id	author	title	date	pages	extension	mime	words	sentences	flesch	summary	cache	txt
work_q5kqdjqjjbhwzealrb63flldby	Jill Galvan	Character	2018	5	.pdf	application/pdf	1964	177	53	it hardly seems possible not to read a character like Jane Eyre as riven Many, which reads fictional persons as jostling for space and for the reader's limited attention within a crowded "character-system."4 More Middlemarch's realism: George Eliot's peopled environment seems genuine because of readers' "liminally conscious perception that moment to As this work highlights, questions of social ethics, often associated with Victorian literature, do not mutually exclude attention to perceptual and sensual form, often associated with modernist literature. For on the contrary, the new physicalist view of character accentuates interiority (or depth) as itself a dimensional concept, and that we can read its interrelational position in multiple Pearl Brilmyer, "Plasticity, Form, and the Matter of Character in 7. Jonathan Farina, Everyday Words and the Character of Prose in NineteenthCentury Britain (New York: Cambridge University Press, 2017), 20. 9. Rachel Ablow, Victorian Pain (Princeton: Princeton University Press, Rochelle Rives, Modernist Impersonalities: Affect, Authority, and the	./cache/work_q5kqdjqjjbhwzealrb63flldby.pdf	./txt/work_q5kqdjqjjbhwzealrb63flldby.txt