T22:26:23Z Last-Modified 2013-10-10T22:26:24Z Last-Save-Date 2013-10-10T22:26:24Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 47 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2013-10-10T22:26:23Z date 2013-10-10T22:26:24Z dc:format application/pdf; version=1.4 dcterms:created 2013-10-10T22:26:23Z dcterms:modified 2013-10-10T22:26:24Z meta:creation-date 2013-10-10T22:26:23Z meta:save-date 2013-10-10T22:26:24Z modified 2013-10-10T22:26:24Z pdf:PDFVersion 1.4 pdf:charsPerPage ['2502', '3589', '3533', '3500', '3464', '3483', '3505', '3799'] pdf:docinfo:created 2013-10-10T22:26:23Z pdf:docinfo:creator_tool PDFsharp 1.31.1789-g (www.pdfsharp.com) pdf:docinfo:modified 2013-10-10T22:26:24Z pdf:docinfo:producer PDFsharp 1.31.1789-g (www.pdfsharp.com) pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP false pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0', '0', '0', '0', '0'] producer PDFsharp 1.31.1789-g (www.pdfsharp.com) resourceName b'work_bvq5znaqafbg3ep4jq6qqcljsy.pdf' xmp:CreatorTool PDFsharp 1.31.1789-g (www.pdfsharp.com) xmpTPg:NPages 8 === file2bib.sh === id: work_bjxsnu4df5atjofgccv3yfulfy author: G Pappalardo title: Non-destructive characterization of Della Robbia sculptures at the Bargello museum in Florence by the combined use of PIXE and XRF portable systems date: 2004 pages: 6 extension: .pdf txt: ./txt/work_bjxsnu4df5atjofgccv3yfulfy.txt cache: ./cache/work_bjxsnu4df5atjofgccv3yfulfy.pdf Content-Type application/pdf Creation-Date 2004-05-18T10:02:08Z Last-Modified 2004-05-18T10:02:08Z Last-Save-Date 2004-05-18T10:02:08Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 31 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2004-05-18T10:02:08Z date 2004-05-18T10:02:08Z dc:format application/pdf; version=1.3 dc:title doi:10.1016/j.culher.2003.08.002 dcterms:created 2004-05-18T10:02:08Z dcterms:modified 2004-05-18T10:02:08Z meta:creation-date 2004-05-18T10:02:08Z meta:save-date 2004-05-18T10:02:08Z modified 2004-05-18T10:02:08Z pdf:PDFVersion 1.3 pdf:charsPerPage ['3201', '3097', '1411', '2208', '3419', '5110'] pdf:docinfo:created 2004-05-18T10:02:08Z pdf:docinfo:creator_tool Elsevier pdf:docinfo:modified 2004-05-18T10:02:08Z pdf:docinfo:producer pdf:docinfo:title doi:10.1016/j.culher.2003.08.002 pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0', '0', '0'] producer resourceName b'work_bjxsnu4df5atjofgccv3yfulfy.pdf' title doi:10.1016/j.culher.2003.08.002 xmp:CreatorTool Elsevier xmpTPg:NPages 6 work_v4axvbd4tre6rfrqvrcexynoei txt/../ent/work_v4axvbd4tre6rfrqvrcexynoei.ent work_horvale6ffhqxftvos5h6sbdcy txt/../pos/work_horvale6ffhqxftvos5h6sbdcy.pos work_i5x3h53suva4fbl447zliyfrae txt/../wrd/work_i5x3h53suva4fbl447zliyfrae.wrd work_zwzwjzfvkzbczohm4s2xhsqjlu txt/../ent/work_zwzwjzfvkzbczohm4s2xhsqjlu.ent work_hteicaa3v5d6jomnlfdp3z26va txt/../pos/work_hteicaa3v5d6jomnlfdp3z26va.pos work_hovjdokejfachpds22cfi7zocu txt/../ent/work_hovjdokejfachpds22cfi7zocu.ent work_i5x3h53suva4fbl447zliyfrae txt/../pos/work_i5x3h53suva4fbl447zliyfrae.pos work_hteicaa3v5d6jomnlfdp3z26va txt/../wrd/work_hteicaa3v5d6jomnlfdp3z26va.wrd === file2bib.sh === id: work_u74foqxbj5c2njl6cf7wvbf3ge author: Gregory A Petsko title: Galileo's stepchildren date: 2003 pages: 2 extension: .pdf txt: ./txt/work_u74foqxbj5c2njl6cf7wvbf3ge.txt cache: ./cache/work_u74foqxbj5c2njl6cf7wvbf3ge.pdf Content-Type application/pdf Creation-Date 2015-12-18T13:36:54Z Last-Modified 2015-12-18T13:36:54Z Last-Save-Date 2015-12-18T13:36:54Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 13 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2015-12-18T13:36:54Z date 2015-12-18T13:36:54Z dc:format ['application/pdf; version="A-1b"', 'application/pdf; version=1.4'] dc:language EN dcterms:created 2015-12-18T13:36:54Z dcterms:modified 2015-12-18T13:36:54Z language EN meta:creation-date 2015-12-18T13:36:54Z meta:save-date 2015-12-18T13:36:54Z modified 2015-12-18T13:36:54Z pdf:PDFVersion 1.4 pdf:charsPerPage ['4830', '3708'] pdf:docinfo:created 2015-12-18T13:36:54Z pdf:docinfo:modified 2015-12-18T13:36:54Z pdf:docinfo:producer Acrobat Distiller 11.0.9(Windows) pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['0', '0'] pdfa:PDFVersion A-1b pdfaid:conformance B pdfaid:part 1 producer Acrobat Distiller 11.0.9(Windows) resourceName b'work_u74foqxbj5c2njl6cf7wvbf3ge.pdf' xmpMM:DocumentID uuid:9c671887-aac8-4e71-a8de-eea29ff6dcf5 xmpMM:History:Action converted xmpMM:History:InstanceID uuid:b2a85eda-072c-4ea7-a7a7-d7242ed91026 xmpMM:History:SoftwareAgent pdfToolbox xmpMM:History:When 2015-12-18T19:06:54Z xmpTPg:NPages 2 work_3pl6vuybd5bm5hyut3yoe4wa4e txt/../ent/work_3pl6vuybd5bm5hyut3yoe4wa4e.ent work_ozxd2ionwbfhbelz65jugccfu4 txt/../ent/work_ozxd2ionwbfhbelz65jugccfu4.ent INFO Detecting media type for Filename: b'work_c5qxoeff2faibmot6yx2c4l5la.pdf' INFO rmeta/text (autodetecting type) WARN Using fallback font 'LiberationSans' for 'TimesNewRomanPSMT' work_pcafmyawcffjzbxa4voqncf7ra txt/../ent/work_pcafmyawcffjzbxa4voqncf7ra.ent === file2bib.sh === id: work_t3ltsd5vgbea5j4bzaesckjc7q author: Jo Ann Cavallo title: Boiardo and Ariosto in Contemporary Sicilian Puppet Theater and the Tuscan-Emilian Epic Maggio date: 2018 pages: 16 extension: .pdf txt: ./txt/work_t3ltsd5vgbea5j4bzaesckjc7q.txt cache: ./cache/work_t3ltsd5vgbea5j4bzaesckjc7q.pdf Content-Type application/pdf Creation-Date 2018-07-09T08:01:17Z Last-Modified 2018-07-16T14:37:46Z Last-Save-Date 2018-07-16T14:37:46Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 47 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2018-07-09T08:01:17Z date 2018-07-16T14:37:46Z dc:format application/pdf; version=1.6 dcterms:created 2018-07-09T08:01:17Z dcterms:modified 2018-07-16T14:37:46Z meta:creation-date 2018-07-09T08:01:17Z meta:save-date 2018-07-16T14:37:46Z modified 2018-07-16T14:37:46Z pdf:PDFVersion 1.6 pdf:charsPerPage ['1440', '2961', '2670', '2657', '3003', '2625', '1246', '2634', '2588', '2721', '2735', '2490', '2746', '2501', '1691', '1686'] pdf:docinfo:created 2018-07-09T08:01:17Z pdf:docinfo:modified 2018-07-16T14:37:46Z pdf:docinfo:producer Mac OS X 10.11.6 Quartz PDFContext pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0'] producer Mac OS X 10.11.6 Quartz PDFContext resourceName b'work_t3ltsd5vgbea5j4bzaesckjc7q.pdf' xmpMM:DocumentID uuid:e22d4b94-7924-324f-bd99-de5f268a5136 xmpTPg:NPages 16 INFO Detecting media type for Filename: b'work_ooyvq33vwvedxesyn44lapqdoy.pdf' INFO rmeta/text (autodetecting type) === file2bib.sh === id: work_6zxqgvyozzdlvfr7bnudh7u3ua author: Stefan Muthesius title: 'Modernism and, or versus traditionalism: the work of the Wagnerschűler Leopold Bauer'. Review of: Jindřich Vybiral, Leopold Bauer, Häretiker der modernen Architektur 1872-1938, Basel: Birkhäuser, 2018 date: 2019 pages: 5 extension: .pdf txt: ./txt/work_6zxqgvyozzdlvfr7bnudh7u3ua.txt cache: ./cache/work_6zxqgvyozzdlvfr7bnudh7u3ua.pdf Author stefan muthesius Content-Type application/pdf Creation-Date 2019-08-21T11:14:30Z Last-Modified 2019-08-21T11:14:30Z Last-Save-Date 2019-08-21T11:14:30Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 60 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2019-08-21T11:14:30Z creator stefan muthesius date 2019-08-21T11:14:30Z dc:creator stefan muthesius dc:format application/pdf; version=1.5 dc:language en-GB dcterms:created 2019-08-21T11:14:30Z dcterms:modified 2019-08-21T11:14:30Z language en-GB meta:author stefan muthesius meta:creation-date 2019-08-21T11:14:30Z meta:save-date 2019-08-21T11:14:30Z modified 2019-08-21T11:14:30Z pdf:PDFVersion 1.5 pdf:charsPerPage ['3076', '3771', '3741', '3759', '2712'] pdf:docinfo:created 2019-08-21T11:14:30Z pdf:docinfo:creator stefan muthesius pdf:docinfo:creator_tool Microsoft® Office Word 2007 pdf:docinfo:modified 2019-08-21T11:14:30Z pdf:docinfo:producer Microsoft® Office Word 2007 pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP false pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0', '0'] producer Microsoft® Office Word 2007 resourceName b'work_6zxqgvyozzdlvfr7bnudh7u3ua.pdf' xmp:CreatorTool Microsoft® Office Word 2007 xmpTPg:NPages 5 INFO Detecting media type for Filename: b'work_y3sxrelf3ncznhdsztx53rdtza.pdf' INFO rmeta/text (autodetecting type) === file2bib.sh === Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2895, in get_loc return self._engine.get_loc(casted_key) File "pandas/_libs/index.pyx", line 70, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/index.pyx", line 101, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/hashtable_class_helper.pxi", line 1675, in pandas._libs.hashtable.PyObjectHashTable.get_item File "pandas/_libs/hashtable_class_helper.pxi", line 1683, in pandas._libs.hashtable.PyObjectHashTable.get_item KeyError: 'work_y3sxrelf3ncznhdsztx53rdtza' The above exception was the direct cause of the following exception: Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/reader-compute/reader-classic/bin/file2bib.py", line 66, in if ( bibliographics.loc[ escape ,'author'] ) : author = bibliographics.loc[ escape,'author'] File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 873, in __getitem__ return self._getitem_tuple(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1044, in _getitem_tuple return self._getitem_lowerdim(tup) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 786, in _getitem_lowerdim section = self._getitem_axis(key, axis=i) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1110, in _getitem_axis return self._get_label(key, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1059, in _get_label return self.obj.xs(label, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/generic.py", line 3491, in xs loc = self.index.get_loc(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2897, in get_loc raise KeyError(key) from err KeyError: 'work_y3sxrelf3ncznhdsztx53rdtza' work_pexfi5us2fdinhhrwu7zjh32ui txt/../ent/work_pexfi5us2fdinhhrwu7zjh32ui.ent work_arludgr2yvfndhq4sgdsgwhgwm txt/../wrd/work_arludgr2yvfndhq4sgdsgwhgwm.wrd work_e25keos5erhhxapt5sq3gseug4 txt/../pos/work_e25keos5erhhxapt5sq3gseug4.pos work_k4atpxw6z5chxkkwgiu4btdlje txt/../pos/work_k4atpxw6z5chxkkwgiu4btdlje.pos work_e25keos5erhhxapt5sq3gseug4 txt/../wrd/work_e25keos5erhhxapt5sq3gseug4.wrd INFO Detecting media type for Filename: b'work_6x4nzyyngrdthbwvs57cebjsnm.pdf' INFO rmeta/text (autodetecting type) work_arludgr2yvfndhq4sgdsgwhgwm txt/../pos/work_arludgr2yvfndhq4sgdsgwhgwm.pos work_k4atpxw6z5chxkkwgiu4btdlje txt/../wrd/work_k4atpxw6z5chxkkwgiu4btdlje.wrd === file2bib.sh === Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2895, in get_loc return self._engine.get_loc(casted_key) File "pandas/_libs/index.pyx", line 70, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/index.pyx", line 101, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/hashtable_class_helper.pxi", line 1675, in pandas._libs.hashtable.PyObjectHashTable.get_item File "pandas/_libs/hashtable_class_helper.pxi", line 1683, in pandas._libs.hashtable.PyObjectHashTable.get_item KeyError: 'work_6x4nzyyngrdthbwvs57cebjsnm' The above exception was the direct cause of the following exception: Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/reader-compute/reader-classic/bin/file2bib.py", line 66, in if ( bibliographics.loc[ escape ,'author'] ) : author = bibliographics.loc[ escape,'author'] File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 873, in __getitem__ return self._getitem_tuple(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1044, in _getitem_tuple return self._getitem_lowerdim(tup) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 786, in _getitem_lowerdim section = self._getitem_axis(key, axis=i) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1110, in _getitem_axis return self._get_label(key, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1059, in _get_label return self.obj.xs(label, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/generic.py", line 3491, in xs loc = self.index.get_loc(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2897, in get_loc raise KeyError(key) from err KeyError: 'work_6x4nzyyngrdthbwvs57cebjsnm' work_jst3decocjecpclg65do63kaqq txt/../wrd/work_jst3decocjecpclg65do63kaqq.wrd work_jst3decocjecpclg65do63kaqq txt/../pos/work_jst3decocjecpclg65do63kaqq.pos INFO Detecting media type for Filename: b'work_auwp6swqw5bfxa32wkn7px7lg4.pdf' INFO rmeta/text (autodetecting type) WARN Using fallback font 'LiberationSans' for 'TimesNewRomanPSMT' WARN Using fallback font 'LiberationSans' for 'TimesNewRomanPS-ItalicMT' WARN Using fallback font 'LiberationSans-Bold' for 'TimesNewRomanPS-BoldMT' INFO Detecting media type for Filename: b'work_k4atpxw6z5chxkkwgiu4btdlje.pdf' === file2bib.sh === id: work_tjca5n7vpba2zdlv7ffnxjq2hu author: Raúl Martínez Martínez title: Bruno Zevi, the Continental European Emissary of Geoffrey Scott's Theories date: 2019 pages: 25 extension: .pdf txt: ./txt/work_tjca5n7vpba2zdlv7ffnxjq2hu.txt cache: ./cache/work_tjca5n7vpba2zdlv7ffnxjq2hu.pdf Author Raúl Martínez Martínez Content-Type application/pdf Creation-Date 2019-02-11T06:12:03Z Last-Modified 2019-03-14T11:44:00Z Last-Save-Date 2019-03-14T11:44:00Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 86 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2019-02-11T06:12:03Z creator Raúl Martínez Martínez date 2019-03-14T11:44:00Z dc:creator Raúl Martínez Martínez dc:description The Journal of Architecture, 2018. doi:10.1080/13602365.2018.1527383 dc:format application/pdf; version=1.4 dc:title Bruno Zevi, the continental European emissary of Geoffrey Scott’s theories dcterms:created 2019-02-11T06:12:03Z dcterms:modified 2019-03-14T11:44:00Z description The Journal of Architecture, 2018. doi:10.1080/13602365.2018.1527383 meta:author Raúl Martínez Martínez meta:creation-date 2019-02-11T06:12:03Z meta:save-date 2019-03-14T11:44:00Z modified 2019-03-14T11:44:00Z pdf:PDFVersion 1.4 pdf:charsPerPage ['812', '2851', '3186', '3094', '3198', '3183', '448', '312', '2984', '3043', '355', '248', '3153', '2939', '2918', '345', '2993', '285', '2918', '3000', '334', '2742', '3094', '2960', '2002'] pdf:docinfo:created 2019-02-11T06:12:03Z pdf:docinfo:creator_tool Arbortext Advanced Print Publisher 10.0.1465/W Unicode pdf:docinfo:modified 2019-03-14T11:44:00Z pdf:docinfo:producer iText 4.2.0 by 1T3XT pdf:docinfo:title untitled pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0'] producer iText 4.2.0 by 1T3XT resourceName b'work_tjca5n7vpba2zdlv7ffnxjq2hu.pdf' title Bruno Zevi, the continental European emissary of Geoffrey Scott’s theories xmp:CreatorTool Arbortext Advanced Print Publisher 10.0.1465/W Unicode xmpTPg:NPages 25 INFO rmeta/text (autodetecting type) INFO Detecting media type for Filename: b'work_bxudptucfjdi7cvg4vctjdnmuq.pdf' INFO rmeta/text (autodetecting type) === file2bib.sh === id: work_f3fuzpnijvc6nk5axrr6bsjkce author: Mary E. Helander title: The gravity of an edge date: 2018 pages: 35 extension: .pdf txt: ./txt/work_f3fuzpnijvc6nk5axrr6bsjkce.txt cache: ./cache/work_f3fuzpnijvc6nk5axrr6bsjkce.pdf Author Mary Helander Content-Type application/pdf Creation-Date 2019-12-13T09:01:13Z Keywords Last-Modified 2019-12-19T10:45:24Z Last-Save-Date 2019-12-19T10:45:24Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 150 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true cp:subject Appl Netw Sci, doi:10.1007/s41109-018-0063-6 created 2019-12-13T09:01:13Z creator Mary Helander date 2019-12-19T10:45:24Z dc:creator Mary Helander dc:description Appl Netw Sci, doi:10.1007/s41109-018-0063-6 dc:format ['application/pdf; version="A-2b"', 'application/pdf; version=1.3'] dc:subject dc:title The Gravity of an Edge dcterms:created 2019-12-13T09:01:13Z dcterms:modified 2019-12-19T10:45:24Z description Appl Netw Sci, doi:10.1007/s41109-018-0063-6 meta:author Mary Helander meta:creation-date 2019-12-13T09:01:13Z meta:keyword meta:save-date 2019-12-19T10:45:24Z modified 2019-12-19T10:45:24Z pdf:PDFVersion 1.3 pdf:charsPerPage ['3062', '3263', '3173', '2853', '2716', '2822', '1612', '1763', '2088', '1730', '1508', '235', '2068', '880', '1246', '665', '1044', '1717', '853', '1186', '644', '1180', '1037', '813', '1181', '1302', '762', '3255', '3075', '3254', '3015', '3094', '3341', '4329', '3412'] pdf:docinfo:created 2019-12-13T09:01:13Z pdf:docinfo:creator Mary Helander pdf:docinfo:creator_tool LaTeX with hyperref package pdf:docinfo:keywords pdf:docinfo:modified 2019-12-19T10:45:24Z pdf:docinfo:producer Acrobat Distiller 10.0.0 (Windows); modified using iText® 5.3.5 ©2000-2012 1T3XT BVBA (SPRINGER SBM; licensed version) pdf:docinfo:subject Appl Netw Sci, doi:10.1007/s41109-018-0063-6 pdf:docinfo:title The Gravity of an Edge pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['0', '0', '1', '2', '4', '19', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0'] pdfa:PDFVersion A-2b pdfaid:conformance B pdfaid:part 2 producer Acrobat Distiller 10.0.0 (Windows); modified using iText® 5.3.5 ©2000-2012 1T3XT BVBA (SPRINGER SBM; licensed version) resourceName b'work_f3fuzpnijvc6nk5axrr6bsjkce.pdf' subject Appl Netw Sci, doi:10.1007/s41109-018-0063-6 title The Gravity of an Edge xmp:CreatorTool LaTeX with hyperref package xmpMM:DocumentID uuid:4f856986-a64f-471f-b302-2dc7e394a984 xmpMM:History:Action converted xmpMM:History:InstanceID uuid:4f856986-a64f-471f-b302-2dc7e394a984 xmpMM:History:SoftwareAgent pdfToolbox xmpMM:History:When 2019-12-18T10:23:07Z xmpTPg:NPages 35 === file2bib.sh === Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2895, in get_loc return self._engine.get_loc(casted_key) File "pandas/_libs/index.pyx", line 70, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/index.pyx", line 101, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/hashtable_class_helper.pxi", line 1675, in pandas._libs.hashtable.PyObjectHashTable.get_item File "pandas/_libs/hashtable_class_helper.pxi", line 1683, in pandas._libs.hashtable.PyObjectHashTable.get_item KeyError: 'work_k4atpxw6z5chxkkwgiu4btdlje' The above exception was the direct cause of the following exception: Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/reader-compute/reader-classic/bin/file2bib.py", line 66, in if ( bibliographics.loc[ escape ,'author'] ) : author = bibliographics.loc[ escape,'author'] File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 873, in __getitem__ return self._getitem_tuple(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1044, in _getitem_tuple return self._getitem_lowerdim(tup) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 786, in _getitem_lowerdim section = self._getitem_axis(key, axis=i) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1110, in _getitem_axis return self._get_label(key, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1059, in _get_label return self.obj.xs(label, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/generic.py", line 3491, in xs loc = self.index.get_loc(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2897, in get_loc raise KeyError(key) from err KeyError: 'work_k4atpxw6z5chxkkwgiu4btdlje' === file2bib.sh === id: work_frymu6uqqbg2lhypatlm3bqxee author: Miloš Duraj title: Monuments of the Czech Republic on the UNESCO World Heritage Site List and their Significance for Geotourism date: 2016 pages: 6 extension: .pdf txt: ./txt/work_frymu6uqqbg2lhypatlm3bqxee.txt cache: ./cache/work_frymu6uqqbg2lhypatlm3bqxee.pdf Author ['Miloš Duraj', 'Marian Marschalko', 'Dominik Niemiec', 'Işik Yilmaz'] Content-Type application/pdf Creation-Date 2016-10-18T13:35:51Z CrossMarkDomains[1] sciencedirect.com CrossMarkDomains[2] elsevier.com CrossmarkDomainExclusive true CrossmarkMajorVersionDate 2010-04-23 ElsevierWebPDFSpecifications 6.5 Last-Modified 2016-10-18T13:52:24Z Last-Save-Date 2016-10-18T13:52:24Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 31 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true cp:subject Procedia Engineering, 161 (2016) 2265-2270. doi:10.1016/j.proeng.2016.08.826 created 2016-10-18T13:35:51Z creator ['Miloš Duraj', 'Marian Marschalko', 'Dominik Niemiec', 'Işik Yilmaz'] date 2016-10-18T13:52:24Z dc:creator ['Miloš Duraj', 'Marian Marschalko', 'Dominik Niemiec', 'Işik Yilmaz'] dc:description Procedia Engineering, 161 (2016) 2265-2270. doi:10.1016/j.proeng.2016.08.826 dc:format application/pdf; 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At the same time, they have been confronted with suspicion by scientists following the general trend of extreme specialization who tend to contest the possibility of covering such vast areas of knowledge and still staying inside the limits of scientific research. created 2018-05-18T07:50:04Z creator Dimitri Kitsikis date 2018-05-18T07:50:04Z dc:creator Dimitri Kitsikis dc:description Both Geopolitics and World History, linked together in the field of International Relations, are social sciences particularly adapted to our present era of planetarian globalization. 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At the same time, they have been confronted with suspicion by scientists following the general trend of extreme specialization who tend to contest the possibility of covering such vast areas of knowledge and still staying inside the limits of scientific research. meta:author Dimitri Kitsikis meta:creation-date 2018-05-18T07:50:04Z meta:save-date 2018-05-18T07:50:04Z modified 2018-05-18T07:50:04Z pdf:PDFVersion 1.4 pdf:charsPerPage ['6055', '881'] pdf:docinfo:created 2018-05-18T07:50:04Z pdf:docinfo:creator Dimitri Kitsikis pdf:docinfo:creator_tool Adobe InDesign CC 2014 (Windows) pdf:docinfo:modified 2018-05-18T07:50:04Z pdf:docinfo:producer Adobe PDF Library 11.0 pdf:docinfo:subject Both Geopolitics and World History, linked together in the field of International Relations, are social sciences particularly adapted to our present era of planetarian globalization. At the same time, they have been confronted with suspicion by scientists following the general trend of extreme specialization who tend to contest the possibility of covering such vast areas of knowledge and still staying inside the limits of scientific research. pdf:docinfo:title The difficulty of being a geo politician and a world historian pdf:docinfo:trapped False pdf:encrypted false pdf:hasMarkedContent true pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['0', '0'] producer Adobe PDF Library 11.0 resourceName b'work_oq3g2f3tc5e2leg2oxyuhpa7he.pdf' subject Both Geopolitics and World History, linked together in the field of International Relations, are social sciences particularly adapted to our present era of planetarian globalization. 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Reducing italianRenaissance-from-scholar === reduce.pl bib === id = work_c3avnxoawbdtrgtzmzj5kkbgfi author = W. Houk title = The Look of L.A date = 1984 pages = extension = .pdf mime = text/html words = 560 sentences = 119 flesch = 64 summary = | California History | University of California Press Skip to Main Content Close mobile search navigation Article Navigation Article Navigation Article Navigation Search for other works by this author on: Views Icon Article contents Share Icon Tools Icon Cite Icon Search Site Walter Houk; The Look of L.A.. California History 1 January 1984; 63 (1): 58–65. toolbar search search input search input Search input auto suggest Search input auto suggest California History California History California History This content is only available via PDF. Please check your email address / username and password and try again. Citing articles via Email alerts Article Activity Alert Latest Issue Alert Browse Issues Browse Issues Info for Authors Print ISSN 0162-2897 Visit the UC Press Blog Browse All Disciplines Browse All Courses Book Authors Journal Authors Rights & Permissions © Copyright 2021 by the Regents of the University of California. Sign In or Create an Account cache = ./cache/work_c3avnxoawbdtrgtzmzj5kkbgfi.pdf txt = ./txt/work_c3avnxoawbdtrgtzmzj5kkbgfi.txt === reduce.pl bib === id = work_b45vgls3mjcejkflq6gv5dbdum author = Jeffrey Lieber title = Reviews Winter 2021 date = 2021 pages = 11 extension = .pdf mime = application/pdf words = 7664 sentences = 544 flesch = 58 summary = A review of Nicholas Adams, Gordon Bunshaft and SOM: Building Corporate Modernism. A review of David Hemsoll, Emulating Antiquity: Renaissance Buildings from Brunelleschi to Nicholas Adams, Gordon Bunshaft and SOM: Building Corporate Modernism, New Haven: Yale University Press, 296 Gordon Bunshaft and SOM: Building Corporate Modernism not traits normally ascribed to Bunshaft or his architecture, but over and again throughout the book, by focusing attention on specific details, Adams shows him to be during the 20th century by archaeologists and architectural historians to discuss ancient and medieval buildings with evident traces of reconstructions or restorations 2003), history of cities (Adams 1994), museum buildings David Hemsoll, Emulating Antiquity: Renaissance Buildings from Brunelleschi to Michelangelo, New Haven and Figure 3: Cover of Emulating Antiquity: Renaissance Buildings from Brunelleschi to Michelangelo. achievements of the Florentines is well documented, credits Brunelleschi with inaugurating the Renaissance in architecture and plotting a course in which successive designers cache = ./cache/work_b45vgls3mjcejkflq6gv5dbdum.pdf txt = ./txt/work_b45vgls3mjcejkflq6gv5dbdum.txt === reduce.pl bib === id = work_mj6gddx2gvahljmx7zncknrfty author = I. I. Rabi title = SCIENCE AND THE SATISFACTION OF HUMAN ASPIRATIONS date = 1963 pages = 5 extension = .pdf mime = application/pdf words = 3166 sentences = 317 flesch = 73 summary = and even a fusion of scientific skills, from what have been called, up to now, "different" sciences. SCIENCE AND THE SATISFACTION OF HUMAN ASPIRATIONS less immediate questions, we have had a general overview of science from the aspects its more intimate relation to the individual: science and the satisfaction of human Basically, this element of science satisfies more immediately the desire to discover This aspect of the pursuit of science satisfies a basic desire or aspiration just to value for the race) or somehow those who possess the gift lack the ability to communicate the deep meaning, the excitement, and the satisfactions of scientific discovery. Unless the public shares in our aspirations and our satisfactions in the scientific men, both from the side of science and of religion, have assured us that there is no In contrasting science with the humanities and religion, the more pedestrian There is a quality about science, or rather about nature, cache = ./cache/work_mj6gddx2gvahljmx7zncknrfty.pdf txt = ./txt/work_mj6gddx2gvahljmx7zncknrfty.txt === reduce.pl bib === === reduce.pl bib === id = work_qrgfwpeionck3mquhuuq3scbku author = C. Guglieri Rodriguez title = A comparative study of Hispano-Moorish and Italian Renaissance lustred majolicas by using X-ray absorption spectroscopy date = 2015 pages = 7 extension = .pdf mime = application/pdf words = 5684 sentences = 711 flesch = 76 summary = A comparative study of Hispano-Moorish and Italian Renaissance lustred majolicas by using X-ray absorption spectroscopy A comparative study of Hispano-Moorish and Italian Renaissance lustred majolicas by using X-ray absorption spectroscopy A comparative study of Hispano-Moorish and Italian Renaissance lustred majolicas by using X-ray absorption spectroscopy A comparative study of Hispano-Moorish and Italian Renaissance lustred majolicas by using X-ray absorption spectroscopy A comparative study of Hispano-Moorish and Italian Renaissance lustred majolicas by using X-ray absorption spectroscopy A comparative study of Hispano-Moorish and Italian Renaissance lustred majolicas by using X-ray absorption spectroscopy A comparative study of Hispano-Moorish and Italian Renaissance lustred majolicas by using X-ray absorption spectroscopy A comparative study of Hispano-Moorish and Italian Renaissance lustred majolicas by using X-ray absorption spectroscopy A comparative study of Hispano-Moorish and Italian Renaissance lustred majolicas by using X-ray absorption spectroscopy A comparative study of Hispano-Moorish and Italian Renaissance lustred majolicas by using X-ray absorption spectroscopy cache = ./cache/work_qrgfwpeionck3mquhuuq3scbku.pdf txt = ./txt/work_qrgfwpeionck3mquhuuq3scbku.txt === reduce.pl bib === id = work_db3ig76kabgabikjk2z7k3vysm author = J. Marshall title = The Theatre of Life and Death date = 2003 pages = extension = .pdf mime = application/xml words = 144 sentences = 26 flesch = 71 summary = sys_1000 wp-p1m-39.ebi.ac.uk wp-p1m-39.ebi.ac.uk exception exception Params is empty Params is empty Params is empty if (typeof jQuery === "undefined") document.write('[script type="text/javascript" src="/corehtml/pmc/jig/1.14.8/js/jig.min.js"][/script]'.replace(/\[/g,String.fromCharCode(60)).replace(/\]/g,String.fromCharCode(62))); // // // window.name="mainwindow"; .pmc-wm {background:transparent repeat-y top left;background-image:url(/corehtml/pmc/pmcgifs/wm-nobrand.png);background-size: auto, contain} .print-view{display:block} Page not available Reason: The web page address (URL) that you used may be incorrect. Message ID: 218040501 (wp-p1m-39.ebi.ac.uk) Time: 2021/04/06 02:06:13 If you need further help, please send an email to PMC. Include the information from the box above in your message. Otherwise, click on one of the following links to continue using PMC: Search the complete PMC archive. Browse the contents of a specific journal in PMC. Find a specific article by its citation (journal, date, volume, first page, author or article title). http://europepmc.org/abstract/MED/ cache = ./cache/work_db3ig76kabgabikjk2z7k3vysm.pdf txt = ./txt/work_db3ig76kabgabikjk2z7k3vysm.txt === reduce.pl bib === id = work_ctw7clrpwjalhawwjcnlztrlaa author = Farhad B. Naini title = Nasofacial angle and nasal prominence: A quantitative investigation of idealized and normative values date = 2016 pages = 33 extension = .pdf mime = application/pdf words = 5710 sentences = 791 flesch = 68 summary = Nasofacial angle and nasal prominence: A quantitative investigation of idealized and normative values angle and nasal prominence: A quantitative investigation of idealized and normative values, Journal of Nasofacial angle and nasal prominence: A quantitative investigation of idealized and Nasofacial angle and nasal prominence: A quantitative investigation of idealized and Results: A nasofacial angle of approximately 30° was deemed to be ideal, with a range of patients as observers, as well as laypersons and clinicians, in facial attractiveness research. Keywords: nasofacial angle, nasal tip prominence, rhinoplasty, profile aesthetics important factor in the perception of facial profile attractiveness (Pearson and Adamson, each image in terms of facial attractiveness using the following rating scale: patients as observers in facial attractiveness research. female profile images painted in the Renaissance, the nasofacial angle is again within the The nasofacial angle of the idealized profile image was altered incrementally, Image Angle (°) Patients Laypersons Clinicians cache = ./cache/work_ctw7clrpwjalhawwjcnlztrlaa.pdf txt = ./txt/work_ctw7clrpwjalhawwjcnlztrlaa.txt === reduce.pl bib === id = work_33mifywa6rgttcmle2p3n7fnei author = Robert Fredona title = Italy and the Origins of Capitalism date = 2020 pages = 34 extension = .pdf mime = application/pdf words = 17644 sentences = 1131 flesch = 58 summary = Capitalism does not seem like a concept in danger of disappearing.1 Atthe Fourth Congress of the International Economic History Association, which met in Bloomington, Indiana, in September 1968, however, Lane, "Meanings of Capitalism," in "The Tasks of Economic History," ed. so-called new history of capitalism is only one strand in this story, but for an enlightening discussion of one of its predominant themes, see John J. A. Friedman, "Recent Trends in Business History Research: Capitalism, Democracy, and Innovation," Enterprise & Society 18, no. the Middle Ages with economically sophisticated merchants, imbued with a capitalist mentality." Sombart, "Medieval and Modern Commercial Enterprise," in Enterprise and Secular Mueller has also, more generally, noted the influence of Gras's business history group on Lane. Since the time of Sombart, the "origins" of "modern" economic conditions, alternatively identified with "capitalism" or even "the economy" cache = ./cache/work_33mifywa6rgttcmle2p3n7fnei.pdf txt = ./txt/work_33mifywa6rgttcmle2p3n7fnei.txt === reduce.pl bib === id = work_7jnmq62lqja3fihdcs4dtpiqem author = John Sellars title = Renaissance Philosophy date = 2012 pages = 11 extension = .pdf mime = application/pdf words = 4173 sentences = 247 flesch = 61 summary = Philosophi: Marsilio Ficino and His Influence, Brill's Studies in Intellectual between medieval and early modern philosophy should note that Kristeller's Scholastic Philosophy, I Tatti Studies in Italian Renaissance History (Cambridge, MA: into the early modern period it is worth noting two recent collections of essays devoted to more distant, this close attention to the texts that Poliziano (and Ficino) As I have noted, one of the themes in the essays discussing Poliziano's Praelectio/Lamia is Poliziano's relationship with Ficino. Shapiro, eds, Renaissance Philosophy I: The Italian Philosophers (New York: The Modern Ficino is the subject of another recent book on Renaissance philosophy, a The first half of the volume is entitled 'The Philosophy of Marsilio Ficino' 10 Marsilio Ficino: His Theology, His Philosophy, His Legacy, ed. Ficino's debt to Neoplatonism is the topic of Dillon's chapter, focusing on of Ficino's philosophy, even if it is in some respects outdated, not least due to Kristeller's cache = ./cache/work_7jnmq62lqja3fihdcs4dtpiqem.pdf txt = ./txt/work_7jnmq62lqja3fihdcs4dtpiqem.txt === reduce.pl bib === id = work_yldgzfjkfnbzvfmalok6jufe2m author = Luca Degl'Innocenti title = Street Singers: An Interdisciplinary Perspective date = 2016 pages = 6 extension = .pdf mime = application/pdf words = 2611 sentences = 271 flesch = 59 summary = To cite this article: Luca Degl'Innocenti & Massimo Rospocher (2016): Street Singers: An They all refer to the street singers and performers of Renaissance Italy, and at first Hence, cantastorie or canterini would be the specific names for the poet-singers, whose principal trade was to perform verses, stories, and songs, usually to musical of the street singers, all of their different social and cultural characteristics no longer At least since Peter Burke's seminal work on early modern popular culture, cantastorie 3 Rosa Salzberg and Massimo Rospocher, 'Street Singers in Italian Renaissance Urban Culture and Communication', Italy', Renaissance Studies, 24 (2010), 638–53, and idem, Ephemeral City: Cheap Print and Urban Culture in Renaissance Venice (Manchester: Manchester University Press, 2014); Massimo Rospocher, 'From Orality to Renaissance, 16 (2013), 273–87, and idem, 'Canterino and Improvvisatore: Oral Poetry and Performance', in The street entertainment and the Commedia dell'Arte by exploring the many cheap prints that cache = ./cache/work_yldgzfjkfnbzvfmalok6jufe2m.pdf txt = ./txt/work_yldgzfjkfnbzvfmalok6jufe2m.txt === reduce.pl bib === id = work_uyjrfome6ffefcympfp5impcri author = Sarah R. Demb title = Recordkeeping Informatics for a Networked Age date = 2019 pages = 5 extension = .pdf mime = application/pdf words = 2449 sentences = 208 flesch = 49 summary = $49.95, EPUB freely available at http://books.publishing.monash.edu/apps/ bookworm/view/Recordkeeping+Informatics+for+a+Networked+Age/207/01_cover.html. analyze and document business processes increasingly relate to sectorial informatics. http://books.publishing.monash.edu/apps/bookworm/view/Recordkeeping+Informatics+for+a+Networked+Age/207/01_cover.html http://books.publishing.monash.edu/apps/bookworm/view/Recordkeeping+Informatics+for+a+Networked+Age/207/01_cover.html All too often, we persist in our focus on the products (information, data objects, and records) of skills, practices, theories, and knowledge, Recordkeeping Informatics for a Networked Age presents a corrective underpinning of the book, including sociologist Anthony Giddens's structuration theory, the search for the archival "still point" recordkeeping informatics archiving." The recordkeeping culture, direct recording of business activities, It also brings together models for information, publishing, cultural heritage, digital forensics, and data systems management within a continuum of authors' earlier writings on the records continuum model and recordkeeping Nevertheless, the authors' goal—to champion a recordkeeping informatics discipline base as a way toward better support of evidence, authoritative Background Paper for a Conversation on a Single-Minded Approach to Recordkeeping Informatics," files/pdf/Full papers upload/ica12Final00200.pdf; and "Recordkeeping Informatics: Building a DLM2014_PDF/02%20-%20Recordkeeping%20Informatics%20Building%20the%20Discipline%20 http://purl.pt/26107/1/DLM2014_PDF/02%20-%20Recordkeeping%20Informatics%20Building%20the%20Discipline%20Base.pdf http://purl.pt/26107/1/DLM2014_PDF/02%20-%20Recordkeeping%20Informatics%20Building%20the%20Discipline%20Base.pdf http://purl.pt/26107/1/DLM2014_PDF/02%20-%20Recordkeeping%20Informatics%20Building%20the%20Discipline%20Base.pdf cache = ./cache/work_uyjrfome6ffefcympfp5impcri.pdf txt = ./txt/work_uyjrfome6ffefcympfp5impcri.txt === reduce.pl bib === id = work_mjpp5mayqrdhrezz5rgdde775e author = Aleksandra Banjević title = Lexicological Influence through Language Contacts date = 2019 pages = 8 extension = .pdf mime = application/pdf words = 3551 sentences = 259 flesch = 61 summary = Keywords: languages in contact, linguistic borrowing, primary and secondary adaptation, indirect borrowing, direct borrowing, foreign word, foreign loan, loanword Los contactos entre lenguas se pueden estudiar en tres direcciones: a) adquisición del lenguaje; b) préstamos de idiomas; c) traducción. Language contacts are always a result of histori-cal and cultural bonds, and will evolve in a different manner in relation to the language of the group that Romance, Celtic, etc., as language families, being that they share a common terms of linguistics, Roman dialects, Latin loanwords in the Albanian language are of great importance for making a comparison. Slavic, Greek, one Romance, and one Albanian, probably the last relic of the Illyrian language group. According to Skok, pre-Slavic languages in the Balkans are as follows: listed above, but which have not entered the northern Slavic languages: ratione > račun (reason, count), calendae > the nineteenth century, Romance loanwords penetrated into our language in cache = ./cache/work_mjpp5mayqrdhrezz5rgdde775e.pdf txt = ./txt/work_mjpp5mayqrdhrezz5rgdde775e.txt === reduce.pl bib === id = work_bpnphnjjuzdxxfvwa7swbrajhm author = Jonathan K. Nelson title = An Unpublished Essay by Mary Berenson, 'Botticelli and his Critics' (1894–95) date = 2019 pages = extension = .pdf mime = text/html words = 578 sentences = 88 flesch = 63 summary = 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. cache = ./cache/work_bpnphnjjuzdxxfvwa7swbrajhm.pdf txt = ./txt/work_bpnphnjjuzdxxfvwa7swbrajhm.txt === reduce.pl bib === id = work_do53ehbwtrcodc3ao4a2slg5fy author = Evelyn Welch title = Engendering Italian Renaissance art — a bibliographic review date = 2000 pages = 17 extension = .pdf mime = application/pdf words = 8432 sentences = 710 flesch = 69 summary = piers as well as on the mechanical characteristics of materials derive from the regulations issued in Italy starting from 1907 concerning the construction of public reinforced concrete The most common railway steel bridges are made of straight girders lying on masonry or reinforced concrete piers. This decree provided the first indications about the maximum strength to be considered in the structural calculation for both concrete and reinforcement. Before the Circular 15/07/1945 [15], other regulations defining the train live loads were issued in Italy, but we did not consider them here as they concerned exclusively iron and masonry railway bridges, which were in the past much more common than the ones made of The characteristic values attributed to the load models had to be multiplied by an adaptation coefficient α, which varied according to the category of the railway bridge to be designed The first Italian regulation on the design of reinforced concrete railway girder bridges that cache = ./cache/work_do53ehbwtrcodc3ao4a2slg5fy.pdf txt = ./txt/work_do53ehbwtrcodc3ao4a2slg5fy.txt === reduce.pl bib === id = work_idshhfihwjhvxdn2ngjcnjbuxy author = W Hijmans title = Camptodactyly in a painting by Dirk Bouts (c. 1410-1475) date = 2004 pages = extension = .pdf mime = application/xml words = 144 sentences = 27 flesch = 72 summary = sys_1000 wp-p1m-39.ebi.ac.uk wp-p1m-39.ebi.ac.uk exception exception Params is empty Params is empty Params is empty if (typeof jQuery === "undefined") document.write('[script type="text/javascript" src="/corehtml/pmc/jig/1.14.8/js/jig.min.js"][/script]'.replace(/\[/g,String.fromCharCode(60)).replace(/\]/g,String.fromCharCode(62))); // // // window.name="mainwindow"; .pmc-wm {background:transparent repeat-y top left;background-image:url(/corehtml/pmc/pmcgifs/wm-nobrand.png);background-size: auto, contain} .print-view{display:block} Page not available Reason: The web page address (URL) that you used may be incorrect. 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Find a specific article by its citation (journal, date, volume, first page, author or article title). http://europepmc.org/abstract/MED/ cache = ./cache/work_idshhfihwjhvxdn2ngjcnjbuxy.pdf txt = ./txt/work_idshhfihwjhvxdn2ngjcnjbuxy.txt === reduce.pl bib === id = work_6nrkz7ek7vempc2qkibwkumwgm author = Rina Angela Corpus title = Ballet in the Dark: A Critical Review of Black Swan by Darren Aronofsky date = 2011 pages = 4 extension = .pdf mime = application/pdf words = 1136 sentences = 84 flesch = 63 summary = 10 Black Swan Review Corpus.indd Defiant Daughters Dancing: Three Independent Women narrative out of a performance of the classic ballet Swan Lake, making it a women in the ballet system. of a fledgling principal dancer living and working in the heart of the dogeat-dog world that is New York City, revealing in this way the horrors of the embraced women as dancers, as epitomized by the 19th century Romantic ballerina, ballet was in fact crafted by 15th century male aesthetes under the Contemporary dance research conducted by critics such as Christy Adair of women's induced subservience in the patriarchal ballet setup, and have For me and other women I have met in my research, ballet different from classical ballet's five centuries-old objectification of women's For in the thriller genre as in ballet, women's bodies at once become Black Swan Film Review Black Swan Film Review Dancing Women: Female Bodies On Stage. cache = ./cache/work_6nrkz7ek7vempc2qkibwkumwgm.pdf txt = ./txt/work_6nrkz7ek7vempc2qkibwkumwgm.txt === reduce.pl bib === id = work_3usctspz3fdczcukjxotc5szda author = Ute Leonards title = Mediaeval artists: Masters in directing the observers' gaze date = 2007 pages = 2 extension = .pdf mime = application/pdf words = 1620 sentences = 149 flesch = 57 summary = visual image of faces. the eye to fixate in a different part Lighting conditions can affect the significance of parts of a painting as The top two panels show Duccio's "The Annunciation" rendered either using synthetic diffuse illumination (A), or synthetic candle light (B). such paintings, they make about three eye movements a second, and where they choose to fixate will be determined by both the visual characteristics of the picture (C) The density of eye fixations from observers, estimated using The density of fixations to the diffuse illumination is shown in green; the fixations to the candle light are shown in red, and hence regions fixated in both conditions are shown as yellow. (D) The differences in fixation patterns between candle lit and diffusely lit show areas significantly more fixated when viewed using synthetic candle light, and and light-reflecting objects in paintings is to use lighting illuminant for art paintings by computing cache = ./cache/work_3usctspz3fdczcukjxotc5szda.pdf txt = ./txt/work_3usctspz3fdczcukjxotc5szda.txt === reduce.pl bib === id = work_ztam74ozsvd2fnxe47icvj5pkm author = Areli Marina title = Nigel Hiscock The Symbol at Your Door: Number and Geometry in Religious Architecture of the Greek and Latin Middle Ages date = 2010 pages = 3 extension = .pdf mime = application/pdf words = 2327 sentences = 323 flesch = 49 summary = In his previous book, The Wise Master Builder: Platonic Geometry in Plans of Your Door, he sets out to prove that medieval church design is pervaded with numbers much evidence that well-educated medieval persons associated particular numbers, ratios, 354 Areli Marina – The Symbol at Your Door: Number and Geometry in Religious Architecture of the Greek and Latin... 46-60): What means did medieval builders use to develop their buildings' plans, architectural use and meaning of plane figures: the equilateral triangle and the numbers Hiscock surveys and presents two bodies of classical and medieval textual sources and between the existence of Pythagorean and Platonic numbers and figures in medieval (or perhaps whether) the numbers and geometric forms embedded in specific medieval religious buildings had symbolic meaning. teaches medieval and Renaissance architectural history at the University of Illinois. The Symbol at Your Door: Number and Geometry in Religious Architecture of the Greek and Latin Middle Ages cache = ./cache/work_ztam74ozsvd2fnxe47icvj5pkm.pdf txt = ./txt/work_ztam74ozsvd2fnxe47icvj5pkm.txt === reduce.pl bib === id = work_efogy2z3xraqley6pzrxa7de34 author = Sophie Berrebi title = Nothing Is Erased: Hubert Damisch and Jean Dubuffet date = 2015 pages = 6 extension = .pdf mime = application/pdf words = 3095 sentences = 219 flesch = 71 summary = https://dare.uva.nl/personal/pure/en/publications/nothing-is-erased-hubert-damisch-and-jean-dubuffet(d2e4711e-37ff-4e7f-8a0b-2dfa17cb8bdc).html The collection of articles and letters included in this issue of October represents, with two exceptions, all the texts Damisch published on Dubuffet during Damisch edited two more in 1995: Jean Dubuffet, Prospectus et tous écrits suivants, four volumes (Paris: 5. Sophie Berrebi, ed., Hubert Damisch, Jean Dubuffet: Entrée en matière, Correspondance 1961– writing; in an essay from 1964, Damisch calls Dubuffet a "founding father" (a phrase 9. Letter from Jean Dubuffet to Hubert Damisch, June 7, 1962. Letter from Hubert Damisch to Jean Dubuffet, January 31, 1967(no. Damisch's subsequent texts on the artist develop.13 His discussion of Dubuffet's complicated search for an "entrance" into fine art, his difficulty in taking a position and Hubert Damisch, Jean Dubuffet: Entrée en matière, Correspondance 1961–1985, Textes 1961–2001, part I. Nothing Is Erased: Hubert Damisch and Jean Dubuffet 7 Letter from Hubert Damisch to Jean Dubuffet, December 6, 1983. cache = ./cache/work_efogy2z3xraqley6pzrxa7de34.pdf txt = ./txt/work_efogy2z3xraqley6pzrxa7de34.txt === reduce.pl bib === === reduce.pl bib === id = work_qu6jbtsoijd4vp6e4ul2csukey author = Massa Esteve title = Historical activities in the mathematics classroom: Tartaglia's Nova Scientia (1537) date = 2014 pages = 13 extension = .pdf mime = application/pdf words = 5991 sentences = 544 flesch = 66 summary = Nova Scientia (1537) by Tartaglia for use in the mathematics classroom. Renaissance mathematical instrument for measuring the height of a mountain in order to motivate the study Key words: History of mathematics, teaching, Niccolò Tartaglia, Nova Scientia, geometry. providing students with a diff erent vision of mathematics, and by improving the learning process (Katz, elective subjects involving the history of mathematics; 3) for holding workshops, anniversary celebrations and conferences, and 4) for implementing signifi cant historical texts in order to improve understanding of mathematical concepts (Massa Esteve, Historical activities in the mathematics classroom: Tartaglia's Nova Scientia (1537) Historical activities in the mathematics classroom: Tartaglia's Nova Scientia (1537) Historical activities in the mathematics classroom: Tartaglia's Nova Scientia (1537) Historical activities in the mathematics classroom: Tartaglia's Nova Scientia (1537) Historical activities in the mathematics classroom: Tartaglia's Nova Scientia (1537) Historical activities in the mathematics classroom: Tartaglia's Nova Scientia (1537) Historical activities in the mathematics classroom: Tartaglia's Nova Scientia (1537) cache = ./cache/work_qu6jbtsoijd4vp6e4ul2csukey.pdf txt = ./txt/work_qu6jbtsoijd4vp6e4ul2csukey.txt === reduce.pl bib === id = work_ib4rdxhlmzebfmtcojbi66vzee author = Natalie Luckyj title = Parks Canada's Architectural Styles Series date = 1985 pages = 5 extension = .pdf mime = application/pdf words = 2260 sentences = 187 flesch = 54 summary = All Rights Reserved © Urban History Review / Revue d'histoire urbaine, 1985 Ce document est protégé par la loi sur le droit d'auteur. Parks Canada's Architectural Styles Series Parks Canada's Architectural Styles Series Parks Canada's Architectural Styles Series Parks Canada's Architectural Styles Series Canada: Studies in Archeology, Architecture and History, Parks Canada: Studies in Archeology, Architecture and Parks Canada: Studies in Archeology, Architecture and Canada's architectural heritage has moved beyond a concentration on isolated buildings and led to such substantial A brief survey of the style cites specific examples of Second Empire buildings in England, France and America. the style, as seen in Canada, provides any reader with a The inclusion of numerous drawings, prints and 19th century photographs to illustrate no-longer-existing buildings ambitious volume which successfully presents the complexity and diversity of the Gothic-Revival style in Canada term "British Classicism" to characterize the general architectural style. cache = ./cache/work_ib4rdxhlmzebfmtcojbi66vzee.pdf txt = ./txt/work_ib4rdxhlmzebfmtcojbi66vzee.txt === reduce.pl bib === === reduce.pl bib === id = work_33acxxkmznfkbgw4vudbsvznse author = Anne Houssay title = Shaping and understanding sound: Violin makers, musicians and scientists from Renaissance to Romantism date = 2008 pages = 5 extension = .pdf mime = application/pdf words = 3208 sentences = 215 flesch = 66 summary = Shaping and understanding sound : Violin makers, musicians and scientists from Renaissance to Romantism Shaping and understanding sound : Violin makers, The training of instrument-makers in Renaissance Italy is linked to a rediscovery of theoretical works on physics eighteenth century lead the establishment of acoustic as a modern science, with the distinction of partials from The test for judging the results is the playing of the instrument by a very competent musician. have transformed the instruments from the Renaissance to the beginning of the 19th century. time were rediscovering the works of Vitruvius. town reknown for its musical instrument maker in the 16th instruments, and in the early Stradivari's, the arches are instruments to enhance the sound of the violin to satisfy cornerless arched violin, made by a young maker: JeanBaptiste Vuillaume. The violin maker Jean-Baptiste Vuillaume came to Paris the theoretical works of the time and the design of the cache = ./cache/work_33acxxkmznfkbgw4vudbsvznse.pdf txt = ./txt/work_33acxxkmznfkbgw4vudbsvznse.txt === reduce.pl bib === id = work_s4atjewim5b7ddgwi5hzwm3foa author = Spyros Papapetros title = Ornament and object—ornament as object. Alina Payne, From Ornament to Object: Genealogies of Architectural Modernity, Yale University Press, 2012 date = 2012 pages = 12 extension = .pdf mime = application/pdf words = 6364 sentences = 298 flesch = 41 summary = Alina Payne, From Ornament to Object: Genealogies of Architectural Modernity, dialectics is the main subject of Alina Payne's From Ornament to Objects. and the conclusion of Payne's story, rehearses the trajectory from ornament to object object's true adornment.4 Even if Semper's own decorative designs for building The essay is mentioned in Payne, From Ornament to Object, 143-144. By becoming objects of museum study, ornamental artefacts are subject to the peculiar status of ornament as art historical object. the natural principles of the universe, art historians like Riegl turned ornament into From Ornament to Object retraces the main theme of Payne's first major book In From Ornament to Object, she argues that in twentieth-century modernism, sequence described by Payne is then not only from ornament to object but also from In this case architecture turns into both a portable object and an ornament that to object and to architecture, but also from ornament to painting and to sculpture; cache = ./cache/work_s4atjewim5b7ddgwi5hzwm3foa.pdf txt = ./txt/work_s4atjewim5b7ddgwi5hzwm3foa.txt === reduce.pl bib === id = work_zsdrzwz7ynb3vjqqn3733zemiu author = David H. Price title = Jacopo de' Barbari: Künstlerschaft und Hofkultur um 1500. Beate Böckem. Studien zur Kunst 32. Cologne: Böhlau Verlag, 2016. 516 pp. €65 date = 2019 pages = 3 extension = .pdf mime = application/pdf words = 1465 sentences = 97 flesch = 61 summary = Renaissance art, as the obscure Venetian artist who spent his career in the Holy Roman As Böckem's excellent study makes clear, Barbari's extant oeuvre Importantly, Barbari created art for major rulers of the empire, especially for those Moreover, Böckem expertly and vividly charts Barbari's connections to Venetian art As for the Dürer question, Böckem documents all known associations between the 123–34), Dürer claims that Barbari initiated not receive) Barbari's "little book" from Margaret of Austria, possibly a sketchbook. This would appear to indicate Dürer's respect for Barbari's work. the Wise, Barbari declares that the art of painting was the culmination of all the painting is attributed to Barbari on the basis of a 1553 woodcut reproduction by Barbari's role as a purveyor of the Italian Renaissance Understandably, Böckem expresses warm enthusiasm for Barbari's work, but she humanism and Renaissance art at the major courts of the empire. cache = ./cache/work_zsdrzwz7ynb3vjqqn3733zemiu.pdf txt = ./txt/work_zsdrzwz7ynb3vjqqn3733zemiu.txt === reduce.pl bib === id = work_tt2jcy5q7bds7h6treilo4u6zy author = Francesco Ventrella title = Writing Under Pressure: Maud Cruttwell and the Old Master Monograph date = 2019 pages = extension = .pdf mime = text/html words = 578 sentences = 88 flesch = 63 summary = 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. cache = ./cache/work_tt2jcy5q7bds7h6treilo4u6zy.pdf txt = ./txt/work_tt2jcy5q7bds7h6treilo4u6zy.txt === reduce.pl bib === id = work_be3khgmimzemfb2c64aluqvryi author = Bernadett Bajnóczi title = Archaeometric characterization of 17th-century tin-glazed Anabaptist (Hutterite) faience artefacts from North-East-Hungary date = 2014 pages = 37 extension = .pdf mime = application/pdf words = 13088 sentences = 1538 flesch = 80 summary = technology of the Anabaptist (Hutterite) tin-glazed ceramics produced in Eastern-Central 15 about 400 µm thick, tin-opacified white and blue lead-alkali glaze was applied on the biscuit-21 Keyword: Eastern-Central Europe, Anabaptist, Hutterite, faience, maiolica, tin glaze 31 The yellow, blue, green and black ceramic colours were applied as paintings on the tin-18 maiolica: the SnO2/PbO ratio is 0.6 to 1.8 for the Hutterite white tin glaze (Table 2), while 27 blue colour as well as in the blue tin glaze of the Anabaptist faience indicates the use of a 14 also detected in the blue colour and the blue tin glaze of the studied faience artefacts. discrete cobalt pigment particles in the blue colour of the studied faience artefacts indicates 3 to 20 wt% SnO2) in the white glaze of the studied Hutterite faience artefacts compared to that 17 Yellow, blue and black colours over white glaze (sample 2, BSE image). cache = ./cache/work_be3khgmimzemfb2c64aluqvryi.pdf txt = ./txt/work_be3khgmimzemfb2c64aluqvryi.txt === reduce.pl bib === id = work_tzvxdbvrarhwjntvft75l2p6j4 author = Nica Gutman Rieppi title = Salvator Mundi: an investigation of the painting's materials and techniques date = 2020 pages = 12 extension = .pdf mime = application/pdf words = 7844 sentences = 616 flesch = 63 summary = Before the start of its restoration in 2007, the Salvator Mundi was thought to be one of a number of copies of a longlost Leonardo da Vinci painting, depicting Christ giving a blessing with his right hand while holding a crystal orb in including stereomicroscopy, visible and fluorescent light microscopy, scanning electron microscopy with energy dispersive spectroscopy, Raman microspectroscopy, Fourier transform infrared microspectroscopy in transmission mode soda-lime glass was detected in the ground, imprimitura and paint layers, and a walnut oil medium was identified by Keywords: Salvator Mundi, Panel painting, Cross-section, Raman, SEM, FTIR, Py-GCMS, Pigments Fig. 3 Cross-section sample 1 from flesh highlight, proper right hand (left), showing: (1) ground (2) imprimitura (3) black background paint layer (4) flesh highlight paint layers; backscattered electron (SEM-BSE) image (right) corresponding to area with overlaid box, showing coarse glass particles In the area sampled, several further paint layers, black in color, are situated above the warm brown cache = ./cache/work_tzvxdbvrarhwjntvft75l2p6j4.pdf txt = ./txt/work_tzvxdbvrarhwjntvft75l2p6j4.txt === reduce.pl bib === id = work_ourgqjcxbvhyfagnhejs3rprxa author = Stephen Bowd title = The animal in Renaissance Italy date = 2017 pages = 32 extension = .pdf mime = application/pdf words = 9075 sentences = 502 flesch = 53 summary = sources and perception solely to write the history of human-animal relations?13 How of animal and Renaissance studies into closer dialogue and to consider ways in which Given the way the debate about humanity relied on animals and bestial traits it the human-animal divide and attempts to understand or explain the natural world and and its application is central to Sarah Cockram's essay about the historiographicallyneglected role of handlers of exotic animals in Renaissance Italy. human-animal understanding, empathy, or communication during the Renaissance.37 relationship of Renaissance Italians to the animals all around them, of the significance The study of the animal in Renaissance Italy can contribute to debates about and rebirth of knowledge about human and animal have contributed to our modern Berg, 2007); Erica Fudge (ed.), Renaissance Beasts: Of Animals, Humans, and Other Writing Animal-Human History: What is Really Enough?', Anthrozoös, 25 (2012), cache = ./cache/work_ourgqjcxbvhyfagnhejs3rprxa.pdf txt = ./txt/work_ourgqjcxbvhyfagnhejs3rprxa.txt === reduce.pl bib === === reduce.pl bib === id = work_fboytmjchfcs5hrhmundirdyz4 author = K. van der Ven title = Immunofluorescence on proteinase XXIV-digested paraffin sections date = 2007 pages = 1 extension = .pdf mime = application/pdf words = 904 sentences = 85 flesch = 60 summary = Immunofluorescence on proteinase XXIV-digested paraffin sections paricalcitol versus calcitriol included the point estimate estimates for hazard ratios for doxercalciferol versus Mortality risk among hemodialysis patients receiving different vitamin D analogs. patients receiving different vitamin D analogs. Correspondence: F Tentori, Dialysis Clinic Inc., Quality Management, 1500 proteinase XXIV-digested paraffin (IF) on frozen sections with pronase-digested paraffin sections, Nasr et al.1 found that pronase digestion was a useful technique for IF on paraffin (IF-P) sections. proteinase XXIVand pronase-digested paraffin sections. pronase, as well as after proteinase XXIV digestion, one was were positive only after proteinase XXIV digestion. digestion and in five cases after proteinase XXIV digestion. pronase-digested sections. pronase-digested paraffin sections: a valuable salvage technique for renal 1Department of Pathology, University Medical Center Utrecht, Utrecht, Correspondence: R Goldschmeding, Department of Pathology, University uroscopy was so popular to be included in the most famous play by Niccolò Machiavelli, 'La Mandragola (The Mandrake)', cache = ./cache/work_fboytmjchfcs5hrhmundirdyz4.pdf txt = ./txt/work_fboytmjchfcs5hrhmundirdyz4.txt === reduce.pl bib === id = work_3r2nuqzigrab7f2wwf7zhiewvy author = Bert Scholtens title = A critique on the theory of financial intermediation date = 2000 pages = 9 extension = .pdf mime = application/pdf words = 3629 sentences = 248 flesch = 57 summary = the emphasis on the role of intermediaries as reducing the frictions of transaction costs and asymmetric information is too strong; while these factors may ®nancial industry, we focus on their concept of participation costs, we argue Financial intermediaries, according to that theory, have a function only because ®nancial markets are not perfect. more prominent role of public markets, ®nancial intermediaries appear to Relative size of the US ®nancial sector and the banking industry (Source: Barth et al., 1997). We agree with AS that risk management has become a prominent function of ®nancial intermediation. In our opinion, AS are right in suggesting a central role of risk in the intermediation process and proposing that risk management become the main AS associate the risk management function of ®nancial intermediaries that the use of derivatives by ®nancial institutions for risk management has participation cost can be relevant in understanding new roles of the ®nancial cache = ./cache/work_3r2nuqzigrab7f2wwf7zhiewvy.pdf txt = ./txt/work_3r2nuqzigrab7f2wwf7zhiewvy.txt === reduce.pl bib === id = work_dbllj5j3lvguri2ppeiimlqc4e author = Mariana Aguirre title = Ardengo Soffici's The Room of the Mannequins: Primitivism, Classicism and French Modernism date = 2017 pages = 30 extension = .pdf mime = application/pdf words = 11139 sentences = 1032 flesch = 63 summary = Ardengo Soffici's engagement with African art was mediated by French Keywords: Ardengo Soffici, Primitivism, Modernism, Cubism, Colonialism, Given Ardengo Soffici's key role in the development of Italian art, it is necessary to Soffici's contemporaneous writings about African art and Cubism, the frescoes bring to Mannequins belies Soffici's rejection of non-European primitivism in his art criticism, and referenced Soffici's debt to French art rather than Italian colonialism in Africa, during the Soffici's art criticism, Cubism, and primitivism Soffici was in Paris when French artists "discovered" African sources at the same time, this account of Cubism considers African art's importance for the French Soffici, "Paul Cézanne", in: Vita d'arte, 8 June 1908; "Henri Rousseau", in La Voce, 15 September 1910; and "Un libro su African sculpture for the development of Italian art, but also that of Cubism, a choice Africans in modern Italian art developed well into late Fascism and did not lead to cache = ./cache/work_dbllj5j3lvguri2ppeiimlqc4e.pdf txt = ./txt/work_dbllj5j3lvguri2ppeiimlqc4e.txt === reduce.pl bib === === reduce.pl bib === id = work_qfhaojdj45aa5k5qd73czm76am author = Elena Basso title = Unmasking a wild man: scientific analysis of Bertoldo di Giovanni's Shield Bearer in The Frick Collection date = 2020 pages = 14 extension = .pdf mime = application/pdf words = 8856 sentences = 1160 flesch = 70 summary = The Frick Collection, New York, owns a Shield Bearer, one of a small number of bronze from the scientific analysis of The Frick statuette, including a detailed technical characterization of the casting alloy, X-radiography, microand portable X-ray fluorescence (μXRF and pXRF) spectroscopies, scanning electron microscopy with energy-dispersive X-ray spectroscopy (SEM/EDS), Raman and Fourier-transform infrared (FTIR) spectroscopies, and pyrolysis-gas chromatography/mass spectrometry (Py-GC/MS). This study confirmed that The Frick figure was cast from the same brass alloy Keywords: Bertoldo di Giovanni, 15th century, Italian Renaissance sculpture, Organic coating, Brass, Bronze, Gilding, base on The Frick statuette is original, while visual examination and radiographs provided additional evidence of Materials studied include the metal alloy, solder, gilding, and organic coatings. Unmasking a wild man: scientific analysis of Bertoldo di Giovanni's Shield Bearer in The Frick Collection Unmasking a wild man: scientific analysis of Bertoldo di Giovanni's Shield Bearer in The Frick Collection cache = ./cache/work_qfhaojdj45aa5k5qd73czm76am.pdf txt = ./txt/work_qfhaojdj45aa5k5qd73czm76am.txt === reduce.pl bib === id = work_fhxmds6jbfbo7jsidd7ibey7sm author = Albert C Lewis title = Abstracts date = 1981 pages = 5 extension = .pdf mime = application/pdf words = 2578 sentences = 503 flesch = 68 summary = the publication of interest to historians of mathematics, including some topics in general history of science and historiography, mathematics or its history. MR 46 #3255 means that the item is numbered 3255 in volume List of works of Paul TU&.N. Acta Arithmetica 37, 21-34. CHARBONNEAU LOUIS 1981 Congrbs Annuel, Canadian Society for the History and Philosophy of Mathematics/Soci&B Canadienne d'histoire et de philosophie des math&atiques. GRASSMANN "certainly created a new branch of mathematics . ELFVING GUSTAV 1981 The History of Mathematics in FINLAND, 1828-1918. Professor of Mathematics at the University of Helsinki. fifty mathematicians are given along with descriptions of their mathematical contributions. ERD& P 1980 Some personal reminiscences of the mathematical work of Paul TURN. FRIBERG J&AN 1981 Methods and traditions of BABYLONIAN MATHEMATICS: Plimpton 322, Bolzano's mathematical work by Jarnik, Professor of Mathematics at Charles University. JONES CHARLES V 1981 Annual Meeting of the History of Science Society, 1980. cache = ./cache/work_fhxmds6jbfbo7jsidd7ibey7sm.pdf txt = ./txt/work_fhxmds6jbfbo7jsidd7ibey7sm.txt === reduce.pl bib === id = work_qmxdse47xjd4zml6abstjmlylm author = Karamjit S. Gill title = Architect or Bee? Mike Cooley: the human spirit date = 2016 pages = 3 extension = .pdf mime = application/pdf words = 2457 sentences = 129 flesch = 52 summary = we live in, we celebrate the pioneering work and contributions of Mike Cooley in the shaping and evolution of the an alternative human-centred vision of socially useful technology that facilitated the ethos of human–machine symbiosis that he saw as a collaboration of human judgement and rationalisation of industry and the 'white of heat of technology', Mike Cooley together with a number of socially These European human-centred movements provided a basis for the establishment of the 'Anthropocentric Systems and Technology' programme of the Human Price of Technology (Cooley, ibid). Mike Cooley to head the technology division of GLEB. to Mike that we launch the Knowledge and Society journal AI&Society: Journal of human-centred systems was launched by Springer. of the human-centred movement beyond the European His human-centred vision of technology and society has Mike Cooley: the human spirit Mike Cooley: the human spirit Mike Cooley: the human spirit cache = ./cache/work_qmxdse47xjd4zml6abstjmlylm.pdf txt = ./txt/work_qmxdse47xjd4zml6abstjmlylm.txt === reduce.pl bib === id = work_wc7xyrmcyjfdvcumwybolxql4u author = Carlo M. Oranges title = Body Contouring date = 2016 pages = extension = .pdf mime = text/html words = 614 sentences = 122 flesch = 62 summary = Body Contouring: The Success of the Androgynous Model | Semantic Scholar journal={Plastic and Reconstructive Surgery Global Open}, Gohritz, +1 author D. Oranges, MD Andreas Gohritz, MD Mathias Tremp, MD Dirk J. Schaefer, MD Department of Plastic, Reconstructive, Aesthetic and Hand Surgery Basel University Hospital Basel, Switzerland Sir: T pharaonic belief in androgynous nature of gods was the motivation for practicing female circumcision in ancient Egypt.1 This historical observation leads us, as plastic surgeons, to consider how much the aesthetical ideals are influenced by philosophical and ethical views. Sort by Most Influenced Papers Plastic and reconstructive surgery Plastic and reconstructive surgery Plastic and reconstructive surgery Semantic Scholar is a free, AI-powered research tool for scientific literature, based at the Allen Institute for AI. By clicking accept or continuing to use the site, you agree to the terms outlined in our Privacy Policy, Terms of Service, and Dataset License cache = ./cache/work_wc7xyrmcyjfdvcumwybolxql4u.pdf txt = ./txt/work_wc7xyrmcyjfdvcumwybolxql4u.txt === reduce.pl bib === === reduce.pl bib === id = work_4kyxg4drgvbxfae3aat2jfukcy author = Robert Black title = Cicero in the curriculum of italian Renaissance grammar schools date = 2015 pages = 16 extension = .pdf mime = application/pdf words = 6889 sentences = 730 flesch = 70 summary = teenth-century Italian grammar schools: his treatises, De officiis, De senectute and De amicitia were recommended by Aeneas Sylvius in his De indicative of Cicero's role as a grammar school author in the twelfth century are the number of different accessus now accompanying the moral In the fifteenth century, such copies of the shorter moral-philosophical treatises now abound(59), demonstrating the secure place which Cicero had regained in the grammar school curriculum. "Sapientia tres habet partes, scilicet, memoriam, intelligentiam et providentiam;'(63); but the overwhelming fare in teaching the shorter Ciceronian moral treatises in the fifteenth century was the simple philology typical of the grammar school: figures, etymology, mythology, geography, one fifteenth-century text of De amicitia may have pointed to the moralizing intentions of the teacher: "Est ergo Ciceronis in hoc opere materia The stylistic use of Cicero's letters in fifteenth-century schools is also suggested by their distinctive appearance in manuscripts; unlike his shorter moral treatises, they are rarely cache = ./cache/work_4kyxg4drgvbxfae3aat2jfukcy.pdf txt = ./txt/work_4kyxg4drgvbxfae3aat2jfukcy.txt === reduce.pl bib === === reduce.pl bib === id = work_dtxomv26ajbjjdvhnwi5rdtkge author = Mauro Giovanni Carta title = Mental Health in the Mediterranean Area date = 2020 pages = 3 extension = .pdf mime = application/pdf words = 2148 sentences = 184 flesch = 59 summary = Content list available at: https://clinical-practice-and-epidemiology-in-mental-health.com 1Department of Medical Sciences and Public Health, University of Cagliari, Cagliari, Italy The theme of "Mental Health and Mediterranean" opens communities of the Mediterranean region must regain the will people with mental health issues. https://clinical-practice-and-epidemiology-in-mental-health.com 68 Clinical Practice & Epidemiology in Mental Health, 2020, Volume 16 Carta et al. It is not easy in today's cultural crisis of the Mediterranean the countries of the Mediterranean region will strengthen the perception of respect for human rights of users in mental health the perception of professionals working in the mental health Another paper compares the beliefs about mental disorders program on human rights in mental health started to be specificities of mental health in the Mediterranean region and history of mental health. from Mediterranean region. public beliefs about mental disorders: A Comparisonbetween Tunisia Mental Health in the Mediterranean Area Mental Health in the Mediterranean Area cache = ./cache/work_dtxomv26ajbjjdvhnwi5rdtkge.pdf txt = ./txt/work_dtxomv26ajbjjdvhnwi5rdtkge.txt === reduce.pl bib === id = work_ajbmzakuzvaqrcjumpuvvcg5f4 author = Hans Daiber title = Humanism: A tradition common to both Islam and Europe date = 2013 pages = 18 extension = .pdf mime = application/pdf words = 7867 sentences = 834 flesch = 70 summary = Keywords Humanism, Islamic and European; education; individuality; solidarity; free will and subordination; Ibn al-Muqaffaʿ; Fārābī; Yaḥyā IbnʿAdī; Miskawayh; Rāghib al-Iṣfahānī; Ghazzālī; Ibn Khaldūn; Renaissance of Islam – Italian Renaissance; Pico della Mirandola; Nahḍa; Ṭāhā Ḥusayn; Sadik islamization of the Hellenistic heritage.6 In the middle of the 8th century, an Iranian named Ibn al-Muqaffaʿ had translated a Greek redaction of Aristotle's Organon, based upon a Pehlevi version, as well as an century created the necessary room for the free will of man;10 they intended to limit the old Arabic fatalism and Islamic Qur'ānic divine predestination. which he stressed ethical and philosophical thinking as a way to self-development of people and as a universal bond of humanity. development of humanism in the 19th and 20th century as an educational program with a focus on Greek (Ibid.: 28, 11ff.). cache = ./cache/work_ajbmzakuzvaqrcjumpuvvcg5f4.pdf txt = ./txt/work_ajbmzakuzvaqrcjumpuvvcg5f4.txt === reduce.pl bib === id = work_5p3wy3pevjbxtkty6shzdhdzj4 author = Raffaella Fabiani Giannetto title = Buontalenti e Le Nôtre: Geometria del giardino da Pratolino a Versailles. Amelio Fara. Biblioteca dell'"Archivum Romanicum," Serie I: Storia, Letteratura, Paleografia 477. Florence: Olschki, 2017. viii + 144 pp. + 69 color pls. €29 date = 2020 pages = 3 extension = .pdf mime = application/pdf words = 1554 sentences = 95 flesch = 64 summary = Buontalenti e Le Nôtre: Geometria del giardino da Pratolino a Versailles. The first of the two chapters contained in this book addresses the design method of compares the work of Buontalenti in Tuscany to that of André Le Nôtre, a century later, argues that Buontalenti made use of the accelerated perspective for the design of Pratolino's layout was irremediably altered in the nineteenth century, but Buontalenti's method survives in a lessknown, late sixteenth-century villa located at Poggiofrancoli. Turin, but neither in Italy nor at Versailles, the author concedes, did Le Nôtre make use Cut in Alabaster: A Material of Sculpture and Its European Traditions 1330– The author's original approach consists in her attention to alabaster sculpture made in England, France, the Low Countries, and Spain. The first chapter deals with the geological aspects and the use of alabaster In the second chapter, the author deals with the sculptors working in alabaster and cache = ./cache/work_5p3wy3pevjbxtkty6shzdhdzj4.pdf txt = ./txt/work_5p3wy3pevjbxtkty6shzdhdzj4.txt === reduce.pl bib === id = work_t23htd37fzavbmcylyujhzeuta author = Bryan Leferman title = Book Review: Bronzino - Renaissance Painter As Poet date = 2004 pages = 4 extension = .pdf mime = application/pdf words = 1584 sentences = 90 flesch = 63 summary = In this meticulous study, Parker affords Bronzino s heretofore little Bronzino s satirical burlesque poems, or capitoli. addresses the second component of Bronzino s poetry Parker concentrates on Bronzino s literary culture and the analysis of his poetry reveals that this was Bronzino s systematic intention. Bronzino s art does not offer conclusive answers, but fashions an intricate Parker notes that Bronzino frequented and The model for burlesque poetry in Bronzino s time was Francesco Berni are found in Bronzino s poetry, specifically in his poem, Del pennello and Parker finds in Bronzino s and the frequency of its appearance in burlesque poetry, Bronzino, without Parker found that Bronzino s skill in utilizing Petrarchan The attention Parker pays to Bronzino s canzoniere and the contrast in his Parker s collaborative study of Bronzino s poetry and art also unveils a Parker makes a fundamental contribution to the study of Bronzino. cache = ./cache/work_t23htd37fzavbmcylyujhzeuta.pdf txt = ./txt/work_t23htd37fzavbmcylyujhzeuta.txt === reduce.pl bib === === reduce.pl bib === id = work_2m6gvudwpnfufht6i5sceyxfva author = Luca Mocarelli title = Attitudes to Work and Commerce in the Late Italian Renaissance: A Comparison between Tomaso Garzoni's La Piazza Universale and Leonardo Fioravanti's Dello Specchio Di Scientia Universale date = 2011 pages = 18 extension = .pdf mime = application/pdf words = 8066 sentences = 576 flesch = 68 summary = second half of the fifteenth century: Tomaso Garzoni's La piazza universale di the World], and Leonardo Fioravanti's Dello specchio di scientia universale [On the 1. See Luca Mocarelli, ''The Attitude of Milanese Society to Work and Commercial Activities: because Tomaso Garzoni and Leonardo Fioravanti, the authors of the treatises in question, La piazza universale di tutte le professioni del mondo [The La piazza, it owes a great deal to the work of Fioravanti, as we shall see.6 Giorio, ''Una fonte del Garzoni: 'Dello specchio di scienza universale' di Leonardo Fioravanti'', economic success of the late Italian Renaissance, starting with the processing of wool, in which cities such as Milan, Florence, and Venice, as The difference between Garzoni and Fioravanti is even more apparent in consider what Garzoni and Fioravanti had to say about stonemasons and The attitude of Fioravanti is totally different; he exalts the art of the cache = ./cache/work_2m6gvudwpnfufht6i5sceyxfva.pdf txt = ./txt/work_2m6gvudwpnfufht6i5sceyxfva.txt === reduce.pl bib === === reduce.pl bib === === reduce.pl bib === id = work_r4pgejerevax7dsp5mcojaym74 author = M. Gallieni title = Machiavelli and urinalysis date = 2007 pages = 2 extension = .pdf mime = application/pdf words = 1910 sentences = 218 flesch = 71 summary = paricalcitol versus calcitriol included the point estimate patients receiving different vitamin D analogs. (IF) on frozen sections with pronase-digested paraffin sections, Nasr et al.1 found that pronase digestion was a proteinase XXIVand pronase-digested paraffin sections. We selected five cases of lupus nephritis that showed fullhouse fluorescence staining on frozen sections. pronase, as well as after proteinase XXIV digestion, one was pronase-digested paraffin sections: a valuable salvage technique for renal 1Department of Pathology, University Medical Center Utrecht, Utrecht, play by Niccolò Machiavelli, 'La Mandragola (The Mandrake)', 1A.O. San Paolo, Renal Unit, Milano, Italy Table 1 | Transcript of the play 'La Mandragola', relevant to uroscopy, from the original Scene 6, Act II, in Italian and Latin, inter caetera, causa est amplitudo canalium, mixtio eorum quae ex matrice exeunt cum urina. autem, inter caetera, causa est amplitudo canalium, mixtio eorum quae ex matrice exeunt cum urina. cache = ./cache/work_r4pgejerevax7dsp5mcojaym74.pdf txt = ./txt/work_r4pgejerevax7dsp5mcojaym74.txt === reduce.pl bib === id = work_qyqvrq7om5hm5mspqieyhs3kxu author = Branko Mitrović title = Ruminations on the dark side: history of art as rage and denials date = 2009 pages = 22 extension = .pdf mime = application/pdf words = 12767 sentences = 806 flesch = 56 summary = characteristic of such, holist, view is that individual creativity is a mere manifestation Behind these facts of human culture stands a 'Wille von überindividueller Art, der dem Naturalismus in der Gotischen Skulptur und Malerei' explained that Gothic art was a 27 In Wölfflin, Renaissance und Barock, 1, one reads that northern nations (not the individual artists who predetermined the way Weimar-era historians wrote art history. his book Spengler says that he writes history the way he has to, being a German good example is a protest letter written by Max Dvořák to Italian art historians in examine whether it may be possible to explain Weimar era historians' holist Weimar-era historians' adoption of holist methodology was motivated by that the holist tendencies of Weimar-era art historians were insecurity motivated is a Individual Weimar-era art historians could have decided not to say that it was necessary that German Weimar-era art historians make a certain type cache = ./cache/work_qyqvrq7om5hm5mspqieyhs3kxu.pdf txt = ./txt/work_qyqvrq7om5hm5mspqieyhs3kxu.txt === reduce.pl bib === id = work_64ceqmrdrjfhndvhflpjgfgur4 author = Bruno Blondé title = In 'splendid isolation'. A comparative perspective on the historiographies of the 'material renaissance' and the 'consumer revolution' date = 2015 pages = 21 extension = .pdf mime = application/pdf words = 13396 sentences = 1372 flesch = 66 summary = between the 'material renaissance' and the 'consumer revolution' of the early modern North Sea the role of material culture and consumption in 'the Italian Renaissance' in relation to modern 14 A project that played an important role was undoubtedly 'The Material Renaissance: Costs and Consumption in Italy 1300–1650', which ran from 2001 at the University of Sussex and the Victoria & Albert precociously different from that of the cities of northern Europe, which by the seventeenth century had developed much the same kind of luxury consumption that Italy had?' In The Business History Review 68, no. Cohn, Jr., 'Renaissance Attachment to Things: Material Culture in Last Wills and Testaments', Economic History Review 65, no. renaissance' of fourteenthand fifteenth-century Italy and the 'consumer revolution' of the seventeenth and eighteenth centuries was the social dissemination of new consumption practices. 'material renaissance' and the 'early modern consumer revolution', does such a transition cache = ./cache/work_64ceqmrdrjfhndvhflpjgfgur4.pdf txt = ./txt/work_64ceqmrdrjfhndvhflpjgfgur4.txt === reduce.pl bib === id = work_pexfi5us2fdinhhrwu7zjh32ui author = Antonia Gatward Cevizli title = Alireza Naser Eslami, ed., Incontri di civiltà nel Mediterraneo. L'Impero Ottomano e l'Italia del Rinascimento: Storia, arte e architettura. (Biblioteca dell'Archivum Romanicum, ser. 1, Storia, Letteratura, Paleografia 434.) Florence: Leo S. Olschki, 2014. Pp. 184; many color and 19 black-and-white figures. €25. ISBN: 97888-222-6364-3. https://www.olschki.it/static/data/Prosp/SP/2014/63643.pdf date = 2018 pages = 1 extension = .pdf mime = application/pdf words = 506 sentences = 97 flesch = 66 summary = orders@olschki.it • www.olschki.it Alireza Naser Eslami, Incontri di culture tra Rinascimento italiano e la 'Sublime Porta'. Franco Cardini, L'Impero Ottomano e l'autunno della crociata. Analisi del periodo 1683-1718 • Marco Spallanzani, Ceramica ottomana in un palazzo fiorentino del tardo Rinascimento • Anna Contadini, L'ornamento nel mondo Ottomano e nell'Italia del Rinascimento: trasmissione e congiunzione • Giovanni genovese nella Istanbul Ottomana (XV-XVI sec.) • Alireza Naser Eslami, Emulazione, appropriazione, Architettura tra il Rinascimento italiano e l'Impero Ottomano. moderna è una zona franca culturale nella quale coesistono Impero Ottomano, «ponte tra Oriente e Occidente», e Italia del Rinascimento, «porta d'Oriente per i interazioni ed emulazioni tra corti italiane del Rinascimento e la «Sublime Porta» la L'Impero Ottomano e l'Italia del Rinascimento A cura di Alireza Naser Eslami tra Italia e Impero Ottomano: dai un certo tempo alla corte ottomana di Alireza Naser Eslami, architetto, insegna Storia dell'Architettura al Dipartimento di Scienze per http://www.olschki.it/libro/9788822263643 http://www.olschki.it/libro/9788822263643 cache = ./cache/work_pexfi5us2fdinhhrwu7zjh32ui.pdf txt = ./txt/work_pexfi5us2fdinhhrwu7zjh32ui.txt === reduce.pl bib === id = work_aoifggeqlrgk7d6buxutwn3yhu author = Patricia Rader title = Ingrid Brainard date = 2000 pages = 8 extension = .pdf mime = application/pdf words = 3118 sentences = 280 flesch = 66 summary = manuscript of Guglielmo Ebreo's treatise through a New York Public Library exhibit. The manuscript, soon to be housed at The New York Public Library's Dance Division, I remember once telling her, frustrated, that working with early dances was like stage to demonstrate it at last year's Society of Dance History Scholars roundtable on of Dance Research Journal will offer a preliminary bibliography with additional memories of Ingrid from her extended family of colleagues. young scholars who might follow her in the path of early dance scholarship. Society of Dance History Scholars, at Barnard College. Department of Dance, State University of New York College at Brockport the Dancer in ValeYy's Work; Dance and the Politics of Orality: Practices for Dancers; Dance, Myth and Ritual in Time and Space) Dance Studies in Theory and Politics Motion: New Cultural Studies of Dance 180 Dance Research Journal 32/1 (Summer 2000) 180 Dance Research Journal 32/1 (Summer 2000) cache = ./cache/work_aoifggeqlrgk7d6buxutwn3yhu.pdf txt = ./txt/work_aoifggeqlrgk7d6buxutwn3yhu.txt === reduce.pl bib === === reduce.pl bib === id = work_2gk324xzmjdcvpudk6to6ak3hm author = Meredith J. Gill title = Renaissance Woman: The Life of Vittoria Colonna. Ramie Targoff. New York: Farrar, Straus and Giroux, 2018. 342 pp. $30 date = 2020 pages = 2 extension = .pdf mime = application/pdf words = 995 sentences = 65 flesch = 64 summary = RQX_73_2_Book-Reviews 664..666 Renaissance Woman: The Life of Vittoria Colonna. the first woman in Italy to see a collection of her poetry in print. received news from Milan of his death. Colonna traveled to Rome, seeking a vocation Ramie Targoff tells Colonna's story with empathy and imagination, gracefully circumventing academic conceits and disciplinary boundaries. Targoff describes the circumstances of Colonna's approaching death and her late meditations on paradigms of female piety, Catherine of Alexandria, and Mary Magdalene, Order (of whom Colonna was a champion), and the format of a Renaissance originality of Colonna's works. Whether Colonna was a "Renaissance woman," Vasari's Words: The "Lives of the Artists" as a History of Ideas in the Italian studied Lives of the Artists is a neglected chapter in the intellectual history of Renaissance Biow needs to articulate his view of the fundamental design of the Lives: profession, cache = ./cache/work_2gk324xzmjdcvpudk6to6ak3hm.pdf txt = ./txt/work_2gk324xzmjdcvpudk6to6ak3hm.txt === reduce.pl bib === id = work_bjfpvntqzray5fpxsazobnbl5u author = Elena Marcheschi title = A spiritual journey in Bill Viola's art date = 2014 pages = 4 extension = .pdf mime = application/pdf words = 2101 sentences = 101 flesch = 58 summary = A spiritual journey in Bill Viola's art. Exhibition: Bill Viola (Paris, Gran Palais, Galeries nationales, March 5 – July 21, 2014) dedicated in France to the American artist Bill Viola, one of the most important pioneers in video art a deep visual and spiritual connection with each Viola's works of art, flowing in a kind of initiatory And in fact, as Valentina Valentini says, in Bill Viola's exhibitions the visitor is not only a mere presented in this exhibition, trying to strike the public's intellect as well as the inner emotions. (1977-1979), one of the first Viola's work, and ended with the perfect images of the seven highresolution screens of The Dreamers (2013), the twenty works of art presented in between were not shared with many and different people.'4 At the Grand Palais, Viola and his public met in this Townsend C., (edited by) The art of Bill Viola. cache = ./cache/work_bjfpvntqzray5fpxsazobnbl5u.pdf txt = ./txt/work_bjfpvntqzray5fpxsazobnbl5u.txt === reduce.pl bib === id = work_bchd6mir3ngnnf6romzbyi7po4 author = Eliana Carrara title = Giovanni Battista Adriani and the drafting of the second edition of the Vite: the unpublished manuscript of the Lettera a Messer Giorgio Vasari in the Archivio Borromeo (Stresa, Italy) date = 2011 pages = 21 extension = .pdf mime = application/pdf words = 7910 sentences = 686 flesch = 74 summary = account of Adriani's text and its collocation in the editions of Vasari's Vite see Paola Barocchi, Adriani's work4 was conceived to fill the space, temporal and historiocritical, left empty by Vasari in the edition of Vite published in 1550 (Florence, dell'Adriani', In: Vasari-Bettarini/Barocchi, I (Commento), 386-415, and Eliana Carrara, 'Pliny and the Figure 7 Giovanni Battista Adriani, The manuscri pt of Lettera a messer Giorgio Vasari, Isola Bella, Figure 12 Giovanni Battista Adriani, The manuscript of Lettera a messer Giorgio Vasari, Isola Bella, Figure 12 Giovanni Battista Adriani, The manuscript of Lettera a messer Giorgio Vasari, Isola Bella, Figure 12 Giovanni Battista Adriani, The manuscript of Lettera a messer Giorgio Vasari, Isola Bella, Figure 12 Giovanni Battista Adriani, The manuscript of Lettera a messer Giorgio Vasari, Isola Bella, Figure 12 Giovanni Battista Adriani, The manuscript of Lettera a messer Giorgio Vasari, Isola Bella, cache = ./cache/work_bchd6mir3ngnnf6romzbyi7po4.pdf txt = ./txt/work_bchd6mir3ngnnf6romzbyi7po4.txt === reduce.pl bib === id = work_tbltzadnxjeulmunqczzcukutu author = RabieE Abdel-Halim title = The missing link in the history of urology: A call for more efforts to bridge the gap date = 2009 pages = 7 extension = .pdf mime = application/pdf words = 5131 sentences = 622 flesch = 65 summary = On the other hand, in the Arabic and Islamic world, though many original authentic medical manuscripts written by famous scholars of the Islamic era were authoritatively edited and published during the twentieth century, the number of primary source studies based on them by historians or medical researchers performed several primary source studies of the published medical works of ten scholars who lived and centuries, the study of medicine and other branches of science studies on history of medicine still ignore the scientific in the history of medicine in the universities of the Arabic for the history of Arabic and Islamic Sciences; 1986. Abdel-Halim: The missing link in the history of urology Abdel-Halim: The missing link in the history of urology Abdel-Halim: The missing link in the history of urology Abdel-Halim: The missing link in the history of urology progress of medicine and urology: A study and translations from his medical cache = ./cache/work_tbltzadnxjeulmunqczzcukutu.pdf txt = ./txt/work_tbltzadnxjeulmunqczzcukutu.txt === reduce.pl bib === id = work_emm25ddpgvg2zb4zx4rvxhpfma author = Corrado Confalonieri title = Quale Virgilio? Note sul finale del "Furioso" date = 2013 pages = 17 extension = .pdf mime = application/pdf words = 4786 sentences = 762 flesch = 73 summary = Sebbene, infatti, del Furioso sia stato scritto che "solo chi non ha occhi per sull'Ariosto e la composizione dell'"Orlando furioso", Lucca, Maria Pacini Fazzi, leggendolo in una versione ancora non del tutto assurta a rango di ModelloCodice, per dirla con Gian Biagio Conte.13 L'Eneide, per Ariosto, era Sangirardi, Quanti sono i generi dell'"Orlando Furioso", cit., p. Sangirardi, Quanti sono i generi dell'"Orlando Furioso", cit., p. autorevole, ma comunque non più di una parole della langue epica che del Furioso e il suo manifesto rapporto con quello dell'Eneide del Furioso (che cita l'Eneide) è chiuso e teleologico.16 Una lettura simile conclusione dell'Eneide e del Furioso: finale chiuso in entrambi i poemi, che il carattere ambiguo del poema virgiliano non rivive nella scena anche quello dell'Eneide non è un finale chiuso: la struttura teleologica del Ariosto non commette questa imprecisione: il Furioso – che se misurato Ariosto, Orlando furioso, cit., p. cache = ./cache/work_emm25ddpgvg2zb4zx4rvxhpfma.pdf txt = ./txt/work_emm25ddpgvg2zb4zx4rvxhpfma.txt === reduce.pl bib === === reduce.pl bib === id = work_b3zrqbir5rge5gyiarr7nwgooq author = Sibel YALI title = PROF. DR. PETER BURKE ile RÖPORTAJ date = 2017 pages = 11 extension = .pdf mime = application/pdf words = 3196 sentences = 433 flesch = 71 summary = Oxford'da bir öğrenci olduğumdan beri ki orada tarih alanında 3 yıl geçirdim, diğer Sanat Tarihi "özel bir alan olarak", İtalyan Rönesansı alt dün olduğu gibi bugün de (polyphonic history) 'çok sesli tarihe' inanıyorum. Aslında "polifonik tarih" için Türkçede bir karşılık yok. Kültür tarihine bir dönüş olduğuna inanıyor musunuz? Bu tür tarih farklı bir Ever since I was a student at Oxford, where I spent 3 years in the study of history, He is considered as an important name in social and cultural history as well as – and still believe – in 'polyphonic' history: that is, I think it the duty of the historian to From your books, I know that you were/are interested in cultural history. What do you think that there has been a turn towards cultural history? in Renaissance Italy (1972) was a social history of 'high' culture. cultural history? Now I have begun working on the cultural history cache = ./cache/work_b3zrqbir5rge5gyiarr7nwgooq.pdf txt = ./txt/work_b3zrqbir5rge5gyiarr7nwgooq.txt === reduce.pl bib === id = work_iv3nildxajhhlmp3vzsw7hf3xq author = Nadezda Mosusova title = Symbolism and theatre of masques: The deathly carnival of la belle époque date = 2005 pages = 15 extension = .pdf mime = application/pdf words = 8760 sentences = 1861 flesch = 86 summary = reappeared in the "Jahrhundertwende" the transformed characters of the Commedia dell'arte, flourished in art, literature and music in Italy, France, Austria and Russian and Austrian expressionistic music style, inaugurated by Strauss's Salome, which won opera stages from the 1905 on. Key-words: Commedia dell'arte, Symbolism, Expressionism, street theatre, Finde-siècle. music in France and Austria (Paris and Vienna), and in Russia as well (St. Petersburg and Moscow) in performing arts, painting and music. authentic personalities on the scene who played important role in the development of the Serbian culture of that time. 3 Let us also recall that Kosti�, the author of the drama, gave a brilliant lecture in German on the female characters in the Serbian national epic poetry at the Wissenschaftlicher Club in Vienna 1876, which assembled the cream of the scientific and artistic triangle of the Russian Commedia dell' arte presented in this stage work of World of Art, originating from the Russian Symbolism, developed on such an cache = ./cache/work_iv3nildxajhhlmp3vzsw7hf3xq.pdf txt = ./txt/work_iv3nildxajhhlmp3vzsw7hf3xq.txt === reduce.pl bib === === reduce.pl bib === === reduce.pl bib === id = work_ebyqgudypbabngkhjcl3n26ebu author = Jeanne-Marie Musto title = Review of Towards a Science of Art History: J. J. Tikkanen and Art Historical Scholarship in Europe, The Acts of an International Conference, Helsinki, December 7-8 2007 date = 2010 pages = 9 extension = .pdf mime = application/pdf words = 4642 sentences = 213 flesch = 53 summary = Presenting Finnish Art History in an international context: Presenting Finnish Art History in an international context: anniversary of the birth of Johan Jakob Tikkanen, first professor of art history in Finland. Better integrating Tikkanen's contributions and context into the discipline's history are Time,‛ ‚National and International Art History,‛ and ‚Viewing, Experiencing and The three essays in the section on the role of the arts in Tikkanen's time highlight following essay, in which Anna-Maria von Bonsdorff investigates Finnish art at the turn Five essays comprise the second section, ‚National and International Art History.‛ Marianne Marcussen's essay on Danish art historian Julius Lange emphasizes his The significance not only of German contributions to art history but also of Vasold mentions that Danish art historian Julius Lange's work also contains Tikkanen's review.4 Given his major role in the art-historical dialogue of his day, can we turn-of-the-century art history. cache = ./cache/work_ebyqgudypbabngkhjcl3n26ebu.pdf txt = ./txt/work_ebyqgudypbabngkhjcl3n26ebu.txt === reduce.pl bib === id = work_cgnkdhjo3nd3tneb3b5dh5zkee author = Jeanette Kohl title = Hydrocephalus, rickets, and the bust of an infant from Renaissance Italy date = 2019 pages = 4 extension = .pdf mime = application/pdf words = 1877 sentences = 158 flesch = 71 summary = other portrait busts of children from the Renaissance most children and other members of the Medici family 1 Even if the portrait was not one of a dead child's and taken earlier in Filippo's portrait of a baby by the Medici court painter Bronzino Fig. 2 Agnolo Bronzino, Portrait of a swaddled child, 1540 circa, Walters Fig. 1 (cover figure) Marble bust portrait of an infant, the fifteenth or Fig. 5 Agnolo Bronzino, Giovanni de' Medici, 1545 circa, Galleria degli Fig. 4 Agnolo Bronzino, Portrait of Eleonora di Toledo with her son not come as a surprise that the marble bust of the little Medici 1. Langedijk K (1974) Two portrait busts of a child: Filippo de' Medici Italy: the Medici children. Fig. 6 Agnolo Bronzino, Don Garcia de' Medici, 1550 circa, Museo del Hydrocephalus, rickets, and the bust of an infant from Renaissance Italy Hydrocephalus, rickets, and the bust of an infant from Renaissance Italy cache = ./cache/work_cgnkdhjo3nd3tneb3b5dh5zkee.pdf txt = ./txt/work_cgnkdhjo3nd3tneb3b5dh5zkee.txt === reduce.pl bib === id = work_rrtzsma5kja4ffl7e3o33crbsu author = Giulia Bologna title = Gold in book binding date = 1982 pages = 6 extension = .pdf mime = application/pdf words = 3990 sentences = 182 flesch = 65 summary = From early days, extensive use has been made of gold for the decoration of the covers of Late 15th century work now entrusted to the Trivulziana Library, Milan, manuscript 2167 use liquid gold preparations for the embellishment of book covers It was Venice which established pre-eminence in the art of producing bindings hot-pressed with gold in a style revealing the of works from famous early printers: volumes bound in leather artistically adorned with gold, or in precieus fabrics embossed with In the 16th century, books were published and sold in increasing numbers and the work of binding them flourished in all the adopted was reflected in covers adorned in gold with decorative the end of the 16th century, Italy too adopted larger gilding tools In Rome, Turin and Milan, striking effects continued to be produced on vellum bindings with gold that contrasted well with the designs for the bindings of books that went into his library. cache = ./cache/work_rrtzsma5kja4ffl7e3o33crbsu.pdf txt = ./txt/work_rrtzsma5kja4ffl7e3o33crbsu.txt === reduce.pl bib === === reduce.pl bib === id = work_hovjdokejfachpds22cfi7zocu author = A. Nicholls title = Advances in Nephrology from the Necker Hospital date = 1985 pages = 1 extension = .pdf mime = application/pdf words = 789 sentences = 119 flesch = 69 summary = Book Reviews Advances in Nephrology from the Necker Hospital, Year Book Medical Publishers, Chicago, 1984. This is the latest in a distinguished series of reviews Of the remaining 15 chapters, seven within a single volume the best state of the art review remaining chapters. The remaining chapters unfortunately cover topics which have been adequately appear in print as thenow familiar review ofother reviews. A final infuriating aspect of the book is its organisation. but instead are scattered throughout the book, thechosen way of buying perhaps half a dozen useful review Royal Devon & Exeter Hospitals Function of the Nervous System, Second edition. This excellent book, now deservedly in its second A brief obituary is included, but the importance of his wide ranging contribution to neuroscience can be seen scattered throughout the pages of the book. The book has a first-rate This new edition uses more 'boxes' to highlight The book is set in cache = ./cache/work_hovjdokejfachpds22cfi7zocu.pdf txt = ./txt/work_hovjdokejfachpds22cfi7zocu.txt === reduce.pl bib === === reduce.pl bib === id = work_p4ogduqj7fcpjbtdkjgcubgoju author = Edlira Dhima title = An Overview of Eqrem Cabej's Literary Thought date = 2012 pages = 4 extension = .pdf mime = application/pdf words = 3292 sentences = 190 flesch = 62 summary = Albanian Literature] and Romantizmi në Europën Lindore e Juglindore dhe në Literaturën Shqiptare, [Romanticism in With regards to popular poetry, in his publication Për Gjenezën e Literaturës Shqipe [On the Genesis of the Albanian In his papers and articles on the Albanian folk poetry, Cabej has noted the wide variety of motifs interweaved in the Regarding the categorization of the Albanian literature, Cabej was of the opinion that it should be based on cultural Cabej views the Albanian romantic poets as creators of their own works of Cabej brifly mentions Albanian and Arberesh authors, he states that in Naim Frasheri's work "the apostle and the poet are Albanian Linguistics and Literature] and Romantizmi në Europën Lindore e Juglindore dhe në Literaturën Shqiptare have been presented with the due argumentation of a scientist and a scholar of the Albanian literature in Eqrem Cabej's Eqrem Cabej is a profound scholar of the genesis of Albanian literature. cache = ./cache/work_p4ogduqj7fcpjbtdkjgcubgoju.pdf txt = ./txt/work_p4ogduqj7fcpjbtdkjgcubgoju.txt === reduce.pl bib === === reduce.pl bib === id = work_27ojiqrrtzenpbhgg7rggpboaa author = Peter Gillgren title = Felix Horb: Notes in the margins of Max Dvořák, Hans Sedlmayr and Erwin Panofsky date = 2019 pages = 13 extension = .pdf mime = application/pdf words = 5504 sentences = 425 flesch = 66 summary = switched from architectural studies to art history as late as 1920.21 Horb was well Peter Gillgren Felix Horb: Notes in the margins of Max Dvořák, Hans Peter Gillgren Felix Horb: Notes in the margins of Max Dvořák, Hans Peter Gillgren Felix Horb: Notes in the margins of Max Dvořák, Hans Peter Gillgren Felix Horb: Notes in the margins of Max Dvořák, Hans Peter Gillgren Felix Horb: Notes in the margins of Max Dvořák, Hans Peter Gillgren Felix Horb: Notes in the margins of Max Dvořák, Hans Peter Gillgren Felix Horb: Notes in the margins of Max Dvořák, Hans Peter Gillgren Felix Horb: Notes in the margins of Max Dvořák, Hans Peter Gillgren Felix Horb: Notes in the margins of Max Dvořák, Hans Peter Gillgren Felix Horb: Notes in the margins of Max Dvořák, Hans Peter Gillgren Felix Horb: Notes in the margins of Max Dvořák, Hans cache = ./cache/work_27ojiqrrtzenpbhgg7rggpboaa.pdf txt = ./txt/work_27ojiqrrtzenpbhgg7rggpboaa.txt === reduce.pl bib === id = work_nm6cbsskwfaapajiladh2a5qva author = Giulia Torello-Hill title = Angelo Poliziano's De poesi et poetis (BNCF Naz. II.I.99) and the Development of Ancient Dramatic Criticism date = 2017 pages = 22 extension = .pdf mime = application/pdf words = 10244 sentences = 1073 flesch = 59 summary = Angelo Poliziano's De poesi et poetis (BNCF Naz. II.I.99) and the Development of Ancient Dramatic Criticism 2. Lucia Cesarini Martinelli, "'De poesi et poetis': Uno schedario sconosciuto di Angelo Poliziano," Poliziano's interest in ancient drama also extended to Greek theater, as documented by the BSB Ms Cgm. 812 (fols. In quoting ancient sources, Poliziano always draws on the original Greek text even when a particular work is widely available in Latin translation. Poliziano also reports Plato's censorious attitude toward performing arts, as described in Plutarch's Glory of the Athenians 348b (fol. In De poesi et poetis, however, Poliziano focuses mainly on the ancient narratives of the myth of Orpheus.23 His tragic death caused by women is referenced Poliziano's interest in ancient music was not limited to De poesi et poetis. De poesi et poetis illustrates Poliziano's early interest in ancient drama and reflects cache = ./cache/work_nm6cbsskwfaapajiladh2a5qva.pdf txt = ./txt/work_nm6cbsskwfaapajiladh2a5qva.txt === reduce.pl bib === id = work_rv5f5umljvfq5bi7phut7fz3y4 author = Marco Sgarbi title = What was meant by vulgarizing in the Italian Renaissance? date = 2018 pages = 29 extension = .pdf mime = application/pdf words = 15617 sentences = 1221 flesch = 64 summary = The role played by these authors is particularly significant, as most of them worked on the translation and vulgarization of philosophical and scientific texts, which in part present a different set of challenges from that of orator, who is concerned more with content than style.42 This might explain Cicero's aversion to word-for-word translations – but still, according to Castelvetro, Cicero is not critical of literal translation in an overall sense; rather, Cicero wishes to assert that it is possible possible and express the meaning".65 In other words, for Faustus Longianus translation case, how to make a philosophical discourse popular.82 Robortello's underlying Aristotelianism plugs into Cicero's theory of the orator as translator, or vulgarizer. the same concept should be translated with the vernacular term that most closely corresponds to the original word, not concept, in the target language. 7. Segre, "I volgarizzamenti del Due e Trecento"; Contamine, Traductions et traducteurs; Guthmüller, "Die volgarizzamenti"; Folena, Volgarizzare e tradurre; Beer, Translation Theory and cache = ./cache/work_rv5f5umljvfq5bi7phut7fz3y4.pdf txt = ./txt/work_rv5f5umljvfq5bi7phut7fz3y4.txt === reduce.pl bib === id = work_p2vikxgvzjao3cxwrbe57dcgse author = Stephen G. Schwartz title = The Monocular Duke of Urbino date = 2016 pages = extension = .pdf mime = application/xml words = 144 sentences = 25 flesch = 71 summary = sys_1000 wp-p1m-38.ebi.ac.uk wp-p1m-38.ebi.ac.uk exception exception Params is empty Params is empty Params is empty if (typeof jQuery === "undefined") document.write('[script type="text/javascript" src="/corehtml/pmc/jig/1.14.8/js/jig.min.js"][/script]'.replace(/\[/g,String.fromCharCode(60)).replace(/\]/g,String.fromCharCode(62))); // // // window.name="mainwindow"; .pmc-wm {background:transparent repeat-y top left;background-image:url(/corehtml/pmc/pmcgifs/wm-nobrand.png);background-size: auto, contain} .print-view{display:block} Page not available Reason: The web page address (URL) that you used may be incorrect. Message ID: 218041709 (wp-p1m-38.ebi.ac.uk) Time: 2021/04/06 02:06:15 If you need further help, please send an email to PMC. Include the information from the box above in your message. Otherwise, click on one of the following links to continue using PMC: Search the complete PMC archive. Browse the contents of a specific journal in PMC. Find a specific article by its citation (journal, date, volume, first page, author or article title). http://europepmc.org/abstract/MED/ cache = ./cache/work_p2vikxgvzjao3cxwrbe57dcgse.pdf txt = ./txt/work_p2vikxgvzjao3cxwrbe57dcgse.txt === reduce.pl bib === id = work_hidxkhi2jbgx5off6oof7zhroi author = Donatella Lippi title = The Diseases of the Medici Family and the Use of Phytotherapy date = 2007 pages = 3 extension = .pdf mime = application/pdf words = 1742 sentences = 147 flesch = 64 summary = History of Medicine, University of Florence The Medici Project is a paleopathological and historico-medical research, based on the habits and causes of death of members of this famous family of Italian Renaissance. comparison between the literary sources and the paleopathological evidence is also important Medici Family, have left a rich literature about their patients: the treatments were based on the Keywords: History of medicine – medici family – renaissance Florence, officially starting the Medici Project, a paleopathological and historico-medical study, whose aim is Evidence Based History of Medicine: The Experience strategies: medicinal plants in Florence were produced the therapies which were used to treat their diseases. L.R.Lind, Berengario da Carpi on Fracture of the Skull centaurea, stoechas, half an ounce of long aristolochia, 10 Diseases of the Medici Family and use of phytotherapy 10 Diseases of the Medici Family and use of phytotherapy medical use of plants in Renaissance Florence. cache = ./cache/work_hidxkhi2jbgx5off6oof7zhroi.pdf txt = ./txt/work_hidxkhi2jbgx5off6oof7zhroi.txt === reduce.pl bib === === reduce.pl bib === id = work_abyopwfy7bdqrmyjftzhera3ta author = Benjamin Schewel title = Post-Secularism in a World-Historical Light: The Axial Age Thesis as an Alternative to Secularization date = 2018 pages = 8 extension = .pdf mime = application/pdf words = 4563 sentences = 350 flesch = 52 summary = Post-Secularism in a World-Historical Light: The Axial Age Thesis as an Alternative to regarding the changing place of religion in the modern world as the "post-secular problematic." be used to reconceptualize the public role of religion in the modern world. Keywords: religion; axial age; secularism; post-secular; public religion; religious history the public role of religion in the modern world. role of religion in modern public life, it may be helpful to examine in greater detail the broad vision of socio-spiritual transition that Jaspers identifies—early humanity, archaic civilization, the axial age, Axial age theorists have offered three normative frameworks for addressing the public role of oriented socio-spiritual framework will emerge, an event that Jaspers likens to a second axial age. modern world in ways that acknowledge the central and enduring role of religion in public life. Second, a transformation-based vision of modern religion encourages new kinds of empirical Public Religions in the Modern World. cache = ./cache/work_abyopwfy7bdqrmyjftzhera3ta.pdf txt = ./txt/work_abyopwfy7bdqrmyjftzhera3ta.txt === reduce.pl bib === id = work_jhnc4rbhtvd3jbi6y72ne6lqtm author = L. B. Hunt title = The long history of lost wax casting date = 1980 pages = 17 extension = .pdf mime = application/pdf words = 12417 sentences = 572 flesch = 66 summary = Johnson Matthey & Co. Limited, London, U.K. The origins of lost wax or investment casting, often known as cire perdue, and still the most accurate and reliable means of reproducing complex shapes in gold or other metals with all the fine detail of an original cast only by the lost wax process, as well as gold dress The earliest example of a lost wax casting in gold is The earliest known written reference to lost wax casting comes from the, Babylonian city of Sippar and is dated 1789 Louvre, in an attitude of worship, but the great interest from his time arises from the first known written reference to the lost wax casting process. cast in gold and is dated to the fourteenth century B.C. Photograph by courtesy of the Trustees of the British Museum Palestine, while excavations at Alalakh, west of Aleppo, have revealed the lost wax casting of gold cache = ./cache/work_jhnc4rbhtvd3jbi6y72ne6lqtm.pdf txt = ./txt/work_jhnc4rbhtvd3jbi6y72ne6lqtm.txt === reduce.pl bib === id = work_wfqyk7gcknhtvh3nnbvwmo7som author = Ann-Sophie Lehmann title = Pamela H. Smith;, Amy R. W. Meyers;, Harold J. Cook (Editors). Ways of Making and Knowing: The Material Culture of Empirical Knowledge. (Bard Graduate Center Cultural Histories of the Material World.) xi + 430 pp., illus., table, bibl., index. Ann Arbor: University of Michigan Press, 2014. $60 (cloth) date = 2015 pages = 3 extension = .pdf mime = application/pdf words = 1765 sentences = 125 flesch = 59 summary = Ways of Making and Knowing: The Material Culture of Empirical Knowledge. Bookreview of Ways of Making and Knowing: The Material Culture of Empirical Knowledge by Link to publication in University of Groningen/UMCG research database Bookreview of Ways of Making and Knowing: The Material Culture of Empirical https://research.rug.nl/en/publications/bookreview-of-ways-of-making-and-knowing-the-material-culture-of-empirical-knowledge-by-pamela-h-smith-amy-r-w-meyers-harold-j-cook(e30ac8be-c723-49c1-a500-f521d67d6e3d).html Knowing: The Material Culture of Empirical Knowledge. Histories of the Material World.) xi � 430 pp., illus., table, bibl., index. Cultural Histories of the Material World series, is a welcome combination of both: it addresses the overall theoretical impact of the material turn for the history of science and art, as well as presenting It also shows that the academic investigation into the history of materials has a political side to it, change in our very own material culture of publishing research results. Time, Astronomy, and Calendars in the Jewish Tradition collects the published versions of papers cache = ./cache/work_wfqyk7gcknhtvh3nnbvwmo7som.pdf txt = ./txt/work_wfqyk7gcknhtvh3nnbvwmo7som.txt === reduce.pl bib === id = work_rsb5ss7nc5cgllek6zggqrykju author = Rixt Hoekstra title = Modernity Beyond the West: A Review of Kathleen James-Chakraborty's Architecture Since 1400 date = 2014 pages = 3 extension = .pdf mime = application/pdf words = 1974 sentences = 109 flesch = 54 summary = Modernity Beyond the West: A Review of Kathleen James-Chakraborty's Architecture Since 1400 attempt to write a global history of architecture that in this book modern architecture is rewritten according the grand narratives of modern architecture took place in Architecture Since 1400, Kathleen James-Chakraborty, Minneapolis and London: Hoekstra, R 2014 Modernity Beyond the West: A Review of Kathleen JamesChakraborty's Architecture Since 1400. and enlarged account of modern architectural history. central notion of architectural history, which is the arrival change, while the modern architecture of the Western James-Chakraborty describes the rise of non-Western noncolonial modern architecture, not as an import product Ching's A Global History of Architecture (2011). if the global history of architecture does not encompass Global History of Architecture. Collins, P 1965 Changing Ideals in Modern Architecture, How to cite this article: Hoekstra, R 2014 Modernity Beyond the West: A Review of Kathleen James-Chakraborty's Architecture cache = ./cache/work_rsb5ss7nc5cgllek6zggqrykju.pdf txt = ./txt/work_rsb5ss7nc5cgllek6zggqrykju.txt === reduce.pl bib === id = work_pr4q5gm7vnhblgolqq2ujdiql4 author = John Howland Rowe title = The Renaissance Foundations of Anthropology date = 1965 pages = 21 extension = .pdf mime = application/pdf words = 11336 sentences = 1075 flesch = 66 summary = mankind were the cultural and linguistic differences between Classical antiquity and what was then the present. cultures arose, there were Renaissance studies of Roman customs and institutions to serve as precedents. It is a fact that there was no continuous anthropological tradition of comparative studies in Classical antiquity and the Middle Ages. cultural differences than was common in Classical antiquity, but their work new information on differences among men to the stock which they had inherited from the geographical compilations of Classical antiquity. Valla also stimulated Renaissance interest in cultural differences by translating Herodotus into Latin. Biondo defended the Renaissance position by presenting evidence that the spoken language of the ancient Romans was a form of Latin. It is paradoxical in a sense that Renaissance admiration for Classical antiquity should have made men more ready to study linguistic and cultural differences in the world around them. cache = ./cache/work_pr4q5gm7vnhblgolqq2ujdiql4.pdf txt = ./txt/work_pr4q5gm7vnhblgolqq2ujdiql4.txt === reduce.pl bib === id = work_dr7bh6dn3jdfnpedaynpztlxeu author = L. Obolonczyk title = "La Toilette". When a doctor becomes a painter: Frederic Bazille date = 2019 pages = 2 extension = .pdf mime = application/pdf words = 678 sentences = 100 flesch = 62 summary = Patients and methods Analysis of "La Toilette" painting of Frederice Bazille. Results We present a masterpiece work of Frederic Bazille "La Toilette" where a large goiter is visible. of Bazille's life and painting is included. Conclusion Despite of unique painting technique, thyroid disorders are visible even in impressionism. Keywords Frederic Bazille · Endocrinology · Painting Jean Frederic Bazille (1841–1870) was born in Montpellier In 1859, Bazille started medical study in Montpellier and Historically, goiter seems to be "older" disease (i.e., paintings of According to Encyclopaedia Brittanica, Bazille was an Open Access This article is distributed under the terms of the Creative Commons Attribution 4.0 International License (http://creat iveco Frederic Bazille, oil on canvas note large goiter on first right http://creativecommons.org/licenses/by/4.0/ http://creativecommons.org/licenses/by/4.0/ https://www.britannica.com/biography/Frederic-Bazille https://www.britannica.com/biography/Frederic-Bazille When a doctor becomes a painter: Frederic Bazille When a doctor becomes a painter: Frederic Bazille When a doctor becomes a painter: Frederic Bazille cache = ./cache/work_dr7bh6dn3jdfnpedaynpztlxeu.pdf txt = ./txt/work_dr7bh6dn3jdfnpedaynpztlxeu.txt === reduce.pl bib === id = work_t3dj6knch5bqpfqqhxvh47nyqa author = Giuseppe Longo title = The web and its sorceries date = 2016 pages = 2 extension = .pdf mime = application/pdf words = 1342 sentences = 89 flesch = 54 summary = supposed machines that, since the 1970s, have been promised to replace mankind in all respects. machine has already been happening for decades, thanks to possible, especially if we format human behavior based on the machine: the longer we live in video games, iterating machines made to iterate. Sure, we're surrounded, inundated by thousands of new gadgets, but the techno-scientific substrate has been the same for the past 20 years. method (1950), and statistical learning algorithms store the strategies, memorized by identically iterating machines, fashion of a a-scientific Data Mining in Big Data—some life, without the need for hypotheses, theories, understanding, knowledge (Anderson 2008). Machines will discovery regularities that science will not, Deluge of Spurious Correlations in Big Data.'' (2016) In So much for Big Data without science. human in the age of the AI machine? Anderson C (2008) The end of theory: the data deluge makes the https://www.wired.com/2008/06/pb-theory/ https://www.wired.com/2008/06/pb-theory/ http://megachip.globalist.it/Detail_News_Display%3fID%3d125846%26typeb%3d0%26complessita-scienza-e-democrazia http://megachip.globalist.it/Detail_News_Display%3fID%3d125846%26typeb%3d0%26complessita-scienza-e-democrazia cache = ./cache/work_t3dj6knch5bqpfqqhxvh47nyqa.pdf txt = ./txt/work_t3dj6knch5bqpfqqhxvh47nyqa.txt === reduce.pl bib === id = work_m4l7coqfy5evrp3dvr3i7awr34 author = Romy Golan title = 'Towards a Latin Europe': Vers une Europe Latine: Acteurs et enjeux des échanges culturels entre la France et l'Italie fasciste, Catherine Fraixe, Lucia Piccioni and Christophe Poupault, eds., Brussels: P.I.E. Lang, 2014 date = 2014 pages = 6 extension = .pdf mime = application/pdf words = 2642 sentences = 123 flesch = 57 summary = In the years between the wars, Republican France and Fascist Italy vied for political regimes might have been, France and Italy were nations where culture was recaptures the awe expressed by French art critic Louis Gillet in La Revue des Deux invasion of Paris in works of the 'Italian School of Painting' made by a group of Italians also living in Paris, 'purveyors of the Latin spirit'. Cameo portraits of Italian painters working in Paris were published alongside ones fascination for certain Italian artists and writers: Surrealism, a movement imported increasing autarchy upheld by the Fascist regime that allowed so little French art, or any foreign art for that matter, to enter Italian collections? Were there no French gallerists, writers, or critics active in Italy at Mario Sironi, the most vocal artist in Fascist Italy, publicly berated Paris for the author of Modernity and Nostalgia: Art and Politics in France Between the Wars and cache = ./cache/work_m4l7coqfy5evrp3dvr3i7awr34.pdf txt = ./txt/work_m4l7coqfy5evrp3dvr3i7awr34.txt === reduce.pl bib === id = work_uyaacz3etfczbeyf5kv4zknoeq author = Kate Quinlan title = Rachel Jackson: 'There is no more poignant time to consider art as therapy' date = 2020 pages = 4 extension = .pdf mime = application/pdf words = 3305 sentences = 255 flesch = 73 summary = Very little from an arts and illustration knowledge of dentistry and in dental health communication of the medical and dental unbounded form of medical education, one university to study dental therapy? working as a dental nurse within a department I discussed art in dentistry for Rachel Jackson started her career as a medical illustrator in Glasgow, moved to the Highlands to start a family, trained as a dental therapist, became a The ethos of dental education one of a dental student. one of a dental student. through the inspiration of my dental education. of dentistry could be in the form of education. for artistic abilities within dentistry. All of my work is inspired by dentistry and connect the art and science of our profession. disciplined artist that can facilitate art in Like all dental students right now we are dental students from across the UK to embark the artist's mindset can facilitate education, cache = ./cache/work_uyaacz3etfczbeyf5kv4zknoeq.pdf txt = ./txt/work_uyaacz3etfczbeyf5kv4zknoeq.txt === reduce.pl bib === id = work_6zxqgvyozzdlvfr7bnudh7u3ua author = Stefan Muthesius title = 'Modernism and, or versus traditionalism: the work of the Wagnerschűler Leopold Bauer'. Review of: Jindřich Vybiral, Leopold Bauer, Häretiker der modernen Architektur 1872-1938, Basel: Birkhäuser, 2018 date = 2019 pages = 5 extension = .pdf mime = application/pdf words = 2716 sentences = 134 flesch = 57 summary = Jindřich Vybiral, Leopold Bauer, Häretiker der modernen Architektur 1872-1938, One case in point was the career of Leopold Bauer. thorough investigation of his work, Vybiral makes a major contribution to Vybiral starts off with Bauer's marginalisation within the Wagner-Schule Vybiral's account of Bauer's One may say that Bauer was now returning to his homeland, working until the late For Bauer, all buildings, including factories, required monumental treatment, that is, By 1930, in a design for a store in Novi Sad, Bauer adopted a very different which Bauer has finally joined, and which effectively meant, so Vybiral, trying out Like many architects of his generation, Bauer was fascinated with towers; it work of the Wagnerschűler Leopold Bauer work of the Wagnerschűler Leopold Bauer work of the Wagnerschűler Leopold Bauer work of the Wagnerschűler Leopold Bauer rectangular frames and pure white surfaces in his Vienna-Secession style interiors Bauer's work of the Interwar period. cache = ./cache/work_6zxqgvyozzdlvfr7bnudh7u3ua.pdf txt = ./txt/work_6zxqgvyozzdlvfr7bnudh7u3ua.txt === reduce.pl bib === id = work_ejmqppxnunavharb2fwzbdiauu author = Demetra Koukouzika title = There and back again: Callimachus Epigr. 