Voir l'au-delà : l'expérience visionnaire et sa représentation dans l'art italien de la Renaissance (Collection "Études renaissantes" ; 22) | Semantic Scholar


    
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Corpus ID: 194802587Voir l'au-delà : l'expérience visionnaire et sa représentation dans l'art italien de la Renaissance (Collection "Études renaissantes" ; 22)
@inproceedings{Nova2017VoirL,
  title={Voir l'au-del{\`a} : l'exp{\'e}rience visionnaire et sa repr{\'e}sentation dans l'art italien de la Renaissance (Collection "{\'E}tudes renaissantes" ; 22)},
  author={Alessandro Nova and A. Beyer and P. Morel},
  year={2017}
}
	Alessandro Nova, A. Beyer, P. Morel
	Published 2017
	Art

(ca. 1660–65) as an antiquarian response to the 1641 edition of Hadrianus Junius’s Schilder-Konst der Oude. The book’s last section exclusively attends to Apelles, arguably the most storied ancient artist of all. Here, Sarah Blake-McHam (translated into crisp, accessible French by Chantal di Biasi) uses Apelles’s love for Campaspe as an exemplum for exploring early modern depictions of the metaphoric trope of the artist who turns amorous for his model. Most useful is this book’s appendix, which… Expand

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