id	author	title	date	pages	extension	mime	words	sentences	flesch	summary	cache	txt
work_xcqjpxf2gbcsxepp7dnte7eohy	R. Woodfield	Stories of Art	2003	4	.pdf	application/pdf	2082	235	84	greater inclusiveness but it was a huge w o r k and hardly a story of art. draw pictures or maps of their images of art history. Like many other writers, the author locates the emergence of art historical writing Vasari drew his models from Classical authors and every welleducated adult interested i n art knew their Cicero, Pliny, and Quintilian, let alone the great Educated people interested i n art did find space for If fine art were a category like 'chair' but other cultures did not have a category 'chair', using A s Elkins recognizes, the real problem behind a multicultural story of art is one H o w can one write a culturally fair account of the history of art? Wouldn't writing a story of art be to give u p writing textbook histories of art altogether?	./cache/work_xcqjpxf2gbcsxepp7dnte7eohy.pdf	./txt/work_xcqjpxf2gbcsxepp7dnte7eohy.txt