31 and the (Greek) Renaissance date = 2012 pages = 10 extension = .pdf mime = application/pdf words = 3262 sentences = 297 flesch = 79 summary = the medium of Roman poetry and Renaissance Italian literature. Cretan Renaissance drama on the one hand and Ariosto's Literature and Society in Renaissance Crete (Cambridge 1991: henceforth 'Holton'); relevant material can be found through the index s.v. Ariosto. Latin and Italian literature, but also bilingual in Greek.3 Outside the Venetian-occupied lands (Crete, the Heptanese, and Fortounatos is a Cretan Renaissance comedy by a Venetian probable that the hare motif was used by other (Italian?) poets that a Cretan poet of the Renaissance would directly incorporate Horatian verses in a comedy. (a) that Chortatzis and Foskolos imitated Ariosto independently (b) that some other Italian poet imitated Ariosto and was in (c) that some other Italian poet imitated Horace independently of Ariosto and was in turn imitated by Chortatzis other Italian poet who imitated Ariosto, or vice versa. Foskolos imitated Ariosto directly, independently of Panoria: in intermediate step, an unknown Italian poet intervening between Ariosto and Cretan drama. cache = ./cache/work_ejmqppxnunavharb2fwzbdiauu.pdf txt = ./txt/work_ejmqppxnunavharb2fwzbdiauu.txt === reduce.pl bib === === reduce.pl bib === id = work_jlsoxwmetrdhfp53qdl25t3xui author = PHILIPPA JACKSON title = Parading in public: patrician women and sumptuary law in Renaissance Siena date = 2010 pages = 12 extension = .pdf mime = application/pdf words = 6363 sentences = 441 flesch = 63 summary = laws were a major mode of control, particularly of patrician women, whose dress fifteenth century Pandolfo Petrucci (1452–1512) took control of Siena. clothing in the public arena was common to most Renaissance city-states donne et il loro sumptuoso vestire': Archivio di Stato di Siena (ASS), Balia 253, fols. relationship of clothing and sumptuary laws to other urban concerns led over both sumptuary laws and the silk trade and in records of the clothing velvet in public.24 In Siena, certain luxury clothes could only be worn Siena under the Petrucci: magnificent clothing and public Patrician women and sumptuary law in Renaissance Siena 463 Patrician women and sumptuary law in Renaissance Siena 463 Patrician women and sumptuary law in Renaissance Siena 463 Patrician women and sumptuary law in Renaissance Siena 463 Patrician women and sumptuary law in Renaissance Siena 463 Patrician women and sumptuary law in Renaissance Siena 463 cache = ./cache/work_jlsoxwmetrdhfp53qdl25t3xui.pdf txt = ./txt/work_jlsoxwmetrdhfp53qdl25t3xui.txt === reduce.pl bib === id = work_owqg3eqzinconmr7mpy4fmjtje author = Ronald T. Verrillo title = The influence of surface complexity on judgments of area date = 1970 pages = 2 extension = .pdf mime = application/pdf words = 1774 sentences = 188 flesch = 64 summary = The influence of surface complexity on judgments of area 1 The influence of surface complexity on judgments of area 1 a series of nine differently sized cards. cautioned to judge the area of the card and specific group were presented three times area increases as a power function of to relate size estimation as a function of surface patterning, using the method of pattern does not greatly alter apparent size, Four groups of nine square cards, having equal size; Group 3-white, with a random Perception & Psychophysics, 1970, Vol. 7 (5) Copyright 1970, Psychonomic Journals, Inc., Austin, Texas 289 complexity of the surface patterns as the C. Area and distance estimation of C. Area and distance estimation of estimated area is a power function of area of a surface, the contrasting of large elements increases apparent size. estimates of Group 3, which had a pattern method of ratio estimation, obtained estimated area of squares. cache = ./cache/work_owqg3eqzinconmr7mpy4fmjtje.pdf txt = ./txt/work_owqg3eqzinconmr7mpy4fmjtje.txt === reduce.pl bib === id = work_d6qplvfp6nc2zeynue3v2gb6hm author = Luz Neira García title = Fashion: Cultural Heritage and the Made in date = 2018 pages = 13 extension = .pdf mime = application/pdf words = 7630 sentences = 767 flesch = 46 summary = Countries such as Italy, the United Kingdom, France, Belgium, Germany and others, have been organizing exhibitions devoted to fashion culture to demonstrate the extent of their achievements, importance, Evidently, the allusion to the Made in in exhibitions, is created by drawing attention to the aesthetic, practical and symbolic dimension of the artefacts, since they characterize the phenomena of fashion in a particular period of time.14 This means the development of a narrative is indirect. history, its studies and its social and historic cultures are central part of 'Italian Fashion System' "Karl Lagerfeld the Focus of Two German Exhibitions," WWD, accessed January 6, 2018, http://wwd.com/fashion-news/ "Karl Lagerfeld and his parallel contrasts," HG Issue, accessed January 6, 2018, http://www.hgissue.com/new/karl-lagerfeldand-his-parallel-contrasts-exhibition-at-the-folkwang-museum-essen-germany/. "Henrik Vibsok exhibition, Helsinki Design Museum," Worn Through, accessed Januray 7, 2018, http://www.wornthrough. Finally, the exhibition Rik Wouters and the Private Utopia associates fashion with art. http://www.hgissue.com/new/karl-lagerfeld-and-his-parallel-contrasts-exhibition-at-the-folkwang-museum-essen-germany/ http://www.hgissue.com/new/karl-lagerfeld-and-his-parallel-contrasts-exhibition-at-the-folkwang-museum-essen-germany/ http://www.hgissue.com/new/karl-lagerfeld-and-his-parallel-contrasts-exhibition-at-the-folkwang-museum-essen-germany/ http://www.hgissue.com/new/karl-lagerfeld-and-his-parallel-contrasts-exhibition-at-the-folkwang-museum-essen-germany/ http://www.wornthrough.com/2014/02/henrik-vibskov-exhibition-helsinki-design-museum/ http://www.wornthrough.com/2014/02/henrik-vibskov-exhibition-helsinki-design-museum/ http://www.wornthrough.com/2014/02/henrik-vibskov-exhibition-helsinki-design-museum/ http://www.wornthrough.com/2014/02/henrik-vibskov-exhibition-helsinki-design-museum/ cache = ./cache/work_d6qplvfp6nc2zeynue3v2gb6hm.pdf txt = ./txt/work_d6qplvfp6nc2zeynue3v2gb6hm.txt === reduce.pl bib === id = work_hbok5c6t6rgybfgo4vivoeki2i author = Jim Price title = Michael Gregory Price date = 2007 pages = extension = .pdf mime = application/xml words = 144 sentences = 25 flesch = 71 summary = sys_1000 wp-p1m-38.ebi.ac.uk wp-p1m-38.ebi.ac.uk exception exception Params is empty Params is empty Params is empty if (typeof jQuery === "undefined") document.write('[script type="text/javascript" src="/corehtml/pmc/jig/1.14.8/js/jig.min.js"][/script]'.replace(/\[/g,String.fromCharCode(60)).replace(/\]/g,String.fromCharCode(62))); // // // window.name="mainwindow"; .pmc-wm {background:transparent repeat-y top left;background-image:url(/corehtml/pmc/pmcgifs/wm-nobrand.png);background-size: auto, contain} .print-view{display:block} Page not available Reason: The web page address (URL) that you used may be incorrect. Message ID: 218040672 (wp-p1m-38.ebi.ac.uk) Time: 2021/04/06 02:06:13 If you need further help, please send an email to PMC. Include the information from the box above in your message. Otherwise, click on one of the following links to continue using PMC: Search the complete PMC archive. Browse the contents of a specific journal in PMC. Find a specific article by its citation (journal, date, volume, first page, author or article title). http://europepmc.org/abstract/MED/ cache = ./cache/work_hbok5c6t6rgybfgo4vivoeki2i.pdf txt = ./txt/work_hbok5c6t6rgybfgo4vivoeki2i.txt === reduce.pl bib === === reduce.pl bib === id = work_zmgsvhaywbb7dlar6ad4yheey4 author = James R. Flynn title = Movies About Intelligence date = 2003 pages = 5 extension = .pdf mime = application/pdf words = 4511 sentences = 462 flesch = 70 summary = learning in Japanese quail depends on the motivational state of the observer at the time of may, but if so, g lacks a sociological dimension and cannot explain cognitive trends over time why g influences cognitive performance: "Some property (or properties) of the brain . advantage in school, on the job, wherever cognitive skills are relevant. of cognitive skills over time. The fact that we are better at onthe-spot problem solving is indicative of real-world cognitive gains. that more people can think independently helps fill the large number of professional work roles the There would be huge environmental effects on the average IQ difference between generations—effects Society made new demands on the cognitive content of question: Are Blacks like individuals within White society who on Shifting social priorities raise cognitive skills in one pure measure of the brain's influence on cognitive performance. our understanding of human cognition, individual and group differCopyright © 2003 American Psychological Society cache = ./cache/work_zmgsvhaywbb7dlar6ad4yheey4.pdf txt = ./txt/work_zmgsvhaywbb7dlar6ad4yheey4.txt === reduce.pl bib === id = work_o2zix4tlabgyhibawqpcte3lca author = Theodore C. Clarke title = The planets and our culture a history and a legacy date = 2010 pages = 14 extension = .pdf mime = application/pdf words = 3703 sentences = 375 flesch = 77 summary = It relates the myths of gods and heroes for whom the planets and the Medicean moons After the defeat of the Titans, Jupiter (Zeus) was chosen by all the gods of Olympus From the myth of Jupiter and Europa comes the names of a major constellation and 8. The Myth of Jupiter and Callisto In Boucher's painting above, we see Jupiter as Diana, embracing the innocent Callisto. Fig. 13 : The Medicean Moon Io, image by Voyager 1 taken during the Jupiter encounter, Fig. 16 : The Medicean Moon Europa, image by Voyager 1 taken during the Jupiter encounter, 1979 Fig. 20 : The Medicean Moon Ganymede, image by Voyager 1 taken during the Jupiter Fig. 21 : Jupiter in the Guise of Diana and the Nymph Callisto, Francois Boucher, 1759, Fig. 22 : The Medicean Moon Callisto, image by Voyager 1 taken during the Jupiter cache = ./cache/work_o2zix4tlabgyhibawqpcte3lca.pdf txt = ./txt/work_o2zix4tlabgyhibawqpcte3lca.txt === reduce.pl bib === === reduce.pl bib === id = work_i5nloprpffcgnfd4yvk42dc6qm author = Peter Davidson title = The Jesuit Series. Part 1: A-D (review) date = 2004 pages = 3 extension = .pdf mime = application/pdf words = 989 sentences = 64 flesch = 61 summary = Peter Davidson emblem-books, covering a mere seven (in the Latin alphabet, six) letters of many completed monographs on the arts and cultures of the early modern As well as being a wide-ranging collection of bibliographical specifics and encyclopedic information about the present locations of emblem books, considered in a splendidly wide sense (thus including festival decorations It is of interest to all historians of early modern culture, not only university of toronto quarterly, volume 74, number 1, winter 2004/5 university of toronto quarterly, volume 74, number 1, winter 2004/5 university of toronto quarterly, volume 74, number 1, winter 2004/5 books (not just emblem books) of the seventeenth century. as late as the 1880s versions of emblem books which have the Pia Desideria superbly accurate and comprehensive bibliography of Jesuit emblematics: history in epitome of early modern verbal and visual culture. The early Italian university was a far cry from its modern counterpart. cache = ./cache/work_i5nloprpffcgnfd4yvk42dc6qm.pdf txt = ./txt/work_i5nloprpffcgnfd4yvk42dc6qm.txt === reduce.pl bib === === reduce.pl bib === === reduce.pl bib === id = work_xbxv2eifcnartasdwmxzgfgize author = Fernanda Falcini title = The primary role of steroids on the osteoporosis in juvenile rheumatoid arthritis patients evaluated by dual energy X-ray absorptiometry date = 1996 pages = 2 extension = .pdf mime = application/pdf words = 678 sentences = 100 flesch = 62 summary = Patients and methods Analysis of "La Toilette" painting of Frederice Bazille. Results We present a masterpiece work of Frederic Bazille "La Toilette" where a large goiter is visible. of Bazille's life and painting is included. Conclusion Despite of unique painting technique, thyroid disorders are visible even in impressionism. Keywords Frederic Bazille · Endocrinology · Painting Jean Frederic Bazille (1841–1870) was born in Montpellier In 1859, Bazille started medical study in Montpellier and Historically, goiter seems to be "older" disease (i.e., paintings of According to Encyclopaedia Brittanica, Bazille was an Open Access This article is distributed under the terms of the Creative Commons Attribution 4.0 International License (http://creat iveco Frederic Bazille, oil on canvas note large goiter on first right http://creativecommons.org/licenses/by/4.0/ http://creativecommons.org/licenses/by/4.0/ https://www.britannica.com/biography/Frederic-Bazille https://www.britannica.com/biography/Frederic-Bazille When a doctor becomes a painter: Frederic Bazille When a doctor becomes a painter: Frederic Bazille When a doctor becomes a painter: Frederic Bazille cache = ./cache/work_xbxv2eifcnartasdwmxzgfgize.pdf txt = ./txt/work_xbxv2eifcnartasdwmxzgfgize.txt === reduce.pl bib === id = work_65b7z6j5org33owceyvwvnd4em author = Martha Rosler title = Notes from the Field: Materiality date = 2013 pages = 5 extension = .pdf mime = application/pdf words = 3343 sentences = 282 flesch = 61 summary = materials have become a field of art historical research, to early modern textile interiors shall be sketched here in order before the Restoration, layers a modernist stance onto medieval and early modern notions of interior space. appears as a mise en abyme of such textile spaces, a phenomenon that contradicts the Renaissance notion of architecture open the view through the missing "fourth wall." Early modern perspectival space, instead, gives a view through a continuum in which textiles, hung or folded, are reduced to modern textile interiors testify to a notion of space as something material, opaque, sensorial, discontinuous, non-Euclidean, folded, polyfocal, social, and topological. Tristan Weddigen is professor of early modern art at the University of research project "An Iconology of the Textile Medium in Art and Architecture" [University of Zurich, Institute of Art History, Raemistrasse 73, CH-8006 Zurich, Switz., tristan.weddigen@uzh.ch]. Material der Kunst (Munich: Beck, 2001); Monika Wagner and Dietmar cache = ./cache/work_65b7z6j5org33owceyvwvnd4em.pdf txt = ./txt/work_65b7z6j5org33owceyvwvnd4em.txt === reduce.pl bib === id = work_zrv7a6p4fvfnfjst7lkpjlswqu author = Y. Yin title = COMPREHENSIVE COMPARISON BETWEEN THE QING IMPERIAL GARDEN AND THE ENGLISH LANDSCAPE GARDEN IN THE 18TH CENTURY: A CULTURAL HERITAGE STUDIES APPROACH date = 2019 pages = 5 extension = .pdf mime = application/pdf words = 3189 sentences = 249 flesch = 62 summary = THE ENGLISH LANDSCAPE GARDEN IN THE 18TH CENTURY: A CULTURAL KEY WORDS: Qing Imperial Garden, English Landscape Garden, Cultural Heritage, Views of Nature, Cultural History, Values In 17-18th century, the spread of the image of the Qing Imperial Garden witnessed the cross-cultural exchanges and promoted the differences of cultural heritage values found in the two kinds of gardens: from the design of space and structure, poems and paintings Landscape Garden was inconsistent with the Chinese concept of 'natural state of the world'. background, culture and values between the Qing Imperial Garden and the English Landscape Garden. In the 18th century, The Qing Imperial Garden in China and the between 18th century English landscape garden and the Chinese However, Views of nature in the English Landscape Garden are However, Views of nature in the English Landscape Garden are The Qing Imperial Garden and the English Landscape The Qing Imperial Garden and the English Landscape cache = ./cache/work_zrv7a6p4fvfnfjst7lkpjlswqu.pdf txt = ./txt/work_zrv7a6p4fvfnfjst7lkpjlswqu.txt === reduce.pl bib === id = work_hzwke6umhrfxbocnluw4wwbmli author = Boussy Zidan title = Cross- Cultural Exchange Between the Islamic World and Europe (Iznik ceramic and Italian maiolica as a case study) date = 2019 pages = 46 extension = .pdf mime = application/pdf words = 13123 sentences = 1412 flesch = 64 summary = (Iznik ceramic and Italian maiolica as a case study) emergence of a special form of ceramic plates of Italian tradition the Ottoman Empire and Italy on all industries; and ceramics in Tondino, Albarello, Iznik, Golden Horn, Italian maiolica. of original Ottoman ceramic production with a distinct style. Bernard Rackham, Islamic Pottery and Italian Maiolica, illustrated catalogue of a private Bernard Rackham, Islamic Pottery and Italian Maiolica, p. of this pottery in Italy led to the development of Italian maiolica ware. form of plates called ―Tondino‖ of Italian origins within Iznik Iznik production inspired by Italian maiolica. Italian maiolica technique were decorated with the spiral scrolls dishes produced in Iznik as well, but mostly by special Italian Finally, Ottoman ceramic of Iznik and Italian maiolica had Iznik ceramic as part of their decorative elements. https://www.britannica.com/place/Iznik Accessed: 05-02-2019 1:02 UTC https://www.britannica.com/place/Iznik Accessed: 05-02-2019 1:02 UTC cache = ./cache/work_hzwke6umhrfxbocnluw4wwbmli.pdf txt = ./txt/work_hzwke6umhrfxbocnluw4wwbmli.txt === reduce.pl bib === id = work_g3hwc2avtbgdhjlmfx2rxhevee author = Piotr Urbański title = Yasmin Haskell date = 2014 pages = 3 extension = .pdf mime = application/pdf words = 1053 sentences = 97 flesch = 70 summary = Prescribing Ovid: The Latin Works and Networks of the Enlightened Dr Heerkens. Dr. Heerkens, virtually unknown today, was a Dutch physician, poet, and follower of Ovid. Heerkens's poems and the criticism he received from his contemporaries: matters that lie outside Haskell's main area of interest. Haskell writes the following at the end of her introduction: "The book is and every Latin work by Heerkens. We present, rather, a study of the interaction of his Latin works and networks – the latter projected on multiple axes, to this, he wrote many books in Latin and treated this language as a tool of selfexpression. Second, what was the relationship of Latin to the new enlightened Finally, Haskell looks at the Jesuit context of Heerkens's writing. in Germany and Italy were open to Heerkens thanks to the letters of introduction provided by the Elector Clement August. The book's conclusion offers a brilliant analysis of Heerkens's place cache = ./cache/work_g3hwc2avtbgdhjlmfx2rxhevee.pdf txt = ./txt/work_g3hwc2avtbgdhjlmfx2rxhevee.txt === reduce.pl bib === id = work_q57cafylife2rmvihlvmu6hgue author = Minou Schraven title = Out of Sight, Yet Still in Place: On the Use of Italian Renaissance Portrait Medals as Building Deposits date = 2009 pages = 12 extension = .pdf mime = application/pdf words = 7826 sentences = 669 flesch = 72 summary = Matteo De'Pasti, the obverse of the portrait medal of Sigismondo Malatesta, bears Art: Sigismondo Pandolfo Malatesta of Rimini and 'Cose Militari,'" and walls of buildings; while some portrait medals issue of RES, specific attention will be given to the nonvisibility of the medals deposited within the foundations The portrait medals of Sigismondo Malatesta design one more portrait medal for Sigismondo with a building on its the first Renaissance portrait medal to show a building Matteo De'Pasti, the reverse of the portrait medal of Sigismondo The very practice of using portrait medals as building number of deposited portrait medals has been uncovered portrait medals with Castel Sismondo on the reverse and But Sigismondo's portrait medals were also deposited Part of the deposited bronze portrait medals of Sigismondo Malatesta, portrait medals is, of course, the deposition of coins. The numbers of portrait medals deposited his deposited portrait medals.43 his deposited portrait medals.43 cache = ./cache/work_q57cafylife2rmvihlvmu6hgue.pdf txt = ./txt/work_q57cafylife2rmvihlvmu6hgue.txt === reduce.pl bib === id = work_l3giqgsspvdh7g73i2vdyftajq author = Jan L. de Jong title = Luba Freedman. Classical Myths in Italian Renaissance Painting. Cambridge: Cambridge University Press, 2011. xvi + 292 pp. $95. ISBN: 978–1–107–00119–0 date = 2012 pages = 4 extension = .pdf mime = application/pdf words = 1088 sentences = 100 flesch = 64 summary = Review of: Luba Freedman, Classical Myths in Italian Renaissance Painting. Review of: Luba Freedman, Classical Myths in Italian Renaissance Painting. author(s) and/or copyright holder(s), unless the work is under an open content license (like Creative Commons). https://research.rug.nl/en/publications/review-of-luba-freedman-classical-myths-in-italian-renaissance-painting-cambridge-cambridge-university-press-2011(abd3ebc9-9b5d-40e2-83f6-a8e36afb2dde).html Classical Myths in Italian Renaissance Painting. In the case of the time limits, however, the author is used ''to refer to the contents of paintings on mythological subjects,'' and that by the time of Vasari, ''the paintings themselves were referred to as poesie.'' (201) Although ''selected mythological narratives'' painted in a style all'antica leads to a vision that Freedman's study contains interesting discussions on such issues as classical ever commissioned paintings of classical myths.'' (28) To the contrary, the palaces of All use subject to University of Chicago Press Terms and Conditions (http://www.journals.uchicago.edu/t-and-c). All use subject to University of Chicago Press Terms and Conditions (http://www.journals.uchicago.edu/t-and-c). All use subject to University of Chicago Press Terms and Conditions (http://www.journals.uchicago.edu/t-and-c). cache = ./cache/work_l3giqgsspvdh7g73i2vdyftajq.pdf txt = ./txt/work_l3giqgsspvdh7g73i2vdyftajq.txt === reduce.pl bib === id = work_fq4x3rwngfgrnerdx7w7z6ul64 author = Michael Asselmeyer title = Architecture of Regionalism in the Age of Globalization: Peaks and Valleys in the Flat World By Liane Lefaivre and Alexander Tzonis Routledge, London and New York, 2011 232 pp., many drawings and illus. ISBN: 978-0-415-57579-9 £29.99 (pb) date = 2012 pages = 4 extension = .pdf mime = application/pdf words = 2058 sentences = 134 flesch = 50 summary = Additional services for Architectural Research Quarterly: Architecture of Regionalism in the Age of Globalization: Peaks and Valleys in the Flat World By Liane Lefaivre and Alexander Tzonis Routledge, London and New York, 2011 232 pp., many drawings and illus. Review of Liane Lefaivre, and Alexander Tzonis 'Architecture of Regionalism in the Age of Globalization: Peaks and Valleys in the Flat World' Architectural Research Quarterly, 16, pp 185­187 doi:10.1017/ century between regional versus Regionalism'), Chapter Ten ('Regionalism Rising') and Chapter Architecture of Regionalism in architecture and recent regionalist architecture and theory during the 12 chapters ('The Regional and the 2 Regional – but regionalist? samples of regionalist architecture architecture with references to the 3 'Building like the French do': Cologne Cathedral between regionalism and globalism between regionalism and globalism of Lefaivre's and Tzonis's new book regionalist architecture. regionalist architecture. Architecture at the University of in British architectural history. architecture, Curl's study explores cache = ./cache/work_fq4x3rwngfgrnerdx7w7z6ul64.pdf txt = ./txt/work_fq4x3rwngfgrnerdx7w7z6ul64.txt === reduce.pl bib === id = work_ols2ay4xmza6bpkgbiosmxtua4 author = Fabrizio Lelli title = Andrew D. Berns. The Bible and Natural Philosophy in Renaissance Italy: Jewish and Christian Physicians in Search of Truth. New York: Cambridge University Press, 2015. 309 pp date = 2016 pages = 4 extension = .pdf mime = application/pdf words = 2483 sentences = 568 flesch = 76 summary = These include the Qur'anic notion of tah.rīf with Christian accusations of Jewish distortions of Abraham's true religion (Justin Martyr's Dialogue with Trypho the Jew and the Ebionite conception of a diabolical fit.ra with the notion of a natural Christian nature of the human soul (anima naturaliter christiana); the Qur'anic notion of an original, pristine, and unsullied "religion of Abraham" with Eusebius's writings in his Ecclesiastical History, and so Among the intellectual achievements that distinguished the Italian Renaissance from the previous centuries, with a lasting influence on the modern age, words, in-depth study of the Bible, paralleled by the investigation of nature according to new empirical methods, allowed Renaissance intellectuals to ascertain Berns compares the approach of Jewish and nonJewish scientists active in Renaissance Italy toward the biblical text. including Italian, Latin, and Hebrew, analyzes the work of major scholars (such as the scholarly relationships between Italian Jews and Christians at the beginning of cache = ./cache/work_ols2ay4xmza6bpkgbiosmxtua4.pdf txt = ./txt/work_ols2ay4xmza6bpkgbiosmxtua4.txt === reduce.pl bib === id = work_wdrxjtxdrnainozlqto6nz7yui author = Andrei Pop title = The pinch of Expressionism in art history date = 2015 pages = 5 extension = .pdf mime = application/pdf words = 2398 sentences = 108 flesch = 53 summary = The Pinch of Expressionism in Art History Smith, ed., The Expressionist Turn in Art History, Farnham, claim to art and artists, and already our sought-after term, expression, makes its of expression underwrote much interesting argument about art from Julius von authors, there is one critical essay and just one translation. 1 Wilhelm Worringer, 'Introduction to Old German Book Illustration (1912)', translated by Heather Mathews, with Kathleen Chapman, in Smith (ed.), The Expressionist Turn in Art windy rhetoric; the authors don't paper over Wölfflin's German nationalism, not at then the very canon of expressionist art historians is exploded. Andrei Pop The Pinch of Expressionism in Art History Andrei Pop The Pinch of Expressionism in Art History Andrei Pop The Pinch of Expressionism in Art History Andrei Pop The Pinch of Expressionism in Art History art to history is a worthy endeavour, so the editor and authors of The Expressionist cache = ./cache/work_wdrxjtxdrnainozlqto6nz7yui.pdf txt = ./txt/work_wdrxjtxdrnainozlqto6nz7yui.txt === reduce.pl bib === id = work_iym3pjsemzdphla4lfngvq4efu author = Amelia Carolina Sparavigna title = A Historical Discussion of Angular Momentum and its Euler Equation date = 2015 pages = 5 extension = .pdf mime = application/pdf words = 4059 sentences = 385 flesch = 70 summary = Abstract: We propose a discussion of angular momentum and its Euler equation, with the aim of giving a short of angular momentum and its Euler's equation in the 2. Angular momentum and spinning tops the rotational inertia of bodies and to the motion of After Newton, the angular momentum was considered momentum of rotational motion [8]) for a point-like also the angular momentum of rigid bodies and about Euler and his laws concerning rigid bodies, let us Euler, like Newton, did not use vectors in physics. 3. Straight motion and angular momentum Figure 3: In the angular momentum, the position One of the Euler's Laws tells that the angular A Historical Discussion of Angular Momentum and its Euler Equation A Historical Discussion of Angular Momentum and its Euler Equation A Historical Discussion of Angular Momentum and its Euler Equation A Historical Discussion of Angular Momentum and its Euler Equation Angular Momentum Between Physics and cache = ./cache/work_iym3pjsemzdphla4lfngvq4efu.pdf txt = ./txt/work_iym3pjsemzdphla4lfngvq4efu.txt === reduce.pl bib === === reduce.pl bib === === reduce.pl bib === id = work_z7s7owqxirhatchqhnjcfb3uba author = W C Hassler title = The San Francisco Hospital date = 1919 pages = extension = .pdf mime = application/xml words = 144 sentences = 27 flesch = 72 summary = sys_1000 wp-p1m-39.ebi.ac.uk wp-p1m-39.ebi.ac.uk exception exception Params is empty Params is empty Params is empty if (typeof jQuery === "undefined") document.write('[script type="text/javascript" src="/corehtml/pmc/jig/1.14.8/js/jig.min.js"][/script]'.replace(/\[/g,String.fromCharCode(60)).replace(/\]/g,String.fromCharCode(62))); // // // window.name="mainwindow"; .pmc-wm {background:transparent repeat-y top left;background-image:url(/corehtml/pmc/pmcgifs/wm-nobrand.png);background-size: auto, contain} .print-view{display:block} Page not available Reason: The web page address (URL) that you used may be incorrect. Message ID: 218034491 (wp-p1m-39.ebi.ac.uk) Time: 2021/04/06 02:06:06 If you need further help, please send an email to PMC. Include the information from the box above in your message. Otherwise, click on one of the following links to continue using PMC: Search the complete PMC archive. Browse the contents of a specific journal in PMC. Find a specific article by its citation (journal, date, volume, first page, author or article title). http://europepmc.org/abstract/MED/ cache = ./cache/work_z7s7owqxirhatchqhnjcfb3uba.pdf txt = ./txt/work_z7s7owqxirhatchqhnjcfb3uba.txt === reduce.pl bib === id = work_sq3j3p2wsfaebhsqzyevq4svpm author = KASPAR VON GREYERZ title = Reviews of Books date = 1987 pages = 3 extension = .pdf mime = application/pdf words = 1804 sentences = 130 flesch = 64 summary = on The Renaissance in Historical Thought, scholars interested in the Reformation period have frequently bemoaned the conspicuous absence in the available literature of a work surveying and discussing the development of the historiography of the Reformation from its inception to the present. in which the authors highlight the historical assessment of the Reformation A. Enno van Gelder's thesis of a rational intellectual continuity between Renaissance and Enlightenment, which challenges the importance of the Reformation, in the last chapter concerned with the recent social history of the Reformation, a humble beginning in the footsteps of Ferguson's work on historical scholarship on the Renaissance (as the authors modestly claim in their Preface). offers stimulating reading and is a substantial achievement, which will be welcomed by all historians interested in the Reformation period and in its subsequent historical assessment. administrative, formulation of the 'Revolution', with some attention, by Starkey himself, to the 'reform' angle. cache = ./cache/work_sq3j3p2wsfaebhsqzyevq4svpm.pdf txt = ./txt/work_sq3j3p2wsfaebhsqzyevq4svpm.txt === reduce.pl bib === id = work_ruutfcfqgzbg3j5niezqauyrqi author = A. Muraviev title = Нина В. СИНИЦЫНА, Сказания о преподобном Максиме Греке (XVI-XVII вв.) (Москва: Издательство ПСТГУ, 2006) 136 с. [издание ПСТГУ-ИРИ РАН] date = 2008 pages = 2 extension = .pdf mime = application/pdf words = 735 sentences = 68 flesch = 81 summary = ("By the prayers of Thy Most Pure Mother and holy wonderworker Nicholas […] of God — have mercy on us"). The book wri en by prominent Russian scholar Nina Sinitsyna deals with the earliest textual witnesses of the life of Maxim the Greek book however is a new edition of the Narratio informans according to K. K (ed.), Saint Maxim the Greek. The rst long-awaited volume of the new edition of the works of St Maxim the Greek has been published by renowned Moscow scholar rst period of the life of St Maxim in Russia until the condemnation (1518–1525) as well as works preserved in Greek (with Russian translation), wri en in Italy and on Mt Athos (1498–1516) by Michael (Maximos) Trivolis. The very identity of St. Maxim the Greek known from The rst publication of the Greek part of the heritage of St Maxim cache = ./cache/work_ruutfcfqgzbg3j5niezqauyrqi.pdf txt = ./txt/work_ruutfcfqgzbg3j5niezqauyrqi.txt === reduce.pl bib === id = work_sr2bc33dajhlxhanjiuzdpoub4 author = John W. Kronik title = Editor's Column date = 1987 pages = 2 extension = .pdf mime = application/pdf words = 1505 sentences = 70 flesch = 53 summary = biases to their readings of manuscripts, the very play of disparate convictions among readers tends to Those who serve on the PMLA advisory committee and the editorial board on a rotating basis come from as many persuasions as the association's membership. PMLA receives and judges articles with a collective open-mindedness, and no The only possible response to the questions I have been asked—What is PMLAs critical orientation? Last October's number, for example, was heavily slanted toward theory and the ways of modern critical analysis. them are appropriate stuff for a PMLA article, as they are of our convention sessions and of our membership's profile. "sheer joy," "quite unlike PMLA's usual fare," "will set many fertile bees buzzing in the critical bonnet," "a refreshing alternative to the older pedantry" —suggest that readers and potential contributors "Oh, PMLA is too modern for me!" said one; "No, cache = ./cache/work_sr2bc33dajhlxhanjiuzdpoub4.pdf txt = ./txt/work_sr2bc33dajhlxhanjiuzdpoub4.txt === reduce.pl bib === id = work_7p7h7giinfamvfajtnitpsygia author = (:Unkn) Unknown title = Christian Mysteries in the Italian Renaissance: Typology and Syncretism in the Art of the Italian Renaissance date = 2020 pages = 321 extension = .pdf mime = application/pdf words = 73608 sentences = 4048 flesch = 59 summary = Renaissance and the significant meaning of classical subjects and figures in such philosophical significance for certain classical subjects and motifs in Renaissance art. medieval artists did occasionally depict classical subjects in their works of art or include that simply replaces Judeo-Christian elements with classical figures and scenes, without holy figure from the Judeo-Christian tradition in a classically inspired pose, typologically related figures from pagan mythology and Judeo-Christian narrative classical and Judeo-Christian figures was both possible and significant. programs that included Judeo-Christian figures, even representations of God or the figures both classical and Christian in Raphael Sanzio‟s fresco cycle in the Vatican‟s with the representation of classical figures in works of art from that century, even from The study of the relationship of classical and Christian figures in the Stanza della of certain works of art from the Italian Renaissance which have classical subjects and cache = ./cache/work_7p7h7giinfamvfajtnitpsygia.pdf txt = ./txt/work_7p7h7giinfamvfajtnitpsygia.txt === reduce.pl bib === id = work_ijxgqcknlrecvak7usubdtibt4 author = Emilian M. Dobrescu title = Technical Means of Preservation of Renewable Human Energy's date = 2012 pages = 6 extension = .pdf mime = application/pdf words = 3840 sentences = 215 flesch = 58 summary = based on human renewable storing this energy, given average power renewable source of man. Icarus, who is the first human known as renewable energy use of his arms, imitating the flight of birds. There are two ways of converting human energy into electricity: power can be gained from the daily actions made to highlight the different ways to provide electricity resulting from the conversion of human energy: a) manufactured independent power systems, renewable energy using human! Piezoelectric energy source human walking capable of charging batteries of mobile phones to operate an MP3 or any portable device power supply stored From 1990 to present, the number of devices that use human energy resulting from arm movement is Another company that offers products that are supplied with the power of human energy is Atkin Design power renewable source of man, energy of arm, Ministry of Research and Development can and should do more in renewable energy recovery human and cache = ./cache/work_ijxgqcknlrecvak7usubdtibt4.pdf txt = ./txt/work_ijxgqcknlrecvak7usubdtibt4.txt === reduce.pl bib === id = work_n654sm7ypfftrcrv3imi3fimji author = PABLO ARIEL BLITSTEIN title = A GLOBAL HISTORY OF THE 'MULTIPLE RENAISSANCES' date = 2020 pages = 23 extension = .pdf mime = application/pdf words = 12637 sentences = 779 flesch = 63 summary = historical and social configurations, not only within, but also outside Europe; finally, through an analysis of the relation between Arnold Toynbee and Hu Shi, I will show that the uses of the renaissance nineteenth century, the Renaissance had been a purely operative historiographical concept; that is, it simply referred to a historical event or to its period, and during the nineteenth century, the 'renaissance' became the ideal type of a 'cultural form' and came to be applied to different societies all over the world. process involved shared uses of 'renaissance' between the European and nonEuropean world, and followed a general endeavour in human and social there was another key inspiration: Arnold Toynbee's A study of history, and especially his volume on the 'renaissances', published in . Goody explained: this in the following quote from Hu Shi's The Chinese Renaissance, which Toynbee cache = ./cache/work_n654sm7ypfftrcrv3imi3fimji.pdf txt = ./txt/work_n654sm7ypfftrcrv3imi3fimji.txt === reduce.pl bib === id = work_ad3q2s4ahjflbhfb5xst3ni4ha author = Jo Ann Cavallo title = Frédérique Verrier . Le miroir des Amazones: Amazones, viragos et guerrières dans la littèrature italienne des XVeet XVIesiècles. Paris: L'Harmattan 2003. 256 pp. index. bibl. €21.80. ISBN: 2-7475-5596-8 date = 2005 pages = 4 extension = .pdf mime = application/pdf words = 1519 sentences = 101 flesch = 57 summary = Le miroir des Amazones: Amazones, viragos et guerrières dans la littérature italienne des XVe et XVIe siècles The University of Chicago Press and Renaissance Society of America are collaborating with JSTOR to digitize, military aptitude of women in Italian literature of the fifteenth and sixteenth figure of the Amazon to Africa, Asia, and America, Verrier points to recent discoveries and subsequent "récits de voyage" that describe women performing tasks information provided is useful for measuring the representations of female warriors in biographies and treatises against the historical relation of women to war. The female warrior of the epic, occasionally mentioned in passing during the When Verrier does turn her attention to the epic, the treatment others, the volume has much to offer regarding the social and psychological motives behind attitudes running through two centuries of writing about women and http://www.jstor.org/page/info/about/policies/terms.jsp http://www.jstor.org/page/info/about/policies/terms.jsp http://www.jstor.org/page/info/about/policies/terms.jsp http://www.jstor.org/page/info/about/policies/terms.jsp http://www.jstor.org/page/info/about/policies/terms.jsp http://www.jstor.org/page/info/about/policies/terms.jsp cache = ./cache/work_ad3q2s4ahjflbhfb5xst3ni4ha.pdf txt = ./txt/work_ad3q2s4ahjflbhfb5xst3ni4ha.txt === reduce.pl bib === === reduce.pl bib === id = work_iwxodlrvbjegvehziimm75fofy author = Remo Accorona title = Thyroid Swelling: A Common Phenomenon in Art? date = 2018 pages = 7 extension = .pdf mime = application/pdf words = 4044 sentences = 359 flesch = 65 summary = Thyroid swelling · Endemic goiter · Art · History Thyroid swelling is frequently represented in the artworks of many stylistic periods Thyroid swelling may be considered a common finding among forms of art distant in time and style. considered the incidence of thyroid swelling in the population to be almost constant over the centuries, especially our aim was to highlight the historical continuity of representation of thyroid enlargement regardless of differences in ages, populations, and artistic movements. various hypotheses about the main causes of goiter as identified in personages represented in artworks [1, 2, 4–7]. questioned the reasons why many artists of the Renaissance and Baroque seemed to represent the goiter [1, 2, is depicted with a large goiter (see online suppl. Thyroid Swelling in 20th Century Artworks 5 Sterpetti AV, De Toma G, De Cesare A: Thyroid swellings in the art of the Italian Renaissance. cache = ./cache/work_iwxodlrvbjegvehziimm75fofy.pdf txt = ./txt/work_iwxodlrvbjegvehziimm75fofy.txt === reduce.pl bib === id = work_auwp6swqw5bfxa32wkn7px7lg4 author = Peter A. Redpath title = Gilson as Christian Humanist date = 2012 pages = 11 extension = .pdf mime = application/pdf words = 3608 sentences = 184 flesch = 57 summary = Pope speaks, that Gilson's scholarly work was part of a new renaissance, a new humanism that Gilson thought was demanded by the precarious civilizational crisis of the modern West after World Wars I and exists to predicate "humanism" of Gilson's scholarship in both philosophical senses of the term. including St. Thomas, in the tradition of St. Bernard of Chartres, Gilson engaged in a study of the classics to revive aspects of higher learning in his time, get truth from classical philosophical and theological In the second sense, Gilson's humanism is a way of philosophizing within theology, what Gilson often called a "Christian philosophy." Because Gilson thought that, to be of use, students needed to analyze Christian humanism philosophically, he thought he had to present question Can UNESCO Educate for World Understanding?, Gilson I think Gilson would maintain that the West needs that new humanism KEYWORDS: Étienne Gilson, renaissance, Christianity, humanism, Western civilization. cache = ./cache/work_auwp6swqw5bfxa32wkn7px7lg4.pdf txt = ./txt/work_auwp6swqw5bfxa32wkn7px7lg4.txt === reduce.pl bib === id = work_g65xqir3knbavogwi7usd6j4ca author = Pieter Swanepoel title = Notes on how to win (the L'Atelier) and still be free date = 2010 pages = 4 extension = .pdf mime = application/pdf words = 2367 sentences = 141 flesch = 63 summary = competitions (particularly as texts indicative understanding of what the word 'competition' Absa L'Atelier competition has, until now, the winning work of this year's competition can no reading of any text can ever be said to be outlay of this year's winning work – Ilka van Schalkwyk's Reading Colour (2009), which only literally read Van Schalkwyk's translation creative process of art making. interpret Van Schalkwyk's reading of Rushdie's Ilka van Schalkwyk, Reading Colour (2009). are doing is not to read colour, nor are we reading by means of colour. normative tradition of reading is shifted from reading of the text? reading of the text? thoughts on art competitions, and then how art competition in South Africa, may have According to Loedolff, the competition itself the availability of the artist as the competition work of its top ten artists to Potchefstroom's viewer's engagement with the work remains freedom the competition allows the artist: the cache = ./cache/work_g65xqir3knbavogwi7usd6j4ca.pdf txt = ./txt/work_g65xqir3knbavogwi7usd6j4ca.txt === reduce.pl bib === id = work_u2u5pmtmdjadlcbufsftpegw2q author = Leslie Zarker Morgan title = Introduction date = 2018 pages = 5 extension = .pdf mime = application/pdf words = 1652 sentences = 78 flesch = 51 summary = 2016 marked the 500th anniversary of Ludovico Ariosto's first publication of the Orlando Furioso, in 40 cantos, at Ferrara. and after Ariosto's time: romance epic precedents, his contemporary Enchantment: the 1516 Orlando Furioso," examines Ariosto's complex relation to his predecessor Boiardo, whose Orlando Innamorato he and the Dynastic Imagination in the Orlando Furioso, which explores aspects of the romance epic tradition in Ariosto's classic. the tale as well, and Ariosto thus can use his Furioso as political commentary. the Romance Epics of Boiardo and Ariosto and editor of a forthcoming shifts to Ariosto's uses of lyric, concentrating on Orlando's madness. Furioso, suggesting that Ariosto informs the ethical meaning of the present volume explore the reception of the Orlando Furioso through de Orlando and the Mambriano), Everson demonstrates that both Ariosto design in the first edition of the Furioso, Everson also suggests Ariosto's Shemek also presents evidence of ways in which Ariosto's cache = ./cache/work_u2u5pmtmdjadlcbufsftpegw2q.pdf txt = ./txt/work_u2u5pmtmdjadlcbufsftpegw2q.txt === reduce.pl bib === id = work_bwqd52xoybcllawprh6dckpvze author = Amit Om title = Integrating the Integumentary System with the Arts: A Review of Dermatologic Findings in Artwork date = 2018 pages = extension = .pdf mime = application/xml words = 144 sentences = 26 flesch = 71 summary = sys_1000 wp-p1m-38.ebi.ac.uk wp-p1m-38.ebi.ac.uk exception exception Params is empty Params is empty Params is empty if (typeof jQuery === "undefined") document.write('[script type="text/javascript" src="/corehtml/pmc/jig/1.14.8/js/jig.min.js"][/script]'.replace(/\[/g,String.fromCharCode(60)).replace(/\]/g,String.fromCharCode(62))); // // // window.name="mainwindow"; .pmc-wm {background:transparent repeat-y top left;background-image:url(/corehtml/pmc/pmcgifs/wm-nobrand.png);background-size: auto, contain} .print-view{display:block} Page not available Reason: The web page address (URL) that you used may be incorrect. Message ID: 218038424 (wp-p1m-38.ebi.ac.uk) Time: 2021/04/06 02:06:11 If you need further help, please send an email to PMC. Include the information from the box above in your message. Otherwise, click on one of the following links to continue using PMC: Search the complete PMC archive. Browse the contents of a specific journal in PMC. Find a specific article by its citation (journal, date, volume, first page, author or article title). http://europepmc.org/abstract/MED/ cache = ./cache/work_bwqd52xoybcllawprh6dckpvze.pdf txt = ./txt/work_bwqd52xoybcllawprh6dckpvze.txt === reduce.pl bib === id = work_56nc3yc2lncbvphhqvqrsic6iq author = Anna Karolak title = Experimental investigations of timber beams with stop-splayed scarf carpentry joints date = 2020 pages = 17 extension = .pdf mime = application/pdf words = 6068 sentences = 529 flesch = 71 summary = historical buildings are provided, with special reference to stop-splayed scarf joints (so-called 'Bolt Next, the results of the authors' own research on beams with stop-splayed scarf joints, and capping beams in the building frames of historical structures, scarf and splice joints were used Examples of scarf and splice joints found in historical structures are presented in Figure 1. Stop-splayed scarf joints (presented inter alia in [11–15] and referred to as 'Bolt of lightning', Sketches presenting scarf and splice joints in wooden beams (a) according to Leon Battista An analysis of the behaviour of a stop-splayed scarf joint subjected to tensile forces is presented experimental testing was carried out on the static behaviour of stop-splayed scarf joints subjected to references, whereas series E, F, and G included beams with stop-splayed scarf joints in the horizontal Stop-splayed scarf joints are common in historical structures where there are elements that are cache = ./cache/work_56nc3yc2lncbvphhqvqrsic6iq.pdf txt = ./txt/work_56nc3yc2lncbvphhqvqrsic6iq.txt === reduce.pl bib === id = work_i5x3h53suva4fbl447zliyfrae author = Douglas R. Stenton title = Faces from the Franklin expedition? Craniofacial reconstructions of two members of the 1845 northwest passage expedition date = 2015 pages = 6 extension = .pdf mime = application/pdf words = 4014 sentences = 337 flesch = 59 summary = In 2013, partial skeletal remains from three members of the 1845 John Franklin expedition were recovered from an archaeological site at Erebus Bay, King William Island, Nunavut. Terror in 1848, including Sir John Franklin and Lieutenant Graham Gore (McClintock 1860: 258–259). well as at expedition camps at Terror Bay and at Starvation Cove (for example Hall 1869; Stackpole 1965). The exact number of bones of members of the Franklin expedition found by nineteenth-century searchers Franklin expedition human remains that he might find, The potential for new identifications of Franklin expedition sailors arose in August 2013, when remains from Archaeological examples of facial reconstructions include Of the three crania recovered from NgLj-3 two were sufficiently intact to allow craniofacial reconstruction. CRANIOFACIAL RECONSTRUCTIONS OF TWO MEMBERS OF FRANKLIN'S 1845 EXPEDITION 81 CRANIOFACIAL RECONSTRUCTIONS OF TWO MEMBERS OF FRANKLIN'S 1845 EXPEDITION 81 CRANIOFACIAL RECONSTRUCTIONS OF TWO MEMBERS OF FRANKLIN'S 1845 EXPEDITION 81 Forensic facial reconstruction. cache = ./cache/work_i5x3h53suva4fbl447zliyfrae.pdf txt = ./txt/work_i5x3h53suva4fbl447zliyfrae.txt === reduce.pl bib === === reduce.pl bib === === reduce.pl bib === id = work_bgljpqmhgjgqhgmo5odwxffzui author = John M. McManamon title = Res aut res publica: The Evidence from Italian Renaissance Manuscripts and Their Owners date = 2012 pages = 18 extension = .pdf mime = application/pdf words = 10290 sentences = 1090 flesch = 72 summary = Keywords: renaissance; manuscripts; humanism; libraries; private property; common wealth Renaissance manuscripts: should one treat them as private property (res) or a common wealth There is, at times, a curious disjunction between the quality of manuscript books commissioned by There seems no more eloquent image of the privatization of manuscripts books than the coffin-like codex illustrates that every manuscript book has its own personal history hinted at by clues left This particular codex has a collection of Jerome's letters that the scribe Giovanni Grasso di Among craftsmen who either copied manuscript books or codex that Dyson Perrins later acquired, collected humanist works, copied ancient inscriptions and There may be manuscript books somewhere in the who owned such a manuscript book could always consult its particular texts whenever professional or Humanistic Manuscripts of the Renaissance in Italian and Other Libraries. Notes on Greek Manuscripts in Italian Libraries. cache = ./cache/work_bgljpqmhgjgqhgmo5odwxffzui.pdf txt = ./txt/work_bgljpqmhgjgqhgmo5odwxffzui.txt === reduce.pl bib === id = work_xa4uwnfgy5ajzdb4tyfrzk4v2u author = Ovanes Akopyan title = Giovanni Pico della Mirandola and Astrology (1486–1493): From Scientia Naturalis to the Disputationes adversus astrologiam date = 2018 pages = 20 extension = .pdf mime = application/pdf words = 11030 sentences = 803 flesch = 60 summary = Giovanni Pico della Mirandola and Astrology (1486–1493): From Scientia Naturalis to the Disputationes adversus astrologiam THE DEVELOPMENT OF THE astrological ideas of Giovanni Pico della Mirandola (1463–94) still remains one of the most intriguing aspects of his legacy.1 Although Pico explicitly dedicated only his last philosophical treatise, the Disputationes 2. Giovanni Pico della Mirandola, Disputationes adversus astrologiam divinatricem, 2 vols., ed. toward an Interpretation of Giovanni Pico della Mirandola's Disputationes adversus astrologiam divinatricem" (PhD diss., Indiana University, 2002), "Magia, cabala, vera astrologia: Le prime considerazioni For the text of Pico as well of that of Benivieni, see Giovanni Pico della Mirandola, "Commento alla Canzona d'amore," in De hominis dignitate, Heptaplus, De ente et uno e alla Canzona d'amore he had placed the notion of ten spheres within a NeoplaDisputationes; Pico della Mirandola, Disputationes adversus astrologiam divinatricem, vol. aliorum' and His Followers: Giovanni Pico della Mirandola on the 'Astrological Tradition' in the Disputationes adversus astrologiam divinatricem," Renaissance Studies (forthcoming), http://onlinelibrary cache = ./cache/work_xa4uwnfgy5ajzdb4tyfrzk4v2u.pdf txt = ./txt/work_xa4uwnfgy5ajzdb4tyfrzk4v2u.txt === reduce.pl bib === id = work_nxievuo4wbbyfozobtna32gqei author = Catriona MacRae title = Wilma Elizabeth Gemmell date = 2007 pages = extension = .pdf mime = application/xml words = 144 sentences = 26 flesch = 71 summary = sys_1000 wp-p1m-39.ebi.ac.uk wp-p1m-39.ebi.ac.uk exception exception Params is empty Params is empty Params is empty if (typeof jQuery === "undefined") document.write('[script type="text/javascript" src="/corehtml/pmc/jig/1.14.8/js/jig.min.js"][/script]'.replace(/\[/g,String.fromCharCode(60)).replace(/\]/g,String.fromCharCode(62))); // // // window.name="mainwindow"; .pmc-wm {background:transparent repeat-y top left;background-image:url(/corehtml/pmc/pmcgifs/wm-nobrand.png);background-size: auto, contain} .print-view{display:block} Page not available Reason: The web page address (URL) that you used may be incorrect. Message ID: 218040114 (wp-p1m-39.ebi.ac.uk) Time: 2021/04/06 02:06:13 If you need further help, please send an email to PMC. Include the information from the box above in your message. Otherwise, click on one of the following links to continue using PMC: Search the complete PMC archive. Browse the contents of a specific journal in PMC. Find a specific article by its citation (journal, date, volume, first page, author or article title). http://europepmc.org/abstract/MED/ cache = ./cache/work_nxievuo4wbbyfozobtna32gqei.pdf txt = ./txt/work_nxievuo4wbbyfozobtna32gqei.txt === reduce.pl bib === id = work_4we3f6nw2ncirldjazvtmp7nz4 author = Marta Ajmar title = 0084 Mechanical Disegno date = 2020 pages = 21 extension = .pdf mime = application/pdf words = 10060 sentences = 572 flesch = 58 summary = organic, technologically engaged and "mechanical" notion of disegno, in which design 1 For an extensive discussion of disegno, also in relation to the "minor arts", see Luke Syson and 5 Vasari calls disegno the father of the three arts of architecture, sculpture and painting (see Vasari subsumes all the arts under the rubric of painting, sculpture or architecture – position within the Renaissance debate on the arts, Benedetto Varchi's Lezzione nella [14] I would like to explore these issues further by looking at pottery as a mechanical art. mimesis, whereby pottery might be transformed into other arts, such as painting or [15] The notion of the mechanical art fits well with Renaissance pottery. Renaissance pottery that has most often been associated with notions of disegno and Pottery in Renaissance Italy," in: The Art Market in Italy (15th-17th Centuries), ed. design, technology and materiality, where pottery connects meaningfully with other arts, cache = ./cache/work_4we3f6nw2ncirldjazvtmp7nz4.pdf txt = ./txt/work_4we3f6nw2ncirldjazvtmp7nz4.txt === reduce.pl bib === id = work_e25keos5erhhxapt5sq3gseug4 author = Giuseppe Longo title = Naturalizing Physics. Or, embedding physics in the historicity and materiality of the living date = 2020 pages = 18 extension = .pdf mime = application/pdf words = 8687 sentences = 617 flesch = 51 summary = inert to the living state of matter, new challenges are posed, beginning with biological "heterogenesis", as "genesis of and from diversity" in a changing space of pertinent observables and parameters: "phase space") as a pre-given container of the dynamics of matter, that biased physics from Aristotle different theories in physics are the result of original work at the appropriate scale or phenomenal level: when changing either of them, physicists dared to invent a new theory, often A major challenge in the passage from theories of the inert to historical sciences, in general, and of life in particular, is that the phase space should be extended to biology's pertinent and parameters), physicists extended this separation by new observables: momentum or energy where added to space or time, an extension of the a priori of Newtonian physics. The invention of mathematical physics, in pre-given phase spaces, is based on differential analysis cache = ./cache/work_e25keos5erhhxapt5sq3gseug4.pdf txt = ./txt/work_e25keos5erhhxapt5sq3gseug4.txt === reduce.pl bib === === reduce.pl bib === id = work_mv3d5gxclzdchj7ijh4penhfbu author = Davide Lazzeri title = A systematic reappraisal of the fifth finger in Renaissance paintings date = 2014 pages = extension = .pdf mime = application/xml words = 144 sentences = 26 flesch = 71 summary = sys_1000 wp-p1m-39.ebi.ac.uk wp-p1m-39.ebi.ac.uk exception exception Params is empty Params is empty Params is empty if (typeof jQuery === "undefined") document.write('[script type="text/javascript" src="/corehtml/pmc/jig/1.14.8/js/jig.min.js"][/script]'.replace(/\[/g,String.fromCharCode(60)).replace(/\]/g,String.fromCharCode(62))); // // // window.name="mainwindow"; .pmc-wm {background:transparent repeat-y top left;background-image:url(/corehtml/pmc/pmcgifs/wm-nobrand.png);background-size: auto, contain} .print-view{display:block} Page not available Reason: The web page address (URL) that you used may be incorrect. Message ID: 218037178 (wp-p1m-39.ebi.ac.uk) Time: 2021/04/06 02:06:09 If you need further help, please send an email to PMC. Include the information from the box above in your message. Otherwise, click on one of the following links to continue using PMC: Search the complete PMC archive. Browse the contents of a specific journal in PMC. Find a specific article by its citation (journal, date, volume, first page, author or article title). http://europepmc.org/abstract/MED/ cache = ./cache/work_mv3d5gxclzdchj7ijh4penhfbu.pdf txt = ./txt/work_mv3d5gxclzdchj7ijh4penhfbu.txt === reduce.pl bib === === reduce.pl bib === id = work_zkhii3lg6jetxg52qkdsnxyww4 author = Richard Levin title = Shakespeare at Oxford? date = 2007 pages = 2 extension = .pdf mime = application/pdf words = 1414 sentences = 74 flesch = 65 summary = and other until-then-ignored female human beings universal coercion to which women and girls are long exclusion from the universe of learning is yet Shakespeare at Oxford? His partisans might be called the old Oxfordians (although Oxford himself was educated at Cambridge), while Fleissner, as a new Oxfordian, claims not that the playwright was Oxford but In this sense, the most learned plays of In fact, Jonson's "learned" art was of examples of "learning" in the plays that Shakespeare could not have acquired from his Stratford The Forum section of the October PMLA includes a letter from Robert F. following reference to me: "A London Shakespearean, Gil Elliot, in her letter in the Times Literary that Shakespeare went 'to university,' citing Peter view that Shakespeare went to university, nor, to agree that the so-called Oxfordians have no real positive evidence favoring de Vere as the playwright. The existence of errata in Shakespeare's plays cache = ./cache/work_zkhii3lg6jetxg52qkdsnxyww4.pdf txt = ./txt/work_zkhii3lg6jetxg52qkdsnxyww4.txt === reduce.pl bib === === reduce.pl bib === id = work_km2th7e2irc4lnwpymp4sg4tc4 author = John K. Delaney title = Application of Visible and Infrared Imaging Spectroscopy To The Study of Paintings date = 2014 pages = 2 extension = .pdf mime = application/pdf words = 893 sentences = 65 flesch = 50 summary = In this talk, we present findings on the use of visible and infrared reflectance imaging spectroscopy to identify and map artist materials in situ as well as improve the visualization of preparatory sketches and Visible and Near-infrared reflectance imaging spectroscopy has been shown to be a Paintings such as Cosimo Tura‟s „The Annunciation with Saint Francis and Saint Louis of Toulouse‟ (c. to works of art on paper, and on paintings to determine the type of drawing materials used in preparatory preparatory sketches and compositional paint changes over the prior monochromatic and even The narrow spectral sampling can provide increased visibility and improved Using the hyperspectral NIR cameras, in several blue period paintings by Picasso improved associated with various combinations of grounds, drawing materials, and paints. information related to the initial drawings and compositional paint changes have the potential for art Reflectance Imaging Spectroscopy used to map the pigments in panel containing the painting cache = ./cache/work_km2th7e2irc4lnwpymp4sg4tc4.pdf txt = ./txt/work_km2th7e2irc4lnwpymp4sg4tc4.txt === reduce.pl bib === id = work_obgl6bfkznbjflzkss7kklejty author = Peter Corrigan title = Book Reviews date = 1996 pages = 7 extension = .pdf mime = application/pdf words = 4456 sentences = 205 flesch = 52 summary = This book uses Italian art from the thirteenth to the sixteenth centuries to examine the role of should wonder why it has taken so long to see a book dedicated to museums and HE teaching. and, as a result, is a powerful argument for the value of collaborative working across museums connections between museum understanding of object based learning, and student use of has taught 'design' based Visual Communication and worked for many years as a museum mentions Reinhardt's line is testament to the seriousness and significance of this book, an indepth presentation of critical moments in the history of the collection and display of sculpture. the reader through histories of sculpture collections and their changing displays, neither Moore Sculpture Centre at the Art Gallery of Ontario in Toronto, and the compelling negotiations investigation of the formation of the Italian Renaissance sculpture collection at the Museum of cache = ./cache/work_obgl6bfkznbjflzkss7kklejty.pdf txt = ./txt/work_obgl6bfkznbjflzkss7kklejty.txt === reduce.pl bib === === reduce.pl bib === === reduce.pl bib === id = work_dxsa2q5wbbeo3blbth2knsntb4 author = Marianna D. Birnbaum title = Janus Pannonius Versei. Edited by Tibor Kardos. Budapest: Szépirodalmi Könyvkiadó, 1972. 322 pp. 34 Ft.ÉLő Humanizmus. By Tibor Kardos. Budapest: Magvető Kiadó, 1972. 654 pp. 35 Ft date = 1973 pages = 3 extension = .pdf mime = application/pdf words = 1645 sentences = 94 flesch = 56 summary = Kardos, the outstanding Hungarian Renaissance scholar, has published a new selection of his poetry in Hungarian translation, with a seventy-page assessment of his The competent editorial work, the generally excellent translations, the attractively printed volume, and the copious notes (though many of them have appeared T h e last "complete" Latin edition of Pannonius (used as source material for this volume) appeared in 1784. Tibor Kardos in his excellent essay on the fall of Pannonius In addition to his discussion of Janus Pannonius's exclusively Latin poetry, Kardos, in his approach, which unfortunately no Hungarian publication of that period could avoid. The last essay is devoted to Sandor Weores, one of the most exciting and complex poets of contemporary Hungarian literature. Despite the German title on the spine (Gesammelte Schriften sum slavischen Aksent), all of Ivsic's articles reproduced here are in the original Serbo-Croatian, The modern student of Serbo-Croatian accentology should realize that Ivsic cache = ./cache/work_dxsa2q5wbbeo3blbth2knsntb4.pdf txt = ./txt/work_dxsa2q5wbbeo3blbth2knsntb4.txt === reduce.pl bib === id = work_rpfnvy7zqzhodpt4lzrsncpule author = PATRICIA SIMONS title = HERCULES IN ITALIAN RENAISSANCE ART: MASCULINE LABOUR AND HOMOEROTIC LIBIDO date = 2008 pages = 33 extension = .pdf mime = application/pdf words = 19075 sentences = 1580 flesch = 71 summary = HERCULES IN ITALIAN RENAISSANCE ART: MASCULINE LABOUR AND HOMOEROTIC LIBIDO articulated.'3 The same can be said of Hercules, for the strain of forging masculinity is worked out in very physical, laboured ways. base, Antaeus in the Cathedral relief (see plate 3) is gasping, locked in the chokehold of death by a Hercules whose face, hair and body type are not dissimilar. 5 Antonio del Pollaiuolo, Hercules and Antaeus, c. Hercules and Antaeus that visualized close, sensual contact between naked men. Mantegna and his followers that production of images of Hercules with Antaeus the narrative of Hercules and Antaeus provided an opportunity for the representation of two naked and muscular male bodies in physical, intimate contact. 10 Michelangelo Buonarroti, Hercules and Antaeus and other sketches, recto, c. Like the drawings of Hercules and Antaeus, this sheet of Hercules and Antaeus by, or after, Mantegna). Italian Drawing of Hercules and Antaeus in a cache = ./cache/work_rpfnvy7zqzhodpt4lzrsncpule.pdf txt = ./txt/work_rpfnvy7zqzhodpt4lzrsncpule.txt === reduce.pl bib === id = work_hpvsn7fok5dj7hi4w4puweoecy author = V. Cárdenes title = Roofing slate from Bernardos, Spain: A potential candidate for Global Heritage Stone date = 2020 pages = 7 extension = .pdf mime = application/pdf words = 3957 sentences = 316 flesch = 66 summary = Roofing slate from Bernardos, Spain: a potential candidate for use in civil architecture as a covering material (i.e., roofing slate) is The first true roofing slate quarry in Spain was opened in Bernardos in 1559 by appointment of King Philip II, and so Bernardos played new royal buildings to be erected with slate roofs on them, and advised The first three royal buildings with slate roofs were the Palace of opened a new quarry in Bernardos after a long search for roofing slate roofing slate industry in Galicia (NW Spain), which in just a few years Today, Bernardos roofing slate The representativeness of Bernardos phyllite in Spanish architectural heritage cannot be overstated, as it is one of the characteristic "Roofing slate" is a construction term, and refers to a metamorphic rock that can be split into A., 2019a, Roofing Slate Industry in Spain: History, Geology, and Geoheritage. cache = ./cache/work_hpvsn7fok5dj7hi4w4puweoecy.pdf txt = ./txt/work_hpvsn7fok5dj7hi4w4puweoecy.txt === reduce.pl bib === id = work_nhyyb6vjnbfwnge73z46gdpjca author = Martien Versteeg title = Two decades of change in Dutch university art libraries date = 2009 pages = 6 extension = .pdf mime = application/pdf words = 3296 sentences = 214 flesch = 55 summary = UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Art Libraries Journal Two decades of change in Dutch university art libraries. Two decades of change in Dutch university art libraries. https://dare.uva.nl/personal/pure/en/publications/two-decades-of-change-in-dutch-university-art-libraries(c03ec77b-c105-4045-9032-7bbcaac97a84).html important academic library with a large art historical collection and, since it is the Dutch national library, The other Dutch universities do not offer art build a new library (as in the University of Dutch university art libraries n 1987 Chris Smeenk wrote in this journal about the libraries of the Dutch art building but left the library collection almost between the Royal Library (Germanic art), Utrecht exchange of students, forcing libraries to collect fortunately many other art history libraries that The requirements for academic art libraries at the Overview of the art libraries University library buildings will research institutions,' Art libraries journal 12, no.1 Information centre of the library of Leiden University. cache = ./cache/work_nhyyb6vjnbfwnge73z46gdpjca.pdf txt = ./txt/work_nhyyb6vjnbfwnge73z46gdpjca.txt === reduce.pl bib === id = work_o44x43bfbjdufccy5dmzkaatsy author = Daniela del Pesco title = 'The Italian Renaissance in the nineteenth century: revision, revival and return'. Review of: The Italian Renaissance in the Nineteenth Century. Revision, Revival and Return, edited by Lina Bolzoni and Alina Payne, I Tatti Research Series, 1, Harvard University Press-Officina Libraria, Milan 2018 date = 2019 pages = 5 extension = .pdf mime = application/pdf words = 2677 sentences = 107 flesch = 46 summary = The Italian Renaissance in the nineteenth century: revision, The Italian Renaissance in the Nineteenth Century. This book, entitled The Italian Renaissance in the Nineteenth Century and edited by how the Italian Renaissance was repurposed in the nineteenth century 'not so much and scholars of the Renaissance reception in the nineteenth century. Openness to the twentieth century characterises the essay by Alina Payne, Renaissance architecture was experienced in the twentieth century. observe the relationship between Italian Renaissance and nineteenth-century of a positive outcome to the nineteenth-century reading of the Renaissance, we have Italian Renaissance in Nineteenth-Century French Architecture' dispels the idea of a definitive influence of the Italian Renaissance in nineteenth-century French Daniela del Pesco The Italian Renaissance in the nineteenth century: Daniela del Pesco The Italian Renaissance in the nineteenth century: Daniela del Pesco The Italian Renaissance in the nineteenth century: Daniela del Pesco The Italian Renaissance in the nineteenth century: cache = ./cache/work_o44x43bfbjdufccy5dmzkaatsy.pdf txt = ./txt/work_o44x43bfbjdufccy5dmzkaatsy.txt === reduce.pl bib === id = work_gy6fgu7wujb3raw3bi3fxueoxa author = Jelena Mitrovic title = The architecture of subject date = 2016 pages = 17 extension = .pdf mime = application/pdf words = 7632 sentences = 539 flesch = 54 summary = can presuppose the connection between subject of architecture and linear perspective due individual performance to extent it becomes a basis of modern, empirical vision of space. Key words: position, projection, subject, perspective, space Linear perspective which appears in European Renaissance architectural drawings can For example, Italian painting inbetween periods of Late Gothic and Early Renaissance responses to multitude of PostScholastic and Neo-Platonic influences within altered truth model, from visual into and geometry, his formulation of linear perspective governed pictorial depiction of space forms of space are built into notion of architecture. In order to guarantee fully rational space, linear perspective assumes two bold In civilization governed by conception of space expressed by strict linear perspective than the world represented by modern art; but as soon as space is included in non-linear projections will open up new spaces for architectural design and design in cache = ./cache/work_gy6fgu7wujb3raw3bi3fxueoxa.pdf txt = ./txt/work_gy6fgu7wujb3raw3bi3fxueoxa.txt === reduce.pl bib === id = work_dmmntzn7bncphif652vin6trsy author = Ludo Beheydt title = European influence of Dutch and Flemish art. Cultural mobility date = 2019 pages = 25 extension = .pdf mime = application/pdf words = 7001 sentences = 454 flesch = 60 summary = stay at the court of Ferrara and by the Ferrarese painter Cosmè Tura in the late 1450s suggests study of the technique of Rogier van der Weyden, whose famous triptych of the Deposition (Figure 1) was present at the humanist court of Leonello d'Este as we know from its (Ainsworth 2010) and introduced an innovative Italian sculptural approach in Netherlandish painting, but he remained loyal to the extraordinary meticulous style inherited from the Van Eyck tradition. other artists and contributed to Netherlandish cultural mobility. fifteenth century work by Jan van Eyck and Rogier van der Weyden also deeply influenced painting in Central Europe. Italian prints based on the work of Raphael or Michelangelo familiarized many Netherlandish painters with Italian art, even if they themselves had not made mobility in Netherlandish art worked both ways. Flemish artist Pieter Bruegel the Elder worked for Hieronymus Cock's print shop and it cache = ./cache/work_dmmntzn7bncphif652vin6trsy.pdf txt = ./txt/work_dmmntzn7bncphif652vin6trsy.txt === reduce.pl bib === === reduce.pl bib === id = work_4ir6mfe7a5hmheaidkipdxhfvi author = Joe Davis title = Unification of knowledge date = 2020 pages = 15 extension = .pdf mime = application/pdf words = 3502 sentences = 328 flesch = 63 summary = Designed, published and printed in Italy by artworks, carried out with a science-based approach, Museum of Modern Art (New York), at Centre Instead art and science share joy in discovery which combine art and science. With reference to an artist's wealth of knowledge, characterizes Adam Elseimer's work (German artist Yet in our own time, artists can not understand arts and sciences was an artificial one perpetuated science and that artists contributed to the invention The idea that great advances in art and In fact, the idea that artists have special abilities wrote that the knowledge that artists and architects Vitruvius advised that artists should know something arts and sciences have become far too specialized and Vitruvius advised that artists should possess and dwindling public support for science, art, the the humanities moving away from the sciences, the artists may be too impatient to wait for art to fully cache = ./cache/work_4ir6mfe7a5hmheaidkipdxhfvi.pdf txt = ./txt/work_4ir6mfe7a5hmheaidkipdxhfvi.txt === reduce.pl bib === === reduce.pl bib === id = work_u5azmrjbpjebtkli6xtsgzzub4 author = James M. Saslow title = The Globalization of Renaissance Art: A Critical Review. Daniel Savoy, ed. Brill's Studies in Intellectual History 274; Brill's Studies on Art, Art History, and Intellectual History 23. Leiden: Brill, 2017. xii + 342 pp. $159 date = 2020 pages = 3 extension = .pdf mime = application/pdf words = 1380 sentences = 80 flesch = 45 summary = The holistic approach that Furlotti applies to the study of the antiquities trade definitively breaks the illusion of the Renaissance as a series of highly intellectualized transactional bonds between erudite collectors and high-minded humanist agents. reveals a wealth of entanglements that complicate the old-fashioned classism of traditional Renaissance studies, painting a picture of the antiquities trade as more of a The Globalization of Renaissance Art: A Critical Review. study of "the process by which early modern European artistic production both influenced very name of the field is debated: several authors reject "global Renaissance," though Even art history is problematized, with essays examining peripatetic objects through the different lenses of material culture, postcolonial theory, While she was there, the faculty developed and approved a new curriculum track in global early modern, but due to lowered enrollment and presentism, no presence in early modern art with just four case studies and a coda. cache = ./cache/work_u5azmrjbpjebtkli6xtsgzzub4.pdf txt = ./txt/work_u5azmrjbpjebtkli6xtsgzzub4.txt === reduce.pl bib === id = work_n2l3ffedhnc2pkzcw34llihdqi author = J. V. ARMITAGE title = Old Master date = 1967 pages = 28 extension = .pdf mime = application/pdf words = 12400 sentences = 759 flesch = 60 summary = Ventrella, Francesco (2019) Writing under pressure: Maud Cruttwell and the old master Writing Under Pressure: Maud Cruttwell and the Old Master Monograph Writing Under Pressure: Maud Cruttwell and the Old Master Monograph 'hand' and, therefore, the individuality of an old master.13 Cruttwell's practice of connoisseurship was also coloured by the influence of contemporary psychological aesthetics, as clearly delineated in 1894 in an article by Fraser, Women Writing Art History in the Nineteenth Century: Looking Like a Woman, 19 Maud Cruttwell, Luca and Andrea della Robbia and their Successors (London: Dent; art historian, I also want to consider Cruttwell's position in art historiography and assess how her work was received by fellow art historians working in the same fields: Bernard Berenson, Wilhelm von Bode, and Allan Fig. 1: Frontispiece of Maud Cruttwell, Luca and Andrea Della Robbia and their Successors (London: Dent; New York: Dutton, 1902). cache = ./cache/work_n2l3ffedhnc2pkzcw34llihdqi.pdf txt = ./txt/work_n2l3ffedhnc2pkzcw34llihdqi.txt === reduce.pl bib === id = work_3vrprdyoknbgxfyvuhgvu7eqwu author = Yves Blanc title = History of the Study of Skeletal Muscle Function with Emphasis on Kinesiological Electromyography date = 2010 pages = 10 extension = .pdf mime = application/pdf words = 9472 sentences = 881 flesch = 61 summary = Religious belief had a negative impact on muscle study when interfering with dissection of human corpse. Incidental discovery of electro stimulation effect on muscle in Galvani's laboratory and electric current concomitant of muscles contraction by Matteucci and Du Bois Reymond were major breakthroughs. engineers and physiologists in Berkeley (1945) systematically recorded EMG during gait of normal man. Marey recorded changes of the volume of muscles of the muscles functions and pattern of muscular activity. History of the Study of Skeletal Muscle Function The Open Rehabilitation Journal, 2010, Volume 3 93 History of the Study of Skeletal Muscle Function The Open Rehabilitation Journal, 2010, Volume 3 93 History of the Study of Skeletal Muscle Function The Open Rehabilitation Journal, 2010, Volume 3 93 History of the Study of Skeletal Muscle Function The Open Rehabilitation Journal, 2010, Volume 3 93 History of the Study of Skeletal Muscle Function The Open Rehabilitation Journal, 2010, Volume 3 93 cache = ./cache/work_3vrprdyoknbgxfyvuhgvu7eqwu.pdf txt = ./txt/work_3vrprdyoknbgxfyvuhgvu7eqwu.txt === reduce.pl bib === id = work_oiuwmjfrgbcrlg3uj3oz7yziqm author = Allan Langdale title = Linguistic Theories and Intellectual History in Michael Baxandall's Giotto and the Orators date = 2009 pages = 14 extension = .pdf mime = application/pdf words = 7796 sentences = 437 flesch = 51 summary = See as well Michael Baxandall, 'The Language of Art History', New Literary History, 10.3, Spring Allan Langdale Linguistic Theories … Baxandall's Giotto and the Orators Allan Langdale Linguistic Theories … Baxandall's Giotto and the Orators Allan Langdale Linguistic Theories … Baxandall's Giotto and the Orators Allan Langdale Linguistic Theories … Baxandall's Giotto and the Orators Allan Langdale Linguistic Theories … Baxandall's Giotto and the Orators Allan Langdale Linguistic Theories … Baxandall's Giotto and the Orators Allan Langdale Linguistic Theories … Baxandall's Giotto and the Orators Allan Langdale Linguistic Theories … Baxandall's Giotto and the Orators Allan Langdale Linguistic Theories … Baxandall's Giotto and the Orators Allan Langdale Linguistic Theories … Baxandall's Giotto and the Orators Allan Langdale Linguistic Theories … Baxandall's Giotto and the Orators Allan Langdale Linguistic Theories … Baxandall's Giotto and the Orators Allan Langdale Linguistic Theories … Baxandall's Giotto and the Orators cache = ./cache/work_oiuwmjfrgbcrlg3uj3oz7yziqm.pdf txt = ./txt/work_oiuwmjfrgbcrlg3uj3oz7yziqm.txt === reduce.pl bib === === reduce.pl bib === id = work_2kycckjoyzb2tn45yazfmcvqte author = Kurt Siehr title = Bibliography of Books Published in 1995, 1996 and 1997 date = 1997 pages = 6 extension = .pdf mime = application/pdf words = 2324 sentences = 549 flesch = 76 summary = Alois Riegls Schriften zur Denkmalpflege [Piece of Art or Monument? Paris: Documentation francaise: Direction des Archives de France 1996. des objets d'art voles ou illicitement exportes. Archaeology and Law. London & New York: Leicester University Press 1996. Le droit et l'objet d'art: le droit de suite des artistes plasticiens dans l'Union Europeenne [The Law and the Object of Art: The Droit de Suite of Artists in the European Union] La collection des tableaux de Lucien Bonaparte, prince de Canino [The Picture Gallery of Lucien Bonaparte, the World's Greatest Works of Art. New York: Basic 1997. Theoretische Objekte, Fakes und Souvenirs [Merchandise (True) Art. The Museum Shop as Chamber of Miracles. Die Kunstwerke des Kaiser-Friedrich-Museums-Vereins Berlin [100 The Art Objects of the Kaiser-Friedrich-Museums-Verein Berlin]. Images of the Italian Renaissance in the Museum of Art York: Yale University Press/The Metropolitan Museum of Art. 1997. (Schriften des Kunsthistorischen Museums, vol. cache = ./cache/work_2kycckjoyzb2tn45yazfmcvqte.pdf txt = ./txt/work_2kycckjoyzb2tn45yazfmcvqte.txt === reduce.pl bib === id = work_4kaqpb7lqvhyffchpvq2durlja author = Jennifer Selwyn title = The Spanish Presence in Sixteenth-Century Italy: Images of Iberia, edited by Piers Baker-Bates & Miles Pattenden date = 2016 pages = 3 extension = .pdf mime = application/pdf words = 1185 sentences = 62 flesch = 50 summary = The Spanish Presence in Sixteenth-Century Italy: Images of Iberia. volume, The Spanish Presence in Sixteenth-Century Italy: Images of Iberia, offers a valuable addition to the current scholarship. The Spanish Presence in Sixteenth-Century Italy begins with Simon Ditchfield's excellent introductory essay that highlights the fraught relationship between the Spanish conquerors and their Italian subjects in the wake of the Part One of the volume, "The Spanish Presence in Italian Politics, Society, and Culture," offers three substantive essays that evaluate, in turn, what Moving southward to Spanish Naples, in "Encountering Spain in Early Modern Naples: Language, Customs and Sociability," Stephen Cummins hopes to Where Pattenden plays up the limitations of the Spanish crown's hegemony over the Roman Church, Paolo Broggio instead highlights the monarchy's material cultural exchange in the Spanish and Italian relationship of the early The Spanish Presence in Sixteenth-Century Italy provides a series of thoughtful interventions into the rich history of Iberian-Italian relations in the early cache = ./cache/work_4kaqpb7lqvhyffchpvq2durlja.pdf txt = ./txt/work_4kaqpb7lqvhyffchpvq2durlja.txt === reduce.pl bib === id = work_igeachsmibcsnje2ktd7bswoci author = Franco Lorenzoni title = Interweaving mathematics with reality and beauty: the valuable legacy of Emma Castelnuovo date = 2014 pages = 4 extension = .pdf mime = application/pdf words = 2573 sentences = 156 flesch = 65 summary = and art, between mathematics, architecture and life, together with a constant reference to history, makes it possible facilitate the approach to complex mathematical and geometrical concepts, manipulating figures in transformation offering important topics, such as the infinite and infinitesimal, allows youngsters to engage in a healthy head-tohead struggle for knowledge. Keywords Emma Castelnuovo � Mathematics teaching � Guido Castelnuovo, was called to teach the teacher training geometry, idealism imposed on the school that rigid hierarchy of knowledge that even today permits many intellectuals to claim to not understand anything about Middle School) [1], a book that turned mathematics the International Commission for the Study and Improvement of Mathematics Teaching), founded by mathematician Gustave Choquet, psychologist Jean Piaget, and schools, going back to read the books by Emma Castelnuovo might help youngsters find anew that connection Fig. 2 Emma Castelnuovo, in Cenci during the activities of 'Officina Interweaving mathematics with reality and beauty: the valuable legacy of Emma Castelnuovo cache = ./cache/work_igeachsmibcsnje2ktd7bswoci.pdf txt = ./txt/work_igeachsmibcsnje2ktd7bswoci.txt === reduce.pl bib === id = work_m3i3hil7izdihmzeqeyi4patpy author = Graham Oppy title = ON DEFINING ART HISTORICALLY date = 1992 pages = 7 extension = .pdf mime = application/pdf words = 4228 sentences = 185 flesch = 65 summary = (3) Levinson's account of the notion of "regard-as-a-work-of-art"; One idea which is crucial to Levinson's definition is that a work of art must be a thing intention that every single thing is to be regarded or treated as previous works of art A second problem for Levinson's suggestion that a work of art must be a thing Levinson tries to get around this objection by introducing the notion of an artunconscious intention: intending for regard in some specific way @ characterised in that certain objects are to be regarded in ways that works of art have hitherto been for, thereafter, it is X's intention that no-one shall regard the work in any way at all concept work of art can be given a recursive definition of the sort which Levinson case, it is clear that we have not been given a definition of the concept work of art. cache = ./cache/work_m3i3hil7izdihmzeqeyi4patpy.pdf txt = ./txt/work_m3i3hil7izdihmzeqeyi4patpy.txt === reduce.pl bib === id = work_uiwrwdvasvbh7nwdbk5r5zk264 author = Steve DiPaola title = Rembrandt's Textural Agency: A Shared Perspective in Visual Art and Science date = 2010 pages = 14 extension = .pdf mime = application/pdf words = 6084 sentences = 329 flesch = 60 summary = that artists in the late 'early modern' period developed the technique of textural agency — coerce the viewer's gaze through a painting, thereby influencing the observer's fixation points and eye the portrait shown in Figure 1, the increased textural and color detail rendered in the sitter's left eye and Directing the viewer's gaze to selected regions in a portrait is one of the tools a modern artist has for Testing the textural agency hypothesis in modern viewers of Rembrandt-like art Rembrandt-like rendering (detailed eye and neck regions on the same side of the image) at a rate artist's selection of regions of a portrait for more and less detail has a direct influence on viewing perhaps even as early as Rembrandt, guided the viewer's gaze through their selection of textural detail. 'early modern' period developed the technique of textural agency in order to guide the observer's gaze cache = ./cache/work_uiwrwdvasvbh7nwdbk5r5zk264.pdf txt = ./txt/work_uiwrwdvasvbh7nwdbk5r5zk264.txt === reduce.pl bib === === reduce.pl bib === id = work_zvsqlfg3uzblfj4jt5vv32ykfi author = Maria Kukhta title = Experience of Integrating Humanities and Natural Sciences into the Educational Environment date = 2015 pages = 5 extension = .pdf mime = application/pdf words = 2755 sentences = 196 flesch = 45 summary = Experience of Integrating Humanities and Natural Sciences into the Educational Environment Experience of Integrating Humanities and Natural Sciences into the In this regard, complementary relationship between humanities and natural sciences, contributing to the development of symbolic Approaches to investigating dialogue mode in the educational environment, resulting in the formation and harmonious Within the post-nonclassical paradigm, the relationship between humanities and natural sciences can be development of other associative chains and symbolic images (Kuznetsov, 1965). 4. Development of symbolic thinking as a foundation for the creative personality formation symbol captures a certain type of relationship between cosmos and human microcosm, 'shows' a man the situation of knowledge is associated with the semiotization experience where the consciousness symbols are Studies of ancient cultures suggest that symbolic thinking is not only associated role is given to the development of symbolic thinking in the dialogue relationship between a student and a teacher. development of symbolic consciousness, awakening of creativity. cache = ./cache/work_zvsqlfg3uzblfj4jt5vv32ykfi.pdf txt = ./txt/work_zvsqlfg3uzblfj4jt5vv32ykfi.txt === reduce.pl bib === id = work_femegcta6nabhnp5yylntpz3qm author = Diletta Gamberini title = The Artist as a Dantista: Francesco da Sangallo's Dantism in Mid-Cinquecento Florence date = 2017 pages = 24 extension = .pdf mime = application/pdf words = 9487 sentences = 777 flesch = 69 summary = The Artist as a Dantista: Francesco da Sangallo's Dantism in Mid-Cinquecento Florence The Artist as a Dantista: Francesco da Sangallo's Dantism fact identify Giuliano and Francesco da Sangallo as the main authors of tentatively identified as other artists of the Sangallo family,12 the annotations of Francesco would have been added over a significant period, Draftsman A of the "Dante Vallicelliano", The city of Dis. Rome, Biblioteca Vallicelliana, incunable Z. Francesco da Sangallo, autograph note: Rome, Biblioteca Apostolica 9. See Degenhart, "Dante, Leonardo und Sangallo," 193, with reference to c. Christ (Par. 26.118–23), the annotator dated his own note "1519": see Degenhart, 104, with reference to Dante Vallicelliano, c. Borsi, Giuliano da Sangallo, discusses the drawings of the Dante Vallicelliano in his chapter See Simon Gilson, "Reading the Convivio from Trecento Florence to Dante's Cinquecento Commentators," Italian Studies, 64, no. cache = ./cache/work_femegcta6nabhnp5yylntpz3qm.pdf txt = ./txt/work_femegcta6nabhnp5yylntpz3qm.txt === reduce.pl bib === id = work_mpcoxu4nvzbyjmzjtr5wvilklu author = Emily A. Engel title = Latin American and Latinx Futurities: Publishing Visual Culture in the Twenty-First Century date = 2019 pages = extension = .pdf mime = text/html words = 799 sentences = 136 flesch = 58 summary = Latin American and Latinx Futurities: Publishing Visual Culture in the Twenty-First Century | Latin American and Latinx Visual Culture | University of California Press Charlene Villaseñor Black—is a professor of art history and Chicana/o studies at the University of California, Los Angeles. Welcome to Latin American and Latinx Visual Culture, the first peer-reviewed academic journal dedicated to visual and material cultures in Mexico, Central America, South America, the Caribbean, the United States, and those in diaspora, published by the University of California Press. For the first time, scholars working in these areas have a venue for publishing the latest research in art history, design, material culture, architecture, film, media, performance art, museum studies, popular culture, fashion, public art, and artivism. Please direct all requests for permission to photocopy or reproduce article content through the University of California Press's Reprints and Permissions web page, http://www.ucpress.edu/journals.php?p=reprints. cache = ./cache/work_mpcoxu4nvzbyjmzjtr5wvilklu.pdf txt = ./txt/work_mpcoxu4nvzbyjmzjtr5wvilklu.txt === reduce.pl bib === === reduce.pl bib === id = work_l73lgheqbrbzllroydqigqeavm author = Marco Sala title = Energy efficient and sustainable ancient museum buildings: a case study in Florence date = 2007 pages = 19 extension = .pdf mime = application/pdf words = 5795 sentences = 939 flesch = 65 summary = Energy efficient and sustainable ancient museum buildings: a case study in Florence museum buildings: a case study in Florence, International Journal of Sustainable Energy, 26:2, a new standard for energy consumption in museum buildings. and sustainable museum building design can fully meet the architectural, functional, comfort, 2. Improvement of energy systems used for heating, cooling, ventilation and artificial lighting such as the Intelligent Windows, controls systems for optimized building energy management Energy efficient and sustainable ancient museum buildings 77 Energy efficient and sustainable ancient museum buildings 77 Energy efficient and sustainable ancient museum buildings 77 Energy efficient and sustainable ancient museum buildings 77 Energy efficient and sustainable ancient museum buildings 77 Energy efficient and sustainable ancient museum buildings 77 Energy efficient and sustainable ancient museum buildings 77 Energy efficient and sustainable ancient museum buildings 77 Energy efficient and sustainable ancient museum buildings 77 cache = ./cache/work_l73lgheqbrbzllroydqigqeavm.pdf txt = ./txt/work_l73lgheqbrbzllroydqigqeavm.txt === reduce.pl bib === id = work_u4rpqpxt3rhupalnhmwgol3r6u author = R G Brodrick title = NEW SAN FRANCISCO HOSPITAL date = 1916 pages = extension = .pdf mime = application/xml words = 144 sentences = 25 flesch = 71 summary = sys_1000 wp-p1m-38.ebi.ac.uk wp-p1m-38.ebi.ac.uk exception exception Params is empty Params is empty Params is empty if (typeof jQuery === "undefined") document.write('[script type="text/javascript" src="/corehtml/pmc/jig/1.14.8/js/jig.min.js"][/script]'.replace(/\[/g,String.fromCharCode(60)).replace(/\]/g,String.fromCharCode(62))); // // // window.name="mainwindow"; .pmc-wm {background:transparent repeat-y top left;background-image:url(/corehtml/pmc/pmcgifs/wm-nobrand.png);background-size: auto, contain} .print-view{display:block} Page not available Reason: The web page address (URL) that you used may be incorrect. Message ID: 218039850 (wp-p1m-38.ebi.ac.uk) Time: 2021/04/06 02:06:12 If you need further help, please send an email to PMC. Include the information from the box above in your message. Otherwise, click on one of the following links to continue using PMC: Search the complete PMC archive. Browse the contents of a specific journal in PMC. Find a specific article by its citation (journal, date, volume, first page, author or article title). http://europepmc.org/abstract/MED/ cache = ./cache/work_u4rpqpxt3rhupalnhmwgol3r6u.pdf txt = ./txt/work_u4rpqpxt3rhupalnhmwgol3r6u.txt === reduce.pl bib === === reduce.pl bib === === reduce.pl bib === id = work_gkz7ucesfjhfriqrnx6s2bljby author = Madison U. Sowell title = The Enemy in Italian Renaissance Epic: Images of Hostility from Dante to Tasso. Andrea Moudarres. The Early Modern Exchange. Newark: University of Delaware Press, 2019. xii + 250 pp. $35 date = 2020 pages = 2 extension = .pdf mime = application/pdf words = 941 sentences = 62 flesch = 61 summary = Renaissance literature but also historians of the late Middle Ages and the early modern The Enemy in Italian Renaissance Epic: Images of Hostility from Dante to Tasso. Yale, Mourdarres took on the task of writing authoritatively not only about four eminent Italian epic poets (Dante, Pulci, Ariosto, and Tasso) but also about the influence of Homer, Lucan, and Virgil on the Italian epic tradition as it relates to images of hostility. Begun as a doctoral dissertation, The Enemy in Italian Renaissance Epic has evolved into an introduction, four well-researched and well-argued chapters, and an epilogue. cosmopolitanism: "all forms of hostility—even those conventionally considered external, such as the conflicts between Christian and Islamic forces in the Middle Ages and dissent between Islam and Christianity throughout the Middle Ages" (17). The third chapter, "The Enemy as the Self: Madness and Tyranny in The final chapter, "The Geography of the Enemy: Christian and Islamic Empires from https://www.cambridge.org/core https://www.cambridge.org/core cache = ./cache/work_gkz7ucesfjhfriqrnx6s2bljby.pdf txt = ./txt/work_gkz7ucesfjhfriqrnx6s2bljby.txt === reduce.pl bib === id = work_w545wb3iwvewllf6c2t5qxiay4 author = Anthony V D'Antoni title = Federico di Montefeltro's hyperkyphosis: a visual-historical case report date = 2008 pages = 4 extension = .pdf mime = application/pdf words = 2661 sentences = 228 flesch = 50 summary = Duke's missing nasal bridge, none have described his prominent thoracic hyperkyphosis, which is describe the Duke's hyperkyphosis, develop relevant differential diagnoses, and suggest a possible Case presentation: We have examined two paintings of the Duke by Piero della Francesca – the Conclusion: Differential diagnoses of the Duke's thoracic hyperkyphosis include Scheuermann Duke's thoracic hyperkyphosis could have been caused by repetitive trauma to the spine due to development of the hyperkyphosis is unclear, as is whether the Duke had the convexity during that describe how the visual arts can be used to teach medical students clinical observational skills [1-4]. Federico di Montefeltro (1422–1482), a renowned historical figure of the Italian Renaissance, was the Duke of of the Duke reveals a prominent hyperkyphosis of the thoracic spine with the apex of the convexity at approximately Mantua depicts the Duke in left lateral view and clearly Dublin) also depicts the Duke in left lateral view with the cache = ./cache/work_w545wb3iwvewllf6c2t5qxiay4.pdf txt = ./txt/work_w545wb3iwvewllf6c2t5qxiay4.txt === reduce.pl bib === === reduce.pl bib === id = work_yv3ivwgjjbf7dmkcag7uptqpaa author = Michael Chapman title = James Ackerman—Origins, Imitation, Conventions date = 2003 pages = 4 extension = .pdf mime = application/pdf words = 2096 sentences = 223 flesch = 37 summary = James Ackerman Origins, Imitation, Conventions focusing primarily on Ackerman's principal interest: the Italian Renaissance. and Architecture (Cambridge: The MIT Press, 1991), Ackerman reveals in the preface which refers to a point selected in constructing a Renaissance-specifically Albertianperspective image that fixes the distance of the observer from the object. Ackerman examines critically the relationship of academic history to specific historical Ackerman's work also embraces the relative position of the artist towards antiquity. Ackerman redefines creativity as a continual manipulation of historical conventions, architecture is described, depicting a hiatus in the Renaissance between the relative Renaissance art historians, provided a new theoretical impetus for architecture through by the architects of the Renaissance who preferred the principles of perspective over the perhaps my interpretation of Italian late medieval and Renaissance architectural architecture [Ackerman 2002: 61]. Another important historical moment depicted by Ackerman is the Renaissance Ackerman examines the relationship between authoritative account of major developments in art-history and architectural cache = ./cache/work_yv3ivwgjjbf7dmkcag7uptqpaa.pdf txt = ./txt/work_yv3ivwgjjbf7dmkcag7uptqpaa.txt === reduce.pl bib === id = work_ft6nlt5byvc4rnbctnhxpuv2fe author = Lillian Schwartz title = ACM SIGGRAPH Distinguished Artist Award for Lifetime Achievement in Digital Art date = 2015 pages = extension = .pdf mime = text/html words = 242 sentences = 29 flesch = 64 summary = Skip to main navigation Skip to search Skip to main content Welcome to The University of Brighton Explore profiles, expertise and research at The University of Brighton Search as: Advanced search The University of Brighton research portal Welcome to the University of Brighton's database of research and enterprise including researcher profiles, activities, outputs, projects and our groups and centres. Our research and enterprise activities tackle global challenges, solve practical problems and seek to improve people's lives and environments. Click dots and donuts to bring up details or Select a country from the list Select a country to view shared publications and projects University Export search results Search results University of Brighton University of Brighton Organisational unit: University Powered by Pure, Scopus & Elsevier Fingerprint Engine™ © 2021 Elsevier B.V. We use cookies to help provide and enhance our service and tailor content. Log in to Pure The University of Brighton contact form cache = ./cache/work_ft6nlt5byvc4rnbctnhxpuv2fe.pdf txt = ./txt/work_ft6nlt5byvc4rnbctnhxpuv2fe.txt === reduce.pl bib === === reduce.pl bib === id = work_jirzlkcuwfadfpag73tdsojqxe author = Jan L. de Jong title = Alexander Nagel. The Controversy of Renaissance Art. Chicago: The University of Chicago Press, 2011. xi + 358 pp. $60. ISBN: 978–0–226–56772–3 date = 2012 pages = 3 extension = .pdf mime = application/pdf words = 1044 sentences = 79 flesch = 60 summary = The Controversy of Renaissance Art. Chicago: The University of de Jong, Jan Publisher's PDF, also known as Version of record The Controversy of Renaissance Art. Chicago: The author(s) and/or copyright holder(s), unless the work is under an open content license (like Creative Commons). Downloaded from the University of Groningen/UMCG research database (Pure): http://www.rug.nl/research/portal. https://research.rug.nl/en/publications/review-of-alexander-nagel-the-controversy-of-renaissance-art-chicago-the-university-of-chicago-press-2011(2ebde178-7067-4fd2-be15-31561284d79b).html The Controversy of Renaissance Art. Chicago: The University of Chicago Press, 2011. Art,'' he discusses contemporary examples of criticism of late fifteenthand sixteenth-century religious art, cases of artists experimenting with new solutions, and the importance of early Christian art as point of reverification. Dealing with debates and controversy, the author considers the Renaissance an idea of how typical the individual cases studied in the book are for the epoch Reformation questions, Nagel ignores the broader picture of the Italian Renaissance, Moreover, the author focuses on reconstructing the intentions of the artists and Italian Renaissance art. cache = ./cache/work_jirzlkcuwfadfpag73tdsojqxe.pdf txt = ./txt/work_jirzlkcuwfadfpag73tdsojqxe.txt === reduce.pl bib === id = work_5it3u352k5g6njvgiikhn4o54a author = Saul Jarcho title = W. F. Bynum, C. Lawrence and V. Nutton, (editors), The emergence of modern cardiology (Medical History, Suplement no. 5), London, Wellcome Institute for the History of Medicine, 1985, 8vo, pp. x, 178, illus., £12.00 (UK)/£16.00 (overseas) date = 1987 pages = 2 extension = .pdf mime = application/pdf words = 1436 sentences = 84 flesch = 52 summary = considers the "new cardiology" in Britain, 1880-1930. late-nineteenth-century research in experimental physiology effected a reconstruction of the clinical conceptions of the heart that were held in British medicine during the first three decades of the twentieth century, the new concept being that of the living organ, which was not merely a Disease of the heart was not only an alteration in structure Howell explains the changes from early mechanical concepts of this disease to its redefinition as An essay by Finlayson, 'Ischaemic heart disease, aortic aneurysms, and atheroscleorsis in the coronary heart disease, and possibly yet another factor has caused the more recent and more KATHARINE PARK, Doctors andmedicine in early renaissance Florence, Princeton University Katharine Park has written an excellent book that contributes equally to medical history and Her findings are novel and important for the history of medicine. The city and institutions such as hospitals, religious orders, and confraternities gave cache = ./cache/work_5it3u352k5g6njvgiikhn4o54a.pdf txt = ./txt/work_5it3u352k5g6njvgiikhn4o54a.txt === reduce.pl bib === id = work_ot6x6baiqbdq5eglzaufd5sqmi author = Giacomo Comiati title = Italy Made in Britain: Contemporary British Perspectives on Italian Culture date = 2018 pages = 4 extension = .pdf mime = application/pdf words = 2198 sentences = 149 flesch = 52 summary = Italy Made in Britain: Contemporary British Perspectives on Italian Culture Italy Made in Britain: Contemporary British This special issue of Modern Languages Open is about how contemporary Britain This special issue of Modern Languages Open is about how contemporary Britain perceives the images of Italy as it is seen in various layers of British society – from the media, to film, to with Maccaferri and Costa's articles examining British perceptions of Italian politics in those discourse analysis and issues of translation (Filmer), travel writing on Italy by British broadsheet journalists (Willman), the performance of Italian identity for the British audience by British commentators, providing easy examples of Italy's backwardness in relation to Britain, focuses not on perceptions of Italy through the lens of a British gaze, but on how an Italian https://www.theguardian.com/commentisfree/2016/oct/20/donaldtrump-silvio-berlusconi-italy-prime-minister (accessed 26 April 2017). Contemporary British Perspectives on Italian Culture. https://www.theguardian.com/commentisfree/2016/oct/20/donald-trump-silvio-berlusconi-italy-prime-minister https://www.theguardian.com/commentisfree/2016/oct/20/donald-trump-silvio-berlusconi-italy-prime-minister cache = ./cache/work_ot6x6baiqbdq5eglzaufd5sqmi.pdf txt = ./txt/work_ot6x6baiqbdq5eglzaufd5sqmi.txt === reduce.pl bib === id = work_qk36od2cbjdbfkp3iskax7fh24 author = Carboni title = An Ontological Approach to the Description of Visual and Iconographical Representations date = 2019 pages = 20 extension = .pdf mime = application/pdf words = 14487 sentences = 865 flesch = 52 summary = Abstract: The perception of our heritage is based on sign-functions, which relate visual representations visual works on the basis of the identity and symbolic value of their single constituent elements. percepts and how we re-use information in order to assign meaning to the visual object. presents the functional results of the theory, introducing the VIR (Visual Representation) ontology, The use of semantic marks to construct the cognitive type of visual items can be further examined representation is established (for example "Saint George and the Dragon") but deeper meaning is not Iconographical Atom, Attribute, Representation, Personification, Visual Recognition, Verso and Recto) the use of specific symbols or iconographical types within historical periods. of a representation and link the diverse types of depictions with the same subject or character together, type of representations of and relationships between visual features. visual composition, iconographical objects, attributes of the representations, layering of diverse cache = ./cache/work_qk36od2cbjdbfkp3iskax7fh24.pdf txt = ./txt/work_qk36od2cbjdbfkp3iskax7fh24.txt === reduce.pl bib === id = work_qnfhx6hv5nec7jyitp6cnj6ouq author = R S Morton title = Syphilis in art: an entertainment in four parts. Part 1 date = 1990 pages = 8 extension = .pdf mime = application/pdf words = 3883 sentences = 954 flesch = 84 summary = syphilis in art, over more than five centuries, century the morbus gallicus is no longer a changing personal and public attitudes to the disease. is said to be a fourth century Peruvian jug (fig 1). Figure I Syphilitic mother with child. Figure 3 shows another pre-Columbian work ofart twenties during the early years of the morbus gallicus be faced by another great artist some 400 years later. Figure 7 Albrecht Darer, Woodcut illustration accompanying broadsheet by Theodoricus Ulsenius, Nuremberg, I August Durer's major woodcut (fig 7) is available in colour the figure is new to German work and shows how morbus gallicus, or French disease. Grunpeck's tract was accompanied by two woodcut prints by Sebastien Brandt, already famous for Like Ulsenius's piece, Grunpeck's text is dated 1496. Title page woodcut illustration accompanying tract by Joseph Grunpeck. woodcut (fig 10) was used in a reprint of Grunpeck's cache = ./cache/work_qnfhx6hv5nec7jyitp6cnj6ouq.pdf txt = ./txt/work_qnfhx6hv5nec7jyitp6cnj6ouq.txt === reduce.pl bib === id = work_4mn7mq6q2nfm3ocekkk6zfxqqi author = Amelia Carolina Sparavigna title = The orientation of the Kings Knot of Stirling Castle date = 2015 pages = 4 extension = .pdf mime = application/pdf words = 1349 sentences = 105 flesch = 69 summary = In the satellite images of Google Earth we can easily see the King s Knot of the Stirling Castle, a knot of sunrise and sunset on satellite maps, we can study the orientation of this Knot in relation to the Abstract: In the satellite images of Google Earth we can easily see the King's Knot of the Stirling Castle, a sunrise and sunset on satellite maps, we can study the orientation of this Knot in relation to the apparent In the Figure 1, we can see an image from Google Earth of the castle and of the garden. Figure 1 – Stirling Castle and its King's Knot as it is shown by Google Earth. Retrieved 27 Dec 2015, https://canmore.org.uk/site/46256/stirling-kings-knot The orientation of the Kings Knot of Stirling Castle. The orientation of the Kings Knot of Stirling Castle. The orientation of the Kings Knot of Stirling Castle. The orientation of the Kings Knot of Stirling Castle. cache = ./cache/work_4mn7mq6q2nfm3ocekkk6zfxqqi.pdf txt = ./txt/work_4mn7mq6q2nfm3ocekkk6zfxqqi.txt === reduce.pl bib === id = work_c4asicxnznajxesvk5bugp6h7m author = Andrea Urbani title = Proteomics and renaissance: accounts of the V Italian Proteomics Association Congress, Florence 2010 date = 2011 pages = 2 extension = .pdf mime = application/pdf words = 1382 sentences = 219 flesch = 50 summary = Italian Proteomics Association Congress, this model in proteomics research, local proteome science achievements. issue of Molecular BioSystems aims to While human proteomics investigations initially led the research in this of proteomics are presently coming from clinical proteomics tool (Biotypert), thus setting proteomics tools as development of novel tools for multivariate analysis is a key issue in the technological advancement of proteomics, the paper from the group of shown in the manuscript from Laura investigation of the platelet proteome of University of Florence, Italy Section of Proteomics, Istituto Sperimentale proteomics investigation to a new level for Italian proteomics scientists to collaborate with the overall international Chairperson of the V Italian Proteomics Proteomics Association; Dr Col. Mario The Congress of the Italian Proteomics training in the science of Proteomics in (1) Human and Clinical Proteomics (3) Plant Proteomics (4) Functional proteomics Proteomics Proteomics ''Quantitative proteomics for biomarkers application of proteomics in clinical cache = ./cache/work_c4asicxnznajxesvk5bugp6h7m.pdf txt = ./txt/work_c4asicxnznajxesvk5bugp6h7m.txt === reduce.pl bib === id = work_avyg4gyd6bfltgr3kmkwgu5y4y author = M. Schmitter title = Odoni's Faccade: The House as Portrait in Renaissance Venice date = 2007 pages = 24 extension = .pdf mime = application/pdf words = 17969 sentences = 1326 flesch = 72 summary = accident that Aretino used the man/house metaphor extensively in a letter to Odoni; there is considerable evidence that In writing the letter at all, Aretino may have been suggesting Odoni's (over?) reliance on his house to create his Odoni's house and façade can be read as multifaceted portraits of the man. painted façade in particular put Odoni and his house "on So while the location and size of Odoni's house were decorous, the façade ornament was potentially more socially prominently located building painted by Giorgione and Titian.69 By ordering a façade fresco in this tradition, Odoni named Aretino, exalting the art of painting in general, recommends this form of ornament: "the façades [facciate] of houses Odoni's Façade: The House as Portrait in Renaissance Venice Odoni's Façade: The House as Portrait in Renaissance Venice Odoni's Façade: The House as Portrait in Renaissance Venice Odoni's Façade: The House as Portrait in Renaissance Venice cache = ./cache/work_avyg4gyd6bfltgr3kmkwgu5y4y.pdf txt = ./txt/work_avyg4gyd6bfltgr3kmkwgu5y4y.txt === reduce.pl bib === id = work_gbma37pz4ndptjduyabnecbwua author = Charlotte Drew title = The colourful career of Sir. John Charles Robinson: collecting and curating at the early South Kensington Museum date = 2018 pages = 16 extension = .pdf mime = application/pdf words = 7479 sentences = 348 flesch = 51 summary = 3 Robinson, 'Our Public Art Museums: A Retrospect,' The Nineteenth Century, 42: 250, Dec private apartments were filled with an extensive collection of decorative art objects Curating the Museum of Ornamental Art at Marlborough House, 1853-1857 organization of collections in the Museum of Ornamental Art adjoining the London space within a public museum, then, but showed how the objects in the collection 27 Robinson, 'Our Public Art Museums,' 955. 