Latin American and Latinx Futurities: Publishing Visual Culture in the Twenty-First Century | Latin American and Latinx Visual Culture | University of California Press Skip to Main Content Close UCPRESS ABOUT US BLOG SUPPORT US CONTACT US Search search input Search input auto suggest search filter All Content Latin American and Latinx Visual Culture Search User Tools Register Carnegie Mellon University Carnegie Mellon University Sign In Toggle MenuMenu Content Recent Content Browse Issues All Content Purchase Alerts Submit Info For Authors Librarians Reprints & Permissions About Journal Editorial Team Contact Us Skip Nav Destination Article Navigation Close mobile search navigation Article navigation Volume 1, Issue 1 January 2019 Previous Article Next Article Article Navigation Editorial| January 01 2019 Latin American and Latinx Futurities: Publishing Visual Culture in the Twenty-First Century Charlene Villaseñor Black—is a professor of art history and Chicana/o studies at the University of California, Los Angeles. She authored Creating the Cult of St. Joseph: Art and Gender in the Spanish Empire (Princeton University Press, 2006) and edited Tradition and Transformation: Chicana/o Art from the 1970s through the 1990s (University of Washington Press, 2015). Emily A. Engel—is an independent scholar based in Southern California who has published on visual culture in early modern South America. She coedited Manuscript Cultures of Colonial Mexico and Peru: New Questions and Approaches (Getty Publications, 2015) and A Companion to Early Modern Lima (Brill, 2019). Latin American and Latinx Visual Culture (2019) 1 (1): 3–6. https://doi.org/10.1525/lavc.2019.000002 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Get Permissions Cite Icon Cite Search Site Citation Charlene Villaseñor Black, Emily A. Engel; Latin American and Latinx Futurities: Publishing Visual Culture in the Twenty-First Century. Latin American and Latinx Visual Culture 1 January 2019; 1 (1): 3–6. doi: https://doi.org/10.1525/lavc.2019.000002 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search search input Search input auto suggest search filter All Content Latin American and Latinx Visual Culture Search Welcome to Latin American and Latinx Visual Culture, the first peer-reviewed academic journal dedicated to visual and material cultures in Mexico, Central America, South America, the Caribbean, the United States, and those in diaspora, published by the University of California Press. Its geographical scope and chronological span are wide-ranging and encompassing. LALVC publishes scholarship from the ancient Americas to the contemporary moment. For the first time, scholars working in these areas have a venue for publishing the latest research in art history, design, material culture, architecture, film, media, performance art, museum studies, popular culture, fashion, public art, and artivism. With the recent spectacular growth in research and exhibitions on Latin... © 2019 by The Regents of the University of California. All rights reserved. Please direct all requests for permission to photocopy or reproduce article content through the University of California Press’s Reprints and Permissions web page, http://www.ucpress.edu/journals.php?p=reprints. 2019 You do not currently have access to this content. Sign in Don't already have an account? Register Client Account You could not be signed in. Please check your email address / username and password and try again. Email address / Username ? Password Sign In Reset password Register Sign in via your Institution Sign in via your Institution Citing articles via Google Scholar CrossRef Latest Most Read Most Cited Mexicos and Americas Golden Kingdoms at Getty: Going beyond Greater Mexico Getting Community Engagement Right: Working with Transnational Indigenous Stakeholders in Oaxacalifornia “Like the Flame of Fire”: A New Look at the “Hearst” Chalice Artist as Witness: Débora Arango’s Images of Jorge Eliécer Gaitán and the Eruption of la Violencia in Colombia Email alerts Article Activity Alert Latest Issue Alert Close Modal Recent Content Browse Issues All Content Purchase Alerts Submit Info for Authors Info for Librarians About Editorial Team Contact Us Online ISSN 2576-0947 Copyright © 2021 Stay Informed Sign up for eNews Twitter Facebook Instagram YouTube LinkedIn Visit the UC Press Blog Disciplines Ancient World Anthropology Art Communication Criminology & Criminal Justice Film & Media Studies Food & Wine History Music Psychology Religion Sociology Browse All Disciplines Courses Browse All Courses Products Books Journals Resources Book Authors Booksellers Instructions Journal Authors Journal Editors Librarians Media & Journalists Support Us Endowments Membership Planned Giving Supporters About UC Press Careers Location Press Releases Seasonal Catalog Contact Us Acquisitions Editors Customer Service Exam/Desk Requests Media Inquiries Print-Disability Rights & Permissions Royalties UC Press Foundation © Copyright 2021 by the Regents of the University of California. All rights reserved. Privacy policy   Accessibility Close Modal Close Modal This Feature Is Available To Subscribers Only Sign In or Create an Account Close Modal Close Modal This site uses cookies. By continuing to use our website, you are agreeing to our privacy policy. Accept