id	author	title	date	pages	extension	mime	words	sentences	flesch	summary	cache	txt
work_gtk2rkhdxzhxpgnvhj74stzwqq	Olwen Hufton	Reviews: Social History, Local History and Historiography, Receptions and Revisitings: Review Articles, 1978–2011, Slavery and the Culture of Taste, Transatlantic Literary Exchanges, 1790–1870: Gender, Race and Nation, the Vulgar Question of Money: Heiresses, Materialism and the Novel of Manners from Jane Austen to Henry James, the Mysteries of the Cities: Urban Crime Fiction in the Nineteenth Century, Translation, Authorship and the Victorian Professional Woman: Charlotte Bronte, Harriet Martineau and George Eliot, the Lost Ireland of Stephen Gwynn: Irish Constitutional Nationalism and Cultural Politics, 1864–1950, Purity and Contamination in Late Victorian Detective Fiction, the Spectre of Utopia: Utopian and Science Fictions at the Fin de Siècle, Middlebrow Literary Cultures, the Masculine Middlebrow, 1880–1950: What Mr Miniver Read, Accented America: The Cultural Politics of Multilingual Modernism, a Sense of Shock: The Impact of Impressionism on Modern British and Irish Writing, Marianne Moore and the Cultures of Modernity, British Social Realism in the Arts since 1940, American Postmodern Fiction and the Past, the Second World War in Contemporary British Fiction: Secret Histories, 9/11 and the Literature of TerrorRichardsonR. C., Social History, Local History and Historiography, Cambridge Scholars Publishing, 2011, pp. xi + 245, £34.99.RichardsonR. C., Receptions and Revisitings: Review Articles, 1978–2011, Cambridge Scholars Publishing, 2011, pp. ix + 155, £33.89.SimonGikandi, Slavery and the Culture of Taste, Princeton University Press, 2011, pp. xviii+366, £30.95.KevinHutchings and WrightJulia M. (eds), Transatlantic Literary Exchanges, 1790–1870: Gender, Race and Nation, Ashgate, 2011, pp. vii + 216, £55.ElsieB. Michie, The Vulgar Question of Money: Heiresses, Materialism and the Novel of Manners from Jane Austen to Henry James, Johns Hopkins University Press, 2011, pp. xvi + 303, £36.50.StephenKnight, The Mysteries of the Cities: Urban Crime Fiction in the Nineteenth Century, McFarland, 2012, pp. vii + 227, £34.95.LesaScholl, Translation, Authorship and the Victorian Professional Woman: Charlotte Bronte, Harriet Martineau and George Eliot, Ashgate, 2011, pp. vii + 213, £55.ColinReid, The Lost Ireland of Stephen Gwynn: Irish Constitutional Nationalism and Cultural Politics, 1864–1950, Manchester University Press, 2012, pp. xii + 273, £65.ChristopherPittard, Purity and Contamination in Late Victorian Detective Fiction, Ashgate, 2011, pp. xi + 259, £60.Shpayer-MakovHaia, The Ascent of the Detective: Police Sleuths in Victorian and Edwardian England, Oxford University Press, 2011, pp. 429, £30.MatthewBeaumont, The Spectre of Utopia: Utopian and Science Fictions at the Fin de Siècle, Peter Lang, 2011, pp. xii + 307, £40.EricaBrown and GroverMary (eds) Middlebrow Literary Cultures, Palgrave Macmillan, 2012, pp. xii + 244, £50.KateMacDonald, (ed.) The Masculine Middlebrow, 1880–1950: What Mr Miniver Read, Palgrave Macmillan, 2011, pp. x + 228, £50.JoshuaL. Miller, Accented America: The Cultural Politics of Multilingual Modernism, Oxford University Press, 2011, pp. xviii+ 414, $24.95.AdamParkes, A Sense of Shock: The Impact of Impressionism on Modern British and Irish Writing, Oxford University Press, 2011, pp. xviii+ 284, £40.VictoriaBazin, Marianne Moore and the Cultures of Modernity, Ashgate, 2010, pp. x +216, £55.00.DavidTucker (ed.), British Social Realism in the Arts since 1940, Palgrave Macmillan, 2011, pp. xii + 222, £50.TheophilusSavvas, American Postmodern Fiction and the Past, Palgrave Macmillan, 2011, pp. ix+ 213, £50.VictoriaStewart, The Second World War in Contemporary British Fiction: Secret HistoriesEdinburgh University Press, 2011, pp. 184, £60.MartinRandall, 9/11 and the Literature of Terror, Edinburgh University Press, 2011, pp. 173, £65.00	2012	5	.pdf	application/pdf	1171	45	47	Theophilus Savvas, American Postmodern Fiction and the Past, Palgrave Macmillan, 2011), pp. One of the hazards that any writer on the postmodernism of Coover, DeLillo, Pynchon, Vollman and Theophilus Savvas rises in American Postmodernist Fiction and The Past, a work that sets out to Savvas undertakes this feat through five serial close readings of these authors in an of the synchronic relation Savvas juxtaposes the alternating, diachronic, emplotted Nixon narrative. later-revived Pynchonian thematic work on subjunctivity, Savvas remarks on the ways in which "a Further critique could extend into Savvas' treatment of Pynchon's Mason & Dixon, where the The evaluation of Vollman here is not wholly positive as, in Savvas' In this cycle, Savvas begins by exploring the dilemma of the American Left in Reading American Postmodernist Fiction and the Past, one does not get the overwhelming sense of i Shawn Smith, Pynchon and History: Metahistorical Rhetoric and Postmodern Narrative Form in the Novels of 	./cache/work_gtk2rkhdxzhxpgnvhj74stzwqq.pdf	./txt/work_gtk2rkhdxzhxpgnvhj74stzwqq.txt