34 Robinson, Catalogue of a Collection of Works of Decorative Art: Being a Selection from the collecting and curating at the early South Kensington Museum collecting and curating at the early South Kensington Museum collecting and curating at the early South Kensington Museum collecting and curating at the early South Kensington Museum collecting and curating at the early South Kensington Museum collecting and curating at the early South Kensington Museum collecting and curating at the early South Kensington Museum cache = ./cache/work_gbma37pz4ndptjduyabnecbwua.pdf txt = ./txt/work_gbma37pz4ndptjduyabnecbwua.txt === reduce.pl bib === id = work_dshunqjcvbfqxozorphuuhp7hq author = Sasa Brajovic title = Bellini's Mother of God with infant Christ in Dobrota date = 2007 pages = 4 extension = .pdf mime = application/pdf words = 2443 sentences = 437 flesch = 107 summary = слика Богородице с малим Христом, дело Ђованија Белинија и његове радионице.1 Дуго се чувала у барокном оквиру од штука, који носе анђели, постављена над Закључено је да је слика настала у другој половини девете деценије кватрочента, из које потичу капитална дела Ђованија Белинија.2 Значајно је поменути да је у Доброти, према сведочанству дон Ника Луковића, постојала слика Богородице с Дететом која је носила сигнатуру и копија мајсторове слике коју је израдио његов студио високо ценила, а имала је вредност као графика лимитираног броја отисака.4 Како сведоче сачувани уговори и други документи из Венеције, радионица је била дужна да изведе уметничко дело асоцијација.10 Као олтарски вео и копрена која је покривала најштованије свете слике у Византији, завеса контура, светлост која као да проистиче из самог „ваздуха" слике указују на старијег Белинија, који, Bellini's Mother of God with Infant Christ in Dobrota cache = ./cache/work_dshunqjcvbfqxozorphuuhp7hq.pdf txt = ./txt/work_dshunqjcvbfqxozorphuuhp7hq.txt === reduce.pl bib === id = work_g2gxg745nbh5tg3xobf2gt46au author = Joseph G. Ponterotto title = A Cautious Alliance: The Psychobiographer's Relationship with Her/His Subject date = 2018 pages = 12 extension = .pdf mime = application/pdf words = 8733 sentences = 638 flesch = 59 summary = Freud's (1910/1989) influential psychoanalytic psychobiography of Leonardo da Vinci. life histories in established psychological theories and rigorous historiographic research methods. Freud's psychobiography of Leonardo da Vinci is used as a model of the stages of psychobiography, the evolution of the psychobiographer-subject Using Freud's (1910/1989) landmark psychoanalytic psychobiography of Leonardo da Vinci as a the historical subject, monitoring possible countertransference issues, and maintaining objectivity throughout the process. Figure 1: Navigating the Relationship between Psychobiographer and Research Subject other types of psychological research is that psychobiographical subjects are often deceased, sometimes psychological life of the research subject (Ponterotto Precisely when Freud committed to penning a psychoanalytic biography of Leonardo da Vinci is unknown. subject, we see that Freud was intrigued by Leonardo da In selecting their research subjects, psychobiographers Freud's case with Leonardo da Vinci, the psychobiographer usually maintains an attachment to, and Freud as Leonardo: Why the first psychobiography went wrong. Freud, Leonardo da Vinci cache = ./cache/work_g2gxg745nbh5tg3xobf2gt46au.pdf txt = ./txt/work_g2gxg745nbh5tg3xobf2gt46au.txt === reduce.pl bib === id = work_dbwq3dz3anfjflwo5s36pxljky author = J. Dequeker title = Arthritis in the paintings of Sandro Botticelli date = 1984 pages = 6 extension = .pdf mime = application/pdf words = 3530 sentences = 244 flesch = 60 summary = detected in Botticelli's paintings as a process of individualization of the Botticelli, Portrait of a Young Man, Italian Renaissance, facial deformity in deformity in the Botticelli's 'Portrait of a Young portrait painted in 1483, Sandro Botticelli reveals In Botticelli's paintings the connection between good reasons, Velardi considers Botticelli's style possible to perceive, in Botticelli's paintings, a "pathetic" characters in Botticelli's paintings. artists of Italian Renaissance derived their images point of view, according to Warburg, Botticelli the "Placid Beauty" of Botticelli paintings brings describes the Botticelli' Venus – actually the Logos and pathos in the paintings of Sandro Botticelli Logos and pathos in the paintings of Sandro Botticelli Logos and pathos in the paintings of Sandro Botticelli Logos and pathos in the paintings of Sandro Botticelli Proust and Botticelli, declared by the Author The paintings by Botticelli are Botticelli's paintings, in Proust the "Wakening" the Botticelli's paintings, remarkably to the cache = ./cache/work_dbwq3dz3anfjflwo5s36pxljky.pdf txt = ./txt/work_dbwq3dz3anfjflwo5s36pxljky.txt === reduce.pl bib === id = work_s3jefpwjnndhvf5vietzfr3bxi author = Jan P Hogendijk title = Sharaf al-Dīn al-Ṫūsī on the number of positive roots of cubic equations date = 1989 pages = 17 extension = .pdf mime = application/pdf words = 7854 sentences = 1063 flesch = 91 summary = In the second part of his Algebra, Sharaf al-Din al-T&i (l2th-century) correctly determines the number of positive roots of cubic equations in terms of the coefficients. has recently published an edition of the Algebra [al-Tiisi 19851, and he has discussed alTiisi's work in connection with 17th century and more recent mathematical methods (see literal French translation, a transcription of al-Ttisi's reasoning in modern notation, and a discussion of most of the text in terms of modern algebra and analysis. contain notes to the Arabic text and the French translation in [T2], for the reader constant term can be reduced to quadratic equations, and for each of the remaining 13 types he had given a geometrical construction of a root by means of two Al-Khayyam pointed out that the number of roots of these equations depends geometrical proofs of algorithms for approximating the roots of cubic equations. cache = ./cache/work_s3jefpwjnndhvf5vietzfr3bxi.pdf txt = ./txt/work_s3jefpwjnndhvf5vietzfr3bxi.txt === reduce.pl bib === id = work_7t4fowj4mfcijpmqwdy5vmp3le author = Steven Vanden Broecke title = Monica Azzolini. The Duke and the Stars: Astrology and Politics in Renaissance Milan. I Tatti Studies in Italian Renaissance History. Cambridge, MA: Harvard University Press, 2013. xiii + 370 pp. $49.95. ISBN: 978-0-674-06663-2 date = 2014 pages = 2 extension = .pdf mime = application/pdf words = 815 sentences = 44 flesch = 52 summary = The Duke and the Stars: Astrology and Politics in I Tatti Studies in Italian Renaissance History. redistributed over other parts of the Milan archive, documents the use of astrology by the fifteenth-century Sforza princes, and formed the basis of Ferdinando a difference in the way we narrate political history: ''Italian Renaissance leaders may knowledge of the history of Renaissance astrology. knowledge of the social and technical aspects of Renaissance astrology has been inspect Renaissance astrologers' private correspondences and prognostications, as adoption of astrological consulting: nuptial and pedagogical planning, political surrounding the prince's relation to the astrologers, and the way in which this formed an integral part of Renaissance political practice. techniques deployed by Renaissance astrologers actually become fun and an The problem with these presuppositions is not that they are wrong: they are They do, however, tend to obscure those aspects of Renaissance astrology Renaissance prince and the astrologer (including Pierre Brind'Amour's overlooked cache = ./cache/work_7t4fowj4mfcijpmqwdy5vmp3le.pdf txt = ./txt/work_7t4fowj4mfcijpmqwdy5vmp3le.txt === reduce.pl bib === === reduce.pl bib === id = work_pv5awjcgvfdazezkkpwam7a5km author = Giuseppe Lacidogna title = Correlation between Earthquakes and AE Monitoring of Historical Buildings in Seismic Areas date = 2015 pages = 16 extension = .pdf mime = application/pdf words = 4774 sentences = 384 flesch = 62 summary = Correlation between Earthquakes and AE Monitoring of Historical Buildings in Seismic Areas probability of the events' occurrence in a specific area, considering the AE records and the seismic During the monitoring period, among all regional seismic events we considered 21 earthquakes with In this case, among all regional seismic events, we considered 43 earthquakes with a Richter 5. Space-Time Correlation between AE and Seismic Events to structural damage triggered by a seismic event or due to precursive microseismic activity. In particular, time coupling of regional seismicity to AE activity from Chapel XVII and the Asinelli by nearby earthquakes on damage processes of Chapel XVII and the Asinelli Tower. In regards to the AE events preceding earthquakes, i.e., considering AE as "seismic precursors", the Analysis of time-clustering features of AE events considered "seismic temporal correlation of seismic events and monitored AEs. It emerges that AEs behave as earthquake cache = ./cache/work_pv5awjcgvfdazezkkpwam7a5km.pdf txt = ./txt/work_pv5awjcgvfdazezkkpwam7a5km.txt === reduce.pl bib === id = work_lxjpyn2kz5cstgbzqotozaaybu author = Elinor Shaffer title = World Literature Tomorrow date = 2006 pages = 7 extension = .pdf mime = application/pdf words = 2405 sentences = 137 flesch = 54 summary = Comparative Critical Studies, Volume 3, Issue 1-2, 2006, pp. very excited by the new idea of teaching not national literature, nor comparative literature today is and must be, of course, our Research The narrow national literary history theory and practice of reception studies today. European forms nevertheless required validation as national literary The history of Europe and the European Union European reception of Ossian (the most extensive British literary in that city-states or nations compete for authority, and indeed literary culture?'12 Nevertheless, literary and artistic authority and value have pioneers of Oriental literary studies, world literature requires extending Luckhurst (London and New York: Continuum 2002); The Reception of James and New York: Continuum 2004); The Reception of Ossian in Europe, edited by Howard Gaskill (London and New York: Continuum 2004); The Reception of and New York: Continuum 2004); The Reception of Byron in Europe, edited by cache = ./cache/work_lxjpyn2kz5cstgbzqotozaaybu.pdf txt = ./txt/work_lxjpyn2kz5cstgbzqotozaaybu.txt === reduce.pl bib === id = work_oq3g2f3tc5e2leg2oxyuhpa7he author = Madine VanderPlaat title = Societies: An Open Access Journal of Social Sciences and Humanities date = 2011 pages = 2 extension = .pdf mime = application/pdf words = 1101 sentences = 65 flesch = 50 summary = space and time, geography and history. Ratzel, in 1897, published his work on political geography, titled Hitler's national-socialism and linking his political geography to In a second response to British imperialism, Hitler's Germany the works of German geographer Karl Haushofer (1869-1946) who The link between geopolitics and world history is manifest in the influence German world historian Oswald Spengler (1880-1936), author of the monumental 12-volume A Study of History, which was myself studied geopolitics at the Sorbonne and having published my World History however continued as a science to be looked upon Correspondence: Dimitri Kitsikis, Department of History, Both Geopolitics and World History, linked together in the field of The difficulty of being a geo politician and a world historian. The difficulty of being a geo politician and a world historian. The difficulty of being a geo politician and a world historian. grasp the Universe by starting their History specialization in Greek cache = ./cache/work_oq3g2f3tc5e2leg2oxyuhpa7he.pdf txt = ./txt/work_oq3g2f3tc5e2leg2oxyuhpa7he.txt === reduce.pl bib === id = work_xip6ysml5nhu7jpq5vpsweynhi author = Andrea Veglia title = Michael Silk, Ingo Gildenhard, Rosemary Barrow, The Classical Tradition: Art, Literature, Thought date = 2014 pages = 3 extension = .pdf mime = application/pdf words = 1420 sentences = 113 flesch = 58 summary = The Classical Tradition: Art, Literature, Thought The Classical Tradition: Art, review of Classics and the Uses of Reception, Charles Martindale's reception theory motto – in selecting, imitating or adapting ancient works» (Reception Studies 5 ) , The Classical Without being a new Companion, The Classical Tradition shows the ambition of of scholars from different disciplines: Classics, Comparative Literature, Art History. meaning and strategies of preservation of the classical tradition: history of education of classical literature take into consideration postcolonial theory). strength and the weakness of The Classical Tradition: on the one hand, it gives a into consideration the periods usually dealt with in essays on the afterlife of the Classics: English 19th century Hellenism, with a few references to Post-modern classicism. Rev. of Classics and the Uses of Reception, eds. A Companion to the Classical Receptions. A Companion to the Classical Tradition, Oxford: Wiley-Blackwell, Classics and the Uses of Reception. cache = ./cache/work_xip6ysml5nhu7jpq5vpsweynhi.pdf txt = ./txt/work_xip6ysml5nhu7jpq5vpsweynhi.txt === reduce.pl bib === === reduce.pl bib === id = work_t3ltsd5vgbea5j4bzaesckjc7q author = Jo Ann Cavallo title = Boiardo and Ariosto in Contemporary Sicilian Puppet Theater and the Tuscan-Emilian Epic Maggio date = 2018 pages = 16 extension = .pdf mime = application/pdf words = 6057 sentences = 366 flesch = 61 summary = also in popular performance traditions such as Sicilian puppet theater Innamorato's battle between Rinaldo and Orlando for Angelica and episodes, these plays offer ample material for a comparative examination of her character in contemporary Sicilian puppet theater. 4Students can compare Angelica puppets in versions of Orlando e Rinaldo per la bella In addition to giving Angelica a physical form, puppeteers also Angelica has also recently been used in puppet theater in less particular 00–1:46, https://edblogs.columbia.edu/eboiardo/sicilian-puppet-theater/ https://edblogs.columbia.edu/eboiardo/sicilian-puppet-theater/ puppet-plays/angelica-la-fuga/. puppet-plays/angelica-la-fuga/. 20See eBOIARDO, https://edblogs.columbia.edu/eboiardo/sicilian-puppet-theater/ 20See eBOIARDO, https://edblogs.columbia.edu/eboiardo/sicilian-puppet-theater/ 20See eBOIARDO, https://edblogs.columbia.edu/eboiardo/sicilian-puppet-theater/ 20See eBOIARDO, https://edblogs.columbia.edu/eboiardo/sicilian-puppet-theater/ Both maggi feature female Saracen characters, Angelica in the first Angelica in the maggio Orlando Innamorato and Angelica, Marfisa, and Dragontina among the non-Christians. Angelica sets off the action in the maggio, as she does in Boiardo's In Boiardo's poem, Angelica heads to Dragontina's garden out In the poem, after Angelica frees Orlando she cache = ./cache/work_t3ltsd5vgbea5j4bzaesckjc7q.pdf txt = ./txt/work_t3ltsd5vgbea5j4bzaesckjc7q.txt === reduce.pl bib === === reduce.pl bib === === reduce.pl bib === id = work_pcafmyawcffjzbxa4voqncf7ra author = Jaynie Anderson title = Art history's history in Melbourne: Franz Philipp in correspondence with Arthur Boyd date = 2011 pages = 18 extension = .pdf mime = application/pdf words = 8860 sentences = 518 flesch = 67 summary = 1 This article is a revised text of the annual lecture of the then Art Association of Australia, in honour of Franz Philipp, 34 Arthur Boyd, letter to Franz Philipp, 25 January 1966, University of Melbourne archive, DS L 11/3.Acc.36 166. 34 Arthur Boyd, letter to Franz Philipp, 25 January 1966, University of Melbourne archive, DS L 11/3.Acc.36 166. 35 Franz Philipp, letter to Arthur Boyd, 16 September 1965, University of Melbourne archive, DS L 11/3.Acc.36. 37 Franz Philipp, list of questions to Arthur Boyd, December 1968, University of Melbourne archive, DS L 11/3.Acc.36 166. 39 Arthur Boyd, letter to Franz Philipp, 30 December 1968, University of Melbourne archive, DS L 11/3.Acc.36 166. 41 Franz Philipp, undated letter (1965) to Arthur Boyd, University of Melbourne archive, DS L 11/3.Acc.36. 44 Franz Philipp, letter to Arthur Boyd, 9 April 1965, University of Melbourne archive, DS L 11/3.Acc.36. cache = ./cache/work_pcafmyawcffjzbxa4voqncf7ra.pdf txt = ./txt/work_pcafmyawcffjzbxa4voqncf7ra.txt === reduce.pl bib === id = work_spywvikfcfcshk3sabxrwkntv4 author = Matthew Rampley title = 'The Persistence of Nationalism': Michela Passini, La fabrique de l'art national: Le nationalisme et les origins de l'histoire de l'art en France et en Allemagne 1870-1933. Paris, Maisons des sciences de l'homme, 2012 date = 2014 pages = 4 extension = .pdf mime = application/pdf words = 1763 sentences = 83 flesch = 55 summary = Michela Passini, La fabrique de l'art national: Le nationalisme et les origins de a proliferation of national histories of art. German art history writing and, crucially, the ways that they were contested. its sustained analysis of French art historians, such as Louis Courajod, Louis Dimier, artistic traditions, in which German and French art came to be defined in opposition As such we are reminded that French and German art historians authors, but French art historians frequently articulated equally nationalistic views The mutual suspicion of many German and French art historians is strongly The depressing story of nationalism's hold on art history is one that could which Dehio tied to the German national spirit was repeated elsewhere in central specifically Czech treatment of late Gothic art. kinds of disputes over 'ownership' of late Gothic as German and French art historians did over Gothic or Renaissance art reminds us of the wider pattern into cache = ./cache/work_spywvikfcfcshk3sabxrwkntv4.pdf txt = ./txt/work_spywvikfcfcshk3sabxrwkntv4.txt === reduce.pl bib === id = work_ooyvq33vwvedxesyn44lapqdoy author = Rens Bod title = Peter Burke, What Is the History of Knowledge? Cambridge: Polity Press, 2016. Pp. 156. US$59.95 (cloth); US$19.95 (paper) date = 2016 pages = 4 extension = .pdf mime = application/pdf words = 1473 sentences = 108 flesch = 66 summary = Burke (2016) What is the history of knowledge?]. https://dare.uva.nl/personal/pure/en/publications/review-of-p-burke-2016-what-is-the-history-of-knowledge(d7db29ec-5132-49f5-980b-c6ae1a626c69).html Peter Burke, What Is the History of Knowledge? Peter Burke, What Is the History of Knowledge? seems to be more apt than Peter Burke to write the current What Is the History of Knowledge?, which is part of the What Is History series by Polity Press. new field of history of knowledge into four main topics, which are also the titles of the book's four chapters: "Knowledges and Their Histories," "Concepts," "Processes," Burke starts off by noting that the history of knowledge is a very young field. recalls that when he began working on his book A Social History of Knowledge in that I believe Burke has missed an important chance: the history of knowledge is in question that I would like to have seen discussed in Burke's book is, what can the history of knowledge contribute to such issues as Hume's and Goodman's problems—if cache = ./cache/work_ooyvq33vwvedxesyn44lapqdoy.pdf txt = ./txt/work_ooyvq33vwvedxesyn44lapqdoy.txt === reduce.pl bib === id = work_qrtpg5s4mjacncvjhhflhxrulm author = Valerie Shrimplin title = Michelangelo, Copernicus and the Sistine chapel date = 2009 pages = 7 extension = .pdf mime = application/pdf words = 5864 sentences = 322 flesch = 61 summary = Michelangelo, Copernicus and the Sistine Chapel, American Journal of Astronomy and Astrophysics. Abstract: It is argued that Copernican astronomy is a key theme in Michelangelo's fresco of the Last Judgment in the iconography of the Last Judgment (depicting the three parts of the universe: heaven earth and hell) was traditionally based on Michelangelo's revolutionary work, Christ is significantly depicted as a beardless Apollonian sun-god, positioned in the Keywords: Copernicus, Michelangelo, Heliocentric, Sistine Chapel, Dante It has long been widely recognized that in Michelangelo's fresco of the Last Judgment (1541) Christ is depicted Sun-symbolism and Cosmology in Michelangelo's Last Judgment, Truman State On the altar wall, Michelangelo's monumental fresco of the Last Judgment (painted much later, Michelangelo and Copernicus at the time of the commission of the Last Judgment. 6 Valerie Shrimplin: Michelangelo, Copernicus and the Sistine Chapel At the time that Michelangelo was painting his great fresco, the heliocentric theory cache = ./cache/work_qrtpg5s4mjacncvjhhflhxrulm.pdf txt = ./txt/work_qrtpg5s4mjacncvjhhflhxrulm.txt === reduce.pl bib === id = work_arludgr2yvfndhq4sgdsgwhgwm author = C. Dore title = Structural Simulations and Conservation Analysis -Historic Building Information Model (HBIM) date = 2015 pages = 7 extension = .pdf mime = application/pdf words = 4193 sentences = 330 flesch = 52 summary = Structural Simulations and Conservation Analysis -Historic Building Information Model KEY WORDS: Historic Building Information Modelling, HBIM, Surveying, Historic Structures, Building Conservation, In this paper the current findings to date of the Historic Building Information Model (HBIM) of the Four Courts in Dublin are The Historic Building Information Model (HBIM) forms the basis for both structural and conservation analysis to After registration and processing of the laser scan survey, the HBIM was created of the data, the second a procedural and segmented model developed from laser scan survey of the war damaged drum and dome. both models structural damage and decay simulations will be developed for documentation and conservation analysis. to date of a Historic Building Information Modelling (HBIM) of complex historic architectural elements in BIM libraries and Building Information Models (HBIMs) from survey data. Procedural rules have been developed for modelling building the Historic Building Information Model involved surveyors automatically created from survey data with procedural rules cache = ./cache/work_arludgr2yvfndhq4sgdsgwhgwm.pdf txt = ./txt/work_arludgr2yvfndhq4sgdsgwhgwm.txt === reduce.pl bib === id = work_kqoxlcruifhrvfinqrik6d6dp4 author = Mariselle Meléndez title = The Colonial Spanish-American City. Urban Life in the Age of Atlantic Capitalism (review) date = 2006 pages = 4 extension = .pdf mime = application/pdf words = 2152 sentences = 200 flesch = 58 summary = Urban Life in the Age of Atlantic Capitalism (review) enmarcan la discusión del autor y que se emblematizan, respectivamente, en las propuestas de de los aspectos más sugerentes del capítulo, y En el capítulo II, "El sujeto y el Otro: Elecciones éticas y políticas," enfocado en las novelas por las aportaciones ya destacadas, considero que Kinsbruner offers both a history and interpretation of the colonial Spanish American city from chapter, the author discusses the constitution of urban life: the streets and cities in general were centers on the urban economy as related to commercial capitalism. discussion about the daily and perpetual contestation which took place in colonial cities, especially in their streets, alamedas, plazas and parks. For Kinsbruner, "status in urban colonial Spanish America's social architecture was proclaimed The Colonial Spanish-American City The Colonial Spanish-American City The Colonial Spanish-American City The Colonial Spanish-American City The Colonial Spanish-American City cache = ./cache/work_kqoxlcruifhrvfinqrik6d6dp4.pdf txt = ./txt/work_kqoxlcruifhrvfinqrik6d6dp4.txt === reduce.pl bib === === reduce.pl bib === id = work_iosapayacvbyndmxnl5pvznway author = Ingrid Ciulisová title = 'Dvořák's Pupil Johannes Wilde (1891–1970)' originally published in umění LX (2012), 101-8 date = 2016 pages = 9 extension = .pdf mime = application/pdf words = 6693 sentences = 601 flesch = 70 summary = Dvořák's Pupil Johannes Wilde (1891–1970) Dvořák (1874–1921) wrote to his first teacher, a respected professor of history at the Czech-language university in Prague, Jaroslav Goll: '… My work on the Van Eyck Wilde began his studies with the Hungarian art later bequeathed to the Courtauld Institute of Art. In 1928, the second volume of Dvořák's Italian and his wife, art historian Júlia Gyarfás, left the country, as did many other museum professionals, including Otto Benesch (1896–1964), Ernst Kris (1900–1957), Wilde's contribution to art history in England Wilde's old friend from Vienna, Count Antoine Seilern allowed young adepts of art history to study his teachers.30 Through Wilde the legacy of Max Dvořák discussion of Max Dvořák's research on medieval art, see Hans H. Aurenhammer, 'Max Dvořák and the History of Medieval Art', Ernst Gombrich, 'Art History and Psychology in Vienna Fifty Johannes Wilde, Venetian Art from Bellini to Titian, Oxford cache = ./cache/work_iosapayacvbyndmxnl5pvznway.pdf txt = ./txt/work_iosapayacvbyndmxnl5pvznway.txt === reduce.pl bib === id = work_g6dfophsb5divdrzgi4w2osloi author = M. Rozsondai title = Symmetry aspects of bookbindings date = 1989 pages = 49 extension = .pdf mime = application/pdf words = 13490 sentences = 2150 flesch = 89 summary = Bilateral symmetry of motifs (Fig. 3) (point group m or Cs) and rotations with mirror planes A playful collection o f symmetries appears on a roll (Fig. 6), including point group C3 with Hatched motifs (Fig. 7) can be considered to possess colour symmetry, which means a combination o f a geometrical synunetry operation (reflection, rotation, translation etc.) with a simultaneous Renaissance bindings in the early sixteenth century, and they appeared as ogee branches (Fig. 10). German Gothic binding with leaf relief obtained by the headed outline tools in Fig. 8(h-j). Similarly, border patterns from bookbindings are shown in Fig. 18, and classified according to symmetry groups. Fig. 25.(a) Rolls of palmettos and acanthus leaves from Hungarian Renaissance bindings. Fig, 26.(a) Knotwork border design composed of single stamps from the Hungarian Renaissance binding: represented in every field of Renaissance art, hence also in book illustrations (Fig. 42) and on cache = ./cache/work_g6dfophsb5divdrzgi4w2osloi.pdf txt = ./txt/work_g6dfophsb5divdrzgi4w2osloi.txt === reduce.pl bib === id = work_durarhbgxnapvd35d5jv6bjbui author = Theodore Dalrymple title = Where there's a will date = 2007 pages = extension = .pdf mime = application/xml words = 144 sentences = 27 flesch = 72 summary = sys_1000 wp-p1m-39.ebi.ac.uk wp-p1m-39.ebi.ac.uk exception exception Params is empty Params is empty Params is empty if (typeof jQuery === "undefined") document.write('[script type="text/javascript" src="/corehtml/pmc/jig/1.14.8/js/jig.min.js"][/script]'.replace(/\[/g,String.fromCharCode(60)).replace(/\]/g,String.fromCharCode(62))); // // // window.name="mainwindow"; .pmc-wm {background:transparent repeat-y top left;background-image:url(/corehtml/pmc/pmcgifs/wm-nobrand.png);background-size: auto, contain} .print-view{display:block} Page not available Reason: The web page address (URL) that you used may be incorrect. Message ID: 218044412 (wp-p1m-39.ebi.ac.uk) Time: 2021/04/06 02:06:18 If you need further help, please send an email to PMC. Include the information from the box above in your message. Otherwise, click on one of the following links to continue using PMC: Search the complete PMC archive. Browse the contents of a specific journal in PMC. Find a specific article by its citation (journal, date, volume, first page, author or article title). http://europepmc.org/abstract/MED/ cache = ./cache/work_durarhbgxnapvd35d5jv6bjbui.pdf txt = ./txt/work_durarhbgxnapvd35d5jv6bjbui.txt === reduce.pl bib === === reduce.pl bib === id = work_nc5xralahraphil46fjuozr3oi author = Francine Mary Netter title = Frank H. Netter MD and a Brief History of Medical Illustration date = 2014 pages = extension = .pdf mime = application/xml words = 144 sentences = 28 flesch = 72 summary = sys_1000 wp-p1m-38.ebi.ac.uk wp-p1m-38.ebi.ac.uk exception exception Params is empty Params is empty Params is empty if (typeof jQuery === "undefined") document.write('[script type="text/javascript" src="/corehtml/pmc/jig/1.14.8/js/jig.min.js"][/script]'.replace(/\[/g,String.fromCharCode(60)).replace(/\]/g,String.fromCharCode(62))); // // // window.name="mainwindow"; .pmc-wm {background:transparent repeat-y top left;background-image:url(/corehtml/pmc/pmcgifs/wm-nobrand.png);background-size: auto, contain} .print-view{display:block} Page not available Reason: The web page address (URL) that you used may be incorrect. Message ID: 218037690 (wp-p1m-38.ebi.ac.uk) Time: 2021/04/06 02:06:10 If you need further help, please send an email to PMC. Include the information from the box above in your message. Otherwise, click on one of the following links to continue using PMC: Search the complete PMC archive. Browse the contents of a specific journal in PMC. Find a specific article by its citation (journal, date, volume, first page, author or article title). http://europepmc.org/abstract/MED/ cache = ./cache/work_nc5xralahraphil46fjuozr3oi.pdf txt = ./txt/work_nc5xralahraphil46fjuozr3oi.txt === reduce.pl bib === id = work_h7gtylpmpfdfnmlpci7nonaiuq author = Michael J. B. Allen title = The Intellectual World of the Italian Renaissance: Language, Philosophy, and the Search for Meaning. Christopher S. Celenza. Cambridge: Cambridge University Press, 2017. xvi + 438 pp. $120 date = 2019 pages = 3 extension = .pdf mime = application/pdf words = 2052 sentences = 294 flesch = 51 summary = The first one is Robichaud's study of the rhetorical features that Ficino implements in Although the topic of the relations between rhetoric and philosophy in the Renaissance has been explored from various points of view (suffice to It definitely constitutes a very important contribution to Renaissance studies. The Intellectual World of the Italian Renaissance: Language, Philosophy, and the rather, an examination of the intellectual worlds of the fifteenth century and in particular of the dominant role of Latin. Saggiatore to a Jesuit named Grassi, who had drawn upon some of Galileo's work without attribution and had questioned his theories about comets. Among these is a fascination with the conflicting authorities wielded by such institutions as the church, the universities, the courts, and even particular philosophical Authority and Biblical Criticism in the Dutch Golden Age: God's Word Questioned At the core of the book are chapter 4, "The Biblical Philology of Daniel Heinsius (1619–1641)," and chapter 5, cache = ./cache/work_h7gtylpmpfdfnmlpci7nonaiuq.pdf txt = ./txt/work_h7gtylpmpfdfnmlpci7nonaiuq.txt === reduce.pl bib === === reduce.pl bib === id = work_j7nmsf55djdspckwocsp3zum5e author = A. Gode-von Aesch title = Wilhelm Waiblinger in Italy date = 1954 pages = 117 extension = .pdf mime = application/pdf words = 41158 sentences = 4013 flesch = 75 summary = A knowledge of Waiblinger's early life in Germany is pertinent for the proper understanding of his Italian experience. read accounts of the country; and in the early nineteenth century the Schlegels, Madame de Stael, and Chateaubriand travelled in Italy and wrote about the country. Waiblinger's contributions were Francesco Spina and Das Miirchen von der blauen Grotte, both long Von den Triimmern der Kaiserpalaste aus und dem goldenen Haus des Nero starrt' ich den halben Tag iiber das Limonienund Myrtengriin und seine unsaglich goudenen Friichte hinab aufs Waiblinger found the tradition of the Renaissance everywhere in Italy, and he wrote more about the art of this period Waiblinger's consistent effort to interpret Italy to his German readers and his natural love of the Italian people are perhaps his most important characteristics as an author. Thus Waiblinger described Italy as the modern traveller would Waiblinger and Italian Art cache = ./cache/work_j7nmsf55djdspckwocsp3zum5e.pdf txt = ./txt/work_j7nmsf55djdspckwocsp3zum5e.txt === reduce.pl bib === === reduce.pl bib === id = work_g6rmv5gonzgrbo7b6caf5klbvm author = Jürgen Lange title = Allan Pettersson: Symphony No. 9 date = 2019 pages = 37 extension = .pdf mime = application/pdf words = 5756 sentences = 1743 flesch = 90 summary = topic is, that 9th Symphony portrays Sweden's longest river Klarälven-Göta Älv. Smetana The Moldau Pettersson 9th Symphony Figure 4: Small Wave 9th Symphony This Accompaniment is musically related to the Second Source of The Moldau (Figure 52). The Moldau Melody (Figure 18) has an ascending line (2 bars), followed by a slightly The Moldau and Pettersson's 9th Symphony are organized in one part without breaks. Bedřich Smetana composed in 1874 his symphonic poem The Moldau (Vltava) (Figure 2411). Pettersson's 9th Symphony describes similar to Smetana's The Moldau Figure 38: 9th Symphony Motives in White Water Figure 39: 9th Symphony Runs in White Water Figure 40: 9th Symphony Drum Rhythm in White Water Figure 41: Musical description of Lake Vänern in 9th Symphony Figure 49: 9th Symphony Bar 4 + 5 Figure 50 represents the musical depiction of the First Source of Smetana's The Moldau. Figure 52: The Moldau Second Source cache = ./cache/work_g6rmv5gonzgrbo7b6caf5klbvm.pdf txt = ./txt/work_g6rmv5gonzgrbo7b6caf5klbvm.txt === reduce.pl bib === === reduce.pl bib === id = work_737vo6ecunbghogpx64zbmzl4a author = Michael Conner title = Michael Baxandall date = 2009 pages = 1 extension = .pdf mime = application/pdf words = 714 sentences = 38 flesch = 56 summary = Michael Baxandall, who has died aged 74, was an art historian of extraordinary perceptive and In 1958, Baxandall began formulating a thesis awarded a two-year fellowship at the Warburg lecturer in renaissance studies. Experience in Fifteenth-Century Italy (1972). social history of pictorial style", as he called early Renaissance pictures and the society in Baxandall's idea was that at different times and awarded the Mitchell prize for the history of art. By the time these latter works were published, Berlin, and been awarded prizes by the University The work of Gombrich on perception remained The most important publication of his later years, analyses of shadows with the pictorial practice Baxandall's last years were lived under the son Tom. Michael David Kighley Baxandall, art historian, Michael Baxandall Downloaded from https://www.cambridge.org/core. Carnegie Mellon University, on 06 Apr 2021 at 01:06:17, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://www.cambridge.org/core https://www.cambridge.org/core/terms cache = ./cache/work_737vo6ecunbghogpx64zbmzl4a.pdf txt = ./txt/work_737vo6ecunbghogpx64zbmzl4a.txt === reduce.pl bib === id = work_d5y4aqzokjcc3phil2x4tv2fo4 author = Wivestad, Stein title = Larsen, Rune Engelbreth,Renæssancen og humanismens rødder. Århus: Aarhus Universitetsforlag, 2006 date = 2007 pages = 6 extension = .pdf mime = application/pdf words = 2750 sentences = 186 flesch = 65 summary = Rune Engelbreth Larsen has studied religion and the history of ideas at Aarhus (and renaissances) of the idea of ―humanism‖ or ―a humanist view on human beings‖ historical new ideas that constitute the renaissance (340). different as Augustine, Kierkegaard (14), Human-Etisk Forbund in Norway (15), the idea of a ―new time‖ in the 14th century that distinguishes the Italian renaissance Larsen gives a broad picture of the Italian renaissance, starting in the 13th century renaissance were not accepted after the 16th century, and have been more or less the renaissance tendency in the history of ideas ―that places the human in the centre form has antique nude models and expresses renaissance ideas: individual will and reformation ―child‖ finds its form through new direct studies of the Christian sources. between the renaissance movement and the natural science from the 17th century humanism of the renaissance. "humanism" in the renaissance movement. Larsen wants a concept of humanism where ―the cache = ./cache/work_d5y4aqzokjcc3phil2x4tv2fo4.pdf txt = ./txt/work_d5y4aqzokjcc3phil2x4tv2fo4.txt === reduce.pl bib === id = work_6z57z7e2l5ayzmib67vv4ddere author = J Stokes title = Gordon Roy Cameron date = 1967 pages = 2 extension = .pdf mime = application/pdf words = 1769 sentences = 218 flesch = 79 summary = F.R.C.P., F.R.S. Roy Cameron was appointed Professor of Morbid years in the Graham research laboratories and his The war years at Porton, where Cameron worked basic problems in pathological reactions. time over 50 in all, including the Medical and Agricultural Research Councils. At this time his research laboratories Cameron believed, and proved, that good work was President of the College of Pathologists. HOWIE, President of the College of Pathologists, writes of Roy Cameron as Foundation Roy Cameron was the ideal man for Foundation President of our College, and he was very proud of holding Cameron was a man of great scientific distinction and of Although, even when he accepted office, his health was seriously and gave them a great deal of thought and study. made it very clear that the work he did for the College To us of this College it was a great thing that he gave us cache = ./cache/work_6z57z7e2l5ayzmib67vv4ddere.pdf txt = ./txt/work_6z57z7e2l5ayzmib67vv4ddere.txt === reduce.pl bib === id = work_s4hl3i2n3zer7dvhfqnl3l3lly author = Valentina Giuffra title = Diffuse idiopathic skeletal hyperostosis in the Medici, Grand Dukes of Florence (XVI century) date = 2009 pages = extension = .pdf mime = application/xml words = 144 sentences = 25 flesch = 71 summary = sys_1000 wp-p1m-38.ebi.ac.uk wp-p1m-38.ebi.ac.uk exception exception Params is empty Params is empty Params is empty if (typeof jQuery === "undefined") document.write('[script type="text/javascript" src="/corehtml/pmc/jig/1.14.8/js/jig.min.js"][/script]'.replace(/\[/g,String.fromCharCode(60)).replace(/\]/g,String.fromCharCode(62))); // // // window.name="mainwindow"; .pmc-wm {background:transparent repeat-y top left;background-image:url(/corehtml/pmc/pmcgifs/wm-nobrand.png);background-size: auto, contain} .print-view{display:block} Page not available Reason: The web page address (URL) that you used may be incorrect. Message ID: 218035139 (wp-p1m-38.ebi.ac.uk) Time: 2021/04/06 02:06:07 If you need further help, please send an email to PMC. Include the information from the box above in your message. Otherwise, click on one of the following links to continue using PMC: Search the complete PMC archive. Browse the contents of a specific journal in PMC. Find a specific article by its citation (journal, date, volume, first page, author or article title). http://europepmc.org/abstract/MED/ cache = ./cache/work_s4hl3i2n3zer7dvhfqnl3l3lly.pdf txt = ./txt/work_s4hl3i2n3zer7dvhfqnl3l3lly.txt === reduce.pl bib === id = work_6ymflzbwuvcqxbhxdgxvfaybne author = Konstantinos Moraitis title = The Cultural Landscape Past of the Eastern Mediterranean: The Border Lord's Gardens and the Common Landscape Tradition of the Arabic and Byzantine Culture date = 2018 pages = 12 extension = .pdf mime = application/pdf words = 7166 sentences = 431 flesch = 56 summary = The Cultural Landscape Past of the Eastern Mediterranean: The Border Lord's Gardens and the Common Landscape Tradition of the Arabic and Byzantine Culture to this common past, Byzantine and Arabic landscape and garden art paradigms appear to be geographically and culturally correlated, as proved by a Byzantine 12th century folksong, presenting This song refers to Vasilios Digenes Akritas or 'Border Lord', a legendary hero of a highly developed knowledge of landscape intervention existed in the Byzantine and Arab world, 3 The landscape formative activities described in the Border Lord's folksong that will be presented principally refer to experience and organizational knowledge, concerning landscape and garden formation practices. of history correlates the emergence of the garden and landscape formative practices with the The Eastern Genealogy of the Western Landscape and Garden Art The Eastern Genealogy of the Western Landscape and Garden Art A 'Border Lord' of Dual Origin and His Landscape Formative Activity cache = ./cache/work_6ymflzbwuvcqxbhxdgxvfaybne.pdf txt = ./txt/work_6ymflzbwuvcqxbhxdgxvfaybne.txt === reduce.pl bib === id = work_oryf7qhulnfyddxsq7qqmbyfse author = Janet Levarie Smarr title = Albert Russell Ascoli A Local Habitation and a Name: Imagining Histories in the Italian RenaissanceA Local Habitation and a Name: Imagining Histories in the Italian Renaissance. Albert Russell Ascoli. New York: Fordham University Press, 2011. Pp. x+387 date = 2013 pages = 6 extension = .pdf mime = application/pdf words = 1549 sentences = 81 flesch = 59 summary = This volume is a collection of nine essays on canonical authors of the Italian Renaissance: Petrarch, Boccaccio, Machiavelli, Ariosto, and Tasso. Machiavelli's Clizia, for example, refers to the one on Boccaccio's Decameron 7.9, a tale which furnished discussions, strewn throughout the volume, on the interrelatedness of literature and history, fiction and by Petrarch's readings of other texts, provides a splemdid introduction to the theoretical heart of Ascoli's The first of two essays on Boccaccio similarly reflects on how that writer has been situated In the final essay, Tasso, like the other writers but in his own manner, confronts the unresolved place of his own poetry between imaginatively remembered history and historically situated fiction. first essay, as Petrarch addresses his letter to a person who is no longer there; both poets leave us Auerbach," "Machiavelli's Gift of Counsel" and "Ariosto's 'Fier pastor'," it offers us Ascoli's Italian cache = ./cache/work_oryf7qhulnfyddxsq7qqmbyfse.pdf txt = ./txt/work_oryf7qhulnfyddxsq7qqmbyfse.txt === reduce.pl bib === === reduce.pl bib === id = work_me7apg3jtvcn7m64klo5u5u7rm author = Sebastião Gusmão title = Evandro de Oliveira: From Anatomy to Science and the Art of Microneurosurgery date = 2019 pages = 3 extension = .pdf mime = application/pdf words = 2355 sentences = 155 flesch = 59 summary = Evandro de Oliveira: From Anatomy to Science It is classic to state: medicine is science and art. to art meaning technique acquisition, practical knowledge the Therefore, medicine and surgery are old as art but new as science. in medicine, the narrow relation between science and art Using his extensive and intensive laboratory work he created Microneurosurgery, allowing us to perform miniature art, under microscopic preliminary requirement to enter into the science and art of It is for sure a sacred temple for science and art in microneurosurgery. With passion, Evandro took his work to the edges of perfection, turning into pure art. acquire the mastery in science and art of microneurosurgery. on the art that the doctor applies with scientific knowledge. even worse, thus requiring refined science and art. most difficult requirement to be acquired in the art of surgery. Evandro de Oliveira extensively contributed to the establishment of the art and science of microneurosurgery. cache = ./cache/work_me7apg3jtvcn7m64klo5u5u7rm.pdf txt = ./txt/work_me7apg3jtvcn7m64klo5u5u7rm.txt === reduce.pl bib === id = work_rwgjb345uvewhm5mvv6nleheze author = Amelia Carolina Sparavigna title = Portraits Of Leonardo Da Vinci date = 2011 pages = 7 extension = .pdf mime = application/pdf words = 3740 sentences = 1301 flesch = 94 summary = The famous self-portrait in red chalk (Figure 1) will be on the Flight of Birds, as the self-portrait in red chalk, is usually held at The up-left panel of Figure 2 shows the drawing in the Leonardo's Comparing this drawing with the Leonardo self-portrait in red chalk, new image is shown in Figure 2, up-right panel. try to compare with the self-portrait in red chalk (Fig.1). where Leonardo looks younger than in the self-portrait of Figure 1. Fig.1 Leonardo's portrait in red chalk Raphael based the Plato's face on the features of Leonardo da Vinci the image processing of the two Leonardo' self-portraits, with the Raphael's portrait (Figure 4), that is, the image of Plato. is depicting a self-portrait, he is looking at the face in a mirror. it is another artist depicting the portrait, he is looking at the face It is thought that Leonardo drew the self-portrait in red chalk at cache = ./cache/work_rwgjb345uvewhm5mvv6nleheze.pdf txt = ./txt/work_rwgjb345uvewhm5mvv6nleheze.txt === reduce.pl bib === id = work_tat5nea3cjhgpagdc7bbvbdlay author = Stefano Gambari title = "You will be richer, but I very much doubt that you will be happier". Antonio Panizzi professor in London, 1828-1831 date = 2020 pages = 16 extension = .pdf mime = application/pdf words = 9452 sentences = 750 flesch = 65 summary = The paper offers an overview of the complex, not easy period in which Antonio Panizzi was teaching at London University Italian language; Italian grammar; Italian literature; Teaching materials for italian; University of London; Antonio Panizzi. An Elementary Italian Grammar for the Use of Students in the London University is a short, basic 29 Extracts from the Italian Prose Writers for the Use of Students in the London University. Still in 1828, Panizzi publishes Extracts from the Italian Prose Writers for the Use of Students in the 58 Antonio Panizzi, Extracts from the Italian Prose Writers, cit., p. 58 Antonio Panizzi, Extracts from the Italian Prose Writers, cit., p. 91 Antonio Panizzi, Stories from Italian Writers with a literal interlinear translation,on the plan recommended by Mr. Locke Italian Writers, by Panizzi, consisting of a selection of the passages published in Extracts from the Writers.) [With notes, largely extracted from Panizzi's "Elementary Italian Grammar"]. cache = ./cache/work_tat5nea3cjhgpagdc7bbvbdlay.pdf txt = ./txt/work_tat5nea3cjhgpagdc7bbvbdlay.txt === reduce.pl bib === === reduce.pl bib === === reduce.pl bib === === reduce.pl bib === id = work_6s4msdtx4vfczafcudxtckassi author = Michael Angold title = George Gemistos Plethon C. M. Woodhouse: George Gemistos Plethon. The Last of the Hellenes. Pp. xxi + 391. Oxford: Clarendon Press, 1986. £40 date = 1988 pages = 10 extension = .pdf mime = application/pdf words = 2945 sentences = 655 flesch = 77 summary = Basarab, Die Kirche als Verkünderin und Auslegerin der Heiligen Schrift . Basarab, Die Kirche als Verkünderin und Auslegerin der Heiligen Schrift . der Exilsrussen auf der einen Seite und völlig ablehnende Kritik für die theologische A r Dieses Buch stellt im Grunde eine Abrechnung mit der Zoi-Bewegung dar und läßt deshalb zeitweilig an Objektivität zu wünschen übrig. In dieser Hinsicht ist das Buch von Yannaras ein einmaliges, unwiderlegbares und lesenswertes »Zeugnis«. die Ansicht, daß es zwar viele Monographien übeverschiedene Aspekte des Lebens und des Werkes Plethons gibt, aber »there der Litentur nicht anführt, befaßt sich mit dem Leben und dem Werk Plethons, auch Es fällt jedoch bei den Schriften Plethons auf, daß der Autor Den Wendepunkt für die Zulegung des Namens Plethon erblickt der Verfasser Diese Einteilung des Werkes und die Benennung der beiden Teile widerspricht übrigens auch der Verwendung der Namen durch W. Der Dialog und die cache = ./cache/work_6s4msdtx4vfczafcudxtckassi.pdf txt = ./txt/work_6s4msdtx4vfczafcudxtckassi.txt === reduce.pl bib === id = work_npormd7kbzcmxhkxpufdqjc2re author = C. Pisu title = CLOUD GIS AND 3D MODELLING TO ENHANCE SARDINIAN LATE GOTHIC ARCHITECTURAL HERITAGE date = 2013 pages = 6 extension = .pdf mime = application/pdf words = 4877 sentences = 376 flesch = 59 summary = SARDINIAN LATE GOTHIC ARCHITECTURAL HERITAGE KEY WORDS: Cloud Computing, 3D Modelling, Photo-Modelling, Web GIS, Late Gothic Architecture, Sardinia. This work proposes the documentation, virtual reconstruction and spreading of architectural heritage through the use of software documentation tools in order to study a particular architectural phenomenon. multi-layer information system, oriented to the divulgation of Sardinian late gothic architecture. portals of late Gothic architecture in Sardinia. The applications of digital technologies on cultural heritage Web GIS and 3D modelling are valid instruments to document method to build 3D models to be used in cognitive-information Modeling) software in order to create detailed models of the portals, obtained from a set of unordered photos. Example of portals: a) pointed arch, San Pietro building, 3D model of the portal. application created for sharing data organized in tables. Example of one of the studied buildings: model of the the models in the 3D buildings layer in Google Earth, after cache = ./cache/work_npormd7kbzcmxhkxpufdqjc2re.pdf txt = ./txt/work_npormd7kbzcmxhkxpufdqjc2re.txt === reduce.pl bib === === reduce.pl bib === id = work_2fcjnshhyrbvtjjp5auvwein7m author = Gino Fornaciari title = A great enigma of the Italian Renaissance: paleopathological study on the death of Giovanni dalle Bande Nere (1498–1526) and historical relevance of a leg amputation date = 2014 pages = 7 extension = .pdf mime = application/pdf words = 3501 sentences = 323 flesch = 56 summary = Background: The Medici project consisted in archeological and paleopathological researches on some members of The remains of Giovanni de' Medici, so-called "dalle Bande Nere" (Forlì The enigma of the fatal injury and leg amputation of the famous Captain excited curiosity of paleopathologists, medical scientists and Italian Society of Orthopedic and Traumatology which contributed to realize the project of exhumation and study of his skeletal remains. Case presentation: The tomb of Giovanni and his wife Maria Salviati was explored and the skeletal remains were Keywords: Giovanni dalle Bande Nere, Leg amputation, Paleopathology The Medici Project (2004–2007) consisted in the exhumation, exploration and paleopathological investigations on Figure 1 Portrait of Giovanni dalle Bande Nere (1498–1526) Skeletal remains of Giovanni dalle Bande Nere and his Skeletal remains of Giovanni dalle Bande Nere appeared Giovanni dalle Bande Nere is a central figure of the Italian study on Giovanni dalle Bande Nere revealed interesting cache = ./cache/work_2fcjnshhyrbvtjjp5auvwein7m.pdf txt = ./txt/work_2fcjnshhyrbvtjjp5auvwein7m.txt === reduce.pl bib === === reduce.pl bib === === reduce.pl bib === id = work_bjxsnu4df5atjofgccv3yfulfy author = G Pappalardo title = Non-destructive characterization of Della Robbia sculptures at the Bargello museum in Florence by the combined use of PIXE and XRF portable systems date = 2004 pages = 6 extension = .pdf mime = application/pdf words = 4039 sentences = 482 flesch = 79 summary = the Bargello museum in Florence by the combined use of PIXE and XRF "In situ" non-destructive characterization of the blue pigments present in the ceramic glazes of Della Robbia sculptures have been carried PIXE and XRF portable systems have been used to determine the matrix composition and the Keywords: PIXE-alpha; XRF; Portable systems; Non-destructive characterization; Della Robbia sculptures; Ceramic glazes; In situ measurements use of PIXE and XRF portable techniques to determine in the Compar ison between measured and certified values (SCO-1 petrological standard) in the PIXE-alpha analysis Na2O MgO Al2O3 SiO2 P2O5 K2O CaO TiO2 Fe(III) tot Compar ison between measured and certified values (various glass standards) in PIXE-alpha and XRF analysis Natività of Giovanni Della Robbia (Barg10), the sculpture glazes from terracotta sculptures of the Della Robbia workshop, Non-destructive characterization of Della Robbia sculptures at the Bargello museum in Florence by the combined use of PIXE and XRF portable systems cache = ./cache/work_bjxsnu4df5atjofgccv3yfulfy.pdf txt = ./txt/work_bjxsnu4df5atjofgccv3yfulfy.txt === reduce.pl bib === === reduce.pl bib === id = work_fq2a3cktdfcprfdssk3v3j4kgy author = Imogen Tedbury title = Collaboration and Correction: Re-examining the Writings of Lucy Olcott Perkins, 'a lady resident in Siena' date = 2019 pages = extension = .pdf mime = text/html words = 578 sentences = 88 flesch = 63 summary = 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. cache = ./cache/work_fq2a3cktdfcprfdssk3v3j4kgy.pdf txt = ./txt/work_fq2a3cktdfcprfdssk3v3j4kgy.txt === reduce.pl bib === id = work_v4mj6zift5dg7on5n2atqes6ve author = LEO CATANA title = THE CONCEPT "SYSTEM OF PHILOSOPHY": THE CASE OF JACOB BRUCKER'S HISTORIOGRAPHY OF PHILOSOPHY1 date = 2005 pages = 41 extension = .pdf mime = application/pdf words = 11425 sentences = 859 flesch = 62 summary = Leo Catana, 'The Concept "System of Philosophy": The Case of Jacob Brucker's The concept "system of philosophy" in Jacob Brucker's this concept, "system of philosophy", for this reason is more central to Brucker's history of philosophy (historia philosophiae).7 What, then, does Brucker mean by concord with Brucker's above definition of philosophy, philosophers make use of past philosophers possess the concept "system of philosophy" at all? Brucker's concept "system of philosophy". 44 The periodization is briefly explained in BRUCKER, Historia critica philosophiae, vol. 45 The first period is described in BRUCKER, Historia critica philosophiae, vol. 54 For the second part of the third period, see BRUCKER, Historia critica philosophiae, vol. of philosophy" which strongly suggest that Brucker's concept of eclecticism is the philosopher's conception of a new philosophy. For Brucker's treatment of Bruno's philosophy, see ibid., vol. philosophers possessed Brucker's concept "system of philosophy" as a cache = ./cache/work_v4mj6zift5dg7on5n2atqes6ve.pdf txt = ./txt/work_v4mj6zift5dg7on5n2atqes6ve.txt === reduce.pl bib === id = work_ftqims6p5vectppgruh3db4hx4 author = Jo Ann Cavallo title = Stephen Kolsky.The Ghost of Boccaccio: Writings on Famous Women in Renaissance Italy.. Late Medieval and Early Modern Studies 7. Turnhout: Brepols Publishers, 2005. x + 254 pp. index. append. illus. bibl. €60. ISBN: 2-503-52190-8 date = 2006 pages = 4 extension = .pdf mime = application/pdf words = 1071 sentences = 77 flesch = 56 summary = The Ghost of Boccaccio: Writings on Famous Women in Renaissance Italy The Ghost of Boccaccio: Writings on Famous Women in Renaissance Italy The Ghost of Boccaccio: Writings on Famous Women in Renaissance Italy by Stephen Kolsky Published by: The University of Chicago Press on behalf of the Renaissance Society of America The University of Chicago Press and Renaissance Society of America are collaborating with JSTOR to digitize, The Ghost of Boccaccio: Writings on Famous Women in The Ghost of Boccaccio originated with Stephen Kolsky's studies of Mario books on Equicola, Boccaccio's De mulieribus claris, and the north Italian courts. of female virtue with an openness toward the greater agency of women in the north for Eleonora's daughter, Isabella d'Este, criticized convention and official institutions as artificial constructs stifling female activity, and he provided "examples of In sum, Kolsky's engaging study shows that writings on women that appeared cache = ./cache/work_ftqims6p5vectppgruh3db4hx4.pdf txt = ./txt/work_ftqims6p5vectppgruh3db4hx4.txt === reduce.pl bib === id = work_fd3cvpjtmbg3diaabq64drrwoy author = David Malkiel title = Renaissance in the Graveyard: The Hebrew Tombstones of Padua and Ashkenazic Acculturation in Sixteenth-Century Italy – CORRIGENDUM date = 2014 pages = 1 extension = .pdf mime = application/pdf words = 600 sentences = 153 flesch = 78 summary = In AJS Review 37.2, the abstract to David Malkiel's "Renaissance in the Graveyard: The Hebrew Tombstones of Padua and Ashkenazic Acculturation in In AJS Review 37.2, the abstract to David Malkiel's "Renaissance in the Graveyard: The Hebrew Tombstones of Padua and Ashkenazic Acculturation in Sixteenth-Century Italy" (page 333) was published with errors. Here is the corrected version.Abstract: The acculturation of Ashkenazic Jews in Italy is the focus of the present discussion. The literary features of the inscriptions indicate a shift from a preference for epitaphs written in prose, like those of medieval Germany, to epitaphs in the form of Italian Jewry's occasional poetry. The lettering, too, presents a shift from the constituency's medieval Ashkenazic origins to its Italian setting. These developments are situated in the broader context of Italian Jewish art and architecture, while the literary innovations are shown to reflect the revival of the epigram among poets of the Italian Renaissance. cache = ./cache/work_fd3cvpjtmbg3diaabq64drrwoy.pdf txt = ./txt/work_fd3cvpjtmbg3diaabq64drrwoy.txt === reduce.pl bib === === reduce.pl bib === id = work_2hnsj5pbofa3rpnjg7kat4meca author = Alison M. Harris title = Prosopagnosia date = 2007 pages = 2 extension = .pdf mime = application/pdf words = 1641 sentences = 126 flesch = 59 summary = research in a number of areas create new knowledge. face-blindness, is an impairment individuals by their faces, in face recognition, known as in face perception and social difficulties in object recognition, on non-face visual cues, such as reflecting damage to a cognitive face recognition was nonetheless faces and other objects. the candle-lit painting appears same painting illuminated with specifically, the glow of the gold glow effect when lit by candles, the eye to fixate in a different part less at the faces of the Angel faces (looking at them directly eyes could have been directed of 'glowing' gold to direct the experiment, however, eye visual image of faces. for faces is not specific to impairment for faces versus other object classes in prosopagnosic Disorders of face What is special about face What cognitive systems are affected in prosopagnosia? What neural systems are affected in prosopagnosia? Aren't faces just harder to recognize? cache = ./cache/work_2hnsj5pbofa3rpnjg7kat4meca.pdf txt = ./txt/work_2hnsj5pbofa3rpnjg7kat4meca.txt === reduce.pl bib === id = work_lask4pvip5fixdb6uf4extrktm author = Henrik Karge title = 'Projecting the future in German art historiography of the nineteenth century: Franz Kugler, Karl Schnaase, and Gottfried Semper' date = 2013 pages = 26 extension = .pdf mime = application/pdf words = 8616 sentences = 756 flesch = 66 summary = 25 For more about the interrelations of both art historians see: Karge, 'Franz Kugler und Karl Schnaase'. century: Franz Kugler, Karl Schnaase, and Gottfried Semper century: Franz Kugler, Karl Schnaase, and Gottfried Semper century: Franz Kugler, Karl Schnaase, and Gottfried Semper century: Franz Kugler, Karl Schnaase, and Gottfried Semper century: Franz Kugler, Karl Schnaase, and Gottfried Semper century: Franz Kugler, Karl Schnaase, and Gottfried Semper century: Franz Kugler, Karl Schnaase, and Gottfried Semper century: Franz Kugler, Karl Schnaase, and Gottfried Semper century: Franz Kugler, Karl Schnaase, and Gottfried Semper century: Franz Kugler, Karl Schnaase, and Gottfried Semper century: Franz Kugler, Karl Schnaase, and Gottfried Semper century: Franz Kugler, Karl Schnaase, and Gottfried Semper century: Franz Kugler, Karl Schnaase, and Gottfried Semper century: Franz Kugler, Karl Schnaase, and Gottfried Semper century: Franz Kugler, Karl Schnaase, and Gottfried Semper century: Franz Kugler, Karl Schnaase, and Gottfried Semper century: Franz Kugler, Karl Schnaase, and Gottfried Semper cache = ./cache/work_lask4pvip5fixdb6uf4extrktm.pdf txt = ./txt/work_lask4pvip5fixdb6uf4extrktm.txt === reduce.pl bib === === reduce.pl bib === id = work_c7vjtdazr5fqtgcze6uovmhwzm author = Natasha Kurchanova title = Khishchnyi Glaz: Novye ocherki po arkheologii vizual΄nosti. By Aleksei Kurbanovskii. St. Petersburg: Izdatel΄stvo "ARS," 2015. 311 pp. Appendix. Bibliography. Index. Plates. Photographs. RUB 800, hard bound date = 2018 pages = 2 extension = .pdf mime = application/pdf words = 1149 sentences = 65 flesch = 53 summary = the tribulations of Russian language use, discursive trends, and language policies in discourse of western art history, and it incorporates Russia into this discourse. weaves a chronologically-arranged narrative out of leading art historical and critical trends that have become commonplace in the field in the past thirty years. The logic of the narrative follows the principle of dualistic opposites, formulated as "textual" versus "visual" art, following Alpers, or as the discerning gaze While the book deserves praise for an original and insightful summary of major theoretical trends in art history, it short-circuits on account of what centuries are dedicated to Russian art, the last, most pessimistic, "end of art" chapter is devoid of concrete examples of contemporary Russian art, as if it does not exist or According to the publisher's note, the book is the continuation of the author's cache = ./cache/work_c7vjtdazr5fqtgcze6uovmhwzm.pdf txt = ./txt/work_c7vjtdazr5fqtgcze6uovmhwzm.txt === reduce.pl bib === id = work_i76yt642ujezlfkcjljtu3dpeu author = Sylvia Daunert title = The scientists of today: revisiting Leonardo in a global environment date = 2008 pages = 3 extension = .pdf mime = application/pdf words = 2512 sentences = 240 flesch = 47 summary = The scientists of today: revisiting Leonardo Throughout history, scientists have been instrumental in contributing to the advancement of human society at the time was that unless a scientist was highly specialized Department of Chemistry, College of Arts and Sciences, living in a diverse and global society, a fact that is ever true Education and Research Traineeship (IGERT) program to the "free movement" of scientists across borders has contributed to the creation of new programs, and has impacted initiatives focusing on globalization have aimed at providing international educational/research opportunities for the Developing Global Scientists and Engineers program, from the 20 European members of the CERN, scientists, together globally and integrating current knowledge stemming from diverse areas of science and technology. Analytical and Bioanalytical Chemistry publishes Journal, this issue showcases current research by the The scientists of today: revisiting Leonardo in a global environment The scientists of today: revisiting Leonardo in a global environment cache = ./cache/work_i76yt642ujezlfkcjljtu3dpeu.pdf txt = ./txt/work_i76yt642ujezlfkcjljtu3dpeu.txt === reduce.pl bib === === reduce.pl bib === id = work_y75ooidbbfbw5oejxtiqsmemhy author = Paul F. Grendler title = Jesuit Schools in Europe. A Historiographical Essay date = 2014 pages = 19 extension = .pdf mime = application/pdf words = 8793 sentences = 642 flesch = 63 summary = The article surveys recent scholarship on Jesuit schools and universities in Europe The Jesuits oversaw and taught in boarding schools for noble boys with considerable Jesuits – schools – universities – Laínez – humanism – mathematics – boarding Jesuit schools contributed to the common good by educating future Subsequent Jesuits emphasized the goal of improving civil society and educating boys to take their place in that world even more strongly. years, wrote that a Jesuit humanities education would instruct noble youths so taught in Jesuit schools would serve the Christian state (repubblica christiana). Jesuit acceptance of secular educational goals, including enabling boys to earn a living, paralleled the Society's The vast majority of Jesuit schools taught moral theology or cases of conscience (casuistry); the two were not quite identical, according to the Ratio. Jesuits to create a large number of schools and universities in the New World. cache = ./cache/work_y75ooidbbfbw5oejxtiqsmemhy.pdf txt = ./txt/work_y75ooidbbfbw5oejxtiqsmemhy.txt === reduce.pl bib === id = work_caqpdvdtuzb5xbtde2wwhgd4ym author = Maria João Bravo Lima Delgado title = The Contribution of Regional Costume in Fashion date = 2015 pages = 8 extension = .pdf mime = application/pdf words = 3629 sentences = 237 flesch = 54 summary = Portugal, through partnerships based on a co-creative work, transparency and complicity of players designers, craftsmen, users, fashion, with a view to promoting national cultural identity while satisfying the needs of economic and social sustainability of the Keywords: Fashion, Handicraft, Regional Costume, Tradition, Co-design. Modernity in craftwork tradition fosters the development of new products that answer the current fashion trends. ancestral values and it's techniques to create a creativity space, innovation, design and tradition that associates establishing fashion products in Portugal, through partnerships based on a co-creation work, transparency and industry, promotes social, cultural and humane dimension of national traditions, contributing to the process of design creating innovative products in fashion, based on references of traditional Portuguese culture. based on the development of fashion products from traditional culture. importance of this symbolism in regional costumes can have the success of its fashion products, hire designers to cache = ./cache/work_caqpdvdtuzb5xbtde2wwhgd4ym.pdf txt = ./txt/work_caqpdvdtuzb5xbtde2wwhgd4ym.txt === reduce.pl bib === id = work_c5qxoeff2faibmot6yx2c4l5la author = Andrea Rizzi title = Massimo Rospocher, Il papa guerriero: Giulio II nello spazio pubblico europeo, Bologna, Il Mulino, 2015 date = 2017 pages = 4 extension = .pdf mime = application/pdf words = 1554 sentences = 81 flesch = 49 summary = between scribal and print, oral and written cultures in medieval and early modern Italy, Massimo Rospocher's new study is an outstanding contribution in this line of Abingdon: Routledge, 2016); "Oral Culture in Early Modern Italy: Performance, Language, HORODOWICH, Language and Statecraft in Early Modern Venice (New York: Cambridge University Press, 2008) and "Speech and Oral Culture in Early Modern Europe and Beyond", special issue of The Journal recent studies on orality, print, and performance in early modern Italy see Interactions Between Orality, 22street performances, processions, and scribal and printed texts promoted the notion The second part of Rospocher's study focuses on the anti-papal propaganda Rospocher demonstrates powerfully how early Cinquecento political propaganda was unpredictable nature of the early modern public space (22-25). early modern Western cultures, between official and ephemeral communication, more nuanced approach to the study of early modern texts and artefacts. cache = ./cache/work_c5qxoeff2faibmot6yx2c4l5la.pdf txt = ./txt/work_c5qxoeff2faibmot6yx2c4l5la.txt === reduce.pl bib === === reduce.pl bib === id = work_4ffmtdl4hfhedga3v745ot5gge author = Ljubov Marsova title = Homosexualita a staré umění: poznámky k interpretaci mužských renesančních portrétů date = 2020 pages = 13 extension = .pdf mime = application/pdf words = 5110 sentences = 687 flesch = 71 summary = Homosexuality and Old Art: Notes to Interpretation of Male Portraits of Renaissance Keywords: Portraits; Renaissance; homosexuality; Italy; art history; paintings; sexuality; o to, co se vnímá jako homosexualita při uvažování o uměleckém díle a co tak bylo vnímáno šest staletí před tím. stejné pohledy, oblečení a jiné věci, které jsou dnes považovány za „symboly" homosexuality, nemusely být vnímané stejně člověkem minulosti. Klíčovým momentem pro pochopení homosexuality je vědomí toho, že homosexualita jako taková ve starší době vlastně vůbec neexistovala. toho, zda pro určité bádání bude použito pojetí „autora", je každopádně velice důležité, portrétu.12 Publikace Armandea Maggiho, primárně profesora literatury a dějin středověké italské kultury, jsou přínosné i pro renesanční umění, a to v tom smyslu, že dává Interpretace veršů viz také Liubov Marsova, Přátelské portréty v italském renesančním malířství (diplomová práce), Ústav pro dějiny umění FF UK v Praze, Praha 2017, s. rovněž ve výtvarném umění, například pro žánr portrétu. cache = ./cache/work_4ffmtdl4hfhedga3v745ot5gge.pdf txt = ./txt/work_4ffmtdl4hfhedga3v745ot5gge.txt === reduce.pl bib === id = work_hb7b563idff4poltgemv2idvtu author = Francesco Carelli title = Brueghel: his art and his syndrome date = 2017 pages = extension = .pdf mime = text/html words = 422 sentences = 81 flesch = 68 summary = Brueghel: his art and his syndrome | Semantic Scholar Semantic Scholar's Logo Corpus ID: 5219594Brueghel: his art and his syndrome title={Brueghel: his art and his syndrome}, journal={London Journal of Primary Care}, Medicine, Art London Journal of Primary Care They are able to embody as one, like as nobody before or after them, the style and trends of more than a century of history of art. Topics from this paper Citation Type Citation Type Cites Background Sort by Most Influenced Papers Sort by Citation Count Blepharospasm-oromandibular dystonia syndrome (Brueghel's syndrome). View 3 excerpts, references background Related Papers Related Papers Stay Connected With Semantic Scholar About Semantic Scholar Semantic Scholar is a free, AI-powered research tool for scientific literature, based at the Allen Institute for AI. By clicking accept or continuing to use the site, you agree to the terms outlined in our Privacy Policy, Terms of Service, and Dataset License ACCEPT & CONTINUE cache = ./cache/work_hb7b563idff4poltgemv2idvtu.pdf txt = ./txt/work_hb7b563idff4poltgemv2idvtu.txt === reduce.pl bib === id = work_bbhokuosizgh7pjgvvko2g3lre author = Ulrich Bröckling title = On Creativity: A brainstorming session date = 2006 pages = 10 extension = .pdf mime = application/pdf words = 4247 sentences = 329 flesch = 58 summary = artefacts and interpretations, hence all products of creative investigation, formation, generation of meaning, possess no necessary existential grounding. This fact comprises determination of those capable of and called on for creative action (the gods or God, and human beings as justifications of creative action: pedagogic (the personality's unfolding), therapeutic (fantasy's healing powers), economic (competitive advantages through innovation), and political (the well-ordered commonweal). For this conceptual model, creativity is concretely situated; it responds to challenges demanding solutions that are both new and fitting: an approach exemplarily embodied here means liberating action, a radical new invention of social structure: the human Creativity evokes, fifth, life-connected associations: metaphors of birth and generation, but also of biological evolution. creativity programs: they offer cultural techniques meant to lead one back to a useless—what is creative is the new that prevails (Sternberg & Lubart, 1991). need to always offer something new', complains the creative individual, 'then I'd The Creativity of Action cache = ./cache/work_bbhokuosizgh7pjgvvko2g3lre.pdf txt = ./txt/work_bbhokuosizgh7pjgvvko2g3lre.txt === reduce.pl bib === === reduce.pl bib === id = work_bbhvsazkxzavhcgvimv2lgz3fe author = Assad Meymandi title = Humanity, what will you choose-ominous impotence or omnipotence? date = 2010 pages = extension = .pdf mime = application/xml words = 144 sentences = 25 flesch = 71 summary = sys_1000 wp-p1m-39.ebi.ac.uk wp-p1m-39.ebi.ac.uk exception exception Params is empty Params is empty Params is empty if (typeof jQuery === "undefined") document.write('[script type="text/javascript" src="/corehtml/pmc/jig/1.14.8/js/jig.min.js"][/script]'.replace(/\[/g,String.fromCharCode(60)).replace(/\]/g,String.fromCharCode(62))); // // // window.name="mainwindow"; .pmc-wm {background:transparent repeat-y top left;background-image:url(/corehtml/pmc/pmcgifs/wm-nobrand.png);background-size: auto, contain} .print-view{display:block} Page not available Reason: The web page address (URL) that you used may be incorrect. 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Find a specific article by its citation (journal, date, volume, first page, author or article title). http://europepmc.org/abstract/MED/ cache = ./cache/work_bbhvsazkxzavhcgvimv2lgz3fe.pdf txt = ./txt/work_bbhvsazkxzavhcgvimv2lgz3fe.txt === reduce.pl bib === id = work_zycg6gymcvamxosqe6jv6j4zoq author = Victor Ginsburgh title = Persistence and fashion in art Italian Renaissance from Vasari to Berenson and beyond date = 2006 pages = 31 extension = .pdf mime = application/pdf words = 10806 sentences = 905 flesch = 74 summary = entries in seven famous art histories, spread over time from Vasari to the end of the 20th should be ranked."6 Culture and art result from material production (artists, of art historians that we use as "experts" to evaluate Italian Renaissance artists from quite large consensus in the ranking of artists over time. 12 Is also considered as painter an artist who devoted (sometimes a large part of his) time to other Art.13 This makes for a list of 253 artists14 for whom we went again through Vasari's For Burckhardt, Berenson23 and Chastel, we collected the number of times each artist Novella church in Florence that Vasari and many art historians after him had art historians who have written the entries on Italian Renaissance artists in the 34 Every row considers the 56 artists ranked first by the art historian whose name appears in the row and cache = ./cache/work_zycg6gymcvamxosqe6jv6j4zoq.pdf txt = ./txt/work_zycg6gymcvamxosqe6jv6j4zoq.txt === reduce.pl bib === === reduce.pl bib === id = work_g74m2o2prrc23gagfihi3yusfu author = Jonathan Katz Nelson title = Risky Business: Commissioning Portraits in Renaissance Italy date = 2019 pages = 22 extension = .pdf mime = application/pdf words = 7589 sentences = 500 flesch = 65 summary = The reputation of the painting, artist, and presumably the patron, suffered. Francesco del Giocondo commissioned a portrait of his wife, (Mona) Lisa, which has become the applies when probabilities are unknown, such as whether a patron will approve a commissioned portrait. Most documented criticisms of Italian Renaissance portraits that disappointed their patrons Risks to Italian Renaissance artists were inextricably linked to those of their patrons. When the quality of a Renaissance portrait, or any other work of art, was deemed unacceptable, patron's reputation, and thus the ability to commission works from artists in great demand. Patrons were surely aware of the risks when they commissioned paintings and sculptures. Portraits of particular individuals were sometimes removed at a patron's request from works that probable reaction of Francesco del Giocondo to Leonardo's portrait of his wife, (Mona) Lisa. Such were the risks in commissioning a portrait in Renaissance Italy. cache = ./cache/work_g74m2o2prrc23gagfihi3yusfu.pdf txt = ./txt/work_g74m2o2prrc23gagfihi3yusfu.txt === reduce.pl bib === === reduce.pl bib === id = work_tjca5n7vpba2zdlv7ffnxjq2hu author = Raúl Martínez Martínez title = Bruno Zevi, the Continental European Emissary of Geoffrey Scott's Theories date = 2019 pages = 25 extension = .pdf mime = application/pdf words = 9388 sentences = 664 flesch = 51 summary = that the American art historian Bernard Berenson, his pupil, the English architectural historian Geoffrey Scott, and, potentially, the American architect Frank Its focus is to reveal the lineage beginning with Bernard Berenson, continuing with Geoffrey Scott and developing further with Bruno Zevi. outlined by Berenson in 1883 in 'A Word for Renaissance Churches,'8 a littleknown, yet seminal essay that proposed an incipient interpretation of architecture in terms of space, described from the point of view of the aesthetic spectator (Fig. 1). Zevi's original reading and modern interpretation of Scott's text paved a foundation upon which he would build his life's work. Zevi began fostering this relationship between architectural practice and critical thought in Saper vedere l'architettura (1948). In another chapter of Verso un'architettura organica, Zevi justified the reasons that led Italy to reject modern architecture based on two The strong correlation between Scott's fallacies and Zevi's books demonstrated the applicability of The Architecture of Humanism throughout diverse cache = ./cache/work_tjca5n7vpba2zdlv7ffnxjq2hu.pdf txt = ./txt/work_tjca5n7vpba2zdlv7ffnxjq2hu.txt === reduce.pl bib === id = work_zrzfcdrkb5gmxgocdyvstk62wq author = Erin J. Campbell title = Listening to objects: an ecological approach to the decorative arts date = 2014 pages = 23 extension = .pdf mime = application/pdf words = 11601 sentences = 722 flesch = 57 summary = Housekeeping: Objects and Agency within the Early Modern Italian Domestic Interior,' in G. Frank, The Theory of Decorative Art, New Haven and London: Yale University Press, 2001, 1vital materialism, object agency and human/non-human intra-activity in the work of 9 E.H. Gombrich, The Uses of Images: Studies in the Social Function of Art and Visual The decorative arts and the early modern domestic interior decorative arts in the domestic interior are modern and early modern writings that contextualises objects within the spaces of the home as part of the social history of To craft a new ecological approach to the early modern domestic interior that constituting the social world of home, Ingold's concept of meshwork allows scholars of the decorative arts to approach their objects of study from a phenomenological The ecological approach to the decorative arts considers space as part of the to an understanding of the home as an environment is to see objects, spaces, and cache = ./cache/work_zrzfcdrkb5gmxgocdyvstk62wq.pdf txt = ./txt/work_zrzfcdrkb5gmxgocdyvstk62wq.txt === reduce.pl bib === id = work_es5wgnmjdjemvobxhxrsjtdhyi author = Caterina Cardamone title = Varietas, Mediocritas and Annehmlichkeit: The Reception of the Classical Tradition in the Work of Josef Frank and Its Viennese Context date = 2020 pages = 21 extension = .pdf mime = application/pdf words = 10611 sentences = 1096 flesch = 64 summary = Varietas, Mediocritas and Annehmlichkeit: The Reception of the Classical Tradition in the Work of Josef Frank and Its Viennese Context of the Classical Tradition in the Work of Josef Frank and Its Viennese Context. Frank's continuous reflection on the Renaissance tradition is part of the contemporary debate on modern architecture in Vienna and in German-speaking countries. The relationship between Frank's education in Renaissance architecture and his later work has rarely been tackled in studies writings, varietas, mediocritas and Annehmlichkeit, substantially influenced Frank's approach to modern architecture. in Vienna had a decisive influence after WWI on the generation that reflected on the meaning and scope of modern architecture, and their teacher, König, and his assistant, Max Fabiani (1865–1962), played an important role In the 1920s, Lurje's and Strnad's affinity for highly intellectualised references to the classical world does not correspond to a similar search in Frank's work (Figures 19 cache = ./cache/work_es5wgnmjdjemvobxhxrsjtdhyi.pdf txt = ./txt/work_es5wgnmjdjemvobxhxrsjtdhyi.txt === reduce.pl bib === === reduce.pl bib === id = work_wdkwaratwfb7rkoeqx43oagjui author = Denitza Nedkova title = Grammatizing the Visible date = 2019 pages = 9 extension = .pdf mime = application/pdf words = 3989 sentences = 248 flesch = 48 summary = cognitive structures founding the grammatical structure of verbal and visual languages. Keywords • Visual Narrative Grammar; Image Morphology; Visual Syntax; Morphs; Notoriously the visual symbols, beyond the simple perception of the image, allow the sense visual narrative reader 180) based on the same organizational cognitive structures visual language implies an interaction between the graphic structure (lines and shapes are applicable (Cohn, Combinatorial Morphology in Visual Languages 183) to the image behavior both for a visual (Cohn and Mahler 78) and verbal (Kuperberg 176) narration. Visual Language of Comics: Introduction to the Structure and Cognition of Sequential main types of attention windows in the narrative strip (Cohn, The visual narrative reader to the same outcome Conjunctions (Cohn, The visual narrative reader 326). "Combinatorial Morphology in Visual Languages." The Construction of The Visual Language of Comics: Introduction to the Structure and Cognition of The visual narrative reader. "The grammar of visual narrative: Neural evidence for constituent structure cache = ./cache/work_wdkwaratwfb7rkoeqx43oagjui.pdf txt = ./txt/work_wdkwaratwfb7rkoeqx43oagjui.txt === reduce.pl bib === id = work_bhtvuqlpirh2dijvcd6jc4dzlq author = Christopher S. Wood title = 'Aby Warburg, Homo victor' [A translation (back into English, and with some revisions) of the article that appeared in French: 'Aby Warburg, Homo victor', in Cahiers du Musée national d'art moderne 118, 2011/12, 81-101] date = 2014 pages = 24 extension = .pdf mime = application/pdf words = 11061 sentences = 687 flesch = 59 summary = appeared in French: 'Aby Warburg, Homo victor', in Cahiers du Musée national d'art moderne 118, Warburg's texts bring out all the fault-lines in the discipline of art history. The Warburg Institute offered instead a model of art historical scholarship History as Cultural History: Warburg's Projects, Amsterdam: G+B Arts International, 2001, 266and Warburg: Symbol, Art, and History, New Haven: Yale University Press, 1989; and Salvatore Forster, 'Aby Warburg's History of Art: Collective Memory and the Social Warburg's Tradition', Art History 16, 1993, 541-551; and the anthology of critical essays on Warburg never speaks of the art of painting as if it might have been 50 Gombrich, Aby Warburg, 248; also Didi-Huberman, L'image survivante, 176. Warburg moved from art history to the scientific study of man, attending courses in Warburg's art history, so too is the visualizing subject. The work of art, for Baxandall just as for Warburg, was not cache = ./cache/work_bhtvuqlpirh2dijvcd6jc4dzlq.pdf txt = ./txt/work_bhtvuqlpirh2dijvcd6jc4dzlq.txt === reduce.pl bib === id = work_ntn6bge3mrf4rkk2dgjgre5wz4 author = Rachel Hajar title = Coronary heart disease: From mummies to 21st century date = 2017 pages = extension = .pdf mime = text/html words = 733 sentences = 150 flesch = 64 summary = Coronary Heart Disease: From Mummies to 21st Century | Semantic Scholar Corpus ID: 32679963Coronary Heart Disease: From Mummies to 21st Century title={Coronary Heart Disease: From Mummies to 21st Century}, journal={Heart Views : The Official Journal of the Gulf Heart Association}, Our understanding of the pathogenesis of coronary heart disease has been slow and was not elucidated until the beginning of the 20th century. This article will review how the diagnosis and treatment of coronary heart disease was viewed from ancient times to the present day. Coronary heart disease Sort by Most Influenced Papers A tale of coronary artery disease and myocardial infarction. Heart views : the official journal of the Gulf Heart Association Heart views : the official journal of the Gulf Heart Association By clicking accept or continuing to use the site, you agree to the terms outlined in our Privacy Policy, Terms of Service, and Dataset License cache = ./cache/work_ntn6bge3mrf4rkk2dgjgre5wz4.pdf txt = ./txt/work_ntn6bge3mrf4rkk2dgjgre5wz4.txt === reduce.pl bib === id = work_yge3cqoenjeprncxu5zw2zm3gm author = Ronit Haimov-Kochman title = Three Giants in the Cradle of Reproductive Medicine; Reproduction Theories of the Seventeenth Century as Discerned by Pregnancy Portraiture in the Oeuvre of Jan Vermeer date = 2016 pages = 7 extension = .pdf mime = application/pdf words = 4064 sentences = 296 flesch = 61 summary = Three Giants in the Cradle of Reproductive Medicine; Reproduction Theories of the Seventeenth Century as Discerned by Pregnancy Portraiture in the Oeuvre of Jan Vermeer the Seventeenth Century as Discerned by Pregnancy Portraiture in the Oeuvre of Jan Vermeer. Portraits of pregnant women are rare in Catholic Renaissance art. Vermeer confined himself almost entirely to images of women in various domestic situations, including oeuvre, and suggest that the use of pregnancy in his paintings could have been inspired by his Delft-resident contemporaries Antony van Leeuwenhoek and Reinier de Graaf, fathers of well-known and opposing of Vermeer in Delft, Antony van Leeuwenhoek and https://commons.wikimedia.org/wiki/File:Jan_Vermeer_van_Delft_-_Young_Woman_with_a_Pearl_Necklace_-_Google_Art_Project.jpg https://commons.wikimedia.org/wiki/File:Woman-with-a-balance-by-Vermeer.jpg Both van Leeuwenhoek and Vermeer were born in Both van Leeuwenhoek and Vermeer had About 30 out of Vermeer's works depict women as for the pregnant women was Vermeer's wife. conflicts depicted within Vermeer's paintings, pregnancy stands as an icon that is intended to intensify Vermeer's pregnant women. cache = ./cache/work_yge3cqoenjeprncxu5zw2zm3gm.pdf txt = ./txt/work_yge3cqoenjeprncxu5zw2zm3gm.txt === reduce.pl bib === === reduce.pl bib === id = work_srgptiqs3beplff4aipr6fr5qi author = J Oliver title = THE LURE OF MEDICAL HISTORY: AMBROISE PARE date = 1927 pages = extension = .pdf mime = application/xml words = 144 sentences = 26 flesch = 71 summary = sys_1000 wp-p1m-38.ebi.ac.uk wp-p1m-38.ebi.ac.uk exception exception Params is empty Params is empty Params is empty if (typeof jQuery === "undefined") document.write('[script type="text/javascript" src="/corehtml/pmc/jig/1.14.8/js/jig.min.js"][/script]'.replace(/\[/g,String.fromCharCode(60)).replace(/\]/g,String.fromCharCode(62))); // // // window.name="mainwindow"; .pmc-wm {background:transparent repeat-y top left;background-image:url(/corehtml/pmc/pmcgifs/wm-nobrand.png);background-size: auto, contain} .print-view{display:block} Page not available Reason: The web page address (URL) that you used may be incorrect. Message ID: 218038345 (wp-p1m-38.ebi.ac.uk) Time: 2021/04/06 02:06:10 If you need further help, please send an email to PMC. Include the information from the box above in your message. Otherwise, click on one of the following links to continue using PMC: Search the complete PMC archive. Browse the contents of a specific journal in PMC. Find a specific article by its citation (journal, date, volume, first page, author or article title). http://europepmc.org/abstract/MED/ cache = ./cache/work_srgptiqs3beplff4aipr6fr5qi.pdf txt = ./txt/work_srgptiqs3beplff4aipr6fr5qi.txt === reduce.pl bib === === reduce.pl bib === id = work_c4xeq4nfxzffrm6w5esboioqka author = CAROL M. RICHARDSON title = St Joseph, St Peter, Jean Gerson and the Guelphs date = 2011 pages = 38 extension = .pdf mime = application/pdf words = 9813 sentences = 735 flesch = 72 summary = Richardson, C 2012, 'St Joseph, St Peter, Jean Gerson and the Guelphs', Renaissance Studies, vol. https://www.research.ed.ac.uk/portal/en/publications/st-joseph-st-peter-jean-gerson-and-the-guelphs(bab85423-fa13-4fa2-9a2e-d0bdf4905fe2).html St Joseph, St Peter, Jean Gerson and the Guelphs St Joseph, St Peter, Jean Gerson and the Guelphs St Joseph, St Peter, Jean Gerson and the Guelphs Joseph represents God the Father or Christ because he is the spouse of the Church; he The paralleling of Joseph and Peter is prevalent in central Italian painting from the thirteenth Joseph in Italian Renaissance Society and Art. New Directions and Interpretations (Philadelphia, PA: Saint scene.14 The paralleling of St Joseph who figured large in Christ's infancy and St Peter in his Siena: in this painting the Joseph figure, again dressed in Peter's colours, even points to the But why should Joseph and Peter be so regularly linked in fifteenth century painting, to the Gerson was not new in his conflation of Peter and Joseph he was picking up on ideas and cache = ./cache/work_c4xeq4nfxzffrm6w5esboioqka.pdf txt = ./txt/work_c4xeq4nfxzffrm6w5esboioqka.txt === reduce.pl bib === id = work_ybfzgl3vizc4dastvnnfkr77c4 author = Erik Borg title = Writing in fine arts and design education in context date = 2007 pages = 8 extension = .pdf mime = application/pdf words = 3309 sentences = 309 flesch = 67 summary = Fine Arts to write texts for professional purposes. The authors consider modern methods and activities for teaching writing. role of writing in teaching a foreign language that has gradually increased Stress is done on the importance for every educated modern person to produce different kinds of written texts for professional purposes. Key words: teaching, writing, a foreign language, students of Design person is expected to produce different kinds of written texts, and this influenced the role of writing in teaching a foreign language. the 21st century, the role of writing in teaching a foreign language has gradually increased and is considered as a reserve for improving the efficiency of greatly changed the attitude to writing, and especially to written texts, therefore we consider it important to use information and communication technologies in teaching a foreign language. The author (of the article) writes (reports, states, stresses, thinks, notes, cache = ./cache/work_ybfzgl3vizc4dastvnnfkr77c4.pdf txt = ./txt/work_ybfzgl3vizc4dastvnnfkr77c4.txt === reduce.pl bib === id = work_lcs2cdrzrbexvmveharbjoitoy author = Luigi Pascali title = Banks and Development: Jewish Communities in the Italian Renaissance and Current Economic Performance date = 2016 pages = 42 extension = .pdf mime = application/pdf words = 19712 sentences = 1718 flesch = 66 summary = were hosting Jewish communities developed complex banking institutions for two reasons: first, the Jews were I show that, in Central Italy, the difference in current income between cities that hosted Jewish communities document an extraordinary persistence in the disparities of local banking development across Italian municipalities in the last four centuries. of Jewish communities in 1500 and the current local banking and economic development. the effects of current banks on per-capita GDP and aggregate productivity in Italian municipalities. The first is that having a Jewish community in 1500 does not have any effect on current banking development where Jews were expelled, there is no current difference in local banks between cities that used to host Jewish effects on the current local banking development of Italian municipalities. under the Spanish crown had effects on current credit availability only in those cities that developed a Monte. cache = ./cache/work_lcs2cdrzrbexvmveharbjoitoy.pdf txt = ./txt/work_lcs2cdrzrbexvmveharbjoitoy.txt === reduce.pl bib === id = work_v7ck5kxosvfp7koz3yi6frajcu author = Matthew C Potter title = Breaking the shell of the humanist egg: Kenneth Clark's University of London lectures on German art historians date = 2014 pages = 34 extension = .pdf mime = application/pdf words = 17339 sentences = 981 flesch = 58 summary = Wölfflin was praised for his formal analysis of Baroque art – a matter Clark 106 Clark, 'Wölfflin', 6; Michael Podro, The Critical Historians of Art, New Haven and London: Clark was convinced of the merits of German art historians like Riegl and Wölfflin. University of London lectures on German art historians University of London lectures on German art historians University of London lectures on German art historians University of London lectures on German art historians University of London lectures on German art historians University of London lectures on German art historians University of London lectures on German art historians University of London lectures on German art historians University of London lectures on German art historians University of London lectures on German art historians University of London lectures on German art historians University of London lectures on German art historians University of London lectures on German art historians cache = ./cache/work_v7ck5kxosvfp7koz3yi6frajcu.pdf txt = ./txt/work_v7ck5kxosvfp7koz3yi6frajcu.txt === reduce.pl bib === id = work_tnifay4bqvdujbaznehu5bdk6y author = Luiza Şoşu title = Tradition in pedagogy and linguistics: two footholds in ascention - John Amos Comenius and Eugenio Coseriu date = 2019 pages = 6 extension = .pdf mime = application/pdf words = 4208 sentences = 269 flesch = 70 summary = TRADITION IN PEDAGOGY AND LINGUISTICS: TWO FOOTHOLDS IN human activity is characteristic of our modern times: "In the Christian world everything is based Truly, the Holy Bible is nothing else than an inseparable part of the Sacred Tradition. in a consequent way and to the end, all sacred historical traditions". traditions of education and our modern ones. According to Comenius the most useful thing that the Holy Bible teaches us on the pantheistic and empiric conception of the great philosophers of his time Gordano Bruno, brought out a fine work on Didactic ―A New and Easy Way to the Godly Sciences and Arts, to Revolution, had only the physical world as its proper domain, and this has been largely true of science In this way we come to the objectivity of linguistics. foothold for the ascent of all modern science, giving it the new methods of investigation – Francis cache = ./cache/work_tnifay4bqvdujbaznehu5bdk6y.pdf txt = ./txt/work_tnifay4bqvdujbaznehu5bdk6y.txt === reduce.pl bib === id = work_odbwvgdt55empgyhqegnbq477i author = Maria Vittoria Comacchi title = Voir l'au-delà: L'experience visionnaire et sa representation dans l'art Italien de la Renaissance. Andreas Beyer, Philippe Morel, and Alessandro Nova, eds. Études Renaissantes 22. Turnhout: Brepols, 2017. 420 pp. €80 date = 2019 pages = extension = .pdf mime = text/html words = 297 sentences = 34 flesch = 60 summary = Voir l'au-delà : l'expérience visionnaire et sa représentation dans l'art italien de la Renaissance (Collection "Études renaissantes" ; 22) | Semantic Scholar Skip to search formSkip to main content> Semantic Scholar's Logo Search Corpus ID: 194802587Voir l'au-delà : l'expérience visionnaire et sa représentation dans l'art italien de la Renaissance (Collection "Études renaissantes" ; 22) title={Voir l'au-del{\'a} : l'exp{\'e}rience visionnaire et sa repr{\'e}sentation dans l'art italien de la Renaissance (Collection "{\'E}tudes renaissantes" ; 22)}, author={Alessandro Nova and A. Alessandro Nova, A. Most useful is this book's appendix, which… Expand Share This Paper Related Papers Related Papers About Semantic Scholar Semantic Scholar is a free, AI-powered research tool for scientific literature, based at the Allen Institute for AI. By clicking accept or continuing to use the site, you agree to the terms outlined in our Privacy Policy, Terms of Service, and Dataset License ACCEPT & CONTINUE cache = ./cache/work_odbwvgdt55empgyhqegnbq477i.pdf txt = ./txt/work_odbwvgdt55empgyhqegnbq477i.txt === reduce.pl bib === id = work_zwzwjzfvkzbczohm4s2xhsqjlu author = B. Deniz ATİLLA title = CICERO, Murena Savunması. İstanbul 2016. Kabalcı Yayınevi, 243 sayfa. Çev. E. N. Akdoğdu Arca - M. Oktan. ISBN: 9786059872355 date = 2016 pages = 4 extension = .pdf mime = application/pdf words = 1536 sentences = 225 flesch = 67 summary = Marcus Tullius Cicero, MÖ 3 Ocak 106 tarihinde, Roma'nın 100 km güneydoğusunda yer alan Arpinum kasabasına yaklaşık 7 km uzaklıkta bulunan bir evde, equites sınıfına mensup bir ailenin ilk bu konuda yapılan çalışmalardan biri olan ve MÖ 62 yılı consul seçimleri öncesinde Cicero tarafından düzenlenerek senatus consultum yoluyla çıkarılan Lex Tullia de Ambitu yasasına ve metnin başlayan Cicero, yargıçlardan Murena'nın consul görevine devamı konusunda Roma halkı ile aynı çıkaran kişi hem de Murena'yı savunan hatip olarak doğru bir iş yapmadığı yönünde eleştiren Cato'ya da cevap veren Cicero, konuşmasını Murena'nın rakibi ve davacısı olan Servius Sulpicius'un Cicero, consul seçimlerinde Servius Sulpicius'u desteklediğini kabul etmekle birlikte, Murena'nın suçlanması söz konusu olunca Servius Sulpicius ile aynı Murena'nın Hayatına İlişkin Suçlamalar Hakkında [de Reprehensine Vitae Muranae] (75-81) başlığıyla düzenlenen alt başlıkta Cicero, Asia'ya sefahat sürmek için ifade eden Cicero, yargıçlardan Roma halkının, Murena'nın consul seçilmesi suretiyle gösterdiği cache = ./cache/work_zwzwjzfvkzbczohm4s2xhsqjlu.pdf txt = ./txt/work_zwzwjzfvkzbczohm4s2xhsqjlu.txt === reduce.pl bib === id = work_uzvdqp4onfcyvnrs4zwgek6uhq author = Monica Azzolini title = Tommaso Duranti. Mai sotto Saturno: Girolamo Manfredi, medico e astrologo. Bologna medievale ieri e oggi 10. Bologna: CLUEB, 2008. 212 pp. index. illus. tbls. chron. bibl. €19. ISBN: 978–88–491–3129–1 date = 2010 pages = 4 extension = .pdf mime = application/pdf words = 1265 sentences = 106 flesch = 56 summary = Azzolini, M 2010, 'Never under Saturn: Girolamo Manfredi, physician and astrologer', Renaissance Never under Saturn: Girolamo Manfredi, physician and astrologer. Never under Saturn: Girolamo Manfredi, physician and astrologer. Copyright for the publications made accessible via the Edinburgh Research Explorer is retained by the author(s) https://www.research.ed.ac.uk/portal/en/publications/never-under-saturn-girolamo-manfredi-physician-and-astrologer(cc0d4e4b-fda1-4d3c-b355-35e7f7f7caef).html Mai sotto Saturno: Girolamo Manfredi, medico e astrologo Mai sotto Saturno: Girolamo Manfredi, medico e astrologo by Tommaso Duranti Published by: The University of Chicago Press on behalf of the Renaissance Society of America The University of Chicago Press and Renaissance Society of America are collaborating with JSTOR to digitize, physician and astrologer Girolamo Manfredi. historians, Manfredi lived and operated with remarkable success in fifteenthcentury Bologna, rising to a notable level of prominence both within the university where he reads and analyzes Manfredi's medical and astrological works, it seems the book relatively useful as an introductory work on a lesser-known author, but http://www.jstor.org/page/info/about/policies/terms.jsp http://www.jstor.org/page/info/about/policies/terms.jsp http://www.jstor.org/page/info/about/policies/terms.jsp http://www.jstor.org/page/info/about/policies/terms.jsp http://www.jstor.org/page/info/about/policies/terms.jsp cache = ./cache/work_uzvdqp4onfcyvnrs4zwgek6uhq.pdf txt = ./txt/work_uzvdqp4onfcyvnrs4zwgek6uhq.txt === reduce.pl bib === id = work_63vjm466o5bnpjg2oxbd4kaxs4 author = Michael Lettieri title = Cortigiana (review) date = 2004 pages = 3 extension = .pdf mime = application/pdf words = 970 sentences = 57 flesch = 57 summary = Carleton Renaissance Plays in Translation. For centuries, literary critics have judged his works without always has been successful in shedding new light on Aretino�s literary production The Cortigiana, as we read on the back cover of the translation by J. commedia erudita, and improvisational street comedy, La cortigiana also Campbell and Sbrocchi�s English translation of Cortigiana is an especially Renaissance comedy (but this is true for any other literary genre) can be comedies of the Italian Renaissance, and yet it had to wait almost five hundred years to be translated into English. such as Aretino�s life and theatrical production, the two Cortigiana texts, the title and language of the play La cortigiana and the commedia erudita, Rome Castiglione�s Book of the Courtier and La cortigiana, and on Pasquino The translation is based on the 1525 single manuscript of Cortigiana. established Church and the new religious ideas. cache = ./cache/work_63vjm466o5bnpjg2oxbd4kaxs4.pdf txt = ./txt/work_63vjm466o5bnpjg2oxbd4kaxs4.txt === reduce.pl bib === id = work_ckte3du24nffvbfdz4jxwvjok4 author = Jane C. Long title = Images and Identity in Fifteenth-Century Florence date = 2008 pages = 3 extension = .pdf mime = application/pdf words = 1243 sentences = 64 flesch = 49 summary = and Identity in Fifteenth-Century Florence includes chapters on the visual display modern visual culture, notably Evelyn Welch's Art and Society in Italy, 1300–1500, a Like Welch, Rubin emphasizes the economic dimension of early modern Italian visual culture, explaining why material things such as clothing, linen, armour, and furnishings were requisite for eminent citizens needing to display their Other chapters continue to extend understandings of early modern Italian to her topic, namely fifteenth-century Florentine art and culture. kind of inner seeing sometimes associated with visual culture, promoted by such focus on visuality, Rubin provides a thorough overview of various acts of looking in early modern Florence, as well as representations of vision, debates about optical to grasp the richness of current scholarship on early modern Italian visual culture, in Fifteenth-Century Florence on such central concerns as visuality is most welcome. of visual culture. and confused periods of early modern Irish history. cache = ./cache/work_ckte3du24nffvbfdz4jxwvjok4.pdf txt = ./txt/work_ckte3du24nffvbfdz4jxwvjok4.txt === reduce.pl bib === id = work_l6mafgyxrzcqbgqynnfwl22fx4 author = N.R.C. Roberton title = Hospital Paediatrics date = 1985 pages = 2 extension = .pdf mime = application/pdf words = 1642 sentences = 241 flesch = 71 summary = within a single volume the best state of the art review The remaining chapters unfortunately cover topics which have been adequately Function of the Nervous System, Second edition. This excellent book, now deservedly in its second A brief obituary is included, but the importance of his wide ranging contribution to neuroscience can be seen scattered throughout the pages of This new edition uses more 'boxes' to highlight 368 BOOK REVIEWS 368 BOOK REVIEWS text book to come out ofProfessor Hull's Nottingham book up into system-orientated chapters, have adopted a problem-orientated approach, so that a topic is successful; the book is clear, well written with extensive and skilful use of diagrams and tables, though I the best short text book of paediatrics available. These things having been said it is a good book, Edinburgh, London, Melbourne, New York, 1984. Edinburgh, London, Melbourne, New York, 1984. 8th book in a well established series covering topics cache = ./cache/work_l6mafgyxrzcqbgqynnfwl22fx4.pdf txt = ./txt/work_l6mafgyxrzcqbgqynnfwl22fx4.txt === reduce.pl bib === id = work_w7b7ykvomrbizhicuzzvwuc5si author = Andrée Hayum title = The 1902 exhibition, Les Primitifs flamands: scholarly fallout and art historical reflections date = 2014 pages = 20 extension = .pdf mime = application/pdf words = 9325 sentences = 570 flesch = 61 summary = subject, the Bruges exhibition of 1902: 'Les Primitifs flamands', is familiar to English Figures 1 and 2 catalogue Exposition des Primitifs flamands et d'Art ancien, Bruges, 1902, Hôtel Gruuthhuuse, troisième Figure 3 – catalogue Exposition des Primitifs flamands et d'Art ancien, Bruges, 1902, Hôtel du Conseil Provincial, important picture not brought to Bruges in 1902, the very first example of the socalled 'early schools' of painting to have entered the National Gallery's collection in faites d'après les peintures ayant figuré à L'Exposition des Primitifs Flamands et d'Art Ancien à Henri Hymans, L'Exposition des Primitifs flamands à Bruges, Paris: Gazette des Beaux-Arts, 'L'Exposition des Primitifs flamands', Les Arts, 1: 7, August 1902, 27-34. Italian Renaissance painting.23 At the Bruges exhibition, several pictures moved 22 W.H. James Weale, Exposition des Primitifs flamands et d'Art ancien, Première section: Early Netherlandish painting that made the Bruges exhibition both possible and cache = ./cache/work_w7b7ykvomrbizhicuzzvwuc5si.pdf txt = ./txt/work_w7b7ykvomrbizhicuzzvwuc5si.txt === reduce.pl bib === id = work_btdspbn52rffzp7j2z5fsz26ca author = Ugo Filippo Tesler title = The history of art versus the art of surgery date = 2012 pages = extension = .pdf mime = application/xml words = 144 sentences = 25 flesch = 71 summary = sys_1000 wp-p1m-38.ebi.ac.uk wp-p1m-38.ebi.ac.uk exception exception Params is empty Params is empty Params is empty if (typeof jQuery === "undefined") document.write('[script type="text/javascript" src="/corehtml/pmc/jig/1.14.8/js/jig.min.js"][/script]'.replace(/\[/g,String.fromCharCode(60)).replace(/\]/g,String.fromCharCode(62))); // // // window.name="mainwindow"; .pmc-wm {background:transparent repeat-y top left;background-image:url(/corehtml/pmc/pmcgifs/wm-nobrand.png);background-size: auto, contain} .print-view{display:block} Page not available Reason: The web page address (URL) that you used may be incorrect. Message ID: 218041978 (wp-p1m-38.ebi.ac.uk) Time: 2021/04/06 02:06:15 If you need further help, please send an email to PMC. Include the information from the box above in your message. Otherwise, click on one of the following links to continue using PMC: Search the complete PMC archive. Browse the contents of a specific journal in PMC. Find a specific article by its citation (journal, date, volume, first page, author or article title). http://europepmc.org/abstract/MED/ cache = ./cache/work_btdspbn52rffzp7j2z5fsz26ca.pdf txt = ./txt/work_btdspbn52rffzp7j2z5fsz26ca.txt === reduce.pl bib === id = work_3m2c6wnvmnh4fjdmncnkxrb5ce author = Florian Schwieger title = Lessons From the Culturally Diverse Classroom: Intellectual Challenges and Opportunities of Teaching in the American University date = 2010 pages = 20 extension = .pdf mime = application/pdf words = 7572 sentences = 401 flesch = 52 summary = " Lessons From the Culturally Diverse Classroom: Intellectual Challenges and Opportunities of Teaching in the American University. " Lessons From the Culturally Diverse Classroom: Intellectual Challenges and Opportunities of Teaching in the American University. In the classrooms of a modern university students and teachers from literally all university instruction that questions both established student and teacher models. what it means to work as teaching assistants in the humanities in an American university from understanding of student-teacher roles, literacy, and identity that the multicultural classroom Students and teachers of English in the 21st century inhabit a global classroom. even personal challenge teachers face in a cross-cultural classroom environment. background students and teachers bring to the classroom that creates a rewarding learning democratization of the university classroom, professors and teaching assistants alike have to U.S. universities have long employed graduate students as teaching assistants to work cache = ./cache/work_3m2c6wnvmnh4fjdmncnkxrb5ce.pdf txt = ./txt/work_3m2c6wnvmnh4fjdmncnkxrb5ce.txt === reduce.pl bib === id = work_mn66we6evrddvbeem6q4rc56i4 author = Ilaria Della Monica title = Mary Berenson and The Guide to the Italian Pictures at Hampton Court date = 2019 pages = extension = .pdf mime = text/html words = 578 sentences = 88 flesch = 63 summary = 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. cache = ./cache/work_mn66we6evrddvbeem6q4rc56i4.pdf txt = ./txt/work_mn66we6evrddvbeem6q4rc56i4.txt === reduce.pl bib === === reduce.pl bib === id = work_kxlawefyl5ggpm45a4jgbnu75m author = Kenneth Kolson title = NEH Projects Dealing with Women and Politics Themes date = 1990 pages = 5 extension = .pdf mime = application/pdf words = 3922 sentences = 273 flesch = 49 summary = The Political Science Oral History Program Education Programs, National Endowment for the Humanities Humanities as an independent grantmaking agency of the federal government to support research, education, Generally, each application submitted to Endowment programs is Carey McWilliams of Rutgers University in support of various projects through which many political scientists (e.g., Joel Grossman of the University of Wisconsin, Walter Murphy Bernard Brown of the City University of New York offered a summer University has offered summer institutes designed for elementary and offered a summer seminar on "Political Cultures." The Endowment is Applicants whose projects have direct implications for public policy need to Sometimes political science applications are reviewed with history that a political scientist's proposal to Women and Politics Research review or a generalist review, a proposal on women and politics will be support for college and university Public Humanities Projects exemplary public programs and promotes model humanities projects of cache = ./cache/work_kxlawefyl5ggpm45a4jgbnu75m.pdf txt = ./txt/work_kxlawefyl5ggpm45a4jgbnu75m.txt === reduce.pl bib === id = work_hteicaa3v5d6jomnlfdp3z26va author = Susan Bradshaw title = Cornelius Cardew (1936 – 1981) date = 1982 pages = 5 extension = .pdf mime = application/pdf words = 1771 sentences = 182 flesch = 74 summary = commitment which Cardew (who had recently been closely involved in the composition of Stockhausen s Carre) wholly different kinds of'New Music' throughout the 1960*5 and 1970'j. John Tilbury, in March 1981 of his last work: Boolavogue^or two pianos, an example of the highly politicized London in 1967 to study with Cornelius. I recall his devotion at that time to the music of Bach, Mahler, and Webern. Serves Imperialism, Cardew quotes Engels: 'Freedom is the appreciation of necessity'.2 During the last ten years, he became increasingly aware of the need to More important: in Cornelius I found for the first time someone who felt as I did about the New Music, and helped me develop a critique of it. clarity of his own musical formulations still impressed me as outstanding—(e.g. Treatise, The Great Learning or Piano Album 1973). output—the symphonies, piano music and operas as well as his later work The Music of Alexander Goehr: cache = ./cache/work_hteicaa3v5d6jomnlfdp3z26va.pdf txt = ./txt/work_hteicaa3v5d6jomnlfdp3z26va.txt === reduce.pl bib === id = work_4dl72z3tira6peb3anajf2etrq author = S. K. Kaluskar title = Evolution of Rhinology date = 2008 pages = extension = .pdf mime = application/xml words = 144 sentences = 26 flesch = 71 summary = sys_1000 wp-p1m-39.ebi.ac.uk wp-p1m-39.ebi.ac.uk exception exception Params is empty Params is empty Params is empty if (typeof jQuery === "undefined") document.write('[script type="text/javascript" src="/corehtml/pmc/jig/1.14.8/js/jig.min.js"][/script]'.replace(/\[/g,String.fromCharCode(60)).replace(/\]/g,String.fromCharCode(62))); // // // window.name="mainwindow"; .pmc-wm {background:transparent repeat-y top left;background-image:url(/corehtml/pmc/pmcgifs/wm-nobrand.png);background-size: auto, contain} .print-view{display:block} Page not available Reason: The web page address (URL) that you used may be incorrect. Message ID: 218036895 (wp-p1m-39.ebi.ac.uk) Time: 2021/04/06 02:06:09 If you need further help, please send an email to PMC. Include the information from the box above in your message. Otherwise, click on one of the following links to continue using PMC: Search the complete PMC archive. Browse the contents of a specific journal in PMC. Find a specific article by its citation (journal, date, volume, first page, author or article title). http://europepmc.org/abstract/MED/ cache = ./cache/work_4dl72z3tira6peb3anajf2etrq.pdf txt = ./txt/work_4dl72z3tira6peb3anajf2etrq.txt === reduce.pl bib === id = work_6kcmqr3er5f3jbrfbbcp2abkt4 author = Ian Campbell title = Ethan Matt Kavaler. Renaissance Gothic: Architecture and the Arts in Northern Europe, 1470–1540. New Haven: Yale University Press, 2012. xi + 332 pp. $75. ISBN: 978–0–300–16792–4 date = 2013 pages = 5 extension = .pdf mime = application/pdf words = 1196 sentences = 107 flesch = 59 summary = Review of Matt Kavaler, Renaissance Gothic: Architecture and Campbell, I 2013, 'Review of Matt Kavaler, Renaissance Gothic: Architecture and the Arts in Northern Review of Matt Kavaler, Renaissance Gothic: Architecture and the Arts in Northern Copyright for the publications made accessible via the Edinburgh Research Explorer is retained by the author(s) https://www.research.ed.ac.uk/portal/en/publications/review-of-matt-kavaler-renaissance-gothic-architecture-and-the-arts-in-northern-europe-14701540(d7b6a29e-c1db-4560-8ee8-5b3c67554bf1).html Renaissance Gothic: Architecture and the Arts in Northern Europe, 1470–1540 Renaissance Gothic: Architecture and the Arts in Northern Europe, 1470–1540 by Ethan Matt Published by: The University of Chicago Press on behalf of the Renaissance Society of America The University of Chicago Press and Renaissance Society of America are collaborating with JSTOR to digitize, http://www.jstor.org Renaissance Gothic: Architecture and the Arts in in the Renaissance in Rome, but was cut short and asked if I actually liked the style. How much Kavaler loves the luscious late Gothic tours de force portrayed here http://www.jstor.org/page/info/about/policies/terms.jsp http://www.jstor.org/page/info/about/policies/terms.jsp http://www.jstor.org/page/info/about/policies/terms.jsp http://www.jstor.org/page/info/about/policies/terms.jsp http://www.jstor.org/page/info/about/policies/terms.jsp http://www.jstor.org/page/info/about/policies/terms.jsp cache = ./cache/work_6kcmqr3er5f3jbrfbbcp2abkt4.pdf txt = ./txt/work_6kcmqr3er5f3jbrfbbcp2abkt4.txt === reduce.pl bib === id = work_3utibwenwngcbow7ua6lgcwfcq author = A. Muraviev title = Л. И. ЖУРОВА, В. Ю. КРУТЕЦКИЙ, H. В. СИНИЦЫНА, Б. Л. Фонкич, К. ХВОСТОВА (изд.), Преподобный Максим Грек. Сочинения. Том I (Москва: «Индрик», 2008) 568 с. [Российская Акаде¬мия Наук: Институт Российской Истории, Сибирское отделение РАН: Институт Истории] date = 2008 pages = 3 extension = .pdf mime = application/pdf words = 1192 sentences = 99 flesch = 72 summary = The rst long-awaited volume of the new edition of the works of St Maxim the Greek has been published by renowned Moscow scholar Nina Sinitsyna in collaboration with one of the strongest teams working with pre-Peter texts and the old-believer tradition — the N. (1518–1525) as well as works preserved in Greek (with Russian translation), wri en in Italy and on Mt Athos (1498–1516) by Michael (Maximos) Trivolis. The rst publication of the Greek part of the heritage of St Maxim The basis for the publication of the new volume are the manuscripts, created in Maxim's manuscript tradition of the texts included in the volume was carefully The new edition is a pioneering work in many aspects. Metropolitan Filaret (Philaret) (1903–1985) was the third First-Hierarch of the Russian Orthodox Church Outside Russia (ROCOR). The book is a fascinating read for both scholars and laymen interested in the history of the Orthodox Church in the 20th century. cache = ./cache/work_3utibwenwngcbow7ua6lgcwfcq.pdf txt = ./txt/work_3utibwenwngcbow7ua6lgcwfcq.txt === reduce.pl bib === id = work_ozxd2ionwbfhbelz65jugccfu4 author = A.J. Lees title = From Neuron to Brain: A Cellular Approach to the Function of the Nervous System date = 1985 pages = 1 extension = .pdf mime = application/pdf words = 790 sentences = 122 flesch = 69 summary = Book Reviews Advances in Nephrology from the Necker Hospital, Year Book Medical Publishers, Chicago, 1984. This is the latest in a distinguished series of reviews Of the remaining 15 chapters, seven within a single volume the best state of the art review remaining chapters. The remaining chapters unfortunately cover topics which have been adequately appear in print as thenow familiar review ofother reviews. A final infuriating aspect of the book is its organisation. but instead are scattered throughout the book, thechosen way of buying perhaps half a dozen useful review Royal Devon & Exeter Hospitals Function of the Nervous System, Second edition. This excellent book, now deservedly in its second A brief obituary is included, but the importance of his wide ranging contribution to neuroscience can be seen scattered throughout the pages of the book. The book has a first-rate This new edition uses more 'boxes' to highlight The book is set in cache = ./cache/work_ozxd2ionwbfhbelz65jugccfu4.pdf txt = ./txt/work_ozxd2ionwbfhbelz65jugccfu4.txt === reduce.pl bib === id = work_wv2nvn2pnrciffhqagw72nvhce author = R. Arletti title = Roman coloured and opaque glass: a chemical and spectroscopic study date = 2006 pages = 8 extension = .pdf mime = application/pdf words = 4920 sentences = 413 flesch = 74 summary = the colour and opacity of red and green opaque finds (mosaic tesserae, game counters, and glass artefacts) from Sicily edge XANES and EXAFS spectra suggest that, in red samples, copper is present as monovalent cations coordinated to the oxygen atoms of the glass framework, accompanied by metallic coloration is always produced by crystals of metallic copper dispersed in the glass matrix, the differences in the final Thus, red opaque glass can contain metallic copper TABLE 1 Glass chemical analyses obtained by WDS-EMPA for opaque (O.) and transparent (T.) samples, respectively EXAFS measurements were performed at 77 K in fluorescence mode on selected red RT7 and green PM35117 samples and on the reference compounds (metallic Cu, Cu2O, TABLE 2 Cu-K -edge feature positions (eV) for the glass samples and the reference compounds. FIGURE 4 Cu-K -edge XANES spectra for blue, green, and red glass samples, compared with those of reference compounds cache = ./cache/work_wv2nvn2pnrciffhqagw72nvhce.pdf txt = ./txt/work_wv2nvn2pnrciffhqagw72nvhce.txt === reduce.pl bib === id = work_m2f36fqj7bam3iaw2e7t7hydgq author = Anna Kérchy title = Interview with Liliane Louvel date = 2017 pages = 5 extension = .pdf mime = application/pdf words = 2863 sentences = 217 flesch = 64 summary = Anna Kérchy and Catriona McAra: In his 1980 collection The Language of Images, W. T. Mitchell greeted the emerging collaboration between 'practitioners of the words' (literary critics) and practitioners of the image (art historians) that facilitated 'the no man's land Liliane Louvel: I do think word/image theory and studies still have a lot to offer. Study of Arts, Images and Texts in the English-Speaking World, is another society that is I think that word/image theory will have to take into account what was the subject of resort to many types of dialogue between word and image; conceptual art often has to Liliane Louvel: I think the French have a very special relationship to language. sort of position when we read the description of an image, that of a particular work of art. She has published five books on the relationship between word and image: L'œil cache = ./cache/work_m2f36fqj7bam3iaw2e7t7hydgq.pdf txt = ./txt/work_m2f36fqj7bam3iaw2e7t7hydgq.txt === reduce.pl bib === id = work_53ui56gfifgbno25w6dnpdylrm author = Petar Namicev title = Comparative analysis of antique furniture with regard to the Scandinavian design date = 2018 pages = 9 extension = .pdf mime = application/pdf words = 3613 sentences = 379 flesch = 62 summary = for durable, simple, functional, yet perfect furniture pieces, finds its connection to the ancient design Today's modern Scandinavian style, as a design of Keywords: armchair, stool, chair, shape, design, Greek furniture is mainly characterized by representative seating furniture, of white many more modern furniture designs characteristics of Scandinavian furniture is furniture are wooden chairs with a seat elements of the furniture of both styles, we 3.1.Antique furniture design Characteristics of antique furniture according to form, furniture, materials and color Scandinavian furniture design Scandinavian furniture design Scandinavian furniture design Scandinavian furniture design Furniture: Materials: Form: Color: Furniture: Materials: Form: Color: Characteristics of Scandinavian furniture according to form, furniture, materials and color Scandinavian style, as a design of the 20th characteristic pieces of furniture, use of natural materials, shape, design and color. Ancient furniture: Similarities and differences between ancient design and Scandinavian • Similarities in shape and furniture design development of the design of furniture. cache = ./cache/work_53ui56gfifgbno25w6dnpdylrm.pdf txt = ./txt/work_53ui56gfifgbno25w6dnpdylrm.txt === reduce.pl bib === id = work_nry7ffsmqrcqdjwz5mt3dh3olu author = L F Haas title = Atropa belladonna (deadly nightshade) date = 1995 pages = 1 extension = .pdf mime = application/pdf words = 701 sentences = 178 flesch = 72 summary = London: Bailliere Tindall, 1994:107-27. Paraproteinaemia in neurological disease: incidence, association, and classification of monoclonal immunoglobulins. 106 Bleasel AF, Hawke SHB, Pollard JD, McLeod JG. monoclonal paraproteinaemia and peripheral neuropathy. 108 Pestronk A, Comblath DR, Ilyas AA, Baba H, Quarles 109 Pestronk A, Chaudhry V, Feldman EL, Griffin JW, Multifocal motor neuropathy with Bailliere's clinical neurology 3:1. Bailliere's clinical neurology 3:1. Pathological findings at the site of conduction block in multifocal motor neuropathy. neuropathy in primary Sjogren's syndrome. Peripheral neuropathy associated with primary Sjogren's syndrome. 116 Griffin JW, Comblath DR, Alexander E. Inflammatory neuropathies associated with Inflammatory neuropathies. Inflammatory neuropathies. Inflammatory neuropathies. Inflammatory neuropathies. Ann Neurol 1994;35:53-8. Ann Neurol 1994;35:53-8. Ann Neurol 1994;35:53-8. Ann Neurol 1994;35:53-8. PJ, Thomas PK, Griffin JW, Low PA, Poduslo AN, Peripheral neuropathy. Atropa belladonna (deadly nightshade) Atropa belladonna is a member of the nightshade family these poisons, belladonna, not to kill their rivals but to cache = ./cache/work_nry7ffsmqrcqdjwz5mt3dh3olu.pdf txt = ./txt/work_nry7ffsmqrcqdjwz5mt3dh3olu.txt === reduce.pl bib === id = work_ccdw3wdq5ffurecxalwcf3fk4u author = Warren Van Egmond title = Piero dell Francesca's mathematical treatises: The "trattato d'abaco" and "libellus de quinque corporibus regularibus" date = 1980 pages = 3 extension = .pdf mime = application/pdf words = 1191 sentences = 73 flesch = 56 summary = All books monographs, journal articles, and other publications (including films and other multi-sensory materials) relating to the history of mathematics are abstracted in the Abstracts Book Review Department: Professor Judy V. review a book are invited to make known their wishes. on books, articles, or reviews should be submitted to the Correspondence Department. PIER0 DELL FRANCESCA'S MATHEMATICAL TREATISES: THE "TRATTATO regular bodies, De corporibus regularibus; and Trattato d'abaco, a general treatise on commercial arithmetic, algebra, and geometry which was probably written first and served as the mathematical foundation for the other two. two parts of Piero's treatise on commercial mathematics and algebra, and these draw on sources no more recent than Libri, Cantor, mathematics to art and its study before Piero; one chapter each Perhaps the greatest direct interest the book holds for historians of mathematics is its very careful, detailed study of the Mrs. Davis has not built the bridge between Renaissance art cache = ./cache/work_ccdw3wdq5ffurecxalwcf3fk4u.pdf txt = ./txt/work_ccdw3wdq5ffurecxalwcf3fk4u.txt === reduce.pl bib === === reduce.pl bib === === reduce.pl bib === id = work_zyzn5ad6evfy3jmi3woxkph77e author = H C Moffitt title = CLINICIANS PAST, PRESENT AND FUTURE date = 1922 pages = extension = .pdf mime = application/xml words = 144 sentences = 25 flesch = 71 summary = sys_1000 wp-p1m-38.ebi.ac.uk wp-p1m-38.ebi.ac.uk exception exception Params is empty Params is empty Params is empty if (typeof jQuery === "undefined") document.write('[script type="text/javascript" src="/corehtml/pmc/jig/1.14.8/js/jig.min.js"][/script]'.replace(/\[/g,String.fromCharCode(60)).replace(/\]/g,String.fromCharCode(62))); // // // window.name="mainwindow"; .pmc-wm {background:transparent repeat-y top left;background-image:url(/corehtml/pmc/pmcgifs/wm-nobrand.png);background-size: auto, contain} .print-view{display:block} Page not available Reason: The web page address (URL) that you used may be incorrect. Message ID: 218039714 (wp-p1m-38.ebi.ac.uk) Time: 2021/04/06 02:06:12 If you need further help, please send an email to PMC. Include the information from the box above in your message. Otherwise, click on one of the following links to continue using PMC: Search the complete PMC archive. Browse the contents of a specific journal in PMC. Find a specific article by its citation (journal, date, volume, first page, author or article title). http://europepmc.org/abstract/MED/ cache = ./cache/work_zyzn5ad6evfy3jmi3woxkph77e.pdf txt = ./txt/work_zyzn5ad6evfy3jmi3woxkph77e.txt === reduce.pl bib === id = work_ko7ngfvi3vckflkhlbzvsavuxq author = Deborah Stein title = Charles Callahan Perkins: early Italian Renaissance art and British museum practice in Boston date = 2018 pages = 40 extension = .pdf mime = application/pdf words = 18932 sentences = 919 flesch = 56 summary = Rhetoric of Charles Callahan Perkins: Early Italian Renaissance Art and a new Fine Arts public display of early Italian Renaissance art, a challenge that Perkins himself faced establishment.17 Second, Perkins' article, 'American Art Museums,' published in 67 This record of Perkins' collections has been reconstructed from the Museum of Fine Arts, 120 Museum of Fine Arts, Boston, Second Catalogue of the Collection of Ancient and Modern Works 120 Museum of Fine Arts, Boston, Second Catalogue of the Collection of Ancient and Modern Works See Museum of Fine Arts, Boston, Collection of Ancient and Modern Works, See Museum of Fine Arts, Boston, Collection of Ancient and Modern Works, See Museum of Fine Arts, Boston, Collection of Ancient and Modern Works, See Museum of Fine Arts, Boston, Collection of Ancient and Modern Works, See Museum of Fine Arts, Boston, Collection of Ancient and Modern Works, See Museum of Fine Arts, Boston, Collection of Ancient and Modern Works, cache = ./cache/work_ko7ngfvi3vckflkhlbzvsavuxq.pdf txt = ./txt/work_ko7ngfvi3vckflkhlbzvsavuxq.txt === reduce.pl bib === id = work_xw5rhldghbd3jj36isdiqeitn4 author = R. Lanza title = Magnetic remanence of hematite-bearing murals date = 2009 pages = 6 extension = .pdf mime = application/pdf words = 3045 sentences = 274 flesch = 62 summary = requires consent of the right holder (author or publisher) if not exempted from copyright protection by the applicable law. Magnetic remanence of hematite-bearing murals Magnetic remanence of hematite-bearing murals oriented with respect to the Earth's magnetic field were pigments and used to paint oriented plasterboards. remanent magnetization was measured and its direction measurement of the anisotropy of isothermal remanent magnetization (AIRM). were accurately oriented with respect to the Earth's magnetic field using bubble levels, a compass and a 3-axes This demonstrates that hematite-bearing mural paintings carry a stable record of the Earth's field at the time they Should the PiRM direction coincide with magnetic coeval Earth's magnetic field direction (D = 343�, I = 64�) that the PiRM direction acquired by a mural painting is a deviation of the PiRM direction relative to the ambient field magnetic field direction from historical measurements in Lanza (1999), Remanent magnetization of mural cache = ./cache/work_xw5rhldghbd3jj36isdiqeitn4.pdf txt = ./txt/work_xw5rhldghbd3jj36isdiqeitn4.txt === reduce.pl bib === === reduce.pl bib === id = work_kpaiksyv3fb2ze4iziq6bam7mu author = Ian F McNeely title = The Renaissance academies between science and the humanities date = 2009 pages = 32 extension = .pdf mime = application/pdf words = 13187 sentences = 839 flesch = 55 summary = Science," Critical Inquiry 22 (1996): 193–238; see also William Eamon, "Court, Academy, and Printing House: Patronage and Scientific Careers in Late Renaissance Italy," So also, academies dedicated to vernacular literature and language, opera and ballet, art and design, and speculative philosophy all contributed greatly to the emergence of new humanistic art forms. was first practiced in the European academy, not so much as a philosophical doctrine, but as a form of dispassionate investigation institutionalizing the detachment between academicians and the "nature" they collectively observed.3 Renaissance humanism, centered on reviving Ciceronian rhetoric, had in the previous century associated literary eloquence with active political leadership, and the academy emerged at just the moment Cinquecento Literary Academies," in Women in Italian Renaissance Culture and Society, Crusca, famous for its lexicon.29 Not only did their vigilance establish a model for other European language academies, but the evolution from vulgarizing knowledge to standardizing meanings produced a specifically gentlemanly objectivity later adopted by the cache = ./cache/work_kpaiksyv3fb2ze4iziq6bam7mu.pdf txt = ./txt/work_kpaiksyv3fb2ze4iziq6bam7mu.txt === reduce.pl bib === === reduce.pl bib === id = work_7a6z7ddmirdpjjicsmrg7x7lx4 author = Deborah Parker title = Leonardo da Vinci. Walter Isaacson. New York: Simon and Schuster, 2017. xx + 602 pp. $35 date = 2019 pages = 3 extension = .pdf mime = application/pdf words = 1476 sentences = 93 flesch = 59 summary = that for Theophilus, art is the transformation of materials into useful objects, which Theophilus, Gearhart argues, and art making is a way to practice virtue. In chapter 4 Gearhart also addresses the question of Theophilus's relationship to Roger of Helmarshausen, one of the few known artists of his time. Furthermore, despite her neutrality toward the identification of Theophilus as Roger, most of the objects she discusses have been attributed painter's works of art, Isaacson examines Leonardo's life through the notebooks. Leonardo found between phenomena as disparate as hair curls and waves of water. In such instances the story often gives way to lists of phenomena, each section a testimony to Leonardo's restless mind, ingenuity, and relentless curiosity. These are some of the most engaging parts of the biography: the author deftly presents Leonardo's artistic virtuosity in the painter's own Isaacson's account of the rivalry between Leonardo and Michelangelo, one social and cache = ./cache/work_7a6z7ddmirdpjjicsmrg7x7lx4.pdf txt = ./txt/work_7a6z7ddmirdpjjicsmrg7x7lx4.txt === reduce.pl bib === id = work_oteoyqdqpjburjcolcxqpgyjhy author = D. J. SIVETER title = The Brady Medal date = 2008 pages = 4 extension = .pdf mime = application/pdf words = 1538 sentences = 96 flesch = 69 summary = Anthony Stones was commissioned to undertake original sculptures for the medal, which was to be cast in bronze. Anthony Stones with initial sketches for the Brady Medal (16 March 2007). modelling of the Brady Medal presented particular objectives In the case of the Brady Medal I wanted the Rungwe Kingdom of Pangolin Editions foundry, Chalford, with moulds of the Brady Medal (23 September 2007). I am delighted that the Brady Medal was so well received. methods into medal design. which were used in the casting of the Brady Medal. It is, indeed, the case that each recipient of the Brady Medal receives a work of art, rather than a stamped medal as is the work of the Brady brothers. The Brady Medal is the highest award of The Micropalaeontological Society and is awarded to scientists who have had a his notes on the Brady Medal; to Alan Lord, John Whittaker cache = ./cache/work_oteoyqdqpjburjcolcxqpgyjhy.pdf txt = ./txt/work_oteoyqdqpjburjcolcxqpgyjhy.txt === reduce.pl bib === id = work_2qnly4fkejbtrgzmorqaqn2ray author = Jan L. de Jong title = Michiel Coxcie (1499–1592) and the Giants of His Age. Koenraad Jonckheere, ed. Exh. Cat. Museum Leuven. Turnhout: Harvey Miller Publishers, 2013. 208 pp. €75 date = 2015 pages = 3 extension = .pdf mime = application/pdf words = 1051 sentences = 87 flesch = 68 summary = Michiel Coxcie (1499–1592) and the Giants of His Age. Exh. author(s) and/or copyright holder(s), unless the work is under an open content license (like Creative Commons). Downloaded from the University of Groningen/UMCG research database (Pure): http://www.rug.nl/research/portal. https://research.rug.nl/en/publications/review-of-koenraad-jonckheere-ed-michiel-coxcie-14991592-and-the-giants-of-his-age-exh-cat-museum-leuven-turnhout-harvey-miller-publishers-2013(2cf28a65-0037-4a0e-b5b6-244c3e8e9729).html Michiel Coxcie (1499–1592) and the Giants of His Age. Koenraad Jonckheere, ed. During his long career, Coxcie was an internationally and highly respected artist, In eight chapters, Coxcie's reputation and career are discussed, and his works, According to the authors, Coxcie's work was also (or still) important in the 1560s, when Coxcie kept receiving respectable commissions until the end of his life, his work must by career and assessing his importance, Jonckheere concludes that "Coxcie can be regarded attempt to rebut Van Mander's critical remark and restore Michiel Coxcie "to his rightful Coxcie a better painter from the artistic point of view that Van Mander was talking assessment of Coxcie's work still holds true. cache = ./cache/work_2qnly4fkejbtrgzmorqaqn2ray.pdf txt = ./txt/work_2qnly4fkejbtrgzmorqaqn2ray.txt === reduce.pl bib === id = work_nlueipbdffbjjbtg6nadsgu2bm author = Leidulf Melve title = 'The revolt of the medievalists'. Directions in recent research on the twelfth-century renaissance date = 2006 pages = 22 extension = .pdf mime = application/pdf words = 14649 sentences = 1523 flesch = 63 summary = basically derive from Charles Homer Haskins' notion of the renaissance and include individualism, rationality, secularisation, and the question of the emergence of a 'critical mentality.' From this point of departure, the article addresses the question of thematic innovation with regard to the twelfth-century The second part of the article discusses the effect of the so-called linguistic turn on renaissance studies in general and on the twelfth-century renaissance in particular. briefly address some thematic innovations in recent research into the twelfth-century renaissance,14 before discussing the question of new methodical insight.15 Although this last section with the different mentalities of medieval Europe.52 Another manifestation of this individualism is the new view of love in the twelfth century. for new thematic approaches to the twelfth-century renaissance. In sum, recent research into the twelfth-century renaissance does not abound in new cache = ./cache/work_nlueipbdffbjjbtg6nadsgu2bm.pdf txt = ./txt/work_nlueipbdffbjjbtg6nadsgu2bm.txt === reduce.pl bib === id = work_nggycmuqmbhlbhprs5axbkyp44 author = Nathalie Rivère de Carles title = Selene Scarsi, Translating Women in Early Modern England: Gender in the Elizabethan Versions of Boiardo, Ariosto and Tasso date = 2011 pages = 4 extension = .pdf mime = application/pdf words = 1191 sentences = 95 flesch = 51 summary = Selene Scarsi, Translating Women in Early Modern Nathalie Rivère de Carles, "Selene Scarsi, Translating Women in Early Modern England: Gender in the Elizabethan Versions of Boiardo, Ariosto and Tasso", Miranda [Online], 4 | 2011, Online since 24 June URL: http://journals.openedition.org/miranda/2603 ; DOI: Selene Scarsi, Translating Women in Selene Scarsi, Translating Women in Early Modern England: Gender in the Elizabethan Marrapodi), Selene Scarsi's monograph on Translating Women in Early Modern England, is three major works of Italian epic poetry and their English translations. reworks the study of Harrington's translating methods and offers an enriching the feminine to Renaissance translation theory. Selene Scarsi, Translating Women in Early Modern England: Gender in the Eliza... Selene Scarsi, Translating Women in Early Modern England: Gender in the Eliza... Selene Scarsi, Translating Women in Early Modern England: Gender in the Eliza... Selene Scarsi, Translating Women in Early Modern England: Gender in the Elizabethan Versions of Boiardo, Ariosto and Tasso cache = ./cache/work_nggycmuqmbhlbhprs5axbkyp44.pdf txt = ./txt/work_nggycmuqmbhlbhprs5axbkyp44.txt === reduce.pl bib === id = work_b7x6bjt64rb6riqc2ejqbiwgwy author = Steven Vanden Broecke title = Mary Quinlan-McGrath, Influences: Art, Optics, and Astrology in the Italian Renaissance. Chicago and London: The University of Chicago Press, 2013. Pp. xi+284. ISBN 978-0-226-92284-3. $35.00 (hardback) date = 2014 pages = 3 extension = .pdf mime = application/pdf words = 1456 sentences = 104 flesch = 62 summary = The British Journal for the History of Science / Volume 47 / Issue 02 / June 2014, pp 374 375 MARY QUINLAN-MCGRATH, Influences: Art, Optics, and Astrology in the Italian Renaissance. monumental astrological vaults of Renaissance architecture. exception, which is central to Quinlan-McGrath's argument, occurs in Chapter III.19 of Marsilio In terms of planning, the author privileges a select number of presuppositions on premodern metaphysics, epistemology, astrology, mathematics, natural philosophy, psychology and art history, in supplying the reader with 'the tools' by which to 'judge the case' GIDEON MANNING (ed.), Matter and Form in Early Modern Science and Philosophy. Historians of both science and philosophy have often discussed the relation between matter matter and form relate to each other and how their meanings change in the early modern period his prior work on the concept of 'seed' in the Renaissance and the early modern period, Hirai gives cache = ./cache/work_b7x6bjt64rb6riqc2ejqbiwgwy.pdf txt = ./txt/work_b7x6bjt64rb6riqc2ejqbiwgwy.txt === reduce.pl bib === id = work_nsikzubac5dvdi4f67cir6urhm author = Robert Bagley title = Discussion of 'Style' from Max Loehr and the Study of Chinese Bronzes, Style and Classification in the History of Art, Ithaca, Cornell University Press: Cornell East Asia Series 2008 date = 2010 pages = 16 extension = .pdf mime = application/pdf words = 7165 sentences = 432 flesch = 68 summary = Loehr'S "the Bronze StyLeS of the anyang Period" (1953) attention all involve the concept of style—"a concept largely undefined, but usually referring to the changing forms of different types of vessels and to their ornamentation."402 In trying to decide what style meant to Loehr she examined not only entangled with unresolved problems in historiography.405 I would like to suggest that Loehr's idea of style (but not Bachhofer's) was a simple one, and that style meant to him what it means in practice, if not in theory, to most art historians today. Loehr's use of the concept of style throughout his writing can, I believe, be For art historians who think in this way, the history This is emphatically not a part of Loehr's understanding of style or of history. speaking of French Gothic architecture, but Loehr obviously felt that in studying Shang bronzes he too was concerned with artistic life in a period of great cache = ./cache/work_nsikzubac5dvdi4f67cir6urhm.pdf txt = ./txt/work_nsikzubac5dvdi4f67cir6urhm.txt === reduce.pl bib === === reduce.pl bib === id = work_makljxq2yzajtaprkqnxxn3jhi author = F. Gabrieli title = Near-UV to mid-IR reflectance imaging spectroscopy of paintings on the macroscale date = 2019 pages = 11 extension = .pdf mime = application/pdf words = 10446 sentences = 1131 flesch = 73 summary = Broad spectral range reflectance imaging spectroscopy (BR-RIS) from the near UV through the mid–infrared (IR) microsamples in transmission or reflection mode, as the mid-IR region is rich in spectral features that allow the specific identification reflectance imaging spectroscopy in the visible and NIR spectral regions. (3D) image cubes (2D spatial and 1D spectral) using a simple singlepixel scanner consisting of two point spectrometers and a computercontrolled easel that moved the artwork. Because mapping oil and alkyd paint binders has been demonstrated using NIR spectral features (17), the example here focuses with NIR reflectance imaging spectroscopy using the CH2 combination band in the region of 4350 to 4325 cm−1 (2300 to 2313 nm), painted with the blue mineral azurite by using reflectance imaging data collection and analysis methodology to identify and map pigments, paint binders, fillers, and substrates used for lake pigments. Near infrared reflectance imaging spectroscopy to map paint binders in situ cache = ./cache/work_makljxq2yzajtaprkqnxxn3jhi.pdf txt = ./txt/work_makljxq2yzajtaprkqnxxn3jhi.txt === reduce.pl bib === id = work_txfzmi2yobg6tnjfq7t2fa3n6a author = Abraham Tamir title = Interaction Between Engineering, Science and Art date = 2008 pages = 3 extension = .pdf mime = application/pdf words = 2049 sentences = 339 flesch = 53 summary = Interaction Between Engineering, Science and Art Abstract: This article is the beginning of a new section entitled Engineering and Science by Art where the emphasis will It applies to an approach developed by the author where subjects related to engineering and sciences are demonstrated by artworks. The three cultures, Engineering, Science and Art are usually looked upon as three different entities. interaction between Engineering and Science is well-known, whereas the interaction between Engineering and Art, and is an interaction between science and art; he said: "Both, A few artworks demonstrating science by art are presented in the following. 98 The Open Chemical Engineering Journal, 2008, Volume 2 Abraham Tamir Interaction Between Engineering, Science and Art The Open Chemical Engineering Journal, 2008, Volume 2 99 section entitled Engineering and Science by Arts. The present article demonstrates this approach by describing different elements of engineering by artworks. subjects related also to Chemical Engineering and Science cache = ./cache/work_txfzmi2yobg6tnjfq7t2fa3n6a.pdf txt = ./txt/work_txfzmi2yobg6tnjfq7t2fa3n6a.txt === reduce.pl bib === id = work_hav2puxacjev3dq63pemt7wt5q author = Catherine L. Howey title = Ceremonial Culture in Pre-Modern Europe (review) date = 2010 pages = 4 extension = .pdf mime = application/pdf words = 1290 sentences = 68 flesch = 52 summary = Ceremonial Culture in Pre-Modern Europe (review) Ceremonial Culture in Pre-Modern Europe (review) Ceremonial Culture in Pre-Modern Europe. Margot Fassler's essay examines the various adventus ceremonies that were employed in the medieval French cathedral town of Flier analyzes the Palm Sunday procession to illustrate how early Muscovite Rus' political and religious authority were in rituals and ceremonies were ambiguous and unfi xed in their meaning, allowing the audience and its participants to negotiate the event's and the ceremonies examined are very different, Nicholas Howe's that premodern ceremony and ritual both constructed and perpetuated a sense of timelessness and universality of beliefs and practices that the authority of a ritual or a ceremony rested upon its standardization and repetition, (and which in turn endowed its participants with In spite of each essay's shortcomings, this erudite and comparative collection of scholarship on ritual and ceremony in premodern Europe, cache = ./cache/work_hav2puxacjev3dq63pemt7wt5q.pdf txt = ./txt/work_hav2puxacjev3dq63pemt7wt5q.txt === reduce.pl bib === id = work_bfrrlmigfnhzhggc2cuezcljxa author = Predrag Milosevic title = Foundations of Byzantine late middle ages architecture thoughtfulness date = 2003 pages = 10 extension = .pdf mime = application/pdf words = 4917 sentences = 359 flesch = 70 summary = Byzantine late Middle Ages and Byzantine Renaissance (1204-1453) are two final periods in the culture and architecture of that 1141 year lasting Empire. Pheidias had seen them, he would have admired their precise sameness and the abFoundations of Byzantine Late Middle Ages Architecture Thoughtfulness  397 forms the art and architecture adopted in the times of the Paleologus', the old Byzantine Byzantine priests, as was Simeon from Thessalonika, were deeply shocked by the naturalistic paintings and the statues of the western states that showed the break up with the But that naturalism in the worldly arts and architecture incited the admiration of several educated Byzantine who, rather curious, found their expression in the This architecture was magnificent both in the late ancient times and the early Christianity, as well Foundations of Byzantine Late Middle Ages Architecture Thoughtfulness  403 Foundations of Byzantine Late Middle Ages Architecture Thoughtfulness  403 Foundations of Byzantine Late Middle Ages Architecture Thoughtfulness  403 cache = ./cache/work_bfrrlmigfnhzhggc2cuezcljxa.pdf txt = ./txt/work_bfrrlmigfnhzhggc2cuezcljxa.txt === reduce.pl bib === id = work_snwuc6o6z5c67pvtz7dwnwq6ju author = Augusto Loni title = Insights on Funeral Practices and Insects Associated With the Tombs of King Ferrante II d'Aragona and Other Renaissance Nobles date = 2019 pages = 8 extension = .pdf mime = application/pdf words = 5140 sentences = 600 flesch = 62 summary = To improve the knowledge about the entomofauna associated with bodies in archaeological contexts, herein we provide insights on the funerary practices and the insect community associated to Ferrante II King of Naples and other Italian Renaissance mummies of the Aragonese dynasty buried in the Basilica of St. Domenico Maggiore. We identified 842 insect specimens: 88% were Diptera (Muscidae, Fanniidae, and Phoridae), followed by 9% Funerary archaeoentomology can be considered a discipline partially overlapped with classic archaeoentomology and forensic entomology, since both deal with the study of human cadavers. As a first consequence, all the collections of insect in archaeological contexts represent an incomplete sample of the original set, studied by Fornaciari (2006), applying in this archaeological context the methodology and techniques used in forensic entomology insect remains were collected from the coffin NASD6, 13 (1.5%) Abundance of insect remains retrieved from the mummies of Ferrante II d'Aragona, King of Naples (1496), Giovanna IV cache = ./cache/work_snwuc6o6z5c67pvtz7dwnwq6ju.pdf txt = ./txt/work_snwuc6o6z5c67pvtz7dwnwq6ju.txt === reduce.pl bib === === reduce.pl bib === id = work_u3335tn4arejjafzahtplfjxcm author = Raffaella Santi title = The antiquity of hydrocephalus: the first full palaeo-neuropathological description date = 2018 pages = 8 extension = .pdf mime = application/pdf words = 4374 sentences = 385 flesch = 53 summary = The Pathology Museum of the University of Florence houses a rich collection of anatomical specimens and over a hundred We present a historical case of severe hydrocephalus backed by modern-day anthropological, radiological and molecular analyses conducted on the skeleton of an 18-month-old male infant deceased in 1831. Physiopathologically, abnormal amount of CSF accumulating in the ventricles of the brain may cause increased intracranial pressure with progressive enlargement of the head and chapter on neurosurgical diseases, he described infantile hydrocephalus as caused by mechanical compression. Here, we describe an extraordinary case of severe hydrocephalus in an 18-month-old child who died in 1831. a diagnostic flowchart which included descriptions of the anatomical specimen and wax model, an outline of the clinical history, anthropometric methods, radiological findings and molecular testing. This case of hydrocephalus is detailed in the museum catalogue alongside the description of the wax model (Fig. 1). hydrocephalus (Luigi Calamai, 1831) housed at the Pathology Museum cache = ./cache/work_u3335tn4arejjafzahtplfjxcm.pdf txt = ./txt/work_u3335tn4arejjafzahtplfjxcm.txt === reduce.pl bib === === reduce.pl bib === === reduce.pl bib === id = work_6gz4dwsda5ha3nr7yfkkaprpky author = Barbara H. Berrie title = Mining for Color: New Blues, Yellows, and Translucent Paint date = 2015 pages = 27 extension = .pdf mime = application/pdf words = 10901 sentences = 873 flesch = 69 summary = seventeenth century, these pigments had found a permanent place on the easel painter's palette, smalt used in place of ultramarine and the antimonial compounds enlivening the yellows of the spectrum. These three discoveries contributed to the saturated colors characteristic of seventeenth-century painting and offered artists latitude in the ways they pursued At the turn of the sixteenth century, new sources of raw materials and production led to the manufacture of vast amounts of blue and yellow pigments that From early times mineral pigments offered a variety of blue colors to painters; Palette and Fifteenth/Sixteenth-century Pharmacy Price Lists: the Use of Azurite & Ultramarine," in Painting Techniques: History, Materials and Studio Practice, eds. The pigment, whether used for easel painting, decorating ceramics or coloring glass, was not prepared directly from the ore but from an intermediate see Ashok Roy and Barbara Berrie, "A New Lead-Based Yellow in the Seventeenth Century," in Painting Techniques: History, Materials and Studio Practice, Contributions to the cache = ./cache/work_6gz4dwsda5ha3nr7yfkkaprpky.pdf txt = ./txt/work_6gz4dwsda5ha3nr7yfkkaprpky.txt === reduce.pl bib === id = work_k4f33zbszfhzxpqcawutk5hvvm author = Jakob Leth Fink title = Pletho's Criticism of Aristotle's Virtues: A Note on De differentiis 12 date = 2011 pages = 15 extension = .pdf mime = application/pdf words = 5201 sentences = 408 flesch = 70 summary = arguments, in his De differentiis, against Aristotle's doctrine of the mean. least as far as Pletho's interpretation of Aristotle's doctrine of Aristotelian positions, his doctrine of the mean and his claim The criticism of Aristotle's doctrine of the mean should be (2) A morally wicked agent might, on Aristotle's account of agent will be in a mean position just like the morally good When Pletho charges Aristotle with quantifying the mean, it If Pletho's first criticism of Aristotle's doctrine of the mean is 496 PLETHO'S CRITICISM OF ARISTOTLE'S VIRTUES 496 PLETHO'S CRITICISM OF ARISTOTLE'S VIRTUES 496 PLETHO'S CRITICISM OF ARISTOTLE'S VIRTUES 496 PLETHO'S CRITICISM OF ARISTOTLE'S VIRTUES 496 PLETHO'S CRITICISM OF ARISTOTLE'S VIRTUES 496 PLETHO'S CRITICISM OF ARISTOTLE'S VIRTUES 496 PLETHO'S CRITICISM OF ARISTOTLE'S VIRTUES 496 PLETHO'S CRITICISM OF ARISTOTLE'S VIRTUES So what is useful in Pletho's criticism of Aristotle's virtues? suggest that his criticism of Aristotle's doctrine of the mean is cache = ./cache/work_k4f33zbszfhzxpqcawutk5hvvm.pdf txt = ./txt/work_k4f33zbszfhzxpqcawutk5hvvm.txt === reduce.pl bib === id = work_f3fuzpnijvc6nk5axrr6bsjkce author = Mary E. Helander title = The gravity of an edge date = 2018 pages = 35 extension = .pdf mime = application/pdf words = 13793 sentences = 1140 flesch = 68 summary = k-Gravity, Node centrality, Path enumeration, Social network analysis, Strength of weak A local bridge is an edge whose removal would not necessarily disconnect the network but would still be significantly disruptive to information flow. as a natural metric that can be computed algorithmically as the number of paths in a network that rely on a particular edge. We exploit these properties of k-shortest path algorithms for computing the Edge Gravity metric exactly, or finding a lower bound (called, k-Gravity) to indicate the relative Edge Gravity and its implications for structural importance of social network components the Edge Gravity Algorithm and associated methodology to four well-known social networks: two of Granovetter's examples (Granovetter 1973), the Florentine families network have found the Edge Gravity ranking while not enumerating all network paths. Fig. 17 Edge Gravity solutions for the Florentine families network, with bridges to nowhere removed, when cache = ./cache/work_f3fuzpnijvc6nk5axrr6bsjkce.pdf txt = ./txt/work_f3fuzpnijvc6nk5axrr6bsjkce.txt === reduce.pl bib === === reduce.pl bib === id = work_cqpfpceinnaxjcsa4kgfbubrfe author = Stephen Burt title = Response to Jennifer Scappettone date = 2007 pages = 6 extension = .pdf mime = application/pdf words = 1933 sentences = 120 flesch = 60 summary = http://osc.hul.harvard.edu/dash/open-access-feedback?handle=&title=Response%20to%20Jennifer%20Scappettone&community=1/1&collection=1/2&owningCollection1/2&harvardAuthors=d92e3e20bab708d0c8a8604f331032ae&departmentEnglish%20and%20American%20Literature%20and%20Language http://nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of-use#LAA http://nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of-use#LAA http://nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of-use#LAA Critics who cherish procedurally generated texts such as Mac Low's The author's "administration," or trope of administration, makes the text a trope for a social "anarchist" a text as one could wish (as Mac Low could wish, since he appears to be "authored neither by Pound nor by Mac Low nor by the Bernstein as a reader of Mac Low—that Mac Low's anarchic, multiauthored text responds to Pound's Fascist, single-author modernist Mac Low's text therefore represents "an egoStephen Burt „ Response to Jennifer Scappettone 215 generated texts (in general) but the special force of Mac Low's procedure applied to Pound, one must already know a lot about Pound. Pound saw poetic texts as tropes of social arrangements, and of Can an "ambient" text ever be a history, or even a trope of the writing Faced with such texts as Mac Low's, and with such claims as cache = ./cache/work_cqpfpceinnaxjcsa4kgfbubrfe.pdf txt = ./txt/work_cqpfpceinnaxjcsa4kgfbubrfe.txt === reduce.pl bib === id = work_ehwi7qloo5h3vjbkgirnt54ghe author = Judy De Roy title = Cut in Alabaster: A Material of Sculpture and Its European Traditions 1330–1530. Kim W. Woods. Distinguished Contributions to the Study of the Arts in the Burgundian Netherlands 3. London: Harvey Miller Publishers, 2018. ii + 418 pp. €150 date = 2020 pages = 2 extension = .pdf mime = application/pdf words = 979 sentences = 69 flesch = 64 summary = Cut in Alabaster: A Material of Sculpture and Its European Traditions 1330– alabaster artworks were made from the fourteenth to the beginning of the sixteenth century in Western Europe. The author's original approach consists in her attention to alabaster sculpture made in England, France, the Low Countries, and Spain. Some concise attention is dedicated to sculpting and polishing techniques, followed by a more elaborate part on polychromy, stressing the fact that late Gothic alabaster sculptures were as a rule either minimally or partially painted at least until the In the second chapter, the author deals with the sculptors working in alabaster and The last chapter gives an overview of different genres of alabaster sculpture in the public and in the private environment. important new research on Hilliard's life and work, adding considerably to our understanding of the challenges and opportunities that existed for painters in sixteenth-century London. cache = ./cache/work_ehwi7qloo5h3vjbkgirnt54ghe.pdf txt = ./txt/work_ehwi7qloo5h3vjbkgirnt54ghe.txt === reduce.pl bib === id = work_ls3eci5rsrbrve3efbykcxuqly author = Nicholas Terpstra title = 'Republics by Contract': Civil Society, Social Capital, and the 'Putnam Thesis' in the Papal Stat date = 2006 pages = extension = .htm mime = text/html words = 8908 sentences = 438 flesch = 52 summary = Nicholas Terpstra 'Republics by Contract': Civil Society, Social Capital, and the 'Putnam Thesis' in the Papal State 'Republics by Contract': Civil Society, Social Capital, and the 'Putnam Thesis' in the Papal Stat Yet he also uses history, and in one of his studies, Making Democracy Work (1993), Putnam seeks to identify the most "successful" regions in modern Italy, and the historical causes for to the leading communes of the Papal State may have generated forms of social capital and civil society better adapted to 'surviving' absolutism than Florentine and Venetian republicanism were. Making Democracy Work (1993) is more about civil society, while Bowling Alone (2000) is more about social capital. In contrast to Brucker, Muir thought that civil society did emerge from the medieval and renaissance republics, and did weather the capital-draining early modern period of uncivil Nicholas Terpstra, 'Republics by Contract': Civil Society, Social Capital, and the 'Putnam Thesis' in the Papal Stat, "Storicamente", 2 (2006), no. cache = ./cache/work_ls3eci5rsrbrve3efbykcxuqly.htm txt = ./txt/work_ls3eci5rsrbrve3efbykcxuqly.txt === reduce.pl bib === id = work_qbvoso2adbfebfhchnd5n7udha author = Donatella Nisi title = Dal latino al volgare. Echi catulliani nei "Rerum Vulgarium Fragmenta" date = 2019 pages = 19 extension = .pdf mime = application/pdf words = 4660 sentences = 778 flesch = 81 summary = testimonianze dirette le prove del fatto che Petrarca conoscesse tutto il lettura del Liber di Catullo, fatta a Verona nel 1345,5 influenzi Petrarca conoscenza limitata di Catullo, altri ritengono che l'umanista possedesse una copia del 5 Si veda Giuseppe Billanovich, Il Catullo della Cattedrale di Verona, cit., p. nell'esercizio della poesia latina, privando Firenze del suo poeta latino Del resto non è forse un caso che certi aspetti della fenomenologia erotica testo del carme e non solo la citazione pliniana nel primo libro della Naturalis Historia). Velli, La memoria poetica del Petrarca, cit., p. del passer catulliano da parte di Petrarca, sul filo di altre citazioni, si veda P. Petrarca e il Catullo di Verona, cit., pp. Si veda Le rime del Petrarca, cit., p. Si veda Le rime del Petrarca, Petrarca, Le postille del Virgilio Ambrosiano, a cura di M. Petrarca, Le postille del Virgilio Ambrosiano, cit., cache = ./cache/work_qbvoso2adbfebfhchnd5n7udha.pdf txt = ./txt/work_qbvoso2adbfebfhchnd5n7udha.txt === reduce.pl bib === id = work_j6bb3dhd7fdphpdl3we6mi7eg4 author = Andrea Rizzi title = Latin and Vernacular in Quattrocento Florence and Beyond: An Introduction date = 2013 pages = 14 extension = .pdf mime = application/pdf words = 6163 sentences = 709 flesch = 68 summary = refashioning classical Latin into a powerful cultural and political tool.1 All contributions take a close look at what quattrocento authors, translators, and speakers say about their choices to perform their texts in Latin or vernacular and how Florence and Venice to Latin and the vernacular, exploring the place these languages occupied in the literary and social spaces of the fifteenth century as well as As a result, the study of prefaces and similar paratextual material presents scholars with compelling evidence of how quattrocento authors and translators engaged with Latin and vernacular texts and audiences. The relationship between the vernacular languages and Latin was debated ardently by early quattrocento humanists such as Biondo Flavio, Leonardo Bruni, These different humanistic views of the nature and function of Latin and the vernacular of early Renaissance Florence have been closely discussed and analyzed cache = ./cache/work_j6bb3dhd7fdphpdl3we6mi7eg4.pdf txt = ./txt/work_j6bb3dhd7fdphpdl3we6mi7eg4.txt === reduce.pl bib === id = work_x5otsfv7bvalhcdqfrw653itha author = Federica Presciutti title = Noninvasive nuclear magnetic resonance profiling of painting layers date = 2008 pages = extension = .pdf mime = text/html words = 13565 sentences = 960 flesch = 49 summary = In this work we demonstrate the potential of single-sided nuclear magnetic resonance (NMR) sensors to access deeper layers of paintings noninvasively by means of high-resolution depth profiles spanning several millimeters. Single-sided nuclear magnetic resonance (NMR) has been used to non-invasively study objects and chemical processes including oil well logging [4,5], food [6][7][8], manufacturing procedures [9,10], paintings [11][12][13][14][15], instruments [16], ceramics [17][18][19], paper [20], and building materials [21]. Objectives pursued by stray-field NMR in the context of cultural heritage are moisture mapping [149,150], contributing to the optimization of stone conservation strategies [151], studying the mortar base of wall paintings [152,153], assessing bone degradation [13,154], monitoring the water distribution in wooden panels such as easel paintings [155], studying the stratigraphy and binder states of paintings [156], assisting in the development of restoration techniques for easel paintings [157,158], and studying the degradation mechanisms of parchment and leather [159][160][161]. cache = ./cache/work_x5otsfv7bvalhcdqfrw653itha.pdf txt = ./txt/work_x5otsfv7bvalhcdqfrw653itha.txt === reduce.pl bib === id = work_tqetgmsdn5cqphtaxo2wr4npqa author = Paolo Bison title = 15th International Workshop on Advanced Infrared Technology and Applications (AITA) date = 2019 pages = 4 extension = .pdf mime = application/pdf words = 1710 sentences = 156 flesch = 53 summary = 15th International Workshop on Advanced Infrared Technology and Applications (AITA) 4 Istituto di Scienza e Tecnologie dell'Informazione "Alessandro Faedo", CNR, 56124 Pisa, Italy † Presented at the 15th International Workshop on Advanced Infrared Technology and Applications (AITA Abstract: The 15th International Workshop on Advanced Infrared Technology and Applications has The workshop program featured a technical seminar day (Section 2) followed by actual conference http://www.mdpi.com/journal/proceedings http://www.mdpi.com/journal/proceedings Finally, the website http://ronchi.isti.cnr.it/AITA2019 will be maintained active for future The 16th International Workshop on Advanced Infrared Technology and Applications will take The 16th International Workshop on Advanced Infrared Technology and Applications will take seminar titled "Infrared techniques and applications for aerospace". http://ronchi.isti.cnr.it/AITA2019 for educational robot" [1] and to Klaudia Hackiewicz for the paper "InAs/GaSb superlattice based D. Moroni ISTI-CNR, Pisa, Italy O. Salvetti ISTI-CNR, Pisa, Italy F. Pardini ISTI-CNR, Italy Technical Seminar: Infrared Techniques and Applications for Aerospace Technical Seminar: Infrared Techniques and Applications for Aerospace cache = ./cache/work_tqetgmsdn5cqphtaxo2wr4npqa.pdf txt = ./txt/work_tqetgmsdn5cqphtaxo2wr4npqa.txt === reduce.pl bib === id = work_n7aqni2sybbwfgfs7q3coipra4 author = (:Unkn) Unknown title = Rogier van der Weyden: A Netherlandish Artist and the Ferrarese Court date = 2020 pages = 67 extension = .pdf mime = application/pdf words = 15168 sentences = 1090 flesch = 63 summary = Cosmè Tura's Re-Appropriation of Rogier van der Weyden's 1. Rogier van der Weyden, Descent From the Cross, oil on oak panel, 6. Rogier van der Weyden, Portrait of Francesco d'Este, oil on panel, 3 Martin Davies, Rogier van der Weyden: An Essay with a Critical Catalogue of Paintings (London: Placing Rogier van der Weyden's work into the context of the Ferrarese court in evidence that sheer presence of Rogier van der Weyden's work in Ferrara affected the 5 Dirk De Vos, Rogier van der Weyden: The Complete Works, (New York: Harry N. Rogier van der Weyden's style and is one of his most well-known works. Cosmè Tura's Re-Appropriation of Rogier Van Der Weyden's Netherlandish Oil To see the similarities of Cosmè Tura's work to that of Rogier van der Weyden, CHAPTER 4: ROGIER VAN DER WEYDEN AND COSMÈ TURA Techniques of Five Paintings by Rogier van der Weyden and His Workshop." cache = ./cache/work_n7aqni2sybbwfgfs7q3coipra4.pdf txt = ./txt/work_n7aqni2sybbwfgfs7q3coipra4.txt === reduce.pl bib === === reduce.pl bib === id = work_roslztnlnjgkrd7xaqhm7hv3ra author = Grace Brockington title = Performing Pacifism date = 2019 pages = 15 extension = .pdf mime = application/pdf words = 3679 sentences = 349 flesch = 67 summary = Note: British Art Studies is a digital publication and intended to be experienced Lee brought the script to her friends, the writer Constance Smedley Armfield Vernon Lee, The Ballet of the Nations: A Present-Day Morality, with a Pictorial Vernon Lee did not like Maxwell Armfield's "pictorial commentary" on her Vernon Lee first met Constance Smedley and her fiancé Maxwell Armfield in Imogen Gassert, "Collaborators and Dissenters: Aspects of British Literary Publishing in the First World War, Hull Press, 1996); Marvin Swartz, The Union of Democratic Control in British Foreign Policy During the First World War eventually her executor, who published a study of the British liberal press during the First World War; see Irene Maxwell Armfield, "My World and I—the Cotswolds and London in War" (unpublished, 1970), 50, Tate Archive: TGA with 'Vernon Lee'"; Armfield, "My World and I", 24. First published in Vernon Lee, Hauntings (London: W. cache = ./cache/work_roslztnlnjgkrd7xaqhm7hv3ra.pdf txt = ./txt/work_roslztnlnjgkrd7xaqhm7hv3ra.txt === reduce.pl bib === id = work_5zyc52fwnfceba32yzaf2m72za author = Ángela Di Serio title = Impact of an augmented reality system on students' motivation for a visual art course date = 2013 pages = 12 extension = .pdf mime = application/pdf words = 9856 sentences = 847 flesch = 58 summary = Abstract: In this paper, the authors show that augmented reality technology has a positive impact on the moti-vation of middle-school students. In the educational arena, motivation can be defined as the student's desire to engage in a learning environment (Keller & Litchfield, The qualitative data was collected by observing students interacting with the augmented reality learning environment and conducting corresponds to item 8 which states that the augmented reality learning scenario was attention-grabbing for students. The results show that participants were motivated by the use of augmented reality technology when it was integrated into their learning Regarding the satisfaction factor, results show that students were satisfied with the use of augmented reality technology to support the The quantitative results of this research study showed that the use of augmented reality technology on learning environments had The motivation mean scores obtained were M ¼ 3.62 for the augmented reality based learning scenario and M ¼ 3.29 for the cache = ./cache/work_5zyc52fwnfceba32yzaf2m72za.pdf txt = ./txt/work_5zyc52fwnfceba32yzaf2m72za.txt === reduce.pl bib === id = work_czhyll5jrjan5oak6m2a4uwp2i author = Brian jeffrey Maxson title = Kings and tyrants: Leonardo Bruni's translation of Xenophon'sHiero date = 2010 pages = 20 extension = .pdf mime = application/pdf words = 10160 sentences = 748 flesch = 70 summary = no study places Bruni's translation of Xenophon's Hiero in the context of his Salutati wrote, 'I wish you to read Bruni's translation of St Basil's dialogue the issue of kings and tyrants throughout Bruni's early works. Salutati argued that Caesar had been a legal ruler, not a tyrant, and thus and Salutati's treatment of Julius Caesar in the On the Tyrant both point to the arguments about kingship in order to defend Dante.47 In fact, having exonerated Julius Caesar from the charge of tyranny, Salutati turned the focus of about Julius Caesar.49 Both of Bruni's earliest original treatises express ambivalence towards Dante and the other vernacular poets of the Trecento. Bruni argued that Caesar was a tyrant, not because he ruled alone, but because Julius Caesar in Selected Works from Vergil to Bruni' (master's thesis, Brigham Young University, 2007). Kings and Tyrants: Leonardo Bruni's translation of Xenophon's "Hiero" Kings and Tyrants: Leonardo Bruni's translation of Xenophon's "Hiero" cache = ./cache/work_czhyll5jrjan5oak6m2a4uwp2i.pdf txt = ./txt/work_czhyll5jrjan5oak6m2a4uwp2i.txt === reduce.pl bib === id = work_xc3xbeukojeytidelzjeztvuze author = Riccardo Montanari title = European ceramic technology in the Far East: enamels and pigments in Japanese art from the 16th to the 20th century and their reverse influence on China date = 2020 pages = 18 extension = .pdf mime = application/pdf words = 11548 sentences = 917 flesch = 63 summary = European ceramic technology in the Far East: enamels and pigments in Japanese art from the Keywords: Porcelain, Enamel, Pigment, Painting, Japan, Jesuit, Seminario, China, EDXRF, Raman The Raman spectra detected on the nineteenth and twentieth century Japanese yellow enamels and on the seventeenth century mukozuke dish are reported in Fig. 2. As shown in Fig. 2, the spectra recorded on the yellow decorations of shards #7, #9, and the previously analysed seventeenth century mukozuke porcelain, all show a The XRF spectrum recorded on the overglaze blue decoration of shard #8 (Fig. 5b) shows a chemical composition consistent with the European smalt-based enamel European ceramic technology in the Far East: enamels and pigments in Japanese art from the 16th to the 20th century and their reverse influence on China European ceramic technology in the Far East: enamels and pigments in Japanese art from the 16th to the 20th century and their reverse influence on China cache = ./cache/work_xc3xbeukojeytidelzjeztvuze.pdf txt = ./txt/work_xc3xbeukojeytidelzjeztvuze.txt === reduce.pl bib === === reduce.pl bib === id = work_mso2mklylrcy3alvqwwc7zxkvy author = Han Lamers title = Constructing Hellenism: Studies on the History of Greek Learning in Early Modern Europe date = 2018 pages = 15 extension = .pdf mime = application/pdf words = 8779 sentences = 614 flesch = 61 summary = Constructing Hellenism: Studies on the History of Greek scholarship on the early modern history of Greek learning and the way in which the What Greek learning, or Hellenismus, meant to early modern scholars becomes the manifold aspects of early modern Hellenismus, or Greek learning, in a more Ecclesiastical and Cultural History, New York and Evanston, 1966; and Greek Scholars in Venice: Studies The early modern study, interpretation and edition of the 'rediscovered' Greek New On the study of Greek in the early modern period, see also To get an idea of how early modern scholars working in diverse contexts studied Greek history, and of early modern Hellenism, the transmission and dissemination of Greek texts, their Throughout the early modern period, the use of Greek learning was not Constructing Hellenism: Studies on the History of Greek Learning in Early Modern Europe Constructing Hellenism: Studies on the History of Greek Learning in Early Modern Europe cache = ./cache/work_mso2mklylrcy3alvqwwc7zxkvy.pdf txt = ./txt/work_mso2mklylrcy3alvqwwc7zxkvy.txt === reduce.pl bib === id = work_xpa3msb455hnznot2pvlf5ywgi author = Michele Mossa title = The recent 500th anniversary of Leonardo da Vinci's death: a reminder of his contribution in the field of fluid mechanics date = 2020 pages = 10 extension = .pdf mime = application/pdf words = 2980 sentences = 270 flesch = 69 summary = In this work, a summary of Leonardo da Vinci's contribution in the field of fluid mechanics is reported. highlighted, such as vortices, flow fields with obstacles, the continuity law, waves, velocity in the codes prove that Leonardo's interest in fluid mechanics works and water is only one Only many years later after Leonardo, Guglielmini [5] and Bidone [6] notice the phenomenon of a hydraulic jump. Leonardo drew the waves several times and an example is shown in Fig. 5. Like Archimedes, Leonardo made great contributions in hydraulic works and machines. As an example of hydraulic works, Leonardo's contribution in Milan will be briefly The recent 500th anniversary of Leonardo da Vinci's death: a reminder of his contribution in the field of fluid mechanics The recent 500th anniversary of Leonardo da Vinci's death: a reminder of his contribution in the field of fluid mechanics cache = ./cache/work_xpa3msb455hnznot2pvlf5ywgi.pdf txt = ./txt/work_xpa3msb455hnznot2pvlf5ywgi.txt === reduce.pl bib === id = work_fstfhgvg6ve4tmxjs2xhbxq3ta author = Chitra Sankaran title = Materiality, Devotion and Compromise: A Study of Goddess Films of South India date = 2015 pages = 35 extension = .pdf mime = application/pdf words = 11283 sentences = 1035 flesch = 71 summary = religious images, most notably saints – like St Francis, the commonest saint depicted [Figs 8.1 and 8.2] – the Virgin, angels, and the sacred trigram. 2 Red lustre sometimes also appears on Deruta wares, but for reasons unknown potters abandoned its use by the early 1520s. Since this convenient hanging feature is built-in to the objects, historians have concluded that the dishes' primary function was as domestic, wallhung devotional art. 9 E.g. Lydecker J.K., The Domestic Setting of the Arts in Renaissance Florence, Ph.D. dissertation (The Johns Hopkins University: 1987), particularly "Religious art in Florentine homes" religious figures on multiple Deruta dishes suggests that certain designs were Wilson, Italian Maiolica of the Renaissance cat. Wilson, Italian Maiolica of the Renaissance cat. which see Sani E.P., Italian Renaissance Maiolica (London: 2012) 184, fig. Large maiolica dishes and plates are consistently listed in Renaissance religious-themed Deruta piatti da pompa paralleled that of other pious images cache = ./cache/work_fstfhgvg6ve4tmxjs2xhbxq3ta.pdf txt = ./txt/work_fstfhgvg6ve4tmxjs2xhbxq3ta.txt === reduce.pl bib === id = work_q5vz4q44pnd5dggy4rb2kysqry author = R. Moses title = The spreading city date = 2003 pages = 6 extension = .pdf mime = application/pdf words = 3021 sentences = 180 flesch = 69 summary = ∗ MOSES, R."The Spreading City" en Working for rhe People: Promise and Performance in Public Service, New astonishing number of people have homes in town and in the country. We have millions of city people of all income The city man is a weekend salt-water fisherman by instinct. the city man and the country man. There is no sense in assuming irreconcilable conflict between city and country no doubt honestly believe that all city people hate their existence. big cities and made good. The nearby country as well as the suburb is meaningless without the city. Obviously, city life is not doomed, although some particular town may Parts of big towns are like suburbs and even country. The city is still the center parkways and expressways to make the city and country one. Roman idea of rus in urbe, the country in the city. Country and city, we are knitted together. cache = ./cache/work_q5vz4q44pnd5dggy4rb2kysqry.pdf txt = ./txt/work_q5vz4q44pnd5dggy4rb2kysqry.txt === reduce.pl bib === id = work_6gbywtxgtbatfaqnvshtpwbyve author = Biljana Arandjelovic title = Berlin between past, present and future date = 2009 pages = 9 extension = .pdf mime = application/pdf words = 3628 sentences = 442 flesch = 66 summary = Key words: Modern architecture of Berlin, history of architecture, art in open urban Today Berlin is a strong European political center as well as a world important art The architecture in modern Berlin shows that nowadays Germany is open to The new modern buildings, Paul Löbe Haus and Marie Elisabeth Lüders Haus, alongside the river Spree has been built after the design of the architect Stephan Braunfels. This Memorial is part of new modern urban Berlin together with more symbolic East Berlin became the capital city of the East Germany after Second World War. The The architectural future of East Berlin is in further urban development. 3. BERLIN TODAY AS UNESCO CITY OF DESIGN AND ART CENTER Using public spaces for art installation is common in Berlin. At this moment, UNESCO world cities of design are Berlin Art in open urban space as part of modern Berlin cache = ./cache/work_6gbywtxgtbatfaqnvshtpwbyve.pdf txt = ./txt/work_6gbywtxgtbatfaqnvshtpwbyve.txt === reduce.pl bib === === reduce.pl bib === id = work_kjzx5iye6vcinl5hc6tznnyonu author = Elliott D. Wise title = Thresholds and Boundaries: Liminality in Netherlandish Art (1385–1520). Lynn F. Jacobs. Visual Culture in Early Modernity. London: Routledge, 2018. xiv + 232 pp. + 12 color pls. $150 date = 2020 pages = 3 extension = .pdf mime = application/pdf words = 1434 sentences = 88 flesch = 54 summary = Thresholds and Boundaries: Liminality in Netherlandish Art (1385–1520). study of spatial logistics in triptychs (Opening Doors: The Early Netherlandish Triptych Reinterpreted [2012]), Jacobs's new book offers a theoretical paradigm for appreciating presence in early modern art with just four case studies and a coda. place, Jacobs indicates the far-reaching relevance of liminal studies with examples Chapter 2 is a case study in stone, featuring Claus Sluter's portal that literally formed Chapter 4 further articulates a Netherlandish view of space that is "multiplex" in its "formal and iconographical richness . In chapter 5, Jacobs posits that the grisaille shutters of Netherlandish altarpieces— Fury" in Antwerp, in 1576, Hoefnagel and Ortelius traveled to Germany and Italy, Other chapters are devoted to Hoefnagel's plaintive emblem manuscript Patientia (1569), the landscape and city views he designed for Braun and Hogenberg's six-volume Civitates Bass's three chapters on the Four Elements and the accompanying color plates form cache = ./cache/work_kjzx5iye6vcinl5hc6tznnyonu.pdf txt = ./txt/work_kjzx5iye6vcinl5hc6tznnyonu.txt === reduce.pl bib === id = work_jb74g4gaeze7tlooskzdbav4x4 author = Nicholas Campion title = The 2012 Mayan calendar prophecies in the context of the western millenarian tradition date = 2011 pages = 6 extension = .pdf mime = application/pdf words = 3706 sentences = 223 flesch = 50 summary = 2012 Maya prophecy, millenarianism, New Age, historicism encouraged the wider counter-cultural Maya Prophecy Movement (MPM). We should also bring modern New Age culture into consideration as a species of millenarian thought (Hanegraaff 1996: 96, 98–103), based as it is In addition, New Age culture possesses the following characteristics (Campion Both Christian millenarianism and New Age prophecy draw their legitimacy from powerful political ideologies of twentieth-century Europe, were secular forms of millenarianism: both assumed that history follows patterns that are broadly predetermined and Baillie argued that progress theory evolved directly out of Jewish and Christian millenarianism's message of hope that a new world will be born. One framework for understanding whether millenarian prophecies are peaceful or violent was suggested by Desroche (1979: 93–94), who identified two forms of Christian Revolutionary Millenarians and Mystical Anarchists of the Middle Ages, Oxford University Press, London & New York. cache = ./cache/work_jb74g4gaeze7tlooskzdbav4x4.pdf txt = ./txt/work_jb74g4gaeze7tlooskzdbav4x4.txt === reduce.pl bib === id = work_l7po3cmgjrdnbgqgas65xaq7du author = Marina Radic-Sestic title = The beginnings of education of the deaf persons: Renaissance Europe (XIV-XVI century) date = 2012 pages = 19 extension = .pdf mime = application/pdf words = 6841 sentences = 447 flesch = 66 summary = deaf persons which was brought by the historic Renaissance period, Key words: society, renaissance, education, deaf pupil, positive influence on the education of the deaf children (Van Cleve, Mediaeval philosophers and teachers considered the deaf people begun systematic work of teachers and physicians with the deaf. deaf children should be educated in the best possible way. possibility of intellectual development and education of the deaf found deaf that he has successfully educated, Carrion is considered to be the deaf Italian Renaissance painter, known as an extraordinary master Renaissance painter, who was deaf from birth. i dr.: The beginnings of education of the deaf persons: i dr.: The beginnings of education of the deaf persons: i dr.: The beginnings of education of the deaf persons: i dr.: The beginnings of education of the deaf persons: i dr.: The beginnings of education of the deaf persons: i dr.: The beginnings of education of the deaf persons: cache = ./cache/work_l7po3cmgjrdnbgqgas65xaq7du.pdf txt = ./txt/work_l7po3cmgjrdnbgqgas65xaq7du.txt === reduce.pl bib === id = work_vs6nfsiagjfoppejwupcf5oj5i author = Valerie Shrimplin title = Michelangelo, Copernicus and the Sistine Chapel date = 2013 pages = 7 extension = .pdf mime = application/pdf words = 5864 sentences = 322 flesch = 61 summary = Michelangelo, Copernicus and the Sistine Chapel, American Journal of Astronomy and Astrophysics. Abstract: It is argued that Copernican astronomy is a key theme in Michelangelo's fresco of the Last Judgment in the iconography of the Last Judgment (depicting the three parts of the universe: heaven earth and hell) was traditionally based on Michelangelo's revolutionary work, Christ is significantly depicted as a beardless Apollonian sun-god, positioned in the Keywords: Copernicus, Michelangelo, Heliocentric, Sistine Chapel, Dante It has long been widely recognized that in Michelangelo's fresco of the Last Judgment (1541) Christ is depicted Sun-symbolism and Cosmology in Michelangelo's Last Judgment, Truman State On the altar wall, Michelangelo's monumental fresco of the Last Judgment (painted much later, Michelangelo and Copernicus at the time of the commission of the Last Judgment. 6 Valerie Shrimplin: Michelangelo, Copernicus and the Sistine Chapel At the time that Michelangelo was painting his great fresco, the heliocentric theory cache = ./cache/work_vs6nfsiagjfoppejwupcf5oj5i.pdf txt = ./txt/work_vs6nfsiagjfoppejwupcf5oj5i.txt === reduce.pl bib === id = work_gcxyp6ur2jflbgb3hxhi72trs4 author = Maria Alambritis title = Julia Cartwright (7 November 1851–28 April 1924) date = 2019 pages = extension = .pdf mime = text/html words = 578 sentences = 88 flesch = 63 summary = 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. cache = ./cache/work_gcxyp6ur2jflbgb3hxhi72trs4.pdf txt = ./txt/work_gcxyp6ur2jflbgb3hxhi72trs4.txt === reduce.pl bib === id = work_wjz3v2scxzfxlkaxpzt5a7ya4y author = Tiffany L. Johnston title = Mary Berenson (14 February 1864–23 March 1945) date = 2019 pages = extension = .pdf mime = text/html words = 578 sentences = 88 flesch = 63 summary = 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. cache = ./cache/work_wjz3v2scxzfxlkaxpzt5a7ya4y.pdf txt = ./txt/work_wjz3v2scxzfxlkaxpzt5a7ya4y.txt === reduce.pl bib === id = work_7qzi6pfiq5g37aopdwyyhgf3o4 author = J Dequeker title = Arthritis in Flemish paintings (1400-1700) date = 1977 pages = 3 extension = .pdf mime = application/pdf words = 2147 sentences = 383 flesch = 75 summary = Arthritis in Flemish paintings (1400-1700)* paintings there were figures with hand lesions resembling Rheumatoid arthritis was first clearly described by Landre absence of rheumatoid deformities in painting or sculpture I soon discovered that a painting in my own city showed rheumatoid-like lesions. The hand of Christ in a painting by Jan Rombauts have been painted by Joos (Justus) van Gent, shows arthritis of the proximal interphalangeal joint of the left index finger. housemaid's hands seem to be affected by rheumatoid arthritis. The man in the painting The Donators (1525-30) by Jan Gossaert, During my search for rheumatoid lesions I did not see any joint found in the painting by Jan van Eyck (1436) of the holy virgin with Canon van der Paele, who was the donor of the painting (fig 7). painters' styles, except perhaps for the hands in the painting paintings was present or visible in only one hand and not with cache = ./cache/work_7qzi6pfiq5g37aopdwyyhgf3o4.pdf txt = ./txt/work_7qzi6pfiq5g37aopdwyyhgf3o4.txt === reduce.pl bib === === reduce.pl bib === id = work_ggh44k3ypbadlnxwfwjc4huvbq author = François Sellal title = The Babinski sign in Renaissance paintings—a reappraisal of the toe phenomenon in representations of the Christ Child: observational analysis date = 2020 pages = 6 extension = .pdf mime = application/pdf words = 4760 sentences = 854 flesch = 78 summary = The Babinski sign in Renaissance paintings—a reappraisal of the toe phenomenon in representations of the Christ Child: observational analysis Large collection of paintings depicting the Christ Child 302 Renaissance paintings (by 19 painters) depicting Babinski sign was observed in three paintings. Previous investigations of the depiction of the Babinski sign in paintings of the paintings depicting a Christ Child whose feet were Babinski sign in paintings of the Christ Child from Babinski sign in paintings of the Christ Child from Babinski sign in paintings of the Christ Child from reproduce the Babinski sign in paintings of the Christ artist (dates) paintings (n=302) babinski sign (n=90) Frequency of babinski sign in paintings by artists of the Babinski sign in painting; da Vinci, who was an Fig 2 | Details from five paintings depicting a babinski sign. the Christ Child as depicted in paintings does not Renaissance paintings of the Christ Child that we cache = ./cache/work_ggh44k3ypbadlnxwfwjc4huvbq.pdf txt = ./txt/work_ggh44k3ypbadlnxwfwjc4huvbq.txt === reduce.pl bib === id = work_bxudptucfjdi7cvg4vctjdnmuq author = Alan Sangster title = Book review: Double Entry: How the Merchants of Venice Shaped the Modern World and How their Invention could Make or Break the PlanetGleeson-WhiteJDouble Entry: How the Merchants of Venice Shaped the Modern World and How their Invention could Make or Break the Planet, Allen & Unwin: Sydney, 2011, 294 + viii pp.: ISBN: 9781741757552 date = 2012 pages = 11 extension = .pdf mime = application/pdf words = 6117 sentences = 489 flesch = 73 summary = bookkeeping contained in Luca Pacioli's Summa Arithmetica of 1494, without balance in an accounting system based upon double entry is a mathematical one, Gleeson-White gives the impression that as soon as Pacioli's treatise was published in As an accounting historian and specialist in Pacioli and the birth of double entry the life of the times of Pacioli, but that book has one serious flaw noted by every text for a one-semester or year-long university module/course on accounting history. Bagni GT (2009) Luca Pacioli, the mathematics of his time and De viribus quantitatis. Sangster A (2011) Luca Pacioli, school teacher and university professor. Sokolov YV and Sokolov VY (2011) Pacioli's ideas in Russian accounting history. In 1494, Pacioli did not become the first author of a printed book on algebra (p.67). text is that double entry bookkeeping as described by Pacioli was widely adopted The account books give cache = ./cache/work_bxudptucfjdi7cvg4vctjdnmuq.pdf txt = ./txt/work_bxudptucfjdi7cvg4vctjdnmuq.txt === reduce.pl bib === id = work_rpqybn5v55fwzea4i365uo5bmi author = Michael Wyatt title = The Universities of the Italian Renaissance (review) date = 2004 pages = 4 extension = .pdf mime = application/pdf words = 1477 sentences = 79 flesch = 55 summary = The Universities of the Italian Renaissance (review) The Universities of the Italian Renaissance (review) as late as the 1880s versions of emblem books which have the Pia Desideria The Universities of the Italian Renaissance The early Italian university was a far cry from its modern counterpart. But as Paul Grendler�s authoritative study The Universities of the Italian remarkably fertile period for the Italian university between about 1450 and significant examination of Italian pre-university education, Schooling in The first section of Grendler�s study explores the creation, administration, and functioning of each of the Italian universities. The attention Grendler devotes to faculty compensation demonstrates Even when they did not begin as such, all Italian universities came to be were granted through the territorial political authority after a course of disciplines taught in the early Italian university, spells out the creative In Reformation, Politics and Polemics John Craig explores the cache = ./cache/work_rpqybn5v55fwzea4i365uo5bmi.pdf txt = ./txt/work_rpqybn5v55fwzea4i365uo5bmi.txt === reduce.pl bib === id = work_uk4akh4d25h6xjqvmx5srpwh7e author = Pier Paolo Bassareo title = Learning from the past in the COVID-19 era: rediscovery of quarantine, previous pandemics, origin of hospitals and national healthcare systems, and ethics in medicine date = 2020 pages = 6 extension = .pdf mime = application/pdf words = 7505 sentences = 1115 flesch = 73 summary = rediscovery of quarantine, previous pandemics, origin quarantine is the 40-day period of forced isolation to Quarantine, spread, isolation, lockdown, cocooning, masking, social distancing, hand hygiene, blood Quarantine or lockdown is a forced segregation to prevent a communicable disease from the procedure of separating infected from healthy people to prevent leprosy from spreading, according to 'quarantine'.14 Over the next 80 years, similar edicts were published in Marseilles, Venice, Pisa and Genoa.15 into health practices and the term 'quarantine' had great symbolic plague has an averaged 37-day period from infection to death; Following that, in the human history, quarantine was declared Box 3 Summary of the history of quarantine in the USA BRIEF HISTORY OF ETHICS IN MEDICINE AND NEW CHALLENGES Persad et al suggested four ethical principles to guide the distribution (allocation) of the available scarce medical resources, BRIEF HISTORY OF HOSPITALS AND HEALTHCARE SYSTEMS BRIEF HISTORY OF HOSPITALS AND HEALTHCARE SYSTEMS cache = ./cache/work_uk4akh4d25h6xjqvmx5srpwh7e.pdf txt = ./txt/work_uk4akh4d25h6xjqvmx5srpwh7e.txt === reduce.pl bib === id = work_dlope6rpsneh5dhqdzdooc4bz4 author = David Cast title = 'Vasari's words'. Review of: Douglas Biow, Vasari's Words: The Lives of the Artists as a History of Ideas in the Italian Renaissance, Cambridge University Press: Cambridge 2018 date = 2019 pages = 4 extension = .pdf mime = application/pdf words = 1981 sentences = 76 flesch = 59 summary = Douglas Biow, Vasari's Words: The Lives of the Artists as a History of Ideas in the It is five such ideas, Vasari's words as they are described in the title, that are that Biow recognises, he sees this text as a vital document in the history of ideas, here Biow produces by a close and contextualised reading of Vasari's text, if then he term found in the text, as when in one footnote Biow lists as many as forty-six artists Hence the supreme importance of this idea of the profession throughout this text, both artistic and professional success, with his universal ability, as Vasari put it, in Biow, considering a more material aspect of the idea of time, speaks of what Vasari text of Vasari, Lartte, produced by the Scuola Normale in Pisa as part of what on word or phrase in Vasari is immediately accessible in all its instances. cache = ./cache/work_dlope6rpsneh5dhqdzdooc4bz4.pdf txt = ./txt/work_dlope6rpsneh5dhqdzdooc4bz4.txt === reduce.pl bib === id = work_j4by5m2dlrdufe7zxvdyra3gs4 author = Elizabeta Dimitrova title = Colourful sparkles of imaginary vistas: Saintly beauty in the eyes of the beholder date = 2013 pages = 10 extension = .pdf mime = application/pdf words = 7213 sentences = 528 flesch = 63 summary = Key words: Beauty, Saintly images, Categories of saints, Warriors, Bishops, Holy Healers, Martyrs, Female saints warriors, the modest female saints etc., were always represented within the manner which predominantly expressed classification of the depiction of physical beauty in Byzantine painting, we are making an attempt to specify several Maguire, Disembodiment and corporality in Byzantine images of the saints, in: Iconography at the crossroads. the facial exposition, posture, costume and corporal expression of the saintly images became the main features of the saintly images, our chosen categories of holy personages (warriors, martyrs, physician saints, bishops, hermits, female saints) generate several distinctive typological determinants of sacral looks in the sphere of physical In that sense, the holy warriors are represented in characteristic "ready-for-action" poses, manifested through various gestures, while their images are the image of Saint Euphrosinos depicted in the church of image of Saint Makarios from the church of Panagia Olimpiotissa in Elasson (ca. cache = ./cache/work_j4by5m2dlrdufe7zxvdyra3gs4.pdf txt = ./txt/work_j4by5m2dlrdufe7zxvdyra3gs4.txt === reduce.pl bib === id = work_6ybfo7zywfawtd3uofeupgblzu author = Karel Turza title = On modernity in general and on the main obstacles to modernity in Serbia in the 20th century - and afterwards date = 2003 pages = 24 extension = .pdf mime = application/pdf words = 11972 sentences = 812 flesch = 62 summary = them had in mind the fact that modernizing projects in Serbia over the past, say, a) instead of new, postfeudal forms of private property, state − or the socalled social (like in former Yugoslavia) − ownership prevailed; again that that (political) aspect of modern formal rationality came into being relatively recently. On the other hand, within modern economy, formal rationality has a long history. modernity, one of its main achievements − namely, its political formal rationality − has been, in new, postfeudal form of property, market economy, rationality and individualism, The story about Serbia and modernity in the 20th century could be divided in attributes/conditions of modernity − individualism and rationality − either. modern economic system (�In the economic life of the 19th century Serbia considerable changes So, ever since 1945 modernity in Serbia (and Yugoslavia) has not been denied the main attributes/conditions of modernity, in Serbia/Yugoslavia �la danse cache = ./cache/work_6ybfo7zywfawtd3uofeupgblzu.pdf txt = ./txt/work_6ybfo7zywfawtd3uofeupgblzu.txt === reduce.pl bib === id = work_fmx4anp74vfd7ps34dqgsropbm author = Alessandro Nova title = Raphael and the redefinition of art in Renaissance Italy date = 2019 pages = 6 extension = .pdf mime = application/pdf words = 3266 sentences = 154 flesch = 55 summary = Robert Williams, Raphael and the Redefinition of Art in Renaissance Italy, in the entire history of art, Robert Williams addresses in chapter one the crucial which Renaissance art anticipates aspects of artistic modernism and As Williams rightly observes: 'The style he [Raphael] the first chapter Williams has investigated Raphael's early altarpieces and above all the actual works of art painted or planned by Raphael. created by the author to do justice to the figure and works of Raphael has developed detailed study of how a well-organised workshop, like Raphael's, functioned, can Alessandro Nova Raphael and the redefinition of art in Renaissance Italy Alessandro Nova Raphael and the redefinition of art in Renaissance Italy Alessandro Nova Raphael and the redefinition of art in Renaissance Italy Alessandro Nova Raphael and the redefinition of art in Renaissance Italy Alessandro Nova Raphael and the redefinition of art in Renaissance Italy cache = ./cache/work_fmx4anp74vfd7ps34dqgsropbm.pdf txt = ./txt/work_fmx4anp74vfd7ps34dqgsropbm.txt === reduce.pl bib === id = work_cjryiy6sgbdorccfcv3ibrf5ju author = Sophus A. Reinert title = Political Economy and the Medici date = 2020 pages = 53 extension = .pdf mime = application/pdf words = 22279 sentences = 2926 flesch = 77 summary = Keywords: Medici, wool, Florence, political economy, Selfridge collection, Giovanni Botero, Antonio Serra, Gustav von Ammannati, "L'Arte della Lana a Firenze nel Cinquecento: Crisi del settore e riposte degli operatori," Storia economica 11 [2008]: 1–39; Ammannati, "Florentine Woolen Manufacture in the Sixteenth Century: Crisis and New Entrepreneurial Strategies," Business and Economic History On-Line 7 [2009]: 1–9; Patrick Chorley, "Rascie and the Florentine Cloth Industry during the Sixteenth Century," Journal of European Economic History 32, no. by midcentury, it was precisely these "best of the best" regions that supplied the raw wool for Florentine firms.24 After the invention of the footoperated horizontal loom in the Middle Ages, production costs remained wool, the Garbo sector in Florence was dominant, at least in terms of production volume, with less than 25 percent of the total cloths produced cloths produced by the wool manufacturing firm of Raffaello di Francesco de' Medici (1531–1534). cache = ./cache/work_cjryiy6sgbdorccfcv3ibrf5ju.pdf txt = ./txt/work_cjryiy6sgbdorccfcv3ibrf5ju.txt === reduce.pl bib === === reduce.pl bib === === reduce.pl bib === id = work_nxmwb5nqgvfp7k6dzf4wioefeq author = Austin Clarkson title = abstracts date = 2019 pages = 3 extension = .pdf mime = application/pdf words = 993 sentences = 62 flesch = 51 summary = Musical Instruments in the Medieval Frescoes of Slovenia Slovene church frescoes picture instruments played in the same manner as which usually included angels playing musical instruments. The musical instruments in these medieval frescoes bear out the evidence of written sources that instrumental music was perpetrated by traveling artists from whose ranks permanently employed musicians descended. documents include the first printed handbook of musical instruments wri tten Music in Slovenia in the Protestant Era is of special importance for Slovene culture and in particular ICJr its music. \\,ithin both Catholic and Protestant music. The acti\'ity of the Ljubljana Protestant circlc, especially of its and instrumental instruction, and the connection between the musical duties of the school and the Ljubljana Protestant Church. Furthermore, his bibliography of Lisinski's works includes four hitherto unknown picces and discloses that two compositions, Lisinski was the founder ora nationally-oriented school of Croatian music; cache = ./cache/work_nxmwb5nqgvfp7k6dzf4wioefeq.pdf txt = ./txt/work_nxmwb5nqgvfp7k6dzf4wioefeq.txt === reduce.pl bib === id = work_rquuwxqt2rcvdfnzvoqekauq6e author = Gaetano Thiene title = XXVII Edgar Mannheimer Lecture: The discovery of circulation and the origin of modern medicine during the Italian Renaissance date = 1996 pages = 11 extension = .pdf mime = application/pdf words = 6131 sentences = 545 flesch = 66 summary = XXVII Edgar Mannheimer Lecture: The discovery of circulation and the origin of modern medicine during the Italian Renaissance the scene depicting Fabricius ab Acquapendente, Professor of Anatomy and Surgery at the University of Leonardo da Vinci (1452-1519), the greatest artistanatomist who ever lived, conducted the most important scientific studies of the human body in the history By general consent, the University of Padua is credited with having given rise to Modern Medicine. University of Padua and the origin of modern medicine: milestone publications. the pulmonary veins carried blood, not air, thus discovering lung function and circulation (Figure 11): "/ Medicine at the University of Padua in 1711. Vol. 6, No. 2 Thiene G: Origin of Modern Medicine during the Italian Renaissance 119 Vol. 6, No. 2 Thiene G: Origin of Modern Medicine during the Italian Renaissance 119 Vol. 6, No. 2 Thiene G: Origin of Modern Medicine during the Italian Renaissance 119 cache = ./cache/work_rquuwxqt2rcvdfnzvoqekauq6e.pdf txt = ./txt/work_rquuwxqt2rcvdfnzvoqekauq6e.txt === reduce.pl bib === id = work_4ddwhs7gxvevfnrrl2qoyha4ya author = Victor Ginsburgh title = On The Formation of Canons: The Dynamics of Narratives in Art History date = 2010 pages = 32 extension = .pdf mime = application/pdf words = 9399 sentences = 730 flesch = 73 summary = years ago, by Vasari in the second edition of his Vite, and by van Mander in his century canons of two groups of artists (Italians and Flemish) who, according to large number of artists in narrative works written by important art scholars at time The Italian Renaissance and Flemish Realism Canons at the End of the 20th Century canons are defined by the names that appear in Grove's (1996) entries for the Italian For Italian art, Michelangelo is the artist whose entry is the longest (Grove Rubens is first in the Flemish canon, followed by Breughel and Van Dyck, while For Italy, the 20th century canon is formed by painters whose names appear in mentioned in the entry on Flemish painting in Grove (1996, vol. given by previous art historians (Vasari to Chastel for Italians, and van Mander to van Some artists entered the canon at later times, given that art historians cache = ./cache/work_4ddwhs7gxvevfnrrl2qoyha4ya.pdf txt = ./txt/work_4ddwhs7gxvevfnrrl2qoyha4ya.txt === reduce.pl bib === id = work_yuxwl6jg5beftd7hrevkhblvcq author = Tiffany L. Johnston title = Maud Cruttwell and the Berensons: 'A preliminary canter to an independent career' date = 2019 pages = extension = .pdf mime = text/html words = 578 sentences = 88 flesch = 63 summary = 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. cache = ./cache/work_yuxwl6jg5beftd7hrevkhblvcq.pdf txt = ./txt/work_yuxwl6jg5beftd7hrevkhblvcq.txt === reduce.pl bib === id = work_xmy75qtsgvhxbemie3hmgd6u6a author = Aleksandar Kadijević title = The house of Marko Stojanović (1885): The first independent work of architect Konstantin Jovanović in Belgrade date = 2020 pages = 30 extension = .pdf mime = application/pdf words = 15447 sentences = 2056 flesch = 88 summary = Јовановића (1849–1923) у Београду,1 кућа адвоката Марка Стојановића у Кнез Михаиловој улици 53–55 из 1885. (1966), Архитектонско наслеђе града Београда I, Саопштења Завода за заштиту споменика културе 6 (Београд): (1988), Хотели и кафане XIX века у Београду, Београд: Музеј града Београда. Belgrade, the house of solicitor Marko Stojanović at 53–55 Knez Mihailova Street, built in 1885, T he Ærst independent creation of the Viennese architect Konstantin Jovanović (1849–1923) in Belgrade,1 the house of solicitor Marko the cultural and historical spatial unit of Knez Mihailova Street,11 Stojanović's house has been analysed a number of times in the Serbian historiography. interpreters also emphasised the foundational importance of the Ærst Stojanović's house in articulating Jovanović's Belgrade oeuvre, noting that the richness of its block defined by Rajićeva, Pariska, and Knez Mihailova streets44 (Figure 2), the Ærst Stojanović's house belongs to the corpus of dispersed corner interpolations.45 It was built in the place of Menzulana cache = ./cache/work_xmy75qtsgvhxbemie3hmgd6u6a.pdf txt = ./txt/work_xmy75qtsgvhxbemie3hmgd6u6a.txt === reduce.pl bib === id = work_6a33e6ttvfh2plfrluqaheznai author = Alexandra Carter title = Reshaping Dance through Time: A Critical View of Historical Periodisation in Relation to Pedagogy and Research date = 2009 pages = 13 extension = .pdf mime = application/pdf words = 4591 sentences = 396 flesch = 65 summary = Reshaping Dance Through Time: A critical view of historical periodisation in relation to history is shaped by acceptance of dominant periods, and to point to ways in which the shape of dance This trend is reflected in the more recently published dance history texts, as I will go How has dance organised its "long view" of Western theatre history? of the organisation of time in a selection of twenty-five dance history books published mainly in the and social dance (Vuillier) and also to the temporal "modern" in relation to the time the books were The dance history books of the early twentieth century prefigure a trend which continues Recent research on the content of dance history syllabi in British universities periods in dance history: the Romantic era put back the heart that had been lost in ballet, and, one of Ballet and modern dance: a concise history. cache = ./cache/work_6a33e6ttvfh2plfrluqaheznai.pdf txt = ./txt/work_6a33e6ttvfh2plfrluqaheznai.txt === reduce.pl bib === id = work_o5hpppppwnd4hj46tyqg72m3ry author = Irena Ndreu title = Albanian Cultural Representation In The City Of Venice Through Albanian Painters In Italy date = 2017 pages = 14 extension = .pdf mime = application/pdf words = 2803 sentences = 245 flesch = 73 summary = Vittore Carpaccio, excelled with their talent and works in the city of Venice. The works of Carpaccio are important because they present, in the cycle "Stories of St. Ursula", the Vittore Carpaccio, son of Pietro, a fur trader (Sgarbi, 1944, 23), was born in Venice in 1455. Giulini evaluates the paintings under "Stories of Saint Ursula" (fig.1) with these words: "E‟ la luce Carpaccio worked for other schools as well, like that of St. Ursula under the Dominican Covent in the Scuola degli Albanesi in Venice (fig.12, 13,) when he was at the culmination of his artistic Carpaccio‟s works are important because they show the uniform of Albanian soldiers in the cycle The Departure of the Pilgrims, Vittore Carpaccio, (1495) Venice, Gallery of the Academy Stories of the Virgin , Vittore Carpaccio – Cycle Scuola delli Albanesi Fig. 13 Stories of the Virgin , Vittore Carpaccio – Cycle of the Albanian School cache = ./cache/work_o5hpppppwnd4hj46tyqg72m3ry.pdf txt = ./txt/work_o5hpppppwnd4hj46tyqg72m3ry.txt === reduce.pl bib === === reduce.pl bib === id = work_w3stgvlts5ahbcfesc7rnof2ue author = Joseph Godla title = Creating a Preservation Environment for Renaissance Limoges Enamels date = 2017 pages = 21 extension = .pdf mime = application/pdf words = 4865 sentences = 289 flesch = 59 summary = Institution: The Frick Collection, New York The Frick Collection recently completed a year-long project to renovate two of its historic Assistant Conservator Julia Day led a seminar on the Frick's enamels collection. The aim of the project was to house the Frick's outstanding Renaissance Limoges enamels The refurbished and relit Enamels Room at The Frick Collection; Photo: Michael Bodycomb THE FRICK UPDATES ITS HISTORIC ENAMELS ROOM CASES 24, bronze, 6 5/8 inches high, The Frick Collection, New The Frick Collection, New York; Photo: Michael Bodycomb The Frick's collection contains works by most of the major enamel painters HOW THE ENAMELS ENTERED THE FRICK COLLECTION 6 1/4 inches, The Frick Collection, New York; photo: The Enamels Room of The Frick Collection, 1930. In Frick's new home at 1 East 70th Street, the enamels were time to display a significant collection of Limoges enamels Frick Enamels Room Press Release cache = ./cache/work_w3stgvlts5ahbcfesc7rnof2ue.pdf txt = ./txt/work_w3stgvlts5ahbcfesc7rnof2ue.txt === reduce.pl bib === id = work_ig53zppym5cm5mpxazcugkm5za author = F. Castro title = A Quantitative Look at Mediterranean Lateen- and Square-Rigged Ships (Part 1) date = 2008 pages = 13 extension = .pdf mime = application/pdf words = 8068 sentences = 1847 flesch = 87 summary = CASTRO ET AL.: MEDITERRANEAN LATEENAND SQUARE-RIGGED SHIPS (PART 1)NAUTICAL ARCHAEOLOGY, the three-masted ships of the modern age of sail, in the beginning of the 15th century. characteristics of late-medieval vessels in the hope of finding patterns that will help understand the relatively-quick technological evolution of Mediterranean merchant craft of the 14th and 15th centuries. Lateen rigging, square rigging, Mediterranean seafaring, sailing performance, technological change. change in their rigging: lateen sails are easy to which ship-types first adopted lateen sails and by the vessels that adopted the new lateen rig, and factors led the shift both from shellto skeletonbased hull construction and from large squarerigged ships to smaller and faster lateeners. the 14th century to the square-rigged, oceangoing ship. century a new type of ship appeared in the : MEDITERRANEAN LATEENAND SQUARE-RIGGED SHIPS (PART 1) : MEDITERRANEAN LATEENAND SQUARE-RIGGED SHIPS (PART 1) medieval lateen-rigged ships with a number of cache = ./cache/work_ig53zppym5cm5mpxazcugkm5za.pdf txt = ./txt/work_ig53zppym5cm5mpxazcugkm5za.txt === reduce.pl bib === id = work_uo67dfvt6fa6teykha7ptyl6la author = GIORGIO SANGUINETTI title = EDITORIAL date = 2014 pages = 7 extension = .pdf mime = application/pdf words = 4119 sentences = 351 flesch = 65 summary = Eighteenth-Century Music 11/1, 3–9 6 Cambridge University Press, 2014 The pre-twentieth-century European (and particularly German) theoretical legacies were revered by historians of music theory, but in a field separate from pillars of music analysis: the concepts of unity, coherence, authorship and the 'work' itself. tradition (Felix Diergarten, ' ''The True Fundamentals of Composition'': Haydn's Partimento Counterpoint', Eighteenth-Century Music 8/1 (2011), 53–75) and Italian partimenti (my The Art of Partimento: The assumption of these theories is that during the eighteenth century a large number of pre-compositional schemata, comparable to building-blocks, were consciously used by most composers, and that many We are also witnessing a general crisis in the performing model rooted in the 'musical-work' paradigm, In order to 'speak' an eighteenth-century musical language, we need Improvising a complete piece of music using a partimento as a guide represents a middle ground cache = ./cache/work_uo67dfvt6fa6teykha7ptyl6la.pdf txt = ./txt/work_uo67dfvt6fa6teykha7ptyl6la.txt === reduce.pl bib === id = work_deumepylmbgybplcxvtcvdc75y author = Francesco Senatore title = Didattica e ricerca. L'esperienza del Laboratorio aragonese e sforzesco date = 2019 pages = 17 extension = .pdf mime = application/pdf words = 6439 sentences = 846 flesch = 66 summary = sede, perché ha inteso formare i giovani – 12 borsisti – all'edizione di fonti documentarie, facendoli esercitare in particolare sulle lettere destinate ai Dispacci sforzeschi da Napoli, prima serie della collana Fonti per la storia di Napoli aragonese, sostenuta proprio dall'Istituto italiano per gli studi filosofici. nel 1987 dal direttore della collana, DeL TReppO, Napoli aragonese nella corrispondenza degli ambasciatori. aragonese e sforzesco, presentandosi su un avviso cartaceo come «seminario di ricerca libero, aperto a tutti gli interessati (studenti del Vecchio e Nuovo Ordinamento, laureati, dottorandi)», con l'aggiunta che «il seminario non dà crediti né (si pensi appunto all'ISIMe e al Repertorium fontium historiae medii aevii 26), se possiamo confidare, tornando ai carteggi diplomatici, che l'Istituto Nazionale di studi sul Rinascimento porterà a termine l'edizione delle Lettere di Lorenzo de' Medici 27 (sarei meno ottimista per quanto riguarda le altre iniziative), non possiamo Conoscendo i limiti dell'organizzazione della ricerca nell'università, nella prima metà degli anni '80 Mario Del Treppo si indirizzò all'Istituto italiano per gli cache = ./cache/work_deumepylmbgybplcxvtcvdc75y.pdf txt = ./txt/work_deumepylmbgybplcxvtcvdc75y.txt === reduce.pl bib === id = work_z6kl2ubv6jckpjk7zks5yhqpau author = Vincent Mangematin title = Disassembly and reassembly: An introduction to the Special Issue on digital technology and creative industries date = 2014 pages = 34 extension = .pdf mime = application/pdf words = 8745 sentences = 640 flesch = 44 summary = Disassembly and reassembly on digital technology and creative industries. logics, business models and creative processes are affected by digital technology and how they Digital technology; creative industries; innovation; business models; institutional change; In sum, digital technologies affect creative industries through their distinctive properties as beyond, touching fundamental institutions as well as business models and creative processes. From an institutional perspective, creative industries can be understood as organizational fields from the adoption of digital technology in the creative process of older industries in comparison Our Special Issue shows that digital technologies affect the creative industries profoundly at the level of institutions, business models and the creative process itself. The papers on the creative process show that in these digital sectors, technology is creative industries, Technological Forecasting and Social Change, this issue. Chain in the Digital Music Industry, Technological Forecasting an Social Change, this issue. cache = ./cache/work_z6kl2ubv6jckpjk7zks5yhqpau.pdf txt = ./txt/work_z6kl2ubv6jckpjk7zks5yhqpau.txt === reduce.pl bib === id = work_frymu6uqqbg2lhypatlm3bqxee author = Miloš Duraj title = Monuments of the Czech Republic on the UNESCO World Heritage Site List and their Significance for Geotourism date = 2016 pages = 6 extension = .pdf mime = application/pdf words = 3925 sentences = 351 flesch = 63 summary = Monuments of the Czech Republic on the UNESCO World Heritage Site List and their Significance for Geotourism The article presents the monuments from the Czech Republic enlisted on the UNESCO World Heritage Site List. Keywords: UNESCO cultural and natural heritage; architectural styles; monuments; geology; tourism; UNESCO World Heritage Site List includes more than 1000 items of a cultural, natural and mixed character. and in the Czech Republic, is the geological structure of a given locality, where the specific monuments are located. The UNESCO World Heritage List gradually incorporates different monuments of a global significance. The building is in the Baroque Gothic style. i.e. Archbishop's Chateau and its adjoining gardens, joined the UNESCO World Heritage List. It is the only modern architecture building in the Czech Republic listed on this UNESCO list. The architectural monuments in the Czech Republic listed on the UNESCO World Heritage List were built on cache = ./cache/work_frymu6uqqbg2lhypatlm3bqxee.pdf txt = ./txt/work_frymu6uqqbg2lhypatlm3bqxee.txt === reduce.pl bib === id = work_cahnjmi5qfctriwpmawibtmf3a author = Filomena Maggino title = XI Conference of the International Society for Quality-of-Life Studies (ISQOLS) "Discovering New Frontiers in Quality of Life Research" (1-4 November 2012, Venice, Italy) date = 2013 pages = 6 extension = .pdf mime = application/pdf words = 3315 sentences = 378 flesch = 41 summary = XIe Conférence de l'International Society for Quality-of-Life Studies (ISQOLS) and movements involved in measuring quality of life, including the new BES project, Wellbeing, Quality of Life, Social Indicators, International Society for quality-of-life studies Venice Conference At the same time, official statistical services have been developing important experiences in quality-of-life research, like the Multipurpose Survey project, introduced by the to the developments of a network which became the Italian Association for Quality-of-Life national and international organisations and research centres in the quality-of-life field. of the Italian Association for Quality of Life Studies (http://www.aiquav.it). HDCA) to illustrate the work on quality of life research by their institutions, organizations The author is Professor of Statistics Applied to Social Research at the University of Florence, Italy, President of the International Society for Quality-of-Life Studies (ISQOLS) and Chair and Maggino F (2010) Quality of Life: Reflections, Studies and Research in Italy. cache = ./cache/work_cahnjmi5qfctriwpmawibtmf3a.pdf txt = ./txt/work_cahnjmi5qfctriwpmawibtmf3a.txt === reduce.pl bib === id = work_dk4udckmizdihepdk7mplrlsfi author = Evandro Tinoco Mesquita title = Andreas Vesalius 500 years - A Renaissance that revolutionized cardiovascular knowledge date = 2015 pages = 6 extension = .pdf mime = application/pdf words = 3831 sentences = 255 flesch = 56 summary = Andreas Vesalius 500 anos Um renascentista que revolucionou o conhecimento cardiovascular geniuses who dared in thinking, research, teaching and transmitting scientific knowledge, and the Italian Andreas Vesalius His main scientific work "De Humani Corporis Fabrica" is not only a landmark study of human Andreas Vesalius that changed the paradigm of human anatomy. anatomy and physician Andreas Vesalius was one of these Cardiology and Cardiovascular Surgery, as medical specialties that emerged centuries later, have large debts to Vesalius as he questioned and shown through his systematic study to anatomy, innovative teaching method through the execution of dissection by the professor of medicine alongside the his important book "De Humani Corporis Fabrica" becoming certainly the father of modern anatomy. Fig. 3 Illustration of Andreas Vesalius's work in an amphitheater All the works of Andreas Vesalius places him as a genius Andreas Vesalius: Professor at the Medical School cache = ./cache/work_dk4udckmizdihepdk7mplrlsfi.pdf txt = ./txt/work_dk4udckmizdihepdk7mplrlsfi.txt === reduce.pl bib === id = work_cwwnowqwojggxomm4bklamgzui author = Brendan Larvor title = What can the Philosophy of Mathematics Learn from the History of Mathematics? date = 2008 pages = 15 extension = .pdf mime = application/pdf words = 7639 sentences = 545 flesch = 56 summary = the history and philosophy of mathematics rush into wedlock, we would do well to consider some of these I hope that this example has made it plausible that one can relate history and philosophy in different ways In Proofs and Refutations, Lakatos added a temporal dimension to the philosophy of mathematics. to write rational reconstructions of selected episodes from the history of science and mathematics. philosophy of science, the effect is to obscure the specificity of mathematical practices. theorised the relation between history and philosophy of mathematics beyond these few remarks, but he did offer an account of the relation between history and philosophy of science. the philosopher investigates the epistemology and ontology of mathematics, the historian will insist that philosophy continuous with science and mathematics, or is it a meta-enquiry? Or do philosophers study mathematical thought and practice, in a way History and philosophy of modern mathematics. History and Philosophy of Mathematics vol. cache = ./cache/work_cwwnowqwojggxomm4bklamgzui.pdf txt = ./txt/work_cwwnowqwojggxomm4bklamgzui.txt === reduce.pl bib === === reduce.pl bib === id = work_4revxqlkmbe4pamtg5ni24qc2u author = Andrea Rizzi title = Leonardo Bruni and the Shimmering Facets of Languages in Early Quattrocento Florence date = 2013 pages = 16 extension = .pdf mime = application/pdf words = 7171 sentences = 881 flesch = 73 summary = This article advances a novel interpretation of Leonardo Bruni's understanding of the link between Latin and vernacular languages of early quattrocento Florence and the cultural and political spaces Bruni's recognition of the strengths and weaknesses in both Latin and the Florentine languages represents a radical departure from the perception of vernacular Equally, from the point of view of Bruni, Dante's vernacular mirrored the spoken Florentine of his time, and it is his writing that it subjected to criticism, not his fundamental contribution to the rhetorical power and In the words of Niccoli/Bruni, Dante's vernacular has an elegance of speech that makes it perfect in its own realm, even if In other words, Bruni stresses Dante's fundamental contribution to vernacular oratory and the influence the language shaped by the poet had on public speaking. cache = ./cache/work_4revxqlkmbe4pamtg5ni24qc2u.pdf txt = ./txt/work_4revxqlkmbe4pamtg5ni24qc2u.txt === reduce.pl bib === === reduce.pl bib === id = work_uegvgzkllbc2bakiaenchdozoq author = Trisha Greenhalgh title = Trouble down under date = 2007 pages = extension = .pdf mime = application/xml words = 144 sentences = 27 flesch = 72 summary = sys_1000 wp-p1m-39.ebi.ac.uk wp-p1m-39.ebi.ac.uk exception exception Params is empty Params is empty Params is empty if (typeof jQuery === "undefined") document.write('[script type="text/javascript" src="/corehtml/pmc/jig/1.14.8/js/jig.min.js"][/script]'.replace(/\[/g,String.fromCharCode(60)).replace(/\]/g,String.fromCharCode(62))); // // // window.name="mainwindow"; .pmc-wm {background:transparent repeat-y top left;background-image:url(/corehtml/pmc/pmcgifs/wm-nobrand.png);background-size: auto, contain} .print-view{display:block} Page not available Reason: The web page address (URL) that you used may be incorrect. Message ID: 218038739 (wp-p1m-39.ebi.ac.uk) Time: 2021/04/06 02:06:11 If you need further help, please send an email to PMC. Include the information from the box above in your message. Otherwise, click on one of the following links to continue using PMC: Search the complete PMC archive. Browse the contents of a specific journal in PMC. Find a specific article by its citation (journal, date, volume, first page, author or article title). http://europepmc.org/abstract/MED/ cache = ./cache/work_uegvgzkllbc2bakiaenchdozoq.pdf txt = ./txt/work_uegvgzkllbc2bakiaenchdozoq.txt === reduce.pl bib === id = work_lxsnmjwgzjgtxhxat4rgp7jpua author = Sinan Caya title = Evolution of "State Ruling" date = 2015 pages = 9 extension = .pdf mime = application/pdf words = 4048 sentences = 323 flesch = 64 summary = The concept of ruling a state was investigated by Machiavelli as early as in the sixteenth century. Keywords: Ruling, government, politics, power, state, sovereignty. From the sixteenth century onwards, the art of governing came to be an important topic for whose sake it was the 'powerful state' concept and employed at home and abroad as legitimation for a new departure in politics" (Roth In the eighteenth century, Rousseau, in an article on political economy, emphasized that wise governing would Finally Foucault (Autumn, 1979) notes that the new but rough notion of the art of government did find actual The new science of political economy focusing on the population-territory-wealth interaction furthered the art of government up to the level of political science (ibid.). Government, population and political economy are similarly interrelated (ibid.). becomes a big political and social entity, which is stronger than the ancient states (Alvarez, 1959:71). cache = ./cache/work_lxsnmjwgzjgtxhxat4rgp7jpua.pdf txt = ./txt/work_lxsnmjwgzjgtxhxat4rgp7jpua.txt === reduce.pl bib === id = work_zbse57nzgjfxticbc2i27cm7bu author = Megan Johnson title = Virtually Usable: A Test of the Information Gardens date = 2007 pages = 17 extension = .pdf mime = application/pdf words = 5561 sentences = 421 flesch = 60 summary = Virtually Usable: A Test of the Information Gardens were conducted on portions of the Information Gardens utilizing representative users. evaluation is performed early in the design process and assesses a user interface by The Information Gardens is the second library created within the AET Zone. The goal of our study is to evaluate the usability of the new Information Gardens design virtual library space based on the results of this evaluation and then re-tested with two The participants in the final formative evaluation were Subject G, a male student in his Information Gardens is used to link to the Belk Library Web site (subject F, when she Usability Study Questions for the AET Zone Information Gardens 3. Find the object in the Information Gardens which links you to the library catalog. 3. Find the object in the Information Gardens which links you to the library catalog. cache = ./cache/work_zbse57nzgjfxticbc2i27cm7bu.pdf txt = ./txt/work_zbse57nzgjfxticbc2i27cm7bu.txt === reduce.pl bib === === reduce.pl bib === id = work_ftjj7sec7bhhbos7apltyvvtui author = Andrew Wear title = Katharine Park, Doctors and medicine in early renaissance Florence, Princeton University Press, 1985, 8vo, pp. xii, 298, £33.40 date = 1987 pages = 2 extension = .pdf mime = application/pdf words = 1453 sentences = 84 flesch = 54 summary = KATHARINE PARK, Doctors andmedicine in early renaissance Florence, Princeton University Katharine Park has written an excellent book that contributes equally to medical history and elucidation of the profession of medicine in the city will add one more piece to the research we have been prepared by Cipolla's work on plague and public health to view Italian cities as crucial point made by Park, however, is that it was not the professionalization of medicine that The Guild of Doctors, Apothecaries and Grocers is central to the book. Park's detailed and lucid account of the Guild shows that it fewer doctors had political influence within the Guild and the city. The book has some weaknesses, Park was perhaps too tied in to the Florentine research scholastic medicine and of the intellectual and literary interests of Florentine doctors should be studied by some social and intellectual historians of medicine who see their respective cache = ./cache/work_ftjj7sec7bhhbos7apltyvvtui.pdf txt = ./txt/work_ftjj7sec7bhhbos7apltyvvtui.txt === reduce.pl bib === id = work_bvq5znaqafbg3ep4jq6qqcljsy author = Elisabetta Corsi title = "Visiting Humanists" and Their Interpreters: Ricci (and Ruggieri) in China date = 2012 pages = 8 extension = .pdf mime = application/pdf words = 4480 sentences = 356 flesch = 70 summary = Thus, the book opens up with Macerata and Rome where Ricci Hsia discusses Ricci's education in Rome and Lisbon, connecting it with the significant role than it has been thought of so far in orienting Ricci's future attitude toward Chinese culture as it is reflected in his writings. short pamphlet in the arte della conversazione,8 an early Renaissance new gentlemanly practice, it reported ten conversations, revised and embellished for editorial mathematical knowledge acquired by Ricci during the years spent with Clavius is The mathematical and astronomical books produced by Ricci, as well as any By this token, the Chinese books composed by Ricci and his confreres are not Ricci began to work on a Chinese rendition of Renaissance astronomy during his Ptolemy," Ricci dismissed Chinese astronomy, not realizing, as Hsia points out, From the excursus of Ricci's literary endeavors, provided by Hsia in chapters 7 mathematical books in Chinese, see C. cache = ./cache/work_bvq5znaqafbg3ep4jq6qqcljsy.pdf txt = ./txt/work_bvq5znaqafbg3ep4jq6qqcljsy.txt === reduce.pl bib === id = work_n2rggds445cs3hi4lowp2n7tte author = Jeffrey Mifflin title = Albrecht Dürer: Documentary Biography date = 2019 pages = 5 extension = .pdf mime = application/pdf words = 3069 sentences = 680 flesch = 74 summary = 17 Albrecht Dürer: Documentary Biography Albrecht Dürer: Documentary Biography brings together all known documents linked to Dürer's life and work, arranged, translated, and annotated by Jeffrey this two-volume work include correspondence concerning the aesthetics of art material "purloined from Albrecht Dürer's prints and writings . For example, the life cycle of a work of art is not typically Documents pertaining to Dürer's artistic production and struggles over time leave trails that allow researchers to trace ideas, traces the "life cycle" of famous books from authorship, through published editions, Dürer-related documents have been scattered and 1 The difficulty of presenting all materials related to Dürer in any semblance of original order can references to Dürer found in documents that he did not create. Archives (New Haven, CT: Yale University Press, 2013), 8: "The material is so vivid that it calls both 7 Especially enlightening is Erwin Panofsky's Life and Art of Albrecht Dürer (Princeton, NJ: Princeton cache = ./cache/work_n2rggds445cs3hi4lowp2n7tte.pdf txt = ./txt/work_n2rggds445cs3hi4lowp2n7tte.txt === reduce.pl bib === === reduce.pl bib === === reduce.pl bib === === reduce.pl bib === === reduce.pl bib === id = work_bkg2zwivxjd3bnu6imzeg3czta author = B. G. Marino title = DATA OPTIMIZATION FOR 3D MODELING AND ANALYSIS OF A FORTRESS ARCHITECTURE date = 2019 pages = 5 extension = .pdf mime = application/pdf words = 3844 sentences = 306 flesch = 54 summary = dealing with storing, processing and analyzing the produced point cloud, some optimization step should be considered in order to high point density in the model in the areas that describe the fortress, whereas point cloud density is dramatically reduced in vegetated Consequently, several works recently considered the problem of reducing the size of the generated point cloud while preserving its geometric information in order to ease the processing phase and most of the fortress elements can be well approximated with simple geometric shapes (e.g. planar surfaces), an automatic procedure based on the Random Sample Consensus (RANSAC) (Fischler and Bolles, 1981) is used in this work in order to extract great interest in several applications, for instance for digital terrain model generation and for more advanced information extraction from the point cloud (Costantino and Angelini, 2011), this is cache = ./cache/work_bkg2zwivxjd3bnu6imzeg3czta.pdf txt = ./txt/work_bkg2zwivxjd3bnu6imzeg3czta.txt === reduce.pl bib === id = work_slaq2hjnbnc3fbi77mbudua6py author = Luigino Bruni title = Economics and theology special issue: introduction date = 2016 pages = 5 extension = .pdf mime = application/pdf words = 2120 sentences = 122 flesch = 53 summary = Luigino Bruni1 • Paul Oslington2 • Stefano Zamagni3 From the very beginning of Christianity up to modern political economy, crossfertilization between theology and oikonomia has occurred, sometimes to the extent The early Christian theologians developed the idea of an economy of times, the deep and crucial links of capitalism to the protestant ethics were a classic economy after Smith there have been economists with strong theological interests, i.e. the English Wicksteed (1885, 1910) or the Italian Sella (1930). northern protestant Europe where the civic humanism and renaissance tradition We hope that in this transition age of capitalism, this special issue can offer some Barbieri G (2013)[1940] Decline and economic ideals in Italy in the early modern age. Economics and theology special issue: introduction Economics and theology special issue: introduction Economics and theology special issue: introduction Economics and theology special issue: introduction Economics and theology special issue: introduction cache = ./cache/work_slaq2hjnbnc3fbi77mbudua6py.pdf txt = ./txt/work_slaq2hjnbnc3fbi77mbudua6py.txt === reduce.pl bib === id = work_zjyhfaqwvngdpn5lj47pqr7m7y author = Marco Giorgio Bevilacqua title = Military Architecture and Mathematics date = 2014 pages = 5 extension = .pdf mime = application/pdf words = 2405 sentences = 135 flesch = 51 summary = Abstract NNJ guest editor Marco Giorgio Bevilacqua introduces the papers in the special issue of the Nexus Network Journal dedicated to Military Architecture and Keywords Military architecture � Fortifications � Geometry As Amelio Fara has pointed out, in the new fortified architecture, ''its parts While closely related to functional parameters, the new military architecture was representation; to have technical knowledge of military architecture, and to be mathematics and military architecture, the theme of this special issue, can be declined: geometry and architectural design of fortifications; applied mathematics in fortifications in the eighteenth century; the study, substantiated by a careful The evolution of Ottoman military architecture in the early sixteenth century is well described in ''Early Modern Military Architecture in the Ottoman Empire'' by Fara is one of the most important scholars of military architecture in Europe; (Pisa: ETS, 2011); for the NNJ''The Conception of Ramparts in the Sixteenth Century: Architecture, cache = ./cache/work_zjyhfaqwvngdpn5lj47pqr7m7y.pdf txt = ./txt/work_zjyhfaqwvngdpn5lj47pqr7m7y.txt === reduce.pl bib === === reduce.pl bib === id = work_ibwu6wgcavaypov5zrsbdhkq7u author = Amarí Peliowski title = La conquista de la naturaleza: el imaginario arquitectónico de Alonso de Ovalle en el siglo XVII date = 2016 pages = 10 extension = .pdf mime = application/pdf words = 4871 sentences = 428 flesch = 68 summary = alonso de ovalle's architectural imaginary century depict architecture not only as an image K e y w o r d s · representation, engraving, landscape, buildings, modernity of architectural representation in one of Chile's first accounts, del Reyno de Chile [Historical Relation of the Chilean Kingdom] Chile] was the first written account describing Chilean territory, de Lobera's late sixteenth-century Crónica del Reino de Chile [Chronicle of the Kingdom of Chile] and Histórica relación del same time, some of the earliest existing records of the architecture built in Chilean territory (Peliowski, 2015) (FiG. not of Chilean cultural delay – expressed in Ovalle's graphic For the Jesuits, the means of spiritual conquest were intimately linked to images, and therefore to art, including architecture. 1993) – we can then attribute the buildings engraved by Ovalle The significant presence of building drawings in Ovalle's description of Chile seems to express the author's concern to show that cache = ./cache/work_ibwu6wgcavaypov5zrsbdhkq7u.pdf txt = ./txt/work_ibwu6wgcavaypov5zrsbdhkq7u.txt === reduce.pl bib === === reduce.pl bib === id = work_zrgejo5lxnhqhdioapyoybvr2u author = Frank Ferrie title = Investigating Claims of Eroticism in Images of the Annunciation date = 2012 pages = 25 extension = .pdf mime = application/pdf words = 6255 sentences = 452 flesch = 63 summary = Virgin Mary that she will bear the Messiah, Jesus Christ, is a de"ning moment in By the late-medieval period, the Virgin Mary had been considered a paragon Helvidius in the fourth century, Mary's perpetual virginity was consistently bride as referencing the Virgin Mary, the Church itself, and, at the same time, the soul Scaff argues that because, like Bernard's vision, images of the Virgin were conceived poetry honouring the Virgin Mary often has features identical to profane love poetry Although Christ alone was considered indisputably sinless, the Virgin Mary Indeed, in fourteenth-century Italian images of the Annunciation in particular, the back to Mary's enclosed garden" in other "fteenth-century Annunciation images occasionally move closer to Mary in "fteenth-century images, suggesting a more in the later Annunciation images, but in the light of the Virgin Mary's contemporary sexual ambiguity in other images of the Virgin Mary, most notably, perhaps, the barebreasted lactating Madonna. cache = ./cache/work_zrgejo5lxnhqhdioapyoybvr2u.pdf txt = ./txt/work_zrgejo5lxnhqhdioapyoybvr2u.txt === reduce.pl bib === id = work_qioebu6z4vgynitaulujxlfvui author = D Wishart title = Convention cities: Seattle date = 1984 pages = extension = .pdf mime = application/xml words = 144 sentences = 25 flesch = 71 summary = sys_1000 wp-p1m-38.ebi.ac.uk wp-p1m-38.ebi.ac.uk exception exception Params is empty Params is empty Params is empty if (typeof jQuery === "undefined") document.write('[script type="text/javascript" src="/corehtml/pmc/jig/1.14.8/js/jig.min.js"][/script]'.replace(/\[/g,String.fromCharCode(60)).replace(/\]/g,String.fromCharCode(62))); // // // window.name="mainwindow"; .pmc-wm {background:transparent repeat-y top left;background-image:url(/corehtml/pmc/pmcgifs/wm-nobrand.png);background-size: auto, contain} .print-view{display:block} Page not available Reason: The web page address (URL) that you used may be incorrect. Message ID: 218043133 (wp-p1m-38.ebi.ac.uk) Time: 2021/04/06 02:06:16 If you need further help, please send an email to PMC. Include the information from the box above in your message. Otherwise, click on one of the following links to continue using PMC: Search the complete PMC archive. Browse the contents of a specific journal in PMC. Find a specific article by its citation (journal, date, volume, first page, author or article title). http://europepmc.org/abstract/MED/ cache = ./cache/work_qioebu6z4vgynitaulujxlfvui.pdf txt = ./txt/work_qioebu6z4vgynitaulujxlfvui.txt === reduce.pl bib === id = work_72767d3fu5fevg3uf5k3rbk7vu author = Cecilia Muratori title = From Animal Bodies To Human Souls: (Pseudo-)Aristotelian Animals in Della Porta's Physiognomics date = 2017 pages = 41 extension = .pdf mime = application/pdf words = 10617 sentences = 740 flesch = 66 summary = (Pseudo-)Aristotelian Animals In Della Porta's Physiognomics This article analyses the role that animals play in Della Porta's method of physiognomics. conceptual trajectory of Della Porta's physiognomics, from human psychology to animal Giovan Battista Della Porta – Aristotle – physiognomics – animals – body-soul interaction – The use of animals in Della Porta's physiognomics is systematic, Della Porta substantially adapts the physiognomic principle of the body-soul relationship as but I argue that man-animal comparisons play a radically different role for Della Porta and 2. The Sympathy of Body and Soul: Della Porta's Fisonomia and the PseudoAristotelian Physiognomonica Della Porta's answer is based on his understanding of the way in which souls and bodies are correspondence of souls and bodies in the case of animals is the real foundation of Della Yet, Della Porta's animals are not Aristotle's: Fig. 1: The animal 'simia' in Della Porta's Fisonomia (1610), in comparison with a human cache = ./cache/work_72767d3fu5fevg3uf5k3rbk7vu.pdf txt = ./txt/work_72767d3fu5fevg3uf5k3rbk7vu.txt === reduce.pl bib === id = work_qxafti4gx5g7deirz6g5kel2ni author = Juan Francisco Reinoso-Gordo title = Digital Graphic Documentation and Architectural Heritage: Deformations in a 16th-Century Ceiling of the Pinelo Palace in Seville (Spain) date = 2021 pages = 17 extension = .pdf mime = application/pdf words = 13144 sentences = 1085 flesch = 65 summary = Digital Graphic Documentation and Architectural Heritage: Deformations in a 16th-Century Ceiling of the Pinelo Palace in Seville (Spain) For the first time, accurate digital images are provided of a 16th-century wooden ceiling, composed architectural heritage, no graphic studies on this type of deformed ceilings have been presented. Keywords: ceiling; 16th century; Pinelo; palace; Seville; deformation; scanner; photogrammetry ceiling with a geometric decoration that is studied in this research is located (Figure 3). ceiling with a geometric decoration that is studied in this research is located (Figure 3). Taking all these considerations into account, and in order to ensure suitable conservation and monitoring in the future, it was decided to utilise digital graphic technologies to quantify the current deformations: a first for this type of ceiling. scanner until reaching the mezzanine where the ceiling under the study is located (Figure 9). cache = ./cache/work_qxafti4gx5g7deirz6g5kel2ni.pdf txt = ./txt/work_qxafti4gx5g7deirz6g5kel2ni.txt === reduce.pl bib === id = work_mkjybojltndxtgkgvsb6stmhiq author = Ian Thomson title = Manuel Chrysoloras and the Early Italian Renaissance date = 2003 pages = 20 extension = .pdf mime = application/pdf words = 8958 sentences = 596 flesch = 68 summary = Manuel Chrysoloras and the Early Italian Renaissance Thomson, Ian Greek, Roman and Byzantine Studies; Spring 1966; 7, 1; ProQuest pg. the importance of Manuel Chrysoloras, the first notable professor of Greek in Western Europe, has been widely recognized. the following list of Chrysoloras' pupils: "Guarino, Giacopo di Scarperia (sic), Roberto 6 Other Italians before Guarino went to Constantinople to learn Greek. After Guarino, a fair number of other scholars, such as Filelfo (1420-27), visited Constantinople but did so only after the advantages of knOWing Greek had become obvious through Baron, Humanistic and Political Literature in Florence and Venice (Cambridge [Mass.] Guarino did not begin his study of Greek until after Chrysoloras had In the first of Manuel's Greek letters, dated January, 1412, he congratulates Guarino on his success in disseminating in Italy what he had cache = ./cache/work_mkjybojltndxtgkgvsb6stmhiq.pdf txt = ./txt/work_mkjybojltndxtgkgvsb6stmhiq.txt === reduce.pl bib === id = work_3ke7io55efeldayk6hk4hnl3oq author = Mollie Claypool title = The Consequences of Dialogue and the Virgilian Nostalgia of Colin Rowe date = 2016 pages = 13 extension = .pdf mime = application/pdf words = 4555 sentences = 261 flesch = 58 summary = as Rudolf Wittkower's only student at the Warburg Institute in London. unpublished Master's thesis, titled "The Theoretical Drawings of Inigo Jones: Rowe lucidly observes that the Renaissance villas of architect Palladio and villas of Le Corbusier and Palladio is, in Rowe's terms, a return to the This positioning of architectural history by Rowe in "The Mathematics of the unpublished thesis, titled "The Theoretical Drawings of Inigo Jones: Their the Warburg Institute for both Wittkower and Rowe. did not use diagrams, as Rowe did in "The Mathematics of the Ideal Villa," or Rowe's argument is very similar to that of the exhibition put on by Wittkower ("theoretical") drawings, which Rowe argued is the evidence of Jones' Rowe can argue that Inigo Jones intended to construct a theoretical treatise 7 Colin Rowe, The Architecture of Good Intentions (London: John Wiley & Sons, 1994), 48. 15 Colin Rowe, "Prefatory Note," in The Theoretical Drawings of Inigo Jones: Their Sources cache = ./cache/work_3ke7io55efeldayk6hk4hnl3oq.pdf txt = ./txt/work_3ke7io55efeldayk6hk4hnl3oq.txt === reduce.pl bib === id = work_tmzvcrjuwvbw7hkyeexhmwwtru author = Paul Barolsky title = Eros Visible: Art, Sexuality, and Antiquity in Renaissance Italy. James Grantham Turner. New Haven: Yale University Press, 2017. 464 pp. $75 date = 2018 pages = 2 extension = .pdf mime = application/pdf words = 997 sentences = 52 flesch = 56 summary = "On the Art of Discussion," applies to Montaigne's own project the proverbial Herculean labor that is the writing of Adages for the benefit of others. audiences, the volume concludes with two essays that discuss the Erasmian legacy in Eros Visible: Art, Sexuality, and Antiquity in Renaissance Italy. James Turner's Eros Visible is one of the most impressive books in Italian Renaissance and entertaining meditation on "art, sexuality, and antiquity in Renaissance Italy," focusing primarily on the sixteenth century. Turner's book covers a rich variety of works: sculpture and painting, but also prints, Turner's book is divided into several dovetailing chapters on art and literature, both Turner discusses the lost Although these images and texts have been much discussed, Turner's treatment Turner's book is framed at its beginning and end by discussion of the highly controversial Leonardesque drawing of an angel (as of the Annunciation) which has an cache = ./cache/work_tmzvcrjuwvbw7hkyeexhmwwtru.pdf txt = ./txt/work_tmzvcrjuwvbw7hkyeexhmwwtru.txt === reduce.pl bib === === reduce.pl bib === id = work_u74foqxbj5c2njl6cf7wvbf3ge author = Gregory A Petsko title = Galileo's stepchildren date = 2003 pages = 2 extension = .pdf mime = application/pdf words = 1475 sentences = 111 flesch = 70 summary = science and the arts are not intrinsically incompatible. the idea of science and the arts as integral parts of the intellectual life of every well-brought-up person, it's ours. And the idea that science and the arts should in Ironically, I think that science and the arts have a lot more in Science and art are both Science and art are both Science is for most scientists way that anyone, even practicing scientists, will find enlightening as well as enjoyable. I am convinced that courses in one or more of the 'hard' sciences, but especially chemistry and biology, should be science and engineering majors. Michelangelo and Galileo are usually the Renaissance men we have in mind when we aspire to be called one. Galileo is a hero a sort of spiritual father to many scientists because he dared stand up to the anti-science culture of cache = ./cache/work_u74foqxbj5c2njl6cf7wvbf3ge.pdf txt = ./txt/work_u74foqxbj5c2njl6cf7wvbf3ge.txt === reduce.pl bib === id = work_2ei7tqntfveo7pirys7seuge7q author = Rens Bod title = A New Field: History of Humanities date = 2016 pages = 9 extension = .pdf mime = application/pdf words = 3789 sentences = 331 flesch = 57 summary = https://dare.uva.nl/personal/pure/en/publications/a-new-field-history-of-humanities(db1a021e-8fcf-4645-9744-3c0f49373928).html No earlier journal has assembled scholarly studies on the history of the humanities disciplines across time and place. in the humanities, just as in the sciences, historical actors have applied practices, methods, and principles invented for specific disciplines to problems in other disciplines 9. See, e.g., Rens Bod, A New History of the Humanities (Oxford: Oxford University Press, 2013); All use subject to University of Chicago Press Terms and Conditions (http://www.journals.uchicago.edu/t-and-c). All use subject to University of Chicago Press Terms and Conditions (http://www.journals.uchicago.edu/t-and-c). All use subject to University of Chicago Press Terms and Conditions (http://www.journals.uchicago.edu/t-and-c). All use subject to University of Chicago Press Terms and Conditions (http://www.journals.uchicago.edu/t-and-c). All use subject to University of Chicago Press Terms and Conditions (http://www.journals.uchicago.edu/t-and-c). All use subject to University of Chicago Press Terms and Conditions (http://www.journals.uchicago.edu/t-and-c). All use subject to University of Chicago Press Terms and Conditions (http://www.journals.uchicago.edu/t-and-c). All use subject to University of Chicago Press Terms and Conditions (http://www.journals.uchicago.edu/t-and-c). cache = ./cache/work_2ei7tqntfveo7pirys7seuge7q.pdf txt = ./txt/work_2ei7tqntfveo7pirys7seuge7q.txt === reduce.pl bib === id = work_74ebj7p5rrbzxp3ufci3xsi3yy author = G Melino title = 1000 successes as CDDIS reaches 1000 published papers! date = 2014 pages = 3 extension = .pdf mime = application/pdf words = 2171 sentences = 227 flesch = 63 summary = 1000 successes as CDDIS reaches 1000 published papers! 1000 successes as CDDIS reaches 1000 published Cell Death and Disease (2014) 5, e1041; doi:10.1038/cddis.2014.15; published online 30 January 2014 success to ensure that CDDIS strives for an even better In the successful wake of our leading journal, Cell Death and Differentiation (CDD), we received an everincreasing number of the top-quality submissions. for the new title seemed obvious: Cell Death & Disease, *Corresponding author: G Melino, Department of Experimental Medicine and Surgery, Biochemistry Laboratory, IDI-IRCCS, University of Rome 'Tor Vergata', Via Tor Citation: Cell Death and Disease (2014) 5, e1041; doi:10.1038/cddis.2014.15 an 'APP' for CDDIS (and CDD), further facilitating open Figure 1 Papers and impact factor of CDDIS. Although CDDIS was published since January 2010, some papers were already (b) CDDIS impact factor. Cell Death and Disease is an open-access journal 1000 successes as CDDIS reaches 1000 published papers! cache = ./cache/work_74ebj7p5rrbzxp3ufci3xsi3yy.pdf txt = ./txt/work_74ebj7p5rrbzxp3ufci3xsi3yy.txt === reduce.pl bib === === reduce.pl bib === id = work_6bgb5rqpt5chll2i2ykb43lrbu author = S.M. Seitz title = Multiperspective imaging date = 2003 pages = 4 extension = .pdf mime = application/pdf words = 2293 sentences = 195 flesch = 66 summary = Multiperspective imaging Computer Graphics and Applications, IEEE At the same time, these images are well suited for processing in computer vision problems such as stereo reconstruction and motion analysis. In particular, a perspective image captures only the light in the scene that Other light ray distributions give rise to multiperspective images. Once assembled, you can slice the video cube to produce different types of multiperspective images, as multiperspective images by moving a camera on a curved image is assembled into a video cube, y-t slices capture an images created from different y-t slices of the same video page) shows an example of a stereo pushbroom image Stereo images may also be created by moving a camera on a circle instead of a line. tion on multiperspective stereo images and how to create them, see our related article.1 images) video cube slice and display the result as a cache = ./cache/work_6bgb5rqpt5chll2i2ykb43lrbu.pdf txt = ./txt/work_6bgb5rqpt5chll2i2ykb43lrbu.txt Building ./etc/reader.txt work_7p7h7giinfamvfajtnitpsygia work_ko7ngfvi3vckflkhlbzvsavuxq work_v7ck5kxosvfp7koz3yi6frajcu work_ko7ngfvi3vckflkhlbzvsavuxq work_7p7h7giinfamvfajtnitpsygia work_o44x43bfbjdufccy5dmzkaatsy number of items: 329 sum of words: 1,653,599 average size in words: 5,041 average readability score: 63 nouns: art; history; century; work; time; o; e; r; i; use; book; p.; figure; a; t; study; works; n; terms; example; �; period; part; world; way; life; years; research; analysis; c; l; studies; architecture; h; text; order; painting; d; case; author; article; number; s; volume; knowledge; point; philosophy; fig; culture; artists verbs: is; was; be; are; were; have; had; has; �; been; see; used; made; did; published; do; found; based; does; using; known; according; being; make; given; downloaded; die; written; called; following; including; considered; seen; described; use; developed; became; find; seems; come; provided; wrote; shows; painted; become; presented; read; included; represented; produced adjectives: italian; other; such; new; first; early; modern; same; many; historical; different; -; own; important; more; cultural; classical; human; social; available; great; ancient; second; true; subject; particular; political; visual; possible; several; late; �; original; christian; european; medieval; german; present; literary; high; large; last; architectural; contemporary; similar; certain; specific; general; false; most adverbs: not; also; more; only; well; as; most; even; so; however; very; then; thus; out; rather; here; often; now; still; up; later; first; especially; just; therefore; much; already; together; too; particularly; indeed; perhaps; far; almost; never; always; instead; less; again; above; yet; back; finally; clearly; probably; on; all; once; further; sometimes pronouns: his; it; he; their; i; its; we; they; them; her; our; him; my; us; she; you; himself; itself; one; me; your; themselves; myself; herself; ourselves; eds; на; em; ours; �; oneself; yourself; u; ’s; mine; ein; theirs; je; mathe-; au; http://m; de-; d''oro; å; yours; thy; s; n; lexicological; https://www.cambridge.org/core proper nouns: renaissance; �; university; e; _; de; italy; la; di; new; press; pp; london; s; j.; al; m; cambridge; d; et; m.; florence; del; ed; o; da; york; vol; art; journal; le; c.; f; il; b; .; europe; s.; museum; t; n; g.; u; a; rome; c; john; w; della; van keywords: renaissance; university; italian; pmc; history; art; italy; cambridge; florence; press; london; new; early; figure; europe; cultural; architecture; museum; michelangelo; german; york; vasari; leonardo; century; california; ariosto; american; work; science; medici; mathematic; issn; isbn; giovanni; florentine; fig; european; berenson; venice; spanish; society; rome; literature; journal; human; heritage; greek; ficino; english; church one topic; one dimension: art file(s): ./cache/work_uyaacz3etfczbeyf5kv4zknoeq.pdf titles(s): Rachel Jackson: ''There is no more poignant time to consider art as therapy'' three topics; one dimension: art; university; 10 file(s): ./cache/work_7p7h7giinfamvfajtnitpsygia.pdf, ./cache/work_hzwke6umhrfxbocnluw4wwbmli.pdf, ./cache/work_xmy75qtsgvhxbemie3hmgd6u6a.pdf titles(s): Christian Mysteries in the Italian Renaissance: Typology and Syncretism in the Art of the Italian Renaissance | Cross- Cultural Exchange Between the Islamic World and Europe (Iznik ceramic and Italian maiolica as a case study) | The house of Marko Stojanović (1885): The first independent work of architect Konstantin Jovanović in Belgrade five topics; three dimensions: di org italian; org https cambridge; art renaissance new; art university century; 10 et al file(s): ./cache/work_j7nmsf55djdspckwocsp3zum5e.pdf, ./cache/work_xmy75qtsgvhxbemie3hmgd6u6a.pdf, ./cache/work_7p7h7giinfamvfajtnitpsygia.pdf, ./cache/work_hzwke6umhrfxbocnluw4wwbmli.pdf, ./cache/work_lcs2cdrzrbexvmveharbjoitoy.pdf titles(s): Wilhelm Waiblinger in Italy | The house of Marko Stojanović (1885): The first independent work of architect Konstantin Jovanović in Belgrade | Christian Mysteries in the Italian Renaissance: Typology and Syncretism in the Art of the Italian Renaissance | Cross- Cultural Exchange Between the Islamic World and Europe (Iznik ceramic and Italian maiolica as a case study) | Banks and Development: Jewish Communities in the Italian Renaissance and Current Economic Performance Type: zip2carrel title: italianRenaissance-from-scholar date: 2021-04-05 time: 21:07 username: emorgan patron: Eric Morgan email: emorgan@nd.edu input: input-file.zip ==== make-pages.sh htm files ==== make-pages.sh complex files ==== make-pages.sh named enities ==== making bibliographics id: work_7p7h7giinfamvfajtnitpsygia author: (:Unkn) Unknown title: Christian Mysteries in the Italian Renaissance: Typology and Syncretism in the Art of the Italian Renaissance date: 2020 words: 73608.0 sentences: 4048.0 pages: 321 flesch: 59.0 cache: ./cache/work_7p7h7giinfamvfajtnitpsygia.pdf txt: ./txt/work_7p7h7giinfamvfajtnitpsygia.txt summary: Renaissance and the significant meaning of classical subjects and figures in such philosophical significance for certain classical subjects and motifs in Renaissance art. medieval artists did occasionally depict classical subjects in their works of art or include that simply replaces Judeo-Christian elements with classical figures and scenes, without holy figure from the Judeo-Christian tradition in a classically inspired pose, typologically related figures from pagan mythology and Judeo-Christian narrative classical and Judeo-Christian figures was both possible and significant. programs that included Judeo-Christian figures, even representations of God or the figures both classical and Christian in Raphael Sanzio‟s fresco cycle in the Vatican‟s with the representation of classical figures in works of art from that century, even from The study of the relationship of classical and Christian figures in the Stanza della of certain works of art from the Italian Renaissance which have classical subjects and id: work_n7aqni2sybbwfgfs7q3coipra4 author: (:Unkn) Unknown title: Rogier van der Weyden: A Netherlandish Artist and the Ferrarese Court date: 2020 words: 15168.0 sentences: 1090.0 pages: 67 flesch: 63.0 cache: ./cache/work_n7aqni2sybbwfgfs7q3coipra4.pdf txt: ./txt/work_n7aqni2sybbwfgfs7q3coipra4.txt summary: Cosmè Tura''s Re-Appropriation of Rogier van der Weyden''s 1. Rogier van der Weyden, Descent From the Cross, oil on oak panel, 6. Rogier van der Weyden, Portrait of Francesco d''Este, oil on panel, 3 Martin Davies, Rogier van der Weyden: An Essay with a Critical Catalogue of Paintings (London: Placing Rogier van der Weyden''s work into the context of the Ferrarese court in evidence that sheer presence of Rogier van der Weyden''s work in Ferrara affected the 5 Dirk De Vos, Rogier van der Weyden: The Complete Works, (New York: Harry N. Rogier van der Weyden''s style and is one of his most well-known works. Cosmè Tura''s Re-Appropriation of Rogier Van Der Weyden''s Netherlandish Oil To see the similarities of Cosmè Tura''s work to that of Rogier van der Weyden, CHAPTER 4: ROGIER VAN DER WEYDEN AND COSMÈ TURA Techniques of Five Paintings by Rogier van der Weyden and His Workshop." id: work_j7nmsf55djdspckwocsp3zum5e author: A. Gode-von Aesch title: Wilhelm Waiblinger in Italy date: 1954 words: 41158.0 sentences: 4013.0 pages: 117 flesch: 75.0 cache: ./cache/work_j7nmsf55djdspckwocsp3zum5e.pdf txt: ./txt/work_j7nmsf55djdspckwocsp3zum5e.txt summary: A knowledge of Waiblinger''s early life in Germany is pertinent for the proper understanding of his Italian experience. read accounts of the country; and in the early nineteenth century the Schlegels, Madame de Stael, and Chateaubriand travelled in Italy and wrote about the country. Waiblinger''s contributions were Francesco Spina and Das Miirchen von der blauen Grotte, both long Von den Triimmern der Kaiserpalaste aus und dem goldenen Haus des Nero starrt'' ich den halben Tag iiber das Limonienund Myrtengriin und seine unsaglich goudenen Friichte hinab aufs Waiblinger found the tradition of the Renaissance everywhere in Italy, and he wrote more about the art of this period Waiblinger''s consistent effort to interpret Italy to his German readers and his natural love of the Italian people are perhaps his most important characteristics as an author. Thus Waiblinger described Italy as the modern traveller would Waiblinger and Italian Art id: work_3utibwenwngcbow7ua6lgcwfcq author: A. Muraviev title: Л. И. ЖУРОВА, В. Ю. КРУТЕЦКИЙ, H. В. СИНИЦЫНА, Б. Л. Фонкич, К. ХВОСТОВА (изд.), Преподобный Максим Грек. Сочинения. Том I (Москва: «Индрик», 2008) 568 с. [Российская Акаде¬мия Наук: Институт Российской Истории, Сибирское отделение РАН: Институт Истории] date: 2008 words: 1192.0 sentences: 99.0 pages: 3 flesch: 72.0 cache: ./cache/work_3utibwenwngcbow7ua6lgcwfcq.pdf txt: ./txt/work_3utibwenwngcbow7ua6lgcwfcq.txt summary: The rst long-awaited volume of the new edition of the works of St Maxim the Greek has been published by renowned Moscow scholar Nina Sinitsyna in collaboration with one of the strongest teams working with pre-Peter texts and the old-believer tradition — the N. (1518–1525) as well as works preserved in Greek (with Russian translation), wri en in Italy and on Mt Athos (1498–1516) by Michael (Maximos) Trivolis. The rst publication of the Greek part of the heritage of St Maxim The basis for the publication of the new volume are the manuscripts, created in Maxim''s manuscript tradition of the texts included in the volume was carefully The new edition is a pioneering work in many aspects. Metropolitan Filaret (Philaret) (1903–1985) was the third First-Hierarch of the Russian Orthodox Church Outside Russia (ROCOR). The book is a fascinating read for both scholars and laymen interested in the history of the Orthodox Church in the 20th century. id: work_ruutfcfqgzbg3j5niezqauyrqi author: A. Muraviev title: Нина В. СИНИЦЫНА, Сказания о преподобном Максиме Греке (XVI-XVII вв.) (Москва: Издательство ПСТГУ, 2006) 136 с. [издание ПСТГУ-ИРИ РАН] date: 2008 words: 735.0 sentences: 68.0 pages: 2 flesch: 81.0 cache: ./cache/work_ruutfcfqgzbg3j5niezqauyrqi.pdf txt: ./txt/work_ruutfcfqgzbg3j5niezqauyrqi.txt summary: ("By the prayers of Thy Most Pure Mother and holy wonderworker Nicholas […] of God — have mercy on us"). The book wri en by prominent Russian scholar Nina Sinitsyna deals with the earliest textual witnesses of the life of Maxim the Greek book however is a new edition of the Narratio informans according to K. K (ed.), Saint Maxim the Greek. The rst long-awaited volume of the new edition of the works of St Maxim the Greek has been published by renowned Moscow scholar rst period of the life of St Maxim in Russia until the condemnation (1518–1525) as well as works preserved in Greek (with Russian translation), wri en in Italy and on Mt Athos (1498–1516) by Michael (Maximos) Trivolis. The very identity of St. Maxim the Greek known from The rst publication of the Greek part of the heritage of St Maxim id: work_hovjdokejfachpds22cfi7zocu author: A. Nicholls title: Advances in Nephrology from the Necker Hospital date: 1985 words: 789.0 sentences: 119.0 pages: 1 flesch: 69.0 cache: ./cache/work_hovjdokejfachpds22cfi7zocu.pdf txt: ./txt/work_hovjdokejfachpds22cfi7zocu.txt summary: Book Reviews Advances in Nephrology from the Necker Hospital, Year Book Medical Publishers, Chicago, 1984. This is the latest in a distinguished series of reviews Of the remaining 15 chapters, seven within a single volume the best state of the art review remaining chapters. The remaining chapters unfortunately cover topics which have been adequately appear in print as thenow familiar review ofother reviews. A final infuriating aspect of the book is its organisation. but instead are scattered throughout the book, thechosen way of buying perhaps half a dozen useful review Royal Devon & Exeter Hospitals Function of the Nervous System, Second edition. This excellent book, now deservedly in its second A brief obituary is included, but the importance of his wide ranging contribution to neuroscience can be seen scattered throughout the pages of the book. The book has a first-rate This new edition uses more ''boxes'' to highlight The book is set in id: work_ozxd2ionwbfhbelz65jugccfu4 author: A.J. Lees title: From Neuron to Brain: A Cellular Approach to the Function of the Nervous System date: 1985 words: 790.0 sentences: 122.0 pages: 1 flesch: 69.0 cache: ./cache/work_ozxd2ionwbfhbelz65jugccfu4.pdf txt: ./txt/work_ozxd2ionwbfhbelz65jugccfu4.txt summary: Book Reviews Advances in Nephrology from the Necker Hospital, Year Book Medical Publishers, Chicago, 1984. This is the latest in a distinguished series of reviews Of the remaining 15 chapters, seven within a single volume the best state of the art review remaining chapters. The remaining chapters unfortunately cover topics which have been adequately appear in print as thenow familiar review ofother reviews. A final infuriating aspect of the book is its organisation. but instead are scattered throughout the book, thechosen way of buying perhaps half a dozen useful review Royal Devon & Exeter Hospitals Function of the Nervous System, Second edition. This excellent book, now deservedly in its second A brief obituary is included, but the importance of his wide ranging contribution to neuroscience can be seen scattered throughout the pages of the book. The book has a first-rate This new edition uses more ''boxes'' to highlight The book is set in id: work_txfzmi2yobg6tnjfq7t2fa3n6a author: Abraham Tamir title: Interaction Between Engineering, Science and Art date: 2008 words: 2049.0 sentences: 339.0 pages: 3 flesch: 53.0 cache: ./cache/work_txfzmi2yobg6tnjfq7t2fa3n6a.pdf txt: ./txt/work_txfzmi2yobg6tnjfq7t2fa3n6a.txt summary: Interaction Between Engineering, Science and Art Abstract: This article is the beginning of a new section entitled Engineering and Science by Art where the emphasis will It applies to an approach developed by the author where subjects related to engineering and sciences are demonstrated by artworks. The three cultures, Engineering, Science and Art are usually looked upon as three different entities. interaction between Engineering and Science is well-known, whereas the interaction between Engineering and Art, and is an interaction between science and art; he said: "Both, A few artworks demonstrating science by art are presented in the following. 98 The Open Chemical Engineering Journal, 2008, Volume 2 Abraham Tamir Interaction Between Engineering, Science and Art The Open Chemical Engineering Journal, 2008, Volume 2 99 section entitled Engineering and Science by Arts. The present article demonstrates this approach by describing different elements of engineering by artworks. subjects related also to Chemical Engineering and Science id: work_bxudptucfjdi7cvg4vctjdnmuq author: Alan Sangster title: Book review: Double Entry: How the Merchants of Venice Shaped the Modern World and How their Invention could Make or Break the PlanetGleeson-WhiteJDouble Entry: How the Merchants of Venice Shaped the Modern World and How their Invention could Make or Break the Planet, Allen & Unwin: Sydney, 2011, 294 + viii pp.: ISBN: 9781741757552 date: 2012 words: 6117.0 sentences: 489.0 pages: 11 flesch: 73.0 cache: ./cache/work_bxudptucfjdi7cvg4vctjdnmuq.pdf txt: ./txt/work_bxudptucfjdi7cvg4vctjdnmuq.txt summary: bookkeeping contained in Luca Pacioli''s Summa Arithmetica of 1494, without balance in an accounting system based upon double entry is a mathematical one, Gleeson-White gives the impression that as soon as Pacioli''s treatise was published in As an accounting historian and specialist in Pacioli and the birth of double entry the life of the times of Pacioli, but that book has one serious flaw noted by every text for a one-semester or year-long university module/course on accounting history. Bagni GT (2009) Luca Pacioli, the mathematics of his time and De viribus quantitatis. Sangster A (2011) Luca Pacioli, school teacher and university professor. Sokolov YV and Sokolov VY (2011) Pacioli''s ideas in Russian accounting history. In 1494, Pacioli did not become the first author of a printed book on algebra (p.67). text is that double entry bookkeeping as described by Pacioli was widely adopted The account books give id: work_fhxmds6jbfbo7jsidd7ibey7sm author: Albert C Lewis title: Abstracts date: 1981 words: 2578.0 sentences: 503.0 pages: 5 flesch: 68.0 cache: ./cache/work_fhxmds6jbfbo7jsidd7ibey7sm.pdf txt: ./txt/work_fhxmds6jbfbo7jsidd7ibey7sm.txt summary: the publication of interest to historians of mathematics, including some topics in general history of science and historiography, mathematics or its history. MR 46 #3255 means that the item is numbered 3255 in volume List of works of Paul TU&.N. Acta Arithmetica 37, 21-34. CHARBONNEAU LOUIS 1981 Congrbs Annuel, Canadian Society for the History and Philosophy of Mathematics/Soci&B Canadienne d''histoire et de philosophie des math&atiques. GRASSMANN "certainly created a new branch of mathematics . ELFVING GUSTAV 1981 The History of Mathematics in FINLAND, 1828-1918. Professor of Mathematics at the University of Helsinki. fifty mathematicians are given along with descriptions of their mathematical contributions. ERD& P 1980 Some personal reminiscences of the mathematical work of Paul TURN. FRIBERG J&AN 1981 Methods and traditions of BABYLONIAN MATHEMATICS: Plimpton 322, Bolzano''s mathematical work by Jarnik, Professor of Mathematics at Charles University. JONES CHARLES V 1981 Annual Meeting of the History of Science Society, 1980. id: work_xmy75qtsgvhxbemie3hmgd6u6a author: Aleksandar Kadijević title: The house of Marko Stojanović (1885): The first independent work of architect Konstantin Jovanović in Belgrade date: 2020 words: 15447.0 sentences: 2056.0 pages: 30 flesch: 88.0 cache: ./cache/work_xmy75qtsgvhxbemie3hmgd6u6a.pdf txt: ./txt/work_xmy75qtsgvhxbemie3hmgd6u6a.txt summary: Јовановића (1849–1923) у Београду,1 кућа адвоката Марка Стојановића у Кнез Михаиловој улици 53–55 из 1885. (1966), Архитектонско наслеђе града Београда I, Саопштења Завода за заштиту споменика културе 6 (Београд): (1988), Хотели и кафане XIX века у Београду, Београд: Музеј града Београда. Belgrade, the house of solicitor Marko Stojanović at 53–55 Knez Mihailova Street, built in 1885, T he Ærst independent creation of the Viennese architect Konstantin Jovanović (1849–1923) in Belgrade,1 the house of solicitor Marko the cultural and historical spatial unit of Knez Mihailova Street,11 Stojanović''s house has been analysed a number of times in the Serbian historiography. interpreters also emphasised the foundational importance of the Ærst Stojanović''s house in articulating Jovanović''s Belgrade oeuvre, noting that the richness of its block defined by Rajićeva, Pariska, and Knez Mihailova streets44 (Figure 2), the Ærst Stojanović''s house belongs to the corpus of dispersed corner interpolations.45 It was built in the place of Menzulana id: work_mjpp5mayqrdhrezz5rgdde775e author: Aleksandra Banjević title: Lexicological Influence through Language Contacts date: 2019 words: 3551.0 sentences: 259.0 pages: 8 flesch: 61.0 cache: ./cache/work_mjpp5mayqrdhrezz5rgdde775e.pdf txt: ./txt/work_mjpp5mayqrdhrezz5rgdde775e.txt summary: Keywords: languages in contact, linguistic borrowing, primary and secondary adaptation, indirect borrowing, direct borrowing, foreign word, foreign loan, loanword Los contactos entre lenguas se pueden estudiar en tres direcciones: a) adquisición del lenguaje; b) préstamos de idiomas; c) traducción. Language contacts are always a result of histori-cal and cultural bonds, and will evolve in a different manner in relation to the language of the group that Romance, Celtic, etc., as language families, being that they share a common terms of linguistics, Roman dialects, Latin loanwords in the Albanian language are of great importance for making a comparison. Slavic, Greek, one Romance, and one Albanian, probably the last relic of the Illyrian language group. According to Skok, pre-Slavic languages in the Balkans are as follows: listed above, but which have not entered the northern Slavic languages: ratione > račun (reason, count), calendae > the nineteenth century, Romance loanwords penetrated into our language in id: work_fmx4anp74vfd7ps34dqgsropbm author: Alessandro Nova title: Raphael and the redefinition of art in Renaissance Italy date: 2019 words: 3266.0 sentences: 154.0 pages: 6 flesch: 55.0 cache: ./cache/work_fmx4anp74vfd7ps34dqgsropbm.pdf txt: ./txt/work_fmx4anp74vfd7ps34dqgsropbm.txt summary: Robert Williams, Raphael and the Redefinition of Art in Renaissance Italy, in the entire history of art, Robert Williams addresses in chapter one the crucial which Renaissance art anticipates aspects of artistic modernism and As Williams rightly observes: ''The style he [Raphael] the first chapter Williams has investigated Raphael''s early altarpieces and above all the actual works of art painted or planned by Raphael. created by the author to do justice to the figure and works of Raphael has developed detailed study of how a well-organised workshop, like Raphael''s, functioned, can Alessandro Nova Raphael and the redefinition of art in Renaissance Italy Alessandro Nova Raphael and the redefinition of art in Renaissance Italy Alessandro Nova Raphael and the redefinition of art in Renaissance Italy Alessandro Nova Raphael and the redefinition of art in Renaissance Italy Alessandro Nova Raphael and the redefinition of art in Renaissance Italy id: work_6a33e6ttvfh2plfrluqaheznai author: Alexandra Carter title: Reshaping Dance through Time: A Critical View of Historical Periodisation in Relation to Pedagogy and Research date: 2009 words: 4591.0 sentences: 396.0 pages: 13 flesch: 65.0 cache: ./cache/work_6a33e6ttvfh2plfrluqaheznai.pdf txt: ./txt/work_6a33e6ttvfh2plfrluqaheznai.txt summary: Reshaping Dance Through Time: A critical view of historical periodisation in relation to history is shaped by acceptance of dominant periods, and to point to ways in which the shape of dance This trend is reflected in the more recently published dance history texts, as I will go How has dance organised its "long view" of Western theatre history? of the organisation of time in a selection of twenty-five dance history books published mainly in the and social dance (Vuillier) and also to the temporal "modern" in relation to the time the books were The dance history books of the early twentieth century prefigure a trend which continues Recent research on the content of dance history syllabi in British universities periods in dance history: the Romantic era put back the heart that had been lost in ballet, and, one of Ballet and modern dance: a concise history. id: work_2hnsj5pbofa3rpnjg7kat4meca author: Alison M. Harris title: Prosopagnosia date: 2007 words: 1641.0 sentences: 126.0 pages: 2 flesch: 59.0 cache: ./cache/work_2hnsj5pbofa3rpnjg7kat4meca.pdf txt: ./txt/work_2hnsj5pbofa3rpnjg7kat4meca.txt summary: research in a number of areas create new knowledge. face-blindness, is an impairment individuals by their faces, in face recognition, known as in face perception and social difficulties in object recognition, on non-face visual cues, such as reflecting damage to a cognitive face recognition was nonetheless faces and other objects. the candle-lit painting appears same painting illuminated with specifically, the glow of the gold glow effect when lit by candles, the eye to fixate in a different part less at the faces of the Angel faces (looking at them directly eyes could have been directed of ''glowing'' gold to direct the experiment, however, eye visual image of faces. for faces is not specific to impairment for faces versus other object classes in prosopagnosic Disorders of face What is special about face What cognitive systems are affected in prosopagnosia? What neural systems are affected in prosopagnosia? Aren''t faces just harder to recognize? id: work_oiuwmjfrgbcrlg3uj3oz7yziqm author: Allan Langdale title: Linguistic Theories and Intellectual History in Michael Baxandall''s Giotto and the Orators date: 2009 words: 7796.0 sentences: 437.0 pages: 14 flesch: 51.0 cache: ./cache/work_oiuwmjfrgbcrlg3uj3oz7yziqm.pdf txt: ./txt/work_oiuwmjfrgbcrlg3uj3oz7yziqm.txt summary: See as well Michael Baxandall, ''The Language of Art History'', New Literary History, 10.3, Spring Allan Langdale Linguistic Theories … Baxandall''s Giotto and the Orators Allan Langdale Linguistic Theories … Baxandall''s Giotto and the Orators Allan Langdale Linguistic Theories … Baxandall''s Giotto and the Orators Allan Langdale Linguistic Theories … Baxandall''s Giotto and the Orators Allan Langdale Linguistic Theories … Baxandall''s Giotto and the Orators Allan Langdale Linguistic Theories … Baxandall''s Giotto and the Orators Allan Langdale Linguistic Theories … Baxandall''s Giotto and the Orators Allan Langdale Linguistic Theories … Baxandall''s Giotto and the Orators Allan Langdale Linguistic Theories … Baxandall''s Giotto and the Orators Allan Langdale Linguistic Theories … Baxandall''s Giotto and the Orators Allan Langdale Linguistic Theories … Baxandall''s Giotto and the Orators Allan Langdale Linguistic Theories … Baxandall''s Giotto and the Orators Allan Langdale Linguistic Theories … Baxandall''s Giotto and the Orators id: work_ibwu6wgcavaypov5zrsbdhkq7u author: Amarí Peliowski title: La conquista de la naturaleza: el imaginario arquitectónico de Alonso de Ovalle en el siglo XVII date: 2016 words: 4871.0 sentences: 428.0 pages: 10 flesch: 68.0 cache: ./cache/work_ibwu6wgcavaypov5zrsbdhkq7u.pdf txt: ./txt/work_ibwu6wgcavaypov5zrsbdhkq7u.txt summary: alonso de ovalle''s architectural imaginary century depict architecture not only as an image K e y w o r d s · representation, engraving, landscape, buildings, modernity of architectural representation in one of Chile''s first accounts, del Reyno de Chile [Historical Relation of the Chilean Kingdom] Chile] was the first written account describing Chilean territory, de Lobera''s late sixteenth-century Crónica del Reino de Chile [Chronicle of the Kingdom of Chile] and Histórica relación del same time, some of the earliest existing records of the architecture built in Chilean territory (Peliowski, 2015) (FiG. not of Chilean cultural delay – expressed in Ovalle''s graphic For the Jesuits, the means of spiritual conquest were intimately linked to images, and therefore to art, including architecture. 1993) – we can then attribute the buildings engraved by Ovalle The significant presence of building drawings in Ovalle''s description of Chile seems to express the author''s concern to show that id: work_iym3pjsemzdphla4lfngvq4efu author: Amelia Carolina Sparavigna title: A Historical Discussion of Angular Momentum and its Euler Equation date: 2015 words: 4059.0 sentences: 385.0 pages: 5 flesch: 70.0 cache: ./cache/work_iym3pjsemzdphla4lfngvq4efu.pdf txt: ./txt/work_iym3pjsemzdphla4lfngvq4efu.txt summary: Abstract: We propose a discussion of angular momentum and its Euler equation, with the aim of giving a short of angular momentum and its Euler''s equation in the 2. Angular momentum and spinning tops the rotational inertia of bodies and to the motion of After Newton, the angular momentum was considered momentum of rotational motion [8]) for a point-like also the angular momentum of rigid bodies and about Euler and his laws concerning rigid bodies, let us Euler, like Newton, did not use vectors in physics. 3. Straight motion and angular momentum Figure 3: In the angular momentum, the position One of the Euler''s Laws tells that the angular A Historical Discussion of Angular Momentum and its Euler Equation A Historical Discussion of Angular Momentum and its Euler Equation A Historical Discussion of Angular Momentum and its Euler Equation A Historical Discussion of Angular Momentum and its Euler Equation Angular Momentum Between Physics and id: work_rwgjb345uvewhm5mvv6nleheze author: Amelia Carolina Sparavigna title: Portraits Of Leonardo Da Vinci date: 2011 words: 3740.0 sentences: 1301.0 pages: 7 flesch: 94.0 cache: ./cache/work_rwgjb345uvewhm5mvv6nleheze.pdf txt: ./txt/work_rwgjb345uvewhm5mvv6nleheze.txt summary: The famous self-portrait in red chalk (Figure 1) will be on the Flight of Birds, as the self-portrait in red chalk, is usually held at The up-left panel of Figure 2 shows the drawing in the Leonardo''s Comparing this drawing with the Leonardo self-portrait in red chalk, new image is shown in Figure 2, up-right panel. try to compare with the self-portrait in red chalk (Fig.1). where Leonardo looks younger than in the self-portrait of Figure 1. Fig.1 Leonardo''s portrait in red chalk Raphael based the Plato''s face on the features of Leonardo da Vinci the image processing of the two Leonardo'' self-portraits, with the Raphael''s portrait (Figure 4), that is, the image of Plato. is depicting a self-portrait, he is looking at the face in a mirror. it is another artist depicting the portrait, he is looking at the face It is thought that Leonardo drew the self-portrait in red chalk at id: work_4mn7mq6q2nfm3ocekkk6zfxqqi author: Amelia Carolina Sparavigna title: The orientation of the Kings Knot of Stirling Castle date: 2015 words: 1349.0 sentences: 105.0 pages: 4 flesch: 69.0 cache: ./cache/work_4mn7mq6q2nfm3ocekkk6zfxqqi.pdf txt: ./txt/work_4mn7mq6q2nfm3ocekkk6zfxqqi.txt summary: In the satellite images of Google Earth we can easily see the King s Knot of the Stirling Castle, a knot of sunrise and sunset on satellite maps, we can study the orientation of this Knot in relation to the Abstract: In the satellite images of Google Earth we can easily see the King''s Knot of the Stirling Castle, a sunrise and sunset on satellite maps, we can study the orientation of this Knot in relation to the apparent In the Figure 1, we can see an image from Google Earth of the castle and of the garden. Figure 1 – Stirling Castle and its King''s Knot as it is shown by Google Earth. Retrieved 27 Dec 2015, https://canmore.org.uk/site/46256/stirling-kings-knot The orientation of the Kings Knot of Stirling Castle. The orientation of the Kings Knot of Stirling Castle. The orientation of the Kings Knot of Stirling Castle. The orientation of the Kings Knot of Stirling Castle. id: work_bwqd52xoybcllawprh6dckpvze author: Amit Om title: Integrating the Integumentary System with the Arts: A Review of Dermatologic Findings in Artwork date: 2018 words: 144.0 sentences: 26.0 pages: flesch: 71.0 cache: ./cache/work_bwqd52xoybcllawprh6dckpvze.pdf txt: ./txt/work_bwqd52xoybcllawprh6dckpvze.txt summary: sys_1000 wp-p1m-38.ebi.ac.uk wp-p1m-38.ebi.ac.uk exception exception Params is empty Params is empty Params is empty if (typeof jQuery === "undefined") document.write(''[script type="text/javascript" src="/corehtml/pmc/jig/1.14.8/js/jig.min.js"][/script]''.replace(/\[/g,String.fromCharCode(60)).replace(/\]/g,String.fromCharCode(62))); // // // window.name="mainwindow"; .pmc-wm {background:transparent repeat-y top left;background-image:url(/corehtml/pmc/pmcgifs/wm-nobrand.png);background-size: auto, contain} .print-view{display:block} Page not available Reason: The web page address (URL) that you used may be incorrect. 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Find a specific article by its citation (journal, date, volume, first page, author or article title). http://europepmc.org/abstract/MED/ id: work_j6bb3dhd7fdphpdl3we6mi7eg4 author: Andrea Rizzi title: Latin and Vernacular in Quattrocento Florence and Beyond: An Introduction date: 2013 words: 6163.0 sentences: 709.0 pages: 14 flesch: 68.0 cache: ./cache/work_j6bb3dhd7fdphpdl3we6mi7eg4.pdf txt: ./txt/work_j6bb3dhd7fdphpdl3we6mi7eg4.txt summary: refashioning classical Latin into a powerful cultural and political tool.1 All contributions take a close look at what quattrocento authors, translators, and speakers say about their choices to perform their texts in Latin or vernacular and how Florence and Venice to Latin and the vernacular, exploring the place these languages occupied in the literary and social spaces of the fifteenth century as well as As a result, the study of prefaces and similar paratextual material presents scholars with compelling evidence of how quattrocento authors and translators engaged with Latin and vernacular texts and audiences. The relationship between the vernacular languages and Latin was debated ardently by early quattrocento humanists such as Biondo Flavio, Leonardo Bruni, These different humanistic views of the nature and function of Latin and the vernacular of early Renaissance Florence have been closely discussed and analyzed id: work_4revxqlkmbe4pamtg5ni24qc2u author: Andrea Rizzi title: Leonardo Bruni and the Shimmering Facets of Languages in Early Quattrocento Florence date: 2013 words: 7171.0 sentences: 881.0 pages: 16 flesch: 73.0 cache: ./cache/work_4revxqlkmbe4pamtg5ni24qc2u.pdf txt: ./txt/work_4revxqlkmbe4pamtg5ni24qc2u.txt summary: This article advances a novel interpretation of Leonardo Bruni''s understanding of the link between Latin and vernacular languages of early quattrocento Florence and the cultural and political spaces Bruni''s recognition of the strengths and weaknesses in both Latin and the Florentine languages represents a radical departure from the perception of vernacular Equally, from the point of view of Bruni, Dante''s vernacular mirrored the spoken Florentine of his time, and it is his writing that it subjected to criticism, not his fundamental contribution to the rhetorical power and In the words of Niccoli/Bruni, Dante''s vernacular has an elegance of speech that makes it perfect in its own realm, even if In other words, Bruni stresses Dante''s fundamental contribution to vernacular oratory and the influence the language shaped by the poet had on public speaking. id: work_c5qxoeff2faibmot6yx2c4l5la author: Andrea Rizzi title: Massimo Rospocher, Il papa guerriero: Giulio II nello spazio pubblico europeo, Bologna, Il Mulino, 2015 date: 2017 words: 1554.0 sentences: 81.0 pages: 4 flesch: 49.0 cache: ./cache/work_c5qxoeff2faibmot6yx2c4l5la.pdf txt: ./txt/work_c5qxoeff2faibmot6yx2c4l5la.txt summary: between scribal and print, oral and written cultures in medieval and early modern Italy, Massimo Rospocher''s new study is an outstanding contribution in this line of Abingdon: Routledge, 2016); "Oral Culture in Early Modern Italy: Performance, Language, HORODOWICH, Language and Statecraft in Early Modern Venice (New York: Cambridge University Press, 2008) and "Speech and Oral Culture in Early Modern Europe and Beyond", special issue of The Journal recent studies on orality, print, and performance in early modern Italy see Interactions Between Orality, 22street performances, processions, and scribal and printed texts promoted the notion The second part of Rospocher''s study focuses on the anti-papal propaganda Rospocher demonstrates powerfully how early Cinquecento political propaganda was unpredictable nature of the early modern public space (22-25). early modern Western cultures, between official and ephemeral communication, more nuanced approach to the study of early modern texts and artefacts. id: work_c4asicxnznajxesvk5bugp6h7m author: Andrea Urbani title: Proteomics and renaissance: accounts of the V Italian Proteomics Association Congress, Florence 2010 date: 2011 words: 1382.0 sentences: 219.0 pages: 2 flesch: 50.0 cache: ./cache/work_c4asicxnznajxesvk5bugp6h7m.pdf txt: ./txt/work_c4asicxnznajxesvk5bugp6h7m.txt summary: Italian Proteomics Association Congress, this model in proteomics research, local proteome science achievements. issue of Molecular BioSystems aims to While human proteomics investigations initially led the research in this of proteomics are presently coming from clinical proteomics tool (Biotypert), thus setting proteomics tools as development of novel tools for multivariate analysis is a key issue in the technological advancement of proteomics, the paper from the group of shown in the manuscript from Laura investigation of the platelet proteome of University of Florence, Italy Section of Proteomics, Istituto Sperimentale proteomics investigation to a new level for Italian proteomics scientists to collaborate with the overall international Chairperson of the V Italian Proteomics Proteomics Association; Dr Col. Mario The Congress of the Italian Proteomics training in the science of Proteomics in (1) Human and Clinical Proteomics (3) Plant Proteomics (4) Functional proteomics Proteomics Proteomics ''''Quantitative proteomics for biomarkers application of proteomics in clinical id: work_xip6ysml5nhu7jpq5vpsweynhi author: Andrea Veglia title: Michael Silk, Ingo Gildenhard, Rosemary Barrow, The Classical Tradition: Art, Literature, Thought date: 2014 words: 1420.0 sentences: 113.0 pages: 3 flesch: 58.0 cache: ./cache/work_xip6ysml5nhu7jpq5vpsweynhi.pdf txt: ./txt/work_xip6ysml5nhu7jpq5vpsweynhi.txt summary: The Classical Tradition: Art, Literature, Thought The Classical Tradition: Art, review of Classics and the Uses of Reception, Charles Martindale''s reception theory motto – in selecting, imitating or adapting ancient works» (Reception Studies 5 ) , The Classical Without being a new Companion, The Classical Tradition shows the ambition of of scholars from different disciplines: Classics, Comparative Literature, Art History. meaning and strategies of preservation of the classical tradition: history of education of classical literature take into consideration postcolonial theory). strength and the weakness of The Classical Tradition: on the one hand, it gives a into consideration the periods usually dealt with in essays on the afterlife of the Classics: English 19th century Hellenism, with a few references to Post-modern classicism. Rev. of Classics and the Uses of Reception, eds. A Companion to the Classical Receptions. A Companion to the Classical Tradition, Oxford: Wiley-Blackwell, Classics and the Uses of Reception. id: work_wdrxjtxdrnainozlqto6nz7yui author: Andrei Pop title: The pinch of Expressionism in art history date: 2015 words: 2398.0 sentences: 108.0 pages: 5 flesch: 53.0 cache: ./cache/work_wdrxjtxdrnainozlqto6nz7yui.pdf txt: ./txt/work_wdrxjtxdrnainozlqto6nz7yui.txt summary: The Pinch of Expressionism in Art History Smith, ed., The Expressionist Turn in Art History, Farnham, claim to art and artists, and already our sought-after term, expression, makes its of expression underwrote much interesting argument about art from Julius von authors, there is one critical essay and just one translation. 1 Wilhelm Worringer, ''Introduction to Old German Book Illustration (1912)'', translated by Heather Mathews, with Kathleen Chapman, in Smith (ed.), The Expressionist Turn in Art windy rhetoric; the authors don''t paper over Wölfflin''s German nationalism, not at then the very canon of expressionist art historians is exploded. Andrei Pop The Pinch of Expressionism in Art History Andrei Pop The Pinch of Expressionism in Art History Andrei Pop The Pinch of Expressionism in Art History Andrei Pop The Pinch of Expressionism in Art History art to history is a worthy endeavour, so the editor and authors of The Expressionist id: work_ftjj7sec7bhhbos7apltyvvtui author: Andrew Wear title: Katharine Park, Doctors and medicine in early renaissance Florence, Princeton University Press, 1985, 8vo, pp. xii, 298, £33.40 date: 1987 words: 1453.0 sentences: 84.0 pages: 2 flesch: 54.0 cache: ./cache/work_ftjj7sec7bhhbos7apltyvvtui.pdf txt: ./txt/work_ftjj7sec7bhhbos7apltyvvtui.txt summary: KATHARINE PARK, Doctors andmedicine in early renaissance Florence, Princeton University Katharine Park has written an excellent book that contributes equally to medical history and elucidation of the profession of medicine in the city will add one more piece to the research we have been prepared by Cipolla''s work on plague and public health to view Italian cities as crucial point made by Park, however, is that it was not the professionalization of medicine that The Guild of Doctors, Apothecaries and Grocers is central to the book. Park''s detailed and lucid account of the Guild shows that it fewer doctors had political influence within the Guild and the city. The book has some weaknesses, Park was perhaps too tied in to the Florentine research scholastic medicine and of the intellectual and literary interests of Florentine doctors should be studied by some social and intellectual historians of medicine who see their respective id: work_w7b7ykvomrbizhicuzzvwuc5si author: Andrée Hayum title: The 1902 exhibition, Les Primitifs flamands: scholarly fallout and art historical reflections date: 2014 words: 9325.0 sentences: 570.0 pages: 20 flesch: 61.0 cache: ./cache/work_w7b7ykvomrbizhicuzzvwuc5si.pdf txt: ./txt/work_w7b7ykvomrbizhicuzzvwuc5si.txt summary: subject, the Bruges exhibition of 1902: ''Les Primitifs flamands'', is familiar to English Figures 1 and 2 catalogue Exposition des Primitifs flamands et d''Art ancien, Bruges, 1902, Hôtel Gruuthhuuse, troisième Figure 3 – catalogue Exposition des Primitifs flamands et d''Art ancien, Bruges, 1902, Hôtel du Conseil Provincial, important picture not brought to Bruges in 1902, the very first example of the socalled ''early schools'' of painting to have entered the National Gallery''s collection in faites d''après les peintures ayant figuré à L''Exposition des Primitifs Flamands et d''Art Ancien à Henri Hymans, L''Exposition des Primitifs flamands à Bruges, Paris: Gazette des Beaux-Arts, ''L''Exposition des Primitifs flamands'', Les Arts, 1: 7, August 1902, 27-34. Italian Renaissance painting.23 At the Bruges exhibition, several pictures moved 22 W.H. James Weale, Exposition des Primitifs flamands et d''Art ancien, Première section: Early Netherlandish painting that made the Bruges exhibition both possible and id: work_wfqyk7gcknhtvh3nnbvwmo7som author: Ann-Sophie Lehmann title: Pamela H. Smith;, Amy R. W. Meyers;, Harold J. Cook (Editors). Ways of Making and Knowing: The Material Culture of Empirical Knowledge. (Bard Graduate Center Cultural Histories of the Material World.) xi + 430 pp., illus., table, bibl., index. Ann Arbor: University of Michigan Press, 2014. $60 (cloth) date: 2015 words: 1765.0 sentences: 125.0 pages: 3 flesch: 59.0 cache: ./cache/work_wfqyk7gcknhtvh3nnbvwmo7som.pdf txt: ./txt/work_wfqyk7gcknhtvh3nnbvwmo7som.txt summary: Ways of Making and Knowing: The Material Culture of Empirical Knowledge. Bookreview of Ways of Making and Knowing: The Material Culture of Empirical Knowledge by Link to publication in University of Groningen/UMCG research database Bookreview of Ways of Making and Knowing: The Material Culture of Empirical https://research.rug.nl/en/publications/bookreview-of-ways-of-making-and-knowing-the-material-culture-of-empirical-knowledge-by-pamela-h-smith-amy-r-w-meyers-harold-j-cook(e30ac8be-c723-49c1-a500-f521d67d6e3d).html Knowing: The Material Culture of Empirical Knowledge. Histories of the Material World.) xi � 430 pp., illus., table, bibl., index. Cultural Histories of the Material World series, is a welcome combination of both: it addresses the overall theoretical impact of the material turn for the history of science and art, as well as presenting It also shows that the academic investigation into the history of materials has a political side to it, change in our very own material culture of publishing research results. Time, Astronomy, and Calendars in the Jewish Tradition collects the published versions of papers id: work_56nc3yc2lncbvphhqvqrsic6iq author: Anna Karolak title: Experimental investigations of timber beams with stop-splayed scarf carpentry joints date: 2020 words: 6068.0 sentences: 529.0 pages: 17 flesch: 71.0 cache: ./cache/work_56nc3yc2lncbvphhqvqrsic6iq.pdf txt: ./txt/work_56nc3yc2lncbvphhqvqrsic6iq.txt summary: historical buildings are provided, with special reference to stop-splayed scarf joints (so-called ''Bolt Next, the results of the authors'' own research on beams with stop-splayed scarf joints, and capping beams in the building frames of historical structures, scarf and splice joints were used Examples of scarf and splice joints found in historical structures are presented in Figure 1. Stop-splayed scarf joints (presented inter alia in [11–15] and referred to as ''Bolt of lightning'', Sketches presenting scarf and splice joints in wooden beams (a) according to Leon Battista An analysis of the behaviour of a stop-splayed scarf joint subjected to tensile forces is presented experimental testing was carried out on the static behaviour of stop-splayed scarf joints subjected to references, whereas series E, F, and G included beams with stop-splayed scarf joints in the horizontal Stop-splayed scarf joints are common in historical structures where there are elements that are id: work_m2f36fqj7bam3iaw2e7t7hydgq author: Anna Kérchy title: Interview with Liliane Louvel date: 2017 words: 2863.0 sentences: 217.0 pages: 5 flesch: 64.0 cache: ./cache/work_m2f36fqj7bam3iaw2e7t7hydgq.pdf txt: ./txt/work_m2f36fqj7bam3iaw2e7t7hydgq.txt summary: Anna Kérchy and Catriona McAra: In his 1980 collection The Language of Images, W. T. Mitchell greeted the emerging collaboration between ''practitioners of the words'' (literary critics) and practitioners of the image (art historians) that facilitated ''the no man''s land Liliane Louvel: I do think word/image theory and studies still have a lot to offer. Study of Arts, Images and Texts in the English-Speaking World, is another society that is I think that word/image theory will have to take into account what was the subject of resort to many types of dialogue between word and image; conceptual art often has to Liliane Louvel: I think the French have a very special relationship to language. sort of position when we read the description of an image, that of a particular work of art. She has published five books on the relationship between word and image: L''œil id: work_33acxxkmznfkbgw4vudbsvznse author: Anne Houssay title: Shaping and understanding sound: Violin makers, musicians and scientists from Renaissance to Romantism date: 2008 words: 3208.0 sentences: 215.0 pages: 5 flesch: 66.0 cache: ./cache/work_33acxxkmznfkbgw4vudbsvznse.pdf txt: ./txt/work_33acxxkmznfkbgw4vudbsvznse.txt summary: Shaping and understanding sound : Violin makers, musicians and scientists from Renaissance to Romantism Shaping and understanding sound : Violin makers, The training of instrument-makers in Renaissance Italy is linked to a rediscovery of theoretical works on physics eighteenth century lead the establishment of acoustic as a modern science, with the distinction of partials from The test for judging the results is the playing of the instrument by a very competent musician. have transformed the instruments from the Renaissance to the beginning of the 19th century. time were rediscovering the works of Vitruvius. town reknown for its musical instrument maker in the 16th instruments, and in the early Stradivari''s, the arches are instruments to enhance the sound of the violin to satisfy cornerless arched violin, made by a young maker: JeanBaptiste Vuillaume. The violin maker Jean-Baptiste Vuillaume came to Paris the theoretical works of the time and the design of the id: work_w545wb3iwvewllf6c2t5qxiay4 author: Anthony V D''Antoni title: Federico di Montefeltro''s hyperkyphosis: a visual-historical case report date: 2008 words: 2661.0 sentences: 228.0 pages: 4 flesch: 50.0 cache: ./cache/work_w545wb3iwvewllf6c2t5qxiay4.pdf txt: ./txt/work_w545wb3iwvewllf6c2t5qxiay4.txt summary: Duke''s missing nasal bridge, none have described his prominent thoracic hyperkyphosis, which is describe the Duke''s hyperkyphosis, develop relevant differential diagnoses, and suggest a possible Case presentation: We have examined two paintings of the Duke by Piero della Francesca – the Conclusion: Differential diagnoses of the Duke''s thoracic hyperkyphosis include Scheuermann Duke''s thoracic hyperkyphosis could have been caused by repetitive trauma to the spine due to development of the hyperkyphosis is unclear, as is whether the Duke had the convexity during that describe how the visual arts can be used to teach medical students clinical observational skills [1-4]. Federico di Montefeltro (1422–1482), a renowned historical figure of the Italian Renaissance, was the Duke of of the Duke reveals a prominent hyperkyphosis of the thoracic spine with the apex of the convexity at approximately Mantua depicts the Duke in left lateral view and clearly Dublin) also depicts the Duke in left lateral view with the id: work_pexfi5us2fdinhhrwu7zjh32ui author: Antonia Gatward Cevizli title: Alireza Naser Eslami, ed., Incontri di civiltà nel Mediterraneo. L''Impero Ottomano e l''Italia del Rinascimento: Storia, arte e architettura. (Biblioteca dell''Archivum Romanicum, ser. 1, Storia, Letteratura, Paleografia 434.) Florence: Leo S. Olschki, 2014. Pp. 184; many color and 19 black-and-white figures. €25. ISBN: 97888-222-6364-3. https://www.olschki.it/static/data/Prosp/SP/2014/63643.pdf date: 2018 words: 506.0 sentences: 97.0 pages: 1 flesch: 66.0 cache: ./cache/work_pexfi5us2fdinhhrwu7zjh32ui.pdf txt: ./txt/work_pexfi5us2fdinhhrwu7zjh32ui.txt summary: orders@olschki.it • www.olschki.it Alireza Naser Eslami, Incontri di culture tra Rinascimento italiano e la ''Sublime Porta''. Franco Cardini, L''Impero Ottomano e l''autunno della crociata. Analisi del periodo 1683-1718 • Marco Spallanzani, Ceramica ottomana in un palazzo fiorentino del tardo Rinascimento • Anna Contadini, L''ornamento nel mondo Ottomano e nell''Italia del Rinascimento: trasmissione e congiunzione • Giovanni genovese nella Istanbul Ottomana (XV-XVI sec.) • Alireza Naser Eslami, Emulazione, appropriazione, Architettura tra il Rinascimento italiano e l''Impero Ottomano. moderna è una zona franca culturale nella quale coesistono Impero Ottomano, «ponte tra Oriente e Occidente», e Italia del Rinascimento, «porta d''Oriente per i interazioni ed emulazioni tra corti italiane del Rinascimento e la «Sublime Porta» la L''Impero Ottomano e l''Italia del Rinascimento A cura di Alireza Naser Eslami tra Italia e Impero Ottomano: dai un certo tempo alla corte ottomana di Alireza Naser Eslami, architetto, insegna Storia dell''Architettura al Dipartimento di Scienze per http://www.olschki.it/libro/9788822263643 http://www.olschki.it/libro/9788822263643 id: work_ztam74ozsvd2fnxe47icvj5pkm author: Areli Marina title: Nigel Hiscock The Symbol at Your Door: Number and Geometry in Religious Architecture of the Greek and Latin Middle Ages date: 2010 words: 2327.0 sentences: 323.0 pages: 3 flesch: 49.0 cache: ./cache/work_ztam74ozsvd2fnxe47icvj5pkm.pdf txt: ./txt/work_ztam74ozsvd2fnxe47icvj5pkm.txt summary: In his previous book, The Wise Master Builder: Platonic Geometry in Plans of Your Door, he sets out to prove that medieval church design is pervaded with numbers much evidence that well-educated medieval persons associated particular numbers, ratios, 354 Areli Marina – The Symbol at Your Door: Number and Geometry in Religious Architecture of the Greek and Latin... 46-60): What means did medieval builders use to develop their buildings'' plans, architectural use and meaning of plane figures: the equilateral triangle and the numbers Hiscock surveys and presents two bodies of classical and medieval textual sources and between the existence of Pythagorean and Platonic numbers and figures in medieval (or perhaps whether) the numbers and geometric forms embedded in specific medieval religious buildings had symbolic meaning. teaches medieval and Renaissance architectural history at the University of Illinois. The Symbol at Your Door: Number and Geometry in Religious Architecture of the Greek and Latin Middle Ages id: work_bbhvsazkxzavhcgvimv2lgz3fe author: Assad Meymandi title: Humanity, what will you choose-ominous impotence or omnipotence? date: 2010 words: 144.0 sentences: 25.0 pages: flesch: 71.0 cache: ./cache/work_bbhvsazkxzavhcgvimv2lgz3fe.pdf txt: ./txt/work_bbhvsazkxzavhcgvimv2lgz3fe.txt summary: sys_1000 wp-p1m-39.ebi.ac.uk wp-p1m-39.ebi.ac.uk exception exception Params is empty Params is empty Params is empty if (typeof jQuery === "undefined") document.write(''[script type="text/javascript" src="/corehtml/pmc/jig/1.14.8/js/jig.min.js"][/script]''.replace(/\[/g,String.fromCharCode(60)).replace(/\]/g,String.fromCharCode(62))); // // // window.name="mainwindow"; .pmc-wm {background:transparent repeat-y top left;background-image:url(/corehtml/pmc/pmcgifs/wm-nobrand.png);background-size: auto, contain} .print-view{display:block} Page not available Reason: The web page address (URL) that you used may be incorrect. 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Find a specific article by its citation (journal, date, volume, first page, author or article title). http://europepmc.org/abstract/MED/ id: work_snwuc6o6z5c67pvtz7dwnwq6ju author: Augusto Loni title: Insights on Funeral Practices and Insects Associated With the Tombs of King Ferrante II d''Aragona and Other Renaissance Nobles date: 2019 words: 5140.0 sentences: 600.0 pages: 8 flesch: 62.0 cache: ./cache/work_snwuc6o6z5c67pvtz7dwnwq6ju.pdf txt: ./txt/work_snwuc6o6z5c67pvtz7dwnwq6ju.txt summary: To improve the knowledge about the entomofauna associated with bodies in archaeological contexts, herein we provide insights on the funerary practices and the insect community associated to Ferrante II King of Naples and other Italian Renaissance mummies of the Aragonese dynasty buried in the Basilica of St. Domenico Maggiore. We identified 842 insect specimens: 88% were Diptera (Muscidae, Fanniidae, and Phoridae), followed by 9% Funerary archaeoentomology can be considered a discipline partially overlapped with classic archaeoentomology and forensic entomology, since both deal with the study of human cadavers. As a first consequence, all the collections of insect in archaeological contexts represent an incomplete sample of the original set, studied by Fornaciari (2006), applying in this archaeological context the methodology and techniques used in forensic entomology insect remains were collected from the coffin NASD6, 13 (1.5%) Abundance of insect remains retrieved from the mummies of Ferrante II d''Aragona, King of Naples (1496), Giovanna IV id: work_nxmwb5nqgvfp7k6dzf4wioefeq author: Austin Clarkson title: abstracts date: 2019 words: 993.0 sentences: 62.0 pages: 3 flesch: 51.0 cache: ./cache/work_nxmwb5nqgvfp7k6dzf4wioefeq.pdf txt: ./txt/work_nxmwb5nqgvfp7k6dzf4wioefeq.txt summary: Musical Instruments in the Medieval Frescoes of Slovenia Slovene church frescoes picture instruments played in the same manner as which usually included angels playing musical instruments. The musical instruments in these medieval frescoes bear out the evidence of written sources that instrumental music was perpetrated by traveling artists from whose ranks permanently employed musicians descended. documents include the first printed handbook of musical instruments wri tten Music in Slovenia in the Protestant Era is of special importance for Slovene culture and in particular ICJr its music. \\,ithin both Catholic and Protestant music. The acti\''ity of the Ljubljana Protestant circlc, especially of its and instrumental instruction, and the connection between the musical duties of the school and the Ljubljana Protestant Church. Furthermore, his bibliography of Lisinski''s works includes four hitherto unknown picces and discloses that two compositions, Lisinski was the founder ora nationally-oriented school of Croatian music; id: work_zwzwjzfvkzbczohm4s2xhsqjlu author: B. Deniz ATİLLA title: CICERO, Murena Savunması. İstanbul 2016. Kabalcı Yayınevi, 243 sayfa. Çev. E. N. Akdoğdu Arca - M. Oktan. ISBN: 9786059872355 date: 2016 words: 1536.0 sentences: 225.0 pages: 4 flesch: 67.0 cache: ./cache/work_zwzwjzfvkzbczohm4s2xhsqjlu.pdf txt: ./txt/work_zwzwjzfvkzbczohm4s2xhsqjlu.txt summary: Marcus Tullius Cicero, MÖ 3 Ocak 106 tarihinde, Roma''nın 100 km güneydoğusunda yer alan Arpinum kasabasına yaklaşık 7 km uzaklıkta bulunan bir evde, equites sınıfına mensup bir ailenin ilk bu konuda yapılan çalışmalardan biri olan ve MÖ 62 yılı consul seçimleri öncesinde Cicero tarafından düzenlenerek senatus consultum yoluyla çıkarılan Lex Tullia de Ambitu yasasına ve metnin başlayan Cicero, yargıçlardan Murena''nın consul görevine devamı konusunda Roma halkı ile aynı çıkaran kişi hem de Murena''yı savunan hatip olarak doğru bir iş yapmadığı yönünde eleştiren Cato''ya da cevap veren Cicero, konuşmasını Murena''nın rakibi ve davacısı olan Servius Sulpicius''un Cicero, consul seçimlerinde Servius Sulpicius''u desteklediğini kabul etmekle birlikte, Murena''nın suçlanması söz konusu olunca Servius Sulpicius ile aynı Murena''nın Hayatına İlişkin Suçlamalar Hakkında [de Reprehensine Vitae Muranae] (75-81) başlığıyla düzenlenen alt başlıkta Cicero, Asia''ya sefahat sürmek için ifade eden Cicero, yargıçlardan Roma halkının, Murena''nın consul seçilmesi suretiyle gösterdiği id: work_bkg2zwivxjd3bnu6imzeg3czta author: B. G. Marino title: DATA OPTIMIZATION FOR 3D MODELING AND ANALYSIS OF A FORTRESS ARCHITECTURE date: 2019 words: 3844.0 sentences: 306.0 pages: 5 flesch: 54.0 cache: ./cache/work_bkg2zwivxjd3bnu6imzeg3czta.pdf txt: ./txt/work_bkg2zwivxjd3bnu6imzeg3czta.txt summary: dealing with storing, processing and analyzing the produced point cloud, some optimization step should be considered in order to high point density in the model in the areas that describe the fortress, whereas point cloud density is dramatically reduced in vegetated Consequently, several works recently considered the problem of reducing the size of the generated point cloud while preserving its geometric information in order to ease the processing phase and most of the fortress elements can be well approximated with simple geometric shapes (e.g. planar surfaces), an automatic procedure based on the Random Sample Consensus (RANSAC) (Fischler and Bolles, 1981) is used in this work in order to extract great interest in several applications, for instance for digital terrain model generation and for more advanced information extraction from the point cloud (Costantino and Angelini, 2011), this is id: work_6gz4dwsda5ha3nr7yfkkaprpky author: Barbara H. Berrie title: Mining for Color: New Blues, Yellows, and Translucent Paint date: 2015 words: 10901.0 sentences: 873.0 pages: 27 flesch: 69.0 cache: ./cache/work_6gz4dwsda5ha3nr7yfkkaprpky.pdf txt: ./txt/work_6gz4dwsda5ha3nr7yfkkaprpky.txt summary: seventeenth century, these pigments had found a permanent place on the easel painter''s palette, smalt used in place of ultramarine and the antimonial compounds enlivening the yellows of the spectrum. These three discoveries contributed to the saturated colors characteristic of seventeenth-century painting and offered artists latitude in the ways they pursued At the turn of the sixteenth century, new sources of raw materials and production led to the manufacture of vast amounts of blue and yellow pigments that From early times mineral pigments offered a variety of blue colors to painters; Palette and Fifteenth/Sixteenth-century Pharmacy Price Lists: the Use of Azurite & Ultramarine," in Painting Techniques: History, Materials and Studio Practice, eds. The pigment, whether used for easel painting, decorating ceramics or coloring glass, was not prepared directly from the ore but from an intermediate see Ashok Roy and Barbara Berrie, "A New Lead-Based Yellow in the Seventeenth Century," in Painting Techniques: History, Materials and Studio Practice, Contributions to the id: work_abyopwfy7bdqrmyjftzhera3ta author: Benjamin Schewel title: Post-Secularism in a World-Historical Light: The Axial Age Thesis as an Alternative to Secularization date: 2018 words: 4563.0 sentences: 350.0 pages: 8 flesch: 52.0 cache: ./cache/work_abyopwfy7bdqrmyjftzhera3ta.pdf txt: ./txt/work_abyopwfy7bdqrmyjftzhera3ta.txt summary: Post-Secularism in a World-Historical Light: The Axial Age Thesis as an Alternative to regarding the changing place of religion in the modern world as the "post-secular problematic." be used to reconceptualize the public role of religion in the modern world. Keywords: religion; axial age; secularism; post-secular; public religion; religious history the public role of religion in the modern world. role of religion in modern public life, it may be helpful to examine in greater detail the broad vision of socio-spiritual transition that Jaspers identifies—early humanity, archaic civilization, the axial age, Axial age theorists have offered three normative frameworks for addressing the public role of oriented socio-spiritual framework will emerge, an event that Jaspers likens to a second axial age. modern world in ways that acknowledge the central and enduring role of religion in public life. Second, a transformation-based vision of modern religion encourages new kinds of empirical Public Religions in the Modern World. id: work_be3khgmimzemfb2c64aluqvryi author: Bernadett Bajnóczi title: Archaeometric characterization of 17th-century tin-glazed Anabaptist (Hutterite) faience artefacts from North-East-Hungary date: 2014 words: 13088.0 sentences: 1538.0 pages: 37 flesch: 80.0 cache: ./cache/work_be3khgmimzemfb2c64aluqvryi.pdf txt: ./txt/work_be3khgmimzemfb2c64aluqvryi.txt summary: technology of the Anabaptist (Hutterite) tin-glazed ceramics produced in Eastern-Central 15 about 400 µm thick, tin-opacified white and blue lead-alkali glaze was applied on the biscuit-21 Keyword: Eastern-Central Europe, Anabaptist, Hutterite, faience, maiolica, tin glaze 31 The yellow, blue, green and black ceramic colours were applied as paintings on the tin-18 maiolica: the SnO2/PbO ratio is 0.6 to 1.8 for the Hutterite white tin glaze (Table 2), while 27 blue colour as well as in the blue tin glaze of the Anabaptist faience indicates the use of a 14 also detected in the blue colour and the blue tin glaze of the studied faience artefacts. discrete cobalt pigment particles in the blue colour of the studied faience artefacts indicates 3 to 20 wt% SnO2) in the white glaze of the studied Hutterite faience artefacts compared to that 17 Yellow, blue and black colours over white glaze (sample 2, BSE image). id: work_3r2nuqzigrab7f2wwf7zhiewvy author: Bert Scholtens title: A critique on the theory of financial intermediation date: 2000 words: 3629.0 sentences: 248.0 pages: 9 flesch: 57.0 cache: ./cache/work_3r2nuqzigrab7f2wwf7zhiewvy.pdf txt: ./txt/work_3r2nuqzigrab7f2wwf7zhiewvy.txt summary: the emphasis on the role of intermediaries as reducing the frictions of transaction costs and asymmetric information is too strong; while these factors may ®nancial industry, we focus on their concept of participation costs, we argue Financial intermediaries, according to that theory, have a function only because ®nancial markets are not perfect. more prominent role of public markets, ®nancial intermediaries appear to Relative size of the US ®nancial sector and the banking industry (Source: Barth et al., 1997). We agree with AS that risk management has become a prominent function of ®nancial intermediation. In our opinion, AS are right in suggesting a central role of risk in the intermediation process and proposing that risk management become the main AS associate the risk management function of ®nancial intermediaries that the use of derivatives by ®nancial institutions for risk management has participation cost can be relevant in understanding new roles of the ®nancial id: work_6gbywtxgtbatfaqnvshtpwbyve author: Biljana Arandjelovic title: Berlin between past, present and future date: 2009 words: 3628.0 sentences: 442.0 pages: 9 flesch: 66.0 cache: ./cache/work_6gbywtxgtbatfaqnvshtpwbyve.pdf txt: ./txt/work_6gbywtxgtbatfaqnvshtpwbyve.txt summary: Key words: Modern architecture of Berlin, history of architecture, art in open urban Today Berlin is a strong European political center as well as a world important art The architecture in modern Berlin shows that nowadays Germany is open to The new modern buildings, Paul Löbe Haus and Marie Elisabeth Lüders Haus, alongside the river Spree has been built after the design of the architect Stephan Braunfels. This Memorial is part of new modern urban Berlin together with more symbolic East Berlin became the capital city of the East Germany after Second World War. The The architectural future of East Berlin is in further urban development. 3. BERLIN TODAY AS UNESCO CITY OF DESIGN AND ART CENTER Using public spaces for art installation is common in Berlin. At this moment, UNESCO world cities of design are Berlin Art in open urban space as part of modern Berlin id: work_hzwke6umhrfxbocnluw4wwbmli author: Boussy Zidan title: Cross- Cultural Exchange Between the Islamic World and Europe (Iznik ceramic and Italian maiolica as a case study) date: 2019 words: 13123.0 sentences: 1412.0 pages: 46 flesch: 64.0 cache: ./cache/work_hzwke6umhrfxbocnluw4wwbmli.pdf txt: ./txt/work_hzwke6umhrfxbocnluw4wwbmli.txt summary: (Iznik ceramic and Italian maiolica as a case study) emergence of a special form of ceramic plates of Italian tradition the Ottoman Empire and Italy on all industries; and ceramics in Tondino, Albarello, Iznik, Golden Horn, Italian maiolica. of original Ottoman ceramic production with a distinct style. Bernard Rackham, Islamic Pottery and Italian Maiolica, illustrated catalogue of a private Bernard Rackham, Islamic Pottery and Italian Maiolica, p. of this pottery in Italy led to the development of Italian maiolica ware. form of plates called ―Tondino‖ of Italian origins within Iznik Iznik production inspired by Italian maiolica. Italian maiolica technique were decorated with the spiral scrolls dishes produced in Iznik as well, but mostly by special Italian Finally, Ottoman ceramic of Iznik and Italian maiolica had Iznik ceramic as part of their decorative elements. https://www.britannica.com/place/Iznik Accessed: 05-02-2019 1:02 UTC https://www.britannica.com/place/Iznik Accessed: 05-02-2019 1:02 UTC id: work_qyqvrq7om5hm5mspqieyhs3kxu author: Branko Mitrović title: Ruminations on the dark side: history of art as rage and denials date: 2009 words: 12767.0 sentences: 806.0 pages: 22 flesch: 56.0 cache: ./cache/work_qyqvrq7om5hm5mspqieyhs3kxu.pdf txt: ./txt/work_qyqvrq7om5hm5mspqieyhs3kxu.txt summary: characteristic of such, holist, view is that individual creativity is a mere manifestation Behind these facts of human culture stands a ''Wille von überindividueller Art, der dem Naturalismus in der Gotischen Skulptur und Malerei'' explained that Gothic art was a 27 In Wölfflin, Renaissance und Barock, 1, one reads that northern nations (not the individual artists who predetermined the way Weimar-era historians wrote art history. his book Spengler says that he writes history the way he has to, being a German good example is a protest letter written by Max Dvořák to Italian art historians in examine whether it may be possible to explain Weimar era historians'' holist Weimar-era historians'' adoption of holist methodology was motivated by that the holist tendencies of Weimar-era art historians were insecurity motivated is a Individual Weimar-era art historians could have decided not to say that it was necessary that German Weimar-era art historians make a certain type id: work_cwwnowqwojggxomm4bklamgzui author: Brendan Larvor title: What can the Philosophy of Mathematics Learn from the History of Mathematics? date: 2008 words: 7639.0 sentences: 545.0 pages: 15 flesch: 56.0 cache: ./cache/work_cwwnowqwojggxomm4bklamgzui.pdf txt: ./txt/work_cwwnowqwojggxomm4bklamgzui.txt summary: the history and philosophy of mathematics rush into wedlock, we would do well to consider some of these I hope that this example has made it plausible that one can relate history and philosophy in different ways In Proofs and Refutations, Lakatos added a temporal dimension to the philosophy of mathematics. to write rational reconstructions of selected episodes from the history of science and mathematics. philosophy of science, the effect is to obscure the specificity of mathematical practices. theorised the relation between history and philosophy of mathematics beyond these few remarks, but he did offer an account of the relation between history and philosophy of science. the philosopher investigates the epistemology and ontology of mathematics, the historian will insist that philosophy continuous with science and mathematics, or is it a meta-enquiry? Or do philosophers study mathematical thought and practice, in a way History and philosophy of modern mathematics. History and Philosophy of Mathematics vol. id: work_czhyll5jrjan5oak6m2a4uwp2i author: Brian jeffrey Maxson title: Kings and tyrants: Leonardo Bruni''s translation of Xenophon''sHiero date: 2010 words: 10160.0 sentences: 748.0 pages: 20 flesch: 70.0 cache: ./cache/work_czhyll5jrjan5oak6m2a4uwp2i.pdf txt: ./txt/work_czhyll5jrjan5oak6m2a4uwp2i.txt summary: no study places Bruni''s translation of Xenophon''s Hiero in the context of his Salutati wrote, ''I wish you to read Bruni''s translation of St Basil''s dialogue the issue of kings and tyrants throughout Bruni''s early works. Salutati argued that Caesar had been a legal ruler, not a tyrant, and thus and Salutati''s treatment of Julius Caesar in the On the Tyrant both point to the arguments about kingship in order to defend Dante.47 In fact, having exonerated Julius Caesar from the charge of tyranny, Salutati turned the focus of about Julius Caesar.49 Both of Bruni''s earliest original treatises express ambivalence towards Dante and the other vernacular poets of the Trecento. Bruni argued that Caesar was a tyrant, not because he ruled alone, but because Julius Caesar in Selected Works from Vergil to Bruni'' (master''s thesis, Brigham Young University, 2007). Kings and Tyrants: Leonardo Bruni''s translation of Xenophon''s "Hiero" Kings and Tyrants: Leonardo Bruni''s translation of Xenophon''s "Hiero" id: work_64ceqmrdrjfhndvhflpjgfgur4 author: Bruno Blondé title: In ''splendid isolation''. A comparative perspective on the historiographies of the ''material renaissance'' and the ''consumer revolution'' date: 2015 words: 13396.0 sentences: 1372.0 pages: 21 flesch: 66.0 cache: ./cache/work_64ceqmrdrjfhndvhflpjgfgur4.pdf txt: ./txt/work_64ceqmrdrjfhndvhflpjgfgur4.txt summary: between the ''material renaissance'' and the ''consumer revolution'' of the early modern North Sea the role of material culture and consumption in ''the Italian Renaissance'' in relation to modern 14 A project that played an important role was undoubtedly ''The Material Renaissance: Costs and Consumption in Italy 1300–1650'', which ran from 2001 at the University of Sussex and the Victoria & Albert precociously different from that of the cities of northern Europe, which by the seventeenth century had developed much the same kind of luxury consumption that Italy had?'' In The Business History Review 68, no. Cohn, Jr., ''Renaissance Attachment to Things: Material Culture in Last Wills and Testaments'', Economic History Review 65, no. renaissance'' of fourteenthand fifteenth-century Italy and the ''consumer revolution'' of the seventeenth and eighteenth centuries was the social dissemination of new consumption practices. ''material renaissance'' and the ''early modern consumer revolution'', does such a transition id: work_t23htd37fzavbmcylyujhzeuta author: Bryan Leferman title: Book Review: Bronzino - Renaissance Painter As Poet date: 2004 words: 1584.0 sentences: 90.0 pages: 4 flesch: 63.0 cache: ./cache/work_t23htd37fzavbmcylyujhzeuta.pdf txt: ./txt/work_t23htd37fzavbmcylyujhzeuta.txt summary: In this meticulous study, Parker affords Bronzino s heretofore little Bronzino s satirical burlesque poems, or capitoli. addresses the second component of Bronzino s poetry Parker concentrates on Bronzino s literary culture and the analysis of his poetry reveals that this was Bronzino s systematic intention. Bronzino s art does not offer conclusive answers, but fashions an intricate Parker notes that Bronzino frequented and The model for burlesque poetry in Bronzino s time was Francesco Berni are found in Bronzino s poetry, specifically in his poem, Del pennello and Parker finds in Bronzino s and the frequency of its appearance in burlesque poetry, Bronzino, without Parker found that Bronzino s skill in utilizing Petrarchan The attention Parker pays to Bronzino s canzoniere and the contrast in his Parker s collaborative study of Bronzino s poetry and art also unveils a Parker makes a fundamental contribution to the study of Bronzino. id: work_arludgr2yvfndhq4sgdsgwhgwm author: C. Dore title: Structural Simulations and Conservation Analysis -Historic Building Information Model (HBIM) date: 2015 words: 4193.0 sentences: 330.0 pages: 7 flesch: 52.0 cache: ./cache/work_arludgr2yvfndhq4sgdsgwhgwm.pdf txt: ./txt/work_arludgr2yvfndhq4sgdsgwhgwm.txt summary: Structural Simulations and Conservation Analysis -Historic Building Information Model KEY WORDS: Historic Building Information Modelling, HBIM, Surveying, Historic Structures, Building Conservation, In this paper the current findings to date of the Historic Building Information Model (HBIM) of the Four Courts in Dublin are The Historic Building Information Model (HBIM) forms the basis for both structural and conservation analysis to After registration and processing of the laser scan survey, the HBIM was created of the data, the second a procedural and segmented model developed from laser scan survey of the war damaged drum and dome. both models structural damage and decay simulations will be developed for documentation and conservation analysis. to date of a Historic Building Information Modelling (HBIM) of complex historic architectural elements in BIM libraries and Building Information Models (HBIMs) from survey data. Procedural rules have been developed for modelling building the Historic Building Information Model involved surveyors automatically created from survey data with procedural rules id: work_qrgfwpeionck3mquhuuq3scbku author: C. Guglieri Rodriguez title: A comparative study of Hispano-Moorish and Italian Renaissance lustred majolicas by using X-ray absorption spectroscopy date: 2015 words: 5684.0 sentences: 711.0 pages: 7 flesch: 76.0 cache: ./cache/work_qrgfwpeionck3mquhuuq3scbku.pdf txt: ./txt/work_qrgfwpeionck3mquhuuq3scbku.txt summary: A comparative study of Hispano-Moorish and Italian Renaissance lustred majolicas by using X-ray absorption spectroscopy A comparative study of Hispano-Moorish and Italian Renaissance lustred majolicas by using X-ray absorption spectroscopy A comparative study of Hispano-Moorish and Italian Renaissance lustred majolicas by using X-ray absorption spectroscopy A comparative study of Hispano-Moorish and Italian Renaissance lustred majolicas by using X-ray absorption spectroscopy A comparative study of Hispano-Moorish and Italian Renaissance lustred majolicas by using X-ray absorption spectroscopy A comparative study of Hispano-Moorish and Italian Renaissance lustred majolicas by using X-ray absorption spectroscopy A comparative study of Hispano-Moorish and Italian Renaissance lustred majolicas by using X-ray absorption spectroscopy A comparative study of Hispano-Moorish and Italian Renaissance lustred majolicas by using X-ray absorption spectroscopy A comparative study of Hispano-Moorish and Italian Renaissance lustred majolicas by using X-ray absorption spectroscopy A comparative study of Hispano-Moorish and Italian Renaissance lustred majolicas by using X-ray absorption spectroscopy id: work_npormd7kbzcmxhkxpufdqjc2re author: C. Pisu title: CLOUD GIS AND 3D MODELLING TO ENHANCE SARDINIAN LATE GOTHIC ARCHITECTURAL HERITAGE date: 2013 words: 4877.0 sentences: 376.0 pages: 6 flesch: 59.0 cache: ./cache/work_npormd7kbzcmxhkxpufdqjc2re.pdf txt: ./txt/work_npormd7kbzcmxhkxpufdqjc2re.txt summary: SARDINIAN LATE GOTHIC ARCHITECTURAL HERITAGE KEY WORDS: Cloud Computing, 3D Modelling, Photo-Modelling, Web GIS, Late Gothic Architecture, Sardinia. This work proposes the documentation, virtual reconstruction and spreading of architectural heritage through the use of software documentation tools in order to study a particular architectural phenomenon. multi-layer information system, oriented to the divulgation of Sardinian late gothic architecture. portals of late Gothic architecture in Sardinia. The applications of digital technologies on cultural heritage Web GIS and 3D modelling are valid instruments to document method to build 3D models to be used in cognitive-information Modeling) software in order to create detailed models of the portals, obtained from a set of unordered photos. Example of portals: a) pointed arch, San Pietro building, 3D model of the portal. application created for sharing data organized in tables. Example of one of the studied buildings: model of the the models in the 3D buildings layer in Google Earth, after id: work_c4xeq4nfxzffrm6w5esboioqka author: CAROL M. RICHARDSON title: St Joseph, St Peter, Jean Gerson and the Guelphs date: 2011 words: 9813.0 sentences: 735.0 pages: 38 flesch: 72.0 cache: ./cache/work_c4xeq4nfxzffrm6w5esboioqka.pdf txt: ./txt/work_c4xeq4nfxzffrm6w5esboioqka.txt summary: Richardson, C 2012, ''St Joseph, St Peter, Jean Gerson and the Guelphs'', Renaissance Studies, vol. https://www.research.ed.ac.uk/portal/en/publications/st-joseph-st-peter-jean-gerson-and-the-guelphs(bab85423-fa13-4fa2-9a2e-d0bdf4905fe2).html St Joseph, St Peter, Jean Gerson and the Guelphs St Joseph, St Peter, Jean Gerson and the Guelphs St Joseph, St Peter, Jean Gerson and the Guelphs Joseph represents God the Father or Christ because he is the spouse of the Church; he The paralleling of Joseph and Peter is prevalent in central Italian painting from the thirteenth Joseph in Italian Renaissance Society and Art. New Directions and Interpretations (Philadelphia, PA: Saint scene.14 The paralleling of St Joseph who figured large in Christ''s infancy and St Peter in his Siena: in this painting the Joseph figure, again dressed in Peter''s colours, even points to the But why should Joseph and Peter be so regularly linked in fifteenth century painting, to the Gerson was not new in his conflation of Peter and Joseph he was picking up on ideas and id: work_qk36od2cbjdbfkp3iskax7fh24 author: Carboni title: An Ontological Approach to the Description of Visual and Iconographical Representations date: 2019 words: 14487.0 sentences: 865.0 pages: 20 flesch: 52.0 cache: ./cache/work_qk36od2cbjdbfkp3iskax7fh24.pdf txt: ./txt/work_qk36od2cbjdbfkp3iskax7fh24.txt summary: Abstract: The perception of our heritage is based on sign-functions, which relate visual representations visual works on the basis of the identity and symbolic value of their single constituent elements. percepts and how we re-use information in order to assign meaning to the visual object. presents the functional results of the theory, introducing the VIR (Visual Representation) ontology, The use of semantic marks to construct the cognitive type of visual items can be further examined representation is established (for example "Saint George and the Dragon") but deeper meaning is not Iconographical Atom, Attribute, Representation, Personification, Visual Recognition, Verso and Recto) the use of specific symbols or iconographical types within historical periods. of a representation and link the diverse types of depictions with the same subject or character together, type of representations of and relationships between visual features. visual composition, iconographical objects, attributes of the representations, layering of diverse id: work_wc7xyrmcyjfdvcumwybolxql4u author: Carlo M. Oranges title: Body Contouring date: 2016 words: 614.0 sentences: 122.0 pages: flesch: 62.0 cache: ./cache/work_wc7xyrmcyjfdvcumwybolxql4u.pdf txt: ./txt/work_wc7xyrmcyjfdvcumwybolxql4u.txt summary: Body Contouring: The Success of the Androgynous Model | Semantic Scholar journal={Plastic and Reconstructive Surgery Global Open}, Gohritz, +1 author D. Oranges, MD Andreas Gohritz, MD Mathias Tremp, MD Dirk J. Schaefer, MD Department of Plastic, Reconstructive, Aesthetic and Hand Surgery Basel University Hospital Basel, Switzerland Sir: T pharaonic belief in androgynous nature of gods was the motivation for practicing female circumcision in ancient Egypt.1 This historical observation leads us, as plastic surgeons, to consider how much the aesthetical ideals are influenced by philosophical and ethical views. Sort by Most Influenced Papers Plastic and reconstructive surgery Plastic and reconstructive surgery Plastic and reconstructive surgery Semantic Scholar is a free, AI-powered research tool for scientific literature, based at the Allen Institute for AI. By clicking accept or continuing to use the site, you agree to the terms outlined in our Privacy Policy, Terms of Service, and Dataset License id: work_es5wgnmjdjemvobxhxrsjtdhyi author: Caterina Cardamone title: Varietas, Mediocritas and Annehmlichkeit: The Reception of the Classical Tradition in the Work of Josef Frank and Its Viennese Context date: 2020 words: 10611.0 sentences: 1096.0 pages: 21 flesch: 64.0 cache: ./cache/work_es5wgnmjdjemvobxhxrsjtdhyi.pdf txt: ./txt/work_es5wgnmjdjemvobxhxrsjtdhyi.txt summary: Varietas, Mediocritas and Annehmlichkeit: The Reception of the Classical Tradition in the Work of Josef Frank and Its Viennese Context of the Classical Tradition in the Work of Josef Frank and Its Viennese Context. Frank''s continuous reflection on the Renaissance tradition is part of the contemporary debate on modern architecture in Vienna and in German-speaking countries. The relationship between Frank''s education in Renaissance architecture and his later work has rarely been tackled in studies writings, varietas, mediocritas and Annehmlichkeit, substantially influenced Frank''s approach to modern architecture. in Vienna had a decisive influence after WWI on the generation that reflected on the meaning and scope of modern architecture, and their teacher, König, and his assistant, Max Fabiani (1865–1962), played an important role In the 1920s, Lurje''s and Strnad''s affinity for highly intellectualised references to the classical world does not correspond to a similar search in Frank''s work (Figures 19 id: work_hav2puxacjev3dq63pemt7wt5q author: Catherine L. Howey title: Ceremonial Culture in Pre-Modern Europe (review) date: 2010 words: 1290.0 sentences: 68.0 pages: 4 flesch: 52.0 cache: ./cache/work_hav2puxacjev3dq63pemt7wt5q.pdf txt: ./txt/work_hav2puxacjev3dq63pemt7wt5q.txt summary: Ceremonial Culture in Pre-Modern Europe (review) Ceremonial Culture in Pre-Modern Europe (review) Ceremonial Culture in Pre-Modern Europe. Margot Fassler''s essay examines the various adventus ceremonies that were employed in the medieval French cathedral town of Flier analyzes the Palm Sunday procession to illustrate how early Muscovite Rus'' political and religious authority were in rituals and ceremonies were ambiguous and unfi xed in their meaning, allowing the audience and its participants to negotiate the event''s and the ceremonies examined are very different, Nicholas Howe''s that premodern ceremony and ritual both constructed and perpetuated a sense of timelessness and universality of beliefs and practices that the authority of a ritual or a ceremony rested upon its standardization and repetition, (and which in turn endowed its participants with In spite of each essay''s shortcomings, this erudite and comparative collection of scholarship on ritual and ceremony in premodern Europe, id: work_nxievuo4wbbyfozobtna32gqei author: Catriona MacRae title: Wilma Elizabeth Gemmell date: 2007 words: 144.0 sentences: 26.0 pages: flesch: 71.0 cache: ./cache/work_nxievuo4wbbyfozobtna32gqei.pdf txt: ./txt/work_nxievuo4wbbyfozobtna32gqei.txt summary: sys_1000 wp-p1m-39.ebi.ac.uk wp-p1m-39.ebi.ac.uk exception exception Params is empty Params is empty Params is empty if (typeof jQuery === "undefined") document.write(''[script type="text/javascript" src="/corehtml/pmc/jig/1.14.8/js/jig.min.js"][/script]''.replace(/\[/g,String.fromCharCode(60)).replace(/\]/g,String.fromCharCode(62))); // // // window.name="mainwindow"; .pmc-wm {background:transparent repeat-y top left;background-image:url(/corehtml/pmc/pmcgifs/wm-nobrand.png);background-size: auto, contain} .print-view{display:block} Page not available Reason: The web page address (URL) that you used may be incorrect. Message ID: 218040114 (wp-p1m-39.ebi.ac.uk) Time: 2021/04/06 02:06:13 If you need further help, please send an email to PMC. Include the information from the box above in your message. Otherwise, click on one of the following links to continue using PMC: Search the complete PMC archive. Browse the contents of a specific journal in PMC. Find a specific article by its citation (journal, date, volume, first page, author or article title). http://europepmc.org/abstract/MED/ id: work_72767d3fu5fevg3uf5k3rbk7vu author: Cecilia Muratori title: From Animal Bodies To Human Souls: (Pseudo-)Aristotelian Animals in Della Porta''s Physiognomics date: 2017 words: 10617.0 sentences: 740.0 pages: 41 flesch: 66.0 cache: ./cache/work_72767d3fu5fevg3uf5k3rbk7vu.pdf txt: ./txt/work_72767d3fu5fevg3uf5k3rbk7vu.txt summary: (Pseudo-)Aristotelian Animals In Della Porta''s Physiognomics This article analyses the role that animals play in Della Porta''s method of physiognomics. conceptual trajectory of Della Porta''s physiognomics, from human psychology to animal Giovan Battista Della Porta – Aristotle – physiognomics – animals – body-soul interaction – The use of animals in Della Porta''s physiognomics is systematic, Della Porta substantially adapts the physiognomic principle of the body-soul relationship as but I argue that man-animal comparisons play a radically different role for Della Porta and 2. The Sympathy of Body and Soul: Della Porta''s Fisonomia and the PseudoAristotelian Physiognomonica Della Porta''s answer is based on his understanding of the way in which souls and bodies are correspondence of souls and bodies in the case of animals is the real foundation of Della Yet, Della Porta''s animals are not Aristotle''s: Fig. 1: The animal ''simia'' in Della Porta''s Fisonomia (1610), in comparison with a human id: work_gbma37pz4ndptjduyabnecbwua author: Charlotte Drew title: The colourful career of Sir. John Charles Robinson: collecting and curating at the early South Kensington Museum date: 2018 words: 7479.0 sentences: 348.0 pages: 16 flesch: 51.0 cache: ./cache/work_gbma37pz4ndptjduyabnecbwua.pdf txt: ./txt/work_gbma37pz4ndptjduyabnecbwua.txt summary: 3 Robinson, ''Our Public Art Museums: A Retrospect,'' The Nineteenth Century, 42: 250, Dec private apartments were filled with an extensive collection of decorative art objects Curating the Museum of Ornamental Art at Marlborough House, 1853-1857 organization of collections in the Museum of Ornamental Art adjoining the London space within a public museum, then, but showed how the objects in the collection 27 Robinson, ''Our Public Art Museums,'' 955. 34 Robinson, Catalogue of a Collection of Works of Decorative Art: Being a Selection from the collecting and curating at the early South Kensington Museum collecting and curating at the early South Kensington Museum collecting and curating at the early South Kensington Museum collecting and curating at the early South Kensington Museum collecting and curating at the early South Kensington Museum collecting and curating at the early South Kensington Museum collecting and curating at the early South Kensington Museum id: work_fstfhgvg6ve4tmxjs2xhbxq3ta author: Chitra Sankaran title: Materiality, Devotion and Compromise: A Study of Goddess Films of South India date: 2015 words: 11283.0 sentences: 1035.0 pages: 35 flesch: 71.0 cache: ./cache/work_fstfhgvg6ve4tmxjs2xhbxq3ta.pdf txt: ./txt/work_fstfhgvg6ve4tmxjs2xhbxq3ta.txt summary: religious images, most notably saints – like St Francis, the commonest saint depicted [Figs 8.1 and 8.2] – the Virgin, angels, and the sacred trigram. 2 Red lustre sometimes also appears on Deruta wares, but for reasons unknown potters abandoned its use by the early 1520s. Since this convenient hanging feature is built-in to the objects, historians have concluded that the dishes'' primary function was as domestic, wallhung devotional art. 9 E.g. Lydecker J.K., The Domestic Setting of the Arts in Renaissance Florence, Ph.D. dissertation (The Johns Hopkins University: 1987), particularly "Religious art in Florentine homes" religious figures on multiple Deruta dishes suggests that certain designs were Wilson, Italian Maiolica of the Renaissance cat. Wilson, Italian Maiolica of the Renaissance cat. which see Sani E.P., Italian Renaissance Maiolica (London: 2012) 184, fig. Large maiolica dishes and plates are consistently listed in Renaissance religious-themed Deruta piatti da pompa paralleled that of other pious images id: work_bhtvuqlpirh2dijvcd6jc4dzlq author: Christopher S. Wood title: ''Aby Warburg, Homo victor'' [A translation (back into English, and with some revisions) of the article that appeared in French: ''Aby Warburg, Homo victor'', in Cahiers du Musée national d''art moderne 118, 2011/12, 81-101] date: 2014 words: 11061.0 sentences: 687.0 pages: 24 flesch: 59.0 cache: ./cache/work_bhtvuqlpirh2dijvcd6jc4dzlq.pdf txt: ./txt/work_bhtvuqlpirh2dijvcd6jc4dzlq.txt summary: appeared in French: ''Aby Warburg, Homo victor'', in Cahiers du Musée national d''art moderne 118, Warburg''s texts bring out all the fault-lines in the discipline of art history. The Warburg Institute offered instead a model of art historical scholarship History as Cultural History: Warburg''s Projects, Amsterdam: G+B Arts International, 2001, 266and Warburg: Symbol, Art, and History, New Haven: Yale University Press, 1989; and Salvatore Forster, ''Aby Warburg''s History of Art: Collective Memory and the Social Warburg''s Tradition'', Art History 16, 1993, 541-551; and the anthology of critical essays on Warburg never speaks of the art of painting as if it might have been 50 Gombrich, Aby Warburg, 248; also Didi-Huberman, L''image survivante, 176. Warburg moved from art history to the scientific study of man, attending courses in Warburg''s art history, so too is the visualizing subject. The work of art, for Baxandall just as for Warburg, was not id: work_emm25ddpgvg2zb4zx4rvxhpfma author: Corrado Confalonieri title: Quale Virgilio? Note sul finale del "Furioso" date: 2013 words: 4786.0 sentences: 762.0 pages: 17 flesch: 73.0 cache: ./cache/work_emm25ddpgvg2zb4zx4rvxhpfma.pdf txt: ./txt/work_emm25ddpgvg2zb4zx4rvxhpfma.txt summary: Sebbene, infatti, del Furioso sia stato scritto che "solo chi non ha occhi per sull''Ariosto e la composizione dell''"Orlando furioso", Lucca, Maria Pacini Fazzi, leggendolo in una versione ancora non del tutto assurta a rango di ModelloCodice, per dirla con Gian Biagio Conte.13 L''Eneide, per Ariosto, era Sangirardi, Quanti sono i generi dell''"Orlando Furioso", cit., p. Sangirardi, Quanti sono i generi dell''"Orlando Furioso", cit., p. autorevole, ma comunque non più di una parole della langue epica che del Furioso e il suo manifesto rapporto con quello dell''Eneide del Furioso (che cita l''Eneide) è chiuso e teleologico.16 Una lettura simile conclusione dell''Eneide e del Furioso: finale chiuso in entrambi i poemi, che il carattere ambiguo del poema virgiliano non rivive nella scena anche quello dell''Eneide non è un finale chiuso: la struttura teleologica del Ariosto non commette questa imprecisione: il Furioso – che se misurato Ariosto, Orlando furioso, cit., p. id: work_qioebu6z4vgynitaulujxlfvui author: D Wishart title: Convention cities: Seattle date: 1984 words: 144.0 sentences: 25.0 pages: flesch: 71.0 cache: ./cache/work_qioebu6z4vgynitaulujxlfvui.pdf txt: ./txt/work_qioebu6z4vgynitaulujxlfvui.txt summary: sys_1000 wp-p1m-38.ebi.ac.uk wp-p1m-38.ebi.ac.uk exception exception Params is empty Params is empty Params is empty if (typeof jQuery === "undefined") document.write(''[script type="text/javascript" src="/corehtml/pmc/jig/1.14.8/js/jig.min.js"][/script]''.replace(/\[/g,String.fromCharCode(60)).replace(/\]/g,String.fromCharCode(62))); // // // window.name="mainwindow"; .pmc-wm {background:transparent repeat-y top left;background-image:url(/corehtml/pmc/pmcgifs/wm-nobrand.png);background-size: auto, contain} .print-view{display:block} Page not available Reason: The web page address (URL) that you used may be incorrect. Message ID: 218043133 (wp-p1m-38.ebi.ac.uk) Time: 2021/04/06 02:06:16 If you need further help, please send an email to PMC. Include the information from the box above in your message. Otherwise, click on one of the following links to continue using PMC: Search the complete PMC archive. Browse the contents of a specific journal in PMC. Find a specific article by its citation (journal, date, volume, first page, author or article title). http://europepmc.org/abstract/MED/ id: work_oteoyqdqpjburjcolcxqpgyjhy author: D. J. SIVETER title: The Brady Medal date: 2008 words: 1538.0 sentences: 96.0 pages: 4 flesch: 69.0 cache: ./cache/work_oteoyqdqpjburjcolcxqpgyjhy.pdf txt: ./txt/work_oteoyqdqpjburjcolcxqpgyjhy.txt summary: Anthony Stones was commissioned to undertake original sculptures for the medal, which was to be cast in bronze. Anthony Stones with initial sketches for the Brady Medal (16 March 2007). modelling of the Brady Medal presented particular objectives In the case of the Brady Medal I wanted the Rungwe Kingdom of Pangolin Editions foundry, Chalford, with moulds of the Brady Medal (23 September 2007). I am delighted that the Brady Medal was so well received. methods into medal design. which were used in the casting of the Brady Medal. It is, indeed, the case that each recipient of the Brady Medal receives a work of art, rather than a stamped medal as is the work of the Brady brothers. The Brady Medal is the highest award of The Micropalaeontological Society and is awarded to scientists who have had a his notes on the Brady Medal; to Alan Lord, John Whittaker id: work_o44x43bfbjdufccy5dmzkaatsy author: Daniela del Pesco title: ''The Italian Renaissance in the nineteenth century: revision, revival and return''. Review of: The Italian Renaissance in the Nineteenth Century. Revision, Revival and Return, edited by Lina Bolzoni and Alina Payne, I Tatti Research Series, 1, Harvard University Press-Officina Libraria, Milan 2018 date: 2019 words: 2677.0 sentences: 107.0 pages: 5 flesch: 46.0 cache: ./cache/work_o44x43bfbjdufccy5dmzkaatsy.pdf txt: ./txt/work_o44x43bfbjdufccy5dmzkaatsy.txt summary: The Italian Renaissance in the nineteenth century: revision, The Italian Renaissance in the Nineteenth Century. This book, entitled The Italian Renaissance in the Nineteenth Century and edited by how the Italian Renaissance was repurposed in the nineteenth century ''not so much and scholars of the Renaissance reception in the nineteenth century. Openness to the twentieth century characterises the essay by Alina Payne, Renaissance architecture was experienced in the twentieth century. observe the relationship between Italian Renaissance and nineteenth-century of a positive outcome to the nineteenth-century reading of the Renaissance, we have Italian Renaissance in Nineteenth-Century French Architecture'' dispels the idea of a definitive influence of the Italian Renaissance in nineteenth-century French Daniela del Pesco The Italian Renaissance in the nineteenth century: Daniela del Pesco The Italian Renaissance in the nineteenth century: Daniela del Pesco The Italian Renaissance in the nineteenth century: Daniela del Pesco The Italian Renaissance in the nineteenth century: id: work_dlope6rpsneh5dhqdzdooc4bz4 author: David Cast title: ''Vasari''s words''. Review of: Douglas Biow, Vasari''s Words: The Lives of the Artists as a History of Ideas in the Italian Renaissance, Cambridge University Press: Cambridge 2018 date: 2019 words: 1981.0 sentences: 76.0 pages: 4 flesch: 59.0 cache: ./cache/work_dlope6rpsneh5dhqdzdooc4bz4.pdf txt: ./txt/work_dlope6rpsneh5dhqdzdooc4bz4.txt summary: Douglas Biow, Vasari''s Words: The Lives of the Artists as a History of Ideas in the It is five such ideas, Vasari''s words as they are described in the title, that are that Biow recognises, he sees this text as a vital document in the history of ideas, here Biow produces by a close and contextualised reading of Vasari''s text, if then he term found in the text, as when in one footnote Biow lists as many as forty-six artists Hence the supreme importance of this idea of the profession throughout this text, both artistic and professional success, with his universal ability, as Vasari put it, in Biow, considering a more material aspect of the idea of time, speaks of what Vasari text of Vasari, Lartte, produced by the Scuola Normale in Pisa as part of what on word or phrase in Vasari is immediately accessible in all its instances. id: work_zsdrzwz7ynb3vjqqn3733zemiu author: David H. Price title: Jacopo de'' Barbari: Künstlerschaft und Hofkultur um 1500. Beate Böckem. Studien zur Kunst 32. Cologne: Böhlau Verlag, 2016. 516 pp. €65 date: 2019 words: 1465.0 sentences: 97.0 pages: 3 flesch: 61.0 cache: ./cache/work_zsdrzwz7ynb3vjqqn3733zemiu.pdf txt: ./txt/work_zsdrzwz7ynb3vjqqn3733zemiu.txt summary: Renaissance art, as the obscure Venetian artist who spent his career in the Holy Roman As Böckem''s excellent study makes clear, Barbari''s extant oeuvre Importantly, Barbari created art for major rulers of the empire, especially for those Moreover, Böckem expertly and vividly charts Barbari''s connections to Venetian art As for the Dürer question, Böckem documents all known associations between the 123–34), Dürer claims that Barbari initiated not receive) Barbari''s "little book" from Margaret of Austria, possibly a sketchbook. This would appear to indicate Dürer''s respect for Barbari''s work. the Wise, Barbari declares that the art of painting was the culmination of all the painting is attributed to Barbari on the basis of a 1553 woodcut reproduction by Barbari''s role as a purveyor of the Italian Renaissance Understandably, Böckem expresses warm enthusiasm for Barbari''s work, but she humanism and Renaissance art at the major courts of the empire. id: work_fd3cvpjtmbg3diaabq64drrwoy author: David Malkiel title: Renaissance in the Graveyard: The Hebrew Tombstones of Padua and Ashkenazic Acculturation in Sixteenth-Century Italy – CORRIGENDUM date: 2014 words: 600.0 sentences: 153.0 pages: 1 flesch: 78.0 cache: ./cache/work_fd3cvpjtmbg3diaabq64drrwoy.pdf txt: ./txt/work_fd3cvpjtmbg3diaabq64drrwoy.txt summary: In AJS Review 37.2, the abstract to David Malkiel''s "Renaissance in the Graveyard: The Hebrew Tombstones of Padua and Ashkenazic Acculturation in In AJS Review 37.2, the abstract to David Malkiel''s "Renaissance in the Graveyard: The Hebrew Tombstones of Padua and Ashkenazic Acculturation in Sixteenth-Century Italy" (page 333) was published with errors. Here is the corrected version.Abstract: The acculturation of Ashkenazic Jews in Italy is the focus of the present discussion. The literary features of the inscriptions indicate a shift from a preference for epitaphs written in prose, like those of medieval Germany, to epitaphs in the form of Italian Jewry''s occasional poetry. The lettering, too, presents a shift from the constituency''s medieval Ashkenazic origins to its Italian setting. These developments are situated in the broader context of Italian Jewish art and architecture, while the literary innovations are shown to reflect the revival of the epigram among poets of the Italian Renaissance. id: work_mv3d5gxclzdchj7ijh4penhfbu author: Davide Lazzeri title: A systematic reappraisal of the fifth finger in Renaissance paintings date: 2014 words: 144.0 sentences: 26.0 pages: flesch: 71.0 cache: ./cache/work_mv3d5gxclzdchj7ijh4penhfbu.pdf txt: ./txt/work_mv3d5gxclzdchj7ijh4penhfbu.txt summary: sys_1000 wp-p1m-39.ebi.ac.uk wp-p1m-39.ebi.ac.uk exception exception Params is empty Params is empty Params is empty if (typeof jQuery === "undefined") document.write(''[script type="text/javascript" src="/corehtml/pmc/jig/1.14.8/js/jig.min.js"][/script]''.replace(/\[/g,String.fromCharCode(60)).replace(/\]/g,String.fromCharCode(62))); // // // window.name="mainwindow"; .pmc-wm {background:transparent repeat-y top left;background-image:url(/corehtml/pmc/pmcgifs/wm-nobrand.png);background-size: auto, contain} .print-view{display:block} Page not available Reason: The web page address (URL) that you used may be incorrect. Message ID: 218037178 (wp-p1m-39.ebi.ac.uk) Time: 2021/04/06 02:06:09 If you need further help, please send an email to PMC. Include the information from the box above in your message. Otherwise, click on one of the following links to continue using PMC: Search the complete PMC archive. Browse the contents of a specific journal in PMC. Find a specific article by its citation (journal, date, volume, first page, author or article title). http://europepmc.org/abstract/MED/ id: work_7a6z7ddmirdpjjicsmrg7x7lx4 author: Deborah Parker title: Leonardo da Vinci. Walter Isaacson. New York: Simon and Schuster, 2017. xx + 602 pp. $35 date: 2019 words: 1476.0 sentences: 93.0 pages: 3 flesch: 59.0 cache: ./cache/work_7a6z7ddmirdpjjicsmrg7x7lx4.pdf txt: ./txt/work_7a6z7ddmirdpjjicsmrg7x7lx4.txt summary: that for Theophilus, art is the transformation of materials into useful objects, which Theophilus, Gearhart argues, and art making is a way to practice virtue. In chapter 4 Gearhart also addresses the question of Theophilus''s relationship to Roger of Helmarshausen, one of the few known artists of his time. Furthermore, despite her neutrality toward the identification of Theophilus as Roger, most of the objects she discusses have been attributed painter''s works of art, Isaacson examines Leonardo''s life through the notebooks. Leonardo found between phenomena as disparate as hair curls and waves of water. In such instances the story often gives way to lists of phenomena, each section a testimony to Leonardo''s restless mind, ingenuity, and relentless curiosity. These are some of the most engaging parts of the biography: the author deftly presents Leonardo''s artistic virtuosity in the painter''s own Isaacson''s account of the rivalry between Leonardo and Michelangelo, one social and id: work_ko7ngfvi3vckflkhlbzvsavuxq author: Deborah Stein title: Charles Callahan Perkins: early Italian Renaissance art and British museum practice in Boston date: 2018 words: 18932.0 sentences: 919.0 pages: 40 flesch: 56.0 cache: ./cache/work_ko7ngfvi3vckflkhlbzvsavuxq.pdf txt: ./txt/work_ko7ngfvi3vckflkhlbzvsavuxq.txt summary: Rhetoric of Charles Callahan Perkins: Early Italian Renaissance Art and a new Fine Arts public display of early Italian Renaissance art, a challenge that Perkins himself faced establishment.17 Second, Perkins'' article, ''American Art Museums,'' published in 67 This record of Perkins'' collections has been reconstructed from the Museum of Fine Arts, 120 Museum of Fine Arts, Boston, Second Catalogue of the Collection of Ancient and Modern Works 120 Museum of Fine Arts, Boston, Second Catalogue of the Collection of Ancient and Modern Works See Museum of Fine Arts, Boston, Collection of Ancient and Modern Works, See Museum of Fine Arts, Boston, Collection of Ancient and Modern Works, See Museum of Fine Arts, Boston, Collection of Ancient and Modern Works, See Museum of Fine Arts, Boston, Collection of Ancient and Modern Works, See Museum of Fine Arts, Boston, Collection of Ancient and Modern Works, See Museum of Fine Arts, Boston, Collection of Ancient and Modern Works, id: work_ejmqppxnunavharb2fwzbdiauu author: Demetra Koukouzika title: There and back again: Callimachus Epigr. 31 and the (Greek) Renaissance date: 2012 words: 3262.0 sentences: 297.0 pages: 10 flesch: 79.0 cache: ./cache/work_ejmqppxnunavharb2fwzbdiauu.pdf txt: ./txt/work_ejmqppxnunavharb2fwzbdiauu.txt summary: the medium of Roman poetry and Renaissance Italian literature. Cretan Renaissance drama on the one hand and Ariosto''s Literature and Society in Renaissance Crete (Cambridge 1991: henceforth ''Holton''); relevant material can be found through the index s.v. Ariosto. Latin and Italian literature, but also bilingual in Greek.3 Outside the Venetian-occupied lands (Crete, the Heptanese, and Fortounatos is a Cretan Renaissance comedy by a Venetian probable that the hare motif was used by other (Italian?) poets that a Cretan poet of the Renaissance would directly incorporate Horatian verses in a comedy. (a) that Chortatzis and Foskolos imitated Ariosto independently (b) that some other Italian poet imitated Ariosto and was in (c) that some other Italian poet imitated Horace independently of Ariosto and was in turn imitated by Chortatzis other Italian poet who imitated Ariosto, or vice versa. Foskolos imitated Ariosto directly, independently of Panoria: in intermediate step, an unknown Italian poet intervening between Ariosto and Cretan drama. id: work_wdkwaratwfb7rkoeqx43oagjui author: Denitza Nedkova title: Grammatizing the Visible date: 2019 words: 3989.0 sentences: 248.0 pages: 9 flesch: 48.0 cache: ./cache/work_wdkwaratwfb7rkoeqx43oagjui.pdf txt: ./txt/work_wdkwaratwfb7rkoeqx43oagjui.txt summary: cognitive structures founding the grammatical structure of verbal and visual languages. Keywords • Visual Narrative Grammar; Image Morphology; Visual Syntax; Morphs; Notoriously the visual symbols, beyond the simple perception of the image, allow the sense visual narrative reader 180) based on the same organizational cognitive structures visual language implies an interaction between the graphic structure (lines and shapes are applicable (Cohn, Combinatorial Morphology in Visual Languages 183) to the image behavior both for a visual (Cohn and Mahler 78) and verbal (Kuperberg 176) narration. Visual Language of Comics: Introduction to the Structure and Cognition of Sequential main types of attention windows in the narrative strip (Cohn, The visual narrative reader to the same outcome Conjunctions (Cohn, The visual narrative reader 326). "Combinatorial Morphology in Visual Languages." The Construction of The Visual Language of Comics: Introduction to the Structure and Cognition of The visual narrative reader. "The grammar of visual narrative: Neural evidence for constituent structure id: work_femegcta6nabhnp5yylntpz3qm author: Diletta Gamberini title: The Artist as a Dantista: Francesco da Sangallo''s Dantism in Mid-Cinquecento Florence date: 2017 words: 9487.0 sentences: 777.0 pages: 24 flesch: 69.0 cache: ./cache/work_femegcta6nabhnp5yylntpz3qm.pdf txt: ./txt/work_femegcta6nabhnp5yylntpz3qm.txt summary: The Artist as a Dantista: Francesco da Sangallo''s Dantism in Mid-Cinquecento Florence The Artist as a Dantista: Francesco da Sangallo''s Dantism fact identify Giuliano and Francesco da Sangallo as the main authors of tentatively identified as other artists of the Sangallo family,12 the annotations of Francesco would have been added over a significant period, Draftsman A of the "Dante Vallicelliano", The city of Dis. Rome, Biblioteca Vallicelliana, incunable Z. Francesco da Sangallo, autograph note: Rome, Biblioteca Apostolica 9. See Degenhart, "Dante, Leonardo und Sangallo," 193, with reference to c. Christ (Par. 26.118–23), the annotator dated his own note "1519": see Degenhart, 104, with reference to Dante Vallicelliano, c. Borsi, Giuliano da Sangallo, discusses the drawings of the Dante Vallicelliano in his chapter See Simon Gilson, "Reading the Convivio from Trecento Florence to Dante''s Cinquecento Commentators," Italian Studies, 64, no. id: work_hidxkhi2jbgx5off6oof7zhroi author: Donatella Lippi title: The Diseases of the Medici Family and the Use of Phytotherapy date: 2007 words: 1742.0 sentences: 147.0 pages: 3 flesch: 64.0 cache: ./cache/work_hidxkhi2jbgx5off6oof7zhroi.pdf txt: ./txt/work_hidxkhi2jbgx5off6oof7zhroi.txt summary: History of Medicine, University of Florence The Medici Project is a paleopathological and historico-medical research, based on the habits and causes of death of members of this famous family of Italian Renaissance. comparison between the literary sources and the paleopathological evidence is also important Medici Family, have left a rich literature about their patients: the treatments were based on the Keywords: History of medicine – medici family – renaissance Florence, officially starting the Medici Project, a paleopathological and historico-medical study, whose aim is Evidence Based History of Medicine: The Experience strategies: medicinal plants in Florence were produced the therapies which were used to treat their diseases. L.R.Lind, Berengario da Carpi on Fracture of the Skull centaurea, stoechas, half an ounce of long aristolochia, 10 Diseases of the Medici Family and use of phytotherapy 10 Diseases of the Medici Family and use of phytotherapy medical use of plants in Renaissance Florence. id: work_qbvoso2adbfebfhchnd5n7udha author: Donatella Nisi title: Dal latino al volgare. Echi catulliani nei "Rerum Vulgarium Fragmenta" date: 2019 words: 4660.0 sentences: 778.0 pages: 19 flesch: 81.0 cache: ./cache/work_qbvoso2adbfebfhchnd5n7udha.pdf txt: ./txt/work_qbvoso2adbfebfhchnd5n7udha.txt summary: testimonianze dirette le prove del fatto che Petrarca conoscesse tutto il lettura del Liber di Catullo, fatta a Verona nel 1345,5 influenzi Petrarca conoscenza limitata di Catullo, altri ritengono che l''umanista possedesse una copia del 5 Si veda Giuseppe Billanovich, Il Catullo della Cattedrale di Verona, cit., p. nell''esercizio della poesia latina, privando Firenze del suo poeta latino Del resto non è forse un caso che certi aspetti della fenomenologia erotica testo del carme e non solo la citazione pliniana nel primo libro della Naturalis Historia). Velli, La memoria poetica del Petrarca, cit., p. del passer catulliano da parte di Petrarca, sul filo di altre citazioni, si veda P. Petrarca e il Catullo di Verona, cit., pp. Si veda Le rime del Petrarca, cit., p. Si veda Le rime del Petrarca, Petrarca, Le postille del Virgilio Ambrosiano, a cura di M. Petrarca, Le postille del Virgilio Ambrosiano, cit., id: work_i5x3h53suva4fbl447zliyfrae author: Douglas R. Stenton title: Faces from the Franklin expedition? Craniofacial reconstructions of two members of the 1845 northwest passage expedition date: 2015 words: 4014.0 sentences: 337.0 pages: 6 flesch: 59.0 cache: ./cache/work_i5x3h53suva4fbl447zliyfrae.pdf txt: ./txt/work_i5x3h53suva4fbl447zliyfrae.txt summary: In 2013, partial skeletal remains from three members of the 1845 John Franklin expedition were recovered from an archaeological site at Erebus Bay, King William Island, Nunavut. Terror in 1848, including Sir John Franklin and Lieutenant Graham Gore (McClintock 1860: 258–259). well as at expedition camps at Terror Bay and at Starvation Cove (for example Hall 1869; Stackpole 1965). The exact number of bones of members of the Franklin expedition found by nineteenth-century searchers Franklin expedition human remains that he might find, The potential for new identifications of Franklin expedition sailors arose in August 2013, when remains from Archaeological examples of facial reconstructions include Of the three crania recovered from NgLj-3 two were sufficiently intact to allow craniofacial reconstruction. CRANIOFACIAL RECONSTRUCTIONS OF TWO MEMBERS OF FRANKLIN''S 1845 EXPEDITION 81 CRANIOFACIAL RECONSTRUCTIONS OF TWO MEMBERS OF FRANKLIN''S 1845 EXPEDITION 81 CRANIOFACIAL RECONSTRUCTIONS OF TWO MEMBERS OF FRANKLIN''S 1845 EXPEDITION 81 Forensic facial reconstruction. id: work_p4ogduqj7fcpjbtdkjgcubgoju author: Edlira Dhima title: An Overview of Eqrem Cabej''s Literary Thought date: 2012 words: 3292.0 sentences: 190.0 pages: 4 flesch: 62.0 cache: ./cache/work_p4ogduqj7fcpjbtdkjgcubgoju.pdf txt: ./txt/work_p4ogduqj7fcpjbtdkjgcubgoju.txt summary: Albanian Literature] and Romantizmi në Europën Lindore e Juglindore dhe në Literaturën Shqiptare, [Romanticism in With regards to popular poetry, in his publication Për Gjenezën e Literaturës Shqipe [On the Genesis of the Albanian In his papers and articles on the Albanian folk poetry, Cabej has noted the wide variety of motifs interweaved in the Regarding the categorization of the Albanian literature, Cabej was of the opinion that it should be based on cultural Cabej views the Albanian romantic poets as creators of their own works of Cabej brifly mentions Albanian and Arberesh authors, he states that in Naim Frasheri''s work "the apostle and the poet are Albanian Linguistics and Literature] and Romantizmi në Europën Lindore e Juglindore dhe në Literaturën Shqiptare have been presented with the due argumentation of a scientist and a scholar of the Albanian literature in Eqrem Cabej''s Eqrem Cabej is a profound scholar of the genesis of Albanian literature. id: work_qfhaojdj45aa5k5qd73czm76am author: Elena Basso title: Unmasking a wild man: scientific analysis of Bertoldo di Giovanni''s Shield Bearer in The Frick Collection date: 2020 words: 8856.0 sentences: 1160.0 pages: 14 flesch: 70.0 cache: ./cache/work_qfhaojdj45aa5k5qd73czm76am.pdf txt: ./txt/work_qfhaojdj45aa5k5qd73czm76am.txt summary: The Frick Collection, New York, owns a Shield Bearer, one of a small number of bronze from the scientific analysis of The Frick statuette, including a detailed technical characterization of the casting alloy, X-radiography, microand portable X-ray fluorescence (μXRF and pXRF) spectroscopies, scanning electron microscopy with energy-dispersive X-ray spectroscopy (SEM/EDS), Raman and Fourier-transform infrared (FTIR) spectroscopies, and pyrolysis-gas chromatography/mass spectrometry (Py-GC/MS). This study confirmed that The Frick figure was cast from the same brass alloy Keywords: Bertoldo di Giovanni, 15th century, Italian Renaissance sculpture, Organic coating, Brass, Bronze, Gilding, base on The Frick statuette is original, while visual examination and radiographs provided additional evidence of Materials studied include the metal alloy, solder, gilding, and organic coatings. Unmasking a wild man: scientific analysis of Bertoldo di Giovanni''s Shield Bearer in The Frick Collection Unmasking a wild man: scientific analysis of Bertoldo di Giovanni''s Shield Bearer in The Frick Collection id: work_bjfpvntqzray5fpxsazobnbl5u author: Elena Marcheschi title: A spiritual journey in Bill Viola''s art date: 2014 words: 2101.0 sentences: 101.0 pages: 4 flesch: 58.0 cache: ./cache/work_bjfpvntqzray5fpxsazobnbl5u.pdf txt: ./txt/work_bjfpvntqzray5fpxsazobnbl5u.txt summary: A spiritual journey in Bill Viola''s art. Exhibition: Bill Viola (Paris, Gran Palais, Galeries nationales, March 5 – July 21, 2014) dedicated in France to the American artist Bill Viola, one of the most important pioneers in video art a deep visual and spiritual connection with each Viola''s works of art, flowing in a kind of initiatory And in fact, as Valentina Valentini says, in Bill Viola''s exhibitions the visitor is not only a mere presented in this exhibition, trying to strike the public''s intellect as well as the inner emotions. (1977-1979), one of the first Viola''s work, and ended with the perfect images of the seven highresolution screens of The Dreamers (2013), the twenty works of art presented in between were not shared with many and different people.''4 At the Grand Palais, Viola and his public met in this Townsend C., (edited by) The art of Bill Viola. id: work_bchd6mir3ngnnf6romzbyi7po4 author: Eliana Carrara title: Giovanni Battista Adriani and the drafting of the second edition of the Vite: the unpublished manuscript of the Lettera a Messer Giorgio Vasari in the Archivio Borromeo (Stresa, Italy) date: 2011 words: 7910.0 sentences: 686.0 pages: 21 flesch: 74.0 cache: ./cache/work_bchd6mir3ngnnf6romzbyi7po4.pdf txt: ./txt/work_bchd6mir3ngnnf6romzbyi7po4.txt summary: account of Adriani''s text and its collocation in the editions of Vasari''s Vite see Paola Barocchi, Adriani''s work4 was conceived to fill the space, temporal and historiocritical, left empty by Vasari in the edition of Vite published in 1550 (Florence, dell''Adriani'', In: Vasari-Bettarini/Barocchi, I (Commento), 386-415, and Eliana Carrara, ''Pliny and the Figure 7 Giovanni Battista Adriani, The manuscri pt of Lettera a messer Giorgio Vasari, Isola Bella, Figure 12 Giovanni Battista Adriani, The manuscript of Lettera a messer Giorgio Vasari, Isola Bella, Figure 12 Giovanni Battista Adriani, The manuscript of Lettera a messer Giorgio Vasari, Isola Bella, Figure 12 Giovanni Battista Adriani, The manuscript of Lettera a messer Giorgio Vasari, Isola Bella, Figure 12 Giovanni Battista Adriani, The manuscript of Lettera a messer Giorgio Vasari, Isola Bella, Figure 12 Giovanni Battista Adriani, The manuscript of Lettera a messer Giorgio Vasari, Isola Bella, id: work_lxjpyn2kz5cstgbzqotozaaybu author: Elinor Shaffer title: World Literature Tomorrow date: 2006 words: 2405.0 sentences: 137.0 pages: 7 flesch: 54.0 cache: ./cache/work_lxjpyn2kz5cstgbzqotozaaybu.pdf txt: ./txt/work_lxjpyn2kz5cstgbzqotozaaybu.txt summary: Comparative Critical Studies, Volume 3, Issue 1-2, 2006, pp. very excited by the new idea of teaching not national literature, nor comparative literature today is and must be, of course, our Research The narrow national literary history theory and practice of reception studies today. European forms nevertheless required validation as national literary The history of Europe and the European Union European reception of Ossian (the most extensive British literary in that city-states or nations compete for authority, and indeed literary culture?''12 Nevertheless, literary and artistic authority and value have pioneers of Oriental literary studies, world literature requires extending Luckhurst (London and New York: Continuum 2002); The Reception of James and New York: Continuum 2004); The Reception of Ossian in Europe, edited by Howard Gaskill (London and New York: Continuum 2004); The Reception of and New York: Continuum 2004); The Reception of Byron in Europe, edited by id: work_bvq5znaqafbg3ep4jq6qqcljsy author: Elisabetta Corsi title: "Visiting Humanists" and Their Interpreters: Ricci (and Ruggieri) in China date: 2012 words: 4480.0 sentences: 356.0 pages: 8 flesch: 70.0 cache: ./cache/work_bvq5znaqafbg3ep4jq6qqcljsy.pdf txt: ./txt/work_bvq5znaqafbg3ep4jq6qqcljsy.txt summary: Thus, the book opens up with Macerata and Rome where Ricci Hsia discusses Ricci''s education in Rome and Lisbon, connecting it with the significant role than it has been thought of so far in orienting Ricci''s future attitude toward Chinese culture as it is reflected in his writings. short pamphlet in the arte della conversazione,8 an early Renaissance new gentlemanly practice, it reported ten conversations, revised and embellished for editorial mathematical knowledge acquired by Ricci during the years spent with Clavius is The mathematical and astronomical books produced by Ricci, as well as any By this token, the Chinese books composed by Ricci and his confreres are not Ricci began to work on a Chinese rendition of Renaissance astronomy during his Ptolemy," Ricci dismissed Chinese astronomy, not realizing, as Hsia points out, From the excursus of Ricci''s literary endeavors, provided by Hsia in chapters 7 mathematical books in Chinese, see C. id: work_j4by5m2dlrdufe7zxvdyra3gs4 author: Elizabeta Dimitrova title: Colourful sparkles of imaginary vistas: Saintly beauty in the eyes of the beholder date: 2013 words: 7213.0 sentences: 528.0 pages: 10 flesch: 63.0 cache: ./cache/work_j4by5m2dlrdufe7zxvdyra3gs4.pdf txt: ./txt/work_j4by5m2dlrdufe7zxvdyra3gs4.txt summary: Key words: Beauty, Saintly images, Categories of saints, Warriors, Bishops, Holy Healers, Martyrs, Female saints warriors, the modest female saints etc., were always represented within the manner which predominantly expressed classification of the depiction of physical beauty in Byzantine painting, we are making an attempt to specify several Maguire, Disembodiment and corporality in Byzantine images of the saints, in: Iconography at the crossroads. the facial exposition, posture, costume and corporal expression of the saintly images became the main features of the saintly images, our chosen categories of holy personages (warriors, martyrs, physician saints, bishops, hermits, female saints) generate several distinctive typological determinants of sacral looks in the sphere of physical In that sense, the holy warriors are represented in characteristic "ready-for-action" poses, manifested through various gestures, while their images are the image of Saint Euphrosinos depicted in the church of image of Saint Makarios from the church of Panagia Olimpiotissa in Elasson (ca. id: work_kjzx5iye6vcinl5hc6tznnyonu author: Elliott D. Wise title: Thresholds and Boundaries: Liminality in Netherlandish Art (1385–1520). Lynn F. Jacobs. Visual Culture in Early Modernity. London: Routledge, 2018. xiv + 232 pp. + 12 color pls. $150 date: 2020 words: 1434.0 sentences: 88.0 pages: 3 flesch: 54.0 cache: ./cache/work_kjzx5iye6vcinl5hc6tznnyonu.pdf txt: ./txt/work_kjzx5iye6vcinl5hc6tznnyonu.txt summary: Thresholds and Boundaries: Liminality in Netherlandish Art (1385–1520). study of spatial logistics in triptychs (Opening Doors: The Early Netherlandish Triptych Reinterpreted [2012]), Jacobs''s new book offers a theoretical paradigm for appreciating presence in early modern art with just four case studies and a coda. place, Jacobs indicates the far-reaching relevance of liminal studies with examples Chapter 2 is a case study in stone, featuring Claus Sluter''s portal that literally formed Chapter 4 further articulates a Netherlandish view of space that is "multiplex" in its "formal and iconographical richness . In chapter 5, Jacobs posits that the grisaille shutters of Netherlandish altarpieces— Fury" in Antwerp, in 1576, Hoefnagel and Ortelius traveled to Germany and Italy, Other chapters are devoted to Hoefnagel''s plaintive emblem manuscript Patientia (1569), the landscape and city views he designed for Braun and Hogenberg''s six-volume Civitates Bass''s three chapters on the Four Elements and the accompanying color plates form id: work_ijxgqcknlrecvak7usubdtibt4 author: Emilian M. Dobrescu title: Technical Means of Preservation of Renewable Human Energy''s date: 2012 words: 3840.0 sentences: 215.0 pages: 6 flesch: 58.0 cache: ./cache/work_ijxgqcknlrecvak7usubdtibt4.pdf txt: ./txt/work_ijxgqcknlrecvak7usubdtibt4.txt summary: based on human renewable storing this energy, given average power renewable source of man. Icarus, who is the first human known as renewable energy use of his arms, imitating the flight of birds. There are two ways of converting human energy into electricity: power can be gained from the daily actions made to highlight the different ways to provide electricity resulting from the conversion of human energy: a) manufactured independent power systems, renewable energy using human! Piezoelectric energy source human walking capable of charging batteries of mobile phones to operate an MP3 or any portable device power supply stored From 1990 to present, the number of devices that use human energy resulting from arm movement is Another company that offers products that are supplied with the power of human energy is Atkin Design power renewable source of man, energy of arm, Ministry of Research and Development can and should do more in renewable energy recovery human and id: work_mpcoxu4nvzbyjmzjtr5wvilklu author: Emily A. Engel title: Latin American and Latinx Futurities: Publishing Visual Culture in the Twenty-First Century date: 2019 words: 799.0 sentences: 136.0 pages: flesch: 58.0 cache: ./cache/work_mpcoxu4nvzbyjmzjtr5wvilklu.pdf txt: ./txt/work_mpcoxu4nvzbyjmzjtr5wvilklu.txt summary: Latin American and Latinx Futurities: Publishing Visual Culture in the Twenty-First Century | Latin American and Latinx Visual Culture | University of California Press Charlene Villaseñor Black—is a professor of art history and Chicana/o studies at the University of California, Los Angeles. Welcome to Latin American and Latinx Visual Culture, the first peer-reviewed academic journal dedicated to visual and material cultures in Mexico, Central America, South America, the Caribbean, the United States, and those in diaspora, published by the University of California Press. For the first time, scholars working in these areas have a venue for publishing the latest research in art history, design, material culture, architecture, film, media, performance art, museum studies, popular culture, fashion, public art, and artivism. Please direct all requests for permission to photocopy or reproduce article content through the University of California Press''s Reprints and Permissions web page, http://www.ucpress.edu/journals.php?p=reprints. id: work_ybfzgl3vizc4dastvnnfkr77c4 author: Erik Borg title: Writing in fine arts and design education in context date: 2007 words: 3309.0 sentences: 309.0 pages: 8 flesch: 67.0 cache: ./cache/work_ybfzgl3vizc4dastvnnfkr77c4.pdf txt: ./txt/work_ybfzgl3vizc4dastvnnfkr77c4.txt summary: Fine Arts to write texts for professional purposes. The authors consider modern methods and activities for teaching writing. role of writing in teaching a foreign language that has gradually increased Stress is done on the importance for every educated modern person to produce different kinds of written texts for professional purposes. Key words: teaching, writing, a foreign language, students of Design person is expected to produce different kinds of written texts, and this influenced the role of writing in teaching a foreign language. the 21st century, the role of writing in teaching a foreign language has gradually increased and is considered as a reserve for improving the efficiency of greatly changed the attitude to writing, and especially to written texts, therefore we consider it important to use information and communication technologies in teaching a foreign language. The author (of the article) writes (reports, states, stresses, thinks, notes, id: work_zrzfcdrkb5gmxgocdyvstk62wq author: Erin J. Campbell title: Listening to objects: an ecological approach to the decorative arts date: 2014 words: 11601.0 sentences: 722.0 pages: 23 flesch: 57.0 cache: ./cache/work_zrzfcdrkb5gmxgocdyvstk62wq.pdf txt: ./txt/work_zrzfcdrkb5gmxgocdyvstk62wq.txt summary: Housekeeping: Objects and Agency within the Early Modern Italian Domestic Interior,'' in G. Frank, The Theory of Decorative Art, New Haven and London: Yale University Press, 2001, 1vital materialism, object agency and human/non-human intra-activity in the work of 9 E.H. Gombrich, The Uses of Images: Studies in the Social Function of Art and Visual The decorative arts and the early modern domestic interior decorative arts in the domestic interior are modern and early modern writings that contextualises objects within the spaces of the home as part of the social history of To craft a new ecological approach to the early modern domestic interior that constituting the social world of home, Ingold''s concept of meshwork allows scholars of the decorative arts to approach their objects of study from a phenomenological The ecological approach to the decorative arts considers space as part of the to an understanding of the home as an environment is to see objects, spaces, and id: work_dk4udckmizdihepdk7mplrlsfi author: Evandro Tinoco Mesquita title: Andreas Vesalius 500 years - A Renaissance that revolutionized cardiovascular knowledge date: 2015 words: 3831.0 sentences: 255.0 pages: 6 flesch: 56.0 cache: ./cache/work_dk4udckmizdihepdk7mplrlsfi.pdf txt: ./txt/work_dk4udckmizdihepdk7mplrlsfi.txt summary: Andreas Vesalius 500 anos Um renascentista que revolucionou o conhecimento cardiovascular geniuses who dared in thinking, research, teaching and transmitting scientific knowledge, and the Italian Andreas Vesalius His main scientific work "De Humani Corporis Fabrica" is not only a landmark study of human Andreas Vesalius that changed the paradigm of human anatomy. anatomy and physician Andreas Vesalius was one of these Cardiology and Cardiovascular Surgery, as medical specialties that emerged centuries later, have large debts to Vesalius as he questioned and shown through his systematic study to anatomy, innovative teaching method through the execution of dissection by the professor of medicine alongside the his important book "De Humani Corporis Fabrica" becoming certainly the father of modern anatomy. Fig. 3 Illustration of Andreas Vesalius''s work in an amphitheater All the works of Andreas Vesalius places him as a genius Andreas Vesalius: Professor at the Medical School id: work_do53ehbwtrcodc3ao4a2slg5fy author: Evelyn Welch title: Engendering Italian Renaissance art — a bibliographic review date: 2000 words: 8432.0 sentences: 710.0 pages: 17 flesch: 69.0 cache: ./cache/work_do53ehbwtrcodc3ao4a2slg5fy.pdf txt: ./txt/work_do53ehbwtrcodc3ao4a2slg5fy.txt summary: piers as well as on the mechanical characteristics of materials derive from the regulations issued in Italy starting from 1907 concerning the construction of public reinforced concrete The most common railway steel bridges are made of straight girders lying on masonry or reinforced concrete piers. This decree provided the first indications about the maximum strength to be considered in the structural calculation for both concrete and reinforcement. Before the Circular 15/07/1945 [15], other regulations defining the train live loads were issued in Italy, but we did not consider them here as they concerned exclusively iron and masonry railway bridges, which were in the past much more common than the ones made of The characteristic values attributed to the load models had to be multiplied by an adaptation coefficient α, which varied according to the category of the railway bridge to be designed The first Italian regulation on the design of reinforced concrete railway girder bridges that id: work_ig53zppym5cm5mpxazcugkm5za author: F. Castro title: A Quantitative Look at Mediterranean Lateen- and Square-Rigged Ships (Part 1) date: 2008 words: 8068.0 sentences: 1847.0 pages: 13 flesch: 87.0 cache: ./cache/work_ig53zppym5cm5mpxazcugkm5za.pdf txt: ./txt/work_ig53zppym5cm5mpxazcugkm5za.txt summary: CASTRO ET AL.: MEDITERRANEAN LATEENAND SQUARE-RIGGED SHIPS (PART 1)NAUTICAL ARCHAEOLOGY, the three-masted ships of the modern age of sail, in the beginning of the 15th century. characteristics of late-medieval vessels in the hope of finding patterns that will help understand the relatively-quick technological evolution of Mediterranean merchant craft of the 14th and 15th centuries. Lateen rigging, square rigging, Mediterranean seafaring, sailing performance, technological change. change in their rigging: lateen sails are easy to which ship-types first adopted lateen sails and by the vessels that adopted the new lateen rig, and factors led the shift both from shellto skeletonbased hull construction and from large squarerigged ships to smaller and faster lateeners. the 14th century to the square-rigged, oceangoing ship. century a new type of ship appeared in the : MEDITERRANEAN LATEENAND SQUARE-RIGGED SHIPS (PART 1) : MEDITERRANEAN LATEENAND SQUARE-RIGGED SHIPS (PART 1) medieval lateen-rigged ships with a number of id: work_makljxq2yzajtaprkqnxxn3jhi author: F. Gabrieli title: Near-UV to mid-IR reflectance imaging spectroscopy of paintings on the macroscale date: 2019 words: 10446.0 sentences: 1131.0 pages: 11 flesch: 73.0 cache: ./cache/work_makljxq2yzajtaprkqnxxn3jhi.pdf txt: ./txt/work_makljxq2yzajtaprkqnxxn3jhi.txt summary: Broad spectral range reflectance imaging spectroscopy (BR-RIS) from the near UV through the mid–infrared (IR) microsamples in transmission or reflection mode, as the mid-IR region is rich in spectral features that allow the specific identification reflectance imaging spectroscopy in the visible and NIR spectral regions. (3D) image cubes (2D spatial and 1D spectral) using a simple singlepixel scanner consisting of two point spectrometers and a computercontrolled easel that moved the artwork. Because mapping oil and alkyd paint binders has been demonstrated using NIR spectral features (17), the example here focuses with NIR reflectance imaging spectroscopy using the CH2 combination band in the region of 4350 to 4325 cm−1 (2300 to 2313 nm), painted with the blue mineral azurite by using reflectance imaging data collection and analysis methodology to identify and map pigments, paint binders, fillers, and substrates used for lake pigments. Near infrared reflectance imaging spectroscopy to map paint binders in situ id: work_ols2ay4xmza6bpkgbiosmxtua4 author: Fabrizio Lelli title: Andrew D. Berns. The Bible and Natural Philosophy in Renaissance Italy: Jewish and Christian Physicians in Search of Truth. New York: Cambridge University Press, 2015. 309 pp date: 2016 words: 2483.0 sentences: 568.0 pages: 4 flesch: 76.0 cache: ./cache/work_ols2ay4xmza6bpkgbiosmxtua4.pdf txt: ./txt/work_ols2ay4xmza6bpkgbiosmxtua4.txt summary: These include the Qur''anic notion of tah.rīf with Christian accusations of Jewish distortions of Abraham''s true religion (Justin Martyr''s Dialogue with Trypho the Jew and the Ebionite conception of a diabolical fit.ra with the notion of a natural Christian nature of the human soul (anima naturaliter christiana); the Qur''anic notion of an original, pristine, and unsullied "religion of Abraham" with Eusebius''s writings in his Ecclesiastical History, and so Among the intellectual achievements that distinguished the Italian Renaissance from the previous centuries, with a lasting influence on the modern age, words, in-depth study of the Bible, paralleled by the investigation of nature according to new empirical methods, allowed Renaissance intellectuals to ascertain Berns compares the approach of Jewish and nonJewish scientists active in Renaissance Italy toward the biblical text. including Italian, Latin, and Hebrew, analyzes the work of major scholars (such as the scholarly relationships between Italian Jews and Christians at the beginning of id: work_ctw7clrpwjalhawwjcnlztrlaa author: Farhad B. Naini title: Nasofacial angle and nasal prominence: A quantitative investigation of idealized and normative values date: 2016 words: 5710.0 sentences: 791.0 pages: 33 flesch: 68.0 cache: ./cache/work_ctw7clrpwjalhawwjcnlztrlaa.pdf txt: ./txt/work_ctw7clrpwjalhawwjcnlztrlaa.txt summary: Nasofacial angle and nasal prominence: A quantitative investigation of idealized and normative values angle and nasal prominence: A quantitative investigation of idealized and normative values, Journal of Nasofacial angle and nasal prominence: A quantitative investigation of idealized and Nasofacial angle and nasal prominence: A quantitative investigation of idealized and Results: A nasofacial angle of approximately 30° was deemed to be ideal, with a range of patients as observers, as well as laypersons and clinicians, in facial attractiveness research. Keywords: nasofacial angle, nasal tip prominence, rhinoplasty, profile aesthetics important factor in the perception of facial profile attractiveness (Pearson and Adamson, each image in terms of facial attractiveness using the following rating scale: patients as observers in facial attractiveness research. female profile images painted in the Renaissance, the nasofacial angle is again within the The nasofacial angle of the idealized profile image was altered incrementally, Image Angle (°) Patients Laypersons Clinicians id: work_x5otsfv7bvalhcdqfrw653itha author: Federica Presciutti title: Noninvasive nuclear magnetic resonance profiling of painting layers date: 2008 words: 13565.0 sentences: 960.0 pages: flesch: 49.0 cache: ./cache/work_x5otsfv7bvalhcdqfrw653itha.pdf txt: ./txt/work_x5otsfv7bvalhcdqfrw653itha.txt summary: In this work we demonstrate the potential of single-sided nuclear magnetic resonance (NMR) sensors to access deeper layers of paintings noninvasively by means of high-resolution depth profiles spanning several millimeters. Single-sided nuclear magnetic resonance (NMR) has been used to non-invasively study objects and chemical processes including oil well logging [4,5], food [6][7][8], manufacturing procedures [9,10], paintings [11][12][13][14][15], instruments [16], ceramics [17][18][19], paper [20], and building materials [21]. Objectives pursued by stray-field NMR in the context of cultural heritage are moisture mapping [149,150], contributing to the optimization of stone conservation strategies [151], studying the mortar base of wall paintings [152,153], assessing bone degradation [13,154], monitoring the water distribution in wooden panels such as easel paintings [155], studying the stratigraphy and binder states of paintings [156], assisting in the development of restoration techniques for easel paintings [157,158], and studying the degradation mechanisms of parchment and leather [159][160][161]. id: work_xbxv2eifcnartasdwmxzgfgize author: Fernanda Falcini title: The primary role of steroids on the osteoporosis in juvenile rheumatoid arthritis patients evaluated by dual energy X-ray absorptiometry date: 1996 words: 678.0 sentences: 100.0 pages: 2 flesch: 62.0 cache: ./cache/work_xbxv2eifcnartasdwmxzgfgize.pdf txt: ./txt/work_xbxv2eifcnartasdwmxzgfgize.txt summary: Patients and methods Analysis of "La Toilette" painting of Frederice Bazille. Results We present a masterpiece work of Frederic Bazille "La Toilette" where a large goiter is visible. of Bazille''s life and painting is included. Conclusion Despite of unique painting technique, thyroid disorders are visible even in impressionism. Keywords Frederic Bazille · Endocrinology · Painting Jean Frederic Bazille (1841–1870) was born in Montpellier In 1859, Bazille started medical study in Montpellier and Historically, goiter seems to be "older" disease (i.e., paintings of According to Encyclopaedia Brittanica, Bazille was an Open Access This article is distributed under the terms of the Creative Commons Attribution 4.0 International License (http://creat iveco Frederic Bazille, oil on canvas note large goiter on first right http://creativecommons.org/licenses/by/4.0/ http://creativecommons.org/licenses/by/4.0/ https://www.britannica.com/biography/Frederic-Bazille https://www.britannica.com/biography/Frederic-Bazille When a doctor becomes a painter: Frederic Bazille When a doctor becomes a painter: Frederic Bazille When a doctor becomes a painter: Frederic Bazille id: work_cahnjmi5qfctriwpmawibtmf3a author: Filomena Maggino title: XI Conference of the International Society for Quality-of-Life Studies (ISQOLS) "Discovering New Frontiers in Quality of Life Research" (1-4 November 2012, Venice, Italy) date: 2013 words: 3315.0 sentences: 378.0 pages: 6 flesch: 41.0 cache: ./cache/work_cahnjmi5qfctriwpmawibtmf3a.pdf txt: ./txt/work_cahnjmi5qfctriwpmawibtmf3a.txt summary: XIe Conférence de l''International Society for Quality-of-Life Studies (ISQOLS) and movements involved in measuring quality of life, including the new BES project, Wellbeing, Quality of Life, Social Indicators, International Society for quality-of-life studies Venice Conference At the same time, official statistical services have been developing important experiences in quality-of-life research, like the Multipurpose Survey project, introduced by the to the developments of a network which became the Italian Association for Quality-of-Life national and international organisations and research centres in the quality-of-life field. of the Italian Association for Quality of Life Studies (http://www.aiquav.it). HDCA) to illustrate the work on quality of life research by their institutions, organizations The author is Professor of Statistics Applied to Social Research at the University of Florence, Italy, President of the International Society for Quality-of-Life Studies (ISQOLS) and Chair and Maggino F (2010) Quality of Life: Reflections, Studies and Research in Italy. id: work_3m2c6wnvmnh4fjdmncnkxrb5ce author: Florian Schwieger title: Lessons From the Culturally Diverse Classroom: Intellectual Challenges and Opportunities of Teaching in the American University date: 2010 words: 7572.0 sentences: 401.0 pages: 20 flesch: 52.0 cache: ./cache/work_3m2c6wnvmnh4fjdmncnkxrb5ce.pdf txt: ./txt/work_3m2c6wnvmnh4fjdmncnkxrb5ce.txt summary: " Lessons From the Culturally Diverse Classroom: Intellectual Challenges and Opportunities of Teaching in the American University. " Lessons From the Culturally Diverse Classroom: Intellectual Challenges and Opportunities of Teaching in the American University. In the classrooms of a modern university students and teachers from literally all university instruction that questions both established student and teacher models. what it means to work as teaching assistants in the humanities in an American university from understanding of student-teacher roles, literacy, and identity that the multicultural classroom Students and teachers of English in the 21st century inhabit a global classroom. even personal challenge teachers face in a cross-cultural classroom environment. background students and teachers bring to the classroom that creates a rewarding learning democratization of the university classroom, professors and teaching assistants alike have to U.S. universities have long employed graduate students as teaching assistants to work id: work_hb7b563idff4poltgemv2idvtu author: Francesco Carelli title: Brueghel: his art and his syndrome date: 2017 words: 422.0 sentences: 81.0 pages: flesch: 68.0 cache: ./cache/work_hb7b563idff4poltgemv2idvtu.pdf txt: ./txt/work_hb7b563idff4poltgemv2idvtu.txt summary: Brueghel: his art and his syndrome | Semantic Scholar Semantic Scholar''s Logo Corpus ID: 5219594Brueghel: his art and his syndrome title={Brueghel: his art and his syndrome}, journal={London Journal of Primary Care}, Medicine, Art London Journal of Primary Care They are able to embody as one, like as nobody before or after them, the style and trends of more than a century of history of art. Topics from this paper Citation Type Citation Type Cites Background Sort by Most Influenced Papers Sort by Citation Count Blepharospasm-oromandibular dystonia syndrome (Brueghel''s syndrome). View 3 excerpts, references background Related Papers Related Papers Stay Connected With Semantic Scholar About Semantic Scholar Semantic Scholar is a free, AI-powered research tool for scientific literature, based at the Allen Institute for AI. By clicking accept or continuing to use the site, you agree to the terms outlined in our Privacy Policy, Terms of Service, and Dataset License ACCEPT & CONTINUE id: work_deumepylmbgybplcxvtcvdc75y author: Francesco Senatore title: Didattica e ricerca. L''esperienza del Laboratorio aragonese e sforzesco date: 2019 words: 6439.0 sentences: 846.0 pages: 17 flesch: 66.0 cache: ./cache/work_deumepylmbgybplcxvtcvdc75y.pdf txt: ./txt/work_deumepylmbgybplcxvtcvdc75y.txt summary: sede, perché ha inteso formare i giovani – 12 borsisti – all''edizione di fonti documentarie, facendoli esercitare in particolare sulle lettere destinate ai Dispacci sforzeschi da Napoli, prima serie della collana Fonti per la storia di Napoli aragonese, sostenuta proprio dall''Istituto italiano per gli studi filosofici. nel 1987 dal direttore della collana, DeL TReppO, Napoli aragonese nella corrispondenza degli ambasciatori. aragonese e sforzesco, presentandosi su un avviso cartaceo come «seminario di ricerca libero, aperto a tutti gli interessati (studenti del Vecchio e Nuovo Ordinamento, laureati, dottorandi)», con l''aggiunta che «il seminario non dà crediti né (si pensi appunto all''ISIMe e al Repertorium fontium historiae medii aevii 26), se possiamo confidare, tornando ai carteggi diplomatici, che l''Istituto Nazionale di studi sul Rinascimento porterà a termine l''edizione delle Lettere di Lorenzo de'' Medici 27 (sarei meno ottimista per quanto riguarda le altre iniziative), non possiamo Conoscendo i limiti dell''organizzazione della ricerca nell''università, nella prima metà degli anni ''80 Mario Del Treppo si indirizzò all''Istituto italiano per gli id: work_tt2jcy5q7bds7h6treilo4u6zy author: Francesco Ventrella title: Writing Under Pressure: Maud Cruttwell and the Old Master Monograph date: 2019 words: 578.0 sentences: 88.0 pages: flesch: 63.0 cache: ./cache/work_tt2jcy5q7bds7h6treilo4u6zy.pdf txt: ./txt/work_tt2jcy5q7bds7h6treilo4u6zy.txt summary: 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. id: work_nc5xralahraphil46fjuozr3oi author: Francine Mary Netter title: Frank H. Netter MD and a Brief History of Medical Illustration date: 2014 words: 144.0 sentences: 28.0 pages: flesch: 72.0 cache: ./cache/work_nc5xralahraphil46fjuozr3oi.pdf txt: ./txt/work_nc5xralahraphil46fjuozr3oi.txt summary: sys_1000 wp-p1m-38.ebi.ac.uk wp-p1m-38.ebi.ac.uk exception exception Params is empty Params is empty Params is empty if (typeof jQuery === "undefined") document.write(''[script type="text/javascript" src="/corehtml/pmc/jig/1.14.8/js/jig.min.js"][/script]''.replace(/\[/g,String.fromCharCode(60)).replace(/\]/g,String.fromCharCode(62))); // // // window.name="mainwindow"; .pmc-wm {background:transparent repeat-y top left;background-image:url(/corehtml/pmc/pmcgifs/wm-nobrand.png);background-size: auto, contain} .print-view{display:block} Page not available Reason: The web page address (URL) that you used may be incorrect. Message ID: 218037690 (wp-p1m-38.ebi.ac.uk) Time: 2021/04/06 02:06:10 If you need further help, please send an email to PMC. 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Find a specific article by its citation (journal, date, volume, first page, author or article title). http://europepmc.org/abstract/MED/ id: work_igeachsmibcsnje2ktd7bswoci author: Franco Lorenzoni title: Interweaving mathematics with reality and beauty: the valuable legacy of Emma Castelnuovo date: 2014 words: 2573.0 sentences: 156.0 pages: 4 flesch: 65.0 cache: ./cache/work_igeachsmibcsnje2ktd7bswoci.pdf txt: ./txt/work_igeachsmibcsnje2ktd7bswoci.txt summary: and art, between mathematics, architecture and life, together with a constant reference to history, makes it possible facilitate the approach to complex mathematical and geometrical concepts, manipulating figures in transformation offering important topics, such as the infinite and infinitesimal, allows youngsters to engage in a healthy head-tohead struggle for knowledge. Keywords Emma Castelnuovo � Mathematics teaching � Guido Castelnuovo, was called to teach the teacher training geometry, idealism imposed on the school that rigid hierarchy of knowledge that even today permits many intellectuals to claim to not understand anything about Middle School) [1], a book that turned mathematics the International Commission for the Study and Improvement of Mathematics Teaching), founded by mathematician Gustave Choquet, psychologist Jean Piaget, and schools, going back to read the books by Emma Castelnuovo might help youngsters find anew that connection Fig. 2 Emma Castelnuovo, in Cenci during the activities of ''Officina Interweaving mathematics with reality and beauty: the valuable legacy of Emma Castelnuovo id: work_zrgejo5lxnhqhdioapyoybvr2u author: Frank Ferrie title: Investigating Claims of Eroticism in Images of the Annunciation date: 2012 words: 6255.0 sentences: 452.0 pages: 25 flesch: 63.0 cache: ./cache/work_zrgejo5lxnhqhdioapyoybvr2u.pdf txt: ./txt/work_zrgejo5lxnhqhdioapyoybvr2u.txt summary: Virgin Mary that she will bear the Messiah, Jesus Christ, is a de"ning moment in By the late-medieval period, the Virgin Mary had been considered a paragon Helvidius in the fourth century, Mary''s perpetual virginity was consistently bride as referencing the Virgin Mary, the Church itself, and, at the same time, the soul Scaff argues that because, like Bernard''s vision, images of the Virgin were conceived poetry honouring the Virgin Mary often has features identical to profane love poetry Although Christ alone was considered indisputably sinless, the Virgin Mary Indeed, in fourteenth-century Italian images of the Annunciation in particular, the back to Mary''s enclosed garden" in other "fteenth-century Annunciation images occasionally move closer to Mary in "fteenth-century images, suggesting a more in the later Annunciation images, but in the light of the Virgin Mary''s contemporary sexual ambiguity in other images of the Virgin Mary, most notably, perhaps, the barebreasted lactating Madonna. id: work_ggh44k3ypbadlnxwfwjc4huvbq author: François Sellal title: The Babinski sign in Renaissance paintings—a reappraisal of the toe phenomenon in representations of the Christ Child: observational analysis date: 2020 words: 4760.0 sentences: 854.0 pages: 6 flesch: 78.0 cache: ./cache/work_ggh44k3ypbadlnxwfwjc4huvbq.pdf txt: ./txt/work_ggh44k3ypbadlnxwfwjc4huvbq.txt summary: The Babinski sign in Renaissance paintings—a reappraisal of the toe phenomenon in representations of the Christ Child: observational analysis Large collection of paintings depicting the Christ Child 302 Renaissance paintings (by 19 painters) depicting Babinski sign was observed in three paintings. Previous investigations of the depiction of the Babinski sign in paintings of the paintings depicting a Christ Child whose feet were Babinski sign in paintings of the Christ Child from Babinski sign in paintings of the Christ Child from Babinski sign in paintings of the Christ Child from reproduce the Babinski sign in paintings of the Christ artist (dates) paintings (n=302) babinski sign (n=90) Frequency of babinski sign in paintings by artists of the Babinski sign in painting; da Vinci, who was an Fig 2 | Details from five paintings depicting a babinski sign. the Christ Child as depicted in paintings does not Renaissance paintings of the Christ Child that we id: work_74ebj7p5rrbzxp3ufci3xsi3yy author: G Melino title: 1000 successes as CDDIS reaches 1000 published papers! date: 2014 words: 2171.0 sentences: 227.0 pages: 3 flesch: 63.0 cache: ./cache/work_74ebj7p5rrbzxp3ufci3xsi3yy.pdf txt: ./txt/work_74ebj7p5rrbzxp3ufci3xsi3yy.txt summary: 1000 successes as CDDIS reaches 1000 published papers! 1000 successes as CDDIS reaches 1000 published Cell Death and Disease (2014) 5, e1041; doi:10.1038/cddis.2014.15; published online 30 January 2014 success to ensure that CDDIS strives for an even better In the successful wake of our leading journal, Cell Death and Differentiation (CDD), we received an everincreasing number of the top-quality submissions. for the new title seemed obvious: Cell Death & Disease, *Corresponding author: G Melino, Department of Experimental Medicine and Surgery, Biochemistry Laboratory, IDI-IRCCS, University of Rome ''Tor Vergata'', Via Tor Citation: Cell Death and Disease (2014) 5, e1041; doi:10.1038/cddis.2014.15 an ''APP'' for CDDIS (and CDD), further facilitating open Figure 1 Papers and impact factor of CDDIS. Although CDDIS was published since January 2010, some papers were already (b) CDDIS impact factor. Cell Death and Disease is an open-access journal 1000 successes as CDDIS reaches 1000 published papers! id: work_bjxsnu4df5atjofgccv3yfulfy author: G Pappalardo title: Non-destructive characterization of Della Robbia sculptures at the Bargello museum in Florence by the combined use of PIXE and XRF portable systems date: 2004 words: 4039.0 sentences: 482.0 pages: 6 flesch: 79.0 cache: ./cache/work_bjxsnu4df5atjofgccv3yfulfy.pdf txt: ./txt/work_bjxsnu4df5atjofgccv3yfulfy.txt summary: the Bargello museum in Florence by the combined use of PIXE and XRF "In situ" non-destructive characterization of the blue pigments present in the ceramic glazes of Della Robbia sculptures have been carried PIXE and XRF portable systems have been used to determine the matrix composition and the Keywords: PIXE-alpha; XRF; Portable systems; Non-destructive characterization; Della Robbia sculptures; Ceramic glazes; In situ measurements use of PIXE and XRF portable techniques to determine in the Compar ison between measured and certified values (SCO-1 petrological standard) in the PIXE-alpha analysis Na2O MgO Al2O3 SiO2 P2O5 K2O CaO TiO2 Fe(III) tot Compar ison between measured and certified values (various glass standards) in PIXE-alpha and XRF analysis Natività of Giovanni Della Robbia (Barg10), the sculpture glazes from terracotta sculptures of the Della Robbia workshop, Non-destructive characterization of Della Robbia sculptures at the Bargello museum in Florence by the combined use of PIXE and XRF portable systems id: work_342rv3hnmnfgnny6eoj6rmxybm author: G. Anastasopoulos title: A novel use of skin grafting nasal cavity: the severe polyposis date: 2017 words: nan sentences: nan pages: flesch: nan cache: txt: summary: id: work_uo67dfvt6fa6teykha7ptyl6la author: GIORGIO SANGUINETTI title: EDITORIAL date: 2014 words: 4119.0 sentences: 351.0 pages: 7 flesch: 65.0 cache: ./cache/work_uo67dfvt6fa6teykha7ptyl6la.pdf txt: ./txt/work_uo67dfvt6fa6teykha7ptyl6la.txt summary: Eighteenth-Century Music 11/1, 3–9 6 Cambridge University Press, 2014 The pre-twentieth-century European (and particularly German) theoretical legacies were revered by historians of music theory, but in a field separate from pillars of music analysis: the concepts of unity, coherence, authorship and the ''work'' itself. tradition (Felix Diergarten, '' ''''The True Fundamentals of Composition'''': Haydn''s Partimento Counterpoint'', Eighteenth-Century Music 8/1 (2011), 53–75) and Italian partimenti (my The Art of Partimento: The assumption of these theories is that during the eighteenth century a large number of pre-compositional schemata, comparable to building-blocks, were consciously used by most composers, and that many We are also witnessing a general crisis in the performing model rooted in the ''musical-work'' paradigm, In order to ''speak'' an eighteenth-century musical language, we need Improvising a complete piece of music using a partimento as a guide represents a middle ground id: work_rquuwxqt2rcvdfnzvoqekauq6e author: Gaetano Thiene title: XXVII Edgar Mannheimer Lecture: The discovery of circulation and the origin of modern medicine during the Italian Renaissance date: 1996 words: 6131.0 sentences: 545.0 pages: 11 flesch: 66.0 cache: ./cache/work_rquuwxqt2rcvdfnzvoqekauq6e.pdf txt: ./txt/work_rquuwxqt2rcvdfnzvoqekauq6e.txt summary: XXVII Edgar Mannheimer Lecture: The discovery of circulation and the origin of modern medicine during the Italian Renaissance the scene depicting Fabricius ab Acquapendente, Professor of Anatomy and Surgery at the University of Leonardo da Vinci (1452-1519), the greatest artistanatomist who ever lived, conducted the most important scientific studies of the human body in the history By general consent, the University of Padua is credited with having given rise to Modern Medicine. University of Padua and the origin of modern medicine: milestone publications. the pulmonary veins carried blood, not air, thus discovering lung function and circulation (Figure 11): "/ Medicine at the University of Padua in 1711. Vol. 6, No. 2 Thiene G: Origin of Modern Medicine during the Italian Renaissance 119 Vol. 6, No. 2 Thiene G: Origin of Modern Medicine during the Italian Renaissance 119 Vol. 6, No. 2 Thiene G: Origin of Modern Medicine during the Italian Renaissance 119 id: work_ot6x6baiqbdq5eglzaufd5sqmi author: Giacomo Comiati title: Italy Made in Britain: Contemporary British Perspectives on Italian Culture date: 2018 words: 2198.0 sentences: 149.0 pages: 4 flesch: 52.0 cache: ./cache/work_ot6x6baiqbdq5eglzaufd5sqmi.pdf txt: ./txt/work_ot6x6baiqbdq5eglzaufd5sqmi.txt summary: Italy Made in Britain: Contemporary British Perspectives on Italian Culture Italy Made in Britain: Contemporary British This special issue of Modern Languages Open is about how contemporary Britain This special issue of Modern Languages Open is about how contemporary Britain perceives the images of Italy as it is seen in various layers of British society – from the media, to film, to with Maccaferri and Costa''s articles examining British perceptions of Italian politics in those discourse analysis and issues of translation (Filmer), travel writing on Italy by British broadsheet journalists (Willman), the performance of Italian identity for the British audience by British commentators, providing easy examples of Italy''s backwardness in relation to Britain, focuses not on perceptions of Italy through the lens of a British gaze, but on how an Italian https://www.theguardian.com/commentisfree/2016/oct/20/donaldtrump-silvio-berlusconi-italy-prime-minister (accessed 26 April 2017). Contemporary British Perspectives on Italian Culture. https://www.theguardian.com/commentisfree/2016/oct/20/donald-trump-silvio-berlusconi-italy-prime-minister https://www.theguardian.com/commentisfree/2016/oct/20/donald-trump-silvio-berlusconi-italy-prime-minister id: work_2fcjnshhyrbvtjjp5auvwein7m author: Gino Fornaciari title: A great enigma of the Italian Renaissance: paleopathological study on the death of Giovanni dalle Bande Nere (1498–1526) and historical relevance of a leg amputation date: 2014 words: 3501.0 sentences: 323.0 pages: 7 flesch: 56.0 cache: ./cache/work_2fcjnshhyrbvtjjp5auvwein7m.pdf txt: ./txt/work_2fcjnshhyrbvtjjp5auvwein7m.txt summary: Background: The Medici project consisted in archeological and paleopathological researches on some members of The remains of Giovanni de'' Medici, so-called "dalle Bande Nere" (Forlì The enigma of the fatal injury and leg amputation of the famous Captain excited curiosity of paleopathologists, medical scientists and Italian Society of Orthopedic and Traumatology which contributed to realize the project of exhumation and study of his skeletal remains. Case presentation: The tomb of Giovanni and his wife Maria Salviati was explored and the skeletal remains were Keywords: Giovanni dalle Bande Nere, Leg amputation, Paleopathology The Medici Project (2004–2007) consisted in the exhumation, exploration and paleopathological investigations on Figure 1 Portrait of Giovanni dalle Bande Nere (1498–1526) Skeletal remains of Giovanni dalle Bande Nere and his Skeletal remains of Giovanni dalle Bande Nere appeared Giovanni dalle Bande Nere is a central figure of the Italian study on Giovanni dalle Bande Nere revealed interesting id: work_rrtzsma5kja4ffl7e3o33crbsu author: Giulia Bologna title: Gold in book binding date: 1982 words: 3990.0 sentences: 182.0 pages: 6 flesch: 65.0 cache: ./cache/work_rrtzsma5kja4ffl7e3o33crbsu.pdf txt: ./txt/work_rrtzsma5kja4ffl7e3o33crbsu.txt summary: From early days, extensive use has been made of gold for the decoration of the covers of Late 15th century work now entrusted to the Trivulziana Library, Milan, manuscript 2167 use liquid gold preparations for the embellishment of book covers It was Venice which established pre-eminence in the art of producing bindings hot-pressed with gold in a style revealing the of works from famous early printers: volumes bound in leather artistically adorned with gold, or in precieus fabrics embossed with In the 16th century, books were published and sold in increasing numbers and the work of binding them flourished in all the adopted was reflected in covers adorned in gold with decorative the end of the 16th century, Italy too adopted larger gilding tools In Rome, Turin and Milan, striking effects continued to be produced on vellum bindings with gold that contrasted well with the designs for the bindings of books that went into his library. id: work_nm6cbsskwfaapajiladh2a5qva author: Giulia Torello-Hill title: Angelo Poliziano''s De poesi et poetis (BNCF Naz. II.I.99) and the Development of Ancient Dramatic Criticism date: 2017 words: 10244.0 sentences: 1073.0 pages: 22 flesch: 59.0 cache: ./cache/work_nm6cbsskwfaapajiladh2a5qva.pdf txt: ./txt/work_nm6cbsskwfaapajiladh2a5qva.txt summary: Angelo Poliziano''s De poesi et poetis (BNCF Naz. II.I.99) and the Development of Ancient Dramatic Criticism 2. Lucia Cesarini Martinelli, "''De poesi et poetis'': Uno schedario sconosciuto di Angelo Poliziano," Poliziano''s interest in ancient drama also extended to Greek theater, as documented by the BSB Ms Cgm. 812 (fols. In quoting ancient sources, Poliziano always draws on the original Greek text even when a particular work is widely available in Latin translation. Poliziano also reports Plato''s censorious attitude toward performing arts, as described in Plutarch''s Glory of the Athenians 348b (fol. In De poesi et poetis, however, Poliziano focuses mainly on the ancient narratives of the myth of Orpheus.23 His tragic death caused by women is referenced Poliziano''s interest in ancient music was not limited to De poesi et poetis. De poesi et poetis illustrates Poliziano''s early interest in ancient drama and reflects id: work_pv5awjcgvfdazezkkpwam7a5km author: Giuseppe Lacidogna title: Correlation between Earthquakes and AE Monitoring of Historical Buildings in Seismic Areas date: 2015 words: 4774.0 sentences: 384.0 pages: 16 flesch: 62.0 cache: ./cache/work_pv5awjcgvfdazezkkpwam7a5km.pdf txt: ./txt/work_pv5awjcgvfdazezkkpwam7a5km.txt summary: Correlation between Earthquakes and AE Monitoring of Historical Buildings in Seismic Areas probability of the events'' occurrence in a specific area, considering the AE records and the seismic During the monitoring period, among all regional seismic events we considered 21 earthquakes with In this case, among all regional seismic events, we considered 43 earthquakes with a Richter 5. Space-Time Correlation between AE and Seismic Events to structural damage triggered by a seismic event or due to precursive microseismic activity. In particular, time coupling of regional seismicity to AE activity from Chapel XVII and the Asinelli by nearby earthquakes on damage processes of Chapel XVII and the Asinelli Tower. In regards to the AE events preceding earthquakes, i.e., considering AE as "seismic precursors", the Analysis of time-clustering features of AE events considered "seismic temporal correlation of seismic events and monitored AEs. It emerges that AEs behave as earthquake id: work_e25keos5erhhxapt5sq3gseug4 author: Giuseppe Longo title: Naturalizing Physics. Or, embedding physics in the historicity and materiality of the living date: 2020 words: 8687.0 sentences: 617.0 pages: 18 flesch: 51.0 cache: ./cache/work_e25keos5erhhxapt5sq3gseug4.pdf txt: ./txt/work_e25keos5erhhxapt5sq3gseug4.txt summary: inert to the living state of matter, new challenges are posed, beginning with biological "heterogenesis", as "genesis of and from diversity" in a changing space of pertinent observables and parameters: "phase space") as a pre-given container of the dynamics of matter, that biased physics from Aristotle different theories in physics are the result of original work at the appropriate scale or phenomenal level: when changing either of them, physicists dared to invent a new theory, often A major challenge in the passage from theories of the inert to historical sciences, in general, and of life in particular, is that the phase space should be extended to biology''s pertinent and parameters), physicists extended this separation by new observables: momentum or energy where added to space or time, an extension of the a priori of Newtonian physics. The invention of mathematical physics, in pre-given phase spaces, is based on differential analysis id: work_t3dj6knch5bqpfqqhxvh47nyqa author: Giuseppe Longo title: The web and its sorceries date: 2016 words: 1342.0 sentences: 89.0 pages: 2 flesch: 54.0 cache: ./cache/work_t3dj6knch5bqpfqqhxvh47nyqa.pdf txt: ./txt/work_t3dj6knch5bqpfqqhxvh47nyqa.txt summary: supposed machines that, since the 1970s, have been promised to replace mankind in all respects. machine has already been happening for decades, thanks to possible, especially if we format human behavior based on the machine: the longer we live in video games, iterating machines made to iterate. Sure, we''re surrounded, inundated by thousands of new gadgets, but the techno-scientific substrate has been the same for the past 20 years. method (1950), and statistical learning algorithms store the strategies, memorized by identically iterating machines, fashion of a a-scientific Data Mining in Big Data—some life, without the need for hypotheses, theories, understanding, knowledge (Anderson 2008). Machines will discovery regularities that science will not, Deluge of Spurious Correlations in Big Data.'''' (2016) In So much for Big Data without science. human in the age of the AI machine? Anderson C (2008) The end of theory: the data deluge makes the https://www.wired.com/2008/06/pb-theory/ https://www.wired.com/2008/06/pb-theory/ http://megachip.globalist.it/Detail_News_Display%3fID%3d125846%26typeb%3d0%26complessita-scienza-e-democrazia http://megachip.globalist.it/Detail_News_Display%3fID%3d125846%26typeb%3d0%26complessita-scienza-e-democrazia id: work_roslztnlnjgkrd7xaqhm7hv3ra author: Grace Brockington title: Performing Pacifism date: 2019 words: 3679.0 sentences: 349.0 pages: 15 flesch: 67.0 cache: ./cache/work_roslztnlnjgkrd7xaqhm7hv3ra.pdf txt: ./txt/work_roslztnlnjgkrd7xaqhm7hv3ra.txt summary: Note: British Art Studies is a digital publication and intended to be experienced Lee brought the script to her friends, the writer Constance Smedley Armfield Vernon Lee, The Ballet of the Nations: A Present-Day Morality, with a Pictorial Vernon Lee did not like Maxwell Armfield''s "pictorial commentary" on her Vernon Lee first met Constance Smedley and her fiancé Maxwell Armfield in Imogen Gassert, "Collaborators and Dissenters: Aspects of British Literary Publishing in the First World War, Hull Press, 1996); Marvin Swartz, The Union of Democratic Control in British Foreign Policy During the First World War eventually her executor, who published a study of the British liberal press during the First World War; see Irene Maxwell Armfield, "My World and I—the Cotswolds and London in War" (unpublished, 1970), 50, Tate Archive: TGA with ''Vernon Lee''"; Armfield, "My World and I", 24. First published in Vernon Lee, Hauntings (London: W. id: work_m3i3hil7izdihmzeqeyi4patpy author: Graham Oppy title: ON DEFINING ART HISTORICALLY date: 1992 words: 4228.0 sentences: 185.0 pages: 7 flesch: 65.0 cache: ./cache/work_m3i3hil7izdihmzeqeyi4patpy.pdf txt: ./txt/work_m3i3hil7izdihmzeqeyi4patpy.txt summary: (3) Levinson''s account of the notion of "regard-as-a-work-of-art"; One idea which is crucial to Levinson''s definition is that a work of art must be a thing intention that every single thing is to be regarded or treated as previous works of art A second problem for Levinson''s suggestion that a work of art must be a thing Levinson tries to get around this objection by introducing the notion of an artunconscious intention: intending for regard in some specific way @ characterised in that certain objects are to be regarded in ways that works of art have hitherto been for, thereafter, it is X''s intention that no-one shall regard the work in any way at all concept work of art can be given a recursive definition of the sort which Levinson case, it is clear that we have not been given a definition of the concept work of art. id: work_u74foqxbj5c2njl6cf7wvbf3ge author: Gregory A Petsko title: Galileo''s stepchildren date: 2003 words: 1475.0 sentences: 111.0 pages: 2 flesch: 70.0 cache: ./cache/work_u74foqxbj5c2njl6cf7wvbf3ge.pdf txt: ./txt/work_u74foqxbj5c2njl6cf7wvbf3ge.txt summary: science and the arts are not intrinsically incompatible. the idea of science and the arts as integral parts of the intellectual life of every well-brought-up person, it''s ours. And the idea that science and the arts should in Ironically, I think that science and the arts have a lot more in Science and art are both Science and art are both Science is for most scientists way that anyone, even practicing scientists, will find enlightening as well as enjoyable. I am convinced that courses in one or more of the ''hard'' sciences, but especially chemistry and biology, should be science and engineering majors. Michelangelo and Galileo are usually the Renaissance men we have in mind when we aspire to be called one. Galileo is a hero a sort of spiritual father to many scientists because he dared stand up to the anti-science culture of id: work_zyzn5ad6evfy3jmi3woxkph77e author: H C Moffitt title: CLINICIANS PAST, PRESENT AND FUTURE date: 1922 words: 144.0 sentences: 25.0 pages: flesch: 71.0 cache: ./cache/work_zyzn5ad6evfy3jmi3woxkph77e.pdf txt: ./txt/work_zyzn5ad6evfy3jmi3woxkph77e.txt summary: sys_1000 wp-p1m-38.ebi.ac.uk wp-p1m-38.ebi.ac.uk exception exception Params is empty Params is empty Params is empty if (typeof jQuery === "undefined") document.write(''[script type="text/javascript" src="/corehtml/pmc/jig/1.14.8/js/jig.min.js"][/script]''.replace(/\[/g,String.fromCharCode(60)).replace(/\]/g,String.fromCharCode(62))); // // // window.name="mainwindow"; .pmc-wm {background:transparent repeat-y top left;background-image:url(/corehtml/pmc/pmcgifs/wm-nobrand.png);background-size: auto, contain} .print-view{display:block} Page not available Reason: The web page address (URL) that you used may be incorrect. Message ID: 218039714 (wp-p1m-38.ebi.ac.uk) Time: 2021/04/06 02:06:12 If you need further help, please send an email to PMC. Include the information from the box above in your message. Otherwise, click on one of the following links to continue using PMC: Search the complete PMC archive. Browse the contents of a specific journal in PMC. Find a specific article by its citation (journal, date, volume, first page, author or article title). http://europepmc.org/abstract/MED/ id: work_mso2mklylrcy3alvqwwc7zxkvy author: Han Lamers title: Constructing Hellenism: Studies on the History of Greek Learning in Early Modern Europe date: 2018 words: 8779.0 sentences: 614.0 pages: 15 flesch: 61.0 cache: ./cache/work_mso2mklylrcy3alvqwwc7zxkvy.pdf txt: ./txt/work_mso2mklylrcy3alvqwwc7zxkvy.txt summary: Constructing Hellenism: Studies on the History of Greek scholarship on the early modern history of Greek learning and the way in which the What Greek learning, or Hellenismus, meant to early modern scholars becomes the manifold aspects of early modern Hellenismus, or Greek learning, in a more Ecclesiastical and Cultural History, New York and Evanston, 1966; and Greek Scholars in Venice: Studies The early modern study, interpretation and edition of the ''rediscovered'' Greek New On the study of Greek in the early modern period, see also To get an idea of how early modern scholars working in diverse contexts studied Greek history, and of early modern Hellenism, the transmission and dissemination of Greek texts, their Throughout the early modern period, the use of Greek learning was not Constructing Hellenism: Studies on the History of Greek Learning in Early Modern Europe Constructing Hellenism: Studies on the History of Greek Learning in Early Modern Europe id: work_ajbmzakuzvaqrcjumpuvvcg5f4 author: Hans Daiber title: Humanism: A tradition common to both Islam and Europe date: 2013 words: 7867.0 sentences: 834.0 pages: 18 flesch: 70.0 cache: ./cache/work_ajbmzakuzvaqrcjumpuvvcg5f4.pdf txt: ./txt/work_ajbmzakuzvaqrcjumpuvvcg5f4.txt summary: Keywords Humanism, Islamic and European; education; individuality; solidarity; free will and subordination; Ibn al-Muqaffaʿ; Fārābī; Yaḥyā IbnʿAdī; Miskawayh; Rāghib al-Iṣfahānī; Ghazzālī; Ibn Khaldūn; Renaissance of Islam – Italian Renaissance; Pico della Mirandola; Nahḍa; Ṭāhā Ḥusayn; Sadik islamization of the Hellenistic heritage.6 In the middle of the 8th century, an Iranian named Ibn al-Muqaffaʿ had translated a Greek redaction of Aristotle''s Organon, based upon a Pehlevi version, as well as an century created the necessary room for the free will of man;10 they intended to limit the old Arabic fatalism and Islamic Qur''ānic divine predestination. which he stressed ethical and philosophical thinking as a way to self-development of people and as a universal bond of humanity. development of humanism in the 19th and 20th century as an educational program with a focus on Greek (Ibid.: 28, 11ff.). id: work_lask4pvip5fixdb6uf4extrktm author: Henrik Karge title: ''Projecting the future in German art historiography of the nineteenth century: Franz Kugler, Karl Schnaase, and Gottfried Semper'' date: 2013 words: 8616.0 sentences: 756.0 pages: 26 flesch: 66.0 cache: ./cache/work_lask4pvip5fixdb6uf4extrktm.pdf txt: ./txt/work_lask4pvip5fixdb6uf4extrktm.txt summary: 25 For more about the interrelations of both art historians see: Karge, ''Franz Kugler und Karl Schnaase''. century: Franz Kugler, Karl Schnaase, and Gottfried Semper century: Franz Kugler, Karl Schnaase, and Gottfried Semper century: Franz Kugler, Karl Schnaase, and Gottfried Semper century: Franz Kugler, Karl Schnaase, and Gottfried Semper century: Franz Kugler, Karl Schnaase, and Gottfried Semper century: Franz Kugler, Karl Schnaase, and Gottfried Semper century: Franz Kugler, Karl Schnaase, and Gottfried Semper century: Franz Kugler, Karl Schnaase, and Gottfried Semper century: Franz Kugler, Karl Schnaase, and Gottfried Semper century: Franz Kugler, Karl Schnaase, and Gottfried Semper century: Franz Kugler, Karl Schnaase, and Gottfried Semper century: Franz Kugler, Karl Schnaase, and Gottfried Semper century: Franz Kugler, Karl Schnaase, and Gottfried Semper century: Franz Kugler, Karl Schnaase, and Gottfried Semper century: Franz Kugler, Karl Schnaase, and Gottfried Semper century: Franz Kugler, Karl Schnaase, and Gottfried Semper century: Franz Kugler, Karl Schnaase, and Gottfried Semper id: work_mj6gddx2gvahljmx7zncknrfty author: I. I. Rabi title: SCIENCE AND THE SATISFACTION OF HUMAN ASPIRATIONS date: 1963 words: 3166.0 sentences: 317.0 pages: 5 flesch: 73.0 cache: ./cache/work_mj6gddx2gvahljmx7zncknrfty.pdf txt: ./txt/work_mj6gddx2gvahljmx7zncknrfty.txt summary: and even a fusion of scientific skills, from what have been called, up to now, "different" sciences. SCIENCE AND THE SATISFACTION OF HUMAN ASPIRATIONS less immediate questions, we have had a general overview of science from the aspects its more intimate relation to the individual: science and the satisfaction of human Basically, this element of science satisfies more immediately the desire to discover This aspect of the pursuit of science satisfies a basic desire or aspiration just to value for the race) or somehow those who possess the gift lack the ability to communicate the deep meaning, the excitement, and the satisfactions of scientific discovery. Unless the public shares in our aspirations and our satisfactions in the scientific men, both from the side of science and of religion, have assured us that there is no In contrasting science with the humanities and religion, the more pedestrian There is a quality about science, or rather about nature, id: work_6kcmqr3er5f3jbrfbbcp2abkt4 author: Ian Campbell title: Ethan Matt Kavaler. Renaissance Gothic: Architecture and the Arts in Northern Europe, 1470–1540. New Haven: Yale University Press, 2012. xi + 332 pp. $75. ISBN: 978–0–300–16792–4 date: 2013 words: 1196.0 sentences: 107.0 pages: 5 flesch: 59.0 cache: ./cache/work_6kcmqr3er5f3jbrfbbcp2abkt4.pdf txt: ./txt/work_6kcmqr3er5f3jbrfbbcp2abkt4.txt summary: Review of Matt Kavaler, Renaissance Gothic: Architecture and Campbell, I 2013, ''Review of Matt Kavaler, Renaissance Gothic: Architecture and the Arts in Northern Review of Matt Kavaler, Renaissance Gothic: Architecture and the Arts in Northern Copyright for the publications made accessible via the Edinburgh Research Explorer is retained by the author(s) https://www.research.ed.ac.uk/portal/en/publications/review-of-matt-kavaler-renaissance-gothic-architecture-and-the-arts-in-northern-europe-14701540(d7b6a29e-c1db-4560-8ee8-5b3c67554bf1).html Renaissance Gothic: Architecture and the Arts in Northern Europe, 1470–1540 Renaissance Gothic: Architecture and the Arts in Northern Europe, 1470–1540 by Ethan Matt Published by: The University of Chicago Press on behalf of the Renaissance Society of America The University of Chicago Press and Renaissance Society of America are collaborating with JSTOR to digitize, http://www.jstor.org Renaissance Gothic: Architecture and the Arts in in the Renaissance in Rome, but was cut short and asked if I actually liked the style. How much Kavaler loves the luscious late Gothic tours de force portrayed here http://www.jstor.org/page/info/about/policies/terms.jsp http://www.jstor.org/page/info/about/policies/terms.jsp http://www.jstor.org/page/info/about/policies/terms.jsp http://www.jstor.org/page/info/about/policies/terms.jsp http://www.jstor.org/page/info/about/policies/terms.jsp http://www.jstor.org/page/info/about/policies/terms.jsp id: work_kpaiksyv3fb2ze4iziq6bam7mu author: Ian F McNeely title: The Renaissance academies between science and the humanities date: 2009 words: 13187.0 sentences: 839.0 pages: 32 flesch: 55.0 cache: ./cache/work_kpaiksyv3fb2ze4iziq6bam7mu.pdf txt: ./txt/work_kpaiksyv3fb2ze4iziq6bam7mu.txt summary: Science," Critical Inquiry 22 (1996): 193–238; see also William Eamon, "Court, Academy, and Printing House: Patronage and Scientific Careers in Late Renaissance Italy," So also, academies dedicated to vernacular literature and language, opera and ballet, art and design, and speculative philosophy all contributed greatly to the emergence of new humanistic art forms. was first practiced in the European academy, not so much as a philosophical doctrine, but as a form of dispassionate investigation institutionalizing the detachment between academicians and the "nature" they collectively observed.3 Renaissance humanism, centered on reviving Ciceronian rhetoric, had in the previous century associated literary eloquence with active political leadership, and the academy emerged at just the moment Cinquecento Literary Academies," in Women in Italian Renaissance Culture and Society, Crusca, famous for its lexicon.29 Not only did their vigilance establish a model for other European language academies, but the evolution from vulgarizing knowledge to standardizing meanings produced a specifically gentlemanly objectivity later adopted by the id: work_mkjybojltndxtgkgvsb6stmhiq author: Ian Thomson title: Manuel Chrysoloras and the Early Italian Renaissance date: 2003 words: 8958.0 sentences: 596.0 pages: 20 flesch: 68.0 cache: ./cache/work_mkjybojltndxtgkgvsb6stmhiq.pdf txt: ./txt/work_mkjybojltndxtgkgvsb6stmhiq.txt summary: Manuel Chrysoloras and the Early Italian Renaissance Thomson, Ian Greek, Roman and Byzantine Studies; Spring 1966; 7, 1; ProQuest pg. the importance of Manuel Chrysoloras, the first notable professor of Greek in Western Europe, has been widely recognized. the following list of Chrysoloras'' pupils: "Guarino, Giacopo di Scarperia (sic), Roberto 6 Other Italians before Guarino went to Constantinople to learn Greek. After Guarino, a fair number of other scholars, such as Filelfo (1420-27), visited Constantinople but did so only after the advantages of knOWing Greek had become obvious through Baron, Humanistic and Political Literature in Florence and Venice (Cambridge [Mass.] Guarino did not begin his study of Greek until after Chrysoloras had In the first of Manuel''s Greek letters, dated January, 1412, he congratulates Guarino on his success in disseminating in Italy what he had id: work_mn66we6evrddvbeem6q4rc56i4 author: Ilaria Della Monica title: Mary Berenson and The Guide to the Italian Pictures at Hampton Court date: 2019 words: 578.0 sentences: 88.0 pages: flesch: 63.0 cache: ./cache/work_mn66we6evrddvbeem6q4rc56i4.pdf txt: ./txt/work_mn66we6evrddvbeem6q4rc56i4.txt summary: 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. id: work_fq2a3cktdfcprfdssk3v3j4kgy author: Imogen Tedbury title: Collaboration and Correction: Re-examining the Writings of Lucy Olcott Perkins, ''a lady resident in Siena'' date: 2019 words: 578.0 sentences: 88.0 pages: flesch: 63.0 cache: ./cache/work_fq2a3cktdfcprfdssk3v3j4kgy.pdf txt: ./txt/work_fq2a3cktdfcprfdssk3v3j4kgy.txt summary: 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. id: work_iosapayacvbyndmxnl5pvznway author: Ingrid Ciulisová title: ''Dvořák''s Pupil Johannes Wilde (1891–1970)'' originally published in umění LX (2012), 101-8 date: 2016 words: 6693.0 sentences: 601.0 pages: 9 flesch: 70.0 cache: ./cache/work_iosapayacvbyndmxnl5pvznway.pdf txt: ./txt/work_iosapayacvbyndmxnl5pvznway.txt summary: Dvořák''s Pupil Johannes Wilde (1891–1970) Dvořák (1874–1921) wrote to his first teacher, a respected professor of history at the Czech-language university in Prague, Jaroslav Goll: ''… My work on the Van Eyck Wilde began his studies with the Hungarian art later bequeathed to the Courtauld Institute of Art. In 1928, the second volume of Dvořák''s Italian and his wife, art historian Júlia Gyarfás, left the country, as did many other museum professionals, including Otto Benesch (1896–1964), Ernst Kris (1900–1957), Wilde''s contribution to art history in England Wilde''s old friend from Vienna, Count Antoine Seilern allowed young adepts of art history to study his teachers.30 Through Wilde the legacy of Max Dvořák discussion of Max Dvořák''s research on medieval art, see Hans H. Aurenhammer, ''Max Dvořák and the History of Medieval Art'', Ernst Gombrich, ''Art History and Psychology in Vienna Fifty Johannes Wilde, Venetian Art from Bellini to Titian, Oxford id: work_o5hpppppwnd4hj46tyqg72m3ry author: Irena Ndreu title: Albanian Cultural Representation In The City Of Venice Through Albanian Painters In Italy date: 2017 words: 2803.0 sentences: 245.0 pages: 14 flesch: 73.0 cache: ./cache/work_o5hpppppwnd4hj46tyqg72m3ry.pdf txt: ./txt/work_o5hpppppwnd4hj46tyqg72m3ry.txt summary: Vittore Carpaccio, excelled with their talent and works in the city of Venice. The works of Carpaccio are important because they present, in the cycle "Stories of St. Ursula", the Vittore Carpaccio, son of Pietro, a fur trader (Sgarbi, 1944, 23), was born in Venice in 1455. Giulini evaluates the paintings under "Stories of Saint Ursula" (fig.1) with these words: "E‟ la luce Carpaccio worked for other schools as well, like that of St. Ursula under the Dominican Covent in the Scuola degli Albanesi in Venice (fig.12, 13,) when he was at the culmination of his artistic Carpaccio‟s works are important because they show the uniform of Albanian soldiers in the cycle The Departure of the Pilgrims, Vittore Carpaccio, (1495) Venice, Gallery of the Academy Stories of the Virgin , Vittore Carpaccio – Cycle Scuola delli Albanesi Fig. 13 Stories of the Virgin , Vittore Carpaccio – Cycle of the Albanian School id: work_7qzi6pfiq5g37aopdwyyhgf3o4 author: J Dequeker title: Arthritis in Flemish paintings (1400-1700) date: 1977 words: 2147.0 sentences: 383.0 pages: 3 flesch: 75.0 cache: ./cache/work_7qzi6pfiq5g37aopdwyyhgf3o4.pdf txt: ./txt/work_7qzi6pfiq5g37aopdwyyhgf3o4.txt summary: Arthritis in Flemish paintings (1400-1700)* paintings there were figures with hand lesions resembling Rheumatoid arthritis was first clearly described by Landre absence of rheumatoid deformities in painting or sculpture I soon discovered that a painting in my own city showed rheumatoid-like lesions. The hand of Christ in a painting by Jan Rombauts have been painted by Joos (Justus) van Gent, shows arthritis of the proximal interphalangeal joint of the left index finger. housemaid''s hands seem to be affected by rheumatoid arthritis. The man in the painting The Donators (1525-30) by Jan Gossaert, During my search for rheumatoid lesions I did not see any joint found in the painting by Jan van Eyck (1436) of the holy virgin with Canon van der Paele, who was the donor of the painting (fig 7). painters'' styles, except perhaps for the hands in the painting paintings was present or visible in only one hand and not with id: work_srgptiqs3beplff4aipr6fr5qi author: J Oliver title: THE LURE OF MEDICAL HISTORY: AMBROISE PARE date: 1927 words: 144.0 sentences: 26.0 pages: flesch: 71.0 cache: ./cache/work_srgptiqs3beplff4aipr6fr5qi.pdf txt: ./txt/work_srgptiqs3beplff4aipr6fr5qi.txt summary: sys_1000 wp-p1m-38.ebi.ac.uk wp-p1m-38.ebi.ac.uk exception exception Params is empty Params is empty Params is empty if (typeof jQuery === "undefined") document.write(''[script type="text/javascript" src="/corehtml/pmc/jig/1.14.8/js/jig.min.js"][/script]''.replace(/\[/g,String.fromCharCode(60)).replace(/\]/g,String.fromCharCode(62))); // // // window.name="mainwindow"; .pmc-wm {background:transparent repeat-y top left;background-image:url(/corehtml/pmc/pmcgifs/wm-nobrand.png);background-size: auto, contain} .print-view{display:block} Page not available Reason: The web page address (URL) that you used may be incorrect. Message ID: 218038345 (wp-p1m-38.ebi.ac.uk) Time: 2021/04/06 02:06:10 If you need further help, please send an email to PMC. Include the information from the box above in your message. Otherwise, click on one of the following links to continue using PMC: Search the complete PMC archive. Browse the contents of a specific journal in PMC. Find a specific article by its citation (journal, date, volume, first page, author or article title). http://europepmc.org/abstract/MED/ id: work_6z57z7e2l5ayzmib67vv4ddere author: J Stokes title: Gordon Roy Cameron date: 1967 words: 1769.0 sentences: 218.0 pages: 2 flesch: 79.0 cache: ./cache/work_6z57z7e2l5ayzmib67vv4ddere.pdf txt: ./txt/work_6z57z7e2l5ayzmib67vv4ddere.txt summary: F.R.C.P., F.R.S. Roy Cameron was appointed Professor of Morbid years in the Graham research laboratories and his The war years at Porton, where Cameron worked basic problems in pathological reactions. time over 50 in all, including the Medical and Agricultural Research Councils. At this time his research laboratories Cameron believed, and proved, that good work was President of the College of Pathologists. HOWIE, President of the College of Pathologists, writes of Roy Cameron as Foundation Roy Cameron was the ideal man for Foundation President of our College, and he was very proud of holding Cameron was a man of great scientific distinction and of Although, even when he accepted office, his health was seriously and gave them a great deal of thought and study. made it very clear that the work he did for the College To us of this College it was a great thing that he gave us id: work_dbwq3dz3anfjflwo5s36pxljky author: J. Dequeker title: Arthritis in the paintings of Sandro Botticelli date: 1984 words: 3530.0 sentences: 244.0 pages: 6 flesch: 60.0 cache: ./cache/work_dbwq3dz3anfjflwo5s36pxljky.pdf txt: ./txt/work_dbwq3dz3anfjflwo5s36pxljky.txt summary: detected in Botticelli''s paintings as a process of individualization of the Botticelli, Portrait of a Young Man, Italian Renaissance, facial deformity in deformity in the Botticelli''s ''Portrait of a Young portrait painted in 1483, Sandro Botticelli reveals In Botticelli''s paintings the connection between good reasons, Velardi considers Botticelli''s style possible to perceive, in Botticelli''s paintings, a "pathetic" characters in Botticelli''s paintings. artists of Italian Renaissance derived their images point of view, according to Warburg, Botticelli the "Placid Beauty" of Botticelli paintings brings describes the Botticelli'' Venus – actually the Logos and pathos in the paintings of Sandro Botticelli Logos and pathos in the paintings of Sandro Botticelli Logos and pathos in the paintings of Sandro Botticelli Logos and pathos in the paintings of Sandro Botticelli Proust and Botticelli, declared by the Author The paintings by Botticelli are Botticelli''s paintings, in Proust the "Wakening" the Botticelli''s paintings, remarkably to the id: work_db3ig76kabgabikjk2z7k3vysm author: J. Marshall title: The Theatre of Life and Death date: 2003 words: 144.0 sentences: 26.0 pages: flesch: 71.0 cache: ./cache/work_db3ig76kabgabikjk2z7k3vysm.pdf txt: ./txt/work_db3ig76kabgabikjk2z7k3vysm.txt summary: sys_1000 wp-p1m-39.ebi.ac.uk wp-p1m-39.ebi.ac.uk exception exception Params is empty Params is empty Params is empty if (typeof jQuery === "undefined") document.write(''[script type="text/javascript" src="/corehtml/pmc/jig/1.14.8/js/jig.min.js"][/script]''.replace(/\[/g,String.fromCharCode(60)).replace(/\]/g,String.fromCharCode(62))); // // // window.name="mainwindow"; .pmc-wm {background:transparent repeat-y top left;background-image:url(/corehtml/pmc/pmcgifs/wm-nobrand.png);background-size: auto, contain} .print-view{display:block} Page not available Reason: The web page address (URL) that you used may be incorrect. Message ID: 218040501 (wp-p1m-39.ebi.ac.uk) Time: 2021/04/06 02:06:13 If you need further help, please send an email to PMC. Include the information from the box above in your message. Otherwise, click on one of the following links to continue using PMC: Search the complete PMC archive. Browse the contents of a specific journal in PMC. Find a specific article by its citation (journal, date, volume, first page, author or article title). http://europepmc.org/abstract/MED/ id: work_n2l3ffedhnc2pkzcw34llihdqi author: J. V. ARMITAGE title: Old Master date: 1967 words: 12400.0 sentences: 759.0 pages: 28 flesch: 60.0 cache: ./cache/work_n2l3ffedhnc2pkzcw34llihdqi.pdf txt: ./txt/work_n2l3ffedhnc2pkzcw34llihdqi.txt summary: Ventrella, Francesco (2019) Writing under pressure: Maud Cruttwell and the old master Writing Under Pressure: Maud Cruttwell and the Old Master Monograph Writing Under Pressure: Maud Cruttwell and the Old Master Monograph ''hand'' and, therefore, the individuality of an old master.13 Cruttwell''s practice of connoisseurship was also coloured by the influence of contemporary psychological aesthetics, as clearly delineated in 1894 in an article by Fraser, Women Writing Art History in the Nineteenth Century: Looking Like a Woman, 19 Maud Cruttwell, Luca and Andrea della Robbia and their Successors (London: Dent; art historian, I also want to consider Cruttwell''s position in art historiography and assess how her work was received by fellow art historians working in the same fields: Bernard Berenson, Wilhelm von Bode, and Allan Fig. 1: Frontispiece of Maud Cruttwell, Luca and Andrea Della Robbia and their Successors (London: Dent; New York: Dutton, 1902). id: work_k4f33zbszfhzxpqcawutk5hvvm author: Jakob Leth Fink title: Pletho''s Criticism of Aristotle''s Virtues: A Note on De differentiis 12 date: 2011 words: 5201.0 sentences: 408.0 pages: 15 flesch: 70.0 cache: ./cache/work_k4f33zbszfhzxpqcawutk5hvvm.pdf txt: ./txt/work_k4f33zbszfhzxpqcawutk5hvvm.txt summary: arguments, in his De differentiis, against Aristotle''s doctrine of the mean. least as far as Pletho''s interpretation of Aristotle''s doctrine of Aristotelian positions, his doctrine of the mean and his claim The criticism of Aristotle''s doctrine of the mean should be (2) A morally wicked agent might, on Aristotle''s account of agent will be in a mean position just like the morally good When Pletho charges Aristotle with quantifying the mean, it If Pletho''s first criticism of Aristotle''s doctrine of the mean is 496 PLETHO''S CRITICISM OF ARISTOTLE''S VIRTUES 496 PLETHO''S CRITICISM OF ARISTOTLE''S VIRTUES 496 PLETHO''S CRITICISM OF ARISTOTLE''S VIRTUES 496 PLETHO''S CRITICISM OF ARISTOTLE''S VIRTUES 496 PLETHO''S CRITICISM OF ARISTOTLE''S VIRTUES 496 PLETHO''S CRITICISM OF ARISTOTLE''S VIRTUES 496 PLETHO''S CRITICISM OF ARISTOTLE''S VIRTUES 496 PLETHO''S CRITICISM OF ARISTOTLE''S VIRTUES So what is useful in Pletho''s criticism of Aristotle''s virtues? suggest that his criticism of Aristotle''s doctrine of the mean is id: work_u5azmrjbpjebtkli6xtsgzzub4 author: James M. Saslow title: The Globalization of Renaissance Art: A Critical Review. Daniel Savoy, ed. Brill''s Studies in Intellectual History 274; Brill''s Studies on Art, Art History, and Intellectual History 23. Leiden: Brill, 2017. xii + 342 pp. $159 date: 2020 words: 1380.0 sentences: 80.0 pages: 3 flesch: 45.0 cache: ./cache/work_u5azmrjbpjebtkli6xtsgzzub4.pdf txt: ./txt/work_u5azmrjbpjebtkli6xtsgzzub4.txt summary: The holistic approach that Furlotti applies to the study of the antiquities trade definitively breaks the illusion of the Renaissance as a series of highly intellectualized transactional bonds between erudite collectors and high-minded humanist agents. reveals a wealth of entanglements that complicate the old-fashioned classism of traditional Renaissance studies, painting a picture of the antiquities trade as more of a The Globalization of Renaissance Art: A Critical Review. study of "the process by which early modern European artistic production both influenced very name of the field is debated: several authors reject "global Renaissance," though Even art history is problematized, with essays examining peripatetic objects through the different lenses of material culture, postcolonial theory, While she was there, the faculty developed and approved a new curriculum track in global early modern, but due to lowered enrollment and presentism, no presence in early modern art with just four case studies and a coda. id: work_zmgsvhaywbb7dlar6ad4yheey4 author: James R. Flynn title: Movies About Intelligence date: 2003 words: 4511.0 sentences: 462.0 pages: 5 flesch: 70.0 cache: ./cache/work_zmgsvhaywbb7dlar6ad4yheey4.pdf txt: ./txt/work_zmgsvhaywbb7dlar6ad4yheey4.txt summary: learning in Japanese quail depends on the motivational state of the observer at the time of may, but if so, g lacks a sociological dimension and cannot explain cognitive trends over time why g influences cognitive performance: "Some property (or properties) of the brain . advantage in school, on the job, wherever cognitive skills are relevant. of cognitive skills over time. The fact that we are better at onthe-spot problem solving is indicative of real-world cognitive gains. that more people can think independently helps fill the large number of professional work roles the There would be huge environmental effects on the average IQ difference between generations—effects Society made new demands on the cognitive content of question: Are Blacks like individuals within White society who on Shifting social priorities raise cognitive skills in one pure measure of the brain''s influence on cognitive performance. our understanding of human cognition, individual and group differCopyright © 2003 American Psychological Society id: work_jirzlkcuwfadfpag73tdsojqxe author: Jan L. de Jong title: Alexander Nagel. The Controversy of Renaissance Art. Chicago: The University of Chicago Press, 2011. xi + 358 pp. $60. ISBN: 978–0–226–56772–3 date: 2012 words: 1044.0 sentences: 79.0 pages: 3 flesch: 60.0 cache: ./cache/work_jirzlkcuwfadfpag73tdsojqxe.pdf txt: ./txt/work_jirzlkcuwfadfpag73tdsojqxe.txt summary: The Controversy of Renaissance Art. Chicago: The University of de Jong, Jan Publisher''s PDF, also known as Version of record The Controversy of Renaissance Art. Chicago: The author(s) and/or copyright holder(s), unless the work is under an open content license (like Creative Commons). Downloaded from the University of Groningen/UMCG research database (Pure): http://www.rug.nl/research/portal. https://research.rug.nl/en/publications/review-of-alexander-nagel-the-controversy-of-renaissance-art-chicago-the-university-of-chicago-press-2011(2ebde178-7067-4fd2-be15-31561284d79b).html The Controversy of Renaissance Art. Chicago: The University of Chicago Press, 2011. Art,'''' he discusses contemporary examples of criticism of late fifteenthand sixteenth-century religious art, cases of artists experimenting with new solutions, and the importance of early Christian art as point of reverification. Dealing with debates and controversy, the author considers the Renaissance an idea of how typical the individual cases studied in the book are for the epoch Reformation questions, Nagel ignores the broader picture of the Italian Renaissance, Moreover, the author focuses on reconstructing the intentions of the artists and Italian Renaissance art. id: work_l3giqgsspvdh7g73i2vdyftajq author: Jan L. de Jong title: Luba Freedman. Classical Myths in Italian Renaissance Painting. Cambridge: Cambridge University Press, 2011. xvi + 292 pp. $95. ISBN: 978–1–107–00119–0 date: 2012 words: 1088.0 sentences: 100.0 pages: 4 flesch: 64.0 cache: ./cache/work_l3giqgsspvdh7g73i2vdyftajq.pdf txt: ./txt/work_l3giqgsspvdh7g73i2vdyftajq.txt summary: Review of: Luba Freedman, Classical Myths in Italian Renaissance Painting. Review of: Luba Freedman, Classical Myths in Italian Renaissance Painting. author(s) and/or copyright holder(s), unless the work is under an open content license (like Creative Commons). https://research.rug.nl/en/publications/review-of-luba-freedman-classical-myths-in-italian-renaissance-painting-cambridge-cambridge-university-press-2011(abd3ebc9-9b5d-40e2-83f6-a8e36afb2dde).html Classical Myths in Italian Renaissance Painting. In the case of the time limits, however, the author is used ''''to refer to the contents of paintings on mythological subjects,'''' and that by the time of Vasari, ''''the paintings themselves were referred to as poesie.'''' (201) Although ''''selected mythological narratives'''' painted in a style all''antica leads to a vision that Freedman''s study contains interesting discussions on such issues as classical ever commissioned paintings of classical myths.'''' (28) To the contrary, the palaces of All use subject to University of Chicago Press Terms and Conditions (http://www.journals.uchicago.edu/t-and-c). All use subject to University of Chicago Press Terms and Conditions (http://www.journals.uchicago.edu/t-and-c). All use subject to University of Chicago Press Terms and Conditions (http://www.journals.uchicago.edu/t-and-c). id: work_2qnly4fkejbtrgzmorqaqn2ray author: Jan L. de Jong title: Michiel Coxcie (1499–1592) and the Giants of His Age. Koenraad Jonckheere, ed. Exh. Cat. Museum Leuven. Turnhout: Harvey Miller Publishers, 2013. 208 pp. €75 date: 2015 words: 1051.0 sentences: 87.0 pages: 3 flesch: 68.0 cache: ./cache/work_2qnly4fkejbtrgzmorqaqn2ray.pdf txt: ./txt/work_2qnly4fkejbtrgzmorqaqn2ray.txt summary: Michiel Coxcie (1499–1592) and the Giants of His Age. Exh. author(s) and/or copyright holder(s), unless the work is under an open content license (like Creative Commons). Downloaded from the University of Groningen/UMCG research database (Pure): http://www.rug.nl/research/portal. https://research.rug.nl/en/publications/review-of-koenraad-jonckheere-ed-michiel-coxcie-14991592-and-the-giants-of-his-age-exh-cat-museum-leuven-turnhout-harvey-miller-publishers-2013(2cf28a65-0037-4a0e-b5b6-244c3e8e9729).html Michiel Coxcie (1499–1592) and the Giants of His Age. Koenraad Jonckheere, ed. During his long career, Coxcie was an internationally and highly respected artist, In eight chapters, Coxcie''s reputation and career are discussed, and his works, According to the authors, Coxcie''s work was also (or still) important in the 1560s, when Coxcie kept receiving respectable commissions until the end of his life, his work must by career and assessing his importance, Jonckheere concludes that "Coxcie can be regarded attempt to rebut Van Mander''s critical remark and restore Michiel Coxcie "to his rightful Coxcie a better painter from the artistic point of view that Van Mander was talking assessment of Coxcie''s work still holds true. id: work_s3jefpwjnndhvf5vietzfr3bxi author: Jan P Hogendijk title: Sharaf al-Dīn al-Ṫūsī on the number of positive roots of cubic equations date: 1989 words: 7854.0 sentences: 1063.0 pages: 17 flesch: 91.0 cache: ./cache/work_s3jefpwjnndhvf5vietzfr3bxi.pdf txt: ./txt/work_s3jefpwjnndhvf5vietzfr3bxi.txt summary: In the second part of his Algebra, Sharaf al-Din al-T&i (l2th-century) correctly determines the number of positive roots of cubic equations in terms of the coefficients. has recently published an edition of the Algebra [al-Tiisi 19851, and he has discussed alTiisi''s work in connection with 17th century and more recent mathematical methods (see literal French translation, a transcription of al-Ttisi''s reasoning in modern notation, and a discussion of most of the text in terms of modern algebra and analysis. contain notes to the Arabic text and the French translation in [T2], for the reader constant term can be reduced to quadratic equations, and for each of the remaining 13 types he had given a geometrical construction of a root by means of two Al-Khayyam pointed out that the number of roots of these equations depends geometrical proofs of algorithms for approximating the roots of cubic equations. id: work_ckte3du24nffvbfdz4jxwvjok4 author: Jane C. Long title: Images and Identity in Fifteenth-Century Florence date: 2008 words: 1243.0 sentences: 64.0 pages: 3 flesch: 49.0 cache: ./cache/work_ckte3du24nffvbfdz4jxwvjok4.pdf txt: ./txt/work_ckte3du24nffvbfdz4jxwvjok4.txt summary: and Identity in Fifteenth-Century Florence includes chapters on the visual display modern visual culture, notably Evelyn Welch''s Art and Society in Italy, 1300–1500, a Like Welch, Rubin emphasizes the economic dimension of early modern Italian visual culture, explaining why material things such as clothing, linen, armour, and furnishings were requisite for eminent citizens needing to display their Other chapters continue to extend understandings of early modern Italian to her topic, namely fifteenth-century Florentine art and culture. kind of inner seeing sometimes associated with visual culture, promoted by such focus on visuality, Rubin provides a thorough overview of various acts of looking in early modern Florence, as well as representations of vision, debates about optical to grasp the richness of current scholarship on early modern Italian visual culture, in Fifteenth-Century Florence on such central concerns as visuality is most welcome. of visual culture. and confused periods of early modern Irish history. id: work_oryf7qhulnfyddxsq7qqmbyfse author: Janet Levarie Smarr title: Albert Russell Ascoli A Local Habitation and a Name: Imagining Histories in the Italian RenaissanceA Local Habitation and a Name: Imagining Histories in the Italian Renaissance. Albert Russell Ascoli. New York: Fordham University Press, 2011. Pp. x+387 date: 2013 words: 1549.0 sentences: 81.0 pages: 6 flesch: 59.0 cache: ./cache/work_oryf7qhulnfyddxsq7qqmbyfse.pdf txt: ./txt/work_oryf7qhulnfyddxsq7qqmbyfse.txt summary: This volume is a collection of nine essays on canonical authors of the Italian Renaissance: Petrarch, Boccaccio, Machiavelli, Ariosto, and Tasso. Machiavelli''s Clizia, for example, refers to the one on Boccaccio''s Decameron 7.9, a tale which furnished discussions, strewn throughout the volume, on the interrelatedness of literature and history, fiction and by Petrarch''s readings of other texts, provides a splemdid introduction to the theoretical heart of Ascoli''s The first of two essays on Boccaccio similarly reflects on how that writer has been situated In the final essay, Tasso, like the other writers but in his own manner, confronts the unresolved place of his own poetry between imaginatively remembered history and historically situated fiction. first essay, as Petrarch addresses his letter to a person who is no longer there; both poets leave us Auerbach," "Machiavelli''s Gift of Counsel" and "Ariosto''s ''Fier pastor''," it offers us Ascoli''s Italian id: work_pcafmyawcffjzbxa4voqncf7ra author: Jaynie Anderson title: Art history''s history in Melbourne: Franz Philipp in correspondence with Arthur Boyd date: 2011 words: 8860.0 sentences: 518.0 pages: 18 flesch: 67.0 cache: ./cache/work_pcafmyawcffjzbxa4voqncf7ra.pdf txt: ./txt/work_pcafmyawcffjzbxa4voqncf7ra.txt summary: 1 This article is a revised text of the annual lecture of the then Art Association of Australia, in honour of Franz Philipp, 34 Arthur Boyd, letter to Franz Philipp, 25 January 1966, University of Melbourne archive, DS L 11/3.Acc.36 166. 34 Arthur Boyd, letter to Franz Philipp, 25 January 1966, University of Melbourne archive, DS L 11/3.Acc.36 166. 35 Franz Philipp, letter to Arthur Boyd, 16 September 1965, University of Melbourne archive, DS L 11/3.Acc.36. 37 Franz Philipp, list of questions to Arthur Boyd, December 1968, University of Melbourne archive, DS L 11/3.Acc.36 166. 39 Arthur Boyd, letter to Franz Philipp, 30 December 1968, University of Melbourne archive, DS L 11/3.Acc.36 166. 41 Franz Philipp, undated letter (1965) to Arthur Boyd, University of Melbourne archive, DS L 11/3.Acc.36. 44 Franz Philipp, letter to Arthur Boyd, 9 April 1965, University of Melbourne archive, DS L 11/3.Acc.36. id: work_cgnkdhjo3nd3tneb3b5dh5zkee author: Jeanette Kohl title: Hydrocephalus, rickets, and the bust of an infant from Renaissance Italy date: 2019 words: 1877.0 sentences: 158.0 pages: 4 flesch: 71.0 cache: ./cache/work_cgnkdhjo3nd3tneb3b5dh5zkee.pdf txt: ./txt/work_cgnkdhjo3nd3tneb3b5dh5zkee.txt summary: other portrait busts of children from the Renaissance most children and other members of the Medici family 1 Even if the portrait was not one of a dead child''s and taken earlier in Filippo''s portrait of a baby by the Medici court painter Bronzino Fig. 2 Agnolo Bronzino, Portrait of a swaddled child, 1540 circa, Walters Fig. 1 (cover figure) Marble bust portrait of an infant, the fifteenth or Fig. 5 Agnolo Bronzino, Giovanni de'' Medici, 1545 circa, Galleria degli Fig. 4 Agnolo Bronzino, Portrait of Eleonora di Toledo with her son not come as a surprise that the marble bust of the little Medici 1. Langedijk K (1974) Two portrait busts of a child: Filippo de'' Medici Italy: the Medici children. Fig. 6 Agnolo Bronzino, Don Garcia de'' Medici, 1550 circa, Museo del Hydrocephalus, rickets, and the bust of an infant from Renaissance Italy Hydrocephalus, rickets, and the bust of an infant from Renaissance Italy id: work_ebyqgudypbabngkhjcl3n26ebu author: Jeanne-Marie Musto title: Review of Towards a Science of Art History: J. J. Tikkanen and Art Historical Scholarship in Europe, The Acts of an International Conference, Helsinki, December 7-8 2007 date: 2010 words: 4642.0 sentences: 213.0 pages: 9 flesch: 53.0 cache: ./cache/work_ebyqgudypbabngkhjcl3n26ebu.pdf txt: ./txt/work_ebyqgudypbabngkhjcl3n26ebu.txt summary: Presenting Finnish Art History in an international context: Presenting Finnish Art History in an international context: anniversary of the birth of Johan Jakob Tikkanen, first professor of art history in Finland. Better integrating Tikkanen''s contributions and context into the discipline''s history are Time,‛ ‚National and International Art History,‛ and ‚Viewing, Experiencing and The three essays in the section on the role of the arts in Tikkanen''s time highlight following essay, in which Anna-Maria von Bonsdorff investigates Finnish art at the turn Five essays comprise the second section, ‚National and International Art History.‛ Marianne Marcussen''s essay on Danish art historian Julius Lange emphasizes his The significance not only of German contributions to art history but also of Vasold mentions that Danish art historian Julius Lange''s work also contains Tikkanen''s review.4 Given his major role in the art-historical dialogue of his day, can we turn-of-the-century art history. id: work_b45vgls3mjcejkflq6gv5dbdum author: Jeffrey Lieber title: Reviews Winter 2021 date: 2021 words: 7664.0 sentences: 544.0 pages: 11 flesch: 58.0 cache: ./cache/work_b45vgls3mjcejkflq6gv5dbdum.pdf txt: ./txt/work_b45vgls3mjcejkflq6gv5dbdum.txt summary: A review of Nicholas Adams, Gordon Bunshaft and SOM: Building Corporate Modernism. A review of David Hemsoll, Emulating Antiquity: Renaissance Buildings from Brunelleschi to Nicholas Adams, Gordon Bunshaft and SOM: Building Corporate Modernism, New Haven: Yale University Press, 296 Gordon Bunshaft and SOM: Building Corporate Modernism not traits normally ascribed to Bunshaft or his architecture, but over and again throughout the book, by focusing attention on specific details, Adams shows him to be during the 20th century by archaeologists and architectural historians to discuss ancient and medieval buildings with evident traces of reconstructions or restorations 2003), history of cities (Adams 1994), museum buildings David Hemsoll, Emulating Antiquity: Renaissance Buildings from Brunelleschi to Michelangelo, New Haven and Figure 3: Cover of Emulating Antiquity: Renaissance Buildings from Brunelleschi to Michelangelo. achievements of the Florentines is well documented, credits Brunelleschi with inaugurating the Renaissance in architecture and plotting a course in which successive designers id: work_n2rggds445cs3hi4lowp2n7tte author: Jeffrey Mifflin title: Albrecht Dürer: Documentary Biography date: 2019 words: 3069.0 sentences: 680.0 pages: 5 flesch: 74.0 cache: ./cache/work_n2rggds445cs3hi4lowp2n7tte.pdf txt: ./txt/work_n2rggds445cs3hi4lowp2n7tte.txt summary: 17 Albrecht Dürer: Documentary Biography Albrecht Dürer: Documentary Biography brings together all known documents linked to Dürer''s life and work, arranged, translated, and annotated by Jeffrey this two-volume work include correspondence concerning the aesthetics of art material "purloined from Albrecht Dürer''s prints and writings . For example, the life cycle of a work of art is not typically Documents pertaining to Dürer''s artistic production and struggles over time leave trails that allow researchers to trace ideas, traces the "life cycle" of famous books from authorship, through published editions, Dürer-related documents have been scattered and 1 The difficulty of presenting all materials related to Dürer in any semblance of original order can references to Dürer found in documents that he did not create. Archives (New Haven, CT: Yale University Press, 2013), 8: "The material is so vivid that it calls both 7 Especially enlightening is Erwin Panofsky''s Life and Art of Albrecht Dürer (Princeton, NJ: Princeton id: work_gy6fgu7wujb3raw3bi3fxueoxa author: Jelena Mitrovic title: The architecture of subject date: 2016 words: 7632.0 sentences: 539.0 pages: 17 flesch: 54.0 cache: ./cache/work_gy6fgu7wujb3raw3bi3fxueoxa.pdf txt: ./txt/work_gy6fgu7wujb3raw3bi3fxueoxa.txt summary: can presuppose the connection between subject of architecture and linear perspective due individual performance to extent it becomes a basis of modern, empirical vision of space. Key words: position, projection, subject, perspective, space Linear perspective which appears in European Renaissance architectural drawings can For example, Italian painting inbetween periods of Late Gothic and Early Renaissance responses to multitude of PostScholastic and Neo-Platonic influences within altered truth model, from visual into and geometry, his formulation of linear perspective governed pictorial depiction of space forms of space are built into notion of architecture. In order to guarantee fully rational space, linear perspective assumes two bold In civilization governed by conception of space expressed by strict linear perspective than the world represented by modern art; but as soon as space is included in non-linear projections will open up new spaces for architectural design and design in id: work_4kaqpb7lqvhyffchpvq2durlja author: Jennifer Selwyn title: The Spanish Presence in Sixteenth-Century Italy: Images of Iberia, edited by Piers Baker-Bates & Miles Pattenden date: 2016 words: 1185.0 sentences: 62.0 pages: 3 flesch: 50.0 cache: ./cache/work_4kaqpb7lqvhyffchpvq2durlja.pdf txt: ./txt/work_4kaqpb7lqvhyffchpvq2durlja.txt summary: The Spanish Presence in Sixteenth-Century Italy: Images of Iberia. volume, The Spanish Presence in Sixteenth-Century Italy: Images of Iberia, offers a valuable addition to the current scholarship. The Spanish Presence in Sixteenth-Century Italy begins with Simon Ditchfield''s excellent introductory essay that highlights the fraught relationship between the Spanish conquerors and their Italian subjects in the wake of the Part One of the volume, "The Spanish Presence in Italian Politics, Society, and Culture," offers three substantive essays that evaluate, in turn, what Moving southward to Spanish Naples, in "Encountering Spain in Early Modern Naples: Language, Customs and Sociability," Stephen Cummins hopes to Where Pattenden plays up the limitations of the Spanish crown''s hegemony over the Roman Church, Paolo Broggio instead highlights the monarchy''s material cultural exchange in the Spanish and Italian relationship of the early The Spanish Presence in Sixteenth-Century Italy provides a series of thoughtful interventions into the rich history of Iberian-Italian relations in the early id: work_hbok5c6t6rgybfgo4vivoeki2i author: Jim Price title: Michael Gregory Price date: 2007 words: 144.0 sentences: 25.0 pages: flesch: 71.0 cache: ./cache/work_hbok5c6t6rgybfgo4vivoeki2i.pdf txt: ./txt/work_hbok5c6t6rgybfgo4vivoeki2i.txt summary: sys_1000 wp-p1m-38.ebi.ac.uk wp-p1m-38.ebi.ac.uk exception exception Params is empty Params is empty Params is empty if (typeof jQuery === "undefined") document.write(''[script type="text/javascript" src="/corehtml/pmc/jig/1.14.8/js/jig.min.js"][/script]''.replace(/\[/g,String.fromCharCode(60)).replace(/\]/g,String.fromCharCode(62))); // // // window.name="mainwindow"; .pmc-wm {background:transparent repeat-y top left;background-image:url(/corehtml/pmc/pmcgifs/wm-nobrand.png);background-size: auto, contain} .print-view{display:block} Page not available Reason: The web page address (URL) that you used may be incorrect. 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Find a specific article by its citation (journal, date, volume, first page, author or article title). http://europepmc.org/abstract/MED/ id: work_t3ltsd5vgbea5j4bzaesckjc7q author: Jo Ann Cavallo title: Boiardo and Ariosto in Contemporary Sicilian Puppet Theater and the Tuscan-Emilian Epic Maggio date: 2018 words: 6057.0 sentences: 366.0 pages: 16 flesch: 61.0 cache: ./cache/work_t3ltsd5vgbea5j4bzaesckjc7q.pdf txt: ./txt/work_t3ltsd5vgbea5j4bzaesckjc7q.txt summary: also in popular performance traditions such as Sicilian puppet theater Innamorato''s battle between Rinaldo and Orlando for Angelica and episodes, these plays offer ample material for a comparative examination of her character in contemporary Sicilian puppet theater. 4Students can compare Angelica puppets in versions of Orlando e Rinaldo per la bella In addition to giving Angelica a physical form, puppeteers also Angelica has also recently been used in puppet theater in less particular 00–1:46, https://edblogs.columbia.edu/eboiardo/sicilian-puppet-theater/ https://edblogs.columbia.edu/eboiardo/sicilian-puppet-theater/ puppet-plays/angelica-la-fuga/. puppet-plays/angelica-la-fuga/. 20See eBOIARDO, https://edblogs.columbia.edu/eboiardo/sicilian-puppet-theater/ 20See eBOIARDO, https://edblogs.columbia.edu/eboiardo/sicilian-puppet-theater/ 20See eBOIARDO, https://edblogs.columbia.edu/eboiardo/sicilian-puppet-theater/ 20See eBOIARDO, https://edblogs.columbia.edu/eboiardo/sicilian-puppet-theater/ Both maggi feature female Saracen characters, Angelica in the first Angelica in the maggio Orlando Innamorato and Angelica, Marfisa, and Dragontina among the non-Christians. Angelica sets off the action in the maggio, as she does in Boiardo''s In Boiardo''s poem, Angelica heads to Dragontina''s garden out In the poem, after Angelica frees Orlando she id: work_ad3q2s4ahjflbhfb5xst3ni4ha author: Jo Ann Cavallo title: Frédérique Verrier . Le miroir des Amazones: Amazones, viragos et guerrières dans la littèrature italienne des XVeet XVIesiècles. Paris: L''Harmattan 2003. 256 pp. index. bibl. €21.80. ISBN: 2-7475-5596-8 date: 2005 words: 1519.0 sentences: 101.0 pages: 4 flesch: 57.0 cache: ./cache/work_ad3q2s4ahjflbhfb5xst3ni4ha.pdf txt: ./txt/work_ad3q2s4ahjflbhfb5xst3ni4ha.txt summary: Le miroir des Amazones: Amazones, viragos et guerrières dans la littérature italienne des XVe et XVIe siècles The University of Chicago Press and Renaissance Society of America are collaborating with JSTOR to digitize, military aptitude of women in Italian literature of the fifteenth and sixteenth figure of the Amazon to Africa, Asia, and America, Verrier points to recent discoveries and subsequent "récits de voyage" that describe women performing tasks information provided is useful for measuring the representations of female warriors in biographies and treatises against the historical relation of women to war. The female warrior of the epic, occasionally mentioned in passing during the When Verrier does turn her attention to the epic, the treatment others, the volume has much to offer regarding the social and psychological motives behind attitudes running through two centuries of writing about women and http://www.jstor.org/page/info/about/policies/terms.jsp http://www.jstor.org/page/info/about/policies/terms.jsp http://www.jstor.org/page/info/about/policies/terms.jsp http://www.jstor.org/page/info/about/policies/terms.jsp http://www.jstor.org/page/info/about/policies/terms.jsp http://www.jstor.org/page/info/about/policies/terms.jsp id: work_ftqims6p5vectppgruh3db4hx4 author: Jo Ann Cavallo title: Stephen Kolsky.The Ghost of Boccaccio: Writings on Famous Women in Renaissance Italy.. Late Medieval and Early Modern Studies 7. Turnhout: Brepols Publishers, 2005. x + 254 pp. index. append. illus. bibl. €60. ISBN: 2-503-52190-8 date: 2006 words: 1071.0 sentences: 77.0 pages: 4 flesch: 56.0 cache: ./cache/work_ftqims6p5vectppgruh3db4hx4.pdf txt: ./txt/work_ftqims6p5vectppgruh3db4hx4.txt summary: The Ghost of Boccaccio: Writings on Famous Women in Renaissance Italy The Ghost of Boccaccio: Writings on Famous Women in Renaissance Italy The Ghost of Boccaccio: Writings on Famous Women in Renaissance Italy by Stephen Kolsky Published by: The University of Chicago Press on behalf of the Renaissance Society of America The University of Chicago Press and Renaissance Society of America are collaborating with JSTOR to digitize, The Ghost of Boccaccio: Writings on Famous Women in The Ghost of Boccaccio originated with Stephen Kolsky''s studies of Mario books on Equicola, Boccaccio''s De mulieribus claris, and the north Italian courts. of female virtue with an openness toward the greater agency of women in the north for Eleonora''s daughter, Isabella d''Este, criticized convention and official institutions as artificial constructs stifling female activity, and he provided "examples of In sum, Kolsky''s engaging study shows that writings on women that appeared id: work_4ir6mfe7a5hmheaidkipdxhfvi author: Joe Davis title: Unification of knowledge date: 2020 words: 3502.0 sentences: 328.0 pages: 15 flesch: 63.0 cache: ./cache/work_4ir6mfe7a5hmheaidkipdxhfvi.pdf txt: ./txt/work_4ir6mfe7a5hmheaidkipdxhfvi.txt summary: Designed, published and printed in Italy by artworks, carried out with a science-based approach, Museum of Modern Art (New York), at Centre Instead art and science share joy in discovery which combine art and science. With reference to an artist''s wealth of knowledge, characterizes Adam Elseimer''s work (German artist Yet in our own time, artists can not understand arts and sciences was an artificial one perpetuated science and that artists contributed to the invention The idea that great advances in art and In fact, the idea that artists have special abilities wrote that the knowledge that artists and architects Vitruvius advised that artists should know something arts and sciences have become far too specialized and Vitruvius advised that artists should possess and dwindling public support for science, art, the the humanities moving away from the sciences, the artists may be too impatient to wait for art to fully id: work_pr4q5gm7vnhblgolqq2ujdiql4 author: John Howland Rowe title: The Renaissance Foundations of Anthropology date: 1965 words: 11336.0 sentences: 1075.0 pages: 21 flesch: 66.0 cache: ./cache/work_pr4q5gm7vnhblgolqq2ujdiql4.pdf txt: ./txt/work_pr4q5gm7vnhblgolqq2ujdiql4.txt summary: mankind were the cultural and linguistic differences between Classical antiquity and what was then the present. cultures arose, there were Renaissance studies of Roman customs and institutions to serve as precedents. It is a fact that there was no continuous anthropological tradition of comparative studies in Classical antiquity and the Middle Ages. cultural differences than was common in Classical antiquity, but their work new information on differences among men to the stock which they had inherited from the geographical compilations of Classical antiquity. Valla also stimulated Renaissance interest in cultural differences by translating Herodotus into Latin. Biondo defended the Renaissance position by presenting evidence that the spoken language of the ancient Romans was a form of Latin. It is paradoxical in a sense that Renaissance admiration for Classical antiquity should have made men more ready to study linguistic and cultural differences in the world around them. id: work_km2th7e2irc4lnwpymp4sg4tc4 author: John K. Delaney title: Application of Visible and Infrared Imaging Spectroscopy To The Study of Paintings date: 2014 words: 893.0 sentences: 65.0 pages: 2 flesch: 50.0 cache: ./cache/work_km2th7e2irc4lnwpymp4sg4tc4.pdf txt: ./txt/work_km2th7e2irc4lnwpymp4sg4tc4.txt summary: In this talk, we present findings on the use of visible and infrared reflectance imaging spectroscopy to identify and map artist materials in situ as well as improve the visualization of preparatory sketches and Visible and Near-infrared reflectance imaging spectroscopy has been shown to be a Paintings such as Cosimo Tura‟s „The Annunciation with Saint Francis and Saint Louis of Toulouse‟ (c. to works of art on paper, and on paintings to determine the type of drawing materials used in preparatory preparatory sketches and compositional paint changes over the prior monochromatic and even The narrow spectral sampling can provide increased visibility and improved Using the hyperspectral NIR cameras, in several blue period paintings by Picasso improved associated with various combinations of grounds, drawing materials, and paints. information related to the initial drawings and compositional paint changes have the potential for art Reflectance Imaging Spectroscopy used to map the pigments in panel containing the painting id: work_bgljpqmhgjgqhgmo5odwxffzui author: John M. McManamon title: Res aut res publica: The Evidence from Italian Renaissance Manuscripts and Their Owners date: 2012 words: 10290.0 sentences: 1090.0 pages: 18 flesch: 72.0 cache: ./cache/work_bgljpqmhgjgqhgmo5odwxffzui.pdf txt: ./txt/work_bgljpqmhgjgqhgmo5odwxffzui.txt summary: Keywords: renaissance; manuscripts; humanism; libraries; private property; common wealth Renaissance manuscripts: should one treat them as private property (res) or a common wealth There is, at times, a curious disjunction between the quality of manuscript books commissioned by There seems no more eloquent image of the privatization of manuscripts books than the coffin-like codex illustrates that every manuscript book has its own personal history hinted at by clues left This particular codex has a collection of Jerome''s letters that the scribe Giovanni Grasso di Among craftsmen who either copied manuscript books or codex that Dyson Perrins later acquired, collected humanist works, copied ancient inscriptions and There may be manuscript books somewhere in the who owned such a manuscript book could always consult its particular texts whenever professional or Humanistic Manuscripts of the Renaissance in Italian and Other Libraries. Notes on Greek Manuscripts in Italian Libraries. id: work_7jnmq62lqja3fihdcs4dtpiqem author: John Sellars title: Renaissance Philosophy date: 2012 words: 4173.0 sentences: 247.0 pages: 11 flesch: 61.0 cache: ./cache/work_7jnmq62lqja3fihdcs4dtpiqem.pdf txt: ./txt/work_7jnmq62lqja3fihdcs4dtpiqem.txt summary: Philosophi: Marsilio Ficino and His Influence, Brill''s Studies in Intellectual between medieval and early modern philosophy should note that Kristeller''s Scholastic Philosophy, I Tatti Studies in Italian Renaissance History (Cambridge, MA: into the early modern period it is worth noting two recent collections of essays devoted to more distant, this close attention to the texts that Poliziano (and Ficino) As I have noted, one of the themes in the essays discussing Poliziano''s Praelectio/Lamia is Poliziano''s relationship with Ficino. Shapiro, eds, Renaissance Philosophy I: The Italian Philosophers (New York: The Modern Ficino is the subject of another recent book on Renaissance philosophy, a The first half of the volume is entitled ''The Philosophy of Marsilio Ficino'' 10 Marsilio Ficino: His Theology, His Philosophy, His Legacy, ed. Ficino''s debt to Neoplatonism is the topic of Dillon''s chapter, focusing on of Ficino''s philosophy, even if it is in some respects outdated, not least due to Kristeller''s id: work_sr2bc33dajhlxhanjiuzdpoub4 author: John W. Kronik title: Editor''s Column date: 1987 words: 1505.0 sentences: 70.0 pages: 2 flesch: 53.0 cache: ./cache/work_sr2bc33dajhlxhanjiuzdpoub4.pdf txt: ./txt/work_sr2bc33dajhlxhanjiuzdpoub4.txt summary: biases to their readings of manuscripts, the very play of disparate convictions among readers tends to Those who serve on the PMLA advisory committee and the editorial board on a rotating basis come from as many persuasions as the association''s membership. PMLA receives and judges articles with a collective open-mindedness, and no The only possible response to the questions I have been asked—What is PMLAs critical orientation? Last October''s number, for example, was heavily slanted toward theory and the ways of modern critical analysis. them are appropriate stuff for a PMLA article, as they are of our convention sessions and of our membership''s profile. "sheer joy," "quite unlike PMLA''s usual fare," "will set many fertile bees buzzing in the critical bonnet," "a refreshing alternative to the older pedantry" —suggest that readers and potential contributors "Oh, PMLA is too modern for me!" said one; "No, id: work_bpnphnjjuzdxxfvwa7swbrajhm author: Jonathan K. Nelson title: An Unpublished Essay by Mary Berenson, ''Botticelli and his Critics'' (1894–95) date: 2019 words: 578.0 sentences: 88.0 pages: flesch: 63.0 cache: ./cache/work_bpnphnjjuzdxxfvwa7swbrajhm.pdf txt: ./txt/work_bpnphnjjuzdxxfvwa7swbrajhm.txt summary: 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. id: work_g74m2o2prrc23gagfihi3yusfu author: Jonathan Katz Nelson title: Risky Business: Commissioning Portraits in Renaissance Italy date: 2019 words: 7589.0 sentences: 500.0 pages: 22 flesch: 65.0 cache: ./cache/work_g74m2o2prrc23gagfihi3yusfu.pdf txt: ./txt/work_g74m2o2prrc23gagfihi3yusfu.txt summary: The reputation of the painting, artist, and presumably the patron, suffered. Francesco del Giocondo commissioned a portrait of his wife, (Mona) Lisa, which has become the applies when probabilities are unknown, such as whether a patron will approve a commissioned portrait. Most documented criticisms of Italian Renaissance portraits that disappointed their patrons Risks to Italian Renaissance artists were inextricably linked to those of their patrons. When the quality of a Renaissance portrait, or any other work of art, was deemed unacceptable, patron''s reputation, and thus the ability to commission works from artists in great demand. Patrons were surely aware of the risks when they commissioned paintings and sculptures. Portraits of particular individuals were sometimes removed at a patron''s request from works that probable reaction of Francesco del Giocondo to Leonardo''s portrait of his wife, (Mona) Lisa. Such were the risks in commissioning a portrait in Renaissance Italy. id: work_g2gxg745nbh5tg3xobf2gt46au author: Joseph G. Ponterotto title: A Cautious Alliance: The Psychobiographer''s Relationship with Her/His Subject date: 2018 words: 8733.0 sentences: 638.0 pages: 12 flesch: 59.0 cache: ./cache/work_g2gxg745nbh5tg3xobf2gt46au.pdf txt: ./txt/work_g2gxg745nbh5tg3xobf2gt46au.txt summary: Freud''s (1910/1989) influential psychoanalytic psychobiography of Leonardo da Vinci. life histories in established psychological theories and rigorous historiographic research methods. Freud''s psychobiography of Leonardo da Vinci is used as a model of the stages of psychobiography, the evolution of the psychobiographer-subject Using Freud''s (1910/1989) landmark psychoanalytic psychobiography of Leonardo da Vinci as a the historical subject, monitoring possible countertransference issues, and maintaining objectivity throughout the process. Figure 1: Navigating the Relationship between Psychobiographer and Research Subject other types of psychological research is that psychobiographical subjects are often deceased, sometimes psychological life of the research subject (Ponterotto Precisely when Freud committed to penning a psychoanalytic biography of Leonardo da Vinci is unknown. subject, we see that Freud was intrigued by Leonardo da In selecting their research subjects, psychobiographers Freud''s case with Leonardo da Vinci, the psychobiographer usually maintains an attachment to, and Freud as Leonardo: Why the first psychobiography went wrong. Freud, Leonardo da Vinci id: work_w3stgvlts5ahbcfesc7rnof2ue author: Joseph Godla title: Creating a Preservation Environment for Renaissance Limoges Enamels date: 2017 words: 4865.0 sentences: 289.0 pages: 21 flesch: 59.0 cache: ./cache/work_w3stgvlts5ahbcfesc7rnof2ue.pdf txt: ./txt/work_w3stgvlts5ahbcfesc7rnof2ue.txt summary: Institution: The Frick Collection, New York The Frick Collection recently completed a year-long project to renovate two of its historic Assistant Conservator Julia Day led a seminar on the Frick''s enamels collection. The aim of the project was to house the Frick''s outstanding Renaissance Limoges enamels The refurbished and relit Enamels Room at The Frick Collection; Photo: Michael Bodycomb THE FRICK UPDATES ITS HISTORIC ENAMELS ROOM CASES 24, bronze, 6 5/8 inches high, The Frick Collection, New The Frick Collection, New York; Photo: Michael Bodycomb The Frick''s collection contains works by most of the major enamel painters HOW THE ENAMELS ENTERED THE FRICK COLLECTION 6 1/4 inches, The Frick Collection, New York; photo: The Enamels Room of The Frick Collection, 1930. In Frick''s new home at 1 East 70th Street, the enamels were time to display a significant collection of Limoges enamels Frick Enamels Room Press Release id: work_qxafti4gx5g7deirz6g5kel2ni author: Juan Francisco Reinoso-Gordo title: Digital Graphic Documentation and Architectural Heritage: Deformations in a 16th-Century Ceiling of the Pinelo Palace in Seville (Spain) date: 2021 words: 13144.0 sentences: 1085.0 pages: 17 flesch: 65.0 cache: ./cache/work_qxafti4gx5g7deirz6g5kel2ni.pdf txt: ./txt/work_qxafti4gx5g7deirz6g5kel2ni.txt summary: Digital Graphic Documentation and Architectural Heritage: Deformations in a 16th-Century Ceiling of the Pinelo Palace in Seville (Spain) For the first time, accurate digital images are provided of a 16th-century wooden ceiling, composed architectural heritage, no graphic studies on this type of deformed ceilings have been presented. Keywords: ceiling; 16th century; Pinelo; palace; Seville; deformation; scanner; photogrammetry ceiling with a geometric decoration that is studied in this research is located (Figure 3). ceiling with a geometric decoration that is studied in this research is located (Figure 3). Taking all these considerations into account, and in order to ensure suitable conservation and monitoring in the future, it was decided to utilise digital graphic technologies to quantify the current deformations: a first for this type of ceiling. scanner until reaching the mezzanine where the ceiling under the study is located (Figure 9). id: work_ehwi7qloo5h3vjbkgirnt54ghe author: Judy De Roy title: Cut in Alabaster: A Material of Sculpture and Its European Traditions 1330–1530. Kim W. Woods. Distinguished Contributions to the Study of the Arts in the Burgundian Netherlands 3. London: Harvey Miller Publishers, 2018. ii + 418 pp. €150 date: 2020 words: 979.0 sentences: 69.0 pages: 2 flesch: 64.0 cache: ./cache/work_ehwi7qloo5h3vjbkgirnt54ghe.pdf txt: ./txt/work_ehwi7qloo5h3vjbkgirnt54ghe.txt summary: Cut in Alabaster: A Material of Sculpture and Its European Traditions 1330– alabaster artworks were made from the fourteenth to the beginning of the sixteenth century in Western Europe. The author''s original approach consists in her attention to alabaster sculpture made in England, France, the Low Countries, and Spain. Some concise attention is dedicated to sculpting and polishing techniques, followed by a more elaborate part on polychromy, stressing the fact that late Gothic alabaster sculptures were as a rule either minimally or partially painted at least until the In the second chapter, the author deals with the sculptors working in alabaster and The last chapter gives an overview of different genres of alabaster sculpture in the public and in the private environment. important new research on Hilliard''s life and work, adding considerably to our understanding of the challenges and opportunities that existed for painters in sixteenth-century London. id: work_g6rmv5gonzgrbo7b6caf5klbvm author: Jürgen Lange title: Allan Pettersson: Symphony No. 9 date: 2019 words: 5756.0 sentences: 1743.0 pages: 37 flesch: 90.0 cache: ./cache/work_g6rmv5gonzgrbo7b6caf5klbvm.pdf txt: ./txt/work_g6rmv5gonzgrbo7b6caf5klbvm.txt summary: topic is, that 9th Symphony portrays Sweden''s longest river Klarälven-Göta Älv. Smetana The Moldau Pettersson 9th Symphony Figure 4: Small Wave 9th Symphony This Accompaniment is musically related to the Second Source of The Moldau (Figure 52). The Moldau Melody (Figure 18) has an ascending line (2 bars), followed by a slightly The Moldau and Pettersson''s 9th Symphony are organized in one part without breaks. Bedřich Smetana composed in 1874 his symphonic poem The Moldau (Vltava) (Figure 2411). Pettersson''s 9th Symphony describes similar to Smetana''s The Moldau Figure 38: 9th Symphony Motives in White Water Figure 39: 9th Symphony Runs in White Water Figure 40: 9th Symphony Drum Rhythm in White Water Figure 41: Musical description of Lake Vänern in 9th Symphony Figure 49: 9th Symphony Bar 4 + 5 Figure 50 represents the musical depiction of the First Source of Smetana''s The Moldau. Figure 52: The Moldau Second Source id: work_fboytmjchfcs5hrhmundirdyz4 author: K. van der Ven title: Immunofluorescence on proteinase XXIV-digested paraffin sections date: 2007 words: 904.0 sentences: 85.0 pages: 1 flesch: 60.0 cache: ./cache/work_fboytmjchfcs5hrhmundirdyz4.pdf txt: ./txt/work_fboytmjchfcs5hrhmundirdyz4.txt summary: Immunofluorescence on proteinase XXIV-digested paraffin sections paricalcitol versus calcitriol included the point estimate estimates for hazard ratios for doxercalciferol versus Mortality risk among hemodialysis patients receiving different vitamin D analogs. patients receiving different vitamin D analogs. Correspondence: F Tentori, Dialysis Clinic Inc., Quality Management, 1500 proteinase XXIV-digested paraffin (IF) on frozen sections with pronase-digested paraffin sections, Nasr et al.1 found that pronase digestion was a useful technique for IF on paraffin (IF-P) sections. proteinase XXIVand pronase-digested paraffin sections. pronase, as well as after proteinase XXIV digestion, one was were positive only after proteinase XXIV digestion. digestion and in five cases after proteinase XXIV digestion. pronase-digested sections. pronase-digested paraffin sections: a valuable salvage technique for renal 1Department of Pathology, University Medical Center Utrecht, Utrecht, Correspondence: R Goldschmeding, Department of Pathology, University uroscopy was so popular to be included in the most famous play by Niccolò Machiavelli, ''La Mandragola (The Mandrake)'', id: work_sq3j3p2wsfaebhsqzyevq4svpm author: KASPAR VON GREYERZ title: Reviews of Books date: 1987 words: 1804.0 sentences: 130.0 pages: 3 flesch: 64.0 cache: ./cache/work_sq3j3p2wsfaebhsqzyevq4svpm.pdf txt: ./txt/work_sq3j3p2wsfaebhsqzyevq4svpm.txt summary: on The Renaissance in Historical Thought, scholars interested in the Reformation period have frequently bemoaned the conspicuous absence in the available literature of a work surveying and discussing the development of the historiography of the Reformation from its inception to the present. in which the authors highlight the historical assessment of the Reformation A. Enno van Gelder''s thesis of a rational intellectual continuity between Renaissance and Enlightenment, which challenges the importance of the Reformation, in the last chapter concerned with the recent social history of the Reformation, a humble beginning in the footsteps of Ferguson''s work on historical scholarship on the Renaissance (as the authors modestly claim in their Preface). offers stimulating reading and is a substantial achievement, which will be welcomed by all historians interested in the Reformation period and in its subsequent historical assessment. administrative, formulation of the ''Revolution'', with some attention, by Starkey himself, to the ''reform'' angle. id: work_qmxdse47xjd4zml6abstjmlylm author: Karamjit S. Gill title: Architect or Bee? Mike Cooley: the human spirit date: 2016 words: 2457.0 sentences: 129.0 pages: 3 flesch: 52.0 cache: ./cache/work_qmxdse47xjd4zml6abstjmlylm.pdf txt: ./txt/work_qmxdse47xjd4zml6abstjmlylm.txt summary: we live in, we celebrate the pioneering work and contributions of Mike Cooley in the shaping and evolution of the an alternative human-centred vision of socially useful technology that facilitated the ethos of human–machine symbiosis that he saw as a collaboration of human judgement and rationalisation of industry and the ''white of heat of technology'', Mike Cooley together with a number of socially These European human-centred movements provided a basis for the establishment of the ''Anthropocentric Systems and Technology'' programme of the Human Price of Technology (Cooley, ibid). Mike Cooley to head the technology division of GLEB. to Mike that we launch the Knowledge and Society journal AI&Society: Journal of human-centred systems was launched by Springer. of the human-centred movement beyond the European His human-centred vision of technology and society has Mike Cooley: the human spirit Mike Cooley: the human spirit Mike Cooley: the human spirit id: work_6ybfo7zywfawtd3uofeupgblzu author: Karel Turza title: On modernity in general and on the main obstacles to modernity in Serbia in the 20th century - and afterwards date: 2003 words: 11972.0 sentences: 812.0 pages: 24 flesch: 62.0 cache: ./cache/work_6ybfo7zywfawtd3uofeupgblzu.pdf txt: ./txt/work_6ybfo7zywfawtd3uofeupgblzu.txt summary: them had in mind the fact that modernizing projects in Serbia over the past, say, a) instead of new, postfeudal forms of private property, state − or the socalled social (like in former Yugoslavia) − ownership prevailed; again that that (political) aspect of modern formal rationality came into being relatively recently. On the other hand, within modern economy, formal rationality has a long history. modernity, one of its main achievements − namely, its political formal rationality − has been, in new, postfeudal form of property, market economy, rationality and individualism, The story about Serbia and modernity in the 20th century could be divided in attributes/conditions of modernity − individualism and rationality − either. modern economic system (�In the economic life of the 19th century Serbia considerable changes So, ever since 1945 modernity in Serbia (and Yugoslavia) has not been denied the main attributes/conditions of modernity, in Serbia/Yugoslavia �la danse id: work_uyaacz3etfczbeyf5kv4zknoeq author: Kate Quinlan title: Rachel Jackson: ''There is no more poignant time to consider art as therapy'' date: 2020 words: 3305.0 sentences: 255.0 pages: 4 flesch: 73.0 cache: ./cache/work_uyaacz3etfczbeyf5kv4zknoeq.pdf txt: ./txt/work_uyaacz3etfczbeyf5kv4zknoeq.txt summary: Very little from an arts and illustration knowledge of dentistry and in dental health communication of the medical and dental unbounded form of medical education, one university to study dental therapy? working as a dental nurse within a department I discussed art in dentistry for Rachel Jackson started her career as a medical illustrator in Glasgow, moved to the Highlands to start a family, trained as a dental therapist, became a The ethos of dental education one of a dental student. one of a dental student. through the inspiration of my dental education. of dentistry could be in the form of education. for artistic abilities within dentistry. All of my work is inspired by dentistry and connect the art and science of our profession. disciplined artist that can facilitate art in Like all dental students right now we are dental students from across the UK to embark the artist''s mindset can facilitate education, id: work_kxlawefyl5ggpm45a4jgbnu75m author: Kenneth Kolson title: NEH Projects Dealing with Women and Politics Themes date: 1990 words: 3922.0 sentences: 273.0 pages: 5 flesch: 49.0 cache: ./cache/work_kxlawefyl5ggpm45a4jgbnu75m.pdf txt: ./txt/work_kxlawefyl5ggpm45a4jgbnu75m.txt summary: The Political Science Oral History Program Education Programs, National Endowment for the Humanities Humanities as an independent grantmaking agency of the federal government to support research, education, Generally, each application submitted to Endowment programs is Carey McWilliams of Rutgers University in support of various projects through which many political scientists (e.g., Joel Grossman of the University of Wisconsin, Walter Murphy Bernard Brown of the City University of New York offered a summer University has offered summer institutes designed for elementary and offered a summer seminar on "Political Cultures." The Endowment is Applicants whose projects have direct implications for public policy need to Sometimes political science applications are reviewed with history that a political scientist''s proposal to Women and Politics Research review or a generalist review, a proposal on women and politics will be support for college and university Public Humanities Projects exemplary public programs and promotes model humanities projects of id: work_6ymflzbwuvcqxbhxdgxvfaybne author: Konstantinos Moraitis title: The Cultural Landscape Past of the Eastern Mediterranean: The Border Lord''s Gardens and the Common Landscape Tradition of the Arabic and Byzantine Culture date: 2018 words: 7166.0 sentences: 431.0 pages: 12 flesch: 56.0 cache: ./cache/work_6ymflzbwuvcqxbhxdgxvfaybne.pdf txt: ./txt/work_6ymflzbwuvcqxbhxdgxvfaybne.txt summary: The Cultural Landscape Past of the Eastern Mediterranean: The Border Lord''s Gardens and the Common Landscape Tradition of the Arabic and Byzantine Culture to this common past, Byzantine and Arabic landscape and garden art paradigms appear to be geographically and culturally correlated, as proved by a Byzantine 12th century folksong, presenting This song refers to Vasilios Digenes Akritas or ''Border Lord'', a legendary hero of a highly developed knowledge of landscape intervention existed in the Byzantine and Arab world, 3 The landscape formative activities described in the Border Lord''s folksong that will be presented principally refer to experience and organizational knowledge, concerning landscape and garden formation practices. of history correlates the emergence of the garden and landscape formative practices with the The Eastern Genealogy of the Western Landscape and Garden Art The Eastern Genealogy of the Western Landscape and Garden Art A ''Border Lord'' of Dual Origin and His Landscape Formative Activity id: work_2kycckjoyzb2tn45yazfmcvqte author: Kurt Siehr title: Bibliography of Books Published in 1995, 1996 and 1997 date: 1997 words: 2324.0 sentences: 549.0 pages: 6 flesch: 76.0 cache: ./cache/work_2kycckjoyzb2tn45yazfmcvqte.pdf txt: ./txt/work_2kycckjoyzb2tn45yazfmcvqte.txt summary: Alois Riegls Schriften zur Denkmalpflege [Piece of Art or Monument? Paris: Documentation francaise: Direction des Archives de France 1996. des objets d''art voles ou illicitement exportes. Archaeology and Law. London & New York: Leicester University Press 1996. Le droit et l''objet d''art: le droit de suite des artistes plasticiens dans l''Union Europeenne [The Law and the Object of Art: The Droit de Suite of Artists in the European Union] La collection des tableaux de Lucien Bonaparte, prince de Canino [The Picture Gallery of Lucien Bonaparte, the World''s Greatest Works of Art. New York: Basic 1997. Theoretische Objekte, Fakes und Souvenirs [Merchandise (True) Art. The Museum Shop as Chamber of Miracles. Die Kunstwerke des Kaiser-Friedrich-Museums-Vereins Berlin [100 The Art Objects of the Kaiser-Friedrich-Museums-Verein Berlin]. Images of the Italian Renaissance in the Museum of Art York: Yale University Press/The Metropolitan Museum of Art. 1997. (Schriften des Kunsthistorischen Museums, vol. id: work_nry7ffsmqrcqdjwz5mt3dh3olu author: L F Haas title: Atropa belladonna (deadly nightshade) date: 1995 words: 701.0 sentences: 178.0 pages: 1 flesch: 72.0 cache: ./cache/work_nry7ffsmqrcqdjwz5mt3dh3olu.pdf txt: ./txt/work_nry7ffsmqrcqdjwz5mt3dh3olu.txt summary: London: Bailliere Tindall, 1994:107-27. Paraproteinaemia in neurological disease: incidence, association, and classification of monoclonal immunoglobulins. 106 Bleasel AF, Hawke SHB, Pollard JD, McLeod JG. monoclonal paraproteinaemia and peripheral neuropathy. 108 Pestronk A, Comblath DR, Ilyas AA, Baba H, Quarles 109 Pestronk A, Chaudhry V, Feldman EL, Griffin JW, Multifocal motor neuropathy with Bailliere''s clinical neurology 3:1. Bailliere''s clinical neurology 3:1. Pathological findings at the site of conduction block in multifocal motor neuropathy. neuropathy in primary Sjogren''s syndrome. Peripheral neuropathy associated with primary Sjogren''s syndrome. 116 Griffin JW, Comblath DR, Alexander E. Inflammatory neuropathies associated with Inflammatory neuropathies. Inflammatory neuropathies. Inflammatory neuropathies. Inflammatory neuropathies. Ann Neurol 1994;35:53-8. Ann Neurol 1994;35:53-8. Ann Neurol 1994;35:53-8. Ann Neurol 1994;35:53-8. PJ, Thomas PK, Griffin JW, Low PA, Poduslo AN, Peripheral neuropathy. Atropa belladonna (deadly nightshade) Atropa belladonna is a member of the nightshade family these poisons, belladonna, not to kill their rivals but to id: work_jhnc4rbhtvd3jbi6y72ne6lqtm author: L. B. Hunt title: The long history of lost wax casting date: 1980 words: 12417.0 sentences: 572.0 pages: 17 flesch: 66.0 cache: ./cache/work_jhnc4rbhtvd3jbi6y72ne6lqtm.pdf txt: ./txt/work_jhnc4rbhtvd3jbi6y72ne6lqtm.txt summary: Johnson Matthey & Co. Limited, London, U.K. The origins of lost wax or investment casting, often known as cire perdue, and still the most accurate and reliable means of reproducing complex shapes in gold or other metals with all the fine detail of an original cast only by the lost wax process, as well as gold dress The earliest example of a lost wax casting in gold is The earliest known written reference to lost wax casting comes from the, Babylonian city of Sippar and is dated 1789 Louvre, in an attitude of worship, but the great interest from his time arises from the first known written reference to the lost wax casting process. cast in gold and is dated to the fourteenth century B.C. Photograph by courtesy of the Trustees of the British Museum Palestine, while excavations at Alalakh, west of Aleppo, have revealed the lost wax casting of gold id: work_dr7bh6dn3jdfnpedaynpztlxeu author: L. Obolonczyk title: "La Toilette". When a doctor becomes a painter: Frederic Bazille date: 2019 words: 678.0 sentences: 100.0 pages: 2 flesch: 62.0 cache: ./cache/work_dr7bh6dn3jdfnpedaynpztlxeu.pdf txt: ./txt/work_dr7bh6dn3jdfnpedaynpztlxeu.txt summary: Patients and methods Analysis of "La Toilette" painting of Frederice Bazille. Results We present a masterpiece work of Frederic Bazille "La Toilette" where a large goiter is visible. of Bazille''s life and painting is included. Conclusion Despite of unique painting technique, thyroid disorders are visible even in impressionism. Keywords Frederic Bazille · Endocrinology · Painting Jean Frederic Bazille (1841–1870) was born in Montpellier In 1859, Bazille started medical study in Montpellier and Historically, goiter seems to be "older" disease (i.e., paintings of According to Encyclopaedia Brittanica, Bazille was an Open Access This article is distributed under the terms of the Creative Commons Attribution 4.0 International License (http://creat iveco Frederic Bazille, oil on canvas note large goiter on first right http://creativecommons.org/licenses/by/4.0/ http://creativecommons.org/licenses/by/4.0/ https://www.britannica.com/biography/Frederic-Bazille https://www.britannica.com/biography/Frederic-Bazille When a doctor becomes a painter: Frederic Bazille When a doctor becomes a painter: Frederic Bazille When a doctor becomes a painter: Frederic Bazille id: work_v4mj6zift5dg7on5n2atqes6ve author: LEO CATANA title: THE CONCEPT "SYSTEM OF PHILOSOPHY": THE CASE OF JACOB BRUCKER''S HISTORIOGRAPHY OF PHILOSOPHY1 date: 2005 words: 11425.0 sentences: 859.0 pages: 41 flesch: 62.0 cache: ./cache/work_v4mj6zift5dg7on5n2atqes6ve.pdf txt: ./txt/work_v4mj6zift5dg7on5n2atqes6ve.txt summary: Leo Catana, ''The Concept "System of Philosophy": The Case of Jacob Brucker''s The concept "system of philosophy" in Jacob Brucker''s this concept, "system of philosophy", for this reason is more central to Brucker''s history of philosophy (historia philosophiae).7 What, then, does Brucker mean by concord with Brucker''s above definition of philosophy, philosophers make use of past philosophers possess the concept "system of philosophy" at all? Brucker''s concept "system of philosophy". 44 The periodization is briefly explained in BRUCKER, Historia critica philosophiae, vol. 45 The first period is described in BRUCKER, Historia critica philosophiae, vol. 54 For the second part of the third period, see BRUCKER, Historia critica philosophiae, vol. of philosophy" which strongly suggest that Brucker''s concept of eclecticism is the philosopher''s conception of a new philosophy. For Brucker''s treatment of Bruno''s philosophy, see ibid., vol. philosophers possessed Brucker''s concept "system of philosophy" as a id: work_nlueipbdffbjjbtg6nadsgu2bm author: Leidulf Melve title: ''The revolt of the medievalists''. Directions in recent research on the twelfth-century renaissance date: 2006 words: 14649.0 sentences: 1523.0 pages: 22 flesch: 63.0 cache: ./cache/work_nlueipbdffbjjbtg6nadsgu2bm.pdf txt: ./txt/work_nlueipbdffbjjbtg6nadsgu2bm.txt summary: basically derive from Charles Homer Haskins'' notion of the renaissance and include individualism, rationality, secularisation, and the question of the emergence of a ''critical mentality.'' From this point of departure, the article addresses the question of thematic innovation with regard to the twelfth-century The second part of the article discusses the effect of the so-called linguistic turn on renaissance studies in general and on the twelfth-century renaissance in particular. briefly address some thematic innovations in recent research into the twelfth-century renaissance,14 before discussing the question of new methodical insight.15 Although this last section with the different mentalities of medieval Europe.52 Another manifestation of this individualism is the new view of love in the twelfth century. for new thematic approaches to the twelfth-century renaissance. In sum, recent research into the twelfth-century renaissance does not abound in new id: work_u2u5pmtmdjadlcbufsftpegw2q author: Leslie Zarker Morgan title: Introduction date: 2018 words: 1652.0 sentences: 78.0 pages: 5 flesch: 51.0 cache: ./cache/work_u2u5pmtmdjadlcbufsftpegw2q.pdf txt: ./txt/work_u2u5pmtmdjadlcbufsftpegw2q.txt summary: 2016 marked the 500th anniversary of Ludovico Ariosto''s first publication of the Orlando Furioso, in 40 cantos, at Ferrara. and after Ariosto''s time: romance epic precedents, his contemporary Enchantment: the 1516 Orlando Furioso," examines Ariosto''s complex relation to his predecessor Boiardo, whose Orlando Innamorato he and the Dynastic Imagination in the Orlando Furioso, which explores aspects of the romance epic tradition in Ariosto''s classic. the tale as well, and Ariosto thus can use his Furioso as political commentary. the Romance Epics of Boiardo and Ariosto and editor of a forthcoming shifts to Ariosto''s uses of lyric, concentrating on Orlando''s madness. Furioso, suggesting that Ariosto informs the ethical meaning of the present volume explore the reception of the Orlando Furioso through de Orlando and the Mambriano), Everson demonstrates that both Ariosto design in the first edition of the Furioso, Everson also suggests Ariosto''s Shemek also presents evidence of ways in which Ariosto''s id: work_ft6nlt5byvc4rnbctnhxpuv2fe author: Lillian Schwartz title: ACM SIGGRAPH Distinguished Artist Award for Lifetime Achievement in Digital Art date: 2015 words: 242.0 sentences: 29.0 pages: flesch: 64.0 cache: ./cache/work_ft6nlt5byvc4rnbctnhxpuv2fe.pdf txt: ./txt/work_ft6nlt5byvc4rnbctnhxpuv2fe.txt summary: Skip to main navigation Skip to search Skip to main content Welcome to The University of Brighton Explore profiles, expertise and research at The University of Brighton Search as: Advanced search The University of Brighton research portal Welcome to the University of Brighton''s database of research and enterprise including researcher profiles, activities, outputs, projects and our groups and centres. Our research and enterprise activities tackle global challenges, solve practical problems and seek to improve people''s lives and environments. Click dots and donuts to bring up details or Select a country from the list Select a country to view shared publications and projects University Export search results Search results University of Brighton University of Brighton Organisational unit: University Powered by Pure, Scopus & Elsevier Fingerprint Engine™ © 2021 Elsevier B.V. We use cookies to help provide and enhance our service and tailor content. Log in to Pure The University of Brighton contact form id: work_4ffmtdl4hfhedga3v745ot5gge author: Ljubov Marsova title: Homosexualita a staré umění: poznámky k interpretaci mužských renesančních portrétů date: 2020 words: 5110.0 sentences: 687.0 pages: 13 flesch: 71.0 cache: ./cache/work_4ffmtdl4hfhedga3v745ot5gge.pdf txt: ./txt/work_4ffmtdl4hfhedga3v745ot5gge.txt summary: Homosexuality and Old Art: Notes to Interpretation of Male Portraits of Renaissance Keywords: Portraits; Renaissance; homosexuality; Italy; art history; paintings; sexuality; o to, co se vnímá jako homosexualita při uvažování o uměleckém díle a co tak bylo vnímáno šest staletí před tím. stejné pohledy, oblečení a jiné věci, které jsou dnes považovány za „symboly" homosexuality, nemusely být vnímané stejně člověkem minulosti. Klíčovým momentem pro pochopení homosexuality je vědomí toho, že homosexualita jako taková ve starší době vlastně vůbec neexistovala. toho, zda pro určité bádání bude použito pojetí „autora", je každopádně velice důležité, portrétu.12 Publikace Armandea Maggiho, primárně profesora literatury a dějin středověké italské kultury, jsou přínosné i pro renesanční umění, a to v tom smyslu, že dává Interpretace veršů viz také Liubov Marsova, Přátelské portréty v italském renesančním malířství (diplomová práce), Ústav pro dějiny umění FF UK v Praze, Praha 2017, s. rovněž ve výtvarném umění, například pro žánr portrétu. id: work_yldgzfjkfnbzvfmalok6jufe2m author: Luca Degl''Innocenti title: Street Singers: An Interdisciplinary Perspective date: 2016 words: 2611.0 sentences: 271.0 pages: 6 flesch: 59.0 cache: ./cache/work_yldgzfjkfnbzvfmalok6jufe2m.pdf txt: ./txt/work_yldgzfjkfnbzvfmalok6jufe2m.txt summary: To cite this article: Luca Degl''Innocenti & Massimo Rospocher (2016): Street Singers: An They all refer to the street singers and performers of Renaissance Italy, and at first Hence, cantastorie or canterini would be the specific names for the poet-singers, whose principal trade was to perform verses, stories, and songs, usually to musical of the street singers, all of their different social and cultural characteristics no longer At least since Peter Burke''s seminal work on early modern popular culture, cantastorie 3 Rosa Salzberg and Massimo Rospocher, ''Street Singers in Italian Renaissance Urban Culture and Communication'', Italy'', Renaissance Studies, 24 (2010), 638–53, and idem, Ephemeral City: Cheap Print and Urban Culture in Renaissance Venice (Manchester: Manchester University Press, 2014); Massimo Rospocher, ''From Orality to Renaissance, 16 (2013), 273–87, and idem, ''Canterino and Improvvisatore: Oral Poetry and Performance'', in The street entertainment and the Commedia dell''Arte by exploring the many cheap prints that id: work_2m6gvudwpnfufht6i5sceyxfva author: Luca Mocarelli title: Attitudes to Work and Commerce in the Late Italian Renaissance: A Comparison between Tomaso Garzoni''s La Piazza Universale and Leonardo Fioravanti''s Dello Specchio Di Scientia Universale date: 2011 words: 8066.0 sentences: 576.0 pages: 18 flesch: 68.0 cache: ./cache/work_2m6gvudwpnfufht6i5sceyxfva.pdf txt: ./txt/work_2m6gvudwpnfufht6i5sceyxfva.txt summary: second half of the fifteenth century: Tomaso Garzoni''s La piazza universale di the World], and Leonardo Fioravanti''s Dello specchio di scientia universale [On the 1. See Luca Mocarelli, ''''The Attitude of Milanese Society to Work and Commercial Activities: because Tomaso Garzoni and Leonardo Fioravanti, the authors of the treatises in question, La piazza universale di tutte le professioni del mondo [The La piazza, it owes a great deal to the work of Fioravanti, as we shall see.6 Giorio, ''''Una fonte del Garzoni: ''Dello specchio di scienza universale'' di Leonardo Fioravanti'''', economic success of the late Italian Renaissance, starting with the processing of wool, in which cities such as Milan, Florence, and Venice, as The difference between Garzoni and Fioravanti is even more apparent in consider what Garzoni and Fioravanti had to say about stonemasons and The attitude of Fioravanti is totally different; he exalts the art of the id: work_dmmntzn7bncphif652vin6trsy author: Ludo Beheydt title: European influence of Dutch and Flemish art. Cultural mobility date: 2019 words: 7001.0 sentences: 454.0 pages: 25 flesch: 60.0 cache: ./cache/work_dmmntzn7bncphif652vin6trsy.pdf txt: ./txt/work_dmmntzn7bncphif652vin6trsy.txt summary: stay at the court of Ferrara and by the Ferrarese painter Cosmè Tura in the late 1450s suggests study of the technique of Rogier van der Weyden, whose famous triptych of the Deposition (Figure 1) was present at the humanist court of Leonello d''Este as we know from its (Ainsworth 2010) and introduced an innovative Italian sculptural approach in Netherlandish painting, but he remained loyal to the extraordinary meticulous style inherited from the Van Eyck tradition. other artists and contributed to Netherlandish cultural mobility. fifteenth century work by Jan van Eyck and Rogier van der Weyden also deeply influenced painting in Central Europe. Italian prints based on the work of Raphael or Michelangelo familiarized many Netherlandish painters with Italian art, even if they themselves had not made mobility in Netherlandish art worked both ways. Flemish artist Pieter Bruegel the Elder worked for Hieronymus Cock''s print shop and it id: work_lcs2cdrzrbexvmveharbjoitoy author: Luigi Pascali title: Banks and Development: Jewish Communities in the Italian Renaissance and Current Economic Performance date: 2016 words: 19712.0 sentences: 1718.0 pages: 42 flesch: 66.0 cache: ./cache/work_lcs2cdrzrbexvmveharbjoitoy.pdf txt: ./txt/work_lcs2cdrzrbexvmveharbjoitoy.txt summary: were hosting Jewish communities developed complex banking institutions for two reasons: first, the Jews were I show that, in Central Italy, the difference in current income between cities that hosted Jewish communities document an extraordinary persistence in the disparities of local banking development across Italian municipalities in the last four centuries. of Jewish communities in 1500 and the current local banking and economic development. the effects of current banks on per-capita GDP and aggregate productivity in Italian municipalities. The first is that having a Jewish community in 1500 does not have any effect on current banking development where Jews were expelled, there is no current difference in local banks between cities that used to host Jewish effects on the current local banking development of Italian municipalities. under the Spanish crown had effects on current credit availability only in those cities that developed a Monte. id: work_slaq2hjnbnc3fbi77mbudua6py author: Luigino Bruni title: Economics and theology special issue: introduction date: 2016 words: 2120.0 sentences: 122.0 pages: 5 flesch: 53.0 cache: ./cache/work_slaq2hjnbnc3fbi77mbudua6py.pdf txt: ./txt/work_slaq2hjnbnc3fbi77mbudua6py.txt summary: Luigino Bruni1 • Paul Oslington2 • Stefano Zamagni3 From the very beginning of Christianity up to modern political economy, crossfertilization between theology and oikonomia has occurred, sometimes to the extent The early Christian theologians developed the idea of an economy of times, the deep and crucial links of capitalism to the protestant ethics were a classic economy after Smith there have been economists with strong theological interests, i.e. the English Wicksteed (1885, 1910) or the Italian Sella (1930). northern protestant Europe where the civic humanism and renaissance tradition We hope that in this transition age of capitalism, this special issue can offer some Barbieri G (2013)[1940] Decline and economic ideals in Italy in the early modern age. Economics and theology special issue: introduction Economics and theology special issue: introduction Economics and theology special issue: introduction Economics and theology special issue: introduction Economics and theology special issue: introduction id: work_tnifay4bqvdujbaznehu5bdk6y author: Luiza Şoşu title: Tradition in pedagogy and linguistics: two footholds in ascention - John Amos Comenius and Eugenio Coseriu date: 2019 words: 4208.0 sentences: 269.0 pages: 6 flesch: 70.0 cache: ./cache/work_tnifay4bqvdujbaznehu5bdk6y.pdf txt: ./txt/work_tnifay4bqvdujbaznehu5bdk6y.txt summary: TRADITION IN PEDAGOGY AND LINGUISTICS: TWO FOOTHOLDS IN human activity is characteristic of our modern times: "In the Christian world everything is based Truly, the Holy Bible is nothing else than an inseparable part of the Sacred Tradition. in a consequent way and to the end, all sacred historical traditions". traditions of education and our modern ones. According to Comenius the most useful thing that the Holy Bible teaches us on the pantheistic and empiric conception of the great philosophers of his time Gordano Bruno, brought out a fine work on Didactic ―A New and Easy Way to the Godly Sciences and Arts, to Revolution, had only the physical world as its proper domain, and this has been largely true of science In this way we come to the objectivity of linguistics. foothold for the ascent of all modern science, giving it the new methods of investigation – Francis id: work_d6qplvfp6nc2zeynue3v2gb6hm author: Luz Neira García title: Fashion: Cultural Heritage and the Made in date: 2018 words: 7630.0 sentences: 767.0 pages: 13 flesch: 46.0 cache: ./cache/work_d6qplvfp6nc2zeynue3v2gb6hm.pdf txt: ./txt/work_d6qplvfp6nc2zeynue3v2gb6hm.txt summary: Countries such as Italy, the United Kingdom, France, Belgium, Germany and others, have been organizing exhibitions devoted to fashion culture to demonstrate the extent of their achievements, importance, Evidently, the allusion to the Made in in exhibitions, is created by drawing attention to the aesthetic, practical and symbolic dimension of the artefacts, since they characterize the phenomena of fashion in a particular period of time.14 This means the development of a narrative is indirect. history, its studies and its social and historic cultures are central part of ''Italian Fashion System'' "Karl Lagerfeld the Focus of Two German Exhibitions," WWD, accessed January 6, 2018, http://wwd.com/fashion-news/ "Karl Lagerfeld and his parallel contrasts," HG Issue, accessed January 6, 2018, http://www.hgissue.com/new/karl-lagerfeldand-his-parallel-contrasts-exhibition-at-the-folkwang-museum-essen-germany/. "Henrik Vibsok exhibition, Helsinki Design Museum," Worn Through, accessed Januray 7, 2018, http://www.wornthrough. Finally, the exhibition Rik Wouters and the Private Utopia associates fashion with art. http://www.hgissue.com/new/karl-lagerfeld-and-his-parallel-contrasts-exhibition-at-the-folkwang-museum-essen-germany/ http://www.hgissue.com/new/karl-lagerfeld-and-his-parallel-contrasts-exhibition-at-the-folkwang-museum-essen-germany/ http://www.hgissue.com/new/karl-lagerfeld-and-his-parallel-contrasts-exhibition-at-the-folkwang-museum-essen-germany/ http://www.hgissue.com/new/karl-lagerfeld-and-his-parallel-contrasts-exhibition-at-the-folkwang-museum-essen-germany/ http://www.wornthrough.com/2014/02/henrik-vibskov-exhibition-helsinki-design-museum/ http://www.wornthrough.com/2014/02/henrik-vibskov-exhibition-helsinki-design-museum/ http://www.wornthrough.com/2014/02/henrik-vibskov-exhibition-helsinki-design-museum/ http://www.wornthrough.com/2014/02/henrik-vibskov-exhibition-helsinki-design-museum/ id: work_r4pgejerevax7dsp5mcojaym74 author: M. Gallieni title: Machiavelli and urinalysis date: 2007 words: 1910.0 sentences: 218.0 pages: 2 flesch: 71.0 cache: ./cache/work_r4pgejerevax7dsp5mcojaym74.pdf txt: ./txt/work_r4pgejerevax7dsp5mcojaym74.txt summary: paricalcitol versus calcitriol included the point estimate patients receiving different vitamin D analogs. (IF) on frozen sections with pronase-digested paraffin sections, Nasr et al.1 found that pronase digestion was a proteinase XXIVand pronase-digested paraffin sections. We selected five cases of lupus nephritis that showed fullhouse fluorescence staining on frozen sections. pronase, as well as after proteinase XXIV digestion, one was pronase-digested paraffin sections: a valuable salvage technique for renal 1Department of Pathology, University Medical Center Utrecht, Utrecht, play by Niccolò Machiavelli, ''La Mandragola (The Mandrake)'', 1A.O. San Paolo, Renal Unit, Milano, Italy Table 1 | Transcript of the play ''La Mandragola'', relevant to uroscopy, from the original Scene 6, Act II, in Italian and Latin, inter caetera, causa est amplitudo canalium, mixtio eorum quae ex matrice exeunt cum urina. autem, inter caetera, causa est amplitudo canalium, mixtio eorum quae ex matrice exeunt cum urina. id: work_g6dfophsb5divdrzgi4w2osloi author: M. Rozsondai title: Symmetry aspects of bookbindings date: 1989 words: 13490.0 sentences: 2150.0 pages: 49 flesch: 89.0 cache: ./cache/work_g6dfophsb5divdrzgi4w2osloi.pdf txt: ./txt/work_g6dfophsb5divdrzgi4w2osloi.txt summary: Bilateral symmetry of motifs (Fig. 3) (point group m or Cs) and rotations with mirror planes A playful collection o f symmetries appears on a roll (Fig. 6), including point group C3 with Hatched motifs (Fig. 7) can be considered to possess colour symmetry, which means a combination o f a geometrical synunetry operation (reflection, rotation, translation etc.) with a simultaneous Renaissance bindings in the early sixteenth century, and they appeared as ogee branches (Fig. 10). German Gothic binding with leaf relief obtained by the headed outline tools in Fig. 8(h-j). Similarly, border patterns from bookbindings are shown in Fig. 18, and classified according to symmetry groups. Fig. 25.(a) Rolls of palmettos and acanthus leaves from Hungarian Renaissance bindings. Fig, 26.(a) Knotwork border design composed of single stamps from the Hungarian Renaissance binding: represented in every field of Renaissance art, hence also in book illustrations (Fig. 42) and on id: work_avyg4gyd6bfltgr3kmkwgu5y4y author: M. Schmitter title: Odoni''s Faccade: The House as Portrait in Renaissance Venice date: 2007 words: 17969.0 sentences: 1326.0 pages: 24 flesch: 72.0 cache: ./cache/work_avyg4gyd6bfltgr3kmkwgu5y4y.pdf txt: ./txt/work_avyg4gyd6bfltgr3kmkwgu5y4y.txt summary: accident that Aretino used the man/house metaphor extensively in a letter to Odoni; there is considerable evidence that In writing the letter at all, Aretino may have been suggesting Odoni''s (over?) reliance on his house to create his Odoni''s house and façade can be read as multifaceted portraits of the man. painted façade in particular put Odoni and his house "on So while the location and size of Odoni''s house were decorous, the façade ornament was potentially more socially prominently located building painted by Giorgione and Titian.69 By ordering a façade fresco in this tradition, Odoni named Aretino, exalting the art of painting in general, recommends this form of ornament: "the façades [facciate] of houses Odoni''s Façade: The House as Portrait in Renaissance Venice Odoni''s Façade: The House as Portrait in Renaissance Venice Odoni''s Façade: The House as Portrait in Renaissance Venice Odoni''s Façade: The House as Portrait in Renaissance Venice id: work_oq3g2f3tc5e2leg2oxyuhpa7he author: Madine VanderPlaat title: Societies: An Open Access Journal of Social Sciences and Humanities date: 2011 words: 1101.0 sentences: 65.0 pages: 2 flesch: 50.0 cache: ./cache/work_oq3g2f3tc5e2leg2oxyuhpa7he.pdf txt: ./txt/work_oq3g2f3tc5e2leg2oxyuhpa7he.txt summary: space and time, geography and history. Ratzel, in 1897, published his work on political geography, titled Hitler''s national-socialism and linking his political geography to In a second response to British imperialism, Hitler''s Germany the works of German geographer Karl Haushofer (1869-1946) who The link between geopolitics and world history is manifest in the influence German world historian Oswald Spengler (1880-1936), author of the monumental 12-volume A Study of History, which was myself studied geopolitics at the Sorbonne and having published my World History however continued as a science to be looked upon Correspondence: Dimitri Kitsikis, Department of History, Both Geopolitics and World History, linked together in the field of The difficulty of being a geo politician and a world historian. The difficulty of being a geo politician and a world historian. The difficulty of being a geo politician and a world historian. grasp the Universe by starting their History specialization in Greek id: work_gkz7ucesfjhfriqrnx6s2bljby author: Madison U. Sowell title: The Enemy in Italian Renaissance Epic: Images of Hostility from Dante to Tasso. Andrea Moudarres. The Early Modern Exchange. Newark: University of Delaware Press, 2019. xii + 250 pp. $35 date: 2020 words: 941.0 sentences: 62.0 pages: 2 flesch: 61.0 cache: ./cache/work_gkz7ucesfjhfriqrnx6s2bljby.pdf txt: ./txt/work_gkz7ucesfjhfriqrnx6s2bljby.txt summary: Renaissance literature but also historians of the late Middle Ages and the early modern The Enemy in Italian Renaissance Epic: Images of Hostility from Dante to Tasso. Yale, Mourdarres took on the task of writing authoritatively not only about four eminent Italian epic poets (Dante, Pulci, Ariosto, and Tasso) but also about the influence of Homer, Lucan, and Virgil on the Italian epic tradition as it relates to images of hostility. Begun as a doctoral dissertation, The Enemy in Italian Renaissance Epic has evolved into an introduction, four well-researched and well-argued chapters, and an epilogue. cosmopolitanism: "all forms of hostility—even those conventionally considered external, such as the conflicts between Christian and Islamic forces in the Middle Ages and dissent between Islam and Christianity throughout the Middle Ages" (17). The third chapter, "The Enemy as the Self: Madness and Tyranny in The final chapter, "The Geography of the Enemy: Christian and Islamic Empires from https://www.cambridge.org/core https://www.cambridge.org/core id: work_zjyhfaqwvngdpn5lj47pqr7m7y author: Marco Giorgio Bevilacqua title: Military Architecture and Mathematics date: 2014 words: 2405.0 sentences: 135.0 pages: 5 flesch: 51.0 cache: ./cache/work_zjyhfaqwvngdpn5lj47pqr7m7y.pdf txt: ./txt/work_zjyhfaqwvngdpn5lj47pqr7m7y.txt summary: Abstract NNJ guest editor Marco Giorgio Bevilacqua introduces the papers in the special issue of the Nexus Network Journal dedicated to Military Architecture and Keywords Military architecture � Fortifications � Geometry As Amelio Fara has pointed out, in the new fortified architecture, ''''its parts While closely related to functional parameters, the new military architecture was representation; to have technical knowledge of military architecture, and to be mathematics and military architecture, the theme of this special issue, can be declined: geometry and architectural design of fortifications; applied mathematics in fortifications in the eighteenth century; the study, substantiated by a careful The evolution of Ottoman military architecture in the early sixteenth century is well described in ''''Early Modern Military Architecture in the Ottoman Empire'''' by Fara is one of the most important scholars of military architecture in Europe; (Pisa: ETS, 2011); for the NNJ''''The Conception of Ramparts in the Sixteenth Century: Architecture, id: work_l73lgheqbrbzllroydqigqeavm author: Marco Sala title: Energy efficient and sustainable ancient museum buildings: a case study in Florence date: 2007 words: 5795.0 sentences: 939.0 pages: 19 flesch: 65.0 cache: ./cache/work_l73lgheqbrbzllroydqigqeavm.pdf txt: ./txt/work_l73lgheqbrbzllroydqigqeavm.txt summary: Energy efficient and sustainable ancient museum buildings: a case study in Florence museum buildings: a case study in Florence, International Journal of Sustainable Energy, 26:2, a new standard for energy consumption in museum buildings. and sustainable museum building design can fully meet the architectural, functional, comfort, 2. Improvement of energy systems used for heating, cooling, ventilation and artificial lighting such as the Intelligent Windows, controls systems for optimized building energy management Energy efficient and sustainable ancient museum buildings 77 Energy efficient and sustainable ancient museum buildings 77 Energy efficient and sustainable ancient museum buildings 77 Energy efficient and sustainable ancient museum buildings 77 Energy efficient and sustainable ancient museum buildings 77 Energy efficient and sustainable ancient museum buildings 77 Energy efficient and sustainable ancient museum buildings 77 Energy efficient and sustainable ancient museum buildings 77 Energy efficient and sustainable ancient museum buildings 77 id: work_rv5f5umljvfq5bi7phut7fz3y4 author: Marco Sgarbi title: What was meant by vulgarizing in the Italian Renaissance? date: 2018 words: 15617.0 sentences: 1221.0 pages: 29 flesch: 64.0 cache: ./cache/work_rv5f5umljvfq5bi7phut7fz3y4.pdf txt: ./txt/work_rv5f5umljvfq5bi7phut7fz3y4.txt summary: The role played by these authors is particularly significant, as most of them worked on the translation and vulgarization of philosophical and scientific texts, which in part present a different set of challenges from that of orator, who is concerned more with content than style.42 This might explain Cicero''s aversion to word-for-word translations – but still, according to Castelvetro, Cicero is not critical of literal translation in an overall sense; rather, Cicero wishes to assert that it is possible possible and express the meaning".65 In other words, for Faustus Longianus translation case, how to make a philosophical discourse popular.82 Robortello''s underlying Aristotelianism plugs into Cicero''s theory of the orator as translator, or vulgarizer. the same concept should be translated with the vernacular term that most closely corresponds to the original word, not concept, in the target language. 7. Segre, "I volgarizzamenti del Due e Trecento"; Contamine, Traductions et traducteurs; Guthmüller, "Die volgarizzamenti"; Folena, Volgarizzare e tradurre; Beer, Translation Theory and id: work_gcxyp6ur2jflbgb3hxhi72trs4 author: Maria Alambritis title: Julia Cartwright (7 November 1851–28 April 1924) date: 2019 words: 578.0 sentences: 88.0 pages: flesch: 63.0 cache: ./cache/work_gcxyp6ur2jflbgb3hxhi72trs4.pdf txt: ./txt/work_gcxyp6ur2jflbgb3hxhi72trs4.txt summary: 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. id: work_caqpdvdtuzb5xbtde2wwhgd4ym author: Maria João Bravo Lima Delgado title: The Contribution of Regional Costume in Fashion date: 2015 words: 3629.0 sentences: 237.0 pages: 8 flesch: 54.0 cache: ./cache/work_caqpdvdtuzb5xbtde2wwhgd4ym.pdf txt: ./txt/work_caqpdvdtuzb5xbtde2wwhgd4ym.txt summary: Portugal, through partnerships based on a co-creative work, transparency and complicity of players designers, craftsmen, users, fashion, with a view to promoting national cultural identity while satisfying the needs of economic and social sustainability of the Keywords: Fashion, Handicraft, Regional Costume, Tradition, Co-design. Modernity in craftwork tradition fosters the development of new products that answer the current fashion trends. ancestral values and it''s techniques to create a creativity space, innovation, design and tradition that associates establishing fashion products in Portugal, through partnerships based on a co-creation work, transparency and industry, promotes social, cultural and humane dimension of national traditions, contributing to the process of design creating innovative products in fashion, based on references of traditional Portuguese culture. based on the development of fashion products from traditional culture. importance of this symbolism in regional costumes can have the success of its fashion products, hire designers to id: work_zvsqlfg3uzblfj4jt5vv32ykfi author: Maria Kukhta title: Experience of Integrating Humanities and Natural Sciences into the Educational Environment date: 2015 words: 2755.0 sentences: 196.0 pages: 5 flesch: 45.0 cache: ./cache/work_zvsqlfg3uzblfj4jt5vv32ykfi.pdf txt: ./txt/work_zvsqlfg3uzblfj4jt5vv32ykfi.txt summary: Experience of Integrating Humanities and Natural Sciences into the Educational Environment Experience of Integrating Humanities and Natural Sciences into the In this regard, complementary relationship between humanities and natural sciences, contributing to the development of symbolic Approaches to investigating dialogue mode in the educational environment, resulting in the formation and harmonious Within the post-nonclassical paradigm, the relationship between humanities and natural sciences can be development of other associative chains and symbolic images (Kuznetsov, 1965). 4. Development of symbolic thinking as a foundation for the creative personality formation symbol captures a certain type of relationship between cosmos and human microcosm, ''shows'' a man the situation of knowledge is associated with the semiotization experience where the consciousness symbols are Studies of ancient cultures suggest that symbolic thinking is not only associated role is given to the development of symbolic thinking in the dialogue relationship between a student and a teacher. development of symbolic consciousness, awakening of creativity. id: work_odbwvgdt55empgyhqegnbq477i author: Maria Vittoria Comacchi title: Voir l''au-delà: L''experience visionnaire et sa representation dans l''art Italien de la Renaissance. Andreas Beyer, Philippe Morel, and Alessandro Nova, eds. Études Renaissantes 22. Turnhout: Brepols, 2017. 420 pp. €80 date: 2019 words: 297.0 sentences: 34.0 pages: flesch: 60.0 cache: ./cache/work_odbwvgdt55empgyhqegnbq477i.pdf txt: ./txt/work_odbwvgdt55empgyhqegnbq477i.txt summary: Voir l''au-delà : l''expérience visionnaire et sa représentation dans l''art italien de la Renaissance (Collection "Études renaissantes" ; 22) | Semantic Scholar Skip to search formSkip to main content> Semantic Scholar''s Logo Search Corpus ID: 194802587Voir l''au-delà : l''expérience visionnaire et sa représentation dans l''art italien de la Renaissance (Collection "Études renaissantes" ; 22) title={Voir l''au-del{\''a} : l''exp{\''e}rience visionnaire et sa repr{\''e}sentation dans l''art italien de la Renaissance (Collection "{\''E}tudes renaissantes" ; 22)}, author={Alessandro Nova and A. Alessandro Nova, A. Most useful is this book''s appendix, which… Expand Share This Paper Related Papers Related Papers About Semantic Scholar Semantic Scholar is a free, AI-powered research tool for scientific literature, based at the Allen Institute for AI. By clicking accept or continuing to use the site, you agree to the terms outlined in our Privacy Policy, Terms of Service, and Dataset License ACCEPT & CONTINUE id: work_dbllj5j3lvguri2ppeiimlqc4e author: Mariana Aguirre title: Ardengo Soffici''s The Room of the Mannequins: Primitivism, Classicism and French Modernism date: 2017 words: 11139.0 sentences: 1032.0 pages: 30 flesch: 63.0 cache: ./cache/work_dbllj5j3lvguri2ppeiimlqc4e.pdf txt: ./txt/work_dbllj5j3lvguri2ppeiimlqc4e.txt summary: Ardengo Soffici''s engagement with African art was mediated by French Keywords: Ardengo Soffici, Primitivism, Modernism, Cubism, Colonialism, Given Ardengo Soffici''s key role in the development of Italian art, it is necessary to Soffici''s contemporaneous writings about African art and Cubism, the frescoes bring to Mannequins belies Soffici''s rejection of non-European primitivism in his art criticism, and referenced Soffici''s debt to French art rather than Italian colonialism in Africa, during the Soffici''s art criticism, Cubism, and primitivism Soffici was in Paris when French artists "discovered" African sources at the same time, this account of Cubism considers African art''s importance for the French Soffici, "Paul Cézanne", in: Vita d''arte, 8 June 1908; "Henri Rousseau", in La Voce, 15 September 1910; and "Un libro su African sculpture for the development of Italian art, but also that of Cubism, a choice Africans in modern Italian art developed well into late Fascism and did not lead to id: work_dxsa2q5wbbeo3blbth2knsntb4 author: Marianna D. Birnbaum title: Janus Pannonius Versei. Edited by Tibor Kardos. Budapest: Szépirodalmi Könyvkiadó, 1972. 322 pp. 34 Ft.ÉLő Humanizmus. By Tibor Kardos. Budapest: Magvető Kiadó, 1972. 654 pp. 35 Ft date: 1973 words: 1645.0 sentences: 94.0 pages: 3 flesch: 56.0 cache: ./cache/work_dxsa2q5wbbeo3blbth2knsntb4.pdf txt: ./txt/work_dxsa2q5wbbeo3blbth2knsntb4.txt summary: Kardos, the outstanding Hungarian Renaissance scholar, has published a new selection of his poetry in Hungarian translation, with a seventy-page assessment of his The competent editorial work, the generally excellent translations, the attractively printed volume, and the copious notes (though many of them have appeared T h e last "complete" Latin edition of Pannonius (used as source material for this volume) appeared in 1784. Tibor Kardos in his excellent essay on the fall of Pannonius In addition to his discussion of Janus Pannonius''s exclusively Latin poetry, Kardos, in his approach, which unfortunately no Hungarian publication of that period could avoid. The last essay is devoted to Sandor Weores, one of the most exciting and complex poets of contemporary Hungarian literature. Despite the German title on the spine (Gesammelte Schriften sum slavischen Aksent), all of Ivsic''s articles reproduced here are in the original Serbo-Croatian, The modern student of Serbo-Croatian accentology should realize that Ivsic id: work_l7po3cmgjrdnbgqgas65xaq7du author: Marina Radic-Sestic title: The beginnings of education of the deaf persons: Renaissance Europe (XIV-XVI century) date: 2012 words: 6841.0 sentences: 447.0 pages: 19 flesch: 66.0 cache: ./cache/work_l7po3cmgjrdnbgqgas65xaq7du.pdf txt: ./txt/work_l7po3cmgjrdnbgqgas65xaq7du.txt summary: deaf persons which was brought by the historic Renaissance period, Key words: society, renaissance, education, deaf pupil, positive influence on the education of the deaf children (Van Cleve, Mediaeval philosophers and teachers considered the deaf people begun systematic work of teachers and physicians with the deaf. deaf children should be educated in the best possible way. possibility of intellectual development and education of the deaf found deaf that he has successfully educated, Carrion is considered to be the deaf Italian Renaissance painter, known as an extraordinary master Renaissance painter, who was deaf from birth. i dr.: The beginnings of education of the deaf persons: i dr.: The beginnings of education of the deaf persons: i dr.: The beginnings of education of the deaf persons: i dr.: The beginnings of education of the deaf persons: i dr.: The beginnings of education of the deaf persons: i dr.: The beginnings of education of the deaf persons: id: work_kqoxlcruifhrvfinqrik6d6dp4 author: Mariselle Meléndez title: The Colonial Spanish-American City. Urban Life in the Age of Atlantic Capitalism (review) date: 2006 words: 2152.0 sentences: 200.0 pages: 4 flesch: 58.0 cache: ./cache/work_kqoxlcruifhrvfinqrik6d6dp4.pdf txt: ./txt/work_kqoxlcruifhrvfinqrik6d6dp4.txt summary: Urban Life in the Age of Atlantic Capitalism (review) enmarcan la discusión del autor y que se emblematizan, respectivamente, en las propuestas de de los aspectos más sugerentes del capítulo, y En el capítulo II, "El sujeto y el Otro: Elecciones éticas y políticas," enfocado en las novelas por las aportaciones ya destacadas, considero que Kinsbruner offers both a history and interpretation of the colonial Spanish American city from chapter, the author discusses the constitution of urban life: the streets and cities in general were centers on the urban economy as related to commercial capitalism. discussion about the daily and perpetual contestation which took place in colonial cities, especially in their streets, alamedas, plazas and parks. For Kinsbruner, "status in urban colonial Spanish America''s social architecture was proclaimed The Colonial Spanish-American City The Colonial Spanish-American City The Colonial Spanish-American City The Colonial Spanish-American City The Colonial Spanish-American City id: work_4we3f6nw2ncirldjazvtmp7nz4 author: Marta Ajmar title: 0084 Mechanical Disegno date: 2020 words: 10060.0 sentences: 572.0 pages: 21 flesch: 58.0 cache: ./cache/work_4we3f6nw2ncirldjazvtmp7nz4.pdf txt: ./txt/work_4we3f6nw2ncirldjazvtmp7nz4.txt summary: organic, technologically engaged and "mechanical" notion of disegno, in which design 1 For an extensive discussion of disegno, also in relation to the "minor arts", see Luke Syson and 5 Vasari calls disegno the father of the three arts of architecture, sculpture and painting (see Vasari subsumes all the arts under the rubric of painting, sculpture or architecture – position within the Renaissance debate on the arts, Benedetto Varchi''s Lezzione nella [14] I would like to explore these issues further by looking at pottery as a mechanical art. mimesis, whereby pottery might be transformed into other arts, such as painting or [15] The notion of the mechanical art fits well with Renaissance pottery. Renaissance pottery that has most often been associated with notions of disegno and Pottery in Renaissance Italy," in: The Art Market in Italy (15th-17th Centuries), ed. design, technology and materiality, where pottery connects meaningfully with other arts, id: work_65b7z6j5org33owceyvwvnd4em author: Martha Rosler title: Notes from the Field: Materiality date: 2013 words: 3343.0 sentences: 282.0 pages: 5 flesch: 61.0 cache: ./cache/work_65b7z6j5org33owceyvwvnd4em.pdf txt: ./txt/work_65b7z6j5org33owceyvwvnd4em.txt summary: materials have become a field of art historical research, to early modern textile interiors shall be sketched here in order before the Restoration, layers a modernist stance onto medieval and early modern notions of interior space. appears as a mise en abyme of such textile spaces, a phenomenon that contradicts the Renaissance notion of architecture open the view through the missing "fourth wall." Early modern perspectival space, instead, gives a view through a continuum in which textiles, hung or folded, are reduced to modern textile interiors testify to a notion of space as something material, opaque, sensorial, discontinuous, non-Euclidean, folded, polyfocal, social, and topological. Tristan Weddigen is professor of early modern art at the University of research project "An Iconology of the Textile Medium in Art and Architecture" [University of Zurich, Institute of Art History, Raemistrasse 73, CH-8006 Zurich, Switz., tristan.weddigen@uzh.ch]. Material der Kunst (Munich: Beck, 2001); Monika Wagner and Dietmar id: work_nhyyb6vjnbfwnge73z46gdpjca author: Martien Versteeg title: Two decades of change in Dutch university art libraries date: 2009 words: 3296.0 sentences: 214.0 pages: 6 flesch: 55.0 cache: ./cache/work_nhyyb6vjnbfwnge73z46gdpjca.pdf txt: ./txt/work_nhyyb6vjnbfwnge73z46gdpjca.txt summary: UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Art Libraries Journal Two decades of change in Dutch university art libraries. Two decades of change in Dutch university art libraries. https://dare.uva.nl/personal/pure/en/publications/two-decades-of-change-in-dutch-university-art-libraries(c03ec77b-c105-4045-9032-7bbcaac97a84).html important academic library with a large art historical collection and, since it is the Dutch national library, The other Dutch universities do not offer art build a new library (as in the University of Dutch university art libraries n 1987 Chris Smeenk wrote in this journal about the libraries of the Dutch art building but left the library collection almost between the Royal Library (Germanic art), Utrecht exchange of students, forcing libraries to collect fortunately many other art history libraries that The requirements for academic art libraries at the Overview of the art libraries University library buildings will research institutions,'' Art libraries journal 12, no.1 Information centre of the library of Leiden University. id: work_f3fuzpnijvc6nk5axrr6bsjkce author: Mary E. Helander title: The gravity of an edge date: 2018 words: 13793.0 sentences: 1140.0 pages: 35 flesch: 68.0 cache: ./cache/work_f3fuzpnijvc6nk5axrr6bsjkce.pdf txt: ./txt/work_f3fuzpnijvc6nk5axrr6bsjkce.txt summary: k-Gravity, Node centrality, Path enumeration, Social network analysis, Strength of weak A local bridge is an edge whose removal would not necessarily disconnect the network but would still be significantly disruptive to information flow. as a natural metric that can be computed algorithmically as the number of paths in a network that rely on a particular edge. We exploit these properties of k-shortest path algorithms for computing the Edge Gravity metric exactly, or finding a lower bound (called, k-Gravity) to indicate the relative Edge Gravity and its implications for structural importance of social network components the Edge Gravity Algorithm and associated methodology to four well-known social networks: two of Granovetter''s examples (Granovetter 1973), the Florentine families network have found the Edge Gravity ranking while not enumerating all network paths. Fig. 17 Edge Gravity solutions for the Florentine families network, with bridges to nowhere removed, when id: work_qu6jbtsoijd4vp6e4ul2csukey author: Massa Esteve title: Historical activities in the mathematics classroom: Tartaglia''s Nova Scientia (1537) date: 2014 words: 5991.0 sentences: 544.0 pages: 13 flesch: 66.0 cache: ./cache/work_qu6jbtsoijd4vp6e4ul2csukey.pdf txt: ./txt/work_qu6jbtsoijd4vp6e4ul2csukey.txt summary: Nova Scientia (1537) by Tartaglia for use in the mathematics classroom. Renaissance mathematical instrument for measuring the height of a mountain in order to motivate the study Key words: History of mathematics, teaching, Niccolò Tartaglia, Nova Scientia, geometry. providing students with a diff erent vision of mathematics, and by improving the learning process (Katz, elective subjects involving the history of mathematics; 3) for holding workshops, anniversary celebrations and conferences, and 4) for implementing signifi cant historical texts in order to improve understanding of mathematical concepts (Massa Esteve, Historical activities in the mathematics classroom: Tartaglia''s Nova Scientia (1537) Historical activities in the mathematics classroom: Tartaglia''s Nova Scientia (1537) Historical activities in the mathematics classroom: Tartaglia''s Nova Scientia (1537) Historical activities in the mathematics classroom: Tartaglia''s Nova Scientia (1537) Historical activities in the mathematics classroom: Tartaglia''s Nova Scientia (1537) Historical activities in the mathematics classroom: Tartaglia''s Nova Scientia (1537) Historical activities in the mathematics classroom: Tartaglia''s Nova Scientia (1537) id: work_v7ck5kxosvfp7koz3yi6frajcu author: Matthew C Potter title: Breaking the shell of the humanist egg: Kenneth Clark''s University of London lectures on German art historians date: 2014 words: 17339.0 sentences: 981.0 pages: 34 flesch: 58.0 cache: ./cache/work_v7ck5kxosvfp7koz3yi6frajcu.pdf txt: ./txt/work_v7ck5kxosvfp7koz3yi6frajcu.txt summary: Wölfflin was praised for his formal analysis of Baroque art – a matter Clark 106 Clark, ''Wölfflin'', 6; Michael Podro, The Critical Historians of Art, New Haven and London: Clark was convinced of the merits of German art historians like Riegl and Wölfflin. University of London lectures on German art historians University of London lectures on German art historians University of London lectures on German art historians University of London lectures on German art historians University of London lectures on German art historians University of London lectures on German art historians University of London lectures on German art historians University of London lectures on German art historians University of London lectures on German art historians University of London lectures on German art historians University of London lectures on German art historians University of London lectures on German art historians University of London lectures on German art historians id: work_spywvikfcfcshk3sabxrwkntv4 author: Matthew Rampley title: ''The Persistence of Nationalism'': Michela Passini, La fabrique de l''art national: Le nationalisme et les origins de l''histoire de l''art en France et en Allemagne 1870-1933. Paris, Maisons des sciences de l''homme, 2012 date: 2014 words: 1763.0 sentences: 83.0 pages: 4 flesch: 55.0 cache: ./cache/work_spywvikfcfcshk3sabxrwkntv4.pdf txt: ./txt/work_spywvikfcfcshk3sabxrwkntv4.txt summary: Michela Passini, La fabrique de l''art national: Le nationalisme et les origins de a proliferation of national histories of art. German art history writing and, crucially, the ways that they were contested. its sustained analysis of French art historians, such as Louis Courajod, Louis Dimier, artistic traditions, in which German and French art came to be defined in opposition As such we are reminded that French and German art historians authors, but French art historians frequently articulated equally nationalistic views The mutual suspicion of many German and French art historians is strongly The depressing story of nationalism''s hold on art history is one that could which Dehio tied to the German national spirit was repeated elsewhere in central specifically Czech treatment of late Gothic art. kinds of disputes over ''ownership'' of late Gothic as German and French art historians did over Gothic or Renaissance art reminds us of the wider pattern into id: work_dtxomv26ajbjjdvhnwi5rdtkge author: Mauro Giovanni Carta title: Mental Health in the Mediterranean Area date: 2020 words: 2148.0 sentences: 184.0 pages: 3 flesch: 59.0 cache: ./cache/work_dtxomv26ajbjjdvhnwi5rdtkge.pdf txt: ./txt/work_dtxomv26ajbjjdvhnwi5rdtkge.txt summary: Content list available at: https://clinical-practice-and-epidemiology-in-mental-health.com 1Department of Medical Sciences and Public Health, University of Cagliari, Cagliari, Italy The theme of "Mental Health and Mediterranean" opens communities of the Mediterranean region must regain the will people with mental health issues. https://clinical-practice-and-epidemiology-in-mental-health.com 68 Clinical Practice & Epidemiology in Mental Health, 2020, Volume 16 Carta et al. It is not easy in today''s cultural crisis of the Mediterranean the countries of the Mediterranean region will strengthen the perception of respect for human rights of users in mental health the perception of professionals working in the mental health Another paper compares the beliefs about mental disorders program on human rights in mental health started to be specificities of mental health in the Mediterranean region and history of mental health. from Mediterranean region. public beliefs about mental disorders: A Comparisonbetween Tunisia Mental Health in the Mediterranean Area Mental Health in the Mediterranean Area id: work_zbse57nzgjfxticbc2i27cm7bu author: Megan Johnson title: Virtually Usable: A Test of the Information Gardens date: 2007 words: 5561.0 sentences: 421.0 pages: 17 flesch: 60.0 cache: ./cache/work_zbse57nzgjfxticbc2i27cm7bu.pdf txt: ./txt/work_zbse57nzgjfxticbc2i27cm7bu.txt summary: Virtually Usable: A Test of the Information Gardens were conducted on portions of the Information Gardens utilizing representative users. evaluation is performed early in the design process and assesses a user interface by The Information Gardens is the second library created within the AET Zone. The goal of our study is to evaluate the usability of the new Information Gardens design virtual library space based on the results of this evaluation and then re-tested with two The participants in the final formative evaluation were Subject G, a male student in his Information Gardens is used to link to the Belk Library Web site (subject F, when she Usability Study Questions for the AET Zone Information Gardens 3. Find the object in the Information Gardens which links you to the library catalog. 3. Find the object in the Information Gardens which links you to the library catalog. id: work_2gk324xzmjdcvpudk6to6ak3hm author: Meredith J. Gill title: Renaissance Woman: The Life of Vittoria Colonna. Ramie Targoff. New York: Farrar, Straus and Giroux, 2018. 342 pp. $30 date: 2020 words: 995.0 sentences: 65.0 pages: 2 flesch: 64.0 cache: ./cache/work_2gk324xzmjdcvpudk6to6ak3hm.pdf txt: ./txt/work_2gk324xzmjdcvpudk6to6ak3hm.txt summary: RQX_73_2_Book-Reviews 664..666 Renaissance Woman: The Life of Vittoria Colonna. the first woman in Italy to see a collection of her poetry in print. received news from Milan of his death. Colonna traveled to Rome, seeking a vocation Ramie Targoff tells Colonna''s story with empathy and imagination, gracefully circumventing academic conceits and disciplinary boundaries. Targoff describes the circumstances of Colonna''s approaching death and her late meditations on paradigms of female piety, Catherine of Alexandria, and Mary Magdalene, Order (of whom Colonna was a champion), and the format of a Renaissance originality of Colonna''s works. Whether Colonna was a "Renaissance woman," Vasari''s Words: The "Lives of the Artists" as a History of Ideas in the Italian studied Lives of the Artists is a neglected chapter in the intellectual history of Renaissance Biow needs to articulate his view of the fundamental design of the Lives: profession, id: work_6s4msdtx4vfczafcudxtckassi author: Michael Angold title: George Gemistos Plethon C. M. Woodhouse: George Gemistos Plethon. The Last of the Hellenes. Pp. xxi + 391. Oxford: Clarendon Press, 1986. £40 date: 1988 words: 2945.0 sentences: 655.0 pages: 10 flesch: 77.0 cache: ./cache/work_6s4msdtx4vfczafcudxtckassi.pdf txt: ./txt/work_6s4msdtx4vfczafcudxtckassi.txt summary: Basarab, Die Kirche als Verkünderin und Auslegerin der Heiligen Schrift . Basarab, Die Kirche als Verkünderin und Auslegerin der Heiligen Schrift . der Exilsrussen auf der einen Seite und völlig ablehnende Kritik für die theologische A r Dieses Buch stellt im Grunde eine Abrechnung mit der Zoi-Bewegung dar und läßt deshalb zeitweilig an Objektivität zu wünschen übrig. In dieser Hinsicht ist das Buch von Yannaras ein einmaliges, unwiderlegbares und lesenswertes »Zeugnis«. die Ansicht, daß es zwar viele Monographien übeverschiedene Aspekte des Lebens und des Werkes Plethons gibt, aber »there der Litentur nicht anführt, befaßt sich mit dem Leben und dem Werk Plethons, auch Es fällt jedoch bei den Schriften Plethons auf, daß der Autor Den Wendepunkt für die Zulegung des Namens Plethon erblickt der Verfasser Diese Einteilung des Werkes und die Benennung der beiden Teile widerspricht übrigens auch der Verwendung der Namen durch W. Der Dialog und die id: work_fq4x3rwngfgrnerdx7w7z6ul64 author: Michael Asselmeyer title: Architecture of Regionalism in the Age of Globalization: Peaks and Valleys in the Flat World By Liane Lefaivre and Alexander Tzonis Routledge, London and New York, 2011 232 pp., many drawings and illus. ISBN: 978-0-415-57579-9 £29.99 (pb) date: 2012 words: 2058.0 sentences: 134.0 pages: 4 flesch: 50.0 cache: ./cache/work_fq4x3rwngfgrnerdx7w7z6ul64.pdf txt: ./txt/work_fq4x3rwngfgrnerdx7w7z6ul64.txt summary: Additional services for Architectural Research Quarterly: Architecture of Regionalism in the Age of Globalization: Peaks and Valleys in the Flat World By Liane Lefaivre and Alexander Tzonis Routledge, London and New York, 2011 232 pp., many drawings and illus. Review of Liane Lefaivre, and Alexander Tzonis ''Architecture of Regionalism in the Age of Globalization: Peaks and Valleys in the Flat World'' Architectural Research Quarterly, 16, pp 185­187 doi:10.1017/ century between regional versus Regionalism''), Chapter Ten (''Regionalism Rising'') and Chapter Architecture of Regionalism in architecture and recent regionalist architecture and theory during the 12 chapters (''The Regional and the 2 Regional – but regionalist? samples of regionalist architecture architecture with references to the 3 ''Building like the French do'': Cologne Cathedral between regionalism and globalism between regionalism and globalism of Lefaivre''s and Tzonis''s new book regionalist architecture. regionalist architecture. Architecture at the University of in British architectural history. architecture, Curl''s study explores id: work_yv3ivwgjjbf7dmkcag7uptqpaa author: Michael Chapman title: James Ackerman—Origins, Imitation, Conventions date: 2003 words: 2096.0 sentences: 223.0 pages: 4 flesch: 37.0 cache: ./cache/work_yv3ivwgjjbf7dmkcag7uptqpaa.pdf txt: ./txt/work_yv3ivwgjjbf7dmkcag7uptqpaa.txt summary: James Ackerman Origins, Imitation, Conventions focusing primarily on Ackerman''s principal interest: the Italian Renaissance. and Architecture (Cambridge: The MIT Press, 1991), Ackerman reveals in the preface which refers to a point selected in constructing a Renaissance-specifically Albertianperspective image that fixes the distance of the observer from the object. Ackerman examines critically the relationship of academic history to specific historical Ackerman''s work also embraces the relative position of the artist towards antiquity. Ackerman redefines creativity as a continual manipulation of historical conventions, architecture is described, depicting a hiatus in the Renaissance between the relative Renaissance art historians, provided a new theoretical impetus for architecture through by the architects of the Renaissance who preferred the principles of perspective over the perhaps my interpretation of Italian late medieval and Renaissance architectural architecture [Ackerman 2002: 61]. Another important historical moment depicted by Ackerman is the Renaissance Ackerman examines the relationship between authoritative account of major developments in art-history and architectural id: work_737vo6ecunbghogpx64zbmzl4a author: Michael Conner title: Michael Baxandall date: 2009 words: 714.0 sentences: 38.0 pages: 1 flesch: 56.0 cache: ./cache/work_737vo6ecunbghogpx64zbmzl4a.pdf txt: ./txt/work_737vo6ecunbghogpx64zbmzl4a.txt summary: Michael Baxandall, who has died aged 74, was an art historian of extraordinary perceptive and In 1958, Baxandall began formulating a thesis awarded a two-year fellowship at the Warburg lecturer in renaissance studies. Experience in Fifteenth-Century Italy (1972). social history of pictorial style", as he called early Renaissance pictures and the society in Baxandall''s idea was that at different times and awarded the Mitchell prize for the history of art. By the time these latter works were published, Berlin, and been awarded prizes by the University The work of Gombrich on perception remained The most important publication of his later years, analyses of shadows with the pictorial practice Baxandall''s last years were lived under the son Tom. Michael David Kighley Baxandall, art historian, Michael Baxandall Downloaded from https://www.cambridge.org/core. Carnegie Mellon University, on 06 Apr 2021 at 01:06:17, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://www.cambridge.org/core https://www.cambridge.org/core/terms id: work_h7gtylpmpfdfnmlpci7nonaiuq author: Michael J. B. Allen title: The Intellectual World of the Italian Renaissance: Language, Philosophy, and the Search for Meaning. Christopher S. Celenza. Cambridge: Cambridge University Press, 2017. xvi + 438 pp. $120 date: 2019 words: 2052.0 sentences: 294.0 pages: 3 flesch: 51.0 cache: ./cache/work_h7gtylpmpfdfnmlpci7nonaiuq.pdf txt: ./txt/work_h7gtylpmpfdfnmlpci7nonaiuq.txt summary: The first one is Robichaud''s study of the rhetorical features that Ficino implements in Although the topic of the relations between rhetoric and philosophy in the Renaissance has been explored from various points of view (suffice to It definitely constitutes a very important contribution to Renaissance studies. The Intellectual World of the Italian Renaissance: Language, Philosophy, and the rather, an examination of the intellectual worlds of the fifteenth century and in particular of the dominant role of Latin. Saggiatore to a Jesuit named Grassi, who had drawn upon some of Galileo''s work without attribution and had questioned his theories about comets. Among these is a fascination with the conflicting authorities wielded by such institutions as the church, the universities, the courts, and even particular philosophical Authority and Biblical Criticism in the Dutch Golden Age: God''s Word Questioned At the core of the book are chapter 4, "The Biblical Philology of Daniel Heinsius (1619–1641)," and chapter 5, id: work_63vjm466o5bnpjg2oxbd4kaxs4 author: Michael Lettieri title: Cortigiana (review) date: 2004 words: 970.0 sentences: 57.0 pages: 3 flesch: 57.0 cache: ./cache/work_63vjm466o5bnpjg2oxbd4kaxs4.pdf txt: ./txt/work_63vjm466o5bnpjg2oxbd4kaxs4.txt summary: Carleton Renaissance Plays in Translation. For centuries, literary critics have judged his works without always has been successful in shedding new light on Aretino�s literary production The Cortigiana, as we read on the back cover of the translation by J. commedia erudita, and improvisational street comedy, La cortigiana also Campbell and Sbrocchi�s English translation of Cortigiana is an especially Renaissance comedy (but this is true for any other literary genre) can be comedies of the Italian Renaissance, and yet it had to wait almost five hundred years to be translated into English. such as Aretino�s life and theatrical production, the two Cortigiana texts, the title and language of the play La cortigiana and the commedia erudita, Rome Castiglione�s Book of the Courtier and La cortigiana, and on Pasquino The translation is based on the 1525 single manuscript of Cortigiana. established Church and the new religious ideas. id: work_rpqybn5v55fwzea4i365uo5bmi author: Michael Wyatt title: The Universities of the Italian Renaissance (review) date: 2004 words: 1477.0 sentences: 79.0 pages: 4 flesch: 55.0 cache: ./cache/work_rpqybn5v55fwzea4i365uo5bmi.pdf txt: ./txt/work_rpqybn5v55fwzea4i365uo5bmi.txt summary: The Universities of the Italian Renaissance (review) The Universities of the Italian Renaissance (review) as late as the 1880s versions of emblem books which have the Pia Desideria The Universities of the Italian Renaissance The early Italian university was a far cry from its modern counterpart. But as Paul Grendler�s authoritative study The Universities of the Italian remarkably fertile period for the Italian university between about 1450 and significant examination of Italian pre-university education, Schooling in The first section of Grendler�s study explores the creation, administration, and functioning of each of the Italian universities. The attention Grendler devotes to faculty compensation demonstrates Even when they did not begin as such, all Italian universities came to be were granted through the territorial political authority after a course of disciplines taught in the early Italian university, spells out the creative In Reformation, Politics and Polemics John Craig explores the id: work_xpa3msb455hnznot2pvlf5ywgi author: Michele Mossa title: The recent 500th anniversary of Leonardo da Vinci''s death: a reminder of his contribution in the field of fluid mechanics date: 2020 words: 2980.0 sentences: 270.0 pages: 10 flesch: 69.0 cache: ./cache/work_xpa3msb455hnznot2pvlf5ywgi.pdf txt: ./txt/work_xpa3msb455hnznot2pvlf5ywgi.txt summary: In this work, a summary of Leonardo da Vinci''s contribution in the field of fluid mechanics is reported. highlighted, such as vortices, flow fields with obstacles, the continuity law, waves, velocity in the codes prove that Leonardo''s interest in fluid mechanics works and water is only one Only many years later after Leonardo, Guglielmini [5] and Bidone [6] notice the phenomenon of a hydraulic jump. Leonardo drew the waves several times and an example is shown in Fig. 5. Like Archimedes, Leonardo made great contributions in hydraulic works and machines. As an example of hydraulic works, Leonardo''s contribution in Milan will be briefly The recent 500th anniversary of Leonardo da Vinci''s death: a reminder of his contribution in the field of fluid mechanics The recent 500th anniversary of Leonardo da Vinci''s death: a reminder of his contribution in the field of fluid mechanics id: work_frymu6uqqbg2lhypatlm3bqxee author: Miloš Duraj title: Monuments of the Czech Republic on the UNESCO World Heritage Site List and their Significance for Geotourism date: 2016 words: 3925.0 sentences: 351.0 pages: 6 flesch: 63.0 cache: ./cache/work_frymu6uqqbg2lhypatlm3bqxee.pdf txt: ./txt/work_frymu6uqqbg2lhypatlm3bqxee.txt summary: Monuments of the Czech Republic on the UNESCO World Heritage Site List and their Significance for Geotourism The article presents the monuments from the Czech Republic enlisted on the UNESCO World Heritage Site List. Keywords: UNESCO cultural and natural heritage; architectural styles; monuments; geology; tourism; UNESCO World Heritage Site List includes more than 1000 items of a cultural, natural and mixed character. and in the Czech Republic, is the geological structure of a given locality, where the specific monuments are located. The UNESCO World Heritage List gradually incorporates different monuments of a global significance. The building is in the Baroque Gothic style. i.e. Archbishop''s Chateau and its adjoining gardens, joined the UNESCO World Heritage List. It is the only modern architecture building in the Czech Republic listed on this UNESCO list. The architectural monuments in the Czech Republic listed on the UNESCO World Heritage List were built on id: work_q57cafylife2rmvihlvmu6hgue author: Minou Schraven title: Out of Sight, Yet Still in Place: On the Use of Italian Renaissance Portrait Medals as Building Deposits date: 2009 words: 7826.0 sentences: 669.0 pages: 12 flesch: 72.0 cache: ./cache/work_q57cafylife2rmvihlvmu6hgue.pdf txt: ./txt/work_q57cafylife2rmvihlvmu6hgue.txt summary: Matteo De''Pasti, the obverse of the portrait medal of Sigismondo Malatesta, bears Art: Sigismondo Pandolfo Malatesta of Rimini and ''Cose Militari,''" and walls of buildings; while some portrait medals issue of RES, specific attention will be given to the nonvisibility of the medals deposited within the foundations The portrait medals of Sigismondo Malatesta design one more portrait medal for Sigismondo with a building on its the first Renaissance portrait medal to show a building Matteo De''Pasti, the reverse of the portrait medal of Sigismondo The very practice of using portrait medals as building number of deposited portrait medals has been uncovered portrait medals with Castel Sismondo on the reverse and But Sigismondo''s portrait medals were also deposited Part of the deposited bronze portrait medals of Sigismondo Malatesta, portrait medals is, of course, the deposition of coins. The numbers of portrait medals deposited his deposited portrait medals.43 his deposited portrait medals.43 id: work_3ke7io55efeldayk6hk4hnl3oq author: Mollie Claypool title: The Consequences of Dialogue and the Virgilian Nostalgia of Colin Rowe date: 2016 words: 4555.0 sentences: 261.0 pages: 13 flesch: 58.0 cache: ./cache/work_3ke7io55efeldayk6hk4hnl3oq.pdf txt: ./txt/work_3ke7io55efeldayk6hk4hnl3oq.txt summary: as Rudolf Wittkower''s only student at the Warburg Institute in London. unpublished Master''s thesis, titled "The Theoretical Drawings of Inigo Jones: Rowe lucidly observes that the Renaissance villas of architect Palladio and villas of Le Corbusier and Palladio is, in Rowe''s terms, a return to the This positioning of architectural history by Rowe in "The Mathematics of the unpublished thesis, titled "The Theoretical Drawings of Inigo Jones: Their the Warburg Institute for both Wittkower and Rowe. did not use diagrams, as Rowe did in "The Mathematics of the Ideal Villa," or Rowe''s argument is very similar to that of the exhibition put on by Wittkower ("theoretical") drawings, which Rowe argued is the evidence of Jones'' Rowe can argue that Inigo Jones intended to construct a theoretical treatise 7 Colin Rowe, The Architecture of Good Intentions (London: John Wiley & Sons, 1994), 48. 15 Colin Rowe, "Prefatory Note," in The Theoretical Drawings of Inigo Jones: Their Sources id: work_uzvdqp4onfcyvnrs4zwgek6uhq author: Monica Azzolini title: Tommaso Duranti. Mai sotto Saturno: Girolamo Manfredi, medico e astrologo. Bologna medievale ieri e oggi 10. Bologna: CLUEB, 2008. 212 pp. index. illus. tbls. chron. bibl. €19. ISBN: 978–88–491–3129–1 date: 2010 words: 1265.0 sentences: 106.0 pages: 4 flesch: 56.0 cache: ./cache/work_uzvdqp4onfcyvnrs4zwgek6uhq.pdf txt: ./txt/work_uzvdqp4onfcyvnrs4zwgek6uhq.txt summary: Azzolini, M 2010, ''Never under Saturn: Girolamo Manfredi, physician and astrologer'', Renaissance Never under Saturn: Girolamo Manfredi, physician and astrologer. Never under Saturn: Girolamo Manfredi, physician and astrologer. Copyright for the publications made accessible via the Edinburgh Research Explorer is retained by the author(s) https://www.research.ed.ac.uk/portal/en/publications/never-under-saturn-girolamo-manfredi-physician-and-astrologer(cc0d4e4b-fda1-4d3c-b355-35e7f7f7caef).html Mai sotto Saturno: Girolamo Manfredi, medico e astrologo Mai sotto Saturno: Girolamo Manfredi, medico e astrologo by Tommaso Duranti Published by: The University of Chicago Press on behalf of the Renaissance Society of America The University of Chicago Press and Renaissance Society of America are collaborating with JSTOR to digitize, physician and astrologer Girolamo Manfredi. historians, Manfredi lived and operated with remarkable success in fifteenthcentury Bologna, rising to a notable level of prominence both within the university where he reads and analyzes Manfredi''s medical and astrological works, it seems the book relatively useful as an introductory work on a lesser-known author, but http://www.jstor.org/page/info/about/policies/terms.jsp http://www.jstor.org/page/info/about/policies/terms.jsp http://www.jstor.org/page/info/about/policies/terms.jsp http://www.jstor.org/page/info/about/policies/terms.jsp http://www.jstor.org/page/info/about/policies/terms.jsp id: work_l6mafgyxrzcqbgqynnfwl22fx4 author: N.R.C. Roberton title: Hospital Paediatrics date: 1985 words: 1642.0 sentences: 241.0 pages: 2 flesch: 71.0 cache: ./cache/work_l6mafgyxrzcqbgqynnfwl22fx4.pdf txt: ./txt/work_l6mafgyxrzcqbgqynnfwl22fx4.txt summary: within a single volume the best state of the art review The remaining chapters unfortunately cover topics which have been adequately Function of the Nervous System, Second edition. This excellent book, now deservedly in its second A brief obituary is included, but the importance of his wide ranging contribution to neuroscience can be seen scattered throughout the pages of This new edition uses more ''boxes'' to highlight 368 BOOK REVIEWS 368 BOOK REVIEWS text book to come out ofProfessor Hull''s Nottingham book up into system-orientated chapters, have adopted a problem-orientated approach, so that a topic is successful; the book is clear, well written with extensive and skilful use of diagrams and tables, though I the best short text book of paediatrics available. These things having been said it is a good book, Edinburgh, London, Melbourne, New York, 1984. Edinburgh, London, Melbourne, New York, 1984. 8th book in a well established series covering topics id: work_iv3nildxajhhlmp3vzsw7hf3xq author: Nadezda Mosusova title: Symbolism and theatre of masques: The deathly carnival of la belle époque date: 2005 words: 8760.0 sentences: 1861.0 pages: 15 flesch: 86.0 cache: ./cache/work_iv3nildxajhhlmp3vzsw7hf3xq.pdf txt: ./txt/work_iv3nildxajhhlmp3vzsw7hf3xq.txt summary: reappeared in the "Jahrhundertwende" the transformed characters of the Commedia dell''arte, flourished in art, literature and music in Italy, France, Austria and Russian and Austrian expressionistic music style, inaugurated by Strauss''s Salome, which won opera stages from the 1905 on. Key-words: Commedia dell''arte, Symbolism, Expressionism, street theatre, Finde-siècle. music in France and Austria (Paris and Vienna), and in Russia as well (St. Petersburg and Moscow) in performing arts, painting and music. authentic personalities on the scene who played important role in the development of the Serbian culture of that time. 3 Let us also recall that Kosti�, the author of the drama, gave a brilliant lecture in German on the female characters in the Serbian national epic poetry at the Wissenschaftlicher Club in Vienna 1876, which assembled the cream of the scientific and artistic triangle of the Russian Commedia dell'' arte presented in this stage work of World of Art, originating from the Russian Symbolism, developed on such an id: work_ib4rdxhlmzebfmtcojbi66vzee author: Natalie Luckyj title: Parks Canada''s Architectural Styles Series date: 1985 words: 2260.0 sentences: 187.0 pages: 5 flesch: 54.0 cache: ./cache/work_ib4rdxhlmzebfmtcojbi66vzee.pdf txt: ./txt/work_ib4rdxhlmzebfmtcojbi66vzee.txt summary: All Rights Reserved © Urban History Review / Revue d''histoire urbaine, 1985 Ce document est protégé par la loi sur le droit d''auteur. Parks Canada''s Architectural Styles Series Parks Canada''s Architectural Styles Series Parks Canada''s Architectural Styles Series Parks Canada''s Architectural Styles Series Canada: Studies in Archeology, Architecture and History, Parks Canada: Studies in Archeology, Architecture and Parks Canada: Studies in Archeology, Architecture and Canada''s architectural heritage has moved beyond a concentration on isolated buildings and led to such substantial A brief survey of the style cites specific examples of Second Empire buildings in England, France and America. the style, as seen in Canada, provides any reader with a The inclusion of numerous drawings, prints and 19th century photographs to illustrate no-longer-existing buildings ambitious volume which successfully presents the complexity and diversity of the Gothic-Revival style in Canada term "British Classicism" to characterize the general architectural style. id: work_c7vjtdazr5fqtgcze6uovmhwzm author: Natasha Kurchanova title: Khishchnyi Glaz: Novye ocherki po arkheologii vizual΄nosti. By Aleksei Kurbanovskii. St. Petersburg: Izdatel΄stvo "ARS," 2015. 311 pp. Appendix. Bibliography. Index. Plates. Photographs. RUB 800, hard bound date: 2018 words: 1149.0 sentences: 65.0 pages: 2 flesch: 53.0 cache: ./cache/work_c7vjtdazr5fqtgcze6uovmhwzm.pdf txt: ./txt/work_c7vjtdazr5fqtgcze6uovmhwzm.txt summary: the tribulations of Russian language use, discursive trends, and language policies in discourse of western art history, and it incorporates Russia into this discourse. weaves a chronologically-arranged narrative out of leading art historical and critical trends that have become commonplace in the field in the past thirty years. The logic of the narrative follows the principle of dualistic opposites, formulated as "textual" versus "visual" art, following Alpers, or as the discerning gaze While the book deserves praise for an original and insightful summary of major theoretical trends in art history, it short-circuits on account of what centuries are dedicated to Russian art, the last, most pessimistic, "end of art" chapter is devoid of concrete examples of contemporary Russian art, as if it does not exist or According to the publisher''s note, the book is the continuation of the author''s id: work_nggycmuqmbhlbhprs5axbkyp44 author: Nathalie Rivère de Carles title: Selene Scarsi, Translating Women in Early Modern England: Gender in the Elizabethan Versions of Boiardo, Ariosto and Tasso date: 2011 words: 1191.0 sentences: 95.0 pages: 4 flesch: 51.0 cache: ./cache/work_nggycmuqmbhlbhprs5axbkyp44.pdf txt: ./txt/work_nggycmuqmbhlbhprs5axbkyp44.txt summary: Selene Scarsi, Translating Women in Early Modern Nathalie Rivère de Carles, "Selene Scarsi, Translating Women in Early Modern England: Gender in the Elizabethan Versions of Boiardo, Ariosto and Tasso", Miranda [Online], 4 | 2011, Online since 24 June URL: http://journals.openedition.org/miranda/2603 ; DOI: Selene Scarsi, Translating Women in Selene Scarsi, Translating Women in Early Modern England: Gender in the Elizabethan Marrapodi), Selene Scarsi''s monograph on Translating Women in Early Modern England, is three major works of Italian epic poetry and their English translations. reworks the study of Harrington''s translating methods and offers an enriching the feminine to Renaissance translation theory. Selene Scarsi, Translating Women in Early Modern England: Gender in the Eliza... Selene Scarsi, Translating Women in Early Modern England: Gender in the Eliza... Selene Scarsi, Translating Women in Early Modern England: Gender in the Eliza... Selene Scarsi, Translating Women in Early Modern England: Gender in the Elizabethan Versions of Boiardo, Ariosto and Tasso id: work_tzvxdbvrarhwjntvft75l2p6j4 author: Nica Gutman Rieppi title: Salvator Mundi: an investigation of the painting''s materials and techniques date: 2020 words: 7844.0 sentences: 616.0 pages: 12 flesch: 63.0 cache: ./cache/work_tzvxdbvrarhwjntvft75l2p6j4.pdf txt: ./txt/work_tzvxdbvrarhwjntvft75l2p6j4.txt summary: Before the start of its restoration in 2007, the Salvator Mundi was thought to be one of a number of copies of a longlost Leonardo da Vinci painting, depicting Christ giving a blessing with his right hand while holding a crystal orb in including stereomicroscopy, visible and fluorescent light microscopy, scanning electron microscopy with energy dispersive spectroscopy, Raman microspectroscopy, Fourier transform infrared microspectroscopy in transmission mode soda-lime glass was detected in the ground, imprimitura and paint layers, and a walnut oil medium was identified by Keywords: Salvator Mundi, Panel painting, Cross-section, Raman, SEM, FTIR, Py-GCMS, Pigments Fig. 3 Cross-section sample 1 from flesh highlight, proper right hand (left), showing: (1) ground (2) imprimitura (3) black background paint layer (4) flesh highlight paint layers; backscattered electron (SEM-BSE) image (right) corresponding to area with overlaid box, showing coarse glass particles In the area sampled, several further paint layers, black in color, are situated above the warm brown id: work_jb74g4gaeze7tlooskzdbav4x4 author: Nicholas Campion title: The 2012 Mayan calendar prophecies in the context of the western millenarian tradition date: 2011 words: 3706.0 sentences: 223.0 pages: 6 flesch: 50.0 cache: ./cache/work_jb74g4gaeze7tlooskzdbav4x4.pdf txt: ./txt/work_jb74g4gaeze7tlooskzdbav4x4.txt summary: 2012 Maya prophecy, millenarianism, New Age, historicism encouraged the wider counter-cultural Maya Prophecy Movement (MPM). We should also bring modern New Age culture into consideration as a species of millenarian thought (Hanegraaff 1996: 96, 98–103), based as it is In addition, New Age culture possesses the following characteristics (Campion Both Christian millenarianism and New Age prophecy draw their legitimacy from powerful political ideologies of twentieth-century Europe, were secular forms of millenarianism: both assumed that history follows patterns that are broadly predetermined and Baillie argued that progress theory evolved directly out of Jewish and Christian millenarianism''s message of hope that a new world will be born. One framework for understanding whether millenarian prophecies are peaceful or violent was suggested by Desroche (1979: 93–94), who identified two forms of Christian Revolutionary Millenarians and Mystical Anarchists of the Middle Ages, Oxford University Press, London & New York. id: work_ls3eci5rsrbrve3efbykcxuqly author: Nicholas Terpstra title: ''Republics by Contract'': Civil Society, Social Capital, and the ''Putnam Thesis'' in the Papal Stat date: 2006 words: 8908.0 sentences: 438.0 pages: flesch: 52.0 cache: ./cache/work_ls3eci5rsrbrve3efbykcxuqly.htm txt: ./txt/work_ls3eci5rsrbrve3efbykcxuqly.txt summary: Nicholas Terpstra ''Republics by Contract'': Civil Society, Social Capital, and the ''Putnam Thesis'' in the Papal State ''Republics by Contract'': Civil Society, Social Capital, and the ''Putnam Thesis'' in the Papal Stat Yet he also uses history, and in one of his studies, Making Democracy Work (1993), Putnam seeks to identify the most "successful" regions in modern Italy, and the historical causes for to the leading communes of the Papal State may have generated forms of social capital and civil society better adapted to ''surviving'' absolutism than Florentine and Venetian republicanism were. Making Democracy Work (1993) is more about civil society, while Bowling Alone (2000) is more about social capital. In contrast to Brucker, Muir thought that civil society did emerge from the medieval and renaissance republics, and did weather the capital-draining early modern period of uncivil Nicholas Terpstra, ''Republics by Contract'': Civil Society, Social Capital, and the ''Putnam Thesis'' in the Papal Stat, "Storicamente", 2 (2006), no. id: work_xa4uwnfgy5ajzdb4tyfrzk4v2u author: Ovanes Akopyan title: Giovanni Pico della Mirandola and Astrology (1486–1493): From Scientia Naturalis to the Disputationes adversus astrologiam date: 2018 words: 11030.0 sentences: 803.0 pages: 20 flesch: 60.0 cache: ./cache/work_xa4uwnfgy5ajzdb4tyfrzk4v2u.pdf txt: ./txt/work_xa4uwnfgy5ajzdb4tyfrzk4v2u.txt summary: Giovanni Pico della Mirandola and Astrology (1486–1493): From Scientia Naturalis to the Disputationes adversus astrologiam THE DEVELOPMENT OF THE astrological ideas of Giovanni Pico della Mirandola (1463–94) still remains one of the most intriguing aspects of his legacy.1 Although Pico explicitly dedicated only his last philosophical treatise, the Disputationes 2. Giovanni Pico della Mirandola, Disputationes adversus astrologiam divinatricem, 2 vols., ed. toward an Interpretation of Giovanni Pico della Mirandola''s Disputationes adversus astrologiam divinatricem" (PhD diss., Indiana University, 2002), "Magia, cabala, vera astrologia: Le prime considerazioni For the text of Pico as well of that of Benivieni, see Giovanni Pico della Mirandola, "Commento alla Canzona d''amore," in De hominis dignitate, Heptaplus, De ente et uno e alla Canzona d''amore he had placed the notion of ten spheres within a NeoplaDisputationes; Pico della Mirandola, Disputationes adversus astrologiam divinatricem, vol. aliorum'' and His Followers: Giovanni Pico della Mirandola on the ''Astrological Tradition'' in the Disputationes adversus astrologiam divinatricem," Renaissance Studies (forthcoming), http://onlinelibrary id: work_n654sm7ypfftrcrv3imi3fimji author: PABLO ARIEL BLITSTEIN title: A GLOBAL HISTORY OF THE ''MULTIPLE RENAISSANCES'' date: 2020 words: 12637.0 sentences: 779.0 pages: 23 flesch: 63.0 cache: ./cache/work_n654sm7ypfftrcrv3imi3fimji.pdf txt: ./txt/work_n654sm7ypfftrcrv3imi3fimji.txt summary: historical and social configurations, not only within, but also outside Europe; finally, through an analysis of the relation between Arnold Toynbee and Hu Shi, I will show that the uses of the renaissance nineteenth century, the Renaissance had been a purely operative historiographical concept; that is, it simply referred to a historical event or to its period, and during the nineteenth century, the ''renaissance'' became the ideal type of a ''cultural form'' and came to be applied to different societies all over the world. process involved shared uses of ''renaissance'' between the European and nonEuropean world, and followed a general endeavour in human and social there was another key inspiration: Arnold Toynbee''s A study of history, and especially his volume on the ''renaissances'', published in . Goody explained: this in the following quote from Hu Shi''s The Chinese Renaissance, which Toynbee id: work_rpfnvy7zqzhodpt4lzrsncpule author: PATRICIA SIMONS title: HERCULES IN ITALIAN RENAISSANCE ART: MASCULINE LABOUR AND HOMOEROTIC LIBIDO date: 2008 words: 19075.0 sentences: 1580.0 pages: 33 flesch: 71.0 cache: ./cache/work_rpfnvy7zqzhodpt4lzrsncpule.pdf txt: ./txt/work_rpfnvy7zqzhodpt4lzrsncpule.txt summary: HERCULES IN ITALIAN RENAISSANCE ART: MASCULINE LABOUR AND HOMOEROTIC LIBIDO articulated.''3 The same can be said of Hercules, for the strain of forging masculinity is worked out in very physical, laboured ways. base, Antaeus in the Cathedral relief (see plate 3) is gasping, locked in the chokehold of death by a Hercules whose face, hair and body type are not dissimilar. 5 Antonio del Pollaiuolo, Hercules and Antaeus, c. Hercules and Antaeus that visualized close, sensual contact between naked men. Mantegna and his followers that production of images of Hercules with Antaeus the narrative of Hercules and Antaeus provided an opportunity for the representation of two naked and muscular male bodies in physical, intimate contact. 10 Michelangelo Buonarroti, Hercules and Antaeus and other sketches, recto, c. Like the drawings of Hercules and Antaeus, this sheet of Hercules and Antaeus by, or after, Mantegna). Italian Drawing of Hercules and Antaeus in a id: work_jlsoxwmetrdhfp53qdl25t3xui author: PHILIPPA JACKSON title: Parading in public: patrician women and sumptuary law in Renaissance Siena date: 2010 words: 6363.0 sentences: 441.0 pages: 12 flesch: 63.0 cache: ./cache/work_jlsoxwmetrdhfp53qdl25t3xui.pdf txt: ./txt/work_jlsoxwmetrdhfp53qdl25t3xui.txt summary: laws were a major mode of control, particularly of patrician women, whose dress fifteenth century Pandolfo Petrucci (1452–1512) took control of Siena. clothing in the public arena was common to most Renaissance city-states donne et il loro sumptuoso vestire'': Archivio di Stato di Siena (ASS), Balia 253, fols. relationship of clothing and sumptuary laws to other urban concerns led over both sumptuary laws and the silk trade and in records of the clothing velvet in public.24 In Siena, certain luxury clothes could only be worn Siena under the Petrucci: magnificent clothing and public Patrician women and sumptuary law in Renaissance Siena 463 Patrician women and sumptuary law in Renaissance Siena 463 Patrician women and sumptuary law in Renaissance Siena 463 Patrician women and sumptuary law in Renaissance Siena 463 Patrician women and sumptuary law in Renaissance Siena 463 Patrician women and sumptuary law in Renaissance Siena 463 id: work_tqetgmsdn5cqphtaxo2wr4npqa author: Paolo Bison title: 15th International Workshop on Advanced Infrared Technology and Applications (AITA) date: 2019 words: 1710.0 sentences: 156.0 pages: 4 flesch: 53.0 cache: ./cache/work_tqetgmsdn5cqphtaxo2wr4npqa.pdf txt: ./txt/work_tqetgmsdn5cqphtaxo2wr4npqa.txt summary: 15th International Workshop on Advanced Infrared Technology and Applications (AITA) 4 Istituto di Scienza e Tecnologie dell''Informazione "Alessandro Faedo", CNR, 56124 Pisa, Italy † Presented at the 15th International Workshop on Advanced Infrared Technology and Applications (AITA Abstract: The 15th International Workshop on Advanced Infrared Technology and Applications has The workshop program featured a technical seminar day (Section 2) followed by actual conference http://www.mdpi.com/journal/proceedings http://www.mdpi.com/journal/proceedings Finally, the website http://ronchi.isti.cnr.it/AITA2019 will be maintained active for future The 16th International Workshop on Advanced Infrared Technology and Applications will take The 16th International Workshop on Advanced Infrared Technology and Applications will take seminar titled "Infrared techniques and applications for aerospace". http://ronchi.isti.cnr.it/AITA2019 for educational robot" [1] and to Klaudia Hackiewicz for the paper "InAs/GaSb superlattice based D. Moroni ISTI-CNR, Pisa, Italy O. Salvetti ISTI-CNR, Pisa, Italy F. Pardini ISTI-CNR, Italy Technical Seminar: Infrared Techniques and Applications for Aerospace Technical Seminar: Infrared Techniques and Applications for Aerospace id: work_aoifggeqlrgk7d6buxutwn3yhu author: Patricia Rader title: Ingrid Brainard date: 2000 words: 3118.0 sentences: 280.0 pages: 8 flesch: 66.0 cache: ./cache/work_aoifggeqlrgk7d6buxutwn3yhu.pdf txt: ./txt/work_aoifggeqlrgk7d6buxutwn3yhu.txt summary: manuscript of Guglielmo Ebreo''s treatise through a New York Public Library exhibit. The manuscript, soon to be housed at The New York Public Library''s Dance Division, I remember once telling her, frustrated, that working with early dances was like stage to demonstrate it at last year''s Society of Dance History Scholars roundtable on of Dance Research Journal will offer a preliminary bibliography with additional memories of Ingrid from her extended family of colleagues. young scholars who might follow her in the path of early dance scholarship. Society of Dance History Scholars, at Barnard College. Department of Dance, State University of New York College at Brockport the Dancer in ValeYy''s Work; Dance and the Politics of Orality: Practices for Dancers; Dance, Myth and Ritual in Time and Space) Dance Studies in Theory and Politics Motion: New Cultural Studies of Dance 180 Dance Research Journal 32/1 (Summer 2000) 180 Dance Research Journal 32/1 (Summer 2000) id: work_tmzvcrjuwvbw7hkyeexhmwwtru author: Paul Barolsky title: Eros Visible: Art, Sexuality, and Antiquity in Renaissance Italy. James Grantham Turner. New Haven: Yale University Press, 2017. 464 pp. $75 date: 2018 words: 997.0 sentences: 52.0 pages: 2 flesch: 56.0 cache: ./cache/work_tmzvcrjuwvbw7hkyeexhmwwtru.pdf txt: ./txt/work_tmzvcrjuwvbw7hkyeexhmwwtru.txt summary: "On the Art of Discussion," applies to Montaigne''s own project the proverbial Herculean labor that is the writing of Adages for the benefit of others. audiences, the volume concludes with two essays that discuss the Erasmian legacy in Eros Visible: Art, Sexuality, and Antiquity in Renaissance Italy. James Turner''s Eros Visible is one of the most impressive books in Italian Renaissance and entertaining meditation on "art, sexuality, and antiquity in Renaissance Italy," focusing primarily on the sixteenth century. Turner''s book covers a rich variety of works: sculpture and painting, but also prints, Turner''s book is divided into several dovetailing chapters on art and literature, both Turner discusses the lost Although these images and texts have been much discussed, Turner''s treatment Turner''s book is framed at its beginning and end by discussion of the highly controversial Leonardesque drawing of an angel (as of the Annunciation) which has an id: work_y75ooidbbfbw5oejxtiqsmemhy author: Paul F. Grendler title: Jesuit Schools in Europe. A Historiographical Essay date: 2014 words: 8793.0 sentences: 642.0 pages: 19 flesch: 63.0 cache: ./cache/work_y75ooidbbfbw5oejxtiqsmemhy.pdf txt: ./txt/work_y75ooidbbfbw5oejxtiqsmemhy.txt summary: The article surveys recent scholarship on Jesuit schools and universities in Europe The Jesuits oversaw and taught in boarding schools for noble boys with considerable Jesuits – schools – universities – Laínez – humanism – mathematics – boarding Jesuit schools contributed to the common good by educating future Subsequent Jesuits emphasized the goal of improving civil society and educating boys to take their place in that world even more strongly. years, wrote that a Jesuit humanities education would instruct noble youths so taught in Jesuit schools would serve the Christian state (repubblica christiana). Jesuit acceptance of secular educational goals, including enabling boys to earn a living, paralleled the Society''s The vast majority of Jesuit schools taught moral theology or cases of conscience (casuistry); the two were not quite identical, according to the Ratio. Jesuits to create a large number of schools and universities in the New World. id: work_53ui56gfifgbno25w6dnpdylrm author: Petar Namicev title: Comparative analysis of antique furniture with regard to the Scandinavian design date: 2018 words: 3613.0 sentences: 379.0 pages: 9 flesch: 62.0 cache: ./cache/work_53ui56gfifgbno25w6dnpdylrm.pdf txt: ./txt/work_53ui56gfifgbno25w6dnpdylrm.txt summary: for durable, simple, functional, yet perfect furniture pieces, finds its connection to the ancient design Today''s modern Scandinavian style, as a design of Keywords: armchair, stool, chair, shape, design, Greek furniture is mainly characterized by representative seating furniture, of white many more modern furniture designs characteristics of Scandinavian furniture is furniture are wooden chairs with a seat elements of the furniture of both styles, we 3.1.Antique furniture design Characteristics of antique furniture according to form, furniture, materials and color Scandinavian furniture design Scandinavian furniture design Scandinavian furniture design Scandinavian furniture design Furniture: Materials: Form: Color: Furniture: Materials: Form: Color: Characteristics of Scandinavian furniture according to form, furniture, materials and color Scandinavian style, as a design of the 20th characteristic pieces of furniture, use of natural materials, shape, design and color. Ancient furniture: Similarities and differences between ancient design and Scandinavian • Similarities in shape and furniture design development of the design of furniture. id: work_auwp6swqw5bfxa32wkn7px7lg4 author: Peter A. Redpath title: Gilson as Christian Humanist date: 2012 words: 3608.0 sentences: 184.0 pages: 11 flesch: 57.0 cache: ./cache/work_auwp6swqw5bfxa32wkn7px7lg4.pdf txt: ./txt/work_auwp6swqw5bfxa32wkn7px7lg4.txt summary: Pope speaks, that Gilson''s scholarly work was part of a new renaissance, a new humanism that Gilson thought was demanded by the precarious civilizational crisis of the modern West after World Wars I and exists to predicate "humanism" of Gilson''s scholarship in both philosophical senses of the term. including St. Thomas, in the tradition of St. Bernard of Chartres, Gilson engaged in a study of the classics to revive aspects of higher learning in his time, get truth from classical philosophical and theological In the second sense, Gilson''s humanism is a way of philosophizing within theology, what Gilson often called a "Christian philosophy." Because Gilson thought that, to be of use, students needed to analyze Christian humanism philosophically, he thought he had to present question Can UNESCO Educate for World Understanding?, Gilson I think Gilson would maintain that the West needs that new humanism KEYWORDS: Étienne Gilson, renaissance, Christianity, humanism, Western civilization. id: work_obgl6bfkznbjflzkss7kklejty author: Peter Corrigan title: Book Reviews date: 1996 words: 4456.0 sentences: 205.0 pages: 7 flesch: 52.0 cache: ./cache/work_obgl6bfkznbjflzkss7kklejty.pdf txt: ./txt/work_obgl6bfkznbjflzkss7kklejty.txt summary: This book uses Italian art from the thirteenth to the sixteenth centuries to examine the role of should wonder why it has taken so long to see a book dedicated to museums and HE teaching. and, as a result, is a powerful argument for the value of collaborative working across museums connections between museum understanding of object based learning, and student use of has taught ''design'' based Visual Communication and worked for many years as a museum mentions Reinhardt''s line is testament to the seriousness and significance of this book, an indepth presentation of critical moments in the history of the collection and display of sculpture. the reader through histories of sculpture collections and their changing displays, neither Moore Sculpture Centre at the Art Gallery of Ontario in Toronto, and the compelling negotiations investigation of the formation of the Italian Renaissance sculpture collection at the Museum of id: work_i5nloprpffcgnfd4yvk42dc6qm author: Peter Davidson title: The Jesuit Series. Part 1: A-D (review) date: 2004 words: 989.0 sentences: 64.0 pages: 3 flesch: 61.0 cache: ./cache/work_i5nloprpffcgnfd4yvk42dc6qm.pdf txt: ./txt/work_i5nloprpffcgnfd4yvk42dc6qm.txt summary: Peter Davidson emblem-books, covering a mere seven (in the Latin alphabet, six) letters of many completed monographs on the arts and cultures of the early modern As well as being a wide-ranging collection of bibliographical specifics and encyclopedic information about the present locations of emblem books, considered in a splendidly wide sense (thus including festival decorations It is of interest to all historians of early modern culture, not only university of toronto quarterly, volume 74, number 1, winter 2004/5 university of toronto quarterly, volume 74, number 1, winter 2004/5 university of toronto quarterly, volume 74, number 1, winter 2004/5 books (not just emblem books) of the seventeenth century. as late as the 1880s versions of emblem books which have the Pia Desideria superbly accurate and comprehensive bibliography of Jesuit emblematics: history in epitome of early modern verbal and visual culture. The early Italian university was a far cry from its modern counterpart. id: work_27ojiqrrtzenpbhgg7rggpboaa author: Peter Gillgren title: Felix Horb: Notes in the margins of Max Dvořák, Hans Sedlmayr and Erwin Panofsky date: 2019 words: 5504.0 sentences: 425.0 pages: 13 flesch: 66.0 cache: ./cache/work_27ojiqrrtzenpbhgg7rggpboaa.pdf txt: ./txt/work_27ojiqrrtzenpbhgg7rggpboaa.txt summary: switched from architectural studies to art history as late as 1920.21 Horb was well Peter Gillgren Felix Horb: Notes in the margins of Max Dvořák, Hans Peter Gillgren Felix Horb: Notes in the margins of Max Dvořák, Hans Peter Gillgren Felix Horb: Notes in the margins of Max Dvořák, Hans Peter Gillgren Felix Horb: Notes in the margins of Max Dvořák, Hans Peter Gillgren Felix Horb: Notes in the margins of Max Dvořák, Hans Peter Gillgren Felix Horb: Notes in the margins of Max Dvořák, Hans Peter Gillgren Felix Horb: Notes in the margins of Max Dvořák, Hans Peter Gillgren Felix Horb: Notes in the margins of Max Dvořák, Hans Peter Gillgren Felix Horb: Notes in the margins of Max Dvořák, Hans Peter Gillgren Felix Horb: Notes in the margins of Max Dvořák, Hans Peter Gillgren Felix Horb: Notes in the margins of Max Dvořák, Hans id: work_uk4akh4d25h6xjqvmx5srpwh7e author: Pier Paolo Bassareo title: Learning from the past in the COVID-19 era: rediscovery of quarantine, previous pandemics, origin of hospitals and national healthcare systems, and ethics in medicine date: 2020 words: 7505.0 sentences: 1115.0 pages: 6 flesch: 73.0 cache: ./cache/work_uk4akh4d25h6xjqvmx5srpwh7e.pdf txt: ./txt/work_uk4akh4d25h6xjqvmx5srpwh7e.txt summary: rediscovery of quarantine, previous pandemics, origin quarantine is the 40-day period of forced isolation to Quarantine, spread, isolation, lockdown, cocooning, masking, social distancing, hand hygiene, blood Quarantine or lockdown is a forced segregation to prevent a communicable disease from the procedure of separating infected from healthy people to prevent leprosy from spreading, according to ''quarantine''.14 Over the next 80 years, similar edicts were published in Marseilles, Venice, Pisa and Genoa.15 into health practices and the term ''quarantine'' had great symbolic plague has an averaged 37-day period from infection to death; Following that, in the human history, quarantine was declared Box 3 Summary of the history of quarantine in the USA BRIEF HISTORY OF ETHICS IN MEDICINE AND NEW CHALLENGES Persad et al suggested four ethical principles to guide the distribution (allocation) of the available scarce medical resources, BRIEF HISTORY OF HOSPITALS AND HEALTHCARE SYSTEMS BRIEF HISTORY OF HOSPITALS AND HEALTHCARE SYSTEMS id: work_g65xqir3knbavogwi7usd6j4ca author: Pieter Swanepoel title: Notes on how to win (the L''Atelier) and still be free date: 2010 words: 2367.0 sentences: 141.0 pages: 4 flesch: 63.0 cache: ./cache/work_g65xqir3knbavogwi7usd6j4ca.pdf txt: ./txt/work_g65xqir3knbavogwi7usd6j4ca.txt summary: competitions (particularly as texts indicative understanding of what the word ''competition'' Absa L''Atelier competition has, until now, the winning work of this year''s competition can no reading of any text can ever be said to be outlay of this year''s winning work – Ilka van Schalkwyk''s Reading Colour (2009), which only literally read Van Schalkwyk''s translation creative process of art making. interpret Van Schalkwyk''s reading of Rushdie''s Ilka van Schalkwyk, Reading Colour (2009). are doing is not to read colour, nor are we reading by means of colour. normative tradition of reading is shifted from reading of the text? reading of the text? thoughts on art competitions, and then how art competition in South Africa, may have According to Loedolff, the competition itself the availability of the artist as the competition work of its top ten artists to Potchefstroom''s viewer''s engagement with the work remains freedom the competition allows the artist: the id: work_g3hwc2avtbgdhjlmfx2rxhevee author: Piotr Urbański title: Yasmin Haskell date: 2014 words: 1053.0 sentences: 97.0 pages: 3 flesch: 70.0 cache: ./cache/work_g3hwc2avtbgdhjlmfx2rxhevee.pdf txt: ./txt/work_g3hwc2avtbgdhjlmfx2rxhevee.txt summary: Prescribing Ovid: The Latin Works and Networks of the Enlightened Dr Heerkens. Dr. Heerkens, virtually unknown today, was a Dutch physician, poet, and follower of Ovid. Heerkens''s poems and the criticism he received from his contemporaries: matters that lie outside Haskell''s main area of interest. Haskell writes the following at the end of her introduction: "The book is and every Latin work by Heerkens. We present, rather, a study of the interaction of his Latin works and networks – the latter projected on multiple axes, to this, he wrote many books in Latin and treated this language as a tool of selfexpression. Second, what was the relationship of Latin to the new enlightened Finally, Haskell looks at the Jesuit context of Heerkens''s writing. in Germany and Italy were open to Heerkens thanks to the letters of introduction provided by the Elector Clement August. The book''s conclusion offers a brilliant analysis of Heerkens''s place id: work_bfrrlmigfnhzhggc2cuezcljxa author: Predrag Milosevic title: Foundations of Byzantine late middle ages architecture thoughtfulness date: 2003 words: 4917.0 sentences: 359.0 pages: 10 flesch: 70.0 cache: ./cache/work_bfrrlmigfnhzhggc2cuezcljxa.pdf txt: ./txt/work_bfrrlmigfnhzhggc2cuezcljxa.txt summary: Byzantine late Middle Ages and Byzantine Renaissance (1204-1453) are two final periods in the culture and architecture of that 1141 year lasting Empire. Pheidias had seen them, he would have admired their precise sameness and the abFoundations of Byzantine Late Middle Ages Architecture Thoughtfulness  397 forms the art and architecture adopted in the times of the Paleologus'', the old Byzantine Byzantine priests, as was Simeon from Thessalonika, were deeply shocked by the naturalistic paintings and the statues of the western states that showed the break up with the But that naturalism in the worldly arts and architecture incited the admiration of several educated Byzantine who, rather curious, found their expression in the This architecture was magnificent both in the late ancient times and the early Christianity, as well Foundations of Byzantine Late Middle Ages Architecture Thoughtfulness  403 Foundations of Byzantine Late Middle Ages Architecture Thoughtfulness  403 Foundations of Byzantine Late Middle Ages Architecture Thoughtfulness  403 id: work_u4rpqpxt3rhupalnhmwgol3r6u author: R G Brodrick title: NEW SAN FRANCISCO HOSPITAL date: 1916 words: 144.0 sentences: 25.0 pages: flesch: 71.0 cache: ./cache/work_u4rpqpxt3rhupalnhmwgol3r6u.pdf txt: ./txt/work_u4rpqpxt3rhupalnhmwgol3r6u.txt summary: sys_1000 wp-p1m-38.ebi.ac.uk wp-p1m-38.ebi.ac.uk exception exception Params is empty Params is empty Params is empty if (typeof jQuery === "undefined") document.write(''[script type="text/javascript" src="/corehtml/pmc/jig/1.14.8/js/jig.min.js"][/script]''.replace(/\[/g,String.fromCharCode(60)).replace(/\]/g,String.fromCharCode(62))); // // // window.name="mainwindow"; .pmc-wm {background:transparent repeat-y top left;background-image:url(/corehtml/pmc/pmcgifs/wm-nobrand.png);background-size: auto, contain} .print-view{display:block} Page not available Reason: The web page address (URL) that you used may be incorrect. Message ID: 218039850 (wp-p1m-38.ebi.ac.uk) Time: 2021/04/06 02:06:12 If you need further help, please send an email to PMC. Include the information from the box above in your message. Otherwise, click on one of the following links to continue using PMC: Search the complete PMC archive. Browse the contents of a specific journal in PMC. Find a specific article by its citation (journal, date, volume, first page, author or article title). http://europepmc.org/abstract/MED/ id: work_qnfhx6hv5nec7jyitp6cnj6ouq author: R S Morton title: Syphilis in art: an entertainment in four parts. Part 1 date: 1990 words: 3883.0 sentences: 954.0 pages: 8 flesch: 84.0 cache: ./cache/work_qnfhx6hv5nec7jyitp6cnj6ouq.pdf txt: ./txt/work_qnfhx6hv5nec7jyitp6cnj6ouq.txt summary: syphilis in art, over more than five centuries, century the morbus gallicus is no longer a changing personal and public attitudes to the disease. is said to be a fourth century Peruvian jug (fig 1). Figure I Syphilitic mother with child. Figure 3 shows another pre-Columbian work ofart twenties during the early years of the morbus gallicus be faced by another great artist some 400 years later. Figure 7 Albrecht Darer, Woodcut illustration accompanying broadsheet by Theodoricus Ulsenius, Nuremberg, I August Durer''s major woodcut (fig 7) is available in colour the figure is new to German work and shows how morbus gallicus, or French disease. Grunpeck''s tract was accompanied by two woodcut prints by Sebastien Brandt, already famous for Like Ulsenius''s piece, Grunpeck''s text is dated 1496. Title page woodcut illustration accompanying tract by Joseph Grunpeck. woodcut (fig 10) was used in a reprint of Grunpeck''s id: work_wv2nvn2pnrciffhqagw72nvhce author: R. Arletti title: Roman coloured and opaque glass: a chemical and spectroscopic study date: 2006 words: 4920.0 sentences: 413.0 pages: 8 flesch: 74.0 cache: ./cache/work_wv2nvn2pnrciffhqagw72nvhce.pdf txt: ./txt/work_wv2nvn2pnrciffhqagw72nvhce.txt summary: the colour and opacity of red and green opaque finds (mosaic tesserae, game counters, and glass artefacts) from Sicily edge XANES and EXAFS spectra suggest that, in red samples, copper is present as monovalent cations coordinated to the oxygen atoms of the glass framework, accompanied by metallic coloration is always produced by crystals of metallic copper dispersed in the glass matrix, the differences in the final Thus, red opaque glass can contain metallic copper TABLE 1 Glass chemical analyses obtained by WDS-EMPA for opaque (O.) and transparent (T.) samples, respectively EXAFS measurements were performed at 77 K in fluorescence mode on selected red RT7 and green PM35117 samples and on the reference compounds (metallic Cu, Cu2O, TABLE 2 Cu-K -edge feature positions (eV) for the glass samples and the reference compounds. FIGURE 4 Cu-K -edge XANES spectra for blue, green, and red glass samples, compared with those of reference compounds id: work_xw5rhldghbd3jj36isdiqeitn4 author: R. Lanza title: Magnetic remanence of hematite-bearing murals date: 2009 words: 3045.0 sentences: 274.0 pages: 6 flesch: 62.0 cache: ./cache/work_xw5rhldghbd3jj36isdiqeitn4.pdf txt: ./txt/work_xw5rhldghbd3jj36isdiqeitn4.txt summary: requires consent of the right holder (author or publisher) if not exempted from copyright protection by the applicable law. Magnetic remanence of hematite-bearing murals Magnetic remanence of hematite-bearing murals oriented with respect to the Earth''s magnetic field were pigments and used to paint oriented plasterboards. remanent magnetization was measured and its direction measurement of the anisotropy of isothermal remanent magnetization (AIRM). were accurately oriented with respect to the Earth''s magnetic field using bubble levels, a compass and a 3-axes This demonstrates that hematite-bearing mural paintings carry a stable record of the Earth''s field at the time they Should the PiRM direction coincide with magnetic coeval Earth''s magnetic field direction (D = 343�, I = 64�) that the PiRM direction acquired by a mural painting is a deviation of the PiRM direction relative to the ambient field magnetic field direction from historical measurements in Lanza (1999), Remanent magnetization of mural id: work_q5vz4q44pnd5dggy4rb2kysqry author: R. Moses title: The spreading city date: 2003 words: 3021.0 sentences: 180.0 pages: 6 flesch: 69.0 cache: ./cache/work_q5vz4q44pnd5dggy4rb2kysqry.pdf txt: ./txt/work_q5vz4q44pnd5dggy4rb2kysqry.txt summary: ∗ MOSES, R."The Spreading City" en Working for rhe People: Promise and Performance in Public Service, New astonishing number of people have homes in town and in the country. We have millions of city people of all income The city man is a weekend salt-water fisherman by instinct. the city man and the country man. There is no sense in assuming irreconcilable conflict between city and country no doubt honestly believe that all city people hate their existence. big cities and made good. The nearby country as well as the suburb is meaningless without the city. Obviously, city life is not doomed, although some particular town may Parts of big towns are like suburbs and even country. The city is still the center parkways and expressways to make the city and country one. Roman idea of rus in urbe, the country in the city. Country and city, we are knitted together. id: work_tbltzadnxjeulmunqczzcukutu author: RabieE Abdel-Halim title: The missing link in the history of urology: A call for more efforts to bridge the gap date: 2009 words: 5131.0 sentences: 622.0 pages: 7 flesch: 65.0 cache: ./cache/work_tbltzadnxjeulmunqczzcukutu.pdf txt: ./txt/work_tbltzadnxjeulmunqczzcukutu.txt summary: On the other hand, in the Arabic and Islamic world, though many original authentic medical manuscripts written by famous scholars of the Islamic era were authoritatively edited and published during the twentieth century, the number of primary source studies based on them by historians or medical researchers performed several primary source studies of the published medical works of ten scholars who lived and centuries, the study of medicine and other branches of science studies on history of medicine still ignore the scientific in the history of medicine in the universities of the Arabic for the history of Arabic and Islamic Sciences; 1986. Abdel-Halim: The missing link in the history of urology Abdel-Halim: The missing link in the history of urology Abdel-Halim: The missing link in the history of urology Abdel-Halim: The missing link in the history of urology progress of medicine and urology: A study and translations from his medical id: work_ntn6bge3mrf4rkk2dgjgre5wz4 author: Rachel Hajar title: Coronary heart disease: From mummies to 21st century date: 2017 words: 733.0 sentences: 150.0 pages: flesch: 64.0 cache: ./cache/work_ntn6bge3mrf4rkk2dgjgre5wz4.pdf txt: ./txt/work_ntn6bge3mrf4rkk2dgjgre5wz4.txt summary: Coronary Heart Disease: From Mummies to 21st Century | Semantic Scholar Corpus ID: 32679963Coronary Heart Disease: From Mummies to 21st Century title={Coronary Heart Disease: From Mummies to 21st Century}, journal={Heart Views : The Official Journal of the Gulf Heart Association}, Our understanding of the pathogenesis of coronary heart disease has been slow and was not elucidated until the beginning of the 20th century. This article will review how the diagnosis and treatment of coronary heart disease was viewed from ancient times to the present day. Coronary heart disease Sort by Most Influenced Papers A tale of coronary artery disease and myocardial infarction. Heart views : the official journal of the Gulf Heart Association Heart views : the official journal of the Gulf Heart Association By clicking accept or continuing to use the site, you agree to the terms outlined in our Privacy Policy, Terms of Service, and Dataset License id: work_5p3wy3pevjbxtkty6shzdhdzj4 author: Raffaella Fabiani Giannetto title: Buontalenti e Le Nôtre: Geometria del giardino da Pratolino a Versailles. Amelio Fara. Biblioteca dell''"Archivum Romanicum," Serie I: Storia, Letteratura, Paleografia 477. Florence: Olschki, 2017. viii + 144 pp. + 69 color pls. €29 date: 2020 words: 1554.0 sentences: 95.0 pages: 3 flesch: 64.0 cache: ./cache/work_5p3wy3pevjbxtkty6shzdhdzj4.pdf txt: ./txt/work_5p3wy3pevjbxtkty6shzdhdzj4.txt summary: Buontalenti e Le Nôtre: Geometria del giardino da Pratolino a Versailles. The first of the two chapters contained in this book addresses the design method of compares the work of Buontalenti in Tuscany to that of André Le Nôtre, a century later, argues that Buontalenti made use of the accelerated perspective for the design of Pratolino''s layout was irremediably altered in the nineteenth century, but Buontalenti''s method survives in a lessknown, late sixteenth-century villa located at Poggiofrancoli. Turin, but neither in Italy nor at Versailles, the author concedes, did Le Nôtre make use Cut in Alabaster: A Material of Sculpture and Its European Traditions 1330– The author''s original approach consists in her attention to alabaster sculpture made in England, France, the Low Countries, and Spain. The first chapter deals with the geological aspects and the use of alabaster In the second chapter, the author deals with the sculptors working in alabaster and id: work_u3335tn4arejjafzahtplfjxcm author: Raffaella Santi title: The antiquity of hydrocephalus: the first full palaeo-neuropathological description date: 2018 words: 4374.0 sentences: 385.0 pages: 8 flesch: 53.0 cache: ./cache/work_u3335tn4arejjafzahtplfjxcm.pdf txt: ./txt/work_u3335tn4arejjafzahtplfjxcm.txt summary: The Pathology Museum of the University of Florence houses a rich collection of anatomical specimens and over a hundred We present a historical case of severe hydrocephalus backed by modern-day anthropological, radiological and molecular analyses conducted on the skeleton of an 18-month-old male infant deceased in 1831. Physiopathologically, abnormal amount of CSF accumulating in the ventricles of the brain may cause increased intracranial pressure with progressive enlargement of the head and chapter on neurosurgical diseases, he described infantile hydrocephalus as caused by mechanical compression. Here, we describe an extraordinary case of severe hydrocephalus in an 18-month-old child who died in 1831. a diagnostic flowchart which included descriptions of the anatomical specimen and wax model, an outline of the clinical history, anthropometric methods, radiological findings and molecular testing. This case of hydrocephalus is detailed in the museum catalogue alongside the description of the wax model (Fig. 1). hydrocephalus (Luigi Calamai, 1831) housed at the Pathology Museum id: work_tjca5n7vpba2zdlv7ffnxjq2hu author: Raúl Martínez Martínez title: Bruno Zevi, the Continental European Emissary of Geoffrey Scott''s Theories date: 2019 words: 9388.0 sentences: 664.0 pages: 25 flesch: 51.0 cache: ./cache/work_tjca5n7vpba2zdlv7ffnxjq2hu.pdf txt: ./txt/work_tjca5n7vpba2zdlv7ffnxjq2hu.txt summary: that the American art historian Bernard Berenson, his pupil, the English architectural historian Geoffrey Scott, and, potentially, the American architect Frank Its focus is to reveal the lineage beginning with Bernard Berenson, continuing with Geoffrey Scott and developing further with Bruno Zevi. outlined by Berenson in 1883 in ''A Word for Renaissance Churches,''8 a littleknown, yet seminal essay that proposed an incipient interpretation of architecture in terms of space, described from the point of view of the aesthetic spectator (Fig. 1). Zevi''s original reading and modern interpretation of Scott''s text paved a foundation upon which he would build his life''s work. Zevi began fostering this relationship between architectural practice and critical thought in Saper vedere l''architettura (1948). In another chapter of Verso un''architettura organica, Zevi justified the reasons that led Italy to reject modern architecture based on two The strong correlation between Scott''s fallacies and Zevi''s books demonstrated the applicability of The Architecture of Humanism throughout diverse id: work_iwxodlrvbjegvehziimm75fofy author: Remo Accorona title: Thyroid Swelling: A Common Phenomenon in Art? date: 2018 words: 4044.0 sentences: 359.0 pages: 7 flesch: 65.0 cache: ./cache/work_iwxodlrvbjegvehziimm75fofy.pdf txt: ./txt/work_iwxodlrvbjegvehziimm75fofy.txt summary: Thyroid swelling · Endemic goiter · Art · History Thyroid swelling is frequently represented in the artworks of many stylistic periods Thyroid swelling may be considered a common finding among forms of art distant in time and style. considered the incidence of thyroid swelling in the population to be almost constant over the centuries, especially our aim was to highlight the historical continuity of representation of thyroid enlargement regardless of differences in ages, populations, and artistic movements. various hypotheses about the main causes of goiter as identified in personages represented in artworks [1, 2, 4–7]. questioned the reasons why many artists of the Renaissance and Baroque seemed to represent the goiter [1, 2, is depicted with a large goiter (see online suppl. Thyroid Swelling in 20th Century Artworks 5 Sterpetti AV, De Toma G, De Cesare A: Thyroid swellings in the art of the Italian Renaissance. id: work_2ei7tqntfveo7pirys7seuge7q author: Rens Bod title: A New Field: History of Humanities date: 2016 words: 3789.0 sentences: 331.0 pages: 9 flesch: 57.0 cache: ./cache/work_2ei7tqntfveo7pirys7seuge7q.pdf txt: ./txt/work_2ei7tqntfveo7pirys7seuge7q.txt summary: https://dare.uva.nl/personal/pure/en/publications/a-new-field-history-of-humanities(db1a021e-8fcf-4645-9744-3c0f49373928).html No earlier journal has assembled scholarly studies on the history of the humanities disciplines across time and place. in the humanities, just as in the sciences, historical actors have applied practices, methods, and principles invented for specific disciplines to problems in other disciplines 9. See, e.g., Rens Bod, A New History of the Humanities (Oxford: Oxford University Press, 2013); All use subject to University of Chicago Press Terms and Conditions (http://www.journals.uchicago.edu/t-and-c). All use subject to University of Chicago Press Terms and Conditions (http://www.journals.uchicago.edu/t-and-c). All use subject to University of Chicago Press Terms and Conditions (http://www.journals.uchicago.edu/t-and-c). All use subject to University of Chicago Press Terms and Conditions (http://www.journals.uchicago.edu/t-and-c). All use subject to University of Chicago Press Terms and Conditions (http://www.journals.uchicago.edu/t-and-c). All use subject to University of Chicago Press Terms and Conditions (http://www.journals.uchicago.edu/t-and-c). All use subject to University of Chicago Press Terms and Conditions (http://www.journals.uchicago.edu/t-and-c). All use subject to University of Chicago Press Terms and Conditions (http://www.journals.uchicago.edu/t-and-c). id: work_ooyvq33vwvedxesyn44lapqdoy author: Rens Bod title: Peter Burke, What Is the History of Knowledge? Cambridge: Polity Press, 2016. Pp. 156. US$59.95 (cloth); US$19.95 (paper) date: 2016 words: 1473.0 sentences: 108.0 pages: 4 flesch: 66.0 cache: ./cache/work_ooyvq33vwvedxesyn44lapqdoy.pdf txt: ./txt/work_ooyvq33vwvedxesyn44lapqdoy.txt summary: Burke (2016) What is the history of knowledge?]. https://dare.uva.nl/personal/pure/en/publications/review-of-p-burke-2016-what-is-the-history-of-knowledge(d7db29ec-5132-49f5-980b-c6ae1a626c69).html Peter Burke, What Is the History of Knowledge? Peter Burke, What Is the History of Knowledge? seems to be more apt than Peter Burke to write the current What Is the History of Knowledge?, which is part of the What Is History series by Polity Press. new field of history of knowledge into four main topics, which are also the titles of the book''s four chapters: "Knowledges and Their Histories," "Concepts," "Processes," Burke starts off by noting that the history of knowledge is a very young field. recalls that when he began working on his book A Social History of Knowledge in that I believe Burke has missed an important chance: the history of knowledge is in question that I would like to have seen discussed in Burke''s book is, what can the history of knowledge contribute to such issues as Hume''s and Goodman''s problems—if id: work_xc3xbeukojeytidelzjeztvuze author: Riccardo Montanari title: European ceramic technology in the Far East: enamels and pigments in Japanese art from the 16th to the 20th century and their reverse influence on China date: 2020 words: 11548.0 sentences: 917.0 pages: 18 flesch: 63.0 cache: ./cache/work_xc3xbeukojeytidelzjeztvuze.pdf txt: ./txt/work_xc3xbeukojeytidelzjeztvuze.txt summary: European ceramic technology in the Far East: enamels and pigments in Japanese art from the Keywords: Porcelain, Enamel, Pigment, Painting, Japan, Jesuit, Seminario, China, EDXRF, Raman The Raman spectra detected on the nineteenth and twentieth century Japanese yellow enamels and on the seventeenth century mukozuke dish are reported in Fig. 2. As shown in Fig. 2, the spectra recorded on the yellow decorations of shards #7, #9, and the previously analysed seventeenth century mukozuke porcelain, all show a The XRF spectrum recorded on the overglaze blue decoration of shard #8 (Fig. 5b) shows a chemical composition consistent with the European smalt-based enamel European ceramic technology in the Far East: enamels and pigments in Japanese art from the 16th to the 20th century and their reverse influence on China European ceramic technology in the Far East: enamels and pigments in Japanese art from the 16th to the 20th century and their reverse influence on China id: work_zkhii3lg6jetxg52qkdsnxyww4 author: Richard Levin title: Shakespeare at Oxford? date: 2007 words: 1414.0 sentences: 74.0 pages: 2 flesch: 65.0 cache: ./cache/work_zkhii3lg6jetxg52qkdsnxyww4.pdf txt: ./txt/work_zkhii3lg6jetxg52qkdsnxyww4.txt summary: and other until-then-ignored female human beings universal coercion to which women and girls are long exclusion from the universe of learning is yet Shakespeare at Oxford? His partisans might be called the old Oxfordians (although Oxford himself was educated at Cambridge), while Fleissner, as a new Oxfordian, claims not that the playwright was Oxford but In this sense, the most learned plays of In fact, Jonson''s "learned" art was of examples of "learning" in the plays that Shakespeare could not have acquired from his Stratford The Forum section of the October PMLA includes a letter from Robert F. following reference to me: "A London Shakespearean, Gil Elliot, in her letter in the Times Literary that Shakespeare went ''to university,'' citing Peter view that Shakespeare went to university, nor, to agree that the so-called Oxfordians have no real positive evidence favoring de Vere as the playwright. The existence of errata in Shakespeare''s plays id: work_6nrkz7ek7vempc2qkibwkumwgm author: Rina Angela Corpus title: Ballet in the Dark: A Critical Review of Black Swan by Darren Aronofsky date: 2011 words: 1136.0 sentences: 84.0 pages: 4 flesch: 63.0 cache: ./cache/work_6nrkz7ek7vempc2qkibwkumwgm.pdf txt: ./txt/work_6nrkz7ek7vempc2qkibwkumwgm.txt summary: 10 Black Swan Review Corpus.indd Defiant Daughters Dancing: Three Independent Women narrative out of a performance of the classic ballet Swan Lake, making it a women in the ballet system. of a fledgling principal dancer living and working in the heart of the dogeat-dog world that is New York City, revealing in this way the horrors of the embraced women as dancers, as epitomized by the 19th century Romantic ballerina, ballet was in fact crafted by 15th century male aesthetes under the Contemporary dance research conducted by critics such as Christy Adair of women''s induced subservience in the patriarchal ballet setup, and have For me and other women I have met in my research, ballet different from classical ballet''s five centuries-old objectification of women''s For in the thriller genre as in ballet, women''s bodies at once become Black Swan Film Review Black Swan Film Review Dancing Women: Female Bodies On Stage. id: work_rsb5ss7nc5cgllek6zggqrykju author: Rixt Hoekstra title: Modernity Beyond the West: A Review of Kathleen James-Chakraborty''s Architecture Since 1400 date: 2014 words: 1974.0 sentences: 109.0 pages: 3 flesch: 54.0 cache: ./cache/work_rsb5ss7nc5cgllek6zggqrykju.pdf txt: ./txt/work_rsb5ss7nc5cgllek6zggqrykju.txt summary: Modernity Beyond the West: A Review of Kathleen James-Chakraborty''s Architecture Since 1400 attempt to write a global history of architecture that in this book modern architecture is rewritten according the grand narratives of modern architecture took place in Architecture Since 1400, Kathleen James-Chakraborty, Minneapolis and London: Hoekstra, R 2014 Modernity Beyond the West: A Review of Kathleen JamesChakraborty''s Architecture Since 1400. and enlarged account of modern architectural history. central notion of architectural history, which is the arrival change, while the modern architecture of the Western James-Chakraborty describes the rise of non-Western noncolonial modern architecture, not as an import product Ching''s A Global History of Architecture (2011). if the global history of architecture does not encompass Global History of Architecture. Collins, P 1965 Changing Ideals in Modern Architecture, How to cite this article: Hoekstra, R 2014 Modernity Beyond the West: A Review of Kathleen James-Chakraborty''s Architecture id: work_nsikzubac5dvdi4f67cir6urhm author: Robert Bagley title: Discussion of ''Style'' from Max Loehr and the Study of Chinese Bronzes, Style and Classification in the History of Art, Ithaca, Cornell University Press: Cornell East Asia Series 2008 date: 2010 words: 7165.0 sentences: 432.0 pages: 16 flesch: 68.0 cache: ./cache/work_nsikzubac5dvdi4f67cir6urhm.pdf txt: ./txt/work_nsikzubac5dvdi4f67cir6urhm.txt summary: Loehr''S "the Bronze StyLeS of the anyang Period" (1953) attention all involve the concept of style—"a concept largely undefined, but usually referring to the changing forms of different types of vessels and to their ornamentation."402 In trying to decide what style meant to Loehr she examined not only entangled with unresolved problems in historiography.405 I would like to suggest that Loehr''s idea of style (but not Bachhofer''s) was a simple one, and that style meant to him what it means in practice, if not in theory, to most art historians today. Loehr''s use of the concept of style throughout his writing can, I believe, be For art historians who think in this way, the history This is emphatically not a part of Loehr''s understanding of style or of history. speaking of French Gothic architecture, but Loehr obviously felt that in studying Shang bronzes he too was concerned with artistic life in a period of great id: work_4kyxg4drgvbxfae3aat2jfukcy author: Robert Black title: Cicero in the curriculum of italian Renaissance grammar schools date: 2015 words: 6889.0 sentences: 730.0 pages: 16 flesch: 70.0 cache: ./cache/work_4kyxg4drgvbxfae3aat2jfukcy.pdf txt: ./txt/work_4kyxg4drgvbxfae3aat2jfukcy.txt summary: teenth-century Italian grammar schools: his treatises, De officiis, De senectute and De amicitia were recommended by Aeneas Sylvius in his De indicative of Cicero''s role as a grammar school author in the twelfth century are the number of different accessus now accompanying the moral In the fifteenth century, such copies of the shorter moral-philosophical treatises now abound(59), demonstrating the secure place which Cicero had regained in the grammar school curriculum. "Sapientia tres habet partes, scilicet, memoriam, intelligentiam et providentiam;''(63); but the overwhelming fare in teaching the shorter Ciceronian moral treatises in the fifteenth century was the simple philology typical of the grammar school: figures, etymology, mythology, geography, one fifteenth-century text of De amicitia may have pointed to the moralizing intentions of the teacher: "Est ergo Ciceronis in hoc opere materia The stylistic use of Cicero''s letters in fifteenth-century schools is also suggested by their distinctive appearance in manuscripts; unlike his shorter moral treatises, they are rarely id: work_33mifywa6rgttcmle2p3n7fnei author: Robert Fredona title: Italy and the Origins of Capitalism date: 2020 words: 17644.0 sentences: 1131.0 pages: 34 flesch: 58.0 cache: ./cache/work_33mifywa6rgttcmle2p3n7fnei.pdf txt: ./txt/work_33mifywa6rgttcmle2p3n7fnei.txt summary: Capitalism does not seem like a concept in danger of disappearing.1 Atthe Fourth Congress of the International Economic History Association, which met in Bloomington, Indiana, in September 1968, however, Lane, "Meanings of Capitalism," in "The Tasks of Economic History," ed. so-called new history of capitalism is only one strand in this story, but for an enlightening discussion of one of its predominant themes, see John J. A. Friedman, "Recent Trends in Business History Research: Capitalism, Democracy, and Innovation," Enterprise & Society 18, no. the Middle Ages with economically sophisticated merchants, imbued with a capitalist mentality." Sombart, "Medieval and Modern Commercial Enterprise," in Enterprise and Secular Mueller has also, more generally, noted the influence of Gras''s business history group on Lane. Since the time of Sombart, the "origins" of "modern" economic conditions, alternatively identified with "capitalism" or even "the economy" id: work_m4l7coqfy5evrp3dvr3i7awr34 author: Romy Golan title: ''Towards a Latin Europe'': Vers une Europe Latine: Acteurs et enjeux des échanges culturels entre la France et l''Italie fasciste, Catherine Fraixe, Lucia Piccioni and Christophe Poupault, eds., Brussels: P.I.E. Lang, 2014 date: 2014 words: 2642.0 sentences: 123.0 pages: 6 flesch: 57.0 cache: ./cache/work_m4l7coqfy5evrp3dvr3i7awr34.pdf txt: ./txt/work_m4l7coqfy5evrp3dvr3i7awr34.txt summary: In the years between the wars, Republican France and Fascist Italy vied for political regimes might have been, France and Italy were nations where culture was recaptures the awe expressed by French art critic Louis Gillet in La Revue des Deux invasion of Paris in works of the ''Italian School of Painting'' made by a group of Italians also living in Paris, ''purveyors of the Latin spirit''. Cameo portraits of Italian painters working in Paris were published alongside ones fascination for certain Italian artists and writers: Surrealism, a movement imported increasing autarchy upheld by the Fascist regime that allowed so little French art, or any foreign art for that matter, to enter Italian collections? Were there no French gallerists, writers, or critics active in Italy at Mario Sironi, the most vocal artist in Fascist Italy, publicly berated Paris for the author of Modernity and Nostalgia: Art and Politics in France Between the Wars and id: work_owqg3eqzinconmr7mpy4fmjtje author: Ronald T. Verrillo title: The influence of surface complexity on judgments of area date: 1970 words: 1774.0 sentences: 188.0 pages: 2 flesch: 64.0 cache: ./cache/work_owqg3eqzinconmr7mpy4fmjtje.pdf txt: ./txt/work_owqg3eqzinconmr7mpy4fmjtje.txt summary: The influence of surface complexity on judgments of area 1 The influence of surface complexity on judgments of area 1 a series of nine differently sized cards. cautioned to judge the area of the card and specific group were presented three times area increases as a power function of to relate size estimation as a function of surface patterning, using the method of pattern does not greatly alter apparent size, Four groups of nine square cards, having equal size; Group 3-white, with a random Perception & Psychophysics, 1970, Vol. 7 (5) Copyright 1970, Psychonomic Journals, Inc., Austin, Texas 289 complexity of the surface patterns as the C. Area and distance estimation of C. Area and distance estimation of estimated area is a power function of area of a surface, the contrasting of large elements increases apparent size. estimates of Group 3, which had a pattern method of ratio estimation, obtained estimated area of squares. id: work_yge3cqoenjeprncxu5zw2zm3gm author: Ronit Haimov-Kochman title: Three Giants in the Cradle of Reproductive Medicine; Reproduction Theories of the Seventeenth Century as Discerned by Pregnancy Portraiture in the Oeuvre of Jan Vermeer date: 2016 words: 4064.0 sentences: 296.0 pages: 7 flesch: 61.0 cache: ./cache/work_yge3cqoenjeprncxu5zw2zm3gm.pdf txt: ./txt/work_yge3cqoenjeprncxu5zw2zm3gm.txt summary: Three Giants in the Cradle of Reproductive Medicine; Reproduction Theories of the Seventeenth Century as Discerned by Pregnancy Portraiture in the Oeuvre of Jan Vermeer the Seventeenth Century as Discerned by Pregnancy Portraiture in the Oeuvre of Jan Vermeer. Portraits of pregnant women are rare in Catholic Renaissance art. Vermeer confined himself almost entirely to images of women in various domestic situations, including oeuvre, and suggest that the use of pregnancy in his paintings could have been inspired by his Delft-resident contemporaries Antony van Leeuwenhoek and Reinier de Graaf, fathers of well-known and opposing of Vermeer in Delft, Antony van Leeuwenhoek and https://commons.wikimedia.org/wiki/File:Jan_Vermeer_van_Delft_-_Young_Woman_with_a_Pearl_Necklace_-_Google_Art_Project.jpg https://commons.wikimedia.org/wiki/File:Woman-with-a-balance-by-Vermeer.jpg Both van Leeuwenhoek and Vermeer were born in Both van Leeuwenhoek and Vermeer had About 30 out of Vermeer''s works depict women as for the pregnant women was Vermeer''s wife. conflicts depicted within Vermeer''s paintings, pregnancy stands as an icon that is intended to intensify Vermeer''s pregnant women. id: work_4dl72z3tira6peb3anajf2etrq author: S. K. Kaluskar title: Evolution of Rhinology date: 2008 words: 144.0 sentences: 26.0 pages: flesch: 71.0 cache: ./cache/work_4dl72z3tira6peb3anajf2etrq.pdf txt: ./txt/work_4dl72z3tira6peb3anajf2etrq.txt summary: sys_1000 wp-p1m-39.ebi.ac.uk wp-p1m-39.ebi.ac.uk exception exception Params is empty Params is empty Params is empty if (typeof jQuery === "undefined") document.write(''[script type="text/javascript" src="/corehtml/pmc/jig/1.14.8/js/jig.min.js"][/script]''.replace(/\[/g,String.fromCharCode(60)).replace(/\]/g,String.fromCharCode(62))); // // // window.name="mainwindow"; .pmc-wm {background:transparent repeat-y top left;background-image:url(/corehtml/pmc/pmcgifs/wm-nobrand.png);background-size: auto, contain} .print-view{display:block} Page not available Reason: The web page address (URL) that you used may be incorrect. Message ID: 218036895 (wp-p1m-39.ebi.ac.uk) Time: 2021/04/06 02:06:09 If you need further help, please send an email to PMC. Include the information from the box above in your message. Otherwise, click on one of the following links to continue using PMC: Search the complete PMC archive. Browse the contents of a specific journal in PMC. Find a specific article by its citation (journal, date, volume, first page, author or article title). http://europepmc.org/abstract/MED/ id: work_6bgb5rqpt5chll2i2ykb43lrbu author: S.M. Seitz title: Multiperspective imaging date: 2003 words: 2293.0 sentences: 195.0 pages: 4 flesch: 66.0 cache: ./cache/work_6bgb5rqpt5chll2i2ykb43lrbu.pdf txt: ./txt/work_6bgb5rqpt5chll2i2ykb43lrbu.txt summary: Multiperspective imaging Computer Graphics and Applications, IEEE At the same time, these images are well suited for processing in computer vision problems such as stereo reconstruction and motion analysis. In particular, a perspective image captures only the light in the scene that Other light ray distributions give rise to multiperspective images. Once assembled, you can slice the video cube to produce different types of multiperspective images, as multiperspective images by moving a camera on a curved image is assembled into a video cube, y-t slices capture an images created from different y-t slices of the same video page) shows an example of a stereo pushbroom image Stereo images may also be created by moving a camera on a circle instead of a line. tion on multiperspective stereo images and how to create them, see our related article.1 images) video cube slice and display the result as a id: work_uyjrfome6ffefcympfp5impcri author: Sarah R. Demb title: Recordkeeping Informatics for a Networked Age date: 2019 words: 2449.0 sentences: 208.0 pages: 5 flesch: 49.0 cache: ./cache/work_uyjrfome6ffefcympfp5impcri.pdf txt: ./txt/work_uyjrfome6ffefcympfp5impcri.txt summary: $49.95, EPUB freely available at http://books.publishing.monash.edu/apps/ bookworm/view/Recordkeeping+Informatics+for+a+Networked+Age/207/01_cover.html. analyze and document business processes increasingly relate to sectorial informatics. http://books.publishing.monash.edu/apps/bookworm/view/Recordkeeping+Informatics+for+a+Networked+Age/207/01_cover.html http://books.publishing.monash.edu/apps/bookworm/view/Recordkeeping+Informatics+for+a+Networked+Age/207/01_cover.html All too often, we persist in our focus on the products (information, data objects, and records) of skills, practices, theories, and knowledge, Recordkeeping Informatics for a Networked Age presents a corrective underpinning of the book, including sociologist Anthony Giddens''s structuration theory, the search for the archival "still point" recordkeeping informatics archiving." The recordkeeping culture, direct recording of business activities, It also brings together models for information, publishing, cultural heritage, digital forensics, and data systems management within a continuum of authors'' earlier writings on the records continuum model and recordkeeping Nevertheless, the authors'' goal—to champion a recordkeeping informatics discipline base as a way toward better support of evidence, authoritative Background Paper for a Conversation on a Single-Minded Approach to Recordkeeping Informatics," files/pdf/Full papers upload/ica12Final00200.pdf; and "Recordkeeping Informatics: Building a DLM2014_PDF/02%20-%20Recordkeeping%20Informatics%20Building%20the%20Discipline%20 http://purl.pt/26107/1/DLM2014_PDF/02%20-%20Recordkeeping%20Informatics%20Building%20the%20Discipline%20Base.pdf http://purl.pt/26107/1/DLM2014_PDF/02%20-%20Recordkeeping%20Informatics%20Building%20the%20Discipline%20Base.pdf http://purl.pt/26107/1/DLM2014_PDF/02%20-%20Recordkeeping%20Informatics%20Building%20the%20Discipline%20Base.pdf id: work_dshunqjcvbfqxozorphuuhp7hq author: Sasa Brajovic title: Bellini''s Mother of God with infant Christ in Dobrota date: 2007 words: 2443.0 sentences: 437.0 pages: 4 flesch: 107.0 cache: ./cache/work_dshunqjcvbfqxozorphuuhp7hq.pdf txt: ./txt/work_dshunqjcvbfqxozorphuuhp7hq.txt summary: слика Богородице с малим Христом, дело Ђованија Белинија и његове радионице.1 Дуго се чувала у барокном оквиру од штука, који носе анђели, постављена над Закључено је да је слика настала у другој половини девете деценије кватрочента, из које потичу капитална дела Ђованија Белинија.2 Значајно је поменути да је у Доброти, према сведочанству дон Ника Луковића, постојала слика Богородице с Дететом која је носила сигнатуру и копија мајсторове слике коју је израдио његов студио високо ценила, а имала је вредност као графика лимитираног броја отисака.4 Како сведоче сачувани уговори и други документи из Венеције, радионица је била дужна да изведе уметничко дело асоцијација.10 Као олтарски вео и копрена која је покривала најштованије свете слике у Византији, завеса контура, светлост која као да проистиче из самог „ваздуха" слике указују на старијег Белинија, који, Bellini''s Mother of God with Infant Christ in Dobrota id: work_5it3u352k5g6njvgiikhn4o54a author: Saul Jarcho title: W. F. Bynum, C. Lawrence and V. Nutton, (editors), The emergence of modern cardiology (Medical History, Suplement no. 5), London, Wellcome Institute for the History of Medicine, 1985, 8vo, pp. x, 178, illus., £12.00 (UK)/£16.00 (overseas) date: 1987 words: 1436.0 sentences: 84.0 pages: 2 flesch: 52.0 cache: ./cache/work_5it3u352k5g6njvgiikhn4o54a.pdf txt: ./txt/work_5it3u352k5g6njvgiikhn4o54a.txt summary: considers the "new cardiology" in Britain, 1880-1930. late-nineteenth-century research in experimental physiology effected a reconstruction of the clinical conceptions of the heart that were held in British medicine during the first three decades of the twentieth century, the new concept being that of the living organ, which was not merely a Disease of the heart was not only an alteration in structure Howell explains the changes from early mechanical concepts of this disease to its redefinition as An essay by Finlayson, ''Ischaemic heart disease, aortic aneurysms, and atheroscleorsis in the coronary heart disease, and possibly yet another factor has caused the more recent and more KATHARINE PARK, Doctors andmedicine in early renaissance Florence, Princeton University Katharine Park has written an excellent book that contributes equally to medical history and Her findings are novel and important for the history of medicine. The city and institutions such as hospitals, religious orders, and confraternities gave id: work_me7apg3jtvcn7m64klo5u5u7rm author: Sebastião Gusmão title: Evandro de Oliveira: From Anatomy to Science and the Art of Microneurosurgery date: 2019 words: 2355.0 sentences: 155.0 pages: 3 flesch: 59.0 cache: ./cache/work_me7apg3jtvcn7m64klo5u5u7rm.pdf txt: ./txt/work_me7apg3jtvcn7m64klo5u5u7rm.txt summary: Evandro de Oliveira: From Anatomy to Science It is classic to state: medicine is science and art. to art meaning technique acquisition, practical knowledge the Therefore, medicine and surgery are old as art but new as science. in medicine, the narrow relation between science and art Using his extensive and intensive laboratory work he created Microneurosurgery, allowing us to perform miniature art, under microscopic preliminary requirement to enter into the science and art of It is for sure a sacred temple for science and art in microneurosurgery. With passion, Evandro took his work to the edges of perfection, turning into pure art. acquire the mastery in science and art of microneurosurgery. on the art that the doctor applies with scientific knowledge. even worse, thus requiring refined science and art. most difficult requirement to be acquired in the art of surgery. Evandro de Oliveira extensively contributed to the establishment of the art and science of microneurosurgery. id: work_b3zrqbir5rge5gyiarr7nwgooq author: Sibel YALI title: PROF. DR. PETER BURKE ile RÖPORTAJ date: 2017 words: 3196.0 sentences: 433.0 pages: 11 flesch: 71.0 cache: ./cache/work_b3zrqbir5rge5gyiarr7nwgooq.pdf txt: ./txt/work_b3zrqbir5rge5gyiarr7nwgooq.txt summary: Oxford''da bir öğrenci olduğumdan beri ki orada tarih alanında 3 yıl geçirdim, diğer Sanat Tarihi "özel bir alan olarak", İtalyan Rönesansı alt dün olduğu gibi bugün de (polyphonic history) ''çok sesli tarihe'' inanıyorum. Aslında "polifonik tarih" için Türkçede bir karşılık yok. Kültür tarihine bir dönüş olduğuna inanıyor musunuz? Bu tür tarih farklı bir Ever since I was a student at Oxford, where I spent 3 years in the study of history, He is considered as an important name in social and cultural history as well as – and still believe – in ''polyphonic'' history: that is, I think it the duty of the historian to From your books, I know that you were/are interested in cultural history. What do you think that there has been a turn towards cultural history? in Renaissance Italy (1972) was a social history of ''high'' culture. cultural history? Now I have begun working on the cultural history id: work_lxsnmjwgzjgtxhxat4rgp7jpua author: Sinan Caya title: Evolution of "State Ruling" date: 2015 words: 4048.0 sentences: 323.0 pages: 9 flesch: 64.0 cache: ./cache/work_lxsnmjwgzjgtxhxat4rgp7jpua.pdf txt: ./txt/work_lxsnmjwgzjgtxhxat4rgp7jpua.txt summary: The concept of ruling a state was investigated by Machiavelli as early as in the sixteenth century. Keywords: Ruling, government, politics, power, state, sovereignty. From the sixteenth century onwards, the art of governing came to be an important topic for whose sake it was the ''powerful state'' concept and employed at home and abroad as legitimation for a new departure in politics" (Roth In the eighteenth century, Rousseau, in an article on political economy, emphasized that wise governing would Finally Foucault (Autumn, 1979) notes that the new but rough notion of the art of government did find actual The new science of political economy focusing on the population-territory-wealth interaction furthered the art of government up to the level of political science (ibid.). Government, population and political economy are similarly interrelated (ibid.). becomes a big political and social entity, which is stronger than the ancient states (Alvarez, 1959:71). id: work_efogy2z3xraqley6pzrxa7de34 author: Sophie Berrebi title: Nothing Is Erased: Hubert Damisch and Jean Dubuffet date: 2015 words: 3095.0 sentences: 219.0 pages: 6 flesch: 71.0 cache: ./cache/work_efogy2z3xraqley6pzrxa7de34.pdf txt: ./txt/work_efogy2z3xraqley6pzrxa7de34.txt summary: https://dare.uva.nl/personal/pure/en/publications/nothing-is-erased-hubert-damisch-and-jean-dubuffet(d2e4711e-37ff-4e7f-8a0b-2dfa17cb8bdc).html The collection of articles and letters included in this issue of October represents, with two exceptions, all the texts Damisch published on Dubuffet during Damisch edited two more in 1995: Jean Dubuffet, Prospectus et tous écrits suivants, four volumes (Paris: 5. Sophie Berrebi, ed., Hubert Damisch, Jean Dubuffet: Entrée en matière, Correspondance 1961– writing; in an essay from 1964, Damisch calls Dubuffet a "founding father" (a phrase 9. Letter from Jean Dubuffet to Hubert Damisch, June 7, 1962. Letter from Hubert Damisch to Jean Dubuffet, January 31, 1967(no. Damisch''s subsequent texts on the artist develop.13 His discussion of Dubuffet''s complicated search for an "entrance" into fine art, his difficulty in taking a position and Hubert Damisch, Jean Dubuffet: Entrée en matière, Correspondance 1961–1985, Textes 1961–2001, part I. Nothing Is Erased: Hubert Damisch and Jean Dubuffet 7 Letter from Hubert Damisch to Jean Dubuffet, December 6, 1983. id: work_cjryiy6sgbdorccfcv3ibrf5ju author: Sophus A. Reinert title: Political Economy and the Medici date: 2020 words: 22279.0 sentences: 2926.0 pages: 53 flesch: 77.0 cache: ./cache/work_cjryiy6sgbdorccfcv3ibrf5ju.pdf txt: ./txt/work_cjryiy6sgbdorccfcv3ibrf5ju.txt summary: Keywords: Medici, wool, Florence, political economy, Selfridge collection, Giovanni Botero, Antonio Serra, Gustav von Ammannati, "L''Arte della Lana a Firenze nel Cinquecento: Crisi del settore e riposte degli operatori," Storia economica 11 [2008]: 1–39; Ammannati, "Florentine Woolen Manufacture in the Sixteenth Century: Crisis and New Entrepreneurial Strategies," Business and Economic History On-Line 7 [2009]: 1–9; Patrick Chorley, "Rascie and the Florentine Cloth Industry during the Sixteenth Century," Journal of European Economic History 32, no. by midcentury, it was precisely these "best of the best" regions that supplied the raw wool for Florentine firms.24 After the invention of the footoperated horizontal loom in the Middle Ages, production costs remained wool, the Garbo sector in Florence was dominant, at least in terms of production volume, with less than 25 percent of the total cloths produced cloths produced by the wool manufacturing firm of Raffaello di Francesco de'' Medici (1531–1534). id: work_s4atjewim5b7ddgwi5hzwm3foa author: Spyros Papapetros title: Ornament and object—ornament as object. Alina Payne, From Ornament to Object: Genealogies of Architectural Modernity, Yale University Press, 2012 date: 2012 words: 6364.0 sentences: 298.0 pages: 12 flesch: 41.0 cache: ./cache/work_s4atjewim5b7ddgwi5hzwm3foa.pdf txt: ./txt/work_s4atjewim5b7ddgwi5hzwm3foa.txt summary: Alina Payne, From Ornament to Object: Genealogies of Architectural Modernity, dialectics is the main subject of Alina Payne''s From Ornament to Objects. and the conclusion of Payne''s story, rehearses the trajectory from ornament to object object''s true adornment.4 Even if Semper''s own decorative designs for building The essay is mentioned in Payne, From Ornament to Object, 143-144. By becoming objects of museum study, ornamental artefacts are subject to the peculiar status of ornament as art historical object. the natural principles of the universe, art historians like Riegl turned ornament into From Ornament to Object retraces the main theme of Payne''s first major book In From Ornament to Object, she argues that in twentieth-century modernism, sequence described by Payne is then not only from ornament to object but also from In this case architecture turns into both a portable object and an ornament that to object and to architecture, but also from ornament to painting and to sculpture; id: work_6zxqgvyozzdlvfr7bnudh7u3ua author: Stefan Muthesius title: ''Modernism and, or versus traditionalism: the work of the Wagnerschűler Leopold Bauer''. Review of: Jindřich Vybiral, Leopold Bauer, Häretiker der modernen Architektur 1872-1938, Basel: Birkhäuser, 2018 date: 2019 words: 2716.0 sentences: 134.0 pages: 5 flesch: 57.0 cache: ./cache/work_6zxqgvyozzdlvfr7bnudh7u3ua.pdf txt: ./txt/work_6zxqgvyozzdlvfr7bnudh7u3ua.txt summary: Jindřich Vybiral, Leopold Bauer, Häretiker der modernen Architektur 1872-1938, One case in point was the career of Leopold Bauer. thorough investigation of his work, Vybiral makes a major contribution to Vybiral starts off with Bauer''s marginalisation within the Wagner-Schule Vybiral''s account of Bauer''s One may say that Bauer was now returning to his homeland, working until the late For Bauer, all buildings, including factories, required monumental treatment, that is, By 1930, in a design for a store in Novi Sad, Bauer adopted a very different which Bauer has finally joined, and which effectively meant, so Vybiral, trying out Like many architects of his generation, Bauer was fascinated with towers; it work of the Wagnerschűler Leopold Bauer work of the Wagnerschűler Leopold Bauer work of the Wagnerschűler Leopold Bauer work of the Wagnerschűler Leopold Bauer rectangular frames and pure white surfaces in his Vienna-Secession style interiors Bauer''s work of the Interwar period. id: work_tat5nea3cjhgpagdc7bbvbdlay author: Stefano Gambari title: "You will be richer, but I very much doubt that you will be happier". Antonio Panizzi professor in London, 1828-1831 date: 2020 words: 9452.0 sentences: 750.0 pages: 16 flesch: 65.0 cache: ./cache/work_tat5nea3cjhgpagdc7bbvbdlay.pdf txt: ./txt/work_tat5nea3cjhgpagdc7bbvbdlay.txt summary: The paper offers an overview of the complex, not easy period in which Antonio Panizzi was teaching at London University Italian language; Italian grammar; Italian literature; Teaching materials for italian; University of London; Antonio Panizzi. An Elementary Italian Grammar for the Use of Students in the London University is a short, basic 29 Extracts from the Italian Prose Writers for the Use of Students in the London University. Still in 1828, Panizzi publishes Extracts from the Italian Prose Writers for the Use of Students in the 58 Antonio Panizzi, Extracts from the Italian Prose Writers, cit., p. 58 Antonio Panizzi, Extracts from the Italian Prose Writers, cit., p. 91 Antonio Panizzi, Stories from Italian Writers with a literal interlinear translation,on the plan recommended by Mr. Locke Italian Writers, by Panizzi, consisting of a selection of the passages published in Extracts from the Writers.) [With notes, largely extracted from Panizzi''s "Elementary Italian Grammar"]. id: work_ourgqjcxbvhyfagnhejs3rprxa author: Stephen Bowd title: The animal in Renaissance Italy date: 2017 words: 9075.0 sentences: 502.0 pages: 32 flesch: 53.0 cache: ./cache/work_ourgqjcxbvhyfagnhejs3rprxa.pdf txt: ./txt/work_ourgqjcxbvhyfagnhejs3rprxa.txt summary: sources and perception solely to write the history of human-animal relations?13 How of animal and Renaissance studies into closer dialogue and to consider ways in which Given the way the debate about humanity relied on animals and bestial traits it the human-animal divide and attempts to understand or explain the natural world and and its application is central to Sarah Cockram''s essay about the historiographicallyneglected role of handlers of exotic animals in Renaissance Italy. human-animal understanding, empathy, or communication during the Renaissance.37 relationship of Renaissance Italians to the animals all around them, of the significance The study of the animal in Renaissance Italy can contribute to debates about and rebirth of knowledge about human and animal have contributed to our modern Berg, 2007); Erica Fudge (ed.), Renaissance Beasts: Of Animals, Humans, and Other Writing Animal-Human History: What is Really Enough?'', Anthrozoös, 25 (2012), id: work_cqpfpceinnaxjcsa4kgfbubrfe author: Stephen Burt title: Response to Jennifer Scappettone date: 2007 words: 1933.0 sentences: 120.0 pages: 6 flesch: 60.0 cache: ./cache/work_cqpfpceinnaxjcsa4kgfbubrfe.pdf txt: ./txt/work_cqpfpceinnaxjcsa4kgfbubrfe.txt summary: http://osc.hul.harvard.edu/dash/open-access-feedback?handle=&title=Response%20to%20Jennifer%20Scappettone&community=1/1&collection=1/2&owningCollection1/2&harvardAuthors=d92e3e20bab708d0c8a8604f331032ae&departmentEnglish%20and%20American%20Literature%20and%20Language http://nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of-use#LAA http://nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of-use#LAA http://nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of-use#LAA Critics who cherish procedurally generated texts such as Mac Low''s The author''s "administration," or trope of administration, makes the text a trope for a social "anarchist" a text as one could wish (as Mac Low could wish, since he appears to be "authored neither by Pound nor by Mac Low nor by the Bernstein as a reader of Mac Low—that Mac Low''s anarchic, multiauthored text responds to Pound''s Fascist, single-author modernist Mac Low''s text therefore represents "an egoStephen Burt „ Response to Jennifer Scappettone 215 generated texts (in general) but the special force of Mac Low''s procedure applied to Pound, one must already know a lot about Pound. Pound saw poetic texts as tropes of social arrangements, and of Can an "ambient" text ever be a history, or even a trope of the writing Faced with such texts as Mac Low''s, and with such claims as id: work_p2vikxgvzjao3cxwrbe57dcgse author: Stephen G. Schwartz title: The Monocular Duke of Urbino date: 2016 words: 144.0 sentences: 25.0 pages: flesch: 71.0 cache: ./cache/work_p2vikxgvzjao3cxwrbe57dcgse.pdf txt: ./txt/work_p2vikxgvzjao3cxwrbe57dcgse.txt summary: sys_1000 wp-p1m-38.ebi.ac.uk wp-p1m-38.ebi.ac.uk exception exception Params is empty Params is empty Params is empty if (typeof jQuery === "undefined") document.write(''[script type="text/javascript" src="/corehtml/pmc/jig/1.14.8/js/jig.min.js"][/script]''.replace(/\[/g,String.fromCharCode(60)).replace(/\]/g,String.fromCharCode(62))); // // // window.name="mainwindow"; .pmc-wm {background:transparent repeat-y top left;background-image:url(/corehtml/pmc/pmcgifs/wm-nobrand.png);background-size: auto, contain} .print-view{display:block} Page not available Reason: The web page address (URL) that you used may be incorrect. Message ID: 218041709 (wp-p1m-38.ebi.ac.uk) Time: 2021/04/06 02:06:15 If you need further help, please send an email to PMC. Include the information from the box above in your message. Otherwise, click on one of the following links to continue using PMC: Search the complete PMC archive. Browse the contents of a specific journal in PMC. Find a specific article by its citation (journal, date, volume, first page, author or article title). http://europepmc.org/abstract/MED/ id: work_uiwrwdvasvbh7nwdbk5r5zk264 author: Steve DiPaola title: Rembrandt''s Textural Agency: A Shared Perspective in Visual Art and Science date: 2010 words: 6084.0 sentences: 329.0 pages: 14 flesch: 60.0 cache: ./cache/work_uiwrwdvasvbh7nwdbk5r5zk264.pdf txt: ./txt/work_uiwrwdvasvbh7nwdbk5r5zk264.txt summary: that artists in the late ''early modern'' period developed the technique of textural agency — coerce the viewer''s gaze through a painting, thereby influencing the observer''s fixation points and eye the portrait shown in Figure 1, the increased textural and color detail rendered in the sitter''s left eye and Directing the viewer''s gaze to selected regions in a portrait is one of the tools a modern artist has for Testing the textural agency hypothesis in modern viewers of Rembrandt-like art Rembrandt-like rendering (detailed eye and neck regions on the same side of the image) at a rate artist''s selection of regions of a portrait for more and less detail has a direct influence on viewing perhaps even as early as Rembrandt, guided the viewer''s gaze through their selection of textural detail. ''early modern'' period developed the technique of textural agency in order to guide the observer''s gaze id: work_b7x6bjt64rb6riqc2ejqbiwgwy author: Steven Vanden Broecke title: Mary Quinlan-McGrath, Influences: Art, Optics, and Astrology in the Italian Renaissance. Chicago and London: The University of Chicago Press, 2013. Pp. xi+284. ISBN 978-0-226-92284-3. $35.00 (hardback) date: 2014 words: 1456.0 sentences: 104.0 pages: 3 flesch: 62.0 cache: ./cache/work_b7x6bjt64rb6riqc2ejqbiwgwy.pdf txt: ./txt/work_b7x6bjt64rb6riqc2ejqbiwgwy.txt summary: The British Journal for the History of Science / Volume 47 / Issue 02 / June 2014, pp 374 375 MARY QUINLAN-MCGRATH, Influences: Art, Optics, and Astrology in the Italian Renaissance. monumental astrological vaults of Renaissance architecture. exception, which is central to Quinlan-McGrath''s argument, occurs in Chapter III.19 of Marsilio In terms of planning, the author privileges a select number of presuppositions on premodern metaphysics, epistemology, astrology, mathematics, natural philosophy, psychology and art history, in supplying the reader with ''the tools'' by which to ''judge the case'' GIDEON MANNING (ed.), Matter and Form in Early Modern Science and Philosophy. Historians of both science and philosophy have often discussed the relation between matter matter and form relate to each other and how their meanings change in the early modern period his prior work on the concept of ''seed'' in the Renaissance and the early modern period, Hirai gives id: work_7t4fowj4mfcijpmqwdy5vmp3le author: Steven Vanden Broecke title: Monica Azzolini. The Duke and the Stars: Astrology and Politics in Renaissance Milan. I Tatti Studies in Italian Renaissance History. Cambridge, MA: Harvard University Press, 2013. xiii + 370 pp. $49.95. ISBN: 978-0-674-06663-2 date: 2014 words: 815.0 sentences: 44.0 pages: 2 flesch: 52.0 cache: ./cache/work_7t4fowj4mfcijpmqwdy5vmp3le.pdf txt: ./txt/work_7t4fowj4mfcijpmqwdy5vmp3le.txt summary: The Duke and the Stars: Astrology and Politics in I Tatti Studies in Italian Renaissance History. redistributed over other parts of the Milan archive, documents the use of astrology by the fifteenth-century Sforza princes, and formed the basis of Ferdinando a difference in the way we narrate political history: ''''Italian Renaissance leaders may knowledge of the history of Renaissance astrology. knowledge of the social and technical aspects of Renaissance astrology has been inspect Renaissance astrologers'' private correspondences and prognostications, as adoption of astrological consulting: nuptial and pedagogical planning, political surrounding the prince''s relation to the astrologers, and the way in which this formed an integral part of Renaissance political practice. techniques deployed by Renaissance astrologers actually become fun and an The problem with these presuppositions is not that they are wrong: they are They do, however, tend to obscure those aspects of Renaissance astrology Renaissance prince and the astrologer (including Pierre Brind''Amour''s overlooked id: work_hteicaa3v5d6jomnlfdp3z26va author: Susan Bradshaw title: Cornelius Cardew (1936 – 1981) date: 1982 words: 1771.0 sentences: 182.0 pages: 5 flesch: 74.0 cache: ./cache/work_hteicaa3v5d6jomnlfdp3z26va.pdf txt: ./txt/work_hteicaa3v5d6jomnlfdp3z26va.txt summary: commitment which Cardew (who had recently been closely involved in the composition of Stockhausen s Carre) wholly different kinds of''New Music'' throughout the 1960*5 and 1970''j. John Tilbury, in March 1981 of his last work: Boolavogue^or two pianos, an example of the highly politicized London in 1967 to study with Cornelius. I recall his devotion at that time to the music of Bach, Mahler, and Webern. Serves Imperialism, Cardew quotes Engels: ''Freedom is the appreciation of necessity''.2 During the last ten years, he became increasingly aware of the need to More important: in Cornelius I found for the first time someone who felt as I did about the New Music, and helped me develop a critique of it. clarity of his own musical formulations still impressed me as outstanding—(e.g. Treatise, The Great Learning or Piano Album 1973). output—the symphonies, piano music and operas as well as his later work The Music of Alexander Goehr: id: work_i76yt642ujezlfkcjljtu3dpeu author: Sylvia Daunert title: The scientists of today: revisiting Leonardo in a global environment date: 2008 words: 2512.0 sentences: 240.0 pages: 3 flesch: 47.0 cache: ./cache/work_i76yt642ujezlfkcjljtu3dpeu.pdf txt: ./txt/work_i76yt642ujezlfkcjljtu3dpeu.txt summary: The scientists of today: revisiting Leonardo Throughout history, scientists have been instrumental in contributing to the advancement of human society at the time was that unless a scientist was highly specialized Department of Chemistry, College of Arts and Sciences, living in a diverse and global society, a fact that is ever true Education and Research Traineeship (IGERT) program to the "free movement" of scientists across borders has contributed to the creation of new programs, and has impacted initiatives focusing on globalization have aimed at providing international educational/research opportunities for the Developing Global Scientists and Engineers program, from the 20 European members of the CERN, scientists, together globally and integrating current knowledge stemming from diverse areas of science and technology. Analytical and Bioanalytical Chemistry publishes Journal, this issue showcases current research by the The scientists of today: revisiting Leonardo in a global environment The scientists of today: revisiting Leonardo in a global environment id: work_o2zix4tlabgyhibawqpcte3lca author: Theodore C. Clarke title: The planets and our culture a history and a legacy date: 2010 words: 3703.0 sentences: 375.0 pages: 14 flesch: 77.0 cache: ./cache/work_o2zix4tlabgyhibawqpcte3lca.pdf txt: ./txt/work_o2zix4tlabgyhibawqpcte3lca.txt summary: It relates the myths of gods and heroes for whom the planets and the Medicean moons After the defeat of the Titans, Jupiter (Zeus) was chosen by all the gods of Olympus From the myth of Jupiter and Europa comes the names of a major constellation and 8. The Myth of Jupiter and Callisto In Boucher''s painting above, we see Jupiter as Diana, embracing the innocent Callisto. Fig. 13 : The Medicean Moon Io, image by Voyager 1 taken during the Jupiter encounter, Fig. 16 : The Medicean Moon Europa, image by Voyager 1 taken during the Jupiter encounter, 1979 Fig. 20 : The Medicean Moon Ganymede, image by Voyager 1 taken during the Jupiter Fig. 21 : Jupiter in the Guise of Diana and the Nymph Callisto, Francois Boucher, 1759, Fig. 22 : The Medicean Moon Callisto, image by Voyager 1 taken during the Jupiter id: work_durarhbgxnapvd35d5jv6bjbui author: Theodore Dalrymple title: Where there''s a will date: 2007 words: 144.0 sentences: 27.0 pages: flesch: 72.0 cache: ./cache/work_durarhbgxnapvd35d5jv6bjbui.pdf txt: ./txt/work_durarhbgxnapvd35d5jv6bjbui.txt summary: sys_1000 wp-p1m-39.ebi.ac.uk wp-p1m-39.ebi.ac.uk exception exception Params is empty Params is empty Params is empty if (typeof jQuery === "undefined") document.write(''[script type="text/javascript" src="/corehtml/pmc/jig/1.14.8/js/jig.min.js"][/script]''.replace(/\[/g,String.fromCharCode(60)).replace(/\]/g,String.fromCharCode(62))); // // // window.name="mainwindow"; .pmc-wm {background:transparent repeat-y top left;background-image:url(/corehtml/pmc/pmcgifs/wm-nobrand.png);background-size: auto, contain} .print-view{display:block} Page not available Reason: The web page address (URL) that you used may be incorrect. 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Johnston title: Mary Berenson (14 February 1864–23 March 1945) date: 2019 words: 578.0 sentences: 88.0 pages: flesch: 63.0 cache: ./cache/work_wjz3v2scxzfxlkaxpzt5a7ya4y.pdf txt: ./txt/work_wjz3v2scxzfxlkaxpzt5a7ya4y.txt summary: 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. id: work_yuxwl6jg5beftd7hrevkhblvcq author: Tiffany L. Johnston title: Maud Cruttwell and the Berensons: ''A preliminary canter to an independent career'' date: 2019 words: 578.0 sentences: 88.0 pages: flesch: 63.0 cache: ./cache/work_yuxwl6jg5beftd7hrevkhblvcq.pdf txt: ./txt/work_yuxwl6jg5beftd7hrevkhblvcq.txt summary: 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. id: work_uegvgzkllbc2bakiaenchdozoq author: Trisha Greenhalgh title: Trouble down under date: 2007 words: 144.0 sentences: 27.0 pages: flesch: 72.0 cache: ./cache/work_uegvgzkllbc2bakiaenchdozoq.pdf txt: ./txt/work_uegvgzkllbc2bakiaenchdozoq.txt summary: sys_1000 wp-p1m-39.ebi.ac.uk wp-p1m-39.ebi.ac.uk exception exception Params is empty Params is empty Params is empty if (typeof jQuery === "undefined") document.write(''[script type="text/javascript" src="/corehtml/pmc/jig/1.14.8/js/jig.min.js"][/script]''.replace(/\[/g,String.fromCharCode(60)).replace(/\]/g,String.fromCharCode(62))); // // // window.name="mainwindow"; .pmc-wm {background:transparent repeat-y top left;background-image:url(/corehtml/pmc/pmcgifs/wm-nobrand.png);background-size: auto, contain} .print-view{display:block} Page not available Reason: The web page address (URL) that you used may be incorrect. 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Find a specific article by its citation (journal, date, volume, first page, author or article title). http://europepmc.org/abstract/MED/ id: work_btdspbn52rffzp7j2z5fsz26ca author: Ugo Filippo Tesler title: The history of art versus the art of surgery date: 2012 words: 144.0 sentences: 25.0 pages: flesch: 71.0 cache: ./cache/work_btdspbn52rffzp7j2z5fsz26ca.pdf txt: ./txt/work_btdspbn52rffzp7j2z5fsz26ca.txt summary: sys_1000 wp-p1m-38.ebi.ac.uk wp-p1m-38.ebi.ac.uk exception exception Params is empty Params is empty Params is empty if (typeof jQuery === "undefined") document.write(''[script type="text/javascript" src="/corehtml/pmc/jig/1.14.8/js/jig.min.js"][/script]''.replace(/\[/g,String.fromCharCode(60)).replace(/\]/g,String.fromCharCode(62))); // // // window.name="mainwindow"; .pmc-wm {background:transparent repeat-y top left;background-image:url(/corehtml/pmc/pmcgifs/wm-nobrand.png);background-size: auto, contain} .print-view{display:block} Page not available Reason: The web page address (URL) that you used may be incorrect. Message ID: 218041978 (wp-p1m-38.ebi.ac.uk) Time: 2021/04/06 02:06:15 If you need further help, please send an email to PMC. Include the information from the box above in your message. Otherwise, click on one of the following links to continue using PMC: Search the complete PMC archive. Browse the contents of a specific journal in PMC. Find a specific article by its citation (journal, date, volume, first page, author or article title). http://europepmc.org/abstract/MED/ id: work_bbhokuosizgh7pjgvvko2g3lre author: Ulrich Bröckling title: On Creativity: A brainstorming session date: 2006 words: 4247.0 sentences: 329.0 pages: 10 flesch: 58.0 cache: ./cache/work_bbhokuosizgh7pjgvvko2g3lre.pdf txt: ./txt/work_bbhokuosizgh7pjgvvko2g3lre.txt summary: artefacts and interpretations, hence all products of creative investigation, formation, generation of meaning, possess no necessary existential grounding. This fact comprises determination of those capable of and called on for creative action (the gods or God, and human beings as justifications of creative action: pedagogic (the personality''s unfolding), therapeutic (fantasy''s healing powers), economic (competitive advantages through innovation), and political (the well-ordered commonweal). For this conceptual model, creativity is concretely situated; it responds to challenges demanding solutions that are both new and fitting: an approach exemplarily embodied here means liberating action, a radical new invention of social structure: the human Creativity evokes, fifth, life-connected associations: metaphors of birth and generation, but also of biological evolution. creativity programs: they offer cultural techniques meant to lead one back to a useless—what is creative is the new that prevails (Sternberg & Lubart, 1991). need to always offer something new'', complains the creative individual, ''then I''d The Creativity of Action id: work_3usctspz3fdczcukjxotc5szda author: Ute Leonards title: Mediaeval artists: Masters in directing the observers'' gaze date: 2007 words: 1620.0 sentences: 149.0 pages: 2 flesch: 57.0 cache: ./cache/work_3usctspz3fdczcukjxotc5szda.pdf txt: ./txt/work_3usctspz3fdczcukjxotc5szda.txt summary: visual image of faces. the eye to fixate in a different part Lighting conditions can affect the significance of parts of a painting as The top two panels show Duccio''s "The Annunciation" rendered either using synthetic diffuse illumination (A), or synthetic candle light (B). such paintings, they make about three eye movements a second, and where they choose to fixate will be determined by both the visual characteristics of the picture (C) The density of eye fixations from observers, estimated using The density of fixations to the diffuse illumination is shown in green; the fixations to the candle light are shown in red, and hence regions fixated in both conditions are shown as yellow. (D) The differences in fixation patterns between candle lit and diffusely lit show areas significantly more fixated when viewed using synthetic candle light, and and light-reflecting objects in paintings is to use lighting illuminant for art paintings by computing id: work_hpvsn7fok5dj7hi4w4puweoecy author: V. Cárdenes title: Roofing slate from Bernardos, Spain: A potential candidate for Global Heritage Stone date: 2020 words: 3957.0 sentences: 316.0 pages: 7 flesch: 66.0 cache: ./cache/work_hpvsn7fok5dj7hi4w4puweoecy.pdf txt: ./txt/work_hpvsn7fok5dj7hi4w4puweoecy.txt summary: Roofing slate from Bernardos, Spain: a potential candidate for use in civil architecture as a covering material (i.e., roofing slate) is The first true roofing slate quarry in Spain was opened in Bernardos in 1559 by appointment of King Philip II, and so Bernardos played new royal buildings to be erected with slate roofs on them, and advised The first three royal buildings with slate roofs were the Palace of opened a new quarry in Bernardos after a long search for roofing slate roofing slate industry in Galicia (NW Spain), which in just a few years Today, Bernardos roofing slate The representativeness of Bernardos phyllite in Spanish architectural heritage cannot be overstated, as it is one of the characteristic "Roofing slate" is a construction term, and refers to a metamorphic rock that can be split into A., 2019a, Roofing Slate Industry in Spain: History, Geology, and Geoheritage. id: work_s4hl3i2n3zer7dvhfqnl3l3lly author: Valentina Giuffra title: Diffuse idiopathic skeletal hyperostosis in the Medici, Grand Dukes of Florence (XVI century) date: 2009 words: 144.0 sentences: 25.0 pages: flesch: 71.0 cache: ./cache/work_s4hl3i2n3zer7dvhfqnl3l3lly.pdf txt: ./txt/work_s4hl3i2n3zer7dvhfqnl3l3lly.txt summary: sys_1000 wp-p1m-38.ebi.ac.uk wp-p1m-38.ebi.ac.uk exception exception Params is empty Params is empty Params is empty if (typeof jQuery === "undefined") document.write(''[script type="text/javascript" src="/corehtml/pmc/jig/1.14.8/js/jig.min.js"][/script]''.replace(/\[/g,String.fromCharCode(60)).replace(/\]/g,String.fromCharCode(62))); // // // window.name="mainwindow"; .pmc-wm {background:transparent repeat-y top left;background-image:url(/corehtml/pmc/pmcgifs/wm-nobrand.png);background-size: auto, contain} .print-view{display:block} Page not available Reason: The web page address (URL) that you used may be incorrect. Message ID: 218035139 (wp-p1m-38.ebi.ac.uk) Time: 2021/04/06 02:06:07 If you need further help, please send an email to PMC. Include the information from the box above in your message. Otherwise, click on one of the following links to continue using PMC: Search the complete PMC archive. Browse the contents of a specific journal in PMC. Find a specific article by its citation (journal, date, volume, first page, author or article title). http://europepmc.org/abstract/MED/ id: work_vs6nfsiagjfoppejwupcf5oj5i author: Valerie Shrimplin title: Michelangelo, Copernicus and the Sistine Chapel date: 2013 words: 5864.0 sentences: 322.0 pages: 7 flesch: 61.0 cache: ./cache/work_vs6nfsiagjfoppejwupcf5oj5i.pdf txt: ./txt/work_vs6nfsiagjfoppejwupcf5oj5i.txt summary: Michelangelo, Copernicus and the Sistine Chapel, American Journal of Astronomy and Astrophysics. Abstract: It is argued that Copernican astronomy is a key theme in Michelangelo''s fresco of the Last Judgment in the iconography of the Last Judgment (depicting the three parts of the universe: heaven earth and hell) was traditionally based on Michelangelo''s revolutionary work, Christ is significantly depicted as a beardless Apollonian sun-god, positioned in the Keywords: Copernicus, Michelangelo, Heliocentric, Sistine Chapel, Dante It has long been widely recognized that in Michelangelo''s fresco of the Last Judgment (1541) Christ is depicted Sun-symbolism and Cosmology in Michelangelo''s Last Judgment, Truman State On the altar wall, Michelangelo''s monumental fresco of the Last Judgment (painted much later, Michelangelo and Copernicus at the time of the commission of the Last Judgment. 6 Valerie Shrimplin: Michelangelo, Copernicus and the Sistine Chapel At the time that Michelangelo was painting his great fresco, the heliocentric theory id: work_qrtpg5s4mjacncvjhhflhxrulm author: Valerie Shrimplin title: Michelangelo, Copernicus and the Sistine chapel date: 2009 words: 5864.0 sentences: 322.0 pages: 7 flesch: 61.0 cache: ./cache/work_qrtpg5s4mjacncvjhhflhxrulm.pdf txt: ./txt/work_qrtpg5s4mjacncvjhhflhxrulm.txt summary: Michelangelo, Copernicus and the Sistine Chapel, American Journal of Astronomy and Astrophysics. Abstract: It is argued that Copernican astronomy is a key theme in Michelangelo''s fresco of the Last Judgment in the iconography of the Last Judgment (depicting the three parts of the universe: heaven earth and hell) was traditionally based on Michelangelo''s revolutionary work, Christ is significantly depicted as a beardless Apollonian sun-god, positioned in the Keywords: Copernicus, Michelangelo, Heliocentric, Sistine Chapel, Dante It has long been widely recognized that in Michelangelo''s fresco of the Last Judgment (1541) Christ is depicted Sun-symbolism and Cosmology in Michelangelo''s Last Judgment, Truman State On the altar wall, Michelangelo''s monumental fresco of the Last Judgment (painted much later, Michelangelo and Copernicus at the time of the commission of the Last Judgment. 6 Valerie Shrimplin: Michelangelo, Copernicus and the Sistine Chapel At the time that Michelangelo was painting his great fresco, the heliocentric theory id: work_4ddwhs7gxvevfnrrl2qoyha4ya author: Victor Ginsburgh title: On The Formation of Canons: The Dynamics of Narratives in Art History date: 2010 words: 9399.0 sentences: 730.0 pages: 32 flesch: 73.0 cache: ./cache/work_4ddwhs7gxvevfnrrl2qoyha4ya.pdf txt: ./txt/work_4ddwhs7gxvevfnrrl2qoyha4ya.txt summary: years ago, by Vasari in the second edition of his Vite, and by van Mander in his century canons of two groups of artists (Italians and Flemish) who, according to large number of artists in narrative works written by important art scholars at time The Italian Renaissance and Flemish Realism Canons at the End of the 20th Century canons are defined by the names that appear in Grove''s (1996) entries for the Italian For Italian art, Michelangelo is the artist whose entry is the longest (Grove Rubens is first in the Flemish canon, followed by Breughel and Van Dyck, while For Italy, the 20th century canon is formed by painters whose names appear in mentioned in the entry on Flemish painting in Grove (1996, vol. given by previous art historians (Vasari to Chastel for Italians, and van Mander to van Some artists entered the canon at later times, given that art historians id: work_zycg6gymcvamxosqe6jv6j4zoq author: Victor Ginsburgh title: Persistence and fashion in art Italian Renaissance from Vasari to Berenson and beyond date: 2006 words: 10806.0 sentences: 905.0 pages: 31 flesch: 74.0 cache: ./cache/work_zycg6gymcvamxosqe6jv6j4zoq.pdf txt: ./txt/work_zycg6gymcvamxosqe6jv6j4zoq.txt summary: entries in seven famous art histories, spread over time from Vasari to the end of the 20th should be ranked."6 Culture and art result from material production (artists, of art historians that we use as "experts" to evaluate Italian Renaissance artists from quite large consensus in the ranking of artists over time. 12 Is also considered as painter an artist who devoted (sometimes a large part of his) time to other Art.13 This makes for a list of 253 artists14 for whom we went again through Vasari''s For Burckhardt, Berenson23 and Chastel, we collected the number of times each artist Novella church in Florence that Vasari and many art historians after him had art historians who have written the entries on Italian Renaissance artists in the 34 Every row considers the 56 artists ranked first by the art historian whose name appears in the row and id: work_z6kl2ubv6jckpjk7zks5yhqpau author: Vincent Mangematin title: Disassembly and reassembly: An introduction to the Special Issue on digital technology and creative industries date: 2014 words: 8745.0 sentences: 640.0 pages: 34 flesch: 44.0 cache: ./cache/work_z6kl2ubv6jckpjk7zks5yhqpau.pdf txt: ./txt/work_z6kl2ubv6jckpjk7zks5yhqpau.txt summary: Disassembly and reassembly on digital technology and creative industries. logics, business models and creative processes are affected by digital technology and how they Digital technology; creative industries; innovation; business models; institutional change; In sum, digital technologies affect creative industries through their distinctive properties as beyond, touching fundamental institutions as well as business models and creative processes. From an institutional perspective, creative industries can be understood as organizational fields from the adoption of digital technology in the creative process of older industries in comparison Our Special Issue shows that digital technologies affect the creative industries profoundly at the level of institutions, business models and the creative process itself. The papers on the creative process show that in these digital sectors, technology is creative industries, Technological Forecasting and Social Change, this issue. Chain in the Digital Music Industry, Technological Forecasting an Social Change, this issue. id: work_z7s7owqxirhatchqhnjcfb3uba author: W C Hassler title: The San Francisco Hospital date: 1919 words: 144.0 sentences: 27.0 pages: flesch: 72.0 cache: ./cache/work_z7s7owqxirhatchqhnjcfb3uba.pdf txt: ./txt/work_z7s7owqxirhatchqhnjcfb3uba.txt summary: sys_1000 wp-p1m-39.ebi.ac.uk wp-p1m-39.ebi.ac.uk exception exception Params is empty Params is empty Params is empty if (typeof jQuery === "undefined") document.write(''[script type="text/javascript" src="/corehtml/pmc/jig/1.14.8/js/jig.min.js"][/script]''.replace(/\[/g,String.fromCharCode(60)).replace(/\]/g,String.fromCharCode(62))); // // // window.name="mainwindow"; .pmc-wm {background:transparent repeat-y top left;background-image:url(/corehtml/pmc/pmcgifs/wm-nobrand.png);background-size: auto, contain} .print-view{display:block} Page not available Reason: The web page address (URL) that you used may be incorrect. 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Find a specific article by its citation (journal, date, volume, first page, author or article title). http://europepmc.org/abstract/MED/ id: work_idshhfihwjhvxdn2ngjcnjbuxy author: W Hijmans title: Camptodactyly in a painting by Dirk Bouts (c. 1410-1475) date: 2004 words: 144.0 sentences: 27.0 pages: flesch: 72.0 cache: ./cache/work_idshhfihwjhvxdn2ngjcnjbuxy.pdf txt: ./txt/work_idshhfihwjhvxdn2ngjcnjbuxy.txt summary: sys_1000 wp-p1m-39.ebi.ac.uk wp-p1m-39.ebi.ac.uk exception exception Params is empty Params is empty Params is empty if (typeof jQuery === "undefined") document.write(''[script type="text/javascript" src="/corehtml/pmc/jig/1.14.8/js/jig.min.js"][/script]''.replace(/\[/g,String.fromCharCode(60)).replace(/\]/g,String.fromCharCode(62))); // // // window.name="mainwindow"; .pmc-wm {background:transparent repeat-y top left;background-image:url(/corehtml/pmc/pmcgifs/wm-nobrand.png);background-size: auto, contain} .print-view{display:block} Page not available Reason: The web page address (URL) that you used may be incorrect. 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Houk title: The Look of L.A date: 1984 words: 560.0 sentences: 119.0 pages: flesch: 64.0 cache: ./cache/work_c3avnxoawbdtrgtzmzj5kkbgfi.pdf txt: ./txt/work_c3avnxoawbdtrgtzmzj5kkbgfi.txt summary: | California History | University of California Press Skip to Main Content Close mobile search navigation Article Navigation Article Navigation Article Navigation Search for other works by this author on: Views Icon Article contents Share Icon Tools Icon Cite Icon Search Site Walter Houk; The Look of L.A.. California History 1 January 1984; 63 (1): 58–65. toolbar search search input search input Search input auto suggest Search input auto suggest California History California History California History This content is only available via PDF. Please check your email address / username and password and try again. 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Sign In or Create an Account id: work_ccdw3wdq5ffurecxalwcf3fk4u author: Warren Van Egmond title: Piero dell Francesca''s mathematical treatises: The "trattato d''abaco" and "libellus de quinque corporibus regularibus" date: 1980 words: 1191.0 sentences: 73.0 pages: 3 flesch: 56.0 cache: ./cache/work_ccdw3wdq5ffurecxalwcf3fk4u.pdf txt: ./txt/work_ccdw3wdq5ffurecxalwcf3fk4u.txt summary: All books monographs, journal articles, and other publications (including films and other multi-sensory materials) relating to the history of mathematics are abstracted in the Abstracts Book Review Department: Professor Judy V. review a book are invited to make known their wishes. on books, articles, or reviews should be submitted to the Correspondence Department. PIER0 DELL FRANCESCA''S MATHEMATICAL TREATISES: THE "TRATTATO regular bodies, De corporibus regularibus; and Trattato d''abaco, a general treatise on commercial arithmetic, algebra, and geometry which was probably written first and served as the mathematical foundation for the other two. two parts of Piero''s treatise on commercial mathematics and algebra, and these draw on sources no more recent than Libri, Cantor, mathematics to art and its study before Piero; one chapter each Perhaps the greatest direct interest the book holds for historians of mathematics is its very careful, detailed study of the Mrs. Davis has not built the bridge between Renaissance art id: work_d5y4aqzokjcc3phil2x4tv2fo4 author: Wivestad, Stein title: Larsen, Rune Engelbreth,Renæssancen og humanismens rødder. Århus: Aarhus Universitetsforlag, 2006 date: 2007 words: 2750.0 sentences: 186.0 pages: 6 flesch: 65.0 cache: ./cache/work_d5y4aqzokjcc3phil2x4tv2fo4.pdf txt: ./txt/work_d5y4aqzokjcc3phil2x4tv2fo4.txt summary: Rune Engelbreth Larsen has studied religion and the history of ideas at Aarhus (and renaissances) of the idea of ―humanism‖ or ―a humanist view on human beings‖ historical new ideas that constitute the renaissance (340). different as Augustine, Kierkegaard (14), Human-Etisk Forbund in Norway (15), the idea of a ―new time‖ in the 14th century that distinguishes the Italian renaissance Larsen gives a broad picture of the Italian renaissance, starting in the 13th century renaissance were not accepted after the 16th century, and have been more or less the renaissance tendency in the history of ideas ―that places the human in the centre form has antique nude models and expresses renaissance ideas: individual will and reformation ―child‖ finds its form through new direct studies of the Christian sources. between the renaissance movement and the natural science from the 17th century humanism of the renaissance. "humanism" in the renaissance movement. Larsen wants a concept of humanism where ―the id: work_zrv7a6p4fvfnfjst7lkpjlswqu author: Y. Yin title: COMPREHENSIVE COMPARISON BETWEEN THE QING IMPERIAL GARDEN AND THE ENGLISH LANDSCAPE GARDEN IN THE 18TH CENTURY: A CULTURAL HERITAGE STUDIES APPROACH date: 2019 words: 3189.0 sentences: 249.0 pages: 5 flesch: 62.0 cache: ./cache/work_zrv7a6p4fvfnfjst7lkpjlswqu.pdf txt: ./txt/work_zrv7a6p4fvfnfjst7lkpjlswqu.txt summary: THE ENGLISH LANDSCAPE GARDEN IN THE 18TH CENTURY: A CULTURAL KEY WORDS: Qing Imperial Garden, English Landscape Garden, Cultural Heritage, Views of Nature, Cultural History, Values In 17-18th century, the spread of the image of the Qing Imperial Garden witnessed the cross-cultural exchanges and promoted the differences of cultural heritage values found in the two kinds of gardens: from the design of space and structure, poems and paintings Landscape Garden was inconsistent with the Chinese concept of ''natural state of the world''. background, culture and values between the Qing Imperial Garden and the English Landscape Garden. In the 18th century, The Qing Imperial Garden in China and the between 18th century English landscape garden and the Chinese However, Views of nature in the English Landscape Garden are However, Views of nature in the English Landscape Garden are The Qing Imperial Garden and the English Landscape The Qing Imperial Garden and the English Landscape id: work_3vrprdyoknbgxfyvuhgvu7eqwu author: Yves Blanc title: History of the Study of Skeletal Muscle Function with Emphasis on Kinesiological Electromyography date: 2010 words: 9472.0 sentences: 881.0 pages: 10 flesch: 61.0 cache: ./cache/work_3vrprdyoknbgxfyvuhgvu7eqwu.pdf txt: ./txt/work_3vrprdyoknbgxfyvuhgvu7eqwu.txt summary: Religious belief had a negative impact on muscle study when interfering with dissection of human corpse. Incidental discovery of electro stimulation effect on muscle in Galvani''s laboratory and electric current concomitant of muscles contraction by Matteucci and Du Bois Reymond were major breakthroughs. engineers and physiologists in Berkeley (1945) systematically recorded EMG during gait of normal man. Marey recorded changes of the volume of muscles of the muscles functions and pattern of muscular activity. History of the Study of Skeletal Muscle Function The Open Rehabilitation Journal, 2010, Volume 3 93 History of the Study of Skeletal Muscle Function The Open Rehabilitation Journal, 2010, Volume 3 93 History of the Study of Skeletal Muscle Function The Open Rehabilitation Journal, 2010, Volume 3 93 History of the Study of Skeletal Muscle Function The Open Rehabilitation Journal, 2010, Volume 3 93 History of the Study of Skeletal Muscle Function The Open Rehabilitation Journal, 2010, Volume 3 93 id: work_5zyc52fwnfceba32yzaf2m72za author: Ángela Di Serio title: Impact of an augmented reality system on students'' motivation for a visual art course date: 2013 words: 9856.0 sentences: 847.0 pages: 12 flesch: 58.0 cache: ./cache/work_5zyc52fwnfceba32yzaf2m72za.pdf txt: ./txt/work_5zyc52fwnfceba32yzaf2m72za.txt summary: Abstract: In this paper, the authors show that augmented reality technology has a positive impact on the moti-vation of middle-school students. In the educational arena, motivation can be defined as the student''s desire to engage in a learning environment (Keller & Litchfield, The qualitative data was collected by observing students interacting with the augmented reality learning environment and conducting corresponds to item 8 which states that the augmented reality learning scenario was attention-grabbing for students. The results show that participants were motivated by the use of augmented reality technology when it was integrated into their learning Regarding the satisfaction factor, results show that students were satisfied with the use of augmented reality technology to support the The quantitative results of this research study showed that the use of augmented reality technology on learning environments had The motivation mean scores obtained were M ¼ 3.62 for the augmented reality based learning scenario and M ¼ 3.29 for the ==== make-pages.sh questions Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/reader-compute/reader-classic/bin/tsv2htm-questions.py", line 23, in df = pd.read_csv( tsv, sep='\t' ) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/io/parsers.py", line 686, in read_csv return _read(filepath_or_buffer, kwds) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/io/parsers.py", line 458, in _read data = parser.read(nrows) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/io/parsers.py", line 1196, in read ret = self._engine.read(nrows) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/io/parsers.py", line 2155, in read data = self._reader.read(nrows) File "pandas/_libs/parsers.pyx", line 847, in pandas._libs.parsers.TextReader.read File "pandas/_libs/parsers.pyx", line 862, in pandas._libs.parsers.TextReader._read_low_memory File "pandas/_libs/parsers.pyx", line 918, in pandas._libs.parsers.TextReader._read_rows File "pandas/_libs/parsers.pyx", line 905, in pandas._libs.parsers.TextReader._tokenize_rows File "pandas/_libs/parsers.pyx", line 2042, in pandas._libs.parsers.raise_parser_error pandas.errors.ParserError: Error tokenizing data. C error: EOF inside string starting at row 676 ==== make-pages.sh search ==== make-pages.sh topic modeling corpus Zipping study carrel